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Speaker 1: So I'm meeting this girl and like, we're having a

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Speaker 1: nice conversation and it's very nice. And then I said like, oh,

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Speaker 1: I didn't get your name, and she says, but I'm

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Speaker 1: like a bell. And then I'm like, look, that's that's

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Speaker 1: not a name. Those are two things. And she says, no,

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Speaker 1: that's that's just my name. And she had never heard

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Speaker 1: of either of those individual things. I had to explain

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Speaker 1: both concepts of her and imagine how embarrassing to find

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Speaker 1: out that all along.

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Speaker 2: Was she likeing, I I hate tricksters, and I feel

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Speaker 2: like a lot of you know.

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Speaker 1: And acting especially, It's like I'm taking something out into

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Speaker 1: the real world, this little idea I have that's someone

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Speaker 1: who's named after two things.

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Speaker 2: And they're being a trickster and doing this trick thing

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Speaker 2: where they're playing this character. I don't know if it's

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Speaker 2: for you know, their SNL reel or something, but they're

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Speaker 2: doing these trickster things because.

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Speaker 1: Those this thing they're just things, and she's acting like it's.

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Speaker 2: As big in one of them small. So I can

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Speaker 2: see that being a funny SNL character where it's like

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Speaker 2: I'm a Lake and now I'm a Bell, and you

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Speaker 2: just spread out when you're a lake and pretend to

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Speaker 2: have like a fish in you and you get really

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Speaker 2: tiny and you make a little.

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Speaker 1: And there's a noise, a noise component to that.

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Speaker 2: Too, yeah, which they love on that show. So it's

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Speaker 2: just it's I don't and how did you meet this girl?

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Speaker 3: What is she like?

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Speaker 1: She's an actress? She was you know when you're like

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Speaker 1: waiting to get on the chair lift. Yeah, there's the

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Speaker 1: person who's like pulling the lever and stuff for the

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Speaker 1: for the chairlift, and yeah, she well you shed the mountain.

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Speaker 1: I definitely don't want to get I don't need the conversation. Again,

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Speaker 1: I don't either, all Right, it sounds like that's not why,

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Speaker 1: that's not why I brought it up. I just didn't

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Speaker 1: know you went to the mountain this weekend? Fine, what up?

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Speaker 1: What up? Welcome to Hollywood hand Book. And then I

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Speaker 1: just got a kicking button dropping names in the red

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Speaker 1: cover line back always of this industry we call shiitiz big.

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Speaker 1: We you guys have been reading a lot about this

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Speaker 1: lebron thing. It is actually it's a huge relief to

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Speaker 1: be able to discuss it, just to be able to

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Speaker 1: you know, it's just been as advice.

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Speaker 2: I mean, this is a show where we give advice

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Speaker 2: to people. Yeah, never work with athletes, yes, because it's

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Speaker 2: so frustrating and they always have their way, they want

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Speaker 2: to do things, and they don't see the big picture and.

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Speaker 1: The sort of art of it all. And basketball especially

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Speaker 1: there's this immediate gratification sense. But it comes from basketball.

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Speaker 1: You need just be getting points all the time. Points points, points, points, points,

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Speaker 1: points points, which is why we love soccer, which is

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Speaker 1: because it's the you know, the the ballet aspect. Oh

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Speaker 1: and it's not just like we you know, as Americans,

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Speaker 1: we just needed this like a trophy every time, you know,

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Speaker 1: we put something into something else.

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Speaker 2: I love soccer, best sport in the world. But to

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Speaker 2: all the people too who have said, like, oh.

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Speaker 1: It's boring, people don't score points.

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Speaker 2: I guess you really had to eat your words during

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Speaker 2: that one blowout that happened last week, you know, the

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Speaker 2: one incredibly lopsided game that happened that really taught you

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Speaker 2: a lesson about saying the sport's boring.

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Speaker 1: There's one game where one.

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Speaker 2: Team scored a bunch of points and fucking won by

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Speaker 2: seven goals. So isn't that exciting? Because you keep saying

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Speaker 2: it's boring.

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Speaker 1: I think that's who they were sort of talking to

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Speaker 1: when they did that game with their kicks, because they're

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Speaker 1: saying like, well, is this what you wanted?

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Speaker 2: The Yeah, every time I do a kick, I kick

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Speaker 2: it in the net, you know. And so because a

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Speaker 2: lot of people had been saying it's boring, which I

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Speaker 2: don't get, and then it's like, oh, because there's not

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Speaker 2: enough goals, Well what if one team scored a ton

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Speaker 2: of goals?

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Speaker 1: Would that be excited? Because then the game's over. But

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Speaker 1: everyone said they were sorry, and I think that was

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Speaker 1: a good resolution. The the Lebron thing, you know, when

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Speaker 1: we said do the show and go to Miami four

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Speaker 1: years ago, whatever that was. You would not believe the

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Speaker 1: pushback for this guy saying like well, why like why

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Speaker 1: would I do? You know? This is where I live.

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Speaker 2: It's literally the second he gets the pages and he's

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Speaker 2: just like is flipping to the end. He's not looking

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Speaker 2: at the whole like build up and the rest of

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Speaker 2: what we have going on for him. Afterwards, he just

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Speaker 2: goes like, well this part people aren't gonna like my character.

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Speaker 2: When he goes to Miami and he does the whole thing.

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Speaker 2: You know and this line, I look like such an

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Speaker 2: asshole taking my talents to South.

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Speaker 1: Beach, counting the championships and stuff like that. Yes, I

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Speaker 1: thought was.

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Speaker 2: It's like, well, that's gonna make it so powerful later

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Speaker 2: and he's like later what. I'm like, oh, you didn't

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Speaker 2: even finish reading it.

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Speaker 1: And he wants to know the very very end. He's

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Speaker 1: asking all the way through, like how does this turn out?

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Speaker 1: And we're saying like, well, are you going to tell people?

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Speaker 2: Well, when we wanted him to lose the championship this

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Speaker 2: past year, you just get fucking wax by the spurs.

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Speaker 2: He's like writing like, well, what didn't my character want

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Speaker 2: to make more basket shots?

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Speaker 1: And he's like he's and see it as part of

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Speaker 1: the larger arc about like that's the go see go

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Speaker 1: watch like Barton Finkers, you know, my character would do

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Speaker 1: a big dunk here.

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Speaker 2: And it's like, okay, but we've seen that already.

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Speaker 1: Yeah, you know, and the next time we do it,

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Speaker 1: it's like, you know, it's not going to be any better,

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Speaker 1: it's going to be all the same.

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Speaker 2: Well, it's just like it's a more yes, it's a

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Speaker 2: more interesting. He just doesn't understand movie arcs is you

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Speaker 2: have to lose some stuff to get some stuff back.

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Speaker 2: And now it's the big homecoming the hero and people

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Speaker 2: are loving this part of the movie and the sort

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Speaker 2: of sports world you know, it's totally bought it hook

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Speaker 2: line and Sinker. And and now he's arguing because we've

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Speaker 2: written this really ugly leg injury into yeah, into the

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Speaker 2: next few scenes, and he doesn't want to do it,

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Speaker 2: and it's just like, I don't know, I'm starting to

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Speaker 2: wonder if it has a stake to ever get involved, right.

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Speaker 1: He says, as well, it's gonna hurt, are you know

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Speaker 1: movies hurts, Yes, movies hurts.

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Speaker 2: Anyway for anyone who's a basketball head. That's a nice

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Speaker 2: little peek behind the curtain. And we thank you for watching.

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Speaker 2: We've gotten a lot of great feedback all week.

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Speaker 1: And wait, do you see what happens with this Mellow thing?

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Speaker 2: If you think, yes, we have this whole beast story

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Speaker 2: with Mellow Yeah, we've been sort of nursing for a while.

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Speaker 1: And keep an eye on Laala. That's all I have

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Speaker 1: to say about the Mellow Things, his wife, Laala. It's

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Speaker 1: just sort of been operating the background for a little while.

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Speaker 1: But you know she has her You know, when you

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Speaker 1: have someone like her who's involved in a project like this,

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Speaker 1: you want to give her like something needy to really well.

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Speaker 2: She's our Megan drapery you know where it's you let

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Speaker 2: her do some stuff in the background, but we are

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Speaker 2: ultimately going to drive a big story out of her

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Speaker 2: and have her you know. I mean, in the case

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Speaker 2: of Megan Draper, she's going to get murdered by Charles Manson,

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Speaker 2: but it's you know, that's not it's not a one

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Speaker 2: to one comparison, but it's going to be interesting when

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Speaker 2: she takes an stage.

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Speaker 1: Yes, we want to do a quick We're going to

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Speaker 1: get into our guest, Jason Jason Nash as our guest

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Speaker 1: very shortly, but we want to do a quick There's

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Speaker 1: a segment we do called ant wrong doesn't necessarily apply

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Speaker 1: in this case. We'll get into it in a little

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Speaker 1: more detail. But we appreciate when everyone rates us on iTunes.

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Speaker 1: We uh like every We.

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Speaker 2: Love feedback and it makes us better. I mean, the

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Speaker 2: good feedback is great. The bad feedback if anybody actually

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Speaker 2: had a good point to make, would that.

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Speaker 1: Would make us We would love to get some feedback

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Speaker 1: that actually offered something constructive that we could improve on.

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Speaker 1: That would be wonderful, and someone who understands what they're

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Speaker 1: what what what they're listening to.

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Speaker 2: And it's just as that would actually be unfortunate that

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Speaker 2: a lot of the people with negative feedback are also

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Speaker 2: some of our stupidest fans who really don't fucking get

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Speaker 2: shipped about ship.

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Speaker 1: And so we want to read we want to do

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Speaker 1: this segment and we'll read what is our most recent

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Speaker 1: review from a user name mister British Petroleum, which I

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Speaker 1: actually do not think is that cool or funny to

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Speaker 1: use to use that as your name to represent yourself

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Speaker 1: as being a part of BP, which makes animal sick

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Speaker 1: is I think is disgusting.

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Speaker 3: Just for starters.

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Speaker 2: Well, if you know it's the place that we're coming,

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Speaker 2: we're coming from. It's like this guy doesn't have a

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Speaker 2: good sense of humor. And it's funny that our stupidest

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Speaker 2: fans are the negative ones and that they have the

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Speaker 2: worst taste and this is import taste. And if you

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Speaker 2: know anything about peak oil, Hayes, Yeah, Engineer Cody, do

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Speaker 2: you know about peak oil?

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Speaker 1: Talk about it?

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Speaker 2: Explain peak oil to our listeners.

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Speaker 4: Steps for successful passing Now that you know how dangerous

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Speaker 4: passing can be, what steps can you take to pass

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Speaker 4: safe and successfully for the first step, of course, is

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Speaker 4: to know the passing is legal. After that, answer his

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Speaker 4: question affirmatively, here are some steps. Remember always look around

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Speaker 4: for any hazards in the area. If anyone is trying

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Speaker 4: to pass you, is there enough him to execute the passes?

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Speaker 1: Cody studying for his Cody, Okay, this is not so.

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Speaker 1: You're learning to drive right now.

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Speaker 2: You're learning to drive while you're supposed to be listening

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Speaker 2: for the show. For any mistakes that happen, remember your

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Speaker 2: head turns for a reason. Turn and look over, Cody.

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Speaker 1: Cody, stop it, stop it. Don't do that again. You

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Speaker 1: can't just be learning to drive. And I think we

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Speaker 1: said that, you know, we were very excited for you.

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Speaker 1: I'm now worried that that has encouraged you to the

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Speaker 1: degree that you think you can just be learning to

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Speaker 1: drive all the time. And so I'll say this, this

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Speaker 1: is how I honestly feel about it. Cody, It's not

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Speaker 1: gonna happen. Okay, these are harsh words. You're never gonna learn.

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Speaker 4: Freeways are safer than city streets are open highways because

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Speaker 4: there are a few.

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Speaker 1: Do it again? Stop bit.

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Speaker 2: Now did you hear Hayes? It's not gonna happen, So

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Speaker 2: give it up. Close the book and give it up,

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Speaker 2: because you're just setting yourself up for heartbreak. Find a

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Speaker 2: new interest. You might be able to figure out. You're

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Speaker 2: not going to figure out how to work a car.

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Speaker 2: It's a big complicated machine. Don't interrupt me again. Now

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Speaker 2: we're getting Now, we got you that yo yo toy.

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Speaker 2: And I think that you might be able to learn

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Speaker 2: how to do something like that. I would say that's

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Speaker 2: something worth putting your time into because a hear or

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Speaker 2: two you might figure that out.

