WEBVTT - Terence Reilly

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<v Speaker 1>Welcome, Welcome, Welcome back to the bob lef Sets podcast.

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<v Speaker 1>My guest today is Terrence Riley, the marketer extraordinary, the

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<v Speaker 1>man behind the Stanley Quencher, the revival of Crocs and

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<v Speaker 1>now Hey Dude shoots.

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<v Speaker 2>Terrence, how do you reach the public today?

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<v Speaker 3>I'll throw so many ways. The best way to reach

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<v Speaker 3>them is fast. That's really the trick. And through social media,

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<v Speaker 3>the opportunities to reach people fast are so incredible and extraordinary,

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<v Speaker 3>so social and fast. That's been some of the unlocks

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<v Speaker 3>in the last ten years for certainly my career.

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<v Speaker 2>You say fast, what do you mean there?

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<v Speaker 3>Fast today tomorrow? You know, the attention span of most

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<v Speaker 3>folks is now, and so to get folks attention, you

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<v Speaker 3>got to react quickly to what's happening on trends. A

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<v Speaker 3>lot of the things that you write about, it's on TikTok,

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<v Speaker 3>it's on social media, and brands in particular can see that.

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<v Speaker 3>And the quicker you respond, react or create something, the

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<v Speaker 3>better off your connection to that consumer or culture is

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<v Speaker 3>what a gift it is too.

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<v Speaker 2>Okay, let's go with your present gig. Hey dude, you know,

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<v Speaker 2>Hey Dude's numbers were great. Crocs purchased it recently, they

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<v Speaker 2>haven't been that good. You're obviously given the job to

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<v Speaker 2>bring it back. How are you going to do that?

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<v Speaker 3>Yeah, so, hey dude, boy, we're a eight hundred plus

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<v Speaker 3>million dollar footwear brand. You know, we're a top ten

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<v Speaker 3>global footwear brand. So it's an amazing success story. But

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<v Speaker 3>you're right, there's been a bit of a lull, which

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<v Speaker 3>is one of the reasons why I accepted the offer

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<v Speaker 3>to come as the Hay Dude president. And let's connect

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<v Speaker 3>with consumers, customers and culture and so a couple things

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<v Speaker 3>that I laid out really on my first day. You know,

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<v Speaker 3>you join the team and you listen to some of

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<v Speaker 3>the things that are working or isn't, and then you

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<v Speaker 3>lay out a vision for the brand, and it's to

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<v Speaker 3>really build the core and add more is where it starts.

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<v Speaker 3>Like we had the Wendy and the Wally, these two

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<v Speaker 3>famous silhouettes, which most people know is hey dude. So

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<v Speaker 3>we've got to strengthen those things and you know forever,

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<v Speaker 3>you know, since the Beatles at least are Elvis. You know,

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<v Speaker 3>youth culture drives culture, but more than ever, youth female

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<v Speaker 3>culture drives culture. And so to ignite a young female

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<v Speaker 3>consumer is really an important aspect of what we're up

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<v Speaker 3>to here at Hey dude in the nine months since

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<v Speaker 3>I've been president, and do it through a few lenses,

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<v Speaker 3>you know, where people are wearing shoes, travel and music

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<v Speaker 3>and pre and post sport, especially young women who are

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<v Speaker 3>wearing footwear in that kind of environment, to do all

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<v Speaker 3>those things to ignore this brand, and we're already up

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<v Speaker 3>to it. And it's been an incredible nine months for

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<v Speaker 3>me in the way we're already connecting. So it's been

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<v Speaker 3>a lot of fun.

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<v Speaker 2>Okay, prior to getting an email from you, I didn't

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<v Speaker 2>know what hay Dude was. I didn't know they were shoes.

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<v Speaker 2>Am I an anomaly? Is there an issue of knowledge?

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<v Speaker 2>Or is there an issue of I'm not the target

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<v Speaker 2>audience and therefore that's not where you're focusing.

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<v Speaker 3>Yes, I think it's a little bit of all of that.

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<v Speaker 3>I think we're a relatively new brand and so that's

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<v Speaker 3>part of it. But you know, eight hundred plus million

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<v Speaker 3>dollar mystery is a pretty exciting opportunity for somebody like

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<v Speaker 3>myself to you know, get the keys thrown at me

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<v Speaker 3>to drive this car. So it's a pretty extraordinary thing,

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<v Speaker 3>you know, but we're a footwear brand for all ages.

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<v Speaker 3>There's you know, dad's in Iowa that love us, and

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<v Speaker 3>young women in Miami who love us, and everywhere in between.

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<v Speaker 3>And so the more we can get younger and more female,

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<v Speaker 3>as I said earlier, the more well known Hey Dude

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<v Speaker 3>will be. But you know, we're in some of America's

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<v Speaker 3>premier retailers and we are a real success story that

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<v Speaker 3>hit a bump in the road and now we're driving

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<v Speaker 3>it like we stole it bub.

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<v Speaker 2>Okay, not everybody is familiar with Hey Dude. Can you

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<v Speaker 2>tell us what the Hay Dude shoe is?

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<v Speaker 3>Yeah? So it's a really comfortable, casual shoe. It's like

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<v Speaker 3>six ounces. It's the lightest thing. When you put your

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<v Speaker 3>feet in, then you're like, oh dude, Like these are

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<v Speaker 3>the lightest, most comfortable shoes out there, and they're meant

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<v Speaker 3>for anything. Really, they're not performance shoes, of course, they're

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<v Speaker 3>really casual and they're led by the Wendy and Wally

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<v Speaker 3>silhouette that is really our icon. But Hey Dude is

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<v Speaker 3>it's unlike anything, Bob. It's a real success story that

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<v Speaker 3>I said is a huge top ten footwear brand that

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<v Speaker 3>still is a bit of an unknown and that's an

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<v Speaker 3>incredible thing.

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<v Speaker 2>Okay, let's start really at the basics. Sure, what is

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<v Speaker 2>the dude shoe made on?

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<v Speaker 3>I was made out of different things? Certainly canvas is

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<v Speaker 3>the thing that makes us famous, and it was so

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<v Speaker 3>light and is a credible thing to pack in a suitcase,

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<v Speaker 3>to add that extra pair in your bag so you

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<v Speaker 3>don't hit the dreaded you know, weight limit in your

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<v Speaker 3>your travel bag. So stylish, comfortable, and a variety of

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<v Speaker 3>things that we make different styles, And there's boots, there's

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<v Speaker 3>our classic Wendy's in our wallis, there's slippers that are

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<v Speaker 3>made out of fuzz and all those good things. So

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<v Speaker 3>a variety of different styles to suit alls of different needs.

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<v Speaker 2>Okay, So the quantity of product. In the late nineties,

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<v Speaker 2>when Steve Jobs came back to Apple, he quite famously

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<v Speaker 2>streamlined the product line to make it more comprehensible. How

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<v Speaker 2>many different off rings does hey dudes have? And how

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<v Speaker 2>do you decide whether to add something not add something?

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<v Speaker 3>Yeah, great question. I think, as I mentioned earlier, it's

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<v Speaker 3>to build the core and add more. And so the

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<v Speaker 3>core is the Wendy and the Wally, the classic silhouette

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<v Speaker 3>that people who do know, Hey dude, know it for

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<v Speaker 3>and so we need to strengthen that icon, but build

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<v Speaker 3>around it things like the slipper that I mentioned. A

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<v Speaker 3>success that is beginning to percolate for us is an

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<v Speaker 3>Austin Lift, which is a women's style that's a slip

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<v Speaker 3>in elevated platform shoot different than the Wendy in the Wallly.

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<v Speaker 3>So you want to strengthen the core, which is hey dude,

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<v Speaker 3>but you want to add the more and connect with

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<v Speaker 3>different consumers. So a similar strategy and underperforming skews we

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<v Speaker 3>stop making.

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<v Speaker 2>Okay distribution, people think content is king. If you can't

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<v Speaker 2>buy it, it doesn't matter what it is. So you know,

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<v Speaker 2>Nike famously pulled back and their sales went down. They

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<v Speaker 2>wanted to go to a more direct sales model in

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<v Speaker 2>this particular case, how many retailers can Hey dude, and

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<v Speaker 2>do you want more? Do you want less? What is

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<v Speaker 2>your relationship with the retail cham great question.

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<v Speaker 3>Yeah, we're in some of America's and the world's leading

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<v Speaker 3>footwear destinations, you know, Dick's Sporting Goods here in the States,

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<v Speaker 3>or famous Footwear Academy, and so we want to be

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<v Speaker 3>on shelf. You know, footwear is often a TecTile thing.

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<v Speaker 3>You want to pick it up and you want to

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<v Speaker 3>try it on. But also, heydo dot Com, Amazon, or

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<v Speaker 3>places where folks are shopping, And we were the number

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<v Speaker 3>three TikTok shop brand in December of twenty twenty four,

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<v Speaker 3>and so we want to be where the consumer is shopping,

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<v Speaker 3>and that's what we're up to. So we're one of

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<v Speaker 3>the top five footwear brands and so many of the

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<v Speaker 3>key footwear destinations in the US and get an after it.

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<v Speaker 2>Okay, let's drill down on some of the things you

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<v Speaker 2>said physical retail. Yeah, how hard is it to get

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<v Speaker 2>in a store? How many models will they take? How

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<v Speaker 2>do you make sure that they're promoting your shoe appropriately?

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<v Speaker 3>Yeah, Well, you're only as good as what the consumer

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<v Speaker 3>is reacting to, right, So the partners at any footwear

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<v Speaker 3>destination or any retailer are reacting to what their consumers

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<v Speaker 3>are after. So certainly, as I mentioned earlier that Wendy

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<v Speaker 3>and the Wally silhouette is eighty percent of Hey Dude,

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<v Speaker 3>So introducing new styles and new colors, materials and finish

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<v Speaker 3>for those to have somebody buy that extra pair or

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<v Speaker 3>the one or two that they buy every season is

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<v Speaker 3>part of the dance that you do with retailers, and

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<v Speaker 3>so they tell you what's working and they buy or

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<v Speaker 3>don't buy, depending on the success or the EBB and

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<v Speaker 3>flow of what you're doing is the brand to market

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<v Speaker 3>those different styles and so a variety of products in

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<v Speaker 3>a variety of different settings around the world.

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<v Speaker 2>And how do you determine pricing?

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<v Speaker 3>Well, certainly the consumer helps us do that, but we're

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<v Speaker 3>really an affordable you know, under seventy five dollars, largely

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<v Speaker 3>a pair of comfortable shoes that you know, just last

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<v Speaker 3>you for a long time and serve a variety of

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<v Speaker 3>needs in so many different places. As I mentioned earlier,

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<v Speaker 3>travel or pre and post sport, after the beach or

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<v Speaker 3>at the barbecue. We're just walking around. I mean, hey,

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<v Speaker 3>dudes are so popular as I mentioned earlier, by our

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<v Speaker 3>success and now we're just hooking the brand up to

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<v Speaker 3>the rejuvenation machine.

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<v Speaker 2>Okay, what percentage of sales or physical retail as opposed

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<v Speaker 2>to online.

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<v Speaker 3>Yeah, that's something we keep to ourselves, Bob, It's something

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<v Speaker 3>that we don't typically share those kinds of things. But

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<v Speaker 3>our online business is growing, as I mentioned earlier, TikTok

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<v Speaker 3>shop and other things are new ways that we are

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<v Speaker 3>showcasing hey Dude to consumers.

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<v Speaker 2>Okay, so let's just assume I wanted to buy online. Yeah,

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<v Speaker 2>I can buy direct from heydude dot com or something

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<v Speaker 2>I can buy TikTok, I can buy Amazon. Can I

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<v Speaker 2>buy the issues?

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<v Speaker 3>All the above? You can all the above haydud dot com,

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<v Speaker 3>TikTok shop, or Amazon, or you walk into some of

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<v Speaker 3>your favorite retailers wherever you are and they'll likely have

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<v Speaker 3>Heydude depending on where you are and what store you

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<v Speaker 3>walk into.

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<v Speaker 2>Okay, what is the deal? Tell us more about the

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<v Speaker 2>TikTok shop and how that works. Yeah, so lots of

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<v Speaker 2>different content creators are talking about your brand on TikTok

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<v Speaker 2>shop and they get a certain percentage of the business.

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<v Speaker 2>It comes and goes depending on the content creator and

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<v Speaker 2>the size of their audience. And it's a way to

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<v Speaker 2>get your brand, your footwear right in front of folks

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<v Speaker 2>on their for you page or wherever they're scrolling. And

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<v Speaker 2>it's been a remarkable success for the brand.

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<v Speaker 3>I joined as the Haydude president in May, and I've

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<v Speaker 3>seen my success in other places on TikTok and social media,

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<v Speaker 3>and that's one of the things I suggested to the

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<v Speaker 3>team strongly that we really get active on TikTok and

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<v Speaker 3>in TikTok shop, and we got after it thanks to

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<v Speaker 3>a great team, and we've seen really strong success.

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<v Speaker 2>Okay, let's say I'm a user. Yeah, theoretically, can I

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<v Speaker 2>say I'm going to peruse the TikTok shop or pretty

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<v Speaker 2>much am I buying because I see the video of it?

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<v Speaker 3>Influencer both you can go to the TikTok shop or

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<v Speaker 3>it will come through your algorithm as the algorithm works,

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<v Speaker 3>and so you'll be interrupted by TikTok shop for whatever

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<v Speaker 3>brand in our case, hey dude, or you can go

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<v Speaker 3>to the hey Dude TikTok shop as you are on TikTok.

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<v Speaker 3>And if you're not on TikTok, you go to other

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<v Speaker 3>places to discover hey dude, whether we're on Instagram or

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<v Speaker 3>other places like Facebook or just generally searching through Amazon,

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<v Speaker 3>Google or hated.

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<v Speaker 2>Okay, so let's start with TikTok to reach the customer.

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<v Speaker 2>How do you do that? Is it mostly about deals

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<v Speaker 2>with influencers, Is it about posting your own content? Is

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<v Speaker 2>it about buying ads? How do you do it? Yeah?

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<v Speaker 3>All the above all the above, we have our own

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<v Speaker 3>Hey Dude created content by our wonderful social media team.

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<v Speaker 3>We work with content creators to create content. We work

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<v Speaker 3>with celebrities or artists to create content, and of course

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<v Speaker 3>TikTok shop content creators as well. So it is a

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<v Speaker 3>real multi pronged delivery system just through TikTok alone that

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<v Speaker 3>you want to keep fresh and get multiple messages out

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<v Speaker 3>to the consumer. The messages that you want the consumer

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<v Speaker 3>to know are important to Heydo, therefore they should know it. Okay,

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<v Speaker 3>leaving celebrities aside, what works? I mean there are different theories.

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<v Speaker 3>Let's talk print, which is dying. Some people say if

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<v Speaker 3>you give a lot of information, the active buyer will

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<v Speaker 3>actually be interested in that revent. Other people want less

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<v Speaker 3>content or is it more about flashy video what sparks

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<v Speaker 3>people on TikTok to be activated to purchase or check

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<v Speaker 3>out Hey Do. I think humor can work oftentimes, but

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<v Speaker 3>I think it's genuine content. Like genuine genuineness is what

0:13:20.880 --> 0:13:24.920
<v Speaker 3>people are after and what connects the most. And as

0:13:24.960 --> 0:13:29.000
<v Speaker 3>I said earlier, doing something and reacting to something fast

0:13:30.480 --> 0:13:32.960
<v Speaker 3>can be that. And then of course, when brands participate

0:13:33.000 --> 0:13:35.960
<v Speaker 3>in trends, you know, as you know, there's a different

0:13:35.960 --> 0:13:39.520
<v Speaker 3>TikTok trend every week or so, and when the brand

0:13:39.600 --> 0:13:42.120
<v Speaker 3>participates in it and does it well. Not all brands

0:13:42.160 --> 0:13:44.480
<v Speaker 3>do it all the time, well including hey dude, but

0:13:44.559 --> 0:13:49.000
<v Speaker 3>when you do it gets engagement gets shared, and that's

0:13:49.040 --> 0:13:50.840
<v Speaker 3>part of the trick as well. So it's really an

0:13:50.840 --> 0:13:55.360
<v Speaker 3>asset allocation of different things, not just on TikTok, but generally.

0:13:55.679 --> 0:13:58.760
<v Speaker 2>Can you give me some specific example where there's a

0:13:58.840 --> 0:14:02.280
<v Speaker 2>trend on TikTok and hey dude, leverage that.

0:14:04.040 --> 0:14:06.960
<v Speaker 3>Yeah, just uh, last week we did something that had

0:14:06.960 --> 0:14:10.280
<v Speaker 3>four million views, which you know evades me of why,

0:14:10.760 --> 0:14:15.240
<v Speaker 3>but it was two of our young social media associates

0:14:15.320 --> 0:14:18.959
<v Speaker 3>just have their finger on that pulse and they engaged

0:14:18.960 --> 0:14:22.080
<v Speaker 3>in it and away we went with, you know, four

0:14:22.120 --> 0:14:26.040
<v Speaker 3>million views of something like that. That would seem innocuous

0:14:26.080 --> 0:14:28.800
<v Speaker 3>and it's not something that you can script or would

0:14:28.800 --> 0:14:32.840
<v Speaker 3>put in your marketing calendar, but it is something that

0:14:32.960 --> 0:14:35.160
<v Speaker 3>is in real time and it was done well, and

0:14:35.200 --> 0:14:38.640
<v Speaker 3>the consumer and the TikTok viewer if you will, or

0:14:38.800 --> 0:14:41.760
<v Speaker 3>user reacted to it. You know, brands are doing that

0:14:41.840 --> 0:14:44.200
<v Speaker 3>right now, including hey, do the you know the du

0:14:44.360 --> 0:14:49.760
<v Speaker 3>lingo logo that their sunsetting. You know, brands are participating

0:14:49.880 --> 0:14:53.480
<v Speaker 3>in that, including hey do just today. So there's different

0:14:53.520 --> 0:14:55.160
<v Speaker 3>ways that you can engage.

0:14:54.800 --> 0:14:57.480
<v Speaker 2>Well, way be very specific how you were participating in that.

0:14:57.920 --> 0:15:01.320
<v Speaker 3>We just uh we posted about the the quote unquote

0:15:01.320 --> 0:15:04.400
<v Speaker 3>death of the Duolingo logo, and so lots of brands

0:15:04.400 --> 0:15:06.400
<v Speaker 3>are doing it and we've got nice little traction on

0:15:06.440 --> 0:15:09.160
<v Speaker 3>it and different ways. Just to be part of the

0:15:09.200 --> 0:15:12.880
<v Speaker 3>conversation is you know, I think others have said it's

0:15:12.920 --> 0:15:16.200
<v Speaker 3>the marketplace, it's the town square. And so when you

0:15:16.320 --> 0:15:18.640
<v Speaker 3>engage and you do it well, and not all brands

0:15:18.760 --> 0:15:20.680
<v Speaker 3>get it right every time, but when you do do

0:15:20.760 --> 0:15:23.840
<v Speaker 3>it well, it connects. And the more you're throwing different

0:15:23.880 --> 0:15:29.160
<v Speaker 3>lines into the water to appeal to different audiences and

0:15:29.200 --> 0:15:32.600
<v Speaker 3>put your brand out there as a current, fast moving

0:15:33.240 --> 0:15:36.000
<v Speaker 3>finger on the pulse of culture brand, the more you

0:15:36.040 --> 0:15:38.160
<v Speaker 3>connect and the more people say, I might give those

0:15:38.160 --> 0:15:38.800
<v Speaker 3>shoes a try.

0:15:46.480 --> 0:15:51.200
<v Speaker 2>Okay, when it comes to influencers, how many influencers might

0:15:51.240 --> 0:15:54.480
<v Speaker 2>you have relationships within pay at a time?

0:15:55.560 --> 0:15:58.800
<v Speaker 3>Dozens and dozens, and they ebb and flow depending on

0:15:59.000 --> 0:16:01.640
<v Speaker 3>the season, depending on the shoe, depending on the message

0:16:01.640 --> 0:16:04.400
<v Speaker 3>that we want to tell. So there are dozens and

0:16:04.440 --> 0:16:09.359
<v Speaker 3>dozens of them, and some are with us throughout seasons.

0:16:09.480 --> 0:16:13.760
<v Speaker 3>But it's a very cyclical of the moment type of

0:16:14.120 --> 0:16:19.720
<v Speaker 3>environment where brands like us are fast moving and folks

0:16:19.800 --> 0:16:22.760
<v Speaker 3>come and go. They're always in our stable, so to speak.

0:16:22.760 --> 0:16:26.440
<v Speaker 3>But it depends on the message, time of year, gender perhaps,

0:16:27.080 --> 0:16:29.720
<v Speaker 3>or the story that we're looking to tell. But we

0:16:29.880 --> 0:16:33.880
<v Speaker 3>continue to want to build relationships with more influencers so

0:16:33.920 --> 0:16:36.040
<v Speaker 3>that they're all part of a larger Hay Dude community.

0:16:36.360 --> 0:16:40.080
<v Speaker 2>And how do you establish that relationship through an intermediary?

0:16:40.160 --> 0:16:42.480
<v Speaker 2>How do you find these influencers.

0:16:42.600 --> 0:16:48.720
<v Speaker 3>All the above, intermediaries, agencies, personal connections, prior experience, genuine

0:16:48.800 --> 0:16:52.160
<v Speaker 3>fans of the brand, which is again back to authenticity.

0:16:52.880 --> 0:16:55.320
<v Speaker 3>There's a lot of Hay Dude fans out there. There's

0:16:55.360 --> 0:16:57.720
<v Speaker 3>a lot of fans who want to work with Haydude

0:16:57.720 --> 0:17:01.120
<v Speaker 3>and get paid to share their love for Hey Dude.

0:17:01.120 --> 0:17:03.240
<v Speaker 3>And so that's part of it for any brand. So

0:17:03.280 --> 0:17:08.400
<v Speaker 3>it's a real mosaic of different content creators or influencers.

0:17:08.760 --> 0:17:11.159
<v Speaker 3>Some work better than others, and some are of the

0:17:11.160 --> 0:17:13.040
<v Speaker 3>moment and some are more evergreen.

0:17:13.280 --> 0:17:16.480
<v Speaker 2>Okay, so let's assume you have this relationship, you're going

0:17:16.600 --> 0:17:21.159
<v Speaker 2>to pay the influencer. How much direction? How much in

0:17:21.240 --> 0:17:23.280
<v Speaker 2>terms of requirements does hey dude have?

0:17:24.160 --> 0:17:27.719
<v Speaker 3>Yeah, it varies. Also, there's a brief, and you know,

0:17:27.760 --> 0:17:30.679
<v Speaker 3>we want to give content creators the latitude to create.

0:17:30.760 --> 0:17:35.520
<v Speaker 3>Otherwise it's just dictation and that shows. So the content

0:17:35.520 --> 0:17:37.879
<v Speaker 3>creator doesn't want to be dictated to. But there'll be

0:17:37.920 --> 0:17:40.520
<v Speaker 3>brand standards of course, and things that we would not

0:17:40.720 --> 0:17:44.119
<v Speaker 3>want people to say. But we review it and if

0:17:44.119 --> 0:17:46.760
<v Speaker 3>there's something that was just off the mark, we'll ask,

0:17:46.960 --> 0:17:49.119
<v Speaker 3>you know, the content creator to redo it. And that

0:17:49.200 --> 0:17:51.679
<v Speaker 3>happens occasionally, but not too often because the briefs are

0:17:51.760 --> 0:17:54.760
<v Speaker 3>usually tight and we have relationships with people that we

0:17:54.880 --> 0:17:59.560
<v Speaker 3>trust and have vetted and have followers in various numbers,

0:17:59.560 --> 0:18:02.640
<v Speaker 3>some huge uge and some micro and you know we

0:18:02.720 --> 0:18:04.000
<v Speaker 3>ebb and flow with that as well.

0:18:04.680 --> 0:18:08.600
<v Speaker 2>Okay, you talked about humor. What might a brief be?

0:18:08.760 --> 0:18:11.280
<v Speaker 2>Give me an example of a brief in something somebody

0:18:11.320 --> 0:18:13.159
<v Speaker 2>actually created.

0:18:13.880 --> 0:18:17.520
<v Speaker 3>Oh yeah, there's so many things that are just different.

0:18:17.680 --> 0:18:17.879
<v Speaker 2>You know.

0:18:18.000 --> 0:18:21.800
<v Speaker 3>Humor is you know, a different taste for everybody, So

0:18:21.920 --> 0:18:23.760
<v Speaker 3>not every what you think is funny, I don't think

0:18:23.840 --> 0:18:28.560
<v Speaker 3>is funny, and vice versa. So none, no humorous bits

0:18:28.680 --> 0:18:31.679
<v Speaker 3>come to mind directly, but it's all with a you know,

0:18:31.680 --> 0:18:34.760
<v Speaker 3>we're not too serious as a brand. So the things

0:18:34.760 --> 0:18:36.679
<v Speaker 3>that we're doing, like we were just at the waste

0:18:36.720 --> 0:18:41.800
<v Speaker 3>management open in Phoenix this weekend, and lots of content

0:18:41.880 --> 0:18:47.480
<v Speaker 3>that we created on that funny, silly, unexpected content that

0:18:47.560 --> 0:18:51.400
<v Speaker 3>was just unlike anything that maybe is humorous or maybe

0:18:51.440 --> 0:18:54.800
<v Speaker 3>it's just different, but got lots of attention online, including

0:18:54.880 --> 0:18:58.080
<v Speaker 3>articles written about like what was haydu doing at the

0:18:58.119 --> 0:19:01.199
<v Speaker 3>waste management open this weekend? So there's different ways to

0:19:01.200 --> 0:19:06.280
<v Speaker 3>connect with all these guys wearing women wearing green suits,

0:19:06.720 --> 0:19:11.199
<v Speaker 3>body suits that started making what is all that? And

0:19:11.240 --> 0:19:13.439
<v Speaker 3>people commenting like what is all that noise in the

0:19:13.480 --> 0:19:17.119
<v Speaker 3>back of the waste management open with haydude? Or what

0:19:17.280 --> 0:19:19.000
<v Speaker 3>is that even? And so we got a chance to

0:19:19.320 --> 0:19:24.680
<v Speaker 3>inject ourselves somewhere to introduce a upcoming golf Hey dude,

0:19:24.840 --> 0:19:29.840
<v Speaker 3>shoe so with pins and aces, so cool stuff unexpected

0:19:30.200 --> 0:19:32.280
<v Speaker 3>as a way to cut through and introduce a new style.

