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Speaker 1: You know. The Iron Rap Coor Stereo Podcast Tour is

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Speaker 1: going down Thursday July in Toronto Mead and G Moody

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Speaker 1: last name rhymes with duty, Saturday August four in New

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Speaker 1: York City, Saturday August in Houston, Texas, Wednesday August two

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Speaker 1: in Philadelphia, Pennsylvania at Union Transfer, and Saturday August We're

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Speaker 1: going right into the belly of the Beast. We will

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Speaker 1: be performing in Boston, Massachusetts. The I Am Rappaport Stereo

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Speaker 1: Podcast World Tour continues. All tickets are available I Am

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Speaker 1: Rappaport Tour dot com. All right, my name is Michael Rapport.

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Speaker 1: You're now listening to the I Am Rappaport Stereo Podcast

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Speaker 1: where me and G. Moody will be doing our things.

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Speaker 1: We've got six Funks of the Week, or to discussing

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Speaker 1: not discussing Lebron James once again, and so much more

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Speaker 1: with me and G Moody last name rhymes with duty.

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Speaker 1: Plus we got special guests Hip Hop Royalty literally hip

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Speaker 1: Hop Royalty, Son of the Great Ice Cube, Oh Shade Jackson,

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Speaker 1: True Blue Hip Hop Royalty, Oh Shade Jackson, JUNR is

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Speaker 1: talking about what it's like to grow up to one

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Speaker 1: of the people who created Gangster Rap, How he got

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Speaker 1: the part and straight out of Compton to play his

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Speaker 1: father Ice Cube, What's good and not good in hip

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Speaker 1: hop today? And so much ship talking? Oh Shade Jackson Jr.

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Speaker 1: Is a young shit talker on the rise. I Am

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Speaker 1: Rappers Stereo podcast coming up next Miles Jordan's let Me

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Speaker 1: get something funny. I love my book, ye, I love

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Speaker 1: World Cup. It's been so much fun. The World Cup

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Speaker 1: has been nuts so far, and if you follow me

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Speaker 1: on Instagram, you know that I've taking action or nearly

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Speaker 1: every game. I'm betting on almost every World Cup game.

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Speaker 1: Favorites have been tying or losing every game, and we

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Speaker 1: need to be in this together to win big. Come

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Speaker 1: bet with me or against me. I am the jew

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Speaker 1: Rule at my bookie dot a g. Sign up now

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Speaker 1: and use the promo code Cup to get a fifty

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Speaker 1: bonus for your World Cup action. And I'll tell you

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Speaker 1: something else because a lot of people do not think

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Speaker 1: I know what I'm talking about. Okay, Well, we've put

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Speaker 1: up our own personal odds about where Lebron James will

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Speaker 1: wind up this season, what team Lebron will wind up on,

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Speaker 1: what team Kawhi Leonard will end up on check that

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Speaker 1: out under the NBA specials. I know about basketball. You

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Speaker 1: think you know more about basketball than I do. Let's

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Speaker 1: do it my bookie Dot A G. And as you know,

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Speaker 1: I will be prowling the sidelines of the Big Three

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Speaker 1: the entire summer. You can also bet on who's gonna

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Speaker 1: win the Big Three Championship in Brooklyn, New York this

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Speaker 1: summer at the Barclays and late August. Go to my

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Speaker 1: bookie Dot a G. Now use the promo code Cup

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Speaker 1: to get a fifty percent bonus for your World Cup action.

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Speaker 1: All right, it's the Iron Rapports Stereo podcast, coming live

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Speaker 1: and direct. My name is Michael rapp Report a k A.

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Speaker 1: Mr New York a k A. The Gringo Man. Then

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Speaker 1: go a k A. The Jake LaMotta of podcasting. I'm

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Speaker 1: here with G Moody, the Ed McMahon of podcasting. Haven't

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Speaker 1: used that one in a while. Three time podcast co

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Speaker 1: host of the Year, you are now rocking with the best.

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Speaker 1: This is the Iron Wrap Reports Stereo podcast. And a

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Speaker 1: lot of people ask me, why do you say stereo

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Speaker 1: Listen to the quality of the sound. Yeah, okay, we're

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Speaker 1: giving you dimensions of audio that most podcast I don't

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Speaker 1: mean any disrespect, they just do not give yep absolutely

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Speaker 1: and we get it. Go ahead, and we get it

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Speaker 1: from all the fans, all the people that call in

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Speaker 1: and say, yo, the quality is par excellence. UM. On

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Speaker 1: today's podcast, as I said, we have a lot of

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Speaker 1: ship talking, we have some six Funks of the Week.

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Speaker 1: There's been some not so friendly skies incidents. UM. A

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Speaker 1: lot of new music has dropped. I am going to

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Speaker 1: give a song by song review of the new NAS

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Speaker 1: album that was produced by Kanye West. Seven songs. Seven songs.

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Speaker 1: That's what they that's what they give us now, seven songs. Um.

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Speaker 1: He had a big, big listening party out in Queen's.

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Speaker 1: Kim Kardashian, who has probably never been outside of Manhattan,

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Speaker 1: she was at the big listen party. All her cronies,

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Speaker 1: they were out there, you know, near Queen's Bridge projects.

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Speaker 1: Oh man, they are curated moments. These are curated moments.

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Speaker 1: These are not spontaneous moments. Uh, these are curated moments.

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Speaker 1: You know. We want to create this moment, We want

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Speaker 1: to create this vibe. Forget spontaneity. That doesn't happen anymore,

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Speaker 1: especially with Kanye West. A matter of fact, we're just

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Speaker 1: gonna jump into that to that for for for them

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Speaker 1: going to Queens Bridges like going to the Great Wall

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Speaker 1: of China. Yeah, it's like, oh wow, I've heard so

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Speaker 1: much about this place. At that building, look at that building.

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Speaker 1: Buildings look the same. Wait, there's ten or twelve buildings

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Speaker 1: over here that looked Oh these are Queens Bridge projects. Shit. Yeah,

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Speaker 1: they're gonna rub rub the wall like the Notre Dame.

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Speaker 1: Motherfucker's not released the record, Um Naseer Friday. I believe

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Speaker 1: it was. I only know that because my brother's birthday

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Speaker 1: is June. Happy birthday again to Professor Eric Rappaport. Yeah, hethday.

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Speaker 1: He's the one with the smarts and the family. So

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Speaker 1: now he's had a big listening party of the night

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Speaker 1: before how Queen's Bridge projects. Um, Kim Kardashian and her

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Speaker 1: friend with the funked up face that she's always with

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Speaker 1: the guy, not the girl, the guy with like the

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Speaker 1: like the face and the fake nose. He got the

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Speaker 1: fake nose and he's always on the show. He's like

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Speaker 1: acts like he's got his fuck. He talks like he's

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Speaker 1: literally has his finger jammed up his ass. I don't

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Speaker 1: know if he does. He doesn't. I don't know what

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Speaker 1: his sexual orientation is, but he sounds like he's got

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Speaker 1: like a finger and or a pencil, uh, jammed up

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Speaker 1: his ass. They were out there taking pictures on the

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Speaker 1: big hammer, like you know, they're like, who needs to

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Speaker 1: beat nuts? Who needs the Lost Boys? Who needs fifty cent?

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Speaker 1: Who needs dellow cool j? You got the Kardashians and queens. Yeah, yeah,

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Speaker 1: Like I said, it's like, uh, the seventh Wonder of

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Speaker 1: the World. In their world, it's like, oh my god.

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Speaker 1: And when they went over the bridge, like, oh my god,

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Speaker 1: it's only fifteen minutes away. Yeah, I thought you had

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Speaker 1: to like take a journey to God hair right, what's

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Speaker 1: going on exactly? So they are it's the great like

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Speaker 1: I said, the Great Wall of China. This is one

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Speaker 1: of the seventh Wonders of the world, the world America's

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Speaker 1: largest housing project. That's like a big deal. From there,

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Speaker 1: like we gotta take pictures on it. Can we can

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Speaker 1: we take one of these bricks? Oh my god. It's

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Speaker 1: like it's like it's like when they're when the fucking

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Speaker 1: the Berlin Wall crumbled, They're like, oh, I'm gonna steal this.

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Speaker 1: I'm gonna bring this in. We're gonna we're gonna bring

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Speaker 1: this back to California. I'm gonna try to put this

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Speaker 1: in a museum, right right, never mind that, of mind

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Speaker 1: that human beings a being a warehouse there. But well,

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Speaker 1: when this brick and I'm gonna I'm gonna take some

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Speaker 1: of this dirt because one day it's gonna be worth

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Speaker 1: so much money. God fuck. So did you listen to

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Speaker 1: the record. I heard a few joints. Uh. I'm still

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Speaker 1: on the fence. I have to keep listening, man, And

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Speaker 1: that that's a bad sign. I agree. Um, as Toby Morrison,

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Speaker 1: I was discussing, Uh, Toby Moore's friend of the Iron

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Speaker 1: Reports Stereo podcast. We've been texting a lot about it. Um,

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Speaker 1: I feel like I have to force myself to like

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Speaker 1: this record. Yeah. Uh. And with Kanye doing his record

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Speaker 1: which is trash, his records trash. His record is the

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Speaker 1: worst of the four records that he's put out this month.

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Speaker 1: He put out the Kid Cutty collaboration. I don't funk

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Speaker 1: with it. He put up the Push a T Record,

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Speaker 1: which I really like, and he put out the NAS

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Speaker 1: record and your own record is the is the trash

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Speaker 1: is and we forget it was just a few weeks

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Speaker 1: ago that he was talking all that ship, all that

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Speaker 1: slavery was a choice um and all the crazy t

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Speaker 1: MZ ship. And I started to think, I said, was

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Speaker 1: he doing this because now that it looks like now

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Speaker 1: he's not talking about any Trump ship. He's in queens Bridge.

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Speaker 1: You know, it's like all hip hop. You know, you

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Speaker 1: got the dreads out there, You've got the gods out there.

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Speaker 1: You wasn't talking any of that ship out in Queen's Bridge,

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Speaker 1: but to get the world's attention, you talked all that ship.

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Speaker 1: And I don't think it was like like strategically planned

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Speaker 1: that way, but I feel like subconsciously because we didn't

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Speaker 1: hear a ship from him for months, and then he's

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Speaker 1: talking all his Trump ship and people like him, don't

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Speaker 1: like him, they're boycotting him, they're not boycotting him. Then

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Speaker 1: he puts out the music and all four records are

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Speaker 1: like doing great on the on the street, meaming charts. Well,

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Speaker 1: I'm here to remind you once again, your record Kanye

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Speaker 1: West is whack. It's unlistenable, you know, like Um the

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Speaker 1: Great Jazz Artist or net Coleman. Yes, you have. Some

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Speaker 1: of his music got two way out there, right spaced out.

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Speaker 1: We can't listen to it. Even the great John Coltrane,

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Speaker 1: some of his music like Ascension Um and and and

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Speaker 1: these like you know, you know, like I can't remember

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Speaker 1: the name of the songs, like some of the Coltrane music,

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Speaker 1: that just it's just too much. Yeah, these guys was

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Speaker 1: on Heroin too, So it's fusion. And the only thing

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Speaker 1: I funk with I don't I don't funk with Kanye

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Speaker 1: about is Yo, it's not funky. That's it. That's that's

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Speaker 1: the only thing that ship ain't funky? Man, Why the

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Speaker 1: period like all other ship Yo, it's it doesn't move

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Speaker 1: me because it's not funky music, man. And and that's

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Speaker 1: the thing, man. But the thing, the thing that bothers

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Speaker 1: me about it, and I know that you don't really

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Speaker 1: sort of get upset about it as much as I do.

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Speaker 1: But the thing that really bothered me about all four

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Speaker 1: of these records, and particularly the NAS one because that's

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Speaker 1: the one we cared the most about, is that because

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Speaker 1: I find him so annoying. It's not that I care

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Speaker 1: about the political So I think, guys fucking nuts, That's

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Speaker 1: what I think. I think he truly has. Like some

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Speaker 1: some like he's fucking cuckoo for Coco puffs, but he's amazing.

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Speaker 1: He's let's just say, forget, forget whether he's bipolar as

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Speaker 1: he says or not. Whatever, he's obnoxious, Yeah, he gotta

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Speaker 1: be bipolar. Forget all that a residue of his bipolar

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Speaker 1: is is just an unlikable, obnoxious quality. And all the

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Speaker 1: musicians that I've liked and respected and anticipated their music,

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Speaker 1: and we're talking whether it's Michael Jackson's new record, whether

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Speaker 1: it's Stevie Wonder putting out a new record, whether it's

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Speaker 1: a new trapic called Quest record or jay Z record,

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Speaker 1: a new black Moon record, a new Large Professor record,

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Speaker 1: it doesn't matter new new, brand, new being ship, new

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Speaker 1: new Chuck d Ship, new public enemy ship. Out of

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Speaker 1: all the people I named and all the people I

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Speaker 1: didn't name, then being obnoxious never quantified into the equation

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Speaker 1: oh like like so it's never I had to be like, oh, well,

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Speaker 1: I don't want to listen to Erica Bado because she's

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Speaker 1: she's just too fucking annoying, Or I don't want to

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Speaker 1: listen to the New roots Ship because uh, quest Love

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Speaker 1: is just too annoying or oh I don't want to

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Speaker 1: listen to you know, the new uh beat Nuts ship

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Speaker 1: because Juju from the beat Nuts he's just too annoying.

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Speaker 1: Like his his interviews are just too obnoxious. Out of

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Speaker 1: all these people that I like, whether it's the White

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Speaker 1: Stripes like more Rock Shit, red Out Chili Peppers, I'm

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Speaker 1: never like these guys are fucking I'm not. I don't

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Speaker 1: like the personality, and that's gonna affect her. I like

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Speaker 1: the music, and as much as I try to not

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Speaker 1: let his personality affect my judging the music, he's so

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Speaker 1: obnoxious and so unlikable that it played into it. Like

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Speaker 1: he's so much of a person who's out of touch,

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Speaker 1: you know, with what people like, and he's so arrogant

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Speaker 1: and so self indulgent that it made my listening to

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Speaker 1: the NAS record, I had to keep listening, to keep

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Speaker 1: listening to it to get past that said. Oh yeah, man,

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Speaker 1: I can't stand this fucking guy. I think he's a clown.

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Speaker 1: Damn it's that bad. Yo. I just want some funky music, man,

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Speaker 1: I know, I know, and funky pizza fly rhymes. It's

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Speaker 1: it's a simple concept. I always want that. That's my standard,

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Speaker 1: and um, if you could flip it and MC could

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Speaker 1: get down on it, that's my standard. If you're doing

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Speaker 1: some other ship that doesn't make my head nod immediately, Yo,

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Speaker 1: you lost me. That's always been since I've been nine

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Speaker 1: years old. Man, So I don't if it gotta be funky,

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Speaker 1: DJ pre me have said that, Yo, funky man prints funky,

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Speaker 1: you know what I mean. So that's what That's what

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Speaker 1: James Brown uh developed well created. I'm gonna break down

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Speaker 1: this record, uh, which in my first thing is that

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Speaker 1: it feels incomplete. Even the songs UH that I think

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Speaker 1: are are are good, feeling complete. Um, some of them

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Speaker 1: feel unfinished. I feel like they decided to do a

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Speaker 1: record together, but no one was fully locked and loaded

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Speaker 1: into the purity that made NAS great. Listen, we're not

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Speaker 1: going back to You're never gonna recreate Illmatic. You're never

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Speaker 1: gonna create where you put these you know, three or

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Speaker 1: four extraordinary producers altogether, and everybody was trying to outdo UH.

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Speaker 1: And the stars were aligned in MC search and Pete

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Speaker 1: Rock and Premier, Large pro Q Tip and Nas is

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Speaker 1: never gonna be nineteen again. I know that he's never

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Speaker 1: gonna have that first record again, I know that. Uh,

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Speaker 1: just like you know fucking Donovan Mitchell is never gonna

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Speaker 1: have his rookie season. You know, it's it's the people grow,

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Speaker 1: they change, the evolves. So I get all that, I

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Speaker 1: get all that, but keep keep it exactly, keep it funky,

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Speaker 1: keep it funky. And you know, the first song on

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Speaker 1: the record is called, uh, not for radio. It's not

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Speaker 1: really even a song. You got Puffy on there doing

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Speaker 1: his ship talking and you know that's it's it's it's

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Speaker 1: like an intro to a song. So it's called not

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Speaker 1: for radio. It's like it's like an intro for a song.

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Speaker 1: So right there we go from seven songs to six songs.

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Speaker 1: Right there we have one less song because that's not

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Speaker 1: really a song. It's just like a setup for a record. Okay.

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Speaker 1: The the second song on the record is cop Shot

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Speaker 1: the Kid or cop Shot Um with the dope slick

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Speaker 1: rick sample from cop Shot the Kid um uh for

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Speaker 1: I think it's a story, um children's story, And it

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Speaker 1: starts off with a Richard Pryor sample and it mails

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Speaker 1: into it dope. But then his song like Nasa is

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Speaker 1: kicking his ship and then you gotta suck it and

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Speaker 1: then this is when it's like it becomes a distraction.

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Speaker 1: And then Kanye comes in. He's rhyming, and I'm like,

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Speaker 1: you're not really that dope. You're not that dope and

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Speaker 1: you're unlikable, so just stay stay behind the boards, you

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Speaker 1: know what I'm saying, or or have a z come

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Speaker 1: in there and rhyme, give us some nostalgia. And that song,

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Speaker 1: as much as like the sample is dope and it's

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Speaker 1: like the slick rick shit, it just ends. It's like

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Speaker 1: very short song. And that's why I feel like like

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Speaker 1: a song like that that's unfinished, you know, Like I'm

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Speaker 1: like this is not like why why are you stopping

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Speaker 1: the song? Like why why is it? Why is it ending? Um?

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Speaker 1: So that's a good song, but it's short. Uh. The

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Speaker 1: White Label song, it's just the next song and not funky. Uh,

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Speaker 1: you know, it's some witty bullshit, not funky. Nasa Escobar

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Speaker 1: is always gonna kick ship. His rhymes are always tight.

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Speaker 1: He's always kicking knowledge, not funky, and I give that

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Speaker 1: an ant. That's my review of White Label and the

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Speaker 1: song Bonjeur talking about what he eats, what he drinks. Again,

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Speaker 1: this is like I'm like, this is nas Escobar, you're

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Speaker 1: giving me seven songs, which is really just six songs.

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Speaker 1: This this song bonjeur, Nah nah nah. The best song

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Speaker 1: on the record is Is. It's got like a real

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Speaker 1: sort of emotional feel to what is called everything I'm

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Speaker 1: That's a good song. It's a dope song. Nas is kicking,

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Speaker 1: He's kicking some heavy shit. It's dope. This dude Future

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Speaker 1: is on there singing, and then here comes Kanye singing,

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Speaker 1: And I just want to make a message directly to you, Kanye,

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Speaker 1: whoever told you you could sing, whoever is telling you

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Speaker 1: that you should be singing, you need to talk to

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Speaker 1: that person. That person is fucking lying to you. Duke.

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Speaker 1: You're not a good singer, and you're not a good singer,

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Speaker 1: especially with our Green Alive, especially with Keith Sweat Alive,

293
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Speaker 1: especially with Lionel Richie alive. There's so many other people

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Speaker 1: you could get to sing on your record. Who the

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Speaker 1: funk are you? Lenny Williams is alive, There's so many

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Speaker 1: great singers. Stopped singing. You can't sing, Duke, And that's

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Speaker 1: jay Z shut down auto Tunes with that Auto Tunes

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Speaker 1: is dead. Ship and you're still doing that ship. Oh bad.

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Speaker 1: Everybody's doing that j down. They're still rocking. You didn't

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Speaker 1: listen to fucking Hove. That's the problem. You didn't want

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Speaker 1: to listen to fucking Hole. And here we are with

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Speaker 1: you fucking singing on the best song on the record,

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Speaker 1: which is not even like a NAS joint. It's the

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Speaker 1: type of song that could be played at a climactic

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Speaker 1: point in Fifty Shades of Gray or Batman. It's not

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Speaker 1: a it's not a banger. Nazi is kicking knowledge, but

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Speaker 1: it's it's like a Kanye so he could be like

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Speaker 1: in a car commercial, Keith Sweat is alive. Let Keith

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Speaker 1: Sweat sing on the record. Dude, stop. Nas at his

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Speaker 1: best is with large pro primo pete rock. That's where

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Speaker 1: Nas is at his all time best. So YO experiment

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Speaker 1: with this dude, and YO give the fans large pro

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Speaker 1: primo pete rock and some other some other andre fuck

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Speaker 1: it Q tip. Yeah exactly. That's when he's at his best.

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Speaker 1: The other dudes that made the bangers in the past

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Speaker 1: for him high tech you know what it is. Yeah, yeah,

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Speaker 1: professor at the listening party for this ship, like standing

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Speaker 1: next to these these clowns, like Yo, this is royalty

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Speaker 1: right here, Yo. I know Large Pro and I know

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Speaker 1: he was like, Yo, this ship is whacked. I know it.

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Speaker 1: I know it when he heard it because Large Pro

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Speaker 1: is a connoisseur of music. I know this dude. We

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Speaker 1: was talking, Yo, his knowledge is vast. You can't funk

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Speaker 1: with that, dude. And then to hear some old spaceship

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Speaker 1: with your and who you knew as a youngster on

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00:20:02,320 --> 00:20:05,199
Speaker 1: some old space ship and everybody lording this ship like

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00:20:05,240 --> 00:20:09,600
Speaker 1: it's nice bullshit, Yo. The last two songs Adam and

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Speaker 1: Eve and Simple Things. Listen to this album about twelve

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Speaker 1: fifteen times, listen to it in the crib on my signos,

330
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Speaker 1: listening to it on my headphones, they're both ah, nothing special.

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Speaker 1: There's not even that one song that I think is

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Speaker 1: really good. And nass Voice is just sick on that everything.

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Speaker 1: There's not a banger on here, and the one song

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00:20:31,920 --> 00:20:34,800
Speaker 1: that is banger ish just ends and it's not a banger.

335
00:20:34,840 --> 00:20:38,399
Speaker 1: It's just like a dope little joint. Very disappointed with

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00:20:38,480 --> 00:20:42,920
Speaker 1: this record. Kanye is obnoxious. He ruined it. I don't

337
00:20:42,920 --> 00:20:47,520
Speaker 1: know why or what propelled or compelled Jay Z and

338
00:20:47,560 --> 00:20:50,119
Speaker 1: Beyonce to release their record. A lot of theories, like

339
00:20:50,160 --> 00:20:52,680
Speaker 1: they were trying to shoot on their shine, shot on Kanye,

340
00:20:52,760 --> 00:20:56,800
Speaker 1: shift on Nas, the whole Ether takeover thing they put

341
00:20:56,800 --> 00:21:01,359
Speaker 1: out their their record. There's more. It's of of dopeness

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00:21:01,359 --> 00:21:03,439
Speaker 1: from Hove. I gotta be honest. As much as I

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Speaker 1: respect Beyonce, her music always feels foreign to me. It's

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00:21:08,760 --> 00:21:12,040
Speaker 1: just it's just way too lazy. It's way too female

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Speaker 1: or something. She's cursing, she's she's saying the N word

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Speaker 1: over and over. I'm confused because she used to never

347
00:21:20,359 --> 00:21:23,320
Speaker 1: do that and she used to be clean cut. You

348
00:21:23,320 --> 00:21:25,439
Speaker 1: couldn't get a word out of her. Now she's talking

349
00:21:25,480 --> 00:21:28,520
Speaker 1: ship and where this funk this funk that? And I'm like,

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Speaker 1: is that the real you? Or or is it is

351
00:21:31,160 --> 00:21:33,600
Speaker 1: the real you? When you were like, you know, super clean?

