WEBVTT - Goapele

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<v Speaker 1>R and B Money.

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<v Speaker 2>We are.

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<v Speaker 3>Take about that.

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<v Speaker 1>We are the authorities on all this R and B.

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<v Speaker 3>Ladies and gentlemen. My name is Tank. Yeah, I feel

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<v Speaker 3>like that. This is the Army Money podcast.

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<v Speaker 1>On all things R and B. You know, soothing, soothing.

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<v Speaker 3>You know, as of recently, you know, a lot of

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<v Speaker 3>a lot of artists, a lot of creatives have adopted

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<v Speaker 3>a vibe you know now they now, they now they.

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<v Speaker 1>Have a vibe. Yeah. Some of us are just the vibes,

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<v Speaker 1>you know. Some of us are. Some of us have.

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<v Speaker 3>Been the the vibe for quite some time. Very angelic

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<v Speaker 3>on so many novels, all level visually, artistically, the gifts

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<v Speaker 3>I mean, I mean they they span countries and she

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<v Speaker 3>is not from this place.

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<v Speaker 1>The world cred the world, craigh.

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<v Speaker 3>Normally I'm loud during this part of you know, j

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<v Speaker 3>just reminded me that this is this is a five episode,

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<v Speaker 3>so we're gonna stay right in here. Makes noise for.

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<v Speaker 4>Gap whisper intro.

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<v Speaker 1>Yeah we got it. Set the moon.

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<v Speaker 4>Candles, but still the energy.

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<v Speaker 3>Yeah, yeah, because they know what it is when they

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<v Speaker 3>see you do this camera, that's your camera. Give me quappoly,

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<v Speaker 3>what does where does Quoppoly come from.

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<v Speaker 5>Well, it's my grandmother's maiden name, wow, and it's really.

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<v Speaker 1>Pronounced say it again.

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<v Speaker 5>You did excellent, But I would say since I was

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<v Speaker 5>really little, it's been mispronounced in like a thousand different ways.

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<v Speaker 5>It's a sound African names, So gap is how I've

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<v Speaker 5>been saying it since, you know, association.

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<v Speaker 1>Because what she was saying is that the money come

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<v Speaker 1>along with the essence. You know what I'm saying, y'all

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<v Speaker 1>don't really.

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<v Speaker 5>Know, y'all don't I'm yes, yes, and it means go forward, and.

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<v Speaker 4>I don't know.

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<v Speaker 5>It took me a minute to grow into it. And

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<v Speaker 5>I feel like that's kind of how my music has been.

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<v Speaker 5>It's never really fit in exact like genres, just like

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<v Speaker 5>growing into what I am and you know, hoping that

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<v Speaker 5>people get it.

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<v Speaker 1>Well.

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<v Speaker 3>People have had to play ketch up on what you

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<v Speaker 3>were doing because for me, my first time hearing you

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<v Speaker 3>the only person that I could even talk about in

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<v Speaker 3>that space or you know, put you kind of next

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<v Speaker 3>to with shade.

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<v Speaker 4>Yeah, well I love hearing that, you know, and.

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<v Speaker 3>You know what that those two energy like that's it

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<v Speaker 3>was it. Now everybody's you know, now everybody's picking picking

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<v Speaker 3>the fruit of the vibe Tree, which is great. You

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<v Speaker 3>know what I'm saying, Like we we we want that,

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<v Speaker 3>we wanted to grow and become this thing, you know

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<v Speaker 3>what I'm saying.

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<v Speaker 1>But you know, I just I remember you.

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<v Speaker 2>Being yeah, yeah.

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<v Speaker 5>I feel like when I started, I was like I

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<v Speaker 5>was really nervous about the industry because I was like,

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<v Speaker 5>it's not straight up R and B. It's not st

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<v Speaker 5>I don't even know if soul, like neo soul was

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<v Speaker 5>like just about to be a category when I was recording.

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<v Speaker 5>By the time I put out music, neo soul was

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<v Speaker 5>a genre.

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<v Speaker 4>But it's like I loved jazz and blues and everything in.

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<v Speaker 5>Between, and I was like, I'm just gonna write these

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<v Speaker 5>songs and I'm gonna start performing and.

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<v Speaker 4>We'll figure it out.

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<v Speaker 5>You love the music, yeah, And I loved hip hop,

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<v Speaker 5>but I wasn't a rapper.

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<v Speaker 2>And it's a certain thing of obviously being from the home,

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<v Speaker 2>from being from the Bay Area and just that melting

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<v Speaker 2>pot of music for sure, of so many things like

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<v Speaker 2>you said that, there's there's jazz, there's hip hop, there's church,

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<v Speaker 2>there's you know what I mean, there's Tony Tony Tony,

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<v Speaker 2>you know.

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<v Speaker 1>What I mean they created.

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<v Speaker 2>It's just when you start going and and all of

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<v Speaker 2>those artists that you just named and groups are all different.

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<v Speaker 1>Yeah, nothing the same.

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<v Speaker 2>So imagine you know, you grow up in that and

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<v Speaker 2>like you said, South South African parent, you know what

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<v Speaker 2>I mean, Like you have a whole nother mindset of

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<v Speaker 2>you know, where your music can go and what it

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<v Speaker 2>can be and just and I think as much as

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<v Speaker 2>you know they always regional wiss you know that with

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<v Speaker 2>the you know, the whole area thing, we still we

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<v Speaker 2>don't have a we don't have a seiling for ourselves though,

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<v Speaker 2>Like we just try music.

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<v Speaker 5>Yeah, and it's such like an indie vibe, and like because.

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<v Speaker 2>We're gonna put it out, it's gonna come out either

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<v Speaker 2>in the trunk.

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<v Speaker 5>And that's how it started, you know what I mean,

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<v Speaker 5>Like pressing up a thousand CDs and selling them as

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<v Speaker 5>shows and out of the trunk and consignment at stores

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<v Speaker 5>until it was like we don't just want to we

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<v Speaker 5>want a box. And it was like they're going to

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<v Speaker 5>buy a box of CDs. Oh more stores want them.

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<v Speaker 5>We need real distribution, you know.

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<v Speaker 2>So you guys were going, you and your team skyblaze, right,

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<v Speaker 2>you guys were going from store to store.

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<v Speaker 4>Yea, literally it was like a meeba.

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<v Speaker 2>Yeah, I remember Balanced was Balance working at Rescue.

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<v Speaker 4>Yes he was.

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<v Speaker 3>He was.

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<v Speaker 1>So he was an artist, super talented guy.

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<v Speaker 2>Yeah, and he's now but now he's like a scriptwriter

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<v Speaker 2>I want to say. I want to say he is

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<v Speaker 2>one of the writers on like blind Spotting or something. Yeah,

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<v Speaker 2>he's doing his ship. But he used to actually be

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<v Speaker 2>like the purchaser at resputen. But he was an artist

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<v Speaker 2>and he was like fully tapped into everything that.

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<v Speaker 1>Was going on.

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<v Speaker 4>To you life show.

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<v Speaker 2>You got to hit Balance some you know, some hundred

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<v Speaker 2>CDs over there and they would moving around their stores.

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<v Speaker 2>So that was that was the cool thing about being

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<v Speaker 2>from the Bay too, is that you could really there

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<v Speaker 2>were there were places for you to be independent, for sure,

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<v Speaker 2>but I didn't know y'all were for me. I always

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<v Speaker 2>thought y'all had some form of distribution, So initially y'all didn't.

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<v Speaker 5>It took it took a minute, and I think, you know,

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<v Speaker 5>we presented in that way from the beginning and just

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<v Speaker 5>wanted to have quality, like no one needed to know

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<v Speaker 5>how small it was starting, you know what I mean.

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<v Speaker 5>But the idea was like if we build it, and

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<v Speaker 5>I can build a fan base that they'll be like

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<v Speaker 5>a demand. So if I do a major deal, I

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<v Speaker 5>won't be shelved or I won't have to prove myself.

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<v Speaker 5>It won't be about the marketing. It'll be like people

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<v Speaker 5>are already requesting something, you know what I mean, So

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<v Speaker 5>it could be more empowering, you know. And there's people

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<v Speaker 5>like from Digital Underground we knew Shock G and DJ

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<v Speaker 5>Fuse and you know what I mean that had been

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<v Speaker 5>just doing things in their own way and kind of

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<v Speaker 5>mentoring from AFAR and just watching like how Too Short

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<v Speaker 5>did it, How Lettucy did it, How Martin Luther did it, hieroglyphics,

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<v Speaker 5>how they did it? And they we got distribution through

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<v Speaker 5>them initially, Yeah, yeah, through Red Yeah, because I was

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<v Speaker 5>just doing these collaborations and it just naturally happened.

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<v Speaker 1>I remember meeting with.

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<v Speaker 2>A guy and and.

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<v Speaker 1>You. He had your CD on his desk.

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<v Speaker 2>At this point, I had never heard of you yet,

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<v Speaker 2>And I was kind of back and forth between LA

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<v Speaker 2>and San Francisco and this before I started the whole

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<v Speaker 2>City Boys music thing with Bailey, uh, and we were

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<v Speaker 2>just kind of you know, I was taking meetings, yeah,

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<v Speaker 2>you know, I had met with with the Italian gentleman

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<v Speaker 2>who who was doing some stuff in the Bay Area,

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<v Speaker 2>and he was like, yeah, you know this this new

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<v Speaker 2>girl Scoppoly and I'm like he was talking about kind

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<v Speaker 2>of you know, the numbers that you were doing, you

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<v Speaker 2>know how you were just he was like, you gotta

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<v Speaker 2>go see your live and you gotta see her perform.

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<v Speaker 2>And I don't remember the first place I saw you before,

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<v Speaker 2>but I was just like, oh, this is different, Like

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<v Speaker 2>this is different. And with me being a barrier kidd

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<v Speaker 2>of me growing up there, it was still different to me.

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<v Speaker 2>I was like, oh, this this, this feels like so

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<v Speaker 2>it's like Berkeley, Berkeley. It felt like Berkeley, so Berkeley

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<v Speaker 2>for us about free it's it's it's the free love.

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<v Speaker 2>It's the you know what I mean, everybody everybody's flower children,

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<v Speaker 2>the flower Children.

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<v Speaker 1>Yeah, that's what it felt like.

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<v Speaker 2>And if it made you smile, like when I heard

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<v Speaker 2>your music, that's how it made me feel.

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<v Speaker 1>And you know you're from this same era too.

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<v Speaker 2>We come from mob music, very street, you know what

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<v Speaker 2>I mean, the old forty days.

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<v Speaker 4>Yeah, the the you know what I'm saying.

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<v Speaker 2>You know what I'm saying, Like not just forty forty

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<v Speaker 2>in the clique of those people don't know about click

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<v Speaker 2>is mob music, you know what I mean. So growing

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<v Speaker 2>up in that RBL posse and rapping Fote and Saint

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<v Speaker 2>Quinn and you know what I'm saying, and JT de

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<v Speaker 2>Big Figure all these things, and then when I heard

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<v Speaker 2>your music, I was like, Yo, this shit makes me

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<v Speaker 2>smile mm, Like this feels really good. And that's and

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<v Speaker 2>that's what I've always attached personally to you and your music.

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<v Speaker 2>Whenever I see you, I'm always like.

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<v Speaker 5>Everything great, cause it's like for me, music that I

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<v Speaker 5>relate to, like, I want the basslines and the drums

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<v Speaker 5>to feel like you could hear it, you know what

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<v Speaker 5>I mean down the street.

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<v Speaker 4>Yeah, you want it to.

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<v Speaker 5>But what I want to say and the energy I

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<v Speaker 5>want to put out is I want a positive impact

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<v Speaker 5>on the world. So it's like there's you know, certain

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<v Speaker 5>stuff I'm not going to say in my music, but

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<v Speaker 5>I want the feeling to be a combination.

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<v Speaker 4>Yeah, you know what I mean.

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<v Speaker 5>And I feel like all those influences are in me.

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<v Speaker 5>But I'm happy that it that it felt happy inside.

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<v Speaker 5>And I grew up I was born in Oakland, but

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<v Speaker 5>I grew up in Berkeley and Oakland.

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<v Speaker 1>So O, wow, that's what it felt like to.

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<v Speaker 2>Slice of blindise Pizza girl out there.

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<v Speaker 1>Better know where you're from here? So when did okay?

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<v Speaker 1>When did you know that you were? Was?

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<v Speaker 3>Was Wapa always going to be your stage name? And

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<v Speaker 3>and when did you know that okay?

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<v Speaker 1>Was she like little Rashita at first?

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<v Speaker 3>Right?

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<v Speaker 1>Right?

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<v Speaker 3>What was going on?

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<v Speaker 1>What was the younger.

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<v Speaker 3>Was?

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<v Speaker 1>What was it was?

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<v Speaker 4>I think when I was.

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<v Speaker 5>I always like from a really young age, I'm gonna

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<v Speaker 5>say like from eight years old, I felt like I

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<v Speaker 5>wanted to be on the stage.

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<v Speaker 4>And I would see like my.

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<v Speaker 5>Parents' friends, like some of them were South African artists.

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<v Speaker 5>I would watch my parents would bring us to live shows,

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<v Speaker 5>you know what I mean. It was all ages, but

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<v Speaker 5>we might be the only me and my siblings be

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<v Speaker 5>the only kids in there, you know what I mean,

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<v Speaker 5>Like I don't know if we're supposed to be here,

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<v Speaker 5>but I was just picking up on the vibe. So

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<v Speaker 5>I always felt like that's something I want to do.

