WEBVTT - Introducing Smell-O-Vision!

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<v Speaker 1>Welcome to Stuff You Should Know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh Clark. There's

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<v Speaker 2>Charles w Chuck Bryant, Jerry's here, and the three of

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<v Speaker 2>us when you put us together, smell like cotton candy.

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<v Speaker 2>Little known fact about Stuff you should Know.

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<v Speaker 1>You know what? I gave my daughter cotton candy, first

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<v Speaker 1>time she's ever had it, candy floss, just a couple

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<v Speaker 1>of weeks ago at the zoo. I was like, you

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<v Speaker 1>never had cotton candy. I was like, give me some

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<v Speaker 1>of that. I want to see. I haven't had it

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<v Speaker 1>in so long. And boy, it's just that the nostalgic

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<v Speaker 1>blast of that stuff melting on your tongue. Did not

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<v Speaker 1>enjoy it.

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<v Speaker 2>I was like, Jesus, oh really, no, it's a gross

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<v Speaker 2>web flavor. Was it like regular cotton candy flavor? Do

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<v Speaker 2>they try to? Okay, the blue is the same as

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<v Speaker 2>the pink. I don't like where this is going.

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<v Speaker 1>We had a cotton candy machine as a kid growing up,

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<v Speaker 1>A little do it at home deal.

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<v Speaker 2>What yeah, okay, money bags?

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<v Speaker 1>Yeah no, trust me, this is like a five ninety

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<v Speaker 1>nine years item.

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<v Speaker 2>I'm sure did you have the Snoopy Snowcome machine too.

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<v Speaker 1>No. See, we couldn't afford that because I had a

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<v Speaker 1>name brand. I think you and I were both very

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<v Speaker 1>famous for having very unbranded childhoods.

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<v Speaker 2>It's true, but we didn't have any kind of cotton

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<v Speaker 2>candy machine.

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<v Speaker 1>Yeah, we were generic family kids.

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<v Speaker 2>So what about your cotton candy machine and your kid?

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<v Speaker 2>Did you overdo it? Is that what you're saying?

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<v Speaker 1>No, no, no, I just wanted to throw that in there.

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<v Speaker 2>I wanted to show off.

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<v Speaker 1>I told Ruby that I had one when I was

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<v Speaker 1>a kid. She's like, really, yeah, And I said, yeah.

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<v Speaker 1>It was gross and it only made white candy.

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<v Speaker 2>Oh so it didn't taste at all.

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<v Speaker 1>No, just spin this. The taste doesn't come from the

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<v Speaker 1>food coloring.

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<v Speaker 2>I don't know that that's true. Should we talk about

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<v Speaker 2>smell of vision? Yeah, okay, I forgot. We hadn't even

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<v Speaker 2>mentioned it yet. We're talking about smellovision, which is exactly

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<v Speaker 2>what it sounds like. It was a really neat, interesting

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<v Speaker 2>gimmick that was tried in the beginning the advent of

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<v Speaker 2>the nineteen sixties. Most people say where they tried to

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<v Speaker 2>accompany motion pictures with smells in the exact same way

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<v Speaker 2>that they accompany motion pictures with sounds. That's right, Like

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<v Speaker 2>you put sound in moving pictures together. It's just so intuitive,

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<v Speaker 2>and it's come so far that the world that we

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<v Speaker 2>live in, you can't really imagine it. Otherwise, even if

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<v Speaker 2>you've seen the artist, it's still tough to imagine. Right.

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<v Speaker 2>They were trying to do that but with sense, and

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<v Speaker 2>this is the first attempt, and unfortunately it was not

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<v Speaker 2>a very successful attempt, which is why we don't have

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<v Speaker 2>smell a vision today.

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<v Speaker 1>That's right. Dave old Pell helps us out with this,

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<v Speaker 1>and this is kind of a fun surprise. One of

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<v Speaker 1>our old house Stuff Works writers. Patrick didn't work in

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<v Speaker 1>the office with this, but he was one of our

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<v Speaker 1>longtime freelancers. Patrick Kaiger wrote a book like eighteenish years

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<v Speaker 1>ago called Poplarica Colon a popular history of the fads, Mavericks,

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<v Speaker 1>inventions and lore that shaped modern America. Yeah, and I

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<v Speaker 1>think did such a good job with the smellvision section

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<v Speaker 1>that La Times writer Martin J. Smith again like seventeen

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<v Speaker 1>or eighteen years ago, wrote an article about smellvision and

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<v Speaker 1>used Patrick's book a lot. So we also relied on

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<v Speaker 1>this stuff, and it was I want to check out

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<v Speaker 1>that book. It sounds cool.

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<v Speaker 2>Yeah, it's a very good article or chapter I guess

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<v Speaker 2>that they excerpted in. It's basically the definitive story of

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<v Speaker 2>smell avision because it's such a it's such a narrow story.

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<v Speaker 2>There's a few characters, and it happened in like this

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<v Speaker 2>really narrow time frame. It's just it has a story.

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<v Speaker 2>It's one of those those topics. It just has its

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<v Speaker 2>own story, you know.

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<v Speaker 1>Yeah, absolutely, And we'll get into the story story. But

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<v Speaker 1>the first movie that they used it on that we'll

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<v Speaker 1>touch on later, was called Scent of Mystery, And you know,

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<v Speaker 1>you get the idea. They would pipe in like you know,

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<v Speaker 1>someone was smoking a pipe, they would pipe in the

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<v Speaker 1>smell of tobacco smoke. Or if someone was like in

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<v Speaker 1>a basement, they would pipe in some kind of dusty basement.

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<v Speaker 2>He smell mellow cadavers.

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<v Speaker 1>Usually it was something hopefully kind of nice, like there

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<v Speaker 1>was a peach orchard in a scene, and they piped

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<v Speaker 1>in peach smells and things like that. But like you said,

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<v Speaker 1>it was not a big hit at all. Yeah, I

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<v Speaker 1>think Time did you mention that that Time named it

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<v Speaker 1>one of the worst fifty inventions.

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<v Speaker 2>Yeah, And This is along with DDT, Agent Orange and

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<v Speaker 2>the baby cage. So that was that's really saying something.

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<v Speaker 1>What else recently was on that list?

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<v Speaker 2>Our live show? No, yeah, our live show the topic

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<v Speaker 2>of our lives shows on the ideas of the century.

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<v Speaker 1>I thought you meant our live show was one of

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<v Speaker 1>the worst inventions in the last fifteenth or the last

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<v Speaker 1>hundred years. That was a good joke.

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<v Speaker 2>It was a good joke, unintentional but still pretty good.

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<v Speaker 1>Yes, you're right, our secret topic for the live show

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<v Speaker 1>that you're exactly right.

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<v Speaker 2>Yeah, we just gave away that if you go look

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<v Speaker 2>at that list of one hundred worse ideas of the

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<v Speaker 2>century from time, you will stumble across our topic, but

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<v Speaker 2>you may not know that that's it.

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<v Speaker 1>Yeah, and you know it's not somemellvision. No, so then

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<v Speaker 1>you narrowed it down a bit.

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<v Speaker 2>Yeah, now you've got ninety nine other chances.

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<v Speaker 1>So a company coming up with a signature scent is

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<v Speaker 1>a big thing these days, Like we don't want to

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<v Speaker 1>underestimate scent as a as a sense because it's very powerful. Yeah,

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<v Speaker 1>there are very famous signature scents of like hotels and

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<v Speaker 1>stores and stuff like that. But as far as using

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<v Speaker 1>odor to tie it to entertainment. They were doing this

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<v Speaker 1>in stage plays at least in the eighteen hundreds, and

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<v Speaker 1>I would bet before that even.

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<v Speaker 2>Sure, apparently they like theater owners would would basically do

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<v Speaker 2>what they could to kind of make the whole scene

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<v Speaker 2>that you were seeing being portrayed just that much more

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<v Speaker 2>realistic by incorporating smell along with sites and sounds. Right,

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<v Speaker 2>they didn't want you to touch the actors and you

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<v Speaker 2>weren't allowed to lick the actors. So those were the

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<v Speaker 2>three that they were allowed to work with. Yeah, and

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<v Speaker 2>it's it's understandable why because I mean, if you think

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<v Speaker 2>about it, like you were saying, like scent is a

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<v Speaker 2>very powerful sense that if you could tap into that correctly,

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<v Speaker 2>you could really blow someone's mind with a stage production

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<v Speaker 2>and eventually a movie. And that was the basis of

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<v Speaker 2>this whole thing. In retrospect, it was gimmicky, it's silly,

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<v Speaker 2>it's mid century. Yeah, it has a name like Smell

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<v Speaker 2>a Vision, But if you really dig down into the story,

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<v Speaker 2>you find like this is a really earnest, genuine project

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<v Speaker 2>that was meant to just completely transform filmmaking for the better.

