WEBVTT - Punch (TDE)

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<v Speaker 1>R and B Money.

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<v Speaker 2>We are than take Machi. We are the authority on

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<v Speaker 2>all things R and B ladies and gentlemen money. Was

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<v Speaker 2>tankal This is the R and B Money podcast. Yeah,

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<v Speaker 2>the authority, yes, on all things R and B Arena

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<v Speaker 2>R and B alrena topping.

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<v Speaker 3>I don't even come outside.

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<v Speaker 4>For less for less than this is? This is we

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<v Speaker 4>are here.

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<v Speaker 5>Yeah, tell them who we are with.

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<v Speaker 3>Oh, President, didn't they look at this credits here? You

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<v Speaker 3>know we're gonna get into the credits.

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<v Speaker 2>I just want to announce my brother in the building,

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<v Speaker 2>Terrence Punch Henderson, the president of t D right now currently.

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<v Speaker 6>Currently appreciate that. Are you feeling, brother man, I'm good money.

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<v Speaker 3>I know.

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<v Speaker 2>I know that, I know Broy Yeah, t D of course.

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<v Speaker 5>Like it's it's.

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<v Speaker 2>You know, there's a there's a thing you know that

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<v Speaker 2>that we're all able to recognize when we're in this business.

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<v Speaker 5>And there's the word is dominance. When when you have.

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<v Speaker 2>A crew or or a label or you know, a

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<v Speaker 2>thing that comes along and just says, look, we're gonna

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<v Speaker 2>we're gonna own the time for a moment. We're gonna

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<v Speaker 2>lock up billboard, We're gonna lock up social media.

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<v Speaker 5>We're gonna lock up branding.

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<v Speaker 2>We're gonna We're gonna just lock that up for a

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<v Speaker 2>moment and secure a spot amongst the.

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<v Speaker 5>Top of everything.

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<v Speaker 2>Yes, sir, because you can call it out the people

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<v Speaker 2>that are at the top of the game. It's not

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<v Speaker 2>a mystery. We know who's in the fucks these peoples

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<v Speaker 2>are right, and you guys keep doing it? Man, what

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<v Speaker 2>what why are you doing this?

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<v Speaker 5>Why?

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<v Speaker 2>Why be so disrespectful that the was that the goal

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<v Speaker 2>to disrespect everybody?

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<v Speaker 7>Absolutely come through and shake this thing.

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<v Speaker 6>Yeah, but now you know what it's really just about,

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<v Speaker 6>in its essence, is just the passion and love for

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<v Speaker 6>what we're doing, You know what I mean. I don't

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<v Speaker 6>sound like too much of a cliche answer, but it's real,

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<v Speaker 6>Like I think we'll be doing it, most of us

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<v Speaker 6>be doing it free if it wasn't even getting paid.

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<v Speaker 6>So it's that that same passion and love that we

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<v Speaker 6>started with, and people just happen to relate to it.

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<v Speaker 2>I don't think you can do it unless you have

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<v Speaker 2>that right because everything else is so fleeting, everything else

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<v Speaker 2>is up and down, and so is what is the nuance?

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<v Speaker 2>What is the deciding factor in you staying in when

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<v Speaker 2>when the desires and the dreams look cloudy and don't

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<v Speaker 2>look like they're adding up to the thing that you

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<v Speaker 2>believed it was going to.

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<v Speaker 6>Be, it's gotta be some love involved, No, absolutely, you

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<v Speaker 6>know what I mean. That's what it's all about to me,

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<v Speaker 6>is the It's that exchange of love back and forth,

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<v Speaker 6>like once I learned something, then I can pass it

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<v Speaker 6>to somebody else. And the joy they feel when they

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<v Speaker 6>learn something new, you see it in their face, Like

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<v Speaker 6>that's the the essence when you strip everything down to

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<v Speaker 6>its bare minimum for me, and that's whether it's learning

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<v Speaker 6>the new concept, learning how to write a certain way,

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<v Speaker 6>learning how to vocalize a certain way, like just the learning.

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<v Speaker 6>I mean, it's the love for learning that really keep

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<v Speaker 6>me going and motivated.

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<v Speaker 8>So to expound on something you said, just even you're

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<v Speaker 8>saying stripping things down right, right, let's let's let's let's

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<v Speaker 8>let's go back to the beginning and strip down this

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<v Speaker 8>whole inception and the mindset that you guys had with

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<v Speaker 8>starting to label like TD.

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<v Speaker 7>Right, So I start from the beginning. I was.

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<v Speaker 6>I was trying to start my own record company with

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<v Speaker 6>a couple of more partners that I went to school

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<v Speaker 6>with you know what I mean, I learned very quick

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<v Speaker 6>that you need a few dollars to to get that.

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<v Speaker 7>Yeah, yeah, you know what I mean.

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<v Speaker 6>So I was just always constantly studying music, the music industry,

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<v Speaker 6>anything I gotta do with it. The magazine pop up,

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<v Speaker 6>I'm reading the cover to cover, an interview on I'm

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<v Speaker 6>watching it behind the scenes. Come, I'm looking at that

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<v Speaker 6>and uh top, who's my blood relative?

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<v Speaker 5>Oh y'all family? Family?

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<v Speaker 7>Yeah? Okay, actually yeah, uh his mom and my grandmother sisters.

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<v Speaker 5>Wow, makes even more sense now, right.

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<v Speaker 6>So he was just getting started in the music business,

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<v Speaker 6>so he won foot in the street, one foot, you

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<v Speaker 6>know what I'm saying, trying to get things going. So

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<v Speaker 6>he built the studio at his house and Carson. So

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<v Speaker 6>I always pull up, like I have a little lunch

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<v Speaker 6>break or something that worked.

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<v Speaker 5>How far is is Watts to Carson?

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<v Speaker 6>It's, uh, well, Compton is right in between. So it's Watts,

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<v Speaker 6>Compton and Carson if you're traveling straight down Central, so

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<v Speaker 6>it's one city over. But so yeah, I pull up

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<v Speaker 6>on him, and you know, we'll just talk and talk

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<v Speaker 6>and talk and just had these conversations about music and

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<v Speaker 6>about business.

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<v Speaker 7>So at one point he was like, Yo, you just

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<v Speaker 7>come over here and do it with me.

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<v Speaker 6>So I'm like yeah, So that happened, and that's when

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<v Speaker 6>the early days of TD started the form. So we

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<v Speaker 6>have artists coming through and producers coming through making beats.

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<v Speaker 6>So eventually Jay Rock came through maybe a few months

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<v Speaker 6>after that. Kendrick came through a year later. So then

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<v Speaker 6>we got school Boy Q shortly after him.

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<v Speaker 5>So and what year is this?

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<v Speaker 6>This is uh, it's about four, roughly maybe three going

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<v Speaker 6>into four.

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<v Speaker 5>So what look, so.

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<v Speaker 2>What was your your setup in terms like in terms

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<v Speaker 2>of the structure, what was the invitation because you're saying

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<v Speaker 2>you guys were starting a record company, right, and what

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<v Speaker 2>did that necessarily entail to to get the word out,

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<v Speaker 2>to get people thinking that they needed to come through

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<v Speaker 2>and see what you guys were doing.

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<v Speaker 6>I mean, our whole thing was just trying to figure

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<v Speaker 6>out a way to get to these major labels. So

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<v Speaker 6>he was doing stuff like this, snak the top or

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<v Speaker 6>go to the industry book, that thick industry book they

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<v Speaker 6>and in the back it's a glossary like everybody names

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<v Speaker 6>and positions and they offer his phone numbers. So he

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<v Speaker 6>had called a label and fake like he had a

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<v Speaker 6>meeting with the CEO whatever and they end up calling

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<v Speaker 6>him back and build a relationship like that.

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<v Speaker 7>It was that or we go pack down record plants

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<v Speaker 7>you in there, we.

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<v Speaker 5>Go you've lived on.

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<v Speaker 7>Figures.

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<v Speaker 2>Yeah, So you guys were really like, we're going to

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<v Speaker 2>start a record company, and it's going to just encompass

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<v Speaker 2>everything a record company does, and then we're gonna we're

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<v Speaker 2>gonna start looking for the pieces to put together to

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<v Speaker 2>make it what it is.

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<v Speaker 5>And then you start naming all the all the artists. Yeah,

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<v Speaker 5>and Jay Rock obviously from your neighborhood.

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<v Speaker 8>So that's that made the most sense in the beginning, right, Yeah,

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<v Speaker 8>it's talented young homie from your neighborhood.

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<v Speaker 5>It's the first thing we're gonna invest in.

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<v Speaker 7>Absolutely.

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<v Speaker 6>But the thing is, like we was winging it, yeah,

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<v Speaker 6>I mean were trying to see what was going to stick. Yeah,

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<v Speaker 6>because again, we didn't have no prior experience in how

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<v Speaker 6>to build a record label. So we're just going off

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<v Speaker 6>of kind of you know, I mean, just pieces that

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<v Speaker 6>we seeing or stuff we're hearing about and just building

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<v Speaker 6>from there. Like even the way Jay Rock came about,

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<v Speaker 6>like it was another guy from our neighborhood that was

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<v Speaker 6>supposed to be coming to the studio that day. So

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<v Speaker 6>Top hit, He'm like, y'all, I'm gonna be over there.

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<v Speaker 6>You're gonna pick y'all up for the studio. So this

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<v Speaker 6>kid got impatient, like I guess he was waiting on

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<v Speaker 6>the ports too long, and Jay Rock was with him.

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<v Speaker 7>So this nigga ended up.

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<v Speaker 5>Leaving Jay Rock stay.

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<v Speaker 7>Jay Rock stayed.

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<v Speaker 6>As soon as he walked out, that's from Top pulled up.

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<v Speaker 6>I was like, where so and so at man, he

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<v Speaker 6>took off. I'm finna go to the studio rolling. Jay

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<v Speaker 6>Rock opped in the car. Another dude opp in the car.

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<v Speaker 6>Once he hear a Jay Rock voice, that.

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<v Speaker 8>Was it's how long did it take y'all to get

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<v Speaker 8>the Warner deal?

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<v Speaker 7>Uh? We got the Warner That was your first was the.

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<v Speaker 5>First one street into the major label system? Right, yep?

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<v Speaker 7>It was.

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<v Speaker 6>We got that deal off of tops relationships, you know

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<v Speaker 6>what I mean, Like, we didn't build the buzz in

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<v Speaker 6>the street first yet, and then because of the buzz.

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<v Speaker 7>Get the deal.

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<v Speaker 6>So it was all on relationships and they heard rock

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<v Speaker 6>and they like rock, and that was the deal.

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<v Speaker 7>From there, I think that was about oh six maybe so.

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<v Speaker 5>A few years then, yeah, for sure. So had you

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<v Speaker 5>guys had any music out?

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<v Speaker 6>Not really because this but again, this is a funny

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<v Speaker 6>time in the business to transition between all of the

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<v Speaker 6>digital stuff and then the blog era.

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<v Speaker 7>And all of this stuff. So it was like, where

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<v Speaker 7>do you actually put it out?

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<v Speaker 6>We press somem CDs up, you know what I mean,

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<v Speaker 6>and you know, we get out and go try to

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<v Speaker 6>sell them and hand them out.

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<v Speaker 7>But that was the extent of it at that time.

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<v Speaker 5>So at this point it's just really money going out.

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<v Speaker 7>Yeah. Absolutely, letric build.

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<v Speaker 8>Crazy, right, I mean, because that's that's the thing, right,

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<v Speaker 8>Like we always talk about it. We pride ourselves on

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<v Speaker 8>being an informative show absolutely, you know what I mean,

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<v Speaker 8>and letting people know like what this thing takes and

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<v Speaker 8>how this you know. Obviously we're in a different era

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<v Speaker 8>now where a lot of cast is getting.

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<v Speaker 5>Cracking on their phone.

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<v Speaker 8>Yeah that's far in few, right, people don't And a

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<v Speaker 8>lot of those casts that got cracked on that phone

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<v Speaker 8>was only cracking for a year, six months, eighteen months.

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<v Speaker 8>We're talking about twenty years, twenty plus years inste that

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<v Speaker 8>y'all still doing your thing and at the highest level.

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<v Speaker 8>So that initial three years probably helps sustain what you

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<v Speaker 8>guys are now, oh.

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<v Speaker 6>For sure, because that built all of the chemistry that built.

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<v Speaker 6>That was the learning period, That was the incubation, you

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<v Speaker 6>know what I mean, like everything we imagine everything we're

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<v Speaker 6>doing now during that time for like what you said though,

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<v Speaker 6>like money was just going out, like everybody eating off

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<v Speaker 6>the top pocket at this point.

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<v Speaker 7>You know what I'm saying, everybody, the whole team at

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<v Speaker 7>this point.

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<v Speaker 6>Yeah, man, ain't nobody got no jobs. Ain't nobody everybody

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<v Speaker 6>trying to do this music thing. So that's the dollar

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<v Speaker 6>menu on a jack in the box every day.

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<v Speaker 5>Me and mister split the happy Males. Yeah, right around

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<v Speaker 5>the corner.

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<v Speaker 3>To the mind and caramel Apple.

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<v Speaker 5>I know the menu, will That's exactly what it was

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<v Speaker 5>trying to figure it out.

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<v Speaker 7>So and again the studio is attached to the tops house.

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<v Speaker 6>So, like I said, when the electric bill going crazy,

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<v Speaker 6>like we were running the studio all night.

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<v Speaker 8>That's that's the part I was going to ask you

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<v Speaker 8>about that because you said you put a studio at

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<v Speaker 8>his house.

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<v Speaker 5>Right, So not only.

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<v Speaker 8>Is this like you know this that he has for

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<v Speaker 8>you know, creating this label. It's not like he got

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<v Speaker 8>this somewhere else either, right, y'all going to his house

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<v Speaker 8>every day.

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<v Speaker 7>Absolutely, So.

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<v Speaker 6>It's a door that lead into the house from the studio,

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<v Speaker 6>so things going right to the kitchen too, right yeah,

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<v Speaker 6>and eating up all a couple of noodles and cereal

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<v Speaker 6>and whatever. So it was like really everybody's house at

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<v Speaker 6>this point. He welcomed everybody in. Yeah, you know what

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<v Speaker 6>I mean. But again, that was the that was the

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<v Speaker 6>period that really cemented us in what we was doing

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<v Speaker 6>in our goals.

0:13:36.320 --> 0:13:41.280
<v Speaker 8>And ultimately there was no real success from that first deal.

0:13:41.760 --> 0:13:42.960
<v Speaker 7>No, it was not at all.

0:13:43.200 --> 0:13:46.720
<v Speaker 5>So now you go three years, you get to the deal, but.

0:13:46.600 --> 0:13:49.240
<v Speaker 8>Then you also find out what this music business shit

0:13:49.720 --> 0:13:50.640
<v Speaker 8>it's really about.

0:13:50.800 --> 0:13:54.120
<v Speaker 6>All we learned quick because we thought once Swoon's Rock signed,

0:13:54.200 --> 0:13:54.800
<v Speaker 6>we won.

0:13:54.760 --> 0:13:55.160
<v Speaker 7>It's over.

0:13:55.320 --> 0:13:59.120
<v Speaker 6>Yeah, that littlely you know, that's when it starts, right,

0:13:59.360 --> 0:14:01.280
<v Speaker 6>you know what I mean, That's when it really you

0:14:01.360 --> 0:14:04.000
<v Speaker 6>really got to get cooking at this point. So we

0:14:04.000 --> 0:14:07.679
<v Speaker 6>were sitting back taking a lot of direction from the

0:14:07.720 --> 0:14:13.400
<v Speaker 6>record company, which never been the thing to do, just

0:14:13.400 --> 0:14:18.520
<v Speaker 6>from a standpoint of we dictate the culture, you know

0:14:18.559 --> 0:14:22.440
<v Speaker 6>what I mean, and they helped facilitate what we dictate.

0:14:24.000 --> 0:14:26.800
<v Speaker 6>So we was sitting back and waiting for them to

0:14:26.840 --> 0:14:28.840
<v Speaker 6>do it and tell us what to do and how

0:14:28.920 --> 0:14:31.600
<v Speaker 6>to move and this and that, and we ended up

0:14:32.440 --> 0:14:36.440
<v Speaker 6>just being stagnant for a while. And once we finally

0:14:36.480 --> 0:14:41.080
<v Speaker 6>got some movement, like after we had it's gonna impact

0:14:41.120 --> 0:14:44.440
<v Speaker 6>that radio with the joint, that rock deal with Lil

0:14:44.520 --> 0:14:45.400
<v Speaker 6>Wayne caught all my.

0:14:45.440 --> 0:14:49.360
<v Speaker 7>Life, my life the week before. It was a whole

0:14:49.400 --> 0:14:50.880
<v Speaker 7>regime change at the label.

0:14:51.760 --> 0:14:55.120
<v Speaker 6>Been there, b We all know about those, right, So

0:14:55.480 --> 0:14:57.880
<v Speaker 6>when they come in, they shut down everything that was

0:14:57.960 --> 0:14:59.040
<v Speaker 6>going on before them.

0:15:00.200 --> 0:15:00.760
<v Speaker 5>You know what I mean.

0:15:00.840 --> 0:15:05.040
<v Speaker 6>And we're like, yo, we hot just one week a

0:15:05.120 --> 0:15:08.960
<v Speaker 6>week before. Shit, So they, you know what I mean,

0:15:09.560 --> 0:15:13.320
<v Speaker 6>shut that down or whatever. So radio backed up. We

0:15:13.360 --> 0:15:15.280
<v Speaker 6>ain't really get no real spins on it like we

0:15:15.360 --> 0:15:16.360
<v Speaker 6>should have or whatever.

