1 00:00:00,400 --> 00:00:04,040 Speaker 1: Hello the Internet, and welcome to season episode four of 2 00:00:04,160 --> 00:00:07,960 Speaker 1: Dallies Like Guys, the production of My Heart Radio. This 3 00:00:08,080 --> 00:00:10,760 Speaker 1: is a podcast where we take a deep dive into 4 00:00:10,800 --> 00:00:18,360 Speaker 1: America's shared consciousness. It is Thursday, April. My name is 5 00:00:18,480 --> 00:00:21,919 Speaker 1: Jack O'Brien, a k man. I've got starting off with 6 00:00:21,960 --> 00:00:28,520 Speaker 1: a bubble here am ak Uh. That baby is disgusting. Uh. 7 00:00:28,560 --> 00:00:32,800 Speaker 1: That is courtesy of pick Class and sight Class and 8 00:00:33,159 --> 00:00:36,400 Speaker 1: my three year old. Uh. And I'm thrilled to be 9 00:00:36,560 --> 00:00:42,040 Speaker 1: joined by my co host, Mr Miles grab who thinks 10 00:00:42,080 --> 00:00:45,760 Speaker 1: that Dave Fance slaps, who twists up some nice blunts, 11 00:00:45,760 --> 00:00:51,880 Speaker 1: wraps me? Do me do? Who smokes weeding games at night? 12 00:00:52,120 --> 00:00:56,600 Speaker 1: Who lives that more fungal life? Me? Do me do? 13 00:00:57,480 --> 00:00:59,720 Speaker 1: All Right? You know we're talking with stone Cutters and 14 00:00:59,800 --> 00:01:02,680 Speaker 1: the the discord went off. Shout out to Hay Skippy O. 15 00:01:03,480 --> 00:01:05,840 Speaker 1: Shout out to Rory the scrivener for putting that one 16 00:01:05,880 --> 00:01:10,280 Speaker 1: together for me. Maybe, Lady beauty and up the rhythm, Miles. 17 00:01:10,720 --> 00:01:17,279 Speaker 1: We are fortunate, thrilled, overwhelmed to in our third seat, 18 00:01:17,360 --> 00:01:27,520 Speaker 1: completely unworthy by the brilliant the talented Roy Would Junior. Well, Hello, well, welcome, welcome, 19 00:01:27,840 --> 00:01:31,480 Speaker 1: Who is dead with noisy child, who has child, won't 20 00:01:31,480 --> 00:01:39,640 Speaker 1: shut the funk up? How old your child before I'm 21 00:01:39,680 --> 00:01:42,440 Speaker 1: being a mean father. I love him and he's the 22 00:01:42,480 --> 00:01:45,120 Speaker 1: best thing that ever happened to me. Blah blah blah. Yeah. 23 00:01:45,800 --> 00:01:47,720 Speaker 1: Do you have those moments where you I'm Jack as well, 24 00:01:47,800 --> 00:01:50,160 Speaker 1: like where your comedy brain and your parent brain come 25 00:01:50,200 --> 00:01:52,720 Speaker 1: at Audrey, like, I can't let this lyric go and 26 00:01:52,720 --> 00:01:54,920 Speaker 1: I'm gonna say something like this pay as kid won't 27 00:01:54,960 --> 00:01:56,680 Speaker 1: shut the like, but I love him, but also had 28 00:01:56,720 --> 00:01:58,800 Speaker 1: to do the bid. But you know why you have 29 00:01:58,880 --> 00:02:01,040 Speaker 1: to say that disclaim at the end of a kid 30 00:02:01,120 --> 00:02:04,640 Speaker 1: joke because some people, what do you mean? Is it 31 00:02:04,760 --> 00:02:09,400 Speaker 1: worth a disclaimer? Yeah? It is. Because also we're the 32 00:02:09,440 --> 00:02:12,000 Speaker 1: first generation where our kids will be able to like 33 00:02:12,680 --> 00:02:15,280 Speaker 1: there's a whole digital law that everything I've ever said 34 00:02:15,320 --> 00:02:18,680 Speaker 1: about him? Yeah yeah, And I don't want him to 35 00:02:18,680 --> 00:02:21,360 Speaker 1: stumble across this episode and just here if he goes 36 00:02:21,440 --> 00:02:26,959 Speaker 1: won't shut the funk up your Yeah, I was. There's 37 00:02:27,000 --> 00:02:29,880 Speaker 1: that Michael Keaton movie in my life where he is 38 00:02:29,919 --> 00:02:32,280 Speaker 1: about to die and like his wife's pregnant, I think, 39 00:02:32,400 --> 00:02:35,480 Speaker 1: or like they have an infant, and so he like 40 00:02:35,600 --> 00:02:38,480 Speaker 1: records a bunch of home video. I could die now, 41 00:02:38,680 --> 00:02:41,600 Speaker 1: like I could die and have eight more kids, and 42 00:02:41,680 --> 00:02:44,960 Speaker 1: like they'd be fine because they could just put together, 43 00:02:45,200 --> 00:02:47,640 Speaker 1: like they could black mirror a version of me with 44 00:02:47,680 --> 00:02:50,119 Speaker 1: all the ship that we've recorded on this they totally 45 00:02:50,520 --> 00:02:54,160 Speaker 1: program a robot that was to say, thought, Yeah, that's 46 00:02:54,160 --> 00:02:56,519 Speaker 1: a very good point, Miles. Well they could deep fake 47 00:02:56,560 --> 00:02:58,799 Speaker 1: a robot with your face by the time your kid 48 00:02:58,919 --> 00:03:02,519 Speaker 1: is right, yeah, you just know me as a zoo 49 00:03:02,680 --> 00:03:05,760 Speaker 1: as dad on zoom. Yeah. And to your point about 50 00:03:05,760 --> 00:03:08,760 Speaker 1: this generation kids like we don't, we don't. There's very 51 00:03:08,840 --> 00:03:11,640 Speaker 1: few times we could present receipts to our parents about 52 00:03:11,639 --> 00:03:14,880 Speaker 1: how they sucked us up, like literally, like here's the 53 00:03:14,960 --> 00:03:19,160 Speaker 1: fucking audio tape of what you said you remember them. 54 00:03:19,680 --> 00:03:21,960 Speaker 1: And now it's like, um, I was listening to episode 55 00:03:22,840 --> 00:03:25,359 Speaker 1: of your podcast that you used to do forty years ago. 56 00:03:25,840 --> 00:03:30,919 Speaker 1: We're saying our parents are literally a mystery. Yeahnyhing younger 57 00:03:30,960 --> 00:03:36,640 Speaker 1: than age six, You just I don't know. Your parents 58 00:03:36,680 --> 00:03:41,160 Speaker 1: all have like eight photos that confirm his moments before you. 59 00:03:42,000 --> 00:03:44,800 Speaker 1: That's all they got right, right, right, And they're so 60 00:03:44,840 --> 00:03:49,400 Speaker 1: good at editing the like useful memories out of like 61 00:03:49,400 --> 00:03:51,880 Speaker 1: they're like, no, that never happened. Actually I don't. I 62 00:03:51,880 --> 00:03:54,280 Speaker 1: don't remember that, and you were a dumb kid, So 63 00:03:54,360 --> 00:03:58,880 Speaker 1: I'm gonna go with my memory over yours. Alright, Broy, 64 00:03:58,920 --> 00:04:00,760 Speaker 1: We're gonna get to know you a little bit better 65 00:04:00,840 --> 00:04:02,800 Speaker 1: in a moment. First, we're gonna tell our listeners a 66 00:04:02,840 --> 00:04:05,440 Speaker 1: couple of the things we're talking about. We're gonna talk 67 00:04:05,480 --> 00:04:08,720 Speaker 1: about some of the children reactions yesterday, put that in 68 00:04:08,720 --> 00:04:12,560 Speaker 1: a little more context, and how they're criminalizing protest. We're 69 00:04:12,560 --> 00:04:16,600 Speaker 1: gonna talk about whether Quimby is back fingers crossed somehow. 70 00:04:16,640 --> 00:04:19,160 Speaker 1: We're gonna talk about some new frat sickles that are 71 00:04:19,360 --> 00:04:23,800 Speaker 1: hit in the market, the old ster fashion takeover that's happening, 72 00:04:24,160 --> 00:04:27,000 Speaker 1: all of that plenty more. But first, Roy, we like 73 00:04:27,120 --> 00:04:30,000 Speaker 1: to ask our guest, what is something from your search 74 00:04:30,080 --> 00:04:33,240 Speaker 1: history that's revealing about who you are? You know, I'm 75 00:04:33,279 --> 00:04:35,360 Speaker 1: gonna give you something even better than that. I'm gonna 76 00:04:35,440 --> 00:04:40,719 Speaker 1: give you my YouTube, recently watched video perfect. I will 77 00:04:40,760 --> 00:04:44,839 Speaker 1: not give you pornhope, but I will give you recently 78 00:04:44,920 --> 00:04:48,880 Speaker 1: watched videos. YouTube is where I go for tutorials just 79 00:04:49,000 --> 00:04:52,000 Speaker 1: to learn how to do stuff, how to stop Internet 80 00:04:52,040 --> 00:04:58,600 Speaker 1: Explorer from redirecting to Microsoft Edge Girl with that Internet 81 00:04:58,800 --> 00:05:01,480 Speaker 1: is Lionel Richie's girl a friend too young for him? 82 00:05:01,839 --> 00:05:07,080 Speaker 1: I don't know why I like that MLB twenty one 83 00:05:07,160 --> 00:05:09,039 Speaker 1: Road to the Show. I just bought that so I 84 00:05:09,040 --> 00:05:11,640 Speaker 1: watched all of the gamers play the game that I'm 85 00:05:11,680 --> 00:05:14,080 Speaker 1: about to play, so I have a little bit more 86 00:05:14,120 --> 00:05:19,719 Speaker 1: familiarity about that. A gang of black women comedians. I'm 87 00:05:19,760 --> 00:05:21,440 Speaker 1: starting to get back out on the road, so I'm 88 00:05:21,480 --> 00:05:25,560 Speaker 1: trying to figure out who's funny out there, and you know, 89 00:05:25,960 --> 00:05:28,000 Speaker 1: you know, get to working with some new people. I 90 00:05:28,040 --> 00:05:30,440 Speaker 1: like new new faces on the road with me. It's 91 00:05:30,440 --> 00:05:33,279 Speaker 1: how I stayed fresh. The BGS You should be Dancing 92 00:05:33,400 --> 00:05:39,640 Speaker 1: nineteen seventy six version, high quality audio. Damn, that's eclectic. 93 00:05:39,720 --> 00:05:43,120 Speaker 1: It's not like a single thread that you're following through there. 94 00:05:43,240 --> 00:05:46,039 Speaker 1: That's like that. I can screen grab this. I could 95 00:05:46,040 --> 00:05:48,960 Speaker 1: screen grab this. The YouTube video I listened to right 96 00:05:48,960 --> 00:05:53,480 Speaker 1: after the BGS three six Mafia Popping my Collar instrumental. 97 00:05:53,920 --> 00:05:58,200 Speaker 1: Oh the instrumental? Yes? Oh yeah, Oh dude. I am 98 00:05:58,279 --> 00:06:01,240 Speaker 1: deep into hip hop instrumentals, especially South Ship from the 99 00:06:01,320 --> 00:06:04,839 Speaker 1: nineties because I'm from Alabama, so that's like the soundtrack 100 00:06:04,880 --> 00:06:07,240 Speaker 1: of my childhood. Bro. I mean, we're so were you 101 00:06:07,279 --> 00:06:09,080 Speaker 1: just you put the beat on, and you gave yourself 102 00:06:09,120 --> 00:06:12,120 Speaker 1: your own never since I can't remember, I've been popping 103 00:06:12,279 --> 00:06:20,279 Speaker 1: my collar, popping, popping like so hip hop instrumentals. That's 104 00:06:20,279 --> 00:06:24,320 Speaker 1: when you really started appreciating the little nuances of production. 105 00:06:24,400 --> 00:06:31,520 Speaker 1: To me, many fresh, it's the master of random laser right, 106 00:06:31,960 --> 00:06:36,920 Speaker 1: like just just weird pum pum ship happening underneath the 107 00:06:36,960 --> 00:06:41,240 Speaker 1: little Wayne verse from the ship is amazing. It is 108 00:06:41,279 --> 00:06:44,400 Speaker 1: a thousand percent amazing. But that's pretty much what it is. 109 00:06:44,520 --> 00:06:47,559 Speaker 1: Um a gang of comedians, a lot of gospel music 110 00:06:47,600 --> 00:06:51,200 Speaker 1: and rap instrumentals. That's pretty much how I roll. I 111 00:06:51,320 --> 00:06:55,560 Speaker 1: like it. I wish that it was something more weird. No, 112 00:06:55,720 --> 00:06:58,760 Speaker 1: that's perfect now. I think that's a glimpse because sometimes 113 00:06:58,760 --> 00:07:00,680 Speaker 1: you'll just be like, I don't know, measure, drink tape, 114 00:07:01,240 --> 00:07:07,320 Speaker 1: I'm moving, and they're like, okay next. And then there's 115 00:07:07,360 --> 00:07:11,680 Speaker 1: also a run of slavery movie videos that I was watching. 116 00:07:12,320 --> 00:07:15,000 Speaker 1: I'm working on a bit about white people who played 117 00:07:15,000 --> 00:07:21,680 Speaker 1: slave masters in black struggle movies. Because I have what 118 00:07:21,800 --> 00:07:24,400 Speaker 1: I'm workshopping a joke. I have to bait a test 119 00:07:24,440 --> 00:07:27,360 Speaker 1: the thread of it. The theory has to hold water 120 00:07:27,520 --> 00:07:31,480 Speaker 1: first before I can explore the funny. So I have 121 00:07:31,600 --> 00:07:34,280 Speaker 1: to be like digging a crate and find the most 122 00:07:34,520 --> 00:07:38,520 Speaker 1: iconic white actors being horrible and figure out which one 123 00:07:38,600 --> 00:07:42,040 Speaker 1: was the best, like the DJ premier of Looking for 124 00:07:42,080 --> 00:07:44,840 Speaker 1: a White Savior and white demon portrayals and film just 125 00:07:45,280 --> 00:07:48,560 Speaker 1: dusty fingers going through the craze. The theory of the 126 00:07:48,600 --> 00:07:52,600 Speaker 1: bid is that no white person ever gets nominated for 127 00:07:52,760 --> 00:07:57,760 Speaker 1: awards for playing a slave master because the assumption is 128 00:07:57,800 --> 00:08:00,920 Speaker 1: that there wasn't much of a trance formation that had 129 00:08:00,960 --> 00:08:08,800 Speaker 1: to take place. Right, But I'm not gonna bore you 130 00:08:08,840 --> 00:08:11,400 Speaker 1: with the nuts and bolts of a comedy joke that 131 00:08:11,440 --> 00:08:14,280 Speaker 1: I haven't even proven it's funny yet, but that's pretty 132 00:08:14,360 --> 00:08:17,320 Speaker 1: much within in my history and a Gang of Cubs highlights. 