1 00:00:01,360 --> 00:00:05,320 Speaker 1: You're listening to Jojasua now with me Joja Ciua, an 2 00:00:05,360 --> 00:00:09,800 Speaker 1: iHeartRadio podcast. Welcome back to joonas here now. I hope 3 00:00:09,800 --> 00:00:12,920 Speaker 1: you all have been having an incredible July. I have 4 00:00:13,039 --> 00:00:17,360 Speaker 1: been having the July of a lifetime. Honestly, July twelfth, 5 00:00:17,400 --> 00:00:18,599 Speaker 1: I think was the best day of my life. That 6 00:00:18,680 --> 00:00:21,240 Speaker 1: is when my EP Guilty Pleasure came out with five 7 00:00:21,840 --> 00:00:24,760 Speaker 1: new songs. Honestly, I'm surprised that I remember the date 8 00:00:24,840 --> 00:00:27,320 Speaker 1: July twelfth. I all the time people will be like, 9 00:00:27,320 --> 00:00:29,080 Speaker 1: when did Karma come out? And I literally look down 10 00:00:29,120 --> 00:00:31,440 Speaker 1: because I have it on my hand tattooed four five, 11 00:00:31,440 --> 00:00:33,600 Speaker 1: twenty twenty four, and so then I will never forget 12 00:00:33,600 --> 00:00:35,479 Speaker 1: when Karma came out. I feel like I need to 13 00:00:35,479 --> 00:00:38,040 Speaker 1: get Guilty Pleasure tattooed the date of it. I have 14 00:00:38,120 --> 00:00:40,440 Speaker 1: my big old Teddy Bear tattooed. It's the Teddy Bear 15 00:00:40,440 --> 00:00:43,600 Speaker 1: with wings, with the goggles, with the construction visitors, a 16 00:00:43,680 --> 00:00:47,320 Speaker 1: whole thing on my arm. But I feel like I 17 00:00:47,320 --> 00:00:48,920 Speaker 1: I feel like I gotta get the date on that too, 18 00:00:49,000 --> 00:00:50,640 Speaker 1: just like a little song something. I also want to 19 00:00:50,640 --> 00:00:52,879 Speaker 1: get a new tattoo, like right around my elbow on 20 00:00:52,920 --> 00:00:55,040 Speaker 1: the front. I feel like, I gotta, like really keep 21 00:00:55,040 --> 00:00:57,279 Speaker 1: this sleeve going, but I don't know what I want. 22 00:00:57,360 --> 00:01:00,680 Speaker 1: If you have any tattoo suggestions, let me know. Anyways, 23 00:01:00,960 --> 00:01:03,160 Speaker 1: not the point of this podcast. The point of this 24 00:01:03,320 --> 00:01:07,959 Speaker 1: podcast is to talk about my golden goose egg, little 25 00:01:08,040 --> 00:01:12,800 Speaker 1: tiny baby, perfect project Karma. Now, if you don't know, 26 00:01:13,360 --> 00:01:16,040 Speaker 1: April fifth, Karma is the day that Karma came out, 27 00:01:16,080 --> 00:01:20,240 Speaker 1: and that day truly changed my life. I don't think 28 00:01:20,400 --> 00:01:23,920 Speaker 1: I necessarily expected Karma to do what it did. I 29 00:01:23,959 --> 00:01:28,240 Speaker 1: mean it, it exploded, and it's unreal. It's unreal to 30 00:01:28,280 --> 00:01:32,240 Speaker 1: see the response of Karma versus Guilty Pleasure, and I 31 00:01:33,360 --> 00:01:35,800 Speaker 1: honestly enjoy it. I said, when Guilty Pleasure was coming out, 32 00:01:35,800 --> 00:01:38,080 Speaker 1: everyone was like, what are your expectations? What are your 33 00:01:38,120 --> 00:01:39,640 Speaker 1: number of expectations? And I was like, well, the thing 34 00:01:39,720 --> 00:01:41,920 Speaker 1: is is I was like, everyone, of course is going 35 00:01:42,000 --> 00:01:45,160 Speaker 1: to compare it to Karma, right, But Karma was so 36 00:01:45,319 --> 00:01:48,240 Speaker 1: much more than just a music drop. Karma was a 37 00:01:48,280 --> 00:01:51,960 Speaker 1: full career shift and it was such a big play 38 00:01:52,040 --> 00:01:55,760 Speaker 1: and I I'm truly, so so so proud of that 39 00:01:55,840 --> 00:01:59,600 Speaker 1: big play, but it was it was wild. It's wild 40 00:01:59,600 --> 00:02:02,200 Speaker 1: for me to look back and think about because I'm like, man, 41 00:02:02,760 --> 00:02:04,840 Speaker 1: I knew what I was getting myself into, but I 42 00:02:04,840 --> 00:02:08,440 Speaker 1: don't think I really knew what I was getting myself into. 43 00:02:08,560 --> 00:02:12,480 Speaker 1: I mean it was. It truly has become a piece 44 00:02:12,520 --> 00:02:15,359 Speaker 1: of my life history and is one of the most 45 00:02:15,360 --> 00:02:17,840 Speaker 1: significant moments in my career. Is the day that Karma 46 00:02:17,880 --> 00:02:20,680 Speaker 1: came out. Anyways, today I want to take a trip 47 00:02:20,680 --> 00:02:22,919 Speaker 1: down memory lane and I want to talk about five 48 00:02:23,000 --> 00:02:26,320 Speaker 1: things about Karma that you don't know are hidden, are 49 00:02:26,360 --> 00:02:29,040 Speaker 1: things that I've kept secret or I mean I got 50 00:02:29,040 --> 00:02:30,760 Speaker 1: I got a whole list of things. I got five 51 00:02:30,800 --> 00:02:32,880 Speaker 1: different things, some about the song, some about the video, 52 00:02:33,120 --> 00:02:36,840 Speaker 1: and I think we should just freaking get right into it. 53 00:02:36,960 --> 00:02:41,399 Speaker 1: So Karma. There's been a lot of controversy here surrounding 54 00:02:41,440 --> 00:02:44,560 Speaker 1: this song, and one of the things that I would 55 00:02:44,639 --> 00:02:50,040 Speaker 1: love to clear up and say very straightforward, I did 56 00:02:50,200 --> 00:02:53,400 Speaker 1: not write Karma. This is not a song that I wrote. 