1 00:00:00,280 --> 00:00:04,320 Speaker 1: Thank you for You're coming back. Part two is underway. 2 00:00:04,440 --> 00:00:06,400 Speaker 1: How long did it take with you to get your 3 00:00:06,400 --> 00:00:08,520 Speaker 1: big break? When did you when did you know? Say 4 00:00:08,600 --> 00:00:10,680 Speaker 1: you know what? Lorella's rye. 5 00:00:12,039 --> 00:00:16,760 Speaker 2: I think you get a couple of them, Okay. The 6 00:00:16,800 --> 00:00:20,120 Speaker 2: first one that I felt strong about was my second 7 00:00:20,200 --> 00:00:22,880 Speaker 2: year doing Comic View. I did it in Miami. Ernest 8 00:00:22,920 --> 00:00:28,040 Speaker 2: J was hosting. Yea, I remember a comic backstage. I 9 00:00:28,040 --> 00:00:30,479 Speaker 2: don't do the name ding, it ain't my thing, and 10 00:00:30,640 --> 00:00:33,120 Speaker 2: a comic went up before me killed right, He's like. 11 00:00:34,760 --> 00:00:37,519 Speaker 3: Good, look little real, like laughing at me, like I 12 00:00:37,560 --> 00:00:39,559 Speaker 3: was gonna bomb. First bit I do. 13 00:00:39,640 --> 00:00:42,160 Speaker 2: I used to do this remix of this tweet song 14 00:00:42,400 --> 00:00:46,360 Speaker 2: who told my standing ovation? And if people don't realize that, 15 00:00:46,400 --> 00:00:48,120 Speaker 2: I used to like to do my best joke first. 16 00:00:49,159 --> 00:00:51,400 Speaker 2: That's how you write really great jokes. Do do your 17 00:00:51,479 --> 00:00:53,680 Speaker 2: hottest bit first. And now I got to figure out 18 00:00:53,680 --> 00:00:56,040 Speaker 2: how to follow this, So everything else got to be strong. 19 00:00:56,960 --> 00:00:58,160 Speaker 2: So I got to be able to do I should 20 00:00:58,200 --> 00:00:59,600 Speaker 2: have a bit that I should have any bit that 21 00:00:59,600 --> 00:01:00,560 Speaker 2: can close any show. 22 00:01:01,760 --> 00:01:02,960 Speaker 3: You know, any of my bits, you be able to 23 00:01:02,960 --> 00:01:03,520 Speaker 3: close my ship? 24 00:01:03,600 --> 00:01:04,880 Speaker 2: Br And I thought, you know, that was something I 25 00:01:04,920 --> 00:01:08,200 Speaker 2: learned early on Standovation, got a Standovation left. I had 26 00:01:08,200 --> 00:01:10,480 Speaker 2: my little, my little real jersey on because you know 27 00:01:10,520 --> 00:01:12,400 Speaker 2: what you want people to remember, you see, everybody's to 28 00:01:12,480 --> 00:01:14,440 Speaker 2: put their name on their stuff. I got differm d 29 00:01:14,560 --> 00:01:18,600 Speaker 2: Ray actions and you know, and so that happened, and 30 00:01:18,640 --> 00:01:21,600 Speaker 2: then we move on to Bill Bellamy's Who Got Jokes 31 00:01:22,120 --> 00:01:22,680 Speaker 2: on TV one. 32 00:01:22,680 --> 00:01:24,400 Speaker 3: That's what me and Tiffany hadgard became fence. 33 00:01:25,360 --> 00:01:28,679 Speaker 2: I beat Leon Rodgers, who's one of our most well 34 00:01:28,720 --> 00:01:32,199 Speaker 2: respected comedians out of Chicago, big radio personality out there, 35 00:01:33,040 --> 00:01:34,800 Speaker 2: and I beat him in an episode of Who Got 36 00:01:34,880 --> 00:01:37,119 Speaker 2: Jokes and that was a monumental for me. That's when 37 00:01:37,160 --> 00:01:40,479 Speaker 2: I was like, oh shit, okay, I'm becoming a man. 38 00:01:41,280 --> 00:01:45,720 Speaker 2: And then Martin Lawrence First Amendment, I do that and 39 00:01:46,560 --> 00:01:49,880 Speaker 2: stand Ovation. Cheryl Underwood brings me back on stage. He 40 00:01:50,120 --> 00:01:52,200 Speaker 2: edit this out, which I hate they did, but brought 41 00:01:52,200 --> 00:01:53,880 Speaker 2: me back on stage and said, Chicago. 42 00:01:53,560 --> 00:01:54,760 Speaker 3: This is your next Bernie Mac. 43 00:01:56,720 --> 00:01:58,480 Speaker 2: Every time I see Cheryl now because now I go 44 00:01:58,520 --> 00:02:02,480 Speaker 2: sit on the couch at you know, the talk, and 45 00:02:02,520 --> 00:02:03,880 Speaker 2: we hugged, hug it out every time. 46 00:02:03,880 --> 00:02:05,200 Speaker 3: I love her to death for that. I'm like, dam 47 00:02:05,320 --> 00:02:07,280 Speaker 3: I was just a kid. You did that. That was 48 00:02:07,360 --> 00:02:09,640 Speaker 3: doue and so it's just different big breaks. 49 00:02:09,639 --> 00:02:13,000 Speaker 2: But get Out became our big screen big break, and 50 00:02:13,120 --> 00:02:16,760 Speaker 2: that changed. That was the last movie I auditioned for, 51 00:02:18,200 --> 00:02:19,880 Speaker 2: so every movie you seen me in after. 52 00:02:19,680 --> 00:02:22,280 Speaker 1: That it was just it's called they rode the referee, 53 00:02:22,360 --> 00:02:25,560 Speaker 1: offer only YEP, watch from what. 54 00:02:25,520 --> 00:02:27,519 Speaker 4: Was Coming you your first paid TV spot. 55 00:02:27,760 --> 00:02:31,880 Speaker 2: Yep's kind of you. I did it just so crazy. 56 00:02:31,960 --> 00:02:35,240 Speaker 2: I did it in New Orleans before Katrina. It was 57 00:02:35,280 --> 00:02:39,080 Speaker 2: like right before Katrina. It's almost sometimes I feel eerie 58 00:02:39,120 --> 00:02:44,640 Speaker 2: about watching that tape because you're New Orleans was a 59 00:02:44,639 --> 00:02:47,959 Speaker 2: different New Orleans before Katrina, and I just remember the 60 00:02:48,080 --> 00:02:49,760 Speaker 2: energy even we look when you look at the audience 61 00:02:49,800 --> 00:02:52,080 Speaker 2: that that audience is one of the best comedy. 62 00:02:51,720 --> 00:02:54,960 Speaker 3: Crowds in the world. Was that New Orleans crowd. 63 00:02:55,000 --> 00:02:57,480 Speaker 2: It's so it's kind of it's eerie to watch sometimes, 64 00:02:57,639 --> 00:02:58,400 Speaker 2: but yeah, I did that. 65 00:02:58,520 --> 00:03:00,560 Speaker 3: Comedy was my first year. 66 00:03:00,720 --> 00:03:02,480 Speaker 1: I'm looking at in two thousands and all the kind 67 00:03:02,520 --> 00:03:05,680 Speaker 1: You're like NBC's last comic Standing p Diddy Bad Boys 68 00:03:05,680 --> 00:03:08,920 Speaker 1: of Comedy. Russell Simmons presents Stand Up l Ray Shaq 69 00:03:09,200 --> 00:03:12,720 Speaker 1: or Shaquille O'Neal, The All Star Comedy Jam I mean. 70 00:03:14,360 --> 00:03:16,760 Speaker 4: You all over the place in the two thousands. 71 00:03:16,440 --> 00:03:19,240 Speaker 2: I didn't stop. I feel like I needed a credit 72 00:03:19,320 --> 00:03:22,480 Speaker 2: every year. So I try to stay on TV every 73 00:03:22,919 --> 00:03:25,800 Speaker 2: single year. So whatever stand up series was coming on, 74 00:03:25,880 --> 00:03:26,920 Speaker 2: I'm like, I gotta get on this. 75 00:03:27,960 --> 00:03:30,160 Speaker 1: You don't feel that you're too big for that now 76 00:03:30,200 --> 00:03:31,760 Speaker 1: that you've outgrown. 77 00:03:31,240 --> 00:03:34,480 Speaker 2: That, Yeah, I think so. I think for me, the 78 00:03:34,520 --> 00:03:36,680 Speaker 2: next move is to create a show like that. Okay, 79 00:03:37,000 --> 00:03:39,000 Speaker 2: you know, I need to host and produce something like that. 80 00:03:39,280 --> 00:03:40,920 Speaker 2: You know what I'm saying. That's been my goal the 81 00:03:41,000 --> 00:03:43,640 Speaker 2: last few years. It was something bubbling and then the 82 00:03:44,800 --> 00:03:48,400 Speaker 2: you know, fizzed away, but it's still something something I 83 00:03:48,480 --> 00:03:50,320 Speaker 2: want to do, is host and create something like that 84 00:03:50,360 --> 00:03:54,520 Speaker 2: because that those platforms really helped me get to to 85 00:03:54,560 --> 00:03:59,600 Speaker 2: where I'm at, which is why, like you know, I've. 86 00:03:57,960 --> 00:04:01,040 Speaker 3: Been yo once again, your show has kicked off. 87 00:04:01,320 --> 00:04:05,680 Speaker 2: Outside that interview, so many comics, it's so many conversations happening, 88 00:04:06,440 --> 00:04:08,600 Speaker 2: and you know, one of the things that people don't 89 00:04:08,600 --> 00:04:09,920 Speaker 2: realize once again, I will tell you earlier that. 90 00:04:09,920 --> 00:04:11,240 Speaker 3: Everybody's journey is different. 91 00:04:11,360 --> 00:04:11,720 Speaker 4: Correct. 92 00:04:12,040 --> 00:04:14,040 Speaker 2: You know I did hear Kat say, like you know, 93 00:04:14,040 --> 00:04:15,880 Speaker 2: he was talking about Kevin Heart. Like with Kevin Heart, 94 00:04:15,960 --> 00:04:17,560 Speaker 2: how many people you know, come to La with a 95 00:04:17,640 --> 00:04:21,680 Speaker 2: movie and a sitcom and it's that well. Unfortunately I 96 00:04:21,760 --> 00:04:24,000 Speaker 2: was watching them, I'm like, damn cat never, he don't know, 97 00:04:24,600 --> 00:04:25,080 Speaker 2: he don't. 98 00:04:24,920 --> 00:04:27,040 Speaker 3: Know about the festival circuit. 99 00:04:28,200 --> 00:04:28,840 Speaker 2: He oh, he. 100 00:04:28,839 --> 00:04:34,040 Speaker 3: Don't he don't know. Jesus Christ. You know how Kevin 101 00:04:34,080 --> 00:04:35,040 Speaker 3: gets deals like that? 102 00:04:35,320 --> 00:04:37,560 Speaker 2: You go to the Just for Last festival in Montreal, 103 00:04:37,560 --> 00:04:39,800 Speaker 2: which is one of the biggest comedy festivals in the world. 104 00:04:40,200 --> 00:04:42,279 Speaker 3: You know what happens at the Montreal Comedy Festival. 105 00:04:42,640 --> 00:04:44,600 Speaker 2: You go up on stage, have a great fight at 106 00:04:44,600 --> 00:04:47,919 Speaker 2: ten minutes, and the next day you're meeting with studio 107 00:04:47,960 --> 00:04:52,000 Speaker 2: execs that are actually there. They were giving people deals 108 00:04:52,720 --> 00:04:55,760 Speaker 2: at these festivals. That festival helped change my life. 109 00:04:55,960 --> 00:04:58,760 Speaker 3: They still do that, still do it. It's still the biggest. 110 00:04:58,960 --> 00:05:00,760 Speaker 3: Like a lot of us go now get awards from 111 00:05:00,839 --> 00:05:01,120 Speaker 3: it now. 112 00:05:01,480 --> 00:05:04,080 Speaker 2: I got an award as a breakout comedy star a 113 00:05:04,120 --> 00:05:06,400 Speaker 2: couple of years ago, and I remember my speech. 114 00:05:06,440 --> 00:05:09,080 Speaker 3: It was teared up giving my speech. 115 00:05:09,080 --> 00:05:10,760 Speaker 2: You know why, because I sat in the back of 116 00:05:10,800 --> 00:05:14,800 Speaker 2: that room ten years ago as a new face comic. 117 00:05:15,640 --> 00:05:17,040 Speaker 3: It was like, one day I'm gonna be up there 118 00:05:17,040 --> 00:05:17,760 Speaker 3: to get an award. 119 00:05:19,000 --> 00:05:21,120 Speaker 2: I got my award and I stood I literally it 120 00:05:21,160 --> 00:05:23,000 Speaker 2: was packed in now and I looked. I said, I 121 00:05:23,000 --> 00:05:24,720 Speaker 2: told the comics, I love the speech, and there I said, 122 00:05:24,760 --> 00:05:27,359 Speaker 2: I forget the speech. I sat in that last seat 123 00:05:27,360 --> 00:05:31,080 Speaker 2: back there, that last seat back there, and watched these 124 00:05:31,400 --> 00:05:33,280 Speaker 2: that award show and spoke that up that I was 125 00:05:33,279 --> 00:05:36,479 Speaker 2: gonna be up there getting this one day. You know, 126 00:05:37,240 --> 00:05:40,160 Speaker 2: I'll say this once again, you don't know everybody's journey 127 00:05:40,240 --> 00:05:40,440 Speaker 2: like that. 128 00:05:41,640 --> 00:05:42,119 Speaker 3: You don't. 129 00:05:42,880 --> 00:05:44,960 Speaker 2: And I think people gotta be okay with not understand 130 00:05:45,040 --> 00:05:45,960 Speaker 2: different parts of the game. 131 00:05:46,040 --> 00:05:48,200 Speaker 3: Like brother, the festivals a lot of people got. 132 00:05:48,480 --> 00:05:51,240 Speaker 2: It was the time the early two thousands May, they 133 00:05:51,360 --> 00:05:53,839 Speaker 2: was giving out deals at the HBO Assming Festival, and 134 00:05:53,839 --> 00:05:56,080 Speaker 2: it just for last festival they was getting me cast 135 00:05:56,160 --> 00:05:57,720 Speaker 2: like five hundred thousand dollars. 136 00:05:57,520 --> 00:05:59,440 Speaker 3: And a half me like like like just money. 137 00:06:01,200 --> 00:06:02,720 Speaker 2: I think Kat might have wanted the people that got 138 00:06:02,720 --> 00:06:04,200 Speaker 2: one of those deals at one point. 139 00:06:04,400 --> 00:06:06,400 Speaker 3: Whatever opportunities you get, that's on you. 140 00:06:06,440 --> 00:06:07,800 Speaker 4: What you do with it, right. 141 00:06:09,120 --> 00:06:11,200 Speaker 2: You can't judge nobody else. How they took, how they 142 00:06:11,240 --> 00:06:12,919 Speaker 2: took the ball and ran with it. 143 00:06:13,640 --> 00:06:15,080 Speaker 3: Yeah, So that's why I had to say that. 144 00:06:15,240 --> 00:06:18,800 Speaker 1: Kevin Hart producer, he actually executive produced your first full 145 00:06:18,800 --> 00:06:21,320 Speaker 1: little stand up How did you become cool with. 146 00:06:21,360 --> 00:06:24,000 Speaker 3: K Harten through name lynn Is? 147 00:06:24,040 --> 00:06:26,880 Speaker 2: How we we really pretty much met Naime lynn Is 148 00:06:26,920 --> 00:06:28,440 Speaker 2: wanted to catch a tour in Want of the Lastic 149 00:06:28,480 --> 00:06:32,080 Speaker 2: Cut Boys. Uh, Naim couldn't do a show. I think 150 00:06:32,080 --> 00:06:35,919 Speaker 2: it was in Chicago somewhere, and he told Kevin, like, 151 00:06:35,920 --> 00:06:39,240 Speaker 2: you should have real open up And that's that's how 152 00:06:39,279 --> 00:06:42,160 Speaker 2: it happened. Niam was doing something else, suggested me, and 153 00:06:42,279 --> 00:06:43,479 Speaker 2: that's how me and Kevin met. 154 00:06:43,760 --> 00:06:47,000 Speaker 1: And you, because you had asked, said also, because you're 155 00:06:47,400 --> 00:06:48,520 Speaker 1: you're very cool with say it. 156 00:06:48,560 --> 00:06:51,120 Speaker 2: I wanted so on my list. I didn't even have 157 00:06:51,200 --> 00:06:53,000 Speaker 2: Kevin the list we had at that time. We had 158 00:06:53,000 --> 00:06:56,880 Speaker 2: the same agent, and he suggested Kevin. But I want 159 00:06:56,880 --> 00:07:00,760 Speaker 2: to either say to Russell Peters okay, which you know 160 00:07:01,279 --> 00:07:03,119 Speaker 2: a lot of people don't talk about Russell Peters. Russell 161 00:07:03,120 --> 00:07:06,359 Speaker 2: Peters is one of the most giving comedians of all time, 162 00:07:07,040 --> 00:07:13,000 Speaker 2: like like literally giving, like he's man, I don't know anybody. 163 00:07:13,240 --> 00:07:15,280 Speaker 2: Most of us have stories about him just looking out 164 00:07:15,320 --> 00:07:18,240 Speaker 2: for us and not asking for anything back man like 165 00:07:18,280 --> 00:07:20,920 Speaker 2: he's And then once again, a lot of the cast 166 00:07:20,920 --> 00:07:23,239 Speaker 2: are like that. You know, Chris Spencer, all these different 167 00:07:23,240 --> 00:07:25,680 Speaker 2: there's so many different people. That's that sold into my 168 00:07:25,760 --> 00:07:30,640 Speaker 2: career that I I. Man, I'm very appreciative of them. 169 00:07:31,000 --> 00:07:32,520 Speaker 4: When you were in Fatherhood with Kevin. 170 00:07:32,720 --> 00:07:36,920 Speaker 1: Yeah, so you guys have become close because now put 171 00:07:37,000 --> 00:07:38,080 Speaker 1: you in some of its films. 172 00:07:38,160 --> 00:07:40,240 Speaker 2: Well, our Fatherhood is interest because I think I got 173 00:07:40,280 --> 00:07:45,120 Speaker 2: that because somebody else got in trouble and because it 174 00:07:45,200 --> 00:07:47,640 Speaker 2: was very last minute. I was shooting something else at 175 00:07:47,680 --> 00:07:49,679 Speaker 2: the time and I really didn't want to do anything. 176 00:07:49,720 --> 00:07:53,080 Speaker 2: I wanted to take a break, and you know, they 177 00:07:53,160 --> 00:07:56,200 Speaker 2: kept calling and I was like, I asked for a 178 00:07:56,280 --> 00:07:58,600 Speaker 2: crazy number, like they give us this that I do. 179 00:07:58,720 --> 00:08:00,800 Speaker 2: I'm like, oh, they say yes, and I was like, 180 00:08:00,840 --> 00:08:03,720 Speaker 2: ad I do it. But yeah, it was really that 181 00:08:03,800 --> 00:08:05,640 Speaker 2: was kind of last minute, but it was fun to 182 00:08:05,640 --> 00:08:08,080 Speaker 2: do with Kevin. That Fatherhood was Actually that's actually a 183 00:08:08,120 --> 00:08:10,440 Speaker 2: really good film. That's one of Kevin's best films. 184 00:08:11,160 --> 00:08:14,520 Speaker 1: Yea, who's your top five comedians today right now as 185 00:08:14,560 --> 00:08:15,720 Speaker 1: we sit there on this couch. 186 00:08:16,360 --> 00:08:18,760 Speaker 4: Who's a little real top five comedians? 187 00:08:21,480 --> 00:08:24,040 Speaker 3: Damn, that's a good question. You know what's funny? 188 00:08:24,040 --> 00:08:25,480 Speaker 2: They sent count of the questions, but I thought it 189 00:08:25,520 --> 00:08:27,400 Speaker 2: was gonna be avoll time you used today that the 190 00:08:27,560 --> 00:08:31,760 Speaker 2: day that's a tough. So that just means actively doing 191 00:08:31,800 --> 00:08:35,640 Speaker 2: stand up right now, right now, wonder Sikes. 192 00:08:36,559 --> 00:08:38,199 Speaker 4: Snuffing my girl a little wonder. 193 00:08:41,360 --> 00:08:43,679 Speaker 3: And we just I'm just saying, stand up right now. 194 00:08:43,679 --> 00:08:45,079 Speaker 3: Who I think is is putting it. 195 00:08:45,360 --> 00:08:46,400 Speaker 4: Man, you ain't got to give all that. 196 00:08:49,200 --> 00:08:52,600 Speaker 3: He Wan the Sikes earthquake. 197 00:08:55,080 --> 00:09:05,880 Speaker 4: Al okay mm hmm, they don't got too much spots. 