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Speaker 1: R and B Money. Thanks take valoti. We are the authorities,

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Speaker 1: R and B ladies and gentlemen. Funny mistake and this

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Speaker 1: is the rmy Money Podcast. Come on, doggy dog, the

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Speaker 1: authority high on all things. Yeah, you R n B

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Speaker 1: and R and B fits to Nigga. If you can't sing, yeah, please,

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Speaker 1: don't want to hear about it. You can't perform, I

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Speaker 1: don't want to hear about it. If your music doesn't

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Speaker 1: have long Jeffardy knowd I'm gonna tell him what you do.

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Speaker 1: Slow down, Slow the fuck down. Yeah, yeah, I don't

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Speaker 1: want to get to know. Nope, he's here in the

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Speaker 1: building to talk his ship. I think the MISSUS officers

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Speaker 1: dropped him off. Dropped them off in the cop car.

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Speaker 1: Will we will we ya?

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Speaker 2: Yeah?

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Speaker 1: Yeah, Nigga, we here, man, we here. Now.

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Speaker 2: Look let me tell you we get started. I don't

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Speaker 2: even like to talk to nobody, but I had to come.

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Speaker 1: Talk to R and B Money. Come on outside of this.

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Speaker 1: After this, y'all ain't gonna see me no where else.

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Speaker 1: You gotta talk to us. Nigga. We go that far

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Speaker 1: back on like four flash. We used to do empty

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Speaker 1: venues together, thirty people, Nigga and it's all good. We

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Speaker 1: heard it, and we still go. Still, we still go.

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Speaker 1: Take you like I'm saying these tunes.

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Speaker 2: And I'm gonna just lift mine what you got, I

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Speaker 2: got a full path.

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Speaker 1: They still you hear me to the well and drink.

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Speaker 1: You've been doing this for a long time. And we

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Speaker 1: were just talking about before, just you know, as we age,

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Speaker 1: you know what I'm saying, and as we're looking at

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Speaker 1: ourselves and just being hyper critical of the things we

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Speaker 1: want to see from ourselves and feel from ourselves. But

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Speaker 1: I feel like, you know, I gotta let you know, brother,

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Speaker 1: like as long as you've been doing it, you're still

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Speaker 1: in the game.

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Speaker 2: Brother, Thank you man. You know, it's it's really a blessing.

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Speaker 1: Man.

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Speaker 2: You know, I come from a good family. I try

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Speaker 2: to surround myself with people that really love me genuinely,

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Speaker 2: and you know, I stay away from the from the

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Speaker 2: hate as much as possible.

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Speaker 1: And I think that.

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Speaker 2: When you know these things and you can stay from

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Speaker 2: the hate and stay from people like that's just negative

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Speaker 2: and bad energy, I think that keeps you youthful, and

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Speaker 2: it just keeps you vibrant, and it'll keep you.

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Speaker 1: Around for a long time.

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Speaker 2: And so you know, I'm really blessed. Got both of

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Speaker 2: my parents still here living. I pull up on them

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Speaker 2: when I'm in town a couple of times a week.

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Speaker 1: You know.

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Speaker 2: I go bowling with my dad on Sundays if I'm

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Speaker 2: in town. You know, Mama cooked Sunday dinner. I talked

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Speaker 2: to her all the time. I bought a house just

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Speaker 2: for the family to go to a lake house, just

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Speaker 2: so my family can just go and congregate and just

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Speaker 2: kick it or whoever want to go and have some peace.

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Speaker 2: So it's just really, man, I'm just about peace in life.

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Speaker 2: And I think that that really helps.

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Speaker 1: You know.

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Speaker 2: I listened to a lot of Spa music that's weird,

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Speaker 2: that might be weird, love like, I really love Spa music.

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Speaker 1: And you know.

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Speaker 2: Water, you know, and yeah, because everybody because everybody ain't

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Speaker 2: been there.

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Speaker 1: Yeah yeah, yeah, right.

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Speaker 2: You know what I'm saying with the have and you

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Speaker 2: look like that I will not the way you said

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Speaker 2: spooks about He said they ain't been to the spat. Man,

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Speaker 2: I ain't been to that spot.

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Speaker 1: I don't know if I bet that. No, exactly, mean, no,

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Speaker 1: let's go to the beginning, Bobby, because you know you

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Speaker 1: were a singer. Yeah, and I feel like you could

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Speaker 1: only get that from one place. Pick me to with

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Speaker 1: that where the singing began.

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Speaker 2: I think the singing, like a lot of people don't know.

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Speaker 2: My dad was a pastor right he started. He had

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Speaker 2: a church in Columbus, Georgia. My parents, we're all from

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Speaker 2: Mississippi originally, but we moved to Atlanta when I was

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Speaker 2: a kid. And I'm glad they moved to Atlanta because

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Speaker 2: I would have been working in the chicken coop right

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Speaker 2: now had they not moved to Atlanta. As a kid,

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Speaker 2: my dad had a church in Columbus, Georgia, so on

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Speaker 2: weekends we would go down to you know, he had

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Speaker 2: his parsonage in Columbus, so he would be down there

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Speaker 2: right and sermons and stuff like that. And so I

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Speaker 2: was singing the church, and you know, that's kind of

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Speaker 2: where I learned to sing. And I also remember I

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Speaker 2: learned how to sing because I wanted to play drums

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Speaker 2: in elementary school. My dad was like, Nah, here goes

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Speaker 2: this trumpet. So he made me play the trumpet. And

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Speaker 2: when I started playing the trumpet, I started hearing notes.

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Speaker 2: I started learning how to read music a little bit.

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Speaker 2: I can't really read no more, but I know the

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Speaker 2: notes face and every good boy does fine and all

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Speaker 2: that good stuff. So I learned how to play. I

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Speaker 2: play keys. I'm not as good as you, but you

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Speaker 2: know I'm working.

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Speaker 1: I'm in there.

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Speaker 2: And so I learned how to play the trumpet from

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Speaker 2: the trumpet, you know. The band teachers always took a

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Speaker 2: liking to me. So I was like first chair. Anybody

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Speaker 2: that knows about choir or bands, you know there's first, second,

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Speaker 2: third chair. And so I was always like, even if

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Speaker 2: I wasn't the first chair and it was somebody better,

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Speaker 2: the teacher would always put me in that position. So

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Speaker 2: they kind of saw something in me that I really

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Speaker 2: didn't see it in myself. And you know, I think

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Speaker 2: that that's where, you know, I started to learn to

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Speaker 2: know notes. And then from there we would sing on

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Speaker 2: the back of the school bus. Like I remember, I

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Speaker 2: went to Sudden Middle School here in Atlanta, Georgia, and

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Speaker 2: every morning it was a party on the bus. Like

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Speaker 2: one dude would come on the bus. His mama make

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Speaker 2: chicken wings. So on the morning of the bus when

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Speaker 2: we going to school, he's selling twenty five cent wings.

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Speaker 2: We on the bus on the back singing. First we

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Speaker 2: was rapping. We used to rap it first, and then

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Speaker 2: we started singing. And this was around that time like

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Speaker 2: Jo Tosy and Boys to Men. So everybody was like, oh,

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Speaker 2: we got a sing so we started. You know, I

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Speaker 2: could sing a little bit, so I started singing. Then

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Speaker 2: we started harmonizing, and then it was just like wow.

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Speaker 1: All the girls will be around. So it was like

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Speaker 1: oh yeah, oh yeah with it. Yeah yeah.

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Speaker 2: So every morning on the bus going to school, it

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Speaker 2: was a party. Every morning Nigga had wings. We had

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Speaker 2: the wings in the morning. Yeah, it was crazy. Don't

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Speaker 2: forget about. We also had the girl used to bring

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Speaker 2: the kool aid, now the kool aid.

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Speaker 1: Back then they had a kool Aid in there.

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Speaker 2: They put the sugar in there with the kool aid,

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Speaker 2: mix it up and she said the kool aid bags too.

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Speaker 2: Then somebody else had the candy kids. This is all

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Speaker 2: on the bus. This is a whole movie going to school.

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Speaker 2: We loved the bus. The bus was popping. So if

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Speaker 2: it's six it's like the sixth gradest in the front,

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Speaker 2: seventh in the middle, eighth in the back. But we

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Speaker 2: were so popping in sixth grade. Eighth grade was like,

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Speaker 2: y'all come on back here.

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Speaker 1: Respect the upper class by the upper class.

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Speaker 2: And I remember I got I got all the way respected.

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Speaker 2: One day they were like, little Bobby come back here.

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Speaker 2: But little Bobby come back here. I was like, oh man,

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Speaker 2: the niggas gave me a wedgie. But after that I

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Speaker 2: was the man. You hear me after they gave me

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Speaker 2: the wedgie. Yeah, it was the initiation. It had to

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Speaker 2: be initiated to sit in the back of the bus,

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Speaker 2: you know what I'm saying. So once then once that happened,

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Speaker 2: I started my own little crew.

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Speaker 1: We was called the gig.

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Speaker 2: We was called We used to wear the GAP shirts

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Speaker 2: and that stand for Georgia Association of Players. So we

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Speaker 2: used to all listen. I was popping then. So I

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Speaker 2: was the head of the sixth grade, the whole little crew.

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Speaker 2: Then we all got our hair cut and then we

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Speaker 2: call ourselves the fat backs, the fat backs. If you

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Speaker 2: don't know what the fat back is, it's like low

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Speaker 2: in the front and the back of fat. So then

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Speaker 2: we had our little crew. We was the Gap Fatbacks,

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Speaker 2: you know what I'm saying. So we was popping sixth grade.

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Speaker 2: And that's kind of like where I learned the scene.

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Speaker 2: That's kind of where I like, really like it was like, oh,

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Speaker 2: this is what I want to do. And then eighth grade,

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Speaker 2: my bus went to It was a late bus because

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Speaker 2: I played sports at Sutton and Sutton went to North

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Speaker 2: Atlanta Performing Art School, and it would pick up those

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Speaker 2: students that were performing art, students that stayed late, that

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Speaker 2: might have had some late extracurriculus. So this one dude

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Speaker 2: named Tony Hottower, he's still doing this thing in the A.

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Speaker 2: He was in a group called four point zero. They

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Speaker 2: were signed to the Face Records, and he was like, Yo,

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Speaker 2: I want you to meet somebody. I was like, all right,

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Speaker 2: bet so because we were singing on the bus. He

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Speaker 2: was in a group called four point oh. They were

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Speaker 2: signed to Pebbles I think at the time. Yeah, And

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Speaker 2: he wanted me to meet somebody, so he took me

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Speaker 2: to meet.

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Speaker 1: I met Ian Burke, who found like.

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Speaker 2: A cun moucas. All of those guys he took me

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Speaker 2: to meet them to meet Ian and Ian was like, man,

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Speaker 2: you want to sing.

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Speaker 1: I was like, yeah, I want to sing. This what

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Speaker 1: I want to do.

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Speaker 2: He was like, I got some other guys I.

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Speaker 1: Want you to meet.

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Speaker 2: And he was like, you might not be home on Thanksgiving,

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Speaker 2: might not be home on Christmas, you might have to

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Speaker 2: be gone. I was like, bet, I don't care how

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Speaker 2: this is what I want to do, So mind you,

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Speaker 2: this is like eighth grade. And so I didn't hear

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Speaker 2: from N for probably about six to eight months. Then

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Speaker 2: N was like, hey, come, I want to bring some

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Speaker 2: guys by your house. So he brought these guys.

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Speaker 1: To my crib.

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Speaker 2: One of my homeboys was already in the group with

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Speaker 2: me from my school, and he brought two other guys

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Speaker 2: and so they sang for us. We sang for them,

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Speaker 2: and the two guys he brought, Darryl and Brandon, they

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Speaker 2: came and sang like they was blowing. And I was like, oh, man,

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Speaker 2: I'm not gonna do no lead to this group.

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Speaker 1: Did you think it's just killing me?

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Speaker 2: And so we ended up forming mister And then Mister

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Speaker 2: came and we met Eric Johnston, who was the manager

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Speaker 2: at the time, and Eric took us up to Sylvia

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Speaker 2: Roon and we got a deal immediately. Then they took

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Speaker 2: us eighth grade. This is eighth grade. This is my

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Speaker 2: first deal.

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Speaker 1: Everybody's in eighth grade. We was all in eighth grade.

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Speaker 2: One guy was in he's like two years younger than us,

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Speaker 2: so he even younger. He was younger than us, that's

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Speaker 2: Brandon and then probably like two years younger. So we

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Speaker 2: had a tutor and all of this stuff, and so

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Speaker 2: eighth grade we got the deal. Sylvia signed us and

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Speaker 2: I remember, and then during that time we were working

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Speaker 2: with Organized Noise. Organized Noise was going crazy time. You know,

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Speaker 2: they had outcast, they had Waterfalls was going at this time.

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Speaker 2: So Sylvia was like, I want a song that's like waterfalls.

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Speaker 2: So we was like, we was young, so we didn't

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Speaker 2: really understand. But we ended up going with Organized Noise

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Speaker 2: and we created Black Bear Molasses, which was a big song,

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Speaker 2: especially in the South. You know, Actually, you know t

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Speaker 2: I had in this movie. I found out when we

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Speaker 2: watched the Tupac movie. It was the song he was

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Speaker 2: listening to right before he died. Wow, And so that

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Speaker 2: was crazy. I was like, wow, man, Tupac was listening

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Speaker 2: to my song right before he died. So we did

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Speaker 2: that record, and we did a dope album. We recorded

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Speaker 2: with Tricky Stewart and Organized Noise pretty much produced the

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Speaker 2: whole project. And then after that project happened, you know,

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Speaker 2: it didn't do what they thought it was gonna.

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Speaker 1: Do, so Why do you think it didn't pan out?

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Speaker 3: When you look back at it now, you know, you know,

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Speaker 3: years later, more tenured in the industry, understanding how this

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Speaker 3: shit really works when you look back at it now.

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Speaker 3: And obviously I was thirteen, fourteen, eight, feighteen years or whatever. Yeah,

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Speaker 3: by the time y'all come out, Why do you think

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Speaker 3: now when you look back on it, like this is

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Speaker 3: probably why that didn't work the way?

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Speaker 1: Well, we were too We were too young.

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Speaker 2: First of all, the record was an amazing song, but

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Speaker 2: it wasn't really for us.

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Speaker 1: It was very serious.

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Speaker 2: It was very serious, and we were teenagers. We were

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Speaker 2: just wanting to have fun, and we had those type

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Speaker 2: of songs that probably should have been the first single

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Speaker 2: that would have introduced us as as kids.

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Speaker 1: Yeah, we're kids.

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Speaker 2: And so when you in hindsight, when you look at it,

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Speaker 2: it's like, man, we were too young talking about We

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Speaker 2: didn't really even know.

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Speaker 1: We had to ask them what we're talking about? You

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Speaker 1: know what I'm saying?

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Speaker 2: What are we talking about here? And it was like,

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Speaker 2: really it was, you know, heartache and pain. Don't give up.

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Speaker 2: It was a great message. Great that niggas looking sad exactly,

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Speaker 2: we shouldn't have been doing that.

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Speaker 1: We had.

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Speaker 2: If you go back and listen to the Mister album,

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Speaker 2: the album was amazing, see low Green wrote on it

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Speaker 2: organized noise. We had like out care, we had like

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Speaker 2: it was a dope overall project that we had some

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Speaker 2: kid a friendly song, teen friendly songs that should have

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Speaker 2: been the single. But because Waterfalls were so big, Sylvia

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Speaker 2: wanted that. You know, the labels don't get there, label

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Speaker 2: don't care when something is the wave. Yeah they're gonna

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Speaker 2: ride that way.

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Speaker 1: We need to get that. We need that again.

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Speaker 2: But really that should have been for like one person,

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Speaker 2: a twenty five year old single male artists. So we

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Speaker 2: did the record and it was just it was too

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Speaker 2: it was too grown. So that's what happened with that,

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Speaker 2: and then I to that by this time the group

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Speaker 2: broke up much not after that we did a second album. Oh,

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Speaker 2: we did a second album. We started on the second album.

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Speaker 2: This is when I met Tim and Bob. So I

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Speaker 2: met Tim and Bob while we were working on the

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Speaker 2: second album, and Tim really took a liking to me.

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Speaker 2: And so Tim was like I was stacking all the vocals.

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Speaker 2: I was at the studio, first person there, last person

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Speaker 2: to leave. Tim had me stacking vocals and I don't

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Speaker 2: know if you work with Tim, them boys gonna stap

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Speaker 2: a thousand times notes that you like and then you

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Speaker 2: hear you'd be like, damn you that notes. Yeah, so

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Speaker 2: it was crazy I met them. The second album, second

286
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Speaker 2: album that we worked on, actually was perfect for us.

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Speaker 2: We worked with Delight that we worked with the Light.

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Speaker 2: The Light gave us some smashes that he ended up

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Speaker 2: giving to Silk after that, but we had records with Delight,

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Speaker 2: Like between Tim and Bob and Delight, we had a

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Speaker 2: dope second album, got the call a it's over with

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Speaker 2: and then you know, we lost the deal. I guess

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Speaker 2: the first I think Black Bear Molasses might have. It's

294
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Speaker 2: probably gold now, but I think that, you know, it

295
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Speaker 2: was just they at the time, it was Missy and

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Speaker 2: they didn't respect gold.

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Speaker 1: Yeah, no, you had to go.

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Speaker 2: We had to go Triple Player, which is an amazing accomplishment,

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Speaker 2: but it is like, okay.

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Speaker 1: Then it ain't nothing. You know, gold is like spending

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Speaker 1: different kind of money to BA Yes, yeah, that is

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Speaker 1: to get us there, right, right, they sent that million dollars.

303
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Speaker 1: They want to make five or six, right.

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Speaker 2: And then people were just buying music a lot more

305
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Speaker 2: then too. Music they buying the case, opening up looking

306
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Speaker 2: at it, you know. So we come from that era

307
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Speaker 2: to where now it's just like that's why now I'm

308
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Speaker 2: just dropping two songs every month. I've been just dropping

309
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Speaker 2: two new songs because it's almost like now you gotta

310
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Speaker 2: throw the darts and see what's gonna here. If you

311
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Speaker 2: just leave it, if you make the songs and just

312
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Speaker 2: send them on your phone, you look up and you

313
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Speaker 2: got a thousand of them in your phone sitting.

314
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Speaker 1: Yeah, you know, or you can be collecting that check

315
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Speaker 1: for the ones that that's.

316
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Speaker 2: Out there, and that's how and they're only paying point

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Speaker 2: zero zero one cent.

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Speaker 1: Yeah, you gotta start playing numbers.

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Speaker 2: So it's like if I if I got a hundred

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Speaker 2: of them every day, that's generating five cents.

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Speaker 1: I gotta get to the bag, you know what I'm saying.

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Speaker 2: It's a little extra income. But yeah, we uh, once

323
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Speaker 2: the group was over with down now we're looking for

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Speaker 2: a new manager. And you're not in school no more

325
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Speaker 2: because y'all got tutors on the whole thing, right. I

326
00:16:37,680 --> 00:16:40,640
Speaker 2: had a tutor, So by ninth grade I had the

327
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Speaker 2: tutor and at the end of the ninth because we

328
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Speaker 2: got the deal beginning the ninth grade. But we really

329
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Speaker 2: started kind of moving around the end of my ninth

330
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Speaker 2: grade year. So I went to ninth grade, but at

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Speaker 2: the end I left and we had a tutor for

332
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Speaker 2: tenth and eleventh grade. But we wasn't doing nothing and

333
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Speaker 2: I was missing.

334
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Speaker 1: Yeah, like we was. We ain't do nothing with no tour.

335
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Speaker 2: Were sitting there just like eating pizza and man, we

336
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Speaker 2: would go to the tutor. Yeah, yeah, yeah, yeah exactly.

337
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Speaker 1: We was hit. Wanted to eat, well, listen. It was

338
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Speaker 1: cool though.

339
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Speaker 2: It was cool though until until it started getting too

340
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Speaker 2: boring though. So for me, I'm like a people person

341
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Speaker 2: and I like to be an athlete, and I'm an athlete.

342
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Speaker 2: I wanted to play sports. I wanted to go to

343
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Speaker 2: the prom, you know what I'm saying. I wanted to

344
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Speaker 2: skip school. I wanted to like do all the cool

345
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Speaker 2: stuff that.

346
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Speaker 1: You do in high school.

347
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Speaker 2: So I missed tenth and eleventh grade, and I said,

348
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Speaker 2: you know what, I want to go because I want

349
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Speaker 2: to play baseball and I want to try out for

350
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Speaker 2: the basketball team. I want to play football, and I

351
00:17:46,880 --> 00:17:50,239
Speaker 2: only got one year. So that year I went back

352
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Speaker 2: to twelfth grade. Oh do everything. I did everything in

353
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Speaker 2: Fresh Off TV. But you was the guy, yes, just.

354
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Speaker 1: That I was the main did that work. You know,

355
00:18:01,640 --> 00:18:03,280
Speaker 1: it looked like I had a couple of dollars in

356
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Speaker 1: my pot. Batters. Let me tell you why though. The

357
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Speaker 1: only way you and your fake I make it.

358
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Speaker 2: It's the truth though, because fast forward that's how I

359
00:18:14,160 --> 00:18:20,320
Speaker 2: got the solo ship. But but you know, I looked

360
00:18:20,359 --> 00:18:22,639
Speaker 2: like I had some money because first of all, I

361
00:18:22,800 --> 00:18:25,360
Speaker 2: was in mister and he was on TV. And then

362
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Speaker 2: my parents are successful.

363
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Speaker 1: Like my mom or daughter.

364
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Speaker 2: My dad is like he was coming from being a

365
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Speaker 2: pastor and now he's in Hart of Culture, got his

366
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Speaker 2: big farm. It's in College Park, so he doing his things.

367
00:18:37,240 --> 00:18:40,320
Speaker 2: He's doing other thing. My dad bought a three hundred Z. Now,

368
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Speaker 2: I don't know if you know about three hundred. This

369
00:18:43,320 --> 00:18:46,080
Speaker 2: is the time when Bobby Brown had the three hundred

370
00:18:46,160 --> 00:18:50,280
Speaker 2: Z in I think a thin line. I had the same.

371
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Speaker 2: My dad had the same Z right had I had

372
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Speaker 2: the Z like that, I can't go I can't go

373
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Speaker 2: to school to ride they you see me on TV

374
00:19:00,200 --> 00:19:03,040
Speaker 2: the Honda right there, because they show had a stick

375
00:19:03,080 --> 00:19:05,280
Speaker 2: shift Honda right there for me. My sister went to

376
00:19:05,320 --> 00:19:08,160
Speaker 2: college and she left the Hunter. She didn't want it either,

377
00:19:08,560 --> 00:19:10,760
Speaker 2: so it was a stick shift black Hunter Civic.

378
00:19:11,200 --> 00:19:12,080
Speaker 1: They was like, that's you.

379
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Speaker 2: I was like, come on, bro, please don't do that

380
00:19:14,119 --> 00:19:17,080
Speaker 2: to me. I got I gotta dry that right there, man, please.

381
00:19:17,359 --> 00:19:18,000
Speaker 1: Don't let me do it.

382
00:19:18,000 --> 00:19:21,280
Speaker 2: I gotta look like I gotta look like. So he

383
00:19:21,440 --> 00:19:23,840
Speaker 2: was like, all right, go ahead, you got the Z.

384
00:19:24,280 --> 00:19:25,800
Speaker 2: So I had the three hundred Z with the t

385
00:19:26,000 --> 00:19:28,000
Speaker 2: tops on that. Boy, I'm going to school, boy, I'm

386
00:19:28,080 --> 00:19:28,480
Speaker 2: killing it.

387
00:19:29,200 --> 00:19:32,600
Speaker 1: I'm full of number. I'm going crazy. Mind you.

388
00:19:32,600 --> 00:19:35,880
Speaker 2: I don't know if you know Johnte Austin Johnte. We

389
00:19:35,880 --> 00:19:38,480
Speaker 2: were in the same school together at the same time.

390
00:19:38,680 --> 00:19:41,080
Speaker 2: He's already right and he was already doing his things.

391
00:19:41,160 --> 00:19:44,680
Speaker 2: So John was riding. Johnte had the Achora. At the time,

392
00:19:45,720 --> 00:19:47,120
Speaker 2: you didn't know about the Achiol.

393
00:19:47,119 --> 00:19:53,199
Speaker 1: Boy, come on the a relation listen.

394
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Speaker 2: John had to act legend. I had the three hundred Z.

395
00:19:56,119 --> 00:19:58,040
Speaker 2: Then it was like a dope boy there too. Now

396
00:19:58,520 --> 00:20:01,800
Speaker 2: he had the Cadillac, not the not the short dog.

397
00:20:01,880 --> 00:20:03,360
Speaker 2: He had the loan dog cadillact.

398
00:20:03,960 --> 00:20:04,800
Speaker 1: So he was killed.

399
00:20:04,800 --> 00:20:07,560
Speaker 2: So I had to compete with these boys. But I

400
00:20:07,680 --> 00:20:09,480
Speaker 2: was still cool. Because I had to Z with the

401
00:20:09,520 --> 00:20:10,720
Speaker 2: T to so I'm pulling over with.

402
00:20:10,720 --> 00:20:12,720
Speaker 1: The T top bumping that master p.

403
00:20:15,040 --> 00:20:22,080
Speaker 2: Make them say I'm pulling out like so you knowunt CD.

404
00:20:22,359 --> 00:20:26,600
Speaker 2: You know he had a CD come out every month, shockers.

405
00:20:26,680 --> 00:20:28,320
Speaker 1: So this was the time when you know he was

406
00:20:28,400 --> 00:20:28,800
Speaker 1: killing it.

407
00:20:28,920 --> 00:20:31,679
Speaker 2: So you ain't pulling up unless you pulling up to

408
00:20:31,760 --> 00:20:34,840
Speaker 2: some master peel or something like that. So it was

409
00:20:34,880 --> 00:20:38,639
Speaker 2: cool man, you know. So twelfth grade it came and

410
00:20:38,680 --> 00:20:40,719
Speaker 2: I'm just like, oh man, what we're gonna do?

411
00:20:40,960 --> 00:20:42,399
Speaker 1: Like it's time.

412
00:20:42,600 --> 00:20:45,480
Speaker 2: Like so I'm thinking, like we're gonna Mister's gonna get

413
00:20:45,480 --> 00:20:48,320
Speaker 2: a deal. But throughout the twelfth grade, I'm recording songs

414
00:20:48,320 --> 00:20:52,960
Speaker 2: for mister some of the guys, huh, by yourself, by myself.

415
00:20:53,280 --> 00:20:57,639
Speaker 2: Sometimes guys would come. Most time they wouldn't. So and

416
00:20:57,680 --> 00:21:09,160
Speaker 2: no more deal though, deal over with. So now I'm

417
00:21:09,160 --> 00:21:11,639
Speaker 2: trying to get a deal. So then I'm like, all right,

418
00:21:11,680 --> 00:21:15,040
Speaker 2: what school I'm gonna go to and what college? Because

419
00:21:15,200 --> 00:21:17,800
Speaker 2: you know, my folks was like go to school, you

420
00:21:17,840 --> 00:21:18,720
Speaker 2: see what you see?