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<v Speaker 5>But I think I thought I was going to have

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<v Speaker 5>an easier name, and I was like, I don't know,

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<v Speaker 5>I was going to maybe be like Indigo or you

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<v Speaker 5>know what I mean, something something easy to say, but

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<v Speaker 5>that would be vibe. And then I just started performing,

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<v Speaker 5>and you know, I was doing like singing at Riley's

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<v Speaker 5>and protests and community events and parties, and it was

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<v Speaker 5>just like there's me, there's my name, and it just I.

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<v Speaker 4>Just kept moving.

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<v Speaker 3>Yeah, when did you feel like you like really had something,

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<v Speaker 3>because probably coming up, you know, with the family going

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<v Speaker 3>to the shows and all those things, it was probably

0:12:59.559 --> 0:13:03.040
<v Speaker 3>something that was normal. Yeah, yeah, yeah, were just singing

0:13:03.120 --> 0:13:03.840
<v Speaker 3>having a good time.

0:13:03.920 --> 0:13:05.800
<v Speaker 4>It is Yeah, my brother was a DJ.

0:13:06.840 --> 0:13:11.800
<v Speaker 5>I would just like sing over a you know, hot instrumental.

0:13:12.120 --> 0:13:13.960
<v Speaker 3>When did you realize it was something? Or when did

0:13:14.000 --> 0:13:16.319
<v Speaker 3>somebody tell you, no, no, this is you need to

0:13:16.400 --> 0:13:17.120
<v Speaker 3>take this serious.

0:13:17.160 --> 0:13:17.680
<v Speaker 1>This is real.

0:13:18.240 --> 0:13:23.719
<v Speaker 5>I think inside of me, I felt it from when

0:13:23.760 --> 0:13:25.920
<v Speaker 5>I was really young, but I didn't know if I

0:13:25.960 --> 0:13:29.360
<v Speaker 5>would have any success, but I knew I had that

0:13:29.520 --> 0:13:34.240
<v Speaker 5>vision for myself, and I think I was just doing it.

0:13:34.120 --> 0:13:34.720
<v Speaker 4>Like it was.

0:13:35.240 --> 0:13:36.720
<v Speaker 5>You know, I would go to like a lot of

0:13:37.040 --> 0:13:40.160
<v Speaker 5>conferences and stuff like that and I would just sing

0:13:40.200 --> 0:13:44.079
<v Speaker 5>instead of talk because it was my comfort zone. And

0:13:44.559 --> 0:13:49.240
<v Speaker 5>I liked the emotional connection and I liked seeing that

0:13:49.320 --> 0:13:52.280
<v Speaker 5>it could affect people. And that they would feel something.

0:13:53.080 --> 0:13:57.680
<v Speaker 5>But I don't know if I believed I would have success,

0:13:57.920 --> 0:14:01.839
<v Speaker 5>like in doing my own music. But in high school,

0:14:01.880 --> 0:14:04.760
<v Speaker 5>I was like, I'm going to take this seriously and

0:14:04.840 --> 0:14:07.440
<v Speaker 5>like I went to Berkeley College of Music. It was

0:14:07.480 --> 0:14:08.480
<v Speaker 5>like the only.

0:14:08.240 --> 0:14:10.199
<v Speaker 4>School I applied to and.

0:14:12.240 --> 0:14:14.960
<v Speaker 5>For a hot for a hot minute, you know, I

0:14:15.000 --> 0:14:18.920
<v Speaker 5>didn't finish. I didn't finish, but I met some of

0:14:18.920 --> 0:14:22.840
<v Speaker 5>the earliest collaborations. Like I went to school with Jeff Basker,

0:14:22.920 --> 0:14:29.080
<v Speaker 5>who's like an amazing producer and songwriter. We did the

0:14:29.120 --> 0:14:33.160
<v Speaker 5>first songs on my first album for school projects. I

0:14:33.240 --> 0:14:34.600
<v Speaker 5>was like, you know what I mean. We only had

0:14:34.600 --> 0:14:37.320
<v Speaker 5>to write like sixteen bars. But I was like, I

0:14:37.360 --> 0:14:39.560
<v Speaker 5>want to write a song. I'm here to write a song.

0:14:39.600 --> 0:14:42.720
<v Speaker 5>So I'm about to like find these talented people at

0:14:42.720 --> 0:14:44.240
<v Speaker 5>the school and be like, will you sit down with me?

0:14:44.280 --> 0:14:46.240
<v Speaker 5>Because I couldn't play anything. But I was like, I

0:14:46.240 --> 0:14:48.440
<v Speaker 5>can humb a little idea. And I had a little idea,

0:14:48.440 --> 0:14:50.280
<v Speaker 5>and I was like, let's I don't want to do

0:14:50.360 --> 0:14:53.280
<v Speaker 5>this just with the teachers. Yeah, And it's like and

0:14:53.320 --> 0:14:59.240
<v Speaker 5>I ended up using that later. I think Shaka Ramsey

0:14:59.320 --> 0:15:02.920
<v Speaker 5>I worked with their Adam dt a bunch of really

0:15:03.000 --> 0:15:06.360
<v Speaker 5>dope musicians.

0:15:07.320 --> 0:15:09.760
<v Speaker 4>I forgot the beginning of the question because I.

0:15:09.760 --> 0:15:12.720
<v Speaker 2>Started going off on though just about you, you know,

0:15:13.280 --> 0:15:16.680
<v Speaker 2>really seeing if this was a real thing for you. Yeah,

0:15:16.720 --> 0:15:19.360
<v Speaker 2>you know when you start feeling that for yourself.

0:15:19.440 --> 0:15:25.280
<v Speaker 5>Yeah, I mean I think that doubt kind of creeps

0:15:25.320 --> 0:15:30.880
<v Speaker 5>in in and out. But I was gonna.

0:15:30.560 --> 0:15:32.800
<v Speaker 4>Make the steps, I feel.

0:15:32.520 --> 0:15:35.920
<v Speaker 5>Like, from early on, and when I was starting to

0:15:35.920 --> 0:15:38.000
<v Speaker 5>write music, like I was saying, I didn't know if

0:15:38.040 --> 0:15:39.680
<v Speaker 5>there was a place for me, but.

0:15:41.480 --> 0:15:46.240
<v Speaker 4>I was just gonna do it anyways, you know.

0:15:46.360 --> 0:15:50.160
<v Speaker 5>And I just feel like I've always tried to have

0:15:50.320 --> 0:15:52.920
<v Speaker 5>my own measures of success because our ELSA is just

0:15:52.960 --> 0:15:54.040
<v Speaker 5>like so intimidating.

0:15:54.080 --> 0:15:56.960
<v Speaker 4>It's like almost anything can feel like not enough.

0:15:57.880 --> 0:15:59.240
<v Speaker 1>Have you ever done anything.

0:15:58.920 --> 0:16:01.560
<v Speaker 4>Else besides independent?

0:16:01.640 --> 0:16:06.000
<v Speaker 5>You mean I'm talking about like like I've worked with kids.

0:16:06.080 --> 0:16:08.840
<v Speaker 5>I used to work with kids a lot when I

0:16:08.880 --> 0:16:13.920
<v Speaker 5>was younger. I considered being like a childcare provider, teacher.

0:16:14.960 --> 0:16:15.400
<v Speaker 1>You could.

0:16:23.200 --> 0:16:25.960
<v Speaker 3>Account trying to come up to the school all the time.

0:16:26.040 --> 0:16:28.680
<v Speaker 3>I'm just checking on my kids, make sure it's the

0:16:28.760 --> 0:16:33.320
<v Speaker 3>right thing. How you doing today? I thought, uh also

0:16:33.400 --> 0:16:36.120
<v Speaker 3>brought these flowers. I don't you know, I don't want.

0:16:35.960 --> 0:16:40.280
<v Speaker 2>To come up with as something organic organ as a.

0:16:40.280 --> 0:16:42.440
<v Speaker 3>Gesture for just you know, teaching my kid the right way,

0:16:43.120 --> 0:16:45.960
<v Speaker 3>you know, just really pouring into him, uh the way

0:16:46.080 --> 0:16:47.040
<v Speaker 3>we pour into each other.

0:16:47.200 --> 0:16:47.600
<v Speaker 1>I don't know.

0:16:47.720 --> 0:16:53.800
<v Speaker 5>Anyway, No, I love that, and I was like, it's

0:16:53.880 --> 0:16:57.000
<v Speaker 5>just that's tiring work, Like teachers need to get paid

0:16:57.000 --> 0:16:59.200
<v Speaker 5>more money out. Absolutely, I am not going to be

0:16:59.200 --> 0:17:02.920
<v Speaker 5>able to multi task working with kids and doing music.

0:17:04.280 --> 0:17:08.600
<v Speaker 5>I was doing retail for a little bit. I was

0:17:08.680 --> 0:17:13.240
<v Speaker 5>like working in restaurants, and honestly, I love all those things,

0:17:14.720 --> 0:17:18.359
<v Speaker 5>but I think I would be sad if I wasn't

0:17:18.960 --> 0:17:25.320
<v Speaker 5>also doing music. Yeah, yeah, and so all those little jobs.

0:17:25.600 --> 0:17:27.320
<v Speaker 5>You know, when I was younger, it was just like

0:17:27.400 --> 0:17:32.680
<v Speaker 5>when I can afford to quit, I will, and I'm

0:17:32.840 --> 0:17:39.480
<v Speaker 5>just like thankful that I've had now like a long

0:17:40.119 --> 0:17:41.000
<v Speaker 5>career in music.

0:17:41.080 --> 0:17:42.480
<v Speaker 4>It's kind of crazy, like.

0:17:44.240 --> 0:17:51.320
<v Speaker 1>When was that. It was that moment, you.

0:17:51.320 --> 0:17:52.200
<v Speaker 4>Know what happened.

0:17:52.480 --> 0:17:57.160
<v Speaker 5>I was like, I was working retail and I think

0:17:57.200 --> 0:18:02.040
<v Speaker 5>I was like nanny and it was I was getting

0:18:02.840 --> 0:18:06.239
<v Speaker 5>I was starting to do like background stuff. I was

0:18:06.280 --> 0:18:09.359
<v Speaker 5>performing with Spearhead, and it was just like the scheduling

0:18:09.480 --> 0:18:13.520
<v Speaker 5>was getting in the way. And then like for shows,

0:18:13.560 --> 0:18:15.679
<v Speaker 5>the scheduling was just getting in the way. So I

0:18:15.720 --> 0:18:19.040
<v Speaker 5>was like, I can't prioritize this over this, So it

0:18:19.240 --> 0:18:21.800
<v Speaker 5>just was kind of natural.

0:18:24.200 --> 0:18:26.600
<v Speaker 3>Yeah, you just took you took the steps to where

0:18:26.680 --> 0:18:27.960
<v Speaker 3>like I mean, Jake, me and Jay talk about it

0:18:28.000 --> 0:18:30.119
<v Speaker 3>all the time, like you have to make sure you

0:18:30.160 --> 0:18:31.320
<v Speaker 3>can take care of yourself.

0:18:31.680 --> 0:18:33.800
<v Speaker 1>Yeah, until it can take care of you.

0:18:33.840 --> 0:18:37.600
<v Speaker 5>No, that's real, that's real, and I think sometimes people

0:18:37.600 --> 0:18:44.080
<v Speaker 5>don't understand that concept. Yeah, it's like you can like

0:18:44.160 --> 0:18:47.919
<v Speaker 5>a starving artists, Like you don't really have to be

0:18:48.000 --> 0:18:48.880
<v Speaker 5>starving though.

0:18:48.760 --> 0:18:51.520
<v Speaker 2>Like you can make sure for yourself, you.

0:18:51.480 --> 0:18:54.200
<v Speaker 5>Know what I'm saying, do your art until it takes

0:18:54.240 --> 0:18:58.919
<v Speaker 5>over and then quit whatever else you were doing, you

0:18:58.960 --> 0:18:59.480
<v Speaker 5>know what I mean.

0:19:00.200 --> 0:19:03.920
<v Speaker 2>Wow, Yeah, we've kind of we've kind of become advocates

0:19:03.920 --> 0:19:09.200
<v Speaker 2>for that of, you know, taking care of yourself because

0:19:09.240 --> 0:19:11.359
<v Speaker 2>you put yourself in a position where someone's taking care

0:19:11.400 --> 0:19:16.520
<v Speaker 2>of you. Now it's more advantageous for them and everything

0:19:17.400 --> 0:19:18.359
<v Speaker 2>is on their side.

0:19:18.600 --> 0:19:21.160
<v Speaker 1>It not even might not be for free free.

0:19:21.480 --> 0:19:24.399
<v Speaker 4>Yeah, but it seems like it is, I think to

0:19:24.480 --> 0:19:24.920
<v Speaker 4>some people.

0:19:24.960 --> 0:19:26.720
<v Speaker 2>And thank god because they're promoting it that way.

0:19:26.920 --> 0:19:30.000
<v Speaker 5>Yeah, and thank god I was able to work like that.

0:19:30.160 --> 0:19:33.840
<v Speaker 5>My family was like, let's do this, you know what

0:19:33.840 --> 0:19:34.160
<v Speaker 5>I mean?

0:19:35.040 --> 0:19:37.400
<v Speaker 4>Because guy, thank you.

0:19:37.560 --> 0:19:43.000
<v Speaker 5>Shout out to Nmani and THEO. But I think it

0:19:43.040 --> 0:19:47.520
<v Speaker 5>can be confusing when people are coming up because it

0:19:47.680 --> 0:19:53.119
<v Speaker 5>takes putting in a lot of work until you start

0:19:53.160 --> 0:19:56.520
<v Speaker 5>making cool money. Some people blow up overnight, but sometimes

0:19:56.560 --> 0:19:58.720
<v Speaker 5>overnight is ten years, you.

