1 00:00:08,720 --> 00:00:12,960 Speaker 1: Hey there, folks, it is Friday, October the tenth. And yes, 2 00:00:13,200 --> 00:00:15,640 Speaker 1: I'm sure there have been plenty of horror movies you've 3 00:00:15,680 --> 00:00:20,520 Speaker 1: watched and thought, nah, that'll never happen to me. Well, 4 00:00:20,600 --> 00:00:26,040 Speaker 1: this one just happened to me and Roeboch and welcome 5 00:00:26,040 --> 00:00:28,200 Speaker 1: to this episode of Amy and TJ. As we continue 6 00:00:28,200 --> 00:00:30,800 Speaker 1: on our horror hit list, as we count down to 7 00:00:30,880 --> 00:00:34,480 Speaker 1: our favorite deep cut horror movies, some that you might 8 00:00:34,479 --> 00:00:37,000 Speaker 1: not know about. These are some of our favorites and robes. 9 00:00:37,120 --> 00:00:41,120 Speaker 1: This one is a heavy hitter on the list, and 10 00:00:42,440 --> 00:00:45,000 Speaker 1: yes we'll explain our kind of connection to the story, 11 00:00:45,040 --> 00:00:47,440 Speaker 1: but this is not a horror movie for the faint 12 00:00:47,440 --> 00:00:47,760 Speaker 1: of heart. 13 00:00:48,080 --> 00:00:53,240 Speaker 2: No it is not. It is very intense and graphic 14 00:00:54,080 --> 00:00:57,880 Speaker 2: and blood curdling. I mean, I think that's the best 15 00:00:57,880 --> 00:01:01,319 Speaker 2: way to describe it. This one stays with you, It 16 00:01:01,480 --> 00:01:06,800 Speaker 2: haunts you, It makes you actually and if when you 17 00:01:06,920 --> 00:01:09,680 Speaker 2: do move, if you move into a new home, you're 18 00:01:09,720 --> 00:01:12,959 Speaker 2: probably gonna search the attic, some closets, maybe even the 19 00:01:13,000 --> 00:01:16,160 Speaker 2: basement for anything that could have been left behind, because 20 00:01:16,240 --> 00:01:21,560 Speaker 2: this movie speaks to that. And yes, we've recently moved. 21 00:01:21,600 --> 00:01:24,320 Speaker 1: Or often, or you might you said, people are going 22 00:01:24,360 --> 00:01:28,880 Speaker 1: to look and maybe into the basement and into the attic. 23 00:01:29,240 --> 00:01:31,400 Speaker 1: I would argue that if you watch this movie, you're 24 00:01:31,440 --> 00:01:34,959 Speaker 1: never going to step into a basement attic again and 25 00:01:35,120 --> 00:01:39,319 Speaker 1: touch anything that looks like it has been there for a while. 26 00:01:39,440 --> 00:01:43,479 Speaker 1: It's this is a wild ride, but this is one 27 00:01:43,520 --> 00:01:45,560 Speaker 1: of our I mean, this guy's got to be a 28 00:01:45,600 --> 00:01:49,919 Speaker 1: top five as far as an actor you enjoy watching. 29 00:01:50,000 --> 00:01:51,040 Speaker 1: He's pretty incredible. 30 00:01:51,120 --> 00:01:55,040 Speaker 2: Yes, we're talking about Ethan Hawk and the twenty fifteen 31 00:01:55,080 --> 00:01:59,440 Speaker 2: movie Sinister and Man that is a good title for 32 00:01:59,520 --> 00:02:04,520 Speaker 2: this movie because I actually felt my stomach in knots 33 00:02:04,680 --> 00:02:08,000 Speaker 2: throughout this movie. You want to ski something well, but 34 00:02:08,120 --> 00:02:10,760 Speaker 2: like there are people who are like, hell yeah, announce 35 00:02:10,800 --> 00:02:14,120 Speaker 2: it strange like us who get into that kind of idea. 36 00:02:14,160 --> 00:02:16,960 Speaker 2: We're wow, I've seen it all, I've watched it all. 37 00:02:17,000 --> 00:02:19,560 Speaker 2: You're telling me that this movie is gonna make me 38 00:02:19,800 --> 00:02:23,440 Speaker 2: actually feel something that strongly? I think that. Yes, the 39 00:02:23,480 --> 00:02:26,480 Speaker 2: answer is yes. The runtime is an hour and forty 40 00:02:26,560 --> 00:02:29,760 Speaker 2: nine minutes of sheer terror. By the way, rated R 41 00:02:30,200 --> 00:02:35,480 Speaker 2: horror mystery thriller is the genre, but the synopsis is 42 00:02:36,280 --> 00:02:41,280 Speaker 2: fascinating and as we mentioned, potentially real. 43 00:02:42,360 --> 00:02:45,480 Speaker 1: Yes, so here you go. The movie is about true 44 00:02:45,520 --> 00:02:48,960 Speaker 1: crime writer Ellison Oswald he's in a slump. He hasn't 45 00:02:49,000 --> 00:02:50,760 Speaker 1: had a best seller in more than ten years and 46 00:02:50,880 --> 00:02:54,480 Speaker 1: is becoming increasingly desperate for a hit. So when he 47 00:02:54,560 --> 00:02:58,800 Speaker 1: discovers the existence of a snuff film showing the deaths 48 00:02:58,919 --> 00:03:02,840 Speaker 1: of a family to solve the mystery, he moves his 49 00:03:02,960 --> 00:03:08,919 Speaker 1: own family into the victim's home and gets to work. However, 50 00:03:09,480 --> 00:03:12,320 Speaker 1: when old film footage and other clues hint at the 51 00:03:12,360 --> 00:03:16,320 Speaker 1: presence of a supernatural force, Ellison learns that living in 52 00:03:16,360 --> 00:03:18,000 Speaker 1: the house may be fatal. 