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Speaker 1: Yeah, what's up, y'all? What's going on?

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Speaker 2: BRODDI. He's a legendary Queen's rapper.

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Speaker 1: Hey's greed as your boy.

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Speaker 2: You know, he's a Miami hip hop pioneer.

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Speaker 1: Up DJ e f N.

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Speaker 2: Together, they drink it up with some of the biggest

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Speaker 2: players in music and sports.

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Speaker 1: You know what I mean, the most professional, unprofessional podcast

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Speaker 1: and your number one source for drunk facts.

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Speaker 2: This is Drinks every Day is New Year's Eats.

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Speaker 3: Hey boy.

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Speaker 1: Is drink Tents.

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Speaker 2: Want to fucking podcast South.

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Speaker 1: And first of.

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Speaker 2: All, not only do we have one of the arguably.

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Speaker 1: Best producers of all fucking times in the building with us,

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Speaker 1: we're also at what is Atlanta's only crab place. Because

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Speaker 1: I've been in Atlanta, I think I caught crabs in Atlanta,

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Speaker 1: but back in the day, I gotta relax. But we

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Speaker 1: got we got who's arguably one of the people who

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Speaker 1: crafted Biggie Small Sound, one of the people who crafted

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Speaker 1: Bad Boys, one of the people who original one of

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Speaker 1: the people who crafted Poff Daddy sound. May sound like

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Speaker 1: he single handedly was the person that did that. And today,

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Speaker 1: if y'all don't understand who we're talking about right now,

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Speaker 1: let's make a noise with Stevie J. And because see

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Speaker 1: a lot of people get it twisted and they say

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Speaker 1: Stevie J from Loving hip Hop, And I know you

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Speaker 1: don't like this. More make a lot of money, making

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Speaker 1: a lot of money.

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Speaker 3: I'm making some cool paper, making some cool paper.

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Speaker 1: But I know that It's like when somebody tell me,

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Speaker 1: you know, Norwy from whatever whatever, and I'd be like, damn,

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Speaker 1: you can't tell me the War report right right? You

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Speaker 1: know all the other accolades I did, and it's wonderful

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Speaker 1: to see a person like you, of your caliber continuing

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Speaker 1: to do your thing. So now my first question is

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Speaker 1: how was you approach to do love and hip hop originally?

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Speaker 3: Well, I was approached by Mona Scott. You know, she

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Speaker 3: asked directly, Okay, she asked me if I was interested

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Speaker 3: in doing love and hip hop Atlanta, you know, being

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Speaker 3: as though I just got off a higatus of producing

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Speaker 3: a hundred million records and for a Grammy.

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Speaker 1: Let's make a noise that. He said, a hundred million records.

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Speaker 1: God damn, you ain't hear that. Goddamn just tell a

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Speaker 1: hundred million continues David.

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Speaker 3: You know, you know I just got back into Atlanta.

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Speaker 3: And I was, you know, rebuilding myself and I was

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Speaker 3: looking for the look, you know what I'm saying. So

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Speaker 3: when she called me, that was the look that I needed.

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Speaker 3: I felt, you know, I reached the pinnacle in the

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Speaker 3: music game. And you know, the same catch that you

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Speaker 3: know what I'm saying, I made rich wasn't fucking with me,

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Speaker 3: Which it's not cool, it's not It's not a problem

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Speaker 3: to me, you know what I'm saying. Nobody owe me.

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Speaker 2: Ship and love and hip hop or New York was

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Speaker 2: already in place.

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Speaker 3: New York was already in place. And you know, but

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Speaker 3: I was the first one to bring the two ladies

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Speaker 3: to the table.

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Speaker 1: On the ship.

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Speaker 3: We talked about me, me and Josh, Yeah, me, me

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Speaker 3: and Jos not just bring him to the table. I

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Speaker 3: was fucking with him at the same time with each other,

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Speaker 3: you know what I'm saying. So when you look at.

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Speaker 1: All these duke came yeah, yeah, yeah, yeah, like that

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Speaker 1: was ready to get all that.

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Speaker 3: Yeah all right, absolutely because we know so at the

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Speaker 3: end of the day, when you look at all the

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Speaker 3: carbon copies and the stunt doubles and all that I created,

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Speaker 3: that I see that.

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Speaker 1: Yeah yeah, So now you you came up with the

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Speaker 1: famous Stevie J face. Was that something you did from

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Speaker 1: the beginning or been doing that? Oh, you've been doing that?

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Speaker 1: That was all.

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Speaker 2: No, I'm just saying because.

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Speaker 1: Because I'm one of the people that looked at it

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Speaker 1: and I'm one of the people that corrected everybody every.

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Speaker 2: Time they was like this guy is you know, they're

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Speaker 2: doing it for TV.

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Speaker 1: I'm like, yeah, I don't know who he is.

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Speaker 2: They had to dumb it down for TV exactly.

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Speaker 3: Know what I'm saying. You know that Miami, the DJ

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Speaker 3: stev shout out to DJ STEVJ and all that. You

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Speaker 3: know what I'm saying. But yeah, the stev J.

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Speaker 1: Let's talk about that because I always wondered, was you

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Speaker 1: actually did you take it a certain way?

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Speaker 3: Because taking nowhere, I look at it his homage, you

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Speaker 3: know what I'm saying.

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Speaker 2: Has he ever paid homage?

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Speaker 3: You know what I'm saying. But no, we talked about yea, DJJ.

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Speaker 3: We talked to Houston and you know what I'm saying.

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Speaker 3: We hung out and everything was cool. Everything is grave,

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Speaker 3: you know what I'm saying. Much respect. So there was

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Speaker 3: no Harmice paid though it was homics paid a little bit. Yeah,

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Speaker 3: you know what I'm saying.

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Speaker 2: I don't feel like you were satisfied.

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Speaker 3: I mean, you know, I just look at you. Guys

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Speaker 3: like us, never satisfied.

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Speaker 2: At the end of the day.

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Speaker 3: We will take that in, you know what I'm saying.

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Speaker 3: You know, you know, these these these younger guys, we

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Speaker 3: just got to take what we can get and keep

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Speaker 3: it pushing. You know what I'm saying. We made guys,

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Speaker 3: We put that work in.

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Speaker 1: I respect, So let's not bring it to early Biggie Okay,

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Speaker 1: Now Puff tells you I got this guy named Biggie.

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Speaker 1: Did you say Biggie small? So Biggie Biggie all right,

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Speaker 1: and he says, I got this guy named Biggie. Now

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Speaker 1: you look at big and he's not traditional rapper looking.

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Speaker 1: I think Puff came on our podcast and describes him

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Speaker 1: as disruptive.

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Speaker 3: He said, definitely disrupted.

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Speaker 1: So how did you know to give him these classic

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Speaker 1: upscale beats?

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Speaker 3: Because the way it was just, you know, the way

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Speaker 3: he would describe what he wanted to do. How do

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Speaker 3: you want to approach life after death? He would just

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Speaker 3: say words. He would just spit rhymes and be like, yo,

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Speaker 3: I need something like that, feel like this, like you know,

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Speaker 3: what I'm saying, like armed and dangerous. Ain't too many

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Speaker 3: can bang with us? Straight up? We no angel Us

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Speaker 3: label ers, notorious guess niggas that love the bus is

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Speaker 3: playing us.

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Speaker 1: You know what we describing the Bone Thogs record right now,

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Speaker 1: That's what we're describing, Like you know what I'm saying.

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Speaker 1: It's like, you know, he would give you what he

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Speaker 1: wanted to sound like, you know what I'm saying, A

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Speaker 1: couple of lyrics and let.

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Speaker 3: You go there.

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Speaker 2: You even having to beat? Yeah, wow, you produce around

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Speaker 2: his Yeah.

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Speaker 3: Most of the time, you know what I'm saying, he

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Speaker 3: would just be like, yo, I gotta, I gotta, I

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Speaker 3: need something for like like somebody got to die.

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Speaker 1: Mm hmm.

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Speaker 2: But you said Life after Death.

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Speaker 1: Didn't you work on Ready to Die as well?

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Speaker 3: Just life at came Life after Death? And then he

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Speaker 3: would just give me titles and songs, and I would

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Speaker 3: go in and just.

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Speaker 1: Wait, wait, wait, tut So he would come to you

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Speaker 1: and give you titles and then tell you to work

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Speaker 1: around that.

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Speaker 3: Yeah, nasty boy.

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Speaker 4: You will work off the feel of the title. Yeah,

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Speaker 4: that's I'm gonna be honest.

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Speaker 1: One time we paid Permier whatever may was asking for

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Speaker 1: for a price, and I paid permit up front, but

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Speaker 1: I couldn't get a beat that I loved from him

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Speaker 1: until I actually gave him the title. But I had

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Speaker 1: no idea that was following that tradition.

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Speaker 3: But I'm saying that's how we really producers. Really, you

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Speaker 3: give us the title, and we like you know, we

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Speaker 3: like producers and we like scientists. We want to go

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Speaker 3: ahead and create the formula, you know, designated to the

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Speaker 3: title that you give us absolutely has to sound just

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Speaker 3: like the film.

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Speaker 2: So how did you ANDFF initially connect?

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Speaker 3: Me and Puff connected? I was on the Joicy tour

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Speaker 3: with Josy and bad Boy, and you know what I'm saying,

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Speaker 3: I never met Puff.

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Speaker 1: You know, I was Josy.

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Speaker 3: Yeah, I was singing. I was singing. I was singing

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Speaker 3: backgrounds for them, playing guitar for the nobody. Neverbody was

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Speaker 3: playing keyboards, guitar, singing backgrounds on the tour and whoa.

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Speaker 1: I'm really a hip bop R and B Yeah.

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Speaker 2: Yeah, So you was on tour with Joasy, So how the.

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Speaker 3: That was on the tour?

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Speaker 1: So, but but what I'm saying, even you being on

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Speaker 1: tour with Jodasy, you wasn't the main character.

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Speaker 3: So it was like, I was this young nigga up

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Speaker 3: there rockings, sing playing all the play guitar boys and

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Speaker 3: all that singing niggas was right. So Puff I was

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Speaker 3: in the studio with total playing guitar and singing, was

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Speaker 3: up in the booth. Puff came in the booth like

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Speaker 3: Stevie j Right, I got a contract for you, my

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Speaker 3: co We laughed and we just sat and talked for

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Speaker 3: a while, and I'm saying, Man was like you all

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Speaker 3: right out here.

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Speaker 1: I was fucked up. Wow, I was.

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Speaker 2: Wounded, but you said you was around good. Yeah.

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Speaker 1: Yeah, everybody, somebody asked you.

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Speaker 2: If you're good like paper right right?

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Speaker 3: That was won. He's like, he's like, all right, he

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Speaker 3: had it all figured out, you know, he had just

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Speaker 3: hold this down six to eight bands. I mean, come

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Speaker 3: see me in the morning.

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Speaker 2: He gave you that change.

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Speaker 1: Yeah, when you were working with Big was big. Big

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Speaker 1: was already big Big ready to die.

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Speaker 3: Wow after a million million some change soul, you know

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Speaker 3: what I'm saying. And we just would vibe out in

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Speaker 3: the studio.

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Speaker 1: So now that's one of your first records you ever

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Speaker 1: worked on is for Biggie Small Life.

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Speaker 3: That yeah life at the day, that was the record,

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Speaker 3: the first record. Man, I can't really remember the first record.

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Speaker 3: All I remember we was in Trinidad and doing all

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Speaker 3: the Hitman was in Trinidad.

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Speaker 1: You gotta saidad Yeah, and Big Rich and Big came down,

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Speaker 1: you know what I'm saying.

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Speaker 3: And we were just we did like fifty tracks down.

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Speaker 4: Yeah.

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Speaker 1: I mean like, and when you say the hit Man,

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Speaker 1: let's describble to me that.

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Speaker 3: I'm and rod N Sheen Brody he did to you

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Speaker 3: all this Brody Damn, I don't want to miss Nobody, Prestige, Oh,

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Speaker 3: Chucky Thompson, bro Chuckie Thompson.

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Speaker 1: That's a blunt and somebody pass.

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Speaker 3: Not really just it was just like it was like

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Speaker 3: we teamed up. We teamed up down to Trinidad, you

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Speaker 3: know what I'm saying. It was like but y'all weren't official.

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Speaker 3: It was just like y'all know we were signed Hitman,

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Speaker 3: and it was like Se and Carlos will be on

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Speaker 3: the team d that and I'm and rabill be on

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Speaker 3: the team Chucky and Prestige and me and Puff will

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Speaker 3: be on the squads. And he'd be like, yo, who

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Speaker 3: can make the best joints Now?

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Speaker 1: We've seen we've seen pictures of you back in the

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Speaker 1: days with you on Mabria carry with your shirt off.

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Speaker 1: Pretty loose.

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Speaker 2: Evn back then loose?

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Speaker 1: What about her?

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Speaker 3: She was loose to That's true.

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Speaker 2: I don't know where you're going, Stevie J.

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Speaker 1: But I'm ready to go where.

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Speaker 3: I wasn't loose loose.

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Speaker 2: But I'm definitely happy we read there. That's bigger big.

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Speaker 3: If you look at the CD smoke Man, she called

231
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Speaker 3: me fat muffin Man.

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Speaker 1: Mariah came to THEO Stevie. What I mean in.

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Speaker 5: The Hood Lab we had crates in the Hood Lab

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Speaker 5: I'm talking about she drank Peanut Greasio out of her

235
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Speaker 5: phone cup.

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Speaker 2: She was like, I love Norri.

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Speaker 1: She was like, no, you're my favorite rapper.

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Speaker 3: In the Hood Lab. Yo, that's my buddy.

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Speaker 1: So now, Stevie, Yeah, when initially approached you, did you

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Speaker 1: know who was or No? No, I didn't.

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Speaker 3: Okay, So what I'm saying I was just you know,

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Speaker 3: I was rocking with Josy.

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Speaker 1: That was it.

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Speaker 2: You know what I'm saying, How did you bet Joasy?

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Speaker 3: Though I met Josy, I was singing at the fastest

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Speaker 3: show in Rochester and you know, after it was over,

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Speaker 3: they was like, yo, who did the tracks. You're singing

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Speaker 3: on Yo, you're dope boom.

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Speaker 2: And I was like, you're singing on your own track.

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Speaker 3: Yeah, and it's like, yo, shi it is dope. I'm

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Speaker 3: like cool. I was like from upstate, absolutely don't know that,

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Speaker 3: absolutely New York all day so and I was like,

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Speaker 3: it's a piano in the back.

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Speaker 1: I know all your ship.

255
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Speaker 3: It was like, you get the funk out of here,

256
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Speaker 3: went to the back, started playing the ship, singing that ship.

257
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Speaker 3: There was like, yo, you with us?

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Speaker 1: Mm hm.

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Speaker 2: So you actually really know how to play the piano.

260
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Speaker 1: Like there's a lot of producers that played the piano

261
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Speaker 1: through mp son.

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Speaker 3: I call it joinking around you know me. You know

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Speaker 3: what I'm saying. Put a Stevie one to gi Yeah,

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Speaker 3: self talk.

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Speaker 1: Wow, let's make some noise for that.

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Speaker 4: I mean.

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Speaker 3: So now piano is just one of the instruments.

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Speaker 1: So now I just want to say that. So now

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Speaker 1: Puff sees you, says I want you to be with us,

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Speaker 1: And then Biggie is already Biggie. So now you get

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Speaker 1: in the studio, how do you know what tracks to

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Speaker 1: give Biggie?

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Speaker 2: Because I just.

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Speaker 1: Because if Big is already big, he can shut you down.

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Speaker 3: He can relaxed, right right, he could be like relaxed,

276
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Speaker 3: but he was like, give me all them joints you got,

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Speaker 3: let me get all that. Don't relax.

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Speaker 2: Exactly.

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Speaker 1: He's like, give me a.

280
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Speaker 3: Track like handed in. He was like, Yo, you don't

281
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Speaker 3: need that. Let me write on that one. Let me

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Speaker 3: keep that one.

283
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Speaker 2: So now after he does that, how do you not relax?

284
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Speaker 3: Because I didn't relax. You know, it was full steam ahead,

285
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Speaker 3: you know what I'm saying all the cars.

286
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Speaker 1: Because a lot of people don't really really understand. Like

287
00:14:06,480 --> 00:14:10,679
Speaker 1: the bad Boy era was an era like none other.

288
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Speaker 3: Yeah, I respect, I respect baby them, cash money in them.

289
00:14:14,240 --> 00:14:21,040
Speaker 3: But I really invented to blink blink. I was spending

290
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Speaker 3: two million on ju apps back then.

291
00:14:23,520 --> 00:14:25,600
Speaker 2: Back then us make some nurser of stevj.

292
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Speaker 6: I came.

293
00:14:29,840 --> 00:14:31,400
Speaker 3: I keep a good team. But what I'm saying, you

294
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Speaker 3: got to keep a good kid.

295
00:14:33,680 --> 00:14:35,360
Speaker 2: So so.

296
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Speaker 1: Puts you in charge or the biggie part, because that's

297
00:14:40,240 --> 00:14:41,200
Speaker 1: how that's how the people.

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Speaker 2: Well.

299
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Speaker 3: It was like d Do big up to d d Angeletti,

300
00:14:46,280 --> 00:14:49,360
Speaker 3: my big bro savage with the he could put together

301
00:14:50,560 --> 00:14:53,240
Speaker 3: mad rapper. He was great at A and R and

302
00:14:53,320 --> 00:14:57,760
Speaker 3: putting together directions for the album did. I spent sleepless

303
00:14:57,840 --> 00:15:00,360
Speaker 3: nights putting together the album, and thanks to him, you

304
00:15:00,440 --> 00:15:02,360
Speaker 3: know what I'm saying, I was able to get the direction,

305
00:15:02,480 --> 00:15:05,080
Speaker 3: the right direction between him and Puff to you know

306
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Speaker 3: what I'm saying, give Biggie everything you need.

307
00:15:06,880 --> 00:15:08,440
Speaker 2: But how does this phone call happen?

308
00:15:08,520 --> 00:15:10,560
Speaker 1: Because this is what I'm trying to get to is

309
00:15:11,440 --> 00:15:15,080
Speaker 1: you said Biggie was already Biggie, right right, So now

310
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Speaker 1: you get Puff. Puff says, it's all good, We're gonna

311
00:15:19,480 --> 00:15:22,680
Speaker 1: we're gonna bring you through. But now this is still Biggie.

