1 00:00:00,560 --> 00:00:04,040 Speaker 1: Ridiculous Crime is a production of iHeartRadio Zeron. 2 00:00:04,320 --> 00:00:06,000 Speaker 2: No, Yes, listen, listen to her. 3 00:00:06,240 --> 00:00:08,520 Speaker 3: Sorry I was napping, Go ahead, you know it's ridiculous. 4 00:00:08,560 --> 00:00:09,920 Speaker 3: Oh thank god, I had a dream about it. I 5 00:00:09,960 --> 00:00:13,200 Speaker 3: want to tell you about it. Scientists, they got jokes, right, yeah, 6 00:00:13,240 --> 00:00:14,960 Speaker 3: I mean, like, did you know there's a spider called 7 00:00:15,160 --> 00:00:20,079 Speaker 3: dracu Loitus bram Stokery. Yeah, there's a name after anyway. 8 00:00:20,239 --> 00:00:25,640 Speaker 3: There's also Roland Skiata mile Planna, obviously named for Henry Rowlins, 9 00:00:26,079 --> 00:00:28,880 Speaker 3: what famed front man of Black Flag and Rowlins man 10 00:00:29,280 --> 00:00:33,559 Speaker 3: veritable hardcore punk legend. He has a fireworm named after him. 11 00:00:33,440 --> 00:00:36,280 Speaker 2: A fireworm fireworm told you Henry Roland story? 12 00:00:36,400 --> 00:00:37,040 Speaker 3: No, it was it short? 13 00:00:37,360 --> 00:00:39,720 Speaker 2: Yeah, I just I ran into him at a shoe store. 14 00:00:39,960 --> 00:00:41,920 Speaker 2: I patted him on top of the head because he's 15 00:00:41,920 --> 00:00:42,520 Speaker 2: a little short. 16 00:00:42,680 --> 00:00:44,400 Speaker 3: You love doing that to short celebrities. 17 00:00:44,880 --> 00:00:45,879 Speaker 2: The only one I've done it too. 18 00:00:46,040 --> 00:00:49,080 Speaker 3: Wait a minute, I thought you also did the iced 19 00:00:49,120 --> 00:00:50,400 Speaker 3: tea was short. Yeah. 20 00:00:50,440 --> 00:00:51,840 Speaker 2: I didn't point it out to him. 21 00:00:53,680 --> 00:00:55,400 Speaker 3: On the head, like, really, you really pad him? 22 00:00:55,880 --> 00:01:02,760 Speaker 2: Look at you? And then I was not a nice 23 00:01:02,760 --> 00:01:04,240 Speaker 2: person back in the day. 24 00:01:04,319 --> 00:01:05,880 Speaker 3: I hope you never run to a Glenn Danzig you 25 00:01:05,959 --> 00:01:09,560 Speaker 3: might break his heart. Now I got one more for you, Elizabeth. 26 00:01:10,120 --> 00:01:16,720 Speaker 3: I found dickro tentipees thanogratis. Okay, all right now, dicro 27 00:01:17,080 --> 00:01:23,440 Speaker 3: Tendippy's gratis. Maybe saying that wrong. In Greek, thanatosis, you know, 28 00:01:23,720 --> 00:01:26,199 Speaker 3: is the word for the state of death, okay, And 29 00:01:26,280 --> 00:01:29,520 Speaker 3: gratusis is basically the Latin for grateful, which means there 30 00:01:29,560 --> 00:01:32,200 Speaker 3: is a mixed Latin and Greek blood worm with a 31 00:01:32,280 --> 00:01:34,199 Speaker 3: name that literally means the grateful dead. 32 00:01:34,440 --> 00:01:37,199 Speaker 2: Yes, so we got a blood worm and a fire. 33 00:01:38,160 --> 00:01:41,280 Speaker 2: Big apologies to Henry Rollins, by the way, big fan. 34 00:01:42,319 --> 00:01:44,040 Speaker 2: I wasn't in my right mind. 35 00:01:44,319 --> 00:01:45,880 Speaker 3: You know all that was ridiculous. 36 00:01:45,880 --> 00:01:48,720 Speaker 2: It was so ridiculous. I love that those are cute. 37 00:01:49,320 --> 00:01:50,600 Speaker 2: Do you know what else is ridiculous? 38 00:01:50,680 --> 00:01:51,720 Speaker 3: No, That's why I came here. 39 00:01:52,080 --> 00:02:16,760 Speaker 2: Never stop escapings eron, never got it. This is ridiculous Crime, 40 00:02:16,840 --> 00:02:21,240 Speaker 2: A podcast about absurd and outrageous caper's heis and cons. 41 00:02:21,360 --> 00:02:24,480 Speaker 2: It's always ninety nine percent murder free and one hundred 42 00:02:24,560 --> 00:02:25,639 Speaker 2: percent ridiculous. 43 00:02:26,080 --> 00:02:26,639 Speaker 3: Damn right. 44 00:02:27,200 --> 00:02:29,919 Speaker 2: You and I have similar tastes in lots of things. 45 00:02:29,960 --> 00:02:31,480 Speaker 3: You and I t why. 46 00:02:32,480 --> 00:02:34,280 Speaker 2: I even want to sing the rest You're about to 47 00:02:34,360 --> 00:02:36,520 Speaker 2: kick me off and do it. Okay, but that's funn 48 00:02:36,520 --> 00:02:39,520 Speaker 2: you should say that music especially, Yeah, and like you know, 49 00:02:39,560 --> 00:02:42,640 Speaker 2: we like pretty much every genre. Yes, we have a 50 00:02:42,639 --> 00:02:43,840 Speaker 2: lot of similar artists that we like. 51 00:02:44,240 --> 00:02:45,520 Speaker 3: A lot of overlap, and. 52 00:02:45,360 --> 00:02:49,040 Speaker 2: There's some overlap in TV and movies. Yes, but you 53 00:02:49,080 --> 00:02:51,320 Speaker 2: and I like different storytelling. 54 00:02:50,680 --> 00:02:52,040 Speaker 3: Styles, very different stories. 55 00:02:52,120 --> 00:02:56,600 Speaker 2: You like action and structure. I like quiet things and absurdity. 56 00:02:56,800 --> 00:02:57,720 Speaker 3: It may not have an end. 57 00:02:57,880 --> 00:03:01,320 Speaker 2: Yeah, here's some examples. Like we both like. I can say, like, oh, brother, 58 00:03:01,360 --> 00:03:05,040 Speaker 2: we're art that. Yeah, I love that. And we both 59 00:03:05,120 --> 00:03:09,280 Speaker 2: like the funny hammer Guy movies. For movies, movies, here's 60 00:03:09,280 --> 00:03:12,240 Speaker 2: where we part ways. One of my favorite movies is 61 00:03:12,280 --> 00:03:15,400 Speaker 2: The Last Black Man in San Francisco. Yes, I think 62 00:03:15,440 --> 00:03:17,480 Speaker 2: it's one of the most beautiful movies I've seen, Like 63 00:03:17,560 --> 00:03:18,040 Speaker 2: shot for. 64 00:03:18,000 --> 00:03:19,920 Speaker 3: Shot, totally a lot of beautiful scene. 65 00:03:20,120 --> 00:03:22,760 Speaker 2: Shot could be a piece of art. I enjoyed the story. 66 00:03:23,280 --> 00:03:24,359 Speaker 3: There's a sord like that. 67 00:03:24,560 --> 00:03:27,920 Speaker 2: I enjoy the energy of it, the ceiling. 68 00:03:27,680 --> 00:03:30,560 Speaker 3: I do, the aesthetic, the love. I liked the end. 69 00:03:30,840 --> 00:03:32,480 Speaker 3: There was an ending. You call that an ending? 70 00:03:32,760 --> 00:03:34,519 Speaker 2: You had feelings about this movie? 71 00:03:34,840 --> 00:03:37,080 Speaker 3: There was no ending. The movie just like basically just 72 00:03:37,160 --> 00:03:38,960 Speaker 3: ran out of film and then they turned the lights on, 73 00:03:39,040 --> 00:03:40,640 Speaker 3: you're supposed to walk out of the theater and like, 74 00:03:40,640 --> 00:03:42,200 Speaker 3: could you please take some popcorn with you? 75 00:03:42,840 --> 00:03:47,440 Speaker 2: I live for uncertainty, like I live in the gray areas. 76 00:03:47,520 --> 00:03:49,160 Speaker 3: Sure, in the middle of a movie. 77 00:03:49,280 --> 00:03:52,120 Speaker 2: I like contradiction, we contain multitudes. 78 00:03:52,240 --> 00:03:54,520 Speaker 3: I'm with you, but like it didn't feel like a 79 00:03:54,600 --> 00:03:57,440 Speaker 3: movie that had anything to say because it didn't have 80 00:03:57,520 --> 00:03:59,120 Speaker 3: an ending. The ending kind of would have been like 81 00:03:59,200 --> 00:04:00,720 Speaker 3: the period of like, oh, okay, this is what I 82 00:04:00,760 --> 00:04:02,680 Speaker 3: had to say, instead of just like I could keep 83 00:04:02,720 --> 00:04:05,880 Speaker 3: going you want yea. I understand that, you know, any 84 00:04:05,880 --> 00:04:08,000 Speaker 3: story could have any beginning. It's where you drop the needle. 85 00:04:08,000 --> 00:04:10,040 Speaker 3: I totally get that, but there is a point about 86 00:04:10,040 --> 00:04:12,040 Speaker 3: when you pick the needle back up. You can't just 87 00:04:12,080 --> 00:04:13,880 Speaker 3: be like, oh, we got to the It's just the 88 00:04:13,880 --> 00:04:15,120 Speaker 3: paper in the center of the record. 89 00:04:15,200 --> 00:04:17,400 Speaker 2: So I guess that's cool with that. You were not. 90 00:04:17,520 --> 00:04:22,000 Speaker 3: No, I did not like that's the record going. 91 00:04:23,160 --> 00:04:26,040 Speaker 2: Another film that we didn't agree on was the Robert 92 00:04:26,080 --> 00:04:29,320 Speaker 2: Redford movie The Old Man and the Gun. Yes, it's 93 00:04:29,360 --> 00:04:32,839 Speaker 2: got an all star lineup, got Robert Redford, Casey Affleck, 94 00:04:33,000 --> 00:04:36,320 Speaker 2: Danny Glover who was also in Last Black Man, Tom Waite, 95 00:04:36,400 --> 00:04:38,880 Speaker 2: Sissy space. We saw this movie. 96 00:04:38,600 --> 00:04:39,520 Speaker 3: Together, that's true. 97 00:04:39,680 --> 00:04:41,200 Speaker 2: You maybe you fell asleep. 98 00:04:41,279 --> 00:04:42,360 Speaker 3: Yes, you may see it. 99 00:04:42,720 --> 00:04:45,280 Speaker 2: As we were walking out, I said, I liked how 100 00:04:45,360 --> 00:04:48,000 Speaker 2: quiet and gentle the movie was, and meeting like the 101 00:04:48,040 --> 00:04:50,520 Speaker 2: pace and the visuals and everything. And you said, that's 102 00:04:50,560 --> 00:04:51,440 Speaker 2: one way to put it. 103 00:04:51,920 --> 00:04:53,440 Speaker 3: That's what I said. 104 00:04:53,960 --> 00:04:58,480 Speaker 2: I'm so Redford retired after making that movie. 105 00:04:58,520 --> 00:05:01,040 Speaker 3: I can see why what I'm self sleep. He's like, 106 00:05:01,279 --> 00:05:02,320 Speaker 3: I can't do this anymore. 107 00:05:02,360 --> 00:05:03,920 Speaker 2: Do you remember the plot of the movie. 108 00:05:04,160 --> 00:05:06,160 Speaker 3: What's again? I asked? Was there a plot? I remember? 109 00:05:06,200 --> 00:05:09,280 Speaker 3: There was an old it's about it. 110 00:05:09,279 --> 00:05:12,320 Speaker 2: It's about a career bank robber who's like in his seventies, 111 00:05:12,400 --> 00:05:16,479 Speaker 2: escapes from prison, picks up a foxy, age appropriate total lady, 112 00:05:17,279 --> 00:05:19,520 Speaker 2: and begins a romance while sticking up banks. 113 00:05:19,560 --> 00:05:22,000 Speaker 3: That was fun. The beginning of the Miss Sun dappled 114 00:05:22,080 --> 00:05:22,960 Speaker 3: and warm. Great. 115 00:05:23,080 --> 00:05:26,000 Speaker 2: Yes, you're going to hate the movie so much more 116 00:05:26,880 --> 00:05:29,000 Speaker 2: ended when I tell you what I'm going to tell 117 00:05:29,080 --> 00:05:32,440 Speaker 2: you today, Okay, because the movie is supposed to be 118 00:05:32,440 --> 00:05:36,720 Speaker 2: about a real life robber guy Forrest Woody Tucker. Yeah, 119 00:05:36,760 --> 00:05:39,480 Speaker 2: And as I'm reading about him, I'm reading about his 120 00:05:39,600 --> 00:05:43,159 Speaker 2: life and his whole story. I'm just blown away really 121 00:05:43,240 --> 00:05:45,640 Speaker 2: the great, and I keep thinking, like, at this point, 122 00:05:45,640 --> 00:05:48,440 Speaker 2: I haven't gone to the point in researching him where 123 00:05:48,440 --> 00:05:50,760 Speaker 2: I know that the movie's about him, and I'm thinking, like, 124 00:05:51,120 --> 00:05:55,160 Speaker 2: why haven't they made a movie about this? He's amazing, 125 00:05:55,279 --> 00:05:58,159 Speaker 2: his life is incredible. And then I find out that 126 00:05:58,240 --> 00:06:00,640 Speaker 2: The Old Man and the Gun was that movie, and 127 00:06:00,720 --> 00:06:03,920 Speaker 2: I liked the movie a lot less see thank you 128 00:06:04,240 --> 00:06:07,800 Speaker 2: one big missed opportunity. There you go, And it wasn't 129 00:06:07,839 --> 00:06:11,880 Speaker 2: the movie for Forrest Tucker and Jonathan Major's has tainted 130 00:06:11,880 --> 00:06:14,200 Speaker 2: my love for the Last Black Man in San Francisco. 131 00:06:14,360 --> 00:06:16,839 Speaker 2: So my favorites are all evaporating. Yeah, look at you, 132 00:06:17,120 --> 00:06:19,800 Speaker 2: but don't tell me anything about the Paris Dispatch or 133 00:06:19,880 --> 00:06:20,760 Speaker 2: Talladagan Knites. 134 00:06:23,160 --> 00:06:24,360 Speaker 3: I think you're gonna be good there. 135 00:06:24,240 --> 00:06:26,720 Speaker 2: I hope. So so let's talk about mister. 136 00:06:26,520 --> 00:06:29,200 Speaker 3: Tucker, please, And I'd love to hear this dude story. 