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<v Speaker 1>Yeah, I mean said earlier, they thought it was going

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<v Speaker 1>to be the next revolution, like adding sound, which is

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<v Speaker 1>kind of funny, like, this isn't something that appeals to me,

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<v Speaker 1>even though we'll get to four D later on and

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<v Speaker 1>talk about that. But the first movie theater to try

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<v Speaker 1>anything like this in the United States was in Forest City, Pennsylvania.

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<v Speaker 1>It was called the Family Theater and it was owned

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<v Speaker 1>by Roxy Rothafel.

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<v Speaker 2>And ironically, it was a pornography theater, right.

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<v Speaker 1>That was it.

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<v Speaker 2>It is gullible day for you.

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<v Speaker 1>That was the last episode, and I'm still gullible.

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<v Speaker 2>Can you imagine a Triple X theater called the Family Theater?

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<v Speaker 1>That was the joke I was thinking from Roxy, like

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<v Speaker 1>triple X. I gotcha, and I totally missed it. I'm

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<v Speaker 1>off my game.

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<v Speaker 2>Hey, it's okay man. As a matter of fact, I'll

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<v Speaker 2>just retract that whole thing.

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<v Speaker 1>No, I get it. That's a great name for a theater, Chuck,

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<v Speaker 1>the Family Theater now showing deep throat exactly all right.

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<v Speaker 1>So the Family Theater was owned by Roxy Rothefel, and

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<v Speaker 1>Roxy is someone we talked about in our Rocketes episode

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<v Speaker 1>because this person would go on to open up the

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<v Speaker 1>Radio City Music Hall and the Rockets were originally called

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<v Speaker 1>the roxy Ettes, but in nineteen o eight he owned

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<v Speaker 1>the Family Theater and got a newsreel in nineteen sixteen

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<v Speaker 1>about the Rose Bowl Parade and said, Hey, I'm going

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<v Speaker 1>to pump the smell of rose oil into this theater

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<v Speaker 1>and fan it in there. And that was sort of

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<v Speaker 1>the first little attempt at something like this.

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<v Speaker 2>Yeah, And I mean, I think that was kind of

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<v Speaker 2>one of the things when they added like interior ventilation systems,

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<v Speaker 2>Like people figured out you can not only move air

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<v Speaker 2>around the theater pretty quickly, you can move sense around

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<v Speaker 2>the theater. So in very short order, other theaters started

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<v Speaker 2>trying the same thing. There was a theater in Boston

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<v Speaker 2>in nineteen twenty nine, there was a Detroit theater in

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<v Speaker 2>nineteen forty three, and it just kind of sporadically was

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<v Speaker 2>attempted at. But it wasn't until a guy named Hans

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<v Speaker 2>Lob That's what I'm going with, who was Swiss, who

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<v Speaker 2>was an inventor and an osmologist, which is somebody who

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<v Speaker 2>studies the science of smells. And it wasn't until he

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<v Speaker 2>came along with somebody said I'm making this work. I'm

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<v Speaker 2>going to make this happen and really like dedicated himself

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<v Speaker 2>to it.

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<v Speaker 1>Absolutely. He had made his name removing smells. I'm not

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<v Speaker 1>sure what chemicals he used.

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<v Speaker 2>I was looking all over for it.

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<v Speaker 1>Well, these days a use stuff like ozone, which.

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<v Speaker 2>Is not good at all.

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<v Speaker 1>Well, I tell you, man, someone stole our car like.

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<v Speaker 2>Three years ago.

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<v Speaker 1>I remember that and basically just joy road and wrecked

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<v Speaker 1>it for a few days and it smelled like smoked

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<v Speaker 1>three thousand cigarettes in the span of three days. Yeah,

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<v Speaker 1>and we got that thing back and that's all the

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<v Speaker 1>entrance company. I was like, man, I don't care what

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<v Speaker 1>you do, We're not taking this car back. There's no

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<v Speaker 1>way it's ever going to smell the same again, right,

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<v Speaker 1>And they said, oh, we use an ozone treatment and

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<v Speaker 1>it didn't smell like cigarette smoke, but it smelled funky

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<v Speaker 1>after that, and we fought tooth and nail with him.

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<v Speaker 1>I was like, you know, we can't drive around like this.

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<v Speaker 2>Ozone has its own smell, and it's also super reactive

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<v Speaker 2>and you don't want to breathe it in. Luckily has

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<v Speaker 2>a very short like lifespan, but it's you don't want

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<v Speaker 2>to be around ozone.

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<v Speaker 1>Basically, No, that car is not in our family anymore.

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<v Speaker 1>By the way, it had bad energy after that, so

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<v Speaker 1>we didn't want any part of it.

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<v Speaker 2>Yeah, I am, that's pretty understandable. I can totally see that. Yeah, so, yeah,

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<v Speaker 2>I guess he was doing ozone too. That was what

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<v Speaker 2>I came up with with that.

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<v Speaker 1>Yeah, he was. He was using chemicals to remove odors,

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<v Speaker 1>and then he said, hey, I could reverse this whole

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<v Speaker 1>thing and add odors into movie theaters and debuted that

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<v Speaker 1>idea at the thirty nine to forty World's Fair in

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<v Speaker 1>New York with his partner Robert Barthis, and they had

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<v Speaker 1>a thirty five minute fild called a film called My

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<v Speaker 1>Dream or Mine Troum I guess it was in German,

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<v Speaker 1>and they had thirty two different chemical odors that they

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<v Speaker 1>pumped out during this thirty five minute film. Yeah, that's

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<v Speaker 1>almost a smell a minute. Yeah, And he called it scentovision,

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<v Speaker 1>which is much nicer than smellovision for sure. I mean

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<v Speaker 1>they're both kind of goofy.

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<v Speaker 2>Apparently it generally worked too. The New York Times, which

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<v Speaker 2>would become one of the biggest critics I guess of smellovision,

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<v Speaker 2>later on, endorsed it. This was back in the Yeah,

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<v Speaker 2>nineteen thirty nine, nineteen forty years before it actually was

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<v Speaker 2>attempted in a feature film, but they said that they

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<v Speaker 2>called it a smellie instead of a talkie, and they

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<v Speaker 2>said that, you know, some of it worked. I think

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<v Speaker 2>bacon didn't work very well, but incense worked really well.

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<v Speaker 2>It was very convincing, and I guess they had the

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<v Speaker 2>timing down and all that. But the projecttionist was actually

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<v Speaker 2>running not just the film but also the scent emissions

0:12:06.320 --> 0:12:06.680
<v Speaker 2>as well.

0:12:07.120 --> 0:12:12.079
<v Speaker 1>He was chief wafter Yeah, all right, maybe we should

0:12:12.080 --> 0:12:15.240
<v Speaker 1>take a break. Oh, okay, and we'll come back talk

0:12:15.280 --> 0:12:40.120
<v Speaker 1>about more smells right after this. All right, So how

0:12:40.160 --> 0:12:41.800
<v Speaker 1>did you pronounce the name lob or lobby?

0:12:42.679 --> 0:12:44.319
<v Speaker 2>Lob Lob.

0:12:45.960 --> 0:12:49.160
<v Speaker 1>Had a semi successful debut at the Scent Division, but

0:12:49.200 --> 0:12:50.880
<v Speaker 1>no one jumped on this, saying it was about ten

0:12:50.960 --> 0:12:54.840
<v Speaker 1>years before anyone really cared to do any more exploration

0:12:55.880 --> 0:12:58.880
<v Speaker 1>because of a funny thing that happened over the course

0:12:58.920 --> 0:13:02.000
<v Speaker 1>of World War Two. Before the war, movies were a

0:13:02.160 --> 0:13:04.800
<v Speaker 1>very big deal. After the war, movies were still a

0:13:05.160 --> 0:13:07.720
<v Speaker 1>big deal, but TV had come along by that point, right,

0:13:08.200 --> 0:13:11.760
<v Speaker 1>and sort of like the you know, theater owners now

0:13:11.800 --> 0:13:14.400
<v Speaker 1>being worried about people just streaming everything at home. They

0:13:14.440 --> 0:13:16.600
<v Speaker 1>were worried that people are just going to watch TV now,

0:13:16.960 --> 0:13:19.120
<v Speaker 1>so they wanted to up the ante in the in

0:13:19.880 --> 0:13:23.240
<v Speaker 1>viewing in person experience in the theater and smell a

0:13:23.280 --> 0:13:24.880
<v Speaker 1>vision was one of those first ideas.

0:13:25.240 --> 0:13:27.800
<v Speaker 2>Yeah, they did another one. I can't remember. I think

0:13:27.840 --> 0:13:32.839
<v Speaker 2>the movie was called The Chiller, but the producer installed

0:13:33.760 --> 0:13:37.359
<v Speaker 2>electric shocks into the movie theater seats from the patrons.