0:15:16.920 --> 0:15:17.120
<v Speaker 5>Like this.

0:15:17.240 --> 0:15:19.560
<v Speaker 6>When Wayne was at his peak, it's like eight, you

0:15:19.760 --> 0:15:24.160
<v Speaker 6>got everything you need the boy, we got our you

0:15:24.200 --> 0:15:24.600
<v Speaker 6>know what I mean.

0:15:26.040 --> 0:15:28.360
<v Speaker 7>So you can imagine how we felt at the time.

0:15:29.240 --> 0:15:34.080
<v Speaker 5>So do you immediately try to get out of the deal.

0:15:35.040 --> 0:15:38.920
<v Speaker 7>Nah. We actually said, you know what, it's a regime change.

0:15:40.080 --> 0:15:43.120
<v Speaker 7>I understand it. This business. Let's try to rock with

0:15:43.200 --> 0:15:45.520
<v Speaker 7>these dudes and see, you know what I mean, Well,

0:15:45.560 --> 0:15:48.240
<v Speaker 7>we can get get out of it. So we ended

0:15:48.320 --> 0:15:52.520
<v Speaker 7>up going through another year of hoops and then pushing

0:15:52.560 --> 0:15:56.920
<v Speaker 7>the gold post back. M hmm, because what I actually

0:15:56.960 --> 0:15:57.640
<v Speaker 7>figured out.

0:15:57.640 --> 0:15:59.720
<v Speaker 6>Was they didn't really want us there, but they didn't

0:15:59.720 --> 0:16:02.880
<v Speaker 6>want to droppers m hm. You know burbank is right

0:16:02.920 --> 0:16:07.160
<v Speaker 6>around the corner. You can drive up the burbank, So

0:16:07.280 --> 0:16:10.720
<v Speaker 6>they didn't want to deal with that headache, so to speak.

0:16:11.160 --> 0:16:14.720
<v Speaker 8>And at that time, I want to say, there was

0:16:14.920 --> 0:16:19.040
<v Speaker 8>no other rap over there was it, you know what

0:16:19.160 --> 0:16:21.200
<v Speaker 8>that time because I mean Warner at that time, in

0:16:21.320 --> 0:16:24.080
<v Speaker 8>my opinion, was known for R and B and like

0:16:24.520 --> 0:16:26.040
<v Speaker 8>Eric was signed there at that time.

0:16:26.280 --> 0:16:29.480
<v Speaker 7>Right at that time, it was us. It was Mike Jones.

0:16:29.960 --> 0:16:30.560
<v Speaker 5>Was Mike Jones.

0:16:31.200 --> 0:16:35.240
<v Speaker 7>Yeah, and then uh forty when he had that surgeons.

0:16:34.840 --> 0:16:38.240
<v Speaker 5>Or whatever he did, he had he did have that.

0:16:38.400 --> 0:16:39.920
<v Speaker 5>He did have that dealer at the time.

0:16:39.880 --> 0:16:43.040
<v Speaker 7>And a little scrappy was over there too, So they

0:16:43.080 --> 0:16:45.120
<v Speaker 7>had like that thing going the west.

0:16:45.280 --> 0:16:46.960
<v Speaker 5>And mixed south. Yeah.

0:16:48.320 --> 0:16:53.800
<v Speaker 6>But so they were asked us to do stuff. We'll

0:16:53.880 --> 0:16:56.240
<v Speaker 6>hit that goal and then they'll move it. Say all right,

0:16:56.320 --> 0:16:59.360
<v Speaker 6>now you gotta do this. Then we do that spot

0:16:59.400 --> 0:17:02.280
<v Speaker 6>in the time, right, because they really they was doing

0:17:02.360 --> 0:17:05.439
<v Speaker 6>stuff like when they knew we was coming to the building,

0:17:05.560 --> 0:17:08.600
<v Speaker 6>you know, down their promo room. They had their priorities.

0:17:08.800 --> 0:17:10.840
<v Speaker 6>They hurry up it right at the name at the

0:17:10.920 --> 0:17:15.720
<v Speaker 6>top of the board for a couple post is up here,

0:17:15.920 --> 0:17:19.520
<v Speaker 6>right look j Rock exactly. But we had gotten so

0:17:19.720 --> 0:17:23.480
<v Speaker 6>cool with like the interns and everybody in the building

0:17:23.760 --> 0:17:25.640
<v Speaker 6>what they was doing, their callers, and like, yo, man,

0:17:25.680 --> 0:17:27.720
<v Speaker 6>they just put that stuff up right before y'all can.

0:17:29.000 --> 0:17:30.560
<v Speaker 7>So we like, all, we know what time it is,

0:17:30.760 --> 0:17:33.240
<v Speaker 7>so we went, uh, we end up acting for the

0:17:33.280 --> 0:17:35.720
<v Speaker 7>release and what year is this?

0:17:35.840 --> 0:17:35.959
<v Speaker 5>Now?

0:17:36.720 --> 0:17:39.359
<v Speaker 7>This is twenty ten.

0:17:40.640 --> 0:17:43.879
<v Speaker 8>It's now twenty ten, right from an initial deal that

0:17:43.960 --> 0:17:48.639
<v Speaker 8>got done in six right, oh yeah, yeah, come on,

0:17:48.880 --> 0:17:50.960
<v Speaker 8>you got to speak on it, bro, because people think

0:17:53.320 --> 0:17:56.520
<v Speaker 8>it just got cracking because we haven't even got into

0:17:57.160 --> 0:17:57.720
<v Speaker 8>scope yet.

0:17:57.800 --> 0:18:00.520
<v Speaker 5>Then got scope. What I'm saying, he ain't got into

0:18:00.560 --> 0:18:01.560
<v Speaker 5>section eighty yet.

0:18:01.920 --> 0:18:05.199
<v Speaker 7>Right, it's insane. What's funny is.

0:18:06.800 --> 0:18:10.080
<v Speaker 6>Rock was shooting the Freshman cover twenty ten Double XL

0:18:10.160 --> 0:18:13.760
<v Speaker 6>Freshman the same day me and Top went to the

0:18:13.840 --> 0:18:15.200
<v Speaker 6>office to ask for the release.

0:18:16.520 --> 0:18:17.959
<v Speaker 7>So we in the office, you know, I mean, we're

0:18:18.000 --> 0:18:21.960
<v Speaker 7>going back and forth, we arguing with these dudes, and what.

0:18:22.119 --> 0:18:25.840
<v Speaker 6>Stuck out to me was one of the head guys,

0:18:26.000 --> 0:18:28.080
<v Speaker 6>was like, you know what, we like you guys. You

0:18:28.160 --> 0:18:32.080
<v Speaker 6>guys are cool. Call us if you ever get a

0:18:32.200 --> 0:18:38.440
<v Speaker 6>Southern artist. And I'm like, that's right. That was my face,

0:18:38.600 --> 0:18:41.480
<v Speaker 6>just like that, like what are you talking about? Southern artist?

0:18:42.160 --> 0:18:44.920
<v Speaker 7>So it let me know then, like how the industry worked.

0:18:45.359 --> 0:18:49.200
<v Speaker 7>So it's hot time. So that's what they wanted to

0:18:49.240 --> 0:18:50.040
<v Speaker 7>focus on, and that.

0:18:50.080 --> 0:18:51.520
<v Speaker 5>Is what they had been making some money off of.

0:18:51.760 --> 0:18:54.320
<v Speaker 7>Yeah, for sure, you know what I mean.

0:18:54.400 --> 0:18:56.920
<v Speaker 6>This is when oj the Juice Man was hot, like

0:18:57.040 --> 0:18:59.760
<v Speaker 6>I said, Mike Jones, and the Houston thing was moving,

0:19:01.119 --> 0:19:06.840
<v Speaker 6>Little John was popping, Atlanta was booming. So it's like, oh,

0:19:06.880 --> 0:19:10.200
<v Speaker 6>you're not looking for talent, you're looking for whatever the

0:19:10.280 --> 0:19:13.880
<v Speaker 6>trend is. So we don't belong here nowhere like all right,

0:19:14.560 --> 0:19:19.159
<v Speaker 6>were out, So we left with everything like all the

0:19:19.320 --> 0:19:23.199
<v Speaker 6>masters and a promo van m.

0:19:23.320 --> 0:19:32.920
<v Speaker 5>Hmm got down you heard him, pat down, left with

0:19:33.000 --> 0:19:39.960
<v Speaker 5>a Warner promo ban promot.

0:19:41.320 --> 0:19:46.439
<v Speaker 7>Leave so wrapped it in j Rocks. Oh man, we outside.

0:19:48.760 --> 0:19:51.439
<v Speaker 7>We took that thing across the country two times.

0:19:52.520 --> 0:19:55.800
<v Speaker 5>Oh, this is great, that's great.

0:19:56.200 --> 0:19:58.240
<v Speaker 2>When when I got when I got out of my deal,

0:19:58.240 --> 0:20:06.320
<v Speaker 2>I don't think I took a promoman with yeah you

0:20:06.400 --> 0:20:09.040
<v Speaker 2>still got the kids right, You got the kids right?

0:20:09.280 --> 0:20:11.040
<v Speaker 3>Yeah? Yeah, yeah, I.

0:20:11.160 --> 0:20:17.359
<v Speaker 5>Love that thing up put them in there too.

0:20:17.960 --> 0:20:22.399
<v Speaker 7>It's funny. But you know what, though, what we learned

0:20:22.520 --> 0:20:25.000
<v Speaker 7>from that is we can't rely on nobody but us.

0:20:25.440 --> 0:20:29.840
<v Speaker 6>Yeah, so looking back at it, it was a blessings

0:20:29.880 --> 0:20:34.919
<v Speaker 6>a teacher, but moment teacher, absolutely absolutely, because now Kendrick

0:20:35.040 --> 0:20:37.600
<v Speaker 6>is bubbling, so we know what to do now.

0:20:38.520 --> 0:20:41.760
<v Speaker 2>So he's bubbling right after you guys walk away from

0:20:41.800 --> 0:20:45.679
<v Speaker 2>that deal, yep, and and what what how is he bubbling?

0:20:46.320 --> 0:20:47.560
<v Speaker 5>What is he on? What did he do?

0:20:48.600 --> 0:20:54.280
<v Speaker 6>This is so now this is the blog era, you

0:20:54.320 --> 0:20:56.160
<v Speaker 6>know what I mean. So when you send the blogs

0:20:56.440 --> 0:21:00.720
<v Speaker 6>your record, they're doing right up on it Man introduced

0:21:00.720 --> 0:21:02.720
<v Speaker 6>and you letting people know who you are, where you're from,

0:21:02.800 --> 0:21:05.440
<v Speaker 6>and then they'll post a song and people are going

0:21:05.560 --> 0:21:06.159
<v Speaker 6>during comment.

0:21:07.000 --> 0:21:07.920
<v Speaker 7>So that was the thing.

0:21:08.119 --> 0:21:10.280
<v Speaker 6>So all the blogs start showing a lot of love

0:21:10.359 --> 0:21:13.480
<v Speaker 6>at that point. So whenever we blast out a joint,

0:21:13.760 --> 0:21:16.320
<v Speaker 6>everybody will posted everywhere. So we started getting a little

0:21:16.359 --> 0:21:20.520
<v Speaker 6>traction that way. So now's we're going straight to the

0:21:20.600 --> 0:21:24.760
<v Speaker 6>people now, as opposed to waiting on a record company

0:21:24.840 --> 0:21:25.640
<v Speaker 6>to do something.

0:21:26.280 --> 0:21:30.879
<v Speaker 5>And at this point, Kendrick is hype man. He going

0:21:31.119 --> 0:21:32.040
<v Speaker 5>road with him, right he was.

0:21:33.280 --> 0:21:37.520
<v Speaker 7>I mean that's what technically, yes, but I mean not really.

0:21:37.800 --> 0:21:40.800
<v Speaker 8>He's doing his own artist thing. But to put him

0:21:40.800 --> 0:21:43.040
<v Speaker 8>on stages, he's on stage with Rock.

0:21:43.080 --> 0:21:46.600
<v Speaker 7>See, the plan was we want to showcase Kendrick too.

0:21:46.920 --> 0:21:48.840
<v Speaker 6>Okay, you know what I mean, because he building at

0:21:48.880 --> 0:21:51.040
<v Speaker 6>the same time Rock building everything Rock going through.

0:21:51.160 --> 0:21:52.679
<v Speaker 7>He's going through right next to him.

0:21:53.520 --> 0:21:56.600
<v Speaker 6>So if Rock got a show, we have Kendrick do

0:21:56.680 --> 0:21:59.520
<v Speaker 6>two songs in the middle of his set, wild hype

0:21:59.560 --> 0:22:02.479
<v Speaker 6>man until yeah, so he hyped man for rock, Rock

0:22:02.480 --> 0:22:04.680
<v Speaker 6>would go off. He'll do two records Rock come back,

0:22:04.760 --> 0:22:06.600
<v Speaker 6>and you know what I mean. So that's how we

0:22:07.280 --> 0:22:09.639
<v Speaker 6>was running the thing so you can get familiar with him.

0:22:10.800 --> 0:22:11.520
<v Speaker 5>It's very.

0:22:13.080 --> 0:22:17.720
<v Speaker 2>Town yeah right, you know what I'm saying, Very very

0:22:17.840 --> 0:22:22.080
<v Speaker 2>bad boy ish, very like just continuing to use the heat.

0:22:22.720 --> 0:22:27.640
<v Speaker 7>Yes, right on over, absolutely, right on over, Like yeah,

0:22:27.760 --> 0:22:30.720
<v Speaker 7>I love that. No, for sure, that was the whole thing.

0:22:30.960 --> 0:22:34.040
<v Speaker 6>Like we're a team, you know what I'm saying, even

0:22:34.119 --> 0:22:38.800
<v Speaker 6>with rock, like Rock making his album, everybody's involved. Yeah,

0:22:39.080 --> 0:22:42.200
<v Speaker 6>if they got a chorus, idea, let me try this

0:22:42.240 --> 0:22:44.760
<v Speaker 6>hook on your thing, all right, back do it. If

0:22:44.840 --> 0:22:48.000
<v Speaker 6>somebody got a beat they got from somebody, this might

0:22:48.040 --> 0:22:50.120
<v Speaker 6>fit rock for his album to send it to him.

0:22:50.240 --> 0:22:53.200
<v Speaker 7>Like everything was was team oriented.

0:22:54.359 --> 0:22:54.920
<v Speaker 5>Was it a thing?

0:22:55.000 --> 0:22:58.680
<v Speaker 2>Where was it a thing where where it was like, Okay,

0:22:58.800 --> 0:23:00.879
<v Speaker 2>this is what's lined up right now. As you say that,

0:23:01.640 --> 0:23:03.760
<v Speaker 2>rock is lined up right now? So everything is rock.

0:23:04.560 --> 0:23:07.120
<v Speaker 2>Everybody all hands on deck, absolutely on rock time.

0:23:07.359 --> 0:23:11.359
<v Speaker 6>Yep, that was the That was the mindset because this

0:23:11.640 --> 0:23:14.959
<v Speaker 6>was this is the motion we had at the at

0:23:15.000 --> 0:23:15.440
<v Speaker 6>that point.

0:23:15.520 --> 0:23:16.160
<v Speaker 7>You know what I'm saying.

0:23:16.200 --> 0:23:19.280
<v Speaker 6>He had the record deal, he had the most buzzed.

0:23:19.359 --> 0:23:23.280
<v Speaker 6>So if he crack off, that's gonna open the door.

0:23:23.240 --> 0:23:23.960
<v Speaker 5>For everybody else.

0:23:24.960 --> 0:23:29.440
<v Speaker 8>Yeah, And as y'all putting these records out with dot,

0:23:31.640 --> 0:23:34.760
<v Speaker 8>the blocks start taking to them, right, and then y'all

0:23:34.800 --> 0:23:35.880
<v Speaker 8>start working on section eighty.

0:23:39.400 --> 0:23:44.840
<v Speaker 6>Yes, even before that though I'm missing the section, we'll

0:23:44.880 --> 0:23:48.840
<v Speaker 6>start getting a lot of interest. When we went to

0:23:48.960 --> 0:23:52.560
<v Speaker 6>the East Coast and we did a lot of serious

0:23:52.600 --> 0:23:56.480
<v Speaker 6>satellite freestyles, and that this would be like if we

0:23:56.560 --> 0:24:00.359
<v Speaker 6>see old footage, is us and Nipsey up there, so

0:24:00.480 --> 0:24:01.879
<v Speaker 6>it's like he was on the same circuit.

0:24:01.920 --> 0:24:03.160
<v Speaker 7>He'll be leaving the uh.

0:24:05.840 --> 0:24:08.160
<v Speaker 5>You said picked up on my phone.

0:24:09.640 --> 0:24:09.960
<v Speaker 3>Nigga.

0:24:12.840 --> 0:24:17.919
<v Speaker 7>God, that's crazy. But we're on Sirious like Nipple.

0:24:17.960 --> 0:24:20.239
<v Speaker 6>Be leaving one of the shows, We'll be walking right

0:24:20.320 --> 0:24:23.359
<v Speaker 6>in and it's a few times that we intersected and

0:24:23.480 --> 0:24:27.959
<v Speaker 6>then you know, freestyle together. Once people start seeing us

0:24:28.080 --> 0:24:32.240
<v Speaker 6>doing that, that gained a little notoriety back here, you

0:24:32.280 --> 0:24:35.320
<v Speaker 6>know what I'm saying. And that started happening around the

0:24:35.400 --> 0:24:38.920
<v Speaker 6>same time the blog earl was starting, so everything was moving.