53 00:03:19,480 --> 00:03:23,040 Speaker 2: Uh yeah, what could possibly go wrong? Let me move 54 00:03:23,120 --> 00:03:26,639 Speaker 2: my family into a murdered family's home so I can 55 00:03:26,680 --> 00:03:30,359 Speaker 2: write about it, but not tell my family that we're 56 00:03:30,400 --> 00:03:36,160 Speaker 2: moving into that family's home. That was immediate tension that 57 00:03:36,280 --> 00:03:39,200 Speaker 2: starts from the beginning of the movie, because you're like, 58 00:03:40,560 --> 00:03:43,480 Speaker 2: does his wife know that he's moving them to this home? 59 00:03:43,600 --> 00:03:45,760 Speaker 1: We watched this recently and I asked you several times, 60 00:03:45,760 --> 00:03:46,520 Speaker 1: does she know yet? 61 00:03:47,240 --> 00:03:49,800 Speaker 2: Not yet? Not yet? But you know, this was a 62 00:03:50,120 --> 00:03:52,760 Speaker 2: huge success at the box office. The budget was just 63 00:03:52,880 --> 00:03:56,680 Speaker 2: three million dollars to make the box office total eighty 64 00:03:56,840 --> 00:04:01,960 Speaker 2: seven point seven millions, so a juggernaut of a horror movie. 65 00:04:02,280 --> 00:04:04,320 Speaker 2: Especially I think back in twenty fifteen. 66 00:04:05,600 --> 00:04:08,480 Speaker 1: Now, the cast we mentioned, like Ethan Hawke is I 67 00:04:08,560 --> 00:04:10,160 Speaker 1: think he gets credit for how good of an actor. 68 00:04:10,200 --> 00:04:10,880 Speaker 2: He's amazing. 69 00:04:10,880 --> 00:04:14,280 Speaker 1: He is just so believable at this everyman quality of him. 70 00:04:14,280 --> 00:04:16,520 Speaker 1: You're rooting for him, and he always looks like he's 71 00:04:16,560 --> 00:04:19,200 Speaker 1: a little bit of pain. There's a motion to him alway. 72 00:04:19,240 --> 00:04:23,239 Speaker 1: I love Ethan Hawk but Fred Thompson, yes, Senator Ye, 73 00:04:23,640 --> 00:04:26,080 Speaker 1: he's in the movie, OK, Tennessee has a He's not 74 00:04:26,160 --> 00:04:28,200 Speaker 1: in there a lot, but he has a huge impact 75 00:04:28,240 --> 00:04:32,240 Speaker 1: when he's in there. Vincent Dinafrio, all of which he 76 00:04:32,320 --> 00:04:34,599 Speaker 1: was SVU for a while, Yes, Law and Order, Yes. 77 00:04:34,880 --> 00:04:38,360 Speaker 1: And then Claire Foley, who is powerful in her role 78 00:04:38,600 --> 00:04:41,040 Speaker 1: as well. Scott Derekson. I don't know his previous work, 79 00:04:41,080 --> 00:04:43,640 Speaker 1: but that's the director of this film. Rotten Tomatoes. I 80 00:04:43,680 --> 00:04:44,479 Speaker 1: was surprised to see this. 81 00:04:44,680 --> 00:04:47,320 Speaker 2: Yeah, it only got sixty four percent and the audience 82 00:04:47,320 --> 00:04:50,600 Speaker 2: score just at sixty two percent, And it was interesting. 83 00:04:50,640 --> 00:04:55,559 Speaker 2: They put together all the critic critics from all over 84 00:04:55,839 --> 00:04:58,640 Speaker 2: and they call it the critic consensus. I actually was 85 00:04:58,760 --> 00:05:02,279 Speaker 2: a little confused by this a little bit, but because 86 00:05:02,320 --> 00:05:07,599 Speaker 2: it seems like it's a good critic synopsis, although the 87 00:05:07,640 --> 00:05:10,520 Speaker 2: score is less than what you would anticipate for a 88 00:05:10,520 --> 00:05:13,279 Speaker 2: movie like this. So here's what it reads. It's plot 89 00:05:13,400 --> 00:05:18,080 Speaker 2: hinges on typically implausible horror movie behavior. Yeah, I was 90 00:05:18,080 --> 00:05:20,360 Speaker 2: screaming at the at the TV a couple times at 91 00:05:20,360 --> 00:05:24,040 Speaker 2: the Ethan Hawk character like, get out, you idiot? Why 92 00:05:24,080 --> 00:05:26,640 Speaker 2: are you keep why do you keep watching that? Anyway, 93 00:05:26,680 --> 00:05:30,520 Speaker 2: it's plot hinges on typically implausible horror movie behavior. But 94 00:05:30,600 --> 00:05:35,960 Speaker 2: we love that and recycles countless genre cliches, but Sinister 95 00:05:36,080 --> 00:05:40,400 Speaker 2: delivers a surprising number of fresh diabolical twists. 96 00:05:40,680 --> 00:05:42,960 Speaker 1: This is a jumpy one, this one. There are some 97 00:05:43,120 --> 00:05:45,640 Speaker 1: moments you have that surround sound up in the house. 