WEBVTT - Highlights: Dulo

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<v Speaker 1>Calgary Audio. What's up Mother Soccer's Welcome to another episode

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<v Speaker 1>Mothers Like a Podcast. I'm your host, Michael Blackson. I'm

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<v Speaker 1>never alone. I'm here with a strange looking nigga. Hey,

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<v Speaker 1>thanks for listening again to mother Soccer podcast. Whoever you are?

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<v Speaker 1>All right? So my nigga Dave Chappelle was more problem.

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<v Speaker 1>Transgender community is trying to transgress against Dave Chappelle and

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<v Speaker 1>Netflix because of his special the one that specially be

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<v Speaker 1>transferred off the network. And it feels like it's transphobic.

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<v Speaker 1>But then but Netflix said, we believe in Dave. Also

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<v Speaker 1>he's willing, he said. Dave says wanted to talk to

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<v Speaker 1>them because he feels the translator his message wrong. A

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<v Speaker 1>lot of trans happens leans in there. Yeah, a lot

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<v Speaker 1>a lot transgenders and the transgrass and then talking about

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<v Speaker 1>transferred and then transphobic and of course transformed, and then

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<v Speaker 1>everybody got wow, miss translated tings. Now it reminds me

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<v Speaker 1>I need a new transransmission in my car. Yeah, and

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<v Speaker 1>I need to transfer some money from my checking, my

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<v Speaker 1>my savings and my checkers out and bouncy to check.

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<v Speaker 1>And I also to joke transform my guests onto the show. Motherfucker.

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<v Speaker 1>Oh yeah, absolutely. I was telling Entiled my man. I

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<v Speaker 1>was like, he was FaceTime the other day and I

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<v Speaker 1>heard you like talk. I was like, this, Nick, really

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<v Speaker 1>just can talk regular because the next Friday is all

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<v Speaker 1>I know. That's that's like, I don't imagination of me. Motherfucker, Mike,

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<v Speaker 1>did you say that next Friday again? For defense that

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<v Speaker 1>when you walk into the door of the DC, that's

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<v Speaker 1>my right there? What is this? This is why I

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<v Speaker 1>can't get jiggy with this ship. Where's your money that

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<v Speaker 1>I picked? Motherfucker? You look at that playhead. I was

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<v Speaker 1>so many ship. I'm no darn received kiss my eyes?

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<v Speaker 1>So what, oh ship, please hit me. I'm just a bitch.

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<v Speaker 1>EU sneak ut you wait wait, wait, wait wait, you

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<v Speaker 1>don't even and I don't got no darn receipt and

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<v Speaker 1>I know darn receipt, kiss my eye. So what you know?

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<v Speaker 1>You're fucking try again, motherfucker my tooth to try to

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<v Speaker 1>get try again. I go post on this, motherfucker. I'm

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<v Speaker 1>honored to be a part of it. This is my

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<v Speaker 1>first time doing anything like interview White Pocket. I'm just

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<v Speaker 1>just crazy. That is you. I appreciate it's a good Definitely,

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<v Speaker 1>he turned these lights off. I ain't gonna be here. Definitely,

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<v Speaker 1>Ladies and gentlemen, my name you're and buddy do looks

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<v Speaker 1>in the building? Mother, go up where you find these

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<v Speaker 1>sucking videos at there? You fucking put like a voice

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<v Speaker 1>over over there. To be honest, like, I don't find them.

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<v Speaker 1>People they find me, now, you know what I mean.

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<v Speaker 1>That's what I said. People ask me, so they find

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<v Speaker 1>me and for me, like when people find them, Like

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<v Speaker 1>I used to love freaking American's funniest home videos, all right,

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<v Speaker 1>and I also used to love even before social media

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<v Speaker 1>in general, no social media. If you guys remember Mad Lips,

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<v Speaker 1>they used to be on YouTube. These people they would

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<v Speaker 1>do like voiceovers, real funny fucking voice overs to mainly

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<v Speaker 1>sports ship football coaches, you know, flipping out on players

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<v Speaker 1>or whatever exactly. So um uh so you know when

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<v Speaker 1>I got to you know, I was doing skits as well,

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<v Speaker 1>and I do blending skits as well. But like when

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<v Speaker 1>people send me these videos to do that, I just

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<v Speaker 1>get into the you know, the mind framing. You know,

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<v Speaker 1>it's a really one day you guys will see the process.