0:13:37.480 --> 0:13:39.920
<v Speaker 2>I can't remember what he called it. It was like

0:13:40.000 --> 0:13:42.599
<v Speaker 2>that age where they needed to do something that he

0:13:42.800 --> 0:13:46.720
<v Speaker 2>just couldn't possibly do at home. And Michael Todd is

0:13:47.760 --> 0:13:50.600
<v Speaker 2>he actually wasn't the guy who really was like, Okay,

0:13:50.600 --> 0:13:53.680
<v Speaker 2>we're going to make this work. Michael Todd Junior was

0:13:53.720 --> 0:13:56.079
<v Speaker 2>the guy who ended up making it work. But his father,

0:13:56.160 --> 0:13:59.120
<v Speaker 2>Michael Todd Sr. Who I saw this random bit of

0:13:59.120 --> 0:14:03.320
<v Speaker 2>trivia a website called in seventy millimeter dot com which

0:14:03.320 --> 0:14:08.680
<v Speaker 2>is about the movie biz. Yeah, and he the author

0:14:08.760 --> 0:14:13.480
<v Speaker 2>said that Michael Todd Senior, he was born Evram Hirsch Goldbogan.

0:14:13.920 --> 0:14:17.240
<v Speaker 2>He was Polish and he adopted his son's name. So

0:14:17.360 --> 0:14:21.120
<v Speaker 2>Michael Todd Junior came before Michael Todd Senior. Isn't that interesting?

0:14:21.520 --> 0:14:23.960
<v Speaker 1>That is super interesting and very strange, But.

0:14:23.960 --> 0:14:26.600
<v Speaker 2>The outside of it is. Michael Todd was a producer.

0:14:26.720 --> 0:14:30.240
<v Speaker 2>He was at first a vaudeville producer, then a Broadway producer,

0:14:30.240 --> 0:14:32.600
<v Speaker 2>and he eventually became a film producer.

0:14:32.800 --> 0:14:37.120
<v Speaker 1>That's right, And he was he's best known if you've

0:14:37.160 --> 0:14:41.000
<v Speaker 1>ever seen Todd AO. At the end of the film,

0:14:41.680 --> 0:14:44.880
<v Speaker 1>he kind of helped pioneer the seventy millimeter format. Yeah,

0:14:44.960 --> 0:14:50.160
<v Speaker 1>and and cinerama scope. It's a it's a widescreen format.

0:14:50.160 --> 0:14:52.600
<v Speaker 1>It's it's probably a whole episode or short stuff on itself.

0:14:53.280 --> 0:14:55.360
<v Speaker 1>But Todd AO as a company is still around, I

0:14:55.360 --> 0:14:59.960
<v Speaker 1>think in some capacity. But a very sort of invent

0:15:00.080 --> 0:15:05.000
<v Speaker 1>to enterprising guy basically. And like you said, he came

0:15:06.120 --> 0:15:11.320
<v Speaker 1>knocking around Hollywood eventually after his Broadway run, and they

0:15:11.600 --> 0:15:13.320
<v Speaker 1>right out of the gate had a very very big

0:15:13.400 --> 0:15:16.920
<v Speaker 1>hit with a movie called Around the World in Eighty Days. Yeah,

0:15:17.000 --> 0:15:19.680
<v Speaker 1>and almost used this movie as the big debut for Smellvision,

0:15:20.000 --> 0:15:22.080
<v Speaker 1>but decided not to feel like kind of at the

0:15:22.120 --> 0:15:22.680
<v Speaker 1>last minute.

0:15:23.200 --> 0:15:26.640
<v Speaker 2>Yeah, and very wisely too, because so Michael Todd Junior

0:15:26.680 --> 0:15:29.760
<v Speaker 2>and senior, this is their first film production and they

0:15:29.800 --> 0:15:32.760
<v Speaker 2>won the Oscar for Best Picture for that year nineteen

0:15:32.840 --> 0:15:37.480
<v Speaker 2>fifty seven. It beat out Giant with Rock Hudson, James Dean,

0:15:37.520 --> 0:15:40.880
<v Speaker 2>and Liz Taylor. Michael Todd was seated next to Liz

0:15:40.880 --> 0:15:43.400
<v Speaker 2>Taylor because they'd just gotten married a couple months before.

0:15:43.800 --> 0:15:46.960
<v Speaker 2>When his movie beat Hers for the Best Picture, they

0:15:47.000 --> 0:15:50.320
<v Speaker 2>also beat Ten Commandments, So it was like a big

0:15:50.360 --> 0:15:54.840
<v Speaker 2>deal that these essentially outsiders had just walked in, produced

0:15:54.840 --> 0:15:58.880
<v Speaker 2>such a great movie and won Best Oscar. He didn't

0:15:58.920 --> 0:16:02.360
<v Speaker 2>live very long after that. He died in a plane crash,

0:16:02.520 --> 0:16:05.560
<v Speaker 2>I think the next year, in nineteen fifty eight. Yeah,

0:16:05.600 --> 0:16:09.160
<v Speaker 2>but his son just carried on the mantle. They were

0:16:09.200 --> 0:16:13.440
<v Speaker 2>like actual collaborators, so there was just no question whether

0:16:13.480 --> 0:16:15.960
<v Speaker 2>Michael Todd Junior was going to continue on. But I

0:16:16.000 --> 0:16:18.280
<v Speaker 2>get the impression that Junior was more into the idea

0:16:18.320 --> 0:16:21.200
<v Speaker 2>of Smell a Vision than Senior was, because it wasn't

0:16:21.280 --> 0:16:24.080
<v Speaker 2>until after Senior died that Junior said I'm gonna make

0:16:24.120 --> 0:16:24.640
<v Speaker 2>this happen.

0:16:25.120 --> 0:16:28.920
<v Speaker 1>That's right. So he got in touch with Loub and said,

0:16:29.040 --> 0:16:31.000
<v Speaker 1>let's do this one movie. Let's give it a shot.

0:16:32.160 --> 0:16:36.480
<v Speaker 1>It's gonna be called Scent of Mystery. We're gonna have

0:16:36.560 --> 0:16:39.560
<v Speaker 1>all sorts of you know, something that kind of bugs me.

0:16:39.600 --> 0:16:42.160
<v Speaker 1>I'm not a big three D guy. It bugs me

0:16:42.200 --> 0:16:44.920
<v Speaker 1>when they do shots that you can tell, like when

0:16:44.960 --> 0:16:46.680
<v Speaker 1>you see the two D version, it's like they did

0:16:46.680 --> 0:16:50.440
<v Speaker 1>that thing coming at the screen clearly, just as a

0:16:50.480 --> 0:16:51.680
<v Speaker 1>sort of like a three D gimmick.

0:16:51.800 --> 0:16:54.200
<v Speaker 2>Like Friday the Thirteenth Part three did that a lot.

0:16:54.720 --> 0:16:57.120
<v Speaker 1>Yeah, I mean even modern three D movies do it

0:16:57.160 --> 0:16:59.360
<v Speaker 1>a lot. I feel like they'll, you know, have a

0:16:59.400 --> 0:17:01.880
<v Speaker 1>couple of shots there where it's like something is flying

0:17:01.960 --> 0:17:04.440
<v Speaker 1>right at the camera and you're just in two D.

0:17:04.560 --> 0:17:06.119
<v Speaker 1>It's like, uh, you know they did that just for

0:17:06.160 --> 0:17:06.600
<v Speaker 1>the three D.

0:17:06.920 --> 0:17:08.800
<v Speaker 2>Yeah. I have to say in that movie, they did

0:17:08.840 --> 0:17:11.080
<v Speaker 2>a good job with it, like Kevin Bacon's playing with

0:17:11.119 --> 0:17:13.280
<v Speaker 2>the yo yo and the shots from underneath and the

0:17:13.359 --> 0:17:15.000
<v Speaker 2>yoyo is coming like right at you.

0:17:15.400 --> 0:17:17.840
<v Speaker 1>Wait, he was in the first one, wouldn't he.

0:17:17.320 --> 0:17:19.639
<v Speaker 2>He was in the third one. He's dude, he's the

0:17:19.680 --> 0:17:21.600
<v Speaker 2>guy who does the I think he's the guy doing

0:17:21.600 --> 0:17:24.560
<v Speaker 2>the handstand who gets like cut in half from the

0:17:24.640 --> 0:17:26.880
<v Speaker 2>bottom up by Jason with a machete.

0:17:27.440 --> 0:17:28.760
<v Speaker 1>Okay, I thought he's in the first one.

0:17:28.800 --> 0:17:30.800
<v Speaker 2>I'm almost positive he's hand saying.

