WEBVTT - Conversations About Ice Cube's Journey

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sealers Podcast with your hosts now fuck that with your

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<v Speaker 1>load glasses Malone. Now, what know what happened is Quiz

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<v Speaker 1>had put out an album. Yep, so it's like this

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<v Speaker 1>doomie you feel me like like we get thirty thousty

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<v Speaker 1>thousand down loads a week or whatever it is. Quiz

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<v Speaker 1>put out an album that makes sense right to make

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<v Speaker 1>sure that we do a podcast.

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<v Speaker 2>With Quiz without a doubt.

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<v Speaker 3>So it makes sense to me, right.

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<v Speaker 1>And then Monday, Wednesday and Friday, the live Lunch album

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<v Speaker 1>was to help digital soapbox.

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<v Speaker 3>What are you squinting that? Bro?

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<v Speaker 2>So? No, I'm looking at something. I'm trying to see

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<v Speaker 2>something right there?

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<v Speaker 3>You know a computer.

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<v Speaker 4>Screen that's two feet in front of your face?

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<v Speaker 2>Did you know we could do this in four K?

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<v Speaker 2>We wanted to.

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<v Speaker 3>No, I didn't know that's tight though.

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<v Speaker 2>I'm gonna see. I'm gonna try to put it up

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<v Speaker 2>on there is your I don't know. Peter's thing might start.

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<v Speaker 4>It's cool. The higher the K the older I look,

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<v Speaker 4>so let's keep it going.

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<v Speaker 1>So it's just mandatory you bring queiers on the pot.

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<v Speaker 1>That just makes sense, Like you use your platforms to

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<v Speaker 1>help your people. Like you, you don't really do that

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<v Speaker 1>for your people still, but this is how poor people.

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<v Speaker 2>You don't have to do that for my people all

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<v Speaker 2>the time. I always always mentioned people.

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<v Speaker 1>Still still on, still on everything, still poor as nigga,

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<v Speaker 1>help yourself.

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<v Speaker 3>You pull yourself up by your bootstrap.

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<v Speaker 2>No, man, Shoot, I got so much man, you know

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<v Speaker 2>what I'm gonna tell you something. Man, the older you get,

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<v Speaker 2>the more you realize, man, that the men get treated

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<v Speaker 2>like the worst ship in the world. Dog, So you

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<v Speaker 2>ain't got if you don't have nothing going on though

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<v Speaker 2>as a man, as a man, if you don't have

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<v Speaker 2>no motherfucker monetary value, dog, you ain't ship.

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<v Speaker 5>He still, I've been on you since, like for a

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<v Speaker 5>long time. You've been saying that that you was like

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<v Speaker 5>thirty five, bro, and it was just the truth.

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<v Speaker 6>Though.

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<v Speaker 3>It's the truth.

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<v Speaker 2>If you if you don't have no money, though, you're

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<v Speaker 2>not worth grain of salt.

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<v Speaker 3>I agree. Do you want to be loved broken?

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<v Speaker 2>Man? I think you're supposed to be loved unconditionally? Bro?

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<v Speaker 3>Why do you think that?

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<v Speaker 2>Because I just think so, Bro, I love people unconditionally. No,

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<v Speaker 2>you don't.

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<v Speaker 3>If he was broke would you love yourself? Still hold up?

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<v Speaker 2>That's a lot. No, you don't. I do love people unconditionally.

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<v Speaker 3>No you don't.

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<v Speaker 2>Yes I do. I love my kids unconditionally.

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<v Speaker 3>You don't.

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<v Speaker 2>How you figure that? You? How you figure that love

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<v Speaker 2>people condition?

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<v Speaker 3>Your old lady was to give you no vagina, you

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<v Speaker 3>wouldn't love her?

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<v Speaker 2>Yes I would. I'm gonna tell you that's not the.

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<v Speaker 4>Want that no more.

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<v Speaker 6>Remember remember in Merrivath's Children, al Bun used to complain

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<v Speaker 6>having sex with the wife, sex.

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<v Speaker 3>With the wife.

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<v Speaker 2>You know what, man, I don't think people complain about that.

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<v Speaker 2>I used to think that people men have this. I

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<v Speaker 2>think everybody's trying to use each other. Everybody just want

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<v Speaker 2>to use somebody though everybody getting used.

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<v Speaker 1>I mean, look, yeah, I saw the video with the

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<v Speaker 1>Little White Man you saw yesterday, and he was talking

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<v Speaker 1>about how people want to be no, no, not you.

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<v Speaker 3>He definitely wasn't players. He's not player as you bro.

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<v Speaker 1>He was complaining that he felt useless at the time

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<v Speaker 1>and women could make you feel useless. And it's like,

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<v Speaker 1>still just be mad because his old lady expect him to.

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<v Speaker 3>Do the same thing. He been doing it for thirty years.

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<v Speaker 3>What he signed up to do like his job description.

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<v Speaker 1>I told Still this, and he got to this argument

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<v Speaker 1>with me. I say, bro, you marry a woman when

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<v Speaker 1>you decide you want to take care of that woman forever.

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<v Speaker 1>If that ain't your reason for getting married. If you

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<v Speaker 1>married somebody because you want them to take care of you,

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<v Speaker 1>you got married for.

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<v Speaker 3>The wrong reason.

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<v Speaker 4>That's why women celeb wedding and not the man.

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<v Speaker 2>Exactly. See the thing a woman dog. You can't expect

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<v Speaker 2>woman to take care of you like a man should expect.

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<v Speaker 2>Never expect the woman to take care of him though.

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<v Speaker 4>That's just not hardly expect to come back home from

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<v Speaker 4>the grocery store.

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<v Speaker 2>It's not manly, brother, expect the woman to take care

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<v Speaker 2>of you. You feel what I'm saying. But I think

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<v Speaker 2>men have been getting the short end of the stick

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<v Speaker 2>man for the last hundred two hundred years. Ever since

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<v Speaker 2>they invented the job. No, ever since they started just

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<v Speaker 2>came on a planet, the man got to go hunting,

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<v Speaker 2>he might not come home.

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<v Speaker 3>They admitted the job two hundred years ago.

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<v Speaker 2>Well yeah, ever since the job got offended the door,

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<v Speaker 2>the man been getting the short end of the fucking stick.

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<v Speaker 5>I mean, but like, what about you gave a woman

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<v Speaker 5>a job before you, before you knew what the requirements were.

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<v Speaker 2>You know what? That might be true, though, you know

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<v Speaker 2>what I think? Man?

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<v Speaker 1>Yeah, yet, hold up, still listen. I'll be honest. I

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<v Speaker 1>won't even joke. Look, in a perfect world, women will

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<v Speaker 1>just love you no matter what you got. But did

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<v Speaker 1>he's in jail for racketeering.

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<v Speaker 4>There's a lot of ship that starts with in a

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<v Speaker 4>perfect world.

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<v Speaker 1>But yeah, yeah, did he's in jail for racketeering by himself.

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<v Speaker 1>Obviously he's his own organization. I even got my dad

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<v Speaker 1>to laugh at that.

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<v Speaker 2>You know. Can you just picture this man's flight right now?

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<v Speaker 2>Old Dog. Just a couple of months ago, he was

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<v Speaker 2>on a fucking boat, like on the big ass yacht, Dog,

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<v Speaker 2>just doing his thing, just eating whatever he wanted to do. Dog.

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<v Speaker 2>Now he's in the cell.

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<v Speaker 4>This is what happened. If you have enough money to

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<v Speaker 4>be on a.

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<v Speaker 6>Boat, stay on the fucking boat, dog.

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<v Speaker 2>As soon as and I'm pretty sure he heard rumors

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<v Speaker 2>that he's coming down the pike. I don't know why

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<v Speaker 2>he funk.

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<v Speaker 3>Would you get off a boat, That's what I'm saying.

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<v Speaker 2>I took that boat. Drink the bomb Brazil Some fucking wear.

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<v Speaker 2>And there's never got off and had somebody wire me.

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<v Speaker 2>He making all that money, wire me a hundred million,

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<v Speaker 2>and i'mnock them back for ten or fifteen years.

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<v Speaker 4>You just have your ear at International waters.

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<v Speaker 6>Just send people out on on on the tenders to

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<v Speaker 6>go get supplies and come back.

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<v Speaker 4>You can even bring bitches back out of the boat.

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<v Speaker 4>Who cares the boat?

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<v Speaker 2>I think, Peter, you over there drinking what you're drinking? Man?

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<v Speaker 6>Oh, this is the Martinez. I invented it. The vodka

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<v Speaker 6>Martini is the en vogue. You know, drink the jour

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<v Speaker 6>in a lot of cirtcles these days. I'm in Miami.

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<v Speaker 6>I know vodka martinis. I do Cubans calling dark.

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<v Speaker 4>Rum, shaking and poured.

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<v Speaker 6>It's the Martinez. It's the Martini and Espanol delicious, delicious.

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<v Speaker 3>You never had.

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<v Speaker 4>I've never had somebody complaining.

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<v Speaker 5>No, you you you and Miami. You're talking about chicks

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<v Speaker 5>and Long Beach. You tripped me.

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<v Speaker 3>Oh they got him down here to well, I know

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<v Speaker 3>that's my point.

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<v Speaker 4>They got they got more of them that.

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<v Speaker 3>We ain't got nothing on it on Miami.

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<v Speaker 2>No.

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<v Speaker 6>But I'm just saying in of l A County, you

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<v Speaker 6>hated Miami. When you're here still we're talking about because.

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<v Speaker 2>It's expensive as hell.

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<v Speaker 5>Dog.

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<v Speaker 2>They put a service charge on every damn thing. I

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<v Speaker 2>went to a red I went to a donut shop. Bro,

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<v Speaker 2>dollars a ten dollars service charge some donuts.

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<v Speaker 3>Why you get why are you getting donuts in Miami?

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<v Speaker 2>Because they they had donuts with like the whipped cream.

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<v Speaker 3>And you went to see if you go to Miami Beach.

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<v Speaker 6>That's where counters off out of the girls and they

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<v Speaker 6>go and they gouged you with the with the autograph

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<v Speaker 6>for anything.

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<v Speaker 2>I went to what's the little homely name down there,

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<v Speaker 2>the little red looking dude, what's a little rapper name,

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<v Speaker 2>Kodak Blake. I went to his shop, Dog. It was

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<v Speaker 2>actually pretty funny.

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<v Speaker 4>Oh, the the clothing store.

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<v Speaker 2>Yeah. I asked the dude that was working there, I said,

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<v Speaker 2>does he ever come in here? He said, yeah, he

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<v Speaker 2>comes in.

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<v Speaker 4>I go to the strip club on the other side

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<v Speaker 4>of the wall.

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<v Speaker 2>Yeah. You know what's funny about this store, Dog, Bro,

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<v Speaker 2>his story smelled like weed.

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<v Speaker 4>I'm sure does. That's not that is not surprising to me.

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<v Speaker 3>I imagine Kodak Black said he suber.

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<v Speaker 2>Now though, Bro, that's good for him.

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<v Speaker 3>But he don't work there. I don't have to work there.

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<v Speaker 2>He might be he might be. Dog. I hope he was, Dog,

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<v Speaker 2>I really hope, because he had sobriety. Dog, because I

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<v Speaker 2>think I think drugs are ruining our community right now. Dog.

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<v Speaker 2>Not to be not not not being facetious either. Drugs

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<v Speaker 2>are ruining the black community. Dog have been ruining the

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<v Speaker 2>black community. Alcohol alcohol. We Yeah, seriously, Dog, he you

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<v Speaker 2>were about right.

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<v Speaker 4>I'm not saying that as a joke.

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<v Speaker 6>I'm saying like to me rhetorically speaking, there's always this

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<v Speaker 6>talk about like the nineteen eighties and crack and shit

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<v Speaker 6>like that. There was an enormous number of vets that

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<v Speaker 6>came back from Vietnam and then and outside of La Heroin,

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<v Speaker 6>the community got, yes, just ravaged by Heroin for show up.

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<v Speaker 2>I remember it when I lived in Cleveland. See, I

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<v Speaker 2>remember we stayed in this apartment building and in the

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<v Speaker 2>back you would see needles just all in the ground here.

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<v Speaker 2>One was so big in Cleveland, though, just needles everywhere.

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<v Speaker 1>Dude, no ceilings, yel my man, Peter bars in the house.

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<v Speaker 1>I got my big brother Stell and I got my

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<v Speaker 1>little brother quiz Man.

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<v Speaker 2>Quiz.

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<v Speaker 1>What was having y'all clap for quiz man Like y'all

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<v Speaker 1>got some class man clapping quiz got a new project out.

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<v Speaker 3>What's the name of it?

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<v Speaker 1>Quiz project is called Grateful Grateful. Yeah, I remember that.

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<v Speaker 1>I'm on the project, So y'all check that out on Spotify.

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<v Speaker 1>We was having a dope rap conversation. I'm like, hold

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<v Speaker 1>that for the pot. You don't got to be like

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<v Speaker 1>you know, you don't got to be We could talk

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<v Speaker 1>about it with it being, with it having taste's still

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<v Speaker 1>start playing.

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<v Speaker 3>We got loan to find that. Uh did you hear that?

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<v Speaker 2>Yes? You heard it? Yeah, we heard it. I'm trying

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<v Speaker 2>to do the applause thing. I was trying to see

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<v Speaker 2>if we have the end of the plow. Let me see.

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<v Speaker 2>I want to get it.

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<v Speaker 4>We need a we need a professional soundboard.

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<v Speaker 2>Did you hear Did you hear that right there? No?

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<v Speaker 3>Hey, still you sound like a tyler with a new toy.

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<v Speaker 2>Did you get this right here? This?

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<v Speaker 3>Well, we didn't hear it. I heard that. Yes, I'm doing.

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<v Speaker 1>Okay, stop it. Yes we heard it.

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<v Speaker 2>Years right there.

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<v Speaker 3>Yes, you're making it the story I.

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<v Speaker 2>Wish I want to I wanted to do the third

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<v Speaker 2>Little Horns.

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<v Speaker 3>We heard that, we got that, We got on.

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<v Speaker 2>Better with you on it.

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<v Speaker 1>This version of you is so much better than the

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<v Speaker 1>version that's on Gangs the Chronicles.

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<v Speaker 2>Well, i've been letting my my personality bleed over a

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<v Speaker 2>little bit. You know, it ain't been on the show. Dog,

0:11:14.480 --> 0:11:17.080
<v Speaker 2>I've been over there a while because you've been.

0:11:16.920 --> 0:11:19.440
<v Speaker 3>On the Chronicles. Andre turning into a professional hose like

0:11:19.679 --> 0:11:21.200
<v Speaker 3>not Robert Walters.

0:11:20.760 --> 0:11:23.240
<v Speaker 2>Bro one more time for Homie.

0:11:23.559 --> 0:11:26.400
<v Speaker 1>Y'all hear that, Yes, we heard it, So y'all hear that.

0:11:26.480 --> 0:11:31.360
<v Speaker 1>Please stop you quiz, please stop.

0:11:35.320 --> 0:11:39.560
<v Speaker 6>Just just just mut I'm.

