1 00:00:00,160 --> 00:00:03,280 Speaker 1: Hello, and welcome back to Movie Mix Movie Podcast, your 2 00:00:03,279 --> 00:00:05,680 Speaker 1: go to source for all things movies. I am your 3 00:00:05,680 --> 00:00:08,639 Speaker 1: host Movie Mike a k A. Mike d a k A, 4 00:00:08,800 --> 00:00:13,000 Speaker 1: Mike Destro a k A. Your favorite film enthusiast at 5 00:00:13,080 --> 00:00:15,200 Speaker 1: least I hope, And today I want to break down 6 00:00:15,200 --> 00:00:18,759 Speaker 1: the OSCAR nominations and give you my predictions. My favorite 7 00:00:18,760 --> 00:00:21,640 Speaker 1: time of the year. We'll talk about snubs and surprises. 8 00:00:22,040 --> 00:00:24,480 Speaker 1: I'll give you a review of a movie nominated for 9 00:00:24,560 --> 00:00:26,759 Speaker 1: Best Picture that you can watch on Netflix right now 10 00:00:27,160 --> 00:00:29,080 Speaker 1: in the trailer park. We'll talk about a new movie 11 00:00:29,120 --> 00:00:32,080 Speaker 1: coming onto Netflix starring Ryan Reynolds. So much to talk 12 00:00:32,120 --> 00:00:34,880 Speaker 1: about this week, so let's talk movies. In a world 13 00:00:34,880 --> 00:00:38,480 Speaker 1: where everyone and their mother has a podcast, one man 14 00:00:38,840 --> 00:00:42,560 Speaker 1: stands to infiltrate the ears of listeners like never before 15 00:00:42,680 --> 00:00:47,080 Speaker 1: in a movie podcast. A man with so much movie knowledge. 16 00:00:47,320 --> 00:00:52,040 Speaker 1: He's basically like a walking au MTV with glasses from 17 00:00:52,080 --> 00:00:58,320 Speaker 1: the Nicsville Podcast Network Movie mis Movie Podcast. So every 18 00:00:58,400 --> 00:01:02,360 Speaker 1: year I love watching every single movie nominated for Best Picture, 19 00:01:02,840 --> 00:01:05,400 Speaker 1: and I get not everybody has the time to do that, 20 00:01:05,720 --> 00:01:07,560 Speaker 1: But I do a movie podcast. I want to know 21 00:01:07,640 --> 00:01:10,319 Speaker 1: what the landscape of movies is. Every single year, and 22 00:01:10,360 --> 00:01:12,319 Speaker 1: I think that's why I have come to love the 23 00:01:12,360 --> 00:01:15,160 Speaker 1: Oscars so much. I know a lot of people hate them, 24 00:01:15,280 --> 00:01:16,800 Speaker 1: and I want to talk about that first before I 25 00:01:16,800 --> 00:01:19,560 Speaker 1: get into my predictions. I think the biggest criticism that 26 00:01:19,600 --> 00:01:22,160 Speaker 1: comes with Oscar nominations is why do they always pick 27 00:01:22,240 --> 00:01:25,000 Speaker 1: movies that nobody has seen. They don't pick things that 28 00:01:25,080 --> 00:01:27,880 Speaker 1: kill it at the box office. They pick movies that 29 00:01:27,920 --> 00:01:29,920 Speaker 1: A lot of times when the Oscar nominations come out, 30 00:01:29,959 --> 00:01:32,320 Speaker 1: you're like, I haven't seen aus thing one of those movies. 31 00:01:33,000 --> 00:01:35,360 Speaker 1: And I want to explain why I think that is 32 00:01:35,400 --> 00:01:37,960 Speaker 1: and why I think it's important. If they were just 33 00:01:38,120 --> 00:01:41,600 Speaker 1: picking every big movie that came out in the last year, 34 00:01:42,560 --> 00:01:44,800 Speaker 1: it would almost be a marble fest. It would be 35 00:01:44,840 --> 00:01:47,720 Speaker 1: a lot of action movies. And I think in doing 36 00:01:47,760 --> 00:01:50,320 Speaker 1: that why I would love for, you know, movies that 37 00:01:50,400 --> 00:01:52,640 Speaker 1: I go see with a bunch of people be nominated. 38 00:01:53,360 --> 00:01:55,360 Speaker 1: I think what the Oscars are meant to do or 39 00:01:55,360 --> 00:01:59,760 Speaker 1: represent something novel, and it also promotes people making new 40 00:01:59,800 --> 00:02:03,360 Speaker 1: types of movies every single year, new stories or finding 41 00:02:03,680 --> 00:02:07,120 Speaker 1: ways to depict characters that haven't been done before. Otherwise 42 00:02:07,200 --> 00:02:09,320 Speaker 1: I think you would see films starting to go on 43 00:02:09,440 --> 00:02:12,840 Speaker 1: to decline and people making the same movies every single 44 00:02:12,840 --> 00:02:15,040 Speaker 1: type of year knowing that they would get nominated and 45 00:02:15,080 --> 00:02:17,239 Speaker 1: win Oscar. So I think it is trying to hold 46 00:02:18,000 --> 00:02:20,000 Speaker 1: film to a bit of a standard to where it's 47 00:02:20,000 --> 00:02:22,480 Speaker 1: still an art form. People are still making movies that 48 00:02:22,560 --> 00:02:26,360 Speaker 1: are something we haven't seen before, or really trying to 49 00:02:26,440 --> 00:02:29,560 Speaker 1: break the mold on what a movie could be. And 50 00:02:29,560 --> 00:02:31,400 Speaker 1: I think when it comes to what ends up winning 51 00:02:31,400 --> 00:02:36,760 Speaker 1: for Best Picture, that's usually a pretty good representation of film. 52 00:02:36,800 --> 00:02:39,240 Speaker 1: And personally, I'm a person who will come on here 53 00:02:39,360 --> 00:02:42,600 Speaker 1: new a Jackass review one week and the next week 54 00:02:42,639 --> 00:02:44,400 Speaker 1: I'm talking about the Power of the Dog, which I'll 55 00:02:44,400 --> 00:02:46,520 Speaker 1: talking about in the movie review this week. I also 56 00:02:46,560 --> 00:02:49,000 Speaker 1: think it's important to have that range. What I really 57 00:02:49,040 --> 00:02:51,840 Speaker 1: think should happen is they should nominate at least one 58 00:02:52,040 --> 00:02:54,720 Speaker 1: popular movie, like the most popular movie, the movie that 59 00:02:54,760 --> 00:02:56,639 Speaker 1: made the most of the box office the prior year. 60 00:02:57,120 --> 00:02:59,720 Speaker 1: That should be an automatic number one seed in the 61 00:03:00,000 --> 00:03:02,200 Speaker 1: screws for the Best Picture. I think that's what they 62 00:03:02,200 --> 00:03:03,919 Speaker 1: need to do. Have that number one seed goes to 63 00:03:04,040 --> 00:03:07,600 Speaker 1: the highest grossing movie of the year before that way, 64 00:03:07,639 --> 00:03:09,800 Speaker 1: for the people who only saw that movie, you at 65 00:03:09,840 --> 00:03:12,320 Speaker 1: least have one to root for. Because that's the harder 66 00:03:12,320 --> 00:03:15,440 Speaker 1: thing about the Oscars is why would you watch a 67 00:03:15,480 --> 00:03:17,560 Speaker 1: show that you haven't seen a whole lot of movies 68 00:03:17,720 --> 00:03:20,360 Speaker 1: or heard about. I think you need one pick for 69 00:03:20,400 --> 00:03:23,720 Speaker 1: the people to get people more interested in watching the 70 00:03:23,720 --> 00:03:26,359 Speaker 1: Oscars and really hold any kind of regard to it. 71 00:03:26,400 --> 00:03:29,280 Speaker 1: But if you're like me and love the Oscars, love 72 00:03:29,320 --> 00:03:31,880 Speaker 1: talking about these movies, I love to go and watch 73 00:03:31,960 --> 00:03:34,160 Speaker 1: all the movies once the nominations come out, You're in 74 00:03:34,200 --> 00:03:36,560 Speaker 1: the right place today because I'm gonna give you my 75 00:03:36,680 --> 00:03:39,680 Speaker 1: insight based on seeing all these movies. And I do 76 00:03:39,840 --> 00:03:42,240 Speaker 1: episode like this every single year. I'm pretty good at 77 00:03:42,240 --> 00:03:44,400 Speaker 1: picking the Best Picture. I'll be honest. I can just 78 00:03:44,480 --> 00:03:47,600 Speaker 1: kind of feel it. I totally nailed No man Land 79 00:03:48,000 --> 00:03:51,160 Speaker 1: the year before, and I'm feeling good going into two. 80 00:03:51,200 --> 00:03:55,000 Speaker 1: So let's get into talking about the Oscars, starting first 81 00:03:55,040 --> 00:03:59,200 Speaker 1: with Best Picture you have nominated this year Belfast, Coda, 82 00:03:59,680 --> 00:04:04,400 Speaker 1: Don't Look Up, Drive My Car, Dune King, Richard, Liquorice, Pizza, 83 00:04:05,000 --> 00:04:08,600 Speaker 1: Nightmare Alley, The Power of the Dog, and West Side Story. 