133 00:08:17,440 --> 00:08:20,440 Speaker 1: So yeah, no, grateful for the glimpse into your progress, though, 134 00:08:20,480 --> 00:08:23,840 Speaker 1: for sure wait for and with MLB the show. I 135 00:08:23,880 --> 00:08:25,640 Speaker 1: used to like to play a lot of baseball games, 136 00:08:25,960 --> 00:08:28,160 Speaker 1: but like over the years, I think there was about 137 00:08:28,160 --> 00:08:30,000 Speaker 1: a five year gap where I missed the game and 138 00:08:30,040 --> 00:08:32,319 Speaker 1: I came back in and the batting was so complex 139 00:08:32,360 --> 00:08:34,680 Speaker 1: for me. I was like, Okay, You've got to go 140 00:08:34,760 --> 00:08:36,760 Speaker 1: back there. It's like, that's why I don't work with 141 00:08:36,800 --> 00:08:38,800 Speaker 1: two K. I don't play NBA two K for the 142 00:08:38,840 --> 00:08:41,440 Speaker 1: same reason. I don't have time to learn this analog 143 00:08:41,520 --> 00:08:43,960 Speaker 1: shooting ship. I'm sorry. And then if I try to 144 00:08:44,000 --> 00:08:47,160 Speaker 1: switch it to button mode, apparently that's like having the 145 00:08:47,200 --> 00:08:50,240 Speaker 1: bumpers up at a bowling alley and then people clowning you. 146 00:08:50,600 --> 00:08:52,320 Speaker 1: I'm sorry. Yeah, I'm used to holding the button and 147 00:08:52,400 --> 00:08:56,000 Speaker 1: releasing at the height to get my shot off. That's 148 00:08:56,040 --> 00:08:58,560 Speaker 1: what I do. The show. The show makes it hard. 149 00:08:58,720 --> 00:09:02,040 Speaker 1: It's like Apple, when you ate your Mac or your iPhone. 150 00:09:02,080 --> 00:09:04,520 Speaker 1: You have to go through the settings to find the 151 00:09:04,559 --> 00:09:07,360 Speaker 1: way your ship used to be to put it back 152 00:09:07,400 --> 00:09:09,959 Speaker 1: like that. But no, the show. The show is great 153 00:09:10,000 --> 00:09:13,120 Speaker 1: man that. But then I also never took that five 154 00:09:13,240 --> 00:09:16,600 Speaker 1: year gap that you're talking about when NBA Live. When 155 00:09:16,600 --> 00:09:20,280 Speaker 1: they started making NBA Lives, I think, oh, seven oh 156 00:09:20,280 --> 00:09:25,240 Speaker 1: eight ish, somewhere in there, I stopped playing basketball games 157 00:09:25,360 --> 00:09:27,800 Speaker 1: because two K came in with the stick and I 158 00:09:27,840 --> 00:09:30,840 Speaker 1: was like, fuck you, I'm not gonna no, I'll just 159 00:09:30,840 --> 00:09:34,000 Speaker 1: start playing Call of Duty now, And I just shifted 160 00:09:34,480 --> 00:09:37,480 Speaker 1: to RPGs and stuff like that. Right. No, that's it. 161 00:09:37,840 --> 00:09:40,160 Speaker 1: That's why I just like NBA Street will just sort 162 00:09:40,160 --> 00:09:41,720 Speaker 1: of be at the height for me. I'm like, yeah, 163 00:09:41,880 --> 00:09:45,680 Speaker 1: we perfected NBA jam with Street and I can always 164 00:09:45,679 --> 00:09:49,280 Speaker 1: hop back into that and still feel literate. Ronnie Chang 165 00:09:49,720 --> 00:09:53,680 Speaker 1: showed me, like all of the slick ship that I've 166 00:09:53,800 --> 00:09:59,040 Speaker 1: learned in my life. Ronnie Chang showed me those emulators 167 00:09:59,080 --> 00:10:01,760 Speaker 1: and how to put in an classic Nintendo and Sega 168 00:10:01,840 --> 00:10:06,920 Speaker 1: Genesis games on your matt book for free and playing 169 00:10:06,920 --> 00:10:09,360 Speaker 1: with a PlayStation control. I was like, dude, I may 170 00:10:09,440 --> 00:10:13,559 Speaker 1: not need a PS five. I'll go back and play 171 00:10:13,600 --> 00:10:17,559 Speaker 1: some old school m VP Baseball from O two with 172 00:10:18,240 --> 00:10:23,800 Speaker 1: Manny Ramirez on the cover. I'm happy you'll throw you 173 00:10:23,840 --> 00:10:26,400 Speaker 1: off because you know, the rosters are a little weird, 174 00:10:26,880 --> 00:10:31,079 Speaker 1: but Dave Ortiz is still playing. But fun. It's fun 175 00:10:31,360 --> 00:10:36,720 Speaker 1: right right right? The Griffy Baseball is where my is 176 00:10:36,720 --> 00:10:40,000 Speaker 1: where my baseball game knowledge? And how how does that 177 00:10:40,040 --> 00:10:48,960 Speaker 1: stack up that? Yeah? Nintendo has always been terrible, well 178 00:10:49,040 --> 00:10:52,960 Speaker 1: I always say terrible. They appealed to a different personality 179 00:10:53,000 --> 00:10:57,000 Speaker 1: of sports fan, where this is fun and more arcade style. 180 00:10:57,720 --> 00:11:00,199 Speaker 1: I want to control the price of the fun. Can 181 00:11:00,320 --> 00:11:08,800 Speaker 1: hot dogs do exactly? You're firing because I fired my 182 00:11:08,880 --> 00:11:11,079 Speaker 1: pitching coach in the middle of the season one year 183 00:11:11,120 --> 00:11:15,600 Speaker 1: on the show because it's just because you can. Yeah. Yeah, 184 00:11:15,640 --> 00:11:18,000 Speaker 1: I'm definitely in that bucket of like I didn't get 185 00:11:18,040 --> 00:11:20,760 Speaker 1: on the basketball team when I thought I should have energy, 186 00:11:21,120 --> 00:11:23,720 Speaker 1: and now I'm using video games to explore that and 187 00:11:23,800 --> 00:11:27,079 Speaker 1: exercise those demons. So I do like the more simulator 188 00:11:27,120 --> 00:11:30,559 Speaker 1: type things. That's fair, Roy, What is something you think 189 00:11:30,760 --> 00:11:40,040 Speaker 1: is overrated? I'm hesitant to say it. I'm going back 190 00:11:40,080 --> 00:11:41,840 Speaker 1: and forth about whether or not this is what I 191 00:11:41,920 --> 00:11:46,679 Speaker 1: was going to bring up. I believe that New York 192 00:11:46,760 --> 00:11:53,880 Speaker 1: City pizza is overrated. M it's floppy thing, Chris. Yeah, yeah, 193 00:11:54,040 --> 00:11:58,959 Speaker 1: it's floppy thing, Chris. Pizza. Um, the sauce cheese ratio 194 00:12:00,120 --> 00:12:03,880 Speaker 1: is not as good as a traditional pan or a 195 00:12:03,920 --> 00:12:10,360 Speaker 1: deep dish. I say this as a full car carrying 196 00:12:10,480 --> 00:12:16,559 Speaker 1: member of Team Detroit Style and Team Chicago Style. Pizza. Um. 197 00:12:16,679 --> 00:12:19,080 Speaker 1: I know pizza is one of those serious things that 198 00:12:19,160 --> 00:12:23,440 Speaker 1: Americans tend to draw the line, you know, with each 199 00:12:23,520 --> 00:12:28,360 Speaker 1: other wrong. But I'm sorry, I just maybe maybe I'm 200 00:12:28,400 --> 00:12:30,800 Speaker 1: just a basic bitch who was raised on pizza Hut 201 00:12:30,800 --> 00:12:33,120 Speaker 1: in the South and I don't know no better. So 202 00:12:33,280 --> 00:12:37,400 Speaker 1: maybe my palette isn't refined enough. But the way people 203 00:12:37,600 --> 00:12:40,200 Speaker 1: it's a slice of New York pizza and it's just 204 00:12:40,400 --> 00:12:44,440 Speaker 1: so nothing beta slicer. I can name five things right 205 00:12:44,480 --> 00:12:50,400 Speaker 1: now what this slice of pizza. I do wonder if 206 00:12:50,880 --> 00:12:54,360 Speaker 1: you're like the specific chain that was like your go 207 00:12:54,440 --> 00:12:58,319 Speaker 1: to growing up, effects like what you are high end 208 00:12:58,480 --> 00:13:03,640 Speaker 1: taste in pizza and absolutely absolutely, Oh that's a great observation. 209 00:13:03,679 --> 00:13:06,720 Speaker 1: I grew up from Pizza Hut hand Toss, which is 210 00:13:06,760 --> 00:13:09,360 Speaker 1: the closest you'll get to a Chicago style. And also 211 00:13:09,480 --> 00:13:11,920 Speaker 1: keep in mind, I came up in a time I'm 212 00:13:11,960 --> 00:13:14,680 Speaker 1: forty two for the listeners. I came up in a 213 00:13:14,760 --> 00:13:18,480 Speaker 1: time where Pizza Hut was upper crust. There was there 214 00:13:18,559 --> 00:13:21,920 Speaker 1: was no delivery. Literally, Pizza Hut did not deliver. Motherfu. 215 00:13:22,040 --> 00:13:24,439 Speaker 1: Could you have to come here and sit the funk 216 00:13:24,520 --> 00:13:27,520 Speaker 1: down right? And you want this pizza drink from those 217 00:13:27,559 --> 00:13:34,120 Speaker 1: frosted glass red yeah. Yeah. And so the rise of Dominoes, 218 00:13:34,240 --> 00:13:36,840 Speaker 1: the rise of Little Caesars, and you know, Pizza Hud 219 00:13:36,840 --> 00:13:39,040 Speaker 1: had to eventually give in and start delivering. So they 220 00:13:39,040 --> 00:13:41,040 Speaker 1: have to make the pizzas faster to meet demand and 221 00:13:41,080 --> 00:13:44,559 Speaker 1: the quality than they got a little shaky. But yeah, 222 00:13:44,640 --> 00:13:47,200 Speaker 1: that's that's that's a fair observation, because that's what I 223 00:13:47,240 --> 00:13:53,360 Speaker 1: always ran with. Did you funk with Pizza Hut's thing crust? No? No, 224 00:13:53,440 --> 00:13:56,920 Speaker 1: I was never to Hut. That's when I diverged from 225 00:13:56,920 --> 00:14:01,400 Speaker 1: Pizza Hut and went full Dominoes all the time. That's 226 00:14:01,440 --> 00:14:05,000 Speaker 1: probably the only thing that me and my girl kind 227 00:14:05,040 --> 00:14:09,839 Speaker 1: of You know, there's there's there's disagreements in any relationship, 228 00:14:09,960 --> 00:14:12,120 Speaker 1: and then there's the ones where you know, wow, this 229 00:14:12,200 --> 00:14:16,600 Speaker 1: is just a for real impasse. Right, she likes thin 230 00:14:16,679 --> 00:14:23,840 Speaker 1: crust pizza. Okay, fine, but then she has such an 231 00:14:23,880 --> 00:14:29,240 Speaker 1: eclectic palette that she'll get all the ship on the 232 00:14:29,240 --> 00:14:33,080 Speaker 1: pizza and then these my frocks are rushing the pizza 233 00:14:33,080 --> 00:14:35,600 Speaker 1: out of the oven. So the crust on the bottom 234 00:14:35,640 --> 00:14:40,120 Speaker 1: isn't sturdy enough to hold a mushroom, onion, a green pepper, 235 00:14:40,200 --> 00:14:43,160 Speaker 1: and child all this. It's too much ship on it, 236 00:14:43,760 --> 00:14:47,040 Speaker 1: and it's good, but this isn't for think you have 237 00:14:47,160 --> 00:14:49,960 Speaker 1: a hand tossed palette, and I can't get that through 238 00:14:50,000 --> 00:14:53,440 Speaker 1: to her, like you need a sturdier crust foundation to 239 00:14:53,680 --> 00:14:57,080 Speaker 1: uphold all of the different flavors that your palette demands. 240 00:14:57,160 --> 00:14:59,480 Speaker 1: But she just likes the flakiness of the thin crust 241 00:14:59,520 --> 00:15:02,080 Speaker 1: and it's all flimsy. It's like New York pizza with 242 00:15:02,160 --> 00:15:04,680 Speaker 1: two more extra pounds and shot on the top, and 243 00:15:05,120 --> 00:15:07,400 Speaker 1: I don't know, it's just floppy. It's like a wet 244 00:15:07,440 --> 00:15:10,760 Speaker 1: paper towel. At the end of the day, Yeah, I 245 00:15:10,800 --> 00:15:13,600 Speaker 1: think Jack, your thing holds up because I remember the 246 00:15:13,640 --> 00:15:17,360 Speaker 1: March Madness basketball that will come from Pizza Hut in 247 00:15:17,360 --> 00:15:21,080 Speaker 1: the early nineties, and you demand all your pizza comes 248 00:15:21,120 --> 00:15:24,400 Speaker 1: with the basketball and the box to be so greasy 249 00:15:24,560 --> 00:15:26,800 Speaker 1: that it can barely function as a box to hold 250 00:15:26,800 --> 00:15:30,280 Speaker 1: the pizza. Like, that's definitely because I will always I 251 00:15:30,360 --> 00:15:34,400 Speaker 1: always love a greasy as pan pizza from Pizza Hut. 252 00:15:34,880 --> 00:15:37,520 Speaker 1: But yeah, I don't think. I think over the years 253 00:15:37,520 --> 00:15:40,000 Speaker 1: of just hearing people argue so much over pizza, I'm 254 00:15:40,000 --> 00:15:42,080 Speaker 1: just like, man, fuck saying whatever is good. Man, If 255 00:15:42,080 --> 00:15:43,800 Speaker 1: you like what the fuck you like, like fine. But 256 00:15:43,880 --> 00:15:46,160 Speaker 1: also I'll say what I like and I'll say what 257 00:15:46,280 --> 00:15:48,520 Speaker 1: I don't like. But to act like no, it's just 258 00:15:48,520 --> 00:15:49,920 Speaker 1: hard to rank at the end of the day, like 259 00:15:49,960 --> 00:15:51,800 Speaker 1: it's it's it's just one of those things. It's a 260 00:15:51,840 --> 00:15:54,320 Speaker 1: fool's Errand to try and really say one is better 261 00:15:54,320 --> 00:15:56,120 Speaker 1: than the other. I feel like because it's just no 262 00:15:56,120 --> 00:15:58,200 Speaker 1: one's going to agree. I don't know if it's still 263 00:15:58,240 --> 00:16:01,600 Speaker 1: open post COVID, but it was a Chicago style spot 264 00:16:01,680 --> 00:16:04,600 Speaker 1: in New York City, in the village or near the 265 00:16:04,680 --> 00:16:08,360 Speaker 1: village called Emmetts. It's the only place in New York 266 00:16:08,400 --> 00:16:11,480 Speaker 1: where you can get a Chicago style deep dish proper, 267 00:16:11,720 --> 00:16:14,200 Speaker 1: Like you gotta wait forty five minutes for that thing. 