0:19:58.600 --> 0:19:59.720
<v Speaker 1>Know for sure?

0:20:00.359 --> 0:20:04.199
<v Speaker 2>Yeah, for sure. Multiple deals are multiple. I thought I

0:20:04.320 --> 0:20:06.040
<v Speaker 2>had a deal, or I don't want to.

0:20:06.040 --> 0:20:08.560
<v Speaker 1>Take a deal. Can you kind of give us because

0:20:08.600 --> 0:20:09.640
<v Speaker 1>your your career.

0:20:09.359 --> 0:20:12.560
<v Speaker 2>Has been based around your independence as well, Like you've

0:20:12.600 --> 0:20:17.240
<v Speaker 2>done very well in an independent space. Like people look

0:20:17.280 --> 0:20:19.000
<v Speaker 2>at you. They don't just look at you as an

0:20:19.080 --> 0:20:21.080
<v Speaker 2>independent artist, so they just look at you as a

0:20:21.080 --> 0:20:22.040
<v Speaker 2>as a major artist.

0:20:22.800 --> 0:20:24.080
<v Speaker 1>It's neverthless like oh.

0:20:23.960 --> 0:20:26.200
<v Speaker 2>Yeah no, well she's doing no. So you guys were

0:20:26.240 --> 0:20:29.600
<v Speaker 2>able to build this thing up, like can you give

0:20:29.680 --> 0:20:32.639
<v Speaker 2>us some of the you know, like the background in

0:20:32.680 --> 0:20:37.600
<v Speaker 2>that and just spending your own money, yeah, you know,

0:20:37.720 --> 0:20:39.840
<v Speaker 2>booking your own studios.

0:20:39.400 --> 0:20:42.960
<v Speaker 5>Yeah, you know, building our own studio, building it, you

0:20:42.960 --> 0:20:45.879
<v Speaker 5>know what I mean, Like with an advance, it's like

0:20:46.240 --> 0:20:49.520
<v Speaker 5>we could have just gone to like the dopest, most

0:20:49.800 --> 0:20:52.800
<v Speaker 5>expensive studios and been like, yeah, book it out for

0:20:52.840 --> 0:20:55.480
<v Speaker 5>this month, Yeah, book it out for next month. But

0:20:55.760 --> 0:20:58.200
<v Speaker 5>for me, I was always like to change, change to change,

0:20:58.200 --> 0:21:01.240
<v Speaker 5>to change, Like that's more for me, you know what

0:21:01.320 --> 0:21:02.480
<v Speaker 5>I mean? More recooping.

0:21:02.480 --> 0:21:03.800
<v Speaker 4>What does this mean? Recooping?

0:21:04.359 --> 0:21:07.720
<v Speaker 5>And so we were like, let's take some of that money,

0:21:08.040 --> 0:21:10.359
<v Speaker 5>build our own studio out and then I can go

0:21:10.440 --> 0:21:12.760
<v Speaker 5>as much as I want. I'm not on the clock,

0:21:13.080 --> 0:21:18.399
<v Speaker 5>Like I don't. I don't need that pressure. And I

0:21:18.440 --> 0:21:22.240
<v Speaker 5>love the idea of ownership. I like feeling empowered.

0:21:22.400 --> 0:21:24.240
<v Speaker 4>I don't you know.

0:21:24.400 --> 0:21:27.560
<v Speaker 5>I I like feeling like my own boss. So it's

0:21:27.640 --> 0:21:30.720
<v Speaker 5>kind of like, however that can work.

0:21:32.880 --> 0:21:33.479
<v Speaker 1>Hair makeup.

0:21:34.920 --> 0:21:37.080
<v Speaker 4>Look, I'm still doing my I'm not doing my own hair.

0:21:37.600 --> 0:21:40.280
<v Speaker 4>I'm still doing my own makeup except for like look

0:21:40.359 --> 0:21:41.760
<v Speaker 4>for you know, photo.

0:21:41.400 --> 0:21:43.480
<v Speaker 5>Shoots and certain things. Thank god, you know, I know

0:21:43.520 --> 0:21:45.840
<v Speaker 5>all these great people that can work with me. But

0:21:46.640 --> 0:21:50.240
<v Speaker 5>I think because of how I started, I was always

0:21:50.440 --> 0:21:54.880
<v Speaker 5>aware of like there's a price to all of these things,

0:21:55.080 --> 0:21:59.520
<v Speaker 5>and some of it is for sure worth paying for,

0:22:00.359 --> 0:22:03.960
<v Speaker 5>but I know that on the back end, I'm gonna

0:22:04.000 --> 0:22:05.919
<v Speaker 5>have to give it back. So like, if this is

0:22:05.920 --> 0:22:10.080
<v Speaker 5>something I can do, you know what I mean, I'm

0:22:10.080 --> 0:22:21.000
<v Speaker 5>gonna do it myself. Myself, myself, give.

0:22:20.880 --> 0:22:29.119
<v Speaker 2>Us when that record first hits. When I say that

0:22:29.200 --> 0:22:34.119
<v Speaker 2>record closer, the song that you close your eyes to

0:22:35.119 --> 0:22:37.280
<v Speaker 2>and imagine that everything is gonna be all right.

0:22:37.400 --> 0:22:39.560
<v Speaker 1>To this day, I've been in there.

0:22:40.359 --> 0:22:43.280
<v Speaker 2>I remember after me and got met and got cool,

0:22:43.720 --> 0:22:45.040
<v Speaker 2>she had invited me to a show.

0:22:46.480 --> 0:22:49.440
<v Speaker 1>And what was that?

0:22:49.720 --> 0:22:51.880
<v Speaker 2>It was that It's like it's a it's a legendary

0:22:51.960 --> 0:22:52.560
<v Speaker 2>venue in l A.

0:22:52.680 --> 0:22:52.920
<v Speaker 1>Too.

0:22:54.119 --> 0:22:59.720
<v Speaker 2>It's like off of Centemony, not the l Rights. It's

0:22:59.720 --> 0:23:05.400
<v Speaker 2>next to that legendary steakhouse Dan Tony's Trueba door, Truba

0:23:05.520 --> 0:23:11.000
<v Speaker 2>door upstairs. I'm upstairs at the troupe door door. She

0:23:11.160 --> 0:23:13.960
<v Speaker 2>comes on stage, she floats on the stage. Just put

0:23:13.960 --> 0:23:20.240
<v Speaker 2>that there. She floats onto the stage. Everyone closes their

0:23:20.280 --> 0:23:21.120
<v Speaker 2>eyes and looks up.

0:23:21.600 --> 0:23:21.880
<v Speaker 5>I don't.

0:23:21.920 --> 0:23:26.880
<v Speaker 2>I don't know how that really makes it like.

0:23:25.240 --> 0:23:28.320
<v Speaker 3>You're gonna look up just when you do this, you

0:23:28.440 --> 0:23:32.280
<v Speaker 3>do you do wander off until the whole building.

0:23:32.600 --> 0:23:36.000
<v Speaker 1>Yeah, And I was like, oh, this is amazing. Am

0:23:36.040 --> 0:23:41.520
<v Speaker 1>I high? Yeah? I don't do drugs, drugs. I'm not high.

0:23:41.600 --> 0:23:46.960
<v Speaker 2>I feel high, amazing feeling, amazing feelings. So please tell

0:23:47.040 --> 0:23:50.040
<v Speaker 2>us when that record first cracked or.

0:23:50.040 --> 0:23:51.480
<v Speaker 1>What was the processing cracking?

0:23:51.600 --> 0:23:56.560
<v Speaker 2>Yeah, yeah, because are y'all literally taking this record store

0:23:56.600 --> 0:23:57.000
<v Speaker 2>to store.

0:23:58.119 --> 0:23:59.240
<v Speaker 4>Yeah, you know what.

0:23:59.880 --> 0:24:06.240
<v Speaker 5>I was working with AMP Live from zion I and

0:24:06.359 --> 0:24:13.159
<v Speaker 5>Mike Tiger from the Bay Area, and I that was

0:24:13.240 --> 0:24:15.560
<v Speaker 5>just like the intro to the album.

0:24:15.640 --> 0:24:18.960
<v Speaker 4>To my e P. It was the Yeah, it was

0:24:19.000 --> 0:24:25.359
<v Speaker 4>the intro thing he's been you never know because those interlud.

0:24:26.400 --> 0:24:31.239
<v Speaker 1>Pressure. I didn't know.

0:24:32.280 --> 0:24:34.480
<v Speaker 4>It's like, it's not the pressure of a song.

0:24:34.680 --> 0:24:38.320
<v Speaker 1>I got smoke I got a smokey one.

0:24:38.400 --> 0:24:40.840
<v Speaker 2>Here wait to hear your.

0:24:42.640 --> 0:24:47.080
<v Speaker 5>Inter It was like, I was pretty much done with

0:24:47.200 --> 0:24:48.800
<v Speaker 5>the project, but this is like an EP.

0:24:49.280 --> 0:24:51.200
<v Speaker 4>This is like no distribution.

0:24:51.320 --> 0:24:54.520
<v Speaker 5>This is just like these are the songs that represent

0:24:54.640 --> 0:24:56.920
<v Speaker 5>me and I'm gonna put them out into the world.

0:24:57.560 --> 0:25:01.560
<v Speaker 5>And I have been working with AMP Live with for

0:25:01.640 --> 0:25:05.400
<v Speaker 5>a Zion Eye project and he was like, I think

0:25:05.400 --> 0:25:07.240
<v Speaker 5>you're gonna like this track, like.

0:25:07.200 --> 0:25:09.040
<v Speaker 4>This is a cool vibe.

0:25:09.080 --> 0:25:13.560
<v Speaker 5>And as soon as I heard it, I just kind

0:25:13.560 --> 0:25:16.720
<v Speaker 5>of heard a little something like it's one of the

0:25:16.760 --> 0:25:21.200
<v Speaker 5>only songs that it just felt like it was in the.

0:25:21.119 --> 0:25:24.040
<v Speaker 4>Air, and I was like, I should go.

0:25:25.640 --> 0:25:27.720
<v Speaker 5>To his studio and just put down a basic idea

0:25:27.760 --> 0:25:29.600
<v Speaker 5>and I can come back and like flush it out

0:25:29.640 --> 0:25:34.560
<v Speaker 5>because I'm like the Queen of overthinking things, you know

0:25:34.640 --> 0:25:39.119
<v Speaker 5>what I mean. Yes, And so it's one of the

0:25:39.320 --> 0:25:42.480
<v Speaker 5>few songs that I've ever done that I just kind

0:25:42.480 --> 0:25:46.240
<v Speaker 5>of was like, just record it, like without me thinking

0:25:46.240 --> 0:25:47.720
<v Speaker 5>it too much. It was just kind of like this

0:25:47.880 --> 0:25:52.600
<v Speaker 5>higher like I know sometimes I feel like this, but

0:25:52.800 --> 0:25:56.639
<v Speaker 5>it's just kind of this in between space of like

0:25:57.200 --> 0:25:59.920
<v Speaker 5>I know I'm on my way, I'm not there yet.

0:26:00.080 --> 0:26:04.119
<v Speaker 5>This is humbling, this is frustrating, it's not as good

0:26:04.160 --> 0:26:09.320
<v Speaker 5>as I wanted to be, like, but I know that

0:26:09.800 --> 0:26:15.680
<v Speaker 5>something is happening, and it just kind of captured that

0:26:16.200 --> 0:26:19.479
<v Speaker 5>moment and it was just kind of a freestyle and

0:26:19.520 --> 0:26:25.960
<v Speaker 5>I just did it a couple of times and and

0:26:26.280 --> 0:26:29.479
<v Speaker 5>it's like the least takes I've ever done. And I'll

0:26:29.520 --> 0:26:36.720
<v Speaker 5>do takes on takes on takes, you know, and they're like, okay, stop,

0:26:37.440 --> 0:26:40.320
<v Speaker 5>we're gonna edit this now. Yeah yeah, no, no, no, no, no,

0:26:40.600 --> 0:26:43.560
<v Speaker 5>You're good, and I'm like, just one more more, just

0:26:43.600 --> 0:26:44.000
<v Speaker 5>one more.

0:26:44.880 --> 0:26:45.520
<v Speaker 4>And so.

0:26:46.960 --> 0:26:49.640
<v Speaker 5>It was not that because it was just a feeling.

0:26:50.000 --> 0:26:53.520
<v Speaker 5>And then we were like, we'll just start the project

0:26:53.880 --> 0:26:57.320
<v Speaker 5>out this way because it's a vibe. And then it

0:26:57.400 --> 0:27:00.120
<v Speaker 5>was on the b side of childhood Drama was like

0:27:00.200 --> 0:27:03.280
<v Speaker 5>the first single that we gave to came on.

0:27:03.400 --> 0:27:07.600
<v Speaker 2>It was like, my emotion is childhood children trying to

0:27:07.600 --> 0:27:08.080
<v Speaker 2>get no record?

0:27:08.160 --> 0:27:09.560
<v Speaker 1>Youre trying to get no radio play.

0:27:10.160 --> 0:27:12.520
<v Speaker 4>I don't know what I was thinking.

0:27:12.560 --> 0:27:14.560
<v Speaker 5>I don't know what, but it was over that Dolly

0:27:14.600 --> 0:27:18.040
<v Speaker 5>my Baby right and I got you know, we were

0:27:18.080 --> 0:27:21.480
<v Speaker 5>into like dance hall and all that, and so closer

0:27:21.640 --> 0:27:23.879
<v Speaker 5>was on the other side, just like to get a

0:27:24.000 --> 0:27:25.360
<v Speaker 5>taste of the.