0:17:30.600 --> 0:17:32.920
<v Speaker 1>Guy, handstand guy.

0:17:33.040 --> 0:17:33.360
<v Speaker 2>Uh huh?

0:17:33.680 --> 0:17:34.399
<v Speaker 1>Is that his credit?

0:17:35.160 --> 0:17:35.800
<v Speaker 2>I don't know.

0:17:36.119 --> 0:17:36.960
<v Speaker 1>That'd be pretty great.

0:17:37.320 --> 0:17:39.600
<v Speaker 2>I don't know. Yeah, he could have been in the

0:17:39.600 --> 0:17:41.240
<v Speaker 2>first one, two's in everything of course.

0:17:41.400 --> 0:17:43.440
<v Speaker 1>Oh well you don't. You're not in multiple ones unless

0:17:43.440 --> 0:17:45.679
<v Speaker 1>you're Jason because you get packed.

0:17:45.440 --> 0:17:48.240
<v Speaker 2>Up, right Jason or Corey Feldman?

0:17:48.720 --> 0:17:50.920
<v Speaker 1>Right? Was he the one of us?

0:17:51.000 --> 0:17:52.920
<v Speaker 2>He was in like five or six I think.

0:17:53.040 --> 0:17:56.719
<v Speaker 1>Okay, I only saw a couple of those. Uh. Anyway,

0:17:56.800 --> 0:17:59.639
<v Speaker 1>that's what they did with Scent of Mystery is they

0:18:00.000 --> 0:18:04.000
<v Speaker 1>added all kinds of little gags in there to sort

0:18:04.000 --> 0:18:06.080
<v Speaker 1>of take place to time out with the smells, which,

0:18:06.400 --> 0:18:07.879
<v Speaker 1>you know, you can't blame them. If they're trying to

0:18:07.920 --> 0:18:11.200
<v Speaker 1>debut this new thing, they wanted to, you know, really

0:18:11.240 --> 0:18:12.920
<v Speaker 1>incorporate it, and they did in a big way.

0:18:13.280 --> 0:18:16.879
<v Speaker 2>Yeah, they like they It was the first motion picture

0:18:17.000 --> 0:18:21.880
<v Speaker 2>written to have smells associated with it. As we'll see

0:18:21.920 --> 0:18:24.080
<v Speaker 2>later on, there was a picture that was kind of

0:18:24.119 --> 0:18:27.560
<v Speaker 2>retroactively retrofitted with smells, but this one was like, we're

0:18:27.600 --> 0:18:30.000
<v Speaker 2>going to have this smell come out at this part

0:18:30.040 --> 0:18:36.040
<v Speaker 2>in the script, right, yeah, exactly. Yeah. So, like we said, like,

0:18:36.280 --> 0:18:38.920
<v Speaker 2>Lobe was a lob. I don't even remember how we

0:18:38.960 --> 0:18:42.680
<v Speaker 2>sat his name anymore. He was a consummate inventor. He

0:18:42.800 --> 0:18:46.679
<v Speaker 2>was fairly genius from what I could tell. And he

0:18:46.760 --> 0:18:49.919
<v Speaker 2>had invented what he called the smell brain, which is

0:18:49.960 --> 0:18:55.680
<v Speaker 2>like the center es central component of the smell of vision. Well,

0:18:56.000 --> 0:18:57.680
<v Speaker 2>and we should say I think you said he'd called

0:18:57.680 --> 0:18:59.240
<v Speaker 2>it centavision originally.

0:18:59.560 --> 0:18:59.840
<v Speaker 1>Yeah.

0:19:00.119 --> 0:19:03.680
<v Speaker 2>One of the stipulations of his contract with Michael Todd Jr.

0:19:03.920 --> 0:19:06.560
<v Speaker 2>Was that they were going to change it to smellovision, right,

0:19:06.640 --> 0:19:09.600
<v Speaker 2>big diff Yeah, And apparently Michael Todd Junior was asked like,

0:19:09.600 --> 0:19:11.919
<v Speaker 2>why didn't you change it to something more dignified, and

0:19:11.920 --> 0:19:14.320
<v Speaker 2>he said, I don't understand how you can be dignified

0:19:14.359 --> 0:19:17.000
<v Speaker 2>about a process that introduces smells into a theater.

0:19:17.720 --> 0:19:19.480
<v Speaker 1>Yeah, I don't know what you could call it. That

0:19:19.600 --> 0:19:20.479
<v Speaker 1>isn't kind of cheeky.

0:19:20.760 --> 0:19:24.600
<v Speaker 2>I think sentavision still worked. Yeah, I think it was great.

0:19:24.600 --> 0:19:28.639
<v Speaker 2>But anyway, this smell brain was like the central component

0:19:28.760 --> 0:19:33.520
<v Speaker 2>of the entire smell of vision process. I guess.

0:19:34.040 --> 0:19:36.480
<v Speaker 1>Yeah. And this is one of those things that you

0:19:36.520 --> 0:19:38.119
<v Speaker 1>and I both I think, get kind of knocked out

0:19:38.160 --> 0:19:42.840
<v Speaker 1>about mechanical solutions to things, and this was that exactly.

0:19:42.840 --> 0:19:45.800
<v Speaker 1>It was a big box and had all these chemical

0:19:45.920 --> 0:19:49.800
<v Speaker 1>vials with these scents in them, and that was attached

0:19:49.800 --> 0:19:52.239
<v Speaker 1>to a belt that was attached to a motor, and

0:19:52.359 --> 0:19:56.320
<v Speaker 1>it simply would as the movie plays, it's timed to

0:19:56.480 --> 0:19:59.960
<v Speaker 1>queue up these these smells in sense and it would

0:20:00.280 --> 0:20:03.119
<v Speaker 1>basically load up into place. The belt would rotate on

0:20:03.280 --> 0:20:06.760
<v Speaker 1>que and then a needle is inserted into the vial

0:20:07.600 --> 0:20:11.320
<v Speaker 1>and spits it into a fan that pipes it through.

0:20:11.760 --> 0:20:11.879
<v Speaker 2>Uh.

0:20:12.040 --> 0:20:13.840
<v Speaker 1>And this was sort of the key, I think. And yes,

0:20:14.119 --> 0:20:16.520
<v Speaker 1>we'll get into more of this later, but it piped

0:20:16.520 --> 0:20:22.399
<v Speaker 1>it into ideally would pipe it into vince that would

0:20:22.600 --> 0:20:25.040
<v Speaker 1>not just go through the air conditioning or heating system

0:20:25.119 --> 0:20:28.439
<v Speaker 1>or whatever, but under each seat, like miles and miles

0:20:28.440 --> 0:20:29.040
<v Speaker 1>of this tubing.

0:20:29.320 --> 0:20:32.080
<v Speaker 2>Yeah, for sure. And that was, like you said, that's

0:20:32.160 --> 0:20:37.560
<v Speaker 2>the key. Apparently it worked really really well. Michael Todd

0:20:37.640 --> 0:20:42.399
<v Speaker 2>Junior gave Lobe a loub that's what we've been saying,

0:20:43.080 --> 0:20:46.399
<v Speaker 2>and how distracting. He gave him an entire theater in

0:20:46.480 --> 0:20:49.160
<v Speaker 2>Chicago to basically set up like a proof of concept,

0:20:49.760 --> 0:20:54.119
<v Speaker 2>and it worked very well. I think he started working

0:20:54.119 --> 0:20:57.360
<v Speaker 2>on it in nineteen fifty seven, nineteen fifty eight. There's

0:20:57.520 --> 0:21:00.480
<v Speaker 2>real there's a discrepancy between when this whole thing miradors.

0:21:00.520 --> 0:21:05.040
<v Speaker 2>We'll see either nineteen fifty nine or nineteen sixty. But

0:21:05.080 --> 0:21:07.399
<v Speaker 2>before they could get it out to market in I

0:21:07.440 --> 0:21:12.080
<v Speaker 2>think New York, Los Angeles and Chicago, they somebody beat

0:21:12.119 --> 0:21:15.760
<v Speaker 2>them to it, right, Yeah, a guy named Walter Reader Junior.

0:21:16.440 --> 0:21:20.800
<v Speaker 1>Yeah, he had Aroma Rama. Again, pretty cheeky.

0:21:21.560 --> 0:21:24.240
<v Speaker 2>I think it's better than smell Avision. Yeah, I mean

0:21:24.240 --> 0:21:24.600
<v Speaker 2>they're both.

0:21:24.680 --> 0:21:27.200
<v Speaker 1>I mean, smell Division really fit that mid century age, you.

0:21:27.160 --> 0:21:29.359
<v Speaker 2>Know, sure, so does Aroma Rama.

