WEBVTT - Wu-Tang v. Shaolin | From Revisionist History: The Staten Island Problem 

0:00:15.476 --> 0:00:15.956
<v Speaker 1>Pushkin.

0:00:18.276 --> 0:00:20.596
<v Speaker 2>Today, we're bringing you an episode of a new series

0:00:20.596 --> 0:00:25.396
<v Speaker 2>from Malcolm Gladwell's Revisionist History podcast called The Staten Island Problem.

0:00:25.836 --> 0:00:28.276
<v Speaker 2>It's about New York City during the turbulent nineties, when

0:00:28.276 --> 0:00:30.676
<v Speaker 2>a young Donald Trump was making deals, murder was at

0:00:30.676 --> 0:00:33.556
<v Speaker 2>its peak, and Staten Island decided it had enough and

0:00:33.596 --> 0:00:36.756
<v Speaker 2>wanted to secede from the city. It's written by Revisionist

0:00:36.756 --> 0:00:39.996
<v Speaker 2>history producer Ben Natti Haffrey. Ben went really deep on

0:00:40.036 --> 0:00:42.796
<v Speaker 2>the island's history and at some point realized the Staten

0:00:42.836 --> 0:00:45.516
<v Speaker 2>Islands as Session movement was happening at the exact same

0:00:45.596 --> 0:00:48.516
<v Speaker 2>time and place as the formation of the Wu Tang Plan.

0:00:49.276 --> 0:00:51.716
<v Speaker 2>Ben's are wondering if the two things were somehow connected.

0:00:52.036 --> 0:00:54.196
<v Speaker 2>The episode is about the breakup of a city and

0:00:54.236 --> 0:00:55.236
<v Speaker 2>the coming together of one of the.

0:00:55.196 --> 0:00:56.436
<v Speaker 1>Greatest groups in history.

0:00:56.836 --> 0:00:58.356
<v Speaker 2>You can listen to the rest of The Staten Island

0:00:58.356 --> 0:01:02.156
<v Speaker 2>Problem over on Revisionist History, available wherever podcasts are, but

0:01:02.156 --> 0:01:04.796
<v Speaker 2>it is a sample episode of Ben's story. The Staten

0:01:04.836 --> 0:01:07.676
<v Speaker 2>Island Problem.

0:01:07.836 --> 0:01:10.716
<v Speaker 1>One of my favorite books, Middle March by George Elliott.

0:01:11.116 --> 0:01:13.316
<v Speaker 1>It's about the life and manners of a small English

0:01:13.396 --> 0:01:16.676
<v Speaker 1>town in the nineteenth century. It's also a cautionary tale

0:01:16.996 --> 0:01:20.556
<v Speaker 1>for the kind of person I am. There's a character

0:01:20.636 --> 0:01:24.316
<v Speaker 1>in the book named Edward Kasabon, a dreary, middle aged

0:01:24.356 --> 0:01:28.556
<v Speaker 1>man who's engaged in a decades long writing project. Kasabon

0:01:28.676 --> 0:01:31.636
<v Speaker 1>collects facts he writes on little sheets of paper that

0:01:31.716 --> 0:01:34.876
<v Speaker 1>he stores in the pigeonholes of his library shelves. He

0:01:34.916 --> 0:01:37.476
<v Speaker 1>claims that someday he's going to use these facts to

0:01:37.556 --> 0:01:39.916
<v Speaker 1>prove that all the myths of the world are really

0:01:39.956 --> 0:01:44.516
<v Speaker 1>one myth. He's obsessed. He calls it the key to

0:01:44.556 --> 0:01:50.396
<v Speaker 1>all mythologies, and he sees it everywhere. I'm not middle aged,

0:01:50.436 --> 0:01:53.436
<v Speaker 1>and I am fairly uppeed, but I fear that last

0:01:53.516 --> 0:01:57.236
<v Speaker 1>bit is me. I see the Staten Island secession movement

0:01:57.356 --> 0:02:00.836
<v Speaker 1>everywhere in our world today. I've carried my facts about

0:02:00.836 --> 0:02:03.436
<v Speaker 1>the Staten Island secession movement around with me for quite

0:02:03.436 --> 0:02:06.116
<v Speaker 1>a while. Now they burn a hole in my pocket.

0:02:06.756 --> 0:02:08.916
<v Speaker 1>I go to parties, and inevitably I wind up in

0:02:08.916 --> 0:02:11.876
<v Speaker 1>the corner with the Staten Islander who has suddenly revealed themselves.

0:02:12.116 --> 0:02:14.756
<v Speaker 1>They look interested and then mildly concerned as I pull

0:02:14.836 --> 0:02:16.676
<v Speaker 1>from memory the facts that I have stored in the

0:02:16.716 --> 0:02:20.436
<v Speaker 1>pigeonholes of a document I have titled Excellent Staten Island Facts.

0:02:21.636 --> 0:02:23.956
<v Speaker 1>Did you know the towers of the Verizonto and Narrow's

0:02:23.956 --> 0:02:26.276
<v Speaker 1>Bridge are so far apart that they had to take

0:02:26.316 --> 0:02:29.116
<v Speaker 1>into account the curvature of the earth when they built them.

0:02:29.516 --> 0:02:31.876
<v Speaker 1>Did you know that Staten Island claims to have been

0:02:31.916 --> 0:02:36.036
<v Speaker 1>home to the true and forgotten inventor of the telephone?

0:02:36.636 --> 0:02:40.396
<v Speaker 1>Am I kazabon God, I hope not. I cautioned myself

0:02:40.436 --> 0:02:43.156
<v Speaker 1>against seeing my project everywhere. Don't be the hammer to

0:02:43.196 --> 0:02:46.116
<v Speaker 1>whom everything looks like a nail, don't try to write

0:02:46.236 --> 0:02:50.676
<v Speaker 1>the key to all mythologies. And then I learned something

0:02:51.356 --> 0:02:56.436
<v Speaker 1>like this. Wu Tang Clan, arguably the most important group

0:02:56.516 --> 0:02:59.876
<v Speaker 1>in hip hop history is from Staten Island. They made

0:02:59.876 --> 0:03:03.276
<v Speaker 1>their first album, Enter the Wu Tang thirty six Chambers,

0:03:03.476 --> 0:03:06.396
<v Speaker 1>entirely during the height of the secession movement, and it

0:03:06.476 --> 0:03:10.516
<v Speaker 1>came out in nineteen ninety three, just one week after

0:03:10.556 --> 0:03:12.316
<v Speaker 1>the island was gonna vote on secession.

0:03:13.076 --> 0:03:15.996
<v Speaker 3>I'm going to klomp Sat they move Jump Chop Sa

0:03:16.236 --> 0:03:19.556
<v Speaker 3>saying a lot was no job as second hand mons

0:03:19.596 --> 0:03:20.716
<v Speaker 3>bels don't know the man.

0:03:21.036 --> 0:03:22.876
<v Speaker 2>So then we moved the Shalon Land.

0:03:23.036 --> 0:03:25.356
<v Speaker 1>I began to listen to this record every day I

0:03:25.396 --> 0:03:28.196
<v Speaker 1>worked on this project on the ferry to the archives,

0:03:28.276 --> 0:03:31.556
<v Speaker 1>on the subway to work. Shall in what they called

0:03:31.596 --> 0:03:33.556
<v Speaker 1>Staten Island is all over it.

0:03:33.636 --> 0:03:36.396
<v Speaker 2>I'll come from the Sally Slump and the hallo fus

0:03:36.436 --> 0:03:38.396
<v Speaker 2>come not niggas enough guns.

0:03:38.796 --> 0:03:41.556
<v Speaker 1>Their music is all about their lives, what they witnessed

0:03:41.596 --> 0:03:44.236
<v Speaker 1>on the island at the time. Like listen to this

0:03:44.476 --> 0:03:47.756
<v Speaker 1>from the song Wu Tang Seventh Chamber. They bring up

0:03:47.756 --> 0:03:51.156
<v Speaker 1>the projects in northern Staten Island where Wu Tang formed

0:03:51.516 --> 0:03:54.916
<v Speaker 1>nicknamed Killa Hill, like.

0:03:54.916 --> 0:03:58.156
<v Speaker 2>Clash the Russia, slash a sweat and Nigga back like a.