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Speaker 1: The concept stay in your lane actually is very fitting

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Speaker 1: for the situation. But unfortunately it's not something that I

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Speaker 1: could say to you because it would just be like

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Speaker 1: I was speaking an alien language showing card tricks to

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Speaker 1: a dog. You know what I mean.

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Speaker 2: That's what I feel like I'm doing when I explained.

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Speaker 1: Let's get let's get back to the review The Mister

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Speaker 1: British Petroleum one star. The subject line is what's worse

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Speaker 1: than two Hollywood douchebags? Two guys pretending to be Hollywood douchebags?

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Speaker 1: The idea that Hollywood insiders can be annoying is an

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Speaker 1: idea almost as old as Hollywood itself. Yet these two

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Speaker 1: have dedicated hours and hours to the shick of acting

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Speaker 1: horribly to others and their guests. If their comedic personalities

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Speaker 1: were more fleshed out a la Colbert, then maybe this

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Speaker 1: might be approaching something interesting. But as it as it is,

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Speaker 1: the incredibly thin premise is torture to listen to. So

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Speaker 1: we would say aunt rot this situation. Normally we go

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Speaker 1: ant wrong, you don't.

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Speaker 2: But it's good, get it that this is a little

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Speaker 2: more complicated than that.

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Speaker 1: It's coming from such a place of confusion and misunderstanding

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Speaker 1: that it's almost the ant is like an eh, it's

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Speaker 1: a question. It's a question. It's eh dot dot dot

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Speaker 1: dot dot question mark eh wrong, wrong. But here's and

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Speaker 1: here's why.

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Speaker 2: And I sympathize with this person because I see exactly

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Speaker 2: what happened. Exactly what happened, Hayes. Now we talk about

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Speaker 2: movies on the show.

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Speaker 1: And the person who's listening to the show is obviously.

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Speaker 2: They go in there Hollywood movies. They get that, they

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Speaker 2: have a very bare bones understanding of what movies is

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Speaker 2: and movies is. People's pretending to be other people. Yes,

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Speaker 2: I see Johnny Depp here. His soul and brain lives

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Speaker 2: in computer. Johnny Depp's over here, and he is a

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Speaker 2: pirate and he's just such a mean pirate.

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Speaker 1: Yes.

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Speaker 2: And here when watching Nick of Time, and he's got

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Speaker 2: sort of a clock on him to save his kid

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Speaker 2: or something. And it's always the same guy. But he's pretending,

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Speaker 2: isn't he.

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Speaker 1: Yes, And it seems like this person knows something about

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Speaker 1: movies and wants to learn more. It's familiar with the

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Speaker 1: idea of people pretending to be something else for movies. Yes,

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Speaker 1: And so they listen to this show and they think, well,

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Speaker 1: this must be movies too, And so this concept of

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Speaker 1: pretending to be characters and things like that is applied

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Speaker 1: to basically everything in this person's life.

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Speaker 2: Well, anything related to movies in any way. They go, Okay,

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Speaker 2: so the only thing I actually know, literally, the only thing, yes,

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Speaker 2: is movies. Is has pretending And so they think this

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Speaker 2: podcast these guys talk movies, Okay, they is pretending too

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Speaker 2: as well. And I don't think they totally get what

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Speaker 2: they're hearing.

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Speaker 1: The effort to listen to this podcast to try and

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Speaker 1: learn more is actually something I really admire. And that's

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Speaker 1: part of the reason that this isn't totally wrong because

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Speaker 1: they obviously want to listen to this to get better.

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Speaker 1: They know that there's something missing in their understanding and

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Speaker 1: they want to get better, but they're so stubborn.

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Speaker 2: And this is part of and this is part of

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Speaker 2: what is frustrating.

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Speaker 1: About society as a whole right now, where the instant,

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Speaker 1: the instant gratification.

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Speaker 2: Gratification and just that initial instinct to go, I'm confused.

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Speaker 2: I don't understand this, so I'm mad. No, you don't

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Speaker 2: have to be mad. You can't learn from a place

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Speaker 2: of madness. You can only learn from being open. And

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Speaker 2: so don't close off British Petroleum man. When as soon

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Speaker 2: as you hear something that is confusing to you, ask

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Speaker 2: your dad or a friend or ask a teacher that

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Speaker 2: you know what's really going on in the podcast because

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Speaker 2: you didn't fucking get it. But there might be somebody

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Speaker 2: in your life who's got half a fucking brain.

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Speaker 1: And I will say some words of encouragement for mister

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Speaker 1: British Patrol. You know it's not all bad. I'm looking

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Speaker 1: a little deeper into this profile. This is your first

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Speaker 1: iTunes review. As you write more, it's going to get

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Speaker 1: a lot easier. The first one is always you know,

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Speaker 1: you can really get out there and just eat shit.

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Speaker 1: I'm so glad.

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Speaker 2: I'm so glad that they that when I did my

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Speaker 2: first iTunes review as a teen, that the Internet wasn't

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Speaker 2: the way it is now where everything's just out there

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Speaker 2: for people, Because I don't think that I really crushed it.

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Speaker 1: I wasn't quite so confused.

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Speaker 2: I did know how movies is and I or the

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Speaker 2: difference between me was a very funny, cool writer, so

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Speaker 2: that helped. Like that kind of got me over the hump.

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Speaker 2: But I know that it's been leaps and bounds since then.

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Speaker 2: I'm so much better at leaving them. And I think,

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Speaker 2: mister British Petroleum, you will improve, you really will.

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Speaker 1: You have to. This is the worst thing I've ever seen,

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Speaker 1: so there's no way it gets worse. We have a

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Speaker 1: great guest today. Jason Nash is here. He's a he's

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Speaker 1: a comedian and now recently median come filmmaker. Yes, he's

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Speaker 1: a movie man and he made this movie. Jason Nash

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Speaker 1: is married, and we're so excited to dig into it

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Speaker 1: with him. When we come back on Hollywood hand Book.

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Speaker 1: I turned back and I go, no, no, recognize man,

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Speaker 1: you got the wrong guy. But me and I go,

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Speaker 1: I don't got the wrong guy. Your cisco and he

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Speaker 1: just left, took off his apron and my gosh. Yeah,

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Speaker 1: because once you take that on, that aprons off, it's over.

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Speaker 1: Don't let you come back and be well, it's unsanitary. Hey,

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Speaker 1: welcome to Hollywood Handbook and insiders gude to kicking button

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Speaker 1: dropping names in the red carpet lineback hallways of this industry.

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Speaker 1: We call showbiz. Very exciting guest today? What up? What up? Jason?

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Speaker 3: Ah here, I'm offended. I don't I'm a very PC person.

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Speaker 3: And junk in the trunk is it's disrespectful.

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Speaker 1: It is very dis Yeah, I don't like that at all.

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Speaker 1: Well that's why he we sort of sent him out

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Speaker 1: the business and out of town.

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Speaker 2: Yeah, to do a tasteful hit. When we gave him

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Speaker 2: that opportunity and said, write any song you want, we'll

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Speaker 2: make it number one. And he turns around and brings

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Speaker 2: in smut.

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Speaker 1: And we kept up our part of the deal.

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Speaker 2: Oh yeah, we put on the radio because we're not welchers.

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Speaker 2: But at the same time, you're not going to get another.

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Speaker 1: Crack at it.

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Speaker 3: I wrote a piece for The New Yorker about Cisco,

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Speaker 3: probably a twenty twenty four page, a long read, and

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Speaker 3: just about sexism and feminism. And I find when I

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Speaker 3: defend women, I get a lot more pussy.

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Speaker 1: Isn't that amazing? How that works? Crazy? Yeah, And it's

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Speaker 1: just a matter of do it.

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Speaker 2: I call it taking the local. You know, you can

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Speaker 2: take the Express and you can just aggressively ask for pussy,

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Speaker 2: or you can pretend you don't really want it and

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Speaker 2: that you have a lot of respect for it.

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Speaker 1: And the nice thing about the local not as many

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Speaker 1: people on it. So yeah, and you can read on

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Speaker 1: the way there.

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Speaker 2: You can read the New Yorker if you want, don't

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Speaker 2: fight it for people who yeah, joined the newspaper or

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Speaker 2: something for listeners who don't know.

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Speaker 3: And obviously I don't really believe that that women are

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Speaker 3: equal or anything like that.

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Speaker 1: But I don't know what. It's a good it's a

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Speaker 1: good brand. It's definitely a good these.

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Speaker 3: Days, it's working.

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Speaker 1: It really gets me.

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Speaker 2: It's really modern. Yeah, yeah, your phone's going on.

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Speaker 3: It's so it's been since the movie came out. It's

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Speaker 3: it's like everybody getting phone call everybody Mel Gibson.

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Speaker 2: Oh gosh, and what to do?

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Speaker 3: Yeah?

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Speaker 1: What does Mel say on those calls? Because I've heard

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Speaker 1: phone calls of his before.

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Speaker 3: He's really into improvisers down at UCB. Sure, really into

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Speaker 3: a lot of unknown ones, the ones that are really

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Speaker 3: good that no one knows about.

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Speaker 1: Yeah, about to pop?

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Speaker 3: Yeah yeah, yeah, because I don't know them. He'll be like,

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00:18:50,480 --> 00:18:54,119
Speaker 3: do you know Bradley Corman and be like no, And

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Speaker 3: he has an attitude about it.

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Speaker 1: Brad's doing some stuff.

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Speaker 3: Yeah, you haven't seen his his sketch group a fight night. Yeah, okay,

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Speaker 3: skimprov milk you haven't seen and I don't know. Don't

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Speaker 3: hold it over my head like that. Mel. So she

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Speaker 3: goes down there and improvises.

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Speaker 2: He's one of those dropping guys. Yeah, yeah, just hey,

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Speaker 2: can I get in? Can I play with you guys?

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Speaker 1: Tonight?

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Speaker 3: Is Sean Hayes coming? Are you the Are you the

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Speaker 3: side guys? He could because they Sean They said Sean

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00:19:31,040 --> 00:19:35,000
Speaker 3: l from Aero says Sean Hayes is Sean Hayes' podcast?

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Speaker 2: Oh yeah, right right, I see what's happening.

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Speaker 3: Yeah, are you like you're like side guys you're like

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Speaker 3: Muddy in the Motormouth or isn't that the show Professor

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00:19:43,000 --> 00:19:46,320
Speaker 3: and the Coyote, But yeah, Professor Sean Sean Hayes with

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Speaker 3: Professor and the Coyote.

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Speaker 1: And we sort of do, Yeah, a lot of his

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00:19:49,680 --> 00:19:53,280
Speaker 1: sound drops and stuff. And he could show up. He

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Speaker 1: might really anytime.

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Speaker 2: He actually might be here, but you know, until waiting

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00:19:58,040 --> 00:19:58,840
Speaker 2: until he gets here.

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Speaker 1: Let's talk about the new We love to talk about

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00:20:01,880 --> 00:20:06,840
Speaker 1: the movie. It's your first that you wrote and directed. Yeah,

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Speaker 1: and it's called Jason Nash's Marriage. Jason Nash is being married.

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Speaker 1: Can we just say so smart? Yeah, putting your name

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00:20:13,119 --> 00:20:15,040
Speaker 1: on the title. Were talking about it all the time. Yeah,

396
00:20:15,080 --> 00:20:17,520
Speaker 1: and that everything you do as an opportunity to market

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Speaker 1: your yourself and putting your full name in the title

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Speaker 1: of your movie.

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Speaker 3: Jason Nash is Jason Nash was the original title, and

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00:20:25,960 --> 00:20:29,120
Speaker 3: Comedy Central said that's great, and then I actually pulled

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Speaker 3: it back.

402
00:20:29,440 --> 00:20:33,120
Speaker 2: I was like, you know, what saves something for the sequel? Yeah,

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00:20:33,520 --> 00:20:36,520
Speaker 2: it is a thing I say because there's so many

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Speaker 2: talented but stupid writer directors out there. Because I see,

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Speaker 2: like a Quentin Tarantino movie and it'll be called what's

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Speaker 2: the name one of his movies. I can't even think

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Speaker 2: because they don't swears in the title. Okay, so it's

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Speaker 2: like whatever, the glorious swear word or whatever. Yes, and

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Speaker 2: so I'm like, well, why isn't it called the Glorious

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00:20:57,480 --> 00:21:01,440
Speaker 2: Quentin Tarantino, right? Or the Quarantino is swear word?

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Speaker 3: You know, because that to me, kill Bill Quentin Tarantino, Yes,

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Speaker 3: kill Billo.

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00:21:08,400 --> 00:21:11,879
Speaker 1: Great, Now we're getting somewhere because in the or Quentin

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Speaker 1: Tarantino kills Bill and beats him up.