352
00:21:33,800 --> 00:21:36,320
Speaker 1: Who's the real you? And it doesn't mean it out

353
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Speaker 1: of respect her as an artist. She's a dope artist,

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Speaker 1: but like, I'm just like, what's your deal, dude? But

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Speaker 1: there's some there's some ship on there. I didn't get

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Speaker 1: to listen to it as much as I would like

357
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Speaker 1: to give it the full review, but you know, Hove,

358
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Speaker 1: he kicks some ship, um, you know, and you know

359
00:21:51,800 --> 00:21:54,360
Speaker 1: it's some grown ship and and it's definitely some ship

360
00:21:54,440 --> 00:21:56,560
Speaker 1: you you can rock over the summertime. It's definitely some

361
00:21:56,560 --> 00:21:59,359
Speaker 1: summer ship. There's moments I can't give him my full review,

362
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Speaker 1: but I gave you my full review of the Nazia

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Speaker 1: record and and I gotta say, as much as I

364
00:22:06,080 --> 00:22:09,600
Speaker 1: wanted to love it, I don't love it. My favorite

365
00:22:09,720 --> 00:22:13,040
Speaker 1: song of the last few months of new music being

366
00:22:13,080 --> 00:22:17,760
Speaker 1: put out is still to fifteen. But my man Black

367
00:22:17,840 --> 00:22:21,960
Speaker 1: thought from the roots, that's my ship. I funk with that.

368
00:22:22,000 --> 00:22:24,440
Speaker 1: With that, that's only like a little sample platter two,

369
00:22:24,480 --> 00:22:27,639
Speaker 1: but four out of five joints on there are smackers.

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00:22:27,640 --> 00:22:30,240
Speaker 1: In the fifth one is just some more like you know,

371
00:22:30,480 --> 00:22:33,840
Speaker 1: R and B Flowetree Erica Baduche, but it's still dope.

372
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Speaker 1: But there's four out of five bangers and the first

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Speaker 1: song on their toft Yo. He's the artist of the

374
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Speaker 1: year because when you look at when you look at

375
00:22:44,640 --> 00:22:46,880
Speaker 1: the you know, like it was just six months ago

376
00:22:46,920 --> 00:22:50,399
Speaker 1: that he did the funk flex Um freestyle for like

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Speaker 1: twelve minutes. Yeah, yeah, he's that lost, that lost art man.

378
00:22:55,480 --> 00:22:57,600
Speaker 1: He he does it the way you know we grew

379
00:22:57,680 --> 00:23:00,520
Speaker 1: up and you know, back in the days. But that's

380
00:23:00,560 --> 00:23:03,760
Speaker 1: the art form and he's that guy and nas Yo,

381
00:23:03,880 --> 00:23:06,440
Speaker 1: but you know these cats getting older now, they go

382
00:23:06,560 --> 00:23:09,520
Speaker 1: into these uh, these younger motherfucker's for beats and ship

383
00:23:09,720 --> 00:23:12,919
Speaker 1: because they got influence and it's a different game. It

384
00:23:12,960 --> 00:23:15,159
Speaker 1: ain't that boom bat music. So that doesn't need to

385
00:23:15,200 --> 00:23:19,639
Speaker 1: defer to Kanye West. Yeah, but not Kanye West is

386
00:23:19,680 --> 00:23:25,160
Speaker 1: a fucking obnoxious, fucking nut job who's unlikable. His persona

387
00:23:25,240 --> 00:23:27,199
Speaker 1: is unlikable. And you know what I'm gonna do to

388
00:23:27,240 --> 00:23:29,880
Speaker 1: not to Kanye West, to to show him what it's

389
00:23:29,920 --> 00:23:32,880
Speaker 1: like to put out these seven song little fucking sampler planters.

390
00:23:33,320 --> 00:23:37,160
Speaker 1: I'm gonna make my own personal best of Kanye West

391
00:23:37,200 --> 00:23:41,679
Speaker 1: playlist with only seven songs, and see how you like you. Fuck,

392
00:23:42,119 --> 00:23:44,040
Speaker 1: That's how I'm gonna get back to you. I'm gonna

393
00:23:44,040 --> 00:23:48,600
Speaker 1: make my Spotify best of Kanye playlist and it's only

394
00:23:48,680 --> 00:23:51,239
Speaker 1: gonna have seven songs, and I'm gonna stuff it right

395
00:23:51,280 --> 00:23:55,720
Speaker 1: back up your ass. Yeah. But yo, Kanye, no matter

396
00:23:55,760 --> 00:23:57,439
Speaker 1: what we say about this cat, he got a lot

397
00:23:57,520 --> 00:24:00,479
Speaker 1: of influence. And Yo, that's why these dudes, I mean,

398
00:24:00,520 --> 00:24:03,760
Speaker 1: they go to him because you know all these young motherfucker's,

399
00:24:03,840 --> 00:24:07,280
Speaker 1: Kanye is there dude, so I can understand it. But

400
00:24:07,359 --> 00:24:09,080
Speaker 1: all I wanted to shoot to be funky man and

401
00:24:09,320 --> 00:24:12,120
Speaker 1: I could get with it, but Ship, it's no, it's

402
00:24:12,160 --> 00:24:14,640
Speaker 1: not funk man, it's it's something else. It doesn't make

403
00:24:14,680 --> 00:24:17,480
Speaker 1: my head. NA, it's not inspiring, so I don't. I

404
00:24:17,480 --> 00:24:19,639
Speaker 1: don't get it. And and he's m C S NAS

405
00:24:19,680 --> 00:24:24,320
Speaker 1: and M it's difficult. Yeah, what they do? I mean

406
00:24:24,359 --> 00:24:27,960
Speaker 1: when when NAS is going like on that one song everything,

407
00:24:28,000 --> 00:24:30,040
Speaker 1: he's kicking some flash it and I was just like, yeo,

408
00:24:30,160 --> 00:24:34,080
Speaker 1: this is like your homeboy. He's great. Yeah, he's kicking Ship.

409
00:24:34,800 --> 00:24:37,199
Speaker 1: He's great man. Naz is great man. But at his

410
00:24:37,280 --> 00:24:40,280
Speaker 1: best it's New York City style ship man because he's

411
00:24:40,280 --> 00:24:43,000
Speaker 1: from New York. So at his best it's that boom

412
00:24:43,000 --> 00:24:45,760
Speaker 1: Bap is Premo is Pete Rock is large pro. You

413
00:24:45,800 --> 00:24:48,560
Speaker 1: know what I'm saying. It's like Molly, It's it's it's

414
00:24:48,600 --> 00:24:51,080
Speaker 1: that ship where he's at his best. Exactly. When you

415
00:24:51,119 --> 00:24:54,240
Speaker 1: look at like the top twenty NAS songs, anyone could

416
00:24:54,280 --> 00:24:57,199
Speaker 1: do it, like and there's you could do more than twenty.

417
00:24:57,200 --> 00:24:58,879
Speaker 1: But when you look at like, you know, if I

418
00:24:59,080 --> 00:25:02,240
Speaker 1: rule the world New York state of mind, hate me now,

419
00:25:02,640 --> 00:25:05,320
Speaker 1: you know if you look at like made you look one, Mike,

420
00:25:05,520 --> 00:25:08,280
Speaker 1: there's something in common with all those songs, you know,

421
00:25:08,320 --> 00:25:11,320
Speaker 1: whether it's the don you know like, there's something in

422
00:25:11,400 --> 00:25:14,200
Speaker 1: common with all those songs. You're working with this dude

423
00:25:14,400 --> 00:25:20,080
Speaker 1: who's out there and he doesn't need to have this

424
00:25:20,080 --> 00:25:23,280
Speaker 1: guy on his record. I wouldn't funk with him at all.

425
00:25:23,320 --> 00:25:26,280
Speaker 1: I just have Pete, I'll have fucking uh My guys. Yo,

426
00:25:26,359 --> 00:25:28,560
Speaker 1: when you when when you're in the sunset of your career,

427
00:25:28,720 --> 00:25:31,720
Speaker 1: you you got this type of cashe Yo. I want

428
00:25:31,720 --> 00:25:34,320
Speaker 1: to keep it how I rocked it. We already made

429
00:25:34,320 --> 00:25:37,720
Speaker 1: our ship boo. Let's let's let's keep it funky's art.

430
00:25:38,240 --> 00:25:40,480
Speaker 1: But but dudes feel they need to go, you know,

431
00:25:40,560 --> 00:25:43,879
Speaker 1: with with uh the influencers what they call him. But

432
00:25:43,960 --> 00:25:46,440
Speaker 1: that ship ain't funky, that s it ain't funky. That's

433
00:25:46,480 --> 00:25:50,640
Speaker 1: what I'm talking about. It's not funky. I agree, And

434
00:25:50,800 --> 00:25:54,159
Speaker 1: my seventh song Kanye West Best of Playlist will be

435
00:25:54,280 --> 00:25:57,119
Speaker 1: up uh soon and he can see how he fucking

436
00:25:57,160 --> 00:26:00,000
Speaker 1: likes it. Miles Jordan, let me hear something funky real quick.

437
00:26:03,840 --> 00:26:08,240
Speaker 1: All right, this is your last chance to get some gorgeous, beautiful,

438
00:26:08,680 --> 00:26:14,600
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439
00:26:14,880 --> 00:26:17,560
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440
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Speaker 1: should wear it with pride. The air Moody T shirt,

441
00:26:20,440 --> 00:26:24,560
Speaker 1: Gorgeous Gimo Nettie missing that dunk. I know he missed

442
00:26:24,560 --> 00:26:27,320
Speaker 1: that dunk. Murder Doc and Chill, the sucker Ship T

443
00:26:27,480 --> 00:26:30,040
Speaker 1: shirt in black and or white, do You Fuck You?

444
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445
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446
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Speaker 1: at district lines dot com forward slash. I am Rappaport.

447
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450
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Speaker 1: Lines dot com forward slash. I am Rappaport. All right, So,

451
00:27:00,400 --> 00:27:04,760
Speaker 1: as I told you, we got my main man. O'Shea Jackson,

452
00:27:05,280 --> 00:27:12,960
Speaker 1: son of Icon ice Cube, Oh Jackson Jr. Of course,

453
00:27:13,000 --> 00:27:15,800
Speaker 1: the son of ice Cube, Oh Jackson coming away. This

454
00:27:15,920 --> 00:27:19,320
Speaker 1: dude talks ship. It's funny because ice Cube is so

455
00:27:19,320 --> 00:27:22,200
Speaker 1: so it keeps it close to the vest. Low key.

456
00:27:22,359 --> 00:27:24,080
Speaker 1: You know you could get him going. I've known him

457
00:27:24,119 --> 00:27:27,080
Speaker 1: for a good amount of years. But his son is

458
00:27:27,560 --> 00:27:29,600
Speaker 1: a up and coming ship talking. We're talking about what

459
00:27:29,680 --> 00:27:32,639
Speaker 1: it's like to grow up, you know, in a family

460
00:27:32,680 --> 00:27:35,400
Speaker 1: of hip hop royalty. His father's ice Cube. I mean,

461
00:27:35,440 --> 00:27:38,880
Speaker 1: that's that's a lot. That's a lot um and uh

462
00:27:38,920 --> 00:27:42,000
Speaker 1: you know, ice Cube is raised his kids beautifully. This

463
00:27:42,080 --> 00:27:44,760
Speaker 1: is a good kid, funny kid, loves basketball, loves to talk.

464
00:27:44,760 --> 00:27:48,280
Speaker 1: Ship starred of course, and straight out of Compton as

465
00:27:48,320 --> 00:27:51,720
Speaker 1: his father. Um, we was just in another film with

466
00:27:53,880 --> 00:27:56,600
Speaker 1: Denna Thieves and he's doing his things as a young

467
00:27:56,640 --> 00:27:59,400
Speaker 1: man in Hollywood. So uh, he's coming up a little

468
00:27:59,400 --> 00:28:02,360
Speaker 1: bit later on the Iron Rappers Stereo podcast, this kid,

469
00:28:02,480 --> 00:28:06,639
Speaker 1: this young rapper who just got shot and killed. Uh

470
00:28:06,840 --> 00:28:16,720
Speaker 1: x um triple X condolences to his family. Man, Damn meagine, ship,

471
00:28:18,480 --> 00:28:21,200
Speaker 1: that's terrible. Man. I don't know what happened, but Yo,

472
00:28:22,640 --> 00:28:25,120
Speaker 1: that violence and all that that gun violence and all

473
00:28:25,119 --> 00:28:27,639
Speaker 1: that ship, that street ship. I don't know what it was,

474
00:28:27,720 --> 00:28:32,760
Speaker 1: but Yo, that ship comes back to bite you all

475
00:28:32,800 --> 00:28:41,880
Speaker 1: the time. Um. Johnny Clarkhead, Johnny Coach, Johnny Johnny Manziel

476
00:28:42,800 --> 00:28:46,800
Speaker 1: sat on the bench for the entire game. Yeah, I

477
00:28:46,840 --> 00:28:49,040
Speaker 1: saw it getting no burn out there in the CFL

478
00:28:49,360 --> 00:28:51,719
Speaker 1: for the first game of the season with the Tiger Cats.

479
00:28:53,240 --> 00:28:57,000
Speaker 1: If you're on the bench the entire game, you ain't

480
00:28:57,000 --> 00:28:59,960
Speaker 1: all that. You're out there in Canada playing Canadian football

481
00:29:00,200 --> 00:29:02,920
Speaker 1: and you're the draw and they can't figure out a

482
00:29:02,920 --> 00:29:05,600
Speaker 1: way to put you in the goddamn game. And you're

483
00:29:05,640 --> 00:29:10,480
Speaker 1: the American out there, You're the American funk up. It's

484
00:29:10,480 --> 00:29:12,600
Speaker 1: like it's like a ship show, like come watch, come

485
00:29:12,640 --> 00:29:14,720
Speaker 1: watch the funk up. See if he's still got something

486
00:29:14,800 --> 00:29:16,840
Speaker 1: left in the take, and they sit you on the bench.

487
00:29:17,360 --> 00:29:20,440
Speaker 1: Work work. Warren Moon went out there and showed his

488
00:29:20,560 --> 00:29:22,720
Speaker 1: ass man what you do. It was easy work for

489
00:29:22,760 --> 00:29:25,120
Speaker 1: Warred Moon. It's like when Steph Marbury's in China. Of

490
00:29:25,120 --> 00:29:28,600
Speaker 1: course he's gonna score fifty sixty. You're supposed to be

491
00:29:28,640 --> 00:29:31,240
Speaker 1: so nice your heisman award. Give your heisman to Big

492
00:29:31,240 --> 00:29:34,480
Speaker 1: Mike Evans. He got you that Heisman award. Duke, you

493
00:29:34,560 --> 00:29:37,280
Speaker 1: are in Canada and you can't get no burn, and

494
00:29:37,320 --> 00:29:38,760
Speaker 1: you know they want to figure out a way to

495
00:29:38,800 --> 00:29:41,480
Speaker 1: put him in the game. It's like, yo, nobody's checking

496
00:29:41,520 --> 00:29:44,000
Speaker 1: for these games. If we put Johnny Manzel and you

497
00:29:44,040 --> 00:29:45,760
Speaker 1: could do some of that flash that you were doing

498
00:29:45,760 --> 00:29:48,720
Speaker 1: in college that makes the highlight reels in America that's

499
00:29:48,720 --> 00:29:51,640
Speaker 1: good for Canadian football and they couldn't find two seconds

500
00:29:51,640 --> 00:29:54,280
Speaker 1: to put you in the game. Yeah. Yeah, you're supposed

501
00:29:54,280 --> 00:29:56,000
Speaker 1: to be all that and they can't give you a

502
00:29:56,040 --> 00:30:03,120
Speaker 1: couple of snaps. Damn barstool clowns. He's motherfucker. Anybody associated

503
00:30:03,160 --> 00:30:06,040
Speaker 1: with that bullshit company. One of the dudes, Uh, because

504
00:30:06,120 --> 00:30:09,560
Speaker 1: we're officially out of that ship. One of the dudes

505
00:30:09,600 --> 00:30:13,680
Speaker 1: I was talking all that ship. Uh. This dude, Louis,

506
00:30:14,040 --> 00:30:17,120
Speaker 1: his name is Buddy Love. Shot on him if you want.

507
00:30:17,360 --> 00:30:19,840
Speaker 1: He just opened up a company. He left, He left

508
00:30:19,840 --> 00:30:22,640
Speaker 1: that piss hole. He opened up a company selling some

509
00:30:22,840 --> 00:30:27,040
Speaker 1: can rose. Duke, how are you gonna sell dudes? Can rose?

510
00:30:27,240 --> 00:30:29,000
Speaker 1: What the fund is you trying to? Yo? My man?

511
00:30:29,480 --> 00:30:33,080
Speaker 1: You guys think that all that old Stuley ship Travels

512
00:30:33,080 --> 00:30:36,560
Speaker 1: got a little wake up card going all you motherfucker's

513
00:30:36,600 --> 00:30:40,160
Speaker 1: all you motherfucker's you pencil pushing deak job having motherfucker's

514
00:30:40,160 --> 00:30:43,080
Speaker 1: over there at that whack ass company. And you got

515
00:30:43,080 --> 00:30:46,120
Speaker 1: your man Johnny Cluckhead. You give him a podcast and

516
00:30:46,120 --> 00:30:50,320
Speaker 1: ship is trashed, Yo. You gotta dude. A former Heisman

517
00:30:50,600 --> 00:30:53,560
Speaker 1: Award winner who who snorted his way out of the

518
00:30:53,680 --> 00:30:59,720
Speaker 1: NFL on the Bitch in Canada. Can't get anything. You

519
00:30:59,800 --> 00:31:03,440
Speaker 1: get this motherfucker a pocket. I know podcasts like assholes

520
00:31:03,640 --> 00:31:07,320
Speaker 1: and everybody's got one, but goddamn, have some integrity about

521
00:31:07,400 --> 00:31:11,400
Speaker 1: yourself if you can Rose Duke, yeah, he got it.

522
00:31:11,480 --> 00:31:15,040
Speaker 1: At least get some burn to get a podcast. You

523
00:31:15,120 --> 00:31:18,000
Speaker 1: can't be on a bitch in Canada, man, Come on,

524
00:31:18,760 --> 00:31:22,840
Speaker 1: you can't dominating Kennedy. Yoh, you should be a cheerleader, Duke. Yeah.

525
00:31:22,960 --> 00:31:27,800
Speaker 1: Doug Flutie, he was out there, they came back, they started.

526
00:31:28,240 --> 00:31:32,160
Speaker 1: Warren Moue got out there, he started. Dog was out

527
00:31:32,200 --> 00:31:34,880
Speaker 1: there throwing ten touchdowns and ship. That's you know, if

528
00:31:35,120 --> 00:31:37,080
Speaker 1: you're a guy that's on the fence in the NFL

529
00:31:37,240 --> 00:31:40,080
Speaker 1: and you're trying to prove your way back into the

530
00:31:40,200 --> 00:31:44,400
Speaker 1: NFL and you can't even get a snap opening game, Duke,

531
00:31:44,720 --> 00:31:47,160
Speaker 1: the fund is you doing? Man? Yeah, you're not. You're

532
00:31:47,200 --> 00:31:50,560
Speaker 1: not You're not what they said you was. Man, he

533
00:31:50,720 --> 00:31:55,200
Speaker 1: said you was, But you're exactly what we said you was. Yeah,

534
00:31:55,640 --> 00:31:58,960
Speaker 1: you're not all that. And Yo, Saturdays and for the boys.

535
00:31:59,160 --> 00:32:02,240
Speaker 1: Talking up Saturdays are for the boys. If you can't

536
00:32:02,320 --> 00:32:05,560
Speaker 1: find some chicks to rub up against. Saturdays for the

537
00:32:05,600 --> 00:32:08,480
Speaker 1: boys if you can't get any ass, clown ass motherfucker.

538
00:32:08,560 --> 00:32:10,840
Speaker 1: Oh yeah, yeah, yeah, you're right that that's a fund

539
00:32:10,920 --> 00:32:14,400
Speaker 1: up slogan for men. Like Saturdays. Nah, Saturdays, it's for

540
00:32:14,480 --> 00:32:16,600
Speaker 1: rubbing up with some chicks. It's for going to the

541
00:32:16,600 --> 00:32:19,120
Speaker 1: club to try to bag some shots, get some women.

542
00:32:19,600 --> 00:32:22,440
Speaker 1: That's what Saturdays is for Saturdays and for two stepping

543
00:32:22,480 --> 00:32:25,480
Speaker 1: at the club. What the fund is you talking about?

544
00:32:25,560 --> 00:32:31,360
Speaker 1: Saturdays for the boys. M some Caitlin ship be Oh,

545
00:32:31,400 --> 00:32:35,240
Speaker 1: there are some some the Lonely Boys Club of America. Motherfucker.

546
00:32:35,520 --> 00:32:39,240
Speaker 1: Get some friends, man, Yo, watch some Happy Days episode.

547
00:32:39,320 --> 00:32:43,040
Speaker 1: Check out Fanzee how you used to do it? Yeah, yes, yo,

548
00:32:43,560 --> 00:32:47,440
Speaker 1: Saturdays ain't for the boys. Saturdays it's for cooling out,

549
00:32:47,680 --> 00:32:50,320
Speaker 1: getting some drink and getting some nice women around you.

550
00:32:50,760 --> 00:32:53,560
Speaker 1: Don't let these mothers, don't let these motherfucker's fool you.

551
00:32:54,200 --> 00:32:59,760
Speaker 1: Saturdays is for drinks and having women around you. Um, Miles,

552
00:33:00,000 --> 00:33:01,800
Speaker 1: ward and let me get some of that sick funk

553
00:33:01,840 --> 00:33:06,000
Speaker 1: of the week. This award is earned, not given. It's

554
00:33:06,000 --> 00:33:09,840
Speaker 1: called the sick fucking a Week. This guy is really sick.

555
00:33:10,320 --> 00:33:13,320
Speaker 1: Lock him up? How could you do it? Don't let

556
00:33:13,360 --> 00:33:16,480
Speaker 1: him out? Damn who you fuck the door? You want

557
00:33:16,720 --> 00:33:19,080
Speaker 1: you fuck the door? Why would you fuck the dog?

558
00:33:19,680 --> 00:33:23,600
Speaker 1: Why would you fuck your girlfriend's dog? What? Sick fuck?

559
00:33:23,720 --> 00:33:27,520
Speaker 1: The sick funck of the week. It's earned, earned, not

560
00:33:27,720 --> 00:33:39,120
Speaker 1: giving you didn't what? No, no, no, Yes, award winning

561
00:33:39,160 --> 00:33:42,040
Speaker 1: sick Funk of the Week segment. It is earned, not given.

562
00:33:42,080 --> 00:33:47,000
Speaker 1: It is earned but not given. Uh. This is an

563
00:33:47,040 --> 00:33:50,000
Speaker 1: award winning segment where we break down some of the

564
00:33:50,040 --> 00:33:56,200
Speaker 1: sickest fox of all of the last days comings and goings,

565
00:33:56,240 --> 00:34:01,240
Speaker 1: the sick Fox of the Week. UM, I will start

566
00:34:01,280 --> 00:34:05,960
Speaker 1: this all right. I hate to bring up another incident.

567
00:34:08,120 --> 00:34:10,759
Speaker 1: This is becoming some sort of epidemic. But a New

568
00:34:10,840 --> 00:34:16,040
Speaker 1: York City firefighter, a well decorated, well connected New York

569
00:34:16,239 --> 00:34:22,279
Speaker 1: City firefighter who was uh once booted from the New

570
00:34:22,360 --> 00:34:28,520
Speaker 1: York City fire Fighting Department over some racist online rants.

