1 00:00:00,080 --> 00:00:01,320 Speaker 1: First of all, you don't know me. 2 00:00:02,279 --> 00:00:05,640 Speaker 2: We all about that high school drama, Girl Drama, Girl, 3 00:00:05,720 --> 00:00:08,840 Speaker 2: all about them high school queens. We'll take you for 4 00:00:08,960 --> 00:00:12,080 Speaker 2: a ride, and our comic girl shared for the right 5 00:00:12,080 --> 00:00:16,520 Speaker 2: teams Drama Queens up Girl Fashion, but your tough girl, 6 00:00:16,600 --> 00:00:17,520 Speaker 2: you could sit with us. 7 00:00:17,560 --> 00:00:21,319 Speaker 3: Girl Drama, Queens Drama, Quise Drama, Queens Drama, John mc 8 00:00:21,360 --> 00:00:24,720 Speaker 3: Queens Drama, Queens. 9 00:00:25,480 --> 00:00:30,960 Speaker 4: Welcome back, friends, We are about to get into Season six, 10 00:00:31,040 --> 00:00:33,600 Speaker 4: Episode five, You've dug your own grade? 11 00:00:33,640 --> 00:00:35,080 Speaker 5: Oh now, lient. 12 00:00:34,800 --> 00:00:39,520 Speaker 4: It originally aired September twenty ninth, two thousand and eight. 13 00:00:41,000 --> 00:00:45,240 Speaker 4: An incompatible date in a promotion tour for his book 14 00:00:45,680 --> 00:00:48,400 Speaker 4: forces Lucas to tell Lindsey he's getting married to Peyton. 15 00:00:48,479 --> 00:00:52,839 Speaker 4: Oh boy, what a what a full blown like just 16 00:00:53,120 --> 00:00:56,720 Speaker 4: soap opera sentence. Nathan receives an offer from a pro 17 00:00:56,840 --> 00:01:00,680 Speaker 4: basketball team, Brooks struggles with giving up her company to Victoria, 18 00:01:01,120 --> 00:01:05,440 Speaker 4: while Peyton discovers a dark secret about her new recording artist. 19 00:01:05,840 --> 00:01:08,680 Speaker 4: Haley unwittingly puts Jamie's life in peril when she thinks 20 00:01:08,720 --> 00:01:11,880 Speaker 4: Dan is on his deathbed, which leads to a final 21 00:01:12,040 --> 00:01:17,360 Speaker 4: showdown with a Navy kid dun Dune. This episode Dun 22 00:01:17,480 --> 00:01:17,959 Speaker 4: Dun dune. 23 00:01:18,120 --> 00:01:21,039 Speaker 1: This was why you want stop. 24 00:01:21,400 --> 00:01:25,800 Speaker 4: Like a wild time and friends, we have one of 25 00:01:25,840 --> 00:01:29,759 Speaker 4: our pals here to discuss said wild time with us, 26 00:01:29,959 --> 00:01:34,160 Speaker 4: none other than the incredible Ashley Rickards, who played Sam. 27 00:01:34,720 --> 00:01:44,280 Speaker 1: Hello, hella, what a crazy episode? Truly did you when 28 00:01:44,280 --> 00:01:46,360 Speaker 1: you got this script? This is like your first script 29 00:01:46,360 --> 00:01:49,240 Speaker 1: where you have a bunch of material. Did you get 30 00:01:49,240 --> 00:01:50,680 Speaker 1: the script and you're like, what the hell did I 31 00:01:50,720 --> 00:01:51,400 Speaker 1: just sign up for? 32 00:01:51,560 --> 00:01:51,920 Speaker 6: This show? 33 00:01:52,000 --> 00:01:53,080 Speaker 1: Is bananas? 34 00:01:53,440 --> 00:01:53,920 Speaker 7: Yeah? 35 00:01:54,280 --> 00:01:58,200 Speaker 8: Normally before I do something, I like to be caught up, 36 00:01:58,240 --> 00:02:01,720 Speaker 8: but y'all are in Sea and six, so there was 37 00:02:02,160 --> 00:02:04,000 Speaker 8: no way I could do that in forty eight hours, 38 00:02:04,040 --> 00:02:06,960 Speaker 8: which is I think how long I had till I 39 00:02:07,080 --> 00:02:15,440 Speaker 8: was in Wilmington, Wow, from Don Kuckos in Burbank, which 40 00:02:15,480 --> 00:02:17,880 Speaker 8: is where I kind of found out I was getting rolled. 41 00:02:17,919 --> 00:02:22,679 Speaker 8: But yeah, so I was reading the script like I 42 00:02:22,720 --> 00:02:25,760 Speaker 8: don't know who any of these people are or why 43 00:02:26,800 --> 00:02:27,760 Speaker 8: people are. 44 00:02:28,639 --> 00:02:35,680 Speaker 7: It seems important and scary. I'll go with that, you know, 45 00:02:35,800 --> 00:02:36,240 Speaker 7: it was. 46 00:02:36,560 --> 00:02:41,240 Speaker 8: It was pretty clear that like Victoria was. 47 00:02:43,160 --> 00:02:44,440 Speaker 7: With Sophia's mom. 48 00:02:45,760 --> 00:02:51,600 Speaker 8: And that sucks that her store basically got I think 49 00:02:51,800 --> 00:02:52,680 Speaker 8: essentially stolen. 50 00:02:53,120 --> 00:02:53,520 Speaker 4: Thank you. 51 00:02:53,600 --> 00:02:54,600 Speaker 6: I appreciate that. 52 00:02:54,680 --> 00:02:58,720 Speaker 8: Yeah, And by the way side, note you and Hillary 53 00:02:59,000 --> 00:03:02,400 Speaker 8: like looking back and like they have the sexiest voices. 54 00:03:03,360 --> 00:03:07,200 Speaker 7: They're just like so like, I don't know, it's just 55 00:03:07,280 --> 00:03:13,480 Speaker 7: I was like, wow, should I start doing that? Maybe 56 00:03:13,480 --> 00:03:18,639 Speaker 7: there's a last thing. But yeah, it was, it was. 57 00:03:18,760 --> 00:03:20,119 Speaker 7: It was definitely a wild read. 58 00:03:20,680 --> 00:03:22,600 Speaker 1: I thought it was crazy and I was, you know, 59 00:03:22,639 --> 00:03:24,440 Speaker 1: I've been doing the show for six years so far, 60 00:03:24,520 --> 00:03:27,600 Speaker 1: and that was really nuts to get this thing and 61 00:03:27,680 --> 00:03:30,640 Speaker 1: I'm going, we're running through a cornfield. This is full 62 00:03:30,680 --> 00:03:34,080 Speaker 1: this We're beyond misery now, this is Stephen Geek's misery. 63 00:03:34,120 --> 00:03:37,120 Speaker 9: We're like in total horror movie. 64 00:03:37,440 --> 00:03:41,760 Speaker 1: Yeah, I just didn't understand what the correlation was, why 65 00:03:41,800 --> 00:03:44,400 Speaker 1: we were doing it. It must have aired around think 66 00:03:45,080 --> 00:03:46,520 Speaker 1: around Halloween. 67 00:03:46,640 --> 00:03:50,000 Speaker 7: Right, yeah, probably September twenty. 68 00:03:49,920 --> 00:03:51,440 Speaker 1: Nine, yeah, month before all right. 69 00:03:51,920 --> 00:03:54,920 Speaker 4: Yeah, I think what's sort of interesting to me looking 70 00:03:55,000 --> 00:03:59,040 Speaker 4: back on it and what you're referencing is, in a way, 71 00:03:59,200 --> 00:04:01,680 Speaker 4: it's like a spoof of a horror movie, like Dan 72 00:04:01,840 --> 00:04:05,640 Speaker 4: doing the I Hate the Woods and like Nanny Carey 73 00:04:05,680 --> 00:04:07,640 Speaker 4: popping back up at the end and all these things 74 00:04:08,000 --> 00:04:12,640 Speaker 4: that are so they're so they're sort of campy. It's 75 00:04:12,640 --> 00:04:16,280 Speaker 4: not taking itself very seriously. It's being extra ridiculous for 76 00:04:16,320 --> 00:04:17,839 Speaker 4: the sake of ridiculousness. 77 00:04:17,920 --> 00:04:21,400 Speaker 9: Yes, but then you have these very real. 78 00:04:21,080 --> 00:04:24,640 Speaker 4: Things happening where Peyton's dealing with is this or isn't 79 00:04:24,680 --> 00:04:28,720 Speaker 4: my dad? Mick? Is you know, losing a year of sobriety. 80 00:04:29,240 --> 00:04:33,200 Speaker 4: Actually you know, you're playing Sam who is houseless teen 81 00:04:33,360 --> 00:04:36,600 Speaker 4: and Brooks in therapy dealing with like her maternal trauma. 82 00:04:36,960 --> 00:04:40,440 Speaker 4: And then you've got like Axe Murder and Cornfields. And 83 00:04:40,520 --> 00:04:44,320 Speaker 4: I was like, I know I've said this before and 84 00:04:44,520 --> 00:04:46,200 Speaker 4: after certain episodes, but I was like, I feel like 85 00:04:46,240 --> 00:04:49,800 Speaker 4: I have whiplash, Like I don't know which way I'm looking, 86 00:04:49,839 --> 00:04:53,200 Speaker 4: and I don't I don't know if I'm doing like 87 00:04:53,760 --> 00:04:57,239 Speaker 4: Parenthood or if I'm doing an Axe Murderer. 88 00:04:56,839 --> 00:04:59,440 Speaker 9: Movie, like what you like. 89 00:04:59,560 --> 00:05:02,120 Speaker 1: Nathan's out on the basketball court, like thinking he's going 90 00:05:02,200 --> 00:05:03,880 Speaker 1: to get to play again, but they really just want 91 00:05:03,920 --> 00:05:07,400 Speaker 1: him to coach. Lucas is having this very yeah, Lucas 92 00:05:07,440 --> 00:05:11,159 Speaker 1: is having this very real struggle with how to tell 93 00:05:11,320 --> 00:05:13,640 Speaker 1: his ex fiance that she was right all along and 94 00:05:13,640 --> 00:05:15,279 Speaker 1: he actually is going to marry the girl that he 95 00:05:15,360 --> 00:05:19,160 Speaker 1: was in love with all this time, and it's so yeah, 96 00:05:19,600 --> 00:05:21,479 Speaker 1: that's the stuff that the show was built on like 97 00:05:21,560 --> 00:05:25,560 Speaker 1: all the very real, raw personal moments and then Dan's 98 00:05:25,560 --> 00:05:28,039 Speaker 1: in a hospital gown shooting a woman in the stomach. 99 00:05:28,360 --> 00:05:33,720 Speaker 1: It's just so confusing to me, just really really confusing. 100 00:05:35,080 --> 00:05:38,480 Speaker 4: So something that is actually interesting, because you were just 101 00:05:38,560 --> 00:05:45,040 Speaker 4: talking about voices, ash is I notice that the top 102 00:05:45,200 --> 00:05:50,960 Speaker 4: of this episode, the voiceover trades from each character to 103 00:05:51,000 --> 00:05:56,160 Speaker 4: each character over their little age, like the opening montage, 104 00:05:56,720 --> 00:05:58,840 Speaker 4: And we were talking I can't remember if it was 105 00:05:58,880 --> 00:06:01,479 Speaker 4: last week or the week before, about how cool it 106 00:06:01,600 --> 00:06:05,080 Speaker 4: was that in your first episode, even before we've met Sam, 107 00:06:05,520 --> 00:06:07,839 Speaker 4: you're doing the voiceover, and at the end of the 108 00:06:07,880 --> 00:06:10,040 Speaker 4: episode we find out it's the essay that you wrote 109 00:06:10,839 --> 00:06:12,000 Speaker 4: about Quentin. 110 00:06:12,360 --> 00:06:12,520 Speaker 1: And. 111 00:06:14,120 --> 00:06:17,240 Speaker 4: I just I don't know exactly what it is yet, 112 00:06:17,320 --> 00:06:21,800 Speaker 4: but I'm noticing these changes that they're making to how 113 00:06:21,880 --> 00:06:25,719 Speaker 4: our voiceovers work, and I don't know, I just I 114 00:06:25,760 --> 00:06:28,039 Speaker 4: find it interesting, and I thought it was very cool 115 00:06:28,520 --> 00:06:32,560 Speaker 4: that every character was telling their little bit of a story. 