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00:21:14,440 --> 00:21:18,840
Speaker 2: Yeah, yeah, kills Bill and then yeah and beats him up.

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Speaker 2: Now that to me, that's a movie name. And I

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00:21:22,800 --> 00:21:25,359
Speaker 2: know what I'm watching. I know who made it, because

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Speaker 2: otherwise I'm just like, who is these people? Is one

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Speaker 2: of these is the guy that made it?

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Speaker 1: Or I don't know? So this is what we wanted.

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Speaker 3: So many assholes in there the film. I'm glad I

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Speaker 3: neede it, but everyone I work.

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Speaker 1: With it's true. Ever to a man, every single person

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00:21:39,880 --> 00:21:43,160
Speaker 1: is almost almost and there's a lot of people in it.

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Speaker 1: Well let's I mean, I was going to say, look

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Speaker 1: at the cast in your movie. You want to talk about.

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00:21:48,160 --> 00:21:52,760
Speaker 3: It almost wasn't worth it. The headache of Andy Richter.

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00:21:52,800 --> 00:21:58,400
Speaker 1: Uh huh, Andy Daly, Paul F. Tompkins, TJ. Miller, Mary Lynn,

429
00:21:58,880 --> 00:22:02,320
Speaker 1: some of these guys we've had in this room before

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Speaker 1: Andy Richter did.

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Speaker 3: So he's like he comes to set and it's a

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Speaker 3: small set, Like we don't have a lot of money,

433
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Speaker 3: you know, we have like nothing, really had no wishop

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Speaker 3: for like ten thousands. First thing out of his mouth,

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00:22:13,240 --> 00:22:14,600
Speaker 3: guess what. The first thing out of his mouth is,

436
00:22:15,119 --> 00:22:16,240
Speaker 3: where is my cokeine?

437
00:22:17,160 --> 00:22:17,840
Speaker 1: Like cochine?

438
00:22:18,000 --> 00:22:19,040
Speaker 3: Yeah, like that.

439
00:22:21,080 --> 00:22:21,800
Speaker 2: We were like, what.

440
00:22:22,200 --> 00:22:23,160
Speaker 3: Do you mean we didn't.

441
00:22:23,440 --> 00:22:25,520
Speaker 2: We were like, can you not take coca cola?

442
00:22:25,920 --> 00:22:27,160
Speaker 3: And he wanted coke.

443
00:22:27,760 --> 00:22:29,600
Speaker 1: He wanted cocaine. He wanted cocaine.

444
00:22:29,640 --> 00:22:31,080
Speaker 3: He goes, no, no coke, no work.

445
00:22:32,080 --> 00:22:32,199
Speaker 4: No.

446
00:22:32,320 --> 00:22:33,480
Speaker 1: He talks like a little baby.

447
00:22:33,600 --> 00:22:37,120
Speaker 3: Coke, no work, yeah, he said. So then I had

448
00:22:37,160 --> 00:22:41,439
Speaker 3: to send my mother, who was a PA. She's seventy

449
00:22:41,480 --> 00:22:44,119
Speaker 3: two years old. I just sent her to the worst

450
00:22:44,119 --> 00:22:46,479
Speaker 3: part of all, you know, skid row where like homeless

451
00:22:46,480 --> 00:22:48,679
Speaker 3: people are. She had to go find him coke. And

452
00:22:49,000 --> 00:22:51,040
Speaker 3: we sat there. You know, time is money, and you guys.

453
00:22:51,200 --> 00:22:53,000
Speaker 1: Moving and he takes a long time to do it.

454
00:22:53,040 --> 00:22:56,000
Speaker 1: In my watching him, so it's about five hours. It's

455
00:22:56,040 --> 00:22:59,200
Speaker 1: a long process. Just watching him think of doing coke

456
00:22:59,359 --> 00:23:01,119
Speaker 1: is a pretty cool which drug should do.

457
00:23:01,240 --> 00:23:04,720
Speaker 2: But the ritual involved fordy Rick.

458
00:23:05,440 --> 00:23:07,560
Speaker 1: Take his shirt off. So you've seen it. You have

459
00:23:07,560 --> 00:23:12,840
Speaker 1: done you've seen him Lexis chops, you have to say.

460
00:23:12,960 --> 00:23:16,120
Speaker 2: Grace puts on a Bill Withers record and he puts

461
00:23:16,119 --> 00:23:18,240
Speaker 2: it down on a slow He's waiting for me.

462
00:23:18,520 --> 00:23:23,320
Speaker 3: A moment needs a certain CD. Yeah cover to do

463
00:23:23,400 --> 00:23:25,720
Speaker 3: it off of. I can't remember what it was. You

464
00:23:25,760 --> 00:23:29,359
Speaker 3: guys remember the scene for Cross. Yes, it's got to

465
00:23:29,400 --> 00:23:31,960
Speaker 3: be a Christopher Cross album and luckily I have all

466
00:23:32,040 --> 00:23:33,120
Speaker 3: of them.

467
00:23:33,160 --> 00:23:35,639
Speaker 1: So we were Chris Cross and there's a common thing

468
00:23:35,680 --> 00:23:37,200
Speaker 1: where you go get the wrong.

469
00:23:37,040 --> 00:23:39,399
Speaker 2: Yeah, you go get jumped and then it's like no

470
00:23:39,440 --> 00:23:43,920
Speaker 2: he needs Then you're yeah, it's a I mean, it's

471
00:23:43,920 --> 00:23:46,880
Speaker 2: an actual nightmare. He puts he takes his shirt off

472
00:23:46,920 --> 00:23:50,520
Speaker 2: and he wears it like a do rag. Yeah, and

473
00:23:50,560 --> 00:23:51,960
Speaker 2: then he then after he does.

474
00:23:51,800 --> 00:23:54,199
Speaker 3: The coke, we're like, let's go. Can we please just

475
00:23:54,240 --> 00:23:55,440
Speaker 3: shoot your two scenes?

476
00:23:55,560 --> 00:23:58,000
Speaker 2: Sure? Yeah, of course you think at that point.

477
00:23:57,840 --> 00:24:00,280
Speaker 3: He's like, no, no, I want to I want let's talk.

478
00:24:01,760 --> 00:24:03,119
Speaker 1: And what's he want to talk about?

479
00:24:04,160 --> 00:24:08,320
Speaker 3: He gets really touchy philly and then you know, the

480
00:24:08,359 --> 00:24:11,800
Speaker 3: asshole that walked in the door is suddenly really nice. Sure,

481
00:24:12,119 --> 00:24:14,840
Speaker 3: and so we're like kind of just beating children. You know,

482
00:24:14,840 --> 00:24:18,280
Speaker 3: we're just a ragtag indie film, you know, just doing

483
00:24:18,280 --> 00:24:20,520
Speaker 3: it for the love, doing it for the passion. Never

484
00:24:20,600 --> 00:24:23,119
Speaker 3: expected it to be anything. Was going to give all

485
00:24:23,160 --> 00:24:28,919
Speaker 3: the proceeds to Haiti, and you know it's very up

486
00:24:28,960 --> 00:24:29,320
Speaker 3: and down.

487
00:24:29,440 --> 00:24:33,520
Speaker 1: So yeah, it's really it is tough.

488
00:24:34,119 --> 00:24:37,200
Speaker 2: And when Andy says let's talk, he really means let's

489
00:24:37,200 --> 00:24:40,640
Speaker 2: have a massage, you know, like he gets because I wasn't.

490
00:24:41,200 --> 00:24:43,359
Speaker 1: I wasn't. He gets in there and he's sort of

491
00:24:43,400 --> 00:24:45,920
Speaker 1: talking and he's like, oh my shoulder's been killing me late.

492
00:24:46,400 --> 00:24:47,960
Speaker 1: He's like, can you get in there real quick?

493
00:24:48,440 --> 00:24:50,400
Speaker 2: And it's he's angling for a massage.

494
00:24:50,520 --> 00:24:53,040
Speaker 1: And if you do talk, he's you don't. I don't

495
00:24:53,040 --> 00:24:53,399
Speaker 1: want you to.

496
00:24:53,560 --> 00:24:57,160
Speaker 3: Actually, no, that's all you get tons of fucking on set.

497
00:24:57,520 --> 00:24:59,159
Speaker 1: Yeah, that's the crazy thing.

498
00:24:59,200 --> 00:25:00,800
Speaker 2: Okay, this is what I thought.

499
00:25:00,600 --> 00:25:04,160
Speaker 1: Because like you've got Paul Talkin's at TJ.

500
00:25:04,240 --> 00:25:06,360
Speaker 3: Miller the same movie.

501
00:25:06,760 --> 00:25:09,840
Speaker 2: Well, I'm going, well, at what point would you get

502
00:25:09,840 --> 00:25:11,800
Speaker 2: them to keep their pants on long enough to shoot

503
00:25:11,800 --> 00:25:12,120
Speaker 2: this thing?

504
00:25:12,200 --> 00:25:16,439
Speaker 1: Right? And I know they have had a thing historically,

505
00:25:16,680 --> 00:25:18,120
Speaker 1: I'm not I'm not going to touch that.

506
00:25:18,400 --> 00:25:20,760
Speaker 3: I'm not touching that, and that is so up.

507
00:25:22,480 --> 00:25:23,240
Speaker 1: You get sued.

508
00:25:24,480 --> 00:25:24,800
Speaker 3: I'm not.

509
00:25:24,960 --> 00:25:25,399
Speaker 5: I didn't.

510
00:25:25,480 --> 00:25:29,240
Speaker 3: Paul TJ. I didn't say that. I didn't.

511
00:25:29,440 --> 00:25:31,000
Speaker 2: No, No, nobody said anything.

512
00:25:31,280 --> 00:25:32,960
Speaker 1: Anybody with their lives.

513
00:25:32,600 --> 00:25:35,240
Speaker 2: Open has seen there's something going on there.

514
00:25:35,600 --> 00:25:38,760
Speaker 3: Well, these guys they don't, they don't, they don't see sex.

515
00:25:39,000 --> 00:25:41,960
Speaker 3: They're like male woman twins.

516
00:25:42,200 --> 00:25:46,439
Speaker 2: When you are a PFT and you have been able

517
00:25:46,520 --> 00:25:50,960
Speaker 2: to basically fuck anything that moves from the age of

518
00:25:51,480 --> 00:25:54,399
Speaker 2: I think six or seven years old, and it's just

519
00:25:54,640 --> 00:25:57,560
Speaker 2: it's always been an option. I think that the idea

520
00:25:57,600 --> 00:26:00,400
Speaker 2: of just traditionally finding a beautiful woman to make love

521
00:26:00,440 --> 00:26:04,159
Speaker 2: to becomes really boring, you know, and so then it's like, well,

522
00:26:04,200 --> 00:26:07,640
Speaker 2: what's a challenge A t J Miller? You know, somebody

523
00:26:08,160 --> 00:26:10,600
Speaker 2: or anyone, but you know, a TJ. Miller is somebody

524
00:26:10,640 --> 00:26:12,439
Speaker 2: who kind of keeps you at arms length.

525
00:26:12,560 --> 00:26:16,760
Speaker 3: The pussy posse that I don't know who else is

526
00:26:16,800 --> 00:26:18,400
Speaker 3: in it, but I know it's a it's a bunch

527
00:26:18,400 --> 00:26:20,520
Speaker 3: of guys. Yeah, they're the two main ones.

528
00:26:20,800 --> 00:26:23,040
Speaker 2: Yeah, it's TJ, p F.

529
00:26:23,000 --> 00:26:24,720
Speaker 1: T D, C.

530
00:26:26,800 --> 00:26:26,840
Speaker 6: H.

531
00:26:27,119 --> 00:26:39,840
Speaker 1: We've had most of them on almost tree. What of Adrian? Sure, yeah,

532
00:26:39,880 --> 00:26:42,760
Speaker 1: although I think he's faking it, well, yeah.

533
00:26:42,600 --> 00:26:45,680
Speaker 3: I don't know. I think so too, actually sometimes because.

534
00:26:45,520 --> 00:26:47,199
Speaker 1: I think he's faking his erections.

535
00:26:47,520 --> 00:26:49,400
Speaker 3: He's trying to get water to other countries. So let's

536
00:26:49,440 --> 00:26:50,240
Speaker 3: leave him alone.

537
00:26:51,280 --> 00:26:53,080
Speaker 2: Leave the man alone. He just wants to find his

538
00:26:53,160 --> 00:26:54,400
Speaker 2: daddy in a documentary.

539
00:26:54,480 --> 00:26:57,920
Speaker 1: Okay, what was it like? Uh? You hear about working

540
00:26:57,920 --> 00:27:02,440
Speaker 1: with Rob Cordery. He doesn't, people don't. He doesn't think

541
00:27:02,440 --> 00:27:05,639
Speaker 1: people know he's bald because his wig fell off a

542
00:27:05,640 --> 00:27:06,320
Speaker 1: long time ago.

