WEBVTT - Thirst Trap

0:00:04.080 --> 0:00:07.440
<v Speaker 1>Welcome to Aaron Manke's Cabinet of Curiosities, a production of

0:00:07.480 --> 0:00:14.440
<v Speaker 1>iHeartRadio and Grimm and Mild. Our world is full of

0:00:14.480 --> 0:00:18.440
<v Speaker 1>the unexplainable, and if history is an open book, all

0:00:18.480 --> 0:00:22.159
<v Speaker 1>of these amazing tales are right there on display, just

0:00:22.200 --> 0:00:28.840
<v Speaker 1>waiting for us to explore. Welcome to the Cabinet of Curiosities.

0:00:36.240 --> 0:00:39.400
<v Speaker 1>On Christmas Eve of two thousand and nine, Gurgile Barkie

0:00:39.479 --> 0:00:41.720
<v Speaker 1>was looking desperately for a way to keep his three

0:00:41.840 --> 0:00:45.040
<v Speaker 1>year old daughter entertained. There was lots of work to

0:00:45.080 --> 0:00:48.640
<v Speaker 1>do to ensure a magical Christmas morning, and Barkie was

0:00:48.680 --> 0:00:52.239
<v Speaker 1>eager to get his daughter to settle down. Like many families,

0:00:52.320 --> 0:00:55.720
<v Speaker 1>Barkie's household had run through all the usual Christmas movies.

0:00:56.160 --> 0:00:59.880
<v Speaker 1>Barkie flipped across dozens of television channels, all playing this

0:01:00.080 --> 0:01:03.240
<v Speaker 1>same three holiday films, until he finally came across one

0:01:03.280 --> 0:01:07.319
<v Speaker 1>plane something different. One channel had just begun playing the

0:01:07.400 --> 0:01:11.280
<v Speaker 1>nineteen ninety nine movie Stuart Little. Not very festive, but

0:01:11.319 --> 0:01:14.120
<v Speaker 1>at least it was something Barkie's daughter hadn't seen, and

0:01:14.360 --> 0:01:16.400
<v Speaker 1>just as he was about to return to his Christmas

0:01:16.440 --> 0:01:19.560
<v Speaker 1>morning preparations, his daughter asked him to sit and watch

0:01:19.560 --> 0:01:23.039
<v Speaker 1>it with her. Barkie fought off a groan fine he

0:01:23.080 --> 0:01:25.920
<v Speaker 1>would watch this ten year old movie featuring a talking

0:01:26.000 --> 0:01:28.839
<v Speaker 1>mouse instead of attending to his growing to do list.

0:01:29.240 --> 0:01:30.920
<v Speaker 2>It was Christmas, after all.

0:01:31.600 --> 0:01:33.960
<v Speaker 1>When Barkiy agreed to spend this time with his daughter,

0:01:34.280 --> 0:01:35.760
<v Speaker 1>he had no way of knowing that he would be

0:01:35.840 --> 0:01:38.319
<v Speaker 1>rewarded with the best Christmas gift he could have ever

0:01:38.400 --> 0:01:41.639
<v Speaker 1>asked for, not quality family time, though we can assume

0:01:41.680 --> 0:01:44.800
<v Speaker 1>he was grateful for that as well. No, Barkie's reward

0:01:44.880 --> 0:01:47.960
<v Speaker 1>came in the form of Stuart Little's living room, specifically

0:01:48.240 --> 0:01:51.960
<v Speaker 1>one painting on the living room's far wall. Barkie leapt

0:01:52.000 --> 0:01:54.680
<v Speaker 1>from his seat. He dove for the remote before remembering

0:01:54.760 --> 0:01:56.760
<v Speaker 1>that the movie was playing on cable and he had

0:01:56.760 --> 0:01:59.400
<v Speaker 1>no way to pause or rewind it. For a moment,

0:01:59.520 --> 0:02:03.120
<v Speaker 1>he was rush and then the painting appeared again on screen,

0:02:03.520 --> 0:02:07.880
<v Speaker 1>and again and again. You see, gurgilely, Barkie wasn't just

0:02:07.920 --> 0:02:11.360
<v Speaker 1>an exhausted dad trying to make Christmas magical for his family.

0:02:11.639 --> 0:02:15.400
<v Speaker 1>He was also a researcher for the Hungarian National Gallery

0:02:15.639 --> 0:02:18.560
<v Speaker 1>and an expert in the paintings of Robert Barney, a

0:02:18.680 --> 0:02:22.440
<v Speaker 1>Hungarian expressionist painter from the early twentieth century who was

0:02:22.520 --> 0:02:25.720
<v Speaker 1>famous for several works, but most notably for Sleeping Lady

0:02:25.800 --> 0:02:29.400
<v Speaker 1>with Black Vaz, and that particular work, Sleeping Lady with

0:02:29.440 --> 0:02:32.720
<v Speaker 1>Black Vaz, depicted Baroney's second wife in repose.