0:03:58.236 --> 0:04:01.676
<v Speaker 4>Dutch Master Killer Sal jumped off and Killa Pilla I

0:04:01.836 --> 0:04:04.116
<v Speaker 4>was the thrilla in the Alley Fraiser Manila.

0:04:04.876 --> 0:04:06.916
<v Speaker 1>It's all about their lives in New York City in

0:04:06.956 --> 0:04:09.756
<v Speaker 1>the early nineteen nineties, who there were become and what

0:04:09.796 --> 0:04:11.756
<v Speaker 1>it all had to do with being from the rugged

0:04:11.836 --> 0:04:20.316
<v Speaker 1>lands of Shaolin. I considered putting this on my list

0:04:20.316 --> 0:04:22.916
<v Speaker 1>of excellent Staten Island facts and leaving it at that,

0:04:24.076 --> 0:04:27.556
<v Speaker 1>but I had no choice. I put on my headphones,

0:04:28.156 --> 0:04:32.756
<v Speaker 1>I picked up the phone, I opened my notebook. Kasimon

0:04:33.396 --> 0:04:41.036
<v Speaker 1>rides again. You're listening to revisionist history. I'm Ben that

0:04:41.156 --> 0:04:44.036
<v Speaker 1>of Haaffrey, and this is the Staten Island Problem, the

0:04:44.156 --> 0:04:46.636
<v Speaker 1>series about the movement that threatened to bring down the

0:04:46.676 --> 0:04:51.676
<v Speaker 1>greatest city in the country. In this episode, I bring

0:04:51.716 --> 0:04:53.676
<v Speaker 1>you the story of the rise of one of the

0:04:53.716 --> 0:04:56.756
<v Speaker 1>greatest rap groups in history that happened all while the

0:04:56.796 --> 0:05:01.916
<v Speaker 1>Secession movement unfolded in the background. We're going to zero

0:05:01.996 --> 0:05:05.356
<v Speaker 1>in on an entirely different experience taking place on the

0:05:05.396 --> 0:05:08.636
<v Speaker 1>island at the same time, one that reveals just how

0:05:08.716 --> 0:05:11.996
<v Speaker 1>in Trent the Staten Island problem really is, but one

0:05:11.996 --> 0:05:14.916
<v Speaker 1>that also I think might show us away to solve it.

0:05:18.676 --> 0:05:30.876
<v Speaker 1>This is episode four, Wu Tang versus the Shoutlin. I

0:05:30.916 --> 0:05:32.836
<v Speaker 1>should say off the bat that I was unable to

0:05:32.876 --> 0:05:35.996
<v Speaker 1>reach the Wu Tang clan for a brief moment. The

0:05:36.036 --> 0:05:38.356
<v Speaker 1>manager of a lesser known member of the group considered

0:05:38.396 --> 0:05:41.916
<v Speaker 1>giving me an interview, then he stopped taking my calls. Domingo,

0:05:42.116 --> 0:05:44.796
<v Speaker 1>if you hear this, I'm ready when you are. But

0:05:44.996 --> 0:05:47.436
<v Speaker 1>luckily I was able to track someone else down.

0:05:48.196 --> 0:05:50.556
<v Speaker 5>I was actually one of the first journalists to ever

0:05:50.636 --> 0:05:55.116
<v Speaker 5>deal with Wu Tang because their record label Loud called me.

0:05:55.156 --> 0:05:58.156
<v Speaker 1>Up sciz Fernando was a hip hop journalist in the

0:05:58.156 --> 0:06:01.316
<v Speaker 1>eighties and nineties. He covered Wu Tang from the beginning.

0:06:01.716 --> 0:06:04.516
<v Speaker 1>Had he ever considered the crucial overlap of Wu Tang's

0:06:04.556 --> 0:06:07.636
<v Speaker 1>formation in Staten Island secession. He had not.

0:06:08.596 --> 0:06:10.956
<v Speaker 5>I no no idea any of that stuff was going

0:06:10.996 --> 0:06:11.756
<v Speaker 5>on at the time.

0:06:12.396 --> 0:06:14.796
<v Speaker 1>I don't even know if they did, Like it was

0:06:14.796 --> 0:06:17.396
<v Speaker 1>the they must have. It was the biggest story on

0:06:17.476 --> 0:06:19.516
<v Speaker 1>Staten Island. What was it going to be?

0:06:19.676 --> 0:06:22.316
<v Speaker 5>Just like Staten Island was just going to be a city.

0:06:22.516 --> 0:06:26.196
<v Speaker 1>Yeah. When the Wu Tang clan first formed their label

0:06:26.276 --> 0:06:29.156
<v Speaker 1>called Skids to write their bio, so he connected with

0:06:29.196 --> 0:06:32.196
<v Speaker 1>the group's to facto leader, a guy named Bobby Diggs

0:06:32.516 --> 0:06:34.076
<v Speaker 1>who went by the name Rizza.

0:06:34.676 --> 0:06:37.996
<v Speaker 5>And I was immediately struck by this guy, like I

0:06:38.036 --> 0:06:41.876
<v Speaker 5>could detect like some serious intelligence in this sky.

0:06:43.236 --> 0:06:46.316
<v Speaker 1>Rizza was a former drug dealer with no professional prospects

0:06:46.516 --> 0:06:50.276
<v Speaker 1>living out on Staten Island. That alone was strange. In

0:06:50.316 --> 0:06:53.596
<v Speaker 1>the pantheon of hip hop, Brooklyn and the Bronx reigned supreme.

0:06:54.196 --> 0:06:55.756
<v Speaker 1>Nobody is from Staten Island.

0:06:56.676 --> 0:06:59.116
<v Speaker 5>All of the five Borrows in New York were pretty

0:07:00.196 --> 0:07:02.436
<v Speaker 5>represented in hip hop in the nineties. You had the

0:07:02.556 --> 0:07:04.876
<v Speaker 5>you know you had like the Boogey Down Bronx, the

0:07:09.276 --> 0:07:11.516
<v Speaker 5>guy so obviously Brooklyn.

0:07:12.156 --> 0:07:16.796
<v Speaker 4>Honey out from the Man from the project.

0:07:17.236 --> 0:07:18.716
<v Speaker 5>The Money Make in Manhattan.

0:07:18.996 --> 0:07:22.156
<v Speaker 6>Now I'm the god named Curtis blow Ain't Christmas is

0:07:22.276 --> 0:07:22.716
<v Speaker 6>one thing?

0:07:22.796 --> 0:07:23.076
<v Speaker 3>I know?

0:07:23.316 --> 0:07:26.636
<v Speaker 1>So every just about this time, I celebrate kid.

0:07:26.796 --> 0:07:27.516
<v Speaker 3>With a rhyme.

0:07:28.436 --> 0:07:31.636
<v Speaker 5>You know, Queens, you had Queen's Bridge projects produced so

0:07:31.676 --> 0:07:37.516
<v Speaker 5>many amazing artists like nas Mob Deep every Date Hot, deal.

0:07:37.596 --> 0:07:39.156
<v Speaker 2>With the Russia and mixed.

0:07:38.916 --> 0:07:42.236
<v Speaker 5>Up in Sada, and like Staten Island. You know who

0:07:42.316 --> 0:07:44.996
<v Speaker 5>was from Staten Island. There was not a lot of

0:07:45.076 --> 0:07:46.836
<v Speaker 5>acts coming out of Staten Island.

0:07:46.996 --> 0:07:47.956
<v Speaker 1>You know you had.

0:07:50.396 --> 0:07:51.276
<v Speaker 5>Jesus, I'm blanking.

0:07:52.596 --> 0:07:56.036
<v Speaker 1>This is all to say. Skiz was surprised. Here was

0:07:56.076 --> 0:07:59.436
<v Speaker 1>this relatively unknown MC from the island with an encyclopedic

0:07:59.516 --> 0:08:02.836
<v Speaker 1>knowledge of kung fu movies and a crew of eight

0:08:02.916 --> 0:08:06.236
<v Speaker 1>other mcs who named themselves after a form of martial

0:08:06.356 --> 0:08:10.236
<v Speaker 1>arts invented by a Taoist hermit. Skiz was like.

0:08:10.956 --> 0:08:14.596
<v Speaker 5>What, wow, this guy is something else.

