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Speaker 1: Hey, everybody, Zack and Donald here. I had a technical

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Speaker 1: glitch while recording this episode, and my fancy digital recorder

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Speaker 1: didn't work. And so Donald sounds perfect and you'll hear

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Speaker 1: his beautiful dulcet voice, but I sound like I'm just

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Speaker 1: on a cell phone. I'm actually just recorded over the

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Speaker 1: zoom mapp. So we did the best to make it

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Speaker 1: sound good, but I screwed up. So sorry. One job.

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Speaker 1: You had one job, and you screwed it up. You

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Speaker 1: talked all of that ship about Sarah Chalk and how

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Speaker 1: she messed up, and then you turned right around into

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Speaker 1: the exact samee. I deserve your admonishment, and I'm sorry

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Speaker 1: to everyone listening. It will never happen again, but on

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Speaker 1: this one episode alone, I am not recorded. Well, it's

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Speaker 1: my fault. We love you all. Thanks for listening, Donald

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Speaker 1: and five six seven eight. Making your way in the

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Speaker 1: world today takes everything you got. Taking a break from

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Speaker 1: oh your worries? Sure, what help a lot? Why didn't

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Speaker 1: you like to get do no no no do no

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Speaker 1: no no doom. Sometimes you wanna go where everybody knows

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Speaker 1: your knee boum boum, boum boum, and they're always glad

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Speaker 1: you came down bound. You wanna be where you can't

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Speaker 1: see troubles are all the same? Yeah you do? You

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Speaker 1: want to go where everybody knows your name, don't done? Wow,

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Speaker 1: welcome to up doctors your friends, where everybody knows your name.

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Speaker 1: And here's the only theme song in the world that's

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Speaker 1: better than here's some stories about Sure we paid about

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Speaker 1: a bottle of doctor nurses and I said, he's a

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Speaker 1: stories that should so yado around? Here are yato around you?

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Speaker 1: Here are with that? How's your isolation going? I miss

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Speaker 1: you very much. I miss you too. Oh man, it's uh,

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Speaker 1: it's it's it's it's good. You know what the kids are.

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Speaker 1: We're schooling them where you know we're we're trying to

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Speaker 1: run them. I've taken them out on a couple of walks.

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Speaker 1: Now good. I'm glad that you've allowed them to walk

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Speaker 1: around the block. Yeah. Well, we take like we do

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Speaker 1: it like a little neighborhood walk. We have our masks,

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Speaker 1: we have our gloves, We take our dog with it.

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Speaker 1: Did you tell me? Was it was it? What's cardi B?

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Speaker 1: Did you see then thing when she's coronavirus? Ship is real?

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Speaker 1: Ship is real? When they turned it into the song

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Speaker 1: I can't get Cardi b at all, but I that

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Speaker 1: coronavirus thing made me crack up. And when you get

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Speaker 1: the chance, look up the song. The ship is real.

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Speaker 1: Oh my god, same way they did like, uh double

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Speaker 1: rainbow and ain't nobody got time for that? And and uh,

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Speaker 1: he's hoting in your windows snatching your people. Uh, that

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Speaker 1: was the first one. And that was the best one.

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Speaker 1: Hot and hot to husbands because they've raping nobody about

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Speaker 1: this bit. That was sucking jam. That wasn't Jim, you

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Speaker 1: don't have to weary, but we're looking for you. We're

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Speaker 1: gonna fine, dude, We're gonna fine you so hot kids

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Speaker 1: and that it was dope, dude, I remember that was good.

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Speaker 1: That was a great one. Oh man, I don't think

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Speaker 1: that in my workout mix. That was a fucking jam.

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Speaker 1: That was the gym. It was a you know what

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Speaker 1: else was the jem It's fucking distracting? Oh yeah, what's

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Speaker 1: that one? The freaking Batman one? No Christen ber one.

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Speaker 1: Oh that was good. And then they spoof that with

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Speaker 1: the Kenney Schmidt theme song, um, which was which was

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Speaker 1: really good too. Do you ever watched Kenni Schmidt. I

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Speaker 1: have never watched Oh it's really good. You like it.

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Speaker 1: If you're listening to this podcast and you haven't watched Commishment,

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Speaker 1: I'll bet you like it. It's got a lot of

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Speaker 1: it's sillier than us, believe it or not, but it's

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Speaker 1: got some very funny silly stuff, and it should we

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Speaker 1: talk about the show Donald's. We should totally talk about

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Speaker 1: the show. This was a good one. I have no

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Speaker 1: recollection of this show whatsoever. I didn't remember this show

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Speaker 1: until that we sang Mrs Jones. Yeah, Now did you

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Speaker 1: know Mrs Jones the song? Or did you? Absolutely? I

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Speaker 1: didn't really, but you sang it beautifully. Thank you. We

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Speaker 1: got a thing go in on. That's a it's a

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Speaker 1: real good song. I wonder if luth I think Lutha

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Speaker 1: might have even covered it. Sometimes when you see it,

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Speaker 1: I just involuntarily either Luther of Freddie Jackson, one of

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Speaker 1: them covered that thing. Who's the most famous Joel's version

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Speaker 1: of of I think the originals is Jones? Who's the original?

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Speaker 1: I'm sorry, I don't know. That's a really good is it?

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Speaker 1: Billy Paul? That does me? And Mrs Jones? I think so? Yeah,

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Speaker 1: Billy Paul looks like the original. And then I feel

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Speaker 1: like Luther did do a cover of this. Let's see

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Speaker 1: we got a thing. No, Freddie Jackson did do the

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Speaker 1: Freddie Jackson. I knew it was one of them. Well

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Speaker 1: are you sanging beautifully? Donald? Thank you very much. I

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Speaker 1: remember being so excited that I was going to have

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Speaker 1: the opportunity to sing on the show. I sang a

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Speaker 1: lot as a kid, like in like the high school

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Speaker 1: choir and the junior high school choir. I wish you

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Speaker 1: would sing more because you have such a beautiful voice.

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Speaker 1: I would love to sing more. I don't think I

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Speaker 1: have the voice that is the type of voice that

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Speaker 1: people want to hear like all the time. Did you

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Speaker 1: ever do a Broadway musical? Of course I would do

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Speaker 1: a Broadway musical. We all have dreams of winning an

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Speaker 1: egot one day, of getting the egot, so absolutely for

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Speaker 1: egot reasons, I'm saying, what would you think that would

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Speaker 1: bring you joy to do a Broadway musical? Bill and

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Speaker 1: I got approach to do a version of Flesh after Scrubs.

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Speaker 1: That's so scary, dude, I know. And the idea of

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Speaker 1: doing it with Bill, who's like the biggest flesh fan

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Speaker 1: in the world. It was interesting. But then you know,

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Speaker 1: I mean, that's that's that's impossible. You can't can't you

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Speaker 1: can't do it because I'm just saying, okay, So back

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Speaker 1: to the musical, I think that it would be I

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Speaker 1: would just love to see you. You have such a

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Speaker 1: good voice. And I did a musical on Broadway and

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Speaker 1: I had so much fun doing it. Granted, I was

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Speaker 1: happy when it was over because when you go see

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Speaker 1: a play, particularly in this case were some of my musicals,

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Speaker 1: you always have to come out and go, I cannot

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Speaker 1: believe these people are doing this eight times a week.

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Speaker 1: And I was just so exhausted. It was the most

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Speaker 1: tired I've ever been in my life. No matter what happens,

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Speaker 1: you're going on that day. Like you know, it's one

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Speaker 1: thing you do play for three months, four months, but

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Speaker 1: and wow, that's a really that's a half a year, dude,

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Speaker 1: that's you were supposed to do it longer. But I

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Speaker 1: don't know. I go back and forth with the whole

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Speaker 1: you know, musical theater, musical genre. When it's done right,

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Speaker 1: it's really good. But when it's done when it's done wrong,

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Speaker 1: that's one of those things where it's like, dude, and

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Speaker 1: it was a musical, you know what I mean. I know,

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Speaker 1: but when it works, it's so good when it work.

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Speaker 1: When it works, it's it's the best thing in the world.

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Speaker 1: When you're in a bad one, you're like, oh God,

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Speaker 1: you know what I mean, how do we get out

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Speaker 1: of this? So this My Bad was written by Gabby

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Speaker 1: Allan and U and directed by Mark Buckland, who directed

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Speaker 1: one of four very talented guys. A lot of cool

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Speaker 1: shots in this episode. I can always tell you if

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Speaker 1: I don't look at the who the director is by,

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Speaker 1: by the cinematography, who was adding a little mixt or

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Speaker 1: something something. And Mark Buckland was always one of those guys, right.

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Speaker 1: I just remember playing ping pong with Mark Buckland and

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Speaker 1: how good of a ping pong player he is? Did

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Speaker 1: you win? Because you're pretty good? No, I did not win.

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Speaker 1: I got waxed. And he started off making it look

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Speaker 1: like it was going to be the easiest game in

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Speaker 1: the world, and I'd have a shot and all I

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Speaker 1: have to do is just keep the ball on the table.

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Speaker 1: But then after he remember him looking at me and

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Speaker 1: saying to me, okay, so I'm gonn turned it up

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Speaker 1: a little bit now and then all of a sudden

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Speaker 1: he became like freaking Federer or a freaking uh Nadal

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Speaker 1: or something like that. But on a ping pong table, Djokovic, right,

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Speaker 1: all of a sudden, out of nowhere, this dude, there's this,

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Speaker 1: there's there's uh this top spin. He's sin. I remember

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Speaker 1: you very into trick spin because I played with you

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Speaker 1: a couple of times and I just couldn't even hit

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Speaker 1: the ball back because you put so much spin on it.

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Speaker 1: But no matter what I did, it was just going everywhere. Right,

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Speaker 1: this dude had the type of ping pong game where

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Speaker 1: you put the spin on it, and he knew the

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Speaker 1: counter spin. So when it was the worst the counters

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Speaker 1: you gotta know the counterspin. You gotta know the counter spit.

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Speaker 1: I remember playing Bill in ping pong, and I'm just like,

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Speaker 1: you know, this is a new in the relationship, and

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Speaker 1: I'm like, just if you play a little pong with

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Speaker 1: my boss, like just a little bonding. And then he

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Speaker 1: stopped when he goes, would you mind if I played

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Speaker 1: you left handed? Because for me it was so horrible.

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Speaker 1: I was did they ever play each other? Did you

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Speaker 1: ever witness Buckling and Bill? I don't know. I don't know,

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Speaker 1: but I mean I would love to get good at

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Speaker 1: ping pong. I don't think it really, I don't think

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Speaker 1: it really correlates with tennis that much. Oh, it's it's

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Speaker 1: absolutely the same, dude. Really, your your tennis game probably

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Speaker 1: has helped your ping pong game. Okay, I just haven't

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Speaker 1: had to play ping pong in a while, but my

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Speaker 1: tennis game is much better. Absolutely. Probably. I can't wait

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Speaker 1: to for us to play again. To be honest with you,

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Speaker 1: I do miss that. I know. I was thinking we

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Speaker 1: could get a video game and play online against each other.