84 00:04:08,840 --> 00:04:11,520 Speaker 1: This is a pretty stacked category, especially now that they're 85 00:04:11,520 --> 00:04:14,920 Speaker 1: allowing more movies to be nominated for Best Picture. A 86 00:04:14,960 --> 00:04:18,080 Speaker 1: couple of surprises In this category, I would have to 87 00:04:18,120 --> 00:04:20,599 Speaker 1: say Don't Look Up. Of all the movies I thought 88 00:04:21,000 --> 00:04:23,640 Speaker 1: last year would get nominated, I really didn't see Don't 89 00:04:23,680 --> 00:04:26,520 Speaker 1: Look Up being worthy of Best Picture. And I think 90 00:04:26,560 --> 00:04:29,560 Speaker 1: it's a little bit on the concept, a little bit 91 00:04:29,560 --> 00:04:32,440 Speaker 1: on all the actors involved, and then you also have 92 00:04:32,520 --> 00:04:35,040 Speaker 1: to think about who is voting on the Oscars, a 93 00:04:35,080 --> 00:04:37,719 Speaker 1: lot of industry people, and I feel like a movie 94 00:04:37,760 --> 00:04:41,080 Speaker 1: like Don't Look Up plays directly into that audience, and 95 00:04:41,120 --> 00:04:43,520 Speaker 1: since it was a Netflix released, just looking at the 96 00:04:43,560 --> 00:04:46,240 Speaker 1: list here, I think that's probably the one that the 97 00:04:46,560 --> 00:04:48,719 Speaker 1: and from looking at this list, I think that's the 98 00:04:48,760 --> 00:04:50,800 Speaker 1: movie that the most people have seen because it was 99 00:04:50,920 --> 00:04:54,120 Speaker 1: on Netflix. Probably next would be Dune, which was also 100 00:04:54,160 --> 00:04:57,040 Speaker 1: a high grossing movie last year. Didn't love that one. 101 00:04:57,440 --> 00:04:59,440 Speaker 1: I knew it was going to be nominated just for 102 00:04:59,520 --> 00:05:02,600 Speaker 1: the large scale of that sci fi movie. And then 103 00:05:02,640 --> 00:05:05,240 Speaker 1: maybe third would be King Richard of the movie most 104 00:05:05,240 --> 00:05:08,360 Speaker 1: people have seen on an average basis. Now I'll get 105 00:05:08,360 --> 00:05:10,799 Speaker 1: into my full review of this later in the episode, 106 00:05:10,800 --> 00:05:12,719 Speaker 1: so I don't want to fully give my review here, 107 00:05:12,760 --> 00:05:14,840 Speaker 1: but I think the winner here is the Power of 108 00:05:14,880 --> 00:05:19,000 Speaker 1: the Dog. And the reason why is because I feel 109 00:05:19,040 --> 00:05:22,880 Speaker 1: It's the most novel out of every movie nominated here, 110 00:05:23,200 --> 00:05:26,080 Speaker 1: and has excellent casting with been in a cumber Batch 111 00:05:26,279 --> 00:05:29,400 Speaker 1: being the lead. It tells the story of a slice 112 00:05:29,440 --> 00:05:33,200 Speaker 1: of life that I otherwise would have never investigated or 113 00:05:33,279 --> 00:05:37,200 Speaker 1: been intrigued by in any way, and it's already racked 114 00:05:37,279 --> 00:05:39,760 Speaker 1: up just so many awards, has so much critical acclaim 115 00:05:39,880 --> 00:05:43,040 Speaker 1: going into it. I feel like I can easily see 116 00:05:43,440 --> 00:05:46,880 Speaker 1: Power of the Dog dominating at the Oscars this year, 117 00:05:47,120 --> 00:05:49,919 Speaker 1: with the Best Picture being one award that it's for 118 00:05:49,960 --> 00:05:52,160 Speaker 1: sure going to win. So my vote for what will 119 00:05:52,160 --> 00:05:54,599 Speaker 1: win Best Picture is the Power of the Dog. But 120 00:05:54,760 --> 00:05:58,320 Speaker 1: I do think that King Richard is a close second, 121 00:05:58,720 --> 00:06:01,799 Speaker 1: and I think if you had to watch one, only 122 00:06:01,880 --> 00:06:04,680 Speaker 1: one movie nominated for Best Picture, I would recommend King 123 00:06:04,760 --> 00:06:07,960 Speaker 1: Richard over the Power of the Dog. I liked the 124 00:06:08,040 --> 00:06:10,960 Speaker 1: Power of the Dog, but I don't think the average 125 00:06:10,960 --> 00:06:13,479 Speaker 1: person watched that movie and love it. It's a very 126 00:06:13,520 --> 00:06:15,960 Speaker 1: slow burn and you have to pay attention so much 127 00:06:16,000 --> 00:06:19,080 Speaker 1: while watching that movie. I really wouldn't recommend it again. 128 00:06:19,120 --> 00:06:21,560 Speaker 1: I'll explain that fully in my review later. But if 129 00:06:21,560 --> 00:06:23,880 Speaker 1: you just had to watch one Best Picture movie, I 130 00:06:23,880 --> 00:06:26,120 Speaker 1: would still say King Richard. But I don't think it'll 131 00:06:26,120 --> 00:06:29,400 Speaker 1: win here. Next category is Best Director. We have Kenneth 132 00:06:29,440 --> 00:06:35,000 Speaker 1: Brainer who directed Belfast, Uski Yamaguchi, who directed Drive My Car, 133 00:06:35,279 --> 00:06:39,440 Speaker 1: Paul Thomas Anderson who directed Licorice Pizza, Jane Campion who 134 00:06:39,480 --> 00:06:42,600 Speaker 1: directed the Power of the Dog, and Steven Spielberg who 135 00:06:42,640 --> 00:06:47,560 Speaker 1: directed West Side Story. It's really hard to not bet 136 00:06:47,600 --> 00:06:50,680 Speaker 1: on Steven Spielberg to win an oscar. He is a 137 00:06:50,800 --> 00:06:54,279 Speaker 1: legendary director, obviously, but I think at this point in 138 00:06:54,320 --> 00:06:57,360 Speaker 1: his career the guy has enough oscars. I think he's good, 139 00:06:57,520 --> 00:06:59,200 Speaker 1: and I think it's an easy thing to say that 140 00:06:59,720 --> 00:07:03,239 Speaker 1: Steve even Spielberg will win this, But West Side Story 141 00:07:03,800 --> 00:07:07,120 Speaker 1: not as strong as film. I think overall the response 142 00:07:07,160 --> 00:07:10,480 Speaker 1: the West Side Story was a little bit underwhelming, not 143 00:07:10,560 --> 00:07:12,240 Speaker 1: only at the box office, but I felt like it 144 00:07:12,240 --> 00:07:14,920 Speaker 1: didn't even get that much critical acclaim. I think when 145 00:07:14,920 --> 00:07:17,240 Speaker 1: it comes to musicals, more people were talking about Tick 146 00:07:17,280 --> 00:07:20,080 Speaker 1: Tick Boom than they were talking about West Side Story. 147 00:07:20,680 --> 00:07:22,960 Speaker 1: So I don't think it goes to Spielberg here. I 148 00:07:23,000 --> 00:07:26,080 Speaker 1: don't think it goes to Paul Thomas Anderson here either, 149 00:07:26,560 --> 00:07:29,880 Speaker 1: And I'm still going with my prediction of the Power 150 00:07:29,920 --> 00:07:33,320 Speaker 1: of the Dog. Just cleaning house at the Oscars this year, 151 00:07:33,360 --> 00:07:36,559 Speaker 1: So I'm going with Jane Campion and the reason why 152 00:07:37,080 --> 00:07:39,720 Speaker 1: because I feel like so much of the reason that 153 00:07:39,800 --> 00:07:42,400 Speaker 1: The Power of the Dog was a successful movie was 154 00:07:42,440 --> 00:07:46,560 Speaker 1: the directing. In that movie, everything was very subtle and 155 00:07:46,600 --> 00:07:49,960 Speaker 1: it's just a really hard story to tell. And if 156 00:07:50,000 --> 00:07:54,480 Speaker 1: it wasn't for the intricacy of Jane Campion in this 157 00:07:54,600 --> 00:07:58,800 Speaker 1: movie and the attention to detail and the storytelling, like 158 00:07:58,880 --> 00:08:02,600 Speaker 1: that story really wouldn't have had any kind of resonation 159 00:08:02,640 --> 00:08:04,840 Speaker 1: with the viewers that I felt, and I believe that 160 00:08:04,880 --> 00:08:08,960 Speaker 1: it's entirely attributed to her directing this movie. So I'm 161 00:08:08,960 --> 00:08:13,080 Speaker 1: going with Best Director Jane Campion. Moving on to Best 162 00:08:13,320 --> 00:08:17,880 Speaker 1: Lead Actor, Harbier Bardem and being the Ricardo's Benedict Cumberbatch 163 00:08:17,960 --> 00:08:20,920 Speaker 1: in the Power of the Dog, Andrew Garfield and Tick 164 00:08:20,960 --> 00:08:24,840 Speaker 1: Tick Boom, Will Smith and King Richard, and then Denzel 165 00:08:24,920 --> 00:08:29,560 Speaker 1: Washington in The Tragedy of Macbeth. A very tough category. 166 00:08:29,640 --> 00:08:31,960 Speaker 1: You have some very heavy names in this with Will 167 00:08:31,960 --> 00:08:35,240 Speaker 1: Smith and Denzel Washington alone, it's hard to bet against 168 00:08:35,240 --> 00:08:38,800 Speaker 1: any of them. But when breaking down what best lead 169 00:08:38,800 --> 00:08:42,440 Speaker 1: actor and also what best lead actresses, it has to 170 00:08:42,559 --> 00:08:47,920 Speaker 1: be such a stellar either depiction of historical figure in history, 171 00:08:48,360 --> 00:08:53,520 Speaker 1: or somebody with such a gripping, powerful, inspiring performance that 172 00:08:53,600 --> 00:08:57,200 Speaker 1: really carries the entire movie. And most times I feel 173 00:08:57,240 --> 00:09:00,560 Speaker 1: like a best lead actor or best lead actress almost 174 00:09:00,600 --> 00:09:03,360 Speaker 1: transcend the movie they're in. You're gonna remember these characters, 175 00:09:03,400 --> 00:09:06,120 Speaker 1: You're gonna remember these roles, and they will be the 176 00:09:06,200 --> 00:09:09,920 Speaker 1: ones that people ask them about most an interviewers, just 177 00:09:09,960 --> 00:09:13,600 Speaker 1: the ones that you associate most with these actors. So 178 00:09:13,600 --> 00:09:16,000 Speaker 1: so considering that, it's tough, and then you also have 179 00:09:16,040 --> 00:09:18,480 Speaker 1: to remember again who is voting on this. You have 180 00:09:18,760 --> 00:09:23,040 Speaker 1: people in the industry, people who really pick apart acting 181 00:09:23,120 --> 00:09:25,840 Speaker 1: and pick apart little subtleties that maybe we