1 00:00:01,600 --> 00:00:04,880 Speaker 1: Hi, I'm Kristin Davis, and I want to know are 2 00:00:04,880 --> 00:00:11,960 Speaker 1: you a Charlotte? You guys, everyone, thank you for joining 3 00:00:12,039 --> 00:00:16,280 Speaker 1: us on Are You a Charlotte? Today we are rewatching 4 00:00:16,680 --> 00:00:20,840 Speaker 1: Hot Child in the City, which aired in two thousand. 5 00:00:21,200 --> 00:00:25,320 Speaker 1: The year two thousand and we have Payton lists with 6 00:00:25,400 --> 00:00:27,520 Speaker 1: us who's in the episode and who must have been 7 00:00:27,600 --> 00:00:29,600 Speaker 1: what like thirteen fourteen? 8 00:00:29,800 --> 00:00:31,680 Speaker 2: Yeah, I think I was. I think it was like 9 00:00:31,800 --> 00:00:34,360 Speaker 2: right around I remember it was shooting in the summer, 10 00:00:34,440 --> 00:00:36,440 Speaker 2: and that was when my birthday fell, so it's somewhere 11 00:00:36,479 --> 00:00:39,879 Speaker 2: around my birthday. But I think we shot it like 12 00:00:40,000 --> 00:00:42,520 Speaker 2: before I turned fourteen or what a day after? 13 00:00:42,640 --> 00:00:45,000 Speaker 1: I do you hear the actual accurate age of the character. 14 00:00:45,080 --> 00:00:48,320 Speaker 2: That's so unusual, and most all of us were within 15 00:00:48,360 --> 00:00:49,120 Speaker 2: a year of each other. 16 00:00:49,200 --> 00:00:51,360 Speaker 1: Amazing, And you're there with Kat Dennings, who we love 17 00:00:51,440 --> 00:00:54,680 Speaker 1: so much. Yeah, who's a little baby. I know, just 18 00:00:54,680 --> 00:00:55,360 Speaker 1: a little baby. 19 00:00:55,400 --> 00:00:56,840 Speaker 2: But at the same time, I think she's also one 20 00:00:56,880 --> 00:00:58,520 Speaker 2: of those people that I look at and I'm like, 21 00:00:58,800 --> 00:01:01,920 Speaker 2: you're completely recognized from the time you were that young 22 00:01:01,960 --> 00:01:05,440 Speaker 2: to like how you grew up, Like you can so 23 00:01:05,480 --> 00:01:07,360 Speaker 2: tell how there's some people like that. Yes, if you 24 00:01:07,400 --> 00:01:09,120 Speaker 2: saw a picture of me when I was seven. It 25 00:01:09,160 --> 00:01:11,920 Speaker 2: does not look really remotely like the same person, but 26 00:01:12,040 --> 00:01:13,880 Speaker 2: you just get those like features exactly this. 27 00:01:14,080 --> 00:01:15,520 Speaker 1: Do you look exactly the same exactly? 28 00:01:15,680 --> 00:01:15,840 Speaker 3: Yeah. 29 00:01:15,880 --> 00:01:17,840 Speaker 2: I just feel like there's some coming, but it's just 30 00:01:17,880 --> 00:01:18,399 Speaker 2: so clear. 31 00:01:18,680 --> 00:01:21,720 Speaker 1: Yes, it is clear, you know. I mean I'm much older, 32 00:01:21,720 --> 00:01:25,080 Speaker 1: but you know I look the same my whole life, 33 00:01:25,120 --> 00:01:28,800 Speaker 1: I think, Yeah, yeah, and Kat so specific. Her total 34 00:01:28,880 --> 00:01:31,200 Speaker 1: look is such a specific look. I love to see 35 00:01:31,200 --> 00:01:34,280 Speaker 1: her on the billboards now for her new show, which 36 00:01:34,360 --> 00:01:37,120 Speaker 1: is so funny that she's playing Tim Allan's daughter. I 37 00:01:37,160 --> 00:01:39,480 Speaker 1: played Tim Allan's wife in a movie Shaggy Dog. Oh 38 00:01:39,520 --> 00:01:41,120 Speaker 1: my god. It was a very small world. And I 39 00:01:41,120 --> 00:01:42,960 Speaker 1: haven't seen her because she then went on to do 40 00:01:43,120 --> 00:01:45,280 Speaker 1: she did this part when you guys were super young, 41 00:01:45,400 --> 00:01:48,800 Speaker 1: thirteen fourteen, and this is in the year two thousand 42 00:01:49,080 --> 00:01:51,160 Speaker 1: you were all acting, which you know, let's get into 43 00:01:51,160 --> 00:01:53,360 Speaker 1: that later. How did this come to be? But then 44 00:01:53,400 --> 00:01:55,480 Speaker 1: later she goes on to do Two Broke Girls with 45 00:01:55,680 --> 00:01:58,000 Speaker 1: Michael Patrick's other show, Yes, Yeah, which is so nice. 46 00:01:58,000 --> 00:01:59,960 Speaker 1: And I used to see her. He would have you know, 47 00:02:00,120 --> 00:02:02,200 Speaker 1: things events or dinners or whatever, and I would see her, 48 00:02:02,240 --> 00:02:03,880 Speaker 1: and I mean, they worked so hard, but they were 49 00:02:04,000 --> 00:02:05,440 Speaker 1: so great on that show. 50 00:02:05,520 --> 00:02:07,240 Speaker 2: Yeah, it was well, it was a it was a 51 00:02:07,280 --> 00:02:08,720 Speaker 2: great show show. I know. 52 00:02:08,800 --> 00:02:11,680 Speaker 1: She and Beth were really really amazing. Beth bears so 53 00:02:11,800 --> 00:02:13,839 Speaker 1: great and I love her so much. And the fact 54 00:02:13,880 --> 00:02:17,200 Speaker 1: that she is a little child here with yourself and 55 00:02:17,400 --> 00:02:20,959 Speaker 1: I mean, so they are just to refresh everybody. There 56 00:02:21,160 --> 00:02:24,480 Speaker 1: is Samantha, as we know, is a publicist and she 57 00:02:24,760 --> 00:02:27,800 Speaker 1: gets this client who is a thirteen year old girl 58 00:02:27,840 --> 00:02:31,440 Speaker 1: who's going to have her bat mitzvah and her dad 59 00:02:31,520 --> 00:02:35,800 Speaker 1: is super wealthy, and Samantha is a little bit like, no, 60 00:02:35,880 --> 00:02:38,639 Speaker 1: I'm not going to do this. And then Kat's character, 61 00:02:38,919 --> 00:02:43,520 Speaker 1: whose name is People's Big Time, like she really is 62 00:02:43,680 --> 00:02:46,240 Speaker 1: like well, and then she says something about the money, 63 00:02:46,880 --> 00:02:49,320 Speaker 1: you know, like a million. Does she say something like 64 00:02:49,320 --> 00:02:50,640 Speaker 1: we I don't think we're gonna be able to do 65 00:02:50,680 --> 00:02:53,160 Speaker 1: this party friend or a million, which Samantha is. 66 00:02:53,680 --> 00:02:56,359 Speaker 2: In your two thousand, Yeah. 67 00:02:56,080 --> 00:02:58,799 Speaker 1: I know, and Samantha is just like oh wow, okay. 68 00:02:58,800 --> 00:03:01,800 Speaker 1: And then at a different point in the show, they're 69 00:03:01,840 --> 00:03:04,000 Speaker 1: all at a restaurant and you guys are there and 70 00:03:04,000 --> 00:03:08,000 Speaker 1: you send Samantha champagne and yeah, even come over and 71 00:03:08,040 --> 00:03:12,200 Speaker 1: you're just you're so it's so accurate too today also 72 00:03:12,800 --> 00:03:15,119 Speaker 1: in terms of like, at one point, I think I'm 73 00:03:15,200 --> 00:03:19,040 Speaker 1: my character's not at the I'm at therapy with Trey apparently, 74 00:03:19,280 --> 00:03:21,360 Speaker 1: but I'm not there. And the girls say like, oh, 75 00:03:21,400 --> 00:03:24,240 Speaker 1: they're fourteen going on thirty, like one hundred percent you are. 76 00:03:24,240 --> 00:03:26,480 Speaker 1: But this is how all of them are. Now. I 77 00:03:26,520 --> 00:03:28,320 Speaker 1: don't know if I know any fourteen year olds. 78 00:03:28,360 --> 00:03:29,960 Speaker 2: I don't know. Me, I don't know. I don't think 79 00:03:29,960 --> 00:03:31,200 Speaker 2: I know any fourteen year olds. Got it. 80 00:03:31,280 --> 00:03:33,840 Speaker 1: My daughter's fourteen? Oh wow, okay, all right, so you 81 00:03:33,919 --> 00:03:36,600 Speaker 1: know what she's doing great, right, But like sometimes I 82 00:03:36,640 --> 00:03:39,280 Speaker 1: look at her friends and I'm like, oh my gosh, like, 83 00:03:39,480 --> 00:03:42,520 Speaker 1: what are they doing? What are they wearing? I mean, yeah, 84 00:03:42,560 --> 00:03:44,560 Speaker 1: they're wearing nineties clothes, is what they're wearing. 85 00:03:44,640 --> 00:03:47,400 Speaker 2: But that's so it's so strange that we're back. I mean, 86 00:03:47,440 --> 00:03:50,480 Speaker 2: I look around and I'm like, I was certain this 87 00:03:50,520 --> 00:03:52,560 Speaker 2: would never see the light of day again. Like we 88 00:03:52,640 --> 00:03:55,720 Speaker 2: all decided this was a bad idea, right, collectively, we decided, 89 00:03:55,800 --> 00:03:58,120 Speaker 2: I need these pants will never come back, I know, but. 90 00:03:58,160 --> 00:04:00,360 Speaker 1: You get well, First of all, my daughter's not really 91 00:04:00,400 --> 00:04:03,200 Speaker 1: interested in the low waisted, but she is interested in 92 00:04:03,320 --> 00:04:06,360 Speaker 1: like the baggie they're really into the baggy almost grunge, 93 00:04:06,400 --> 00:04:08,320 Speaker 1: but they don't really know it's grunge, right right, I 94 00:04:08,440 --> 00:04:10,000 Speaker 1: really understand the origins of it. 95 00:04:10,080 --> 00:04:12,640 Speaker 2: Yeah, it's and it hasn't gone full grunge like to 96 00:04:12,640 --> 00:04:13,200 Speaker 2: where it was. 97 00:04:13,280 --> 00:04:15,720 Speaker 1: No, I don't think it will. But wait, let's talk 98 00:04:15,720 --> 00:04:18,200 Speaker 1: about you. How did you come to be on the show? 99 00:04:18,360 --> 00:04:19,600 Speaker 1: How did you? What was going on? 100 00:04:20,839 --> 00:04:24,200 Speaker 2: It was? It was one of those things where a 101 00:04:24,240 --> 00:04:27,920 Speaker 2: lot of the kids who did like children's modeling also 102 00:04:27,920 --> 00:04:30,480 Speaker 2: did children's acting, because it all kind of led over 103 00:04:30,520 --> 00:04:34,520 Speaker 2: to like working kids kind of thing. There were, of course, 104 00:04:34,600 --> 00:04:38,200 Speaker 2: of course, kids that only did acting, or I mean 105 00:04:38,240 --> 00:04:41,080 Speaker 2: most all of the kids that did like children's modeling, 106 00:04:41,120 --> 00:04:42,920 Speaker 2: they would just be like, oh, we'll just go out 107 00:04:42,920 --> 00:04:45,760 Speaker 2: for this audition because really what's required of you is 108 00:04:45,839 --> 00:04:49,040 Speaker 2: following instructions rather than, you know, like if we can 109 00:04:49,240 --> 00:04:52,560 Speaker 2: get some acting out of you, great, But they weren't 110 00:04:52,600 --> 00:04:56,440 Speaker 2: so picky. But it was kind of fell into that 111 00:04:56,440 --> 00:04:59,240 Speaker 2: category because I was already there doing that off and on, 112 00:05:00,440 --> 00:05:02,440 Speaker 2: and it was just an audition that was kind of 113 00:05:02,480 --> 00:05:03,520 Speaker 2: like any other audition. 