543
00:27:06,440 --> 00:27:08,880
Speaker 3: He came to this set with a wig you're supposed

544
00:27:08,880 --> 00:27:11,160
Speaker 3: to Yeah, well that was what his managers said. Don't

545
00:27:11,160 --> 00:27:13,000
Speaker 3: say anything about the wig. It's not a good wig.

546
00:27:13,040 --> 00:27:16,960
Speaker 3: We lost the other one when he was doing that

547
00:27:16,960 --> 00:27:20,000
Speaker 3: that rock Mark Wahlberg movie. They lost it his fault.

548
00:27:20,080 --> 00:27:24,040
Speaker 3: So what's It's basically a dish towel, and you know

549
00:27:24,520 --> 00:27:28,280
Speaker 3: you can't not but have your eyes go to the

550
00:27:28,320 --> 00:27:29,080
Speaker 3: top of his head.

551
00:27:29,200 --> 00:27:30,760
Speaker 1: Yeah, sure, he's just brushing it.

552
00:27:30,840 --> 00:27:32,760
Speaker 2: Well, then you have to edit around him sort of

553
00:27:32,800 --> 00:27:35,800
Speaker 2: pretending to like push his hair out of his eyes,

554
00:27:35,840 --> 00:27:38,840
Speaker 2: which is a baffling thing to watch. There's no actual

555
00:27:38,880 --> 00:27:42,359
Speaker 2: hair there, yes, but physically it's very strange how he

556
00:27:42,440 --> 00:27:45,240
Speaker 2: keeps sort of stroking it behind his ears and.

557
00:27:45,160 --> 00:27:46,840
Speaker 1: He twirls it when he's thin.

558
00:27:47,440 --> 00:27:48,479
Speaker 3: And he's trolling nothing.

559
00:27:49,119 --> 00:27:51,800
Speaker 2: Yeah, well it looks like he's calling himself crazy.

560
00:27:51,960 --> 00:27:52,159
Speaker 3: You know.

561
00:27:52,200 --> 00:27:54,480
Speaker 2: He's sort of making a circle with the finger.

562
00:27:54,640 --> 00:27:56,879
Speaker 1: Which is funny. It's funny to watch him do that.

563
00:27:56,880 --> 00:27:58,440
Speaker 1: That's funny, but it's not appropriate for the scene.

564
00:27:59,080 --> 00:28:02,919
Speaker 3: Yeah, those guy, those guys are real cut up. Not

565
00:28:03,000 --> 00:28:08,119
Speaker 3: a preparation all the different. Rob does a lot of preparation.

566
00:28:08,600 --> 00:28:11,120
Speaker 1: Yeah, a lot of very long mirror exercises.

567
00:28:11,200 --> 00:28:14,880
Speaker 3: Sat in my kids treehouse for a while, which I respect.

568
00:28:15,600 --> 00:28:17,919
Speaker 1: Yeah, really actually just getting back to nature.

569
00:28:18,040 --> 00:28:23,240
Speaker 3: Like yeah, Jordan Rubin, he had like one line and

570
00:28:24,840 --> 00:28:29,080
Speaker 3: yeah again forever weeks of rehearsals past the Pretzels.

571
00:28:29,119 --> 00:28:33,719
Speaker 1: That was it, uh huh, Which, by the way, that moment,

572
00:28:33,960 --> 00:28:36,360
Speaker 1: I mean, it is one line, but it's sort of

573
00:28:36,400 --> 00:28:40,120
Speaker 1: the emotional climax the movie. I don't want to give anything,

574
00:28:41,480 --> 00:28:43,920
Speaker 1: but everything is sort of yielding up to That's.

575
00:28:43,720 --> 00:28:46,520
Speaker 3: Right, that's right, got that, Yeah, yeah for sure. And

576
00:28:46,560 --> 00:28:50,520
Speaker 3: my wife she's she doesn't want me to beating Prezels

577
00:28:50,520 --> 00:28:52,680
Speaker 3: because of the assault, and I want to live my

578
00:28:52,720 --> 00:28:55,640
Speaker 3: life my way. And that's really what the film was about.

579
00:28:57,320 --> 00:28:58,920
Speaker 1: How did you How did she feel about How did

580
00:28:58,920 --> 00:29:01,360
Speaker 1: your wife feel about you being married to Busy Phillips

581
00:29:01,360 --> 00:29:02,560
Speaker 1: for seven years for this movie?

582
00:29:03,840 --> 00:29:06,600
Speaker 3: Well, she didn't like it because we you know, we

583
00:29:06,600 --> 00:29:09,440
Speaker 3: couldn't keep our hands off each other, you know, so

584
00:29:09,520 --> 00:29:10,160
Speaker 3: that was hard.

585
00:29:10,800 --> 00:29:13,240
Speaker 1: That's why they call her busy busy hands.

586
00:29:13,360 --> 00:29:15,360
Speaker 3: Yeah, that's right, Yeah, she gets busy.

587
00:29:16,000 --> 00:29:18,560
Speaker 1: Yeah, and I was pronouncing it buzzy for years.

588
00:29:19,160 --> 00:29:22,600
Speaker 3: You were Yeah, did you go to school?

589
00:29:23,960 --> 00:29:25,080
Speaker 1: Not traditional school?

590
00:29:25,160 --> 00:29:31,840
Speaker 2: No, he's homeschool, not traditional homeschool no.

591
00:29:30,760 --> 00:29:34,760
Speaker 3: No, yeah, and so what like were you were you

592
00:29:35,120 --> 00:29:35,880
Speaker 3: raised in the woods?

593
00:29:36,200 --> 00:29:37,160
Speaker 1: Life is my school?

594
00:29:37,400 --> 00:29:40,840
Speaker 2: Well, I'm a farm orphan, but I guess like the

595
00:29:40,880 --> 00:29:43,640
Speaker 2: streets and street artists and things.

596
00:29:45,400 --> 00:29:46,480
Speaker 3: Did you do any hoboing?

597
00:29:46,720 --> 00:29:53,720
Speaker 1: Hoboing rail riding, rail riding not traditional rail riding. No, yeah,

598
00:29:53,760 --> 00:29:56,720
Speaker 1: but you know, you've been on a few trains I've

599
00:29:56,720 --> 00:29:57,200
Speaker 1: been known to.

600
00:29:57,640 --> 00:29:59,200
Speaker 3: Yes, you've been a part of a train.

601
00:30:00,520 --> 00:30:03,920
Speaker 2: I've held two pieces of a train together. Sure it

602
00:30:04,000 --> 00:30:07,360
Speaker 2: was coming apart, the latch would come undone, and one

603
00:30:07,360 --> 00:30:09,280
Speaker 2: piece of the train was gonna go flying. Oh my

604
00:30:09,480 --> 00:30:11,880
Speaker 2: side of the cliff, and I held both sides together

605
00:30:11,960 --> 00:30:13,760
Speaker 2: with my stretched out in between the trains. I don't

606
00:30:13,800 --> 00:30:15,640
Speaker 2: like to I don't like to talk about that part

607
00:30:15,680 --> 00:30:17,520
Speaker 2: of it. I really don't like to talk about it.

608
00:30:17,880 --> 00:30:19,600
Speaker 2: I truly hate talking about it.

609
00:30:19,680 --> 00:30:21,160
Speaker 3: One of the things we did to get press for

610
00:30:21,240 --> 00:30:23,560
Speaker 3: the movie it reminds me of the train story, is

611
00:30:23,600 --> 00:30:27,280
Speaker 3: we set up a couple of hero moments for some

612
00:30:27,320 --> 00:30:29,680
Speaker 3: of the actors to be to be a part of.

613
00:30:29,800 --> 00:30:31,040
Speaker 1: So the Tom Cruise.

614
00:30:31,080 --> 00:30:34,040
Speaker 3: Yes, yeah, so like one of my kids friends, I

615
00:30:34,160 --> 00:30:37,520
Speaker 3: had him go out in the middle of the street,

616
00:30:37,680 --> 00:30:39,440
Speaker 3: you know, and his bike went down the hill, and

617
00:30:39,480 --> 00:30:43,480
Speaker 3: then we set it all up and the car came

618
00:30:44,000 --> 00:30:46,320
Speaker 3: and then read the last minute, I have Paul Shirt

619
00:30:46,400 --> 00:30:49,880
Speaker 3: run in, grab him, save the kid, and it's all

620
00:30:49,880 --> 00:30:51,720
Speaker 3: over the papers. It's great.

621
00:30:51,960 --> 00:30:56,000
Speaker 1: Yeah, and then you know he worked. You know, I'm

622
00:30:56,040 --> 00:30:58,280
Speaker 1: just a guy. The real hero is Jason Nash because

623
00:30:58,280 --> 00:30:59,720
Speaker 1: he made this great movie.

624
00:31:00,080 --> 00:31:02,520
Speaker 3: You know, Paul, he's so humble. Yes, he's such a

625
00:31:02,560 --> 00:31:06,600
Speaker 3: good guy in that having him say that to the

626
00:31:06,640 --> 00:31:09,520
Speaker 3: press that it's really not a big deal. Yeah it worked.

627
00:31:09,800 --> 00:31:12,840
Speaker 1: It's sad, like you know, I heard about how you

628
00:31:12,920 --> 00:31:17,600
Speaker 1: know he's doesn't have much time left and yeah, it's

629
00:31:17,640 --> 00:31:20,400
Speaker 1: a I don't know, you know how public that is,

630
00:31:20,480 --> 00:31:24,560
Speaker 1: but know that. I mean, yeah, well you can see

631
00:31:24,640 --> 00:31:26,320
Speaker 1: you can just look, you can see it.

632
00:31:26,440 --> 00:31:29,160
Speaker 3: Yeah, he's got got carpal tunnel mm hmm.

633
00:31:29,280 --> 00:31:32,320
Speaker 1: And it's spread and the bad kind. It's spreading really

634
00:31:32,400 --> 00:31:36,560
Speaker 1: because there's the good couple tunnel that's very that's treatable,

635
00:31:37,120 --> 00:31:38,880
Speaker 1: and then there's the kind of couple tunnel he has,

636
00:31:38,920 --> 00:31:40,920
Speaker 1: which is like you.

637
00:31:40,840 --> 00:31:44,400
Speaker 3: Can see it in the film. He's like, oh yeah,

638
00:31:44,600 --> 00:31:45,400
Speaker 3: like a wolf man.

639
00:31:48,720 --> 00:31:49,040
Speaker 2: The time.

640
00:31:49,200 --> 00:31:51,240
Speaker 3: And I kept saying to him, I said, you gotta

641
00:31:51,400 --> 00:31:53,680
Speaker 3: you gotta get that under control, because it looks like

642
00:31:53,720 --> 00:31:54,760
Speaker 3: you're you're the wolf man.

643
00:31:56,280 --> 00:31:59,120
Speaker 1: Well, and you had to write in the wolf Man.

644
00:31:59,320 --> 00:31:59,480
Speaker 4: Yeah.

645
00:31:59,600 --> 00:32:01,560
Speaker 2: Still, I mean you're trying to shoot him with a

646
00:32:01,600 --> 00:32:04,160
Speaker 2: silver bullet or whatever, which I know initially was not

647
00:32:04,840 --> 00:32:07,640
Speaker 2: part of the film and it didn't make a ton

648
00:32:07,720 --> 00:32:08,600
Speaker 2: of sense for the story.

649
00:32:09,800 --> 00:32:12,040
Speaker 3: But you know, you wanted Pall in the film, and

650
00:32:12,080 --> 00:32:13,720
Speaker 3: that's why it took so long to save the kid.

651
00:32:14,240 --> 00:32:17,640
Speaker 2: Yeah, And I'm actually I'm happy to hear that that

652
00:32:17,880 --> 00:32:20,000
Speaker 2: sort of was a workaround just to get Palling it,

653
00:32:20,040 --> 00:32:22,280
Speaker 2: because I did get really scared during that part of

654
00:32:22,320 --> 00:32:24,719
Speaker 2: the movie, and I didn't know why you were doing that.

655
00:32:24,760 --> 00:32:28,160
Speaker 3: To me, Oh, well, yeah, it was an experiment. The

656
00:32:28,200 --> 00:32:29,440
Speaker 3: whole thing was an experiment.

657
00:32:30,880 --> 00:32:33,520
Speaker 1: It was mad scientists, aren't we filmed? Yes?

658
00:32:33,880 --> 00:32:35,080
Speaker 3: What films have you guys made?

659
00:32:35,760 --> 00:32:36,000
Speaker 1: Goo?