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Speaker 1: You don't play video games, you'd get your asking. There's

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Speaker 1: no real good video game tennis, is there? There's a

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Speaker 1: lot of good video game. How are you yelling at me?

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Speaker 1: Which which one ps PSP is that PlayStation that's play

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Speaker 1: which one? Which which system is a good tennis because

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Speaker 1: I would like Box get Xbox Xbox PlayStation four. Oh.

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Speaker 1: Dan is saying that the top spin Mario Mario. I

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Speaker 1: don't want Mario. I don't I like I like my

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Speaker 1: player to look like a real person. I don't want

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Speaker 1: a little avatar running around like it's Mario versus Luigi, right,

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Speaker 1: so you have a little bit of land of property.

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Speaker 1: There's this thing where you take the ball is connected

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Speaker 1: to like a rope, and remember that thing that what's

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Speaker 1: the wooden paddle with the rubber ball that you would

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Speaker 1: hit It's called the wooden paddle with the rubber ball?

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Speaker 1: What was? But what is that called? Where it's connected

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Speaker 1: and you hit it and everyone knows there's a tennis version.

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Speaker 1: There's a tennis version of that where you can practice

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Speaker 1: strokes where you hit it far and it goes far out,

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Speaker 1: bounces and then comes back to you the same speed. Yeah,

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Speaker 1: you might like that. I don't know what that's called,

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Speaker 1: but absolutely I'm worried. I'm forgetting everything. All you gotta

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Speaker 1: do is say tennis near your phone. I'm sure it'll

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Speaker 1: pick it up and an addle pop up. I find

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Speaker 1: myself just doing my stroke with with your pantomime turn

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Speaker 1: bah catch nice, repeating, repeating my mantra nice. You're getting

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Speaker 1: really good at tennis. Alr. Let's get it. And you're

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Speaker 1: the one I'm telling about a paddle ball, and paddle

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Speaker 1: ball that's what it is. Some ship like that, right

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Speaker 1: all right? Listen, Sam Low. It opens the episode. Let's

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Speaker 1: talk about how great Sam Lloyd is Sam Lloyd's amazing.

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Speaker 1: Not only is he a funny, comedic actor, but he

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Speaker 1: is an amazing singer. You want to talk about a

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Speaker 1: really good singer. Yes, that acapella group that's featured in

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Speaker 1: later episodes is really Sam's band and the Blanks. Yeah,

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Speaker 1: and they after right after Scrubs, they were so popular.

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Speaker 1: They were really touring um and doing gigs. Yeah, there's

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Speaker 1: so talented those guys. Oh man, they do They do

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Speaker 1: a cover up John Williams Superman theme song, and it

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Speaker 1: is amazing. If you can find that, if you're if

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Speaker 1: you're if you're a fan of the Blanks acapella, man,

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Speaker 1: you can find I think they probably even have an

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Speaker 1: album or something. If you can find them doing oh yeah,

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Speaker 1: they're all over it tunes and they're amazing. And he's

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Speaker 1: Christopher Lloyd's nephew. Yes, I know I've mentioned that another

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Speaker 1: episode maybe tribute. Yes, And I got to direct Christopher

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Speaker 1: Lloyd in uh in Going in Style. You also were

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Speaker 1: in a play with Christopher. I was in Twelfth Night

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Speaker 1: in Central Park in the Delacourt Theater with Christopher and

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Speaker 1: when I when I went to direct him um and

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Speaker 1: Going Into Style I don't think he had any recollection

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Speaker 1: of who I was. Well, No, he's an amazing man

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Speaker 1: and I love him. But he is a little bit

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Speaker 1: like Duck. He's a little like Oh well, he's worked

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Speaker 1: so much. Though, you've got to give the man a break.

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Speaker 1: I know I'm not giving I don't need to give

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Speaker 1: a riak. He's a sweetheart, but I'm saying, when you

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Speaker 1: meet him, he's a little He is a little like Doc.

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Speaker 1: He's a little like exact. One of my favorite Christopher

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Speaker 1: Lloyd's stories is the story of when he found out

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Speaker 1: that Eric Stults wasn't doing Marty McFly anymore. Uh, and

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Speaker 1: that Michael J. Fox was doing it. And uh, you

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Speaker 1: know Eric Stults while it's in this famous book that

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Speaker 1: Justin Long gave me to read, right, and it's like

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Speaker 1: the making of Back to the Futures one, two, and three.

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Speaker 1: And apparently Eric Stolts told everybody on set, don't call

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Speaker 1: me Eric, call me Marty. I can't be true. This

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Speaker 1: is in the book. It's a very whenever I hear

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Speaker 1: these stories about people saying no eye contact and all

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Speaker 1: these horrible behavior, I just can never believe it's true. Okay, well,

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Speaker 1: this is ahead. This is in the book, you know,

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Speaker 1: so everybody does it. He finally gets fired and they

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Speaker 1: bring Michael J. Foxon. But before they bring Michael J.

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Speaker 1: Fox and they tell Christopher Lloyd they're like, listen, so

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Speaker 1: we had to fire Eric and we're bringing someone. And

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Speaker 1: he's like, well, who's Eric? And they got the guy

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Speaker 1: that was playing Marty. What his name was Mary? And

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Speaker 1: they go no. He's like, oh, okay, and then and

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Speaker 1: then they do and then um, and then they bring

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Speaker 1: Michael J. Foxon and they said the chemistry was like

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Speaker 1: one point and the rest is history, and now we have,

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Speaker 1: you know, back to the future. He's amazing and I

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Speaker 1: had a lot of fun working with him on going style.

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Speaker 1: He's you've worked with both of them. You've worked with

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Speaker 1: You've worked with Michael J. Fox, and you've worked with

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Speaker 1: Christopher or do but Doc and Marty? Yes, I know

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Speaker 1: Doc and Marty. Yeah. Trying to get Michael J. Fox on.

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Speaker 1: How when we get to him that would be kind

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Speaker 1: of cool. Maybe Bill can pull his bill strings, that

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Speaker 1: would be great. Um. At forty five seconds in there's

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Speaker 1: the most cartoonish drive by noise, and I know Bill

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Speaker 1: kept saying like, oh and this is when I was

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Speaker 1: starting to phase out the sound effects. But I was like, not, yeah, bro,

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Speaker 1: because this episode has so many sound effects in it.

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Speaker 1: Yeah yeah, yeah, yeah, yeah, there are There are a

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Speaker 1: couple of those in here. You behind the door, when

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Speaker 1: you look away and you come back and then you

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Speaker 1: look back in again. That was hilarious. There's a funny

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Speaker 1: thing that happens with you know. They would always try

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Speaker 1: and time it so that if there was a holiday

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Speaker 1: like Halloween, it was airing, it was airing around Halloween,

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Speaker 1: and we'd have like our Halloween episode. And it's funny

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Speaker 1: though because at fifty one seconds in you don't really

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Speaker 1: know that yet, but there's two nurses that won't buy

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Speaker 1: in the background with ears on, and I was like,

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Speaker 1: my brain went to, oh, this must be the Halloween episode.

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Speaker 1: But if didn't have the context yet. It's just so weird,

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Speaker 1: Like why are those background people wearing wacky Halloween ears?

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Speaker 1: Speaking of background, this is the first time we see

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Speaker 1: I spotted him to Buddy Manly Henry, we reached out

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Speaker 1: and wrote it. I wrote it down because it was

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Speaker 1: a big moment. Well, he's walking in the hallway, he's

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Speaker 1: in the surprise. We saw him in the surprise room.

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Speaker 1: Well he's walking in the hallway, Well what way before that?

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Speaker 1: But for those of you don't know, what would happen

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Speaker 1: was that these background performers were the same people every day.

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Speaker 1: I mean, lots would rotate, but a lot of them

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Speaker 1: would be the same folks every day. We got to

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Speaker 1: know them and became friendly with them all. And some

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Speaker 1: of them Bill would pick out because he thought or

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Speaker 1: one of the other writers to pick out and go,

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Speaker 1: oh my god, he's got an interesting look, or he's funny,

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Speaker 1: or he can actually deliver a line, and then they

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Speaker 1: would get lines. Occasionally, Well someone thought that Manly Henry

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Speaker 1: looked the Snoop dog Do you think that? Yeah, they

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Speaker 1: kind of do. They kind of do favor each other

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Speaker 1: if you look at them. I mean, he's tall, he's black.

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Speaker 1: Got more than that anyway. So Manly Henry, who is

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Speaker 1: Snoop Dogg Attending Resident and everything else makes it. He

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Speaker 1: started off Snoop Dogg in turn, and then he became

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Speaker 1: snoop Dogg Resident, and then he became Snoop Dog Attending.

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Speaker 1: He's a big fan of our podcast, man, he he's

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Speaker 1: still he promotes our podcast on his Instagram page and

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Speaker 1: stuff like that. He's a sweetheart. Man, He's a very

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Speaker 1: sweet guy. And anyway, so this is a shout out

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Speaker 1: for Manly Henry for your first appearance. If you, if you,

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Speaker 1: I didn't see him walked by, but I saw him

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Speaker 1: in the surprise fantasy. He's he's in the background there

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Speaker 1: shout out Snoop Dogg. In turn, I have no memory

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Speaker 1: of doing that type for a walk yag. This is

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Speaker 1: one of the first fantasies I have absolutely memory of.

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Speaker 1: I have no memory of the episode, dude, remember the

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Speaker 1: episode of the whole episode like and you So recently

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Speaker 1: when watching the show, there have been little things that

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Speaker 1: have come on that I was like, oh wow, you

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Speaker 1: know what. I take it back. I do remember the

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Speaker 1: miss as Jones part, but usually I'm like, okay. In

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Speaker 1: the first round when I said I didn't remember the

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Speaker 1: Aspen episode, until I said, you know, I think I'm

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Speaker 1: gonna get her a nice pin, and I was like,

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Speaker 1: holy shit, it's the Aspen episode, you know what I mean.

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Speaker 1: There's always something remember the Mrs Jones And I'm sure

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Speaker 1: you remembered one of the greatest guest stars of all time,

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Speaker 1: Jimmy Walker. Absolutely and a very lovely line reading. By

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Speaker 1: the way, also by him. I think he totally made

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Speaker 1: the joke better. Like I wrote that down. I wrote down, Wow,

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Speaker 1: what an interesting way to say that line. And Jimmy Walker, yeah, yeah, yeah,

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Speaker 1: we should stop for one second. For those of you

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Speaker 1: don't know, because some of you were young. Jimmy Walker,

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Speaker 1: who's in my fantasy around sixteen eleven seconds um, was

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Speaker 1: the star of a very popular show we were growing

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Speaker 1: up called Good Times, one of the most realistic shows

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Speaker 1: about project life on television. As an African Eric and

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Speaker 1: Mayle growing up, I mean the show was called good Times,

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Speaker 1: but they didn't have the most good times on that show.