0:27:25.359 --> 0:27:29.399
<v Speaker 4>Album and that song. I don't know.

0:27:29.480 --> 0:27:32.480
<v Speaker 5>People were just gravitating towards it more. And when we

0:27:32.480 --> 0:27:33.560
<v Speaker 5>were giving people.

0:27:33.320 --> 0:27:36.800
<v Speaker 4>The project, they were just like this, like I.

0:27:36.720 --> 0:27:42.080
<v Speaker 5>Really feel that, And then it ended up getting played

0:27:42.119 --> 0:27:42.800
<v Speaker 5>on the radio.

0:27:43.200 --> 0:27:45.639
<v Speaker 2>Was there a DJ that identified the record early?

0:27:46.240 --> 0:27:49.919
<v Speaker 5>I would say my emotion, my emotion was on it

0:27:49.960 --> 0:27:53.280
<v Speaker 5>Earth that was like a thousand maybe you know what

0:27:53.280 --> 0:27:58.080
<v Speaker 5>I mean, And it ended up getting on radio like

0:27:58.200 --> 0:28:02.560
<v Speaker 5>different cities, different years. Like talk about a slow burn

0:28:03.119 --> 0:28:07.320
<v Speaker 5>and trust the process. That's like literally like two thousand.

0:28:09.119 --> 0:28:11.239
<v Speaker 2>It's not like you had a radio run. It's not

0:28:11.280 --> 0:28:13.120
<v Speaker 2>like you had a you know, team.

0:28:14.359 --> 0:28:16.879
<v Speaker 5>Or not at that point, not at that point. And

0:28:16.920 --> 0:28:18.800
<v Speaker 5>it would be like they do like the seven.

0:28:18.560 --> 0:28:21.720
<v Speaker 2>And seven between two thousand and two thousand and four.

0:28:21.720 --> 0:28:25.040
<v Speaker 5>I'm not playing And because I then did a deal

0:28:25.240 --> 0:28:28.120
<v Speaker 5>with Sony or sky Blaze did a deal with Sony,

0:28:28.520 --> 0:28:31.040
<v Speaker 5>and so then we put it. They wanted to put

0:28:31.080 --> 0:28:32.960
<v Speaker 5>the song on the album again, and I was like.

0:28:33.000 --> 0:28:35.280
<v Speaker 4>Oh, that song is old, blah blah blah.

0:28:35.920 --> 0:28:36.960
<v Speaker 1>But I.

0:28:38.720 --> 0:28:40.600
<v Speaker 5>I just was like, Okay, if this is like the

0:28:40.640 --> 0:28:43.280
<v Speaker 5>only thing that I'm leaning on, just put it on there.

0:28:43.360 --> 0:28:47.360
<v Speaker 5>And thank God, because some people would never hear my

0:28:47.480 --> 0:28:56.880
<v Speaker 5>first album and you know, the second album. Yeah, and

0:28:56.880 --> 0:28:59.040
<v Speaker 5>and so some people are like, I've been rocking with

0:28:59.080 --> 0:29:01.280
<v Speaker 5>you since the beginning two thousand and five when you

0:29:01.320 --> 0:29:02.200
<v Speaker 5>first put out that song.

0:29:02.320 --> 0:29:07.360
<v Speaker 4>I'm like, but I'll take it, and I love it

0:29:07.360 --> 0:29:08.280
<v Speaker 4>and I appreciate it.

0:29:08.320 --> 0:29:11.640
<v Speaker 5>And then people have like, you know, remixed it, and

0:29:11.680 --> 0:29:15.640
<v Speaker 5>so people come to it however they do. But it

0:29:15.760 --> 0:29:20.440
<v Speaker 5>really was like, I don't know a phenomenon that I

0:29:20.480 --> 0:29:22.560
<v Speaker 5>didn't imagine, and it's still going.

0:29:23.120 --> 0:29:25.600
<v Speaker 2>It's like that record is still new to certain people,

0:29:26.280 --> 0:29:30.200
<v Speaker 2>and it's one of those records. It's just it doesn't

0:29:30.200 --> 0:29:30.600
<v Speaker 2>get old.

0:29:30.640 --> 0:29:39.320
<v Speaker 3>It doesn't get old. It's like the mc introsion.

0:29:38.400 --> 0:29:42.680
<v Speaker 2>To representation of when someone wants to play a Bay

0:29:42.720 --> 0:29:47.280
<v Speaker 2>Area R and B. They you're the first choice. That

0:29:47.440 --> 0:29:49.400
<v Speaker 2>is the first choice for the Bay Area R and

0:29:49.480 --> 0:29:51.600
<v Speaker 2>B record, You're going to play closer.

0:29:52.120 --> 0:29:54.719
<v Speaker 3>I know even associated that with like I mean now

0:29:54.720 --> 0:29:58.320
<v Speaker 3>that we're having this conversation and feeling the vibes from it, Yeah,

0:29:58.400 --> 0:30:00.520
<v Speaker 3>you know from somebody who was in d see and.

0:30:00.520 --> 0:30:04.960
<v Speaker 1>Yeah, got Hit was a big supporter. Oh absolutely, no,

0:30:05.040 --> 0:30:09.320
<v Speaker 1>You're you're tailor made. Se tailor made.

0:30:09.760 --> 0:30:13.200
<v Speaker 4>And they supported so much live music, Like I feel like.

0:30:13.480 --> 0:30:16.280
<v Speaker 3>We had a lot of like live like Blues Alley

0:30:16.320 --> 0:30:18.520
<v Speaker 3>and those type of things. People could come and those

0:30:19.000 --> 0:30:22.200
<v Speaker 3>those three hundred three hundred people and like it was

0:30:22.240 --> 0:30:25.600
<v Speaker 3>like you could be Birchres.

0:30:26.520 --> 0:30:29.080
<v Speaker 2>They foot this fire to what I ain't gonna the

0:30:29.120 --> 0:30:34.640
<v Speaker 2>food is fire where the birch Mire at. I used

0:30:34.640 --> 0:30:38.080
<v Speaker 2>to have a time at the Birchmere. Man, you took

0:30:38.120 --> 0:30:40.800
<v Speaker 2>me back. Yeah, yeah that's a cool spot.

0:30:41.920 --> 0:30:43.640
<v Speaker 4>Fun and live.

0:30:43.840 --> 0:30:47.280
<v Speaker 5>And I always worked with live musicians since the beginning, and.

0:30:47.280 --> 0:30:49.520
<v Speaker 2>Really you always had a band from the from the.

0:30:49.600 --> 0:30:53.080
<v Speaker 5>From the well start, in the very very start, Like

0:30:53.240 --> 0:30:55.880
<v Speaker 5>before my album came out, it would just be like

0:30:55.960 --> 0:30:59.400
<v Speaker 5>me and DJs and I'm just performing over instrumentals, you

0:30:59.440 --> 0:31:02.959
<v Speaker 5>know what I mean. I do like my own version

0:31:03.040 --> 0:31:06.280
<v Speaker 5>over you know, Noriega.

0:31:05.480 --> 0:31:07.920
<v Speaker 1>Over very hip hop records.

0:31:08.080 --> 0:31:12.680
<v Speaker 5>Yes, maybe dance hall, but mostly hip hop records, and

0:31:12.720 --> 0:31:14.040
<v Speaker 5>so it could be like it was just fit in

0:31:14.080 --> 0:31:15.680
<v Speaker 5>the party, like you know how you want to get

0:31:15.680 --> 0:31:16.120
<v Speaker 5>on right now?

0:31:16.280 --> 0:31:16.480
<v Speaker 2>Yup.

0:31:17.280 --> 0:31:23.280
<v Speaker 5>And then when I started writing music, it was super lot.

0:31:23.440 --> 0:31:25.239
<v Speaker 5>Some of it was like straight up live and some

0:31:25.320 --> 0:31:29.360
<v Speaker 5>of it was over tracks. But I wanted to have

0:31:29.640 --> 0:31:32.920
<v Speaker 5>you know, probably from going to Berkeley in Boston, I

0:31:33.000 --> 0:31:36.960
<v Speaker 5>really wanted to have live musicians. And thankfully, like I

0:31:37.000 --> 0:31:41.200
<v Speaker 5>got to work with some really dope people. And I

0:31:41.280 --> 0:31:44.480
<v Speaker 5>also was someone that like, even though I love dancing,

0:31:44.840 --> 0:31:48.400
<v Speaker 5>I don't know, my music isn't really like the dance

0:31:48.480 --> 0:31:51.240
<v Speaker 5>you know, like something you would dance to necessarily, So

0:31:52.080 --> 0:31:54.960
<v Speaker 5>I was like that part of the show, you know

0:31:55.000 --> 0:31:56.520
<v Speaker 5>what I mean. And I didn't have a fan and

0:31:57.080 --> 0:31:58.920
<v Speaker 5>all of that. So it's kind of like I need

0:31:59.040 --> 0:32:07.040
<v Speaker 5>something dynamic. So yeah, and then sometimes it'll be like

0:32:07.200 --> 0:32:09.959
<v Speaker 5>DJ and a live musician or whatever.

0:32:10.080 --> 0:32:11.360
<v Speaker 1>But I.

0:32:13.480 --> 0:32:15.520
<v Speaker 4>Can dance for you know, for.

0:32:15.560 --> 0:32:20.360
<v Speaker 2>Fun, because you know he wants it, because I can.

0:32:20.360 --> 0:32:26.480
<v Speaker 1>Dance, because I can dance, and you know, we should

0:32:26.560 --> 0:32:27.360
<v Speaker 1>be able to dance.

0:32:27.720 --> 0:32:30.160
<v Speaker 4>I feel like, yeah, for sure, I want to.

0:32:30.160 --> 0:32:35.440
<v Speaker 3>Do if you want to do some fivey dance, it's closer,

0:32:36.640 --> 0:32:37.280
<v Speaker 3>I see.

0:32:37.320 --> 0:32:40.280
<v Speaker 5>But it's like the thing is like all my stuff,

0:32:40.320 --> 0:32:45.720
<v Speaker 5>what I gravitate to sing to, It's like it's gonna.

0:32:45.360 --> 0:32:47.720
<v Speaker 4>Be slow, it's gonna be back.

0:32:48.280 --> 0:32:50.920
<v Speaker 5>It's not gonna be the same stuff that I'm like

0:32:51.080 --> 0:32:52.240
<v Speaker 5>driving around dancing.

0:32:52.760 --> 0:32:53.280
<v Speaker 4>You know what I mean.

0:32:53.560 --> 0:32:54.760
<v Speaker 1>I'm s I would respect it.

0:32:55.000 --> 0:32:58.680
<v Speaker 4>I wouldn't mind if I broke into a little something.

0:32:59.840 --> 0:33:02.480
<v Speaker 1>I wouldn't.

0:33:04.880 --> 0:33:07.440
<v Speaker 2>He wouldn't be mad his damn dance on CD I

0:33:07.520 --> 0:33:10.680
<v Speaker 2>do that ship was coming off of that as an

0:33:10.720 --> 0:33:16.080
<v Speaker 2>indie artist, when closer breaks for you, what is the

0:33:16.120 --> 0:33:20.160
<v Speaker 2>process of now these labels coming. Did y'all have a

0:33:20.280 --> 0:33:23.880
<v Speaker 2>full like bidding war going or were you guys just

0:33:23.960 --> 0:33:25.880
<v Speaker 2>on some you know what, we're not taking none of

0:33:25.880 --> 0:33:28.480
<v Speaker 2>these meetings. We're meetings.

0:33:29.320 --> 0:33:33.400
<v Speaker 5>Yes, what they're saying, I'm taking all the meetings because

0:33:33.440 --> 0:33:37.000
<v Speaker 5>it's like the more you take, the better the option

0:33:37.160 --> 0:33:40.240
<v Speaker 5>of Like, well this person is offering this, so what

0:33:40.320 --> 0:33:44.240
<v Speaker 5>are you offering? Yep, I'll come to New York and

0:33:44.240 --> 0:33:44.760
<v Speaker 5>have a meeting.

0:33:44.840 --> 0:33:45.080
<v Speaker 2>Yep.

0:33:45.720 --> 0:33:50.360
<v Speaker 5>L A like I was down to meet with everybody

0:33:51.840 --> 0:33:55.120
<v Speaker 5>because I just wanted the best option and I wanted

0:33:55.120 --> 0:33:57.800
<v Speaker 5>to feel at home. I wanted to feel like I

0:33:57.800 --> 0:34:04.840
<v Speaker 5>wouldn't have to compromise. I wanted to feel like, I

0:34:04.840 --> 0:34:07.400
<v Speaker 5>don't know, like they believe in me and they trust

0:34:08.480 --> 0:34:11.920
<v Speaker 5>what I'm doing. And really it's just like faith and luck.

0:34:13.480 --> 0:34:17.400
<v Speaker 2>You know what made you decide on going to Sony?

0:34:17.560 --> 0:34:19.319
<v Speaker 1>What's the bag or was.

0:34:19.280 --> 0:34:25.440
<v Speaker 5>It the I don't I'm gonna be honest with you,

0:34:25.520 --> 0:34:29.719
<v Speaker 5>I don't know exactly. Like the people that I was

0:34:29.760 --> 0:34:34.440
<v Speaker 5>meeting with were nice. What was it over some of

0:34:34.480 --> 0:34:44.440
<v Speaker 5>the other labels. I'm not exactly sure, to be honest,

0:34:45.080 --> 0:34:48.359
<v Speaker 5>I think they were still gonna like, let us do

0:34:48.440 --> 0:34:48.920
<v Speaker 5>our own thing.