116 00:06:32,920 --> 00:06:33,200 Speaker 7: Yeah. 117 00:06:33,320 --> 00:06:35,719 Speaker 8: I thought it just all came back to the same, 118 00:06:37,040 --> 00:06:40,440 Speaker 8: you know, theme of Well one was like a super 119 00:06:40,520 --> 00:06:45,000 Speaker 8: violent way to tell the theme of like family and 120 00:06:45,040 --> 00:06:49,080 Speaker 8: not feeling alone is so important and if you don't 121 00:06:49,080 --> 00:06:53,560 Speaker 8: have family, you can define that with friends, but it's 122 00:06:53,680 --> 00:06:58,000 Speaker 8: the point of not being alone and independence and what 123 00:06:59,440 --> 00:07:04,440 Speaker 8: really mattered in life? What makes you say I was here, 124 00:07:04,960 --> 00:07:06,360 Speaker 8: I did something great, Like. 125 00:07:06,360 --> 00:07:07,440 Speaker 7: What what is that? 126 00:07:07,800 --> 00:07:14,840 Speaker 8: And you know with Brooke, she's at this place where 127 00:07:14,840 --> 00:07:20,080 Speaker 8: it's like what, especially in the therapist's office, it's like, what, 128 00:07:20,080 --> 00:07:22,880 Speaker 8: what have I really accomplished? Was this store something that 129 00:07:23,920 --> 00:07:27,800 Speaker 8: keeps me kind of is this enough? Or did I 130 00:07:27,880 --> 00:07:32,520 Speaker 8: just spend so much time working? And you talk about 131 00:07:32,960 --> 00:07:36,880 Speaker 8: being jealous of not being like insecure or afraid of Sam, 132 00:07:36,920 --> 00:07:41,120 Speaker 8: but being jealous because she doesn't have anyone to answer to. 133 00:07:43,960 --> 00:07:48,920 Speaker 8: But I think later you'll you find out how come 134 00:07:49,040 --> 00:07:53,720 Speaker 8: to feel and realize that Sam and Brook are very 135 00:07:53,760 --> 00:07:58,120 Speaker 8: similar in the sense that like they're both kind of 136 00:07:58,160 --> 00:08:02,240 Speaker 8: on their own and figuring out what their value is. 137 00:08:02,280 --> 00:08:09,240 Speaker 8: I think that maybe you know, Brooke is is wondering 138 00:08:09,280 --> 00:08:13,120 Speaker 8: how long or if or if you know what she did. 139 00:08:14,440 --> 00:08:18,880 Speaker 7: Will will matter and you know how long. 140 00:08:18,720 --> 00:08:23,080 Speaker 8: That that impact will last? And I think on the 141 00:08:23,120 --> 00:08:26,560 Speaker 8: other end of the spectrum, Sam is wondering how long 142 00:08:26,720 --> 00:08:29,480 Speaker 8: this chapter of her life is going to last. 143 00:08:31,640 --> 00:08:34,040 Speaker 7: So it's it's an interesting parallel. I thought it was. 144 00:08:35,520 --> 00:08:38,920 Speaker 8: It was nice and it was nice to see kind 145 00:08:38,960 --> 00:08:42,560 Speaker 8: of the build of of where it would go with 146 00:08:42,679 --> 00:08:45,800 Speaker 8: those two. And there's how. 147 00:08:45,640 --> 00:08:48,800 Speaker 7: Similar they were, even though they were very different. 148 00:08:49,480 --> 00:08:50,080 Speaker 6: Yeah. 149 00:08:50,160 --> 00:08:53,199 Speaker 1: I love. I think we've all, especially as just grown women, 150 00:08:53,240 --> 00:08:55,240 Speaker 1: we've all had to learn how to parent ourselves in 151 00:08:55,280 --> 00:08:59,160 Speaker 1: different spaces in our lives. And you know, there's the 152 00:08:59,200 --> 00:09:02,480 Speaker 1: cliche of like in her child work, but it's it's true. 153 00:09:02,559 --> 00:09:04,439 Speaker 1: You know, there's always parts of ourselves that we get 154 00:09:04,480 --> 00:09:08,960 Speaker 1: to go back and explore and tend to And I 155 00:09:09,040 --> 00:09:13,440 Speaker 1: love seeing Brooke having this opportunity. You know, Brooke who 156 00:09:13,600 --> 00:09:15,600 Speaker 1: wants to be a mom and she's taken strides in 157 00:09:15,600 --> 00:09:21,520 Speaker 1: that direction, being offered this opportunity to revisit the part 158 00:09:21,559 --> 00:09:24,760 Speaker 1: of herself that felt abandoned and left on the side 159 00:09:24,760 --> 00:09:27,920 Speaker 1: of the road and left just defend for herself. And 160 00:09:28,280 --> 00:09:31,320 Speaker 1: not only is she getting to heal her herself, but 161 00:09:31,400 --> 00:09:34,840 Speaker 1: she's actually going to be able to help another person 162 00:09:34,920 --> 00:09:39,520 Speaker 1: at that actual age heel. It's really a beautiful Yeah, 163 00:09:39,920 --> 00:09:43,080 Speaker 1: it's beautiful connectivity that they that they weaved here. 164 00:09:44,080 --> 00:09:45,320 Speaker 7: Yeah. 165 00:09:45,480 --> 00:09:47,559 Speaker 4: Yeah, and I like that we have to do it together, 166 00:09:47,720 --> 00:09:51,040 Speaker 4: you and I because something that hit me when we 167 00:09:51,120 --> 00:09:54,400 Speaker 4: had that scene in the Dixie Grill. You know when 168 00:09:54,440 --> 00:09:57,920 Speaker 4: you you buy me my coffee, and then you're like, 169 00:09:57,960 --> 00:10:02,240 Speaker 4: it's your money anyway, you know. But I thought it 170 00:10:02,280 --> 00:10:06,080 Speaker 4: was really interesting that these two women are having a 171 00:10:06,120 --> 00:10:11,120 Speaker 4: really important conversation but from behind their own walls, like 172 00:10:11,240 --> 00:10:13,360 Speaker 4: neither of us is willing to be vulnerable enough to 173 00:10:13,400 --> 00:10:16,240 Speaker 4: say what we mean. But you feed me the line 174 00:10:16,280 --> 00:10:20,600 Speaker 4: about your mom and your curfew despite being this motherless child, 175 00:10:20,880 --> 00:10:24,840 Speaker 4: and I I don't quite have the courage yet to 176 00:10:24,960 --> 00:10:28,920 Speaker 4: say what I really want to say about my own 177 00:10:29,040 --> 00:10:33,440 Speaker 4: lack of mother, a mother figure, or ever having been mothered. 178 00:10:33,960 --> 00:10:38,920 Speaker 4: So I hide behind like pretty lucky. I have a 179 00:10:38,920 --> 00:10:42,880 Speaker 4: mom who cares about you, you know, And I think 180 00:10:42,920 --> 00:10:44,959 Speaker 4: we both know neither of us is telling the truth, 181 00:10:45,000 --> 00:10:47,800 Speaker 4: but neither of us knows what to say. And then 182 00:10:47,840 --> 00:10:50,760 Speaker 4: you leave, and it's like, I love that in a way, 183 00:10:50,800 --> 00:10:52,000 Speaker 4: it's their wounds. 184 00:10:51,600 --> 00:10:52,560 Speaker 7: That see each other face. 185 00:10:53,920 --> 00:10:56,560 Speaker 8: As I recall, I don't think Sam ever really looks 186 00:10:56,640 --> 00:11:01,560 Speaker 8: at Brooke makes eye contact, and that it is it's 187 00:11:01,679 --> 00:11:06,000 Speaker 8: brief and that scene. But yeah, what you said about 188 00:11:06,040 --> 00:11:10,240 Speaker 8: their their wound seeing each other first is that's a 189 00:11:10,240 --> 00:11:12,679 Speaker 8: beautiful way to put it. That's a beautiful way to 190 00:11:12,720 --> 00:11:14,840 Speaker 8: put it. It is what was happening in that moment 191 00:11:15,720 --> 00:11:17,040 Speaker 8: sort of their walls connected. 192 00:11:17,720 --> 00:11:21,640 Speaker 1: That's so normal life. Yeah, I'm trying to think of, 193 00:11:21,800 --> 00:11:24,240 Speaker 1: you know, chronologically, do we like do we go through 194 00:11:25,520 --> 00:11:28,440 Speaker 1: because it does bounce all over the place, So if 195 00:11:28,440 --> 00:11:34,720 Speaker 1: we're if we start with. Another thing that I've really 196 00:11:35,240 --> 00:11:39,280 Speaker 1: loved was as I mentioned before, James uh Well, Nathan 197 00:11:39,360 --> 00:11:42,760 Speaker 1: going into thinking he's going to go play basketball, and 198 00:11:42,800 --> 00:11:46,240 Speaker 1: the thrill of the whole family being so excited, like wow, 199 00:11:46,320 --> 00:11:50,319 Speaker 1: dreams are still coming true. And after after the blow 200 00:11:50,360 --> 00:11:56,160 Speaker 1: of Quentin's death and now feeling like Dan is dying, 201 00:11:56,160 --> 00:12:01,040 Speaker 1: there's just so much happening for this family. And again 202 00:12:01,160 --> 00:12:05,400 Speaker 1: to see him show up somewhere and realize that it's 203 00:12:05,520 --> 00:12:07,520 Speaker 1: it's not what he thought it was. The dream still 204 00:12:07,559 --> 00:12:08,320 Speaker 1: may not happen. 205 00:12:10,120 --> 00:12:10,680 Speaker 9: It's interesting. 206 00:12:10,720 --> 00:12:15,439 Speaker 1: It's interesting like the theme of in this episode of dreams, 207 00:12:17,640 --> 00:12:20,160 Speaker 1: possible dreams popping up and then and then fading away, 208 00:12:20,480 --> 00:12:22,720 Speaker 1: or the full loss of a dream, like Lindsay with Lucas, 209 00:12:22,800 --> 00:12:24,880 Speaker 1: like she was pushing him away the whole time, but 210 00:12:25,040 --> 00:12:27,920 Speaker 1: still now it's the nails really in the coffin, like 211 00:12:27,920 --> 00:12:35,000 Speaker 1: it's it's really over Brook losing her business, even. 212 00:12:34,840 --> 00:12:36,320 Speaker 9: Carrie losing the. 213 00:12:38,040 --> 00:12:40,240 Speaker 1: This plan that she'd had all along to get what 214 00:12:40,320 --> 00:12:42,679 Speaker 1: her dream was. Even though we all see it for 215 00:12:42,679 --> 00:12:46,480 Speaker 1: what it was, there's still so many dreams just being 216 00:12:46,480 --> 00:12:49,000 Speaker 1: put out on the table and everyone's trying to find 217 00:12:49,000 --> 00:12:51,679 Speaker 1: a way to pick it up or looking at it 218 00:12:51,720 --> 00:12:55,880 Speaker 1: and going, oh, this isn't what I thought it was. Sorry, 219 00:12:55,920 --> 00:12:57,400 Speaker 1: I don't mean to be talking in circles. It's just 220 00:12:57,600 --> 00:13:00,520 Speaker 1: kind of coming to me as I as I think 221 00:13:00,520 --> 00:13:02,560 Speaker 1: about this episode. But I did like that. I thought 222 00:13:02,559 --> 00:13:05,600 Speaker 1: that was well done. Yeah, And it's stuff that you 223 00:13:05,600 --> 00:13:08,800 Speaker 1: don't think about too hard. I think that's the marker 224 00:13:08,800 --> 00:13:12,840 Speaker 1: of something that's been well written. Bill Brown wrote this 225 00:13:12,920 --> 00:13:15,679 Speaker 1: episode when you get to see all these themes kind 226 00:13:15,720 --> 00:13:19,240 Speaker 1: of come to the surface the more you process it anyway. 227 00:13:19,800 --> 00:13:24,880 Speaker 8: Yeah, I mean that moment where Lucas Charles lindsay kind 228 00:13:24,920 --> 00:13:26,599 Speaker 8: of out of force because he's like, I don't know, 229 00:13:26,679 --> 00:13:30,520 Speaker 8: I'm going to tell her, and you know, she she's like, 230 00:13:30,640 --> 00:13:31,959 Speaker 8: what's so important about this date? 231 00:13:32,000 --> 00:13:35,120 Speaker 7: And he's like, my wedding. Your heart just breaks? 232 00:13:35,880 --> 00:13:51,800 Speaker 10: Oh if your heart just breaks for Yeah, you know what. 233 00:13:51,760 --> 00:13:56,560 Speaker 4: I loved though, And maybe it's because we've all had 234 00:13:56,600 --> 00:13:58,720 Speaker 4: our fair share, you know, over the years on the 235 00:13:58,760 --> 00:14:02,560 Speaker 4: show of having to do really overly emotional, kind of 236 00:14:02,920 --> 00:14:07,320 Speaker 4: soapy things where people pitch fits about you know, whatever 237 00:14:07,640 --> 00:14:11,560 Speaker 4: emotional love triangle they're in at the time. I loved 238 00:14:12,679 --> 00:14:16,280 Speaker 4: that they allowed them to have a gentle landing these 239 00:14:16,320 --> 00:14:19,480 Speaker 4: two characters because they'd had the blow ups and they'd 240 00:14:19,480 --> 00:14:23,160 Speaker 4: had the you know, runaway bride moment. I just really 241 00:14:23,240 --> 00:14:26,360 Speaker 4: loved that they gave it so much authenticity where she 242 00:14:26,440 --> 00:14:29,680 Speaker 4: get to say where she got to say, I always 243 00:14:29,720 --> 00:14:32,600 Speaker 4: knew I was in denial. That was bad for me 244 00:14:32,640 --> 00:14:33,360 Speaker 4: and bad for you. 245 00:14:33,920 --> 00:14:34,160 Speaker 1: Yep. 246 00:14:34,720 --> 00:14:38,360 Speaker 4: Like when we think about this idea of you know, 247 00:14:38,400 --> 00:14:40,800 Speaker 4: how we get to reparent ourselves, like that is such 248 00:14:40,800 --> 00:14:43,440 Speaker 4: a mature moment for someone and to. 249 00:14:43,440 --> 00:14:46,200 Speaker 6: Be like, yeah it was. It was never right. 