57 00:02:53,800 --> 00:02:56,480 Speaker 1: It is my song, but it is not a song 58 00:02:56,520 --> 00:02:59,320 Speaker 1: that I wrote. Now, the thing is, you can own 59 00:02:59,320 --> 00:03:01,480 Speaker 1: a song without writing it. And a lot of people 60 00:03:01,520 --> 00:03:05,720 Speaker 1: right now coming at me you steal your songs? Yeah, 61 00:03:06,160 --> 00:03:10,120 Speaker 1: can it? With all my might? That is the most 62 00:03:10,200 --> 00:03:12,120 Speaker 1: wild concept to me and me and all my industry 63 00:03:12,200 --> 00:03:14,680 Speaker 1: friends look at those comments. I mean, we actually like 64 00:03:14,960 --> 00:03:17,760 Speaker 1: laugh because it's just so funny. No one, no one 65 00:03:17,800 --> 00:03:20,600 Speaker 1: truly understands how it works. And that's totally okay. But 66 00:03:21,760 --> 00:03:26,120 Speaker 1: Karma was actually wrote twelve years ago for an artist, 67 00:03:26,240 --> 00:03:29,560 Speaker 1: and this artist is a very very well known artist 68 00:03:30,120 --> 00:03:33,520 Speaker 1: and was a part of the writing it. This person 69 00:03:33,720 --> 00:03:35,520 Speaker 1: who was very very well known didn't want their name 70 00:03:35,560 --> 00:03:38,600 Speaker 1: attached to it because they wanted me to have my 71 00:03:38,680 --> 00:03:41,400 Speaker 1: own moment. And at first I questioned, like if that 72 00:03:41,480 --> 00:03:42,880 Speaker 1: truly was the reason they didn't want to have their 73 00:03:42,960 --> 00:03:45,560 Speaker 1: name attached to it, and it truly was, and I 74 00:03:45,560 --> 00:03:47,800 Speaker 1: we had a great conversation about it, and I'm very 75 00:03:48,120 --> 00:03:50,840 Speaker 1: very grateful for that because it would have it would 76 00:03:50,880 --> 00:03:53,240 Speaker 1: have shifted the narrative of the song and of the 77 00:03:53,240 --> 00:03:55,800 Speaker 1: moment of the career shift. And so for that, I 78 00:03:55,840 --> 00:03:59,720 Speaker 1: am so grateful. And I'm just I'm I'm just I 79 00:03:59,840 --> 00:04:02,800 Speaker 1: just I wish I wish I could say, but I 80 00:04:02,840 --> 00:04:06,960 Speaker 1: can't say. But it's really freaking cool how this song 81 00:04:07,040 --> 00:04:10,720 Speaker 1: came to be, the era of life and world for 82 00:04:10,960 --> 00:04:13,160 Speaker 1: this person that was originally wrote for it came to be, 83 00:04:13,320 --> 00:04:15,720 Speaker 1: and then how it fell into my lap is truly 84 00:04:15,760 --> 00:04:20,440 Speaker 1: amazing and then you know, obviously people on the internet, 85 00:04:20,560 --> 00:04:23,600 Speaker 1: there was another person that recorded a version of Karma 86 00:04:23,640 --> 00:04:26,720 Speaker 1: after the very very original there's another person and this 87 00:04:26,839 --> 00:04:29,279 Speaker 1: another person recorded it and never released it, did film 88 00:04:29,320 --> 00:04:31,520 Speaker 1: a video for it, but never released it. All of 89 00:04:31,560 --> 00:04:34,479 Speaker 1: a sudden, I release Karma, and all of a sudden, 90 00:04:34,520 --> 00:04:37,440 Speaker 1: there's another girl that is like, this is mine? What 91 00:04:38,600 --> 00:04:41,800 Speaker 1: where did you come from? This is mine? And so 92 00:04:42,400 --> 00:04:45,160 Speaker 1: even though she did it first, I guess it was 93 00:04:45,240 --> 00:04:47,840 Speaker 1: not hers, she never rightfully owned it. And it is 94 00:04:47,880 --> 00:04:50,040 Speaker 1: something that I wanted to rightfully own and so I 95 00:04:50,080 --> 00:04:52,599 Speaker 1: do rightfully own and so that was a big thing. 96 00:04:52,680 --> 00:04:54,919 Speaker 1: And then there's controversy of who wrote it. And the 97 00:04:55,080 --> 00:04:58,760 Speaker 1: truth is the writers on the song are this team 98 00:04:58,760 --> 00:05:01,320 Speaker 1: called rock Mafia. Now you know rock Mafia. You've heard 99 00:05:01,320 --> 00:05:03,000 Speaker 1: them in some of your favorite songs. Can't Attended by 100 00:05:03,120 --> 00:05:06,560 Speaker 1: Miley Syres and it says rock Mafia. There's a bunch 101 00:05:06,560 --> 00:05:09,440 Speaker 1: of Selena songs, I say rock Mafia. You can hear 102 00:05:09,480 --> 00:05:12,359 Speaker 1: their little added thing out of producer tag in so 103 00:05:12,520 --> 00:05:15,240 Speaker 1: many songs. Another fun thing that's fun is if you 104 00:05:15,560 --> 00:05:17,400 Speaker 1: look at the Descendants track that just came out, and 105 00:05:17,440 --> 00:05:20,880 Speaker 1: you know the song off with their Heads lead read 106 00:05:21,240 --> 00:05:24,240 Speaker 1: read read they did that song as well. They've done 107 00:05:24,240 --> 00:05:27,400 Speaker 1: a ton of my songs. They've done my song yesterday smiles. 108 00:05:27,480 --> 00:05:30,800 Speaker 1: Today they did this song. Obviously, they did Karma, and 109 00:05:30,839 --> 00:05:34,839 Speaker 1: they've done oh my god. We have done five other 110 00:05:34,880 --> 00:05:37,920 Speaker 1: songs together. We've done so much together that are just 111 00:05:38,000 --> 00:05:41,479 Speaker 1: not out yet. Anyways. I remember the first time they 112 00:05:41,520 --> 00:05:43,880 Speaker 1: ever played me Karma. And the girl's name is Antonina, 113 00:05:43,920 --> 00:05:46,960 Speaker 1: and Antonina is a freaking magician in the music world. 