0:21:29.560 --> 0:21:31.719
<v Speaker 1>Yeah. I think back then they both kind of went

0:21:31.760 --> 0:21:32.720
<v Speaker 1>over pretty well.

0:21:33.000 --> 0:21:35.240
<v Speaker 2>They're the kind of words with tail fins, you know

0:21:35.280 --> 0:21:35.680
<v Speaker 2>what I mean.

0:21:36.400 --> 0:21:40.080
<v Speaker 1>Yeah, yeah, totally. This was in New York at the

0:21:40.080 --> 0:21:43.080
<v Speaker 1>Demil Theater, and this is the one that you reference.

0:21:43.160 --> 0:21:46.000
<v Speaker 1>He didn't actually make a movie from scratch to work

0:21:46.040 --> 0:21:50.360
<v Speaker 1>with Aroma Rama. He bought the rights to a documentary

0:21:51.359 --> 0:21:53.159
<v Speaker 1>called Behind the Great Wall. It was sort of a

0:21:53.240 --> 0:21:58.840
<v Speaker 1>travel documentary about China, and he used his Aroma Rama

0:21:58.920 --> 0:22:02.320
<v Speaker 1>in that way, and people did not like it. Critically.

0:22:02.359 --> 0:22:04.720
<v Speaker 1>They they said it was a stunt. I think The

0:22:04.760 --> 0:22:09.199
<v Speaker 1>New York Times said the smells were elusive, oppressive, or

0:22:09.280 --> 0:22:10.720
<v Speaker 1>perfunctory and banal.

0:22:12.760 --> 0:22:14.919
<v Speaker 2>This is not good. The same reviewer went on to

0:22:14.960 --> 0:22:19.359
<v Speaker 2>say that that that the treatment in between smells that

0:22:19.440 --> 0:22:21.920
<v Speaker 2>was meant to clear the air had its own sticky,

0:22:22.000 --> 0:22:26.240
<v Speaker 2>sweet smell. That quote tends to become upsetting before the

0:22:26.280 --> 0:22:29.040
<v Speaker 2>film has run its full two hours. And then when

0:22:29.080 --> 0:22:32.560
<v Speaker 2>the reviewer left the theater, they happily filled their lungs

0:22:32.600 --> 0:22:36.040
<v Speaker 2>with that lovely fume laden New York go zone. It

0:22:36.040 --> 0:22:38.560
<v Speaker 2>has never smelled so good. So that's not really the

0:22:38.640 --> 0:22:42.200
<v Speaker 2>review you're going for when you're releasing the first smell

0:22:42.240 --> 0:22:44.399
<v Speaker 2>Avision or Aroma rama picture.

0:22:44.920 --> 0:22:47.760
<v Speaker 1>Well yeah, and on the bad reviews of that, they

0:22:47.800 --> 0:22:51.439
<v Speaker 1>even mentioned the upcoming scentse of Mystery HU, which is

0:22:51.720 --> 0:22:54.320
<v Speaker 1>definitely not what you want when you're following up someone

0:22:54.320 --> 0:22:56.560
<v Speaker 1>who had had jumped the line ahead of you.

0:22:56.720 --> 0:22:59.520
<v Speaker 2>Right, they got a terrible review, like they got a

0:22:59.600 --> 0:23:01.000
<v Speaker 2>terrible review by proxy.

0:23:01.080 --> 0:23:03.040
<v Speaker 1>Basically, yeah, exactly, so.

0:23:03.080 --> 0:23:04.720
<v Speaker 2>You want to take a break and come back and

0:23:04.760 --> 0:23:07.680
<v Speaker 2>we'll tell everybody about just exactly what happened when Sente

0:23:07.760 --> 0:23:08.560
<v Speaker 2>Mystery premiered.

0:23:09.760 --> 0:23:10.960
<v Speaker 1>Cliffhanger, let's do it.

0:23:30.280 --> 0:23:33.280
<v Speaker 2>All, right, Chuck. So we're here. It's either nineteen fifty nine,

0:23:33.280 --> 0:23:36.639
<v Speaker 2>it's nineteen sixty, and it's time for the Cente Mystery

0:23:36.680 --> 0:23:40.280
<v Speaker 2>to premiere, and Michael Todd Junior's been talking it up.

0:23:40.320 --> 0:23:42.160
<v Speaker 2>He has a famous quote where he said that he

0:23:42.160 --> 0:23:47.440
<v Speaker 2>hopes people find it sensational. Here's that kind of guy. Yeah,

0:23:47.800 --> 0:23:54.639
<v Speaker 2>and the film itself was apparently fairly well received. I

0:23:54.760 --> 0:23:57.159
<v Speaker 2>was directed by a guy named Jack Cardiff who is

0:23:57.200 --> 0:24:00.760
<v Speaker 2>a cinematographer. I think he was a cinematograph for black

0:24:01.880 --> 0:24:06.600
<v Speaker 2>Narcissists if I'm not mistaken, and won an Oscar for it.

0:24:06.760 --> 0:24:08.440
<v Speaker 2>But he said he signed on to this one because

0:24:08.440 --> 0:24:11.040
<v Speaker 2>he said the script was very well written and really

0:24:11.119 --> 0:24:14.600
<v Speaker 2>dramatized the smells, which is man, that's a press to

0:24:14.640 --> 0:24:17.240
<v Speaker 2>her quote if I've ever heard one. Right there, I

0:24:17.240 --> 0:24:19.000
<v Speaker 2>think he probably should have just said, like I needed

0:24:19.040 --> 0:24:21.960
<v Speaker 2>the money. Can we all disagree on that being okay?

0:24:22.400 --> 0:24:24.879
<v Speaker 2>But he directed it, and again it was a pretty

0:24:24.920 --> 0:24:30.680
<v Speaker 2>cute little film. Daniel Melliott beloved actor who was Indiana Jones'

0:24:30.760 --> 0:24:35.320
<v Speaker 2>mentor and the first couple I believe remember what.

0:24:35.359 --> 0:24:38.000
<v Speaker 1>Was his name talking about Marcus.

0:24:37.560 --> 0:24:41.120
<v Speaker 2>Yes, he played He was the lead in Scent of Mystery,

0:24:41.280 --> 0:24:45.720
<v Speaker 2>Oh Crazy, Yeah, and Peter Laurie was his sidekick cab driver.

0:24:47.119 --> 0:24:49.240
<v Speaker 2>And the whole thing is set in Spain. It has

0:24:49.280 --> 0:24:52.040
<v Speaker 2>its own travel log kind of quality to it as well.

0:24:52.480 --> 0:24:56.439
<v Speaker 2>So the first two Smelly Pictures were essentially travel logs,

0:24:56.440 --> 0:24:58.920
<v Speaker 2>one in China, one in Spain, but the second one

0:24:58.960 --> 0:25:01.480
<v Speaker 2>had like a kind of a mystery plots to with

0:25:01.560 --> 0:25:04.560
<v Speaker 2>impostors and all that, and those with gags that you

0:25:04.600 --> 0:25:08.800
<v Speaker 2>were talking about, Like they really had a lot to

0:25:08.840 --> 0:25:11.760
<v Speaker 2>do with the movie, like the the twist or the

0:25:11.800 --> 0:25:15.399
<v Speaker 2>way the solution to the mystery that Daniel Elliott figures

0:25:15.400 --> 0:25:18.679
<v Speaker 2>out is based on a smell. He could tell that

0:25:18.720 --> 0:25:20.600
<v Speaker 2>the woman he's talking to is claiming to be someone

0:25:20.640 --> 0:25:23.680
<v Speaker 2>else is an imposter because she's wearing the different perfume

0:25:23.720 --> 0:25:25.960
<v Speaker 2>and the audience is smelling that kind of stuff.

0:25:26.000 --> 0:25:27.040
<v Speaker 1>Or that's kind of fun.

0:25:27.200 --> 0:25:31.240
<v Speaker 2>Yeah, another guy's rooted out as one of the evildoers

0:25:31.560 --> 0:25:35.200
<v Speaker 2>because of the smell of the pipe tobacco that he's smoking.

0:25:35.359 --> 0:25:38.280
<v Speaker 2>Like there's a lot, you know, some of it was gratuitous,

0:25:38.320 --> 0:25:41.320
<v Speaker 2>Like they did that whole thing like you were talking

0:25:41.320 --> 0:25:44.640
<v Speaker 2>about where they pull fresh bread out of the oven, right,

0:25:44.880 --> 0:25:46.800
<v Speaker 2>and I saw that they just shove it into the

0:25:46.880 --> 0:25:49.399
<v Speaker 2>camera and the camera just stays there for a little

0:25:49.440 --> 0:25:52.919
<v Speaker 2>while so you could get the fresh bread smell. But

0:25:53.080 --> 0:25:56.879
<v Speaker 2>the they really kind of went to great lengths to

0:25:57.000 --> 0:26:00.639
<v Speaker 2>make it so that the smells had some They weren't

0:26:00.640 --> 0:26:03.000
<v Speaker 2>all just gratuitous. They really did have something to do

0:26:03.080 --> 0:26:03.600
<v Speaker 2>with the plot.