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Speaker 1: Man thing bad things would happen, like the dad died,

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Speaker 1: like all types of ship and some white kids in

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Speaker 1: the suburbs. It was like myself, it was educational because

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Speaker 1: not only was it hilarious, but I watch shows like

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Speaker 1: that and What's Happening, and it was it got to

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Speaker 1: it got to show a different side of the way

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Speaker 1: people lived, and we didn't. I didn't know anything about

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Speaker 1: the projects when I was a little kid growing up

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Speaker 1: in the Jersey suburbs. And you fell in love with

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Speaker 1: in Good Times and you just followed them through and

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Speaker 1: like like like a lot of comedies at like they

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Speaker 1: would also be heartbreaking, right, right, they would keep it

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Speaker 1: like they would they would go deep into Oh my gosh,

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Speaker 1: they went deep into drama. On Good Times. Janet Jackson

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Speaker 1: was on Good Times, you know what I mean. She

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Speaker 1: played Penny. Her mom was abusive and like burnt her

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Speaker 1: with Iron type ship abusive, you know what I mean,

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Speaker 1: like for real, for real. Her mom was so bad

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Speaker 1: that they took her away from her mom and she

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Speaker 1: lived with a Loma who was the next door neighbor. Right,

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Speaker 1: you don't remember anything. I remember that episode, but I

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Speaker 1: do remember being young and being like totally in love

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Speaker 1: with that show. Am I right about that? It's a Loma? Right,

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Speaker 1: I'm not tripping to google and well and what about

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Speaker 1: what's happening? We also had its Thelma watch to be

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Speaker 1: Thelmas some ship like that. We also had the legendary

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Speaker 1: Fred Berry rerun rerun Frederi run Berry came on. He

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Speaker 1: came on the show right before he passed away. Actually

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Speaker 1: he passed away like a couple of months after he

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Speaker 1: was on the show, I believe, but I remember, I

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Speaker 1: remember we all got dressed up like fred re run

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Speaker 1: Berry and he told us how to do the dance

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Speaker 1: and everything like that. That was a lot of fun.

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Speaker 1: I remember that Jenny Walker wouldn't say dynamite unless you

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Speaker 1: paid him the next level money. Oh yeah, I remember

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Speaker 1: that being a thing one. And when they told us

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Speaker 1: Jimmy Walker was coming on and I was like, oh

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Speaker 1: my god. Again. Sorry for those who don't know. He

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Speaker 1: had a catchphrase on Good Times and he'd go Dyne, oh,

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Speaker 1: Mike right, Donald Dynamite. He was kid Dynamite. That was his.

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Speaker 1: That's who he was. He was kid Dynamite like every

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Speaker 1: good sitcom star. He had a catchphrase and uh and

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Speaker 1: dino might was his. But he wouldn't say it on

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Speaker 1: Scrubs unless you like up the rate understandably, like I

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Speaker 1: get it, pay him, you know. That's like asking Gary

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Speaker 1: Coleman to say what you're talking about Willis? I imagine

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Speaker 1: if Gary Coleman come on Scrubs, he would have said, hey,

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Speaker 1: I'll come on for this speed. But if you want

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Speaker 1: to what's talking about Willis? It's this about money. There's

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Speaker 1: a premium from what you're talking about. Willis. Absolutely I

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Speaker 1: put the money on it. Yeah. Wait, did Gary Coleman

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Speaker 1: pass two right, Yeah, he did. Wow all three at

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Speaker 1: least did Jimmy Walker die? No, Jimmy Walker still alive.

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Speaker 1: But what's interesting that Fred Barry and Gary Coleman. Yeah,

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Speaker 1: a lot of a lot of our favorite sitcom stars

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Speaker 1: when we were young passed away from either drugs or

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Speaker 1: you know. The Different Strokes cast has just been the

396
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Speaker 1: most trap Jack. I mean, Todd Bridges is my doppel gang.

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Speaker 1: You're still living. Todd Bridges is still alive. Todd is

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Speaker 1: still alive, but a lot of the others have had

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Speaker 1: Todd's had a pretty good career after Different Strokes. He

400
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Speaker 1: went on to, I mean, he's been a very good

401
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Speaker 1: actor in the projects that he's been in. Different Strokes

402
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Speaker 1: so much that was like my favorite child. Absolutely, yeah,

403
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Speaker 1: But everything happened to that family, man, Everything happened to

404
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Speaker 1: that family. How many times does Arnold get kidnapped? He's

405
00:21:30,160 --> 00:21:33,040
Speaker 1: been child molestered, He's all types of things. He got

406
00:21:33,119 --> 00:21:38,600
Speaker 1: he was right, but not only was deadly molested. His

407
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Speaker 1: dad smoked a lot of cigarettes and had you know

408
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Speaker 1: there was a cigarette episode, Like like, everything happened to

409
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Speaker 1: that family. And then when nothing else can everything happened

410
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Speaker 1: to everybody? Look at the show are like, imagine almost happened.

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Speaker 1: But I'm just saying, after everything happened to every character

412
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Speaker 1: on that show, they went out and got Sam, so

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Speaker 1: everything could happen to Sam. And Sam was an anomaly.

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Speaker 1: He was a freaking country singing break dancing. I could

415
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Speaker 1: break dance. I played the guitar, Mr d. He was

416
00:22:05,760 --> 00:22:08,359
Speaker 1: all of that ship. That is when they brought Sam on,

417
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Speaker 1: it was the end. It was the end. That's another

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Speaker 1: show that went from network that switched networks, trying to

419
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Speaker 1: bring it, trying to get the ratings back up because

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Speaker 1: Gary was such a cute kid, and then when he

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Speaker 1: got older, they were like, we need a new cute kid,

422
00:22:23,840 --> 00:22:28,720
Speaker 1: bringing the red haired country singing kid, the country break dancer.

423
00:22:28,800 --> 00:22:31,960
Speaker 1: I don't have any memories of Sam episodes. I think

424
00:22:31,960 --> 00:22:44,200
Speaker 1: I teamed out there is I should we get back

425
00:22:44,200 --> 00:22:48,320
Speaker 1: to the show Donald absolutely Christa Miller, Holy cow man.

426
00:22:48,840 --> 00:22:55,320
Speaker 1: Let's begin with holy cow so hot. Let me tell

427
00:22:55,359 --> 00:22:57,880
Speaker 1: you something about Crystal Miller. She was the very first

428
00:22:58,040 --> 00:23:01,119
Speaker 1: cover of maxim was it Maximus stuff? I'm looking at

429
00:23:01,160 --> 00:23:04,200
Speaker 1: a still of her. She uh to thirty two. She

430
00:23:04,359 --> 00:23:07,400
Speaker 1: looks obviously. Bill was like, not only is christa knockout?

431
00:23:07,440 --> 00:23:09,200
Speaker 1: But you know the boss was like, all right, I

432
00:23:09,280 --> 00:23:11,119
Speaker 1: want the filter, I want the backlight, I want the

433
00:23:11,119 --> 00:23:13,720
Speaker 1: slow motion, I want the fan. That's the first time

434
00:23:13,840 --> 00:23:16,040
Speaker 1: I want the dolly pushing. Yeah, we did a bunch

435
00:23:16,119 --> 00:23:19,320
Speaker 1: on scrubb but like she got the first oh moment

436
00:23:19,440 --> 00:23:22,840
Speaker 1: of like hot chip walking in Absolutely. I also noticed

437
00:23:22,880 --> 00:23:27,480
Speaker 1: that her character talks exactly the way Cox talked, And

438
00:23:27,560 --> 00:23:31,119
Speaker 1: if you go back and watch it, that storyline very

439
00:23:31,280 --> 00:23:34,520
Speaker 1: it tracts very well, like when the reveal happens. If

440
00:23:34,560 --> 00:23:36,720
Speaker 1: you go back and look at how she talked to

441
00:23:36,840 --> 00:23:40,679
Speaker 1: j D before the reveal of them being ex husband

442
00:23:40,720 --> 00:23:44,159
Speaker 1: and wife, it's like j D's talking to a female

443
00:23:44,280 --> 00:23:47,320
Speaker 1: version of Cox in the in the scene because she's

444
00:23:47,359 --> 00:23:51,000
Speaker 1: like just got rattling off the sort of wise as Absolutely,

445
00:23:51,000 --> 00:23:53,880
Speaker 1: And it's very quick with and and and and it's funny.

446
00:23:54,040 --> 00:23:56,920
Speaker 1: I think she's inspired by Christa herself, if I could

447
00:23:56,960 --> 00:24:01,840
Speaker 1: be so bold, because you know christ is a tough scout. Yeah,

448
00:24:02,160 --> 00:24:04,199
Speaker 1: it ain't not unsoft about I mean there's a lot

449
00:24:04,280 --> 00:24:07,159
Speaker 1: of soft about Christa once you get to know her,

450
00:24:07,200 --> 00:24:10,040
Speaker 1: but when you first meet her, yeah, she's a very

451
00:24:10,359 --> 00:24:13,119
Speaker 1: she could even scary. Yeah, she she got no problem

452
00:24:13,200 --> 00:24:16,159
Speaker 1: and she has no problem letting you know, back the

453
00:24:16,200 --> 00:24:19,920
Speaker 1: funk off, dude. Yeah, and she and Bill can both

454
00:24:20,040 --> 00:24:22,280
Speaker 1: be snarky. And I used to say, did you guys

455
00:24:22,359 --> 00:24:28,320
Speaker 1: meet it mean camp, because but um, so here I am.

456
00:24:28,480 --> 00:24:31,040
Speaker 1: I've got this brand new job and I'm so excited.

457
00:24:31,280 --> 00:24:34,000
Speaker 1: And read the script and it says that I'm going

458
00:24:34,040 --> 00:24:36,639
Speaker 1: to make out with my boss's wife. Did you know

459
00:24:36,840 --> 00:24:39,800
Speaker 1: that it was gonna be his wife? I had meant

460
00:24:39,880 --> 00:24:43,080
Speaker 1: Christa through Bill at the table read and stuff, and

461
00:24:43,119 --> 00:24:45,600
Speaker 1: I knew she was obviously from Drew Kerry and Drew

462
00:24:45,680 --> 00:24:48,520
Speaker 1: carry was still going yeah, yeah, absolutely, and and that

463
00:24:48,600 --> 00:24:50,440
Speaker 1: show is very popular, and of course she was in

464
00:24:50,520 --> 00:24:53,560
Speaker 1: magazines and she's so pretty, and so of course knew

465
00:24:53,560 --> 00:24:55,760
Speaker 1: what she was. But I had barely met her, and

466
00:24:55,840 --> 00:24:58,439
Speaker 1: I was totally intimidated and scared by her. I remember,

467
00:24:58,520 --> 00:25:01,399
Speaker 1: it's kissing, it's not it's funny rewatching the show now,

468
00:25:01,560 --> 00:25:03,520
Speaker 1: and it's not in the show, But I remember that

469
00:25:03,640 --> 00:25:07,560
Speaker 1: we filmed us making out, and I was so nervous.