250 00:14:46,320 --> 00:14:48,960 Speaker 4: It wasn't working for us, Like go go find where 251 00:14:48,960 --> 00:14:51,360 Speaker 4: it works for you. And I was like, wow, I 252 00:14:51,400 --> 00:14:53,280 Speaker 4: just don't feel like I've seen that modeled a lot 253 00:14:53,320 --> 00:14:56,400 Speaker 4: on shows like this because I always want the drama moment, 254 00:14:57,720 --> 00:15:02,640 Speaker 4: and I loved that Lucas lindsay they certainly got the 255 00:15:02,720 --> 00:15:04,520 Speaker 4: drama moment with like what's more important than. 256 00:15:07,400 --> 00:15:08,040 Speaker 6: They got it? 257 00:15:08,640 --> 00:15:11,480 Speaker 4: But then they gave us something that I don't know 258 00:15:11,800 --> 00:15:15,520 Speaker 4: as a viewer, I felt like it was really crushing kind. 259 00:15:15,880 --> 00:15:19,440 Speaker 8: Yeah, and like you can just see you still it 260 00:15:19,520 --> 00:15:23,320 Speaker 8: might seem like it's you know, settled, but you can 261 00:15:23,360 --> 00:15:25,920 Speaker 8: still see the heartbreak behind her. And she got to 262 00:15:26,040 --> 00:15:31,880 Speaker 8: really you know, burry that deep deep inside her and 263 00:15:31,960 --> 00:15:35,080 Speaker 8: not like be asked to just like you were saying, 264 00:15:35,120 --> 00:15:40,040 Speaker 8: to your point, sort of overdo it acting wise. 265 00:15:40,120 --> 00:15:43,520 Speaker 7: She just got to play the truth and how we. 266 00:15:43,480 --> 00:15:46,680 Speaker 8: Would actually probably feel in real life, or how we 267 00:15:46,720 --> 00:15:49,880 Speaker 8: would project and act in real life. 268 00:15:50,080 --> 00:15:52,280 Speaker 1: It's always so hard. It's so hard to put a 269 00:15:52,360 --> 00:15:55,640 Speaker 1: dream down, even though you know it's not right. There's 270 00:15:55,680 --> 00:16:00,680 Speaker 1: always like this, especially with Lucas pursuing for as long 271 00:16:00,720 --> 00:16:07,240 Speaker 1: as he did after she left the Altar. It's yeah, 272 00:16:07,240 --> 00:16:10,400 Speaker 1: it felt that that got me. Try to think about 273 00:16:10,440 --> 00:16:13,160 Speaker 1: moments in life when i've you know, you pick up 274 00:16:13,200 --> 00:16:14,520 Speaker 1: a dream and then you have to put it back 275 00:16:14,560 --> 00:16:16,760 Speaker 1: down because you realize it's not what you thought it was, 276 00:16:17,000 --> 00:16:20,200 Speaker 1: or you realize like maybe you actually don't even want 277 00:16:20,200 --> 00:16:26,360 Speaker 1: it anymore, but it's still there's still a loss. Yeah. 278 00:16:26,480 --> 00:16:28,320 Speaker 1: I love that about our show. I love that we 279 00:16:28,400 --> 00:16:32,880 Speaker 1: hit those real, very real moments. Yeayton Peyton picking up 280 00:16:32,920 --> 00:16:37,760 Speaker 1: this dream of her dad. That's so interesting too, and. 281 00:16:37,640 --> 00:16:42,520 Speaker 4: It's so sweet and gentle and it's such a nice 282 00:16:43,160 --> 00:16:45,440 Speaker 4: We talked about this a couple I guess it would 283 00:16:45,440 --> 00:16:47,720 Speaker 4: have been a couple of months ago, now what is time. 284 00:16:48,200 --> 00:16:51,840 Speaker 4: But just for reference, Ashley, like we were talking about 285 00:16:51,840 --> 00:16:55,800 Speaker 4: how Peyton and Lucas getting back together has been so 286 00:16:55,960 --> 00:16:57,960 Speaker 4: fun for us all to watch because we get to 287 00:16:57,960 --> 00:16:59,320 Speaker 4: see Peyton be so happy. 288 00:17:00,320 --> 00:17:02,200 Speaker 6: Yeah, and in this I. 289 00:17:02,160 --> 00:17:04,840 Speaker 4: Felt like we got this other layer almost, like another 290 00:17:04,960 --> 00:17:08,439 Speaker 4: layer was peeled back, and we keep getting to see 291 00:17:08,480 --> 00:17:12,720 Speaker 4: her as this younger version of her, like the teenager 292 00:17:12,760 --> 00:17:16,720 Speaker 4: and her coming out and instead of being you know, 293 00:17:16,960 --> 00:17:22,440 Speaker 4: salty stalking around the high school in Assassin people, she's 294 00:17:23,000 --> 00:17:26,600 Speaker 4: vulnerable and excited and hopeful. 295 00:17:26,240 --> 00:17:29,600 Speaker 1: And nurturing the child inside of herself. 296 00:17:30,040 --> 00:17:32,400 Speaker 4: Yeah, she wants to find this missing piece of herself 297 00:17:32,440 --> 00:17:37,000 Speaker 4: and it's so pure And I love watching Hillary play 298 00:17:37,080 --> 00:17:39,760 Speaker 4: this version of Peyton me too. 299 00:17:41,119 --> 00:17:46,320 Speaker 8: I mean it's heartbreaking when she's having that scene where, 300 00:17:47,840 --> 00:17:51,320 Speaker 8: oh my god, where she's you know, why don't you 301 00:17:51,320 --> 00:17:53,760 Speaker 8: come over for dinner tonight? And you can clearly tell 302 00:17:53,920 --> 00:17:59,480 Speaker 8: that she knows that that's her father at the same 303 00:17:59,560 --> 00:18:05,040 Speaker 8: time hopes that he'll come, but kind of has an 304 00:18:05,160 --> 00:18:09,400 Speaker 8: idea that he wants and that, Yeah. 305 00:18:09,200 --> 00:18:14,200 Speaker 7: That is another dream being but now that I don't think. 306 00:18:15,480 --> 00:18:18,560 Speaker 8: I don't think anyone's ever ready for that to essentially 307 00:18:18,640 --> 00:18:19,560 Speaker 8: relose a parent. 308 00:18:20,520 --> 00:18:24,920 Speaker 1: Mm oh, and Peyton's been through so much already. Yes, 309 00:18:24,960 --> 00:18:27,199 Speaker 1: it's just the fact that she's I mean, I do. 310 00:18:27,280 --> 00:18:28,679 Speaker 9: That's what I love about her character. 311 00:18:29,240 --> 00:18:32,119 Speaker 1: She just keeps being willing to open back up and 312 00:18:33,040 --> 00:18:35,960 Speaker 1: see what is coming next, see what's you know? Maybe 313 00:18:36,000 --> 00:18:41,760 Speaker 1: this time. One thing, it's funny what you're saying so 314 00:18:41,960 --> 00:18:45,360 Speaker 1: about Hillary playing the character this way, because we don't 315 00:18:45,359 --> 00:18:48,400 Speaker 1: get to see Peyton soft and vulnerable very often at all. 316 00:18:48,520 --> 00:18:51,879 Speaker 1: We haven't throughout the years. And the first thing I 317 00:18:51,880 --> 00:18:55,240 Speaker 1: thought when I saw Sam for the first time after 318 00:18:55,280 --> 00:18:57,600 Speaker 1: having not watched the show for so many years, was, 319 00:18:57,880 --> 00:18:59,600 Speaker 1: you know, you're sitting in the back with all of 320 00:18:59,640 --> 00:19:04,600 Speaker 1: your God clothes or whatever, like hardcore punk clothes, and 321 00:19:04,680 --> 00:19:08,600 Speaker 1: your backpack says, and it's got the Anarchy symbol on it, 322 00:19:08,960 --> 00:19:12,399 Speaker 1: and it was so Peyton in high school. It's really 323 00:19:12,440 --> 00:19:15,920 Speaker 1: fun to see. It's really fun to see Sam echoing 324 00:19:15,960 --> 00:19:18,280 Speaker 1: those same sentiments. And then we also get to see 325 00:19:18,960 --> 00:19:21,639 Speaker 1: who she maybe turns into in the echo of Peyton 326 00:19:21,840 --> 00:19:26,280 Speaker 1: years later. You know, yeah, did you when you were 327 00:19:26,320 --> 00:19:29,639 Speaker 1: brought on the show, did you were you modeling your 328 00:19:29,720 --> 00:19:32,919 Speaker 1: character after anyone? Did you feel like you knew that 329 00:19:33,000 --> 00:19:36,240 Speaker 1: there was a parallel with Peyton or were you just 330 00:19:36,400 --> 00:19:40,320 Speaker 1: completely flying blind? What was your intro and set up there? 331 00:19:40,920 --> 00:19:42,720 Speaker 7: More so a little bit? 332 00:19:43,000 --> 00:19:45,560 Speaker 8: Well, I knew that as an actor that like the 333 00:19:45,600 --> 00:19:48,359 Speaker 8: feedback is, oh, your edgy or your edgy, But like 334 00:19:48,480 --> 00:19:52,520 Speaker 8: I constantly tried to play against that in my career, 335 00:19:52,560 --> 00:19:55,240 Speaker 8: and what ended up happening was some sort of weird 336 00:19:56,040 --> 00:19:59,959 Speaker 8: fourteen year old wearing like Jay Crew and Ann Taylor 337 00:20:00,200 --> 00:20:05,360 Speaker 8: and like, I don't know why I'm super on our show. No, no, no, no, 338 00:20:05,640 --> 00:20:08,320 Speaker 8: Like in my real life, I was trying to overcompensate 339 00:20:08,400 --> 00:20:11,399 Speaker 8: for the natural sort of edginess that I have. 340 00:20:11,840 --> 00:20:14,119 Speaker 1: Oh I see okay, yeah, because I was like, I 341 00:20:14,119 --> 00:20:15,280 Speaker 1: don't remember you being. 342 00:20:15,080 --> 00:20:17,120 Speaker 9: In no way. 343 00:20:18,400 --> 00:20:18,600 Speaker 11: No. 344 00:20:19,560 --> 00:20:23,960 Speaker 8: I felt way more comfortable as Sam than I felt 345 00:20:23,960 --> 00:20:26,359 Speaker 8: at that time in my own life, and so I 346 00:20:26,400 --> 00:20:30,640 Speaker 8: actually got to be myself but also learn about myself 347 00:20:30,680 --> 00:20:35,520 Speaker 8: through Sam and thank god, get a better sense of style. 348 00:20:36,760 --> 00:20:41,600 Speaker 7: Even if Sam's style was like no, it still was a. 349 00:20:41,560 --> 00:20:43,600 Speaker 8: Lot better than what I was doing, and it kind 350 00:20:43,600 --> 00:20:47,600 Speaker 8: of introduced me into you know, having style that expresses you. 351 00:20:48,520 --> 00:20:52,880 Speaker 8: And uh, I love that's so cool. Yeah, I'll forever 352 00:20:53,000 --> 00:20:54,280 Speaker 8: love and thank your show for. 353 00:20:55,320 --> 00:20:57,440 Speaker 1: That giving you the permission to just do what you 354 00:20:57,520 --> 00:20:59,000 Speaker 1: felt like you actually wanted to do. 355 00:20:59,200 --> 00:21:06,840 Speaker 7: Yeah, and yeah, Sam just she she was. 356 00:21:06,920 --> 00:21:12,720 Speaker 8: She was very like punk I would say, runge, but yeah, yeah, 357 00:21:12,840 --> 00:21:15,240 Speaker 8: I mean it was so fun there. 358 00:21:16,000 --> 00:21:18,440 Speaker 7: I would later realize that you can. 359 00:21:18,359 --> 00:21:21,159 Speaker 8: Take the clothes home from wardrobe if you ask and 360 00:21:21,200 --> 00:21:23,080 Speaker 8: make sure that you're done with that scene. 361 00:21:24,040 --> 00:21:26,840 Speaker 7: And I wish I had done that more on the show. 362 00:21:27,160 --> 00:21:28,200 Speaker 7: Yeah at all. 363 00:21:28,520 --> 00:21:30,600 Speaker 4: Well, if it makes you feel any better. They did 364 00:21:30,600 --> 00:21:33,120 Speaker 4: not allow that on our show. They would charge you if. 365 00:21:33,160 --> 00:21:37,399 Speaker 1: Yeah, he's got their receipts. 