0:34:51.920 --> 0:34:54.719
<v Speaker 2>And that's a that's a big part. When somebody makes

0:34:54.760 --> 0:34:59.359
<v Speaker 2>that investment in you, you lose freedom. You do lose freedom, Yeah,

0:34:59.440 --> 0:35:02.359
<v Speaker 2>because now you playing with somebody else money. Yeah yeah,

0:35:02.400 --> 0:35:04.680
<v Speaker 2>so I get that. And were you guys able to

0:35:04.760 --> 0:35:06.520
<v Speaker 2>have that freedom once the project came out?

0:35:07.800 --> 0:35:12.240
<v Speaker 5>Yeah yeah yeah, because like I said, we were like, Okay,

0:35:13.040 --> 0:35:15.479
<v Speaker 5>let's get all this equipment, you know what I mean,

0:35:15.600 --> 0:35:21.719
<v Speaker 5>like for our studio and build headquarters and like and

0:35:21.800 --> 0:35:22.680
<v Speaker 5>continue to.

0:35:24.160 --> 0:35:26.799
<v Speaker 4>Build it out. And I had an A and R

0:35:26.960 --> 0:35:30.560
<v Speaker 4>that I feel like was so open.

0:35:30.719 --> 0:35:35.799
<v Speaker 5>He wasn't controlling and I was willing to put I

0:35:35.880 --> 0:35:38.640
<v Speaker 5>had the drive, you know what I mean. So it

0:35:38.680 --> 0:35:41.080
<v Speaker 5>wasn't like someone had to be like, come on, you

0:35:41.120 --> 0:35:43.680
<v Speaker 5>know what I mean, get in there. So it was

0:35:43.800 --> 0:35:49.759
<v Speaker 5>just like we're just gonna keep doing things as we

0:35:49.920 --> 0:35:52.720
<v Speaker 5>have been, you know, but like with some more support.

0:35:53.800 --> 0:35:58.120
<v Speaker 2>So that process for you, if you could go back

0:35:58.200 --> 0:36:01.440
<v Speaker 2>on it, would you go and do a major deal again?

0:36:02.400 --> 0:36:04.600
<v Speaker 2>Or like looking at it because you know, like we've

0:36:04.640 --> 0:36:07.080
<v Speaker 2>talked about it, you've been an independent artist, You've done

0:36:07.080 --> 0:36:10.040
<v Speaker 2>a major deal. When you look at the you know,

0:36:10.239 --> 0:36:13.759
<v Speaker 2>the landscape and if there's a you know, a young

0:36:13.840 --> 0:36:18.000
<v Speaker 2>artist watching this and how you've gone about it, what

0:36:18.120 --> 0:36:22.000
<v Speaker 2>were the positives and the negatives in that space?

0:36:23.080 --> 0:36:28.520
<v Speaker 5>I don't feel like looking back, I don't have much regret.

0:36:29.080 --> 0:36:31.600
<v Speaker 5>I think that I would still do it for the

0:36:31.600 --> 0:36:38.239
<v Speaker 5>most part the same because there was more exposure, you know,

0:36:38.800 --> 0:36:43.400
<v Speaker 5>and just like a way bigger team, you know, working

0:36:43.480 --> 0:36:48.359
<v Speaker 5>with a major. It wasn't a trading It was kind

0:36:48.400 --> 0:36:50.719
<v Speaker 5>of a partnership. So it was different for me than

0:36:50.760 --> 0:36:54.319
<v Speaker 5>maybe it would be for an artist. Singly, going in.

0:36:57.239 --> 0:37:01.600
<v Speaker 3>Partnership was based on you already have having six success Yeah,

0:37:01.880 --> 0:37:02.840
<v Speaker 3>and there.

0:37:02.760 --> 0:37:07.279
<v Speaker 4>Was still sky Blaze. So there was still like.

0:37:07.320 --> 0:37:13.080
<v Speaker 5>A unit around me that was helping regardless you know,

0:37:13.440 --> 0:37:17.160
<v Speaker 5>of Sony. But of course we didn't have the money

0:37:17.160 --> 0:37:20.320
<v Speaker 5>that Sony had, you know, like there was some radio

0:37:20.480 --> 0:37:24.040
<v Speaker 5>support and some tour support and and all of those

0:37:24.080 --> 0:37:27.799
<v Speaker 5>things that just seemed natural that when I went back

0:37:27.840 --> 0:37:28.920
<v Speaker 5>to being independent, I was.

0:37:28.880 --> 0:37:30.959
<v Speaker 4>Like, Okay, you know what I mean, it can.

0:37:30.920 --> 0:37:34.360
<v Speaker 5>Be it can be humbling sometimes, you know, not having

0:37:34.560 --> 0:37:40.280
<v Speaker 5>all of those extra things, you know, and that those extras. Man,

0:37:40.600 --> 0:37:43.000
<v Speaker 5>I'm saying because it's just like things just happen, and

0:37:43.040 --> 0:37:44.920
<v Speaker 5>it's just like, oh, this is just how it is.

0:37:45.040 --> 0:37:47.640
<v Speaker 5>Like when your song starts getting played more, you just

0:37:47.760 --> 0:37:49.279
<v Speaker 5>have all these things, you know.

0:37:49.320 --> 0:37:50.360
<v Speaker 1>You think it's just the record.

0:37:51.040 --> 0:37:55.319
<v Speaker 5>Yeah, and there's like you know what I mean, like

0:37:55.320 --> 0:37:59.840
<v Speaker 5>people are opening those doors, you know. So I recognize

0:38:00.280 --> 0:38:04.120
<v Speaker 5>all of that. So I think I wouldn't do that different.

0:38:04.320 --> 0:38:09.680
<v Speaker 5>I think if anything like in my career that I

0:38:09.760 --> 0:38:14.000
<v Speaker 5>regret is like not collaborating more like that kind of

0:38:14.040 --> 0:38:16.360
<v Speaker 5>stuff used to just make me nervous.

0:38:17.480 --> 0:38:23.920
<v Speaker 4>And yeah, a.

0:38:23.960 --> 0:38:27.400
<v Speaker 1>Feature she was just nervous. Guys, she didn't.

0:38:27.719 --> 0:38:29.680
<v Speaker 4>I think it probably comes off like.

0:38:31.239 --> 0:38:34.440
<v Speaker 5>I don't know how it comes off, but I know that, like,

0:38:34.560 --> 0:38:38.719
<v Speaker 5>I've gotten some amazing tracks from people that I was

0:38:38.800 --> 0:38:41.480
<v Speaker 5>fans of, like big producers that I was fans of,

0:38:42.160 --> 0:38:44.480
<v Speaker 5>But I just it was hard to rise to the

0:38:44.520 --> 0:38:47.560
<v Speaker 5>occasion sometimes, you know, or different artists that I could

0:38:47.600 --> 0:38:48.600
<v Speaker 5>have worked with that I.

0:38:48.480 --> 0:38:49.920
<v Speaker 4>Was just like, I just don't feel like I have

0:38:50.000 --> 0:38:51.440
<v Speaker 4>the right thing for.

0:38:51.280 --> 0:38:53.240
<v Speaker 1>This Victoria's Secret commercial.

0:38:54.400 --> 0:38:57.799
<v Speaker 5>Oh my gosh, I forgot about that because I love

0:38:57.880 --> 0:39:01.400
<v Speaker 5>Victoria Secret and that was like one of the that

0:39:01.480 --> 0:39:03.759
<v Speaker 5>was like one of the goals. Yeah, play made it

0:39:03.800 --> 0:39:08.359
<v Speaker 5>into that. Wow, this song I did that, I felt

0:39:08.440 --> 0:39:09.640
<v Speaker 5>like that was perfect.

0:39:10.280 --> 0:39:11.399
<v Speaker 4>I hope that happens again.

0:39:12.440 --> 0:39:19.719
<v Speaker 1>Video. You were in the video. I was there. What

0:39:19.880 --> 0:39:23.640
<v Speaker 1>you mean talk about it? Did you edit you out?

0:39:24.520 --> 0:39:26.040
<v Speaker 2>What is that?

0:39:26.040 --> 0:39:31.000
<v Speaker 1>When this is going even way all day? Did? Wait?

0:39:31.640 --> 0:39:35.000
<v Speaker 1>That was a nice lobry? Wait day. I didn't bring

0:39:35.040 --> 0:39:38.960
<v Speaker 1>it up. I didn't bring it out. I was at

0:39:39.000 --> 0:39:41.960
<v Speaker 1>the video shoot. It was there there. You know it is.

0:39:42.360 --> 0:39:45.080
<v Speaker 2>I probably said, jake up a picture of me at

0:39:45.080 --> 0:39:48.160
<v Speaker 2>the video. In the video, you didn't make the in

0:39:48.200 --> 0:39:48.760
<v Speaker 2>the video.

0:39:49.200 --> 0:39:52.600
<v Speaker 4>Wow, this is like selective memory.

0:39:52.800 --> 0:39:53.360
<v Speaker 1>It happened.

0:39:54.120 --> 0:40:01.880
<v Speaker 3>If you went to the editing bank man, just just

0:40:02.280 --> 0:40:08.480
<v Speaker 3>slide over. Just that's the shot we need. That's the

0:40:08.480 --> 0:40:09.239
<v Speaker 3>shot we need right.

0:40:11.080 --> 0:40:13.600
<v Speaker 4>To see, like what if that was?

0:40:13.800 --> 0:40:16.560
<v Speaker 5>What if you had a grudge on me? Ever took

0:40:16.600 --> 0:40:18.240
<v Speaker 5>it in a certain kind of way.

0:40:18.320 --> 0:40:21.680
<v Speaker 3>And wait until everybody podcast to bring it up. I've

0:40:21.680 --> 0:40:24.920
<v Speaker 3>been wanting to talk to you, you know about some

0:40:24.960 --> 0:40:25.960
<v Speaker 3>ship that went down.

0:40:27.320 --> 0:40:29.880
<v Speaker 1>Listen, that is great?

0:40:30.080 --> 0:40:31.520
<v Speaker 4>What was that about?

0:40:31.560 --> 0:40:31.600
<v Speaker 3>No?

0:40:31.760 --> 0:40:33.400
<v Speaker 1>No, no, listen.

0:40:33.440 --> 0:40:36.759
<v Speaker 2>And it wasn't like I was the interest in the

0:40:36.840 --> 0:40:38.000
<v Speaker 2>video you're going to make?

0:40:38.000 --> 0:40:40.760
<v Speaker 1>It came, making came.

0:40:39.960 --> 0:40:44.719
<v Speaker 4>And then the direct captain and your.

0:40:46.280 --> 0:40:49.600
<v Speaker 1>I'm just saying, made me a full video.

0:40:49.719 --> 0:40:56.640
<v Speaker 4>Full video hotline confusing. The director was like to distraction.

0:40:57.960 --> 0:41:00.000
<v Speaker 2>We can't have all of this because that niggabout here.

0:41:04.880 --> 0:41:11.200
<v Speaker 1>I don't remember who the director was. Now I know

0:41:11.320 --> 0:41:14.880
<v Speaker 1>what they want me in her video? It's her video. Okay,

0:41:16.360 --> 0:41:17.600
<v Speaker 1>what is what is right now?

0:41:18.400 --> 0:41:22.960
<v Speaker 5>What is right now? Well, I'm finally about to put

0:41:23.000 --> 0:41:29.600
<v Speaker 5>out a new project. And thank you. I didn't realize every.

0:41:29.400 --> 0:41:36.320
<v Speaker 2>Five years, what's maybe maybe it's not been on purpose?

0:41:37.080 --> 0:41:38.160
<v Speaker 4>I think I don't know.

0:41:38.360 --> 0:41:40.640
<v Speaker 5>I like to marinate. I want to have something to

0:41:40.880 --> 0:41:43.279
<v Speaker 5>write about. I want to have something to say a

0:41:43.320 --> 0:41:45.160
<v Speaker 5>little bit. I want to be inspired.

0:41:47.600 --> 0:41:51.640
<v Speaker 1>She makes us way. Just let them wait, let them wait.

0:41:53.440 --> 0:41:55.840
<v Speaker 5>And it's gonna be a lot of feeling right it

0:41:57.040 --> 0:42:01.880
<v Speaker 5>comes up, but I do so sometimes wish I worked faster.

0:42:02.719 --> 0:42:06.640
<v Speaker 4>It's a goal, but I don't know.

0:42:08.239 --> 0:42:10.160
<v Speaker 1>You're here, So I'm here.

0:42:10.400 --> 0:42:15.400
<v Speaker 3>Apparently what you're doing and the way you're doing it.

0:42:13.920 --> 0:42:15.360
<v Speaker 4>It's working in some kind of way.

0:42:15.560 --> 0:42:17.959
<v Speaker 3>So I had a dream about this too, you did.

0:42:19.440 --> 0:42:21.280
<v Speaker 3>I don't call it daja who, I call it confirmation.

0:42:21.440 --> 0:42:27.360
<v Speaker 1>Okay, Okay, this has happened. It's happening. Okay, Yeah, I

0:42:27.400 --> 0:42:29.000
<v Speaker 1>told you how to dream about it. And I.