114 00:05:04,800 --> 00:05:06,120 Speaker 1: And did you know what the show was? 115 00:05:07,760 --> 00:05:11,640 Speaker 2: I'm not sure, Like I know once I know, once 116 00:05:11,720 --> 00:05:15,640 Speaker 2: I got it. I knew what the show was. But 117 00:05:16,360 --> 00:05:23,000 Speaker 2: again that time where I lived, not everybody had HBO. 118 00:05:23,480 --> 00:05:25,400 Speaker 2: HBO was kind of like this scene as like this 119 00:05:25,520 --> 00:05:29,280 Speaker 2: luxury thing to have. It wasn't this, oh you need 120 00:05:29,279 --> 00:05:31,200 Speaker 2: to have HBO otherwise you're not going to see any 121 00:05:31,200 --> 00:05:33,000 Speaker 2: of the relevant shows that are on the air. Kind 122 00:05:33,040 --> 00:05:36,160 Speaker 2: of thing like it was Sopranos and you guys like 123 00:05:36,279 --> 00:05:38,760 Speaker 2: it was six feet under maybe. 124 00:05:38,560 --> 00:05:40,920 Speaker 1: I think, but you know it was right. 125 00:05:41,360 --> 00:05:44,919 Speaker 2: It's that time where you know, people who maybe the 126 00:05:44,960 --> 00:05:48,839 Speaker 2: households that really cared about like great television would would 127 00:05:48,920 --> 00:05:52,719 Speaker 2: you know, get HBO. But I was aware of it 128 00:05:52,760 --> 00:05:54,920 Speaker 2: because I was in New York all the time and 129 00:05:54,960 --> 00:05:59,320 Speaker 2: I can really remember the billboards because they were everywhere, 130 00:05:59,520 --> 00:06:02,960 Speaker 2: you know, and it was provocative like it was it was. 131 00:06:03,160 --> 00:06:07,160 Speaker 1: It would have been like Martini glass, like exactly exactly 132 00:06:07,279 --> 00:06:10,160 Speaker 1: her laptop in the Cosmo glass. Yeah, it was very 133 00:06:11,000 --> 00:06:13,760 Speaker 1: odd as a you know, I remember being like, whoa, 134 00:06:13,800 --> 00:06:16,800 Speaker 1: we really want to do this, but super brilliant on 135 00:06:17,040 --> 00:06:17,680 Speaker 1: HBO's part. 136 00:06:17,800 --> 00:06:20,440 Speaker 2: Eye catching. I mean I remember and Keed didn't have HBO, 137 00:06:21,120 --> 00:06:22,680 Speaker 2: you know, didn't know people who watched the show. But 138 00:06:22,720 --> 00:06:26,159 Speaker 2: I remember those bills, right, I remember Penn station, those 139 00:06:26,200 --> 00:06:29,080 Speaker 2: pictures being on you know, the signs and everything, and 140 00:06:29,080 --> 00:06:29,400 Speaker 2: if you. 141 00:06:29,320 --> 00:06:33,440 Speaker 1: Think about advertising now for shows and movies, it's so risque, 142 00:06:33,600 --> 00:06:36,400 Speaker 1: but back then it wasn't no, especially for TV shows. 143 00:06:36,400 --> 00:06:38,320 Speaker 1: It was just like people in suits. Yeah, you know, 144 00:06:38,360 --> 00:06:44,040 Speaker 1: like get a very stilted, posed looking gal gallery set. Absolutely, absolutely, 145 00:06:44,480 --> 00:06:47,720 Speaker 1: that's interesting. So there you are, you're thirteen years old. 146 00:06:48,120 --> 00:06:50,560 Speaker 1: Did your parents come with you? How did it work? 147 00:06:50,640 --> 00:06:50,839 Speaker 3: Yeah? 148 00:06:50,839 --> 00:06:51,039 Speaker 4: It was. 149 00:06:51,080 --> 00:06:54,440 Speaker 2: It was always usually my mother. And I feel like 150 00:06:54,480 --> 00:06:56,080 Speaker 2: it's one of those things where I again like I 151 00:06:56,080 --> 00:06:59,400 Speaker 2: don't trust my memory totally, but I do feel like 152 00:06:59,440 --> 00:07:02,000 Speaker 2: I have this memory of going out to. 153 00:07:04,320 --> 00:07:07,760 Speaker 1: Queens. It was it's in which is part of Queens. 154 00:07:07,839 --> 00:07:12,320 Speaker 2: So I didn't go. I didn't leave Manhattan, mostly because 155 00:07:12,400 --> 00:07:14,240 Speaker 2: that's just not where a lot of like the ghost 156 00:07:14,360 --> 00:07:16,840 Speaker 2: es a castle, right, things right, But I do sort 157 00:07:16,880 --> 00:07:18,720 Speaker 2: of have a memory of going into a room and 158 00:07:19,040 --> 00:07:21,840 Speaker 2: it being a very large room and it just being 159 00:07:21,880 --> 00:07:26,600 Speaker 2: a very different environment to to like a ghost see 160 00:07:26,600 --> 00:07:30,320 Speaker 2: for children's stuff, it was and like the high pressure 161 00:07:30,400 --> 00:07:33,120 Speaker 2: of oh, you've got to say lines like memorized, you know, 162 00:07:33,160 --> 00:07:36,600 Speaker 2: I was not. I wasn't really like a theater kid, 163 00:07:36,880 --> 00:07:40,240 Speaker 2: So it was this like I don't belong here, but 164 00:07:40,280 --> 00:07:42,560 Speaker 2: I'm gonna pretend. I do. You know what I meant. 165 00:07:42,800 --> 00:07:44,640 Speaker 1: Job, you did a great job. 166 00:07:44,880 --> 00:07:47,160 Speaker 2: I just rewatched it and I'm like, oh my god. 167 00:07:47,040 --> 00:07:49,160 Speaker 1: Oh my god, I think you're finishing a stick. 168 00:07:49,720 --> 00:07:52,400 Speaker 2: I feel like you're fingerly generous. I did not understand 169 00:07:52,480 --> 00:07:54,760 Speaker 2: edit back then. Oh my god, it doesn't matter. 170 00:07:54,920 --> 00:07:57,120 Speaker 1: First of all, the way you all look and the 171 00:07:57,160 --> 00:08:02,160 Speaker 1: way you carry yourselves. You're very believable. It's very believable 172 00:08:02,360 --> 00:08:04,640 Speaker 1: and kind of slightly frightening way. But that's the part, 173 00:08:04,840 --> 00:08:05,280 Speaker 1: you know. 174 00:08:05,480 --> 00:08:08,000 Speaker 2: Just how well can we shame people, isn't it? 175 00:08:08,040 --> 00:08:10,680 Speaker 1: Like I mean, but also like just the whole like 176 00:08:11,120 --> 00:08:13,440 Speaker 1: you know, this is not your fault. This is the 177 00:08:13,480 --> 00:08:16,920 Speaker 1: part right you're entitled. Oh yeh Manhattan girls. Yeah, it's 178 00:08:16,960 --> 00:08:20,880 Speaker 1: a very real thing. Oh yeah, and you're all just gorgeous. 179 00:08:21,160 --> 00:08:23,880 Speaker 2: You know, I didn't understand. I didn't really understand the 180 00:08:23,960 --> 00:08:29,520 Speaker 2: kind of girls that that was inspired by until like 181 00:08:29,600 --> 00:08:31,800 Speaker 2: a few years later when I actually met them. Right, 182 00:08:31,840 --> 00:08:33,160 Speaker 2: you know what I mean? Because you're running in certain 183 00:08:33,200 --> 00:08:35,679 Speaker 2: circles and you start to overlap with people. 184 00:08:35,400 --> 00:08:37,240 Speaker 1: And you're like, oh, it's a real thing. 185 00:08:37,280 --> 00:08:40,600 Speaker 2: It's a real thing, And like later on you're like, well, 186 00:08:40,600 --> 00:08:43,360 Speaker 2: that's what Gossip Girl was sort of basic. You're like, oh, 187 00:08:43,400 --> 00:08:44,960 Speaker 2: it's a continuation of that. 188 00:08:44,960 --> 00:08:47,000 Speaker 1: That's exactly right, that's exactly right. 189 00:08:47,040 --> 00:08:47,400 Speaker 2: Yeah. 190 00:08:47,440 --> 00:08:50,120 Speaker 1: So my thought too, because I know, Okay, so this 191 00:08:50,160 --> 00:08:53,199 Speaker 1: particular season was our season where it was just a big, 192 00:08:53,240 --> 00:08:55,240 Speaker 1: big season, you know, and I remember that some of 193 00:08:55,280 --> 00:08:58,800 Speaker 1: these scenes, like when you guys are coming into the party. Yeah, 194 00:08:58,880 --> 00:09:01,480 Speaker 1: like it was a big scene on the street. 195 00:09:01,559 --> 00:09:04,240 Speaker 2: That's one of the things that's most memorable for me. Yeah, 196 00:09:04,280 --> 00:09:06,439 Speaker 2: because i'd been in I was in New York a lot, 197 00:09:07,120 --> 00:09:10,960 Speaker 2: and like how shocking it was to see like the 198 00:09:11,000 --> 00:09:14,000 Speaker 2: magnitude of shutting down multiple streets in the middle of 199 00:09:14,080 --> 00:09:17,920 Speaker 2: midtown Manhattan, Like what that took to do, and how 200 00:09:18,520 --> 00:09:19,760 Speaker 2: as someone who spent a lot of time New York 201 00:09:19,800 --> 00:09:22,920 Speaker 2: and going it's very inconvenient for people. I would be 202 00:09:22,960 --> 00:09:24,560 Speaker 2: really annoyed if I had to walk out of my 203 00:09:24,640 --> 00:09:26,200 Speaker 2: way and you want me to walk in Avenue like, 204 00:09:27,880 --> 00:09:30,360 Speaker 2: and everyone's probably going, ooh, what's that that's called crafty? 205 00:09:30,400 --> 00:09:31,240 Speaker 2: Can I have some of that? 206 00:09:31,320 --> 00:09:33,160 Speaker 1: Like, I mean there's so many things that they think, 207 00:09:33,160 --> 00:09:34,520 Speaker 1: but yeah, New York is you're like, get out of. 208 00:09:34,640 --> 00:09:37,319 Speaker 2: Get out of our way. That's what I would revert 209 00:09:37,320 --> 00:09:39,280 Speaker 2: into it if I wasn't there for that. 210 00:09:39,360 --> 00:09:42,400 Speaker 1: But do you remember, because I also remember this season 211 00:09:42,440 --> 00:09:46,080 Speaker 1: as being particularly long hours, do you remember that part 212 00:09:46,200 --> 00:09:48,400 Speaker 1: of it all? Like like we often shot all night, 213 00:09:48,640 --> 00:09:51,480 Speaker 1: but you guys would have had your you know, like 214 00:09:51,559 --> 00:09:54,200 Speaker 1: hour requirements because of your age. 215 00:09:54,000 --> 00:09:57,240 Speaker 2: Right, and we also were I mean they were single. 