WEBVTT - Genes w/ Michael Torpey

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<v Speaker 1>Of the law and Order franchises. SVU is considered especially watchable.

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<v Speaker 1>We are the amateur detectives who kind of investigate the

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<v Speaker 1>vicious felonies. These episodes are based on These are our stories,

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<v Speaker 1>done done, that's messed up. In sv podcast, We're coming

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<v Speaker 1>to not Live. I'm Lisa Trager, Never Live. We're coming

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<v Speaker 1>to you never once Live. I'm Karaklank, your other host.

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<v Speaker 2>You know what this is all about, hopefully by now,

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<v Speaker 2>it's SVU recabs, it's true crime, it's interviews with people

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<v Speaker 2>from the show.

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<v Speaker 1>And it's also chatting what's going on. We're bursting with

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<v Speaker 1>things to talk about today.

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<v Speaker 3>Am Dannai.

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<v Speaker 1>Listen, I have the night of my life. I barely

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<v Speaker 1>I'm barely holding on.

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<v Speaker 3>We're coming to you live. No.

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<v Speaker 2>November fifth, it's the day after election day, and you know,

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<v Speaker 2>we had a little I wouldn't say people are saying

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<v Speaker 2>blue wave. I'd say it's like a blue it's a

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<v Speaker 2>blue little like you know, it's a nice little rip.

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<v Speaker 1>Curl or whatever. But Prop fifth, you know I saw that.

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<v Speaker 1>I mean, no, it is good.

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<v Speaker 3>We got to celebrate the moments, the moments we have

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<v Speaker 3>a day.

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<v Speaker 2>We got Abigail Spanberger in Virginia. We got somebody in

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<v Speaker 2>New Jersey and we got mom Donnie in New York

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<v Speaker 2>is happening, So I'm excited to see what he does.

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<v Speaker 1>Yeah, someone try to be like but now it's time

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<v Speaker 1>to I go shut up tomorrow like we're getting drunk.

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<v Speaker 3>He fucking loser, But I okay.

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<v Speaker 1>So I went into not Natalie Poulomidis's show Weird and

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<v Speaker 1>Blown Away.

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<v Speaker 2>She has been working on in La Forever as a

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<v Speaker 2>work in progress.

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<v Speaker 3>I never got a chance to go see it. Son.

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<v Speaker 1>Of course, there's an eighty year old man next to me.

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<v Speaker 1>We start talking. I go, you're not gonna like this

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<v Speaker 1>because he said he hated o'mary. He loves shucked. I go, sir,

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<v Speaker 1>this isn't for you. What are you doing here? They

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<v Speaker 1>go to fifty plays a year, They moved to New

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<v Speaker 1>York for the culture. They rent three of the kids.

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<v Speaker 1>I mean, I know his whole life story, and we

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<v Speaker 1>hated o'mary. And we're at Natalie Palamedes. But I heard

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<v Speaker 1>him laughing. I did hear him laughing at the end.

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<v Speaker 1>I go, you liked it, didn't you? He goes, She's clever.

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<v Speaker 1>I go, the most talented person I've ever seen in

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<v Speaker 1>my life, layers upon layers. I like, can't even believe it.

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<v Speaker 1>But it's sold out. The run's sold out before it

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<v Speaker 1>even started, so like, I don't even know if any

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<v Speaker 1>of you will be able to see it. She should

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<v Speaker 1>do a giant like Beacon Show or town Hall. I wonder,

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<v Speaker 1>what but this, I mean, it's the eight twenty. It's

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<v Speaker 1>a cool venue.

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<v Speaker 3>She's the Queen of the clowns. You know how this started.

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<v Speaker 1>I was looking at the program, which I love, and

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<v Speaker 1>he goes, ah, there's nothing in there. I go, what

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<v Speaker 1>are you talking about? That's always started talking? I go,

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<v Speaker 1>there's so much in here, so much depth. Anyways, it's

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<v Speaker 1>like she plays two characters at once, Like the way

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<v Speaker 1>she moves her body and the hand and the flipping

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<v Speaker 1>and flopping and every p so many surprises, the way

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<v Speaker 1>she uses I'm like blown away.

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<v Speaker 3>I've never seen anything like it. And I don't like clown.

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<v Speaker 1>I would say I'm anti clown, and I am like,

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<v Speaker 1>if this is clown, I like, she's.

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<v Speaker 3>No, she's the Queen of the clowns.

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<v Speaker 2>I mean, for anybody that doesn't know her, she's in

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<v Speaker 2>the progressive commercials. She's got a little bit of like

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<v Speaker 2>like that, I would say.

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<v Speaker 1>Kind of like high lice in the in the par commercials.

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<v Speaker 1>She was just in this Haunted Hotel cartoon. I wyah,

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<v Speaker 1>she's like a cartoon Powerpuff Girls, powder Puff Yeah.

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<v Speaker 2>Yeah, she's got a great voice, and she's funny, and

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<v Speaker 2>she's in the You would know her from these progressive

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<v Speaker 2>commercials if you're not into comedy and clowning specifically. But

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<v Speaker 2>she's really talented and she's a great she's a really

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<v Speaker 2>nice person.

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<v Speaker 3>I like her a lot.

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<v Speaker 1>Yeah, And I walked out, checked my phone. We got

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<v Speaker 1>a Zoron with Victory. I met three friends at one

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<v Speaker 1>of my favorite bars in the city, established in eighteen seventeen,

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<v Speaker 1>and we went after it, but he wasn't playing on

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<v Speaker 1>the TV.

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<v Speaker 3>We were sitting in the back of the bar and

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<v Speaker 3>it was like but then.

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<v Speaker 1>A woman came in and she had zor On stuff

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<v Speaker 1>and then we started connecting. Then the waitresses, so then

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<v Speaker 1>it was like the waitresses are happy. We found out

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<v Speaker 1>the bartender is in charge of the TVs was pissed

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<v Speaker 1>and so he purposely wouldn't play it. And she told

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<v Speaker 1>me later like complaints all night and people were leaving,

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<v Speaker 1>but yeah, but I'm like.

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<v Speaker 2>The bartender in New York City was preferred the sex pest.

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<v Speaker 3>I'm so, I'm so shocked.

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<v Speaker 1>It's also like, this is where I saw Dean Winters

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<v Speaker 1>once you know, come in, he's a regular. It's like

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<v Speaker 1>it is it's old timey Irish. So for me, I'm like,

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<v Speaker 1>it could give SVU cop bar, but it's not.

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<v Speaker 3>And then we had the most gorgeous waitresses.

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<v Speaker 1>I vaka sodas tequila, tequila tequila. So then the woman

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<v Speaker 1>that came in, I go, let me get you at

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<v Speaker 1>tequila shot. I'm feeling good, right, So the waitress comes

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<v Speaker 1>up to me, goes, she is shocked by your generosity.

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<v Speaker 1>I go, it's not that big of a deal, Like

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<v Speaker 1>she couldn't believe it. Then she gives me this on

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<v Speaker 1>her way out. Her friend made these ceramic before there

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<v Speaker 1>were a there was official merch and I go, bitch,

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<v Speaker 1>you gave it to the right girl, like this seramic.

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<v Speaker 1>It's a ceramic nyc zoron for mayor pin or like gorgeous.

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<v Speaker 1>I told her, I'm like, you gave it to the

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<v Speaker 1>right girl. I'm like, this will be treasured. But because

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<v Speaker 1>she was from Staten Island, she goes, oh, only my

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<v Speaker 1>burrow didn't, but they were excited. Yeah, so it was

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<v Speaker 1>like really hard to get. But then then so yeah,

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<v Speaker 1>I just started getting hammered, dude, and it wouldn't stop.

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<v Speaker 1>And then I I comic I didn't know did the

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<v Speaker 1>tonight show, and so I met up with his friends

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<v Speaker 1>and then I brought over into a different Irish pub

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<v Speaker 1>that was open till four and I don't know, I

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<v Speaker 1>don't know, Yeah, I really don't. But it was just

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<v Speaker 1>a thrill. It was a thrill to be out fun.

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<v Speaker 1>It was like, it's cool, it's cool, it's a really

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<v Speaker 1>good day at celebrate.

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<v Speaker 3>We'll see what happens.

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<v Speaker 1>Our millennium, our millennium, millennial king.

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<v Speaker 3>Yeah yeah.

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<v Speaker 2>And then Prop fifty pass in California, which is exciting too.

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<v Speaker 1>That was our only job and we did it. So

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<v Speaker 1>I'm happy about that. No more sex pests. And he

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<v Speaker 1>just keeps dropping the mic Andrew Combe like I will

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<v Speaker 1>never utter your name again.

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<v Speaker 2>I'm like, okay. When he uh conceded, he said, Zora

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<v Speaker 2>and mom, Dommy, I didn't, like, you can't even say

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<v Speaker 2>your opponent's name in the concession, Like it's so it's

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<v Speaker 2>so crazy, like come on guys.

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<v Speaker 1>But yeah, well, well okay, listen, good work you did.

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<v Speaker 1>You did tease me? Wait or should we do this?

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<v Speaker 3>Okay?

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<v Speaker 1>So in Baltimore, someone so, what was in my envelope?

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<v Speaker 1>Someone gave me. It's like Benson in the eras Taylor

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<v Speaker 1>Swift kind of card for me. And then inside was

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<v Speaker 1>a sticker that said the life of an SVU Fan.

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<v Speaker 1>So this card that was so cool. I didn't know

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<v Speaker 1>where you got that. I'm opening this via zoom for them.

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<v Speaker 1>So someone in Baltimore's an envelope that says Kara and

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<v Speaker 1>Casey on it, and she's opening it.

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<v Speaker 3>Okay.

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<v Speaker 2>The front says that's messed up and it's a picture

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<v Speaker 2>of iced tea.

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<v Speaker 3>I love it. Cool. Oh you guys got Life of

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<v Speaker 3>an SVU fan too.

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<v Speaker 2>Oh so we got stickers and they're in the they're

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<v Speaker 2>in the tailor Life of a Showgirl font.

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<v Speaker 3>This is cool. Yeah, I love the keep that ship up.

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<v Speaker 3>They're a note or anything with.

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<v Speaker 1>Big fan of the pod. Keep that ship up, take

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<v Speaker 1>care Aloha?

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<v Speaker 3>All right, thank you, thank you to whoever sent us that.

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<v Speaker 1>I think Aloha Aloha is the name, or maybe her

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<v Speaker 1>name is Alona.

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<v Speaker 3>It's either a loona or Aloha aloha, we love you.

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<v Speaker 3>Thank you so much for the sticker and the car.

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<v Speaker 3>That's cute.

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<v Speaker 1>You should put that on your fridge. Thanks guys. I

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<v Speaker 1>was thinking I would keep it.

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<v Speaker 3>I love I love a little secret note.

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<v Speaker 1>I really thought there would be more about last night,

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<v Speaker 1>but I guess I got fucking just bombed. I was

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<v Speaker 1>just buying shots for strangers. I was I love that.

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<v Speaker 1>I love that you're spreading joy around New York. It

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<v Speaker 1>was a good vibe, I would say, out in the

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<v Speaker 1>out in the city. Wait, so you saw Barbarian? Okay,

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<v Speaker 1>I want to know everything. Yeah, how do you feel?

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<v Speaker 2>Last week before Halloween, we had a night where we

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<v Speaker 2>were home, both of us, and I was like, you

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<v Speaker 2>know what.

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<v Speaker 3>He was like, do you want to watch a scary movie?

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<v Speaker 1>And I was like, you know what Lisa's been telling me,

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<v Speaker 1>I got to watch Barbarian.

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<v Speaker 2>I gotta watch this. I got to see what all

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<v Speaker 2>the hype is about. So two years later, I watched

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<v Speaker 2>fucking Barbarian. I I mean, I'm not as into it

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<v Speaker 2>as as as you are.

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<v Speaker 1>Sorry, just right, okay, okay, okay, I were you scared of?

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<v Speaker 3>Yes?

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<v Speaker 2>It was a lot like weapons where I thought the

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<v Speaker 2>first half was fucking perfect, suspenseful.

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<v Speaker 3>I didn't know what was going on. I was like,

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<v Speaker 3>I was like, what you know?

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<v Speaker 2>But I also, you know, I'm always I'm like, why

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<v Speaker 2>would you do that?

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<v Speaker 3>Why would you go in? Why?

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<v Speaker 2>Like you know, I was just like, so, why wouldn't

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<v Speaker 2>you put a dresser in front of the door, Like

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<v Speaker 2>I was so like, you know, doing the thing people do.

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<v Speaker 3>At horror movies. But then.

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<v Speaker 2>Spoiler alerts fast forward if you haven't seen Barbarian, because

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<v Speaker 2>I know everybody got mad at us for spoiling weapons

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<v Speaker 2>that had been out in the theaters for one calendar month.

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<v Speaker 2>But I just I wasn't buying the inbred superhuman strength

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<v Speaker 2>creature that lives in the tunnels.

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<v Speaker 3>That wasn't oh vibing for me.

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<v Speaker 2>Like she's if it's not supernatural, right, Like it's not supernatural.

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<v Speaker 2>She's just a product of being inbred and held underneath

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<v Speaker 2>the tunnel. But she's also probably has barely had any

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<v Speaker 2>like as been eating dirt her whole life, but can

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<v Speaker 2>literally break a person's smash up man's head into a

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<v Speaker 2>wall to pulp like in two seconds. I don't know,

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<v Speaker 2>you know, I'm always like I'm a skeptic. I'm just

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<v Speaker 2>like really like I don't know, I was not.

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<v Speaker 1>And what about when the guy was in the back,

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<v Speaker 1>what about when the guy was in the back horrifying?

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<v Speaker 3>I mean that was s for you? Like that was

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<v Speaker 3>s for you? Like I also hid him to the crime.

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<v Speaker 1>But do you don't feel like Justin Long was perfect,

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<v Speaker 1>like such a fake thing?

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<v Speaker 3>Like he was great.

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<v Speaker 1>They treated her at the I mean, and with her,

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<v Speaker 1>don't you just feel well?

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<v Speaker 2>And I thought she was an amazing actress. I thought

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<v Speaker 2>it was shot so great. I actually liked watching it

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<v Speaker 2>a lot, Like I liked it. I just was like, no,

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<v Speaker 2>the head smashup top is so surprising. I was like,

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<v Speaker 2>what like? And I liked the flashback. I almost wanted

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<v Speaker 2>a little bit. You wanted more crime, more of that,

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<v Speaker 2>like hurt when.

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<v Speaker 1>I was that crazy, someone goes I'm kind of embarrassed

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<v Speaker 1>to admit this, but I didn't realize Hannibal Lecter wasn't

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<v Speaker 1>based on someone real. I gos okay, I's okay, there's

0:11:03.040 --> 0:11:05.920
<v Speaker 1>cannibals honest mistake.

0:11:06.080 --> 0:11:08.400
<v Speaker 3>Yeah, honest was a genius Cannibal.

0:11:09.240 --> 0:11:15.520
<v Speaker 2>Yeah, Like so I I was like, yeah, I was like, wow,

0:11:15.559 --> 0:11:18.760
<v Speaker 2>this is crazy and I thought the justin long and

0:11:18.800 --> 0:11:21.760
<v Speaker 2>the whole cancelation of it and like it definitely is

0:11:21.800 --> 0:11:26.120
<v Speaker 2>like amazing feminist messages and stuff that I really liked.

0:11:26.960 --> 0:11:29.280
<v Speaker 1>I she just kept trying to help him, and I'm like,

0:11:29.360 --> 0:11:30.320
<v Speaker 1>get out of their bitch.

0:11:31.240 --> 0:11:34.760
<v Speaker 2>Yes, that's how I was, like, you're going back, and

0:11:34.800 --> 0:11:37.840
<v Speaker 2>then the cops like not believing her made my blood

0:11:37.880 --> 0:11:41.240
<v Speaker 2>boil like I wanted. It reminded me of It reminded

0:11:41.240 --> 0:11:43.839
<v Speaker 2>me of Jeffrey Dahmer's victim that got out and ran

0:11:43.920 --> 0:11:47.280
<v Speaker 2>up to the cops, you know, like, oh, but.

0:11:48.960 --> 0:11:51.680
<v Speaker 3>It was freaky. It was freaky. I was just like

0:11:51.720 --> 0:11:52.720
<v Speaker 3>those fucking tunnels.

0:11:52.760 --> 0:11:55.240
<v Speaker 1>I was like, they keep going, but also like the

0:11:55.280 --> 0:11:58.360
<v Speaker 1>bloody root, like with the chair, mattress and just some

0:11:58.800 --> 0:11:59.840
<v Speaker 1>it's like not a big deal.

0:12:00.040 --> 0:12:02.040
<v Speaker 3>What are you so scared of? It's like this is the.

0:12:02.160 --> 0:12:03.840
<v Speaker 2>And the guy's like I was just so down there

0:12:03.840 --> 0:12:06.040
<v Speaker 2>and check it out. It's probably no big deal. I

0:12:06.080 --> 0:12:10.280
<v Speaker 2>was like, I hate everything about like this is so crazy.

0:12:10.360 --> 0:12:13.000
<v Speaker 1>Yeah, he like really knows how to do suspense and

0:12:13.080 --> 0:12:18.400
<v Speaker 1>like makes you feel frustrated. Yes, yes, the frustration is

0:12:18.559 --> 0:12:21.959
<v Speaker 1>very real. It was just challenged yourself because it is

0:12:22.040 --> 0:12:22.720
<v Speaker 1>really scary.

0:12:23.400 --> 0:12:25.640
<v Speaker 2>Yeah, it was not and I had to close my

0:12:25.679 --> 0:12:28.200
<v Speaker 2>eyes a couple of times during the breastfeeding.

0:12:29.000 --> 0:12:31.320
<v Speaker 3>I didn't love that. I didn't love that.

0:12:32.920 --> 0:12:37.720
<v Speaker 2>Also, like the guy that's in the basement, why of

0:12:37.760 --> 0:12:40.080
<v Speaker 2>all days, Like that's the day he killed? Oh? Is

0:12:40.080 --> 0:12:43.080
<v Speaker 2>it because like they found him? Like doesn't he like

0:12:43.160 --> 0:12:45.440
<v Speaker 2>haven't people gotten down there before? And she just kills

0:12:45.440 --> 0:12:47.920
<v Speaker 2>them or takes care of them or whatever, Like he's like,

0:12:47.960 --> 0:12:50.240
<v Speaker 2>today's the day, like and shoots himself.

0:12:50.280 --> 0:12:52.079
<v Speaker 3>Like I don't know why is it because Justin gave

0:12:52.120 --> 0:12:53.440
<v Speaker 3>him the gun? Did he have the gun? I don't

0:12:53.440 --> 0:12:56.559
<v Speaker 3>remember this. He had the gun the whole time.

0:12:57.280 --> 0:13:00.600
<v Speaker 2>Yeah, because it was like Justin looked at the video

0:13:00.800 --> 0:13:05.080
<v Speaker 2>and was like, oh my god, and then he was

0:13:05.120 --> 0:13:06.800
<v Speaker 2>like bye back you know.

0:13:06.960 --> 0:13:09.640
<v Speaker 3>So I don't know, no, but he wanted just so

0:13:09.720 --> 0:13:12.040
<v Speaker 3>long to watch him, right, I guess.

0:13:12.160 --> 0:13:13.960
<v Speaker 2>I'm like, dude, the way that you're the way that

0:13:14.000 --> 0:13:15.760
<v Speaker 2>you're living, I don't know why you haven't done this

0:13:15.800 --> 0:13:17.840
<v Speaker 2>a while ago, you know, like any tapes.

0:13:17.880 --> 0:13:20.640
<v Speaker 3>I forgot about the tapes. The tapes are horrific.

0:13:20.640 --> 0:13:22.360
<v Speaker 2>I mean that's like the SVU of it all, Like

0:13:22.440 --> 0:13:26.000
<v Speaker 2>the underground, the keeping people prisoner, Like you.

0:13:25.920 --> 0:13:29.760
<v Speaker 1>Know how easy it was yeah, and then everyone's like ooh,

0:13:29.800 --> 0:13:34.160
<v Speaker 1>this crazy bitch, but no one's like that, like rapist.

0:13:33.920 --> 0:13:37.400
<v Speaker 3>How'd she get that way? Yeah? I didn't like that.

0:13:37.400 --> 0:13:39.160
<v Speaker 2>The poor guy that was the only one that helped

0:13:39.200 --> 0:13:43.719
<v Speaker 2>her also had to get mothered or whatever happened when

0:13:43.760 --> 0:13:46.040
<v Speaker 2>you going up for that thing is called.

0:13:48.120 --> 0:13:51.439
<v Speaker 1>Oh, I'm not going to Australia, so they won't let

0:13:51.440 --> 0:13:51.719
<v Speaker 1>me in.

0:13:51.920 --> 0:13:52.280
<v Speaker 3>I don't know.

0:13:52.280 --> 0:13:56.120
<v Speaker 1>I'm sorry, guys, it's canceled. You're you know, I probably

0:13:56.200 --> 0:14:02.360
<v Speaker 1>was supposed to be in Brisbane tomorrow. She's really trying Australia,

0:14:02.480 --> 0:14:04.559
<v Speaker 1>just so you know. She's been really doing all the

0:14:04.559 --> 0:14:05.880
<v Speaker 1>paperwork and they know.

0:14:05.880 --> 0:14:06.679
<v Speaker 3>They want to fuck me.

0:14:06.960 --> 0:14:08.920
<v Speaker 1>It's because then they got everything and then they're like,

0:14:08.920 --> 0:14:11.400
<v Speaker 1>actually want these things too, And I'm like, again, you

0:14:11.400 --> 0:14:13.920
<v Speaker 1>are not leaving me enough time to go to the well.

0:14:14.280 --> 0:14:16.200
<v Speaker 3>You can't get it done. They don't want me there.

0:14:16.280 --> 0:14:18.760
<v Speaker 3>I know when I'm not wanted, and that is there.

0:14:19.720 --> 0:14:23.600
<v Speaker 2>It's that's fucking nuts. You're stimulating the economy. What's wrong

0:14:23.640 --> 0:14:23.960
<v Speaker 2>with them?

0:14:24.320 --> 0:14:29.200
<v Speaker 3>Wait? How is Halloween for your children? Oh? I was cute.

0:14:31.200 --> 0:14:34.120
<v Speaker 2>And for me ten am I met my kids school.

0:14:34.160 --> 0:14:36.520
<v Speaker 2>I'm working my ass off, putting a trunk or treat

0:14:36.560 --> 0:14:42.160
<v Speaker 2>together until two thirty. Okay, so trunk er treat is

0:14:42.200 --> 0:14:45.600
<v Speaker 2>like we all did cars, like you decorate you open

0:14:45.640 --> 0:14:47.560
<v Speaker 2>like the trunk of your car, and then like you

0:14:47.600 --> 0:14:48.680
<v Speaker 2>decorate it with a theme.

0:14:49.040 --> 0:14:50.760
<v Speaker 3>So like one grade did Target.

0:14:50.840 --> 0:14:53.440
<v Speaker 2>It was so fucking cute, like they had they all

0:14:53.480 --> 0:14:58.160
<v Speaker 2>the moms wore red shirts with like Target name tags

0:14:58.160 --> 0:14:59.120
<v Speaker 2>that someone made for them.

0:14:59.160 --> 0:15:01.560
<v Speaker 3>They had a little Target check out thing. It was

0:15:01.640 --> 0:15:03.400
<v Speaker 3>like so cute. And then they were the first one.

0:15:03.280 --> 0:15:04.880
<v Speaker 2>So all the kids got Target bags that's where they

0:15:04.920 --> 0:15:08.560
<v Speaker 2>collected all their candy. And then Oscar's class we did

0:15:08.680 --> 0:15:09.680
<v Speaker 2>K Pop Demon Hunters.

0:15:09.720 --> 0:15:10.480
<v Speaker 3>It was very cute.

0:15:10.520 --> 0:15:13.240
<v Speaker 2>And then Rosie's class we turned our car into a

0:15:13.280 --> 0:15:15.320
<v Speaker 2>Pikachu and it looked really cute.

0:15:15.360 --> 0:15:16.160
<v Speaker 3>I'll post a picture.

0:15:16.200 --> 0:15:20.440
<v Speaker 2>It looked really cute, and we had like poke.

0:15:20.280 --> 0:15:21.160
<v Speaker 3>Balls and it was all.

0:15:21.280 --> 0:15:24.320
<v Speaker 2>And then one did Monsters Ink and the parents like

0:15:24.480 --> 0:15:26.880
<v Speaker 2>dressed up in like the white the white outfits with

0:15:26.920 --> 0:15:29.160
<v Speaker 2>the hard hats and they scream test.

0:15:29.240 --> 0:15:31.960
<v Speaker 3>It was so cute. They had doors, like people really

0:15:32.000 --> 0:15:32.800
<v Speaker 3>went for it.

0:15:32.880 --> 0:15:35.640
<v Speaker 2>And oh and then another grade did Saga Boys and

0:15:35.680 --> 0:15:39.480
<v Speaker 2>they had like a full fog machine like like you know,

0:15:39.600 --> 0:15:41.240
<v Speaker 2>are you have you watched ke Pop Dean Hunters or

0:15:41.280 --> 0:15:43.320
<v Speaker 2>heard about it at all. No, I really can't believe

0:15:43.320 --> 0:15:46.000
<v Speaker 2>I haven't. I mean this song, but isn't it is

0:15:46.040 --> 0:15:46.400
<v Speaker 2>the song?

0:15:48.400 --> 0:15:52.160
<v Speaker 3>Is that it? We're going up? Yeah, that's why I

0:15:52.240 --> 0:15:55.040
<v Speaker 3>want to hear that. Yeah, and all the kids in

0:15:55.040 --> 0:15:55.480
<v Speaker 3>my life.

0:15:55.560 --> 0:15:58.720
<v Speaker 1>I feel dressed up like a K pop demon hunter

0:15:58.800 --> 0:16:01.960
<v Speaker 1>this every wolloween. We did also get a photo of

0:16:02.160 --> 0:16:06.800
<v Speaker 1>Casey's daughter. Oh my God knocked me over with a

0:16:06.840 --> 0:16:09.880
<v Speaker 1>picture of his tiny teletubby.

0:16:09.960 --> 0:16:12.680
<v Speaker 3>Wait, did you guys tell a tubby too? We had.

0:16:12.880 --> 0:16:15.600
<v Speaker 4>I didn't have a full teletubby outfit, but I did

0:16:15.680 --> 0:16:17.359
<v Speaker 4>have the tinky winky.

0:16:18.560 --> 0:16:20.760
<v Speaker 3>On my head. Oh that's oh. I thought I thought

0:16:20.760 --> 0:16:22.080
<v Speaker 3>you were going to say the purse. You didn't have

0:16:22.080 --> 0:16:23.720
<v Speaker 3>a purse. You have to have the purse.

0:16:24.080 --> 0:16:28.640
<v Speaker 2>I know, I know, but it was it was great Oscars,

0:16:28.640 --> 0:16:32.480
<v Speaker 2>Glinda costume slapped Rosie, you know, was stitch.

0:16:32.520 --> 0:16:34.960
<v Speaker 3>It was boiling hot. I'll never get used to the.

0:16:34.880 --> 0:16:37.240
<v Speaker 2>Fact that Halloween in la is like always eighty eight

0:16:37.280 --> 0:16:38.560
<v Speaker 2>degrees and like sweaty.

0:16:38.720 --> 0:16:40.520
<v Speaker 1>I know I'm aging because the way I'm looking at

0:16:40.560 --> 0:16:42.600
<v Speaker 1>leaves lately, I like can't believe it.

0:16:42.680 --> 0:16:44.400
<v Speaker 3>I go now, this is beautiful fall.

0:16:44.720 --> 0:16:47.360
<v Speaker 1>I go, this is fall, and I got to take

0:16:47.400 --> 0:16:49.600
<v Speaker 1>the Amtrak and it's a Baltimore So.

0:16:49.680 --> 0:16:51.320
<v Speaker 3>The leaves I just couldn't be.

0:16:52.000 --> 0:16:54.040
<v Speaker 2>You went on a full leaf peep, you went mid

0:16:54.040 --> 0:16:55.200
<v Speaker 2>atlantic leaf peep.

0:16:55.680 --> 0:16:57.040
<v Speaker 3>I mean it's so true.

0:16:57.080 --> 0:16:58.920
<v Speaker 2>You hit a certain age and you're just like, wow,

0:16:59.160 --> 0:17:05.480
<v Speaker 2>foliage amazing, Like it's really amazing. Yeah, we don't get

0:17:05.480 --> 0:17:08.720
<v Speaker 2>that really, but we do get boiling hot October.

0:17:08.840 --> 0:17:11.640
<v Speaker 1>So but then and Rosie just loves wearing a hot

0:17:11.720 --> 0:17:12.280
<v Speaker 1>one piece.

0:17:12.800 --> 0:17:15.200
<v Speaker 3>She loves wearing a hot fucking one piece.

0:17:15.280 --> 0:17:15.480
<v Speaker 1>Man.

0:17:15.600 --> 0:17:18.640
<v Speaker 2>She just likes to be cozy, basically wearing pajamas with ears.

0:17:19.160 --> 0:17:22.000
<v Speaker 2>And they had a blast. We want trick or treating.

0:17:22.080 --> 0:17:24.200
<v Speaker 2>I let them stay out late because it was a Friday.

0:17:25.040 --> 0:17:27.720
<v Speaker 2>Oscar put himself to bed at like nine o'clock. Oscar's

0:17:27.760 --> 0:17:29.560
<v Speaker 2>like I gotta go home, Like he was like, get

0:17:29.560 --> 0:17:30.160
<v Speaker 2>me out of here.

0:17:30.920 --> 0:17:33.280
<v Speaker 1>Oh my god, that's so funny. Halloween's out of Friday.

0:17:33.280 --> 0:17:34.600
<v Speaker 1>The kids really got to party.

0:17:34.720 --> 0:17:38.120
<v Speaker 2>Huh oh yeah, and it's on a Saturday next year, right, Yeah,

0:17:38.200 --> 0:17:39.680
<v Speaker 2>that's a time leapier.

0:17:40.000 --> 0:17:43.440
<v Speaker 3>Sometimes it's awesome. That's awesome. Yeah.

0:17:43.480 --> 0:17:47.000
<v Speaker 1>The cellar stars of my show, I would say, is

0:17:47.160 --> 0:17:50.480
<v Speaker 1>a couple showed up as Clarence Thomas and Jinny Thomas.

0:17:51.520 --> 0:17:54.560
<v Speaker 1>Oh yeah, that's great, Yeah yeah yeah, And then she

0:17:55.040 --> 0:18:00.440
<v Speaker 1>was she was Clarence and he was Ginny, and I

0:18:00.520 --> 0:18:04.120
<v Speaker 1>would say, they're the winners of my show costumes for sure.

0:18:04.160 --> 0:18:04.760
<v Speaker 3>Oh.

0:18:04.840 --> 0:18:08.400
<v Speaker 1>I went to Julio Torres's party with the costume contest,

0:18:08.520 --> 0:18:12.000
<v Speaker 1>like the full Halloween, and I will say the winner

0:18:12.119 --> 0:18:14.920
<v Speaker 1>of the costume contest, I mean, people are so creative.

0:18:15.359 --> 0:18:17.280
<v Speaker 1>But I did look at a Frankenstein and I was like, wow,

0:18:17.280 --> 0:18:19.560
<v Speaker 1>that's a hot person. It was Adam Lambert. I saw

0:18:19.640 --> 0:18:22.680
<v Speaker 1>later and the press and I was like cool. I

0:18:22.880 --> 0:18:25.840
<v Speaker 1>was like, star studded, cool stuff. But the winner did

0:18:25.880 --> 0:18:27.679
<v Speaker 1>go viral on TikTok, but I got to see it

0:18:27.680 --> 0:18:30.080
<v Speaker 1>in person. And the winner of the contest was the

0:18:30.080 --> 0:18:33.000
<v Speaker 1>Princess Diana Beanie Baby in the revenge dress.

0:18:33.040 --> 0:18:35.400
<v Speaker 3>In the Revenge dress. Somebody was just telling me about that.

0:18:35.600 --> 0:18:38.000
<v Speaker 1>I was there, Like to be in the presence of that,

0:18:38.600 --> 0:18:40.760
<v Speaker 1>I can't, I can't. It was so cool. That's and

0:18:40.760 --> 0:18:44.040
<v Speaker 1>then there was so very funny this tooth fairy wand

0:18:44.119 --> 0:18:48.240
<v Speaker 1>with this giant tooth, I mean gorgeous, gorgeous, gorgeous, and

0:18:48.280 --> 0:18:50.800
<v Speaker 1>people performed and did split. I mean, it was like

0:18:50.920 --> 0:18:53.439
<v Speaker 1>really cool. It was a really cool event. Oh but

0:18:53.480 --> 0:18:55.440
<v Speaker 1>you're gonna love this. So one of my friends, every

0:18:55.440 --> 0:18:58.560
<v Speaker 1>time I walked up to her, she was she kept

0:18:58.560 --> 0:18:59.359
<v Speaker 1>walking away from me.