268 00:16:15,280 --> 00:16:17,800 Speaker 1: And I went and got one, and I brought it 269 00:16:17,840 --> 00:16:21,360 Speaker 1: to the comedy seller to eat before the show, like 270 00:16:21,440 --> 00:16:25,560 Speaker 1: that was gonna be my thing. And I got heckled 271 00:16:25,680 --> 00:16:31,480 Speaker 1: out of there like my other comedians. How dare you 272 00:16:31,520 --> 00:16:35,520 Speaker 1: eat Chicago style in a New York legendary established I'm 273 00:16:35,560 --> 00:16:37,880 Speaker 1: like you, Motherfucker's don't even have pizza on the menu. 274 00:16:38,040 --> 00:16:44,360 Speaker 1: You literally don't even sell it, right, what is gonna do? Yeah, 275 00:16:44,600 --> 00:16:48,320 Speaker 1: so you know it is what it is. But yeah, 276 00:16:48,480 --> 00:16:52,080 Speaker 1: I just I just think I think New York I 277 00:16:52,160 --> 00:16:55,120 Speaker 1: just think it's overrated. I'm not saying I wouldn't eat 278 00:16:55,120 --> 00:16:58,280 Speaker 1: it in a drunken pinch, but stopped acting like this 279 00:16:58,320 --> 00:17:02,960 Speaker 1: is the measuring it by which to measure all pizza. Right, 280 00:17:03,760 --> 00:17:07,000 Speaker 1: I'll also eat a little Caesar's Hot and ready in 281 00:17:07,040 --> 00:17:12,440 Speaker 1: its entirety, and I have no palette, so I'm not 282 00:17:12,480 --> 00:17:15,679 Speaker 1: going to reply right Oh. A listener said, have you 283 00:17:15,720 --> 00:17:19,840 Speaker 1: ever got a crazy seasoning on your pizza at Little Caesar's. No, 284 00:17:20,720 --> 00:17:23,920 Speaker 1: they will turn if you ask them. They will turn 285 00:17:24,080 --> 00:17:27,040 Speaker 1: up your Hot and Ready with the crazy bread season. 286 00:17:27,080 --> 00:17:28,840 Speaker 1: They're like, oh, you want us to dust it with it? 287 00:17:29,080 --> 00:17:31,480 Speaker 1: And now you've got a fucking high bread, hot and 288 00:17:31,520 --> 00:17:34,879 Speaker 1: ready crazy bread pizza. WHOA. I mean that sounds like 289 00:17:34,920 --> 00:17:37,280 Speaker 1: what Dominoes did to turn up their pizza little but 290 00:17:37,320 --> 00:17:42,000 Speaker 1: they do it like the whole thing. So yeah, that's 291 00:17:42,040 --> 00:17:43,720 Speaker 1: why I like when the Z game comes to like 292 00:17:43,760 --> 00:17:45,399 Speaker 1: you ever get it with the crazy season, I'm like, 293 00:17:45,400 --> 00:17:47,320 Speaker 1: thank you so much for giving me the imagination to 294 00:17:47,600 --> 00:17:50,040 Speaker 1: envision of you. Let's talk about some underrated grab and 295 00:17:50,040 --> 00:17:53,240 Speaker 1: go pizza. Uh, it's hungry. Howe's there a Southern chain? 296 00:17:53,520 --> 00:17:56,920 Speaker 1: I think they're sprinkled around the Midwest song. But they 297 00:17:56,960 --> 00:18:02,960 Speaker 1: have four flavored crusts that ship. So they do the pizza. 298 00:18:03,320 --> 00:18:06,000 Speaker 1: They hands ass that thing and then they brush it 299 00:18:06,080 --> 00:18:08,959 Speaker 1: with the butter cheese sauce and now you have a 300 00:18:08,960 --> 00:18:12,280 Speaker 1: butter cheese crusting your fingers. Tastes delicious on top of 301 00:18:12,320 --> 00:18:16,119 Speaker 1: it I could talk pizza all day, dude. I also 302 00:18:16,160 --> 00:18:18,480 Speaker 1: love a pizza chain that sounds like a pizza chain 303 00:18:18,520 --> 00:18:21,920 Speaker 1: in a movie Hungry How it just sounds completely made up. 304 00:18:22,760 --> 00:18:27,720 Speaker 1: That's also Funck pretzel bagels from Fanuel Hall in Boston. 305 00:18:28,119 --> 00:18:33,280 Speaker 1: Too thick, too big. Well, now, Boston's usually even minded 306 00:18:33,320 --> 00:18:36,760 Speaker 1: about any criticism about any of their cultural institutions, so 307 00:18:36,800 --> 00:18:40,280 Speaker 1: you should be fun. It's not that it's nasty, it's 308 00:18:40,320 --> 00:18:44,240 Speaker 1: just it's too it's too tall, but you have to 309 00:18:44,280 --> 00:18:47,560 Speaker 1: have a porn jaw to open wide, and like you 310 00:18:47,560 --> 00:18:50,520 Speaker 1: have to unhinge like a fucking boa constrictor to take 311 00:18:50,560 --> 00:18:52,800 Speaker 1: a so you can never get an even bite. That's 312 00:18:52,800 --> 00:18:55,960 Speaker 1: why when people have these fucking burgers that this is 313 00:18:56,000 --> 00:19:00,359 Speaker 1: the big, super duper turkey bake it beast burger and weight. 314 00:19:01,040 --> 00:19:03,680 Speaker 1: You can't bite it, bro so you're never getting all 315 00:19:03,720 --> 00:19:08,440 Speaker 1: the flavors at once. But it's meat mountain, and you'll 316 00:19:08,480 --> 00:19:12,800 Speaker 1: prove to your stepfather you are tough man versus food. 317 00:19:12,960 --> 00:19:16,479 Speaker 1: I'm taking on food. And then after three seasons and like, 318 00:19:16,560 --> 00:19:19,320 Speaker 1: look that ship, I want to live. Let me get 319 00:19:19,359 --> 00:19:22,960 Speaker 1: somebody else to host this year. My doctor and family 320 00:19:23,000 --> 00:19:26,880 Speaker 1: begged me to stop. I know, I know I got 321 00:19:26,920 --> 00:19:28,760 Speaker 1: his friends with him. He's like a really cool dude. 322 00:19:28,920 --> 00:19:31,680 Speaker 1: And I wondered that the first season of Man Versus Food, 323 00:19:32,520 --> 00:19:35,840 Speaker 1: how long can he do this? How long? And I 324 00:19:35,840 --> 00:19:38,679 Speaker 1: know that they would shoot the show and like, like, 325 00:19:38,760 --> 00:19:40,920 Speaker 1: I guess, like over the course of two months, shoot 326 00:19:40,960 --> 00:19:43,240 Speaker 1: the whole thing, and then the other ten months of 327 00:19:43,240 --> 00:19:48,879 Speaker 1: the year. This guy eats picture of health. He's fucking exercising, right, 328 00:19:49,040 --> 00:19:53,840 Speaker 1: he knows two months a year, I might die. There 329 00:19:53,880 --> 00:19:56,160 Speaker 1: are moments when you'll see him mid challenge and he'll 330 00:19:56,160 --> 00:19:58,359 Speaker 1: give up, Like his eyes will meet the camera and 331 00:19:58,400 --> 00:20:01,240 Speaker 1: you're like, oh, this person is drowning. He's lost. Yeah, 332 00:20:01,359 --> 00:20:03,480 Speaker 1: and then they're like, but no, he found a way 333 00:20:03,480 --> 00:20:05,840 Speaker 1: to get right back in it. But yeah, I mean, Adam, 334 00:20:05,920 --> 00:20:08,679 Speaker 1: please please stay safe. How disappointed would you be if 335 00:20:08,720 --> 00:20:11,000 Speaker 1: you were a fan of Man Versus Food and you 336 00:20:11,040 --> 00:20:14,320 Speaker 1: saw that guy out in the off season. Come on, man, 337 00:20:14,400 --> 00:20:19,440 Speaker 1: let's right, so I can sitting there with some kombucha 338 00:20:19,520 --> 00:20:25,040 Speaker 1: and some tempate bacon fake bacon ship is crush. You'd 339 00:20:25,040 --> 00:20:26,879 Speaker 1: be like the time I saw Too Short in the 340 00:20:27,000 --> 00:20:35,440 Speaker 1: airport holding hands with his girlfriend. Really, I'm pro love, 341 00:20:35,800 --> 00:20:41,960 Speaker 1: I love, but when you know too Short brand right, 342 00:20:42,080 --> 00:20:43,520 Speaker 1: and then you just see him and he was like 343 00:20:43,600 --> 00:20:47,600 Speaker 1: carrying her bag like it was cool to see. But 344 00:20:47,640 --> 00:20:50,040 Speaker 1: then there's a party that goes, wait a minute, Santa 345 00:20:50,160 --> 00:20:54,080 Speaker 1: is not real, right right? I thought you were. But 346 00:20:54,119 --> 00:20:55,639 Speaker 1: it's funny though too. And he's like, oh yeah, that's 347 00:20:55,680 --> 00:20:59,119 Speaker 1: all his performance. Sorry, and you're right, but Short, okay, 348 00:21:00,000 --> 00:21:01,600 Speaker 1: it's crazy. I could have taken a picture of two 349 00:21:01,600 --> 00:21:03,280 Speaker 1: short holding hands and that would have been like the 350 00:21:03,320 --> 00:21:08,280 Speaker 1: biggest scandal in black Twitter in three days. Dear Short, 351 00:21:08,320 --> 00:21:14,080 Speaker 1: beholding hands. Man. Everything is a lot the fucking astronaut 352 00:21:14,320 --> 00:21:18,240 Speaker 1: meme where it's like two shorts respects the ladies, like 353 00:21:18,320 --> 00:21:24,719 Speaker 1: always has you know, always what's something you think is underrated? 354 00:21:27,400 --> 00:21:32,440 Speaker 1: Mm hmm do I do I want to say therapy? 355 00:21:32,520 --> 00:21:37,480 Speaker 1: Or do I want to say bike riding? Oh? You 356 00:21:37,520 --> 00:21:40,280 Speaker 1: know it's underrated? Calling my fuckers you ain't talked to 357 00:21:40,359 --> 00:21:46,680 Speaker 1: in a long time, Like that's one fine every week, 358 00:21:47,920 --> 00:21:54,080 Speaker 1: fine fifteen minutes for someone you haven't talked to in 359 00:21:54,080 --> 00:21:59,320 Speaker 1: a year. That's I've got a less I'm sorry to 360 00:21:59,359 --> 00:22:04,000 Speaker 1: get deep like that, seriously, Like that's that's where I am. 361 00:22:04,280 --> 00:22:08,119 Speaker 1: And it's probably been the coolest thing to just talk 362 00:22:08,160 --> 00:22:11,240 Speaker 1: and just reconnect with people and you know, just trying 363 00:22:11,280 --> 00:22:15,960 Speaker 1: to be some degree of human if you will. I 364 00:22:16,000 --> 00:22:17,439 Speaker 1: know it's a hassle. I know it's a paint in 365 00:22:17,440 --> 00:22:19,520 Speaker 1: the ass. So do it while you do other things, 366 00:22:20,200 --> 00:22:23,919 Speaker 1: Like that's my thing. While I'm playing something brainless, you know, 367 00:22:24,000 --> 00:22:26,320 Speaker 1: doing PlayStation or whatever. Or if I'm at the park 368 00:22:26,400 --> 00:22:29,600 Speaker 1: watching my boy. He's out there with his friends, so 369 00:22:29,720 --> 00:22:31,280 Speaker 1: all I have to do is look at him and 370 00:22:31,320 --> 00:22:36,399 Speaker 1: make sure he's not snatched or hurt. So that's the 371 00:22:36,440 --> 00:22:39,800 Speaker 1: perfect time to call an old classmate from somewhere. And 372 00:22:39,840 --> 00:22:41,680 Speaker 1: so you know, that's that's the type of stuff that 373 00:22:41,720 --> 00:22:43,800 Speaker 1: I like to do. And I'm finally realizing, oh wow, 374 00:22:43,920 --> 00:22:48,480 Speaker 1: this is meaningful in life is precious, especially like being 375 00:22:48,480 --> 00:22:51,080 Speaker 1: locked down and stuff and not really having the same 376 00:22:51,440 --> 00:22:54,119 Speaker 1: sort of social connections. It's funny too, because there are 377 00:22:54,160 --> 00:22:56,400 Speaker 1: times I would get a call from somebody who's doing 378 00:22:56,400 --> 00:22:58,359 Speaker 1: that to me. They're like, oh, I'm gonna I'm gonna 379 00:22:58,440 --> 00:23:01,040 Speaker 1: hit miles up and I'll see a name coming like funk, 380 00:23:01,040 --> 00:23:04,000 Speaker 1: I don't talk this person a year, And I was 381 00:23:04,040 --> 00:23:07,080 Speaker 1: like sweating almost because you're like, funk, what am I 382 00:23:07,119 --> 00:23:09,440 Speaker 1: gonna say? Like what? We don't have this awkward conversation 383 00:23:10,800 --> 00:23:13,560 Speaker 1: and then you pick up and it's like we it's 384 00:23:13,600 --> 00:23:16,960 Speaker 1: like we left off exactly where we were, however long 385 00:23:17,000 --> 00:23:19,760 Speaker 1: ago it was, and we we spoke from forty minutes 386 00:23:19,840 --> 00:23:22,720 Speaker 1: straight because it was so effortless and you and that's 387 00:23:22,720 --> 00:23:24,440 Speaker 1: that was one of those moments she was like, funk, man, 388 00:23:24,440 --> 00:23:27,159 Speaker 1: I'm out here creating stress about this when it's actually 389 00:23:27,480 --> 00:23:31,960 Speaker 1: such a like rejuvenating thing to even begin talking your 390 00:23:31,960 --> 00:23:33,760 Speaker 1: friends again or even people like you're saying that you 391 00:23:33,760 --> 00:23:37,560 Speaker 1: haven't spoken to in a while. Yeah, definitely want money. 392 00:23:38,240 --> 00:23:41,600 Speaker 1: So luckily this person had more money than me, so 393 00:23:41,680 --> 00:23:44,879 Speaker 1: I was like, I'll ask them for money. Yeah, I 394 00:23:44,920 --> 00:23:47,480 Speaker 1: was gonna say, I'm gonna try and just listening to 395 00:23:47,560 --> 00:23:50,280 Speaker 1: you talk, I'm gonna the next time I'm thinking of 396 00:23:50,400 --> 00:23:53,120 Speaker 1: interacting with a bunch of people I don't know, like 397 00:23:53,160 --> 00:23:55,920 Speaker 1: on Twitter, like posting something on Twitter, reading a bunch 398 00:23:55,960 --> 00:23:58,600 Speaker 1: of tweets, I'm gonna call somebody I do know. Are 399 00:23:58,640 --> 00:24:01,720 Speaker 1: you used to know? It's it definitely gives you life, 400 00:24:02,119 --> 00:24:06,560 Speaker 1: as opposed to slowly sapping your will to live Twitter 401 00:24:06,640 --> 00:24:10,320 Speaker 1: that sometimes Alright, let's take a quick break and we're 402 00:24:10,320 --> 00:24:25,640 Speaker 1: gonna be right back to talk some news and we're back. Uh, 403 00:24:25,680 --> 00:24:31,240 Speaker 1: And we've had a day and a half of reactions 404 00:24:31,320 --> 00:24:36,600 Speaker 1: to the choven verdict. And also as the verdict was 405 00:24:36,720 --> 00:24:43,040 Speaker 1: coming in, the police in Columbus, Ohio killed another black child, 406 00:24:43,280 --> 00:24:46,040 Speaker 1: like within moments of the of the verdict being read 407 00:24:46,080 --> 00:24:51,359 Speaker 1: out loud. So just a mix of horrible ship, white 408 00:24:51,400 --> 00:24:56,520 Speaker 1: supremacy all all over the place. But yeah, it was 409 00:24:56,680 --> 00:25:01,879 Speaker 1: a relief too, and also kind of upsetting that it 410 00:25:02,000 --> 00:25:04,440 Speaker 1: was such a relief that they got got it right. 