216 00:09:57,960 --> 00:10:01,000 Speaker 2: They were kind of single standalone scenes, and they were 217 00:10:01,440 --> 00:10:03,200 Speaker 2: daytime scenes. So it was a. 218 00:10:03,240 --> 00:10:04,559 Speaker 1: Good point, a little bit. 219 00:10:04,440 --> 00:10:06,200 Speaker 2: More controlled in that way, right. 220 00:10:06,120 --> 00:10:07,640 Speaker 1: We would have daytime scenes that we would do in 221 00:10:07,640 --> 00:10:10,240 Speaker 1: the mill of the night though, just f yi. But 222 00:10:13,520 --> 00:10:15,040 Speaker 1: because that one when you're coming to the party is 223 00:10:15,120 --> 00:10:17,600 Speaker 1: exterior but exterio, you know, the restaurant for instance, But 224 00:10:17,679 --> 00:10:21,640 Speaker 1: you would when when you're under eighteen, there are union 225 00:10:21,720 --> 00:10:23,600 Speaker 1: rules about how long you can work. 226 00:10:23,679 --> 00:10:26,560 Speaker 2: Yeah, but I don't think I knew what those union 227 00:10:26,920 --> 00:10:29,120 Speaker 2: rules were for sure, for sure, but we did, but 228 00:10:29,200 --> 00:10:31,640 Speaker 2: you did, Yeah, and I'm sure they were. I'm sure 229 00:10:31,640 --> 00:10:35,480 Speaker 2: they were in place, But it also was I didn't 230 00:10:35,480 --> 00:10:39,920 Speaker 2: have a concept of what working hours were, so you know, 231 00:10:40,040 --> 00:10:43,480 Speaker 2: your your experience of it not knowing anything is just, oh, 232 00:10:43,520 --> 00:10:45,640 Speaker 2: you're there until you're done. You know, you're just to 233 00:10:45,640 --> 00:10:47,480 Speaker 2: show up and you just that's amazing. 234 00:10:47,720 --> 00:10:48,720 Speaker 1: Did you think it was fun? 235 00:10:49,440 --> 00:10:50,839 Speaker 2: I did think it was fun. Oh good. But I 236 00:10:50,920 --> 00:10:53,240 Speaker 2: think a lot of that was also probably tied to 237 00:10:53,320 --> 00:10:56,680 Speaker 2: being able to like work with other people your own age, 238 00:10:56,800 --> 00:11:00,640 Speaker 2: because so much of that work you're kind of you're 239 00:11:00,679 --> 00:11:03,600 Speaker 2: by yourself with a ton of adults, and while that 240 00:11:04,040 --> 00:11:07,200 Speaker 2: is very comfortable, maybe it's just more fun when there's 241 00:11:07,240 --> 00:11:09,800 Speaker 2: someone that you feel like you can look at and 242 00:11:09,840 --> 00:11:11,240 Speaker 2: you're like, you know what I'm going through, right, Like 243 00:11:11,280 --> 00:11:15,080 Speaker 2: you know you have an understanding. Yeah, so that was 244 00:11:15,120 --> 00:11:16,360 Speaker 2: particularly fun because it. 245 00:11:16,280 --> 00:11:17,720 Speaker 1: Was were you in school. 246 00:11:18,040 --> 00:11:19,720 Speaker 2: I think we shot it over the summer, so I 247 00:11:19,760 --> 00:11:21,160 Speaker 2: think that wasn't mean you were. 248 00:11:21,080 --> 00:11:23,000 Speaker 1: Going to school. You weren't one of those kids who 249 00:11:23,400 --> 00:11:24,160 Speaker 1: never went to school. 250 00:11:24,200 --> 00:11:26,079 Speaker 2: I wasn't a weird in between, because there would be 251 00:11:26,120 --> 00:11:30,360 Speaker 2: those kids who went to PCs that were like in 252 00:11:30,400 --> 00:11:32,560 Speaker 2: that full time New York school where they were constantly 253 00:11:32,600 --> 00:11:35,280 Speaker 2: pulled out. I was in school in Maryland where I 254 00:11:35,320 --> 00:11:38,080 Speaker 2: was pulled out once two times a week. So it 255 00:11:38,240 --> 00:11:40,920 Speaker 2: was a weird arrangement that I had with my school 256 00:11:40,960 --> 00:11:46,760 Speaker 2: to be able to do that. But that was affected 257 00:11:46,800 --> 00:11:50,280 Speaker 2: with other work later on a lot more than Sex 258 00:11:50,320 --> 00:11:53,080 Speaker 2: and City being in the summertime and it just being 259 00:11:54,559 --> 00:11:56,200 Speaker 2: you know something, You're just like, I'll never get to 260 00:11:56,200 --> 00:11:58,400 Speaker 2: do something like this again, Like the novelty of it 261 00:11:58,520 --> 00:12:01,720 Speaker 2: just being like, what a cool adventure. I think my 262 00:12:01,760 --> 00:12:03,600 Speaker 2: mother took a lot of pictures that she probably was 263 00:12:03,600 --> 00:12:05,360 Speaker 2: not supposed to be taking. That's okay. 264 00:12:06,200 --> 00:12:08,880 Speaker 1: I don't think we controlled it very well back then. 265 00:12:08,559 --> 00:12:12,080 Speaker 1: We didn't have the because this is the season that 266 00:12:12,120 --> 00:12:16,880 Speaker 1: we really, like in my experience, at least, jumped up 267 00:12:16,920 --> 00:12:19,640 Speaker 1: a level in terms of popularity, right, Like it first 268 00:12:19,640 --> 00:12:22,000 Speaker 1: season we shot the whole thing before it aired. It 269 00:12:22,040 --> 00:12:24,600 Speaker 1: was just our little secret, right. Second season, people kind 270 00:12:24,600 --> 00:12:26,600 Speaker 1: of knew, but it was kind of niche, right, I 271 00:12:26,600 --> 00:12:28,360 Speaker 1: mean that's how I felt. Yeah, I've talked to other 272 00:12:28,400 --> 00:12:30,320 Speaker 1: actors who were like, oh no, everyone wanted to be 273 00:12:30,320 --> 00:12:31,720 Speaker 1: on that show was the biggest hit. It was the 274 00:12:31,720 --> 00:12:35,520 Speaker 1: coolest show. We didn't necessarily I didn't feel that way yet. 275 00:12:35,440 --> 00:12:38,079 Speaker 2: Right, Right, It's how you experienced it and how you 276 00:12:38,200 --> 00:12:41,560 Speaker 2: sort of were dealing with the influx of popularity. 277 00:12:41,240 --> 00:12:43,920 Speaker 1: Right, And I mean what I remember first season, second season, 278 00:12:43,920 --> 00:12:46,760 Speaker 1: we still were trying so hard to promote it, Like 279 00:12:46,800 --> 00:12:49,520 Speaker 1: if anyone wanted to talk to us, we were like, yes, 280 00:12:49,640 --> 00:12:52,400 Speaker 1: we talked to them for five hours, you know whatever. 281 00:12:52,400 --> 00:12:54,840 Speaker 1: It was like whatever, watch our show, Yeah, totally like 282 00:12:54,880 --> 00:12:57,560 Speaker 1: get the word out. Whereas third season it started to 283 00:12:57,600 --> 00:12:59,400 Speaker 1: really have a life of its own and you didn't 284 00:12:59,400 --> 00:13:01,720 Speaker 1: have to like begged people to talk to us, Right, 285 00:13:01,760 --> 00:13:02,680 Speaker 1: That's that's what I read. 286 00:13:02,720 --> 00:13:04,680 Speaker 2: No, But I find that super interesting because like there's 287 00:13:04,720 --> 00:13:06,680 Speaker 2: a number of shows that like maybe found their feet 288 00:13:06,679 --> 00:13:09,440 Speaker 2: in season two or you feel like they really took 289 00:13:09,440 --> 00:13:12,959 Speaker 2: off in season three, and watching that sort of evolution 290 00:13:13,120 --> 00:13:15,640 Speaker 2: of when people start to realize it's a lot different 291 00:13:15,679 --> 00:13:19,320 Speaker 2: than the thing that they felt they were doing initially, right, And. 292 00:13:19,240 --> 00:13:21,120 Speaker 1: I mean for us, we did get to evolve as 293 00:13:21,120 --> 00:13:23,240 Speaker 1: a show too, which was really nice, right, Like we 294 00:13:23,280 --> 00:13:25,720 Speaker 1: got to change you know, whether we were talking in camera, 295 00:13:25,840 --> 00:13:27,840 Speaker 1: whether we had the people on the street, and you 296 00:13:27,840 --> 00:13:29,440 Speaker 1: know there were things from the beginning. 297 00:13:29,080 --> 00:13:29,960 Speaker 2: That we got changed. 298 00:13:30,160 --> 00:13:32,360 Speaker 1: You went, yeah, and we got into much more. And 299 00:13:32,400 --> 00:13:35,400 Speaker 1: this is where you really see it happening the long 300 00:13:35,679 --> 00:13:38,600 Speaker 1: the long story arc, right, like with Charlotte especially, this 301 00:13:38,640 --> 00:13:40,520 Speaker 1: is my first time to have a long story arc 302 00:13:40,640 --> 00:13:43,000 Speaker 1: like this, right, other than that you knew she wanted 303 00:13:43,000 --> 00:13:45,160 Speaker 1: to get married, right, but now she actually is married 304 00:13:45,160 --> 00:13:47,240 Speaker 1: and what does that mean? And there's all these problems 305 00:13:47,240 --> 00:13:50,160 Speaker 1: and you know whatnot. Whereas for Carrie, this is kind 306 00:13:50,160 --> 00:13:53,360 Speaker 1: of an interesting This is the season where she's with Aiden, 307 00:13:53,440 --> 00:13:56,120 Speaker 1: but she cheats with Big, right, that's her big through line, 308 00:13:56,160 --> 00:13:58,040 Speaker 1: but this is kind of a standalone seat. It is 309 00:13:58,040 --> 00:14:01,760 Speaker 1: a yeah for her, which is fascinating, and also for Miranda, 310 00:14:01,760 --> 00:14:05,520 Speaker 1: who gets braces, which I had no memory of. Okay, 311 00:14:05,679 --> 00:14:17,920 Speaker 1: like what this is one of those ones where I 312 00:14:17,960 --> 00:14:19,880 Speaker 1: was watching it and I felt like I was watching 313 00:14:19,920 --> 00:14:21,000 Speaker 1: it for the first time, Like you. 314 00:14:20,960 --> 00:14:22,320 Speaker 2: Didn't remember any of those stuff? 