421
00:21:18,720 --> 00:21:19,200
Speaker 1: What the music?

422
00:21:19,240 --> 00:21:21,720
Speaker 2: Because they was always telling me the music business, you know,

423
00:21:22,280 --> 00:21:24,440
Speaker 2: this is not a good business, and you're gonna get

424
00:21:24,440 --> 00:21:27,000
Speaker 2: on drugs and you're gonna, you know, you're gonna get

425
00:21:27,000 --> 00:21:29,080
Speaker 2: strung out and look at all these other artists and

426
00:21:29,119 --> 00:21:32,199
Speaker 2: I'm just like, man, I'm not gonna be strung I

427
00:21:32,200 --> 00:21:34,600
Speaker 2: ain't on all that. I'm a family I'm family oriented,

428
00:21:34,760 --> 00:21:37,639
Speaker 2: you know what I'm saying. So ended up. I remember

429
00:21:37,760 --> 00:21:40,000
Speaker 2: to pick my school. I had two scholarships. I had

430
00:21:40,000 --> 00:21:43,359
Speaker 2: a void scholarship to go to Mars Brown or Clark.

431
00:21:44,040 --> 00:21:46,520
Speaker 2: And I didn't want to leave Atlanta because I knew

432
00:21:46,560 --> 00:21:51,560
Speaker 2: that music is here, producers is here, and I want

433
00:21:51,600 --> 00:21:55,960
Speaker 2: to I gotta get back because when you got a taste,

434
00:21:55,960 --> 00:21:58,240
Speaker 2: when you get a taste of being on stage and

435
00:21:58,320 --> 00:22:01,760
Speaker 2: all of that, and then you who it's a drug.

436
00:22:01,920 --> 00:22:04,359
Speaker 1: Boy, it hurts. Boy.

437
00:22:04,480 --> 00:22:07,520
Speaker 2: So all of that time, we wasn't doing those shows

438
00:22:07,600 --> 00:22:10,920
Speaker 2: or nothing, and I just I felt it. I was like, man,

439
00:22:11,400 --> 00:22:13,879
Speaker 2: I've been performing and traveling and now it's like a

440
00:22:13,920 --> 00:22:16,959
Speaker 2: regular life again. Even though they know me Bobby from

441
00:22:17,040 --> 00:22:20,600
Speaker 2: Mister you still come down off the high horse after time,

442
00:22:20,720 --> 00:22:24,359
Speaker 2: you know what I'm saying exactly. So now I'm like

443
00:22:24,640 --> 00:22:27,560
Speaker 2: living this regular life. I'm going to all the regular parties.

444
00:22:28,080 --> 00:22:30,960
Speaker 2: Now I'm in school, but I'm Bobby from Mister. So

445
00:22:31,680 --> 00:22:34,639
Speaker 2: I remember being so this is how I picked Clark.

446
00:22:36,160 --> 00:22:39,200
Speaker 2: I had Mars Brown, then I had Clark, and then

447
00:22:39,320 --> 00:22:42,159
Speaker 2: I was driving. I was over by greenbri which on

448
00:22:42,200 --> 00:22:44,000
Speaker 2: the West Side because that where I'm from. From the

449
00:22:44,000 --> 00:22:47,320
Speaker 2: west side, I seen a Volvo. You know how people

450
00:22:47,320 --> 00:22:50,440
Speaker 2: got their college sticker in the back window. I seen

451
00:22:50,480 --> 00:22:53,480
Speaker 2: the Volvo. They had Mars Brown in there. Then I

452
00:22:53,520 --> 00:22:57,239
Speaker 2: seen like a bend it had Clark Atlanta University in

453
00:22:57,240 --> 00:23:00,240
Speaker 2: the window. I said, you know what, I think I

454
00:23:00,240 --> 00:23:03,000
Speaker 2: got a better shot in here. So I think I

455
00:23:03,119 --> 00:23:05,719
Speaker 2: made the best choice, you know what I'm saying. And

456
00:23:06,200 --> 00:23:09,919
Speaker 2: so I had I had the music scholarship to go

457
00:23:09,960 --> 00:23:13,320
Speaker 2: to Clark. So mind you, when I go to Clark,

458
00:23:13,520 --> 00:23:18,280
Speaker 2: I'm sitting in chorus class. Now, Now, studying music is hard.

459
00:23:19,000 --> 00:23:22,879
Speaker 2: It's not it's not like just singing. They put math

460
00:23:23,000 --> 00:23:26,000
Speaker 2: and all kind of like things that you just like,

461
00:23:26,160 --> 00:23:29,520
Speaker 2: this ain't really, you know. So I ended up having

462
00:23:29,640 --> 00:23:35,000
Speaker 2: about a one point eight shit GPA first year. Because

463
00:23:35,040 --> 00:23:37,119
Speaker 2: mind you, I'm in a class and there's thirty chicks

464
00:23:37,160 --> 00:23:40,159
Speaker 2: in there, and I could sing. It's probably two or

465
00:23:40,160 --> 00:23:42,320
Speaker 2: three dudes in there, and they don't like the chicks.

466
00:23:42,680 --> 00:23:45,160
Speaker 2: So I'm like the only one in there, they all

467
00:23:45,160 --> 00:23:49,080
Speaker 2: grab it. So between all of that and then going

468
00:23:49,119 --> 00:23:51,680
Speaker 2: to the studio every night, it was just a lot.

469
00:23:51,880 --> 00:23:53,600
Speaker 1: You know what I'm saying. School is secondary?

470
00:23:53,680 --> 00:23:56,480
Speaker 2: Yeah, it was secondary. I was more focused on doing

471
00:23:56,520 --> 00:23:58,600
Speaker 2: the music thing. And then my dad was like, you

472
00:23:58,640 --> 00:24:00,640
Speaker 2: know what, and mind you. My dad is a hard

473
00:24:00,640 --> 00:24:02,239
Speaker 2: worker because he worked on the farm. He got his

474
00:24:02,240 --> 00:24:05,679
Speaker 2: own farm. The nigga liked the work. He's not like

475
00:24:06,040 --> 00:24:08,000
Speaker 2: new age guys. Well we're like, man, I'm just getting

476
00:24:08,000 --> 00:24:10,520
Speaker 2: somebody to fix that now. He gonna fix it. If

477
00:24:10,520 --> 00:24:13,040
Speaker 2: the car broke, he gonna fix the car. If the

478
00:24:13,119 --> 00:24:16,280
Speaker 2: roof got a hole in it, he fixing. So I

479
00:24:16,320 --> 00:24:18,000
Speaker 2: was the kind of son and he'd be like, hey,

480
00:24:18,320 --> 00:24:19,920
Speaker 2: come with me right now because we're about to fix

481
00:24:19,960 --> 00:24:22,679
Speaker 2: this hole in the roof. And you know, I was

482
00:24:22,760 --> 00:24:24,600
Speaker 2: just like, oh, I don't want to do that. I'd

483
00:24:24,680 --> 00:24:27,600
Speaker 2: rather pay somebody. I gotta make some cheezables so that

484
00:24:27,920 --> 00:24:29,000
Speaker 2: I ain't got to do this.

485
00:24:29,040 --> 00:24:30,560
Speaker 1: You got to make some cheezables.

486
00:24:31,560 --> 00:24:37,359
Speaker 2: Without the cheezables, it's not feasible. Yeah, yeah, I gotta.

487
00:24:37,160 --> 00:24:41,560
Speaker 1: Make these cheesys, you feel me. So, So I was like,

488
00:24:41,640 --> 00:24:44,840
Speaker 1: cause this nigga, he'll work too hard. Now, I'm not

489
00:24:45,320 --> 00:24:48,520
Speaker 1: trying to be working working. Yeah, this nigga working work.

490
00:24:50,600 --> 00:24:54,040
Speaker 2: Nigga working right now. I can call my daddy right now.

491
00:24:54,119 --> 00:24:56,520
Speaker 2: He gonna be like, maney farm. This nigga got a

492
00:24:56,600 --> 00:24:59,040
Speaker 2: tractor and all kinds of stuff, like, yeah he is.

493
00:24:59,240 --> 00:25:02,320
Speaker 2: He sa probably got about seven acres and it's over

494
00:25:02,400 --> 00:25:05,880
Speaker 2: right over by the airport. So he was actually a CNN.

495
00:25:06,000 --> 00:25:08,800
Speaker 2: He wrote too, because he gives back to the community and.

496
00:25:08,880 --> 00:25:11,320
Speaker 1: He do a lot. He do a lot of big things.

497
00:25:11,560 --> 00:25:11,760
Speaker 2: Yeah.

498
00:25:11,840 --> 00:25:12,159
Speaker 1: Yeah.

499
00:25:12,200 --> 00:25:14,680
Speaker 2: So but when I had at one point eight, he

500
00:25:14,720 --> 00:25:17,800
Speaker 2: was like, you know what, you either gonna bring this

501
00:25:17,880 --> 00:25:19,879
Speaker 2: up or you just gonna work for me. I was like,

502
00:25:20,040 --> 00:25:21,840
Speaker 2: you know what, I'm gonna bring this up.

503
00:25:22,880 --> 00:25:25,440
Speaker 1: I don't want to do that. You know what I'm saying.

504
00:25:25,440 --> 00:25:26,280
Speaker 1: I'm good on that.

505
00:25:26,800 --> 00:25:32,240
Speaker 2: So I changed my major to mass communications because it

506
00:25:32,320 --> 00:25:34,760
Speaker 2: was gonna be a lot more fun now I could

507
00:25:34,800 --> 00:25:37,000
Speaker 2: be because the music. If you go to Clark, the

508
00:25:37,160 --> 00:25:42,280
Speaker 2: music program was like separate from the actual promenade where

509
00:25:42,280 --> 00:25:45,359
Speaker 2: everybody had kicking it having a good time the music,

510
00:25:45,359 --> 00:25:47,879
Speaker 2: and they so focused on music. You go there and

511
00:25:47,920 --> 00:25:50,919
Speaker 2: you're there, all the classes is over there. It's like

512
00:25:50,960 --> 00:25:53,480
Speaker 2: you ain't even at the school. So I was like, man,

513
00:25:53,520 --> 00:25:56,239
Speaker 2: this ain't even really fun right here, you know, and

514
00:25:56,280 --> 00:25:58,720
Speaker 2: the teacher was on my helmet like a falcon sign.

515
00:25:58,800 --> 00:26:01,600
Speaker 2: I was like, yo, I'm cool, like I'm about to

516
00:26:01,640 --> 00:26:01,960
Speaker 2: change it.

517
00:26:02,000 --> 00:26:02,560
Speaker 1: So I changed it.

518
00:26:02,640 --> 00:26:05,040
Speaker 2: The mask come and I remember I got a deal

519
00:26:06,560 --> 00:26:13,800
Speaker 2: with Noontime. Know y'all know Noontime NOONI yeah, yeah, yeah, yeah, yeah, exactly.

520
00:26:13,880 --> 00:26:16,840
Speaker 1: Yeah. You say I don't know y'all.

521
00:26:16,560 --> 00:26:20,800
Speaker 2: Know about it all the time, you know, I know

522
00:26:20,880 --> 00:26:23,760
Speaker 2: you know story yeah yeah, yeah, because.

523
00:26:23,520 --> 00:26:25,360
Speaker 1: I don't know if you know.

524
00:26:26,440 --> 00:26:29,800
Speaker 2: So Noon gave me a deal and I ended up

525
00:26:30,680 --> 00:26:33,560
Speaker 2: and he gave me like five thousand dollars. So I

526
00:26:33,600 --> 00:26:34,880
Speaker 2: was like, I got.

527
00:26:34,680 --> 00:26:38,800
Speaker 1: Some cheezeable bore yeah five yeah.

528
00:26:38,840 --> 00:26:42,080
Speaker 2: And then when I got to college too, my mama

529
00:26:42,119 --> 00:26:46,960
Speaker 2: bought me a Lexus oh ship Okay, the C three

530
00:26:47,040 --> 00:26:51,960
Speaker 2: hundred three. Cool shout out having a doctor as a mother. Yeah,

531
00:26:52,119 --> 00:26:54,440
Speaker 2: this is a little up this story. I was Lexus

532
00:26:54,640 --> 00:26:57,760
Speaker 2: a lessis. It was a Champagne Lessus. Then I had

533
00:26:57,800 --> 00:27:00,680
Speaker 2: the lex snni's on that board. You don't know what

534
00:27:00,760 --> 00:27:04,280
Speaker 2: you know about the let what thing you do about

535
00:27:04,320 --> 00:27:07,879
Speaker 2: his ren Okay, okay, you.

536
00:27:12,000 --> 00:27:12,400
Speaker 1: Listen.

537
00:27:13,000 --> 00:27:15,119
Speaker 2: But I had them Alex Sonnies on that boy, the

538
00:27:15,200 --> 00:27:16,359
Speaker 2: eighteens on that.

539
00:27:16,400 --> 00:27:19,119
Speaker 1: Boy, and I was pulling up you hear me.

540
00:27:19,520 --> 00:27:22,639
Speaker 2: Now, I got a new I got five bands in

541
00:27:22,680 --> 00:27:26,479
Speaker 2: my pocket. I got Alex Cool, and I got a

542
00:27:26,520 --> 00:27:30,720
Speaker 2: new major where I'm around everybody, and I'm doing interviews

543
00:27:30,960 --> 00:27:34,560
Speaker 2: on the promenade, like and we edited it in the

544
00:27:34,800 --> 00:27:37,960
Speaker 2: editing bay. They got a they got a news channel

545
00:27:38,000 --> 00:27:40,800
Speaker 2: in there, they got a radio station in there. So

546
00:27:40,840 --> 00:27:43,040
Speaker 2: I'm like, yes, this is where I want to be. Yeah,

547
00:27:43,119 --> 00:27:44,880
Speaker 2: this is where I need to be. So when I'm

548
00:27:44,920 --> 00:27:48,400
Speaker 2: on the promenade, I'm just interviewing. I'm interviewing chicks. I'm

549
00:27:48,440 --> 00:27:50,680
Speaker 2: just doing stuff like hey, can I get a quarter?

550
00:27:50,800 --> 00:27:52,399
Speaker 2: I'm just asking everybody for a quarter.

551
00:27:52,880 --> 00:27:53,160
Speaker 1: Nigga.

552
00:27:53,200 --> 00:27:54,560
Speaker 2: The end of the day, I might end up with

553
00:27:54,640 --> 00:27:57,080
Speaker 2: a fifty bucks in quarters. You know what I'm saying,

554
00:27:57,119 --> 00:27:59,840
Speaker 2: Nigga are a dollar. But it was just me and

555
00:28:00,160 --> 00:28:03,600
Speaker 2: viewing and doing just doing wild stuff. Like So, how

556
00:28:03,600 --> 00:28:07,000
Speaker 2: I got the name Valentino is because of that. Right,

557
00:28:07,200 --> 00:28:09,000
Speaker 2: I used to be on the prominade just hollering at

558
00:28:09,000 --> 00:28:12,840
Speaker 2: the girls, and uh this she started calling me Valentino.

559
00:28:13,320 --> 00:28:16,159
Speaker 2: She's like Valentino. Now I tell people that I was

560
00:28:16,200 --> 00:28:20,200
Speaker 2: almost born on Valentine's Day. That's why I called myself Valentino.

561
00:28:20,400 --> 00:28:23,800
Speaker 2: But that ain't I was born February twenty seven, it's

562
00:28:23,880 --> 00:28:26,480
Speaker 2: about twelve days after Valentine's Day.

563
00:28:26,560 --> 00:28:31,520
Speaker 1: But I really my math might be awful little bit.

564
00:28:32,119 --> 00:28:33,679
Speaker 1: I don't know if you know about know if you

565
00:28:33,720 --> 00:28:37,040
Speaker 1: know about math, but I don't. But I don't. I

566
00:28:37,119 --> 00:28:38,800
Speaker 1: just know how to add on my bank on my

567
00:28:38,840 --> 00:28:40,719
Speaker 1: bank account. That's all I want to do. Hold on them,

568
00:28:40,920 --> 00:28:42,240
Speaker 1: hold on some track on that boy.

569
00:28:42,800 --> 00:28:46,200
Speaker 2: Never say anything mathematical.

570
00:28:47,760 --> 00:28:50,800
Speaker 1: Okay, So how many days? So fifteen, thirteen days?

571
00:28:50,800 --> 00:28:53,040
Speaker 2: Okay, well thirteen days, I said twelve.

572
00:28:53,080 --> 00:28:53,640
Speaker 1: I was one off.

573
00:28:54,400 --> 00:28:58,600
Speaker 2: Close yeah, yeah, close, note cigar. But so I used

574
00:28:58,640 --> 00:29:03,600
Speaker 2: to do the interviews and the girl started calling me Valentino, Valentino, Valentino.

575
00:29:04,640 --> 00:29:06,040
Speaker 1: Why though I asked her.

576
00:29:06,040 --> 00:29:08,040
Speaker 2: She was like, because you look She said, you look

577
00:29:08,160 --> 00:29:10,800
Speaker 2: like a Valentino and you always out here hollering at

578
00:29:10,800 --> 00:29:15,680
Speaker 2: the girls. And I was like, okay, so everybody knew

579
00:29:15,680 --> 00:29:19,080
Speaker 2: me from Bobby and mister Yeah. But man, I changed

580
00:29:19,080 --> 00:29:24,760
Speaker 2: my name in Valentino the first the second, my second semester,

581
00:29:24,880 --> 00:29:27,640
Speaker 2: first year, changed my name on Valentino.

582
00:29:28,640 --> 00:29:31,280
Speaker 3: Anybody not even putting Bobby in front, Bobby, because you

583
00:29:31,320 --> 00:29:32,440
Speaker 3: already know Bobby.

584
00:29:32,800 --> 00:29:36,960
Speaker 2: Everybody already know that I'm a new nigga. Now I'm new,

585
00:29:38,640 --> 00:29:40,640
Speaker 2: you know, I don't know.

586
00:29:41,160 --> 00:29:44,760
Speaker 1: I don't know if you know. I'm an. I got

587
00:29:44,760 --> 00:29:47,680
Speaker 1: a new major. Yeah, and a new name.

588
00:29:49,320 --> 00:29:56,000
Speaker 2: That says, I don't know. You know, you better go nigga.

589
00:29:56,160 --> 00:30:02,640
Speaker 2: Now for the episode drive for real. Yes, So I

590
00:30:02,680 --> 00:30:05,920
Speaker 2: got a new name, I got a new major, and

591
00:30:05,960 --> 00:30:07,280
Speaker 2: I got a Lexa bubble.

592
00:30:07,840 --> 00:30:08,760
Speaker 1: You know what I'm saying.

593
00:30:08,760 --> 00:30:12,480
Speaker 2: I'm old nigga pulling up and so, and I got

594
00:30:12,480 --> 00:30:15,400
Speaker 2: five bandinners, you know, and I ain't got to spend

595
00:30:15,400 --> 00:30:22,000
Speaker 2: it for real, Yeah, exactly at the quarters. Yeah, and

596
00:30:22,040 --> 00:30:23,800
Speaker 2: I had to throw back jerseys too. I don't know

597
00:30:23,840 --> 00:30:25,440
Speaker 2: how I had to throw back jersey. You remember the

598
00:30:25,480 --> 00:30:28,560
Speaker 2: throw back My dad had to throw back jersey. He

599
00:30:28,640 --> 00:30:31,840
Speaker 2: knew somebody from China and he brought me. I had

600
00:30:31,840 --> 00:30:32,840
Speaker 2: to throw back jersey.

601
00:30:32,960 --> 00:30:35,400
Speaker 1: Dog. I was selling the boys for a hundred a piece,

602
00:30:35,440 --> 00:30:36,720
Speaker 1: you know me, So.

603
00:30:36,720 --> 00:30:39,640
Speaker 2: I had to throw back to I was going crazy.

604
00:30:40,640 --> 00:30:42,000
Speaker 1: So I was cheeing, was up.

605
00:30:42,040 --> 00:30:45,880
Speaker 2: I had a couple of dollars and so then, you know,

606
00:30:46,000 --> 00:30:49,600
Speaker 2: as time progressed to deal with Noonie, I met Teddy

607
00:30:49,600 --> 00:30:53,160
Speaker 2: Bishop and we recorded through Noonie.

608
00:30:53,640 --> 00:30:56,040
Speaker 1: I met Teddy Bishop and then it kind of got

609
00:30:56,080 --> 00:30:56,760
Speaker 1: with Jazzy.

610
00:30:57,320 --> 00:31:00,640
Speaker 2: But really the time with Teddy was the time that

611
00:31:00,720 --> 00:31:04,560
Speaker 2: I kind of really found myself, you know what I'm saying.

612
00:31:05,080 --> 00:31:09,000
Speaker 2: And I was working with Teddy and then you know,

613
00:31:09,200 --> 00:31:14,800
Speaker 2: this was probably like third fourth year at Clark ran

614
00:31:14,840 --> 00:31:17,480
Speaker 2: in the Jazzy, started recording with Jazzy, failed a little bit,

615
00:31:18,120 --> 00:31:22,800
Speaker 2: and then ran into Poom Daddy. Poom Daddy and Luda

616
00:31:23,280 --> 00:31:27,120
Speaker 2: was best friends. So by this time I've gone through

617
00:31:27,160 --> 00:31:30,800
Speaker 2: all of this, Right, I'm at the end of the

618
00:31:30,880 --> 00:31:36,400
Speaker 2: college career. You know, I played baseball. I played football.

619
00:31:36,480 --> 00:31:38,520
Speaker 1: My first year. Nigga hit me so hard. I was like,

620
00:31:38,560 --> 00:31:40,720
Speaker 1: this is over with. I got to stick back to stinging.

621
00:31:40,800 --> 00:31:44,960
Speaker 1: This is not okay. Yeah, that nigga hit me.

622
00:31:45,000 --> 00:31:49,120
Speaker 2: Back to singing songs because I was playing tailback. I

623
00:31:49,160 --> 00:31:52,640
Speaker 2: was running back so and I was like third string

624
00:31:53,560 --> 00:31:55,600
Speaker 2: the boy start. They had a nigga on the practice,

625
00:31:55,680 --> 00:31:57,840
Speaker 2: like running up the two hole.

626
00:31:57,440 --> 00:32:03,280
Speaker 1: Stopped against number one defense. I'll never forget the niggas.

627
00:32:03,600 --> 00:32:04,640
Speaker 1: The nigga ain't hit me.

628
00:32:04,800 --> 00:32:06,640
Speaker 2: I still see him because I got a vote too, right,

629
00:32:07,000 --> 00:32:09,600
Speaker 2: he got a boat and I said, nigga, you retired

630
00:32:09,640 --> 00:32:10,440
Speaker 2: me from football.

631
00:32:10,560 --> 00:32:10,840
Speaker 1: Nigga.

632
00:32:11,120 --> 00:32:13,480
Speaker 2: This nigga nigga hit me so hard, like I really

633
00:32:13,520 --> 00:32:15,400
Speaker 2: saw the tweety birds, like for real, them.

634
00:32:15,320 --> 00:32:17,200
Speaker 1: Boys was going round a round. Its not okay.

635
00:32:18,040 --> 00:32:22,360
Speaker 2: But that retired me. So I played baseball. I can hoop,

636
00:32:22,440 --> 00:32:23,600
Speaker 2: but I ain't tall enough.

637
00:32:23,440 --> 00:32:24,960
Speaker 1: To play with you know them niggas. Now.

638
00:32:25,000 --> 00:32:28,040
Speaker 2: I still hoop now, but in my age demographic, no,

639
00:32:28,120 --> 00:32:29,600
Speaker 2: I don't like the hoop with the twenty year old

640
00:32:29,600 --> 00:32:31,760
Speaker 2: them niggas just come shoot from the half court.

641
00:32:31,880 --> 00:32:32,600
Speaker 1: I won't do that.

642
00:32:33,120 --> 00:32:37,040
Speaker 2: But so at the end of that, I ran into

643
00:32:37,120 --> 00:32:38,520
Speaker 2: Poom Daddy and.

644
00:32:38,560 --> 00:32:39,560
Speaker 1: Poom was like yo.

645
00:32:41,440 --> 00:32:44,560
Speaker 2: He was like, yo, man, I want to put you

646
00:32:44,640 --> 00:32:47,040
Speaker 2: in a group with this other dude. I was like, bro,

647
00:32:47,240 --> 00:32:49,080
Speaker 2: I'm not being in no more groups.

648
00:32:49,120 --> 00:32:50,960
Speaker 1: I did that. That's over it. I ain't doing all

649
00:32:51,000 --> 00:32:53,360
Speaker 1: my groups. He was like, so you want to be solo.

650
00:32:53,480 --> 00:32:55,760
Speaker 2: I was like yeah, And I was like a nigga

651
00:32:55,800 --> 00:32:57,440
Speaker 2: matter of fact, nigga, get me over.

652
00:32:57,320 --> 00:32:59,920
Speaker 1: There with Luda. Luda, hottest French grizz.

653
00:33:00,080 --> 00:33:02,680
Speaker 2: This is when he had like chicken and beer he had,

654
00:33:02,920 --> 00:33:04,440
Speaker 2: you know, he was just hot as vis.

655
00:33:04,840 --> 00:33:05,960
Speaker 1: You know what I'm saying. He was super on.

656
00:33:06,560 --> 00:33:08,400
Speaker 2: So pol was like, you want to sign a Lula.

657
00:33:08,520 --> 00:33:11,479
Speaker 2: I was like, Nigga, why wouldn't I? He was like,

658
00:33:12,000 --> 00:33:13,880
Speaker 2: I take you over there. So by that time I

659
00:33:13,920 --> 00:33:18,080
Speaker 2: had so much material from just college days recording.

660
00:33:18,120 --> 00:33:20,080
Speaker 1: I record this guy named Duke Williams.

661
00:33:20,440 --> 00:33:22,640
Speaker 2: I used to go to the studio like I used

662
00:33:22,680 --> 00:33:24,959
Speaker 2: to go to the studio like every night during college.

663
00:33:25,080 --> 00:33:28,160
Speaker 2: A lot of people don't understand, like when you want something,

664
00:33:28,280 --> 00:33:32,280
Speaker 2: you gonna go and make it happen, regardless of the situation,

665
00:33:32,480 --> 00:33:34,480
Speaker 2: you know what I'm saying. And so I was working

666
00:33:34,480 --> 00:33:36,600
Speaker 2: with these guys out in Decatur as well. I would

667
00:33:36,600 --> 00:33:37,320
Speaker 2: go in their studio.

668
00:33:37,400 --> 00:33:39,080
Speaker 1: They had a little small room.

669
00:33:39,160 --> 00:33:42,520
Speaker 2: It was so small, and Nigga used to smoke cigarettes

670
00:33:42,520 --> 00:33:45,280
Speaker 2: in there, and I'd be in there, like getting killed

671
00:33:45,280 --> 00:33:45,960
Speaker 2: with the SIGs.