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<v Speaker 1>It's a very mind of those animals whatever it is,

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<v Speaker 1>it's a very you know, it's a very kind of

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<v Speaker 1>you know, if I was to watch myself, I know

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<v Speaker 1>to be like, what the fund are you doing? You

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<v Speaker 1>wre you'll be really good like voiceover for animation. Listen,

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<v Speaker 1>you know that you're the one with the connections link

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<v Speaker 1>me man, who's cooking? Um, who's frying chicken? But that's

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<v Speaker 1>not definitely I'll keep my ads open because when I

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<v Speaker 1>would listen to show, I'm like, god, damn, I see

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<v Speaker 1>so much animation movie like fucking lion King. I'm like

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<v Speaker 1>guy mentioning had his voice in there. Coming up your

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<v Speaker 1>own lines because this is are all your comedic lines?

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<v Speaker 1>In fact, like that you mentioned that I just recently

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<v Speaker 1>did a independent Um, I guess you would say, you know,

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<v Speaker 1>voiceover character did like four voiceovers for independent UM cartoon

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<v Speaker 1>that's coming out right, Um, you guys will see the

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<v Speaker 1>pilot board soon. And it's not for children. This is

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<v Speaker 1>like adults swim type of you know, African blended type

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<v Speaker 1>of situation. So U you guys keep on the look

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<v Speaker 1>out for that for sure. Congratulations on that Chinese best

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<v Speaker 1>when you got going on your life, I want to

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<v Speaker 1>be a voice of some cartoon, like, are they hearing

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<v Speaker 1>any Chinese in the African shooes? That's easy, That's that's easy. Man.

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<v Speaker 1>I went to this restaurant. It was actually Chinese people

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<v Speaker 1>cooking Guanian food. Nothing fun. I'm not even joking. This

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<v Speaker 1>is where was this? I was just in I was

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<v Speaker 1>just in Nebraska. Happen to Braska. Chinese person is trying

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<v Speaker 1>to take over whatevery. I mean, you know they own

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<v Speaker 1>the roads in Ghana. I heard that. You know they

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<v Speaker 1>owned Rosen, Ghana. So is that not true? He's sucking

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<v Speaker 1>down You're cooking African food? What the what? What's next?

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<v Speaker 1>I'm gonna stop sucking our women to Chinese best friend. Yeah,

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<v Speaker 1>I think they're already. They're already doing that. They're already

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<v Speaker 1>doing that in the Ghana. Man, I've seen that road.

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<v Speaker 1>That's my that's whan I'm sucking your back. I got

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<v Speaker 1>a whole Asian woman. I'm gonna give us a bunch

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<v Speaker 1>of little tiger woods. Motherfucker, Mike, We're gonna make sure

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<v Speaker 1>there's a mother sucker highway in Gonna. Okay, I appreciate that. God,

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<v Speaker 1>I just called you, Kinna. It's okay, Mike. I'm telling

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<v Speaker 1>me about that's only Please tell me about that the

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<v Speaker 1>school that you're building on, please and thank you. I've

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<v Speaker 1>seen the pictures of that. Yes, ye did they have

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<v Speaker 1>you digging? Are you the one thing? What you're digging

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<v Speaker 1>with your hand and digging? Damn you're supposed to wash

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<v Speaker 1>your hands after you help dig man? But now I

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<v Speaker 1>ain't build a school in my village. You know my mother,

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<v Speaker 1>this little village my mother was born in. Uh What

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<v Speaker 1>would inspired me to build the school was? Um I

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<v Speaker 1>went when I came to the States, I come to

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<v Speaker 1>the stage late eighties sometimes eight six eighties seven. I

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<v Speaker 1>didn't go back to Ghana. I didn't go back to

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<v Speaker 1>Africa period to like two thousand, like fifteen years later.