366 00:21:37,600 --> 00:21:38,080 Speaker 6: Yeah. 367 00:21:38,160 --> 00:21:40,280 Speaker 4: Well, and what was really funny is when we wrapped, 368 00:21:40,320 --> 00:21:43,520 Speaker 4: there was like a major wardrobe braid, and like there 369 00:21:43,560 --> 00:21:45,720 Speaker 4: were some people who took some of Brook's clothes because 370 00:21:45,720 --> 00:21:47,720 Speaker 4: they were a vibe, but like I'd warned them, I 371 00:21:47,760 --> 00:21:50,320 Speaker 4: didn't want them, and they tried to build me for 372 00:21:50,400 --> 00:21:51,400 Speaker 4: all of them, and I was. 373 00:21:51,359 --> 00:21:53,000 Speaker 6: Like, I don't have all of that. 374 00:21:53,080 --> 00:21:56,080 Speaker 4: I have like these ten things that I will pay 375 00:21:56,160 --> 00:21:57,760 Speaker 4: you for because they're sentimental and. 376 00:21:57,720 --> 00:22:00,360 Speaker 6: I want to keep them. But like you to figure 377 00:22:00,400 --> 00:22:04,840 Speaker 6: out where the restaurant. I'm sorry, it was wild. Warner 378 00:22:04,880 --> 00:22:08,119 Speaker 6: Brothers was very much. They were on those balances. 379 00:22:08,119 --> 00:22:10,199 Speaker 1: Well, they knew what they had. They knew Onetre Hill 380 00:22:10,320 --> 00:22:11,919 Speaker 1: was such a hit. They were like, we can't get 381 00:22:12,000 --> 00:22:14,080 Speaker 1: rid of any of this stuff. What happens if that 382 00:22:14,359 --> 00:22:17,760 Speaker 1: shirt becomes iconic and we have to, you know, put 383 00:22:17,800 --> 00:22:19,000 Speaker 1: it in a museum one day? 384 00:22:19,920 --> 00:22:23,040 Speaker 7: Yeah, could you imagine? 385 00:22:23,320 --> 00:22:25,959 Speaker 1: Yeah? I can, because by the way, I just went 386 00:22:26,000 --> 00:22:28,280 Speaker 1: to New York and did the Harry Potter tour and 387 00:22:28,320 --> 00:22:30,120 Speaker 1: the Friend's tour, where. 388 00:22:29,880 --> 00:22:32,120 Speaker 9: It's like the whole setup is everywhere. 389 00:22:32,160 --> 00:22:35,240 Speaker 1: You walk into a huge building in New York City 390 00:22:35,320 --> 00:22:38,320 Speaker 1: and it's the whole Friends set, all the costumes, all 391 00:22:38,320 --> 00:22:39,960 Speaker 1: these props, all these great and you go do a 392 00:22:40,000 --> 00:22:42,520 Speaker 1: tour through the whole building and it's all these iconic 393 00:22:42,560 --> 00:22:45,760 Speaker 1: moments from the show and you walk through. I'm like, 394 00:22:45,920 --> 00:22:49,440 Speaker 1: how is there not a one Tree Hill experience out there? 395 00:22:49,600 --> 00:22:53,320 Speaker 9: Like a real it would do so well? 396 00:22:54,000 --> 00:22:56,879 Speaker 8: Oh my gosh, I know, but now we all have 397 00:22:57,000 --> 00:23:00,280 Speaker 8: to be involved in that because it was all right, 398 00:23:00,600 --> 00:23:05,000 Speaker 8: absolutely first we had these one fans and I guess 399 00:23:05,040 --> 00:23:07,959 Speaker 8: it's pretty wonder is pretty popular in France. 400 00:23:08,560 --> 00:23:13,840 Speaker 7: Yeah, so oh yeah, I mean, I've never been to Paris. 401 00:23:13,880 --> 00:23:17,919 Speaker 8: I've never been there this time and like someone brings 402 00:23:17,960 --> 00:23:20,600 Speaker 8: me like a little Eiffel Tower Tachain. I was like, oh, 403 00:23:20,880 --> 00:23:25,199 Speaker 8: this was in France, like so cool. It's crazy how 404 00:23:25,280 --> 00:23:28,120 Speaker 8: much the reaches on the show. Yeah, you would think 405 00:23:28,160 --> 00:23:31,119 Speaker 8: it would do extremely well one of those tours. 406 00:23:32,480 --> 00:23:35,360 Speaker 4: Yeah, well there was that group of girls who would 407 00:23:35,359 --> 00:23:39,200 Speaker 4: always come from France on their brains and I think, 408 00:23:39,240 --> 00:23:42,840 Speaker 4: like I think the third year Ashley, we were like, guys, 409 00:23:43,080 --> 00:23:46,680 Speaker 4: you're lovely, but you have to want to go somewhere else, 410 00:23:46,840 --> 00:23:49,720 Speaker 4: Like you want to go to like New York only show, 411 00:23:50,600 --> 00:23:53,440 Speaker 4: go to l A, like I can Holleywood sign, Yeah, 412 00:23:53,560 --> 00:23:54,800 Speaker 4: go see the Grand Canyon. 413 00:23:54,840 --> 00:23:56,720 Speaker 1: And they were like, no, we just want to see you. 414 00:23:56,640 --> 00:23:58,120 Speaker 9: You just want to hang out in Wilmington. 415 00:23:58,160 --> 00:24:01,639 Speaker 1: And we were like, oh, I promise the Grand Canyon 416 00:24:01,720 --> 00:24:02,880 Speaker 1: is better. I promise. 417 00:24:04,400 --> 00:24:04,680 Speaker 5: Yeah. 418 00:24:04,720 --> 00:24:07,879 Speaker 4: I was like, it's really like magical. 419 00:24:07,920 --> 00:24:11,040 Speaker 9: You should probably go so sweet. 420 00:24:11,440 --> 00:24:13,680 Speaker 1: I know, we just have to we have to find 421 00:24:13,680 --> 00:24:16,119 Speaker 1: a way to put one of those things together. 422 00:24:18,359 --> 00:24:20,800 Speaker 4: Well isn't it funny though that even I mean when 423 00:24:20,800 --> 00:24:23,200 Speaker 4: we think about reach right and the and the sort 424 00:24:23,240 --> 00:24:26,960 Speaker 4: of personal relationships that like our audience formed with this show. 425 00:24:27,560 --> 00:24:30,800 Speaker 4: Sometimes it's easy to be like really, us why and 426 00:24:30,840 --> 00:24:32,919 Speaker 4: then even in an insane episode like this, we're like, 427 00:24:32,960 --> 00:24:34,520 Speaker 4: oh my god, is this all about people? 428 00:24:34,680 --> 00:24:38,080 Speaker 9: Maternalizes like the whole episode is about. 429 00:24:37,840 --> 00:24:40,119 Speaker 4: And we're like, oh yeah, you go like, oh, I 430 00:24:40,160 --> 00:24:43,159 Speaker 4: get it. It actually is really saying something as ridiculous 431 00:24:43,200 --> 00:24:45,920 Speaker 4: as like yeah, I hate the word deb feels. 432 00:24:46,119 --> 00:24:50,120 Speaker 1: I guess there's more than one crazy. 433 00:24:49,240 --> 00:24:54,679 Speaker 4: Yea dead with the champagne bottle like full slow clap. 434 00:24:54,800 --> 00:24:57,720 Speaker 6: I was like, honestly, Barbara, you are an icon and. 435 00:24:57,640 --> 00:25:01,240 Speaker 4: It was just a full clothesline, such a good hit. 436 00:25:01,520 --> 00:25:04,000 Speaker 11: But then you had this great moment where you pull 437 00:25:04,760 --> 00:25:09,639 Speaker 11: Jamie out of the cornfield, which is such classic Corus stuff, 438 00:25:09,680 --> 00:25:13,040 Speaker 11: and you're like and everything, oh my gosh, and your 439 00:25:13,080 --> 00:25:16,080 Speaker 11: phone goes off and that's just when you. 440 00:25:16,000 --> 00:25:21,040 Speaker 7: Say, like, run hums from It's good though. I loved it. 441 00:25:21,640 --> 00:25:23,159 Speaker 7: I loved it that you know. 442 00:25:23,200 --> 00:25:26,960 Speaker 1: That's the name of this episode, Mommy issues, because every 443 00:25:27,280 --> 00:25:30,840 Speaker 1: moment of this episode has something to do with even Peyton, 444 00:25:30,880 --> 00:25:33,320 Speaker 1: because it's all about Ellie tell me everything about my mom. 445 00:25:34,160 --> 00:25:37,439 Speaker 4: Dad wants to know everything about her. By the way, 446 00:25:37,960 --> 00:25:42,360 Speaker 4: poor think about Jamie's childhood trauma. Nanny Carey is at the. 447 00:25:42,280 --> 00:25:47,200 Speaker 1: Window like what, growling at him. 448 00:25:47,200 --> 00:25:48,800 Speaker 6: I'm like, he's five, what are we doing? 449 00:25:49,000 --> 00:25:51,560 Speaker 4: She goes and gets an axe, like it is it 450 00:25:51,640 --> 00:25:56,720 Speaker 4: is so level ten crazy, but but works like Toy 451 00:25:56,840 --> 00:26:01,000 Speaker 4: committed hard and she shut her issues in this too. 452 00:26:01,680 --> 00:26:05,119 Speaker 1: That day was so awful in the cornfield. It was 453 00:26:05,280 --> 00:26:10,200 Speaker 1: so hot and it was so hot and it was buggy. 454 00:26:10,680 --> 00:26:14,040 Speaker 1: There were just so many bugs and we were in 455 00:26:14,160 --> 00:26:18,480 Speaker 1: shorts and tank tops and it was just it was 456 00:26:18,600 --> 00:26:21,800 Speaker 1: just a yucky and the corn was so itchy. Every 457 00:26:21,800 --> 00:26:23,879 Speaker 1: time you would run through it, it's like, you know, 458 00:26:24,040 --> 00:26:25,760 Speaker 1: the mites or whatever. I felt like they were just 459 00:26:25,760 --> 00:26:29,880 Speaker 1: getting in my skin. It was truly truly a miserable 460 00:26:30,680 --> 00:26:33,520 Speaker 1: day on the cornfield. I was so happy when that 461 00:26:33,600 --> 00:26:34,200 Speaker 1: day was over. 462 00:26:34,680 --> 00:26:37,239 Speaker 8: It just looked like the setups were hard, even like 463 00:26:37,359 --> 00:26:39,720 Speaker 8: that must have taken so long because you both are 464 00:26:39,760 --> 00:26:44,440 Speaker 8: fully running and there's probably a camera on track running 465 00:26:44,960 --> 00:26:45,920 Speaker 8: or was it study cam. 466 00:26:45,960 --> 00:26:48,480 Speaker 9: I don't know, I really don't remember. 467 00:26:49,880 --> 00:26:52,280 Speaker 8: It just seems like a lot of it would have 468 00:26:52,320 --> 00:26:56,000 Speaker 8: been sitting around, probably in that sticky weather with a fan. 469 00:26:57,080 --> 00:26:57,600 Speaker 4: Yeah. 470 00:26:58,000 --> 00:26:58,720 Speaker 1: Yeah, it was greass. 471 00:26:58,760 --> 00:27:00,880 Speaker 9: I mean we had fun in this that the group 472 00:27:00,920 --> 00:27:02,040 Speaker 9: of us that were there. 473 00:27:02,080 --> 00:27:07,360 Speaker 1: It was a fun group like me, Tory, Barbara, and 474 00:27:07,400 --> 00:27:11,800 Speaker 1: Paul plus Jackson's mom Jody. We all got on really well, 475 00:27:11,800 --> 00:27:13,280 Speaker 1: so it was a fun you know, and John Asher 476 00:27:13,320 --> 00:27:14,959 Speaker 1: was always a good time so we it was a 477 00:27:14,960 --> 00:27:19,720 Speaker 1: fun group and that definitely made it go by better. 478 00:27:19,920 --> 00:27:22,760 Speaker 1: But I wouldn't I wouldn't want to live that day again. 479 00:27:23,040 --> 00:27:24,159 Speaker 7: Yeah. 480 00:27:24,359 --> 00:27:28,399 Speaker 4: I remember watching this episode last night in advance of 481 00:27:28,480 --> 00:27:32,240 Speaker 4: us all getting together today. Watching you guys run through 482 00:27:32,240 --> 00:27:33,959 Speaker 4: that corn, I was like, I wonder if they had 483 00:27:36,320 --> 00:27:41,040 Speaker 4: just thinking about like the snake clearance that needs to happen. 484 00:27:41,480 --> 00:27:43,200 Speaker 6: Like I was like, who walked. 485 00:27:42,840 --> 00:27:44,920 Speaker 4: Through there with a rake and made sure there weren't 486 00:27:44,960 --> 00:27:46,240 Speaker 4: like giant spider webs. 487 00:27:46,400 --> 00:27:49,919 Speaker 6: I was like, I just don't know. 488 00:27:50,680 --> 00:27:52,720 Speaker 4: No, I don't want to do that. I have no 489 00:27:52,800 --> 00:27:54,960 Speaker 4: desire to do that. I made I made a horror 490 00:27:54,960 --> 00:27:57,439 Speaker 4: movie once. It almost killed me. I loved it and 491 00:27:57,520 --> 00:27:58,920 Speaker 4: it was hard and there. 492 00:27:58,800 --> 00:28:00,720 Speaker 1: Was snow corn. But yours that it's tough too. That 493 00:28:00,760 --> 00:28:01,760 Speaker 1: sounded way worse. 