0:19:32.840 --> 0:19:36.360
<v Speaker 2>Okay, all these golfers have endorsement deals. If you look

0:19:36.400 --> 0:19:39.640
<v Speaker 2>at Beats first, it was let's just get the headphones

0:19:39.680 --> 0:19:43.520
<v Speaker 2>on people's heads. Do you go to the PJA golfers

0:19:43.520 --> 0:19:46.080
<v Speaker 2>to just give peers to everybody, or do you make

0:19:46.119 --> 0:19:48.280
<v Speaker 2>deals with specific people? What's the approach?

0:19:48.840 --> 0:19:52.160
<v Speaker 3>Yeah, well, just we did something that's unlike anything. We

0:19:52.200 --> 0:19:56.520
<v Speaker 3>did not work with golfers specifically and getting shoes on

0:19:56.960 --> 0:20:02.840
<v Speaker 3>multiple professionals. We were really for the fans and getting

0:20:03.119 --> 0:20:06.800
<v Speaker 3>fans at the Waste Management open to experience, Hey dude,

0:20:06.960 --> 0:20:10.600
<v Speaker 3>with an interactive exhibit and doing things that just got attention.

0:20:10.720 --> 0:20:15.320
<v Speaker 3>And everybody's got a camera, bob, so everybody's posting on

0:20:15.560 --> 0:20:18.840
<v Speaker 3>their own socials to evangelize the brand and the way

0:20:18.840 --> 0:20:23.520
<v Speaker 3>that we activated at the Waste Management, but specifically to

0:20:23.640 --> 0:20:26.680
<v Speaker 3>introduce a new pair of golf shoes that are coming

0:20:26.680 --> 0:20:27.679
<v Speaker 3>out later this month.

0:20:27.880 --> 0:20:33.399
<v Speaker 2>Okay, golf shoes, you know, are traditionally firm, so hey dude,

0:20:33.600 --> 0:20:35.960
<v Speaker 2>is making a golf shoe. You're talking about how soft

0:20:36.000 --> 0:20:38.280
<v Speaker 2>they are. They absolutely are soft.

0:20:38.320 --> 0:20:40.080
<v Speaker 3>So one of the ways that you can really maybe

0:20:40.359 --> 0:20:43.479
<v Speaker 3>you know, cut into a couple of strokes off your

0:20:43.520 --> 0:20:46.960
<v Speaker 3>game is being comfortable and lighter. So they certainly grip,

0:20:47.280 --> 0:20:50.199
<v Speaker 3>of course, which is an important part of golf. But

0:20:50.280 --> 0:20:52.919
<v Speaker 3>I don't think we're advocating that we're for the professional

0:20:52.960 --> 0:20:56.280
<v Speaker 3>golfer to win the Masters. We're for that weekend golfer

0:20:56.480 --> 0:20:58.880
<v Speaker 3>who's out with his or her buddies and friends doing

0:21:00.119 --> 0:21:05.360
<v Speaker 3>a couple of birdie juice before or after a birdie,

0:21:05.359 --> 0:21:08.359
<v Speaker 3>and certainly on the nineteenth hole. We're really more a

0:21:08.400 --> 0:21:12.280
<v Speaker 3>fun spirit than a high performance golf shoe. But it's

0:21:12.320 --> 0:21:15.919
<v Speaker 3>something you can wear and probably get a couple of

0:21:16.359 --> 0:21:17.720
<v Speaker 3>more bogies than birdies.

0:21:18.240 --> 0:21:21.440
<v Speaker 2>Okay, what was the projected retail price?

0:21:23.840 --> 0:21:26.359
<v Speaker 3>I can't remember the price of those, but they'll be

0:21:26.400 --> 0:21:29.040
<v Speaker 3>in the similar vein of what hey dudes are, you know,

0:21:29.080 --> 0:21:32.639
<v Speaker 3>in the seventy dollars range and with pins and aces

0:21:32.520 --> 0:21:36.359
<v Speaker 3>as a great partner. So just a fun way to

0:21:36.400 --> 0:21:38.040
<v Speaker 3>further explore the brand.

0:21:38.240 --> 0:21:41.280
<v Speaker 2>Okay, is that something you started or was that started

0:21:41.359 --> 0:21:43.720
<v Speaker 2>before you came to this brand.

0:21:45.200 --> 0:21:47.919
<v Speaker 3>Yeah, it's all part of a more edited assortment of

0:21:47.960 --> 0:21:50.520
<v Speaker 3>who we want to work with and how we come

0:21:50.560 --> 0:21:53.840
<v Speaker 3>to life with different partners, whether they're celebrities or whether

0:21:53.920 --> 0:22:01.240
<v Speaker 3>they're brands or licenses, from SpongeBob SquarePants to Hot Wheels

0:22:01.560 --> 0:22:05.679
<v Speaker 3>to Beetlejuice and on and on and on. Fun ways

0:22:05.720 --> 0:22:09.959
<v Speaker 3>to connect fans of those properties to Hay Dude. And

0:22:10.040 --> 0:22:13.120
<v Speaker 3>so that's something that we've been doing, you know, since

0:22:13.119 --> 0:22:15.560
<v Speaker 3>I was at Crocs the first time around, we were

0:22:15.600 --> 0:22:17.960
<v Speaker 3>doing that and now we want to bring some of

0:22:18.000 --> 0:22:19.919
<v Speaker 3>that to Hey Dude. And the Pins and Asis partners

0:22:19.920 --> 0:22:20.600
<v Speaker 3>have just been great.

0:22:21.119 --> 0:22:23.520
<v Speaker 2>Okay, you come back to Hey Dude. I mean you

0:22:23.560 --> 0:22:25.800
<v Speaker 2>had the Kentucky Fried Chicken, Croc, you had all that

0:22:25.920 --> 0:22:30.120
<v Speaker 2>other stuff. Since you came back to Kroc, what initiatives

0:22:30.640 --> 0:22:32.240
<v Speaker 2>have you started?

0:22:32.720 --> 0:22:36.480
<v Speaker 3>Yeah, so I joined in May May first, and you know,

0:22:36.480 --> 0:22:39.440
<v Speaker 3>you lay out the strategy that I suggested earlier. And

0:22:40.359 --> 0:22:42.479
<v Speaker 3>so one of the first things we did is, you know,

0:22:42.640 --> 0:22:44.359
<v Speaker 3>one of the things I like to do is think

0:22:44.400 --> 0:22:49.320
<v Speaker 3>opposites and a brand named Hey Dude, who is looking

0:22:49.359 --> 0:22:55.359
<v Speaker 3>to appeal to a younger female audience while still you know, energizing.

0:22:55.400 --> 0:22:59.240
<v Speaker 3>Our core is to bring Sidney Sweeney on board is

0:22:59.280 --> 0:23:05.199
<v Speaker 3>our brand and beast hugely popular, is loved by lots

0:23:05.240 --> 0:23:10.719
<v Speaker 3>of people as an international, internationally known young woman, and

0:23:10.760 --> 0:23:13.879
<v Speaker 3>it's just cool. She's smart, talented, but also just cool.

0:23:14.440 --> 0:23:16.760
<v Speaker 3>And so that was one of the first moves that

0:23:16.760 --> 0:23:17.920
<v Speaker 3>we made since I returned.

0:23:18.480 --> 0:23:20.879
<v Speaker 2>Let's stop with Sydney Sweeney. You're sitting in the office,

0:23:20.880 --> 0:23:24.000
<v Speaker 2>you're brainstorming, and you say, Sydney Sweeney will be a

0:23:24.080 --> 0:23:27.520
<v Speaker 2>good idea, you go through the channels, you know, what

0:23:27.640 --> 0:23:30.560
<v Speaker 2>kind of reaction do you get? You know, the odds

0:23:30.560 --> 0:23:34.240
<v Speaker 2>of her actually wearing Hay Dudes are not high. What's

0:23:34.240 --> 0:23:38.120
<v Speaker 2>the incentive for her? There's always a monetary incentive. How

0:23:38.160 --> 0:23:41.360
<v Speaker 2>do you convince her this is good for her? Well?

0:23:41.400 --> 0:23:45.159
<v Speaker 3>I think she recognized certainly where Sydney is from. I

0:23:45.160 --> 0:23:48.800
<v Speaker 3>think herself and lots of her friends and family are

0:23:48.800 --> 0:23:52.080
<v Speaker 3>Hey Dude fans. She's from up a certain neck of

0:23:52.080 --> 0:23:57.040
<v Speaker 3>the woods, Idaho, Washington that way, where Hey Dudes are

0:23:57.200 --> 0:24:00.480
<v Speaker 3>enormously popular. So she had an affinity for our brand.

0:24:01.359 --> 0:24:04.679
<v Speaker 3>And because we're unlike anything, she could showcase a different

0:24:04.840 --> 0:24:08.760
<v Speaker 3>side of herself, which really appealed to us as a brand.

0:24:08.760 --> 0:24:11.480
<v Speaker 3>It doesn't take herself too seriously. You know, she's known

0:24:11.560 --> 0:24:15.320
<v Speaker 3>for being an elegant, beautiful woman and you know, oscar

0:24:15.400 --> 0:24:18.119
<v Speaker 3>parties and all that kind of Hollywood showbiz. But she

0:24:18.200 --> 0:24:21.400
<v Speaker 3>has a different side of her and this allowed her

0:24:21.440 --> 0:24:24.280
<v Speaker 3>to showcase that in a really casual way. And I

0:24:24.320 --> 0:24:26.440
<v Speaker 3>think that's what attracted her to Hey Dude, and.

0:24:26.359 --> 0:24:29.800
<v Speaker 2>Certainly what attracted Hey Dude to us to her. Okay,

0:24:30.320 --> 0:24:34.200
<v Speaker 2>so she's in what did you do with her? Oh?

0:24:34.240 --> 0:24:37.280
<v Speaker 3>So she's in. So we started by just an introductory

0:24:37.359 --> 0:24:40.080
<v Speaker 3>video of this is Sidney Sweeney on a rope swing

0:24:40.920 --> 0:24:43.119
<v Speaker 3>jumping into a lake. You know, just talk about how

0:24:43.160 --> 0:24:47.040
<v Speaker 3>casual and unaffected she was by this, and then we

0:24:47.040 --> 0:24:50.280
<v Speaker 3>put her in a new style, a fuzz lined slipper

0:24:50.400 --> 0:24:55.800
<v Speaker 3>from Hey Dude Gone, couldn't keep him in stock And

0:24:55.960 --> 0:24:58.920
<v Speaker 3>in just a couple of weeks, she's a huge part

0:24:59.000 --> 0:25:02.760
<v Speaker 3>of our Spring twenty twenty five work that will be

0:25:02.840 --> 0:25:05.639
<v Speaker 3>unveiling shortly and has a you know, helped craft it

0:25:06.280 --> 0:25:11.080
<v Speaker 3>and it was a hugely important but involved partner to

0:25:11.320 --> 0:25:13.440
<v Speaker 3>create what we're going to unveil in just a few

0:25:13.480 --> 0:25:17.880
<v Speaker 3>short weeks to again make people think differently about Hey

0:25:17.960 --> 0:25:20.760
<v Speaker 3>Dude as a shoe that's not just for him, but

0:25:20.920 --> 0:25:24.439
<v Speaker 3>is for her and is for multiple wearing occasions. And

0:25:24.480 --> 0:25:28.600
<v Speaker 3>Sidney just does it in a really cool and Sidney

0:25:28.800 --> 0:25:31.440
<v Speaker 3>like way that she has this magical ability to pull

0:25:31.480 --> 0:25:34.959
<v Speaker 3>off this elegance that she has, but also this just

0:25:35.400 --> 0:25:39.120
<v Speaker 3>girl next door kind of give somebody the business kind

0:25:39.160 --> 0:25:39.440
<v Speaker 3>of way.

0:25:40.040 --> 0:25:44.680
<v Speaker 2>And so how many videos do you make with Sydney? Yeah,

0:25:45.240 --> 0:25:45.920
<v Speaker 2>you know, a lot.

0:25:46.200 --> 0:25:49.680
<v Speaker 3>We do a lot of things to cut through not

0:25:49.760 --> 0:25:52.200
<v Speaker 3>just a sense of humor and unlike anything, but also

0:25:52.560 --> 0:25:55.000
<v Speaker 3>our own sense of fashion and style for the brand

0:25:55.040 --> 0:25:59.240
<v Speaker 3>that you know, she's wearing it in that way as well.

0:25:59.320 --> 0:26:01.720
<v Speaker 3>So lots of different things, because as I said earlier,

0:26:02.280 --> 0:26:05.440
<v Speaker 3>the attention span of people is so short. We only

0:26:05.520 --> 0:26:10.040
<v Speaker 3>need a few seconds of video of Sydney and lots

0:26:10.080 --> 0:26:12.919
<v Speaker 3>of different few seconds of Sydney to have people see it.

0:26:13.240 --> 0:26:16.439
<v Speaker 3>And people are moving. You know that your thumb is

0:26:16.480 --> 0:26:19.360
<v Speaker 3>always moving on your screen, scrolling up, left, right, wherever,

0:26:19.800 --> 0:26:21.720
<v Speaker 3>and so once you see it, you stop and you

0:26:21.800 --> 0:26:23.879
<v Speaker 3>got the message and you keep scrolling. But we got you,

0:26:24.320 --> 0:26:28.160
<v Speaker 3>and Sydney makes you stop on your screen because of

0:26:28.359 --> 0:26:31.040
<v Speaker 3>who she is. So we're just thrilled by that and

0:26:31.760 --> 0:26:33.480
<v Speaker 3>we're excited to roll it out in just a couple

0:26:33.480 --> 0:26:34.159
<v Speaker 3>of short weeks.

0:26:34.400 --> 0:26:41.040
<v Speaker 2>Okay, so we're talking about social media platforms. You have

0:26:41.160 --> 0:26:45.760
<v Speaker 2>this deal with Sydney Sweeney. She's engaged. You do anything traditional,

0:26:46.520 --> 0:26:49.280
<v Speaker 2>whint TV, anything or those.

0:26:49.160 --> 0:26:53.160
<v Speaker 3>Just off the table. Nothing is off the table. We're

0:26:53.200 --> 0:26:56.120
<v Speaker 3>not doing those with Sidney Sweeney. We have done Connected

0:26:56.160 --> 0:26:59.760
<v Speaker 3>TV with Hey Dude since I've been at Hey Dude,

0:27:00.080 --> 0:27:02.280
<v Speaker 3>which is really when you're you know, when you're logging

0:27:02.320 --> 0:27:05.240
<v Speaker 3>onto Amazon Prime there's a spot there, a hey dude

0:27:05.280 --> 0:27:08.879
<v Speaker 3>spot there, and so we've been doing those things. It's television,

0:27:08.880 --> 0:27:11.480
<v Speaker 3>but it's not television. Like perhaps we grew up knowing

0:27:12.600 --> 0:27:16.040
<v Speaker 3>we're not doing any print today. But we do have

0:27:16.080 --> 0:27:19.800
<v Speaker 3>conversations about a little bit more analog. That really came

0:27:19.880 --> 0:27:23.320
<v Speaker 3>up with the you know, the TikTok shutdown that was

0:27:23.880 --> 0:27:27.240
<v Speaker 3>rumored and happened for a hot second, and maybe the

0:27:27.320 --> 0:27:31.320
<v Speaker 3>move to analog is a you know, thinking opposites again, Bob, like,

0:27:31.480 --> 0:27:33.919
<v Speaker 3>is there some things that we should be doing to

0:27:34.040 --> 0:27:36.240
<v Speaker 3>connect with consumers who are not going to have this

0:27:36.320 --> 0:27:39.560
<v Speaker 3>major platform. So all things are on the table. Of course,

0:27:39.600 --> 0:27:43.560
<v Speaker 3>our website, SMS where we text message consumers about things

0:27:43.560 --> 0:27:48.399
<v Speaker 3>that they opt into. No radio, but the variety of

0:27:48.440 --> 0:27:51.919
<v Speaker 3>social media that we do, and then experiential you know,

0:27:52.000 --> 0:27:54.879
<v Speaker 3>part of this trick for any footwear companies to get

0:27:54.960 --> 0:27:58.440
<v Speaker 3>shoes on feet. So whether it's the Houston Rodeo coming

0:27:58.480 --> 0:28:01.439
<v Speaker 3>up in a couple of weeks or Stagecoach where we'll be,

0:28:02.000 --> 0:28:07.359
<v Speaker 3>or the waste management open places like that, we have

0:28:07.560 --> 0:28:11.440
<v Speaker 3>huge activations to get our fans who always come by

0:28:11.720 --> 0:28:14.240
<v Speaker 3>I love Hey dude, I've got five pairs or new

0:28:14.280 --> 0:28:16.879
<v Speaker 3>folks to the party and say I've heard about it

0:28:17.000 --> 0:28:19.200
<v Speaker 3>or I've never tried them on, and then we watched

0:28:19.240 --> 0:28:23.280
<v Speaker 3>their face when they try them on, and away we go.

0:28:23.480 --> 0:28:26.720
<v Speaker 3>I did a little event in Marshfield, Massachusetts. Hey Dude

0:28:26.760 --> 0:28:30.200
<v Speaker 3>is based outside of Boston, and there's this cool little

0:28:30.200 --> 0:28:35.000
<v Speaker 3>event called Flannel Jam every fall. It's at the Marshfield Fairgrounds,

0:28:35.480 --> 0:28:37.280
<v Speaker 3>And so I went on a Saturday with the team,

0:28:38.000 --> 0:28:40.800
<v Speaker 3>and you know, we sold like five thousand dollars worth

0:28:40.800 --> 0:28:43.240
<v Speaker 3>of hay Dudes in just a couple of hours out

0:28:43.280 --> 0:28:47.080
<v Speaker 3>of a makeshift van, and you know, spending that Saturday

0:28:47.680 --> 0:28:50.200
<v Speaker 3>listen to all these jam bands doing some great stuff.

0:28:51.760 --> 0:28:53.720
<v Speaker 3>The amount of people that were coming up to me

0:28:53.960 --> 0:28:57.080
<v Speaker 3>that I love hay Dude, and the amount of people

0:28:57.080 --> 0:29:00.000
<v Speaker 3>I saw wearing hay Dude that walked into the fairgrounds

0:29:00.080 --> 0:29:03.280
<v Speaker 3>with them. So it's just a real exciting experience for

0:29:03.400 --> 0:29:05.480
<v Speaker 3>me and showed the connection that we've got the folks

0:29:05.520 --> 0:29:07.719
<v Speaker 3>that we've just got to continue to build this Hey

0:29:07.800 --> 0:29:09.160
<v Speaker 3>Dude community and that's what we're after.

0:29:09.880 --> 0:29:15.600
<v Speaker 2>So when it comes to online, there's TikTok, there's x

0:29:15.640 --> 0:29:19.880
<v Speaker 2>slash Twitter, there's Instagram reels, there's regular Instagram with photos

0:29:19.880 --> 0:29:25.520
<v Speaker 2>there's Facebook, what works and where are you?

0:29:25.560 --> 0:29:28.400
<v Speaker 3>They all can work. TikTok is certainly our leader in

0:29:28.440 --> 0:29:32.160
<v Speaker 3>the clubhouse because it's the fastest and it allows us

0:29:32.200 --> 0:29:36.000
<v Speaker 3>to reach the most people. Our fan base has tripled

0:29:36.040 --> 0:29:39.120
<v Speaker 3>since I've been at the brand on TikTok. But of

0:29:39.120 --> 0:29:42.280
<v Speaker 3>course Facebook and Instagram and Instagram reels are a huge

0:29:42.360 --> 0:29:46.680
<v Speaker 3>part of what we're up to. Twitter, where we have

0:29:46.720 --> 0:29:49.400
<v Speaker 3>an account or x, we are not active on it.

0:29:50.280 --> 0:29:52.600
<v Speaker 3>We just don't find that to be a productive use

0:29:52.640 --> 0:29:56.320
<v Speaker 3>of our time. It's a different platform for a brand

0:29:56.360 --> 0:29:58.600
<v Speaker 3>like ours. Others do it well, but we're just not

0:29:58.760 --> 0:30:03.560
<v Speaker 3>unlocking that. We want people to explore us through those sites.

0:30:11.040 --> 0:30:13.800
<v Speaker 2>Okay, how let me put your marketing hat on. We're

0:30:13.800 --> 0:30:18.560
<v Speaker 2>in a political era where the Democrats are beaten to

0:30:18.640 --> 0:30:23.360
<v Speaker 2>the ground. The Republicans are dominating both in social discourse

0:30:23.600 --> 0:30:27.560
<v Speaker 2>and power. One of the things about the last election was, oh,

0:30:27.640 --> 0:30:32.080
<v Speaker 2>the Republicans were on podcasts, they were here that in

0:30:32.200 --> 0:30:36.200
<v Speaker 2>terms of it's mostly baby boomer some gen xers. What

0:30:36.240 --> 0:30:39.239
<v Speaker 2>do they not know and should know about how you

0:30:39.280 --> 0:30:42.400
<v Speaker 2>reach customers today? Because we speak about the Democratic Party,

0:30:42.480 --> 0:30:46.120
<v Speaker 2>they didn't And you live in this territory twenty four

0:30:46.120 --> 0:30:49.400
<v Speaker 2>to seven. So if you were advising them, it doesn't

0:30:49.440 --> 0:30:51.560
<v Speaker 2>necessarily have to be the Democrats. How do you get

0:30:51.600 --> 0:30:52.680
<v Speaker 2>your message out?

0:30:53.720 --> 0:30:56.800
<v Speaker 3>Yeah, I think seems like the Democrats have a more

0:30:56.840 --> 0:30:59.520
<v Speaker 3>popular message, but the way they say it or share

0:30:59.560 --> 0:31:02.760
<v Speaker 3>it just does not come across as authentic as the

0:31:02.760 --> 0:31:05.720
<v Speaker 3>guy that won. Say what you want about the President

0:31:05.760 --> 0:31:07.920
<v Speaker 3>of the United States, and certainly there's been plenty written

0:31:07.960 --> 0:31:11.120
<v Speaker 3>about him, but he just says seemingly what it's on

0:31:11.200 --> 0:31:15.240
<v Speaker 3>his mind, without a filter, and that seems to connect.

0:31:16.200 --> 0:31:18.000
<v Speaker 3>If you measure by the fact that he won the election,

0:31:18.400 --> 0:31:22.000
<v Speaker 3>that would say he connected. And I don't get the

0:31:22.040 --> 0:31:26.640
<v Speaker 3>sense that the left does that to the same degree.

0:31:26.640 --> 0:31:30.880
<v Speaker 3>It just feels more calculated, and Trump just comes across

0:31:31.000 --> 0:31:34.560
<v Speaker 3>as real, which is how we started this discussion. Brands

0:31:34.800 --> 0:31:37.760
<v Speaker 3>or politicians or anyone who just comes across as real,

0:31:39.440 --> 0:31:41.720
<v Speaker 3>I think just has a better shot at success.

0:31:43.400 --> 0:31:46.120
<v Speaker 2>Well that's half of it, and that's really important. But

0:31:46.280 --> 0:31:49.960
<v Speaker 2>in terms of you know, the ratings for cable television,

0:31:50.000 --> 0:31:52.320
<v Speaker 2>you know they don't have even a million people watching.

0:31:53.400 --> 0:31:57.440
<v Speaker 2>So has there been a complete shift of the customer

0:31:57.800 --> 0:32:04.160
<v Speaker 2>to social media too, alternative outlets? And many people don't

0:32:04.200 --> 0:32:07.560
<v Speaker 2>realize this. In the so called establishment or is it

0:32:07.680 --> 0:32:10.480
<v Speaker 2>more well, something works here and something works there.

0:32:11.240 --> 0:32:14.040
<v Speaker 3>No, it's the it's the former. Like there, listen, I'm

0:32:14.080 --> 0:32:21.560
<v Speaker 3>a gen xer. I'm astounded by my own adoption of

0:32:21.720 --> 0:32:24.080
<v Speaker 3>social media. I'll give you an example. You know, I

0:32:24.120 --> 0:32:26.400
<v Speaker 3>travel a lot in my role, and you know, one

0:32:26.440 --> 0:32:29.000
<v Speaker 3>of the joys of travel in a weird way used

0:32:29.040 --> 0:32:32.200
<v Speaker 3>to be you throw it. You check into your hotel room,

0:32:32.280 --> 0:32:34.080
<v Speaker 3>you throw your bag on the ground right, and you

0:32:34.160 --> 0:32:38.480
<v Speaker 3>turn the television on. I can't remember the last time

0:32:38.520 --> 0:32:42.360
<v Speaker 3>I turned the television on in a hotel room. I

0:32:42.400 --> 0:32:46.200
<v Speaker 3>have an iPad and for the brief time I have

0:32:46.280 --> 0:32:48.240
<v Speaker 3>I sit in the chair in the corner of the

0:32:48.320 --> 0:32:50.720
<v Speaker 3>hotel room or on the bed, and I scroll social

0:32:50.760 --> 0:32:55.320
<v Speaker 3>media a variety of things. Twitter to get my news, TikTok,

0:32:55.360 --> 0:33:00.600
<v Speaker 3>to be informed or entertained, or to laugh, to get

0:33:01.240 --> 0:33:03.120
<v Speaker 3>dining tips in the city that I might be in.

0:33:03.560 --> 0:33:05.560
<v Speaker 3>This looks like a cool spot. I don't turn the

0:33:05.600 --> 0:33:08.880
<v Speaker 3>television on unless there's a sporting event, and even that

0:33:09.000 --> 0:33:11.120
<v Speaker 3>I can do on YouTube TV on my iPad. It's

0:33:11.120 --> 0:33:14.360
<v Speaker 3>not as big as screen. But so I'm astounded of

0:33:14.400 --> 0:33:18.200
<v Speaker 3>my own personal adoption as a gen xer. So you know,

0:33:18.320 --> 0:33:22.920
<v Speaker 3>my daughters are digitally native, so if that kind of

0:33:22.960 --> 0:33:26.760
<v Speaker 3>switch happens to me, I mean just folks and kids

0:33:26.800 --> 0:33:29.480
<v Speaker 3>that are born into this which is now a whole generation.