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<v Speaker 1>I went back. And when I went back, I went

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<v Speaker 1>to the village while I was born. And I'm like,

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<v Speaker 1>I just things were still the same. I'm like, why

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<v Speaker 1>things still the same? You know why our kids and

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<v Speaker 1>the kids are like a bunch of kids doing still

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<v Speaker 1>the school days, school hours, the kids in the marketplace

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<v Speaker 1>helping their mother sell ship. And I'm like why these

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<v Speaker 1>seven eight year old kids working? Like who hired these niggas?

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<v Speaker 1>So I'm like, okay, you know what then I get

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<v Speaker 1>to find out, I'm like, why did not in school?

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<v Speaker 1>The not in school because the public school were just

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<v Speaker 1>known as government school, which is free. At that moment,

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<v Speaker 1>I'm not sure things have changed that ain't shift free

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<v Speaker 1>no more, but back then those schools were free, and

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<v Speaker 1>those feel up really fast. The free ship always feel up.

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<v Speaker 1>It's like you go, you know in America, you go

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<v Speaker 1>to the warfare line. All the warfare office is always packed,

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<v Speaker 1>right because niggas like free ship, So the free ship

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<v Speaker 1>always fills up. And the kids that I left, they

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<v Speaker 1>can for a private school. So then what I did.

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<v Speaker 1>I went to them on the local elementary school to

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<v Speaker 1>find out what school was going for, how much it

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<v Speaker 1>calls to go to school. So I find it cast

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<v Speaker 1>like eighty dollars for the whole year. I'm like eighty

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<v Speaker 1>dollars and it was two and I'm like, we're spending

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<v Speaker 1>at the bar. So next day I went back to

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<v Speaker 1>the marketplace, saw them same fucking kids. I talked to

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<v Speaker 1>their parents. I was like, I'm gonna pay pull your

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<v Speaker 1>pull your four kids in school for the year, you

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<v Speaker 1>know what I mean? And then from there I would

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<v Speaker 1>try to help. Every year I'll try to help get

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<v Speaker 1>this keep. I mean, what eight years of schooling or

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<v Speaker 1>cost but a couple of grad So I went did

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<v Speaker 1>that and after the outside of myself, I gotta do

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<v Speaker 1>something about this. And I always had in my mind,

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<v Speaker 1>I got to build a school. But it's not it's

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<v Speaker 1>not an easy thing to do, you know, it's come

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<v Speaker 1>without responsibility. But I finally, like right before COVID, I decided,

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<v Speaker 1>you know what, trying to pay every kid in school?

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<v Speaker 1>How about just to build a home school and make

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<v Speaker 1>it free and give scholarship to the kids. You good man,

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<v Speaker 1>Michael blocked him. Yeah, what's up, mother suckers. This is

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<v Speaker 1>your African king up comy, Michael Blackson. I'm here to

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<v Speaker 1>ask you a question. Are you subscribe to my podcast,

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<v Speaker 1>The mother Sucker Podcast with Me Michael Blackson. If not,

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<v Speaker 1>you are missing out on the crazy interviews. They're exclusive

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<v Speaker 1>behind the scenes content of my life and tons of

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<v Speaker 1>celebrity guests. So listen up, mother sucker. Stop what you're

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<v Speaker 1>doing right now and go find The mother Sucker Podcast

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<v Speaker 1>with Me Michael Blackson on the I Heart Radio, Apple

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<v Speaker 1>Apple Podcast or wherever you get your podcast. Subscribe, It's

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<v Speaker 1>free to go. Do it right now. And don't forget

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<v Speaker 1>to catch a new episode every Tuesday. Back then in

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<v Speaker 1>ninety four, the only way you get famous, you gotta

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<v Speaker 1>find a way to get on TV. The only TV

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<v Speaker 1>we had back then was BT Comic View, BT Coming.