don't always 182 00:09:25,960 --> 00:09:30,080 Speaker 1: realize or can pinpoint while we watch these movies. And 183 00:09:30,120 --> 00:09:32,600 Speaker 1: I think it comes down to two people. I think 184 00:09:32,640 --> 00:09:36,200 Speaker 1: it comes down to Bennett Cumberbatche and Will Smith. And 185 00:09:36,240 --> 00:09:38,000 Speaker 1: this is a tough one because I feel in both 186 00:09:38,040 --> 00:09:40,480 Speaker 1: of these movies they really command the screen in the 187 00:09:40,520 --> 00:09:43,680 Speaker 1: same way they own their roles, really make both of 188 00:09:43,720 --> 00:09:47,280 Speaker 1: those movies. And what Will Smith did and King Richard 189 00:09:48,480 --> 00:09:52,680 Speaker 1: was an accurate description of a real life person bringing 190 00:09:52,720 --> 00:09:54,480 Speaker 1: to your life a character and bringing to life a 191 00:09:54,480 --> 00:09:57,120 Speaker 1: story that we weren't really familiar with. And if you 192 00:09:57,240 --> 00:10:00,000 Speaker 1: go back and look at what Richard Williams was really 193 00:10:00,080 --> 00:10:02,840 Speaker 1: they like in real life, you see how good of 194 00:10:02,880 --> 00:10:05,840 Speaker 1: a job will Smith really did in this movie. And 195 00:10:05,880 --> 00:10:08,480 Speaker 1: then with Bennett Cumberbatge. I've never seen him make a 196 00:10:08,480 --> 00:10:12,480 Speaker 1: bad movie, never seen him in a bad acting role, 197 00:10:13,360 --> 00:10:15,640 Speaker 1: And it was so weird to watch this movie and 198 00:10:15,960 --> 00:10:19,360 Speaker 1: at any point not associate him or think that I 199 00:10:19,400 --> 00:10:22,280 Speaker 1: was watching Doctor Strange on the screen. And that's a 200 00:10:22,280 --> 00:10:24,319 Speaker 1: really tough thing to do, to be able to do 201 00:10:24,320 --> 00:10:27,840 Speaker 1: Doctor Strange, be in a Marvel movie and then come 202 00:10:27,840 --> 00:10:30,960 Speaker 1: out and do a movie like that, to where it's 203 00:10:31,080 --> 00:10:34,920 Speaker 1: all in your raw acting, you have no special effects, 204 00:10:34,960 --> 00:10:38,360 Speaker 1: no c G. I like, that's as a straight up 205 00:10:38,400 --> 00:10:41,360 Speaker 1: acting as you can get. And you know, Will Smith 206 00:10:41,480 --> 00:10:44,520 Speaker 1: has never won an Oscar and that's what has me 207 00:10:44,640 --> 00:10:48,320 Speaker 1: betting on him right now. And I almost feel if 208 00:10:48,360 --> 00:10:50,240 Speaker 1: there was a movie for him to do it like 209 00:10:50,280 --> 00:10:52,280 Speaker 1: this was it. He put his all in this role. 210 00:10:52,720 --> 00:10:55,960 Speaker 1: To be honest, I was almost I had a different 211 00:10:56,000 --> 00:10:58,800 Speaker 1: actor while starting this when I went through all my notes, 212 00:10:59,600 --> 00:11:02,280 Speaker 1: and I think I've convinced myself that I think it's 213 00:11:02,320 --> 00:11:04,920 Speaker 1: gonna be will Smith here. I can almost just see 214 00:11:04,960 --> 00:11:08,160 Speaker 1: that moment of him winning his first Oscar, kind of 215 00:11:08,160 --> 00:11:10,800 Speaker 1: in the same way Leonardo DiCaprio did it just you know, 216 00:11:10,960 --> 00:11:13,840 Speaker 1: five six years ago, winning for The Revenant for the 217 00:11:13,880 --> 00:11:16,960 Speaker 1: first time. I think I see it here with Will Smith. 218 00:11:17,160 --> 00:11:19,840 Speaker 1: I think it was such a good movie and it 219 00:11:19,920 --> 00:11:22,199 Speaker 1: was greatly due to him in that role. I mean, 220 00:11:22,200 --> 00:11:24,680 Speaker 1: they paid him the most money. The movie was about 221 00:11:24,720 --> 00:11:27,839 Speaker 1: their dad more than it was the Williams sisters. So 222 00:11:28,040 --> 00:11:31,440 Speaker 1: I think, out of all these movies, how important the 223 00:11:31,559 --> 00:11:35,360 Speaker 1: lead actor is, it's Will Smith and King Richards. So 224 00:11:35,679 --> 00:11:38,400 Speaker 1: before this I had admitted a comberback because I thought 225 00:11:38,920 --> 00:11:41,880 Speaker 1: that was a harder role to do. But when you 226 00:11:41,920 --> 00:11:45,160 Speaker 1: look at what had the most impactful performance and what 227 00:11:45,200 --> 00:11:48,720 Speaker 1: would be most memorable and what I think people in 228 00:11:48,760 --> 00:11:53,400 Speaker 1: the industry will really kind of focus in on, I 229 00:11:53,440 --> 00:11:55,440 Speaker 1: think they have to give it to Will Smith here. 230 00:11:55,520 --> 00:11:58,160 Speaker 1: So for best lead Actor, I am going with Will 231 00:11:58,240 --> 00:12:01,280 Speaker 1: Smith and King Richard. And for best lead actors you 232 00:12:01,320 --> 00:12:04,360 Speaker 1: have Jessica chas Stain in the Eyes of Tammy, Olivia 233 00:12:04,440 --> 00:12:08,520 Speaker 1: Coleman and The Lost Daughter Penelope Cruz and Parallel Mothers 234 00:12:08,800 --> 00:12:13,199 Speaker 1: Nicole Kidman and Being the Ricardos and Kristen Stewart and Spencer. 235 00:12:13,480 --> 00:12:17,320 Speaker 1: Another tough category. I loved Parallel Mothers. I'll wait probably 236 00:12:17,400 --> 00:12:20,199 Speaker 1: later to do a review of that movie. Penelope Cruz 237 00:12:20,280 --> 00:12:21,840 Speaker 1: is really good in that, but I don't think it 238 00:12:21,880 --> 00:12:26,079 Speaker 1: was an Oscar worthy performance. Olivia Coleman and The Lost Daughter. 239 00:12:26,720 --> 00:12:31,720 Speaker 1: Olivia Coleman is like an underrated actress. She's almost like 240 00:12:31,760 --> 00:12:34,760 Speaker 1: a hidden gym when it comes to watching really good movies. 241 00:12:35,040 --> 00:12:37,960 Speaker 1: She's an actress who does constantly really good movies. One 242 00:12:38,000 --> 00:12:40,839 Speaker 1: of my favorites being her and the favorite. The Lost 243 00:12:40,920 --> 00:12:43,880 Speaker 1: Daughter is also just a very interesting movie and I 244 00:12:43,920 --> 00:12:45,840 Speaker 1: thought she was really good in it, but again, I 245 00:12:45,880 --> 00:12:48,800 Speaker 1: don't think that as an Oscar worthy performance here. But 246 00:12:48,880 --> 00:12:51,960 Speaker 1: had to come down to two, I'm leaning towards Nicole 247 00:12:52,040 --> 00:12:55,319 Speaker 1: Kidman and being the Ricardos and Kristin Stewart and Spencer. Now, 248 00:12:55,400 --> 00:12:59,800 Speaker 1: Kristin Stewart did a really good depiction of Princess Diana 249 00:12:59,880 --> 00:13:03,840 Speaker 1: in this movie, and I didn't love Spencer as much 250 00:13:03,840 --> 00:13:07,240 Speaker 1: as I thought I would. It's a very unique feeling movie, 251 00:13:07,360 --> 00:13:09,040 Speaker 1: and I know they had to like focus in on 252 00:13:09,080 --> 00:13:12,120 Speaker 1: a very specific part of Princess Diana's life, but I 253 00:13:12,160 --> 00:13:14,760 Speaker 1: felt like the plot of that movie was a little 254 00:13:14,760 --> 00:13:18,880 Speaker 1: bit confusing at times. It felt a little bit spacey, 255 00:13:18,960 --> 00:13:21,600 Speaker 1: and the whole movie just felt like almost like a 256 00:13:21,640 --> 00:13:25,120 Speaker 1: weird dream. It didn't really have a consistent flow of 257 00:13:25,120 --> 00:13:27,439 Speaker 1: what I was going into expecting out of that movie. 258 00:13:27,480 --> 00:13:31,320 Speaker 1: But that said, Kristin Stewart gave a really powerful performance 259 00:13:31,320 --> 00:13:35,120 Speaker 1: in that movie, not only looking like Princess Diana but 260 00:13:35,240 --> 00:13:38,199 Speaker 1: also with the fashion, and she also showed a side 261 00:13:38,200 --> 00:13:40,800 Speaker 1: of herself that I feel like more people are seeing 262 00:13:40,840 --> 00:13:42,959 Speaker 1: now that I've been talking about for a while, that 263 00:13:43,080 --> 00:13:45,400 Speaker 1: she has a really great actress When giving a powerful 264 00:13:45,480 --> 00:13:48,720 Speaker 1: role like this, and a very important role at that, 265 00:13:49,320 --> 00:13:51,960 Speaker 1: I think she really comes through in transcends anything she 266 00:13:52,000 --> 00:13:55,200 Speaker 1: ever did in Twilight, which also, like Robert Pattinson, I 267 00:13:55,240 --> 00:13:57,880 Speaker 1: feel like people just kind of Typecaster as or just 268 00:13:58,000 --> 00:13:59,760 Speaker 1: really only know where is that she has so much 269 00:13:59,760 --> 00:14:02,840 Speaker 1: more in that and I think the Oscar nomination in 270 00:14:02,880 --> 00:14:06,320 Speaker 1: itself is huge for her. Who I think should win 271 00:14:06,600 --> 00:14:09,160 Speaker 1: is Nicole Kidman, though, like I thought, she was so 272 00:14:09,280 --> 00:14:13,040 Speaker 1: good as Lucile Ball to the point