0:33:30.840 --> 0:33:34.040
<v Speaker 3>They don't consume anything the way we did, which is

0:33:34.040 --> 0:33:37.040
<v Speaker 3>why brands like Hey Dude and Stanley before that are

0:33:37.080 --> 0:33:41.960
<v Speaker 3>looking to connect where they are and that's where they are.

0:33:42.720 --> 0:33:46.720
<v Speaker 2>Okay, you're a gen x er when you were out socially,

0:33:46.800 --> 0:33:50.200
<v Speaker 2>when you're not working and you start talking about this,

0:33:50.720 --> 0:33:54.040
<v Speaker 2>do you find the other people of your generation or

0:33:54.120 --> 0:33:57.680
<v Speaker 2>the people that you interact with are saying, yeah, yeah,

0:33:57.680 --> 0:34:00.640
<v Speaker 2>I saw that too, Or are they saying, oh, that's crap,

0:34:00.720 --> 0:34:04.720
<v Speaker 2>I'm not Are you one an outlier or are you

0:34:04.840 --> 0:34:07.080
<v Speaker 2>finding that many people are doing what you're doing.

0:34:08.080 --> 0:34:10.960
<v Speaker 3>I don't know that I'm an outlier, but I'm in

0:34:11.000 --> 0:34:14.000
<v Speaker 3>the minority for sure. For a gen xer, you know,

0:34:14.080 --> 0:34:18.600
<v Speaker 3>there's always the there's the misperception that TikTok is just

0:34:18.640 --> 0:34:22.480
<v Speaker 3>a bunch of young girls dancing, and I know those

0:34:23.000 --> 0:34:25.239
<v Speaker 3>folks come across my for you page every once in

0:34:25.239 --> 0:34:29.919
<v Speaker 3>a while, But I'm looking for like where's the best

0:34:29.920 --> 0:34:33.839
<v Speaker 3>pub in London? And there's lots of answers. I live

0:34:33.880 --> 0:34:37.560
<v Speaker 3>in Boston, and so somehow I'm my for you page,

0:34:37.600 --> 0:34:40.520
<v Speaker 3>the algorithm or my geography. Some guy in a blue

0:34:40.560 --> 0:34:43.600
<v Speaker 3>hat at Emmett's Pub in Boston never been there before.

0:34:43.600 --> 0:34:46.280
<v Speaker 3>It turns out it's around the corner, and this guy's

0:34:46.280 --> 0:34:48.560
<v Speaker 3>alleging it has the best poor of guinness in all

0:34:48.600 --> 0:34:51.800
<v Speaker 3>of Boston. If it wasn't for TikTok, I wouldn't have known.

0:34:52.000 --> 0:34:55.960
<v Speaker 3>It is a five minute walk from my apartment, and

0:34:56.640 --> 0:35:00.080
<v Speaker 3>that is I mean, that's elixir of life. To know

0:35:00.200 --> 0:35:03.200
<v Speaker 3>that there's people out there and these places exist. I

0:35:03.400 --> 0:35:08.919
<v Speaker 3>never would have seen that on television, And Wow, how

0:35:08.920 --> 0:35:12.480
<v Speaker 3>exciting is this? And so I think I'm the outlier

0:35:12.480 --> 0:35:14.200
<v Speaker 3>because people just think it's a waste of time. And

0:35:14.239 --> 0:35:16.840
<v Speaker 3>I know, as so do millions of people, that it's where.

0:35:17.440 --> 0:35:20.080
<v Speaker 3>It's the town square, and that's where you can learn

0:35:20.280 --> 0:35:25.480
<v Speaker 3>so many cool things, fun things, interesting things. It's just

0:35:25.520 --> 0:35:28.680
<v Speaker 3>an incredible thing. I've watched more videos about airplane turbulence

0:35:28.760 --> 0:35:31.680
<v Speaker 3>because I'm so scared of turbulence when I'm flying that

0:35:31.760 --> 0:35:34.200
<v Speaker 3>I feel better now because I hear all these pilots

0:35:34.200 --> 0:35:36.160
<v Speaker 3>telling me not to worry. And now I'm not going

0:35:36.200 --> 0:35:38.920
<v Speaker 3>to see that on CNN or MTV or ESPN or

0:35:38.960 --> 0:35:44.000
<v Speaker 3>just so man, it's so cool to be alive right now,

0:35:44.440 --> 0:35:46.399
<v Speaker 3>to have all this at your fingertips. Which is why

0:35:46.400 --> 0:35:48.319
<v Speaker 3>I don't turn a television on an hotel because I'm

0:35:48.360 --> 0:35:50.400
<v Speaker 3>not gonna feel better about turbulence.

0:35:51.320 --> 0:35:55.919
<v Speaker 2>Okay, did you say this is my job? I need

0:35:55.960 --> 0:35:59.080
<v Speaker 2>to know more about social media? This is a project?

0:35:59.200 --> 0:36:00.520
<v Speaker 2>Or how did you get started?

0:36:01.400 --> 0:36:06.960
<v Speaker 3>Oh, I'm insatiably curious. Yeah, I want to know. I

0:36:07.000 --> 0:36:10.400
<v Speaker 3>want to know what's around the corner. Personally, professionally. That

0:36:10.840 --> 0:36:14.279
<v Speaker 3>is my life. I have an insatiable curiosity and an

0:36:14.360 --> 0:36:20.920
<v Speaker 3>unmistakable sense of what's possible personally, professionally. So listen to

0:36:20.920 --> 0:36:24.120
<v Speaker 3>when I was a kid, Bob. I'll never forget this.

0:36:24.120 --> 0:36:27.439
<v Speaker 3>This is a real analogue, and viewers of a certain

0:36:27.520 --> 0:36:30.960
<v Speaker 3>listeners of a certain age will get this. When I

0:36:31.040 --> 0:36:34.320
<v Speaker 3>was thirteen years old, I was fortunate enough my parents

0:36:34.360 --> 0:36:38.719
<v Speaker 3>took my brother and I to Bermuda, which you know Bermuda,

0:36:39.000 --> 0:36:43.560
<v Speaker 3>you know this is unheard of, and we stayed at

0:36:43.560 --> 0:36:45.960
<v Speaker 3>the Southampton Princess. I don't know if it's still there,

0:36:45.960 --> 0:36:51.440
<v Speaker 3>It doesn't matter. I was more interested in the Reuter's

0:36:51.960 --> 0:36:55.719
<v Speaker 3>ticker behind the front desk of the hotel than I

0:36:55.840 --> 0:37:00.000
<v Speaker 3>was about going to the pool. I couldn't believe something

0:37:00.160 --> 0:37:03.360
<v Speaker 3>like this existed, that I was getting all sorts of

0:37:03.440 --> 0:37:07.759
<v Speaker 3>information in real time. Yeah, I'll never forget it. I

0:37:07.800 --> 0:37:10.399
<v Speaker 3>can still see it through my mind's eye. I grew

0:37:10.440 --> 0:37:12.759
<v Speaker 3>up in northern New Jersey, so I used to fall

0:37:12.800 --> 0:37:17.440
<v Speaker 3>asleep to news radio eighty eight just also to get

0:37:17.480 --> 0:37:20.160
<v Speaker 3>you know, there's always sports on the eights. So before

0:37:20.160 --> 0:37:23.000
<v Speaker 3>the Internet, you couldn't get you know, it was Warner

0:37:23.040 --> 0:37:26.400
<v Speaker 3>Wolf CBS at six thirty, and that's how you got

0:37:26.440 --> 0:37:30.600
<v Speaker 3>your sports or you called sports phone, you know, get

0:37:30.640 --> 0:37:33.359
<v Speaker 3>all the sports news instantly, dial nine seven six one

0:37:33.480 --> 0:37:37.840
<v Speaker 3>three one three. So like, these things are just this

0:37:37.920 --> 0:37:40.040
<v Speaker 3>is just an extension of how I've been all of

0:37:40.080 --> 0:37:44.160
<v Speaker 3>my life, and the fact that this all exists astounds me.

0:37:45.200 --> 0:37:52.640
<v Speaker 3>So what is coming around the corner? AI? AI for

0:37:52.719 --> 0:37:53.680
<v Speaker 3>good and for bad?

0:37:54.000 --> 0:37:57.200
<v Speaker 2>Yeah, it's okay, I'm interested in this. That's certainly the

0:37:57.280 --> 0:38:01.319
<v Speaker 2>popular topic. Tell me what's coming around the corner and

0:38:01.360 --> 0:38:03.400
<v Speaker 2>how it's going to affect both your business and the

0:38:03.440 --> 0:38:04.280
<v Speaker 2>average citizen.

0:38:05.239 --> 0:38:07.720
<v Speaker 3>Yeah. Well, it's certainly going to allow us to tell

0:38:08.120 --> 0:38:13.320
<v Speaker 3>incredible messages to people fast and in ways that inspire

0:38:13.560 --> 0:38:18.719
<v Speaker 3>and interrupt. It's happening right now and it's still in

0:38:18.760 --> 0:38:23.640
<v Speaker 3>its infancy. The ways that we can communicate, the ways

0:38:23.640 --> 0:38:26.920
<v Speaker 3>we can interview and hire as an employer. It's all

0:38:27.360 --> 0:38:31.640
<v Speaker 3>just a few short years away from major shifts. But

0:38:31.680 --> 0:38:34.799
<v Speaker 3>from a marketing perspective and a brand building perspective, the

0:38:34.880 --> 0:38:40.800
<v Speaker 3>opportunity and the danger you have is quite a responsibility

0:38:40.840 --> 0:38:43.920
<v Speaker 3>to do it right. You know, I was an astounded,

0:38:44.040 --> 0:38:46.200
<v Speaker 3>you know last week that the Beatles want a Grammy

0:38:47.000 --> 0:38:52.600
<v Speaker 3>in twenty twenty five using AI and what does that mean?

0:38:53.160 --> 0:38:55.239
<v Speaker 3>You know, the Beatles is kind of a benchmark of

0:38:55.320 --> 0:38:58.440
<v Speaker 3>so many things for so many people. Well, did that

0:38:58.520 --> 0:39:01.880
<v Speaker 3>open the floodgates for it? Was almost a stamp of

0:39:01.920 --> 0:39:06.680
<v Speaker 3>approval or was it something different or more? Really perplexed

0:39:06.719 --> 0:39:10.399
<v Speaker 3>by that question and the outcome of that, but also

0:39:10.440 --> 0:39:13.840
<v Speaker 3>thrilling in a way that that kind of thing can occur.

0:39:15.320 --> 0:39:19.080
<v Speaker 3>So it's a really amazing thing that you know, we're

0:39:19.080 --> 0:39:21.160
<v Speaker 3>doing at hey dude, and doing it in small birds,

0:39:21.200 --> 0:39:25.160
<v Speaker 3>mostly on the creative side. But we're going to see

0:39:25.160 --> 0:39:28.040
<v Speaker 3>how that continues to evolve. But that's certainly a major

0:39:28.080 --> 0:39:28.920
<v Speaker 3>thing of what's next.

0:39:29.360 --> 0:39:31.600
<v Speaker 2>So how are you using it on the creative side?

0:39:33.440 --> 0:39:39.040
<v Speaker 3>Just to certainly fine tune photo shoots. And we recently

0:39:39.080 --> 0:39:43.560
<v Speaker 3>did a partnership, one of our collaborations with the brand Ferbie,

0:39:43.719 --> 0:39:46.840
<v Speaker 3>you know, those acute little characters a fuzz line Ferbie

0:39:46.880 --> 0:39:49.919
<v Speaker 3>shoe and our entire ad, if you call it ad,

0:39:49.920 --> 0:39:52.359
<v Speaker 3>the experience and the way we communicated that was all

0:39:52.400 --> 0:39:56.319
<v Speaker 3>through AI. And there's you know, pundits that we're calling

0:39:56.400 --> 0:39:58.480
<v Speaker 3>it the ad of the week just two or three

0:39:58.480 --> 0:40:02.600
<v Speaker 3>weeks ago because it breaks through and it's a really

0:40:02.600 --> 0:40:04.880
<v Speaker 3>interesting and how we did it was really innovative, and

0:40:04.880 --> 0:40:08.520
<v Speaker 3>it makes you stop your thumb scrolling, and that's part

0:40:08.520 --> 0:40:11.600
<v Speaker 3>of the game. And so there's other things dangerously going around,

0:40:11.640 --> 0:40:16.359
<v Speaker 3>just you know, when we're recording this of celebrities being

0:40:16.400 --> 0:40:19.440
<v Speaker 3>misinterpreted with AI about Kanye West, and I'm sure you've

0:40:19.480 --> 0:40:24.560
<v Speaker 3>seen today that's really really scary and terrible. And how

0:40:24.600 --> 0:40:28.320
<v Speaker 3>we put you know, guardrails around that I don't pretend

0:40:28.360 --> 0:40:30.000
<v Speaker 3>to know, but we're going to have to figure that out.

0:40:31.200 --> 0:40:33.120
<v Speaker 2>Okay, anything else you could say that it's around the

0:40:33.160 --> 0:40:34.480
<v Speaker 2>corner besides AI.

0:40:35.520 --> 0:40:37.360
<v Speaker 3>Yeah, it's the thing that comes to mind, you know,

0:40:37.600 --> 0:40:42.000
<v Speaker 3>most importantly, I think faster Ways to get you product

0:40:42.719 --> 0:40:45.240
<v Speaker 3>is also around the corner. Of course, you know Amazon,

0:40:46.200 --> 0:40:48.799
<v Speaker 3>you know you see these drone deliveries, which sounds you know,

0:40:48.880 --> 0:40:53.920
<v Speaker 3>out of science fiction, but that's you know, that's coming.

0:40:54.480 --> 0:40:56.759
<v Speaker 3>So it's just a matter of how interruptive it is

0:40:56.880 --> 0:40:59.600
<v Speaker 3>or how distracting or annoying it is, and a level

0:40:59.640 --> 0:41:04.239
<v Speaker 3>of that that society is going to accept. But that's

0:41:04.280 --> 0:41:08.160
<v Speaker 3>certainly people want things faster, they want it now, and

0:41:08.239 --> 0:41:10.480
<v Speaker 3>if a drone or something can fly it to you,

0:41:10.960 --> 0:41:13.880
<v Speaker 3>people are going to want that. And it's just a

0:41:13.880 --> 0:41:18.160
<v Speaker 3>matter of how is it that also relegated regulated, and

0:41:18.960 --> 0:41:23.000
<v Speaker 3>how's the experience not you know, an effrontery to people

0:41:23.000 --> 0:41:24.800
<v Speaker 3>who are not ordering things. That's the trick.

0:41:25.360 --> 0:41:31.239
<v Speaker 2>Okay, you talked originally about fast and young females. Are

0:41:31.280 --> 0:41:34.759
<v Speaker 2>you saying you want to activate young females because you

0:41:34.880 --> 0:41:38.000
<v Speaker 2>have a fashion product or can you say across the

0:41:38.080 --> 0:41:40.879
<v Speaker 2>board they are the most active and reactive.

0:41:41.600 --> 0:41:45.960
<v Speaker 3>Yeah, great, great point all the above. So, as I

0:41:46.000 --> 0:41:48.799
<v Speaker 3>think I said earlier, you know, youth culture drives culture, right,

0:41:49.120 --> 0:41:53.560
<v Speaker 3>but more than ever before, youth female culture drives culture.

0:41:54.840 --> 0:41:57.879
<v Speaker 3>Women more than ever before, you know, are traveling and

0:41:58.520 --> 0:42:04.239
<v Speaker 3>going out in packs. Women typically are bigger fans of

0:42:04.239 --> 0:42:09.600
<v Speaker 3>footwear than guys, they have a bigger community. In addition

0:42:09.640 --> 0:42:12.480
<v Speaker 3>to the type group that they have, they also have

0:42:12.640 --> 0:42:16.160
<v Speaker 3>larger communities and they like to share what they love

0:42:16.760 --> 0:42:20.440
<v Speaker 3>and that influences their friends or their peer groups, and

0:42:20.480 --> 0:42:24.359
<v Speaker 3>so all of those things lead us to that's where

0:42:24.480 --> 0:42:27.359
<v Speaker 3>culture is. And if more women can fall in love

0:42:27.400 --> 0:42:30.919
<v Speaker 3>with a funny little brand with a funny little name,

0:42:32.800 --> 0:42:35.319
<v Speaker 3>there's a there's a great opportunity there to reach more

0:42:35.360 --> 0:42:38.920
<v Speaker 3>people because, as I learned from you know, my last place,

0:42:40.200 --> 0:42:44.600
<v Speaker 3>people want what's cool, and they want what's cool in America.

0:42:45.320 --> 0:42:48.840
<v Speaker 3>Around the world, people want what's cool in America, and women,

0:42:49.239 --> 0:42:52.520
<v Speaker 3>young women are letting the world know what's cool in America.

0:42:54.760 --> 0:43:00.120
<v Speaker 2>Okay, Hey Dude has a male connotation. Is that a

0:43:00.440 --> 0:43:03.000
<v Speaker 2>point of friction or you think about changing the name

0:43:03.040 --> 0:43:03.640
<v Speaker 2>at some point?

0:43:04.239 --> 0:43:07.360
<v Speaker 3>No, not at all. It's not a neither. That is

0:43:07.400 --> 0:43:10.120
<v Speaker 3>our name. It's a funny little name. But you know,

0:43:10.280 --> 0:43:15.680
<v Speaker 3>forty percent of our businesses female consumers already, so there's

0:43:15.760 --> 0:43:21.319
<v Speaker 3>no no worries there. We just need to showcase more

0:43:21.600 --> 0:43:28.200
<v Speaker 3>female focused styles, certainly showcase more ways to wear Hey

0:43:28.280 --> 0:43:31.480
<v Speaker 3>Dude for young women, and that's part of the what

0:43:31.480 --> 0:43:33.480
<v Speaker 3>we're up to as well. Part of the Sydney Sweeney

0:43:33.520 --> 0:43:37.200
<v Speaker 3>work and all those other things, but not not an

0:43:37.239 --> 0:43:40.439
<v Speaker 3>impediment at all. In fact, you know, women call each

0:43:40.480 --> 0:43:43.919
<v Speaker 3>other bro dude. You know one of the top two

0:43:44.080 --> 0:43:48.719
<v Speaker 3>three podcasts is Alex Cooper's Call Me Daddy. Right, So

0:43:50.200 --> 0:43:53.280
<v Speaker 3>there's a power and ownership of these kind of things

0:43:53.280 --> 0:43:58.320
<v Speaker 3>that women have taken. And as exciting time, let's assume

0:43:58.480 --> 0:44:02.160
<v Speaker 3>you will have a product that you want to sell

0:44:02.200 --> 0:44:05.680
<v Speaker 3>to males. Are you telling us that the best way

0:44:05.719 --> 0:44:08.239
<v Speaker 3>to reach males is to reach the women and then

0:44:08.280 --> 0:44:14.080
<v Speaker 3>they'll tell the males. That's certainly true. That is certainly true.

0:44:15.160 --> 0:44:18.160
<v Speaker 3>Certainly from a gift giving perspective. You know, a lot

0:44:18.200 --> 0:44:21.040
<v Speaker 3>of guys are just hey, throw another new size eleven

0:44:21.080 --> 0:44:24.520
<v Speaker 3>in the cart. You know, guys are like that, right,

0:44:24.719 --> 0:44:28.000
<v Speaker 3>But guys also want what's cool, they want what's comfortable.

0:44:28.800 --> 0:44:34.719
<v Speaker 3>Guys also want what's dependable, and so from a fashion standpoint,

0:44:34.719 --> 0:44:38.440
<v Speaker 3>most guys are fast fashion or they're just comfortable. And

0:44:38.560 --> 0:44:40.359
<v Speaker 3>we want to make sure the guys that love us,

0:44:40.600 --> 0:44:42.920
<v Speaker 3>and there's lots of them, stay in love with Hey, dude,

0:44:43.160 --> 0:44:44.840
<v Speaker 3>but we certainly want to bring a lot more people

0:44:44.840 --> 0:44:45.399
<v Speaker 3>into the tent.

0:44:46.160 --> 0:44:50.640
<v Speaker 2>Okay, you have all this focus on women, yet the

0:44:50.719 --> 0:44:54.839
<v Speaker 2>conversation at large is the opposite. Why do people not

0:44:55.160 --> 0:45:00.400
<v Speaker 2>know this extreme power of women question?

0:45:01.360 --> 0:45:03.120
<v Speaker 3>It's a great question. I don't know the answer to that.

0:45:03.280 --> 0:45:03.680
<v Speaker 2>I do.

0:45:04.440 --> 0:45:09.800
<v Speaker 3>So that's what I'm focused on with the Heydude team

0:45:09.960 --> 0:45:12.400
<v Speaker 3>is making sure that we're bringing more people into the

0:45:12.440 --> 0:45:18.120
<v Speaker 3>tent and recognizing the purchasing power, the cultural power, the

0:45:18.200 --> 0:45:21.080
<v Speaker 3>community power of women in twenty twenty five.

0:45:29.040 --> 0:45:31.400
<v Speaker 2>Okay, you said you're from New Jersey. What did your

0:45:31.440 --> 0:45:32.400
<v Speaker 2>parents do for a living?

0:45:34.200 --> 0:45:38.800
<v Speaker 3>My father was My parents grew up in the Bronx,

0:45:38.840 --> 0:45:41.520
<v Speaker 3>New York. I was born in New York City. My

0:45:42.080 --> 0:45:45.200
<v Speaker 3>father was in the United States Navy on the USS

0:45:45.400 --> 0:45:50.680
<v Speaker 3>Wasp post World War Two, and he left the Navy

0:45:50.680 --> 0:45:53.960
<v Speaker 3>and started fixing typewriters in New York City for IBM

0:45:55.000 --> 0:45:58.480
<v Speaker 3>in the suit in the uh you know, the shoes

0:45:59.440 --> 0:46:04.920
<v Speaker 3>carrying the case fix and typewriters, and he, like so

0:46:05.040 --> 0:46:08.560
<v Speaker 3>many folks of his generation, worked his way to become

0:46:08.600 --> 0:46:13.560
<v Speaker 3>an executive with IBM. We moved a lot as a

0:46:13.600 --> 0:46:15.319
<v Speaker 3>young guy. As a young kid, we moved a few

0:46:15.360 --> 0:46:19.160
<v Speaker 3>times before I was ten years old, and my dad

0:46:19.239 --> 0:46:23.000
<v Speaker 3>raised you know, me and my brother and did well

0:46:23.080 --> 0:46:25.560
<v Speaker 3>enough that my mom could raise us. You know, my

0:46:25.640 --> 0:46:28.280
<v Speaker 3>mom didn't work outside of the home, but she certainly

0:46:28.320 --> 0:46:31.120
<v Speaker 3>worked because she had myself and my brother. We made

0:46:31.120 --> 0:46:34.000
<v Speaker 3>her work hard. So we were fortunate to grow up

0:46:34.040 --> 0:46:36.400
<v Speaker 3>in northern New Jersey for you know, since I was

0:46:36.400 --> 0:46:41.160
<v Speaker 3>ten years old and my dad carved it out and is,

0:46:41.600 --> 0:46:46.040
<v Speaker 3>you know, an incredible guy. We're nothing alike, but he

0:46:46.120 --> 0:46:49.279
<v Speaker 3>is an incredible guy. Still with us. Both my parents are,

0:46:49.320 --> 0:46:54.560
<v Speaker 3>thank goodness, and that's what they did. They lived the

0:46:54.600 --> 0:46:55.360
<v Speaker 3>American dream.

0:46:55.920 --> 0:46:58.880
<v Speaker 2>Okay that moving around as a young child, having to

0:46:58.920 --> 0:47:02.560
<v Speaker 2>fit in, did that effect your personality for sure?

0:47:02.800 --> 0:47:07.440
<v Speaker 3>Yeah, it affects me to this day. So move to

0:47:08.560 --> 0:47:12.480
<v Speaker 3>U born in New York City, lived upstate New York

0:47:12.560 --> 0:47:17.000
<v Speaker 3>or Westchester, and then moved to Virginia and Illinois, all

0:47:17.040 --> 0:47:21.480
<v Speaker 3>before I was ten. And so the fear of walking

0:47:21.480 --> 0:47:27.560
<v Speaker 3>into a new cafeteria is still with me today. I

0:47:27.560 --> 0:47:34.080
<v Speaker 3>don't like walking into office cafeteria. I don't like looking

0:47:34.080 --> 0:47:37.560
<v Speaker 3>for somebody to sit with. That is was then and

0:47:37.600 --> 0:47:40.920
<v Speaker 3>it still carries with me all these years later. I'm

0:47:40.960 --> 0:47:43.160
<v Speaker 3>certainly more comfortable than I ever was, and I certainly

0:47:43.200 --> 0:47:46.440
<v Speaker 3>do that because that's part of the job when you're

0:47:46.480 --> 0:47:52.160
<v Speaker 3>leading a company, but it's certainly part of my psychology

0:47:52.440 --> 0:47:54.759
<v Speaker 3>and how I enter any room.

0:47:56.320 --> 0:48:00.600
<v Speaker 2>Okay, you have this anxiety, but concommonly, is there a

0:48:00.680 --> 0:48:02.000
<v Speaker 2>positive element of this?

0:48:05.600 --> 0:48:10.400
<v Speaker 3>It's a good question. Probably not a positive quality to that.

0:48:10.400 --> 0:48:12.840
<v Speaker 3>That's a I mean a positive quality of moving around

0:48:12.840 --> 0:48:15.160
<v Speaker 3>having to interact with me. Oh sure, oh, I said,

0:48:15.200 --> 0:48:17.440
<v Speaker 3>of course, yeah, of course, yes. You know, I had

0:48:17.440 --> 0:48:21.640
<v Speaker 3>an appreciation for other things before I was ten years old.

0:48:21.880 --> 0:48:26.080
<v Speaker 3>You know, I knew you know, I knew where things were.