0:11:39.440 --> 0:11:41.280
<v Speaker 2>Gon to put that right here, right by me. Dog,

0:11:41.440 --> 0:11:44.559
<v Speaker 2>just hit the button random, she says something funny left.

0:11:46.480 --> 0:11:51.640
<v Speaker 3>Still, you don't have to make it yourself.

0:11:51.679 --> 0:11:57.640
<v Speaker 2>After I'm gonna move one actual thing up here on

0:11:57.679 --> 0:11:59.480
<v Speaker 2>the thing. So when I hear it, y'all can't tell.

0:11:59.320 --> 0:12:05.800
<v Speaker 1>Like, Okay, you have one a really dope conversation. And

0:12:05.840 --> 0:12:09.480
<v Speaker 1>I said, hold it for the pod and we're talking

0:12:09.520 --> 0:12:11.760
<v Speaker 1>about ice cube. And it's funny because me and Still

0:12:11.800 --> 0:12:16.360
<v Speaker 1>have had this conversation off air and he was talking

0:12:16.400 --> 0:12:20.840
<v Speaker 1>about cubes kind of what almost looks like three separate careers,

0:12:21.480 --> 0:12:23.040
<v Speaker 1>right and he was talking about his third part and

0:12:23.080 --> 0:12:26.520
<v Speaker 1>he's saying he kind of started to get questionable in

0:12:26.600 --> 0:12:30.360
<v Speaker 1>his eyes, when obviously he got to the third period, right,

0:12:30.400 --> 0:12:36.520
<v Speaker 1>which was we be clubbing the Yay yay put those versions. Yeah,

0:12:36.640 --> 0:12:39.640
<v Speaker 1>And I get it because Stretch said the same thing

0:12:39.720 --> 0:12:43.120
<v Speaker 1>to me. But what I've learned being in the music business,

0:12:43.160 --> 0:12:44.760
<v Speaker 1>and you know, I don't want to come across all

0:12:44.840 --> 0:12:49.600
<v Speaker 1>music businesses. But what I really realized, bro, was what's

0:12:49.640 --> 0:12:51.640
<v Speaker 1>dope for him is right, you start off as n

0:12:51.800 --> 0:12:54.800
<v Speaker 1>W as his writer, like everything is the lines you writing,

0:12:55.440 --> 0:12:58.760
<v Speaker 1>right then obviously that's that first era where the Chuck

0:12:58.840 --> 0:13:01.040
<v Speaker 1>d era and he came in and and he was

0:13:01.080 --> 0:13:04.480
<v Speaker 1>writing and saying the hardest stuff. But the reason I

0:13:04.520 --> 0:13:07.480
<v Speaker 1>think that's more a testament to how great of an

0:13:07.600 --> 0:13:10.440
<v Speaker 1>MC is and a hip hop legend and and just

0:13:10.480 --> 0:13:16.040
<v Speaker 1>a fantastic artist. His songwriting got crazy, Like think about it, right,

0:13:16.080 --> 0:13:18.040
<v Speaker 1>Like initially you said he was like jay.

0:13:17.960 --> 0:13:18.640
<v Speaker 3>Z before that.

0:13:19.240 --> 0:13:23.440
<v Speaker 1>Jay Z never evolved into forgive Me Whole, because I

0:13:23.480 --> 0:13:26.520
<v Speaker 1>know you listen to the podcast, but he never turned

0:13:26.559 --> 0:13:30.520
<v Speaker 1>into the same songwriter ice Cube turn into. Remember, so

0:13:30.679 --> 0:13:34.080
<v Speaker 1>ice Cube started as an MC that needed other people

0:13:34.160 --> 0:13:36.800
<v Speaker 1>to do hooks on hit records to where he got

0:13:36.920 --> 0:13:41.160
<v Speaker 1>so controlled with his songwriting, his record writing ability. Those

0:13:41.200 --> 0:13:43.680
<v Speaker 1>songs are top twenty songs and he's on the chorus.

0:13:48.360 --> 0:13:49.240
<v Speaker 3>I love it.

0:13:49.760 --> 0:13:52.480
<v Speaker 2>He was just a fake Tupac with and all that

0:13:52.520 --> 0:13:58.680
<v Speaker 2>stuff and no, but that's the bugs like them, dude.

0:13:59.040 --> 0:14:01.800
<v Speaker 5>I mean, but I know, like the sound, the sound

0:14:01.880 --> 0:14:04.480
<v Speaker 5>was changing, things were shifting, and he found his way

0:14:04.520 --> 0:14:05.520
<v Speaker 5>to implement himself.

0:14:05.679 --> 0:14:08.200
<v Speaker 3>And songwriting can be a big corny.

0:14:08.360 --> 0:14:10.920
<v Speaker 1>I think that if you really think about it, still

0:14:10.960 --> 0:14:13.120
<v Speaker 1>think about some of the greatest records wrote.

0:14:13.240 --> 0:14:19.200
<v Speaker 5>But I'm a fan of MCS. So that's why, like.

0:14:18.360 --> 0:14:20.920
<v Speaker 4>You're gonna critique like Snoop Dogg for.

0:14:22.440 --> 0:14:25.720
<v Speaker 2>Yeah, that was hard. It was this was hard.

0:14:26.240 --> 0:14:29.239
<v Speaker 4>It was a deviation from his his typical sound.

0:14:30.520 --> 0:14:33.400
<v Speaker 5>But Snoop was never like a like a prolific writer

0:14:33.560 --> 0:14:35.200
<v Speaker 5>like ice Cube Boy was, well.

0:14:35.160 --> 0:14:40.080
<v Speaker 1>Noime, but they do something different. See, And I think

0:14:40.080 --> 0:14:42.600
<v Speaker 1>when we hear rapper, we think writer. That's something I

0:14:42.640 --> 0:14:45.440
<v Speaker 1>trip off of. That's not really what a rapper means.

0:14:46.160 --> 0:14:48.720
<v Speaker 1>It's the connotation, but it's not like I think we

0:14:48.920 --> 0:14:53.640
<v Speaker 1>fancied Cube and certain people as writers versus Snoop, who

0:14:53.720 --> 0:14:55.720
<v Speaker 1>is actually just a superb rapper.

0:14:55.840 --> 0:15:01.320
<v Speaker 6>I think wearate the terms writer and composer. Rapper's gonna

0:15:01.320 --> 0:15:05.880
<v Speaker 6>write their lyrics, but you compose the piece or something

0:15:06.000 --> 0:15:07.360
<v Speaker 6>like something that's.

0:15:07.200 --> 0:15:09.360
<v Speaker 1>A little deeper. That's a little deeper. But let's back

0:15:09.400 --> 0:15:11.800
<v Speaker 1>up before we go from there. Q Snoop has always

0:15:11.800 --> 0:15:15.600
<v Speaker 1>been an incredible rapper. Now, if you question how great

0:15:15.640 --> 0:15:19.040
<v Speaker 1>he writes or the things he's writing, that's a different

0:15:19.040 --> 0:15:21.800
<v Speaker 1>conversation because that's where to me, the jay Z's, the

0:15:21.960 --> 0:15:25.640
<v Speaker 1>nas and different people stand out as writers. When you

0:15:25.680 --> 0:15:28.480
<v Speaker 1>hear the things they're writing, you like, oh these things

0:15:28.520 --> 0:15:31.560
<v Speaker 1>to me and to me, not everybody has that talent. Yeah,

0:15:31.880 --> 0:15:35.720
<v Speaker 1>So when Q moved away, when Q moved away.

0:15:35.480 --> 0:15:38.680
<v Speaker 5>From displaying his talent in that way, that's where like

0:15:39.200 --> 0:15:40.440
<v Speaker 5>it gets a little tricky for me.

0:15:40.760 --> 0:15:43.080
<v Speaker 1>Well, I think that's the genius of it, right, because

0:15:43.080 --> 0:15:46.440
<v Speaker 1>if you really think about it, from nineteen eighty eight, Well,

0:15:47.480 --> 0:15:49.640
<v Speaker 1>boys in the Livele came out in eighty seven to

0:15:49.720 --> 0:15:52.040
<v Speaker 1>be able to carry a career for eleven years on

0:15:52.080 --> 0:15:55.480
<v Speaker 1>your own pen and then you're writing your hit records

0:15:55.520 --> 0:15:58.080
<v Speaker 1>at the end of that eleven twelve year run, Like,

0:15:58.120 --> 0:15:58.600
<v Speaker 1>what's crazy?

0:15:58.640 --> 0:15:59.960
<v Speaker 3>It's my favorite Cube album?

0:16:00.200 --> 0:16:01.440
<v Speaker 4>Is uh?

0:16:01.520 --> 0:16:02.720
<v Speaker 2>The War album?

0:16:03.040 --> 0:16:08.240
<v Speaker 1>It's not necessarily America Death Certificate lethough predator. I feel

0:16:08.240 --> 0:16:10.920
<v Speaker 1>like as a songwriter and as an MC, he was

0:16:10.960 --> 0:16:14.200
<v Speaker 1>at his his apex, his greatest by the time he

0:16:14.280 --> 0:16:17.440
<v Speaker 1>became a much better songwriter to go with the M

0:16:17.480 --> 0:16:19.560
<v Speaker 1>sing Now, I agree with you. I think as you

0:16:19.640 --> 0:16:22.000
<v Speaker 1>become because I go through this now, as I become

0:16:22.000 --> 0:16:25.600
<v Speaker 1>a much better record writer, you kind of leave M

0:16:25.640 --> 0:16:28.960
<v Speaker 1>seeing IM seeing. I don't want to say leave it.

0:16:28.960 --> 0:16:31.880
<v Speaker 1>That's not the right word. It's not as imperative because

0:16:31.880 --> 0:16:35.480
<v Speaker 1>it's more about the composition of the whole record versus

0:16:35.520 --> 0:16:37.760
<v Speaker 1>where if you j you really don't let me wrong,

0:16:37.760 --> 0:16:39.440
<v Speaker 1>because I do think Jay writes some of the singing

0:16:39.480 --> 0:16:41.360
<v Speaker 1>parts for some people, but for the most part he's

0:16:41.400 --> 0:16:43.600
<v Speaker 1>taken like he didn't write Empire State of Mind.

0:16:43.920 --> 0:16:44.800
<v Speaker 3>He just had the m C.

0:16:44.960 --> 0:16:47.640
<v Speaker 2>The verses, They've been a lot of stuff too.

0:16:48.040 --> 0:16:49.080
<v Speaker 4>There's certainly.

0:16:52.640 --> 0:16:53.040
<v Speaker 3>I don't like.

0:16:53.120 --> 0:16:58.960
<v Speaker 7>I don't like thet I know, I personally don't like

0:16:59.000 --> 0:17:02.840
<v Speaker 7>when the MC starts leaving the MC part. Well, I

0:17:02.880 --> 0:17:03.760
<v Speaker 7>personally don't like that.

0:17:03.920 --> 0:17:04.600
<v Speaker 3>No, No, I get it.

0:17:04.640 --> 0:17:08.360
<v Speaker 6>There's a natural like there's there's a point of diminishing

0:17:08.400 --> 0:17:13.200
<v Speaker 6>returns where stuff becomes too lyrics centric to be.

0:17:14.040 --> 0:17:16.320
<v Speaker 4>Matt to get mass like audience.

0:17:17.119 --> 0:17:19.240
<v Speaker 3>You know, I just understand you know what I'm saying.

0:17:20.400 --> 0:17:22.359
<v Speaker 3>You know, you know who that is. That's Bob Dylan.

0:17:24.040 --> 0:17:27.240
<v Speaker 1>Like Bob Dylan is regarded as one of the greatest writers,

0:17:27.240 --> 0:17:29.680
<v Speaker 1>but he don't got the best records.

0:17:30.680 --> 0:17:33.679
<v Speaker 4>No everybody else who does his songs after him.

0:17:36.640 --> 0:17:39.280
<v Speaker 1>You know what, the greatest rutterer of all time though,

0:17:39.840 --> 0:17:41.879
<v Speaker 1>And I think that's where as when we talk. So

0:17:41.920 --> 0:17:43.679
<v Speaker 1>that's why I'm saying with Q, so I get it.

0:17:43.720 --> 0:17:45.600
<v Speaker 1>I get it from MC because you are like a

0:17:46.280 --> 0:17:48.679
<v Speaker 1>I'm a Pio pair amount MC like you are. That

0:17:48.840 --> 0:17:51.640
<v Speaker 1>is your ship you leave with them seeing But because

0:17:51.680 --> 0:17:53.160
<v Speaker 1>of our business.

0:17:53.240 --> 0:17:55.840
<v Speaker 3>Our job is still to make records that the world.

0:17:56.000 --> 0:18:00.240
<v Speaker 1>Yeah, and I think you who started his career very

0:18:00.320 --> 0:18:03.320
<v Speaker 1>much like a top tier MC without a ton of

0:18:03.640 --> 0:18:05.119
<v Speaker 1>like you know, he ain't like us.

0:18:05.320 --> 0:18:07.280
<v Speaker 3>We have the benefit of ice, Q jay.

0:18:07.280 --> 0:18:11.160
<v Speaker 1>Z, Tupac Star, and we got hundreds of rappers. By

0:18:11.160 --> 0:18:13.399
<v Speaker 1>the time me and you start rapping, there's hundreds of

0:18:13.480 --> 0:18:17.640
<v Speaker 1>guys we could take up. If you were in eighty seven. Shit,

0:18:17.680 --> 0:18:23.320
<v Speaker 1>it's melly mail about ten people, Like, how do you

0:18:23.440 --> 0:18:26.040
<v Speaker 1>form a staff like stealing them era? How do you

0:18:26.160 --> 0:18:29.800
<v Speaker 1>form a style just listening to the blow that was his.

0:18:29.880 --> 0:18:35.840
<v Speaker 5>Name homeboy from like from Condon to Paramount and the

0:18:35.920 --> 0:18:36.800
<v Speaker 5>girl you was day.

0:18:36.760 --> 0:18:38.240
<v Speaker 3>That at the time, she was like, he's not like

0:18:38.320 --> 0:18:42.920
<v Speaker 3>a Paul Paul. Oh yeah, what's his name? I forgot?

0:18:44.520 --> 0:18:46.280
<v Speaker 3>He was cool though, Yeah, he was cool.

0:18:46.920 --> 0:18:49.840
<v Speaker 1>But think about it, if you came inque like like Snoop,

0:18:50.040 --> 0:18:52.800
<v Speaker 1>like like Snoop Steal q Day. All them dudes born

0:18:52.880 --> 0:18:56.320
<v Speaker 1>between sixty eight and seventy three, they didn't have no

0:18:56.440 --> 0:18:59.200
<v Speaker 1>rappers to really look up too. They might have had

0:18:59.280 --> 0:19:02.520
<v Speaker 1>seven gods. They probably heard Melly Mail and was blown

0:19:02.520 --> 0:19:05.320
<v Speaker 1>away listening to this Melly Mail That Melley Mail guy

0:19:05.400 --> 0:19:06.760
<v Speaker 1>is incredible.

0:19:06.440 --> 0:19:11.400
<v Speaker 5>Us scar Face before scar Face Mellen's nineteen, I'm saying

0:19:11.840 --> 0:19:12.760
<v Speaker 5>before Scarface.