672
00:33:46,280 --> 00:33:48,920
Speaker 1: I might, I might got second hand smoke. I was

673
00:33:48,960 --> 00:33:49,280
Speaker 1: in there.

674
00:33:49,680 --> 00:33:53,240
Speaker 2: But I just had so much material to give to Luda,

675
00:33:54,120 --> 00:33:57,560
Speaker 2: and Luda loved it, and he was like, Yo, let's

676
00:33:57,800 --> 00:34:00,400
Speaker 2: let's sign them. You know what I'm saying. This Bobby

677
00:34:00,400 --> 00:34:04,360
Speaker 2: from BlackBerry, but last is oh Man, Nah, it's Valentino.

678
00:34:05,240 --> 00:34:10,600
Speaker 2: So then Bobby I put it Bobby Valentino because everybody

679
00:34:10,680 --> 00:34:13,520
Speaker 2: knew Bobby and now those four or five years of

680
00:34:13,560 --> 00:34:17,480
Speaker 2: college Valentino. So it's just right, you know what I'm saying,

681
00:34:18,120 --> 00:34:18,720
Speaker 2: Did you finish?

682
00:34:19,280 --> 00:34:21,920
Speaker 1: I finished? I graduated, yea graduate graduation.

683
00:34:22,040 --> 00:34:23,839
Speaker 2: I didn't want to I didn't want to leave because

684
00:34:23,840 --> 00:34:25,480
Speaker 2: I didn't know what I was gonna do. So what's

685
00:34:25,520 --> 00:34:30,280
Speaker 2: crazy is when I graduated, my parents was blowing.

686
00:34:29,960 --> 00:34:32,279
Speaker 1: What you're gonna do? You need a job? You ain't

687
00:34:32,280 --> 00:34:34,439
Speaker 1: got no job? Where your job at?

688
00:34:34,719 --> 00:34:37,799
Speaker 2: Like, man, you damn job. Man, I don't really want

689
00:34:37,840 --> 00:34:40,759
Speaker 2: no job. I want to say, you need to get

690
00:34:40,760 --> 00:34:43,160
Speaker 2: a job. I'm like, man, I don't went everywhere I

691
00:34:43,200 --> 00:34:45,719
Speaker 2: put my kakis on my college shirt. I don't went

692
00:34:45,760 --> 00:34:49,160
Speaker 2: to errands, rental, I don't went to like news stations.

693
00:34:49,200 --> 00:34:49,800
Speaker 1: I done went.

694
00:34:49,760 --> 00:34:53,040
Speaker 2: Everywhere trying to get a job, but just couldn't get one.

695
00:34:53,560 --> 00:34:56,840
Speaker 2: And I went to the radio. I went to the

696
00:34:57,560 --> 00:35:02,480
Speaker 2: news station, and I just got like an internship. So

697
00:35:02,560 --> 00:35:05,200
Speaker 2: I had an internship. But right at that time I

698
00:35:05,239 --> 00:35:07,799
Speaker 2: got that, Poon was like, yo, come out to LA.

699
00:35:08,680 --> 00:35:12,000
Speaker 2: I was like, bet, He's like, I got you. So

700
00:35:12,080 --> 00:35:14,520
Speaker 2: he got me a ticket. We went out to LA

701
00:35:15,480 --> 00:35:18,360
Speaker 2: and so for about a year year and a half.

702
00:35:18,600 --> 00:35:19,800
Speaker 1: I was out in La.

703
00:35:20,000 --> 00:35:23,080
Speaker 2: Pooon was taking me all over the place like, yo's

704
00:35:23,120 --> 00:35:25,640
Speaker 2: go here's go there, and then he took me out.

705
00:35:25,800 --> 00:35:27,920
Speaker 2: I said, He said, what producers you want to work with?

706
00:35:28,239 --> 00:35:31,879
Speaker 2: I was like, man, where's Tim and Bob? Where's Tim

707
00:35:31,920 --> 00:35:34,640
Speaker 2: and Bob? He said, Oh, I know what them niggas.

708
00:35:34,680 --> 00:35:35,600
Speaker 1: Them niggas is out.

709
00:35:35,440 --> 00:35:38,480
Speaker 2: Here in La You need to come out. Took me

710
00:35:38,520 --> 00:35:42,280
Speaker 2: to Tim house. Tim was like at the time, Tim

711
00:35:42,480 --> 00:35:44,680
Speaker 2: lived in Topenga Canyon and.

712
00:35:44,600 --> 00:35:45,799
Speaker 1: I just remember going out there.

713
00:35:45,840 --> 00:35:48,520
Speaker 2: He had this dope crib with like rocks in the

714
00:35:48,520 --> 00:35:52,800
Speaker 2: background swimming pool and he was just like and Tim

715
00:35:52,880 --> 00:35:55,680
Speaker 2: took me in. He was like, yo, and you know,

716
00:35:55,719 --> 00:35:58,440
Speaker 2: them boys got a lot of plaques. I mean, niggas

717
00:35:58,440 --> 00:36:04,520
Speaker 2: got yeah, forty fifty wreck number ones and work with everybody.

718
00:36:04,600 --> 00:36:06,759
Speaker 2: So I'm going in this crib and I ain't never

719
00:36:06,800 --> 00:36:09,160
Speaker 2: seen nothing like this, because you know, I'm just from Atlanta,

720
00:36:09,239 --> 00:36:12,560
Speaker 2: and you know, it's just something different.

721
00:36:12,640 --> 00:36:13,319
Speaker 1: You know what I'm saying.

722
00:36:13,400 --> 00:36:15,760
Speaker 2: I've just been in school. So go to Tim crib.

723
00:36:15,800 --> 00:36:18,880
Speaker 2: Tim like, yo, yeah, let's get in the studio. So

724
00:36:18,920 --> 00:36:21,120
Speaker 2: I remember Tim and them paying for the studio. They

725
00:36:21,160 --> 00:36:24,319
Speaker 2: paid for it. Tim and Bob. Bob's mom had died

726
00:36:24,400 --> 00:36:26,400
Speaker 2: at the time, so it was kind of like me

727
00:36:26,440 --> 00:36:29,800
Speaker 2: and Tim for a minute til Bob kind of came

728
00:36:29,840 --> 00:36:30,160
Speaker 2: on in.

729
00:36:31,120 --> 00:36:33,160
Speaker 1: And it was.

730
00:36:33,160 --> 00:36:37,200
Speaker 2: Crazy because I just remember I remember needing somewhere to

731
00:36:37,239 --> 00:36:39,000
Speaker 2: stay at out there because Poe was like, man, we

732
00:36:39,120 --> 00:36:42,160
Speaker 2: out here. So I stayed in the jungles at this

733
00:36:42,280 --> 00:36:45,840
Speaker 2: girl crib, hearing them shooting and all kinds of stuff.

734
00:36:46,280 --> 00:36:48,239
Speaker 2: And this is when I saw that gangs was real,

735
00:36:48,280 --> 00:36:51,239
Speaker 2: because gangs in Atlanta ain't like La, you know what

736
00:36:51,280 --> 00:36:54,480
Speaker 2: I'm saying. It's way different. So when I came out there,

737
00:36:54,520 --> 00:36:56,520
Speaker 2: it was like a culture shock to me. I'm like, man,

738
00:36:56,880 --> 00:36:59,120
Speaker 2: is really gang banging out here? Like you really gotta

739
00:36:59,239 --> 00:37:02,600
Speaker 2: like choose side or niggas is gonna be on your helmet,

740
00:37:02,920 --> 00:37:05,000
Speaker 2: you know what I'm saying. So I went out there

741
00:37:05,080 --> 00:37:07,560
Speaker 2: and I saw that, and then I stayed with Tim,

742
00:37:07,680 --> 00:37:10,000
Speaker 2: and I remember Tim was like when he said, where

743
00:37:10,000 --> 00:37:11,360
Speaker 2: are you living at? I was like, man, I'm in

744
00:37:11,400 --> 00:37:14,920
Speaker 2: the jungles, dog man, come stay at my crib. So

745
00:37:15,000 --> 00:37:17,400
Speaker 2: I went and stayed at tim crib. But before I

746
00:37:17,440 --> 00:37:21,000
Speaker 2: stayed at his crib, I stayed in extended stays. So

747
00:37:21,040 --> 00:37:24,839
Speaker 2: I will always find females. Yeah, I used to live

748
00:37:24,840 --> 00:37:27,960
Speaker 2: in the Extended Days and I stayed there and my

749
00:37:28,040 --> 00:37:29,759
Speaker 2: parents was like, what are you doing out there?

750
00:37:29,840 --> 00:37:30,760
Speaker 1: You need to come home.

751
00:37:30,840 --> 00:37:33,160
Speaker 2: I was like, no, I ain't come home. I gotta

752
00:37:33,320 --> 00:37:35,480
Speaker 2: this got to work, and it's not gonna work in

753
00:37:35,480 --> 00:37:40,640
Speaker 2: Atlanta because Atlanta was more hip hop rap driven right

754
00:37:41,080 --> 00:37:43,120
Speaker 2: and the West Coast, even though West Coast has its

755
00:37:43,200 --> 00:37:46,760
Speaker 2: own kind of flavor, I was able to like create

756
00:37:46,920 --> 00:37:50,040
Speaker 2: something with Tim, you know what I'm saying. With Tim

757
00:37:50,080 --> 00:37:54,840
Speaker 2: and Bob that kind of seep through. So I remember

758
00:37:55,719 --> 00:37:58,760
Speaker 2: Tim was doing the sample on the floor at his crib,

759
00:37:58,880 --> 00:38:02,040
Speaker 2: like he'll be away up some nights, we'll go to

760
00:38:02,080 --> 00:38:03,920
Speaker 2: the Script Club, just vibe about.

761
00:38:04,000 --> 00:38:06,400
Speaker 1: Then we'll go to the studio and then we'll just

762
00:38:06,440 --> 00:38:06,879
Speaker 1: be riding.

763
00:38:06,920 --> 00:38:08,600
Speaker 2: We'll be like, yo, let's make a track like this,

764
00:38:08,960 --> 00:38:11,279
Speaker 2: or I'll be like, yo, let's make a Jodasy track track.

765
00:38:11,360 --> 00:38:13,319
Speaker 2: So if you listen to my first album, it's a

766
00:38:13,320 --> 00:38:17,279
Speaker 2: lot of Jodasy aspired because I love Jodas. I love

767
00:38:17,400 --> 00:38:20,840
Speaker 2: DeVante swing like I love the music that he was making.

768
00:38:20,880 --> 00:38:23,359
Speaker 2: So I would always tell Tim to put that kind

769
00:38:23,360 --> 00:38:27,040
Speaker 2: of that that that that Oregon sound, and a lot

770
00:38:27,080 --> 00:38:31,320
Speaker 2: of those tracks, and we will go to the script clubs.

771
00:38:31,560 --> 00:38:33,719
Speaker 2: Then we'll go to the studio and we'll stay into

772
00:38:33,719 --> 00:38:37,200
Speaker 2: the studio to it's eight nine in the morning, go

773
00:38:37,320 --> 00:38:38,600
Speaker 2: sleep in the day, wake.

774
00:38:38,440 --> 00:38:40,880
Speaker 1: Up strip club studio.

775
00:38:41,520 --> 00:38:44,600
Speaker 2: Because the Strip club was giving us the vibes like

776
00:38:44,680 --> 00:38:47,080
Speaker 2: the spearmint rhinos and all that. I don't know if

777
00:38:47,120 --> 00:38:50,000
Speaker 2: you're still out there, man, I just shouted them out.

778
00:38:50,320 --> 00:38:59,319
Speaker 1: They still over about them. That's what it's place.

779
00:39:00,040 --> 00:39:01,759
Speaker 2: It's a good place, you know what I'm saying. It's

780
00:39:01,800 --> 00:39:12,960
Speaker 2: a nice place. So what happened was slow Down. I

781
00:39:13,000 --> 00:39:15,200
Speaker 2: remember him laying on the floor just doing beats. I

782
00:39:15,280 --> 00:39:15,719
Speaker 2: woke up.

783
00:39:16,080 --> 00:39:17,680
Speaker 1: He was just down there making beats.

784
00:39:18,080 --> 00:39:21,440
Speaker 2: And Tim is the ultimate sampler, like he finds samples,

785
00:39:22,160 --> 00:39:26,000
Speaker 2: mix them around through all kinds of crazy stuff. And

786
00:39:26,040 --> 00:39:27,239
Speaker 2: I remember hearing that one.

787
00:39:27,280 --> 00:39:29,279
Speaker 1: I was like, what is that?

788
00:39:30,080 --> 00:39:32,920
Speaker 2: He was like, okay, just wait wait, watch these drums

789
00:39:32,920 --> 00:39:35,120
Speaker 2: I put on there, and he put them. He put

790
00:39:35,160 --> 00:39:37,200
Speaker 2: them drums on that boy.

791
00:39:37,480 --> 00:39:38,640
Speaker 1: Slow Down was like.

792
00:39:40,360 --> 00:39:42,880
Speaker 3: You had slow down before the deal or when you

793
00:39:42,960 --> 00:39:43,759
Speaker 3: in your now.

794
00:39:43,840 --> 00:39:44,080
Speaker 1: We did.

795
00:39:44,400 --> 00:39:47,560
Speaker 2: I had to deal the production deal with DTP. We

796
00:39:47,600 --> 00:39:52,440
Speaker 2: didn't have the it was no label, no money yet.

797
00:39:52,880 --> 00:39:54,960
Speaker 2: But dt P gave me a chain and they gave

798
00:39:54,960 --> 00:39:56,359
Speaker 2: me fifteen bands.

799
00:39:56,440 --> 00:39:58,399
Speaker 1: So I was I was cool. You know what I'm saying.

800
00:39:59,320 --> 00:40:02,520
Speaker 2: I was survived and I had to change and I

801
00:40:02,560 --> 00:40:03,520
Speaker 2: could go hang out with.

802
00:40:03,520 --> 00:40:06,319
Speaker 1: Luda and get my bars up. You know what I'm saying. Lula,

803
00:40:06,400 --> 00:40:06,919
Speaker 1: come in town.

804
00:40:06,960 --> 00:40:09,399
Speaker 2: I'm right there next to him, Luda going over there,

805
00:40:09,480 --> 00:40:11,400
Speaker 2: I'm standing right there. A lot of people don't know

806
00:40:11,440 --> 00:40:13,960
Speaker 2: I'm in the Yeah video. You can't see me. But

807
00:40:14,000 --> 00:40:16,719
Speaker 2: when Luda doing his part, I got a hat on

808
00:40:17,040 --> 00:40:19,680
Speaker 2: in the back, and I don't never wear hats because

809
00:40:19,680 --> 00:40:20,680
Speaker 2: I like my hell too much.

810
00:40:20,719 --> 00:40:21,319
Speaker 1: You know what I'm saying.

811
00:40:21,560 --> 00:40:23,759
Speaker 2: Mine, you know it might be a little better than mine.

812
00:40:23,800 --> 00:40:26,080
Speaker 2: I don't know mine in school though, you know what

813
00:40:26,120 --> 00:40:26,560
Speaker 2: I'm saying.

814
00:40:27,239 --> 00:40:28,120
Speaker 1: Mine it's cool, though.

815
00:40:29,080 --> 00:40:32,040
Speaker 2: I think mine might be because I put a little

816
00:40:32,080 --> 00:40:32,400
Speaker 2: water in.

817
00:40:33,080 --> 00:40:38,000
Speaker 1: But when he did that.

818
00:40:37,920 --> 00:40:39,759
Speaker 2: Sample and I heard that trail put the head on

819
00:40:39,840 --> 00:40:42,040
Speaker 2: in the video, I know that it might not have

820
00:40:42,040 --> 00:40:42,520
Speaker 2: been that good.

821
00:40:43,360 --> 00:40:45,560
Speaker 1: Yeah. Yeah, they don't want me to. They't want me to.

822
00:40:45,800 --> 00:40:49,720
Speaker 1: He ain't want to, don't want me to outshine. It's okay,

823
00:40:49,760 --> 00:40:53,120
Speaker 1: So I'm in the Yeah video. Slow down.

824
00:40:53,200 --> 00:40:58,359
Speaker 3: Note you're strictly just dt P. It's NODT p Okay.

825
00:40:58,320 --> 00:41:00,879
Speaker 2: GTP got the label deal because slow Down was going

826
00:41:00,960 --> 00:41:05,480
Speaker 2: so crazy on the West coast. Okay, let me tell

827
00:41:05,560 --> 00:41:08,880
Speaker 2: you how Tim and Poom.

828
00:41:09,800 --> 00:41:13,759
Speaker 1: There's a DJ host, PJ Butter. He had PJ Butter.

829
00:41:13,520 --> 00:41:18,600
Speaker 2: Bootlegs right and at nighttime he would play new songs.

830
00:41:19,360 --> 00:41:21,560
Speaker 2: So they just took the song up there to him.

831
00:41:21,560 --> 00:41:23,520
Speaker 2: Because at this time, you know, when you signed to somebody,

832
00:41:23,680 --> 00:41:25,600
Speaker 2: they don't really care about you. You got it, and

833
00:41:25,640 --> 00:41:28,160
Speaker 2: it's the same model. Now, you gotta get yourself hot.

834
00:41:28,680 --> 00:41:32,000
Speaker 2: If you don't somehow get yourself hot, you just gonna

835
00:41:32,000 --> 00:41:34,560
Speaker 2: be sitting and because nobody wants to dump a bunch

836
00:41:34,560 --> 00:41:36,480
Speaker 2: of money to get you hot. They want to come

837
00:41:36,520 --> 00:41:39,120
Speaker 2: in after the train moving and dump the money. Because

838
00:41:39,160 --> 00:41:41,800
Speaker 2: you got the train moving. Now they know what they could.

839
00:41:41,680 --> 00:41:42,640
Speaker 1: Do with it.

840
00:41:43,560 --> 00:41:46,600
Speaker 2: So at the time, you know, DTP was just like, ah, yeah,

841
00:41:46,600 --> 00:41:49,160
Speaker 2: it's cool, we got them, but we focused on Luda

842
00:41:49,360 --> 00:41:50,560
Speaker 2: and whoever else.

843
00:41:50,640 --> 00:41:51,279
Speaker 1: I think at the.

844
00:41:51,280 --> 00:41:55,120
Speaker 2: Time they had Chingy and Chingy was going crazy at

845
00:41:55,120 --> 00:41:57,040
Speaker 2: the time, so they weren't really stunning me like that.

846
00:41:57,200 --> 00:41:59,640
Speaker 2: So you know, we was out there. We gave a

847
00:41:59,719 --> 00:42:03,120
Speaker 2: record to PJ Butter. He was playing it that night

848
00:42:03,840 --> 00:42:07,760
Speaker 2: and people was requesting it like crazy on on the beat.

849
00:42:07,840 --> 00:42:09,040
Speaker 2: That's when the beat was out there.

850
00:42:09,160 --> 00:42:14,720
Speaker 1: Yeah, yeah, yeah, the beat was crazy. And when PJ.

851
00:42:14,840 --> 00:42:19,040
Speaker 2: Butter's wife got pregnant, he moved to the day ship

852
00:42:19,160 --> 00:42:21,799
Speaker 2: that she had, So now he playing the song in

853
00:42:21,840 --> 00:42:24,360
Speaker 2: the daytime because at this point he just fuck with

854
00:42:24,400 --> 00:42:26,440
Speaker 2: the record. He just fuck with the record, and it's

855
00:42:26,480 --> 00:42:30,439
Speaker 2: getting crazy requests. So now people are not just hearing

856
00:42:30,480 --> 00:42:32,880
Speaker 2: it at night time. Now they're hearing it in the daytime.

857
00:42:33,160 --> 00:42:36,040
Speaker 2: So now they had to add the record. They added

858
00:42:36,080 --> 00:42:39,319
Speaker 2: the record. Now DTP like, oh, we got us one,

859
00:42:39,800 --> 00:42:42,080
Speaker 2: you know what I'm saying. And that's how Slow Down,

860
00:42:42,160 --> 00:42:44,439
Speaker 2: Slow Down started on the West Coast.

861
00:42:45,000 --> 00:42:46,160
Speaker 1: Depth Jam came in.

862
00:42:46,200 --> 00:42:48,919
Speaker 2: Like, okay, we can give DTP this label. Deal down

863
00:42:48,960 --> 00:42:52,799
Speaker 2: the budget because Bobby V here he is and they've

864
00:42:52,960 --> 00:42:56,000
Speaker 2: taking that that record is so international, Bro, I'm going

865
00:42:56,040 --> 00:42:58,880
Speaker 2: to Japan next week, you know what I'm saying. I

866
00:42:58,920 --> 00:43:01,680
Speaker 2: got three shows over there and then I'm slide over

867
00:43:01,719 --> 00:43:04,000
Speaker 2: the Bangkok after that, just on my own time. But

868
00:43:04,600 --> 00:43:10,480
Speaker 2: you know, I go international. I travel internationally at least

869
00:43:10,800 --> 00:43:13,640
Speaker 2: three times a year, you know what I'm saying. Big,

870
00:43:13,680 --> 00:43:20,840
Speaker 2: but at least so yeah Bangkok Man, So I'm getting

871
00:43:23,320 --> 00:43:26,640
Speaker 2: so you know I'm going to Depth Jam now, so

872
00:43:26,760 --> 00:43:30,280
Speaker 2: Depth Jaim Yeah, yeah, yeah.

873
00:43:29,239 --> 00:43:30,120
Speaker 1: You get another check?

874
00:43:31,160 --> 00:43:34,000
Speaker 2: Depth Jam get another check When they did the full

875
00:43:34,520 --> 00:43:38,439
Speaker 2: label partnership, Did I get another check? Because the record moving,

876
00:43:38,600 --> 00:43:41,240
Speaker 2: the record moving, I was getting checks off the shows

877
00:43:41,360 --> 00:43:44,640
Speaker 2: about now I'm doing show are you only staying on

878
00:43:44,640 --> 00:43:47,200
Speaker 2: the West Coast because it's okay, I'm mostly on the

879
00:43:47,239 --> 00:43:51,000
Speaker 2: West Coast. I'm mostly in California. But once Depth Jam

880
00:43:51,080 --> 00:43:54,320
Speaker 2: pressed the button on that boy, it's over with. Yeah,

881
00:43:54,480 --> 00:43:58,760
Speaker 2: once they pressed the button, man plays. I was sick

882
00:43:58,840 --> 00:44:01,719
Speaker 2: in doing shows like like every day. I mean, you

883
00:44:01,719 --> 00:44:04,320
Speaker 2: know you're doing a lot of promo too. But between

884
00:44:04,320 --> 00:44:06,759
Speaker 2: that one O six and part I was on the

885
00:44:06,760 --> 00:44:09,919
Speaker 2: screen tour. You know what I'm saying, Like I was, Yeah,

886
00:44:10,200 --> 00:44:12,560
Speaker 2: it was just and I'm just like, wow, my life

887
00:44:12,680 --> 00:44:14,799
Speaker 2: is shaying this thing. I know, my mom taking my

888
00:44:14,840 --> 00:44:17,239
Speaker 2: money buying a house. I ain't even seen the house

889
00:44:17,239 --> 00:44:19,880
Speaker 2: because I ain't even there. So she's like, hey, you

890
00:44:19,960 --> 00:44:21,920
Speaker 2: got to buy a house now. So here's the house.

891
00:44:22,040 --> 00:44:24,920
Speaker 2: And you know, she bought a house with some cheezeables.

892
00:44:24,920 --> 00:44:27,120
Speaker 2: I come home, she got furniture in there and all that.

893
00:44:27,200 --> 00:44:29,680
Speaker 1: I'm like, oh, are you based in La still I

894
00:44:29,760 --> 00:44:30,240
Speaker 1: was based.

895
00:44:30,440 --> 00:44:33,120
Speaker 2: I was based in LA at this point because that's

896
00:44:33,160 --> 00:44:35,799
Speaker 2: where I was at most of the time because most

897
00:44:35,840 --> 00:44:38,879
Speaker 2: of the shows and stuff was out there. And then

898
00:44:38,920 --> 00:44:40,719
Speaker 2: when they pressed the button, you know, it kind of

899
00:44:40,800 --> 00:44:44,279
Speaker 2: just and then I remember them being like, hey, get

900
00:44:44,320 --> 00:44:48,560
Speaker 2: your passport. You're about to go to London. I was like, lone,

901
00:44:49,320 --> 00:44:49,919
Speaker 2: where is that?

902
00:44:50,400 --> 00:44:51,040
Speaker 1: What is that?

903
00:44:51,600 --> 00:44:54,520
Speaker 2: See, when you just in America, you don't know nothing

904
00:44:54,520 --> 00:44:58,520
Speaker 2: about you don't know that, it's a whole bunch, it's

905
00:44:58,520 --> 00:45:02,680
Speaker 2: a bunch of other things everywhere that you're just like wow.

906
00:45:03,120 --> 00:45:04,960
Speaker 2: So I remember they was like, get your passport. I

907
00:45:04,960 --> 00:45:06,920
Speaker 2: went and got my passport. Then I went to London.

908
00:45:07,000 --> 00:45:10,120
Speaker 1: I was like, wow, damn they sinking my shit.

909
00:45:10,280 --> 00:45:14,720
Speaker 2: Like I'm in America, matter of fact, bigger, bigger, it's bigger,

910
00:45:15,600 --> 00:45:20,200
Speaker 2: like overseas. People don't understand, like artists get so much

911
00:45:20,480 --> 00:45:23,680
Speaker 2: love overseas and the women are just beautiful and it's

912
00:45:23,719 --> 00:45:26,200
Speaker 2: the same thing, like you could really go live in

913
00:45:26,239 --> 00:45:29,600
Speaker 2: some of these places and be cool. But I went

914
00:45:29,640 --> 00:45:32,840
Speaker 2: to London and it was just like wow, you know.

915
00:45:33,600 --> 00:45:36,920
Speaker 2: And yeah, that was kind of like how slow Down

916
00:45:37,440 --> 00:45:40,480
Speaker 2: came about. And that was like the origins of Bobby

917
00:45:40,560 --> 00:45:45,680
Speaker 2: v like how things get gone. That's a gul it went,

918
00:45:45,800 --> 00:45:50,319
Speaker 2: it went crazy and you know, and I remember Tim like, man,

919
00:45:50,400 --> 00:45:51,480
Speaker 2: slow down, going crazy.

920
00:45:51,480 --> 00:45:53,680
Speaker 1: We got to make a sister to that. You know

921
00:45:53,719 --> 00:45:57,960
Speaker 1: what the sister is? Tell me how did you get that?

922
00:45:58,239 --> 00:46:03,600
Speaker 2: And those sheas this killingting me? Yeah, I don't need chilling.

923
00:46:03,719 --> 00:46:06,600
Speaker 2: The v them songs still to this day.

924
00:46:06,600 --> 00:46:10,200
Speaker 1: This day is still going. Who has that? You have

925
00:46:10,400 --> 00:46:14,560
Speaker 1: that and Lloyd has yes? Yeah, yeah yeah yeah bos yeah.