0:48:26.160 --> 0:48:28.640
<v Speaker 3>I knew what Chicago looked like. When I was nine,

0:48:29.239 --> 0:48:31.600
<v Speaker 3>you know, I knew what you know, the nation's capital

0:48:31.600 --> 0:48:34.560
<v Speaker 3>we lived in Northern Virginia looked like. I knew what

0:48:34.560 --> 0:48:37.719
<v Speaker 3>what I knew, the kids like the Bears. You know,

0:48:37.760 --> 0:48:40.200
<v Speaker 3>you don't know these things, especially in the seventies, or

0:48:40.719 --> 0:48:43.279
<v Speaker 3>you don't, but I did, And so it gave me

0:48:43.320 --> 0:48:46.560
<v Speaker 3>an appreciation for maybe that always what's around the corner

0:48:46.680 --> 0:48:50.279
<v Speaker 3>kind of a mentality that I had because I didn't

0:48:50.320 --> 0:48:51.800
<v Speaker 3>know if we were ever going to be staying wherever

0:48:51.840 --> 0:48:56.160
<v Speaker 3>we were because of my father's job, which was you know, thrilling, exciting,

0:48:56.200 --> 0:48:58.239
<v Speaker 3>but also daunting when you get that we're going to move.

0:48:58.680 --> 0:49:01.399
<v Speaker 3>So so yeah, of course, I think there's a lot

0:49:01.400 --> 0:49:04.439
<v Speaker 3>of good, but the anxiety of that cafeteria table, which

0:49:04.480 --> 0:49:07.319
<v Speaker 3>I took to my daughter's Unfortunately, you know, we moved

0:49:07.320 --> 0:49:10.560
<v Speaker 3>a few times, I sadly, you know, cursed my daughters

0:49:10.560 --> 0:49:12.440
<v Speaker 3>with the same thing my father cursed me, and I

0:49:12.480 --> 0:49:15.640
<v Speaker 3>put curse and quotes, of course, but one of my

0:49:15.680 --> 0:49:17.960
<v Speaker 3>first questions through my girls when we moved is you

0:49:17.960 --> 0:49:21.680
<v Speaker 3>know who did you eat lunch with? It wasn't what

0:49:21.760 --> 0:49:25.719
<v Speaker 3>did you learn, It wasn't how school, It was who

0:49:25.760 --> 0:49:27.759
<v Speaker 3>did you have lunch with? And I would ask that

0:49:27.880 --> 0:49:31.600
<v Speaker 3>question with my eyes kind of winced and my teeth gritted,

0:49:31.960 --> 0:49:33.920
<v Speaker 3>because I know what that's like. And so I was

0:49:33.960 --> 0:49:38.080
<v Speaker 3>transferring some of my whatever that is psychosis or anxiety

0:49:38.080 --> 0:49:41.080
<v Speaker 3>on them unfairly, But it meant something to me because

0:49:41.120 --> 0:49:43.759
<v Speaker 3>I know what it's like, and it hurt then, and

0:49:43.840 --> 0:49:45.919
<v Speaker 3>I didn't want my daughters to feel the same thing.

0:49:46.960 --> 0:49:50.160
<v Speaker 2>So what's your personality? Are you more of a lone

0:49:50.239 --> 0:49:52.960
<v Speaker 2>or outsider? Are you the type of person who has

0:49:53.000 --> 0:49:55.600
<v Speaker 2>a million friends and is contacting people all day?

0:49:56.560 --> 0:49:59.279
<v Speaker 3>I have the same friends since I moved to New

0:49:59.360 --> 0:50:04.880
<v Speaker 3>Jersey and fifth grade. We're all on a text thread

0:50:05.360 --> 0:50:09.880
<v Speaker 3>every day. So I've got a tight circle of friends

0:50:09.920 --> 0:50:14.399
<v Speaker 3>since I was eleven years old ten years old, which

0:50:14.440 --> 0:50:16.960
<v Speaker 3>is an amazing thing to say, in an amazing gift.

0:50:18.840 --> 0:50:20.440
<v Speaker 3>But then I make new friends along the way, and

0:50:20.480 --> 0:50:22.960
<v Speaker 3>the friends that I make I'm really really close with

0:50:23.040 --> 0:50:26.200
<v Speaker 3>and have influenced my life, you know, even my career.

0:50:27.360 --> 0:50:29.359
<v Speaker 3>Some of the most important people in my life are

0:50:29.880 --> 0:50:32.400
<v Speaker 3>people that influence my career who I've ended up being

0:50:32.960 --> 0:50:36.400
<v Speaker 3>the best of friends with. So it's tight. I'm not

0:50:36.560 --> 0:50:41.480
<v Speaker 3>the life of the party ever, but I'm comfortable being alone.

0:50:42.800 --> 0:50:46.000
<v Speaker 3>But the friends that I have are deep and meaningful

0:50:46.200 --> 0:50:46.880
<v Speaker 3>and long.

0:50:47.920 --> 0:50:50.000
<v Speaker 2>So let's say I say, Hey, we're going to go

0:50:50.000 --> 0:50:52.759
<v Speaker 2>to a party. You don't know anybody, none of them

0:50:52.840 --> 0:50:55.120
<v Speaker 2>work in your business, so you're gonna say, hey, let's go.

0:50:55.239 --> 0:50:56.919
<v Speaker 2>You say, well, you're gonna see Well, you know, maybe

0:50:56.960 --> 0:50:58.000
<v Speaker 2>I'd rather stay home.

0:50:59.640 --> 0:51:04.520
<v Speaker 3>I would prefer not to go, but when I go,

0:51:04.920 --> 0:51:09.080
<v Speaker 3>I'm you know, I'm an irishman, right, So I do

0:51:09.200 --> 0:51:13.080
<v Speaker 3>have that certain gift of gab when I choose to gab,

0:51:13.760 --> 0:51:15.680
<v Speaker 3>and I've got a lot of really cool stories to

0:51:15.719 --> 0:51:19.799
<v Speaker 3>tell and a really good life experience that people like

0:51:19.880 --> 0:51:21.960
<v Speaker 3>to hear. When I end up sharing some of it,

0:51:22.080 --> 0:51:28.040
<v Speaker 3>so I don't wear the lampshade, but I can get after.

0:51:27.840 --> 0:51:30.760
<v Speaker 2>It, Okay, good student, bad student.

0:51:32.920 --> 0:51:39.560
<v Speaker 3>I was average at everything, average at everything, good not

0:51:39.600 --> 0:51:45.640
<v Speaker 3>I don't know why, but average at everything, and you know,

0:51:45.840 --> 0:51:48.200
<v Speaker 3>medium part of my class, if you know what I mean.

0:51:49.360 --> 0:51:51.520
<v Speaker 3>But I was a late bloomer, you know. And I

0:51:51.560 --> 0:51:53.719
<v Speaker 3>also just because of that moving around, I think I

0:51:53.800 --> 0:51:56.799
<v Speaker 3>lacked a lot of confidence that I didn't know I

0:51:56.840 --> 0:51:58.759
<v Speaker 3>was actually good at quite a few things when I

0:51:58.800 --> 0:52:02.040
<v Speaker 3>was in middle school and high school. That it turns out,

0:52:02.320 --> 0:52:05.320
<v Speaker 3>you know, later in life, you start to realize, you

0:52:05.360 --> 0:52:07.560
<v Speaker 3>know what, maybe I was better if I had some confidence,

0:52:07.760 --> 0:52:11.839
<v Speaker 3>or had a different kind of coach or somebody, things

0:52:11.880 --> 0:52:13.759
<v Speaker 3>could have been different then. But I'm not hung up

0:52:13.760 --> 0:52:17.160
<v Speaker 3>on any of that. I just, you know, it was

0:52:17.160 --> 0:52:20.680
<v Speaker 3>a late bloomer. I remember you couldn't you back in

0:52:20.680 --> 0:52:22.200
<v Speaker 3>those days, and maybe they still do it. You had

0:52:22.239 --> 0:52:24.400
<v Speaker 3>to do like the eight mile run, you know, you

0:52:24.480 --> 0:52:26.920
<v Speaker 3>had to run for eight eight minute eight minute run

0:52:27.000 --> 0:52:29.879
<v Speaker 3>or something like that, whatever it was, eight minute mile,

0:52:29.920 --> 0:52:31.600
<v Speaker 3>there you go, man, and something you know in middle

0:52:31.600 --> 0:52:33.640
<v Speaker 3>school and I hated it, like I was out of breath,

0:52:33.719 --> 0:52:35.359
<v Speaker 3>like I couldn't do it, you know, it was kind

0:52:35.360 --> 0:52:38.759
<v Speaker 3>of a little chubby, little pudgy little guy. And my

0:52:38.880 --> 0:52:41.520
<v Speaker 3>favorite baseball player at that age was Carlton Fists because

0:52:41.560 --> 0:52:44.120
<v Speaker 3>his nickname was Pudge. You know, it was like looking

0:52:44.160 --> 0:52:48.160
<v Speaker 3>for connection and I couldn't do it like I just was.

0:52:48.560 --> 0:52:50.840
<v Speaker 3>But you know, years later, I've run three marathons in

0:52:50.920 --> 0:52:54.160
<v Speaker 3>under four hours. You know, So these things happen. Life

0:52:54.239 --> 0:52:56.000
<v Speaker 3>is long, and if you're going to be hung up

0:52:56.000 --> 0:52:58.439
<v Speaker 3>on who you were, well that's a waste of your life.

0:52:58.719 --> 0:53:01.040
<v Speaker 3>And so the the things that have happened in my

0:53:01.080 --> 0:53:03.160
<v Speaker 3>life and even just the last fifteen years have been

0:53:03.200 --> 0:53:09.120
<v Speaker 3>extraordinary career wise, personally, so many amazing things.

0:53:09.760 --> 0:53:12.160
<v Speaker 2>So you graduate from high school, then what.

0:53:13.200 --> 0:53:15.239
<v Speaker 3>I go to college in New Jersey. Well, actually I

0:53:15.239 --> 0:53:18.640
<v Speaker 3>started college at Northeastern up in Boston, and I hate

0:53:18.680 --> 0:53:21.359
<v Speaker 3>to say it, I think I chose Northeastern because I

0:53:21.440 --> 0:53:23.719
<v Speaker 3>was a giant and still I am a big fan of

0:53:24.320 --> 0:53:27.680
<v Speaker 3>the Red Sox, the Bruins, the Patriots, and the Celtics.

0:53:27.880 --> 0:53:30.640
<v Speaker 3>And a word to your listeners, that's not the reason

0:53:30.719 --> 0:53:34.799
<v Speaker 3>to choose a college or university. But I was a

0:53:34.920 --> 0:53:39.280
<v Speaker 3>huge fan of those teams and that's why I chose Northeastern.

0:53:39.320 --> 0:53:42.200
<v Speaker 3>But I was too immature to know what to do.

0:53:43.760 --> 0:53:46.560
<v Speaker 3>My high school and grammar school friends were no longer

0:53:46.600 --> 0:53:50.440
<v Speaker 3>with me, and I did not adapt well. And I

0:53:50.480 --> 0:53:53.480
<v Speaker 3>also just didn't like the city environment. I wasn't ready

0:53:53.520 --> 0:53:56.560
<v Speaker 3>for that then. So I transferred to a little known

0:53:56.680 --> 0:54:02.160
<v Speaker 3>Rider University in New Jersey, and you know, graduated, I

0:54:02.200 --> 0:54:04.960
<v Speaker 3>don't know two point eight, two point nine, you know,

0:54:05.000 --> 0:54:10.040
<v Speaker 3>something like that. It was an unremarkable scholastic career. But

0:54:10.200 --> 0:54:13.160
<v Speaker 3>I graduated, and I got a job right out of college.

0:54:13.360 --> 0:54:15.719
<v Speaker 2>But just before this, when you're going to Rider, yeah,

0:54:15.760 --> 0:54:17.960
<v Speaker 2>are you living at home? Are you living in an apartment?

0:54:18.120 --> 0:54:20.960
<v Speaker 3>I'm living in the dorm. I was a resident advisor

0:54:21.080 --> 0:54:25.640
<v Speaker 3>for two and a half years at Ryder, So you know,

0:54:25.640 --> 0:54:27.799
<v Speaker 3>you got your own room. There's a little bit of

0:54:27.920 --> 0:54:32.040
<v Speaker 3>evidence there right right right, And you got a phone,

0:54:32.440 --> 0:54:35.239
<v Speaker 3>which mattered then, and you didn't you didn't have to

0:54:35.239 --> 0:54:38.240
<v Speaker 3>pay for and I got a little bit of scratch,

0:54:38.400 --> 0:54:42.680
<v Speaker 3>so I had some spending money. And you know, an

0:54:42.760 --> 0:54:48.560
<v Speaker 3>unremarkable career at Ryder. That there's they wouldn't remember me,

0:54:49.040 --> 0:54:50.040
<v Speaker 3>and they shouldn't remember me.

0:54:51.239 --> 0:54:54.400
<v Speaker 2>So you graduated, and you did what I graduated.

0:54:54.400 --> 0:54:56.879
<v Speaker 3>And this is the day, Bob, where you know one

0:54:56.960 --> 0:55:00.720
<v Speaker 3>hundred envelopes, one hundred resumes, one hundred stamps, and you

0:55:00.800 --> 0:55:03.600
<v Speaker 3>send them out. I can't even imagine this was a thing,

0:55:05.280 --> 0:55:09.640
<v Speaker 3>just hoping it got there, hoping somebody opened it, hoping

0:55:09.680 --> 0:55:15.080
<v Speaker 3>somebody would call you back. What And I got a

0:55:15.120 --> 0:55:17.359
<v Speaker 3>call back? You know, my mom got a call back.

0:55:17.400 --> 0:55:18.719
<v Speaker 3>You know, this is the day. You know, I was

0:55:18.760 --> 0:55:20.879
<v Speaker 3>living at home and my mom would answer, Terrence, it's

0:55:20.920 --> 0:55:24.719
<v Speaker 3>for you, you know, and it's your possible future employer. The

0:55:24.800 --> 0:55:27.839
<v Speaker 3>thought of that is so staggering today. But I got

0:55:27.840 --> 0:55:31.880
<v Speaker 3>a job with the MWW Group, a PR agency in

0:55:31.960 --> 0:55:34.520
<v Speaker 3>northern New Jersey. At the time, I think I was

0:55:34.560 --> 0:55:38.640
<v Speaker 3>one of the first ten employees of the MWW Group.

0:55:38.880 --> 0:55:43.720
<v Speaker 3>And now if you drive by MetLife Stadium in New Jersey,

0:55:43.920 --> 0:55:47.200
<v Speaker 3>you'll see the W building on the other side of

0:55:47.239 --> 0:55:51.520
<v Speaker 3>MetLife Stadium. So Michael Kempner and the group that hired

0:55:51.560 --> 0:55:54.000
<v Speaker 3>me then still run it and grow it into a

0:55:54.080 --> 0:55:58.719
<v Speaker 3>huge agency. But this is really funny. So I get

0:55:58.760 --> 0:56:02.439
<v Speaker 3>this job, right, and I'm an account coordinator at twenty two,

0:56:02.560 --> 0:56:05.279
<v Speaker 3>twenty three years old, and you know, you're getting press

0:56:05.320 --> 0:56:07.000
<v Speaker 3>clippings and you have to clip them out for the

0:56:07.000 --> 0:56:10.319
<v Speaker 3>different clients of the agency from Burrell's or you know,

0:56:10.320 --> 0:56:12.759
<v Speaker 3>and you're cutting and pasting them and using you know,

0:56:12.880 --> 0:56:15.759
<v Speaker 3>glue tape to you know, this is what you did.

0:56:15.800 --> 0:56:17.759
<v Speaker 3>And I filled in for the receptionist when she went

0:56:17.760 --> 0:56:20.320
<v Speaker 3>to lunch, and I had to get the coffee supplies

0:56:20.400 --> 0:56:22.319
<v Speaker 3>every Monday morning for the office for the week. And

0:56:22.360 --> 0:56:24.640
<v Speaker 3>that's what you do when you're twenty two. And they

0:56:24.640 --> 0:56:27.800
<v Speaker 3>gave me a little account. This is a PR agency

0:56:27.840 --> 0:56:31.440
<v Speaker 3>and I'm an account coordinator, so cut your chops on this, Terrence.

0:56:32.600 --> 0:56:36.080
<v Speaker 3>And they gave me a little indoor amusement park in Paramus,

0:56:36.160 --> 0:56:41.160
<v Speaker 3>New Jersey called sports World. And at the time whatever

0:56:41.160 --> 0:56:45.359
<v Speaker 3>this is, nineteen ninety one, right around there, this indoor

0:56:45.400 --> 0:56:47.480
<v Speaker 3>amusement park was a pretty cool thing. It was a

0:56:47.560 --> 0:56:52.279
<v Speaker 3>giant box at inside where bumper cars and cafeteria with

0:56:52.360 --> 0:56:54.680
<v Speaker 3>you know, hot dogs and popcorn and rides and ball

0:56:54.719 --> 0:56:56.200
<v Speaker 3>pits and all sorts of stuff, and it was a

0:56:56.200 --> 0:56:58.880
<v Speaker 3>really popular place. What am I going to do with

0:56:58.920 --> 0:57:02.480
<v Speaker 3>this as a PR account coordinator? You know, press release

0:57:02.680 --> 0:57:05.680
<v Speaker 3>to say here, have your kid's birthday party here, or

0:57:06.600 --> 0:57:10.280
<v Speaker 3>they got a new ride whatever. Not exactly exciting stuff.

0:57:11.719 --> 0:57:14.200
<v Speaker 3>But one evening, just as I'm about to go home.

0:57:14.800 --> 0:57:18.320
<v Speaker 3>The desk phone, big giant desk phone rings and I

0:57:18.400 --> 0:57:22.360
<v Speaker 3>pick it up and it's the owner of Sports World.

0:57:23.440 --> 0:57:27.160
<v Speaker 3>It says, Terrence, get down here, Like, what's wrong? Because

0:57:27.240 --> 0:57:31.000
<v Speaker 3>Terrence get down here with somebody hurt? Is anything wrong?

0:57:31.120 --> 0:57:35.400
<v Speaker 3>He's like, no, Michael Jackson has rented the place for

0:57:35.480 --> 0:57:41.840
<v Speaker 3>the night. What so, Yeah, Michael Jackson is here and

0:57:41.880 --> 0:57:45.280
<v Speaker 3>he's rented the place for the night. We're closed, so

0:57:45.920 --> 0:57:47.760
<v Speaker 3>all right now, I gotta be honest with you, Bob.

0:57:47.800 --> 0:57:52.360
<v Speaker 3>If the iPhone existed, then I probably would have gone

0:57:52.400 --> 0:57:55.280
<v Speaker 3>down to Sports World to what to try and get

0:57:55.320 --> 0:57:59.840
<v Speaker 3>a selfie with Michael Jackson. But it didn't exist. So

0:58:00.120 --> 0:58:02.800
<v Speaker 3>instead of taking my iPhone, which didn't exist in nineteen

0:58:02.880 --> 0:58:06.959
<v Speaker 3>ninety one, I got on the phone and I called

0:58:07.040 --> 0:58:12.360
<v Speaker 3>every assignment desk that I had in my Bacon's Guide.

0:58:13.240 --> 0:58:15.520
<v Speaker 3>I know where Michael Jackson is tonight. Called me back,

0:58:15.920 --> 0:58:20.840
<v Speaker 3>I know where Michael Jackson is tonight. The phone rang

0:58:21.000 --> 0:58:25.040
<v Speaker 3>like it was you know, so everybody called me back

0:58:25.440 --> 0:58:28.520
<v Speaker 3>and lo and behold. The next day and the next week,

0:58:28.600 --> 0:58:30.240
<v Speaker 3>I had the biggest score in the history of the

0:58:30.960 --> 0:58:38.440
<v Speaker 3>Young MWW group and change my career there. I promoted

0:58:38.480 --> 0:58:41.480
<v Speaker 3>to an account executive and now I'm working with Continental Airlines,

0:58:41.640 --> 0:58:43.640
<v Speaker 3>you know. And that's what can happen in life if

0:58:43.640 --> 0:58:46.880
<v Speaker 3>you're ready for your audition. And so that was a

0:58:46.920 --> 0:58:50.520
<v Speaker 3>gift to me, and that changed my career at the

0:58:50.600 --> 0:58:52.800
<v Speaker 3>MWW group as a twenty three year old. Next thing

0:58:52.800 --> 0:58:55.920
<v Speaker 3>I know, I'm on the runway at Continental Airlines in Newark,

0:58:55.960 --> 0:59:01.120
<v Speaker 3>New Jersey with Lloyd Benson, you know. So it's amazing

0:59:01.120 --> 0:59:03.240
<v Speaker 3>what can happen in a young career if you're ready

0:59:03.280 --> 0:59:03.760
<v Speaker 3>for the moment.

0:59:05.320 --> 0:59:10.760
<v Speaker 2>Okay, you go to Continental, play it out from there.

0:59:12.320 --> 0:59:15.640
<v Speaker 3>So I just didn't know if I liked doing what

0:59:15.720 --> 0:59:17.680
<v Speaker 3>I was doing, and so I went to work for

0:59:17.720 --> 0:59:21.200
<v Speaker 3>a nonprofit in northern New Jersey, a long term care

0:59:21.280 --> 0:59:28.040
<v Speaker 3>facility and psychiatric hospital. Yeah, the real fun stuff, Bob, And.

0:59:28.280 --> 0:59:30.560
<v Speaker 2>Wait, wait just to stay there. Yeah, you're working with

0:59:30.640 --> 0:59:34.560
<v Speaker 2>an amusement park, you're working with Continental era Lines. What

0:59:34.680 --> 0:59:38.600
<v Speaker 2>is the motivation? I don't money? To get escape where

0:59:38.600 --> 0:59:40.320
<v Speaker 2>you were? Why'd you do it?

0:59:41.960 --> 0:59:45.440
<v Speaker 3>I don't have an answer for that. Genius or stupidity

0:59:45.600 --> 0:59:47.600
<v Speaker 3>or somewhere in between, because it wasn't the money. It

0:59:47.600 --> 0:59:53.720
<v Speaker 3>was a nonprofit. But I just wanted to try something else.

0:59:55.080 --> 1:00:00.800
<v Speaker 3>And so I'm working for this medical center. It's a nonprofit,

1:00:00.840 --> 1:00:03.640
<v Speaker 3>as I mentioned, and so one of my responsibilities was

1:00:03.680 --> 1:00:06.200
<v Speaker 3>to put together an annual fundraising dinner, you know, the

1:00:06.280 --> 1:00:10.040
<v Speaker 3>rubber chicken round table, and a whole bunch of donors

1:00:10.080 --> 1:00:13.920
<v Speaker 3>and supporters arrive and I'm giving an appeal, you know,

1:00:13.960 --> 1:00:16.520
<v Speaker 3>from the dais the main stage there with the podium,

1:00:17.320 --> 1:00:19.600
<v Speaker 3>and I have a photo of this, which is a

1:00:19.640 --> 1:00:21.880
<v Speaker 3>surreptitious photo that I didn't know I even had or

1:00:21.920 --> 1:00:24.600
<v Speaker 3>somebody took it. But in the front row, in the

1:00:24.640 --> 1:00:28.240
<v Speaker 3>front table, with his back to me was a gentleman

1:00:28.720 --> 1:00:33.080
<v Speaker 3>who the next morning called me and I thought, oh wow,

1:00:33.080 --> 1:00:35.120
<v Speaker 3>I got one of these high rollers to write a

1:00:35.120 --> 1:00:39.200
<v Speaker 3>big check to the medical center. Look at me, I've

1:00:39.240 --> 1:00:44.120
<v Speaker 3>got a big score. And he says, let's go to

1:00:44.120 --> 1:00:47.000
<v Speaker 3>breakfast tomorrow. We go to breakfast that I'm ready for

1:00:47.080 --> 1:00:48.760
<v Speaker 3>him to write a big check, and he says, I

1:00:48.800 --> 1:00:53.640
<v Speaker 3>want you to be my marketing manager for Amror Prize.

1:00:53.840 --> 1:00:56.600
<v Speaker 3>I don't know this guy, never met him.

1:00:56.480 --> 1:00:56.959
<v Speaker 2>In my life.

1:00:57.600 --> 1:01:00.680
<v Speaker 3>And this was actually called American Express Financially Advisors at

1:01:00.680 --> 1:01:03.560
<v Speaker 3>the time part of American Express, and now it's Amerorprize,

1:01:03.880 --> 1:01:06.840
<v Speaker 3>which is one of the leading financial companies in the world,

1:01:08.160 --> 1:01:11.000
<v Speaker 3>and so I go get my series seven, series sixty three,

1:01:11.160 --> 1:01:17.080
<v Speaker 3>Series sixty five to sell a market financial products in

1:01:17.120 --> 1:01:22.600
<v Speaker 3>northern New Jersey. And what luck, you know. And you know,

1:01:22.640 --> 1:01:25.120
<v Speaker 3>I think he got my salary from like twenty six

1:01:25.160 --> 1:01:29.600
<v Speaker 3>thousand to fifty eight thousand, which was ridiculous, you know.

1:01:30.560 --> 1:01:34.080
<v Speaker 3>But I'm now in a new field, and I bounced

1:01:34.120 --> 1:01:38.680
<v Speaker 3>around the financial services for a while, and I passed

1:01:38.720 --> 1:01:41.520
<v Speaker 3>another audition as I had this really cool idea to

1:01:41.520 --> 1:01:45.240
<v Speaker 3>invite people to the movies to correct new customers. You know,

1:01:45.240 --> 1:01:49.960
<v Speaker 3>we were looking for mom and pop to come in

1:01:49.960 --> 1:01:53.040
<v Speaker 3>and talk about their financial goals and do a financial plan.

1:01:53.560 --> 1:01:58.960
<v Speaker 3>And so I invited them to the movies, your local cinema,

1:01:59.600 --> 1:02:01.880
<v Speaker 3>and before for the movie, I would do a ten

1:02:01.920 --> 1:02:06.840
<v Speaker 3>minute presentation on realizing life's streams through financial planning, and

1:02:06.840 --> 1:02:09.640
<v Speaker 3>I would film movie theaters because everybody loves the movies.

1:02:10.400 --> 1:02:12.320
<v Speaker 3>And out of that we would get a few appointments

1:02:12.880 --> 1:02:15.440
<v Speaker 3>and people would come in to meet with financial planners

1:02:15.440 --> 1:02:18.400
<v Speaker 3>and we did some good business that way. And one

1:02:18.480 --> 1:02:21.880
<v Speaker 3>night an executive from Prudential. Again I'm from New Jersey.