571
00:34:30,160 --> 00:34:33,880
Speaker 1: If that wasn't embarrassing enough, he has now been caught

572
00:34:35,480 --> 00:34:43,160
Speaker 1: and charged for shitting defecating in a neighbor's backyard in

573
00:34:43,200 --> 00:34:48,600
Speaker 1: New Jersey. I feel like every single time that we

574
00:34:48,760 --> 00:34:51,520
Speaker 1: do this award winning sick Funk of the Week segment,

575
00:34:51,600 --> 00:34:55,280
Speaker 1: we are now talking about one man crapping in another

576
00:34:55,360 --> 00:35:02,200
Speaker 1: man's private private area and or just blatantly crapping out

577
00:35:02,239 --> 00:35:08,120
Speaker 1: in public. Why I do not know. But you you,

578
00:35:08,120 --> 00:35:10,640
Speaker 1: you Mr Kalidus, motherfucker, You're supposed to shed light over

579
00:35:10,719 --> 00:35:14,120
Speaker 1: I've talked about it, and I've thought about it endlessly. Yes,

580
00:35:14,239 --> 00:35:16,840
Speaker 1: I am Mr Kaliitus and I am a guy who

581
00:35:16,960 --> 00:35:20,319
Speaker 1: is known to drop a deuce in public. But but

582
00:35:20,800 --> 00:35:23,480
Speaker 1: I have I have my issues, and I'm not proud

583
00:35:23,520 --> 00:35:25,719
Speaker 1: of it. Um. I am proud of the way I

584
00:35:25,760 --> 00:35:27,239
Speaker 1: have dealt with it. I'm proud of the the fact of

585
00:35:27,440 --> 00:35:30,520
Speaker 1: that I've never gotten caught. You hear that, that's me

586
00:35:30,600 --> 00:35:34,759
Speaker 1: knocking on Would God forbid? Would it be good or

587
00:35:34,800 --> 00:35:37,280
Speaker 1: bad for business of the Iron Wrap Coors Stereo podcast?

588
00:35:37,320 --> 00:35:38,920
Speaker 1: Would be? Would it be good for the iron Wrap

589
00:35:38,920 --> 00:35:41,560
Speaker 1: Coors Stereo podcast business if you caught me on some

590
00:35:41,719 --> 00:35:46,279
Speaker 1: infrared light dropping a deuce in broad daylight? I don't know.

591
00:35:46,320 --> 00:35:48,359
Speaker 1: In this day and age, if, if, if I would

592
00:35:48,400 --> 00:35:50,680
Speaker 1: be looked at as a as a hero or would

593
00:35:50,719 --> 00:35:53,400
Speaker 1: this just be just the end of us? Yeah? I

594
00:35:53,440 --> 00:35:55,839
Speaker 1: think would beat the end because they would say why

595
00:35:55,840 --> 00:35:57,839
Speaker 1: he didn't go to the bathroom, why why? And why

596
00:35:57,840 --> 00:36:00,720
Speaker 1: he didn't clean it up? See, that's the thing. Nobody cares.

597
00:36:00,880 --> 00:36:02,880
Speaker 1: If you've got a problem, you've got a problem. But

598
00:36:02,920 --> 00:36:05,319
Speaker 1: when you're doing this ship and then not clean it up,

599
00:36:05,320 --> 00:36:08,719
Speaker 1: you're trying to say fuck me. So I'm gonna say

600
00:36:08,719 --> 00:36:11,560
Speaker 1: fuck you man. All right, Well, we're gonna try to

601
00:36:11,640 --> 00:36:13,840
Speaker 1: keep you know, get our way back to the bathroom

602
00:36:14,160 --> 00:36:18,719
Speaker 1: and avoid incidents like that. Um second sick funk of

603
00:36:18,719 --> 00:36:20,480
Speaker 1: the week, and he looks like a sick funk of

604
00:36:20,480 --> 00:36:21,799
Speaker 1: the weekend. I want to give a shout out to

605
00:36:21,840 --> 00:36:23,880
Speaker 1: the sick funk of the week whisper and all the

606
00:36:23,920 --> 00:36:28,440
Speaker 1: fans who are just flooding my d m s flooding

607
00:36:28,520 --> 00:36:32,279
Speaker 1: I am Rappaport podcast at gmail dot com. I am

608
00:36:32,320 --> 00:36:36,759
Speaker 1: Wrapper podcast at gmail dot com. Uh, flooding my Instagram,

609
00:36:36,760 --> 00:36:40,840
Speaker 1: flooding my Twitter and my Facebook with all these suggestions,

610
00:36:40,880 --> 00:36:42,960
Speaker 1: but once again the cream rises to the top. The

611
00:36:43,040 --> 00:36:45,560
Speaker 1: sick funk of the week Whisperer sent us this one,

612
00:36:45,640 --> 00:36:49,359
Speaker 1: Gregory Alexander, eighty two years old. Do do you know,

613
00:36:49,560 --> 00:36:54,600
Speaker 1: Mr Alexander? Nope, looks like a real sick funk of

614
00:36:54,600 --> 00:36:58,960
Speaker 1: the week. Of course they all do. He's from Florida.

615
00:36:59,760 --> 00:37:06,040
Speaker 1: Was charged with battery and interference on an aircraft. Uh

616
00:37:06,080 --> 00:37:11,720
Speaker 1: interrupting and interfering with aircraft operations. He not only uh

617
00:37:11,960 --> 00:37:17,200
Speaker 1: screamed racial slurs and taunts at an American Airlines flight attendant.

618
00:37:18,000 --> 00:37:22,080
Speaker 1: He uh, he pushed her and jabbed her with her finger.

619
00:37:22,680 --> 00:37:26,319
Speaker 1: Uh when he um he called her a fat he

620
00:37:26,560 --> 00:37:28,799
Speaker 1: I think he believed he called her um, quoting a

621
00:37:28,840 --> 00:37:33,719
Speaker 1: fat animal. Um. He was arrested, he managed to forcibly

622
00:37:33,840 --> 00:37:37,520
Speaker 1: slide past her and make his way back to his seat.

623
00:37:38,239 --> 00:37:43,560
Speaker 1: Old man, old man Gregory has been charged with various crimes. Listen,

624
00:37:43,800 --> 00:37:48,000
Speaker 1: whether you're eighty two, my father's eighty five. He not

625
00:37:48,120 --> 00:37:50,440
Speaker 1: acting crazy like this when he's at the green kitchen

626
00:37:50,520 --> 00:37:53,759
Speaker 1: or at the bar when he's flying. And and if

627
00:37:53,800 --> 00:37:56,200
Speaker 1: you're eighty two and you can't fly alone and you've

628
00:37:56,239 --> 00:38:00,720
Speaker 1: lost it, yo, you shouldn't be flying uh on the plane.

629
00:38:02,239 --> 00:38:04,239
Speaker 1: And if you need a ship bag, bring yourself a

630
00:38:04,239 --> 00:38:06,960
Speaker 1: ship bag. But when the lady says sit down because

631
00:38:06,960 --> 00:38:10,520
Speaker 1: there's um, you know, turbulence or him, you gotta sit down, Duke.

632
00:38:10,600 --> 00:38:13,799
Speaker 1: I don't care how old you are, Duke, Yes, sit

633
00:38:13,840 --> 00:38:17,200
Speaker 1: down man. When it's turbulence, I got I gotta sick

634
00:38:17,239 --> 00:38:20,759
Speaker 1: funk for you right now. Check it out. Two roommates

635
00:38:21,440 --> 00:38:25,560
Speaker 1: face rape charges for allegedly grooming a prisoner to be

636
00:38:25,760 --> 00:38:32,160
Speaker 1: their sex puppy. So they invited homeboy over to do fetish.

637
00:38:32,440 --> 00:38:35,440
Speaker 1: You know, puppy play is what they call it. Jesus

638
00:38:36,680 --> 00:38:42,080
Speaker 1: so money. They had money out on all fours, like

639
00:38:42,160 --> 00:38:46,120
Speaker 1: acting like a dog, and and they were gonna wear

640
00:38:46,200 --> 00:38:48,799
Speaker 1: him out, and he was gonna be he was gonna

641
00:38:48,800 --> 00:38:52,720
Speaker 1: be the dog for the rest of the afternoon. Puppy play.

642
00:38:53,000 --> 00:38:56,880
Speaker 1: Puppy plays a new Now. I can't believe this, but

643
00:38:57,239 --> 00:39:00,360
Speaker 1: they got they got charged, and they was on some

644
00:39:00,480 --> 00:39:03,759
Speaker 1: rape ship. They raped money. Oh, these people are animals

645
00:39:04,600 --> 00:39:06,839
Speaker 1: and they turned him into a dog and they raped them.

646
00:39:07,160 --> 00:39:10,120
Speaker 1: Nothing funny about this is a true blue sick fuck.

647
00:39:10,239 --> 00:39:14,719
Speaker 1: Shame on these animals. Yeah, Jacob Lester and Benjamin Mooney

648
00:39:14,960 --> 00:39:17,919
Speaker 1: turned my man invited his their friend over to turn

649
00:39:18,000 --> 00:39:21,080
Speaker 1: him into a dog to wear him out. Did they

650
00:39:21,160 --> 00:39:28,080
Speaker 1: arrest these animals, undoubtedly, Jesus christ Um. This is a

651
00:39:28,800 --> 00:39:31,040
Speaker 1: This is an update on one of our old sick fus.

652
00:39:31,600 --> 00:39:36,239
Speaker 1: You remember the mom in Kentucky who was trying to

653
00:39:36,280 --> 00:39:39,000
Speaker 1: teach her fourteen year old daughter a lesson or not

654
00:39:39,080 --> 00:39:42,080
Speaker 1: to drink, and she forced her daughter to drink so

655
00:39:42,160 --> 00:39:44,920
Speaker 1: much that she passed out and you know, was sick

656
00:39:44,960 --> 00:39:47,200
Speaker 1: and and all this this is, this is mothering in

657
00:39:47,360 --> 00:39:55,040
Speaker 1: in two thousand and eighteen. This this animal got twenty years. Now.

658
00:39:55,360 --> 00:39:57,200
Speaker 1: I'm not saying she's not a sick funck and she

659
00:39:57,239 --> 00:40:01,560
Speaker 1: didn't deserve to go to jail, but I gotta say

660
00:40:01,560 --> 00:40:06,120
Speaker 1: there's sex offenders out there. Yeah, twenty years is a

661
00:40:06,160 --> 00:40:09,600
Speaker 1: long time. This woman obviously needs help, and uh you know,

662
00:40:09,680 --> 00:40:11,600
Speaker 1: she should be charged with some sort of crime. But

663
00:40:11,680 --> 00:40:14,520
Speaker 1: think about it. There's people carrying guns. You could get

664
00:40:14,520 --> 00:40:18,200
Speaker 1: a gun charge and do five hard ones. This woman

665
00:40:18,520 --> 00:40:21,439
Speaker 1: obviously she broke the law and she's a sick funck, yes,

666
00:40:21,600 --> 00:40:25,600
Speaker 1: but twenty years. There's sex offenders that have molested people

667
00:40:26,360 --> 00:40:29,359
Speaker 1: seven years, eleven years, and they somehow, some way get

668
00:40:29,360 --> 00:40:31,919
Speaker 1: out of jail. To me, this is I'm not in

669
00:40:32,120 --> 00:40:36,280
Speaker 1: favor of any sick funs of the week roaming the streets,

670
00:40:36,320 --> 00:40:39,440
Speaker 1: but twenty years seems like a really harsh sentence, thoughts,

671
00:40:39,560 --> 00:40:44,960
Speaker 1: Mr Moody, You are absolutely right, Um, that's disproportionate. I

672
00:40:45,000 --> 00:40:48,880
Speaker 1: think the punishment should fit the crime, and of course

673
00:40:49,440 --> 00:40:52,839
Speaker 1: it'll probably be appealed and uh yo, but that you're

674
00:40:52,920 --> 00:40:55,319
Speaker 1: right twenty years too too harsh, even though she's a

675
00:40:55,360 --> 00:40:59,719
Speaker 1: sick fuck. Yes obviously obviously, but that's too much. That's

676
00:40:59,719 --> 00:41:05,120
Speaker 1: too time man publishment fit the crime um Finally, a

677
00:41:05,200 --> 00:41:14,880
Speaker 1: Boca Ratoneman, Florida, was that Miami International Airport ping ping

678
00:41:15,760 --> 00:41:21,359
Speaker 1: in public at the airport. Let me just remind everybody, yo,

679
00:41:21,560 --> 00:41:25,360
Speaker 1: when you're at the airport, when you getting the fights

680
00:41:25,400 --> 00:41:28,200
Speaker 1: on planes and you're at the airport, yo, you're not

681
00:41:28,400 --> 00:41:32,880
Speaker 1: on regular grounds, you dummy. You can't piss against a

682
00:41:32,960 --> 00:41:37,240
Speaker 1: tree at the airport. You can't just unfold the loaf

683
00:41:37,560 --> 00:41:40,719
Speaker 1: and piss in Miami International Airport if you're not in

684
00:41:40,760 --> 00:41:44,080
Speaker 1: the bathroom. It don't work like that. You you're gonna

685
00:41:44,120 --> 00:41:47,760
Speaker 1: get You're gonna get more charges than you were for

686
00:41:47,760 --> 00:41:51,400
Speaker 1: for public and decency at a park. You're in the airport.

687
00:41:51,440 --> 00:41:54,080
Speaker 1: I don't know if it's federal or what it is,

688
00:41:54,320 --> 00:41:57,800
Speaker 1: but I don't understand why people think airports and planes

689
00:41:57,960 --> 00:41:59,920
Speaker 1: are the place to try to get crunk. It's not

690
00:42:00,000 --> 00:42:03,080
Speaker 1: out the place to try to get crunk. Yeah, did

691
00:42:03,120 --> 00:42:05,600
Speaker 1: you hear about the story where a dude brought a

692
00:42:05,680 --> 00:42:08,480
Speaker 1: sex dollar up on the plane and he you know,

693
00:42:08,600 --> 00:42:10,560
Speaker 1: he tried to hit it. He hit the sex doll

694
00:42:10,640 --> 00:42:12,759
Speaker 1: on the plane. They had to land the plane money,

695
00:42:12,840 --> 00:42:14,920
Speaker 1: So you couldn't wait till you got off the plane.

696
00:42:14,920 --> 00:42:16,480
Speaker 1: You couldn't win. Like if you were like if you

697
00:42:16,560 --> 00:42:19,000
Speaker 1: got all gaped up in your you're you're that hot,

698
00:42:19,920 --> 00:42:22,799
Speaker 1: you couldn't uh go in the bathroom and choke the

699
00:42:22,840 --> 00:42:25,520
Speaker 1: chicken if you gotta do. I'm not gonna lie. When

700
00:42:25,520 --> 00:42:28,480
Speaker 1: I was younger, I did that. I did that. In

701
00:42:28,520 --> 00:42:30,160
Speaker 1: my twenties, I did that a couple of times. Not

702
00:42:30,200 --> 00:42:32,960
Speaker 1: all the time. But you know, five five hour flight,

703
00:42:33,040 --> 00:42:35,719
Speaker 1: your horn, and you're young, you could do that. There's nothing,

704
00:42:35,760 --> 00:42:38,120
Speaker 1: there's no shame in that. But when you're blowing up

705
00:42:38,120 --> 00:42:41,319
Speaker 1: the sex doll on the plane, we're gonna land the plane, duke,

706
00:42:41,440 --> 00:42:45,200
Speaker 1: and you might get beaten up on the plane. Wait wait, wait,

707
00:42:45,239 --> 00:42:48,520
Speaker 1: you choked the chicken on the airplane. Yeah? Yeah, oh

708
00:42:48,600 --> 00:42:50,600
Speaker 1: my god, not in my seat, I said, in the

709
00:42:50,640 --> 00:42:54,480
Speaker 1: privacy of a bathroom ship. You know you bug it?

710
00:42:54,560 --> 00:42:59,959
Speaker 1: Yeah you can't, you crazy man, Well, this guy can't wait.

711
00:43:00,920 --> 00:43:04,120
Speaker 1: I'm saying this is years ago. I've been flying, you know,

712
00:43:04,160 --> 00:43:06,040
Speaker 1: I've been flying for years. I'm saying this is years

713
00:43:06,040 --> 00:43:08,839
Speaker 1: is gonna be honest and being open. This guy has

714
00:43:08,840 --> 00:43:14,080
Speaker 1: been arrested apparently, uh inadvertently or or on purpose. While

715
00:43:14,080 --> 00:43:17,040
Speaker 1: he was peeing in public at the airport. An eight

716
00:43:17,120 --> 00:43:20,840
Speaker 1: year old was nearby. Lock Mouney up, you're an animal.

717
00:43:21,520 --> 00:43:23,640
Speaker 1: You know where where is he peeing at nited gates

718
00:43:23,719 --> 00:43:26,520
Speaker 1: where motherfuckers is waiting? Yeah? By the gate, by the gate.

719
00:43:26,600 --> 00:43:29,000
Speaker 1: There's so many bathrooms in the airport. Go to the gate,

720
00:43:29,040 --> 00:43:35,839
Speaker 1: you fucking dog. Come on, man, damn you want one more?

721
00:43:36,080 --> 00:43:38,719
Speaker 1: You want one more? Sick a week people, Yeah, I'll

722
00:43:38,760 --> 00:43:41,600
Speaker 1: give it. I'll give you one more. I'll give you

723
00:43:41,680 --> 00:43:45,200
Speaker 1: one more. You want one more? G want you want

724
00:43:45,239 --> 00:43:47,520
Speaker 1: one more? I'll give you one more. Uh. We got

725
00:43:47,640 --> 00:43:52,200
Speaker 1: this from our own Miles Davis, producer extraordinaire in Australia.

726
00:43:52,680 --> 00:43:56,520
Speaker 1: These people, they think they really will do anything to

727
00:43:56,600 --> 00:43:59,839
Speaker 1: get famous online. They will do anything to get fame

728
00:44:00,320 --> 00:44:04,120
Speaker 1: on Instagram, social media, YouTube and all that. Some sick

729
00:44:04,280 --> 00:44:10,759
Speaker 1: fuck in Melbourne, Australia posed as a cop. He was

730
00:44:10,840 --> 00:44:15,440
Speaker 1: posing as a cop in um calling random people. He

731
00:44:15,520 --> 00:44:19,719
Speaker 1: would get their information, He would do background checks on Facebook.

732
00:44:20,040 --> 00:44:23,360
Speaker 1: He called them and the videotape it to get their reaction.

733
00:44:24,160 --> 00:44:27,880
Speaker 1: He called a woman in Australia posing as a police

734
00:44:27,920 --> 00:44:32,680
Speaker 1: officer and said that to a mother that her daughter

735
00:44:32,800 --> 00:44:35,280
Speaker 1: had been hit by a truck and killed. I'm sorry

736
00:44:35,640 --> 00:44:42,800
Speaker 1: she passed away, and and filmed the reactions that to me,

737
00:44:44,080 --> 00:44:47,239
Speaker 1: you should go to jail for twenty years more than

738
00:44:47,320 --> 00:44:49,360
Speaker 1: the alcohol. Now, the alcohol woman with them, with the

739
00:44:49,400 --> 00:44:53,719
Speaker 1: woman in Kentucky, she deserves time. But that is fucked up.

740
00:44:55,000 --> 00:44:57,600
Speaker 1: I'm not saying I'm not saying he should get twenty years.

741
00:44:57,920 --> 00:44:59,680
Speaker 1: But if I was gonna put one of them away,

742
00:45:00,160 --> 00:45:05,040
Speaker 1: this guy would go away. Yeah, less like a premeditated,

743
00:45:05,320 --> 00:45:08,560
Speaker 1: mean spirit nous. Yeah that's funny to you, fat boy.

744
00:45:08,640 --> 00:45:11,839
Speaker 1: This guy's a fat slob. This guy is a fat

745
00:45:12,400 --> 00:45:16,600
Speaker 1: pig and he did this. You could traumatize a family.

746
00:45:16,640 --> 00:45:18,600
Speaker 1: You could cause a heart attack from that ship man

747
00:45:20,520 --> 00:45:24,279
Speaker 1: years fifteen years be based on just the thought of that,

748
00:45:24,560 --> 00:45:26,759
Speaker 1: just you being that type of human being. Fifteen years.

749
00:45:26,880 --> 00:45:30,520
Speaker 1: That's how we get down. We give you fifteen years. Uh.

750
00:45:30,920 --> 00:45:35,080
Speaker 1: We we are refusing once again, collectively, we have agreed

751
00:45:36,400 --> 00:45:39,000
Speaker 1: and sold there's some actual information to discuss on. I

752
00:45:39,080 --> 00:45:41,000
Speaker 1: just wanted to throw this out there to the fans.

753
00:45:41,520 --> 00:45:45,360
Speaker 1: We're we're not talking about Lebron James on this episode

754
00:45:45,360 --> 00:45:48,799
Speaker 1: of the Iron Wrap or Stereo podcast. Right it's over,

755
00:45:48,960 --> 00:45:52,759
Speaker 1: he lost. I don't need to talk about this fucking guy.

756
00:45:53,239 --> 00:45:55,480
Speaker 1: Like if you if you're gonna get somebody, like, try

757
00:45:55,520 --> 00:45:58,320
Speaker 1: to lure Steph Curry till the Lakers. This is a winner.

758
00:45:58,640 --> 00:46:01,840
Speaker 1: Get Draymond Green to the Lakers. Try to get Clay Thompson.

759
00:46:02,080 --> 00:46:05,640
Speaker 1: Let him be the star. We'll not discussing Lebron James.

760
00:46:05,920 --> 00:46:09,320
Speaker 1: Everybody Where's he gonna go? Kawhi leonor Kauai. Let me

761
00:46:09,360 --> 00:46:11,759
Speaker 1: tell you something, my friend. Not only you are you

762
00:46:11,880 --> 00:46:14,200
Speaker 1: injured goods, but if I were you, I would figure

763
00:46:14,239 --> 00:46:17,960
Speaker 1: out a way to stay with the greatest coach in basketball.

764
00:46:18,080 --> 00:46:21,320
Speaker 1: Right now, Greg popas you you don't like playing for

765
00:46:21,360 --> 00:46:24,399
Speaker 1: the San Antonio's first duke, You may not be all

766
00:46:24,520 --> 00:46:28,320
Speaker 1: that now have death, have defense, will travel. But do

767
00:46:28,400 --> 00:46:30,200
Speaker 1: you think he's gonna be like that dude when he

768
00:46:30,239 --> 00:46:34,560
Speaker 1: goes somewhere else. I think Kawhi Leonard has that DNA

769
00:46:35,080 --> 00:46:37,520
Speaker 1: to be that dude. He was there, he won an

770
00:46:37,600 --> 00:46:40,239
Speaker 1: m v P with Tim Duncan these motherfucker's on the team.

771
00:46:40,760 --> 00:46:43,480
Speaker 1: He has that DNA and I want him to get

772
00:46:43,520 --> 00:46:46,040
Speaker 1: that two hunted and and that's it, man, Let him

773
00:46:46,080 --> 00:46:48,239
Speaker 1: get that two hundred mill. Don't hate on this guy

774
00:46:48,400 --> 00:46:51,920
Speaker 1: because you you're, you're, you're, you're turning into the NBA whore?

775
00:46:53,280 --> 00:46:56,360
Speaker 1: Who me? Yeah? You all over the play first you

776
00:46:56,440 --> 00:46:59,040
Speaker 1: with Golden? Stay? You over there doing bullshit? Now you

777
00:46:59,160 --> 00:47:01,160
Speaker 1: over here? You know Stay and gold to stay? Stop

778
00:47:01,239 --> 00:47:05,800
Speaker 1: talking about us? Man, who's us? The rest of the league?

779
00:47:06,120 --> 00:47:08,600
Speaker 1: I actually have to discussed the rest of the league. No,

780
00:47:09,200 --> 00:47:12,439
Speaker 1: but but you, who are you with Let's say let's

781
00:47:12,560 --> 00:47:15,800
Speaker 1: let's just say we're not discussing Lebron. Excuse me, excuse me,

782
00:47:15,880 --> 00:47:18,359
Speaker 1: all right, excuse me. Well, I just want to make

783
00:47:18,440 --> 00:47:23,000
Speaker 1: an asterisk. We're not discussing Lebron because I promised that

784
00:47:23,040 --> 00:47:26,959
Speaker 1: we wouldn't discuss Lebron. Can we agree on that? Yeah?

785
00:47:28,680 --> 00:47:32,600
Speaker 1: If Lebron goes to the Lakers, forget who else he

786
00:47:32,680 --> 00:47:38,560
Speaker 1: gets and all that, who are you rooting for next season? Lakers?