0:24:39.280 --> 0:24:42.399
<v Speaker 8>That's back when all media had to come through the

0:24:42.480 --> 0:24:44.760
<v Speaker 8>East coast, right, you had you had to take that

0:24:44.840 --> 0:24:48.320
<v Speaker 8>trip to New York. Like listen, we all remember that time.

0:24:48.880 --> 0:24:51.359
<v Speaker 8>That's been really been in this industry. Like you had

0:24:51.359 --> 0:24:53.960
<v Speaker 8>to do your press run, you had your label meetings,

0:24:54.440 --> 0:24:56.040
<v Speaker 8>you had to go to New York, you know what

0:24:56.080 --> 0:24:56.320
<v Speaker 8>I mean.

0:24:56.400 --> 0:24:58.080
<v Speaker 7>And that's when I got a lot of a lot

0:24:58.119 --> 0:24:58.960
<v Speaker 7>of my connections.

0:24:59.080 --> 0:25:02.600
<v Speaker 6>Like when we do the press run with Warner, I

0:25:02.720 --> 0:25:04.879
<v Speaker 6>got Richie Abbitt, he was the publicist there and he

0:25:05.000 --> 0:25:06.960
<v Speaker 6>was so cool, like he was showing me the ropes

0:25:07.640 --> 0:25:10.840
<v Speaker 6>while we were doing the press run. So he's introducing

0:25:10.960 --> 0:25:15.080
<v Speaker 6>me to everybody in every spot too. So now when

0:25:15.119 --> 0:25:17.960
<v Speaker 6>we go and it's not about rock, I can make

0:25:18.040 --> 0:25:21.639
<v Speaker 6>these same phone calls and pull Schoolboy Q through and

0:25:21.720 --> 0:25:24.840
<v Speaker 6>pull Abs sold through. Yeah, I mean before you, I

0:25:24.880 --> 0:25:41.240
<v Speaker 6>mean they started bubbling like they did. I've been talking

0:25:41.280 --> 0:25:46.320
<v Speaker 6>to a cat from Universal and I'm like, Yo, we

0:25:46.359 --> 0:25:48.600
<v Speaker 6>got this kid, Kendrick Lamar you come in this and

0:25:48.680 --> 0:25:51.920
<v Speaker 6>that like, okay, cool, nothing happened.

0:25:51.960 --> 0:25:54.680
<v Speaker 7>Talk to him a few months later, Yo, this kid

0:25:54.760 --> 0:25:57.640
<v Speaker 7>Kendrick is moving. Bro mean I might want to try

0:25:57.680 --> 0:26:00.159
<v Speaker 7>to do something like yeah, I heard his name. I

0:26:00.480 --> 0:26:05.440
<v Speaker 7>keep working all right, So now Kendrick is hot.

0:26:05.440 --> 0:26:09.560
<v Speaker 6>A few months later and I'm like, yo, he's like, man,

0:26:09.640 --> 0:26:11.480
<v Speaker 6>I know you man, y'all coming to New York and

0:26:11.560 --> 0:26:14.280
<v Speaker 6>his time soon said, we ain't got no plans for it,

0:26:14.400 --> 0:26:18.159
<v Speaker 6>but whatever whatever. Doctor Dre said his nigga name on

0:26:18.240 --> 0:26:24.000
<v Speaker 6>the radio on part one on six, same exect called me, Hey,

0:26:24.080 --> 0:26:25.399
<v Speaker 6>we want to fly out out right now.

0:26:27.800 --> 0:26:32.879
<v Speaker 5>Can you get to the right I was like, how many?

0:26:32.920 --> 0:26:38.280
<v Speaker 5>How many tickets y'all need? Book? You say your name,

0:26:38.440 --> 0:26:41.040
<v Speaker 5>say your name? They wait, no, say Bubby Johnson.

0:26:41.160 --> 0:26:42.240
<v Speaker 1>You get to the airport.

0:26:43.800 --> 0:26:43.919
<v Speaker 5>Well.

0:26:43.960 --> 0:26:47.320
<v Speaker 6>It was funny that that switch because this whole time

0:26:47.440 --> 0:26:51.560
<v Speaker 6>we had been pursuing. Right now it's transition into what

0:26:51.640 --> 0:26:53.080
<v Speaker 6>we pursued.

0:26:55.000 --> 0:26:55.399
<v Speaker 7>A little bit.

0:27:01.359 --> 0:27:04.560
<v Speaker 1>Yeah, loft the Theaterre.

0:27:05.880 --> 0:27:12.080
<v Speaker 7>Yeah, yeah, I know, but yeah about that was exactly.

0:27:12.000 --> 0:27:14.440
<v Speaker 5>That's how the ship goes. So here's the question when

0:27:14.480 --> 0:27:20.000
<v Speaker 5>Dre is saying his name is Drake involved at that

0:27:20.119 --> 0:27:23.360
<v Speaker 5>point or he just shouted him We had met him yet,

0:27:23.600 --> 0:27:26.760
<v Speaker 5>we didn't even met him yet. But what made him

0:27:26.760 --> 0:27:27.320
<v Speaker 5>shout him out.

0:27:28.400 --> 0:27:31.920
<v Speaker 7>There's a few different stories. A few different people said

0:27:31.960 --> 0:27:33.920
<v Speaker 7>they told Dre about Kendrick.

0:27:34.520 --> 0:27:36.760
<v Speaker 5>You know him, the one right, yeah, right.

0:27:38.080 --> 0:27:41.840
<v Speaker 6>So however that happened through some of them, people like

0:27:42.160 --> 0:27:45.040
<v Speaker 6>he ended up looking at his stuff and he liked it.

0:27:46.240 --> 0:27:50.159
<v Speaker 6>So he just happened to be doing a uh interview

0:27:50.240 --> 0:27:52.800
<v Speaker 6>with Big Boy, which he don't even do interviews. I

0:27:52.880 --> 0:27:55.359
<v Speaker 6>think he was just starting to was he starting to

0:27:55.400 --> 0:27:58.639
<v Speaker 6>push Cush at that time? I don't remember what he

0:27:58.760 --> 0:28:01.119
<v Speaker 6>was doing, but he was interviewing and they asked him

0:28:01.200 --> 0:28:05.000
<v Speaker 6>about a new artist like this kid from a Compton

0:28:05.080 --> 0:28:09.080
<v Speaker 6>named Kendrick lamar Stock went up instantly.

0:28:10.119 --> 0:28:11.879
<v Speaker 2>The reason I asked that is when you say, Dre,

0:28:14.960 --> 0:28:17.520
<v Speaker 2>I was trying to get Kendrick on the record. Yeah,

0:28:18.440 --> 0:28:22.680
<v Speaker 2>And and myogi was like, no, I'm gonna call I'm

0:28:22.720 --> 0:28:23.880
<v Speaker 2>call top, I'm gonna get it done.

0:28:23.920 --> 0:28:27.240
<v Speaker 5>I was like, all right, cool, this is right before,

0:28:27.320 --> 0:28:30.800
<v Speaker 5>you know, right before the mayhem for sure being pursued.

0:28:32.359 --> 0:28:35.720
<v Speaker 5>It ain't go boom yet, right, it was there, and

0:28:35.840 --> 0:28:36.680
<v Speaker 5>I was like, I'm about to get this.

0:28:36.760 --> 0:28:39.240
<v Speaker 2>Niggas like Tank, it's gonna cost you know, it's gonna

0:28:39.240 --> 0:28:42.560
<v Speaker 2>cost this man, Mike. I think he's worth it. I

0:28:42.600 --> 0:28:44.880
<v Speaker 2>think we give it to him. It's like, all right, well,

0:28:45.000 --> 0:28:48.000
<v Speaker 2>I'm gonna let him know. And I think maybe a

0:28:48.080 --> 0:28:50.800
<v Speaker 2>couple of days it went by and I was like, so,

0:28:50.880 --> 0:28:55.360
<v Speaker 2>what's the what's the word on Kendrick? Yeah, apparently Dre

0:28:55.560 --> 0:28:57.280
<v Speaker 2>said he not doing no more features.

0:29:00.160 --> 0:29:01.320
<v Speaker 5>What have to do?

0:29:05.720 --> 0:29:05.840
<v Speaker 3>Bro?

0:29:06.800 --> 0:29:11.440
<v Speaker 2>I was Nick Money, ready that song. Ready, I'm about

0:29:11.520 --> 0:29:16.880
<v Speaker 2>to get Kendrick Lamar. And the pursuit has gotten to

0:29:17.000 --> 0:29:19.800
<v Speaker 2>a point to where it's untouchable.

0:29:19.920 --> 0:29:21.320
<v Speaker 5>At this point, you weren't part of the plan.

0:29:21.560 --> 0:29:22.240
<v Speaker 3>Good luck.

0:29:26.080 --> 0:29:29.000
<v Speaker 5>And shut down. It is a wrap. Next time you

0:29:29.080 --> 0:29:30.160
<v Speaker 5>see him, he will be heading the.

0:29:30.240 --> 0:29:30.760
<v Speaker 4>Ring near you.

0:29:31.440 --> 0:29:34.600
<v Speaker 7>So they got a little different.

0:29:35.080 --> 0:29:37.800
<v Speaker 5>I got the ass. So you go do y'all take

0:29:37.840 --> 0:29:40.440
<v Speaker 5>the trip to New York. Oh absolutely, let's take the trip.

0:29:40.720 --> 0:29:44.640
<v Speaker 7>Oh man, we met with everybody too, like they flow.

0:29:44.480 --> 0:29:48.200
<v Speaker 5>Us out and yeah, I've been there, don't get courted.

0:29:48.280 --> 0:29:51.120
<v Speaker 2>One lay won't label flies you out. The other labels

0:29:51.120 --> 0:29:53.440
<v Speaker 2>find out you're there. Listen, how much how much jil

0:29:53.480 --> 0:29:54.080
<v Speaker 2>friscos do.

0:29:54.160 --> 0:29:54.960
<v Speaker 7>You want bro.

0:29:56.480 --> 0:29:56.760
<v Speaker 5>Give me?

0:29:57.320 --> 0:30:01.440
<v Speaker 7>As in Club Red Velvet cheese cake.

0:30:03.000 --> 0:30:07.680
<v Speaker 6>We had a ball, but it's like we just wanted

0:30:07.720 --> 0:30:09.240
<v Speaker 6>to see what you know what I mean, what the

0:30:09.320 --> 0:30:15.480
<v Speaker 6>thing was. Man, it was such a drastic difference from

0:30:17.040 --> 0:30:19.840
<v Speaker 6>us saying, yo, we dope to people saying yo, y'all

0:30:19.960 --> 0:30:21.960
<v Speaker 6>told like it's insane.

0:30:23.520 --> 0:30:24.040
<v Speaker 5>So we met.

0:30:24.560 --> 0:30:27.239
<v Speaker 7>I think we hit everybody. Were the Atlantic, we had

0:30:27.920 --> 0:30:32.280
<v Speaker 7>the Borner, we had Death Jam, did the Universal Meeting,

0:30:33.080 --> 0:30:36.160
<v Speaker 7>all types of stuff. And this was all before we

0:30:36.240 --> 0:30:37.880
<v Speaker 7>even went sat down with Dre.

0:30:39.120 --> 0:30:43.000
<v Speaker 5>Before you sit down with so obviously something told y'all

0:30:43.080 --> 0:30:43.640
<v Speaker 5>to hold off.

0:30:43.680 --> 0:30:47.040
<v Speaker 6>Though Yeah, we wasn't gonna move until we went and

0:30:47.160 --> 0:30:49.600
<v Speaker 6>hollered at him too, you know what I mean, Like

0:30:51.160 --> 0:30:53.960
<v Speaker 6>at this point, it ain't no need to rush, you

0:30:54.040 --> 0:30:54.520
<v Speaker 6>know what I'm saying.

0:30:54.520 --> 0:30:55.600
<v Speaker 7>We've been waiting for this long.

0:30:55.680 --> 0:31:00.239
<v Speaker 6>Let's see what what everybody's talking about. So we end

0:31:00.360 --> 0:31:03.360
<v Speaker 6>up Kendrick ended up going and writing some records for Dre.

0:31:05.000 --> 0:31:05.520
<v Speaker 7>And uh.

0:31:08.480 --> 0:31:11.280
<v Speaker 8>And section eighty is out at this point, Nah, I'm

0:31:11.320 --> 0:31:14.080
<v Speaker 8>working on sections working on it, yeah, because Section eighty

0:31:14.200 --> 0:31:16.400
<v Speaker 8>was still an indie project though correct.

0:31:17.120 --> 0:31:21.120
<v Speaker 6>Yes, but he was signed to Aftermath Interscope too, but

0:31:21.240 --> 0:31:23.960
<v Speaker 6>they were We let him know that, Yo, we're doing

0:31:24.040 --> 0:31:25.320
<v Speaker 6>this like this one's.

0:31:25.120 --> 0:31:28.600
<v Speaker 7>Still on us, you know what I'm saying, And they

0:31:28.720 --> 0:31:29.240
<v Speaker 7>was good with it.

0:31:30.040 --> 0:31:31.959
<v Speaker 6>And that was one of the reasons why we actually

0:31:32.600 --> 0:31:36.240
<v Speaker 6>said yeah to going with Dre because when we had

0:31:36.280 --> 0:31:38.160
<v Speaker 6>a conversation, he was like, Yo, I don't want to

0:31:38.280 --> 0:31:39.920
<v Speaker 6>change nothing about what y'all doing.

0:31:41.280 --> 0:31:43.560
<v Speaker 7>If it's something I can come in and help and enhanced,

0:31:44.000 --> 0:31:46.680
<v Speaker 7>I mean I'll do that. But other than that, y'all

0:31:46.760 --> 0:31:49.480
<v Speaker 7>just keep moving. How y'all moving? You know what I'm saying.

0:31:49.520 --> 0:31:50.640
<v Speaker 7>If y'all need me, I'm here.

0:31:51.000 --> 0:31:54.360
<v Speaker 5>I mean Section eighty project was that through Empire, That's

0:31:54.360 --> 0:31:55.600
<v Speaker 5>what I thought. That's what I thought.

0:31:55.720 --> 0:31:57.760
<v Speaker 7>Yeah, I think we got their first platinum.

0:31:57.960 --> 0:32:01.240
<v Speaker 5>Yeah right, yeah, yeah, yeah, you're gonna make sure them

0:32:03.520 --> 0:32:10.080
<v Speaker 5>away your things, you know, I mean trying to help, right, guys,

0:32:10.320 --> 0:32:14.520
<v Speaker 5>just trying to help me Now, that's that's dope. That's dope.

0:32:14.760 --> 0:32:17.080
<v Speaker 8>And then so now you okay, so you get you

0:32:17.200 --> 0:32:21.160
<v Speaker 8>get to deal with Dre. Yeah, y'all shut down Tanks feature.

0:32:23.640 --> 0:32:24.560
<v Speaker 5>We gotta get back.

0:32:24.440 --> 0:32:26.720
<v Speaker 7>To that man, you gotta that might have been capped

0:32:26.760 --> 0:32:29.959
<v Speaker 7>by the way that might have been I ain't ever

0:32:30.040 --> 0:32:34.840
<v Speaker 7>turned down no bread that might have got lost.

0:32:37.240 --> 0:32:42.080
<v Speaker 5>Let's just re we rig back the conversations you should

0:32:42.080 --> 0:32:42.479
<v Speaker 5>have put down.

0:32:43.440 --> 0:32:47.720
<v Speaker 7>I was trying that's funny.

0:32:49.160 --> 0:32:51.360
<v Speaker 5>So you said, you don't know you're going there.

0:32:52.000 --> 0:32:55.680
<v Speaker 8>So from from that point now we're now we're trying

0:32:55.760 --> 0:33:03.600
<v Speaker 8>to get into the first official relief and right well, now.

0:33:03.560 --> 0:33:07.880
<v Speaker 6>You know what, before that, we did a situation with

0:33:08.200 --> 0:33:12.160
<v Speaker 6>Tech nine and Travis Ogwyn that's strange music.

0:33:12.400 --> 0:33:15.000
<v Speaker 5>I remember that. I do remember that because y'all was

0:33:15.040 --> 0:33:18.640
<v Speaker 5>on y'all was on the road with I do remember that,

0:33:19.160 --> 0:33:21.080
<v Speaker 5>and that right there was h That.

0:33:21.160 --> 0:33:25.080
<v Speaker 6>Was a big learning experience too, because I think they

0:33:25.200 --> 0:33:30.480
<v Speaker 6>showed us how how to tour and how to do

0:33:30.600 --> 0:33:35.880
<v Speaker 6>merch because they operation is the best I've ever seen

0:33:35.960 --> 0:33:36.760
<v Speaker 6>the music business.

0:33:36.920 --> 0:33:40.440
<v Speaker 8>I still don't have a TV. I've been tops with

0:33:40.520 --> 0:33:42.080
<v Speaker 8>my friend for a really long time. Every time I

0:33:42.120 --> 0:33:43.160
<v Speaker 8>see it, I said the same thing.

0:33:43.800 --> 0:33:46.120
<v Speaker 2>You know, I got you right on top. I still

0:33:46.160 --> 0:33:48.160
<v Speaker 2>don't got my hoodie. I would have a TD hoodie

0:33:48.200 --> 0:33:51.080
<v Speaker 2>on right now, would have red had on everything.