0:18:59.400 --> 0:19:01.240
<v Speaker 3>So I was like, I wonder if she's mad at me?

0:19:01.320 --> 0:19:02.240
<v Speaker 3>Like did I do something?

0:19:02.280 --> 0:19:05.160
<v Speaker 1>I wonder And then my other friend was like, oh

0:19:05.160 --> 0:19:07.000
<v Speaker 1>my god, she kind of said something to me like

0:19:07.040 --> 0:19:08.600
<v Speaker 1>I don't know what to do. I feel like she

0:19:08.720 --> 0:19:11.159
<v Speaker 1>it's weird, like he was having issues. And then we

0:19:11.200 --> 0:19:13.320
<v Speaker 1>find out the bitch is on ketamine. And it's like,

0:19:13.359 --> 0:19:17.240
<v Speaker 1>what a lesson in life? What a lesson? You never

0:19:17.359 --> 0:19:20.560
<v Speaker 1>know what people are going through. The bitches on horse

0:19:20.640 --> 0:19:27.520
<v Speaker 1>drinks like it, like, no one is mad. I wonder

0:19:27.520 --> 0:19:31.400
<v Speaker 1>if she's mad at me. No, she's just literally been dosed.

0:19:31.600 --> 0:19:35.520
<v Speaker 1>That's so funny. But people are so creative. I love

0:19:35.560 --> 0:19:38.200
<v Speaker 1>Halloween and I feel like Halloween is the best time

0:19:38.240 --> 0:19:40.600
<v Speaker 1>of year on Instagram, like I want to look at

0:19:40.680 --> 0:19:41.680
<v Speaker 1>everyone's costumes.

0:19:41.680 --> 0:19:42.320
<v Speaker 3>What did you wear?

0:19:42.480 --> 0:19:44.560
<v Speaker 1>I will look at it like I want to know,

0:19:45.160 --> 0:19:47.360
<v Speaker 1>and I want to join the contest next year.

0:19:47.480 --> 0:19:49.080
<v Speaker 3>I want to go for it. I want to do

0:19:49.160 --> 0:19:50.720
<v Speaker 3>something super. I was inspired.

0:19:51.040 --> 0:19:56.280
<v Speaker 1>Someone came as you know Rihanna's Instagram the drawing. Yeah,

0:19:56.400 --> 0:20:01.320
<v Speaker 1>someone came as the drawing. It was like white Instagram avatar. Yeah,

0:20:01.359 --> 0:20:03.640
<v Speaker 1>that's so funny.

0:20:03.160 --> 0:20:06.520
<v Speaker 3>Like people are just so clever and cool. So well.

0:20:06.600 --> 0:20:09.639
<v Speaker 2>Jared and I were to board teenage employees working at

0:20:09.640 --> 0:20:10.640
<v Speaker 2>Halloween Horror Nights.

0:20:10.720 --> 0:20:11.920
<v Speaker 3>I like to act out.

0:20:14.880 --> 0:20:17.719
<v Speaker 1>We wore cloaks and had flashlights and we were just

0:20:17.840 --> 0:20:18.520
<v Speaker 1>looking bored.

0:20:18.520 --> 0:20:19.280
<v Speaker 3>And you were.

0:20:19.200 --> 0:20:21.680
<v Speaker 1>Inspired when you went to Hornet. I've never got Yeah,

0:20:21.760 --> 0:20:25.320
<v Speaker 1>I have not. I want to go to like six Flags.

0:20:25.359 --> 0:20:27.119
<v Speaker 1>I want to ride some coasters. I haven't done that

0:20:27.119 --> 0:20:29.280
<v Speaker 1>in a while. Yeah, it's cool.

0:20:29.320 --> 0:20:31.639
<v Speaker 2>I mean Universal doesn't have as many good rides, but

0:20:31.760 --> 0:20:32.680
<v Speaker 2>six Flags rocks.

0:20:32.680 --> 0:20:36.119
<v Speaker 3>I love six Flags. All right, should we get started?

0:20:36.480 --> 0:20:38.919
<v Speaker 1>Yeah, but I feel like there was something else, Like

0:20:39.000 --> 0:20:42.639
<v Speaker 1>I do, I really do, but I guess not. But

0:20:42.720 --> 0:20:48.640
<v Speaker 1>I'll be in Hartford, Connecticut, in Montreal, Canada, Hartford.

0:20:49.840 --> 0:20:51.360
<v Speaker 3>Yeah, is your niece gonna come?

0:20:52.040 --> 0:20:52.240
<v Speaker 1>No?

0:20:52.640 --> 0:20:58.480
<v Speaker 3>No one cares about me. They don't. No one fucking cares.

0:20:58.520 --> 0:20:59.520
<v Speaker 3>Oh my god. Oh yeah.

0:20:59.560 --> 0:21:02.639
<v Speaker 1>So you know, we were recording yesterday and my dad called,

0:21:03.280 --> 0:21:07.240
<v Speaker 1>and so basically he's like he wants to he wants

0:21:07.280 --> 0:21:09.760
<v Speaker 1>to keep one of the street cats, the newer one right,

0:21:09.840 --> 0:21:12.080
<v Speaker 1>and my mom is against it. So he wants me

0:21:12.119 --> 0:21:14.560
<v Speaker 1>to manipulate her and call her and just bring up

0:21:14.600 --> 0:21:17.520
<v Speaker 1>the cat as often as I can. And I have

0:21:17.560 --> 0:21:19.000
<v Speaker 1>to call like the ve like I have to figure

0:21:19.000 --> 0:21:21.040
<v Speaker 1>stuff out, Like he's trying to get this cat.

0:21:21.680 --> 0:21:25.560
<v Speaker 2>Wow, emotional warfare, bringing you involve, getting you involved.

0:21:25.560 --> 0:21:28.320
<v Speaker 1>I want us to get the cat. She's as cute,

0:21:28.400 --> 0:21:30.160
<v Speaker 1>she's cute, she likes.

0:21:29.960 --> 0:21:32.720
<v Speaker 3>Has he named it? Has he named it her? No?

0:21:32.720 --> 0:21:35.240
<v Speaker 1>No I haven't. I didn't even ask yet, But I

0:21:35.480 --> 0:21:37.960
<v Speaker 1>got to name her. Once you personalize the cat, it

0:21:38.000 --> 0:21:40.760
<v Speaker 1>will be harder to let her go. No, they all

0:21:41.000 --> 0:21:43.160
<v Speaker 1>know because the black cat has a named to get.

0:21:43.200 --> 0:21:46.000
<v Speaker 1>I get the sentiment. I get the Senate. She's just

0:21:46.040 --> 0:21:49.320
<v Speaker 1>so cute. I haven't met her yet. She's so cute.

0:21:49.320 --> 0:21:51.760
<v Speaker 1>I only get photos. But I'm glad he's I want

0:21:51.760 --> 0:21:55.080
<v Speaker 1>them to have a cat. Yeah, so why is your

0:21:55.080 --> 0:21:57.360
<v Speaker 1>mom so against it? She? You know, I think they're

0:21:57.400 --> 0:22:02.359
<v Speaker 1>still traumatized from Manya passing. Oh yeah, I'm just dom

0:22:02.400 --> 0:22:04.000
<v Speaker 1>and gloom. She goes, what's gonna happen to the cat

0:22:04.040 --> 0:22:06.400
<v Speaker 1>when I die? And it's like, we'll take the cat.

0:22:06.520 --> 0:22:07.920
<v Speaker 1>Like there's a lot of us that'll take the cat,

0:22:07.960 --> 0:22:10.040
<v Speaker 1>but also can you just stay alive, like that's also

0:22:10.080 --> 0:22:13.359
<v Speaker 1>an option. You can also just outlive the cat, like

0:22:13.480 --> 0:22:14.879
<v Speaker 1>I don't understand.

0:22:16.119 --> 0:22:19.399
<v Speaker 3>Oh my god, the doom, the gloom. That's so funny.

0:22:20.680 --> 0:22:21.480
<v Speaker 3>Oh my lord.

0:22:22.080 --> 0:22:25.440
<v Speaker 2>All right, well guys, one more thing before we start

0:22:25.440 --> 0:22:25.920
<v Speaker 2>the episode.

0:22:25.960 --> 0:22:29.560
<v Speaker 3>For today, we do have new merge. We have a

0:22:29.600 --> 0:22:31.600
<v Speaker 3>new T shirt hot off the press.

0:22:31.800 --> 0:22:35.480
<v Speaker 2>It is one of those classic Amper sand T shirts,

0:22:35.520 --> 0:22:39.520
<v Speaker 2>but it's all the ways that Lisa mispronounces Lois. We've

0:22:39.520 --> 0:22:44.560
<v Speaker 2>got a Lois Lewis Louise shirt that is up. It's

0:22:44.720 --> 0:22:48.040
<v Speaker 2>so cute and funny and I'm excited.

0:22:47.680 --> 0:22:51.480
<v Speaker 1>And it's an inside I've been waiting for an inside

0:22:51.840 --> 0:22:52.280
<v Speaker 1>base on.

0:22:52.480 --> 0:22:55.040
<v Speaker 2>This is gonna be a conversation starter. You're gonna wear

0:22:55.040 --> 0:22:57.240
<v Speaker 2>this around and people are gonna go, what is this shirt?

0:22:57.240 --> 0:23:00.080
<v Speaker 2>And you're gonna be like, listen, there's this podcast and

0:23:00.640 --> 0:23:03.040
<v Speaker 2>it's I love that about it. It's like it's just

0:23:03.119 --> 0:23:06.600
<v Speaker 2>for like our listeners, like like people like we understand it,

0:23:06.680 --> 0:23:08.720
<v Speaker 2>and I think it's it's really funny and it's cute.

0:23:08.760 --> 0:23:11.480
<v Speaker 2>I like the color scheme. So you can go to

0:23:11.520 --> 0:23:14.520
<v Speaker 2>the www. Dot exactly right store dot com or you

0:23:14.560 --> 0:23:16.320
<v Speaker 2>can just go to that's messed up live dot com

0:23:16.359 --> 0:23:18.960
<v Speaker 2>that has our shop link, which will take you right there,

0:23:19.480 --> 0:23:23.360
<v Speaker 2>get it ordered and we drop merch.

0:23:23.520 --> 0:23:25.199
<v Speaker 1>Or like, how about this one, I go, We've already

0:23:25.200 --> 0:23:27.919
<v Speaker 1>designed it. We already had one because people are like

0:23:27.960 --> 0:23:29.080
<v Speaker 1>suspicious and annoyed.

0:23:29.200 --> 0:23:31.919
<v Speaker 3>I go, sure, but we got a lose vicious and annoyed.

0:23:31.960 --> 0:23:34.119
<v Speaker 2>We can look into for a New Year drop. You

0:23:34.200 --> 0:23:35.720
<v Speaker 2>can do that for New Year drop up. For now,

0:23:35.760 --> 0:23:39.520
<v Speaker 2>We've already had Lois Louise. I forget the other ones.

0:23:39.680 --> 0:23:44.440
<v Speaker 1>There's a lot more than imagine, and they're they're all

0:23:44.480 --> 0:23:45.440
<v Speaker 1>on the shore and the.

0:23:45.320 --> 0:23:48.520
<v Speaker 3>Colorway is cool. I like the color. Yeah, yeah, for sure.

0:23:49.600 --> 0:23:53.760
<v Speaker 2>So Mono, get on over there, pick one up, support

0:23:53.800 --> 0:23:55.520
<v Speaker 2>our show and we love you guys.

0:23:55.560 --> 0:23:57.119
<v Speaker 3>Let's get this show on the road.

0:24:01.440 --> 0:24:04.800
<v Speaker 1>Right. We're at season eighteen, episode thirteen.

0:24:05.320 --> 0:24:10.720
<v Speaker 2>Jeans All right, fresh Sidney Sweeney has good jeans. That's

0:24:10.720 --> 0:24:15.840
<v Speaker 2>what this episode's about. Maddie with the fatty Maddie. Yeah,

0:24:15.880 --> 0:24:19.239
<v Speaker 2>I remember her real last name. I like her, but

0:24:19.640 --> 0:24:23.800
<v Speaker 2>she her tour poster stuff is bad jeans. It's like

0:24:23.880 --> 0:24:28.200
<v Speaker 2>Maddie has bad jeans, but it's the same kind of photos.

0:24:28.640 --> 0:24:32.480
<v Speaker 2>And I think it's so good and funny. Okay, So

0:24:32.520 --> 0:24:35.200
<v Speaker 2>we're at a busy bar. Rock music is playing. It's

0:24:35.200 --> 0:24:37.920
<v Speaker 2>a divey vibe, I would say. And there's a little

0:24:37.960 --> 0:24:41.000
<v Speaker 2>creep and I know him, Michael Torpi and he was

0:24:41.040 --> 0:24:44.440
<v Speaker 2>a CEO on Orange Is the New Black and also

0:24:44.520 --> 0:24:48.360
<v Speaker 2>in an episode post Rage season twenty six, episode twenty two,

0:24:48.840 --> 0:24:50.919
<v Speaker 2>and he was in Deep, so that's exciting. He was

0:24:50.920 --> 0:24:53.960
<v Speaker 2>a lobbyist slash Catherine's love interest for three episodes in

0:24:54.000 --> 0:24:54.600
<v Speaker 2>season four.

0:24:55.119 --> 0:24:59.000
<v Speaker 1>And he's a creep for sure, clear as day. But

0:24:59.040 --> 0:25:02.760
<v Speaker 1>another creep pops, so you know, Jessica, our bartender is

0:25:02.800 --> 0:25:06.560
<v Speaker 1>really getting hit on Olens and you could tell that

0:25:06.640 --> 0:25:09.680
<v Speaker 1>this the second creep, is always trying to hit on Jessica.

0:25:10.080 --> 0:25:13.120
<v Speaker 1>She does not like it. She knows his name. She's like, Rodney,

0:25:13.160 --> 0:25:15.800
<v Speaker 1>leave me the fuck alone. He's like, let's go to dinner.

0:25:15.880 --> 0:25:18.600
<v Speaker 1>We can go to Polo bar no boo, and she's like,

0:25:18.680 --> 0:25:20.400
<v Speaker 1>I work, I don't want to do this. He goes,

0:25:20.400 --> 0:25:23.280
<v Speaker 1>what about marry me, take me to pair or not

0:25:23.400 --> 0:25:27.040
<v Speaker 1>take me to Paris. I'll take you to Paris. I'll

0:25:27.040 --> 0:25:30.359
<v Speaker 1>take you to Paris. Then our og guy is like,

0:25:30.480 --> 0:25:33.920
<v Speaker 1>leave her alone, and she's not into it, and Rodney

0:25:34.000 --> 0:25:35.879
<v Speaker 1>is like, you shut the fuck up. So the men

0:25:36.000 --> 0:25:39.160
<v Speaker 1>stare each other down creep versus creep, And now she's

0:25:39.200 --> 0:25:41.439
<v Speaker 1>closing the bar, she's locking it up. It's the end

0:25:41.440 --> 0:25:44.520
<v Speaker 1>of the night and uhh. Rodney is there waiting for her.

0:25:44.600 --> 0:25:47.000
<v Speaker 1>He's like, I'm a good guy, just give me a chance.

0:25:47.040 --> 0:25:49.679
<v Speaker 1>And when he touches her, she's like, don't fucking touch me.

0:25:50.240 --> 0:25:53.320
<v Speaker 1>He's like, relax, and it's just them in the middle

0:25:53.359 --> 0:25:55.879
<v Speaker 1>of the street, and she finally walks off, and she

0:25:55.960 --> 0:25:58.359
<v Speaker 1>does go to a car, and that's a twist for sure,

0:25:59.200 --> 0:26:01.800
<v Speaker 1>and she entered and then someone hops up behind her

0:26:01.920 --> 0:26:05.119
<v Speaker 1>and she starts screaming for help, and he keeps saying

0:26:05.160 --> 0:26:08.199
<v Speaker 1>relaxed as she screams. And now we have NYPD on

0:26:08.240 --> 0:26:11.560
<v Speaker 1>the case. So rollin's increased. You are there and some

0:26:11.720 --> 0:26:15.320
<v Speaker 1>unis fill them in. Jessica Wolcott, she's twenty six and

0:26:15.320 --> 0:26:17.720
<v Speaker 1>she works at a bar on seventh and Avenue B.

0:26:18.400 --> 0:26:18.880
<v Speaker 3>Guess what.

0:26:19.160 --> 0:26:21.560
<v Speaker 1>I was at a bar on seventh and Avenue B,

0:26:22.520 --> 0:26:25.480
<v Speaker 1>like last week I was. I used to always be

0:26:25.520 --> 0:26:28.800
<v Speaker 1>at bars. There no the bar on that corner, Like,

0:26:28.840 --> 0:26:30.199
<v Speaker 1>what do they think they filmed there?

0:26:30.200 --> 0:26:30.520
<v Speaker 3>I don't know.

0:26:30.560 --> 0:26:33.199
<v Speaker 1>It was someone's birthday and I walked over and it

0:26:33.320 --> 0:26:38.360
<v Speaker 1>was rock rocks kind of vibes, and I wonder if

0:26:38.400 --> 0:26:41.080
<v Speaker 1>it's there, but also, why are you driving to work?

0:26:41.200 --> 0:26:43.040
<v Speaker 1>Like it's kind of psycho. I would never be a

0:26:43.160 --> 0:26:45.639
<v Speaker 1>victory shoe shaped bar there for a long time that

0:26:45.680 --> 0:26:49.960
<v Speaker 1>I always went to. Yeah, Like the bar was horseshoe shaped, yeah, yeah,

0:26:50.000 --> 0:26:53.359
<v Speaker 1>in the middle and it was like rock and roll.

0:26:53.680 --> 0:26:55.760
<v Speaker 3>Yeah, like a fun divy bar.

0:26:55.920 --> 0:26:57.320
<v Speaker 2>I used to go there all the time because my

0:26:57.359 --> 0:26:59.960
<v Speaker 2>friend that you know used to live right down the street.

0:27:00.480 --> 0:27:05.320
<v Speaker 1>Okay, okay, good times. Yeah, so I'll you know, I

0:27:05.440 --> 0:27:08.159
<v Speaker 1>like that. So anyways, she so she's on the corner.

0:27:08.480 --> 0:27:10.560
<v Speaker 1>So she was raped in the front seat of the

0:27:10.600 --> 0:27:14.160
<v Speaker 1>car and dark music plays, and that's obviously the closes

0:27:14.240 --> 0:27:16.879
<v Speaker 1>captioning there's gonna be a lot of music cues in

0:27:16.920 --> 0:27:22.200
<v Speaker 1>this episode. Rollin's goes to comfort the blanket covered shivering victim,

0:27:22.359 --> 0:27:23.080
<v Speaker 1>take her inside.

0:27:23.200 --> 0:27:24.600
<v Speaker 3>She's freezing. I don't understand.

0:27:24.640 --> 0:27:26.600
<v Speaker 1>You can't be in an ambulance, Like I know, it's

0:27:26.840 --> 0:27:29.480
<v Speaker 1>it's for the show. I get it, but she's just

0:27:29.520 --> 0:27:33.080
<v Speaker 1>like really shivering and disheveled. But she didn't see him

0:27:33.119 --> 0:27:36.680
<v Speaker 1>because it was from behind, and her makeup is smeared,

0:27:37.280 --> 0:27:40.240
<v Speaker 1>and she did hear his voice. He talked a lot,

0:27:40.280 --> 0:27:42.920
<v Speaker 1>and he said he was sorry. He started to cry

0:27:43.119 --> 0:27:46.840
<v Speaker 1>and go, it's not my fault. I was born this way. Sorry,

0:27:46.960 --> 0:27:49.200
<v Speaker 1>I just did it like in the Gagaway in my head.

0:27:51.320 --> 0:27:53.560
<v Speaker 1>So he basically he's like, I was born to be

0:27:53.560 --> 0:27:57.800
<v Speaker 1>a rapist, and it's in my jeans credits. Okay, she's

0:27:57.840 --> 0:27:59.720
<v Speaker 1>indoors and warm, and she's clean. I think they let

0:27:59.760 --> 0:28:02.119
<v Speaker 1>her wash her hair and face. She seems yeah, she

0:28:02.160 --> 0:28:04.639
<v Speaker 1>looks showered. Yeah, yeah, So I wonder if they like

0:28:04.960 --> 0:28:07.720
<v Speaker 1>did a speedy rape kit or something. So she's sitting

0:28:07.720 --> 0:28:11.640
<v Speaker 1>with Benson and telling her what happened. She's crying. She says,

0:28:11.720 --> 0:28:13.560
<v Speaker 1>you know, like he was really strong because she did

0:28:13.560 --> 0:28:16.119
<v Speaker 1>try to fight him off. She thinks she does know

0:28:16.160 --> 0:28:19.280
<v Speaker 1>who it is because Rodney would never leave her alone.

0:28:19.280 --> 0:28:21.199
<v Speaker 3>So now solemn music plays.

0:28:22.080 --> 0:28:25.000
<v Speaker 1>She said, it was really odd about the genetics, you know,

0:28:25.400 --> 0:28:28.919
<v Speaker 1>and she asks if it's real, and Benson goes, that's ridiculous,

0:28:28.920 --> 0:28:31.879
<v Speaker 1>of course it's not. So we go to the car dealership.

0:28:31.960 --> 0:28:36.720
<v Speaker 1>Guess who works there, Rodney. I mean it's I like

0:28:36.800 --> 0:28:40.440
<v Speaker 1>that car dealers like it's been a scummy job forever

0:28:40.480 --> 0:28:43.800
<v Speaker 1>and will never change, Like if you want to create

0:28:43.800 --> 0:28:47.040
<v Speaker 1>a character that's like untrustworthy or a Slee's ball.

0:28:47.120 --> 0:28:50.560
<v Speaker 3>And he sells cars. Yeah. Yeah.

0:28:50.680 --> 0:28:53.080
<v Speaker 1>He tries not to talk to Rolin's and Creasy because

0:28:53.080 --> 0:28:55.360
<v Speaker 1>he's in the middle of a deal and it's like, babe,

0:28:55.400 --> 0:28:58.240
<v Speaker 1>there's two badges. No one cares about your deal. He

0:28:58.280 --> 0:29:01.840
<v Speaker 1>also seems shocked, but he the name Jessica and makes

0:29:01.880 --> 0:29:04.360
<v Speaker 1>a little joke to the customer who like and it's

0:29:04.400 --> 0:29:06.920
<v Speaker 1>so cheesy, but the customer kind of giggles and they

0:29:06.920 --> 0:29:09.480
<v Speaker 1>have this like he implies his prices are so low

0:29:09.520 --> 0:29:13.240
<v Speaker 1>it's criminal, and he, you know, walks off with the

0:29:13.280 --> 0:29:16.360
<v Speaker 1>detectives and he goes, I got rejected. Is that a felony?

0:29:16.520 --> 0:29:18.920
<v Speaker 1>And they go no, but rape is He goes, oh,

0:29:19.120 --> 0:29:22.880
<v Speaker 1>I did not rape. He swears to God. He says

0:29:22.880 --> 0:29:25.360
<v Speaker 1>he would never rape somebody, and he didn't follow her.

0:29:26.000 --> 0:29:28.280
<v Speaker 1>He just got blown off, and so like he went

0:29:28.320 --> 0:29:30.760
<v Speaker 1>to a different bar, and or near the bar, he goes,

0:29:30.800 --> 0:29:33.920
<v Speaker 1>I would never rape somebody. And that's actually like a

0:29:33.960 --> 0:29:36.040
<v Speaker 1>sign of innocence, right because when the people go, I

0:29:36.040 --> 0:29:39.480
<v Speaker 1>would never do that, Like that makes sense because or

0:29:39.480 --> 0:29:41.520
<v Speaker 1>they'll be like who said that? And it's like, so

0:29:41.600 --> 0:29:43.520
<v Speaker 1>you're not denying it, you know what I mean, Like

0:29:43.600 --> 0:29:45.840
<v Speaker 1>this is the right answer for someone who doesn't who

0:29:45.840 --> 0:29:48.600
<v Speaker 1>didn't do it. But he goes, I just I got

0:29:48.600 --> 0:29:51.080
<v Speaker 1>blown off and I took a quick car home. He

0:29:51.120 --> 0:29:53.640
<v Speaker 1>agrees to a DNA sample and it's kind of hot.

0:29:53.680 --> 0:29:56.560
<v Speaker 1>He goes swab away, like he's like down to get swabbed,

0:29:57.000 --> 0:30:00.880
<v Speaker 1>And so I'm back into this car dealer. So my

0:30:01.000 --> 0:30:04.520
<v Speaker 1>sister used to do like reception, like paperwork admin at

0:30:04.520 --> 0:30:06.920
<v Speaker 1>a car dealership. And I used to hang out at

0:30:06.920 --> 0:30:09.000
<v Speaker 1>the office when I was a kid, and it was

0:30:09.040 --> 0:30:10.920
<v Speaker 1>the thing where you would put documents in a tube

0:30:10.960 --> 0:30:11.560
<v Speaker 1>and then you can.

0:30:11.440 --> 0:30:16.960
<v Speaker 2>Go like, oh, why that is so cool. My mom's

0:30:17.000 --> 0:30:18.560
<v Speaker 2>bank used to do that. I'd be like, let me

0:30:18.560 --> 0:30:21.960
<v Speaker 2>put it in like to do deposits. Yeah, oh my god.

0:30:22.000 --> 0:30:25.160
<v Speaker 2>I want to a height of technology. I thought that

0:30:25.240 --> 0:30:26.760
<v Speaker 2>was like, this is the future. We're all gonna be

0:30:26.760 --> 0:30:28.640
<v Speaker 2>sending each other messages through fucking tubes.

0:30:29.480 --> 0:30:30.560
<v Speaker 3>I fucking loved it.

0:30:30.640 --> 0:30:32.560
<v Speaker 1>I want to shrink down, get in the tube and

0:30:32.600 --> 0:30:36.760
<v Speaker 1>get shot up, have a fun ass.

0:30:37.160 --> 0:30:38.600
<v Speaker 2>I think you kind of do that on like a

0:30:38.640 --> 0:30:42.040
<v Speaker 2>water slide. You're right, you're in a tube and you

0:30:42.200 --> 0:30:46.040
<v Speaker 2>just get shot the fuck out of a cannon.

0:30:46.880 --> 0:30:50.360
<v Speaker 1>We're at the precincts and Roland's looking at Bodega camera

0:30:50.440 --> 0:30:53.600
<v Speaker 1>footage and we see Rodney grabbing her and then her

0:30:53.640 --> 0:30:56.480
<v Speaker 1>walking away, and he watches her, but he does have

0:30:56.600 --> 0:30:59.240
<v Speaker 1>the other way. And Benson comes in with even more

0:30:59.280 --> 0:31:02.040
<v Speaker 1>evidence to hear him the DNA is not a match.

0:31:02.280 --> 0:31:05.200
<v Speaker 1>But good news is we got a familial match with

0:31:05.200 --> 0:31:08.760
<v Speaker 1>someone named Mark Brown who's arrested in twenty thirteen for rape.

0:31:09.120 --> 0:31:11.480
<v Speaker 1>And he's doing seven to ten and sing sing because

0:31:11.520 --> 0:31:14.239
<v Speaker 1>he raped a math teacher in the Bronx and I

0:31:14.360 --> 0:31:16.800
<v Speaker 1>like like the detail of the subject that she teaches,

0:31:17.080 --> 0:31:19.680
<v Speaker 1>So let's talk to him and find his male relatives.

0:31:20.160 --> 0:31:21.920
<v Speaker 1>We talked to this guy. He's kind of funny and

0:31:21.960 --> 0:31:25.040
<v Speaker 1>he's annoyed. But from like, from my perspective, when you

0:31:25.080 --> 0:31:27.240
<v Speaker 1>want to pay a change of pace in jail, someone

0:31:27.280 --> 0:31:28.760
<v Speaker 1>came to see me, whether I wanted it or not,

0:31:28.800 --> 0:31:31.600
<v Speaker 1>I'd be like, oh, yeah, I'll entertain this. Yeah, let's

0:31:31.600 --> 0:31:37.200
<v Speaker 1>see what happens. Something to do, Yeah, something to do.

0:31:38.040 --> 0:31:41.520
<v Speaker 1>I just don't know why. But he basically he says,

0:31:41.880 --> 0:31:44.000
<v Speaker 1>so he goes I'm not what are you guys talking about?

0:31:44.000 --> 0:31:45.760
<v Speaker 3>You want all my close family members? What else? You

0:31:45.800 --> 0:31:46.920
<v Speaker 3>want me to wash your car?

0:31:47.400 --> 0:31:48.640
<v Speaker 1>And they lie to him and they go, well, we

0:31:48.720 --> 0:31:51.240
<v Speaker 1>just want to make sure everyone's okay because someone in

0:31:51.280 --> 0:31:53.320
<v Speaker 1>your family has been critically injured.

0:31:53.040 --> 0:31:55.880
<v Speaker 2>Which is like sad to lie like that. I know

0:31:55.880 --> 0:31:57.480
<v Speaker 2>you've got to get what you gotta get, but like,

0:31:58.120 --> 0:32:01.440
<v Speaker 2>this guy's in jail now, he's like, he's my They're okay, Like,

0:32:02.520 --> 0:32:04.720
<v Speaker 2>I think it's so fucked up, and I don't like

0:32:04.760 --> 0:32:07.160
<v Speaker 2>this little lie that they're doing with the critically insured

0:32:07.160 --> 0:32:07.800
<v Speaker 2>family member.

0:32:07.880 --> 0:32:09.640
<v Speaker 1>Like this man's in jail. His like, I mean, he's

0:32:09.640 --> 0:32:12.400
<v Speaker 1>a rapist. Fuck with him. Who cares to ride him? Honestly?

0:32:12.480 --> 0:32:14.600
<v Speaker 1>Lie to him, hit him in the face. I've been

0:32:14.640 --> 0:32:19.920
<v Speaker 1>worse to less rape. So whatever. He's worried. He's like,

0:32:19.960 --> 0:32:22.600
<v Speaker 1>oh my god, was it my brother? Is it Mark Brown?

0:32:23.240 --> 0:32:23.320
<v Speaker 2>Oh?

0:32:23.440 --> 0:32:25.600
<v Speaker 3>No, he's Mark Brown. I'm kidding. It's his brother Nick.

0:32:25.640 --> 0:32:26.960
<v Speaker 3>He goes, is it my brother Nick?

0:32:27.200 --> 0:32:29.479
<v Speaker 1>They're like, I don't know, someone's you know, fucked up

0:32:29.480 --> 0:32:32.640
<v Speaker 1>in a car crash, dude. So he's so worried. He's like,

0:32:32.680 --> 0:32:34.880
<v Speaker 1>does my mom know? And they go, well, let him know.

0:32:34.920 --> 0:32:36.920
<v Speaker 1>We'll let him know, And so they get Nick's info.

0:32:37.000 --> 0:32:39.360
<v Speaker 1>He's an accountant, and they walk off slimy as fuck,

0:32:40.520 --> 0:32:43.120
<v Speaker 1>but I guess we've you know, he's a rayping. So

0:32:43.160 --> 0:32:45.840
<v Speaker 1>they go to Nick Brown and he's the other man

0:32:45.880 --> 0:32:49.240
<v Speaker 1>from the bar earlier, obviously, and he's a little He's

0:32:49.240 --> 0:32:50.880
<v Speaker 1>in a little desk in the corner of a row

0:32:50.920 --> 0:32:53.880
<v Speaker 1>of desks, no tie, button down, checkered shirt. So they

0:32:53.880 --> 0:32:55.960
<v Speaker 1>approach him and he goes, is this about the bartender?

0:32:56.000 --> 0:32:57.960
<v Speaker 1>And they're like, how do you know about that? And

0:32:58.000 --> 0:33:00.400
<v Speaker 1>he's like, oh, I heard from a guy that he like,

0:33:00.480 --> 0:33:02.720
<v Speaker 1>I know from the bar, and he goes, listen, I

0:33:02.760 --> 0:33:05.040
<v Speaker 1>did it. I raped her. I couldn't help it. I

0:33:05.120 --> 0:33:07.280
<v Speaker 1>was born this way. I was born to be a rapist.

0:33:07.440 --> 0:33:11.080
<v Speaker 1>And they obviously have to handcuff him, and Rollin's mouth

0:33:11.160 --> 0:33:13.480
<v Speaker 1>is a gape. She cannot believe it, and she does

0:33:13.520 --> 0:33:15.720
<v Speaker 1>read him as rights. All his coworkers watch him as

0:33:15.720 --> 0:33:19.440
<v Speaker 1>he's taken away, thurnsmet roombars he did confess to rape,

0:33:19.440 --> 0:33:21.640
<v Speaker 1>and he does have an attorney. He goes, listen, my

0:33:21.640 --> 0:33:23.760
<v Speaker 1>father was a mouse. My father was a mouse. His

0:33:23.840 --> 0:33:28.680
<v Speaker 1>name was Stuart Little. And now we're family of rapists. Okay,

0:33:29.600 --> 0:33:32.520
<v Speaker 1>all right, he serves seven years for rape with three

0:33:32.560 --> 0:33:33.200
<v Speaker 1>counts of rape.