137 00:06:29,279 --> 00:06:33,120 Speaker 2: Apparently casting Robert Redford, you know, Hoba Hoba, by the way, 138 00:06:33,279 --> 00:06:36,080 Speaker 2: even you know, for him as he aged year. 139 00:06:35,960 --> 00:06:38,240 Speaker 3: Old, eight year old, you still still got you climb 140 00:06:38,320 --> 00:06:38,679 Speaker 3: that tree. 141 00:06:38,760 --> 00:06:43,560 Speaker 2: Yeah, it wasn't too far off the casting because like 142 00:06:43,600 --> 00:06:46,719 Speaker 2: Tucker apparently had these really gorgeous blue eyes, but he 143 00:06:46,839 --> 00:06:47,600 Speaker 2: was no Redford. 144 00:06:47,960 --> 00:06:50,440 Speaker 3: Okay, Tucker, No. 145 00:06:51,160 --> 00:06:54,800 Speaker 2: He was what Bruce brings. You say, you're not a looker, 146 00:06:54,800 --> 00:06:55,440 Speaker 2: but yeah, you're. 147 00:06:55,279 --> 00:06:57,400 Speaker 3: All right, Okay, that is the boss. 148 00:06:57,480 --> 00:07:01,400 Speaker 2: Okay, so let's talk. Let's uh anyway. He's born nineteen 149 00:07:01,440 --> 00:07:04,599 Speaker 2: twenty in Miami, Florida, which what a time in Miami, 150 00:07:04,720 --> 00:07:08,159 Speaker 2: totally right, It's all possibility and development at that point, 151 00:07:08,240 --> 00:07:13,120 Speaker 2: Art deco everything. His dad was a heavy equipment. 152 00:07:12,760 --> 00:07:14,480 Speaker 3: Operator, so he was building Miami. 153 00:07:14,680 --> 00:07:17,160 Speaker 2: Yeah, but he dipped out on the family when Forrest 154 00:07:17,280 --> 00:07:21,680 Speaker 2: was six and his mom was barely making ends meet. 155 00:07:21,800 --> 00:07:24,200 Speaker 2: So Forrest gets sent to live with his grandma and 156 00:07:24,320 --> 00:07:27,920 Speaker 2: Stuart Florida, and he loved it there. There's like no 157 00:07:28,120 --> 00:07:30,920 Speaker 2: no dad to boss around. Granny lets him just kind 158 00:07:30,960 --> 00:07:33,520 Speaker 2: of like find himself and do his own thing. He 159 00:07:33,640 --> 00:07:36,200 Speaker 2: hung out at the river and built little boats from 160 00:07:36,240 --> 00:07:38,120 Speaker 2: scrap wood and metal that he found. 161 00:07:38,200 --> 00:07:39,200 Speaker 3: Oh yeah, yeah. 162 00:07:39,240 --> 00:07:41,720 Speaker 2: And then he taught himself how to play the saxophone 163 00:07:41,760 --> 00:07:43,160 Speaker 2: and the clarinet. 164 00:07:42,920 --> 00:07:43,960 Speaker 3: Damn, just by ear. 165 00:07:44,160 --> 00:07:46,880 Speaker 2: Yeah, it's amazing, Like right, that's enough, right. 166 00:07:47,240 --> 00:07:49,480 Speaker 3: Cool playing along with records of something. 167 00:07:49,320 --> 00:07:51,720 Speaker 2: Yeah, I think so. And so you know that's his 168 00:07:51,840 --> 00:07:56,000 Speaker 2: childhood and Stuart, a little boy's dream idyllic children become 169 00:07:56,080 --> 00:07:59,040 Speaker 2: teens and that's when things can go sideways. Yes, and 170 00:07:59,120 --> 00:08:01,480 Speaker 2: it did for Tucker. So, you know, he didn't have 171 00:08:01,520 --> 00:08:04,440 Speaker 2: a strong father figure, and I think, like, you know, 172 00:08:04,760 --> 00:08:07,520 Speaker 2: a lot of men are successful without a strong father figure. 173 00:08:07,600 --> 00:08:10,160 Speaker 2: I'm not necessary, but I think he kind of needed it, 174 00:08:10,240 --> 00:08:12,080 Speaker 2: just by his necessary. 175 00:08:12,240 --> 00:08:12,440 Speaker 3: Yeah. 176 00:08:12,920 --> 00:08:15,480 Speaker 2: So when he was fifteen, he got caught stealing a 177 00:08:15,520 --> 00:08:18,640 Speaker 2: car and he gets cuffed and stuffed, take him to 178 00:08:18,720 --> 00:08:21,160 Speaker 2: the police station. He told the cops that he just 179 00:08:21,200 --> 00:08:23,720 Speaker 2: wanted to go on a joy ride, just as simple 180 00:08:23,720 --> 00:08:25,400 Speaker 2: as that. He's like, no, big, it's not a big deal. 181 00:08:25,520 --> 00:08:29,160 Speaker 2: Calm down. So the jailer takes the chains off and 182 00:08:29,400 --> 00:08:32,360 Speaker 2: like to process him, and he slips out. He escapes. 183 00:08:32,840 --> 00:08:34,560 Speaker 2: First arrest, first escape. 184 00:08:34,640 --> 00:08:36,120 Speaker 3: Nice, and there's like one for one. 185 00:08:36,080 --> 00:08:38,280 Speaker 2: One for one. There's like a half hearted man hunt 186 00:08:38,280 --> 00:08:40,880 Speaker 2: for him. Like a week or so later, a deputy's 187 00:08:40,920 --> 00:08:42,880 Speaker 2: cruising down the road and sees him sitting in an 188 00:08:42,880 --> 00:08:46,360 Speaker 2: orange grove eating an orange, just you know, as you do. 189 00:08:46,400 --> 00:08:51,680 Speaker 2: It's Florida fun. Yeah, please, So he gets busted an orange. 190 00:08:52,400 --> 00:08:55,959 Speaker 2: The sheriff sends him to reform school, basically like Juvie. 191 00:08:56,600 --> 00:09:00,080 Speaker 2: Here's the thing, though, when he was free. Between his 192 00:09:00,120 --> 00:09:03,000 Speaker 2: initial arrest and the capture of the Orange Grove, he 193 00:09:03,080 --> 00:09:05,520 Speaker 2: wasn't just like mowing down on oranges the whole time, 194 00:09:05,760 --> 00:09:08,600 Speaker 2: avoiding scurvy. He's working on future plans. 195 00:09:08,600 --> 00:09:10,000 Speaker 3: What were the future plans, Elizabeth? 196 00:09:10,040 --> 00:09:12,880 Speaker 2: Well, he was a rascal boy, and he knew other rascals, 197 00:09:13,120 --> 00:09:15,880 Speaker 2: and he knew that they'd been sent to reform school, 198 00:09:16,400 --> 00:09:18,600 Speaker 2: and he knew the cops would eventually catch him and 199 00:09:18,640 --> 00:09:21,680 Speaker 2: that he'd join his pals. So before he was caught, 200 00:09:22,240 --> 00:09:24,800 Speaker 2: he went over to the reform school and slipped like 201 00:09:25,120 --> 00:09:28,839 Speaker 2: six hacksaw blades through a cell window to a group 202 00:09:28,840 --> 00:09:30,280 Speaker 2: of boys inside. 203 00:09:29,880 --> 00:09:32,360 Speaker 3: Already in there. Yeah, he was like, I'm coming in, boys. 204 00:09:32,400 --> 00:09:34,160 Speaker 2: He gets thrown in with them, and they still had 205 00:09:34,200 --> 00:09:36,760 Speaker 2: the blade because they hadn't tried to escape yet. They're like, 206 00:09:36,920 --> 00:09:39,640 Speaker 2: we don't know how to use it, right, So he 207 00:09:39,760 --> 00:09:42,000 Speaker 2: changes all that. He cuts through the bars on the 208 00:09:42,000 --> 00:09:44,960 Speaker 2: window and he helps two other boys squeeze through. He 209 00:09:45,080 --> 00:09:48,120 Speaker 2: wasn't out long though. The cops found him and another 210 00:09:48,200 --> 00:09:51,600 Speaker 2: kid like they had jumped into the river and were 211 00:09:51,720 --> 00:09:55,280 Speaker 2: like up to right below their noses, so just the 212 00:09:55,320 --> 00:09:57,560 Speaker 2: tops of their heads sticking out, like trying to hide, 213 00:09:57,559 --> 00:10:00,439 Speaker 2: but not drown in the water of the river. 214 00:10:00,520 --> 00:10:01,280 Speaker 3: Well better than mud. 215 00:10:02,000 --> 00:10:06,800 Speaker 2: It's like very Viet con and so they're just likely 216 00:10:07,080 --> 00:10:11,360 Speaker 2: now pull them out. So the Stewart Daily News reported 217 00:10:11,360 --> 00:10:14,560 Speaker 2: the next day, quote trio escape by sawing bars of 218 00:10:14,640 --> 00:10:17,720 Speaker 2: cell last night, supplied with hack saws, cold chisels, and 219 00:10:17,800 --> 00:10:23,160 Speaker 2: files by boy. So he kept catching little petty crime charges, 220 00:10:23,200 --> 00:10:25,800 Speaker 2: and he winds up back in reform school, and of 221 00:10:25,840 --> 00:10:29,240 Speaker 2: course he escaped from reform school, ran away to Georgia 222 00:10:29,360 --> 00:10:32,679 Speaker 2: as you do go north. He got caught again and 223 00:10:32,720 --> 00:10:35,760 Speaker 2: he gets sentenced to quote be placed and confined at 224 00:10:35,880 --> 00:10:37,120 Speaker 2: labor in the chain game. 225 00:10:37,360 --> 00:10:39,480 Speaker 3: Ooh, he got tried as an adult. 226 00:10:40,080 --> 00:10:43,320 Speaker 2: So the authorities they had a blacksmith rivet the cuff 227 00:10:43,400 --> 00:10:46,040 Speaker 2: and chain to his ankles. And then this is how 228 00:10:46,040 --> 00:10:48,560 Speaker 2: he described it. Quote the guards would give you the 229 00:10:48,600 --> 00:10:50,960 Speaker 2: first three days to let you get your hands broken 230 00:10:51,000 --> 00:10:54,160 Speaker 2: in with calluses, but after that the walking boss would 231 00:10:54,160 --> 00:10:56,560 Speaker 2: punish you, hit you with his cane or fist, and 232 00:10:56,600 --> 00:10:58,559 Speaker 2: if you didn't work hard enough, the guards would take 233 00:10:58,600 --> 00:11:00,800 Speaker 2: you into the bathroom and tie your hands behind your 234 00:11:00,800 --> 00:11:03,280 Speaker 2: back and put a pressure hose in your face and 235 00:11:03,320 --> 00:11:06,480 Speaker 2: hold it there until you'd sputter. And couldn't breathe. They waterboarded, 236 00:11:06,600 --> 00:11:10,400 Speaker 2: so torture, they tortured it. It's the depression totally. They're torturing, 237 00:11:10,840 --> 00:11:13,199 Speaker 2: like disesting, so depraved. 238 00:11:13,240 --> 00:11:15,880 Speaker 3: So they're out there like making basically making all those 239 00:11:15,880 --> 00:11:16,920 Speaker 3: Southern roads, yea. 240 00:11:17,080 --> 00:11:20,240 Speaker 2: Making rocks. Yeah. 241 00:11:20,280 --> 00:11:21,800 Speaker 3: So he did still shake boss. 242 00:11:22,960 --> 00:11:25,720 Speaker 2: He did six months of that, and then he's released 243 00:11:26,200 --> 00:11:28,840 Speaker 2: and then he goes and he boosts another car and 244 00:11:29,080 --> 00:11:31,439 Speaker 2: he finds himself with a ten year sentence over his 245 00:11:31,520 --> 00:11:34,560 Speaker 2: head this time. And so his lawyer wrote in a 246 00:11:34,600 --> 00:11:37,600 Speaker 2: court motion, quote, we see a man who has been 247 00:11:37,720 --> 00:11:40,959 Speaker 2: thoroughly cast out by society, marked is a criminal at 248 00:11:41,000 --> 00:11:45,600 Speaker 2: seventeen years old, and constantly railroaded through judicial proceedings without 249 00:11:45,600 --> 00:11:49,079 Speaker 2: the benefit of counsel. Forrest Tucker was becoming an angry 250 00:11:49,120 --> 00:11:52,560 Speaker 2: young man. He was like, that's exactly what's happening here. 251 00:11:53,160 --> 00:11:56,320 Speaker 2: This guy, Morris has no hope, I mean none none. 252 00:11:57,000 --> 00:12:00,320 Speaker 2: His childhood friend of his, Morris Walton, said, quote, My 253 00:12:00,480 --> 00:12:02,840 Speaker 2: sense is he spent his life in jail for stealing 254 00:12:02,840 --> 00:12:06,160 Speaker 2: a bicycle and simply trying to escape. If he became bad, 255 00:12:06,240 --> 00:12:08,360 Speaker 2: it was only because the system made him that way. 256 00:12:09,000 --> 00:12:12,280 Speaker 3: So the conditions of his life Tucker just said quick 257 00:12:12,640 --> 00:12:13,760 Speaker 3: the dry was cast. 258 00:12:14,160 --> 00:12:17,280 Speaker 2: Yeah. So he still loved music. It was his passion, 259 00:12:17,720 --> 00:12:20,360 Speaker 2: and he tried to like get gigs with bands in Miami. 260 00:12:20,440 --> 00:12:21,840 Speaker 3: He could have been the next Bick spider Beck. 261 00:12:22,640 --> 00:12:25,440 Speaker 2: Nothing ever came of it, though he got married, but 262 00:12:25,480 --> 00:12:27,440 Speaker 2: then that fell apart, Like what's the guy to do? 263 00:12:27,640 --> 00:12:29,199 Speaker 3: Sure, crime crime it up. 264 00:12:29,400 --> 00:12:32,760 Speaker 2: So September twenty second, nineteen fifty, he's thirty years old, 265 00:12:33,440 --> 00:12:37,120 Speaker 2: old enough to know better. He strolls into this Miami 266 00:12:37,160 --> 00:12:39,560 Speaker 2: bank like, hey, what's up? How you doing? He's wearing 267 00:12:39,559 --> 00:12:42,400 Speaker 2: a mask and carrying a gun. He makes off with 268 00:12:42,559 --> 00:12:47,000 Speaker 2: one two hundred and seventy eight dollars and it worked 269 00:12:47,040 --> 00:12:49,320 Speaker 2: so well that he went back a couple of days 270 00:12:49,400 --> 00:12:51,240 Speaker 2: later and he stole the bank safe. 271 00:12:51,440 --> 00:12:53,040 Speaker 3: Oh the same bank, same bank. It's like, I like 272 00:12:53,120 --> 00:12:53,719 Speaker 3: that bank well. 273 00:12:53,720 --> 00:12:55,760 Speaker 2: And then he gets busted a few blocks away trying 274 00:12:55,760 --> 00:12:58,080 Speaker 2: to open it with a blowtorch. A few blocks oh 275 00:12:58,240 --> 00:13:00,240 Speaker 2: fwo blocks out in the set Like basically they took 276 00:13:00,240 --> 00:13:00,840 Speaker 2: it around the corner. 