0:33:51.160 --> 0:33:52.120
<v Speaker 5>Fake time here.

0:33:53.520 --> 0:33:56.040
<v Speaker 7>Everything to put you on a groove chat with the

0:33:56.080 --> 0:33:57.520
<v Speaker 7>merch du come on man.

0:34:00.280 --> 0:34:02.200
<v Speaker 5>T podcast.

0:34:03.480 --> 0:34:04.480
<v Speaker 7>I make sure y'all good.

0:34:04.680 --> 0:34:07.320
<v Speaker 5>So y'all going tour, y'all y'all on the road.

0:34:07.600 --> 0:34:13.120
<v Speaker 8>Right with tech ninety Yeah, and y'all are seeing because

0:34:13.200 --> 0:34:14.719
<v Speaker 8>this is the part that I'm paying attention to.

0:34:17.000 --> 0:34:22.800
<v Speaker 5>All of the schooling. Yeah over time. Yeah, you know

0:34:22.800 --> 0:34:25.320
<v Speaker 5>what I mean. That was, man, that was so important.

0:34:26.640 --> 0:34:32.880
<v Speaker 6>Again, just watching how these dudes work, even the markets,

0:34:33.040 --> 0:34:35.600
<v Speaker 6>like they do the A markets, the B markets, then

0:34:35.640 --> 0:34:39.680
<v Speaker 6>they go do the C market, so the SE market

0:34:39.840 --> 0:34:42.320
<v Speaker 6>is covering what they were doing in the B market.

0:34:43.400 --> 0:34:47.120
<v Speaker 7>So it's pretty much all money in yes, you know

0:34:47.160 --> 0:34:49.279
<v Speaker 7>what I'm saying. So that they they method of.

0:34:49.320 --> 0:34:53.600
<v Speaker 6>Touring was was really a thing that we took to

0:34:53.760 --> 0:34:56.719
<v Speaker 6>heart and put it incorporated in what we do.

0:34:57.719 --> 0:35:02.120
<v Speaker 8>And that's how you really established artists, yeah, road and

0:35:02.280 --> 0:35:05.879
<v Speaker 8>build up real fan bases. Absolutely, most people ain't going

0:35:05.920 --> 0:35:10.040
<v Speaker 8>to Des Moines, especially urban artists. Ye, real talk, you

0:35:10.120 --> 0:35:10.560
<v Speaker 8>know what I mean.

0:35:11.440 --> 0:35:15.600
<v Speaker 5>People even a major city, people skip over Phoenix.

0:35:16.960 --> 0:35:19.640
<v Speaker 8>In the urban space for sure. R and B definitely

0:35:19.640 --> 0:35:20.920
<v Speaker 8>don't go there, you know what I mean. And that's

0:35:20.960 --> 0:35:24.280
<v Speaker 8>tough and taking I speak to a lot of people

0:35:24.320 --> 0:35:26.000
<v Speaker 8>who are like, yo, when are y'all coming at Like,

0:35:26.080 --> 0:35:30.080
<v Speaker 8>bro't nobody the booking out here? Are the and it's right,

0:35:30.160 --> 0:35:33.680
<v Speaker 8>it's right next door. But then also stopping in presno,

0:35:34.440 --> 0:35:36.680
<v Speaker 8>stopping in Bakersfield, absolutely.

0:35:37.239 --> 0:35:41.680
<v Speaker 7>All the markets, like people into.

0:35:41.360 --> 0:35:43.920
<v Speaker 8>Yeah, because they think that everybody's just gonna go to Oakland?

0:35:44.440 --> 0:35:46.920
<v Speaker 8>Are people gonna go to Sack? Real talk instead of

0:35:46.960 --> 0:35:48.319
<v Speaker 8>saying no, no, no, no, I'm gonna come to where

0:35:48.360 --> 0:35:51.719
<v Speaker 8>you are. Just do the smaller venue sell that out

0:35:52.760 --> 0:35:58.520
<v Speaker 8>and uh for the tour, where do we go? Uha,

0:35:58.920 --> 0:36:02.880
<v Speaker 8>California because Sacramental on the outside of Sacramento.

0:36:03.000 --> 0:36:05.200
<v Speaker 2>Outside on the outside of Sacramento. Because I asked you,

0:36:05.239 --> 0:36:09.359
<v Speaker 2>I was like, it's people's people. Yeah, he's here, Yeah,

0:36:09.360 --> 0:36:10.000
<v Speaker 2>people coming here.

0:36:10.360 --> 0:36:12.919
<v Speaker 5>Yeah Yeah, we're outside the sack that Jink was sold.

0:36:13.000 --> 0:36:16.920
<v Speaker 2>I'm like, yeah, buddy, okay, all right because I've never

0:36:17.000 --> 0:36:20.400
<v Speaker 2>been there, right, But I'm also a guy that's like

0:36:21.800 --> 0:36:25.160
<v Speaker 2>I'll come yeah, Wheatland's yeah.

0:36:25.600 --> 0:36:28.240
<v Speaker 5>Yeah, it's right outside the sack. I'll go anywhere.

0:36:29.000 --> 0:36:31.799
<v Speaker 6>And what's crazy is those people will be the most

0:36:31.880 --> 0:36:33.960
<v Speaker 6>turned Oh it was going up what I'm saying, because

0:36:33.960 --> 0:36:35.320
<v Speaker 6>they don't get to see people yea.

0:36:35.560 --> 0:36:37.799
<v Speaker 2>And mostly there are people from the major cities who

0:36:37.920 --> 0:36:40.680
<v Speaker 2>moved there for either better life, get a bigger, bigger

0:36:40.719 --> 0:36:44.600
<v Speaker 2>house out there, it's more quiet. Sometimes your money go bad,

0:36:44.719 --> 0:36:47.360
<v Speaker 2>you gotta get somewhere where it's more affordable.

0:36:47.840 --> 0:36:48.839
<v Speaker 5>Conve been there.

0:36:51.480 --> 0:36:53.239
<v Speaker 2>You gotta go with your better Corona build up there,

0:36:53.440 --> 0:36:57.040
<v Speaker 2>you gotta go with your money. Stretch a little bit, stretching. Listen,

0:36:57.080 --> 0:36:59.320
<v Speaker 2>I was stretching a Rancho cuckoomung and Corona.

0:36:59.520 --> 0:36:59.840
<v Speaker 5>How was the.

0:37:03.160 --> 0:37:07.799
<v Speaker 3>Cracking? They figured me out.

0:37:08.440 --> 0:37:09.080
<v Speaker 5>It's funny.

0:37:09.880 --> 0:37:13.880
<v Speaker 2>Yeah, I remember I remember a show I did and

0:37:15.280 --> 0:37:20.200
<v Speaker 2>in Fresno. Did you say Fresno in this club? Yeah,

0:37:20.800 --> 0:37:23.960
<v Speaker 2>like about three or four hundred. Yeah, remember that, Yeah,

0:37:24.200 --> 0:37:26.600
<v Speaker 2>I say, great remark.

0:37:26.960 --> 0:37:30.200
<v Speaker 8>He was like, Nigga's gonna be crazy because from Fresno

0:37:30.320 --> 0:37:32.120
<v Speaker 8>it was exuing there.

0:37:33.040 --> 0:37:35.320
<v Speaker 5>I remember that show like it was yesterday to this

0:37:36.120 --> 0:37:38.400
<v Speaker 5>had just before downstairs. I remember.

0:37:38.880 --> 0:37:41.239
<v Speaker 6>That's how I go, man, Because again, these people don't

0:37:41.280 --> 0:37:43.360
<v Speaker 6>get people that just come there all the time. So

0:37:43.520 --> 0:37:46.320
<v Speaker 6>when you in their town, they want to go and

0:37:46.680 --> 0:37:49.319
<v Speaker 6>have a blast and they party like they ain't never

0:37:49.360 --> 0:37:50.000
<v Speaker 6>seen you before.

0:37:50.640 --> 0:37:54.480
<v Speaker 8>So is that something that as an executive that you

0:37:54.680 --> 0:37:56.879
<v Speaker 8>push to your artist, that you like when you're having

0:37:56.920 --> 0:38:00.759
<v Speaker 8>your conversations about brand building, about bilding out there fan

0:38:00.840 --> 0:38:04.879
<v Speaker 8>bases like listen, it may not be sweet all the time,

0:38:05.280 --> 0:38:06.880
<v Speaker 8>and it may not be the biggest venues or the

0:38:06.920 --> 0:38:09.919
<v Speaker 8>biggest city sometimes, but these are the people that will

0:38:09.960 --> 0:38:10.520
<v Speaker 8>hold you up.

0:38:10.840 --> 0:38:11.880
<v Speaker 7>Oh one thousand percent.

0:38:12.560 --> 0:38:16.320
<v Speaker 6>Remember the first show we deal with Kendrick, it was

0:38:16.400 --> 0:38:20.279
<v Speaker 6>like eight people in there bro no way, literally like

0:38:20.400 --> 0:38:26.720
<v Speaker 6>eight people, not including the twelve we bought still Rocks.

0:38:28.120 --> 0:38:31.640
<v Speaker 6>It was in the Long Beach hm hmm, yeah, so.

0:38:33.200 --> 0:38:34.800
<v Speaker 7>We went there. I mean the stage was about the

0:38:34.880 --> 0:38:36.120
<v Speaker 7>size of this table right there.

0:38:37.600 --> 0:38:41.120
<v Speaker 6>Well, it's whatever, like, let's get to it. And these days,

0:38:41.160 --> 0:38:44.920
<v Speaker 6>if they ever have fun, they gonna tell people. And

0:38:45.040 --> 0:38:47.040
<v Speaker 6>that's how you build it. Like they tell people, and

0:38:47.120 --> 0:38:50.160
<v Speaker 6>they tell people and they bring folks and you got

0:38:50.239 --> 0:38:50.839
<v Speaker 6>a fan base.

0:38:51.200 --> 0:38:53.040
<v Speaker 5>Yeah, I think that's also a lost start.

0:38:53.160 --> 0:38:57.680
<v Speaker 2>It's like with the phone, everybody makes it seem like,

0:38:58.920 --> 0:39:01.560
<v Speaker 2>you know, as soon as you pop about, it's a

0:39:01.600 --> 0:39:05.480
<v Speaker 2>thousand people there. It's the allure because this is the

0:39:05.560 --> 0:39:09.279
<v Speaker 2>other part about that they introduce in my opinion, they

0:39:09.400 --> 0:39:15.200
<v Speaker 2>introduce urban artists to the festival very early. Yeah, a

0:39:15.320 --> 0:39:17.239
<v Speaker 2>festival used to be something that you had to be

0:39:17.400 --> 0:39:20.600
<v Speaker 2>really established to get there. Now you can have one

0:39:20.680 --> 0:39:23.279
<v Speaker 2>record and they'll put you on a festival show, which

0:39:23.360 --> 0:39:26.799
<v Speaker 2>is kind of crazy. Yeah, because back in the day

0:39:26.840 --> 0:39:29.400
<v Speaker 2>they might the DJ might play your song at the

0:39:29.520 --> 0:39:30.920
<v Speaker 2>festival crowd going.

0:39:31.000 --> 0:39:32.640
<v Speaker 5>Now they're actually paying you to show up to do

0:39:32.719 --> 0:39:34.280
<v Speaker 5>that one song, and it's.

0:39:34.160 --> 0:39:40.160
<v Speaker 2>Great for them because they're getting the energy, the selle,

0:39:40.560 --> 0:39:44.640
<v Speaker 2>the whatever of the one record, But they're crippling you

0:39:45.840 --> 0:39:48.520
<v Speaker 2>as a hard ticket selling artist, right.

0:39:49.000 --> 0:39:51.800
<v Speaker 6>But that's the thing though, like when you say with

0:39:51.920 --> 0:39:56.000
<v Speaker 6>festivals to me, if you unknown, that's the opportunity gains

0:39:56.080 --> 0:39:59.719
<v Speaker 6>more fans, of course, but you can't confuse that with

0:40:00.400 --> 0:40:03.440
<v Speaker 6>your hard ticket sales, like you said, because you'll go

0:40:03.600 --> 0:40:06.600
<v Speaker 6>do a show and nobody show up, and you do

0:40:06.719 --> 0:40:10.080
<v Speaker 6>a festival in the whole tenth for that's because it's

0:40:10.120 --> 0:40:12.719
<v Speaker 6>a thousand other artists on this bill and people are

0:40:12.760 --> 0:40:15.879
<v Speaker 6>floating around to see what's what. So if you're there

0:40:15.920 --> 0:40:18.360
<v Speaker 6>and you got one song, rock out kill it and

0:40:18.440 --> 0:40:21.080
<v Speaker 6>try to gain some more fans. So when you do

0:40:21.200 --> 0:40:24.200
<v Speaker 6>your hard ticket show, some people might show up for you.

0:40:25.520 --> 0:40:29.080
<v Speaker 2>Yeah, it's just it's just like the idea of you

0:40:29.239 --> 0:40:32.560
<v Speaker 2>hitting that festival stage and then having to come to

0:40:32.760 --> 0:40:35.759
<v Speaker 2>terms with them seven people.

0:40:35.600 --> 0:40:38.160
<v Speaker 5>That they labeled in that venue, like and that is

0:40:38.200 --> 0:40:38.800
<v Speaker 5>a reality.

0:40:39.040 --> 0:40:41.560
<v Speaker 2>I didn't know nothing about No Festival, so I was never,

0:40:42.920 --> 0:40:47.440
<v Speaker 2>you know, programmed to believing that that would be a

0:40:47.560 --> 0:40:50.200
<v Speaker 2>reality for me. Well, the one thing that did kind

0:40:50.239 --> 0:40:52.520
<v Speaker 2>of I had to kind of get used to was

0:40:52.560 --> 0:40:57.440
<v Speaker 2>I have been singing backgrounds with Genuine and live in arenas, right,

0:40:58.840 --> 0:41:00.279
<v Speaker 2>and then they would call me out the sing a

0:41:00.320 --> 0:41:02.840
<v Speaker 2>little solo and screams was crazy.

0:41:03.880 --> 0:41:05.919
<v Speaker 5>Those must be my screen, you know what I'm saying.

0:41:05.960 --> 0:41:09.160
<v Speaker 5>It was, you know, those the Nigga Virginuine screen.

0:41:12.080 --> 0:41:12.400
<v Speaker 3>All right.

0:41:15.760 --> 0:41:19.560
<v Speaker 2>But when it was my turn, I was for sure,

0:41:20.320 --> 0:41:22.000
<v Speaker 2>you know, I was prepared to thug it out, and

0:41:22.120 --> 0:41:24.920
<v Speaker 2>thug it out. I had to in a van with

0:41:25.760 --> 0:41:29.960
<v Speaker 2>everybody and the crew and the equipment. Exactly I did.

0:41:30.400 --> 0:41:35.480
<v Speaker 2>I did a dirt floor with with two mics, one

0:41:35.600 --> 0:41:38.720
<v Speaker 2>mic for me and one mic from my background singers,

0:41:39.000 --> 0:41:43.120
<v Speaker 2>and it was both on short chords. And I still

0:41:43.200 --> 0:41:46.359
<v Speaker 2>took my shirt off and I laid on that dirt

0:41:46.440 --> 0:41:53.600
<v Speaker 2>floor and my song absolutely, yes, sir, absolutely, my little

0:41:53.640 --> 0:41:55.880
<v Speaker 2>off fin up got on my knees.

0:41:56.640 --> 0:42:01.719
<v Speaker 5>He was a little male fit. Listen them thirty two

0:42:01.800 --> 0:42:06.000
<v Speaker 5>people in that place, felt me absolutely. I'm sure they'll

0:42:06.040 --> 0:42:08.920
<v Speaker 5>talk about it, right And did you say that? I'm

0:42:08.960 --> 0:42:12.880
<v Speaker 5>just like, that's just the lost art. They just getting

0:42:13.480 --> 0:42:14.520
<v Speaker 5>back to the.

0:42:14.760 --> 0:42:18.200
<v Speaker 6>Streets, you know what it be too though. It's a

0:42:18.280 --> 0:42:22.080
<v Speaker 6>lot of ego involved. So to go out there and

0:42:22.120 --> 0:42:25.680
<v Speaker 6>there's only a few people out there, like that's not

0:42:25.719 --> 0:42:28.520
<v Speaker 6>a comfortable feeling for a lot of people, especially you

0:42:28.560 --> 0:42:31.719
<v Speaker 6>don't have that mindset where I got to turn these

0:42:31.760 --> 0:42:35.279
<v Speaker 6>twenty people up, you know what I mean, because how

0:42:35.400 --> 0:42:38.160
<v Speaker 6>artists are presented again kind of like what you was mentioning,

0:42:39.080 --> 0:42:41.320
<v Speaker 6>they presented to be stars already.

0:42:41.840 --> 0:42:44.440
<v Speaker 7>When that's not it's not at all.

0:42:45.120 --> 0:42:45.839
<v Speaker 5>It's not the case.

0:42:45.920 --> 0:42:48.000
<v Speaker 6>Even like with the artists we got right, Like the

0:42:48.080 --> 0:42:52.480
<v Speaker 6>first four dudes that promova I'm telling you about literally

0:42:52.640 --> 0:42:55.680
<v Speaker 6>followed Game on tour across the country.