0:19:14.040 --> 0:19:17.720
<v Speaker 6>Yeah, they about the same, about the same, I'd be

0:19:17.760 --> 0:19:21.600
<v Speaker 6>willing to bet they was, like I heard.

0:19:21.960 --> 0:19:24.320
<v Speaker 3>About the same time.

0:19:24.600 --> 0:19:28.840
<v Speaker 1>Yeah, all right, like like like that's the crazy part still,

0:19:28.880 --> 0:19:33.560
<v Speaker 1>Like when you was fifteen in eighty five, who did

0:19:33.600 --> 0:19:34.280
<v Speaker 1>you look up to?

0:19:36.119 --> 0:19:39.720
<v Speaker 3>Who was the dopest? And King wasn't not ninety five,

0:19:39.720 --> 0:19:40.680
<v Speaker 3>You're damn lie.

0:19:41.040 --> 0:19:44.680
<v Speaker 2>King was five. See, I'm gonna tell you right up, Wayne.

0:19:45.600 --> 0:19:47.000
<v Speaker 3>He wasn't eighty five.

0:19:49.200 --> 0:19:52.679
<v Speaker 6>I mean still was fifteen, right around Lionel Richard's first album.

0:19:52.440 --> 0:19:55.800
<v Speaker 3>Right Hill, No, you couldn't think, probably about closer to

0:19:55.800 --> 0:19:57.720
<v Speaker 3>the same thing. The Commodore is in the seventies. A

0:19:57.720 --> 0:19:58.879
<v Speaker 3>lot of rich he ain't to the eighties.

0:20:00.080 --> 0:20:02.720
<v Speaker 4>Still in the seventies and seventies, sixties, baby sixties, bab.

0:20:03.080 --> 0:20:04.000
<v Speaker 3>No, Okay.

0:20:04.560 --> 0:20:07.120
<v Speaker 2>Big Daddy came to begin his career in nineteen eighty six,

0:20:07.359 --> 0:20:09.240
<v Speaker 2>so I was sixteen, So.

0:20:09.240 --> 0:20:10.800
<v Speaker 3>I said, who did you look up to it?

0:20:10.880 --> 0:20:13.199
<v Speaker 1>That's why I specifically named the year, because I know

0:20:13.240 --> 0:20:17.080
<v Speaker 1>when Caine, I know when did L eighty four, and

0:20:17.119 --> 0:20:17.760
<v Speaker 1>he and they.

0:20:19.800 --> 0:20:22.000
<v Speaker 2>Probably I'm for sure, was looking up the El Cool

0:20:22.040 --> 0:20:22.920
<v Speaker 2>J around that time.

0:20:24.080 --> 0:20:26.480
<v Speaker 1>LA was the hardest thing you heard in nineteen eighty five,

0:20:27.200 --> 0:20:29.600
<v Speaker 1>he was, He was the hardest one year.

0:20:30.280 --> 0:20:32.480
<v Speaker 2>No, but I like but l L had a little

0:20:32.520 --> 0:20:38.119
<v Speaker 2>bit more Twain to him than Millie Mail, and I

0:20:38.160 --> 0:20:40.960
<v Speaker 2>didn't like White Lions and all that. Like I didn't

0:20:41.000 --> 0:20:44.360
<v Speaker 2>understand that song about eighty six eighty.

0:20:44.160 --> 0:20:49.440
<v Speaker 3>Seven they all about so run DMC eighty three.

0:20:49.760 --> 0:20:52.560
<v Speaker 2>I didn't really start getting heroes and rapped dog till

0:20:52.560 --> 0:20:55.399
<v Speaker 2>about like the Cold chilling Erra too, like Cool wrapped.

0:20:56.240 --> 0:20:58.320
<v Speaker 3>Yeah, that's that's your boy. That's Molly Mas. So you

0:20:58.400 --> 0:21:01.960
<v Speaker 3>lean in the Beastie Boys. They have boys boys too.

0:21:02.600 --> 0:21:05.320
<v Speaker 1>The Beastie Boys is a hard so no, but but

0:21:05.359 --> 0:21:07.119
<v Speaker 1>if you think about that's my point. So like we

0:21:07.200 --> 0:21:11.560
<v Speaker 1>had all these MC's to kind of really learn from

0:21:11.600 --> 0:21:12.000
<v Speaker 1>a coin.

0:21:12.160 --> 0:21:15.520
<v Speaker 2>Yeah, it's doing. We had we had little one off.

0:21:15.359 --> 0:21:17.840
<v Speaker 3>People like like you just here.

0:21:18.440 --> 0:21:20.399
<v Speaker 2>It was so new you would hear like a random

0:21:20.480 --> 0:21:22.600
<v Speaker 2>dude that'd be hard, right, Like we had a rapper

0:21:22.640 --> 0:21:26.280
<v Speaker 2>in Cleveland named Coach Sheks. He was around Melly Male's time.

0:21:26.320 --> 0:21:28.199
<v Speaker 2>I think Coaches is better than Melle Mail, but he

0:21:28.320 --> 0:21:29.280
<v Speaker 2>just never went nowhere.

0:21:30.160 --> 0:21:33.040
<v Speaker 1>So again, like if you think about it, right, the

0:21:33.080 --> 0:21:35.160
<v Speaker 1>Sugar Hills song is at seventy nine.

0:21:35.280 --> 0:21:39.440
<v Speaker 3>When's third base, that's nineties. Third base is nineties. Yeah,

0:21:39.480 --> 0:21:42.160
<v Speaker 3>that's like late eighties early nineties.

0:21:42.200 --> 0:21:45.600
<v Speaker 1>Maybe Okay, no, because if you think of eighty five, right,

0:21:45.640 --> 0:21:48.280
<v Speaker 1>you only have ll depth Jam's first Shawnee.

0:21:48.560 --> 0:21:50.000
<v Speaker 3>So that's that came out in eighty four.

0:21:50.119 --> 0:21:51.840
<v Speaker 1>Radio comes out in eighty four, which is dope because

0:21:51.840 --> 0:21:54.760
<v Speaker 1>he just dropped the album forty years later this year. Right,

0:21:55.080 --> 0:21:57.320
<v Speaker 1>then you had before that, you have Melly Mail. That's

0:21:57.400 --> 0:22:01.320
<v Speaker 1>Grandmaster five and your Grandma's flashing. The Fierce five male

0:22:01.560 --> 0:22:04.480
<v Speaker 1>was like eighty three, so he was around mo d

0:22:04.720 --> 0:22:06.560
<v Speaker 1>was a part of the Treachers three, but they wasn't

0:22:06.600 --> 0:22:07.600
<v Speaker 1>really tripping off mode.

0:22:07.600 --> 0:22:09.920
<v Speaker 3>They didn't really respect the Fat Boys the correct way.

0:22:09.960 --> 0:22:12.960
<v Speaker 3>To me, they just didn't. They didn't look up to

0:22:13.040 --> 0:22:14.200
<v Speaker 3>rappers how we did.

0:22:14.080 --> 0:22:16.359
<v Speaker 1>Where we could hear and be like, like I could

0:22:16.359 --> 0:22:18.040
<v Speaker 1>love a scar face even before I wanted to be

0:22:18.080 --> 0:22:21.240
<v Speaker 1>a rapper or Cube or Snoop or Drea. We had

0:22:21.280 --> 0:22:24.200
<v Speaker 1>a thousand of them. They didn't have nobody but sixteple.

0:22:25.160 --> 0:22:27.840
<v Speaker 2>Well, I will say this, the Fat Boy's dog before

0:22:27.840 --> 0:22:31.639
<v Speaker 2>they start making the movies and Stuffy album was banging

0:22:31.640 --> 0:22:34.160
<v Speaker 2>in the hood dog with in jail without the bell

0:22:34.320 --> 0:22:34.840
<v Speaker 2>and all that.

0:22:35.280 --> 0:22:37.240
<v Speaker 3>Yeah, but you didn't want to be the fat boys.

0:22:38.600 --> 0:22:40.320
<v Speaker 2>Man who wanted to be you know what? But they

0:22:40.440 --> 0:22:42.800
<v Speaker 2>was harding. You know what I'm saying.

0:22:43.040 --> 0:22:45.600
<v Speaker 1>So that's the point I'm saying is like we so

0:22:45.840 --> 0:22:47.520
<v Speaker 1>like when I back to the point when I look

0:22:47.560 --> 0:22:49.960
<v Speaker 1>at somebody like you, I look at that differently.

0:22:50.000 --> 0:22:52.720
<v Speaker 3>Like I get what you're saying, because his style did change.

0:22:52.440 --> 0:22:55.520
<v Speaker 1>But I think it evolved into a better place as

0:22:55.520 --> 0:23:00.760
<v Speaker 1>a songwriter like he evolved to last because like when

0:23:00.880 --> 0:23:05.040
<v Speaker 1>Q first came, bro like, hip hop wasn't really topping

0:23:05.040 --> 0:23:08.800
<v Speaker 1>the charts consistently, Like you know, Will Smith and them,

0:23:08.920 --> 0:23:11.920
<v Speaker 1>Jack Jeff and Prince did well. LL kind of did well.

0:23:12.000 --> 0:23:14.760
<v Speaker 1>Sometimes it was a couple of people Hammer did well.

0:23:14.800 --> 0:23:17.360
<v Speaker 1>But hip hop didn't have a main stay on a chart.

0:23:17.400 --> 0:23:19.440
<v Speaker 1>So if you was just a dope hip hop act,

0:23:19.960 --> 0:23:22.040
<v Speaker 1>the streets just had to like you when it worked out,

0:23:22.480 --> 0:23:24.080
<v Speaker 1>you know what I mean, Like Mo d I mean,

0:23:24.080 --> 0:23:26.320
<v Speaker 1>excuse me, Kine or Rod. Them dudes didn't have no

0:23:26.359 --> 0:23:29.480
<v Speaker 1>bunch of top twenty top ten songs and none of that.

0:23:29.560 --> 0:23:31.760
<v Speaker 1>Them dudes n w ain't the same thing. They didn't

0:23:31.800 --> 0:23:33.879
<v Speaker 1>have no top twenty top ten songs in the country.

0:23:33.920 --> 0:23:39.920
<v Speaker 2>I'm gonna tell you this. The Fat Boys bro not

0:23:40.480 --> 0:23:42.040
<v Speaker 2>to just cut you walk with see, but the Fat

0:23:42.080 --> 0:23:46.359
<v Speaker 2>Boys was probably just as important as Run DMC. Yes,

0:23:46.400 --> 0:23:49.040
<v Speaker 2>as far as breaking hips to mainstream. Them dudes had

0:23:49.040 --> 0:23:50.800
<v Speaker 2>a gold album in nineteen eighty four.

0:23:50.680 --> 0:23:53.760
<v Speaker 3>Dog at three gold albums.

0:23:54.240 --> 0:23:57.720
<v Speaker 2>Yeah, on an independent label. Though, Bro, what.

0:23:57.720 --> 0:24:01.080
<v Speaker 1>I'm saying, keep telling y'all, y'all shamed y'all, y'all, how y'all,

0:24:01.480 --> 0:24:03.280
<v Speaker 1>what's funny is I look up to them.

0:24:03.280 --> 0:24:05.959
<v Speaker 3>That boy was a kid young c is what early nineties,

0:24:06.000 --> 0:24:09.080
<v Speaker 3>early nineties, you know.

0:24:09.040 --> 0:24:13.320
<v Speaker 2>What the Fat Boys. I looked at the Fat Boys

0:24:13.400 --> 0:24:15.680
<v Speaker 2>until they started going commercial. I don't like, nobody want

0:24:15.680 --> 0:24:17.919
<v Speaker 2>the commercial. Dog. As soon as they start doing the

0:24:17.960 --> 0:24:20.960
<v Speaker 2>tackle bill commercials and doing all this and that and doing.

0:24:20.760 --> 0:24:23.800
<v Speaker 3>The getting it, they start getting it.

0:24:23.840 --> 0:24:24.040
<v Speaker 2>Ship.

0:24:24.200 --> 0:24:28.200
<v Speaker 3>We niggas get chick.

0:24:31.520 --> 0:24:32.800
<v Speaker 2>I understand it better now.

0:24:32.880 --> 0:24:37.840
<v Speaker 6>But now that now that you've got sponsorships all deck,

0:24:37.920 --> 0:24:38.800
<v Speaker 6>now you understand it.

0:24:40.160 --> 0:24:43.160
<v Speaker 3>Know that you don't want to butteries.

0:24:43.280 --> 0:24:47.280
<v Speaker 1>Now you understand out the last five these three four

0:24:47.320 --> 0:24:48.800
<v Speaker 1>hours ago, it.

0:24:48.920 --> 0:24:51.480
<v Speaker 3>Was like sell out. It was that nigga bill you

0:24:51.600 --> 0:24:53.920
<v Speaker 3>make this orderly. It was that nigga in college you

0:24:53.960 --> 0:24:55.960
<v Speaker 3>went to the NFL. Got some bread you suck?

0:24:56.080 --> 0:25:02.480
<v Speaker 2>Now, man, just think about this though. Dog hard. And

0:25:02.560 --> 0:25:04.800
<v Speaker 2>I'm gonna tell you, what's the homie that got the

0:25:04.840 --> 0:25:07.000
<v Speaker 2>song with cocaine out? That dude still.

0:25:06.800 --> 0:25:11.879
<v Speaker 1>Spitting oh cool rock skin, Yeah, is still hard. This

0:25:12.040 --> 0:25:14.040
<v Speaker 1>song he got with cocaine is already on their bus.

0:25:14.400 --> 0:25:16.080
<v Speaker 1>Fat Boys was hard. I used to love the Fat

0:25:16.119 --> 0:25:19.119
<v Speaker 1>Boys when I was a kid, but again with him,

0:25:19.160 --> 0:25:19.640
<v Speaker 1>I was a kid.

0:25:19.800 --> 0:25:21.639
<v Speaker 3>The better marketable acts.

0:25:22.000 --> 0:25:24.520
<v Speaker 1>I noticed y'all didn't like and it's not I don't

0:25:24.560 --> 0:25:26.000
<v Speaker 1>think y'all thought they were talented.

0:25:26.119 --> 0:25:27.320
<v Speaker 3>You felt it was a gimmick.

0:25:27.600 --> 0:25:30.520
<v Speaker 1>So I could see how if you looked at Disorderly,

0:25:30.720 --> 0:25:31.600
<v Speaker 1>like I loved it.

0:25:31.640 --> 0:25:35.320
<v Speaker 3>I'm seven the movie. Yeah, movie was crazy. That movie was,

0:25:35.560 --> 0:25:37.480
<v Speaker 3>but I would imagine if you're the age, you know,

0:25:37.640 --> 0:25:39.600
<v Speaker 3>you know what Disorderlies was.

0:25:39.720 --> 0:25:44.119
<v Speaker 5>Like, I think Disorderlies is what inspired the movie bats.

0:25:46.119 --> 0:25:50.240
<v Speaker 1>This Orderly is fire is crazy. But it didn't hit

0:25:50.320 --> 0:25:52.240
<v Speaker 1>them that they could be cool and tell how.

0:25:52.240 --> 0:25:54.080
<v Speaker 3>Because I was watching that ship as a kid too.