0:33:33.240 --> 0:33:33.880
<v Speaker 3>Seven years.

0:33:34.360 --> 0:33:37.120
<v Speaker 1>I think that's not enough, but yeah, the dad also

0:33:37.160 --> 0:33:40.560
<v Speaker 1>said he couldn't help himself. And Benson's watching obviously She's like,

0:33:41.000 --> 0:33:42.080
<v Speaker 1>my father's a rapist?

0:33:42.200 --> 0:33:43.760
<v Speaker 3>Is it in me? Am I a deep yeah?

0:33:43.840 --> 0:33:47.760
<v Speaker 1>Yeah, And the dude's like, it's in me, it's DNA.

0:33:47.800 --> 0:33:49.920
<v Speaker 1>And also her brother ended up, you know, having a

0:33:49.960 --> 0:33:53.080
<v Speaker 1>squirrely life. And then the lawyer stops him from talking

0:33:53.120 --> 0:33:55.760
<v Speaker 1>anymore and goes, Nick has information to help solve an

0:33:55.760 --> 0:33:59.080
<v Speaker 1>outstanding case involving a serial rapist, but they want a deal,

0:33:59.160 --> 0:34:01.120
<v Speaker 1>and Rollins goes, ye, yeah, but we need a taste,

0:34:01.560 --> 0:34:03.440
<v Speaker 1>and Chrasey goes and how do we know you're legit?

0:34:03.560 --> 0:34:05.240
<v Speaker 1>And he looks up and goes, I know who the

0:34:05.320 --> 0:34:08.760
<v Speaker 1>River rapist is. They're like, you know him? Oh my god.

0:34:09.320 --> 0:34:12.480
<v Speaker 1>But the lawyer stops him from revealing anything and goes,

0:34:12.840 --> 0:34:15.360
<v Speaker 1>but he goes he gags his victims with socks, and

0:34:15.400 --> 0:34:18.120
<v Speaker 1>Crasy goes, congrats, you read the paper, and he goes,

0:34:18.160 --> 0:34:21.040
<v Speaker 1>wool socks because they're thick in course, and make them gag,

0:34:21.120 --> 0:34:24.080
<v Speaker 1>and it's like, okay, that's so fucked up. He says

0:34:24.080 --> 0:34:26.399
<v Speaker 1>it's not a knife. It's in the ice pick as well,

0:34:26.400 --> 0:34:30.160
<v Speaker 1>and he smells like cigars. And all the victims did

0:34:30.200 --> 0:34:32.719
<v Speaker 1>mention that someone was always smoking, and he goes, yeah,

0:34:32.719 --> 0:34:34.760
<v Speaker 1>he was always smoking these little ones with the plastic

0:34:34.760 --> 0:34:37.200
<v Speaker 1>tip thing. They're like, okay, we're gonna talk to the

0:34:37.200 --> 0:34:40.279
<v Speaker 1>detectives investigating the case figure it out. And he's like,

0:34:40.320 --> 0:34:43.640
<v Speaker 1>please tell the bartender. I'm really sorry, and Rollins goes yeah,

0:34:43.680 --> 0:34:46.440
<v Speaker 1>and we'll send her flowers too. Are you fucking stupid?

0:34:47.000 --> 0:34:49.799
<v Speaker 1>And he looks sad, but okay, time has passed. We're

0:34:49.800 --> 0:34:52.880
<v Speaker 1>in Benson's office. Rollin's Criasy got the info confirmed with

0:34:52.920 --> 0:34:56.080
<v Speaker 1>the lead people on the River rapist crime. Benson's gonna

0:34:56.440 --> 0:34:58.440
<v Speaker 1>call the DA for a deal, and Chraasey goes, yeah,

0:34:58.480 --> 0:35:00.440
<v Speaker 1>and make sure you tell him about the dumg thing

0:35:00.480 --> 0:35:01.319
<v Speaker 1>he's going to bring up.

0:35:01.360 --> 0:35:02.120
<v Speaker 3>So they're prepared.

0:35:02.640 --> 0:35:04.520
<v Speaker 1>And so we got to call Jessica and tell her

0:35:04.520 --> 0:35:07.680
<v Speaker 1>about the deal, and we also and that we got

0:35:07.719 --> 0:35:11.439
<v Speaker 1>him and sends Creesy out. So now Rollin's goes, well,

0:35:11.600 --> 0:35:13.560
<v Speaker 1>you haven't told him about your rapist dad yet, and

0:35:13.640 --> 0:35:15.719
<v Speaker 1>she goes, well, neither did you, And she goes that's

0:35:15.719 --> 0:35:18.920
<v Speaker 1>not my place. So they're sweet, they're friends. Rollins chucks in.

0:35:19.000 --> 0:35:22.160
<v Speaker 1>Benson pretends she's okay, clearly she's not. She's straight at

0:35:22.200 --> 0:35:26.920
<v Speaker 1>her therapist's office. Peter Lindstrom. Benson's in therapy, And I

0:35:27.080 --> 0:35:30.040
<v Speaker 1>forgot it's this is also about Noah, So it's not

0:35:30.120 --> 0:35:35.200
<v Speaker 1>even about just racist rapist dad Noah's dad, is it?

0:35:35.280 --> 0:35:35.719
<v Speaker 3>Nikki d.

0:35:37.640 --> 0:35:41.000
<v Speaker 1>D Johnny D Yeah, yeah, yeah, yeah, I mean Johnny

0:35:41.239 --> 0:35:45.120
<v Speaker 1>one of the worst, burned a woman, full trafficker, rapist, murderer,

0:35:45.200 --> 0:35:48.360
<v Speaker 1>like monster. I mean, this show has so many layers.

0:35:48.400 --> 0:35:50.760
<v Speaker 1>But so now she's worried Noah will be a rapist

0:35:50.840 --> 0:35:53.759
<v Speaker 1>as well, and she goes, what if his darkness will

0:35:53.760 --> 0:35:58.319
<v Speaker 1>overpower everything? He says, your belief systems, moral compass, and

0:35:58.360 --> 0:36:01.600
<v Speaker 1>strength are stronger than your fond there's DNA, and he

0:36:01.680 --> 0:36:04.360
<v Speaker 1>reminds her there's no such thing as the rape gene.

0:36:04.920 --> 0:36:07.280
<v Speaker 1>And it's not it's like you had an abusive person

0:36:07.360 --> 0:36:08.799
<v Speaker 1>in your life, like that's what it is.

0:36:08.880 --> 0:36:11.200
<v Speaker 3>It's not a gene, you know.

0:36:11.440 --> 0:36:13.640
<v Speaker 1>Yeah, And also I'm not saying that's an excuse, but

0:36:13.680 --> 0:36:16.480
<v Speaker 1>it's like if you're abused, you're more likely to abuse.

0:36:16.520 --> 0:36:18.279
<v Speaker 3>It has nothing to do with genetics.

0:36:18.960 --> 0:36:22.799
<v Speaker 1>Well, what's interesting is like this episode is listed as

0:36:22.800 --> 0:36:24.080
<v Speaker 1>being based also.

0:36:23.880 --> 0:36:27.840
<v Speaker 2>On like the warrior gene, which is like this thing

0:36:28.480 --> 0:36:32.480
<v Speaker 2>that is it is a thing. It's like a it's

0:36:32.520 --> 0:36:35.040
<v Speaker 2>like a misleading term. It says on the internet of

0:36:35.080 --> 0:36:37.440
<v Speaker 2>like some kind of gene that they found in a

0:36:37.440 --> 0:36:40.080
<v Speaker 2>bunch of people in this one Dutch family, and they

0:36:40.080 --> 0:36:45.400
<v Speaker 2>were all very they said it was like it influences behavior,

0:36:45.400 --> 0:36:48.360
<v Speaker 2>but it's not an actual direct predictor of violence. But

0:36:48.480 --> 0:36:52.160
<v Speaker 2>this episode never even like gets into that. So I

0:36:52.200 --> 0:36:54.359
<v Speaker 2>didn't even really like research it for the second half

0:36:54.360 --> 0:36:56.960
<v Speaker 2>of the episode because I was like, this just feels

0:36:57.000 --> 0:36:58.759
<v Speaker 2>like a bullshit excuse to be like.

0:36:58.680 --> 0:37:01.040
<v Speaker 1>Well, sorry, I have this warrior gene that just makes

0:37:01.040 --> 0:37:03.799
<v Speaker 1>me a fucking rapist, Like yes, that's not.

0:37:04.520 --> 0:37:06.160
<v Speaker 3>Yeah, no, no no.

0:37:10.040 --> 0:37:12.520
<v Speaker 1>So we're at Rikers and Barba's here, and I just

0:37:12.560 --> 0:37:14.759
<v Speaker 1>had been mentioning, like a few episodes ago, how I

0:37:14.800 --> 0:37:17.719
<v Speaker 1>needed more Barbara. We miss Barbara, and we got him,

0:37:18.320 --> 0:37:21.720
<v Speaker 1>and he's with Benson and he's willing to make a deal. Okay,

0:37:21.800 --> 0:37:24.320
<v Speaker 1>so rape two and only if the information is credible.

0:37:24.640 --> 0:37:26.640
<v Speaker 1>The lawyer tries to get a better deal and but

0:37:26.920 --> 0:37:29.360
<v Speaker 1>Barbara shuts him down before it starts like we're not

0:37:29.440 --> 0:37:31.840
<v Speaker 1>doing this, and Nick's like, okay, okay, I'll take it.

0:37:31.840 --> 0:37:34.319
<v Speaker 1>It sounds fair to me. And he says that the

0:37:34.400 --> 0:37:36.479
<v Speaker 1>River rapist name is Sam. He doesn't know the last

0:37:36.520 --> 0:37:39.040
<v Speaker 1>name or where he lives or works, and it's like

0:37:39.080 --> 0:37:41.000
<v Speaker 1>what the fuck, Like what do you even have? Like

0:37:41.040 --> 0:37:44.000
<v Speaker 1>you're so annoying, and Nick says, I'll know where he'll

0:37:44.040 --> 0:37:47.319
<v Speaker 1>be tonight at ten dark music again. So we're on

0:37:47.360 --> 0:37:50.640
<v Speaker 1>twelfth Avenue. We're in a warehouse, kitchen, garage, morgue. I

0:37:50.719 --> 0:37:53.480
<v Speaker 1>don't know, white painted bricks, metal doors that open in

0:37:53.520 --> 0:37:57.960
<v Speaker 1>the middle, you know, like back, like for trucks or

0:37:58.000 --> 0:38:01.760
<v Speaker 1>something to go. Yeah, there's like where how Yeah, fluorescent lights,

0:38:01.840 --> 0:38:05.520
<v Speaker 1>loose chairs. This is obviously a meeting addict kind of vibes.

0:38:05.640 --> 0:38:09.520
<v Speaker 1>And there's God talk and we and Nixon there he's undercover.

0:38:09.640 --> 0:38:11.799
<v Speaker 1>We have a steak out Rollin's and crease You're working

0:38:11.840 --> 0:38:15.279
<v Speaker 1>closely together and they're like, fuck these sexual predators, and

0:38:15.440 --> 0:38:20.040
<v Speaker 1>Creasey calls it a Saturday night live skit. Nick starts

0:38:20.120 --> 0:38:23.480
<v Speaker 1>and he says he was drinking a beer and talking

0:38:23.520 --> 0:38:26.000
<v Speaker 1>to a pretty bartender, and he says he began to

0:38:26.040 --> 0:38:28.800
<v Speaker 1>spin out and had feelings that he couldn't control himself,

0:38:29.120 --> 0:38:31.080
<v Speaker 1>and he did the thing he vowed he'd never do,

0:38:31.239 --> 0:38:33.640
<v Speaker 1>and he admits to raping her and a young man

0:38:33.640 --> 0:38:35.560
<v Speaker 1>and a beanie goes, how could you do that? And

0:38:35.600 --> 0:38:37.520
<v Speaker 1>he says we had a deal. We were going to

0:38:37.560 --> 0:38:40.520
<v Speaker 1>fight this thing together. And he says I made a mistake.

0:38:40.600 --> 0:38:43.919
<v Speaker 1>I'm sorry, and the beanie goes, I'm not buying it now.

0:38:43.960 --> 0:38:47.239
<v Speaker 1>Old man confronts beanie and would you blame an alcoholic

0:38:47.320 --> 0:38:50.440
<v Speaker 1>for sipping a drink? He's not responsible for his genetics,

0:38:50.480 --> 0:38:53.239
<v Speaker 1>and neither are you. There's also a curly haired guy

0:38:53.680 --> 0:38:56.520
<v Speaker 1>and yeah, so there's like old guy, two young guys,

0:38:56.560 --> 0:39:00.440
<v Speaker 1>two nameless guys, and there's a lot of empty chairs,

0:39:00.520 --> 0:39:03.920
<v Speaker 1>is my point? Okay, it's a small club. And I

0:39:03.960 --> 0:39:06.279
<v Speaker 1>also want to know is this on craigslist? Like how

0:39:06.280 --> 0:39:08.319
<v Speaker 1>are they finding each other? Like how do the how

0:39:08.360 --> 0:39:14.920
<v Speaker 1>do the way? How are they finding each other? Like sketchy, sketchy.

0:39:15.400 --> 0:39:17.840
<v Speaker 1>So this old dude talks in a lot of platitudes

0:39:17.880 --> 0:39:20.359
<v Speaker 1>and finally is like, don't hate yourself, and the beanie goes,

0:39:20.360 --> 0:39:23.879
<v Speaker 1>are you fucking kidding? I despise myself every day? Wake

0:39:23.960 --> 0:39:25.880
<v Speaker 1>up and go, is this the day I finally ruined

0:39:25.960 --> 0:39:28.960
<v Speaker 1>my life in the life of an innocent woman? Someone

0:39:29.000 --> 0:39:32.120
<v Speaker 1>walks in late, someone says, hi, Sam, we have Sam.

0:39:32.520 --> 0:39:34.960
<v Speaker 1>Old man fills him in that Nick shared and that

0:39:35.000 --> 0:39:37.640
<v Speaker 1>Will is disappointed in him, and Sam says, sorry to

0:39:37.680 --> 0:39:40.799
<v Speaker 1>hear about that, but you know, it happens, and he's

0:39:40.880 --> 0:39:43.320
<v Speaker 1>quickly like doesn't give a fuck, like how are things?

0:39:43.360 --> 0:39:45.799
<v Speaker 3>Like what's going on? He says he's good.

0:39:45.800 --> 0:39:47.959
<v Speaker 1>He's kind of like a handsome guy, I would say,

0:39:48.080 --> 0:39:50.040
<v Speaker 1>And he says he feels like he turned a page

0:39:50.040 --> 0:39:52.759
<v Speaker 1>in his life. He went on a real, proper date

0:39:53.200 --> 0:39:55.160
<v Speaker 1>with a great woman. And the old guy says, like,

0:39:55.200 --> 0:39:58.040
<v Speaker 1>oh my god, that's terrific. So then Nick asked the

0:39:58.080 --> 0:39:59.800
<v Speaker 1>old man like, do you think me or Sam or

0:39:59.840 --> 0:40:02.239
<v Speaker 1>any of us kind of a normal relationship And the

0:40:02.320 --> 0:40:05.800
<v Speaker 1>old man says yes, it's a process. And Nick says

0:40:05.880 --> 0:40:09.200
<v Speaker 1>even though he's assaulted three women, And Sam goes, whoa

0:40:09.440 --> 0:40:11.120
<v Speaker 1>why are you being so negative?

0:40:11.760 --> 0:40:12.440
<v Speaker 3>And so then.

0:40:13.920 --> 0:40:16.879
<v Speaker 1>Well we don't talk stats in here, bro, like it's

0:40:17.000 --> 0:40:20.160
<v Speaker 1>so But also like Nick, can you be a little patient,

0:40:20.200 --> 0:40:22.880
<v Speaker 1>like why or why didn't anyone train him to be undercover?

0:40:22.960 --> 0:40:25.759
<v Speaker 1>More like you're changing the way you behave so drastically,

0:40:25.760 --> 0:40:29.920
<v Speaker 1>like you're being crazy, You're literally it's giving. The fucking

0:40:29.960 --> 0:40:33.240
<v Speaker 1>guy at the ticket booth in the lou Diamond Phillips

0:40:33.320 --> 0:40:40.240
<v Speaker 1>episode like relax, like just calm down. Yeah, So he goes, whatever,

0:40:40.320 --> 0:40:42.160
<v Speaker 1>I'm sorry, I'm just trying to make sense of this

0:40:42.239 --> 0:40:45.200
<v Speaker 1>for myself, and they go, yeah, well you talk about

0:40:45.200 --> 0:40:49.040
<v Speaker 1>your own crap, okay, And Nick keeps trying, and everyone's

0:40:49.080 --> 0:40:51.200
<v Speaker 1>just suspicious and curly guys like why do you even

0:40:51.280 --> 0:40:53.440
<v Speaker 1>use the R word? You know, like we don't do

0:40:53.600 --> 0:40:57.040
<v Speaker 1>that here. And Nick's like, well, what are the options

0:40:57.040 --> 0:40:58.560
<v Speaker 1>for those of us who have raped? What do we

0:40:58.640 --> 0:41:02.600
<v Speaker 1>do now? And he's flailing, and then Curls goes, we're

0:41:02.640 --> 0:41:05.320
<v Speaker 1>trying the best we can. And they all start fighting

0:41:05.360 --> 0:41:07.359
<v Speaker 1>and the old man screams for them to calm down.

0:41:07.680 --> 0:41:11.239
<v Speaker 1>They're in full like outerwear. This meat plant must be freezing.

0:41:11.760 --> 0:41:13.919
<v Speaker 1>And then the old man reminds everyone that they're there

0:41:13.960 --> 0:41:16.640
<v Speaker 1>to support each other, and Curls goes, Nick is asking

0:41:16.680 --> 0:41:20.719
<v Speaker 1>too many questions, he's accusing people. He's He's like, I've

0:41:20.719 --> 0:41:23.480
<v Speaker 1>been here ten times, I've never heard him talk about rape.

0:41:23.520 --> 0:41:27.160
<v Speaker 1>This guy's pissed, and he goes and the Sam's specific

0:41:27.200 --> 0:41:29.560
<v Speaker 1>you're a snitch. He goes, no, I'm not tense music.

0:41:30.040 --> 0:41:33.160
<v Speaker 1>So now Curls takes out a knife and all units

0:41:33.200 --> 0:41:35.120
<v Speaker 1>have to move in. Obviously there's a knife, and so

0:41:35.800 --> 0:41:37.719
<v Speaker 1>the group kind of like it's a musical. It's like

0:41:37.719 --> 0:41:39.920
<v Speaker 1>truly West Side story. They're all kind of like, you know,

0:41:40.440 --> 0:41:44.200
<v Speaker 1>getting him against so well and knife on him. They

0:41:44.200 --> 0:41:46.560
<v Speaker 1>push him against the wall. He goes, I'm gonna count

0:41:46.560 --> 0:41:48.880
<v Speaker 1>and I'm gonna count in. But it's like, obviously he

0:41:48.960 --> 0:41:52.200
<v Speaker 1>finds his wire and rape. It's not as good of

0:41:52.239 --> 0:41:55.120
<v Speaker 1>actors as killers. I guess I'm not not good at

0:41:55.160 --> 0:41:58.239
<v Speaker 1>getting away with steps. So so they go, you lying

0:41:58.320 --> 0:41:59.920
<v Speaker 1>son of a bitch and Nick goes kill me.

0:42:00.080 --> 0:42:02.319
<v Speaker 3>I deserve it. I deserve it. The cops run in.

0:42:02.400 --> 0:42:06.560
<v Speaker 1>Everyone tries to run but get we're bringing in, so

0:42:06.800 --> 0:42:09.520
<v Speaker 1>the Beanie guy's crying. They arrest Sam and they're all

0:42:09.560 --> 0:42:11.560
<v Speaker 1>going to the precinct for a chat. So it's a

0:42:11.600 --> 0:42:15.160
<v Speaker 1>big parade of perverts through the precinct and Barbara.

0:42:16.480 --> 0:42:18.680
<v Speaker 3>Perverts on parade.

0:42:19.400 --> 0:42:22.120
<v Speaker 1>Barbara and Benson are watching the clowns come in and

0:42:23.400 --> 0:42:25.440
<v Speaker 1>maybe the Beanie guy had a chance, I don't know.

0:42:25.520 --> 0:42:28.000
<v Speaker 1>So they have nothing to really hold anybody, so they

0:42:28.040 --> 0:42:30.560
<v Speaker 1>really have to work as a team. The old man goes, yeah,

0:42:30.560 --> 0:42:33.800
<v Speaker 1>they're flawed, but they're trying and they're decent, and Rollins

0:42:33.880 --> 0:42:35.799
<v Speaker 1>only wants to talk about Sam. She does not give

0:42:35.800 --> 0:42:38.359
<v Speaker 1>a fuck, and he's not going to spill easy. He goes,

0:42:38.400 --> 0:42:40.400
<v Speaker 1>this is a place to support men with nowhere to

0:42:40.440 --> 0:42:42.200
<v Speaker 1>turn and no one to talk, and we listen and

0:42:42.320 --> 0:42:45.319
<v Speaker 1>courage and we don't judge. And Benson through the spy

0:42:45.360 --> 0:42:48.520
<v Speaker 1>windows scoffs to Barba. And most of the members have

0:42:48.600 --> 0:42:50.959
<v Speaker 1>never done anything wrong, he says, and Rollins is like, okay,

0:42:50.960 --> 0:42:52.840
<v Speaker 1>but I only care about Sam Dalton, so stop it.

0:42:52.920 --> 0:42:54.520
<v Speaker 3>But he refuses to betray the group.

0:42:54.920 --> 0:42:56.880
<v Speaker 1>She gets loud and aggressive and goes, what about the

0:42:56.920 --> 0:43:00.000
<v Speaker 1>betrayal of three women? Three innocent women who are wondering

0:43:00.040 --> 0:43:02.120
<v Speaker 1>if the cops are ever going to catch their rapists?

0:43:02.239 --> 0:43:05.080
<v Speaker 1>Are you okay betraying them? He says, If I betray

0:43:05.120 --> 0:43:07.719
<v Speaker 1>one of them, I lose all credibility. The group vanishes

0:43:07.800 --> 0:43:09.759
<v Speaker 1>and lots of decent men are fighting to do the

0:43:09.840 --> 0:43:13.239
<v Speaker 1>right thing, to go against their genetics, and he's like,

0:43:13.440 --> 0:43:16.680
<v Speaker 1>you know, I'm helping these guys. It could help stop

0:43:16.760 --> 0:43:19.080
<v Speaker 1>hundreds of rapes. So Barbara's like, okay, I get it,

0:43:19.120 --> 0:43:21.719
<v Speaker 1>I get it relaxed. Benson goes, Shirt in theory, but

0:43:21.760 --> 0:43:24.600
<v Speaker 1>in reality it could make things much worse. It gives

0:43:24.600 --> 0:43:28.040
<v Speaker 1>them a forum to rationalize and legitimize their crimes. And

0:43:28.080 --> 0:43:30.120
<v Speaker 1>Barbara goes, well, who's this other kid? And we go

0:43:30.160 --> 0:43:32.880
<v Speaker 1>to the other spy window. It's woodroom blinds and his

0:43:32.960 --> 0:43:37.160
<v Speaker 1>name is will Stein, not Curls or hat. Another one, Cariese,

0:43:37.200 --> 0:43:40.240
<v Speaker 1>is in with that young man. He has feathered Kennedy's

0:43:40.239 --> 0:43:45.799
<v Speaker 1>style hair, I would say, and he goes, we're in there.

0:43:45.840 --> 0:43:47.600
<v Speaker 1>We're trying to become better. All we want to be

0:43:47.760 --> 0:43:50.600
<v Speaker 1>is better, and Creasy goes, well, Sam rape three women

0:43:50.680 --> 0:43:52.640
<v Speaker 1>and the guy gets shaky and goes, I know nothing

0:43:52.680 --> 0:43:55.960
<v Speaker 1>about that. Creasy says it's illegal to lie to a cop.

0:43:56.440 --> 0:43:58.880
<v Speaker 1>And the guy says, I didn't ask to be a

0:43:58.880 --> 0:44:00.960
<v Speaker 1>part of this, and he goes, it's not my fault.

0:44:00.960 --> 0:44:03.800
<v Speaker 1>My father rapes somebody, and now I inherited his genes.

0:44:04.080 --> 0:44:05.719
<v Speaker 1>He just wants to do the right thing and make

0:44:05.760 --> 0:44:08.640
<v Speaker 1>sure the evil never manifests, and that's why he goes

0:44:08.680 --> 0:44:12.160
<v Speaker 1>to these meetings. He wants to control his urges increase.

0:44:12.200 --> 0:44:13.960
<v Speaker 1>He goes, I feel for you, but I'm not a

0:44:13.960 --> 0:44:16.360
<v Speaker 1>priest and I'm not a therapist. I'm a cop, okay,

0:44:16.560 --> 0:44:19.520
<v Speaker 1>and I'm here to talk about crimes, actual crimes. So

0:44:19.640 --> 0:44:21.640
<v Speaker 1>one more time, are you going to tell me anything

0:44:21.640 --> 0:44:25.760
<v Speaker 1>about Sam Dalton or no? And he says no. Solemn

0:44:25.880 --> 0:44:29.239
<v Speaker 1>music plays Barba Leaves and Benson is low at her

0:44:29.239 --> 0:44:32.120
<v Speaker 1>desk looking at baby Noah in a frame. So now

0:44:33.040 --> 0:44:35.880
<v Speaker 1>Benson and Rollins are with Dalton and they're like, we

0:44:35.960 --> 0:44:38.560
<v Speaker 1>have evidence you rape three women, and they take photos

0:44:38.600 --> 0:44:40.480
<v Speaker 1>of the victims out and display them on the table

0:44:40.520 --> 0:44:42.880
<v Speaker 1>and he's smart though. He's like, well, if you do,

0:44:42.920 --> 0:44:45.239
<v Speaker 1>then why aren't you arrested me? And Benson goes, well,

0:44:45.280 --> 0:44:47.440
<v Speaker 1>we want to hear your side of the story. She's like,

0:44:47.480 --> 0:44:50.640
<v Speaker 1>you're in this group, you're obviously remorseful, you know, maybe

0:44:50.680 --> 0:44:53.480
<v Speaker 1>you want to come clean, get the guilt and shame

0:44:53.560 --> 0:44:58.080
<v Speaker 1>off your chest. And he's like, oh, confess you say okay,

0:44:58.760 --> 0:45:01.640
<v Speaker 1>and Rollins is like got you, and you're going away

0:45:01.760 --> 0:45:04.040
<v Speaker 1>and if you want a deal, you better say something

0:45:04.080 --> 0:45:06.279
<v Speaker 1>to us. And they're trying their tag teaming. They're like

0:45:06.360 --> 0:45:09.160
<v Speaker 1>trying everything, like maybe it'll make you feel good and

0:45:09.200 --> 0:45:10.919
<v Speaker 1>he says, you know what would make me feel good,

0:45:10.960 --> 0:45:13.880
<v Speaker 1>A thick steak, and Benson goes, yeah, you're not alone

0:45:13.920 --> 0:45:15.840
<v Speaker 1>in that, but I don't think that's gonna happen for

0:45:15.880 --> 0:45:18.680
<v Speaker 1>you right now, And he gets up tense music, grabs

0:45:18.680 --> 0:45:21.520
<v Speaker 1>his jacket from the back of the chair. He's really

0:45:21.560 --> 0:45:24.040
<v Speaker 1>super casual and confident, and they ask where he's going.

0:45:24.120 --> 0:45:27.160
<v Speaker 1>He says home. They stand up and say, no, that

0:45:27.200 --> 0:45:30.560
<v Speaker 1>ship has sailed. You're under arrest for trespassing. You weren't

0:45:30.600 --> 0:45:33.120
<v Speaker 1>allowed to be in that warehouse, private property, and you

0:45:33.160 --> 0:45:36.520
<v Speaker 1>had weed in your pocket and it's twenty seventeen. I

0:45:36.560 --> 0:45:38.680
<v Speaker 1>think it was like decriminalized. But like whatever, they're playing

0:45:38.680 --> 0:45:41.960
<v Speaker 1>dirty whatever. I like what's happening. I'm turned on. I

0:45:42.000 --> 0:45:45.560
<v Speaker 1>like them working together. But he says lawyer right away.

0:45:45.840 --> 0:45:48.040
<v Speaker 1>But then once they handcuff him, like they look at

0:45:48.040 --> 0:45:49.880
<v Speaker 1>each other like, oh my god, I can't believe we

0:45:49.920 --> 0:45:52.600
<v Speaker 1>got away with that. Like they it seemed like this

0:45:52.800 --> 0:45:54.839
<v Speaker 1>was not a plan and they were flying by the

0:45:54.880 --> 0:45:58.120
<v Speaker 1>seat of their pants. Like Benson kind of breathes a

0:45:58.360 --> 0:46:01.120
<v Speaker 1>sigh of relief and makes eyes of like, Okay, I

0:46:01.120 --> 0:46:05.759
<v Speaker 1>guess I'm now yeah, but I think this is one

0:46:05.800 --> 0:46:08.439
<v Speaker 1>of my favorite scenes of all time, and I don't

0:46:08.440 --> 0:46:11.680
<v Speaker 1>know why we don't talk about it more So, Benson

0:46:11.719 --> 0:46:15.640
<v Speaker 1>has some good news for suspenders. Barbara, okay, like we

0:46:15.719 --> 0:46:18.120
<v Speaker 1>have all the victims remember his face and have I

0:46:18.239 --> 0:46:21.240
<v Speaker 1>d'd him, and his voice and the stench of cheap cigars,

0:46:21.680 --> 0:46:24.359
<v Speaker 1>and they're excited to testify and put him away. They

0:46:24.360 --> 0:46:27.400
<v Speaker 1>cannot wait to get his ass The crime lab confirmed

0:46:27.400 --> 0:46:29.560
<v Speaker 1>the DNA as a match to all three vics, and

0:46:29.600 --> 0:46:32.799
<v Speaker 1>Barbara goes, ah, you're too kind, and we know it's

0:46:32.840 --> 0:46:34.719
<v Speaker 1>too good to be true. And I assume it's going

0:46:34.760 --> 0:46:38.200
<v Speaker 1>to be a poisonous fruit tree situation. And a woman

0:46:38.239 --> 0:46:41.480
<v Speaker 1>walks in. It's a court processor and it's a blue

0:46:41.520 --> 0:46:44.400
<v Speaker 1>folded paper and Barbera's opening and you know it's emotion

0:46:44.560 --> 0:46:48.400
<v Speaker 1>to suppress. The confession to the therapy group is inadmissible.

0:46:49.080 --> 0:46:50.680
<v Speaker 1>But in my head, I go, who gives a shit.

0:46:50.719 --> 0:46:52.800
<v Speaker 1>We don't need the confession. We have all these other things.

0:46:53.000 --> 0:46:56.000
<v Speaker 1>And they brought everyone from the group in. They brought

0:46:56.040 --> 0:47:00.440
<v Speaker 1>everyone in, so they questioned everyone in the group. Basically

0:47:00.480 --> 0:47:03.880
<v Speaker 1>they're saying this like old man is a clergyman, congregant privilege,

0:47:03.920 --> 0:47:07.799
<v Speaker 1>and Benson goes, that's a stretch. So now what he says,

0:47:07.840 --> 0:47:11.280
<v Speaker 1>We're screwed, And I was right. It's the poisonous tree situation.

0:47:11.960 --> 0:47:15.160
<v Speaker 1>And so I don't and yeah, whatever, the fruit of

0:47:15.200 --> 0:47:17.160
<v Speaker 1>the poisonous tree, and I don't.

0:47:17.360 --> 0:47:18.160
<v Speaker 3>I really like that.

0:47:18.320 --> 0:47:21.640
<v Speaker 1>It's like such a fun one, but I just feel

0:47:21.640 --> 0:47:23.160
<v Speaker 1>like they brought everyone in and they have a lot

0:47:23.160 --> 0:47:24.040
<v Speaker 1>without the confession.

0:47:24.120 --> 0:47:26.080
<v Speaker 3>So I kind of hate this little thing.

0:47:26.560 --> 0:47:28.399
<v Speaker 1>But we have a sad little rapist boy and he's

0:47:28.400 --> 0:47:30.520
<v Speaker 1>sitting like a baby, and we hear a lawyer say

0:47:30.520 --> 0:47:33.720
<v Speaker 1>he grew up an abusive household, violent dad, YadA YadA,

0:47:33.760 --> 0:47:37.160
<v Speaker 1>drug addictions, sexual assault, His dad's in jail. He doesn't

0:47:37.160 --> 0:47:40.200
<v Speaker 1>have impulse control, but he's determined to do something about it.