114 00:05:47,000 --> 00:05:49,440 Speaker 1: She is unreal. She's a genius and I love her 115 00:05:49,480 --> 00:05:52,680 Speaker 1: with all my heart. First day that I ever recorded 116 00:05:52,839 --> 00:05:54,600 Speaker 1: with her was for a total different song. It was 117 00:05:54,640 --> 00:05:57,080 Speaker 1: a sad love song and it was really hard, was 118 00:05:57,080 --> 00:05:59,000 Speaker 1: really emotionally draining, and I was like, I don't think 119 00:05:59,080 --> 00:06:01,279 Speaker 1: I can come back to this, like now I associated 120 00:06:01,279 --> 00:06:04,080 Speaker 1: with all these crazy memories, like this is wild. And 121 00:06:04,120 --> 00:06:06,720 Speaker 1: then as I'm leaving, she was like, I have a 122 00:06:06,760 --> 00:06:09,560 Speaker 1: song that I like think might fit your vibe and 123 00:06:09,600 --> 00:06:11,839 Speaker 1: she played me Karma and she played me the original 124 00:06:11,839 --> 00:06:14,679 Speaker 1: original demo of this person who I freaking loves voice 125 00:06:14,680 --> 00:06:17,440 Speaker 1: on it, and I was like, holy cow, like yes, 126 00:06:17,480 --> 00:06:19,240 Speaker 1: I want a song like this, like I would love this, 127 00:06:19,360 --> 00:06:20,560 Speaker 1: like you can make this and she was like well, 128 00:06:20,560 --> 00:06:22,960 Speaker 1: actually I did make this. She was like and like, 129 00:06:23,040 --> 00:06:25,520 Speaker 1: it's never been out, like, do you want to put 130 00:06:25,560 --> 00:06:27,320 Speaker 1: your voice on it? And scene? So I was like, yes, 131 00:06:27,520 --> 00:06:29,599 Speaker 1: let's schedule a day, let's do it. So then I 132 00:06:29,640 --> 00:06:32,799 Speaker 1: recorded Karma. I recorded a couple different versions of Karma 133 00:06:32,800 --> 00:06:35,240 Speaker 1: because I wasn't ready to say I was a bad girl. 134 00:06:35,440 --> 00:06:37,560 Speaker 1: I was not there yet in life. So I was like, 135 00:06:37,600 --> 00:06:39,600 Speaker 1: you know what, let's say she was a bad girl. 136 00:06:39,680 --> 00:06:41,960 Speaker 1: Let's say you were a bad girl. And so we 137 00:06:41,960 --> 00:06:44,040 Speaker 1: we recorded it in a lot of different ways, and 138 00:06:44,080 --> 00:06:46,600 Speaker 1: then two years later, when it was finally time for 139 00:06:46,680 --> 00:06:48,200 Speaker 1: it to be released, we had all these versions and 140 00:06:48,240 --> 00:06:50,360 Speaker 1: I was like, you know what, I was a bad 141 00:06:50,360 --> 00:06:53,680 Speaker 1: girl is the winner. It is strong, it is powerful, 142 00:06:53,760 --> 00:06:57,120 Speaker 1: and that will make a statement, and it sure as 143 00:06:57,160 --> 00:06:59,120 Speaker 1: hell did. I think that's one of the biggest things 144 00:06:59,200 --> 00:07:01,000 Speaker 1: right now for me with my career, everything is about 145 00:07:01,040 --> 00:07:02,960 Speaker 1: making a statement. Whether that be a good statement, a 146 00:07:03,000 --> 00:07:05,520 Speaker 1: bad statement, a positive stavement, a negative statement. Let's just 147 00:07:05,839 --> 00:07:09,760 Speaker 1: make a statement. It doesn't matter anyways. That is my 148 00:07:09,840 --> 00:07:15,040 Speaker 1: story on writing Karma, which I did not do, but 149 00:07:15,120 --> 00:07:17,760 Speaker 1: the amazing team of Rock Mafia did. The second thing 150 00:07:17,760 --> 00:07:19,360 Speaker 1: that I want to talk about is actually the Karma 151 00:07:19,480 --> 00:07:23,000 Speaker 1: music video. So the only music video that I've ever 152 00:07:23,040 --> 00:07:25,160 Speaker 1: done prior to Karma that was a two day music 153 00:07:25,240 --> 00:07:27,400 Speaker 1: video shoot was for my song High Top Shoes. Back 154 00:07:27,440 --> 00:07:29,480 Speaker 1: of the Day. Everything else was only a one day. 155 00:07:29,520 --> 00:07:31,760 Speaker 1: Boomerang was one day, Knagaanster one day, Hold the Drama 156 00:07:31,800 --> 00:07:35,320 Speaker 1: one day, Every music video was one day. However, High 157 00:07:35,320 --> 00:07:37,800 Speaker 1: Top Shoes was a double double day music video shoot 158 00:07:37,800 --> 00:07:40,240 Speaker 1: and we did it over my birthday. It was so 159 00:07:40,360 --> 00:07:42,200 Speaker 1: much fun. I got to have my best friends in it. 160 00:07:42,200 --> 00:07:47,440 Speaker 1: It was a blast. Also, something crazy that's really random 161 00:07:47,520 --> 00:07:50,400 Speaker 1: right now is because Kelly Sweeney's dance is going viral 162 00:07:50,480 --> 00:07:52,000 Speaker 1: right now. She's the one and I just talked about 163 00:07:52,000 --> 00:07:54,840 Speaker 1: it doing the red Dance from Descendants because she's like 164 00:07:54,920 --> 00:07:58,040 Speaker 1: been going so viral and she's been social media. She's 165 00:07:58,080 --> 00:08:00,520 Speaker 1: crushing it on social media. Her dances crush it, like 166 00:08:00,560 --> 00:08:03,440 Speaker 1: all of it. It's so fun to me because I 167 00:08:03,640 --> 00:08:07,120 Speaker 1: remember Kelly was actually a dancer of mine for years 168 00:08:07,360 --> 00:08:10,000 Speaker 1: and and she did so much with me. But High 169 00:08:10,040 --> 00:08:11,880 Speaker 1: Top Shoes music video was one that she was in. 170 00:08:11,920 --> 00:08:13,640 Speaker 1: She was in the High Top Shoes music video and 171 00:08:13,720 --> 00:08:17,120 Speaker 1: like we were twelve and like I anyways, it's just 172 00:08:17,160 --> 00:08:19,000 Speaker 1: it's fun to see how everyone's growing up and everyone's 173 00:08:19,040 --> 00:08:21,239 Speaker 1: path that they're taking, and it's fun to see people 174 00:08:21,280 --> 00:08:23,480 Speaker 1: that you know be successful. And it makes me really 175 00:08:23,520 --> 00:08:26,640 Speaker 1: happy whenever I see people that I know be successful. Anyways, 176 00:08:26,720 --> 00:08:29,080 Speaker 1: back to the point. Point was music video Shoes two days. 177 00:08:29,120 --> 00:08:32,240 Speaker 1: So our first day was everything you see on the boat, 178 00:08:32,280 --> 00:08:34,680 Speaker 1: so everything in white, all of that, all the like 179 00:08:34,760 --> 00:08:38,239 Speaker 1: white costume, all of that, and then also when I'm underwater, 180 00:08:38,520 --> 00:08:39,880 Speaker 1: so it was everything we did in white. And then 181 00:08:39,880 --> 00:08:41,720 Speaker 1: there's also the stuff in the pool. So we actually 182 00:08:41,760 --> 00:08:45,080 Speaker 1: shot the pool stuff at my director's house. Oddly enough, 183 00:08:45,160 --> 00:08:51,559 Speaker 1: in his pool, it was freezing outside. Luckily the director 184 00:08:51,600 --> 00:08:53,840 Speaker 1: had heated as pool. He heated it to ninety for me, 185 00:08:53,880 --> 00:08:56,679 Speaker 1: so it was like a hot tub, but outside it 186 00:08:56,760 --> 00:09:00,880 Speaker 1: was like hypothermic cold, Like it was so cool outside. 