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00:15:23,080 --> 00:15:26,120
Speaker 1: How do you hand selectly pick these tracks?

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Speaker 3: It was like, Yo, STEVEE, go to the MIDI room, Puff,

314
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Speaker 3: you know Stevie going to the mini room, midi or

315
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Speaker 3: minie middi, middi d yeh mini room, Daddy's house, studio, Yeah, studio,

316
00:15:38,680 --> 00:15:43,320
Speaker 3: a studio, beach in the midi room going there, crank

317
00:15:43,400 --> 00:15:45,600
Speaker 3: him out. D that will come in and check on me.

318
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Speaker 3: He'll be like he just shake his head every time

319
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Speaker 3: he come in, like no, like yeah, God damn yeah.

320
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Speaker 3: Keep working. So you know, Big, every check I gave

321
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Speaker 3: Big he would love. It wasn't one track that I

322
00:16:00,640 --> 00:16:01,800
Speaker 3: gave big that he didn't rhyme.

323
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Speaker 2: Wow, that's kind of incredible.

324
00:16:05,920 --> 00:16:09,560
Speaker 3: I mean I did. I did eighty five percent like that.

325
00:16:09,680 --> 00:16:13,040
Speaker 1: I give some ice. That was my album.

326
00:16:13,080 --> 00:16:17,960
Speaker 3: I did album No Way Out so publishing Crazy million.

327
00:16:18,600 --> 00:16:20,280
Speaker 3: I did ninety five percent.

328
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Speaker 2: Of that ship.

329
00:16:21,680 --> 00:16:23,520
Speaker 1: Yeah, and that was a double album right now.

330
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Speaker 3: Biggies was a double biggie Biggie Biggie.

331
00:16:25,560 --> 00:16:27,320
Speaker 1: So I'm gonna get a little dark for a second

332
00:16:27,400 --> 00:16:30,800
Speaker 1: because at one point you left the hit Man. You

333
00:16:30,960 --> 00:16:33,280
Speaker 1: left and you was like, I'm not I'm not doing that.

334
00:16:33,480 --> 00:16:36,000
Speaker 1: How was that period and why was that period happened?

335
00:16:36,040 --> 00:16:37,240
Speaker 1: I mean, it was why.

336
00:16:37,080 --> 00:16:40,440
Speaker 3: Did you leave? Less? Like, you know what I'm saying.

337
00:16:40,480 --> 00:16:42,200
Speaker 3: You know, we get when we do this. I'm gonna

338
00:16:42,200 --> 00:16:43,600
Speaker 3: give you that. When we get that, I'm gonna give

339
00:16:43,600 --> 00:16:43,800
Speaker 3: you that.

340
00:16:43,840 --> 00:16:50,160
Speaker 1: And I'm like, yeah, but it never happens at the

341
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Speaker 1: exact time.

342
00:16:51,640 --> 00:16:53,400
Speaker 3: It never happened, sometimes at all.

343
00:16:53,320 --> 00:16:54,640
Speaker 2: And sometimes it never happen.

344
00:16:55,760 --> 00:16:59,240
Speaker 3: Let's be frank, you know, let's be freak. So you

345
00:16:59,240 --> 00:17:01,840
Speaker 3: know it didn't happen. And I'm like, yo, alright, cool,

346
00:17:01,880 --> 00:17:02,560
Speaker 3: you know what I'm saying.

347
00:17:02,760 --> 00:17:06,399
Speaker 1: And you're a fifty percent of them, everybody, everybody, you

348
00:17:06,400 --> 00:17:09,000
Speaker 1: know what I'm saying, cacking up and all that, and

349
00:17:09,720 --> 00:17:12,080
Speaker 1: I'm just getting you know what I'm saying, Marshalls and

350
00:17:12,119 --> 00:17:14,840
Speaker 1: all that. I want to cake up doing all the

351
00:17:14,880 --> 00:17:17,800
Speaker 1: work Marshall's, Marshals Morsels, I don't know.

352
00:17:19,720 --> 00:17:21,800
Speaker 2: I was like Marshalls. Let's say, poor ain't seen you

353
00:17:21,840 --> 00:17:22,360
Speaker 2: the Marshall's.

354
00:17:24,440 --> 00:17:24,639
Speaker 1: You know.

355
00:17:24,720 --> 00:17:26,920
Speaker 3: At the end of the day, it was what it was.

356
00:17:27,480 --> 00:17:29,760
Speaker 3: I skated off to l A, went and worked with

357
00:17:29,800 --> 00:17:32,800
Speaker 3: the Jackson family, the whole Jackson you know what I'm saying,

358
00:17:35,000 --> 00:17:36,399
Speaker 3: not really, you know what I'm saying. That's when I

359
00:17:36,680 --> 00:17:39,359
Speaker 3: gained all my information on the industry. You know what

360
00:17:39,359 --> 00:17:41,800
Speaker 3: I'm saying. Working with the Jackson family. You know Jackie

361
00:17:41,880 --> 00:17:45,119
Speaker 3: Jackson at the time, one of my best friends and mentors,

362
00:17:45,600 --> 00:17:47,240
Speaker 3: showed me the game. You know what I'm saying.

363
00:17:47,280 --> 00:17:52,440
Speaker 1: And Jackie Jackson, Yeah, the older Jackson brother.

364
00:17:52,480 --> 00:17:55,080
Speaker 3: They teach you, like what did they like? All the insight,

365
00:17:55,240 --> 00:17:56,359
Speaker 3: you know what I'm saying, all the you know what

366
00:17:56,400 --> 00:17:58,560
Speaker 3: I'm saying, the business I.

367
00:17:58,560 --> 00:18:00,480
Speaker 2: Would have made. They taught you how crazy ezy ship

368
00:18:00,600 --> 00:18:00,920
Speaker 2: is too.

369
00:18:01,000 --> 00:18:02,480
Speaker 3: Yeah, they taught me how crazy shi it is. But

370
00:18:02,600 --> 00:18:06,160
Speaker 3: they taught me the business, how to handle my business

371
00:18:06,160 --> 00:18:09,640
Speaker 3: and deal with the business and fun. All the flashing,

372
00:18:10,160 --> 00:18:13,480
Speaker 3: shiny suits and the flashing lights. Let's handle this business.

373
00:18:13,680 --> 00:18:16,400
Speaker 1: You ain't like the Chinese shuits. I mean you know

374
00:18:16,640 --> 00:18:19,160
Speaker 1: that your business. Get your suit right.

375
00:18:19,240 --> 00:18:20,280
Speaker 2: I love this shines suit.

376
00:18:21,000 --> 00:18:24,000
Speaker 3: I'm not mad at I'm not mad. I'm not mad

377
00:18:24,040 --> 00:18:25,040
Speaker 3: at nothing.

378
00:18:25,359 --> 00:18:26,160
Speaker 2: The business first.

379
00:18:26,640 --> 00:18:30,439
Speaker 1: Also, I also was mad that It's not that I

380
00:18:30,520 --> 00:18:33,320
Speaker 1: was mad that they was dancing. I was mad that

381
00:18:33,400 --> 00:18:37,280
Speaker 1: I couldn't dance. I just can't like Jamesons, can't.

382
00:18:37,119 --> 00:18:39,359
Speaker 3: Dance like Ship two stuff.

383
00:18:39,560 --> 00:18:41,920
Speaker 2: Good y'all was dancing and fucking all the bitches.

384
00:18:42,000 --> 00:18:46,960
Speaker 1: Let's make some bad boy.

385
00:18:46,040 --> 00:18:47,040
Speaker 6: You know me.

386
00:18:47,240 --> 00:18:53,960
Speaker 3: So you know, after that, it was like, yeah, thank you, yes,

387
00:18:55,520 --> 00:19:00,680
Speaker 3: appreciate it. You know, get you pay very think as well.

388
00:19:01,560 --> 00:19:02,119
Speaker 1: But I went in.

389
00:19:02,840 --> 00:19:07,000
Speaker 3: But yeah, the Zino crab, Yeahzino crabs.

390
00:19:10,000 --> 00:19:12,480
Speaker 2: It was amazing here, man, it's amazing.

391
00:19:12,320 --> 00:19:13,159
Speaker 1: So breaking down, you know.

392
00:19:13,280 --> 00:19:16,240
Speaker 3: So you know, after that, you know, some things started

393
00:19:16,280 --> 00:19:18,399
Speaker 3: to happen in La where you know what I'm saying.

394
00:19:18,680 --> 00:19:20,399
Speaker 3: I was just cool with all of you know what

395
00:19:20,400 --> 00:19:23,119
Speaker 3: I'm saying, the d boys and things getting money and

396
00:19:23,160 --> 00:19:26,640
Speaker 3: all that things happening where you know, somebody got kidnapped

397
00:19:26,680 --> 00:19:29,840
Speaker 3: for my crib. It's not a good thing. Not a

398
00:19:29,880 --> 00:19:31,840
Speaker 3: good thing, you know what I'm saying. And niggas know

399
00:19:31,920 --> 00:19:33,760
Speaker 3: me and know my energy. No, I'm not with none

400
00:19:33,800 --> 00:19:35,760
Speaker 3: of the funck shit. But it was my house, so

401
00:19:36,960 --> 00:19:42,000
Speaker 3: it's your family, it's me. Yeah, absolutely, So you know

402
00:19:42,040 --> 00:19:44,240
Speaker 3: what I'm saying. That's when she got really dark, you

403
00:19:44,280 --> 00:19:46,800
Speaker 3: know what I'm saying. And it was like a ship

404
00:19:48,320 --> 00:19:50,679
Speaker 3: Jackson's was like, oh, all right, we're not fucking with

405
00:19:50,720 --> 00:19:51,200
Speaker 3: you no more.

406
00:19:51,200 --> 00:19:53,480
Speaker 1: This is jack Yeah, we're talking about Mic. We talked

407
00:19:53,480 --> 00:19:59,560
Speaker 1: about Mike's brothers and ship yeah, Mike, Mike's and up yeah, yeah, yeah, okay, okay,

408
00:19:59,600 --> 00:20:01,400
Speaker 1: but that we're going exactly.

409
00:20:02,320 --> 00:20:05,680
Speaker 3: So it's just like it got real ugly at that point.

410
00:20:05,840 --> 00:20:08,080
Speaker 3: And and that's when it was like, all right, let

411
00:20:08,160 --> 00:20:09,440
Speaker 3: me let me get out of here and go back

412
00:20:09,440 --> 00:20:11,600
Speaker 3: to the A. You know what I'm saying. And that's

413
00:20:11,640 --> 00:20:14,679
Speaker 3: because you lived in a Yeah, I lived in A before,

414
00:20:14,760 --> 00:20:16,399
Speaker 3: you know what I'm saying. It's like I lived in

415
00:20:16,440 --> 00:20:18,399
Speaker 3: like a couple of times, you know what I'm saying.

416
00:20:18,440 --> 00:20:20,280
Speaker 3: So at the end of the day when I came

417
00:20:20,320 --> 00:20:23,360
Speaker 3: back here, it was like I had to start all over, right,

418
00:20:23,880 --> 00:20:25,520
Speaker 3: you know what I'm saying. I'm back to the streets,

419
00:20:26,119 --> 00:20:29,639
Speaker 3: back to whatever I was doing, and that's when I

420
00:20:29,640 --> 00:20:30,960
Speaker 3: got the call about Mona.

421
00:20:31,800 --> 00:20:34,879
Speaker 1: Okay, so now now before we get back into Mona,

422
00:20:34,920 --> 00:20:43,360
Speaker 1: all right, but now Big Big was probably arguably everybody's

423
00:20:43,400 --> 00:20:51,280
Speaker 1: on everybody's top five. You you work well, Yoda see,

424
00:20:52,960 --> 00:20:55,320
Speaker 1: And then you get this call from Puff.

425
00:20:59,000 --> 00:21:03,359
Speaker 3: To how I was album, the Total Album, the Biggie album,

426
00:21:03,800 --> 00:21:09,040
Speaker 3: Black Rob Album, and No Way Out Album.

427
00:21:09,080 --> 00:21:13,760
Speaker 1: Everything fucked me up. I was gonna go, alright, but

428
00:21:14,400 --> 00:21:16,639
Speaker 1: I want to go to our's albums. By the way,

429
00:21:17,080 --> 00:21:21,800
Speaker 1: but Bigg's album. Did you know how great Big was?

430
00:21:21,840 --> 00:21:24,720
Speaker 1: Did you know you you working with the greatest rap.

431
00:21:24,640 --> 00:21:25,280
Speaker 2: Up all time?

432
00:21:25,720 --> 00:21:28,320
Speaker 3: Yes, I mean based upon just you know what I'm saying, man,

433
00:21:28,359 --> 00:21:30,760
Speaker 3: the man in Aura. Yeah, you know what I'm saying,

434
00:21:30,760 --> 00:21:32,359
Speaker 3: and what I felt from the guy. You know what

435
00:21:32,359 --> 00:21:37,280
Speaker 3: I'm saying, man, great spirit. I'm always laughing, always laughing,

436
00:21:37,320 --> 00:21:42,800
Speaker 3: mad joke. Yeah, yeah, yeah, any hick, you know what

437
00:21:42,840 --> 00:21:45,080
Speaker 3: I'm saying that. I remember one time I brought some

438
00:21:45,160 --> 00:21:47,080
Speaker 3: chicks from Philly to the studio, like your big hold

439
00:21:47,119 --> 00:21:49,639
Speaker 3: them down. I'm going to get to the Don Perry

440
00:21:49,760 --> 00:21:52,960
Speaker 3: on Malleible Cranberry playing Apple Juice and I'm going to

441
00:21:52,960 --> 00:22:00,440
Speaker 3: bran that's that's Biggie. That's what noble.

442
00:22:00,080 --> 00:22:02,199
Speaker 2: Reading.

443
00:22:02,240 --> 00:22:04,679
Speaker 3: So went the brands and came back. Big was in

444
00:22:04,720 --> 00:22:09,400
Speaker 3: the booth getting letters from both of the chicks make Big.

445
00:22:14,480 --> 00:22:20,600
Speaker 1: So now, Stevie J. You sit there and you're working

446
00:22:20,600 --> 00:22:24,639
Speaker 1: with Big, and you said you already recognized Big was

447
00:22:24,680 --> 00:22:29,320
Speaker 1: the greatest all the time. Absolutely, At what moment did

448
00:22:29,359 --> 00:22:34,520
Speaker 1: you feel like maybe Big will never be here again? Never? Right?

449
00:22:35,560 --> 00:22:40,480
Speaker 1: I mean you you're at this party. Let's be clear

450
00:22:41,320 --> 00:22:47,679
Speaker 1: all the Let's make some ste spend eight thousand dollars crazy.

451
00:22:50,880 --> 00:22:51,800
Speaker 2: He's dead like.

452
00:22:53,200 --> 00:22:58,479
Speaker 1: I spent. Everybody. Listen, listen every time they described and

453
00:22:58,960 --> 00:23:01,840
Speaker 1: God bless me for the for the way I'm saying it.

454
00:23:01,920 --> 00:23:03,239
Speaker 2: No, no, no, the way I'm saying it.

455
00:23:03,640 --> 00:23:06,400
Speaker 1: Every time you speak about Biggie Small's death.

456
00:23:07,359 --> 00:23:10,359
Speaker 2: A lot of people like like Pop's last picture was.

457
00:23:12,560 --> 00:23:16,879
Speaker 1: A lot of people don't realize that in that party

458
00:23:17,200 --> 00:23:23,680
Speaker 1: it's you Puff and Big. You're actually there, right, absolutely,

459
00:23:24,320 --> 00:23:27,560
Speaker 1: so that night did you feel funny or no?

460
00:23:28,040 --> 00:23:29,080
Speaker 3: Of course, you know what I'm saying.

461
00:23:29,119 --> 00:23:31,240
Speaker 2: Wait wait wait, wait wait wait you get it just

462
00:23:31,240 --> 00:23:33,639
Speaker 2: said before he would know like a vibe.

463
00:23:33,720 --> 00:23:36,280
Speaker 1: No what I'm saying because it was a vibe party

464
00:23:36,280 --> 00:23:42,120
Speaker 1: to us, lying, yeah, that's.

465
00:23:42,040 --> 00:23:43,520
Speaker 2: What I'm asking for. Anything.

466
00:23:43,840 --> 00:23:46,119
Speaker 1: Did you feel a vibe at that party or you

467
00:23:46,160 --> 00:23:48,480
Speaker 1: felt the vibe for the whole trip, the entire night,

468
00:23:48,600 --> 00:23:51,600
Speaker 1: that entire night, that entire night, and now can you

469
00:23:51,680 --> 00:23:52,280
Speaker 1: describe that?

470
00:23:52,440 --> 00:23:55,280
Speaker 3: So, I mean more or less, it just felt funny,

471
00:23:55,320 --> 00:23:58,320
Speaker 3: you know what I'm saying. We was at andrehell House

472
00:23:58,359 --> 00:24:00,960
Speaker 3: and everybody like, we're going now, you know what I'm saying.

473
00:24:01,680 --> 00:24:04,640
Speaker 3: And it was like, all right, let's go out when

474
00:24:04,800 --> 00:24:07,040
Speaker 3: like enthusiastic in that, you know what I'm saying. And

475
00:24:07,320 --> 00:24:09,480
Speaker 3: we got to the party. We turned up and it

476
00:24:09,640 --> 00:24:11,800
Speaker 3: just felt like, you know, at a certain point, you know,

477
00:24:11,840 --> 00:24:13,200
Speaker 3: the crowd just started getting thin.

478
00:24:13,440 --> 00:24:15,440
Speaker 2: Well like everybody over there, guy, you know what I'm saying.

479
00:24:15,440 --> 00:24:17,719
Speaker 3: The crowd just started getting thin. And it was like

480
00:24:18,000 --> 00:24:19,320
Speaker 3: you saw people dissipate.

481
00:24:19,560 --> 00:24:22,639
Speaker 1: Because what I heard was there was people when the

482
00:24:22,720 --> 00:24:26,760
Speaker 1: hypnotized came on, there's people actually like saying, fuck y'all

483
00:24:27,359 --> 00:24:29,880
Speaker 1: know what he said? He said it got thin? Then, Yeah,

484
00:24:29,920 --> 00:24:31,800
Speaker 1: I never heard this part of the I never heard

485
00:24:31,800 --> 00:24:34,439
Speaker 1: that the crowd got thin. Like and when you mean

486
00:24:34,480 --> 00:24:37,800
Speaker 1: you got there, what you're saying is people laughed when

487
00:24:37,880 --> 00:24:38,480
Speaker 1: big game.