926
00:46:14,840 --> 00:46:20,360
Speaker 1: So we certified bops some motherfucker bops. Yeah, never going anywhere.

927
00:46:20,520 --> 00:46:23,000
Speaker 2: Yeah, And I'm blessed and I'm thankful for that because

928
00:46:23,200 --> 00:46:26,200
Speaker 2: when you're making them, you're not especially at well I

929
00:46:26,239 --> 00:46:29,600
Speaker 2: was twenty four twenty five making them records, you not

930
00:46:29,719 --> 00:46:31,799
Speaker 2: really thinking about twenty years later.

931
00:46:31,840 --> 00:46:35,120
Speaker 1: Did you write on those records? Yes? I wrote them.

932
00:46:35,320 --> 00:46:37,279
Speaker 2: Well, I didn't write the whole record, but yes, I

933
00:46:37,320 --> 00:46:41,480
Speaker 2: wrote them with Tim Kelly and Bob Robinson and I

934
00:46:41,520 --> 00:46:44,399
Speaker 2: try to write. I love it because you know those

935
00:46:44,400 --> 00:46:47,319
Speaker 2: are checks that's just forever. Yeah, every three months you

936
00:46:47,360 --> 00:46:49,719
Speaker 2: get a fat fat and then every month, you know,

937
00:46:49,800 --> 00:46:52,280
Speaker 2: you get to if you sign up for those different

938
00:46:52,920 --> 00:46:55,319
Speaker 2: things that you gotta sign up for, you get those

939
00:46:55,400 --> 00:46:58,120
Speaker 2: little two bands here for three bands.

940
00:46:58,360 --> 00:47:00,440
Speaker 1: I need a little too bad. Yeah, a little too

941
00:47:01,200 --> 00:47:04,200
Speaker 1: pays for that nice Lambo truck, you know, one little truck.

942
00:47:04,239 --> 00:47:05,120
Speaker 1: That's that's how you feel.

943
00:47:05,800 --> 00:47:10,160
Speaker 2: I'm sorry, I don't I don't want to. Actually, you

944
00:47:10,200 --> 00:47:11,920
Speaker 2: know what, I ain't got no money. Actually, you know

945
00:47:11,960 --> 00:47:15,359
Speaker 2: what I ain't got trip. I was just playing. It's

946
00:47:15,400 --> 00:47:21,200
Speaker 2: not a Lambo truck, Nissan this Yeah, path Funder tell

947
00:47:21,280 --> 00:47:25,680
Speaker 2: you that.

948
00:47:24,120 --> 00:47:27,439
Speaker 1: He put you back to back with those and life

949
00:47:27,520 --> 00:47:32,160
Speaker 1: is changing, and what is the conversation or relationship with

950
00:47:33,200 --> 00:47:35,000
Speaker 1: you know, the guys who you were in the group

951
00:47:35,040 --> 00:47:38,759
Speaker 1: with at that time. So we're we're working things out.

952
00:47:39,040 --> 00:47:40,040
Speaker 1: I just did the.

953
00:47:41,880 --> 00:47:46,479
Speaker 2: I just did this show on Netflix and they wanted

954
00:47:46,560 --> 00:47:50,080
Speaker 2: us to sing black Bear Molasses on the show. So

955
00:47:51,320 --> 00:47:53,520
Speaker 2: one of the guys we just we're kind of mending

956
00:47:53,520 --> 00:47:56,719
Speaker 2: and we're getting back cool. One of the guys has

957
00:47:56,800 --> 00:47:58,880
Speaker 2: gone on, he'd be in and out, and one of

958
00:47:58,880 --> 00:47:59,600
Speaker 2: the other guys I.

959
00:47:59,560 --> 00:48:00,319
Speaker 1: Talked to a lot.

960
00:48:01,400 --> 00:48:06,759
Speaker 2: So it's a working relationship. It's coming together. But you

961
00:48:06,840 --> 00:48:08,640
Speaker 2: got to imagine you being in the group and then

962
00:48:08,680 --> 00:48:10,000
Speaker 2: you seeing one of your group.

963
00:48:09,840 --> 00:48:10,759
Speaker 1: Members pop off.

964
00:48:11,120 --> 00:48:15,680
Speaker 2: I can understand the perspectives because life is all about perspectives.

965
00:48:15,680 --> 00:48:19,359
Speaker 2: It's all about putting yourself in somebody else's shoes and

966
00:48:19,400 --> 00:48:22,439
Speaker 2: seeing how you would feel if you're in that position, right,

967
00:48:22,680 --> 00:48:24,840
Speaker 2: Because when you're on the outside looking in, you feel

968
00:48:24,880 --> 00:48:26,879
Speaker 2: how you feel. But if you can see it from

969
00:48:26,920 --> 00:48:29,560
Speaker 2: somebody else's perspective, you can understand it a little better.

970
00:48:29,960 --> 00:48:33,600
Speaker 2: So I can understand, like, you know, I know I

971
00:48:33,640 --> 00:48:37,439
Speaker 2: said something on an interview prior before where I was like, yeah,

972
00:48:37,480 --> 00:48:39,719
Speaker 2: I don't want to split my money and I don't

973
00:48:39,760 --> 00:48:41,400
Speaker 2: want to do this, and then about the group and

974
00:48:41,440 --> 00:48:43,520
Speaker 2: I kind of talked about it, and I think one

975
00:48:43,520 --> 00:48:45,480
Speaker 2: of the members got real mad at it and he

976
00:48:45,600 --> 00:48:48,120
Speaker 2: kind of was like, God, swang on you.

977
00:48:48,120 --> 00:48:48,759
Speaker 1: You know what I'm saying.

978
00:48:48,760 --> 00:48:50,480
Speaker 2: He got kind of mad at me about it. But

979
00:48:51,160 --> 00:48:54,719
Speaker 2: now we're cool, and you know, I'm doing beats and

980
00:48:54,760 --> 00:48:55,880
Speaker 2: I just sent him some beats.

981
00:48:55,880 --> 00:48:56,439
Speaker 1: You know what I'm saying.

982
00:48:56,480 --> 00:48:58,520
Speaker 2: I told him, Yo, I put your music out on

983
00:48:58,560 --> 00:49:01,000
Speaker 2: my platform and promote. You know what I'm saying, because

984
00:49:01,040 --> 00:49:03,840
Speaker 2: I know you still want to do music, so you know,

985
00:49:03,920 --> 00:49:07,520
Speaker 2: it's all love with me. But I understand just perspective,

986
00:49:07,600 --> 00:49:09,840
Speaker 2: so I can understand like how he would feel a

987
00:49:09,840 --> 00:49:12,560
Speaker 2: certain type of way. But we still all cool ric

988
00:49:12,600 --> 00:49:16,120
Speaker 2: away from organized noise. He died like a year ago

989
00:49:16,440 --> 00:49:19,760
Speaker 2: and we sung BlackBerry Molasses at his funeral. It was big,

990
00:49:20,200 --> 00:49:21,960
Speaker 2: and that was kind of like the last time we

991
00:49:21,960 --> 00:49:25,520
Speaker 2: were all really together. But you know it was it

992
00:49:25,600 --> 00:49:28,239
Speaker 2: was cool to kind of we still know them harmonies,

993
00:49:28,280 --> 00:49:28,879
Speaker 2: you know what I'm saying.

994
00:49:29,000 --> 00:49:31,160
Speaker 1: We were still back there doing a couple of steps

995
00:49:31,200 --> 00:49:32,359
Speaker 1: and all that. Now.

996
00:49:32,560 --> 00:49:34,760
Speaker 2: I would love to see that man, Yeah, yeah, yeah,

997
00:49:34,800 --> 00:49:36,920
Speaker 2: So you know, it was real cool to just to

998
00:49:36,960 --> 00:49:39,239
Speaker 2: hang out with the guys and just be around them

999
00:49:39,280 --> 00:49:41,560
Speaker 2: all together and just kind of harmonize it.

1000
00:49:41,600 --> 00:49:43,960
Speaker 1: You know what I'm saying. It brings back memories.

1001
00:49:44,040 --> 00:49:46,799
Speaker 3: Is this for you when you when you when you

1002
00:49:46,840 --> 00:49:48,759
Speaker 3: look back and you look at your career, you see

1003
00:49:48,800 --> 00:49:50,839
Speaker 3: what you're doing now, which you get to do every day,

1004
00:49:51,200 --> 00:49:53,160
Speaker 3: get to fly at your pan on a random wins Yeah?

1005
00:49:53,440 --> 00:49:56,200
Speaker 1: Right? Is it everything you thought it would be and more?

1006
00:49:56,480 --> 00:49:58,880
Speaker 2: You know, of course you're going to go through the

1007
00:49:59,000 --> 00:50:02,640
Speaker 2: ups and downs. Know it's not all good, you know,

1008
00:50:02,880 --> 00:50:06,640
Speaker 2: especially with like social media, especially with you know, people

1009
00:50:06,640 --> 00:50:08,840
Speaker 2: that hate, especially if you deal with a lot of

1010
00:50:08,880 --> 00:50:12,480
Speaker 2: different women or you know, people can and now it's

1011
00:50:12,560 --> 00:50:15,440
Speaker 2: just like you know, people can hate easily. And all

1012
00:50:15,480 --> 00:50:17,680
Speaker 2: somebody got to do is say something and it don't

1013
00:50:17,680 --> 00:50:19,480
Speaker 2: even matter if it's truth or not, you know what

1014
00:50:19,480 --> 00:50:22,640
Speaker 2: I'm saying. And that's that's I think that's the hardest

1015
00:50:22,640 --> 00:50:25,759
Speaker 2: part about like really being an artist right now. It's

1016
00:50:25,840 --> 00:50:29,480
Speaker 2: just kind of you're walking on eggshells like a lot

1017
00:50:29,560 --> 00:50:32,520
Speaker 2: of times with just the things that you do say.

1018
00:50:33,120 --> 00:50:37,439
Speaker 2: You know, I get very comfortable like doing interviews and

1019
00:50:37,480 --> 00:50:39,759
Speaker 2: stuff like that, so I have to like really like

1020
00:50:39,840 --> 00:50:43,200
Speaker 2: think about like, Okay, I don't want to offend someone,

1021
00:50:43,640 --> 00:50:47,719
Speaker 2: and there's always something that can offend somebody. Yeah, so

1022
00:50:47,760 --> 00:50:51,040
Speaker 2: it's like you gotta overthink, you gotta kind of overanalyze.

1023
00:50:51,440 --> 00:50:55,520
Speaker 2: But you know, I think the good totally outweighs the bad.

1024
00:50:56,160 --> 00:50:59,080
Speaker 2: And so when you look at life in that perspective,

1025
00:50:59,600 --> 00:51:01,840
Speaker 2: it's all it's I love it, you know.

1026
00:51:02,239 --> 00:51:03,759
Speaker 1: It's actually more than what I thought.

1027
00:51:04,120 --> 00:51:06,720
Speaker 2: I never thought I would be singing my songs in Japan,

1028
00:51:07,160 --> 00:51:11,239
Speaker 2: are going to Germany, are going to do bai eight

1029
00:51:11,440 --> 00:51:13,719
Speaker 2: nine times, you know what I'm saying, Like going to

1030
00:51:13,760 --> 00:51:16,440
Speaker 2: these places and they singing my music, It's like Wow,

1031
00:51:16,960 --> 00:51:20,719
Speaker 2: you know, you really like touch some people and you're

1032
00:51:20,760 --> 00:51:23,040
Speaker 2: really like making an impact, you know what I'm saying,

1033
00:51:23,080 --> 00:51:25,440
Speaker 2: even with old songs, you know what I'm saying. So

1034
00:51:26,000 --> 00:51:30,600
Speaker 2: it's really it's more than I'm thankful. I'm blessed, and

1035
00:51:30,640 --> 00:51:33,600
Speaker 2: I'm just I hope I could do it for another thudy.

1036
00:51:33,640 --> 00:51:35,640
Speaker 2: You know, I want to be like Ronald Oisley walking

1037
00:51:35,640 --> 00:51:37,399
Speaker 2: out there with the kne You know what I'm saying,

1038
00:51:37,400 --> 00:51:39,840
Speaker 2: because it's what I because it's what I love. I

1039
00:51:39,840 --> 00:51:42,160
Speaker 2: don't really know too many other things that I really

1040
00:51:42,239 --> 00:51:44,480
Speaker 2: want to do. Like I might have wanted to be

1041
00:51:44,520 --> 00:51:47,480
Speaker 2: a baseball player, but at this point in my life,

1042
00:51:47,560 --> 00:51:50,920
Speaker 2: I would have been out of the exactly, That's what

1043
00:51:50,920 --> 00:51:52,640
Speaker 2: I'm saying. I would be retired by now if I

1044
00:51:52,680 --> 00:51:55,920
Speaker 2: was a baseball player, our football player, our basketball player.

1045
00:51:55,960 --> 00:51:59,640
Speaker 2: But doing R and B music, it's forever, you know

1046
00:51:59,680 --> 00:52:02,440
Speaker 2: what I mean saying. And the songs that we've been

1047
00:52:02,480 --> 00:52:06,600
Speaker 2: able to make, they last forever. And that's that's the

1048
00:52:06,680 --> 00:52:08,720
Speaker 2: blessing I think, because I see a lot of people

1049
00:52:08,760 --> 00:52:12,000
Speaker 2: that have made R and B music, but it just

1050
00:52:12,080 --> 00:52:15,240
Speaker 2: don't last. And I think when you try to create,

1051
00:52:15,640 --> 00:52:18,640
Speaker 2: when you don't like follow the trend and you just

1052
00:52:18,719 --> 00:52:22,160
Speaker 2: do you you create that music because the tree is

1053
00:52:22,200 --> 00:52:23,799
Speaker 2: come and go. You know what, I'm saying, there are

1054
00:52:23,840 --> 00:52:26,200
Speaker 2: a lot of R and B songs that we're hearing

1055
00:52:26,239 --> 00:52:28,960
Speaker 2: today that nobody's gonna want to hear in twenty But

1056
00:52:29,200 --> 00:52:31,160
Speaker 2: in them twenty were still gonna hear our music.

1057
00:52:31,239 --> 00:52:31,919
Speaker 1: You know what I'm saying.

1058
00:52:31,960 --> 00:52:34,759
Speaker 2: So you are hearing, Yeah, how does that lead you

1059
00:52:34,880 --> 00:52:43,239
Speaker 2: to Lil Wayne? And so Lil Wayne we put little

1060
00:52:43,280 --> 00:52:45,840
Speaker 2: one was I was one of the first people to

1061
00:52:45,960 --> 00:52:47,839
Speaker 2: put Lil Wayne on an R and B rap.

1062
00:52:49,360 --> 00:52:52,600
Speaker 1: One of the right. I don't know if y'all know

1063
00:52:54,560 --> 00:52:56,560
Speaker 1: I was one of the first. I don't know if

1064
00:52:56,640 --> 00:52:57,120
Speaker 1: y'all know this.

1065
00:52:58,120 --> 00:53:00,680
Speaker 2: I was one of the first people to put Little

1066
00:53:00,719 --> 00:53:02,960
Speaker 2: Wayne and the song was.

1067
00:53:02,920 --> 00:53:06,480
Speaker 1: Tell Me Right. We put him on the remix. Shaka

1068
00:53:06,520 --> 00:53:07,200
Speaker 1: Zulu did that.

1069
00:53:07,280 --> 00:53:11,280
Speaker 2: Actually, shout out to Chaka Zulu, Ludacris manager run DTP.

1070
00:53:11,520 --> 00:53:12,080
Speaker 1: Great guy.

1071
00:53:12,719 --> 00:53:14,600
Speaker 2: While I'm thinking about it, me and Luda been in

1072
00:53:14,640 --> 00:53:17,560
Speaker 2: the studio a lot lately too, been recording, so I'm

1073
00:53:17,600 --> 00:53:20,480
Speaker 2: excited about that too, kind of just re rename with him.

1074
00:53:20,760 --> 00:53:23,760
Speaker 2: But Shaka was like, Yo, let's get a little Wayne

1075
00:53:23,760 --> 00:53:28,120
Speaker 2: on the song Wayne. And and what's crazy is Shaka

1076
00:53:28,400 --> 00:53:30,359
Speaker 2: sent Wayne the song back was like.

1077
00:53:30,360 --> 00:53:31,520
Speaker 1: Hey, no, do another verse.

1078
00:53:32,640 --> 00:53:36,239
Speaker 2: That's how new Wayne was to doing R and B

1079
00:53:36,400 --> 00:53:38,839
Speaker 2: records because now you send Wayne and verse back, Hey,

1080
00:53:38,880 --> 00:53:41,600
Speaker 2: do that old stop. You know what I'm saying, you

1081
00:53:42,280 --> 00:53:45,120
Speaker 2: know what? But then he was like, all right, sit

1082
00:53:45,200 --> 00:53:47,239
Speaker 2: the verse back and killed it even more. I thought

1083
00:53:47,280 --> 00:53:49,040
Speaker 2: he killed it the first time. Chaka was like, nah,

1084
00:53:49,040 --> 00:53:51,359
Speaker 2: I think you can do it better. And he killed it.

1085
00:53:51,400 --> 00:53:54,719
Speaker 2: And so from that point me and Wayne we created

1086
00:53:54,960 --> 00:53:56,160
Speaker 2: like a relationship.

1087
00:53:56,160 --> 00:53:56,720
Speaker 1: We was cool.

1088
00:53:56,960 --> 00:53:59,279
Speaker 2: So we've done more songs together. I got him on

1089
00:53:59,320 --> 00:54:01,480
Speaker 2: about two of three other songs, but once I put

1090
00:54:01,520 --> 00:54:03,800
Speaker 2: them on, tell me the floodgates opened.

1091
00:54:03,800 --> 00:54:05,000
Speaker 1: The R and B for Wayne.

1092
00:54:05,400 --> 00:54:07,319
Speaker 2: During this time, you know the one O six and

1093
00:54:07,320 --> 00:54:09,040
Speaker 2: part days, he was on every song.

1094
00:54:09,520 --> 00:54:10,080
Speaker 1: You know what I'm saying.

1095
00:54:10,080 --> 00:54:11,680
Speaker 2: If you didn't have little Wayne on the verse, you

1096
00:54:11,680 --> 00:54:14,040
Speaker 2: couldn't do nothing. But I was one of the first

1097
00:54:14,040 --> 00:54:17,480
Speaker 2: to kick it off with it. And I remember my

1098
00:54:17,600 --> 00:54:21,200
Speaker 2: third album, we did a song and I just remember too.

1099
00:54:21,320 --> 00:54:24,560
Speaker 2: I had a condo and buckhead and Wayne was like, yo,

1100
00:54:24,880 --> 00:54:26,960
Speaker 2: I'm at the studio mind you.

1101
00:54:27,000 --> 00:54:27,839
Speaker 1: At this time, this.

1102
00:54:27,920 --> 00:54:31,319
Speaker 2: Is like I had the song beat Beat Beat, Beat Beat,

1103
00:54:31,920 --> 00:54:35,160
Speaker 2: So this was like this was like right after beat.

1104
00:54:36,000 --> 00:54:37,120
Speaker 2: I had beep out at the.

1105
00:54:37,080 --> 00:54:37,520
Speaker 1: Time, but.

1106
00:54:39,400 --> 00:54:42,319
Speaker 2: I felt everything kind of sizzling down for myself, and

1107
00:54:42,360 --> 00:54:45,279
Speaker 2: I'm just like, damn, what I'm gonna do, you know?

1108
00:54:45,560 --> 00:54:48,400
Speaker 2: And I remember being on the balcony of my condo

1109
00:54:48,480 --> 00:54:52,239
Speaker 2: and Buckhead and Wayne just called randomly, Hey, I'm at

1110
00:54:52,239 --> 00:54:54,080
Speaker 2: the studio down the street.

1111
00:54:54,360 --> 00:54:54,839
Speaker 1: Pull up.

1112
00:54:55,560 --> 00:54:57,799
Speaker 2: I was on the phone like all right, but in.

1113
00:54:57,880 --> 00:55:06,680
Speaker 4: My body I was like, yeah, I was so happy, Dog,

1114
00:55:07,400 --> 00:55:08,920
Speaker 4: but I had to keep it cool.

1115
00:55:09,520 --> 00:55:13,960
Speaker 2: But Wayne, at that time wowsers. And this is before

1116
00:55:13,960 --> 00:55:17,160
Speaker 2: the Carter three, which was the biggest album, right. They

1117
00:55:17,160 --> 00:55:19,719
Speaker 2: didn't even want Miss Officer to be the single. It

1118
00:55:19,800 --> 00:55:23,440
Speaker 2: wasn't even supposed to be the single, Dog, But we

1119
00:55:23,480 --> 00:55:26,440
Speaker 2: did the song. I remember two Chains was in the

1120
00:55:26,520 --> 00:55:30,719
Speaker 2: in the studio and two Chains was supposed to be

1121
00:55:30,760 --> 00:55:33,520
Speaker 2: on the song, but Wayne was like, I ain't like

1122
00:55:33,600 --> 00:55:36,640
Speaker 2: the verse. He ain't like two Chains verse, so he

1123
00:55:36,800 --> 00:55:40,759
Speaker 2: ended up putting kid Kid on that little end part.

1124
00:55:41,080 --> 00:55:43,600
Speaker 2: But when I did that song, we did like three

1125
00:55:43,680 --> 00:55:47,680
Speaker 2: or four other songs. And then the Carter three album

1126
00:55:47,760 --> 00:55:51,759
Speaker 2: came out and I was like hitting Macmain like, yo,

1127
00:55:52,440 --> 00:55:54,680
Speaker 2: it's not gonna be a single. It was like, na,

1128
00:55:54,800 --> 00:55:56,680
Speaker 2: we I don't know if it's gonna be a single.

1129
00:55:56,719 --> 00:55:59,440
Speaker 2: We going with this t Paine joint first. Then we're

1130
00:55:59,440 --> 00:56:02,880
Speaker 2: going with probably something else and then something else, and

1131
00:56:02,920 --> 00:56:07,080
Speaker 2: I think Lollipop, No, Lollipop was going Lollipop was going crazy.

1132
00:56:08,000 --> 00:56:09,480
Speaker 2: I was like, I know it got to be the

1133
00:56:09,480 --> 00:56:12,320
Speaker 2: second single. Now we're going with the t Paine joint second.

1134
00:56:12,320 --> 00:56:16,080
Speaker 2: I'm push you please let this song be a single.

1135
00:56:16,120 --> 00:56:18,680
Speaker 2: I need this. I please let this.

1136
00:56:18,680 --> 00:56:19,280
Speaker 1: Be a single.

1137
00:56:19,480 --> 00:56:21,440
Speaker 2: I don't know, I can't guarantee it, but you know.

1138
00:56:21,880 --> 00:56:25,760
Speaker 2: But then I remember that same day I called McMahon

1139
00:56:25,800 --> 00:56:28,520
Speaker 2: asked him because I because the album.

1140
00:56:28,160 --> 00:56:29,040
Speaker 1: Had just came out.

1141
00:56:29,400 --> 00:56:32,040
Speaker 2: I rolled by Lenox Mall and I heard I at

1142
00:56:32,120 --> 00:56:34,680
Speaker 2: least heard four or five people playing Miss Officer in

1143
00:56:34,760 --> 00:56:37,600
Speaker 2: their car. I was like, man, if it ain't the single,

1144
00:56:37,680 --> 00:56:40,720
Speaker 2: they're gonna force this to single. The people are gonna

1145
00:56:40,760 --> 00:56:44,040
Speaker 2: pick this, and the people picked. I remember, we didn't sing,

1146
00:56:44,120 --> 00:56:46,520
Speaker 2: we didn't do the video to that till the song

1147
00:56:46,760 --> 00:56:50,799
Speaker 2: was like number three or two on the charts, so

1148
00:56:51,520 --> 00:56:53,239
Speaker 2: it took a while for us to do the video.

1149
00:56:53,560 --> 00:56:56,359
Speaker 2: But I just remember riding around and I would hear

1150
00:56:56,440 --> 00:56:59,640
Speaker 2: everybody playing Miss Officer and I was like, man, that's good.

1151
00:56:59,640 --> 00:57:05,200
Speaker 1: And I wrote that hook so yes, so cheezables.

1152
00:57:06,640 --> 00:57:10,120
Speaker 2: Feasible you know that a cop card doesn't go we we,

1153
00:57:10,680 --> 00:57:16,520
Speaker 2: so listen. I didn't say like a cop card. Wayne

1154
00:57:16,720 --> 00:57:20,600
Speaker 2: made that whole song to mis officer, if you listen

1155
00:57:20,680 --> 00:57:26,360
Speaker 2: to it, I didn't. So I I previously wrote that

1156
00:57:26,400 --> 00:57:29,400
Speaker 2: will We Part on another song I did probably three

1157
00:57:29,480 --> 00:57:33,320
Speaker 2: years before that ship, But I had that song like

1158
00:57:33,320 --> 00:57:35,200
Speaker 2: on a CD, and I was like, man, I gotta

1159
00:57:35,200 --> 00:57:39,240
Speaker 2: bring this we we Part back on something? And then

1160
00:57:39,280 --> 00:57:42,480
Speaker 2: I remember r kell Yeah yeah, And I remember r

1161
00:57:42,600 --> 00:57:47,360
Speaker 2: Kelly was always doing like all kinds of different sounds

1162
00:57:47,400 --> 00:57:49,400
Speaker 2: and stuff, and so I was like, you know what

1163
00:57:49,520 --> 00:57:51,440
Speaker 2: I might need to be this. I might need to

1164
00:57:51,520 --> 00:57:53,440
Speaker 2: kind of be because I made a lot of songs

1165
00:57:53,440 --> 00:57:55,880
Speaker 2: with sounds like I did one with Jazzy fake call

1166
00:57:56,440 --> 00:58:00,520
Speaker 2: phone number, and you know what I'm saying. I was

1167
00:58:00,600 --> 00:58:03,960
Speaker 2: always making like like beat beat, beat beat. I'm like

1168
00:58:04,040 --> 00:58:07,320
Speaker 2: thinking of songs that like kids could like you know

1169
00:58:07,360 --> 00:58:09,880
Speaker 2: what I'm saying. Like when I'm writing, I'm like, Okay,

1170
00:58:09,920 --> 00:58:12,680
Speaker 2: I want to write something. I want to write something

1171
00:58:13,240 --> 00:58:15,840
Speaker 2: like now I got one called toy YOI with with

1172
00:58:15,840 --> 00:58:16,320
Speaker 2: with Ray J.

1173
00:58:16,480 --> 00:58:18,880
Speaker 1: Me and Ray did a song and we're gonna get

1174
00:58:18,880 --> 00:58:22,120
Speaker 1: to Yeah. Yeah, you don't worry about that. Yeah, he

1175
00:58:22,200 --> 00:58:23,160
Speaker 1: gonna get to R S v P.

1176
00:58:23,480 --> 00:58:27,280
Speaker 2: So I wrote that record, and then Wayne came in

1177
00:58:27,360 --> 00:58:32,760
Speaker 2: and wrote his his versus based around Miss's offer mis Officer.