1:02:21.920 --> 1:02:24.280
<v Speaker 3>Prudential is one of the leading employers in New Jersey

1:02:24.280 --> 1:02:28.080
<v Speaker 3>and a powerhouse is in the audience, and she calls

1:02:28.120 --> 1:02:30.880
<v Speaker 3>me the next day says you should come work for

1:02:31.000 --> 1:02:35.880
<v Speaker 3>me in Newark, the headquarters. So I did, and Lisa

1:02:35.960 --> 1:02:38.400
<v Speaker 3>is still one of my best friends today. She was

1:02:38.640 --> 1:02:40.760
<v Speaker 3>just with my daughter in London a couple of weeks ago.

1:02:42.040 --> 1:02:45.640
<v Speaker 3>But Bob, I hated it. I hated financial services. It

1:02:45.720 --> 1:02:49.120
<v Speaker 3>was not for me. I really fell. I was a

1:02:49.120 --> 1:02:53.960
<v Speaker 3>young guy, still thirty and a daughter one on the way,

1:02:54.680 --> 1:02:55.240
<v Speaker 3>and I'm a vice.

1:02:55.240 --> 1:02:57.200
<v Speaker 2>Oh well, wait, just to take a side route here.

1:02:58.000 --> 1:03:02.560
<v Speaker 2>Where do you meet your wife in when? Yeah, so

1:03:02.960 --> 1:03:03.840
<v Speaker 2>I meet her.

1:03:04.320 --> 1:03:09.920
<v Speaker 3>We both had a summer job in college, and we

1:03:10.120 --> 1:03:12.640
<v Speaker 3>knew each other from the hallways of our summer job.

1:03:13.040 --> 1:03:19.040
<v Speaker 3>And one Friday evening on Route seventeen in Paramus, New Jersey,

1:03:19.080 --> 1:03:22.680
<v Speaker 3>there was a Compact disc World And you and many

1:03:22.720 --> 1:03:25.880
<v Speaker 3>of your listeners recognize the power of compact discs and

1:03:25.920 --> 1:03:30.200
<v Speaker 3>CDs in the late eighties early nineties, and how Friday

1:03:30.280 --> 1:03:34.120
<v Speaker 3>was payday and you made a pilgrimager. I did CD

1:03:34.240 --> 1:03:37.480
<v Speaker 3>World on Fridays to just get what I needed to get.

1:03:38.840 --> 1:03:44.080
<v Speaker 3>And so as I'm browsing through the s's Springsteen Southside,

1:03:44.600 --> 1:03:48.560
<v Speaker 3>little Steven Sinatra I am from New Jersey. She walks

1:03:48.600 --> 1:03:53.160
<v Speaker 3>in and I recognize her from our summer job, and

1:03:53.280 --> 1:03:56.919
<v Speaker 3>we talked for a few minutes. And then the next

1:03:57.000 --> 1:03:58.720
<v Speaker 3>day we saw each other in the hall. What did

1:03:58.720 --> 1:04:04.080
<v Speaker 3>you buy? Then we started trading CDs and now your

1:04:04.080 --> 1:04:09.040
<v Speaker 3>two daughters later in all these years, so music again

1:04:09.280 --> 1:04:12.800
<v Speaker 3>shows up in my life in an unexpected and surreptitious way.

1:04:20.880 --> 1:04:24.240
<v Speaker 2>Okay, since you met her and she's your age contemporary,

1:04:25.440 --> 1:04:29.080
<v Speaker 2>what was she doing career wise? And to what degree

1:04:29.800 --> 1:04:31.680
<v Speaker 2>was she advising you on your career?

1:04:33.840 --> 1:04:41.480
<v Speaker 3>So she spent thirty five years with a major accounting firm,

1:04:41.880 --> 1:04:43.960
<v Speaker 3>one of the big I don't remember. I think it

1:04:44.040 --> 1:04:46.880
<v Speaker 3>was Big eight when she started. He went to eight

1:04:47.000 --> 1:04:51.120
<v Speaker 3>to five, you know, I don't know. She was with

1:04:51.160 --> 1:04:56.040
<v Speaker 3>one of the last one standing just until recently. So

1:04:56.160 --> 1:05:01.040
<v Speaker 3>thirty five years, and the gift that she gave us

1:05:01.720 --> 1:05:08.480
<v Speaker 3>was stability. She was working from home before COVID, twenty

1:05:08.560 --> 1:05:11.360
<v Speaker 3>years before COVID, and knew how to balance all that,

1:05:11.480 --> 1:05:14.520
<v Speaker 3>do an incredible job and raise two remarkable young women,

1:05:14.960 --> 1:05:17.840
<v Speaker 3>two daughters that I mentioned earlier, And so that was

1:05:17.880 --> 1:05:21.880
<v Speaker 3>an incredible gift to us. And she was able through

1:05:22.040 --> 1:05:24.800
<v Speaker 3>you know, the firm's generosity because she did great for them.

1:05:24.880 --> 1:05:28.120
<v Speaker 3>They did great by her that we could move to

1:05:28.200 --> 1:05:30.600
<v Speaker 3>the various places that I moved. Is this career arc

1:05:30.720 --> 1:05:33.560
<v Speaker 3>that I'm walking you through or boring you with and

1:05:33.720 --> 1:05:37.920
<v Speaker 3>starts to unfold and so an incredible gift that you

1:05:37.960 --> 1:05:40.439
<v Speaker 3>know she received and that you know we were both

1:05:40.480 --> 1:05:41.120
<v Speaker 3>fortunate to have.

1:05:42.080 --> 1:05:44.120
<v Speaker 2>So she's a CPA, she is not.

1:05:44.640 --> 1:05:49.120
<v Speaker 3>She she did a lot of the training and the

1:05:49.120 --> 1:05:53.440
<v Speaker 3>things that CPAs and the firm needs to keep licensed

1:05:53.480 --> 1:05:57.000
<v Speaker 3>and keep you know, keep them honest.

1:05:57.600 --> 1:06:01.880
<v Speaker 2>Okay, so you're in financial services, you hate it? Yeah,

1:06:01.920 --> 1:06:05.000
<v Speaker 2>so what's the next step. So I'm in the headquarters.

1:06:05.040 --> 1:06:06.200
<v Speaker 2>I'm a vice president of.

1:06:06.080 --> 1:06:09.680
<v Speaker 3>Marketing for Prudential. This should be the dream of every

1:06:09.720 --> 1:06:12.560
<v Speaker 3>kid from New Jersey, right, you know the Devil's play

1:06:12.560 --> 1:06:15.800
<v Speaker 3>in the Prudential Center, And it was, you know, I

1:06:15.880 --> 1:06:19.480
<v Speaker 3>was bored of being bored because boredom is boredom. And

1:06:20.680 --> 1:06:22.960
<v Speaker 3>a friend of mine calls me and says, hey, there's

1:06:22.960 --> 1:06:26.280
<v Speaker 3>a company out of Dallas, Texas called foot Action that

1:06:26.440 --> 1:06:30.280
<v Speaker 3>is relocating to Mahwan, New Jersey, and nobody wants to go.

1:06:31.960 --> 1:06:36.080
<v Speaker 3>Nobody wants to relocate from Dallas to Mahwan, New Jersey.

1:06:37.200 --> 1:06:41.680
<v Speaker 3>So you should talk to this guy that I know great.

1:06:42.280 --> 1:06:44.160
<v Speaker 3>So I talked to this guy and it happens to

1:06:44.200 --> 1:06:49.480
<v Speaker 3>be Willie Smith. Will Smith, not the Fresh Prince, but

1:06:49.640 --> 1:06:53.560
<v Speaker 3>Will Smith, and he's the vice president of marketing for

1:06:53.840 --> 1:06:58.840
<v Speaker 3>foot Action in mahwan, New Jersey. And will takes a

1:06:58.920 --> 1:07:02.680
<v Speaker 3>chance on this financial services guy and I go backwards

1:07:02.760 --> 1:07:06.000
<v Speaker 3>in life from a VP at thirty two years old

1:07:06.320 --> 1:07:10.160
<v Speaker 3>to a director of marketing for foot Action. Foot Action

1:07:10.320 --> 1:07:14.800
<v Speaker 3>still exists, but at the time it was the leading footwear,

1:07:14.960 --> 1:07:22.560
<v Speaker 3>casual sneaker brand for young kids. And Bob within three months,

1:07:22.680 --> 1:07:25.600
<v Speaker 3>I'm going from selling mutual funds, annuities, and long term

1:07:25.640 --> 1:07:32.360
<v Speaker 3>care insurance to being on stage with Beyonce in Houston, Texas.

1:07:32.840 --> 1:07:35.680
<v Speaker 3>I have a photo to prove it. A couple of

1:07:35.720 --> 1:07:38.479
<v Speaker 3>weeks later, I'm on stage at the Apollo Theater because

1:07:38.560 --> 1:07:40.360
<v Speaker 3>we worked with Nike, because we sell a lot of

1:07:40.440 --> 1:07:43.280
<v Speaker 3>Jordan's and air Force ones, and we opened a new

1:07:43.280 --> 1:07:45.520
<v Speaker 3>store on one hundred and twenty fifth Street, and the

1:07:45.560 --> 1:07:47.760
<v Speaker 3>only way to get tickets to the Nike wake up

1:07:47.800 --> 1:07:50.280
<v Speaker 3>call at the Apollo is to buy a pair of

1:07:50.360 --> 1:07:52.880
<v Speaker 3>Nikes at our new foot Action store on one hundred

1:07:52.880 --> 1:07:56.560
<v Speaker 3>and twenty fifth Street. I am living the dream as

1:07:56.600 --> 1:08:00.840
<v Speaker 3>a music fan, as a footwear sneaker kid. You gotta

1:08:00.880 --> 1:08:02.760
<v Speaker 3>be kidding me, like this is the greatest thing ever.

1:08:04.440 --> 1:08:06.880
<v Speaker 3>And that didn't last too long because it was I

1:08:06.880 --> 1:08:10.320
<v Speaker 3>guess eighteen months. Two years later, there was a giant,

1:08:10.400 --> 1:08:15.800
<v Speaker 3>you know, town hall in the big Assembly area and

1:08:15.800 --> 1:08:21.559
<v Speaker 3>we were told something's up. And if we were your

1:08:21.560 --> 1:08:23.599
<v Speaker 3>brothers and sisters, we would tell you to get your

1:08:23.640 --> 1:08:28.559
<v Speaker 3>resume together. And so I got my resume together, and

1:08:28.600 --> 1:08:32.280
<v Speaker 3>so did Willie Smith. And Willie Smith ended up going

1:08:32.280 --> 1:08:39.080
<v Speaker 3>out to Saint Louis, Missouri. He was a Rochelle New Rochelle,

1:08:39.160 --> 1:08:42.479
<v Speaker 3>New Rock City kid and Long Island kid, and he

1:08:42.520 --> 1:08:44.400
<v Speaker 3>moved out to Saint Louis to become the VP of

1:08:44.439 --> 1:08:47.719
<v Speaker 3>Marketing for Famous Footwear, one of the leading family footwear

1:08:48.040 --> 1:08:50.720
<v Speaker 3>brands in the United States. And he calls me up.

1:08:50.760 --> 1:08:53.440
<v Speaker 3>It says, Ryles, you got to come out to Saint Louis.

1:08:52.920 --> 1:08:56.240
<v Speaker 3>I'm not moving to Saint Louis. I'm from New Jersey?

1:08:56.280 --> 1:09:01.120
<v Speaker 3>Are you kidding me? And let's put this. Willie is real,

1:09:01.680 --> 1:09:07.479
<v Speaker 3>real persuasive, and so moved to Saint Louis, Missouri, and

1:09:08.400 --> 1:09:13.479
<v Speaker 3>five years of incredible experience growth, learning a lot of

1:09:13.520 --> 1:09:17.840
<v Speaker 3>things at Famous Footwear in Saint Louis, seeing incredible leaders too,

1:09:17.960 --> 1:09:21.280
<v Speaker 3>like Diane Sullivan and others who are just showed me

1:09:21.520 --> 1:09:22.920
<v Speaker 3>how to do things that I didn't know that I

1:09:22.960 --> 1:09:26.360
<v Speaker 3>was going to have to do someday, because right now

1:09:26.360 --> 1:09:29.080
<v Speaker 3>I'm already in all my life, I've outkicked my coverage.

1:09:30.360 --> 1:09:35.320
<v Speaker 3>And now I'm in Saint Louis and incredible experience there,

1:09:35.360 --> 1:09:40.400
<v Speaker 3>incredible life moments there. And then I go pay a

1:09:40.479 --> 1:09:45.639
<v Speaker 3>visit to Crocs. Famous Footwear sells Crocs at the time,

1:09:45.680 --> 1:09:49.759
<v Speaker 3>still does, And I fly out to Colorado, where Crocs

1:09:49.840 --> 1:09:54.800
<v Speaker 3>is based just outside a boulder, and I go into

1:09:54.840 --> 1:09:58.320
<v Speaker 3>the Crocs boardroom to do my you know, spiel of

1:09:58.720 --> 1:10:00.960
<v Speaker 3>why you should be spending more money Famous Footwear to

1:10:00.960 --> 1:10:05.479
<v Speaker 3>sell more Crocs. And I do my thing in the boardroom, leave,

1:10:06.280 --> 1:10:08.400
<v Speaker 3>and two or three weeks later, I get a call

1:10:08.960 --> 1:10:13.080
<v Speaker 3>from somebody at Crocs. We'd like you to be the

1:10:13.120 --> 1:10:16.600
<v Speaker 3>guy that runs the America's marketing for Crocs, which you

1:10:16.680 --> 1:10:22.679
<v Speaker 3>moved to Colorado. I'm not from Saint Louis. Colorado seems

1:10:22.680 --> 1:10:24.599
<v Speaker 3>like a really cool place to live. My brother lives

1:10:24.600 --> 1:10:26.680
<v Speaker 3>out here, as do my parents. They moved from New

1:10:26.760 --> 1:10:30.280
<v Speaker 3>Jersey and the East Coast many years earlier, so let's

1:10:30.280 --> 1:10:32.599
<v Speaker 3>give it a whirl. And we moved to Colorado and

1:10:32.920 --> 1:10:37.120
<v Speaker 3>I'm the director of Marketing for Crocs and then the

1:10:37.240 --> 1:10:40.240
<v Speaker 3>CMO for Crocs, and thanks to an incredible team, we

1:10:40.280 --> 1:10:41.160
<v Speaker 3>turned that thing around.

1:10:41.960 --> 1:10:48.240
<v Speaker 2>Okay, Ros had a real negative reputation. Okay, people were

1:10:48.240 --> 1:10:52.760
<v Speaker 2>making jokes about them, plastic shoes, etc. Ay, why did

1:10:52.800 --> 1:10:57.719
<v Speaker 2>you take the job? B was everybody on the same page.

1:10:57.880 --> 1:11:00.559
<v Speaker 2>Something's got to change in what we were steps.

1:11:00.720 --> 1:11:04.640
<v Speaker 3>Yeah, I took the job because it was a brand

1:11:06.800 --> 1:11:16.960
<v Speaker 3>and people hated it. That smells like money. To me, Well, whoa, whoa, whoa.

1:11:17.520 --> 1:11:21.479
<v Speaker 2>People hated it. That smells like money. Explain that.

1:11:22.280 --> 1:11:24.559
<v Speaker 3>Yeah, So when I was the CMO of Crocs. When

1:11:24.560 --> 1:11:29.360
<v Speaker 3>I started, there was a meme that had a photo

1:11:29.400 --> 1:11:33.920
<v Speaker 3>of pair of Crocs and it said those holes are

1:11:34.000 --> 1:11:35.559
<v Speaker 3>where your dignity leaks out.

1:11:39.560 --> 1:11:40.120
<v Speaker 2>That's good.

1:11:40.960 --> 1:11:43.880
<v Speaker 3>That hung on my wall. I looked at it every

1:11:43.960 --> 1:11:50.360
<v Speaker 3>day as motivation. And again, nobody hated Crocs. It was

1:11:50.479 --> 1:11:52.360
<v Speaker 3>just a brand that was made fun of and there

1:11:52.400 --> 1:11:55.400
<v Speaker 3>was tension to that. And when there's that kind of tension,

1:11:55.800 --> 1:11:58.520
<v Speaker 3>you know, as Reggie Jackson said, back in the seventies,

1:11:58.800 --> 1:12:04.599
<v Speaker 3>they don't boo, nobody d and so aha, like there's

1:12:04.640 --> 1:12:08.760
<v Speaker 3>something here and we just need to make ourselves more relevant.

1:12:08.960 --> 1:12:13.360
<v Speaker 3>Crocs did not have an awareness problem. Everybody knew Crocs.

1:12:12.400 --> 1:12:16.280
<v Speaker 3>But if we can make it more relevant, that was

1:12:16.439 --> 1:12:20.120
<v Speaker 3>the opportunity. And thanks to my colleagues, we made it

1:12:20.160 --> 1:12:23.599
<v Speaker 3>more relevant and then some and helped turn Crocs into

1:12:24.240 --> 1:12:28.839
<v Speaker 3>this extraordinary story in footwear and in brands and in culture.

1:12:30.000 --> 1:12:33.400
<v Speaker 3>And again, how lucky am I? You know, it's almost

1:12:33.479 --> 1:12:36.040
<v Speaker 3>like Forrest Gump. I just bump into these things or

1:12:36.080 --> 1:12:40.479
<v Speaker 3>they find me and you change Crocs and change my

1:12:40.520 --> 1:12:42.400
<v Speaker 3>life in the biggest way.

1:12:43.120 --> 1:12:47.280
<v Speaker 2>Okay, that's the general. Be more specific. Everyone knows Crocs.

1:12:47.560 --> 1:12:51.519
<v Speaker 2>There's a negative take. What were the first steps and

1:12:51.640 --> 1:12:54.000
<v Speaker 2>when did you realize you were onto something? And then

1:12:54.000 --> 1:12:56.200
<v Speaker 2>where'd you go from there? Yeah?

1:12:56.240 --> 1:13:01.000
<v Speaker 3>The first steps was actually to We brought Drew Barrymore

1:13:01.200 --> 1:13:07.000
<v Speaker 3>on board and it was the first opportunity we had

1:13:07.080 --> 1:13:09.160
<v Speaker 3>to work with celebrity.

1:13:08.880 --> 1:13:10.639
<v Speaker 2>Whose idea was that.

1:13:11.360 --> 1:13:14.400
<v Speaker 3>It was a mutual decision. Certainly, the CEO of Crocs

1:13:15.520 --> 1:13:19.200
<v Speaker 3>and I spoke about one of the quickest ways to

1:13:19.320 --> 1:13:24.880
<v Speaker 3>cut through is celebrity partnerships. That's just the fact they

1:13:24.920 --> 1:13:28.600
<v Speaker 3>don't all work, but is the fastest way. And Drew Barrymore,

1:13:28.680 --> 1:13:32.840
<v Speaker 3>God love her brought us an instant credibility with people.

1:13:33.120 --> 1:13:35.160
<v Speaker 3>It just changed the perception of the brain. Oh that's

1:13:35.240 --> 1:13:37.440
<v Speaker 3>Drew Barrymore. Wait are crocs?

1:13:37.720 --> 1:13:37.920
<v Speaker 2>Wait?

1:13:37.960 --> 1:13:40.839
<v Speaker 3>What's this CrOx? Maybe there's something that I've been missing.

1:13:41.800 --> 1:13:45.320
<v Speaker 3>And she's just an absolutely lovely soul. And she was

1:13:45.360 --> 1:13:47.240
<v Speaker 3>the first thing to help us put a flag in

1:13:47.280 --> 1:13:50.600
<v Speaker 3>the ground. Where the other thing that happens, Bob is

1:13:51.720 --> 1:13:57.080
<v Speaker 3>you know, the the Hollywood agencies, they smell blood in

1:13:57.080 --> 1:14:01.320
<v Speaker 3>the water. CROs has some money. I wonder who else

1:14:01.360 --> 1:14:05.920
<v Speaker 3>they'd consider hiring. And that she opened the doors for

1:14:06.000 --> 1:14:10.000
<v Speaker 3>other celebrities to begin working with crocs, to also widen

1:14:10.040 --> 1:14:12.040
<v Speaker 3>our aperture of who to work with to get a

1:14:12.080 --> 1:14:15.960
<v Speaker 3>more global presence. People like John Cena we could started

1:14:15.960 --> 1:14:19.559
<v Speaker 3>wearing crocs for us. Prianka Chopra also one of the

1:14:19.600 --> 1:14:23.760
<v Speaker 3>loveliest women I've ever met in my entire life and kindest.

1:14:24.040 --> 1:14:26.960
<v Speaker 3>She bought the whole crew when we wrapped, she bought

1:14:27.000 --> 1:14:29.280
<v Speaker 3>them all champagne and toasted the crew. I mean just

1:14:30.760 --> 1:14:32.840
<v Speaker 3>and so now people around the world are starting to see,

1:14:32.840 --> 1:14:35.800
<v Speaker 3>wait that weird American brand that shoot with the holes

1:14:35.800 --> 1:14:39.719
<v Speaker 3>in it. Drew Barrymore and John Cena and Priyanka Chopra

1:14:40.200 --> 1:14:43.720
<v Speaker 3>and then some Asian superstars in Korea and China. But

1:14:43.840 --> 1:14:47.559
<v Speaker 3>Drew Barrymore helped open that aperture and widen it where

1:14:47.560 --> 1:14:49.960
<v Speaker 3>now the brand was in a little different spot and

1:14:50.040 --> 1:14:54.280
<v Speaker 3>you could start to see those green shoots and then

1:14:54.760 --> 1:14:55.759
<v Speaker 3>really the.

1:14:55.520 --> 1:15:01.280
<v Speaker 4>The the the turning point, like this is the moment

1:15:01.320 --> 1:15:05.920
<v Speaker 4>where the plot changes, you know, bang on the piano keys.

1:15:05.960 --> 1:15:11.000
<v Speaker 3>Here a young woman named Toria Roth, twenty three years old.

1:15:11.960 --> 1:15:14.320
<v Speaker 3>She walks into my office on the CMO of Crocs.

1:15:14.360 --> 1:15:17.439
<v Speaker 3>She just finished her internship with us and we hired

1:15:17.479 --> 1:15:20.760
<v Speaker 3>her on full time. She walks in my office, sheepishly

1:15:21.040 --> 1:15:24.280
<v Speaker 3>knocks on my door, you know, the CMO's door, and says, hey,

1:15:24.400 --> 1:15:27.720
<v Speaker 3>t did you see this? And she shows me a

1:15:27.760 --> 1:15:33.360
<v Speaker 3>photo of post Malone wearing Crocs and I didn't see it.

1:15:33.600 --> 1:15:36.680
<v Speaker 3>She saw it, and it didn't take more than two

1:15:36.760 --> 1:15:42.280
<v Speaker 3>seconds to know what was up. And so Kerry Macker

1:15:42.520 --> 1:15:46.719
<v Speaker 3>from Universal Music Group that represented post Malone, she gets

1:15:46.720 --> 1:15:51.920
<v Speaker 3>in touch with us and we create the first celebrity

1:15:52.120 --> 1:15:56.680
<v Speaker 3>collaboration with Crocs, the post Malones and it crashed our website.

1:15:57.080 --> 1:15:58.680
<v Speaker 3>This is one of those moments, Bob, that I can

1:15:58.760 --> 1:16:01.640
<v Speaker 3>see unfold and slow emotion. It's a big deal to

1:16:01.680 --> 1:16:04.519
<v Speaker 3>the company. We've never done something like this before. We're

1:16:04.560 --> 1:16:07.040
<v Speaker 3>about to go live at nine am in Colorado or

1:16:07.080 --> 1:16:10.479
<v Speaker 3>ten am in Colorado. We get the entire company into

1:16:10.520 --> 1:16:13.439
<v Speaker 3>the giant cafeteria assembly area. We have the big screens

1:16:13.520 --> 1:16:17.320
<v Speaker 3>up with our data points to see this first sale,

1:16:17.360 --> 1:16:22.479
<v Speaker 3>and and we go live and the system crashes. There

1:16:22.479 --> 1:16:25.880
<v Speaker 3>were so many people. We were not prepared for it.

1:16:26.840 --> 1:16:29.960
<v Speaker 3>And I'm the guy like, I'm the ringleader, the pt

1:16:30.120 --> 1:16:34.080
<v Speaker 3>barnum of it all. And it was a mortifyingly excitingly

1:16:34.120 --> 1:16:39.280
<v Speaker 3>incredible experience. I knew we just crashed crocs dot com.

1:16:39.320 --> 1:16:42.760
<v Speaker 3>Everything changes from here on out, and it did.

1:16:43.920 --> 1:16:47.439
<v Speaker 2>Okay, Just to go back a step, celebrities are not cheap.

1:16:48.439 --> 1:16:52.439
<v Speaker 2>There are some companies with huge marketing budgets. Others don't

1:16:52.439 --> 1:16:55.680
<v Speaker 2>believe in it. You know, how do you decide what

1:16:55.840 --> 1:16:59.240
<v Speaker 2>percentage of you know, revenue to dedicate to these people

1:16:59.760 --> 1:17:02.680
<v Speaker 2>in terms of return? Is there some math involved? It

1:17:02.840 --> 1:17:04.040
<v Speaker 2>purely a hunch.

1:17:05.560 --> 1:17:07.920
<v Speaker 3>For me, It's all the above. I do have an

1:17:07.960 --> 1:17:11.960
<v Speaker 3>eye and thanks to Toria Roth. She saw this, and

1:17:12.040 --> 1:17:14.559
<v Speaker 3>so post Malone at that moment was on the come up.

1:17:15.760 --> 1:17:24.280
<v Speaker 3>So there were ways to afford Post Malone then. And

1:17:24.439 --> 1:17:27.920
<v Speaker 3>the next up was Luke Combs. He hadn't hit yet,

1:17:28.520 --> 1:17:31.479
<v Speaker 3>but I saw this guy through social media and just

1:17:32.000 --> 1:17:36.640
<v Speaker 3>you know, just constant reading and you know that curiosity,

1:17:36.800 --> 1:17:39.439
<v Speaker 3>and he started to appear in different places that I'm

1:17:39.439 --> 1:17:42.679
<v Speaker 3>looking for new music, like okay, who's this Luke Combs guy?

1:17:42.680 --> 1:17:44.840
<v Speaker 3>And then you see a photo of him, like this

1:17:44.920 --> 1:17:47.160
<v Speaker 3>is a Crocs guy. So he was on the come

1:17:47.240 --> 1:17:50.080
<v Speaker 3>up also, and so but then you do some math.