787
00:47:39,040 --> 00:47:43,880
Speaker 1: Who's the fucking slut? You're calling me a war? Who's who's?

788
00:47:43,920 --> 00:47:49,120
Speaker 1: Because who's who's the back end? Slow? You know you

789
00:47:49,680 --> 00:47:53,000
Speaker 1: always said I always said, Yo, I funk with Lebron.

790
00:47:53,200 --> 00:47:58,719
Speaker 1: Lebron you practice same you. But but you claim to

791
00:47:58,880 --> 00:48:02,040
Speaker 1: be mestern new York and then saw that video you

792
00:48:02,320 --> 00:48:06,200
Speaker 1: put out today, saw that Mr New York and piece

793
00:48:06,239 --> 00:48:10,080
Speaker 1: of my man Jason Berg for rocking that. But check it.

794
00:48:10,480 --> 00:48:13,800
Speaker 1: You claim to be missing New York, but I saw

795
00:48:13,920 --> 00:48:18,160
Speaker 1: you in Oakland. I saw you selling your ass at

796
00:48:18,239 --> 00:48:21,920
Speaker 1: half court with these motherfucker's, So don't front on me.

797
00:48:22,160 --> 00:48:25,160
Speaker 1: I don't claim to be New York be I'm from Brooklyn,

798
00:48:25,360 --> 00:48:27,719
Speaker 1: but I funk with Lebron. That's it, okay, But but

799
00:48:27,960 --> 00:48:32,200
Speaker 1: just just the backtrack, just the backtrack with for all

800
00:48:32,239 --> 00:48:36,120
Speaker 1: intensive purposes, let's just assume, just for ships and giggles,

801
00:48:36,239 --> 00:48:39,399
Speaker 1: Lebron goes to l A. So you're gonna be out

802
00:48:39,480 --> 00:48:42,759
Speaker 1: there with a little skirt and no panties next year

803
00:48:42,840 --> 00:48:46,600
Speaker 1: sucking off. Then just just just say that, come on

804
00:48:46,760 --> 00:48:49,919
Speaker 1: be nah man. Yo. All I'm saying is I hope

805
00:48:50,040 --> 00:48:53,000
Speaker 1: he could get another championship. You sexualize in this ship

806
00:48:53,120 --> 00:48:58,720
Speaker 1: on some freak ship, But that's you. But what I'm saying, yo, Lebron,

807
00:48:58,840 --> 00:49:00,960
Speaker 1: we gotta make a competitive They gotta do it. You

808
00:49:01,040 --> 00:49:03,959
Speaker 1: got your guy over there. They fucking teamed up. Fuck

809
00:49:04,040 --> 00:49:06,480
Speaker 1: what what what you know? It should be six teams

810
00:49:06,520 --> 00:49:08,400
Speaker 1: in the league. You know, I agree? Let me tell

811
00:49:08,440 --> 00:49:11,239
Speaker 1: you something, the NBA is gonna step in because you

812
00:49:11,320 --> 00:49:13,560
Speaker 1: know one of the things that that's the hot discussion

813
00:49:13,640 --> 00:49:15,719
Speaker 1: since there's really nothing to talk about. That's why I'm

814
00:49:15,760 --> 00:49:18,160
Speaker 1: all in on the World Cup. By the way, shout

815
00:49:18,200 --> 00:49:20,759
Speaker 1: out to shout out to everybody who's been hitting me up,

816
00:49:21,520 --> 00:49:24,920
Speaker 1: hitting us up about the World Cup. You see Mexico

817
00:49:25,040 --> 00:49:27,279
Speaker 1: beat the ship out of Germany, and any John the

818
00:49:27,360 --> 00:49:31,279
Speaker 1: Germans can lose in anything. The proud Jew, the Proud

819
00:49:31,400 --> 00:49:35,759
Speaker 1: Jew and me stands up and shouts. But I'm the

820
00:49:35,760 --> 00:49:38,000
Speaker 1: World Cup because I'm not gonna sit here um and

821
00:49:38,080 --> 00:49:40,880
Speaker 1: worry about that. Although you can bet, as I said earlier,

822
00:49:40,960 --> 00:49:44,840
Speaker 1: you can bet with us or against us on my

823
00:49:45,040 --> 00:49:48,120
Speaker 1: bookie dot a g on where you think Lebron will go,

824
00:49:48,200 --> 00:49:51,160
Speaker 1: where you think Kawhile go. We're taking all kinds of

825
00:49:51,200 --> 00:49:53,920
Speaker 1: wacky bets. But I'm not gonna sit here and make

826
00:49:54,000 --> 00:49:56,520
Speaker 1: these fake teams. Now they got kawhile Leonard, Paul George

827
00:49:56,560 --> 00:50:00,200
Speaker 1: and Lebron James going, the NBA is gonna that in

828
00:50:00,239 --> 00:50:02,560
Speaker 1: and they're gonna be like, Nope, nope, this is not

829
00:50:02,640 --> 00:50:06,160
Speaker 1: good for business. We can't have nine stars on two teams.

830
00:50:06,280 --> 00:50:10,840
Speaker 1: It's ridiculous. Yeah, yeah, you can't. So yeah, they should

831
00:50:10,880 --> 00:50:14,160
Speaker 1: step in to save the business because now it's clown

832
00:50:14,239 --> 00:50:16,719
Speaker 1: ship because now all you need is six teas because

833
00:50:16,760 --> 00:50:18,759
Speaker 1: we know who's gonna get to the finals. So yo,

834
00:50:19,680 --> 00:50:22,680
Speaker 1: it's terrible and like I'm gonna make a prediction with

835
00:50:22,760 --> 00:50:24,759
Speaker 1: the World Cup. I got Columbia to win this ship

836
00:50:24,840 --> 00:50:28,560
Speaker 1: be I. Oh, I'm not arguing with you. It's been competitive,

837
00:50:28,640 --> 00:50:31,839
Speaker 1: there's been upsets. I love it. I'm enjoying it. It's

838
00:50:31,880 --> 00:50:34,800
Speaker 1: a break from the conventional uh, you know sports that

839
00:50:34,920 --> 00:50:37,560
Speaker 1: we get into. It's so exciting. These guys are busting

840
00:50:37,600 --> 00:50:40,879
Speaker 1: their asses out there, they're playing, the fans are all in. Um.

841
00:50:41,120 --> 00:50:44,600
Speaker 1: So you have Columbia, Columbia. Columbia looks good. They're gonna

842
00:50:44,600 --> 00:50:46,840
Speaker 1: come out that their group and I got them to

843
00:50:46,920 --> 00:50:49,600
Speaker 1: win it. And I'm saying it right now. Okay, So

844
00:50:49,719 --> 00:50:52,719
Speaker 1: you have Columbia to win it, and you are going

845
00:50:52,840 --> 00:50:55,920
Speaker 1: to dick ride the Lakers next season if Lebron If

846
00:50:56,040 --> 00:50:59,200
Speaker 1: Lebron goes, Now what if Lebron James goes to the

847
00:50:59,280 --> 00:51:01,080
Speaker 1: other team they're telling about this, Houston, will you be

848
00:51:01,200 --> 00:51:05,960
Speaker 1: sucking him off in US? Yes or no? Simple question? No? Okay,

849
00:51:06,760 --> 00:51:09,839
Speaker 1: but wherever he go, I'm with it because they're gonna

850
00:51:09,880 --> 00:51:11,880
Speaker 1: go to the finals, because that's that's my due. Man.

851
00:51:11,920 --> 00:51:16,120
Speaker 1: I like how he plays. All right, Listen, listen, We've

852
00:51:16,160 --> 00:51:18,400
Speaker 1: talked a lot of ship and as I told you,

853
00:51:18,760 --> 00:51:23,440
Speaker 1: Oh Shaye Jackson Jr. Uh is coming up next. He

854
00:51:23,640 --> 00:51:28,000
Speaker 1: talks a whole bunch of ship, about basketball, about hip hop,

855
00:51:28,440 --> 00:51:31,839
Speaker 1: about straight out of Compton, uh, and so much more.

856
00:51:32,280 --> 00:51:36,839
Speaker 1: Great guests, great young uh young ship talker from a ship,

857
00:51:37,080 --> 00:51:39,600
Speaker 1: from a young ship talking perspective. Coming up next on

858
00:51:39,640 --> 00:51:43,000
Speaker 1: the Iron rapp for Stereo podcast. My man doing his thing,

859
00:51:43,120 --> 00:51:46,680
Speaker 1: doing big things, talking Big Three, talking basketball, talking hip hop.

860
00:51:46,800 --> 00:51:54,000
Speaker 1: Oh Shade Jackson Jr. Yeah, this summer, I can't wait.

861
00:51:54,080 --> 00:51:57,719
Speaker 1: They called me the Howard Cosell of the Big Three.

862
00:51:58,080 --> 00:52:02,960
Speaker 1: Starting Friday at six thirty pm Eastern on FS one

863
00:52:03,080 --> 00:52:07,799
Speaker 1: from Houston, Texas, The Big Three is going down season two.

864
00:52:09,400 --> 00:52:12,200
Speaker 1: You can see me and all the games, all the players,

865
00:52:12,280 --> 00:52:15,680
Speaker 1: all the ship talking all summer long. Starting this Friday

866
00:52:15,960 --> 00:52:20,239
Speaker 1: from Houston, Texas, six thirty pm on FS one and

867
00:52:20,800 --> 00:52:26,319
Speaker 1: on Facebook live test chet check check check. Oh Jay

868
00:52:26,520 --> 00:52:32,080
Speaker 1: Jackson Jr. Your father has done some things. Yeah, pretty chill.

869
00:52:32,200 --> 00:52:36,719
Speaker 1: He's pretty chill in the House Iron Wrappers stereo podcast,

870
00:52:37,600 --> 00:52:39,520
Speaker 1: and we were just talking. You're talking about you're getting old.

871
00:52:39,520 --> 00:52:42,840
Speaker 1: I remember you when I used to play ball with

872
00:52:42,960 --> 00:52:48,920
Speaker 1: your pops in the Celebrity NBA League back you know,

873
00:52:48,960 --> 00:52:51,480
Speaker 1: when we were running up and down a full length court,

874
00:52:52,760 --> 00:52:55,160
Speaker 1: everybody out there having hoop dreams. And now you're talking

875
00:52:55,160 --> 00:52:57,840
Speaker 1: about you're getting on. I'm getting fucking over all getting older.

876
00:52:57,960 --> 00:53:02,080
Speaker 1: You're twenty seven. You ain't getting all mere. Your brain

877
00:53:02,239 --> 00:53:05,080
Speaker 1: is just forming into uh you know, the pieces are

878
00:53:05,120 --> 00:53:08,160
Speaker 1: just coming together. Dude. I stretched before I go to

879
00:53:08,239 --> 00:53:11,359
Speaker 1: bed and when I wake up. Stretching is important too much, dude,

880
00:53:11,360 --> 00:53:13,600
Speaker 1: And that's I was like a grunt when I stand up.

881
00:53:14,239 --> 00:53:16,440
Speaker 1: Now you're good. You came over here with the in

882
00:53:16,560 --> 00:53:18,560
Speaker 1: and out. You're you're straight if you eat in and

883
00:53:18,640 --> 00:53:21,120
Speaker 1: out like not like like when you're when you're mind

884
00:53:21,239 --> 00:53:22,600
Speaker 1: when you have to eat in and out. When you

885
00:53:22,680 --> 00:53:24,239
Speaker 1: eat in and out, like you have to make an

886
00:53:24,280 --> 00:53:28,160
Speaker 1: executive decision like what's gonna be the ramifications, like how

887
00:53:28,280 --> 00:53:30,600
Speaker 1: will I sleep from this? Like this? Like you could

888
00:53:30,600 --> 00:53:31,920
Speaker 1: eat in and out. You could have in and out

889
00:53:31,960 --> 00:53:35,440
Speaker 1: and again again later on for dinner. Dude. Honestly, I

890
00:53:35,560 --> 00:53:38,319
Speaker 1: might I love in and out and out. It's good,

891
00:53:38,400 --> 00:53:40,839
Speaker 1: it's dangerous. You could have said, yo, rap, you want

892
00:53:40,880 --> 00:53:43,000
Speaker 1: me to pick you up like a double double animal stuff.

893
00:53:43,560 --> 00:53:48,680
Speaker 1: Now you spared me. So oh Shae Shade Shade Jackson, Junian.

894
00:53:48,880 --> 00:53:50,600
Speaker 1: Let let's get into this guy. I know you like ball,

895
00:53:50,719 --> 00:53:52,799
Speaker 1: I see your tweets. Yeah yeah, I go pretty hard.

896
00:53:53,000 --> 00:53:55,680
Speaker 1: So you're a Laker fan, die Hard all right, so

897
00:53:55,680 --> 00:53:58,320
Speaker 1: we're gonna get to your Lakers dude, So but what

898
00:53:58,440 --> 00:54:00,399
Speaker 1: do you think about this? Your twenty seven you're young,

899
00:54:00,920 --> 00:54:03,400
Speaker 1: like I get cold a hater, you know, because I

900
00:54:03,440 --> 00:54:05,960
Speaker 1: shoot on Lebron and and you know, if you're a

901
00:54:06,080 --> 00:54:08,520
Speaker 1: Laker fan, you know, even even your age, like it

902
00:54:08,640 --> 00:54:12,520
Speaker 1: was okay to hate Kobe. It's okay to hate Tom Brady.

903
00:54:13,080 --> 00:54:16,320
Speaker 1: It's it's like in my generation, it was understoodent okay

904
00:54:16,400 --> 00:54:19,319
Speaker 1: to hate Larry Bird like it made sense. Like as

905
00:54:19,400 --> 00:54:22,320
Speaker 1: a Giants fan, you think I like fucking Joe Montana.

906
00:54:23,200 --> 00:54:26,239
Speaker 1: I hated that motherfucker. But Lebron it's like if you

907
00:54:26,320 --> 00:54:29,879
Speaker 1: don't sit there and suck him off, you you're yeah,

908
00:54:29,960 --> 00:54:33,279
Speaker 1: I have to be called everything, and that's oh yeah,

909
00:54:33,320 --> 00:54:37,600
Speaker 1: all the time. I'm I'm a Kobe apologist. I'm all this, well,

910
00:54:37,680 --> 00:54:41,680
Speaker 1: I don't like is oh two uh and two thousands

911
00:54:41,719 --> 00:54:45,520
Speaker 1: of two. Kobe's coming off of his his his third championship.

912
00:54:45,600 --> 00:54:47,680
Speaker 1: You know, we had just we one and two thousand,

913
00:54:47,719 --> 00:54:50,359
Speaker 1: two thousand and one, two thousand two, and I gotta

914
00:54:50,520 --> 00:54:54,480
Speaker 1: hear all this coverage about some kid who's not even

915
00:54:54,560 --> 00:54:57,239
Speaker 1: in the league yet he has chosen one on his back,

916
00:54:57,600 --> 00:54:59,719
Speaker 1: he has all and I'm like, I just got off

917
00:54:59,760 --> 00:55:02,440
Speaker 1: three championships and I'm not getting no press, right. And

918
00:55:02,560 --> 00:55:05,480
Speaker 1: then from there it's always been this, well, you know

919
00:55:05,600 --> 00:55:07,399
Speaker 1: he's gonna be better. You know he's gonna be He's

920
00:55:07,560 --> 00:55:10,120
Speaker 1: chasing Michael's chasing one, and he was always going over Kobe.

921
00:55:10,160 --> 00:55:12,040
Speaker 1: And so when Kobe was ready to see him in

922
00:55:12,080 --> 00:55:15,400
Speaker 1: the finals, Lebron didn't step up right. And all of

923
00:55:15,440 --> 00:55:18,319
Speaker 1: your rings have this asterisk next to it. I love

924
00:55:18,440 --> 00:55:22,160
Speaker 1: Lebron James, Lebron James is He's ridicular, He's ridiculous. But

925
00:55:22,280 --> 00:55:26,040
Speaker 1: there's just just these little characteristics, these little things that

926
00:55:26,880 --> 00:55:29,399
Speaker 1: you won your first championship against a young thunder team

927
00:55:29,440 --> 00:55:32,120
Speaker 1: with a shortened season. All right, there's that one, and

928
00:55:32,200 --> 00:55:34,960
Speaker 1: then Ray Allen, you really need to just loan your

929
00:55:35,000 --> 00:55:38,239
Speaker 1: second ring over to him, and then Kyrie hit the

930
00:55:38,320 --> 00:55:40,800
Speaker 1: game winner against the Golden State. And it was the

931
00:55:40,880 --> 00:55:44,560
Speaker 1: Draymond suspension and the Draymond suspension and now that you

932
00:55:44,640 --> 00:55:46,640
Speaker 1: know he's not there to help you with Steph Curry,

933
00:55:46,800 --> 00:55:49,160
Speaker 1: Steph is lighting you up. So it's it's it's a

934
00:55:49,280 --> 00:55:52,359
Speaker 1: real little type feeling when I hear about this guy

935
00:55:52,520 --> 00:55:54,480
Speaker 1: and I agree, I agree, I mean and and like

936
00:55:54,760 --> 00:55:57,560
Speaker 1: it's not to take it away, but it's like, I

937
00:55:57,640 --> 00:56:00,080
Speaker 1: don't know, it's it's so much social media and all

938
00:56:00,120 --> 00:56:02,800
Speaker 1: that stuff, Like it's just it's about Lebron. It's the

939
00:56:02,960 --> 00:56:06,600
Speaker 1: Lebron fans that killed me. Lebron James, I wish you

940
00:56:06,640 --> 00:56:09,480
Speaker 1: were a Laker, but your your fans, the people who

941
00:56:09,520 --> 00:56:11,960
Speaker 1: I see bandwagon on all your teams, get all the

942
00:56:12,000 --> 00:56:14,360
Speaker 1: fitted hats for the heat for the caps. I'm tired

943
00:56:14,400 --> 00:56:17,200
Speaker 1: of it. All right, y'all are three four six, so

944
00:56:17,480 --> 00:56:21,600
Speaker 1: you're if you had to say Kobe Lebron, Michael Jordan's

945
00:56:21,680 --> 00:56:24,399
Speaker 1: what's the order you pick it in? Oh, well, Michael Jordan,

946
00:56:24,440 --> 00:56:29,000
Speaker 1: I never did ship for me, so I'm gonna Kobe Bryant. Yeah, dude,

947
00:56:29,040 --> 00:56:31,719
Speaker 1: laker Land, laker Land. All right, I'm thank you for

948
00:56:31,800 --> 00:56:35,200
Speaker 1: the shoes, Mike, But did you kick over with some shoes? No? No, no, no,

949
00:56:35,400 --> 00:56:37,800
Speaker 1: his son did. Thanks shout out to you know, shouts

950
00:56:37,880 --> 00:56:41,080
Speaker 1: my man Marcus hooked it up with some sixteens. But no,

951
00:56:41,320 --> 00:56:43,560
Speaker 1: it's uh, you know, I appreciate what Michael Jordan has

952
00:56:43,600 --> 00:56:46,040
Speaker 1: done for the game, and I understand that, but when

953
00:56:46,120 --> 00:56:49,439
Speaker 1: as a Laker fan Eastern Conference boys, I'm not trying

954
00:56:49,440 --> 00:56:52,080
Speaker 1: to hear that ship man. So, so, where are you

955
00:56:52,120 --> 00:56:55,120
Speaker 1: out with your Lakers? I want to your curiosity on

956
00:56:55,239 --> 00:56:58,759
Speaker 1: Alonzo and the LaVar thing because you have a father who,

957
00:56:59,440 --> 00:57:01,799
Speaker 1: like you know, even went the Straight out of Content movie.

958
00:57:01,880 --> 00:57:06,279
Speaker 1: Like your dad is like he's such an interesting dude

959
00:57:06,320 --> 00:57:08,560
Speaker 1: because he's like he puts you out there, but he

960
00:57:08,640 --> 00:57:11,239
Speaker 1: also gets this business so well. He cut the cord

961
00:57:11,320 --> 00:57:13,279
Speaker 1: on you, you know in terms of like he's not

962
00:57:13,320 --> 00:57:15,319
Speaker 1: gonna be like go to see you know, he'll he'll

963
00:57:15,320 --> 00:57:17,520
Speaker 1: shout support, but it's not like my son is the

964
00:57:17,600 --> 00:57:21,320
Speaker 1: next Denzel watching and Denzel watching names ship and so so,

965
00:57:21,520 --> 00:57:22,960
Speaker 1: just on a basketball thing, where are you at with

966
00:57:23,040 --> 00:57:25,880
Speaker 1: your Lakers? You you might have an inside scoop. You

967
00:57:26,000 --> 00:57:27,920
Speaker 1: know all these people, you know, all these people's sons

968
00:57:28,320 --> 00:57:30,520
Speaker 1: is Lebron coming to the Lakers, What is your take

969
00:57:30,600 --> 00:57:32,800
Speaker 1: on Kyle Kuzman. How do you feel as a Laker fan?

970
00:57:33,000 --> 00:57:34,600
Speaker 1: What is your take? This is a three part question.

971
00:57:34,800 --> 00:57:36,840
Speaker 1: How do you feel about the Lakers? Is Lebron gonna

972
00:57:36,840 --> 00:57:38,520
Speaker 1: be a Laker? And what is your take on the

973
00:57:38,560 --> 00:57:43,040
Speaker 1: whole LaVar Alonzo two thousand seventeen Because it was fucking

974
00:57:43,560 --> 00:57:46,960
Speaker 1: that was the craziest a circus. And uh, I love

975
00:57:47,040 --> 00:57:49,920
Speaker 1: the state of the Lakers. I feel the excitement, you know,

976
00:57:50,080 --> 00:57:53,520
Speaker 1: in the city. And uh, I know for I'm not

977
00:57:53,560 --> 00:57:55,200
Speaker 1: gonna say for a fact, but I know I feel

978
00:57:55,240 --> 00:57:59,480
Speaker 1: the surest about Paul George. Paul. Yeah, I feel that homeboy.

979
00:57:59,600 --> 00:58:02,720
Speaker 1: Homeboy left all his ship in Oklahoma City. It's done.

980
00:58:02,840 --> 00:58:04,600
Speaker 1: He got on a bus or a plane. He was like,

981
00:58:04,840 --> 00:58:08,600
Speaker 1: whatever is here, I'm never going back. Never always listen.

982
00:58:08,720 --> 00:58:10,680
Speaker 1: There was a time I was on the floor of

983
00:58:10,800 --> 00:58:13,200
Speaker 1: the Laker games, Lakers versus Okay, see back when they

984
00:58:13,280 --> 00:58:16,480
Speaker 1: had k D, and I was heckling both of them,

985
00:58:16,720 --> 00:58:19,880
Speaker 1: and I said, in Oklahoma City, the game starts at

986
00:58:19,920 --> 00:58:23,440
Speaker 1: seven thirty, the town closes at eight. There's no way

987
00:58:23,480 --> 00:58:25,240
Speaker 1: I would want to stay there, like you, There's no

988
00:58:25,440 --> 00:58:27,720
Speaker 1: way there's you were there for a game in Oklahoma.

989
00:58:29,400 --> 00:58:32,600
Speaker 1: I was just heckling, just done, he's done, because that's

990
00:58:34,560 --> 00:58:38,080
Speaker 1: coming here, and you know, and all honesty the Lebron thing.

991
00:58:38,520 --> 00:58:41,640
Speaker 1: I of course want the best for the Lakers. I

992
00:58:41,720 --> 00:58:43,720
Speaker 1: didn't think you had any wait till I heard my

993
00:58:43,840 --> 00:58:48,640
Speaker 1: girl Ramona show burn. She she feels like he's coming. Yeah,

994
00:58:48,800 --> 00:58:51,280
Speaker 1: And that was that. You know, I'm called Ramona the

995
00:58:51,320 --> 00:58:54,280
Speaker 1: Clipper Killer because she brought out Donald Sterny, so like

996
00:58:54,440 --> 00:58:57,280
Speaker 1: you know that she she is. Her word is kind

997
00:58:57,320 --> 00:59:00,800
Speaker 1: of like it holds a nice gramata to it here

998
00:59:00,840 --> 00:59:02,919
Speaker 1: in l A And for her to say that, that's big.