that I also 273 00:14:13,160 --> 00:14:15,840 Speaker 1: forgot that I was watching Nicole Kidman, and I know 274 00:14:15,920 --> 00:14:18,120 Speaker 1: there's not a whole lot of recorded footage that I've 275 00:14:18,120 --> 00:14:21,160 Speaker 1: seen of just Lucy being Lucile Ball and not Lucy 276 00:14:21,280 --> 00:14:23,840 Speaker 1: on the TV show. But I thought she did such 277 00:14:23,880 --> 00:14:26,280 Speaker 1: a great job of going between the two of being 278 00:14:26,320 --> 00:14:29,880 Speaker 1: the real life person but then also having the comedic 279 00:14:29,960 --> 00:14:32,840 Speaker 1: side when they're showing the scenes from filming the TV show, 280 00:14:33,160 --> 00:14:35,880 Speaker 1: like those felt like really great recreation. So she was 281 00:14:35,960 --> 00:14:38,600 Speaker 1: doing a lot in that movie. I just don't know 282 00:14:38,680 --> 00:14:42,000 Speaker 1: if Being the Ricardo's will have the same kind of 283 00:14:42,000 --> 00:14:45,000 Speaker 1: weight at the Oscars that I feel like it should have. 284 00:14:45,600 --> 00:14:48,000 Speaker 1: So if I had to put my money on one, 285 00:14:48,080 --> 00:14:52,680 Speaker 1: I think because she is depicting a historical figure, because 286 00:14:52,720 --> 00:14:56,040 Speaker 1: the movie is a little bit more artsy overall, and 287 00:14:56,080 --> 00:14:58,720 Speaker 1: I feel like those movies tend to win. Those performances 288 00:14:58,760 --> 00:15:01,120 Speaker 1: tend to win, So I think the winner here is 289 00:15:01,160 --> 00:15:05,160 Speaker 1: going to be Kristen Stewart and Spencer, But me personally, 290 00:15:05,280 --> 00:15:07,840 Speaker 1: I think Nicole Kidman should win, and I hope I'm wrong. 291 00:15:08,320 --> 00:15:10,200 Speaker 1: All Right, We'll move through a couple of the other 292 00:15:10,240 --> 00:15:14,000 Speaker 1: big categories. Best Supporting Actor. You have Kyron Hines and 293 00:15:14,120 --> 00:15:18,560 Speaker 1: Bill Fast, Troy Kotzer and Coda, Jesse Plemons and the 294 00:15:18,600 --> 00:15:21,000 Speaker 1: Power of the Dog J K. Simmons and Being the 295 00:15:21,120 --> 00:15:25,600 Speaker 1: Ricardo's and Cody Smith McPhee in Power of the Dog, 296 00:15:25,880 --> 00:15:29,560 Speaker 1: so you have Power of the Dog here, splitting the 297 00:15:29,600 --> 00:15:33,040 Speaker 1: category between the two supporting actors, and I feel like 298 00:15:33,120 --> 00:15:36,320 Speaker 1: those will cancel each other out of the two though, 299 00:15:36,400 --> 00:15:39,480 Speaker 1: I think Cody Smith McPhee gave the better performance in 300 00:15:39,520 --> 00:15:41,840 Speaker 1: that movie, so I would give him an edge over 301 00:15:41,960 --> 00:15:45,720 Speaker 1: Jesse Plemon's. Jesse Plemons must have the best agent in 302 00:15:45,800 --> 00:15:49,120 Speaker 1: Hollywood because he is in every single big movie. Somehow, 303 00:15:49,360 --> 00:15:51,600 Speaker 1: I think this one is pretty easy. I think it 304 00:15:51,680 --> 00:15:56,160 Speaker 1: is Troy Cottzer and CODA, which I was kind of 305 00:15:56,200 --> 00:15:59,200 Speaker 1: surprised got even nominated because out of all the movies 306 00:15:59,240 --> 00:16:03,440 Speaker 1: nominated for picture, I think that is the movie I 307 00:16:03,520 --> 00:16:06,800 Speaker 1: liked the most effortlessly, like I wasn't watching that movie 308 00:16:06,840 --> 00:16:10,040 Speaker 1: thinking I was watching an Oscar Worthy movie. It was 309 00:16:10,080 --> 00:16:12,280 Speaker 1: just a good movie and it's very rare that a 310 00:16:12,360 --> 00:16:15,400 Speaker 1: movie like that gets nominated. I reviewed that movie when 311 00:16:15,400 --> 00:16:17,480 Speaker 1: it came out because I honestly didn't think it would 312 00:16:17,480 --> 00:16:20,800 Speaker 1: get nominated. And if you don't remember, CODA stands for 313 00:16:21,040 --> 00:16:24,560 Speaker 1: Children of Deaf Adults, which the movie is about that. 314 00:16:24,600 --> 00:16:27,000 Speaker 1: It's about this family. The parents are deaf, the brother 315 00:16:27,120 --> 00:16:29,560 Speaker 1: is deaf, and the daughter is the only one who 316 00:16:29,640 --> 00:16:33,040 Speaker 1: is not deaf. She loves music, so she's trying to 317 00:16:33,080 --> 00:16:36,760 Speaker 1: pursue music while her family is really struggling with their 318 00:16:36,760 --> 00:16:40,400 Speaker 1: fishing business. And it's about her struggles of deciding what 319 00:16:40,520 --> 00:16:43,640 Speaker 1: to do after high school. And I loved her parents 320 00:16:43,680 --> 00:16:46,040 Speaker 1: in this movie. I really thought they brought the comedic 321 00:16:46,160 --> 00:16:49,920 Speaker 1: edge to that movie. They also brought the emotional factor 322 00:16:50,760 --> 00:16:53,280 Speaker 1: of you know, parents who really rely on their kids 323 00:16:53,280 --> 00:16:56,320 Speaker 1: in the situation, and I thought they were fantastic in it. 324 00:16:56,440 --> 00:16:59,960 Speaker 1: I thought the subject matter was an important movie to watch. 325 00:17:00,040 --> 00:17:02,120 Speaker 1: So if you haven't seen Koda, it is on Apple 326 00:17:02,160 --> 00:17:05,280 Speaker 1: TV plus. A really great movie, and I think it's 327 00:17:05,280 --> 00:17:09,720 Speaker 1: so cool that Troy made history becoming the first deaf 328 00:17:09,840 --> 00:17:13,119 Speaker 1: male actor to be nominated for Best Supporting Actor. So 329 00:17:13,240 --> 00:17:16,000 Speaker 1: for that reason, I think he needs to win. So 330 00:17:16,080 --> 00:17:18,520 Speaker 1: my vote for Best Supporting Actor, who I think is 331 00:17:18,560 --> 00:17:21,919 Speaker 1: gonna win is Troy Cotzer. On the other side, for 332 00:17:22,040 --> 00:17:25,480 Speaker 1: Best Supporting Actress, you have Jesse Buckley and The Lost Daughter, 333 00:17:25,800 --> 00:17:30,000 Speaker 1: Ariana Dabos in The West Side Story, Judy Dench in Belfast, 334 00:17:30,240 --> 00:17:33,440 Speaker 1: Kirsten Dunst in the Power of the Dog, and adnu 335 00:17:33,640 --> 00:17:38,399 Speaker 1: Ellis and King Richard. Another tough category here, Judy Dench. 336 00:17:38,480 --> 00:17:41,280 Speaker 1: I think it's another hard one to bet your money against. 337 00:17:41,680 --> 00:17:45,040 Speaker 1: I feel like Jesse Buckley had an underrated role in 338 00:17:45,200 --> 00:17:48,160 Speaker 1: The Lost Daughter. A lot of the storytelling in that 339 00:17:48,200 --> 00:17:52,680 Speaker 1: movie was due to her performance and portraying the younger 340 00:17:52,840 --> 00:17:56,440 Speaker 1: version of Olivia Coleman. I thought she did a fantastic 341 00:17:56,520 --> 00:17:59,520 Speaker 1: job in that. I almost thought like following her story 342 00:18:00,000 --> 00:18:03,120 Speaker 1: in that movie was almost more entertaining than following Olivia 343 00:18:03,200 --> 00:18:06,760 Speaker 1: Coleman's story at moments. I do think it was really 344 00:18:06,760 --> 00:18:10,000 Speaker 1: cool to see Kirsten dunn'st be nominated for her very 345 00:18:10,080 --> 00:18:14,040 Speaker 1: first Oscar and the emotional journey that her character took 346 00:18:14,040 --> 00:18:17,359 Speaker 1: in that movie. I feel like should really be recognized here. 347 00:18:17,720 --> 00:18:20,680 Speaker 1: But I think with the stronger role overall in this category, 348 00:18:21,000 --> 00:18:24,919 Speaker 1: I'm going with agnu Ellis and King Richard. She portrayed 349 00:18:25,359 --> 00:18:28,600 Speaker 1: the mom of Venus and Serena Williams in a performance 350 00:18:28,640 --> 00:18:30,960 Speaker 1: I thought was right up there with will Smith. Without 351 00:18:31,040 --> 00:18:34,840 Speaker 1: her in this movie, and how important her chemistry with 352 00:18:34,840 --> 00:18:38,520 Speaker 1: will Smith was to the telling and the portrayal of 353 00:18:38,560 --> 00:18:40,560 Speaker 1: the story in this movie, I don't think it would 354 00:18:40,600 --> 00:18:42,720 Speaker 1: have been the same movie. So I think you get 355 00:18:42,800 --> 00:18:47,359 Speaker 1: Best Actor and Best Supporting Actress coming from King Richard. 356 00:18:47,560 --> 00:18:49,480 Speaker 1: All Right, we'll go a little bit quicker here through 357 00:18:49,520 --> 00:18:52,440 Speaker 1: the last big categories. I want to talk about Best 358 00:18:52,440 --> 00:18:55,720 Speaker 1: Original Screenplay I think goes to Don't Look Up from 359 00:18:55,760 --> 00:18:59,160 Speaker 1: Adam McKay. Honorable mention with Licorice Pizza, with it being 360 00:18:59,200 --> 00:19:02,520 Speaker 1: such an interesting story. Still don't know how Paul Thomas 361 00:19:02,560 --> 00:19:04,719 Speaker 1: Anderson got away with making that movie, to be honest. 