1:17:50.160 --> 1:17:53.000
<v Speaker 3>You do how many Instagram followers they have, and if

1:17:53.560 --> 1:17:56.280
<v Speaker 3>ten percent of those, you know, go to our website

1:17:56.360 --> 1:17:59.200
<v Speaker 3>and five percent convert, what kind of dollars and cents

1:17:59.240 --> 1:18:02.320
<v Speaker 3>could there be here? You do those kind of rough calculations,

1:18:02.320 --> 1:18:04.880
<v Speaker 3>but it's also hunch. It's also kind of who their

1:18:04.920 --> 1:18:10.719
<v Speaker 3>audience is and their trajectory. And that's happened a lot

1:18:10.880 --> 1:18:14.280
<v Speaker 3>in my life of betting on folks and also being

1:18:14.479 --> 1:18:17.960
<v Speaker 3>a leader who listens to you know, Torrio who's twenty three,

1:18:18.280 --> 1:18:21.519
<v Speaker 3>or Pejor Rodriguez who came into my office. He grew

1:18:21.560 --> 1:18:24.479
<v Speaker 3>up in Puerto Rico and he said, at do you

1:18:24.520 --> 1:18:27.800
<v Speaker 3>know who bad Bunny is? And I didn't, but he did,

1:18:28.479 --> 1:18:30.559
<v Speaker 3>and he knew the impact that bad Bunny would have

1:18:30.600 --> 1:18:34.160
<v Speaker 3>for Crocs and he was right. And so to be

1:18:34.200 --> 1:18:36.880
<v Speaker 3>a listener and a leader who's open to good ideas

1:18:36.960 --> 1:18:41.040
<v Speaker 3>can come from anywhere has transformed brands. And if you're

1:18:41.080 --> 1:18:42.640
<v Speaker 3>just close minded, and if you think you have all

1:18:42.680 --> 1:18:45.320
<v Speaker 3>the answers, then you're probably not going to win. But

1:18:45.360 --> 1:18:46.719
<v Speaker 3>you do have to have some of the answers.

1:18:48.240 --> 1:18:53.160
<v Speaker 2>Okay, But there was the traditional Croc shoe back not

1:18:53.280 --> 1:18:55.960
<v Speaker 2>long after the Croc started, they started to put fur

1:18:56.000 --> 1:18:59.040
<v Speaker 2>on them and stuff like that. Forget that. You now

1:18:59.120 --> 1:19:03.839
<v Speaker 2>have all the celebrities involved, you start changing the product.

1:19:04.400 --> 1:19:05.400
<v Speaker 2>Show me about that.

1:19:05.760 --> 1:19:07.960
<v Speaker 3>Sure, well, with a great product team, you know. So

1:19:08.040 --> 1:19:10.800
<v Speaker 3>I was the CMO, not the chief product officer. But

1:19:10.880 --> 1:19:13.920
<v Speaker 3>now it's a similar strategy. You build the core. And

1:19:14.360 --> 1:19:18.519
<v Speaker 3>we returned under my marketing leadership, we returned to the

1:19:18.560 --> 1:19:21.559
<v Speaker 3>classic Croc. Kroc was doing lots of different stuff when

1:19:21.560 --> 1:19:23.840
<v Speaker 3>I got the gig, and we just brought it back

1:19:23.880 --> 1:19:27.200
<v Speaker 3>to basics. And there you build the core and then

1:19:27.240 --> 1:19:31.479
<v Speaker 3>you add more. And the fantastic product team started to, Yeah,

1:19:31.560 --> 1:19:34.600
<v Speaker 3>put fuzz in crocs, which is a huge seller to

1:19:34.640 --> 1:19:38.559
<v Speaker 3>this day. Add height do partnerships with Christopher Kaine or

1:19:38.560 --> 1:19:43.840
<v Speaker 3>Balenciaga to get just that different kind of style. And

1:19:43.880 --> 1:19:47.919
<v Speaker 3>then gibbets, those little things that you put in the holes,

1:19:48.479 --> 1:19:51.880
<v Speaker 3>have been an incredible success story because it allows people

1:19:51.920 --> 1:19:54.800
<v Speaker 3>to personalize their crocs, which is, you know, such a

1:19:54.880 --> 1:19:59.879
<v Speaker 3>vital part of contemporary society. And so so the combination

1:20:00.080 --> 1:20:05.439
<v Speaker 3>of new product introductions and celebrity partnerships and then it

1:20:05.479 --> 1:20:08.439
<v Speaker 3>became like the Got Milk Mustache bob where everybody wanted

1:20:08.479 --> 1:20:13.320
<v Speaker 3>to wear the milk mustache and almost any celebrity or

1:20:13.320 --> 1:20:17.000
<v Speaker 3>brand that we called who wanted to create their own crocs.

1:20:17.280 --> 1:20:22.800
<v Speaker 3>And that's something that is still an active success story today.

1:20:23.120 --> 1:20:25.720
<v Speaker 2>Ye know, from my perspective, the gibbets started with the

1:20:25.760 --> 1:20:29.799
<v Speaker 2>public and then you got involved. Is that an accurate description.

1:20:31.240 --> 1:20:36.400
<v Speaker 3>No, We started to we were photographing our shoes naked,

1:20:37.400 --> 1:20:40.240
<v Speaker 3>which makes no sense. We were selling gibbets, but we

1:20:40.240 --> 1:20:43.000
<v Speaker 3>were not photographing them and not encouraging people to do that.

1:20:43.160 --> 1:20:45.799
<v Speaker 3>So we got behind it and then our fans started

1:20:45.840 --> 1:20:47.439
<v Speaker 3>to take over, and that's when you know a hit.

1:20:47.520 --> 1:20:51.240
<v Speaker 3>You know, our fans started to label Crocs fully loaded,

1:20:51.600 --> 1:20:54.599
<v Speaker 3>you know, when you fill all twenty six holes with gibbets,

1:20:54.600 --> 1:20:58.040
<v Speaker 3>and it allows people to express themselves. And that's another

1:20:58.360 --> 1:21:01.720
<v Speaker 3>key component of Crocs's success is the ability to just

1:21:01.800 --> 1:21:05.639
<v Speaker 3>personalize something you wear and extend your own personality, whatever

1:21:05.680 --> 1:21:09.120
<v Speaker 3>that may be to the brand. And our product team

1:21:09.240 --> 1:21:12.920
<v Speaker 3>just continued to innovate and still does at Crocs. And

1:21:12.960 --> 1:21:17.200
<v Speaker 3>it changed my life where people started writing articles about me,

1:21:17.520 --> 1:21:20.599
<v Speaker 3>which again, how did this happen to this guy from

1:21:20.640 --> 1:21:25.040
<v Speaker 3>New Jersey? But it did. And then I got a

1:21:25.080 --> 1:21:31.880
<v Speaker 3>call about his bottle company called Stanley that nobody had

1:21:31.880 --> 1:21:36.639
<v Speaker 3>heard of, including myself. But you know, it's not every

1:21:36.680 --> 1:21:39.519
<v Speaker 3>day that they're calling a CMO for a president's job.

1:21:41.479 --> 1:21:45.960
<v Speaker 3>And I should go for it. I should try and

1:21:46.000 --> 1:21:48.479
<v Speaker 3>grab this breast ring this guy from you know, but

1:21:48.600 --> 1:21:50.760
<v Speaker 3>for the grace of God. You know, my father was

1:21:50.800 --> 1:21:54.360
<v Speaker 3>a typewriter repair man into an executive. But for the

1:21:54.400 --> 1:21:56.920
<v Speaker 3>grace of God, I'd be walking a beat somewhere. You know,

1:21:59.080 --> 1:22:02.280
<v Speaker 3>President me, Let's give it.

1:22:02.320 --> 1:22:06.679
<v Speaker 2>A whirl a little bit slower. You get an email

1:22:06.760 --> 1:22:09.400
<v Speaker 2>or the phone ring as they say, what and how

1:22:09.400 --> 1:22:11.240
<v Speaker 2>do you ultimately decide to take the job.

1:22:12.160 --> 1:22:14.800
<v Speaker 3>Well, it was a similar experience to CROCS. So now

1:22:14.880 --> 1:22:17.160
<v Speaker 3>I knew when I joined CROCS it did not have

1:22:17.200 --> 1:22:23.320
<v Speaker 3>an awareness problem, had a relevance opportunity. Stanley had an

1:22:23.360 --> 1:22:28.200
<v Speaker 3>awareness opportunity. It's a you know, one hundred year old brand,

1:22:28.520 --> 1:22:31.360
<v Speaker 3>just known for quality, known for this green bottle that

1:22:31.400 --> 1:22:36.040
<v Speaker 3>people love. It's been in you know, it's probably somewhere

1:22:36.080 --> 1:22:39.360
<v Speaker 3>in you know, Connecticut or you know where you grew

1:22:39.400 --> 1:22:43.679
<v Speaker 3>up in somebody's attic, somebody's garage, and most people didn't

1:22:43.680 --> 1:22:45.719
<v Speaker 3>even know it. It was like, oh, yeah, that that''s

1:22:45.760 --> 1:22:48.080
<v Speaker 3>that green bottle that my dad used to have. Well,

1:22:48.120 --> 1:22:50.280
<v Speaker 3>my mom she took it to school every day where

1:22:50.280 --> 1:22:52.320
<v Speaker 3>her soup. She was a teacher back in the sixties

1:22:52.439 --> 1:22:55.040
<v Speaker 3>or so. All right, wait a minute, this is a

1:22:55.200 --> 1:22:58.639
<v Speaker 3>there's a heritage here. How cool is that to get

1:22:58.680 --> 1:23:01.960
<v Speaker 3>the keys to that kind of thing. So if we

1:23:01.960 --> 1:23:06.960
<v Speaker 3>can make it relevant and increase the awareness, we might

1:23:06.960 --> 1:23:08.439
<v Speaker 3>be able to do something. And this might be a

1:23:08.520 --> 1:23:11.880
<v Speaker 3>really interesting president's job, which I shouldn't have no business having.

1:23:13.720 --> 1:23:14.680
<v Speaker 2>How did they find you?

1:23:16.880 --> 1:23:18.920
<v Speaker 3>I think as yeah, it was a search firm, you know,

1:23:19.000 --> 1:23:21.120
<v Speaker 3>because I started to get a little attention for the

1:23:21.160 --> 1:23:24.320
<v Speaker 3>Crux success. You know, undeserved attention. But you know, it's

1:23:24.400 --> 1:23:26.400
<v Speaker 3>like a quarterback. You get the attention, you get the blame.

1:23:27.120 --> 1:23:29.920
<v Speaker 3>And so people started to see what was happening at CROCS,

1:23:29.960 --> 1:23:33.680
<v Speaker 3>and my name was, you know, somewhat attached to it.

1:23:34.040 --> 1:23:35.920
<v Speaker 3>And so I was getting lots of calls for other

1:23:36.000 --> 1:23:40.160
<v Speaker 3>CMO jobs and all things like that, President mat you know,

1:23:41.479 --> 1:23:44.200
<v Speaker 3>so I thought I was going to be Governor Corleone,

1:23:44.520 --> 1:23:49.200
<v Speaker 3>President Corloni. Yeah, so let's go for it, and that

1:23:49.800 --> 1:23:52.360
<v Speaker 3>it turned out. I decided to do it in February

1:23:52.400 --> 1:23:53.160
<v Speaker 3>of twenty twenty.

1:23:54.720 --> 1:24:07.519
<v Speaker 5>Uh oh, okay, just to stay on this, ay, where

1:24:07.600 --> 1:24:09.320
<v Speaker 5>is Stanley located?

1:24:10.000 --> 1:24:12.599
<v Speaker 2>B how much revenue in a year?

1:24:13.560 --> 1:24:18.679
<v Speaker 3>So Stanley's based in Seattle, Washington. And when I joined,

1:24:19.200 --> 1:24:23.559
<v Speaker 3>Stanley was a seventy million dollar brand known for the

1:24:23.760 --> 1:24:27.960
<v Speaker 3>Hammertone Green bottle. That's an American classic. You know, if

1:24:28.000 --> 1:24:31.080
<v Speaker 3>you watch the Festivut episode of Seinfeld, Kramer's got it

1:24:31.120 --> 1:24:33.760
<v Speaker 3>in his pocket. If you've watched Off the Space when

1:24:33.760 --> 1:24:37.599
<v Speaker 3>they keep moving Milton and his Stapler, he's got his Stanley.

1:24:37.920 --> 1:24:41.080
<v Speaker 3>The Hammertone Green is bedrock and helped build America.

1:24:42.000 --> 1:24:45.879
<v Speaker 2>Okay, a couple other questions, FIRA, way, what other products

1:24:45.920 --> 1:24:46.760
<v Speaker 2>does Stanley have.

1:24:47.160 --> 1:24:53.080
<v Speaker 3>Yeah, lunchboxes, different drinkwear, specializing in drinkwear and lunchboxes, and

1:24:53.080 --> 1:24:56.720
<v Speaker 3>then outdoor camping gear. You know how many you know,

1:24:57.640 --> 1:25:00.280
<v Speaker 3>meals were made around the fire in the outdoor with

1:25:00.400 --> 1:25:03.519
<v Speaker 3>Stanley over the last you know, seventy five hundred years.

1:25:04.040 --> 1:25:08.280
<v Speaker 3>Is part again of American heritage and tradition. So so

1:25:08.600 --> 1:25:13.400
<v Speaker 3>I know that that exists and quality. It's known for

1:25:13.640 --> 1:25:18.080
<v Speaker 3>just quality and a real rabid core fan base is

1:25:18.120 --> 1:25:23.640
<v Speaker 3>almost the wrong word, you know, just and advocates and

1:25:24.920 --> 1:25:27.559
<v Speaker 3>just lovers of the brand. And it almost like a

1:25:27.600 --> 1:25:31.120
<v Speaker 3>family heirloom and an inheritance. My dad was a Stanley man,

1:25:31.160 --> 1:25:33.599
<v Speaker 3>my mom was a Stanley woman. That kind of thing.

1:25:34.080 --> 1:25:37.480
<v Speaker 2>Okay, so you get the job. You're living in Colorado.

1:25:37.640 --> 1:25:41.479
<v Speaker 2>The companies in Seattle, it's February of twenty twenty. Yeah,

1:25:41.520 --> 1:25:44.840
<v Speaker 2>do they say you have to move? What happens on

1:25:44.880 --> 1:25:47.080
<v Speaker 2>that level? And obviously it's the beginning of COVID.

1:25:47.280 --> 1:25:50.840
<v Speaker 3>Yeah, so was planning on moving to Seattle, had a

1:25:50.840 --> 1:25:55.120
<v Speaker 3>place downtown ready to roll. And then March or twenty

1:25:55.120 --> 1:26:00.719
<v Speaker 3>twenty hits and this is I accepted in right before

1:26:00.760 --> 1:26:04.760
<v Speaker 3>COVID and then COVID hits and I join first week

1:26:04.800 --> 1:26:09.320
<v Speaker 3>in April. And my first reaction is what did I

1:26:09.400 --> 1:26:13.720
<v Speaker 3>just do to my life? This high flying? I'm not

1:26:13.760 --> 1:26:16.160
<v Speaker 3>high flying at all, Bob, I'm a CMO that's had

1:26:16.200 --> 1:26:18.920
<v Speaker 3>some success at CROCS. What did I just do to

1:26:18.960 --> 1:26:22.120
<v Speaker 3>my life? There is no office to go to, Seattle

1:26:22.200 --> 1:26:26.920
<v Speaker 3>is closed. You got to remember, like in twenty twenty,

1:26:26.960 --> 1:26:31.240
<v Speaker 3>none of us were on teams or we're just zoom

1:26:31.479 --> 1:26:35.240
<v Speaker 3>like it was occasionally, And so what did I just

1:26:35.280 --> 1:26:40.280
<v Speaker 3>do to my career? To my life? But you know,

1:26:40.360 --> 1:26:45.000
<v Speaker 3>I made a decision. We're in it and back to listening.

1:26:45.800 --> 1:26:48.080
<v Speaker 3>So one of the things that you do when you're

1:26:48.080 --> 1:26:51.080
<v Speaker 3>a new leader I hope people do, is you listen

1:26:51.080 --> 1:26:53.719
<v Speaker 3>to your team what should we stop? Start and continue?

1:26:55.360 --> 1:27:01.479
<v Speaker 3>And on a Friday afternoon, I check in with Lauren Solomon,

1:27:01.680 --> 1:27:06.800
<v Speaker 3>who is one of Stanley's brilliant saleswomen, and I asked

1:27:06.800 --> 1:27:08.560
<v Speaker 3>that question, wh should we stop, start and continue? And

1:27:08.600 --> 1:27:13.080
<v Speaker 3>I've listened to lots of people, and Lauren says, there

1:27:13.120 --> 1:27:17.160
<v Speaker 3>are these three women in Utah that she has become

1:27:17.200 --> 1:27:22.519
<v Speaker 3>aware of that have been actually buying this forty ounce

1:27:22.600 --> 1:27:26.120
<v Speaker 3>adventure tumbler of ours and selling it on their own

1:27:27.720 --> 1:27:35.880
<v Speaker 3>and they're seeing some success. So my CROCS instincts immediately crackle. Okay,

1:27:35.920 --> 1:27:38.280
<v Speaker 3>wait what is this? Who are these? And she tells

1:27:38.280 --> 1:27:41.040
<v Speaker 3>me about these three women who call themselves the buy

1:27:41.120 --> 1:27:44.559
<v Speaker 3>Guide out in Utah and that they had taken a

1:27:44.600 --> 1:27:50.240
<v Speaker 3>liking to this quencher, and so the team immediately starts to.

1:27:50.280 --> 1:27:52.519
<v Speaker 2>Do it, just because we're going back there, firewing. How

1:27:52.520 --> 1:27:53.599
<v Speaker 2>many were they buy.

1:27:54.240 --> 1:27:58.200
<v Speaker 3>Hundreds on their own dime and they were taking the risk,

1:28:00.040 --> 1:28:04.160
<v Speaker 3>and so they were seeing success. And so they had

1:28:04.160 --> 1:28:06.439
<v Speaker 3>their own following of a few, you know, million or

1:28:06.439 --> 1:28:09.479
<v Speaker 3>so followers on the by Guide, and we're telling their

1:28:09.600 --> 1:28:12.880
<v Speaker 3>followers how much they loved this product. And so, again

1:28:12.920 --> 1:28:14.880
<v Speaker 3>back to what I had just done at CROCS, I

1:28:14.960 --> 1:28:18.120
<v Speaker 3>recognize this pattern thanks to Lauren pointing it out and

1:28:18.160 --> 1:28:20.320
<v Speaker 3>the risks that the buy Guide were taking on their

1:28:20.360 --> 1:28:23.800
<v Speaker 3>own before I showed up. But this is this is

1:28:23.840 --> 1:28:27.320
<v Speaker 3>gold dust to me. And so we make an arrangement

1:28:27.360 --> 1:28:32.719
<v Speaker 3>with the buy Guide to have them further evangelize this product,

1:28:33.720 --> 1:28:36.439
<v Speaker 3>and then with them we started to create new colors.

1:28:37.920 --> 1:28:40.679
<v Speaker 2>What does that look like? Further evangelize the product?

1:28:40.960 --> 1:28:44.639
<v Speaker 3>Oh, to get really behind and get paid for it

1:28:45.040 --> 1:28:49.320
<v Speaker 3>instead of taking the risk getting compensated for the bet

1:28:49.320 --> 1:28:51.320
<v Speaker 3>that they had already made on this little product on

1:28:51.360 --> 1:28:56.360
<v Speaker 3>their own and help us start something. And that's how

1:28:56.400 --> 1:29:00.439
<v Speaker 3>it works. That's social media in a nutshell. And so

1:29:00.479 --> 1:29:04.320
<v Speaker 3>we started to sell a few thousand and then lots

1:29:04.360 --> 1:29:09.479
<v Speaker 3>of thousands, all on Stanley nineteen thirteen dot com. And

1:29:09.560 --> 1:29:14.280
<v Speaker 3>so certainly the margins are great. They're getting they're getting

1:29:14.280 --> 1:29:17.160
<v Speaker 3>a taste, as we would say back in New Jersey,

1:29:17.840 --> 1:29:22.960
<v Speaker 3>and we got ourselves a little hit. And then we

1:29:23.040 --> 1:29:26.719
<v Speaker 3>started to introduce a new another new color or two.

1:29:26.840 --> 1:29:29.280
<v Speaker 3>And then with this, armed with this data, we could

1:29:29.280 --> 1:29:31.240
<v Speaker 3>go to some of our key accounts that were just

1:29:31.320 --> 1:29:37.080
<v Speaker 3>carrying the traditional Stanley's. So we're seeing this unlocked with

1:29:37.160 --> 1:29:41.040
<v Speaker 3>young women. You should give us two feet of shelf space,

1:29:42.640 --> 1:29:46.320
<v Speaker 3>and they did, and that two feet became six feet,

1:29:46.479 --> 1:29:49.240
<v Speaker 3>became eight feet, which became an entire corner of Dick

1:29:49.320 --> 1:29:55.120
<v Speaker 3>sporting goods and the cultural phenomenon that became the Stanley Quencher.

1:29:55.720 --> 1:29:58.200
<v Speaker 3>I was born exactly like I described it, more or less,

1:29:58.360 --> 1:30:02.800
<v Speaker 3>and new colors, new surprises, new collaborations, and what the

1:30:02.880 --> 1:30:06.720
<v Speaker 3>crux experience that I had. I know how to do

1:30:06.760 --> 1:30:08.599
<v Speaker 3>some of this stuff. I know how this should work.

1:30:09.560 --> 1:30:13.759
<v Speaker 3>And we got after collaborations that also changed the entire

1:30:15.120 --> 1:30:16.599
<v Speaker 3>you know, complexion of the brand.

1:30:17.920 --> 1:30:22.759
<v Speaker 2>Okay, a little bit more granular. You're having this reaction

1:30:23.160 --> 1:30:26.440
<v Speaker 2>from the Women in Utah. You're selling on the website.

1:30:26.720 --> 1:30:29.639
<v Speaker 2>You go to Dick's give us a chance than.

1:30:29.600 --> 1:30:32.880
<v Speaker 3>What we gave, point to lots of places to say,

1:30:32.880 --> 1:30:35.400
<v Speaker 3>give us a bigger chance. But we had the math,

1:30:36.320 --> 1:30:39.080
<v Speaker 3>you know, thanks to our team, thanks to Matt and

1:30:39.520 --> 1:30:44.680
<v Speaker 3>Helen and others. They were carefully managing these relationships to

1:30:44.800 --> 1:30:48.800
<v Speaker 3>start to grow it out. But we had the data

1:30:49.240 --> 1:30:51.720
<v Speaker 3>and so that was another part of the magic. It

1:30:51.760 --> 1:30:54.240
<v Speaker 3>was all happening on heydude dot com and now we

1:30:54.240 --> 1:30:57.519
<v Speaker 3>can share it. So it was a safer bet for

1:30:57.680 --> 1:31:00.479
<v Speaker 3>these big retailers to start to take a chance on us,

1:31:01.120 --> 1:31:03.919
<v Speaker 3>and for some of these brands, and for Stanley, for everybody.

1:31:04.200 --> 1:31:08.080
<v Speaker 3>It's been one of the biggest success stories of this century.

1:31:08.320 --> 1:31:12.040
<v Speaker 2>Uh oh, okay, you got the Women in Utah. Now

1:31:12.080 --> 1:31:15.920
<v Speaker 2>you're selling on the website. You have these accounts Dix

1:31:15.960 --> 1:31:20.959
<v Speaker 2>and other plane what is driving adoption? What is driving sales?

1:31:22.120 --> 1:31:25.800
<v Speaker 3>Well, shelf space for one, and then the use of

1:31:25.800 --> 1:31:31.120
<v Speaker 3>social media. The buy Guide in particular, starts to get

1:31:31.160 --> 1:31:34.880
<v Speaker 3>us started in the influencer and affiliate game where we

1:31:34.920 --> 1:31:37.960
<v Speaker 3>could work with other beyond the buy Guide, affiliates and

1:31:38.040 --> 1:31:42.080
<v Speaker 3>influencers to start to evangelize this product. And it also

1:31:42.120 --> 1:31:44.840
<v Speaker 3>starts the fact that it's an incredible product. I mean

1:31:44.880 --> 1:31:48.880
<v Speaker 3>it starts there. It serves so many purposes, but then

1:31:49.040 --> 1:31:51.920
<v Speaker 3>it just becomes a cultural phenomenon through our use of

1:31:52.120 --> 1:31:57.000
<v Speaker 3>social media to evangelize it. There was no TV, there

1:31:57.080 --> 1:32:03.200
<v Speaker 3>was no radio, There was hardly any traditional marketing behind

1:32:03.479 --> 1:32:07.960
<v Speaker 3>the Stanley product. It was all through influencers and affiliates

1:32:07.960 --> 1:32:12.080
<v Speaker 3>and women. And like I said earlier, women create community.

1:32:12.320 --> 1:32:19.040
<v Speaker 3>They decide what is cool, and they chose authentically the

1:32:19.240 --> 1:32:23.200
<v Speaker 3>Stanley Quencher, and off it went. And then we would

1:32:23.200 --> 1:32:31.560
<v Speaker 3>certainly fan the flames with new colors, new accessories, new partnerships.

1:32:32.280 --> 1:32:36.040
<v Speaker 3>I was on TikTok back to not turning the television

1:32:36.040 --> 1:32:41.120
<v Speaker 3>on anymore. I was scrolling through TikTok one afternoon and

1:32:42.120 --> 1:32:45.080
<v Speaker 3>video crossed my for you page of a young artist

1:32:45.200 --> 1:32:50.200
<v Speaker 3>singing to a pretty sizable audience, and the video was

1:32:50.200 --> 1:32:54.439
<v Speaker 3>taken from behind her, behind the stage. And let's just

1:32:54.439 --> 1:32:57.559
<v Speaker 3>say the video made its rounds because of this artist's

1:32:57.640 --> 1:33:03.960
<v Speaker 3>rather ample backside, And so I then saw a video

1:33:04.120 --> 1:33:09.400
<v Speaker 3>of this artist commenting on that video and she referred

1:33:09.400 --> 1:33:14.000
<v Speaker 3>to her backside as her dump truck. I was like,

1:33:14.120 --> 1:33:16.240
<v Speaker 3>who is this woman? Like, she's so first of all,

1:33:16.240 --> 1:33:19.680
<v Speaker 3>she's beautiful, second of all, she's just cool and is

1:33:19.840 --> 1:33:23.600
<v Speaker 3>own this and take ownership of this kind of misogynistic

1:33:24.680 --> 1:33:29.320
<v Speaker 3>leering video that was on TikTok And wow, who is

1:33:29.360 --> 1:33:33.880
<v Speaker 3>this woman? So I saw her name and my next

1:33:33.880 --> 1:33:37.599
<v Speaker 3>move is I go to Spotify and I find her.