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<v Speaker 1>We just started, so we had because BT Coming. If

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<v Speaker 1>you knew, they were the only way of getting any

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<v Speaker 1>comedian famous, or they took advantage of us. To get

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<v Speaker 1>on BT Comic View, you had a fresh year, best

0:09:05.440 --> 0:09:08.160
<v Speaker 1>athletic to get on. So when you get selected, then

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<v Speaker 1>you have to find with the l A mine y'all

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<v Speaker 1>living in Philadelphia, you have to find you with the

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<v Speaker 1>l A. Get your own hotel, your own flight, your

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<v Speaker 1>own hotel, and then three weeks after you shoot the show,

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<v Speaker 1>you'll get a check for a hundred fifty dollars. So

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<v Speaker 1>I came to do Coming with You for a negative

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<v Speaker 1>five dollars. I lost some money trying to make money,

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<v Speaker 1>you know. But then what happened was you get on

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<v Speaker 1>TV and then once you're on TV that people can

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<v Speaker 1>see you, now they're going to book you. So now

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<v Speaker 1>you know, I went from making like fifty dollars a

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<v Speaker 1>hundred dollars, like five hundred dollars, you know, and then

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<v Speaker 1>when when I did Next Friday, then I went from

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<v Speaker 1>like five hundred dollars undred dollars and then then you

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<v Speaker 1>keep going and keep going. So television is kind of

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<v Speaker 1>like what we had back then, but we didn't have

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<v Speaker 1>social media to try with jokes. These guys could just

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<v Speaker 1>do a video the video is funny and put that

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<v Speaker 1>ship into material, you know. But with they have that,

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<v Speaker 1>we had to go to open mic night. You have

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<v Speaker 1>to go get in line, and open mic was a

0:10:05.679 --> 0:10:09.800
<v Speaker 1>night where amateurs perform or professionals would go on stage

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<v Speaker 1>just to like perfect that new actor trying to do. So,

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<v Speaker 1>like in Philadelphia where I started, UM one club is

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<v Speaker 1>like first come, first served. So if you have if

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<v Speaker 1>you want to get a good number, do they do

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<v Speaker 1>They a lot of first twenty people. So if you

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<v Speaker 1>to get and you got to pick your own number

0:10:27.160 --> 0:10:28.360
<v Speaker 1>when you want to go on. So if you want

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<v Speaker 1>to pick your own number, show start at seven o'clock.

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<v Speaker 1>You're gonna be there like four pm. Get in line

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<v Speaker 1>there when you pick a good number, like a good number,

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<v Speaker 1>be like any number between like five to like thirteen

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<v Speaker 1>is good because you go on number one nine enough

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<v Speaker 1>crowded if you're gonna twenty everybody already left. So that

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<v Speaker 1>was one club. But the other club, you go line

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<v Speaker 1>up and then after you write your name, then they

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<v Speaker 1>would they would give you a number accruing to how

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<v Speaker 1>well didn't know you. So I remember my first night

0:10:53.640 --> 0:10:55.360
<v Speaker 1>at this particular club. They didn't know me. I went

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<v Speaker 1>on last, but then I got on stage, it was

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<v Speaker 1>like six comedians, like the order. They already got tired.

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<v Speaker 1>I'm performing for six comedians and did told me that, hey,

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<v Speaker 1>I think you got what it takes to make it,

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<v Speaker 1>because I was hoping, I hope the fucking audience was there.

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<v Speaker 1>But instead of like other comedians like you know, Mike,

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<v Speaker 1>I think you got it, and it's I just kept

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<v Speaker 1>going and kept going. I think that's dope. Man. You

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<v Speaker 1>know a lot of comedians they don't bring the same

0:11:17.480 --> 0:11:19.680
<v Speaker 1>energy when um when they see like that, you know

0:11:19.720 --> 0:11:22.840
<v Speaker 1>there's less people there or on so you expected. So

0:11:22.880 --> 0:11:29.160
<v Speaker 1>I think that's extremely dope. You never that first impression,

0:11:29.360 --> 0:11:31.280
<v Speaker 1>and don't matter where you are, give them the best

0:11:31.280 --> 0:11:33.880
<v Speaker 1>fucking show. You never know who that one person is

0:11:34.320 --> 0:11:38.240
<v Speaker 1>or that's to three people are really performing. Don't ever

0:11:38.360 --> 0:11:41.240
<v Speaker 1>give all you have, regardless or not. I mean, I

0:11:41.280 --> 0:11:43.960
<v Speaker 1>performed for like ten thousand people. Recently, I'm on that

0:11:44.000 --> 0:11:47.319
<v Speaker 1>Martinawrence tour, so we've seen like ten fifteen thousand people.