494 00:28:03,480 --> 00:28:05,919 Speaker 4: I think the only reason I know how gross it 495 00:28:05,960 --> 00:28:07,600 Speaker 4: is in there is because we used to do these 496 00:28:07,600 --> 00:28:10,879 Speaker 4: amazing service projects every every year with my high school, 497 00:28:11,280 --> 00:28:13,320 Speaker 4: and there was a year, we went to one of 498 00:28:13,359 --> 00:28:17,960 Speaker 4: the big corn farms just outside of LA and even 499 00:28:17,960 --> 00:28:20,639 Speaker 4: though it had been like, you know, picked clean for 500 00:28:20,760 --> 00:28:25,040 Speaker 4: the harvest, there's still so much good produces out you know, 501 00:28:25,119 --> 00:28:27,439 Speaker 4: on the plants. And so we would sign up to 502 00:28:27,440 --> 00:28:29,560 Speaker 4: do these volunteer days where we'd go in and we'd 503 00:28:29,600 --> 00:28:31,679 Speaker 4: pick all the all the extra corn that we could 504 00:28:31,960 --> 00:28:33,879 Speaker 4: and it would all go to food pantries around LA. 505 00:28:34,040 --> 00:28:37,000 Speaker 4: Like super cool thing, you know, for middle schoolers and 506 00:28:37,080 --> 00:28:41,680 Speaker 4: high schoolers to get involved in. And I shudder when 507 00:28:41,680 --> 00:28:44,640 Speaker 4: I think about like the bugs and the snakes and 508 00:28:44,680 --> 00:28:47,880 Speaker 4: the things that were out there, And so maybe that's 509 00:28:47,920 --> 00:28:50,360 Speaker 4: why I just like, deep from in my bones. I'm like, 510 00:28:50,400 --> 00:28:51,920 Speaker 4: I know how, I know how buggy it is. 511 00:28:52,200 --> 00:28:54,720 Speaker 1: No, Nope, I just texted Paul to see if he 512 00:28:54,760 --> 00:28:57,360 Speaker 1: had any great cornfield day stories. We'll see if he 513 00:28:57,400 --> 00:28:59,600 Speaker 1: gets back to me. Yeah, he's got such a good memory. 514 00:28:59,640 --> 00:28:59,840 Speaker 7: I do. 515 00:29:00,480 --> 00:29:02,280 Speaker 4: Well, he's lucky he didn't have to go out there 516 00:29:02,320 --> 00:29:04,880 Speaker 4: with you guys. He was there, yeah, but I just 517 00:29:04,960 --> 00:29:08,200 Speaker 4: mean he wasn't corn. Yeah, he was like true in 518 00:29:08,240 --> 00:29:08,880 Speaker 4: the house. 519 00:29:09,040 --> 00:29:12,800 Speaker 7: Was so great. I loved he was so nice. 520 00:29:13,200 --> 00:29:15,480 Speaker 1: He loved working with you too. I know he loved 521 00:29:15,960 --> 00:29:20,320 Speaker 1: directing you because you're just so easy to you know, 522 00:29:20,400 --> 00:29:22,680 Speaker 1: you just dove in. You didn't have a lot of 523 00:29:22,720 --> 00:29:26,240 Speaker 1: the baggage of an after baggage, you know, when you've 524 00:29:26,360 --> 00:29:28,720 Speaker 1: gone to the classes for years and years and years 525 00:29:28,720 --> 00:29:31,120 Speaker 1: and you've been taught. Even sometimes you can see people 526 00:29:31,120 --> 00:29:33,400 Speaker 1: who've gone to Juilliard or something, you kind of watch 527 00:29:33,440 --> 00:29:35,880 Speaker 1: the footprints of their rehearsal all over their performance because 528 00:29:35,880 --> 00:29:39,520 Speaker 1: it feels so stiff and structured and like they've made 529 00:29:39,520 --> 00:29:41,920 Speaker 1: They've made very meticulous plans about what they're going to do, 530 00:29:42,640 --> 00:29:46,560 Speaker 1: which sometimes really works. But I think what what I 531 00:29:46,600 --> 00:29:48,920 Speaker 1: know he loved and what I really love about your work, Ashley, 532 00:29:49,000 --> 00:29:52,520 Speaker 1: is that you You've always feel very spontaneous and in 533 00:29:52,520 --> 00:29:54,160 Speaker 1: the moment and just kind of connect. Not that you 534 00:29:54,160 --> 00:29:57,000 Speaker 1: don't rehearse, I'm sure you do, but the preparation gets 535 00:29:57,040 --> 00:30:00,200 Speaker 1: to sit, it gets to take a seat. You've done 536 00:30:00,200 --> 00:30:01,680 Speaker 1: all your work and so when you show up you 537 00:30:01,760 --> 00:30:03,880 Speaker 1: just get to respond. 538 00:30:04,360 --> 00:30:09,200 Speaker 7: Oh, well that's super flattering, but I appreciate it, thank you. 539 00:30:09,400 --> 00:30:11,239 Speaker 1: Yeah, it's true. Oh he just texted me back, by 540 00:30:11,240 --> 00:30:12,680 Speaker 1: the way, let's see, Okay, this. 541 00:30:12,680 --> 00:30:13,560 Speaker 9: Is what Paul says. 542 00:30:13,800 --> 00:30:17,480 Speaker 1: I remember constantly apologizing to Tory saying things like I 543 00:30:17,520 --> 00:30:19,560 Speaker 1: won't point the gun at you, and are you comfortable 544 00:30:19,560 --> 00:30:20,400 Speaker 1: with me holding a gun? 545 00:30:20,400 --> 00:30:21,320 Speaker 9: And do you want to do. 546 00:30:21,280 --> 00:30:22,400 Speaker 1: You want to shoot me first? 547 00:30:22,560 --> 00:30:22,800 Speaker 7: Oh? 548 00:30:22,840 --> 00:30:26,200 Speaker 9: God, yes, because that was back. 549 00:30:26,320 --> 00:30:27,920 Speaker 1: Oh that was in the time when. 550 00:30:27,720 --> 00:30:30,680 Speaker 7: I was everything was different. 551 00:30:30,880 --> 00:30:33,880 Speaker 1: Yeah, yeah, thank god he knew how to how to 552 00:30:33,920 --> 00:30:36,920 Speaker 1: handle all that. But yeah, there was just so much 553 00:30:36,920 --> 00:30:39,760 Speaker 1: of that on the show this season. I'm glad we're 554 00:30:39,840 --> 00:30:45,240 Speaker 1: transitioning out of that. It's a lot I know we 555 00:30:45,600 --> 00:30:47,760 Speaker 1: need to get. I'm sure there's got to be Cornfield stories. 556 00:30:47,760 --> 00:30:50,440 Speaker 1: I'll ask Tory and Barbara too, because man. 557 00:30:50,240 --> 00:30:51,000 Speaker 6: Oh I'm sure. 558 00:30:51,560 --> 00:30:55,200 Speaker 4: I'm also just desperate to know who picks the like 559 00:30:55,320 --> 00:30:59,920 Speaker 4: drug filter. You know, Nanny Carey gives Dan the inject 560 00:31:00,400 --> 00:31:03,480 Speaker 4: and it's like, you're gonna be behaved for me when 561 00:31:04,080 --> 00:31:07,440 Speaker 4: you're showing up with Jamie, And then it cuts to 562 00:31:07,600 --> 00:31:10,240 Speaker 4: like they made it look like the edges of the 563 00:31:10,320 --> 00:31:15,520 Speaker 4: TV were like an eyeball. Yeah yeah, yeah through the 564 00:31:15,920 --> 00:31:18,600 Speaker 4: and you know what I mean. And I'm watching it 565 00:31:18,680 --> 00:31:23,000 Speaker 4: going who designs these Like who's the person who picks 566 00:31:23,000 --> 00:31:25,760 Speaker 4: the like this will be the drug filter for the 567 00:31:25,840 --> 00:31:29,440 Speaker 4: lens When we're looking at Nanny Carey she's given him 568 00:31:29,480 --> 00:31:33,040 Speaker 4: the morphine, and I'm just like, this is so silly, 569 00:31:34,040 --> 00:31:35,680 Speaker 4: Like I wish it was just like maybe going a 570 00:31:35,680 --> 00:31:39,200 Speaker 4: little more in and out of focus. Yeah, like eyeball 571 00:31:39,480 --> 00:31:42,960 Speaker 4: on the I was sobbing laughing, you guys, I can't. 572 00:31:43,040 --> 00:31:43,800 Speaker 1: It's pretty great. 573 00:31:43,840 --> 00:31:46,320 Speaker 6: We gotta go outside. I can't. I cannot with this. 574 00:31:46,680 --> 00:31:49,800 Speaker 1: Our show became the experimental place. I feel like there 575 00:31:49,800 --> 00:31:53,000 Speaker 1: were so many people who came in to direct who 576 00:31:53,080 --> 00:31:55,440 Speaker 1: were never directors, that were just sort of like, hey, 577 00:31:55,520 --> 00:31:57,600 Speaker 1: that sounds fun. I want to direct something. Everybody's like, 578 00:31:57,600 --> 00:32:01,240 Speaker 1: go do one tree Hill, Just like, why are you 579 00:32:01,280 --> 00:32:03,520 Speaker 1: experimenting on us? We are showing up and doing really 580 00:32:03,520 --> 00:32:03,960 Speaker 1: good work. 581 00:32:04,120 --> 00:32:04,320 Speaker 11: You know. 582 00:32:04,440 --> 00:32:06,200 Speaker 1: Most of the time it turned out okay, But yeah, 583 00:32:06,200 --> 00:32:07,840 Speaker 1: there were things like that where it was just like, 584 00:32:08,080 --> 00:32:10,320 Speaker 1: I don't know, let's see what happens. Let's put a 585 00:32:10,360 --> 00:32:11,240 Speaker 1: fish eye lends on this. 586 00:32:11,920 --> 00:32:15,920 Speaker 7: Yeah, why not? You know? I wish I had worked 587 00:32:15,920 --> 00:32:18,200 Speaker 7: with Steven Coletti. 588 00:32:19,320 --> 00:32:26,200 Speaker 8: Oh, yeah, because I grew up watching Waguna Beach. So 589 00:32:27,400 --> 00:32:30,040 Speaker 8: if oh, I mean I was like a teenager. He 590 00:32:30,120 --> 00:32:32,080 Speaker 8: was like in his twenties, but I had the biggest 591 00:32:32,080 --> 00:32:32,800 Speaker 8: crush on him. 592 00:32:33,080 --> 00:32:37,520 Speaker 4: You didn't, Yeah, wait, does he know any of this. 593 00:32:37,800 --> 00:32:40,240 Speaker 8: Well, when we went to the convention and we were 594 00:32:40,280 --> 00:32:45,480 Speaker 8: both in our twenties, so he knows who I am. 595 00:32:45,800 --> 00:32:47,640 Speaker 1: No, he's a sweetheart. You guys would have had fun. 596 00:32:47,720 --> 00:32:48,680 Speaker 6: I know you died for this. 597 00:32:48,840 --> 00:32:49,920 Speaker 1: You didn't quite overlap. 598 00:32:51,880 --> 00:32:54,680 Speaker 8: I had no idea where Sam and him? Where would 599 00:32:54,920 --> 00:32:57,040 Speaker 8: why would be in any scene together? 600 00:32:57,240 --> 00:33:00,720 Speaker 1: Yeah, listen, we'd have done crazier things on that show. 601 00:33:00,800 --> 00:33:04,480 Speaker 1: So we can give you a fantasy Sam Chase storyline. 602 00:33:04,680 --> 00:33:05,280 Speaker 1: Let's do it. 603 00:33:05,600 --> 00:33:06,840 Speaker 7: Yeah, do it. 604 00:33:07,560 --> 00:33:07,760 Speaker 6: Yeah. 605 00:33:07,760 --> 00:33:10,160 Speaker 4: There probably would have been an all ages night at 606 00:33:10,280 --> 00:33:12,920 Speaker 4: trick and then we yeah, you know, we'd have to 607 00:33:12,960 --> 00:33:17,200 Speaker 4: find out that you were secretly eighteen or something and well, yeah, 608 00:33:17,200 --> 00:33:19,320 Speaker 4: that's it actually thinking about it being our show. 609 00:33:19,360 --> 00:33:22,280 Speaker 6: Probably not, but who knows. They would have They would. 610 00:33:22,120 --> 00:33:35,840 Speaker 5: Have probably found a way ash. 611 00:33:35,880 --> 00:33:37,760 Speaker 1: How many episodes did you do with us? 612 00:33:38,120 --> 00:33:42,800 Speaker 7: Off the top of my head, six to ten somewhere 613 00:33:42,800 --> 00:33:43,000 Speaker 7: in there. 614 00:33:43,040 --> 00:33:46,520 Speaker 1: Okay, Yeah, isn't it funny? It's such a testament nineteen 615 00:33:46,560 --> 00:33:50,920 Speaker 1: episodes nineteen I was gonna say, it's amazing though. It's 616 00:33:50,960 --> 00:33:53,280 Speaker 1: such a testament to the way the bonding that happened 617 00:33:53,280 --> 00:33:55,160 Speaker 1: and how it felt being down in Wilmington. I mean 618 00:33:55,200 --> 00:33:59,719 Speaker 1: to do twenty two episodes of six seasons or a ten. 619 00:34:00,160 --> 00:34:02,600 Speaker 1: You know, as far as we went. There were people 620 00:34:02,600 --> 00:34:05,360 Speaker 1: that came in only even first six episodes here or there, 621 00:34:05,480 --> 00:34:10,800 Speaker 1: or you know, nineteen or twenty, but it all even 622 00:34:11,480 --> 00:34:15,239 Speaker 1: Robbie Jones who played Quentin for five or six episodes, 623 00:34:15,640 --> 00:34:18,960 Speaker 1: and the impact that it had. It's just amazing to 624 00:34:19,000 --> 00:34:24,000 Speaker 1: me that we shot so much. But y'all just but 625 00:34:25,080 --> 00:34:27,520 Speaker 1: you guys just made such a big impact, that's all. 626 00:34:27,960 --> 00:34:31,200 Speaker 8: Yeah, it did feel like I'd spent longer than six 627 00:34:31,239 --> 00:34:33,640 Speaker 8: episodes and Wilmington, not that I think about it. 628 00:34:34,440 --> 00:34:35,959 Speaker 1: Yeah, but nineteen wow. 629 00:34:37,040 --> 00:34:39,520 Speaker 4: Yeah, I mean you you really were with us for 630 00:34:39,560 --> 00:34:40,680 Speaker 4: a pretty full season. 