1178
00:58:32,880 --> 00:58:35,080
Speaker 2: So I didn't know that it was about mis Officer.

1179
00:58:35,480 --> 00:58:40,120
Speaker 2: Wayne was just he's so smart. He came in and

1180
00:58:40,200 --> 00:58:41,600
Speaker 2: made that Misofficer.

1181
00:58:41,720 --> 00:58:42,520
Speaker 1: It wasn't even.

1182
00:58:44,320 --> 00:58:48,960
Speaker 5: I wasn't thinking about I just I just wrote the hook.

1183
00:58:49,240 --> 00:58:53,800
Speaker 5: He he made that Miss Officer because he heard the

1184
00:58:53,840 --> 00:58:55,280
Speaker 5: wii we we and he like.

1185
00:58:55,360 --> 00:58:58,400
Speaker 1: Dawn, that's a cyrus. I wasn't even thinking about. No,

1186
00:58:58,520 --> 00:59:02,000
Speaker 1: misofficer thinking you're a hook is your hook is not?

1187
00:59:02,200 --> 00:59:06,280
Speaker 1: It's not. It's a general. Yeah, it's general with a

1188
00:59:06,360 --> 00:59:10,080
Speaker 1: call out all when he perceived as a siren exactly

1189
00:59:10,160 --> 00:59:10,960
Speaker 1: said oh there's the.

1190
00:59:10,920 --> 00:59:22,760
Speaker 2: Inspiration exactly crazy weed cup man, No for real that

1191
00:59:22,760 --> 00:59:24,000
Speaker 2: that's great, that's great.

1192
00:59:24,400 --> 00:59:24,640
Speaker 1: Yeah.

1193
00:59:24,720 --> 00:59:26,720
Speaker 2: So that's how that record came about. We was just

1194
00:59:26,800 --> 00:59:29,880
Speaker 2: in the studio. I wrote that hook. Diesel Diesel produced

1195
00:59:29,920 --> 00:59:30,320
Speaker 2: the beat.

1196
00:59:30,200 --> 00:59:33,360
Speaker 1: Shout out yeah and another ald timer. Yeah.

1197
00:59:33,680 --> 00:59:36,560
Speaker 2: Diesel is another one Diesel thing forever.

1198
00:59:45,080 --> 00:59:47,560
Speaker 3: So what is the reaction now, right because you said

1199
00:59:47,720 --> 00:59:50,040
Speaker 3: you said you're like, yo, it's it feels like it's

1200
00:59:50,080 --> 00:59:51,440
Speaker 3: starting to fizzle out.

1201
00:59:51,280 --> 00:59:55,200
Speaker 1: A little bit for you when opposite comes out.

1202
00:59:55,680 --> 00:59:57,800
Speaker 2: Because now at this time I'm not signed to d

1203
00:59:57,920 --> 00:59:59,160
Speaker 2: t P either ship.

1204
00:59:59,440 --> 00:59:59,640
Speaker 1: Yeah.

1205
00:59:59,800 --> 01:00:05,080
Speaker 2: So after my second album, I left DTP because I

1206
01:00:05,120 --> 01:00:07,240
Speaker 2: was I was feeling like, man, they're not really doing

1207
01:00:07,280 --> 01:00:10,320
Speaker 2: nothing for me, right, So I went and got I was.

1208
01:00:10,440 --> 01:00:13,240
Speaker 2: I went independent and got a big deal independent. A

1209
01:00:13,240 --> 01:00:15,120
Speaker 2: lot of people don't know, but I got to deal

1210
01:00:15,160 --> 01:00:17,800
Speaker 2: with I and my capital for the album and put

1211
01:00:17,800 --> 01:00:21,360
Speaker 2: Bet Beep out and Bet was successful independent, so I

1212
01:00:21,440 --> 01:00:26,120
Speaker 2: had like my own yeah, and I remember getting ready

1213
01:00:26,160 --> 01:00:29,040
Speaker 2: to do my fourth album and so many big execs

1214
01:00:29,120 --> 01:00:35,000
Speaker 2: came to give me a real big deal and Capitol

1215
01:00:35,120 --> 01:00:38,600
Speaker 2: was like, no, we're gonna do this next album. I'm like, y'all,

1216
01:00:39,160 --> 01:00:41,800
Speaker 2: please let me go go get this money and they

1217
01:00:41,880 --> 01:00:44,240
Speaker 2: was like nah. I was tired end of them. They

1218
01:00:44,240 --> 01:00:49,320
Speaker 2: had another album mind you with that option. Option messed

1219
01:00:49,360 --> 01:00:52,680
Speaker 2: me up, dog because I could have went and now

1220
01:00:52,720 --> 01:00:55,840
Speaker 2: I would have been Chris Brown or somebody, because now

1221
01:00:55,840 --> 01:00:58,120
Speaker 2: I would have had a real deal and I would

1222
01:00:58,120 --> 01:01:00,120
Speaker 2: have been able to put my music out again and

1223
01:01:00,400 --> 01:01:02,680
Speaker 2: beat and they're gonna press the button because they saw

1224
01:01:02,720 --> 01:01:04,240
Speaker 2: what I did independently.

1225
01:01:04,920 --> 01:01:05,080
Speaker 1: Man.

1226
01:01:05,120 --> 01:01:07,560
Speaker 2: I was meaning with labels coming down and we was like,

1227
01:01:07,640 --> 01:01:11,040
Speaker 2: please let them so mind you that next album Capitol did,

1228
01:01:11,720 --> 01:01:14,120
Speaker 2: they was doing the shuffle in the office. So they

1229
01:01:14,200 --> 01:01:17,920
Speaker 2: just put the album out and everybody shuffled. I didn't

1230
01:01:17,960 --> 01:01:20,720
Speaker 2: have nothing. I didn't have no nothing, and I'm like, man,

1231
01:01:20,800 --> 01:01:23,920
Speaker 2: y'all just killed my whole situation because now the numbers

1232
01:01:23,920 --> 01:01:24,800
Speaker 2: ain't gonna look good.

1233
01:01:25,680 --> 01:01:29,240
Speaker 1: And so they killed the whole situation. The projection.

1234
01:01:29,360 --> 01:01:31,120
Speaker 2: Now you know, everybody look at the numbers. They were

1235
01:01:31,120 --> 01:01:34,160
Speaker 2: looking at the numbers independently, like cause I think that

1236
01:01:34,320 --> 01:01:38,640
Speaker 2: album went gold independently or the single, you know what

1237
01:01:38,720 --> 01:01:41,800
Speaker 2: I'm saying. So it was like, man, I had deals

1238
01:01:41,960 --> 01:01:46,160
Speaker 2: coming left and right, like wow, and the Wayne heat,

1239
01:01:46,240 --> 01:01:48,720
Speaker 2: That's what I'm saying. And so they was coming to

1240
01:01:48,800 --> 01:01:52,360
Speaker 2: talk to me. Man I was taking meetings and Capitol

1241
01:01:52,440 --> 01:01:54,720
Speaker 2: was like, now we're gonna put the album out.

1242
01:01:55,120 --> 01:01:56,360
Speaker 1: Why y'all do that to me?

1243
01:01:57,160 --> 01:01:59,360
Speaker 2: And then you look up and they and after that

1244
01:01:59,440 --> 01:02:02,400
Speaker 2: album nowhere to be found. Now I gotta go over

1245
01:02:02,440 --> 01:02:04,600
Speaker 2: here to eat one and put an album, and it's

1246
01:02:04,720 --> 01:02:08,040
Speaker 2: like you're on the graveyardship. Now you know what I'm saying.

1247
01:02:08,160 --> 01:02:10,760
Speaker 2: Now you just but even on the E one deal,

1248
01:02:11,200 --> 01:02:14,920
Speaker 2: I had a single with Wayne again, I had another one.

1249
01:02:14,920 --> 01:02:17,800
Speaker 2: It was called Mirror and it was jamming. But it

1250
01:02:17,920 --> 01:02:21,320
Speaker 2: was just now the game was changing too.

1251
01:02:21,840 --> 01:02:23,680
Speaker 1: Now everything under machine behind it.

1252
01:02:23,760 --> 01:02:26,400
Speaker 2: You don't have no machine, and you know what that machine,

1253
01:02:26,400 --> 01:02:29,600
Speaker 2: that machine is gonna take you all across the world.

1254
01:02:29,800 --> 01:02:33,240
Speaker 1: Your record can be great, yeah, but with the machine,

1255
01:02:33,320 --> 01:02:34,800
Speaker 1: the machine, it can be.

1256
01:02:34,920 --> 01:02:37,920
Speaker 3: It can be life changing. Absolutely, it could be life

1257
01:02:37,960 --> 01:02:42,840
Speaker 3: changing absolutely. All right, So versus versus you know, let's

1258
01:02:42,880 --> 01:02:46,160
Speaker 3: let's let's get to it. Because him and I were there,

1259
01:02:46,400 --> 01:02:51,240
Speaker 3: yeah as you know, yeah, yeah, and yoah niggas was wilding.

1260
01:02:51,560 --> 01:02:52,720
Speaker 1: We was wilding out.

1261
01:02:52,800 --> 01:02:59,280
Speaker 2: Man. Versus versus was it was life changing. It definitely changed.

1262
01:02:59,320 --> 01:03:04,320
Speaker 2: Because after Versus, my price and shows went up. They

1263
01:03:04,360 --> 01:03:08,360
Speaker 2: put it put us on a legendary status, so they

1264
01:03:08,480 --> 01:03:09,160
Speaker 2: reminded people.

1265
01:03:09,280 --> 01:03:10,400
Speaker 1: It reminded people.

1266
01:03:10,640 --> 01:03:14,520
Speaker 2: It totally reminded people because there was a period and

1267
01:03:14,560 --> 01:03:17,880
Speaker 2: I think most artists go through this. Our only select artists,

1268
01:03:18,240 --> 01:03:20,920
Speaker 2: but there was a period where it's just like do

1269
01:03:20,960 --> 01:03:22,160
Speaker 2: I need to go sell cars?

1270
01:03:23,280 --> 01:03:25,160
Speaker 1: What? Yeah?

1271
01:03:25,720 --> 01:03:27,160
Speaker 2: You know what I'm saying, Like what am I gonna

1272
01:03:27,240 --> 01:03:30,600
Speaker 2: really do? Because the shows were coming like that, you know,

1273
01:03:30,680 --> 01:03:32,560
Speaker 2: when they was coming, it was low ball and you

1274
01:03:32,600 --> 01:03:34,160
Speaker 2: got to pay all this money out to go do

1275
01:03:34,280 --> 01:03:36,320
Speaker 2: the show, you know what I'm saying. So it's like, yeah,

1276
01:03:36,360 --> 01:03:38,600
Speaker 2: I'm making the cheetables and I don't put something up.

1277
01:03:38,960 --> 01:03:39,720
Speaker 1: You know what I'm saying.

1278
01:03:39,840 --> 01:03:42,480
Speaker 2: I've done the right thing with my money because I

1279
01:03:42,480 --> 01:03:46,240
Speaker 2: got good parents. But still it's still like over time,

1280
01:03:46,320 --> 01:03:47,200
Speaker 2: what's gonna happen?

1281
01:03:47,920 --> 01:03:53,120
Speaker 3: Then bou versus like yes, hey, y'all took advantage of it.

1282
01:03:53,160 --> 01:03:54,640
Speaker 1: Though we did right as.

1283
01:03:54,440 --> 01:03:57,760
Speaker 3: Wild as wild as it was, it was like, oh,

1284
01:03:58,240 --> 01:04:00,680
Speaker 3: it's a statement. It was like a perfect yeah, that

1285
01:04:00,800 --> 01:04:01,680
Speaker 3: statement has been made.

1286
01:04:01,720 --> 01:04:03,360
Speaker 2: It was like I was watching, like what well the

1287
01:04:03,560 --> 01:04:05,400
Speaker 2: storm back stage?

1288
01:04:06,000 --> 01:04:09,120
Speaker 3: I was like, this is supposed to be an R

1289
01:04:09,160 --> 01:04:12,760
Speaker 3: and b O. I see gang members. I've known for

1290
01:04:12,760 --> 01:04:13,720
Speaker 3: a long.

1291
01:04:13,600 --> 01:04:18,360
Speaker 2: Time that you know what, it's not my business. It's

1292
01:04:18,400 --> 01:04:19,320
Speaker 2: not my business.

1293
01:04:19,560 --> 01:04:23,360
Speaker 3: And then the funniest part, and I don't know if

1294
01:04:23,560 --> 01:04:27,080
Speaker 3: if you got this, but obviously he asked me to

1295
01:04:27,120 --> 01:04:32,720
Speaker 3: come out, and I remember seeing in comments like wait,

1296
01:04:33,160 --> 01:04:33,880
Speaker 3: so they not the.

1297
01:04:33,840 --> 01:04:36,560
Speaker 2: Same Nigga, We're talking about me and you for real,

1298
01:04:36,640 --> 01:04:39,520
Speaker 2: because the first time we've ever been on stage together

1299
01:04:40,840 --> 01:04:43,360
Speaker 2: Nigga as me and Pete doing up you dancing and

1300
01:04:43,360 --> 01:04:45,920
Speaker 2: ship everybody. And I remember seeing that in the comments

1301
01:04:45,960 --> 01:04:48,440
Speaker 2: they like them, not that that's not the same nigga,

1302
01:04:48,520 --> 01:04:53,520
Speaker 2: right right, And then it turned to which is even wilder?

1303
01:04:53,640 --> 01:04:56,400
Speaker 2: You know I got a brother named Bobby. Yeah that

1304
01:04:56,640 --> 01:05:00,479
Speaker 2: so so then they're like, wait, so it's it's Bobby

1305
01:05:00,600 --> 01:05:03,280
Speaker 2: Valentine right right, right, because I've seen that too, And

1306
01:05:03,400 --> 01:05:06,840
Speaker 2: I was a little confused, like, hold on, Bobby Valentine,

1307
01:05:07,560 --> 01:05:09,480
Speaker 2: but it's not because yeah, yeah, yeah, all is my

1308
01:05:09,520 --> 01:05:12,320
Speaker 2: middle name, right, so our last name is new But

1309
01:05:12,360 --> 01:05:14,680
Speaker 2: it was obviously because it was Bobby, and then I'm

1310
01:05:14,800 --> 01:05:15,760
Speaker 2: yay Valentine.

1311
01:05:16,480 --> 01:05:17,280
Speaker 1: Mixing us up.

1312
01:05:17,920 --> 01:05:20,680
Speaker 2: It just turned to okay, well yeah right, that is

1313
01:05:20,680 --> 01:05:25,960
Speaker 2: his brother. Motherfuckers is crazy. But versus it was a

1314
01:05:26,120 --> 01:05:28,760
Speaker 2: great time. It was it was great, greatest time. So

1315
01:05:29,440 --> 01:05:34,080
Speaker 2: initially with the verses, P wanted to be on my team,

1316
01:05:34,200 --> 01:05:38,600
Speaker 2: right and mind you, yeah, Pete because it was really

1317
01:05:38,600 --> 01:05:41,920
Speaker 2: two two yeah, So it was supposed to be me

1318
01:05:42,000 --> 01:05:45,240
Speaker 2: and P versus Ray J and Sammy. Now mind you,

1319
01:05:45,720 --> 01:05:47,920
Speaker 2: me and Ray go back way back, but we weren't

1320
01:05:47,960 --> 01:05:50,880
Speaker 2: like as cool as we is now Sammy. I didn't

1321
01:05:50,920 --> 01:05:53,320
Speaker 2: really know Sammy like that. We were just like know

1322
01:05:53,440 --> 01:05:57,960
Speaker 2: each other in passing kind of. So they was like, nah,

1323
01:05:58,560 --> 01:06:01,040
Speaker 2: Sammy and Ray can't be on the same team because y'all,

1324
01:06:01,040 --> 01:06:03,760
Speaker 2: you and P got too many hits and it's not

1325
01:06:03,800 --> 01:06:06,640
Speaker 2: gonna be fair. And P got a thousand pack because

1326
01:06:06,680 --> 01:06:09,720
Speaker 2: he got the Pretty Rickys. Like it's like hitting Pretty

1327
01:06:09,800 --> 01:06:13,280
Speaker 2: Rickys and his songs too. It's like, who can compete

1328
01:06:13,320 --> 01:06:15,120
Speaker 2: with that? Like that's a lot, you know what I'm saying.

1329
01:06:15,120 --> 01:06:17,800
Speaker 2: Pretty Ricky alone got you know what I mean?

1330
01:06:17,880 --> 01:06:21,560
Speaker 1: They got Spanger. There's a Pretty Ricky era. Man, listen,

1331
01:06:22,240 --> 01:06:22,920
Speaker 1: Pretty Ricky.

1332
01:06:23,960 --> 01:06:27,800
Speaker 2: Pretty Ricky should be headlining this millennium tour. And I

1333
01:06:27,920 --> 01:06:29,760
Speaker 2: said it, and it's just the truth, you know what

1334
01:06:29,800 --> 01:06:32,280
Speaker 2: I'm saying. I love B two K, love baw Wow,

1335
01:06:32,680 --> 01:06:36,240
Speaker 2: But Pretty Ricky. The records they got, come on, bro,

1336
01:06:36,800 --> 01:06:40,120
Speaker 2: they got them. They got them ones, boy, and they

1337
01:06:40,160 --> 01:06:42,960
Speaker 2: got ones that I didn't even know, And I'm like, damn,

1338
01:06:43,200 --> 01:06:46,640
Speaker 2: like I ain't know, like the album cuts that people know,

1339
01:06:46,840 --> 01:06:49,920
Speaker 2: Like you know a lot of times you got album

1340
01:06:50,000 --> 01:06:53,200
Speaker 2: cuts and a few people know them niggas album cause

1341
01:06:53,200 --> 01:06:55,120
Speaker 2: they know the whole album cuts.

1342
01:06:55,320 --> 01:06:56,080
Speaker 1: So them niggas.

1343
01:06:57,280 --> 01:07:00,280
Speaker 2: And they performed spectacle a little on the towel eating

1344
01:07:00,360 --> 01:07:02,880
Speaker 2: Coolie Cat on the stage. You know what I'm saying,

1345
01:07:02,960 --> 01:07:04,880
Speaker 2: baby Blue, you don't know what he gonna do. And

1346
01:07:04,920 --> 01:07:07,880
Speaker 2: P just out there singing. So it's just like them

1347
01:07:07,880 --> 01:07:11,160
Speaker 2: boys is some performance and don't let him have slick

1348
01:07:11,240 --> 01:07:13,400
Speaker 2: them and them boys has got a show.

1349
01:07:13,560 --> 01:07:16,080
Speaker 1: But anyway, it.

1350
01:07:16,120 --> 01:07:17,520
Speaker 2: Was supposed to be us, and then they was like, no,

1351
01:07:17,720 --> 01:07:19,200
Speaker 2: you and Ray gonna be on the same team.

1352
01:07:19,240 --> 01:07:21,160
Speaker 1: I was like, all right, cool, I can hold it down.

1353
01:07:21,280 --> 01:07:22,640
Speaker 2: You know what I'm saying. I can hold out me

1354
01:07:22,680 --> 01:07:25,800
Speaker 2: and Ray and Sammy and and P. But see, I

1355
01:07:25,840 --> 01:07:28,880
Speaker 2: didn't know that Ray. I didn't know Ray be like

1356
01:07:29,120 --> 01:07:32,520
Speaker 2: playing how he played so much right, So really that

1357
01:07:32,760 --> 01:07:36,120
Speaker 2: versus it's really I'm gonna I'm gonna say it got

1358
01:07:36,160 --> 01:07:38,760
Speaker 2: turned up because of Ray. Really, Ray know how to

1359
01:07:38,880 --> 01:07:40,640
Speaker 2: like make something.

1360
01:07:40,920 --> 01:07:45,920
Speaker 1: He says, go viral. Man, we're on viral.

1361
01:07:46,040 --> 01:07:49,160
Speaker 2: Look, I was with him the other day, man, and

1362
01:07:49,200 --> 01:07:52,000
Speaker 2: he just wakes up, like I gotta figure out how

1363
01:07:52,000 --> 01:07:53,320
Speaker 2: to go what I'm gonna do today?

1364
01:07:53,400 --> 01:07:55,120
Speaker 1: I got to do something. He on the phone, he

1365
01:07:55,240 --> 01:07:56,720
Speaker 1: making calls off, I gotta go viral.

1366
01:07:56,760 --> 01:08:01,120
Speaker 2: I gotta But anyway, Ray had the whole girls dancing.

1367
01:08:01,400 --> 01:08:04,040
Speaker 2: We had the band, but the band couldn't play. It

1368
01:08:04,120 --> 01:08:05,880
Speaker 2: was just so many different.

1369
01:08:05,800 --> 01:08:10,480
Speaker 1: Ray J walked across the stage two hundred and eighty

1370
01:08:10,520 --> 01:08:15,040
Speaker 1: six times, and I kept asking myself, where the fuck

1371
01:08:15,120 --> 01:08:19,120
Speaker 1: is Rachel going? Right? Can somebody tell me where the

1372
01:08:19,120 --> 01:08:23,000
Speaker 1: fuck Ragel is gone? Yeah, he's yeah, he's back and

1373
01:08:23,040 --> 01:08:27,439
Speaker 1: forth to my baby's born, to my baby's born, to

1374
01:08:27,479 --> 01:08:31,640
Speaker 1: my baby he's born. Hey, he walked around to the baby.

1375
01:08:31,920 --> 01:08:34,960
Speaker 1: The baby was born. Ray is the best.

1376
01:08:35,400 --> 01:08:38,599
Speaker 2: And mind you though, see I'm up there, I'm playing keys,

1377
01:08:38,800 --> 01:08:41,759
Speaker 2: and I'm trying to be serious, trying to be serious.

1378
01:08:42,400 --> 01:08:45,200
Speaker 2: I'm too serious. And people's like, man, they sound like

1379
01:08:45,280 --> 01:08:45,880
Speaker 2: trash and.

1380
01:08:45,880 --> 01:08:46,240
Speaker 1: This and that.

1381
01:08:46,560 --> 01:08:50,040
Speaker 2: But singing it's not like rapping. Right, If it's a

1382
01:08:50,040 --> 01:08:51,759
Speaker 2: lot going on and you're trying.

1383
01:08:51,560 --> 01:08:53,080
Speaker 1: To see, you won't cut through. It's not gonna go

1384
01:08:53,160 --> 01:08:57,080
Speaker 1: and cut through. Singing. Singing is definitely environmental. Yes, the

1385
01:08:57,120 --> 01:08:58,320
Speaker 1: stage has to be set for.

1386
01:08:58,640 --> 01:09:03,479
Speaker 2: Gotta be sing for man not knowing what this man

1387
01:09:03,560 --> 01:09:05,800
Speaker 2: fin to say, not knowing what's going on.

1388
01:09:05,840 --> 01:09:08,439
Speaker 1: You're in a hostel and bar, you singing, and you

1389
01:09:08,600 --> 01:09:12,840
Speaker 1: at war. And then Sammy turns into an inmate. Sammy,

1390
01:09:14,920 --> 01:09:16,800
Speaker 1: he just went to another place. Sammy just went to

1391
01:09:16,840 --> 01:09:19,240
Speaker 1: another place, like list like he had been incarcerated in

1392
01:09:19,360 --> 01:09:22,280
Speaker 1: seventeen years man. Listen, he was raised and that was wake,

1393
01:09:22,680 --> 01:09:27,600
Speaker 1: I'm sick of this ship. Listen. Sammy was like, I

1394
01:09:27,640 --> 01:09:30,400
Speaker 1: don't know who I'm gonna fuck somebody up right.

1395
01:09:30,760 --> 01:09:34,040
Speaker 2: Yeah, he was ready to like, yeah, Sammy is just

1396
01:09:34,479 --> 01:09:38,280
Speaker 2: on team then p you know, he from Florida, Miami,

1397
01:09:38,360 --> 01:09:41,200
Speaker 2: and so it's like, I don't know what they finna say.

1398
01:09:41,640 --> 01:09:43,559
Speaker 2: I don't know what's about to go on. So I'm

1399
01:09:43,640 --> 01:09:46,920
Speaker 2: just like, man, I'm really just trying to make it

1400
01:09:46,920 --> 01:09:47,519
Speaker 2: through this thing.

1401
01:09:47,600 --> 01:09:50,880
Speaker 1: Yeah. It's like that Versus was like whatever y'all thought

1402
01:09:50,880 --> 01:09:54,120
Speaker 1: about R and B niggas, no, no, no, this is

1403
01:09:54,200 --> 01:09:58,240
Speaker 1: what exactly. It makes it better for me now knowing

1404
01:09:58,280 --> 01:10:05,520
Speaker 1: that his parents are well established black people. Yeah yeah, yeah, yeah.

1405
01:10:05,520 --> 01:10:08,320
Speaker 2: Now it makes all the sense in the world. The

1406
01:10:08,360 --> 01:10:11,160
Speaker 2: way he was on that stage, like I just want

1407
01:10:11,160 --> 01:10:16,120
Speaker 2: to So I was up there like because mind you,

1408
01:10:16,640 --> 01:10:19,960
Speaker 2: I've been knowing Pe forever because me and Pe we

1409
01:10:20,040 --> 01:10:23,040
Speaker 2: started on the screen tour together and so we kind

1410
01:10:23,040 --> 01:10:24,880
Speaker 2: of been friend That's why we was like we're on

1411
01:10:24,920 --> 01:10:28,840
Speaker 2: the same team. But then when we wasn't, I was like,

1412
01:10:28,880 --> 01:10:30,639
Speaker 2: oh he on the team with Sammy and I ain't

1413
01:10:30,800 --> 01:10:32,960
Speaker 2: know Sammy like that, and Sammy come out there like,

1414
01:10:33,240 --> 01:10:36,400
Speaker 2: what's up, nigga like, shit, I'm ready to swing on it,

1415
01:10:36,479 --> 01:10:39,000
Speaker 2: like and Sammy had the beer, he had the dread

1416
01:10:39,040 --> 01:10:41,519
Speaker 2: locks like. He was like, and I'm like, damn, these

1417
01:10:41,600 --> 01:10:44,439
Speaker 2: niggas coming hard over here. And Sammy pressed the ray

1418
01:10:44,520 --> 01:10:46,840
Speaker 2: J button immediately nigga sing one Wish?

1419
01:10:46,880 --> 01:10:49,679
Speaker 1: Now sing one wish? Fuck all the other songs.

1420
01:10:49,680 --> 01:10:52,320
Speaker 2: I don't want to hear that, And so it forced

1421
01:10:52,320 --> 01:10:55,600
Speaker 2: the hand because we were saving one wish to go

1422
01:10:55,760 --> 01:10:56,760
Speaker 2: crazy at the end.

1423
01:10:57,400 --> 01:10:59,960
Speaker 1: But Sammy pressed the button. He made ray J Oh,

1424
01:11:00,040 --> 01:11:01,040
Speaker 1: oh you want me to sing it?