0:25:54.240 --> 0:25:55.840
<v Speaker 2>It was like Fat Boys was great.

0:25:56.440 --> 0:25:59.720
<v Speaker 1>But okay, the point let me right way, So again,

0:25:59.880 --> 0:26:02.360
<v Speaker 1>like I'm saying, so my point to say, what's cubing them?

0:26:02.400 --> 0:26:04.800
<v Speaker 1>They didn't have no So he came in the game

0:26:04.920 --> 0:26:07.120
<v Speaker 1>competing with what was in the game at the time.

0:26:07.680 --> 0:26:10.040
<v Speaker 1>Right he came in, it really wasn't much there, so

0:26:10.080 --> 0:26:11.240
<v Speaker 1>he competed.

0:26:10.840 --> 0:26:11.760
<v Speaker 3>With that, I feel.

0:26:12.880 --> 0:26:16.320
<v Speaker 1>But what happened was during his reign, right, because it's

0:26:16.359 --> 0:26:18.520
<v Speaker 1>fair to say Cube is the MVP of hip hop

0:26:18.520 --> 0:26:21.560
<v Speaker 1>in nineteen ninety and nineteen ninety one, but guess what

0:26:21.760 --> 0:26:26.760
<v Speaker 1>happened in nineteen ninety two? Snoop Dog happened, and Snoopy

0:26:26.880 --> 0:26:28.960
<v Speaker 1>came this and I always say this, I say on

0:26:29.000 --> 0:26:29.600
<v Speaker 1>the Bretherst Club.

0:26:29.680 --> 0:26:31.600
<v Speaker 3>Now the conversation is spreading, and I see a lot

0:26:31.600 --> 0:26:31.880
<v Speaker 3>of people.

0:26:32.400 --> 0:26:34.320
<v Speaker 5>I was listening to Doggie Style in the gym today.

0:26:35.119 --> 0:26:37.320
<v Speaker 5>It's a top five hip hop album by far you

0:26:37.359 --> 0:26:44.320
<v Speaker 5>know ch Yeah, yes, it's not as rich, it's just greater.

0:26:44.760 --> 0:26:45.399
<v Speaker 3>It's fun.

0:26:45.560 --> 0:26:49.000
<v Speaker 1>But okay, so, but dog happens right, and mind you,

0:26:49.040 --> 0:26:51.919
<v Speaker 1>dog writes to Chronic too, But dog happens right. And

0:26:51.920 --> 0:26:55.440
<v Speaker 1>then dog becomes this thing that really never happened. Now

0:26:56.160 --> 0:26:59.720
<v Speaker 1>he is number two in the country, Like, why is

0:26:59.760 --> 0:27:01.480
<v Speaker 1>this song with these dudes?

0:27:01.560 --> 0:27:05.480
<v Speaker 3>Is talking crazy? The number two songs out of all records.

0:27:05.960 --> 0:27:08.840
<v Speaker 1>And then Dred comes out This is a distant easy

0:27:09.000 --> 0:27:12.000
<v Speaker 1>It's number four in the country. And then let Me

0:27:12.160 --> 0:27:15.760
<v Speaker 1>Ride drops right, shout out to uh to uh to

0:27:15.960 --> 0:27:22.680
<v Speaker 1>steal steal man. Yeah right, then let them get Little

0:27:22.680 --> 0:27:25.200
<v Speaker 1>Ghetto Boys is top forty. So like, you have one

0:27:25.320 --> 0:27:29.520
<v Speaker 1>album that has four top forty songs. This ain't even

0:27:29.560 --> 0:27:32.119
<v Speaker 1>his album. He just wrote it, right, and then guess

0:27:32.119 --> 0:27:34.840
<v Speaker 1>what he comes back with Doggie Staff. It's four songs

0:27:34.880 --> 0:27:38.160
<v Speaker 1>on on there that are top top forty.

0:27:37.920 --> 0:27:41.800
<v Speaker 3>Songs, their top ten songs. Hip Hop now is competing.

0:27:41.720 --> 0:27:46.399
<v Speaker 1>With the best at it's competing with Michael Jackson. You know,

0:27:46.400 --> 0:27:49.840
<v Speaker 1>they got the biggest songs. And Cube is watching this happen.

0:27:49.880 --> 0:27:52.800
<v Speaker 1>He go from being a dope MC and writney songs.

0:27:52.840 --> 0:27:55.359
<v Speaker 1>They don't have to be huge chart topping smashes. They

0:27:55.480 --> 0:27:58.200
<v Speaker 1>just the culture. And then he looking at dogging them,

0:27:58.680 --> 0:28:03.320
<v Speaker 1>He like, what the fuck is like, what is happening?

0:28:03.600 --> 0:28:06.480
<v Speaker 1>And then right, so this happens and then they come back.

0:28:06.680 --> 0:28:10.880
<v Speaker 1>They got the Now Biggie is happening. Now Biggie got

0:28:11.040 --> 0:28:14.320
<v Speaker 1>top ten songs, the remix to One More Chance and

0:28:14.640 --> 0:28:20.040
<v Speaker 1>Big Poppa. And now there's a hip hop, right, there's

0:28:20.080 --> 0:28:22.680
<v Speaker 1>a hip hop that's woolf Tang where it's like these

0:28:22.720 --> 0:28:25.600
<v Speaker 1>are the biggest hip hop songs and the urban songs.

0:28:25.720 --> 0:28:29.679
<v Speaker 1>And then you got hip hop competing with Michael Jackson. Commercial.

0:28:31.960 --> 0:28:35.640
<v Speaker 2>I'm gonna tell you it was unapologetic gangster rap dog

0:28:35.680 --> 0:28:36.680
<v Speaker 2>and I think because.

0:28:36.440 --> 0:28:37.880
<v Speaker 3>We didn't like out.

0:28:37.960 --> 0:28:40.680
<v Speaker 2>Yeah, so it was it was music that was so hard.

0:28:40.680 --> 0:28:44.640
<v Speaker 2>They didn't sell out, though, Dogs.

0:28:45.040 --> 0:28:47.720
<v Speaker 1>But Hammer didn't sell out. That's just Hammer's entertainment. But

0:28:47.720 --> 0:28:49.680
<v Speaker 1>I get what you're saying, but let me make my points.

0:28:49.760 --> 0:28:53.600
<v Speaker 1>So now you have hip hop like Cream, you got Illmatic,

0:28:54.160 --> 0:28:56.480
<v Speaker 1>and these songs are doing well at the highest level

0:28:56.440 --> 0:28:59.760
<v Speaker 1>of his black music. But now you got these other

0:29:00.040 --> 0:29:03.560
<v Speaker 1>the other stuff that's competing with every Songhy you Cube.

0:29:03.560 --> 0:29:06.040
<v Speaker 1>It has already been in the game as a top

0:29:06.080 --> 0:29:11.480
<v Speaker 1>EMC for seven years in the game, right, for seven

0:29:11.520 --> 0:29:15.120
<v Speaker 1>years as a top EMC, and then Park's happening. He's like,

0:29:15.320 --> 0:29:17.400
<v Speaker 1>these guys, are I have to wear?

0:29:17.520 --> 0:29:22.160
<v Speaker 4>Come g you think it's fair.

0:29:22.240 --> 0:29:26.400
<v Speaker 6>At that time, there hadn't really been like the like

0:29:26.440 --> 0:29:30.600
<v Speaker 6>the sound cycle over time hadn't eclipsed twelve o'clock a

0:29:30.640 --> 0:29:32.680
<v Speaker 6>second time yet to where there was like two point zeros,

0:29:32.880 --> 0:29:34.280
<v Speaker 6>you know what I mean, Like to where you could say,

0:29:34.280 --> 0:29:36.600
<v Speaker 6>oh this this has a vibe that throws back to

0:29:36.680 --> 0:29:40.840
<v Speaker 6>whatever it sounds like a everything was new over new.

0:29:41.840 --> 0:29:46.000
<v Speaker 6>So yeah, you're kind of finding the evolutionary clock. And

0:29:46.160 --> 0:29:49.080
<v Speaker 6>then a few years after that, because even at that point,

0:29:49.080 --> 0:29:52.719
<v Speaker 6>that was right after Snoop's No Limits sound came out,

0:29:52.760 --> 0:29:54.480
<v Speaker 6>which was different than his previous sound.

0:29:55.080 --> 0:29:56.560
<v Speaker 3>But let's back up.

0:29:56.480 --> 0:29:59.040
<v Speaker 1>Before we get to ninety eight, you know what I mean,

0:29:59.160 --> 0:30:01.840
<v Speaker 1>or ninety seven, Let's just stay in that window of

0:30:02.080 --> 0:30:06.280
<v Speaker 1>ninety two December ninety two, the chronic to ninety six.

0:30:07.320 --> 0:30:09.640
<v Speaker 3>This is what cbe so maya cube in.

0:30:09.680 --> 0:30:12.120
<v Speaker 1>Ninety two he had already been to MVP for two

0:30:12.240 --> 0:30:14.120
<v Speaker 1>years ninety and ninety one. He was a part of

0:30:14.440 --> 0:30:17.400
<v Speaker 1>what became at that time the greatest group in hip

0:30:17.440 --> 0:30:19.400
<v Speaker 1>hop to some degree. If you wouldn't say run DMC,

0:30:19.520 --> 0:30:21.520
<v Speaker 1>you say NW for sure, it's the greatest West Coast

0:30:21.560 --> 0:30:22.000
<v Speaker 1>rap group.

0:30:22.400 --> 0:30:22.600
<v Speaker 2>Right.

0:30:22.680 --> 0:30:26.520
<v Speaker 1>So you eighty seven, you wrote a big impactful culture record,

0:30:26.560 --> 0:30:28.600
<v Speaker 1>Boys in the Hood for Easy. That's in eighty seven,

0:30:28.840 --> 0:30:32.000
<v Speaker 1>and then ninety two you are supreme. This is what

0:30:32.040 --> 0:30:32.880
<v Speaker 1>the top looks like.

0:30:33.040 --> 0:30:36.120
<v Speaker 3>I got a signe note real quick, right, But then

0:30:36.240 --> 0:30:37.160
<v Speaker 3>dog happens.

0:30:37.680 --> 0:30:39.640
<v Speaker 1>That's the same thing happening. Ice t iced T told

0:30:39.640 --> 0:30:41.480
<v Speaker 1>me that. He said, Man, I hit the pinnacle. I

0:30:41.560 --> 0:30:46.240
<v Speaker 1>was selling the same records LLL was selling. He said,

0:30:46.280 --> 0:30:48.200
<v Speaker 1>So I started to make rock because it felt like

0:30:48.240 --> 0:30:49.160
<v Speaker 1>I hit the ceiling.

0:30:49.560 --> 0:30:52.240
<v Speaker 3>And guess who comes and lifts the ceiling.

0:30:52.960 --> 0:30:55.560
<v Speaker 1>Snoop lifts the ceiling in the ceiling that's been there

0:30:55.600 --> 0:30:59.360
<v Speaker 1>the whole time. Just touch it or you don't, So, cub,

0:31:00.600 --> 0:31:01.360
<v Speaker 1>what was your side note?

0:31:01.400 --> 0:31:01.680
<v Speaker 2>Quiz?

0:31:02.240 --> 0:31:07.320
<v Speaker 5>Still I'm still might be biased. Bone Thugs in Harmony.

0:31:07.520 --> 0:31:08.800
<v Speaker 5>Top five rap group.

0:31:09.680 --> 0:31:13.000
<v Speaker 2>Oh for sure, especially the earlier works, because you got

0:31:13.080 --> 0:31:15.080
<v Speaker 2>to remember at that time they came with something that

0:31:15.240 --> 0:31:15.840
<v Speaker 2>was so new.

0:31:15.920 --> 0:31:18.920
<v Speaker 4>Bro, you're in your top five.

0:31:18.920 --> 0:31:21.680
<v Speaker 3>I believe, I say, I say for sure, top ten.

0:31:21.760 --> 0:31:23.120
<v Speaker 3>I'm not sure about top five.

0:31:23.760 --> 0:31:25.920
<v Speaker 2>Listen. I don't know if they in top five group

0:31:25.960 --> 0:31:27.520
<v Speaker 2>of all time. I think they were probably one of

0:31:27.560 --> 0:31:29.360
<v Speaker 2>the more original groups, though Dog.

0:31:30.120 --> 0:31:33.040
<v Speaker 6>Sound came out first, Like did they come out before

0:31:33.080 --> 0:31:33.960
<v Speaker 6>that Chicago Sound?

0:31:34.040 --> 0:31:36.000
<v Speaker 4>Did they just get big before the Door Dies of

0:31:36.040 --> 0:31:36.360
<v Speaker 4>the world?

0:31:36.400 --> 0:31:39.400
<v Speaker 2>And they were different from Chicago's. They had the melody

0:31:39.440 --> 0:31:40.000
<v Speaker 2>in the dude.

0:31:40.800 --> 0:31:43.600
<v Speaker 1>It was like, well, even though you're good, it wasn't

0:31:43.600 --> 0:31:45.920
<v Speaker 1>the melody. The Midwest always had melody.

0:31:45.960 --> 0:31:48.920
<v Speaker 3>They had harmony. It was like the Beach Boys harmony.

0:31:49.720 --> 0:31:53.360
<v Speaker 1>Top five No, no, no bonus, Top five, Dog Pound,

0:31:53.400 --> 0:31:54.360
<v Speaker 1>no Outcast.

0:31:54.840 --> 0:31:58.840
<v Speaker 3>Yes, top five is probably gonna be Wo Tang. The Locks, No,

0:31:59.200 --> 0:32:02.720
<v Speaker 3>the Lox isn't Top five. Locks ain't top five in

0:32:02.760 --> 0:32:08.280
<v Speaker 3>New York for groups not New York. Are you crazy?

0:32:08.440 --> 0:32:08.800
<v Speaker 3>I'm not.

0:32:08.960 --> 0:32:11.440
<v Speaker 1>I'm not going locks over. Locks are one of my

0:32:11.440 --> 0:32:15.320
<v Speaker 1>favorite and ain't my er, but I'm not going. I'm

0:32:15.320 --> 0:32:18.200
<v Speaker 1>not going to lock over Wang. I'm not going locks over.

0:32:19.040 --> 0:32:21.400
<v Speaker 1>I'm not going lots over fat boys. I'm not going

0:32:21.480 --> 0:32:26.160
<v Speaker 1>locks over uh tribe, you know what I mean?

0:32:26.200 --> 0:32:27.760
<v Speaker 3>And I'm not going locks. What's that?

0:32:27.760 --> 0:32:32.440
<v Speaker 1>That's five right there? My yeah, in the top five

0:32:32.520 --> 0:32:34.720
<v Speaker 1>all time? Yeah, Bone does it's the greatest group out

0:32:34.720 --> 0:32:37.840
<v Speaker 1>of the Midwest. Hell yeah, out Cast the greatest group

0:32:37.880 --> 0:32:40.000
<v Speaker 1>out of the South. Bone is the greatest group out

0:32:40.000 --> 0:32:41.920
<v Speaker 1>of the Midwest. N w A is the greatest group

0:32:41.920 --> 0:32:44.200
<v Speaker 1>out the West. By Wu Tang is the greatest.