362 00:19:05,080 --> 00:19:08,240 Speaker 1: Best cinematography I think goes to Dune. While I wasn't 363 00:19:08,240 --> 00:19:11,879 Speaker 1: the biggest fan of that movie, just the scope of 364 00:19:12,000 --> 00:19:15,360 Speaker 1: the world that was created by Dune and how much 365 00:19:15,440 --> 00:19:18,320 Speaker 1: work that really meant for that movie to be seen 366 00:19:18,400 --> 00:19:21,679 Speaker 1: on the big screen, I think it's easily has to 367 00:19:21,720 --> 00:19:24,280 Speaker 1: go to Dune. I could almost make a case for 368 00:19:24,320 --> 00:19:26,840 Speaker 1: the Power of the Dog because that cinematography in the 369 00:19:26,880 --> 00:19:30,480 Speaker 1: movie really puts you in that situation. It really feels 370 00:19:30,520 --> 00:19:33,280 Speaker 1: like you're in it with those characters. But I still 371 00:19:33,280 --> 00:19:36,840 Speaker 1: think that Dune will pick up the Best cinematography Oscar here. 372 00:19:37,480 --> 00:19:41,600 Speaker 1: Best animated film easily goes to in Gonto. I love 373 00:19:41,720 --> 00:19:44,199 Speaker 1: the Mitchell and the Machines probably more than in Gondol, 374 00:19:45,119 --> 00:19:47,359 Speaker 1: but with all the hype around it right now, I 375 00:19:47,400 --> 00:19:51,679 Speaker 1: think it's an easy win. Best costume design, Carrilla should 376 00:19:51,680 --> 00:19:55,199 Speaker 1: win and will win. So much work went into the 377 00:19:55,200 --> 00:19:58,879 Speaker 1: design of those costumes. I think that deserves to be recognized. 378 00:19:59,320 --> 00:20:02,720 Speaker 1: Best Inner National Feature Film, I think easily goes to 379 00:20:02,800 --> 00:20:06,119 Speaker 1: Drive My Car from Japan, and Best of Visual Effects. 380 00:20:06,440 --> 00:20:09,280 Speaker 1: I think again it's going to be Dune. But Spider 381 00:20:09,320 --> 00:20:11,920 Speaker 1: Man No Way Home is nominated and it should win. 382 00:20:12,760 --> 00:20:15,800 Speaker 1: But realistically speaking, I don't think Spider Man No Way 383 00:20:15,880 --> 00:20:20,360 Speaker 1: Home did anything completely different in that that should be recognized. 384 00:20:20,560 --> 00:20:24,040 Speaker 1: Dune really looks like it's entirely owned world, so I 385 00:20:24,040 --> 00:20:26,000 Speaker 1: will give it to him there, but I'm not happy 386 00:20:26,000 --> 00:20:29,880 Speaker 1: about it. And then finally Best Original Song from King 387 00:20:30,000 --> 00:20:42,960 Speaker 1: Richard You Have be Alive by Beyonce Good God, from 388 00:20:42,960 --> 00:20:59,920 Speaker 1: Incanto you Have written by Lynn Manuel berandas from Belfast 389 00:21:00,000 --> 00:21:08,480 Speaker 1: as you Have Down to Joy by Van Morrison, from 390 00:21:08,520 --> 00:21:10,639 Speaker 1: No Time to Die you Have Well No Time to 391 00:21:10,680 --> 00:21:20,240 Speaker 1: Die by Billie Eilish, and then from Four Good Days 392 00:21:20,280 --> 00:21:31,320 Speaker 1: You Have Somehow You Do Perform by Reba McIntyre. So 393 00:21:35,960 --> 00:21:38,080 Speaker 1: I think the song that wins here is No Time 394 00:21:38,119 --> 00:21:41,960 Speaker 1: to Die from Billie Eilish. I was really surprised in 395 00:21:42,040 --> 00:21:45,040 Speaker 1: in Ganto's decision not to put we Don't Talk About 396 00:21:45,160 --> 00:21:49,280 Speaker 1: Bruno up for this category. They thought it didn't represent 397 00:21:49,359 --> 00:21:50,919 Speaker 1: the movie enough and they wanted to go with this 398 00:21:50,960 --> 00:21:54,000 Speaker 1: song instead. I think if they would have submitted we 399 00:21:54,040 --> 00:21:57,119 Speaker 1: Don't talk About Bruno, they easily would have won this category. 400 00:21:57,480 --> 00:21:59,439 Speaker 1: So with that said, out of all these songs, I 401 00:21:59,480 --> 00:22:01,359 Speaker 1: think you have to give it to Billie Eilish No 402 00:22:01,480 --> 00:22:04,640 Speaker 1: Time to Die. But those are my predictions. I'm going 403 00:22:04,680 --> 00:22:07,560 Speaker 1: to do a review of the Best Picture nominee, Power 404 00:22:07,560 --> 00:22:09,600 Speaker 1: of the Dog, which is on Netflix, and I'll also 405 00:22:09,640 --> 00:22:17,679 Speaker 1: give some snubs and surprises after this time. Now for 406 00:22:17,880 --> 00:22:21,600 Speaker 1: a spoiler free review of an OSCAR nominated movie for 407 00:22:21,680 --> 00:22:23,679 Speaker 1: Best Picture this year, I want to talk about the 408 00:22:23,720 --> 00:22:27,000 Speaker 1: Power of the Dog, which is available on Netflix, darring 409 00:22:27,080 --> 00:22:31,240 Speaker 1: Benedict Cumberbatch and Kirsten Dunst. It's a movie about Benedict 410 00:22:31,240 --> 00:22:37,680 Speaker 1: Cumberbatch's character, who is a rancher who is basically tormenting 411 00:22:38,480 --> 00:22:43,160 Speaker 1: and mocking the son of Kirsten Duncet after she has 412 00:22:43,200 --> 00:22:46,359 Speaker 1: married his brother and now they are living under the 413 00:22:46,400 --> 00:22:50,760 Speaker 1: same roof. A very gripping and emotional tale based on 414 00:22:50,760 --> 00:22:53,720 Speaker 1: a book from nineteen seventies. Six. Before I get into 415 00:22:53,760 --> 00:22:56,639 Speaker 1: my review, here's just a little bit of the power 416 00:22:56,720 --> 00:23:02,600 Speaker 1: of the dog by patients the odds against him. From 417 00:23:02,600 --> 00:23:04,240 Speaker 1: what kind of man would I be if I did 418 00:23:04,240 --> 00:23:08,960 Speaker 1: not help my mother, I did not save her sort 419 00:23:09,000 --> 00:23:12,960 Speaker 1: of lonesome place out here peint place and getting a 420 00:23:13,000 --> 00:23:25,160 Speaker 1: swing effect. So the movie takes place in nineteen Montana. 421 00:23:26,000 --> 00:23:29,119 Speaker 1: The two characters are Phil and George Burbank and they 422 00:23:29,119 --> 00:23:32,480 Speaker 1: are these rich ranchers. They have very rich parents and 423 00:23:32,520 --> 00:23:34,560 Speaker 1: he owned this ranch, have a bunch of people working 424 00:23:34,600 --> 00:23:38,359 Speaker 1: for them. And in the movie, Jesse Plemens plays one 425 00:23:38,400 --> 00:23:43,119 Speaker 1: of the brothers who meets Kirkston Dunce's character. They fall 426 00:23:43,160 --> 00:23:46,879 Speaker 1: in love, they get married, and then Kirsten Dunns and 427 00:23:46,920 --> 00:23:51,520 Speaker 1: her son come to live at the family home where 428 00:23:51,560 --> 00:23:53,280 Speaker 1: he lives with his brother who has been at at 429 00:23:53,320 --> 00:23:58,320 Speaker 1: Cumberbatch who basically doesn't like Kirston Dunce's son, ridicules him, 430 00:23:58,520 --> 00:24:02,560 Speaker 1: torments him, is just a complete jerk. He has this 431 00:24:02,680 --> 00:24:08,080 Speaker 1: very like egotistical old school rancher mentality. He is horrible 432 00:24:08,200 --> 00:24:11,040 Speaker 1: to him, He is horrible to her. He makes fun 433 00:24:11,040 --> 00:24:13,520 Speaker 1: of him for basically being a wimpy kid and not 434 00:24:13,720 --> 00:24:17,720 Speaker 1: what you should be in Montana like he should. He 435 00:24:17,760 --> 00:24:20,040 Speaker 1: wants everybody to be a ranger like him and as 436 00:24:20,040 --> 00:24:23,000 Speaker 1: hardcore as him. So here's what I'll say about this movie. 437 00:24:23,040 --> 00:24:24,960 Speaker 1: I think I was in the right place, in the 438 00:24:25,080 --> 00:24:27,520 Speaker 1: right mind frame at the right time when I watched 439 00:24:27,520 --> 00:24:30,800 Speaker 1: this movie, because it is a very slow burn. And 440 00:24:30,800 --> 00:24:34,119 Speaker 1: I'll admit, this movie almost feels like homework when you 441 00:24:34,160 --> 00:24:37,040 Speaker 1: watch it. It kind of feels like back in the day, 442 00:24:37,119 --> 00:24:39,879 Speaker 1: like in social studies class or history class, when the 443 00:24:39,920 --> 00:24:42,879 Speaker 1: teacher would bring in a movie and tell everybody they 444 00:24:42,920 --> 00:24:44,879 Speaker 1: needed to watch and pay attention and take notes, and 445 00:24:44,880 --> 00:24:47,800 Speaker 1: there would be a quiz afterward about this movie, maybe 446 00:24:47,800 --> 00:24:49,399 Speaker 1: because you read the book to go along with it, 447 00:24:49,440 --> 00:24:51,879 Speaker 1: but it felt like that type of movie. And in 448 00:24:51,920 --> 00:24:54,560 Speaker 1: the first ten minutes of it, I didn't think I 449 00:24:54,600 --> 00:24:56,240 Speaker 1: was going to get through it. It was a little 450 00:24:56,240 --> 00:24:59,720 Speaker 1: bit boring, so slow, they talked weird, and I don't 451 00:24:59,760 --> 00:25:03,600 Speaker 1: really like movie set in the early nine dreds. There 452 00:25:03,680 --> 00:25:06,480 Speaker 1: was nothing about this movie, with it being a Western, 453 00:25:06,560 --> 00:25:10,639 Speaker 1: that screamed I should watch this movie. But I watched 454 00:25:10,640 --> 00:25:12,680 Speaker 1: every single also your nominated movies. So I was like, 455 00:25:12,680 --> 00:25:14,280 Speaker 1: all right, I'll get it check off the list. If 456 00:25:14,320 --> 00:25:17,400 Speaker 1: I hate it, I hate it, that's fine. I let 457 00:25:17,400 --> 00:25:19,680 Speaker 1: those first ten minutes go by, and in the next 458 00:25:19,720 --> 00:25:24,480 Speaker 1: twenty minutes I found myself completely dialed in and everything 459 00:25:24,520 --> 00:25:26,639 Speaker 1: about this movie is so subtle, and you have to 460 00:25:26,640 --> 00:25:30,520 Speaker 1: pay attention to everything because sometimes things happen and you 461 00:25:30,560 --> 00:25:33,159 Speaker 1: don't realize that was a major plot point in the movie. 