1425
01:11:01,120 --> 01:11:05,080
Speaker 2: Oh? Okay, bad back, and it was all downhill. It

1426
01:11:05,240 --> 01:11:05,960
Speaker 2: was not okay.

1427
01:11:06,520 --> 01:11:11,360
Speaker 1: It was not cool when the one wish came and

1428
01:11:11,400 --> 01:11:13,000
Speaker 1: then y'all decided to make a group.

1429
01:11:13,320 --> 01:11:15,360
Speaker 2: And then we was like, yo, we're so cool. And

1430
01:11:15,400 --> 01:11:18,120
Speaker 2: I made the group though. I put the group together

1431
01:11:18,600 --> 01:11:21,120
Speaker 2: because we started after that. We started talking on the

1432
01:11:21,160 --> 01:11:25,360
Speaker 2: phone and we started like build a relationship in a brotherhood,

1433
01:11:25,400 --> 01:11:28,880
Speaker 2: which doesn't happen in the music business. It's not like

1434
01:11:29,439 --> 01:11:31,479
Speaker 2: you be cool with guys, like you know what I'm

1435
01:11:31,479 --> 01:11:33,280
Speaker 2: saying because I don't know why, but it just seems

1436
01:11:33,320 --> 01:11:36,639
Speaker 2: like everybody wants to beat their chest and everybody want

1437
01:11:36,680 --> 01:11:38,280
Speaker 2: to be better bigger.

1438
01:11:38,120 --> 01:11:43,320
Speaker 3: Women women is what happens, but it don't matter. Yeah,

1439
01:11:43,400 --> 01:11:46,840
Speaker 3: let's be honest. This ship is high school. Yeah, and

1440
01:11:46,960 --> 01:11:49,720
Speaker 3: when you get the prettiest girl, yeah, that can't be

1441
01:11:49,800 --> 01:11:51,400
Speaker 3: friends with nobody else no more.

1442
01:11:51,640 --> 01:11:53,360
Speaker 1: Right now, niggas don't like you?

1443
01:11:53,560 --> 01:11:56,000
Speaker 3: Yeah, as y'all was all chasing her at what point

1444
01:11:56,080 --> 01:11:57,719
Speaker 3: It's just it's it's petty.

1445
01:11:57,880 --> 01:12:01,080
Speaker 1: Yeah, you know what I mean. And I saw so

1446
01:12:01,200 --> 01:12:05,559
Speaker 1: much potential in the group, Like we was waiting. You know,

1447
01:12:05,600 --> 01:12:11,000
Speaker 1: you aren't you know you weren't. We don't. We was

1448
01:12:11,040 --> 01:12:13,320
Speaker 1: waiting on y'all. Look, it was a lot. Listen. Let

1449
01:12:13,360 --> 01:12:13,720
Speaker 1: me tell you.

1450
01:12:13,840 --> 01:12:16,720
Speaker 3: I was getting the calls to do.

1451
01:12:18,040 --> 01:12:23,200
Speaker 1: What happened. I talked to Ray, I talked to say said.

1452
01:12:23,280 --> 01:12:25,759
Speaker 1: I was like, hey man, we can help you navigate

1453
01:12:25,800 --> 01:12:28,720
Speaker 1: this day, because the one thing that you guys are

1454
01:12:28,800 --> 01:12:31,640
Speaker 1: not going to do in real life is be accountable

1455
01:12:31,680 --> 01:12:35,439
Speaker 1: to each other. Right, you guys feel like you guys

1456
01:12:35,479 --> 01:12:39,200
Speaker 1: are too close, you know what I'm saying, in proximity

1457
01:12:39,240 --> 01:12:42,200
Speaker 1: in terms of success, in terms of bravado, in terms

1458
01:12:42,200 --> 01:12:44,880
Speaker 1: of all this everybody's artists, You're not You're not going

1459
01:12:44,920 --> 01:12:47,360
Speaker 1: to be what he tells a lot about of three

1460
01:12:47,400 --> 01:12:50,040
Speaker 1: solo artists. You're not going to be accountable to each other,

1461
01:12:50,080 --> 01:12:54,080
Speaker 1: I said, but with us, Like, if y'all want to

1462
01:12:54,080 --> 01:12:56,240
Speaker 1: get some ship off, you feel a way, you want

1463
01:12:56,240 --> 01:12:59,519
Speaker 1: to direct it to somebody, direct to this because y'all

1464
01:12:59,560 --> 01:13:02,679
Speaker 1: got to figure how to be a croup, right, y'all

1465
01:13:02,680 --> 01:13:06,639
Speaker 1: need the nuances of some guys who have been around

1466
01:13:06,680 --> 01:13:10,240
Speaker 1: each other for ten fifteen years. You gotta figure that

1467
01:13:10,280 --> 01:13:13,559
Speaker 1: out in six months. But if you spend most of

1468
01:13:13,600 --> 01:13:19,240
Speaker 1: that time battling each other, then you never get to

1469
01:13:19,280 --> 01:13:21,880
Speaker 1: that point. You never get to know the person. You

1470
01:13:21,960 --> 01:13:24,880
Speaker 1: never get to know who ray J really is, or

1471
01:13:24,960 --> 01:13:28,080
Speaker 1: who Sammy, what he's really dealing with, like what's really

1472
01:13:28,080 --> 01:13:31,559
Speaker 1: on his mind? Because you guys are fighting creatively about records,

1473
01:13:31,560 --> 01:13:33,840
Speaker 1: about what you're gonna wear, about who gonna shoot the video,

1474
01:13:33,920 --> 01:13:37,160
Speaker 1: about who's gonna like, hey, let us take that off

1475
01:13:37,200 --> 01:13:42,640
Speaker 1: your hands and let us present you with really dope options.

1476
01:13:43,120 --> 01:13:46,080
Speaker 1: Ultimately you're gonna have the final saying. Ultimately you'll be

1477
01:13:46,160 --> 01:13:50,280
Speaker 1: ultimately creative, creatively a part of but the heavy lifting

1478
01:13:50,360 --> 01:13:54,040
Speaker 1: of this shit, it'll cut out the bullshit that y'all

1479
01:13:54,040 --> 01:13:55,639
Speaker 1: get ready to go through with each other, because you're

1480
01:13:55,680 --> 01:13:59,120
Speaker 1: gonna be competing with every fucking thing and nothing's gonna

1481
01:13:59,120 --> 01:13:59,559
Speaker 1: get done.

1482
01:14:00,040 --> 01:14:04,519
Speaker 2: That's exactly what happened. I told him, And we had

1483
01:14:04,560 --> 01:14:06,920
Speaker 2: so much potio. I was like, yo, right now, let's

1484
01:14:06,960 --> 01:14:07,679
Speaker 2: just drop the song.

1485
01:14:08,000 --> 01:14:09,360
Speaker 1: You know, I know what's gonna happen, because I had

1486
01:14:09,360 --> 01:14:11,000
Speaker 1: to do the same thing with T G. T Ye.

1487
01:14:11,720 --> 01:14:15,200
Speaker 1: Right as we're trying to record, and Jay's stopping me

1488
01:14:15,200 --> 01:14:18,960
Speaker 1: from going to Tyresee's house to beat him up. He's like,

1489
01:14:19,000 --> 01:14:23,439
Speaker 1: you let you can't do I'm not letting that happen. Okay.

1490
01:14:23,520 --> 01:14:25,679
Speaker 1: I love both of you niggas too much. And I said,

1491
01:14:25,680 --> 01:14:29,160
Speaker 1: you know what, I gotta get this out of our hands.

1492
01:14:29,880 --> 01:14:31,760
Speaker 1: I called a guy by the name of Harvey Mason Junior.

1493
01:14:32,880 --> 01:14:35,080
Speaker 1: I said, Harvey, I need your help. I said, we

1494
01:14:35,160 --> 01:14:39,120
Speaker 1: got this project, we got dope songs. We're we're trying

1495
01:14:39,160 --> 01:14:40,840
Speaker 1: to steer this thing in the right direction, but we

1496
01:14:40,880 --> 01:14:45,240
Speaker 1: need a different system of accountability. Can you can you

1497
01:14:45,479 --> 01:14:47,880
Speaker 1: pull all of us together and make this And we

1498
01:14:47,960 --> 01:14:52,320
Speaker 1: took it from Tyresee's house in backyard to Harvey Mason's

1499
01:14:52,320 --> 01:14:57,920
Speaker 1: studio and he structured. Harvey had a notebook TGT notebook

1500
01:14:57,920 --> 01:15:01,559
Speaker 1: where he's writing things down, knocking things down day after

1501
01:15:01,680 --> 01:15:03,439
Speaker 1: day after date with each one of us, and that's

1502
01:15:03,439 --> 01:15:05,720
Speaker 1: how we got the album done. And that's what I

1503
01:15:05,760 --> 01:15:07,920
Speaker 1: was trying to tell y'all. But you know, y'all thought

1504
01:15:07,960 --> 01:15:13,040
Speaker 1: I was old. That's what said. Then what I said

1505
01:15:13,040 --> 01:15:15,479
Speaker 1: in the video, I didn't. He said to Rey, Yeah,

1506
01:15:15,520 --> 01:15:17,840
Speaker 1: but Tank a little old man. I never saw that.

1507
01:15:18,080 --> 01:15:21,840
Speaker 2: Yeh yeah, that's my nig I was like, you're calling

1508
01:15:21,840 --> 01:15:28,040
Speaker 2: me older video nigga, and had like a two day beef.

1509
01:15:29,800 --> 01:15:32,400
Speaker 1: And then Jessica called him. We talking BEFORET said nigga,

1510
01:15:32,479 --> 01:15:34,720
Speaker 1: I'm your nigga. He said, you are my nigga. I'm

1511
01:15:34,760 --> 01:15:37,160
Speaker 1: just seeing like nigga. And we dealt with it. But

1512
01:15:37,240 --> 01:15:38,800
Speaker 1: at the end of the day, what I was trying

1513
01:15:38,840 --> 01:15:43,240
Speaker 1: to do was I understood the stress of solo artists

1514
01:15:43,280 --> 01:15:46,519
Speaker 1: coming together. I know what it is, and I just

1515
01:15:46,560 --> 01:15:49,799
Speaker 1: saw so much potential in you guys being on stage,

1516
01:15:50,320 --> 01:15:53,880
Speaker 1: all those hit records, all that fucking talent, and then

1517
01:15:53,960 --> 01:15:56,520
Speaker 1: all of that fucking exposure. Yeah.

1518
01:15:56,680 --> 01:16:00,920
Speaker 2: I hate that it didn't profess to what it should

1519
01:16:00,960 --> 01:16:04,080
Speaker 2: have because we had, you know, you have a window.

1520
01:16:04,640 --> 01:16:06,840
Speaker 1: Well let me say this. Let me say this before

1521
01:16:06,840 --> 01:16:09,519
Speaker 1: you say that, It's never too late, right, not in

1522
01:16:09,560 --> 01:16:11,840
Speaker 1: the world we live in now here. Records change everything. Yeah,

1523
01:16:12,160 --> 01:16:12,880
Speaker 1: it's never too late.

1524
01:16:13,560 --> 01:16:15,080
Speaker 2: So let's put it in your hands again.

1525
01:16:15,439 --> 01:16:16,240
Speaker 1: You're saying that.

1526
01:16:19,000 --> 01:16:22,400
Speaker 2: See, I'm the logical I'm the logical guy because there

1527
01:16:22,400 --> 01:16:23,400
Speaker 2: are three other people.

1528
01:16:23,439 --> 01:16:26,040
Speaker 1: But I know y'all gonna talk. And one is a

1529
01:16:26,080 --> 01:16:27,120
Speaker 1: wild card.

1530
01:16:27,240 --> 01:16:31,120
Speaker 2: Oh yeah, the rageous but he's but he's down for

1531
01:16:31,200 --> 01:16:36,240
Speaker 2: the cars. He's definitely, he's definitely down because all he

1532
01:16:36,280 --> 01:16:37,880
Speaker 2: talked about is come on, man, we in a group,

1533
01:16:38,200 --> 01:16:40,320
Speaker 2: were in the group together. That's my group mate.

1534
01:16:40,080 --> 01:16:43,200
Speaker 1: Like it would be nothing for you guys. It's it's

1535
01:16:43,280 --> 01:16:43,720
Speaker 1: right there.

1536
01:16:43,760 --> 01:16:46,320
Speaker 2: I know it's right, and I feel like we could

1537
01:16:46,360 --> 01:16:48,719
Speaker 2: be like the New Age Jodasy so easy.

1538
01:16:48,960 --> 01:16:54,000
Speaker 1: Well, but you have think of it like this. There's value.

1539
01:16:54,360 --> 01:16:58,439
Speaker 1: There's still so much value in the catalog. Yeah, so

1540
01:16:58,479 --> 01:17:01,599
Speaker 1: the people. So the people are going to show. So

1541
01:17:01,640 --> 01:17:04,040
Speaker 1: now we're delivering the right ship. Now we're just talking

1542
01:17:04,080 --> 01:17:06,360
Speaker 1: about delivering them the right music to get you niggas

1543
01:17:06,400 --> 01:17:09,160
Speaker 1: on stage to the bag to do the crazy Dope

1544
01:17:09,240 --> 01:17:12,000
Speaker 1: show where niggas is in and out and doing because

1545
01:17:12,000 --> 01:17:13,719
Speaker 1: we did that. You know, we did the show.

1546
01:17:14,240 --> 01:17:17,400
Speaker 2: We were on the Last Millennium tour and we did

1547
01:17:17,439 --> 01:17:20,439
Speaker 2: the show together. It was crazy and we still do.

1548
01:17:20,560 --> 01:17:21,799
Speaker 2: We do spot nights together.

1549
01:17:21,880 --> 01:17:23,200
Speaker 1: But there are even levels to doing that.

1550
01:17:23,360 --> 01:17:26,000
Speaker 2: Yeah, it's it could be way bigger. It should be

1551
01:17:26,000 --> 01:17:29,040
Speaker 2: way it should be. Yes, absolutely, I agree.

1552
01:17:29,120 --> 01:17:31,479
Speaker 1: But it can't be a fight amongst you guys. Yeah,

1553
01:17:31,600 --> 01:17:33,599
Speaker 1: it has to be. Hey, it has to be uniform.

1554
01:17:33,600 --> 01:17:35,840
Speaker 1: It has to be uniform. This is dope. This is dope.

1555
01:17:35,880 --> 01:17:38,240
Speaker 1: This is dope. What you guys think, we like that,

1556
01:17:38,280 --> 01:17:41,080
Speaker 1: we like that. Let's mix those together. And I think

1557
01:17:41,280 --> 01:17:45,479
Speaker 1: I think that you should be in the forefront of that.

1558
01:17:45,800 --> 01:17:48,280
Speaker 1: I think you should too. Don't you do this?

1559
01:17:51,240 --> 01:17:56,800
Speaker 6: No, don't should Hey, man, help us, help us put

1560
01:17:56,800 --> 01:17:57,320
Speaker 6: it together.

1561
01:17:57,520 --> 01:18:00,759
Speaker 1: If you guys were ever serious about it, bro, we're serious.

1562
01:18:01,160 --> 01:18:05,320
Speaker 1: You are saying this now, just you here by yourself.

1563
01:18:05,080 --> 01:18:06,599
Speaker 2: We need to do it. If we need to do

1564
01:18:06,640 --> 01:18:07,679
Speaker 2: an rs VP.

1565
01:18:08,240 --> 01:18:11,320
Speaker 1: R and B money. If you guys are every serious,

1566
01:18:12,320 --> 01:18:14,519
Speaker 1: we are here, you know.

1567
01:18:14,840 --> 01:18:17,840
Speaker 2: And I feel like I'm kind of like the jail

1568
01:18:17,960 --> 01:18:20,639
Speaker 2: of the group to kind of because I don't beef

1569
01:18:20,720 --> 01:18:23,720
Speaker 2: with nobody, So I feel like I could get everybody

1570
01:18:23,760 --> 01:18:27,120
Speaker 2: on the same page and say, look tink about the

1571
01:18:27,200 --> 01:18:28,320
Speaker 2: run point guard on this.

1572
01:18:28,880 --> 01:18:32,680
Speaker 1: Y'all are all our little niggas, all of y'all us

1573
01:18:33,000 --> 01:18:37,080
Speaker 1: remember that, all of y'all remember that all of y'all's family,

1574
01:18:37,120 --> 01:18:38,120
Speaker 1: do us everybody.

1575
01:18:39,080 --> 01:18:40,840
Speaker 2: So I think I think we should make that happen.

1576
01:18:40,840 --> 01:18:43,679
Speaker 1: And it's a great thing because normally time, most times

1577
01:18:43,720 --> 01:18:47,320
Speaker 1: in those situations, the person quarterbacking or trying to quarterback

1578
01:18:47,400 --> 01:18:48,880
Speaker 1: is trying to see what he can get out of,

1579
01:18:49,760 --> 01:18:53,640
Speaker 1: trying to snake his way into manipulating the situation. We

1580
01:18:53,640 --> 01:18:56,840
Speaker 1: don't need that exactly like we need we need for

1581
01:18:56,920 --> 01:18:59,080
Speaker 1: y'all to be dope. We need for y'all to be

1582
01:18:59,120 --> 01:19:02,040
Speaker 1: great because us. That's attached to the culture of all

1583
01:19:02,080 --> 01:19:02,240
Speaker 1: of this.

1584
01:19:02,640 --> 01:19:05,439
Speaker 3: The ecosystem of R and B is is more important

1585
01:19:05,479 --> 01:19:07,320
Speaker 3: than any of it. Right when people start talking about

1586
01:19:07,520 --> 01:19:10,280
Speaker 3: whatever artists you talk about and like ah, they start

1587
01:19:10,560 --> 01:19:12,880
Speaker 3: chipping away at ship, I'm just like, nah, bro, just

1588
01:19:12,960 --> 01:19:13,599
Speaker 3: celebrate it.

1589
01:19:14,120 --> 01:19:15,880
Speaker 1: Figure out how that we can continue to win in

1590
01:19:15,920 --> 01:19:16,519
Speaker 1: these spaces.

1591
01:19:16,600 --> 01:19:18,839
Speaker 3: I mean, we we get it now, even from outside

1592
01:19:18,880 --> 01:19:20,840
Speaker 3: of just the music side of it, now the multi

1593
01:19:20,880 --> 01:19:24,479
Speaker 3: media side with us having this show and people be like, yeah,

1594
01:19:24,520 --> 01:19:27,720
Speaker 3: you know because them other I'm like, hey, don't do that, right,

1595
01:19:27,880 --> 01:19:30,400
Speaker 3: don't do that. One him is the homies. Everybody else

1596
01:19:30,439 --> 01:19:32,560
Speaker 3: that got this, this R and B. These are you know,

1597
01:19:32,800 --> 01:19:35,160
Speaker 3: they talking about it and they want people to sing

1598
01:19:35,200 --> 01:19:37,519
Speaker 3: and sing in a shower and sing. All that is

1599
01:19:37,600 --> 01:19:41,880
Speaker 3: great for the ecosystem of what we do because we've

1600
01:19:42,000 --> 01:19:45,559
Speaker 3: all seen where it was famine that time. Yeah, everybody,

1601
01:19:45,600 --> 01:19:48,000
Speaker 3: everybody celebrates and talks about when it's when it's feasting,

1602
01:19:48,600 --> 01:19:52,040
Speaker 3: when it's famine, it's like, oh, it's dead in thikking,

1603
01:19:52,080 --> 01:19:55,400
Speaker 3: No it's not. And that's why even him, like when

1604
01:19:55,800 --> 01:19:58,880
Speaker 3: him having a foresight to say, Jay, We're gonna call

1605
01:19:58,920 --> 01:20:02,320
Speaker 3: our company R and B money because there's money in

1606
01:20:02,439 --> 01:20:04,679
Speaker 3: R and B and we got to show them that this.

1607
01:20:05,680 --> 01:20:09,920
Speaker 1: Deserves money invested in it.

1608
01:20:10,360 --> 01:20:12,400
Speaker 3: And so if we yell at enough and we talk

1609
01:20:12,479 --> 01:20:15,599
Speaker 3: about it enough, it will become a staple.

1610
01:20:16,280 --> 01:20:17,720
Speaker 1: That's true, you know what I mean.

1611
01:20:17,760 --> 01:20:19,840
Speaker 3: So the way we look at it and how we

1612
01:20:19,880 --> 01:20:22,280
Speaker 3: look at the business of R and B is that

1613
01:20:22,800 --> 01:20:24,720
Speaker 3: it all has to win and we have to be

1614
01:20:24,760 --> 01:20:28,000
Speaker 3: supportive of all of it. And when we have these

1615
01:20:28,040 --> 01:20:31,200
Speaker 3: conversations with whoever it is right because we don't only

1616
01:20:31,280 --> 01:20:36,600
Speaker 3: have this conversation with just OURSVP. It's a pleasure of

1617
01:20:36,760 --> 01:20:41,360
Speaker 3: artists young old in between that if we fuck with you,

1618
01:20:41,360 --> 01:20:43,439
Speaker 3: we gonna have a conversation with you and talk about

1619
01:20:43,439 --> 01:20:44,960
Speaker 3: how we see it can work.

1620
01:20:45,400 --> 01:20:48,240
Speaker 1: And I think sometimes it's not always.

1621
01:20:49,280 --> 01:20:53,400
Speaker 3: Received as we just want help because obviously in our

1622
01:20:53,439 --> 01:20:56,160
Speaker 3: business it hasn't always been about just help. It's like

1623
01:20:56,720 --> 01:21:00,280
Speaker 3: Tang was saying, somebody's trying to find their angle. Got

1624
01:21:00,280 --> 01:21:02,040
Speaker 3: no fucking angle, bro, Right.

1625
01:21:02,960 --> 01:21:04,280
Speaker 1: I got a really great life.

1626
01:21:04,400 --> 01:21:07,080
Speaker 3: Yeah, got two kids that I love and a family,

1627
01:21:07,120 --> 01:21:10,800
Speaker 3: and like, bro, like if I do something that means

1628
01:21:10,840 --> 01:21:11,960
Speaker 3: I want to do, I want to do it, you

1629
01:21:12,000 --> 01:21:14,960
Speaker 3: know what I mean? So I think that that part

1630
01:21:15,080 --> 01:21:18,080
Speaker 3: time at times is tough, man, because it hasn't been

1631
01:21:18,080 --> 01:21:18,880
Speaker 3: presented that way.

1632
01:21:19,040 --> 01:21:21,720
Speaker 1: Yeah. Everybody always is like okay, so yeah, so you

1633
01:21:21,760 --> 01:21:24,680
Speaker 1: know I'm gonna get y'all twenty percent right right right

1634
01:21:24,800 --> 01:21:30,720
Speaker 1: right right? Like what you nigga? That's not cool? Yeah

1635
01:21:30,760 --> 01:21:32,200
Speaker 1: yeah yeah so yeah bro.

1636
01:21:32,400 --> 01:21:35,800
Speaker 2: I but see that's another reason, like y'all already get money.

1637
01:21:35,840 --> 01:21:38,840
Speaker 2: So mostly a lot of people sometimes come in and

1638
01:21:38,880 --> 01:21:41,320
Speaker 2: they trying to they trying to lick, They trying to

1639
01:21:41,320 --> 01:21:43,280
Speaker 2: make a quick lick off of you, and it's just

1640
01:21:43,360 --> 01:21:44,439
Speaker 2: like we just care, bro.

1641
01:21:44,640 --> 01:21:44,880
Speaker 1: Yeah.

1642
01:21:45,200 --> 01:21:47,120
Speaker 2: See, y'all in the R and B culture, so y'all

1643
01:21:47,160 --> 01:21:48,879
Speaker 2: can see it from that perspective.

1644
01:21:49,000 --> 01:21:50,720
Speaker 3: Man, we love to hear it, We love to share.

1645
01:21:50,800 --> 01:22:01,920
Speaker 3: We care for real, so I would love to still

1646
01:22:01,920 --> 01:22:05,320
Speaker 3: hear the music. And we actually got crazy man.

1647
01:22:05,520 --> 01:22:06,599
Speaker 1: Yeah, yeah, we have a man.

1648
01:22:06,640 --> 01:22:09,559
Speaker 2: Listen. I have a good time just hanging out with

1649
01:22:09,600 --> 01:22:12,200
Speaker 2: the guy. Like sometimes we just hang out. Shout out

1650
01:22:12,240 --> 01:22:16,720
Speaker 2: to our manager Melndada. She just redid her basement and

1651
01:22:16,760 --> 01:22:19,479
Speaker 2: so we go hang out there. I bought a lake house.

1652
01:22:19,560 --> 01:22:21,200
Speaker 2: Ray was just with me out at the lake house

1653
01:22:21,520 --> 01:22:24,639
Speaker 2: a few days ago. We shot, we shot a video,

1654
01:22:24,960 --> 01:22:26,559
Speaker 2: had some handle a party.

1655
01:22:26,640 --> 01:22:29,160
Speaker 1: You know what I'm saying. Don't we gonna party?

1656
01:22:30,280 --> 01:22:33,760
Speaker 2: R s v P is a party every time when

1657
01:22:33,800 --> 01:22:35,200
Speaker 2: we when we're right, that's.

1658
01:22:35,080 --> 01:22:40,200
Speaker 1: When your name is fucking that name is fire right,

1659
01:22:40,320 --> 01:22:44,760
Speaker 1: goddamn thing, Jesus Christ. Well, why don't you got them?

1660
01:22:44,840 --> 01:22:47,800
Speaker 1: Come in and got them quarterback this motherfucker. Get your

1661
01:22:47,840 --> 01:22:49,320
Speaker 1: guys together, man, I got.

1662
01:22:49,160 --> 01:22:52,599
Speaker 2: Him, I got him listening. I'm an assistant coach, you coach.

1663
01:22:52,720 --> 01:22:58,479
Speaker 1: Let's go, guys, man, let's do it this ship. So

1664
01:22:58,520 --> 01:23:02,040
Speaker 1: what's what's next for you? Though? Like just in all Endeavors,

1665
01:23:02,080 --> 01:23:03,000
Speaker 1: what's what's next for you? So?

1666
01:23:03,120 --> 01:23:05,000
Speaker 2: Right now I got a radio show to here in

1667
01:23:05,000 --> 01:23:07,320
Speaker 2: that long. Yeah, I got a radio show. It's actually

1668
01:23:07,439 --> 01:23:10,479
Speaker 2: number one. It was number two last month, but it's

1669
01:23:10,479 --> 01:23:13,000
Speaker 2: been number one seventy ten Sunday Thursday. It's on the

1670
01:23:13,120 --> 01:23:15,640
Speaker 2: Army in the Nation, Kiss one on four point one.

1671
01:23:16,160 --> 01:23:21,680
Speaker 2: Come on, listen the Kiss one on fours one on

1672
01:23:21,720 --> 01:23:22,280
Speaker 2: four point one.

1673
01:23:22,280 --> 01:23:23,360
Speaker 1: It's the Bobby V Show.

1674
01:23:23,640 --> 01:23:30,680
Speaker 2: Asks Bobby, So I do like relationship questions on their

1675
01:23:31,320 --> 01:23:35,280
Speaker 2: fucking communication and masculinity. It came in handy what it did.