999
00:59:03,480 --> 00:59:05,840
Speaker 1: But if the Lebron thing doesn't work? How would you

1000
00:59:05,920 --> 00:59:08,760
Speaker 1: wrap your head around this? Though? As a Lebron night?

1001
00:59:09,360 --> 00:59:12,080
Speaker 1: How would you How would you emotionally? Because people have

1002
00:59:12,160 --> 00:59:14,680
Speaker 1: said to me, Fizdale's the coach of the Knicks. He's

1003
00:59:14,720 --> 00:59:16,920
Speaker 1: got a great relationship with Miami, I mean with Lebron

1004
00:59:16,960 --> 00:59:19,920
Speaker 1: because of his relationship with Miami, And you're like, well,

1005
00:59:19,960 --> 00:59:23,160
Speaker 1: what if he somehow got Lebron to New York? Like

1006
00:59:23,320 --> 00:59:26,160
Speaker 1: I'm like, that's like I have to like change my

1007
00:59:26,360 --> 00:59:29,760
Speaker 1: thinking then as a fan, because I'm like I'm all

1008
00:59:29,840 --> 00:59:32,360
Speaker 1: in then but I just don't think it's gonna happen. Yeah,

1009
00:59:32,440 --> 00:59:34,960
Speaker 1: it's you know, it's hard to be the good guys

1010
00:59:35,040 --> 00:59:37,920
Speaker 1: in here. You know, Darth Vader thinking about coming over here.

1011
00:59:38,400 --> 00:59:41,560
Speaker 1: It's like really right, so you gotta change it, Like

1012
00:59:41,640 --> 00:59:44,959
Speaker 1: it's like you gotta reprogram. My thought is I wanted

1013
00:59:45,080 --> 00:59:47,720
Speaker 1: every every one of my friends who's like a Lebron

1014
00:59:47,920 --> 00:59:50,560
Speaker 1: just super supporter. I can't wait to shoot on him.

1015
00:59:50,920 --> 00:59:52,960
Speaker 1: I can't wait to just drag him through the mud

1016
00:59:53,280 --> 00:59:56,680
Speaker 1: like that. Yeah, put it on, yeah, put it on,

1017
00:59:57,160 --> 00:59:58,880
Speaker 1: like I love it. I love and I want to

1018
00:59:58,920 --> 01:00:00,880
Speaker 1: get some of these weird calls that he'd be getting

1019
01:00:01,200 --> 01:00:03,800
Speaker 1: as a Laker. So I need that to happen. And

1020
01:00:03,880 --> 01:00:07,959
Speaker 1: I feel like his legacy, if it comes here, it'll

1021
01:00:08,240 --> 01:00:09,960
Speaker 1: reach it. It's just going to reach a different thing.

1022
01:00:10,080 --> 01:00:13,720
Speaker 1: And I really hope he does listen to his kids

1023
01:00:13,760 --> 01:00:15,520
Speaker 1: and decided to come here and living they they're talking

1024
01:00:15,520 --> 01:00:17,680
Speaker 1: about come here. How could you not? You know, I

1025
01:00:17,720 --> 01:00:19,840
Speaker 1: don't know his kids. I'm not, but I know if

1026
01:00:19,880 --> 01:00:22,640
Speaker 1: I'm about to go into school, school, and you know,

1027
01:00:22,680 --> 01:00:25,880
Speaker 1: I could choose between Cleveland and he's not coming back.

1028
01:00:26,120 --> 01:00:28,520
Speaker 1: That ship is run its course, it is gone, you know,

1029
01:00:28,680 --> 01:00:30,320
Speaker 1: And he keeps talking about how he wants to make

1030
01:00:30,360 --> 01:00:35,320
Speaker 1: the Calves of prestige. Lebron, you don't need to do

1031
01:00:35,440 --> 01:00:37,760
Speaker 1: anything more for the Calves, like they got cool logos,

1032
01:00:37,760 --> 01:00:40,960
Speaker 1: cool jersey sales. That's good bye bye, and you know

1033
01:00:41,040 --> 01:00:43,160
Speaker 1: in a way, even when he leaves, they'll be relevant,

1034
01:00:43,320 --> 01:00:46,000
Speaker 1: like he made them sexy as sexy as they could

1035
01:00:46,000 --> 01:00:48,480
Speaker 1: be without Lebron one of the things that that I

1036
01:00:48,680 --> 01:00:51,480
Speaker 1: I doing on me now. Who knows if they would

1037
01:00:51,480 --> 01:00:54,400
Speaker 1: have even gotten there, But like the initial roster of

1038
01:00:54,520 --> 01:00:58,720
Speaker 1: the Cleveland Cavaliers this season, if they had had Isaiah

1039
01:00:58,800 --> 01:01:04,120
Speaker 1: Thomas Crowder and d Wade uh Iman Shumpper who D

1040
01:01:04,280 --> 01:01:06,760
Speaker 1: wrote aman Shumper is a huge piece that they're missing

1041
01:01:06,800 --> 01:01:10,200
Speaker 1: because he's defensively like you know, stopping but he's a

1042
01:01:10,280 --> 01:01:13,720
Speaker 1: big young guy who likes to play athletic. Yeah, and

1043
01:01:13,800 --> 01:01:16,720
Speaker 1: he was down for defense, Like I think they'd be

1044
01:01:16,760 --> 01:01:18,320
Speaker 1: giving him more of a problem. But who knows, Like

1045
01:01:18,360 --> 01:01:20,080
Speaker 1: if they would have made it there, because that's it's

1046
01:01:20,120 --> 01:01:22,760
Speaker 1: just that situation seemed like it was gonna put But

1047
01:01:22,920 --> 01:01:26,160
Speaker 1: why get rid of d Wade? That ship was weird

1048
01:01:26,240 --> 01:01:29,160
Speaker 1: to me because having him up just on this team

1049
01:01:29,240 --> 01:01:31,200
Speaker 1: right there, like to have him you know, he's gonna

1050
01:01:31,200 --> 01:01:32,960
Speaker 1: have some moments. You know, he's gonna hit some tracks.

1051
01:01:33,080 --> 01:01:35,280
Speaker 1: He's gonna keep the bench cool. That's what it was about.

1052
01:01:35,720 --> 01:01:39,160
Speaker 1: And you know that show, that GM part of Lebron,

1053
01:01:39,280 --> 01:01:41,120
Speaker 1: that's the part that everybody is scared of, is that

1054
01:01:41,240 --> 01:01:44,920
Speaker 1: GM part. I know you would rather have kept Aman

1055
01:01:45,040 --> 01:01:49,440
Speaker 1: Shumper and Della Dova right now instead of paying Tristan

1056
01:01:49,560 --> 01:01:52,160
Speaker 1: and j R. All that you did to hook them up.

1057
01:01:52,640 --> 01:01:54,720
Speaker 1: And like, you know, it's just things like that that

1058
01:01:55,000 --> 01:01:57,600
Speaker 1: go into account that make us look at this dude,

1059
01:01:57,680 --> 01:01:59,640
Speaker 1: like do we want him on the Lakers? And then

1060
01:02:00,360 --> 01:02:02,520
Speaker 1: to to ask you a question about the Alonzo and

1061
01:02:02,600 --> 01:02:05,240
Speaker 1: LaVar thing, you speak on that because you're you're you're

1062
01:02:05,240 --> 01:02:08,640
Speaker 1: a son of a very like an icon and you're

1063
01:02:08,720 --> 01:02:12,560
Speaker 1: doing a spoken guy very but but smart, like like

1064
01:02:12,680 --> 01:02:15,160
Speaker 1: your father is fucking smart. YEA, Like when I talk

1065
01:02:15,200 --> 01:02:16,880
Speaker 1: to him about the big thing, I'm like, this is

1066
01:02:16,960 --> 01:02:19,760
Speaker 1: like a this is like a big picture, dude, Like

1067
01:02:20,320 --> 01:02:23,080
Speaker 1: you know, going from you know, writing the songs that

1068
01:02:23,160 --> 01:02:25,560
Speaker 1: you wrote with n w A to leaving n w A,

1069
01:02:26,160 --> 01:02:27,880
Speaker 1: to making a career as an actor, to be making

1070
01:02:27,920 --> 01:02:30,439
Speaker 1: a career as a mainstream actor to like I'm gonna

1071
01:02:30,480 --> 01:02:32,240
Speaker 1: do with three on three, like like your father's like

1072
01:02:32,320 --> 01:02:35,320
Speaker 1: on some Steve jobs outside the box, sticking in. If

1073
01:02:35,360 --> 01:02:37,840
Speaker 1: you tell me I can't do it, I'm gonna do it. Yeah,

1074
01:02:37,840 --> 01:02:39,440
Speaker 1: I'm gonna And then you know, I'll give you a

1075
01:02:39,520 --> 01:02:42,200
Speaker 1: call and see if you still down right right that

1076
01:02:42,360 --> 01:02:45,680
Speaker 1: type of thing of you know, my my whole thing.

1077
01:02:46,120 --> 01:02:47,960
Speaker 1: A lot of the people always asked me about a

1078
01:02:48,000 --> 01:02:51,520
Speaker 1: Lonzo and LaVar because of how outspoken my father is.

1079
01:02:51,640 --> 01:02:54,600
Speaker 1: But I say, you know, I'm gonna pat my dad

1080
01:02:54,680 --> 01:02:57,120
Speaker 1: on the back a little bit. This is if that

1081
01:02:57,280 --> 01:03:00,960
Speaker 1: analogy went hand in hand, it would be like if

1082
01:03:01,080 --> 01:03:04,520
Speaker 1: my dad was Jordan's, if my dad was you know, magic,

1083
01:03:04,760 --> 01:03:07,760
Speaker 1: And then like I wanted to be in the footsteps LaVar,

1084
01:03:08,800 --> 01:03:10,920
Speaker 1: he wasn't a great player and he wants his son

1085
01:03:11,000 --> 01:03:12,840
Speaker 1: to be a great player. So you know that some

1086
01:03:12,920 --> 01:03:15,200
Speaker 1: of those come off a little like your examples for

1087
01:03:15,920 --> 01:03:18,120
Speaker 1: for the things that you say, for your son can

1088
01:03:18,480 --> 01:03:20,720
Speaker 1: hit people the wrong way, and if you hit the

1089
01:03:20,960 --> 01:03:23,240
Speaker 1: right person the wrong way, it can mess up a

1090
01:03:23,320 --> 01:03:26,560
Speaker 1: lot of things. When you say stuff like if the

1091
01:03:26,680 --> 01:03:30,680
Speaker 1: Lakers don't sign all of my sons, Alonzo's going elsewhere.

1092
01:03:31,320 --> 01:03:34,320
Speaker 1: How do you expect magic Johnson and Rob Polinka to

1093
01:03:34,800 --> 01:03:38,520
Speaker 1: handle that that press coverage or the fact that it

1094
01:03:38,720 --> 01:03:42,240
Speaker 1: looks like somebody has the Lakers the logo of the

1095
01:03:42,440 --> 01:03:45,880
Speaker 1: league by the ball right. No, it's just not good

1096
01:03:46,040 --> 01:03:48,520
Speaker 1: business sense. You can make all the shirts you want,

1097
01:03:48,880 --> 01:03:51,240
Speaker 1: but don't sunk up the best job I got, Like

1098
01:03:51,400 --> 01:03:54,560
Speaker 1: this this Facebook ship, that's not my job, Like this

1099
01:03:54,680 --> 01:03:57,080
Speaker 1: big baller brand, it's not my job. My job is

1100
01:03:57,160 --> 01:03:59,400
Speaker 1: the Lakers. You make sure you don't sunk up with

1101
01:03:59,480 --> 01:04:03,360
Speaker 1: me and my employer. And to to LaVar's credit, uh,

1102
01:04:03,680 --> 01:04:06,240
Speaker 1: he's you haven't heard anything from him in months. I

1103
01:04:06,320 --> 01:04:12,320
Speaker 1: think he's Lithuania like. But but like he's hasn't said ship.

1104
01:04:13,120 --> 01:04:14,640
Speaker 1: And I don't know if they had a talk or

1105
01:04:14,720 --> 01:04:18,840
Speaker 1: he was like I've made my impression, you know, like lessons, moffs,

1106
01:04:19,480 --> 01:04:21,040
Speaker 1: you got nothing to say. But I mean he could

1107
01:04:21,080 --> 01:04:22,960
Speaker 1: be comment and all all sorts of ship, like he

1108
01:04:23,040 --> 01:04:25,240
Speaker 1: said the last I heard he said something about I

1109
01:04:25,280 --> 01:04:28,440
Speaker 1: mean this is just him, like because at first I

1110
01:04:28,480 --> 01:04:30,800
Speaker 1: didn't think he got the joke, like it was like

1111
01:04:30,920 --> 01:04:33,600
Speaker 1: this motherfucker's dead series And I think in some ways

1112
01:04:33,680 --> 01:04:35,800
Speaker 1: he is dead serious, but like he came out and

1113
01:04:35,840 --> 01:04:38,000
Speaker 1: SAIDs like we Alonso was never hurt before he got

1114
01:04:38,080 --> 01:04:40,760
Speaker 1: to the Lakers. I'm like, what does that mean, Like

1115
01:04:40,960 --> 01:04:43,560
Speaker 1: Orlando needs a point guard, Like they can send your

1116
01:04:43,680 --> 01:04:46,760
Speaker 1: like at a certain point like he did Toronto Raptors. Man,

1117
01:04:46,760 --> 01:04:49,840
Speaker 1: they're looking for a shake up. Like, it's not it's

1118
01:04:49,880 --> 01:04:53,120
Speaker 1: not really a good idea to poke that bear LaVar.

1119
01:04:53,520 --> 01:04:55,560
Speaker 1: You know, it's not a good idea to be what

1120
01:04:55,760 --> 01:04:58,640
Speaker 1: y'all gonna do if I do this, That's not really

1121
01:04:58,680 --> 01:05:00,960
Speaker 1: a fun game to play when you when you are

1122
01:05:01,120 --> 01:05:04,240
Speaker 1: in such a such a good spot. Your son is

1123
01:05:04,320 --> 01:05:07,720
Speaker 1: the point guard for the Laker, for the Los Angeles Lakers,

1124
01:05:08,240 --> 01:05:10,880
Speaker 1: and the year was shaky, he got injured. Kuzma was

1125
01:05:11,000 --> 01:05:13,240
Speaker 1: the guy, you know, like it's like it's only the

1126
01:05:13,320 --> 01:05:15,480
Speaker 1: first year. And you know the thing is people do

1127
01:05:15,800 --> 01:05:18,640
Speaker 1: like Alonzo, Like I think collectively, people want to see him.

1128
01:05:18,680 --> 01:05:21,920
Speaker 1: He's got charisma. His my My biggest thing with Lonzo

1129
01:05:21,960 --> 01:05:24,800
Speaker 1: why I'm so behind him, it's his basketball. I Q

1130
01:05:25,200 --> 01:05:28,360
Speaker 1: was through the roof. His defense is crazy. I just

1131
01:05:28,440 --> 01:05:30,480
Speaker 1: need the shot to go down and I love it,

1132
01:05:30,840 --> 01:05:35,160
Speaker 1: you know, and with the whole his brothers thing. I'm

1133
01:05:35,320 --> 01:05:39,280
Speaker 1: for any players that will increase the Lakers chance of

1134
01:05:39,400 --> 01:05:42,840
Speaker 1: winning a championship. Any player that will not I do

1135
01:05:43,080 --> 01:05:46,200
Speaker 1: not want that's it. You're just right or die. But

1136
01:05:47,720 --> 01:05:50,800
Speaker 1: so do you know these guys, these are like you're

1137
01:05:50,880 --> 01:05:53,320
Speaker 1: like you're you're You're You're not like the old dude,

1138
01:05:53,480 --> 01:05:55,200
Speaker 1: Like I got fucked up. I was at the Old

1139
01:05:55,200 --> 01:05:59,800
Speaker 1: Star game. Jalen Brown came over to me. No Jason,

1140
01:06:00,120 --> 01:06:02,120
Speaker 1: I mean happened with Jalen Brown later, but Jason Tatum

1141
01:06:02,200 --> 01:06:03,720
Speaker 1: came over to me, and I'm like, I'm a big fan.

1142
01:06:03,840 --> 01:06:06,240
Speaker 1: He's like, oh my mom's a big fan. Years can

1143
01:06:06,280 --> 01:06:09,200
Speaker 1: you take a picture. I'm like, that's when you know

1144
01:06:09,360 --> 01:06:12,040
Speaker 1: you're fucking Like the party's over. Like the mother, like

1145
01:06:12,280 --> 01:06:14,440
Speaker 1: the player who you want to talk to coming over

1146
01:06:14,520 --> 01:06:16,000
Speaker 1: to talk to you because the mom is a fan.

1147
01:06:16,680 --> 01:06:19,200
Speaker 1: But you're you're the You're the peer of these dudes

1148
01:06:19,600 --> 01:06:23,200
Speaker 1: right now. Like I started noticing about I think about

1149
01:06:23,280 --> 01:06:27,600
Speaker 1: it was Julius Randall's draft. I started looking. I was like, funk,

1150
01:06:27,640 --> 01:06:30,360
Speaker 1: I'm older than everybody in the draft. I'm like, okay,

1151
01:06:30,440 --> 01:06:33,200
Speaker 1: wait a minute, hold on. And then I started getting

1152
01:06:33,720 --> 01:06:36,840
Speaker 1: tweets and like d ms like yo, a little straight

1153
01:06:36,880 --> 01:06:38,920
Speaker 1: on the comforter that I was like from the players

1154
01:06:39,280 --> 01:06:42,120
Speaker 1: from I'm like ship like my man zoo, bab my

1155
01:06:42,240 --> 01:06:44,800
Speaker 1: man zoo. He was the first, one of the first

1156
01:06:44,880 --> 01:06:46,600
Speaker 1: to hit me. As soon as he got to the team.

1157
01:06:46,680 --> 01:06:48,720
Speaker 1: He was like, oh no, I'm in fun that I

1158
01:06:48,800 --> 01:06:50,520
Speaker 1: need to throw my dubs up like I'm ready to go.

1159
01:06:51,080 --> 01:06:55,040
Speaker 1: And then uh, you know my man kuzma. Uh. Even

1160
01:06:55,080 --> 01:06:58,560
Speaker 1: Isaiah Thomas before he was like Isaiah Thomas when he

1161
01:06:58,640 --> 01:07:01,120
Speaker 1: was a Celtic man him at being cool and I

1162
01:07:01,200 --> 01:07:03,520
Speaker 1: had constantly been on his head like, man, what's it

1163
01:07:03,640 --> 01:07:05,480
Speaker 1: like being over there with the enemies? Man? What's that?

1164
01:07:05,640 --> 01:07:07,680
Speaker 1: You know? How's that like growing up a Laker fan

1165
01:07:07,760 --> 01:07:09,880
Speaker 1: to be over there? And he was you know, he

1166
01:07:10,000 --> 01:07:12,080
Speaker 1: had what he had to say about it and he

1167
01:07:12,240 --> 01:07:15,120
Speaker 1: ended up over here. So yeah, it's definitely. It's definitely

1168
01:07:15,160 --> 01:07:17,480
Speaker 1: a good could be like a basketball insider, Dude, I'm

1169
01:07:17,480 --> 01:07:22,560
Speaker 1: trying to get some fucking tampering going on. Ready to go, dude,

1170
01:07:23,200 --> 01:07:24,840
Speaker 1: just put me in on a spot. You could be

1171
01:07:24,920 --> 01:07:27,800
Speaker 1: like Magic's road tamper person. You know, I'm not connected

1172
01:07:27,800 --> 01:07:30,520
Speaker 1: to the team, but i am get it done. Um

1173
01:07:30,720 --> 01:07:34,280
Speaker 1: all right, So straight out of Compton, this was such

1174
01:07:34,320 --> 01:07:37,200
Speaker 1: a big success, Like you know, you talk about something

1175
01:07:37,280 --> 01:07:44,080
Speaker 1: that for the culture that achieved and succeeded and surpassed

1176
01:07:44,160 --> 01:07:47,280
Speaker 1: all the expectations because it's such a probably the reason

1177
01:07:47,320 --> 01:07:49,160
Speaker 1: why I took so long to get made and everything

1178
01:07:49,240 --> 01:07:52,760
Speaker 1: had to come together. It couldn't be fucked up. Yeah,

1179
01:07:53,040 --> 01:07:54,760
Speaker 1: definitely not, you know what I mean. Like it's so

1180
01:07:54,960 --> 01:07:57,680
Speaker 1: like means so much so to so many people, and

1181
01:07:58,240 --> 01:08:00,600
Speaker 1: you know, it's such an opportunity for pop to like

1182
01:08:00,680 --> 01:08:02,560
Speaker 1: tell this story. But I mean there's so many different

1183
01:08:03,560 --> 01:08:05,320
Speaker 1: things why it should be made, and there's so many

1184
01:08:05,920 --> 01:08:07,760
Speaker 1: reasons how it could get sucked up. But it lived

1185
01:08:07,800 --> 01:08:13,040
Speaker 1: up to all the expectations. When did you playing ice

1186
01:08:13,200 --> 01:08:17,400
Speaker 1: Cube become a reality? Like when did your father Dr?

1187
01:08:17,479 --> 01:08:20,120
Speaker 1: Dre the director? Like what was your process of getting

1188
01:08:20,280 --> 01:08:24,360
Speaker 1: that part? I was at I was at USC. I

1189
01:08:24,479 --> 01:08:28,360
Speaker 1: was at USC for for screenwriting because I had always

1190
01:08:28,439 --> 01:08:33,200
Speaker 1: appreciated what film does for people and like, you know,

1191
01:08:33,400 --> 01:08:37,120
Speaker 1: just just the underlining meaning of what it does for somebody,

1192
01:08:37,160 --> 01:08:39,560
Speaker 1: you know, that that feeling of when when I was

1193
01:08:39,560 --> 01:08:41,120
Speaker 1: a little kid, I went to go see Blade with

1194
01:08:41,200 --> 01:08:43,040
Speaker 1: my dad. When I got out the theater, I was

1195
01:08:43,120 --> 01:08:45,680
Speaker 1: fucking Blade, like you know, I was hacking it up.

1196
01:08:45,720 --> 01:08:48,479
Speaker 1: Like it gives you a different type of inspiration and

1197
01:08:48,560 --> 01:08:50,760
Speaker 1: so I dig that. So I always wanted to make

1198
01:08:50,880 --> 01:08:53,320
Speaker 1: that world for everyone. I didn't always want to be

1199
01:08:53,400 --> 01:08:56,599
Speaker 1: the face because that that kind of stops a lot

1200
01:08:56,680 --> 01:08:58,840
Speaker 1: of your everyday things like I can't go to six flacks.

1201
01:08:58,920 --> 01:09:01,680
Speaker 1: No more work, damn. But but you know, it was

1202
01:09:02,200 --> 01:09:05,600
Speaker 1: I was sitting in the kitchen watch the TV and

1203
01:09:05,880 --> 01:09:08,040
Speaker 1: my dad comes downstairs and he's like, hey, I got

1204
01:09:08,120 --> 01:09:11,479
Speaker 1: some news. They're taking this n w A movie pretty serious.

1205
01:09:11,560 --> 01:09:13,200
Speaker 1: This is before it was called straight out of Comptent.

1206
01:09:13,520 --> 01:09:15,599
Speaker 1: And you know, in my head, I'm like, oh, that's nice,

1207
01:09:16,200 --> 01:09:18,720
Speaker 1: you know, that's what's up. And he's like, well, uh,

1208
01:09:19,320 --> 01:09:22,240
Speaker 1: in a perfect world, I want you to play me.