0:47:40.520 --> 0:47:44.240
<v Speaker 1>The lawyer Greg jermyn German whatever, he's from, Ally McBeal,

0:47:44.680 --> 0:47:48.440
<v Speaker 1>we should get him. He's also in sixty five episodes

0:47:48.440 --> 0:47:52.280
<v Speaker 1>of Grays, and he's in four episodes as SVW defense

0:47:52.320 --> 0:47:56.719
<v Speaker 1>attorney Derek Strauss and he's been working since nineteen eighty five.

0:47:56.880 --> 0:47:59.200
<v Speaker 1>I'm obsessed. And then Barba's like, I'm sorry, why is

0:47:59.239 --> 0:48:02.399
<v Speaker 1>this relevant? Judge agrees, but he just wants to show

0:48:02.400 --> 0:48:06.360
<v Speaker 1>context for the therapy group, and he's like the sting happened.

0:48:06.400 --> 0:48:09.320
<v Speaker 1>It's fucked up, and the music is getting dramatic. We

0:48:09.440 --> 0:48:12.959
<v Speaker 1>know what's gonna happen. Barbara gets up. He's disgusted. He says,

0:48:12.960 --> 0:48:15.359
<v Speaker 1>the men talking about who they want to rape and

0:48:15.480 --> 0:48:19.000
<v Speaker 1>who they've raped is barely a religious therapy thing. Okay,

0:48:19.120 --> 0:48:22.279
<v Speaker 1>fuck you in a warehouse and they yell at each other.

0:48:22.320 --> 0:48:24.440
<v Speaker 1>It gets wild. The defense keeps going on about the

0:48:24.440 --> 0:48:28.799
<v Speaker 1>First Amendment. Barbara screams, a carpet cleaning a warehouse. Thank god,

0:48:28.800 --> 0:48:30.319
<v Speaker 1>we know what it is. I mean, it was killing me,

0:48:30.400 --> 0:48:32.879
<v Speaker 1>it was killing me. So it's a carpet cleaning place.

0:48:32.920 --> 0:48:36.120
<v Speaker 3>Oh my god. So I walk home with a different comic.

0:48:36.680 --> 0:48:38.080
<v Speaker 1>She lives on the Lower East Side, Like I walk

0:48:38.120 --> 0:48:39.839
<v Speaker 1>home with her late at night from the cellar often

0:48:40.640 --> 0:48:43.080
<v Speaker 1>and the same street, and for some reason, all the

0:48:43.080 --> 0:48:45.480
<v Speaker 1>business's lights were on that are usually off. So we

0:48:45.560 --> 0:48:48.200
<v Speaker 1>got to kind of like look into businesses and we

0:48:48.239 --> 0:48:54.160
<v Speaker 1>saw a newspaper delivery like window front so vintage. I

0:48:54.200 --> 0:48:56.120
<v Speaker 1>looked them up. I looked at all the newspapers they

0:48:56.200 --> 0:48:58.560
<v Speaker 1>have what delivery? And we looked in and there was

0:48:58.600 --> 0:49:02.320
<v Speaker 1>like hip looking dudes work in organizing the things.

0:49:02.600 --> 0:49:04.799
<v Speaker 3>It's like what paper.

0:49:05.120 --> 0:49:07.200
<v Speaker 1>All of them. It's like all of them from across

0:49:07.239 --> 0:49:10.440
<v Speaker 1>the of the world. Like it's newspaper. It's like general

0:49:10.480 --> 0:49:16.160
<v Speaker 1>newspaper delivery, so retro. But it really kind of peaked

0:49:16.160 --> 0:49:21.480
<v Speaker 1>my interest because we usually don't see it Outberts Newspaper Delivery.

0:49:21.760 --> 0:49:25.600
<v Speaker 1>Newspaper distribution center opens at two am. Yeah, it's two

0:49:25.640 --> 0:49:30.000
<v Speaker 1>am to noon. Yeah, and the guys I was scared

0:49:30.360 --> 0:49:33.359
<v Speaker 1>because my brain is broken, but we waved at them

0:49:33.360 --> 0:49:38.080
<v Speaker 1>through the window. Yeah, it's like t T twenty five

0:49:38.160 --> 0:49:39.520
<v Speaker 1>different papers.

0:49:40.280 --> 0:49:42.120
<v Speaker 3>Wow. Crazy.

0:49:42.600 --> 0:49:44.640
<v Speaker 1>Yeah, I wonder who like the clients are. But there's

0:49:44.800 --> 0:49:49.560
<v Speaker 1>order forms, student order forms. Yeah, they bundle it, no

0:49:49.640 --> 0:49:52.640
<v Speaker 1>extra charge. I just hadn't seen it. It's just like

0:49:52.760 --> 0:49:54.719
<v Speaker 1>wild when you do the same walk over and over

0:49:54.840 --> 0:49:57.839
<v Speaker 1>and you still get to find something new. And then

0:49:57.920 --> 0:49:59.880
<v Speaker 1>obviously I stood with my friend on the street corner

0:50:00.000 --> 0:50:02.120
<v Speaker 1>and then as I'm walking more home, I run into

0:50:02.880 --> 0:50:07.000
<v Speaker 1>multiple people I know, we know WHOA. I also sat

0:50:07.040 --> 0:50:08.839
<v Speaker 1>in the park with a different friend and I ran

0:50:08.920 --> 0:50:13.520
<v Speaker 1>into two other people. I just like love the city. Yeah,

0:50:13.560 --> 0:50:16.839
<v Speaker 1>and finding a vintagital newspaper place. I'm going to try

0:50:16.840 --> 0:50:18.719
<v Speaker 1>to look in there all the time. Now, I'm like,

0:50:18.960 --> 0:50:21.399
<v Speaker 1>I love it, Okay, whatever, it's a carpet cleaning where else.

0:50:22.320 --> 0:50:24.040
<v Speaker 1>Thank you to the writer who added this, I really

0:50:24.040 --> 0:50:28.680
<v Speaker 1>appreciate it. So now, okay, we know it's gonna be

0:50:28.680 --> 0:50:32.200
<v Speaker 1>a nightmare. The judge's questioning him, but he's prepped and ready,

0:50:32.560 --> 0:50:34.239
<v Speaker 1>and they put the old man on the stand and

0:50:34.280 --> 0:50:37.880
<v Speaker 1>he goes, we do the Lord's prayer, and you know,

0:50:37.960 --> 0:50:41.440
<v Speaker 1>we help those that are prone to violence, and we

0:50:41.520 --> 0:50:44.240
<v Speaker 1>help them with shame and complex issues. I'm a founder,

0:50:44.239 --> 0:50:47.760
<v Speaker 1>I'm a minister, but motherfucker, you don't have degrees or training.

0:50:47.880 --> 0:50:50.560
<v Speaker 1>Like the tone might feel spiritual, but it doesn't fucking matter.

0:50:50.600 --> 0:50:52.600
<v Speaker 1>And to me, I'm like, this guy's raped too, Like

0:50:52.640 --> 0:50:55.560
<v Speaker 1>why are we not investigating this old man? And Barba

0:50:55.640 --> 0:50:57.440
<v Speaker 1>is sitting and he's so rude. He goes, what's your

0:50:57.480 --> 0:51:00.279
<v Speaker 1>occupation and he goes, I think of myself is a

0:51:00.280 --> 0:51:03.200
<v Speaker 1>man of God. And he goes, well, I see you

0:51:03.200 --> 0:51:06.080
<v Speaker 1>as a private security guard who works at a topless

0:51:06.080 --> 0:51:08.680
<v Speaker 1>to night club called Bunnies. And he goes, well, no,

0:51:09.400 --> 0:51:12.200
<v Speaker 1>I work for a security company. And they tell him

0:51:12.200 --> 0:51:15.000
<v Speaker 1>where to report and he goes, well, you've reported to

0:51:15.000 --> 0:51:17.960
<v Speaker 1>the same place and one hundred percent of your income

0:51:18.120 --> 0:51:21.160
<v Speaker 1>is from Bunnies. Is that not true? And he goes,

0:51:21.200 --> 0:51:24.480
<v Speaker 1>you preach for free, right, it's a hobby. And Barbara

0:51:24.719 --> 0:51:27.759
<v Speaker 1>stands up, leans both hands on the table and like

0:51:27.840 --> 0:51:31.960
<v Speaker 1>the old guy, IY is stunned and humiliated, and his

0:51:32.080 --> 0:51:35.160
<v Speaker 1>hairdoo is also very Roger Rabbit, bad guy like split

0:51:35.239 --> 0:51:39.920
<v Speaker 1>up top situation, and Barbara goes some men golf, some

0:51:40.000 --> 0:51:42.920
<v Speaker 1>men collect wine, and you preach and he goes, I

0:51:43.000 --> 0:51:44.840
<v Speaker 1>preach because I have a desire to help others and

0:51:44.920 --> 0:51:49.080
<v Speaker 1>I'm good at it and whatever. Barbara is like, you

0:51:49.160 --> 0:51:52.080
<v Speaker 1>have a dot com certificate. No one gives a shit.

0:51:52.480 --> 0:51:54.960
<v Speaker 1>So now it's a Benson Barbara walk and talk and

0:51:55.120 --> 0:51:57.880
<v Speaker 1>they're losing and Benson's fuming. The judge went with it,

0:51:58.000 --> 0:52:00.560
<v Speaker 1>case law case law, YadA YadA. The DNA is out,

0:52:01.400 --> 0:52:04.640
<v Speaker 1>the victims, everything's out, and I'm like, but I disagree

0:52:04.640 --> 0:52:06.080
<v Speaker 1>with this, like what is actually going wrong?

0:52:06.120 --> 0:52:07.280
<v Speaker 3>And then Barbara does prove.

0:52:07.120 --> 0:52:09.160
<v Speaker 1>Me wrong and he's right, and I get it now

0:52:09.400 --> 0:52:13.440
<v Speaker 1>because if it wasn't for Nick's improper disclosure, we wouldn't

0:52:13.480 --> 0:52:15.880
<v Speaker 1>have even known who he was or what he looked like.

0:52:16.320 --> 0:52:18.960
<v Speaker 1>So that's why the photo and the IDs are no good.

0:52:19.239 --> 0:52:21.719
<v Speaker 1>So they have nothing. So now I kind of get it.

0:52:23.520 --> 0:52:25.400
<v Speaker 1>So now it's like, can we use anyone else in

0:52:25.440 --> 0:52:28.160
<v Speaker 1>the therapy group, you know? But Barbara goes, well, they're

0:52:28.200 --> 0:52:31.440
<v Speaker 1>all tainted, and Benson goes except for one will. He

0:52:31.520 --> 0:52:35.160
<v Speaker 1>has no priors, his DNA match, no outstanding rape kits.

0:52:35.440 --> 0:52:37.279
<v Speaker 1>He has a great job, and he looks like an

0:52:37.360 --> 0:52:40.239
<v Speaker 1>eagle scout, you know. So we go to Grand Media Consulting.

0:52:40.360 --> 0:52:42.000
<v Speaker 1>We go to talk to him. He's shocked to see them.

0:52:42.000 --> 0:52:45.080
<v Speaker 1>He's obviously stressed. There's a young woman named Alison with him.

0:52:45.120 --> 0:52:47.480
<v Speaker 1>She's wearing a flowy dress and a big chunky necklace,

0:52:47.880 --> 0:52:49.880
<v Speaker 1>and he's like, oh, we work together. And he's in

0:52:49.880 --> 0:52:52.080
<v Speaker 1>a short sleeve flannel with a vest on top, and

0:52:52.120 --> 0:52:54.880
<v Speaker 1>he's startled. They do a classic like, oh, he's just

0:52:54.880 --> 0:52:57.439
<v Speaker 1>a good Samaritan and we need his help. He's not happy.

0:52:57.480 --> 0:53:00.160
<v Speaker 1>I keep saying the same thing. He's startled. He's not happy. Obviously,

0:53:00.200 --> 0:53:02.160
<v Speaker 1>he's at work and he wants to rape. And the

0:53:02.160 --> 0:53:04.640
<v Speaker 1>cops are here, and so they assure him. They're like,

0:53:04.680 --> 0:53:07.440
<v Speaker 1>you're not a rapist, bro, And they're like, have you

0:53:07.480 --> 0:53:09.879
<v Speaker 1>talked to adults and outside the meetings? And Chreasey goes,

0:53:09.920 --> 0:53:12.640
<v Speaker 1>you don't owe him anything. He is a predator, he's

0:53:12.719 --> 0:53:16.160
<v Speaker 1>everything that you're working so hard not to become. That's

0:53:16.200 --> 0:53:18.960
<v Speaker 1>good crazy, and he goes, but if you protect him,

0:53:19.000 --> 0:53:21.040
<v Speaker 1>he will do it again and that rape will be

0:53:21.120 --> 0:53:24.920
<v Speaker 1>on you, okay, and he goes, fine, fine. We have

0:53:24.960 --> 0:53:27.320
<v Speaker 1>coffee once at a diner and he said that the

0:53:27.400 --> 0:53:30.520
<v Speaker 1>victims enjoy it. And then now we're directly in Barba's

0:53:30.520 --> 0:53:34.480
<v Speaker 1>fancy pants office and he discloses to like everybody, that

0:53:34.640 --> 0:53:37.160
<v Speaker 1>he wanted to punch you know, Sam in the face,

0:53:37.200 --> 0:53:39.560
<v Speaker 1>but he didn't. He's really scary and he goes, you know,

0:53:39.600 --> 0:53:42.719
<v Speaker 1>and I'm not that tough. Barba asks if he told

0:53:42.800 --> 0:53:44.680
<v Speaker 1>him that he raped three women, and he goes, correct,

0:53:44.760 --> 0:53:46.879
<v Speaker 1>and nobody was around. It was just the two of us.

0:53:47.360 --> 0:53:49.600
<v Speaker 1>So they call the three victims back. The case is

0:53:49.640 --> 0:53:53.000
<v Speaker 1>back on, let's testify, let's go to court. Think you will,

0:53:53.040 --> 0:53:56.280
<v Speaker 1>you're saving the case, and Benson nods at him in approval.

0:53:56.760 --> 0:53:59.120
<v Speaker 1>Barba is presenting to the jury and has the three

0:53:59.200 --> 0:54:02.439
<v Speaker 1>victims photo on the screen and says the evidence is overwhelming,

0:54:03.040 --> 0:54:06.960
<v Speaker 1>and so you know, he's sitting at the table squirming,

0:54:07.040 --> 0:54:10.439
<v Speaker 1>and Barbara goes, that's a violent and impulsive man. Fuck him.

0:54:10.800 --> 0:54:13.880
<v Speaker 1>Heizzed everywhere. They're like, we found the ji's on the victim,

0:54:13.920 --> 0:54:18.000
<v Speaker 1>in the victim everywhere, and Barbara is a very night stalker.

0:54:18.440 --> 0:54:24.800
<v Speaker 1>And Barbara, I did it. Barbara is crushing his opening statement.

0:54:26.880 --> 0:54:29.760
<v Speaker 1>He's going for full extent of the law tense music.

0:54:30.560 --> 0:54:33.320
<v Speaker 1>The women testify, they give the details of the attacks,

0:54:33.360 --> 0:54:35.359
<v Speaker 1>they point his ass out, and the defense, of course,

0:54:35.480 --> 0:54:37.759
<v Speaker 1>is being like the worst, you know, like discrediting all

0:54:37.760 --> 0:54:42.480
<v Speaker 1>the women, nitpicking little pieces. Barbara is getting frustrated and

0:54:42.560 --> 0:54:46.120
<v Speaker 1>in a rage listening. I'm in a rage too. One

0:54:46.160 --> 0:54:48.720
<v Speaker 1>was drunk and she's like, I had four glasses of wine,

0:54:48.800 --> 0:54:51.600
<v Speaker 1>Like shut the fuck up. So now we call Will

0:54:51.600 --> 0:54:54.520
<v Speaker 1>onto the stand. Rollins opens the door though and shakes

0:54:54.520 --> 0:54:56.360
<v Speaker 1>her head. Will is nowhere to be found, so we

0:54:56.400 --> 0:54:58.680
<v Speaker 1>need a break. The judge gives it to him. So

0:54:58.719 --> 0:55:00.799
<v Speaker 1>they're calling him. He's not picking up, he's not at work,

0:55:00.800 --> 0:55:01.960
<v Speaker 1>he's not at his apartment.

0:55:02.120 --> 0:55:04.959
<v Speaker 3>Where is he? We have no case without him.

0:55:05.400 --> 0:55:07.360
<v Speaker 1>So Cariese and Barbara I have a fight in the

0:55:07.400 --> 0:55:10.640
<v Speaker 1>courthouse halls and it's like a big dick situation. I

0:55:10.680 --> 0:55:13.080
<v Speaker 1>think Careese's in law school at this point. So then

0:55:13.160 --> 0:55:17.319
<v Speaker 1>Careese says something of like oh, I understand, and Barbara goes,

0:55:17.400 --> 0:55:21.239
<v Speaker 1>I don't care if you understand, and they get like,

0:55:21.840 --> 0:55:23.719
<v Speaker 1>I don't know where you're not kind of attracted to

0:55:23.800 --> 0:55:27.080
<v Speaker 1>Careese and his aggressiveness in the halls, or like I

0:55:27.080 --> 0:55:29.160
<v Speaker 1>feel like you think he's a dope and a loser.

0:55:29.200 --> 0:55:31.200
<v Speaker 1>But he kind of got like it kind of got

0:55:31.360 --> 0:55:32.160
<v Speaker 1>heated and hot.

0:55:33.480 --> 0:55:35.560
<v Speaker 2>Well, I just felt like he was like I handed

0:55:35.600 --> 0:55:37.560
<v Speaker 2>you a perfect case. And it's like Barbara didn't really

0:55:37.640 --> 0:55:40.919
<v Speaker 2>do anything wrong. So I don't know why you're getting

0:55:40.960 --> 0:55:42.520
<v Speaker 2>so mad at him. Well, because he goes, I don't

0:55:42.560 --> 0:55:43.680
<v Speaker 2>care what you understand.

0:55:44.960 --> 0:55:47.839
<v Speaker 1>Yeah, because Caresee is just like a dork, right, Like

0:55:47.840 --> 0:55:48.360
<v Speaker 1>that's what you know.

0:55:48.400 --> 0:55:50.279
<v Speaker 3>Crisey's like, oh I get it, Okay, I.

0:55:50.239 --> 0:55:52.840
<v Speaker 1>Get the law, and then and then him being like

0:55:52.880 --> 0:55:54.520
<v Speaker 1>I don't care if you get it or not, like

0:55:54.520 --> 0:55:56.400
<v Speaker 1>no one cares about your little law prowess and that

0:55:56.440 --> 0:56:00.200
<v Speaker 1>you're at fordom I went to Harvard, you know, like, oh,

0:56:00.200 --> 0:56:02.799
<v Speaker 1>he's big timing. I think Barbara's big timing him and

0:56:02.840 --> 0:56:05.880
<v Speaker 1>condescending him, and Carisy goes, you know what, motherfucker, Like

0:56:06.360 --> 0:56:08.480
<v Speaker 1>we're the ones that are out there trying to get stuff.

0:56:08.520 --> 0:56:10.960
<v Speaker 1>You fucked this up, like go fuck yourself, you know,

0:56:11.080 --> 0:56:13.960
<v Speaker 1>like you lost it in court, you threw you got

0:56:13.960 --> 0:56:16.240
<v Speaker 1>this throw out, and now you're giving it to us.

0:56:16.920 --> 0:56:18.680
<v Speaker 1>So I kind of like it. You know what else

0:56:18.760 --> 0:56:20.120
<v Speaker 1>is hot? And this is crazy? You know, I've been

0:56:20.160 --> 0:56:23.080
<v Speaker 1>in my like Tricksy and caughtya a moment. There was

0:56:23.120 --> 0:56:26.239
<v Speaker 1>an episode where Trixie's wearing a Bucky's sweatsuit.

0:56:26.600 --> 0:56:28.960
<v Speaker 2>Oh, I see, I only listen. I never watch it,

0:56:29.040 --> 0:56:30.560
<v Speaker 2>but go on nothing.

0:56:30.560 --> 0:56:35.960
<v Speaker 1>I wanted to fuck him, like, I was like, Trixy

0:56:36.040 --> 0:56:37.879
<v Speaker 1>is the hottest guy I've ever seen, and he had

0:56:37.880 --> 0:56:40.560
<v Speaker 1>like a Bucky's beanie on, and.

0:56:40.440 --> 0:56:45.160
<v Speaker 3>I was like, damn whatever.

0:56:45.440 --> 0:56:49.279
<v Speaker 1>Barbara is condescending and Carasey's in a rage and I

0:56:49.320 --> 0:56:51.799
<v Speaker 1>don't care. And so then now Rollins is chasing after

0:56:51.880 --> 0:56:54.600
<v Speaker 1>Carisy on the courtroom steps and Crasy's like, I don't

0:56:54.600 --> 0:56:56.760
<v Speaker 1>care about Barbara, but I gave him a good fucking

0:56:56.800 --> 0:56:58.719
<v Speaker 1>case and he fucked it up, so like, shut the

0:56:58.719 --> 0:57:01.520
<v Speaker 1>fuck up. So now we go to Will's friend Alice

0:57:01.560 --> 0:57:03.240
<v Speaker 1>and she's like, I don't know where he is, maybe

0:57:03.239 --> 0:57:05.400
<v Speaker 1>with the preacher, like they're clothes. So we got to

0:57:05.440 --> 0:57:07.759
<v Speaker 1>go find the old man. And the old man is

0:57:07.800 --> 0:57:09.360
<v Speaker 1>a motherfucker and He goes, yeah, I told him not

0:57:09.440 --> 0:57:11.279
<v Speaker 1>to testify, and Rollins goes, are you out of your

0:57:11.280 --> 0:57:14.719
<v Speaker 1>fucking mind? That's witness tampering. He goes, I'm trying to

0:57:14.880 --> 0:57:16.960
<v Speaker 1>help him. So the old guy goes, yeah, but Will

0:57:17.000 --> 0:57:19.080
<v Speaker 1>needs the group so he can't betray us or he'll

0:57:19.080 --> 0:57:20.840
<v Speaker 1>have a fall out with us and chrease. He goes,

0:57:21.120 --> 0:57:23.520
<v Speaker 1>well he can find an actual professional, how about that,

0:57:23.600 --> 0:57:26.760
<v Speaker 1>and then Rollins pops off, fuck you, three women were

0:57:26.800 --> 0:57:29.240
<v Speaker 1>rape genetics or not. This guy needs to be punished

0:57:29.240 --> 0:57:31.520
<v Speaker 1>and we need Will for that, so fuck you and

0:57:31.560 --> 0:57:34.520
<v Speaker 1>you better help us, and the old man obviously does,

0:57:34.720 --> 0:57:37.000
<v Speaker 1>and we find Will on a roof he wants to jump.

0:57:37.320 --> 0:57:39.480
<v Speaker 1>He goes, if I'm a good person, I'll just kill

0:57:39.520 --> 0:57:42.360
<v Speaker 1>myself so I don't hurt an innocent woman. I'm twenty

0:57:42.400 --> 0:57:44.400
<v Speaker 1>five and I never kissed a girl because I'm afraid

0:57:44.400 --> 0:57:46.360
<v Speaker 1>of what I might do to her. And he can't

0:57:46.360 --> 0:57:49.600
<v Speaker 1>suppress it anymore, and Rollin's goes, fuck mister Witt, And

0:57:49.640 --> 0:57:51.240
<v Speaker 1>that's the first time I didn't call him old man.

0:57:51.280 --> 0:57:53.520
<v Speaker 1>And I hope no one in his life is listening

0:57:53.520 --> 0:57:55.800
<v Speaker 1>to this episode, and I hope he definitely does not

0:57:55.880 --> 0:57:56.640
<v Speaker 1>hear a snippet.

0:57:56.720 --> 0:58:00.000
<v Speaker 3>So mister Witt is not an actual prof.

0:58:01.520 --> 0:58:05.040
<v Speaker 1>And yeah, that's that's what everyone needs to Everyone needs

0:58:05.040 --> 0:58:08.200
<v Speaker 1>to get a real clinical sex therapist in that group.

0:58:08.480 --> 0:58:11.720
<v Speaker 3>They cannot be meeting in carpets. This guy, though, has not.

0:58:11.880 --> 0:58:14.040
<v Speaker 2>He says he's never even kissed a girl, so it's

0:58:14.040 --> 0:58:17.320
<v Speaker 2>like he just has maybe thoughts that have been put

0:58:17.360 --> 0:58:21.200
<v Speaker 2>in his head by these guys. Yeah that it's like,

0:58:21.200 --> 0:58:23.760
<v Speaker 2>then everybody that's related to a rapist, this is gonna

0:58:23.800 --> 0:58:25.680
<v Speaker 2>this is just gonna happen, so you might as well

0:58:25.680 --> 0:58:28.080
<v Speaker 2>try to like head it off at the past when

0:58:28.120 --> 0:58:33.160
<v Speaker 2>it's like it also cannot happen, you know, like, yeah, he's.

0:58:33.000 --> 0:58:34.600
<v Speaker 3>Like I have the gene. You can't do the g

0:58:34.720 --> 0:58:35.640
<v Speaker 3>and the gene increase.

0:58:35.880 --> 0:58:38.720
<v Speaker 1>Yahs are like trying to help him, but you know

0:58:38.760 --> 0:58:41.920
<v Speaker 1>what they need, you know what they need. Benson comes

0:58:41.920 --> 0:58:46.280
<v Speaker 1>walking in. Her dad's a rapist and she's about to connect.

0:58:46.640 --> 0:58:49.120
<v Speaker 1>So she tells him my father was a rapist. I've

0:58:49.120 --> 0:58:51.200
<v Speaker 1>been dealing with it my whole life, but that doesn't

0:58:51.240 --> 0:58:53.840
<v Speaker 1>make me bad or evil? How do the stories and

0:58:53.880 --> 0:58:57.880
<v Speaker 1>group make you feel? Rollin's ads and he says, absolutely disgusted,

0:58:58.080 --> 0:59:01.320
<v Speaker 1>And they're like that's good. Your repulse by it. That's

0:59:01.360 --> 0:59:04.320
<v Speaker 1>good because you're not a rapist. Okay, will you're good?

0:59:04.720 --> 0:59:06.480
<v Speaker 1>And he's thinking about it and he has fur on

0:59:06.520 --> 0:59:09.960
<v Speaker 1>the hood. I'm like, did they run out of jackets?

0:59:10.000 --> 0:59:12.440
<v Speaker 3>Like? Why are they giving him a fur lined hood?

0:59:12.480 --> 0:59:15.160
<v Speaker 1>Do men wear them? Maybe I'm being rude, Like I'm

0:59:15.160 --> 0:59:20.000
<v Speaker 1>being rude. Okay, so creasey to me. Cursey pulls him

0:59:20.040 --> 0:59:22.000
<v Speaker 1>down and tells him he's okay and hugs him.

0:59:22.160 --> 0:59:22.919
<v Speaker 3>Now they're in court.

0:59:23.000 --> 0:59:25.760
<v Speaker 1>He testifies Sam told him it's okay to assault and

0:59:25.840 --> 0:59:28.360
<v Speaker 1>rape women as long as you ask for forgiveness. After

0:59:29.000 --> 0:59:32.000
<v Speaker 1>he told him he was wrong, that raping someone is horrible,

0:59:32.000 --> 0:59:34.480
<v Speaker 1>and Sam smiled and goes, well, you just don't get it,

0:59:34.880 --> 0:59:36.960
<v Speaker 1>and that the women enjoy it. And he said that

0:59:37.040 --> 0:59:39.480
<v Speaker 1>he did rape three women. And it cuts to everyone's faces.

0:59:39.560 --> 0:59:42.800
<v Speaker 1>Everyone has an emotion. And now Benson and Barbara they're outside.

0:59:42.840 --> 0:59:46.400
<v Speaker 1>They're having thoughts about the urges and warnings omens. Something's

0:59:46.440 --> 0:59:47.200
<v Speaker 1>bads to come.

0:59:47.240 --> 0:59:47.560
<v Speaker 3>Whatever.

0:59:47.600 --> 0:59:49.760
<v Speaker 1>We get a phone call and we know what it is.

0:59:49.880 --> 0:59:53.520
<v Speaker 1>No NOFL no FL. He cut his knee. Okay, well

0:59:53.720 --> 0:59:57.800
<v Speaker 1>cut his knee, so he must be a rapist. So

0:59:57.920 --> 1:00:00.880
<v Speaker 1>now Noah's in bed, and he says, hi, mommy, and

1:00:00.920 --> 1:00:02.920
<v Speaker 1>she gives him a cute good night and says, I

1:00:02.960 --> 1:00:07.040
<v Speaker 1>love you no matter what, No matter what, Noah, even

1:00:07.160 --> 1:00:11.480
<v Speaker 1>if you rape JK. Good night, sweet boy. She closes

1:00:11.520 --> 1:00:13.720
<v Speaker 1>the door and we cut to Noah's sleeping and Benson

1:00:13.760 --> 1:00:17.000
<v Speaker 1>looks worried. She looks worried, and it's dick Wolf baby

1:00:17.800 --> 1:00:22.400
<v Speaker 1>and it's Toddler Noah, the only Noah that we like that.

1:00:22.600 --> 1:00:26.240
<v Speaker 1>I like, he's our favorite, but I Baby Noah's fine too.

1:00:26.320 --> 1:00:30.919
<v Speaker 1>I like baby Noah's fine, but I like Toddler Noah.

1:00:31.280 --> 1:00:31.760
<v Speaker 3>Yeah.

1:00:31.920 --> 1:00:37.360
<v Speaker 1>It's like, I don't really understand why this man Sam

1:00:37.400 --> 1:00:40.480
<v Speaker 1>would be in this group. He doesn't seem very remorseful.

1:00:41.680 --> 1:00:45.600
<v Speaker 1>He doesn't seem well because it exonerates him. So in

1:00:45.640 --> 1:00:47.480
<v Speaker 1>his head he just asks for forgiveness.

1:00:47.520 --> 1:00:49.440
<v Speaker 2>So if he goes and talks to these random man

1:00:49.440 --> 1:00:51.000
<v Speaker 2>and a warehouse, that's the forgiveness.

1:00:51.120 --> 1:00:51.400
<v Speaker 3>Yeah.

1:00:51.560 --> 1:00:53.400
<v Speaker 1>Like to him, it's like, oh, well, I'm trying to

1:00:53.440 --> 1:00:56.080
<v Speaker 1>get better, so that's all that matters is I'm trying.

1:00:57.000 --> 1:00:59.120
<v Speaker 1>These people enjoy it, so it does. I don't know,

1:00:59.120 --> 1:01:01.600
<v Speaker 1>You're right, why would he be in the group? Yeah,

1:01:01.680 --> 1:01:02.040
<v Speaker 1>I don't know.

1:01:02.080 --> 1:01:04.160
<v Speaker 2>He doesn't seem like he's trying very hard to stop,

1:01:04.520 --> 1:01:07.960
<v Speaker 2>and he's like really cocky and shitty with the cops.

1:01:08.000 --> 1:01:10.680
<v Speaker 1>Like a thick steak, you know, like I don't. I

1:01:10.680 --> 1:01:12.840
<v Speaker 1>don't like him. I also don't like a thick steak.

1:01:12.880 --> 1:01:17.480
<v Speaker 1>I don't like a finlay. I like a prime rib. Okay,

1:01:19.280 --> 1:01:20.240
<v Speaker 1>I don't know the difference.

1:01:21.840 --> 1:01:23.080
<v Speaker 3>I'm so BHere. Oh my god.

1:01:23.760 --> 1:01:26.680
<v Speaker 1>Last night before bed, I was zooming in and reading

1:01:26.720 --> 1:01:30.040
<v Speaker 1>the menu. I don't know why I was zooming in though, whatever.

1:01:30.120 --> 1:01:32.760
<v Speaker 1>I read the full menu of Travis Kelsey's steakhouse.

1:01:33.360 --> 1:01:34.520
<v Speaker 3>He has a steakhouse.

1:01:34.680 --> 1:01:38.480
<v Speaker 1>Him and Patrick Mahomes just opened a steakhouse in the

1:01:38.520 --> 1:01:40.440
<v Speaker 1>Lowe's Hotel in Kansas City.

1:01:40.880 --> 1:01:43.320
<v Speaker 3>I'm gonna make a reservation for February. You know it.

1:01:43.520 --> 1:01:44.959
<v Speaker 3>I'm already picking out what I'm saying.

1:01:45.600 --> 1:01:48.360
<v Speaker 1>Okay, there's a dress code.

1:01:48.600 --> 1:01:51.120
<v Speaker 3>WHOA, that's cool.

1:01:51.560 --> 1:01:54.080
<v Speaker 2>I love a good steakhouse as a as a vegetarian,

1:01:54.640 --> 1:01:56.480
<v Speaker 2>love the sides as a pescatarian.

1:01:56.480 --> 1:01:58.919
<v Speaker 1>They usually have a great piece of fish. I like steakhouses.

1:01:59.320 --> 1:01:59.880
<v Speaker 3>I do too.