277 00:13:00,840 --> 00:13:03,000 Speaker 3: It doesn't even take it to like a garage, not 278 00:13:03,040 --> 00:13:04,679 Speaker 3: even to a shady alley. 279 00:13:05,040 --> 00:13:06,000 Speaker 2: He maybe took it into an. 280 00:13:06,080 --> 00:13:06,920 Speaker 3: He's like near a dumpster. 281 00:13:07,360 --> 00:13:12,640 Speaker 2: Okay, raccoons are peeking out. Back to the slammer. 282 00:13:12,760 --> 00:13:13,600 Speaker 3: Okay, back he goes. 283 00:13:13,679 --> 00:13:16,880 Speaker 2: Yeah, he's unfazed. This is what he said. Quote, it 284 00:13:16,880 --> 00:13:18,840 Speaker 2: didn't matter to me if they gave me five years, 285 00:13:18,840 --> 00:13:22,000 Speaker 2: ten years, or life. I was an escape artist. He 286 00:13:22,080 --> 00:13:22,559 Speaker 2: doesn't care. 287 00:13:23,080 --> 00:13:25,199 Speaker 3: So now he's got an identity. I like that for him. 288 00:13:25,200 --> 00:13:26,000 Speaker 3: He's like, I am in a. 289 00:13:26,000 --> 00:13:30,440 Speaker 2: School artist, so in jail, I cried. Therefore I am 290 00:13:31,280 --> 00:13:34,120 Speaker 2: right before Christmas, he said he was in terrible pain 291 00:13:34,240 --> 00:13:35,920 Speaker 2: and he was like he had to be rushed to 292 00:13:35,960 --> 00:13:39,840 Speaker 2: the hospital have his appendix. Yeah, and they chained him 293 00:13:39,880 --> 00:13:43,080 Speaker 2: to the bed while he recovered. But this is Forest Tucker. 294 00:13:44,000 --> 00:13:46,360 Speaker 2: He didn't just teach himself to play clarinet. He taught 295 00:13:46,400 --> 00:13:47,559 Speaker 2: himself how to picklocks. 296 00:13:47,800 --> 00:13:48,120 Speaker 3: Nice. 297 00:13:49,160 --> 00:13:52,199 Speaker 2: So a paper clip, some shuffling, and soon he's free. 298 00:13:52,320 --> 00:13:54,280 Speaker 3: Wow, a paper clip slipped out of. 299 00:13:54,200 --> 00:13:57,160 Speaker 2: The hospital and he took off like way off, like 300 00:13:57,280 --> 00:13:58,199 Speaker 2: California off. 301 00:13:58,880 --> 00:13:59,439 Speaker 3: Yeah. 302 00:13:59,640 --> 00:14:02,280 Speaker 2: He it was there that he went on a spree 303 00:14:02,280 --> 00:14:05,520 Speaker 2: of robberies. And he wasn't subtle, like he's robbing these 304 00:14:05,520 --> 00:14:10,600 Speaker 2: California banks wearing these like crazy loud suits, like checkered suits, 305 00:14:11,120 --> 00:14:13,040 Speaker 2: and he would like jump up on the counter and 306 00:14:13,080 --> 00:14:15,559 Speaker 2: point his gun and yell stuff like I mean business. 307 00:14:16,120 --> 00:14:16,840 Speaker 3: Yes. Yes. 308 00:14:17,120 --> 00:14:20,240 Speaker 2: His getaway was like this souped up fifties hot rod 309 00:14:20,400 --> 00:14:23,240 Speaker 2: with tubes along the side. 310 00:14:23,360 --> 00:14:25,440 Speaker 3: Yeah, running down the side. 311 00:14:26,040 --> 00:14:26,240 Speaker 2: Yeh. 312 00:14:26,360 --> 00:14:28,040 Speaker 3: Oh my god, I love this guy. 313 00:14:28,240 --> 00:14:30,280 Speaker 2: You know, eventually, of course he's caught. 314 00:14:30,480 --> 00:14:32,240 Speaker 3: Dude, Matthew McConaughey should play him. 315 00:14:32,240 --> 00:14:35,320 Speaker 2: Oh my god, yes, it would be so much better. 316 00:14:36,120 --> 00:14:39,840 Speaker 2: Two years after the hospital escape, he gets caught by 317 00:14:39,840 --> 00:14:43,000 Speaker 2: the FBI and he'd gone to pick up like all 318 00:14:43,000 --> 00:14:45,200 Speaker 2: the stuff that he had inside the safe deposit box 319 00:14:45,200 --> 00:14:48,360 Speaker 2: in San Francisco. The cops go down the peninsula that's 320 00:14:48,360 --> 00:14:50,880 Speaker 2: where they picked him up. They go down the peninsula 321 00:14:50,880 --> 00:14:53,040 Speaker 2: to his place in San Mateo, and they find a 322 00:14:53,080 --> 00:14:57,440 Speaker 2: young blonde woman, Shirley Bellow, living there. They asked her, Hey, 323 00:14:57,760 --> 00:15:00,400 Speaker 2: do you know Forrest Tucker. She's like no, Like, well, 324 00:15:00,400 --> 00:15:05,520 Speaker 2: what's your story? She said, Well, my husband, Richard Bellow, 325 00:15:05,760 --> 00:15:08,920 Speaker 2: he's a songwriter and he made tons of money and 326 00:15:09,000 --> 00:15:12,640 Speaker 2: we're very rich, and he commutes daily into San Francisco, 327 00:15:14,000 --> 00:15:15,440 Speaker 2: which is exactly what a songwriter. 328 00:15:16,320 --> 00:15:16,880 Speaker 3: That's how you do. 329 00:15:17,000 --> 00:15:18,920 Speaker 2: You know, you're after the industry. 330 00:15:18,400 --> 00:15:21,440 Speaker 3: Every free martini, give me your secretary. So you got 331 00:15:21,520 --> 00:15:22,360 Speaker 3: two o'clock with Don. 332 00:15:22,640 --> 00:15:25,360 Speaker 2: He told the Feds that they had just moved into 333 00:15:25,360 --> 00:15:27,600 Speaker 2: this larger apartment because now they had a five month 334 00:15:27,640 --> 00:15:31,520 Speaker 2: old son, Rick Bellew Junior. And the cops show her 335 00:15:31,520 --> 00:15:34,840 Speaker 2: a picture of Forrest Tucker and she gets all confused, 336 00:15:35,480 --> 00:15:37,600 Speaker 2: and they're like, this guy is a bank robber and 337 00:15:37,640 --> 00:15:40,320 Speaker 2: a fugitive, and she just bursts into tears. 338 00:15:40,440 --> 00:15:41,480 Speaker 3: My boy calls him daddy. 339 00:15:41,600 --> 00:15:44,120 Speaker 2: Yeah, she said, quote, I can't believe it. He was 340 00:15:44,160 --> 00:15:46,560 Speaker 2: such a good man, such a good provider. What's going 341 00:15:46,600 --> 00:15:48,840 Speaker 2: to become of our little baby? What's his name going 342 00:15:48,920 --> 00:15:53,760 Speaker 2: to be? He's not even Rick j. Because like in 343 00:15:53,800 --> 00:15:55,560 Speaker 2: that two years that he'd been on the run, like 344 00:15:55,600 --> 00:15:59,840 Speaker 2: being all flamboyant, he met a woman, Shirley Stores, at 345 00:15:59,840 --> 00:16:03,880 Speaker 2: a singles event in Oakland. They got married. Shirley was 346 00:16:03,880 --> 00:16:06,240 Speaker 2: a singer, She's sang in like a chorale, and he 347 00:16:06,280 --> 00:16:09,040 Speaker 2: would sit and listen to her for hours. This is 348 00:16:09,080 --> 00:16:11,840 Speaker 2: how he said, quote, we loved each other. I didn't 349 00:16:11,920 --> 00:16:14,400 Speaker 2: know how to explain to her the truth that this 350 00:16:14,600 --> 00:16:17,640 Speaker 2: was my way of life. So he keeps this secret thing. 351 00:16:18,040 --> 00:16:20,840 Speaker 2: This is what his son, Bellew Junior said, who kept 352 00:16:20,840 --> 00:16:21,200 Speaker 2: the name? 353 00:16:21,480 --> 00:16:24,040 Speaker 3: Really? The made up name, well, your name is. All 354 00:16:24,120 --> 00:16:24,800 Speaker 3: names are made up. 355 00:16:25,160 --> 00:16:28,440 Speaker 2: It's ultimately ultimately quote, I thought he died in an 356 00:16:28,480 --> 00:16:31,560 Speaker 2: automobile accident. That's what my mom told me to protect me. 357 00:16:31,920 --> 00:16:33,640 Speaker 2: My mom was afraid he'd come up to me on 358 00:16:33,680 --> 00:16:36,400 Speaker 2: the street and freak me out. He blew my mother's 359 00:16:36,440 --> 00:16:39,280 Speaker 2: world apart. She never remarried. There was a song she 360 00:16:39,360 --> 00:16:41,240 Speaker 2: used to sing to me, called Me in My Shadow, 361 00:16:41,560 --> 00:16:44,040 Speaker 2: all about being alone and blue, and when she had 362 00:16:44,080 --> 00:16:46,400 Speaker 2: cancer and wasn't going to live much longer. I broke 363 00:16:46,440 --> 00:16:48,560 Speaker 2: down and she sang that song, and I realized how 364 00:16:48,560 --> 00:16:51,200 Speaker 2: bittersweet it was. It was her life. I hear with 365 00:16:51,280 --> 00:16:54,360 Speaker 2: tears of breaking. Yes, but like, can you see the 366 00:16:54,440 --> 00:16:55,360 Speaker 2: scene in the movie. 367 00:16:55,680 --> 00:16:56,120 Speaker 3: Yes, I can. 368 00:16:56,520 --> 00:16:58,200 Speaker 2: That's the problem as I'm looking at this whole thing. 369 00:16:58,320 --> 00:17:03,479 Speaker 2: But yeah, it's like it's terrible. Yeah. So Bellow Junior. 370 00:17:03,360 --> 00:17:06,439 Speaker 3: And that's the song I know, Me and my okay exactly, 371 00:17:06,520 --> 00:17:07,240 Speaker 3: rolling down the lane. 372 00:17:07,240 --> 00:17:07,480 Speaker 4: Okay. 373 00:17:07,840 --> 00:17:10,800 Speaker 2: So the son and Tucker they write to each other 374 00:17:11,560 --> 00:17:14,600 Speaker 2: during one of Tucker's stints inside. In one of Tucker's 375 00:17:14,680 --> 00:17:17,640 Speaker 2: letters to Bellow Junior, he said, quote, I'm sorry things 376 00:17:17,640 --> 00:17:19,399 Speaker 2: turned out the way they did. I never got to 377 00:17:19,440 --> 00:17:21,840 Speaker 2: take you fishing, or to baseball games, or to see 378 00:17:21,840 --> 00:17:24,040 Speaker 2: you grow up. I don't ask you to forgive me, 379 00:17:24,160 --> 00:17:26,439 Speaker 2: as there's too much lost, but just so you know, 380 00:17:26,520 --> 00:17:30,800 Speaker 2: I wish you the best always your dad Forrest. So 381 00:17:30,880 --> 00:17:33,679 Speaker 2: it's like he, you know, he realizes what he you 382 00:17:33,680 --> 00:17:36,600 Speaker 2: KNOWA deprived this boy of not what he missed out on, 383 00:17:36,640 --> 00:17:37,720 Speaker 2: but what he deprived him of. 384 00:17:37,800 --> 00:17:39,120 Speaker 3: I think it's both. Yeah, I mean I think he's 385 00:17:39,119 --> 00:17:41,240 Speaker 3: basically saying, like, I missed out being your father. You 386 00:17:41,280 --> 00:17:42,800 Speaker 3: missed out on a father because of me. 387 00:17:43,000 --> 00:17:46,680 Speaker 2: Yeah, exactly. So September third, nineteen fifty three, at the 388 00:17:46,720 --> 00:17:49,680 Speaker 2: age of thirty three, Tucker goes to the Big Dog 389 00:17:50,040 --> 00:17:54,879 Speaker 2: of penitentiaries. He gets sent to Alcatraz, the rock thirty 390 00:17:54,960 --> 00:17:55,600 Speaker 2: year sentence. 391 00:17:55,800 --> 00:17:57,920 Speaker 3: Did he join the Bama Capone? He's like, I'll sit 392 00:17:57,960 --> 00:17:58,280 Speaker 3: in on. 393 00:18:00,680 --> 00:18:02,800 Speaker 2: So it's supposed to be a skateproof. 394 00:18:02,320 --> 00:18:04,080 Speaker 3: Sure, but this is Forest Tucker and we all know. 395 00:18:04,280 --> 00:18:07,440 Speaker 2: Yeah. So here's Tucker quote. Let me tell you about Alcatraz. 396 00:18:07,760 --> 00:18:11,400 Speaker 2: There were only fifteen hundred and seventy six people who 397 00:18:11,440 --> 00:18:14,560 Speaker 2: ever went there. I was number ten forty seven. It 398 00:18:14,680 --> 00:18:16,680 Speaker 2: was so cold in the cell block you had to 399 00:18:16,720 --> 00:18:19,600 Speaker 2: sleep with your coat and hat to stay warm. It's 400 00:18:19,680 --> 00:18:20,280 Speaker 2: cold out there. 