0:26:04.040 --> 0:26:06.560
<v Speaker 1>Yeah, I think some of that plot centric stuff could

0:26:06.560 --> 0:26:10.280
<v Speaker 1>be kind of fun back then. Still don't know if

0:26:10.320 --> 0:26:12.480
<v Speaker 1>i'd be into it today, But again, we'll get the

0:26:12.480 --> 0:26:16.879
<v Speaker 1>four D coming up. The New York Times again was

0:26:16.920 --> 0:26:19.800
<v Speaker 1>not too kind, had some pretty bad things to say.

0:26:19.880 --> 0:26:22.600
<v Speaker 1>Patrons sit there snipping and snuffling like a lot of

0:26:22.600 --> 0:26:26.760
<v Speaker 1>bird dogs, trying hard to catch the scent. And you know,

0:26:27.119 --> 0:26:31.920
<v Speaker 1>it was just a big flop basically overall. And this

0:26:31.960 --> 0:26:35.720
<v Speaker 1>is something I couldn't verify, but Hans Laub's daughter Carmen

0:26:36.720 --> 0:26:42.480
<v Speaker 1>claimed that Michael Todd Junior cheaped out on the ultimate

0:26:42.600 --> 0:26:46.600
<v Speaker 1>conversion into the other theaters by not taking it to

0:26:46.680 --> 0:26:49.520
<v Speaker 1>each seat, which was, like we said, really, one of

0:26:49.520 --> 0:26:52.159
<v Speaker 1>the keys is to make sure it's got to be

0:26:52.200 --> 0:26:55.000
<v Speaker 1>timed just right, Like you can't have the scent piping

0:26:55.040 --> 0:26:57.400
<v Speaker 1>in from an air duck twenty feet over your head

0:26:57.440 --> 0:27:01.000
<v Speaker 1>that you smell in two minutes when scene is already

0:27:01.040 --> 0:27:04.200
<v Speaker 1>long gone. And the real key was having it under

0:27:04.240 --> 0:27:06.280
<v Speaker 1>each seat. And she claims that they didn't do that,

0:27:06.560 --> 0:27:08.439
<v Speaker 1>and that's one of the big reasons why it failed.

0:27:08.760 --> 0:27:14.680
<v Speaker 2>I saw kind of like indirect references that kind of

0:27:14.720 --> 0:27:18.800
<v Speaker 2>support that claim that the first premiers flopped. But then

0:27:18.840 --> 0:27:21.200
<v Speaker 2>they did some technical adjustments and they got it all

0:27:21.240 --> 0:27:24.119
<v Speaker 2>figured out. So I'm wondering if they went in and

0:27:24.119 --> 0:27:26.000
<v Speaker 2>did the tube band because they saw that they had

0:27:26.040 --> 0:27:28.360
<v Speaker 2>really screwed up by trying to save a few bucks.

0:27:28.680 --> 0:27:31.639
<v Speaker 2>The problem is the New York Times had already reviewed it.

0:27:31.640 --> 0:27:36.439
<v Speaker 2>It was I mean, because it was a gimmick. People

0:27:37.080 --> 0:27:39.560
<v Speaker 2>like to see gimmicks fail or I should say this,

0:27:39.680 --> 0:27:43.480
<v Speaker 2>if a gimmick fails, people tend to find that satisfactory.

0:27:43.600 --> 0:27:46.960
<v Speaker 2>If it's successful, awesome, it becomes legendary and we'd be

0:27:47.480 --> 0:27:50.359
<v Speaker 2>having a completely different episode right now. But if a

0:27:50.400 --> 0:27:54.919
<v Speaker 2>gimmick fails, people love jumping on it. Henny Youngman famously

0:27:55.000 --> 0:27:57.119
<v Speaker 2>had a pretty great one liner. He said that he

0:27:57.160 --> 0:28:01.280
<v Speaker 2>didn't understand the movie because he had a cold. I

0:28:01.320 --> 0:28:04.760
<v Speaker 2>thought it was a great one liner. Apparently I'm alone here. Yeah,

0:28:04.960 --> 0:28:08.359
<v Speaker 2>was all right, but it it just got smeared because

0:28:08.400 --> 0:28:12.600
<v Speaker 2>people like smearing other people who try new things. Yeah,

0:28:12.640 --> 0:28:18.280
<v Speaker 2>so it had a very very small window to be

0:28:18.359 --> 0:28:21.320
<v Speaker 2>successful or not. Oh, it wasn't successful in that small window,

0:28:21.560 --> 0:28:23.560
<v Speaker 2>and so that was it. It was a flop. And

0:28:23.600 --> 0:28:26.280
<v Speaker 2>then that was it for Smellovision. And not only was

0:28:26.280 --> 0:28:29.119
<v Speaker 2>that it for Smellovision, Chuck, that was it for Hans

0:28:29.200 --> 0:28:32.040
<v Speaker 2>Lob and Michael Todd Jr. As well.

0:28:32.720 --> 0:28:35.399
<v Speaker 1>Yeah, they canceled. They were going to expand to one

0:28:35.440 --> 0:28:40.480
<v Speaker 1>hundred theaters. They canceled that order. Carmen Helnslob's daughter said that,

0:28:41.000 --> 0:28:45.160
<v Speaker 1>you know, he basically died penniless. For worse than penniless,

0:28:45.160 --> 0:28:49.120
<v Speaker 1>he died with debts. Even he did invent something that

0:28:49.240 --> 0:28:53.520
<v Speaker 1>again didn't bring him riches, but sort of the beta

0:28:53.600 --> 0:28:56.520
<v Speaker 1>version of what you would call a glade plug in

0:28:56.640 --> 0:28:59.760
<v Speaker 1>or something today. Yeah, that was called best Air. But

0:29:00.600 --> 0:29:02.920
<v Speaker 1>that didn't work, even though it was pretty ahead of

0:29:02.960 --> 0:29:03.360
<v Speaker 1>its time.

0:29:03.680 --> 0:29:06.040
<v Speaker 2>Yeah, and then Michael Todd Junior went off. He didn't

0:29:06.080 --> 0:29:10.000
<v Speaker 2>produce anything else. Apparently there were two other scripts that

0:29:10.080 --> 0:29:15.320
<v Speaker 2>he trademarked. One was called Bumpkins Holiday, and the description

0:29:15.440 --> 0:29:17.760
<v Speaker 2>I saw was that it's it was just a man

0:29:17.880 --> 0:29:21.280
<v Speaker 2>riding a bus and that there was no dialogue of

0:29:21.320 --> 0:29:24.960
<v Speaker 2>any kind. Wow, Like, what would that have been?

0:29:25.040 --> 0:29:25.120
<v Speaker 1>Like?

0:29:25.400 --> 0:29:27.920
<v Speaker 2>I would love to see somebody make that movie, because

0:29:27.920 --> 0:29:30.520
<v Speaker 2>how would you even attempt to make that interesting? You know?

0:29:31.160 --> 0:29:33.480
<v Speaker 1>And maybe he was just like with that title, I

0:29:33.520 --> 0:29:34.800
<v Speaker 1>got to snap this thing up.

0:29:35.120 --> 0:29:37.600
<v Speaker 2>Right, so that never got made. The other one was

0:29:37.600 --> 0:29:40.200
<v Speaker 2>called Creature from the Bronx. That never got made either,

0:29:40.520 --> 0:29:44.560
<v Speaker 2>so he never produced another movie again. I don't know

0:29:44.600 --> 0:29:47.200
<v Speaker 2>if he died broke pennyless and with debts. I think

0:29:47.680 --> 0:29:51.120
<v Speaker 2>kid some incomes still from right, I'm saying like Hans Low,

0:29:51.160 --> 0:29:53.280
<v Speaker 2>But I'm saying I don't think Michael Todd Junior did

0:29:53.360 --> 0:29:56.160
<v Speaker 2>oh and his career petered out, I think, is how

0:29:56.200 --> 0:29:57.320
<v Speaker 2>I saw it described.

0:29:57.680 --> 0:30:02.120
<v Speaker 1>Yeah, No, that's sad. A couple of films have gone

0:30:02.120 --> 0:30:05.600
<v Speaker 1>on to do something like this later on. John Waders

0:30:05.640 --> 0:30:09.280
<v Speaker 1>was very famous for his nineteen eighty one film Polyester

0:30:10.000 --> 0:30:12.720
<v Speaker 1>in Theaters coming with a little scratch and sniff card

0:30:13.840 --> 0:30:18.040
<v Speaker 1>that you would use, very very funny and kitchy. Obviously

0:30:18.120 --> 0:30:19.959
<v Speaker 1>John Waters is going to do something fun like that.