0:02:33.080 --> 0:02:33.840
<v Speaker 2>He had completed the.

0:02:33.840 --> 0:02:36.760
<v Speaker 1>Painting around nineteen twenty five, and records show that it

0:02:36.800 --> 0:02:39.840
<v Speaker 1>was sold in nineteen twenty eight. Since then, the painting

0:02:40.080 --> 0:02:44.400
<v Speaker 1>had been lost to time. Researchers, including Barkie, suspected that

0:02:44.480 --> 0:02:47.520
<v Speaker 1>this was due to the political upheaval in Hungary during

0:02:47.560 --> 0:02:50.720
<v Speaker 1>the period. The buyer and their family may have purchased

0:02:50.760 --> 0:02:53.519
<v Speaker 1>the painting and then left Europe shortly afterwards.

0:02:53.840 --> 0:02:54.680
<v Speaker 2>The question then.

0:02:54.600 --> 0:02:57.920
<v Speaker 1>Became, how did a painting last see in nineteen twenty

0:02:58.000 --> 0:03:01.959
<v Speaker 1>eight wind up on the set of Stuart Little Before

0:03:02.000 --> 0:03:04.880
<v Speaker 1>the movie had ended, Barkie got right to work. He

0:03:05.000 --> 0:03:07.880
<v Speaker 1>bombarded the production staff of the movie with emails and

0:03:07.960 --> 0:03:11.040
<v Speaker 1>voicemails asking how and where they had found the painting.

0:03:11.400 --> 0:03:14.359
<v Speaker 1>It was the best Christmas present for an art historian,

0:03:14.440 --> 0:03:19.520
<v Speaker 1>Barkie said, and then nothing. For two long years, his

0:03:19.639 --> 0:03:23.920
<v Speaker 1>requests for information went unanswered. Doubt crept in. Could the

0:03:23.960 --> 0:03:26.600
<v Speaker 1>painting that he saw in Stuart Little have been just

0:03:26.639 --> 0:03:29.800
<v Speaker 1>a replica. Barkie watched the film over and over to

0:03:29.840 --> 0:03:32.200
<v Speaker 1>be sure, and came to the conclusion that it must

0:03:32.240 --> 0:03:35.760
<v Speaker 1>be the real thing. After all, barony was no worldwide phenomenon,

0:03:35.800 --> 0:03:39.440
<v Speaker 1>and the painting was not well known outside of Hungary. Finally,

0:03:39.480 --> 0:03:42.080
<v Speaker 1>he received an email from the assistant set director of

0:03:42.120 --> 0:03:45.119
<v Speaker 1>the movie. She had purchased the painting at an antique

0:03:45.120 --> 0:03:48.160
<v Speaker 1>shop in Pasadena. She told him the set team felt

0:03:48.160 --> 0:03:50.840
<v Speaker 1>that it fit the elegant esthetic of Stuart Little's house,

0:03:51.120 --> 0:03:53.119
<v Speaker 1>and when the movie wrapped, she had asked to take

0:03:53.120 --> 0:03:55.520
<v Speaker 1>it home, and the painting had hung in her Washington,

0:03:55.600 --> 0:03:59.000
<v Speaker 1>d c. Bedroom ever since. She invited Barkie to come

0:03:59.040 --> 0:04:01.720
<v Speaker 1>in person and confers firm the identity of the painting.

0:04:02.080 --> 0:04:04.920
<v Speaker 1>Within a few months, he flew from Hungary to Washington

0:04:05.160 --> 0:04:07.520
<v Speaker 1>and met up with this assistant set director near the

0:04:07.600 --> 0:04:10.920
<v Speaker 1>National Mall. As soon as he laid eyes on the painting,

0:04:11.280 --> 0:04:13.880
<v Speaker 1>he was sure it was the real thing. There's only

0:04:13.960 --> 0:04:16.560
<v Speaker 1>one thing left to check, he told the woman. Barkie

0:04:16.600 --> 0:04:19.080
<v Speaker 1>strode to a nearby hot dog vendor and asked to

0:04:19.120 --> 0:04:20.160
<v Speaker 1>borrow a screwdriver.

0:04:20.520 --> 0:04:22.440
<v Speaker 2>The vendor was happy to oblige.

0:04:22.880 --> 0:04:26.359
<v Speaker 1>Barkie then unscrewed the protective backing from the antique frame

0:04:26.560 --> 0:04:29.520
<v Speaker 1>and ran his eyes over the underside of the canvas,

0:04:29.600 --> 0:04:32.240
<v Speaker 1>and there it was. In the lower corner was the

0:04:32.279 --> 0:04:36.440
<v Speaker 1>stamped date nineteen twenty eight, the last time it was exhibited.