470
00:25:07,600 --> 00:25:09,800
Speaker 1: I was. I remember being like, this is the weirdest

471
00:25:09,920 --> 00:25:13,560
Speaker 1: job in the world. I'm making you out with my

472
00:25:13,680 --> 00:25:17,760
Speaker 1: really pretty boss's wife for him. Yeah, and how do

473
00:25:17,840 --> 00:25:20,040
Speaker 1: you think he felt about it. That's he liked it

474
00:25:20,119 --> 00:25:23,040
Speaker 1: a bit. I think he's a little so I'm gonna

475
00:25:23,040 --> 00:25:25,480
Speaker 1: be so bold to say that man's a little kinky. Yeah,

476
00:25:25,560 --> 00:25:27,119
Speaker 1: you got a little bit of kickiness. I think he

477
00:25:27,240 --> 00:25:30,080
Speaker 1: might like it. I think we get down, we get

478
00:25:30,200 --> 00:25:33,639
Speaker 1: insert a budget Joel Bill Lawrence voice note here, got

479
00:25:33,720 --> 00:25:36,560
Speaker 1: asked him, did you did you like it a little bit? No,

480
00:25:36,920 --> 00:25:41,160
Speaker 1: Zack and Donald. I don't enjoy forcing actors to make

481
00:25:41,240 --> 00:25:45,680
Speaker 1: out with my wife on television. I U I enjoy

482
00:25:45,800 --> 00:25:47,879
Speaker 1: that in our in our personal lives, but just not

483
00:25:48,000 --> 00:25:51,359
Speaker 1: on TV. It was part of the gig though, right,

484
00:25:51,960 --> 00:25:57,080
Speaker 1: because I do like I enjoyed watching how uncomfortable Zach

485
00:25:57,280 --> 00:26:00,080
Speaker 1: was that first year having to kiss my wife. But

486
00:26:00,400 --> 00:26:04,000
Speaker 1: it was all acting, right, Zach's acting because he brought

487
00:26:04,000 --> 00:26:06,240
Speaker 1: her back and then made Johnny do the same thing. Yeah,

488
00:26:06,480 --> 00:26:08,359
Speaker 1: well Johnny made her in this episode two. Yeah, I

489
00:26:08,440 --> 00:26:10,119
Speaker 1: think he was. You know, there's some dudes who are

490
00:26:10,119 --> 00:26:12,440
Speaker 1: into that. I think Bill like a smidgeon of that.

491
00:26:13,040 --> 00:26:20,880
Speaker 1: I I don't know that I would be. I would

492
00:26:20,920 --> 00:26:23,200
Speaker 1: probably be jealous, but yeah, I don't share. I don't

493
00:26:23,240 --> 00:26:25,640
Speaker 1: like to share. I wonder if my wife, my wife

494
00:26:25,680 --> 00:26:28,480
Speaker 1: says some of the craziest things when when I have

495
00:26:28,960 --> 00:26:31,960
Speaker 1: kissing scenes with people, Like I remember my wife being like,

496
00:26:32,200 --> 00:26:34,760
Speaker 1: like one time I kissed a girl on television and

497
00:26:34,880 --> 00:26:39,119
Speaker 1: she was like, well, that wasn't believable. Like what the

498
00:26:39,200 --> 00:26:42,760
Speaker 1: trick with the TV slash movie kiss is not. It's

499
00:26:42,800 --> 00:26:44,919
Speaker 1: just to open your mouth, but not be jamming your

500
00:26:44,960 --> 00:26:48,680
Speaker 1: tongue in anyone's mouth, right, And for a lot of people,

501
00:26:48,760 --> 00:26:53,520
Speaker 1: jamming your tongue in someone's mouth isn't necessarily the way

502
00:26:53,560 --> 00:26:56,360
Speaker 1: they like to kiss. So some people in real life

503
00:26:56,440 --> 00:26:58,840
Speaker 1: kiss like they kiss on television where it's just an

504
00:26:58,880 --> 00:27:01,080
Speaker 1: open mouth kiss. And but have you found with your

505
00:27:01,160 --> 00:27:04,480
Speaker 1: movie TV kisses that the onus is on you? I

506
00:27:04,520 --> 00:27:06,560
Speaker 1: think is a man to be like all right, um,

507
00:27:06,880 --> 00:27:09,480
Speaker 1: well let the female set what this is gonna be.

508
00:27:10,160 --> 00:27:12,800
Speaker 1: That's how I think about it. And then sometimes you're like, whoa,

509
00:27:13,080 --> 00:27:15,280
Speaker 1: we're you're really going all out. There's a tongue in

510
00:27:15,320 --> 00:27:18,280
Speaker 1: my mouth. Right. Somebody told me that they even have

511
00:27:18,480 --> 00:27:23,680
Speaker 1: like mediators that come in like people that stage. Now, yeah,

512
00:27:23,760 --> 00:27:25,960
Speaker 1: that's a new thing now, which is definitely good because

513
00:27:26,040 --> 00:27:27,680
Speaker 1: no one ever knew what to do. And now, of

514
00:27:27,760 --> 00:27:30,280
Speaker 1: course in this agents they have people come in and

515
00:27:30,320 --> 00:27:31,880
Speaker 1: go Okay, let's all talk about what this is gonna

516
00:27:31,880 --> 00:27:34,080
Speaker 1: be and let's choreograph it involved. But when we were

517
00:27:34,119 --> 00:27:36,200
Speaker 1: doing this, it was just I would have these different

518
00:27:36,960 --> 00:27:39,840
Speaker 1: guest stars. I don't know. I just remember being embarrassed

519
00:27:39,880 --> 00:27:43,639
Speaker 1: as I watched some like with any smart Um that

520
00:27:43,800 --> 00:27:46,000
Speaker 1: we were just like full on going at it, and

521
00:27:47,280 --> 00:27:49,000
Speaker 1: and I was like, this is a sitcom, like we

522
00:27:49,000 --> 00:27:51,440
Speaker 1: shouldn't be seeing our tongues like from the side of

523
00:27:51,480 --> 00:27:53,879
Speaker 1: our kids. It's a little bit. I was very giddy

524
00:27:53,880 --> 00:27:56,679
Speaker 1: about any Smart, I must confess, Yes, you were very

525
00:27:56,720 --> 00:28:00,600
Speaker 1: giddy about Amy and if there were tongues flying, I was.

526
00:28:01,200 --> 00:28:06,320
Speaker 1: I wanted to be a part of it. I had

527
00:28:06,359 --> 00:28:09,280
Speaker 1: such a crush. Yeah you did. That was oh my gosh.

528
00:28:09,480 --> 00:28:12,200
Speaker 1: I remember, listen, you have something I've never been so

529
00:28:12,320 --> 00:28:14,879
Speaker 1: happy at work. Was that. I was pretty because your

530
00:28:14,920 --> 00:28:18,400
Speaker 1: crushed for Amy Smart came well before she was ever

531
00:28:18,560 --> 00:28:20,640
Speaker 1: on the show. Mike crush for me Smart went back

532
00:28:20,680 --> 00:28:26,320
Speaker 1: to Todd Phillips's movie Road Trip, road Trip, breck and Meyer,

533
00:28:26,800 --> 00:28:30,520
Speaker 1: breck and Meyer, Todd Phillips, who is now an OSCAR

534
00:28:31,359 --> 00:28:35,159
Speaker 1: nominating director for Hooker for the Joker, Who else is

535
00:28:35,200 --> 00:28:37,480
Speaker 1: it that Tom Green's? And then I don't remember the movie.

536
00:28:37,520 --> 00:28:41,120
Speaker 1: I just remember being like, wow, that that woman is

537
00:28:41,200 --> 00:28:43,840
Speaker 1: so pretty to me. Yeah, well she was on the

538
00:28:44,120 --> 00:28:46,880
Speaker 1: was on the shop, and she was she was very funny.

539
00:28:47,680 --> 00:28:49,760
Speaker 1: She was very funny, all right, but not in this episode.

540
00:28:49,800 --> 00:28:52,560
Speaker 1: But she wasn't in this episode. Sorry, Christa, We're back

541
00:28:52,560 --> 00:28:54,360
Speaker 1: to how hot you are? We got we digressed and

542
00:28:54,360 --> 00:28:57,360
Speaker 1: started talking about him, this monthing. We gotta have Christo,

543
00:28:57,640 --> 00:28:59,880
Speaker 1: by the way, I agree with I think we should

544
00:28:59,880 --> 00:29:02,480
Speaker 1: have Johnny and Judy. Course, Johnny, Judy and Christo. We

545
00:29:02,520 --> 00:29:04,680
Speaker 1: gotta get We gotta schedule them, try and get Neil

546
00:29:04,760 --> 00:29:07,040
Speaker 1: and Ken. It would be really interesting. Let's go through

547
00:29:07,120 --> 00:29:10,520
Speaker 1: all the main stars and then and then and then

548
00:29:11,120 --> 00:29:13,880
Speaker 1: and start being them directors and writers and well, let's

549
00:29:13,880 --> 00:29:15,840
Speaker 1: ask the fans also who they want to see just

550
00:29:16,120 --> 00:29:19,200
Speaker 1: drop us, tell us on the social media. Who you

551
00:29:19,240 --> 00:29:21,640
Speaker 1: want to hear? Yeah, who you want to hear? We're here, guys,

552
00:29:21,800 --> 00:29:24,440
Speaker 1: We'll reach out to anyone. Do you remember the Magic

553
00:29:25,160 --> 00:29:27,840
Speaker 1: Garden when we were growing up? Absolutely? Now. I don't

554
00:29:27,840 --> 00:29:29,520
Speaker 1: know if you've had this if you're listening where you

555
00:29:29,600 --> 00:29:31,280
Speaker 1: grew up, but it was was it like a local

556
00:29:31,320 --> 00:29:34,280
Speaker 1: East Coast I feel like it was like a PBS show.

557
00:29:34,400 --> 00:29:38,000
Speaker 1: But I'm sure there were so many people who were local.

558
00:29:38,080 --> 00:29:40,120
Speaker 1: I don't know because we grew up a half hour

559
00:29:40,200 --> 00:29:42,280
Speaker 1: from each other and me and Jersey and him in Manhattan.

560
00:29:42,360 --> 00:29:44,160
Speaker 1: But anyway, there was this local show, and I remember

561
00:29:44,200 --> 00:29:47,280
Speaker 1: at the end they would go and and she'd have

562
00:29:47,400 --> 00:29:49,640
Speaker 1: like a magic class, and she'd look into the camera

563
00:29:49,680 --> 00:29:52,960
Speaker 1: and she'd go, N I C Jin and John and

564
00:29:53,200 --> 00:29:55,520
Speaker 1: Tony remember, and she would just list off like a

565
00:29:55,560 --> 00:29:57,440
Speaker 1: bunch of names, a bunch of names. And of course,

566
00:29:57,480 --> 00:29:59,040
Speaker 1: now as an adult, I'm going, oh, the woman was

567
00:29:59,120 --> 00:30:01,920
Speaker 1: just listing off the most popular names. So the maximum

568
00:30:01,920 --> 00:30:04,400
Speaker 1: amount of kids go, oh my god, she sees she

569
00:30:05,320 --> 00:30:07,320
Speaker 1: never said did she ever say Donald? No, well, I

570
00:30:07,360 --> 00:30:09,040
Speaker 1: didn't go as Donald as a kid. I was at

571
00:30:09,120 --> 00:30:12,760
Speaker 1: dal Shoon, so she probably funny. She's like, I see

572
00:30:12,800 --> 00:30:18,960
Speaker 1: Tom and John and a Dale Shoon. I love that show.