0:32:43.920 --> 0:32:44.640
<v Speaker 2>Group out the East.

0:32:45.120 --> 0:32:49.000
<v Speaker 1>Ghetto Boys, I'm gonna go out Cast over Ghetto Boys,

0:32:50.640 --> 0:32:52.280
<v Speaker 1>U GK over U g.

0:32:52.360 --> 0:32:54.840
<v Speaker 3>K two our cast.

0:32:55.000 --> 0:32:59.200
<v Speaker 5>Though I'm just saying like, oh wait, looking at it

0:32:59.400 --> 0:33:00.920
<v Speaker 5>when I started, and that I didn't know if there

0:33:01.000 --> 0:33:01.680
<v Speaker 5>was like top five.

0:33:01.720 --> 0:33:03.600
<v Speaker 3>I believe the game hold on.

0:33:05.000 --> 0:33:09.160
<v Speaker 4>Pempsey made it abundantly clear in that interview that Atlanta

0:33:09.520 --> 0:33:11.760
<v Speaker 4>is in the Eastern Standard time, and then they're not

0:33:11.800 --> 0:33:12.160
<v Speaker 4>the South.

0:33:13.240 --> 0:33:17.080
<v Speaker 1>He did say that you could have Atlanta, it's not

0:33:17.200 --> 0:33:17.600
<v Speaker 1>the South.

0:33:18.320 --> 0:33:18.840
<v Speaker 2>No, So.

0:33:22.640 --> 0:33:26.720
<v Speaker 1>What's your watch time? What's your watch when you said

0:33:26.960 --> 0:33:28.239
<v Speaker 1>the time changed, don't it?

0:33:28.800 --> 0:33:28.920
<v Speaker 2>Uh?

0:33:30.360 --> 0:33:31.160
<v Speaker 3>Man?

0:33:32.440 --> 0:33:34.120
<v Speaker 1>That was my man, bro, the first one that ever

0:33:34.200 --> 0:33:36.960
<v Speaker 1>showed me love so yeah, so I look at Cube, right.

0:33:37.040 --> 0:33:39.920
<v Speaker 1>So Cube had been in the game. Remember Cuba is

0:33:39.920 --> 0:33:42.240
<v Speaker 1>the second g N M C so like he had

0:33:42.280 --> 0:33:45.760
<v Speaker 1>been in the game before that. But to watch the

0:33:45.840 --> 0:33:52.080
<v Speaker 1>third generation come and raise the ceiling raised think about it.

0:33:52.160 --> 0:33:56.080
<v Speaker 1>Rock Kim didn't raise his game. Caine didn't raise his game.

0:33:56.320 --> 0:33:59.680
<v Speaker 1>G Rapp didn't raise his game. The only guys from

0:33:59.720 --> 0:34:02.760
<v Speaker 1>those those first two generations that raised their game l

0:34:02.920 --> 0:34:09.520
<v Speaker 1>ll I, c ice C, Fresh Prince, he raised his game. Uh,

0:34:10.880 --> 0:34:12.800
<v Speaker 1>somebody else too that I'm not thinking too short.

0:34:13.480 --> 0:34:16.000
<v Speaker 2>I wouldn't say that. You think he raised his game?

0:34:16.640 --> 0:34:19.880
<v Speaker 1>Oh yeah, he became an incredible where he was making

0:34:19.960 --> 0:34:24.120
<v Speaker 1>smash hit records doing his hooks. That's crazy for him.

0:34:24.800 --> 0:34:27.319
<v Speaker 1>I can't even imagine me being on a number ten

0:34:27.440 --> 0:34:33.920
<v Speaker 1>record and I'm doing my hook That argument, huh Q.

0:34:35.560 --> 0:34:37.360
<v Speaker 6>Because at the same time LLLL had that had a

0:34:37.360 --> 0:34:39.120
<v Speaker 6>whole different sound of coming, like love song.

0:34:39.120 --> 0:34:49.520
<v Speaker 3>Type he made that Who that was? That was the

0:34:49.600 --> 0:34:50.520
<v Speaker 3>second album.

0:34:51.920 --> 0:34:53.960
<v Speaker 5>He's talking about when he started doing records with Pharrell

0:34:54.040 --> 0:34:56.040
<v Speaker 5>and Boys to Men and he raised his game.

0:34:56.200 --> 0:34:58.560
<v Speaker 3>That's what I'm saying. Like LLLL was love songs, he

0:34:58.680 --> 0:35:00.320
<v Speaker 3>just switched up started.

0:35:00.480 --> 0:35:03.719
<v Speaker 6>Yeah, like the sound other than that one, but like him,

0:35:03.719 --> 0:35:06.920
<v Speaker 6>he had knock You Out and then he's got like But.

0:35:06.680 --> 0:35:10.080
<v Speaker 3>That's what's crazy is that's third, that's third, even even

0:35:10.440 --> 0:35:12.600
<v Speaker 3>fourth hen knock you out as I'm bad.

0:35:12.680 --> 0:35:15.080
<v Speaker 1>And what's crazy is that's true. And what's crazy is

0:35:15.160 --> 0:35:19.239
<v Speaker 1>that was the rebirth of What's Your Boy? Who created

0:35:19.239 --> 0:35:21.520
<v Speaker 1>a sample in the way we knew it? Yeah, that

0:35:21.640 --> 0:35:25.359
<v Speaker 1>was mal Mall came and did that LL album would

0:35:25.400 --> 0:35:27.600
<v Speaker 1>Knock You Out and around the Way Girl.

0:35:27.680 --> 0:35:30.240
<v Speaker 3>That was a big moment from all that's Moll's biggest album.

0:35:31.320 --> 0:35:34.120
<v Speaker 1>Who came out in mid eighties and all that stuff

0:35:34.120 --> 0:35:35.680
<v Speaker 1>where he just had the Heavy D records and the

0:35:35.760 --> 0:35:39.280
<v Speaker 1>Cultural Records came and produced smash hit records. So again,

0:35:39.680 --> 0:35:42.719
<v Speaker 1>the point I'm saying still like when that third group

0:35:42.760 --> 0:35:46.360
<v Speaker 1>of MCS came around, they raised the ceiling.

0:35:46.920 --> 0:35:48.920
<v Speaker 2>Well, i'm gonna tell you, I'm gonna tell you you're

0:35:49.040 --> 0:35:51.960
<v Speaker 2>sleeping on two. I'm gonna tell you who was a

0:35:52.000 --> 0:35:55.759
<v Speaker 2>record making motherfucker back then? Heavy D was hard, but

0:35:55.800 --> 0:35:58.319
<v Speaker 2>he was dope the first day. Yeah, what I'm saying

0:35:58.760 --> 0:35:59.839
<v Speaker 2>off the gate he was dupe.

0:36:00.480 --> 0:36:02.759
<v Speaker 1>But but again I agree, But that's the point of

0:36:02.760 --> 0:36:05.240
<v Speaker 1>what we're saying about Q, where Q wasn't what heavy

0:36:05.320 --> 0:36:08.640
<v Speaker 1>D was. He became what he needed to become to

0:36:08.719 --> 0:36:11.920
<v Speaker 1>compete against third and fourth generation in seeds. That's crazy,

0:36:12.680 --> 0:36:14.839
<v Speaker 1>Like oh Snoop wasn't just gonna have a space at

0:36:14.840 --> 0:36:17.120
<v Speaker 1>the number one hits. Guess what he doubled back started

0:36:17.160 --> 0:36:19.760
<v Speaker 1>dropping hits. He figured out whatever it took as a songwriter,

0:36:19.840 --> 0:36:20.919
<v Speaker 1>as a recordmacker, like.

0:36:20.880 --> 0:36:22.640
<v Speaker 5>Just making art or art that he fucked were he

0:36:22.680 --> 0:36:25.160
<v Speaker 5>believed and he was a competitor that figured out how

0:36:25.200 --> 0:36:28.840
<v Speaker 5>to compete all the in the arena that he was existing.

0:36:28.440 --> 0:36:30.680
<v Speaker 3>All the time, and he wasn't gonna let you get away.

0:36:30.719 --> 0:36:33.239
<v Speaker 3>I can fuck with that. People like I've heard that,

0:36:33.360 --> 0:36:34.160
<v Speaker 3>I can fuck with that.

0:36:34.239 --> 0:36:36.440
<v Speaker 1>I heard Pock even say in an interview. He's like, man, Q,

0:36:37.000 --> 0:36:39.000
<v Speaker 1>you know Q. You know he wasn't tripping like this.

0:36:39.320 --> 0:36:41.680
<v Speaker 1>You took some of his staff. You didn't have no

0:36:41.800 --> 0:36:43.640
<v Speaker 1>choice but to come in and take Q style. If

0:36:43.640 --> 0:36:45.640
<v Speaker 1>you came in this business in ninety ninety one ninety

0:36:45.640 --> 0:36:47.680
<v Speaker 1>two and you were trying to talk tough, that was

0:36:47.719 --> 0:36:52.080
<v Speaker 1>the centerpiece of talking tough. So everybody took you scarface

0:36:52.120 --> 0:36:53.839
<v Speaker 1>and Q. You know what I'm saying, that was the thing.

0:36:54.160 --> 0:36:56.399
<v Speaker 1>So that is part of the game. Like I think

0:36:56.480 --> 0:36:59.399
<v Speaker 1>forty is brilliant at that Forty another one that look

0:36:59.440 --> 0:37:02.640
<v Speaker 1>at what's happened and then he like positioned himself with

0:37:02.680 --> 0:37:05.160
<v Speaker 1>his own style to make it happen like how it's happened.

0:37:07.800 --> 0:37:11.520
<v Speaker 5>I just feel like with forty, the change isn't that drastic,

0:37:11.600 --> 0:37:13.759
<v Speaker 5>Like it makes sense, like he's he adjusted to like

0:37:13.840 --> 0:37:15.480
<v Speaker 5>what's happening, you know what I'm saying, Like he finds

0:37:15.480 --> 0:37:17.600
<v Speaker 5>a way to beat himself inside of what's going on.

0:37:17.680 --> 0:37:21.280
<v Speaker 5>Where like Cube to some degree became a different character.

0:37:21.960 --> 0:37:24.719
<v Speaker 1>Well, I don't know if because I still think it

0:37:24.760 --> 0:37:27.160
<v Speaker 1>was the same version of a South Central rapper, but

0:37:27.239 --> 0:37:30.640
<v Speaker 1>I think it stopped being focused as much as what

0:37:30.719 --> 0:37:33.839
<v Speaker 1>I'm saying, as much as how I'm saying. How I'm

0:37:33.840 --> 0:37:36.239
<v Speaker 1>saying is where his jang really elevated.

0:37:36.600 --> 0:37:37.400
<v Speaker 3>And I think.

0:37:39.239 --> 0:37:39.800
<v Speaker 2>I'm sorry.

0:37:41.200 --> 0:37:44.280
<v Speaker 1>I think how he's saying it is why his records

0:37:44.280 --> 0:37:46.600
<v Speaker 1>got better. He started to know how to say it

0:37:47.080 --> 0:37:49.880
<v Speaker 1>that that would make us all be like say it

0:37:49.880 --> 0:37:50.319
<v Speaker 1>with him.

0:37:50.440 --> 0:37:52.440
<v Speaker 3>I did fou push farms like way though.

0:37:52.840 --> 0:37:55.000
<v Speaker 1>All I mean, if you think, because we're talking about

0:37:55.000 --> 0:37:58.440
<v Speaker 1>that version of Cube is ninety six, is that bout

0:37:58.440 --> 0:38:01.839
<v Speaker 1>down it start says about it. Yeah, right, and then

0:38:01.880 --> 0:38:04.920
<v Speaker 1>so bout all became like this they got smash records

0:38:04.920 --> 0:38:07.319
<v Speaker 1>on here by then is a huge red right, this

0:38:07.360 --> 0:38:09.879
<v Speaker 1>is him on the hook the world go. We think

0:38:09.960 --> 0:38:12.759
<v Speaker 1>about how rare that is them. There's no singing on

0:38:12.840 --> 0:38:13.799
<v Speaker 1>these hooks.

0:38:13.880 --> 0:38:15.840
<v Speaker 4>And those songs. I mean like that was around the

0:38:15.880 --> 0:38:16.800
<v Speaker 4>same time as Westside.

0:38:18.040 --> 0:38:22.480
<v Speaker 3>No No, that's that's a butter. That's Butter and.

0:38:22.520 --> 0:38:26.400
<v Speaker 1>Qbe together, which Q don't get no credit because mine you.

0:38:26.480 --> 0:38:30.239
<v Speaker 1>Q produced Matt Tim's first hit record, foll Life. He

0:38:30.320 --> 0:38:33.160
<v Speaker 1>co produced a lot of the songs, so again his

0:38:33.480 --> 0:38:35.640
<v Speaker 1>record writing. And that's what I'm saying, Like I'm not

0:38:35.640 --> 0:38:37.520
<v Speaker 1>trying to say I don't see his change as MC,

0:38:37.680 --> 0:38:40.839
<v Speaker 1>but where I do see less or the focus as

0:38:40.840 --> 0:38:42.760
<v Speaker 1>far as how we see them seeing being the writer.

0:38:43.280 --> 0:38:45.080
<v Speaker 3>I see the growth as a record writer.

0:38:45.600 --> 0:38:49.040
<v Speaker 1>And you can't do nothing but really respected, like because

0:38:49.080 --> 0:38:51.759
<v Speaker 1>Snoop came and changed the game right from stealing them

0:38:51.760 --> 0:38:56.239
<v Speaker 1>head that everything before that was rock Yim, rock Kim said,

0:38:56.360 --> 0:39:00.719
<v Speaker 1>rock Kim, Q Snoop everybody, Huh.

0:39:01.040 --> 0:39:03.560
<v Speaker 2>I wish Bob Kat would tell I was here to

0:39:03.560 --> 0:39:06.200
<v Speaker 2>tell this story. Man. He told me about how he

0:39:06.320 --> 0:39:08.560
<v Speaker 2>was excited because Michael Jackson called them to come in

0:39:08.600 --> 0:39:11.200
<v Speaker 2>the studio him in the L L right, and he

0:39:11.239 --> 0:39:13.560
<v Speaker 2>said he went there. L was doing the record man,

0:39:13.600 --> 0:39:15.760
<v Speaker 2>and he was in that like I need love mode

0:39:16.000 --> 0:39:18.960
<v Speaker 2>and he said that Michael Jackson man was sitting behind

0:39:18.960 --> 0:39:21.520
<v Speaker 2>the thing and was like, you know, looking at a

0:39:21.600 --> 0:39:23.600
<v Speaker 2>rap and he just turned down. He says, no, that's

0:39:23.640 --> 0:39:26.200
<v Speaker 2>not what I want. I want. Mama said, knock you

0:39:26.239 --> 0:39:28.439
<v Speaker 2>out man. He said, not that soft ship, he said.

0:39:28.480 --> 0:39:30.640
<v Speaker 2>Michael Jackson said, just like that, not the talk shit.