198 00:09:06,320 --> 00:09:10,720 Speaker 3: Damn, it's huge. Wisely, I know who people want me 199 00:09:10,760 --> 00:09:11,040 Speaker 3: to say. 200 00:09:11,280 --> 00:09:13,240 Speaker 4: I want you to say nothing. I just want to 201 00:09:13,360 --> 00:09:15,280 Speaker 4: want you to know that means and means people gonna 202 00:09:15,280 --> 00:09:15,599 Speaker 4: watch it. 203 00:09:16,400 --> 00:09:20,800 Speaker 3: And other people are get mad at this. Geron Carmichael 204 00:09:25,080 --> 00:09:31,280 Speaker 3: h real, oh man. 205 00:09:32,120 --> 00:09:35,320 Speaker 2: I mean, look, you know I remember, and I got 206 00:09:35,400 --> 00:09:37,440 Speaker 2: you know, I got honorable mentions like Dionna Coles and 207 00:09:37,559 --> 00:09:43,560 Speaker 2: different people like that. But like, you know, somebody recently 208 00:09:43,559 --> 00:09:45,880 Speaker 2: put out one of these lists of who's the whatever. 209 00:09:46,200 --> 00:09:48,400 Speaker 2: Everybody's trying to figure out what the criteria is, right right, 210 00:09:49,440 --> 00:09:52,120 Speaker 2: And I've purposely done things. I purposely done the amount 211 00:09:52,120 --> 00:09:55,079 Speaker 2: of specials I've done, I've purposely done all the movies 212 00:09:55,120 --> 00:09:56,319 Speaker 2: and television shows. 213 00:09:56,080 --> 00:10:00,840 Speaker 3: And all this stuff. And I'm like, don't consistency count. 214 00:10:01,040 --> 00:10:02,520 Speaker 2: But it's like if you're not a part of the 215 00:10:02,640 --> 00:10:06,600 Speaker 2: hype machine of things you're never really in a conversation. 216 00:10:06,720 --> 00:10:08,320 Speaker 2: We still got people who still want to be a 217 00:10:08,320 --> 00:10:09,400 Speaker 2: part of these lists too much. 218 00:10:09,600 --> 00:10:10,800 Speaker 3: I graduated list. 219 00:10:10,800 --> 00:10:12,920 Speaker 2: The reason why I don't mentioned Chappelle the Riach, why 220 00:10:12,960 --> 00:10:15,840 Speaker 2: I don't mention Chris Rock. I do believe people graduate. 221 00:10:16,920 --> 00:10:20,760 Speaker 2: I think said graduated. I think you know Chris graduated, 222 00:10:20,800 --> 00:10:23,720 Speaker 2: Dave graduated from from being on the list of Kevin 223 00:10:23,800 --> 00:10:27,719 Speaker 2: Is graduated being on a like y'all kings and ogs. 224 00:10:27,920 --> 00:10:29,960 Speaker 1: I need to be on these lists no more. Right, 225 00:10:30,559 --> 00:10:33,199 Speaker 1: you know what I'm saying, Yeah, I do, and so yeah. 226 00:10:33,080 --> 00:10:35,760 Speaker 2: That's that's that's my list. I think one of the 227 00:10:35,840 --> 00:10:40,480 Speaker 2: psychs to me is the most underrated legend, like Wanda 228 00:10:40,679 --> 00:10:42,520 Speaker 2: She She's fucking brilliant. 229 00:10:42,800 --> 00:10:44,600 Speaker 4: I like some more Likeadell Gibbings. 230 00:10:44,760 --> 00:10:46,600 Speaker 2: I love all of them, but were talking about like 231 00:10:46,600 --> 00:10:48,839 Speaker 2: that right now. But this is just my this is 232 00:10:48,880 --> 00:10:49,400 Speaker 2: my opinion. 233 00:10:49,760 --> 00:10:51,800 Speaker 1: Of course, I'm asking you, okay, we'll give me your 234 00:10:51,840 --> 00:10:53,400 Speaker 1: five greatest comedians of all time. 235 00:10:55,000 --> 00:10:55,600 Speaker 3: That's easy. 236 00:10:55,679 --> 00:10:57,880 Speaker 2: And I was thinking about this earlier because Richard is 237 00:10:57,880 --> 00:10:59,240 Speaker 2: who we all put is no more, but I don't 238 00:10:59,280 --> 00:11:02,679 Speaker 2: know if we I think he's the almost like the 239 00:11:02,720 --> 00:11:05,199 Speaker 2: creator of the style what we are. 240 00:11:05,360 --> 00:11:06,760 Speaker 3: I don't know if we put Richard on that, but 241 00:11:06,800 --> 00:11:07,680 Speaker 3: we just know Richard isn't. 242 00:11:07,760 --> 00:11:09,800 Speaker 1: Yes, Richard, Yeah, I don't know how you have a 243 00:11:09,880 --> 00:11:11,040 Speaker 1: list if he's not on it. 244 00:11:11,200 --> 00:11:14,600 Speaker 2: Yeah, but but he don't have to be neither. He's 245 00:11:14,720 --> 00:11:16,760 Speaker 2: just the guy. Well, how you have a list like 246 00:11:16,880 --> 00:11:20,680 Speaker 2: he's a comedy guy. Yes, but I'm saying, how do 247 00:11:20,720 --> 00:11:22,600 Speaker 2: you have a list and Misel Jordan in on the list? 248 00:11:22,640 --> 00:11:24,440 Speaker 2: You're right, You're right, okay, all the time you asked 249 00:11:24,440 --> 00:11:32,360 Speaker 2: me that. So Richard pryor Eddie Murphy, Mom's Mayley, Bernie Mack, 250 00:11:33,720 --> 00:11:39,400 Speaker 2: Robin Harris. Okay, that's my top five, and Eddie's to me, 251 00:11:39,559 --> 00:11:44,240 Speaker 2: he's the you know, that's that's that's who I've emulated 252 00:11:44,280 --> 00:11:46,800 Speaker 2: my the way I do stand up, telling the stories, 253 00:11:46,800 --> 00:11:50,319 Speaker 2: acting out characters. All that stuff is based off watching 254 00:11:50,400 --> 00:11:52,640 Speaker 2: Eddie Murphy. Listening to every Eddie Murphy album. 255 00:11:52,760 --> 00:11:55,400 Speaker 4: How many times do you watch Wrong? Oh? 256 00:11:55,640 --> 00:11:57,360 Speaker 2: I've seen Wrong a million times, but I watched the 257 00:11:57,400 --> 00:12:00,040 Speaker 2: lyrics there. It's way more time. Matter of fact, this 258 00:12:00,160 --> 00:12:02,319 Speaker 2: an album he has. I bought a best of Eddie 259 00:12:02,360 --> 00:12:04,960 Speaker 2: Murphy cassette tape that I ended up downloaded recently, but 260 00:12:04,960 --> 00:12:05,800 Speaker 2: I bought the tape. 261 00:12:06,040 --> 00:12:09,520 Speaker 3: I had to take the years and the joke he does. 262 00:12:09,280 --> 00:12:12,240 Speaker 2: About getting hit by a car, it's to this day 263 00:12:12,280 --> 00:12:14,280 Speaker 2: one of the funniest bits of all time. 264 00:12:14,559 --> 00:12:18,840 Speaker 1: Right, yeah, you did a bit with Chappelle. What made 265 00:12:18,880 --> 00:12:22,720 Speaker 1: Chappelle so great? You know what makes Chappelle so great? 266 00:12:23,360 --> 00:12:25,520 Speaker 1: It's his honesty, you know. 267 00:12:26,960 --> 00:12:30,120 Speaker 2: I like the fact that Chappelle decided he didn't want 268 00:12:30,120 --> 00:12:31,800 Speaker 2: to focus on anything else but stand up. 269 00:12:32,720 --> 00:12:34,120 Speaker 3: It's almost like he didn't want. 270 00:12:33,960 --> 00:12:35,960 Speaker 2: The other part of his career no more because he 271 00:12:36,000 --> 00:12:39,320 Speaker 2: wanted people just to look at a stand up. This 272 00:12:39,440 --> 00:12:42,360 Speaker 2: last Chappelle special is I think it's amazing. I really 273 00:12:42,440 --> 00:12:45,440 Speaker 2: enjoyed it. It's really funny, and I know people are 274 00:12:45,760 --> 00:12:48,160 Speaker 2: you know, people are upset about or whatever, but it's 275 00:12:48,160 --> 00:12:51,240 Speaker 2: so interesting. I think this is his silliest special I've seen. 276 00:12:51,120 --> 00:12:51,520 Speaker 3: In a while. 277 00:12:51,520 --> 00:12:54,240 Speaker 2: And I love that actually, because I do think sometimes 278 00:12:54,240 --> 00:12:56,600 Speaker 2: we all get too serious in comedy and it feels 279 00:12:56,600 --> 00:12:57,280 Speaker 2: like a tear talk. 280 00:12:58,000 --> 00:12:59,920 Speaker 3: But this one was just funny and silly, and I 281 00:13:00,160 --> 00:13:00,439 Speaker 3: loved this. 282 00:13:01,960 --> 00:13:04,319 Speaker 4: His s and l special was that might be the 283 00:13:04,400 --> 00:13:06,120 Speaker 4: top ten, that one, that last one he did. 284 00:13:06,559 --> 00:13:08,840 Speaker 2: Oh yeah, you know, I don't know if he's ever 285 00:13:08,920 --> 00:13:14,520 Speaker 2: done a bad monologue. Yeah, yeah, he's, he's, he's that's 286 00:13:14,559 --> 00:13:17,520 Speaker 2: that's that's one of my that's my not not lasted. 287 00:13:17,600 --> 00:13:18,920 Speaker 2: But one of the things on my bucket list that 288 00:13:18,960 --> 00:13:22,840 Speaker 2: I that I really have to do is you know, 289 00:13:23,160 --> 00:13:25,400 Speaker 2: it's not even just about the monol monologue. Who I 290 00:13:25,440 --> 00:13:27,040 Speaker 2: got that, but like I want to just do the 291 00:13:27,080 --> 00:13:28,360 Speaker 2: funniest sketches you see. 292 00:13:28,600 --> 00:13:30,160 Speaker 1: You know a guy that doesn't get the credit that 293 00:13:30,200 --> 00:13:33,120 Speaker 1: I think he deserves. And obviously, and and this is 294 00:13:33,480 --> 00:13:37,120 Speaker 1: we know what transpirted outside of comedy is Bill Cosby. 295 00:13:37,280 --> 00:13:39,240 Speaker 1: And you didn't have the you had a couple of 296 00:13:39,280 --> 00:13:41,960 Speaker 1: running with him. Well you're having it with everybody. 297 00:13:42,000 --> 00:13:43,720 Speaker 2: Hold up, I didn't have no running with Bill. That 298 00:13:43,760 --> 00:13:46,240 Speaker 2: was Hannibal. Don't don't By. He had no run in 299 00:13:46,280 --> 00:13:48,480 Speaker 2: with him. Neither nobody had a run in with Bill Cosby, 300 00:13:48,520 --> 00:13:50,640 Speaker 2: none of it. None of us had to run. I 301 00:13:50,640 --> 00:13:52,240 Speaker 2: think Gerard is the only one I know who had 302 00:13:52,240 --> 00:13:53,280 Speaker 2: a conversation. 303 00:13:52,880 --> 00:13:53,520 Speaker 3: With Bill Cosby. 304 00:13:53,600 --> 00:13:58,600 Speaker 1: Right, anybody else does, But Hannibal had Hannibal the one 305 00:13:58,640 --> 00:14:01,920 Speaker 1: that told joke that guy everything seemingly reignited. 306 00:14:02,040 --> 00:14:03,760 Speaker 4: So that's what they said. 307 00:14:03,559 --> 00:14:06,680 Speaker 2: That's what they said. I don't blame like, you can't 308 00:14:06,679 --> 00:14:09,640 Speaker 2: blame nobody. That's this is think about it. So Cosby 309 00:14:09,640 --> 00:14:14,400 Speaker 2: has been in conversations amongst the comedians and diners for you, 310 00:14:15,280 --> 00:14:16,400 Speaker 2: after one in the morning. 311 00:14:16,160 --> 00:14:20,000 Speaker 3: We all eat food. It's literally heated debate before before. 312 00:14:19,720 --> 00:14:22,600 Speaker 2: It even came out right, Yes, it was just conversations 313 00:14:22,640 --> 00:14:25,320 Speaker 2: about it, and so like it's very interesting. Like I 314 00:14:25,360 --> 00:14:27,760 Speaker 2: think Cosby is one of the greatest stand up comics 315 00:14:27,760 --> 00:14:28,240 Speaker 2: of all time. 316 00:14:28,320 --> 00:14:31,640 Speaker 3: I do believe that, but he's not on my list. 317 00:14:31,960 --> 00:14:33,640 Speaker 3: I feel about that. I didn't present bad on that. 318 00:14:34,400 --> 00:14:36,760 Speaker 3: Oh that's a tough one. See, that's why I'm like 319 00:14:36,800 --> 00:14:37,480 Speaker 3: doing top five. 320 00:14:37,520 --> 00:14:40,000 Speaker 1: Remember why why do you think some of the older 321 00:14:40,040 --> 00:14:42,000 Speaker 1: comics have a problem with some of. 322 00:14:42,000 --> 00:14:42,960 Speaker 4: The younger comics? 323 00:14:44,560 --> 00:14:45,760 Speaker 3: Man, I could break that down. 324 00:14:46,240 --> 00:14:48,320 Speaker 2: So you know what's funny about me, Shannon, I'm in 325 00:14:48,400 --> 00:14:52,840 Speaker 2: between both glasses of comics. So, like, you know, my 326 00:14:52,880 --> 00:14:56,240 Speaker 2: big brothers are Said and d Ray and all those guys, right, 327 00:14:56,440 --> 00:14:58,840 Speaker 2: and then my little brothers are Gerard and Hannibal and 328 00:14:59,200 --> 00:15:02,280 Speaker 2: all those guys. And over the years I've had to 329 00:15:02,280 --> 00:15:05,480 Speaker 2: have heated arguments with some of my OJ's about them, 330 00:15:05,800 --> 00:15:07,720 Speaker 2: Like what Egan was just outright hating on some of 331 00:15:07,760 --> 00:15:10,480 Speaker 2: them like man, the white people in the l and 332 00:15:10,520 --> 00:15:13,160 Speaker 2: they only get the deals because they I'm like, fam nah, 333 00:15:13,200 --> 00:15:16,360 Speaker 2: they worked really hard. See a lot of y'all got 334 00:15:16,400 --> 00:15:21,600 Speaker 2: y'all money about cars and jury and all this other stuff. 335 00:15:22,160 --> 00:15:25,640 Speaker 2: That brother brought final draft and learned how to write 336 00:15:25,680 --> 00:15:29,760 Speaker 2: a script right this, Brothers. You know, I told I 337 00:15:29,840 --> 00:15:33,200 Speaker 2: brake upbout Girard all the time. I recently saw somebody 338 00:15:33,240 --> 00:15:33,600 Speaker 2: say this. 339 00:15:33,880 --> 00:15:34,680 Speaker 4: And I love my. 340 00:15:34,640 --> 00:15:35,720 Speaker 3: Big brother Corey Hokum. 341 00:15:35,840 --> 00:15:39,160 Speaker 2: I love him to death, Chicago o G. But he'd 342 00:15:39,160 --> 00:15:41,320 Speaker 2: be saying crazy shit that doesn't make sense. 343 00:15:41,400 --> 00:15:43,720 Speaker 3: Recently he said something about Girard. Now that's so crazy. 344 00:15:43,760 --> 00:15:46,200 Speaker 2: I just saw him and we embraced, but he was 345 00:15:46,240 --> 00:15:47,960 Speaker 2: being a little hesitant, and I was like, but he 346 00:15:47,960 --> 00:15:48,240 Speaker 2: didn't know. 347 00:15:48,280 --> 00:15:49,520 Speaker 3: I didn't see the Girard thing. 348 00:15:49,640 --> 00:15:53,440 Speaker 2: First, he called Girard an industry plan right because he 349 00:15:53,440 --> 00:15:56,280 Speaker 2: said he had a sitcom and he hosted Jim Kon. 350 00:15:56,360 --> 00:15:58,320 Speaker 4: You ain't got something that don't mean everybody playing. 351 00:15:59,280 --> 00:16:02,800 Speaker 2: And that's my point, you cause I you know, I 352 00:16:02,840 --> 00:16:04,720 Speaker 2: got a little upset about it because I'm like, well, 353 00:16:04,720 --> 00:16:05,480 Speaker 2: I've seen Gerard. 354 00:16:05,520 --> 00:16:08,400 Speaker 3: I did Carmichael Show with you every single night. 355 00:16:09,720 --> 00:16:13,520 Speaker 2: Take that script home after he leaves the writer's room 356 00:16:13,560 --> 00:16:14,160 Speaker 2: with the writers. 357 00:16:14,160 --> 00:16:15,960 Speaker 3: He took it home personally. 358 00:16:16,040 --> 00:16:18,560 Speaker 2: Stayed up till about five six in the morning, had 359 00:16:18,560 --> 00:16:20,680 Speaker 2: to meet us all on set at seven point thirty 360 00:16:20,720 --> 00:16:25,320 Speaker 2: to rehearse it. That's work ethic. You don't people have 361 00:16:25,360 --> 00:16:27,880 Speaker 2: success like that because they really put the work in. 362 00:16:29,360 --> 00:16:31,520 Speaker 2: They fucking put the work in. And I know a 363 00:16:31,560 --> 00:16:34,120 Speaker 2: lot of cash here. I know you're not putting in 364 00:16:34,120 --> 00:16:36,040 Speaker 2: that type of work. I love you to death, but 365 00:16:36,080 --> 00:16:39,920 Speaker 2: you're not. And it's easy to say, hey, this person 366 00:16:40,000 --> 00:16:41,760 Speaker 2: did it this easy route and did all this other 367 00:16:41,760 --> 00:16:45,400 Speaker 2: shit because you don't know they work ethic, right, you 368 00:16:45,440 --> 00:16:47,400 Speaker 2: can't talk about you do you write and do all 369 00:16:47,400 --> 00:16:49,680 Speaker 2: this shit. It's and it's it's funny because I'm watching 370 00:16:49,720 --> 00:16:52,800 Speaker 2: it from this older generation and they all everybody's like, yeah, 371 00:16:52,960 --> 00:16:54,880 Speaker 2: you know, I was offered this movie, but then they 372 00:16:54,920 --> 00:16:58,160 Speaker 2: wanted me which movie was it? So I could see 373 00:16:58,200 --> 00:17:02,320 Speaker 2: what the like, stop this shit mm hmmm, because every 374 00:17:02,480 --> 00:17:06,239 Speaker 2: some of us just worked our asshole. Like I was 375 00:17:06,320 --> 00:17:08,560 Speaker 2: even just hearing Cats hear all the things he'd been 376 00:17:08,560 --> 00:17:10,080 Speaker 2: through and why he didn't do this or go here 377 00:17:10,080 --> 00:17:10,520 Speaker 2: and do this. 378 00:17:10,640 --> 00:17:12,359 Speaker 4: Yeah, cause you and Cat had some back and forth, 379 00:17:12,480 --> 00:17:13,000 Speaker 4: y'all cool? 380 00:17:13,080 --> 00:17:19,160 Speaker 2: Now, No, not really, but it's it's okay, it's okay, 381 00:17:19,640 --> 00:17:22,320 Speaker 2: it's okay. We don't have to be because his success 382 00:17:22,440 --> 00:17:24,560 Speaker 2: is his success and my success is my success. 383 00:17:24,600 --> 00:17:25,240 Speaker 4: What started it? 384 00:17:26,480 --> 00:17:29,800 Speaker 2: Well, this is think about it. That Wanda Smith interview. Yeah, 385 00:17:30,400 --> 00:17:33,679 Speaker 2: the one, the part nobody talks about. It is for 386 00:17:33,800 --> 00:17:38,399 Speaker 2: no reason. Cat brings up me, Gerard and Hannibal Birds 387 00:17:38,840 --> 00:17:41,680 Speaker 2: for no reason at all. Okay, I don't even remember 388 00:17:41,720 --> 00:17:43,480 Speaker 2: what the fucking question was. He just let it ay 389 00:17:43,720 --> 00:17:46,520 Speaker 2: you you can't real. Yeah, they gonna make you a style, 390 00:17:46,520 --> 00:17:47,480 Speaker 2: a little real, but you're ugly? 391 00:17:48,680 --> 00:17:50,240 Speaker 3: So what the fuck I got to do with this? 392 00:17:52,119 --> 00:17:52,600 Speaker 4: So you were? 393 00:17:52,680 --> 00:17:55,080 Speaker 2: You were in there one that Yeah, that's the beginning 394 00:17:55,119 --> 00:17:57,679 Speaker 2: of the interview. That's what made Wan to kind of 395 00:17:57,720 --> 00:18:00,399 Speaker 2: start fucking with him. Now, don't get me wrong, Like 396 00:18:03,320 --> 00:18:04,879 Speaker 2: the whole wander back and forth of him is the 397 00:18:04,880 --> 00:18:08,600 Speaker 2: funniest ship ever. Oh yeah, and you know, and wander 398 00:18:08,720 --> 00:18:11,600 Speaker 2: wasn't always nice to all of us, to be quite honest, 399 00:18:12,320 --> 00:18:14,159 Speaker 2: So it was kind of it's very interesting that all 400 00:18:14,160 --> 00:18:14,960 Speaker 2: this transpirt. 