401 00:18:20,359 --> 00:18:23,359 Speaker 3: I could not imagine I would have died if they 402 00:18:23,359 --> 00:18:26,000 Speaker 3: would have just found like a frozen little chip that 403 00:18:26,160 --> 00:18:26,359 Speaker 3: was me. 404 00:18:27,760 --> 00:18:30,240 Speaker 2: It's like he's there for a couple of weeks. Sureley 405 00:18:30,280 --> 00:18:32,520 Speaker 2: comes to visit. She came to visit with Yeah, this 406 00:18:32,560 --> 00:18:34,240 Speaker 2: is what he said. Quote. It was hard to talk. 407 00:18:34,280 --> 00:18:35,840 Speaker 2: We had to look at each other through a piece 408 00:18:35,840 --> 00:18:37,840 Speaker 2: of glass. She told me she had to make a 409 00:18:37,880 --> 00:18:40,560 Speaker 2: life for herself. I said, the best thing you can 410 00:18:40,600 --> 00:18:42,400 Speaker 2: do is make a life for you and our son. 411 00:18:42,520 --> 00:18:44,439 Speaker 2: I told her, I won't bother you no matter what, 412 00:18:44,800 --> 00:18:46,840 Speaker 2: no matter how much I want to, I won't ring 413 00:18:46,880 --> 00:18:49,520 Speaker 2: your phone. And so a few months later, he gets 414 00:18:49,520 --> 00:18:52,480 Speaker 2: a notice that the marriage has been annulled. Let's take 415 00:18:52,480 --> 00:18:55,240 Speaker 2: a break, we come back. We're going to head on 416 00:18:55,280 --> 00:18:55,640 Speaker 2: back to. 417 00:18:55,600 --> 00:18:59,720 Speaker 3: The rock because I'm shivering. 418 00:19:17,160 --> 00:19:22,080 Speaker 2: Sarah Elizabeth, Sarah Elizabeth, welcome. Hi. Okay. So when we 419 00:19:22,160 --> 00:19:26,359 Speaker 2: left off, Forrest Tucker locked up in Alcatraz. He'd escaped 420 00:19:26,400 --> 00:19:28,560 Speaker 2: from every other place he'd been sent, but the Rock 421 00:19:28,960 --> 00:19:32,840 Speaker 2: was supposed to be escape proof. Tucker had other ideas, obviously. 422 00:19:34,000 --> 00:19:37,359 Speaker 2: He and another inmate, a fellow bank robber, and like 423 00:19:37,400 --> 00:19:41,800 Speaker 2: a good escaper man, Teddy Green, he started plotting their 424 00:19:41,920 --> 00:19:45,560 Speaker 2: escape Teddy Green, who becomes like a lifelong friend of his, 425 00:19:45,760 --> 00:19:52,679 Speaker 2: Oh Danny Glover in the movie. So anyway, Teddy Green Green, 426 00:19:52,880 --> 00:19:55,679 Speaker 2: he once scooted by the fuzz by dressing as a priest. 427 00:19:56,160 --> 00:19:59,520 Speaker 2: Another time he escaped from prison by shipping himself out 428 00:19:59,560 --> 00:20:02,520 Speaker 2: in a b full of rags. It's a clever lad. 429 00:20:03,040 --> 00:20:03,919 Speaker 3: He's a man of the cloth. 430 00:20:07,240 --> 00:20:11,679 Speaker 2: So on Alcatraz, Tucker and Green they had prison jobs 431 00:20:11,720 --> 00:20:15,280 Speaker 2: that gave them access to tools, and they smuggled said 432 00:20:15,320 --> 00:20:17,400 Speaker 2: tools out of the shop and they hid the pieces 433 00:20:17,440 --> 00:20:20,480 Speaker 2: throughout the laundry and like in their toilet bowls. Oh 434 00:20:20,880 --> 00:20:24,639 Speaker 2: and they also they planted steel wool on other prisoners 435 00:20:24,680 --> 00:20:27,399 Speaker 2: to set off metal detectors, which I didn't even know 436 00:20:27,400 --> 00:20:31,600 Speaker 2: they had the metal detectors. So every night, the two 437 00:20:31,640 --> 00:20:33,199 Speaker 2: of them because like that, so they set off the 438 00:20:33,200 --> 00:20:36,479 Speaker 2: metal detectors and you know this, nothing is working here, 439 00:20:36,600 --> 00:20:39,840 Speaker 2: Like we can't use them anymore because they're not finding anything. 440 00:20:40,320 --> 00:20:42,880 Speaker 2: Every night they work on this tunnel that they started 441 00:20:42,920 --> 00:20:45,240 Speaker 2: that led to the basement and they wanted to slip 442 00:20:45,280 --> 00:20:48,000 Speaker 2: out into the freezing waters of the San Francisco Bay. 443 00:20:48,119 --> 00:20:49,679 Speaker 3: So their tunnel was going to go down to the 444 00:20:49,680 --> 00:20:51,560 Speaker 3: water and they're just going to slide into the potentially. 445 00:20:51,960 --> 00:21:00,399 Speaker 2: Yeah. So an inmate in solitary ratted them out before 446 00:21:00,400 --> 00:21:03,439 Speaker 2: he got tossed in. So he told the guards to 447 00:21:03,480 --> 00:21:07,320 Speaker 2: search all the cell toilets, and this netted a bunch 448 00:21:07,720 --> 00:21:13,159 Speaker 2: of tools, a bar spreader, a pair of sidecutters, a brace, 449 00:21:13,440 --> 00:21:17,040 Speaker 2: a screwdriver, some pieces of wire, a sharpening stone, and 450 00:21:17,080 --> 00:21:19,120 Speaker 2: a ding dang blowtorch to Aaron. 451 00:21:19,040 --> 00:21:20,200 Speaker 3: And a picture of Betty Grave. 452 00:21:21,000 --> 00:21:25,000 Speaker 2: Yes, so Tucker and Green they got labeled quote very 453 00:21:25,080 --> 00:21:29,960 Speaker 2: dangerous escape risks and sent to the treatment unit aka 454 00:21:30,200 --> 00:21:34,119 Speaker 2: the hole. This is how Tucker described it, quote I 455 00:21:34,160 --> 00:21:37,320 Speaker 2: remember walking in with no clothes or shoes on the 456 00:21:37,440 --> 00:21:40,320 Speaker 2: steel floor was so cold it hurt to touch it. 457 00:21:40,600 --> 00:21:43,480 Speaker 2: The only way to stay warm was to keep walking. 458 00:21:43,840 --> 00:21:49,240 Speaker 3: A steel floor. Oh he refrigerator right on the bay. 459 00:21:49,480 --> 00:21:50,120 Speaker 2: It's freezing. 460 00:21:51,720 --> 00:21:52,840 Speaker 3: And do they have a bed? 461 00:21:53,640 --> 00:21:54,000 Speaker 2: I don't know. 462 00:21:54,000 --> 00:21:54,679 Speaker 3: It doesn't sound like. 463 00:21:54,680 --> 00:21:56,760 Speaker 2: It doesn't sound like it. So here's a place where 464 00:21:56,760 --> 00:21:59,320 Speaker 2: the movie dropped the ball. I don't remember this scene 465 00:21:59,400 --> 00:22:01,360 Speaker 2: being in here that I'm going to tell you about. Sure, 466 00:22:01,680 --> 00:22:05,680 Speaker 2: it's super cinematic. One night, Tucker hears a sound through 467 00:22:05,720 --> 00:22:08,080 Speaker 2: the window while he's in the hole and he couldn't 468 00:22:08,080 --> 00:22:10,840 Speaker 2: see anyone outside, but he realizes it's the sound of 469 00:22:10,880 --> 00:22:14,919 Speaker 2: the guard's children singing Christmas carols. And this is what 470 00:22:15,000 --> 00:22:17,919 Speaker 2: he said, quote, it was the first children's voices I 471 00:22:17,920 --> 00:22:22,320 Speaker 2: had heard in years. It was Christmas Eve. Come on, man, 472 00:22:22,400 --> 00:22:24,800 Speaker 2: you're not going to put that in like seriously. 473 00:22:24,840 --> 00:22:27,439 Speaker 3: And also, can I question something here that the guards 474 00:22:27,800 --> 00:22:30,040 Speaker 3: did they have their families on the island. I always 475 00:22:30,040 --> 00:22:31,920 Speaker 3: assume they took the boats back to their families who 476 00:22:31,920 --> 00:22:33,480 Speaker 3: lived in the city. Or do you think the families 477 00:22:33,600 --> 00:22:37,080 Speaker 3: were like that and they came out to sing Christmas party, 478 00:22:37,280 --> 00:22:38,760 Speaker 3: party and they bring out or. 479 00:22:38,880 --> 00:22:40,959 Speaker 2: Yeah, exactly, and they you know, do all that kind 480 00:22:40,960 --> 00:22:41,359 Speaker 2: of stuff. 481 00:22:42,280 --> 00:22:43,520 Speaker 3: That is a very cinematic moment. 482 00:22:43,640 --> 00:22:46,439 Speaker 2: Right. So Tucker, he's stuck on the rock. He teaches 483 00:22:46,520 --> 00:22:49,800 Speaker 2: himself the law. He sent in appeals which were just 484 00:22:49,840 --> 00:22:54,240 Speaker 2: like perpetually dismissed, as you know, flights of fancy. He 485 00:22:54,280 --> 00:22:56,960 Speaker 2: got a hearing though in November of nineteen fifty six, 486 00:22:57,840 --> 00:23:00,880 Speaker 2: and the night before the court appearance, you know, send 487 00:23:00,880 --> 00:23:02,560 Speaker 2: you out to the courthouse. They actually took him down 488 00:23:02,560 --> 00:23:06,760 Speaker 2: to La He complained of kidney pain and they sent 489 00:23:06,840 --> 00:23:11,640 Speaker 2: him to La General Hospital. He he broke a pencil 490 00:23:11,680 --> 00:23:13,840 Speaker 2: and stabbed himself in the ankle when no one was 491 00:23:13,840 --> 00:23:18,080 Speaker 2: paying attention, and so like he's got shackles on his 492 00:23:18,320 --> 00:23:21,440 Speaker 2: wrists and his ankles, and so guard comes by and 493 00:23:21,480 --> 00:23:24,000 Speaker 2: he points down. He's like, I'm bleeding. This thing's cutting 494 00:23:24,040 --> 00:23:26,119 Speaker 2: into me. You got to take this thing off. And 495 00:23:26,160 --> 00:23:28,920 Speaker 2: so the guard takes off the leg irons, but Tucker 496 00:23:29,000 --> 00:23:33,040 Speaker 2: still handcuffed to the gurney. But you know Tucker, and 497 00:23:33,119 --> 00:23:36,240 Speaker 2: so he's getting wheeled into the X ray room. He 498 00:23:36,320 --> 00:23:39,639 Speaker 2: slips his cuffs, overpowers two guards and then bolts to 499 00:23:39,680 --> 00:23:40,000 Speaker 2: the door. 500 00:23:40,160 --> 00:23:41,480 Speaker 3: Do you think he paper clipped it again? 501 00:23:41,640 --> 00:23:44,920 Speaker 2: I think so. And they caught him not too much later. 502 00:23:45,000 --> 00:23:47,080 Speaker 2: He was still in his hospital gown. He was hiding 503 00:23:47,119 --> 00:23:48,160 Speaker 2: in a cornfield. 504 00:23:48,600 --> 00:23:48,760 Speaker 3: Man. 505 00:23:49,840 --> 00:23:51,560 Speaker 2: That's back in the day when they were still like 506 00:23:51,640 --> 00:23:54,400 Speaker 2: cornfields to Los Angeles. 507 00:23:55,119 --> 00:23:58,399 Speaker 3: And Jason did like almost downtown practice Elliott County. 508 00:23:58,560 --> 00:24:01,719 Speaker 2: Yeah, So he gets tried, convicted, sent back to Alcatraz. 509 00:24:02,119 --> 00:24:06,040 Speaker 2: Alcatraz gets closed March twenty first, nineteen sixty three, and 510 00:24:06,119 --> 00:24:09,320 Speaker 2: he got transferred over the Bay of San Quentin. Now 511 00:24:09,359 --> 00:24:12,719 Speaker 2: San Quentin at the time was known as the Gladiator School. 512 00:24:13,280 --> 00:24:15,280 Speaker 2: It was a rough, rough place. 513 00:24:15,320 --> 00:24:17,560 Speaker 3: It was the original Chino yeah, or. 514 00:24:17,680 --> 00:24:21,680 Speaker 2: Corcoran or like yeah, Pelican Bank. It's evolved over the years. 515 00:24:21,760 --> 00:24:24,560 Speaker 2: Now it's like a hub of you know, education and. 516 00:24:24,640 --> 00:24:26,879 Speaker 3: Reform stuff and actually a house for reform. 517 00:24:27,040 --> 00:24:30,200 Speaker 2: Yeah, and they have a lot of amenities for the inmates. 518 00:24:30,240 --> 00:24:33,560 Speaker 2: Back in those days, though, like we're talking on this point, sixties, seventies, 519 00:24:33,640 --> 00:24:38,880 Speaker 2: very eighties, it was wild, absolutely rough, And so for 520 00:24:38,920 --> 00:24:41,880 Speaker 2: whatever reason he's able to get another prison job there. 521 00:24:42,200 --> 00:24:44,320 Speaker 2: I'd be like, I wouldn't let the sky around, any tool, 522 00:24:44,840 --> 00:24:48,159 Speaker 2: any gadget, you know, sit in the library. You're not 523 00:24:48,160 --> 00:24:52,280 Speaker 2: getting a job. So that's just me. So he teams 524 00:24:52,359 --> 00:24:53,920 Speaker 2: up with two other jailbers. 525 00:24:53,640 --> 00:24:54,160 Speaker 3: A hard one. 526 00:24:54,280 --> 00:24:56,720 Speaker 2: I am John Waller and William McGirk. 527 00:24:57,160 --> 00:24:59,880 Speaker 3: Oh great name, I know mcgart So that tree. 528 00:25:00,200 --> 00:25:02,919 Speaker 2: The three of them, they ferreted away wood scraps and 529 00:25:02,960 --> 00:25:06,080 Speaker 2: like for mica sheets and then hid them under tarps, 530 00:25:06,760 --> 00:25:11,959 Speaker 2: and they lifted two six foot poles and buckets, tape 531 00:25:12,640 --> 00:25:16,399 Speaker 2: hat plastic dust covers, and they stored it all in 532 00:25:16,480 --> 00:25:18,320 Speaker 2: boxes labeled office supplies. 533 00:25:18,760 --> 00:25:20,800 Speaker 3: No one ever looks at those, No, that's a good cause. 534 00:25:21,560 --> 00:25:25,360 Speaker 2: August ninth, nineteen seventy nine. So remember he's fifty nine now. 535 00:25:26,200 --> 00:25:29,720 Speaker 2: He gave Waller and McGirk the signal. And remember how 536 00:25:29,760 --> 00:25:34,080 Speaker 2: when he was a little boy he built boats from scraps. Yeah, 537 00:25:34,119 --> 00:25:35,400 Speaker 2: well the skill never left him. 538 00:25:35,400 --> 00:25:36,199 Speaker 3: Oh yeah, I'm getting this. 539 00:25:36,359 --> 00:25:39,600 Speaker 2: So he built a fourteen foot kayak out of all 540 00:25:39,640 --> 00:25:42,360 Speaker 2: the pieces of wooden and formica. 