0:04:36.480 --> 0:04:40.480
<v Speaker 1>Before the painting was purchased, the lost painting had been found.

0:04:41.279 --> 0:04:44.120
<v Speaker 1>The assistant set director sold the painting about a year

0:04:44.200 --> 0:04:47.320
<v Speaker 1>later to a private collector for two hundred and eighty

0:04:47.360 --> 0:04:51.120
<v Speaker 1>five thousand dollars. For his part, Barkie gained fame and

0:04:51.160 --> 0:04:54.599
<v Speaker 1>notoriety in the art historian community, and even published a

0:04:54.640 --> 0:04:57.160
<v Speaker 1>book about Barony's works, including the.

0:04:57.160 --> 0:04:58.640
<v Speaker 2>Story of his discovery.

0:04:59.120 --> 0:05:02.040
<v Speaker 1>Barkie says getting to help solve the mystery is reward

0:05:02.200 --> 0:05:05.279
<v Speaker 1>enough for him, but he added, with a twinkle in

0:05:05.360 --> 0:05:22.279
<v Speaker 1>his eye, I do watch movies very differently now. In

0:05:22.320 --> 0:05:25.120
<v Speaker 1>the early morning hours of May twenty first of nineteen

0:05:25.200 --> 0:05:29.080
<v Speaker 1>twenty four, just outside the small town of Lone Pine, California,

0:05:29.400 --> 0:05:33.719
<v Speaker 1>a sudden explosion lit up the desert night. When police arrived,

0:05:33.720 --> 0:05:36.000
<v Speaker 1>they found that the blast had blown a massive hole

0:05:36.080 --> 0:05:39.000
<v Speaker 1>in the Los Angeles Aqueduct, which carried water from the

0:05:39.000 --> 0:05:41.719
<v Speaker 1>farmland of Owens Valley all the way to the city

0:05:41.760 --> 0:05:45.640
<v Speaker 1>of Los Angeles, two hundred miles away. Southern California was

0:05:45.680 --> 0:05:47.680
<v Speaker 1>in the middle of a long drought, and thanks to

0:05:47.720 --> 0:05:50.960
<v Speaker 1>this act of vandalism, millions of gallons of precious water

0:05:51.040 --> 0:05:55.400
<v Speaker 1>had already spilled out onto the sand. The police reckoned

0:05:55.400 --> 0:05:57.560
<v Speaker 1>that it would have taken at least five hundred pounds

0:05:57.560 --> 0:06:00.279
<v Speaker 1>of dynamite to cut through the iron and conquer creed

0:06:00.320 --> 0:06:02.760
<v Speaker 1>of the aqueduct, which meant that they had a major

0:06:02.839 --> 0:06:06.680
<v Speaker 1>criminal plots on their hands. Immediately, the LA Mayor put

0:06:06.720 --> 0:06:09.719
<v Speaker 1>up a ten thousand dollars reward for information leading to

0:06:09.760 --> 0:06:12.800
<v Speaker 1>the suspects in the bombing, and detectives were sent into

0:06:12.839 --> 0:06:15.720
<v Speaker 1>nearby towns to investigate. But even though it seemed like

0:06:15.760 --> 0:06:19.000
<v Speaker 1>everyone in Owens Valley knew exactly who was responsible for

0:06:19.040 --> 0:06:22.279
<v Speaker 1>the blast, nobody would say a peep to them. The

0:06:22.320 --> 0:06:26.080
<v Speaker 1>bombers were heroes. The residents of Owens Valley had been

0:06:26.160 --> 0:06:28.880
<v Speaker 1>unhappy about the aqueduct from the beginning. It had been

0:06:28.880 --> 0:06:31.479
<v Speaker 1>built more than a decade prior to help the booming

0:06:31.520 --> 0:06:34.719
<v Speaker 1>city of Los Angeles keep up with its growing water demand.

0:06:35.080 --> 0:06:37.760
<v Speaker 1>By so much of their local water supply being siphoned

0:06:37.760 --> 0:06:40.279
<v Speaker 1>off and sent to the city, the farmers and ranchers

0:06:40.320 --> 0:06:44.240
<v Speaker 1>in Owens Valley were struggling. Land dried up crops, wilted

0:06:44.480 --> 0:06:49.200
<v Speaker 1>farmers lost their profits, and the local economy began to fail. Finally,

0:06:49.240 --> 0:06:51.760
<v Speaker 1>the people of Owens Valley had decided that enough was

0:06:51.960 --> 0:06:55.200
<v Speaker 1>enough and it was time to fight back, and amazingly,

0:06:55.240 --> 0:06:58.120
<v Speaker 1>that bombing outside Loan Pine was just the beginning of

0:06:58.160 --> 0:07:02.400
<v Speaker 1>what became known as the Kel Water Wars. A few