401 00:18:15,200 --> 00:18:16,880 Speaker 4: It was interesting since it goes two. 402 00:18:16,960 --> 00:18:21,400 Speaker 2: It's it's the craziest happenstance of all the time, but 403 00:18:21,440 --> 00:18:22,080 Speaker 2: that's what it was. 404 00:18:22,200 --> 00:18:22,400 Speaker 4: Kat. 405 00:18:23,200 --> 00:18:24,800 Speaker 2: I don't know what even what that meant. He said, 406 00:18:24,840 --> 00:18:26,960 Speaker 2: they're gonna make you your style of rail, but you're ugly, 407 00:18:28,200 --> 00:18:31,240 Speaker 2: he said, little real Giro called Michael Hannibal Kink walk 408 00:18:31,320 --> 00:18:34,400 Speaker 2: the mall in the land. I forgot the mall, Linux, Linux, 409 00:18:34,600 --> 00:18:36,560 Speaker 2: and no woman would talk to them. 410 00:18:36,960 --> 00:18:39,000 Speaker 3: And to this day, man. 411 00:18:38,880 --> 00:18:40,840 Speaker 2: I swear to god, I ain't try to start those ship. 412 00:18:41,280 --> 00:18:43,679 Speaker 2: I just don't understand. Look, I don't think I'm the 413 00:18:43,680 --> 00:18:47,440 Speaker 2: finest nigg in the world, but a short nigga with 414 00:18:47,600 --> 00:18:51,280 Speaker 2: a perm, man, you. 415 00:18:51,240 --> 00:18:52,520 Speaker 4: Know he gonna see this in respond. 416 00:18:52,560 --> 00:18:53,440 Speaker 3: I don't give a fuck. 417 00:18:53,760 --> 00:18:57,040 Speaker 4: Yeah, you know what I'm saying. 418 00:18:59,200 --> 00:19:01,280 Speaker 2: If we were both two regular niggas in the mouth 419 00:19:02,359 --> 00:19:06,800 Speaker 2: and he has the perm and right the mustag r 420 00:19:07,240 --> 00:19:09,120 Speaker 2: and I walk in like this with my regular ship, 421 00:19:09,880 --> 00:19:11,880 Speaker 2: who the fuck you think women are gonna talk to. 422 00:19:13,600 --> 00:19:14,879 Speaker 4: I don't know, real, I don't know. 423 00:19:14,960 --> 00:19:16,960 Speaker 3: I ain't sad, So. 424 00:19:16,960 --> 00:19:19,560 Speaker 2: That that's the that's the only irritating thing about that 425 00:19:19,600 --> 00:19:22,080 Speaker 2: for me. Like other than that, it's like cat brother. 426 00:19:22,200 --> 00:19:23,120 Speaker 3: If I'm an ugly. 427 00:19:22,920 --> 00:19:24,960 Speaker 2: Nigga, thank God, that's why nothing happened to me. Ain't 428 00:19:24,960 --> 00:19:27,480 Speaker 2: nobody approached me, ain't nobody asked me to do ship. 429 00:19:27,520 --> 00:19:30,040 Speaker 2: I guess I'm an ugly talented nigga. I'm okay with that. 430 00:19:31,440 --> 00:19:33,800 Speaker 4: God Rell, why you come up here. I'm saying. 431 00:19:35,640 --> 00:19:37,960 Speaker 2: You think you asked about it, and I'm just saying, like, 432 00:19:38,000 --> 00:19:40,280 Speaker 2: and I look at all comics, you know, y'all, all 433 00:19:40,320 --> 00:19:42,200 Speaker 2: of us like man, everybody's like. 434 00:19:42,160 --> 00:19:44,520 Speaker 3: Come on, man, you're gonna go. But Cat did say 435 00:19:44,600 --> 00:19:45,560 Speaker 3: that ship. It was just weird. 436 00:19:45,560 --> 00:19:48,000 Speaker 2: I just I just even when him talking about Jonathan Maid, 437 00:19:48,040 --> 00:19:49,680 Speaker 2: It's like, how who do Cat wimstake? 438 00:19:49,720 --> 00:19:53,480 Speaker 3: He looked like, like, You're not an attractive person. You 439 00:19:53,560 --> 00:19:56,640 Speaker 3: look weird? Real he does? 440 00:19:57,880 --> 00:19:58,440 Speaker 4: How about you? 441 00:19:58,560 --> 00:20:00,639 Speaker 3: Have you talked to Cat dressed like this? Nigga is 442 00:20:00,640 --> 00:20:03,600 Speaker 3: Halloween like him? Not the character when trusts his money? 443 00:20:03,640 --> 00:20:04,800 Speaker 3: Where was impressed his cat win? 444 00:20:05,000 --> 00:20:06,440 Speaker 4: When the last time you saw Cat? 445 00:20:08,680 --> 00:20:09,920 Speaker 3: This is a crazy story, right. 446 00:20:10,400 --> 00:20:14,520 Speaker 2: So it was at the Enemies a couple of years ago. 447 00:20:15,760 --> 00:20:17,640 Speaker 2: So this is when we went too it like we 448 00:20:18,119 --> 00:20:20,720 Speaker 2: just happened. Yeah, y okay, y'all go y'all, we did videos. 449 00:20:20,840 --> 00:20:24,119 Speaker 3: It's happening. I just presented an award. 450 00:20:24,160 --> 00:20:27,560 Speaker 2: At the end, I go backstage, right, and Chappelle don't 451 00:20:27,560 --> 00:20:28,560 Speaker 2: know me and this dude beefing. 452 00:20:29,720 --> 00:20:33,800 Speaker 3: Chappelle sees me. Oh Laurel Ohales Cat, you know Lorel Larell. 453 00:20:33,840 --> 00:20:37,600 Speaker 3: You know Cat. Now we're just staring at each other. David, Like, 454 00:20:37,600 --> 00:20:39,000 Speaker 3: what the fuck? Wro't you two niggas right? 455 00:20:44,040 --> 00:20:46,840 Speaker 4: Because y'all y'all just looking at each other. Ain't nobody 456 00:20:46,840 --> 00:20:47,200 Speaker 4: saying that. 457 00:20:47,320 --> 00:20:48,120 Speaker 3: Ball up a fist stuff? 458 00:20:48,119 --> 00:20:48,200 Speaker 4: Like you? 459 00:20:48,880 --> 00:20:49,240 Speaker 3: The author? 460 00:20:49,280 --> 00:20:54,240 Speaker 2: Mean, Yeah, I'm stead of him. Wee saying ship to 461 00:20:54,240 --> 00:20:55,800 Speaker 2: each other, and he's holding this emmy. He has his 462 00:20:55,840 --> 00:20:56,560 Speaker 2: emmy in his hand. 463 00:21:00,359 --> 00:21:01,800 Speaker 3: That was less of myself. Nothing to happen. 464 00:21:01,920 --> 00:21:04,600 Speaker 4: He just walked away. What's up? 465 00:21:05,040 --> 00:21:07,439 Speaker 2: It wasn't nigga, I was because I was still human 466 00:21:07,520 --> 00:21:09,680 Speaker 2: at that time. It was like, YO, were. 467 00:21:09,560 --> 00:21:12,240 Speaker 3: About to like, what the fuck about to happen back here? 468 00:21:12,280 --> 00:21:14,399 Speaker 4: Because it's I'm morell. 469 00:21:14,640 --> 00:21:17,360 Speaker 3: Yeah, I'm Chicago nigga too, So it's like, I mean, 470 00:21:17,400 --> 00:21:18,160 Speaker 3: we're about to do this. 471 00:21:19,880 --> 00:21:21,119 Speaker 4: Oh my goodness, You're. 472 00:21:20,960 --> 00:21:22,760 Speaker 3: About to turn that m means into the source of warf. 473 00:21:27,040 --> 00:21:31,680 Speaker 1: You once said that you believe Cat was jealous of you. 474 00:21:31,680 --> 00:21:32,760 Speaker 4: You still feel that way. 475 00:21:33,480 --> 00:21:35,280 Speaker 3: No, I was just talking shit. I don't think he's 476 00:21:35,320 --> 00:21:35,760 Speaker 3: jealous of me. 477 00:21:36,600 --> 00:21:40,679 Speaker 2: I do think he's jealous of Kevin Hart and and 478 00:21:40,720 --> 00:21:42,560 Speaker 2: it's so weird because he don't have to be like, brother, 479 00:21:42,640 --> 00:21:46,119 Speaker 2: you are so fucking successful, Like you're one of the 480 00:21:46,119 --> 00:21:49,600 Speaker 2: most successful stand up comedians we've ever seen. You didn't 481 00:21:49,600 --> 00:21:53,639 Speaker 2: have the hype machine. Honestly, he's the benefit of Bootleg DVDs. 482 00:21:54,400 --> 00:21:57,639 Speaker 2: You remember when they like, yeah, every in Chicago. I 483 00:21:57,640 --> 00:21:59,879 Speaker 2: remember being in Chicago at the time. Everybody had that 484 00:22:00,000 --> 00:22:02,560 Speaker 2: hat Wini, specially in the right and because you know, 485 00:22:02,600 --> 00:22:04,560 Speaker 2: bootleg helped comedy at that time. 486 00:22:04,440 --> 00:22:06,360 Speaker 3: Right, because those people go buy tickets. 487 00:22:06,040 --> 00:22:09,000 Speaker 2: To see you, right, Absolutely, the Bootleg man really was 488 00:22:09,040 --> 00:22:12,720 Speaker 2: your damn he was your promoter. Yes, they watch you 489 00:22:12,720 --> 00:22:14,359 Speaker 2: at the crib and you would sell out all your 490 00:22:14,400 --> 00:22:17,920 Speaker 2: shows and cat benefited from that man. And I think 491 00:22:18,040 --> 00:22:21,760 Speaker 2: I think he's not even just stand up man. Like 492 00:22:22,119 --> 00:22:23,159 Speaker 2: anytime you see him on. 493 00:22:23,200 --> 00:22:25,960 Speaker 4: Screen, Oh yeah, you just want to hear me for Atlanta. 494 00:22:25,680 --> 00:22:27,000 Speaker 3: Right, you want that ship for Atlanta? 495 00:22:27,160 --> 00:22:29,679 Speaker 2: He fucking every time you see my wife and kids, Like, 496 00:22:29,720 --> 00:22:31,080 Speaker 2: he was fucking great on there. 497 00:22:31,440 --> 00:22:33,680 Speaker 3: He was like you see him, like even the School 498 00:22:33,760 --> 00:22:35,480 Speaker 3: Dance movie. You know that's not a good movie. 499 00:22:35,440 --> 00:22:37,680 Speaker 2: But only thing you watch is that clip, you know 500 00:22:37,680 --> 00:22:41,399 Speaker 2: what I mean? It's fucking brilliant and so like, and 501 00:22:41,480 --> 00:22:43,119 Speaker 2: I'm look, let me say that. I was just I'm 502 00:22:43,160 --> 00:22:45,240 Speaker 2: talking shit. We roast each other, we comics what it is. 503 00:22:45,280 --> 00:22:46,639 Speaker 2: I don't give a fuck whatever you say about me 504 00:22:46,680 --> 00:22:48,640 Speaker 2: at this I don't give a rat's ass. 505 00:22:49,359 --> 00:22:52,040 Speaker 3: But at the same time I do, I really do 506 00:22:52,160 --> 00:22:53,320 Speaker 3: wish that we could. 507 00:22:53,520 --> 00:22:55,720 Speaker 2: I'm not trying to sound like some old let's get 508 00:22:55,720 --> 00:22:58,639 Speaker 2: a loan shit, but like, god damn, it's no reason 509 00:22:58,640 --> 00:23:01,280 Speaker 2: why we can't do another Harlem with all this great 510 00:23:01,280 --> 00:23:03,320 Speaker 2: fucking talent, or not even the Harlem that, but just 511 00:23:03,359 --> 00:23:07,800 Speaker 2: a movie that features everybody, you know what I mean, man, 512 00:23:07,840 --> 00:23:09,399 Speaker 2: like Nick tried to do with School Dan's. But like, 513 00:23:09,480 --> 00:23:11,479 Speaker 2: let's find something with it, like a really good script, 514 00:23:12,080 --> 00:23:14,440 Speaker 2: some really dope shit, and like fucking get all these 515 00:23:14,560 --> 00:23:19,600 Speaker 2: powerhouses on fucking screen together. Like I'm sick of this shit, right, 516 00:23:19,880 --> 00:23:22,919 Speaker 2: it doesn't make fucking sense. You know it's not it's 517 00:23:22,920 --> 00:23:25,560 Speaker 2: you know you, and it's be honest with you, it's 518 00:23:25,600 --> 00:23:28,400 Speaker 2: a bunch of old beasts. So I'll say this right now. 519 00:23:28,480 --> 00:23:31,239 Speaker 2: Can't look, I'm just talking shit. I ain't mad at you. 520 00:23:31,359 --> 00:23:33,359 Speaker 2: I can give a rat sass. I respect the fuck 521 00:23:33,359 --> 00:23:35,120 Speaker 2: out of you you want the greatest to ever do it. 522 00:23:35,359 --> 00:23:36,919 Speaker 2: Even if you talk shit about me after this, I 523 00:23:36,920 --> 00:23:39,040 Speaker 2: don't really give a fuck, but I respect you and 524 00:23:39,080 --> 00:23:41,240 Speaker 2: I respect all y'all. So like, I just think we 525 00:23:41,320 --> 00:23:44,760 Speaker 2: all figure out a way to like merge this ship up, man, 526 00:23:44,800 --> 00:23:46,520 Speaker 2: Like we all talk shit, man, but I don't think 527 00:23:46,560 --> 00:23:50,200 Speaker 2: we should bring in all behind the scenes comedy mess 528 00:23:50,440 --> 00:23:54,200 Speaker 2: right on a four and just call call these people, 529 00:23:54,920 --> 00:23:57,520 Speaker 2: call Ricky and tell Ricky, hey, man, Ricky, I don't 530 00:23:57,560 --> 00:23:59,320 Speaker 2: like the way you was talking ship on the Friday, 531 00:23:59,400 --> 00:24:01,080 Speaker 2: said about how that was supposed to be your road, 532 00:24:03,119 --> 00:24:06,400 Speaker 2: and just talk it out. Carl said to say, said, man, 533 00:24:06,440 --> 00:24:08,720 Speaker 2: I felt like that joke. That really a joke. That's 534 00:24:08,760 --> 00:24:10,879 Speaker 2: not even a big fucking deal. And they both do 535 00:24:10,920 --> 00:24:14,080 Speaker 2: it totally differently, and it's a joke. Noney, you need anymore. 536 00:24:15,400 --> 00:24:17,840 Speaker 2: Let's talk this ship out, even with Steve Harvey. Talk 537 00:24:17,880 --> 00:24:21,600 Speaker 2: this shit out, man. You know, Bernie, we don't have 538 00:24:21,680 --> 00:24:26,240 Speaker 2: to show Bernie love by shitting on somebody else. Bernie's 539 00:24:26,240 --> 00:24:28,000 Speaker 2: one of the greatest to ever fucking do it, one 540 00:24:28,000 --> 00:24:30,800 Speaker 2: of the hugest influences ever in this game. He's one 541 00:24:30,880 --> 00:24:32,600 Speaker 2: of the cast to me that are always gonna represent 542 00:24:32,640 --> 00:24:37,720 Speaker 2: a grown ass man in his fucking business. And I 543 00:24:37,760 --> 00:24:39,760 Speaker 2: don't know Bernie would let this shit fly like this 544 00:24:41,440 --> 00:24:43,280 Speaker 2: because he wasn't that type of dude. He won't gonna be, 545 00:24:43,400 --> 00:24:45,439 Speaker 2: you know, even when Bernie talked about even if they 546 00:24:45,520 --> 00:24:47,120 Speaker 2: be playing the Clipper about comic. 547 00:24:46,920 --> 00:24:49,200 Speaker 4: Stealing jokes, but he was. 548 00:24:49,320 --> 00:24:50,520 Speaker 3: That's that's really vice. 549 00:24:50,600 --> 00:24:51,080 Speaker 4: To this day. 550 00:24:51,080 --> 00:24:52,320 Speaker 2: It's the reason why I don't go up at l 551 00:24:52,359 --> 00:24:57,359 Speaker 2: A a lot. 552 00:24:58,080 --> 00:24:58,720 Speaker 4: And so like that. 553 00:24:58,920 --> 00:25:01,000 Speaker 2: And I get it because most of the time people 554 00:25:01,040 --> 00:25:02,880 Speaker 2: want to do what they think is the hot thing 555 00:25:02,960 --> 00:25:07,320 Speaker 2: to do. If you're the hot thing, guess who they're 556 00:25:07,320 --> 00:25:09,400 Speaker 2: gonna they're gonna mind make and to make it because 557 00:25:09,400 --> 00:25:10,400 Speaker 2: everybody want to make it. 558 00:25:12,160 --> 00:25:14,040 Speaker 3: That's one thing people talk about all this other ship. 559 00:25:14,080 --> 00:25:18,320 Speaker 2: I'm like, no, like people steal styles and dialect and 560 00:25:19,040 --> 00:25:21,160 Speaker 2: all type of ship because they like, well, this person 561 00:25:21,200 --> 00:25:24,840 Speaker 2: made it. So you know, that's that's I just I 562 00:25:24,920 --> 00:25:27,040 Speaker 2: love and let me give you some props too, because 563 00:25:28,200 --> 00:25:31,560 Speaker 2: and any other comic that does is after this, we realize, 564 00:25:31,560 --> 00:25:34,760 Speaker 2: I realize how mainstream you are. I don't know if 565 00:25:34,800 --> 00:25:38,080 Speaker 2: you know that ship and you've only had us on here, 566 00:25:40,040 --> 00:25:42,240 Speaker 2: and so I think you know, for the most part, 567 00:25:42,440 --> 00:25:44,720 Speaker 2: you know I told my story and hopefully inspire somebody. 568 00:25:44,960 --> 00:25:48,240 Speaker 2: That's what we should be doing, telling our stories and 569 00:25:48,280 --> 00:25:51,600 Speaker 2: promoting each other, not even just in stand up and 570 00:25:51,720 --> 00:25:53,000 Speaker 2: fucking movies or TV. 571 00:25:53,119 --> 00:25:53,439 Speaker 4: We have to. 572 00:25:53,560 --> 00:25:56,119 Speaker 2: We have movies like the color Purple, Dion Cola comic 573 00:25:56,480 --> 00:26:02,959 Speaker 2: is in color purple. Come on, man, that's crazy. Comic 574 00:26:03,080 --> 00:26:09,920 Speaker 2: View Depth Jam It's in the reimagined movie and color purple. Wow, 575 00:26:10,200 --> 00:26:13,679 Speaker 2: that's crazy. And so we have all these things happening. 576 00:26:13,920 --> 00:26:14,119 Speaker 4: You know. 577 00:26:14,160 --> 00:26:16,600 Speaker 2: We got the Aver duven As and the movies like 578 00:26:16,640 --> 00:26:21,520 Speaker 2: Origin and fucking American fiction. I love every I watch, 579 00:26:21,560 --> 00:26:24,440 Speaker 2: and I love everybody, and I don't know like cornball shit. 580 00:26:24,640 --> 00:26:27,080 Speaker 3: I just love Shannon. I love this shit. 581 00:26:28,040 --> 00:26:30,639 Speaker 2: I love stand up, I love movies, I love TV. 582 00:26:31,320 --> 00:26:34,080 Speaker 2: I thank God every day that I'm able to be. 583 00:26:34,320 --> 00:26:36,520 Speaker 2: I had a moment when he was in quarantine. I 584 00:26:36,560 --> 00:26:39,600 Speaker 2: was sitting at home and I was watching TV, and 585 00:26:39,640 --> 00:26:41,840 Speaker 2: I was on like three things, like I had three 586 00:26:41,880 --> 00:26:44,800 Speaker 2: of my movies. And I remember sitting back on my 587 00:26:44,880 --> 00:26:48,159 Speaker 2: couch talking to myself into something I learned in therapy. 588 00:26:48,320 --> 00:26:50,119 Speaker 2: But I was talking a little me like, oh shit, 589 00:26:51,040 --> 00:26:54,240 Speaker 2: you made it inside, you made it. 590 00:26:54,200 --> 00:26:54,880 Speaker 3: Inside of TV. 591 00:26:56,880 --> 00:26:58,600 Speaker 2: I used to only watch that to take me away 592 00:26:58,600 --> 00:27:03,760 Speaker 2: from shit. It was so unrealistic, but I made it 593 00:27:03,800 --> 00:27:08,440 Speaker 2: inside there. Didn't do anything crazy, didn't have no connections. 