98 00:05:45,680 --> 00:05:46,719 Speaker 1: It's going to mess with you. 99 00:05:47,160 --> 00:05:50,279 Speaker 2: So we've watched this movie several times. We rewatched it 100 00:05:50,480 --> 00:05:54,480 Speaker 2: just before recording this, and I was embarrassed how many 101 00:05:54,520 --> 00:05:56,960 Speaker 2: times I jumped, even though I knew it was coming, 102 00:05:57,320 --> 00:05:59,880 Speaker 2: even though I knew something was about to happen, and 103 00:06:00,200 --> 00:06:01,560 Speaker 2: still I jumped. 104 00:06:02,120 --> 00:06:05,599 Speaker 1: And it's not the jumps where the monster jumps out 105 00:06:05,600 --> 00:06:09,280 Speaker 1: and attacks and violence ensues. It's creepy stuff, just even 106 00:06:09,279 --> 00:06:12,599 Speaker 1: something falling with a loud noise accompanying it, or a 107 00:06:12,640 --> 00:06:15,240 Speaker 1: face that shows up, or a person that shows it's 108 00:06:15,279 --> 00:06:18,479 Speaker 1: surprising moments you aren't expecting and they throw you off 109 00:06:18,480 --> 00:06:20,000 Speaker 1: by giving you an image you weren't ready for. 110 00:06:20,200 --> 00:06:23,479 Speaker 2: We both mentioned how good the music is in this 111 00:06:23,600 --> 00:06:27,599 Speaker 2: particular film. The music is so good at building tension, 112 00:06:27,720 --> 00:06:31,159 Speaker 2: at creating some of the suspense. The audio track in 113 00:06:31,200 --> 00:06:35,159 Speaker 2: this film is just as effective as the visual. I 114 00:06:35,200 --> 00:06:38,320 Speaker 2: think in this one particularly, it was of note because 115 00:06:38,560 --> 00:06:42,640 Speaker 2: that was contributing significantly to my level of tension and 116 00:06:42,760 --> 00:06:47,640 Speaker 2: terror throughout all of it. But it's visually also incredibly scary. 117 00:06:48,200 --> 00:06:51,000 Speaker 2: So we've got some critic reviews, and these are always interesting, 118 00:06:51,000 --> 00:06:54,000 Speaker 2: and I always like to either feel validated or outrage 119 00:06:54,920 --> 00:06:57,200 Speaker 2: at what the critics say. But most of them were 120 00:06:57,279 --> 00:06:59,279 Speaker 2: pretty good. I got a bad one in here. But 121 00:07:00,040 --> 00:07:02,720 Speaker 2: this is a slow build type of horror film where 122 00:07:02,760 --> 00:07:05,839 Speaker 2: most of the audience can see the endgame long before 123 00:07:05,839 --> 00:07:08,480 Speaker 2: the characters in the film, thus the screaming at the TV. 124 00:07:09,120 --> 00:07:11,920 Speaker 2: Even so, it's well crafted piece of work with some 125 00:07:12,120 --> 00:07:13,880 Speaker 2: genuinely scary moments. 126 00:07:14,000 --> 00:07:15,560 Speaker 1: I don't think it was a GIF. They said, I 127 00:07:15,560 --> 00:07:16,600 Speaker 1: don't think it's predictable. 128 00:07:17,120 --> 00:07:18,520 Speaker 2: I did not predict the end. 129 00:07:18,600 --> 00:07:19,520 Speaker 1: I don't think it's predictable. 130 00:07:19,560 --> 00:07:21,480 Speaker 2: I did not predict the ending at all, So I 131 00:07:21,480 --> 00:07:24,160 Speaker 2: guess someone who maybe thinks they know more or maybe 132 00:07:24,240 --> 00:07:26,800 Speaker 2: does no more, actually was able to predict it. I 133 00:07:26,800 --> 00:07:29,520 Speaker 2: thought this one was good to an interesting beast that 134 00:07:29,680 --> 00:07:33,400 Speaker 2: combines both classic and modern scares to create a film 135 00:07:33,400 --> 00:07:36,360 Speaker 2: that should have you whimpering in your seat by the end. 136 00:07:36,680 --> 00:07:40,640 Speaker 1: Yes, it's uh, it grabs you and it won't let go. 137 00:07:40,680 --> 00:07:43,280 Speaker 1: There's not a lot of moments of relief in this movie, 138 00:07:43,360 --> 00:07:46,960 Speaker 1: even when it's not. You're not worry about the whatever, supernatural, 139 00:07:47,080 --> 00:07:51,920 Speaker 1: whatever thing is out there, even the moments with his wife, like, 140 00:07:52,000 --> 00:07:55,760 Speaker 1: there are some tense fights that are uncomfortable, and so 141 00:07:56,040 --> 00:07:58,240 Speaker 1: tension is there throughout. You get no relief, There is 142 00:07:58,280 --> 00:07:58,680 Speaker 1: no joy. 143 00:07:58,800 --> 00:08:02,800 Speaker 2: The only relief is from the sweet deputy who helps 144 00:08:02,800 --> 00:08:06,880 Speaker 2: Ethan Hawke in his investigation. And that was almost It 145 00:08:06,960 --> 00:08:11,760 Speaker 2: was so needed. There was this lighter, cute moments that 146 00:08:11,840 --> 00:08:14,560 Speaker 2: he created that we appreciated. 