1676
01:23:35,760 --> 01:23:38,719
Speaker 2: So I've done a couple of movies that's on toob

1677
01:23:38,880 --> 01:23:41,479
Speaker 2: I just did a too B movie. I'm dropping two

1678
01:23:41,520 --> 01:23:44,600
Speaker 2: singles every month. I got my daughter, she about to

1679
01:23:44,600 --> 01:23:47,400
Speaker 2: turn nine. Shout out to my baby, mama, you're doing

1680
01:23:47,439 --> 01:23:51,519
Speaker 2: a great job. Yeah, shout out to all the baby

1681
01:23:51,920 --> 01:23:54,480
Speaker 2: shout out out there.

1682
01:23:54,120 --> 01:23:54,960
Speaker 1: Doing a good job.

1683
01:23:55,520 --> 01:23:58,120
Speaker 2: You know, I know I ain't there one hundred percent.

1684
01:23:58,280 --> 01:24:00,400
Speaker 2: I know it's a lot of things. But shout out

1685
01:24:00,400 --> 01:24:02,200
Speaker 2: to a good baby mama. That that you know what

1686
01:24:02,240 --> 01:24:04,880
Speaker 2: I'm saying. So, and I just I want to do

1687
01:24:04,920 --> 01:24:09,400
Speaker 2: more movies. I want to executive produce more movies. I'm

1688
01:24:09,479 --> 01:24:12,599
Speaker 2: dropping two singles every month all year. So I got

1689
01:24:12,640 --> 01:24:15,680
Speaker 2: a bunch of records out already. I might go to

1690
01:24:15,720 --> 01:24:16,479
Speaker 2: three next year.

1691
01:24:16,520 --> 01:24:17,200
Speaker 1: You know what I'm saying.

1692
01:24:17,320 --> 01:24:20,120
Speaker 2: I feel like it's about throwing darks. So I'm trying

1693
01:24:20,160 --> 01:24:22,880
Speaker 2: to throw these darts and lay me another number one.

1694
01:24:23,240 --> 01:24:26,760
Speaker 2: I'm producing these records myself. I'm playing the keys. I'm

1695
01:24:26,760 --> 01:24:29,400
Speaker 2: trying to learn so I could be so I could

1696
01:24:29,439 --> 01:24:32,280
Speaker 2: out do Tank next show I got with him. Luck,

1697
01:24:32,640 --> 01:24:35,720
Speaker 2: you know, we're gonna get there. We're gonna get there.

1698
01:24:35,800 --> 01:24:36,280
Speaker 1: You know what I'm saying.

1699
01:24:36,280 --> 01:24:39,320
Speaker 2: I ain't there yet, but I'm baby tanged, you know

1700
01:24:39,360 --> 01:24:42,080
Speaker 2: what I'm saying. So if you can't afford tang, hit

1701
01:24:42,160 --> 01:24:44,280
Speaker 2: up Melinda, SCIENTI I go. You can get the next

1702
01:24:44,439 --> 01:24:46,120
Speaker 2: you can get the next best thing. You hear me,

1703
01:24:46,120 --> 01:24:48,200
Speaker 2: because I'm I'm gonna bring them out and I'm gonna

1704
01:24:48,240 --> 01:24:51,519
Speaker 2: damn that do the same thing you do. So for him,

1705
01:24:52,600 --> 01:24:54,800
Speaker 2: I take half away, he takes you know what I'm saying.

1706
01:24:54,840 --> 01:24:57,840
Speaker 2: And we all we locked the loader, reactivated and acclimated.

1707
01:24:59,000 --> 01:25:02,000
Speaker 2: So you know, there's just some things, man, I'm working on.

1708
01:25:02,160 --> 01:25:05,400
Speaker 2: I'm just thankful and I'm blessed. I'm just you know,

1709
01:25:05,760 --> 01:25:08,920
Speaker 2: living this life. It's like really like a dream.

1710
01:25:09,120 --> 01:25:09,280
Speaker 1: You know.

1711
01:25:09,840 --> 01:25:13,000
Speaker 2: You get to do what you want to do, get

1712
01:25:13,000 --> 01:25:16,599
Speaker 2: to travel the world, get to fly first class. Sometimes

1713
01:25:16,600 --> 01:25:18,960
Speaker 2: I'm in coach, so you might see you might see

1714
01:25:18,960 --> 01:25:20,760
Speaker 2: me and coach. You might see me and coach. Don't

1715
01:25:21,160 --> 01:25:23,600
Speaker 2: tell people all the time. Don't don't expect me to

1716
01:25:23,640 --> 01:25:26,120
Speaker 2: be in first class every time, because it might not happen.

1717
01:25:26,200 --> 01:25:30,400
Speaker 1: I might not get myself coach. He got a pillow.

1718
01:25:30,640 --> 01:25:32,920
Speaker 1: I have a blanket for real? I do this?

1719
01:25:33,640 --> 01:25:36,200
Speaker 2: Yeah, yeah, yeah, yeah, that's probably me if you walking

1720
01:25:36,200 --> 01:25:38,000
Speaker 2: by it, no matter wheld the planet is, but that's

1721
01:25:38,040 --> 01:25:38,479
Speaker 2: probably me.

1722
01:25:38,600 --> 01:25:40,680
Speaker 1: Now I have I might have a hoodie and a

1723
01:25:40,760 --> 01:25:41,880
Speaker 1: mask on. You know what I'm saying.

1724
01:25:41,880 --> 01:25:47,680
Speaker 2: If I'm real far in the back, if I'm if.

1725
01:25:46,240 --> 01:25:50,000
Speaker 1: I'm in comfort, I'll have it all. I'll be wide open.

1726
01:25:50,160 --> 01:25:51,560
Speaker 1: I can still do a meet and greet from the

1727
01:25:51,600 --> 01:25:56,320
Speaker 1: back of the plank right by the bathroom and hold

1728
01:25:56,320 --> 01:25:59,360
Speaker 1: a little session when you get out here, you get out.

1729
01:25:59,840 --> 01:26:01,760
Speaker 1: I got shirt. That upgrade don't always come.

1730
01:26:01,880 --> 01:26:04,679
Speaker 2: Yeah, I'm bread. Hey, we be waiting on that upgrade.

1731
01:26:05,120 --> 01:26:05,680
Speaker 1: Listen to hear me.

1732
01:26:05,840 --> 01:26:08,000
Speaker 2: You know what I'm gonna do when I get to

1733
01:26:08,040 --> 01:26:10,080
Speaker 2: where I'm going from this coach seat.

1734
01:26:10,400 --> 01:26:12,360
Speaker 1: I want to pick up a back exactly.

1735
01:26:12,720 --> 01:26:15,360
Speaker 2: So it's okay, all right, Well, if taking Jay Valentine

1736
01:26:15,400 --> 01:26:17,600
Speaker 2: riding the coach here, I'm in the coach then, so

1737
01:26:17,760 --> 01:26:21,240
Speaker 2: I'm not sure at all, you know what I mean.

1738
01:26:21,360 --> 01:26:23,280
Speaker 1: So you might catch me in the coach along with

1739
01:26:23,320 --> 01:26:25,120
Speaker 1: these guys. I'm on the way to them that along

1740
01:26:25,200 --> 01:26:27,519
Speaker 1: with these with these guys. You know what I'm saying.

1741
01:26:27,800 --> 01:26:40,559
Speaker 1: So yeah, so we out ship. I love the little stuff.

1742
01:26:40,600 --> 01:26:51,920
Speaker 1: What we were going, Jesus, it's my safe come home

1743
01:26:51,960 --> 01:26:58,960
Speaker 1: by and I love. Think that's enough. Here we go.

1744
01:27:00,720 --> 01:27:03,679
Speaker 1: He gonna go with me with me? I was thanking

1745
01:27:03,720 --> 01:27:05,320
Speaker 1: the Lord. You know what I mean, because I'm on

1746
01:27:05,439 --> 01:27:09,679
Speaker 1: the R and B money cass you, brother Bobby V. Yes, yes,

1747
01:27:09,720 --> 01:27:12,720
Speaker 1: I know, yes, I now not to be confused with

1748
01:27:13,280 --> 01:27:21,439
Speaker 1: j V. That's right, Junior Varsity. I never was on var.

1749
01:27:21,680 --> 01:27:29,960
Speaker 2: Freshman, Ladies and gentlemen, Brother Bobby V. I know some

1750
01:27:30,120 --> 01:27:35,840
Speaker 2: songs and some artists have inspired your illustrious career.

1751
01:27:35,960 --> 01:27:41,559
Speaker 1: You have the essence true R and B in your blood.

1752
01:27:42,160 --> 01:27:45,640
Speaker 1: Yes I do. And the people want to know. I

1753
01:27:45,720 --> 01:27:58,479
Speaker 1: didn't want to know Champ. They want to know your Yeah, yes, sir,

1754
01:27:58,920 --> 01:28:00,120
Speaker 1: your top five.

1755
01:28:02,960 --> 01:28:08,599
Speaker 7: Top fire, your top.

1756
01:28:09,560 --> 01:28:10,839
Speaker 1: Want to be using.

1757
01:28:13,040 --> 01:28:18,120
Speaker 7: I wanted be so so things song We got to

1758
01:28:18,320 --> 01:28:24,479
Speaker 7: know we let you go. You're on this shoebody wasn't.

1759
01:28:24,360 --> 01:28:25,599
Speaker 1: Know your.

1760
01:28:28,800 --> 01:28:43,960
Speaker 7: Yes, yes, yes, top F.

1761
01:28:59,240 --> 01:29:05,320
Speaker 1: My top five singing hold on your top five R

1762
01:29:05,360 --> 01:29:07,040
Speaker 1: and B singers, R and B singer.

1763
01:29:07,520 --> 01:29:11,720
Speaker 2: So I kind of grew up, baby Face, Come on,

1764
01:29:12,840 --> 01:29:20,960
Speaker 2: because baby Face really like man, man, man, you hear

1765
01:29:21,000 --> 01:29:23,600
Speaker 2: me and this, I can't really give an order, but

1766
01:29:23,640 --> 01:29:26,120
Speaker 2: I'm gonna just say my top five. I'm gonna say like,

1767
01:29:26,280 --> 01:29:30,880
Speaker 2: and I ain't gonna lie d No from Age Town Rest

1768
01:29:30,920 --> 01:29:34,160
Speaker 2: in Peace, Rest in Peace, you know from.

1769
01:29:34,040 --> 01:29:35,040
Speaker 1: Age Town Boy.

1770
01:29:35,439 --> 01:29:38,640
Speaker 2: Oh my god, I had all the albums nobody listened to,

1771
01:29:39,760 --> 01:29:42,599
Speaker 2: not just Knocking Boots like I was so into then

1772
01:29:42,680 --> 01:29:44,960
Speaker 2: his vocals and these are all guys that kind of

1773
01:29:45,080 --> 01:29:47,800
Speaker 2: curved me, a kind of shaping me.

1774
01:29:48,920 --> 01:29:53,080
Speaker 1: Joe of course, mm hmmmm. You're gonna be mad if

1775
01:29:53,080 --> 01:29:58,559
Speaker 1: Ion same thing. Okay, would I be upset about that? Maybe?

1776
01:29:58,680 --> 01:30:01,599
Speaker 2: Maybe I think I think you more kind of closer

1777
01:30:01,640 --> 01:30:05,080
Speaker 2: to where when I was like out or like I'm

1778
01:30:05,080 --> 01:30:07,240
Speaker 2: talking about the guys that when those.

1779
01:30:07,000 --> 01:30:10,280
Speaker 1: Guys were out before. Yeah, yeah, those guys. Yeah.

1780
01:30:10,280 --> 01:30:15,000
Speaker 2: So I'm telling you you guys, So I said, Babyface, Dino, Joe,

1781
01:30:15,280 --> 01:30:19,480
Speaker 2: Joe Casey and Jojo amaze.

1782
01:30:19,479 --> 01:30:24,760
Speaker 1: J Man, don't don't leave Dalvin out of that at

1783
01:30:24,760 --> 01:30:26,840
Speaker 1: the airport, no way. Yeah, and he was like, you

1784
01:30:26,880 --> 01:30:30,000
Speaker 1: got to have me and me and don't do this Dealvin.

1785
01:30:30,160 --> 01:30:32,600
Speaker 2: Yeah, are you telling me I gotta have you a

1786
01:30:32,680 --> 01:30:38,920
Speaker 2: Davanta All yeah, because Tank so Davante I said, talk

1787
01:30:39,000 --> 01:30:45,320
Speaker 2: to Dante twice, said please, man, what is leave diving Davanta?

1788
01:30:45,400 --> 01:30:49,120
Speaker 2: Don't you know seeing you in that depthy terminal, David.

1789
01:30:49,760 --> 01:30:55,200
Speaker 1: I've seen Dalvin at Vaca. Gonna gonna love keep that, Davante,

1790
01:30:55,400 --> 01:30:56,640
Speaker 1: come on this podcast.

1791
01:30:56,720 --> 01:30:59,479
Speaker 2: I'm crying, man, and please call me so I could

1792
01:30:59,520 --> 01:31:02,360
Speaker 2: just I could just peek in and let you know.

1793
01:31:02,439 --> 01:31:06,120
Speaker 1: I want to see the man I think in my number.

1794
01:31:06,080 --> 01:31:12,880
Speaker 2: One and it's so many other dope guys that I

1795
01:31:12,920 --> 01:31:13,639
Speaker 2: like them, guys.

1796
01:31:14,400 --> 01:31:18,639
Speaker 1: Kane to me in my in my honest professional opinion,

1797
01:31:19,960 --> 01:31:25,439
Speaker 1: is the only artist from from that time who has

1798
01:31:25,479 --> 01:31:26,160
Speaker 1: gotten better?

1799
01:31:26,760 --> 01:31:30,840
Speaker 3: Oh yeah, now his vocal in twenty twenty six. I've

1800
01:31:30,880 --> 01:31:33,560
Speaker 3: never seen them like insanity. I've never seen nothing like

1801
01:31:33,800 --> 01:31:35,400
Speaker 3: going He's he's better.

1802
01:31:35,640 --> 01:31:38,680
Speaker 1: Yeah. He took some kind of performing enhancing drugs. Man,

1803
01:31:38,680 --> 01:31:42,599
Speaker 1: I don't know wanted whatever he took and performing too.

1804
01:31:42,640 --> 01:31:48,040
Speaker 2: He was dancing on this he goes hard bro three

1805
01:31:48,080 --> 01:31:50,360
Speaker 2: niggas bro like and I had a show.

1806
01:31:50,560 --> 01:31:52,679
Speaker 3: I had a show with him to dance with the stars.

1807
01:31:52,720 --> 01:31:54,680
Speaker 3: He turned up, He turned up.

1808
01:31:54,760 --> 01:31:56,559
Speaker 2: I had a show with them, man, and I just

1809
01:31:56,920 --> 01:31:59,200
Speaker 2: sat on the style of stage and like he really

1810
01:31:59,240 --> 01:32:04,240
Speaker 2: be he go you go crazy and singing hitting all of.

1811
01:32:04,520 --> 01:32:07,240
Speaker 1: He's not hitting, he's not. There are no deviations for

1812
01:32:07,320 --> 01:32:10,840
Speaker 1: one ya yeah Wanya. Either it's doing the part like

1813
01:32:10,880 --> 01:32:13,080
Speaker 1: it is on the album, or he's doing it better.

1814
01:32:13,360 --> 01:32:15,799
Speaker 2: Yeah, and show he's going crazy.

1815
01:32:16,040 --> 01:32:17,639
Speaker 1: I said, nigga, you crazy.

1816
01:32:17,760 --> 01:32:20,479
Speaker 2: Let me name one more person not why not do

1817
01:32:20,600 --> 01:32:23,960
Speaker 2: you think your world? Raphael is a deep and Tony

1818
01:32:24,000 --> 01:32:30,160
Speaker 2: Tony to Yeah, he's one of the coldest.

1819
01:32:30,400 --> 01:32:33,040
Speaker 1: He's one of the coldest stylistic.

1820
01:32:33,280 --> 01:32:36,800
Speaker 2: And I'm not it's not even about all.

1821
01:32:37,640 --> 01:32:40,160
Speaker 1: It's the style in the pocket that he has that

1822
01:32:40,320 --> 01:32:46,639
Speaker 1: nobody else that is even musically they're putting it. It's

1823
01:32:46,720 --> 01:32:47,759
Speaker 1: nothing as close.

1824
01:32:48,040 --> 01:32:52,640
Speaker 2: Yeah, so Tony, wow, good job yo, man. You think

1825
01:32:52,640 --> 01:32:56,559
Speaker 2: who maybe like, of course I would say like the

1826
01:32:56,600 --> 01:33:01,160
Speaker 2: eyes of old school, like Marvin Gaye, TV Wonder.

1827
01:33:03,080 --> 01:33:08,719
Speaker 1: Twelve. Yeah, yeah, I'm paying I'm sorry. Thirty six.

1828
01:33:11,040 --> 01:33:14,240
Speaker 2: We're gonna throw tank and then we're gonna we're gonna

1829
01:33:14,240 --> 01:33:14,960
Speaker 2: throw tank right there.

1830
01:33:14,960 --> 01:33:17,120
Speaker 1: I'll tell you about one hundred and seven. No, no, no, no, no,

1831
01:33:17,800 --> 01:33:21,960
Speaker 1: your top tier. My boy, you talk you talk to

1832
01:33:22,360 --> 01:33:27,360
Speaker 1: Let's go top five R and B songs. Take my mind.

1833
01:33:27,880 --> 01:33:31,400
Speaker 2: Come on, come on my house and my come.

1834
01:33:33,320 --> 01:33:33,760
Speaker 1: Let's see.

1835
01:33:35,320 --> 01:33:37,479
Speaker 2: So I gotta go with the people that you know

1836
01:33:37,640 --> 01:33:39,920
Speaker 2: like a baby face, like I'm just going off with

1837
01:33:40,000 --> 01:33:42,160
Speaker 2: the secret. Yeah yeah, yeah, I'm just going off the

1838
01:33:42,160 --> 01:33:42,720
Speaker 2: top of my head.

1839
01:33:42,760 --> 01:33:47,000
Speaker 1: You think, do you think? Slow down? I don't want

1840
01:33:47,040 --> 01:33:53,080
Speaker 1: to get to know you.

1841
01:33:51,000 --> 01:33:52,960
Speaker 2: Because they got me off my mom and daddy real,

1842
01:33:53,280 --> 01:33:54,840
Speaker 2: So that's gotta be one of mine.

1843
01:33:56,000 --> 01:33:57,519
Speaker 1: Gotta be changing.

1844
01:33:57,800 --> 01:34:00,519
Speaker 2: Yes about the Jungles got me at jungle. I was

1845
01:34:00,520 --> 01:34:03,400
Speaker 2: hearing gunshots and ice cream trucks.

1846
01:34:05,280 --> 01:34:08,559
Speaker 3: But y'all, y'all, I don't know the jungle is where

1847
01:34:08,600 --> 01:34:11,120
Speaker 3: Training Day was filmed, and so he was in that

1848
01:34:11,200 --> 01:34:12,200
Speaker 3: same courtyard.

1849
01:34:12,400 --> 01:34:16,599
Speaker 2: Yes, Denzil told niggas he was sitting at the girl house.

1850
01:34:16,640 --> 01:34:18,799
Speaker 2: I was staying as she had a baby.

1851
01:34:19,360 --> 01:34:20,200
Speaker 1: He was crying.

1852
01:34:20,640 --> 01:34:23,559
Speaker 2: I was hearing the ice cream trucks, and I was

1853
01:34:23,600 --> 01:34:27,880
Speaker 2: hearing gunshots and stabbed, multiple stab.

1854
01:34:28,200 --> 01:34:31,800
Speaker 1: You can hear stabs. You can hear that hearing, yes,

1855
01:34:31,840 --> 01:34:32,719
Speaker 1: because you hear them.

1856
01:34:35,840 --> 01:34:37,920
Speaker 2: Just telling the story the other day and somebody about

1857
01:34:37,960 --> 01:34:39,720
Speaker 2: how I went to go see a girl and I

1858
01:34:39,760 --> 01:34:41,439
Speaker 2: first moved in LA and I could hear.

1859
01:34:41,280 --> 01:34:45,400
Speaker 1: The Chuck Taylor's as I was getting closer to her door,

1860
01:34:46,920 --> 01:34:51,160
Speaker 1: trip Walker. If you can't see my feet, I can

1861
01:34:51,280 --> 01:34:55,000
Speaker 1: hear the chucks. We all have a moment.

1862
01:34:55,960 --> 01:35:01,840
Speaker 2: Well, we were somewhere, and the belly in the belly

1863
01:35:01,880 --> 01:35:03,720
Speaker 2: of l A, well we should not have been.

1864
01:35:04,240 --> 01:35:08,920
Speaker 1: No hold on talking about that. Finish your.

1865
01:35:11,720 --> 01:35:15,120
Speaker 2: Okay, I was gonna tell you I almost got shot

1866
01:35:15,200 --> 01:35:19,519
Speaker 2: when I came out in l A shooting after the show. Anyway,

1867
01:35:20,760 --> 01:35:25,040
Speaker 2: the bullet went right by my head in the limos. Anyway,

1868
01:35:26,040 --> 01:35:26,639
Speaker 2: I'm gonna.

1869
01:35:26,479 --> 01:35:26,960
Speaker 1: Have to take it.

1870
01:35:26,960 --> 01:35:31,400
Speaker 2: I'm gonna I'm gonna have to take the knocking boots,

1871
01:35:32,280 --> 01:35:35,240
Speaker 2: knocking boots. I love knocking boots. So what I got

1872
01:35:35,240 --> 01:35:38,799
Speaker 2: one more after that? It was so many Josy records.

1873
01:35:38,840 --> 01:35:43,200
Speaker 2: It's so many good Son, I mean, Jodison got those.

1874
01:35:43,960 --> 01:35:49,280
Speaker 2: It's been since su Ben come. And that's a long

1875
01:35:50,000 --> 01:35:54,639
Speaker 2: or either that or every freaking nay, every freaking name.

1876
01:35:55,280 --> 01:36:02,040
Speaker 2: I don't love freaking bout it so freaking tight, Okay,

1877
01:36:02,960 --> 01:36:07,120
Speaker 2: I was gonna let you ride. I was, I know

1878
01:36:07,160 --> 01:36:15,639
Speaker 2: that's wrong, that's I was thinking, But I was thinking

1879
01:36:15,680 --> 01:36:19,040
Speaker 2: about getting shot. It came like right by my head

1880
01:36:19,360 --> 01:36:21,120
Speaker 2: and I'm trying to think about the top five of

1881
01:36:21,200 --> 01:36:21,719
Speaker 2: the same.

1882
01:36:23,240 --> 01:36:23,920
Speaker 1: I'm not mad at you.

1883
01:36:24,000 --> 01:36:27,679
Speaker 2: Yeah, yeah, because that's that's what I think about, immediate immediately.

1884
01:36:27,800 --> 01:36:29,360
Speaker 1: Yeah, so that was your favorite. Yeah.

1885
01:36:29,400 --> 01:36:32,880
Speaker 2: Yeah, It's like I had so many jodasy this moment.

1886
01:36:32,880 --> 01:36:34,519
Speaker 2: We used to just ride out to jokes.

1887
01:36:34,840 --> 01:36:38,120
Speaker 1: How you almost got you? Yeah, it was after show.

1888
01:36:38,560 --> 01:36:39,439
Speaker 1: It was after the show.

1889
01:36:39,760 --> 01:36:41,720
Speaker 2: It was only one way in and one way out

1890
01:36:41,720 --> 01:36:44,480
Speaker 2: of that. Boy, this when slow Down first came out,

1891
01:36:44,760 --> 01:36:48,960
Speaker 2: and I remember they sharp fighting there and my security dude,

1892
01:36:49,479 --> 01:36:53,120
Speaker 2: he was a sick so at the time he threw

1893
01:36:53,200 --> 01:36:53,760
Speaker 2: me in the car.

1894
01:36:54,160 --> 01:36:58,000
Speaker 1: He said, y'all go go go. Limo driver hit it foul.

1895
01:36:58,400 --> 01:37:00,240
Speaker 2: And then they were shooting outside of the club and

1896
01:37:00,479 --> 01:37:03,040
Speaker 2: I've seen a bullet go right through the window right there,

1897
01:37:03,439 --> 01:37:05,519
Speaker 2: and I was duck down. I was like, damn if

1898
01:37:05,600 --> 01:37:07,880
Speaker 2: I was saying right there, yeah, it wouldn't be No,

1899
01:37:08,080 --> 01:37:11,480
Speaker 2: it's over with that fast like a Nascar.

1900
01:37:13,040 --> 01:37:15,880
Speaker 1: He threw me in there. No, I ain't, but that

1901
01:37:16,000 --> 01:37:27,560
Speaker 1: big would brown eye. Yeah, threw me in there. I

1902
01:37:27,680 --> 01:37:30,200
Speaker 1: was on their feet, hanging out, hanging out the door.

1903
01:37:32,360 --> 01:37:37,160
Speaker 1: This is such a great interview for you. This is

1904
01:37:37,280 --> 01:37:41,280
Speaker 1: so great because people don't really know you. I know, man,

1905
01:37:41,400 --> 01:37:44,920
Speaker 1: I never I never get the opportunity. People don't know you, man,

1906
01:37:45,080 --> 01:37:50,000
Speaker 1: and people don't get the opportunity to actually understand your personality. Man.

1907
01:37:50,479 --> 01:37:52,960
Speaker 1: And what a cool nigga you are, man and funny

1908
01:37:53,000 --> 01:38:05,960
Speaker 1: and all the cool ship. I'm great, glad, all right,

1909
01:38:06,000 --> 01:38:09,880
Speaker 1: we're not done that. You're super R and B artists.

1910
01:38:10,160 --> 01:38:12,439
Speaker 1: Who are gonna get the vocal from the performing style,

1911
01:38:12,520 --> 01:38:16,000
Speaker 1: the styling, the passion of the artist. And who's gonna

1912
01:38:16,040 --> 01:38:19,400
Speaker 1: write for these artists? This artist is the one vocal

1913
01:38:20,160 --> 01:38:22,360
Speaker 1: over time, one vocal to build your super R and

1914
01:38:22,439 --> 01:38:25,599
Speaker 1: B artist. What one vocal you grabbing? Okay, so we're

1915
01:38:25,600 --> 01:38:28,680
Speaker 1: gonna have to go with the one done, easy work,

1916
01:38:29,360 --> 01:38:31,280
Speaker 1: easy work, performing.

1917
01:38:30,880 --> 01:38:35,479
Speaker 2: Style, performing style. Probably Michael Jackson. I love that, Love that,

1918
01:38:35,880 --> 01:38:38,840
Speaker 2: Michael of Prince another you got picked one, okay, don't

1919
01:38:40,200 --> 01:38:42,720
Speaker 2: can we can I get a combination, Mike Man let it?