0:42:30.600 --> 0:42:32.759
<v Speaker 5>Like that when that happens, because it feels like you're

0:42:32.800 --> 0:42:40.080
<v Speaker 5>in the right place. So I started writing these songs

0:42:40.160 --> 0:42:43.000
<v Speaker 5>like during the pandemic because I had nothing but time

0:42:43.080 --> 0:42:48.640
<v Speaker 5>on my hands and sitting still in no distraction. And

0:42:48.680 --> 0:42:51.319
<v Speaker 5>it didn't happen right away, but after like a couple

0:42:51.360 --> 0:42:52.760
<v Speaker 5>of months, it was like, oh.

0:42:52.600 --> 0:42:53.120
<v Speaker 2>I get it.

0:42:53.120 --> 0:42:54.240
<v Speaker 4>It's going to be a while.

0:42:56.000 --> 0:42:58.960
<v Speaker 5>I don't have that many zoom meetings, so I should

0:42:59.000 --> 0:43:05.800
<v Speaker 5>be doing something and you know, like recording on my own,

0:43:06.120 --> 0:43:10.680
<v Speaker 5>like reused, like relearning how to use pro.

0:43:10.719 --> 0:43:12.640
<v Speaker 4>Tools and logic.

0:43:12.920 --> 0:43:13.640
<v Speaker 1>That's how it was.

0:43:13.680 --> 0:43:16.520
<v Speaker 4>To excuse me, I'm stuck.

0:43:16.680 --> 0:43:17.160
<v Speaker 1>I can't do it.

0:43:17.800 --> 0:43:20.960
<v Speaker 3>Come on, man, you gotta he said, But but bro

0:43:22.000 --> 0:43:23.799
<v Speaker 3>the COVID I said, Man, come on over here. Man,

0:43:25.239 --> 0:43:29.560
<v Speaker 3>I'll stay by the microphone. You stay by, we'll be fine.

0:43:30.680 --> 0:43:33.160
<v Speaker 3>At some point, Ruby just said, Bro, I can't do it.

0:43:33.280 --> 0:43:35.359
<v Speaker 3>I can't. I can't do it. You see what's going on.

0:43:35.640 --> 0:43:36.480
<v Speaker 3>I'm not coming over.

0:43:37.400 --> 0:43:39.080
<v Speaker 4>You probably have parties over there too.

0:43:40.400 --> 0:43:41.440
<v Speaker 1>No, I wasn't. No, it's just me.

0:43:41.719 --> 0:43:44.759
<v Speaker 3>It'll be Ruben after we did the second EP, said

0:43:44.760 --> 0:43:46.399
<v Speaker 3>I'm done, Tank, I'm done with this.

0:43:47.800 --> 0:43:48.920
<v Speaker 1>I'll be back when it's safe.

0:43:49.719 --> 0:43:51.360
<v Speaker 3>I'm going back to the mountain. I'm going back to

0:43:51.400 --> 0:43:54.120
<v Speaker 3>the mountains. I'll be back when it's safe.

0:43:54.400 --> 0:43:58.719
<v Speaker 4>He's showing up. You did two projects. Yeah, yeah, it

0:43:58.840 --> 0:43:59.160
<v Speaker 4>was just it.

0:43:59.239 --> 0:44:02.160
<v Speaker 1>Was just you know, vocal. It was super easy.

0:44:02.520 --> 0:44:03.360
<v Speaker 4>Wow, how I do?

0:44:04.600 --> 0:44:05.160
<v Speaker 1>Is that where you go?

0:44:07.760 --> 0:44:08.080
<v Speaker 4>Okay?

0:44:08.120 --> 0:44:14.920
<v Speaker 5>So it took me a little longer, you know, but

0:44:15.840 --> 0:44:19.120
<v Speaker 5>it let me just like really have my guard down

0:44:19.360 --> 0:44:22.400
<v Speaker 5>and just really think about what I want to say

0:44:22.680 --> 0:44:27.840
<v Speaker 5>and just really be in the moment and work with

0:44:27.920 --> 0:44:31.680
<v Speaker 5>different musicians to like build songs up. I would sit

0:44:31.719 --> 0:44:34.840
<v Speaker 5>with Errol Cooney, who I've been working with guitar player

0:44:35.600 --> 0:44:40.920
<v Speaker 5>for years, and Bedrock would send me tracks and Mike's

0:44:40.920 --> 0:44:45.080
<v Speaker 5>Tiger and all these people, and it got to be

0:44:45.200 --> 0:44:49.520
<v Speaker 5>a slow, unrushed process that I was that I could

0:44:49.520 --> 0:44:53.160
<v Speaker 5>feel like, Okay, I'm done with this. I'm at peace.

0:44:53.280 --> 0:44:56.200
<v Speaker 5>I feel like I got to say everything I want

0:44:56.239 --> 0:45:01.560
<v Speaker 5>to say. Please, I love that. Please send me some stuff. Okay,

0:45:02.320 --> 0:45:03.480
<v Speaker 5>how about the melodies too?

0:45:04.680 --> 0:45:06.439
<v Speaker 2>So are you almost done with the project now?

0:45:06.520 --> 0:45:13.040
<v Speaker 5>Yes, I'm done with this project. Colors color because it

0:45:13.480 --> 0:45:18.320
<v Speaker 5>because I just want to get more into the sensory world.

0:45:18.360 --> 0:45:21.000
<v Speaker 5>I'm like one of those synesthigic people. I don't know

0:45:21.040 --> 0:45:23.600
<v Speaker 5>if you guys heard it, you know where Yeah.

0:45:23.440 --> 0:45:24.799
<v Speaker 1>I don't even know what that word is.

0:45:24.840 --> 0:45:28.200
<v Speaker 5>It's like where you're senses. I didn't know that was

0:45:28.239 --> 0:45:29.560
<v Speaker 5>a name for it.

0:45:29.560 --> 0:45:37.560
<v Speaker 1>It's like you know, your sound.

0:45:34.280 --> 0:45:35.600
<v Speaker 4>Bathing, I know what's going on.

0:45:35.640 --> 0:45:37.560
<v Speaker 5>You can make anything sound good. It's like we're your

0:45:37.640 --> 0:45:43.160
<v Speaker 5>senses mixed together. So when you hear music, you see

0:45:43.160 --> 0:45:45.320
<v Speaker 5>it in a certain way, and it's like certain colors

0:45:45.360 --> 0:45:49.399
<v Speaker 5>and certain and so I just want to express that

0:45:49.480 --> 0:45:52.960
<v Speaker 5>more with this album.

0:45:53.000 --> 0:45:54.640
<v Speaker 1>So is it like color is a colore?

0:45:54.760 --> 0:46:02.040
<v Speaker 2>So you know, it's just colors.

0:46:12.960 --> 0:46:14.840
<v Speaker 1>Use your talents, man, my talents.

0:46:14.880 --> 0:46:15.080
<v Speaker 4>Man.

0:46:15.160 --> 0:46:15.719
<v Speaker 1>Ston't want to.

0:46:17.560 --> 0:46:31.279
<v Speaker 3>Just be all chest one, you know, you fee. You've

0:46:31.320 --> 0:46:36.440
<v Speaker 3>been doing this music thing for quite some time. I'm

0:46:36.480 --> 0:46:42.480
<v Speaker 3>sure there are people who've been inspired and their gifts

0:46:42.560 --> 0:46:52.520
<v Speaker 3>have You're magnificent your own things. So from there, I

0:46:52.520 --> 0:46:53.720
<v Speaker 3>think you can probably give.

0:46:53.640 --> 0:46:53.880
<v Speaker 2>Us a.

0:46:55.400 --> 0:47:09.520
<v Speaker 1>Top five, your top five, top five, your top five.

0:47:10.120 --> 0:47:20.800
<v Speaker 6>Ray singers, A Rangy Songs, Crawdle Lace, top crawmle l

0:47:21.520 --> 0:47:22.520
<v Speaker 6>paulsy Don.

0:47:29.560 --> 0:47:31.759
<v Speaker 1>Yes, Rumbling h.

0:47:33.360 --> 0:47:40.640
<v Speaker 6>Yes, your top.

0:47:40.840 --> 0:47:44.480
<v Speaker 1>Clapping Leise top Fi.

0:47:51.400 --> 0:47:58.440
<v Speaker 2>Wow, wow, yeah wow here a week did you clap

0:47:58.480 --> 0:47:59.920
<v Speaker 2>for yourself a little bit?

0:48:00.160 --> 0:48:04.839
<v Speaker 3>A little bit, a little bit there was a void needed.

0:48:04.880 --> 0:48:05.920
<v Speaker 3>One more hand.

0:48:09.520 --> 0:48:09.680
<v Speaker 5>Out?

0:48:11.000 --> 0:48:18.200
<v Speaker 1>Your top five R and B singers. Mhm, I can't

0:48:18.200 --> 0:48:18.799
<v Speaker 1>wait to hear this.

0:48:19.440 --> 0:48:23.000
<v Speaker 4>Okay, my genres are going to be at New York.

0:48:23.080 --> 0:48:25.040
<v Speaker 1>That's what I expect. That's what I expect.

0:48:28.160 --> 0:48:32.840
<v Speaker 5>But there's always R and B in it, Okay, okay, sure.

0:48:33.000 --> 0:48:37.400
<v Speaker 5>So I would say Stevie Wonder, I would say Prince.

0:48:38.760 --> 0:48:44.239
<v Speaker 5>I would say, I'm gonna put DiAngelo in there.

0:48:44.320 --> 0:48:44.920
<v Speaker 1>Why wouldn't you?

0:48:45.200 --> 0:48:51.640
<v Speaker 5>Yeah, And I'm going to put.

0:48:52.719 --> 0:48:54.640
<v Speaker 4>Anita Baker and baby Face in there.

0:48:54.840 --> 0:48:57.759
<v Speaker 1>Come on, that sound like a tour. That sound like

0:48:57.760 --> 0:49:06.120
<v Speaker 1>a tour, don't I don't see it. I'm standing the crowd.

0:49:06.239 --> 0:49:07.719
<v Speaker 1>I ain't going back, going back there.

0:49:11.920 --> 0:49:14.279
<v Speaker 2>That's a great top five. That is an amazing top five.

0:49:15.840 --> 0:49:17.359
<v Speaker 4>I mean there was really so much more.

0:49:17.480 --> 0:49:21.600
<v Speaker 3>But yeah, right, okay, right now, that's the five top

0:49:21.800 --> 0:49:24.160
<v Speaker 3>five R and B songs.

0:49:26.120 --> 0:49:32.600
<v Speaker 5>I would say, Adore Prince, join inside my tears, Stevie,

0:49:32.680 --> 0:49:37.440
<v Speaker 5>wonder you're going there? I know I like the I

0:49:37.520 --> 0:49:39.799
<v Speaker 5>like the sad stuff, but I'm like, what would I

0:49:39.880 --> 0:49:46.520
<v Speaker 5>never want to fast forward through? I would say angel

0:49:46.760 --> 0:49:54.479
<v Speaker 5>Anita Baker. I would say, right, so beautiful every time,

0:49:57.480 --> 0:50:02.480
<v Speaker 5>let it burn. Jasmine Sullivan, M one more again, D'Angelo

0:50:03.080 --> 0:50:03.600
<v Speaker 5>hm hmm.

0:50:04.320 --> 0:50:08.680
<v Speaker 1>One more again. That was a di'angelo fanatic.

0:50:09.040 --> 0:50:14.200
<v Speaker 3>Yeah, you're making an R and B voltron Okay, super artists.

0:50:14.360 --> 0:50:17.120
<v Speaker 3>You got to get the vocals from somebody, the performance

0:50:17.120 --> 0:50:20.240
<v Speaker 3>style from somebody, the styling from somebody, and the passion

0:50:20.360 --> 0:50:21.879
<v Speaker 3>of the artists, the heart of it.

0:50:22.280 --> 0:50:24.439
<v Speaker 1>Who are you getting the vocal from? Wait?

0:50:24.480 --> 0:50:29.200
<v Speaker 4>Where you say styling.

0:50:27.320 --> 0:50:30.680
<v Speaker 1>It the drip we get into it. There we go.

0:50:31.440 --> 0:50:34.080
<v Speaker 1>Who are getting a vocal from to build your perfect artist?

0:50:34.120 --> 0:50:38.560
<v Speaker 5>That one vocal maybe Jasmine Sullivan. I think her voice

0:50:38.680 --> 0:50:40.879
<v Speaker 5>is so beautiful, she.

0:50:40.880 --> 0:50:43.560
<v Speaker 3>Get on under her no flaws in her voice. Yeah,

0:50:43.800 --> 0:50:46.120
<v Speaker 3>nothing performance style.

0:50:47.719 --> 0:50:51.640
<v Speaker 5>You can get that from performance style?

0:50:51.920 --> 0:50:54.480
<v Speaker 1>How do I interpret that on stage? How they you

0:50:54.520 --> 0:50:56.480
<v Speaker 1>know what they do on stage?

0:50:57.160 --> 0:50:59.680
<v Speaker 4>I'll say, Rihanna, mm.

0:50:59.520 --> 0:51:03.800
<v Speaker 1>Hmmm, styling the drip of the artists.

0:51:04.480 --> 0:51:07.600
<v Speaker 4>Oh see, maybe I.

0:51:08.800 --> 0:51:09.680
<v Speaker 1>What do you think?

0:51:09.520 --> 0:51:12.520
<v Speaker 5>Okay, I want to put her there?

0:51:12.640 --> 0:51:14.680
<v Speaker 1>You will put her in the styling space.

0:51:14.480 --> 0:51:20.239
<v Speaker 5>The performance that I'm gonna have to come back to

0:51:20.280 --> 0:51:21.880
<v Speaker 5>that one, I would say.

0:51:23.680 --> 0:51:25.560
<v Speaker 4>Oh, because I don't want to.