573
00:30:19,040 --> 00:30:21,160
Speaker 1: I would love that. I gotta YouTube the Magic Guard.

574
00:30:21,240 --> 00:30:22,880
Speaker 1: But I remember just being tripped out. So the reason

575
00:30:22,880 --> 00:30:24,280
Speaker 1: I thought of that, rand I thought was like, we

576
00:30:24,320 --> 00:30:30,920
Speaker 1: could do that with her before we go, Hey, hey, John, Tom, Jennifer, Jessica.

577
00:30:31,480 --> 00:30:33,320
Speaker 1: We'd like to hear what you think and then you

578
00:30:33,400 --> 00:30:40,560
Speaker 1: gotta say some like different names Moesia, kuan A, Bertha, Tarik,

579
00:30:41,040 --> 00:30:45,560
Speaker 1: Malik Tarik, because some people aren't Tarik, some people at Tarik,

580
00:30:46,240 --> 00:30:48,760
Speaker 1: some people are Anthony. We've found that out. Yes we

581
00:30:48,920 --> 00:30:52,800
Speaker 1: there there is an anphony. Yes, Shalom. I don't know

582
00:30:52,840 --> 00:30:55,760
Speaker 1: anybody named Shalan. I do, But that's like as do

583
00:30:55,880 --> 00:30:58,200
Speaker 1: you know any white people with the last name Washington?

584
00:30:59,000 --> 00:31:00,560
Speaker 1: Do you know? Do you know what white people with

585
00:31:00,680 --> 00:31:08,320
Speaker 1: the last name Jefferson Thomas? Yeah, that's saying something, isn't it. Listen,

586
00:31:08,400 --> 00:31:11,280
Speaker 1: let's talk about you and me, Mrs Jones. So you're

587
00:31:11,320 --> 00:31:13,240
Speaker 1: in the end of the room and you're singing the song.

588
00:31:13,440 --> 00:31:16,000
Speaker 1: If it it wasn't really sexy and romantic, I felt

589
00:31:16,040 --> 00:31:17,960
Speaker 1: like you and Judy were really gonna gonna make out

590
00:31:18,000 --> 00:31:20,680
Speaker 1: for real. There, I was saying. That's I was. I

591
00:31:20,800 --> 00:31:24,600
Speaker 1: was gonna say that about the show. Uh, Carla and

592
00:31:24,720 --> 00:31:29,520
Speaker 1: Turk are so cute. They're so cute. You really root

593
00:31:29,600 --> 00:31:33,040
Speaker 1: for them, And I find myself when I watch it,

594
00:31:33,240 --> 00:31:37,600
Speaker 1: I find myself, you know, looking back at it. Obviously

595
00:31:37,720 --> 00:31:41,560
Speaker 1: I thought, uh, Judy Reyes was is and still is

596
00:31:41,720 --> 00:31:44,920
Speaker 1: an amazing actress. But I looked at her like my sister,

597
00:31:45,280 --> 00:31:46,680
Speaker 1: you know what I mean? And so when we did

598
00:31:46,760 --> 00:31:50,480
Speaker 1: the scenes, it was you know, me doing scenes with

599
00:31:51,240 --> 00:31:53,400
Speaker 1: my sister. Now that I look back at it, though,

600
00:31:53,800 --> 00:31:57,480
Speaker 1: it's like, wow, we had such good chemistry because you did.

601
00:31:57,640 --> 00:32:01,000
Speaker 1: I don't think it was like your sister. Your Judy was.

602
00:32:01,240 --> 00:32:06,000
Speaker 1: Judy was the type of listen when I look, well, yeah,

603
00:32:06,000 --> 00:32:07,880
Speaker 1: when we did scenes and stuff like that. But when

604
00:32:07,920 --> 00:32:10,240
Speaker 1: I look back, let me finish. When I look back

605
00:32:10,320 --> 00:32:13,640
Speaker 1: at it now, I'm like, yo, dude, I I wonder

606
00:32:14,480 --> 00:32:17,240
Speaker 1: why I never looked at Judy. And I know why

607
00:32:17,320 --> 00:32:19,840
Speaker 1: because you know, there's there's a saying, never ship where

608
00:32:19,880 --> 00:32:21,600
Speaker 1: you eat, you know what I mean. That's the honest

609
00:32:21,640 --> 00:32:25,160
Speaker 1: you can allow yourself to fall in love or or

610
00:32:25,280 --> 00:32:27,680
Speaker 1: to feel that type of way. But when I look

611
00:32:27,760 --> 00:32:30,720
Speaker 1: back at it now, I'm like, holy cow, Judy was

612
00:32:30,800 --> 00:32:35,800
Speaker 1: there this whole time. Oh like, well, not only that,

613
00:32:35,920 --> 00:32:38,760
Speaker 1: she's just such an amazing actress, you know what I mean.

614
00:32:38,800 --> 00:32:42,400
Speaker 1: And she played Carlos, so you know so well, you know,

615
00:32:43,000 --> 00:32:45,800
Speaker 1: she spoke for a lot of people. You know, Judy

616
00:32:45,880 --> 00:32:49,400
Speaker 1: did for nurses for for at the time, there won

617
00:32:49,440 --> 00:32:51,880
Speaker 1: a lot of latinas on television, you know what I mean.

618
00:32:52,280 --> 00:32:54,400
Speaker 1: It was like j Lo and that's it. Dude, you

619
00:32:54,440 --> 00:32:56,880
Speaker 1: know what I mean, twenty years ago, and Judy was

620
00:32:57,000 --> 00:32:58,520
Speaker 1: the other one, you know what I mean, And so

621
00:32:59,160 --> 00:33:02,200
Speaker 1: you know, big ops to Judy reyes Man. You also

622
00:33:02,280 --> 00:33:04,440
Speaker 1: wanted to say that it's interesting in this episode that

623
00:33:04,840 --> 00:33:11,440
Speaker 1: both women are really in charge of of their sexuality

624
00:33:11,520 --> 00:33:14,320
Speaker 1: and their power in the bedrooms. I just noticed that

625
00:33:14,440 --> 00:33:19,240
Speaker 1: there's a parallel in this. Both Carla and Jordan's are

626
00:33:19,680 --> 00:33:23,440
Speaker 1: calling the shots in these sexual encounters. But that's how

627
00:33:23,480 --> 00:33:25,320
Speaker 1: it should be, you know what I mean. If we're

628
00:33:25,360 --> 00:33:27,320
Speaker 1: in it's together, we're all doing this. You know what

629
00:33:27,400 --> 00:33:29,760
Speaker 1: I mean. Well, I mean it could be however a

630
00:33:29,840 --> 00:33:32,360
Speaker 1: couple wants it. But I'm just saying I noted just

631
00:33:32,480 --> 00:33:34,719
Speaker 1: in this episode that there's there's there's some of these

632
00:33:34,760 --> 00:33:39,320
Speaker 1: parallel stories of of of strong women in the bedroom

633
00:33:39,400 --> 00:33:42,080
Speaker 1: and and Jordan's says to j D you had absolutely

634
00:33:42,120 --> 00:33:43,520
Speaker 1: nothing to do with why I left with you. I

635
00:33:43,600 --> 00:33:45,640
Speaker 1: thought that was funny. I thought that was hilarious. When

636
00:33:45,680 --> 00:33:47,120
Speaker 1: she's given you the whole spitch, She's like, you know,

637
00:33:47,200 --> 00:33:50,160
Speaker 1: you meet someone and you hope that it goes something.

638
00:33:50,360 --> 00:33:54,840
Speaker 1: I'm sorry, got a date. Um. I also a loud

639
00:33:55,080 --> 00:33:56,720
Speaker 1: I laughed out loud at four few one when you

640
00:33:56,800 --> 00:34:00,200
Speaker 1: said put the game down, telling them, but I let

641
00:34:00,280 --> 00:34:03,560
Speaker 1: to put that cane down. I had no recollection of that.

642
00:34:05,200 --> 00:34:08,400
Speaker 1: I don't remember that at all. That ship had me rolling.

643
00:34:08,640 --> 00:34:10,680
Speaker 1: You don't remember that woman at all. No, I know that,

644
00:34:10,800 --> 00:34:12,880
Speaker 1: I know that the character passes away later on. I

645
00:34:12,920 --> 00:34:15,760
Speaker 1: do know that Boilers. I mean, if you haven't watched

646
00:34:15,840 --> 00:34:18,319
Speaker 1: the show, I think if you listening, he watched the show.

647
00:34:19,960 --> 00:34:22,040
Speaker 1: That was funny, put the cane down, tell her to

648
00:34:22,080 --> 00:34:25,800
Speaker 1: put the cane down. Um. Also, Elliott sees the janitor

649
00:34:26,239 --> 00:34:29,520
Speaker 1: and the whole an I told you that little freaking

650
00:34:29,560 --> 00:34:33,080
Speaker 1: the janitor is a figment of Jad's imagination. It doesn't

651
00:34:33,080 --> 00:34:36,400
Speaker 1: track Donald, I know, and I'm sad about it because

652
00:34:36,560 --> 00:34:39,400
Speaker 1: it was a beautiful lure and I don't poke holes

653
00:34:39,480 --> 00:34:42,040
Speaker 1: in in in in the lure that I feel like

654
00:34:42,120 --> 00:34:44,920
Speaker 1: Bill himself has propagated. But he doesn't remember all these

655
00:34:44,960 --> 00:34:48,719
Speaker 1: little moments. And you know what Sarah told every We've

656
00:34:48,719 --> 00:34:51,000
Speaker 1: all been saying the season one, he didn't talk to anyone,

657
00:34:51,040 --> 00:34:54,240
Speaker 1: and he doesn't really, but he does interact with Sarah.

658
00:34:54,360 --> 00:34:57,279
Speaker 1: I wrote it down. Donald's absolutely because what she does

659
00:34:57,400 --> 00:35:00,160
Speaker 1: triggers him to do what he does to you up

660
00:35:01,760 --> 00:35:04,399
Speaker 1: and so I'm sorry, I'm sad to say we are.

661
00:35:04,920 --> 00:35:10,600
Speaker 1: I feel like we're like detectives and we're uncovering the truth. Absolutely,

662
00:35:10,600 --> 00:35:14,640
Speaker 1: that little that little bit of scrubs lore bullshit. Well

663
00:35:14,800 --> 00:35:18,520
Speaker 1: not only that, they also set up something that goes

664
00:35:18,600 --> 00:35:21,480
Speaker 1: away for a while, but Elliott's relationship with her mom.

665
00:35:21,760 --> 00:35:25,160
Speaker 1: Also Elliott talking to her mom on the on the

666
00:35:25,280 --> 00:35:28,560
Speaker 1: telephone and her mom talking about how short hair gives

667
00:35:28,600 --> 00:35:32,960
Speaker 1: her pig face. But later on we bring in Marky

668
00:35:33,080 --> 00:35:39,399
Speaker 1: Post absolutely to play Elliott's mom, and the storyline still

669
00:35:39,840 --> 00:35:41,960
Speaker 1: works from that phone call. But they set it up

670
00:35:42,000 --> 00:35:44,879
Speaker 1: in this phone call. I don't know how many episodes later,

671
00:35:45,000 --> 00:35:47,800
Speaker 1: or how many might even been seasons when Markey comes on.