541 00:25:42,480 --> 00:25:45,240 Speaker 3: And he did have a fourteen boat sitting somewhere. 542 00:25:45,240 --> 00:25:47,560 Speaker 2: This is when he said, quote a hammer was too loud, 543 00:25:47,680 --> 00:25:50,320 Speaker 2: so I had to use only tape and bolts. 544 00:25:50,960 --> 00:25:51,240 Speaker 4: Damn. 545 00:25:51,359 --> 00:25:55,000 Speaker 2: Yeah, he called it. He christened the boat and he 546 00:25:55,119 --> 00:25:59,040 Speaker 2: called it the rub a Dub Dub. And he only 547 00:25:59,080 --> 00:26:02,640 Speaker 2: had enough. Yeah, he only had enough paint for one 548 00:26:02,720 --> 00:26:06,119 Speaker 2: side of the boat, so he painted the side that 549 00:26:06,160 --> 00:26:07,800 Speaker 2: would be facing the guard towers. 550 00:26:07,960 --> 00:26:09,840 Speaker 3: See you know me, I would paint the bottom of 551 00:26:09,880 --> 00:26:12,600 Speaker 3: the boat because I'd want the waterproofing. That's just me. 552 00:26:13,280 --> 00:26:15,440 Speaker 2: Well then you know he also painted on the side 553 00:26:15,680 --> 00:26:20,280 Speaker 2: the Marine Yacht Club logo. Well, he'd seen boats going by, 554 00:26:20,600 --> 00:26:22,920 Speaker 2: like apparently like you used to be able to look 555 00:26:22,960 --> 00:26:26,520 Speaker 2: at like the views from San Quentin are jaw dropping, 556 00:26:27,320 --> 00:26:30,440 Speaker 2: just stunning. You're right kind of adjacent to like Tiberon 557 00:26:30,520 --> 00:26:33,320 Speaker 2: where houses are in the multi multimillions. Because of these 558 00:26:33,440 --> 00:26:36,800 Speaker 2: views and they've blocked it so that you can't go 559 00:26:36,880 --> 00:26:38,840 Speaker 2: and look out there anymore standing. 560 00:26:39,920 --> 00:26:44,479 Speaker 3: I've never been to Alcatraz Alcatraz, Yeah, I've never been 561 00:26:44,520 --> 00:26:46,040 Speaker 3: to either one of them. I've never been Valkatraz. I've 562 00:26:46,080 --> 00:26:47,960 Speaker 3: never been to Quentin either. 563 00:26:48,040 --> 00:26:50,320 Speaker 2: We've talked about I have. I want to do a show. 564 00:26:50,119 --> 00:26:52,679 Speaker 3: About Alcatraz, and I think we should. 565 00:26:52,720 --> 00:26:56,120 Speaker 2: But I've actually been in San I've not did either. Yeah, 566 00:26:56,160 --> 00:26:58,120 Speaker 2: So this one so he at the time they could 567 00:26:58,119 --> 00:27:00,760 Speaker 2: see all these boats. He sees the Marina club logo, 568 00:27:01,359 --> 00:27:07,119 Speaker 2: paints it on the side of his car, ironically, do 569 00:27:07,200 --> 00:27:11,040 Speaker 2: a little time and sussle. So the three dudes they 570 00:27:11,119 --> 00:27:12,840 Speaker 2: get out on the water and it's like a lot 571 00:27:12,920 --> 00:27:16,040 Speaker 2: rougher than Yeah, crazy, super choppy. They're like twenty mile 572 00:27:16,040 --> 00:27:16,720 Speaker 2: an hour winds. 573 00:27:16,800 --> 00:27:17,679 Speaker 3: I'm a calm mis day. 574 00:27:17,680 --> 00:27:21,000 Speaker 2: It's jo So there's some swells. This is what Waller said. 575 00:27:21,080 --> 00:27:24,359 Speaker 2: Quote the boat didn't leak a drop. We could have 576 00:27:24,440 --> 00:27:28,480 Speaker 2: paddled to Australia. It was those damn waves over the side. 577 00:27:28,920 --> 00:27:31,000 Speaker 2: And we finally reached the edge of the property at 578 00:27:31,080 --> 00:27:35,840 Speaker 2: q meaning said Quentin the son of a sake. So 579 00:27:36,520 --> 00:27:40,040 Speaker 2: a tower guard looks out, sees them hanging on to 580 00:27:40,160 --> 00:27:43,359 Speaker 2: this upside down kayak like kicking and paddling towards the shore, 581 00:27:43,800 --> 00:27:46,280 Speaker 2: and the guards called out like you fellas need help 582 00:27:47,000 --> 00:27:49,000 Speaker 2: because they think they're with the yacht club. Oh go, 583 00:27:49,160 --> 00:27:51,919 Speaker 2: and they're like, no, we're fine. And then McGirk like 584 00:27:52,080 --> 00:27:54,480 Speaker 2: he holds his wrist up and he shouts, we just 585 00:27:54,560 --> 00:27:56,720 Speaker 2: lost a couple of oars. But my time Ax is 586 00:27:56,760 --> 00:28:01,639 Speaker 2: still running. Cards are just cracking up. They love this. 587 00:28:01,760 --> 00:28:04,240 Speaker 2: They're like so chummy. And so the trio they get 588 00:28:04,280 --> 00:28:06,680 Speaker 2: to the shore and then they're on their way to freedom. 589 00:28:07,040 --> 00:28:09,520 Speaker 2: Off they go, I love it. So of course there's 590 00:28:09,520 --> 00:28:12,840 Speaker 2: like a statewide man hunt. Well come on, let them go, right, 591 00:28:13,240 --> 00:28:16,560 Speaker 2: But like tech, well they're too smart to stick around, right, 592 00:28:16,840 --> 00:28:19,560 Speaker 2: So this time, the three of them they take off 593 00:28:19,880 --> 00:28:23,200 Speaker 2: and at around the same time Oklahoma and Texas three 594 00:28:23,480 --> 00:28:26,320 Speaker 2: quote old men as have the witness statements say, start 595 00:28:26,400 --> 00:28:30,680 Speaker 2: robbing banks all over Oklahoma and Texas. One is even 596 00:28:30,720 --> 00:28:34,600 Speaker 2: wearing a hearing aid. And so the authorities they compared 597 00:28:34,640 --> 00:28:38,160 Speaker 2: them to the aged criminals in the movie Going in Style. 598 00:28:38,360 --> 00:28:40,280 Speaker 3: Oh yeah, yeah. 599 00:28:40,280 --> 00:28:42,280 Speaker 2: So the press start calling them the over the Hill gang. 600 00:28:42,880 --> 00:28:46,560 Speaker 2: And in the movie, you know that old man and 601 00:28:46,640 --> 00:28:49,480 Speaker 2: the gun. That's like Danny Glover, Tom Waits. They kind 602 00:28:49,480 --> 00:28:53,560 Speaker 2: of blend Danny Glover into a bunch of people. So Tucker, 603 00:28:53,600 --> 00:28:56,680 Speaker 2: in later interviews said he was only improving with age 604 00:28:56,960 --> 00:28:59,400 Speaker 2: and that he'd really mastered his craft by the time 605 00:28:59,440 --> 00:29:02,120 Speaker 2: he hit six and like he could talk right. 606 00:29:02,200 --> 00:29:03,640 Speaker 3: So this is You've been out of the game for 607 00:29:03,720 --> 00:29:05,320 Speaker 3: ten years, but I got right back in it. 608 00:29:05,520 --> 00:29:07,800 Speaker 2: Yeah. He gave an interview from prison at the age 609 00:29:07,800 --> 00:29:11,320 Speaker 2: of seventy nine and provided a bank robbing tutorial. So this 610 00:29:11,320 --> 00:29:14,120 Speaker 2: is what he said. Quote. First of all, you want 611 00:29:14,120 --> 00:29:16,719 Speaker 2: a place near the highway, then you need to case it. 612 00:29:16,800 --> 00:29:19,640 Speaker 2: You can't just storm in. You need to size it up. No, 613 00:29:19,840 --> 00:29:22,120 Speaker 2: a like your own home. In the old days, the 614 00:29:22,160 --> 00:29:24,160 Speaker 2: stick up men were like cowboys. They would just go 615 00:29:24,200 --> 00:29:26,640 Speaker 2: in shoot and yelling for everybody to lie down. But 616 00:29:26,760 --> 00:29:30,880 Speaker 2: to me, violence is the first sign of an amateur. 617 00:29:31,560 --> 00:29:32,200 Speaker 2: Love that one. 618 00:29:32,280 --> 00:29:32,680 Speaker 3: That's good. 619 00:29:32,880 --> 00:29:35,040 Speaker 2: There's an art to robbing a bank if you do 620 00:29:35,120 --> 00:29:38,239 Speaker 2: it right. Okay, the tools you can wear gloves, but 621 00:29:38,280 --> 00:29:41,080 Speaker 2: in warmer climates they only draw attention. And then he 622 00:29:41,160 --> 00:29:43,960 Speaker 2: went on to talk about how nail polisher super glue 623 00:29:44,040 --> 00:29:47,000 Speaker 2: was better at covering your finger takes Yes, he said 624 00:29:47,040 --> 00:29:49,400 Speaker 2: you needed a glass cutter, a holster, and a gun 625 00:29:49,520 --> 00:29:52,680 Speaker 2: just as a prop and a canvas bag quote big 626 00:29:52,800 --> 00:29:56,240 Speaker 2: enough for the dough. And then there's his trademark, the 627 00:29:56,280 --> 00:29:58,760 Speaker 2: hearing aid. Right, it wasn't a hearing aid. It was 628 00:29:58,800 --> 00:30:01,480 Speaker 2: an ear piece linked to police scanner that he had 629 00:30:01,480 --> 00:30:04,280 Speaker 2: wired into his shirt. And then that way he'd know 630 00:30:04,320 --> 00:30:07,720 Speaker 2: when the silent alarm was triggered. That's brilliant genius, especially 631 00:30:07,720 --> 00:30:10,080 Speaker 2: because he's just an old man with a hearing aid. Yeah, 632 00:30:10,520 --> 00:30:12,920 Speaker 2: this is what he said. Quote. Once you've got your 633 00:30:12,960 --> 00:30:16,320 Speaker 2: cool car park nearby, you've got your radio, your hands 634 00:30:16,320 --> 00:30:18,680 Speaker 2: are covered with gloves or super glue. You walk in, 635 00:30:19,040 --> 00:30:21,760 Speaker 2: go right up to the manager. Say sit down, Never 636 00:30:21,800 --> 00:30:24,960 Speaker 2: pull the gun, just flash it. Tell him calmly, you're 637 00:30:25,000 --> 00:30:26,720 Speaker 2: here to rob the bank, and it better go off 638 00:30:26,760 --> 00:30:29,360 Speaker 2: without a hitch. Don't run from the bank unless you're 639 00:30:29,360 --> 00:30:31,880 Speaker 2: being shot at, because it only shows that something's going on. 640 00:30:32,480 --> 00:30:35,120 Speaker 2: Just walk to the hot car, real calm, Then drive 641 00:30:35,160 --> 00:30:37,800 Speaker 2: to the cool car, rev it up, and you're gone. 642 00:30:37,920 --> 00:30:39,840 Speaker 2: I've just given you a manual on how to rob 643 00:30:39,840 --> 00:30:41,920 Speaker 2: a bank. No one can teach you the craft. You 644 00:30:41,960 --> 00:30:43,160 Speaker 2: can only learn by doing. 645 00:30:43,400 --> 00:30:45,240 Speaker 3: Guess what I'm doing this weekend Elizabeth. 646 00:30:47,160 --> 00:30:50,520 Speaker 2: So there's this guy, John Hunt. He's the Austin police 647 00:30:50,520 --> 00:30:54,840 Speaker 2: sergeant who was like Hunting No, right Over the Hill Gang, 648 00:30:54,920 --> 00:30:58,920 Speaker 2: he said, quote, they were the most professional, successful robbers 649 00:30:58,960 --> 00:31:01,600 Speaker 2: that I ever encountered in all my years on the force. 650 00:31:01,960 --> 00:31:04,840 Speaker 2: They had more experience in robbery than we had catching them. 651 00:31:05,320 --> 00:31:07,920 Speaker 2: They'd get up every day and beyond the job. Just 652 00:31:07,960 --> 00:31:10,160 Speaker 2: as a welder gets good at welding, or a writer 653 00:31:10,280 --> 00:31:12,760 Speaker 2: gets good over the years by writing, these guys learned 654 00:31:12,760 --> 00:31:16,560 Speaker 2: from their mistakes. It so over the course of one year, 655 00:31:17,200 --> 00:31:21,120 Speaker 2: they boosted sixty stores and banks in Oklahoma and Texas, 656 00:31:21,440 --> 00:31:23,200 Speaker 2: twenty in Dallas Fort Worth alone. 657 00:31:23,280 --> 00:31:24,400 Speaker 3: It's like one every five days. 658 00:31:24,440 --> 00:31:28,600 Speaker 2: Oh yeah. They did hold ups in New Mexico, Arizona, Louisiana, 659 00:31:29,080 --> 00:31:31,240 Speaker 2: and then like they're all over the papers. The headlines 660 00:31:31,280 --> 00:31:35,400 Speaker 2: are like senior citizens strike again and middle aged bendits 661 00:31:35,440 --> 00:31:40,920 Speaker 2: puzzle detectives. So March seventh, nineteen eighty three, the Over 662 00:31:40,960 --> 00:31:44,640 Speaker 2: the Hill Gang continues their march east and they hit 663 00:31:44,760 --> 00:31:48,840 Speaker 2: first Bristol County National Bank in Massachusetts. And Tucker, he 664 00:31:48,960 --> 00:31:51,280 Speaker 2: was proud of it. He called it, quote a breakthrough 665 00:31:51,320 --> 00:31:53,320 Speaker 2: in the art. Yeah. 666 00:31:53,360 --> 00:31:55,560 Speaker 3: So finding new ways to rob it bank. 667 00:31:56,120 --> 00:31:58,920 Speaker 2: There was an armored car scheduled to arrive at this bank, 668 00:31:59,360 --> 00:32:01,760 Speaker 2: and then Tucker and the boys they showed up ahead 669 00:32:01,760 --> 00:32:05,440 Speaker 2: of them dressed as Brinks guards making the pickup. So 670 00:32:05,640 --> 00:32:08,560 Speaker 2: they go in there wearing like makeup and mustaches, and 671 00:32:08,640 --> 00:32:10,840 Speaker 2: Tucker usually had a wig that he wore, but he 672 00:32:10,880 --> 00:32:12,960 Speaker 2: had to ditch it. Why do you have to digitalis 673 00:32:13,040 --> 00:32:17,400 Speaker 2: why digitalism? Question? The wig shrank in a snowstorm. It 674 00:32:17,440 --> 00:32:19,680 Speaker 2: didn't fit anymore, like what was it? 675 00:32:19,760 --> 00:32:20,000 Speaker 4: Wool? 676 00:32:20,120 --> 00:32:22,040 Speaker 3: Like, what's happening. 