147 00:08:13,920 --> 00:08:15,360 Speaker 1: And you know what he was and a lot of 148 00:08:15,360 --> 00:08:17,840 Speaker 1: times was common sense. He was all of us like 149 00:08:17,880 --> 00:08:20,560 Speaker 1: he was our guy, because thank you for telling. 150 00:08:20,320 --> 00:08:23,960 Speaker 2: Him that, yes he's lost in his artistic writer world 151 00:08:23,960 --> 00:08:26,720 Speaker 2: and can't see truth from fiction, but this guy really, 152 00:08:26,840 --> 00:08:29,960 Speaker 2: like I did appreciate that character. I do want to 153 00:08:30,000 --> 00:08:33,360 Speaker 2: read an ouch one because I again I actually felt 154 00:08:33,360 --> 00:08:40,080 Speaker 2: outraged by this critique. This critic writes cheapened scare sequences, 155 00:08:40,360 --> 00:08:47,240 Speaker 2: an ambiguous monstrous myth, transparent characterizations, and a mixed bag 156 00:08:47,400 --> 00:08:52,120 Speaker 2: of a supernatural storyline barely put any sinister thoughts in 157 00:08:52,160 --> 00:08:56,920 Speaker 2: our heads worth contemplating. That is offensive if that's. 158 00:08:56,800 --> 00:08:59,360 Speaker 1: Your opinion, and this is what they are. These are opinions, 159 00:08:59,360 --> 00:09:00,920 Speaker 1: and I guess these are professional. I don't know if 160 00:09:00,920 --> 00:09:04,760 Speaker 1: that's a professional critic or not, but people have their opinions. 161 00:09:04,760 --> 00:09:07,880 Speaker 2: Those that was a professional critic, by the way, I 162 00:09:07,880 --> 00:09:10,920 Speaker 2: mean whatever that is, but yes, was labeled as an 163 00:09:10,920 --> 00:09:13,320 Speaker 2: official critic. Now there was a recent one. Again, I 164 00:09:13,360 --> 00:09:15,280 Speaker 2: love these because I do feel like some of these 165 00:09:15,280 --> 00:09:17,760 Speaker 2: movies that we have on our list, who weren't appreciated 166 00:09:17,840 --> 00:09:21,920 Speaker 2: at the time, have garnered more appreciation as time goes by. 167 00:09:22,000 --> 00:09:24,600 Speaker 2: So this recent one, just this past year, I liked this. 168 00:09:25,280 --> 00:09:27,800 Speaker 2: I can see why people like this movie and keep 169 00:09:27,840 --> 00:09:31,040 Speaker 2: bringing it up to us. It has it's got a 170 00:09:31,080 --> 00:09:35,720 Speaker 2: distinctive dark tone while still being very approachable for mainstream audiences. 171 00:09:35,920 --> 00:09:38,600 Speaker 2: It's like if the Crow had a baby with the 172 00:09:38,760 --> 00:09:40,120 Speaker 2: Nun from the conjuring. 173 00:09:41,280 --> 00:09:44,080 Speaker 1: Oh my goodness, Okay. 174 00:09:45,000 --> 00:09:46,760 Speaker 2: All right, the audience reviews I think are some of 175 00:09:46,800 --> 00:09:49,080 Speaker 2: the most fun ones because these are real people like us, 176 00:09:49,520 --> 00:09:51,160 Speaker 2: and most of them that I saw. There were some 177 00:09:51,200 --> 00:09:53,520 Speaker 2: of them were like whatever, dismissive of it, but these 178 00:09:53,559 --> 00:09:55,880 Speaker 2: were some of the ones that I really liked. Honestly, 179 00:09:55,920 --> 00:09:58,280 Speaker 2: this is one of the scariest movies ever. It's not 180 00:09:58,360 --> 00:10:01,840 Speaker 2: like The Exorcist or Hereditary, for example, but a total 181 00:10:01,960 --> 00:10:04,720 Speaker 2: different kind of horror movie. Yet it's super scary. And 182 00:10:04,760 --> 00:10:06,920 Speaker 2: I use horror movies to sleep on sometimes as the 183 00:10:06,920 --> 00:10:12,079 Speaker 2: background same, so I'm not easily scared. But this one 184 00:10:12,280 --> 00:10:18,479 Speaker 2: is scary. The score, the atmosphere, the subject matter, the cinematography, 185 00:10:18,600 --> 00:10:20,640 Speaker 2: and of course one of my favorite actors, Ethan Hawk, 186 00:10:20,720 --> 00:10:21,600 Speaker 2: are just perfect. 187 00:10:21,840 --> 00:10:24,720 Speaker 1: No, we didn't necessarily mention, but she brings it up. 188 00:10:25,280 --> 00:10:28,240 Speaker 1: An element that makes this particularly scary is the fact 189 00:10:28,240 --> 00:10:31,480 Speaker 1: that it's kind of a found footage movie and he's 190 00:10:31,520 --> 00:10:35,160 Speaker 1: going through this old eight millimeter film. 191 00:10:35,720 --> 00:10:41,360 Speaker 2: Something about that is hearing that the hum of the Yes, 192 00:10:41,760 --> 00:10:44,679 Speaker 2: uh okay, someone else wrote this is one of the 193 00:10:44,720 --> 00:10:50,600 Speaker 2: most creepy, disturbing movies I've ever seen. That's totally unbrand 194 00:10:50,920 --> 00:10:53,680 Speaker 2: And then here's another one. This is hands down one 195 00:10:53,720 --> 00:10:57,480 Speaker 2: of these scariest movies I've ever seen. It gave me 196 00:10:57,559 --> 00:11:01,360 Speaker 2: the same nightmarish feelings as the original Nightmare on Elm Street. 