488
00:24:38,640 --> 00:24:40,399
Speaker 3: So you're down that when Big came, like you know

489
00:24:40,440 --> 00:24:42,400
Speaker 3: what I'm saying, a certain part of the certain point

490
00:24:42,400 --> 00:24:44,720
Speaker 3: in the parties, like you know what I'm saying, We're

491
00:24:44,760 --> 00:24:47,159
Speaker 3: not about to close this joint down. And then you

492
00:24:47,280 --> 00:24:48,880
Speaker 3: just started getting this like that.

493
00:24:48,880 --> 00:24:52,000
Speaker 1: Was bad boy style. Bad boy style was taking over

494
00:24:52,040 --> 00:24:53,640
Speaker 1: the whole party and closing it.

495
00:24:54,359 --> 00:24:56,359
Speaker 2: But it wasn't that time. He's what he's saying.

496
00:24:56,560 --> 00:24:59,840
Speaker 1: No, I'm saying, I'm I'm I'm in l A. Yeah,

497
00:25:00,080 --> 00:25:04,240
Speaker 1: cause we in LA. After Pop died, Pop passed away

498
00:25:04,280 --> 00:25:08,520
Speaker 1: absolutely and for you you saying, it felt weird, absolutely

499
00:25:08,840 --> 00:25:11,080
Speaker 1: like it didn't feel like any other time bad Boy had.

500
00:25:12,080 --> 00:25:14,000
Speaker 3: It's like, yo, know what I'm saying, What time were

501
00:25:14,000 --> 00:25:15,000
Speaker 3: getting out of this giant?

502
00:25:15,280 --> 00:25:16,119
Speaker 2: And you felt it?

503
00:25:17,560 --> 00:25:19,720
Speaker 3: And then you know you heard niggas making their little.

504
00:25:19,440 --> 00:25:22,879
Speaker 2: Comments like LA people, you know what I'm saying.

505
00:25:23,440 --> 00:25:25,680
Speaker 1: So you know what kind of comments though.

506
00:25:25,760 --> 00:25:28,000
Speaker 3: Like funck the East Coast. You know what I'm saying.

507
00:25:29,240 --> 00:25:32,040
Speaker 1: Exactly, Yeah, listen, after Big die, I'm sorry to cut

508
00:25:32,080 --> 00:25:35,959
Speaker 1: you off. After Big died. Even when I went to LA,

509
00:25:36,200 --> 00:25:39,560
Speaker 1: the record label will hire security whether I wanted it

510
00:25:39,680 --> 00:25:42,680
Speaker 1: or not, Like I would Land and they would already

511
00:25:42,720 --> 00:25:45,120
Speaker 1: be there and me. You know, I used to prive

512
00:25:45,240 --> 00:25:48,119
Speaker 1: myself when not having security, but that was the only

513
00:25:48,200 --> 00:25:50,960
Speaker 1: place where they would say, shut the fuck up. You

514
00:25:51,080 --> 00:25:54,200
Speaker 1: got security out there after big dive, so I could

515
00:25:54,280 --> 00:25:59,320
Speaker 1: actually But but you could describe a situation better than

516
00:25:59,359 --> 00:26:03,520
Speaker 1: anybody else because like a lot of people see again,

517
00:26:03,600 --> 00:26:07,200
Speaker 1: I want to reiterate what I said. A lot of

518
00:26:07,240 --> 00:26:11,240
Speaker 1: people see box last picture and they see him and Sugar,

519
00:26:11,600 --> 00:26:14,560
Speaker 1: but that's after they drove off. If you look at

520
00:26:14,560 --> 00:26:20,840
Speaker 1: Bigg's last pictures, it's j Big and Puff and am

521
00:26:20,840 --> 00:26:23,240
Speaker 1: I lion like absolutely correct, like I'm ready to do

522
00:26:23,320 --> 00:26:28,040
Speaker 1: your and they had crystal and they had it's done.

523
00:26:28,119 --> 00:26:31,080
Speaker 3: Very excuse me, spend all the money on it.

524
00:26:31,640 --> 00:26:37,440
Speaker 2: That makes But so you're.

525
00:26:37,160 --> 00:26:41,280
Speaker 1: You're telling me that even in the party, even being comfortable,

526
00:26:41,320 --> 00:26:45,120
Speaker 1: even being you know, smoking and drinking, spending on Don

527
00:26:45,200 --> 00:26:48,280
Speaker 1: Perry on, you kind of felt something you couldn't have

528
00:26:48,320 --> 00:26:50,800
Speaker 1: knew he was gonna die because on the street.

529
00:26:50,880 --> 00:26:54,280
Speaker 3: Understand, like yo, when she just started feeling funny, you

530
00:26:54,280 --> 00:26:55,880
Speaker 3: know what I'm saying, It's time to get up out

531
00:26:55,880 --> 00:26:58,560
Speaker 3: that motherfucker. You know what I'm saying. And you know

532
00:27:00,440 --> 00:27:02,919
Speaker 3: it was time to go and we left, and you know,

533
00:27:03,240 --> 00:27:04,800
Speaker 3: we went through the light. I was in the car

534
00:27:04,880 --> 00:27:06,640
Speaker 3: with Puff and you know.

535
00:27:08,160 --> 00:27:10,359
Speaker 1: I was in the truck. I got a question for you.

536
00:27:10,400 --> 00:27:13,040
Speaker 3: How many calls back, y'all was from Biggie? It was

537
00:27:13,560 --> 00:27:16,359
Speaker 3: I went through the light and big Big Thing was

538
00:27:16,400 --> 00:27:20,200
Speaker 3: right behind us, Big season and for the front.

539
00:27:20,359 --> 00:27:23,040
Speaker 1: Yeah, and just for the dumb people out there, please STEVJ,

540
00:27:23,200 --> 00:27:26,440
Speaker 1: please say this.

541
00:27:25,280 --> 00:27:26,760
Speaker 2: Puff had nothing to do with that.

542
00:27:27,119 --> 00:27:27,440
Speaker 3: Of course.

543
00:27:28,880 --> 00:27:31,440
Speaker 1: I just hate when the people say, you know, it's

544
00:27:31,480 --> 00:27:36,000
Speaker 1: a lot whole documentary saying that Puff killed Big Like.

545
00:27:36,440 --> 00:27:39,840
Speaker 2: I just hate the sugar conspiracy, but the Puff, Yeah,

546
00:27:39,880 --> 00:27:40,800
Speaker 2: I just hate that.

547
00:27:42,880 --> 00:27:46,600
Speaker 1: I hate the conspiracy so muchous. I didn't even did this.

548
00:27:47,560 --> 00:27:51,160
Speaker 1: It's not what he did. He did this show, and

549
00:27:51,320 --> 00:27:53,760
Speaker 1: I didn't. I didn't even want to say it because

550
00:27:53,840 --> 00:27:57,119
Speaker 1: I just felt so dumb even even even bringing up

551
00:27:57,160 --> 00:27:57,720
Speaker 1: certain things.

552
00:27:58,640 --> 00:28:02,200
Speaker 3: Yeah, don't we don't We got to entertain that, you

553
00:28:02,240 --> 00:28:04,679
Speaker 3: know what I'm saying, Like that was his men's That

554
00:28:04,760 --> 00:28:06,560
Speaker 3: was just you know what I'm saying, Start skin Hutch,

555
00:28:06,640 --> 00:28:08,840
Speaker 3: you know what I'm saying, Stick to Clutch.

556
00:28:08,560 --> 00:28:11,239
Speaker 1: And all that. Now, how it was bad boy after that,

557
00:28:12,800 --> 00:28:16,879
Speaker 1: I mean it was because I'm not gonna want to

558
00:28:16,920 --> 00:28:17,960
Speaker 1: say ruined, but it was.

559
00:28:18,000 --> 00:28:21,320
Speaker 3: It was. It was a major off balance. It was dark,

560
00:28:21,400 --> 00:28:23,480
Speaker 3: you know what I'm saying. Everybody was hurt, you know

561
00:28:23,520 --> 00:28:24,000
Speaker 3: what I'm saying.

562
00:28:24,280 --> 00:28:25,200
Speaker 1: We was in the studio.

563
00:28:25,320 --> 00:28:29,040
Speaker 3: Everybody was in the studio was like candles lid and

564
00:28:29,160 --> 00:28:30,760
Speaker 3: you know what I'm saying, and were listening to.

565
00:28:31,560 --> 00:28:34,280
Speaker 1: Because Big was your funny guy. Like I remember going

566
00:28:34,320 --> 00:28:37,159
Speaker 1: to the Bad Boy and I remember recording tr and

567
00:28:37,240 --> 00:28:39,320
Speaker 1: why because I recorded Ti and Wy and Bad Boy

568
00:28:39,600 --> 00:28:45,680
Speaker 1: and not seeing mycent callers Brewery, and I remember going

569
00:28:45,800 --> 00:28:48,920
Speaker 1: and I remember seeing y'all always smile, and then I

570
00:28:48,960 --> 00:28:53,640
Speaker 1: remember after Big Joy and nobody was smiling, and like

571
00:28:53,760 --> 00:28:55,840
Speaker 1: everybody was just sitting there. And don't get me wrong,

572
00:28:55,920 --> 00:28:57,040
Speaker 1: y'all was still giving beats.

573
00:28:57,120 --> 00:29:00,360
Speaker 3: Y'all was still weren't nothing to smile about it, because you.

574
00:29:00,320 --> 00:29:02,920
Speaker 1: Know, because it was in your opinion, was it a

575
00:29:03,040 --> 00:29:04,040
Speaker 1: dark day from there?

576
00:29:05,160 --> 00:29:07,840
Speaker 3: It was a dark It was a dark year from there.

577
00:29:08,720 --> 00:29:11,040
Speaker 3: It was a dark year from there pretty much, because

578
00:29:11,080 --> 00:29:13,800
Speaker 3: you know, even if you look at all the interviews

579
00:29:13,800 --> 00:29:16,720
Speaker 3: were Big talking about the situation with Pot, he would

580
00:29:16,720 --> 00:29:19,800
Speaker 3: never entertain the bullshit, you know what I'm saying. He

581
00:29:19,920 --> 00:29:24,440
Speaker 3: was never like it wasn't trying. He was positive, you

582
00:29:24,480 --> 00:29:26,080
Speaker 3: know what I'm saying. That's why me and him were

583
00:29:26,080 --> 00:29:28,600
Speaker 3: sitting down to LA. I was having the son around

584
00:29:28,600 --> 00:29:30,440
Speaker 3: the time, and he was having the son around the time,

585
00:29:30,920 --> 00:29:32,800
Speaker 3: and you know what I'm saying. He was like, Yo,

586
00:29:33,280 --> 00:29:35,240
Speaker 3: I'm gonna be your son godfather, and you're gonna be

587
00:29:35,320 --> 00:29:38,240
Speaker 3: my son godfather. You know what I'm saying. So Chris,

588
00:29:38,640 --> 00:29:40,800
Speaker 3: Chris godfather. You know what I'm saying. So at the

589
00:29:40,880 --> 00:29:43,160
Speaker 3: end of the day, it's just like he would just

590
00:29:43,200 --> 00:29:45,520
Speaker 3: tell me like, Yo, I don't entertain ship because I

591
00:29:45,560 --> 00:29:47,640
Speaker 3: don't want to be a part of the negativity, you

592
00:29:47,680 --> 00:29:49,560
Speaker 3: know what I'm saying. And then the next day for

593
00:29:49,600 --> 00:29:51,280
Speaker 3: this to happen, that fucked everything up.

594
00:29:51,440 --> 00:29:54,800
Speaker 1: And then for you, the crazy shit is because you

595
00:29:54,960 --> 00:29:58,440
Speaker 1: got to experience the first rappers that ever got killed, right,

596
00:29:58,800 --> 00:29:59,400
Speaker 1: some real.

597
00:29:59,240 --> 00:30:02,640
Speaker 3: Sh But all that ship that's going on now, I

598
00:30:02,680 --> 00:30:06,320
Speaker 3: don't take it serious, you know what I'm saying, Like the.

599
00:30:06,360 --> 00:30:13,480
Speaker 1: Young girl ship, you know, young girls on that. Yeah,

600
00:30:13,800 --> 00:30:19,080
Speaker 1: I wasn't ready yesterday. I'm just saying, I don't know these.

601
00:30:20,680 --> 00:30:23,320
Speaker 3: All I know is all I know is getting money.

602
00:30:23,360 --> 00:30:26,080
Speaker 3: You know what I'm saying. Get you know, all I

603
00:30:26,120 --> 00:30:30,960
Speaker 3: know is you know, I'm kind of I'm a fly guy.

604
00:30:31,080 --> 00:30:33,760
Speaker 1: You know what I'm saying. You know, I like we

605
00:30:33,800 --> 00:30:34,720
Speaker 1: make noise for you being.

606
00:30:36,840 --> 00:30:40,680
Speaker 3: I got a little story place, you know, so you know,

607
00:30:41,400 --> 00:30:44,720
Speaker 3: I just pay attention and my inbox be going off.

608
00:30:46,400 --> 00:30:47,640
Speaker 1: Which story your d M?

609
00:30:47,760 --> 00:30:51,200
Speaker 3: Yeah, my dam what stories to tell about people like

610
00:30:51,280 --> 00:30:54,000
Speaker 3: the young? What's your name?

611
00:30:55,040 --> 00:30:59,640
Speaker 1: You got there? Young's okay, he pointed out man and young.

612
00:31:00,920 --> 00:31:04,479
Speaker 3: Yeah you know what I mean, Like, you know, like

613
00:31:04,560 --> 00:31:07,400
Speaker 3: I get d ms from all type of communities, like

614
00:31:07,680 --> 00:31:09,800
Speaker 3: the transgender community.

615
00:31:12,120 --> 00:31:12,840
Speaker 1: A different area.

616
00:31:14,160 --> 00:31:19,000
Speaker 3: Hold on, I got hold on. Look you see you

617
00:31:19,200 --> 00:31:25,800
Speaker 3: know me, you know, but you know, at the end

618
00:31:25,880 --> 00:31:27,680
Speaker 3: of the day, you know, I just I just be

619
00:31:27,760 --> 00:31:30,960
Speaker 3: bowling my lane. So I advice cast the bowl at lane.

620
00:31:30,960 --> 00:31:33,680
Speaker 3: You know what I'm saying. I own my bowling alley.

621
00:31:34,360 --> 00:31:36,120
Speaker 3: They got to rent a ball, you know what I mean.

622
00:31:37,080 --> 00:31:46,920
Speaker 3: They're really written balls. Yeah, it's being easy guys.

623
00:31:47,840 --> 00:31:49,800
Speaker 1: Hold on, we believe you.

624
00:31:49,840 --> 00:31:56,880
Speaker 3: By the way, since we were live, we live, we live,

625
00:31:57,080 --> 00:31:58,160
Speaker 3: we live and be live.

626
00:31:58,640 --> 00:32:04,280
Speaker 1: Busino scrap Zinos, crab trap z those crab trat those

627
00:32:04,360 --> 00:32:05,760
Speaker 1: crab trap Alright, we.

628
00:32:05,760 --> 00:32:06,600
Speaker 3: Go do it like this.

629
00:32:08,960 --> 00:32:10,560
Speaker 2: About change how your drinks.

630
00:32:10,640 --> 00:32:12,840
Speaker 3: Let me get a little bit more.

631
00:32:13,320 --> 00:32:16,520
Speaker 1: We drinking a scow by the way, and Martell and

632
00:32:18,120 --> 00:32:21,040
Speaker 1: and s, I'm only drinking.

633
00:32:21,600 --> 00:32:22,120
Speaker 3: I'm drinking.

634
00:32:22,280 --> 00:32:23,080
Speaker 2: I gotta relax.

635
00:32:27,720 --> 00:32:30,160
Speaker 3: That's the fair thing.

636
00:32:30,560 --> 00:32:32,360
Speaker 2: I'll describe your face for you.

637
00:32:32,920 --> 00:32:33,880
Speaker 1: This is the podcast.

638
00:32:33,960 --> 00:32:39,520
Speaker 2: And is quite flustered right now. And then he's looking

639
00:32:39,600 --> 00:32:42,280
Speaker 2: and it says he's looking quite.

640
00:32:42,320 --> 00:32:45,479
Speaker 3: Will you are my king? You know what to do?

641
00:32:45,600 --> 00:32:50,840
Speaker 3: Gonna what? And he looks away, you know, shout out

642
00:32:50,880 --> 00:32:52,640
Speaker 3: to Bad Boy entertain.

643
00:32:52,960 --> 00:32:54,160
Speaker 1: Dang on we in the.

644
00:32:54,120 --> 00:32:57,760
Speaker 3: Building, shout out Zo crab traps and everything.

645
00:32:57,920 --> 00:33:00,520
Speaker 1: You know what I'm saying. Listen, man on front, you

646
00:33:00,720 --> 00:33:01,960
Speaker 1: ask him what I just read?

647
00:33:02,080 --> 00:33:04,560
Speaker 3: What did he I mean? You know, I'm just saying,

648
00:33:04,680 --> 00:33:08,160
Speaker 3: dude's got a bowl at lane. Man, This is what

649
00:33:08,160 --> 00:33:08,600
Speaker 3: I'm saying.

650
00:33:08,680 --> 00:33:08,840
Speaker 4: Though.

651
00:33:09,280 --> 00:33:13,479
Speaker 3: You know I'm up. Listen, I'm in the gym, and

652
00:33:13,680 --> 00:33:16,080
Speaker 3: you know what I'm saying. And you know, I wrinkle

653
00:33:16,160 --> 00:33:17,680
Speaker 3: up a nigga school clothes. Man.

654
00:33:18,840 --> 00:33:20,880
Speaker 1: You know I'm trying to right.

655
00:33:23,080 --> 00:33:25,160
Speaker 2: I guess I won't know what the hell I'm just saying.

656
00:33:25,440 --> 00:33:28,480
Speaker 3: I'm just saying I'm saving I'm gonna save him. You

657
00:33:28,520 --> 00:33:31,080
Speaker 3: know what I'm talking about. I'm gonna let him live.

658
00:33:31,440 --> 00:33:33,440
Speaker 3: You know what I'm saying, but don't mention me.

659
00:33:35,320 --> 00:33:37,760
Speaker 2: Don't mention the good guy in all fitness.