0:30:20.120 --> 0:30:22.560
<v Speaker 2>But what sense were they well.

0:30:22.840 --> 0:30:26.400
<v Speaker 1>I mean, I think Fart was a very famous dirty

0:30:26.400 --> 0:30:31.280
<v Speaker 1>shoes skunk. It wasn't you know, Peaches and Lilac right exactly.

0:30:32.520 --> 0:30:36.840
<v Speaker 1>And then the Rugrats Go Wild movie, as in homage

0:30:36.920 --> 0:30:38.480
<v Speaker 1>is what they called it, did the same thing in

0:30:38.480 --> 0:30:42.440
<v Speaker 1>two thousand and three with their film, And then there

0:30:42.440 --> 0:30:45.280
<v Speaker 1>have been more modern stabs at this in the way

0:30:45.280 --> 0:30:45.800
<v Speaker 1>of four D.

0:30:47.200 --> 0:30:50.040
<v Speaker 2>Yeah, Dave, I think we said at the outset helped

0:30:50.120 --> 0:30:52.960
<v Speaker 2>us out with us and he mentions the first four

0:30:53.080 --> 0:30:57.680
<v Speaker 2>D movie theater ever created was called the Censorium. It

0:30:57.720 --> 0:31:02.400
<v Speaker 2>was located at six Flags power Plant Amusement Park in Baltimore,

0:31:02.720 --> 0:31:04.960
<v Speaker 2>which I think now is like called power Plant Live

0:31:05.080 --> 0:31:05.920
<v Speaker 2>or something like that.

0:31:06.280 --> 0:31:07.120
<v Speaker 1>That sounds about right.

0:31:07.840 --> 0:31:10.320
<v Speaker 2>It was like Buckhead in the nineties, jammed into like

0:31:10.400 --> 0:31:13.360
<v Speaker 2>one call building from what I can tell. But back

0:31:13.400 --> 0:31:16.040
<v Speaker 2>in nineteen eighty four they opened the Censorium and Dave

0:31:16.080 --> 0:31:18.960
<v Speaker 2>said he went there and like the seats moved and rumboled,

0:31:19.040 --> 0:31:22.960
<v Speaker 2>and they hit him with popcorn smells and stuff like

0:31:22.960 --> 0:31:27.280
<v Speaker 2>that sprayed with water to simulate rain, I believe, And it,

0:31:27.520 --> 0:31:29.960
<v Speaker 2>just like with smell Avision with Hans Loeb and his

0:31:30.800 --> 0:31:33.600
<v Speaker 2>attempt at the World's Fair, is basically proof of concept

0:31:33.600 --> 0:31:36.560
<v Speaker 2>of the World's Fair. Nobody did much with it after that.

0:31:37.320 --> 0:31:41.720
<v Speaker 2>Six Flights closed in nineteen ninety until twenty years later

0:31:42.240 --> 0:31:45.600
<v Speaker 2>when South Korean company came up with the forty X

0:31:46.080 --> 0:31:47.280
<v Speaker 2>and that's still around today.

0:31:47.880 --> 0:31:51.080
<v Speaker 1>Yeah, I mean that's the next wave. I have not

0:31:51.200 --> 0:31:53.320
<v Speaker 1>tried it out yet, Like you said. At premiered in

0:31:53.320 --> 0:31:57.360
<v Speaker 1>two thousand and nine in South Korea. There are twenty

0:31:57.400 --> 0:32:01.240
<v Speaker 1>one effects, so it's not just it's like kind of

0:32:01.240 --> 0:32:03.960
<v Speaker 1>what Dave experience. It's got Your seats are moving and

0:32:04.000 --> 0:32:08.880
<v Speaker 1>rubbling and rocking back and forth. Seatbacks can like punch you.

0:32:09.920 --> 0:32:14.040
<v Speaker 1>They'll be fog or cold or hot air, and plenty

0:32:14.040 --> 0:32:16.920
<v Speaker 1>of smells. And there are close to eight hundred of

0:32:16.960 --> 0:32:20.640
<v Speaker 1>these theaters opening. I'm sorry operating in the world today.

0:32:21.800 --> 0:32:23.840
<v Speaker 1>I have not gone. I want to try it out.

0:32:24.000 --> 0:32:26.480
<v Speaker 1>I don't think. I just want to see what it's like.

0:32:26.560 --> 0:32:30.480
<v Speaker 1>I can assure you I probably won't like it, right,

0:32:31.080 --> 0:32:34.000
<v Speaker 1>But I will say that this podcast that I guess

0:32:34.040 --> 0:32:35.880
<v Speaker 1>is on is really great. I've mentioned it here before,

0:32:35.880 --> 0:32:41.600
<v Speaker 1>called Too Scary, Didn't watch. It's these three girlfriends who

0:32:42.400 --> 0:32:45.480
<v Speaker 1>one of them loves horror movies, the other two hate them,

0:32:45.480 --> 0:32:47.440
<v Speaker 1>but they want to know what happens. So she watches

0:32:47.480 --> 0:32:50.920
<v Speaker 1>in them and recaps them and it's a really fun show.

0:32:50.960 --> 0:32:53.880
<v Speaker 1>And Sammy Smart is one of the co hosts, who

0:32:54.320 --> 0:32:57.400
<v Speaker 1>is a great name. Yeah, Sammy's great, and she watches

0:32:57.520 --> 0:33:00.360
<v Speaker 1>these movies. The horror movie She's one of the watches

0:33:00.440 --> 0:33:04.160
<v Speaker 1>him and she went to four d X for the

0:33:04.200 --> 0:33:07.880
<v Speaker 1>Top Gun movie, and she said she had a blast it.

0:33:08.120 --> 0:33:13.600
<v Speaker 1>Really yeah, Samy, someone who like who's judgment and opinion

0:33:13.680 --> 0:33:17.400
<v Speaker 1>I value. So just based on that alone, I'll give

0:33:17.440 --> 0:33:21.360
<v Speaker 1>it a shot. So I'm gonna, I'm gonna, I'm gonna

0:33:21.360 --> 0:33:22.360
<v Speaker 1>try out forty X.

0:33:22.560 --> 0:33:26.720
<v Speaker 2>So that my source, which is a Quartz article called

0:33:26.800 --> 0:33:29.640
<v Speaker 2>I watched Batman versus Superman at a forty theater so

0:33:29.720 --> 0:33:32.520
<v Speaker 2>you don't have to by Adam Epstein, all right, it's

0:33:32.640 --> 0:33:35.640
<v Speaker 2>basically the opposite. He was saying that, like there's a

0:33:35.680 --> 0:33:38.400
<v Speaker 2>part where some character gets shot in the back and

0:33:38.440 --> 0:33:41.200
<v Speaker 2>his seat punched him in the back for some reason.

0:33:42.000 --> 0:33:43.640
<v Speaker 2>He said his hair was just kind of wet for

0:33:43.760 --> 0:33:46.280
<v Speaker 2>some reason. All the well, I'm just saying, like like

0:33:46.440 --> 0:33:48.680
<v Speaker 2>getting punched, Like why would you want to simulate that?

0:33:48.800 --> 0:33:49.000
<v Speaker 2>You know?

0:33:49.480 --> 0:33:51.080
<v Speaker 1>Oh well, I think that's the whole deal.

0:33:51.400 --> 0:33:54.520
<v Speaker 2>His his point was this, this is the upshot, as

0:33:54.560 --> 0:33:56.400
<v Speaker 2>as he would have probably said it to you or me.

0:33:58.360 --> 0:34:01.200
<v Speaker 2>It did the opposite of pulling him into the movie.

0:34:01.240 --> 0:34:03.640
<v Speaker 2>They were reminded of exactly of where he was at

0:34:03.680 --> 0:34:06.840
<v Speaker 2>every single moment and now interested him from getting into

0:34:07.120 --> 0:34:13.359
<v Speaker 2>the movie itself. Okay, yeah, he yeah, he didn't really

0:34:13.440 --> 0:34:15.200
<v Speaker 2>like it at all, And from what I've seen, basically

0:34:15.239 --> 0:34:18.920
<v Speaker 2>every review is similar to that, except for apparently Sammy's

0:34:18.920 --> 0:34:19.640
<v Speaker 2>Smart's review.

0:34:20.160 --> 0:34:22.680
<v Speaker 1>Well, I think Sammy, I don't think shit was a

0:34:22.719 --> 0:34:25.200
<v Speaker 1>full throated endorsement. I think it was like she'd said,

0:34:25.200 --> 0:34:29.759
<v Speaker 1>I had a really good time at this movie and

0:34:29.880 --> 0:34:33.160
<v Speaker 1>this experience I gotcha cool, which is different sometimes than

0:34:33.160 --> 0:34:35.399
<v Speaker 1>saying like this is awesome in the next way you.