631 00:34:40,800 --> 00:34:41,160 Speaker 7: Yeah. 632 00:34:42,080 --> 00:34:44,320 Speaker 6: I don't know, I just I really liked the device. 633 00:34:45,960 --> 00:34:49,560 Speaker 4: I remember getting these initial scripts at the start of 634 00:34:49,600 --> 00:34:52,840 Speaker 4: season six and you know, finding out from the writers 635 00:34:52,880 --> 00:34:55,520 Speaker 4: what our storyline was going to be, and thinking it 636 00:34:55,560 --> 00:34:59,880 Speaker 4: was a really cool choice because last season, you know, 637 00:35:00,120 --> 00:35:04,360 Speaker 4: Brooke had essentially been testing out being a foster parent 638 00:35:04,480 --> 00:35:07,680 Speaker 4: by housing a kid who needed to have heart surgery 639 00:35:07,760 --> 00:35:10,239 Speaker 4: who had come in to the States for a pro 640 00:35:10,360 --> 00:35:14,560 Speaker 4: bono program from another country. And I loved that they 641 00:35:16,160 --> 00:35:19,040 Speaker 4: found a way for us to connect, Like you were saying, 642 00:35:19,120 --> 00:35:22,320 Speaker 4: Joy at the age where Brook's big sort of wound 643 00:35:22,360 --> 00:35:24,319 Speaker 4: with her parents is when they moved away and let 644 00:35:24,360 --> 00:35:28,240 Speaker 4: her live with Lucas and Karen Sam comes into the picture, 645 00:35:29,040 --> 00:35:32,399 Speaker 4: and I just think it's so cool the way we 646 00:35:32,680 --> 00:35:37,560 Speaker 4: see each other and where our storyline goes. And it's 647 00:35:37,600 --> 00:35:40,520 Speaker 4: not lost on me reflecting on it that it's also 648 00:35:40,680 --> 00:35:46,320 Speaker 4: really when Brooke is getting so honest about her life 649 00:35:46,520 --> 00:35:50,520 Speaker 4: and therapy. You know, we're in these weekly sessions. You 650 00:35:50,560 --> 00:35:54,239 Speaker 4: see this girl taking charge of her mental health. Also, Joy, 651 00:35:54,320 --> 00:35:58,799 Speaker 4: did you faint when. 652 00:35:57,560 --> 00:35:59,680 Speaker 6: Brooke calls out to deviciate the most? 653 00:36:00,080 --> 00:36:02,640 Speaker 4: When I ask the therapist a question and then she 654 00:36:02,719 --> 00:36:04,080 Speaker 4: poses it back to me, and I go, do you 655 00:36:04,120 --> 00:36:05,840 Speaker 4: always answer a question with another question? 656 00:36:06,000 --> 00:36:06,919 Speaker 6: Does it bother you? 657 00:36:07,120 --> 00:36:08,520 Speaker 7: I know, doesn't bother you? Yeah? 658 00:36:08,520 --> 00:36:11,919 Speaker 4: And it's so any, so funny because it drives Joy 659 00:36:12,120 --> 00:36:15,240 Speaker 4: so crazy, and I was like, oh, there she goes, 660 00:36:15,760 --> 00:36:20,960 Speaker 4: But I just love that there's this opportunity to be 661 00:36:21,040 --> 00:36:24,279 Speaker 4: honest about transition. And she says, you know, it felt 662 00:36:24,320 --> 00:36:26,359 Speaker 4: so good giving the company away, and now I feel 663 00:36:26,360 --> 00:36:30,640 Speaker 4: really empty because really work has been Brooks identity. And 664 00:36:30,680 --> 00:36:36,000 Speaker 4: then the therapist asks her about that. You know, she says, 665 00:36:36,320 --> 00:36:38,160 Speaker 4: all you ever do is talk about your work, but 666 00:36:38,400 --> 00:36:41,200 Speaker 4: when you talk about your friends, you talk about friendships 667 00:36:41,239 --> 00:36:44,560 Speaker 4: and family and romance and all these things. And I 668 00:36:44,600 --> 00:36:47,200 Speaker 4: wrote down that quote, why are you so insistent on 669 00:36:47,320 --> 00:36:49,840 Speaker 4: going through life alone? 670 00:36:50,160 --> 00:36:51,600 Speaker 6: And it's I. 671 00:36:51,560 --> 00:36:54,720 Speaker 4: Mean, such a vestige of childhood trauma is to choose 672 00:36:54,800 --> 00:36:59,439 Speaker 4: to be like such a ferocious individual and to never 673 00:36:59,520 --> 00:37:03,719 Speaker 4: need help and to never ask for help. And I 674 00:37:03,719 --> 00:37:09,200 Speaker 4: don't know, it's it's sort of wild to me, you know, 675 00:37:09,280 --> 00:37:13,160 Speaker 4: at this point in my life having done it, you know, 676 00:37:13,480 --> 00:37:16,319 Speaker 4: all of the therapy that I've done, and you know, 677 00:37:16,400 --> 00:37:19,160 Speaker 4: being in this sort of stage of self knowledge to go, wow, 678 00:37:19,200 --> 00:37:22,480 Speaker 4: we were talking about this on TV a long time ago. 679 00:37:22,920 --> 00:37:26,279 Speaker 4: I'm really heartened by that. I don't know, I feel 680 00:37:26,320 --> 00:37:29,240 Speaker 4: like it wasn't so common. Did you guys talk about 681 00:37:29,760 --> 00:37:31,600 Speaker 4: mental health or any of those things when you were 682 00:37:31,640 --> 00:37:32,280 Speaker 4: doing awkward? 683 00:37:32,600 --> 00:37:37,120 Speaker 8: Well, I mean the show opens with like, everyone thinks 684 00:37:37,160 --> 00:37:40,040 Speaker 8: that Jenna tried to kill herself, but it was just 685 00:37:40,080 --> 00:37:44,080 Speaker 8: a super unfortunate accident. She was, Yeah, she was just 686 00:37:44,160 --> 00:37:49,720 Speaker 8: taking asp and slipped the hair dryer, went into the bath, 687 00:37:50,960 --> 00:37:54,200 Speaker 8: the box of razors flew everywhere, and then she broke 688 00:37:54,239 --> 00:37:57,120 Speaker 8: her arm and like twist her neck so like that's 689 00:37:57,160 --> 00:37:59,360 Speaker 8: the last thing she remembers and she wakes up and 690 00:37:59,360 --> 00:38:04,080 Speaker 8: it's like horror podcasts and everyone in a very comedic way, 691 00:38:04,160 --> 00:38:06,640 Speaker 8: it's like treating her gently and you know, then you 692 00:38:06,680 --> 00:38:08,400 Speaker 8: get to high school and they're like, oh, that's. 693 00:38:08,239 --> 00:38:11,680 Speaker 7: The real who tried to kill herself. But it did. 694 00:38:11,840 --> 00:38:16,480 Speaker 8: It did touch on on mental health in in a couple. 695 00:38:18,040 --> 00:38:21,560 Speaker 7: Couple episodes. Yeah, but it was a. 696 00:38:23,640 --> 00:38:29,080 Speaker 8: Like there's this one episode where Sadie Molly Charlove's character 697 00:38:30,160 --> 00:38:34,600 Speaker 8: is she's like looking in the mirror and she just 698 00:38:35,320 --> 00:38:41,080 Speaker 8: she's making jokes about about her appearance, but she's she's 699 00:38:41,120 --> 00:38:45,920 Speaker 8: crying through it, and that's just like, that's just that 700 00:38:46,080 --> 00:38:47,120 Speaker 8: character in a nutshell. 701 00:38:47,800 --> 00:38:50,279 Speaker 7: I mean, her character. 702 00:38:50,120 --> 00:38:56,160 Speaker 8: Was so complex, really deeply rooted and you know, body 703 00:38:56,200 --> 00:39:01,000 Speaker 8: image issues, which is so prevalent now and so important 704 00:39:01,040 --> 00:39:03,879 Speaker 8: for her character to be on and do the work 705 00:39:03,960 --> 00:39:10,400 Speaker 8: that she did because she showed that like it. She 706 00:39:10,600 --> 00:39:14,759 Speaker 8: was a bully, but she was funny and given half 707 00:39:14,800 --> 00:39:18,720 Speaker 8: a chance to be let you know, open up, she would. 708 00:39:20,560 --> 00:39:26,280 Speaker 7: But yeah, we touched on it with that, and that's cool. Yeah. 709 00:39:26,520 --> 00:39:29,320 Speaker 4: I just think it's so cool that, you know, sometimes 710 00:39:29,360 --> 00:39:32,000 Speaker 4: as actors we get to do these things that when 711 00:39:32,000 --> 00:39:34,360 Speaker 4: you look back, like that storyline you're talking about with 712 00:39:34,400 --> 00:39:37,080 Speaker 4: you and Molly, or this one you know for for 713 00:39:37,239 --> 00:39:40,920 Speaker 4: my character that wound up leading to our character's relationship. 714 00:39:41,800 --> 00:39:44,600 Speaker 4: I love when you see something and you go, wow, 715 00:39:44,640 --> 00:39:49,600 Speaker 4: that feels timeless, that feels important. Yeah, there's a there's 716 00:39:49,640 --> 00:39:51,640 Speaker 4: a bit of the monologue I give to the therapist 717 00:39:51,760 --> 00:39:54,960 Speaker 4: in this episode, the bit about watching all my friends 718 00:39:55,000 --> 00:39:57,120 Speaker 4: move on with their lives. They're moving forward and I'm 719 00:39:57,120 --> 00:40:01,520 Speaker 4: stuck here. And it a couple of months ago. Oh, 720 00:40:01,160 --> 00:40:04,920 Speaker 4: it was trending on TikTok and like when I tell you, 721 00:40:04,960 --> 00:40:06,160 Speaker 4: one of my friends sent it to me. 722 00:40:06,200 --> 00:40:07,200 Speaker 6: It was like do you know about this? 723 00:40:07,280 --> 00:40:09,120 Speaker 4: And I was like, I'm on TikTok like once a month, 724 00:40:09,200 --> 00:40:12,719 Speaker 4: so no unless my friends like send me memes that 725 00:40:12,760 --> 00:40:14,440 Speaker 4: then I think are hilarious, And then I wind up 726 00:40:14,480 --> 00:40:16,680 Speaker 4: sending memes to forty other people, like talk about an 727 00:40:17,280 --> 00:40:21,239 Speaker 4: EIGHTYHD hole Like, oh my god, I'll just be like, wait, 728 00:40:21,280 --> 00:40:21,960 Speaker 4: this is so funny. 729 00:40:21,960 --> 00:40:22,319 Speaker 11: Oh my god. 730 00:40:22,360 --> 00:40:23,799 Speaker 6: Is this why people around this app all the time? 731 00:40:23,800 --> 00:40:24,960 Speaker 6: Oh my god, I have to send you this. 732 00:40:25,000 --> 00:40:27,520 Speaker 4: Video of you or this video of this other person 733 00:40:27,560 --> 00:40:31,000 Speaker 4: that reminds me of you, Like it's so I get lost, 734 00:40:31,040 --> 00:40:33,120 Speaker 4: which is why I don't allow myself to do it. 735 00:40:33,120 --> 00:40:35,040 Speaker 1: It was a great speech though. It was such a 736 00:40:35,040 --> 00:40:35,640 Speaker 1: great moment. 737 00:40:36,040 --> 00:40:39,200 Speaker 4: It's such a good speech, and the audio got used 738 00:40:39,239 --> 00:40:42,839 Speaker 4: by all of these women who were talking about like 739 00:40:43,280 --> 00:40:47,000 Speaker 4: chronic health issues or cancer diagnoses or leaving abusive relationships. 740 00:40:47,000 --> 00:40:49,640 Speaker 4: And I spent like three hours on TikTok one night 741 00:40:50,280 --> 00:40:53,400 Speaker 4: just watching all of these videos these people made with 742 00:40:53,480 --> 00:40:56,759 Speaker 4: that audio from this Brooke Davis therapy session, just like 743 00:40:57,239 --> 00:41:00,239 Speaker 4: sobbing into a box of tissues. I was like, everyone's 744 00:41:00,280 --> 00:41:02,839 Speaker 4: really amazing, and I'm just glad people are taking care 745 00:41:02,880 --> 00:41:07,120 Speaker 4: of themselves and it's wild to see that, Like in 746 00:41:07,160 --> 00:41:08,000 Speaker 4: twenty twenty three. 