411 00:25:04,560 --> 00:25:07,000 Speaker 1: But at the same time there's just like so much 412 00:25:07,000 --> 00:25:12,080 Speaker 1: ship on display. Nancy Pelosi just not knowing what Oh god, 413 00:25:12,480 --> 00:25:15,560 Speaker 1: she basically said, I mean, for people who don't know, 414 00:25:15,640 --> 00:25:19,320 Speaker 1: she said, thank you George Floyd for sacrificing your life 415 00:25:19,400 --> 00:25:22,760 Speaker 1: life for this to happen. Floyd's girlfriend came out and 416 00:25:22,800 --> 00:25:26,000 Speaker 1: said something similar not too long after that. I can't 417 00:25:26,040 --> 00:25:29,600 Speaker 1: remember where she said it, but like, I'm hoping that 418 00:25:29,640 --> 00:25:35,320 Speaker 1: they just poorly worded their statement that because George Floyd 419 00:25:35,359 --> 00:25:39,800 Speaker 1: didn't wake up that morning, I'm gonna die for the culture. No, 420 00:25:40,680 --> 00:25:43,640 Speaker 1: Josh Floyd woke up to go mind his fucking business, 421 00:25:44,320 --> 00:25:47,199 Speaker 1: and regardless of what he was under suspicion of, if 422 00:25:47,200 --> 00:25:51,760 Speaker 1: he didn't deserve to die period. To the Nancy Pelosi thing, 423 00:25:52,000 --> 00:25:55,040 Speaker 1: I don't think it was poorly worded. I think that 424 00:25:55,160 --> 00:25:58,480 Speaker 1: really underlined just sort of how the Democrats move, which 425 00:25:58,520 --> 00:26:01,520 Speaker 1: is just sort of like you know, essentially, she was saying, 426 00:26:01,520 --> 00:26:04,520 Speaker 1: it's gonna take a lot more bodies for us to 427 00:26:04,560 --> 00:26:07,320 Speaker 1: give a fuck because she's sort of she's connecting the 428 00:26:07,359 --> 00:26:10,719 Speaker 1: fact that George Floyd had to die on video in 429 00:26:10,840 --> 00:26:13,800 Speaker 1: order for them to muster the semblance of courage to 430 00:26:13,840 --> 00:26:17,760 Speaker 1: begin to address this like form of the shitty policing 431 00:26:17,800 --> 00:26:20,719 Speaker 1: that we have, and it's it's it's it's almost as 432 00:26:20,720 --> 00:26:23,919 Speaker 1: if like it absolves them of responsibility as legislators to 433 00:26:23,920 --> 00:26:27,399 Speaker 1: say thank you George Floyd, because like you helped push 434 00:26:27,400 --> 00:26:29,080 Speaker 1: things a little bit more than like we were willing 435 00:26:29,119 --> 00:26:35,920 Speaker 1: to a politicians too. Yay, we got one and all 436 00:26:36,000 --> 00:26:41,000 Speaker 1: it took was video evidence, a whole fucking summer of 437 00:26:41,240 --> 00:26:49,320 Speaker 1: uprisings and movement and the fucking police chief himself testifying him. 438 00:26:49,520 --> 00:26:53,000 Speaker 1: Think you know what, he still might not only get 439 00:26:53,320 --> 00:26:56,680 Speaker 1: seven or eight years. Right. That's the other thing that's 440 00:26:56,680 --> 00:27:02,359 Speaker 1: wild is that first you march for transparency, then you 441 00:27:02,480 --> 00:27:06,680 Speaker 1: march for cameras, and then you march for a rest 442 00:27:06,960 --> 00:27:11,240 Speaker 1: next year after March to try and get sentences. And 443 00:27:11,359 --> 00:27:14,520 Speaker 1: I think that's the thing that's really infuriating is that 444 00:27:14,560 --> 00:27:17,680 Speaker 1: when you look at when you look at what happened, 445 00:27:18,320 --> 00:27:21,360 Speaker 1: you know, with the Chauvin verdict, and then to immediately 446 00:27:21,440 --> 00:27:27,960 Speaker 1: see what happened in Columbus, Ohio, it's a reminder that 447 00:27:28,080 --> 00:27:32,480 Speaker 1: there isn't a lot that you should be celebrating just shared, yeah, 448 00:27:32,600 --> 00:27:35,879 Speaker 1: because the system is still the same regardless, and the 449 00:27:35,960 --> 00:27:40,480 Speaker 1: way we are defining crime and safety is still the same, 450 00:27:40,520 --> 00:27:43,600 Speaker 1: and police is still the same, and it just it 451 00:27:44,200 --> 00:27:47,160 Speaker 1: sucks to just think that like a lot of the sentiment, 452 00:27:47,280 --> 00:27:50,720 Speaker 1: especially from the meteor like Kristen Bell, who's like, finally 453 00:27:50,840 --> 00:27:54,080 Speaker 1: we can breathe this, I have relief something right happened today, 454 00:27:54,280 --> 00:27:57,320 Speaker 1: like this idea that like hooray we won. That's not 455 00:27:57,480 --> 00:28:00,960 Speaker 1: nobody fucking won, and the and I feel like again 456 00:28:01,000 --> 00:28:02,920 Speaker 1: because the media, for people who are just tuning in 457 00:28:02,960 --> 00:28:05,600 Speaker 1: to CNN or MSNBC or anything like that, it should 458 00:28:05,640 --> 00:28:07,840 Speaker 1: that what they should be saying is it is now 459 00:28:07,920 --> 00:28:11,879 Speaker 1: so painfully clear that our system isn't just ill equipped 460 00:28:12,040 --> 00:28:17,000 Speaker 1: to solve this problem, it in fact itself is the problem. 461 00:28:17,040 --> 00:28:19,680 Speaker 1: And this is why it's so exhausting because it has 462 00:28:19,720 --> 00:28:23,520 Speaker 1: been so painfully clear for a really long time now, 463 00:28:23,920 --> 00:28:27,159 Speaker 1: and like you're saying, roy it, the only reason this 464 00:28:27,280 --> 00:28:30,919 Speaker 1: happened is because the whole thing was on tape. The 465 00:28:30,960 --> 00:28:33,840 Speaker 1: whole thing was on tape. Otherwise we would have had 466 00:28:33,880 --> 00:28:36,159 Speaker 1: to put that on the pile of many other deaths 467 00:28:36,160 --> 00:28:39,960 Speaker 1: that have occurred that unfortunately we're not captured in h 468 00:28:40,120 --> 00:28:43,640 Speaker 1: D for the entirety of someone's life ending. And that's 469 00:28:43,680 --> 00:28:47,240 Speaker 1: what's really fucked up. The Minneapolis Police Department report on 470 00:28:47,320 --> 00:28:49,600 Speaker 1: the murderer that went around, like a lot of people 471 00:28:49,600 --> 00:28:53,160 Speaker 1: were reposting this, but it is just wild. Look at it, 472 00:28:53,720 --> 00:28:57,840 Speaker 1: like it just describes it man dies after medical incident 473 00:28:58,000 --> 00:29:02,000 Speaker 1: during police interaction. Like really, so many things had to 474 00:29:02,000 --> 00:29:05,680 Speaker 1: go right like that. If that video didn't exist, that 475 00:29:05,920 --> 00:29:10,560 Speaker 1: none of none of this happens. That's that's that. Yeah, 476 00:29:11,200 --> 00:29:14,280 Speaker 1: one down, three to go, So you know, that's kind 477 00:29:14,280 --> 00:29:16,120 Speaker 1: of how I look at it. I didn't watch any 478 00:29:16,120 --> 00:29:20,360 Speaker 1: of the coverage, Like I just like, I know, you 479 00:29:20,440 --> 00:29:22,280 Speaker 1: work at a daily shot and you're supposed to like 480 00:29:22,320 --> 00:29:25,080 Speaker 1: watch the news and all of that stuff, But I 481 00:29:25,160 --> 00:29:29,800 Speaker 1: was like, I think Trevor's got this one. Watching this 482 00:29:29,840 --> 00:29:33,640 Speaker 1: one trying to figure out any indignation or outrage or 483 00:29:33,640 --> 00:29:36,480 Speaker 1: anything that I can put together. That's the That's the 484 00:29:36,520 --> 00:29:39,000 Speaker 1: one thing that I do love about being a correspondent 485 00:29:39,160 --> 00:29:43,040 Speaker 1: is that if I want to, I can just fucking 486 00:29:43,200 --> 00:29:48,320 Speaker 1: unplug from the horror of today and focus my attentions 487 00:29:48,360 --> 00:29:51,880 Speaker 1: on the solutions. What's happening to change this, What are 488 00:29:51,960 --> 00:29:56,520 Speaker 1: people doing? Because there's comedy in the solutions, because there's optimism. 489 00:29:56,920 --> 00:30:00,360 Speaker 1: So if there's optimism, then there's an opportunity to find 490 00:30:00,400 --> 00:30:02,840 Speaker 1: a joker too. So for me, I'd rather swim in 491 00:30:02,880 --> 00:30:05,480 Speaker 1: those waters and do a ride along with Clipper about 492 00:30:05,520 --> 00:30:08,920 Speaker 1: police bias, or walk the streets of Chicago on the 493 00:30:08,960 --> 00:30:12,080 Speaker 1: South Side to show that black people actually do care 494 00:30:12,600 --> 00:30:16,560 Speaker 1: about black on black violence. Like, to me, that's more 495 00:30:17,440 --> 00:30:21,080 Speaker 1: where my head starts to turn and looking at stuff, 496 00:30:21,240 --> 00:30:23,920 Speaker 1: you know. Like the one thing I have been clocking 497 00:30:24,360 --> 00:30:27,560 Speaker 1: is I think it's thirty four states now that are 498 00:30:27,640 --> 00:30:30,240 Speaker 1: starting to put anti protest laws on the books and 499 00:30:30,440 --> 00:30:34,000 Speaker 1: are attaching it to I mean, you all con fact 500 00:30:34,040 --> 00:30:37,280 Speaker 1: check this, but I think they're basically you won't be 501 00:30:37,320 --> 00:30:41,959 Speaker 1: eligible for student loans and federal grants and unemployment benefits, 502 00:30:42,080 --> 00:30:45,760 Speaker 1: food stamps, public housing, like in Florida, they'll just say 503 00:30:45,800 --> 00:30:48,160 Speaker 1: they'll take all your ship away for trying to advocate 504 00:30:48,200 --> 00:30:51,480 Speaker 1: for yourself. Um, and yeah, no, it's true. And I 505 00:30:51,480 --> 00:30:53,840 Speaker 1: think even to your point, like the segment that you 506 00:30:53,920 --> 00:30:56,520 Speaker 1: did going to Chicago with that group of people who 507 00:30:56,520 --> 00:31:00,160 Speaker 1: were intervening in neighborhoods, that the point was clear that 508 00:31:00,680 --> 00:31:03,760 Speaker 1: it's not about the idea of that people want to 509 00:31:03,840 --> 00:31:08,360 Speaker 1: be engaging in criminality. It's that there isn't support, there 510 00:31:08,400 --> 00:31:11,280 Speaker 1: are no options. And the way we are looking at 511 00:31:11,400 --> 00:31:14,680 Speaker 1: how we keep people safe isn't because we have more 512 00:31:14,800 --> 00:31:17,320 Speaker 1: armed goons on the street. Is because we're able to 513 00:31:17,760 --> 00:31:22,160 Speaker 1: provide people opportunities to live as they deserve to to 514 00:31:22,280 --> 00:31:24,960 Speaker 1: have opportunity and not to resort to these other kinds 515 00:31:24,960 --> 00:31:27,200 Speaker 1: of things. And it's that simple. But we're still sort 516 00:31:27,200 --> 00:31:29,480 Speaker 1: of like locked in this mentality of like what what 517 00:31:29,520 --> 00:31:31,840 Speaker 1: are we gonna stop spending money on these like vests 518 00:31:31,880 --> 00:31:36,640 Speaker 1: and ship Like yeah, exactly, but we're I think just societally, 519 00:31:36,640 --> 00:31:38,440 Speaker 1: we're not able to see like, no, you see, we 520 00:31:38,440 --> 00:31:41,080 Speaker 1: have to turn this whole industry off to be able 521 00:31:41,120 --> 00:31:43,920 Speaker 1: to like take all that revenue or capital and move 522 00:31:43,920 --> 00:31:46,920 Speaker 1: it into something that's actually restorative um and we're just 523 00:31:47,200 --> 00:31:50,080 Speaker 1: unfortunately have the imagination for that still at least at 524 00:31:50,080 --> 00:31:56,680 Speaker 1: a critical mass level. Yeah. Yeah, that Columbus cop who 525 00:31:56,920 --> 00:31:59,640 Speaker 1: you know, murdered a fifteen year old girl shot or 526 00:31:59,720 --> 00:32:04,600 Speaker 1: four times in an altercation that like could with courage 527 00:32:04,680 --> 00:32:08,440 Speaker 1: and like willingness to put themselves like slightly in harm's way, 528 00:32:08,760 --> 00:32:11,720 Speaker 1: like could have been like that. That's that's the thing 529 00:32:11,760 --> 00:32:15,760 Speaker 1: that frustrates me is that the white supremacists like Tucker 530 00:32:15,840 --> 00:32:20,480 Speaker 1: Carlson and they always paint the police as like courageous 531 00:32:20,520 --> 00:32:25,080 Speaker 1: and putting their body and harm's way to do their job, 532 00:32:25,360 --> 00:32:28,880 Speaker 1: and like that's that's not what you see. What when 533 00:32:28,920 --> 00:32:32,160 Speaker 1: you actually see the details, you see them standing tempeed 534 00:32:32,200 --> 00:32:36,880 Speaker 1: away and firing four shots at a child too to 535 00:32:36,960 --> 00:32:42,200 Speaker 1: stop them and sort of you know, just jumping in there. Yeah, 536 00:32:42,280 --> 00:32:45,880 Speaker 1: I think that there's this weird