197 00:11:01,640 --> 00:11:05,280 Speaker 2: Worth a watch. Spoiler alert. Once you've seen some parts 198 00:11:05,280 --> 00:11:08,920 Speaker 2: of this movie, you can never unsee them, so agree 199 00:11:08,920 --> 00:11:09,160 Speaker 2: with that. 200 00:11:09,960 --> 00:11:13,000 Speaker 1: Yeah, there are some images. Haunting is a good way 201 00:11:13,000 --> 00:11:16,000 Speaker 1: to put it. There are some haunting images in. 202 00:11:15,920 --> 00:11:20,520 Speaker 2: There, disturbing, haunting, scary. This is scary like our last 203 00:11:20,559 --> 00:11:24,080 Speaker 2: movie Lake Placid. Not that scary. We thought we'd do 204 00:11:24,160 --> 00:11:28,760 Speaker 2: a complete about face and go really really scary with Sinister. 205 00:11:29,040 --> 00:11:31,280 Speaker 2: So why it made our list? Yes, that's it. It's 206 00:11:31,280 --> 00:11:34,400 Speaker 2: one of the scariest and creepiest movies we have ever seen. 207 00:11:34,679 --> 00:11:37,839 Speaker 1: And you this, Yes, this is one where this is 208 00:11:37,880 --> 00:11:40,760 Speaker 1: an event. This is an event for you to sit 209 00:11:40,960 --> 00:11:44,480 Speaker 1: and enjoy and be prepared. Always say we've been talking 210 00:11:44,480 --> 00:11:48,360 Speaker 1: about through this series, people watch other movies, you experience 211 00:11:48,679 --> 00:11:51,720 Speaker 1: a horror movie, and this one hits everything. The sound, 212 00:11:52,000 --> 00:11:55,199 Speaker 1: the sight, Your heart rate's gonna go up. You are 213 00:11:55,320 --> 00:11:56,160 Speaker 1: immersed in this. 214 00:11:56,160 --> 00:11:58,520 Speaker 2: Movie, and you're not just under threat when you're watching 215 00:11:58,600 --> 00:12:02,000 Speaker 2: this movie, you're imagining your entire family. Isn't the threat, 216 00:12:02,040 --> 00:12:04,760 Speaker 2: and that's what makes it so scary. This isn't just 217 00:12:04,800 --> 00:12:08,440 Speaker 2: about you facing evil. This is about you placing evil 218 00:12:09,240 --> 00:12:11,760 Speaker 2: in the home, or you putting your family in harms 219 00:12:11,760 --> 00:12:15,360 Speaker 2: a way that is part of the scariness of this movie. Now, 220 00:12:15,640 --> 00:12:18,160 Speaker 2: when we come back, we're gonna tell you about our 221 00:12:18,280 --> 00:12:24,040 Speaker 2: own Sinister experience, and then we'll talk about who it's for, 222 00:12:24,160 --> 00:12:27,120 Speaker 2: who it's not for, what you should pair it with, 223 00:12:27,559 --> 00:12:30,960 Speaker 2: and of course give you a tease for the next 224 00:12:31,120 --> 00:12:45,960 Speaker 2: movie on our list, And we continue with number twenty 225 00:12:46,320 --> 00:12:50,720 Speaker 2: two on our list, Schonder, keep counting there. Sinister one 226 00:12:50,760 --> 00:12:55,240 Speaker 2: of these scariest movies we have ever seen in our lives. 227 00:12:55,400 --> 00:12:58,400 Speaker 2: And it just came top of mind to us as 228 00:12:58,440 --> 00:13:01,680 Speaker 2: we just moved a few weeks ago. I ended up 229 00:13:01,720 --> 00:13:05,240 Speaker 2: being away and you ended up sending me a text 230 00:13:05,240 --> 00:13:09,720 Speaker 2: about something you found buried deep in a closet. 231 00:13:10,280 --> 00:13:12,280 Speaker 1: So the uh, yes, we were talking about Sinister. The 232 00:13:12,320 --> 00:13:14,440 Speaker 1: whole premise of the movie, he moves his family to 233 00:13:14,480 --> 00:13:17,120 Speaker 1: this home where these horrific murders took place, and then 234 00:13:17,160 --> 00:13:21,840 Speaker 1: he finds all this stuff, this old Super eight film 235 00:13:22,160 --> 00:13:24,800 Speaker 1: in the basement, and he starts going through it, and 236 00:13:24,880 --> 00:13:28,880 Speaker 1: some disturbing stuff is on all this film. Obviously Robes 237 00:13:28,880 --> 00:13:31,760 Speaker 1: and I we've been familiar with this movie four years years, 238 00:13:32,120 --> 00:13:35,320 Speaker 1: so that's always in the back. We're just aware of that. So, yes, 239 00:13:35,800 --> 00:13:40,960 Speaker 1: we moved not too terribly long ago, and you did 240 00:13:41,000 --> 00:13:44,479 Speaker 1: not spend well, we didn't spend the first month almost 241 00:13:44,800 --> 00:13:48,920 Speaker 1: in the apartment