0:08:18.956 --> 0:08:22.116
<v Speaker 1>So skis journalist that he is began a decades long

0:08:22.196 --> 0:08:25.556
<v Speaker 1>process of figuring out how exactly the Wu Tang clan

0:08:25.676 --> 0:08:29.436
<v Speaker 1>came to be Rizza decided what he wanted to do

0:08:29.476 --> 0:08:32.276
<v Speaker 1>with his life. On America's two hundredth birthday. He was

0:08:32.316 --> 0:08:34.676
<v Speaker 1>in the park Hill projects of Staten Island. It was

0:08:34.756 --> 0:08:37.276
<v Speaker 1>July nineteen seventy six, and there was a party in

0:08:37.316 --> 0:08:42.156
<v Speaker 1>the courtyard. A DJ was spinning records and rapping over them.

0:08:42.756 --> 0:08:46.476
<v Speaker 5>He dip dip dive and socialized. I think those are

0:08:46.476 --> 0:08:48.916
<v Speaker 5>the exact words that Rizza remembered, and that kind of

0:08:48.996 --> 0:08:53.076
<v Speaker 5>just just that energy and just the excitement of that

0:08:53.196 --> 0:08:57.796
<v Speaker 5>whole thing of seeing this free party happening in this environment.

0:08:57.956 --> 0:09:01.716
<v Speaker 5>You know, all these kids running around and adults and

0:09:03.516 --> 0:09:06.916
<v Speaker 5>people just enjoying the music and enjoying each other's company.

0:09:06.956 --> 0:09:09.396
<v Speaker 5>This was how this was how hip hop starts.

0:09:09.276 --> 0:09:11.716
<v Speaker 1>To Rizza was seven at the time.

0:09:12.196 --> 0:09:12.596
<v Speaker 4>And.

0:09:14.156 --> 0:09:17.476
<v Speaker 5>When you're a young kid exposed to this and this

0:09:17.596 --> 0:09:20.956
<v Speaker 5>is like the excitement that's happening in your neighborhood, you

0:09:21.036 --> 0:09:23.316
<v Speaker 5>want to be a part of it. And he wanted

0:09:23.316 --> 0:09:24.196
<v Speaker 5>to be a part of it.

0:09:24.716 --> 0:09:27.676
<v Speaker 1>He stayed up late into the night, turns fixed.

0:09:28.036 --> 0:09:31.876
<v Speaker 5>So immediately he goes home and he starts riding rhymes,

0:09:31.916 --> 0:09:35.316
<v Speaker 5>you know, and then as soon as he could, he

0:09:35.396 --> 0:09:36.356
<v Speaker 5>starts DJing.

0:09:41.356 --> 0:09:43.516
<v Speaker 1>Rizzam moved around a lot as a kid. He was

0:09:43.556 --> 0:09:46.436
<v Speaker 1>born in Brooklyn spent some of his childhood in North Carolina,

0:09:46.716 --> 0:09:48.916
<v Speaker 1>but he landed in the park Hill Projects on the

0:09:48.956 --> 0:09:52.076
<v Speaker 1>north shore of Staten Island. The buildings were built in

0:09:52.156 --> 0:09:55.516
<v Speaker 1>nineteen sixty five, around the same time as the bridge

0:09:55.556 --> 0:09:57.956
<v Speaker 1>and the expressway that split the island down the middle

0:09:58.076 --> 0:10:00.556
<v Speaker 1>into north and south shore. North was where the black

0:10:00.556 --> 0:10:03.796
<v Speaker 1>people lived, South was where the white people lived. Several

0:10:03.796 --> 0:10:07.116
<v Speaker 1>Staten Islanders told me the expressway was their equivalent of

0:10:07.156 --> 0:10:08.436
<v Speaker 1>the Mason Dixon Line.

0:10:09.356 --> 0:10:10.636
<v Speaker 6>People like, where are you from?

0:10:10.636 --> 0:10:11.476
<v Speaker 1>And I'm like so.

0:10:11.556 --> 0:10:13.436
<v Speaker 6>I used to say, if I tell you, I have

0:10:13.556 --> 0:10:15.196
<v Speaker 6>to kill you, and you're like why, And then I'm

0:10:15.236 --> 0:10:16.676
<v Speaker 6>like Staten Island.

0:10:17.636 --> 0:10:20.516
<v Speaker 1>One day, when I was listing excellent Staten Island facts

0:10:20.516 --> 0:10:23.796
<v Speaker 1>to a friend, she told me you should meet Daphne McWilliams.

0:10:24.396 --> 0:10:26.516
<v Speaker 1>She's a filmmaker from Staten Island.

0:10:26.716 --> 0:10:30.116
<v Speaker 6>There were only three houses on my parents' block, and

0:10:30.156 --> 0:10:33.076
<v Speaker 6>then from the lake was park Kill Projects.

0:10:33.476 --> 0:10:36.196
<v Speaker 1>Her parents were from Trinidad and Jamaica and didn't really

0:10:36.196 --> 0:10:39.596
<v Speaker 1>know the intricate racial codes of Staten Island. Her family

0:10:39.636 --> 0:10:42.076
<v Speaker 1>moved to the white area across from the park Hill Projects,

0:10:42.116 --> 0:10:43.476
<v Speaker 1>back in the nineteen seventies.

0:10:43.996 --> 0:10:48.876
<v Speaker 6>But when my mother found that house, she got a threatening,

0:10:49.756 --> 0:10:52.076
<v Speaker 6>I guess call or something where they were like, oh

0:10:53.116 --> 0:10:55.236
<v Speaker 6>you something like you better hope that you don't see

0:10:55.236 --> 0:10:57.996
<v Speaker 6>your kids floating in in the pond.

0:10:59.076 --> 0:11:01.556
<v Speaker 1>By one estimate, there were fewer than one thousand people

0:11:01.636 --> 0:11:05.436
<v Speaker 1>of colors south of the Expressway. Daphne stuck out. She

0:11:05.476 --> 0:11:07.036
<v Speaker 1>told me a story from when she was a kid

0:11:07.076 --> 0:11:09.916
<v Speaker 1>about having a crush on an Italian American named Billy.

0:11:10.516 --> 0:11:13.076
<v Speaker 1>One day she called his house and his.

0:11:13.116 --> 0:11:16.076
<v Speaker 6>Mother picked up, and she was like, don't ever call

0:11:16.156 --> 0:11:19.276
<v Speaker 6>this house again. So I went to school the next day.

0:11:19.316 --> 0:11:21.916
<v Speaker 6>It was upset and I went and speak to this priest.

0:11:22.316 --> 0:11:23.996
<v Speaker 6>I don't know what I did wrong. I don't know

0:11:23.996 --> 0:11:26.756
<v Speaker 6>what I did wrong, and tell the guy goes, well,

0:11:26.836 --> 0:11:33.316
<v Speaker 6>you see, he says something to like almost like this,

0:11:33.316 --> 0:11:35.836
<v Speaker 6>this is a little happen for white kids, and there's

0:11:35.876 --> 0:11:39.076
<v Speaker 6>like a little heaven for black kids.

0:11:37.396 --> 0:11:41.716
<v Speaker 1>And I was like, oh my god, like I had

0:11:41.796 --> 0:11:42.396
<v Speaker 1>no idea.

0:11:42.756 --> 0:11:45.636
<v Speaker 6>When I look back and think about it, we always

0:11:45.636 --> 0:11:50.036
<v Speaker 6>stood out because we were always the the black family.

0:11:52.076 --> 0:11:55.956
<v Speaker 6>My parents didn't raise us in a segregated mindset. We

0:11:56.316 --> 0:11:58.356
<v Speaker 6>just never it was this.

0:11:58.676 --> 0:12:01.636
<v Speaker 5>It was the community that made us.

0:12:01.516 --> 0:12:04.476
<v Speaker 6>Feel different, especially as you get older.

0:12:05.956 --> 0:12:08.916
<v Speaker 1>But the truth is all of New York City was segregated.