collective grouping of cops 537 00:32:45,920 --> 00:32:53,040 Speaker 1: that other jobs don't get. You know. It's like, no 538 00:32:53,080 --> 00:32:58,800 Speaker 1: matter what, they're all heroes and good. Even though these 539 00:32:58,840 --> 00:33:02,880 Speaker 1: are there's there's clearly a systemic issue, but nope, we 540 00:33:03,000 --> 00:33:07,400 Speaker 1: cannot acknowledge that because the good outweighs the bad. Well, 541 00:33:07,520 --> 00:33:11,160 Speaker 1: how do you measure bad? Is that that's and I 542 00:33:11,200 --> 00:33:14,040 Speaker 1: think that's the question that you know, collectively people refuse 543 00:33:14,160 --> 00:33:17,400 Speaker 1: to ask, which is why the same day that a 544 00:33:17,520 --> 00:33:20,960 Speaker 1: cop is convicted of killing someone on tape, you also 545 00:33:21,080 --> 00:33:27,000 Speaker 1: have back the blue trending on Twitter. Everybody's picked a team, 546 00:33:27,320 --> 00:33:32,720 Speaker 1: and there in common decency is the thing that should 547 00:33:32,760 --> 00:33:36,440 Speaker 1: always being looked at first before you pick a side. Yeah, 548 00:33:36,680 --> 00:33:39,400 Speaker 1: so dug in And while you know it's if it's 549 00:33:39,400 --> 00:33:44,040 Speaker 1: not George Floyd and it's or Brianna Taylor who still 550 00:33:44,440 --> 00:33:47,000 Speaker 1: waiting to see any form of accountability there, and now 551 00:33:47,000 --> 00:33:49,840 Speaker 1: it's going to be mckayah Bryant. And that's why, you 552 00:33:49,880 --> 00:33:53,800 Speaker 1: know it. The idea that we can reform a system 553 00:33:53,840 --> 00:33:56,360 Speaker 1: like this is just so absurd, Like you don't reform 554 00:33:56,600 --> 00:34:00,120 Speaker 1: a malignant tumor, you remove it. You don't figure how 555 00:34:00,160 --> 00:34:03,240 Speaker 1: to do solutions like let's fund the tumor less. No, 556 00:34:04,120 --> 00:34:05,600 Speaker 1: you need to get rid of it. If we can 557 00:34:05,640 --> 00:34:09,239 Speaker 1: acknowledge what it's doing and how insidious it is, then 558 00:34:09,320 --> 00:34:11,799 Speaker 1: we're it's it's incumbent on us to be responsible enough 559 00:34:11,840 --> 00:34:14,680 Speaker 1: to look at it objectively, Like I think we actually 560 00:34:14,719 --> 00:34:17,320 Speaker 1: have to rethink that. But again, that's a huge shift, 561 00:34:17,600 --> 00:34:20,279 Speaker 1: and that's why now the white supremacy has to now 562 00:34:20,400 --> 00:34:23,240 Speaker 1: rally around itself in the forms as you're saying, thirty 563 00:34:23,280 --> 00:34:27,520 Speaker 1: four states have introduced eighty one anti protest bills in 564 00:34:28,440 --> 00:34:31,879 Speaker 1: one in this legislative session. That's more than twice as 565 00:34:31,880 --> 00:34:34,800 Speaker 1: many as any other year and we're only in April. 566 00:34:36,040 --> 00:34:39,040 Speaker 1: So that's the response now is to say, okay, because 567 00:34:39,040 --> 00:34:42,000 Speaker 1: the logic for them is, well, the reason, the reason 568 00:34:42,040 --> 00:34:44,680 Speaker 1: Derek Schouban went to jails, because the uprisings over the 569 00:34:44,719 --> 00:34:48,040 Speaker 1: summer created an angry mob which is now bullying the country, 570 00:34:48,080 --> 00:34:51,680 Speaker 1: inter sacrificing well intentioned police officers to the wolves, to 571 00:34:51,719 --> 00:34:55,359 Speaker 1: the outrage community, and therefore their strategies now say, well, 572 00:34:55,360 --> 00:34:57,320 Speaker 1: then we now we have to take away the ability 573 00:34:57,360 --> 00:35:03,400 Speaker 1: to protest in this way. That's literally what Tucker said. Yeah, 574 00:35:03,440 --> 00:35:05,640 Speaker 1: that that was Tucker's logic last night, and then Candice 575 00:35:05,680 --> 00:35:07,440 Speaker 1: Owens had to come on to yes and that in 576 00:35:07,480 --> 00:35:10,600 Speaker 1: a wonderful improv scene. Um, it was just really some 577 00:35:10,680 --> 00:35:12,040 Speaker 1: other ship. And like you know, you look at what's 578 00:35:12,040 --> 00:35:15,040 Speaker 1: happening like in Oklahoma and Iowa, they're passing bills to 579 00:35:15,080 --> 00:35:18,560 Speaker 1: grant immunity to drivers whose vehicles striking injured protesters in 580 00:35:18,600 --> 00:35:21,680 Speaker 1: public streets. You know, there's in Indiana there's a there's 581 00:35:21,719 --> 00:35:25,160 Speaker 1: a proposal saying if you're convicted of unlawful assembly, you 582 00:35:25,200 --> 00:35:28,000 Speaker 1: can't be employed by the state, you can't hold office. 583 00:35:28,320 --> 00:35:30,640 Speaker 1: There's a Minnesota bill that's on the books that they're 584 00:35:30,640 --> 00:35:32,600 Speaker 1: trying to get past that says, if you're convicted of 585 00:35:32,640 --> 00:35:35,640 Speaker 1: this kind of protesting, you won't get loans or unemployment 586 00:35:35,719 --> 00:35:40,120 Speaker 1: or housing. So it's it's clearly targeted at people of 587 00:35:40,160 --> 00:35:42,960 Speaker 1: color and working people and people who are more than 588 00:35:43,040 --> 00:35:45,440 Speaker 1: more most likely to want to get out and advocate 589 00:35:45,440 --> 00:35:49,719 Speaker 1: for themselves. Um. Then yeah, it's just watching this all 590 00:35:49,719 --> 00:35:52,000 Speaker 1: ebb and flow. It's why all of those down the 591 00:35:52,040 --> 00:35:56,799 Speaker 1: ballot collections matter. M that's why all of that on 592 00:35:57,800 --> 00:36:02,319 Speaker 1: presidential stuff really doesn't do it justice in terms of 593 00:36:02,440 --> 00:36:05,600 Speaker 1: exactly what's going on in the world in terms of 594 00:36:05,920 --> 00:36:08,560 Speaker 1: the things that affect you, you know, on the day 595 00:36:08,640 --> 00:36:12,280 Speaker 1: to day. Right. Yeah, and this is yeah, well we're 596 00:36:12,400 --> 00:36:16,440 Speaker 1: I think again looking at now, just always thinking of 597 00:36:16,520 --> 00:36:18,920 Speaker 1: having the federal things at the top of mind, not 598 00:36:19,000 --> 00:36:23,040 Speaker 1: realizing that that's it's all the state legislative and municipality 599 00:36:23,400 --> 00:36:26,640 Speaker 1: legislators that are the ones that are truly like shaping 600 00:36:26,680 --> 00:36:30,000 Speaker 1: what your day to day actual experiences, like the people 601 00:36:30,160 --> 00:36:33,480 Speaker 1: in the community you're in is by those people, and yeah, 602 00:36:33,680 --> 00:36:35,799 Speaker 1: it's just a shame now to see like how many 603 00:36:35,880 --> 00:36:38,160 Speaker 1: also police chiefs are saying like, yeah, well, you know 604 00:36:38,239 --> 00:36:41,319 Speaker 1: that it shows that the legal system works, like that's 605 00:36:41,320 --> 00:36:43,839 Speaker 1: been the sort of through line, and it's like, yeah, 606 00:36:43,840 --> 00:36:49,440 Speaker 1: Alex villen Auavea, the head of the l A sheriff Department, 607 00:36:49,880 --> 00:36:55,040 Speaker 1: came through with seeing we told you justice works, and yeah, 608 00:36:55,320 --> 00:36:59,000 Speaker 1: there's a gang problem in your department. In your department 609 00:36:59,200 --> 00:37:03,239 Speaker 1: there in there are sheriff's gangs and the reporter who 610 00:37:03,239 --> 00:37:05,279 Speaker 1: has been reporting on it has to wear a bulletproof 611 00:37:05,360 --> 00:37:08,880 Speaker 1: vest now because she's getting death threats because she bothered 612 00:37:08,880 --> 00:37:11,400 Speaker 1: to report on these gangs that exists in the Sheriff's 613 00:37:11,880 --> 00:37:14,960 Speaker 1: series Castle, who was on Daily Zykist a couple of 614 00:37:14,960 --> 00:37:19,040 Speaker 1: weeks ago. She also went to a press conference with 615 00:37:20,160 --> 00:37:24,520 Speaker 1: her credentials and was arrested for not having her credentials 616 00:37:24,560 --> 00:37:28,759 Speaker 1: by the Sheriff's department, uh and or detained and then 617 00:37:28,840 --> 00:37:33,560 Speaker 1: let go. But you know, the message was clear because 618 00:37:33,680 --> 00:37:35,759 Speaker 1: again I think and that I think it's indicative and 619 00:37:36,040 --> 00:37:38,400 Speaker 1: what what they mean, because a lot of statements do 620 00:37:38,520 --> 00:37:40,640 Speaker 1: from police units, like well, policing as we know it 621 00:37:40,680 --> 00:37:45,360 Speaker 1: is on the line. Yeah, good, what I mean, that's 622 00:37:45,360 --> 00:37:47,200 Speaker 1: but like I know, but let's be real, like is 623 00:37:47,239 --> 00:37:50,360 Speaker 1: it is there the wealth of the like leadership in 624 00:37:50,360 --> 00:37:54,040 Speaker 1: this country to change it like that? TBD. Alright, let's 625 00:37:54,080 --> 00:37:57,360 Speaker 1: take another quick break and we'll be right back to 626 00:37:57,440 --> 00:38:17,640 Speaker 1: talk about Quimby. Segue sege, and we're back and speaking 627 00:38:17,640 --> 00:38:21,080 Speaker 1: of things that bite. I don't know, quick bites, quick, 628 00:38:21,840 --> 00:38:26,680 Speaker 1: quick bites. Quimby is back. I'm just bringing this up 629 00:38:26,719 --> 00:38:30,120 Speaker 1: because it's really about what Quimby cost and then what 630 00:38:30,160 --> 00:38:33,879 Speaker 1: they just sold everything for because Roku, who makes like TV, 631 00:38:34,040 --> 00:38:36,719 Speaker 1: you know Roku and all those little adapters that ship, 632 00:38:37,280 --> 00:38:41,120 Speaker 1: they bought all of the Quimby content and they're like 633 00:38:41,200 --> 00:38:44,160 Speaker 1: sort of repurposing it as Roku originals and they're making 634 00:38:44,160 --> 00:38:46,920 Speaker 1: their own like streaming content or whatever. But the reason 635 00:38:46,960 --> 00:38:48,400 Speaker 1: I was like reading about it because this was this 636 00:38:48,400 --> 00:38:50,719 Speaker 1: is announced batch back in January that wrote who might 637 00:38:50,760 --> 00:38:54,359 Speaker 1: come through with it. Quimby cost one point seven five 638 00:38:54,520 --> 00:38:57,640 Speaker 1: billion dollars. That's how much they put into production. That's 639 00:38:57,640 --> 00:39:00,400 Speaker 1: what they spending, that's what that's how much they raised. 640 00:39:01,440 --> 00:39:04,919 Speaker 1: Quimby completed, launched, off the ground market and everything. One 641 00:39:05,160 --> 00:39:11,680 Speaker 1: point seven five billion dollars, okay, and only a couple 642 00:39:11,719 --> 00:39:14,680 Speaker 1: of months. The Wall Street Journal there's any things saying 643 00:39:14,800 --> 00:39:19,319 Speaker 1: they sold it to Roku quote for significantly less than 644 00:39:19,680 --> 00:39:24,720 Speaker 1: one hundred million dollars. So let's assume that's what sixty 645 00:39:24,760 --> 00:39:31,480 Speaker 1: million trying to flip that hundu, right, and now that's 646 00:39:31,480 --> 00:39:36,160 Speaker 1: a loss for Quippy. I just loved that. I just 647 00:39:36,200 --> 00:39:39,600 Speaker 1: love that ship. One point seven five man, will you 648 00:39:39,600 --> 00:39:45,960 Speaker 1: pay fifty fruit? I don't know, man, please uh. I 649 00:39:46,080 --> 00:39:49,239 Speaker 1: think that Quimby has an opportunity to come back because 650 00:39:49,280 --> 00:39:55,160 Speaker 1: it was an app that was for the commuter and 651 00:39:55,239 --> 00:39:58,880 Speaker 1: for people in the office sneaking and streaming at their desk. 652 00:39:59,760 --> 00:40:03,040 Speaker 1: Can mutant went away in office work went away, so 653 00:40:03,960 --> 00:40:07,560 Speaker 1: you're dead. Then they had that stupid tech thing where 654 00:40:07,920 --> 00:40:12,280 Speaker 1: you couldn't watch the ship on a laptop or TV 655 00:40:13,840 --> 00:40:17,319 Speaker 1: perfect and by the time they lifted that embargo, it 656 00:40:17,400 --> 00:40:20,279 Speaker 1: was too late. My fuckers was on life support, so 657 00:40:20,920 --> 00:40:24,640 Speaker 1: you know it was done. Deal vaccines flowing. What did 658 00:40:24,680 --> 00:40:27,680 Speaker 1: Joe Biden say this week? Two hundred million got the 659 00:40:27,760 --> 00:40:31,719 Speaker 1: shot or two dred million shots? I don't you know what. 660 00:40:32,200 --> 00:40:34,160 Speaker 1: Let me take that back, maybe they might be padding 661 00:40:34,200 --> 00:40:39,080 Speaker 1: the stats over there because two hundred shots, it's technically 662 00:40:39,480 --> 00:40:42,160 Speaker 1: a hundred back because you get two shots, are you're 663 00:40:42,200 --> 00:40:46,920 Speaker 1: gotting both shots? Joe Biden Anyway, my fucker's are going 664 00:40:46,960 --> 00:40:50,680 Speaker 1: back outside again. So if people are going back outside again, 665 00:40:51,400 --> 00:40:58,080 Speaker 1: then I think that there's a chance that quid Be 666 00:40:58,640 --> 00:41:01,440 Speaker 1: could come back. Also, the other thing that's happened at 667 00:41:01,480 --> 00:41:05,239 Speaker 1: the same time, pretty much every streamer has raised their 668 00:41:05,360 --> 00:41:09,040 Speaker 1: price or is planning to raise the price, and Quimby 669 00:41:09,120 --> 00:41:12,200 Speaker 1: has enough star power. I don't only watch The only 670 00:41:12,200 --> 00:41:16,960 Speaker 1: thing I watched on Quimby was Chrissy t Gets Courtroom Show, 671 00:41:17,200 --> 00:41:22,120 Speaker 1: because you know, I kind of like her, She's cool. 672 00:41:22,600 --> 00:41:25,960 Speaker 1: And then there was a movie they had, like a 673 00:41:25,960 --> 00:41:28,840 Speaker 1: movie that was split up into like seven minute parts, 674 00:41:29,040 --> 00:41:33,280 Speaker 1: and I was like, like I made it through thirty 675 00:41:33,280 --> 00:41:35,319 Speaker 1: minutes of that and like that was it. Like I 676 00:41:35,320 --> 00:41:39,080 Speaker 1: didn't really watch anything else over there. So I think 677 00:41:39,080 --> 00:41:41,840 Speaker 1: they come back cheap, and they come back with the names. 