594 00:27:09,480 --> 00:27:12,840 Speaker 2: I just worked really hard and look at this. 595 00:27:13,200 --> 00:27:16,399 Speaker 4: Wow, you were supposed to be in the reboot of 596 00:27:16,480 --> 00:27:18,800 Speaker 4: Living Color. Yeah, what happened? 597 00:27:22,400 --> 00:27:25,359 Speaker 2: It's really hard to tell. I don't like we shot 598 00:27:25,400 --> 00:27:28,600 Speaker 2: it and wasn't funny. 599 00:27:29,119 --> 00:27:31,320 Speaker 3: Man, it was so much funny. It was so funny. 600 00:27:31,920 --> 00:27:34,359 Speaker 2: I mean the opening skit, I mean, I guess I 601 00:27:34,400 --> 00:27:39,240 Speaker 2: could tell it now is it's killing every wings. He's 602 00:27:39,240 --> 00:27:42,480 Speaker 2: sitting in the Fox office in nineteen night whatever time 603 00:27:42,520 --> 00:27:45,440 Speaker 2: he walked away. They're like, you never come you never 604 00:27:45,480 --> 00:27:47,640 Speaker 2: have a show on Fox again, You'll never be here, blah. 605 00:27:48,200 --> 00:27:50,480 Speaker 2: The white guys are telling them all, and him looking 606 00:27:50,520 --> 00:27:53,600 Speaker 2: at the camera and just goes dad, and we're back. 607 00:27:54,280 --> 00:27:55,720 Speaker 3: And so to open it. 608 00:27:55,760 --> 00:27:58,520 Speaker 2: With that, which maybe one of the reasons why didn't 609 00:27:58,520 --> 00:28:04,560 Speaker 2: come on, which I thought was explosive. I tell you, man, 610 00:28:04,640 --> 00:28:08,280 Speaker 2: I learned so much from Keen Ivy ways. I wrote 611 00:28:08,280 --> 00:28:11,960 Speaker 2: a show called Name Your Adventure when I was ten 612 00:28:12,000 --> 00:28:13,280 Speaker 2: years old, thirteen years old. 613 00:28:13,280 --> 00:28:14,960 Speaker 3: That's when I was writing Everybody. I wrote Different World. 614 00:28:15,160 --> 00:28:18,320 Speaker 2: I wrote the Name Your Adventures, and I used to 615 00:28:18,359 --> 00:28:20,240 Speaker 2: be a showing that my man to play a c slater. 616 00:28:20,280 --> 00:28:21,520 Speaker 3: I forget her name, Mario. 617 00:28:21,359 --> 00:28:24,159 Speaker 2: Lokan yea, yeah, yeah, And I wrote name of your 618 00:28:24,160 --> 00:28:25,879 Speaker 2: Adventure to be on the Living Color. I didn't want 619 00:28:25,880 --> 00:28:29,040 Speaker 2: to go surfboarding, I didn't want to do anything. I said, hey, hi, 620 00:28:29,160 --> 00:28:31,679 Speaker 2: my name is mister Lilton Howery. I would like to 621 00:28:31,720 --> 00:28:33,240 Speaker 2: be a name of your adventure to go on Living 622 00:28:33,240 --> 00:28:35,639 Speaker 2: in Color and meet ken every ways. And I wrote 623 00:28:35,640 --> 00:28:37,520 Speaker 2: that letter and they wrote me back and said, well, 624 00:28:37,680 --> 00:28:41,000 Speaker 2: the show's cancered, but hey, keep on dreaming. And I 625 00:28:41,080 --> 00:28:44,120 Speaker 2: told Keenan that story our first meeting once I booked 626 00:28:44,160 --> 00:28:48,160 Speaker 2: the show, and man, that that was one of you 627 00:28:48,240 --> 00:28:50,719 Speaker 2: talk about moments. That's that's one of my favorite moments 628 00:28:50,760 --> 00:28:57,160 Speaker 2: of So they they were showcasing comics and I had 629 00:28:57,160 --> 00:29:00,600 Speaker 2: to fly to New York to showcase for it, and 630 00:29:00,840 --> 00:29:03,000 Speaker 2: I didn't have me and my manager flew there. We 631 00:29:03,040 --> 00:29:04,600 Speaker 2: ain't had no people in the crowd. You can tell 632 00:29:04,600 --> 00:29:07,400 Speaker 2: the other comedians that's on the showcase. They invited family 633 00:29:07,440 --> 00:29:09,880 Speaker 2: members from friends, so they got their people in there. 634 00:29:11,520 --> 00:29:13,760 Speaker 2: I'm in New York for Chicago, nobody in there, just 635 00:29:13,800 --> 00:29:16,560 Speaker 2: me and my manager. Knowledge Backham shout out to Knowledge 636 00:29:17,040 --> 00:29:21,760 Speaker 2: and uh, I see Keenan get out a limo. 637 00:29:23,040 --> 00:29:24,240 Speaker 3: I'm like, oh. 638 00:29:24,160 --> 00:29:28,080 Speaker 2: Shit, you know you know you know a moment, man, 639 00:29:28,160 --> 00:29:30,280 Speaker 2: you like it's a figure you never saw in real life. 640 00:29:30,400 --> 00:29:33,920 Speaker 2: You're like, oh shit, he's tall, he's it's Keen up 641 00:29:34,000 --> 00:29:38,160 Speaker 2: Ruins and I gotta go crazy. I went on that 642 00:29:38,280 --> 00:29:44,720 Speaker 2: stage and man and shout out to Uh. I forgot 643 00:29:44,800 --> 00:29:48,640 Speaker 2: Seanna's last name, but Nah shuned the rhymes, but she was. 644 00:29:48,720 --> 00:29:50,520 Speaker 2: She's very close to Keen and it was helping them. 645 00:29:51,000 --> 00:29:51,360 Speaker 3: The Color. 646 00:29:51,960 --> 00:29:53,920 Speaker 2: She found me on YouTube. You know, that's how they 647 00:29:53,960 --> 00:29:56,880 Speaker 2: found me. It's a crazy story. It's like they was 648 00:29:56,880 --> 00:30:00,200 Speaker 2: watching somebody else video on YouTube and my video the 649 00:30:00,240 --> 00:30:02,920 Speaker 2: batter words random Ship. I didn't even post that video, 650 00:30:02,960 --> 00:30:05,440 Speaker 2: so I'll never get them niggas props who posted my 651 00:30:05,520 --> 00:30:07,800 Speaker 2: damn set and then asked my permission. But they the 652 00:30:07,800 --> 00:30:10,360 Speaker 2: reason why I booked The Living Color, and so they 653 00:30:10,360 --> 00:30:11,560 Speaker 2: saw me on that invited me. 654 00:30:11,520 --> 00:30:12,080 Speaker 3: To New York. 655 00:30:12,840 --> 00:30:14,680 Speaker 2: I went on stage and went I could tell the 656 00:30:14,680 --> 00:30:16,080 Speaker 2: crowd was trying not to laugh at me. 657 00:30:16,120 --> 00:30:18,600 Speaker 3: They because they did to support their people. But I'm like, 658 00:30:18,720 --> 00:30:21,760 Speaker 3: I'm you killed me. I'm going crazy. Shot that we 659 00:30:21,800 --> 00:30:22,840 Speaker 3: never met him before she comes to. 660 00:30:22,800 --> 00:30:29,000 Speaker 2: Giving me a hug, and I thought I killed after 661 00:30:29,000 --> 00:30:32,000 Speaker 2: the show. I see Keena, I'm raising it, said Keenan, Like, yo, 662 00:30:32,080 --> 00:30:33,400 Speaker 2: mister Wayne's I mean what you think? 663 00:30:33,480 --> 00:30:34,400 Speaker 4: He was like, m. 664 00:30:36,040 --> 00:30:40,959 Speaker 1: Like, motherfucker, right, come on, only gave you because I'm 665 00:30:40,960 --> 00:30:42,160 Speaker 1: gonna tell you about DW Wayans. 666 00:30:42,800 --> 00:30:46,400 Speaker 2: They keep their ship in house, right whatever, the everything's 667 00:30:46,440 --> 00:30:51,480 Speaker 2: in house. And I remember the first conversation Hell. I said, man, 668 00:30:51,480 --> 00:30:53,000 Speaker 2: why did you. 669 00:30:52,520 --> 00:30:54,040 Speaker 3: Because I got a call like the next week that 670 00:30:54,120 --> 00:30:54,680 Speaker 3: I got picked to. 671 00:30:54,640 --> 00:30:57,560 Speaker 2: Come out to LA and do the and do the 672 00:30:59,120 --> 00:31:01,440 Speaker 2: what's the name whatever you call it, the last audition. 673 00:31:02,400 --> 00:31:05,800 Speaker 3: And he was like, no, I didn't. I didn't want 674 00:31:05,800 --> 00:31:08,240 Speaker 3: you to be all hyped up about it. You know, 675 00:31:08,280 --> 00:31:09,800 Speaker 3: you did your thing. I had to tell you that. 676 00:31:10,840 --> 00:31:13,760 Speaker 3: But I was outside, like, keen you know what I 677 00:31:13,800 --> 00:31:14,440 Speaker 3: did right place. 678 00:31:14,680 --> 00:31:19,840 Speaker 1: He's like, you look at all the look at all 679 00:31:19,840 --> 00:31:22,720 Speaker 1: the comedians that were on Living Color, David Evan Greer, 680 00:31:22,880 --> 00:31:28,560 Speaker 1: Tommy Davidson, Uh, Jamie Fox, Jim Carrey. I mean, who 681 00:31:28,800 --> 00:31:31,000 Speaker 1: was probably the most inspirational to you? 682 00:31:31,560 --> 00:31:35,800 Speaker 3: What inspired you to That's a great fucking question. Honestly, 683 00:31:36,760 --> 00:31:40,120 Speaker 3: it is Keenan. It's Keenan. Everyone and the reason why 684 00:31:40,120 --> 00:31:40,600 Speaker 3: it is. 685 00:31:42,400 --> 00:31:45,280 Speaker 2: He put all that shit together there and they all 686 00:31:45,280 --> 00:31:49,640 Speaker 2: come from this cool group too, because it's Eddie Murphy, Keenan. 687 00:31:49,360 --> 00:31:51,600 Speaker 3: Robert towns that's the that's that clique. 688 00:31:51,760 --> 00:31:55,840 Speaker 2: Yeah, those guys changed to me, not only Black Hollywood, 689 00:31:55,840 --> 00:31:59,800 Speaker 2: but Hollywood in general and comedy. They all are forces 690 00:31:59,800 --> 00:32:02,880 Speaker 2: that are be wrecking right. And it started with Eddie. 691 00:32:03,400 --> 00:32:03,719 Speaker 4: That's why. 692 00:32:03,760 --> 00:32:06,080 Speaker 3: If you look at the raw credits, you did you 693 00:32:06,120 --> 00:32:06,440 Speaker 3: see it? 694 00:32:06,760 --> 00:32:09,320 Speaker 2: You saw who directed it, Robert Townsend, you saw who 695 00:32:09,320 --> 00:32:11,160 Speaker 2: wrote the opening sketch, keen everyone else. 696 00:32:12,280 --> 00:32:13,680 Speaker 3: He brought in his homeboys with that. 697 00:32:14,720 --> 00:32:19,040 Speaker 2: These like three of the greatest whatevers of all time 698 00:32:19,480 --> 00:32:23,160 Speaker 2: created all this different shit, and Keenan found a way 699 00:32:23,160 --> 00:32:23,560 Speaker 2: to merge. 700 00:32:24,120 --> 00:32:27,760 Speaker 3: Hip hop was still new at the time. The Living 701 00:32:27,800 --> 00:32:29,640 Speaker 3: Color was putting hip hop stars and never got a 702 00:32:29,720 --> 00:32:35,480 Speaker 3: television credit. A first. The Fly Girls embraced the culture 703 00:32:35,520 --> 00:32:35,760 Speaker 3: of it. 704 00:32:36,120 --> 00:32:39,560 Speaker 2: I mean, the super Bowl halftime show only exists because 705 00:32:39,560 --> 00:32:44,800 Speaker 2: of a Living Color. People forget that it was halftime, 706 00:32:44,800 --> 00:32:46,720 Speaker 2: but the super Bowl and Living Color did a special. 707 00:32:47,920 --> 00:32:50,960 Speaker 3: Everybody turned to a Living club. Ratings through the roof. 708 00:32:51,360 --> 00:32:54,040 Speaker 2: Guess who the the NFL book the next year, Michael 709 00:32:54,160 --> 00:32:59,440 Speaker 2: god Damn Jackson. Come on, man, so Keena is always 710 00:32:59,480 --> 00:33:02,200 Speaker 2: to me is be like, you know, that's one of 711 00:33:02,240 --> 00:33:04,000 Speaker 2: the only people that's ever told me that I was 712 00:33:04,000 --> 00:33:07,120 Speaker 2: gonna be okay, that I took that fucking shit serious. 713 00:33:09,760 --> 00:33:11,480 Speaker 4: How did you land the role in the Carmichael Show? 714 00:33:12,600 --> 00:33:16,000 Speaker 2: Being friends with Gerard? You know, I tell here we go, 715 00:33:16,120 --> 00:33:19,080 Speaker 2: this is very interesting. I tell comics this all the time. 716 00:33:19,120 --> 00:33:22,240 Speaker 2: You don't know who gonna be what, So be careful 717 00:33:22,240 --> 00:33:27,160 Speaker 2: how you treat mof I met Gerra when he was new. 718 00:33:27,200 --> 00:33:28,680 Speaker 2: He walked up to me like, hey man, I'm a 719 00:33:28,720 --> 00:33:33,000 Speaker 2: big fan. Like he's a scruppy looking kid, but you know, 720 00:33:34,640 --> 00:33:39,600 Speaker 2: we had a conversation and we became friends, and honestly, 721 00:33:39,600 --> 00:33:42,520 Speaker 2: I remember texting him congratulations about his deal. I heard 722 00:33:42,560 --> 00:33:46,120 Speaker 2: about when he got his deal with NBC, and he's like, man, 723 00:33:46,120 --> 00:33:46,520 Speaker 2: that's crazy. 724 00:33:46,560 --> 00:33:48,000 Speaker 3: You hit me. I was thinking about having you come 725 00:33:48,040 --> 00:33:50,200 Speaker 3: in and read. So this is the first funny day. 726 00:33:50,880 --> 00:33:52,800 Speaker 2: The Carmichael Show was set up a different way than 727 00:33:52,800 --> 00:33:54,280 Speaker 2: it was, and you guys ended up seeing it was 728 00:33:54,360 --> 00:33:54,880 Speaker 2: it's supposed to. 729 00:33:54,880 --> 00:33:56,440 Speaker 3: Be about him and his friends. The show. 730 00:33:57,200 --> 00:34:02,320 Speaker 2: I auditioned for it, great audition. ITBC loves me, The 731 00:34:02,320 --> 00:34:06,120 Speaker 2: producers love everybody loves me. And my man's like, I'm like, 732 00:34:06,120 --> 00:34:08,279 Speaker 2: what's the problem. Everybody say everybody liked me. He's like, yeah, 733 00:34:08,280 --> 00:34:11,960 Speaker 2: but you're right. Wait, he asked me to do this 734 00:34:12,080 --> 00:34:15,040 Speaker 2: fucking audition, so he the one that's not picking me, 735 00:34:15,680 --> 00:34:16,640 Speaker 2: and I caught that to ride. 736 00:34:16,680 --> 00:34:17,160 Speaker 3: Why a you not? 737 00:34:17,800 --> 00:34:21,000 Speaker 2: He said, because you did it differently than I envisioned 738 00:34:21,040 --> 00:34:21,520 Speaker 2: the character. 739 00:34:22,280 --> 00:34:23,960 Speaker 3: So yeah, but everybody else loved it. It's like, no, 740 00:34:24,000 --> 00:34:25,680 Speaker 3: but that's not what I That's not how I wrote it, 741 00:34:25,719 --> 00:34:26,800 Speaker 3: you know, that's not how I visited. 742 00:34:28,440 --> 00:34:30,319 Speaker 2: I was like, man, this motherfucker. But then I had 743 00:34:30,320 --> 00:34:32,839 Speaker 2: to respect it too. I said, man, it's your show, 744 00:34:33,040 --> 00:34:35,560 Speaker 2: your brother, you do what she would be doing. But 745 00:34:35,640 --> 00:34:38,240 Speaker 2: then he rewrote the ship to make it a family 746 00:34:38,280 --> 00:34:42,800 Speaker 2: structure based off his family, and he wrote Bobby exactly 747 00:34:42,840 --> 00:34:44,600 Speaker 2: the where I performed. 748 00:34:44,200 --> 00:34:47,600 Speaker 3: It, and I said, I got the shop. I got. 749 00:34:47,640 --> 00:34:48,759 Speaker 2: All I had to do was come in for a 750 00:34:48,800 --> 00:34:51,759 Speaker 2: screen test, and I did exactly what he asked me 751 00:34:51,800 --> 00:34:53,640 Speaker 2: to do, and I booked the shop. I remember, I 752 00:34:53,680 --> 00:34:55,480 Speaker 2: was supposed to be long gone. You know, people start 753 00:34:55,520 --> 00:34:56,560 Speaker 2: deliberating about you, right. 754 00:34:56,840 --> 00:34:59,520 Speaker 3: So I was waiting on my card. 755 00:35:00,040 --> 00:35:02,000 Speaker 2: They're eating lunch and I can watch them deliberate about 756 00:35:02,040 --> 00:35:03,520 Speaker 2: me and they're like, yo, you're still on the studio 757 00:35:03,640 --> 00:35:06,040 Speaker 2: lot said, yeah, I gotta wait on my ride. I've 758 00:35:06,040 --> 00:35:08,680 Speaker 2: been here for a hour, right, But yeah, that's how 759 00:35:08,680 --> 00:35:13,120 Speaker 2: I got it. It's being friends with Girard is. I mean, 760 00:35:13,160 --> 00:35:15,239 Speaker 2: even just the way Tiffany. Tiffany wasn't supposed to be 761 00:35:15,280 --> 00:35:18,279 Speaker 2: on the show, right. He wrote this ship in which 762 00:35:18,320 --> 00:35:20,520 Speaker 2: I sometimes I hate when I get Girard personal information 763 00:35:20,800 --> 00:35:22,319 Speaker 2: because I will go through a divorce at the time. 764 00:35:23,239 --> 00:35:24,359 Speaker 3: And the next thing you know, I had an ex 765 00:35:24,360 --> 00:35:26,320 Speaker 3: wife on the ship and I'm like, what the fuck man. 766 00:35:28,520 --> 00:35:29,560 Speaker 4: You giving a man idea? 767 00:35:29,640 --> 00:35:31,440 Speaker 3: I was calling them an event one day. Next you know, 768 00:35:31,480 --> 00:35:32,479 Speaker 3: how to ex wife on the show? 769 00:35:34,640 --> 00:35:37,200 Speaker 1: You mentioned Tiffy. Tiffany had its being one of your 770 00:35:37,239 --> 00:35:40,160 Speaker 1: best friends. She's kind of had a couple of mishaps 771 00:35:42,360 --> 00:35:45,319 Speaker 1: over the last couple of months. We talked to her, 772 00:35:45,640 --> 00:35:47,279 Speaker 1: what's going on? How do you how do you how 773 00:35:47,320 --> 00:35:51,240 Speaker 1: does Reil get Tiffany back on the street Narrow? 774 00:35:51,280 --> 00:35:53,880 Speaker 3: Well, it's not real doing that. It's Tiffany's doing that. 775 00:35:54,120 --> 00:35:55,920 Speaker 2: She's putting the work in, you know what I'm saying, Like, 776 00:35:55,960 --> 00:35:57,840 Speaker 2: I'm so proud of her, and it was what I 777 00:35:57,920 --> 00:36:01,239 Speaker 2: was saying earlier to you about like, you know, just 778 00:36:01,280 --> 00:36:04,360 Speaker 2: taking some time for yourself. You know, I think you 779 00:36:04,360 --> 00:36:04,640 Speaker 2: know her. 780 00:36:04,719 --> 00:36:09,640 Speaker 3: You know, she lost her grandmother, she lost like one 781 00:36:09,640 --> 00:36:11,080 Speaker 3: of her oldest dogs. 782 00:36:10,680 --> 00:36:12,960 Speaker 2: She loved, like I know her for ever, and so 783 00:36:13,239 --> 00:36:16,200 Speaker 2: she just has so many loss, just loss, and I 784 00:36:16,200 --> 00:36:18,239 Speaker 2: think she just' she didn't take enough time to like 785 00:36:18,800 --> 00:36:21,399 Speaker 2: deal with certain things. And her machine is like this, 786 00:36:22,000 --> 00:36:24,880 Speaker 2: she works all the time, and so a lot of 787 00:36:24,920 --> 00:36:26,400 Speaker 2: the lot of the stuff she was going through more 788 00:36:26,440 --> 00:36:27,480 Speaker 2: or less's fatigue. 