677 00:32:22,800 --> 00:32:24,960 Speaker 2: It's like, oh, that's not gonna work. And he didn't 678 00:32:24,960 --> 00:32:26,720 Speaker 2: have time to score another one, so he just went 679 00:32:26,760 --> 00:32:27,040 Speaker 2: without it. 680 00:32:27,560 --> 00:32:31,560 Speaker 3: He's like, exactly, it's a little beret. 681 00:32:31,760 --> 00:32:33,800 Speaker 2: So the guys they show up in costume, they get 682 00:32:33,840 --> 00:32:36,520 Speaker 2: buzzed into the bank. They go into the vault. The 683 00:32:36,560 --> 00:32:39,360 Speaker 2: bank manager saw some of the mustaches starting to peel 684 00:32:39,360 --> 00:32:42,760 Speaker 2: away from the guy's faces, and at the exact moment 685 00:32:42,840 --> 00:32:44,600 Speaker 2: one of the gang like pats the gun on his 686 00:32:44,680 --> 00:32:47,920 Speaker 2: hip and says, this is a hold up. Yes, so 687 00:32:48,560 --> 00:32:51,040 Speaker 2: they locked two tellers and the bank manager in there. 688 00:32:51,160 --> 00:32:52,800 Speaker 3: I'm going to need to sit down a moment. 689 00:32:52,720 --> 00:32:56,720 Speaker 2: Exactly, Sayatica. And then Tucker and the boys made off 690 00:32:56,720 --> 00:33:00,000 Speaker 2: with over four hundred and thirty thousand dollars. Oh yeah, 691 00:33:00,800 --> 00:33:05,040 Speaker 2: so police they show the bank employee mugshots. Tucker's identified. 692 00:33:05,360 --> 00:33:08,920 Speaker 2: This hadn't happened since the rubb a Dub dub incident 693 00:33:08,960 --> 00:33:11,960 Speaker 2: in San Quentin. They finally that's the guy. So the 694 00:33:12,400 --> 00:33:16,840 Speaker 2: cops know it's Tucker. But where was he Florida? Back 695 00:33:16,880 --> 00:33:19,880 Speaker 2: to the start. Yeah, he checked in with Green, his 696 00:33:19,960 --> 00:33:23,240 Speaker 2: Alcatraz pal, every day, making sure the coast was clear. 697 00:33:23,960 --> 00:33:27,160 Speaker 2: June tenth, nineteen eighty three, Tucker heads over to Greens 698 00:33:27,200 --> 00:33:31,000 Speaker 2: and he finds himself surrounded by the FBI. They're just 699 00:33:31,000 --> 00:33:33,480 Speaker 2: they've got him. They'd been tailing Green. 700 00:33:35,240 --> 00:33:36,680 Speaker 3: Other unrelated crimes. 701 00:33:37,280 --> 00:33:42,000 Speaker 2: So a gunfight ensues. Yeah, and Tucker gets hit in 702 00:33:42,080 --> 00:33:45,160 Speaker 2: both arms and in the leg, and so he took 703 00:33:45,200 --> 00:33:47,600 Speaker 2: off his car, but then he like crashed a little 704 00:33:47,640 --> 00:33:47,960 Speaker 2: bit away. 705 00:33:48,040 --> 00:33:48,800 Speaker 3: Yeah, you can't get fun. 706 00:33:48,800 --> 00:33:50,840 Speaker 2: He jumps out of the car and tries to hoof it. 707 00:33:51,560 --> 00:33:54,200 Speaker 2: And so this is nineteen eighty three, So he's a 708 00:33:54,240 --> 00:33:57,640 Speaker 2: sixty three year old man. At this point, he's running 709 00:33:57,680 --> 00:33:59,760 Speaker 2: down the road. A woman and her two kids are 710 00:33:59,840 --> 00:34:02,640 Speaker 2: dry by. They see a bloody old man jogging down 711 00:34:02,720 --> 00:34:05,440 Speaker 2: the road next to her. She thinks he's been hit 712 00:34:05,480 --> 00:34:08,120 Speaker 2: by a car or something, because he always dressed really nicely. 713 00:34:08,840 --> 00:34:11,000 Speaker 2: So she pulls over. She offers him a ride to 714 00:34:11,080 --> 00:34:16,880 Speaker 2: the hospital, and he basically carjacks her, and he shoves 715 00:34:16,960 --> 00:34:19,160 Speaker 2: himself into the driver's seat, and I guess he was 716 00:34:19,200 --> 00:34:21,919 Speaker 2: holding a rifle that she didn't see. Thanks, I will 717 00:34:21,960 --> 00:34:24,480 Speaker 2: take that, and he yells, I have a gun. Now 718 00:34:24,560 --> 00:34:27,080 Speaker 2: drive And then one of the kids sees the rifle 719 00:34:27,080 --> 00:34:31,279 Speaker 2: and yells criminal. And I was going to say, it's 720 00:34:31,400 --> 00:34:35,640 Speaker 2: very young Elizabeth behavior like a dutiful citizen for him. 721 00:34:36,080 --> 00:34:38,799 Speaker 2: When I was a little girl, every time, apparently I 722 00:34:38,800 --> 00:34:40,400 Speaker 2: don't recall, but every time we were like in the 723 00:34:40,440 --> 00:34:42,320 Speaker 2: car and my mom made a U turn, I would 724 00:34:42,320 --> 00:34:45,560 Speaker 2: ask her if it was legal? Is this illegal? You turn? 725 00:34:45,719 --> 00:34:45,799 Speaker 4: Like? 726 00:34:45,840 --> 00:34:48,600 Speaker 2: I was so much fun as a kid. I'm surprised 727 00:34:48,680 --> 00:34:51,920 Speaker 2: I wasn't just abandoned on like a fire station doorstep. 728 00:34:52,520 --> 00:34:54,240 Speaker 2: I would not blame my family. 729 00:34:54,360 --> 00:34:55,720 Speaker 3: Can you be asking is this legal? 730 00:34:56,120 --> 00:34:56,400 Speaker 2: Legal? 731 00:34:57,120 --> 00:34:57,319 Speaker 4: Child? 732 00:34:57,400 --> 00:34:57,560 Speaker 3: Here? 733 00:34:58,880 --> 00:35:01,120 Speaker 2: So Tucker and the Fan family are in the car 734 00:35:01,160 --> 00:35:04,400 Speaker 2: together in this crazy like he somehow has a rifle 735 00:35:04,400 --> 00:35:07,239 Speaker 2: that he's hidden on his pantle. Like they get about 736 00:35:07,239 --> 00:35:08,960 Speaker 2: a half a mile down the road, not too far, 737 00:35:09,480 --> 00:35:12,360 Speaker 2: and then he realizes he's going down to dead end street, 738 00:35:13,040 --> 00:35:15,799 Speaker 2: and so he lets the mother and children go. He 739 00:35:15,880 --> 00:35:18,960 Speaker 2: jumps out of the car and then passes out. Oh, 740 00:35:19,040 --> 00:35:21,400 Speaker 2: let's take a break when we come back. I'm going 741 00:35:21,480 --> 00:35:22,680 Speaker 2: to tell you how this went for him. 742 00:35:22,760 --> 00:35:47,280 Speaker 5: Oh please, hello, Hi, Hello. You know it's ridiculous that voice. 743 00:35:47,360 --> 00:35:52,759 Speaker 2: Yeah, hi, okay, So I was so courteously interrupted by 744 00:35:52,800 --> 00:35:55,960 Speaker 2: those brilliant ads. I was telling you about Forrest Tucker 745 00:35:56,400 --> 00:35:58,640 Speaker 2: and what kind of feels like is his last stand? 746 00:35:58,800 --> 00:36:02,560 Speaker 3: Oh yeah, he got gunshot to most carjacked a lady. 747 00:36:02,760 --> 00:36:03,560 Speaker 3: I didn't go well. 748 00:36:03,600 --> 00:36:06,360 Speaker 2: He got called a criminal by an eight year old. 749 00:36:06,480 --> 00:36:09,400 Speaker 3: Lying in the street. 750 00:36:09,880 --> 00:36:12,399 Speaker 2: It's not by a long shot, Sarah, don't give up 751 00:36:12,440 --> 00:36:15,759 Speaker 2: on him. So let's check in on his life in 752 00:36:15,760 --> 00:36:18,200 Speaker 2: Florida up until that point. All right, he'd been living 753 00:36:18,239 --> 00:36:21,640 Speaker 2: in a really fancy retirement community in Laughter Hill, Florida, 754 00:36:21,760 --> 00:36:26,000 Speaker 2: which is like Lauderdale, but the Hill instead Dale. And 755 00:36:26,120 --> 00:36:29,000 Speaker 2: he wasn't alone there. He was shacked up with an 756 00:36:29,040 --> 00:36:33,439 Speaker 2: heiress to a moving company named Jewel Centers. That's her name, 757 00:36:33,520 --> 00:36:36,239 Speaker 2: not the moving company. Like it caused me a little 758 00:36:36,239 --> 00:36:39,040 Speaker 2: bit of confusion. So her name is Jewel Centers. 759 00:36:39,200 --> 00:36:40,600 Speaker 3: I wish your name is like Jewels Brinks. 760 00:36:43,840 --> 00:36:45,560 Speaker 2: So that's her name. That's not the end of the 761 00:36:45,560 --> 00:36:49,800 Speaker 2: moving company. Uh So Tucker went down but not out 762 00:36:50,040 --> 00:36:53,279 Speaker 2: in a blaze of glory. The FBI. They go to 763 00:36:53,400 --> 00:36:55,719 Speaker 2: Jewel's house and they had some questions. 764 00:36:55,760 --> 00:36:57,720 Speaker 3: He survived, the laying in the street passing. 765 00:36:58,080 --> 00:37:00,960 Speaker 2: He survived. They arrested him, took him in. They go 766 00:37:01,040 --> 00:37:04,520 Speaker 2: to his lady's house and they're like, I got some 767 00:37:04,640 --> 00:37:09,240 Speaker 2: questions about Forrest Tucker And just like poor sorrowful Shirley 768 00:37:09,280 --> 00:37:12,839 Speaker 2: Bellow remember me in my shadow? Jules like, I don't 769 00:37:12,840 --> 00:37:15,400 Speaker 2: know who that is, never heard of that guy. No, 770 00:37:15,600 --> 00:37:18,759 Speaker 2: my husband's name is Bob Callahan, which is such a 771 00:37:18,760 --> 00:37:20,240 Speaker 2: great country club. 772 00:37:20,120 --> 00:37:22,640 Speaker 3: Name, totally big Bob club. 773 00:37:22,719 --> 00:37:26,399 Speaker 2: She's like, he's a stockbroker, of course. And she'd met 774 00:37:26,440 --> 00:37:28,680 Speaker 2: Bob not too long after she lost her first husband. 775 00:37:29,080 --> 00:37:33,200 Speaker 2: They met at a private club called the Whale and Porpoise. Yeah, 776 00:37:33,480 --> 00:37:35,440 Speaker 2: he came over to ask me to dance and that 777 00:37:35,600 --> 00:37:38,640 Speaker 2: was that, which like time out, Okay, let's go back 778 00:37:38,719 --> 00:37:41,840 Speaker 2: Whale and Porpoise. So at the time it was like 779 00:37:41,880 --> 00:37:44,799 Speaker 2: a private social club. But I found the address for it, 780 00:37:45,120 --> 00:37:48,320 Speaker 2: and today it's for a male strip club called Labert 781 00:37:49,640 --> 00:37:55,239 Speaker 2: La Vare, which is billed as the quote ultimate club 782 00:37:55,320 --> 00:37:58,160 Speaker 2: for ladies, the hottest male review show in Florida. 783 00:37:58,640 --> 00:37:58,920 Speaker 3: Review. 784 00:37:59,080 --> 00:38:01,520 Speaker 2: Since I can't find any but looking, I was really 785 00:38:01,640 --> 00:38:04,240 Speaker 2: trying to find information about whale and poor posts, okay, 786 00:38:04,360 --> 00:38:08,440 Speaker 2: because like I'm fascinated Sideline. I wanted interior photos. I 787 00:38:08,480 --> 00:38:13,120 Speaker 2: wanted like gossip column kind of layout. Yeah, and so 788 00:38:13,280 --> 00:38:16,719 Speaker 2: I instead in the instead of that, I present to 789 00:38:16,760 --> 00:38:21,320 Speaker 2: you some labeer YELP reviews. Oh yeah, Charlotte W said 790 00:38:21,520 --> 00:38:26,040 Speaker 2: one star. This establishment falsely advertised the mail review with 791 00:38:26,080 --> 00:38:29,560 Speaker 2: photos of adult men. Only three dancers over twenty five 792 00:38:29,680 --> 00:38:33,799 Speaker 2: years old, poor routines. Only three dancers performed, not worth 793 00:38:33,880 --> 00:38:37,920 Speaker 2: the time, poor customer service, nothing high end about the venue. 794 00:38:38,320 --> 00:38:40,320 Speaker 3: I want to hear the rest of her strip club reviews. 795 00:38:40,560 --> 00:38:42,640 Speaker 3: It's like, when you're going around giving strip club reviews, 796 00:38:42,680 --> 00:38:43,440 Speaker 3: I'm like, how many of these? 797 00:38:43,680 --> 00:38:46,520 Speaker 2: I don't like these barely legal dancers. Basically what she's saying, 798 00:38:46,680 --> 00:38:47,000 Speaker 2: I want some. 799 00:38:48,640 --> 00:38:51,319 Speaker 3: Man, I want some hair on that chest. It's gray and. 800 00:38:51,280 --> 00:38:55,719 Speaker 2: Silver Wanson over the hill game Fox. Yeah. So but 801 00:38:55,760 --> 00:38:58,680 Speaker 2: then there's Alex V who gave it five stars. I 802 00:38:58,719 --> 00:39:02,400 Speaker 2: went here two years ago for a batch. B a 803 00:39:02,800 --> 00:39:04,799 Speaker 2: h right, and I'm like, for a bop? Do they 804 00:39:04,800 --> 00:39:08,080 Speaker 2: do like a bock nail? Do they do like a quartet? 