678 00:41:42,480 --> 00:41:44,760 Speaker 1: They have a chance. But I think that's the problem 679 00:41:44,800 --> 00:41:48,120 Speaker 1: is they wasted all that money and they've sold all 680 00:41:48,200 --> 00:41:51,520 Speaker 1: the I P so they I don't know what happens. 681 00:41:51,600 --> 00:41:53,840 Speaker 1: Katzenberg is gonna have to I don't know the US 682 00:41:53,880 --> 00:41:55,880 Speaker 1: do another round of fundraising to try and get all 683 00:41:55,880 --> 00:41:58,440 Speaker 1: that money going. But yeah, it was interesting cause I 684 00:41:58,440 --> 00:41:59,920 Speaker 1: think the one thing that they did have was like 685 00:42:00,040 --> 00:42:03,160 Speaker 1: the aspect ratio of going from vertical to horizontal and stuff, 686 00:42:03,160 --> 00:42:04,719 Speaker 1: and that would give you new things. I think that 687 00:42:04,880 --> 00:42:07,960 Speaker 1: was legitimately an interesting thing. But yet to your point, 688 00:42:08,000 --> 00:42:10,560 Speaker 1: like people also want to watch it on a computer 689 00:42:10,800 --> 00:42:13,000 Speaker 1: or a TV or whatever, and when you have stars, 690 00:42:13,000 --> 00:42:15,920 Speaker 1: you're used to seeing on that format. Alright, I rotate 691 00:42:15,960 --> 00:42:18,000 Speaker 1: my phone. I can see more of the room that 692 00:42:18,040 --> 00:42:20,920 Speaker 1: the actors are talking in. That to me was like, Okay, 693 00:42:20,960 --> 00:42:23,239 Speaker 1: that's cool, but it still boils down to what's the 694 00:42:23,320 --> 00:42:28,840 Speaker 1: story on the screen, but it rotates it good. Yeah, 695 00:42:29,000 --> 00:42:33,480 Speaker 1: I can see you around the corner. Now. Oh it's 696 00:42:33,480 --> 00:42:37,280 Speaker 1: a bigger conference room than I thought. That part was cool. 697 00:42:38,480 --> 00:42:42,440 Speaker 1: But I root for it to do well because the 698 00:42:42,520 --> 00:42:45,440 Speaker 1: board places there are for content stories to be told 699 00:42:45,480 --> 00:42:48,960 Speaker 1: about opportunities I have to get a check exactly. I've 700 00:42:49,000 --> 00:42:51,560 Speaker 1: always been rooting for there's so many talented people who 701 00:42:51,560 --> 00:42:55,120 Speaker 1: are getting paid. Who are you know, drinking up that 702 00:42:55,239 --> 00:42:59,760 Speaker 1: one point seven billion. I just it is also such 703 00:42:59,760 --> 00:43:04,520 Speaker 1: a perfect example of like executive overreach and just putting 704 00:43:05,280 --> 00:43:09,840 Speaker 1: one idea and executive had before any of the many 705 00:43:09,880 --> 00:43:12,960 Speaker 1: many things that you have to do to make something work. 706 00:43:13,160 --> 00:43:16,279 Speaker 1: They're like, well people people like short stuff. Uh, and 707 00:43:16,320 --> 00:43:20,120 Speaker 1: then you know, meanwhile, YouTube is trending longer and longer, 708 00:43:20,280 --> 00:43:23,360 Speaker 1: and Netflix like the thing people are addicted to is 709 00:43:23,440 --> 00:43:27,359 Speaker 1: like streaming shows that like keep you glued to your 710 00:43:27,360 --> 00:43:30,399 Speaker 1: TV until five in the morning. Like it was just 711 00:43:30,960 --> 00:43:35,800 Speaker 1: I remember that like when the web, like when putting 712 00:43:35,800 --> 00:43:38,480 Speaker 1: content online first started, people were like, it's got to 713 00:43:38,520 --> 00:43:42,200 Speaker 1: be thirty seconds or less or else nobody's gonna watch it, 714 00:43:42,719 --> 00:43:45,960 Speaker 1: and like they just stopped thinking about it at that point. 715 00:43:46,040 --> 00:43:48,359 Speaker 1: They're like, all right, we gotta we gotta make it 716 00:43:48,440 --> 00:43:52,040 Speaker 1: bite sized content for anybody to consume it in this 717 00:43:52,200 --> 00:43:54,360 Speaker 1: fast paced world. And people are like, no, we we 718 00:43:54,480 --> 00:44:01,360 Speaker 1: want relief from this fast paced world. About Quimby and 719 00:44:01,480 --> 00:44:03,759 Speaker 1: Netflix for that matter, a lot of the shows are 720 00:44:03,760 --> 00:44:07,640 Speaker 1: written to deliberately cliffhang, so it's never supposed. Even the 721 00:44:07,680 --> 00:44:13,200 Speaker 1: comedies like that are kind of serialized. They deliberately want 722 00:44:13,239 --> 00:44:16,120 Speaker 1: you to hit the next episode. So you just fucking 723 00:44:16,200 --> 00:44:19,000 Speaker 1: rat pushing the cocaine button in that cage. So it's 724 00:44:19,040 --> 00:44:22,759 Speaker 1: like that's that's what they want. But Quimby is gonna 725 00:44:22,800 --> 00:44:26,080 Speaker 1: need a flagship hit you know, you know and that, 726 00:44:26,200 --> 00:44:28,960 Speaker 1: and that's difficult, especially at a time now where a 727 00:44:29,000 --> 00:44:32,920 Speaker 1: lot of the sites are like they're just basically remixing 728 00:44:33,000 --> 00:44:36,920 Speaker 1: existing I p like pretty much every streaming side it 729 00:44:37,000 --> 00:44:39,239 Speaker 1: is like, what do we have that we already own? 730 00:44:39,480 --> 00:44:45,319 Speaker 1: Fucking a new one, build on that for cheap, and 731 00:44:45,360 --> 00:44:48,239 Speaker 1: then start doing new ideas. So you know, I don't know, 732 00:44:48,360 --> 00:44:50,320 Speaker 1: but if they're gonna come back, they're gonna need content. 733 00:44:50,440 --> 00:44:54,200 Speaker 1: So if you're listening from Quimby, get I would I 734 00:44:54,200 --> 00:44:56,800 Speaker 1: would love to see real cool like just take off 735 00:44:57,040 --> 00:45:00,959 Speaker 1: as like suddenly a really successful streaming plat form that 736 00:45:01,000 --> 00:45:05,560 Speaker 1: like is up there with Netflix and uh Quimby, like 737 00:45:05,640 --> 00:45:09,839 Speaker 1: all the big gas executives who put stake their career 738 00:45:09,840 --> 00:45:14,200 Speaker 1: on Quimby or just you know, yeah, somebody has to 739 00:45:14,200 --> 00:45:16,279 Speaker 1: get fined. Yes, you get roy a check call it 740 00:45:16,320 --> 00:45:19,520 Speaker 1: you know branded as roy coop. You know what. There 741 00:45:19,560 --> 00:45:26,960 Speaker 1: you go right there, Let's go from really bad ideas 742 00:45:27,080 --> 00:45:31,399 Speaker 1: to really bad ideas. Uh, this is called these are 743 00:45:31,920 --> 00:45:37,200 Speaker 1: some frat sickles that Natty Light is creating. I don't know. 744 00:45:37,360 --> 00:45:39,560 Speaker 1: I mean, you guys, tell me what you think so. 745 00:45:39,760 --> 00:45:42,880 Speaker 1: Natural Light has been like when I was in college, 746 00:45:42,960 --> 00:45:45,880 Speaker 1: that was the beer of choice because it was like 747 00:45:45,920 --> 00:45:49,719 Speaker 1: four dollars for a thirty pack, and they were just 748 00:45:49,800 --> 00:45:53,399 Speaker 1: like trying to give it away basically, and it tasted bad, 749 00:45:53,480 --> 00:45:55,880 Speaker 1: but like not so bad that it didn't get you drunk. 750 00:45:56,680 --> 00:46:02,200 Speaker 1: And since then they have apparently had some meetings where 751 00:46:02,200 --> 00:46:04,120 Speaker 1: they're like, what if we did like a fruity beer, 752 00:46:04,239 --> 00:46:09,320 Speaker 1: the like taste of culture culture at your uncle's beer. 753 00:46:09,880 --> 00:46:12,799 Speaker 1: It's your nanny, it's your nanny's beer. Now. I've also 754 00:46:12,840 --> 00:46:15,279 Speaker 1: been on some r fps from Light where they're like 755 00:46:15,320 --> 00:46:19,080 Speaker 1: trying to like brand themselves in an ironic way. It's right, 756 00:46:19,880 --> 00:46:22,480 Speaker 1: it's really weird, and they had some weird like pr 757 00:46:22,520 --> 00:46:26,160 Speaker 1: campaigns like internships and things like that, but they're this 758 00:46:26,320 --> 00:46:29,120 Speaker 1: all their Their first thing was like this natter Day's ship. 759 00:46:29,160 --> 00:46:34,479 Speaker 1: There's like their fruity beer strawberry lemonade or pineapple Lemonade's like, okay, fine, 760 00:46:34,480 --> 00:46:36,840 Speaker 1: whatever is. I guess it's popular enough. I've never had it. 761 00:46:36,840 --> 00:46:38,680 Speaker 1: It definitely sounds like a better idea than those like 762 00:46:38,760 --> 00:46:41,640 Speaker 1: sweet Tea truly Seltzers, which I've had one of and 763 00:46:41,760 --> 00:46:44,920 Speaker 1: immediately thought I was being poisoned um. And now they 764 00:46:44,920 --> 00:46:49,120 Speaker 1: have turned this into an eight percent a V V popsicle, 765 00:46:49,800 --> 00:46:55,879 Speaker 1: which sounds like, oh dangerous development. I mean, I guess yeah, 766 00:46:56,280 --> 00:47:00,160 Speaker 1: anytime you make alcohol easy to consume, and anytime make 767 00:47:00,200 --> 00:47:05,359 Speaker 1: alcohol fun to consume, like stupid bendy straws or those 768 00:47:05,440 --> 00:47:09,560 Speaker 1: long New Orleans hurricane cups that look like a fucking 769 00:47:09,600 --> 00:47:12,880 Speaker 1: long as water it's out traffic control tower, the long necks. 770 00:47:15,800 --> 00:47:18,799 Speaker 1: You're gonna get into some trouble, Like you're gonna you're 771 00:47:18,800 --> 00:47:23,839 Speaker 1: gonna get into some trouble yum, Like I mean like 772 00:47:25,040 --> 00:47:30,440 Speaker 1: there was for Local before, and for Local got everybody 773 00:47:30,480 --> 00:47:32,839 Speaker 1: off the crazy colors. But you know, like I came 774 00:47:32,920 --> 00:47:36,920 Speaker 1: up with like Mad Dog and all of that ship 775 00:47:37,560 --> 00:47:41,880 Speaker 1: and all of that like this, Yeah, it's just like, 776 00:47:41,920 --> 00:47:44,720 Speaker 1: oh it's just fruity or it's sane eyes the little 777 00:47:44,719 --> 00:47:49,239 Speaker 1: fruity cooler cocktail joints or whatever if naughty light like 778 00:47:50,280 --> 00:47:55,560 Speaker 1: PBRs more refined cousin that like finnished community college and 779 00:47:55,560 --> 00:47:59,400 Speaker 1: it's like, you know, well respected beer but also a 780 00:47:59,480 --> 00:48:05,560 Speaker 1: beer that exudes shot shot shot shot shots right, Yes, yeah, yeah, 781 00:48:05,320 --> 00:48:08,560 Speaker 1: I would, I would. I don't know that it finished 782 00:48:08,560 --> 00:48:13,480 Speaker 1: community college necessarily but definitely, yeah, it definitely told their 783 00:48:13,520 --> 00:48:17,160 Speaker 1: parents that they went. They were going and didn't tell 784 00:48:17,160 --> 00:48:19,080 Speaker 1: their parents. They were just sleeping in the car of 785 00:48:19,120 --> 00:48:22,000 Speaker 1: a grocery store near the campus during class and then 786 00:48:22,040 --> 00:48:24,839 Speaker 1: we'll drive back and say class was good. Yeah, yeah, 787 00:48:25,040 --> 00:48:27,200 Speaker 1: And PBR told him so and said you should have 788 00:48:27,280 --> 00:48:35,520 Speaker 1: never lied what these are made like that they might 789 00:48:35,520 --> 00:48:39,560 Speaker 1: have had a like excess packaging at the h at 790 00:48:39,560 --> 00:48:43,040 Speaker 1: the popsicle factory, Like these look exactly like things that 791 00:48:43,719 --> 00:48:46,040 Speaker 1: my three year old and four year old would be 792 00:48:46,960 --> 00:48:49,799 Speaker 1: so hyped to get their hands on. Oh yeah, this 793 00:48:49,840 --> 00:48:54,839 Speaker 1: is right. If the candy cigarettes exactly quick cigarettes still 794 00:48:54,840 --> 00:48:57,680 Speaker 1: gave you cancer? What's the over under on stories where 795 00:48:57,719 --> 00:48:59,920 Speaker 1: a bunch of kids have found their kids matter day, 796 00:49:00,120 --> 00:49:03,080 Speaker 1: their parents Saturday's popsicles and God just bent out of 797 00:49:03,120 --> 00:49:05,480 Speaker 1: shape off of them. Like, I don't I feel like 798 00:49:05,520 --> 00:49:07,799 Speaker 1: it's very quick because I when looking at it, I 799 00:49:07,840 --> 00:49:09,880 Speaker 1: had to look very closely to be like, where does 800 00:49:09,880 --> 00:49:12,520 Speaker 1: this say this is alcohol? Like when you look at 801 00:49:12,520 --> 00:49:15,319 Speaker 1: the red the packaging. But yeah, like you said, really 802 00:49:15,400 --> 00:49:19,320 Speaker 1: making it easier to consume. I think it's like this 803 00:49:19,520 --> 00:49:22,920 Speaker 1: because now we're going back to childhood where the popsicle 804 00:49:23,040 --> 00:49:25,200 Speaker 1: is like yes, I got a popsicle. Now we're adding 805 00:49:25,360 --> 00:49:28,840 Speaker 1: alcohol to that experience. I don't know if there's another 806 00:49:28,960 --> 00:49:32,520 Speaker 1: level that will inspire more childlike excitement than the popsicle. 