together because you were traveling. Then we 242 00:13:48,920 --> 00:13:52,160 Speaker 1: were traveling fine, but one of those weekends where I'm 243 00:13:52,240 --> 00:13:56,400 Speaker 1: getting everything settled in, we have a storage closet and 244 00:13:56,600 --> 00:13:59,559 Speaker 1: the top shell, I mean the high ceilings, but the 245 00:13:59,600 --> 00:14:04,080 Speaker 1: top shelf and in the very very back, like tucked away. 246 00:14:04,559 --> 00:14:07,760 Speaker 1: How would you describe that box. It's a metal It's 247 00:14:07,920 --> 00:14:09,800 Speaker 1: almost a thin toolbox, is. 248 00:14:09,720 --> 00:14:13,960 Speaker 2: How it's It looks like a metal, thin baby blue toolbox, 249 00:14:14,000 --> 00:14:17,959 Speaker 2: and just by the color and materials used, you can 250 00:14:18,000 --> 00:14:20,320 Speaker 2: tell it's old. It was in good condition, but it 251 00:14:20,360 --> 00:14:22,720 Speaker 2: looked like it was from something from the nineteen fifties. 252 00:14:23,560 --> 00:14:25,920 Speaker 1: And so I only discovered I couldn't see it from 253 00:14:26,200 --> 00:14:28,480 Speaker 1: where it was because it was just so far up high. 254 00:14:28,480 --> 00:14:30,080 Speaker 1: But I was trying to put another box up there 255 00:14:30,080 --> 00:14:31,400 Speaker 1: and it wouldn't go all the way in, so I 256 00:14:31,400 --> 00:14:32,720 Speaker 1: had to go get a ladder and see what it was, 257 00:14:32,760 --> 00:14:35,040 Speaker 1: and sure enough it was that. Now I am trying 258 00:14:35,080 --> 00:14:38,000 Speaker 1: to look up. I'm trying to remember what my messages 259 00:14:38,040 --> 00:14:41,360 Speaker 1: were to you at the time that this happened, because 260 00:14:41,360 --> 00:14:44,920 Speaker 1: it freaked me out terribly. I opened this box, and 261 00:14:45,000 --> 00:14:51,720 Speaker 1: there are perfectly organized in their slides, these picture slides, 262 00:14:51,960 --> 00:14:55,160 Speaker 1: and these things are some of them labeled with years 263 00:14:55,200 --> 00:14:58,320 Speaker 1: on them in nineteen, I think fifties and nineteen sixties. 264 00:14:59,000 --> 00:15:00,840 Speaker 1: And I held a few of them up to the 265 00:15:00,920 --> 00:15:05,040 Speaker 1: light and it looked like they were images of art, 266 00:15:05,400 --> 00:15:09,000 Speaker 1: like works of art. But then there were others that 267 00:15:09,120 --> 00:15:13,520 Speaker 1: you saw images of people. And I got through about 268 00:15:14,040 --> 00:15:17,400 Speaker 1: at least five of them, and I said, hell, no, 269 00:15:17,560 --> 00:15:18,240 Speaker 1: I'm done. 270 00:15:18,920 --> 00:15:24,040 Speaker 2: They were scary, are they or because of the movie? 271 00:15:24,400 --> 00:15:25,400 Speaker 1: No, we're freaking out. 272 00:15:25,440 --> 00:15:27,440 Speaker 2: I'm telling you, Okay, I've got it. Okay, you just 273 00:15:27,480 --> 00:15:30,160 Speaker 2: wrote yeah, I've got it all. Okay, here you go. 274 00:15:30,360 --> 00:15:32,080 Speaker 2: I'm gonna read this, Okay. 275 00:15:32,080 --> 00:15:35,520 Speaker 1: So, yes, this is me. I'm home alone in a 276 00:15:35,520 --> 00:15:40,440 Speaker 1: home that hasn't been necessarily filled in yet. There's a 277 00:15:40,480 --> 00:15:44,720 Speaker 1: lot of space. So I was freaking out a little. 278 00:15:44,560 --> 00:15:48,800 Speaker 2: Bit, Babe. I found some creepy horror movie shit in 279 00:15:48,840 --> 00:15:52,720 Speaker 2: the house legitimately spooked me. Then you took a picture 280 00:15:52,760 --> 00:15:55,200 Speaker 2: of the box. That box was on the very top 281 00:15:55,280 --> 00:15:57,760 Speaker 2: shelf and tucked in the very back of the shelf. 282 00:15:58,000 --> 00:16:00,920 Speaker 2: Thought it might be a little toolkit. But it's filled 283 00:16:01,200 --> 00:16:05,760 Speaker 2: with picture slides. Yes, old ass picture slides of various things. 284 00:16:06,200 --> 00:16:08,360 Speaker 2: I stopped looking after holding a few up to the light. 