660
00:32:36,520 --> 00:32:39,640
Speaker 2: Goof which one's happening we made? That's that's the easier question.

661
00:32:40,080 --> 00:32:42,000
Speaker 3: I didn't get a chance to IMDb you guys because

662
00:32:42,040 --> 00:32:45,880
Speaker 3: I made I made one. So far how you guys made.

663
00:32:45,760 --> 00:32:48,480
Speaker 1: You're gonna love it. You're gonna loves the experience of

664
00:32:48,520 --> 00:32:52,200
Speaker 1: making one. H you know. I actually wish I could remember,

665
00:32:52,280 --> 00:32:54,240
Speaker 1: you know, just like having made that one, that first

666
00:32:54,320 --> 00:32:56,280
Speaker 1: one where it was like where it seems like that

667
00:32:56,360 --> 00:32:59,240
Speaker 1: movie is like so special. Yes, you know, it's like

668
00:32:59,320 --> 00:33:02,560
Speaker 1: he really did something like making one movie. Yes, and

669
00:33:02,600 --> 00:33:04,480
Speaker 1: then once you get once you do all the other ones,

670
00:33:04,520 --> 00:33:06,640
Speaker 1: you think like, oh, that was so you know. I

671
00:33:06,680 --> 00:33:08,200
Speaker 1: was like a little boy back then.

672
00:33:08,320 --> 00:33:10,280
Speaker 3: What happened with the web series? You guys tried to

673
00:33:10,320 --> 00:33:13,360
Speaker 3: do it. I had heard that you'd shot it all

674
00:33:14,080 --> 00:33:14,680
Speaker 3: and then.

675
00:33:15,000 --> 00:33:20,719
Speaker 1: The Internet wouldn't accept it. It was at a place where, yeah,

676
00:33:20,760 --> 00:33:23,520
Speaker 1: like I think a few years down the down the.

677
00:33:23,400 --> 00:33:26,800
Speaker 2: Line, like Bill Gates, he wasn't happy. We shopped at

678
00:33:26,720 --> 00:33:29,120
Speaker 2: a portrayed If that's what you're asking you know.

679
00:33:29,840 --> 00:33:31,400
Speaker 1: We shopped it around a different person.

680
00:33:31,520 --> 00:33:34,880
Speaker 3: You guys, you guys as you ran a food truck.

681
00:33:34,960 --> 00:33:35,640
Speaker 3: Is that what it was?

682
00:33:37,040 --> 00:33:39,520
Speaker 1: That was part of it? Yeah, you were running out

683
00:33:39,520 --> 00:33:42,440
Speaker 1: of the version of the movie Chef. If you saw

684
00:33:42,440 --> 00:33:45,440
Speaker 1: a chef that I saw a chef, Yes, yes, very much.

685
00:33:45,520 --> 00:33:48,080
Speaker 1: It was a lot like that. And now you watch it,

686
00:33:48,080 --> 00:33:50,320
Speaker 1: it's like, oh, where they get that? Yeah? Where you

687
00:33:50,360 --> 00:33:52,800
Speaker 1: get that up? Like, I wonder where that's where it

688
00:33:52,840 --> 00:33:53,280
Speaker 1: came from.

689
00:33:53,640 --> 00:33:58,560
Speaker 2: And I actually thought that the sort of cooking was

690
00:33:58,600 --> 00:34:00,800
Speaker 2: almost a metaphor for filmmaking.

691
00:34:01,480 --> 00:34:04,680
Speaker 1: Oh, can you speak on that? Jason, speak on that? Please.

692
00:34:04,760 --> 00:34:07,960
Speaker 3: I love to eat and I just love it food.

693
00:34:08,080 --> 00:34:10,560
Speaker 3: I'm a foodie. Yeah. If you put food in front

694
00:34:10,600 --> 00:34:14,240
Speaker 3: of me, I say yeah. And there's not many foods

695
00:34:14,239 --> 00:34:14,719
Speaker 3: I don't like.

696
00:34:15,600 --> 00:34:17,799
Speaker 1: And that's what movies is for you. Yeah, and that's

697
00:34:17,840 --> 00:34:18,400
Speaker 1: what movies is.

698
00:34:18,520 --> 00:34:22,160
Speaker 3: I'm just talking about food. But uh, I don't like

699
00:34:22,280 --> 00:34:22,799
Speaker 3: movies too.

700
00:34:23,000 --> 00:34:27,280
Speaker 1: What about the recipe of the movie Jason Nash is married?

701
00:34:27,680 --> 00:34:31,880
Speaker 1: Is like if they say, you know, everyone says like

702
00:34:31,920 --> 00:34:34,440
Speaker 1: dinner in a movie, but really is it like dinner

703
00:34:34,600 --> 00:34:38,000
Speaker 1: is a movie where beasts?

704
00:34:38,120 --> 00:34:38,440
Speaker 3: Yes?

705
00:34:38,840 --> 00:34:42,600
Speaker 1: Where say like you you have all these different ingredients

706
00:34:42,640 --> 00:34:44,720
Speaker 1: for Jason Nash is married, and you're putting them together

707
00:34:44,800 --> 00:34:45,800
Speaker 1: in a certain combination.

708
00:34:46,000 --> 00:34:49,439
Speaker 2: So what I like to think that a movie is

709
00:34:49,560 --> 00:34:53,400
Speaker 2: like a chicken pot pie. And so for Jason Nashes married,

710
00:34:53,560 --> 00:34:56,399
Speaker 2: you did something very interesting where Jason Nash is kind

711
00:34:56,400 --> 00:35:00,080
Speaker 2: of the crust and the chicken and the peas and

712
00:35:00,120 --> 00:35:02,520
Speaker 2: some of the sauce, you know, and then maybe Patton

713
00:35:02,520 --> 00:35:03,680
Speaker 2: Oswald it's like a carrot.

714
00:35:04,520 --> 00:35:08,960
Speaker 3: Yeah, yeah, yeah, most of the pie is me, yes,

715
00:35:09,680 --> 00:35:14,040
Speaker 3: you know, don't right, I mean saying patten is a carrot?

716
00:35:14,160 --> 00:35:18,160
Speaker 3: Is is generou a small chopped carrot that's in a square?

717
00:35:18,320 --> 00:35:19,840
Speaker 1: Yes, not one of the main carrots.

718
00:35:19,960 --> 00:35:24,719
Speaker 3: Yeah, maybe maybe a a piece of carrot that wasn't

719
00:35:24,760 --> 00:35:26,840
Speaker 3: meant to be in there and fell.

720
00:35:26,600 --> 00:35:27,640
Speaker 2: In the.

721
00:35:30,200 --> 00:35:34,640
Speaker 3: Meat, the chicken, the sauce, the crust, the tin that

722
00:35:34,680 --> 00:35:39,520
Speaker 3: the chicken pot pie is in is me. And I'm

723
00:35:39,560 --> 00:35:41,640
Speaker 3: not willing to give any of the other credit up.

724
00:35:41,960 --> 00:35:44,080
Speaker 1: Well Nix words and I guess would be himself then

725
00:35:44,760 --> 00:35:49,759
Speaker 1: just looking at it and saying yummy, just like he's

726
00:35:49,800 --> 00:35:52,719
Speaker 1: not in the pie from outside the window and he's

727
00:35:52,719 --> 00:35:55,799
Speaker 1: smelling the you know, tapping on the glass that does

728
00:35:55,840 --> 00:35:59,320
Speaker 1: where he's floating along on the scent of the chicken

729
00:35:59,320 --> 00:35:59,799
Speaker 1: pot pie.

730
00:36:00,600 --> 00:36:03,040
Speaker 2: Yes, he starts sniffing, and then his head is sort

731
00:36:03,080 --> 00:36:05,799
Speaker 2: of his body levitates up, and then his nose sort

732
00:36:05,800 --> 00:36:07,760
Speaker 2: of is leading him down the.

733
00:36:07,200 --> 00:36:12,400
Speaker 1: And the and then I go and shut the window

734
00:36:12,480 --> 00:36:14,440
Speaker 1: on his mind on the snaws.

735
00:36:14,760 --> 00:36:16,480
Speaker 3: The other thing that's cool about making a movie. And

736
00:36:16,520 --> 00:36:18,359
Speaker 3: I know you guys have made movies, and I don't

737
00:36:18,400 --> 00:36:21,160
Speaker 3: know if you've done this, but like what's awesome is

738
00:36:21,440 --> 00:36:23,440
Speaker 3: you just like, if there's a girl that you want

739
00:36:23,480 --> 00:36:26,479
Speaker 3: to make out with, if you put it on the page, yeah,

740
00:36:26,680 --> 00:36:30,520
Speaker 3: it's done. You know you guys do that in your vines.

741
00:36:32,000 --> 00:36:34,120
Speaker 1: Well, we'd like to spend a little more time. You know,

742
00:36:35,239 --> 00:36:37,919
Speaker 1: it doesn't take just six seconds to just like get

743
00:36:37,960 --> 00:36:40,239
Speaker 1: to the point of making out with the right in.

744
00:36:40,160 --> 00:36:42,560
Speaker 3: My way, I like to do it six seconds, is

745
00:36:42,600 --> 00:36:43,600
Speaker 3: what you're saying, Bud.

746
00:36:45,520 --> 00:36:45,759
Speaker 1: Time.

747
00:36:45,880 --> 00:36:47,640
Speaker 2: You know, I get that need a little time just

748
00:36:47,680 --> 00:36:51,239
Speaker 2: to kind of it takes a very very long time

749
00:36:51,440 --> 00:36:53,520
Speaker 2: to ejaculate for either one of us.

750
00:36:53,640 --> 00:36:57,719
Speaker 1: Well, yes, pretty involved. And when you're in doubt, Yes,

751
00:36:57,800 --> 00:37:01,439
Speaker 1: when you're endowed a certain way, it's lucky. People say,

752
00:37:01,480 --> 00:37:02,480
Speaker 1: you know, you're lucky.

753
00:37:02,320 --> 00:37:06,440
Speaker 2: To have Yeah, people describe it you're blessed.

754
00:37:06,480 --> 00:37:10,320
Speaker 1: They say, oh, you're blessed with the certain physical structure

755
00:37:10,360 --> 00:37:15,919
Speaker 1: equipment that you have. But along with that, it's it's

756
00:37:15,960 --> 00:37:20,240
Speaker 1: like how when you're in space, time is relative space,

757
00:37:20,800 --> 00:37:24,160
Speaker 1: it's certain, so you neil then you'll get this. So

758
00:37:24,400 --> 00:37:27,920
Speaker 1: things take longer in space because the scale is so

759
00:37:28,040 --> 00:37:28,600
Speaker 1: much bigger.

760
00:37:28,640 --> 00:37:31,120
Speaker 3: I never came in space though, see, well that you don't.

761
00:37:31,400 --> 00:37:32,520
Speaker 3: I guess I haven't been to space.

762
00:37:34,200 --> 00:37:37,520
Speaker 1: What I say, you haven't been? Yes, yes, it takes

763
00:37:37,560 --> 00:37:38,839
Speaker 1: even longer. Yeah it does.

764
00:37:40,239 --> 00:37:43,080
Speaker 3: That would be a good title for a movie. I

765
00:37:43,120 --> 00:37:43,840
Speaker 3: came in space.

766
00:37:43,960 --> 00:37:46,399
Speaker 1: I came in space. Jason came in space. Jason Nash

767
00:37:46,440 --> 00:37:49,920
Speaker 1: came in space. That's works. And if you ever considered

768
00:37:50,360 --> 00:37:53,960
Speaker 1: now that this movie is out licensing your name to

769
00:37:54,080 --> 00:37:58,920
Speaker 1: other movie titles, which is a mutually benefitical the little

770
00:37:58,920 --> 00:37:59,600
Speaker 1: side business.

771
00:37:59,680 --> 00:38:05,479
Speaker 3: Yes, because Jason Nash formers. Sure Geene Simmons does with kiss,

772
00:38:05,480 --> 00:38:09,239
Speaker 3: He's gonna just cast kiss, now, that's right. Yeah, I

773
00:38:09,320 --> 00:38:13,560
Speaker 3: just cast me mm hmmm. But then but then be

774
00:38:13,600 --> 00:38:18,080
Speaker 3: standing in the background Mike kind of with my my

775
00:38:18,160 --> 00:38:20,320
Speaker 3: hand under my chin like some guys.

776
00:38:21,640 --> 00:38:23,280
Speaker 1: I'm not on stage with kiss.

777
00:38:27,560 --> 00:38:31,000
Speaker 3: Yeah. Yeah, you're just like Jason Nash's Kiss.

778
00:38:30,920 --> 00:38:33,040
Speaker 1: You're just a little bit in the background.