315 00:14:22,320 --> 00:14:24,640 Speaker 1: What I do remember. I do not remember my storyline, 316 00:14:24,960 --> 00:14:28,360 Speaker 1: not one second, okay, not one second, Like I don't 317 00:14:28,400 --> 00:14:31,120 Speaker 1: If you had said to me, did you you know, 318 00:14:31,280 --> 00:14:33,880 Speaker 1: meaning our characters go to therapy, I would have been like, no, 319 00:14:34,000 --> 00:14:34,720 Speaker 1: what are you talking about? 320 00:14:35,360 --> 00:14:36,040 Speaker 2: I don't know. 321 00:14:36,680 --> 00:14:40,760 Speaker 1: I think I was so exhausted and like low level 322 00:14:40,800 --> 00:14:44,160 Speaker 1: overwhelmed that some of it. I'm just like, I don't 323 00:14:44,200 --> 00:14:46,680 Speaker 1: know what. I don't know if I was in my body, honestly, 324 00:14:46,720 --> 00:14:48,280 Speaker 1: I just don't know. I don't know. Do you know 325 00:14:48,320 --> 00:14:48,680 Speaker 1: what I mean? 326 00:14:48,800 --> 00:14:50,800 Speaker 2: Yeah? Well, and sometimes you'll just never have an explanation 327 00:14:50,840 --> 00:14:53,240 Speaker 2: as to why no, I mean some stuff doesn't stay. 328 00:14:53,320 --> 00:14:57,160 Speaker 1: I watch myself in it, and it I it seems fine, 329 00:14:57,400 --> 00:14:59,480 Speaker 1: but I just don't have any memory. I'll tell you what. 330 00:14:59,520 --> 00:15:02,240 Speaker 1: I have a memory, and I kind of wanted if 331 00:15:02,240 --> 00:15:04,600 Speaker 1: I'd had time, I would have researched this. You know 332 00:15:04,600 --> 00:15:07,080 Speaker 1: how some New York summers are super hot. 333 00:15:07,320 --> 00:15:10,320 Speaker 2: You literally melt into the sidewalk, right, you'd be confused 334 00:15:10,320 --> 00:15:11,320 Speaker 2: with the sort of tar. 335 00:15:11,680 --> 00:15:15,960 Speaker 1: That's right, it's soft, right, And the summer before had 336 00:15:16,000 --> 00:15:17,960 Speaker 1: been and we would film in the summer. We would 337 00:15:17,960 --> 00:15:19,800 Speaker 1: start in February where it was cold, okay, and then 338 00:15:19,800 --> 00:15:22,840 Speaker 1: we would film all summer pretty much to get you know, 339 00:15:22,920 --> 00:15:26,360 Speaker 1: however many eighteen twenty one, whatever it is that we 340 00:15:26,440 --> 00:15:30,600 Speaker 1: did eighteen and you know, by the end it was 341 00:15:30,640 --> 00:15:35,000 Speaker 1: baking hot, right. Yeah, I believe, and I could be wrong. 342 00:15:35,080 --> 00:15:37,240 Speaker 1: I believe that they wrote this episode Hot Child in 343 00:15:37,240 --> 00:15:39,600 Speaker 1: the City based on the fact that the summer before 344 00:15:40,200 --> 00:15:43,280 Speaker 1: was really really hot and then so and we were 345 00:15:43,320 --> 00:15:46,120 Speaker 1: working right, so like we would just be sweaty, sweaty, 346 00:15:46,160 --> 00:15:47,000 Speaker 1: sweating in our hair. 347 00:15:47,960 --> 00:15:50,120 Speaker 2: My impression of the show. And I don't know if 348 00:15:50,160 --> 00:15:51,760 Speaker 2: this is like true or not, because I wasn't watching 349 00:15:51,800 --> 00:15:54,520 Speaker 2: it consistently then, because I just didn't have HBO. But yeah, 350 00:15:54,680 --> 00:15:57,000 Speaker 2: is that like there was a lot of location, Like, 351 00:15:57,040 --> 00:15:59,320 Speaker 2: it doesn't look like a show that was on stage. 352 00:16:00,760 --> 00:16:03,880 Speaker 1: It's true. I mean that was by design, and there 353 00:16:03,920 --> 00:16:07,400 Speaker 1: were sometimes because our apartments would alwa sets, right, because 354 00:16:07,400 --> 00:16:10,280 Speaker 1: we had to have some controllable environments because of the 355 00:16:10,280 --> 00:16:12,720 Speaker 1: weather and this and that, and also money, it's so 356 00:16:12,800 --> 00:16:14,560 Speaker 1: expensive to film on the locations. 357 00:16:14,600 --> 00:16:16,640 Speaker 2: Shutting down streets cost some money. 358 00:16:16,520 --> 00:16:19,480 Speaker 1: A lot of money. And also this EID this season 359 00:16:19,600 --> 00:16:21,560 Speaker 1: is the big season. We got the set on the ferry, like, 360 00:16:21,640 --> 00:16:26,160 Speaker 1: we have big, big, expensive locations, which is how we 361 00:16:26,200 --> 00:16:28,440 Speaker 1: would like to roll at all times. You know, that's 362 00:16:28,520 --> 00:16:31,080 Speaker 1: our that's our vibe. But there would be times when 363 00:16:31,080 --> 00:16:33,920 Speaker 1: we'd be over budget and we would move back inside 364 00:16:34,040 --> 00:16:37,440 Speaker 1: and then I remember vividly a few times Sarah Jessica saying, 365 00:16:37,920 --> 00:16:40,680 Speaker 1: this is not okay, this is not our show. We 366 00:16:40,800 --> 00:16:42,240 Speaker 1: need to be on the street. You need to be 367 00:16:42,240 --> 00:16:44,360 Speaker 1: able to see our shoes, you need to push the cameras. 368 00:16:44,480 --> 00:16:45,680 Speaker 2: You're losing the city parts. 369 00:16:45,760 --> 00:16:48,280 Speaker 1: Yes, yeh, exactly, And she was so right. But of 370 00:16:48,320 --> 00:16:50,120 Speaker 1: course it's always a balance, you know. 371 00:16:50,160 --> 00:16:52,720 Speaker 2: Well, but then you're also at the mercy of the elements, 372 00:16:52,840 --> 00:16:57,440 Speaker 2: like scorching summers where you know, it's like poor hair 373 00:16:57,480 --> 00:17:00,680 Speaker 2: and makeup trying to I know it deal with the 374 00:17:00,720 --> 00:17:02,520 Speaker 2: heat and the smell. 375 00:17:02,760 --> 00:17:05,000 Speaker 1: The thing that I love looking back at it, Like 376 00:17:05,320 --> 00:17:08,840 Speaker 1: you know, sometimes Sarah's hair has a of friz on. 377 00:17:08,960 --> 00:17:11,439 Speaker 1: It is so gorgeous. It's like almost like a halo 378 00:17:12,000 --> 00:17:14,680 Speaker 1: over her head, you know what I'm saying. Like for Charlotte, 379 00:17:14,920 --> 00:17:16,840 Speaker 1: no one would ever except that I would have frizz, 380 00:17:16,840 --> 00:17:18,960 Speaker 1: though I do have wavy hair in one scene, which 381 00:17:18,960 --> 00:17:21,440 Speaker 1: I was always really pushing for because I just didn't 382 00:17:21,480 --> 00:17:24,600 Speaker 1: want to wear that same straight hair all the time. 383 00:17:24,720 --> 00:17:26,800 Speaker 2: I understand, we get bored, you know what I mean. 384 00:17:26,840 --> 00:17:29,280 Speaker 2: I understand from someone with straight hair, I really. 385 00:17:30,640 --> 00:17:32,600 Speaker 1: You know, and everyone else loves it, but like for me, 386 00:17:32,640 --> 00:17:34,919 Speaker 1: I was like, oh my god, please just please let 387 00:17:34,960 --> 00:17:36,880 Speaker 1: me do something different. So there's a scene I think 388 00:17:36,920 --> 00:17:39,960 Speaker 1: at the beginning, Oh remember when they say we say 389 00:17:40,480 --> 00:17:43,040 Speaker 1: cafeteria was the news? Oh yeah, yeah, I do. I 390 00:17:43,080 --> 00:17:45,959 Speaker 1: had forgotten all of the high school references in this is. 391 00:17:46,000 --> 00:17:48,880 Speaker 2: I don't remember that at all, And so I did 392 00:17:48,920 --> 00:17:51,240 Speaker 2: do the rewatch and I was like, oh my gosh, 393 00:17:51,240 --> 00:17:53,400 Speaker 2: I didn't get any of these references or like, go 394 00:17:53,440 --> 00:17:56,040 Speaker 2: give the guy your number and not being so cute 395 00:17:56,040 --> 00:17:58,840 Speaker 2: and just lost on me, complainedly. 396 00:17:58,480 --> 00:17:58,600 Speaker 3: You know. 397 00:17:58,680 --> 00:18:02,719 Speaker 1: And I feel like Sarah Jessica park Man, she was 398 00:18:02,920 --> 00:18:04,760 Speaker 1: so leaned in, she. 399 00:18:04,880 --> 00:18:05,600 Speaker 2: Was so adorable. 400 00:18:06,040 --> 00:18:09,520 Speaker 1: She's so adorable and giggly, like we very rarely see her. 401 00:18:09,600 --> 00:18:14,120 Speaker 1: Like it was really really enjoyable. And also the other 402 00:18:14,240 --> 00:18:17,119 Speaker 1: interesting thing about this is it's directed by Michael Spiller. 403 00:18:17,160 --> 00:18:19,320 Speaker 1: I don't know if you remember this. He was our director. 404 00:18:19,359 --> 00:18:22,600 Speaker 1: He had been our DP. Oh really yeah, okay, not 405 00:18:22,760 --> 00:18:25,879 Speaker 1: from the very beginning, but close to the beginning. And 406 00:18:25,960 --> 00:18:28,160 Speaker 1: I know that he'd wanted to direct, and I feel 407 00:18:28,160 --> 00:18:30,040 Speaker 1: like he might have directed before this. I'm not sure, 408 00:18:30,119 --> 00:18:32,760 Speaker 1: but what I was struck by watching it. First of all, 409 00:18:32,760 --> 00:18:34,439 Speaker 1: there are a lot of cool shots, like when she 410 00:18:34,640 --> 00:18:36,200 Speaker 1: ends up on the balcony with the guy, which we'll 411 00:18:36,200 --> 00:18:38,479 Speaker 1: get into in their overhead, you know, and like there 412 00:18:38,480 --> 00:18:40,280 Speaker 1: are a lot of cool shots. But also I feel 413 00:18:40,280 --> 00:18:42,560 Speaker 1: like everyone seemed very relaxed. 414 00:18:43,440 --> 00:18:44,040 Speaker 2: Interesting. 415 00:18:44,240 --> 00:18:46,520 Speaker 1: I really like that when I'm watching it, I mean, 416 00:18:46,600 --> 00:18:50,720 Speaker 1: sometimes I can tell that, like maybe sometimes I can 417 00:18:50,800 --> 00:18:54,679 Speaker 1: remember times where things weren't relaxed, and you know, the 418 00:18:54,680 --> 00:18:57,639 Speaker 1: writers and the director or usually just the writers wanted 419 00:18:57,720 --> 00:19:00,240 Speaker 1: us to do something, do you know what I'm saying? Really, 420 00:19:00,359 --> 00:19:03,159 Speaker 1: I can see myself trying to execute the idea that 421 00:19:03,200 --> 00:19:03,919 Speaker 1: they want me to do. 422 00:19:04,000 --> 00:19:06,320 Speaker 2: There's like an extra pressure on that thing that you're 423 00:19:06,320 --> 00:19:07,359 Speaker 2: trying to achieve, and I can. 424 00:19:07,280 --> 00:19:09,560 Speaker 1: See it in my face, you know, or my voice 425 00:19:09,640 --> 00:19:12,640 Speaker 1: or whatever. And then sometimes we just seem like relaxed 426 00:19:12,640 --> 00:19:15,160 Speaker 1: and giggly, which the whole episode not counting me because 427 00:19:15,160 --> 00:19:19,479 Speaker 1: I'm at the therapy, but everybody else so relaxed and giggly. 