805 00:39:08,239 --> 00:39:09,720 Speaker 2: Night with like a concert? 806 00:39:09,800 --> 00:39:10,640 Speaker 3: Team turns? 807 00:39:11,880 --> 00:39:14,400 Speaker 2: So it's batch. I went here two years ago for 808 00:39:14,440 --> 00:39:17,120 Speaker 2: a batch and then again on Saturday for another batch, 809 00:39:17,560 --> 00:39:19,680 Speaker 2: and every time I go it is so much fun 810 00:39:19,840 --> 00:39:22,839 Speaker 2: exclamation point. The men are so respectful and aren't rough. 811 00:39:23,120 --> 00:39:25,680 Speaker 2: Trust me, I've been to ones where they have banged 812 00:39:25,719 --> 00:39:29,080 Speaker 2: my head in their hips. I always scope out Valentino 813 00:39:29,160 --> 00:39:31,560 Speaker 2: because he is my favorite and beyond gorgeous. All the 814 00:39:31,560 --> 00:39:33,640 Speaker 2: guys can dance and are so worth it. 815 00:39:34,360 --> 00:39:39,320 Speaker 3: Yes, I learned a lot. Don't get your head banged 816 00:39:39,320 --> 00:39:42,359 Speaker 3: by a dancer on their hips bangs. 817 00:39:43,200 --> 00:39:48,879 Speaker 2: Help Okay, So no, I could go on and on 818 00:39:49,840 --> 00:39:51,080 Speaker 2: back to the FBI. 819 00:39:51,560 --> 00:39:51,799 Speaker 3: FBI. 820 00:39:52,760 --> 00:39:55,080 Speaker 2: So the FBI tells her, look, we don't care about 821 00:39:55,080 --> 00:39:58,160 Speaker 2: the wheel on the porpoise. Your husband, Bob, he's really Tucker. 822 00:39:58,360 --> 00:40:00,520 Speaker 2: And Jules said, I told him, I don't believe a 823 00:40:00,520 --> 00:40:02,560 Speaker 2: word you're saying. But they had him. They shot him 824 00:40:02,560 --> 00:40:08,399 Speaker 2: three times. Well, there you go. So she went to 825 00:40:06,920 --> 00:40:11,600 Speaker 2: him to visit him in prison and he said, quote, 826 00:40:11,600 --> 00:40:13,839 Speaker 2: I told her that from then on, I'd only look 827 00:40:13,880 --> 00:40:17,040 Speaker 2: at ways to escape. She's one in a million, and 828 00:40:17,080 --> 00:40:17,880 Speaker 2: so she's. 829 00:40:17,680 --> 00:40:20,279 Speaker 3: Like he told her, I'll escaped prison for you, Like, don't, 830 00:40:20,280 --> 00:40:21,759 Speaker 3: don't leave me, I'll get out of it. 831 00:40:21,880 --> 00:40:24,760 Speaker 2: Like he can't help himself. So while he's a waiting trial, 832 00:40:24,920 --> 00:40:27,200 Speaker 2: he cuts a bar from his cell with a hack 833 00:40:27,239 --> 00:40:30,319 Speaker 2: saw who keeps giving him hack sauce. He makes it 834 00:40:30,360 --> 00:40:33,480 Speaker 2: to the roof with a homemade grappling hook and has 835 00:40:33,520 --> 00:40:38,280 Speaker 2: caught immediately. And then Jewel was like, okay, stop stop. 836 00:40:38,400 --> 00:40:41,080 Speaker 2: I will stick with you, but you have to mend 837 00:40:41,120 --> 00:40:44,120 Speaker 2: your ways, like you have to go straight, and he's like, 838 00:40:44,160 --> 00:40:47,520 Speaker 2: for you anything, yes I will. Really they had to 839 00:40:47,560 --> 00:40:50,520 Speaker 2: have the marriaginal because it's, you know, fraud. He's not 840 00:40:50,560 --> 00:40:54,880 Speaker 2: Bob Callahan. But Jewel stuck with him. Yes, she stayed 841 00:40:54,960 --> 00:40:57,640 Speaker 2: right with him. He gets sent back to San Quentin 842 00:40:57,800 --> 00:41:00,960 Speaker 2: and he kept writing appeals. He even got his sentence reduced, 843 00:41:02,400 --> 00:41:04,920 Speaker 2: and he wrote to one judge, this is to thank you. 844 00:41:05,000 --> 00:41:07,120 Speaker 2: It's the first break I ever got in my life. 845 00:41:07,120 --> 00:41:08,080 Speaker 2: I won't need another. 846 00:41:08,920 --> 00:41:10,160 Speaker 3: So it sounds earnest. 847 00:41:10,239 --> 00:41:13,720 Speaker 2: He knew that he was amazing and that his story 848 00:41:13,840 --> 00:41:18,759 Speaker 2: was compelling, so he started trying to write a book screenplay. 849 00:41:19,160 --> 00:41:19,839 Speaker 2: That's what you do. 850 00:41:19,960 --> 00:41:22,800 Speaker 3: He's crimed long enough, he's now he's a qualified author. 851 00:41:23,719 --> 00:41:25,400 Speaker 2: He should automatically get an agent. 852 00:41:25,800 --> 00:41:28,799 Speaker 3: So he put he go to prisons. Is that like 853 00:41:29,239 --> 00:41:32,040 Speaker 3: they used to go to colleges? Go to prisons? Okay, 854 00:41:32,080 --> 00:41:32,960 Speaker 3: what are you in for? 855 00:41:34,040 --> 00:41:36,600 Speaker 2: He wrote two hundred and sixty one pages for a 856 00:41:36,600 --> 00:41:39,760 Speaker 2: book he called Alcatraz The True Story, and then another 857 00:41:39,800 --> 00:41:44,120 Speaker 2: one called The can Opener, and where he describes himself 858 00:41:44,120 --> 00:41:47,120 Speaker 2: as a throwback quote to the highly intelligent, non violent 859 00:41:47,200 --> 00:41:50,000 Speaker 2: type of criminal in the Willie Sutton mold oh, shut 860 00:41:50,080 --> 00:41:53,640 Speaker 2: out god. Yeah. So nineteen ninety three, he's seventy three 861 00:41:53,719 --> 00:41:56,680 Speaker 2: years old, back out life as a civilian. 862 00:41:56,760 --> 00:41:57,160 Speaker 3: I love it. 863 00:41:57,400 --> 00:41:59,840 Speaker 2: He and Jewel they got a place in Pampino Beach, Florida. 864 00:42:00,080 --> 00:42:02,879 Speaker 2: She stuck with him. He had a music room there 865 00:42:02,880 --> 00:42:05,680 Speaker 2: and he gave a saxophone and clarinet lessons for twenty 866 00:42:05,719 --> 00:42:08,920 Speaker 2: five bucks an hour. Wow, Jules said, quote, we had 867 00:42:08,920 --> 00:42:11,480 Speaker 2: a wonderful life. He has all these talents that have 868 00:42:11,560 --> 00:42:15,160 Speaker 2: been wasted all these years. And so he played local 869 00:42:15,239 --> 00:42:18,879 Speaker 2: jazz clubs. But the whole book thing never got off. 870 00:42:18,880 --> 00:42:22,200 Speaker 2: The ground, he said, quote. I called Clint Eastwood's secretary, 871 00:42:22,239 --> 00:42:24,479 Speaker 2: but she said, unless you have an agent, he won't 872 00:42:24,480 --> 00:42:25,239 Speaker 2: read it. 873 00:42:25,400 --> 00:42:25,839 Speaker 3: So true. 874 00:42:25,960 --> 00:42:29,440 Speaker 2: Yeah, so, Saren, Tucker, at this point in my story 875 00:42:29,520 --> 00:42:33,200 Speaker 2: is seventy eight years old, nineteen ninety nine, and while 876 00:42:33,200 --> 00:42:36,120 Speaker 2: his story is so cinematic, I haven't asked you to 877 00:42:36,160 --> 00:42:39,080 Speaker 2: picture anything. No, you have not, well, because it's been 878 00:42:39,120 --> 00:42:40,399 Speaker 2: all one big picture it. 879 00:42:40,880 --> 00:42:41,799 Speaker 3: Oh, look at you. 880 00:42:42,000 --> 00:42:47,560 Speaker 2: JK just kidding, Saren, closed your eyes, Okay, I want 881 00:42:47,600 --> 00:42:51,920 Speaker 2: you to picture it. Yes, you are Forest Tucker's police scanner, 882 00:42:52,040 --> 00:42:55,479 Speaker 2: hearing aid. He has just nestled you into his ear. 883 00:42:55,640 --> 00:42:57,440 Speaker 2: As the two of you stand in the bathroom of 884 00:42:57,480 --> 00:43:00,560 Speaker 2: his tastefully decorated, well appointed Pompano Beach home. 885 00:43:00,640 --> 00:43:01,520 Speaker 3: I'm so warm. 886 00:43:01,600 --> 00:43:04,400 Speaker 2: He has painted his fingertips with clear nail polish and 887 00:43:04,520 --> 00:43:07,920 Speaker 2: is dressed all in white pressed white pants, a white 888 00:43:07,960 --> 00:43:11,680 Speaker 2: sports shirt, white suede shoes, and a white ascot Pablo. 889 00:43:12,680 --> 00:43:15,040 Speaker 2: You and Tucker pop into his car and cruise an 890 00:43:15,080 --> 00:43:17,360 Speaker 2: hour and a half up the coast to Jupiter, Florida. 891 00:43:17,920 --> 00:43:20,120 Speaker 2: You know what your job is. You've done this a 892 00:43:20,120 --> 00:43:22,759 Speaker 2: few times with him recently. As you pull into the 893 00:43:22,760 --> 00:43:25,560 Speaker 2: parking lot of the Republic security bank. Tucker pulls the 894 00:43:25,560 --> 00:43:29,440 Speaker 2: white ascot up over his lower face Bendito style. He 895 00:43:29,560 --> 00:43:32,240 Speaker 2: reaches into the canvas bag that he's carrying and pulls 896 00:43:32,280 --> 00:43:35,800 Speaker 2: out an old US Army COLT forty five. He strolls 897 00:43:35,840 --> 00:43:38,280 Speaker 2: up for the first teller and says, put your money 898 00:43:38,320 --> 00:43:40,839 Speaker 2: on the counter, all of it. The teller walks over 899 00:43:40,880 --> 00:43:43,800 Speaker 2: to another teller and gets some cash. You are chirping 900 00:43:43,840 --> 00:43:46,319 Speaker 2: in his ear about a loose dog or a stolen car. 901 00:43:46,600 --> 00:43:49,400 Speaker 2: Nothing about the bank. Tucker takes the money from the 902 00:43:49,440 --> 00:43:52,480 Speaker 2: teller and flips through the bills looking for diepacks. He 903 00:43:52,560 --> 00:43:55,640 Speaker 2: counts out a little over five thousand dollars. More squawk 904 00:43:55,680 --> 00:43:58,560 Speaker 2: from you about a shoplifting call, but nothing about the bank. 905 00:43:59,160 --> 00:44:01,719 Speaker 2: Tucker gracious, thanks the tuellers, and the two of you 906 00:44:01,800 --> 00:44:04,840 Speaker 2: amble back to his car. From there, you guys drive 907 00:44:05,080 --> 00:44:07,160 Speaker 2: you about a mile or so away, and you pull 908 00:44:07,239 --> 00:44:09,839 Speaker 2: up next to a red Grand Am. That's the cool car. 909 00:44:10,800 --> 00:44:13,480 Speaker 2: Tucker wipes down the interior of the hot car you've 910 00:44:13,520 --> 00:44:16,160 Speaker 2: just been riding in and starts to transfer his stuff 911 00:44:16,200 --> 00:44:18,880 Speaker 2: into the new car. A bottle of heart medicine, a 912 00:44:18,920 --> 00:44:23,479 Speaker 2: three fifty seven magnum, a sawd off, a carbine, two 913 00:44:23,800 --> 00:44:27,439 Speaker 2: black nylon caps, a holster, a can of mace, para 914 00:44:27,520 --> 00:44:30,719 Speaker 2: smith and wesson handcuffs, two rolls of black electrical tape, 915 00:44:30,760 --> 00:44:34,880 Speaker 2: a police badge, five triple A batteries, a police scanner, 916 00:44:34,920 --> 00:44:38,400 Speaker 2: a glass cutter, gloves, and a fishing cap. It'scott a scanner, 917 00:44:38,440 --> 00:44:41,080 Speaker 2: so he shuts you off. You sit silently in his ear. 918 00:44:41,719 --> 00:44:43,879 Speaker 2: The two of you head back down to Pompino Beach. 919 00:44:44,000 --> 00:44:48,000 Speaker 2: Tucker notices an unmarked car following him, then a police car. 920 00:44:48,320 --> 00:44:51,040 Speaker 2: He guns it. You are resting in the ear of 921 00:44:51,080 --> 00:44:53,319 Speaker 2: a seventy eight year old bank robber involved in a 922 00:44:53,320 --> 00:44:55,200 Speaker 2: car chase, And if it weren't for the fact that 923 00:44:55,239 --> 00:44:57,799 Speaker 2: you are but an arrangement of plastic and wires, you 924 00:44:57,920 --> 00:45:01,200 Speaker 2: have never felt more alive. Just like the last time 925 00:45:01,239 --> 00:45:04,680 Speaker 2: this happened, Tucker accidentally pulls into a dead end. He 926 00:45:04,719 --> 00:45:07,719 Speaker 2: wheels the car around like an expert wheelman. He's now 927 00:45:07,760 --> 00:45:10,479 Speaker 2: facing the two cars that had chased him, blocking the road, 928 00:45:10,840 --> 00:45:14,200 Speaker 2: and more sirens in the distance. You feel his breathing quickened, 929 00:45:14,239 --> 00:45:16,760 Speaker 2: and you see what he sees. There's a space between 930 00:45:16,760 --> 00:45:19,920 Speaker 2: the patrol car and a wooden fence. He floors at 931 00:45:20,000 --> 00:45:22,800 Speaker 2: a giant grin on his face. He clears the space 932 00:45:22,840 --> 00:45:24,960 Speaker 2: between the cop car and the fence, but loses control 933 00:45:25,000 --> 00:45:27,120 Speaker 2: of the car, skids over an embankment and hits a 934 00:45:27,160 --> 00:45:30,480 Speaker 2: palm tree. You are sent flying into the dashboard, getting 935 00:45:30,480 --> 00:45:33,520 Speaker 2: wedged against the windshield. The airbags go off in pin 936 00:45:33,640 --> 00:45:38,240 Speaker 2: Tucker in the seat. That was quite a ride. So Jule, 937 00:45:38,719 --> 00:45:41,879 Speaker 2: she had no explanation for the husband's HeSE while she's 938 00:45:41,880 --> 00:45:44,880 Speaker 2: out like getting her hair done and lunching with her friends. Quote, 939 00:45:45,040 --> 00:45:47,000 Speaker 2: he didn't do it for the money. We had a 940 00:45:47,000 --> 00:45:50,840 Speaker 2: new car, nice home, paid for beautiful clothes. He had everything. 