187 00:09:00,880 --> 00:09:02,839 Speaker 1: But I mean, it was so fun. And then our 188 00:09:02,920 --> 00:09:06,320 Speaker 1: second day, day two was our beast stuff. So anything 189 00:09:06,360 --> 00:09:08,240 Speaker 1: in the Black Beast costume, when I'm in the water, 190 00:09:08,600 --> 00:09:10,559 Speaker 1: when I'm in the tank, in the Black Beast costume, 191 00:09:10,720 --> 00:09:13,880 Speaker 1: everything on land, all of the Black Beast costume happened 192 00:09:14,000 --> 00:09:17,520 Speaker 1: on day two. And I arranged the shoot like that 193 00:09:17,600 --> 00:09:19,640 Speaker 1: because I knew I was gonna have more fun in 194 00:09:19,679 --> 00:09:22,000 Speaker 1: the Black Beast costume, because don't get me wrong, Like 195 00:09:22,440 --> 00:09:26,120 Speaker 1: I like looking cool, I like looking girly and pretty whatever, 196 00:09:26,160 --> 00:09:29,280 Speaker 1: but I like to look like radical and freaking epic 197 00:09:29,360 --> 00:09:31,680 Speaker 1: and like wild. And so when I knew what I 198 00:09:31,679 --> 00:09:33,240 Speaker 1: was gonna get to be in that Black Beast look, 199 00:09:33,280 --> 00:09:35,760 Speaker 1: that I was really gonna like it. So we saved 200 00:09:35,800 --> 00:09:38,800 Speaker 1: that for day two, and boy, oh boy, was I right. 201 00:09:38,880 --> 00:09:42,840 Speaker 1: That was so much freaking fun. The water that we 202 00:09:42,960 --> 00:09:46,160 Speaker 1: used in the tank on the day of the Black 203 00:09:46,200 --> 00:09:50,640 Speaker 1: Beast shoot was freezzing. It was only about you see us, 204 00:09:50,640 --> 00:09:53,160 Speaker 1: like how we're like dancing in the ocean that was 205 00:09:53,160 --> 00:09:55,520 Speaker 1: really only about two inches deep of water, maybe even 206 00:09:55,559 --> 00:09:57,360 Speaker 1: an inch and a half deep. And I mean, the 207 00:09:57,400 --> 00:10:01,800 Speaker 1: special effects team on my music videos is absolutely crazy. 208 00:10:01,840 --> 00:10:03,720 Speaker 1: The fact that they literally make it look like we 209 00:10:03,800 --> 00:10:06,240 Speaker 1: are on an island when we were in a set 210 00:10:06,280 --> 00:10:09,880 Speaker 1: in the middle of oh gosh, see me Valley somewhere 211 00:10:09,920 --> 00:10:16,000 Speaker 1: like crazy. They're freaking brilliant, and it's fascinating to get 212 00:10:16,000 --> 00:10:18,480 Speaker 1: to be a part of. It's so weird because it 213 00:10:18,520 --> 00:10:20,400 Speaker 1: feels like like we're creeping up on the one year 214 00:10:20,440 --> 00:10:24,160 Speaker 1: anniversary of filming Karma. It feels like I just got 215 00:10:24,160 --> 00:10:27,120 Speaker 1: home from that video shoot yesterday, and like that makes 216 00:10:27,200 --> 00:10:29,640 Speaker 1: me feel so excited for the future. Like I'm literally 217 00:10:29,640 --> 00:10:31,760 Speaker 1: gonna feel like I have kids tomorrow and that's crazy. 218 00:10:31,800 --> 00:10:34,160 Speaker 1: I love how that's when my brain goes having kids 219 00:10:34,280 --> 00:10:38,920 Speaker 1: and users the last thing on that day of the 220 00:10:39,000 --> 00:10:41,760 Speaker 1: music video, I remember we went so far over time, 221 00:10:42,360 --> 00:10:45,240 Speaker 1: and because I'm the one who pays for all my 222 00:10:45,320 --> 00:10:48,120 Speaker 1: music videos, so they're my projects, they're my babies, and 223 00:10:48,200 --> 00:10:50,959 Speaker 1: I invest everything in them, and I am responsible for 224 00:10:51,000 --> 00:10:53,760 Speaker 1: the financials and I love that because then it's it's 225 00:10:53,800 --> 00:10:56,640 Speaker 1: my set, you know what I mean, And so paying 226 00:10:56,679 --> 00:10:59,400 Speaker 1: for it that means I also if we go over time, 227 00:10:59,640 --> 00:11:02,120 Speaker 1: I am paying for it. And overtime is a lot 228 00:11:02,120 --> 00:11:05,880 Speaker 1: of money per minute. It is wild how it works. Uh, 229 00:11:06,000 --> 00:11:08,440 Speaker 1: But we were going overtime on Karma, and I just 230 00:11:08,520 --> 00:11:11,920 Speaker 1: kept joking with the director. I was like, well, guys, 231 00:11:11,960 --> 00:11:15,280 Speaker 1: everyone's getting over time tonight because we're not done. And 232 00:11:16,000 --> 00:11:17,400 Speaker 1: he told me, he was like, we can end now, 233 00:11:17,440 --> 00:11:19,240 Speaker 1: but like we don't have everything we need, Like it's 234 00:11:19,320 --> 00:11:20,959 Speaker 1: up to you. I told him. I was like, we're 235 00:11:20,960 --> 00:11:22,520 Speaker 1: not gonna we made it this far, Like we're not 236 00:11:22,559 --> 00:11:24,480 Speaker 1: gonna havel ass. The last bit now, like we were 237 00:11:24,480 --> 00:11:27,880 Speaker 1: gonna eliminate the shot of me coming out of the water. 