428 00:19:19,760 --> 00:19:20,800 Speaker 1: It was so charming. 429 00:19:21,119 --> 00:19:23,240 Speaker 2: I had this reaction though, when I was watching because 430 00:19:23,240 --> 00:19:26,399 Speaker 2: obviously you're watching it years later, so you're watching it 431 00:19:26,400 --> 00:19:29,280 Speaker 2: from a different perspective from life, Yeah, I think, but 432 00:19:29,359 --> 00:19:32,680 Speaker 2: also coming from like New York at the time. Now 433 00:19:32,720 --> 00:19:34,080 Speaker 2: when I watch it, I'm like, you know what, back 434 00:19:34,119 --> 00:19:37,320 Speaker 2: in New York, it does really stand out as this 435 00:19:37,400 --> 00:19:39,399 Speaker 2: almost thing that was viewed as very childish to have, 436 00:19:39,480 --> 00:19:41,360 Speaker 2: like a comic book store for a grown bud get 437 00:19:41,359 --> 00:19:44,160 Speaker 2: into comics and all the stuff. Where's yeah now, yeah, 438 00:19:44,160 --> 00:19:47,120 Speaker 2: it's universal, every age, every guy, and we don't look 439 00:19:47,160 --> 00:19:50,120 Speaker 2: at it as the guy who lives in his mom's apartments. 440 00:19:50,280 --> 00:19:52,560 Speaker 1: But it's the other thing. It's so now, it's so 441 00:19:52,880 --> 00:19:53,560 Speaker 1: now that. 442 00:19:53,840 --> 00:19:56,800 Speaker 2: But back then we would have it's like so normal 443 00:19:56,800 --> 00:20:00,000 Speaker 2: how the friends reacted to to Yeah, we were like no, absolute, 444 00:20:00,119 --> 00:20:02,520 Speaker 2: it's just start contrast percent. 445 00:20:02,600 --> 00:20:06,040 Speaker 1: But now it's so accurate now, like no one moves 446 00:20:06,080 --> 00:20:09,080 Speaker 1: out from their parents' house. Apparently, this is what I read. 447 00:20:09,440 --> 00:20:11,960 Speaker 1: I don't really know this age people, but you know, 448 00:20:12,040 --> 00:20:13,240 Speaker 1: twenty five year olds or whatever. 449 00:20:13,840 --> 00:20:15,600 Speaker 2: Yeah, most guys that you would meet in New York, 450 00:20:15,960 --> 00:20:18,560 Speaker 2: you know, if anything, they would seem older than they were. 451 00:20:18,720 --> 00:20:22,080 Speaker 2: There was this sort of influence of wanting to fit 452 00:20:22,160 --> 00:20:25,399 Speaker 2: into an adult grown up for sure. 453 00:20:25,040 --> 00:20:28,920 Speaker 1: The suit, the yeah bros Or finance bros. 454 00:20:29,080 --> 00:20:30,800 Speaker 2: I remember, really the last time I went back to 455 00:20:30,800 --> 00:20:32,240 Speaker 2: New York for like a long pair time after I've 456 00:20:32,240 --> 00:20:36,119 Speaker 2: been living in LA and I'm like, everyone's wearing a suit. 457 00:20:36,240 --> 00:20:37,840 Speaker 1: Oh yeah, this is it's funny. 458 00:20:37,880 --> 00:20:40,000 Speaker 2: It's really funny. And you're like actually looking at a 459 00:20:40,000 --> 00:20:44,920 Speaker 2: guy and going, that's really definitely younger than he looks 460 00:20:44,960 --> 00:20:45,960 Speaker 2: a lot more grown up. 461 00:20:47,280 --> 00:20:51,280 Speaker 1: Even more true London really oh yeah, oh gosh, they 462 00:20:51,400 --> 00:20:53,800 Speaker 1: dressed so up. Like certainly if you go to you know, 463 00:20:53,960 --> 00:20:57,439 Speaker 1: like central London, I mean it's insane and intense and 464 00:20:57,480 --> 00:21:00,879 Speaker 1: the suits are so beautiautiful beautiful, just like whoa. But 465 00:21:00,920 --> 00:21:03,520 Speaker 1: it's also like a little hard to you know, how 466 00:21:03,520 --> 00:21:05,919 Speaker 1: do you how do you relate to that? I don't know. 467 00:21:05,960 --> 00:21:08,399 Speaker 1: It's an interesting culture thing, but I do feel that 468 00:21:08,480 --> 00:21:10,680 Speaker 1: way in New York as well. But also sometimes when 469 00:21:10,680 --> 00:21:12,200 Speaker 1: I go to Beverly Hills, I'm like, wow, there's a 470 00:21:12,240 --> 00:21:13,440 Speaker 1: lot of dudes and suits here. 471 00:21:13,720 --> 00:21:16,560 Speaker 2: Yes, yeah, you know, I've entered a place where people 472 00:21:16,720 --> 00:21:19,000 Speaker 2: feel the need to wear a suit, right, But it's 473 00:21:19,000 --> 00:21:20,800 Speaker 2: like in New York back then, seeing a guy who's 474 00:21:20,840 --> 00:21:22,480 Speaker 2: like T shirt jeans. 475 00:21:22,840 --> 00:21:24,240 Speaker 1: Especially he's got like surfer hair. 476 00:21:24,400 --> 00:21:26,879 Speaker 2: Surfer hair, yeah, yeah, And how you would sort of 477 00:21:27,400 --> 00:21:29,280 Speaker 2: I don't know, if it was like just culture society, 478 00:21:29,280 --> 00:21:31,000 Speaker 2: how you would like put him in a more juvenile, 479 00:21:31,560 --> 00:21:34,000 Speaker 2: don't take it seriously category. 480 00:21:34,560 --> 00:21:37,639 Speaker 1: But clearly Carrie likes this. It's like I'm going to 481 00:21:37,720 --> 00:21:38,359 Speaker 1: do something different. 482 00:21:38,440 --> 00:21:40,439 Speaker 2: Those were the questions they were asking there, like are 483 00:21:40,480 --> 00:21:42,800 Speaker 2: you really comfortable dating the guy? And she's like right, 484 00:21:43,680 --> 00:21:44,360 Speaker 2: and good for her. 485 00:21:44,800 --> 00:21:47,440 Speaker 1: She has such a good time with and it's so cute. 486 00:21:47,480 --> 00:21:49,239 Speaker 1: But the thing about the heat, the reason that I 487 00:21:49,280 --> 00:21:51,119 Speaker 1: remember it is because they have that scene on the 488 00:21:51,119 --> 00:21:53,560 Speaker 1: balcony where they get the hose out and I remember 489 00:21:53,600 --> 00:21:54,560 Speaker 1: that was actually chili. 490 00:21:55,280 --> 00:21:56,679 Speaker 2: Of course it was, of course it was. 491 00:21:56,960 --> 00:21:58,960 Speaker 1: This is what I remember. I don't remember anything that 492 00:21:59,000 --> 00:22:01,879 Speaker 1: I did, but I remember that concerned the Sarah Jessica 493 00:22:01,960 --> 00:22:03,760 Speaker 1: and this guy. We're gonna have to get wet when 494 00:22:03,760 --> 00:22:05,400 Speaker 1: it was chilly, when it was supposed to be hot. 495 00:22:05,960 --> 00:22:08,960 Speaker 2: Yeah, the silliness just so par for the course, though, 496 00:22:09,040 --> 00:22:12,280 Speaker 2: isn't it If it's supposed to be hot, it's freezing exactly. 497 00:22:12,320 --> 00:22:14,879 Speaker 1: And then we did write when we did it, and 498 00:22:14,960 --> 00:22:17,000 Speaker 1: just like that, we wrote a big snow scene. And 499 00:22:17,040 --> 00:22:19,040 Speaker 1: then the year we were filming, there was no snow, 500 00:22:19,080 --> 00:22:20,320 Speaker 1: of course, you know what I mean, So we had 501 00:22:20,320 --> 00:22:36,439 Speaker 1: to manufacture all of it. So let's talk about do 502 00:22:36,480 --> 00:22:39,639 Speaker 1: you have any memories about your fittings. I'm always curious 503 00:22:39,680 --> 00:22:42,119 Speaker 1: about young people coming into our world. But you were modeling, 504 00:22:42,160 --> 00:22:43,600 Speaker 1: so you're probably used to a lot. 505 00:22:43,480 --> 00:22:45,080 Speaker 2: Of and I think that's probably why I don't have 506 00:22:45,160 --> 00:22:49,119 Speaker 2: a memory of that, right. It probably resembled to a 507 00:22:49,240 --> 00:22:55,480 Speaker 2: degree like any other fitting. Probably, I genuinely don't have 508 00:22:55,480 --> 00:22:59,800 Speaker 2: any memory. I remember my wardrobe, okay, and I remember 509 00:23:00,200 --> 00:23:02,520 Speaker 2: was I can't say it was the first time, but 510 00:23:04,320 --> 00:23:07,440 Speaker 2: it was. There was definitely like wardrobe malfunctioning happening. 511 00:23:07,480 --> 00:23:11,600 Speaker 4: Oh no, because because these clothes, these clothes are not 512 00:23:11,760 --> 00:23:13,840 Speaker 4: these clothes are meant to be seen, they're not meant 513 00:23:13,880 --> 00:23:17,800 Speaker 4: to be like functional, and my top did not want. 514 00:23:17,680 --> 00:23:20,199 Speaker 2: To stay on, and it was just like I was 515 00:23:20,240 --> 00:23:22,480 Speaker 2: so used to as a kid. You know, if they're 516 00:23:22,520 --> 00:23:24,520 Speaker 2: just like, oh, these genes don't fit you, right, we'll 517 00:23:24,680 --> 00:23:28,160 Speaker 2: cut the scene through the middle where you're rear end 518 00:23:28,240 --> 00:23:31,520 Speaker 2: is and stick a sock in it and and like 519 00:23:31,800 --> 00:23:33,159 Speaker 2: that's what you're gonna wear. We will never see you 520 00:23:33,200 --> 00:23:35,800 Speaker 2: from the back, So that kind of just where's the 521 00:23:35,800 --> 00:23:38,639 Speaker 2: scotch tape or just clip it? You're used to that, 522 00:23:38,920 --> 00:23:43,680 Speaker 2: But with that being live action, I guess you'd say, like, yeah, 523 00:23:43,760 --> 00:23:46,399 Speaker 2: they were double stick taping the top on because the 524 00:23:46,440 --> 00:23:48,760 Speaker 2: straps were breaking and you're getting in and out of 525 00:23:48,760 --> 00:23:50,600 Speaker 2: that limo over and over again. And I definitely had 526 00:23:50,600 --> 00:23:53,200 Speaker 2: a oh no, a moment where I'm like, wow, there's 527 00:23:53,240 --> 00:23:56,080 Speaker 2: a lot of people here. I think I might have 528 00:23:56,160 --> 00:23:57,920 Speaker 2: flashed them. I don't know, Oh my. 529 00:23:57,840 --> 00:23:59,400 Speaker 1: God, I did at thirteen. 