0:12:08.916 --> 0:12:11.836
<v Speaker 1>Then it seemed like there was a defining race riot

0:12:11.996 --> 0:12:15.636
<v Speaker 1>every year. Very do the right thing. The reality that

0:12:15.716 --> 0:12:20.156
<v Speaker 1>Mayor Dinkins's vision of a beautiful mosaic obscured is that

0:12:20.356 --> 0:12:23.196
<v Speaker 1>if one bit of colored glass from the mosaic crossed another,

0:12:23.676 --> 0:12:26.676
<v Speaker 1>someone might end up shot or run over, and then

0:12:26.676 --> 0:12:30.796
<v Speaker 1>the riots would begin again. But Southern Staten Island was

0:12:30.836 --> 0:12:34.156
<v Speaker 1>a particularly dramatic case. It may as well have been

0:12:34.196 --> 0:12:37.276
<v Speaker 1>the Deep South. When one Wu Tang member went to

0:12:37.356 --> 0:12:40.556
<v Speaker 1>Daphne's area, he remembered getting chased out by white kids

0:12:40.556 --> 0:12:44.516
<v Speaker 1>with motorcycles. They spray painted KKK on the rocks to

0:12:44.556 --> 0:12:48.716
<v Speaker 1>warn the black kids away. This was the Staten Island

0:12:48.836 --> 0:12:51.236
<v Speaker 1>Riza grew up on, but he had a way of

0:12:51.356 --> 0:12:58.836
<v Speaker 1>escaping that reality hip hop. By the time Rizza was

0:12:58.876 --> 0:13:01.596
<v Speaker 1>in his early twenties, hip hop had gone stratospheric, from

0:13:01.596 --> 0:13:03.556
<v Speaker 1>the courtyards and wreck rooms of the New York City

0:13:03.596 --> 0:13:06.956
<v Speaker 1>projects to the top of the billboard charts. The labels

0:13:06.996 --> 0:13:09.916
<v Speaker 1>were grabbing at any artists they could. Rizza got a deal.

0:13:10.276 --> 0:13:12.436
<v Speaker 1>He brought his new label, a bunch of songs, and

0:13:12.476 --> 0:13:15.036
<v Speaker 1>they said, we think girls will like you. So we

0:13:15.076 --> 0:13:18.116
<v Speaker 1>wound up releasing an EP called Ooh We Love You Rakim,

0:13:18.516 --> 0:13:20.876
<v Speaker 1>a record that presented him as a sweet ladies man

0:13:21.276 --> 0:13:33.316
<v Speaker 1>named Prince Rakim Many Ladies. It was an attempt to

0:13:33.316 --> 0:13:37.556
<v Speaker 1>do something extremely commercial, totally inoffensive and upbeat, and also

0:13:37.636 --> 0:13:41.396
<v Speaker 1>fundamentally false and corny, and maybe for that reason it bombed.

0:13:43.076 --> 0:13:45.436
<v Speaker 1>Rizza got dropped from his label and he was back

0:13:45.516 --> 0:13:50.396
<v Speaker 1>to zero. That's when he started dealing drugs and almost

0:13:50.436 --> 0:13:54.396
<v Speaker 1>went to prison for attempted murder. He argued self defense

0:13:54.476 --> 0:13:56.756
<v Speaker 1>and beat the charges in the end, and he had

0:13:56.876 --> 0:14:00.676
<v Speaker 1>ten thousand dollars left. It was enough to buy some

0:14:00.756 --> 0:14:03.516
<v Speaker 1>drugs and sell them. But he had a kid on

0:14:03.516 --> 0:14:06.396
<v Speaker 1>the way. He had to make a choice, and this

0:14:06.516 --> 0:14:09.836
<v Speaker 1>choice became so legendary that he's still talking about it.

0:14:11.116 --> 0:14:13.476
<v Speaker 1>Here he is on a recent episode of a podcast

0:14:13.516 --> 0:14:15.716
<v Speaker 1>called Flagrant.

0:14:15.956 --> 0:14:19.356
<v Speaker 3>I had tay k and the gag was, uh, the

0:14:19.396 --> 0:14:22.836
<v Speaker 3>plan was to get a brick, so so we figured, oh.

0:14:22.676 --> 0:14:25.676
<v Speaker 7>If we flipped this twenty, we could at least get eighty.

0:14:26.636 --> 0:14:29.516
<v Speaker 3>The thing was, Joe I had a baby in a

0:14:29.596 --> 0:14:32.996
<v Speaker 3>oven or maybe just born right so life was like

0:14:33.276 --> 0:14:34.076
<v Speaker 3>what are you going to do?

0:14:34.236 --> 0:14:34.396
<v Speaker 4>Yeah?

0:14:36.116 --> 0:14:36.956
<v Speaker 1>But then.

0:14:38.236 --> 0:14:40.916
<v Speaker 3>I was like, nah, I have a second chance.

0:14:42.156 --> 0:14:45.436
<v Speaker 1>That's when he started calling himself Rizza r z A.

0:14:46.396 --> 0:14:49.396
<v Speaker 1>He would later say it was short for rakeem zig

0:14:49.516 --> 0:14:53.516
<v Speaker 1>zag zig allah. While everyone else zigged, it was time

0:14:53.596 --> 0:14:56.956
<v Speaker 1>for him to zag. And so, living on a Staten

0:14:56.956 --> 0:14:59.156
<v Speaker 1>Island that was in the middle of its own very

0:14:59.156 --> 0:15:02.396
<v Speaker 1>big zag, he began to make a bold plan for

0:15:02.436 --> 0:15:07.436
<v Speaker 1>an independence movement of his own, something called Wu Tang Clan.

0:15:23.676 --> 0:15:26.916
<v Speaker 1>After he beat his charges, Bobby Diggs aka the Rizza,

0:15:27.236 --> 0:15:31.036
<v Speaker 1>began to walk around Staten Island and he started to

0:15:31.116 --> 0:15:34.756
<v Speaker 1>take these long, drawn out walks day after day.

0:15:35.756 --> 0:15:38.956
<v Speaker 3>So I'm walking and I'm thinking, y'o, and I'm walking

0:15:38.996 --> 0:15:41.276
<v Speaker 3>off ste I'll walking the stand and people people thought

0:15:41.596 --> 0:15:43.556
<v Speaker 3>there was a long this, people who thought I was

0:15:43.556 --> 0:15:47.316
<v Speaker 3>losing my mind because I'm walking and I'm talking to myself.

0:15:51.156 --> 0:15:54.596
<v Speaker 1>He would walk the island and think Staten Island was

0:15:54.636 --> 0:15:57.796
<v Speaker 1>more than twice the size of Manhattan, and Rizza could

0:15:57.836 --> 0:16:00.996
<v Speaker 1>just walk and walk. He would start at the projects

0:16:01.036 --> 0:16:04.116
<v Speaker 1>on the north shore, then maybe journey along the coastline

0:16:04.516 --> 0:16:11.916
<v Speaker 1>through the suburban streets. Rizza was ready to make music again.

0:16:12.436 --> 0:16:14.916
<v Speaker 1>But the first time out with his Prince Rakim project

0:16:15.236 --> 0:16:18.396
<v Speaker 1>had gone badly. But the idea he was coming up

0:16:18.436 --> 0:16:21.356
<v Speaker 1>with now was going to be different. And I want

0:16:21.356 --> 0:16:23.436
<v Speaker 1>to argue here that it has everything to do with

0:16:23.516 --> 0:16:27.396
<v Speaker 1>Staten Island. Let me share with you some writing from

0:16:27.476 --> 0:16:32.036
<v Speaker 1>Rizz's book The Tao of Wu. I spent my formative

0:16:32.116 --> 0:16:35.796
<v Speaker 1>years on an island, Staten Island, which is a blessing

0:16:35.836 --> 0:16:39.956
<v Speaker 1>I've taken with me through life in Staten Island. Wu

0:16:39.996 --> 0:16:42.796
<v Speaker 1>Tang were set apart from all the influences and fads

0:16:42.796 --> 0:16:46.156
<v Speaker 1>that were happening in the other four boroughs. A nine

0:16:46.196 --> 0:16:49.116
<v Speaker 1>man hip hop crew based on mathematics, chess, comics and

0:16:49.196 --> 0:16:51.796
<v Speaker 1>kung fuflicks wasn't springing up in the middle of a

0:16:51.836 --> 0:16:56.396
<v Speaker 1>Manhattan art scene. Only on a remote island can something

0:16:56.556 --> 0:17:02.756
<v Speaker 1>like King Kong grow to his full capacity. But the

0:17:02.836 --> 0:17:05.516
<v Speaker 1>projects in Staten Island were a difficult place to live.