0:51:26.800 --> 0:51:29.320
<v Speaker 5>Can I come back to the performance one?

0:51:30.800 --> 0:51:35.759
<v Speaker 1>Okay? So in the drip you want to go Rihanna? Nice? Okay, Well,

0:51:35.800 --> 0:51:37.200
<v Speaker 1>now let's go back to the performer.

0:51:37.560 --> 0:51:38.640
<v Speaker 4>No, I want to go to the other.

0:51:40.560 --> 0:51:45.239
<v Speaker 1>She's pointing at my finger. I'm trying to That's where

0:51:45.280 --> 0:51:48.480
<v Speaker 1>I want to. That's where That's where I want to be.

0:51:49.680 --> 0:51:51.400
<v Speaker 4>I'm trying to keep up.

0:51:53.239 --> 0:51:53.840
<v Speaker 1>You're great.

0:51:54.160 --> 0:51:57.600
<v Speaker 3>The heart of the artists, the passion of the artists, Prince,

0:52:00.120 --> 0:52:01.160
<v Speaker 3>I can argue that.

0:52:01.280 --> 0:52:07.040
<v Speaker 5>Yeah, staring, but see maybe his performance probably.

0:52:08.960 --> 0:52:11.480
<v Speaker 3>Okay, So which one. Let's go back to the performer

0:52:12.120 --> 0:52:12.600
<v Speaker 3>mm hmmm.

0:52:13.080 --> 0:52:14.160
<v Speaker 4>No I would put him.

0:52:14.560 --> 0:52:18.480
<v Speaker 5>I would say, for the heart, like the passion, I

0:52:18.520 --> 0:52:22.680
<v Speaker 5>would put shot in there in one of those performance.

0:52:24.680 --> 0:52:29.799
<v Speaker 5>But see, I like the passion of Prince's performance, but

0:52:29.880 --> 0:52:33.000
<v Speaker 5>I like some of her delivery, so it's.

0:52:32.880 --> 0:52:40.880
<v Speaker 3>Like a Prince performer with Prince passion or Prince.

0:52:41.920 --> 0:52:51.400
<v Speaker 2>Rihanna's close with Rihanna's close. SU's voice, I'm rolling, I'm okay,

0:52:51.480 --> 0:52:52.560
<v Speaker 2>what else.

0:52:52.360 --> 0:52:52.920
<v Speaker 1>You got over here?

0:52:58.040 --> 0:53:00.839
<v Speaker 2>Segment before we let you a body dance too fast

0:53:00.840 --> 0:53:03.560
<v Speaker 2>because you might you know, don't you might get nervous.

0:53:04.120 --> 0:53:13.520
<v Speaker 1>I don't want you to get nervous. I ain't saying

0:53:13.560 --> 0:53:16.640
<v Speaker 1>no names. I ain't saying no names. I ain't saying

0:53:16.640 --> 0:53:20.480
<v Speaker 1>no names. I ain't saying no names. Who you was? Who?

0:53:23.520 --> 0:53:28.600
<v Speaker 1>Don't say she? I ain't saying no names.

0:53:35.520 --> 0:53:39.920
<v Speaker 5>I want to do a TV show and YouTube.

0:53:39.640 --> 0:53:45.760
<v Speaker 1>Definitely, he's definitely man. He's definitely man. So very important

0:53:45.760 --> 0:53:47.040
<v Speaker 1>part of the show. Segment.

0:53:47.440 --> 0:53:51.319
<v Speaker 2>Yes, it's called I ain't saying no Oh yeah, you

0:53:51.360 --> 0:53:53.600
<v Speaker 2>know you might need another wat because that okay, you

0:53:53.640 --> 0:53:54.680
<v Speaker 2>probably running water?

0:53:54.920 --> 0:53:56.640
<v Speaker 1>Yeah yeah, yeah, yeah yeah.

0:53:58.560 --> 0:54:04.600
<v Speaker 2>Because this this segment is about the travels, the journey

0:54:05.200 --> 0:54:09.080
<v Speaker 2>of Cooppola and some ship you might have seen, some

0:54:09.200 --> 0:54:12.600
<v Speaker 2>ship you might have experienced. You tell us a story

0:54:13.239 --> 0:54:17.480
<v Speaker 2>funny or fucked up? Are funny and fucked up? The

0:54:17.520 --> 0:54:20.319
<v Speaker 2>only rule is you can't say no.

0:54:20.320 --> 0:54:25.759
<v Speaker 5>Names, Okay, will you guys tell me yours later?

0:54:31.000 --> 0:54:33.200
<v Speaker 2>It is like if I show you guys my diary,

0:54:36.760 --> 0:54:39.680
<v Speaker 2>I can't be by myself. I got some funny ass

0:54:39.680 --> 0:54:41.640
<v Speaker 2>stories stories.

0:54:42.320 --> 0:54:43.120
<v Speaker 4>I think I got one.

0:54:43.239 --> 0:54:45.680
<v Speaker 1>Okay, So right now.

0:54:47.040 --> 0:54:52.400
<v Speaker 2>We are going into Gowopola all the way from the bab.

0:54:53.880 --> 0:54:55.320
<v Speaker 1>I ain't saying no names.

0:54:56.520 --> 0:54:57.279
<v Speaker 4>There was.

0:54:57.520 --> 0:55:01.560
<v Speaker 5>I would say, this is like a early on Maybe

0:55:01.560 --> 0:55:08.759
<v Speaker 5>this is like early early two thousands and I was

0:55:10.200 --> 0:55:15.759
<v Speaker 5>probably just starting a tour and I got invited to

0:55:15.840 --> 0:55:22.160
<v Speaker 5>do a show in Selma, Alabama for Bloody Sunday.

0:55:22.200 --> 0:55:22.920
<v Speaker 4>It was like a.

0:55:24.560 --> 0:55:31.040
<v Speaker 5>They redo the march across the bridge right like community festival,

0:55:32.920 --> 0:55:38.759
<v Speaker 5>and it was probably you know, balling on a budget.

0:55:39.000 --> 0:55:40.800
<v Speaker 4>We probably had like a red eye.

0:55:41.400 --> 0:55:44.400
<v Speaker 5>Had to get ready like at the spot because it

0:55:44.480 --> 0:55:48.200
<v Speaker 5>was like an early show and all of this stuff,

0:55:48.760 --> 0:55:52.880
<v Speaker 5>and I just remember getting ready. I remember it was

0:55:53.160 --> 0:55:58.240
<v Speaker 5>hella hot and it was like a good sized crowd

0:55:58.239 --> 0:56:04.400
<v Speaker 5>out there, you know, but people work hot, and we

0:56:04.520 --> 0:56:07.400
<v Speaker 5>might have been running, like we weren't running behind schedule,

0:56:07.440 --> 0:56:09.960
<v Speaker 5>but the thing was running a little bit behind schedule,

0:56:10.320 --> 0:56:13.359
<v Speaker 5>and so I remember the organizer came back and they

0:56:13.360 --> 0:56:18.319
<v Speaker 5>were like, is it cool, Like if you're not in

0:56:18.360 --> 0:56:20.320
<v Speaker 5>too much of a rush. We might have to switch

0:56:20.360 --> 0:56:24.279
<v Speaker 5>things around a little bit. There's this brother that has

0:56:24.360 --> 0:56:28.560
<v Speaker 5>to catch a flight, and so you know we might

0:56:28.719 --> 0:56:30.759
<v Speaker 5>is it okay if he goes on before you?

0:56:31.040 --> 0:56:32.480
<v Speaker 4>And blah blah blah blah.

0:56:32.480 --> 0:56:37.360
<v Speaker 5>And I was just like okay, you know, like of course,

0:56:37.440 --> 0:56:40.800
<v Speaker 5>I all roll with it. And sometimes it can be nice.

0:56:40.840 --> 0:56:44.280
<v Speaker 5>You're moving up in the in the water. Yeah, right,

0:56:44.680 --> 0:56:50.080
<v Speaker 5>So it's kind of like even though I was, I

0:56:50.120 --> 0:56:50.840
<v Speaker 5>was ready.

0:56:50.600 --> 0:56:54.880
<v Speaker 4>To go, but maybe because it's hot, but maybe.

0:56:54.560 --> 0:56:58.399
<v Speaker 5>You know, this is a better look. And they didn't

0:56:58.480 --> 0:57:07.200
<v Speaker 5>tell me who the person was, and then said artist

0:57:08.120 --> 0:57:12.920
<v Speaker 5>you know, gets announced and it was a really warm reception.

0:57:13.719 --> 0:57:19.600
<v Speaker 5>You know, it's mainly women in the audience, and this

0:57:19.800 --> 0:57:25.720
<v Speaker 5>artist is killing it, proceeds to take off their shirt

0:57:26.920 --> 0:57:33.040
<v Speaker 5>all grease, suck work the crowd, get into the audience.

0:57:33.200 --> 0:57:36.320
<v Speaker 5>I'm telling you. It was like the show was coming

0:57:36.360 --> 0:57:39.320
<v Speaker 5>to an ending and I was like, what.

0:57:39.520 --> 0:57:44.520
<v Speaker 4>The what type of what are we about to do?

0:57:47.240 --> 0:57:51.920
<v Speaker 4>And we're just watching this amazing artist.

0:57:53.240 --> 0:57:57.240
<v Speaker 5>Yeah, and then I had to go on after that,

0:57:58.440 --> 0:58:00.440
<v Speaker 5>you know what I mean, And I just felt like

0:58:00.640 --> 0:58:05.640
<v Speaker 5>I couldn't rush to closer soon enough, you know what

0:58:05.640 --> 0:58:05.880
<v Speaker 5>I mean.

0:58:07.280 --> 0:58:08.280
<v Speaker 1>I gotta kill this.

0:58:08.800 --> 0:58:11.880
<v Speaker 4>I gotta because you don't want the energy to go down,

0:58:12.720 --> 0:58:19.000
<v Speaker 4>you know what I mean? And like, you know what

0:58:19.040 --> 0:58:24.160
<v Speaker 4>I mean when I met you later familiar.

0:58:25.320 --> 0:58:28.960
<v Speaker 1>Familia, you asshole.

0:58:33.520 --> 0:58:38.240
<v Speaker 2>But it makes it great is when you were saying it,

0:58:39.200 --> 0:58:40.080
<v Speaker 2>I've been out there.

0:58:41.520 --> 0:58:42.200
<v Speaker 4>That sounds like.

0:58:44.480 --> 0:58:48.000
<v Speaker 3>This is an amazing yo.

0:58:48.240 --> 0:58:55.840
<v Speaker 5>Name you know this brother if you don't mind, he's

0:58:55.920 --> 0:58:58.480
<v Speaker 5>just gonna go beforehand because he needs to catch a fight.

0:58:58.520 --> 0:59:01.720
<v Speaker 4>And we're like, hey, this is what.

0:59:02.080 --> 0:59:04.600
<v Speaker 1>As you started telling the story, I'm like, that.

0:59:04.640 --> 0:59:07.480
<v Speaker 4>Sounds from it killing it? Yes, shirt off?

0:59:07.760 --> 0:59:07.880
<v Speaker 1>No.

0:59:07.960 --> 0:59:12.680
<v Speaker 3>Even before you got there, I was like, Selma, I

0:59:12.720 --> 0:59:13.320
<v Speaker 3>was like, I've.

0:59:13.160 --> 0:59:15.720
<v Speaker 1>Been there, and I just I wanted to act. I

0:59:15.760 --> 0:59:16.280
<v Speaker 1>wanted to.

0:59:16.200 --> 0:59:18.280
<v Speaker 3>Remember that we were on the show, but we've been

0:59:18.320 --> 0:59:19.320
<v Speaker 3>on so many shows together.

0:59:19.360 --> 0:59:21.200
<v Speaker 5>I want to know you were gone by the time

0:59:21.520 --> 0:59:24.040
<v Speaker 5>I got on stage, so you want to remember my part?

0:59:25.200 --> 0:59:26.520
<v Speaker 1>Oh man, that's awesome.

0:59:26.880 --> 0:59:30.440
<v Speaker 5>Oh yeah, it was very memorable. It was very memorable.

0:59:30.720 --> 0:59:32.600
<v Speaker 5>I was like, I need the details when they switch

0:59:32.680 --> 0:59:34.280
<v Speaker 5>up these lineups next time.

0:59:34.760 --> 0:59:37.280
<v Speaker 2>Make sure it's not a nigga who's gonna take his

0:59:37.480 --> 0:59:38.080
<v Speaker 2>shirt off.

0:59:38.720 --> 0:59:42.080
<v Speaker 5>Okay, the oil up in the sun.

0:59:42.520 --> 0:59:44.120
<v Speaker 1>It was definitely up in the sun.

0:59:44.360 --> 0:59:45.640
<v Speaker 4>Walking through the crowd.

0:59:45.880 --> 0:59:49.320
<v Speaker 5>He was like serenading everybody individually.

0:59:49.720 --> 0:59:50.800
<v Speaker 4>Oh my god, it was.

0:59:55.880 --> 0:59:56.280
<v Speaker 1>Correct.

0:59:56.400 --> 0:59:59.640
<v Speaker 3>You can touch this is great. That is that is

0:59:59.680 --> 1:00:01.560
<v Speaker 3>a It might be the greatest of all times.

1:00:01.880 --> 1:00:05.520
<v Speaker 5>Yes, I think about that every time I see that.

1:00:06.080 --> 1:00:09.960
<v Speaker 1>You never told you, never told me that. I ain't

1:00:10.000 --> 1:00:13.320
<v Speaker 1>saying your name. If I tell you the.