530 00:23:59,480 --> 00:24:01,760 Speaker 2: Yeah, but you're yeah, but you're also just like there's 531 00:24:02,240 --> 00:24:04,600 Speaker 2: no I mean, yeah, you're a little bit self conscious, 532 00:24:04,600 --> 00:24:07,320 Speaker 2: but you're also like well it's summertime in New York 533 00:24:07,359 --> 00:24:09,200 Speaker 2: and the type failed, and well. 534 00:24:09,040 --> 00:24:12,119 Speaker 4: That's a good that's good because there's nothing else you 535 00:24:12,119 --> 00:24:12,439 Speaker 4: can do. 536 00:24:12,520 --> 00:24:16,439 Speaker 1: I'm sure it was either like a sample or I 537 00:24:16,440 --> 00:24:19,800 Speaker 1: think it probably right or vintage. I can't remember exactly. 538 00:24:19,520 --> 00:24:21,919 Speaker 2: What where, Like maybe it goes down a runway or 539 00:24:21,920 --> 00:24:23,800 Speaker 2: a catwalk, but it doesn't go in and out of 540 00:24:23,840 --> 00:24:25,160 Speaker 2: limos thirty seven times. 541 00:24:25,240 --> 00:24:27,440 Speaker 1: Real life, yeah, real life, yeah, for sure, for sure, 542 00:24:27,480 --> 00:24:29,439 Speaker 1: for sure. So you remember you did a lot of takes. 543 00:24:29,600 --> 00:24:32,119 Speaker 2: I remember, yeah, I remember there was a lot of 544 00:24:32,160 --> 00:24:35,040 Speaker 2: takes for that. But it also just took a while 545 00:24:35,080 --> 00:24:36,919 Speaker 2: because I think they had to keep like circling the 546 00:24:36,960 --> 00:24:39,240 Speaker 2: block to do the However they shot the arrival, like 547 00:24:39,280 --> 00:24:42,520 Speaker 2: I think they were shooting huge, huge wide masters and 548 00:24:42,560 --> 00:24:45,760 Speaker 2: stuff of that, so we were that just took a 549 00:24:45,800 --> 00:24:48,080 Speaker 2: while to reset over and over again when I watch it. 550 00:24:48,280 --> 00:24:49,800 Speaker 2: When I watched it back, I'm like, you could just 551 00:24:49,840 --> 00:24:52,480 Speaker 2: see the door just roll up. I know, think it 552 00:24:52,520 --> 00:24:55,760 Speaker 2: was just but I think that's not I feel like 553 00:24:56,119 --> 00:24:57,760 Speaker 2: and again my memory, I feel like that's not how 554 00:24:57,800 --> 00:24:59,520 Speaker 2: they shot it, Like they shot more of the Oh 555 00:24:59,560 --> 00:25:01,760 Speaker 2: I'm sure the car is coming up and they've got 556 00:25:01,760 --> 00:25:04,520 Speaker 2: all those cars around, they've got a preset and all that. 557 00:25:04,640 --> 00:25:07,560 Speaker 2: So I remember that being like a lot of takes 558 00:25:07,560 --> 00:25:10,240 Speaker 2: and getting that right and having all the young people. 559 00:25:10,080 --> 00:25:12,840 Speaker 1: That were the extras that we're excited to see you. Yeah. 560 00:25:12,920 --> 00:25:15,400 Speaker 2: Yeah, because you're not just dealing with like adult extras, 561 00:25:15,400 --> 00:25:18,639 Speaker 2: you're also dealing with teenagers and just getting that just 562 00:25:18,680 --> 00:25:20,960 Speaker 2: getting that right right. Yeah. 563 00:25:21,200 --> 00:25:26,760 Speaker 1: Yeah, it can be so patience challenging, you know, like. 564 00:25:26,960 --> 00:25:29,720 Speaker 2: Totally, but that's also where it sort of ignorance is 565 00:25:29,760 --> 00:25:31,400 Speaker 2: bliss if you're not used to that world, because you're 566 00:25:31,440 --> 00:25:32,720 Speaker 2: just like, I have no idea how many times we're 567 00:25:32,720 --> 00:25:35,000 Speaker 2: doing this. If you're going right, we're gonna be doing 568 00:25:35,000 --> 00:25:37,280 Speaker 2: this for three hours. So like settle in. If you'd 569 00:25:37,320 --> 00:25:39,159 Speaker 2: known that going in, you might be like, uh, but 570 00:25:39,600 --> 00:25:41,679 Speaker 2: when you don't know it, it's just no. 571 00:25:41,880 --> 00:25:44,080 Speaker 1: And also, I mean the fun is you were together 572 00:25:44,119 --> 00:25:46,400 Speaker 1: with other young people and you guys can just chat 573 00:25:46,480 --> 00:25:46,879 Speaker 1: and whatever. 574 00:25:47,000 --> 00:25:49,919 Speaker 2: Exactly. I'm sure we're pretty annoying at times for some 575 00:25:49,960 --> 00:25:53,560 Speaker 2: of the pas, but that's it's okay, that's all right, 576 00:25:53,960 --> 00:25:56,679 Speaker 2: a right. I mean you're like, we feel bad, but 577 00:25:56,760 --> 00:25:57,480 Speaker 2: not really. 578 00:25:57,760 --> 00:25:59,679 Speaker 1: Yeah no, why would you so bad? 579 00:26:00,280 --> 00:26:02,439 Speaker 2: You know, we're just like so chatty and we're just 580 00:26:02,480 --> 00:26:03,960 Speaker 2: being silly and yeah. 581 00:26:03,800 --> 00:26:06,119 Speaker 1: Yeah, that's their job, be annoyed, just. 582 00:26:06,160 --> 00:26:08,080 Speaker 2: To be annoyed. Yeah, but up with us? 583 00:26:08,560 --> 00:26:11,280 Speaker 1: Sorry, Okay, let's talk about the plot. Let's talk about 584 00:26:11,320 --> 00:26:13,840 Speaker 1: the plat. Okay, so we see Carrie she wants to 585 00:26:13,880 --> 00:26:16,600 Speaker 1: go to a leother store to have her shoes fixed, right, 586 00:26:16,680 --> 00:26:21,240 Speaker 1: is that right? And then it's the comic book store, right, 587 00:26:21,320 --> 00:26:23,520 Speaker 1: which is so so how in New York it's so ney. 588 00:26:23,600 --> 00:26:25,080 Speaker 2: I was just thinking that it's so New York when 589 00:26:25,080 --> 00:26:26,719 Speaker 2: you're like, oh, I'm gonna where'd it go? 590 00:26:26,880 --> 00:26:30,720 Speaker 1: I know that, Like, wait, did I imagine? That? 591 00:26:30,720 --> 00:26:32,639 Speaker 2: Always happened with me with restaurants, and it would just 592 00:26:32,640 --> 00:26:35,320 Speaker 2: be heartbreaking because at the restaurants you have memories and 593 00:26:35,400 --> 00:26:37,560 Speaker 2: you want to go back there and have that. Yeah. 594 00:26:37,640 --> 00:26:38,080 Speaker 2: I agree. 595 00:26:38,160 --> 00:26:40,000 Speaker 1: I lived on the Upper West Side for a long time, 596 00:26:40,040 --> 00:26:42,520 Speaker 1: which of course is not you know, the hot spot anymore, 597 00:26:42,840 --> 00:26:46,119 Speaker 1: but every single time i'd go back, if I was gone, 598 00:26:46,400 --> 00:26:48,520 Speaker 1: the rest of would be different. It would be so sad, 599 00:26:49,480 --> 00:26:52,000 Speaker 1: so frustrating. But what can you do. It's ever changing. 600 00:26:52,040 --> 00:26:52,800 Speaker 1: This is how it is. 601 00:26:52,840 --> 00:26:55,000 Speaker 2: This is the well and also the places that you're 602 00:26:55,160 --> 00:26:58,040 Speaker 2: you feel dependent on, like your shoe repair guy and 603 00:26:58,040 --> 00:26:59,240 Speaker 2: you're like, what do you mean he's not here? 604 00:26:59,600 --> 00:27:03,600 Speaker 1: Totally absolutely, especially for Kerrie, she were very very important, 605 00:27:03,720 --> 00:27:06,360 Speaker 1: very very important. So she goes down, she has a 606 00:27:06,480 --> 00:27:10,000 Speaker 1: very charming conversation with this guy at this store. I'm like, wow, 607 00:27:10,160 --> 00:27:13,720 Speaker 1: you're very like I just don't even know if that 608 00:27:13,760 --> 00:27:14,800 Speaker 1: would happen now. 609 00:27:15,080 --> 00:27:18,800 Speaker 2: No, it would, I mean, it doesn't happen in my life. 610 00:27:18,880 --> 00:27:22,440 Speaker 2: But like, also the the ease at Wish, she has 611 00:27:22,480 --> 00:27:25,639 Speaker 2: that conversation with a stranger and any guy that she's like, 612 00:27:25,880 --> 00:27:28,240 Speaker 2: he's attractive and I know I feel. 613 00:27:28,040 --> 00:27:30,520 Speaker 1: Like also because it's this tiny store, yeah right, so 614 00:27:30,520 --> 00:27:31,679 Speaker 1: Will kind of feels safe. 615 00:27:31,760 --> 00:27:33,520 Speaker 2: But at the same time, yeah, like when you're watching it, 616 00:27:33,560 --> 00:27:36,200 Speaker 2: you're like necessarily natural and you're going, oh, if that 617 00:27:36,240 --> 00:27:38,640 Speaker 2: were real life with me, it would be like I'm 618 00:27:38,640 --> 00:27:40,399 Speaker 2: going to count how many times making eye contact with 619 00:27:40,440 --> 00:27:44,320 Speaker 2: this person that it would be like, what is it? 620 00:27:44,840 --> 00:27:48,040 Speaker 2: You know what you're assessing a safe situation and stuff 621 00:27:48,040 --> 00:27:48,280 Speaker 2: like that. 622 00:27:48,359 --> 00:27:50,640 Speaker 1: Yeah, right, right, I mean, yeah, it's been a I 623 00:27:50,720 --> 00:27:53,159 Speaker 1: can't I don't know. I am trying to think of 624 00:27:53,200 --> 00:27:54,840 Speaker 1: the last time that I would have gotten into a whole, 625 00:27:54,960 --> 00:27:56,920 Speaker 1: very very long conversation with a stranger in a store. 626 00:27:56,960 --> 00:27:58,480 Speaker 1: I can't think of when it would be. 627 00:27:58,440 --> 00:28:00,840 Speaker 3: Right, or there's not a whole lot of people around, right, 628 00:28:01,240 --> 00:28:03,240 Speaker 3: I mean that's the other adorable kind of thing, is 629 00:28:03,280 --> 00:28:06,320 Speaker 3: like it's like a street level, you know, adorable tiny 630 00:28:06,359 --> 00:28:09,000 Speaker 3: store with like two fifteen year old boys or whatever, 631 00:28:09,040 --> 00:28:09,800 Speaker 3: you or just like. 632 00:28:09,800 --> 00:28:13,159 Speaker 1: Goggling Carrie totally in her adorable outfit. And this is 633 00:28:13,200 --> 00:28:16,040 Speaker 1: the much discussed Chanelle top that then she wore later, 634 00:28:16,600 --> 00:28:19,040 Speaker 1: but in a slightly different color way, I believe though. 