789 00:36:28,160 --> 00:36:32,280 Speaker 3: You gotta rest, you know. I give back to Cat's advice, 790 00:36:32,960 --> 00:36:36,480 Speaker 3: don't let these niggas burn you out, and that's real. 791 00:36:36,560 --> 00:36:38,120 Speaker 3: You do have to pace yourself. 792 00:36:38,160 --> 00:36:42,560 Speaker 2: And she's fine, like she's she's she's holding herself accountable 793 00:36:42,640 --> 00:36:45,160 Speaker 2: for things, you know, you know, and I you know, 794 00:36:45,239 --> 00:36:47,040 Speaker 2: you saw I had a conyect because I you know, 795 00:36:47,120 --> 00:36:49,920 Speaker 2: I'm I'm not drinking. Also, you know, me and her 796 00:36:49,920 --> 00:36:51,920 Speaker 2: had a very hard to heart about both of us 797 00:36:51,920 --> 00:36:55,640 Speaker 2: taking those steps in general. It's just like like what 798 00:36:55,680 --> 00:36:57,640 Speaker 2: are we doing, like learn her to not participate in 799 00:36:57,680 --> 00:37:00,960 Speaker 2: things just because it's available to you and taking time 800 00:37:01,000 --> 00:37:04,560 Speaker 2: for yourself, right, So I'm proud of her, and you 801 00:37:04,600 --> 00:37:07,440 Speaker 2: know Tiffany's one of the best people in the world. 802 00:37:07,960 --> 00:37:09,040 Speaker 3: I feel bad for her a lot of. 803 00:37:09,040 --> 00:37:12,520 Speaker 2: Times because people like love to attack her and it's 804 00:37:12,520 --> 00:37:14,360 Speaker 2: so fucking weird to me, Like one of the nicest 805 00:37:14,360 --> 00:37:16,919 Speaker 2: people you'll ever meet, one of the most hardworking people 806 00:37:16,960 --> 00:37:20,440 Speaker 2: you ever meet. But you know, I always tell her like, 807 00:37:20,440 --> 00:37:23,360 Speaker 2: that's why you can't care about pleasing people. You know, 808 00:37:23,440 --> 00:37:28,160 Speaker 2: you care about what everybody fucking thinks. Man, that's draining, right, man. 809 00:37:28,320 --> 00:37:31,359 Speaker 2: I mean you we already in a business where people 810 00:37:31,360 --> 00:37:33,399 Speaker 2: you're gonna already have critics and all these other shit. 811 00:37:34,200 --> 00:37:37,600 Speaker 3: Don't take in all that shit. You don't owe anybody anything, 812 00:37:38,480 --> 00:37:40,239 Speaker 3: you know what I'm saying. You don't owe nobody shit. 813 00:37:40,680 --> 00:37:42,400 Speaker 2: If somebody did something for me and it wasn't out 814 00:37:42,400 --> 00:37:43,880 Speaker 2: the goodness out of your heart, and then that's fucked 815 00:37:43,920 --> 00:37:44,279 Speaker 2: up on you. 816 00:37:44,320 --> 00:37:48,040 Speaker 3: I don't owe you shit, right, you know what I'm saying. 817 00:37:48,360 --> 00:37:50,680 Speaker 3: And so I'm proud of her. She's doing so well 818 00:37:50,719 --> 00:37:53,719 Speaker 3: and only she can. Only adults can work on them, 819 00:37:53,719 --> 00:37:54,480 Speaker 3: says nobody can. 820 00:37:54,520 --> 00:37:57,480 Speaker 4: Do you know what I mean? Do you think they 821 00:37:57,520 --> 00:37:58,719 Speaker 4: do another Girls Trip too? 822 00:37:59,800 --> 00:38:03,799 Speaker 2: I think so it'll be interesting too now because they 823 00:38:03,800 --> 00:38:06,440 Speaker 2: can do so many different storylines with all them now, right, 824 00:38:07,440 --> 00:38:10,040 Speaker 2: but they like it might be even funnier to be 825 00:38:10,120 --> 00:38:13,480 Speaker 2: quite honest with you, right, M Yeah, I love that. 826 00:38:14,920 --> 00:38:20,000 Speaker 4: It's a ray insecure part of you've been in What's so? 827 00:38:20,360 --> 00:38:23,360 Speaker 1: Let me ask you this rep how do you do 828 00:38:23,480 --> 00:38:25,520 Speaker 1: you just they send you scripts and do you let? 829 00:38:25,680 --> 00:38:27,360 Speaker 4: Do you say? Nah? They say? For me, how do 830 00:38:27,440 --> 00:38:28,120 Speaker 4: you go about? 831 00:38:29,719 --> 00:38:32,279 Speaker 1: Okay, this is something I might be interested in. I 832 00:38:32,320 --> 00:38:34,200 Speaker 1: think I might be interested in it. Or do you 833 00:38:34,239 --> 00:38:35,360 Speaker 1: just like read everything? 834 00:38:35,680 --> 00:38:40,520 Speaker 2: Well, that's interesting, you say, now Insecure is a very 835 00:38:40,520 --> 00:38:43,040 Speaker 2: cool story. But like in general, for me, I do 836 00:38:43,440 --> 00:38:45,160 Speaker 2: I get scripts to me all the time? With you, right, 837 00:38:45,480 --> 00:38:47,399 Speaker 2: I do so many movies. Everybody think I'll be saying 838 00:38:47,440 --> 00:38:49,359 Speaker 2: yes to everything, but I really don't. I turn down 839 00:38:49,400 --> 00:38:52,080 Speaker 2: a lot of stuff, actually, but then I get a 840 00:38:52,120 --> 00:38:54,080 Speaker 2: lot of really good stuff. Everything I've ever done is 841 00:38:54,080 --> 00:38:57,319 Speaker 2: stuff I really wanted to do right now. Sometimes I'm 842 00:38:57,320 --> 00:39:00,759 Speaker 2: just a fan of something, So I'm a big insecure 843 00:39:00,960 --> 00:39:03,600 Speaker 2: I'm saying, a huge fan of the ship, huge fan 844 00:39:03,640 --> 00:39:06,399 Speaker 2: of all of them. And I remember telling Easter like, man, 845 00:39:06,440 --> 00:39:07,640 Speaker 2: I want to I gotta be. 846 00:39:07,680 --> 00:39:09,160 Speaker 3: I want to be. You gotta find something for me, 847 00:39:09,200 --> 00:39:11,760 Speaker 3: you know what I mean? And I'm me tell Yvonne. 848 00:39:11,840 --> 00:39:14,600 Speaker 2: Yvon Orgy who you know plays I bet paid their 849 00:39:14,600 --> 00:39:17,799 Speaker 2: best sermon show and one of my closest friends I 850 00:39:17,840 --> 00:39:18,600 Speaker 2: wanted to be on the show. 851 00:39:18,640 --> 00:39:19,480 Speaker 3: She gave me a call. 852 00:39:19,440 --> 00:39:23,160 Speaker 2: One random day, real I don't really like the cats 853 00:39:23,200 --> 00:39:26,520 Speaker 2: I'm reading with, I think you should come in for this. 854 00:39:26,640 --> 00:39:30,520 Speaker 3: But this was to play this lawyer maybe love interesting. 855 00:39:31,280 --> 00:39:34,799 Speaker 2: I was like, all right, and this is how beautiful 856 00:39:35,000 --> 00:39:37,840 Speaker 2: our group is ore and I was just me and 857 00:39:37,840 --> 00:39:39,399 Speaker 2: Easter just had lunch, so we was just talking about 858 00:39:39,480 --> 00:39:42,600 Speaker 2: this because it was like this weird back to back 859 00:39:42,680 --> 00:39:45,560 Speaker 2: years where all of us was like nobody's and all 860 00:39:45,560 --> 00:39:47,760 Speaker 2: of us had this shit going on and it was crazy. 861 00:39:48,840 --> 00:39:52,000 Speaker 2: And I remember Yvonne telling me this shit they sent 862 00:39:52,080 --> 00:39:53,840 Speaker 2: me and I think I might have Texteda, so I 863 00:39:53,840 --> 00:39:54,600 Speaker 2: don't forget. 864 00:39:54,320 --> 00:39:57,520 Speaker 3: Whatever happened, and they sent me to roll I dressed up. 865 00:39:57,600 --> 00:39:59,640 Speaker 2: I was doing Carmichael Show at the time, and I 866 00:39:59,680 --> 00:40:01,239 Speaker 2: had to get permission to do it because I was, 867 00:40:01,280 --> 00:40:04,160 Speaker 2: you know, NBC, and I I said, you right, hey, 868 00:40:04,160 --> 00:40:05,040 Speaker 2: can I do Insecure? 869 00:40:05,520 --> 00:40:06,839 Speaker 3: And I remember like the. 870 00:40:06,840 --> 00:40:08,239 Speaker 2: Network really didn't want me to do and all the 871 00:40:08,320 --> 00:40:11,160 Speaker 2: producers like He's like, I don't give the East's our friend, 872 00:40:11,239 --> 00:40:11,680 Speaker 2: go do it. 873 00:40:12,000 --> 00:40:12,600 Speaker 3: I'm like cool. 874 00:40:13,040 --> 00:40:14,840 Speaker 2: So I went to go read for I dressed up 875 00:40:14,880 --> 00:40:16,799 Speaker 2: as the lawyer. I ain't never really dressed up until 876 00:40:16,800 --> 00:40:18,040 Speaker 2: I really wanted this fucking part. 877 00:40:19,360 --> 00:40:23,280 Speaker 3: And I dressed up as as the lawyer and uh. 878 00:40:23,480 --> 00:40:25,520 Speaker 2: I remember it was a guy there who was tested 879 00:40:25,560 --> 00:40:27,840 Speaker 2: with me and he saw me all dressed up and 880 00:40:27,920 --> 00:40:29,240 Speaker 2: this one get out was like already. 881 00:40:29,280 --> 00:40:32,120 Speaker 3: I like, man, look, hey man, you're already on the show. 882 00:40:33,400 --> 00:40:34,200 Speaker 1: Why you want to be on this? 883 00:40:34,239 --> 00:40:35,759 Speaker 3: Sh like you could tell the Thigga was like, damn 884 00:40:35,880 --> 00:40:37,680 Speaker 3: Thigga rail heare they gonna give it to him? 885 00:40:38,239 --> 00:40:38,480 Speaker 4: Get this? 886 00:40:38,719 --> 00:40:41,240 Speaker 3: I showed up. I showed up dressed as a lawyer. 887 00:40:41,360 --> 00:40:43,759 Speaker 2: I got I got the lawyer outfit from the Carmichael 888 00:40:43,760 --> 00:40:44,640 Speaker 2: Show costumers. 889 00:40:45,200 --> 00:40:46,640 Speaker 3: I said, could y'all give me a lawyer outfit? 890 00:40:46,680 --> 00:40:47,080 Speaker 4: Real quick? 891 00:40:47,120 --> 00:40:49,920 Speaker 3: To go do this audition? Matter of fact, that was 892 00:40:49,920 --> 00:40:50,799 Speaker 3: the last audition I heard. 893 00:40:50,800 --> 00:40:53,040 Speaker 2: It was insecure, and so I did that and I 894 00:40:53,080 --> 00:40:55,640 Speaker 2: booked it, and man, I'm so glad I got a 895 00:40:55,719 --> 00:40:57,160 Speaker 2: chance to be a part of That was my first 896 00:40:57,200 --> 00:40:59,680 Speaker 2: sex scene, was me. 897 00:40:59,800 --> 00:41:03,040 Speaker 3: Even It's curiousity, which is the crazy you learn a 898 00:41:03,080 --> 00:41:03,480 Speaker 3: lot about it. 899 00:41:04,160 --> 00:41:07,920 Speaker 1: I heard the majority of her, her staff. It's a women, 900 00:41:08,080 --> 00:41:12,880 Speaker 1: all women in that. How important is that? 901 00:41:14,280 --> 00:41:14,480 Speaker 2: You know? 902 00:41:14,640 --> 00:41:14,960 Speaker 3: Something? 903 00:41:15,120 --> 00:41:18,160 Speaker 2: Is what makes that even very important is just it 904 00:41:18,200 --> 00:41:21,280 Speaker 2: was the jobs they had, right, that I've never seen 905 00:41:21,320 --> 00:41:24,759 Speaker 2: women do. I never seen women do grips at that time, 906 00:41:24,800 --> 00:41:26,839 Speaker 2: I didn't, you know what I'm saying, sad like when 907 00:41:26,840 --> 00:41:28,919 Speaker 2: I tell you it was like three people and said 908 00:41:28,960 --> 00:41:32,200 Speaker 2: Princess Pinny, which is the show running, me and him 909 00:41:32,200 --> 00:41:33,560 Speaker 2: and Jay Ellis, was only three dudes on. 910 00:41:33,560 --> 00:41:34,920 Speaker 3: Set one day and it was all women. 911 00:41:35,800 --> 00:41:38,960 Speaker 2: And I've never first ever felt like, oh we we're 912 00:41:39,000 --> 00:41:42,319 Speaker 2: the minority, right, But it felt good, and it felt 913 00:41:42,360 --> 00:41:44,920 Speaker 2: good seeing all those black women and women just laughing 914 00:41:45,000 --> 00:41:46,799 Speaker 2: and having a good time to collaborate with each other. 915 00:41:46,920 --> 00:41:48,240 Speaker 3: I never seen nothing like that before. 916 00:41:49,840 --> 00:41:52,160 Speaker 1: Taraji p Henson has been in the news lately where 917 00:41:52,200 --> 00:41:58,400 Speaker 1: she's saying that people like her work extremely hard not 918 00:41:58,480 --> 00:42:02,480 Speaker 1: getting paid their worth. Where do you come down on 919 00:42:02,520 --> 00:42:05,160 Speaker 1: this rail What's what's going on with Hollywood and our 920 00:42:05,200 --> 00:42:06,080 Speaker 1: black actresses? 921 00:42:06,480 --> 00:42:08,640 Speaker 2: Well, I don't It's not even just black actresses, it's 922 00:42:08,760 --> 00:42:13,839 Speaker 2: black actors, you know. I remember when I was doing 923 00:42:13,960 --> 00:42:18,480 Speaker 2: my show rail right, and one of those magazines leaked 924 00:42:18,480 --> 00:42:22,359 Speaker 2: to everybody's salaries like who had shows on network TV. 925 00:42:23,560 --> 00:42:28,239 Speaker 2: And when I saw the the margin of like it 926 00:42:28,320 --> 00:42:31,520 Speaker 2: didn't I couldn't believe what I was looking at when 927 00:42:31,560 --> 00:42:33,520 Speaker 2: I saw, you know what like a Tim Allen was 928 00:42:33,520 --> 00:42:36,759 Speaker 2: making for just acting. Oh yeah, and I'm like, wait 929 00:42:36,840 --> 00:42:40,799 Speaker 2: a minute, I got to produce, right star. I figured 930 00:42:40,840 --> 00:42:42,440 Speaker 2: out another way where I could play a different character 931 00:42:42,560 --> 00:42:44,600 Speaker 2: every episode, so I got a separate check for this. 932 00:42:45,120 --> 00:42:46,879 Speaker 2: I would think about everywhere I get a chair and 933 00:42:46,960 --> 00:42:48,560 Speaker 2: this what he just getting acting. 934 00:42:50,560 --> 00:42:51,040 Speaker 4: It was. 935 00:42:53,040 --> 00:42:56,200 Speaker 2: A disgusting way more about it didn't make any sense, 936 00:42:56,440 --> 00:42:58,000 Speaker 2: and it wasn't even just about me because I couldn't 937 00:42:58,000 --> 00:42:58,319 Speaker 2: look at. 938 00:42:58,280 --> 00:43:00,840 Speaker 3: It like I'm new and so it was my whatever. 939 00:43:01,480 --> 00:43:05,200 Speaker 2: But I looked at the other black veterans were shows 940 00:43:05,239 --> 00:43:09,000 Speaker 2: and I'm like, this is what they're making. Look, I say, 941 00:43:09,040 --> 00:43:11,279 Speaker 2: a couple of things have to happen. You got to 942 00:43:11,320 --> 00:43:13,880 Speaker 2: be able to say no, and you got to have 943 00:43:13,960 --> 00:43:18,200 Speaker 2: the right team also, right were Yeah, we're asking Hollywood. 944 00:43:18,920 --> 00:43:21,520 Speaker 2: They definitely need to investigate that because that's the problem. 945 00:43:21,600 --> 00:43:21,719 Speaker 4: Right. 946 00:43:21,800 --> 00:43:24,360 Speaker 2: It's like it's with everybody, But you do have to 947 00:43:24,440 --> 00:43:25,840 Speaker 2: have the right fucking team. 948 00:43:26,280 --> 00:43:27,720 Speaker 3: Angela Bassett right now. 949 00:43:27,680 --> 00:43:30,040 Speaker 2: Is the highest one of the highest paid women on 950 00:43:30,040 --> 00:43:34,479 Speaker 2: television right now, Like she's getting a crazy bad right 951 00:43:35,760 --> 00:43:39,560 Speaker 2: as she deserved and probably deserved it. Yeah, and so 952 00:43:39,640 --> 00:43:42,239 Speaker 2: I just really believe that. And also too, we all 953 00:43:42,239 --> 00:43:45,440 Speaker 2: have to be honest with each other. And I'm talking 954 00:43:45,480 --> 00:43:50,360 Speaker 2: about I speak to the camera again, brothers, black actors, males, men, 955 00:43:50,960 --> 00:43:53,280 Speaker 2: fam Like, we have to be honest with our sisters 956 00:43:53,280 --> 00:43:53,960 Speaker 2: about this too. 957 00:43:54,360 --> 00:43:55,560 Speaker 3: This is the only way all this. 958 00:43:55,480 --> 00:43:58,080 Speaker 2: Is gonna change, because right now, everybody like, look cool, 959 00:43:58,080 --> 00:43:59,320 Speaker 2: you know what I'm saying, Like, I don't want nobody 960 00:43:59,320 --> 00:44:01,080 Speaker 2: know it. You know, I want to look like noah, fam, 961 00:44:01,160 --> 00:44:03,279 Speaker 2: you know what it is. We all get fucked on this. 962 00:44:04,000 --> 00:44:06,359 Speaker 2: I remember when Sherry Shepherd was working on something and 963 00:44:06,400 --> 00:44:09,520 Speaker 2: she called me and she was working on the deal. 964 00:44:09,600 --> 00:44:10,960 Speaker 2: I said, well, this is what I got, this is 965 00:44:10,960 --> 00:44:14,600 Speaker 2: what you should ask for. I was very honest. That's 966 00:44:14,640 --> 00:44:16,040 Speaker 2: all we have to do is be Honest's start with 967 00:44:16,080 --> 00:44:19,120 Speaker 2: being honest with you, ye, right, and then we have 968 00:44:19,200 --> 00:44:22,600 Speaker 2: to communicate that and just you know, push our teams right. 969 00:44:22,840 --> 00:44:24,839 Speaker 2: Fuck that ship man, Like if I did this and 970 00:44:24,840 --> 00:44:27,600 Speaker 2: that this did this numbers. Taraji be Hiss has the 971 00:44:27,800 --> 00:44:35,440 Speaker 2: box office yes, award winning Yes, at the minimum, she'd 972 00:44:35,480 --> 00:44:35,719 Speaker 2: be good. 973 00:44:35,719 --> 00:44:38,279 Speaker 3: She'd be like ten a movie at the at. 974 00:44:38,160 --> 00:44:44,000 Speaker 1: A minture, absolutely, because motherfuckers is getting that bad. 975 00:44:46,280 --> 00:44:47,960 Speaker 4: Your sit car. 976 00:44:48,760 --> 00:44:51,520 Speaker 1: If you could go back and do anything differently, what 977 00:44:51,520 --> 00:44:52,799 Speaker 1: would you do different. 978 00:44:52,760 --> 00:44:55,920 Speaker 3: A lot of shit. One of the biggest things I 979 00:44:56,080 --> 00:45:01,720 Speaker 3: wish I'd have did better at was trusted my writers 980 00:45:01,719 --> 00:45:05,840 Speaker 3: more and trusting everybody. I think. 981 00:45:07,680 --> 00:45:13,880 Speaker 2: Sometimes that strike the iron wires hot mentality or I 982 00:45:13,920 --> 00:45:16,520 Speaker 2: know for me, I wanted to represent black people so bad, 983 00:45:16,640 --> 00:45:18,520 Speaker 2: and so I wanted to do whatever it was. I 984 00:45:18,560 --> 00:45:20,920 Speaker 2: put too much on myself, man, and I should have 985 00:45:20,960 --> 00:45:23,000 Speaker 2: trusted more to the people. 