747 00:41:08,440 --> 00:41:11,200 Speaker 6: Yeah, hit for people in this way. 748 00:41:11,360 --> 00:41:13,920 Speaker 4: It's like we get to sometimes we have to do 749 00:41:14,040 --> 00:41:16,480 Speaker 4: ridiculous things on camera, but sometimes we get to do 750 00:41:16,560 --> 00:41:17,120 Speaker 4: things that are. 751 00:41:17,040 --> 00:41:21,360 Speaker 8: Really really special and important. That made obviously a huge impact. 752 00:41:22,160 --> 00:41:23,960 Speaker 6: Yeah, I just think it's so cool. 753 00:41:24,400 --> 00:41:27,360 Speaker 8: Well, I mean it was. It was really great scene 754 00:41:27,360 --> 00:41:31,280 Speaker 8: it I'd me choked up a little bit. I definitely 755 00:41:31,320 --> 00:41:32,040 Speaker 8: relate to it. 756 00:41:32,160 --> 00:41:36,799 Speaker 1: I mean, yeah, I did too. It was beautiful, really 757 00:41:36,800 --> 00:41:41,400 Speaker 1: well done. As much as I like watching therapy sessions 758 00:41:41,440 --> 00:41:44,800 Speaker 1: on TV, so it's always it's just tricky to shoot 759 00:41:44,800 --> 00:41:45,280 Speaker 1: that stuff. 760 00:41:45,360 --> 00:41:45,480 Speaker 4: You know. 761 00:41:45,520 --> 00:41:47,640 Speaker 1: At some point it's just it's like, okay, two people 762 00:41:47,680 --> 00:41:51,560 Speaker 1: talking like oh how much show me? Show me things, 763 00:41:51,640 --> 00:41:54,520 Speaker 1: rather than just explaining things. But I do really like 764 00:41:54,560 --> 00:41:59,680 Speaker 1: this device in this way because also therapy is kind 765 00:41:59,680 --> 00:42:03,120 Speaker 1: of an when you you know, last like twenty thirty years. 766 00:42:03,200 --> 00:42:05,480 Speaker 1: I think our generation's so used to it, we think 767 00:42:05,480 --> 00:42:08,839 Speaker 1: it's so normal, but our parents' generation certainly isn't. For them. 768 00:42:08,880 --> 00:42:09,680 Speaker 6: It's like, oh my. 769 00:42:09,600 --> 00:42:14,400 Speaker 1: Gosh, therapy, Like I'm okay, why would I need therapy 770 00:42:14,800 --> 00:42:18,520 Speaker 1: if it's not it's not used by the older generation 771 00:42:18,719 --> 00:42:22,719 Speaker 1: as just a maintenance like healthy, We just need to 772 00:42:22,719 --> 00:42:25,280 Speaker 1: be able to talk about things sometimes, and that's okay. 773 00:42:26,560 --> 00:42:28,799 Speaker 1: It's got this stigma on it of it being such 774 00:42:28,840 --> 00:42:32,000 Speaker 1: a heavy deal, big problem. And I like when our 775 00:42:32,040 --> 00:42:36,120 Speaker 1: show did just showed therapy for being something that was 776 00:42:36,160 --> 00:42:39,960 Speaker 1: really normal and healthy. And I think because so many 777 00:42:40,320 --> 00:42:45,239 Speaker 1: young women related to Brooke especially, that had to have 778 00:42:45,280 --> 00:42:49,240 Speaker 1: made an impact in culturally just how we started viewing 779 00:42:49,280 --> 00:42:52,400 Speaker 1: ourselves in our mental process as we grow. 780 00:42:52,239 --> 00:42:54,880 Speaker 7: Up certainly made it less weird for me. 781 00:42:54,960 --> 00:42:58,839 Speaker 8: But I've always I've always loved therapy, and I think 782 00:42:58,880 --> 00:43:02,719 Speaker 8: I was part of that narration where it wasn't like, oh, she's. 783 00:43:02,520 --> 00:43:05,880 Speaker 7: In therapy, what's wrong with what's going on there? Just 784 00:43:05,920 --> 00:43:07,400 Speaker 7: like going to therapy. 785 00:43:07,719 --> 00:43:10,360 Speaker 4: Well, I think when people started to make that shift 786 00:43:10,880 --> 00:43:14,560 Speaker 4: and think about it more along the lines of being 787 00:43:14,600 --> 00:43:17,560 Speaker 4: the like the gym for your brain. Yeah, you know, 788 00:43:17,600 --> 00:43:20,200 Speaker 4: we're expected to take care of ourselves physically, you know, 789 00:43:20,520 --> 00:43:23,120 Speaker 4: give off heart disease and keep your cholesterol low and 790 00:43:23,160 --> 00:43:25,560 Speaker 4: all the things that are like on the commercials for whatever, 791 00:43:26,000 --> 00:43:29,000 Speaker 4: heart medication comes on every time we're watching like a 792 00:43:29,000 --> 00:43:34,600 Speaker 4: sports game. And eventually I think when people started to 793 00:43:34,640 --> 00:43:36,319 Speaker 4: talk about okay, well, if you're going to take care 794 00:43:36,360 --> 00:43:38,680 Speaker 4: of your body, why wouldn't you take care of your mind? 795 00:43:39,400 --> 00:43:42,319 Speaker 4: You know, that's really the most important part of you. 796 00:43:43,120 --> 00:43:45,840 Speaker 4: I think that really helped destigmatize it. Like you're saying, 797 00:43:46,320 --> 00:43:49,120 Speaker 4: rather than thinking, oh, something's wrong with this person, it's like, oh, 798 00:43:49,160 --> 00:43:51,920 Speaker 4: I actually love that you're in therapy. It's like a 799 00:43:51,960 --> 00:43:54,400 Speaker 4: prerequisite for me if I'm going to date somebody, I'm like, 800 00:43:54,640 --> 00:43:57,640 Speaker 4: who's your therapy relationship? What's the deal? 801 00:43:58,040 --> 00:44:00,560 Speaker 9: How long are you are You've been going gonna say? 802 00:44:00,680 --> 00:44:02,880 Speaker 4: Yeah, because like if you're not if you're not in 803 00:44:02,920 --> 00:44:04,200 Speaker 4: there be it's no for me. 804 00:44:04,320 --> 00:44:05,480 Speaker 7: The long have you been worthing out? 805 00:44:06,040 --> 00:44:09,880 Speaker 1: Yeah? 806 00:44:10,680 --> 00:44:11,360 Speaker 7: So true. 807 00:44:12,280 --> 00:44:13,440 Speaker 9: Actually, you wrote. 808 00:44:13,239 --> 00:44:15,759 Speaker 1: A book, didn't you write a book on like on 809 00:44:15,880 --> 00:44:16,600 Speaker 1: mental health? 810 00:44:16,680 --> 00:44:20,720 Speaker 7: And yeah, it was like a self help book. Yes, 811 00:44:21,200 --> 00:44:23,320 Speaker 7: it was fun and there's a lot of good advice 812 00:44:23,320 --> 00:44:23,719 Speaker 7: in there. 813 00:44:23,880 --> 00:44:27,200 Speaker 8: I will say it is a self help book written 814 00:44:27,239 --> 00:44:28,239 Speaker 8: by a twenty one year old. 815 00:44:29,880 --> 00:44:33,360 Speaker 1: Look, everybody's got different stages of awareness of what they experience. 816 00:44:33,400 --> 00:44:36,720 Speaker 1: I mean, yeah, you, I'm sure you had plenty to offer. 817 00:44:37,480 --> 00:44:41,799 Speaker 7: Yeah, I think I did. Looking back, some of the 818 00:44:41,840 --> 00:44:44,080 Speaker 7: things were like really ridiculous. But you know what I 819 00:44:44,120 --> 00:44:48,040 Speaker 7: also gave. I'll stand by this forever. I gave really 820 00:44:48,080 --> 00:44:51,520 Speaker 7: good tips on how to trim your own banks. I 821 00:44:51,560 --> 00:44:54,440 Speaker 7: know how to do it. I know how to do it, 822 00:44:54,800 --> 00:44:56,640 Speaker 7: and it's never failed like I've had. 823 00:44:57,200 --> 00:44:59,120 Speaker 8: When I was on the Flash recently, they're like, we 824 00:44:59,160 --> 00:44:59,960 Speaker 8: need to trim your banks. 825 00:45:00,080 --> 00:45:01,640 Speaker 7: I was like, nope, I do that. 826 00:45:02,239 --> 00:45:07,919 Speaker 8: And they're like, we don't trust you, and I was like, cool, No, 827 00:45:08,040 --> 00:45:09,040 Speaker 8: it's fine. 828 00:45:09,760 --> 00:45:11,680 Speaker 4: You're like, here's the thing. You're a stranger to me. 829 00:45:11,760 --> 00:45:16,440 Speaker 4: I don't trust you. I know my face. Yep, you've 830 00:45:16,440 --> 00:45:17,800 Speaker 4: been doing it for a long time. 831 00:45:17,880 --> 00:45:18,479 Speaker 6: You're the pro. 832 00:45:19,080 --> 00:45:22,520 Speaker 7: But to piggyback on that yet there well, I don't think. 833 00:45:23,680 --> 00:45:27,800 Speaker 8: Something I learned definitely from watching One Tree, Hill Back 834 00:45:28,000 --> 00:45:31,520 Speaker 8: is like you may have known your face for however 835 00:45:31,560 --> 00:45:35,239 Speaker 8: many years, but they're the professionals who can look at 836 00:45:35,239 --> 00:45:38,480 Speaker 8: your face for five minutes and know and do everything 837 00:45:38,600 --> 00:45:41,800 Speaker 8: better than you ever could. And like, I mean sure, 838 00:45:41,840 --> 00:45:44,920 Speaker 8: there's some times where you're like, oh that that can't 839 00:45:44,920 --> 00:45:45,359 Speaker 8: be right. 840 00:45:48,000 --> 00:45:50,759 Speaker 7: I can't be it. I got a stylist once for 841 00:45:51,360 --> 00:45:54,680 Speaker 7: the I don't know what it was, the VMA's or something. 842 00:45:58,800 --> 00:46:02,080 Speaker 12: He brought clothes that I I think that they were 843 00:46:02,120 --> 00:46:06,279 Speaker 12: just like somehow like S and M couture like it was. 844 00:46:06,680 --> 00:46:08,759 Speaker 12: It was like, I'm not, I know this is like 845 00:46:08,800 --> 00:46:12,279 Speaker 12: a young people thing, but like that cannot be right. 846 00:46:13,600 --> 00:46:13,960 Speaker 6: I don't. 847 00:46:15,400 --> 00:46:19,160 Speaker 4: This can't be for me. Maybe for someone else, but 848 00:46:19,239 --> 00:46:22,040 Speaker 4: not for me. But you know, I think it's cool 849 00:46:22,040 --> 00:46:28,400 Speaker 4: when you have ownership of whatever trait. Like to your point, 850 00:46:29,080 --> 00:46:31,399 Speaker 4: I can't do my makeup the way professionals do. People 851 00:46:31,400 --> 00:46:33,120 Speaker 4: are always like, what tricks have you learned? And I'm 852 00:46:33,120 --> 00:46:36,600 Speaker 4: like nothing, because I'm like my brain is popping around 853 00:46:36,600 --> 00:46:38,120 Speaker 4: in the chair. I'm on Instagram or. 854 00:46:38,120 --> 00:46:42,040 Speaker 6: Like cha, yeah, we're running our lines all morning, Like 855 00:46:42,080 --> 00:46:42,840 Speaker 6: that's what we're doing. 856 00:46:43,320 --> 00:46:45,600 Speaker 4: But but like, the way you feel about your banks 857 00:46:45,600 --> 00:46:47,480 Speaker 4: is the way I feel about my eyebrows. I just 858 00:46:47,520 --> 00:46:49,640 Speaker 4: I don't let anyone touch them. I'm like, no, no, 859 00:46:49,680 --> 00:46:53,120 Speaker 4: I do same. You can do everything else, but I 860 00:46:53,200 --> 00:46:55,640 Speaker 4: do those don't come near them. 861 00:46:55,840 --> 00:46:57,319 Speaker 6: So it's kind of cool that you feel that way 862 00:46:57,360 --> 00:46:58,000 Speaker 6: about your banks. 