0:17:06.276 --> 0:17:08.316
<v Speaker 1>A few of the Wu Tang members have written books,

0:17:08.796 --> 0:17:11.116
<v Speaker 1>and reading them, it's clear that it wasn't just the

0:17:11.156 --> 0:17:13.396
<v Speaker 1>remoteness of Stadn Island that led them to the Wu

0:17:13.476 --> 0:17:17.916
<v Speaker 1>Tang clan. It was also what they experienced there, especially

0:17:17.916 --> 0:17:22.156
<v Speaker 1>in the projects. One Wu Tang member you, God wrote

0:17:22.156 --> 0:17:25.156
<v Speaker 1>about the first time he saw somebody die. He was

0:17:25.196 --> 0:17:28.236
<v Speaker 1>five years old, sitting with his mom listening to Loving

0:17:28.276 --> 0:17:32.236
<v Speaker 1>You by Minnie Ripperton play on the radio outside. When

0:17:32.236 --> 0:17:34.316
<v Speaker 1>he heard a crowd forming in the courtyard. He ran

0:17:34.316 --> 0:17:37.636
<v Speaker 1>out to look. A woman was standing on the roof screaming.

0:17:38.356 --> 0:17:42.116
<v Speaker 1>He watched so long his neck one stiff. Then she

0:17:42.236 --> 0:17:45.756
<v Speaker 1>jumped or fell, you, God wrote in his book called

0:17:45.876 --> 0:17:49.476
<v Speaker 1>Raw I was a toddler. The sound of her hitting

0:17:49.556 --> 0:17:54.636
<v Speaker 1>the concrete steps would resonate with me forever. So when

0:17:54.716 --> 0:17:58.116
<v Speaker 1>Rizzo walked Staaten Island, it wasn't just this utopian vision

0:17:58.156 --> 0:18:00.956
<v Speaker 1>of the isolated island where you can dream big. It

0:18:01.036 --> 0:18:04.116
<v Speaker 1>was also the deeply segregated place where kids living on

0:18:04.156 --> 0:18:06.956
<v Speaker 1>their own little island watched adults fall to their death,

0:18:07.676 --> 0:18:12.596
<v Speaker 1>a kind of paradox. And my theory is that paradox

0:18:12.756 --> 0:18:18.676
<v Speaker 1>was expressed in the word Shao Lim.

0:18:18.796 --> 0:18:20.956
<v Speaker 3>Yeah.

0:18:20.996 --> 0:18:23.196
<v Speaker 1>When Rizza was a kid, he and his cousin used

0:18:23.236 --> 0:18:26.596
<v Speaker 1>to go to a Times Square porno theater. Sometimes it

0:18:26.676 --> 0:18:30.476
<v Speaker 1>showed kung Fu and one movie that they loved, in particular,

0:18:31.036 --> 0:18:33.316
<v Speaker 1>the thirty sixth Chamber of Shao Lim.

0:18:33.956 --> 0:18:36.876
<v Speaker 8>But sure or a man choose ah well armed what

0:18:37.036 --> 0:18:37.636
<v Speaker 8>can we do?

0:18:38.036 --> 0:18:40.196
<v Speaker 7>No man, so we he cannot help.

0:18:41.196 --> 0:18:43.436
<v Speaker 1>Most people came to that Times Square movie theater to

0:18:43.516 --> 0:18:46.476
<v Speaker 1>jerk off, sniff glue, or shoot heroin. But Riza would

0:18:46.556 --> 0:18:48.756
<v Speaker 1>later say in interviews that he and his cousin were

0:18:48.836 --> 0:18:51.916
<v Speaker 1>locked in on this poorly dubbed movie about a small

0:18:52.036 --> 0:18:55.156
<v Speaker 1>village in China that was being oppressed by a distant government.

0:18:55.916 --> 0:18:58.796
<v Speaker 1>The hero of the movie is a villager who journeys

0:18:58.836 --> 0:19:02.156
<v Speaker 1>to the Shaolin temple in China to learn to fight back.

0:19:03.396 --> 0:19:08.756
<v Speaker 1>Riza saw this movie over three hundred times. He hadn't

0:19:08.756 --> 0:19:12.596
<v Speaker 1>realized that kind of oppression happened to people who weren't black.

0:19:14.036 --> 0:19:16.356
<v Speaker 1>This is from the thirty six Chamber when our hero

0:19:16.476 --> 0:19:18.356
<v Speaker 1>learns what Shao Lin is.

0:19:18.516 --> 0:19:20.116
<v Speaker 2>Shallin's school is restricted.

0:19:21.476 --> 0:19:25.516
<v Speaker 8>Only monks had taught that if Shaolin techniques could be

0:19:25.556 --> 0:19:28.756
<v Speaker 8>taught here and the people could use it to fight

0:19:28.796 --> 0:19:31.076
<v Speaker 8>the Manchu troops, that would be good.

0:19:31.956 --> 0:19:35.036
<v Speaker 1>At some point, Rizaz started to call Staten Island Shao Lin,

0:19:35.676 --> 0:19:38.476
<v Speaker 1>the place he learned his secret weapon to fighting oppression

0:19:38.556 --> 0:19:42.076
<v Speaker 1>hip hop but Staten Island was also a version of

0:19:42.076 --> 0:19:45.996
<v Speaker 1>that distant oppressive government he saw in the films, and

0:19:46.076 --> 0:19:47.996
<v Speaker 1>as he walked the Island trying to come up with

0:19:48.036 --> 0:19:50.676
<v Speaker 1>his next play. He didn't decide to start a group

0:19:50.756 --> 0:19:53.636
<v Speaker 1>called the Shaolin Clan. He came up with an idea

0:19:53.716 --> 0:19:58.156
<v Speaker 1>for something called the Wu Tang Clan, named after Shaolin's rival.

0:19:59.076 --> 0:20:01.516
<v Speaker 1>This is from another kung fu movie they loved, called

0:20:01.636 --> 0:20:03.396
<v Speaker 1>Shao Lin Versus Wu Tang.

0:20:03.916 --> 0:20:05.636
<v Speaker 2>Isn't it true that you think you are better than us,

0:20:05.716 --> 0:20:07.396
<v Speaker 2>but you're afraid that one day the Wu Tang will

0:20:07.436 --> 0:20:07.996
<v Speaker 2>overtake you?

0:20:07.836 --> 0:20:09.796
<v Speaker 6>You till you use your special points, gonna get rid

0:20:09.796 --> 0:20:11.156
<v Speaker 6>of by master who was your biggest threat.

0:20:11.196 --> 0:20:12.676
<v Speaker 7>On said, no, it isn't I saw it with my

0:20:12.716 --> 0:20:14.796
<v Speaker 7>own eyes. Since Chao Lyn, I'm afraid of the.

0:20:14.796 --> 0:20:17.716
<v Speaker 4>Wu Tang Wu Tang will find Listen to me, someone

0:20:17.796 --> 0:20:18.636
<v Speaker 4>is trying to frame me.

0:20:21.196 --> 0:20:26.236
<v Speaker 1>Rizza kept walking and thinking Chao Lin Wu Tang thirty

0:20:26.276 --> 0:20:32.876
<v Speaker 1>six Chambers Shall Lin Wu Tang thirty six Chambers. Wu

0:20:32.956 --> 0:20:36.556
<v Speaker 1>Tang biographer Skiz Fernando knew all about those walks Rizza

0:20:36.556 --> 0:20:36.996
<v Speaker 1>would take.

0:20:37.996 --> 0:20:40.516
<v Speaker 5>That's one good thing about Staten Island. You can walk

0:20:40.556 --> 0:20:45.436
<v Speaker 5>around in these nice neighborhoods with like Victorian mansions. You

0:20:45.436 --> 0:20:49.556
<v Speaker 5>don't have to worry about getting mugged necessarily and.