986 00:45:22,760 --> 00:45:23,600 Speaker 3: I hired to do that. 987 00:45:23,640 --> 00:45:25,600 Speaker 2: I was strussed the funk out doing that shit right, 988 00:45:26,040 --> 00:45:28,040 Speaker 2: like I really was, but it was it was fun. 989 00:45:28,080 --> 00:45:29,880 Speaker 2: But one of the things I would just trust everybody 990 00:45:29,920 --> 00:45:31,880 Speaker 2: when not even just my writers. I could have did 991 00:45:31,920 --> 00:45:35,120 Speaker 2: a better job at trusted and being a better leader. 992 00:45:35,520 --> 00:45:38,239 Speaker 2: But I analyzed myself after that with my friends, you 993 00:45:38,280 --> 00:45:39,920 Speaker 2: know what I mean, And there was a lot of 994 00:45:39,960 --> 00:45:42,279 Speaker 2: changes out to make after that because I put a 995 00:45:42,280 --> 00:45:43,520 Speaker 2: lot on myself with that show. 996 00:45:45,320 --> 00:45:48,400 Speaker 4: I heard you earlier say the last audition was to 997 00:45:48,400 --> 00:45:49,280 Speaker 4: get out right. 998 00:45:49,600 --> 00:45:54,000 Speaker 2: Yeah and well really insecure, but you haven't. 999 00:45:54,120 --> 00:45:58,000 Speaker 4: So now they just send your skills, say different, and. 1000 00:45:57,920 --> 00:46:00,080 Speaker 2: Then you know a lot of times if I liked it, 1001 00:46:00,080 --> 00:46:02,040 Speaker 2: it's a process, right, there'll send you the script, they say, ready, 1002 00:46:02,120 --> 00:46:02,879 Speaker 2: offer this to you. 1003 00:46:03,280 --> 00:46:06,839 Speaker 3: I'll look at the script or two pager, you know something. 1004 00:46:06,920 --> 00:46:10,960 Speaker 2: My manager to do a two pager for me, and 1005 00:46:11,000 --> 00:46:13,160 Speaker 2: then I tell him I like it, and then either 1006 00:46:13,160 --> 00:46:17,560 Speaker 2: I meet with a producer director, just go break bread. 1007 00:46:17,400 --> 00:46:19,160 Speaker 3: Like it's one of like the cool little reference like 1008 00:46:19,239 --> 00:46:22,680 Speaker 3: catching something. Just talk it out, see what the energy 1009 00:46:22,719 --> 00:46:25,080 Speaker 3: feels like, and then just take it from there. That's 1010 00:46:25,200 --> 00:46:26,240 Speaker 3: literally been that simple. 1011 00:46:26,280 --> 00:46:29,759 Speaker 2: It's been like, which is why, like once again, when 1012 00:46:29,800 --> 00:46:31,160 Speaker 2: I hear these, I hear the horror. 1013 00:46:30,920 --> 00:46:35,000 Speaker 3: Story, but I'm like, Jesus Christ, I've never been through that. 1014 00:46:35,560 --> 00:46:39,640 Speaker 3: Thank God. It's been the most regulars, normalist thing you 1015 00:46:39,640 --> 00:46:45,160 Speaker 3: could think of. Yeah, they talk about the script. 1016 00:46:45,080 --> 00:46:49,560 Speaker 1: Right, So what was the table real like for or 1017 00:46:49,680 --> 00:46:52,480 Speaker 1: get Out? Did you know it was gonna be what 1018 00:46:52,600 --> 00:46:53,040 Speaker 1: it became? 1019 00:46:53,239 --> 00:46:56,520 Speaker 2: None of us knew that, nothing like none of them. 1020 00:46:56,560 --> 00:46:59,680 Speaker 2: Well let me say this, So we didn't do a 1021 00:46:59,719 --> 00:47:02,520 Speaker 2: table read for it, but I remember my one on 1022 00:47:02,520 --> 00:47:07,080 Speaker 2: one with Jordan Peel. It was my callback audition and 1023 00:47:09,680 --> 00:47:12,359 Speaker 2: we did the scene that we took out. So it 1024 00:47:12,400 --> 00:47:16,680 Speaker 2: was the original ending. The original ending, daniel Lew's character 1025 00:47:16,719 --> 00:47:19,960 Speaker 2: goes to jail. I go visit him in jail, and 1026 00:47:20,000 --> 00:47:21,520 Speaker 2: I'm trying to get him to tell me what happened 1027 00:47:21,520 --> 00:47:23,520 Speaker 2: so I could at least like trying to find a 1028 00:47:23,520 --> 00:47:24,120 Speaker 2: way to get him out. 1029 00:47:24,360 --> 00:47:26,480 Speaker 3: But he's kind of just like, man, you know what 1030 00:47:26,520 --> 00:47:28,120 Speaker 3: it is. I'm black. They're not gonna let me out. 1031 00:47:28,160 --> 00:47:33,280 Speaker 2: Bro, just leave it. It's such a dark, hard scene. Yes, 1032 00:47:34,080 --> 00:47:38,120 Speaker 2: And that's the scene we did the callback for. And 1033 00:47:38,160 --> 00:47:40,480 Speaker 2: I remember because it's very emotional because even when we 1034 00:47:40,520 --> 00:47:43,799 Speaker 2: shot that that one first, I remember I couldn't even 1035 00:47:43,840 --> 00:47:46,440 Speaker 2: hear Jordan pill yell cut. We all were so like 1036 00:47:47,360 --> 00:47:51,759 Speaker 2: emotional about that. It was very telling. I met him 1037 00:47:51,840 --> 00:47:56,759 Speaker 2: just going and everybody took a walk. It was it's 1038 00:47:56,800 --> 00:47:59,520 Speaker 2: just a cour and we was outside and it felt silence, right, 1039 00:48:00,840 --> 00:48:06,960 Speaker 2: And we did that scene. I walk out waiting on 1040 00:48:07,000 --> 00:48:07,480 Speaker 2: my uber. 1041 00:48:08,800 --> 00:48:10,520 Speaker 3: Jordan Peele follows me out. He said, look, man, I 1042 00:48:10,520 --> 00:48:13,839 Speaker 3: ain't supposed to take this ship, but it's yours if 1043 00:48:13,840 --> 00:48:19,280 Speaker 3: you want to. I said, what the movie? I'm literally 1044 00:48:19,280 --> 00:48:20,759 Speaker 3: I got like foul homies in there about to go 1045 00:48:20,760 --> 00:48:24,000 Speaker 3: in there and read I said, what you mean? You 1046 00:48:24,040 --> 00:48:27,320 Speaker 3: got four people? You know, I'm gonna call your teens, 1047 00:48:27,320 --> 00:48:28,200 Speaker 3: but it's yours. 1048 00:48:29,440 --> 00:48:31,640 Speaker 2: And look, Shannon, I didn't know what this movie was 1049 00:48:31,640 --> 00:48:35,040 Speaker 2: gonna be. But when I tell you and this is, 1050 00:48:35,160 --> 00:48:37,560 Speaker 2: this is one hundred percent what happened. I literally walked. 1051 00:48:37,760 --> 00:48:40,120 Speaker 2: I don't I don't know how many blocks I walked. 1052 00:48:40,760 --> 00:48:43,080 Speaker 2: I walked from where I did the audition that to 1053 00:48:43,120 --> 00:48:47,520 Speaker 2: wherever the fuck I was at, praising God. And I 1054 00:48:47,560 --> 00:48:50,160 Speaker 2: didn't know what get Out was gonna be. It was 1055 00:48:50,160 --> 00:48:52,800 Speaker 2: my first feature film. It was just something felt special 1056 00:48:52,800 --> 00:48:55,759 Speaker 2: about him. I can't even describe that. And then like 1057 00:48:55,880 --> 00:48:58,279 Speaker 2: even when a trailer came out and it did all 1058 00:48:58,280 --> 00:49:01,040 Speaker 2: these numbers and we went to we had to go 1059 00:49:01,040 --> 00:49:05,440 Speaker 2: do reshoots? Could we reshot the ending? Because now we 1060 00:49:05,520 --> 00:49:07,560 Speaker 2: got some you know, the trailer did well. University gave 1061 00:49:07,600 --> 00:49:09,239 Speaker 2: some months some more money, so and I'm able to, 1062 00:49:09,320 --> 00:49:13,160 Speaker 2: you know. And so we're we all sitting around just 1063 00:49:13,200 --> 00:49:16,239 Speaker 2: kind of like I guess, having like a cocktail, and 1064 00:49:16,320 --> 00:49:18,520 Speaker 2: we was me Dane, like all of us was looking 1065 00:49:18,560 --> 00:49:19,239 Speaker 2: at each other like. 1066 00:49:20,840 --> 00:49:24,160 Speaker 1: What the fuck is this gonna be? Because the trailer 1067 00:49:24,239 --> 00:49:27,839 Speaker 1: went crazy. We were just did Jordan have any idea 1068 00:49:27,880 --> 00:49:28,520 Speaker 1: of what this was going? 1069 00:49:28,680 --> 00:49:31,680 Speaker 3: He did? The brother told me while he was edited it. 1070 00:49:31,880 --> 00:49:35,440 Speaker 2: He called me and said, man, get ready, know your price, 1071 00:49:36,880 --> 00:49:37,600 Speaker 2: know your number. 1072 00:49:39,440 --> 00:49:42,520 Speaker 3: I ain't know what the fuck that meant. I was like, 1073 00:49:42,600 --> 00:49:43,040 Speaker 3: what do you mean? 1074 00:49:43,040 --> 00:49:45,440 Speaker 2: He's like, man, you go up, hey, you about to 1075 00:49:45,480 --> 00:49:51,520 Speaker 2: see it was chript to be coming, been coming. He 1076 00:49:51,600 --> 00:49:53,960 Speaker 2: knew it like it's it's I remember the first time 1077 00:49:53,960 --> 00:49:55,759 Speaker 2: I watched it out. It was so good to be. 1078 00:49:55,800 --> 00:49:57,120 Speaker 2: I'm like, if I think this is good because I'm 1079 00:49:57,120 --> 00:49:59,279 Speaker 2: in it. 1080 00:49:59,280 --> 00:50:03,920 Speaker 4: It was that was that was a good one. That 1081 00:50:04,080 --> 00:50:10,600 Speaker 4: was so so how did that movie? You said? He said, 1082 00:50:10,960 --> 00:50:11,720 Speaker 4: name your price? 1083 00:50:11,960 --> 00:50:17,319 Speaker 1: So in other words, that movie changed the payscale for real. 1084 00:50:17,680 --> 00:50:20,360 Speaker 3: It changed the payscale. It changed. 1085 00:50:21,960 --> 00:50:23,560 Speaker 2: How I was looked at me because from there is 1086 00:50:23,560 --> 00:50:26,560 Speaker 2: where the sitcom comes. That's where this comes, you know. 1087 00:50:26,680 --> 00:50:29,640 Speaker 2: It was it became my back to back. And we 1088 00:50:29,680 --> 00:50:31,640 Speaker 2: only in twenty four nine, and I think about it 1089 00:50:32,560 --> 00:50:35,319 Speaker 2: and I'm like, damn, the last five years, six years 1090 00:50:35,320 --> 00:50:42,960 Speaker 2: been fucking crazy, which is why I like, I'm like, 1091 00:50:43,600 --> 00:50:45,160 Speaker 2: and I don't like to do that for myself. 1092 00:50:45,200 --> 00:50:46,320 Speaker 3: I guess. 1093 00:50:47,560 --> 00:50:50,400 Speaker 2: Not boasting nothing, but I'm like, WHOA as a stand 1094 00:50:50,440 --> 00:50:54,520 Speaker 2: up as a person who comes from B. E. T's 1095 00:50:55,680 --> 00:51:00,719 Speaker 2: comic view twenty one bt out. That's what I take 1096 00:51:00,760 --> 00:51:05,760 Speaker 2: my first TV thing to being an OSCAR nominated movies. 1097 00:51:07,120 --> 00:51:17,720 Speaker 3: Streaming breaking movies like why it's crazy? 1098 00:51:17,960 --> 00:51:19,440 Speaker 4: So what'd you buy with that first big check? 1099 00:51:19,480 --> 00:51:23,920 Speaker 3: Then it's so funny. The first big check was is 1100 00:51:23,920 --> 00:51:25,120 Speaker 3: a get Out back end check? 1101 00:51:27,000 --> 00:51:29,200 Speaker 2: Because get Out we did for like it was a 1102 00:51:29,440 --> 00:51:31,719 Speaker 2: it was literally yet I was on a two B 1103 00:51:31,719 --> 00:51:36,720 Speaker 2: budget and so you know I did that for the 1104 00:51:36,920 --> 00:51:43,000 Speaker 2: SAG whatever the SAGM minimum. They delivered my back end check. 1105 00:51:43,800 --> 00:51:46,200 Speaker 2: My brother had on a TSA uniform with a cake. 1106 00:51:46,280 --> 00:51:47,600 Speaker 2: I thought I was just getting the cake. I didn't 1107 00:51:47,640 --> 00:51:48,279 Speaker 2: know why he was there. 1108 00:51:48,960 --> 00:51:51,120 Speaker 3: I thought, oh, yeah, the movie, the movie's doing well, 1109 00:51:51,600 --> 00:51:52,279 Speaker 3: thank you for the cake. 1110 00:51:53,040 --> 00:51:55,960 Speaker 2: Oh he's here's a check. And this is what I 1111 00:51:55,960 --> 00:51:59,120 Speaker 2: had this apartment. The kids was upstairs, but cousin Jennifer, 1112 00:51:59,120 --> 00:52:02,080 Speaker 2: I looked at. I did this, went upstairs and everybody 1113 00:52:02,120 --> 00:52:03,560 Speaker 2: get dressed. We're going shopping. 1114 00:52:04,960 --> 00:52:07,840 Speaker 3: It went bothing some toys and ship brought me a 1115 00:52:07,840 --> 00:52:10,759 Speaker 3: couple pair of Jordan's. But yeah, that's what I did. 1116 00:52:10,840 --> 00:52:11,799 Speaker 4: When I know British night. 1117 00:52:11,800 --> 00:52:14,680 Speaker 3: Huh, now, but these mother fuckers are hidden. 1118 00:52:16,760 --> 00:52:17,840 Speaker 4: You brought to Jordan's. 1119 00:52:18,560 --> 00:52:21,719 Speaker 1: But I mean, now, look at the Julis Black Messiah, 1120 00:52:21,760 --> 00:52:24,160 Speaker 1: Good Boys, bird Box. I mean, you've been in Paul 1121 00:52:24,239 --> 00:52:31,040 Speaker 1: Patroled the Top Roll, so that movie you became after that, 1122 00:52:31,120 --> 00:52:32,279 Speaker 1: you became a household name. 1123 00:52:32,360 --> 00:52:35,520 Speaker 2: I became a household name, and my name started circulating 1124 00:52:36,239 --> 00:52:41,799 Speaker 2: in Hollywood, right, you know that's man, that's that to me, 1125 00:52:41,880 --> 00:52:44,080 Speaker 2: that's still surreal. I still pinch myself because I know 1126 00:52:44,120 --> 00:52:47,240 Speaker 2: how hard it is. Right, you know, I see friends 1127 00:52:47,280 --> 00:52:49,080 Speaker 2: all the time still self taping and doing all these 1128 00:52:49,080 --> 00:52:49,720 Speaker 2: different things. 1129 00:52:49,760 --> 00:52:50,480 Speaker 3: I'm like, shit. 1130 00:52:52,000 --> 00:52:54,239 Speaker 2: And the weird part about that is this is why 1131 00:52:54,239 --> 00:52:56,600 Speaker 2: I say, it's such a beautiful thing to celebrate others. 1132 00:52:57,200 --> 00:52:59,680 Speaker 2: When Tiffany came out with Girls Trip, matter of fact, 1133 00:52:59,680 --> 00:53:01,680 Speaker 2: when wet her film Girls treat Man, Hannibal went to 1134 00:53:01,760 --> 00:53:04,719 Speaker 2: Essence Festival literally last minute one year, it was we 1135 00:53:04,760 --> 00:53:07,920 Speaker 2: probably write a movie about Hannibal and real Essence. At first, 1136 00:53:07,960 --> 00:53:10,680 Speaker 2: we had no passes. We had the best time in 1137 00:53:10,719 --> 00:53:12,880 Speaker 2: the world. We were just we saw It's secure the 1138 00:53:12,880 --> 00:53:16,200 Speaker 2: first time, like it was fucking crazy. And I remember 1139 00:53:16,239 --> 00:53:19,120 Speaker 2: watching Tiffany walk with Queen Latifa and Jada Pikett Smith 1140 00:53:19,200 --> 00:53:20,719 Speaker 2: and it was a scene they did in the auditoria 1141 00:53:20,800 --> 00:53:22,359 Speaker 2: and she's walking with them. 1142 00:53:22,640 --> 00:53:26,120 Speaker 3: And I'm like blown away, like, yo, she gone. 1143 00:53:27,680 --> 00:53:28,000 Speaker 4: You walk? 1144 00:53:28,120 --> 00:53:31,719 Speaker 2: You in a movie with Queen our Tieva and Tiffany 1145 00:53:31,840 --> 00:53:36,279 Speaker 2: gone man, and so celebrating people with my friends. I 1146 00:53:36,280 --> 00:53:38,879 Speaker 2: think I've always given myself good karma with that ship, right, 1147 00:53:39,200 --> 00:53:39,799 Speaker 2: you know what I'm saying. 1148 00:53:39,880 --> 00:53:43,239 Speaker 1: Yeah, for sure, you've been in a movie with Lakeith Stanfield, 1149 00:53:43,320 --> 00:53:44,560 Speaker 1: Kevin Hart, Ryan Reynolds. 1150 00:53:44,800 --> 00:53:47,000 Speaker 4: I love that movie you are, Ryan Rynald. Oh, Free 1151 00:53:47,040 --> 00:53:48,759 Speaker 4: Guy was unbelievable. 1152 00:53:48,760 --> 00:53:55,200 Speaker 2: Free Guy is, Free Guy is is still. It's a 1153 00:53:55,200 --> 00:53:57,160 Speaker 2: story to that. I don't know if I even told 1154 00:53:57,200 --> 00:53:59,759 Speaker 2: that one, but it's a movie that to me. It 1155 00:53:59,840 --> 00:54:02,239 Speaker 2: was a time I almost thought I got blacklisted, black 1156 00:54:02,880 --> 00:54:12,000 Speaker 2: kicked out of Hollywood. Why a producer I was working 1157 00:54:12,040 --> 00:54:14,080 Speaker 2: with I wanted to say which feline was, but he 1158 00:54:14,200 --> 00:54:19,600 Speaker 2: was just doing too much, and you know I checked 1159 00:54:19,680 --> 00:54:22,800 Speaker 2: him on that he's being inappropriate, you know what I'm saying. 1160 00:54:25,160 --> 00:54:26,279 Speaker 3: He couldn't believe I called him. 1161 00:54:26,280 --> 00:54:28,319 Speaker 2: I'm like, man, yo, you tripping, don't don't fucking do 1162 00:54:28,400 --> 00:54:30,680 Speaker 2: that again, you know, talk to her like that whatever whatever. 1163 00:54:31,560 --> 00:54:33,279 Speaker 3: And this was before the me too shit. 1164 00:54:33,960 --> 00:54:36,160 Speaker 2: So you know, my father was like, you don't know 1165 00:54:36,200 --> 00:54:38,560 Speaker 2: how Hollywood goes and blah blah blah. 1166 00:54:38,200 --> 00:54:39,600 Speaker 3: And lucky. We was at the end of the movie. 1167 00:54:39,640 --> 00:54:42,200 Speaker 3: So even if he wanted to kick me off, we done. 1168 00:54:42,239 --> 00:54:44,799 Speaker 3: This is the last day. And so you know, we. 1169 00:54:44,800 --> 00:54:47,640 Speaker 2: Get into it an argument about it, and he started 1170 00:54:47,640 --> 00:54:49,560 Speaker 2: telling all these people about all this about me and 1171 00:54:49,560 --> 00:54:51,400 Speaker 2: saying all this fucked up ship. He was saying, like 1172 00:54:51,440 --> 00:54:53,680 Speaker 2: I was bringing girls on shit and all this other shit, 1173 00:54:54,560 --> 00:54:56,239 Speaker 2: just lying just because I called him out on his 1174 00:54:56,239 --> 00:55:00,080 Speaker 2: shit because he was being fucking weird, right, and and 1175 00:55:01,160 --> 00:55:02,399 Speaker 2: he couldn't believe I did that. 1176 00:55:02,840 --> 00:55:05,000 Speaker 3: But that shit pitched me off. I'm like, no, you can't, 1177 00:55:05,000 --> 00:55:05,719 Speaker 3: that's wrong, bro. 1178 00:55:07,320 --> 00:55:12,320 Speaker 2: And man he went around and man, he made his rounds, 1179 00:55:12,880 --> 00:55:14,200 Speaker 2: and so I thought I was done. 1180 00:55:14,760 --> 00:55:17,200 Speaker 3: I'm like, I gotta go back to Chicago. I just 1181 00:55:17,239 --> 00:55:17,719 Speaker 3: do stand up. 1182 00:55:17,760 --> 00:55:22,480 Speaker 2: They kick him, but like I can't be his words, 1183 00:55:22,520 --> 00:55:26,120 Speaker 2: you know. And at the time Free Guy came around 1184 00:55:28,760 --> 00:55:34,520 Speaker 2: and Sean leaving Ryan you know her whatever. I'm like, man, 1185 00:55:34,560 --> 00:55:36,680 Speaker 2: I'm not gonna even get Free out now because I 1186 00:55:36,800 --> 00:55:37,600 Speaker 2: just met with Sean. 1187 00:55:37,640 --> 00:55:41,720 Speaker 3: It was it was a girl. Oh yeah, I'm like, Damne. 