660
00:33:37,880 --> 00:33:40,440
Speaker 1: This is what he said when he came on our show,

661
00:33:40,680 --> 00:33:44,560
Speaker 1: like that when he came hit that young Joe. Yeah,

662
00:33:44,560 --> 00:33:46,400
Speaker 1: because when he came on our show, I can't, I can't.

663
00:33:47,080 --> 00:33:50,040
Speaker 1: I can't speak about everything else. This is what he said.

664
00:33:50,080 --> 00:33:53,200
Speaker 1: He said that he just didn't appreciate that you called him.

665
00:33:53,720 --> 00:33:58,480
Speaker 2: The thing is, he felt like, listen, jo.

666
00:33:58,680 --> 00:34:02,040
Speaker 3: It don't matter if you don't matter if you call you,

667
00:34:02,040 --> 00:34:05,520
Speaker 3: you handle that big meet you my phone. I never

668
00:34:05,520 --> 00:34:07,200
Speaker 3: met him a day in my life. He texts me.

669
00:34:07,280 --> 00:34:08,200
Speaker 3: I'm a texting bag.

670
00:34:08,960 --> 00:34:11,880
Speaker 1: It's a respect thing. Now, You're right about that.

671
00:34:12,640 --> 00:34:15,759
Speaker 3: You know what I'm saying. You know, but you know

672
00:34:15,880 --> 00:34:18,240
Speaker 3: it's all good. Don't go on to breakfast club saying

673
00:34:18,239 --> 00:34:20,040
Speaker 3: oh this that and making little jokes, you know, and

674
00:34:20,120 --> 00:34:22,520
Speaker 3: keep your jokes yourself, because I can make the same thing,

675
00:34:22,600 --> 00:34:27,239
Speaker 3: make you laugh, make you cry, and I'm the good guy.

676
00:34:28,120 --> 00:34:30,120
Speaker 2: Just makes a leation the good guy.

677
00:34:30,600 --> 00:34:35,160
Speaker 1: I well, also because you know, I fuck with both

678
00:34:35,160 --> 00:34:36,680
Speaker 1: of y'all that you know.

679
00:34:37,080 --> 00:34:40,000
Speaker 3: But also I'm not saying I don't funk with me.

680
00:34:40,280 --> 00:34:42,160
Speaker 3: You know what I'm saying, and you know what I'm saying.

681
00:34:43,200 --> 00:34:44,480
Speaker 2: Yeah, both great people.

682
00:34:44,560 --> 00:34:46,440
Speaker 1: I would love to be the person to bring it

683
00:34:46,480 --> 00:34:48,320
Speaker 1: together at.

684
00:34:48,320 --> 00:34:50,160
Speaker 3: It ain't even about that. I'm cool just hanging with

685
00:34:50,160 --> 00:34:51,840
Speaker 3: my kids. I don't even need no extra ship. But

686
00:34:51,880 --> 00:34:53,960
Speaker 3: my thing is just like I'm a man, you know

687
00:34:54,000 --> 00:34:55,840
Speaker 3: what I'm saying, being man about ship. You know what

688
00:34:55,840 --> 00:34:58,040
Speaker 3: I'm saying, don't try to get no rep and cantion,

689
00:34:58,120 --> 00:35:00,160
Speaker 3: no wreck off me. You know what I'm saying. We're

690
00:35:00,160 --> 00:35:03,200
Speaker 3: gonna really just have to get it in period. I'm

691
00:35:03,239 --> 00:35:04,160
Speaker 3: just I'm from that oil.

692
00:35:04,320 --> 00:35:09,640
Speaker 1: That's like, you know what I mean, Like I told

693
00:35:09,640 --> 00:35:11,840
Speaker 1: you in the beginning of the video, I'm gonna be

694
00:35:11,920 --> 00:35:12,760
Speaker 1: all over the place.

695
00:35:13,200 --> 00:35:15,040
Speaker 2: Now, what was your relationship with Tupac?

696
00:35:15,239 --> 00:35:18,759
Speaker 3: On Tupac, we just fucked all the same benches just

697
00:35:18,920 --> 00:35:24,839
Speaker 3: makes all the same I mean, I mean, I mean,

698
00:35:24,960 --> 00:35:26,279
Speaker 3: I ain't gonna front.

699
00:35:26,000 --> 00:35:29,960
Speaker 1: Man to this day still, Tupac, Relax, don't answer that question.

700
00:35:30,000 --> 00:35:32,400
Speaker 1: It's gonna bring you down the wrong time. Don't askwer that,

701
00:35:33,440 --> 00:35:33,919
Speaker 1: don't answer.

702
00:35:34,080 --> 00:35:36,279
Speaker 3: We just we just you know, we associated with all

703
00:35:36,280 --> 00:35:38,520
Speaker 3: the same girls and we could never hang out. You

704
00:35:38,560 --> 00:35:40,520
Speaker 3: know what I'm saying. We just kept.

705
00:35:40,480 --> 00:35:42,319
Speaker 2: After the beef. You couldn't hang out.

706
00:35:42,360 --> 00:35:44,120
Speaker 3: I mean it was like when when did the beef

707
00:35:44,120 --> 00:35:44,560
Speaker 3: at the end?

708
00:35:44,600 --> 00:35:48,960
Speaker 1: Bro Right? It was straight like that, Zino. I know

709
00:35:49,040 --> 00:35:51,000
Speaker 1: this your spot, but I'm gonna have to ask you relax.

710
00:35:51,960 --> 00:35:54,879
Speaker 1: Come on, Zo, you're the biggest problem right now.

711
00:35:55,360 --> 00:35:57,440
Speaker 2: So you had no music for park, I had no

712
00:35:57,520 --> 00:35:58,440
Speaker 2: music on pond.

713
00:36:00,080 --> 00:36:01,000
Speaker 1: For two days.

714
00:36:01,480 --> 00:36:03,440
Speaker 3: Yeah, but you know we couldn't do it. You know

715
00:36:03,480 --> 00:36:06,360
Speaker 3: what I'm saying. You couldn't. It couldn't happened because you know,

716
00:36:07,400 --> 00:36:10,080
Speaker 3: I'm I'm a puff, I'm a big and that's that

717
00:36:10,320 --> 00:36:10,919
Speaker 3: bottom mind.

718
00:36:10,960 --> 00:36:14,479
Speaker 1: I'm so you say, try loyalty, try to get beats

719
00:36:14,480 --> 00:36:14,719
Speaker 1: from me.

720
00:36:14,760 --> 00:36:16,560
Speaker 3: I'm not saying what I'm saying. We rock with all

721
00:36:16,560 --> 00:36:18,360
Speaker 3: the same joints, and the chicks would be like no,

722
00:36:18,560 --> 00:36:21,480
Speaker 3: Small six would be like Yo, you know what I'm saying,

723
00:36:21,480 --> 00:36:22,839
Speaker 3: wy don't you. I'm like, you know what I'm saying.

724
00:36:22,880 --> 00:36:25,920
Speaker 3: We can't even do that. My loyalty lies with who

725
00:36:25,920 --> 00:36:26,480
Speaker 3: it lies with.

726
00:36:26,760 --> 00:36:28,719
Speaker 2: But prior to the beef, did he try to get

727
00:36:28,760 --> 00:36:29,160
Speaker 2: beats from you?

728
00:36:29,520 --> 00:36:31,080
Speaker 3: It wasn't even you know what I'm saying. He was

729
00:36:31,160 --> 00:36:33,360
Speaker 3: death row it and I'm bad.

730
00:36:33,200 --> 00:36:36,600
Speaker 2: Boy And what was that environment? Though? Time?

731
00:36:37,000 --> 00:36:39,040
Speaker 3: Exactly if we're bad boy, We're bad boy.

732
00:36:39,080 --> 00:36:43,200
Speaker 1: But basically he's saying, this is what he's saying, I

733
00:36:43,360 --> 00:36:46,959
Speaker 1: know you shin.

734
00:36:47,400 --> 00:36:49,560
Speaker 3: If my man ain't rocking with you, I don't fun.

735
00:36:50,920 --> 00:36:51,600
Speaker 1: I don't want to.

736
00:36:51,680 --> 00:36:53,600
Speaker 3: I would, I wouldn't and I can't and I won't.

737
00:36:54,680 --> 00:36:56,120
Speaker 3: Won't stop that.

738
00:36:58,320 --> 00:37:02,920
Speaker 1: Describe that situation because prior to that, bad boy is

739
00:37:03,040 --> 00:37:07,960
Speaker 1: just happy. Yeah, you know, y'all chilling to the public.

740
00:37:08,360 --> 00:37:10,760
Speaker 1: To the public, you're happy, y'all chilling.

741
00:37:11,080 --> 00:37:12,200
Speaker 2: And now here's this.

742
00:37:12,200 --> 00:37:14,879
Speaker 1: This guy comes out and he ships on y'all.

743
00:37:14,920 --> 00:37:17,720
Speaker 2: I mean, and he like, let's be clear, he's super

744
00:37:17,800 --> 00:37:18,640
Speaker 2: ships on y'all.

745
00:37:19,280 --> 00:37:21,839
Speaker 3: And remember, how do y'all say? This is how I

746
00:37:21,880 --> 00:37:24,440
Speaker 3: remember the whole shit going down, because you know, I'm

747
00:37:24,440 --> 00:37:26,279
Speaker 3: new to the host. You know what I'm saying. I

748
00:37:26,280 --> 00:37:28,880
Speaker 3: just remember niggas in the office listening to hit him up.

749
00:37:29,160 --> 00:37:30,839
Speaker 3: And I just walked by the office.

750
00:37:30,520 --> 00:37:34,480
Speaker 2: And they listening to it in the office. He told

751
00:37:34,480 --> 00:37:37,719
Speaker 2: my bad boy and have been crazy Daddy's house.

752
00:37:37,760 --> 00:37:38,440
Speaker 1: That's a story.

753
00:37:38,760 --> 00:37:39,400
Speaker 3: Just to listen.

754
00:37:39,600 --> 00:37:40,880
Speaker 1: Hold on, I really got to hear this.

755
00:37:43,320 --> 00:37:44,480
Speaker 2: Reta.

756
00:37:50,040 --> 00:37:53,279
Speaker 1: Okay, hold on, So you walk in Daddy's house and

757
00:37:53,320 --> 00:37:54,720
Speaker 1: they already listening.

758
00:37:54,360 --> 00:37:57,879
Speaker 3: To it, or yeah, they already listened. Niggas listening to him,

759
00:37:58,120 --> 00:38:00,680
Speaker 3: and it was like, you know, you know, you walk

760
00:38:00,719 --> 00:38:01,920
Speaker 3: through those still doors.

761
00:38:02,280 --> 00:38:07,680
Speaker 1: I remember I thought it was gold Okay.

762
00:38:07,719 --> 00:38:10,000
Speaker 3: Then you walk through those doors and then the office

763
00:38:10,040 --> 00:38:12,040
Speaker 3: is ready to the left. Mad Niggas is in there

764
00:38:12,440 --> 00:38:15,440
Speaker 3: listening and hit them up, and I'm just like I

765
00:38:15,560 --> 00:38:19,440
Speaker 3: walk not in there, no okay, And I'm like, it's offensive.

766
00:38:20,360 --> 00:38:21,080
Speaker 1: You don't need to know.

767
00:38:21,200 --> 00:38:23,239
Speaker 3: I ain't before I even heard this, you know, I

768
00:38:23,360 --> 00:38:24,440
Speaker 3: just seen Niggas is like.

769
00:38:28,000 --> 00:38:28,359
Speaker 1: Mm hmm.

770
00:38:29,200 --> 00:38:34,400
Speaker 3: I'm listening to the record. I'm like, ships about to

771
00:38:34,400 --> 00:38:37,959
Speaker 3: get dump. You know what I meant, got real dump?

772
00:38:40,680 --> 00:38:46,600
Speaker 3: Who shot you? What's the timeline or the time? Confused

773
00:38:46,640 --> 00:38:47,600
Speaker 3: about the timeline?

774
00:38:47,719 --> 00:38:53,239
Speaker 2: Yeah, who shot you? Made directly after that? Or was

775
00:38:53,320 --> 00:38:57,400
Speaker 2: it because originally we thought DJs was told it was

776
00:38:57,440 --> 00:38:58,759
Speaker 2: made prior to that.

777
00:38:58,800 --> 00:39:03,520
Speaker 3: Well, you know, I don't. We're not gonna.

778
00:39:03,320 --> 00:39:07,480
Speaker 2: Get answers here. I respect that we're not gonna get it.

779
00:39:07,719 --> 00:39:12,799
Speaker 1: I respected as the East Coast nigga. I got it rolling.

780
00:39:14,440 --> 00:39:16,719
Speaker 3: Things like I'm a New York nigga for you know

781
00:39:16,800 --> 00:39:20,040
Speaker 3: what I'm saying. You know, and it's like, you know,

782
00:39:21,719 --> 00:39:24,160
Speaker 3: ship just happened the way it happened, and it just

783
00:39:24,320 --> 00:39:26,000
Speaker 3: it just you know, through our whole coast.

784
00:39:26,080 --> 00:39:26,239
Speaker 1: Off.

785
00:39:27,280 --> 00:39:30,319
Speaker 2: I'll tell you one, but your lack of answer could

786
00:39:30,320 --> 00:39:30,920
Speaker 2: be an answer.

787
00:39:31,000 --> 00:39:33,279
Speaker 3: Bro. I'm just saying that we're cool.

788
00:39:33,600 --> 00:39:34,399
Speaker 2: Nah, he's right there.

789
00:39:34,719 --> 00:39:37,839
Speaker 3: But a lot of drugs back then, Yeah, let's make

790
00:39:37,920 --> 00:39:38,239
Speaker 3: some lens.

791
00:39:38,280 --> 00:39:39,080
Speaker 2: You do a lot of drugs.

792
00:39:42,200 --> 00:39:42,560
Speaker 7: I don't know.

793
00:39:42,640 --> 00:39:45,800
Speaker 3: It's so now you still use it.

794
00:39:47,320 --> 00:39:49,600
Speaker 2: I mean, matter of fact, if somebody pulled me a

795
00:39:49,680 --> 00:39:50,360
Speaker 2: box of.

796
00:39:57,760 --> 00:39:59,120
Speaker 3: Salutes, who was that?

797
00:40:00,480 --> 00:40:02,200
Speaker 2: I was like, I feel like they gotta go. You

798
00:40:04,440 --> 00:40:07,120
Speaker 2: feel like they gotta go something.

799
00:40:07,640 --> 00:40:09,600
Speaker 1: Yeah, you know what.

800
00:40:09,719 --> 00:40:13,279
Speaker 3: There On another note, don't you know I have nothing

801
00:40:13,320 --> 00:40:15,680
Speaker 3: but the utmost respect for you. You know what I'm saying,

802
00:40:16,000 --> 00:40:18,200
Speaker 3: I got number the almost I'm saying. This is what

803
00:40:18,280 --> 00:40:21,160
Speaker 3: I'm saying. Though, you know, I'm gonna.

804
00:40:20,920 --> 00:40:25,080
Speaker 1: Take a bottle of Rocky absolutely want to open up ready,

805
00:40:25,120 --> 00:40:25,640
Speaker 1: all right, thank you.

806
00:40:26,239 --> 00:40:28,080
Speaker 3: When I came in the game, it was like I

807
00:40:28,160 --> 00:40:31,080
Speaker 3: came in with Jodson. You know what I'm saying, State nigga,

808
00:40:31,440 --> 00:40:32,800
Speaker 3: that get money street nigga.

809
00:40:33,400 --> 00:40:35,160
Speaker 1: I was like, let me cut you for one second,

810
00:40:35,239 --> 00:40:38,160
Speaker 1: because let me just tell you something. Joasy was beating

811
00:40:38,239 --> 00:40:40,080
Speaker 1: niggas up. They were like the r and b wool

812
00:40:40,160 --> 00:40:43,080
Speaker 1: Tang had had to fight with better fight with We

813
00:40:43,160 --> 00:40:44,920
Speaker 1: gotta get into that right now, right now.

814
00:40:45,920 --> 00:40:47,200
Speaker 3: That that's the next one.

815
00:40:48,280 --> 00:40:52,040
Speaker 1: Had to fight with.

816
00:40:53,719 --> 00:40:58,360
Speaker 3: You playing No, no, not at all, all right, So

817
00:40:58,520 --> 00:41:05,279
Speaker 3: you know, started managing Jos Wow, right, check out, check

818
00:41:05,719 --> 00:41:07,120
Speaker 3: out there, all right?

819
00:41:07,239 --> 00:41:07,720
Speaker 1: So boom.

820
00:41:08,360 --> 00:41:11,279
Speaker 3: So you know, I get a call from Davante. You know,

821
00:41:11,320 --> 00:41:13,000
Speaker 3: I'm working on the Josh app, but I'm really with

822
00:41:13,120 --> 00:41:15,719
Speaker 3: Davin Dalvin. My man, I'm rocking with Davin.

823
00:41:16,040 --> 00:41:17,680
Speaker 2: Described Davante's the light.

824
00:41:17,640 --> 00:41:22,440
Speaker 3: Skinned, Davante's genius to produces his brother supposed to be

825
00:41:22,520 --> 00:41:25,840
Speaker 3: the gangster. Where's you from North Carolina?

826
00:41:26,280 --> 00:41:26,480
Speaker 1: Yeah?

827
00:41:26,640 --> 00:41:32,560
Speaker 3: Okay, all right, So Davante Usheraimon produced Usher and everybody ship.

828
00:41:32,600 --> 00:41:34,839
Speaker 3: We're fucking Madonna all that. You know what I'm saying,

829
00:41:34,840 --> 00:41:35,480
Speaker 3: his brother John.

830
00:41:36,000 --> 00:41:39,799
Speaker 2: You can't just say, let's make some Madonna slide.

831
00:41:39,520 --> 00:41:40,360
Speaker 3: Over that ship.

832
00:41:41,000 --> 00:41:41,920
Speaker 2: You can't just say that.

833
00:41:42,400 --> 00:41:43,200
Speaker 1: I was walking with.

834
00:41:45,320 --> 00:41:48,120
Speaker 2: He's you know.

835
00:41:48,600 --> 00:41:50,120
Speaker 3: So I get to call, like, yeah, what's going on

836
00:41:50,320 --> 00:41:51,839
Speaker 3: down there? You know what I'm saying, Who fucking know who?

837
00:41:51,880 --> 00:41:54,760
Speaker 3: I'm like, Listen, man, I'm not fucking none of these bros.