0:11:47.559 --> 0:11:51.240
<v Speaker 1>But my favorite orders is three people, that intimacy crowd

0:11:51.520 --> 0:11:53.520
<v Speaker 1>right there in your phase where you get to like

0:11:53.760 --> 0:11:56.960
<v Speaker 1>feel loose, because when when it's fifteen, it's don't get wrong,

0:11:57.000 --> 0:11:58.720
<v Speaker 1>it's more pressure, like Okay, now I got you know,

0:11:58.840 --> 0:12:02.200
<v Speaker 1>compared to like three people, you feel more comfortable, you know.

0:12:02.280 --> 0:12:05.160
<v Speaker 1>But with it fight people are ten people. Give those

0:12:05.160 --> 0:12:07.320
<v Speaker 1>ten people your best show ever because you never know

0:12:07.360 --> 0:12:09.360
<v Speaker 1>who those ten people are. Heard. Rappers get all the

0:12:09.440 --> 0:12:12.520
<v Speaker 1>respect on the streets and singers get all the exactly

0:12:13.800 --> 0:12:17.439
<v Speaker 1>and that was part of the reason. That was part

0:12:17.480 --> 0:12:20.120
<v Speaker 1>of the reason for sure. But yeah, I'm in now.

0:12:20.600 --> 0:12:23.360
<v Speaker 1>It's been cool. It's been great, specially moving out to

0:12:23.559 --> 0:12:26.760
<v Speaker 1>l A. I especially seeing an increasing everything I've been

0:12:26.800 --> 0:12:29.960
<v Speaker 1>doing since I've been out here. So I'm with it

0:12:30.040 --> 0:12:32.720
<v Speaker 1>for sure. It's so crazy. I was watched reading something

0:12:32.760 --> 0:12:34.880
<v Speaker 1>today that Meek had posted up. You said that thing

0:12:35.040 --> 0:12:38.320
<v Speaker 1>me posted about something like he's not sure where his

0:12:38.360 --> 0:12:42.760
<v Speaker 1>record money been going, Like something posted about about the

0:12:42.840 --> 0:12:45.800
<v Speaker 1>record of the record business. How you know he brought

0:12:45.840 --> 0:12:47.679
<v Speaker 1>his record out but he ain't seen no record money,

0:12:48.720 --> 0:12:50.800
<v Speaker 1>you know. So I mean that's that's that's that's been

0:12:50.800 --> 0:12:54.280
<v Speaker 1>going on for ages. I mean everybody got burned, from

0:12:54.320 --> 0:12:57.920
<v Speaker 1>Michael Jackson to Tito Jackson too. Everybody has been burned.

0:12:57.920 --> 0:13:00.920
<v Speaker 1>When it comes those it looks like all this makes

0:13:00.960 --> 0:13:04.000
<v Speaker 1>most of that money from live performance. I mean I'm

0:13:04.040 --> 0:13:06.280
<v Speaker 1>not sure, Like I don't know how much you really

0:13:06.320 --> 0:13:08.880
<v Speaker 1>make fun but it's different than now. It's like downloads

0:13:08.920 --> 0:13:10.600
<v Speaker 1>and you could like kind of like put do your

0:13:10.640 --> 0:13:13.480
<v Speaker 1>own thing. Now you go independent and you know, put

0:13:13.480 --> 0:13:15.240
<v Speaker 1>your own ship out. And back then you needed like

0:13:15.760 --> 0:13:18.040
<v Speaker 1>you needed a record company back then to like you know,

0:13:18.240 --> 0:13:21.040
<v Speaker 1>get you to that next level. And it took advantage,

0:13:21.120 --> 0:13:24.679
<v Speaker 1>you know. So yeah, not anymore. I mean, hows how

0:13:25.000 --> 0:13:27.600
<v Speaker 1>how how you getting your music out there? Um, I'm

0:13:27.640 --> 0:13:31.280
<v Speaker 1>getting it out fully independently right now, So I don't

0:13:31.280 --> 0:13:34.920
<v Speaker 1>even know how to the record label should go your money?