238 00:11:28,040 --> 00:11:30,640 Speaker 1: So the shot that like you see me rise out 239 00:11:30,640 --> 00:11:32,319 Speaker 1: of the water, that's the shot where we're gonna have 240 00:11:32,360 --> 00:11:34,520 Speaker 1: to eliminate. And I was like absolutely not, like we 241 00:11:34,520 --> 00:11:37,120 Speaker 1: we have to have that, and thank god we did, 242 00:11:37,120 --> 00:11:38,800 Speaker 1: because that is one of the things that like the 243 00:11:38,840 --> 00:11:43,000 Speaker 1: Internet was like WHOA, what is this? And I mean, 244 00:11:43,000 --> 00:11:45,599 Speaker 1: I'm so grateful for that. Now. The next thing that 245 00:11:45,600 --> 00:11:46,679 Speaker 1: I want to talk about is kind of in the 246 00:11:46,679 --> 00:11:49,640 Speaker 1: same context but a little different. The crew on Karma. 247 00:11:49,800 --> 00:11:53,600 Speaker 1: There was over ninety people working on this project of 248 00:11:53,760 --> 00:11:56,760 Speaker 1: the Karma music video, which is crazy when you think 249 00:11:56,800 --> 00:12:00,160 Speaker 1: about it. Honestly, I actually there might even be over 250 00:12:00,200 --> 00:12:02,120 Speaker 1: one hundred because we counted ninety, but we only count 251 00:12:02,160 --> 00:12:04,520 Speaker 1: a crew. We didn't count dancers, and so it was 252 00:12:04,559 --> 00:12:07,000 Speaker 1: a little over ninety with crew, but dancers. There was 253 00:12:08,400 --> 00:12:10,440 Speaker 1: six dancers, There was the people on the boat, so 254 00:12:10,480 --> 00:12:12,680 Speaker 1: there was well over one hundred because on the boat 255 00:12:12,679 --> 00:12:15,320 Speaker 1: for extras, I think we had twenty extras plus the 256 00:12:15,360 --> 00:12:18,400 Speaker 1: six dancers plus the two girls, So well over one 257 00:12:18,440 --> 00:12:22,520 Speaker 1: hundred people working on the Karma music video. And truly 258 00:12:22,760 --> 00:12:25,280 Speaker 1: some of the crew, I mean I I've worked with 259 00:12:25,280 --> 00:12:26,520 Speaker 1: some of the crew for years. Of course, we had 260 00:12:26,520 --> 00:12:29,560 Speaker 1: my choreographer Richie, who I've worked with since I was nine. 261 00:12:29,559 --> 00:12:31,160 Speaker 1: On my first TV show he was a judge, but 262 00:12:31,200 --> 00:12:33,160 Speaker 1: then he started working with me on my career when 263 00:12:33,160 --> 00:12:36,040 Speaker 1: I was fourteen, So we have been together now for 264 00:12:36,120 --> 00:12:38,880 Speaker 1: seven years, which is just crazy. He does all my 265 00:12:38,960 --> 00:12:42,160 Speaker 1: music videos, all my live performances, everything. He's a brilliant 266 00:12:42,520 --> 00:12:45,320 Speaker 1: choreographer and creative director. He's brilliant. He's done Gaga for 267 00:12:45,360 --> 00:12:47,679 Speaker 1: the last decades like he's looking genius and I love 268 00:12:47,679 --> 00:12:49,920 Speaker 1: that man with all my heart. The music video director, 269 00:12:49,960 --> 00:12:52,880 Speaker 1: his name is Mark Klassfield. Mark has done all of 270 00:12:52,880 --> 00:12:55,720 Speaker 1: my music videos also since I was fourteen. Oh my gosh, wait, 271 00:12:56,240 --> 00:12:58,880 Speaker 1: that's so cute. Ritchie and Mark actually started with me 272 00:12:59,000 --> 00:13:01,320 Speaker 1: at the same time on the same video. They both 273 00:13:01,360 --> 00:13:04,720 Speaker 1: did Dear Eam as their first jojo project. That's crazy. 274 00:13:04,760 --> 00:13:07,839 Speaker 1: I didn't even realize that. But Mark has done all 275 00:13:07,880 --> 00:13:11,120 Speaker 1: my music videos since then. He he is brilliant And 276 00:13:11,160 --> 00:13:13,280 Speaker 1: when it came time to Karma, he actually wasn't the 277 00:13:13,280 --> 00:13:15,760 Speaker 1: first person that we called. We talked with some other people, 278 00:13:16,240 --> 00:13:18,880 Speaker 1: branched out a little bit, had some suggestions from other people, 279 00:13:18,880 --> 00:13:20,120 Speaker 1: and then I was like, what about the guy that 280 00:13:20,240 --> 00:13:22,400 Speaker 1: used to do my music videos? Mark? Like why are 281 00:13:22,400 --> 00:13:24,040 Speaker 1: we not talking to him? And my mom was like, well, 282 00:13:24,120 --> 00:13:26,480 Speaker 1: let's take a call with him. And Mark was like, 283 00:13:26,640 --> 00:13:29,080 Speaker 1: I've been waiting for this one. Let's go. Because Mark 284 00:13:29,120 --> 00:13:31,400 Speaker 1: had done Britney Spears, he had done some carcass like 285 00:13:31,440 --> 00:13:34,600 Speaker 1: he he has done so much over the years, and 286 00:13:34,640 --> 00:13:37,400 Speaker 1: so he had been waiting. And I feel like Mark 287 00:13:37,520 --> 00:13:38,840 Speaker 1: was one of those people who worked with me when 288 00:13:38,880 --> 00:13:40,560 Speaker 1: I was a kid, so that way he could work 289 00:13:40,559 --> 00:13:43,720 Speaker 1: with me when I was adult. And I'm so grateful 290 00:13:43,760 --> 00:13:46,319 Speaker 1: for that because he is a freaking brilliant human being. 291 00:13:47,679 --> 00:13:51,600 Speaker 1: Kat the photographer on that set of Karma. She she 292 00:13:51,960 --> 00:13:54,840 Speaker 1: is a She has an eye like no other. She 293 00:13:55,000 --> 00:13:57,439 Speaker 1: was the first person that has kind of brought an 294 00:13:57,440 --> 00:13:59,319 Speaker 1: element to me that I was like, wait, you came 295 00:13:59,400 --> 00:14:01,559 Speaker 1: up with that and I and that's crazy. I don't 296 00:14:01,600 --> 00:14:03,960 Speaker 1: know so that could happen because I normally come up 297 00:14:04,000 --> 00:14:07,640 Speaker 1: with all my own ideas. But she is she Okay, 298 00:14:08,040 --> 00:14:11,920 Speaker 1: she does. She does all of Ariana Grande's photography. And 299 00:14:12,080 --> 00:14:13,720 Speaker 1: when I found that out and I was like, wait, 300 00:14:13,720 --> 00:14:15,560 Speaker 1: she wants to worry with me? What I was like 301 00:14:15,600 --> 00:14:18,920 Speaker 1: there's literally no freaking way, and she did, and I 302 00:14:19,960 --> 00:14:22,440 Speaker 1: am so grateful for that because she truly has an 303 00:14:22,520 --> 00:14:25,720 Speaker 1: eye for art that I have never seen anything like. 304 00:14:25,760 --> 00:14:28,480 Speaker 1: She is the most chill but the most chill vibes. 