1209
01:09:23,160 --> 01:09:26,360
Speaker 1: And in that moment, I'm not thinking about you know,

1210
01:09:26,560 --> 01:09:29,560
Speaker 1: well Dad, Uh sorry, it's not a perfect world. You know,

1211
01:09:29,680 --> 01:09:33,400
Speaker 1: get on. It's like ships, you know. Your dad said

1212
01:09:33,439 --> 01:09:38,519
Speaker 1: he needs your help. Uh fuck okay. And then it

1213
01:09:38,640 --> 01:09:40,519
Speaker 1: was like, all right, well you got audition. I was like, no,

1214
01:09:40,880 --> 01:09:43,640
Speaker 1: please let me audition because if I don't get it,

1215
01:09:43,680 --> 01:09:46,200
Speaker 1: because I can't act, I feel way better if I

1216
01:09:46,280 --> 01:09:49,439
Speaker 1: had you done any act nothing. I'm straight, like just

1217
01:09:49,560 --> 01:09:52,760
Speaker 1: straight from the kitchen, like, get me into a I

1218
01:09:52,880 --> 01:09:57,400
Speaker 1: had a tutor, my acting coach, uh Aaron Spidser. He's

1219
01:09:57,439 --> 01:10:01,920
Speaker 1: Will's acting coach. He's um Gerard Butler's acting coach, and

1220
01:10:02,200 --> 01:10:04,320
Speaker 1: I just took it serious. I took it serious because

1221
01:10:04,400 --> 01:10:06,720
Speaker 1: I didn't want to get embarrassed and I didn't want

1222
01:10:06,720 --> 01:10:09,960
Speaker 1: to embarrass him. So I knew that people knew that

1223
01:10:10,120 --> 01:10:13,200
Speaker 1: I was scared to take the opportunity. I'm fucking done.

1224
01:10:13,200 --> 01:10:15,680
Speaker 1: They're gonna rip me apart. And if I take it

1225
01:10:15,760 --> 01:10:18,320
Speaker 1: and failed, still gonna rip me apart, or it could

1226
01:10:18,360 --> 01:10:20,320
Speaker 1: be a bad movie and they ripped me apart. So

1227
01:10:20,439 --> 01:10:23,320
Speaker 1: there's no that'll be one of the things, like it'll

1228
01:10:23,320 --> 01:10:27,679
Speaker 1: be like you'll be so Sophia Coppola and Godfather Godfather three, Yeah,

1229
01:10:27,720 --> 01:10:30,000
Speaker 1: that's all I'm so. It was like, dude, we gotta

1230
01:10:30,160 --> 01:10:34,080
Speaker 1: not just we gotta get this. And then once I

1231
01:10:34,200 --> 01:10:36,920
Speaker 1: got to the audition, I didn't get a call back.

1232
01:10:36,960 --> 01:10:38,760
Speaker 1: I didn't get like no nothing. It was just like

1233
01:10:38,840 --> 01:10:41,439
Speaker 1: I wasn't just a loop, it was just gone. And

1234
01:10:41,560 --> 01:10:44,400
Speaker 1: then I didn't really I got called back after call back,

1235
01:10:44,600 --> 01:10:47,040
Speaker 1: months in between, and I didn't get the part for

1236
01:10:47,200 --> 01:10:49,960
Speaker 1: two years before they were like, yeah, you could do it.

1237
01:10:50,560 --> 01:10:53,280
Speaker 1: And after that, I still had to train, I had

1238
01:10:53,320 --> 01:10:56,160
Speaker 1: to go get I had a trainer, my man p J. Stall.

1239
01:10:56,479 --> 01:10:59,439
Speaker 1: I worked out ten day because you had to time

1240
01:10:59,439 --> 01:11:03,360
Speaker 1: of a week. He ate yourself a little bit. So

1241
01:11:03,560 --> 01:11:07,680
Speaker 1: I lost uh fifteen pounds twenty three days. It was

1242
01:11:07,760 --> 01:11:10,640
Speaker 1: the most ridiculous shit I've ever done. And it's a

1243
01:11:10,720 --> 01:11:13,400
Speaker 1: weird thing because you're playing this character ice Cube, who's

1244
01:11:13,479 --> 01:11:16,280
Speaker 1: your dad. You know him as your dad. The world

1245
01:11:16,360 --> 01:11:20,360
Speaker 1: knows him as ice Cube, you know, like and that

1246
01:11:20,479 --> 01:11:22,920
Speaker 1: helped me though. That helped me because the world sees

1247
01:11:22,960 --> 01:11:25,880
Speaker 1: him as ice Cube, but in the movie, he hasn't

1248
01:11:25,920 --> 01:11:28,280
Speaker 1: become ice Cube just yet, right, so I got to

1249
01:11:28,360 --> 01:11:31,479
Speaker 1: still be you know, the O'shan is who I'm playing,

1250
01:11:31,680 --> 01:11:34,000
Speaker 1: so like, that's that's something I held onto. I got you.

1251
01:11:34,479 --> 01:11:37,160
Speaker 1: That's something I held onto is that he's still becoming

1252
01:11:37,240 --> 01:11:39,240
Speaker 1: his own. He's still trying to figure it out. And

1253
01:11:39,680 --> 01:11:41,840
Speaker 1: I will call him every day before I went to work, like,

1254
01:11:41,920 --> 01:11:44,720
Speaker 1: you know, this is what we're shooting. Where is your mind? That?

1255
01:11:45,160 --> 01:11:47,240
Speaker 1: Like for the bus the bus scene is my first

1256
01:11:47,360 --> 01:11:49,240
Speaker 1: day of work. It's my first day of acting ever,

1257
01:11:49,800 --> 01:11:51,720
Speaker 1: and I was like, Dad, what are you thinking? He goes, Oh,

1258
01:11:52,040 --> 01:11:55,200
Speaker 1: You're gonna die. I was like, well, all right, let

1259
01:11:55,280 --> 01:11:57,439
Speaker 1: me work with that. That's what he was thinking. I'm

1260
01:11:57,439 --> 01:11:59,360
Speaker 1: about to die, like today is it? Is it? This

1261
01:11:59,479 --> 01:12:02,000
Speaker 1: food just came on the bus with the gun? This

1262
01:12:02,200 --> 01:12:05,200
Speaker 1: is it? And did you get I mean, it's such

1263
01:12:05,240 --> 01:12:08,000
Speaker 1: an interesting thing because you know what I was thinking

1264
01:12:08,000 --> 01:12:10,920
Speaker 1: about having you, you know, being interviewed, you know, your

1265
01:12:11,000 --> 01:12:14,800
Speaker 1: perspective on you know, n W as like it's such

1266
01:12:14,840 --> 01:12:18,080
Speaker 1: an iconic group and and your father's career and he's

1267
01:12:18,280 --> 01:12:21,519
Speaker 1: his secrets of there's like secrets of hip hop, Like

1268
01:12:21,800 --> 01:12:25,040
Speaker 1: we could do two hundred films. We can do the

1269
01:12:25,160 --> 01:12:29,960
Speaker 1: documentary about Dre and um uh the funk was it called?

1270
01:12:30,120 --> 01:12:34,640
Speaker 1: I've talked about the Dre and Defiant? I mean, and

1271
01:12:34,760 --> 01:12:37,120
Speaker 1: they were like, I actually like I saw that. I

1272
01:12:37,240 --> 01:12:39,719
Speaker 1: was like whoa Like I was like, what the funk

1273
01:12:39,880 --> 01:12:41,840
Speaker 1: is it? Like you know, there's more ship and like

1274
01:12:42,000 --> 01:12:44,519
Speaker 1: more video and more stuff of easy and like you

1275
01:12:44,640 --> 01:12:47,120
Speaker 1: see Dre. I'm like, what the funk? But like, you

1276
01:12:47,280 --> 01:12:51,760
Speaker 1: have such an interesting perspective on talking specifically hip hop

1277
01:12:52,200 --> 01:12:55,880
Speaker 1: in terms of who's really who who's not really you know,

1278
01:12:55,960 --> 01:12:57,640
Speaker 1: and as much as you know you could put in

1279
01:12:57,680 --> 01:12:59,719
Speaker 1: the film, there's only like there's certain things like they're

1280
01:12:59,760 --> 01:13:01,880
Speaker 1: not gonna put just because like there's like there's like

1281
01:13:01,920 --> 01:13:05,640
Speaker 1: a line and you're playing this part and like, you know,

1282
01:13:05,760 --> 01:13:10,479
Speaker 1: this group was so you know, like for me, like

1283
01:13:10,560 --> 01:13:13,200
Speaker 1: when NWA first came out and like all the controversy,

1284
01:13:13,280 --> 01:13:15,519
Speaker 1: it was like there was no social media. There was

1285
01:13:16,080 --> 01:13:17,920
Speaker 1: you know, it's like what the fund is going on here?

1286
01:13:17,960 --> 01:13:20,439
Speaker 1: Like what do they do? Like they sound like this

1287
01:13:20,600 --> 01:13:22,639
Speaker 1: is some l a ship, Like I'm from New York.

1288
01:13:22,720 --> 01:13:24,760
Speaker 1: We've only heard New York hipop except for like a

1289
01:13:24,840 --> 01:13:28,200
Speaker 1: few pieces, Like it was just a whole bugged out thing.

1290
01:13:28,800 --> 01:13:30,880
Speaker 1: And then you guys do the movie and you kill it.

1291
01:13:31,000 --> 01:13:33,960
Speaker 1: Like when did you feel like while you were shooting

1292
01:13:33,960 --> 01:13:35,800
Speaker 1: I'm just rambling on about like like the group and

1293
01:13:35,880 --> 01:13:38,560
Speaker 1: the impression in the film, when did you feel like

1294
01:13:39,160 --> 01:13:41,280
Speaker 1: or did you ever get to feel like I got

1295
01:13:41,400 --> 01:13:44,559
Speaker 1: this this part? Like when did you start feeling comfortable

1296
01:13:44,840 --> 01:13:49,360
Speaker 1: as an actor playing ice Cube? Man? It was it

1297
01:13:49,520 --> 01:13:53,160
Speaker 1: was our first performance scene and it's the skate Land scene.

1298
01:13:53,800 --> 01:13:57,240
Speaker 1: The skate Land scene. You know, all my guys are

1299
01:13:57,400 --> 01:13:59,680
Speaker 1: you know they focused? I see them, you know, my

1300
01:13:59,760 --> 01:14:03,639
Speaker 1: man Jason who plays Easy Corey's dre Neil is Yella

1301
01:14:03,840 --> 01:14:08,120
Speaker 1: and Alt's Ran and I see them all focused because

1302
01:14:08,160 --> 01:14:10,599
Speaker 1: we're about to perform and about front of life maybe

1303
01:14:10,800 --> 01:14:13,200
Speaker 1: a hundred two hundred people or having many extras they

1304
01:14:13,240 --> 01:14:15,800
Speaker 1: had in there, And in my head, I have been

1305
01:14:16,120 --> 01:14:18,720
Speaker 1: on stage with my dad since I was eighteen. So

1306
01:14:18,800 --> 01:14:20,639
Speaker 1: I'm like, this ain't ship, Like you know, I'm about

1307
01:14:20,640 --> 01:14:23,000
Speaker 1: to rock this bitch like and it's it's not even

1308
01:14:23,040 --> 01:14:25,400
Speaker 1: like it's not even like we're performing a song that

1309
01:14:25,479 --> 01:14:27,880
Speaker 1: not everybody's gonna like like they supposed to love it.

1310
01:14:27,960 --> 01:14:31,240
Speaker 1: Like I'm about to kill this ship. And we we

1311
01:14:31,520 --> 01:14:33,360
Speaker 1: went through the scene a couple of times, a couple

1312
01:14:33,400 --> 01:14:36,559
Speaker 1: of times, and then so I finally asked Gary Gray,

1313
01:14:36,640 --> 01:14:39,000
Speaker 1: the director. I said, can I get one? And he

1314
01:14:39,120 --> 01:14:40,599
Speaker 1: was like what? I was like, can I get one?

1315
01:14:40,640 --> 01:14:42,479
Speaker 1: Can I like try to do my own thing with

1316
01:14:42,600 --> 01:14:44,559
Speaker 1: this one? He was like, all right, if you're killing,

1317
01:14:45,040 --> 01:14:47,000
Speaker 1: and so I you know, went to stay. I told

1318
01:14:47,040 --> 01:14:48,320
Speaker 1: the crowd. I was like, I need y'all to go

1319
01:14:48,479 --> 01:14:51,920
Speaker 1: fucking ballistic. I'm gonna be still as ship and we

1320
01:14:52,040 --> 01:14:54,000
Speaker 1: just go rock this bitch. And then at the end

1321
01:14:54,080 --> 01:14:56,479
Speaker 1: the hole, do that ship? Do that ship? That's all

1322
01:14:56,640 --> 01:14:59,400
Speaker 1: from the gut, that's like. So that was the realist

1323
01:14:59,479 --> 01:15:02,760
Speaker 1: moment and I could see my group, like you know

1324
01:15:02,880 --> 01:15:04,800
Speaker 1: it was lit, it was live in there. And so

1325
01:15:05,040 --> 01:15:07,519
Speaker 1: right then and there, I was like, I better grab

1326
01:15:07,720 --> 01:15:09,320
Speaker 1: this ship by the horns. You know, I'm about to

1327
01:15:09,360 --> 01:15:11,400
Speaker 1: make what it's gonna be on screen is how people

1328
01:15:11,400 --> 01:15:13,919
Speaker 1: are gonna see my dad forever. I'm about to superhero

1329
01:15:14,040 --> 01:15:16,360
Speaker 1: the funk out of this. You know. So we after that,

1330
01:15:16,520 --> 01:15:19,519
Speaker 1: you couldn't tell me ship you felt comfortable. Yeah, I'm

1331
01:15:19,560 --> 01:15:22,240
Speaker 1: in it. And so so you you went to USC.

1332
01:15:22,880 --> 01:15:25,400
Speaker 1: You you graduated from USC. Oh, No, I became an actor.

1333
01:15:26,240 --> 01:15:27,760
Speaker 1: How many years did you did you? I was in

1334
01:15:27,800 --> 01:15:29,360
Speaker 1: the middle of my second year, went straight out of

1335
01:15:29,439 --> 01:15:32,800
Speaker 1: Compton came and so I had devoted everything to it

1336
01:15:33,400 --> 01:15:36,599
Speaker 1: and I didn't get the part until my friends were

1337
01:15:36,600 --> 01:15:39,960
Speaker 1: already graduating. So I'm fucking nervous, dude. I'm like, yo,

1338
01:15:40,000 --> 01:15:43,280
Speaker 1: I ain't got no income left college. Like, I need

1339
01:15:43,360 --> 01:15:44,960
Speaker 1: to get this ship, dude, I need to make this

1340
01:15:45,080 --> 01:15:47,320
Speaker 1: acting ship work or I'm gonna just have the finger

1341
01:15:47,400 --> 01:15:50,760
Speaker 1: pointed at me. And so it's I'm still riding that ship.

1342
01:15:50,760 --> 01:15:52,840
Speaker 1: I'm still trying to make that ship work. Now. One

1343
01:15:52,920 --> 01:15:55,200
Speaker 1: of the things your father did that was a game

1344
01:15:55,360 --> 01:15:58,840
Speaker 1: changer for him, and it was controversy. He's like you

1345
01:15:58,880 --> 01:16:02,000
Speaker 1: know who did it? Who did it? Uh? Was right

1346
01:16:03,200 --> 01:16:06,960
Speaker 1: next well Friday and you know he like pin that ship,

1347
01:16:07,160 --> 01:16:08,599
Speaker 1: you know, and whether it was him and put whatever

1348
01:16:08,640 --> 01:16:11,000
Speaker 1: the funk that was. But you went to school for screenwriting.

1349
01:16:11,439 --> 01:16:13,720
Speaker 1: Do you want to continue writing? Is that something you

1350
01:16:13,760 --> 01:16:15,280
Speaker 1: want to do because you know, one of the again,

1351
01:16:15,320 --> 01:16:17,480
Speaker 1: one of the things your pop talking about was ownership

1352
01:16:17,560 --> 01:16:20,040
Speaker 1: and owning the ship. Yeah, it's a huge part of

1353
01:16:20,120 --> 01:16:23,120
Speaker 1: it to be able to because if I just if

1354
01:16:23,160 --> 01:16:26,559
Speaker 1: I'm just an actor, you know, being and I'm just waiting.

1355
01:16:26,640 --> 01:16:28,360
Speaker 1: You know how that gets when you just when you

1356
01:16:28,520 --> 01:16:31,840
Speaker 1: that that space in between, oh, when you have nothing

1357
01:16:31,880 --> 01:16:34,559
Speaker 1: to do during the day, it's cool for a minute,

1358
01:16:34,600 --> 01:16:36,880
Speaker 1: then it sucks. I tell people, the first two weeks

1359
01:16:36,920 --> 01:16:41,080
Speaker 1: of that unemployment are chill. After that, yeah, you know

1360
01:16:41,160 --> 01:16:45,360
Speaker 1: it's boring. So I wanted you gotta present it for yourself.

1361
01:16:45,760 --> 01:16:48,720
Speaker 1: You gotta you have to use all the style that

1362
01:16:48,840 --> 01:16:51,200
Speaker 1: you got, the skills that you have. And the one

1363
01:16:51,280 --> 01:16:54,720
Speaker 1: thing about USC it taught me the difference between a

1364
01:16:54,880 --> 01:16:57,400
Speaker 1: movie and like a film, you know, like a real

1365
01:16:57,600 --> 01:17:00,800
Speaker 1: you dig one of these can film festival ships and

1366
01:17:00,960 --> 01:17:03,920
Speaker 1: some popcorn ship, you know. So it gave me a

1367
01:17:04,080 --> 01:17:06,240
Speaker 1: different look and it helped me so much with acting

1368
01:17:06,320 --> 01:17:09,360
Speaker 1: that how could you not want to write? Still? How

1369
01:17:09,400 --> 01:17:12,040
Speaker 1: could you not want to make something for yourself? And

1370
01:17:12,080 --> 01:17:14,519
Speaker 1: there's so many ideas that you come with just from

1371
01:17:14,560 --> 01:17:17,519
Speaker 1: being in the set environment that you like, you know

1372
01:17:17,600 --> 01:17:19,000
Speaker 1: that somebody needs to you know, it would be a dope,

1373
01:17:19,040 --> 01:17:21,240
Speaker 1: you know, would be write them ships down and then

1374
01:17:21,280 --> 01:17:23,679
Speaker 1: it's done. So you think you'll you'll do something with writing.

1375
01:17:23,720 --> 01:17:26,120
Speaker 1: Oh yeah, I gotta. I got a few ideas that

1376
01:17:26,280 --> 01:17:29,920
Speaker 1: are definitely pretty heavy. I know I'm and what I'm

1377
01:17:30,560 --> 01:17:33,719
Speaker 1: given the most attention to right now is I'm writing

1378
01:17:33,960 --> 01:17:39,320
Speaker 1: the story of the real original Los Angeles Police Department,

1379
01:17:39,360 --> 01:17:42,040
Speaker 1: like the first like how we made yeah, way back

1380
01:17:42,400 --> 01:17:45,560
Speaker 1: when they had this little town Los Angeles and the

1381
01:17:45,680 --> 01:17:48,320
Speaker 1: jail was a fucking boulder with a chain, you know,

1382
01:17:48,560 --> 01:17:51,439
Speaker 1: like way back, what made you think about that something?

1383
01:17:51,560 --> 01:17:53,639
Speaker 1: Stay in the realm, you know, stay in the realm

1384
01:17:53,840 --> 01:17:58,120
Speaker 1: of you know, the truth. And a lot of the

1385
01:17:58,720 --> 01:18:00,600
Speaker 1: lot of the stories of the is not l a

1386
01:18:00,680 --> 01:18:04,439
Speaker 1: p D. There's still parallels to the l a p D. Now,

1387
01:18:05,080 --> 01:18:07,320
Speaker 1: And they can't get mad at you or they can't

1388
01:18:07,720 --> 01:18:10,280
Speaker 1: block it if it's the truth what you want, Like,

1389
01:18:10,400 --> 01:18:13,040
Speaker 1: what are you upset about like almost like in terms

1390
01:18:13,120 --> 01:18:15,000
Speaker 1: like it started off, there were things that there were

1391
01:18:15,040 --> 01:18:18,200
Speaker 1: flaws in the system from the beginning, and yet you

1392
01:18:18,400 --> 01:18:22,200
Speaker 1: think something's gonna change. And then so you know, all

1393
01:18:22,400 --> 01:18:25,360
Speaker 1: all coverage is good coverage, you know. So any kind

1394
01:18:25,400 --> 01:18:28,720
Speaker 1: of controversy that I would get as a filmmaker, I

1395
01:18:28,840 --> 01:18:31,280
Speaker 1: have to make sure that everything that I'm showing is

1396
01:18:31,360 --> 01:18:35,880
Speaker 1: the truth because you know it's ugly. You might be mad,

1397
01:18:36,000 --> 01:18:38,120
Speaker 1: but you're just mad at of mirror, right, I got you?

1398
01:18:38,680 --> 01:18:41,439
Speaker 1: Um all right, hip hop? Yeah, let me just throw

1399
01:18:41,520 --> 01:18:45,240
Speaker 1: this at you excluding n W. Excluding first, I'll throw

1400
01:18:45,280 --> 01:18:49,439
Speaker 1: this at you, oh Sha Jackson's oh Sha Jackson Jr.

1401
01:18:50,120 --> 01:18:55,360
Speaker 1: Top five groups, whole group today today, n W as

1402
01:18:55,439 --> 01:18:57,200
Speaker 1: it has to be excluded from this because we can't

1403
01:18:57,240 --> 01:19:01,080
Speaker 1: have any preferential treatment. Top five groups. You're top five groups,

1404
01:19:01,240 --> 01:19:04,640
Speaker 1: all right? Groups? Outcasts has to be number one, right, Well,

1405
01:19:04,880 --> 01:19:06,720
Speaker 1: you don't have to be in anyone no order R.

1406
01:19:07,320 --> 01:19:09,760
Speaker 1: So you can just rattle them off because it's interchangeable

1407
01:19:09,760 --> 01:19:13,439
Speaker 1: and you could forget one outcast, one outcast for sure

1408
01:19:13,479 --> 01:19:16,960
Speaker 1: in there, Uh I love me some red meth red

1409
01:19:17,080 --> 01:19:21,040
Speaker 1: Man and method man ship the blackout is too wild?

1410
01:19:22,439 --> 01:19:26,160
Speaker 1: What else? Groups let's see groups I do, I do

1411
01:19:26,479 --> 01:19:30,120
Speaker 1: feel Let's see, let's see it. It's harder. It's harder

1412
01:19:30,200 --> 01:19:32,439
Speaker 1: in groups. I know, I got my my top five lyricists.

1413
01:19:32,520 --> 01:19:35,040
Speaker 1: But with a group it it definitely a lot of

1414
01:19:35,120 --> 01:19:36,920
Speaker 1: them will be one side. I know me Goes. I

1415
01:19:36,960 --> 01:19:38,320
Speaker 1: do like the me Goes. I do know. I do

1416
01:19:38,520 --> 01:19:41,519
Speaker 1: like them as new artists, just to get some new

1417
01:19:41,680 --> 01:19:43,840
Speaker 1: new school in there. These are your these are your

1418
01:19:43,880 --> 01:19:47,960
Speaker 1: guys that right there. You know, at first, I was

1419
01:19:48,080 --> 01:19:51,720
Speaker 1: just like everybody. I was like all that rap was.

1420
01:19:51,840 --> 01:19:54,360
Speaker 1: I was talking ship. But I know I know some

1421
01:19:54,520 --> 01:19:56,920
Speaker 1: bad motherfucker's when I see them and they know how

1422
01:19:56,960 --> 01:20:01,519
Speaker 1: to make some music. That's three. Let's see. There's so many.