0:42:55.760 --> 0:43:00.520
<v Speaker 7>In that promovp. It's fifteen of us in that advanced

0:43:01.680 --> 0:43:04.080
<v Speaker 7>you know what I'm saying opening up for for Game

0:43:04.200 --> 0:43:05.759
<v Speaker 7>during his tours l A X tour.

0:43:06.640 --> 0:43:09.200
<v Speaker 2>I made it under that I did get it almost

0:43:09.280 --> 0:43:15.240
<v Speaker 2>can oh. Yeah, yeah, I said, I got I gotta put.

0:43:15.120 --> 0:43:16.759
<v Speaker 7>You on one, that's all. I got one.

0:43:16.800 --> 0:43:22.560
<v Speaker 5>I got one with you and kid and yeah, I'm

0:43:22.600 --> 0:43:23.040
<v Speaker 5>on the way.

0:43:24.160 --> 0:43:26.560
<v Speaker 6>But like so the new artists that come after that,

0:43:27.480 --> 0:43:29.640
<v Speaker 6>they coming into an established situation.

0:43:30.600 --> 0:43:32.799
<v Speaker 7>So now they can hope right in on the tour bus,

0:43:34.040 --> 0:43:36.120
<v Speaker 7>so they don't know the struggle that.

0:43:36.200 --> 0:43:39.880
<v Speaker 8>We went through taking I have that conversation all the time, bro,

0:43:40.400 --> 0:43:44.200
<v Speaker 8>because like I am a and for anybody who's watched

0:43:44.239 --> 0:43:46.280
<v Speaker 8>the podcast, I'll say this, like I'm.

0:43:46.120 --> 0:43:48.640
<v Speaker 2>A reminder of that to people. I'm like, hey, nigga,

0:43:48.920 --> 0:43:52.040
<v Speaker 2>I slept on the floor. Yeah, like yeah, yeah, but

0:43:52.120 --> 0:43:53.799
<v Speaker 2>you know they ain't gonta sleep on the floor no more.

0:43:55.120 --> 0:43:59.280
<v Speaker 8>But I did say and and there's and there's something

0:43:59.360 --> 0:44:04.800
<v Speaker 8>to to buildings, building up tough skin, to dealing with

0:44:04.960 --> 0:44:10.880
<v Speaker 8>this ship and understanding that Amen, it's gonna get ugly

0:44:10.960 --> 0:44:11.759
<v Speaker 8>sometime in here.

0:44:12.239 --> 0:44:16.560
<v Speaker 5>What are you going to do? Yeah, real talk when

0:44:16.600 --> 0:44:17.360
<v Speaker 5>you're faced with that.

0:44:17.760 --> 0:44:21.719
<v Speaker 6>Yeah, my thing is I'm gonna remind you just so

0:44:22.160 --> 0:44:26.480
<v Speaker 6>you understand, and I want you to be grateful for

0:44:26.600 --> 0:44:27.719
<v Speaker 6>the position that you're in.

0:44:28.000 --> 0:44:32.200
<v Speaker 8>You say grateful one time, because that is not a thing, right,

0:44:32.480 --> 0:44:34.200
<v Speaker 8>and especially not a music business.

0:44:34.200 --> 0:44:34.319
<v Speaker 2>Now.

0:44:35.080 --> 0:44:39.840
<v Speaker 5>People being grateful they feel old, right, Like nobody owes

0:44:39.920 --> 0:44:40.440
<v Speaker 5>you anything.

0:44:40.760 --> 0:44:41.439
<v Speaker 7>That's real talk.

0:44:42.960 --> 0:44:46.399
<v Speaker 5>Going back, I chose to sleep on that floor. Yep.

0:44:46.920 --> 0:44:48.439
<v Speaker 5>I could have stayed my ass in the bay.

0:44:49.520 --> 0:44:51.480
<v Speaker 8>I could have did whatever hustling I was doing back

0:44:51.520 --> 0:44:55.320
<v Speaker 8>home in my comfortable bed. I was like, you know what,

0:44:55.520 --> 0:44:57.360
<v Speaker 8>I'm going out here to make a life for myself.

0:44:58.040 --> 0:45:02.360
<v Speaker 5>So in doing that. There's no furniture in that room exactly,

0:45:02.719 --> 0:45:03.360
<v Speaker 5>but that.

0:45:03.520 --> 0:45:06.800
<v Speaker 2>Room is connected into a house that has a studio

0:45:08.239 --> 0:45:10.919
<v Speaker 2>that at any point of the night I could walk

0:45:11.000 --> 0:45:14.560
<v Speaker 2>my black ass over there and start writing these songs,

0:45:14.800 --> 0:45:18.320
<v Speaker 2>real talk so that I can try to change my life.

0:45:19.880 --> 0:45:21.719
<v Speaker 5>And I am grateful it built that.

0:45:21.880 --> 0:45:24.880
<v Speaker 7>It built so much character, bro you know what I mean?

0:45:24.960 --> 0:45:29.759
<v Speaker 7>Like I remember we had all start weekend, like we

0:45:29.960 --> 0:45:30.879
<v Speaker 7>all drove down.

0:45:30.960 --> 0:45:33.200
<v Speaker 8>But that's definitely a time we realized you not that

0:45:33.280 --> 0:45:37.160
<v Speaker 8>you're poor, brose so many rich niggas at All Star, man.

0:45:37.040 --> 0:45:40.680
<v Speaker 7>We had that the Flamingo. Ten niggas in one room.

0:45:42.360 --> 0:45:46.600
<v Speaker 5>Sleep Vegas All Star Weekend. Yes, when niggas had a

0:45:46.680 --> 0:45:47.480
<v Speaker 5>side show.

0:45:47.480 --> 0:45:56.480
<v Speaker 7>That year, it was oh man, y'all was we ten

0:45:56.640 --> 0:46:00.680
<v Speaker 7>deep in one room? Yeah, so asleep sitting up in

0:46:00.760 --> 0:46:05.480
<v Speaker 7>the chairs. Somebody's sleeping the bathtub. Like, get in where

0:46:05.480 --> 0:46:07.919
<v Speaker 7>you fit in out there working? You know what I'm saying,

0:46:08.040 --> 0:46:11.800
<v Speaker 7>so a lot of artists don't understand that and haven't

0:46:11.840 --> 0:46:14.400
<v Speaker 7>been through that, and you can kind of see it

0:46:14.480 --> 0:46:17.480
<v Speaker 7>sometimes in their hunger level, you know what I mean.

0:46:17.640 --> 0:46:20.360
<v Speaker 7>But I'm reminders though that they're healthy.

0:46:21.200 --> 0:46:23.719
<v Speaker 8>I think the thing that I've seen from the outside,

0:46:24.800 --> 0:46:26.720
<v Speaker 8>and you can speak on this because it's your company.

0:46:27.440 --> 0:46:28.120
<v Speaker 5>I feel like.

0:46:29.640 --> 0:46:33.760
<v Speaker 8>Everybody that I know of that I've seen, they gotta

0:46:33.920 --> 0:46:39.200
<v Speaker 8>earn their ship at tde absolutely, like even when y'all

0:46:39.239 --> 0:46:42.359
<v Speaker 8>do your initial deals, it's like, all right, we're gonna

0:46:42.360 --> 0:46:44.239
<v Speaker 8>give you the opportunity. We're gonna give you a deal,

0:46:44.280 --> 0:46:46.640
<v Speaker 8>We're gonna put some money in your pocket. But this

0:46:46.880 --> 0:46:50.080
<v Speaker 8>is not you're a star today, right, You're not. You're

0:46:50.160 --> 0:46:53.160
<v Speaker 8>not Schoolboy Q today, You're not Jay Rock today, You're

0:46:53.200 --> 0:46:55.480
<v Speaker 8>not Kendrick Abso you.

0:46:55.640 --> 0:46:58.600
<v Speaker 5>Are brand new, right, real talk. So we're gonna we're

0:46:58.600 --> 0:46:59.920
<v Speaker 5>gonna help you get your buzz going.

0:47:00.239 --> 0:47:00.600
<v Speaker 7>Mm.

0:47:00.920 --> 0:47:02.719
<v Speaker 5>Then we're gonna figure out where we're gonna take it.

0:47:03.280 --> 0:47:05.600
<v Speaker 8>Yeah, because that's the other thing and it you know,

0:47:05.800 --> 0:47:07.560
<v Speaker 8>and if I'm getting too deep into how y'all do

0:47:07.680 --> 0:47:08.400
<v Speaker 8>y'all business, but.

0:47:08.960 --> 0:47:09.480
<v Speaker 7>No, you good.

0:47:11.160 --> 0:47:15.439
<v Speaker 8>How y'all license deals? More so than it is y'all

0:47:15.600 --> 0:47:19.440
<v Speaker 8>doing labeled partnerships or you know what I mean, Like

0:47:20.040 --> 0:47:27.080
<v Speaker 8>y'all are fully owners of TDE. There is no code

0:47:27.120 --> 0:47:29.360
<v Speaker 8>this with this company that company.

0:47:31.200 --> 0:47:35.000
<v Speaker 7>Nah, it's uh, it's just you know, it's just real partnerships. Yeah,

0:47:35.640 --> 0:47:37.920
<v Speaker 7>you know what I'm saying. Like the cis a deal.

0:47:38.000 --> 0:47:40.360
<v Speaker 7>The first one we did with r c A. It

0:47:40.520 --> 0:47:43.640
<v Speaker 7>was a licensing deal. I think it was like at

0:47:43.719 --> 0:47:48.000
<v Speaker 7>the time, was kind of one of its kind, you

0:47:48.040 --> 0:47:48.440
<v Speaker 7>know what I mean.

0:47:48.480 --> 0:47:50.840
<v Speaker 6>It was kind of the transition when people started breaking

0:47:50.880 --> 0:47:55.480
<v Speaker 6>away from giving away everything from Jack exactly.

0:47:56.040 --> 0:47:56.400
<v Speaker 5>M hm.

0:47:57.000 --> 0:48:00.919
<v Speaker 7>So you know, we just try to try to push

0:48:00.960 --> 0:48:03.319
<v Speaker 7>the envelope, you know what I mean, try to.

0:48:05.600 --> 0:48:08.040
<v Speaker 6>Try to break new ground, you know what I'm saying,

0:48:08.040 --> 0:48:10.880
<v Speaker 6>because like again, the rules of this business are so

0:48:11.120 --> 0:48:15.680
<v Speaker 6>old and we're still living by these same old standards,

0:48:15.719 --> 0:48:17.839
<v Speaker 6>like we're not even in that time period no more.

0:48:18.920 --> 0:48:22.240
<v Speaker 6>So the deals need to be updated and switched around.

0:48:23.640 --> 0:48:25.399
<v Speaker 6>So that's what we try to We try to push

0:48:25.440 --> 0:48:26.200
<v Speaker 6>the envelope on that.

0:48:27.239 --> 0:48:29.520
<v Speaker 2>So when you go from you did the Warner deal,

0:48:29.719 --> 0:48:31.840
<v Speaker 2>now you do the Interscope deal. Now you got the

0:48:31.880 --> 0:48:33.080
<v Speaker 2>shout out from doctor dre.

0:48:35.080 --> 0:48:36.799
<v Speaker 7>He he uh.

0:48:38.239 --> 0:48:41.040
<v Speaker 5>He shuts down my feature text.

0:48:40.880 --> 0:48:45.560
<v Speaker 2>Him when we live like that, When is the moment

0:48:45.680 --> 0:48:49.200
<v Speaker 2>where you guys, as as it labeled as guys who've

0:48:49.200 --> 0:48:53.960
<v Speaker 2>been trying to crack the code, because now you know,

0:48:54.080 --> 0:48:55.239
<v Speaker 2>the deals are one thing.

0:48:55.360 --> 0:48:58.560
<v Speaker 5>Getting a deal done is one thing. But actually.

0:49:00.160 --> 0:49:06.040
<v Speaker 2>Feeling like you're headed towards somewhere really successful and even

0:49:06.160 --> 0:49:10.160
<v Speaker 2>seeing some fruits of that labor is something completely different

0:49:10.800 --> 0:49:11.200
<v Speaker 2>for sure.

0:49:12.080 --> 0:49:14.920
<v Speaker 5>When is that turn for you guys? For me?

0:49:15.160 --> 0:49:18.200
<v Speaker 7>That happened before all of that.

0:49:18.400 --> 0:49:23.719
<v Speaker 6>Actually this happened in twenty ten when we put out

0:49:23.800 --> 0:49:30.200
<v Speaker 6>the Kendrick Lamar LP no EP I'm sorry. So one

0:49:30.239 --> 0:49:32.320
<v Speaker 6>of the songs we did on there a song called Faith.

0:49:33.040 --> 0:49:35.160
<v Speaker 6>I'm on it with Kendrick and BJ.

0:49:36.000 --> 0:49:38.879
<v Speaker 5>You're on yeah, tell them, tell them what you're doing

0:49:38.920 --> 0:49:39.080
<v Speaker 5>on it?

0:49:39.320 --> 0:49:43.759
<v Speaker 7>Yeah, saying bars yeah, bars, yeah, yeah, talking a little

0:49:43.760 --> 0:49:44.359
<v Speaker 7>bit get.

0:49:44.480 --> 0:49:49.000
<v Speaker 5>Us Yeah yeah. They'd be on Twitter. Ye he doesn't.

0:49:49.080 --> 0:49:50.520
<v Speaker 5>Yeah he has on Twitter.

0:49:50.680 --> 0:49:51.360
<v Speaker 3>That's a difference.

0:49:53.360 --> 0:49:54.000
<v Speaker 7>That's funny.

0:49:54.800 --> 0:49:58.480
<v Speaker 6>But now we was doing so that's out and we're

0:49:58.520 --> 0:50:03.440
<v Speaker 6>doing an in store in Carson at a app Soul's

0:50:03.840 --> 0:50:05.479
<v Speaker 6>Grandfather record shop.

0:50:06.360 --> 0:50:07.759
<v Speaker 7>So you know a crowd of people coming.

0:50:07.840 --> 0:50:13.040
<v Speaker 6>This young lady came up to Kendrick and I'm standing

0:50:13.120 --> 0:50:17.320
<v Speaker 6>right there and she was like, Yo, this song stopped

0:50:17.360 --> 0:50:22.000
<v Speaker 6>me from I mean, harming myself. And at that moment,

0:50:22.040 --> 0:50:26.840
<v Speaker 6>I'm like, oh, this is bigger than just recording records.

0:50:26.840 --> 0:50:32.200
<v Speaker 6>We're actually affecting people's lives. So I figure we had

0:50:32.200 --> 0:50:36.719
<v Speaker 6>a bigger purpose at that point, and if it infects

0:50:37.000 --> 0:50:40.759
<v Speaker 6>enough people then it'll pay off in other ways as well.

0:50:41.800 --> 0:50:45.000
<v Speaker 7>But that's the goal now, you know what I'm saying.

0:50:45.560 --> 0:50:48.920
<v Speaker 7>We want to do something that helps somebody.

0:50:49.719 --> 0:51:04.640
<v Speaker 8>At the end of the day, you guys have established

0:51:04.640 --> 0:51:10.000
<v Speaker 8>yourself at this point as a powerhouse rap label, right,

0:51:10.840 --> 0:51:13.759
<v Speaker 8>even if that's not the you know, the intention, it's

0:51:13.800 --> 0:51:14.400
<v Speaker 8>just what happens.

0:51:14.440 --> 0:51:15.400
<v Speaker 5>It's the music business.

0:51:15.840 --> 0:51:18.320
<v Speaker 8>Everything is about boxes that nobody wants to be in,

0:51:18.560 --> 0:51:21.040
<v Speaker 8>of course, but now you're in that box, your.

0:51:21.000 --> 0:51:25.600
<v Speaker 5>West Coast, gainst the rap, all those things, right, just.

0:51:26.560 --> 0:51:27.480
<v Speaker 3>This is what they do.

0:51:28.120 --> 0:51:33.480
<v Speaker 5>Yep. Then y'all hit a full a full turn.

0:51:34.360 --> 0:51:37.480
<v Speaker 8>Yeah, they said, you know what, We're gonna sign an

0:51:37.520 --> 0:51:39.320
<v Speaker 8>R and B artist that's not from the coast.

0:51:40.960 --> 0:51:47.200
<v Speaker 5>And it's a woman. Yeah, what's the what's the thought

0:51:47.280 --> 0:51:48.480
<v Speaker 5>process into that?

0:51:49.760 --> 0:51:52.720
<v Speaker 7>That's exactly what the thought process was for me personally.

0:51:53.480 --> 0:51:55.759
<v Speaker 6>So I'm looking at what we're doing so we established,

0:51:56.120 --> 0:52:01.279
<v Speaker 6>we got Jay Rock, we got Kendrick Uh, Schoolboy Q

0:52:01.480 --> 0:52:04.719
<v Speaker 6>popping on the radio. Now we got apps, so that's

0:52:04.800 --> 0:52:10.520
<v Speaker 6>everybody's favorite rappers, favorite rapper, Jay Rock, got his joint out.

0:52:11.840 --> 0:52:15.040
<v Speaker 7>We established. Now we're a hip hop rap label.

0:52:15.360 --> 0:52:16.480
<v Speaker 5>Yeah yeah, yeah, cracking.

0:52:17.120 --> 0:52:21.320
<v Speaker 6>So my mindset was like, all right, I want to

0:52:21.360 --> 0:52:24.920
<v Speaker 6>branch out and see if we can become a dominant

0:52:25.000 --> 0:52:25.720
<v Speaker 6>music label.

0:52:27.360 --> 0:52:30.600
<v Speaker 7>And that was my mindset moving with Scissor.