672
00:35:48,440 --> 00:35:50,480
Speaker 1: I forgot when that happens when all our parents come.

673
00:35:50,680 --> 00:35:53,800
Speaker 1: But yeah, so you're getting back story on Sarah. And

674
00:35:54,000 --> 00:35:57,640
Speaker 1: also there's a big thing in this episode about therapy.

675
00:35:57,680 --> 00:36:00,799
Speaker 1: I mean, I was watching you give like a advocates

676
00:36:00,840 --> 00:36:02,759
Speaker 1: for therapy in this episode, and I thought I was

677
00:36:02,800 --> 00:36:05,680
Speaker 1: just watching this, going that's a good public service announcement

678
00:36:05,719 --> 00:36:07,960
Speaker 1: for people to hear, you know, from from a character

679
00:36:08,080 --> 00:36:11,960
Speaker 1: they like this is two thousand and one, um and um.

680
00:36:12,320 --> 00:36:14,640
Speaker 1: And I think it's depending on how you grow I

681
00:36:14,719 --> 00:36:17,359
Speaker 1: happen to grow up with my mom was a psychologist

682
00:36:17,400 --> 00:36:19,680
Speaker 1: and my stepfather was a psychologist. I had therapy all

683
00:36:19,719 --> 00:36:22,200
Speaker 1: over my life. But depending on how you grew up,

684
00:36:22,560 --> 00:36:24,400
Speaker 1: there can be stigma around it. And I and I

685
00:36:24,600 --> 00:36:27,040
Speaker 1: was happy to see that that Bill and the writers

686
00:36:27,120 --> 00:36:31,400
Speaker 1: wrote in this sort of advocacy for for seeing a therapist. Oh,

687
00:36:31,480 --> 00:36:35,480
Speaker 1: I totally agree. It's really interesting how you know, it's

688
00:36:35,600 --> 00:36:38,800
Speaker 1: twenty years ago, but we're still talking about issues that

689
00:36:38,880 --> 00:36:41,279
Speaker 1: are really important today. And I know we bring this

690
00:36:41,400 --> 00:36:44,080
Speaker 1: up a lot, but I'm really proud of that. You know,

691
00:36:44,120 --> 00:36:46,080
Speaker 1: I'm really proud to be on a show that that

692
00:36:46,280 --> 00:36:48,560
Speaker 1: did that. Even every time I see something like that,

693
00:36:48,640 --> 00:36:52,560
Speaker 1: I'm like, holy cow, we were talking about that well before,

694
00:36:52,680 --> 00:36:55,600
Speaker 1: like even talking about The Rock and how the Rock

695
00:36:55,760 --> 00:36:58,160
Speaker 1: was a movie star. I'm proud that we knew that

696
00:36:58,280 --> 00:37:00,600
Speaker 1: back then we called it you and I mean, I'm

697
00:37:00,640 --> 00:37:04,640
Speaker 1: I'm so I I am so happy that we knew

698
00:37:04,719 --> 00:37:07,040
Speaker 1: what the heck we were talking about. The Simpsons do

699
00:37:07,160 --> 00:37:11,000
Speaker 1: it a lot. Oh yeah, they always forecast. Well anyway,

700
00:37:11,160 --> 00:37:14,000
Speaker 1: you know, Donald and I both believe in in in therapy.

701
00:37:14,160 --> 00:37:17,040
Speaker 1: So if you're we're here to say, we're here to

702
00:37:17,120 --> 00:37:19,600
Speaker 1: say that if you're having trouble and you need help,

703
00:37:19,760 --> 00:37:22,839
Speaker 1: you should please see a therapist now. Because it's there's

704
00:37:22,880 --> 00:37:25,279
Speaker 1: been plenty of times in my life for that has

705
00:37:25,320 --> 00:37:26,960
Speaker 1: been very very helpful to me to get me through

706
00:37:27,080 --> 00:37:31,400
Speaker 1: some some rocky times. And as a as a as

707
00:37:31,440 --> 00:37:35,080
Speaker 1: a son of a of two therapists psychologists, I have

708
00:37:35,239 --> 00:37:39,200
Speaker 1: to repeat, but it's been very helpful for me at times,

709
00:37:39,560 --> 00:37:42,279
Speaker 1: and it seems to really work for Elliott, who's having

710
00:37:42,320 --> 00:37:45,720
Speaker 1: a really hard time in this episode. That was funny.

711
00:37:45,760 --> 00:37:48,000
Speaker 1: That guy did a good job the whole you gotta hear,

712
00:37:49,719 --> 00:37:52,120
Speaker 1: I can't talk. He's got Elliott's sitting there asking for

713
00:37:52,280 --> 00:37:56,640
Speaker 1: free therapy. That joke is hilarious. How does it make

714
00:37:56,680 --> 00:37:58,440
Speaker 1: you feel? She goes, I don't know what makes me feel,

715
00:37:58,680 --> 00:38:01,560
Speaker 1: and then he puts up the side pain pills. He says, no,

716
00:38:01,600 --> 00:38:03,279
Speaker 1: I don't. I don't need to do pain pills. He's like,

717
00:38:03,560 --> 00:38:10,000
Speaker 1: for me, it's funny. I laughed at sixteen when Ken goes, heck,

718
00:38:10,200 --> 00:38:15,680
Speaker 1: maybe right, but that's such a such a smart joke.

719
00:38:16,360 --> 00:38:18,600
Speaker 1: Explain to the young folks that Charo was often on

720
00:38:18,680 --> 00:38:20,680
Speaker 1: the show love Boat, and he's making it. We got

721
00:38:20,719 --> 00:38:23,320
Speaker 1: a lot of eight TV recordces in this episode, absolutely

722
00:38:23,920 --> 00:38:26,480
Speaker 1: but he But it's such a smart joke also because

723
00:38:27,280 --> 00:38:29,560
Speaker 1: you know, that's one of those shows where the doctor

724
00:38:29,760 --> 00:38:33,840
Speaker 1: on the ship cares about everyone on the boat and

725
00:38:33,920 --> 00:38:36,120
Speaker 1: wants to make sure that everyone on the boat lives

726
00:38:36,320 --> 00:38:39,400
Speaker 1: right and or whatever it is, it's healthy, etcetera. And

727
00:38:39,600 --> 00:38:44,360
Speaker 1: Cox got suspended for breaking the rules and caring about

728
00:38:44,480 --> 00:38:47,440
Speaker 1: his patient, and so the joke goes even deeper when

729
00:38:47,480 --> 00:38:50,040
Speaker 1: he says to him, you know, maybe you should get

730
00:38:50,040 --> 00:38:51,799
Speaker 1: on a cruise ship. I don't know. They could call

731
00:38:51,840 --> 00:38:54,240
Speaker 1: you Doc, and you guys could sail in from wherever

732
00:38:54,320 --> 00:38:57,239
Speaker 1: to wherever and you can maybe even meet Charo. That

733
00:38:57,400 --> 00:39:02,160
Speaker 1: makes so much sense to the character itself, and the

734
00:39:02,280 --> 00:39:03,920
Speaker 1: joke is funny also, you know what I mean, Like

735
00:39:04,080 --> 00:39:06,120
Speaker 1: it all blends. We end up having a lot of

736
00:39:06,239 --> 00:39:09,560
Speaker 1: love boat Doc. Yeah, we did have some love. We

737
00:39:09,640 --> 00:39:12,400
Speaker 1: had Doc, We had Isaac, we had I know they

738
00:39:12,440 --> 00:39:15,640
Speaker 1: were on the show. Yeah, okay, we also had sat Elsewhere.

739
00:39:15,719 --> 00:39:17,680
Speaker 1: We had some of the oh yeah, we did the

740
00:39:17,719 --> 00:39:20,799
Speaker 1: whole episodes with with Ed Begley. We had a bunch

741
00:39:20,840 --> 00:39:22,920
Speaker 1: of people. All right, See this is our memory. So

742
00:39:23,080 --> 00:39:25,720
Speaker 1: screwed Scrubs fans. So sorry if you're if you're laughing,

743
00:39:25,760 --> 00:39:28,480
Speaker 1: and we don't, but we vaguely do. Yeah, So it

744
00:39:28,600 --> 00:39:31,520
Speaker 1: seven Ken walks Off singing Roy your Boat. And for

745
00:39:31,600 --> 00:39:33,560
Speaker 1: those you don't know, there's this all these songs that

746
00:39:33,560 --> 00:39:35,399
Speaker 1: are public domain, which means you don't have to pay

747
00:39:35,480 --> 00:39:38,080
Speaker 1: to use them because on a TV show, if it's

748
00:39:38,120 --> 00:39:41,200
Speaker 1: if it's if it's not a public domain song if

749
00:39:41,239 --> 00:39:43,480
Speaker 1: the license it, and they can obviously be. Some of

750
00:39:43,520 --> 00:39:45,760
Speaker 1: these songs we had on scribers can be super expensive.

751
00:39:46,280 --> 00:39:48,840
Speaker 1: But there's like this list of songs that that we

752
00:39:48,920 --> 00:39:51,520
Speaker 1: always had the scriptsy providers are always had and we

753
00:39:51,640 --> 00:39:55,000
Speaker 1: just wanted to sponsaneously had someone singing something you can like.

754
00:39:55,120 --> 00:39:57,319
Speaker 1: Look at the free song list and row row your

755
00:39:57,360 --> 00:39:58,759
Speaker 1: Boat is one of them. I was looking at some

756
00:39:58,840 --> 00:40:02,080
Speaker 1: of the others for a very long time. Happy Birthday

757
00:40:02,200 --> 00:40:05,399
Speaker 1: was not public domain and it was expensive. I think

758
00:40:05,440 --> 00:40:08,120
Speaker 1: it's a crap ton of money. It's since change, but

759
00:40:08,440 --> 00:40:11,240
Speaker 1: that's the reason why Stevie Wonder wrote the song Happy

760
00:40:11,480 --> 00:40:19,080
Speaker 1: Birthday to You, Happy Birthday to You, Happy Birthday that

761
00:40:19,200 --> 00:40:22,560
Speaker 1: originally it was from Martin Luther King, and I believe

762
00:40:22,640 --> 00:40:25,080
Speaker 1: he wanted to just sing the original Happy Birthday song,

763
00:40:25,120 --> 00:40:27,239
Speaker 1: but it costs so much money that Stevie was like, Yo,

764
00:40:27,320 --> 00:40:30,320
Speaker 1: you know what, I'll create another song, and he created

765
00:40:30,719 --> 00:40:35,560
Speaker 1: Happy Birthday to you Happy. I have no idea if

766
00:40:35,560 --> 00:40:37,799
Speaker 1: that's true, but I don't know either, but it sounds true.