0:39:31.000 --> 0:39:34.799
<v Speaker 2>He said, He'll go back in there, tippy the teo

0:39:35.040 --> 0:39:36.920
<v Speaker 2>and Mike's like, oh, that's but let's just try it

0:39:36.960 --> 0:39:39.480
<v Speaker 2>another day. And I used to see Michael being like

0:39:39.560 --> 0:39:42.279
<v Speaker 2>how you know he was mad. Then Bob said he

0:39:42.360 --> 0:39:44.200
<v Speaker 2>was gonna leave right, but he was hanging out. He

0:39:44.239 --> 0:39:46.080
<v Speaker 2>went out on the thing and he saw Heavy D

0:39:46.239 --> 0:39:49.400
<v Speaker 2>pull up in that ge and he said, Heavy D

0:39:49.520 --> 0:39:53.200
<v Speaker 2>winning that motherfucker and right now. And Mike said, hey,

0:39:53.200 --> 0:39:54.879
<v Speaker 2>if I want you to give it to me, give

0:39:54.920 --> 0:39:56.000
<v Speaker 2>it to me rod Hard.

0:39:56.680 --> 0:39:59.719
<v Speaker 3>He said that that's a sound clean.

0:40:00.239 --> 0:40:03.200
<v Speaker 2>He said, Heavy D winning. The booth went jam jam.

0:40:03.360 --> 0:40:05.839
<v Speaker 2>He comes to man and Michaels there going crazy, turning

0:40:05.840 --> 0:40:10.000
<v Speaker 2>it up he said, man, he called, man, that ship

0:40:10.040 --> 0:40:11.359
<v Speaker 2>over with you gonna get on that song?

0:40:11.440 --> 0:40:15.440
<v Speaker 1>Though, LLLL had a better, bigger and death for though

0:40:15.560 --> 0:40:17.399
<v Speaker 1>LLLL bad was better than Michael Jackson Bad.

0:40:17.480 --> 0:40:20.840
<v Speaker 3>So fuck it, I'm bad. It's crazy.

0:40:21.840 --> 0:40:23.719
<v Speaker 1>How about that? Yeah, you don't like that at all.

0:40:24.120 --> 0:40:26.719
<v Speaker 1>LLL is better than Michael Jackson's Bad.

0:40:27.480 --> 0:40:32.760
<v Speaker 2>Yes, it's not Michael Jackson. It was your but Michael

0:40:32.840 --> 0:40:34.160
<v Speaker 2>Jackson's world Wide.

0:40:33.960 --> 0:40:40.920
<v Speaker 3>All ship is booth for too long, you know what.

0:40:41.440 --> 0:40:44.600
<v Speaker 1>That's all Corney's head man heavy D was hard though.

0:40:44.719 --> 0:40:47.000
<v Speaker 1>You know, Prince was supposed you know, Prince was supposed

0:40:47.040 --> 0:40:48.719
<v Speaker 1>to do that. It's supposed to be a collabe. Bad

0:40:48.800 --> 0:40:51.080
<v Speaker 1>was supposed to be a collabe with him and Prince,

0:40:51.360 --> 0:40:54.120
<v Speaker 1>and Prince told the story and Prince was like he

0:40:54.160 --> 0:40:56.160
<v Speaker 1>read the First Life, Yo, Butdy's mind, he said, who's

0:40:56.160 --> 0:40:56.799
<v Speaker 1>going to say that?

0:40:57.160 --> 0:40:57.920
<v Speaker 3>Who's gonna say that?

0:41:02.320 --> 0:41:06.560
<v Speaker 1>Yeah, bad was llll COOLJS bad was better than Michael

0:41:06.600 --> 0:41:09.080
<v Speaker 1>Jackson's Bad and make it last forever.

0:41:09.880 --> 0:41:11.720
<v Speaker 3>Sweat is better than Michael jack Prince.

0:41:11.840 --> 0:41:14.240
<v Speaker 5>If Prince and Michael Jackson would have did Bad together,

0:41:14.840 --> 0:41:17.040
<v Speaker 5>light skin niggas will not be able to breathe to this.

0:41:22.239 --> 0:41:25.920
<v Speaker 3>So yeah, nah, I respect. I respect what I respect,

0:41:26.000 --> 0:41:26.400
<v Speaker 3>q Bro.

0:41:26.920 --> 0:41:28.840
<v Speaker 1>The more I see it and I get what happened,

0:41:29.120 --> 0:41:31.040
<v Speaker 1>like when I when I clock it in real time

0:41:31.080 --> 0:41:33.279
<v Speaker 1>and I see, like you come out of you on

0:41:33.360 --> 0:41:34.200
<v Speaker 1>top of the world.

0:41:34.239 --> 0:41:36.880
<v Speaker 3>You the man. Because Chuck D was the pinnacle.

0:41:36.960 --> 0:41:40.360
<v Speaker 1>So everybody looked at Chuck public enemy was killing you

0:41:40.400 --> 0:41:42.080
<v Speaker 1>know what I'm saying, And it was like they was

0:41:42.360 --> 0:41:45.640
<v Speaker 1>they were still hard and still had commercial appeal, you

0:41:45.640 --> 0:41:47.840
<v Speaker 1>know what I mean. So that's that's the highest you

0:41:47.920 --> 0:41:50.399
<v Speaker 1>had to ridge to t and it was doing their thing,

0:41:50.520 --> 0:41:51.840
<v Speaker 1>that was the highest you had to ridge to.

0:41:52.000 --> 0:41:54.400
<v Speaker 5>So for him to write from that n w A stuff,

0:41:54.760 --> 0:41:58.000
<v Speaker 5>so then like his own solo stuff and then like

0:41:58.000 --> 0:41:58.359
<v Speaker 5>like you.

0:41:58.280 --> 0:41:59.440
<v Speaker 3>Said, co produce.

0:42:00.200 --> 0:42:03.359
<v Speaker 5>However much he different Mac Tim's first album west Side

0:42:03.400 --> 0:42:07.600
<v Speaker 5>Connection and du yeah let.

0:42:07.520 --> 0:42:08.120
<v Speaker 3>It Go, and.

0:42:10.440 --> 0:42:12.360
<v Speaker 4>He was in the studio doing those types of songs

0:42:12.520 --> 0:42:13.960
<v Speaker 4>sounded very different than like.

0:42:13.960 --> 0:42:17.919
<v Speaker 3>West Side Connection. He was like, that's about the same time. Yeah,

0:42:21.800 --> 0:42:22.359
<v Speaker 3>you know what I mean.

0:42:22.840 --> 0:42:23.840
<v Speaker 2>You never heard.

0:42:25.880 --> 0:42:29.320
<v Speaker 3>You said what you ever hear every D album? Of course,

0:42:29.880 --> 0:42:31.480
<v Speaker 3>which to Blue Funk?

0:42:31.840 --> 0:42:33.719
<v Speaker 2>Did you ever listen to Blue Funk? Blue Funk was

0:42:33.719 --> 0:42:35.080
<v Speaker 2>probably best album.

0:42:35.640 --> 0:42:37.719
<v Speaker 1>Okay, I was a huge heavy D fan, but I'm

0:42:37.760 --> 0:42:40.120
<v Speaker 1>surprised y'all like him still. I usually don't never let

0:42:41.400 --> 0:42:43.839
<v Speaker 1>don't like people that was making money at the time

0:42:44.560 --> 0:42:46.760
<v Speaker 1>I was making money. I was calling him a sellout

0:42:46.760 --> 0:42:48.880
<v Speaker 1>on early hip hop y'all. I was like, y'all didn't

0:42:48.880 --> 0:42:52.880
<v Speaker 1>like enough. They thought l was corny, they thought Hammer

0:42:53.040 --> 0:42:56.920
<v Speaker 1>was corny.

0:42:57.120 --> 0:42:59.319
<v Speaker 2>I like when it was this niggas, when he was

0:42:59.360 --> 0:43:01.359
<v Speaker 2>this nice. There wasn't no money.

0:43:02.680 --> 0:43:04.760
<v Speaker 3>He's just showing his way.

0:43:08.960 --> 0:43:11.120
<v Speaker 1>When he was starting the problem that got him killed.

0:43:11.239 --> 0:43:14.400
<v Speaker 1>That's my I like that put.

0:43:14.280 --> 0:43:21.960
<v Speaker 8>Yourself that was That's a real What was that she

0:43:22.960 --> 0:43:25.400
<v Speaker 8>blow tishes Stevie Delicious?

0:43:25.440 --> 0:43:26.719
<v Speaker 2>What is that?

0:43:27.000 --> 0:43:30.040
<v Speaker 3>Alright? And you know it?

0:43:32.440 --> 0:43:35.160
<v Speaker 2>Delicious? Got Lord?

0:43:36.800 --> 0:43:43.359
<v Speaker 3>That was girl.

0:43:41.280 --> 0:43:45.319
<v Speaker 2>Biggs that That was on Biggies on on the on

0:43:45.400 --> 0:43:47.239
<v Speaker 2>the Flavoring your Ear crazy Max song.

0:43:48.120 --> 0:43:53.240
<v Speaker 3>Yeah, that's right. Let me see something that crazy hate

0:43:53.320 --> 0:43:56.080
<v Speaker 3>is so crazy when you're making money. Remember was a

0:43:56.120 --> 0:44:00.000
<v Speaker 3>real song? Who fatty girl? Remember duringham was that Vice

0:44:00.080 --> 0:44:03.080
<v Speaker 3>Later Days or something like those? I listen, I love.

0:44:03.520 --> 0:44:05.719
<v Speaker 5>That's where r That's where Vibrant Thing came from.

0:44:05.840 --> 0:44:08.759
<v Speaker 3>I like that too. Yeah. Vibrra things crazy crazy.

0:44:08.719 --> 0:44:15.520
<v Speaker 2>Yeah, man, run Thing, Vibrant Thing. I just think that song.

0:44:15.440 --> 0:44:19.640
<v Speaker 5>Was did most of LA's L's new album, right, yeah,

0:44:19.680 --> 0:44:22.040
<v Speaker 5>the whole thing. Yeah, that's that fire bro.

0:44:22.320 --> 0:44:24.799
<v Speaker 1>That's some good on the forty years Yeah yeah, that

0:44:24.880 --> 0:44:27.719
<v Speaker 1>nigga MC and still it was crazy is to me,

0:44:27.840 --> 0:44:29.799
<v Speaker 1>that's a perfect example. He like, I ain't tripping off

0:44:29.800 --> 0:44:32.560
<v Speaker 1>the record, right, I'm finna just get bits. Yeah, he

0:44:32.760 --> 0:44:34.759
<v Speaker 1>really brought him his head like it got with him.

0:44:34.800 --> 0:44:36.560
<v Speaker 1>Like I was like, oh, forty years in you're getting

0:44:36.560 --> 0:44:38.480
<v Speaker 1>with four generation m C generation.

0:44:38.680 --> 0:44:39.719
<v Speaker 3>It's some good songs on there.

0:44:39.760 --> 0:44:41.600
<v Speaker 1>Yeah, I like it. I think that ship is dope.

0:44:42.040 --> 0:44:43.920
<v Speaker 1>I can probably listen to it about six seven times.

0:44:43.960 --> 0:44:46.600
<v Speaker 1>I ain't heard the album that's that will put together

0:44:46.640 --> 0:44:49.800
<v Speaker 1>in a long time. Like I like the Grilla album

0:44:50.120 --> 0:44:53.560
<v Speaker 1>a lot, and but it ain't strung together. It's just

0:44:53.640 --> 0:44:59.760
<v Speaker 1>a collection of cool songs. But that that LL record force.

0:45:00.280 --> 0:45:06.040
<v Speaker 1>That's orchestrated. They got busy, that great sound. Yeah, Steve,

0:45:06.080 --> 0:45:06.839
<v Speaker 1>what was it with y'all?

0:45:06.880 --> 0:45:07.719
<v Speaker 2>Man? Why did you why?

0:45:07.960 --> 0:45:11.840
<v Speaker 3>Why did y'all? Why did y'all y'all hated anybody that

0:45:11.960 --> 0:45:12.600
<v Speaker 3>was successful?

0:45:14.560 --> 0:45:16.480
<v Speaker 2>No, it's not that we just didn't like to sell

0:45:16.520 --> 0:45:17.120
<v Speaker 2>out hip hop?

0:45:17.840 --> 0:45:19.719
<v Speaker 3>How was it sellout? Because it was selling out?

0:45:21.160 --> 0:45:24.359
<v Speaker 2>Well, man, I appreciate it. I didn't like this.

0:45:24.560 --> 0:45:29.799
<v Speaker 3>I'm like, I was coming to see your ship, is

0:45:29.800 --> 0:45:31.239
<v Speaker 3>what I was reading this.

0:45:31.400 --> 0:45:33.880
<v Speaker 5>Uh, I was reading this thing about like the history

0:45:33.920 --> 0:45:36.440
<v Speaker 5>some of the history of music, and the goal for

0:45:36.640 --> 0:45:40.160
<v Speaker 5>music period is to sell out. Like in the beginning,

0:45:40.200 --> 0:45:42.520
<v Speaker 5>you want to sell out of sheet music. Then you

0:45:42.560 --> 0:45:45.399
<v Speaker 5>want to sell out a venue. So if you're selling out,

0:45:45.440 --> 0:45:48.240
<v Speaker 5>like the point is to sell out of a product,

0:45:48.640 --> 0:45:49.040
<v Speaker 5>of course.

0:45:49.160 --> 0:45:52.000
<v Speaker 3>But but if they didn't like it, I don't get it.

0:45:52.000 --> 0:45:55.480
<v Speaker 3>It was like this hammer ship, like women dancing in

0:45:55.480 --> 0:45:58.640
<v Speaker 3>the club. How dare how make people have a good time?

0:46:00.040 --> 0:46:00.200
<v Speaker 5>Here?

0:46:00.320 --> 0:46:03.920
<v Speaker 3>You that people have fun? You want to go? Did

0:46:03.960 --> 0:46:10.960
<v Speaker 3>you see dancing? They're supposed to happen to the church? Still, hey,

0:46:11.000 --> 0:46:14.200
<v Speaker 3>you forget my stream what you're doing? And still you

0:46:14.320 --> 0:46:24.520
<v Speaker 3>was dancing? You was dancing with chicks to dis records. Man, everybody,

0:46:25.280 --> 0:46:27.520
<v Speaker 3>I just I just sat on the wall and I

0:46:27.600 --> 0:46:28.640
<v Speaker 3>just steered at everybody.

0:46:28.840 --> 0:46:29.240
<v Speaker 2>The record.

0:46:29.840 --> 0:46:34.160
<v Speaker 1>I just start staying radd like this just kicked it.

0:46:36.719 --> 0:46:40.840
<v Speaker 1>They just kick bunch of dancing. Yeah, it was a

0:46:40.920 --> 0:46:41.760
<v Speaker 1>horrible generation.

0:46:41.920 --> 0:46:42.560
<v Speaker 3>That's what that's like.

0:46:42.560 --> 0:46:45.759
<v Speaker 5>When I was as much as much as I'm an

0:46:46.280 --> 0:46:48.319
<v Speaker 5>and like wrap, I was going to come on, I

0:46:48.360 --> 0:46:50.360
<v Speaker 5>was going to parties. Bro, I want to be in

0:46:50.360 --> 0:46:50.960
<v Speaker 5>a cipher.