0:20:49.556 --> 0:20:51.476
<v Speaker 1>What would have been on the lawns of all those

0:20:51.556 --> 0:20:55.796
<v Speaker 1>Victorian mansions. Rizza was walking by signs that said vote

0:20:55.916 --> 0:20:58.836
<v Speaker 1>yes for the City of Staten Island, secession means a

0:20:58.876 --> 0:21:03.116
<v Speaker 1>better life, billboards for secession above the streets, the same

0:21:03.196 --> 0:21:05.276
<v Speaker 1>thing as was on the front page of the paper

0:21:05.316 --> 0:21:08.636
<v Speaker 1>all the time, the same thing the NAACP of Staten

0:21:08.676 --> 0:21:11.916
<v Speaker 1>Island was hosting meetings about, worrying that this could be

0:21:11.956 --> 0:21:15.916
<v Speaker 1>really bad for black people living on Staten Island. Let

0:21:15.956 --> 0:21:19.036
<v Speaker 1>me be clear, I have never found Riza himself talking

0:21:19.076 --> 0:21:22.356
<v Speaker 1>about Staten Island secession, but in my kasbon mode I

0:21:22.476 --> 0:21:25.956
<v Speaker 1>see a connection. Because as he walked a Staten Island

0:21:25.956 --> 0:21:28.196
<v Speaker 1>that felt like it wasn't welcome in New York City

0:21:28.436 --> 0:21:31.156
<v Speaker 1>and was striking out on its own, this guy, who

0:21:31.156 --> 0:21:33.596
<v Speaker 1>would have every reason not to feel welcome on Staten

0:21:33.636 --> 0:21:36.636
<v Speaker 1>Island formed a plan for an unlikely hip hop group

0:21:36.676 --> 0:21:40.796
<v Speaker 1>from Shaolin that was about to do the same. Maybe

0:21:40.956 --> 0:21:43.596
<v Speaker 1>he thought they could skip the whole major label thing

0:21:43.636 --> 0:21:46.356
<v Speaker 1>that had screwed him before. Maybe he didn't have to

0:21:46.396 --> 0:21:50.316
<v Speaker 1>sanitize his life and character to succeed. Maybe there could

0:21:50.356 --> 0:21:52.956
<v Speaker 1>be a hip hop group from the forgotten borough that

0:21:53.036 --> 0:21:55.796
<v Speaker 1>made it all happen on its own, and that group

0:21:55.836 --> 0:22:00.276
<v Speaker 1>would be called Wu Tang Clan. He began to assemble

0:22:00.316 --> 0:22:03.676
<v Speaker 1>his crew, and the core ideology for Riza, I think

0:22:04.116 --> 0:22:06.516
<v Speaker 1>had a whole lot in common with the secession movement.

0:22:06.876 --> 0:22:11.596
<v Speaker 1>It's the exact same fantasy. If some central authority is

0:22:11.636 --> 0:22:14.236
<v Speaker 1>dominating you and you don't like it, what do you do?

0:22:15.156 --> 0:22:18.636
<v Speaker 1>Go away to shoolin, learn the truth, build a movement,

0:22:19.196 --> 0:22:22.276
<v Speaker 1>and go to war with the oppressor till you remake

0:22:22.316 --> 0:22:37.636
<v Speaker 1>it in your own image. Let me put my kasavon

0:22:37.796 --> 0:22:40.196
<v Speaker 1>robe back on and bring you back into my library.

0:22:40.556 --> 0:22:45.516
<v Speaker 1>Please sit at the table, have a mug of tepid tea.

0:22:45.636 --> 0:22:48.436
<v Speaker 1>I believe that the fantasy Wu Tang Clan had was

0:22:48.476 --> 0:22:50.356
<v Speaker 1>that there's a way to strike out on your own,

0:22:50.396 --> 0:22:53.956
<v Speaker 1>independently and take over the forces that oppressed you. And

0:22:53.996 --> 0:22:57.596
<v Speaker 1>that's the exact fantasy of the secessionists emanating from the

0:22:57.716 --> 0:23:00.636
<v Speaker 1>exact remote island at the exact moment. So many people

0:23:00.676 --> 0:23:04.516
<v Speaker 1>on the island experienced it, and it was the spirit

0:23:04.636 --> 0:23:07.876
<v Speaker 1>of what skiz that Wu Tang biographer told me that

0:23:07.996 --> 0:23:08.476
<v Speaker 1>Riza did.

0:23:08.516 --> 0:23:12.516
<v Speaker 5>Next, he took the whole mythology that was in the

0:23:12.596 --> 0:23:19.676
<v Speaker 5>movies and he appropriated it to his current conditions of

0:23:21.476 --> 0:23:27.116
<v Speaker 5>a black man living in Staten Island doing battle in

0:23:27.196 --> 0:23:30.556
<v Speaker 5>this game called rap against the music industry.

0:23:31.516 --> 0:23:33.956
<v Speaker 1>Walking the island, Rizza had come up with a five

0:23:34.036 --> 0:23:37.756
<v Speaker 1>year plan. He'd go to the greatest underrated mcs he

0:23:37.836 --> 0:23:40.116
<v Speaker 1>knew on the island and banned them together into the

0:23:40.156 --> 0:23:43.116
<v Speaker 1>Wu Tang clan. He'd been burned by the labels before

0:23:43.196 --> 0:23:45.796
<v Speaker 1>with that Prince Rackim album, so now he wanted to

0:23:45.796 --> 0:23:48.876
<v Speaker 1>go it alone. He'd take the ten thousand dollars he'd

0:23:48.916 --> 0:23:51.596
<v Speaker 1>saved and use it to start a production company.

0:23:52.236 --> 0:23:55.756
<v Speaker 5>These guys had absolutely no future. They're all caught up

0:23:55.796 --> 0:23:59.996
<v Speaker 5>in the street game. They're all selling crack, you know,

0:24:00.516 --> 0:24:04.236
<v Speaker 5>two for five on the street. They didn't want to

0:24:04.276 --> 0:24:04.796
<v Speaker 5>be doing that.

0:24:06.196 --> 0:24:08.676
<v Speaker 1>The guys all went out to a diner on Staten Island.

0:24:09.276 --> 0:24:12.436
<v Speaker 1>They toasted Wu Tang with a bottle of champagne. Each

0:24:12.436 --> 0:24:15.516
<v Speaker 1>member put up one hundred dollars for studio time. The

0:24:15.556 --> 0:24:18.756
<v Speaker 1>next day they started recording what became their first single,

0:24:19.316 --> 0:24:25.836
<v Speaker 1>protect Yanik. Putting eight mcs on a track and making

0:24:25.876 --> 0:24:28.676
<v Speaker 1>it all blend together is as difficult as making five

0:24:28.716 --> 0:24:31.996
<v Speaker 1>Burrows feel like one city. The difference is that Rizza

0:24:32.356 --> 0:24:34.996
<v Speaker 1>was about to pull it off. It took days of

0:24:35.036 --> 0:24:38.716
<v Speaker 1>recording until all the verses were in place. Like students

0:24:38.756 --> 0:24:41.956
<v Speaker 1>at Shaolin and Wu Tang, each MC was trying to

0:24:41.956 --> 0:24:45.156
<v Speaker 1>one up the other, pushing farther and farther beyond the

0:24:45.196 --> 0:24:47.356
<v Speaker 1>reaches of what existed in hip hop at the time.

0:24:47.996 --> 0:24:50.556
<v Speaker 1>Rizza knew each one's style and how to draw out

0:24:50.556 --> 0:24:53.356
<v Speaker 1>what made them unique. It was the opposite of some

0:24:53.436 --> 0:24:56.276
<v Speaker 1>oppressive label telling him we think girls will like you

0:24:56.636 --> 0:25:00.276
<v Speaker 1>and neutering his art. He didn't need the label. By

0:25:00.316 --> 0:25:03.836
<v Speaker 1>December of nineteen ninety two, the song was finished. The

0:25:03.876 --> 0:25:06.516
<v Speaker 1>group took the cassette of Protect Yan Neck to the

0:25:06.556 --> 0:25:09.876
<v Speaker 1>hottest hip hop radio show in Town Stretch and Babido

0:25:10.556 --> 0:25:12.676
<v Speaker 1>Babido was alone in the studio.

0:25:13.716 --> 0:25:18.196
<v Speaker 7>I'm not quite sure how members of the Wu Tang

0:25:18.276 --> 0:25:22.996
<v Speaker 7>clan got into our hallway, but I hear a knock

0:25:23.076 --> 0:25:27.876
<v Speaker 7>on the studio door. I open it and there's five

0:25:27.996 --> 0:25:31.276
<v Speaker 7>dudes out there, and then, not smiling.

0:25:31.916 --> 0:25:34.116
<v Speaker 1>They shoved an unmarked record into his hands.