941 00:45:51,560 --> 00:45:54,359 Speaker 2: And this is what a court psychologist said, quote. I've 942 00:45:54,360 --> 00:45:57,720 Speaker 2: seen many individuals who are self aggrandizing and that would 943 00:45:57,760 --> 00:46:00,359 Speaker 2: like to make their mark on history. But none must 944 00:46:00,360 --> 00:46:03,200 Speaker 2: admit that I heard that would want to, other than 945 00:46:03,200 --> 00:46:05,360 Speaker 2: in the movies, go out in a blaze in a 946 00:46:05,400 --> 00:46:08,640 Speaker 2: bank robbery. It is beyond the realm of psychological prediction. 947 00:46:09,680 --> 00:46:12,439 Speaker 2: So Tucker, that was his plan. 948 00:46:12,480 --> 00:46:14,200 Speaker 3: He wanted to go out in a blaze of glory. Yes, 949 00:46:14,239 --> 00:46:15,479 Speaker 3: this is like basically a yeah. 950 00:46:16,320 --> 00:46:18,760 Speaker 2: And he can't stop himself. Yeah, so he gets put. 951 00:46:18,760 --> 00:46:21,040 Speaker 3: Something you always say about the lack of impulse control. 952 00:46:21,200 --> 00:46:24,399 Speaker 2: Yeah, he gets put in this like semi isolation, and 953 00:46:25,040 --> 00:46:28,120 Speaker 2: it was all we request were manager honor, no bail, Yeah, 954 00:46:28,120 --> 00:46:30,640 Speaker 2: of course not. And so his lawyer was like, but 955 00:46:30,719 --> 00:46:34,760 Speaker 2: he could die in these conditions, and the magistrate said, quote, 956 00:46:34,920 --> 00:46:37,879 Speaker 2: ordinarily I would not consider a seventy eight year old 957 00:46:37,880 --> 00:46:39,880 Speaker 2: man of flight risk or a danger to the community. 958 00:46:40,239 --> 00:46:43,240 Speaker 2: But mister Tucker has proved himself to be remarkably agile. 959 00:46:44,400 --> 00:46:48,640 Speaker 2: So he pleaded guilty. October twentieth, the year two thousand. 960 00:46:48,840 --> 00:46:49,239 Speaker 3: Oh wow. 961 00:46:49,400 --> 00:46:52,640 Speaker 2: He got a thirteen year sentence at the Federal Medical 962 00:46:52,680 --> 00:46:55,640 Speaker 2: Center in Fort Worth, Texas. And he had like a 963 00:46:55,680 --> 00:46:58,319 Speaker 2: bunch of strokes after he went inside, and apparently blood 964 00:46:58,360 --> 00:47:01,040 Speaker 2: clots were like slowly cutting off the oxygen to his brain. 965 00:47:01,560 --> 00:47:05,200 Speaker 2: Here's what he said, quote. Everyone says I'm smart, but 966 00:47:05,280 --> 00:47:07,160 Speaker 2: I'm not smart in the ways of life, or I 967 00:47:07,160 --> 00:47:09,560 Speaker 2: wouldn't have done the things I did. When I die, 968 00:47:09,840 --> 00:47:11,839 Speaker 2: no one will remember me. I wish I had a 969 00:47:11,840 --> 00:47:15,200 Speaker 2: real profession, something like the music business. I regret not 970 00:47:15,239 --> 00:47:17,560 Speaker 2: being able to work steady and support my family. I 971 00:47:17,560 --> 00:47:20,359 Speaker 2: have other regrets too, but that's as much as one 972 00:47:20,400 --> 00:47:22,719 Speaker 2: man can stand. Late at night, you lie in your 973 00:47:22,719 --> 00:47:24,880 Speaker 2: bunk in prison, and you think about what you'd lost, 974 00:47:25,239 --> 00:47:27,560 Speaker 2: what you were, what you could have been, and you regret. 975 00:47:28,040 --> 00:47:30,520 Speaker 2: What hurts most is that I know how much I 976 00:47:30,600 --> 00:47:33,240 Speaker 2: disappointed my wife. That hurts more than anything. 977 00:47:33,520 --> 00:47:35,400 Speaker 3: I bet it did. He's promised her and then he 978 00:47:35,440 --> 00:47:38,120 Speaker 3: went back, oh promised, because he couldn't control himself do it. 979 00:47:38,239 --> 00:47:41,680 Speaker 2: So he passed away May twenty ninth, two thousand and four, 980 00:47:41,680 --> 00:47:42,680 Speaker 2: at the age of eighty three. 981 00:47:42,840 --> 00:47:44,879 Speaker 3: So that was the Sissy's basic character from the movie. 982 00:47:45,120 --> 00:47:48,359 Speaker 2: Yes, Jewel, it was Jewel. He was still in jail 983 00:47:48,400 --> 00:47:51,400 Speaker 2: when he died, and he was buried in Mansfield, Texas. 984 00:47:51,880 --> 00:47:54,399 Speaker 2: In twenty eighteen, the Old Man and the Gun came out, 985 00:47:54,800 --> 00:47:57,000 Speaker 2: and there's a scene in the movie where Tucker hands 986 00:47:57,000 --> 00:47:59,879 Speaker 2: a list of his escapes to Jewel, with the last 987 00:48:00,239 --> 00:48:04,360 Speaker 2: number nineteen being blank. And this actually happened, but not 988 00:48:04,440 --> 00:48:07,279 Speaker 2: with Jewel. When he was eighty three. He gave the 989 00:48:07,320 --> 00:48:10,160 Speaker 2: list to David Graham, a writer for The New Yorker, 990 00:48:10,800 --> 00:48:13,560 Speaker 2: and it was his article that got adapted into the movie. 991 00:48:14,080 --> 00:48:17,240 Speaker 2: And on Gran's list, the nineteenth space was never filled, 992 00:48:17,960 --> 00:48:20,600 Speaker 2: So that was his what what's your ridiculous takeaway? 993 00:48:21,080 --> 00:48:24,080 Speaker 3: Man? When you gave that list? What was all this stuff? 994 00:48:24,120 --> 00:48:26,200 Speaker 3: In his car. I was like, that sounds like the 995 00:48:26,200 --> 00:48:29,160 Speaker 3: best I'm going to go camping list I can think 996 00:48:29,239 --> 00:48:32,880 Speaker 3: of now. I mean all honesty, like, it's not so 997 00:48:33,160 --> 00:48:38,239 Speaker 3: terribly ridiculous, it's more much more. It's like it's just 998 00:48:38,320 --> 00:48:40,360 Speaker 3: kind of like an observation. 999 00:48:40,520 --> 00:48:40,800 Speaker 2: Yeah. 1000 00:48:40,840 --> 00:48:43,919 Speaker 3: Basically The Man with the Gun, as you pointed out, 1001 00:48:44,120 --> 00:48:47,560 Speaker 3: missed as a movie, right, but yet it captured the 1002 00:48:47,560 --> 00:48:49,919 Speaker 3: feeling I had at the end of his life right 1003 00:48:50,120 --> 00:48:52,480 Speaker 3: when you described like, I was like really sad for 1004 00:48:52,560 --> 00:48:55,000 Speaker 3: them that like they couldn't he couldn't make their love work. 1005 00:48:55,040 --> 00:48:56,960 Speaker 3: They had everything, as she pointed out, the you know, 1006 00:48:57,000 --> 00:48:59,640 Speaker 3: the car, the house, the nice house, everything they had 1007 00:48:59,680 --> 00:49:01,800 Speaker 3: each other love, and still he can't help himself and 1008 00:49:01,840 --> 00:49:03,480 Speaker 3: he goes out and he gets like five grand from 1009 00:49:03,520 --> 00:49:07,080 Speaker 3: the bank robbery or whatever. But that's exactly how that 1010 00:49:07,120 --> 00:49:10,439 Speaker 3: movie felt, was the later years, the sadness of him 1011 00:49:10,480 --> 00:49:13,040 Speaker 3: not being able to not be himself even in the 1012 00:49:13,080 --> 00:49:15,279 Speaker 3: face of something like love, which he's obviously wanted this 1013 00:49:15,280 --> 00:49:15,719 Speaker 3: whole time. 1014 00:49:15,760 --> 00:49:17,560 Speaker 2: Well, I'm seeing like a what could have been that 1015 00:49:17,640 --> 00:49:19,399 Speaker 2: was so much in the movie of like the life 1016 00:49:19,440 --> 00:49:20,279 Speaker 2: that he could have had. 1017 00:49:20,640 --> 00:49:23,319 Speaker 3: So I will say that what's ridiculous is you made 1018 00:49:23,320 --> 00:49:25,680 Speaker 3: me like that movie more by telling this story. 1019 00:49:25,719 --> 00:49:28,000 Speaker 2: Oh really, see there you go, there you go. 1020 00:49:28,040 --> 00:49:28,560 Speaker 3: You liked it. 1021 00:49:30,840 --> 00:49:32,279 Speaker 2: Well. I think the way you put it makes so 1022 00:49:32,360 --> 00:49:37,040 Speaker 2: much more sense. And I just want to see a 1023 00:49:37,080 --> 00:49:40,080 Speaker 2: young version of it. I want another movie, so I 1024 00:49:40,080 --> 00:49:42,560 Speaker 2: don't want to erase the one that fits the end 1025 00:49:42,600 --> 00:49:44,400 Speaker 2: of his life. I want a young one totally. 1026 00:49:44,400 --> 00:49:47,799 Speaker 3: I'm with you on that. Just the rub a dub 1027 00:49:47,880 --> 00:49:50,280 Speaker 3: dub three and a tub. 1028 00:49:52,200 --> 00:49:53,920 Speaker 2: Captain d give me a talkback. 1029 00:49:54,239 --> 00:50:03,919 Speaker 3: Yeah, I love Jeet. 1030 00:50:07,480 --> 00:50:09,920 Speaker 4: What's up, Sarah and Elizabeth. This is Cameron in Seattle, 1031 00:50:10,000 --> 00:50:12,239 Speaker 4: and I've got to say I've been listening for about 1032 00:50:12,360 --> 00:50:16,080 Speaker 4: six months. I've gone back and listened to all of 1033 00:50:16,120 --> 00:50:19,879 Speaker 4: the past episodes as well, so I two hundred plus 1034 00:50:19,960 --> 00:50:22,520 Speaker 4: episodes and I always come away in a good mood. 1035 00:50:22,640 --> 00:50:25,920 Speaker 4: So thank you for being good friends and always brightened 1036 00:50:25,920 --> 00:50:27,799 Speaker 4: my day and always got to listen to the end 1037 00:50:28,040 --> 00:50:29,799 Speaker 4: to hear to hear that cute little kid. 1038 00:50:29,960 --> 00:50:30,400 Speaker 3: Thank you. 1039 00:50:31,760 --> 00:50:34,120 Speaker 2: Yeah, we're so glad we could be there. 1040 00:50:34,200 --> 00:50:36,000 Speaker 3: Yeah, and thank you for being our friend, and thank 1041 00:50:36,000 --> 00:50:38,640 Speaker 3: you for listening. We really enjoy this and love doing 1042 00:50:38,680 --> 00:50:39,960 Speaker 3: it for y'all so exactly. 1043 00:50:40,080 --> 00:50:41,719 Speaker 2: And that's the thing with the talkbacks, is. 1044 00:50:41,640 --> 00:50:42,840 Speaker 3: That we get actually here you. 1045 00:50:42,840 --> 00:50:44,960 Speaker 2: Can kind of so pseudo talk to you. 1046 00:50:45,200 --> 00:50:46,960 Speaker 3: Yeah, and we took get a sense of like what 1047 00:50:47,120 --> 00:50:47,719 Speaker 3: it is for y'all. 1048 00:50:47,840 --> 00:50:50,879 Speaker 2: Yeah, you're your sweet little voices. That's it. That's all 1049 00:50:50,880 --> 00:50:51,720 Speaker 2: I have for today. 1050 00:50:51,880 --> 00:50:52,440 Speaker 3: Thank you. 1051 00:50:52,440 --> 00:50:54,960 Speaker 2: You're so welcome. You can find us online at ridiculous 1052 00:50:54,960 --> 00:50:59,000 Speaker 2: Crime dot com. We're also at Ridiculous Crime on dying 1053 00:50:59,080 --> 00:51:03,719 Speaker 2: social media. Email us at ridiculous Crime at gmail dot com. 1054 00:51:03,960 --> 00:51:13,800 Speaker 2: Leave it talkback, Uh, that's it. Reach out baby. Ridiculous 1055 00:51:13,800 --> 00:51:17,000 Speaker 2: Crime is hosted by Elizabeth Dutton and Zaren Burnette, produced 1056 00:51:17,000 --> 00:51:19,879 Speaker 2: and edited by Captain of the Rubbah one Dub Dub 1057 00:51:19,920 --> 00:51:23,960 Speaker 2: Stepping Razor Dave Kusten. Research is by Marissa Brown as 1058 00:51:23,960 --> 00:51:28,080 Speaker 2: played by Jennifer Coolidge and Jane Fonda as Andrea Song sharpenedear. 1059 00:51:28,560 --> 00:51:31,080 Speaker 2: The theme song is by John Goodman as Thomas Lee 1060 00:51:31,160 --> 00:51:34,560 Speaker 2: and Travis Dutton as played by Ed Asner. Post wardrobe 1061 00:51:34,640 --> 00:51:38,319 Speaker 2: is provided by Botany five hundred. Executive producers are Ben 1062 00:51:38,360 --> 00:51:41,279 Speaker 2: Bollen as played by Ted Danson and Alan Alda as 1063 00:51:41,400 --> 00:51:52,799 Speaker 2: Noel Brown. DISQUI Say It one More Time? QUI. 1064 00:51:53,960 --> 00:51:57,360 Speaker 1: Ridiculous Crime is a production of iHeartRadio. Four more podcasts 1065 00:51:57,360 --> 00:52:00,480 Speaker 1: from my heart Radio, visit the iHeartRadio app, Apple popcasts, 1066 00:52:00,560 --> 00:52:02,400 Speaker 1: or wherever you listen to your favorite shows.