838
00:41:54,800 --> 00:41:56,360
Speaker 3: You know what I'm saying. He's like, well, I'll be

839
00:41:56,440 --> 00:41:58,480
Speaker 3: back tomorrow, boom, come back to the studio. We have

840
00:41:58,560 --> 00:42:01,000
Speaker 3: a meeting at the studio. All right. So at the time,

841
00:42:01,800 --> 00:42:08,920
Speaker 3: it was Davante had Missy timbling drink sorry continue Missy

842
00:42:09,160 --> 00:42:12,680
Speaker 3: timbling player tweet sister.

843
00:42:14,160 --> 00:42:14,560
Speaker 1: Body for.

844
00:42:17,040 --> 00:42:19,000
Speaker 3: Alright, so all of them was in the studio. You

845
00:42:19,040 --> 00:42:21,879
Speaker 3: know what I'm saying. So you know what I'm saying.

846
00:42:21,880 --> 00:42:28,239
Speaker 3: You walk in, he's smacking everybody, genuine timbling missy, but

847
00:42:28,440 --> 00:42:30,120
Speaker 3: literally smacking them.

848
00:42:31,160 --> 00:42:34,319
Speaker 1: Are we saying Davante was the R and B ship night, Yeah,

849
00:42:34,800 --> 00:42:39,560
Speaker 1: this is what we're saying. This is what we're establishing,

850
00:42:40,440 --> 00:42:41,479
Speaker 1: this exclusive ship.

851
00:42:42,880 --> 00:42:48,480
Speaker 2: I heard the story. What they hear you saying exclusive?

852
00:42:48,480 --> 00:42:49,040
Speaker 3: I want to hear it.

853
00:42:49,200 --> 00:42:51,680
Speaker 1: I want to remember who told me the story. Alright,

854
00:42:51,920 --> 00:42:53,520
Speaker 1: I'm gonna tell you who ilse told me this story.

855
00:42:53,880 --> 00:42:59,959
Speaker 3: I was, you know, what's funny? Man smacking girls around?

856
00:43:00,360 --> 00:43:07,880
Speaker 3: He no, you know, relax, make some crimes, make.

857
00:43:09,880 --> 00:43:14,520
Speaker 2: Crimes weird.

858
00:43:14,640 --> 00:43:14,799
Speaker 3: Though.

859
00:43:15,080 --> 00:43:19,560
Speaker 2: Let's get back to Davante, that gangster, all right, Yeah,

860
00:43:20,400 --> 00:43:20,960
Speaker 2: just smacking.

861
00:43:21,600 --> 00:43:24,279
Speaker 1: So he getting clear, he's walking in the studio just

862
00:43:24,760 --> 00:43:26,480
Speaker 1: randomly bucking old.

863
00:43:26,320 --> 00:43:28,960
Speaker 8: No, no, no, not randomly with the pit bulls. Oh,

864
00:43:29,440 --> 00:43:34,200
Speaker 8: he's dogs too, and with the body. What he's saying,

865
00:43:35,600 --> 00:43:37,759
Speaker 8: you shut your fight out as down the ball and

866
00:43:37,840 --> 00:43:38,120
Speaker 8: makes some.

867
00:43:38,280 --> 00:43:41,400
Speaker 2: Change, and the smacking you that's how he's doing it.

868
00:43:44,920 --> 00:43:49,719
Speaker 3: I I heard the story with boy, but it's like

869
00:43:49,880 --> 00:43:54,360
Speaker 3: where I heard the story. Boom be smacking chicks and

870
00:43:54,440 --> 00:43:56,120
Speaker 3: all that boom. So you get to me, like, yo,

871
00:43:56,120 --> 00:43:58,120
Speaker 3: you're cool you with my brother. You know what I'm saying,

872
00:43:58,120 --> 00:44:01,360
Speaker 3: A couple of chicks. No, no, I mean, but his

873
00:44:01,440 --> 00:44:04,520
Speaker 3: little cousin come around doing the same thing. He gets

874
00:44:04,520 --> 00:44:06,240
Speaker 3: to me, you know, like, let me smack your nigga.

875
00:44:06,280 --> 00:44:09,560
Speaker 3: You smacked me. I'm killing everybody. You know what I'm saying.

876
00:44:09,600 --> 00:44:12,399
Speaker 3: I wasn't even up back then. I was slimming whatever. Boom.

877
00:44:12,440 --> 00:44:15,279
Speaker 3: So I go to fight niggas. Niggas hit me in

878
00:44:15,280 --> 00:44:17,920
Speaker 3: the head with a bottle of boom. I'm fighting niggas.

879
00:44:17,960 --> 00:44:20,359
Speaker 3: Got to cut off my Davante. No, I don't want

880
00:44:20,400 --> 00:44:24,960
Speaker 3: to security guards. But Davante tried to thug you too. No,

881
00:44:25,120 --> 00:44:26,279
Speaker 3: he wasn't. It was his cousin.

882
00:44:26,880 --> 00:44:27,319
Speaker 2: His cousin.

883
00:44:28,000 --> 00:44:32,280
Speaker 3: So down with Vante going on to make a long story.

884
00:44:32,120 --> 00:44:34,560
Speaker 1: She gotta shoot Davante when next time I see him,

885
00:44:34,920 --> 00:44:37,440
Speaker 1: because I feel like he tried to ask me for

886
00:44:37,520 --> 00:44:38,319
Speaker 1: a verse one time.

887
00:44:38,440 --> 00:44:39,600
Speaker 2: He was way too aggressive.

888
00:44:40,960 --> 00:44:41,160
Speaker 9: He was.

889
00:44:41,320 --> 00:44:43,000
Speaker 1: Now I know why I continue.

890
00:44:43,200 --> 00:44:45,800
Speaker 3: So anyway, you know after that happened, you know the

891
00:44:45,880 --> 00:44:47,800
Speaker 3: next day, you know what I'm saying. I'm talking to

892
00:44:47,880 --> 00:44:50,160
Speaker 3: MISSI and timbling like YoY y'all. Niggas still funck with

893
00:44:50,280 --> 00:44:50,720
Speaker 3: this nigga?

894
00:44:51,239 --> 00:44:51,400
Speaker 10: You know?

895
00:44:52,160 --> 00:44:52,359
Speaker 2: Yeah?

896
00:44:52,760 --> 00:44:55,239
Speaker 1: But you are you down with for this time or not?

897
00:44:55,480 --> 00:44:57,440
Speaker 3: I'm not down? Okay, you know what I'm saying. But

898
00:44:57,560 --> 00:45:00,080
Speaker 3: you don't like what's going there at all. But you

899
00:45:00,160 --> 00:45:02,560
Speaker 3: in Rochester, my hometown, when I can make the call

900
00:45:02,680 --> 00:45:03,560
Speaker 3: on niggas.

901
00:45:03,560 --> 00:45:05,840
Speaker 2: Right, Oh, you in Rochester at the studio.

902
00:45:05,960 --> 00:45:08,359
Speaker 3: Yes, okay, you know what I'm saying. Make a long

903
00:45:08,440 --> 00:45:10,880
Speaker 3: story short. You know what I'm saying. Niggas all left him,

904
00:45:10,960 --> 00:45:15,600
Speaker 3: Missy timblin thanks to the guy having to fight, right, what.

905
00:45:15,719 --> 00:45:16,720
Speaker 2: Guy having to fight whoever?

906
00:45:16,760 --> 00:45:20,719
Speaker 3: The fight oh with Davante, Yeah, squared over, I mean,

907
00:45:20,840 --> 00:45:22,839
Speaker 3: you know, fighting whoever. I thought it was like three

908
00:45:22,880 --> 00:45:26,040
Speaker 3: of them niggas. But thanks to my fight, everybody won

909
00:45:26,160 --> 00:45:28,360
Speaker 3: because that's why I got out of the.

910
00:45:30,040 --> 00:45:30,200
Speaker 2: Fight.

911
00:45:30,320 --> 00:45:35,680
Speaker 3: And thanks to that fight, everybody left. Genuine Missy tweet player.

912
00:45:35,560 --> 00:45:37,840
Speaker 2: Everybody you helped them get out of that situation.

913
00:45:38,360 --> 00:45:41,359
Speaker 1: I heard this story before I'm being heard. I heard

914
00:45:41,440 --> 00:45:46,279
Speaker 1: Davante was the R and B. You know what I'm saying,

915
00:45:46,360 --> 00:45:48,160
Speaker 1: wanted to be give him the credit.

916
00:45:48,320 --> 00:45:50,720
Speaker 2: He let them lose. He's let it out publicly.

917
00:45:50,840 --> 00:45:53,840
Speaker 3: You know what I'm saying. I let that let everybody

918
00:45:53,880 --> 00:45:55,880
Speaker 3: out of the ship. Pretty by you're getting in that

919
00:45:56,000 --> 00:45:58,680
Speaker 3: situation in front of it because they wouldn't have done it.

920
00:46:00,560 --> 00:46:01,120
Speaker 2: Let's see.

921
00:46:01,160 --> 00:46:04,520
Speaker 1: That's what I'm saying, Yo, yo, chick with that. But

922
00:46:04,640 --> 00:46:08,279
Speaker 1: see that's what I'm saying. This is the reason why

923
00:46:08,480 --> 00:46:13,439
Speaker 1: when when you know, people say Stevie J from Love

924
00:46:13,480 --> 00:46:16,359
Speaker 1: and hip Hop, I always, as a hip hop fan,

925
00:46:17,040 --> 00:46:20,719
Speaker 1: I always be super mad even though I know that's

926
00:46:20,760 --> 00:46:21,400
Speaker 1: your new hustle.

927
00:46:21,440 --> 00:46:23,000
Speaker 3: But you know it's not even a hustle. It's like,

928
00:46:23,360 --> 00:46:25,160
Speaker 3: you gotta look at it like this, A hundred million records,

929
00:46:25,200 --> 00:46:28,480
Speaker 3: five grammy. So she did excuse me, no, but take

930
00:46:28,520 --> 00:46:30,880
Speaker 3: this out. But take it out, but let me gold on.

931
00:46:31,000 --> 00:46:33,160
Speaker 1: Let's pig you up for that. Say that again?

932
00:46:33,160 --> 00:46:35,360
Speaker 3: Would you million records five grammys?

933
00:46:35,440 --> 00:46:39,160
Speaker 1: Okay, a one hundred million records and five grammys make.

934
00:46:39,160 --> 00:46:40,760
Speaker 2: Some young job ex girl, Relax.

935
00:46:44,640 --> 00:46:47,080
Speaker 1: I'm so sorry. It's just super so sorry, it's a

936
00:46:47,080 --> 00:46:51,760
Speaker 1: lot of publishing because put over here and talk about.

937
00:46:51,520 --> 00:46:53,640
Speaker 3: How you take. But you know it's more or less

938
00:46:53,800 --> 00:46:58,640
Speaker 3: like after that. You know, it's like where else you're

939
00:46:58,640 --> 00:46:58,960
Speaker 3: gonna go?

940
00:46:59,800 --> 00:47:00,000
Speaker 6: High?

941
00:47:00,160 --> 00:47:01,680
Speaker 3: Can you go? You know what I'm saying. So I

942
00:47:01,760 --> 00:47:04,600
Speaker 3: had to create another lane for myself. And you know

943
00:47:04,600 --> 00:47:07,120
Speaker 3: what I'm saying, I'm blessed to have created a lane

944
00:47:07,160 --> 00:47:09,920
Speaker 3: where number one show on v H one for six

945
00:47:10,000 --> 00:47:13,160
Speaker 3: seasons and the number two show, my executive production on

946
00:47:13,239 --> 00:47:15,600
Speaker 3: two shows. Number two shows for VH one, Leave it

947
00:47:15,640 --> 00:47:17,840
Speaker 3: to Stevie, Leave it to Stevie and Stevie g and Johnson,

948
00:47:17,960 --> 00:47:20,399
Speaker 3: number two show for VH one, you know what I'm saying.

949
00:47:20,480 --> 00:47:22,440
Speaker 3: And I got four more shows coming on v H

950
00:47:22,520 --> 00:47:23,240
Speaker 3: one and ship.

951
00:47:23,760 --> 00:47:25,080
Speaker 1: Make so noise for that. God damn.

952
00:47:27,960 --> 00:47:30,279
Speaker 3: So you know, say what you want. You know what

953
00:47:30,320 --> 00:47:32,680
Speaker 3: I'm saying. I don't even got touched the drummer scene,

954
00:47:32,680 --> 00:47:35,400
Speaker 3: even though none of these niggas can't even scuff my timblans,

955
00:47:35,440 --> 00:47:36,960
Speaker 3: none of your producers. You know what I'm saying. But

956
00:47:37,000 --> 00:47:38,120
Speaker 3: I'll let y'all live, Let's.

957
00:47:38,000 --> 00:47:40,480
Speaker 2: Talk, Let's talk that year one more time. Tell them

958
00:47:40,560 --> 00:47:41,120
Speaker 2: niggas again.

959
00:47:41,400 --> 00:47:44,440
Speaker 3: They can't fuck me, you know play the piano or

960
00:47:44,480 --> 00:47:46,880
Speaker 3: the guitar, or the violin, or the saxophone or the trumpet,

961
00:47:46,880 --> 00:47:51,680
Speaker 3: of the drums, of anything they played dead. I play

962
00:47:51,760 --> 00:47:57,719
Speaker 3: anything but loot that copy that sink that yeah me, Yeah,

963
00:47:58,480 --> 00:47:59,440
Speaker 3: don't want to see me on that.

964
00:47:59,600 --> 00:47:59,759
Speaker 2: Y'all.

965
00:48:00,239 --> 00:48:02,480
Speaker 3: Go ahead, y'all, young boys, do what y'all do. I

966
00:48:02,480 --> 00:48:05,480
Speaker 3: won't even get bad show we produces.

967
00:48:05,600 --> 00:48:05,640
Speaker 6: No.

968
00:48:05,920 --> 00:48:07,279
Speaker 1: I mean, that's cool, that's cool.

969
00:48:07,320 --> 00:48:08,680
Speaker 3: You know, I'm a different kind of guy.

970
00:48:08,840 --> 00:48:11,359
Speaker 2: You know your track record, I'm the good guy.

971
00:48:11,440 --> 00:48:11,759
Speaker 1: That's right.

972
00:48:14,239 --> 00:48:16,840
Speaker 2: I'm so sorry. She's she's so fantastic, Like.

973
00:48:16,880 --> 00:48:18,279
Speaker 3: Come on, come on, come on, come.

974
00:48:18,960 --> 00:48:21,480
Speaker 1: I like that's my sister. That's a sister me too

975
00:48:21,840 --> 00:48:25,520
Speaker 1: as a sister. I like, I like that my sister

976
00:48:26,000 --> 00:48:26,239
Speaker 1: right here.

977
00:48:26,520 --> 00:48:28,640
Speaker 3: Come on, what's up?

978
00:48:29,600 --> 00:48:31,279
Speaker 2: Young Jack is going to not like us?

979
00:48:31,680 --> 00:48:32,759
Speaker 3: Come on, man, that's my bro.

980
00:48:32,880 --> 00:48:33,759
Speaker 1: We're good. We're good.

981
00:48:33,800 --> 00:48:36,880
Speaker 2: You know, get we New York niggas, New York niggas

982
00:48:36,960 --> 00:48:44,040
Speaker 2: trying to take her down on you understand, because.

983
00:48:43,840 --> 00:48:45,200
Speaker 3: You know, you know what it is.

984
00:48:45,280 --> 00:48:47,319
Speaker 1: There's so many gay niggas in Atlanta. I'm so sorry.

985
00:48:49,520 --> 00:48:52,120
Speaker 2: There's so many lay green niggas in Atlanta.

986
00:48:52,920 --> 00:48:56,080
Speaker 1: Funny, we go out here, we school and get the

987
00:48:56,200 --> 00:48:58,480
Speaker 1: big time in a great way of meaning in the

988
00:48:58,560 --> 00:49:02,880
Speaker 1: crab draping and you feel me and then we just

989
00:49:02,920 --> 00:49:05,560
Speaker 1: feel like yeah, like like why do you think straight?

990
00:49:05,640 --> 00:49:09,000
Speaker 1: You guys that come here, we feel like they people

991
00:49:09,040 --> 00:49:10,960
Speaker 1: who don't appreciate their woman in Atlanta?

992
00:49:11,160 --> 00:49:13,160
Speaker 3: Well, you know, so that's why I'm able. That's why

993
00:49:13,160 --> 00:49:14,360
Speaker 3: I'm able to have pieces.

994
00:49:15,840 --> 00:49:17,719
Speaker 1: That's some beautiful my wife.

995
00:49:17,760 --> 00:49:24,160
Speaker 2: I'm just throwing. But you feel like guys don't appreciate you.

996
00:49:25,440 --> 00:49:29,440
Speaker 11: I'm just here because there's too many women from I'm from.

997
00:49:29,520 --> 00:49:43,960
Speaker 1: Can you from the bloodshed? Relax blood me, don't shoot nobody.

998
00:49:44,160 --> 00:49:50,759
Speaker 1: That's relax shooting nobody. That's my that God with that.

999
00:49:51,000 --> 00:49:51,600
Speaker 11: You're a good guy.

1000
00:49:52,000 --> 00:49:52,399
Speaker 1: Good guy.

1001
00:49:52,960 --> 00:49:54,960
Speaker 11: That's not a good boyfriend, but he's a good guy.

1002
00:49:55,440 --> 00:49:56,680
Speaker 11: That's our personal business.

1003
00:49:57,200 --> 00:49:57,960
Speaker 2: Who's your boyfriend?

1004
00:49:58,400 --> 00:49:58,600
Speaker 1: Young?

1005
00:49:59,200 --> 00:49:59,640
Speaker 3: Our kids?

1006
00:49:59,680 --> 00:49:59,919
Speaker 1: Five?

1007
00:50:01,520 --> 00:50:02,520
Speaker 2: Oh, you gotta care?

1008
00:50:03,360 --> 00:50:03,920
Speaker 1: So sorry?

1009
00:50:04,120 --> 00:50:05,120
Speaker 3: You know I forgot.

1010
00:50:05,239 --> 00:50:07,320
Speaker 1: I do remember that. I'm a big fan. I know

1011
00:50:07,480 --> 00:50:13,200
Speaker 1: every come on, test me on love head problem. I

1012
00:50:13,320 --> 00:50:14,640
Speaker 1: want to see how good I am.

1013
00:50:15,160 --> 00:50:17,200
Speaker 3: You got me by saying that videos what did I need?