0:07:02.400 --> 0:07:05.520
<v Speaker 1>months later, dozens of Owens Valley residents drove out to

0:07:05.520 --> 0:07:09.240
<v Speaker 1>that same area and commandeered the aqueduct by force. They

0:07:09.320 --> 0:07:12.160
<v Speaker 1>opened the spillway gates and let the water flow out,

0:07:12.240 --> 0:07:14.640
<v Speaker 1>threatening to let it keep spilling until the City of

0:07:14.680 --> 0:07:17.880
<v Speaker 1>Los Angeles came out to settle their grievances, and they

0:07:17.880 --> 0:07:20.840
<v Speaker 1>stayed there for days, resisting the sheriff's orders to leave,

0:07:21.120 --> 0:07:23.800
<v Speaker 1>until the city of La agreed to negotiate with them.

0:07:24.400 --> 0:07:26.880
<v Speaker 1>Over the next few years, there were more and more

0:07:26.920 --> 0:07:30.360
<v Speaker 1>bombings and acts of sabotage. The Los Angeles Water Department

0:07:30.400 --> 0:07:33.600
<v Speaker 1>had to hire armed guards with machine guns to protect

0:07:33.600 --> 0:07:37.200
<v Speaker 1>the aqueduct twenty four to seven. The battles continued until

0:07:37.280 --> 0:07:40.400
<v Speaker 1>nineteen twenty seven, when the main bank in Owens Valley

0:07:40.480 --> 0:07:43.720
<v Speaker 1>suddenly went belly up. The bank's co owners, Wilfred and

0:07:43.840 --> 0:07:46.640
<v Speaker 1>Mark Watterson, and I know the last names. Ironed is

0:07:46.680 --> 0:07:49.440
<v Speaker 1>not lost on me, had been helping to organize and

0:07:49.520 --> 0:07:53.280
<v Speaker 1>fund the rebellion, and without them, the resistance collapsed. The

0:07:53.560 --> 0:07:57.080
<v Speaker 1>Waterson brothers were charged with thirty six counts of embezzlement

0:07:57.160 --> 0:07:59.720
<v Speaker 1>and grand theft, and during their trial they admitted that

0:07:59.720 --> 0:08:02.280
<v Speaker 1>they had stolen money from the bank to fund the

0:08:02.320 --> 0:08:04.160
<v Speaker 1>water wars against Los Angeles.

0:08:04.680 --> 0:08:06.200
<v Speaker 2>The brothers were both.

0:08:05.960 --> 0:08:08.680
<v Speaker 1>Sentenced to ten years in prison, making them the only

0:08:08.720 --> 0:08:11.080
<v Speaker 1>people who ever faced criminal charges.

0:08:11.120 --> 0:08:12.160
<v Speaker 2>For the water Wars.

0:08:12.800 --> 0:08:14.640
<v Speaker 1>It was a hard fought battle, but in the end,

0:08:14.680 --> 0:08:17.200
<v Speaker 1>Owens Valley was no match for the bustling city of

0:08:17.240 --> 0:08:20.480
<v Speaker 1>Los Angeles. The city kept buying up land and water,

0:08:20.560 --> 0:08:23.000
<v Speaker 1>and by the next year, the once green landscape of

0:08:23.040 --> 0:08:26.400
<v Speaker 1>Owens Valley had completely turned to sand. The farmers and

0:08:26.480 --> 0:08:28.680
<v Speaker 1>ranchers who lived in the area were forced to sell

0:08:28.720 --> 0:08:33.120
<v Speaker 1>their land and move away, and meanwhile, Los Angeles kept

0:08:33.240 --> 0:08:36.400
<v Speaker 1>growing and city officials kept doing whatever it took to

0:08:36.440 --> 0:08:41.319
<v Speaker 1>survive and thrive in the barren deserts of southern California.

0:08:44.880 --> 0:08:47.560
<v Speaker 1>I hope you've enjoyed today's guided tour of the Cabinet

0:08:47.559 --> 0:08:51.440
<v Speaker 1>of Curiosities. Subscribe for free on Apple Podcasts, or learn

0:08:51.520 --> 0:08:55.880
<v Speaker 1>more about the show by visiting Curiosities podcast dot com.

0:08:56.120 --> 0:08:59.640
<v Speaker 1>The show was created by me Aaron Mankey in partnership

0:08:59.679 --> 0:09:03.000
<v Speaker 1>with how Stuff Works. I make another award winning show

0:09:03.120 --> 0:09:07.160
<v Speaker 1>called Lore, which is a podcast, book series, and television show,

0:09:07.440 --> 0:09:10.240
<v Speaker 1>and you can learn all about it over at Theworldoflore

0:09:10.440 --> 0:09:14.200
<v Speaker 1>dot com. And until next time, stay curious.