305 00:14:28,560 --> 00:14:30,360 Speaker 1: She is just like, yeah, dude, we can do whatever, 306 00:14:30,480 --> 00:14:32,160 Speaker 1: like we'll make it sick. All of a sudden, I 307 00:14:32,200 --> 00:14:34,640 Speaker 1: showed up at my studio the next day and there 308 00:14:34,720 --> 00:14:37,000 Speaker 1: was a full photo shoot set up, people with walkie talkings, 309 00:14:37,040 --> 00:14:38,280 Speaker 1: and I was like, you planned all this and she 310 00:14:38,360 --> 00:14:40,560 Speaker 1: was like, yes, my team. And I was like, you 311 00:14:40,800 --> 00:14:43,760 Speaker 1: are the coolest human being literally ever, and so like, yeah, 312 00:14:43,800 --> 00:14:45,920 Speaker 1: all the photo shoot ideas those are all hers. It 313 00:14:45,960 --> 00:14:47,440 Speaker 1: was like, just show up where you're costume, to your 314 00:14:47,440 --> 00:14:49,120 Speaker 1: hand makeup and we will be good. And I was like, 315 00:14:49,160 --> 00:14:54,640 Speaker 1: all right, trusting the process and it was beyond my expectations. 316 00:14:55,680 --> 00:14:57,680 Speaker 1: The last person that I just want to highlight on 317 00:14:57,760 --> 00:15:01,360 Speaker 1: the team is my makeup artist. Actually, so typically I 318 00:15:01,400 --> 00:15:03,840 Speaker 1: do all my own hair and makeup. Okay, that's a lie. 319 00:15:03,840 --> 00:15:05,680 Speaker 1: I don't do my own hair. Typically, I do all 320 00:15:05,680 --> 00:15:09,080 Speaker 1: my own makeup, But for the Karma music video, it 321 00:15:09,120 --> 00:15:11,320 Speaker 1: didn't really work out timing wise for me to be 322 00:15:11,360 --> 00:15:13,200 Speaker 1: able to do my own makeup because when I do 323 00:15:13,840 --> 00:15:16,680 Speaker 1: it has to go makeup and then hair, and so 324 00:15:16,720 --> 00:15:18,360 Speaker 1: we didn't really have enough time to do that, so 325 00:15:18,480 --> 00:15:20,520 Speaker 1: they had to be done at the same time. So 326 00:15:20,560 --> 00:15:22,720 Speaker 1: we're like, all right, let's hire a makeup artist. Makeup 327 00:15:22,760 --> 00:15:24,800 Speaker 1: artist that we hired. Her name is Caitlin and she 328 00:15:25,120 --> 00:15:29,360 Speaker 1: actually did my makeup on Abby's Ultimate Dance Competition when 329 00:15:29,360 --> 00:15:30,840 Speaker 1: I was nine years old. So she worked with me 330 00:15:30,880 --> 00:15:32,800 Speaker 1: on my first show, and she worked with me on 331 00:15:32,880 --> 00:15:36,520 Speaker 1: Karma and she is freaking awesome. She she has. She 332 00:15:36,640 --> 00:15:39,040 Speaker 1: brought so many brilliant ideas to the team. She is 333 00:15:39,080 --> 00:15:41,560 Speaker 1: a genius. She's so talented in her work. Oh my god. 334 00:15:41,560 --> 00:15:44,320 Speaker 1: I remember sitting there just being like, man, you're really 335 00:15:44,320 --> 00:15:47,000 Speaker 1: good at what you do. Oh my gosh. There was 336 00:15:47,040 --> 00:15:49,640 Speaker 1: a disaster though, when we did the beast makeup, right, 337 00:15:49,680 --> 00:15:51,680 Speaker 1: so you know how you have the beasties started to 338 00:15:51,720 --> 00:15:54,920 Speaker 1: splatter pait my face and you would have thought, I 339 00:15:55,120 --> 00:15:57,800 Speaker 1: like you would have thought, like the world was coming 340 00:15:57,800 --> 00:16:00,680 Speaker 1: crashing down on me. I was like, what are we doing? 341 00:16:00,920 --> 00:16:02,160 Speaker 1: And she was like what it looks cool and I 342 00:16:02,200 --> 00:16:05,280 Speaker 1: was like no, And thank god we ended up taking 343 00:16:05,280 --> 00:16:07,760 Speaker 1: it off because everything worked out the exact way it 344 00:16:07,760 --> 00:16:09,280 Speaker 1: was supposed to do. But it was just a very 345 00:16:09,320 --> 00:16:19,920 Speaker 1: funny set memory where I was like, ah, all right, 346 00:16:19,960 --> 00:16:22,960 Speaker 1: I got two more things for you. First one the 347 00:16:23,080 --> 00:16:25,840 Speaker 1: dance that you know as Karma dance with the shake 348 00:16:25,880 --> 00:16:29,000 Speaker 1: with the jolt, that was not the original step. I 349 00:16:29,320 --> 00:16:31,640 Speaker 1: just saw a video of me doing the Karma dance 350 00:16:31,680 --> 00:16:34,560 Speaker 1: in Karma rehearsals and I was like, wait a second, 351 00:16:35,160 --> 00:16:37,080 Speaker 1: this was the version that we did in the video. 