635 00:28:19,040 --> 00:28:20,800 Speaker 1: When I was looking, I was like, no, no, that 636 00:28:20,880 --> 00:28:22,680 Speaker 1: might be the same one. It's very confusing, but we 637 00:28:22,840 --> 00:28:27,159 Speaker 1: rewore this in and just like that was that an issue? No, 638 00:28:27,240 --> 00:28:29,280 Speaker 1: it was a good thing discussed. 639 00:28:29,320 --> 00:28:30,119 Speaker 2: Okay, oh okay. 640 00:28:30,119 --> 00:28:32,919 Speaker 1: But the funny thing about it, I kind of recognize it. 641 00:28:32,920 --> 00:28:35,040 Speaker 1: It's a very specific channel with like blobs of. 642 00:28:35,320 --> 00:28:35,960 Speaker 2: Right a lot of color. 643 00:28:36,119 --> 00:28:38,440 Speaker 1: And she had worn it backwards in the first show, 644 00:28:38,440 --> 00:28:40,960 Speaker 1: which is a very sure Jessica thing. She loves things 645 00:28:41,000 --> 00:28:43,680 Speaker 1: backwards or upside down or whatever mismatch. She likes that. 646 00:28:44,040 --> 00:28:45,920 Speaker 1: And so you can see the little Chanelle tag. 647 00:28:46,280 --> 00:28:50,760 Speaker 2: Yeah, yeah, I remember, I remember when I just rewatched it, 648 00:28:50,800 --> 00:28:52,920 Speaker 2: I saw that tag there and I was like, yeah, 649 00:28:53,000 --> 00:28:54,240 Speaker 2: because she's wearing it backwards. 650 00:28:54,240 --> 00:28:58,480 Speaker 1: She's so funny. But then so then she's got Carrie's 651 00:28:58,480 --> 00:29:01,280 Speaker 1: clothes in storage, right, and they didn't go back and 652 00:29:01,320 --> 00:29:05,120 Speaker 1: get it out. But Mollie Rogers are costume designer, got 653 00:29:05,120 --> 00:29:08,880 Speaker 1: a call from a vintage place that she knows downtown 654 00:29:09,400 --> 00:29:11,120 Speaker 1: and they said, oh, we have a we have an 655 00:29:11,160 --> 00:29:16,360 Speaker 1: amazing group of clothes that are from Karen Elson's personal clothes. 656 00:29:16,440 --> 00:29:19,880 Speaker 1: The model, the redheaded model, beautiful red. You recognize her, 657 00:29:20,000 --> 00:29:22,600 Speaker 1: I'm sure I would. I'm sure very nineties two thousand, Yeah, 658 00:29:23,800 --> 00:29:25,840 Speaker 1: incredible woman. Used to be married to Jack White. Not 659 00:29:25,880 --> 00:29:29,200 Speaker 1: that I should be talking about her personal life, but 660 00:29:29,840 --> 00:29:33,920 Speaker 1: just side note. And she so, So Molly went down 661 00:29:33,960 --> 00:29:36,960 Speaker 1: there and at the bottom of this basically suitcase was 662 00:29:37,040 --> 00:29:40,640 Speaker 1: this chanelle top slightly different colors or else maybe faded 663 00:29:40,720 --> 00:29:43,760 Speaker 1: under sure, and Molly recognized because Molly's been our costume 664 00:29:43,800 --> 00:29:47,040 Speaker 1: designer forever. So she got it and then Sir Jesca 665 00:29:47,080 --> 00:29:49,320 Speaker 1: wore it again on and just like that turned around. 666 00:29:49,640 --> 00:29:52,080 Speaker 1: So it's just the scoop neck without the tag, right, 667 00:29:52,200 --> 00:29:54,520 Speaker 1: and then there's a whole drama. Did she get it out? 668 00:29:54,680 --> 00:29:55,320 Speaker 2: Is it hers? 669 00:29:55,560 --> 00:29:57,040 Speaker 1: Where did it come from? Is it the same one, 670 00:29:57,080 --> 00:29:59,200 Speaker 1: is it a different one? Blah blah blah blah blah, 671 00:29:59,200 --> 00:30:02,480 Speaker 1: many conversation. But I love that, you know, I love that, 672 00:30:03,040 --> 00:30:07,200 Speaker 1: you know, the clothes are interesting enough that you could 673 00:30:07,320 --> 00:30:08,920 Speaker 1: even have a conversation about it. 674 00:30:09,080 --> 00:30:12,560 Speaker 2: Well. And I don't think there was anything on television 675 00:30:12,560 --> 00:30:15,080 Speaker 2: where a woman was wearing clothes like that. No, it 676 00:30:15,200 --> 00:30:17,720 Speaker 2: just it wasn't network. It wasn't do you know what 677 00:30:17,800 --> 00:30:21,080 Speaker 2: I mean. It wasn't gone through the sort of all 678 00:30:21,120 --> 00:30:24,360 Speaker 2: the approval steps that what is acceptable to everyone, right. 679 00:30:24,440 --> 00:30:27,240 Speaker 1: It's just well, was creative that we did have a 680 00:30:27,280 --> 00:30:29,840 Speaker 1: little bit of that, Like we did have. Michael Patrick, 681 00:30:29,880 --> 00:30:32,440 Speaker 1: I think will admit himself that sometimes he would be 682 00:30:32,960 --> 00:30:34,680 Speaker 1: he would be an a sayer. He would he would 683 00:30:34,680 --> 00:30:36,320 Speaker 1: say like, no, she wouldn't wear that, and Pat Field 684 00:30:36,320 --> 00:30:38,680 Speaker 1: will be like she would, you know, and then it 685 00:30:38,680 --> 00:30:41,840 Speaker 1: would be a whole power struggle. And because Sarah Jessica 686 00:30:41,920 --> 00:30:44,080 Speaker 1: was on the side with Pat usually and really wanted 687 00:30:44,120 --> 00:30:46,360 Speaker 1: to push the boundaries in a way that she thought 688 00:30:46,400 --> 00:30:48,400 Speaker 1: was true to that character and true to those women 689 00:30:48,800 --> 00:30:51,640 Speaker 1: who were living this life and borrowing things. I mean, 690 00:30:51,760 --> 00:30:54,080 Speaker 1: Kendace push No was borrowing things, you know, even though 691 00:30:54,160 --> 00:30:56,200 Speaker 1: because people say like, well, how could she afford it? Well, 692 00:30:56,200 --> 00:30:58,560 Speaker 1: she she's not affording all of it. She's borrowing stuff, right, 693 00:30:58,640 --> 00:31:01,560 Speaker 1: you may not be seeing her going ample s sample. 694 00:31:01,600 --> 00:31:05,000 Speaker 1: So absolutely, there's so many creative ways. And at the 695 00:31:05,040 --> 00:31:07,360 Speaker 1: time there was Century twenty one way down on the do. 696 00:31:07,320 --> 00:31:10,960 Speaker 2: You remember, Oh my gosh, I remember it, so what 697 00:31:11,120 --> 00:31:13,560 Speaker 2: a special But then it was like are you going 698 00:31:13,640 --> 00:31:15,040 Speaker 2: to go down there? Because it was a it was 699 00:31:15,080 --> 00:31:17,120 Speaker 2: a journey, it was there was a field trip to go. 700 00:31:17,280 --> 00:31:18,000 Speaker 2: It was got. 701 00:31:18,000 --> 00:31:20,560 Speaker 1: It was way at the tip, way down down, and 702 00:31:20,600 --> 00:31:22,760 Speaker 1: it was a big place and you had to work 703 00:31:22,800 --> 00:31:25,080 Speaker 1: hard to find the good things in the big place. 704 00:31:25,200 --> 00:31:27,880 Speaker 1: It wasn't like they were like, hello, here's the Chloe 705 00:31:27,920 --> 00:31:30,640 Speaker 1: time you were looking for. No, it was like really 706 00:31:30,960 --> 00:31:32,440 Speaker 1: like hit a miss No, Yeah. 707 00:31:32,400 --> 00:31:34,160 Speaker 2: It was. It was you had to go in with 708 00:31:34,280 --> 00:31:36,440 Speaker 2: a loose plan that could adapt. But it was like 709 00:31:36,480 --> 00:31:40,280 Speaker 2: if people are going to like IKEA or I guess 710 00:31:40,320 --> 00:31:41,800 Speaker 2: like now like an H and M, where there's so 711 00:31:42,000 --> 00:31:44,440 Speaker 2: much stuff and if you're looking for one thing, you're like, 712 00:31:44,640 --> 00:31:47,040 Speaker 2: you have to pace yourself. You have to go in caffeinated, 713 00:31:47,160 --> 00:31:48,760 Speaker 2: you have to be ready, you know what I mean, 714 00:31:49,520 --> 00:31:51,440 Speaker 2: You to have a melt down and leave. 715 00:31:51,600 --> 00:31:54,000 Speaker 1: Definitely definitely, definitely, And Molly said she was there so 716 00:31:54,120 --> 00:31:56,400 Speaker 1: much that people would ask her where the belts were 717 00:31:56,520 --> 00:32:00,400 Speaker 1: they thought she worked there. Yeah, but we got credible, 718 00:32:00,400 --> 00:32:02,560 Speaker 1: incredible things there. I mean it was the only way 719 00:32:02,560 --> 00:32:04,320 Speaker 1: that we could because we were borrowing stuff by this 720 00:32:04,360 --> 00:32:06,280 Speaker 1: point in this show, but we had started with a 721 00:32:06,440 --> 00:32:08,200 Speaker 1: tiny budget, you know, so they just had to be 722 00:32:08,240 --> 00:32:09,280 Speaker 1: super creative as well. 723 00:32:09,400 --> 00:32:10,480 Speaker 2: Yeah, yeah, and you have to. 724 00:32:10,400 --> 00:32:12,719 Speaker 1: Be Yeah, everyone, everyone in New York has to be 725 00:32:12,800 --> 00:32:15,440 Speaker 1: super creative. Okay. So Carry goes in. She meets this 726 00:32:15,480 --> 00:32:20,400 Speaker 1: adorable guy with this like surfer hair who has a 727 00:32:20,440 --> 00:32:23,600 Speaker 1: comic store, which is also really entertaining and funny, but 728 00:32:23,760 --> 00:32:26,520 Speaker 1: much more niche back then, like it was before Marvel. 729 00:32:26,320 --> 00:32:28,360 Speaker 2: Was like that's that's the funny thing. Seeing it now, 730 00:32:28,400 --> 00:32:30,840 Speaker 2: it was so like niche and you're like, oh wow, 731 00:32:30,880 --> 00:32:31,520 Speaker 2: if they only. 732 00:32:31,440 --> 00:32:35,120 Speaker 1: Knew exactly exactly, I hope we kept that store going 733 00:32:36,040 --> 00:32:39,880 Speaker 1: that guy. And then they so they go to on 734 00:32:39,920 --> 00:32:42,880 Speaker 1: a date to Barcode. I feel like bar Code is 735 00:32:42,920 --> 00:32:43,440 Speaker 1: still there? 736 00:32:43,600 --> 00:32:44,040 Speaker 2: Do you think? 737 00:32:44,360 --> 00:32:48,840 Speaker 1: Yes, it's still there? Amazing. Yeah, And it's so obviously 738 00:32:48,880 --> 00:32:53,280 Speaker 1: not Carrie's normal vibe, but she's having such a good time. 739 00:32:53,800 --> 00:32:56,240 Speaker 2: It's perfect, Like what they're the story. 