0:13:34.960 --> 0:13:39.480
<v Speaker 1>So I see everything from my music, but uh, really

0:13:39.520 --> 0:13:41.640
<v Speaker 1>it's about where you're grind at right now, like what

0:13:41.679 --> 0:13:44.240
<v Speaker 1>you're doing with your brand pushing and how much you're

0:13:44.240 --> 0:13:47.360
<v Speaker 1>selling on your brand. Like I'm thinking of different avenues

0:13:47.440 --> 0:13:49.720
<v Speaker 1>from my brand right now as far as like the

0:13:49.880 --> 0:13:53.320
<v Speaker 1>music and I got a dog that gets me like

0:13:53.360 --> 0:13:57.880
<v Speaker 1>a million views on TikTok and YouTube and ship um

0:13:58.040 --> 0:14:01.400
<v Speaker 1>selling plants and this thing that go along with my

0:14:01.440 --> 0:14:04.080
<v Speaker 1>brand is also farm as well. I've been farming for

0:14:04.120 --> 0:14:05.959
<v Speaker 1>like two years with some of my friends, So I'm

0:14:06.000 --> 0:14:09.880
<v Speaker 1>like brother into nature and like gardening and ships. They got.

0:14:09.960 --> 0:14:13.920
<v Speaker 1>You're growing tomatoes, motherfuckery got a great tomatoes. Now we're

0:14:13.920 --> 0:14:17.840
<v Speaker 1>wearing weird. It's cannabis farm tomato I just want to make.

0:14:19.280 --> 0:14:21.880
<v Speaker 1>But with that, with the cannabis farms, I've learned how

0:14:21.960 --> 0:14:24.960
<v Speaker 1>to cultivate tomatoes and vegetables and fruit and all that

0:14:25.000 --> 0:14:28.280
<v Speaker 1>ship and survive off grid and and and a lot

0:14:28.320 --> 0:14:31.800
<v Speaker 1>of things I didn't know before before UM being out there.

0:14:31.880 --> 0:14:34.360
<v Speaker 1>So I'm just trying to incorporate all that ship into

0:14:34.360 --> 0:14:36.720
<v Speaker 1>my brand because that's what the music business and just

0:14:37.200 --> 0:14:39.280
<v Speaker 1>having a brand is about. Now what your grind is.

0:14:39.360 --> 0:14:42.320
<v Speaker 1>And because you're not gonna like me, you ain't gonna

0:14:42.320 --> 0:14:44.200
<v Speaker 1>see a lot if you get to that level from

0:14:44.200 --> 0:14:46.880
<v Speaker 1>your ship. It's about what else you selling, the shows,

0:14:46.960 --> 0:14:49.040
<v Speaker 1>the merch and all other ships. So that's what me

0:14:49.080 --> 0:14:53.080
<v Speaker 1>and my team is working on right now, tightening, and

0:14:53.120 --> 0:14:55.080
<v Speaker 1>it's a great thing. My social media now right, social

0:14:55.080 --> 0:14:57.520
<v Speaker 1>media is pretty much your own platform. It's your own

0:14:57.720 --> 0:15:00.800
<v Speaker 1>TV show, your own network. You know, you build your

0:15:00.800 --> 0:15:03.360
<v Speaker 1>own audience and when you make something, you've got someone

0:15:03.360 --> 0:15:07.040
<v Speaker 1>to sell it to. You don't You don't need nobody anymore.

0:15:07.120 --> 0:15:10.120
<v Speaker 1>Just build an audience and if your ship is good

0:15:10.240 --> 0:15:14.800
<v Speaker 1>or support you The mother Stucker Podcast with me Michael Blackson.

0:15:14.880 --> 0:15:17.440
<v Speaker 1>It's a Cavalry audio production brought to you by All

0:15:17.480 --> 0:15:21.840
<v Speaker 1>Her Radio and The Black Effect Podcast Network. Produced by

0:15:21.880 --> 0:15:25.520
<v Speaker 1>Brendan Morgan of Calvary Audio and a King for The

0:15:25.560 --> 0:15:30.000
<v Speaker 1>Black Effect. Associate producer is Jeff Apple. Executive produced by

0:15:30.040 --> 0:15:33.560
<v Speaker 1>Michael Blackson, Keegan Rosenberger, and Dana Brunetti