1423
01:20:01,600 --> 01:20:04,960
Speaker 1: I mean, there's tons just Pee, there's Tribe, there's day Law,

1424
01:20:05,000 --> 01:20:07,160
Speaker 1: there's My dad would kill me if I didn't put

1425
01:20:07,240 --> 01:20:12,360
Speaker 1: pe okay. That made him, you know right. I asked

1426
01:20:12,360 --> 01:20:13,600
Speaker 1: my dad when I was a little kid who his

1427
01:20:13,600 --> 01:20:15,920
Speaker 1: favorite rapper was. He told me, chuck b like that,

1428
01:20:16,640 --> 01:20:19,200
Speaker 1: it's too much and you gotta go run, you gotta go.

1429
01:20:19,600 --> 01:20:22,760
Speaker 1: You have to and I will get banned from life.

1430
01:20:23,840 --> 01:20:26,519
Speaker 1: And uh, of course I got a chance to to

1431
01:20:26,720 --> 01:20:29,519
Speaker 1: rock with the rev for that BT Cide and Shape

1432
01:20:29,560 --> 01:20:34,120
Speaker 1: cool dude a respect. So it's like royalty, Yeah, I

1433
01:20:34,160 --> 01:20:38,360
Speaker 1: mean ship Chrispy as you've ever seen anything like like

1434
01:20:38,680 --> 01:20:41,400
Speaker 1: like a different kind of white. There's no whip with him.

1435
01:20:41,520 --> 01:20:44,720
Speaker 1: Don't even look all right, not because the top five

1436
01:20:44,800 --> 01:20:48,599
Speaker 1: lyricist Rattling excluding your father excluding was always taking off

1437
01:20:48,920 --> 01:20:51,120
Speaker 1: a lot of lists, which is fun. Like that's why

1438
01:20:51,240 --> 01:20:53,759
Speaker 1: I really wanted to do the movie because I was like, yeah, serious,

1439
01:20:54,120 --> 01:20:57,000
Speaker 1: he was sixteen. He gave you all your hits when

1440
01:20:57,040 --> 01:21:00,040
Speaker 1: he was in tenth grade, you know what. Just you

1441
01:21:00,080 --> 01:21:02,000
Speaker 1: see about a lot of these dudes, like you know,

1442
01:21:02,280 --> 01:21:05,000
Speaker 1: like when I talked about a rapper who's nineteen, like

1443
01:21:05,240 --> 01:21:08,160
Speaker 1: he's only nineteen, I'm like, motherfucker cute Tip wrote that

1444
01:21:08,439 --> 01:21:11,559
Speaker 1: when he was sixteen, ice Cube, you know, like Eric

1445
01:21:11,600 --> 01:21:14,720
Speaker 1: being rock Kim. They were nineteen when they first came out.

1446
01:21:14,720 --> 01:21:16,960
Speaker 1: When they were all teen, Like it wasn't like fourty

1447
01:21:17,080 --> 01:21:20,240
Speaker 1: year old motherfucker's Like it didn't it didn't exist, Mellie Melanie.

1448
01:21:20,479 --> 01:21:24,280
Speaker 1: They were in their twenties and ship so even producer

1449
01:21:24,320 --> 01:21:26,559
Speaker 1: Swiss based but seventeen when he made Rough Riders Anthem,

1450
01:21:26,840 --> 01:21:30,120
Speaker 1: you know, like it's Pharrell seventeen when so I don't

1451
01:21:30,160 --> 01:21:33,080
Speaker 1: want to hear this age ship. No, your your prime

1452
01:21:33,240 --> 01:21:37,439
Speaker 1: is a rapper as a musician historically is when you're young.

1453
01:21:37,800 --> 01:21:40,200
Speaker 1: It's a win. It's a window of when your ship

1454
01:21:40,360 --> 01:21:43,880
Speaker 1: is hot and other people like are into your wave

1455
01:21:44,000 --> 01:21:46,640
Speaker 1: and your wave will pass it. It's the ocean out there, right,

1456
01:21:46,760 --> 01:21:48,439
Speaker 1: So don't you know it's I don't want to hear

1457
01:21:48,479 --> 01:21:50,599
Speaker 1: that you're talking about nineteen it was like, Yo, he's whack,

1458
01:21:50,680 --> 01:21:52,320
Speaker 1: he's whack. I don't give a funk, you know, like

1459
01:21:53,080 --> 01:21:57,599
Speaker 1: your ps is hiring. It's it's definitely we all love music.

1460
01:21:57,920 --> 01:22:01,040
Speaker 1: We all shouldn't do music. I agree, we all love

1461
01:22:01,160 --> 01:22:04,080
Speaker 1: Like there's nobody like, oh I hate music, but nobody

1462
01:22:04,160 --> 01:22:07,120
Speaker 1: does that. We all shouldn't do music, right, So all right,

1463
01:22:07,160 --> 01:22:10,240
Speaker 1: so your top five top five, if it's no ice

1464
01:22:10,320 --> 01:22:13,320
Speaker 1: Cube on it, I gotta go. I gotta put my

1465
01:22:13,400 --> 01:22:17,920
Speaker 1: man Marshall Mathers on their scary, scary, motherfucking Marshall Mathers. Uh,

1466
01:22:18,120 --> 01:22:22,479
Speaker 1: Andre three thousand has to make that list. Um let's

1467
01:22:22,640 --> 01:22:25,120
Speaker 1: jay z No. I just have to. I just have to.

1468
01:22:25,600 --> 01:22:28,160
Speaker 1: And my man, when he's not on his pussy pussy

1469
01:22:28,160 --> 01:22:30,920
Speaker 1: pussy pussy pussy talk, Little Wayne is a bad motherfucker

1470
01:22:31,560 --> 01:22:36,040
Speaker 1: and then uh this, I mean, you're gonna leave people out.

1471
01:22:37,320 --> 01:22:40,160
Speaker 1: It's an interchangeable, but I would if I could give him,

1472
01:22:40,200 --> 01:22:42,599
Speaker 1: give him that spot, I'll give it to Biggie. I'll

1473
01:22:42,600 --> 01:22:46,680
Speaker 1: put Biggie on there, just because I personally prefer to

1474
01:22:46,800 --> 01:22:51,920
Speaker 1: listen to Biggie acapellas than the songs because his bars

1475
01:22:52,000 --> 01:22:55,560
Speaker 1: are they paint a picture so well that you just

1476
01:22:55,800 --> 01:22:58,880
Speaker 1: can't you can't deny it, you can't shake how do you?

1477
01:22:59,040 --> 01:23:01,040
Speaker 1: I mean, I've heard some big acapellas, but do you

1478
01:23:01,120 --> 01:23:03,519
Speaker 1: have like a like, I got a few I produced,

1479
01:23:03,520 --> 01:23:05,280
Speaker 1: I do beats I do, so you pull them out

1480
01:23:05,320 --> 01:23:07,439
Speaker 1: and ship oh yeah, and then when you you know,

1481
01:23:08,640 --> 01:23:11,400
Speaker 1: fun with them and take like hit him at you

1482
01:23:11,439 --> 01:23:12,920
Speaker 1: gotta give me you gotta hook me up with some

1483
01:23:13,000 --> 01:23:14,680
Speaker 1: of them. Ship somebody I got you. I got a

1484
01:23:14,720 --> 01:23:17,320
Speaker 1: few acapellas, a few great artists. So that's dope. Like

1485
01:23:17,439 --> 01:23:20,600
Speaker 1: so so you you you make it the acapella. This

1486
01:23:20,720 --> 01:23:22,240
Speaker 1: isn't like all in your pops like you know in

1487
01:23:22,320 --> 01:23:24,360
Speaker 1: the no no no, I gotta look for these. I

1488
01:23:24,439 --> 01:23:27,120
Speaker 1: gotta make you, gotta hook me up. I got a

1489
01:23:27,160 --> 01:23:28,960
Speaker 1: few of those because because I I know what you

1490
01:23:29,040 --> 01:23:32,439
Speaker 1: mean you're hearing um, you're hearing just the purity, like

1491
01:23:32,920 --> 01:23:37,120
Speaker 1: you know one thing in that um fucking that goddamnum

1492
01:23:37,320 --> 01:23:41,160
Speaker 1: the doctor the defined ones when he's working around with

1493
01:23:41,200 --> 01:23:44,320
Speaker 1: the Marvin Gay acapellas, You're like, you're hearing just the skill.

1494
01:23:45,400 --> 01:23:47,960
Speaker 1: Like it's just like you're hearing the greatness. And whenever

1495
01:23:48,000 --> 01:23:52,000
Speaker 1: when you hear certain rappers, just the acapellas, you hear

1496
01:23:52,120 --> 01:23:54,600
Speaker 1: like like you brought up myth like he used to.

1497
01:23:54,880 --> 01:23:56,680
Speaker 1: He still doesn't, but he used he made like a

1498
01:23:57,320 --> 01:24:00,360
Speaker 1: he made like a that sound he made into part

1499
01:24:00,400 --> 01:24:03,120
Speaker 1: of the verse and or but like he made it

1500
01:24:03,160 --> 01:24:05,960
Speaker 1: an inflection. Yeah, yeah, just like it's it's just it's

1501
01:24:06,000 --> 01:24:07,840
Speaker 1: just you can you kind of you feel in the

1502
01:24:07,920 --> 01:24:11,080
Speaker 1: booth with them, right, and it's it's a different type experience.

1503
01:24:11,120 --> 01:24:14,599
Speaker 1: And I gotta love for that watching uh little Wayne

1504
01:24:14,680 --> 01:24:18,000
Speaker 1: had this documentary the Carter, and you would hear him,

1505
01:24:18,120 --> 01:24:19,839
Speaker 1: you would see him in the booth and you wouldn't

1506
01:24:19,880 --> 01:24:22,000
Speaker 1: hear the music. You just hear him rapping. And I was,

1507
01:24:22,160 --> 01:24:24,400
Speaker 1: you know, it's kind of cool. So I got like

1508
01:24:24,880 --> 01:24:28,959
Speaker 1: the Eric kabad On and on acapella even the the AlOH,

1509
01:24:29,640 --> 01:24:31,759
Speaker 1: let me know the you know, one in a million.

1510
01:24:31,960 --> 01:24:34,280
Speaker 1: That's just certain things that give you, you know, they

1511
01:24:34,320 --> 01:24:38,040
Speaker 1: give you chill agree man, So Acapella's is my way

1512
01:24:38,080 --> 01:24:44,439
Speaker 1: to go. That's dope. Um, big discussion is driv me

1513
01:24:44,560 --> 01:24:48,840
Speaker 1: fucking nuts fucking Kanye record. Uh well, what is your

1514
01:24:48,880 --> 01:24:51,960
Speaker 1: your twenty seven? So it's like, but you obviously, uh,

1515
01:24:52,240 --> 01:24:57,680
Speaker 1: you're well seasoned in all things hip hop because of

1516
01:24:57,760 --> 01:25:01,240
Speaker 1: this guy. Um, what is your take? You're a young guy,

1517
01:25:01,840 --> 01:25:04,400
Speaker 1: what is your take on the record? What is your

1518
01:25:04,479 --> 01:25:08,599
Speaker 1: take on like just the whole phenomenon of Kanye as

1519
01:25:08,680 --> 01:25:12,760
Speaker 1: of late. When I see Kanye, I see a more

1520
01:25:14,120 --> 01:25:17,080
Speaker 1: I see the same fire that I see in my father,

1521
01:25:17,680 --> 01:25:20,200
Speaker 1: but it just had a back draft and so and

1522
01:25:20,280 --> 01:25:22,680
Speaker 1: like kind of reased ount a little bit far, and

1523
01:25:23,040 --> 01:25:24,840
Speaker 1: it's it's hard to pull that back in. You know.

1524
01:25:25,120 --> 01:25:33,360
Speaker 1: It's uh, Gemini artists are Kanye, my Dad, Tupac, Ken, Drag,

1525
01:25:34,720 --> 01:25:37,920
Speaker 1: the very outspoken deep thinkers, And you got to know

1526
01:25:38,200 --> 01:25:41,840
Speaker 1: the time and the place aspect before you let out information.

1527
01:25:42,520 --> 01:25:46,599
Speaker 1: And you know, it's gotten to a point where you're

1528
01:25:46,640 --> 01:25:51,160
Speaker 1: starting to kind of shun the fans from before. And

1529
01:25:51,320 --> 01:25:54,479
Speaker 1: we've always grown with you, you know, We've always grown

1530
01:25:54,560 --> 01:25:58,120
Speaker 1: with you through the you know, through all the all

1531
01:25:58,200 --> 01:26:02,200
Speaker 1: the struggles, college drop out and be um and it's

1532
01:26:02,240 --> 01:26:04,840
Speaker 1: been dope. It's always been dope. You've always delivered the

1533
01:26:04,880 --> 01:26:08,120
Speaker 1: good music. What I don't understand are the people who

1534
01:26:08,200 --> 01:26:12,519
Speaker 1: are truly, like so offended by Kanye that they are

1535
01:26:12,800 --> 01:26:16,240
Speaker 1: just you know, like the witch hunt aspect. All you

1536
01:26:16,320 --> 01:26:18,120
Speaker 1: gotta do is not listen to a motherfucker to not

1537
01:26:18,280 --> 01:26:22,080
Speaker 1: hear them. And you know, I just think that I

1538
01:26:22,160 --> 01:26:26,000
Speaker 1: would definitely love a bigger album than what he gave me.

1539
01:26:26,560 --> 01:26:28,240
Speaker 1: You know, I felt like it was too short to

1540
01:26:28,400 --> 01:26:32,479
Speaker 1: even really get into a groove. They all wasn't five star,

1541
01:26:33,040 --> 01:26:34,680
Speaker 1: but he did give me. You know, there are some

1542
01:26:34,880 --> 01:26:39,519
Speaker 1: Death Bank, some bangers on their I love the Tristan verse,

1543
01:26:40,000 --> 01:26:43,240
Speaker 1: that Tristan Thompson this, and of course anytime you drop

1544
01:26:43,320 --> 01:26:46,280
Speaker 1: an ice Cube bar, I'm ana love song. I'm gonna

1545
01:26:46,280 --> 01:26:49,040
Speaker 1: love the song. So you know, it sounds like yes,

1546
01:26:49,200 --> 01:26:52,240
Speaker 1: this part two okay, you know, and any it's starting

1547
01:26:52,280 --> 01:26:54,840
Speaker 1: to tell me that any album that Kanye drops as

1548
01:26:54,880 --> 01:26:57,160
Speaker 1: his nickname, like Jesus was his only nickname, and that

1549
01:26:57,320 --> 01:27:00,760
Speaker 1: was yeah that I'm I'm out wait for other people

1550
01:27:00,800 --> 01:27:02,360
Speaker 1: to play for me. I'm not gonna be upset at

1551
01:27:02,360 --> 01:27:04,960
Speaker 1: midnight like everyone was do you think do you because

1552
01:27:05,040 --> 01:27:07,680
Speaker 1: for me like like for me, like I love to

1553
01:27:07,720 --> 01:27:09,880
Speaker 1: push a T record and I love the production of it,

1554
01:27:10,200 --> 01:27:11,280
Speaker 1: you know what I mean. So I'm not like one

1555
01:27:11,320 --> 01:27:13,720
Speaker 1: of these people like I'm like, this guy's a fucking nut.

1556
01:27:14,120 --> 01:27:16,160
Speaker 1: You know, I don't agree. What are you saying? He's

1557
01:27:16,200 --> 01:27:18,080
Speaker 1: fucking bugging out? But at the end of the day,

1558
01:27:18,200 --> 01:27:20,400
Speaker 1: like like if you play some ship, you play some ship,

1559
01:27:20,760 --> 01:27:22,679
Speaker 1: it's hot. If it's hot, it's hot. That's the same

1560
01:27:22,720 --> 01:27:25,560
Speaker 1: thing with Lebron Like, yeah he sucks. Yeah he's a

1561
01:27:25,680 --> 01:27:29,280
Speaker 1: cry baby, which was like it's like rap beef. It's

1562
01:27:29,320 --> 01:27:32,120
Speaker 1: like whether you're on ice Cube or n W A

1563
01:27:32,280 --> 01:27:35,000
Speaker 1: side like Yo, they made bangers, he made bangers, Like

1564
01:27:35,200 --> 01:27:37,600
Speaker 1: like you're gonna respond to the bangers or not like

1565
01:27:37,760 --> 01:27:40,920
Speaker 1: music and there's no denying, like it's it's funk. You

1566
01:27:41,040 --> 01:27:43,439
Speaker 1: can't take the funk. You can't like if if the

1567
01:27:43,520 --> 01:27:46,520
Speaker 1: fucking world came to an end and then they rediscovered

1568
01:27:46,600 --> 01:27:50,280
Speaker 1: James Brown three years when they play it, you're gonna

1569
01:27:50,479 --> 01:27:53,080
Speaker 1: respond the same way they play responded in the sixties.

1570
01:27:53,320 --> 01:27:56,400
Speaker 1: There's there's you don't need explanation and the thing about

1571
01:27:56,760 --> 01:27:59,640
Speaker 1: this record from a from a production point, I'm like,

1572
01:28:01,320 --> 01:28:03,799
Speaker 1: I'm having to think too much, like to try to appreciate.

1573
01:28:03,960 --> 01:28:06,960
Speaker 1: Like I'm like like like I'm either responding or not,

1574
01:28:07,080 --> 01:28:09,160
Speaker 1: Like I don't give a funk about your politics. I

1575
01:28:09,200 --> 01:28:10,799
Speaker 1: don't give a funk. Like if you made a banger,

1576
01:28:11,280 --> 01:28:13,639
Speaker 1: nobody's gonna say ship and that that was a big

1577
01:28:13,720 --> 01:28:15,679
Speaker 1: thing that do you know what I'm saying, Yeah, he should,

1578
01:28:15,880 --> 01:28:19,800
Speaker 1: Like I would have loved for you to like what

1579
01:28:19,960 --> 01:28:22,200
Speaker 1: you're What I'm upset with you about in the media

1580
01:28:22,640 --> 01:28:25,320
Speaker 1: does not have to be on your record all the time,

1581
01:28:25,680 --> 01:28:27,599
Speaker 1: like it does not. You don't have to keep reminding

1582
01:28:27,680 --> 01:28:30,160
Speaker 1: me about the Trump thing, or you don't have to

1583
01:28:30,280 --> 01:28:32,400
Speaker 1: let me know like I don't need to know all

1584
01:28:32,439 --> 01:28:35,120
Speaker 1: the personal ship about the cars. What I'm saying, Like

1585
01:28:35,240 --> 01:28:37,559
Speaker 1: I say, tam Z, I'm not a sucking us weekly,

1586
01:28:37,600 --> 01:28:40,240
Speaker 1: Like I don't care about the gossip some diary type stuff. No,

1587
01:28:40,320 --> 01:28:41,880
Speaker 1: I don't. I don't give a funk. I just want

1588
01:28:41,920 --> 01:28:44,599
Speaker 1: the bangers. And if you want to do the gossip ship,

1589
01:28:44,680 --> 01:28:47,160
Speaker 1: it needs to be under some ship. Yeah, yeah, you

1590
01:28:47,240 --> 01:28:50,160
Speaker 1: know it's that. That's why I needed more to seven tracks,

1591
01:28:50,320 --> 01:28:53,000
Speaker 1: because that way you have the chance to have those

1592
01:28:53,080 --> 01:28:56,400
Speaker 1: records and still satisfy those fans who want the banger.

1593
01:28:57,160 --> 01:28:58,760
Speaker 1: You know, if you if you're making a little quick

1594
01:28:58,880 --> 01:29:01,920
Speaker 1: epe for the it's an e for us for the summer.

1595
01:29:02,000 --> 01:29:05,080
Speaker 1: That's different. But you're telling me you have people flying

1596
01:29:05,160 --> 01:29:09,639
Speaker 1: to Wyoming to listen to these seven honks. I'm good,

1597
01:29:09,760 --> 01:29:13,719
Speaker 1: I'll just buy the shoes. I'm sorry, I I agree.

1598
01:29:14,880 --> 01:29:16,920
Speaker 1: So you dig to push your tea record. You know

1599
01:29:17,040 --> 01:29:19,160
Speaker 1: I did push. I did push your tea And you

1600
01:29:19,200 --> 01:29:22,400
Speaker 1: know it's just he spits, he spits, and that's what

1601
01:29:22,560 --> 01:29:26,960
Speaker 1: I'm yearning for. The dancing and club vibe only works

1602
01:29:27,040 --> 01:29:29,400
Speaker 1: if I'm at a party. I don't want to hear

1603
01:29:29,479 --> 01:29:32,120
Speaker 1: that all the time. And a record that I think.

1604
01:29:32,760 --> 01:29:38,200
Speaker 1: I think if Kanye's record hit me the way that

1605
01:29:39,160 --> 01:29:41,880
Speaker 1: Ko D did the J Cole thing, I would have

1606
01:29:41,960 --> 01:29:44,080
Speaker 1: nothing to say because ko D J Cole doesn't go

1607
01:29:44,600 --> 01:29:46,960
Speaker 1: for the club hits. He doesn't do that, but he

1608
01:29:47,080 --> 01:29:49,800
Speaker 1: still finds a way to give me that message through

1609
01:29:50,240 --> 01:29:52,800
Speaker 1: you know, still having banging beats, you know, motivate and

1610
01:29:53,120 --> 01:29:55,320
Speaker 1: things like that. And it doesn't it doesn't hurt to

1611
01:29:55,360 --> 01:29:58,040
Speaker 1: have the the song for the NBA Finals. It doesn't

1612
01:29:58,120 --> 01:30:01,200
Speaker 1: hurt as well. But Kanye is gonna be Kanye. That's

1613
01:30:01,240 --> 01:30:04,479
Speaker 1: the one thing that uh, the piece that of my

1614
01:30:04,600 --> 01:30:07,040
Speaker 1: father that I see in Kanye is I'm gonna do

1615
01:30:07,160 --> 01:30:09,400
Speaker 1: my thing. I don't give a funk who sees it,

1616
01:30:09,560 --> 01:30:11,680
Speaker 1: who gives a ship, as long as you know, I

1617
01:30:11,840 --> 01:30:14,800
Speaker 1: love me some meat and I gotta respect that. And

1618
01:30:14,880 --> 01:30:18,400
Speaker 1: I know that he will continue to grow as an artist.

1619
01:30:18,880 --> 01:30:21,880
Speaker 1: And I'm not gonna not be there when he hit

1620
01:30:21,960 --> 01:30:23,880
Speaker 1: me with that ship again, when he hit me with

1621
01:30:24,000 --> 01:30:26,920
Speaker 1: that good again. And all I'm asking as a fan

1622
01:30:27,160 --> 01:30:30,439
Speaker 1: is you put the fucking bare head on an album sometimes,

1623
01:30:30,520 --> 01:30:31,880
Speaker 1: you know, can I get it? Can I get at

1624
01:30:31,960 --> 01:30:33,679
Speaker 1: least the back of the album, have the bare head

1625
01:30:33,760 --> 01:30:37,200
Speaker 1: or something? I do miss that part. I I hear you.

1626
01:30:37,360 --> 01:30:40,880
Speaker 1: I hear you because at a certain point, like I said,

1627
01:30:40,880 --> 01:30:42,760
Speaker 1: I don't know, man, it's just like it's a such

1628
01:30:42,800 --> 01:30:46,960
Speaker 1: a weird time and social media and like the declaration,

1629
01:30:47,040 --> 01:30:50,360
Speaker 1: I don't care who the funk it is. If it's Rock,

1630
01:30:50,479 --> 01:30:55,519
Speaker 1: Kim Caress one, uh, you know, fucking Marvin Gaye, whoever

1631
01:30:55,560 --> 01:30:57,400
Speaker 1: the funk it is, the Rolling Stones, whatever you're into,

1632
01:30:57,520 --> 01:31:02,120
Speaker 1: cold Play. You can't declare something in a classic after

1633
01:31:02,240 --> 01:31:04,800
Speaker 1: listening to it one time. Oh it's some headphone. No,

1634
01:31:05,400 --> 01:31:07,519
Speaker 1: you know, like it's a classic, like, motherfucker, it just

1635
01:31:07,720 --> 01:31:12,200
Speaker 1: came out. No, no, no, no, no, that's it. It's

1636
01:31:12,240 --> 01:31:14,880
Speaker 1: an instant classic that the tool don't make they don't

1637
01:31:14,880 --> 01:31:17,000
Speaker 1: make sense, Like are you even listening to this ship

1638
01:31:17,400 --> 01:31:21,040
Speaker 1: in July? Like we're talking about classics, classics, No, it

1639
01:31:21,160 --> 01:31:25,879
Speaker 1: needs time to breathe. It's just not it's just getting classical.