1:33:37.640 --> 1:33:42.519
<v Speaker 3>On Spotify, I find her latest release. I go down

1:33:42.560 --> 1:33:45.640
<v Speaker 3>the track listing and I see one of the tracks

1:33:46.120 --> 1:33:53.720
<v Speaker 3>is called Watermelon Moonshine. And with my eyeball, bob, Watermelon

1:33:53.800 --> 1:34:01.120
<v Speaker 3>Moonshine is a Stanley Quencher color. So I write Ellen

1:34:01.600 --> 1:34:03.639
<v Speaker 3>on our team, on our product team, I said, hey,

1:34:03.640 --> 1:34:07.920
<v Speaker 3>can you please create a watermelon moonshine color Quencher. You

1:34:07.960 --> 1:34:12.120
<v Speaker 3>can't be wrong, And within two days she fires me

1:34:12.240 --> 1:34:17.240
<v Speaker 3>back a cad of a watermelon Moonshine Quencher. And I

1:34:17.280 --> 1:34:21.240
<v Speaker 3>reach out to this artist's label on LinkedIn. I connect

1:34:21.280 --> 1:34:24.960
<v Speaker 3>with Donna McQueen and I said, hey, would you be

1:34:25.040 --> 1:34:29.680
<v Speaker 3>interested in a Stanley Laney Wilson collaboration because what do

1:34:29.720 --> 1:34:32.960
<v Speaker 3>you have in mind, and I said, how about watermelon moonshine,

1:34:35.400 --> 1:34:38.920
<v Speaker 3>and off we went, sold out twice in less than

1:34:38.920 --> 1:34:45.320
<v Speaker 3>two minutes, and the unboxing videos of Laney Wilson watermelon

1:34:45.360 --> 1:34:51.840
<v Speaker 3>Moonshine quenchers were everywhere in twenty twenty two. So it's

1:34:51.840 --> 1:34:54.040
<v Speaker 3>these kind of things that just continued to ignite it.

1:34:54.479 --> 1:34:57.760
<v Speaker 3>And then lots of other artists and brand collaborations from

1:34:58.200 --> 1:35:02.680
<v Speaker 3>love Shack Fancy to Wicked, to Olivia Rodrigo to too

1:35:02.680 --> 1:35:06.639
<v Speaker 3>many to count, all similar to Crocs wanted their own

1:35:06.680 --> 1:35:11.679
<v Speaker 3>Stanley quencher. And then we were parodied on Saturday Night Live,

1:35:13.560 --> 1:35:17.080
<v Speaker 3>and then there are riots and target over the latest release,

1:35:19.560 --> 1:35:22.479
<v Speaker 3>and then it's all over the world. And then of

1:35:22.520 --> 1:35:27.320
<v Speaker 3>course there's the fire response video that I made that

1:35:28.960 --> 1:35:33.000
<v Speaker 3>people write about still every single day, which was back

1:35:33.040 --> 1:35:38.120
<v Speaker 3>to TikTok, my adoption of TikTok personally and moving fast.

1:35:39.360 --> 1:35:41.720
<v Speaker 2>Tell that story because not everybody's familiar with it.

1:35:43.000 --> 1:35:48.559
<v Speaker 3>So one Wednesday afternoon, I forwarded by somebody on our

1:35:48.600 --> 1:35:52.479
<v Speaker 3>team a TikTok video of a woman who's car caught

1:35:52.520 --> 1:35:58.400
<v Speaker 3>on fire, and she shows the camera her car's caught

1:35:58.439 --> 1:36:01.880
<v Speaker 3>on fire, and in the couple is her Stanley and

1:36:01.920 --> 1:36:04.360
<v Speaker 3>she pulls it out of the cup holder and shakes

1:36:04.400 --> 1:36:08.160
<v Speaker 3>it and it still has ice in it after a

1:36:08.200 --> 1:36:12.040
<v Speaker 3>car fire. So somebody sent that video to me on

1:36:12.040 --> 1:36:16.680
<v Speaker 3>a Wednesday, and Wednesday night I wrote the team and

1:36:16.680 --> 1:36:20.240
<v Speaker 3>said I'm going to buy her a car. I we

1:36:22.240 --> 1:36:24.720
<v Speaker 3>and the next morning, Thursday morning, I roll into the

1:36:24.760 --> 1:36:27.960
<v Speaker 3>office in Seattle, and I asked Chloe, one of our

1:36:28.000 --> 1:36:31.200
<v Speaker 3>young marketing associates, to get the phone that has our

1:36:31.240 --> 1:36:34.160
<v Speaker 3>TikTok account on it. You know, we have a Stanley

1:36:34.160 --> 1:36:38.000
<v Speaker 3>phone at the time. It's not my phone. Said bring

1:36:38.000 --> 1:36:41.799
<v Speaker 3>it into the boardroom with me and merchandise some products

1:36:41.800 --> 1:36:44.240
<v Speaker 3>behind me. And I said, hold the phone up like

1:36:44.280 --> 1:36:47.960
<v Speaker 3>it's a selfie. And I said what I said live,

1:36:48.280 --> 1:36:52.240
<v Speaker 3>no scripts, no briefings, no nonsense. It was just what

1:36:52.400 --> 1:36:54.760
<v Speaker 3>I think anybody would have done if they happened to

1:36:54.800 --> 1:36:58.679
<v Speaker 3>be the president of the brand. That this woman has

1:36:58.720 --> 1:37:02.960
<v Speaker 3>featured our product in the most heroic way a car

1:37:03.000 --> 1:37:07.320
<v Speaker 3>fire and there's still ice in the Stanley. And I respond,

1:37:07.360 --> 1:37:10.720
<v Speaker 3>I don't remember exactly what I said anymore, but Danielle,

1:37:10.720 --> 1:37:14.599
<v Speaker 3>I hope you're safe. Thanks for showing the product in

1:37:14.640 --> 1:37:18.519
<v Speaker 3>such a wonderful manner. People keep writing that we should

1:37:18.520 --> 1:37:21.519
<v Speaker 3>buy you some new Stanley's. Well, we're certainly going to

1:37:21.560 --> 1:37:24.479
<v Speaker 3>buy you some new Stanleys, but we also want to

1:37:24.479 --> 1:37:30.040
<v Speaker 3>replace your vehicle. And I had to Chloe press send.

1:37:31.240 --> 1:37:35.040
<v Speaker 3>She said, are you sure? Said yes, and she pressed send,

1:37:35.200 --> 1:37:37.639
<v Speaker 3>and then it was like a movie. I went back

1:37:37.680 --> 1:37:40.839
<v Speaker 3>around my day. But then people started texting me Tea,

1:37:41.040 --> 1:37:43.960
<v Speaker 3>you know, you're blowing up on TikTok. No, my daughter, Dad,

1:37:44.479 --> 1:37:47.800
<v Speaker 3>you know, like you're blowing up on TikTok and Bob.

1:37:47.840 --> 1:37:51.840
<v Speaker 3>One hundred million views later, people know that video. They've

1:37:51.840 --> 1:37:54.000
<v Speaker 3>seen it too many times to count in too many languages,

1:37:54.080 --> 1:37:58.559
<v Speaker 3>languages I don't even recognize. Well stopped in airports from people,

1:38:00.600 --> 1:38:04.880
<v Speaker 3>and it solidified the quality of the product. That's what

1:38:04.920 --> 1:38:08.840
<v Speaker 3>it was about, and taking care of a consumer who

1:38:08.920 --> 1:38:10.880
<v Speaker 3>we care about. And she was a fan of ours,

1:38:10.880 --> 1:38:13.920
<v Speaker 3>and I like to think anybody would have done that.

1:38:13.960 --> 1:38:16.400
<v Speaker 3>I just did it the next day, and I just

1:38:16.479 --> 1:38:18.960
<v Speaker 3>did it. I didn't script it. I just said it.

1:38:19.160 --> 1:38:21.000
<v Speaker 3>And maybe that's why I connected, which is what I

1:38:21.000 --> 1:38:24.960
<v Speaker 3>said earlier. It's authentic, genuine and fast and off it went,

1:38:25.040 --> 1:38:27.160
<v Speaker 3>and it helped change the complexion of a brand that

1:38:27.200 --> 1:38:27.880
<v Speaker 3>was already winning.

1:38:29.680 --> 1:38:33.360
<v Speaker 2>Okay, how did you get her the money, how did

1:38:33.439 --> 1:38:35.559
<v Speaker 2>she buy the car and what car did she get?

1:38:36.680 --> 1:38:38.559
<v Speaker 3>So we got in touch with her obviously through TikTok,

1:38:38.560 --> 1:38:40.920
<v Speaker 3>because she'd seen the response, of course and was blown

1:38:40.960 --> 1:38:43.920
<v Speaker 3>away by the response. And we just got in touch

1:38:43.960 --> 1:38:46.679
<v Speaker 3>with her and we asked her what car she wanted

1:38:47.120 --> 1:38:49.120
<v Speaker 3>and she told us, I can't remember what. We got

1:38:49.160 --> 1:38:55.519
<v Speaker 3>her a Mazda, a Mazda something, and we contacted the

1:38:55.560 --> 1:38:58.840
<v Speaker 3>local dealer where she lived in the Washington, d C.

1:39:00.080 --> 1:39:03.880
<v Speaker 3>Maryland area, and we told the dealership we want to

1:39:03.880 --> 1:39:06.080
<v Speaker 3>buy it. Let's take care of it all and put

1:39:06.080 --> 1:39:08.599
<v Speaker 3>the big red ribbon on it and bring it to her.

1:39:09.800 --> 1:39:13.400
<v Speaker 3>And we did that within four to six weeks of

1:39:13.439 --> 1:39:18.559
<v Speaker 3>that first video and delivered on our promise, my promise,

1:39:19.439 --> 1:39:22.840
<v Speaker 3>and really, you know, solidify the quality of the brand

1:39:22.840 --> 1:39:25.360
<v Speaker 3>where that video is still shown every single day. I

1:39:25.400 --> 1:39:28.200
<v Speaker 3>had a funny story. One of my best friend Sons

1:39:28.280 --> 1:39:32.600
<v Speaker 3>is a sophomore at Elon in North Carolina, and he

1:39:32.720 --> 1:39:36.519
<v Speaker 3>texted me a photo of me on his classroom screen

1:39:36.880 --> 1:39:42.080
<v Speaker 3>that were talking about marketing, you know moments, and like,

1:39:42.120 --> 1:39:44.280
<v Speaker 3>you know, Terrence, they're talking about you in my class

1:39:44.400 --> 1:39:49.080
<v Speaker 3>So that's cool. So it's just it's continually talked about

1:39:49.200 --> 1:39:52.320
<v Speaker 3>is like a smart marketing move, and it was just

1:39:52.360 --> 1:39:55.080
<v Speaker 3>a real thing. It wasn't of course, it was marketing.

1:39:55.120 --> 1:39:57.360
<v Speaker 3>I'm not stupid. People aren't stupid. But it was just

1:39:57.400 --> 1:40:01.280
<v Speaker 3>a real reaction to something. And you see opportunity for

1:40:01.400 --> 1:40:04.680
<v Speaker 3>your brand when it's reinforcing your quality and taking care

1:40:04.720 --> 1:40:05.439
<v Speaker 3>of a customer.

1:40:06.840 --> 1:40:11.840
<v Speaker 2>Okay, so the change in sales dollar wise for the

1:40:11.840 --> 1:40:12.639
<v Speaker 2>Stanley Cup.

1:40:14.080 --> 1:40:16.280
<v Speaker 3>Yeah, So, as I said earlier, when I joined in

1:40:16.320 --> 1:40:21.320
<v Speaker 3>twenty twenty, Stanley was a seventy million dollar business and

1:40:21.360 --> 1:40:23.840
<v Speaker 3>as you know, we reported at the end of twenty

1:40:23.880 --> 1:40:27.519
<v Speaker 3>twenty four we were seven hundred and fifty million, so

1:40:27.920 --> 1:40:30.519
<v Speaker 3>you know, ten x in four years, and I'm sure

1:40:31.920 --> 1:40:35.960
<v Speaker 3>those numbers continued in twenty twenty five, so seventy to

1:40:36.000 --> 1:40:40.200
<v Speaker 3>seven hundred and fifty million in four years. But beyond

1:40:40.200 --> 1:40:43.680
<v Speaker 3>the dollars, it's the you know what, people don't even

1:40:43.760 --> 1:40:46.559
<v Speaker 3>know how many times throughout my tenure there and even

1:40:46.560 --> 1:40:50.120
<v Speaker 3>to this day, people just refer to it as a Stanley,

1:40:51.600 --> 1:40:55.000
<v Speaker 3>like do you know, like the how amazing that is

1:40:55.720 --> 1:40:58.160
<v Speaker 3>that people refer to it as like Q tip or

1:40:58.240 --> 1:41:03.360
<v Speaker 3>Kleenex or z it's the Stanley Like that is the

1:41:04.320 --> 1:41:06.720
<v Speaker 3>that's the case study and all the things that we

1:41:06.760 --> 1:41:08.760
<v Speaker 3>did as a team to do that. Why know me,

1:41:08.840 --> 1:41:11.280
<v Speaker 3>It wasn't me, It was all of us at Stanley.

1:41:11.720 --> 1:41:14.200
<v Speaker 3>I made some big decisions, hired some great people that

1:41:14.439 --> 1:41:18.960
<v Speaker 3>ran with things and made it better. But the fact

1:41:19.000 --> 1:41:21.880
<v Speaker 3>that it's just known around the world and it's known

1:41:21.960 --> 1:41:27.360
<v Speaker 3>in silhouette as a Stanley that is an incredible thing

1:41:27.800 --> 1:41:30.280
<v Speaker 3>to have been a part of. And what I shake

1:41:30.320 --> 1:41:33.400
<v Speaker 3>my head in disbelief no matter where I go, Bob.

1:41:33.439 --> 1:41:36.880
<v Speaker 3>Like I was at a college campus giving a little

1:41:36.880 --> 1:41:41.320
<v Speaker 3>presentation a couple of months ago, and walking around the

1:41:41.320 --> 1:41:45.920
<v Speaker 3>campus before my presentation, I saw nine Stanley's, six pair

1:41:45.960 --> 1:41:50.280
<v Speaker 3>of crocs and four hey dudes, And I started my

1:41:50.320 --> 1:41:55.080
<v Speaker 3>presentation saying, what's nine plus six plus four? And all

1:41:55.080 --> 1:41:58.240
<v Speaker 3>these eager college students raised their hand to yell out

1:41:58.320 --> 1:42:05.200
<v Speaker 3>nineteen like really really, like now that's my career history

1:42:05.240 --> 1:42:08.960
<v Speaker 3>on your campus right this morning I saw nine Crocs,

1:42:09.000 --> 1:42:12.040
<v Speaker 3>six stand or whatever, and and do you want to

1:42:12.040 --> 1:42:14.120
<v Speaker 3>know how it happened? And that kind of story.

1:42:14.360 --> 1:42:17.639
<v Speaker 2>So, so how about the other Stanley products?

1:42:18.760 --> 1:42:21.320
<v Speaker 3>Yeah, well, the rising tide lifts all boats, right, so

1:42:22.000 --> 1:42:25.040
<v Speaker 3>you know, Stanley became some of the fun stuff was

1:42:25.080 --> 1:42:30.639
<v Speaker 3>seeing dads who have their green Stanley convincing their daughters

1:42:30.680 --> 1:42:33.120
<v Speaker 3>on TikTok that these daughters like, Dad, I need to Stanley.

1:42:33.160 --> 1:42:36.560
<v Speaker 3>This is new, this new company is new, and it's like, sweetie,

1:42:36.920 --> 1:42:39.960
<v Speaker 3>like I've had this Stanley for forty years, or this

1:42:40.080 --> 1:42:43.200
<v Speaker 3>was your grandfather's Wait no it wasn't, dad like those

1:42:43.280 --> 1:42:46.040
<v Speaker 3>kind of fun things to enhance the brand, and then

1:42:46.080 --> 1:42:49.679
<v Speaker 3>new product introductions back to build the core and add more.

1:42:49.920 --> 1:42:51.839
<v Speaker 3>In this case, we did it a little bit differently.

1:42:51.880 --> 1:42:55.519
<v Speaker 3>We started from the outer and worked in to increase

1:42:55.600 --> 1:43:00.920
<v Speaker 3>all the different categories that Stanley had and it's incredible

1:43:00.960 --> 1:43:04.120
<v Speaker 3>success story beyond just the Quencher, but the Quencher is

1:43:04.160 --> 1:43:09.400
<v Speaker 3>a global phenomenon that is a real incredible thing that

1:43:09.400 --> 1:43:09.960
<v Speaker 3>the team did.

1:43:10.880 --> 1:43:13.479
<v Speaker 2>Okay, you're no longer there, although you're there for a while.

1:43:14.360 --> 1:43:17.479
<v Speaker 2>How do you prevent it from being a fad?

1:43:19.680 --> 1:43:25.360
<v Speaker 3>By introducing newness, by continuing to surprise and delight with

1:43:25.479 --> 1:43:32.280
<v Speaker 3>new collaborations with new colors, materials, finishes, accessories, all of

1:43:32.320 --> 1:43:35.439
<v Speaker 3>those ways, and then great merchandising too, you know, and

1:43:35.479 --> 1:43:40.320
<v Speaker 3>with you know, great partners who are giving you shelf space.

1:43:40.439 --> 1:43:47.120
<v Speaker 3>For two to really give authenticity and you know, so

1:43:47.160 --> 1:43:51.280
<v Speaker 3>many brands, so many consumers look for their retailers to

1:43:51.360 --> 1:43:56.000
<v Speaker 3>give them the to be the editor right of this

1:43:56.080 --> 1:43:58.360
<v Speaker 3>is what's cool, this is what they should have. And

1:43:58.360 --> 1:44:01.200
<v Speaker 3>when you've got that incredible shelf space, you want to

1:44:01.240 --> 1:44:06.320
<v Speaker 3>continue to innovate around it and build scarcity. That was

1:44:06.360 --> 1:44:09.080
<v Speaker 3>the other thing that we did really really well at

1:44:09.200 --> 1:44:11.880
<v Speaker 3>Stanley and Crocs. What I learned at Crocs. You know,

1:44:11.920 --> 1:44:14.160
<v Speaker 3>the reason why the post malone sold out in a

1:44:14.200 --> 1:44:16.920
<v Speaker 3>second is because there weren't a lot of them. And

1:44:17.040 --> 1:44:21.439
<v Speaker 3>people want what they cannot have. And so the more

1:44:21.479 --> 1:44:24.599
<v Speaker 3>you do that, you don't want to frustrate that could

1:44:24.600 --> 1:44:28.840
<v Speaker 3>happen to but you want to people want what they

1:44:28.880 --> 1:44:31.400
<v Speaker 3>cannot have, and so when you balance that really well,

1:44:31.720 --> 1:44:35.200
<v Speaker 3>it extends things. But also it has to be a

1:44:35.240 --> 1:44:40.200
<v Speaker 3>great product. Crocs are a great product. Stanley is a

1:44:40.200 --> 1:44:45.400
<v Speaker 3>great product. Hey dude, it's a great product. So fads

1:44:45.439 --> 1:44:48.719
<v Speaker 3>come and go. Great products stand the test of time.

1:44:56.640 --> 1:44:59.920
<v Speaker 2>Okay, So you have this great success with a quench

1:45:01.479 --> 1:45:05.400
<v Speaker 2>and you are aware of scarcity works for you, how

1:45:05.439 --> 1:45:08.280
<v Speaker 2>do you decide how many to make and where to

1:45:08.320 --> 1:45:10.320
<v Speaker 2>put them?

1:45:10.400 --> 1:45:13.520
<v Speaker 3>A little bit of feel, a little bit of Instagram followers,

1:45:14.000 --> 1:45:21.120
<v Speaker 3>a little bit of sign ups for to be notified

1:45:21.160 --> 1:45:23.680
<v Speaker 3>of the next launch of things. So all of that

1:45:23.720 --> 1:45:26.960
<v Speaker 3>goes into the calculus of how many you want to create.

1:45:28.080 --> 1:45:29.880
<v Speaker 3>And again, if we're working with artists, we do a

1:45:29.880 --> 1:45:34.200
<v Speaker 3>little bit of Instagram follower math, but we we want

1:45:34.200 --> 1:45:37.439
<v Speaker 3>to typically you know, sell out, you know, that's what

1:45:37.600 --> 1:45:42.160
<v Speaker 3>keeps the fire going. We want to put a cap

1:45:42.200 --> 1:45:45.479
<v Speaker 3>on it, and we always did, certainly while I was there.

1:45:46.960 --> 1:45:50.960
<v Speaker 2>What's the best way to introduce splash make people aware

1:45:51.320 --> 1:45:55.000
<v Speaker 2>that there's one of these new limited products social media.

1:45:55.280 --> 1:45:57.679
<v Speaker 3>Certainly, if it's an artist, they're going to tell their fans,

1:45:58.200 --> 1:46:01.679
<v Speaker 3>you know, Landy Wilson, Hey, y'all, well, my new watermelon

1:46:01.720 --> 1:46:06.160
<v Speaker 3>moonshine is dropping and her fans devour that, as do

1:46:06.280 --> 1:46:10.200
<v Speaker 3>the artists and brand choices that the brands choose to

1:46:10.240 --> 1:46:16.760
<v Speaker 3>work with. So it's certainly social Obviously, email notification and

1:46:17.080 --> 1:46:20.800
<v Speaker 3>you know, sending an announcement or an invitation to our

1:46:22.680 --> 1:46:26.840
<v Speaker 3>guest lists of who is following the brand. And then

1:46:26.920 --> 1:46:30.960
<v Speaker 3>obviously in store, some of our target launches caused complete

1:46:30.960 --> 1:46:36.680
<v Speaker 3>and total chaos and target stores where certainly towards the

1:46:36.760 --> 1:46:39.200
<v Speaker 3>end of my tenure, maybe still today, I don't know,

1:46:39.560 --> 1:46:43.320
<v Speaker 3>you know, there was a two limit, you know, two

1:46:43.400 --> 1:46:46.439
<v Speaker 3>quencher limit that you could purchase, so that caused an

1:46:46.439 --> 1:46:50.639
<v Speaker 3>additional frenzy and in some cases some really terrible behavior

1:46:50.680 --> 1:46:54.400
<v Speaker 3>from customers. And with the iPhone, you know, those things

1:46:54.479 --> 1:46:57.040
<v Speaker 3>get on video and those are all over the news,

1:46:58.640 --> 1:47:01.280
<v Speaker 3>and that doesn't really hurt a brand. It shows the frenzy,

1:47:01.320 --> 1:47:02.960
<v Speaker 3>but it's not something that you're after. You don't want

1:47:02.960 --> 1:47:04.920
<v Speaker 3>anybody get hurt and you're not looking for that. It's

1:47:05.000 --> 1:47:07.160
<v Speaker 3>just the Sometimes it brings out the worst in people.

1:47:08.280 --> 1:47:11.240
<v Speaker 2>So you have all the success at Crocs in Stanley,

1:47:11.720 --> 1:47:16.080
<v Speaker 2>to what degree did these companies do corporate publicity?

1:47:18.760 --> 1:47:23.479
<v Speaker 3>Very little, very little? You know, Crocs then and now

1:47:23.600 --> 1:47:27.360
<v Speaker 3>is a very humble brand, despite an incredible track record

1:47:27.400 --> 1:47:30.720
<v Speaker 3>from you know, decades long track record of success and

1:47:30.800 --> 1:47:35.080
<v Speaker 3>global success. Hey dude, we I'm sorry Stanley.

1:47:35.120 --> 1:47:36.640
<v Speaker 2>We did one.

1:47:38.400 --> 1:47:41.840
<v Speaker 3>CNBC piece where they came out to interview me and

1:47:41.880 --> 1:47:46.840
<v Speaker 3>some colleagues in Seattle, and but not too much you

1:47:46.880 --> 1:47:49.000
<v Speaker 3>know press, you know, a couple of articles from the

1:47:49.000 --> 1:47:52.360
<v Speaker 3>President to talk about the brand, but it was by

1:47:52.439 --> 1:47:58.840
<v Speaker 3>and large consumer consumer press, entertainment press, culture press that

1:47:59.000 --> 1:48:00.960
<v Speaker 3>helped continue to fan the flames.

1:48:00.720 --> 1:48:02.680
<v Speaker 2>Okay, did you have a PR person or was it

1:48:02.680 --> 1:48:03.400
<v Speaker 2>all organic?

1:48:03.760 --> 1:48:07.320
<v Speaker 3>All the above, all the above, terrific PR person who

1:48:07.360 --> 1:48:10.720
<v Speaker 3>managed those things, and then some of the PR was

1:48:10.840 --> 1:48:14.559
<v Speaker 3>just organic, you know. And the car fire spawned lots

1:48:14.560 --> 1:48:18.479
<v Speaker 3>of articles, and the frenzy caused lots of articles, and

1:48:18.560 --> 1:48:21.599
<v Speaker 3>not all of them were good. There was one article

1:48:21.600 --> 1:48:26.000
<v Speaker 3>I remember reading that, you know, some of the frenzy

1:48:26.040 --> 1:48:28.639
<v Speaker 3>that was occurring was you know, it's not the best

1:48:28.680 --> 1:48:33.080
<v Speaker 3>of human behavior, and people were blaming me for it

1:48:33.200 --> 1:48:36.800
<v Speaker 3>by name like, well, you're all fast something like I'm

1:48:36.840 --> 1:48:39.760
<v Speaker 3>paraphrasing it. But while we're all quick to blame all

1:48:39.760 --> 1:48:43.960
<v Speaker 3>the women who are beating each other up and pulling

1:48:44.000 --> 1:48:47.240
<v Speaker 3>hair at Target, shouldn't we really be blaming Terrence Riley?