1014
00:50:17,320 --> 00:50:18,560
Speaker 3: Johncelyn watch it.

1015
00:50:21,400 --> 00:50:25,040
Speaker 1: It's definitely a strip block. I just realized. I'm trying

1016
00:50:25,120 --> 00:50:29,399
Speaker 1: to figure out, where is it? Where is the question?

1017
00:50:29,640 --> 00:50:30,839
Speaker 1: I know the ship blow right?

1018
00:50:31,600 --> 00:50:34,040
Speaker 3: Definitely correct, that's easy.

1019
00:50:34,760 --> 00:50:35,680
Speaker 2: It's definitely Atlanta.

1020
00:50:35,800 --> 00:50:37,240
Speaker 3: I know that it was not Alan.

1021
00:50:39,719 --> 00:50:40,200
Speaker 1: Atlanta.

1022
00:50:42,320 --> 00:50:44,120
Speaker 2: Nice you mean?

1023
00:50:50,920 --> 00:50:53,759
Speaker 1: So now now that you brung it up, you bung

1024
00:50:55,200 --> 00:50:59,640
Speaker 1: this's me. I see a lot of people think and

1025
00:50:59,760 --> 00:51:03,239
Speaker 1: I and me knowing you. I know that everything you

1026
00:51:03,360 --> 00:51:06,840
Speaker 1: doing on camera is you. I know that, but a

1027
00:51:06,880 --> 00:51:12,920
Speaker 1: lot of people can't tell that, right, right, So when

1028
00:51:13,000 --> 00:51:16,520
Speaker 1: they bring up you and Joshlan relationship, and I didn't

1029
00:51:16,520 --> 00:51:18,920
Speaker 1: want to bring it up, but you did. So I'm in.

1030
00:51:19,440 --> 00:51:21,880
Speaker 3: I love myself. I'm I can talk about anything.

1031
00:51:22,040 --> 00:51:26,719
Speaker 1: I mean, were you disappointed from certain acts that she made?

1032
00:51:28,400 --> 00:51:29,920
Speaker 2: Oh, it's just like, fuck it.

1033
00:51:30,040 --> 00:51:32,080
Speaker 3: It's not a disappointment thing, you know what I'm saying.

1034
00:51:32,120 --> 00:51:35,560
Speaker 3: It's a you know, I've been in this game for years.

1035
00:51:35,640 --> 00:51:38,720
Speaker 3: I've been doing this, screwing chicks, telling lies, selling pots,

1036
00:51:38,760 --> 00:51:41,600
Speaker 3: committing felling eies. And she's new to this, you know

1037
00:51:41,640 --> 00:51:42,080
Speaker 3: what I'm saying.

1038
00:51:42,160 --> 00:51:47,320
Speaker 1: So I smoke a cigarette to that keep. It's just

1039
00:51:47,360 --> 00:51:48,000
Speaker 1: some real ship.

1040
00:51:48,880 --> 00:51:51,920
Speaker 3: What I'm just saying, it's like I've been I've been

1041
00:51:52,000 --> 00:51:54,080
Speaker 3: there seeing it on it. She ain't you know, it's

1042
00:51:54,120 --> 00:51:56,080
Speaker 3: all new to her, all the flashing lights and all that.

1043
00:51:56,239 --> 00:51:59,680
Speaker 3: So more or less, it's like, you know, I'm not

1044
00:51:59,760 --> 00:52:02,239
Speaker 3: one judge, you know what I'm saying. I just hope

1045
00:52:02,320 --> 00:52:05,680
Speaker 3: on her. You know, whatever she goes through, make her stronger.

1046
00:52:05,840 --> 00:52:06,439
Speaker 3: You know what I'm saying.

1047
00:52:06,760 --> 00:52:12,560
Speaker 1: Nah, but as a nigga, as a nigga, Quinn that's

1048
00:52:12,600 --> 00:52:20,239
Speaker 1: your nephew. Man, I'm right there because grand and I've

1049
00:52:20,360 --> 00:52:26,600
Speaker 1: been in power for almost twenty years. So any woman

1050
00:52:26,719 --> 00:52:31,799
Speaker 1: that I meet, they might say, ah, cool whatever, She's

1051
00:52:31,880 --> 00:52:34,600
Speaker 1: gonna be with you for that and you have to

1052
00:52:34,880 --> 00:52:40,400
Speaker 1: face the same adversity as I face. So did you

1053
00:52:40,520 --> 00:52:42,799
Speaker 1: ever feel like from the beginning that you met her

1054
00:52:42,920 --> 00:52:44,720
Speaker 1: that she was there for that reason?

1055
00:52:45,800 --> 00:52:45,960
Speaker 3: Oh?

1056
00:52:46,080 --> 00:52:47,719
Speaker 1: You felt like, damn, this is.

1057
00:52:47,840 --> 00:52:48,560
Speaker 2: This is my right?

1058
00:52:49,440 --> 00:52:52,760
Speaker 3: Was rocking. No, no, no, no real talk. We was rocking,

1059
00:52:52,800 --> 00:52:53,359
Speaker 3: you know what I'm saying.

1060
00:52:53,360 --> 00:52:56,360
Speaker 1: And I was like, like it like I got a

1061
00:52:56,400 --> 00:52:58,719
Speaker 1: baby moms never mind me of Joscelyn, but I gotta

1062
00:52:58,719 --> 00:52:59,960
Speaker 1: get I can't even.

1063
00:53:02,120 --> 00:53:06,240
Speaker 2: So I was like, damn, I can't tell that Like Steven.

1064
00:53:07,040 --> 00:53:10,080
Speaker 3: Yeah, yeah, he was there on the service board.

1065
00:53:10,080 --> 00:53:15,880
Speaker 5: Last with the family caught the guy I've been the

1066
00:53:16,000 --> 00:53:16,880
Speaker 5: family caught with.

1067
00:53:19,400 --> 00:53:20,120
Speaker 3: Appreciate that.

1068
00:53:22,280 --> 00:53:29,000
Speaker 1: Last week document. But you understand, Like, so when I

1069
00:53:29,080 --> 00:53:31,719
Speaker 1: seen you dealing like I related to you so much,

1070
00:53:32,239 --> 00:53:35,360
Speaker 1: And even when niggas said Steve he's an idiot, he

1071
00:53:35,520 --> 00:53:38,640
Speaker 1: came back. And it's just like sometimes as a good person,

1072
00:53:39,760 --> 00:53:41,880
Speaker 1: you just want to forgive ship and you want you

1073
00:53:42,000 --> 00:53:42,719
Speaker 1: want to patch it.

1074
00:53:43,040 --> 00:53:45,400
Speaker 3: You know, it's not even pretty much about the idiot thing.

1075
00:53:45,440 --> 00:53:47,480
Speaker 3: It's more or less like ship. If I'm funking with

1076
00:53:47,560 --> 00:53:49,640
Speaker 3: this person, I'm fucking with him. You know what I'm saying.

1077
00:53:49,640 --> 00:53:51,320
Speaker 3: I don't give a funk with nobody thinking if I

1078
00:53:51,400 --> 00:53:52,600
Speaker 3: funk with you, I'm gonna fuck with you.

1079
00:53:52,680 --> 00:53:55,160
Speaker 1: I'm gonna with no body.

1080
00:53:55,640 --> 00:53:57,439
Speaker 3: You know what I'm saying. Like you know what I'm saying.

1081
00:53:57,520 --> 00:53:59,000
Speaker 3: If I rock with you, I do. You know what

1082
00:53:59,000 --> 00:54:01,320
Speaker 3: I'm saying, You're gonna for me. I'm a pop trigger

1083
00:54:01,360 --> 00:54:02,560
Speaker 3: for you. Don't rock out.

1084
00:54:03,280 --> 00:54:08,040
Speaker 1: And that's how you were, sister, Please, because because niggas,

1085
00:54:08,120 --> 00:54:09,640
Speaker 1: niggas seen you on the Love and Hip Hop and

1086
00:54:09,800 --> 00:54:12,720
Speaker 1: said you gotta relax. Who relax?

1087
00:54:12,880 --> 00:54:12,920
Speaker 12: No?

1088
00:54:13,160 --> 00:54:15,480
Speaker 1: Because you kept you kept going back, and niggas wanted

1089
00:54:15,480 --> 00:54:17,920
Speaker 1: to knock you down in New York so much.

1090
00:54:20,360 --> 00:54:23,560
Speaker 2: Right here, right right here, right here, niggas.

1091
00:54:25,400 --> 00:54:26,000
Speaker 1: Peach State.

1092
00:54:26,080 --> 00:54:33,120
Speaker 13: And you know we got asked this, you know, you know, right,

1093
00:54:34,360 --> 00:54:40,840
Speaker 13: eat your ass now, just like how did you feel like,

1094
00:54:41,200 --> 00:54:43,040
Speaker 13: you know, national TV?

1095
00:54:45,680 --> 00:54:50,439
Speaker 1: You know on National TV, you know, like you kind

1096
00:54:50,480 --> 00:54:54,800
Speaker 1: of had to show that you weren't lying to another girl.

1097
00:54:55,520 --> 00:54:59,160
Speaker 11: Well, I always remember that we're talking about television first

1098
00:54:59,200 --> 00:55:02,439
Speaker 11: of all, So you say, and his faith, I've never

1099
00:55:02,600 --> 00:55:06,120
Speaker 11: used the word figure it all much money to let

1100
00:55:06,200 --> 00:55:06,560
Speaker 11: that happen.

1101
00:55:06,760 --> 00:55:13,360
Speaker 14: Always remember that we're entertaying you it's not fake, and

1102
00:55:13,520 --> 00:55:16,880
Speaker 14: that this is our life and we choose to show

1103
00:55:17,040 --> 00:55:20,000
Speaker 14: our life in the way that we chose to show

1104
00:55:20,080 --> 00:55:23,160
Speaker 14: it to you, so you can't really analyze it.

1105
00:55:24,040 --> 00:55:31,919
Speaker 3: Just you gotta just go for what we gave you. Yeah,

1106
00:55:31,960 --> 00:55:34,080
Speaker 3: And then on that note, you know what I'm saying,

1107
00:55:34,120 --> 00:55:37,640
Speaker 3: You've been through a lot of absolute personal life. Absolutely,

1108
00:55:38,000 --> 00:55:39,960
Speaker 3: but for you to be able to open up and

1109
00:55:40,200 --> 00:55:44,239
Speaker 3: give the world a glimpse at your life, absolutely you

1110
00:55:44,320 --> 00:55:45,920
Speaker 3: let's give it as.

1111
00:55:47,880 --> 00:55:51,000
Speaker 1: My baby, And I'm not gonna lie because a lot

1112
00:55:51,080 --> 00:55:53,960
Speaker 1: of us looked and we see how beautiful and gorgeous

1113
00:55:54,000 --> 00:55:55,400
Speaker 1: she were, and a lot of us like.

1114
00:55:55,480 --> 00:56:00,279
Speaker 3: You know, she's gorgeous, she's my sister was. Yeah, I say,

1115
00:56:00,520 --> 00:56:10,720
Speaker 3: she's amazing. Go ahead, my baby, my baby, y'all.

1116
00:56:11,880 --> 00:56:17,959
Speaker 1: Like, let's let's do a shot. Let's do a shot. Shot, time, shot, shot,

1117
00:56:18,440 --> 00:56:22,560
Speaker 1: Let's do a shot. Oh, y'all, look at y'all. Y'all already,

1118
00:56:23,080 --> 00:56:27,040
Speaker 1: y'all already ready. But a lot of us.

1119
00:56:29,040 --> 00:56:32,399
Speaker 2: Shat back, and we thought it was gonna shot first.

1120
00:56:32,520 --> 00:56:38,440
Speaker 1: Let's shott yeah, glass, this is the bot shot.

1121
00:56:38,800 --> 00:56:39,040
Speaker 2: Yeah.

1122
00:56:39,320 --> 00:56:41,920
Speaker 1: But a lot of us saorry and thought that it

1123
00:56:42,040 --> 00:56:45,399
Speaker 1: was phony because we're looking at you and we're saying,

1124
00:56:45,680 --> 00:56:49,360
Speaker 1: she's way too beautiful to deal with what she was

1125
00:56:49,440 --> 00:56:49,800
Speaker 1: dealing with.

1126
00:56:49,960 --> 00:56:53,160
Speaker 11: But here's the thing, it's not me. Yeah, I'm all

1127
00:56:53,280 --> 00:56:56,759
Speaker 11: those things. I'm a nurse, i have a radio show,

1128
00:56:56,800 --> 00:56:58,640
Speaker 11: I'm iHeart, I'm smart.

1129
00:57:00,080 --> 00:57:05,239
Speaker 2: Podcast. Absolutely, relax and come with us.

1130
00:57:06,560 --> 00:57:09,920
Speaker 11: But the point is, the point is I'm doing what

1131
00:57:10,040 --> 00:57:15,800
Speaker 11: I'm going too. But sometimes people can't find themselves so

1132
00:57:16,280 --> 00:57:19,680
Speaker 11: in that they are running in circles.

1133
00:57:20,040 --> 00:57:23,240
Speaker 1: You want her to come, come to she can say, right,

1134
00:57:28,520 --> 00:57:32,640
Speaker 1: come on, are we breaking? I don't want to make

1135
00:57:32,680 --> 00:57:36,360
Speaker 1: it sound like that, but are we breaking? A new artist?

1136
00:57:36,480 --> 00:57:37,120
Speaker 2: Is she artist?

1137
00:57:38,000 --> 00:57:38,400
Speaker 1: Autist?

1138
00:57:39,400 --> 00:57:44,400
Speaker 11: Also, I would love to see everything move while you're saying, okay, can.

1139
00:57:44,360 --> 00:57:46,440
Speaker 2: You sit there so you can sit there.

1140
00:57:46,720 --> 00:57:47,240
Speaker 1: I don't want to.

1141
00:57:47,240 --> 00:57:48,720
Speaker 2: I don't want to seem like I was giving away

1142
00:57:49,640 --> 00:57:50,680
Speaker 2: when he went to the bathroom.

1143
00:57:51,120 --> 00:57:52,120
Speaker 1: God damn it for.

1144
00:57:52,160 --> 00:57:54,640
Speaker 3: Baby and puppies. She's a grown woman. She's a grown woman.

1145
00:57:54,840 --> 00:57:56,440
Speaker 1: So what do we call cp J? I would like

1146
00:57:56,480 --> 00:58:01,600
Speaker 1: to call her what you call women? Okay? I respect that.

1147
00:58:01,880 --> 00:58:04,680
Speaker 3: I just I just respect him for being a hustler,

1148
00:58:05,360 --> 00:58:07,640
Speaker 3: you know, and you're the good guy. I'm the good guy,

1149
00:58:07,960 --> 00:58:10,600
Speaker 3: and you know, say what you want to about me.

1150
00:58:10,800 --> 00:58:14,160
Speaker 3: You know, I manage Johncelyn to me me's career, and

1151
00:58:14,200 --> 00:58:17,480
Speaker 3: they're making a lot of fucking money, makes a noise,

1152
00:58:18,120 --> 00:58:18,840
Speaker 3: making money.

1153
00:58:20,720 --> 00:58:27,080
Speaker 12: But now everybody is looking at mother place, looking at her,

1154
00:58:28,320 --> 00:58:31,640
Speaker 12: and we're saying, what are you.

1155
00:58:34,600 --> 00:58:35,600
Speaker 1: From hood?

1156
00:58:40,840 --> 00:58:41,200
Speaker 8: Turned on?

1157
00:58:47,400 --> 00:58:49,120
Speaker 2: You're from Panama.

1158
00:58:50,760 --> 00:59:03,840
Speaker 1: And from the hood. You exactly what? Baby girl? I'm sorry,

1159
00:59:03,880 --> 00:59:06,640
Speaker 1: I gotta answer this question, but I have to ask

1160
00:59:06,840 --> 00:59:17,520
Speaker 1: you because your accent, your body, yeah whatever, Jocelyn might

1161
00:59:17,960 --> 00:59:19,760
Speaker 1: just try to snuff you. I'm just throwing it out

1162
00:59:19,800 --> 00:59:20,360
Speaker 1: there because you know.

1163
00:59:22,400 --> 00:59:24,480
Speaker 3: All right, all right, so I have to step in

1164
00:59:24,560 --> 00:59:25,320
Speaker 3: this management.

1165
00:59:26,360 --> 00:59:27,880
Speaker 1: I don't.

1166
00:59:29,240 --> 00:59:33,920
Speaker 3: Like herself, but I'm gonna be a diplomatic. I'm diplomatic.

1167
00:59:34,000 --> 00:59:35,800
Speaker 3: Hen I feel like I feel like she might win.

1168
00:59:37,320 --> 00:59:37,960
Speaker 1: I know I'm not.

1169
00:59:38,720 --> 00:59:40,760
Speaker 3: You know, this is what it is. You know, I'm

1170
00:59:40,760 --> 00:59:43,320
Speaker 3: gonna be the manager, and I'm gonna be diplomatic. She's

1171
00:59:43,400 --> 00:59:45,880
Speaker 3: not running from anything, she's not going to run for me.

1172
00:59:46,560 --> 00:59:49,280
Speaker 3: But I just advice her just to stick to the plane.

1173
00:59:49,400 --> 00:59:52,400
Speaker 3: Let's get to the money now, Stave b J. Yes,

1174
00:59:52,560 --> 00:59:56,480
Speaker 3: what happens. We're in Onyx. I'll tell you.

1175
00:59:56,800 --> 00:59:59,960
Speaker 1: Let's go get some lemon pepper. All right, Okay, lemon pepper,

1176
01:00:00,240 --> 01:00:06,439
Speaker 1: me and you weed lemon pepper. We're sitting there. There's

1177
01:00:06,560 --> 01:00:13,560
Speaker 1: no denying that she is gorgeous. She's what's the step

1178
01:00:13,640 --> 01:00:18,920
Speaker 1: above gorgeous. Because whatever infinite, whatever it is, let me

1179
01:00:18,960 --> 01:00:26,880
Speaker 1: take that shot. Listen, Stevie, let's continue. If I'm if

1180
01:00:26,920 --> 01:00:32,400
Speaker 1: I'm if I'm if i'm your ex girl, I'm not,

1181
01:00:35,880 --> 01:00:41,200
Speaker 1: that's what But but you understand what I'm saying, right,

1182
01:00:41,240 --> 01:00:41,680
Speaker 1: baby girl?