1:00:13.280 --> 1:00:16.240
<v Speaker 4>Story to you, it sounds familiar.

1:00:17.000 --> 1:00:19.320
<v Speaker 3>I just started crying because I was like, I know

1:00:19.360 --> 1:00:21.240
<v Speaker 3>where this is going now.

1:00:23.120 --> 1:00:25.000
<v Speaker 1>I didn't have to go.

1:00:25.680 --> 1:00:26.439
<v Speaker 4>It was a good show.

1:00:26.480 --> 1:00:26.680
<v Speaker 1>Though.

1:00:26.840 --> 1:00:28.600
<v Speaker 4>It was a good show.

1:00:29.360 --> 1:00:31.400
<v Speaker 1>You want to thank her for it. Thank you for

1:00:32.560 --> 1:00:36.120
<v Speaker 1>your flight flight. You were awesome. You were awesome for that.

1:00:36.720 --> 1:00:39.760
<v Speaker 5>You were awesome, even though it was it was painful

1:00:40.360 --> 1:00:40.920
<v Speaker 5>at the time.

1:00:41.800 --> 1:00:43.080
<v Speaker 1>We'll do another showy.

1:00:43.560 --> 1:00:48.120
<v Speaker 5>Yeah, but I was like, man, okay, be ready, put

1:00:48.160 --> 1:00:52.400
<v Speaker 5>your game face on, get out there and do not disappoint.

1:00:52.440 --> 1:00:55.480
<v Speaker 5>After this man just left the stage like with They

1:00:55.520 --> 1:00:58.920
<v Speaker 5>were kind of just like, okay, but.

1:01:00.600 --> 1:01:01.400
<v Speaker 1>You knew this was coming.

1:01:01.440 --> 1:01:03.680
<v Speaker 4>That's how it goes, you know.

1:01:05.040 --> 1:01:08.200
<v Speaker 2>But that's also part of being a professional in this business.

1:01:08.680 --> 1:01:10.280
<v Speaker 2>Those type of things happen.

1:01:10.680 --> 1:01:11.800
<v Speaker 1>All the time.

1:01:12.160 --> 1:01:15.480
<v Speaker 2>Yeah, you were just gracious enough, But sometimes artists are

1:01:15.560 --> 1:01:19.680
<v Speaker 2>just like no, no, Jahams said no, he said, James

1:01:19.680 --> 1:01:20.600
<v Speaker 2>said Jahams said.

1:01:20.400 --> 1:01:22.160
<v Speaker 4>No because they probably said your name.

1:01:22.360 --> 1:01:24.800
<v Speaker 3>No. After I performed, I got back to the spouse like,

1:01:25.240 --> 1:01:26.280
<v Speaker 3>are you supposed to be on stage?

1:01:26.600 --> 1:01:28.240
<v Speaker 1>No? You can have a champ that's all you. Baby.

1:01:28.280 --> 1:01:33.000
<v Speaker 1>I was like, what, sure, turn, it's your turn.

1:01:33.680 --> 1:01:34.960
<v Speaker 4>I heard that I.

1:01:34.960 --> 1:01:37.200
<v Speaker 1>Ain't on that tonight. I ain't on that tonight.

1:01:38.120 --> 1:01:41.560
<v Speaker 5>Okay, but see, you're right, it is it. It's such

1:01:41.600 --> 1:01:47.040
<v Speaker 5>a roller coaster in this industry, and it's like you

1:01:47.080 --> 1:01:52.520
<v Speaker 5>can't burn bridges. You can't get too comfortable being treated

1:01:52.560 --> 1:01:57.040
<v Speaker 5>a certain way, or even in humbling situations, you might

1:01:57.120 --> 1:01:59.560
<v Speaker 5>have the next day or the next moment be this

1:01:59.760 --> 1:02:04.200
<v Speaker 5>like amazing moment, or you never know who's gonna be there,

1:02:04.360 --> 1:02:09.320
<v Speaker 5>that's gonna you know, you just never know, and you

1:02:09.400 --> 1:02:13.840
<v Speaker 5>gotta just rock with it and try and have the

1:02:13.880 --> 1:02:20.480
<v Speaker 5>best attitude possible because it's like the circles come back around,

1:02:20.760 --> 1:02:26.240
<v Speaker 5>right if you're lucky to be in it long enough. Great,

1:02:27.600 --> 1:02:29.800
<v Speaker 5>I remember we go back to now. I don't have

1:02:29.840 --> 1:02:30.880
<v Speaker 5>no crazy story, though.

1:02:32.320 --> 1:02:39.600
<v Speaker 1>I get his ass moment. I actually got kicked out

1:02:39.640 --> 1:02:41.360
<v Speaker 1>of the video. Okay, that's true.

1:02:42.120 --> 1:02:46.040
<v Speaker 4>But you would make all the dopest remixes, right, I was.

1:02:46.080 --> 1:02:49.440
<v Speaker 2>None for stealing people's records, but that was I wasn't

1:02:49.440 --> 1:02:50.680
<v Speaker 2>making money off of them.

1:02:50.800 --> 1:02:54.840
<v Speaker 5>But you know what, but you were still but you

1:02:54.880 --> 1:02:58.919
<v Speaker 5>were still building your brand. For me, it's like you're

1:02:58.920 --> 1:03:03.840
<v Speaker 5>making money, Yeah, I know what I mean.

1:03:03.960 --> 1:03:06.440
<v Speaker 2>But ultimately, the funny thing is I didn't do a

1:03:06.440 --> 1:03:10.040
<v Speaker 2>lot of shows, so I really wasn't making.

1:03:09.920 --> 1:03:11.320
<v Speaker 4>I was just getting played on the radio.

1:03:11.760 --> 1:03:14.480
<v Speaker 2>I was getting paid, but but I wasn't. I also

1:03:14.720 --> 1:03:21.280
<v Speaker 2>wasn't submitting the songs as my record, so I never

1:03:21.320 --> 1:03:24.640
<v Speaker 2>got in the way of anybody else's publishing. So for

1:03:24.760 --> 1:03:26.920
<v Speaker 2>those songs, which.

1:03:27.040 --> 1:03:29.600
<v Speaker 1>It just wasn't it wasn't my thing, you know. I

1:03:29.640 --> 1:03:31.040
<v Speaker 1>was purely doing it.

1:03:31.520 --> 1:03:34.280
<v Speaker 2>To have fun and like, oh this would sound dope

1:03:34.360 --> 1:03:37.160
<v Speaker 2>more so than oh, I'm gonna use this record to

1:03:37.160 --> 1:03:39.440
<v Speaker 2>try to become big off of somebody's record or I

1:03:39.480 --> 1:03:40.640
<v Speaker 2>was just like, but you were.

1:03:40.520 --> 1:03:43.600
<v Speaker 5>Doing and that's like kind of how we came up. Yeah,

1:03:43.760 --> 1:03:45.560
<v Speaker 5>it's kind of just like how to.

1:03:48.520 --> 1:03:49.720
<v Speaker 4>Version because it's.

1:03:49.600 --> 1:03:53.200
<v Speaker 5>Like a bunch of rappers basically, and it's like, how

1:03:53.280 --> 1:03:57.200
<v Speaker 5>can you keep the vibe high but.

1:03:57.440 --> 1:03:59.000
<v Speaker 4>Do your version?

1:03:59.280 --> 1:04:02.440
<v Speaker 5>You know, like I'm sprung and all that, you know

1:04:02.480 --> 1:04:07.520
<v Speaker 5>what I mean, All of those and like I was

1:04:07.640 --> 1:04:10.640
<v Speaker 5>just doing this show me and Dougie freshmorn it the

1:04:10.640 --> 1:04:13.800
<v Speaker 5>other day, and he was afterwards just talking about like

1:04:14.560 --> 1:04:18.160
<v Speaker 5>the importance of rocking a crowd. He was like, whether

1:04:18.200 --> 1:04:21.360
<v Speaker 5>it's your music or a cover or whatever, it's about

1:04:21.400 --> 1:04:23.400
<v Speaker 5>like when we do live shows, it's about the energy

1:04:23.440 --> 1:04:26.040
<v Speaker 5>of the crowd, you know what I mean, and lifting

1:04:26.080 --> 1:04:32.280
<v Speaker 5>that up more than us trying to, you know, do whatever.

1:04:32.480 --> 1:04:34.640
<v Speaker 5>So like we loved all.

1:04:34.560 --> 1:04:37.680
<v Speaker 1>Those songs, you know, I was just trying to have

1:04:37.720 --> 1:04:38.200
<v Speaker 1>a good time.

1:04:38.600 --> 1:04:40.400
<v Speaker 2>You were having a good time, not to get sued,

1:04:40.440 --> 1:04:43.919
<v Speaker 2>and shit, I feel you.

1:04:44.000 --> 1:04:44.480
<v Speaker 1>He's back now.

1:04:44.520 --> 1:04:46.720
<v Speaker 2>Now he's gonna put up his own yeah, now you know,

1:04:47.280 --> 1:04:49.600
<v Speaker 2>and somebody can still my then I'm fine with it.

1:04:50.080 --> 1:04:52.960
<v Speaker 1>I'm not sading nobody. Season. It's just half rock out,

1:04:53.160 --> 1:04:56.120
<v Speaker 1>half of rock out. Keep the music on, keep the

1:04:56.240 --> 1:04:57.880
<v Speaker 1>energy going, more the better.

1:04:58.120 --> 1:05:01.680
<v Speaker 2>Yeah, this shit gonna live on one way other Are

1:05:01.720 --> 1:05:02.400
<v Speaker 2>you hope that did that?

1:05:06.000 --> 1:05:07.680
<v Speaker 1>Thank you?

1:05:07.080 --> 1:05:08.640
<v Speaker 4>Thank you for having me.

1:05:09.600 --> 1:05:13.200
<v Speaker 5>I honestly like, I love your guys' show. I love

1:05:13.240 --> 1:05:18.440
<v Speaker 5>you guys individually and just what you've done in the

1:05:18.480 --> 1:05:24.000
<v Speaker 5>different ways. And I remember, like even you doing I

1:05:24.080 --> 1:05:26.320
<v Speaker 5>can't make you love me, you know what? I mean

1:05:26.360 --> 1:05:29.000
<v Speaker 5>and putting your own twist on that. And I remember

1:05:29.040 --> 1:05:32.560
<v Speaker 5>you hosting some stuff some years ago and I was like,

1:05:32.880 --> 1:05:34.720
<v Speaker 5>he has a knack for this. I hope he does

1:05:34.800 --> 1:05:37.760
<v Speaker 5>more of it, you know. And I just love seeing

1:05:37.800 --> 1:05:41.160
<v Speaker 5>you transition in all the different ways that you have

1:05:41.880 --> 1:05:44.480
<v Speaker 5>and then like you're putting out music again too. It's

1:05:44.520 --> 1:05:47.160
<v Speaker 5>just like I appreciate the evolution.

1:05:48.600 --> 1:05:56.720
<v Speaker 3>Yeah, evolution, I like that word. I'm not retiring. Well,

1:05:56.720 --> 1:05:59.920
<v Speaker 3>we appreciate you, your your family. You are always welcome.

1:06:00.480 --> 1:06:00.960
<v Speaker 4>Thank you.

1:06:00.960 --> 1:06:02.400
<v Speaker 3>You know what I'm saying. We are we are edge

1:06:02.440 --> 1:06:04.640
<v Speaker 3>of disposal whatever you need. And I'll be sending your

1:06:04.640 --> 1:06:07.680
<v Speaker 3>tracks for colors. I'm very excited about that where I

1:06:07.680 --> 1:06:10.240
<v Speaker 3>get to just be creative, you know what I'm saying,

1:06:10.240 --> 1:06:12.400
<v Speaker 3>to have some fun with my sounds and paint and

1:06:12.600 --> 1:06:15.800
<v Speaker 3>use all of my colors. That's gonna be dumb, ladies

1:06:15.840 --> 1:06:18.720
<v Speaker 3>and gentlemen. I'm Tank Valentine and this has been the

1:06:18.840 --> 1:06:21.080
<v Speaker 3>R and B Money Podcast. The authority of all things

1:06:21.200 --> 1:06:24.280
<v Speaker 3>R and B with the vibe has been Assi. That

1:06:24.360 --> 1:06:24.960
<v Speaker 3>has been heaven.

1:06:26.480 --> 1:06:26.720
<v Speaker 2>It is.

1:06:27.880 --> 1:06:31.520
<v Speaker 3>We have a guidance as a goddess among steps and

1:06:31.640 --> 1:06:34.600
<v Speaker 3>we have been so blessed to be here today.

1:06:35.160 --> 1:06:37.320
<v Speaker 1>With her Guampala.

1:06:38.400 --> 1:06:47.080
<v Speaker 2>Get Money, R and B Money is a production of

1:06:47.120 --> 1:06:51.439
<v Speaker 2>the Black Effect podcast Network. For more podcasts from iHeart Radio,

1:06:51.920 --> 1:06:55.960
<v Speaker 2>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

1:06:56.000 --> 1:06:59.280
<v Speaker 2>to your favorite shows. Don't forget to subscribe to and

1:06:59.440 --> 1:07:02.200
<v Speaker 2>Radar Show and you can connect with us on social

1:07:02.240 --> 1:07:05.840
<v Speaker 2>media at Jay Valentine and at the Real Tank. For

1:07:05.960 --> 1:07:11.160
<v Speaker 2>the extended episode, subscribe to YouTube dot com, forward Slash,

1:07:11.440 --> 1:07:12.640
<v Speaker 2>R and B Money