0:25:34.916 --> 0:25:37.436
<v Speaker 7>They're like, yo, man, yo, you got played this, You

0:25:37.476 --> 0:25:39.836
<v Speaker 7>got played yo, We played it right now. I was like, yo,

0:25:39.876 --> 0:25:41.916
<v Speaker 7>fella is like I can't. I felt like I was

0:25:41.956 --> 0:25:47.436
<v Speaker 7>being strong armed to play their record immediately I said.

0:25:47.516 --> 0:25:49.756
<v Speaker 1>I was like, all right, fella's cool. So I took

0:25:49.796 --> 0:25:51.916
<v Speaker 1>the record. I threw it all because I was.

0:25:51.796 --> 0:25:54.436
<v Speaker 7>I was intrigued. I was like, how did these dudes

0:25:54.516 --> 0:25:55.956
<v Speaker 7>mysteriously get into the studio.

0:25:56.956 --> 0:26:01.196
<v Speaker 1>He listened to it privately first.

0:25:59.916 --> 0:26:05.636
<v Speaker 7>And I hear the you know, the martial arts, and

0:26:05.676 --> 0:26:07.676
<v Speaker 7>I'm like, oh, this is this is dope. You know

0:26:08.316 --> 0:26:10.196
<v Speaker 7>I'm going to play it.

0:26:10.196 --> 0:26:12.516
<v Speaker 1>It was the premiere that launched the Wu Tang clan.

0:26:13.076 --> 0:26:15.716
<v Speaker 3>Tell me about the damn like tops in Pakistan, swinging

0:26:15.756 --> 0:26:18.036
<v Speaker 3>through your town like your neighborhood spot a man so

0:26:18.196 --> 0:26:19.836
<v Speaker 3>on TikTok ticket.

0:26:20.876 --> 0:26:24.676
<v Speaker 7>But yeah, I mean immediately the phone lines let up immediately.

0:26:24.836 --> 0:26:27.596
<v Speaker 7>I'll never forget my friend. He called up and was like, Yo, wow,

0:26:27.636 --> 0:26:28.836
<v Speaker 7>what that he is?

0:26:28.916 --> 0:26:29.196
<v Speaker 2>Dad?

0:26:29.316 --> 0:26:31.676
<v Speaker 7>I was like, Yo, I don't know, I don't know,

0:26:31.916 --> 0:26:32.916
<v Speaker 7>I don't know what the record is.

0:26:33.676 --> 0:26:33.996
<v Speaker 3>All right?

0:26:34.036 --> 0:26:36.156
<v Speaker 1>I love this song And my favorite part is the

0:26:36.156 --> 0:26:39.636
<v Speaker 1>final verse, when Jesse explains the entire philosophy of Wu

0:26:39.716 --> 0:26:43.036
<v Speaker 1>Tang is that they don't need some centralized music industry

0:26:43.036 --> 0:26:45.196
<v Speaker 1>to take over the world. They can do it all

0:26:45.236 --> 0:26:45.716
<v Speaker 1>on their own.

0:26:45.876 --> 0:26:48.196
<v Speaker 3>The woe was too slamming, but He's called chilling label,

0:26:48.276 --> 0:26:49.116
<v Speaker 3>so we had to hit.

0:26:49.236 --> 0:26:51.316
<v Speaker 4>Since a sing an't table, he doing one on a

0:26:51.356 --> 0:26:52.756
<v Speaker 4>sitting like Tang did table.

0:26:52.836 --> 0:26:55.236
<v Speaker 3>Now, any money's getting stuck to the gum under the table.

0:26:55.476 --> 0:26:58.076
<v Speaker 4>That's what you're getting when your mishoos what I advent

0:26:58.476 --> 0:26:59.196
<v Speaker 4>and Pia.

0:26:58.996 --> 0:27:03.156
<v Speaker 1>Falls in your Basically, you had your chance, you lost it.

0:27:03.516 --> 0:27:06.796
<v Speaker 1>We don't need you. It's our time now. The song

0:27:07.316 --> 0:27:07.876
<v Speaker 1>blew up.

0:27:08.236 --> 0:27:08.996
<v Speaker 4>You know what I want here?

0:27:09.196 --> 0:27:09.796
<v Speaker 1>What do you want here?

0:27:09.916 --> 0:27:13.836
<v Speaker 3>I want Wu Tang again.

0:27:17.196 --> 0:27:20.276
<v Speaker 1>So of course the labels came knocking. But this time

0:27:20.356 --> 0:27:23.596
<v Speaker 1>Rizza was ready no more Prince Rakim. He was the

0:27:23.716 --> 0:27:27.076
<v Speaker 1>king and he had a plan for world domination. They

0:27:27.076 --> 0:27:29.076
<v Speaker 1>would make a deal for Wu Tang as a group,

0:27:29.556 --> 0:27:33.476
<v Speaker 1>but he would do something totally unprecedented in the industry.

0:27:33.996 --> 0:27:36.796
<v Speaker 1>In the contract, there would be a clause though all

0:27:36.836 --> 0:27:39.476
<v Speaker 1>the mcs and Wu Tang might be consolidated under the

0:27:39.556 --> 0:27:42.156
<v Speaker 1>name Wu Tang Clan, and Wu Tang might sign a

0:27:42.196 --> 0:27:45.556
<v Speaker 1>record deal. Each MC was going to retain local control

0:27:45.756 --> 0:27:49.116
<v Speaker 1>of their own career. Each one could make any deal

0:27:49.156 --> 0:27:53.596
<v Speaker 1>he wanted with any other record label. Loud Records agreed

0:27:53.636 --> 0:27:58.356
<v Speaker 1>to Rizza's terms. Skiz Fernando again revolutionary deal in the

0:27:58.436 --> 0:27:59.276
<v Speaker 1>music industry.

0:27:59.436 --> 0:28:03.436
<v Speaker 5>The whole first round of Wu Tang solo albums was

0:28:03.516 --> 0:28:07.436
<v Speaker 5>like that, all on different labels and different artists, but

0:28:07.596 --> 0:28:12.076
<v Speaker 5>like all the wut It's on each album, so they're

0:28:12.196 --> 0:28:16.076
<v Speaker 5>using the major label system to spread their own brand

0:28:16.156 --> 0:28:18.156
<v Speaker 5>out there. That was the genius of it, Like no

0:28:18.156 --> 0:28:21.396
<v Speaker 5>one had ever done anything like that before.

0:28:22.516 --> 0:28:25.356
<v Speaker 1>On November ninth, Wu Tang Clan played their album release

0:28:25.396 --> 0:28:28.356
<v Speaker 1>show for Enter the Wu Tang thirty six Chambers at

0:28:28.356 --> 0:28:32.076
<v Speaker 1>Webster Hall in the heart of Manhattan. Skiz was there.

0:28:32.676 --> 0:28:37.756
<v Speaker 5>The floor was packed with people. They were showing thirty

0:28:37.796 --> 0:28:42.876
<v Speaker 5>six Chambers the original on the big screen, and then

0:28:43.796 --> 0:28:49.156
<v Speaker 5>when the group got on to perform, Honestly, it seemed

0:28:49.156 --> 0:28:52.836
<v Speaker 5>like all of Staten Island was on stage. You didn't

0:28:52.876 --> 0:28:55.036
<v Speaker 5>know who was in the group and who wasn't because

0:28:55.036 --> 0:28:58.716
<v Speaker 5>it was just like the whole stage was packed, The.

0:28:58.676 --> 0:29:00.316
<v Speaker 1>Whole floor was packed.

0:29:01.716 --> 0:29:06.276
<v Speaker 5>That whole floor was just bouncing up and down these

0:29:06.316 --> 0:29:09.356
<v Speaker 5>wooden rafters. I thought I thought the whole thing was

0:29:09.396 --> 0:29:12.756
<v Speaker 5>going to collapse. It was just like people were ready

0:29:12.756 --> 0:29:17.396
<v Speaker 5>to tear shit down. The energy, the excitement because they

0:29:17.436 --> 0:29:19.996
<v Speaker 5>came from Staten Island. It was like a sneak attack

0:29:20.476 --> 0:29:21.676
<v Speaker 5>like no one saw it coming.