1188 00:55:41,800 --> 00:55:45,279 Speaker 2: When my team calling me and they wanted me, you know, 1189 00:55:46,160 --> 00:55:48,920 Speaker 2: they was giving me an option to apologize to produce 1190 00:55:48,960 --> 00:55:51,000 Speaker 2: some makeup men. But I was like, fuck that dude, 1191 00:55:51,120 --> 00:55:52,319 Speaker 2: if I get kicked out of it, I didn't even 1192 00:55:52,360 --> 00:55:54,440 Speaker 2: do shit. So if I get kicked out of this 1193 00:55:54,480 --> 00:55:57,040 Speaker 2: ship for not doing so, I didn't do anything this 1194 00:55:57,120 --> 00:55:59,680 Speaker 2: motherfucker did. So I'm about to get black listen for 1195 00:55:59,719 --> 00:56:03,440 Speaker 2: what because I said something to him? And so I 1196 00:56:03,480 --> 00:56:05,560 Speaker 2: was like, damn, I get something done. And Ryan and 1197 00:56:05,600 --> 00:56:10,239 Speaker 2: Sean hit me up and was like, you know, don't 1198 00:56:10,280 --> 00:56:15,759 Speaker 2: worry about that. You come ready to work professionally, do 1199 00:56:15,800 --> 00:56:18,440 Speaker 2: what you do. We got you give funk what he 1200 00:56:18,480 --> 00:56:18,879 Speaker 2: talking about. 1201 00:56:18,920 --> 00:56:24,960 Speaker 3: We know he's an asshole. And three hours my olive branch. 1202 00:56:25,000 --> 00:56:27,400 Speaker 2: In a way, it was like, oh, Like I loved 1203 00:56:27,440 --> 00:56:30,040 Speaker 2: him for that because I thought I was out saying 1204 00:56:30,880 --> 00:56:33,360 Speaker 2: and no, and they took care of me and I 1205 00:56:33,440 --> 00:56:39,200 Speaker 2: learned a lot like Ryan Reynolds is one of the 1206 00:56:39,239 --> 00:56:42,600 Speaker 2: most professional, dopest people. And that was a dad set too. 1207 00:56:43,719 --> 00:56:46,640 Speaker 2: We all had our kids that so nice in my kids. 1208 00:56:47,640 --> 00:56:50,000 Speaker 2: You know, Ryan had his daughter's there and you know, 1209 00:56:50,120 --> 00:56:51,880 Speaker 2: Sean had his daughters in the movie and the like. 1210 00:56:51,920 --> 00:56:54,880 Speaker 2: It was just it was a family set, man. And 1211 00:56:54,920 --> 00:56:57,279 Speaker 2: once again, and it was tough because when you do 1212 00:56:57,400 --> 00:57:00,000 Speaker 2: movies like get out and I do movie. 1213 00:57:00,000 --> 00:57:01,040 Speaker 3: He's like free guy. 1214 00:57:01,440 --> 00:57:07,239 Speaker 2: And I love organized productions and directors and the motherfucker 1215 00:57:07,320 --> 00:57:10,600 Speaker 2: had the story doing there cross just so just or 1216 00:57:11,080 --> 00:57:12,400 Speaker 2: I love when I could just show up and just 1217 00:57:12,440 --> 00:57:14,160 Speaker 2: act and it's like I ain't got no I'm just 1218 00:57:14,200 --> 00:57:18,600 Speaker 2: here to act because everything is so together and man 1219 00:57:18,640 --> 00:57:21,760 Speaker 2: the dude, so yeah, shout out to Ryan Renolds, like, man, 1220 00:57:21,840 --> 00:57:25,480 Speaker 2: thank them for giving me the opportunity to to even 1221 00:57:25,520 --> 00:57:29,200 Speaker 2: show even more of my gifts. And you know that 1222 00:57:30,640 --> 00:57:32,000 Speaker 2: it was okay that I stood up. 1223 00:57:33,840 --> 00:57:34,400 Speaker 3: You know what I'm saying. 1224 00:57:34,480 --> 00:57:42,800 Speaker 1: Yeah, bird Box with Sandra Bullock, could you I mean 1225 00:57:42,800 --> 00:57:43,320 Speaker 1: what I mean? 1226 00:57:43,400 --> 00:57:46,440 Speaker 4: It was? It went crazy everyday. It was trending forever. 1227 00:57:48,040 --> 00:57:50,680 Speaker 4: I mean when you're shooting it, do I mean, could 1228 00:57:50,680 --> 00:57:53,400 Speaker 4: you get a sense? Nah? Like you? 1229 00:57:53,680 --> 00:57:55,200 Speaker 2: I mean you do know this? You know it's Sandra 1230 00:57:55,280 --> 00:57:57,720 Speaker 2: Booker and she does well, you know what I'm saying. 1231 00:57:57,760 --> 00:58:00,520 Speaker 2: So it's like, you know it's gonna do good. But 1232 00:58:00,640 --> 00:58:03,760 Speaker 2: when I tell you we would all text each other 1233 00:58:03,800 --> 00:58:04,640 Speaker 2: and send your bullets. 1234 00:58:04,880 --> 00:58:05,920 Speaker 3: Like I was like, yo, is. 1235 00:58:05,920 --> 00:58:06,480 Speaker 4: This a thing? 1236 00:58:06,880 --> 00:58:09,840 Speaker 2: When people started walking around doing the videos, I like, 1237 00:58:10,240 --> 00:58:12,680 Speaker 2: I was like on vacation at the time. I little 1238 00:58:13,320 --> 00:58:15,000 Speaker 2: I used to take a once a year vaca for 1239 00:58:15,080 --> 00:58:17,560 Speaker 2: myself because it came out around Christmas and so. 1240 00:58:17,520 --> 00:58:21,400 Speaker 3: I was a Hawaii in the water just reading like 1241 00:58:21,480 --> 00:58:24,120 Speaker 3: what the hell is going on? And it was number one. 1242 00:58:24,240 --> 00:58:26,160 Speaker 3: It was just you know, we broke records with that. 1243 00:58:26,360 --> 00:58:31,160 Speaker 1: You did, Yeah, the Sundance Music h the FIM Festival, 1244 00:58:32,360 --> 00:58:33,560 Speaker 1: Brittany runs a marathon. 1245 00:58:34,120 --> 00:58:34,560 Speaker 4: I mean. 1246 00:58:35,920 --> 00:58:38,000 Speaker 1: Real, I mean yo, I mean think about I mean, 1247 00:58:38,040 --> 00:58:41,040 Speaker 1: do you do you ever sit back and think ban 1248 00:58:41,160 --> 00:58:45,240 Speaker 1: from Chicago to doing stand up to you know, to 1249 00:58:46,000 --> 00:58:48,800 Speaker 1: movies and TV? Do you ever have a do you 1250 00:58:48,960 --> 00:58:51,840 Speaker 1: have you taken a chance to look back and reflect 1251 00:58:52,360 --> 00:58:55,280 Speaker 1: and see where you are now to where you came from? 1252 00:58:55,480 --> 00:58:55,920 Speaker 2: Man? 1253 00:58:55,800 --> 00:58:57,720 Speaker 3: And I tell you, Shan, I do it all the time, 1254 00:58:58,120 --> 00:59:00,920 Speaker 3: and I'm so grateful. 1255 00:59:03,880 --> 00:59:06,400 Speaker 2: Like people love to talk about evil and how you 1256 00:59:06,400 --> 00:59:09,160 Speaker 2: get things, the evilness of it right, Yeah, I had 1257 00:59:09,160 --> 00:59:12,120 Speaker 2: to sing somebody sold they soul in the Illuminati, this 1258 00:59:12,280 --> 00:59:15,240 Speaker 2: and that. Man, When I tell you, God has showed 1259 00:59:15,320 --> 00:59:22,680 Speaker 2: up every single time, like every single time, like it 1260 00:59:22,880 --> 00:59:27,000 Speaker 2: it blows my mind. Every single day, every single time. 1261 00:59:27,080 --> 00:59:28,160 Speaker 2: God has just showed up. 1262 00:59:29,240 --> 00:59:29,400 Speaker 4: You know. 1263 00:59:29,440 --> 00:59:33,640 Speaker 2: When my mother passed, I remember we were planning her 1264 00:59:33,680 --> 00:59:38,160 Speaker 2: funeral and that was my first time. I'm the oldest, 1265 00:59:38,160 --> 00:59:39,320 Speaker 2: so I had to kind of like sit with my 1266 00:59:39,320 --> 00:59:40,640 Speaker 2: aunties and I love them all of that. 1267 00:59:41,480 --> 00:59:48,720 Speaker 3: We're playing the funeral and it's tough, and my uncle 1268 00:59:48,760 --> 00:59:49,280 Speaker 3: walks in. 1269 00:59:50,680 --> 00:59:53,040 Speaker 2: I told you the Red Eye and newspaper used to 1270 00:59:53,080 --> 00:59:54,600 Speaker 2: be in the Chicagga sometimes. 1271 00:59:55,160 --> 00:59:56,880 Speaker 3: I guess who was on the cover of the Red Eye. 1272 00:59:58,040 --> 01:00:02,120 Speaker 2: Me didn't know it that gonna happen, right, Okay, it 1273 01:00:02,280 --> 01:00:04,400 Speaker 2: was because the just for last festival, which I was 1274 01:00:04,440 --> 01:00:06,320 Speaker 2: telling you about, was in Chicago. 1275 01:00:06,080 --> 01:00:06,320 Speaker 5: Car. 1276 01:00:08,320 --> 01:00:09,120 Speaker 3: And they put me. 1277 01:00:11,080 --> 01:00:13,440 Speaker 2: It wasn't even the biggest name on the cover of 1278 01:00:13,480 --> 01:00:14,960 Speaker 2: the Red Eye to promote the festival. 1279 01:00:15,120 --> 01:00:18,240 Speaker 3: I didn't know that was gonna happen. He walks in 1280 01:00:18,400 --> 01:00:21,200 Speaker 3: with the stack of red Eyes, and my uncle want 1281 01:00:21,200 --> 01:00:23,400 Speaker 3: an old black pat. Hey, Doc, you see what I 1282 01:00:23,440 --> 01:00:26,360 Speaker 3: told you? Dot told you? God got you down a dot. 1283 01:00:27,720 --> 01:00:30,840 Speaker 2: And I remember I had to like grab that and 1284 01:00:30,960 --> 01:00:34,200 Speaker 2: just walk out the room and just being. 1285 01:00:34,080 --> 01:00:36,800 Speaker 3: Like I love. Moments were like God's like it's gonna 1286 01:00:36,800 --> 01:00:38,680 Speaker 3: be okay. 1287 01:00:39,600 --> 01:00:41,120 Speaker 2: And that was a moment where I wasn't sure if 1288 01:00:41,120 --> 01:00:45,280 Speaker 2: it was, but it. God always show up like that, 1289 01:00:45,480 --> 01:00:47,520 Speaker 2: like damn, here we go, and you know once again, 1290 01:00:47,560 --> 01:00:50,200 Speaker 2: moments like get out was that moment when I when we. 1291 01:00:50,120 --> 01:00:52,200 Speaker 4: Did the premiere for Get Out. 1292 01:00:51,640 --> 01:00:53,920 Speaker 3: Yes, when I walked the red carpet. 1293 01:00:53,640 --> 01:00:55,800 Speaker 2: Earlier, nobody knew who the fuck I was, right, so nobody, 1294 01:00:55,920 --> 01:00:57,080 Speaker 2: nobody had one interview. 1295 01:00:57,480 --> 01:01:00,000 Speaker 3: Okay, I walked out that theater. 1296 01:01:00,080 --> 01:01:04,520 Speaker 2: There, the security had to walk me to my car 1297 01:01:05,240 --> 01:01:08,920 Speaker 2: because the people bum rushed me in my peoples with 1298 01:01:09,120 --> 01:01:13,960 Speaker 2: my family, and I was just like, oh shit, what 1299 01:01:14,000 --> 01:01:19,520 Speaker 2: the fuck is gonna happen? You know, it's just I 1300 01:01:20,360 --> 01:01:22,920 Speaker 2: say this, I've done a great job of taking that moment. 1301 01:01:23,160 --> 01:01:25,440 Speaker 2: And so the moment where I had that moment, what 1302 01:01:25,480 --> 01:01:27,320 Speaker 2: you're talking about, that reflected moment was. 1303 01:01:27,240 --> 01:01:30,320 Speaker 3: That last special. That's why I love I tell people, 1304 01:01:30,320 --> 01:01:31,920 Speaker 3: go watch the special, just watch the end of it. 1305 01:01:32,040 --> 01:01:32,440 Speaker 3: Watch me. 1306 01:01:32,880 --> 01:01:35,720 Speaker 2: That is me in that moment, looking in that audience, 1307 01:01:35,880 --> 01:01:39,040 Speaker 2: watching Chicago stand up for me in the Chicago theater, 1308 01:01:40,200 --> 01:01:44,960 Speaker 2: seeing my mama there, Sam Bernie there, and just seeing 1309 01:01:45,000 --> 01:01:47,280 Speaker 2: myself like I really did this. 1310 01:01:47,320 --> 01:01:47,600 Speaker 3: Shit. 1311 01:01:49,600 --> 01:01:56,640 Speaker 1: Wow, how were you able to find someone in the 1312 01:01:56,680 --> 01:02:01,160 Speaker 1: business because and then you said you said your ideal 1313 01:02:01,280 --> 01:02:04,080 Speaker 1: date a five star restaurant and a strip club. 1314 01:02:04,600 --> 01:02:07,320 Speaker 4: Boy, you couldn't get more more of a contrast. 1315 01:02:09,080 --> 01:02:10,640 Speaker 3: I mean that used to be my ideal date. 1316 01:02:11,240 --> 01:02:12,840 Speaker 4: So what's the ideal date? Now? 1317 01:02:13,600 --> 01:02:19,440 Speaker 2: Mmm, that's gonna sound growing as hell. Dinner and nap? 1318 01:02:19,560 --> 01:02:22,080 Speaker 4: Yeah, well what happened at the dinner to call you 1319 01:02:22,120 --> 01:02:22,720 Speaker 4: take that nap? 1320 01:02:23,640 --> 01:02:29,320 Speaker 3: The food? We old you know something and it's funny. 1321 01:02:29,360 --> 01:02:30,920 Speaker 3: You're right, and it's tough to find a little about it. 1322 01:02:31,280 --> 01:02:35,280 Speaker 2: I Yvonne just reminded me. It was all there screened 1323 01:02:35,240 --> 01:02:38,360 Speaker 2: the other day and she saw me with my fiance, say. 1324 01:02:38,280 --> 01:02:39,720 Speaker 3: You remember you? You you was? 1325 01:02:39,880 --> 01:02:41,640 Speaker 2: Because I was one day I was irritating. I'm like, 1326 01:02:41,800 --> 01:02:44,240 Speaker 2: you know something, I'm just in these fucking streets, right, I. 1327 01:02:44,240 --> 01:02:46,320 Speaker 3: Was just like pensil, He's all ring out. They're like, 1328 01:02:46,400 --> 01:02:46,880 Speaker 3: remember that. 1329 01:02:46,840 --> 01:02:48,720 Speaker 2: Day you was yelling like you done. You ain't gonna 1330 01:02:48,720 --> 01:02:51,520 Speaker 2: find nobody out here in La in Hollywood. Now you're 1331 01:02:51,520 --> 01:02:54,800 Speaker 2: just gonna be in the streets. And then Danella came 1332 01:02:54,840 --> 01:02:56,720 Speaker 2: out of nowhere and it's like we're not out of nowhere, 1333 01:02:56,760 --> 01:02:57,880 Speaker 2: but yeah. 1334 01:02:58,280 --> 01:03:01,200 Speaker 4: Changed my life. You oh you were married before? 1335 01:03:01,360 --> 01:03:03,040 Speaker 3: Yeah, this is this would be my second time around 1336 01:03:03,080 --> 01:03:03,400 Speaker 3: the son. 1337 01:03:03,760 --> 01:03:05,320 Speaker 4: Did you think you'd get remarried again? 1338 01:03:05,880 --> 01:03:08,840 Speaker 2: I wanted to, but at some point it started feeling 1339 01:03:08,880 --> 01:03:11,120 Speaker 2: like I wasn't gonna meet nobody like. 1340 01:03:11,000 --> 01:03:14,600 Speaker 4: Because especially when you do what you do, do what I. 1341 01:03:14,520 --> 01:03:17,240 Speaker 2: Do, and then I stopped seeing if anybody really liked 1342 01:03:17,240 --> 01:03:18,840 Speaker 2: me for me type of thing, and just. 1343 01:03:19,160 --> 01:03:22,000 Speaker 3: You know, everybody intentions is all weird. So I don't know, man. 1344 01:03:22,040 --> 01:03:23,680 Speaker 3: So I was like, I guess I'm in the streets. 1345 01:03:23,880 --> 01:03:24,160 Speaker 4: Right. 1346 01:03:25,280 --> 01:03:27,800 Speaker 1: But you proposed hold on. You proposed that the Beyonce 1347 01:03:27,920 --> 01:03:32,160 Speaker 1: concert posed at to Beyonce concer. Yeah, that that that was. 1348 01:03:33,040 --> 01:03:35,120 Speaker 1: Do you ever get we see this all the time, 1349 01:03:35,160 --> 01:03:38,080 Speaker 1: people proposed that a sporting events and all these events. 1350 01:03:38,400 --> 01:03:40,480 Speaker 4: Do you get nervous? You're like, nah, I'm good, fam. 1351 01:03:40,600 --> 01:03:43,880 Speaker 2: I was so nervous and I'm never nervous, which is 1352 01:03:43,920 --> 01:03:45,880 Speaker 2: what you know. What made me nervous is why son? 1353 01:03:46,120 --> 01:03:49,680 Speaker 2: My son is my oldest son. Yeah, he's like, oh Dad, 1354 01:03:49,720 --> 01:03:52,280 Speaker 2: what if she says no? So why the hell would 1355 01:03:52,280 --> 01:03:52,720 Speaker 2: you put that. 1356 01:03:52,680 --> 01:03:53,160 Speaker 3: In my head? 1357 01:03:55,280 --> 01:03:59,680 Speaker 1: You're thinking the same thing taking Were you more nervous 1358 01:03:59,680 --> 01:04:02,480 Speaker 1: to or more nervous doing a scene? 1359 01:04:03,960 --> 01:04:06,800 Speaker 3: It was you know what the nervousness was. It was. 1360 01:04:08,680 --> 01:04:11,080 Speaker 2: I don't know if it was nervous of her, no, right, 1361 01:04:13,760 --> 01:04:16,920 Speaker 2: it's nervous of how life changing this is. And it 1362 01:04:16,960 --> 01:04:20,640 Speaker 2: was more or less like the butterflies of like, I really, God, 1363 01:04:20,720 --> 01:04:22,040 Speaker 2: thank you for letting me find her. 1364 01:04:22,080 --> 01:04:25,640 Speaker 3: I didn't think I would do this. I ain't think 1365 01:04:25,640 --> 01:04:26,680 Speaker 3: I have an opportunity to. 1366 01:04:26,640 --> 01:04:33,200 Speaker 2: Do this again, right, or not even just again. It's 1367 01:04:33,240 --> 01:04:35,800 Speaker 2: even deeper than that, because once again, I've been married before. 1368 01:04:35,880 --> 01:04:39,000 Speaker 2: But it's like, oh, I didn't know I would meet 1369 01:04:39,720 --> 01:04:42,120 Speaker 2: my truth, like somebody who feels like a real, full 1370 01:04:42,160 --> 01:04:47,200 Speaker 2: blown soul made right and that's you know, And I 1371 01:04:47,200 --> 01:04:49,160 Speaker 2: mean the way we met is a sweet man. She 1372 01:04:49,360 --> 01:04:50,120 Speaker 2: just she's dope. 1373 01:04:50,200 --> 01:04:50,439 Speaker 4: Man. 1374 01:04:50,760 --> 01:04:53,040 Speaker 1: Yeah, I read what like, what you do with your 1375 01:04:53,120 --> 01:04:55,040 Speaker 1: kids is that you give them credits, You put them 1376 01:04:55,040 --> 01:04:57,200 Speaker 1: in your stand up, you make sure they get production, 1377 01:04:57,320 --> 01:04:58,960 Speaker 1: they get credits on. 1378 01:04:58,920 --> 01:05:03,440 Speaker 4: Your What made you? How did you decide? What? How 1379 01:05:03,440 --> 01:05:04,120 Speaker 4: did that come about? 