0:34:35.360 --> 0:34:38.480
<v Speaker 2>Know, right, I'm with you, But it's hanging on hanging

0:34:38.560 --> 0:34:38.919
<v Speaker 2>in there.

0:34:39.640 --> 0:34:41.520
<v Speaker 1>It is. And there's a you can get this in

0:34:41.560 --> 0:34:44.880
<v Speaker 1>your home now. There's a company from Spain called Ola

0:34:44.960 --> 0:34:48.880
<v Speaker 1>Rama that will sell you. It's a sort of a

0:34:49.040 --> 0:34:51.600
<v Speaker 1>two foot but it looks like about one foot box

0:34:51.680 --> 0:34:54.160
<v Speaker 1>kind of looks like a box fan, right, and you

0:34:54.200 --> 0:34:56.920
<v Speaker 1>can load up to twenty smells I think for the

0:34:56.960 --> 0:35:01.719
<v Speaker 1>basic fifty five hundred dollars package, and it does the

0:35:01.760 --> 0:35:04.719
<v Speaker 1>same thing. It syncs up with your movies through software,

0:35:04.800 --> 0:35:06.600
<v Speaker 1>and I think you can go all the way up

0:35:06.600 --> 0:35:09.000
<v Speaker 1>to like twenty grand if you want a forty smell version,

0:35:09.520 --> 0:35:10.759
<v Speaker 1>and you can put it in your home theater.

0:35:11.680 --> 0:35:15.240
<v Speaker 2>Yeah, it reminds me of the I Smell peripheral. Remember

0:35:15.280 --> 0:35:17.719
<v Speaker 2>we talked about the old Apple peripheral that never took off.

0:35:17.760 --> 0:35:20.480
<v Speaker 1>That's what it was, plugged into your computer and did

0:35:20.520 --> 0:35:21.000
<v Speaker 1>the same thing.

0:35:21.160 --> 0:35:24.040
<v Speaker 2>Yeah, I've got about that. I have one more things.

0:35:24.080 --> 0:35:28.880
<v Speaker 2>You'll allow me, oh please. So they went back and

0:35:28.920 --> 0:35:32.400
<v Speaker 2>they kind of I don't think they'd made any edits whatsoever.

0:35:32.480 --> 0:35:37.040
<v Speaker 2>They just retitled the send of Mystery into Holiday in Spain,

0:35:37.960 --> 0:35:40.399
<v Speaker 2>it's not called sent a Mystery anymore. And they took

0:35:40.440 --> 0:35:43.840
<v Speaker 2>away the smelly parts. But because they'd written the script

0:35:44.200 --> 0:35:48.640
<v Speaker 2>around smells I saw A Daily Telegraph reviewer said it

0:35:48.680 --> 0:35:53.440
<v Speaker 2>took on a baffling, almost surreal quality in some parts,

0:35:53.480 --> 0:35:55.680
<v Speaker 2>like where the bread is pulled out of the oven

0:35:56.000 --> 0:35:57.880
<v Speaker 2>and then just kept in the middle of the screen

0:35:57.920 --> 0:35:58.680
<v Speaker 2>for all interesting.

0:35:58.800 --> 0:35:59.759
<v Speaker 1>It became like an art film.

0:35:59.840 --> 0:36:02.759
<v Speaker 2>Yeah, yeah, it just it didn't make sense anymore. I

0:36:02.800 --> 0:36:05.000
<v Speaker 2>thought that was a great description of it. I want

0:36:05.000 --> 0:36:05.600
<v Speaker 2>to see it now.

0:36:05.800 --> 0:36:06.719
<v Speaker 1>Maybe I should watch it.

0:36:06.840 --> 0:36:08.799
<v Speaker 2>Yeah, you got anything else?

0:36:09.600 --> 0:36:11.440
<v Speaker 1>Maybe we should watch it together and we should just

0:36:12.360 --> 0:36:14.280
<v Speaker 1>provide each other with surprising smells.

0:36:15.040 --> 0:36:18.160
<v Speaker 2>Oh that's a great idea, you know. Yeah, that's a

0:36:18.239 --> 0:36:19.360
<v Speaker 2>fantastic ed let's give it.

0:36:19.400 --> 0:36:21.120
<v Speaker 1>Ah, it don't sync up, you know, like the bread

0:36:21.120 --> 0:36:23.560
<v Speaker 1>comes out of the oven and that's when I do

0:36:23.640 --> 0:36:24.840
<v Speaker 1>like motor oil or something.

0:36:25.520 --> 0:36:29.239
<v Speaker 2>He just tells me with old used motor oil. Yeah,

0:36:29.360 --> 0:36:34.279
<v Speaker 2>I'm like, that smells terrible. It would be fun, let's see. Yeah,

0:36:34.320 --> 0:36:36.360
<v Speaker 2>I think we are already asked you if you got anything else.

0:36:36.280 --> 0:36:37.400
<v Speaker 1>Right, I got nothing?

0:36:37.560 --> 0:36:40.359
<v Speaker 2>Okay, So since Chuck said he's got nothing, that means

0:36:40.440 --> 0:36:41.480
<v Speaker 2>time for a listener mail.

0:36:43.760 --> 0:36:46.640
<v Speaker 1>I'm gonna call this one just a very nice thank you. Hey, guys,

0:36:46.680 --> 0:36:48.239
<v Speaker 1>been listening to the show for about ten years now.

0:36:48.239 --> 0:36:50.799
<v Speaker 1>I want to express my gratitude. I've always enjoyed your

0:36:50.800 --> 0:36:54.839
<v Speaker 1>down to earth, humorous, clever, and intentional approach to the podcast.

0:36:55.400 --> 0:36:57.680
<v Speaker 1>I love learning about the stories, events and concepts I've

0:36:57.680 --> 0:36:59.840
<v Speaker 1>never heard of. We're hearing a more detail look at it.

0:37:00.280 --> 0:37:03.400
<v Speaker 1>I never would have thought to explot further. I realize

0:37:03.400 --> 0:37:05.799
<v Speaker 1>that your podcast has been with me through several milestones

0:37:06.160 --> 0:37:09.520
<v Speaker 1>and difficult life events, grad schools, starting my career, grief,

0:37:09.960 --> 0:37:11.920
<v Speaker 1>and now through my first year sobriety.

0:37:12.200 --> 0:37:12.520
<v Speaker 2>Wow.

0:37:12.880 --> 0:37:14.680
<v Speaker 1>I work as a music therapist in a pretty high

0:37:14.680 --> 0:37:17.400
<v Speaker 1>strung environment, so I always appreciate how the show helps

0:37:17.400 --> 0:37:19.760
<v Speaker 1>me to take my mind off things. I quite literally

0:37:19.760 --> 0:37:21.720
<v Speaker 1>can't fall asleep without listening to a stuff you Should

0:37:21.719 --> 0:37:24.800
<v Speaker 1>Know episode old or new. And that's not because it's boring, Guys.

0:37:24.840 --> 0:37:27.719
<v Speaker 1>I often use listening the car and on walks as well,

0:37:27.719 --> 0:37:30.000
<v Speaker 1>but something about the show helps to bring a sense

0:37:30.040 --> 0:37:33.640
<v Speaker 1>of openness and appreciation for life that helps calm my mind.

0:37:34.360 --> 0:37:36.600
<v Speaker 1>So thank you to Josh and Chuck in the SYSK crew.

0:37:37.080 --> 0:37:38.240
<v Speaker 1>And that is from Emily.

0:37:38.680 --> 0:37:41.359
<v Speaker 2>Thanks Emily. Yes, we take that as high praise that

0:37:41.400 --> 0:37:46.000
<v Speaker 2>we help people fall asleep. I agree. If you want

0:37:46.040 --> 0:37:47.520
<v Speaker 2>to get in touch with us and let us know

0:37:47.560 --> 0:37:49.920
<v Speaker 2>how we've helped you, or how long we've accompanied you

0:37:49.960 --> 0:37:52.640
<v Speaker 2>on your life's journey, or just to say hi or whatever,

0:37:53.000 --> 0:37:55.799
<v Speaker 2>you can send us an email to stuff podcast at

0:37:55.800 --> 0:38:02.800
<v Speaker 2>iHeartRadio dot com. Stuff you Should Know is a production

0:38:02.880 --> 0:38:03.719
<v Speaker 2>of iHeartRadio.

0:38:04.200 --> 0:38:07.400
<v Speaker 1>For more podcasts my heart Radio, visit the iHeartRadio app,

0:38:07.600 --> 0:38:10.520
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.