285 00:16:08,480 --> 00:16:10,840 Speaker 2: I'm talking one hundred and fifty plus slides with the 286 00:16:10,840 --> 00:16:13,960 Speaker 2: picture is perfectly organized. Then you send me a picture 287 00:16:14,040 --> 00:16:17,400 Speaker 2: of a man standing with his shadow behind him, and 288 00:16:18,040 --> 00:16:19,840 Speaker 2: I'm sorry, I don't want to say weird, but a 289 00:16:19,840 --> 00:16:23,200 Speaker 2: weird looking woman behind him, standing in an awkward thing 290 00:16:23,280 --> 00:16:25,760 Speaker 2: with a weird shadow behind her. It's black and white, 291 00:16:25,800 --> 00:16:29,680 Speaker 2: it's from the nineteen it is actually it says spring 292 00:16:29,840 --> 00:16:34,000 Speaker 2: Training nineteen sixty five, And that sounds so much like 293 00:16:34,280 --> 00:16:38,640 Speaker 2: Sinister because it's like sleepy time, oh party with the date, 294 00:16:39,000 --> 00:16:41,920 Speaker 2: so it's like literally labeled the same way Sinister is. 295 00:16:41,960 --> 00:16:45,720 Speaker 2: And it's like this man standing in like perfect formation 296 00:16:46,240 --> 00:16:49,840 Speaker 2: with just like trunks on. It's weird. It looks like 297 00:16:49,880 --> 00:16:52,760 Speaker 2: it's by a pool. So I said, holy shit, it's 298 00:16:52,760 --> 00:16:55,640 Speaker 2: like that Ethan Hawk movie that is so scary and 299 00:16:55,720 --> 00:16:57,840 Speaker 2: cool all at the same time. You right back, is 300 00:16:57,880 --> 00:17:00,520 Speaker 2: it okay? That recursing here creepy is fun. I want 301 00:17:00,520 --> 00:17:03,520 Speaker 2: to throw them out, but I might get cursed. Oh god, 302 00:17:06,400 --> 00:17:09,440 Speaker 2: that's what you said, he said, Yeah, you were just 303 00:17:09,480 --> 00:17:11,600 Speaker 2: like And then I started zooming in on the pictures. 304 00:17:11,760 --> 00:17:14,120 Speaker 2: We I don't know. We can't probably put them online 305 00:17:14,200 --> 00:17:17,439 Speaker 2: because there's someone else's photographs, But if I can, please 306 00:17:17,720 --> 00:17:19,800 Speaker 2: tell you that these are the scariest photos I have 307 00:17:19,880 --> 00:17:22,600 Speaker 2: ever seen of people, I said, and I said, the 308 00:17:22,600 --> 00:17:26,680 Speaker 2: guy looks like Patrick Wilson he did in the movie. Anyway, 309 00:17:27,200 --> 00:17:30,280 Speaker 2: I'm telling you it was so scary. 310 00:17:30,560 --> 00:17:33,320 Speaker 1: Anybody else might have found those and thought nothing of 311 00:17:33,359 --> 00:17:36,719 Speaker 1: it because they haven't seen Sinister and they're not horror 312 00:17:36,720 --> 00:17:40,000 Speaker 1: movie freaks. We found the box, immediately think about Sinister 313 00:17:40,840 --> 00:17:43,280 Speaker 1: and say one picture is from the guy who was 314 00:17:43,359 --> 00:17:43,960 Speaker 1: enconjuring it. 315 00:17:44,640 --> 00:17:46,639 Speaker 2: True though, Okay, we have to find out who the 316 00:17:46,640 --> 00:17:48,919 Speaker 2: owners of these are because I would love to actually 317 00:17:48,920 --> 00:17:51,520 Speaker 2: just put If you guys saw these photos, I'm telling 318 00:17:51,600 --> 00:17:53,640 Speaker 2: you there's no one who wouldn't be freaked out. Even 319 00:17:53,640 --> 00:17:56,000 Speaker 2: if you hadn't seen the movie Sinister, they would still 320 00:17:56,040 --> 00:18:00,800 Speaker 2: be creepy people. Okay, it might just be degree, all right, 321 00:18:00,840 --> 00:18:03,639 Speaker 2: So this movie is for anyone who wants to be scared. Shitless. 322 00:18:04,160 --> 00:18:08,440 Speaker 2: Bottom line, you also have to be okay with entire 323 00:18:08,480 --> 00:18:10,800 Speaker 2: families being murdered. If you're not on board with that 324 00:18:10,880 --> 00:18:13,240 Speaker 2: in a horror movie, you should not watch this movie. 325 00:18:13,240 --> 00:18:16,760 Speaker 2: So yes, who it's not for anyone who can't handle that, 326 00:18:17,400 --> 00:18:19,720 Speaker 2: who doesn't like a lot of dread and foreboding, because 327 00:18:19,760 --> 00:18:21,919 Speaker 2: that's a huge part of this movie. And it's just 328 00:18:22,080 --> 00:18:24,720 Speaker 2: you have to have a tough stomach, and we have 329 00:18:25,040 --> 00:18:26,440 Speaker 2: we should say ropes because a lot. 330 00:18:26,320 --> 00:18:29,400 Speaker 1: Of people hear everything you just described, Like, why would 331 00:18:29,560 --> 00:18:35,719 Speaker 1: anybody appreciate want to see in God forbid enjoy a 332 00:18:35,800 --> 00:18:39,080 Speaker 1: movie like that? Well, because it is a movie experience. 333 00:18:39,520 --> 00:18:43,160 Speaker 1: You see obviously great acting, but there's great storytelling throughout. 334 00:18:43,560 --> 00:18:46,240 Speaker 1: Like you said, it's a great shot, it's a great music, 335 00:18:46,240 --> 00:18:48,359 Speaker 1: and it's shot in a cool way. It is a 336 00:18:48,920 --> 00:18:52,400 Speaker 1: I'm sorry, it is a fun experience. You will enjoy 337 00:18:53,040 --> 00:18:54,400 Speaker 1: watching this movie. 