1:02:06.840 --> 1:02:11.120
<v Speaker 1>Okay, let's get into the true crime now, I know.

1:02:11.160 --> 1:02:15.440
<v Speaker 1>I'm curious. Is a carpet cleaning manufacturing business involved in No.

1:02:15.760 --> 1:02:18.240
<v Speaker 2>Unfortunately, not a carpet warehouse to be seen.

1:02:18.480 --> 1:02:21.880
<v Speaker 1>But like I said, I mentioned on this podcast a

1:02:21.920 --> 1:02:23.680
<v Speaker 1>long time ago that I did have sex at a

1:02:23.920 --> 1:02:28.040
<v Speaker 1>perfume factory once in New York. I wonder if that's

1:02:28.080 --> 1:02:33.960
<v Speaker 1>what started all of this allergy stuff with the fragrances.

1:02:35.240 --> 1:02:35.880
<v Speaker 3>Kicked it off.

1:02:37.400 --> 1:02:42.160
<v Speaker 1>That's kind of fun, and I guess there's I guess

1:02:42.160 --> 1:02:45.680
<v Speaker 1>there's like a trend where someone sent me, like, uh,

1:02:45.800 --> 1:02:47.960
<v Speaker 1>to have a party and the theme is you dress

1:02:48.080 --> 1:02:48.720
<v Speaker 1>like your type.

1:02:49.840 --> 1:02:51.919
<v Speaker 3>I like, that's pretty fun, and I'm like, I guess

1:02:51.960 --> 1:02:52.680
<v Speaker 3>that would be comfortable.

1:02:52.720 --> 1:02:53.920
<v Speaker 1>And then I'm like, would I just be wearing a

1:02:54.000 --> 1:02:57.120
<v Speaker 1>UPS outfit and that was probably USPS.

1:02:57.280 --> 1:03:01.040
<v Speaker 3>I think I'd show up as a mailman. Love it?

1:03:01.400 --> 1:03:01.880
<v Speaker 3>Love it?

1:03:02.600 --> 1:03:07.040
<v Speaker 2>Okay, So this episode True Crime, like I said, I mean,

1:03:07.040 --> 1:03:10.240
<v Speaker 2>the episode's called Genes. They talk a lot about the genetics,

1:03:10.720 --> 1:03:14.919
<v Speaker 2>but really there is no proof that there is any

1:03:15.000 --> 1:03:18.120
<v Speaker 2>kind of gene like this, and they don't mention it

1:03:18.160 --> 1:03:20.919
<v Speaker 2>in the show. And then there's it basically just turns

1:03:20.960 --> 1:03:23.600
<v Speaker 2>into a nature versus nurture debate, which you could debate

1:03:23.680 --> 1:03:24.280
<v Speaker 2>all day.

1:03:24.120 --> 1:03:25.480
<v Speaker 3>Long and I'm not going to do that.

1:03:26.320 --> 1:03:29.360
<v Speaker 2>The case that this is based on the specific case

1:03:29.640 --> 1:03:33.280
<v Speaker 2>they actually reference. In the episode, Barbara brings up Paul Cox.

1:03:33.760 --> 1:03:36.400
<v Speaker 2>He says that name, and this is the story of

1:03:36.480 --> 1:03:36.959
<v Speaker 2>that case.

1:03:37.040 --> 1:03:37.760
<v Speaker 3>That's so interesting.

1:03:37.800 --> 1:03:39.320
<v Speaker 1>I heard him say it and I went, I'm going

1:03:39.400 --> 1:03:41.800
<v Speaker 1>to pretend it didn't I didn't hear it. Yeah, that's

1:03:41.800 --> 1:03:45.680
<v Speaker 1>for me. I can't believe that's the crime. I was like, oh,

1:03:45.720 --> 1:03:47.959
<v Speaker 1>I should look this up, but just yeah, no, I

1:03:47.960 --> 1:03:49.720
<v Speaker 1>ignore it from my notes.

1:03:49.920 --> 1:03:51.919
<v Speaker 2>And it's like, no, this is like, this is good.

1:03:51.920 --> 1:03:53.920
<v Speaker 2>I mean, this is I had not heard of this case.

1:03:54.200 --> 1:03:57.400
<v Speaker 2>And this is also called the Blackout murders. I do

1:03:57.520 --> 1:03:59.400
<v Speaker 2>know Karen and Georgia covered this A lot of you

1:03:59.480 --> 1:04:02.720
<v Speaker 2>like to tell me and when Karen or Georgia covers

1:04:02.720 --> 1:04:04.640
<v Speaker 2>the case, And yes, they have done this one as well.

1:04:05.080 --> 1:04:10.600
<v Speaker 2>But on December thirtieth of nineteen eighty eight, Paul Cox

1:04:10.840 --> 1:04:13.160
<v Speaker 2>was twenty one years old. He went out drinking with

1:04:13.280 --> 1:04:15.920
<v Speaker 2>friends in Westchester County, New York. This is all taking

1:04:15.960 --> 1:04:18.320
<v Speaker 2>place pretty close to where I grew up, like just

1:04:18.480 --> 1:04:21.160
<v Speaker 2>you know, right outside the city, like not that far

1:04:21.200 --> 1:04:24.480
<v Speaker 2>from the Connecticut border. After a lot of drinks, they

1:04:24.480 --> 1:04:27.240
<v Speaker 2>had a lot of drinks. They were drinking pictures, mixed drinks,

1:04:27.280 --> 1:04:30.160
<v Speaker 2>He and his friends got in Paul's car and then

1:04:30.200 --> 1:04:32.360
<v Speaker 2>he like drove into a fucking tree or he drove

1:04:32.400 --> 1:04:34.480
<v Speaker 2>into like an embankment or something like that. He crashed

1:04:34.480 --> 1:04:37.360
<v Speaker 2>his mom's car, and then his friends were like, we're

1:04:37.400 --> 1:04:39.200
<v Speaker 2>going back to the bar, and he's like, I'm going

1:04:39.240 --> 1:04:42.360
<v Speaker 2>to keep walking and I'm going to walk home at

1:04:42.400 --> 1:04:43.280
<v Speaker 2>two am.

1:04:43.360 --> 1:04:44.600
<v Speaker 3>So now it's December thirty.

1:04:44.600 --> 1:04:46.800
<v Speaker 2>First it's New Year's Eve of nineteen eighty eight, but

1:04:47.320 --> 1:04:51.360
<v Speaker 2>it's the morning of it. He passes his old childhood

1:04:51.360 --> 1:04:54.840
<v Speaker 2>home in Larchmont, New York, which his parents had sold

1:04:54.960 --> 1:04:57.240
<v Speaker 2>over a decade earlier. He had not lived in that

1:04:57.280 --> 1:04:59.720
<v Speaker 2>house since he was like seven years old or something

1:04:59.720 --> 1:05:04.360
<v Speaker 2>like that. Yeah, And in the midst of an alcoholic blackout,

1:05:04.800 --> 1:05:08.840
<v Speaker 2>he breaks into the home. He takes a knife from

1:05:08.840 --> 1:05:12.240
<v Speaker 2>the home and he stabbed the new occupants to death.

1:05:12.520 --> 1:05:16.960
<v Speaker 1>Oh my god, yes, and then he slits their throats.

1:05:17.440 --> 1:05:23.080
<v Speaker 2>And the victims are doctor lakshman Rau Chervu and doctor

1:05:23.160 --> 1:05:28.640
<v Speaker 2>Shanta Chervu, a married couple Indian immigrants, super hard working,

1:05:28.840 --> 1:05:31.640
<v Speaker 2>had like come to America and just like made the

1:05:31.680 --> 1:05:34.240
<v Speaker 2>American dream come true and had these kids that were

1:05:34.240 --> 1:05:37.160
<v Speaker 2>really success and end up being really successful and doctors

1:05:37.160 --> 1:05:41.440
<v Speaker 2>and stuff, and he's and they're just killed. Some articles

1:05:41.480 --> 1:05:43.120
<v Speaker 2>I read said that he killed them in their sleep,

1:05:43.200 --> 1:05:47.200
<v Speaker 2>but others said that she woke up saw him, he

1:05:47.320 --> 1:05:49.480
<v Speaker 2>killed her, and then the husband woke up and he

1:05:49.560 --> 1:05:50.040
<v Speaker 2>killed him.

1:05:50.080 --> 1:05:52.560
<v Speaker 3>So I think they were awake, But it depends on

1:05:52.560 --> 1:05:53.439
<v Speaker 3>what articles read.

1:05:54.360 --> 1:05:59.920
<v Speaker 1>But the fucked up thing is he apparently none of

1:06:00.120 --> 1:06:03.560
<v Speaker 1>that's fucked up. What's doubly fucked up, I guess I mean,

1:06:03.840 --> 1:06:06.680
<v Speaker 1>is he thought he was killing his own parents. He

1:06:06.760 --> 1:06:09.320
<v Speaker 1>was like he thought he was rage killing his own parents,

1:06:09.360 --> 1:06:12.240
<v Speaker 1>Like I think he was back in his old childhood home.

1:06:12.280 --> 1:06:16.160
<v Speaker 1>And apparently he's he grew up very privileged.

1:06:16.200 --> 1:06:16.680
<v Speaker 3>This kid.

1:06:16.720 --> 1:06:18.840
<v Speaker 2>I think he's from a family of I think five

1:06:18.920 --> 1:06:22.880
<v Speaker 2>kids or something. He's dyslexic, so he's he's having a

1:06:22.880 --> 1:06:25.520
<v Speaker 2>harder time in school, and apparently his parents are extremely

1:06:25.560 --> 1:06:28.440
<v Speaker 2>critical over him about it, like they are harping on

1:06:28.520 --> 1:06:30.520
<v Speaker 2>him all the time, and it made him develop like

1:06:30.560 --> 1:06:31.280
<v Speaker 2>a hatred for.

1:06:31.280 --> 1:06:34.880
<v Speaker 3>Them, and so he wasted.

1:06:34.960 --> 1:06:37.520
<v Speaker 2>At twenty one, wanders in and says, these are my

1:06:37.640 --> 1:06:40.760
<v Speaker 2>parents in their bedroom because that was their bedroom when

1:06:40.760 --> 1:06:44.080
<v Speaker 2>he was really small. I don't know, And he left

1:06:44.120 --> 1:06:46.600
<v Speaker 2>his fingerprints everywhere. He tried to clean up a bit,

1:06:46.640 --> 1:06:49.080
<v Speaker 2>but he did leave his fingerprints places, but he had

1:06:49.120 --> 1:06:54.680
<v Speaker 2>no record, and so the crime went unsolved for four years. No, yeah,

1:06:54.880 --> 1:06:56.560
<v Speaker 2>no one could figure out who did this crime for

1:06:56.600 --> 1:06:58.840
<v Speaker 2>four years. I mean again, this is late eighties. I

1:06:58.840 --> 1:07:02.320
<v Speaker 2>don't know how much DNA being used yet, but blood

1:07:02.360 --> 1:07:05.320
<v Speaker 2>at least like they're they're not nothing to compare it to.

1:07:05.880 --> 1:07:09.760
<v Speaker 2>So he tried to clean up a little bit. He

1:07:09.880 --> 1:07:12.720
<v Speaker 2>threw the knife into the Long Island Sound. He incinerated

1:07:12.760 --> 1:07:15.160
<v Speaker 2>the clothes he was wearing the next morning. Okay, so

1:07:16.040 --> 1:07:19.720
<v Speaker 2>two years go by, in nineteen ninety, he joined probably.

1:07:19.440 --> 1:07:23.200
<v Speaker 3>Face Seattle like he got away with it, Yes.

1:07:23.080 --> 1:07:26.400
<v Speaker 2>But he claims he has no memory of it, that

1:07:26.480 --> 1:07:27.520
<v Speaker 2>it's a full blackout.

1:07:27.640 --> 1:07:29.600
<v Speaker 1>Yeah, but why did he get rid of evidence then

1:07:29.800 --> 1:07:31.000
<v Speaker 1>and clean stuff up?

1:07:31.600 --> 1:07:33.480
<v Speaker 2>I think it's like he says, he woke up and

1:07:33.480 --> 1:07:35.240
<v Speaker 2>he's covered in blood and he's like fuck, and he

1:07:35.360 --> 1:07:37.080
<v Speaker 2>got like and he got rid of everything, but he

1:07:37.120 --> 1:07:42.400
<v Speaker 2>doesn't remember doing it, allegedly fierating, incinerating. I know, I

1:07:42.440 --> 1:07:48.200
<v Speaker 2>know exactly, I hear you. In nineteen ninety, he joins, aa.

1:07:48.360 --> 1:07:50.160
<v Speaker 2>I mean I also think he had like a period

1:07:50.200 --> 1:07:53.360
<v Speaker 2>of very heavy drinking for like at least five years.

1:07:53.720 --> 1:07:56.720
<v Speaker 2>In A in nineteen ninety he starts, he joins AA,

1:07:57.080 --> 1:07:59.840
<v Speaker 2>he starts sobering up, and it's at that point that

1:07:59.880 --> 1:08:03.920
<v Speaker 2>he starts suffering from these very vivid, anxiety ridden dreams

1:08:04.800 --> 1:08:08.520
<v Speaker 2>where he's having flashbacks that lead him to believe that

1:08:09.200 --> 1:08:10.960
<v Speaker 2>he may have been the one that killed the chair

1:08:11.000 --> 1:08:14.080
<v Speaker 2>of the family. Because in the morning there's even an

1:08:14.160 --> 1:08:16.720
<v Speaker 2>article that said that in the morning he woke up

1:08:17.320 --> 1:08:19.840
<v Speaker 2>when it was on the news, not the morning, but

1:08:19.880 --> 1:08:21.519
<v Speaker 2>maybe the next day or whatever, and he was like,

1:08:21.560 --> 1:08:23.320
<v Speaker 2>oh my god, mom and dad, look what happened at

1:08:23.320 --> 1:08:25.680
<v Speaker 2>our old house. Like he called his family over, like

1:08:25.720 --> 1:08:29.320
<v Speaker 2>he did not remember that he did it. And so

1:08:29.520 --> 1:08:32.000
<v Speaker 2>as he's sobering up, all the shit starts coming back

1:08:32.000 --> 1:08:36.599
<v Speaker 2>to him in flashbacks, and he starts he tells his girlfriend,

1:08:36.640 --> 1:08:39.479
<v Speaker 2>he tells his sponsor, and at AA meetings he reveals

1:08:39.520 --> 1:08:43.200
<v Speaker 2>it to as many as seven people that he thinks

1:08:43.240 --> 1:08:46.800
<v Speaker 2>he might have committed these murders. Even though anonymity and

1:08:46.800 --> 1:08:53.680
<v Speaker 2>confidentiality are core tenets of AA in nineteen ninety three,

1:08:53.760 --> 1:08:56.040
<v Speaker 2>I can't find out whether it was one member or

1:08:56.120 --> 1:08:59.440
<v Speaker 2>a couple of members of that AA group. Contact authorities

1:08:59.479 --> 1:09:01.439
<v Speaker 2>and they tell them what Cox has said in these

1:09:01.479 --> 1:09:04.479
<v Speaker 2>meetings about how he killed this couple, and he is

1:09:04.520 --> 1:09:08.400
<v Speaker 2>eventually indicted for second degree murder. In nineteen ninety four,

1:09:08.479 --> 1:09:11.639
<v Speaker 2>he stands trial for the murders, and the attorneys tried

1:09:11.680 --> 1:09:13.960
<v Speaker 2>to argue that he was temporarily insane at the time

1:09:13.960 --> 1:09:16.200
<v Speaker 2>of the crime, and they also try to get the

1:09:16.240 --> 1:09:19.840
<v Speaker 2>testimony of his fellow AA members thrown out, arguing that

1:09:19.880 --> 1:09:22.080
<v Speaker 2>the privilege is akin to that between a therapist or

1:09:22.120 --> 1:09:26.519
<v Speaker 2>a clergyman. Almost wish that there was no privilege at all,

1:09:26.560 --> 1:09:29.240
<v Speaker 2>Like I feel like, yes, you should be able to

1:09:29.280 --> 1:09:32.200
<v Speaker 2>tell your therapist, but I think if you've committed a

1:09:32.200 --> 1:09:34.600
<v Speaker 2>heinous crime, you have to live with it. You have

1:09:34.640 --> 1:09:36.360
<v Speaker 2>to live with the secret inside of yourself. And you

1:09:36.360 --> 1:09:38.280
<v Speaker 2>can tell anybody that you feel like you can trust,

1:09:38.280 --> 1:09:39.920
<v Speaker 2>but that's you have to live with the fact that

1:09:39.960 --> 1:09:40.799
<v Speaker 2>they could tell someone.

1:09:41.240 --> 1:09:41.680
<v Speaker 3>I don't know.

1:09:41.840 --> 1:09:43.240
<v Speaker 2>I just think I think it's so crazy you could

1:09:43.280 --> 1:09:46.200
<v Speaker 2>just go to a priest and tell them that you

1:09:46.240 --> 1:09:50.000
<v Speaker 2>did something and that they can't say anything like what.

1:09:50.560 --> 1:09:52.240
<v Speaker 2>And I do think that there is a thing with

1:09:52.320 --> 1:09:54.720
<v Speaker 2>a therapist where if you've harmed someone, I do think

1:09:54.720 --> 1:09:56.080
<v Speaker 2>that they can tell But I don't know.

1:09:56.120 --> 1:09:59.080
<v Speaker 3>Maybe not like if you're going to be a danger

1:09:59.120 --> 1:10:00.240
<v Speaker 3>to yourself or others.

1:10:00.080 --> 1:10:05.640
<v Speaker 2>Yourself for others, Yeah, yeah, But the judge denies the

1:10:05.680 --> 1:10:09.400
<v Speaker 2>motion to exclude the AA member's testimony, and seven members

1:10:09.439 --> 1:10:13.040
<v Speaker 2>of his AA group testified. But in the first trial,

1:10:13.240 --> 1:10:18.080
<v Speaker 2>the jury is deadlocked eleven to one for murder conviction and.

1:10:18.040 --> 1:10:20.759
<v Speaker 1>The eleven I bet it's another AA person or something.

1:10:21.280 --> 1:10:24.240
<v Speaker 2>Well, the eleven jurors went to the judge and said,

1:10:24.240 --> 1:10:28.759
<v Speaker 2>there's one person on the jury who is using emotion

1:10:28.920 --> 1:10:32.000
<v Speaker 2>and not facts, and they won't change their mind. But

1:10:32.240 --> 1:10:37.280
<v Speaker 2>they's the don't motion that this kid was drunk, and

1:10:37.360 --> 1:10:41.000
<v Speaker 2>that he was temporarily insane, and that he had a

1:10:41.120 --> 1:10:43.439
<v Speaker 2>tough childhood where his parents were mean to him for

1:10:43.479 --> 1:10:46.920
<v Speaker 2>being dyslexic or whatever, and that he didn't.

1:10:46.800 --> 1:10:48.760
<v Speaker 3>Knowingly know what he was doing when he did it.

1:10:48.800 --> 1:10:49.160
<v Speaker 3>I don't know.

1:10:49.240 --> 1:10:52.000
<v Speaker 2>I'm just I'm spitballing what this guy was thinking or girl.

1:10:52.040 --> 1:10:55.200
<v Speaker 2>I don't know who this person was, this other juror,

1:10:55.280 --> 1:10:57.400
<v Speaker 2>But it did end up in a mistrial because of

1:10:57.439 --> 1:10:58.120
<v Speaker 2>a hung jury.

1:10:58.520 --> 1:11:01.599
<v Speaker 3>Then he's a retried. They wasted no time. He's retried.

1:11:01.640 --> 1:11:04.320
<v Speaker 2>Second trial takes place that same year and the motion

1:11:04.479 --> 1:11:08.160
<v Speaker 2>to consider AA like a therapist and squash all that

1:11:08.200 --> 1:11:10.839
<v Speaker 2>testimony is once again denied.

1:11:11.600 --> 1:11:13.160
<v Speaker 3>And then in that.

1:11:13.080 --> 1:11:16.080
<v Speaker 2>Second trial he's convicted of manslaughter. I don't know why

1:11:16.120 --> 1:11:19.479
<v Speaker 2>the change in the charge, but he is sentenced to

1:11:19.720 --> 1:11:21.880
<v Speaker 2>sixteen to fifty years in prison.

1:11:22.360 --> 1:11:23.840
<v Speaker 3>So then that's ninety four.

1:11:23.920 --> 1:11:26.280
<v Speaker 2>I think he goes into jail starting or he's already

1:11:26.280 --> 1:11:29.200
<v Speaker 2>been in prison, but ninety five is his sentence or whatever.

1:11:29.680 --> 1:11:32.599
<v Speaker 2>In two thousand and one, he's been in there six

1:11:32.680 --> 1:11:37.680
<v Speaker 2>or seven years. A new judge, Judge Charles Bryant of

1:11:37.760 --> 1:11:41.560
<v Speaker 2>the US District Court in White Plains, New York, overturns

1:11:41.600 --> 1:11:45.719
<v Speaker 2>the manslaughter conviction, and the judge thought that Cox should

1:11:45.720 --> 1:11:48.280
<v Speaker 2>not have been arrested based on the statements made in

1:11:48.320 --> 1:11:52.280
<v Speaker 2>a religious context, with the understanding they would remain confidential.

1:11:52.800 --> 1:11:55.800
<v Speaker 2>He also cited cases in which the courts have found

1:11:55.840 --> 1:11:59.200
<v Speaker 2>that authorities cannot force prisoners or people on probation to

1:11:59.280 --> 1:12:03.479
<v Speaker 2>attend AAMI meet because they are religious. So basically his

1:12:03.640 --> 1:12:06.799
<v Speaker 2>logic is, if we consider this such a religious organization

1:12:06.880 --> 1:12:09.080
<v Speaker 2>that we cannot mandate people to take to go to

1:12:09.120 --> 1:12:12.479
<v Speaker 2>their meetings, then it is such a religious organization that

1:12:12.520 --> 1:12:14.280
<v Speaker 2>their communication is privileged.

1:12:14.920 --> 1:12:16.839
<v Speaker 3>That was this judge's feeling.

1:12:17.720 --> 1:12:20.040
<v Speaker 2>Basically said, since the courts have found that AA is

1:12:20.040 --> 1:12:22.480
<v Speaker 2>a religion for the purposes of church state separation.

1:12:22.760 --> 1:12:24.720
<v Speaker 1>At the end of the day, if AA is seen

1:12:24.760 --> 1:12:27.120
<v Speaker 1>as like a religious thing, it's like, yeah, all religions

1:12:27.120 --> 1:12:30.400
<v Speaker 1>are bad and protect predators and protect criminals.

1:12:31.240 --> 1:12:32.639
<v Speaker 3>So I'm not saying that's what I mean.

1:12:32.680 --> 1:12:34.720
<v Speaker 2>I don't think there should almost be any protection to

1:12:34.800 --> 1:12:40.040
<v Speaker 2>these people. But this guy says, yeah, since the courts

1:12:40.040 --> 1:12:42.840
<v Speaker 2>have found AA is a religion for the purposes of

1:12:42.920 --> 1:12:45.799
<v Speaker 2>church and state separation, they must also hold that quote

1:12:45.800 --> 1:12:49.120
<v Speaker 2>disclosures of wrongs to fellow members as ordained by the

1:12:49.160 --> 1:12:52.719
<v Speaker 2>twelve steps end quote of the AA program qualify as

1:12:52.760 --> 1:12:58.320
<v Speaker 2>a privilege granted to other religions similarly situated. So AA

1:12:58.520 --> 1:13:02.400
<v Speaker 2>is again though this guy in the episode, it's not AA.

1:13:02.600 --> 1:13:06.000
<v Speaker 2>There's not God. This guy's a minister from some online chirt,

1:13:06.160 --> 1:13:08.439
<v Speaker 2>like you know. I guess they do say a serenity

1:13:08.479 --> 1:13:11.080
<v Speaker 2>prayer at the beginning, so maybe it is vaguely religious.

1:13:11.120 --> 1:13:15.080
<v Speaker 2>But so apparently, Cox had to stay in jail until

1:13:15.080 --> 1:13:18.559
<v Speaker 2>an appeal by Westchester eighty A Janine Piro was filed

1:13:19.000 --> 1:13:21.439
<v Speaker 2>and in two thousand and two, a federal appeals court

1:13:21.640 --> 1:13:25.439
<v Speaker 2>reinstated the conviction. They found that quote, Cox failed to

1:13:25.520 --> 1:13:28.360
<v Speaker 2>establish that his communications to members of AA were made

1:13:28.400 --> 1:13:32.280
<v Speaker 2>in confidence for the purpose of obtaining spiritual guidance end quote,

1:13:32.320 --> 1:13:34.519
<v Speaker 2>Therefore they were not considered privilege under New York law.

1:13:34.800 --> 1:13:37.000
<v Speaker 2>So the petition was dismissed and Cox had to serve

1:13:37.040 --> 1:13:41.240
<v Speaker 2>a minimum of sixteen years, which from nineteen that would

1:13:41.280 --> 1:13:44.840
<v Speaker 2>have been around twenty ten twenty eleven. When I looked

1:13:44.880 --> 1:13:46.800
<v Speaker 2>him up in the inmate look up, it looked like

1:13:46.840 --> 1:13:48.960
<v Speaker 2>he was eligible in twenty eleven, but that he did

1:13:48.960 --> 1:13:53.559
<v Speaker 2>not get parole until March of twenty fifteen, which means

1:13:53.560 --> 1:13:56.320
<v Speaker 2>he would have served about twenty years for these murders. Ay,

1:13:57.280 --> 1:13:59.559
<v Speaker 2>and he think he's out, but then there's also a

1:13:59.560 --> 1:14:02.280
<v Speaker 2>condition release date that was June of twenty twenty one,

1:14:02.680 --> 1:14:05.240
<v Speaker 2>so I wasn't sure whether he got out then in

1:14:05.240 --> 1:14:07.840
<v Speaker 2>twenty fifteen or twenty twenty one. Either way, he's out,

1:14:08.200 --> 1:14:12.320
<v Speaker 2>And yeah, he's like fifty seven now or something like.

1:14:12.320 --> 1:14:14.000
<v Speaker 2>I mean, I'm glad I served a lot of time.

1:14:14.560 --> 1:14:14.920
<v Speaker 3>I am.

1:14:15.240 --> 1:14:18.000
<v Speaker 1>I wish she didn't waste the court's time. But I

1:14:18.080 --> 1:14:23.800
<v Speaker 1>just think it's like crazy that it's like you would say, oh,

1:14:23.840 --> 1:14:26.240
<v Speaker 1>I told this group of people and I have an

1:14:26.320 --> 1:14:29.559
<v Speaker 1>expectation of privacy as a murderer, Like I don't know

1:14:29.680 --> 1:14:31.559
<v Speaker 1>you you did.

1:14:31.360 --> 1:14:34.000
<v Speaker 3>Commit a murder. You murder in their sweep.

1:14:34.439 --> 1:14:37.320
<v Speaker 1>Yeah, very cults because to me, it's like, yeah, if

1:14:37.360 --> 1:14:40.320
<v Speaker 1>your organization tells you to ditch your kids or you're

1:14:40.360 --> 1:14:42.679
<v Speaker 1>in a cult, or give all your money or whatever,

1:14:42.760 --> 1:14:45.360
<v Speaker 1>and then this seems like it too. I can murder

1:14:45.400 --> 1:14:48.080
<v Speaker 1>and you have to keep my secret. Like you're in

1:14:48.120 --> 1:14:50.120
<v Speaker 1>a weird place. You're in a weird place.

1:14:50.160 --> 1:14:50.479
<v Speaker 3>That's what.

1:14:50.960 --> 1:14:53.440
<v Speaker 2>Yeah, that's what's so weird about the guy in the episode,

1:14:53.439 --> 1:14:58.360
<v Speaker 2>the fucking Sam character. But you know, I think that

1:14:58.439 --> 1:15:01.240
<v Speaker 2>guy Will got dragged in the wrong fucking cult. Like

1:15:01.240 --> 1:15:04.439
<v Speaker 2>I don't necessarily think he says my urges, but it's like,

1:15:04.439 --> 1:15:05.679
<v Speaker 2>you've never even kissed a girl?

1:15:06.200 --> 1:15:06.559
<v Speaker 1>How many?

1:15:06.800 --> 1:15:08.200
<v Speaker 3>Like what? Like I don't know.

1:15:08.200 --> 1:15:10.760
<v Speaker 2>Maybe he's like I have vivid dreams about raping every night.

1:15:10.840 --> 1:15:13.360
<v Speaker 2>That's different, you know, but he doesn't say that. Yeah,

1:15:13.360 --> 1:15:16.520
<v Speaker 2>but he's gonna get actual help now, I hope. Yeah,

1:15:16.600 --> 1:15:17.120
<v Speaker 2>I'd be good.

1:15:17.200 --> 1:15:19.240
<v Speaker 3>But if it disgusts you, then you're not a like

1:15:19.240 --> 1:15:21.439
<v Speaker 3>those guys get off on it right. What we see

1:15:21.479 --> 1:15:24.720
<v Speaker 3>a lot with the creepy creeps is like they have

1:15:24.880 --> 1:15:27.320
<v Speaker 3>their trophe fees and they like to revisit it.

1:15:27.439 --> 1:15:31.240
<v Speaker 2>And it's a powerfect and they like it all right.

1:15:31.280 --> 1:15:35.959
<v Speaker 2>But we have a great guest, so do not go anywhere.

1:15:43.520 --> 1:15:45.280
<v Speaker 2>Our guest today is an actor who you may know

1:15:45.360 --> 1:15:48.639
<v Speaker 2>from shows like Orange is the New Black, Inside, Amy Schumer, Weep,

1:15:48.760 --> 1:15:51.720
<v Speaker 2>and The Marvelous Missus Masel just a few, like you know,

1:15:51.840 --> 1:15:55.160
<v Speaker 2>barely watched shows. You may know him for his frequent

1:15:55.160 --> 1:15:57.760
<v Speaker 2>appearances also on the Tonight Show, but you know him

1:15:57.800 --> 1:16:02.599
<v Speaker 2>today as the genetically first rapist Nick Brown. Please enjoy

1:16:02.600 --> 1:16:06.160
<v Speaker 2>our chat with the very funny Michael Torpie. Wait, Michael,

1:16:06.200 --> 1:16:09.799
<v Speaker 2>I feel like we have met each other only because

1:16:10.080 --> 1:16:14.800
<v Speaker 2>I was a page at NBC with Nelson Castro and

1:16:14.840 --> 1:16:18.280
<v Speaker 2>then when he started Black twenty and you were in.

1:16:18.200 --> 1:16:19.439
<v Speaker 3>The Black twenty stuff.

1:16:19.880 --> 1:16:22.200
<v Speaker 2>Yeah, I was like, and I know, oh Gorman two,

1:16:22.280 --> 1:16:24.519
<v Speaker 2>So I was like, I feel like amazing I met you.

1:16:24.600 --> 1:16:28.120
<v Speaker 2>I went to high school with Jesse Cantrell. Actually yeah,

1:16:28.160 --> 1:16:30.559
<v Speaker 2>so like, how are you woven in at like so

1:16:30.640 --> 1:16:33.720
<v Speaker 2>much else? I can't tell whether I know you just

1:16:33.760 --> 1:16:37.720
<v Speaker 2>from like UCB, like New York comedy stuff or like

1:16:37.800 --> 1:16:40.040
<v Speaker 2>we've actually met before, but I.

1:16:40.000 --> 1:16:41.800
<v Speaker 4>Mean we were over at NBC so much in those

1:16:41.800 --> 1:16:44.719
<v Speaker 4>early days when when those guys are transitioning from pages

1:16:44.760 --> 1:16:48.200
<v Speaker 4>to like actually having jobs, yeah, dot comedy, when NBC

1:16:48.360 --> 1:16:49.760
<v Speaker 4>was like, we want to make a website.

1:16:49.920 --> 1:16:51.240
<v Speaker 3>Oh my gosh, web series.

1:16:51.320 --> 1:16:52.880
<v Speaker 2>I mean like when everybody was like, this is the

1:16:52.880 --> 1:16:55.320
<v Speaker 2>pipeline to TV is to get a hit web series,

1:16:55.360 --> 1:16:57.880
<v Speaker 2>and then like broad City did it, and then no one.

1:16:57.760 --> 1:17:01.639
<v Speaker 3>Else correct, yes, correct, work did worked a one time.

1:17:01.840 --> 1:17:05.160
<v Speaker 4>Yeah, but I'm sure I'm sure that because we were

1:17:05.160 --> 1:17:06.920
<v Speaker 4>there all the time, and so many NBC page people

1:17:06.920 --> 1:17:08.400
<v Speaker 4>were like helping us out, like starting that.

1:17:08.439 --> 1:17:12.160
<v Speaker 2>Companion, like or at SNL after after parties or something,

1:17:12.200 --> 1:17:14.000
<v Speaker 2>we probably saw each other or something.

1:17:14.080 --> 1:17:16.479
<v Speaker 3>Absolutely, Oh that's funny. Yeah, it's so great.