1:48:48.040 --> 1:48:51.360
<v Speaker 3>Like you know, these kind of things start to, you know,

1:48:51.439 --> 1:48:55.400
<v Speaker 3>creep into your life.

1:48:54.000 --> 1:48:57.560
<v Speaker 2>Okay, just to stay there. Yeah, did you respond?

1:48:57.840 --> 1:48:59.160
<v Speaker 3>Never? No? No, no, no, no.

1:49:00.800 --> 1:49:02.760
<v Speaker 2>I mean I know that from my own life. You

1:49:02.880 --> 1:49:06.240
<v Speaker 2>never respond. That's their goal. But did you know that

1:49:06.479 --> 1:49:09.920
<v Speaker 2>because your knowledge of social media that you don't respond.

1:49:09.800 --> 1:49:16.280
<v Speaker 3>No, just instinct or you know, you know, what's have

1:49:16.320 --> 1:49:20.080
<v Speaker 3>you ever seen a movie Chef with Jon Favreau and uh,

1:49:20.200 --> 1:49:23.160
<v Speaker 3>what's his name? The reporter at theater goes, I buy

1:49:23.240 --> 1:49:27.439
<v Speaker 3>ink by the barrel, buddy, Like, you're not gonna you know,

1:49:27.680 --> 1:49:30.760
<v Speaker 3>you're not gonna win that. In fact, the car fire video,

1:49:31.320 --> 1:49:34.760
<v Speaker 3>you know that the PR folks and the PR agencies

1:49:34.800 --> 1:49:37.080
<v Speaker 3>and all the PR pundits were saying, like, you got

1:49:37.080 --> 1:49:39.000
<v Speaker 3>to make a big deal out of giving her the car.

1:49:40.320 --> 1:49:42.439
<v Speaker 3>And you know, we were invited on the Today Show

1:49:42.560 --> 1:49:46.439
<v Speaker 3>or Good Morning America one of those things, and listen like,

1:49:47.840 --> 1:49:51.760
<v Speaker 3>I'm of the same ego as any of us, Like, hey,

1:49:51.800 --> 1:49:54.040
<v Speaker 3>to go on the Today Show as a marketer or

1:49:54.080 --> 1:49:58.759
<v Speaker 3>Good Morning or whatever. It was, yeah, like that's of course,

1:49:59.040 --> 1:50:02.800
<v Speaker 3>that's it's not that you're suppose to do that, but it

1:50:02.920 --> 1:50:05.360
<v Speaker 3>kind of would have ruined it. Like my response was

1:50:05.439 --> 1:50:08.120
<v Speaker 3>just real, it was just me. I happened to be

1:50:08.160 --> 1:50:11.960
<v Speaker 3>the president. But it wasn't some focus group, let's talk

1:50:12.000 --> 1:50:13.320
<v Speaker 3>to a bunch of people and get a lot of

1:50:13.360 --> 1:50:15.559
<v Speaker 3>points of view. It was just me. The next morning,

1:50:15.800 --> 1:50:19.200
<v Speaker 3>most people didn't even know I did it. And so

1:50:19.720 --> 1:50:21.759
<v Speaker 3>then hey, let's give her the car on the Today

1:50:21.840 --> 1:50:25.720
<v Speaker 3>Show and do that whole thing. And I wanted to,

1:50:26.200 --> 1:50:29.000
<v Speaker 3>but it was my mother. I told her, I said, hey,

1:50:29.040 --> 1:50:32.000
<v Speaker 3>we're going on Today Show and my mom said, don't

1:50:32.000 --> 1:50:35.439
<v Speaker 3>do that. I said, why your son? You know, I

1:50:35.439 --> 1:50:37.080
<v Speaker 3>want to make you proud. Mom, your son's on the

1:50:37.080 --> 1:50:41.599
<v Speaker 3>Today Show. She goes, don't do it, and she was right.

1:50:42.840 --> 1:50:44.720
<v Speaker 2>Well, she said don't do it. Why did she say

1:50:44.760 --> 1:50:45.280
<v Speaker 2>not to do it?

1:50:45.320 --> 1:50:49.799
<v Speaker 3>Because she knew it would it would ruin it because

1:50:49.840 --> 1:50:52.720
<v Speaker 3>it was real and it was real, and so if

1:50:52.720 --> 1:50:55.080
<v Speaker 3>we started to put a shine on it and started

1:50:55.120 --> 1:50:58.880
<v Speaker 3>to catch our own bouquets, it just wouldn't It wouldn't

1:50:58.880 --> 1:51:01.080
<v Speaker 3>have been right, you know. And so she grew up

1:51:01.120 --> 1:51:04.160
<v Speaker 3>in the Bronx. She's as real as it gets. She

1:51:04.400 --> 1:51:06.320
<v Speaker 3>was right. So always listen to your mother.

1:51:07.840 --> 1:51:15.599
<v Speaker 2>Okay, you had this incredible success. Were you compensated accordingly? Sure?

1:51:15.960 --> 1:51:16.360
<v Speaker 5>Yeah?

1:51:16.520 --> 1:51:21.280
<v Speaker 2>Yeah? Did all right? Okay, so then maybe you say,

1:51:21.320 --> 1:51:24.679
<v Speaker 2>instead of getting a new job, I'm not gonna work again.

1:51:27.000 --> 1:51:31.120
<v Speaker 3>My parents are from the Bronx. My father fixed typewriters

1:51:31.280 --> 1:51:37.240
<v Speaker 3>in a suit in the sixties seventies. That's not what

1:51:37.280 --> 1:51:43.040
<v Speaker 3>you do. So it's not about the money. I made

1:51:43.080 --> 1:51:45.080
<v Speaker 3>more money than I'd ever thought i'd make in my life.

1:51:45.200 --> 1:51:48.479
<v Speaker 3>Like I did, I did well, you know, I think

1:51:48.520 --> 1:51:51.040
<v Speaker 3>my guidance counselor in high school told my parents I'd

1:51:51.040 --> 1:51:56.800
<v Speaker 3>been underachiever. It's not about that. It's never been about that.

1:51:58.280 --> 1:52:00.320
<v Speaker 3>I can't believe I'm in the spot, Bob. I can't

1:52:00.320 --> 1:52:02.080
<v Speaker 3>believe I'm talking to you. I'm actually wondering what the

1:52:02.080 --> 1:52:03.680
<v Speaker 3>hell makes me interesting that you'd have me on your

1:52:03.680 --> 1:52:08.160
<v Speaker 3>podcast when I see your guest list. But I've somehow,

1:52:08.320 --> 1:52:11.040
<v Speaker 3>with your great teams, connected with culture more than once.

1:52:11.280 --> 1:52:13.560
<v Speaker 3>You know, you walk down the street, you're going to

1:52:13.600 --> 1:52:16.920
<v Speaker 3>see people wearing crocs, carrying Stanley's and wearing hay Dudes.

1:52:17.360 --> 1:52:19.960
<v Speaker 3>And I had a little something to do with all

1:52:20.000 --> 1:52:26.479
<v Speaker 3>of that, and so that's a pretty cool thing. So now, hey, dude,

1:52:27.200 --> 1:52:30.080
<v Speaker 3>is this eight hundred million dollar company that most people

1:52:30.120 --> 1:52:33.920
<v Speaker 3>don't know about, Like, we could make hay Do the

1:52:33.960 --> 1:52:36.679
<v Speaker 3>leading casual footwear brand in the world. Why not us?

1:52:37.600 --> 1:52:41.200
<v Speaker 3>That's worth a shot, and I'm taking it. And I

1:52:41.200 --> 1:52:44.240
<v Speaker 3>could have stayed selling a lot of Quenchers. Okay, you

1:52:44.439 --> 1:52:48.160
<v Speaker 3>just expressed a level of confidence in yourself, and you

1:52:48.240 --> 1:52:52.600
<v Speaker 3>talked about not having confidence in the high school. What

1:52:52.800 --> 1:52:56.400
<v Speaker 3>triggered the confidence? No, I don't think I have any confidence.

1:52:56.479 --> 1:52:59.479
<v Speaker 3>I'm just confident that with a great team we could

1:52:59.560 --> 1:53:01.839
<v Speaker 3>turn hate dude into one of the leading casual footwear

1:53:01.840 --> 1:53:05.720
<v Speaker 3>brands in the world because it's open space. Who is

1:53:05.760 --> 1:53:08.120
<v Speaker 3>the leading casual footwear brand in the world. If I

1:53:08.160 --> 1:53:11.160
<v Speaker 3>ask ten people, I get ten different answers, all great companies,

1:53:11.960 --> 1:53:16.040
<v Speaker 3>and so why not, hay dude, because we're a great

1:53:16.080 --> 1:53:19.840
<v Speaker 3>little product. And so that's the thrill of it. It's

1:53:19.880 --> 1:53:23.920
<v Speaker 3>back to what's around the corner, that insatiable curiosity and

1:53:23.960 --> 1:53:28.040
<v Speaker 3>the unmistakable sense of what's possible. This might be possible,

1:53:28.560 --> 1:53:31.000
<v Speaker 3>and so I should try it.

1:53:31.200 --> 1:53:34.440
<v Speaker 2>Okay, but let's let's go back. How did you decide

1:53:34.479 --> 1:53:39.839
<v Speaker 2>to leave Stanley in addition not having the president's titlely

1:53:39.960 --> 1:53:40.599
<v Speaker 2>your new role?

1:53:43.520 --> 1:53:46.639
<v Speaker 3>Well, I am the president of Hey dude, Oh you are?

1:53:46.720 --> 1:53:49.639
<v Speaker 3>I am? Yes, so ali of miss No, that's okay.

1:53:49.720 --> 1:53:53.280
<v Speaker 3>So CROCS has a brilliant CEO for many many years.

1:53:54.280 --> 1:53:56.400
<v Speaker 3>He was the one that gave me the CMO job

1:53:56.640 --> 1:54:00.000
<v Speaker 3>at CrOx and he's still there. Anderye is an absolute

1:54:00.280 --> 1:54:06.360
<v Speaker 3>brilliant man, highest of integrity. And Crocs. The president of

1:54:06.400 --> 1:54:09.640
<v Speaker 3>CrOx is Ann Melman, who's equally talented. She used to

1:54:09.680 --> 1:54:13.280
<v Speaker 3>be the CFO of CrOx and now hey dude, I'm

1:54:13.320 --> 1:54:15.559
<v Speaker 3>the new president of Hey dude. So two presidents of

1:54:15.600 --> 1:54:21.040
<v Speaker 3>two brands reporting into the CEO of Crocs, and it

1:54:21.120 --> 1:54:23.280
<v Speaker 3>was just an exciting opportunity to again get the keys

1:54:23.280 --> 1:54:25.479
<v Speaker 3>to an eight hundred plus million dollar footwear brand. Who

1:54:25.479 --> 1:54:28.479
<v Speaker 3>gets that in life it shouldn't be me in my head,

1:54:28.720 --> 1:54:30.920
<v Speaker 3>but somebody believes in me and is believed in me before.

1:54:31.400 --> 1:54:34.680
<v Speaker 3>So driver like you Stole It, Bob. One of my

1:54:34.720 --> 1:54:38.640
<v Speaker 3>favorite movies of the recent era is sing Street and

1:54:39.360 --> 1:54:40.960
<v Speaker 3>driver It like You Stole It is one of the

1:54:41.000 --> 1:54:44.560
<v Speaker 3>songs in singh Street. So somebody threw me the keys

1:54:44.960 --> 1:54:46.760
<v Speaker 3>like they have before, and I'm going to drive it

1:54:46.880 --> 1:54:48.840
<v Speaker 3>like I stole it and encourage our teams to do

1:54:48.880 --> 1:54:53.440
<v Speaker 3>the same thing because it's possible. And I've just happened

1:54:53.440 --> 1:54:55.000
<v Speaker 3>to be to live that more than once.

1:54:56.080 --> 1:55:00.160
<v Speaker 2>Okay, you're at Stanley, you're having this great success. How

1:55:00.200 --> 1:55:05.200
<v Speaker 2>does this opportunity come on your radar? And how hard

1:55:05.240 --> 1:55:06.760
<v Speaker 2>of his decision is it to leave?

1:55:08.080 --> 1:55:11.520
<v Speaker 3>Well, the CEO of Crocs were hired me once before

1:55:11.560 --> 1:55:15.200
<v Speaker 3>as the CMO. So I got a call say, hey,

1:55:15.200 --> 1:55:18.760
<v Speaker 3>would you be interested in coming back? And I was

1:55:20.480 --> 1:55:22.240
<v Speaker 3>you know you're a skier, right Bob?

1:55:22.280 --> 1:55:24.120
<v Speaker 2>And oh yeah, you know.

1:55:24.040 --> 1:55:25.640
<v Speaker 3>What happens when you get to the top of the mountain.

1:55:26.720 --> 1:55:29.320
<v Speaker 3>He turned back down and I got to the top

1:55:29.400 --> 1:55:33.840
<v Speaker 3>of the mountain at Stanley, my mountain at least, and

1:55:33.920 --> 1:55:37.560
<v Speaker 3>I believe there's certainly maybe a couple of a couple

1:55:37.600 --> 1:55:42.200
<v Speaker 3>more feet first Stanley to climb, but then more at

1:55:42.240 --> 1:55:45.920
<v Speaker 3>Stanley than anybody dreamed possible, certainly more than I dream possible,

1:55:45.960 --> 1:55:48.320
<v Speaker 3>although I dream big. This is a whole other level

1:55:48.320 --> 1:55:52.680
<v Speaker 3>of So give the keys to Matt Navarro, the guy

1:55:52.720 --> 1:55:56.280
<v Speaker 3>who I had the good fortune to hire, helped me

1:55:56.400 --> 1:55:59.960
<v Speaker 3>build Stanley, and now he's the new president of Stanley.

1:56:01.560 --> 1:56:03.880
<v Speaker 3>It doesn't get better than that. When I was a

1:56:03.960 --> 1:56:09.440
<v Speaker 3>CMO of CROCS, I hired Heidi Cooley, and when I

1:56:09.520 --> 1:56:12.640
<v Speaker 3>left CROCS, she took over a CMO and what she's

1:56:12.680 --> 1:56:15.600
<v Speaker 3>done with Crocs's more than I ever did with Crocs.

1:56:16.400 --> 1:56:18.880
<v Speaker 3>So like this, these are gifts that I've been given,

1:56:19.040 --> 1:56:21.320
<v Speaker 3>and I think I've passed it on a little bit.

1:56:21.440 --> 1:56:25.120
<v Speaker 3>And both of these brands will flourish thanks to other

1:56:25.160 --> 1:56:28.680
<v Speaker 3>great leaders that I happen to bring on board. And boy,

1:56:28.760 --> 1:56:32.200
<v Speaker 3>that's a pretty cool little coaching tree to borrow football parlance.

1:56:32.880 --> 1:56:36.080
<v Speaker 2>Okay, so you have this great success and it's a

1:56:36.120 --> 1:56:39.680
<v Speaker 2>public success. Did other offers come down the pike?

1:56:40.840 --> 1:56:45.840
<v Speaker 3>Yes, yeah, okay, Yeah, a lot of people called, but

1:56:46.040 --> 1:56:51.160
<v Speaker 3>it just wasn't right. There's it wasn't right. You know.

1:56:51.200 --> 1:56:55.360
<v Speaker 3>I think what you want to bring, like you want

1:56:55.360 --> 1:56:58.200
<v Speaker 3>to win the Super Bowl with the Browns, you know,

1:56:58.480 --> 1:57:00.400
<v Speaker 3>you want to win the Super Bowl with the Lions

1:57:01.120 --> 1:57:04.760
<v Speaker 3>or the Bills or the Vikings. Right. A lot of

1:57:04.760 --> 1:57:07.600
<v Speaker 3>the brands that were calling just they were already successful.

1:57:07.960 --> 1:57:11.280
<v Speaker 3>They were already They didn't need that, and I wouldn't

1:57:11.280 --> 1:57:15.760
<v Speaker 3>get no satisfaction out of that. Hey, dude's also really successful,

1:57:15.800 --> 1:57:18.520
<v Speaker 3>but there's more to go get and there's a lot

1:57:18.560 --> 1:57:20.240
<v Speaker 3>of people that don't know about it. And now that's

1:57:20.280 --> 1:57:23.440
<v Speaker 3>my job with a great team to fix it. That's stuff.

1:57:24.040 --> 1:57:26.320
<v Speaker 3>And if we can do that and we already are,

1:57:28.080 --> 1:57:30.800
<v Speaker 3>that's like bringing the Browns or the Lions or you know,

1:57:30.840 --> 1:57:34.760
<v Speaker 3>to the super Bowl, and that's what you want, right, Okay.

1:57:35.080 --> 1:57:41.600
<v Speaker 2>When Jeffrey Katzenberg was number two at Disney, the expression was,

1:57:42.280 --> 1:57:45.000
<v Speaker 2>if you don't come in on Saturday, don't even think

1:57:45.000 --> 1:57:49.200
<v Speaker 2>about coming in on Sunday. So are you the type

1:57:49.200 --> 1:57:51.480
<v Speaker 2>of person who's essentially working around the clock, And is

1:57:51.520 --> 1:57:52.640
<v Speaker 2>that what it's required.

1:57:53.560 --> 1:57:55.960
<v Speaker 3>I don't have an off button, but I do not

1:57:56.160 --> 1:58:02.640
<v Speaker 3>expect that from anyone. I rarely emails on the weekends. Rarely,

1:58:02.720 --> 1:58:06.000
<v Speaker 3>I mean once every two or three months, that kind

1:58:06.040 --> 1:58:11.160
<v Speaker 3>of rare. I'm always on and I'm always looking for

1:58:11.200 --> 1:58:16.240
<v Speaker 3>the connections that can ignite a brand. And see Landy Wilson,

1:58:16.280 --> 1:58:19.800
<v Speaker 3>see Luke Combe, see all of the car fires, see

1:58:19.800 --> 1:58:24.160
<v Speaker 3>all that. So my antenna is always up. But that's

1:58:24.200 --> 1:58:29.400
<v Speaker 3>just a personal wiring. I'm highly competitive. I want to

1:58:29.400 --> 1:58:32.080
<v Speaker 3>win at part cheesy if that still exists, and I

1:58:32.080 --> 1:58:34.320
<v Speaker 3>also want to win on the peloton. I want to win.

1:58:35.680 --> 1:58:38.440
<v Speaker 3>So I don't know where that competitive fire started to happen.

1:58:40.560 --> 1:58:42.000
<v Speaker 3>And I'm not always going to win. And I don't

1:58:42.000 --> 1:58:46.360
<v Speaker 3>win everything, not even close, you know. But I try

1:58:46.400 --> 1:58:50.840
<v Speaker 3>and be the best that I can be as often

1:58:50.840 --> 1:58:54.680
<v Speaker 3>as possible, and it's somehow kind of worked.

1:58:56.480 --> 1:58:59.520
<v Speaker 2>Okay, so what is your favorite Springsteen album?

1:59:00.600 --> 1:59:04.280
<v Speaker 3>Oh? You went albums? Uh favorite Springsteen album is The River?

1:59:06.160 --> 1:59:08.920
<v Speaker 2>Okay, Well you said albums, so then you were well

1:59:09.040 --> 1:59:10.480
<v Speaker 2>you thought I was gonna ask tracks.

1:59:10.800 --> 1:59:12.000
<v Speaker 3>Oh I didn't know what you're gonna ask me. I

1:59:12.080 --> 1:59:14.440
<v Speaker 3>just wanted to. I'm from New Jersey, so it's the law.

1:59:14.920 --> 1:59:22.520
<v Speaker 3>So my favorite Bruce song would have to be Frankie,

1:59:22.600 --> 1:59:25.320
<v Speaker 3>but nobody knows that one. And so the one I

1:59:25.320 --> 1:59:27.800
<v Speaker 3>listened to the most to get fired up is Growing

1:59:27.880 --> 1:59:31.320
<v Speaker 3>Up Live off of seventy five eighty five, the live version,

1:59:31.720 --> 1:59:32.320
<v Speaker 3>because it's.

1:59:32.200 --> 1:59:34.880
<v Speaker 2>Yeah, yeah, I know, certainly know the song. My favorite,

1:59:34.880 --> 1:59:37.440
<v Speaker 2>my what I used to get fired up was Candy's

1:59:37.520 --> 1:59:41.000
<v Speaker 2>Room of course off Darkness. So did you see the

1:59:41.120 --> 1:59:43.680
<v Speaker 2>River tour a few years ago when he redid it?

1:59:43.760 --> 1:59:46.880
<v Speaker 3>I did? I did. I've seen him on every tour since.

1:59:46.880 --> 1:59:50.160
<v Speaker 3>Born in the USA. That's when you know again, as

1:59:50.160 --> 1:59:52.320
<v Speaker 3>an eighteen year old in New Jersey in nineteen eighty

1:59:52.320 --> 1:59:55.560
<v Speaker 3>four eighty five, you know, you talk about a local hero.

1:59:56.360 --> 1:59:59.240
<v Speaker 3>And I've been chasing that ever since. I've seen Bruce

1:59:59.280 --> 2:00:02.440
<v Speaker 3>more than seven times and five different countries, and I'm

2:00:02.480 --> 2:00:03.320
<v Speaker 3>one of those guys.

2:00:05.240 --> 2:00:05.960
<v Speaker 2>But it's.

2:00:07.320 --> 2:00:11.920
<v Speaker 3>It's chasing something that hit me. It got into my veins.

2:00:11.960 --> 2:00:14.960
<v Speaker 3>August nineteenth, nineteen eighty five, was the first concert I

2:00:14.960 --> 2:00:18.200
<v Speaker 3>ever went to of anybody, and it was Bruce at

2:00:18.240 --> 2:00:22.480
<v Speaker 3>Giant Stadium. And what I've been chasing Bob is, they say,

2:00:22.560 --> 2:00:26.160
<v Speaker 3>certainly the music and his performance and the band in

2:00:26.200 --> 2:00:30.760
<v Speaker 3>the street band, But the moment when the house lights

2:00:30.800 --> 2:00:38.400
<v Speaker 3>go down is my favorite moment in life. And time

2:00:38.640 --> 2:00:43.720
<v Speaker 3>stands still for those twenty thirty seconds when the lights

2:00:43.760 --> 2:00:46.640
<v Speaker 3>go You've been waiting for it, right and the lights

2:00:46.680 --> 2:00:49.040
<v Speaker 3>go down, and there's the roar of the crowd, and

2:00:49.080 --> 2:00:53.919
<v Speaker 3>then the band comes out one by one and it's happening,

2:00:54.760 --> 2:00:58.040
<v Speaker 3>but it hasn't happened yet, and time stands still in

2:00:58.080 --> 2:01:01.520
<v Speaker 3>this space. And then he comes out out last, and

2:01:01.600 --> 2:01:04.920
<v Speaker 3>he comes to the mic and he counts off, and

2:01:04.960 --> 2:01:10.280
<v Speaker 3>the minute he starts counting off, it's over because it

2:01:10.280 --> 2:01:16.440
<v Speaker 3>it's now, it's it's ending, it's and that time stands

2:01:16.440 --> 2:01:19.880
<v Speaker 3>still in those precious twenty to thirty seconds whatever it

2:01:19.960 --> 2:01:22.600
<v Speaker 3>is between the house lights and him coming up to

2:01:22.640 --> 2:01:24.920
<v Speaker 3>the mic and usually counting off as we know he does.

2:01:25.720 --> 2:01:28.520
<v Speaker 3>And that is why I've seen him seventy five times.

2:01:28.960 --> 2:01:32.360
<v Speaker 3>Time stands still. And if you can make time stand still,

2:01:33.240 --> 2:01:35.520
<v Speaker 3>that's a pretty cool magic act.

2:01:36.880 --> 2:01:42.640
<v Speaker 2>So have you sent Bruce A Stanley the Dudes or pro?

2:01:42.880 --> 2:01:45.800
<v Speaker 3>I have not. I have not. I came close once

2:01:45.880 --> 2:01:50.200
<v Speaker 3>to sending little Stephen a Purple Stanley because he just

2:01:50.240 --> 2:01:52.400
<v Speaker 3>has that, you know, aesthetic in his personal life but

2:01:52.640 --> 2:01:53.560
<v Speaker 3>I just know.

2:01:55.080 --> 2:01:58.560
<v Speaker 2>Well, I mean, it's one thing to send it and

2:01:58.680 --> 2:02:00.480
<v Speaker 2>literally not ask for anything.

2:02:01.480 --> 2:02:05.560
<v Speaker 3>Yeah, I just I don't know, I have not I've

2:02:05.560 --> 2:02:09.920
<v Speaker 3>thought about it more than once. But it's uh, you know,

2:02:10.000 --> 2:02:12.440
<v Speaker 3>sometimes you just want to keep your heroes and all

2:02:12.480 --> 2:02:15.160
<v Speaker 3>that at Bay. It's kind of still Listen. I'm fifty

2:02:15.200 --> 2:02:18.280
<v Speaker 3>eight years old. I first saw Bruce and you know

2:02:18.360 --> 2:02:21.400
<v Speaker 3>when I was eighteen, I kind of want to keep

2:02:21.400 --> 2:02:25.040
<v Speaker 3>all that at Bay because it's still that fantasy world

2:02:25.080 --> 2:02:29.120
<v Speaker 3>and it uh yeah, it's so it's chasing and it

2:02:29.160 --> 2:02:30.000
<v Speaker 3>never would have happened.

2:02:30.640 --> 2:02:33.880
<v Speaker 2>Well, generally speaking, you don't want to meet your heroes. Yeah,

2:02:33.960 --> 2:02:37.200
<v Speaker 2>very few, very few of them. Some of them do

2:02:37.280 --> 2:02:39.760
<v Speaker 2>live up to the rep but the something that you

2:02:39.800 --> 2:02:43.360
<v Speaker 2>believe in most absolutely do not, and it's really disillusion

2:02:43.480 --> 2:02:46.879
<v Speaker 2>can't listen to their music for a while. In any event, Terrence,

2:02:47.320 --> 2:02:49.520
<v Speaker 2>I want to thank you so much for telling us

2:02:49.600 --> 2:02:53.400
<v Speaker 2>your story telling and informing my audience and what's going

2:02:53.480 --> 2:02:57.440
<v Speaker 2>on in career wise with these products. Thanks again, Thank

2:02:57.480 --> 2:03:02.200
<v Speaker 2>you Tears. Next step this is Bob Left stock

2:03:24.120 --> 2:03:24.200
<v Speaker 3>Sh