0:52:30.800 --> 0:52:36.160
<v Speaker 8>Because that's not something that is normal either though, right Records,

0:52:36.200 --> 0:52:40.719
<v Speaker 8>Like you said, becoming a music label, Yeah, most hip

0:52:40.760 --> 0:52:47.160
<v Speaker 8>hop labels, in my opinion, they don't really know how

0:52:47.239 --> 0:52:51.839
<v Speaker 8>to make that transition, right because him and I talk

0:52:51.880 --> 0:52:54.080
<v Speaker 8>about this all the time that the radio department is different.

0:52:55.640 --> 0:52:56.160
<v Speaker 5>You know, it's not.

0:52:56.320 --> 0:53:00.560
<v Speaker 8>You're not servicing the same DJs. Truth, they it's a

0:53:00.800 --> 0:53:02.040
<v Speaker 8>whole another game.

0:53:04.239 --> 0:53:04.439
<v Speaker 7>See.

0:53:04.520 --> 0:53:10.000
<v Speaker 6>But one of the advantages, right, What attracted me to

0:53:10.080 --> 0:53:16.360
<v Speaker 6>her was she approached her songs as an MC, you

0:53:16.400 --> 0:53:19.000
<v Speaker 6>know what I mean, as opposed to a traditional R

0:53:19.040 --> 0:53:22.440
<v Speaker 6>and B singer or just a singer in general. Like

0:53:22.560 --> 0:53:25.160
<v Speaker 6>she approached it as an MC. Like I'm listening to

0:53:25.280 --> 0:53:29.480
<v Speaker 6>the words and the metaphors and the stuff She's saying,

0:53:29.520 --> 0:53:31.680
<v Speaker 6>I'm like, oh, I know what this is. I'm familiar

0:53:31.719 --> 0:53:35.600
<v Speaker 6>with this because, like I said, we got four hard hitters,

0:53:37.200 --> 0:53:42.400
<v Speaker 6>So it's just a matter of transition, transitioning that in to.

0:53:42.520 --> 0:53:43.080
<v Speaker 7>What we're doing.

0:53:43.520 --> 0:53:48.239
<v Speaker 6>Where do you find this? How do you think, bro?

0:53:48.400 --> 0:53:54.720
<v Speaker 6>It was all accident. Actually, Kendrick had a show in Brooklyn,

0:53:56.560 --> 0:53:59.640
<v Speaker 6>and I remember this because this was exactly a year

0:54:00.120 --> 0:54:03.600
<v Speaker 6>four Good Kid Mass City dropped, so it was a

0:54:03.680 --> 0:54:09.960
<v Speaker 6>year to the day, October twenty second, twenty eleven. So

0:54:10.800 --> 0:54:14.480
<v Speaker 6>he's doing the show and she's helping out one of

0:54:14.560 --> 0:54:19.200
<v Speaker 6>her friends be on the merch booth, so you know,

0:54:19.400 --> 0:54:21.600
<v Speaker 6>I'm trying to get some merch. They ain't have my size.

0:54:22.080 --> 0:54:26.520
<v Speaker 6>They had all little nigga sizes, So you know, we

0:54:26.640 --> 0:54:29.360
<v Speaker 6>exchanged in for whatever. My guy exchanged info with her

0:54:30.320 --> 0:54:32.400
<v Speaker 6>and she was gonna meet us the next day and

0:54:32.520 --> 0:54:35.759
<v Speaker 6>bring sizes or whatever. So she put up the next

0:54:35.840 --> 0:54:38.640
<v Speaker 6>day with one of her friends and were meeting in

0:54:38.680 --> 0:54:41.960
<v Speaker 6>the hotel lobby. So we's just sitting there, we chopping

0:54:42.000 --> 0:54:45.600
<v Speaker 6>it up, and her friend has these these earphones in

0:54:46.600 --> 0:54:48.880
<v Speaker 6>and she's just kind of like in her own zone,

0:54:49.040 --> 0:54:52.799
<v Speaker 6>just bobbing her head. So I'm getting distracted. When I'm talking, like, yo,

0:54:52.880 --> 0:54:56.920
<v Speaker 6>what are you listening to? And she was like this

0:54:57.120 --> 0:55:01.200
<v Speaker 6>her you ain't know she's saying, like what, so let

0:55:01.239 --> 0:55:04.560
<v Speaker 6>me hear it. So I listened like it was crazy,

0:55:04.680 --> 0:55:08.680
<v Speaker 6>Like her voice caught me right off top. So I'm like, Yo,

0:55:08.840 --> 0:55:12.000
<v Speaker 6>that's crazy. She said she wasn't gonna say nothing. But

0:55:13.080 --> 0:55:14.480
<v Speaker 6>I don't know if that was the setup or what

0:55:14.920 --> 0:55:17.360
<v Speaker 6>I was gonna ask. I was gonna ask you, like,

0:55:17.600 --> 0:55:17.840
<v Speaker 6>so you.

0:55:20.000 --> 0:55:24.120
<v Speaker 2>Gotta vibe vie with the T shirts and I'm gonna

0:55:24.120 --> 0:55:26.520
<v Speaker 2>try to act like I'm not with you listening to.

0:55:28.200 --> 0:55:33.080
<v Speaker 7>You, right, But apparently this was one of the first

0:55:33.239 --> 0:55:34.080
<v Speaker 7>real songs that.

0:55:34.160 --> 0:55:37.640
<v Speaker 6>She actually recorded, So she had did some stuff before,

0:55:37.719 --> 0:55:40.040
<v Speaker 6>she would mess around on hooks with friends or whatever,

0:55:40.200 --> 0:55:43.600
<v Speaker 6>but like that's her first real record, Like I think.

0:55:43.520 --> 0:55:47.160
<v Speaker 7>This was the second one she did. So from there

0:55:47.239 --> 0:55:51.600
<v Speaker 7>we we kept in contact and you know, she'd send

0:55:51.640 --> 0:55:53.719
<v Speaker 7>me stuff she was working on, and we talked back

0:55:53.760 --> 0:55:57.000
<v Speaker 7>and forth, you know, give advice and this and that.

0:55:57.360 --> 0:56:02.920
<v Speaker 6>So that went on for two years years before I

0:56:03.040 --> 0:56:04.799
<v Speaker 6>mean we actually decided we're going to work together.

0:56:06.520 --> 0:56:10.480
<v Speaker 5>So has she been even shopping stuff to let anything?

0:56:10.640 --> 0:56:15.919
<v Speaker 6>No, No, it was more so just around New York

0:56:16.080 --> 0:56:18.160
<v Speaker 6>around the cool kids in New York at the time,

0:56:19.480 --> 0:56:24.640
<v Speaker 6>and because literally that song I heard was a part

0:56:24.680 --> 0:56:28.440
<v Speaker 6>of her first EP, so that was the first thing

0:56:28.560 --> 0:56:30.600
<v Speaker 6>that she ever put out to the public.

0:56:31.560 --> 0:56:34.560
<v Speaker 7>So I was already kind of on board at that point.

0:56:35.400 --> 0:56:37.520
<v Speaker 5>Yeah, I mean as far as just on some consulting

0:56:37.600 --> 0:56:39.160
<v Speaker 5>with her, helping her exactly.

0:56:40.719 --> 0:56:44.120
<v Speaker 6>So I was in New York one time we met

0:56:44.239 --> 0:56:49.520
<v Speaker 6>up and her manager had just quit. I said she

0:56:49.560 --> 0:56:50.759
<v Speaker 6>didn't want to work with her no more.

0:56:52.200 --> 0:56:59.160
<v Speaker 7>I was fumbled with, yeah, yeah, yeah, we're talking. She's like,

0:56:59.200 --> 0:57:00.360
<v Speaker 7>you know what you should just is me?

0:57:02.760 --> 0:57:06.160
<v Speaker 5>You know what, You're right, Let's do it because you're

0:57:06.160 --> 0:57:06.880
<v Speaker 5>already believe in it.

0:57:07.280 --> 0:57:07.919
<v Speaker 7>Yeah for sure.

0:57:08.360 --> 0:57:10.560
<v Speaker 6>See, but I didn't want to like push or you

0:57:10.600 --> 0:57:13.120
<v Speaker 6>know what I mean, because she had her things she

0:57:13.239 --> 0:57:16.080
<v Speaker 6>was trying to do, so I'm just respectful of that.

0:57:16.280 --> 0:57:18.680
<v Speaker 6>And when you know, she needed advice or whatever, then

0:57:18.720 --> 0:57:22.920
<v Speaker 6>I lean in. But once that opened up, I was like,

0:57:22.920 --> 0:57:23.880
<v Speaker 6>all right, bat, let's go.

0:57:26.120 --> 0:57:26.920
<v Speaker 5>The moment that made it?

0:57:27.080 --> 0:57:32.360
<v Speaker 8>Yeah, yeah, pushed through, like okay, absolutely, how is the

0:57:32.480 --> 0:57:38.200
<v Speaker 8>conversation with top though, or does he already know about her?

0:57:38.400 --> 0:57:38.560
<v Speaker 7>Nah?

0:57:40.000 --> 0:57:43.440
<v Speaker 6>Now he didn't know about her. It was actually strategic

0:57:43.480 --> 0:57:45.000
<v Speaker 6>about it. I know this dude so well.

0:57:46.120 --> 0:57:50.880
<v Speaker 7>So I went around the camp. First, they had her music, so.

0:57:51.320 --> 0:57:54.400
<v Speaker 5>Yeah, you put the hair, you put the headphones up, right,

0:57:55.960 --> 0:57:56.640
<v Speaker 5>who would you listen to?

0:57:59.240 --> 0:58:04.040
<v Speaker 7>So I let Dave hear it first. Dave liked it.

0:58:04.120 --> 0:58:06.360
<v Speaker 5>Because Daved the first person that told me about Sissy.

0:58:06.800 --> 0:58:10.080
<v Speaker 7>Oh really, yeah, that's crazy. So I let him hear

0:58:10.120 --> 0:58:10.520
<v Speaker 7>it first.

0:58:11.280 --> 0:58:11.800
<v Speaker 5>He liked it.

0:58:12.760 --> 0:58:16.160
<v Speaker 7>I let Moosa hear it. Musa liked it. Then I

0:58:16.240 --> 0:58:18.080
<v Speaker 7>went the top. No, I let Kendrick hear it too,

0:58:19.000 --> 0:58:21.440
<v Speaker 7>so everybody loved the music. And then I hit top.

0:58:21.480 --> 0:58:23.880
<v Speaker 6>I'm like, YO, got this new artist I think we

0:58:23.920 --> 0:58:31.040
<v Speaker 6>should mess with. He was like, yeah, anybody heard it yet? Yeah,

0:58:31.160 --> 0:58:34.320
<v Speaker 6>Dave heard it, Musa heard it, Kendrick heard It's like

0:58:34.400 --> 0:58:37.560
<v Speaker 6>all dope. Like, man, you've seen her perform live. Yet

0:58:38.200 --> 0:58:40.240
<v Speaker 6>she got to showing Brooklyn coming up and fly out

0:58:40.240 --> 0:58:44.200
<v Speaker 6>there with Dave. I was ready, you know what I'm saying.

0:58:44.280 --> 0:58:46.240
<v Speaker 6>It was like all right, bet, and he heard the

0:58:46.320 --> 0:58:49.080
<v Speaker 6>music and he liked it. So then once we flew

0:58:49.120 --> 0:58:51.320
<v Speaker 6>out there, we surprised her. She didn't know he was coming.

0:58:52.600 --> 0:58:54.840
<v Speaker 6>She did her set or whatever, and it was locked

0:58:54.880 --> 0:58:58.960
<v Speaker 6>in from there. I was like, what twelve years ago.

0:59:05.240 --> 0:59:08.760
<v Speaker 7>It was a learning curve though, bro, because again I'm

0:59:08.760 --> 0:59:12.800
<v Speaker 7>coming working with four dudes. So now it's this woman

0:59:13.640 --> 0:59:16.440
<v Speaker 7>way different. Oh my god. I always tell a story

0:59:18.560 --> 0:59:19.200
<v Speaker 7>with the fellas.

0:59:19.200 --> 0:59:21.560
<v Speaker 6>I can say, Yo, we got an interview in ten minutes,

0:59:22.880 --> 0:59:24.400
<v Speaker 6>get up and wipe their eyes.

0:59:25.640 --> 0:59:26.479
<v Speaker 7>Hot right on camera.

0:59:27.240 --> 0:59:28.480
<v Speaker 5>It's called bro.

0:59:28.680 --> 0:59:31.520
<v Speaker 7>I tried that with her. Hell, we gotta do this

0:59:31.600 --> 0:59:35.959
<v Speaker 7>little MTV thing, like thirty minutes. She lost her whole head.

0:59:37.440 --> 0:59:38.960
<v Speaker 7>It was insane.

0:59:40.080 --> 0:59:42.280
<v Speaker 5>Forty eight to twenty four hour press.

0:59:44.160 --> 0:59:47.560
<v Speaker 2>Now they started at five six in the morning morning.

0:59:48.960 --> 0:59:51.320
<v Speaker 2>It's insane for the day of press that don't start

0:59:51.360 --> 0:59:51.880
<v Speaker 2>too new.

0:59:52.440 --> 0:59:56.120
<v Speaker 7>Right, real talk. So it's like I'm learning like all

0:59:56.160 --> 0:59:59.320
<v Speaker 7>of this stuff on the fly now, making all type

0:59:59.360 --> 0:59:59.960
<v Speaker 7>of mistakes.

1:00:00.520 --> 1:00:03.760
<v Speaker 6>Oh man, you gotta hurry up before a show to

1:00:03.840 --> 1:00:05.840
<v Speaker 6>go by tampons, and.

1:00:07.400 --> 1:00:10.280
<v Speaker 7>That's a whole different thing. I'm talking to hair people now,

1:00:11.240 --> 1:00:13.280
<v Speaker 7>I'm talking to people about skincare.

1:00:13.600 --> 1:00:17.920
<v Speaker 5>You know what bundles are now, Bro, we went out

1:00:17.960 --> 1:00:18.920
<v Speaker 5>of here somewhere.

1:00:20.640 --> 1:00:24.040
<v Speaker 7>My god. Yeah, they make money to what.

1:00:25.280 --> 1:00:29.760
<v Speaker 2>Yeah, like they want what, Yeah, they want it, And

1:00:29.880 --> 1:00:33.000
<v Speaker 2>it's a different and it's a different expense. It is

1:00:33.360 --> 1:00:39.160
<v Speaker 2>super because dudes, you know again, jeans, T shirt and

1:00:39.280 --> 1:00:40.880
<v Speaker 2>we're good Jay's and a hat.

1:00:41.360 --> 1:00:42.200
<v Speaker 5>Yeah, we're good.

1:00:42.760 --> 1:00:44.800
<v Speaker 2>You know, if you're really feeling good about yourself, thought

1:00:44.880 --> 1:00:49.800
<v Speaker 2>chain on you got you gotta take you out, fed

1:00:49.920 --> 1:00:54.280
<v Speaker 2>up a few a woman that that that fit.

1:00:54.520 --> 1:00:57.960
<v Speaker 5>Bro now everything everything so again.

1:00:58.160 --> 1:01:02.320
<v Speaker 6>So imagine like my mind is just expanding now because

1:01:03.040 --> 1:01:05.760
<v Speaker 6>all of these new things that I got to learn

1:01:05.840 --> 1:01:06.439
<v Speaker 6>in real time.

1:01:06.600 --> 1:01:10.360
<v Speaker 5>Did you ever feel like I'm a fish out of water?

1:01:10.400 --> 1:01:15.080
<v Speaker 8>And I don't know, like like almost am I holding

1:01:15.200 --> 1:01:19.200
<v Speaker 8>her back from from a management standpoint right? Because you

1:01:19.280 --> 1:01:23.760
<v Speaker 8>know I talk about it when I first started managing Tank. Yeah,

1:01:24.920 --> 1:01:26.720
<v Speaker 8>I just asked a lot of questions. I asked a

1:01:26.720 --> 1:01:28.920
<v Speaker 8>whole bunch of questions. I was never the guy to

1:01:29.000 --> 1:01:31.720
<v Speaker 8>act like I just knew something. He'll say that, he'd

1:01:31.720 --> 1:01:33.320
<v Speaker 8>be like, Jay, It'll be like I'm gonna call you

1:01:33.400 --> 1:01:37.280
<v Speaker 8>right back to because I'm gonna go. I just I

1:01:37.440 --> 1:01:39.120
<v Speaker 8>never wanted to be the nigga that was fron Bro.

1:01:39.200 --> 1:01:41.400
<v Speaker 8>I just didn't want to be him. I'm the smartest

1:01:41.400 --> 1:01:42.400
<v Speaker 8>guy in the room all the time.

1:01:42.440 --> 1:01:44.200
<v Speaker 5>Hey man, I don't know this. Hey can you help me?

1:01:45.040 --> 1:01:49.680
<v Speaker 2>But you coming from this this other world into a

1:01:49.760 --> 1:01:53.840
<v Speaker 2>completely different world and with a woman, did you ever feel.

1:01:53.640 --> 1:01:58.520
<v Speaker 5>Like shit, am I in the way of where this

1:01:58.680 --> 1:02:01.120
<v Speaker 5>thing is going? Because I don't know some of this shit?

1:02:01.960 --> 1:02:05.240
<v Speaker 7>Nah, I ain't never felt that way because I know

1:02:05.360 --> 1:02:08.480
<v Speaker 7>what the goal was. The goal was to get her

1:02:08.720 --> 1:02:09.360
<v Speaker 7>to the people.