1920
01:38:42,840 --> 01:38:45,599
Speaker 2: Let him get Prince Michael Jackson. It's a big that's

1921
01:38:45,600 --> 01:38:50,679
Speaker 2: a person, christ Michael Jackson, Prince, Michael Jackson. That's new artists,

1922
01:38:51,080 --> 01:38:52,719
Speaker 2: sign the R and B money.

1923
01:38:52,800 --> 01:38:56,600
Speaker 1: I'm I'm co president too. You get to get the

1924
01:38:56,720 --> 01:39:02,200
Speaker 1: co president that that boy. Okay, So so Michael Prince,

1925
01:39:02,400 --> 01:39:04,800
Speaker 1: Michael Prince, Okay, Styling.

1926
01:39:07,400 --> 01:39:11,880
Speaker 2: If it's a new era. I feel like I'm a

1927
01:39:11,920 --> 01:39:14,200
Speaker 2: great dresser. I feel like I always throw that ship on.

1928
01:39:14,400 --> 01:39:16,840
Speaker 2: So you know what I'm saying. Music, Yeah, yeah, yeah, yeah,

1929
01:39:17,000 --> 01:39:19,600
Speaker 2: So I'm gonna say, Bobby, let me style them. I

1930
01:39:19,760 --> 01:39:21,679
Speaker 2: like the style, like I like the dress and ship

1931
01:39:21,760 --> 01:39:21,880
Speaker 2: like that.

1932
01:39:22,000 --> 01:39:25,560
Speaker 1: All right, all right, passion of the Artists.

1933
01:39:26,120 --> 01:39:27,800
Speaker 2: Let's get let's get an usher in there.

1934
01:39:27,880 --> 01:39:34,759
Speaker 1: Let's know the Passions fashion apartment. Yeah yeah, hard working motherfucker,

1935
01:39:34,920 --> 01:39:36,120
Speaker 1: yes yeah yeah, and.

1936
01:39:36,200 --> 01:39:38,160
Speaker 2: Whatever is next one. We gotta throw the Chris Brown

1937
01:39:38,240 --> 01:39:38,479
Speaker 2: in there.

1938
01:39:39,000 --> 01:39:42,760
Speaker 1: Who's writing, Who's gonna write? Tank Chack?

1939
01:39:42,840 --> 01:39:45,320
Speaker 2: Valentine and the valid Dictorian.

1940
01:39:46,920 --> 01:39:51,920
Speaker 1: It's valid say that the way you want to say it.

1941
01:39:53,120 --> 01:39:58,360
Speaker 2: Valid valid dictory because I'm head of the class, not

1942
01:39:58,479 --> 01:40:02,840
Speaker 2: the last ahead of the So that's my AKA Validdictory.

1943
01:40:04,040 --> 01:40:06,320
Speaker 2: So we can't really say valentineo no more so just

1944
01:40:06,560 --> 01:40:08,120
Speaker 2: Bobby Valundictory.

1945
01:40:09,720 --> 01:40:18,840
Speaker 1: You keep saying it. Boo y'all, y'all like to Zion.

1946
01:40:20,080 --> 01:40:23,479
Speaker 1: This is ship. His son does bro, Bro what.

1947
01:40:23,680 --> 01:40:26,200
Speaker 2: You say you just keep saying. You know you're not

1948
01:40:26,200 --> 01:40:30,680
Speaker 2: supposed to say that. It's great man, you cook, you

1949
01:40:30,880 --> 01:40:36,600
Speaker 2: cook ship. I'm I'm a kid man. That's what this

1950
01:40:36,640 --> 01:40:37,320
Speaker 2: ship is about.

1951
01:40:37,360 --> 01:40:38,840
Speaker 1: Man. We have the time of our lives.

1952
01:40:38,960 --> 01:40:41,360
Speaker 2: That's all I'm trying to I'm trying to told.

1953
01:40:41,200 --> 01:40:44,720
Speaker 1: You this ship, this ship, it can get serious the times. Man.

1954
01:40:44,840 --> 01:40:47,400
Speaker 1: For the most part. Man, we're living in a dream,

1955
01:40:47,560 --> 01:40:47,800
Speaker 1: that's what.

1956
01:40:48,240 --> 01:40:50,400
Speaker 2: And that's a good time. And that's what I'm telling them.

1957
01:40:50,479 --> 01:40:52,960
Speaker 2: And we ain't here forever. Man, you know what I'm saying.

1958
01:40:53,000 --> 01:40:55,720
Speaker 1: I know this girl that just have breast cancer, my

1959
01:40:55,840 --> 01:40:58,160
Speaker 1: life rights to something. You know what we talked about

1960
01:40:59,320 --> 01:41:02,680
Speaker 1: till the life. It's different conversation. It's like it's like

1961
01:41:02,760 --> 01:41:05,600
Speaker 1: a new level of Oh of some ship with like.

1962
01:41:05,800 --> 01:41:09,000
Speaker 2: Real you could like, well, y'all already in the l A,

1963
01:41:09,120 --> 01:41:10,439
Speaker 2: so y'all already know about that.

1964
01:41:11,840 --> 01:41:16,760
Speaker 6: Do that because y'all get your start. I mean that's

1965
01:41:16,760 --> 01:41:21,040
Speaker 6: where your hits were. Six You signed that, you signed

1966
01:41:21,080 --> 01:41:21,840
Speaker 6: that same counter.

1967
01:41:23,840 --> 01:41:27,640
Speaker 1: But here we going. I'm not going for it. You

1968
01:41:28,720 --> 01:41:31,679
Speaker 1: eating the baby blood. Ain't saying no names. I ain't

1969
01:41:31,680 --> 01:41:34,720
Speaker 1: saying no names. I ain't saying no names. I ain't

1970
01:41:34,760 --> 01:41:45,439
Speaker 1: saying no names. What you need, don't say she no name.

1971
01:41:50,479 --> 01:41:52,639
Speaker 2: That was tough eating that baby blood man.

1972
01:41:54,360 --> 01:41:55,720
Speaker 1: Man, I don't even know that.

1973
01:41:57,560 --> 01:42:00,200
Speaker 3: So we had a very important part of the show. Yeah, yeah,

1974
01:42:00,800 --> 01:42:03,720
Speaker 3: will you tell us a story funny or fucked up?

1975
01:42:04,479 --> 01:42:05,920
Speaker 3: Are funny and fucked up?

1976
01:42:06,960 --> 01:42:11,800
Speaker 2: The only rule to the gang is Bobby Valentino can't

1977
01:42:11,960 --> 01:42:15,760
Speaker 2: say no names. It's a lot of hic goes. The

1978
01:42:15,880 --> 01:42:21,840
Speaker 2: story I was over in he can Hold London, England Hole.

1979
01:42:23,920 --> 01:42:28,679
Speaker 2: We had something had went on. We had a show.

1980
01:42:28,960 --> 01:42:31,240
Speaker 2: I was on the tour bus because I had probably

1981
01:42:31,280 --> 01:42:32,599
Speaker 2: like nine ten shows in London.

1982
01:42:32,640 --> 01:42:37,960
Speaker 1: We're going around. We leave a club with the whole club.

1983
01:42:39,760 --> 01:42:40,920
Speaker 1: We go back to the hotel.

1984
01:42:41,720 --> 01:42:45,120
Speaker 2: We got the whole floor. I had like seven eight

1985
01:42:45,400 --> 01:42:48,360
Speaker 2: of my homies with me. This was early on. This

1986
01:42:48,600 --> 01:42:51,400
Speaker 2: was like the four phones, niggas had, the.

1987
01:42:52,200 --> 01:42:56,080
Speaker 1: The chirps, good next step.

1988
01:42:56,600 --> 01:42:59,599
Speaker 2: So it wasn't really working over there. It's a mess

1989
01:42:59,680 --> 01:43:04,439
Speaker 2: up story, but I can talk about it now. Well,

1990
01:43:04,479 --> 01:43:08,240
Speaker 2: there's so many messed up stories. Should I go to

1991
01:43:08,320 --> 01:43:10,200
Speaker 2: that one? No, let's go to this story right here.

1992
01:43:10,240 --> 01:43:13,599
Speaker 2: I was in New York City, New York city. I'm

1993
01:43:13,600 --> 01:43:16,479
Speaker 2: standing outside the hotel room. My boys pulled up with

1994
01:43:16,600 --> 01:43:20,599
Speaker 2: the herbals, so I'm leaning in the car. I hit

1995
01:43:20,640 --> 01:43:23,840
Speaker 2: the herbals a couple of times. Next thing I know,

1996
01:43:24,760 --> 01:43:29,400
Speaker 2: mark vehicles pull ups. I'm like, oh, schnap, hold on Hoddle.

1997
01:43:29,920 --> 01:43:33,040
Speaker 2: So I got to join in my hand. It was raining.

1998
01:43:34,120 --> 01:43:37,800
Speaker 2: I'm thinking that the water flowing down the sidewalk. I

1999
01:43:37,920 --> 01:43:42,200
Speaker 2: dropped the joint, hope that the water shrivels it up

2000
01:43:42,280 --> 01:43:43,080
Speaker 2: or do something with it.

2001
01:43:43,920 --> 01:43:46,519
Speaker 1: He say, no, no, no, you you you. He pointed

2002
01:43:46,520 --> 01:43:49,760
Speaker 1: at me, you you you. I'm like me, I didn't.

2003
01:43:49,960 --> 01:43:50,400
Speaker 1: My boys.

2004
01:43:50,439 --> 01:43:51,960
Speaker 2: They was like there was some New Yorker's no, no,

2005
01:43:52,080 --> 01:43:55,479
Speaker 2: that's mine. That's mine, son, No, son, that's mine, son, No,

2006
01:43:56,000 --> 01:43:57,960
Speaker 2: it's yours. And you're coming with me.

2007
01:44:00,280 --> 01:44:02,880
Speaker 1: Where is it? It's right there?

2008
01:44:03,720 --> 01:44:06,640
Speaker 2: Yeah, there you go, come on, put the cuffs on me.

2009
01:44:07,600 --> 01:44:09,320
Speaker 2: And I sat in there and I had I had

2010
01:44:09,360 --> 01:44:12,080
Speaker 2: an hour release party that night, but I still I

2011
01:44:12,160 --> 01:44:14,320
Speaker 2: sat in there for like two hours and still hit

2012
01:44:14,360 --> 01:44:15,880
Speaker 2: the party though, and was lit.

2013
01:44:16,360 --> 01:44:17,599
Speaker 1: So it was a good and the bad.

2014
01:44:17,840 --> 01:44:19,320
Speaker 2: Then I had to go to court, of course, in

2015
01:44:19,439 --> 01:44:21,840
Speaker 2: New York, for a little joint. This was before now

2016
01:44:21,840 --> 01:44:25,720
Speaker 2: it's legal but jam two puffs. I hit that boy

2017
01:44:25,760 --> 01:44:30,000
Speaker 2: a couple of times, leaning in the car like, and

2018
01:44:30,040 --> 01:44:33,680
Speaker 2: then Nigga pulled up immediately on my I was like,

2019
01:44:35,240 --> 01:44:39,240
Speaker 2: and then I got another herbal story too, since y'all

2020
01:44:39,360 --> 01:44:42,880
Speaker 2: like stories. This time, I had an R the R

2021
01:44:42,960 --> 01:44:47,519
Speaker 2: eight trop I was pushing it to the limit. It

2022
01:44:47,640 --> 01:44:49,120
Speaker 2: was a dude next to me. He had like a

2023
01:44:49,920 --> 01:44:54,680
Speaker 2: an Audie cool, like an A five or something. But

2024
01:44:54,880 --> 01:44:56,679
Speaker 2: you know the R eight, that boy, don't go slow.

2025
01:44:56,840 --> 01:45:00,479
Speaker 2: It's only one. It's one hundred one, it's one hundred

2026
01:45:00,640 --> 01:45:05,040
Speaker 2: or nothing. So the dude kept in mind you I

2027
01:45:05,280 --> 01:45:07,639
Speaker 2: just got some herbals from my homeboy because he owed

2028
01:45:07,680 --> 01:45:08,920
Speaker 2: me like one hundred dollars. So he gave me like

2029
01:45:08,960 --> 01:45:11,919
Speaker 2: one hundred dollars worth of herbals. This is here in Atlanta,

2030
01:45:11,960 --> 01:45:15,360
Speaker 2: and and I usually get off this one exit to

2031
01:45:15,400 --> 01:45:18,560
Speaker 2: go home. But tonight I'm riding. This dude messing with

2032
01:45:18,640 --> 01:45:20,360
Speaker 2: me the whole night. I'm driving slow because I got

2033
01:45:20,400 --> 01:45:22,080
Speaker 2: the herbals in my pocket. I don't want no problem.

2034
01:45:22,800 --> 01:45:25,920
Speaker 1: Dude riding next to me. He rides slow. He rding

2035
01:45:26,000 --> 01:45:26,800
Speaker 1: real slow, and he.

2036
01:45:26,920 --> 01:45:29,320
Speaker 2: Kind of and he kind of like he want me

2037
01:45:29,439 --> 01:45:32,800
Speaker 2: to hit it my exit right here, and I'm like, man,

2038
01:45:32,800 --> 01:45:33,720
Speaker 2: I've been driving slow.

2039
01:45:33,760 --> 01:45:34,320
Speaker 1: I feel good.

2040
01:45:34,360 --> 01:45:36,600
Speaker 2: I got the top back, the wind blowing, it's like

2041
01:45:36,680 --> 01:45:40,240
Speaker 2: a summer night. I said, fuck it, I'm feeling dust

2042
01:45:40,320 --> 01:45:41,400
Speaker 2: this nigga right fast.

2043
01:45:41,680 --> 01:45:44,840
Speaker 1: I hit the gas here fout.

2044
01:45:45,760 --> 01:45:48,000
Speaker 2: Next thing I know, I see the twelve right there.

2045
01:45:48,479 --> 01:45:51,320
Speaker 2: I'm like, oh shit, is he gonna come for me?

2046
01:45:51,520 --> 01:45:53,320
Speaker 2: Of course he's coming for me, nigga. I'm doing all

2047
01:45:53,360 --> 01:45:56,360
Speaker 2: of the twenty. I see the all the dude in

2048
01:45:56,400 --> 01:46:02,840
Speaker 2: the AUTI he's like, I'm like, oh so Now, I'm like, damn,

2049
01:46:03,400 --> 01:46:05,840
Speaker 2: I got all this weed in my pocket. The fun

2050
01:46:05,880 --> 01:46:09,200
Speaker 2: I'm gonna do so as I'm the exit is coming

2051
01:46:09,280 --> 01:46:11,720
Speaker 2: up and I'm trying to get off, and I got

2052
01:46:11,800 --> 01:46:13,800
Speaker 2: the herbals in my pocket. I'm like, okay, I got

2053
01:46:13,840 --> 01:46:17,080
Speaker 2: the top back. I'm trying to throw this, Yes I did.

2054
01:46:17,640 --> 01:46:19,880
Speaker 2: I put my hand in my I put my hand

2055
01:46:19,920 --> 01:46:20,479
Speaker 2: in my pocket.

2056
01:46:20,520 --> 01:46:23,200
Speaker 1: I tried to throw it. That shit blowed all over me.

2057
01:46:23,320 --> 01:46:31,120
Speaker 1: It was all it was everywhere. We try to spit out, yeah,

2058
01:46:31,240 --> 01:46:34,519
Speaker 1: and it come hit you back. I hear somebody, man, listen.

2059
01:46:34,640 --> 01:46:39,320
Speaker 2: I get off the exit and he and I'm like, sir, sir, yes,

2060
01:46:39,400 --> 01:46:43,040
Speaker 2: sir a lot of serves that ain't mean nothing. I

2061
01:46:43,120 --> 01:46:45,760
Speaker 2: couldn't serve him enough, you know what I mean, sir, Sir, sir,

2062
01:46:45,920 --> 01:46:49,600
Speaker 2: he was like, you got any more of that? I

2063
01:46:49,760 --> 01:46:52,439
Speaker 2: was like, Sir, I might have like a little bit

2064
01:46:52,600 --> 01:46:56,680
Speaker 2: left in my ear. Oh so you were trying to

2065
01:46:57,240 --> 01:46:58,960
Speaker 2: have the evidence, sir.

2066
01:46:59,080 --> 01:47:01,080
Speaker 1: I was just know what I was going.

2067
01:47:02,120 --> 01:47:04,720
Speaker 2: I was like, can you just give me a breakthover, sir?

2068
01:47:04,880 --> 01:47:11,800
Speaker 2: You have marijuana all over you? Yeah, you're not sorry, sir.

2069
01:47:11,960 --> 01:47:13,840
Speaker 2: And plus my supervisor just pulled up.

2070
01:47:14,880 --> 01:47:17,720
Speaker 1: Supervisor pulled up. At least he them pound the car.

2071
01:47:17,800 --> 01:47:19,720
Speaker 2: I called my little gal at the time, hey man,

2072
01:47:19,720 --> 01:47:21,800
Speaker 2: come get my car for me because I don't want

2073
01:47:21,840 --> 01:47:23,560
Speaker 2: to do all that. But he took me in.

2074
01:47:23,680 --> 01:47:24,360
Speaker 1: But it was cool.

2075
01:47:24,400 --> 01:47:27,680
Speaker 2: You'll never see a mug shot of nothing. Because when

2076
01:47:27,720 --> 01:47:28,519
Speaker 2: I got in there.

2077
01:47:28,680 --> 01:47:32,240
Speaker 1: The girl was like, Bobby be you you are? My

2078
01:47:32,320 --> 01:47:32,800
Speaker 1: dad don't know.

2079
01:47:33,560 --> 01:47:35,840
Speaker 2: So I hope my dad don't watch. Somebody probably gonna

2080
01:47:35,840 --> 01:47:37,000
Speaker 2: send it to him because I don't know.

2081
01:47:37,080 --> 01:47:38,000
Speaker 1: I got locked up, but.

2082
01:47:39,600 --> 01:47:44,720
Speaker 2: He I when I pulled over, Oh my girl can't

2083
01:47:44,760 --> 01:47:46,639
Speaker 2: got the car. When I got in the in the jail,

2084
01:47:46,720 --> 01:47:48,840
Speaker 2: the girl was like no, because when I got in there,

2085
01:47:48,960 --> 01:47:51,720
Speaker 2: niggas was like Bobby be oh because it was like

2086
01:47:51,760 --> 01:47:57,559
Speaker 2: a big hold of Bobby being oh, oh, Bobby, why

2087
01:47:57,600 --> 01:48:00,280
Speaker 2: what you doing here? And I'm sitting And then it

2088
01:48:00,400 --> 01:48:02,880
Speaker 2: was a girl in there and like, because I had drugs,

2089
01:48:03,040 --> 01:48:06,160
Speaker 2: they give you a separate outfit and they gave you

2090
01:48:06,280 --> 01:48:08,120
Speaker 2: like the little orange Bigga's new the outfit.

2091
01:48:08,360 --> 01:48:08,599
Speaker 1: Yeah.

2092
01:48:08,960 --> 01:48:12,639
Speaker 2: So but the pants was too big, so like my crack, Paul,

2093
01:48:12,800 --> 01:48:14,519
Speaker 2: my crack was out a little bit, and the girl

2094
01:48:14,640 --> 01:48:16,800
Speaker 2: was like, pull your pants up. I can see your crack.

2095
01:48:17,040 --> 01:48:18,960
Speaker 2: And the girl was like, I'm sorry, Bobby. I'm gonna

2096
01:48:19,000 --> 01:48:21,080
Speaker 2: have to put you like in a little cell by yourself,

2097
01:48:21,120 --> 01:48:22,400
Speaker 2: but I'm going to make sure you get out of

2098
01:48:22,439 --> 01:48:25,280
Speaker 2: here in the ample amount of time. I was like, please,

2099
01:48:25,360 --> 01:48:28,840
Speaker 2: thank you because this is so traumatic for me. I

2100
01:48:28,880 --> 01:48:31,960
Speaker 2: don't want to here anymore. So that was like a

2101
01:48:32,080 --> 01:48:34,920
Speaker 2: crazy funny kind of story that was like probably twenty

2102
01:48:35,000 --> 01:48:39,719
Speaker 2: years ago. So I'm no longer yeah you know the herbals.

2103
01:48:39,720 --> 01:48:41,559
Speaker 2: I don't even blow the erbals like that no more.

2104
01:48:41,800 --> 01:48:45,280
Speaker 2: Only on occasion for twenty in other days as well,

2105
01:48:45,360 --> 01:48:46,880
Speaker 2: but not like I used to.

2106
01:48:47,600 --> 01:48:49,200
Speaker 1: Yep, So there we have it.

2107
01:48:50,439 --> 01:48:55,120
Speaker 2: Criminal Listen, I'm for the people I'm for the people.

2108
01:48:55,320 --> 01:48:59,360
Speaker 2: I'm by the people, for the community, you know, and

2109
01:48:59,520 --> 01:49:06,320
Speaker 2: it's not and kids kids just not kids. Yeah, don't

2110
01:49:06,360 --> 01:49:09,080
Speaker 2: throw it. Don't throw it this way, throw it that way.

2111
01:49:09,640 --> 01:49:10,720
Speaker 2: I try to throw it up.

2112
01:49:11,320 --> 01:49:13,400
Speaker 1: If you hadn't to throw in the wied you would

2113
01:49:13,400 --> 01:49:14,719
Speaker 1: have just got a ticket. You ship.

2114
01:49:14,840 --> 01:49:16,719
Speaker 2: I was doing one twenty. I was going to jail anyway.

2115
01:49:16,840 --> 01:49:17,599
Speaker 2: That's a super speed.

2116
01:49:18,720 --> 01:49:21,960
Speaker 1: I'm going to jail thee regardless I'm out of here.

2117
01:49:22,040 --> 01:49:22,639
Speaker 1: I'm in jail.

2118
01:49:23,080 --> 01:49:24,760
Speaker 2: So it was like that just added to it.

2119
01:49:25,520 --> 01:49:28,160
Speaker 1: We like a jump ball is crazy. That was insane.

2120
01:49:28,240 --> 01:49:30,280
Speaker 2: But I had the top back, so I'm thinking it

2121
01:49:30,400 --> 01:49:33,120
Speaker 2: was sweet. Yeah, I'm thinking like, okay, I'm gonna just.

2122
01:49:33,280 --> 01:49:36,200
Speaker 1: Throw it in the sky. Is doing this right above

2123
01:49:36,240 --> 01:49:36,639
Speaker 1: your head?

2124
01:49:36,800 --> 01:49:38,800
Speaker 2: Yeah, I didn't throw it high enough. I should have

2125
01:49:38,840 --> 01:49:43,840
Speaker 2: threw the alley, you know, I should. I didn't want

2126
01:49:43,920 --> 01:49:46,280
Speaker 2: him like this. I didn't want him to see my

2127
01:49:46,439 --> 01:49:48,360
Speaker 2: hand going that way.

2128
01:49:48,600 --> 01:49:50,400
Speaker 1: So it's cool to do this. So it was like

2129
01:49:51,160 --> 01:49:52,519
Speaker 1: it was out of your pocket and put in the

2130
01:49:52,560 --> 01:49:54,280
Speaker 1: glove box. He had no reason to search your car.

2131
01:49:54,439 --> 01:49:57,479
Speaker 1: They gonna I got I'm doing one twenty. Search it.

2132
01:49:57,560 --> 01:49:59,559
Speaker 1: They don't search it. They can just take your car.

2133
01:49:59,600 --> 01:50:01,360
Speaker 1: They don't have him.

2134
01:50:02,080 --> 01:50:04,800
Speaker 2: I'm a terrible criminal too. Yeah, yeah, take any of

2135
01:50:04,840 --> 01:50:06,639
Speaker 2: mini used to stay going to jail.

2136
01:50:06,960 --> 01:50:10,160
Speaker 1: Really not listen to him. I don't. I don't like that.

2137
01:50:10,360 --> 01:50:13,800
Speaker 1: I'm not old there. That's not okay. Had a good time.

2138
01:50:17,400 --> 01:50:20,240
Speaker 1: If they didn't get the fruit, they wasn't the freshest fruit.

2139
01:50:23,040 --> 01:50:24,000
Speaker 1: Apple was terrible.

2140
01:50:24,960 --> 01:50:25,160
Speaker 7: Yeah.

2141
01:50:25,200 --> 01:50:27,439
Speaker 1: I didn't even stay that long to even have to

2142
01:50:27,520 --> 01:50:29,400
Speaker 1: be home. Did you look at the apple to say

2143
01:50:29,439 --> 01:50:31,720
Speaker 1: you put it in my past? Of course they did.

2144
01:50:32,479 --> 01:50:41,000
Speaker 1: It's a bad apple. You're no penal. But I didn't

2145
01:50:41,000 --> 01:50:46,360
Speaker 1: do Darey thought the milk this morning? Hell no, I

2146
01:50:46,400 --> 01:50:48,840
Speaker 1: ain't gonna know. They got an old ass oat milk

2147
01:50:48,880 --> 01:50:51,759
Speaker 1: in this thing. Man. No, it was on this party.

2148
01:50:51,800 --> 01:50:54,120
Speaker 1: In two seconds, I got to drink this cotten the milk. Man,

2149
01:50:54,320 --> 01:50:59,280
Speaker 1: let you know, and that's frowned upon in this establishment. Brother,

2150
01:50:59,400 --> 01:51:02,280
Speaker 1: Bobby V. Listen man, man, you're your friend to the

2151
01:51:02,320 --> 01:51:05,120
Speaker 1: pipe man. We appreciate you, man, we're actually really happy

2152
01:51:05,160 --> 01:51:07,280
Speaker 1: we got to do this, man to get your head

2153
01:51:07,800 --> 01:51:10,880
Speaker 1: that you just let us have a really dope conversation man,

2154
01:51:10,960 --> 01:51:13,280
Speaker 1: and just celebrate what you've done, what you're continuing to do.

2155
01:51:13,520 --> 01:51:16,080
Speaker 1: Thank you, and just give you a flowers, brother, like

2156
01:51:16,240 --> 01:51:19,800
Speaker 1: you deserve that. Man. And you know, in the future

2157
01:51:19,840 --> 01:51:21,639
Speaker 1: with us, you know, let's figure some things out. MAT's

2158
01:51:21,680 --> 01:51:24,200
Speaker 1: figuring it out. Let's let's see what we can do. Man,

2159
01:51:24,200 --> 01:51:26,640
Speaker 1: if we keep this legacy going, man, this legacy of

2160
01:51:26,720 --> 01:51:29,840
Speaker 1: good R and B music, good soul singing, yes, real

2161
01:51:30,360 --> 01:51:34,360
Speaker 1: real sing that's right, singing singing, Ladies and gentlemen. My

2162
01:51:34,439 --> 01:51:36,840
Speaker 1: name is Tank and this is the R and B

2163
01:51:36,960 --> 01:51:42,680
Speaker 1: Money Podcast, the authority on all things R and B. Yeah,

2164
01:51:42,960 --> 01:51:48,479
Speaker 1: this has been Jackson, Mississippi's own country boy. Yes, I

2165
01:51:48,560 --> 01:51:49,200
Speaker 1: ain't gonna ask