767
00:40:37,840 --> 00:40:40,120
Speaker 1: But listen if you're ever watching TV shows or movies now,

768
00:40:40,200 --> 00:40:41,920
Speaker 1: and you'll see a lot of times when they bring

769
00:40:41,960 --> 00:40:45,160
Speaker 1: the cake in, they'll avoid singing Happy Birthday. They'll sing

770
00:40:45,239 --> 00:40:47,279
Speaker 1: like for he's a jolly good hello, or they do

771
00:40:47,400 --> 00:40:51,000
Speaker 1: something that's so not natural to what most in the

772
00:40:51,080 --> 00:40:53,120
Speaker 1: real world. It is because they're avoiding having to pay

773
00:40:53,480 --> 00:40:55,759
Speaker 1: for Happy Birthday. Although that's since change. I think now

774
00:40:55,840 --> 00:40:58,680
Speaker 1: it's become public domain. Anyway, you guys can google public

775
00:40:58,760 --> 00:41:01,200
Speaker 1: domain songs and learn which ones are Okay, So, but

776
00:41:01,400 --> 00:41:03,600
Speaker 1: check this out. Did you realize that there are people

777
00:41:04,440 --> 00:41:07,520
Speaker 1: in the bed and the title sequence? I can't do

778
00:41:07,680 --> 00:41:12,160
Speaker 1: this all on my own. They're like, there are people

779
00:41:12,239 --> 00:41:16,160
Speaker 1: in the beds and you see their faces. For Scrubs

780
00:41:16,239 --> 00:41:20,000
Speaker 1: fans out there, I would love if you were able

781
00:41:20,080 --> 00:41:24,160
Speaker 1: to find who those people were in the bed in

782
00:41:24,239 --> 00:41:27,040
Speaker 1: the title sequence, because they did not. They had nine

783
00:41:27,200 --> 00:41:30,880
Speaker 1: years on television and I don't think anyone's ever asked

784
00:41:31,080 --> 00:41:33,200
Speaker 1: who aldose people in the bed. Can you really make

785
00:41:33,200 --> 00:41:35,279
Speaker 1: out any faces? I'm scrolling through it slow right now?

786
00:41:35,719 --> 00:41:39,200
Speaker 1: You can make out faces? Yes? Well, there you go.

787
00:41:39,360 --> 00:41:41,440
Speaker 1: Donald has a request if you're in the title sequence

788
00:41:41,520 --> 00:41:46,680
Speaker 1: in bed, if you're into Scrubs trivia, I have the

789
00:41:46,800 --> 00:41:51,040
Speaker 1: ultimate trivia for you. Who are the patients in the

790
00:41:51,120 --> 00:41:54,520
Speaker 1: bed in the title sequence? I have some This is

791
00:41:54,560 --> 00:41:57,080
Speaker 1: the first episode where we learned that Cox's name is

792
00:41:57,160 --> 00:42:01,600
Speaker 1: Perry nice Um. There's another episode all of it's called

793
00:42:01,680 --> 00:42:05,000
Speaker 1: My Bad two spelled t O O, like, look who's

794
00:42:05,040 --> 00:42:09,800
Speaker 1: talking to The footage at the end of Jordan's winning

795
00:42:09,920 --> 00:42:12,759
Speaker 1: is actually from Bill and Christa's wedding. Did you know that?

796
00:42:13,200 --> 00:42:16,600
Speaker 1: I figured that out? That was pretty easy to Also,

797
00:42:16,719 --> 00:42:19,759
Speaker 1: that's I guess he's not watching it on television. So

798
00:42:20,360 --> 00:42:23,719
Speaker 1: is this a fantasy that Dr Cox has early on?

799
00:42:24,239 --> 00:42:27,440
Speaker 1: It must be a flashback? That's interesting. That's the interesting point.

800
00:42:27,920 --> 00:42:31,319
Speaker 1: Did other people have flashbacks besides j D It looks

801
00:42:31,360 --> 00:42:35,120
Speaker 1: like Perry did. Perry Perry Cox did um. I liked

802
00:42:35,160 --> 00:42:38,840
Speaker 1: theres a homage to the graduate at ten minutes in

803
00:42:38,960 --> 00:42:42,440
Speaker 1: one second, when I dropped my pants and through my

804
00:42:42,600 --> 00:42:46,640
Speaker 1: legs to see Jordan's and her leather dress A Mark

805
00:42:46,760 --> 00:42:51,040
Speaker 1: Buckland homage to the Graduate. Nice and I looked very

806
00:42:51,080 --> 00:42:53,759
Speaker 1: skinny when I'm when on lyne on the bed. I

807
00:42:53,840 --> 00:42:56,160
Speaker 1: was happy about that. It's really interesting when you're twenty

808
00:42:56,200 --> 00:42:58,560
Speaker 1: six years old. When you're twenty six years old, they

809
00:42:58,760 --> 00:43:01,160
Speaker 1: get abs. Well you back at I look back at

810
00:43:01,160 --> 00:43:03,560
Speaker 1: all this stuff. I was like, I remember dieting and

811
00:43:03,680 --> 00:43:06,040
Speaker 1: going to the gym all the time and trying to

812
00:43:06,640 --> 00:43:08,719
Speaker 1: you know what I mean. I killed to weigh that

813
00:43:08,880 --> 00:43:11,840
Speaker 1: much again. It's so hard to You can work so

814
00:43:12,040 --> 00:43:18,120
Speaker 1: much harder to so much less effect in your forties. Yeah. Yeah,

815
00:43:18,200 --> 00:43:20,960
Speaker 1: love handles fucking left and right. Love handle ship. I

816
00:43:21,000 --> 00:43:23,879
Speaker 1: eat a cookie, that ship stays on my ass, look

817
00:43:23,920 --> 00:43:28,239
Speaker 1: like a melted candle. I'm trying, though. Do you find

818
00:43:28,320 --> 00:43:30,040
Speaker 1: when you're doing scenes and you're in your boxers that

819
00:43:30,120 --> 00:43:33,480
Speaker 1: there's a there's a fine line between not wanting to

820
00:43:34,160 --> 00:43:37,000
Speaker 1: look like there's nothing going on but also not wanting

821
00:43:37,000 --> 00:43:40,879
Speaker 1: to overdo it. You don't have that problem. I looked

822
00:43:40,920 --> 00:43:43,640
Speaker 1: at your face. I knew your answer was gonna never

823
00:43:44,000 --> 00:43:47,200
Speaker 1: have that problem. I've never thought about. Are you talking

824
00:43:47,200 --> 00:43:49,600
Speaker 1: about fluffing? You're talking about fluffing. I don't mean to

825
00:43:49,719 --> 00:43:51,640
Speaker 1: getting any blood going. I just mean, like when I

826
00:43:51,719 --> 00:43:53,000
Speaker 1: was looking at myself lying on the bed there, I

827
00:43:53,160 --> 00:43:55,320
Speaker 1: think I remember being like, okay, well I don't obviously

828
00:43:55,360 --> 00:43:57,439
Speaker 1: don't want any thing to show, but I also don't

829
00:43:57,840 --> 00:43:59,600
Speaker 1: I don't look like I'm like a ken doll, So like,

830
00:43:59,760 --> 00:44:02,799
Speaker 1: is there a happy medium where I can What are

831
00:44:02,800 --> 00:44:08,000
Speaker 1: you looking at me? I just was cracking up. Now

832
00:44:08,280 --> 00:44:10,480
Speaker 1: I'm so sad that you're like, I have no idea. No,

833
00:44:10,560 --> 00:44:11,880
Speaker 1: I just want to know what you figured out? What

834
00:44:11,960 --> 00:44:13,839
Speaker 1: did you decide to do? I think I gave every

835
00:44:13,880 --> 00:44:16,000
Speaker 1: said moment. I think I gave everything a little ruffle.

836
00:44:17,800 --> 00:44:22,680
Speaker 1: I'm done. I'm done. I'm done. I'm done. Let's get

837
00:44:22,719 --> 00:44:30,200
Speaker 1: everything a wrong. Let's call down, let's cool town and

838
00:44:30,280 --> 00:44:41,200
Speaker 1: take a commercial friend. Let's do it, and we are back,

839
00:44:41,480 --> 00:44:44,560
Speaker 1: and we're back with the caller. Well, introduce us to

840
00:44:44,640 --> 00:44:47,640
Speaker 1: today's college. It looks like there's two college. Joel will

841
00:44:47,680 --> 00:44:52,279
Speaker 1: give it to us. Susan brought a friend. Susan bought

842
00:44:52,280 --> 00:44:55,080
Speaker 1: a friend. It's like a millionaire. You can bring a

843
00:44:55,120 --> 00:44:57,200
Speaker 1: friend called a friend. I had to bring a husband.

844
00:44:58,160 --> 00:45:02,080
Speaker 1: I love it. Are you are for Scottish? Damn it?

845
00:45:02,160 --> 00:45:06,640
Speaker 1: I always get that normal. I'm so sorry. Hi, guys. Hi,

846
00:45:08,840 --> 00:45:11,799
Speaker 1: I've been drinking all day, so sorry, Oh no, love,

847
00:45:11,840 --> 00:45:18,719
Speaker 1: it's Oh. I love your accent. I'm such a fan

848
00:45:18,800 --> 00:45:22,520
Speaker 1: of that accent. Okay, go ahead with your question for

849
00:45:22,680 --> 00:45:25,719
Speaker 1: the legendary Donald phase On or me eachever one. Yeah,

850
00:45:25,960 --> 00:45:28,480
Speaker 1: for both of you. You've mentioned in podcast two that

851
00:45:28,560 --> 00:45:30,920
Speaker 1: you didn't get to steal Rowdy or take row Day.

852
00:45:31,000 --> 00:45:34,399
Speaker 1: But what did you take from the sets? It must

853
00:45:34,440 --> 00:45:37,360
Speaker 1: have taken something. I got something I can grab for you. Donald,

854
00:45:37,440 --> 00:45:39,440
Speaker 1: Did you take anything? I did? But I don't know

855
00:45:39,480 --> 00:45:42,520
Speaker 1: where they are anymore. I did get quite a few scrubs,

856
00:45:43,760 --> 00:45:47,359
Speaker 1: the green ones, and I do have some sneakers from

857
00:45:47,400 --> 00:45:50,160
Speaker 1: the show as well. Yes, shoes. I don't have the

858
00:45:50,200 --> 00:45:53,239
Speaker 1: bowling shoes on four. You see these antlers. These are

859
00:45:53,280 --> 00:45:55,280
Speaker 1: from the pilot when I was a deer in headlights.

860
00:45:56,080 --> 00:45:59,800
Speaker 1: So these are actually the scrubs. Donald did his closets

861
00:45:59,840 --> 00:46:04,080
Speaker 1: and just reached down to the ga. These shoes right

862
00:46:04,160 --> 00:46:08,239
Speaker 1: here are the actual Scrubs rap party shoes that they

863
00:46:08,320 --> 00:46:10,640
Speaker 1: gave us. Those are limited edition and you wore them.

864
00:46:10,680 --> 00:46:12,759
Speaker 1: I don't mind, or mine are mint. Oh my gosh,

865
00:46:12,840 --> 00:46:16,239
Speaker 1: she's reworn, you know. Yeah, I didn't wear your own

866
00:46:16,320 --> 00:46:19,600
Speaker 1: swag it's a little lame. Well, it's fuck you man.