779
00:38:33,360 --> 00:38:35,239
Speaker 3: Yeah, And I could just walk on stage, give a

780
00:38:35,280 --> 00:38:37,160
Speaker 3: wave and one goes berserk.

781
00:38:38,200 --> 00:38:40,200
Speaker 2: That might be what Kiss has been needing to push

782
00:38:40,280 --> 00:38:41,359
Speaker 2: them over the edge, you know.

783
00:38:41,480 --> 00:38:44,480
Speaker 3: And go back to the Grey Goose Bar, which is

784
00:38:44,520 --> 00:38:46,080
Speaker 3: sponsored by Greg Goose.

785
00:38:46,400 --> 00:38:50,560
Speaker 2: Because Kiss has this very cool indie thing going, but

786
00:38:50,680 --> 00:38:53,520
Speaker 2: they haven't ever fully hit the mainstream. And it might

787
00:38:53,600 --> 00:38:57,799
Speaker 2: be Jason Nash sort of leaning on his chin at

788
00:38:57,840 --> 00:38:59,920
Speaker 2: the back of the stage. Maybe there's a stool near

789
00:39:00,120 --> 00:39:03,719
Speaker 2: bye that could really be the final piece of the

790
00:39:03,719 --> 00:39:04,760
Speaker 2: puzzle for that group.

791
00:39:04,920 --> 00:39:06,720
Speaker 3: I saw Grizzly Bear and Kiss together.

792
00:39:07,320 --> 00:39:09,440
Speaker 1: Oh were they doing a show together? It is awesome.

793
00:39:10,280 --> 00:39:10,920
Speaker 3: It's awesome.

794
00:39:10,960 --> 00:39:12,439
Speaker 1: That's a good ticket Kiss.

795
00:39:12,440 --> 00:39:16,760
Speaker 3: When I'm first I was gonna say something like that, Yeah,

796
00:39:17,520 --> 00:39:19,280
Speaker 3: how did you choose you're making this movie?

797
00:39:20,080 --> 00:39:23,319
Speaker 1: People are coming? You know? Does Paramount come to you

798
00:39:23,719 --> 00:39:26,600
Speaker 1: and twentyeth and stuff like that, Like, how do you

799
00:39:26,719 --> 00:39:30,240
Speaker 1: choose between all your different your suit hours?

800
00:39:30,560 --> 00:39:33,799
Speaker 3: Well, they none of them wanted to do it.

801
00:39:33,920 --> 00:39:36,320
Speaker 1: I mean no, Well then how is it a movie?

802
00:39:36,480 --> 00:39:39,160
Speaker 3: Yeah? Well we just did it. I just did it independently,

803
00:39:39,200 --> 00:39:41,319
Speaker 3: Like I just got some money together and shot it.

804
00:39:42,160 --> 00:39:48,160
Speaker 1: Oh okay, so what's but then what's the what's the front?

805
00:39:48,800 --> 00:39:51,200
Speaker 1: You know how they you need to show something at

806
00:39:51,200 --> 00:39:56,200
Speaker 1: the very big Yes, yes, but it's yes right, but

807
00:39:56,320 --> 00:40:00,200
Speaker 1: what part is just my production company? That's it all

808
00:40:00,200 --> 00:40:03,280
Speaker 1: it says? And is that called Paramount or Warner Brothers.

809
00:40:03,760 --> 00:40:05,920
Speaker 3: They didn't Paramount had nothing to do with the movie,

810
00:40:06,000 --> 00:40:10,359
Speaker 3: guys and Warner Brothers, like there can be movie? How

811
00:40:10,360 --> 00:40:14,960
Speaker 3: do I explain this? It's like I understand that you

812
00:40:15,040 --> 00:40:17,480
Speaker 3: guys are used you grew up with movies and you're

813
00:40:17,520 --> 00:40:21,040
Speaker 3: used to seeing the title card. Yes, that says dream Works.

814
00:40:21,120 --> 00:40:24,520
Speaker 2: It's a lion, or it's a mountain or the mountain

815
00:40:24,719 --> 00:40:27,279
Speaker 2: or a woman so sexy, woman.

816
00:40:28,560 --> 00:40:31,680
Speaker 1: Of liberty. They like a flowing road. It just gets

817
00:40:31,719 --> 00:40:34,600
Speaker 1: you in kind of a sexual mood for to watch

818
00:40:34,640 --> 00:40:35,080
Speaker 1: your movie.

819
00:40:35,200 --> 00:40:39,880
Speaker 3: That's when that's when that company put out that movie.

820
00:40:40,120 --> 00:40:41,759
Speaker 3: So yeah, a lion company.

821
00:40:41,480 --> 00:40:43,799
Speaker 1: Right that we understand if the Lion.

822
00:40:43,640 --> 00:40:48,520
Speaker 3: If the Lion put out the movie Lions, Yeah, that's right,

823
00:40:48,920 --> 00:40:50,640
Speaker 3: then the lion would be in front of it. And

824
00:40:50,760 --> 00:40:53,640
Speaker 3: just like if the Mountain put out.

825
00:40:53,440 --> 00:40:56,080
Speaker 1: The movie Paramountain, Paramountain.

826
00:40:55,920 --> 00:40:59,440
Speaker 3: If Paramountain put it out, But for mine and I

827
00:40:59,480 --> 00:41:03,600
Speaker 3: want you to live and closely. Okay, none of the

828
00:41:03,840 --> 00:41:05,680
Speaker 3: of the mountain didn't have anything to do with it.

829
00:41:06,040 --> 00:41:08,279
Speaker 3: The lion didn't have anything to do with the kid

830
00:41:08,280 --> 00:41:12,160
Speaker 3: fishing for a rainbow for a moon didn't have anything.

831
00:41:12,320 --> 00:41:15,440
Speaker 1: And this is where you lose me, because there's a

832
00:41:15,480 --> 00:41:18,440
Speaker 1: step in between there that I don't I'm just not following.

833
00:41:18,480 --> 00:41:20,400
Speaker 1: I'm sorry, Jason. And we have plenty of time.

834
00:41:20,800 --> 00:41:22,920
Speaker 2: Yes, we have all day, and it's just you keep

835
00:41:23,040 --> 00:41:24,160
Speaker 2: using this word movie.

836
00:41:24,239 --> 00:41:24,759
Speaker 1: But then it's the.

837
00:41:24,880 --> 00:41:29,040
Speaker 3: Same children, and it's a Saturday. But I do want

838
00:41:29,040 --> 00:41:33,400
Speaker 3: to get this point across at me. Try to explain

839
00:41:33,440 --> 00:41:33,800
Speaker 3: it again.

840
00:41:34,239 --> 00:41:36,000
Speaker 1: It's the word movie. I think that. I'm sorry.

841
00:41:36,040 --> 00:41:38,560
Speaker 2: I think that's what's bumping me too. I think that's

842
00:41:38,600 --> 00:41:39,360
Speaker 2: the bump for me.

843
00:41:40,000 --> 00:41:42,799
Speaker 3: Okay, so let's not call it a movie. Great, let's

844
00:41:42,880 --> 00:41:43,960
Speaker 3: just say it's a video.

845
00:41:44,880 --> 00:41:45,120
Speaker 7: Okay.

846
00:41:45,120 --> 00:41:49,120
Speaker 3: Here's a perfect example when you guys, when you guys

847
00:41:49,120 --> 00:41:51,560
Speaker 3: made a video on funnier diet and it only got

848
00:41:51,600 --> 00:41:59,640
Speaker 3: like seventy five views. Yeah, okay, was paramount.

849
00:41:58,480 --> 00:42:01,040
Speaker 1: Well for that, it would be paramount vantage.

850
00:42:01,920 --> 00:42:06,080
Speaker 3: Was paramount vantage on the front of your funnier It was, yes,

851
00:42:06,400 --> 00:42:08,680
Speaker 3: for that, it was well.

852
00:42:11,640 --> 00:42:16,239
Speaker 1: Sony Classics, Sony Classics distributed and paramount. Yes, they put

853
00:42:16,320 --> 00:42:20,720
Speaker 1: up the search light was also search light was sniffing around.

854
00:42:21,920 --> 00:42:24,759
Speaker 3: I would bet both my children that if I went

855
00:42:24,800 --> 00:42:28,279
Speaker 3: on front of your die right now, did they let

856
00:42:28,320 --> 00:42:28,759
Speaker 3: you one of that?

857
00:42:28,840 --> 00:42:29,200
Speaker 1: Jason?

858
00:42:29,800 --> 00:42:32,360
Speaker 3: I have my own what.

859
00:42:32,320 --> 00:42:32,959
Speaker 1: Is it your own?

860
00:42:33,040 --> 00:42:34,080
Speaker 3: Are you?

861
00:42:34,080 --> 00:42:34,839
Speaker 1: You have your own?

862
00:42:35,040 --> 00:42:40,000
Speaker 2: You have your own Funnier Die that just you sort

863
00:42:40,040 --> 00:42:41,520
Speaker 2: of are blessing around.

864
00:42:41,239 --> 00:42:42,000
Speaker 1: In Funnier Die.

865
00:42:42,120 --> 00:42:44,560
Speaker 3: Came to me and they said you can have your

866
00:42:44,600 --> 00:42:48,399
Speaker 3: own channel and we'll take the ad revenue and it's

867
00:42:48,440 --> 00:42:53,320
Speaker 3: your own channel. And I said great, mm hmmm mmm.

868
00:42:53,600 --> 00:42:55,839
Speaker 1: So I wonder if that was just a way to

869
00:42:55,920 --> 00:42:58,520
Speaker 1: keep you off of the main site.

870
00:42:59,600 --> 00:43:01,480
Speaker 3: Have you ever considered that I'm on funn of your

871
00:43:01,560 --> 00:43:01,959
Speaker 3: Die too?

872
00:43:03,000 --> 00:43:03,320
Speaker 1: Okay?

873
00:43:03,560 --> 00:43:04,520
Speaker 3: You mean is that different?

874
00:43:04,719 --> 00:43:06,600
Speaker 1: Well? I just wonder if they want because I know

875
00:43:06,600 --> 00:43:09,839
Speaker 1: they're pretty picky about who is allowed to look at

876
00:43:09,840 --> 00:43:10,760
Speaker 1: their main site.

877
00:43:11,320 --> 00:43:13,600
Speaker 3: Oh no, you're not even talking about being a content creator.

878
00:43:13,760 --> 00:43:18,319
Speaker 1: No, I'm talking about in the firewall. Yeah. Well, I

879
00:43:18,360 --> 00:43:19,760
Speaker 1: wonder if you say, like, can.

880
00:43:19,600 --> 00:43:22,280
Speaker 2: They reroute you to this other your die which sounds

881
00:43:22,320 --> 00:43:25,319
Speaker 2: like a blast, And I just you know, you must

882
00:43:25,360 --> 00:43:27,120
Speaker 2: be having a lot of fun poking around on that thing.

883
00:43:27,560 --> 00:43:28,920
Speaker 1: If you come to them and say like, can I

884
00:43:28,960 --> 00:43:30,759
Speaker 1: watch your videos? And they say like, how about this?

885
00:43:31,320 --> 00:43:34,799
Speaker 1: Why don't you just have your own site where you

886
00:43:34,960 --> 00:43:37,320
Speaker 1: can like sort of a separate but equal.

887
00:43:38,080 --> 00:43:40,040
Speaker 2: I think that's kind of a nice way of saying, no,

888
00:43:40,120 --> 00:43:40,799
Speaker 2: you can't see.

889
00:43:41,080 --> 00:43:43,440
Speaker 3: Here's here's the here's the people that I see on

890
00:43:43,520 --> 00:43:45,080
Speaker 3: my funny Your Die on Front of Your Die too,

891
00:43:45,440 --> 00:43:51,879
Speaker 3: Tony Danza, Judith Light sounds great. Eric McCormick, okay, Old

892
00:43:51,880 --> 00:43:56,520
Speaker 3: Ben Vereen uh huh mmmm. The guys that were in

893
00:43:56,600 --> 00:43:58,880
Speaker 3: Dukes of Hazard have a lot of stuff on there.

894
00:43:58,840 --> 00:44:00,920
Speaker 1: Okay, the original.

895
00:44:01,160 --> 00:44:07,880
Speaker 3: Original yeah wow, not good. Not Vans and coy no no, yeah, okay,

896
00:44:07,920 --> 00:44:09,400
Speaker 3: but it is it is weird that you bring it

897
00:44:09,440 --> 00:44:11,719
Speaker 3: up because I've never seen Will Ferrell on there. I

898
00:44:11,840 --> 00:44:15,120
Speaker 3: never seen Zach gilfanekis on there, and now that you

899
00:44:15,200 --> 00:44:17,360
Speaker 3: mention it, it's a little weird.