1380 01:05:04,360 --> 01:05:04,680 Speaker 3: Nas? 1381 01:05:05,920 --> 01:05:09,959 Speaker 2: Nas made his daughter executive producer might have been either 1382 01:05:10,200 --> 01:05:12,600 Speaker 2: one of those albums, and that was like, oh, ship, 1383 01:05:12,720 --> 01:05:16,240 Speaker 2: that's what we should be doing. That's literally I read 1384 01:05:16,240 --> 01:05:17,600 Speaker 2: an article about Naves doing that. 1385 01:05:17,640 --> 01:05:21,120 Speaker 3: I'm a huge Knaves fan, and I was like, Yo, 1386 01:05:21,200 --> 01:05:22,160 Speaker 3: that's fucking. 1387 01:05:21,960 --> 01:05:27,600 Speaker 1: Brilliant, right, she get royalties with the rest of life. Wow, 1388 01:05:29,920 --> 01:05:32,480 Speaker 1: now this is about to get interesting. You let me 1389 01:05:32,520 --> 01:05:35,439 Speaker 1: know if it's true. One of your baby mamas tried 1390 01:05:35,440 --> 01:05:38,960 Speaker 1: to scam you Jesus now. 1391 01:05:40,160 --> 01:05:40,560 Speaker 4: Correct me. 1392 01:05:40,640 --> 01:05:43,840 Speaker 1: I mean I'm gonna go and you you stop me. Okay, 1393 01:05:44,320 --> 01:05:50,000 Speaker 1: there was a child he's still yeah, child's here. You 1394 01:05:50,120 --> 01:05:51,800 Speaker 1: were lad to believe it was yours? 1395 01:05:53,000 --> 01:05:56,320 Speaker 2: Well, yes, it's so interesting because I gotta figure out 1396 01:05:56,360 --> 01:05:59,520 Speaker 2: how I've told the story before, right, and it might 1397 01:05:59,560 --> 01:06:00,919 Speaker 2: be the only time I could tell it. 1398 01:06:01,400 --> 01:06:02,880 Speaker 1: But well, I would let you tell it. I was 1399 01:06:02,880 --> 01:06:04,520 Speaker 1: gonna set it up, but I'm gonna let you tell it. 1400 01:06:04,520 --> 01:06:06,880 Speaker 3: It's because it's been been told before. But but this 1401 01:06:06,920 --> 01:06:07,560 Speaker 3: is what I'll. 1402 01:06:07,400 --> 01:06:09,000 Speaker 2: Say, and this is how you clear this up. And 1403 01:06:09,040 --> 01:06:12,800 Speaker 2: this is the grown ship. We have a beautiful son 1404 01:06:12,840 --> 01:06:20,000 Speaker 2: together named Harlem Howry. He's amazing. He's autistic, you know. 1405 01:06:20,400 --> 01:06:24,680 Speaker 2: And we may not have the perfect relationship right though, 1406 01:06:24,720 --> 01:06:26,760 Speaker 2: because it was a lot of ship she put me through, 1407 01:06:26,840 --> 01:06:30,360 Speaker 2: she really did. But at the same time, we got 1408 01:06:30,360 --> 01:06:33,520 Speaker 2: this beautiful baby here, and that's all the focus is on, right, 1409 01:06:33,920 --> 01:06:36,120 Speaker 2: you know. Look, and don't get me wrong, believe me, 1410 01:06:36,200 --> 01:06:39,680 Speaker 2: it was you know, it was like Wendy Williams and everybody. 1411 01:06:39,680 --> 01:06:42,600 Speaker 2: It was as it was a lot of ship. But 1412 01:06:42,640 --> 01:06:45,000 Speaker 2: at the same time, this is the grown ship, Like 1413 01:06:45,160 --> 01:06:47,640 Speaker 2: you know, he's here and it's not not you know. 1414 01:06:49,320 --> 01:06:52,520 Speaker 4: He was married at the time. Nah, she wasn't married. 1415 01:06:52,640 --> 01:06:54,400 Speaker 4: What she was, Yes, what I'm saying, she was married 1416 01:06:54,400 --> 01:06:54,760 Speaker 4: at the time. 1417 01:06:54,840 --> 01:06:58,040 Speaker 3: But look y, look. 1418 01:06:58,160 --> 01:07:00,600 Speaker 4: Up, thrill, you deserve everything you got. Messed with a 1419 01:07:00,640 --> 01:07:01,200 Speaker 4: married woman. 1420 01:07:01,480 --> 01:07:03,360 Speaker 3: I didn't know she was married. She didn't tell you. 1421 01:07:03,440 --> 01:07:05,760 Speaker 3: She said there was divorced at the time. But I'm not. 1422 01:07:06,080 --> 01:07:08,800 Speaker 3: Let me say this again. I can't. And we're talking 1423 01:07:08,800 --> 01:07:10,760 Speaker 3: about black people, because black people divorced different than. 1424 01:07:10,760 --> 01:07:12,360 Speaker 4: Yeah, yeah, yeah, okay, okay, you know what I mean. 1425 01:07:13,320 --> 01:07:16,960 Speaker 2: I left, Yeah, he left the house three years ago. 1426 01:07:17,760 --> 01:07:19,800 Speaker 2: That they don't do the paperwork, nobody want to pay 1427 01:07:20,200 --> 01:07:24,720 Speaker 2: the fees. They got whole relationships and so like I'll say, 1428 01:07:24,880 --> 01:07:28,200 Speaker 2: you know once again, you know, I don't she's we have. 1429 01:07:28,400 --> 01:07:31,200 Speaker 2: We don't have the perfect relationship at all. And I 1430 01:07:31,240 --> 01:07:33,200 Speaker 2: didn't like any of that ship that she did, and 1431 01:07:33,240 --> 01:07:36,560 Speaker 2: nobody deserves any of that right. And you know, but 1432 01:07:36,640 --> 01:07:40,160 Speaker 2: at the same time, I don't hate her for it. 1433 01:07:40,960 --> 01:07:42,840 Speaker 2: I'm not mad at her for it. I moved on 1434 01:07:43,000 --> 01:07:46,120 Speaker 2: from it, and at this point it's just for me. 1435 01:07:47,120 --> 01:07:49,160 Speaker 2: I think the focush would just be making sure we 1436 01:07:49,280 --> 01:07:52,480 Speaker 2: raised this little man to be the best human being 1437 01:07:52,600 --> 01:07:55,040 Speaker 2: he possibly, that's that's all I care about. So I 1438 01:07:55,080 --> 01:07:58,480 Speaker 2: got it's it's old news, so it's like with it talk. 1439 01:07:59,480 --> 01:07:59,720 Speaker 4: Yeah. 1440 01:07:59,720 --> 01:08:03,000 Speaker 2: I mean, anything's tough when you're well. First of all's 1441 01:08:03,040 --> 01:08:06,680 Speaker 2: tough being alone distance dad, right, you know that that's 1442 01:08:07,720 --> 01:08:10,840 Speaker 2: that's what made this whole situation very unique him, you 1443 01:08:10,880 --> 01:08:14,760 Speaker 2: know what it was. And I knew that from the beginning, 1444 01:08:14,760 --> 01:08:17,559 Speaker 2: and I tried to explain that to her, but at 1445 01:08:17,600 --> 01:08:19,880 Speaker 2: that time she just really wasn't She wasn't listening. 1446 01:08:23,680 --> 01:08:28,719 Speaker 3: But man, when you because I get all the kids 1447 01:08:28,720 --> 01:08:32,439 Speaker 3: for the summer. Man though, I love those. 1448 01:08:32,280 --> 01:08:38,720 Speaker 2: Summers, you know when when I'm you know, playing with 1449 01:08:38,800 --> 01:08:43,200 Speaker 2: him and talking with him and laughing with him, seeing 1450 01:08:43,240 --> 01:08:45,320 Speaker 2: how you know, this is all love about Brittany and Judah, 1451 01:08:45,320 --> 01:08:48,120 Speaker 2: who's my oldest too, you know, because it was a 1452 01:08:48,280 --> 01:08:51,000 Speaker 2: it was a lot for them, you know. The day 1453 01:08:51,040 --> 01:08:54,360 Speaker 2: I told them that they had a little brother. Possibly 1454 01:08:56,080 --> 01:08:58,479 Speaker 2: I'm a Brittany was young. Brittany was like, she looks sick. 1455 01:08:58,520 --> 01:09:00,120 Speaker 2: She's like, oh, what the hell did you do? 1456 01:09:00,680 --> 01:09:02,840 Speaker 3: You know what I mean? But when I tell you 1457 01:09:04,280 --> 01:09:07,800 Speaker 3: one of the first time I brought Harlem home and 1458 01:09:07,880 --> 01:09:08,559 Speaker 3: I had all of them. 1459 01:09:08,479 --> 01:09:09,920 Speaker 2: With me for like, I think the holiday one of 1460 01:09:09,920 --> 01:09:13,639 Speaker 2: those holidays, they stayed up with me the whole night 1461 01:09:13,800 --> 01:09:15,479 Speaker 2: because he was you know, he was up. He's a 1462 01:09:15,520 --> 01:09:23,120 Speaker 2: baby pretty wouldn't put him down. Still though they like this, 1463 01:09:26,000 --> 01:09:27,920 Speaker 2: And now I had to have a real conversation with 1464 01:09:28,080 --> 01:09:29,400 Speaker 2: Brittany and Juda the oldest too. 1465 01:09:29,560 --> 01:09:33,040 Speaker 3: It was like, I said, let me tell y'all something. 1466 01:09:33,080 --> 01:09:34,240 Speaker 3: I got y'all back forever. 1467 01:09:34,840 --> 01:09:37,280 Speaker 2: I don't like everybody else made me feel how they 1468 01:09:37,280 --> 01:09:37,840 Speaker 2: made me feel. 1469 01:09:37,880 --> 01:09:40,920 Speaker 3: You too, have had my back. I got you forever. 1470 01:09:41,439 --> 01:09:43,519 Speaker 2: But also you understand it that Daddy, I'm not a 1471 01:09:43,560 --> 01:09:46,040 Speaker 2: perfect human being and you not gonna be. So if 1472 01:09:46,080 --> 01:09:48,240 Speaker 2: anybody ain't gonna judge you, if. 1473 01:09:48,439 --> 01:09:51,560 Speaker 3: You can tell me anything, promise you I won't judge. 1474 01:09:53,240 --> 01:09:59,439 Speaker 1: Do your kids understand what you do, the sacrifices that 1475 01:09:59,479 --> 01:10:02,280 Speaker 1: you make, and that you might not be there for 1476 01:10:02,439 --> 01:10:05,800 Speaker 1: every event, but it's for the betterment of them. 1477 01:10:06,040 --> 01:10:08,839 Speaker 2: They are like, so it's so interesting, said so Brittany 1478 01:10:08,840 --> 01:10:11,639 Speaker 2: and Judah understands that along with my ex wife, right, 1479 01:10:12,040 --> 01:10:16,000 Speaker 2: we're co parent and and you have to know who 1480 01:10:16,040 --> 01:10:18,519 Speaker 2: you with. I'm not going to be able to be 1481 01:10:18,600 --> 01:10:20,800 Speaker 2: there for a lot of the things, correct, you know, 1482 01:10:20,800 --> 01:10:25,439 Speaker 2: what I'm saying. And with Harlem, you know, in his miles, 1483 01:10:25,520 --> 01:10:30,120 Speaker 2: sometimes it feels like like you do know who I am? Right, 1484 01:10:30,160 --> 01:10:34,479 Speaker 2: like what my life is and job is, yeah, and 1485 01:10:34,600 --> 01:10:38,200 Speaker 2: so like what do you I'm in one random day 1486 01:10:38,200 --> 01:10:40,080 Speaker 2: ship and are like, could you come get him? Nigga, 1487 01:10:40,120 --> 01:10:45,960 Speaker 2: I'm in La you in Chicago? 1488 01:10:46,560 --> 01:10:49,400 Speaker 3: Just get about private. I don't have a private Even 1489 01:10:49,400 --> 01:10:51,040 Speaker 3: if I have it, it's still crazy. 1490 01:10:50,760 --> 01:10:54,559 Speaker 2: Then, right, and so you know, but but that's an 1491 01:10:54,560 --> 01:10:56,760 Speaker 2: adjustment too, And that's why, like co parenting is very 1492 01:10:56,840 --> 01:11:01,240 Speaker 2: important and sometimes it takes a while. But I don't know, man, 1493 01:11:01,320 --> 01:11:04,320 Speaker 2: I like my ex wife, me and her have figured 1494 01:11:04,360 --> 01:11:07,040 Speaker 2: it out in a way where I think I'm confident 1495 01:11:07,080 --> 01:11:11,320 Speaker 2: that you know, with Harlem it gets smoother at some point, 1496 01:11:11,479 --> 01:11:14,320 Speaker 2: but you know it's not always smooth, and you know 1497 01:11:14,360 --> 01:11:15,120 Speaker 2: you're and. 1498 01:11:16,120 --> 01:11:19,080 Speaker 1: You're never doing enough right of course, you know what 1499 01:11:19,120 --> 01:11:21,000 Speaker 1: I mean. So it's like, right, I'm gonna get you 1500 01:11:21,040 --> 01:11:24,200 Speaker 1: out here on this one. How are the kids with 1501 01:11:24,320 --> 01:11:24,839 Speaker 1: the fiance? 1502 01:11:25,920 --> 01:11:28,320 Speaker 3: Man, the kids get it on? 1503 01:11:28,439 --> 01:11:31,559 Speaker 2: Well, you know she has four daughters. Okay, Like that 1504 01:11:31,720 --> 01:11:35,360 Speaker 2: was That's been the most coolest thing. Actually, it's like 1505 01:11:35,400 --> 01:11:37,960 Speaker 2: the way they all hit it off. It's got it 1506 01:11:38,080 --> 01:11:40,599 Speaker 2: like they all hit it off. We are a family core, 1507 01:11:41,320 --> 01:11:43,840 Speaker 2: you know what I mean, Like Harlem is the baby six. 1508 01:11:44,160 --> 01:11:45,560 Speaker 3: When I tell you everybody. 1509 01:11:45,240 --> 01:11:50,280 Speaker 2: Participates when they're around, everybody does, and you know, even 1510 01:11:50,320 --> 01:11:52,400 Speaker 2: with like so I remember, this is how we did 1511 01:11:52,400 --> 01:11:54,240 Speaker 2: it right. So I met her too old at first, 1512 01:11:55,240 --> 01:11:57,240 Speaker 2: you know, they they in their twenties, you know what 1513 01:11:57,240 --> 01:11:59,720 Speaker 2: I'm saying. So I met them first, you know, talk 1514 01:11:59,760 --> 01:12:01,280 Speaker 2: to them and let them know I already care. 1515 01:12:01,240 --> 01:12:02,960 Speaker 3: About their mom blah blah blah. 1516 01:12:03,120 --> 01:12:06,080 Speaker 2: And then the youngest kids because they're all just almost 1517 01:12:06,080 --> 01:12:08,720 Speaker 2: the same age group is mine, you know, Brittany and 1518 01:12:08,760 --> 01:12:12,240 Speaker 2: Judus fourteen and thirteen, her youngest at thirteen and twelve, right, 1519 01:12:12,280 --> 01:12:15,639 Speaker 2: so it's all the same group, right. The cutest thing 1520 01:12:15,680 --> 01:12:17,920 Speaker 2: we all were take them to catch is I love spoty. 1521 01:12:17,960 --> 01:12:21,280 Speaker 2: They du and they're all nervous about meeting each other. 1522 01:12:23,760 --> 01:12:26,160 Speaker 2: They're all like literally rivers about beating each other. And 1523 01:12:26,160 --> 01:12:27,840 Speaker 2: then I don't forgot what broke the ice, and then 1524 01:12:27,880 --> 01:12:30,120 Speaker 2: they all just started laughing and the next thing, you know, 1525 01:12:30,160 --> 01:12:33,840 Speaker 2: it was just you know, especially for Britain Becau. Brittan's 1526 01:12:33,840 --> 01:12:36,280 Speaker 2: around all guys, right, you know, so for her to 1527 01:12:36,280 --> 01:12:39,760 Speaker 2: have like a group of group girls, right. They made 1528 01:12:39,760 --> 01:12:42,160 Speaker 2: her happy. So like it's been, it's been beautiful, man, 1529 01:12:42,240 --> 01:12:44,760 Speaker 2: to be quite honest with you. I like I've when 1530 01:12:44,800 --> 01:12:48,320 Speaker 2: I shot vacation friends too. You know, everybody was in Hawaii, 1531 01:12:49,680 --> 01:12:52,719 Speaker 2: which was really fun and interesting because my ex wife 1532 01:12:52,760 --> 01:12:56,280 Speaker 2: was dead and I want them to talk, you know, I. 1533 01:12:56,200 --> 01:12:59,040 Speaker 3: Remember, I forget that was even burchased. They're like, yea, 1534 01:12:59,080 --> 01:12:59,960 Speaker 3: we're gonna go to the beach. 1535 01:13:02,120 --> 01:13:02,320 Speaker 4: Ship. 1536 01:13:02,360 --> 01:13:03,360 Speaker 3: They got to talk, you know. 1537 01:13:04,600 --> 01:13:07,720 Speaker 2: But I love you know that, And that's the part 1538 01:13:07,720 --> 01:13:13,880 Speaker 2: of having a blended family. Danilla is she's a woman 1539 01:13:13,920 --> 01:13:14,280 Speaker 2: that I. 1540 01:13:14,200 --> 01:13:19,640 Speaker 3: Never thought i'd meet. Just powerful, smart, outspoken. 1541 01:13:20,960 --> 01:13:24,960 Speaker 2: She's an author, she's a she's just so she's so dope, 1542 01:13:25,040 --> 01:13:27,920 Speaker 2: you know what I'm saying, you know, and like her 1543 01:13:27,960 --> 01:13:32,040 Speaker 2: mom passed, uh back in September, and. 1544 01:13:34,960 --> 01:13:36,680 Speaker 3: I'm so good glad I got a chance to meet 1545 01:13:36,680 --> 01:13:41,280 Speaker 3: miss Sandy. And you know, I went to Mississippi. She's 1546 01:13:41,280 --> 01:13:45,519 Speaker 3: from Missippany Terry, Misissippi, and went down there. She you know, 1547 01:13:45,560 --> 01:13:45,960 Speaker 3: she had one of. 1548 01:13:45,960 --> 01:13:48,720 Speaker 2: Them black pops man, but I like the old black 1549 01:13:48,760 --> 01:13:51,240 Speaker 2: man get along. We're the same, you know what I mean. 1550 01:13:51,280 --> 01:13:56,120 Speaker 2: That's my whole everybody, and and we were just talking 1551 01:13:56,160 --> 01:13:57,160 Speaker 2: with like we just met. 1552 01:13:57,200 --> 01:13:58,880 Speaker 3: He took me for a ride. I roll here, we're 1553 01:13:58,880 --> 01:14:01,200 Speaker 3: just talking, laughing, and she was nervous. 1554 01:14:04,120 --> 01:14:04,479 Speaker 4: Babe. 1555 01:14:04,640 --> 01:14:07,240 Speaker 2: First of all, idiot, older black man. I'm telling you 1556 01:14:07,280 --> 01:14:09,840 Speaker 2: I'm fair. You don't have to worry about I can 1557 01:14:09,920 --> 01:14:13,639 Speaker 2: sit down with these dudes for hours talk. Should sit 1558 01:14:13,720 --> 01:14:14,640 Speaker 2: on the tractor. 1559 01:14:16,280 --> 01:14:17,960 Speaker 3: And just tell me. So you know, it's just been 1560 01:14:17,960 --> 01:14:18,800 Speaker 3: as beautiful murder. 1561 01:14:18,840 --> 01:14:23,840 Speaker 2: My family adores her, my aunts, my uncle's everybody, and 1562 01:14:23,920 --> 01:14:25,720 Speaker 2: she's you know, she loves my fam It's just been 1563 01:14:25,760 --> 01:14:28,439 Speaker 2: beautiful to be quite honest with you. So you know, 1564 01:14:28,479 --> 01:14:30,519 Speaker 2: I hope nobody gets mad if we don't do it 1565 01:14:30,560 --> 01:14:32,799 Speaker 2: for real, wed and end up married one day yelling at. 1566 01:14:32,640 --> 01:14:35,519 Speaker 4: Wonderful congratulations all the best. 1567 01:14:35,720 --> 01:14:38,000 Speaker 3: Appreciate you, brother little, thank you man. 1568 01:14:38,439 --> 01:14:42,639 Speaker 5: All my life, grinding all my life, sacrifice, hustle back 1569 01:14:42,680 --> 01:14:46,639 Speaker 5: the price, Wanta Slice got the brother dis swap all 1570 01:14:46,680 --> 01:14:49,759 Speaker 5: my life. I been grinding all my life, all my life, 1571 01:14:49,920 --> 01:14:53,799 Speaker 5: and grinding all my life, sacrifice, hustle back the price, 1572 01:14:54,439 --> 01:14:57,680 Speaker 5: Wanta slice doctor Brothers swap all my life. 1573 01:14:57,760 --> 01:14:59,080 Speaker 3: I been grinding all my life. 1574 01:15:01,240 --> 01:15:01,439 Speaker 4: Eight