352 00:16:37,160 --> 00:16:38,840 Speaker 1: And I sent it to my choreographer, Richie and I 353 00:16:38,840 --> 00:16:40,600 Speaker 1: was like, Richie, there's no way and he was like, yeah, Judge, 354 00:16:40,720 --> 00:16:43,480 Speaker 1: n that's how it started. And I was like, when 355 00:16:43,480 --> 00:16:45,280 Speaker 1: did a transition to what it is now? And he 356 00:16:45,360 --> 00:16:47,520 Speaker 1: was like, I have no idea, but I love it, 357 00:16:47,560 --> 00:16:49,400 Speaker 1: and like He's like, you took it and ran with it, 358 00:16:49,440 --> 00:16:53,160 Speaker 1: and it's it was just a very more tame version 359 00:16:53,280 --> 00:16:55,800 Speaker 1: than what it is now. But what it is now 360 00:16:55,920 --> 00:16:58,640 Speaker 1: is it freaking works, and I will take it. But 361 00:16:58,720 --> 00:17:03,240 Speaker 1: it's so funny for me to being like, damn, really 362 00:17:03,360 --> 00:17:05,399 Speaker 1: we really go real full out now, But if you 363 00:17:05,400 --> 00:17:08,480 Speaker 1: look at the original version that I have, it's not 364 00:17:08,680 --> 00:17:11,040 Speaker 1: that extreme. And I'm like, man, we look like we're 365 00:17:11,040 --> 00:17:13,119 Speaker 1: marking it. We look like we can breathe. This is 366 00:17:13,200 --> 00:17:16,919 Speaker 1: kind of crazy, all right. The last thing that I 367 00:17:16,960 --> 00:17:19,439 Speaker 1: want to talk about is the timing of when we 368 00:17:19,480 --> 00:17:21,639 Speaker 1: filmed Karma. So it was a little crazy, and by 369 00:17:21,680 --> 00:17:25,119 Speaker 1: a little crazy, I mean a lot crazy. So basically, 370 00:17:25,280 --> 00:17:29,600 Speaker 1: I went from Karma rehearsal, Karma rehearsal, Karma Video, Shoot, 371 00:17:29,640 --> 00:17:33,320 Speaker 1: Karma video, Shoot, Karma photo shoot, Dick Van Dyke rehearsal, 372 00:17:33,359 --> 00:17:35,679 Speaker 1: Dick Van Dyke rehearsal, Dick Van Dyke Rehearsal, Dick Van 373 00:17:35,720 --> 00:17:38,439 Speaker 1: Dyke Shoot Hawaii for my Mom's birthday. So it was 374 00:17:39,320 --> 00:17:43,000 Speaker 1: nine days in a row of back to back, NonStop. Now, 375 00:17:43,040 --> 00:17:45,639 Speaker 1: the reason why I wanted to bring this up is 376 00:17:45,680 --> 00:17:49,119 Speaker 1: because during the Karma filming, I had gotten a video 377 00:17:49,359 --> 00:17:52,280 Speaker 1: of the Dick Van Dyke Step in Time choreography that 378 00:17:52,359 --> 00:17:53,879 Speaker 1: I was going to be doing on the Dick Van 379 00:17:53,960 --> 00:17:58,800 Speaker 1: Dyke TV special. And now here's why I'm so excited 380 00:17:58,800 --> 00:18:01,879 Speaker 1: to talk about this because Step in Time, the number 381 00:18:01,880 --> 00:18:05,679 Speaker 1: that I did on the TV special, just got nominated 382 00:18:05,720 --> 00:18:11,800 Speaker 1: for a freaking Emmy for Outstanding Choreography, And that blows 383 00:18:12,119 --> 00:18:15,240 Speaker 1: my mind. I literally when I tell you, I was 384 00:18:15,280 --> 00:18:18,399 Speaker 1: on set of Karma running Step in Time, and everyone 385 00:18:18,440 --> 00:18:19,680 Speaker 1: was like Jojo, what are you doing? And I was like, 386 00:18:19,720 --> 00:18:21,359 Speaker 1: you don't understand. Like, I have this big TV special 387 00:18:21,400 --> 00:18:23,120 Speaker 1: that I'm doing is for Dick Van Dyke, He's gonna 388 00:18:23,160 --> 00:18:26,280 Speaker 1: be there. I'm performing step in Time, dancing, singing, like 389 00:18:26,680 --> 00:18:28,560 Speaker 1: I have to have this down, like I need to 390 00:18:28,600 --> 00:18:30,600 Speaker 1: learn it off the videos, Like yes, I have rehearsals, 391 00:18:30,600 --> 00:18:32,199 Speaker 1: but like I need to know more, like I need 392 00:18:32,240 --> 00:18:36,400 Speaker 1: to learn it so I go prepared. And long story short, 393 00:18:36,600 --> 00:18:38,320 Speaker 1: it was just really fun to see me in the 394 00:18:38,320 --> 00:18:42,359 Speaker 1: Black Beast costume practicing Step in Time. It was a 395 00:18:42,359 --> 00:18:45,720 Speaker 1: little whack, but yeah. Just got nominated for an Emmy 396 00:18:45,760 --> 00:18:50,720 Speaker 1: for Best Choreography. The choreographer Alison Folk. She is so brilliant. 397 00:18:50,760 --> 00:18:53,760 Speaker 1: She had such a vision for this choreography and such 398 00:18:53,800 --> 00:18:56,400 Speaker 1: a vision. I remember when I took the call initially 399 00:18:56,440 --> 00:18:58,800 Speaker 1: about doing the Dick Van Dyke special. There was no 400 00:18:58,960 --> 00:19:01,520 Speaker 1: talk of me actually dance. It was only me singing. 401 00:19:01,720 --> 00:19:03,320 Speaker 1: And I was like, wait a second. I was like, 402 00:19:03,320 --> 00:19:05,880 Speaker 1: you're talking like Dick Van Dyke and like step in Time, right, 403 00:19:06,359 --> 00:19:07,840 Speaker 1: and they were like yeah. And I was like, well, 404 00:19:07,840 --> 00:19:09,840 Speaker 1: I need a dance and they were like you know, 405 00:19:09,960 --> 00:19:11,439 Speaker 1: you're like you're the artist on it and I was like, 406 00:19:11,520 --> 00:19:14,719 Speaker 1: ro right, but like that's part of what I can do. 407 00:19:14,760 --> 00:19:16,840 Speaker 1: I was like, I can just stand there and sing. 408 00:19:16,840 --> 00:19:19,040 Speaker 1: But I was like, but let's like really dance and 409 00:19:19,040 --> 00:19:20,159 Speaker 1: they were like what do you mean? And I was like, 410 00:19:20,240 --> 00:19:22,400 Speaker 1: let let me dance, like give me the steps and 411 00:19:22,440 --> 00:19:24,199 Speaker 1: like let's make a big number out of it. And 412 00:19:24,200 --> 00:19:27,000 Speaker 1: I was like, also, I can tap. And I was like, 413 00:19:27,000 --> 00:19:28,400 Speaker 1: I think it'd be really cool to put a little 414 00:19:28,400 --> 00:19:31,399 Speaker 1: tap section in the Dick Van Dike Special. And they 415 00:19:31,400 --> 00:19:33,119 Speaker 1: were like, wait, like you would be down to do 416 00:19:33,160 --> 00:19:34,680 Speaker 1: all this and like down to really go in. And 417 00:19:34,720 --> 00:19:36,760 Speaker 1: I was like, please, please let me go all the 418 00:19:36,760 --> 00:19:39,600 Speaker 1: way in, and so I