1183
01:00:42,000 --> 01:00:43,560
Speaker 3: All right? Shouts for everybody.

1184
01:00:43,600 --> 01:00:48,080
Speaker 1: Here we go. I got shot.

1185
01:00:51,440 --> 01:00:52,280
Speaker 3: I'm listening to you, bro.

1186
01:00:52,600 --> 01:00:56,280
Speaker 1: But if i'm you from your people, what I'm saying

1187
01:00:56,520 --> 01:00:59,400
Speaker 1: is like like I'm just saying, that's your ex girl.

1188
01:00:59,520 --> 01:01:01,080
Speaker 3: That's not the This is not what this is about.

1189
01:01:01,120 --> 01:01:04,440
Speaker 3: This is about, you know, dangers on Latino. You know

1190
01:01:04,480 --> 01:01:06,720
Speaker 3: what I'm saying, This is about you know, my brand.

1191
01:01:06,760 --> 01:01:09,400
Speaker 3: This is about me presenting new artists to the table

1192
01:01:09,680 --> 01:01:12,280
Speaker 3: that hustle, that that that are great artists and you

1193
01:01:12,400 --> 01:01:15,200
Speaker 3: know that you know, have that look and ambition and

1194
01:01:15,440 --> 01:01:17,600
Speaker 3: the talent to do what they do. You know what

1195
01:01:17,600 --> 01:01:19,320
Speaker 3: I'm saying. And I'm not gonna put my neck out

1196
01:01:19,360 --> 01:01:21,520
Speaker 3: on the limb for nobody. That's not that I don't

1197
01:01:21,520 --> 01:01:22,919
Speaker 3: feel is appropriate. You know what I'm saying.

1198
01:01:23,040 --> 01:01:26,400
Speaker 1: That's no, we know that already. But the point we're

1199
01:01:26,600 --> 01:01:32,160
Speaker 1: trying to say, that's what last. The point we're trying

1200
01:01:32,200 --> 01:01:35,040
Speaker 1: to say is it's gonna be taking the wrong way.

1201
01:01:35,240 --> 01:01:38,600
Speaker 1: So not right now. If you go to Nix and

1202
01:01:38,760 --> 01:01:42,520
Speaker 1: then Johnston walks in, what's gonna happen tonight?

1203
01:01:42,560 --> 01:01:46,480
Speaker 3: What's gonna happen? It's gonna be like, she's cute? Are

1204
01:01:46,520 --> 01:01:47,320
Speaker 3: we taking the home?

1205
01:01:47,440 --> 01:01:52,320
Speaker 2: She's definitely gonna do to respect that. I definitely respect that.

1206
01:01:52,440 --> 01:01:54,480
Speaker 1: I wasn't that that's what it is.

1207
01:01:54,960 --> 01:01:55,120
Speaker 2: You know.

1208
01:01:55,560 --> 01:01:57,840
Speaker 3: You know one thing I could say about you know

1209
01:01:58,960 --> 01:02:01,720
Speaker 3: jo All, You know what I mean, we looked through

1210
01:02:01,720 --> 01:02:04,160
Speaker 3: the fire and you know some things were said. You

1211
01:02:04,200 --> 01:02:05,280
Speaker 3: know what I'm saying that your.

1212
01:02:05,280 --> 01:02:06,200
Speaker 1: Baby right right right.

1213
01:02:06,320 --> 01:02:08,840
Speaker 3: It got to be absolutely so that's why you know

1214
01:02:08,880 --> 01:02:11,200
Speaker 3: what I'm saying, I respect these dudes, these young dudes

1215
01:02:11,240 --> 01:02:13,040
Speaker 3: going on the radio trying to make jokes and know

1216
01:02:13,200 --> 01:02:15,160
Speaker 3: that keep your jokes to yourself. I don't play with

1217
01:02:15,200 --> 01:02:21,320
Speaker 3: my family, don't you know. Listen, thin can lie about mine,

1218
01:02:21,440 --> 01:02:25,640
Speaker 3: died about mine, point plank. Everybody feel the same way

1219
01:02:25,640 --> 01:02:28,200
Speaker 3: about their kids, right right, Let's get.

1220
01:02:28,040 --> 01:02:28,760
Speaker 1: It up about that.

1221
01:02:32,280 --> 01:02:33,960
Speaker 2: I didn't take a shot. What's your shot.

1222
01:02:33,800 --> 01:02:36,520
Speaker 3: As already gone. I take another one, take another one down.

1223
01:02:37,800 --> 01:02:38,720
Speaker 1: You didn't take your shot.

1224
01:02:38,920 --> 01:02:44,800
Speaker 2: Shot was off the bottom line. That's for me.

1225
01:02:49,240 --> 01:02:51,600
Speaker 1: That was the best I had in the world.

1226
01:02:52,760 --> 01:02:55,120
Speaker 3: I would saying something about it. I was saying something

1227
01:02:55,160 --> 01:02:58,440
Speaker 3: about bro. You know what I'm saying, I respect you

1228
01:02:58,600 --> 01:03:02,160
Speaker 3: know for a lot of different reason. You never switched up,

1229
01:03:02,280 --> 01:03:04,440
Speaker 3: you know what I'm saying. I'm just saying, You've always

1230
01:03:04,520 --> 01:03:08,080
Speaker 3: been the same dude. You know what I'm saying, Man,

1231
01:03:08,400 --> 01:03:10,280
Speaker 3: they never switched up. You know what I'm saying, Thank

1232
01:03:10,320 --> 01:03:10,680
Speaker 3: you for that.

1233
01:03:10,960 --> 01:03:14,280
Speaker 1: But but Steve BJ you know what, I'm one of

1234
01:03:14,360 --> 01:03:19,480
Speaker 1: the people that campaigned your campaign because when people kept

1235
01:03:19,680 --> 01:03:22,560
Speaker 1: saying Stevie J from Love and hip hop. I was

1236
01:03:22,720 --> 01:03:26,240
Speaker 1: single handedly the person at that I didn't want. I mean,

1237
01:03:26,320 --> 01:03:28,880
Speaker 1: I get love and hip hop, I get it, but

1238
01:03:29,000 --> 01:03:31,840
Speaker 1: you know, I just wanted people to recognize your career.

1239
01:03:32,280 --> 01:03:35,000
Speaker 3: Look, my nephew's a young boy. He's a millennial, right,

1240
01:03:35,480 --> 01:03:38,880
Speaker 3: Oh my god, he's one of my artists. Right, he's

1241
01:03:38,920 --> 01:03:41,320
Speaker 3: a millennial. These dudes only know me from love and

1242
01:03:41,400 --> 01:03:43,520
Speaker 3: hip hop at Lanton. You know what I'm saying. Unless

1243
01:03:43,560 --> 01:03:45,720
Speaker 3: you go ahead and google how many Google niggas we

1244
01:03:45,760 --> 01:03:49,040
Speaker 3: got out here? Google us around here like Google ers.

1245
01:03:49,200 --> 01:03:52,000
Speaker 3: You know what I'm saying. And all my nephew be like, yo,

1246
01:03:52,520 --> 01:03:54,400
Speaker 3: they know you. You know what I'm saying. For the producer,

1247
01:03:54,640 --> 01:03:56,680
Speaker 3: they do their research. They know you from love and

1248
01:03:56,720 --> 01:03:59,040
Speaker 3: hip hop first, and I know you know what I'm saying.

1249
01:03:59,120 --> 01:04:01,480
Speaker 3: So my nephew, make sure that all these young niggas

1250
01:04:01,520 --> 01:04:03,680
Speaker 3: know what's up, and you know what I'm saying with you.

1251
01:04:04,000 --> 01:04:05,440
Speaker 3: I just you know what I'm saying. I applaud you,

1252
01:04:05,480 --> 01:04:08,280
Speaker 3: I respect you, and I support you. Whatever. Nobody never

1253
01:04:09,000 --> 01:04:10,240
Speaker 3: never said nothing, follow.

1254
01:04:14,040 --> 01:04:14,520
Speaker 2: Shut up.

1255
01:04:16,520 --> 01:04:17,360
Speaker 3: I'm gonna do that. Though.

1256
01:04:18,040 --> 01:04:18,560
Speaker 1: I'm gonna do that.

1257
01:04:18,760 --> 01:04:20,760
Speaker 3: I'm nice ile boxing four times a week.

1258
01:04:24,560 --> 01:04:29,200
Speaker 1: So now Stevie just now when when you get because yo,

1259
01:04:30,600 --> 01:04:35,000
Speaker 1: you get booked for shows a lot, and when they say,

1260
01:04:35,680 --> 01:04:36,400
Speaker 1: you know Stevie J.

1261
01:04:36,560 --> 01:04:38,440
Speaker 2: From Love and Hip Hop, how to Stevie J.

1262
01:04:38,640 --> 01:04:38,880
Speaker 1: Feel?

1263
01:04:39,160 --> 01:04:41,400
Speaker 3: And That's what I'm always like, Yo, don't forget the

1264
01:04:41,480 --> 01:04:44,960
Speaker 3: Stevie J. Huneymon records fires in. You know what I'm saying.

1265
01:04:45,320 --> 01:04:46,080
Speaker 3: Always let him know.

1266
01:04:46,440 --> 01:04:49,000
Speaker 2: But so you do you actually tell them to change

1267
01:04:49,040 --> 01:04:51,520
Speaker 2: the flyer or no, I.

1268
01:04:51,600 --> 01:04:55,040
Speaker 3: Tell him when I get there, You're telling just have

1269
01:04:55,200 --> 01:04:57,160
Speaker 3: the bag quin. They got the front of it, they

1270
01:04:57,200 --> 01:04:57,840
Speaker 3: got the back end.

1271
01:04:59,840 --> 01:05:01,440
Speaker 2: My I was sitting over twenty minutes ago.

1272
01:05:01,480 --> 01:05:06,200
Speaker 3: Somebody got the bank for you. People like saw my

1273
01:05:06,320 --> 01:05:06,760
Speaker 3: back ends.

1274
01:05:11,200 --> 01:05:14,520
Speaker 1: So now you are elected, now you sweetheart? Now you

1275
01:05:14,640 --> 01:05:17,320
Speaker 1: did and we heard you're doing Love and Hip Hop again.

1276
01:05:18,280 --> 01:05:20,680
Speaker 1: We heard we sign you signed back on Wow?

1277
01:05:20,800 --> 01:05:21,560
Speaker 2: Did you yeah?

1278
01:05:21,600 --> 01:05:21,880
Speaker 3: I heard?

1279
01:05:21,960 --> 01:05:23,120
Speaker 2: Yeah, you know, let me.

1280
01:05:24,800 --> 01:05:26,080
Speaker 3: Let me negotiate your content.

1281
01:05:31,040 --> 01:05:41,800
Speaker 11: We last sorry, relaxed, you got me so good? Okay,

1282
01:05:43,200 --> 01:05:46,920
Speaker 11: but yeah, yeah, you gotta you gotta stay tuned, right,

1283
01:05:47,240 --> 01:05:48,520
Speaker 11: stay tuned now.

1284
01:05:49,160 --> 01:05:52,200
Speaker 2: And in that season, did you did you feel that it.

1285
01:05:52,320 --> 01:05:56,600
Speaker 11: Was like, right now, there's a lot of things wrong

1286
01:05:56,640 --> 01:06:01,320
Speaker 11: with that, with my situation, but just situation, because when

1287
01:06:01,600 --> 01:06:05,840
Speaker 11: shorty rolled up on you and then you said, I'm

1288
01:06:05,920 --> 01:06:07,640
Speaker 11: gonna show you yo.

1289
01:06:07,720 --> 01:06:08,360
Speaker 2: You are funny.

1290
01:06:08,400 --> 01:06:10,040
Speaker 11: Why you keep concentrating on that part?

1291
01:06:11,000 --> 01:06:12,360
Speaker 1: Because that that fucked me up.

1292
01:06:14,640 --> 01:06:17,360
Speaker 2: It was like, oh, bitchess is out here? Video? Yeah

1293
01:06:17,480 --> 01:06:19,320
Speaker 2: you video tape shit?

1294
01:06:19,680 --> 01:06:23,200
Speaker 1: Like I mean, I mean, but I feel you because

1295
01:06:23,920 --> 01:06:25,960
Speaker 1: the way it was it was approached. It was like

1296
01:06:26,280 --> 01:06:30,200
Speaker 1: that you, that's you, yeah exactly. So it's like, and

1297
01:06:30,320 --> 01:06:33,640
Speaker 1: when she comes the reason why I felt you was

1298
01:06:34,040 --> 01:06:39,640
Speaker 1: her approaching you exactly. When she approached you, I mean.

1299
01:06:39,600 --> 01:06:44,000
Speaker 11: Like if and before that, nobody ever remembers. So when

1300
01:06:44,040 --> 01:06:47,000
Speaker 11: people always think about that scene or have an opinion

1301
01:06:47,080 --> 01:06:49,880
Speaker 11: about it, they never remember the beginning when he said,

1302
01:06:50,360 --> 01:06:52,480
Speaker 11: before the show even started and you didn't know who

1303
01:06:52,560 --> 01:06:54,560
Speaker 11: we were. She came to my house.

1304
01:06:55,360 --> 01:06:57,280
Speaker 2: So that's big for me where I'm from.

1305
01:06:57,520 --> 01:06:58,640
Speaker 3: She came to my house.

1306
01:06:58,720 --> 01:06:59,760
Speaker 1: My nigga, you don't come to my house.

1307
01:07:00,080 --> 01:07:05,080
Speaker 2: Our kids, lady, now, we forever have beef, right, that's right?

1308
01:07:05,280 --> 01:07:12,360
Speaker 2: Or some relative she relt she was with Jock and

1309
01:07:13,640 --> 01:07:14,160
Speaker 2: hip hop.

1310
01:07:14,240 --> 01:07:14,920
Speaker 1: Loving hip hop.

1311
01:07:16,080 --> 01:07:19,200
Speaker 3: No, it was before I'm telling you all this the bar.

1312
01:07:19,640 --> 01:07:20,480
Speaker 1: I think love him.

1313
01:07:21,160 --> 01:07:22,720
Speaker 3: It was before before that.

1314
01:07:22,840 --> 01:07:25,120
Speaker 2: It was before. Why does she come to your house

1315
01:07:25,880 --> 01:07:27,960
Speaker 2: because she was looking for what she felt with her.

1316
01:07:28,040 --> 01:07:32,320
Speaker 3: Man, but I have kids without right. That was definitely disrespectful.

1317
01:07:32,360 --> 01:07:33,640
Speaker 1: And you don't come to my house.

1318
01:07:34,160 --> 01:07:38,440
Speaker 2: But you didn't love hip hop Stevie, And you know what,

1319
01:07:38,600 --> 01:07:40,520
Speaker 2: I still for you, still with you.

1320
01:07:41,320 --> 01:07:43,120
Speaker 1: I'd be like that, you know what, And you be.

1321
01:07:43,120 --> 01:07:46,360
Speaker 2: Saying you're a good guy. Gave me a lot of excuses.

1322
01:07:49,960 --> 01:07:52,960
Speaker 3: The excuses is over. If you watch Leave It to Stevie.

1323
01:07:53,240 --> 01:07:56,920
Speaker 1: Yeah, and we watched Somebody with the Stevie. All your

1324
01:07:57,000 --> 01:08:01,840
Speaker 1: kids there them all live in place. I respected that.

1325
01:08:01,960 --> 01:08:04,720
Speaker 3: And my son is playing Division one ball, a little

1326
01:08:04,760 --> 01:08:07,800
Speaker 3: Stevie number one score on this in this division.

1327
01:08:08,400 --> 01:08:11,840
Speaker 2: And that's a big day that.

1328
01:08:15,560 --> 01:08:17,439
Speaker 3: Listen. Man, at the end of the day, I love

1329
01:08:17,520 --> 01:08:19,080
Speaker 3: my kids, you know what I'm saying, more than I

1330
01:08:19,160 --> 01:08:19,479
Speaker 3: love me.

1331
01:08:19,960 --> 01:08:21,800
Speaker 2: And when you say you're a good guy, you really

1332
01:08:21,880 --> 01:08:22,280
Speaker 2: believe it.

1333
01:08:22,800 --> 01:08:26,840
Speaker 3: I mean, it's really a fact. I take care mind man,

1334
01:08:26,920 --> 01:08:27,479
Speaker 3: my family.

1335
01:08:27,560 --> 01:08:30,960
Speaker 2: Will you be sticking your ship at sometimes? Just you

1336
01:08:31,120 --> 01:08:32,599
Speaker 2: just I'm gonna be honest.

1337
01:08:32,680 --> 01:08:35,560
Speaker 3: You don't funk anything at you was sucking anything I

1338
01:08:35,720 --> 01:08:43,479
Speaker 3: just thought out there. That's opinion.

1339
01:08:43,760 --> 01:08:44,000
Speaker 1: I don't.

1340
01:08:45,040 --> 01:08:46,879
Speaker 3: I think it's like platinum and diamonds.

1341
01:08:48,160 --> 01:08:51,320
Speaker 2: You know what I mean, not a lot of balls.

1342
01:08:51,360 --> 01:08:51,640
Speaker 2: Get that.

1343
01:08:51,720 --> 01:08:53,760
Speaker 3: You know what I'm saying. I'd rather whack my ship

1344
01:08:53,840 --> 01:08:58,000
Speaker 3: than go and have these foul, older smelling joints be

1345
01:08:59,360 --> 01:09:01,400
Speaker 3: these joints. A lot of these joints don't even watch

1346
01:09:01,479 --> 01:09:07,799
Speaker 3: they joint be smell bad like god boss, like doing knobs.

1347
01:09:11,240 --> 01:09:11,559
Speaker 13: Facts.

1348
01:09:12,560 --> 01:09:14,639
Speaker 3: I mean soaking the tub. Dont even know how they're

1349
01:09:14,640 --> 01:09:16,120
Speaker 3: soaking the tub and putting a soap.

1350
01:09:17,200 --> 01:09:17,840
Speaker 2: You got a soap?

1351
01:09:18,000 --> 01:09:19,360
Speaker 1: She smell like hot trash?

1352
01:09:21,520 --> 01:09:21,800
Speaker 11: Want that?

1353
01:09:22,120 --> 01:09:22,719
Speaker 1: In Atlanta.

1354
01:09:22,760 --> 01:09:24,200
Speaker 2: There's a lot of hot trash, man.

1355
01:09:24,240 --> 01:09:26,200
Speaker 1: That's there's a lot of sea.