0:46:51.280 --> 0:46:54.719
<v Speaker 1>I did not want to be in No, you do

0:46:54.840 --> 0:46:56.640
<v Speaker 1>not want to be in a cipher where the hose

0:46:56.760 --> 0:47:01.640
<v Speaker 1>is at Bro, that's no way be like that's back

0:47:01.680 --> 0:47:02.040
<v Speaker 1>in the air.

0:47:02.120 --> 0:47:04.800
<v Speaker 3>The niggas to dance against each other in the holes

0:47:04.920 --> 0:47:08.160
<v Speaker 3>and the music propt. Watch out man. They put the

0:47:08.200 --> 0:47:09.320
<v Speaker 3>cardboard down.

0:47:10.719 --> 0:47:11.040
<v Speaker 2>Get the.

0:47:14.120 --> 0:47:24.800
<v Speaker 3>Story, baking, dance to the face, combat to combat.

0:47:25.120 --> 0:47:27.680
<v Speaker 1>They start balleting. The girls sitting right there just looking like.

0:47:28.440 --> 0:47:30.480
<v Speaker 1>Uncle Luke came and shore. I know, y'all so mad

0:47:30.520 --> 0:47:31.120
<v Speaker 1>at Uncle Luke.

0:47:32.239 --> 0:47:38.439
<v Speaker 2>Well you know what, uncle. We kind of like that though,

0:47:38.520 --> 0:47:41.080
<v Speaker 2>because the girls crazy stuff. Uncle Luke came on.

0:47:41.840 --> 0:47:46.840
<v Speaker 3>Oh yeah, it was so bad dancing about killing biggie.

0:47:47.040 --> 0:47:48.920
<v Speaker 3>That's classic, man.

0:47:49.160 --> 0:47:52.399
<v Speaker 2>Man, I remembers in the clubs people dance with that.

0:47:52.600 --> 0:47:53.560
<v Speaker 3>I bet you they did.

0:47:56.600 --> 0:48:01.000
<v Speaker 4>Next to look at the bar like you know, around cold.

0:48:01.880 --> 0:48:04.080
<v Speaker 3>Yeah, it was cool to be have fun. It was

0:48:04.080 --> 0:48:06.719
<v Speaker 3>cool to have fun. It was cold to like girls.

0:48:07.000 --> 0:48:10.799
<v Speaker 3>Man's stelling him. Man, they was like that, Watch out girl,

0:48:12.120 --> 0:48:12.879
<v Speaker 3>Watch out girls.

0:48:14.800 --> 0:48:16.160
<v Speaker 2>I wasn't mad that met the man.

0:48:16.160 --> 0:48:23.120
<v Speaker 1>When he did, they had a real party like watch

0:48:23.120 --> 0:48:24.440
<v Speaker 1>our girls, y'all get on the wall.

0:48:25.560 --> 0:48:28.080
<v Speaker 4>Because the girl in that song's video was like sitting

0:48:28.080 --> 0:48:29.720
<v Speaker 4>in an alley against the brick wall.

0:48:30.960 --> 0:48:34.759
<v Speaker 2>We would that he came like, ain't no handstep. We

0:48:34.760 --> 0:48:35.800
<v Speaker 2>would dance with that.

0:48:37.560 --> 0:48:39.640
<v Speaker 3>Man, just.

0:48:41.239 --> 0:48:45.400
<v Speaker 2>Come on, dun. I was like, you know what Marie

0:48:45.440 --> 0:48:50.000
<v Speaker 2>used to look so.

0:48:49.520 --> 0:48:53.000
<v Speaker 3>And he over there making that money man still was it?

0:48:53.080 --> 0:48:56.480
<v Speaker 3>Was it a Georgetown starter jackets or he was after

0:48:56.520 --> 0:48:58.319
<v Speaker 3>that man?

0:48:58.600 --> 0:49:02.200
<v Speaker 2>For which one song? I here high school? Now you

0:49:02.280 --> 0:49:04.759
<v Speaker 2>know what we used to wear the triple goose. We

0:49:04.840 --> 0:49:06.160
<v Speaker 2>used to like the triple fat goose.

0:49:07.480 --> 0:49:09.920
<v Speaker 3>Even since even Cleveland they thought they were New York.

0:49:09.960 --> 0:49:12.960
<v Speaker 3>Oh like the bubble jackets, you're like the big bubble jackets.

0:49:12.960 --> 0:49:13.959
<v Speaker 2>We had those right there.

0:49:15.400 --> 0:49:19.720
<v Speaker 3>Out there. Yeah, we were you You weren't doing nothing

0:49:19.719 --> 0:49:20.080
<v Speaker 3>out there.

0:49:20.200 --> 0:49:22.239
<v Speaker 2>You had one gold too for your mouth. Everybody would

0:49:22.239 --> 0:49:24.880
<v Speaker 2>buy a gold tooth from a liquor store, put it

0:49:24.960 --> 0:49:26.919
<v Speaker 2>right there and had just like this had one gold

0:49:26.960 --> 0:49:31.719
<v Speaker 2>tooth windows. Everybody was very on New York's tip kind

0:49:31.760 --> 0:49:36.080
<v Speaker 2>of like. And then the West Thoas came out and

0:49:36.160 --> 0:49:40.600
<v Speaker 2>everybody started thinking they was from California. When Colors came out,

0:49:40.680 --> 0:49:42.959
<v Speaker 2>everybody started talking about they had a crip game.

0:49:43.400 --> 0:49:45.960
<v Speaker 6>Colors when when Let Me Rider came out that everybody

0:49:46.040 --> 0:49:47.799
<v Speaker 6>cleven the side. Now is the time to buy a car.

0:49:49.160 --> 0:49:51.120
<v Speaker 2>We've been at car Cleveland always wasn't.

0:49:51.239 --> 0:49:55.960
<v Speaker 3>Just talking ship. Yeah still man, y'all, I don't know

0:49:55.960 --> 0:49:56.640
<v Speaker 3>what John problem.

0:49:56.719 --> 0:49:59.040
<v Speaker 1>So yeah, I'm I'm proud of a cuge journey though, Bro,

0:49:59.120 --> 0:50:02.880
<v Speaker 1>I think I I think our journey was. That's really,

0:50:03.000 --> 0:50:05.399
<v Speaker 1>to me, the testament to how great of a true

0:50:05.480 --> 0:50:06.480
<v Speaker 1>hip hop artist he.

0:50:06.520 --> 0:50:13.800
<v Speaker 3>Is, even as we started fighting. I just if he didn't.

0:50:13.640 --> 0:50:18.080
<v Speaker 5>Start that, Bro, how smart he is as a human

0:50:18.120 --> 0:50:20.239
<v Speaker 5>to like be able to digest and process what's in

0:50:20.280 --> 0:50:22.359
<v Speaker 5>front of him and then hard to compete and then

0:50:22.400 --> 0:50:23.359
<v Speaker 5>plug himself in.

0:50:23.840 --> 0:50:28.200
<v Speaker 1>Think about it. Rock Kim didn't. He didn't transition out

0:50:28.200 --> 0:50:28.960
<v Speaker 1>of the second gin.

0:50:30.120 --> 0:50:31.920
<v Speaker 3>He never did. A lot of them didn't.

0:50:33.000 --> 0:50:38.680
<v Speaker 1>Caine didn't, None of them dudes did. The only one

0:50:38.760 --> 0:50:45.320
<v Speaker 1>that came out was Els before them, Els before Kane Ellens,

0:50:45.360 --> 0:50:48.560
<v Speaker 1>before g rap Ellen's, before Rock Ellen's eighty four as

0:50:48.600 --> 0:50:52.480
<v Speaker 1>a dude, it was crazy as l and and and

0:50:52.480 --> 0:50:55.400
<v Speaker 1>and and and he one year older than jay Z.

0:50:57.960 --> 0:51:01.000
<v Speaker 3>One year. That's crazy, that's super crazy.

0:51:01.360 --> 0:51:03.320
<v Speaker 4>It came out like sixteen. He gets signed at sixteen

0:51:03.400 --> 0:51:06.879
<v Speaker 4>or something, that. Yeah, like the little Wayne of Queens.

0:51:07.480 --> 0:51:09.759
<v Speaker 1>He's really like how they say Nas is the golden shot.

0:51:09.800 --> 0:51:14.320
<v Speaker 1>Elle is the real golden chot. He's the real one, underrated.

0:51:14.960 --> 0:51:17.560
<v Speaker 1>Lift them jam over his head, made it work, Give

0:51:17.560 --> 0:51:18.200
<v Speaker 1>me think about it.

0:51:18.239 --> 0:51:21.879
<v Speaker 3>That's almost. He came out twelve years before Jay.

0:51:22.320 --> 0:51:25.440
<v Speaker 1>He's a year older than Jay, so he had twelve

0:51:25.480 --> 0:51:26.759
<v Speaker 1>years of records before.

0:51:27.040 --> 0:51:28.320
<v Speaker 4>And couldn't clock a billion.

0:51:28.520 --> 0:51:31.239
<v Speaker 1>Come on, man, that's why I don't be believing none

0:51:31.239 --> 0:51:33.360
<v Speaker 1>of that stuff, man, because all that stuff is fluff.

0:51:33.520 --> 0:51:34.960
<v Speaker 3>Ela is the guy. Man.

0:51:35.160 --> 0:51:38.040
<v Speaker 5>What y'all uh, y'all think missionary gonna sound like?

0:51:39.040 --> 0:51:46.600
<v Speaker 3>Oh this dreads snoop record, It can't be bad. Yeah.

0:51:46.760 --> 0:51:48.480
<v Speaker 1>You know how y'all get to them ages where y'all

0:51:48.480 --> 0:51:51.040
<v Speaker 1>start just coming up with ideas and don't know, ain't.

0:51:52.480 --> 0:51:56.439
<v Speaker 2>That on a thing with them marching with a nun

0:51:56.560 --> 0:51:57.000
<v Speaker 2>or something.

0:51:57.440 --> 0:52:00.759
<v Speaker 3>No, they're saying missionary like Doggie style or.

0:52:00.800 --> 0:52:03.480
<v Speaker 4>Like laying on the missionary like on your back instead

0:52:03.520 --> 0:52:04.240
<v Speaker 4>of on your knees.

0:52:04.760 --> 0:52:05.279
<v Speaker 2>A woman.

0:52:05.400 --> 0:52:06.880
<v Speaker 1>You know how you get older, how you see what

0:52:06.920 --> 0:52:08.720
<v Speaker 1>your old lady? Now y'all all just doing mission?

0:52:08.920 --> 0:52:08.960
<v Speaker 2>What?

0:52:09.120 --> 0:52:10.040
<v Speaker 3>What?

0:52:09.320 --> 0:52:11.359
<v Speaker 8>What's still well?

0:52:11.640 --> 0:52:13.080
<v Speaker 3>You got thought it was a church?

0:52:14.239 --> 0:52:22.520
<v Speaker 1>Just you want mission It was for the Georgia governor. Yeah,

0:52:22.760 --> 0:52:24.880
<v Speaker 1>just get old and really crazy.

0:52:24.520 --> 0:52:24.759
<v Speaker 2>All the.

0:52:26.520 --> 0:52:29.120
<v Speaker 4>Because they moved to the move to San Fernando or something.

0:52:30.680 --> 0:52:31.440
<v Speaker 2>You're gonna do it.

0:52:31.640 --> 0:52:36.520
<v Speaker 3>They're gonna be out there and the Bible mission. That's

0:52:36.560 --> 0:52:37.319
<v Speaker 3>my that's my.

0:52:37.640 --> 0:52:39.399
<v Speaker 4>This is my ticket in I could. I could come

0:52:39.440 --> 0:52:42.200
<v Speaker 4>in on the MC name and see peril, Sarah.

0:52:42.440 --> 0:52:42.960
<v Speaker 3>That's funny.

0:52:45.120 --> 0:52:49.239
<v Speaker 1>Still you it's missionary because it's like doggies down, like

0:52:49.520 --> 0:52:50.520
<v Speaker 1>you know, Doggie staff.

0:52:51.160 --> 0:52:53.880
<v Speaker 3>That don't make no damn another EXPERI.

0:52:53.680 --> 0:53:00.880
<v Speaker 4>Sixty years old need to call that ship Viagara, not missionary.

0:53:01.760 --> 0:53:04.960
<v Speaker 1>If dra gonna put it out, it can't be bad, now,

0:53:05.040 --> 0:53:09.000
<v Speaker 1>is it gonna be something that's going to All I

0:53:09.040 --> 0:53:11.000
<v Speaker 1>wanted to do is compete with ll cool J and

0:53:11.120 --> 0:53:13.680
<v Speaker 1>Q Tip. That's it, you know what I mean. I

0:53:13.719 --> 0:53:18.080
<v Speaker 1>just wanted to be that good as a project.

0:53:18.480 --> 0:53:25.040
<v Speaker 3>I don't know, Stop hating, bro. We already agree. The

0:53:25.080 --> 0:53:26.960
<v Speaker 3>Continent don't count. That's the soundtrack.

0:53:27.000 --> 0:53:32.000
<v Speaker 1>I forgot that, THEMN two together long as it's as

0:53:32.040 --> 0:53:37.600
<v Speaker 1>dope as the LL cool J Q Tip album, the NAS,

0:53:38.200 --> 0:53:42.040
<v Speaker 1>the NAS hit Boy album, the Common Pete rock album.

0:53:42.080 --> 0:53:45.040
<v Speaker 1>That's all I'm expecting that coming Pete rock album.

0:53:45.040 --> 0:53:46.480
<v Speaker 3>That's it. That's all I'm expect.

0:53:46.560 --> 0:53:49.680
<v Speaker 1>That's all I want for it to be successful and

0:53:49.760 --> 0:53:52.320
<v Speaker 1>just need to do twenty to thirty thousand first week

0:53:52.880 --> 0:53:55.880
<v Speaker 1>it it's all I'm asking, that's it, that's all. How

0:53:55.880 --> 0:53:59.359
<v Speaker 1>could you ask for this thirty four years? I said

0:53:59.400 --> 0:53:59.879
<v Speaker 1>first week.

0:54:02.680 --> 0:54:06.000
<v Speaker 5>I just feel like aligning it with Doggie style is like,

0:54:06.520 --> 0:54:07.239
<v Speaker 5>it's just a lot.

0:54:08.239 --> 0:54:10.560
<v Speaker 1>I mean, that's why they called the missionary. They wasn't

0:54:10.560 --> 0:54:16.320
<v Speaker 1>smart to call it Doggie too. I think he forty

0:54:16.360 --> 0:54:19.520
<v Speaker 1>could make it a major way too. I think it

0:54:19.560 --> 0:54:22.239
<v Speaker 1>no matter, but I think dog were dog and dre

0:54:22.360 --> 0:54:25.480
<v Speaker 1>Ben Bros. They so past anything like it. What are

0:54:25.480 --> 0:54:28.080
<v Speaker 1>we really thinking? Are they gonna make a like a

0:54:28.080 --> 0:54:29.160
<v Speaker 1>modern day Jen and Juice?

0:54:29.160 --> 0:54:30.920
<v Speaker 3>Probably not. It's not gonna suck up nothing.