showed up to rehearsals, showed 419 00:19:39,680 --> 00:19:44,280 Speaker 1: up prepared it it. The videos of me doing Step 420 00:19:44,280 --> 00:19:47,200 Speaker 1: in Time in the Beast costume are just fascinating, and 421 00:19:47,240 --> 00:19:48,800 Speaker 1: so that's why I wanted to kind of talk about it, 422 00:19:48,880 --> 00:19:52,239 Speaker 1: cause the timing of everything and the way that it 423 00:19:52,280 --> 00:19:56,800 Speaker 1: was like the like two most extreme opposite projects happening 424 00:19:56,800 --> 00:19:59,080 Speaker 1: at once in my life. Like here I am Karma, 425 00:19:59,440 --> 00:20:03,600 Speaker 1: black bet like new jumping in water, like going crazy 426 00:20:03,640 --> 00:20:06,920 Speaker 1: I'm an adult now to like step in Time, Steffen Time, 427 00:20:07,040 --> 00:20:09,480 Speaker 1: Come on, Mighty, Step in Time, flop like a party, 428 00:20:09,680 --> 00:20:13,440 Speaker 1: like the context blew my mind. I remember posting on 429 00:20:13,560 --> 00:20:17,560 Speaker 1: my close friend's story like today and yesterday. The difference 430 00:20:18,119 --> 00:20:21,239 Speaker 1: was crazy. But I loved both projects. And I am 431 00:20:21,480 --> 00:20:24,600 Speaker 1: so honored that I was able to bring Allison's choreography 432 00:20:24,680 --> 00:20:27,439 Speaker 1: to life, the production and producer and Dick Van Dyke's 433 00:20:27,480 --> 00:20:30,200 Speaker 1: vision to life. I mean to have them trust me 434 00:20:30,320 --> 00:20:32,680 Speaker 1: to let me be on that stage performing that number, 435 00:20:32,800 --> 00:20:35,280 Speaker 1: and that's the one that got nominated for the Emmy 436 00:20:35,840 --> 00:20:39,119 Speaker 1: is actually crazy and and mind blowing, and I am 437 00:20:39,359 --> 00:20:43,760 Speaker 1: just I'm so grateful. Anyone from the Academy, if you're 438 00:20:43,760 --> 00:20:45,520 Speaker 1: listening to this, please vote for step in Time to 439 00:20:45,560 --> 00:20:48,840 Speaker 1: win that Choreography Emmy. Allison deserves it, Dick Van Dyke, 440 00:20:48,920 --> 00:20:52,639 Speaker 1: everyone on the team deserves it. But either way, I 441 00:20:52,720 --> 00:20:55,320 Speaker 1: can't wait. I'm just I'm just so grateful. What a 442 00:20:55,400 --> 00:20:57,680 Speaker 1: freaking life it is, right, What a life I have? 443 00:20:57,840 --> 00:21:00,399 Speaker 1: What a life we all have? This It's like, if 444 00:21:00,400 --> 00:21:03,240 Speaker 1: I can give you all any advice. Time goes fast, 445 00:21:03,280 --> 00:21:05,520 Speaker 1: which is why I actually wrote the song Yesterday's tomorrows today, 446 00:21:05,560 --> 00:21:09,439 Speaker 1: because our time is borrowed and it's moving crazy fast. 447 00:21:10,040 --> 00:21:13,359 Speaker 1: Every tomorrow is the day we won't get back. I mean, 448 00:21:13,440 --> 00:21:18,760 Speaker 1: come on, those lyrics are so accurate and that's why 449 00:21:18,840 --> 00:21:20,720 Speaker 1: that song is one of my favorites. That song I 450 00:21:20,880 --> 00:21:23,639 Speaker 1: had for an idea for since I was fourteen, so 451 00:21:23,800 --> 00:21:26,160 Speaker 1: seven years now, and that is one of the songs 452 00:21:26,240 --> 00:21:28,840 Speaker 1: on my new EP, Guilty Pleasure. You can stream it now. 453 00:21:29,520 --> 00:21:31,720 Speaker 1: Everywhere you listen to music, you got choose your Fighter, 454 00:21:31,960 --> 00:21:37,200 Speaker 1: Balance Baby, Guilty Pleasure, Karma, and Yesterday's Tomorrows. Today. Man, 455 00:21:37,280 --> 00:21:38,760 Speaker 1: all I have to do is remember five songs, and 456 00:21:38,840 --> 00:21:42,040 Speaker 1: sometimes I forget about them. I love you all so much. 457 00:21:42,160 --> 00:21:43,960 Speaker 1: Thank you for listening to Josuo. Now make sure if 458 00:21:43,960 --> 00:21:46,400 Speaker 1: you haven't already obviously now I've told you everything about 459 00:21:46,400 --> 00:21:48,040 Speaker 1: the Karma music video, so go check out the Karma 460 00:21:48,119 --> 00:21:49,959 Speaker 1: music video. But I also did just release my new 461 00:21:50,040 --> 00:21:52,440 Speaker 1: music video for my song Guilty Pleasure. You can check 462 00:21:52,520 --> 00:21:55,000 Speaker 1: that out. Go to my YouTube search jojos a Karma, 463 00:21:55,080 --> 00:21:57,160 Speaker 1: search jojas you a Guilty Pleasure, or just search Jojo 464 00:21:57,240 --> 00:21:59,679 Speaker 1: See what it will all come up stream a new 465 00:21:59,760 --> 00:22:02,240 Speaker 1: music on my new EP, Guilty Pleasure, all five of 466 00:22:02,320 --> 00:22:04,399 Speaker 1: those new songs. Everywhere you listen to music, let me 467 00:22:04,480 --> 00:22:06,320 Speaker 1: know what you think. Really curious what your favorite is? 468 00:22:06,400 --> 00:22:08,000 Speaker 1: Let me know your favorite and that makes you come 469 00:22:08,080 --> 00:22:10,040 Speaker 1: back every single time I post a new podcast, so 470 00:22:10,160 --> 00:22:13,200 Speaker 1: you never miss out. I love y'all. Clyde loves y'all. 471 00:22:13,280 --> 00:22:15,840 Speaker 1: He's calm now he's sleeping. I love y'all and I 472 00:22:15,840 --> 00:22:19,639 Speaker 1: will see you guys next time. Be out. Thank you 473 00:22:19,840 --> 00:22:22,439 Speaker 1: so much for listening, everybody. Be sure to follow us 474 00:22:22,520 --> 00:22:26,320 Speaker 1: on Instagram and TikTok at Jojosa Now Podcast. Be sure 475 00:22:26,359 --> 00:22:28,560 Speaker 1: to write us a review and maybe, if you're feeling 476 00:22:28,600 --> 00:22:31,080 Speaker 1: to leave us five stars. I'll see you next week.