0:29:22.516 --> 0:29:27.396
<v Speaker 1>Riza executed his plan flawlessly. Wu Tang released their debut album,

0:29:27.556 --> 0:29:31.236
<v Speaker 1>an absolutely bizarre hour long hip hop record full of

0:29:31.316 --> 0:29:34.836
<v Speaker 1>Kung Fu samples and weird jazz and nine unheard of mcs,

0:29:34.996 --> 0:29:38.076
<v Speaker 1>most of whom hailed from a forgotten island and island

0:29:38.396 --> 0:29:41.876
<v Speaker 1>they'd renamed after a Chinese martial arts school, and it

0:29:41.956 --> 0:29:45.956
<v Speaker 1>went quadruple platinum. Here's method Man on TV.

0:29:46.476 --> 0:29:48.756
<v Speaker 3>And we tried to lock down the industry, which you

0:29:48.796 --> 0:29:50.916
<v Speaker 3>cannot do because they already set in their ways, like

0:29:50.956 --> 0:29:52.916
<v Speaker 3>I said before, So what we have to do is

0:29:52.956 --> 0:29:54.716
<v Speaker 3>build our own industry to make it right.

0:29:56.996 --> 0:30:00.516
<v Speaker 1>And Rutang's still playing together. So for me, in this

0:30:00.596 --> 0:30:03.276
<v Speaker 1>series on Secession, it's a lesson than how to keep

0:30:03.316 --> 0:30:06.436
<v Speaker 1>a group of people together. Not that the clans without

0:30:06.476 --> 0:30:09.476
<v Speaker 1>its problems, but the genius of the whole thing is

0:30:09.516 --> 0:30:12.876
<v Speaker 1>that Riza figured out how to showcase each rapper's own

0:30:12.956 --> 0:30:17.076
<v Speaker 1>personality and give them their own career. He went on

0:30:17.156 --> 0:30:19.276
<v Speaker 1>to produce a round of solo albums for each of

0:30:19.316 --> 0:30:22.196
<v Speaker 1>the MC's in the group, hit after hit after hit,

0:30:22.556 --> 0:30:25.436
<v Speaker 1>each one on different record labels, who were feverishly trying

0:30:25.436 --> 0:30:28.276
<v Speaker 1>to ride the Wu Tang Wave, Method Man on def

0:30:28.356 --> 0:30:33.116
<v Speaker 1>Jam Platinum, Old Dirty Bastard on WMG Platinum, Rayquon on

0:30:33.316 --> 0:30:37.436
<v Speaker 1>RCA Platinum, ghost Face Killer on Epic Platinum, Jizz on

0:30:37.476 --> 0:30:42.716
<v Speaker 1>Geffen Gold. Six hit albums in three years. Wu Tang

0:30:42.796 --> 0:30:46.876
<v Speaker 1>clan ran the industry. These guys who had so much

0:30:46.916 --> 0:30:50.556
<v Speaker 1>working against them went to shoolin, came back on their

0:30:50.596 --> 0:30:52.836
<v Speaker 1>own terms and toppled the oppressor.

0:30:54.076 --> 0:30:56.956
<v Speaker 4>Don't think that because he has a solo deal and

0:30:56.996 --> 0:30:58.716
<v Speaker 4>I have a solo deal, this man may it a

0:30:58.756 --> 0:31:01.796
<v Speaker 4>solo deal that we all we all just separating and

0:31:01.836 --> 0:31:03.636
<v Speaker 4>breaking up. It's not that type of thing, man. We

0:31:03.796 --> 0:31:06.596
<v Speaker 4>just we just expanded because the talent is so great.

0:31:06.636 --> 0:31:08.956
<v Speaker 4>It's like we have we have mad talent in this,

0:31:09.276 --> 0:31:10.156
<v Speaker 4>you know, and we just.

0:31:10.036 --> 0:31:10.956
<v Speaker 5>Got to spread out.

0:31:11.436 --> 0:31:13.276
<v Speaker 4>You know, you can't come out on one chain when

0:31:13.276 --> 0:31:22.076
<v Speaker 4>you just got to spread.

0:31:18.236 --> 0:31:22.636
<v Speaker 1>This is the fantasy of secession. You break away, you

0:31:22.716 --> 0:31:24.836
<v Speaker 1>come back with a crew of guys from Staten Island

0:31:25.196 --> 0:31:28.236
<v Speaker 1>and you dominate. That's what Wu Tang did. That's what

0:31:28.276 --> 0:31:32.116
<v Speaker 1>the Staten Island secessionists dreamed of doing. It's the zeitgeist,

0:31:32.196 --> 0:31:35.036
<v Speaker 1>the key to all mythologies. Some force in the early

0:31:35.116 --> 0:31:39.516
<v Speaker 1>nineties of New York City was shouting secede, secede. Oh.

0:31:39.556 --> 0:31:43.556
<v Speaker 1>And by the way, the vote on secession it happened

0:31:43.596 --> 0:31:47.036
<v Speaker 1>seven days before the Wu Tang Clan put out their album,

0:31:47.236 --> 0:31:49.716
<v Speaker 1>and that vote was going to leave an even bigger

0:31:49.756 --> 0:31:53.836
<v Speaker 1>mark on our world today. That's coming up on the

0:31:53.916 --> 0:31:56.676
<v Speaker 1>last episode of The Staten Island.

0:31:56.316 --> 0:32:01.036
<v Speaker 5>Problem live here on Channel seventy seven from Secession headquarters

0:32:01.036 --> 0:32:03.836
<v Speaker 5>at the Island Chateau, Channel seventy seven, bringing you that

0:32:03.916 --> 0:32:07.316
<v Speaker 5>live happening as we do. It's so parallel.

0:32:07.636 --> 0:32:10.916
<v Speaker 7>Who gets to be in this position? What's fair and

0:32:11.036 --> 0:32:11.396
<v Speaker 7>what's not?

0:32:11.836 --> 0:32:12.956
<v Speaker 9>Who gets to wheel power?

0:32:12.996 --> 0:32:13.556
<v Speaker 7>Who doesn't?

0:32:14.356 --> 0:32:19.436
<v Speaker 9>These sentiments show up in so many places and parts

0:32:19.476 --> 0:32:26.036
<v Speaker 9>of our population right that sense of low boiling resentment

0:32:26.156 --> 0:32:31.276
<v Speaker 9>towards the people in charge, Like who doesn't feel that?

0:32:31.436 --> 0:32:34.996
<v Speaker 4>Right now? Do you realize as a city that can

0:32:34.996 --> 0:32:37.116
<v Speaker 4>plan for its own and that doesn't have to say

0:32:37.116 --> 0:32:39.196
<v Speaker 4>may I, may I do this and may I do that?

0:32:39.596 --> 0:32:40.596
<v Speaker 5>Where are we going?

0:32:41.436 --> 0:32:43.636
<v Speaker 1>What are we standing on top of? Right now?

0:32:43.876 --> 0:32:46.436
<v Speaker 8>We're standing on the story of New York City. If

0:32:46.476 --> 0:32:48.476
<v Speaker 8>you lived here between nineteen forty eight and two thousand

0:32:48.516 --> 0:32:51.916
<v Speaker 8>and one, you're here somewhere, maybe not in this exact mount,

0:32:52.036 --> 0:32:54.916
<v Speaker 8>but some piece of you, even if you just passed through,

0:32:54.996 --> 0:32:57.276
<v Speaker 8>some piece of you is underneath us.

0:33:05.356 --> 0:33:07.756
<v Speaker 1>The Staten Island Problem is written and produced by me

0:33:08.116 --> 0:33:11.596
<v Speaker 1>then mat of Haffrey, with Lucy Sullivan and Nina Bird Lawrence.

0:33:12.396 --> 0:33:16.476
<v Speaker 1>Our editor is Karen Schakerji. Our executive producer is Jacob Smith.

0:33:16.916 --> 0:33:20.236
<v Speaker 1>Fact checking by Sam Russick, Sound design and mastering by

0:33:20.276 --> 0:33:25.356
<v Speaker 1>Jake Gorsky. Original music by Stellwagon, Symfinette, Luis Gara, Jake Gorsky,

0:33:25.636 --> 0:33:28.196
<v Speaker 1>and thanks to Todd Reynolds for his track The Solution

0:33:28.476 --> 0:33:32.716
<v Speaker 1>from the album Outer Borrow Special thanks to Malcolm Gladwell.

0:33:33.396 --> 0:33:35.796
<v Speaker 1>I'm Ben Mattahaffrey