338 00:18:54,520 --> 00:18:56,359 Speaker 2: If you like that kind of thing, it should be 339 00:18:56,400 --> 00:18:58,760 Speaker 2: a caveat. We need that caveat. 340 00:18:58,840 --> 00:19:01,040 Speaker 1: It's kind of a family I know. 341 00:19:01,200 --> 00:19:04,360 Speaker 2: God, no, it's not. I would say that the other 342 00:19:04,440 --> 00:19:07,400 Speaker 2: thing just to try and defend our like of this movie, 343 00:19:07,440 --> 00:19:09,600 Speaker 2: because once you see it, you probably will judge us. 344 00:19:09,600 --> 00:19:12,760 Speaker 2: If you aren't into that, but there's so much awful 345 00:19:13,160 --> 00:19:15,159 Speaker 2: stuff that's going on in the world. It's it's a 346 00:19:15,160 --> 00:19:18,119 Speaker 2: form of escapism, and this might it just it's so 347 00:19:19,160 --> 00:19:22,520 Speaker 2: absurdly awful and supernatural too that you feel like it's 348 00:19:22,560 --> 00:19:26,760 Speaker 2: a departure from actual issues. But it could cut too 349 00:19:26,800 --> 00:19:28,360 Speaker 2: close for home for people. I just want to put 350 00:19:28,359 --> 00:19:31,000 Speaker 2: that warning out there. It is. It is a tough watch, 351 00:19:31,000 --> 00:19:31,560 Speaker 2: you know, and. 352 00:19:31,480 --> 00:19:35,280 Speaker 1: It does well for us. It's a wonderful watch, right 353 00:19:35,320 --> 00:19:36,840 Speaker 1: because this is what I want to be scared. 354 00:19:36,880 --> 00:19:37,000 Speaker 2: You know. 355 00:19:37,280 --> 00:19:40,560 Speaker 1: We have a difficult time sometimes getting scared and horrible 356 00:19:40,560 --> 00:19:43,160 Speaker 1: because we've seen so much. We know what's coming this 357 00:19:43,800 --> 00:19:44,880 Speaker 1: it's fun to. 358 00:19:44,880 --> 00:19:48,879 Speaker 2: Be scared, yes, so I guess it will. And in 359 00:19:48,960 --> 00:19:51,360 Speaker 2: terms of food drink pairing, I'm gonna go ahead and say, 360 00:19:51,359 --> 00:19:53,840 Speaker 2: have drinks before, have dinner before. I don't think that 361 00:19:53,920 --> 00:19:56,639 Speaker 2: this is appetite inducing. This movie is really tough, not 362 00:19:56,680 --> 00:19:59,919 Speaker 2: because it's so gory, but because the material is so 363 00:20:00,280 --> 00:20:02,720 Speaker 2: dark and sinister. So I would just if you're gonna 364 00:20:02,760 --> 00:20:05,440 Speaker 2: have snacks or drinks, just keep them non acidic. That's 365 00:20:05,440 --> 00:20:10,280 Speaker 2: what I would say. You don't want to contribute to 366 00:20:10,359 --> 00:20:13,360 Speaker 2: the bubbles. You're already gonna feel in your gut watching 367 00:20:13,400 --> 00:20:16,080 Speaker 2: this movie. That's just my two cents on this one. 368 00:20:16,800 --> 00:20:20,840 Speaker 2: So enjoy with all of that praise. All right, Our next, 369 00:20:21,160 --> 00:20:23,159 Speaker 2: our next movie, we want to go, Oh wait, where 370 00:20:23,200 --> 00:20:25,960 Speaker 2: can we watch this? We watched Sinister where I didn't 371 00:20:25,960 --> 00:20:31,399 Speaker 2: put that in there. I think you can watch it, Okay, 372 00:20:31,480 --> 00:20:35,600 Speaker 2: Hulu you can watch it, and Amazon Prime. You have 373 00:20:35,640 --> 00:20:38,800 Speaker 2: to have a subscription to either Disney Plus, but you 374 00:20:38,840 --> 00:20:40,600 Speaker 2: can always obviously all of these you can get on 375 00:20:40,600 --> 00:20:42,440 Speaker 2: Apple tv Vandego at home. But if you want to 376 00:20:42,440 --> 00:20:44,560 Speaker 2: get it for free O two B and if you 377 00:20:44,560 --> 00:20:47,399 Speaker 2: have a Disney Plus subscription of Hulu subscription, or if 378 00:20:47,440 --> 00:20:49,399 Speaker 2: you have an add on to Amazon Prime. So just 379 00:20:49,440 --> 00:20:51,199 Speaker 2: so you know, that's where you can watch it if 380 00:20:51,240 --> 00:20:54,680 Speaker 2: you want to be scared to death. Our next episode 381 00:20:56,040 --> 00:20:59,680 Speaker 2: is a movie that has one of our all time 382 00:20:59,760 --> 00:21:03,639 Speaker 2: face favorite horror movie actors in it, right, and I 383 00:21:03,960 --> 00:21:06,920 Speaker 2: believe the first ten minutes will hook you for the 384 00:21:07,200 --> 00:21:08,920 Speaker 2: entire movie. 385 00:21:09,480 --> 00:21:11,960 Speaker 1: That's a good, good. 386 00:21:11,720 --> 00:21:15,200 Speaker 2: Tease, all right, And with that, thank you for listening 387 00:21:15,280 --> 00:21:18,600 Speaker 2: to this episode of Amy and TJ. I'm Amy Robot 388 00:21:18,640 --> 00:21:21,320 Speaker 2: alongside TJ. Holmes. We will talk to you soon