462 00:25:33,920 --> 00:25:37,200 Speaker 1: So that's why I say I don't really recommend this movie, 463 00:25:37,280 --> 00:25:40,159 Speaker 1: even though after it was done, I loved it and 464 00:25:40,160 --> 00:25:41,480 Speaker 1: I got up and I was like, man, that was 465 00:25:41,520 --> 00:25:44,680 Speaker 1: a really good movie. I did have to go back 466 00:25:44,800 --> 00:25:46,960 Speaker 1: and rewatch some parts because I felt like I missed 467 00:25:46,960 --> 00:25:49,040 Speaker 1: some things, and at the very end of it, I 468 00:25:49,080 --> 00:25:51,040 Speaker 1: was kind of left with like a what did I 469 00:25:51,080 --> 00:25:52,840 Speaker 1: just watch type of thing, like I didn't really get 470 00:25:52,880 --> 00:25:55,720 Speaker 1: that last scene. I went back and actually watched the 471 00:25:55,760 --> 00:25:58,080 Speaker 1: last twenty minutes again and it it was like, oh, I 472 00:25:58,119 --> 00:26:00,440 Speaker 1: get it now. Even had to take it a step 473 00:26:00,480 --> 00:26:03,480 Speaker 1: further and go and see some of the director's interviews 474 00:26:03,480 --> 00:26:06,199 Speaker 1: where they kind of clarify some things. So you have 475 00:26:06,280 --> 00:26:10,520 Speaker 1: to work for this movie. But it's a really good 476 00:26:10,560 --> 00:26:14,639 Speaker 1: movie because I love movies like this, And while I 477 00:26:14,760 --> 00:26:17,480 Speaker 1: think it will win for Best Picture because it takes 478 00:26:17,480 --> 00:26:22,040 Speaker 1: a story that otherwise you would have no idea about 479 00:26:22,320 --> 00:26:24,720 Speaker 1: and have no idea that you would be interested in this, 480 00:26:25,000 --> 00:26:29,280 Speaker 1: and it's just so much of a psychological drama, which 481 00:26:29,320 --> 00:26:33,159 Speaker 1: I really wasn't familiar with before going into this, that 482 00:26:33,240 --> 00:26:36,040 Speaker 1: I found myself really enjoying it. I thought the cast 483 00:26:36,160 --> 00:26:39,919 Speaker 1: was fantastic. I was talking earlier about the cinematography in 484 00:26:39,960 --> 00:26:43,640 Speaker 1: this movie because it really makes you feel like you're 485 00:26:43,640 --> 00:26:47,200 Speaker 1: in the nineteen twenties ranch The wide shots are so 486 00:26:47,440 --> 00:26:51,399 Speaker 1: elaborate and beautiful, and it's colored so perfectly to where 487 00:26:52,160 --> 00:26:54,960 Speaker 1: visually just very appealing to me. It's very comforting to 488 00:26:55,000 --> 00:26:58,080 Speaker 1: me when it comes to seeing like nature like this. 489 00:26:58,840 --> 00:27:01,480 Speaker 1: I don't know, I just want shoudn't really enjoyed that 490 00:27:01,600 --> 00:27:04,199 Speaker 1: aspect of it. But I think at the end of 491 00:27:04,240 --> 00:27:06,840 Speaker 1: the day, it's Benedict Cumber batches for woman's in this 492 00:27:07,000 --> 00:27:10,840 Speaker 1: his character you really hate him, but he's done such 493 00:27:10,840 --> 00:27:13,119 Speaker 1: a good job at playing somebody that you want to 494 00:27:13,160 --> 00:27:17,199 Speaker 1: hate in a movie that made it so entertaining. And 495 00:27:17,320 --> 00:27:20,920 Speaker 1: Kirsten Dunts as well. To see her take a role 496 00:27:21,080 --> 00:27:26,960 Speaker 1: that requires some really great acting, and also hearing her 497 00:27:27,000 --> 00:27:29,959 Speaker 1: say Peter's name in this movie, which is the name 498 00:27:30,000 --> 00:27:32,520 Speaker 1: of her son, to give me flashbacks to watching Spider Man. 499 00:27:32,520 --> 00:27:34,760 Speaker 1: So I love that aspect of it too, But I 500 00:27:34,760 --> 00:27:38,320 Speaker 1: think it's a really beautiful film. It's a very novel film, 501 00:27:38,720 --> 00:27:41,040 Speaker 1: and that of all the Best Picture nominees, it's the 502 00:27:41,040 --> 00:27:44,359 Speaker 1: one that I wasn't expecting to like so much. The 503 00:27:44,440 --> 00:27:47,160 Speaker 1: last time I felt this way was when I watched Parasite, 504 00:27:47,200 --> 00:27:50,399 Speaker 1: which also ended up winning for Best Picture. Didn't expect 505 00:27:50,400 --> 00:27:53,040 Speaker 1: to like a movie with subtitles, ended up loving it. 506 00:27:53,359 --> 00:27:55,920 Speaker 1: In this case, I didn't expect to watch a western 507 00:27:56,040 --> 00:27:57,840 Speaker 1: like this and end up loving it, but I did. 508 00:27:58,440 --> 00:28:01,560 Speaker 1: For that reason, I think it will win Best Picture. 509 00:28:02,920 --> 00:28:06,480 Speaker 1: But I can't entirely recommend this movie because I think 510 00:28:06,480 --> 00:28:08,880 Speaker 1: you'll either go into it and think, what in the 511 00:28:08,920 --> 00:28:11,399 Speaker 1: world did Mike like about this movie? How did he 512 00:28:11,440 --> 00:28:14,199 Speaker 1: find this entertaining? This movie is so boring, It's like 513 00:28:14,280 --> 00:28:17,679 Speaker 1: watching paint dry. I really think those are two scopes 514 00:28:17,720 --> 00:28:20,440 Speaker 1: of this movie. You're either going to love it everything 515 00:28:20,440 --> 00:28:22,840 Speaker 1: about it and think it was great, or you're going 516 00:28:22,880 --> 00:28:25,160 Speaker 1: to think it was a terrible waste of your time. 517 00:28:26,040 --> 00:28:29,040 Speaker 1: Given that, based your decision on whether or not to 518 00:28:29,040 --> 00:28:31,639 Speaker 1: watch this movie, I would say even just give it 519 00:28:31,680 --> 00:28:33,879 Speaker 1: ten fifteen minutes. If you don't like it, you're probably 520 00:28:33,880 --> 00:28:35,600 Speaker 1: not gonna want to watch the rest of the movie, 521 00:28:36,160 --> 00:28:40,160 Speaker 1: but personally, I would give it four out of five horses. 522 00:28:40,640 --> 00:28:43,720 Speaker 1: I can see while it's so critically acclaimed and why 523 00:28:43,880 --> 00:28:47,640 Speaker 1: it's leading in nominations this year with twelve nominations and 524 00:28:47,760 --> 00:28:51,080 Speaker 1: being the most nominated movie. I can see why. So 525 00:28:51,160 --> 00:28:52,760 Speaker 1: that's the power of the dog. I didn't want to 526 00:28:52,800 --> 00:28:55,400 Speaker 1: talk about some Oscar snubs. I saw a lot of 527 00:28:55,400 --> 00:28:58,160 Speaker 1: people sticking up for Lady Gaga for a really house 528 00:28:58,160 --> 00:29:00,720 Speaker 1: of Gucci in general, even Jared at Oh, but I 529 00:29:00,760 --> 00:29:03,920 Speaker 1: almost felt like how se Gucci was a little bit 530 00:29:03,960 --> 00:29:06,360 Speaker 1: of Oscar bait, not saying that some of the movies 531 00:29:06,400 --> 00:29:09,280 Speaker 1: that ended up getting nominated weren't Oscar bait, but I 532 00:29:09,320 --> 00:29:13,520 Speaker 1: wasn't too surprised that it wasn't nominated. Another snub. I 533 00:29:13,600 --> 00:29:17,200 Speaker 1: kind of thought Leonardo DiCaprio would get a nomination for 534 00:29:17,240 --> 00:29:21,600 Speaker 1: Don't Look Up, like his performance aside from that movie 535 00:29:21,640 --> 00:29:24,040 Speaker 1: getting nominated for Best Picture is what I thought would 536 00:29:24,040 --> 00:29:25,880 Speaker 1: have went down because it was a different side of 537 00:29:25,960 --> 00:29:30,200 Speaker 1: Leonardo DiCaprio. But maybe people didn't really get his like 538 00:29:30,280 --> 00:29:34,800 Speaker 1: satirical approach to that character, so in that aspect, maybe 539 00:29:34,840 --> 00:29:38,880 Speaker 1: it wasn't worth an Oscar nomination. Another thing I thought 540 00:29:38,920 --> 00:29:41,960 Speaker 1: was snubbed was seeing two for animated movies. You also 541 00:29:42,040 --> 00:29:46,120 Speaker 1: have Jennifer Hudson, who played Aretha Franklin in the biopic 542 00:29:46,200 --> 00:29:49,720 Speaker 1: Respect didn't get a nomination. I was honestly surprised to 543 00:29:49,760 --> 00:29:52,960 Speaker 1: see how many nominations that being the Ricardo's did get, 544 00:29:53,200 --> 00:29:55,040 Speaker 1: and thought it was a little bit of snub that 545 00:29:55,080 --> 00:29:58,200 Speaker 1: Aaron Slorkin didn't get one for Best Original Screenplay. But 546 00:29:58,280 --> 00:30:02,120 Speaker 1: I think what the major snub was for the Oscars 547 00:30:02,120 --> 00:30:04,840 Speaker 1: this year, there were some hype building around it. Tom 548 00:30:04,880 --> 00:30:07,040 Speaker 1: Holland was saying he would love to be nominated for 549 00:30:07,080 --> 00:30:10,800 Speaker 1: an oscar spider Man No Way Home. Like I truly 550 00:30:10,840 --> 00:30:13,080 Speaker 1: believe if you're going to nominate a movie like Don't 551 00:30:13,120 --> 00:30:16,320 Speaker 1: Look Up, why not nominate Spider Man No Way Home. 552 00:30:16,800 --> 00:30:19,160 Speaker 1: I feel like, even if you don't nominate Tom Holland 553 00:30:19,160 --> 00:30:23,760 Speaker 1: for Best Actor or Willem Dafoe for Best Supporting Actor, 554 00:30:24,040 --> 00:30:27,200 Speaker 1: what that movie did for film and how important that 555 00:30:27,240 --> 00:30:32,200 Speaker 1: movie will be historically. I think it will eclipse every 556 00:30:32,200 --> 00:30:35,520 Speaker 1: other movie on this list. People will be talking about 557 00:30:35,600 --> 00:30:39,080 Speaker 1: Spider Man No Way Home for far longer than any 558 00:30:39,120 --> 00:30:41,480 Speaker 1: other movie I mentioned here, and I'm being honest here 559 00:30:41,800 --> 00:30:43,880 Speaker 1: and That's not just me saying that because I'm such 560 00:30:43,920 --> 00:30:46,200 Speaker 1: a big Spider Man fan, because that was my favorite 561 00:30:46,200 --> 00:30:48,680 Speaker 1: movie last year. I think when you think about what 562 00:30:48,760 --> 00:30:52,280 Speaker 1: you nominate for Oscars, you have to think how important 563 00:30:52,280 --> 00:30:56,120 Speaker 1: movies are to film in general. And I'm kind of 564 00:30:56,120 --> 00:31:00,160 Speaker 1: tired of saying superhero movies not being taken seriously in 565 00:31:00,240 --> 00:31:04,200 Speaker 1: that respect of how really much these movies affect our 566 00:31:04,240 --> 00:31:06,840 Speaker 1: lives and how much they are a part of us. 567 00:31:07,200 --> 00:31:10,160 Speaker 1: That's why I was so excited when Black Panther was nominated. 568 00:31:10,320 --> 00:31:13,000 Speaker 1: I feel like it should have won. But if Black 569 00:31:13,040 --> 00:31:16,400 Speaker 1: Panther can be nominated, why not Spider Man? No Way Home. 570 00:31:17,040 --> 00:31:19,400 Speaker 1: But I'll get off my rant here. The Oscars are 571 00:31:19,440 --> 00:31:23,600 Speaker 1: coming up on March at seven pm Central on ABC. 572 00:31:24,320 --> 00:31:26,760 Speaker 1: I will be watching and live tweeting as we watch 573 00:31:26,800 --> 00:31:30,600 Speaker 1: those together, and then I'll have my normal episode the 574 00:31:30,640 --> 00:31:33,520 Speaker 1: Monday following the Oscars and then also do a special 575 00:31:33,560 --> 00:31:36,479 Speaker 1: bonus episode breaking down all the winners. See if I 576 00:31:36,520 --> 00:31:38,680 Speaker 1: was right or not. You should definitely make a list 577 00:31:38,760 --> 00:31:41,680 Speaker 1: to and I'll definitely put some polls up of who 578 00:31:41,760 --> 00:31:44,400 Speaker 1: you think will win for Best Picture. Make sure you're 579 00:31:44,400 --> 00:31:48,200 Speaker 1: following me on Twitter and Instagram at Mike Destro or 580 00:31:48,240 --> 00:31:51,200 Speaker 1: like my Facebook page, Facebook dot com slash Mike Destro. 581 00:31:51,600 --> 00:31:53,600 Speaker 1: If you forget any of those, they are always in 582 00:31:53,640 --> 00:32:01,160 Speaker 1: the episode notes of every single episode. Time now for 583 00:32:01,200 --> 00:32:03,200 Speaker 1: the part of the podcast where I break down a 584 00:32:03,240 --> 00:32:05,720 Speaker 1: movie trailer of a film coming to you very soon 585 00:32:05,760 --> 00:32:09,800 Speaker 1: in theaters or streaming online in a segment we call 586 00:32:10,520 --> 00:32:15,920 Speaker 1: it's time to head down to movie Mike Paul. Today, 587 00:32:16,000 --> 00:32:18,360 Speaker 1: I want to talk about a new Netflix movie coming 588 00:32:18,400 --> 00:32:22,000 Speaker 1: to you very soon called The Adam Project. It stars 589 00:32:22,120 --> 00:32:25,760 Speaker 1: Ryan Reynolds. It is about his character who is a 590 00:32:25,880 --> 00:32:28,800 Speaker 1: time traveling pilot and he teams up with his younger 591 00:32:28,840 --> 00:32:31,480 Speaker 1: self and his late father to come to terms with 592 00:32:31,640 --> 00:32:35,080 Speaker 1: his past while saving the future. Pretty good premise. I 593 00:32:35,160 --> 00:32:38,480 Speaker 1: was will see Ryan Reynolds here being a little bit 594 00:32:38,520 --> 00:32:41,880 Speaker 1: different than his normal character. Before we get into why 595 00:32:41,920 --> 00:32:44,520 Speaker 1: I'm excited about this movie, here's just a little bit 596 00:32:44,600 --> 00:32:50,040 Speaker 1: of the trailer. Take it easy or you know, fall 597 00:32:50,080 --> 00:32:52,040 Speaker 1: down on the screen. He knew how to get in 598 00:32:52,160 --> 00:32:57,640 Speaker 1: my dad's girl. You know how close the frage. We 599 00:32:57,720 --> 00:33:02,480 Speaker 1: have the same scar in here, and you're wearing gas 600 00:33:02,640 --> 00:33:12,520 Speaker 1: watch best watch me. That's classified. But yes, that once 601 00:33:12,760 --> 00:33:18,200 Speaker 1: was Where are you going? So what you hear? In 602 00:33:18,200 --> 00:33:21,560 Speaker 1: that trailer is Ryan Reynolds meeting his younger self for 603 00:33:21,600 --> 00:33:24,520 Speaker 1: the first time. And I have to say, I think 604 00:33:24,600 --> 00:33:27,080 Speaker 1: this is the movie I would want to be a 605 00:33:27,200 --> 00:33:29,600 Speaker 1: kid in experience. This is the kind of movie like 606 00:33:29,640 --> 00:33:31,040 Speaker 1: I wanted to go to the movie theaters as a 607 00:33:31,080 --> 00:33:33,880 Speaker 1: kid to watch. And you have a great cast here 608 00:33:33,920 --> 00:33:37,400 Speaker 1: with Mark Ruffalo Jennifer Gardner teaming up again. It kind 609 00:33:37,400 --> 00:33:40,120 Speaker 1: of feels like a thirteen going on thirty reunion. But 610 00:33:40,240 --> 00:33:43,360 Speaker 1: what I'm most excited about is Ryan Reynolds being a 611 00:33:43,400 --> 00:33:46,480 Speaker 1: different character here, not being who he wasn't Free Guy, Deadpool, 612 00:33:46,480 --> 00:33:49,640 Speaker 1: every other Ryan Reynolds movie as of late. I feel 613 00:33:49,680 --> 00:33:51,560 Speaker 1: like he has a little bit more but action edged 614 00:33:51,600 --> 00:33:53,840 Speaker 1: to him. You know, he had that a little bit 615 00:33:53,840 --> 00:33:56,560 Speaker 1: in Red Notice, but it was very much Ryan Reynolds 616 00:33:56,640 --> 00:33:59,760 Speaker 1: kind of being this action star. I feel like this 617 00:33:59,840 --> 00:34:02,240 Speaker 1: is the evolution he needs to go on. He needs 618 00:34:02,280 --> 00:34:05,120 Speaker 1: to take rules to where yes, it is a little 619 00:34:05,120 --> 00:34:08,440 Speaker 1: bit more lighthearted. Maybe he has a little bit of 620 00:34:08,480 --> 00:34:10,680 Speaker 1: freedom to be a little bit of his comedic self. 621 00:34:11,160 --> 00:34:13,880 Speaker 1: But I think where he would have a really great 622 00:34:13,920 --> 00:34:17,680 Speaker 1: place to operate is in this movie, a sci fi 623 00:34:17,800 --> 00:34:22,680 Speaker 1: kind of action movie, maybe taking things not so much seriously, 624 00:34:22,800 --> 00:34:26,440 Speaker 1: but just not being his normal wacky, zany comedic self. 625 00:34:26,719 --> 00:34:29,759 Speaker 1: I think he has some range there that he's been 626 00:34:29,800 --> 00:34:32,439 Speaker 1: comfortable in movies that he's taken on, and he's gonna 627 00:34:32,440 --> 00:34:35,160 Speaker 1: take a little bit of a break of acting. But 628 00:34:35,239 --> 00:34:37,919 Speaker 1: I'm excited to see him in a movie like this. 629 00:34:37,920 --> 00:34:41,000 Speaker 1: This movie is coming out on March eleventh on Netflix. 