1356
01:09:29,520 --> 01:09:33,639
Speaker 3: Like motherfucking means so many of our.

1357
01:09:35,040 --> 01:09:35,439
Speaker 1: Friends.

1358
01:09:35,680 --> 01:09:43,160
Speaker 10: That's a girl, fad a straight guy. But that's a

1359
01:09:43,360 --> 01:09:46,720
Speaker 10: people I don't know what expect, but you know that's

1360
01:09:46,720 --> 01:09:55,679
Speaker 10: why they love you. What you're saying, that's big up, brother. Yeah,

1361
01:09:57,320 --> 01:10:14,000
Speaker 10: I said ding for the Let me let me claif elaborate.

1362
01:10:14,439 --> 01:10:15,120
Speaker 10: That's what I'm saying.

1363
01:10:15,439 --> 01:10:19,920
Speaker 1: Atlanta is like a certain sense, but in a different

1364
01:10:20,000 --> 01:10:23,080
Speaker 1: sense because it's all black and a lot there's a

1365
01:10:23,160 --> 01:10:25,680
Speaker 1: lot of gay brothers out here, but I respect them.

1366
01:10:26,040 --> 01:10:27,360
Speaker 2: I see them in Lenox Mall.

1367
01:10:27,880 --> 01:10:28,679
Speaker 1: I give him my head.

1368
01:10:28,760 --> 01:10:36,680
Speaker 2: No, they gave me a head no. This is the

1369
01:10:36,760 --> 01:10:37,719
Speaker 2: one thing I noticed.

1370
01:10:38,360 --> 01:10:41,280
Speaker 1: If a gay guy wants to bother you because you

1371
01:10:41,400 --> 01:10:42,120
Speaker 1: knows something about you.

1372
01:10:42,280 --> 01:10:42,720
Speaker 3: You don't know.

1373
01:10:47,000 --> 01:10:52,280
Speaker 2: Me. Gay guys to me and they like they look

1374
01:10:52,320 --> 01:10:54,120
Speaker 2: at me like a gangster, and they be like what up,

1375
01:10:54,680 --> 01:10:55,639
Speaker 2: Like what up, nigga.

1376
01:11:02,120 --> 01:11:09,000
Speaker 1: I'm gonna keep it on you kids him on the plate, like,

1377
01:11:09,160 --> 01:11:10,360
Speaker 1: let's get the picture.

1378
01:11:13,040 --> 01:11:17,200
Speaker 7: I'm gonna give your story now when you started, Now,

1379
01:11:17,240 --> 01:11:19,280
Speaker 7: when you started, you know, I got caught out of

1380
01:11:20,760 --> 01:11:25,040
Speaker 7: at the pictures there and she's burking baby, right, this

1381
01:11:25,080 --> 01:11:29,920
Speaker 7: is when Twin is able body twin when he's walking around.

1382
01:11:30,880 --> 01:11:33,600
Speaker 1: So I'm looking at you when and then and we

1383
01:11:33,800 --> 01:11:37,840
Speaker 1: walked in the cheeseburger, baby. But it's nothing money the

1384
01:11:38,040 --> 01:11:42,519
Speaker 1: gay guys, right, but they respect them. But listen, you

1385
01:11:42,600 --> 01:11:43,320
Speaker 1: gotta respect them.

1386
01:11:43,360 --> 01:11:43,880
Speaker 3: Got respect.

1387
01:11:43,960 --> 01:11:46,600
Speaker 2: But it's not but the gangster gay guys, it's not.

1388
01:11:46,760 --> 01:11:48,000
Speaker 2: It's not another gay guy.

1389
01:11:48,960 --> 01:11:49,879
Speaker 1: There's nothing gay.

1390
01:11:49,760 --> 01:11:50,600
Speaker 3: Guys to get along with.

1391
01:11:50,720 --> 01:11:58,040
Speaker 1: Everybody shot, you're gonna kill you, they're gonna pop you.

1392
01:11:58,120 --> 01:12:00,639
Speaker 1: I'm keeping the honey. It don't matter. So i walk

1393
01:12:00,640 --> 01:12:04,360
Speaker 1: ahead and I'm like hands now, mind you. They ain't

1394
01:12:04,400 --> 01:12:07,160
Speaker 1: looking at me, so I ain't looking at them. I'm

1395
01:12:08,439 --> 01:12:12,719
Speaker 1: we ain't looking at niggas on the other side chilling.

1396
01:12:13,000 --> 01:12:16,559
Speaker 1: I'm chilling the nigga twins. When Twin is able, boy,

1397
01:12:16,880 --> 01:12:20,280
Speaker 1: he's not handicapped. So Twin goes, you'll give me a drink,

1398
01:12:20,640 --> 01:12:23,200
Speaker 1: and the dude walks right behind him and say, I

1399
01:12:23,320 --> 01:12:24,400
Speaker 1: got your drink right.

1400
01:12:25,400 --> 01:12:26,120
Speaker 9: So I look.

1401
01:12:26,520 --> 01:12:28,760
Speaker 2: I look at Twin and I don't want to be

1402
01:12:28,880 --> 01:12:29,800
Speaker 2: like I don't want to yell.

1403
01:12:30,280 --> 01:12:31,479
Speaker 3: I don't want to be like, if you want to

1404
01:12:31,520 --> 01:12:34,600
Speaker 3: keep it cooling, I don't want to say, well, let

1405
01:12:34,720 --> 01:12:36,599
Speaker 3: me do that. Then it's all my hand because now

1406
01:12:36,960 --> 01:12:42,200
Speaker 3: I'm doing.

1407
01:12:42,120 --> 01:12:48,760
Speaker 9: Every other thing but yelling hand signals. I'm like, I'm

1408
01:12:48,800 --> 01:12:52,799
Speaker 9: like the guy the airplane. I'm like, I'm like, relax,

1409
01:12:54,880 --> 01:12:59,400
Speaker 9: We're relax. My nigga don't catch on. So I'm like,

1410
01:12:59,560 --> 01:13:00,360
Speaker 9: it's too late.

1411
01:13:01,280 --> 01:13:02,320
Speaker 3: They gave him the drake.

1412
01:13:03,880 --> 01:13:06,519
Speaker 1: He turns around. He looks at me, like, why you

1413
01:13:06,600 --> 01:13:07,280
Speaker 1: ain't telling me?

1414
01:13:11,200 --> 01:13:16,439
Speaker 2: Relas too late, So I don't know why I went there,

1415
01:13:16,680 --> 01:13:21,719
Speaker 2: but it's too late. Now I'm gonna keep going fish

1416
01:13:21,760 --> 01:13:24,559
Speaker 2: the story. Bro, I'm sorry.

1417
01:13:24,600 --> 01:13:25,519
Speaker 3: I feel so bad.

1418
01:13:28,160 --> 01:13:32,240
Speaker 2: So now I'm looking there at this ship. They look

1419
01:13:32,320 --> 01:13:32,880
Speaker 2: at that at me.

1420
01:13:34,080 --> 01:13:38,040
Speaker 1: So now the guys realized I'm nor the whole time,

1421
01:13:38,520 --> 01:13:43,520
Speaker 1: nobody realized the less you know already in the buildings,

1422
01:13:44,439 --> 01:13:47,639
Speaker 1: I don't giving fun. They realized, you know, I don't

1423
01:13:47,680 --> 01:13:51,720
Speaker 1: give a fuck, but I don't care. But the thing is,

1424
01:13:52,280 --> 01:13:57,599
Speaker 1: they always said they need equal white he right, equal

1425
01:13:57,920 --> 01:14:03,759
Speaker 1: white white that, but they wanted eagle whites.

1426
01:14:05,560 --> 01:14:06,800
Speaker 2: But so this is what I did.

1427
01:14:06,960 --> 01:14:10,040
Speaker 1: And these are my niggas. I respect these guys, but

1428
01:14:11,560 --> 01:14:17,080
Speaker 1: they want eagle whites ego wife death. So what happened

1429
01:14:18,880 --> 01:14:24,600
Speaker 1: when they talk my little man and they yeah, they

1430
01:14:24,840 --> 01:14:27,479
Speaker 1: fully talked them. What you mean when they.

1431
01:14:27,520 --> 01:14:29,920
Speaker 6: Gave him the drink, they got a clear clar From

1432
01:14:30,000 --> 01:14:37,800
Speaker 6: my mind, it's not like finger.

1433
01:14:44,120 --> 01:14:47,120
Speaker 3: They don't understand podcasting.

1434
01:14:47,479 --> 01:14:51,240
Speaker 1: When they actually did everything, you know, they got away

1435
01:14:51,280 --> 01:14:55,040
Speaker 1: with it, not everything, bro, everything.

1436
01:14:58,240 --> 01:15:02,320
Speaker 3: Killed great podcast, And in my mind they got everything

1437
01:15:04,800 --> 01:15:07,360
Speaker 3: great podcast. Tonight, guys, I appreciate you.

1438
01:15:08,040 --> 01:15:11,680
Speaker 2: Let me finish, finish the story because I don't even

1439
01:15:11,680 --> 01:15:12,479
Speaker 2: know where he's going with it.

1440
01:15:14,280 --> 01:15:20,000
Speaker 1: No, no, but go for it. Seven happened in my

1441
01:15:20,360 --> 01:15:23,160
Speaker 1: in my mind, they got away with everything. So now

1442
01:15:23,240 --> 01:15:27,280
Speaker 1: I want to leave what was now that's no, that's

1443
01:15:27,280 --> 01:15:31,680
Speaker 1: what everybody's wondering. You were And then they came over

1444
01:15:32,200 --> 01:15:42,040
Speaker 1: with everything. They had everything already. Other people, some people surrending. Man,

1445
01:15:48,600 --> 01:15:50,599
Speaker 1: I'm just playing. I'm out of here, bro just playing.

1446
01:15:52,200 --> 01:15:56,960
Speaker 2: Give me too more minutes. I'm just playing. So but

1447
01:15:57,160 --> 01:15:57,720
Speaker 2: this is the thing.

1448
01:15:58,360 --> 01:16:03,080
Speaker 1: So when they left, the one guy said to me, Nor,

1449
01:16:05,080 --> 01:16:09,360
Speaker 1: I recognize you now. So he said, he said, take

1450
01:16:09,439 --> 01:16:12,960
Speaker 1: a flick of me. And I said no, And he

1451
01:16:13,080 --> 01:16:14,880
Speaker 1: said why you ain't gonna take a flick with me?

1452
01:16:14,920 --> 01:16:17,040
Speaker 1: Because I felt like he was about to say, you're

1453
01:16:17,120 --> 01:16:19,800
Speaker 1: gonna be on some gage. And I said, you want

1454
01:16:19,920 --> 01:16:26,720
Speaker 1: equal rights? And he said yeah. And I said, if

1455
01:16:26,760 --> 01:16:28,880
Speaker 1: you was a straight nigga, we would have killed you.

1456
01:16:30,560 --> 01:16:34,880
Speaker 2: Everything you just did. I would have definitely popped you,

1457
01:16:35,160 --> 01:16:36,439
Speaker 2: at least in your foot.

1458
01:16:36,560 --> 01:16:38,920
Speaker 3: Like you know what I'm saying. What I feel is

1459
01:16:39,080 --> 01:16:45,720
Speaker 3: but I respect. Yeah, you know what I'm saying. You

1460
01:16:45,760 --> 01:16:51,040
Speaker 3: know what I'm saying this man, man, equal rights. I'm

1461
01:16:51,240 --> 01:16:54,320
Speaker 3: going to tell you about how I feeling. And it's like, man,

1462
01:16:54,400 --> 01:16:57,840
Speaker 3: let them. They let them stay, you know what I'm saying.

1463
01:16:59,040 --> 01:17:01,880
Speaker 3: That night they were staying in the lane. That next

1464
01:17:02,040 --> 01:17:05,800
Speaker 3: they was in this lane. It's like this too, Like

1465
01:17:06,040 --> 01:17:09,160
Speaker 3: no talking about this, Miami. Let me let me know

1466
01:17:09,280 --> 01:17:13,120
Speaker 3: what I'm saying. The lane, you know, and and do

1467
01:17:13,200 --> 01:17:15,960
Speaker 3: what they do with the young Joees. But God bless

1468
01:17:16,000 --> 01:17:16,400
Speaker 3: Stevie j.

1469
01:17:20,360 --> 01:17:24,639
Speaker 2: He stands up and up Steve j. Let me, let's

1470
01:17:24,680 --> 01:17:25,360
Speaker 2: let's end it out.

1471
01:17:26,880 --> 01:17:28,400
Speaker 15: We're gonna end it out. We're gonna end it out.

1472
01:17:29,479 --> 01:17:35,280
Speaker 15: You can't just do that. Yeah, Ut take a picture now,

1473
01:17:35,880 --> 01:17:37,160
Speaker 15: take a shot it down?

1474
01:17:37,640 --> 01:17:43,080
Speaker 1: Please please. So we're looking at her and we're saying,

1475
01:17:43,800 --> 01:17:49,680
Speaker 1: Holy Moly, welcome on me. Is they're no more?

1476
01:17:50,240 --> 01:17:52,800
Speaker 2: Is this the new It's not. It's not no, it's

1477
01:17:52,840 --> 01:17:54,320
Speaker 2: not about it, not Joscelyn.

1478
01:17:54,439 --> 01:17:59,000
Speaker 3: This is about Dangerson management new challenge sus artists. Beautiful person.

1479
01:18:00,439 --> 01:18:02,720
Speaker 3: She's taking the acting classes and she's ready to do

1480
01:18:02,800 --> 01:18:03,000
Speaker 3: what she.

1481
01:18:03,560 --> 01:18:06,800
Speaker 2: Now it's time for you to talk. You got all right.

1482
01:18:08,840 --> 01:18:12,400
Speaker 3: From the Yes, I'm from Cologne, I'm from Panama, I

1483
01:18:12,520 --> 01:18:14,760
Speaker 3: have a Thomason.

1484
01:18:14,400 --> 01:18:15,280
Speaker 16: I'm from another country.

1485
01:18:15,360 --> 01:18:19,479
Speaker 14: Of course, I'm gonna sound Latin because I am mentioned anybody.

1486
01:18:19,600 --> 01:18:20,160
Speaker 3: I'm athlete.

1487
01:18:21,120 --> 01:18:26,680
Speaker 2: And that ship I mean, he's right, he's right, it's right,

1488
01:18:27,640 --> 01:18:28,559
Speaker 2: that ship's right.

1489
01:18:29,439 --> 01:18:36,280
Speaker 3: So you wus a little sample with your I guess

1490
01:18:37,000 --> 01:18:41,800
Speaker 3: all school salsa to be compared to Frankie Reese, we

1491
01:18:41,960 --> 01:18:43,559
Speaker 3: have a little bit of Celia Cruz and.

1492
01:18:51,280 --> 01:18:55,439
Speaker 17: To ask you a lot that's not hero No, that's

1493
01:18:55,880 --> 01:19:02,200
Speaker 17: that's who are reported weekends. Do you know I look

1494
01:19:02,240 --> 01:19:02,840
Speaker 17: black as hell?

1495
01:19:03,720 --> 01:19:05,599
Speaker 5: What's gonna drink? Champions of what you got? You got

1496
01:19:05,680 --> 01:19:07,680
Speaker 5: some shots out said listen. Let let us get a

1497
01:19:07,680 --> 01:19:10,760
Speaker 5: little one. Let's make Josh Man right now, that's a

1498
01:19:10,880 --> 01:19:23,840
Speaker 5: drink Champs right now, you got him. Relax, relax, Please

1499
01:19:24,040 --> 01:19:24,519
Speaker 5: give him.

1500
01:19:24,439 --> 01:19:25,720
Speaker 2: Something that's gonna listen to us.

1501
01:19:27,880 --> 01:19:29,000
Speaker 1: You know that's not what we're doing.

1502
01:19:30,600 --> 01:19:31,840
Speaker 2: That is not need.

1503
01:19:32,120 --> 01:19:35,880
Speaker 1: We want you to listening summary. We want you to

1504
01:19:35,960 --> 01:19:39,200
Speaker 1: give our listeners something. Steve James bab J. We wanted

1505
01:19:39,240 --> 01:19:41,680
Speaker 1: to see if our listening to something this man, we

1506
01:19:41,760 --> 01:19:44,479
Speaker 1: don't care. Stevie j This is what we're gonna do.

1507
01:19:44,800 --> 01:19:48,040
Speaker 1: Stay to Love and Hip Hop Atlanta, you know, and

1508
01:19:48,600 --> 01:19:50,240
Speaker 1: tonight Stevie steven.

1509
01:19:51,479 --> 01:19:54,960
Speaker 2: Look he come back over here. Stevie Stevens STA listen.

1510
01:19:55,160 --> 01:19:57,639
Speaker 3: I'm laughing. This is get.

1511
01:20:00,040 --> 01:20:01,880
Speaker 17: But what about the people who listen to the audio

1512
01:20:02,479 --> 01:20:05,880
Speaker 17: music I brought you to the audio to the audio.

1513
01:20:06,120 --> 01:20:09,639
Speaker 3: Pitting text in Love and Hip Hop Atlanta Season six,

1514
01:20:09,960 --> 01:20:11,639
Speaker 3: And you know you have everything in there.

1515
01:20:12,120 --> 01:20:14,360
Speaker 2: You're wining and that can't you can't lose. You can't lose,

1516
01:20:14,840 --> 01:20:15,519
Speaker 2: even though.

1517
01:20:16,360 --> 01:20:18,200
Speaker 1: I feel like I feel like you should still sing

1518
01:20:18,439 --> 01:20:20,920
Speaker 1: because I feel like she's not feel like you're not

1519
01:20:21,120 --> 01:20:24,559
Speaker 1: just the body. We just introduced you as a body.

1520
01:20:25,520 --> 01:20:27,360
Speaker 2: I feel like you should something.

1521
01:20:27,520 --> 01:20:30,519
Speaker 1: Just say two lines. You can't do it.

1522
01:20:31,320 --> 01:20:35,360
Speaker 16: Not getting while y'all stand that. Put on my grind

1523
01:20:35,439 --> 01:20:46,400
Speaker 16: mixtape out right now. Put about Swampmans on what side?

1524
01:20:46,520 --> 01:20:55,240
Speaker 5: Yeah, yeah, your boy were out here to stay peachy, peachy,

1525
01:20:55,360 --> 01:20:59,240
Speaker 5: you know, stay Just state your order now, you know

1526
01:20:59,320 --> 01:20:59,360
Speaker 5: what