900
00:44:17,840 --> 00:44:19,920
Speaker 1: That's what I'm just saying. That's what I would do,

901
00:44:20,120 --> 00:44:22,880
Speaker 1: That's what it sounds like. Yes, and that is something

902
00:44:23,200 --> 00:44:25,400
Speaker 1: you've done. When people want to listen to this podcast,

903
00:44:25,480 --> 00:44:28,440
Speaker 1: and sure, we'll go like, well, wouldn't it be more

904
00:44:28,440 --> 00:44:30,040
Speaker 1: fun to have your own podcast?

905
00:44:30,160 --> 00:44:34,040
Speaker 2: And we sort of have them listening to themselves or

906
00:44:34,080 --> 00:44:36,480
Speaker 2: Who's the Boss reruns, like it sounds like what you're doing.

907
00:44:36,320 --> 00:44:38,640
Speaker 3: You guys, You guys watched the movie. And one of

908
00:44:38,719 --> 00:44:41,120
Speaker 3: the things I feel really guilty about and even coming

909
00:44:41,120 --> 00:44:42,520
Speaker 3: in her to day, because you guys were so nice

910
00:44:42,520 --> 00:44:47,320
Speaker 3: to have me, I feel guilty that you're you guys aren't.

911
00:44:48,080 --> 00:44:50,160
Speaker 3: I'm just gonna come clean. You're not in the movie.

912
00:44:51,360 --> 00:44:53,480
Speaker 3: I feel bad about that. Is there any tension here

913
00:44:53,480 --> 00:44:53,880
Speaker 3: that you're not?

914
00:44:54,080 --> 00:44:56,719
Speaker 2: Well, I appreciate you coming clean about that because I

915
00:44:57,239 --> 00:44:59,440
Speaker 2: was that I am in the movie.

916
00:45:01,080 --> 00:45:02,640
Speaker 3: We watched Did you Shoot Anything?

917
00:45:03,000 --> 00:45:06,520
Speaker 1: Well, when you're watching it, there's a there's a reflection

918
00:45:06,760 --> 00:45:09,000
Speaker 1: of us that you can sort of see on the

919
00:45:09,040 --> 00:45:10,320
Speaker 1: screen at all times.

920
00:45:10,800 --> 00:45:17,080
Speaker 3: Say, this is the oddest podcast I've done. During because I.

921
00:45:17,040 --> 00:45:18,280
Speaker 1: Thought I was tying my character.

922
00:45:18,360 --> 00:45:20,839
Speaker 2: I was calling my character the watcher, yeah, and he's

923
00:45:20,840 --> 00:45:23,879
Speaker 2: so and he sort of was like, you know, presiding

924
00:45:23,960 --> 00:45:26,880
Speaker 2: over it, and just faintly I can just see their

925
00:45:26,920 --> 00:45:30,640
Speaker 2: face like coming back out of the screen, especially when

926
00:45:30,680 --> 00:45:32,719
Speaker 2: there were scene transitions and the screen got dark.

927
00:45:32,880 --> 00:45:35,080
Speaker 1: Then really clearly you almost like watch.

928
00:45:35,680 --> 00:45:37,680
Speaker 3: You did see yourself in the movie, and you consider

929
00:45:37,760 --> 00:45:40,279
Speaker 3: being in the moviem Okay, well, then I guess I

930
00:45:40,320 --> 00:45:42,120
Speaker 3: don't feel so bad because.

931
00:45:41,920 --> 00:45:43,640
Speaker 1: You did put us in and you were wrong about

932
00:45:43,640 --> 00:45:44,320
Speaker 1: what you said before.

933
00:45:44,800 --> 00:45:47,880
Speaker 3: Do you guys do movies in the mirror? Just that

934
00:45:48,440 --> 00:45:49,799
Speaker 3: you wake up in the morning and you just like

935
00:45:50,200 --> 00:45:52,960
Speaker 3: your brushing your teeth and you just do a whole good,

936
00:45:53,000 --> 00:45:54,919
Speaker 3: like minute movie.

937
00:45:55,239 --> 00:45:58,120
Speaker 1: You call him sick, right, Well, that'd be that's a

938
00:45:58,120 --> 00:45:59,919
Speaker 1: pretty short movie, Jay said the forty five.

939
00:46:00,560 --> 00:46:02,799
Speaker 3: Yeah, but I mean you don't have time for an

940
00:46:02,840 --> 00:46:05,880
Speaker 3: hour and a half every morning. Some on Saturdays and Sundays.

941
00:46:05,920 --> 00:46:09,400
Speaker 3: I'll do a movie in the mirror, you know, and

942
00:46:09,440 --> 00:46:10,440
Speaker 3: I play all the parts.

943
00:46:11,080 --> 00:46:12,440
Speaker 1: Do you want to do one right now? Yeah?

944
00:46:12,440 --> 00:46:18,480
Speaker 3: I would love to. Hey, you gotta listen to me.

945
00:46:19,760 --> 00:46:22,800
Speaker 8: We got two days to get this truck load or

946
00:46:22,840 --> 00:46:28,120
Speaker 8: groceries across country, and if it don't happen, Frank's gonna

947
00:46:28,120 --> 00:46:34,279
Speaker 8: be mad lights a cigarette. So which one of this

948
00:46:34,400 --> 00:46:38,960
Speaker 8: crew is gonna step forward and make this happen?

949
00:46:41,120 --> 00:46:41,799
Speaker 9: Oh?

950
00:46:42,200 --> 00:46:42,279
Speaker 7: Me?

951
00:46:43,400 --> 00:46:45,000
Speaker 1: I am the part of the crew.

952
00:46:45,160 --> 00:46:49,759
Speaker 5: I'm the small guy. I'm Asian, four feet tall. I

953
00:46:49,800 --> 00:46:52,920
Speaker 5: can be very small and fit in boxes or maybe

954
00:46:52,960 --> 00:46:55,719
Speaker 5: go through the air shaft.

955
00:46:56,000 --> 00:46:58,600
Speaker 3: And I'm the nerd. I'm the guy that's gonna do

956
00:46:58,640 --> 00:47:01,560
Speaker 3: all the tech work so we can crack the security code.

957
00:47:03,239 --> 00:47:04,319
Speaker 1: And I'm the tough guy.

958
00:47:04,719 --> 00:47:10,800
Speaker 3: I'm the brawn. If anybody comes tries to get these vegetables, Papa,

959
00:47:11,080 --> 00:47:13,760
Speaker 3: and I'm the black guy. I'm the guy that's smooth,

960
00:47:14,200 --> 00:47:17,240
Speaker 3: smooth talking. And if we need to talk to a lady,

961
00:47:18,360 --> 00:47:19,840
Speaker 3: I can talk to her.

962
00:47:20,560 --> 00:47:23,480
Speaker 1: And I'm the old guy. I've been around the block.

963
00:47:23,960 --> 00:47:25,879
Speaker 1: But I can show you guys a couple of.

964
00:47:25,760 --> 00:47:33,040
Speaker 3: Things about stealing more vegetables and diamonds. We're not stealing diamonds, Albert,

965
00:47:34,680 --> 00:47:40,680
Speaker 3: We're moving produced.

966
00:47:38,800 --> 00:47:45,000
Speaker 9: Dn Durn Get up up, Get up up, tasting, get

967
00:47:45,000 --> 00:47:51,000
Speaker 9: on up.

968
00:47:52,239 --> 00:47:55,000
Speaker 2: So, Jason, I loved your movie. In the mirror, I

969
00:47:55,239 --> 00:47:58,799
Speaker 2: have a couple of quick notes. Could the crew have

970
00:47:58,880 --> 00:47:59,480
Speaker 2: more guys.

971
00:48:00,520 --> 00:48:02,440
Speaker 3: It's a it's a you know, you didn't let me finish.

972
00:48:02,840 --> 00:48:05,640
Speaker 1: Oh I'm so sorry. I'm so sorry. I assumed that.

973
00:48:05,760 --> 00:48:07,840
Speaker 2: I assumed that when the music started that all the

974
00:48:07,880 --> 00:48:09,040
Speaker 2: cruise guys had been.

975
00:48:09,000 --> 00:48:12,439
Speaker 1: It feels like some races are actually a little underrepresented. Yeah,

976
00:48:12,640 --> 00:48:17,359
Speaker 1: right now. We just wanted to be able to sell it.

977
00:48:18,239 --> 00:48:20,520
Speaker 1: Like you know a lot of the movies are global now. Yeah,

978
00:48:20,520 --> 00:48:23,759
Speaker 1: it's a big international market, and just it would just

979
00:48:23,800 --> 00:48:24,359
Speaker 1: help to happen.

980
00:48:25,120 --> 00:48:26,600
Speaker 3: He's got to get the crew together. He's got to

981
00:48:26,640 --> 00:48:27,760
Speaker 3: get the crew back together.

982
00:48:28,160 --> 00:48:30,720
Speaker 1: Okay, now coming down the pipe.

983
00:48:30,760 --> 00:48:33,080
Speaker 3: He's Italian and he's got to get the crew back together.

984
00:48:33,480 --> 00:48:37,720
Speaker 3: One more heist. And Jerry Shepherd is his love interest.

985
00:48:38,120 --> 00:48:41,640
Speaker 3: And she's she's sassy as ship.

986
00:48:41,760 --> 00:48:42,840
Speaker 1: Yeah, you know.

987
00:48:43,760 --> 00:48:46,200
Speaker 3: She walks in and she's like, hey.

988
00:48:45,840 --> 00:48:48,080
Speaker 1: Y'all, if y'all don't trying to move.

989
00:48:47,960 --> 00:48:51,440
Speaker 6: Produce, y'all better use your heads. A bunch of fucking

990
00:48:51,640 --> 00:48:55,520
Speaker 6: morons in here. Look at this one Asian can't even

991
00:48:55,560 --> 00:48:58,720
Speaker 6: see a bag of rice. Look at this one black brother?

992
00:48:59,000 --> 00:49:00,960
Speaker 6: Oh is Dayton people, And.

993
00:49:00,960 --> 00:49:04,360
Speaker 3: Look at this old piece of ass, just dick so shrinkly,

994
00:49:04,440 --> 00:49:07,440
Speaker 3: he ain't ever gonna get nowhere in life. And she just,

995
00:49:07,520 --> 00:49:11,920
Speaker 3: you know, busts up on, She busts up on all

996
00:49:11,920 --> 00:49:13,120
Speaker 3: the on, all the guys.

997
00:49:16,000 --> 00:49:19,359
Speaker 1: And then what does she say? And then she, you know, she.

998
00:49:19,360 --> 00:49:23,719
Speaker 3: Takes Vinnie and she's like, get you out the most

999
00:49:23,760 --> 00:49:26,400
Speaker 3: the most gorgeous man I've seen in my time life.

1000
00:49:27,239 --> 00:49:28,080
Speaker 1: And then what do they do?

1001
00:49:28,840 --> 00:49:33,600
Speaker 3: And they start kissing and he's like, yeah, no, I know,

1002
00:49:33,760 --> 00:49:35,600
Speaker 3: and your guy just too, And then all of a

1003
00:49:35,640 --> 00:49:40,440
Speaker 3: sudden the nerd breaks into the to the casino.

1004
00:49:40,560 --> 00:49:42,640
Speaker 1: Is the Jewish guy. I just want to the nerd.

1005
00:49:42,719 --> 00:49:47,600
Speaker 3: Yeah, oh yeah, okay, okay, just super super and rights.

1006
00:49:47,600 --> 00:49:53,920
Speaker 3: They're about to kiss it and they go, uh, they go,

1007
00:49:54,440 --> 00:49:55,600
Speaker 3: the old guy goes Wong.

1008
00:49:55,840 --> 00:49:59,960
Speaker 1: Wong is caught inside. He's caught inside the casino. Inside,

1009
00:50:00,080 --> 00:50:01,240
Speaker 1: we're all the gold Bazza.

1010
00:50:02,000 --> 00:50:05,839
Speaker 3: And then and he's like he's like hey, He's like, hey,

1011
00:50:05,880 --> 00:50:08,400
Speaker 3: black Girl, that's his pet name for it. She's okay

1012
00:50:08,400 --> 00:50:11,239
Speaker 3: with it. He's like, this kiss is gonna have to wait.

1013
00:50:12,320 --> 00:50:14,920
Speaker 1: The way your movie just kind of just like the

1014
00:50:14,920 --> 00:50:17,840
Speaker 1: effect of gradually circling Ocean's eleven.

1015
00:50:18,719 --> 00:50:19,279
Speaker 3: What's the movie?