863 00:46:58,080 --> 00:47:01,560 Speaker 4: I wouldn't trust myself to trim bangs, but the two 864 00:47:01,640 --> 00:47:04,120 Speaker 4: times in my life i've got them, they've both it's 865 00:47:04,160 --> 00:47:07,560 Speaker 4: just been not a good idea for me. So maybe 866 00:47:07,600 --> 00:47:10,640 Speaker 4: that's why, Like for you, they really are so cool 867 00:47:10,680 --> 00:47:14,759 Speaker 4: and cute. And if you're the if you are the 868 00:47:14,800 --> 00:47:18,920 Speaker 4: president of the banks, I can get behind that. 869 00:47:21,120 --> 00:47:24,279 Speaker 1: The president of the banks, she's like, this is it 870 00:47:24,280 --> 00:47:25,880 Speaker 1: depends what length you're going if I'm. 871 00:47:27,960 --> 00:47:32,160 Speaker 7: Yeah, yeah, well that gosh. But once somebody can do 872 00:47:32,200 --> 00:47:36,319 Speaker 7: your eyeliner, right, I'll just go for it. Although I 873 00:47:36,320 --> 00:47:39,680 Speaker 7: get creeped out when they do the inner the water line. 874 00:47:39,760 --> 00:47:40,799 Speaker 1: Oh yeah, the water line. 875 00:47:40,920 --> 00:47:42,120 Speaker 7: I can't. I don't know. 876 00:47:42,120 --> 00:47:46,279 Speaker 8: Anybody who isn't, Like, you can't screw it up. But 877 00:47:46,360 --> 00:47:48,960 Speaker 8: like it's also trippy to have somebody that close to 878 00:47:49,000 --> 00:47:49,520 Speaker 8: your eyeball. 879 00:47:51,200 --> 00:47:53,280 Speaker 4: Yeah, that's another one you might want to do yourself. 880 00:47:53,800 --> 00:48:00,760 Speaker 1: Yeah, well, usually there is heavy eyeliner involved in female 881 00:48:00,800 --> 00:48:05,520 Speaker 1: TV villains, so we should We should transition to our 882 00:48:05,640 --> 00:48:08,400 Speaker 1: fan question here to start wrapping up the episode. This 883 00:48:08,480 --> 00:48:11,560 Speaker 1: is from Max, who is asking who do you think 884 00:48:11,640 --> 00:48:16,160 Speaker 1: is the worst villain this season? Nanny Carey or Victoria? 885 00:48:16,680 --> 00:48:19,480 Speaker 7: I say Victoria because it's more insidious. 886 00:48:19,840 --> 00:48:20,920 Speaker 1: I do I agree? 887 00:48:20,960 --> 00:48:24,080 Speaker 6: Oh, I love that. I was about to say. I mean, 888 00:48:24,160 --> 00:48:25,400 Speaker 6: Victoria is certainly. 889 00:48:25,160 --> 00:48:28,000 Speaker 4: An emotional villain, but she's not a murderer. But maybe 890 00:48:29,080 --> 00:48:31,560 Speaker 4: emotional villainry is worse. I don't know. 891 00:48:31,960 --> 00:48:33,280 Speaker 7: Yeah, it's emotional abuse. 892 00:48:33,840 --> 00:48:37,720 Speaker 1: Yeah, it's more long lasting trauma like carries a carry's 893 00:48:37,920 --> 00:48:42,040 Speaker 1: psychotic and crazy. But she's not a to me, that's 894 00:48:42,040 --> 00:48:44,799 Speaker 1: not a mark of a true villain. She's just kind 895 00:48:44,840 --> 00:48:47,960 Speaker 1: of a sick. She's just a sick person. But a 896 00:48:48,040 --> 00:48:52,879 Speaker 1: villain is much more pathological, is much more calculated, and 897 00:48:53,360 --> 00:48:57,880 Speaker 1: has just a long history of abuse. Yeah, and manipulation. 898 00:48:58,160 --> 00:49:03,640 Speaker 1: And I would definitely put that award in Victoria's labe. 899 00:49:04,080 --> 00:49:07,000 Speaker 7: Well we solve that problem, easy, peasy. 900 00:49:07,600 --> 00:49:08,600 Speaker 6: I like that answer. 901 00:49:09,560 --> 00:49:13,200 Speaker 5: Just host sign it done? 902 00:49:24,200 --> 00:49:26,520 Speaker 1: Should we should we spin a wheel? We got to 903 00:49:26,520 --> 00:49:29,640 Speaker 1: spin a wheel and we do an honorable mention Ashley. 904 00:49:29,719 --> 00:49:33,600 Speaker 1: So every episode of drama Queen's we have a wheel 905 00:49:33,640 --> 00:49:36,479 Speaker 1: that spins like in your high school yearbook. Most likely too. 906 00:49:37,239 --> 00:49:39,200 Speaker 1: So here we go. You can read this one. 907 00:49:43,160 --> 00:49:46,799 Speaker 7: Who is most likely to go on Love Island or 908 00:49:46,920 --> 00:49:48,080 Speaker 7: be on the Bachelor? 909 00:49:49,880 --> 00:49:52,919 Speaker 1: Now this is going to be most likely to from 910 00:49:52,920 --> 00:49:56,080 Speaker 1: from Tree Hill the world of Tree Hill? Which character? 911 00:49:56,200 --> 00:49:58,000 Speaker 1: And then who in the in real life? Do you 912 00:49:58,040 --> 00:50:01,680 Speaker 1: think from our show? Who in real life Love Island. 913 00:50:02,040 --> 00:50:03,560 Speaker 9: Love Island or The Bachelor? 914 00:50:04,040 --> 00:50:08,000 Speaker 1: I mean Acdemp. Why is she always the answer? 915 00:50:08,680 --> 00:50:10,800 Speaker 8: I feel like I don't mean to throw shade or anything, 916 00:50:10,840 --> 00:50:14,200 Speaker 8: but I think she would be the winner of the 917 00:50:14,239 --> 00:50:18,120 Speaker 8: Golden Bachelor, Like she is so charming and beautiful. I 918 00:50:18,160 --> 00:50:21,319 Speaker 8: think she could also kill it on the Regular Bachelor. Yeah, 919 00:50:21,600 --> 00:50:22,720 Speaker 8: she's a good looking lady. 920 00:50:23,600 --> 00:50:25,840 Speaker 1: She is who in real life? 921 00:50:26,320 --> 00:50:27,040 Speaker 7: In real life? 922 00:50:28,360 --> 00:50:31,640 Speaker 4: I mean Stephen COLLETTI was on LA going to be Yes, 923 00:50:31,920 --> 00:50:34,240 Speaker 4: that's a good point, that isn't our answer? 924 00:50:35,640 --> 00:50:36,279 Speaker 7: Yeah? 925 00:50:36,560 --> 00:50:37,640 Speaker 6: Yeah he did. 926 00:50:38,480 --> 00:50:41,600 Speaker 4: He basically did like high school Love. 927 00:50:41,440 --> 00:50:42,479 Speaker 9: Island he did. 928 00:50:43,400 --> 00:50:47,920 Speaker 4: Yeah, So congratulations to Stephen because he just got engaged. 929 00:50:47,920 --> 00:50:50,640 Speaker 4: But were he to be single, he would be such 930 00:50:50,719 --> 00:50:54,360 Speaker 4: a good contestant on one of those shows. Yes, because 931 00:50:54,400 --> 00:50:57,440 Speaker 4: like he knows the ins and outs and he's charming. 932 00:50:57,080 --> 00:50:58,239 Speaker 6: And it's funny. 933 00:50:58,560 --> 00:51:02,319 Speaker 1: They need to write that into Everyone's Doing Great, their 934 00:51:02,360 --> 00:51:04,800 Speaker 1: TV show on Hulu. They need to write that storyline 935 00:51:04,800 --> 00:51:07,399 Speaker 1: in that he goes he gets off like he can't 936 00:51:07,400 --> 00:51:09,640 Speaker 1: get arrested, but he gets offered a job on a 937 00:51:09,680 --> 00:51:11,360 Speaker 1: reality show that he's like, oh, I don't want to 938 00:51:11,400 --> 00:51:12,440 Speaker 1: take this and then ends up. 939 00:51:14,040 --> 00:51:16,279 Speaker 4: I can't wait to start that group chat today and 940 00:51:16,320 --> 00:51:17,720 Speaker 4: be like, so we came up with that idea. 941 00:51:17,840 --> 00:51:20,279 Speaker 1: Yes, season four, Everyone's so great? 942 00:51:21,400 --> 00:51:23,479 Speaker 7: Yeah, I love that show. 943 00:51:25,480 --> 00:51:26,279 Speaker 9: Well, who do we have. 944 00:51:26,239 --> 00:51:27,840 Speaker 1: For Honorable Mentions today? 945 00:51:28,480 --> 00:51:28,680 Speaker 7: Oh? 946 00:51:28,760 --> 00:51:36,279 Speaker 1: Man, we got to meet James's Nathan's coach. Is it 947 00:51:36,480 --> 00:51:40,520 Speaker 1: not Clay? You know that's Rob. What's the guy? The 948 00:51:40,560 --> 00:51:43,440 Speaker 1: guy who was he was talking to? Who he was 949 00:51:43,480 --> 00:51:45,960 Speaker 1: on our show so much after this? The blonde guy? 950 00:51:46,600 --> 00:51:49,759 Speaker 7: I think it was Bobby. 951 00:51:50,320 --> 00:51:55,200 Speaker 8: Bobby Okay, Yabby because they introduced him. He's like mister 952 00:51:55,360 --> 00:51:59,320 Speaker 8: or whatever and he goes, Bobby, It's just Bobby, Bobby. 953 00:51:59,480 --> 00:51:59,799 Speaker 7: He was. 954 00:52:00,000 --> 00:52:01,560 Speaker 1: It was fun to see him, although I don't know 955 00:52:01,600 --> 00:52:03,439 Speaker 1: if he made enough of an impact for Honorable mention 956 00:52:04,280 --> 00:52:06,040 Speaker 1: For me, probably it goes to Paul with the I 957 00:52:06,080 --> 00:52:09,040 Speaker 1: Hate the Woods like that was just such a great moment. 958 00:52:09,160 --> 00:52:13,040 Speaker 1: I he wins the episode for me. 959 00:52:13,719 --> 00:52:15,759 Speaker 6: Honestly, my honorable. 960 00:52:15,320 --> 00:52:19,080 Speaker 4: Mention has to go to Tory because she did such 961 00:52:19,080 --> 00:52:22,560 Speaker 4: an amazing job with such an insane storyline and even 962 00:52:22,640 --> 00:52:25,960 Speaker 4: the way she wakes up essentially from the dead and 963 00:52:26,640 --> 00:52:29,000 Speaker 4: has to do that creepy little laugh. 964 00:52:29,120 --> 00:52:30,319 Speaker 7: That's so hard to sell. 965 00:52:30,920 --> 00:52:33,879 Speaker 4: It's so hard to sell, and she did it, and 966 00:52:34,000 --> 00:52:37,120 Speaker 4: I was like, she was giving me major Anthony Hopkins, 967 00:52:37,760 --> 00:52:40,880 Speaker 4: you know, silence of the Lambs vibes with that weird 968 00:52:41,000 --> 00:52:43,080 Speaker 4: sound he would make, like her laugh was just so 969 00:52:43,280 --> 00:52:47,160 Speaker 4: weird and specific, and I was like, Tory DeVito, someone 970 00:52:47,239 --> 00:52:50,120 Speaker 4: give you. She needs a trophy. I don't know which one, 971 00:52:50,160 --> 00:52:51,399 Speaker 4: but she needs a trophy for this. 972 00:52:51,600 --> 00:52:53,640 Speaker 7: We should make her one. We should get her trophy 973 00:52:53,640 --> 00:52:55,280 Speaker 7: and send it to her, don't you think? 974 00:52:55,480 --> 00:52:55,680 Speaker 10: Yeah? 975 00:52:55,800 --> 00:52:58,640 Speaker 4: Yeah, Okay, So we're giving the boys a season four 976 00:52:58,719 --> 00:53:01,040 Speaker 4: storyline for their show, sending Toyo trophy. 977 00:53:01,120 --> 00:53:02,000 Speaker 5: Done and done. 978 00:53:02,520 --> 00:53:04,200 Speaker 6: Love you know, I love a little homework. 979 00:53:04,800 --> 00:53:07,960 Speaker 1: Yes, Ashley, thank you so much for coming to hang 980 00:53:08,000 --> 00:53:09,360 Speaker 1: out with us and talking. 981 00:53:09,040 --> 00:53:10,520 Speaker 6: To Sam today. 982 00:53:10,600 --> 00:53:13,160 Speaker 7: Vib It was so fun. It was great to see 983 00:53:13,200 --> 00:53:15,839 Speaker 7: you guys, so soon. 984 00:53:16,840 --> 00:53:17,480 Speaker 6: Good to see you. 985 00:53:17,920 --> 00:53:21,520 Speaker 1: Next episode, Everybody, Season six, Episode six, Choosing my Own 986 00:53:21,560 --> 00:53:22,360 Speaker 1: way of Life? 987 00:53:22,920 --> 00:53:24,680 Speaker 9: Whatever could it be done? 988 00:53:24,680 --> 00:53:26,640 Speaker 5: Done? 989 00:53:27,840 --> 00:53:29,000 Speaker 1: Hey, thanks for listening. 990 00:53:29,120 --> 00:53:31,320 Speaker 4: Don't forget to leave us a review. You can also 991 00:53:31,400 --> 00:53:34,480 Speaker 4: follow us on Instagram at Drama Queen's ot. 992 00:53:34,520 --> 00:53:39,200 Speaker 9: H or email us at Drama Queens at iHeartRadio dot com. 993 00:53:39,440 --> 00:53:40,480 Speaker 7: See you next time. 994 00:53:41,680 --> 00:53:45,080 Speaker 9: We all about that high school drama. Girl Drama Girl, 995 00:53:45,160 --> 00:53:45,879 Speaker 9: all about them. 996 00:53:45,840 --> 00:53:47,600 Speaker 2: High school queens. 997 00:53:47,640 --> 00:53:49,839 Speaker 9: We'll take you for a ride at our comic. 998 00:53:49,600 --> 00:53:55,000 Speaker 2: Girl Shared for the Right Teams, Drama, Queens Up Girl Fashion, 999 00:53:55,040 --> 00:53:55,919 Speaker 2: what your tough girl? 1000 00:53:56,000 --> 00:53:59,040 Speaker 3: You could sit with us Girl Drama, Queens Drama, Queise Drama, 1001 00:53:59,120 --> 00:54:03,040 Speaker 3: Queens Drama, Drama, Queens Drama, Queenans