1:17:16.520 --> 1:17:19.320
<v Speaker 2>And then it's been fun to watch you do all

1:17:19.360 --> 1:17:23.640
<v Speaker 2>these fun shows but also be terrifying in Oranges the

1:17:23.680 --> 1:17:24.200
<v Speaker 2>New Black.

1:17:24.840 --> 1:17:27.479
<v Speaker 4>Yeah, yeah, it's like people look at me and they

1:17:27.520 --> 1:17:29.479
<v Speaker 4>either go, I think that guy's funny or I think

1:17:29.520 --> 1:17:32.080
<v Speaker 4>he's terrifying in a creep and we should lean into

1:17:32.080 --> 1:17:32.720
<v Speaker 4>that part of him.

1:17:33.200 --> 1:17:36.160
<v Speaker 1>Yeah, you're the the gun that was like the cliffhanger.

1:17:36.200 --> 1:17:37.639
<v Speaker 3>It was like the gun to your Yeah.

1:17:37.800 --> 1:17:40.960
<v Speaker 1>Yeah, and we're going into the whole takeover of the prison,

1:17:41.240 --> 1:17:43.320
<v Speaker 1>I mean, and it was wild. I mean the mouse

1:17:43.360 --> 1:17:46.200
<v Speaker 1>is obviously the more haunting of it all, but correct.

1:17:46.360 --> 1:17:51.960
<v Speaker 2>Yeah, yeah, yeah, worse yelling at you in the subway

1:17:52.040 --> 1:17:53.120
<v Speaker 2>during that time.

1:17:53.320 --> 1:17:56.920
<v Speaker 4>You know, they were not being the more disturbing stuff

1:17:56.960 --> 1:17:59.000
<v Speaker 4>with the people that were like, hey, what's up. And

1:17:59.000 --> 1:18:00.920
<v Speaker 4>I'm like, I'm like, you should not be into my

1:18:01.120 --> 1:18:06.320
<v Speaker 4>character at all at all. He's horrible. But more people

1:18:06.320 --> 1:18:07.880
<v Speaker 4>would be like why why do I know you? And

1:18:07.920 --> 1:18:09.880
<v Speaker 4>I'd be like, you're making a weird face. I think

1:18:09.920 --> 1:18:13.280
<v Speaker 4>you think you should hate me. Yeah, here's why, and

1:18:13.720 --> 1:18:14.839
<v Speaker 4>it's an appropriate feeling.

1:18:15.240 --> 1:18:15.800
<v Speaker 3>Yeah.

1:18:16.160 --> 1:18:17.720
<v Speaker 2>So a lot of people that we talked to are

1:18:17.720 --> 1:18:19.519
<v Speaker 2>like I can always tell by the kind of person

1:18:19.600 --> 1:18:22.400
<v Speaker 2>that approaches me what they know me from. Like, if

1:18:22.400 --> 1:18:24.200
<v Speaker 2>you're coming at me, it's like they know me from

1:18:24.240 --> 1:18:26.559
<v Speaker 2>being like a psycho. But if they are, like they

1:18:26.600 --> 1:18:28.719
<v Speaker 2>know me from being in a Pixar thing or whatever,

1:18:28.800 --> 1:18:33.120
<v Speaker 2>you know, Like, but yeah, because you on SVU, like

1:18:33.160 --> 1:18:36.360
<v Speaker 2>we're talking today about your role as Nick Brown, where

1:18:36.400 --> 1:18:40.240
<v Speaker 2>you're this you know, kind of like sheepish rapist, I

1:18:40.240 --> 1:18:44.120
<v Speaker 2>would say, and like, but then you're also then, like

1:18:44.320 --> 1:18:47.000
<v Speaker 2>just last season, you play like a real stand up

1:18:47.040 --> 1:18:49.519
<v Speaker 2>guy just trying to date, like just a professor trying

1:18:49.520 --> 1:18:52.479
<v Speaker 2>to date another like or therapist or addition another therapists.

1:18:52.680 --> 1:18:55.320
<v Speaker 3>Yeah, and clearly casting knows your range.

1:18:55.680 --> 1:18:58.160
<v Speaker 1>Yeah, but because of your previous work, I was suspicious

1:18:58.200 --> 1:19:01.520
<v Speaker 1>of you immediately, and me too, I was waiting.

1:19:01.200 --> 1:19:01.800
<v Speaker 3>For the turn.

1:19:02.040 --> 1:19:05.720
<v Speaker 2>I was waiting literally doctor Gary Schwartz to have orchestrated

1:19:05.720 --> 1:19:07.120
<v Speaker 2>the entire attack.

1:19:08.040 --> 1:19:10.439
<v Speaker 4>I mean, many people think he should have. I'm open

1:19:10.560 --> 1:19:12.680
<v Speaker 4>to bringing the role back and having that be the

1:19:12.720 --> 1:19:15.760
<v Speaker 4>reveal that I actually I did do it and I

1:19:15.880 --> 1:19:17.840
<v Speaker 4>almost got a wait with it, but no.

1:19:17.880 --> 1:19:20.080
<v Speaker 3>Yeah, gory hear, he's the fake out.

1:19:20.200 --> 1:19:22.040
<v Speaker 1>Do you watch that? But do you watch what you're in?

1:19:22.200 --> 1:19:22.960
<v Speaker 1>Do you watch stuff?

1:19:23.439 --> 1:19:26.200
<v Speaker 3>Yeah? The eyes missing in that one was tough.

1:19:27.040 --> 1:19:30.800
<v Speaker 1>Oh yeah yeah yeah, I rewatched last night and I

1:19:30.880 --> 1:19:32.479
<v Speaker 1>really didn't like the missing eyes.

1:19:32.760 --> 1:19:34.800
<v Speaker 3>No, super gross, super gross.

1:19:35.080 --> 1:19:37.639
<v Speaker 2>So wait is your what was your first foray into

1:19:37.640 --> 1:19:38.719
<v Speaker 2>the Dick World universe?

1:19:38.800 --> 1:19:43.280
<v Speaker 3>Was it Chicago? PD? Uh? Yes? Yeah?

1:19:43.680 --> 1:19:46.000
<v Speaker 4>Yeah, because that was this this this s few episode

1:19:46.080 --> 1:19:48.280
<v Speaker 4>was like was a twenty later.

1:19:48.400 --> 1:19:50.960
<v Speaker 2>I think it was like in the twenty later later

1:19:51.040 --> 1:19:53.519
<v Speaker 2>Team twenty seventeen in Chicago p D I.

1:19:53.479 --> 1:19:56.360
<v Speaker 3>Think was twenty fifteen, twenty sixteen.

1:19:56.640 --> 1:19:59.120
<v Speaker 2>So did they just like they just like were like, hey,

1:19:59.160 --> 1:20:00.760
<v Speaker 2>do you want to come play this? Did they send

1:20:00.760 --> 1:20:03.400
<v Speaker 2>you the Jenes script? And you were like, no, I.

1:20:03.360 --> 1:20:07.160
<v Speaker 4>Thought audition for all this stuff they will hand out.

1:20:08.160 --> 1:20:10.040
<v Speaker 2>I'm surprised for S for You that you did, just

1:20:10.080 --> 1:20:12.519
<v Speaker 2>because they already know you from PD and like I

1:20:12.520 --> 1:20:14.920
<v Speaker 2>feel like once you're in they usually are like, oh,

1:20:14.960 --> 1:20:16.320
<v Speaker 2>you'd be good for this or whatever.

1:20:16.439 --> 1:20:19.240
<v Speaker 4>But yeah, no, all three, all three of my Dick Wolves.

1:20:19.320 --> 1:20:20.479
<v Speaker 4>I gotta earn those roles.

1:20:20.560 --> 1:20:22.960
<v Speaker 3>Yeah, damn, damn, damn.

1:20:23.040 --> 1:20:24.800
<v Speaker 4>I got to learn those sides. I gotta tape that

1:20:24.840 --> 1:20:27.800
<v Speaker 4>tape in my basement these days.

1:20:28.240 --> 1:20:30.120
<v Speaker 3>I gotta get in front of a black white wall

1:20:30.439 --> 1:20:32.000
<v Speaker 3>and send it in.

1:20:32.520 --> 1:20:37.280
<v Speaker 2>Yes. So when you when your manager Adrient calls you,

1:20:37.360 --> 1:20:39.320
<v Speaker 2>is like, Okay, you're gonna be this guy. You're a

1:20:39.400 --> 1:20:41.640
<v Speaker 2>rapist for sure, but you have a gene for it,

1:20:41.720 --> 1:20:42.559
<v Speaker 2>Like what are you thinking?

1:20:42.800 --> 1:20:44.519
<v Speaker 3>You get this like audition?

1:20:44.760 --> 1:20:46.880
<v Speaker 2>When you get the script and you're like seeing all

1:20:47.000 --> 1:20:49.200
<v Speaker 2>how this is all gonna play out?

1:20:49.439 --> 1:20:52.400
<v Speaker 4>This was I mean, no, no shade to like S

1:20:52.439 --> 1:20:55.960
<v Speaker 4>for You, but like these lines were tough, you know,

1:20:56.240 --> 1:20:59.599
<v Speaker 4>like to be like I was born to be a rapist?

1:21:00.200 --> 1:21:02.519
<v Speaker 3>Tough line. That's a tough one.

1:21:03.640 --> 1:21:05.080
<v Speaker 2>The idea of like you're on set and they're like,

1:21:05.080 --> 1:21:06.519
<v Speaker 2>can we go again from I was Born to be

1:21:06.520 --> 1:21:07.000
<v Speaker 2>a rapist?

1:21:07.080 --> 1:21:11.519
<v Speaker 3>Can we can you hit rapists a little harder? Yeah?

1:21:11.560 --> 1:21:14.800
<v Speaker 4>My buddy saw this episode when it aired and he

1:21:14.840 --> 1:21:19.080
<v Speaker 4>immediately like rewound it and videotaped me saying those lines

1:21:19.120 --> 1:21:22.040
<v Speaker 4>on his phone and he will just he'll just send

1:21:22.080 --> 1:21:22.519
<v Speaker 4>it to me.

1:21:23.040 --> 1:21:25.120
<v Speaker 3>Randomly, and he's like, you have no.

1:21:25.000 --> 1:21:27.639
<v Speaker 4>Idea, what a gift this is that like, at any moment,

1:21:28.080 --> 1:21:30.879
<v Speaker 4>I can send you video of yourself saying these words.

1:21:33.240 --> 1:21:34.240
<v Speaker 3>And how did it feel?

1:21:34.360 --> 1:21:34.439
<v Speaker 1>Like?

1:21:34.479 --> 1:21:36.560
<v Speaker 3>Where did you guys film those meetings?

1:21:37.800 --> 1:21:40.800
<v Speaker 4>When they arrest me? This was weird and I don't

1:21:40.800 --> 1:21:43.519
<v Speaker 4>think normal. But we were shooting in an office that

1:21:43.760 --> 1:21:48.800
<v Speaker 4>was still functioning like they did not. It wasn't like

1:21:48.840 --> 1:21:51.360
<v Speaker 4>they had blocked off this whole building. It wasn't some ability.

1:21:51.360 --> 1:21:53.599
<v Speaker 3>But he gets the day off, stay working ignored.

1:21:54.320 --> 1:21:59.040
<v Speaker 4>Literally they like cleaned out, like these five desks already

1:21:59.080 --> 1:22:00.559
<v Speaker 4>go over here, so like I'm doing this and there

1:22:00.560 --> 1:22:02.920
<v Speaker 4>are people like doing their work nearby.

1:22:03.360 --> 1:22:04.760
<v Speaker 3>It was incredibly weird.

1:22:05.000 --> 1:22:07.160
<v Speaker 1>But how are they not distracted? I would stop typing

1:22:07.160 --> 1:22:09.040
<v Speaker 1>for a moment and watch they.

1:22:08.880 --> 1:22:09.400
<v Speaker 3>May have been.

1:22:09.479 --> 1:22:11.200
<v Speaker 4>It was such a tight shot. It was really just

1:22:11.240 --> 1:22:13.400
<v Speaker 4>like in my Little Cuba. Yeah, so it kept they

1:22:13.520 --> 1:22:15.719
<v Speaker 4>kept the top the shot very small. Do you remember

1:22:15.720 --> 1:22:17.360
<v Speaker 4>industry what they were doing?

1:22:18.479 --> 1:22:21.280
<v Speaker 3>Suits? Suits, suits and desks cubicle.

1:22:22.479 --> 1:22:26.679
<v Speaker 1>Okay, wait, I'm obsessed with that scene because your character

1:22:26.760 --> 1:22:30.479
<v Speaker 1>is such a bad liar, Like you're just like, oh,

1:22:30.560 --> 1:22:32.800
<v Speaker 1>I found out from another guy who works at the bar,

1:22:33.000 --> 1:22:35.360
<v Speaker 1>like you just like you really did play him really well.

1:22:35.400 --> 1:22:37.600
<v Speaker 3>And then you're just like I did it. It was me.

1:22:38.160 --> 1:22:40.919
<v Speaker 3>I fold so quick, it's so faut, like maybe.

1:22:40.680 --> 1:22:43.320
<v Speaker 2>The fastest fold in SPU history. They didn't even get

1:22:43.400 --> 1:22:46.479
<v Speaker 2>you into the dark interrogation. No, correct, No, but it's

1:22:46.479 --> 1:22:48.400
<v Speaker 2>a genetic disposition. So I really, you know, I had

1:22:48.439 --> 1:22:50.240
<v Speaker 2>to come clean. It's just who I am, right, It's

1:22:50.360 --> 1:22:51.599
<v Speaker 2>just just who I was.

1:22:51.920 --> 1:22:53.880
<v Speaker 1>I mean, we can take an SVU break and we

1:22:53.960 --> 1:22:57.280
<v Speaker 1>can talk about VEEP if you'd like to.

1:22:57.479 --> 1:22:59.720
<v Speaker 3>I can chat anything with y'all. Love.

1:23:00.240 --> 1:23:02.880
<v Speaker 1>Oh my god, was that fun? And it was the

1:23:02.920 --> 1:23:05.080
<v Speaker 1>convention episode. I mean, you were really there for some

1:23:05.120 --> 1:23:05.759
<v Speaker 1>fun days.

1:23:05.840 --> 1:23:08.400
<v Speaker 4>I did, Yeah, I did, Like I think four episodes

1:23:08.439 --> 1:23:09.920
<v Speaker 4>of that season before I got dumped.

1:23:09.960 --> 1:23:10.639
<v Speaker 3>It was a blast.

1:23:10.640 --> 1:23:15.080
<v Speaker 4>It was an absolute blast, a room of monster comedy,

1:23:15.120 --> 1:23:18.960
<v Speaker 4>heavy hitters, like just so solid and the most fun

1:23:19.000 --> 1:23:22.160
<v Speaker 4>process that I've ever been a part of in terms

1:23:22.200 --> 1:23:25.240
<v Speaker 4>of TV, because they treat it like they treat it

1:23:25.280 --> 1:23:28.920
<v Speaker 4>more like a play. So like before anything, I went

1:23:28.920 --> 1:23:33.040
<v Speaker 4>out to LA. This is when it still shot in Baltimore.

1:23:33.439 --> 1:23:36.280
<v Speaker 4>But I went out to LA and they just had

1:23:36.320 --> 1:23:40.400
<v Speaker 4>like a hotel ballroom and they set up chairs and

1:23:40.439 --> 1:23:42.559
<v Speaker 4>we just we read it and then we stood up

1:23:42.560 --> 1:23:44.280
<v Speaker 4>and we walked it through, and then we put the

1:23:44.280 --> 1:23:46.640
<v Speaker 4>scripts down and did all sorts of different stuff. It

1:23:46.720 --> 1:23:50.040
<v Speaker 4>just played through it, and because Julia Louis Dreyfuss and

1:23:50.120 --> 1:23:54.439
<v Speaker 4>Tony Hale are brilliant, you get to organically see them

1:23:54.840 --> 1:23:58.600
<v Speaker 4>workout beats and find new moments that like are not

1:23:58.680 --> 1:24:00.839
<v Speaker 4>there in the script. Like there's in one of those episodes,

1:24:00.880 --> 1:24:05.000
<v Speaker 4>there's a great moment where it's when I'm rehearsing my

1:24:05.160 --> 1:24:07.519
<v Speaker 4>kiss with Catherine. We're like trying to figure out how

1:24:07.560 --> 1:24:09.360
<v Speaker 4>to do this kiss at the convention, and we don't

1:24:09.400 --> 1:24:11.599
<v Speaker 4>know how to kiss each other. We're very awkward, and

1:24:11.640 --> 1:24:15.160
<v Speaker 4>they find this moment in rehearsal where Julie Louis Dreyfus

1:24:15.200 --> 1:24:18.120
<v Speaker 4>turns to Tony's character and says, like, how hard is

1:24:18.160 --> 1:24:18.920
<v Speaker 4>it to do a kiss?

1:24:18.960 --> 1:24:19.120
<v Speaker 3>Right?

1:24:19.160 --> 1:24:21.080
<v Speaker 4>And he leans over to her and he's like, I know, right,

1:24:21.400 --> 1:24:23.599
<v Speaker 4>and they just like lingered there for just long enough

1:24:23.640 --> 1:24:26.760
<v Speaker 4>where he gets convinced that maybe she's gonna kiss him,

1:24:27.120 --> 1:24:29.280
<v Speaker 4>but like that is not in the script. That just

1:24:29.320 --> 1:24:32.240
<v Speaker 4>came from them sitting, you know, close enough on a

1:24:32.240 --> 1:24:34.280
<v Speaker 4>couple of chairs in a hotel ballroom to be like,

1:24:34.560 --> 1:24:36.880
<v Speaker 4>you know, no, no, and then some like you knew

1:24:37.000 --> 1:24:39.560
<v Speaker 4>she saw it and was like huh, like hey, yeah,

1:24:39.600 --> 1:24:41.920
<v Speaker 4>like that you almost did you think she was gonna

1:24:41.960 --> 1:24:43.559
<v Speaker 4>kiss you? And he's like I did, and he's like

1:24:43.600 --> 1:24:46.439
<v Speaker 4>play that like that that's a thing, and that you

1:24:46.479 --> 1:24:49.160
<v Speaker 4>don't You don't have that time unless you're working on

1:24:49.280 --> 1:24:52.559
<v Speaker 4>like an HBO comedy that has all this money, because

1:24:52.560 --> 1:24:55.439
<v Speaker 4>every other show you get the job, you show up,

1:24:55.520 --> 1:24:57.920
<v Speaker 4>they're like, let's read the lines, let's shoot that your coverage.

1:24:57.960 --> 1:25:00.679
<v Speaker 4>You're done, have a great day. You know, it's super fast.

1:25:00.760 --> 1:25:02.640
<v Speaker 4>So to have that time to go in advance and

1:25:02.680 --> 1:25:04.720
<v Speaker 4>like really treat it like a play and find all

1:25:04.720 --> 1:25:06.439
<v Speaker 4>these moments was so much.

1:25:06.280 --> 1:25:10.000
<v Speaker 1>Fun and how much time from rehearsal to shooting is there.

1:25:10.840 --> 1:25:13.080
<v Speaker 4>There were weeks we went out, we went out to

1:25:13.520 --> 1:25:15.200
<v Speaker 4>Yeah in Ellie, I think they'll I think they had

1:25:15.240 --> 1:25:17.240
<v Speaker 4>the first two episodes written at that time, so we

1:25:17.320 --> 1:25:19.320
<v Speaker 4>just did it for those like first two to get

1:25:19.320 --> 1:25:24.080
<v Speaker 4>the season rolling and then everything else was I guess

1:25:24.080 --> 1:25:27.000
<v Speaker 4>more standard and that you know you'd have the script,

1:25:27.040 --> 1:25:29.160
<v Speaker 4>but they they still give you so much room to

1:25:29.200 --> 1:25:33.559
<v Speaker 4>play on set, and they kind of have to because

1:25:33.600 --> 1:25:39.040
<v Speaker 4>like that show, the effects, it's it's brilliant and the

1:25:39.080 --> 1:25:41.920
<v Speaker 4>tone is always spot on, but the script changes all

1:25:41.960 --> 1:25:43.800
<v Speaker 4>the time. Like I've never been on a show before

1:25:43.840 --> 1:25:47.200
<v Speaker 4>where I'd be nervous to go to bed because I

1:25:47.240 --> 1:25:50.040
<v Speaker 4>was like, I think revisions are still coming in, like yeah,

1:25:50.520 --> 1:25:51.040
<v Speaker 4>like I've.

1:25:50.920 --> 1:25:52.040
<v Speaker 3>Got to be up at eight am.

1:25:52.400 --> 1:25:54.120
<v Speaker 4>I'd like to go to bed now, But like da,

1:25:54.280 --> 1:25:55.920
<v Speaker 4>I just got an email with a new script, and

1:25:55.920 --> 1:25:57.879
<v Speaker 4>like I just feel like more are going to continue

1:25:57.920 --> 1:26:00.240
<v Speaker 4>to come because they're just always playing. They're always with

1:26:00.280 --> 1:26:01.719
<v Speaker 4>new bits. So I was trying to beat that joke

1:26:03.080 --> 1:26:05.360
<v Speaker 4>so that they're always like fine tuning and finding, like

1:26:05.439 --> 1:26:07.639
<v Speaker 4>let's let's go one more, let's get one bit, let's

1:26:07.640 --> 1:26:10.160
<v Speaker 4>go a little bit harder with this, which is exhilarating,

1:26:10.200 --> 1:26:12.240
<v Speaker 4>but it's also like it's a lot, it's a lot

1:26:12.280 --> 1:26:13.080
<v Speaker 4>to like carry into.

1:26:13.200 --> 1:26:14.960
<v Speaker 3>Like I just I just read this line.

1:26:15.280 --> 1:26:17.840
<v Speaker 2>I feel like I could watch that show series like

1:26:18.000 --> 1:26:20.320
<v Speaker 2>ten times through and still catch new jokes, Like it's

1:26:20.360 --> 1:26:21.040
<v Speaker 2>so crazy.

1:26:21.800 --> 1:26:22.920
<v Speaker 3>Yeah, Orange is a new Black.

1:26:23.040 --> 1:26:26.400
<v Speaker 2>Were you in the first season or second or no, no, later, four,

1:26:26.560 --> 1:26:27.519
<v Speaker 2>fourth or fifth or something?

1:26:27.560 --> 1:26:27.720
<v Speaker 1>Right?

1:26:27.800 --> 1:26:31.240
<v Speaker 4>Okay, so they clean house after three, A lot of

1:26:31.240 --> 1:26:34.680
<v Speaker 4>the guards get fired, Yeah, and then you're the new

1:26:34.680 --> 1:26:37.640
<v Speaker 4>crop with like Latin, the new crops is gone at

1:26:37.640 --> 1:26:40.599
<v Speaker 4>the Butmi Tarvor's Emily Tarvor.

1:26:41.479 --> 1:26:43.479
<v Speaker 3>I come in with Emily Tarvor. Yeah, one of my

1:26:44.200 --> 1:26:46.080
<v Speaker 3>fellow interns that U see be back.

1:26:45.880 --> 1:26:48.760
<v Speaker 4>In the day, Me and Emily right on, Emily's fantastic

1:26:50.000 --> 1:26:51.479
<v Speaker 4>Mike Houston came in my year.

1:26:52.240 --> 1:26:54.160
<v Speaker 3>It was like a whole new batch of guards. Yeah.

1:26:54.280 --> 1:26:57.920
<v Speaker 1>And the big bad bearded guy yeah yeah, yeah, what's

1:26:57.960 --> 1:26:58.439
<v Speaker 1>that same?

1:26:58.880 --> 1:27:01.559
<v Speaker 2>We had enough with him being a psycho and then

1:27:01.640 --> 1:27:02.920
<v Speaker 2>you were bad too, and it.

1:27:02.920 --> 1:27:05.439
<v Speaker 4>Was like no, no, we were in all his little

1:27:05.560 --> 1:27:08.439
<v Speaker 4>like trolls underneath him, like he was the one that

1:27:08.479 --> 1:27:09.920
<v Speaker 4>got on the focus and we all kind of like

1:27:10.000 --> 1:27:11.800
<v Speaker 4>ran around being shitty underneath.

1:27:11.479 --> 1:27:13.439
<v Speaker 3>But didn't the other guards also think you were kind

1:27:13.479 --> 1:27:15.360
<v Speaker 3>of creepy. Yeah, they didn't like.

1:27:15.320 --> 1:27:17.599
<v Speaker 4>My style, like they were still shittheads, but like they

1:27:17.600 --> 1:27:21.120
<v Speaker 4>didn't they didn't like that I was like like a creep, like.

1:27:21.080 --> 1:27:26.320
<v Speaker 2>A possible serial killer, Like yeah.

1:27:24.800 --> 1:27:27.479
<v Speaker 4>I think they were more just like let's like be

1:27:27.600 --> 1:27:30.360
<v Speaker 4>abusive and harass and like sneak drugs and make money.

1:27:30.360 --> 1:27:32.760
<v Speaker 4>And I was like, no, that's not my thing. I

1:27:33.160 --> 1:27:34.799
<v Speaker 4>just want to I just want to be a creep.

1:27:35.280 --> 1:27:37.559
<v Speaker 1>You were on the Eric Andre Show. Do you remember

1:27:37.600 --> 1:27:38.280
<v Speaker 1>your time there?

1:27:39.000 --> 1:27:41.519
<v Speaker 3>Yeah? I do remember my time there, because he.

1:27:41.520 --> 1:27:44.080
<v Speaker 1>Says that Lauren Conrad was like the worst guest, like

1:27:44.120 --> 1:27:46.360
<v Speaker 1>she was the least down with it. Do you remember

1:27:46.439 --> 1:27:48.880
<v Speaker 1>moments like what was your part or were you in

1:27:48.920 --> 1:27:49.320
<v Speaker 1>the prank?

1:27:49.360 --> 1:27:51.639
<v Speaker 3>What was your Yeah? Yeah I did a sketch. Okay,

1:27:51.680 --> 1:27:52.960
<v Speaker 3>what do you remember what it was?

1:27:53.280 --> 1:27:58.000
<v Speaker 4>Yes, it was a faux kids show, like uh, we

1:27:58.000 --> 1:28:00.240
<v Speaker 4>were like, yeah, we're here to like we're in.

1:28:00.240 --> 1:28:02.599
<v Speaker 3>The city and we're like we are energy and let's go.

1:28:02.720 --> 1:28:03.080
<v Speaker 3>Let's go.

1:28:03.360 --> 1:28:05.439
<v Speaker 4>But then we just like wreaked havoc. So we were

1:28:05.479 --> 1:28:08.479
<v Speaker 4>like all like a peppy team of like we're out

1:28:08.479 --> 1:28:10.760
<v Speaker 4>here to spread positive energy and let's go. But then

1:28:10.800 --> 1:28:12.840
<v Speaker 4>we like ran through Central Park just like punching books

1:28:12.840 --> 1:28:15.639
<v Speaker 4>out of people's hands and like shoving them and tripping them.

1:28:15.720 --> 1:28:19.080
<v Speaker 4>And then it culminated with us pulling up in front

1:28:19.080 --> 1:28:22.479
<v Speaker 4>of in front of the Museum of Natural History with

1:28:22.560 --> 1:28:27.960
<v Speaker 4>a van and kidnapping someone. And it was like one

1:28:27.960 --> 1:28:29.720
<v Speaker 4>of the scarier things I've ever had to be part

1:28:29.760 --> 1:28:32.880
<v Speaker 4>of because it looked like a real kidnapping.

1:28:33.320 --> 1:28:37.320
<v Speaker 3>Because they're filming that show. All the hidden camera stuff

1:28:37.360 --> 1:28:37.840
<v Speaker 3>is so good.

1:28:37.920 --> 1:28:40.760
<v Speaker 4>Like one cameraman has a backpack on and there's a

1:28:40.800 --> 1:28:44.080
<v Speaker 4>camera pointing backwards, so he's looking at his monitor here

1:28:44.400 --> 1:28:46.160
<v Speaker 4>with his back to everything that's happening.

1:28:46.439 --> 1:28:46.799
<v Speaker 1>Wow.

1:28:46.880 --> 1:28:51.040
<v Speaker 4>Another guy had was holding a motorcycle helmet and it's

1:28:51.040 --> 1:28:53.880
<v Speaker 4>shooting through the visor of the motorcycle helmet and he's

1:28:53.880 --> 1:28:56.080
<v Speaker 4>just looking down into the motorcycle helmet so he can

1:28:56.080 --> 1:28:59.479
<v Speaker 4>see what he's filming. So everybody on the street, it's amazing.

1:29:00.120 --> 1:29:03.800
<v Speaker 4>Everybody on the street just saw a white fan come

1:29:03.960 --> 1:29:08.320
<v Speaker 4>screeching up right me and two other people jump out

1:29:08.320 --> 1:29:11.360
<v Speaker 4>of the side of the van, grab a kid and

1:29:11.400 --> 1:29:13.439
<v Speaker 4>throw it in the back of a van and drive away.

1:29:13.720 --> 1:29:18.439
<v Speaker 4>And a woman screamed an actor, scream stop them, stop

1:29:18.439 --> 1:29:20.439
<v Speaker 4>them stopping. So people started following the van down the

1:29:20.479 --> 1:29:23.840
<v Speaker 4>street like it was hectic, very svu Adjason.

1:29:24.040 --> 1:29:26.880
<v Speaker 3>Did anyone call the authorities, I don't know.

1:29:26.920 --> 1:29:28.640
<v Speaker 4>They must be ready for those calls or something. And

1:29:28.680 --> 1:29:30.280
<v Speaker 4>people call the cops. I don't know if they go

1:29:30.360 --> 1:29:32.639
<v Speaker 4>back in and just like calm everybody down. We're out

1:29:32.640 --> 1:29:33.920
<v Speaker 4>of there, all sitting in the van and being like,

1:29:33.920 --> 1:29:37.400
<v Speaker 4>what the fuck are we doing? This is this is insane.

1:29:37.600 --> 1:29:37.680
<v Speaker 2>No.

1:29:38.120 --> 1:29:40.479
<v Speaker 1>I talked to Michelle Buteau about being on the show,

1:29:40.560 --> 1:29:43.879
<v Speaker 1>and she's like, it's fucking scary. She goes, you're bothering

1:29:43.920 --> 1:29:46.000
<v Speaker 1>people and you're in the train and it's so tight,

1:29:46.479 --> 1:29:51.000
<v Speaker 1>and he's just so in it and willing, and she

1:29:51.160 --> 1:29:52.479
<v Speaker 1>was She said she was scared.

1:29:52.600 --> 1:29:55.040
<v Speaker 4>She's like, I would never do it again. No, Like

1:29:55.080 --> 1:29:58.479
<v Speaker 4>prank stuff is scary, especially in New York. Like I

1:29:58.479 --> 1:29:59.920
<v Speaker 4>don't want to get punched in the face. I don't

1:30:00.000 --> 1:30:01.880
<v Speaker 4>don't want something to like really try to like be

1:30:01.960 --> 1:30:04.160
<v Speaker 4>a hero, and then I have to be like, I'm

1:30:04.160 --> 1:30:05.240
<v Speaker 4>a this is a bit.

1:30:05.520 --> 1:30:08.200
<v Speaker 3>We're doing it. We're making a comedy show. Don't you

1:30:08.360 --> 1:30:09.479
<v Speaker 3>pretend to kidnap people?

1:30:10.560 --> 1:30:12.920
<v Speaker 1>We needed it got what was it a bad trip?

1:30:13.040 --> 1:30:15.960
<v Speaker 1>It's just so such good pranks. It's really cool.

1:30:16.400 --> 1:30:18.599
<v Speaker 4>No, and he's phenomenal at them, and he's so funny.

1:30:18.640 --> 1:30:21.599
<v Speaker 4>Like you said, he's so committed to them all the time.

1:30:22.320 --> 1:30:24.639
<v Speaker 4>And the best is because he's so he's so into

1:30:24.680 --> 1:30:26.720
<v Speaker 4>it that people believe them. People are like, this is

1:30:26.760 --> 1:30:31.360
<v Speaker 4>really happening, and either they're like they reveal something of themselves,

1:30:31.400 --> 1:30:33.880
<v Speaker 4>like they're into it, or they distance themselves in a

1:30:33.880 --> 1:30:36.240
<v Speaker 4>funny way. He gets the best reactions out of folks.

1:30:36.280 --> 1:30:40.559
<v Speaker 3>One of the greatest pranksters of our generation. Yeah, I

1:30:40.720 --> 1:30:42.840
<v Speaker 3>on IMDb there is a fact. Well they lied and

1:30:42.840 --> 1:30:44.360
<v Speaker 3>said you lived in Brooklyn. But did you do a

1:30:44.360 --> 1:30:47.080
<v Speaker 3>commercial with Michael Jordan? I did? I did?

1:30:47.640 --> 1:30:49.519
<v Speaker 4>Those are those That's how I got my SAG card.