1016
00:50:19,320 --> 00:50:22,400
Speaker 1: What's the movie? You haven't seen this movie, Ocean's eleven.

1017
00:50:23,920 --> 00:50:25,839
Speaker 2: I've heard what you're what you're talking about is sort

1018
00:50:25,840 --> 00:50:31,160
Speaker 2: of almost to Rosencranson Guildenstern, like, yeah, Ocean's eleven, like

1019
00:50:31,200 --> 00:50:33,959
Speaker 2: adjacent story in orbit around.

1020
00:50:33,600 --> 00:50:36,800
Speaker 1: Oceans eleven, just gradually getting closer and closer to becoming

1021
00:50:37,000 --> 00:50:40,279
Speaker 1: the movie Ocean's eleven, which you have not seen, never

1022
00:50:40,360 --> 00:50:41,840
Speaker 1: saw it. Oh wow.

1023
00:50:42,040 --> 00:50:44,799
Speaker 3: But if it's a lot of movies are somewhere.

1024
00:50:44,920 --> 00:50:47,160
Speaker 1: And that is true, a lot of movies are similar.

1025
00:50:47,520 --> 00:50:48,400
Speaker 1: Do you want to speak on that.

1026
00:50:48,520 --> 00:50:52,680
Speaker 3: They made two movies about From the blind Side. There's

1027
00:50:52,760 --> 00:50:57,000
Speaker 3: two separate movies. Is one with Sandral Bullock and the.

1028
00:50:56,440 --> 00:51:02,760
Speaker 1: The Alpacino one where he's in Dragon. He's smelling man, Yeah, yeah, yeah.

1029
00:51:02,840 --> 00:51:05,480
Speaker 3: You're y'are a good football player.

1030
00:51:06,120 --> 00:51:08,040
Speaker 1: It's Radio that you got to come live with me.

1031
00:51:08,160 --> 00:51:11,319
Speaker 1: I think that was called Radio. Yeah, because because he

1032
00:51:11,320 --> 00:51:11,960
Speaker 1: can't see.

1033
00:51:11,800 --> 00:51:13,120
Speaker 3: You can only that's a good film.

1034
00:51:13,160 --> 00:51:14,240
Speaker 1: You can only hear Radios.

1035
00:51:14,840 --> 00:51:15,320
Speaker 3: Ed Harris.

1036
00:51:17,600 --> 00:51:19,880
Speaker 1: It's the train Driver from snow Piercer.

1037
00:51:21,040 --> 00:51:24,120
Speaker 3: I like when Ed Harris's a big spoiler. I like

1038
00:51:24,160 --> 00:51:27,080
Speaker 3: when I like when Ed Harris stands up and you

1039
00:51:27,120 --> 00:51:30,560
Speaker 3: know he's a first stand up one for the whole

1040
00:51:30,560 --> 00:51:33,160
Speaker 3: town and he's like Radio will drive the bus. He

1041
00:51:33,200 --> 00:51:35,480
Speaker 3: will drive the bus for his school children.

1042
00:51:35,719 --> 00:51:36,239
Speaker 1: Yeah.

1043
00:51:36,560 --> 00:51:38,520
Speaker 3: And I don't know. It's really powerful.

1044
00:51:39,080 --> 00:51:43,000
Speaker 1: I don't know. It's an inspirational story about a disabled

1045
00:51:43,040 --> 00:51:44,879
Speaker 1: man who all he wants to do is be able

1046
00:51:44,880 --> 00:51:49,240
Speaker 1: to drive school children yeah around, and how you should

1047
00:51:49,280 --> 00:51:51,640
Speaker 1: be allowed to do whatever you want no matter what.

1048
00:51:53,080 --> 00:51:55,640
Speaker 2: I hate the way we limit people and go like, oh,

1049
00:51:55,719 --> 00:52:00,440
Speaker 2: you can't do this because you're the twisty twist at

1050
00:52:00,480 --> 00:52:02,160
Speaker 2: the end where they thought he wanted to be a

1051
00:52:02,200 --> 00:52:05,000
Speaker 2: school bus driver, but he was actually saying scuba diver.

1052
00:52:06,200 --> 00:52:09,520
Speaker 1: But like the way he talks, it's like so weird,

1053
00:52:09,640 --> 00:52:10,480
Speaker 1: so he's like it will be.

1054
00:52:11,960 --> 00:52:13,880
Speaker 2: And it was a movie about a weird guy in

1055
00:52:13,960 --> 00:52:16,600
Speaker 2: many ways because a lot of what he's doing is

1056
00:52:16,600 --> 00:52:17,240
Speaker 2: pretty weird.

1057
00:52:17,400 --> 00:52:21,880
Speaker 3: And I liked that it's different, Yes, very different than

1058
00:52:21,920 --> 00:52:22,640
Speaker 3: everybody else.

1059
00:52:23,040 --> 00:52:23,680
Speaker 1: Yeah.

1060
00:52:24,239 --> 00:52:28,160
Speaker 2: I love movies about weird guys because they've done a few. Yeah,

1061
00:52:28,200 --> 00:52:31,880
Speaker 2: and and it's always so interesting maybe to look at

1062
00:52:31,880 --> 00:52:33,120
Speaker 2: a truly weird guy.

1063
00:52:33,280 --> 00:52:36,560
Speaker 3: When you play weird too, you get the Academy comes

1064
00:52:36,560 --> 00:52:38,480
Speaker 3: out for weird. They know what they did.

1065
00:52:38,480 --> 00:52:42,200
Speaker 2: A lot of weirdo's a lot of weirdies, Uh, get

1066
00:52:42,239 --> 00:52:47,120
Speaker 2: that nod because to truly capture the physicality and mind

1067
00:52:47,160 --> 00:52:48,080
Speaker 2: of a weird.

1068
00:52:47,800 --> 00:52:49,520
Speaker 3: Guy, go full weird, that's what they call it.

1069
00:52:49,840 --> 00:52:53,200
Speaker 1: Yeah, going full weird. And you get more pussy that

1070
00:52:53,239 --> 00:52:55,759
Speaker 1: way as well. And that's how you just sort of

1071
00:52:56,160 --> 00:52:58,680
Speaker 1: you know, someone says something at the beginning of a show,

1072
00:52:58,719 --> 00:52:59,360
Speaker 1: you know you've done.

1073
00:52:59,200 --> 00:53:02,640
Speaker 2: It at the beginning that all the way back, give

1074
00:53:02,680 --> 00:53:04,880
Speaker 2: it some time, and then you just wait and around

1075
00:53:04,920 --> 00:53:06,759
Speaker 2: the time that you feel like maybe you're running out

1076
00:53:06,800 --> 00:53:09,880
Speaker 2: of steam, you say the thing for men from the beginning,

1077
00:53:10,239 --> 00:53:13,919
Speaker 2: and then people say, I remember that. And there's no

1078
00:53:14,000 --> 00:53:17,680
Speaker 2: better feeling than listening to something and remembering something from

1079
00:53:17,719 --> 00:53:21,920
Speaker 2: the beginning, funnier than feeling smart because you remember something

1080
00:53:21,960 --> 00:53:24,680
Speaker 2: that someone said before. And I always try to create

1081
00:53:24,719 --> 00:53:25,759
Speaker 2: that for my audience.

1082
00:53:25,920 --> 00:53:27,600
Speaker 1: And so it is.

1083
00:53:27,600 --> 00:53:29,720
Speaker 2: About time to wrap it up, you know, just because

1084
00:53:29,719 --> 00:53:32,160
Speaker 2: we have pulled that move out and that's sort of

1085
00:53:32,160 --> 00:53:34,400
Speaker 2: the last rabbit in the hat, so to speak.

1086
00:53:35,160 --> 00:53:36,839
Speaker 3: It is greats been really great, guys.

1087
00:53:36,960 --> 00:53:40,800
Speaker 1: It's been so great for enjoyingn't.

1088
00:53:39,840 --> 00:53:42,279
Speaker 3: Wait to watch my movie and see you guys. Yes,

1089
00:53:42,520 --> 00:53:45,480
Speaker 3: you're gonna like in sort of a three men in

1090
00:53:45,480 --> 00:53:49,920
Speaker 3: a baby kind of way. When everybody saw that ghost, Yeah.

1091
00:53:49,800 --> 00:53:52,359
Speaker 2: The kid with the shotgun hiding next to the window. Yeah,

1092
00:53:53,120 --> 00:53:54,040
Speaker 2: holy fucking ship.

1093
00:53:54,120 --> 00:53:55,280
Speaker 3: I guess that's how you guys appear.

1094
00:53:55,800 --> 00:54:03,880
Speaker 1: Talk about it. Chilling movie experience. Mike's stomach dropped, I

1095
00:54:03,920 --> 00:54:08,280
Speaker 1: mean the bottom dropped out, you know, straight through the floor.

1096
00:54:08,960 --> 00:54:11,759
Speaker 1: Bone chilling is a good way to put it. Yeah.

1097
00:54:11,920 --> 00:54:14,239
Speaker 1: Please rate us on iTunes and talk to us on

1098
00:54:14,280 --> 00:54:18,680
Speaker 1: our forums. Like us on facebook, iTunes on Facebook. I

1099
00:54:18,719 --> 00:54:20,760
Speaker 1: think mean detective about the pro.

1100
00:54:20,719 --> 00:54:23,480
Speaker 2: Version, Mean detective about the pro Version and the podcast

1101
00:54:23,600 --> 00:54:26,640
Speaker 2: as a as a gift, you.

1102
00:54:26,640 --> 00:54:29,720
Speaker 1: Get a role in the movie. It's Jason Nash's mirror movie.

1103
00:54:29,800 --> 00:54:32,240
Speaker 2: Mm hm, you get a role in Jason Nash's mirror movie.

1104
00:54:32,280 --> 00:54:34,880
Speaker 2: So just go ahead and give us a quick preview,

1105
00:54:34,960 --> 00:54:36,800
Speaker 2: Jason of the mean Detective detective.

1106
00:54:37,320 --> 00:54:39,440
Speaker 1: What he's going to be doing in this next movie.

1107
00:54:40,040 --> 00:54:43,560
Speaker 3: Oh the when the guy playing mean detective in my movie.

1108
00:54:44,520 --> 00:54:49,480
Speaker 2: This guy's name is Mean Detective Proversion. Ye listener, he

1109
00:54:49,520 --> 00:54:52,320
Speaker 2: bought the provision and as a prize.

1110
00:54:52,000 --> 00:54:53,480
Speaker 1: He's going to be in the movie.

1111
00:54:53,640 --> 00:54:58,799
Speaker 3: Oh okay, well he's probably he's gonna play Spanish dude.

1112
00:54:59,400 --> 00:55:02,279
Speaker 2: That's what that's really good and that's something we've been

1113
00:55:02,320 --> 00:55:03,720
Speaker 2: missing from the big market.

1114
00:55:04,120 --> 00:55:08,480
Speaker 3: Yes, and he races cars, so he's like.

1115
00:55:08,600 --> 00:55:09,960
Speaker 1: He's like, yes, the NASCAR.

1116
00:55:10,320 --> 00:55:13,799
Speaker 3: The group is in trouble. Sherry Shepherd's talked them down,

1117
00:55:14,320 --> 00:55:16,879
Speaker 3: and then all of a sudden, the garage door from

1118
00:55:16,920 --> 00:55:21,000
Speaker 3: the garage that where they're playing opens and then in

1119
00:55:21,160 --> 00:55:25,480
Speaker 3: walks how they and how They's like, what kind of

1120
00:55:25,520 --> 00:55:27,040
Speaker 3: cars are we talking about?

1121
00:55:28,600 --> 00:55:28,960
Speaker 1: Like that?

1122
00:55:29,120 --> 00:55:36,200
Speaker 3: And everybody's like, oh, we forgot about Howvey and he's like, Lamborghini, uh, Porsche,

1123
00:55:37,640 --> 00:55:41,920
Speaker 3: Ferrari and I hope your friend can do Spanish accent

1124
00:55:42,600 --> 00:55:44,240
Speaker 3: and it's not our friend.

1125
00:55:44,400 --> 00:55:47,480
Speaker 1: Bye.

1126
00:55:51,239 --> 00:55:54,239
Speaker 2: This has been an Earwolf Media production, Executive producers Jeff

1127
00:55:54,280 --> 00:55:55,240
Speaker 2: Ulrick and Scott Ackerman.

1128
00:55:55,400 --> 00:55:57,200
Speaker 1: For more information, visit iarwolf dot.

1129
00:55:57,080 --> 00:56:11,720
Speaker 7: Com, ear Warf Radio Boom dot com.

1130
00:56:11,760 --> 00:56:12,640
Speaker 1: The Worst Dead