1:02:09.920 --> 1:02:12.240
<v Speaker 6>Okay, If I can get her to the people, however

1:02:12.400 --> 1:02:14.919
<v Speaker 6>that may be, then I think we're gonna be good.

1:02:15.600 --> 1:02:18.640
<v Speaker 6>So that was always my mindset, even when I didn't

1:02:18.760 --> 1:02:22.520
<v Speaker 6>know something or whatever. Like, I give her a lot

1:02:22.560 --> 1:02:25.640
<v Speaker 6>of credit because she knew a lot of different things

1:02:25.680 --> 1:02:29.120
<v Speaker 6>as far as market and who the market too with

1:02:29.640 --> 1:02:36.840
<v Speaker 6>outlets that she understood absolutely thousand. So with that plus

1:02:37.640 --> 1:02:41.120
<v Speaker 6>I mean my experience already, like I never felt like

1:02:41.200 --> 1:02:42.240
<v Speaker 6>I was a fish out of water.

1:02:43.120 --> 1:02:45.160
<v Speaker 7>Like, yo, we just got to get these people to

1:02:45.200 --> 1:02:47.640
<v Speaker 7>hear you once they hear you with good money.

1:02:47.840 --> 1:02:51.960
<v Speaker 5>Yeah, so absolutely my daughter.

1:02:53.440 --> 1:02:57.160
<v Speaker 8>Now, y'all, I want to say that Sizza is the

1:02:57.360 --> 1:03:01.240
<v Speaker 8>only artist that I've ever had to like make that

1:03:01.480 --> 1:03:03.880
<v Speaker 8>phone call for for tickets.

1:03:05.000 --> 1:03:07.080
<v Speaker 5>I can always find out I figure this out.

1:03:07.840 --> 1:03:10.720
<v Speaker 8>Like one of my guys, who was, you know, a

1:03:10.840 --> 1:03:13.080
<v Speaker 8>close guy for me, man, that really be you know,

1:03:14.160 --> 1:03:16.240
<v Speaker 8>making sure I'm straight with my train, my son, just

1:03:16.320 --> 1:03:18.480
<v Speaker 8>some other stuff for me with with with the basketball

1:03:18.560 --> 1:03:19.480
<v Speaker 8>side of it called.

1:03:19.320 --> 1:03:21.120
<v Speaker 5>Me and.

1:03:23.120 --> 1:03:27.720
<v Speaker 8>Y'all ticket was impossible. I possible, Like the only way

1:03:27.760 --> 1:03:31.400
<v Speaker 8>to get a Sissor ticket was to call y'all.

1:03:32.600 --> 1:03:36.000
<v Speaker 5>And I just didn't want to call Tip. I ain't

1:03:36.000 --> 1:03:37.880
<v Speaker 5>gonna lie because not about that. You know what I'm

1:03:37.880 --> 1:03:39.480
<v Speaker 5>saying like this my friend, like you know what I mean.

1:03:39.480 --> 1:03:41.040
<v Speaker 8>I don't want to be I want to be that

1:03:41.160 --> 1:03:44.720
<v Speaker 8>guy because I know how that is sometimes when guys

1:03:44.760 --> 1:03:48.200
<v Speaker 8>got to call me about ship like that and it's like, fuck,

1:03:48.280 --> 1:03:52.040
<v Speaker 8>this is like super sold out show right, super sold.

1:03:52.160 --> 1:03:55.280
<v Speaker 2>In the market that you don't ask for tickets. It

1:03:55.400 --> 1:03:59.760
<v Speaker 2>was in Atlanta. As a ticket in Atlanta, my nigga

1:04:00.160 --> 1:04:03.680
<v Speaker 2>will get you free bundles, so it will get you

1:04:03.800 --> 1:04:05.480
<v Speaker 2>free bundles, bro straight up.

1:04:05.880 --> 1:04:07.520
<v Speaker 5>And my guy called me and I was like, funk,

1:04:07.560 --> 1:04:09.720
<v Speaker 5>I can't tell him no. Mark is my guy.

1:04:09.720 --> 1:04:16.840
<v Speaker 8>I can't tell him no. Call Top Top, I need you,

1:04:19.160 --> 1:04:20.360
<v Speaker 8>and he was, and it was you know, I was.

1:04:20.400 --> 1:04:21.800
<v Speaker 8>He made it easy because you know that's my guys.

1:04:21.840 --> 1:04:22.720
<v Speaker 8>He's like, I got you.

1:04:23.520 --> 1:04:28.120
<v Speaker 5>But then they get to the concert and the people

1:04:28.160 --> 1:04:30.560
<v Speaker 5>it will cause acting like the name ain't there. So

1:04:30.680 --> 1:04:35.880
<v Speaker 5>what do I gotta do? Top again? Pay grade man.

1:04:38.160 --> 1:04:41.360
<v Speaker 2>So I'm like, I'm calling it's worth four fived man.

1:04:41.480 --> 1:04:48.560
<v Speaker 2>That was as him about we will call, like the asshole.

1:04:48.160 --> 1:04:54.440
<v Speaker 5>Who's having will call for you because we lost we

1:04:54.480 --> 1:04:56.800
<v Speaker 5>don't know what. And you know.

1:04:58.280 --> 1:05:00.400
<v Speaker 8>He took care of before me. He was like, that's good,

1:05:00.400 --> 1:05:02.000
<v Speaker 8>it's good. I got you any make the phone call

1:05:02.080 --> 1:05:03.320
<v Speaker 8>and got to take care for you. But it was

1:05:03.440 --> 1:05:06.560
<v Speaker 8>just like, that's why I hate having to call people

1:05:06.640 --> 1:05:08.680
<v Speaker 8>and ask for that type of ship, because I don't

1:05:08.720 --> 1:05:12.080
<v Speaker 8>want to be calling top calling punch about no damn tickets,

1:05:12.280 --> 1:05:14.160
<v Speaker 8>damn show six.

1:05:14.480 --> 1:05:17.240
<v Speaker 5>It was my daughter. I had to she was losing

1:05:17.320 --> 1:05:20.880
<v Speaker 5>her mind, that's right. And I needed to be dead

1:05:20.920 --> 1:05:21.320
<v Speaker 5>of the year.

1:05:21.760 --> 1:05:23.440
<v Speaker 7>Absolutely, I had to be.

1:05:25.040 --> 1:05:26.760
<v Speaker 2>I put in my car and then I was talking

1:05:26.800 --> 1:05:29.080
<v Speaker 2>to cars on the phone. I was like, yeah, man,

1:05:29.240 --> 1:05:32.040
<v Speaker 2>just you know, just trying to figure out the sensor thing.

1:05:32.120 --> 1:05:33.840
<v Speaker 2>He said, well, have you talked to our good friend?

1:05:34.040 --> 1:05:34.200
<v Speaker 7>Yeah?

1:05:34.320 --> 1:05:36.000
<v Speaker 1>I talked to him, you know, but if you want

1:05:36.040 --> 1:05:42.479
<v Speaker 1>to talk to him too, you want to reinforce it right.

1:05:42.400 --> 1:05:46.400
<v Speaker 2>Now, what it was said, get top on the phone, right,

1:05:47.160 --> 1:05:49.880
<v Speaker 2>that's funny. It was a great line because that's really

1:05:49.960 --> 1:05:51.960
<v Speaker 2>a thing. Get top on the phone is a thing

1:06:02.640 --> 1:06:03.960
<v Speaker 2>you might be on TD next.

1:06:04.080 --> 1:06:07.080
<v Speaker 5>Look at you, man. They might be looking at you.

1:06:07.160 --> 1:06:07.320
<v Speaker 7>Man.

1:06:09.120 --> 1:06:11.960
<v Speaker 3>I'm just checking the temperature right now. T tank man,

1:06:12.240 --> 1:06:15.320
<v Speaker 3>I do so. He not looking, but hopefully I do

1:06:15.440 --> 1:06:16.800
<v Speaker 3>something right now. Catch his eye.

1:06:17.400 --> 1:06:18.040
<v Speaker 1>He ain't looking.

1:06:20.360 --> 1:06:21.040
<v Speaker 5>I know you hear you.

1:06:21.280 --> 1:06:22.440
<v Speaker 7>I know he hear me.

1:06:29.160 --> 1:06:31.440
<v Speaker 2>What you got for my brother? As you ventured off

1:06:31.480 --> 1:06:36.040
<v Speaker 2>into this R and B world twenty thousand a night.

1:06:39.160 --> 1:06:46.320
<v Speaker 2>We know you know a little something about it, and

1:06:46.440 --> 1:06:48.480
<v Speaker 2>the people are interested.

1:06:48.920 --> 1:06:49.560
<v Speaker 5>What they want to know.

1:06:50.240 --> 1:06:53.440
<v Speaker 2>I don't know if you've gone down the rabbit hole

1:06:53.520 --> 1:06:57.480
<v Speaker 2>to understand this thing that you are part of in

1:06:57.600 --> 1:06:58.560
<v Speaker 2>such a major way.

1:07:00.080 --> 1:07:03.240
<v Speaker 5>If you do, they're asking for you.

1:07:07.520 --> 1:07:07.680
<v Speaker 2>Fu.

1:07:10.320 --> 1:07:16.240
<v Speaker 5>Yeah, your top five, h t far.

1:07:19.480 --> 1:07:20.320
<v Speaker 7>Your top five?

1:07:20.400 --> 1:07:25.439
<v Speaker 1>They want o be singers? What if they want all

1:07:25.680 --> 1:07:26.560
<v Speaker 1>and be song?

1:07:29.040 --> 1:07:32.160
<v Speaker 5>We got to know before you go.

1:07:33.080 --> 1:07:41.000
<v Speaker 1>We're gonna go big God be folly for you. Yeah.

1:07:51.240 --> 1:07:58.520
<v Speaker 7>Yeah, you're fun, that's right.

1:08:00.160 --> 1:08:04.560
<v Speaker 3>Yeah, Yeah.

1:08:04.600 --> 1:08:06.040
<v Speaker 5>We want to know what y'all was listening to in

1:08:06.120 --> 1:08:12.920
<v Speaker 5>that promo Van y'all took Man the punch R and

1:08:13.040 --> 1:08:18.240
<v Speaker 5>B punch. Yeah, your top five R.

1:08:18.280 --> 1:08:24.519
<v Speaker 7>And B singers, Man, top five, no order, right, just for.

1:08:26.200 --> 1:08:28.320
<v Speaker 5>What you feeling? All right?

1:08:31.560 --> 1:08:36.840
<v Speaker 7>You gotta go with h I gotta go Marvin m hmm.

1:08:38.120 --> 1:08:40.880
<v Speaker 5>Yeah, it's a great place to start. I gotta go.

1:08:41.160 --> 1:08:47.800
<v Speaker 6>Uh that nigga, Rob Kelly, Yeah, yeah, we were scared

1:08:47.800 --> 1:08:57.519
<v Speaker 6>of Ye, we're scared of I gotta go with the

1:08:57.680 --> 1:09:00.160
<v Speaker 6>King of R and B Wobbi Browne.

1:09:02.040 --> 1:09:04.880
<v Speaker 5>I see what type of time? Yeah, I see what

1:09:04.960 --> 1:09:05.479
<v Speaker 5>type of time.

1:09:09.920 --> 1:09:12.120
<v Speaker 7>Get a lot of hate, but I gotta go keep sweat.

1:09:14.520 --> 1:09:15.160
<v Speaker 5>We're not letting.

1:09:17.560 --> 1:09:19.120
<v Speaker 7>I said this on Twitter one time.

1:09:21.760 --> 1:09:24.920
<v Speaker 5>I wish they would. Yeah, not the sweat.

1:09:26.160 --> 1:09:29.120
<v Speaker 2>Not the nigga that got his masters in his garage

1:09:29.960 --> 1:09:35.920
<v Speaker 2>signistself before signing this to yourself was even a thing real?

1:09:37.120 --> 1:09:47.720
<v Speaker 7>My last one. Man, gotta go kind of moderate see

1:09:47.760 --> 1:09:53.160
<v Speaker 7>that between uh sure and Christopher mm hmmm.

1:09:54.240 --> 1:09:57.360
<v Speaker 5>I'm listening. Chris Raymond, Chris.

1:09:58.040 --> 1:10:03.120
<v Speaker 7>Chris Raymond. Absolutely, I like that. That's your brow brown

1:10:04.600 --> 1:10:05.599
<v Speaker 7>You do fine.

1:10:05.680 --> 1:10:08.800
<v Speaker 5>You have no argument with me? One.

1:10:10.080 --> 1:10:10.960
<v Speaker 7>Yeah, that's what I say.

1:10:11.000 --> 1:10:11.400
<v Speaker 5>I like the.

1:10:13.200 --> 1:10:18.080
<v Speaker 7>The crack air R and B. That's Bobby and uh

1:10:19.120 --> 1:10:21.120
<v Speaker 7>Kee sweating Teddy Riley.

1:10:21.680 --> 1:10:23.840
<v Speaker 5>Believe it he was selling dope.

1:10:24.560 --> 1:10:26.519
<v Speaker 3>I love what was it?

1:10:26.880 --> 1:10:33.160
<v Speaker 5>What's the movie? Uh Jackson Jackson? Yeah, that's real. Lauren

1:10:33.720 --> 1:10:38.200
<v Speaker 5>was rm B when he had the skis up there. Yeah,

1:10:38.200 --> 1:10:45.080
<v Speaker 5>I know she was excuse right, I'm seeing b man ship.

1:10:46.360 --> 1:10:48.519
<v Speaker 7>You see.

1:10:51.000 --> 1:10:59.080
<v Speaker 2>Her anyway, And he let her answer the phone. Man,

1:10:59.560 --> 1:11:01.560
<v Speaker 2>he let her into the phone when she called. And

1:11:01.680 --> 1:11:06.000
<v Speaker 2>his homie, hey man, he was in love, wasn't though

1:11:06.560 --> 1:11:10.360
<v Speaker 2>he was. He's listening r v ye put you in

1:11:10.400 --> 1:11:13.200
<v Speaker 2>the place. I can't in front, put you in the place.

1:11:13.240 --> 1:11:16.280
<v Speaker 2>And he had that fine thing too that he canceled.

1:11:17.439 --> 1:11:23.000
<v Speaker 5>On it. He was wilding, bro, he was wilding, was

1:11:23.040 --> 1:11:26.479
<v Speaker 5>wild another one?

1:11:28.600 --> 1:11:28.840
<v Speaker 2>You know.

1:11:31.720 --> 1:11:37.040
<v Speaker 5>The top five R and B songs, Bro, that's impossible.

1:11:37.080 --> 1:11:38.919
<v Speaker 5>Come on, whatever possible.

1:11:39.120 --> 1:11:40.879
<v Speaker 7>It's possible R and B songs.

1:11:41.000 --> 1:11:43.240
<v Speaker 5>Yeah, you know what songs? You know where I got

1:11:43.360 --> 1:11:45.759
<v Speaker 5>songs go? This is your world?

1:11:46.320 --> 1:11:51.880
<v Speaker 7>All right? Well love is joined together by the temptations.

1:11:52.200 --> 1:11:53.320
<v Speaker 5>Don't go temptations?

1:11:53.520 --> 1:11:55.840
<v Speaker 7>Yeah, okay, all right, y'all know that's all.

1:11:55.880 --> 1:11:58.040
<v Speaker 5>He's a player for real. I expect that. Yeah.

1:11:59.200 --> 1:12:01.760
<v Speaker 6>I ain't said it be easier to take the wet

1:12:01.840 --> 1:12:05.479
<v Speaker 6>from water or to drive from saying if anybody stop

1:12:05.640 --> 1:12:11.200
<v Speaker 6>up from holding hands, And you said that, I said, yeah, see,

1:12:11.200 --> 1:12:14.800
<v Speaker 6>I like metaphors about how you take the wet from water.

1:12:16.080 --> 1:12:20.080
<v Speaker 7>But yeah, that's that's that's one of them. I gotta go.

1:12:20.160 --> 1:12:23.840
<v Speaker 7>What's going on? Why I gotta go and make it

1:12:23.960 --> 1:12:24.599
<v Speaker 7>last fever?

1:12:25.520 --> 1:12:29.280
<v Speaker 5>That's one of my favorite songs of all times. Yeah, yeah, I.

1:12:29.320 --> 1:12:38.719
<v Speaker 7>Gotta go with uh Smoky and Quiet Storm Lenny Williams

1:12:39.080 --> 1:12:39.760
<v Speaker 7>because I love you?

1:12:40.160 --> 1:12:45.680
<v Speaker 5>Yeah? Yeah, yeah, is that fine? That's fine? You got

1:12:45.720 --> 1:12:46.839
<v Speaker 5>through it. Man.

1:12:52.720 --> 1:12:56.360
<v Speaker 8>I just had this conversation with my son, and I said,

1:12:59.000 --> 1:13:02.519
<v Speaker 8>what are you gonna play for? When you need to

1:13:02.600 --> 1:13:07.720
<v Speaker 8>let the song speak to her? To me, that is

1:13:07.800 --> 1:13:10.160
<v Speaker 8>the conversation we gotta have with the youth.

1:13:12.000 --> 1:13:14.439
<v Speaker 5>Like I get out. It's funny games.

1:13:14.479 --> 1:13:16.519
<v Speaker 8>I like the songs y'all be playing, y'all jump around

1:13:16.560 --> 1:13:21.559
<v Speaker 8>to y'all doing the dances too. But you can't always

1:13:21.600 --> 1:13:25.800
<v Speaker 8>speak for yourself, none of us can, even you got

1:13:25.840 --> 1:13:26.720
<v Speaker 8>three lyricists in here.