807 00:49:33,000 --> 00:49:39,240 Speaker 1: They look like the squeezable yogurt tubes I give yeah right, yeah, yeah, 808 00:49:39,400 --> 00:49:42,320 Speaker 1: this ship looks like durt. I don't want him having 809 00:49:42,360 --> 00:49:46,439 Speaker 1: some natty light sending him out the door to four 810 00:49:46,520 --> 00:49:51,040 Speaker 1: year old pre K's Like, would we found some of 811 00:49:51,080 --> 00:49:54,879 Speaker 1: your child's lunch box? Uh? Just filled to the brim 812 00:49:54,960 --> 00:50:03,520 Speaker 1: when Naturday's Wait what those go girds? Yeah? Also, like 813 00:50:04,120 --> 00:50:07,680 Speaker 1: people aren't gonna actually freezy I mean, like responsible people 814 00:50:07,760 --> 00:50:11,399 Speaker 1: will freezies, but this just gives you a faster way 815 00:50:11,480 --> 00:50:16,759 Speaker 1: to to drink Saturday's I'm assuming, and get drunk off Saturday's. Yeah, 816 00:50:17,000 --> 00:50:20,480 Speaker 1: I mean, I don't really know how cool you look 817 00:50:20,560 --> 00:50:25,960 Speaker 1: pulling one of these out of the cooling meat on 818 00:50:26,000 --> 00:50:32,960 Speaker 1: their drill, yourilling meat. Who wants a popsicle? But Rap 819 00:50:33,040 --> 00:50:36,640 Speaker 1: brothers sucking on popsicles is a funny image to me. 820 00:50:38,040 --> 00:50:41,399 Speaker 1: Just replace all these party scenes, which is frapayses eating 821 00:50:41,400 --> 00:50:46,640 Speaker 1: these popsicles and ships doing the linking arms thing, but 822 00:50:46,760 --> 00:50:50,480 Speaker 1: just sucking on a popsicle for like sit on them 823 00:50:50,480 --> 00:50:54,000 Speaker 1: and put them up. There would be some sort of 824 00:50:54,080 --> 00:50:58,480 Speaker 1: ash shot remix with the pot like whatever the beer funnel, 825 00:50:59,000 --> 00:51:00,880 Speaker 1: what was that when people were dying a couple of 826 00:51:00,960 --> 00:51:04,440 Speaker 1: years ago from but chugging, Yeah, but chugging. This will 827 00:51:04,480 --> 00:51:07,400 Speaker 1: be the ugging, right, It's just make a frozen but 828 00:51:07,600 --> 00:51:10,879 Speaker 1: plug like by like melting together like fifty of them 829 00:51:10,920 --> 00:51:13,520 Speaker 1: things and like can you handle the mega plug of 830 00:51:13,640 --> 00:51:20,080 Speaker 1: natur Day? Like, oh my god, are freezing? That's the point, Bro, 831 00:51:21,120 --> 00:51:24,240 Speaker 1: Maybe this will being bring back Bro's ice and bros though, 832 00:51:24,320 --> 00:51:29,319 Speaker 1: which is you know, just giving someone You should add 833 00:51:29,320 --> 00:51:31,080 Speaker 1: a disclaimer right there because I feel like we just 834 00:51:31,120 --> 00:51:33,360 Speaker 1: gave someone an idea and they're gonna take that to 835 00:51:33,400 --> 00:51:39,000 Speaker 1: the front. Daily z Case is not responsible for any 836 00:51:39,719 --> 00:51:44,560 Speaker 1: mega plug, for the mega plug for any uh anal ingestion, 837 00:51:45,239 --> 00:51:51,040 Speaker 1: uh rec consumption of this. All right, let's talk about 838 00:51:51,480 --> 00:51:54,919 Speaker 1: old people fashion. There's an article in the Wall Street 839 00:51:55,000 --> 00:51:59,400 Speaker 1: Journal that that's my source for all fashion, right is 840 00:51:59,400 --> 00:52:02,399 Speaker 1: the Wall Street Journal. But this article is kind of fun. 841 00:52:02,640 --> 00:52:06,960 Speaker 1: There's it's like a fashion blogger talking about this trend 842 00:52:07,680 --> 00:52:12,760 Speaker 1: where like a lot of fashion photographers and like instagrams 843 00:52:12,960 --> 00:52:17,480 Speaker 1: are like they're they're these really popular feeds of just 844 00:52:17,600 --> 00:52:21,520 Speaker 1: old person fashion, but like the ship is like really 845 00:52:21,520 --> 00:52:24,440 Speaker 1: cool looking, like the stuff that old people are wearing 846 00:52:24,480 --> 00:52:28,080 Speaker 1: in these pictures, and you know, the theory is basically 847 00:52:28,160 --> 00:52:34,160 Speaker 1: that they are picking the coolest ship from their archive 848 00:52:34,280 --> 00:52:38,680 Speaker 1: of like decades old clothes and just authentically wearing whatever 849 00:52:39,640 --> 00:52:44,400 Speaker 1: you know brings them joy, and they're like ignoring whatever 850 00:52:45,040 --> 00:52:49,480 Speaker 1: you know young people are chasing and just creating these 851 00:52:49,640 --> 00:52:53,520 Speaker 1: wild as mixes of color. Yeah yeah, and like ignoring 852 00:52:53,600 --> 00:52:56,359 Speaker 1: that like makes them. It's like the Marge Simpson scene 853 00:52:56,360 --> 00:53:00,840 Speaker 1: where she's like, does I'm so not cool that maybe 854 00:53:00,880 --> 00:53:03,319 Speaker 1: I am cool? And the kids are like, nah, I 855 00:53:03,360 --> 00:53:06,520 Speaker 1: think that has finally come true for for the elderly. 856 00:53:07,640 --> 00:53:10,720 Speaker 1: Is this like, because I've also seen accounts where clearly 857 00:53:10,760 --> 00:53:14,280 Speaker 1: somebody just dressing up a grandparent in their own clothes 858 00:53:14,760 --> 00:53:18,280 Speaker 1: and like your heype beast grandpa with the supreme drip, 859 00:53:19,120 --> 00:53:21,719 Speaker 1: which is like, okay, like I see the novelty of that, 860 00:53:21,760 --> 00:53:24,120 Speaker 1: but like, are these so you're just saying these are 861 00:53:24,160 --> 00:53:27,600 Speaker 1: the most swagged out elderly people legitimately digging into their 862 00:53:27,640 --> 00:53:32,919 Speaker 1: own fashions. Sometimes when I claim right that these are 863 00:53:33,000 --> 00:53:36,760 Speaker 1: all old people who they just caught in the wild 864 00:53:36,920 --> 00:53:40,279 Speaker 1: wearing dope ship gives us hope. Isn't that the point? 865 00:53:40,400 --> 00:53:43,839 Speaker 1: Is that the point? Yeah, I'm not really a fashion guy, 866 00:53:43,920 --> 00:53:45,800 Speaker 1: Like I just kind of I don't really care about 867 00:53:45,800 --> 00:53:48,160 Speaker 1: clothes until it's time to be on television, which is 868 00:53:48,160 --> 00:53:50,920 Speaker 1: probably not the best time to be scrambling five seconds 869 00:53:50,960 --> 00:53:57,640 Speaker 1: before together. I literally, I literally emailed your producer twenty 870 00:53:57,680 --> 00:54:00,600 Speaker 1: minutes before this show began. And that's it. Hey man, 871 00:54:01,320 --> 00:54:04,480 Speaker 1: is this video? Or don't have to wear a shirt 872 00:54:04,560 --> 00:54:08,040 Speaker 1: for this ship? How do I need to brush my hair? 873 00:54:08,880 --> 00:54:13,120 Speaker 1: That's that's where I am. Now. The pictures are dope. 874 00:54:13,160 --> 00:54:16,520 Speaker 1: I mean, the people look great, and it also really 875 00:54:16,640 --> 00:54:21,200 Speaker 1: really shows like that. I think these old people know that, 876 00:54:21,480 --> 00:54:23,920 Speaker 1: Like they're just not like, oh you caught me in 877 00:54:24,040 --> 00:54:29,960 Speaker 1: my magenta an aquamarine blaze. Oh yeah, they're dressing. You 878 00:54:30,120 --> 00:54:33,680 Speaker 1: knew you was fly when you left the fun right, 879 00:54:34,480 --> 00:54:36,799 Speaker 1: you didn't know you were getting a picture taking, right. 880 00:54:37,120 --> 00:54:39,080 Speaker 1: But old people are the ones who will like dress 881 00:54:39,160 --> 00:54:42,160 Speaker 1: up for a flight. Well you know, Younger people are 882 00:54:42,200 --> 00:54:44,880 Speaker 1: the ones you're more likely to see with socks and 883 00:54:44,920 --> 00:54:49,000 Speaker 1: sweatpants on them. Yeah. I remember my grandfather, he wore 884 00:54:49,160 --> 00:54:52,719 Speaker 1: a suit. There was this burger place on crunshot called 885 00:54:52,760 --> 00:54:55,680 Speaker 1: it a burger and it was designed like a fifties 886 00:54:55,719 --> 00:54:58,080 Speaker 1: car hot place, and it was really cool and everybody 887 00:54:58,160 --> 00:55:00,680 Speaker 1: was like, oh, et a Burger's opening up. Motherfucker wore 888 00:55:00,719 --> 00:55:03,520 Speaker 1: a suit to go get a burger when when I 889 00:55:03,560 --> 00:55:05,319 Speaker 1: was a kid, and I remember me like, what the fun? 890 00:55:05,440 --> 00:55:08,600 Speaker 1: And I think there is just this generational thing where 891 00:55:08,920 --> 00:55:11,920 Speaker 1: I'm like you Roy, where I wear this more the 892 00:55:12,000 --> 00:55:16,600 Speaker 1: same version of that same outfit pretty much infinitely, where 893 00:55:16,640 --> 00:55:18,200 Speaker 1: I don't have it in me. I don't have the 894 00:55:18,320 --> 00:55:21,399 Speaker 1: mind to dress up for things as much as I 895 00:55:21,440 --> 00:55:24,120 Speaker 1: see you know, I guess other people who respect going 896 00:55:24,120 --> 00:55:26,279 Speaker 1: out or something. I don't know what it is. Yeah, 897 00:55:26,440 --> 00:55:28,920 Speaker 1: I just I don't know. I know a lot of that. 898 00:55:28,960 --> 00:55:32,480 Speaker 1: It's all habits from stand up comedy and places that 899 00:55:32,560 --> 00:55:35,719 Speaker 1: didn't demand that I dress up. So there's that, But 900 00:55:36,360 --> 00:55:40,200 Speaker 1: I don't know fat good fashion. I respected enough to 901 00:55:40,320 --> 00:55:43,120 Speaker 1: know that I don't have the attention span required to 902 00:55:43,200 --> 00:55:46,440 Speaker 1: do it well. You have to shot at a level 903 00:55:46,600 --> 00:55:48,759 Speaker 1: that I don't have the time for, and then you 904 00:55:48,760 --> 00:55:53,919 Speaker 1: have to put your outfit together and exited with this this. 905 00:55:55,200 --> 00:55:58,040 Speaker 1: I just don't have the time to think. Man, for you, 906 00:55:58,120 --> 00:56:01,080 Speaker 1: what's the highest point of fashion for you, perly that 907 00:56:01,280 --> 00:56:06,200 Speaker 1: you when you say, oh shit, I'm I'm dressing up today. Well, 908 00:56:06,239 --> 00:56:09,719 Speaker 1: we went to the Emmys. I got a custom tuxedough, Okay, 909 00:56:09,880 --> 00:56:11,799 Speaker 1: that's fair. I mean the Daily Show when The Daily 910 00:56:11,800 --> 00:56:15,360 Speaker 1: Show was nominated at that time, I got a really 911 00:56:15,440 --> 00:56:20,040 Speaker 1: nice tuxedo from the homie Rich Fresh. That's probably where 912 00:56:20,080 --> 00:56:21,879 Speaker 1: I was like, you know what, Yeah, I'm gonna get 913 00:56:22,040 --> 00:56:25,479 Speaker 1: right for this. Right my first hour special brawler about 914 00:56:25,480 --> 00:56:28,400 Speaker 1: all that ship and Macy's there, Like it wasn't like 915 00:56:28,400 --> 00:56:31,200 Speaker 1: like everybody else I know me because to me get 916 00:56:31,200 --> 00:56:34,080 Speaker 1: the trip and then I'm getting shoes from Italy and 917 00:56:34,120 --> 00:56:39,600 Speaker 1: then I get my socks from Vancouver. Vancouver has I 918 00:56:39,640 --> 00:56:41,640 Speaker 1: did it? Macy's on thirty four, I got all that 919 00:56:41,640 --> 00:56:49,080 Speaker 1: ship between two floors. There you go. So the best 920 00:56:49,200 --> 00:56:53,680 Speaker 1: outfits in this article are these this elderly couple who 921 00:56:53,680 --> 00:56:57,280 Speaker 1: own a laundromat and like put together these amazing outfits 922 00:56:57,360 --> 00:57:01,120 Speaker 1: using ship their clients leave behind. But that is definitely 923 00:57:01,160 --> 00:57:04,359 Speaker 1: one where you can tell that they've got a Either 924 00:57:04,480 --> 00:57:08,520 Speaker 1: they have like the most just cutting edge fashion sensibility, 925 00:57:08,640 --> 00:57:11,520 Speaker 1: or they have like a consultant but like the big 926 00:57:11,560 --> 00:57:15,239 Speaker 1: thing that they're doing is there. You know, most laundromats 927 00:57:15,239 --> 00:57:18,680 Speaker 1: are also tailoring locations, and they're tailoring all the fits 928 00:57:18,720 --> 00:57:22,400 Speaker 1: to like look really good on them. Which that's that's 929 00:57:22,440 --> 00:57:27,760 Speaker 1: the key. I think pretty dope though. All right, real quick, 930 00:57:27,800 --> 00:57:30,920 Speaker 1: speaking of awards shows, I do wanna talk about the 931 00:57:31,000 --> 00:57:34,680 Speaker 1: plan for this year's oscars. I hadn't really heard of this, 932 00:57:34,760 --> 00:57:40,920 