0:54:31.760 --> 0:54:34.880
<v Speaker 1>Long as they longest it's dope, Like long as it's listenable,

0:54:34.920 --> 0:54:37.680
<v Speaker 1>you're like, man, it's put together really well. They take

0:54:37.719 --> 0:54:40.640
<v Speaker 1>their time and and get a nice cohesive thing, and

0:54:40.760 --> 0:54:43.719
<v Speaker 1>you put the original suspects on the corrupt on their

0:54:44.400 --> 0:54:45.960
<v Speaker 1>er else.

0:54:46.760 --> 0:54:49.799
<v Speaker 5>See, ain't be wrong with how did that happen? How

0:54:49.840 --> 0:54:52.080
<v Speaker 5>did Eric Sherman become an East Coast funk nigga?

0:54:52.520 --> 0:54:57.520
<v Speaker 1>He's the original. He's the original. He e PMD was

0:54:57.520 --> 0:54:59.600
<v Speaker 1>big on the West. Yeah, but like how did he

0:54:59.640 --> 0:55:01.200
<v Speaker 1>become just said he on the album?

0:55:01.320 --> 0:55:05.160
<v Speaker 2>I hope there? Why is it? Why not?

0:55:05.520 --> 0:55:07.520
<v Speaker 4>And I think that was kind of before there was

0:55:08.600 --> 0:55:10.880
<v Speaker 4>like he kind of pre existed all of those categories.

0:55:10.880 --> 0:55:11.879
<v Speaker 4>This is doing what he liked.

0:55:12.239 --> 0:55:13.279
<v Speaker 3>Yeah, well he fucking it that.

0:55:13.440 --> 0:55:15.759
<v Speaker 2>The thing is on the athod man is on a.

0:55:17.400 --> 0:55:18.360
<v Speaker 3>Mhm.

0:55:18.440 --> 0:55:20.480
<v Speaker 6>I think if the forty does another album, he should

0:55:20.600 --> 0:55:21.920
<v Speaker 6>change his name to the sixty.

0:55:23.000 --> 0:55:27.560
<v Speaker 2>No, he probably should. He should probably do another Christ

0:55:30.080 --> 0:55:33.239
<v Speaker 2>say I want to be saved. That's what he should do.

0:55:33.280 --> 0:55:33.920
<v Speaker 2>That over again.

0:55:34.680 --> 0:55:37.279
<v Speaker 1>All I'm saying is I just back to the point man.

0:55:37.400 --> 0:55:39.040
<v Speaker 1>I just think cubes Journey is dope.

0:55:39.080 --> 0:55:39.239
<v Speaker 7>Bro.

0:55:39.440 --> 0:55:42.840
<v Speaker 1>I just think where a lot of people where a

0:55:42.880 --> 0:55:44.840
<v Speaker 1>lot of people see the back end, the adjustments to

0:55:44.920 --> 0:55:47.239
<v Speaker 1>compete the people like, oh that ain't quite what you

0:55:47.360 --> 0:55:49.600
<v Speaker 1>used to do to still be at that and lead

0:55:49.680 --> 0:55:52.000
<v Speaker 1>level where that generation was at.

0:55:52.520 --> 0:55:56.080
<v Speaker 3>That says a lot. Yeah, that says a lot. That's

0:55:56.120 --> 0:55:59.479
<v Speaker 3>a that's a solid perspective. I respect this as a guy.

0:55:59.520 --> 0:56:01.480
<v Speaker 6>I would off to have him are here because because

0:56:01.480 --> 0:56:04.120
<v Speaker 6>he's a dude who's done a lot of stuff in

0:56:04.440 --> 0:56:08.960
<v Speaker 6>different areas. That was not fully like independent, but like

0:56:09.400 --> 0:56:12.600
<v Speaker 6>largely in like his cinematics.

0:56:13.160 --> 0:56:17.759
<v Speaker 2>Clubbing that you're talking about so masterful. Yeah, yeah we

0:56:17.920 --> 0:56:23.000
<v Speaker 2>be clubbing, Well be clubbing. Niggas don't know how to

0:56:23.040 --> 0:56:27.560
<v Speaker 2>act e I p s in the second numbers. Niggas

0:56:27.640 --> 0:56:31.560
<v Speaker 2>like him, dumber to get the smarter only shark to

0:56:31.600 --> 0:56:34.680
<v Speaker 2>swim in here and no water that you're doing ships.

0:56:34.440 --> 0:56:36.640
<v Speaker 3>You don't think aud.

0:56:39.040 --> 0:56:47.040
<v Speaker 2>You know how the lone with many nigga back in

0:56:47.280 --> 0:56:49.520
<v Speaker 2>so we can smoke a dub down to bump all

0:56:49.560 --> 0:56:54.600
<v Speaker 2>these bitches in the club, show me love you don't know,

0:56:54.800 --> 0:56:55.040
<v Speaker 2>you know?

0:56:55.320 --> 0:57:03.000
<v Speaker 1>Actually sorry and what But this was always well he

0:57:03.160 --> 0:57:05.040
<v Speaker 1>was saying, But it was how he was saying that

0:57:05.040 --> 0:57:09.799
<v Speaker 1>that made me. Why So it wasn't like they was

0:57:09.840 --> 0:57:11.840
<v Speaker 1>having the show. Here's a crazy thing. Where was I

0:57:11.880 --> 0:57:14.279
<v Speaker 1>flying to Salt Lake somewhere? This wasn't leaving that long ago.

0:57:14.760 --> 0:57:17.200
<v Speaker 1>I was flying somewhere and it was a white lady. No,

0:57:17.280 --> 0:57:19.160
<v Speaker 1>I was flying back from somewhere and it was a

0:57:19.160 --> 0:57:21.800
<v Speaker 1>white lady's a concert with ice Q and she was

0:57:21.840 --> 0:57:25.400
<v Speaker 1>flying into New Mexico and she was flying into town

0:57:25.880 --> 0:57:29.840
<v Speaker 1>to see the ice Cube concert, I believe. And she

0:57:30.080 --> 0:57:33.240
<v Speaker 1>was so pumped up and rapping those songs. And I

0:57:33.320 --> 0:57:35.800
<v Speaker 1>knew that she could rap those songs because how he

0:57:35.960 --> 0:57:40.160
<v Speaker 1>said it. That's why he got bigger, because everybody could

0:57:40.160 --> 0:57:40.640
<v Speaker 1>catch what.

0:57:40.600 --> 0:57:41.080
<v Speaker 3>He was saying.

0:57:41.160 --> 0:57:44.520
<v Speaker 1>See in America's most that's what they couldn't catch that.

0:57:44.520 --> 0:57:48.800
<v Speaker 1>That's no rhythm, it ain't no melody, it's just drum drunk.

0:57:50.760 --> 0:57:51.720
<v Speaker 4>A big song for him.

0:57:51.880 --> 0:57:54.400
<v Speaker 2>That's a bar. The only shark that swim in here

0:57:54.440 --> 0:57:57.200
<v Speaker 2>and no water, that's a bar.

0:57:57.920 --> 0:57:59.840
<v Speaker 3>The nigga is tough man, that nigga.

0:58:00.360 --> 0:58:02.960
<v Speaker 1>And he figured it out as a songwriter how to

0:58:03.040 --> 0:58:04.840
<v Speaker 1>make everything he was saying catchy.

0:58:04.920 --> 0:58:05.800
<v Speaker 2>If you wrap.

0:58:07.520 --> 0:58:09.000
<v Speaker 3>Gangs just made the world go round.

0:58:09.320 --> 0:58:12.480
<v Speaker 1>He's saying some shit, he's just making it, in compacting

0:58:12.520 --> 0:58:15.080
<v Speaker 1>it to where it's catchy. And now it ain't just

0:58:15.120 --> 0:58:18.240
<v Speaker 1>about I'm saying something hard, but I'm saying something everybody

0:58:18.320 --> 0:58:21.800
<v Speaker 1>knows what I'm saying.

0:58:22.240 --> 0:58:24.920
<v Speaker 2>To the stove for the night, hell hell no.

0:58:25.160 --> 0:58:28.680
<v Speaker 3>And remember that's for a movie he's making.

0:58:29.440 --> 0:58:32.040
<v Speaker 1>He makes the title track for a film and it's

0:58:32.040 --> 0:58:35.520
<v Speaker 1>a top thirty song in the country. He's on the course.

0:58:35.760 --> 0:58:38.800
<v Speaker 1>Rappers ain't on the choruses on their biggest smash records.

0:58:39.160 --> 0:58:42.280
<v Speaker 1>That's not normal. I mean, you gotta be a really

0:58:42.320 --> 0:58:47.400
<v Speaker 1>good songwriter record writer to be on. Listen, Cuba's on

0:58:47.440 --> 0:58:52.360
<v Speaker 1>his biggest record, writes the chorus. Imagine that because like dog,

0:58:52.480 --> 0:58:55.000
<v Speaker 1>right dog, his biggest record is dropping like it's hot.

0:58:55.040 --> 0:58:57.919
<v Speaker 1>But that's for real, right, that's him saying it, which

0:58:57.920 --> 0:58:59.800
<v Speaker 1>he had a voice. Jay Zon not on none of

0:58:59.840 --> 0:59:03.400
<v Speaker 1>his biggest records, his top chart top charting song, dre

0:59:03.600 --> 0:59:05.720
<v Speaker 1>not on the hook on his top charting songs.

0:59:06.320 --> 0:59:07.440
<v Speaker 3>It ain't even no hook on it.

0:59:08.680 --> 0:59:11.120
<v Speaker 1>Think about it's hard to be on the hook of

0:59:11.200 --> 0:59:15.840
<v Speaker 1>your top charting songs. Like that's the true mark of

0:59:15.880 --> 0:59:19.120
<v Speaker 1>a great record maker. And Cuba is writing this ship

0:59:19.400 --> 0:59:20.200
<v Speaker 1>and sing it.

0:59:21.000 --> 0:59:27.480
<v Speaker 6>That's what probably is like the main secret ingrediy Drake's success.

0:59:28.280 --> 0:59:30.520
<v Speaker 1>He's on he could be on the course, Lil Wayne.

0:59:30.560 --> 0:59:32.439
<v Speaker 1>That's why they him a fantastic and said he could

0:59:32.440 --> 0:59:34.520
<v Speaker 1>be on the course. Like it's hard to have that

0:59:34.640 --> 0:59:37.760
<v Speaker 1>catchy voice to go with that MC like that, don't

0:59:38.240 --> 0:59:42.480
<v Speaker 1>that's a real you know, tough using somebody singing LL

0:59:42.560 --> 0:59:43.520
<v Speaker 1>cool J, you know what I mean?

0:59:43.600 --> 0:59:45.960
<v Speaker 3>Like people are albums.

0:59:46.000 --> 0:59:49.680
<v Speaker 2>Queen, what's the name of your new album? Just told you?

0:59:49.760 --> 0:59:50.240
<v Speaker 2>Remember it?

0:59:50.360 --> 0:59:53.200
<v Speaker 3>Grateful great. I don't know if he was even here yet,

0:59:53.640 --> 0:59:54.479
<v Speaker 3>Oh he was here.

0:59:55.320 --> 0:59:57.640
<v Speaker 2>Grateful on there?

0:59:58.480 --> 1:00:02.160
<v Speaker 5>I want to say twelve thirteen something like that, twelve any.

1:00:02.000 --> 1:00:02.960
<v Speaker 2>Any features on there?

1:00:03.600 --> 1:00:11.320
<v Speaker 3>Of course, still want to be like Donnie Simpson. How

1:00:11.320 --> 1:00:15.480
<v Speaker 3>many how many new Cooks got on your new album?

1:00:15.720 --> 1:00:18.320
<v Speaker 5>Classic is on there? We got to call Steve Francis

1:00:18.360 --> 1:00:21.520
<v Speaker 5>on there. It's crazy, Steve Francis.

1:00:21.200 --> 1:00:23.760
<v Speaker 3>Steve Francis, that's the name of the song, Bro France

1:00:24.200 --> 1:00:26.920
<v Speaker 3>Francis for somebody your age, Stephen Francis.

1:00:27.520 --> 1:00:28.880
<v Speaker 4>Can we like you.

1:00:28.920 --> 1:00:32.480
<v Speaker 6>Know, the like for the pot is like the description

1:00:32.760 --> 1:00:36.000
<v Speaker 6>of the thing. Can we like Lincoln in that.

1:00:36.080 --> 1:00:36.640
<v Speaker 2>For the Yeah?

1:00:36.640 --> 1:00:39.760
<v Speaker 1>For sure, for sure, for sure, for sure. But still

1:00:39.800 --> 1:00:41.919
<v Speaker 1>still want to be Donnie Simpsons. So baby and sit down.

1:00:42.040 --> 1:00:43.880
<v Speaker 1>So yeah, what was your inspiration in making this out?

1:00:43.960 --> 1:00:44.760
<v Speaker 1>Niggas don't want to hear that?

1:00:44.800 --> 1:00:47.920
<v Speaker 2>On the Hey, did y'all hear about this ship that

1:00:47.960 --> 1:00:51.560
<v Speaker 2>happened to Bookena Foss? They killed all people who in

1:00:51.640 --> 1:00:52.640
<v Speaker 2>Africa Alta.

1:00:54.880 --> 1:00:57.280
<v Speaker 4>They've been doing that for twenty years. I gotta keep

1:00:57.280 --> 1:00:59.040
<v Speaker 4>more specific still.

1:00:58.840 --> 1:01:01.240
<v Speaker 2>And Bokeino and Fox the Q six hundred people, six

1:01:01.320 --> 1:01:01.760
<v Speaker 2>hundred people.

1:01:01.840 --> 1:01:04.480
<v Speaker 3>Just yeah, it's crazy.

1:01:05.360 --> 1:01:06.720
<v Speaker 2>I think the world is about the end.

1:01:06.800 --> 1:01:06.920
<v Speaker 3>Bro.

1:01:07.800 --> 1:01:09.960
<v Speaker 4>That's been a big issue. Like I know, people like

1:01:10.600 --> 1:01:13.800
<v Speaker 4>who go over there because like as a conversion, you know,

1:01:13.840 --> 1:01:16.560
<v Speaker 4>they kind of forceful the conversion in that faith. Like

1:01:16.640 --> 1:01:20.160
<v Speaker 4>throughout Africa they go and will seize access to water

1:01:20.240 --> 1:01:22.680
<v Speaker 4>and say, well we're gonna hold we're gonna keep water

1:01:22.800 --> 1:01:24.840
<v Speaker 4>from you guys if you don't convert to Islam and

1:01:24.880 --> 1:01:27.000
<v Speaker 4>stuff like that, because it's.

1:01:26.840 --> 1:01:34.880
<v Speaker 1>Not like this much game, no silly. They're looking out

1:01:34.920 --> 1:01:37.800
<v Speaker 1>for tuning into the No Salers podcast. Please do us

1:01:37.800 --> 1:01:41.600
<v Speaker 1>a favorite, subscribe, rate, commentist share. This episode was recorded

1:01:41.680 --> 1:01:43.840
<v Speaker 1>right here on the West Coast of the USA and

1:01:43.960 --> 1:01:47.440
<v Speaker 1>produced by the Black Effect Podcast Network and now Hard Radio.

1:01:47.960 --> 1:01:49.400
<v Speaker 3>Yeah