1640
01:31:26,080 --> 01:31:29,439
Speaker 1: Get in your in your in your DNA grab you

1641
01:31:29,600 --> 01:31:33,240
Speaker 1: like uh you said, Kars, one step into a world.

1642
01:31:33,520 --> 01:31:36,719
Speaker 1: When you hear that, you don't stop in your fucking tracks, period.

1643
01:31:37,560 --> 01:31:39,400
Speaker 1: I gotta hear that reck like you know, it's just

1644
01:31:39,479 --> 01:31:41,920
Speaker 1: how it is. You gotta you gotta let it time,

1645
01:31:42,040 --> 01:31:44,040
Speaker 1: let it stand the test of time before you call

1646
01:31:44,080 --> 01:31:46,320
Speaker 1: it a classic. If you like the record, you like

1647
01:31:46,479 --> 01:31:48,800
Speaker 1: the record, If I like the Avengers, I'm not like,

1648
01:31:49,080 --> 01:31:50,800
Speaker 1: this is the greatest movie of all time, you know,

1649
01:31:50,880 --> 01:31:53,040
Speaker 1: I'm not like it's it's just just it's a you're

1650
01:31:53,200 --> 01:31:55,720
Speaker 1: caught in the vibe of the moment. I agree, you

1651
01:31:55,800 --> 01:31:58,320
Speaker 1: gotta let that ship breathe. I agree. You know, I

1652
01:31:58,400 --> 01:32:00,679
Speaker 1: think hip hop it's in such an same place because

1653
01:32:00,680 --> 01:32:03,200
Speaker 1: you have all these mumble rappers. Then you have the

1654
01:32:03,280 --> 01:32:05,920
Speaker 1: j Coles, you have the Kendricks, you know you still

1655
01:32:06,040 --> 01:32:09,439
Speaker 1: have you know, like there's just it's in a good place.

1656
01:32:09,479 --> 01:32:11,720
Speaker 1: I just get me as a fan, I just get

1657
01:32:11,800 --> 01:32:17,320
Speaker 1: worried that the diversity because because there was diversity when

1658
01:32:17,400 --> 01:32:19,960
Speaker 1: it was you know, East Coast heavy, and then you know,

1659
01:32:20,000 --> 01:32:21,840
Speaker 1: all the West Coast came, and then the South came

1660
01:32:21,880 --> 01:32:24,240
Speaker 1: with ghetto boys, and then Andre and these dudes, and

1661
01:32:24,320 --> 01:32:26,240
Speaker 1: then like even like dudes like mc breed in the

1662
01:32:26,280 --> 01:32:29,000
Speaker 1: middle of the country. You know, I always never really rocked,

1663
01:32:29,040 --> 01:32:30,960
Speaker 1: you know that. You you know, you got my Seattle dudes,

1664
01:32:31,080 --> 01:32:33,800
Speaker 1: you know in Florida. But like now it's like I

1665
01:32:33,880 --> 01:32:35,960
Speaker 1: don't think that, like as production goes for I feel

1666
01:32:36,000 --> 01:32:39,960
Speaker 1: like that's suffering even more. A lot of the songs

1667
01:32:40,000 --> 01:32:41,880
Speaker 1: are if you blend them together, you never know the

1668
01:32:41,960 --> 01:32:45,160
Speaker 1: song went off and it's it's everybody. You used to

1669
01:32:45,200 --> 01:32:48,400
Speaker 1: be able to tell where somebody was rapping. I've gotten

1670
01:32:48,479 --> 01:32:50,360
Speaker 1: produced it, you know, at least be able to be like,

1671
01:32:50,439 --> 01:32:52,400
Speaker 1: oh no, these are timbo drums. You know, this is

1672
01:32:52,400 --> 01:32:55,720
Speaker 1: a Morley mall. It's like this is some DJ quick

1673
01:32:55,760 --> 01:32:58,400
Speaker 1: ship you can tell, And now it's you know, there's

1674
01:32:58,439 --> 01:33:01,519
Speaker 1: so many because even I do beats and I'm on

1675
01:33:01,640 --> 01:33:04,960
Speaker 1: the same sites as y'all, and a lot of these

1676
01:33:05,280 --> 01:33:07,439
Speaker 1: a lot of the sounds you get will say ship

1677
01:33:07,640 --> 01:33:12,680
Speaker 1: like uh, Mike Will made it type snare and like

1678
01:33:12,840 --> 01:33:15,720
Speaker 1: you're so you're biting his his flavor now, so you're

1679
01:33:15,760 --> 01:33:18,200
Speaker 1: just getting the water down version of this guy's beat.

1680
01:33:18,600 --> 01:33:20,439
Speaker 1: And yeah, you might be able to make it rock

1681
01:33:20,560 --> 01:33:23,880
Speaker 1: with the same things, but it takes away the individuality

1682
01:33:24,360 --> 01:33:27,400
Speaker 1: and even the repping part of hip hop. I've had

1683
01:33:27,439 --> 01:33:29,160
Speaker 1: to get into so many debates. You know how many

1684
01:33:29,200 --> 01:33:33,600
Speaker 1: people think Asap Rocky is a down South rapper, Like

1685
01:33:35,280 --> 01:33:37,439
Speaker 1: I gotta constantly ask, well, where is he from? But

1686
01:33:37,479 --> 01:33:39,680
Speaker 1: where is this dude from? He's from? You know, it

1687
01:33:40,400 --> 01:33:42,719
Speaker 1: used to be different, You used to have a different

1688
01:33:42,760 --> 01:33:46,040
Speaker 1: type vibe, and you know, it's it has its gift

1689
01:33:46,120 --> 01:33:49,800
Speaker 1: and its cursed aspect. There's not always going to be

1690
01:33:50,320 --> 01:33:53,840
Speaker 1: top five artists coming out, you know, and there's there's

1691
01:33:53,880 --> 01:33:57,400
Speaker 1: gotta be those guys who will Yeah, that's why they're

1692
01:33:57,400 --> 01:33:59,639
Speaker 1: special dudes. That's why there's guys that stand the test

1693
01:33:59,720 --> 01:34:02,680
Speaker 1: at time, role players, and then there's the guy. And

1694
01:34:02,960 --> 01:34:04,600
Speaker 1: you know, one of the things that I always go

1695
01:34:04,720 --> 01:34:07,719
Speaker 1: back to the first frame that you see. I believe

1696
01:34:07,760 --> 01:34:09,400
Speaker 1: it's the first frame I know time in the in

1697
01:34:09,479 --> 01:34:11,880
Speaker 1: this straight out of content, the first time you see

1698
01:34:11,920 --> 01:34:15,920
Speaker 1: the Doctor Drake character, you see him what laying listening

1699
01:34:15,960 --> 01:34:19,880
Speaker 1: to music amongst all his records. So before he was

1700
01:34:20,000 --> 01:34:23,040
Speaker 1: thinking about being in groups, before he was thinking about

1701
01:34:23,080 --> 01:34:25,479
Speaker 1: being a producer, he was in love with these records.

1702
01:34:26,200 --> 01:34:30,120
Speaker 1: That's what he loved. Like a motherfucker who love basketball,

1703
01:34:30,200 --> 01:34:32,000
Speaker 1: or like a motherfucker who loves science, or like a

1704
01:34:32,040 --> 01:34:34,960
Speaker 1: motherfucker who likes whatever like And that image, to me

1705
01:34:35,120 --> 01:34:40,080
Speaker 1: was was indicative of why that man, you know, turn

1706
01:34:40,200 --> 01:34:41,840
Speaker 1: out to do all the ship that he does. And

1707
01:34:41,960 --> 01:34:43,519
Speaker 1: I feel like now a lot of it is like

1708
01:34:43,680 --> 01:34:45,639
Speaker 1: I want to be a rapper because I don't want

1709
01:34:45,640 --> 01:34:47,320
Speaker 1: to go to college. I want to be a rapper

1710
01:34:47,640 --> 01:34:50,120
Speaker 1: because Yo, I'm gonna get Instagram as opposed to like

1711
01:34:50,360 --> 01:34:52,479
Speaker 1: you need to love the music. And like when you

1712
01:34:52,560 --> 01:34:55,599
Speaker 1: see like guys like Dr Dre or you like Marley

1713
01:34:55,680 --> 01:34:59,120
Speaker 1: marl or Lark, Professor DJ Quick or or whoever the

1714
01:34:59,160 --> 01:35:02,760
Speaker 1: fun you know, and these guys are like Pete Rock,

1715
01:35:03,120 --> 01:35:04,920
Speaker 1: you know, Premier, like if you talk to them about

1716
01:35:05,280 --> 01:35:07,040
Speaker 1: you could talk to them about jazz. You could talking

1717
01:35:07,080 --> 01:35:08,840
Speaker 1: about rock, you can talking about heavy manor you could

1718
01:35:08,880 --> 01:35:11,240
Speaker 1: talk about you know so music And like they're like

1719
01:35:11,360 --> 01:35:15,519
Speaker 1: Google machine. It's not a surface level thinking. They love

1720
01:35:15,600 --> 01:35:17,479
Speaker 1: it like they're digging in the creature. Like that's not

1721
01:35:17,600 --> 01:35:19,360
Speaker 1: like a fun thing to go to a record store

1722
01:35:19,520 --> 01:35:22,200
Speaker 1: unless you love it like I love it, Like I'm

1723
01:35:22,200 --> 01:35:25,000
Speaker 1: not don't want to go to some back alley basement

1724
01:35:25,040 --> 01:35:26,800
Speaker 1: ship and dig through record I don't love it like

1725
01:35:26,840 --> 01:35:28,920
Speaker 1: I want to listen to it. But you know what

1726
01:35:28,960 --> 01:35:32,720
Speaker 1: I'm saying, I love is lost. Yeah, it's a lot

1727
01:35:32,760 --> 01:35:35,639
Speaker 1: of it's a lot of superficial reasons why people would

1728
01:35:35,720 --> 01:35:38,800
Speaker 1: choose to get into entertainment. And you know, I get it.

1729
01:35:38,920 --> 01:35:42,400
Speaker 1: That's that, you know, the luxurious part of it is

1730
01:35:42,600 --> 01:35:45,160
Speaker 1: as a as a piece that most people want in

1731
01:35:45,240 --> 01:35:49,600
Speaker 1: their lives. I get that. But you cannot get you

1732
01:35:49,680 --> 01:35:53,920
Speaker 1: cannot find this through a get rich quick scheme. You

1733
01:35:54,080 --> 01:35:58,160
Speaker 1: cannot get it like that. There's nothing. Everything that's good

1734
01:35:58,280 --> 01:36:01,160
Speaker 1: for you, everything that's that's good for your body is

1735
01:36:01,240 --> 01:36:05,240
Speaker 1: slow cooked slow. If you're just eating fast food, you're fucked.

1736
01:36:05,439 --> 01:36:07,960
Speaker 1: You're going you just like you came up with the

1737
01:36:08,000 --> 01:36:10,680
Speaker 1: in and out. But no, right, you know, sometimes you

1738
01:36:10,720 --> 01:36:12,680
Speaker 1: gotta grab that in and out. You need that one hit,

1739
01:36:12,720 --> 01:36:15,599
Speaker 1: wonder exactly. It's perfectly fine. I'll take my summer hit.

1740
01:36:15,920 --> 01:36:18,799
Speaker 1: But if I eat in and out every day, sing

1741
01:36:18,800 --> 01:36:22,560
Speaker 1: out my heart all right? So are you gonna be

1742
01:36:22,640 --> 01:36:24,360
Speaker 1: on the on the road some of the game's Big three?

1743
01:36:24,680 --> 01:36:26,479
Speaker 1: Oh yeah, I'm coming. How much fun did you have

1744
01:36:26,640 --> 01:36:30,320
Speaker 1: last year? Dude? The championship game was lit. I definitely

1745
01:36:30,360 --> 01:36:32,880
Speaker 1: got that. James hard and I apologize James Harden. Did

1746
01:36:32,920 --> 01:36:34,680
Speaker 1: you say something to him? Yeah? Ja, he came. He

1747
01:36:34,800 --> 01:36:36,920
Speaker 1: came up and he's saying it's up to everybody, and

1748
01:36:37,200 --> 01:36:39,200
Speaker 1: I didn't save what's up? I said, put some purple

1749
01:36:39,240 --> 01:36:41,200
Speaker 1: and gold on. He said, you right and walked away.

1750
01:36:42,880 --> 01:36:45,880
Speaker 1: A Laker, bro, you don't sunk around, man. I can't

1751
01:36:45,880 --> 01:36:49,680
Speaker 1: be seeing hugging and high five and you motherfucker's brou

1752
01:36:49,960 --> 01:36:53,640
Speaker 1: p and on that lakership. Yeah, I mean I got

1753
01:36:53,680 --> 01:36:57,759
Speaker 1: to meet Genie and because uh dudes over at ESPN,

1754
01:36:57,760 --> 01:37:00,120
Speaker 1: they let me co host the show from twelve the

1755
01:37:00,160 --> 01:37:01,920
Speaker 1: three every now and then, and they let me do

1756
01:37:02,000 --> 01:37:04,080
Speaker 1: the Genie episodes. I got to do it with Jeanie.

1757
01:37:06,520 --> 01:37:09,519
Speaker 1: If you're making, if you're making your top, if you're

1758
01:37:09,560 --> 01:37:13,240
Speaker 1: making the starting five all time Lakers. Oh, Shay Jackson Jr.

1759
01:37:13,640 --> 01:37:15,559
Speaker 1: This is the easiest question. You can give me your

1760
01:37:15,600 --> 01:37:19,559
Speaker 1: five Magic Johnson at the point, at the point, Kobe Bryant,

1761
01:37:20,120 --> 01:37:23,719
Speaker 1: James Worthy. I'm going to put Kareem at the four,

1762
01:37:24,240 --> 01:37:29,000
Speaker 1: Shack at the five. Done. It's over, go home, beat

1763
01:37:29,040 --> 01:37:31,639
Speaker 1: the traffic. And you know a Kareem when you look

1764
01:37:31,640 --> 01:37:34,040
Speaker 1: at how far he's like almost like if he wanted

1765
01:37:34,080 --> 01:37:36,080
Speaker 1: to in this day and age, like he could be

1766
01:37:36,160 --> 01:37:40,439
Speaker 1: out there shooting skyhook three sky he was shooting eighteen

1767
01:37:40,439 --> 01:37:43,080
Speaker 1: foot not trying this guy. If I'm Anthony Davis, I agree.

1768
01:37:43,320 --> 01:37:49,400
Speaker 1: If I'm if I'm Joelling Beade, I'm going for forties.

1769
01:37:50,840 --> 01:37:52,800
Speaker 1: I agree. And it's so. And those are biggs that

1770
01:37:52,880 --> 01:37:57,080
Speaker 1: can hit their free throws. I don't understand why they

1771
01:37:57,240 --> 01:38:01,519
Speaker 1: run away from it. The finesse game is like in

1772
01:38:01,840 --> 01:38:04,880
Speaker 1: right now, everybody's got their moves. If you can do

1773
01:38:05,080 --> 01:38:07,639
Speaker 1: that without putting so much wear and tear on your body.

1774
01:38:07,760 --> 01:38:10,479
Speaker 1: They don't get how how valuable of a weapon the sky.

1775
01:38:10,720 --> 01:38:13,200
Speaker 1: I mean Tristan Thompson, he has no off Like Tristan.

1776
01:38:13,400 --> 01:38:15,920
Speaker 1: He takes a lot of ship. He's a tenacious rebound here.

1777
01:38:16,640 --> 01:38:21,280
Speaker 1: He has not one fucking go to move. That dude

1778
01:38:21,320 --> 01:38:25,280
Speaker 1: can't even do a jump up, Like literally, it's crazy,

1779
01:38:25,360 --> 01:38:27,880
Speaker 1: like to get the ball back to you, like I'll

1780
01:38:27,920 --> 01:38:29,600
Speaker 1: get it under the rim, and like he'll get it.

1781
01:38:29,680 --> 01:38:31,760
Speaker 1: I remember watching him Game five when the game was

1782
01:38:31,800 --> 01:38:34,360
Speaker 1: still close last year. At one point he got the

1783
01:38:34,400 --> 01:38:37,559
Speaker 1: ball under the rim and he couldn't get the footwork too,

1784
01:38:37,680 --> 01:38:39,320
Speaker 1: and he threw it back out. I'm like, yo, this

1785
01:38:39,479 --> 01:38:43,479
Speaker 1: is basic basketball. Ship. He's got pumping pump, pumping pump,

1786
01:38:43,720 --> 01:38:45,800
Speaker 1: like you can't do You can't do anything. And you

1787
01:38:45,840 --> 01:38:49,559
Speaker 1: know it's you get exposed in the playoffs. You get

1788
01:38:50,040 --> 01:38:52,439
Speaker 1: because the team has to see you at least four.

1789
01:38:52,720 --> 01:38:54,639
Speaker 1: You know you have no off like if you get

1790
01:38:54,840 --> 01:39:00,240
Speaker 1: like if he gets um Denna thieves, big hit, Are

1791
01:39:00,280 --> 01:39:02,559
Speaker 1: you guys gonna make a part two? Well, thank god

1792
01:39:02,560 --> 01:39:04,560
Speaker 1: it was a big hit. You know I got my

1793
01:39:04,880 --> 01:39:07,439
Speaker 1: The only stipulation I got about Part two is I

1794
01:39:07,479 --> 01:39:09,200
Speaker 1: told him I need to kick some asks. I could not.

1795
01:39:09,680 --> 01:39:12,880
Speaker 1: I was so tired on set getting my ass beat

1796
01:39:13,040 --> 01:39:16,800
Speaker 1: all day. When you have to spend fifteen hours in

1797
01:39:16,880 --> 01:39:19,880
Speaker 1: the hotel room getting choked out by Gerard Butler, it

1798
01:39:20,000 --> 01:39:21,800
Speaker 1: kind of pisses you off. What kind of an actor

1799
01:39:21,920 --> 01:39:24,360
Speaker 1: is he? Oh, he's cool in terms of super pro

1800
01:39:24,720 --> 01:39:28,240
Speaker 1: he's a pro. Yea super pro. Uh definitely. Uh is

1801
01:39:28,280 --> 01:39:30,280
Speaker 1: a great ship talker. I need to talk ship on

1802
01:39:30,400 --> 01:39:32,360
Speaker 1: set or it's boring. She talks a lot of Kim

1803
01:39:32,479 --> 01:39:34,599
Speaker 1: in fifty or if you, if you, if I could

1804
01:39:34,600 --> 01:39:38,200
Speaker 1: get fifty going, you know, fifty will give me some entertainment.

1805
01:39:38,280 --> 01:39:41,320
Speaker 1: But Gerard same thing. But nobody talks to you like fifty.

1806
01:39:41,520 --> 01:39:45,080
Speaker 1: What makes like just in general just about everything, right?

1807
01:39:45,600 --> 01:39:49,000
Speaker 1: You know? Yeah, he just goes. He loves he needs

1808
01:39:49,040 --> 01:39:51,760
Speaker 1: somebody right, shoot the ship with you know what you

1809
01:39:51,800 --> 01:39:54,960
Speaker 1: can tell and you know it's it's it's funny to

1810
01:39:55,000 --> 01:39:57,400
Speaker 1: see because I told fit like I'm a fan, you know,

1811
01:39:57,479 --> 01:39:59,560
Speaker 1: I've been a fan. So to see him in that

1812
01:40:00,000 --> 01:40:02,679
Speaker 1: a minute of look look at this thing and learning

1813
01:40:02,760 --> 01:40:04,120
Speaker 1: his lines, you know, like look at him like I

1814
01:40:04,200 --> 01:40:06,280
Speaker 1: could see that it was cool. It was nothing but

1815
01:40:06,360 --> 01:40:09,880
Speaker 1: a great environment. Uh. I'm glad that all of them

1816
01:40:10,000 --> 01:40:13,280
Speaker 1: die and I don't right, So for part two, Yeah,

1817
01:40:13,280 --> 01:40:15,840
Speaker 1: I'm with it. You know, I can't speak for nobody else,

1818
01:40:15,920 --> 01:40:20,840
Speaker 1: but I'm down all right, listen, uh o, Shay, everyone

1819
01:40:20,920 --> 01:40:23,640
Speaker 1: calls you sha right, there's no oshan, I mean there is.

1820
01:40:23,760 --> 01:40:27,559
Speaker 1: That's like my professional But if I'm comfortable, I wish

1821
01:40:27,600 --> 01:40:30,080
Speaker 1: you tremendous amount of luck. Keep doing your thing. I'll

1822
01:40:30,080 --> 01:40:32,360
Speaker 1: see you at the Big Three, I'll see you. Are

1823
01:40:32,360 --> 01:40:34,639
Speaker 1: you gonna Are you gonna rhyme again? Would you rhyme again?

1824
01:40:35,080 --> 01:40:37,200
Speaker 1: If he if he asked me to, yeah, I would

1825
01:40:37,200 --> 01:40:40,240
Speaker 1: probably do it. Uh, you know, like oh my shock

1826
01:40:40,320 --> 01:40:42,559
Speaker 1: g ship, you know, on the low because it's too much,

1827
01:40:42,680 --> 01:40:44,880
Speaker 1: too much, too much that it would affect about my job.

1828
01:40:45,680 --> 01:40:47,880
Speaker 1: So you know that's it's always smart because then you

1829
01:40:48,000 --> 01:40:50,720
Speaker 1: there's a freedom and there's no it's just it's either

1830
01:40:50,800 --> 01:40:53,720
Speaker 1: dope or it's not dope. Ye yeah, exactly. And then

1831
01:40:53,720 --> 01:40:55,960
Speaker 1: you don't mean you're the mask man like you've got

1832
01:40:56,000 --> 01:41:00,160
Speaker 1: some m F doom ship or some shock ship. Thank

1833
01:41:00,200 --> 01:41:04,679
Speaker 1: you for coming, Iron Wrapper Shade Jackson, ship talker, good

1834
01:41:04,720 --> 01:41:07,560
Speaker 1: ship talking, very good morning with young ship talker in

1835
01:41:07,680 --> 01:41:13,599
Speaker 1: the building. I don't bring in any clown. I want

1836
01:41:13,600 --> 01:41:17,680
Speaker 1: to thank oh Sha Jackson for rocking with the best. Uh.

1837
01:41:18,280 --> 01:41:21,200
Speaker 1: I will bet my bottom dollar that this dude will

1838
01:41:21,200 --> 01:41:24,120
Speaker 1: start his own podcast at some point. He loves it.

1839
01:41:24,200 --> 01:41:26,280
Speaker 1: He talks a lot of ship knows his sports. He's

1840
01:41:26,320 --> 01:41:28,680
Speaker 1: doing the radio, he's doing uh, all sorts of things

1841
01:41:28,720 --> 01:41:31,800
Speaker 1: on ESPN. Check them out on Twitter. Oh Jackson Jr.

1842
01:41:31,840 --> 01:41:33,920
Speaker 1: Thank you for rocking with us. G Moody last name

1843
01:41:34,000 --> 01:41:38,880
Speaker 1: rhymes with duty, Pete Um Miles Jordan's take us out

1844
01:41:38,920 --> 01:41:40,640
Speaker 1: of here with a smacker, Take us out of here

1845
01:41:40,680 --> 01:41:42,519
Speaker 1: with something nice. Let it play for the people. I'm

1846
01:41:42,560 --> 01:42:09,920
Speaker 1: out arms. Amazing moment, the part that makes amazing ing

1847
01:42:10,160 --> 01:42:20,959
Speaker 1: to the parks amazing ming, The part that makes amazing moming,

1848
01:42:21,560 --> 01:42:24,880
Speaker 1: the part that makes m