1:30:50.520 --> 1:30:57.559
<v Speaker 4>So my career, we'll say that is ode to Charlie

1:30:57.600 --> 1:31:04.080
<v Speaker 4>Sheen's decline. So Charlie Sheen was doing Haines commercials with

1:31:04.120 --> 1:31:04.719
<v Speaker 4>Michael Jordan.

1:31:05.400 --> 1:31:06.200
<v Speaker 3>It was the two of them.

1:31:06.560 --> 1:31:08.439
<v Speaker 4>They did like a number of them, and that they

1:31:08.520 --> 1:31:10.960
<v Speaker 4>had this rapport back and forth, and that was like

1:31:11.000 --> 1:31:14.360
<v Speaker 4>Haines was selling under pants using these two guys. Charlie

1:31:14.400 --> 1:31:18.040
<v Speaker 4>Sheen like went off the deep end and this is

1:31:18.080 --> 1:31:24.200
<v Speaker 4>like two thousand yeah, yeah, yeah, all that stuff two

1:31:24.200 --> 1:31:27.120
<v Speaker 4>thousand and six, two thousand and seven. So Haines is like, okay,

1:31:27.800 --> 1:31:29.799
<v Speaker 4>and Haines had done commercials with it was like Jordan

1:31:29.880 --> 1:31:32.680
<v Speaker 4>and Matthew Perry, Jordan and Cuba Gooding Junior. So it

1:31:32.720 --> 1:31:34.639
<v Speaker 4>was always like this pairing of Jordan and a celebrity

1:31:35.479 --> 1:31:39.920
<v Speaker 4>and then Charlie Sheen goes insane and I'm putting a

1:31:39.960 --> 1:31:42.960
<v Speaker 4>little bit together here. But Haynes was like, we trust

1:31:43.160 --> 1:31:46.519
<v Speaker 4>Jordan with our brand, but like these other people, we

1:31:46.560 --> 1:31:49.080
<v Speaker 4>don't have like really control over these celebrities in their

1:31:49.120 --> 1:31:52.240
<v Speaker 4>lives and what they do. So let's let's put everything

1:31:52.240 --> 1:31:56.719
<v Speaker 4>behind Jordan and pivot to him and a professional actor.

1:31:57.600 --> 1:32:00.880
<v Speaker 4>So I was this they like distanced themselves from celebrities

1:32:01.160 --> 1:32:03.920
<v Speaker 4>and did a casting for a commercial with Jordan and

1:32:03.960 --> 1:32:06.120
<v Speaker 4>the premise was he's on an airplane and he's getting

1:32:06.120 --> 1:32:10.479
<v Speaker 4>bothered by somebody who knows him. So I, you know,

1:32:11.360 --> 1:32:13.360
<v Speaker 4>was very lucky to book this job, but it was

1:32:13.640 --> 1:32:15.400
<v Speaker 4>absolutely the biggest job of my career at that points.

1:32:15.439 --> 1:32:17.400
<v Speaker 4>But the job that got me my Screen Actors Guild

1:32:17.479 --> 1:32:20.040
<v Speaker 4>card and I went out to la for a couple

1:32:20.080 --> 1:32:22.760
<v Speaker 4>of days and we shot two days with Jordan, like

1:32:23.120 --> 1:32:26.479
<v Speaker 4>it was four hours on each day, and we filmed

1:32:26.479 --> 1:32:29.759
<v Speaker 4>like eight commercials and it was all just me sitting

1:32:29.960 --> 1:32:32.320
<v Speaker 4>with him on an airplane just harassing him about how

1:32:32.360 --> 1:32:33.960
<v Speaker 4>like I know who he is and me thinking like

1:32:34.000 --> 1:32:34.840
<v Speaker 4>I could help him out.

1:32:35.000 --> 1:32:37.040
<v Speaker 3>And it was all about the bacon neck collar. It

1:32:37.080 --> 1:32:40.120
<v Speaker 3>was like their big product was these the collar doesn't bacon.

1:32:41.479 --> 1:32:44.320
<v Speaker 3>But it was an unbelievable job, so much fun to do.

1:32:45.160 --> 1:32:48.960
<v Speaker 3>The director let me like riff and play and kind

1:32:49.000 --> 1:32:51.240
<v Speaker 3>of throw the scripts out and just like sit in

1:32:51.280 --> 1:32:54.640
<v Speaker 3>this character of like annoy this famous person next to you,

1:32:55.120 --> 1:32:57.240
<v Speaker 3>and he would just roll for minutes at a time

1:32:57.280 --> 1:32:58.600
<v Speaker 3>and we would just go and go and go and

1:32:58.600 --> 1:33:00.120
<v Speaker 3>go and go. And then he carved it into these

1:33:00.120 --> 1:33:02.960
<v Speaker 3>little commercials, which was great, and Michael Jordan was like

1:33:03.080 --> 1:33:04.559
<v Speaker 3>fun totally.

1:33:04.960 --> 1:33:08.000
<v Speaker 2>But some athletes are like a little when they try

1:33:08.040 --> 1:33:09.920
<v Speaker 2>to like do not that he was. He's probably more

1:33:09.920 --> 1:33:11.880
<v Speaker 2>the straight man you're doing the funny heavy lifting, but

1:33:12.479 --> 1:33:13.719
<v Speaker 2>some athletes it's I mean.

1:33:13.760 --> 1:33:16.760
<v Speaker 1>I'm sorry, he's the star of Space Jam, so.

1:33:17.080 --> 1:33:19.080
<v Speaker 3>True, that's right. Put some respect, put some respect.

1:33:19.520 --> 1:33:22.280
<v Speaker 2>I'm sorry, you know, famously, I haven't seen space Jam.

1:33:22.320 --> 1:33:24.880
<v Speaker 2>It's a blind spot. So I have a space jam lamp.

1:33:24.880 --> 1:33:25.920
<v Speaker 2>I don't know if you remember that.

1:33:26.080 --> 1:33:30.400
<v Speaker 3>I mean I forgot what the aliens alien right now

1:33:31.040 --> 1:33:31.800
<v Speaker 3>in your current home.

1:33:32.040 --> 1:33:34.519
<v Speaker 1>Yeah, because a few blocks away is like a sports timon.

1:33:34.600 --> 1:33:36.479
<v Speaker 1>I have a I like to I like stuff, and

1:33:36.560 --> 1:33:37.840
<v Speaker 1>so I went in and I went.

1:33:37.880 --> 1:33:38.439
<v Speaker 3>I love stuff.

1:33:38.520 --> 1:33:41.200
<v Speaker 1>It was the Monstars as little the little Aliens on

1:33:41.240 --> 1:33:43.040
<v Speaker 1>the lamp and I went, how much is that? And

1:33:43.080 --> 1:33:44.960
<v Speaker 1>he goes, well, that's not for sale, but you can

1:33:45.000 --> 1:33:46.880
<v Speaker 1>have it for like one hundred dollars or half. And

1:33:46.880 --> 1:33:49.120
<v Speaker 1>I go, I'll take it. Oh my god, done, I'll

1:33:49.160 --> 1:33:54.280
<v Speaker 1>take it done free. Honestly, the answer is everything's for sale.

1:33:54.320 --> 1:34:00.320
<v Speaker 1>Apparently you know it's not for sale, but yeah it is. Wait,

1:34:00.400 --> 1:34:03.519
<v Speaker 1>so you were riffing with Michael Jordan. Yeah, and was

1:34:03.520 --> 1:34:05.880
<v Speaker 1>he so big? I remember this commercial?

1:34:06.560 --> 1:34:10.200
<v Speaker 3>Yeah? I mean he is he? I mean what is

1:34:10.400 --> 1:34:10.880
<v Speaker 3>he so big?

1:34:10.920 --> 1:34:14.479
<v Speaker 4>He's physically he's huge, and he's also like the most

1:34:14.520 --> 1:34:17.320
<v Speaker 4>famous person in the world is Michael Jackson.

1:34:17.479 --> 1:34:20.120
<v Speaker 3>I don't know, like you know his outline? Do you

1:34:20.280 --> 1:34:24.280
<v Speaker 3>have next? You wanna where coming to? Have anything coming up?

1:34:24.320 --> 1:34:25.840
<v Speaker 3>You want to right right now?

1:34:25.920 --> 1:34:28.080
<v Speaker 4>The stuff I'm working on the most is tonight's show,

1:34:28.080 --> 1:34:30.000
<v Speaker 4>which is great. You know, it's it's something I can

1:34:30.040 --> 1:34:32.960
<v Speaker 4>specifically plug because it's all day of but I'm like

1:34:33.040 --> 1:34:37.400
<v Speaker 4>part of their monologue team, so like when they need

1:34:37.479 --> 1:34:39.840
<v Speaker 4>a you know, like in a monologue for a late

1:34:39.920 --> 1:34:41.599
<v Speaker 4>night show and they're like, for more on this, we

1:34:41.680 --> 1:34:45.880
<v Speaker 4>go to head of sales for diamond coins and then

1:34:45.920 --> 1:34:48.760
<v Speaker 4>it's like John Smitherson's like, I'm that guy.

1:34:49.080 --> 1:34:51.080
<v Speaker 3>Yeah. A lot of the time for Fallon, which is

1:34:51.080 --> 1:34:51.920
<v Speaker 3>a lot of fun. It's great.

1:34:52.000 --> 1:34:55.679
<v Speaker 4>It's it's such fun work because it is live studio audience,

1:34:55.760 --> 1:34:58.920
<v Speaker 4>which is so rare totally to be in that room,

1:34:59.160 --> 1:35:03.320
<v Speaker 4>feel that energy, get those laughs, feel that instant feedback,

1:35:03.960 --> 1:35:06.759
<v Speaker 4>and it's it's exciting because it all happens in the moment.

1:35:06.840 --> 1:35:10.639
<v Speaker 4>Like I get a call around eleven thirty or newish

1:35:10.800 --> 1:35:12.720
<v Speaker 4>to be like, are you available today? An idea just

1:35:12.760 --> 1:35:14.680
<v Speaker 4>came together, Yeah, and then I go in there. I

1:35:14.680 --> 1:35:18.120
<v Speaker 4>get the thirty rock around two PM, go through wardrobe

1:35:18.160 --> 1:35:21.439
<v Speaker 4>and makeup. I rehearsed at three, rehearse with Fallon at four,

1:35:21.760 --> 1:35:23.160
<v Speaker 4>and then tape the show at five and then I'm

1:35:23.200 --> 1:35:27.000
<v Speaker 4>home by six. So it's like this whirlwind thing, which

1:35:27.040 --> 1:35:29.080
<v Speaker 4>is so much fun. It's a blast. You're on call

1:35:29.240 --> 1:35:32.280
<v Speaker 4>like a doctor kind of. I mean, they don't expect

1:35:32.280 --> 1:35:34.240
<v Speaker 4>me to like always be available, but I can usually

1:35:34.240 --> 1:35:37.360
<v Speaker 4>move things around and piece other stuff together to make

1:35:37.400 --> 1:35:38.000
<v Speaker 4>myself free.

1:35:38.160 --> 1:35:39.360
<v Speaker 3>But yeah, it's it's very loose.

1:35:39.400 --> 1:35:41.479
<v Speaker 4>It's just you know, when they have the right idea

1:35:41.479 --> 1:35:42.800
<v Speaker 4>and when it makes sense, they give me a ring.

1:35:43.320 --> 1:35:45.160
<v Speaker 4>But it's been great. That's been like the past two years.

1:35:45.240 --> 1:35:46.800
<v Speaker 4>I've been doing a bunch of episodes for them.

1:35:46.840 --> 1:35:48.880
<v Speaker 1>Have you ever been there when it's a celebrity you're

1:35:48.920 --> 1:35:49.960
<v Speaker 1>really excited.

1:35:49.560 --> 1:35:54.040
<v Speaker 4>About Yeah, jeez, I mean you have to be cool

1:35:54.080 --> 1:35:54.519
<v Speaker 4>about it.

1:35:54.800 --> 1:35:55.960
<v Speaker 3>Yeah.

1:35:56.040 --> 1:35:59.400
<v Speaker 4>I had my kids there with me a couple of

1:35:59.400 --> 1:36:02.000
<v Speaker 4>weeks ago because it was like this little period between

1:36:02.160 --> 1:36:05.479
<v Speaker 4>where like all of the summer camps are over, but

1:36:05.560 --> 1:36:07.880
<v Speaker 4>school starts on a Thursday, So you have these like

1:36:07.960 --> 1:36:10.080
<v Speaker 4>three days where you're like, I need to be a

1:36:10.080 --> 1:36:12.000
<v Speaker 4>professional and I have children and that I need to

1:36:12.040 --> 1:36:13.400
<v Speaker 4>keep safe and so.

1:36:14.200 --> 1:36:16.519
<v Speaker 2>Somebody would make a billion dollars and they just offered

1:36:16.520 --> 1:36:18.400
<v Speaker 2>a camp for those days, but they don't.

1:36:18.400 --> 1:36:20.760
<v Speaker 3>Feel the camp. They don't just give me that three

1:36:20.840 --> 1:36:24.799
<v Speaker 3>day camp. And how old are they? Nine and five? Oh? Cute?

1:36:25.080 --> 1:36:28.439
<v Speaker 4>Very fun ages, very very fun they were most concerned about, like, well,

1:36:28.439 --> 1:36:30.320
<v Speaker 4>look if we go in there, can we go to Wendy's.

1:36:30.320 --> 1:36:31.439
<v Speaker 3>And I was like, hell, you can.

1:36:32.479 --> 1:36:34.400
<v Speaker 4>So we go to Wendy's, We pick up Wendy's, we

1:36:34.439 --> 1:36:37.439
<v Speaker 4>bring it into the dressing room. They're eating Wendy's. I like,

1:36:37.479 --> 1:36:39.240
<v Speaker 4>do my rehearsal. They're watching it on the screen. I

1:36:39.280 --> 1:36:40.680
<v Speaker 4>was like, did you watch rehearsal? They're like, yeah, you

1:36:40.720 --> 1:36:42.280
<v Speaker 4>were funny. I'm like, great, thank you so much. I

1:36:42.320 --> 1:36:43.280
<v Speaker 4>need that for my ego.

1:36:43.439 --> 1:36:43.879
<v Speaker 3>Hahaha.

1:36:44.200 --> 1:36:47.439
<v Speaker 4>They keep eating Wendy's and then they came and knocked

1:36:47.479 --> 1:36:48.960
<v Speaker 4>down the door to bring me to the second rehearsal.

1:36:49.120 --> 1:36:51.360
<v Speaker 4>Right as they did that, my five year old knocked

1:36:51.400 --> 1:36:55.200
<v Speaker 4>over her whole milkshake. Now, these dressing rooms are beautiful.

1:36:55.240 --> 1:36:58.880
<v Speaker 4>They're like each they're so meticulously like decorated with a

1:36:58.880 --> 1:37:01.920
<v Speaker 4>different theme. The yacht room, the bandroom, everyone has its

1:37:01.920 --> 1:37:04.880
<v Speaker 4>own thing, and there's just milkshake everywhere. So I'm like

1:37:04.960 --> 1:37:07.479
<v Speaker 4>one minute, and I start cleaning it up, and she

1:37:07.600 --> 1:37:09.519
<v Speaker 4>senses it. So my nine year old's like, oh shit,

1:37:09.520 --> 1:37:11.120
<v Speaker 4>we better get on this. So she starts wiping up

1:37:11.120 --> 1:37:13.040
<v Speaker 4>milkshake and I go to the door and my five

1:37:13.080 --> 1:37:14.320
<v Speaker 4>year old looks at me right at the last thing,

1:37:14.400 --> 1:37:14.840
<v Speaker 4>she goes.

1:37:14.920 --> 1:37:15.439
<v Speaker 3>Don't tell.

1:37:17.120 --> 1:37:18.559
<v Speaker 4>I was like, I'll take this to the grape, don't

1:37:18.560 --> 1:37:22.479
<v Speaker 4>worry about it. So we I go out, I do

1:37:22.520 --> 1:37:24.880
<v Speaker 4>the show and everything. I come back and as we're leaving,

1:37:25.680 --> 1:37:27.320
<v Speaker 4>because I like leave after monologue, I don't have to

1:37:27.320 --> 1:37:29.599
<v Speaker 4>stick around, David Byrne is there.

1:37:30.040 --> 1:37:32.160
<v Speaker 3>She's promoting his new album and he.

1:37:32.160 --> 1:37:35.320
<v Speaker 4>Had some huge cutout with like a crazy costume, and

1:37:35.320 --> 1:37:38.000
<v Speaker 4>it caught both their eyes. I'm not allowed to stop

1:37:38.040 --> 1:37:39.840
<v Speaker 4>and be like David Byrne, Oh my god, you know,

1:37:40.080 --> 1:37:40.800
<v Speaker 4>but they can't.

1:37:40.960 --> 1:37:43.000
<v Speaker 3>Yeah, So they were like, what is that? And I

1:37:43.040 --> 1:37:47.040
<v Speaker 3>was like, let's go find now. Children, ask all your

1:37:47.120 --> 1:37:49.000
<v Speaker 3>questions of this man. You don't know. It's amazing.

1:37:49.439 --> 1:37:51.240
<v Speaker 4>So I like use them as a gateway into this

1:37:51.280 --> 1:37:53.280
<v Speaker 4>conversation with David Byrne, which is really fun.

1:37:53.920 --> 1:37:57.840
<v Speaker 3>That's he's a legend. That's fun. And they didn't know

1:37:58.240 --> 1:38:00.560
<v Speaker 3>it was just a fit costume. Yeah, they were like,

1:38:00.600 --> 1:38:02.040
<v Speaker 3>this guy looks crazy. What's going on?

1:38:02.880 --> 1:38:07.720
<v Speaker 2>So you on your two parts on SV did you

1:38:07.840 --> 1:38:11.280
<v Speaker 2>mostly work with like Shannabino.

1:38:13.280 --> 1:38:16.439
<v Speaker 3>Is he arrested you right? Or who? Or no? Yeah?

1:38:17.520 --> 1:38:20.960
<v Speaker 3>And I don't remember to be honest. In the first one,

1:38:21.040 --> 1:38:23.800
<v Speaker 3>I don't remember. It was. All I remember was I

1:38:23.800 --> 1:38:25.040
<v Speaker 3>had very little to do with Mariska.

1:38:25.200 --> 1:38:28.000
<v Speaker 4>In the first one, she I think, just comes in

1:38:28.000 --> 1:38:31.479
<v Speaker 4>in my interrogation scene and I had not met her yet,

1:38:31.520 --> 1:38:33.920
<v Speaker 4>because you know, my scenes are with these other cops,

1:38:33.920 --> 1:38:36.519
<v Speaker 4>the guys that come and arrest me and stuff. And

1:38:36.720 --> 1:38:40.120
<v Speaker 4>I'm sitting in there the little interrogation room and she

1:38:40.240 --> 1:38:43.360
<v Speaker 4>came in. You know, you you read the lines through

1:38:43.400 --> 1:38:46.160
<v Speaker 4>once beforehand, and she came in eating a taco, and

1:38:46.240 --> 1:38:49.720
<v Speaker 4>I was just like, fucking hell, yeah, like working, she's

1:38:49.800 --> 1:38:52.040
<v Speaker 4>just bringing a taco to rehearsal. That's not like how

1:38:52.479 --> 1:38:55.320
<v Speaker 4>in the character. She doesn't like need to rev up

1:38:55.360 --> 1:38:58.440
<v Speaker 4>or anything. She just lives in like Olivia's body. Yeah,

1:38:58.479 --> 1:39:00.680
<v Speaker 4>So I just love like that she rolled in with

1:39:00.720 --> 1:39:03.320
<v Speaker 4>a full taco, had her tackle during rehearsal, and then

1:39:03.400 --> 1:39:04.960
<v Speaker 4>just like pushed the rest in her mouth and was like,

1:39:04.960 --> 1:39:05.920
<v Speaker 4>all right, let's go on.

1:39:07.280 --> 1:39:09.479
<v Speaker 3>I really love that you told that story.

1:39:10.320 --> 1:39:13.760
<v Speaker 4>Yeah, she's good. She's a lot of fun. She was

1:39:13.840 --> 1:39:16.920
<v Speaker 4>so fucking mean to me on this last episode and

1:39:17.000 --> 1:39:20.479
<v Speaker 4>like just very fun, playful ways, you know, like where.

1:39:20.439 --> 1:39:22.080
<v Speaker 3>Was It's like either.

1:39:23.400 --> 1:39:26.000
<v Speaker 4>She's she's and it was before I think she even

1:39:26.120 --> 1:39:28.320
<v Speaker 4>remembered that I'd done an episode before. She's like had

1:39:28.320 --> 1:39:30.320
<v Speaker 4>a feel about me the way I was in there,

1:39:30.320 --> 1:39:33.320
<v Speaker 4>so like after my first take, she was just like, hey,

1:39:33.320 --> 1:39:35.400
<v Speaker 4>you know we're taping these right And I.

1:39:35.320 --> 1:39:36.840
<v Speaker 3>Was like, ah, you fuck her.

1:39:37.439 --> 1:39:40.280
<v Speaker 4>That's like if I was nervous, that would bury me

1:39:40.400 --> 1:39:43.120
<v Speaker 4>right now. But I like, I feel comfortable enough on

1:39:43.160 --> 1:39:44.920
<v Speaker 4>this show and in this room. They're like, I'm okay,

1:39:45.280 --> 1:39:46.960
<v Speaker 4>very interesting that you felt that you could fuck with

1:39:47.000 --> 1:39:51.439
<v Speaker 4>me that bad on my first day on this episode.

1:39:51.600 --> 1:39:53.200
<v Speaker 4>But she was a lot of fun. I got to

1:39:53.240 --> 1:39:55.200
<v Speaker 4>work with her more on this most recent one. We

1:39:55.240 --> 1:39:58.760
<v Speaker 4>had a couple days together. Yeah, she's great. I mean,

1:39:58.800 --> 1:40:02.439
<v Speaker 4>she's so good at what she does, and also she's

1:40:02.520 --> 1:40:06.120
<v Speaker 4>a great person. In that window of time, the documentary

1:40:06.160 --> 1:40:08.160
<v Speaker 4>that she made about her mother was all the press

1:40:08.240 --> 1:40:10.800
<v Speaker 4>was coming out for that on those days that we

1:40:10.800 --> 1:40:14.280
<v Speaker 4>were on setting, so we got to chat about that

1:40:14.320 --> 1:40:17.120
<v Speaker 4>a little bit and just like see the news come

1:40:17.160 --> 1:40:21.200
<v Speaker 4>in about the film. And she's very gracious and very

1:40:21.280 --> 1:40:25.639
<v Speaker 4>kind and a lot of fun. She's like, she's don't

1:40:25.760 --> 1:40:29.760
<v Speaker 4>she's so talented. She's such a force. She's I think

1:40:29.840 --> 1:40:33.280
<v Speaker 4>appreciates when you can like just fucking take some shit

1:40:33.320 --> 1:40:34.880
<v Speaker 4>and like give it back a little bit and play,

1:40:34.960 --> 1:40:37.080
<v Speaker 4>you know, like between takes and just be present and

1:40:37.120 --> 1:40:40.240
<v Speaker 4>be fun and keep it light because when you're actually rolling,

1:40:40.280 --> 1:40:42.920
<v Speaker 4>you're just talking about murder.

1:40:42.560 --> 1:40:44.439
<v Speaker 3>And assault and like the heaviest.

1:40:44.640 --> 1:40:44.840
<v Speaker 2>Yeah.

1:40:45.520 --> 1:40:49.839
<v Speaker 4>So I think she appreciates when, like, and look, everybody's

1:40:49.840 --> 1:40:52.519
<v Speaker 4>in their own process and does their own stuff, and

1:40:52.560 --> 1:40:54.400
<v Speaker 4>sometimes between takes you need to like go be by

1:40:54.439 --> 1:40:55.880
<v Speaker 4>yourself and be like, oh, I got to kind of

1:40:55.920 --> 1:40:58.280
<v Speaker 4>stay in this pocket, especially what you're doing. And on

1:40:58.320 --> 1:41:00.840
<v Speaker 4>this most recent episode, wasn't a bad guy.

1:41:00.920 --> 1:41:01.240
<v Speaker 3>I was.

1:41:01.640 --> 1:41:04.439
<v Speaker 4>I was this chummy trying to like I was, you know,

1:41:04.520 --> 1:41:06.280
<v Speaker 4>pining after this woman who had been hurt and I'm

1:41:06.280 --> 1:41:07.559
<v Speaker 4>trying to like prove to her that I can be

1:41:07.600 --> 1:41:09.439
<v Speaker 4>there for her. So like that's an easier thing, I think,

1:41:09.439 --> 1:41:11.439
<v Speaker 4>to keep alive a little bit in my body between

1:41:11.479 --> 1:41:14.120
<v Speaker 4>takes as I'm like chatting. And but I think she

1:41:14.439 --> 1:41:19.400
<v Speaker 4>just was appreciative of like having fun between takes and

1:41:19.439 --> 1:41:21.400
<v Speaker 4>being able to chat and just like jump right back

1:41:21.439 --> 1:41:23.360
<v Speaker 4>into it because she can jump right she can just

1:41:23.400 --> 1:41:26.599
<v Speaker 4>be like we're going boom, and she's right there, right where.

1:41:26.479 --> 1:41:28.360
<v Speaker 3>She's feel like you got to keep it light.

1:41:28.520 --> 1:41:32.000
<v Speaker 2>This subject matter can be so heavy that like, yeah

1:41:32.280 --> 1:41:33.839
<v Speaker 2>you can't.

1:41:34.320 --> 1:41:38.080
<v Speaker 3>It's yeah, something's got to give, you know, yeah, you

1:41:38.120 --> 1:41:38.800
<v Speaker 3>can't take it over.

1:41:39.120 --> 1:41:44.719
<v Speaker 2>So now you've been a rapist and a regular guy,

1:41:44.800 --> 1:41:48.880
<v Speaker 2>a nice little dorky therapist man. Now what if you

1:41:48.880 --> 1:41:50.559
<v Speaker 2>were to come back to s few what what do

1:41:50.600 --> 1:41:54.839
<v Speaker 2>you want? What's the next one? I was a killer lawyer?

1:41:54.920 --> 1:41:55.599
<v Speaker 3>What are we thinking?

1:41:56.840 --> 1:41:59.519
<v Speaker 4>I mean, the dream is that my dorky therapist guy

1:41:59.560 --> 1:42:03.160
<v Speaker 4>can be him, like the bead Wong, you know, like

1:42:05.280 --> 1:42:08.120
<v Speaker 4>could come in and start like consulting on a case.

1:42:08.400 --> 1:42:10.120
<v Speaker 3>Needs to bring a beauty Wong back.

1:42:10.520 --> 1:42:14.880
<v Speaker 2>Yeah, the show just got their first female showrunner this

1:42:15.000 --> 1:42:17.599
<v Speaker 2>current season in the history of the show in season

1:42:17.640 --> 1:42:20.640
<v Speaker 2>twenty seven, and she was like an original writer and

1:42:20.760 --> 1:42:24.080
<v Speaker 2>producer on like earlier seasons. And so I think it

1:42:24.080 --> 1:42:27.040
<v Speaker 2>would be great if they they've already started. It feels

1:42:27.040 --> 1:42:28.719
<v Speaker 2>like to go back to some of the old ways.

1:42:28.800 --> 1:42:31.080
<v Speaker 2>And I think it'd be great to bring back a

1:42:31.080 --> 1:42:31.960
<v Speaker 2>beat Wong character.

1:42:32.040 --> 1:42:34.400
<v Speaker 3>We miss the science, yeah, like.

1:42:34.479 --> 1:42:38.320
<v Speaker 1>Knowing the stuff and I feel like I learned so much.

1:42:38.680 --> 1:42:39.920
<v Speaker 3>Yeah, we need you back.

1:42:40.680 --> 1:42:42.479
<v Speaker 4>I'd love to bring in a beaty Wong, but not

1:42:42.560 --> 1:42:45.519
<v Speaker 4>as like he's he was so straight. Like he was,

1:42:45.640 --> 1:42:48.000
<v Speaker 4>you know, very measured and really the science beyond it

1:42:48.040 --> 1:42:50.519
<v Speaker 4>all and very thoughtful. But I would love to bring

1:42:50.600 --> 1:42:53.600
<v Speaker 4>like a like, I don't know, a touch of like

1:42:53.640 --> 1:42:56.280
<v Speaker 4>the what bellser used to bring through it all, like

1:42:56.520 --> 1:43:01.519
<v Speaker 4>just just like a more realistic therapist, just to kind

1:43:01.520 --> 1:43:02.880
<v Speaker 4>of like take the piss out of some of these

1:43:02.920 --> 1:43:04.880
<v Speaker 4>theories sometimes that they have because they can be so

1:43:04.920 --> 1:43:07.880
<v Speaker 4>serious about their the way they're profiling someone. Yeah, and

1:43:07.920 --> 1:43:09.400
<v Speaker 4>if I could come in with like, that's not how

1:43:09.439 --> 1:43:11.000
<v Speaker 4>it works, well, you know, we used to do it

1:43:11.080 --> 1:43:12.800
<v Speaker 4>like that JK. Simmons when JK.

1:43:12.840 --> 1:43:15.640
<v Speaker 2>Simmons was on the original Original Seasons and he was

1:43:15.640 --> 1:43:19.720
<v Speaker 2>on regular Original Recipe, he would was like the therapist

1:43:19.920 --> 1:43:21.519
<v Speaker 2>with the professional.

1:43:20.960 --> 1:43:24.519
<v Speaker 3>Stuff but was also funny. Yeah, that's what I would do.

1:43:24.640 --> 1:43:25.360
<v Speaker 3>That's what I'd love to see.

1:43:25.400 --> 1:43:25.559
<v Speaker 2>Yeh.

1:43:25.560 --> 1:43:26.400
<v Speaker 3>That's one of the things.

1:43:26.479 --> 1:43:29.519
<v Speaker 1>I mean, I'm Kevin Kine's on right now and he's

1:43:29.560 --> 1:43:32.479
<v Speaker 1>bringing some of the funny that I've missed from the

1:43:32.479 --> 1:43:36.519
<v Speaker 1>bellser I Kevin those days. Yeah, we're we had him

1:43:36.560 --> 1:43:40.440
<v Speaker 1>before and he was like and he was like sprinkling.

1:43:40.560 --> 1:43:42.479
<v Speaker 3>He's also played five characters which is a record.

1:43:43.080 --> 1:43:46.080
<v Speaker 1>But now he's played this one, and he was like

1:43:46.560 --> 1:43:48.760
<v Speaker 1>hoping to become a series regular, and now he's in

1:43:48.800 --> 1:43:52.520
<v Speaker 1>the credits, and yeah, we just get really excited.

1:43:53.080 --> 1:43:55.800
<v Speaker 3>Oh it's fantastic. I met him. We both studied at

1:43:55.920 --> 1:43:56.880
<v Speaker 3>Esper Studio.

1:43:56.560 --> 1:43:59.920
<v Speaker 4>And I met him doing all the work on Amy's.

1:44:00.760 --> 1:44:04.799
<v Speaker 3>Yeah, he's great. He did our our podcast from Amy's trailer.

1:44:04.840 --> 1:44:05.240
<v Speaker 3>I think.

1:44:05.600 --> 1:44:09.720
<v Speaker 4>Yeah, he had a tough time because like all the

1:44:09.720 --> 1:44:13.240
<v Speaker 4>work we've done has been about like Dixon farts, so

1:44:13.680 --> 1:44:15.439
<v Speaker 4>he had to like knock on this door and have

1:44:15.520 --> 1:44:17.639
<v Speaker 4>me answer the door and talk about like a rape,

1:44:17.920 --> 1:44:19.479
<v Speaker 4>and he was like, this is just not what we

1:44:19.560 --> 1:44:19.960
<v Speaker 4>normally do.

1:44:20.040 --> 1:44:24.200
<v Speaker 3>By I forgot. You guys were together in that Oh

1:44:24.240 --> 1:44:24.719
<v Speaker 3>my god.

1:44:25.479 --> 1:44:28.759
<v Speaker 4>Fun We never we didn't get to like work together

1:44:28.800 --> 1:44:30.439
<v Speaker 4>on Schumer at all, but he was like a producer there,

1:44:30.439 --> 1:44:32.320
<v Speaker 4>so we were always talking through the jokes and and

1:44:32.439 --> 1:44:33.080
<v Speaker 4>you know, work.

1:44:32.920 --> 1:44:34.720
<v Speaker 1>Well and if you met at Esther you probably did

1:44:34.760 --> 1:44:35.880
<v Speaker 1>lots of fun stuff.

1:44:35.960 --> 1:44:36.200
<v Speaker 3>Right.

1:44:36.400 --> 1:44:38.200
<v Speaker 4>Well, we were in different classes. I was, he was

1:44:38.240 --> 1:44:40.200
<v Speaker 4>in Amy's class. I was a year ahead.

1:44:40.200 --> 1:44:44.720
<v Speaker 3>So okay, that's exciting.