Speaker 1: but so, um they're being helmed by Steven Sworderberg, the 933 00:57:40,960 --> 00:57:44,720 Speaker 1: guy who made Contagion. So the pandemic oscars are being 934 00:57:44,760 --> 00:57:47,560 Speaker 1: made by the guy made Contagion. Uh. They're saying it 935 00:57:47,640 --> 00:57:51,280 Speaker 1: won't feel like a TV awards show. It will feel 936 00:57:51,280 --> 00:57:55,120 Speaker 1: like you're watching movie. The presenters will be playing versions 937 00:57:55,160 --> 00:57:59,840 Speaker 1: of themselves working from scripts, which I don't. I mean 938 00:57:59,840 --> 00:58:01,960 Speaker 1: that it's true of all awards shows. I guess I 939 00:58:02,040 --> 00:58:05,080 Speaker 1: wish I would get nominated for a fucking award and 940 00:58:05,120 --> 00:58:07,640 Speaker 1: then the award show tells me I gotta do all 941 00:58:07,680 --> 00:58:16,320 Speaker 1: of this extra righting character who yeah, exactly. Uh, It's 942 00:58:16,560 --> 00:58:19,640 Speaker 1: it's just very strange like so it seems like this 943 00:58:19,720 --> 00:58:23,480 Speaker 1: idea was approved by somebody who knew that Soderberg had 944 00:58:23,520 --> 00:58:27,520 Speaker 1: made like Oceans eleven and Contagion, like all his successful 945 00:58:27,560 --> 00:58:31,080 Speaker 1: commercial movies and wasn't aware of like all the really 946 00:58:31,120 --> 00:58:35,120 Speaker 1: experimental ship that he's made that like audiences were like 947 00:58:35,160 --> 00:58:38,200 Speaker 1: no thing like full frontal. A lot of people haven't 948 00:58:38,240 --> 00:58:43,120 Speaker 1: seen that. That's like Julia Roberts and yeah, everybody missed 949 00:58:43,160 --> 00:58:48,240 Speaker 1: that one. But it's very strange, experimental, like fourteen different characters, 950 00:58:48,320 --> 00:58:52,720 Speaker 1: nothing really makes sense. And he yeah, it's a He's 951 00:58:52,800 --> 00:58:56,440 Speaker 1: just going very like in a in a very strange 952 00:58:56,920 --> 00:59:00,680 Speaker 1: direction with this that this is the first Oscars I'm 953 00:59:00,720 --> 00:59:05,880 Speaker 1: going to watch just because for the Yeah, for the 954 00:59:06,440 --> 00:59:11,160 Speaker 1: like this is going this could be totally fucking off 955 00:59:11,160 --> 00:59:13,200 Speaker 1: the rails. I think it's gonna be either all good 956 00:59:13,280 --> 00:59:16,000 Speaker 1: or all bad. Like it's either gonna work and you're like, 957 00:59:16,240 --> 00:59:18,960 Speaker 1: fuck man that I guess shooting it in twenty four 958 00:59:19,040 --> 00:59:21,479 Speaker 1: frames for a second really did give us some cinematic field. 959 00:59:21,560 --> 00:59:24,800 Speaker 1: Or it's going to be the first Anything is better 960 00:59:24,840 --> 00:59:27,880 Speaker 1: than seeing nine people in the zoom chat and eight 961 00:59:27,920 --> 00:59:36,720 Speaker 1: of them are saying the trophy. Yeah, that's what I 962 00:59:36,720 --> 00:59:38,560 Speaker 1: like that there's there's no so and this one hasn't 963 00:59:38,560 --> 00:59:42,160 Speaker 1: absolutely no zoom anything right, like nobody this one. He 964 00:59:42,360 --> 00:59:44,440 Speaker 1: when he agreed to do it, which is kind of 965 00:59:44,440 --> 00:59:46,440 Speaker 1: a weird move for the guy who made Contagion, like 966 00:59:46,520 --> 00:59:49,480 Speaker 1: researched all pandemics and ship He said, I will do 967 00:59:49,560 --> 00:59:52,720 Speaker 1: this if it's agreed that they're going to be absolutely 968 00:59:52,800 --> 00:59:57,240 Speaker 1: no people allowed on zoom uh. And they agreed to that, 969 00:59:57,280 --> 01:00:00,560 Speaker 1: and so yeah they did. They did create it hubs 970 01:00:00,600 --> 01:00:04,240 Speaker 1: for people in like Europe to go to so that 971 01:00:04,280 --> 01:00:07,959 Speaker 1: they wouldn't kill Anthony Hopkins. Yeah, there's like a UK 972 01:00:08,160 --> 01:00:16,320 Speaker 1: hub and other European UK uk oscar distribution hub. Yeah, exactly. Um, 973 01:00:16,360 --> 01:00:19,320 Speaker 1: I guess it seemed like a lot of trouble to 974 01:00:19,360 --> 01:00:23,840 Speaker 1: go through to not give black movies the awards they deserve, 975 01:00:24,560 --> 01:00:29,160 Speaker 1: all right, it will Yeah. Well the last time they 976 01:00:29,160 --> 01:00:32,160 Speaker 1: tried to go high concept and like gave the Oscars 977 01:00:32,200 --> 01:00:36,760 Speaker 1: over to like a visionary it was a real disaster. 978 01:00:37,600 --> 01:00:40,920 Speaker 1: Um no, ain't no, ain't no black movies going in 979 01:00:41,120 --> 01:00:44,040 Speaker 1: now because that's chovn trial the black people we gave 980 01:00:44,080 --> 01:00:49,360 Speaker 1: the moral likensing will continue. You get no trophies this month. 981 01:00:49,760 --> 01:00:54,480 Speaker 1: Sorry about that. I'm a pessimist. Yah. Yeah, then just 982 01:00:54,520 --> 01:00:58,280 Speaker 1: to see it, I mean again with the drama of 983 01:00:58,840 --> 01:01:01,120 Speaker 1: a presenter, I mean like I don't know about this 984 01:01:01,240 --> 01:01:05,080 Speaker 1: presentation and I'm gonna say what and the Oscar goes 985 01:01:05,320 --> 01:01:07,000 Speaker 1: to or how how do you? How do you many 986 01:01:07,040 --> 01:01:09,760 Speaker 1: deliver that? Right, Steven? Like what is that? How? Like 987 01:01:09,800 --> 01:01:14,240 Speaker 1: what is the character they're playing that is not just 988 01:01:14,520 --> 01:01:17,240 Speaker 1: them delivering an award speech? Like is there going to 989 01:01:17,320 --> 01:01:20,600 Speaker 1: be like a spy theme where or these peop were 990 01:01:20,640 --> 01:01:24,160 Speaker 1: just so you know, thirsty to perform again that there's like, Okay, 991 01:01:24,160 --> 01:01:26,160 Speaker 1: we're gonna form at it. So the whole thing is 992 01:01:26,200 --> 01:01:29,120 Speaker 1: a performance, baby, because we haven't been able to get 993 01:01:29,160 --> 01:01:31,400 Speaker 1: out there and just stretch our wings. Trust me, if 994 01:01:31,400 --> 01:01:33,440 Speaker 1: you come to this you will have you literally you 995 01:01:33,440 --> 01:01:36,720 Speaker 1: will have to perform. If you participate in these oscars. 996 01:01:38,000 --> 01:01:41,080 Speaker 1: I need you to. Like you just lost, like you 997 01:01:41,160 --> 01:01:47,600 Speaker 1: just won, yes, all right and you lost? So that 998 01:01:47,720 --> 01:01:54,400 Speaker 1: was just an exercise. Uh alright, Broy, It's been such 999 01:01:54,400 --> 01:01:57,600 Speaker 1: a pleasure having you. Man, Where can people find you? 1000 01:01:57,720 --> 01:02:02,960 Speaker 1: Follow you? Here? You the podcast? Is Roy's job? Fair 1001 01:02:03,240 --> 01:02:07,080 Speaker 1: to just start there and you can find me everywhere 1002 01:02:07,080 --> 01:02:11,360 Speaker 1: else if you find me in that spot. Another lesser 1003 01:02:11,520 --> 01:02:15,240 Speaker 1: daily show h than the daily za geist you're you're 1004 01:02:15,280 --> 01:02:22,120 Speaker 1: involved with? I here? Oh yeah, and daily show at 1005 01:02:22,160 --> 01:02:26,320 Speaker 1: eleven o'clock weeknights at eleven And is there a tweet 1006 01:02:26,400 --> 01:02:28,640 Speaker 1: or some of the work of social media. You've been 1007 01:02:28,760 --> 01:02:31,880 Speaker 1: enjoying you don't you know? Who are you know? Those Twitter? 1008 01:02:31,960 --> 01:02:37,000 Speaker 1: I like? I like LaVar Burden because LaVar Burden is 1009 01:02:37,080 --> 01:02:40,720 Speaker 1: coming through. They finally gonna give him a chance to 1010 01:02:40,800 --> 01:02:43,760 Speaker 1: host Jeopardy so he can ascend to the job that 1011 01:02:43,880 --> 01:02:47,520 Speaker 1: he's right for him. Did they give it to him? So? Well, 1012 01:02:47,560 --> 01:02:49,760 Speaker 1: he's in the next batch of guest host I'll let 1013 01:02:49,760 --> 01:02:55,560 Speaker 1: you cover that on tomorrow. Yeah, he didn't. We've done 1014 01:02:55,560 --> 01:02:58,760 Speaker 1: a lot. We've done a lot here. Yeah, Miles, where 1015 01:02:58,760 --> 01:03:02,040 Speaker 1: can people find you? With twee you've been Twitter, Instagram 1016 01:03:02,080 --> 01:03:06,160 Speaker 1: at Miles of Gray. Also fo Fiance that podcast if 1017 01:03:06,200 --> 01:03:08,200 Speaker 1: you want to talk ninety day that I'll be at. 1018 01:03:08,560 --> 01:03:10,440 Speaker 1: Some tweets that I like. First one is from at 1019 01:03:10,480 --> 01:03:14,640 Speaker 1: Reductress saying promise me you'll at least think about it. 1020 01:03:14,680 --> 01:03:18,360 Speaker 1: Says mom about some bullshit, which really does feel like 1021 01:03:18,560 --> 01:03:20,360 Speaker 1: it's like yeah, yeah, yeah, I don't thin about it. 1022 01:03:20,440 --> 01:03:22,880 Speaker 1: Yeah yeah, more and that later. And then another one 1023 01:03:23,040 --> 01:03:26,800 Speaker 1: is from this guy, Scott's Scott Seisss, comedian. He's been 1024 01:03:26,920 --> 01:03:30,440 Speaker 1: doing like somebody retweeted these videos that he does on 1025 01:03:30,480 --> 01:03:33,080 Speaker 1: TikTok where he's using the like the b G C 1026 01:03:33,400 --> 01:03:37,080 Speaker 1: drama format where the song plays, but it's always it's like, 1027 01:03:37,280 --> 01:03:40,040 Speaker 1: it's like this dude who works at Ikea. So I'm 1028 01:03:40,040 --> 01:03:42,280 Speaker 1: just gonna play a couple for you because it captures 1029 01:03:42,320 --> 01:03:45,040 Speaker 1: the rage of someone who has to work in retails, 1030 01:03:45,040 --> 01:03:50,600 Speaker 1: so perfectly working hard or hardly working. I'm hardly laughing 1031 01:03:52,360 --> 01:03:55,280 Speaker 1: already at don't have time for a second job, pretending 1032 01:03:55,320 --> 01:04:01,440 Speaker 1: you're funny, don't hear every day? Thank you? You should 1033 01:04:01,440 --> 01:04:05,320 Speaker 1: open up more registers, and who's gonna work on? I 1034 01:04:05,400 --> 01:04:07,040 Speaker 1: think I'm the only one ringing you up because I 1035 01:04:07,080 --> 01:04:13,760 Speaker 1: called this. Wait you see, we're shorthanded. Where's your rising? 1036 01:04:17,240 --> 01:04:20,960 Speaker 1: So they captured so well and I love the use 1037 01:04:21,000 --> 01:04:23,080 Speaker 1: of that format because normally it's just for other ship. 1038 01:04:23,160 --> 01:04:27,840 Speaker 1: But yes, shout out to Yeah that was mine? Another 1039 01:04:27,880 --> 01:04:30,280 Speaker 1: one I like because Mike and tweeted it's crazy car 1040 01:04:30,280 --> 01:04:32,840 Speaker 1: insurance companies try to make you call the police after 1041 01:04:32,960 --> 01:04:36,560 Speaker 1: any accident. Yeah, sorry about the fender bender. Mine sticking 1042 01:04:36,560 --> 01:04:43,440 Speaker 1: around until two wheezing psychos with guns show up. You 1043 01:04:43,480 --> 01:04:45,720 Speaker 1: can find me on Twitter at Jack Underscore Brian. You 1044 01:04:45,760 --> 01:04:48,080 Speaker 1: can find us on Twitter at Daily Zeitgeys. Were at 1045 01:04:48,080 --> 01:04:50,800 Speaker 1: the Daily ZiT Guys on Instagram, we have Facebook fan page, 1046 01:04:50,840 --> 01:04:53,520 Speaker 1: our website Daily zuys dot com where we post our 1047 01:04:53,560 --> 01:04:56,920 Speaker 1: episodes and our footnotes, but we link off to the 1048 01:04:56,960 --> 01:04:59,440 Speaker 1: information that we talked about in today's episode as well 1049 01:04:59,480 --> 01:05:02,680 Speaker 1: as the saw. We think you should go check out Miles. 1050 01:05:02,720 --> 01:05:05,520 Speaker 1: What song is your recommendation for it is? This is 1051 01:05:05,560 --> 01:05:08,880 Speaker 1: a nice little sample based hip hop, little futuristic, a 1052 01:05:08,920 --> 01:05:12,120 Speaker 1: little bit of flavor. This is from Med and Blue 1053 01:05:12,160 --> 01:05:14,560 Speaker 1: who are on the production and on the vocals you 1054 01:05:14,600 --> 01:05:18,040 Speaker 1: have mad Lib and Anderson pack Uh. And it's called 1055 01:05:18,080 --> 01:05:20,200 Speaker 1: the Strip and it's just got a nice, you know, 1056 01:05:20,400 --> 01:05:24,240 Speaker 1: futuristic vibe to it, but still is maintaining like that 1057 01:05:24,320 --> 01:05:27,360 Speaker 1: sort of old school sample style. So check this one out. 1058 01:05:27,400 --> 01:05:31,240 Speaker 1: It's really fantastic tracks called the Strip. Daily Zeit Gay 1059 01:05:31,280 --> 01:05:33,400 Speaker 1: is the production of my Heart Radio. For more podcast 1060 01:05:33,440 --> 01:05:35,520 Speaker 1: on my Heart Radio, visit the i Heart Radio app, 1061 01:05:35,560 --> 01:05:37,920 Speaker 1: Apple podcast, or wherever you're listening your favorite shows. That 1062 01:05:38,200 --> 01:05:40,720 Speaker 1: is going to do it for this morning. We're back 1063 01:05:40,760 --> 01:05:42,760 Speaker 1: this afternoon to tell you what's trending and we'll talk 1064 01:05:42,760 --> 01:05:44,320 Speaker 1: to you all that. Bye bye,