1:13:26.760 --> 1:13:31.120
<v Speaker 5>We've all written songs. Sometimes though, you need to push

1:13:31.200 --> 1:13:35.200
<v Speaker 5>play because I love you, of course, you know what

1:13:35.240 --> 1:13:37.120
<v Speaker 5>I mean. I watched TV till the TV went off,

1:13:38.160 --> 1:13:44.560
<v Speaker 5>going nowhere fast. We've reached the climax, what you know

1:13:44.600 --> 1:13:50.760
<v Speaker 5>what I mean? But we're undone. Yeah, yeah, that's how

1:13:50.760 --> 1:13:52.800
<v Speaker 5>you gotta to speak for you talk to you.

1:13:54.800 --> 1:13:57.120
<v Speaker 7>Who's saying that type of stuff now though? That's what

1:13:57.200 --> 1:13:57.960
<v Speaker 7>we're talking.

1:13:57.680 --> 1:14:03.400
<v Speaker 8>About He actually mentioned sizz, which was which was wild

1:14:03.479 --> 1:14:06.400
<v Speaker 8>to me. Right, this is a young teenage young man

1:14:07.160 --> 1:14:11.599
<v Speaker 8>and what ever take his song for her is snooz.

1:14:11.760 --> 1:14:14.880
<v Speaker 8>He loves snoozs He loves snows like broll.

1:14:15.439 --> 1:14:22.360
<v Speaker 5>It's so funny. He loves snooze. And then what's the

1:14:22.439 --> 1:14:26.760
<v Speaker 5>other song? Get mad at me? Man? But my daughter,

1:14:27.040 --> 1:14:29.960
<v Speaker 5>my daughter. My daughter walked by his room and was like, dad,

1:14:30.040 --> 1:14:31.800
<v Speaker 5>he listening to twin What have you been?

1:14:38.720 --> 1:14:42.439
<v Speaker 8>That also kind of was a glaring thing for me

1:14:42.640 --> 1:14:46.000
<v Speaker 8>to say. Damn, where the young fellas? That's giving him?

1:14:46.479 --> 1:14:48.160
<v Speaker 7>Who's Keith sweat?

1:14:50.880 --> 1:15:01.360
<v Speaker 5>Break your piano back out? Let's go ahead.

1:15:02.439 --> 1:15:05.479
<v Speaker 3>I ain't saying no I ain't saying no names. Yeah,

1:15:05.600 --> 1:15:06.799
<v Speaker 3>I ain't saying no names.

1:15:07.160 --> 1:15:08.280
<v Speaker 5>I ain't saying no names.

1:15:08.520 --> 1:15:08.920
<v Speaker 6>He was.

1:15:11.400 --> 1:15:17.719
<v Speaker 1>What you need don't say she I ain't saying no names.

1:15:26.120 --> 1:15:29.680
<v Speaker 8>So we've come to that segment. Okay, signed with you know,

1:15:30.560 --> 1:15:33.120
<v Speaker 8>very important part of the show. We tell us a

1:15:33.160 --> 1:15:37.240
<v Speaker 8>story funny or fucked up? Are funny and fucked up?

1:15:37.920 --> 1:15:38.280
<v Speaker 7>All right?

1:15:38.800 --> 1:15:41.679
<v Speaker 5>The only rule to the game you don't say no names.

1:15:42.160 --> 1:15:45.439
<v Speaker 7>Oh that's crazy.

1:15:47.439 --> 1:15:49.679
<v Speaker 2>So as soon as I explained that, she'll start popping

1:15:49.720 --> 1:15:53.800
<v Speaker 2>in here like yeah, I can't tell that, but yeah,

1:15:54.040 --> 1:15:55.400
<v Speaker 2>you know, that's that's the only rule.

1:15:55.640 --> 1:15:57.080
<v Speaker 5>You know, you could say, you know where you was

1:15:57.160 --> 1:15:59.559
<v Speaker 5>ad Always in Miami, always in London. I mean, because

1:15:59.560 --> 1:16:01.160
<v Speaker 5>we know you, you've been everywhere in the world.

1:16:02.439 --> 1:16:07.719
<v Speaker 2>Yeah, RB taking place, Yeah, I like that taking place.

1:16:10.320 --> 1:16:12.560
<v Speaker 2>Tell us tell us this story. Man, he gotta be

1:16:12.680 --> 1:16:17.080
<v Speaker 2>R and B related. No no, no, no, no, all right,

1:16:20.439 --> 1:16:20.840
<v Speaker 2>mm hmm.

1:16:23.120 --> 1:16:26.679
<v Speaker 6>It's gonna sound crazy with no names. There's a bunch

1:16:26.760 --> 1:16:30.120
<v Speaker 6>of people involved. Let y'allull know their names.

1:16:30.800 --> 1:16:31.240
<v Speaker 5>I'm sure.

1:16:31.760 --> 1:16:39.320
<v Speaker 7>All right, So back, So themy just did this song right,

1:16:41.960 --> 1:16:43.240
<v Speaker 7>pissed the gang of people off.

1:16:44.600 --> 1:16:49.280
<v Speaker 6>Everybody was mad at it. So we uh when the

1:16:49.360 --> 1:16:55.400
<v Speaker 6>song came out, he was overseas. Then he came back

1:16:56.120 --> 1:16:59.599
<v Speaker 6>to the States. First place we stopped in was New

1:16:59.680 --> 1:17:05.360
<v Speaker 6>York's and the first thing we do is say, let's

1:17:05.400 --> 1:17:08.400
<v Speaker 6>go to the club because we wanted to check the temperature.

1:17:09.320 --> 1:17:10.400
<v Speaker 5>See what everybody was on.

1:17:13.240 --> 1:17:14.160
<v Speaker 7>LA stuff.

1:17:15.800 --> 1:17:16.240
<v Speaker 3>Got down.

1:17:17.479 --> 1:17:23.280
<v Speaker 6>So we get to the club. So one of the

1:17:23.320 --> 1:17:32.920
<v Speaker 6>homies approached us and talking about this particular record. So

1:17:32.960 --> 1:17:35.240
<v Speaker 6>we're going back and forth. Oh, it's not personal, it's

1:17:35.280 --> 1:17:38.280
<v Speaker 6>just this this and that, it's cool whatever, whatever. It's

1:17:38.360 --> 1:17:40.400
<v Speaker 6>like if we're playing basketball, I'm gonna try to beat you.

1:17:40.520 --> 1:17:43.280
<v Speaker 6>You're trying to beat me. And we were good after, like, yeah.

1:17:43.080 --> 1:17:49.880
<v Speaker 7>Okay, cool a friendly, friendly fade if you will. Another

1:17:49.920 --> 1:17:54.960
<v Speaker 7>one of the homies walk up you a little drunk, said, yeah, y'all, niggas,

1:17:55.040 --> 1:17:59.040
<v Speaker 7>y'all need to let's go back and forth and keep

1:17:59.080 --> 1:17:59.280
<v Speaker 7>it on.

1:17:59.360 --> 1:18:00.799
<v Speaker 5>Wax or whatever or whatever whatever.

1:18:02.680 --> 1:18:04.519
<v Speaker 7>So the two dudes who.

1:18:04.479 --> 1:18:08.000
<v Speaker 6>Approached, they get into a little back and forth, little

1:18:08.080 --> 1:18:09.920
<v Speaker 6>argument with each other.

1:18:10.080 --> 1:18:12.520
<v Speaker 5>With each other, now, okay, because.

1:18:12.280 --> 1:18:14.360
<v Speaker 7>We didn't we didn't know is they ain't gotten an

1:18:14.439 --> 1:18:17.920
<v Speaker 7>argument before we got there, so they was kind of

1:18:17.960 --> 1:18:18.680
<v Speaker 7>continuing it.

1:18:20.640 --> 1:18:23.000
<v Speaker 6>So okay, things settled and we go to the vi P.

1:18:23.400 --> 1:18:29.599
<v Speaker 6>So in this VIP section, it's literally the front roll

1:18:29.760 --> 1:18:36.720
<v Speaker 6>of the Grammys in this one section, and it's four

1:18:36.800 --> 1:18:40.360
<v Speaker 6>of us were in there, like we in there fans

1:18:40.439 --> 1:18:41.240
<v Speaker 6>almost like yo.

1:18:41.360 --> 1:18:49.080
<v Speaker 7>That's so the only that got into it with the

1:18:49.160 --> 1:18:53.040
<v Speaker 7>other one. He's sitting two steps down from me on

1:18:53.120 --> 1:18:56.280
<v Speaker 7>the on the couch, so it's somebody right here. I'm

1:18:56.360 --> 1:19:00.800
<v Speaker 7>right here the rest of us. And then so the

1:19:00.880 --> 1:19:04.080
<v Speaker 7>nig came back to him, the ones who got an

1:19:04.120 --> 1:19:07.400
<v Speaker 7>altercation earlier. He's like yeah, and if you ever say

1:19:07.439 --> 1:19:09.080
<v Speaker 7>what you said to me earlier than God.

1:19:09.280 --> 1:19:13.200
<v Speaker 6>And he grabbed a bottle from the table because it

1:19:13.280 --> 1:19:16.800
<v Speaker 6>got all of the alcohol choice and he said, what

1:19:16.880 --> 1:19:19.559
<v Speaker 6>you're gonna do? Hit me on my head of the bottle.

1:19:20.520 --> 1:19:22.080
<v Speaker 6>He's like, nah, I'm gonna break it on the table

1:19:22.120 --> 1:19:27.960
<v Speaker 6>and cut your throat. So it's like a movie, right, Like, oh,

1:19:29.320 --> 1:19:30.200
<v Speaker 6>so it's right.

1:19:34.640 --> 1:19:38.560
<v Speaker 7>So the nigga standing on the ground reached up and

1:19:38.720 --> 1:19:40.519
<v Speaker 7>tried to grab dude by the neck.

1:19:42.240 --> 1:19:44.240
<v Speaker 6>So dude reached around and fired on him and they

1:19:44.320 --> 1:19:48.400
<v Speaker 6>both fell on the table, knocking all the drinks over.

1:19:48.520 --> 1:19:52.559
<v Speaker 6>So all these celebrities just in this one spot, it's

1:19:52.600 --> 1:19:57.000
<v Speaker 6>a scuffle. Now huge scuffle, so it just sounds weird

1:19:57.040 --> 1:19:57.639
<v Speaker 6>with no names.

1:20:00.000 --> 1:20:03.960
<v Speaker 7>Other nigga came who was best friends with one of

1:20:04.040 --> 1:20:07.760
<v Speaker 7>the super celebrities. I was over there. He came and

1:20:07.880 --> 1:20:10.519
<v Speaker 7>start beating up one of the nigga's house on the ground.

1:20:13.280 --> 1:20:15.120
<v Speaker 7>So it's kind of clearing up, and he grabbed a

1:20:15.160 --> 1:20:19.880
<v Speaker 7>nigga put him close and seeing who it was, and

1:20:20.600 --> 1:20:26.320
<v Speaker 7>this dude was signed to his his homie, but he

1:20:26.360 --> 1:20:27.920
<v Speaker 7>couldn't see what he can see.

1:20:27.960 --> 1:20:32.320
<v Speaker 6>He have his glasses home, so he mopped and looked

1:20:32.479 --> 1:20:34.360
<v Speaker 6>like he felt so bad after the whole.

1:20:34.280 --> 1:20:35.880
<v Speaker 5>Thing he was signed to.

1:20:36.439 --> 1:20:38.800
<v Speaker 6>He was signed to this dude who was going at

1:20:38.880 --> 1:20:41.479
<v Speaker 6>him and his partner. His partner came and jumped in

1:20:42.560 --> 1:20:43.360
<v Speaker 6>because he thought he was.

1:20:43.360 --> 1:20:48.839
<v Speaker 7>They was going at his man. Yeah, so whole scuffle breakdown.

1:20:48.920 --> 1:20:52.320
<v Speaker 7>They get them off the club. A table was back

1:20:52.520 --> 1:20:56.439
<v Speaker 7>set up in like less than sixty seconds, like it

1:20:56.600 --> 1:21:00.719
<v Speaker 7>never happened, Like it never happened. Up with the ratio

1:21:00.960 --> 1:21:04.240
<v Speaker 7>from celebrity the regular person was like seventy thirty maybe,

1:21:05.520 --> 1:21:09.280
<v Speaker 7>so every section was like full of celebrities, I mean

1:21:09.400 --> 1:21:14.000
<v Speaker 7>music people, movie people, whatever. But it's like it's like

1:21:14.080 --> 1:21:15.520
<v Speaker 7>it never existed.

1:21:17.120 --> 1:21:20.840
<v Speaker 5>But they were prepared for that. Oh man, that happened

1:21:20.880 --> 1:21:21.400
<v Speaker 5>in there before.

1:21:21.560 --> 1:21:24.240
<v Speaker 7>That was my That was my favorite, Like night music,

1:21:24.320 --> 1:21:25.000
<v Speaker 7>little dust.

1:21:24.920 --> 1:21:28.120
<v Speaker 2>Up, little dust up, Right, he's the party going. That's

1:21:28.160 --> 1:21:31.479
<v Speaker 2>what a song can do, right, It created a little

1:21:31.880 --> 1:21:34.240
<v Speaker 2>song created, he.

1:21:34.360 --> 1:21:35.479
<v Speaker 5>Created a little dust up.

1:21:35.680 --> 1:21:38.599
<v Speaker 7>Absolutely can't well, apparently they ain't want no problem with y'all.

1:21:39.040 --> 1:21:40.160
<v Speaker 7>Oh no, it was good money.

1:21:40.479 --> 1:21:44.840
<v Speaker 1>Yeah, yeah, let me focus back on I was looking

1:21:44.920 --> 1:21:45.080
<v Speaker 1>for you.

1:21:46.240 --> 1:21:47.040
<v Speaker 3>I said it earlier.

1:21:47.520 --> 1:21:50.760
<v Speaker 7>What's funny is the dude the big dudos in the thing.

1:21:51.720 --> 1:21:53.320
<v Speaker 7>So this was over. He looked at me at point

1:21:53.400 --> 1:21:55.000
<v Speaker 7>he was like, look, he like every minute of.

1:22:00.439 --> 1:22:05.120
<v Speaker 5>I've seen some of this. We came here to shake

1:22:05.160 --> 1:22:07.360
<v Speaker 5>the temperature, right, this is what it is.

1:22:07.880 --> 1:22:10.880
<v Speaker 2>Yeah, man, that was fun that well, my brother Punch,

1:22:10.920 --> 1:22:15.400
<v Speaker 2>we appreciate you man, doing great things. Bro, appreciate that

1:22:16.080 --> 1:22:21.360
<v Speaker 2>we are We are fans, supporters, yeah, brothers at the

1:22:21.400 --> 1:22:21.960
<v Speaker 2>same time.

1:22:22.720 --> 1:22:27.960
<v Speaker 5>We always here for whatever, man, but please man, keep

1:22:28.040 --> 1:22:28.639
<v Speaker 5>that ship going.

1:22:29.280 --> 1:22:32.160
<v Speaker 7>Absolutely. Also, I want to congratulate y'all. I love what

1:22:32.240 --> 1:22:32.720
<v Speaker 7>y'all doing.

1:22:33.600 --> 1:22:35.560
<v Speaker 6>Like when we ran into you at the spot, like

1:22:36.240 --> 1:22:38.960
<v Speaker 6>y'all talk about the music. You know what I'm saying,

1:22:39.040 --> 1:22:41.680
<v Speaker 6>that's something that's that's really needed. There's a lot of

1:22:41.720 --> 1:22:44.720
<v Speaker 6>BS that goes on that people cover WHI y'all deal

1:22:44.800 --> 1:22:48.599
<v Speaker 6>with the actual musicality of it, and that's like, I mean,

1:22:48.680 --> 1:22:49.599
<v Speaker 6>that's my favorite thing.

1:22:49.760 --> 1:22:51.960
<v Speaker 5>So yeah, I applause off what y'all do. Thank you.

1:22:52.280 --> 1:22:56.680
<v Speaker 2>I mean, the information is what's gonna last ultimately absolutely,

1:22:56.720 --> 1:22:59.879
<v Speaker 2>and that's gonna you know, usher in the next generation

1:23:00.080 --> 1:23:00.800
<v Speaker 2>of whatever it is.

1:23:01.080 --> 1:23:02.120
<v Speaker 5>They can't do it without the.

1:23:02.160 --> 1:23:04.920
<v Speaker 2>Information, absolutely, So that's what we're here for, man, So

1:23:05.000 --> 1:23:07.200
<v Speaker 2>we appreciate you doing the what you're doing well. Sir,

1:23:07.360 --> 1:23:10.000
<v Speaker 2>thank you lady, and jim My Money is Tank. I'm

1:23:10.040 --> 1:23:12.759
<v Speaker 2>J Valentine and this is the R and B Money podcast,

1:23:12.840 --> 1:23:14.600
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<v Speaker 3>All things Arena, R and B.

1:23:20.120 --> 1:23:23.360
<v Speaker 5>Al Rita and if You Snooze and Wake your.

1:23:31.120 --> 1:23:32.200
<v Speaker 2>R and B Money.

1:23:33.360 --> 1:23:35.120
<v Speaker 8>R and B Money is a production of the Black

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<v Speaker 8>Effect Podcast Network. For more podcasts from iHeartRadio, visit the

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<v Speaker 8>Money