1:44:45.560 --> 1:44:48.799
<v Speaker 1>It was, and you like to I'm assuming shift between

1:44:49.360 --> 1:44:51.519
<v Speaker 1>funny and rape.

1:44:52.000 --> 1:44:54.080
<v Speaker 3>I do I do.

1:44:54.520 --> 1:44:59.240
<v Speaker 4>Yeah, so it is. Look I don't. It's they're both

1:44:59.320 --> 1:45:02.800
<v Speaker 4>very fun. It's fun to uh make stuff that's enjoyable

1:45:02.800 --> 1:45:05.439
<v Speaker 4>to watch and comedic and and that you think is

1:45:05.479 --> 1:45:07.519
<v Speaker 4>making people laugh and giving them a good time. And

1:45:07.560 --> 1:45:09.880
<v Speaker 4>it's also fun to be a bad guy.

1:45:10.040 --> 1:45:10.360
<v Speaker 3>Yeah.

1:45:10.400 --> 1:45:13.280
<v Speaker 4>It is fun to like express those things and explore

1:45:13.320 --> 1:45:16.120
<v Speaker 4>those things and get into the deeper parts of your

1:45:16.160 --> 1:45:18.439
<v Speaker 4>own psyche and think like, what could what could make

1:45:18.479 --> 1:45:21.160
<v Speaker 4>me that upset with? You know, how do I mind

1:45:21.240 --> 1:45:23.880
<v Speaker 4>my own experience for those moments and those feelings.

1:45:24.160 --> 1:45:28.840
<v Speaker 2>Yeah, because some scars that we've interviewed, when they're super

1:45:28.840 --> 1:45:31.879
<v Speaker 2>scary on SVU, they're like little sweethearts in real life.

1:45:32.360 --> 1:45:36.040
<v Speaker 2>So something about stretching your what you're who you are,

1:45:36.040 --> 1:45:38.120
<v Speaker 2>like you're not You're not like the person at all,

1:45:38.200 --> 1:45:40.200
<v Speaker 2>you know, you're it's true true acting.

1:45:41.000 --> 1:45:43.280
<v Speaker 3>Yeah, I mean I was. I'm kind of like the guy.

1:45:43.800 --> 1:45:47.719
<v Speaker 4>But not not like too much, not too much.

1:45:47.880 --> 1:45:50.760
<v Speaker 3>I like I like carpets, I clean, I clean car. Yeah,

1:45:50.840 --> 1:45:52.200
<v Speaker 3>that's our that's our overlap.

1:45:52.320 --> 1:45:57.240
<v Speaker 2>Yeah. Oh my gosh, this was so fun. Thank you

1:45:57.320 --> 1:46:00.000
<v Speaker 2>so much, Michael. It's so great to plot you.

1:46:00.120 --> 1:46:02.280
<v Speaker 3>Yeah. Great to meet you both and see you again.

1:46:02.600 --> 1:46:04.160
<v Speaker 3>We don't see you again, We'll never know.

1:46:11.640 --> 1:46:14.120
<v Speaker 1>I mean, obviously obsessed with him, Obsessed that you guys

1:46:14.160 --> 1:46:18.439
<v Speaker 1>are knew people like. I love that he's funny and

1:46:19.160 --> 1:46:22.200
<v Speaker 1>doing serious work. I yeah, because of his characters, I

1:46:22.320 --> 1:46:26.600
<v Speaker 1>was like, Okay, a little weirdot I think, I mean,

1:46:26.640 --> 1:46:29.360
<v Speaker 1>they're actors, they're actors. But I just really liked him.

1:46:29.360 --> 1:46:31.240
<v Speaker 1>And I also can't believe he was in a commercial

1:46:31.240 --> 1:46:32.000
<v Speaker 1>with Michael Jordan.

1:46:32.400 --> 1:46:35.559
<v Speaker 2>Yeah, but I also love that. That's kind of one

1:46:35.600 --> 1:46:38.280
<v Speaker 2>of the reasons why. I mean, I obviously want all

1:46:38.280 --> 1:46:41.080
<v Speaker 2>these talented actors to get hired again and again, but

1:46:42.000 --> 1:46:44.600
<v Speaker 2>I think it might not even just be because he

1:46:44.720 --> 1:46:47.080
<v Speaker 2>was in this Jeans episode. It might be because of

1:46:47.160 --> 1:46:50.080
<v Speaker 2>him in Orange is the New Black. But I totally

1:46:50.120 --> 1:46:54.559
<v Speaker 2>thought him in the season twenty six episodes that he did.

1:46:54.760 --> 1:46:56.519
<v Speaker 2>I just totally was the same as you. Like, I

1:46:56.600 --> 1:46:58.280
<v Speaker 2>was like, it's gonna be him. He did it like

1:46:58.280 --> 1:47:00.560
<v Speaker 2>there's something he's too he's.

1:47:00.200 --> 1:47:04.400
<v Speaker 1>Looking too normal and like cute right now, and men

1:47:04.439 --> 1:47:06.920
<v Speaker 1>with a crush are a nuisance, you know, Like I

1:47:07.080 --> 1:47:10.160
<v Speaker 1>was like, this guy's gonna kill her, but no, it

1:47:10.200 --> 1:47:11.800
<v Speaker 1>wasn't him, And he was so fun to talk to.

1:47:13.000 --> 1:47:16.400
<v Speaker 1>Good stories, good details, more marishka context.

1:47:16.479 --> 1:47:18.000
<v Speaker 3>It's nice the taco.

1:47:18.520 --> 1:47:21.639
<v Speaker 1>I mean, we'll never forget We'll never forget the fucking taco.

1:47:22.320 --> 1:47:24.479
<v Speaker 3>When we finally get her, We'll be like, how.

1:47:24.400 --> 1:47:26.920
<v Speaker 1>Much how often do you have a taco right before

1:47:26.920 --> 1:47:29.080
<v Speaker 1>you get on set?

1:47:29.320 --> 1:47:30.080
<v Speaker 3>I'm obsessed?

1:47:30.400 --> 1:47:34.439
<v Speaker 1>Uh, But Dan, I liked knowing the behind the scenes

1:47:34.520 --> 1:47:37.880
<v Speaker 1>deep information, you know, because it is such an excellent show,

1:47:38.000 --> 1:47:41.200
<v Speaker 1>so to know they're rehearsing so much weeks before the

1:47:41.240 --> 1:47:44.320
<v Speaker 1>fact that scripts are changing day of Like it makes

1:47:44.360 --> 1:47:47.320
<v Speaker 1>sense because it is just so good. I sort of

1:47:47.360 --> 1:47:50.599
<v Speaker 1>don't understand why more TV shows don't do rehearsal, Like

1:47:50.720 --> 1:47:53.920
<v Speaker 1>I myself have been in TV shows where I've only

1:47:53.960 --> 1:47:56.080
<v Speaker 1>got a couple of lines, but I'm like, how do

1:47:56.080 --> 1:47:56.800
<v Speaker 1>you want me to do this?

1:47:56.880 --> 1:47:59.519
<v Speaker 3>And the director's like, just go for it. You're like, what, Like,

1:47:59.560 --> 1:48:01.200
<v Speaker 3>but why why don't we run this through?

1:48:01.520 --> 1:48:05.160
<v Speaker 1>Was? You know, people in charge are about the bottom line.

1:48:05.200 --> 1:48:07.680
<v Speaker 3>They don't give a shit. It's only profits, so.

1:48:07.960 --> 1:48:10.759
<v Speaker 2>Look at how good the product turns out when you rehearse.

1:48:10.800 --> 1:48:12.479
<v Speaker 2>A little bit like with Deep Like I'm not saying

1:48:12.520 --> 1:48:14.599
<v Speaker 2>you have to fly everyone to a ballroom in another state,

1:48:14.680 --> 1:48:16.439
<v Speaker 2>but like I'm saying even sometimes I'm on set and

1:48:16.479 --> 1:48:19.600
<v Speaker 2>we barely do run throughs, you know, like h and

1:48:19.680 --> 1:48:22.599
<v Speaker 2>it seems like so rough. I mean, it's one thing

1:48:22.640 --> 1:48:25.439
<v Speaker 2>on SVU where everybody is such a fucking pro they

1:48:25.479 --> 1:48:27.680
<v Speaker 2>know how to get the shot like whatever, But I've

1:48:27.680 --> 1:48:29.160
<v Speaker 2>been on some shows where I'm like, you don't want

1:48:29.160 --> 1:48:30.720
<v Speaker 2>to like just make sure we're all going to be

1:48:30.720 --> 1:48:33.160
<v Speaker 2>in the right spot, like barely do a blocking you know.

1:48:33.720 --> 1:48:34.320
<v Speaker 3>Yeah.

1:48:34.400 --> 1:48:40.920
<v Speaker 2>But anyway, I felt like this episode again, it is

1:48:41.000 --> 1:48:43.800
<v Speaker 2>feeding the narrative for Olivia of her doubts about her

1:48:43.800 --> 1:48:46.280
<v Speaker 2>own past and now Noah and all that.

1:48:46.400 --> 1:48:48.719
<v Speaker 3>But do we really need.

1:48:48.600 --> 1:48:51.080
<v Speaker 2>To give anybody any fuel to be like, well, here's

1:48:51.120 --> 1:48:53.519
<v Speaker 2>why it might be okay that you're a rapist, Like

1:48:53.640 --> 1:48:56.280
<v Speaker 2>here's why, like you know what I mean, like the

1:48:56.600 --> 1:48:59.720
<v Speaker 2>percentage of men who rape, like so many men out

1:48:59.720 --> 1:49:03.360
<v Speaker 2>there are are related to rapists that don't commit rape.

1:49:03.400 --> 1:49:06.439
<v Speaker 2>So I don't really feel like the rape gene is

1:49:06.439 --> 1:49:07.240
<v Speaker 2>a possibility.

1:49:08.720 --> 1:49:12.280
<v Speaker 1>No, no, because there were also teens in that group

1:49:12.280 --> 1:49:15.439
<v Speaker 1>who didn't rape, yes, you know, like and even if

1:49:15.439 --> 1:49:17.120
<v Speaker 1>they had the urge, But yeah, you can't like.

1:49:18.720 --> 1:49:21.960
<v Speaker 2>Just that one kid was just like terrified of women,

1:49:22.040 --> 1:49:23.800
<v Speaker 2>like he had never kissed a girl, and I think

1:49:23.800 --> 1:49:25.120
<v Speaker 2>he was like, anything I do is.

1:49:25.120 --> 1:49:25.920
<v Speaker 3>Gonna hurt a woman.

1:49:26.080 --> 1:49:29.240
<v Speaker 2>Probably I think it looped into this fucking weird cult group,

1:49:29.320 --> 1:49:29.479
<v Speaker 2>you know.

1:49:29.560 --> 1:49:31.240
<v Speaker 1>That's what I was just about to say. I'm like,

1:49:31.360 --> 1:49:33.240
<v Speaker 1>I don't think you would have to deal with this if.

1:49:34.040 --> 1:49:37.120
<v Speaker 1>But it's tough because I don't believe in rehabilitation for

1:49:37.240 --> 1:49:38.280
<v Speaker 1>sexual predators.

1:49:38.360 --> 1:49:39.920
<v Speaker 3>I think I think I believe in castration.

1:49:41.240 --> 1:49:45.200
<v Speaker 1>But then I do want to believe in people not

1:49:46.160 --> 1:49:50.559
<v Speaker 1>committing rape, So it's really tough. Like I don't know, well,

1:49:50.800 --> 1:49:52.400
<v Speaker 1>but I guess if you have the urge to rape,

1:49:52.400 --> 1:49:54.960
<v Speaker 1>But like all these rapists, I don't even think have

1:49:55.880 --> 1:49:57.040
<v Speaker 1>I just think men.

1:49:57.200 --> 1:49:58.320
<v Speaker 3>I think men just rape.

1:49:58.360 --> 1:50:00.519
<v Speaker 1>All the time I was watching I saw a post

1:50:00.560 --> 1:50:03.720
<v Speaker 1>where someone was talking about like they were talking about

1:50:03.720 --> 1:50:05.960
<v Speaker 1>a guy friend about an assault that happened, and the

1:50:05.960 --> 1:50:09.760
<v Speaker 1>guy's response was, oh, maybe he didn't know that you

1:50:09.760 --> 1:50:11.120
<v Speaker 1>didn't want it, or maybe he didn't know what he

1:50:11.240 --> 1:50:14.760
<v Speaker 1>was doing. And it's this thing of like immediately defending

1:50:14.760 --> 1:50:17.240
<v Speaker 1>a man that you don't even know while a woman

1:50:17.280 --> 1:50:20.120
<v Speaker 1>you know is telling you something, and it's like it's

1:50:20.160 --> 1:50:23.479
<v Speaker 1>like this common understanding where it's all of a sudden,

1:50:23.880 --> 1:50:26.360
<v Speaker 1>like have you been in that moment, Like, have have

1:50:26.479 --> 1:50:29.559
<v Speaker 1>you looked down and there's no way you didn't know? Like,

1:50:29.680 --> 1:50:32.320
<v Speaker 1>I don't know, Like even having that excuse is crazy.

1:50:32.680 --> 1:50:35.240
<v Speaker 1>There's just and there's all kinds of like excuses.

1:50:35.240 --> 1:50:35.920
<v Speaker 3>It's not a gene.

1:50:35.960 --> 1:50:38.120
<v Speaker 1>The Giselle Pellico, the guy that like tried to get

1:50:38.160 --> 1:50:39.559
<v Speaker 1>out of it, was like, well, I thought she was dead.

1:50:39.840 --> 1:50:42.920
<v Speaker 1>His excuse was, well, I thought she was dead. Wait

1:50:43.040 --> 1:50:44.640
<v Speaker 1>is this the guy who went to appeal and got

1:50:44.720 --> 1:50:45.280
<v Speaker 1>more time.

1:50:45.520 --> 1:50:47.160
<v Speaker 3>Yeah, well I thought she was dead.

1:50:47.320 --> 1:50:50.840
<v Speaker 1>Ever, and it's like that's illegal too, I thought she

1:50:51.040 --> 1:50:51.559
<v Speaker 1>was dead.

1:50:52.479 --> 1:50:56.479
<v Speaker 3>Yeah, Oh my god, I did not know that was

1:50:56.479 --> 1:51:00.519
<v Speaker 3>the excuse. That's so fugged. I thought they hues was

1:51:00.560 --> 1:51:02.559
<v Speaker 3>I thought she was like into it or something.

1:51:02.920 --> 1:51:05.040
<v Speaker 1>But no, because it's not a it's like some of

1:51:05.040 --> 1:51:08.080
<v Speaker 1>these I guess I'm like babbling because I can't make

1:51:08.120 --> 1:51:09.759
<v Speaker 1>my point because I don't even know if I believe

1:51:09.760 --> 1:51:12.000
<v Speaker 1>it or it's right. But it's this thing of like

1:51:12.280 --> 1:51:14.559
<v Speaker 1>these guys of this overwhelming urge. But I think a

1:51:14.600 --> 1:51:19.479
<v Speaker 1>lot of guys rape because of opportunity mm hmm. And

1:51:19.520 --> 1:51:22.559
<v Speaker 1>there's men that would never rape with opportunity. They could

1:51:22.560 --> 1:51:24.479
<v Speaker 1>be on a at a party with a blackout drunk

1:51:24.479 --> 1:51:27.599
<v Speaker 1>girl and carry her home, put her into to bed,

1:51:27.640 --> 1:51:30.400
<v Speaker 1>and leave the house. There are dudes that do that.

1:51:30.720 --> 1:51:33.000
<v Speaker 1>But I wonder if the men that do rape in

1:51:33.000 --> 1:51:36.479
<v Speaker 1>that moment have lived a life of wanting to rape

1:51:36.520 --> 1:51:39.560
<v Speaker 1>and suppressing it and then have this opportunity or is

1:51:39.600 --> 1:51:42.000
<v Speaker 1>it like, oh, it's not a big deal. She's passed out,

1:51:42.040 --> 1:51:44.360
<v Speaker 1>she said yes earlier. Like I wonder if they really

1:51:44.400 --> 1:51:47.040
<v Speaker 1>think they're not raping, if they know they're raping, have

1:51:47.120 --> 1:51:48.120
<v Speaker 1>they suppressed it forever?

1:51:48.200 --> 1:51:48.840
<v Speaker 3>Like I don't know.

1:51:49.320 --> 1:51:51.960
<v Speaker 2>Well, there's also just like cultural thing of like when

1:51:52.000 --> 1:51:54.519
<v Speaker 2>a guy gets an erection, you have to like it's

1:51:54.520 --> 1:51:57.040
<v Speaker 2>gotta be taken care of. Like I mean, I started

1:51:57.040 --> 1:51:59.640
<v Speaker 2>reading about blue balls in like teen magazines when I

1:51:59.720 --> 1:52:02.320
<v Speaker 2>was like twelve, where it was like it actually really

1:52:02.400 --> 1:52:04.600
<v Speaker 2>hurts a guy. Like so sometimes I think it's like

1:52:04.600 --> 1:52:06.679
<v Speaker 2>these guys are opportunity, are like, well I have this boner,

1:52:06.760 --> 1:52:08.720
<v Speaker 2>what am I gonna do? I gotta get rid of it,

1:52:08.760 --> 1:52:11.000
<v Speaker 2>you know. Or it's like it's if they're passed out,

1:52:11.000 --> 1:52:13.280
<v Speaker 2>they're not gonna notice or what I mean, it's like

1:52:13.439 --> 1:52:14.640
<v Speaker 2>fucking the gymnastic.

1:52:14.720 --> 1:52:17.200
<v Speaker 1>Okay, So I have been watching Love Is blind UK

1:52:17.840 --> 1:52:20.040
<v Speaker 1>and one of the guys in the pods immediately was like,

1:52:20.760 --> 1:52:22.680
<v Speaker 1>do you what's your sex drive? Like do you want

1:52:22.680 --> 1:52:25.120
<v Speaker 1>to have sex every day? Twice a day? Like what sex?

1:52:25.400 --> 1:52:28.599
<v Speaker 1>Sexuality is important and sex is important. It's like everything

1:52:28.720 --> 1:52:31.240
<v Speaker 1>sex is important, but you're acting like if she doesn't

1:52:31.240 --> 1:52:34.640
<v Speaker 1>fuck you every day, it's some loss of an agreement

1:52:34.800 --> 1:52:36.920
<v Speaker 1>or something that I just it just sickened me, Like

1:52:36.960 --> 1:52:39.120
<v Speaker 1>I know what that question is. And to me, it's like,

1:52:39.200 --> 1:52:41.120
<v Speaker 1>you're someone that's gonna cheat on your wife when she's

1:52:41.160 --> 1:52:44.160
<v Speaker 1>pregnant or can't fuck or is she's sick or depressed

1:52:44.320 --> 1:52:45.280
<v Speaker 1>or whatever it is.

1:52:45.760 --> 1:52:46.759
<v Speaker 3>And then esther Parrel.

1:52:46.840 --> 1:52:49.600
<v Speaker 1>I saw this interview where she goes, actually women have

1:52:49.680 --> 1:52:52.080
<v Speaker 1>more desire to fuck you. You guys aren't giving her

1:52:52.120 --> 1:52:54.960
<v Speaker 1>the fucking she wants. That's why you're not desired. So

1:52:54.960 --> 1:52:57.160
<v Speaker 1>it's like, if you're in this marriage and someone's not

1:52:57.240 --> 1:52:59.599
<v Speaker 1>fucking you, it's so easy to go, well, she has

1:52:59.600 --> 1:53:02.320
<v Speaker 1>a little sex drive. I'm a man, I need a fuck.

1:53:02.320 --> 1:53:04.000
<v Speaker 1>Why aren't you fucking me? You said you want I

1:53:04.040 --> 1:53:05.840
<v Speaker 1>have a you need to fuck me every day? Or

1:53:05.880 --> 1:53:06.400
<v Speaker 1>this marriage?

1:53:06.479 --> 1:53:06.679
<v Speaker 4>Yeah?

1:53:06.800 --> 1:53:09.040
<v Speaker 1>Yeah, And that's one of your first questions of getting

1:53:09.040 --> 1:53:11.400
<v Speaker 1>to know someone to me, I'm like red flag, red flag,

1:53:11.479 --> 1:53:14.559
<v Speaker 1>red flag. Yeah, And it's like someone will want to

1:53:14.560 --> 1:53:17.400
<v Speaker 1>fuck you if you're like fucking them well all the time,

1:53:17.960 --> 1:53:19.600
<v Speaker 1>and if you're and the fourth you know, it's the

1:53:19.600 --> 1:53:23.280
<v Speaker 1>class and it's the emotional connection many times, you know,

1:53:23.479 --> 1:53:25.400
<v Speaker 1>for women, and I'm sure for some men, but for

1:53:25.840 --> 1:53:29.200
<v Speaker 1>like mostly for women, it's the arianomatics sand of all

1:53:29.240 --> 1:53:31.320
<v Speaker 1>where he's like, yeah, fuck me, and she's like, well,

1:53:32.080 --> 1:53:34.160
<v Speaker 1>you aren't nice to me all day, we don't hang out,

1:53:34.200 --> 1:53:36.080
<v Speaker 1>we don't spend time together, and you just expect me

1:53:36.080 --> 1:53:36.840
<v Speaker 1>to fuck you right now.

1:53:36.880 --> 1:53:38.679
<v Speaker 3>Like that's how it works, you can say him.

1:53:38.680 --> 1:53:41.120
<v Speaker 1>It's like his need of needing to get fucked every

1:53:41.200 --> 1:53:44.000
<v Speaker 1>day was something she had to prove to him. And

1:53:44.680 --> 1:53:47.600
<v Speaker 1>then it's like you owe me sex, not oh, I

1:53:47.640 --> 1:53:50.160
<v Speaker 1>should like seduce my wife in a nice way.

1:53:50.280 --> 1:53:51.880
<v Speaker 3>So I don't. I don't know.

1:53:52.160 --> 1:53:53.920
<v Speaker 1>And one time a girl told me like, nothing's less

1:53:53.960 --> 1:53:57.000
<v Speaker 1>attractive than a man that's desperate for sex, like that

1:53:57.000 --> 1:53:57.719
<v Speaker 1>that's gross.

1:53:58.000 --> 1:53:59.120
<v Speaker 3>Yeah, And I liked.

1:53:59.000 --> 1:54:02.840
<v Speaker 1>That because a really hot actually someone that's been an

1:54:02.920 --> 1:54:06.400
<v Speaker 1>SVU famous person message this girl to try to fuck

1:54:06.800 --> 1:54:08.759
<v Speaker 1>and wrote like I want to make you squirt tonight

1:54:08.880 --> 1:54:10.320
<v Speaker 1>or something like that, and I was like, oh, he's

1:54:10.360 --> 1:54:12.240
<v Speaker 1>so hot, and she goes, no, I don't like men

1:54:12.280 --> 1:54:16.320
<v Speaker 1>that are desperate for sex, and I go interesting, you know,

1:54:16.520 --> 1:54:18.200
<v Speaker 1>like I mean, so you can't get it, it means

1:54:18.240 --> 1:54:20.280
<v Speaker 1>you're like gonna be desperate. It means you might rape

1:54:20.320 --> 1:54:21.880
<v Speaker 1>at the end of the night if someone's blacked out.

1:54:21.960 --> 1:54:22.479
<v Speaker 1>Like I don't know.

1:54:22.840 --> 1:54:26.560
<v Speaker 2>Yeah, Like being horny is like kind of childish and pedestrian.

1:54:26.680 --> 1:54:29.479
<v Speaker 2>Like even if you are, don't like flaunt, like, don't

1:54:29.520 --> 1:54:29.920
<v Speaker 2>throw it out.

1:54:30.040 --> 1:54:33.280
<v Speaker 1>You should make it seem like you're getting it, yeah,

1:54:33.440 --> 1:54:35.400
<v Speaker 1>or that we don't need to do it to like

1:54:35.440 --> 1:54:37.640
<v Speaker 1>I'll take you up the next Like I don't know.

1:54:38.000 --> 1:54:39.960
<v Speaker 3>It just means like you've been here before. Man.

1:54:40.600 --> 1:54:44.680
<v Speaker 1>Yeah, when you're desperate, that's not hot. Desperate for sex

1:54:44.920 --> 1:54:50.120
<v Speaker 1>is not hot. Yeah please please. Yeah, super not hot.

1:54:50.520 --> 1:54:52.280
<v Speaker 1>I mean in the Pods you said you would fuck

1:54:52.320 --> 1:54:54.480
<v Speaker 1>every day. And it's like you're not nice to her.

1:54:54.640 --> 1:54:56.680
<v Speaker 1>You're like constantly on the phone. You went out and

1:54:56.760 --> 1:54:58.400
<v Speaker 1>then she was upset one night and he goes, well,

1:54:58.440 --> 1:54:59.400
<v Speaker 1>you need to communicate and.

1:54:59.360 --> 1:54:59.960
<v Speaker 3>Let me know yourself.

1:55:00.120 --> 1:55:02.520
<v Speaker 1>And it's like there's other ways of communication that are

1:55:02.520 --> 1:55:06.040
<v Speaker 1>not verbal that woman was clearly upset. Yeah, for you

1:55:06.080 --> 1:55:08.840
<v Speaker 1>to blame her, to not communicate how she's feeling when

1:55:08.880 --> 1:55:13.440
<v Speaker 1>like you don't see any other context, it's just crazy.

1:55:13.480 --> 1:55:15.280
<v Speaker 3>I don't know. That show's obviously crazy.

1:55:15.360 --> 1:55:20.560
<v Speaker 1>So yeah, yeah, yeah, yeah one. Yeah, there was the

1:55:20.640 --> 1:55:23.160
<v Speaker 1>one couple I really like did end up together and

1:55:23.240 --> 1:55:24.600
<v Speaker 1>at the reunion we're still together.

1:55:24.680 --> 1:55:25.600
<v Speaker 3>So I was really happy.

1:55:25.640 --> 1:55:28.720
<v Speaker 1>But oh nice, I didn't know love is I didn't

1:55:28.760 --> 1:55:32.280
<v Speaker 1>know Love Island people love is blind.

1:55:32.360 --> 1:55:34.240
<v Speaker 2>Oh, it's love is blind. Its love is blind. I've

1:55:34.280 --> 1:55:36.440
<v Speaker 2>been seeing a lot of Love is Blind memes. I

1:55:36.440 --> 1:55:38.200
<v Speaker 2>don't really understand anything that's going on.

1:55:38.400 --> 1:55:40.080
<v Speaker 1>Well, there's just a new season. I refuse to watch

1:55:40.080 --> 1:55:42.960
<v Speaker 1>any of the US ones anymore. Yeah, the US ones

1:55:43.000 --> 1:55:45.040
<v Speaker 1>I'm seeing, and I'm like the British one sucks. I

1:55:45.360 --> 1:55:51.760
<v Speaker 1>just you must be an unwell person. It is what

1:55:51.840 --> 1:55:55.200
<v Speaker 1>it is. If you're okay forcing yourself to walk down

1:55:55.200 --> 1:55:59.840
<v Speaker 1>the aisle fourteen days, like it's okay, nothing's worked. Maybe

1:56:00.480 --> 1:56:02.160
<v Speaker 1>and it's like maybe you do internal work.

1:56:02.520 --> 1:56:02.880
<v Speaker 3>I don't know.

1:56:03.040 --> 1:56:07.440
<v Speaker 1>Yeah, oh my god, because anyone can lie, anyone can

1:56:07.480 --> 1:56:09.600
<v Speaker 1>say anything. It's also like, we know what when you

1:56:09.640 --> 1:56:13.160
<v Speaker 1>get into a new relationship that's not that's not a

1:56:13.200 --> 1:56:14.280
<v Speaker 1>sustainable thing.

1:56:14.440 --> 1:56:17.680
<v Speaker 3>Like it just seems so silly, but you know.

1:56:18.560 --> 1:56:20.320
<v Speaker 2>Yeah, it just feels like none of these shows where

1:56:20.920 --> 1:56:25.200
<v Speaker 2>marriage is a requirement at the end really always work out.

1:56:25.280 --> 1:56:26.880
<v Speaker 3>I mean a couple of them have, I guess, but

1:56:28.200 --> 1:56:31.720
<v Speaker 3>I don't know. Okay, should we move on to what

1:56:31.720 --> 1:56:33.680
<v Speaker 3>would Sister Peg do? Yes? Please?

1:56:33.800 --> 1:56:36.400
<v Speaker 2>This is our weekly segment where we direct you to

1:56:36.960 --> 1:56:40.160
<v Speaker 2>a book, an organization, a doc, an episode of an

1:56:40.200 --> 1:56:43.640
<v Speaker 2>oxygen show something to give you more information about what

1:56:43.680 --> 1:56:46.360
<v Speaker 2>we talked about today. And this week, I wanted to

1:56:46.360 --> 1:56:48.760
<v Speaker 2>point you to an article from the University of Oxford's

1:56:48.800 --> 1:56:52.440
<v Speaker 2>Practical Ethics blog, and I think like Oxford is a good,

1:56:52.920 --> 1:56:57.400
<v Speaker 2>good source British et cetera. And it's titled is sexual

1:56:57.440 --> 1:57:01.200
<v Speaker 2>Offending Genetic? And the shortthanster is not really. But the

1:57:01.320 --> 1:57:03.000
<v Speaker 2>article is interesting because it does point out that a

1:57:03.040 --> 1:57:05.760
<v Speaker 2>multitude of genetic traits can contribute to someone becoming a

1:57:05.800 --> 1:57:09.520
<v Speaker 2>sex offender, but environmental factors are still the predominant cause.

1:57:09.800 --> 1:57:11.520
<v Speaker 2>So if you'd like to read more, you can check

1:57:11.520 --> 1:57:13.000
<v Speaker 2>out the blog. It will be linked in our show

1:57:13.040 --> 1:57:17.280
<v Speaker 2>notes and it will be shared on our Instagram the

1:57:17.320 --> 1:57:19.320
<v Speaker 2>day that this episode comes out. I put those in

1:57:19.320 --> 1:57:21.920
<v Speaker 2>the stories and then I save them forever in our

1:57:22.120 --> 1:57:25.480
<v Speaker 2>WWSPD highlights, so you can always page back as giving

1:57:25.520 --> 1:57:28.320
<v Speaker 2>season comes around. If you're not able to give to

1:57:29.480 --> 1:57:32.400
<v Speaker 2>any local food pantries to cover people that have lost

1:57:32.400 --> 1:57:36.040
<v Speaker 2>their snap benefits, you can always page back and see

1:57:36.080 --> 1:57:39.440
<v Speaker 2>some of the charitable organizations we've hosted in our WWSPD

1:57:39.520 --> 1:57:41.960
<v Speaker 2>highlights on our Instagram page, which is That's Messed Up Pod.

1:57:42.360 --> 1:57:45.960
<v Speaker 1>Hell yes, and we will be doing next week the

1:57:46.080 --> 1:57:51.320
<v Speaker 1>episode Desperate from season four, episode eighteen, a fucking classic,

1:57:51.520 --> 1:57:52.560
<v Speaker 1>so join us.

1:57:52.560 --> 1:57:57.240
<v Speaker 3>Such a classic classic. Bye guys, see you next week.

1:58:05.560 --> 1:58:08.440
<v Speaker 1>That's Messed Up as an exactly right production. If you

1:58:08.480 --> 1:58:11.120
<v Speaker 1>have compliments you'd like to give us or episodes you'd

1:58:11.160 --> 1:58:13.000
<v Speaker 1>like us to cover, shoot us an email it That's

1:58:13.040 --> 1:58:16.480
<v Speaker 1>Messed uppod at gmail dot com. Listen to That's Messed

1:58:16.560 --> 1:58:19.400
<v Speaker 1>Up on the iHeartRadio app, Apple Podcasts, or wherever you

1:58:19.400 --> 1:58:22.880
<v Speaker 1>get your podcasts. Follow the podcast on Instagram at That's

1:58:22.920 --> 1:58:26.280
<v Speaker 1>Messed Up Pod, and follow us personally at Kara Klank

1:58:26.400 --> 1:58:29.520
<v Speaker 1>and at glitter Cheese. As always, please see our show

1:58:29.560 --> 1:58:32.680
<v Speaker 1>notes for sources and more information. Thank you so much

1:58:32.720 --> 1:58:36.400
<v Speaker 1>to our senior producer, Casey O'Brien and our associate producer,

1:58:36.520 --> 1:58:39.720
<v Speaker 1>Christina Chamberlain. And to our mixer John Bradley and our

1:58:39.760 --> 1:58:43.040
<v Speaker 1>guest booker Patrick Cottner. And to Henry Kaperski for our

1:58:43.080 --> 1:58:46.360
<v Speaker 1>theme song and Carly Geen Andrews for our artwork. Thank

1:58:46.400 --> 1:58:49.920
<v Speaker 1>you to our executive producers Georgia hard Start, Karen Kilgareff,

1:58:50.000 --> 1:58:52.600
<v Speaker 1>Daniel Kramer and everybody at Exactly Right Media.

1:58:53.480 --> 1:58:54.360
<v Speaker 3>Dun Dun