630 00:34:41,480 --> 00:34:43,880 Speaker 1: I didn't mention his movie Free Guy, and Disney did 631 00:34:43,920 --> 00:34:48,200 Speaker 1: announce that that's coming to Disney Plus very soon on February, 632 00:34:48,360 --> 00:34:50,520 Speaker 1: And I just kind of wonder, when it comes to 633 00:34:50,600 --> 00:34:54,040 Speaker 1: movies like this, if these are the movies that kids 634 00:34:54,040 --> 00:34:56,160 Speaker 1: are watching right now and are going to be the 635 00:34:56,200 --> 00:34:57,800 Speaker 1: ones that will stay with them for the rest of 636 00:34:57,840 --> 00:35:00,200 Speaker 1: their life. Like a lot of movies that came out 637 00:35:00,239 --> 00:35:02,680 Speaker 1: in the nineties are those for me early two thousands 638 00:35:02,760 --> 00:35:05,200 Speaker 1: or movies that I just keep watching now as an 639 00:35:05,200 --> 00:35:07,439 Speaker 1: adult because they remind me of when I was a kid. 640 00:35:07,960 --> 00:35:10,080 Speaker 1: I wonder if now it's movies like Free Guy and 641 00:35:10,160 --> 00:35:13,759 Speaker 1: Gonthal Soul, Sonic The Hedgehog, or maybe a movie now 642 00:35:13,880 --> 00:35:17,480 Speaker 1: like The Adam Project that is really shaping what young 643 00:35:17,560 --> 00:35:20,600 Speaker 1: kids are going to remember and feel nostalgic about, maybe 644 00:35:20,640 --> 00:35:23,160 Speaker 1: twenty years from now, that's just where my brain goes 645 00:35:23,200 --> 00:35:26,200 Speaker 1: for a big movie like this. Also in the trailer park, 646 00:35:26,239 --> 00:35:29,160 Speaker 1: I wanted to talk about light Year, which now released 647 00:35:29,200 --> 00:35:32,239 Speaker 1: the very first full trailer. I talked about it before 648 00:35:32,280 --> 00:35:35,160 Speaker 1: when they released the little teaser of light Year, which 649 00:35:35,239 --> 00:35:40,240 Speaker 1: is the origin story of the action figure Buzz Lightyear, 650 00:35:40,640 --> 00:35:44,040 Speaker 1: and it's about the real life person that inspired the toy. 651 00:35:44,280 --> 00:35:47,239 Speaker 1: So that's why it's not voiced by Tim Allen. It's 652 00:35:47,280 --> 00:35:50,600 Speaker 1: voiced by Chris Evans. It's the movie that Andy from 653 00:35:50,640 --> 00:35:52,640 Speaker 1: Toy Story would have watched to made him want to 654 00:35:52,719 --> 00:35:55,879 Speaker 1: buy the toy. And this trailer kind of has me 655 00:35:56,320 --> 00:35:59,239 Speaker 1: feeling a whole different way going into it. And here's 656 00:35:59,280 --> 00:36:02,000 Speaker 1: just a little bit of that. Hello, bus, I am Socks, 657 00:36:02,080 --> 00:36:07,440 Speaker 1: your personal companion robot. We're getting pursue it by just 658 00:36:07,600 --> 00:36:17,040 Speaker 1: a massive robots. That was utterly terrifying and I regret 659 00:36:17,080 --> 00:36:33,960 Speaker 1: having joined you my year on the cha So this 660 00:36:34,000 --> 00:36:37,120 Speaker 1: movie is coming out on June sevente in theaters, and 661 00:36:37,200 --> 00:36:39,239 Speaker 1: after watching this trailer, like, you really have to go 662 00:36:39,280 --> 00:36:42,799 Speaker 1: watch this trailer. I feel when they said it was 663 00:36:42,840 --> 00:36:46,839 Speaker 1: going to be a love letter to science fiction, very 664 00:36:46,920 --> 00:36:49,799 Speaker 1: much draw from Star Wars movies, I didn't really get 665 00:36:49,840 --> 00:36:53,240 Speaker 1: that until I saw this trailer. It almost doesn't feel 666 00:36:53,239 --> 00:36:55,799 Speaker 1: like a Pixar movie at all. And the only way 667 00:36:55,800 --> 00:36:58,759 Speaker 1: I can really tell it to Pixar movie is by 668 00:36:58,800 --> 00:37:01,840 Speaker 1: the character design. It looks like, you know what you 669 00:37:01,920 --> 00:37:05,280 Speaker 1: go to expect, and it Pixar movie, but with everything else, 670 00:37:05,360 --> 00:37:08,560 Speaker 1: it feels like a Star Wars because the way I 671 00:37:08,600 --> 00:37:11,920 Speaker 1: know it's a Pixar movie is the character designed themselves. 672 00:37:12,400 --> 00:37:15,879 Speaker 1: They look very Pixar, but all the other elements look 673 00:37:15,960 --> 00:37:18,319 Speaker 1: like a straight up Star Wars sci fi movie. From 674 00:37:18,360 --> 00:37:22,360 Speaker 1: the spaceships, Emperor zurg in the movie and the action style, 675 00:37:22,440 --> 00:37:26,520 Speaker 1: even the music in this, it feels more like a 676 00:37:26,560 --> 00:37:29,000 Speaker 1: sci fi movie, and I totally get it now how 677 00:37:29,000 --> 00:37:33,600 Speaker 1: they're really trying to differentiate itself and not really have 678 00:37:33,760 --> 00:37:36,759 Speaker 1: any kind of connection to Toy Story. Take away that 679 00:37:36,960 --> 00:37:41,360 Speaker 1: entire playful, colorful, bright feel that you get going into 680 00:37:41,440 --> 00:37:44,600 Speaker 1: watching a Toy Story movie and really just focus on 681 00:37:44,760 --> 00:37:48,239 Speaker 1: the action here and making it feel so unique. It 682 00:37:48,280 --> 00:37:50,760 Speaker 1: almost just doesn't even have a vibe of a Disney 683 00:37:50,800 --> 00:37:53,799 Speaker 1: movie at all. But again, that comes out on June seventeen, 684 00:37:54,120 --> 00:37:57,800 Speaker 1: and I can't wait to watch it. This makes edition 685 00:37:57,920 --> 00:38:02,279 Speaker 1: of movie Bars are that's gonna do it for another week, 686 00:38:02,320 --> 00:38:04,399 Speaker 1: but before I hop out of here. Every single week 687 00:38:04,480 --> 00:38:06,080 Speaker 1: I give a shout out to one of you who 688 00:38:06,120 --> 00:38:08,640 Speaker 1: sends me a tweet, d m s me on Instagram, 689 00:38:08,680 --> 00:38:11,760 Speaker 1: tags me in your Instagram story, or sends me an email. 690 00:38:12,040 --> 00:38:15,040 Speaker 1: Movie Mike D at gmail dot com is that address 691 00:38:15,600 --> 00:38:19,280 Speaker 1: actually hopping over into the email today? And this email 692 00:38:19,600 --> 00:38:23,600 Speaker 1: is from Share, who actually inspired why I decided to 693 00:38:23,640 --> 00:38:26,800 Speaker 1: include the Power of the Dog review in this movie 694 00:38:26,880 --> 00:38:29,440 Speaker 1: because she sent me in her thoughts on the movie 695 00:38:29,760 --> 00:38:31,840 Speaker 1: said she didn't really like it and only gave it 696 00:38:31,920 --> 00:38:34,799 Speaker 1: a one point five out of five ranches, and that 697 00:38:34,960 --> 00:38:37,200 Speaker 1: was very much based on the last thirty minutes of 698 00:38:37,200 --> 00:38:41,319 Speaker 1: the movie. And Share also asked me about some key 699 00:38:41,360 --> 00:38:44,000 Speaker 1: plot points in the movie, which I thought was interesting. 700 00:38:44,080 --> 00:38:46,800 Speaker 1: And if you have any thoughts or ideas on movies 701 00:38:46,960 --> 00:38:49,759 Speaker 1: or questions that you had while watching something, you can 702 00:38:49,760 --> 00:38:52,480 Speaker 1: always email me. Because I won't give a spoiler review 703 00:38:53,239 --> 00:38:56,200 Speaker 1: in my normal episode. Sometimes I'll do some bonus episodes 704 00:38:56,200 --> 00:38:59,040 Speaker 1: when I get into spoilers, but I want everybody to 705 00:38:59,080 --> 00:39:01,200 Speaker 1: be able to listen to these episodes and then go 706 00:39:01,280 --> 00:39:03,720 Speaker 1: decide whether or not you want to see these movies 707 00:39:03,840 --> 00:39:05,640 Speaker 1: or if you've already seen them see what I thought 708 00:39:05,640 --> 00:39:08,359 Speaker 1: about that same movie, but I don't want to ruin 709 00:39:08,440 --> 00:39:12,440 Speaker 1: anything for anybody, And with share I got into some 710 00:39:12,520 --> 00:39:14,319 Speaker 1: of the plot points and what I thought some of 711 00:39:14,360 --> 00:39:16,640 Speaker 1: the things meant in the movie, and we got into 712 00:39:16,680 --> 00:39:19,040 Speaker 1: talking about the ending. So what I don't think the 713 00:39:19,040 --> 00:39:23,000 Speaker 1: Power of the Dog warrants a spoiler review version, but 714 00:39:23,120 --> 00:39:25,640 Speaker 1: I was happy to do that on email, So if 715 00:39:25,760 --> 00:39:27,680 Speaker 1: that's ever an option you want to take, you can 716 00:39:27,719 --> 00:39:30,560 Speaker 1: always send me an email. Thanks everybody for listening to 717 00:39:30,600 --> 00:39:32,880 Speaker 1: the episode this week. It was a longer one had 718 00:39:32,920 --> 00:39:34,719 Speaker 1: a lot of things to get through, so if you 719 00:39:34,800 --> 00:39:36,680 Speaker 1: made it to the end of the podcast, I greatly 720 00:39:36,719 --> 00:39:40,080 Speaker 1: appreciate it. Special shout out to the Monday Movie crew. 721 00:39:40,480 --> 00:39:43,360 Speaker 1: That's everybody who listens on release day when these episodes 722 00:39:43,480 --> 00:39:45,680 Speaker 1: drop on Monday. I hope you have a great rest 723 00:39:45,719 --> 00:39:48,400 Speaker 1: of your week, and until next time, go out and 724 00:39:48,400 --> 00:39:49,799 Speaker 1: watch good movies. Later