740 00:32:56,280 --> 00:32:58,560 Speaker 1: They're doing absolutely And when she gets on that scooter 741 00:32:58,680 --> 00:33:01,360 Speaker 1: in the street, I mean, I don't remember any of 742 00:33:01,360 --> 00:33:04,520 Speaker 1: this at all. When she gets on that scooter, I mean, hello, how. 743 00:33:05,000 --> 00:33:05,880 Speaker 2: Did you not fall over? 744 00:33:06,200 --> 00:33:08,440 Speaker 1: Well, because I know her, I'm not, I'm not. I 745 00:33:08,480 --> 00:33:09,920 Speaker 1: didn't even think for a second she was going to 746 00:33:09,960 --> 00:33:11,760 Speaker 1: follow her, because I know her. She can do anything 747 00:33:11,760 --> 00:33:13,680 Speaker 1: in those heels. But the thing that made me laugh, like, 748 00:33:13,720 --> 00:33:16,400 Speaker 1: think about East scooters now, like this is so prescient. 749 00:33:16,480 --> 00:33:19,320 Speaker 1: Our whole episode is so timely. 750 00:33:19,480 --> 00:33:24,160 Speaker 2: Of those scooters. I remember had a real moment like 751 00:33:24,480 --> 00:33:28,320 Speaker 2: everywhere there was razor y Razor scooters, you know that 752 00:33:28,360 --> 00:33:29,400 Speaker 2: would fold up and they. 753 00:33:29,440 --> 00:33:31,440 Speaker 1: Oh yeah, my kids went through a big Razor phase. 754 00:33:31,520 --> 00:33:35,080 Speaker 2: I mean, they were so popular, I think, especially right 755 00:33:35,120 --> 00:33:35,840 Speaker 2: around that time. 756 00:33:35,960 --> 00:33:38,480 Speaker 1: I know, it's so funny that this guy is on 757 00:33:38,560 --> 00:33:41,520 Speaker 1: a scooter and has a comic book store. He's really 758 00:33:41,600 --> 00:33:44,160 Speaker 1: ahead of his time. You know, at the time, we 759 00:33:44,480 --> 00:33:46,840 Speaker 1: do we not realize. Yeah, we all criticize him, but 760 00:33:46,960 --> 00:33:49,560 Speaker 1: he was right on the pulse, right on the pulse 761 00:33:49,600 --> 00:33:52,080 Speaker 1: of things to come. So she adorably goes on a 762 00:33:52,160 --> 00:33:55,200 Speaker 1: day with him and goes scootering, and then he says 763 00:33:55,720 --> 00:33:57,560 Speaker 1: he do you want to come over to my impressive 764 00:33:57,560 --> 00:33:59,960 Speaker 1: apartment with the view, little dish. 765 00:34:00,120 --> 00:34:00,400 Speaker 2: She know. 766 00:34:01,320 --> 00:34:04,600 Speaker 1: They go to like an unbelievable You don't see the 767 00:34:04,600 --> 00:34:07,400 Speaker 1: whole apartment, Okay, you mostly see the balcony, but they've 768 00:34:07,440 --> 00:34:11,000 Speaker 1: basically got like a view of of everything, right, Like 769 00:34:11,239 --> 00:34:13,319 Speaker 1: it's very intense, and she says, a breasts side. But 770 00:34:13,320 --> 00:34:15,239 Speaker 1: I feel like you can see the river, like I 771 00:34:15,280 --> 00:34:16,600 Speaker 1: feel like it's on the East River. 772 00:34:16,760 --> 00:34:19,600 Speaker 2: But I thought in my head, I'm like, it's a 773 00:34:19,680 --> 00:34:21,960 Speaker 2: view of the park, but it's I. 774 00:34:21,880 --> 00:34:24,319 Speaker 1: Mean it might. I don't need more attention. I feel 775 00:34:24,360 --> 00:34:26,920 Speaker 1: like I feel like over across the water is Brooklyn, 776 00:34:27,120 --> 00:34:27,960 Speaker 1: Do you know what I mean? Yeah? 777 00:34:28,000 --> 00:34:30,759 Speaker 2: But I also I believe you because in my head 778 00:34:30,760 --> 00:34:32,640 Speaker 2: I could have just dropped in whatever I thought. 779 00:34:32,760 --> 00:34:35,759 Speaker 1: Of course, your own actions, because the way the balcony looks, 780 00:34:35,760 --> 00:34:37,960 Speaker 1: it looks like the traditional buildings that would be over 781 00:34:38,040 --> 00:34:40,440 Speaker 1: on fifth, right, yeah, right, But I don't know if 782 00:34:40,440 --> 00:34:42,080 Speaker 1: it is. I don't know if it is, and I 783 00:34:42,160 --> 00:34:44,960 Speaker 1: wasn't there obviously physically, so I have no idea. But 784 00:34:45,360 --> 00:34:48,440 Speaker 1: so they go and she's wondering, you know how he 785 00:34:48,520 --> 00:34:53,200 Speaker 1: has this incredible apartment which is so adorable, And then 786 00:34:53,320 --> 00:34:57,040 Speaker 1: we find out that it is because he lives with 787 00:34:57,080 --> 00:34:58,799 Speaker 1: his mom and she's adorable. 788 00:34:58,800 --> 00:35:00,880 Speaker 2: She's so cute, he's so cute. 789 00:35:00,800 --> 00:35:03,880 Speaker 1: So cute, and she wants to give them lemonade and whatnot, 790 00:35:04,160 --> 00:35:07,320 Speaker 1: which is also really funny and weird. And he's really 791 00:35:07,360 --> 00:35:10,799 Speaker 1: accepting of it all, which is like, how old is he? 792 00:35:11,000 --> 00:35:11,799 Speaker 1: I want to know. 793 00:35:12,400 --> 00:35:13,200 Speaker 2: How old's the character? 794 00:35:13,280 --> 00:35:15,439 Speaker 1: And yeah, do we ever say? I don't think we do. 795 00:35:15,719 --> 00:35:18,359 Speaker 2: I think he's definitely at least mid thirties, right, He's 796 00:35:18,400 --> 00:35:19,239 Speaker 2: gotta be, He's got to be. 797 00:35:19,719 --> 00:35:23,120 Speaker 1: It's so interesting how I feel like. 798 00:35:23,280 --> 00:35:28,200 Speaker 2: The age was referenced multiple times where yeah, because I 799 00:35:28,200 --> 00:35:32,280 Speaker 2: think because of the Miranda character storyline about the braces 800 00:35:32,320 --> 00:35:36,600 Speaker 2: and everything, where yes, she's I was surprised how many 801 00:35:36,640 --> 00:35:39,239 Speaker 2: times that she's like, we're there's the thirteen year olds 802 00:35:39,239 --> 00:35:41,839 Speaker 2: and we're thirty four, thirty five or whatever it was. Yes, 803 00:35:42,400 --> 00:35:46,680 Speaker 2: that I don't remember that being such a references. 804 00:35:45,600 --> 00:35:49,640 Speaker 1: A reference because back at this time we were considered old. Right, 805 00:35:49,960 --> 00:35:52,879 Speaker 1: we just really laugh out loud, funny. I mean, we're 806 00:35:52,920 --> 00:35:55,000 Speaker 1: thirty three and we're talking about. 807 00:35:56,560 --> 00:35:58,320 Speaker 2: That's what sort of like society conditions. 808 00:36:00,480 --> 00:36:02,959 Speaker 1: We weren't wrong, we were wrong. That was very true. 809 00:36:02,960 --> 00:36:04,640 Speaker 1: For us back then. Yeah, but that's partly why we 810 00:36:04,680 --> 00:36:06,960 Speaker 1: talk about it so much. YEA, Like now, I don't 811 00:36:07,000 --> 00:36:09,719 Speaker 1: think anyone frowns on anybody getting braces at any age. 812 00:36:09,880 --> 00:36:11,919 Speaker 2: No, And it's also a lot more common. 813 00:36:12,160 --> 00:36:14,239 Speaker 1: More common, right, like tremendously more. 814 00:36:14,480 --> 00:36:17,160 Speaker 2: Actually, when I see adults with braces, I'm like, you 815 00:36:17,200 --> 00:36:19,640 Speaker 2: don't have a fear of commitment, you know, like I 816 00:36:19,880 --> 00:36:21,480 Speaker 2: just gonna be good for you. Like I feel like 817 00:36:21,480 --> 00:36:23,120 Speaker 2: if someone to me said you need braces now and 818 00:36:23,239 --> 00:36:25,480 Speaker 2: be like, I just don't know, Like I think I'm 819 00:36:25,520 --> 00:36:29,440 Speaker 2: just gonna yeah. I like that seems like a lot 820 00:36:29,480 --> 00:36:32,400 Speaker 2: of commitment, like when to commitment. 821 00:36:32,400 --> 00:36:34,319 Speaker 1: My daughter has braces. It's a lot of commitment. I 822 00:36:34,400 --> 00:36:37,800 Speaker 1: love her orthodontist, thank goodness. We look forward to seeing 823 00:36:37,800 --> 00:36:41,360 Speaker 1: doctor esther. But it is a lot of commitment. 824 00:36:41,640 --> 00:36:43,680 Speaker 2: And I feel like with the adults that do it, you're. 825 00:36:43,640 --> 00:36:46,439 Speaker 1: Oh, yeah, you know, you're making some time, you're making some. 826 00:36:46,400 --> 00:36:49,200 Speaker 2: Time, and yeah, and you're like that's self love, that's 827 00:36:49,560 --> 00:36:50,480 Speaker 2: like good, good for you. 828 00:36:51,120 --> 00:36:54,960 Speaker 1: I agree, totally. I agree, totally. So Carrie, Carrie does 829 00:36:55,040 --> 00:36:57,560 Speaker 1: discuss this young man or whatever. I don't know if 830 00:36:57,560 --> 00:36:59,520 Speaker 1: he's younger. I mean, I did not feel like he 831 00:36:59,600 --> 00:37:01,120 Speaker 1: was our age, though when I was watching it, I 832 00:37:01,160 --> 00:37:02,960 Speaker 1: felt like maybe he was late twenty, I was younger. 833 00:37:03,719 --> 00:37:05,960 Speaker 1: He just seems younger, I mean, but obviously he's living 834 00:37:05,960 --> 00:37:07,320 Speaker 1: with this would. 835 00:37:07,080 --> 00:37:11,960 Speaker 2: Have made references to his age being younger, Like if 836 00:37:11,960 --> 00:37:14,279 Speaker 2: they were discussing, like you're dating a guy who's they're like, yeah, 837 00:37:14,280 --> 00:37:16,279 Speaker 2: but he's younger, right, But I feel like there was 838 00:37:16,320 --> 00:37:17,680 Speaker 2: a sort of comparison of. 839 00:37:17,840 --> 00:37:20,640 Speaker 1: The point, yeah, we don't really say that, Yeah, we 840 00:37:20,640 --> 00:37:23,120 Speaker 1: don't really say that, but he does own his own shop, right, 841 00:37:23,160 --> 00:37:27,080 Speaker 1: so like he's a total you know you guys, this 842 00:37:27,200 --> 00:37:28,960 Speaker 1: is so much fun that we're going to have to 843 00:37:29,000 --> 00:37:31,040 Speaker 1: have a part two, so join us later in the 844 00:37:31,040 --> 00:37:36,040 Speaker 1: week on Are You as Charlotte