867
00:46:19,880 --> 00:46:21,920
Speaker 1: First of all, it says Scrubs in the back and

868
00:46:22,000 --> 00:46:25,320
Speaker 1: it's the hundredth episode and I did rock them. I

869
00:46:25,880 --> 00:46:27,600
Speaker 1: never like when you're an actor on the show you

870
00:46:27,719 --> 00:46:30,080
Speaker 1: can't normally wear like the swell. You look a little

871
00:46:30,120 --> 00:46:33,319
Speaker 1: douche wearing like the scrub sneakers. Oh man, I still

872
00:46:33,360 --> 00:46:36,520
Speaker 1: have pants from from Scrubs that I wore a pair

873
00:46:36,600 --> 00:46:40,359
Speaker 1: of pants for a real long time. Like, uh, most

874
00:46:40,360 --> 00:46:42,840
Speaker 1: of so, Susan, to answer your question, most of the

875
00:46:42,880 --> 00:46:48,600
Speaker 1: stuff that I got from Scrubs was, uh, wardrobe because

876
00:46:48,760 --> 00:46:51,400
Speaker 1: it was easy. It's easy to steal wardrobe. Quiet has

877
00:46:51,480 --> 00:46:55,200
Speaker 1: kept when you're acting in a project on the last day,

878
00:46:55,560 --> 00:46:58,120
Speaker 1: when you know you're never gonna see anybody again, you

879
00:46:58,160 --> 00:47:01,120
Speaker 1: can get away with some things if the wardrobe department

880
00:47:01,239 --> 00:47:03,320
Speaker 1: is cool with it and most likely isn't going to

881
00:47:03,400 --> 00:47:05,560
Speaker 1: be the stuff that you wore in the show, but

882
00:47:05,920 --> 00:47:09,640
Speaker 1: it's stuff that, uh, they'll probably have to return or

883
00:47:09,680 --> 00:47:11,920
Speaker 1: something like that, and they'll take the hit. I stole

884
00:47:12,000 --> 00:47:14,719
Speaker 1: a lot of I didn't steal. Actually I took and

885
00:47:14,800 --> 00:47:18,040
Speaker 1: it was allowed to take. A liberated quite a few

886
00:47:18,280 --> 00:47:22,200
Speaker 1: outfits of Chris Turks and most of them were scrubs

887
00:47:22,320 --> 00:47:25,960
Speaker 1: when you're hanging, when you're hanging behind him. So do

888
00:47:26,000 --> 00:47:28,839
Speaker 1: you have another question in my head? First of all,

889
00:47:28,840 --> 00:47:33,239
Speaker 1: you guys are so cute. How's your isolation going over

890
00:47:33,280 --> 00:47:37,200
Speaker 1: there in Scotland? Yeah, this is our fourth week and

891
00:47:38,400 --> 00:47:41,680
Speaker 1: it's tough. But the way that's good at the moment,

892
00:47:41,840 --> 00:47:45,920
Speaker 1: So that's helpful helps. Yes, that's happened to us in

893
00:47:46,040 --> 00:47:48,440
Speaker 1: Los Angeles as well. It's been raining NonStop and the

894
00:47:48,480 --> 00:47:50,560
Speaker 1: sun finally came out, so I think we can. It's

895
00:47:50,560 --> 00:47:52,200
Speaker 1: a little bit easier to smile when the on the

896
00:47:52,239 --> 00:47:54,480
Speaker 1: sun's bide. Oh yeah, just to be glad when it's

897
00:47:54,480 --> 00:47:58,680
Speaker 1: all over. Do you guys ever get drunk and relive

898
00:47:59,120 --> 00:48:02,479
Speaker 1: all skates? She's like the Sanford and Songs one because

899
00:48:02,560 --> 00:48:06,560
Speaker 1: I just mean, that's my husband's favorite me my son.

900
00:48:09,080 --> 00:48:10,680
Speaker 1: Do you do the song? Donald? Can you do a

901
00:48:10,719 --> 00:48:14,360
Speaker 1: little bit for There's there's there's the there's the Sanford

902
00:48:14,440 --> 00:48:17,440
Speaker 1: in some theme, and then there's the Turk version when

903
00:48:17,520 --> 00:48:21,719
Speaker 1: Carla won't when Carla won't leave him alone? Remember, quiet down,

904
00:48:21,800 --> 00:48:26,400
Speaker 1: Now it is time to wash the show. Yes, it started.

905
00:48:27,640 --> 00:48:30,800
Speaker 1: Don't be licking me no more? Matter fact? Can I

906
00:48:30,920 --> 00:48:42,400
Speaker 1: get a handy why Dad, Dad Dad, And then we

907
00:48:42,480 --> 00:48:45,960
Speaker 1: come back from break after we sang it just you

908
00:48:46,040 --> 00:48:57,920
Speaker 1: do like Sanford and Son, Bran Brana, Braw Brown Bam

909
00:48:58,000 --> 00:49:04,319
Speaker 1: bam bam fa and you even did Elizabeth I'm coming. Yeah,

910
00:49:06,440 --> 00:49:08,480
Speaker 1: he said he used to diet almost every episode, like,

911
00:49:12,320 --> 00:49:14,759
Speaker 1: it's not a program where you paddle over here at all.

912
00:49:14,920 --> 00:49:18,239
Speaker 1: So we had to google the obviously, the credits to

913
00:49:18,320 --> 00:49:22,000
Speaker 1: find out what the originals really. I think I know

914
00:49:22,080 --> 00:49:23,800
Speaker 1: what you guys are doing tonight. You're gonna go on

915
00:49:24,040 --> 00:49:26,480
Speaker 1: YouTube or wherever and start watching some Sandford and Son.

916
00:49:26,600 --> 00:49:30,080
Speaker 1: A Sanford and Son marathon. Sounds great right now? Actually,

917
00:49:30,400 --> 00:49:33,920
Speaker 1: nothing else to do. Yeah, it's uh, listen if you

918
00:49:33,960 --> 00:49:38,120
Speaker 1: want to laugh. And nothing like Red Fox going at it.

919
00:49:38,719 --> 00:49:42,000
Speaker 1: Oh my gosh. He's one of the I mean Red Foxes.

920
00:49:42,640 --> 00:49:46,600
Speaker 1: He was before Richard pryor before Eddie Murphy. It was

921
00:49:46,680 --> 00:49:49,279
Speaker 1: read you know what I mean. So really the theme

922
00:49:49,320 --> 00:49:53,279
Speaker 1: to this sub podcast episode of of eighties eighties sitcoms. Yeah,

923
00:49:53,680 --> 00:49:55,959
Speaker 1: well that's the seventies sitcom. I think I'm really proud

924
00:49:56,000 --> 00:49:58,319
Speaker 1: of us that we we we we developed a theme

925
00:49:58,400 --> 00:50:01,239
Speaker 1: for this one. Absolutely, all right, guys, Well, thank you

926
00:50:01,320 --> 00:50:03,600
Speaker 1: for calling in all the way from Scotland and keep

927
00:50:03,680 --> 00:50:08,719
Speaker 1: drinking and stay safe, stay healthy. We wanted you to

928
00:50:08,760 --> 00:50:16,160
Speaker 1: get drunk and watch Stanford and you'll thank us. Oh man,

929
00:50:16,200 --> 00:50:18,480
Speaker 1: I couldn't get the Irish Scottish thing right. That's that's

930
00:50:18,520 --> 00:50:20,359
Speaker 1: what you never do. You're going to get so much

931
00:50:20,719 --> 00:50:23,520
Speaker 1: for that. I'm so upset you never do due to

932
00:50:23,680 --> 00:50:26,839
Speaker 1: all my people of Ireland and Scotland. I'm sorry. One

933
00:50:26,920 --> 00:50:31,080
Speaker 1: day I planned to get it right. You took a picture. Hush, Susan.

934
00:50:31,719 --> 00:50:34,160
Speaker 1: Susan took a picture trying to sneak out the door

935
00:50:34,200 --> 00:50:36,440
Speaker 1: by taking a figure. It's all right, don't worried about it.

936
00:50:36,480 --> 00:50:38,560
Speaker 1: I would have fixed my hair, Susan. I don't worry

937
00:50:38,560 --> 00:50:42,239
Speaker 1: about it. I did not put in the prontuctli. No,

938
00:50:42,400 --> 00:50:44,040
Speaker 1: it didn't click. We just heard it. We just heard it.

939
00:50:44,080 --> 00:50:45,919
Speaker 1: But I'm sorry. I don't worry about Susan. You could

940
00:50:45,920 --> 00:50:48,840
Speaker 1: post it on Instagram or Facebook or whatever it is

941
00:50:48,920 --> 00:50:53,680
Speaker 1: that you have. Just be like, look what show we

942
00:50:53,800 --> 00:50:56,759
Speaker 1: were on. We've loved the press. Thank you very much.

943
00:50:57,040 --> 00:51:03,600
Speaker 1: Thank you later. I love having couples. You were like adorable.

944
00:51:04,080 --> 00:51:06,359
Speaker 1: They were so cute. I want to be friends with them.

945
00:51:06,480 --> 00:51:08,600
Speaker 1: He totally jacked that. She was like, I'm gonna be

946
00:51:08,960 --> 00:51:10,279
Speaker 1: I got it, I got it, I got it. He

947
00:51:10,360 --> 00:51:12,560
Speaker 1: was like, we're sitting there in Scotland and quarantine there.

948
00:51:12,600 --> 00:51:13,840
Speaker 1: He's not gonna be like, oh, I'll go in the

949
00:51:13,880 --> 00:51:16,600
Speaker 1: other room. He's like, yeah, let me on that zoom call. Yeah,

950
00:51:16,800 --> 00:51:21,160
Speaker 1: you know, he's like, you know, you know, you know

951
00:51:21,200 --> 00:51:23,239
Speaker 1: what we're doing at one? You know what we're doing

952
00:51:23,280 --> 00:51:25,120
Speaker 1: it one? Not at one? What time is it there?

953
00:51:25,160 --> 00:51:29,279
Speaker 1: It's it's like eight hour differences, eight hours, right, it's

954
00:51:30,520 --> 00:51:32,399
Speaker 1: you know, we're doing a tin. You know what we're doing?

955
00:51:32,440 --> 00:51:35,880
Speaker 1: A tin? Was a surprise. Maybe she didn't tell him.

956
00:51:35,920 --> 00:51:38,320
Speaker 1: She's like, we're gonna zoom some old friends. He was

957
00:51:38,400 --> 00:51:41,319
Speaker 1: the cob. That was the calms reaction. Well they were.

958
00:51:41,400 --> 00:51:43,759
Speaker 1: She said, they've been drinking all day. That's true, Like

959
00:51:43,920 --> 00:51:47,880
Speaker 1: you are you drinking orange j That's a fucking mimosa.

960
00:51:47,960 --> 00:51:51,839
Speaker 1: It's gotta be this is orange juice. Is there any

961
00:51:51,960 --> 00:51:54,799
Speaker 1: screw in that driver? There is no screw, but there

962
00:51:54,920 --> 00:52:00,400
Speaker 1: is tekey. What's that called orange juice? To keep? To

963
00:52:00,520 --> 00:52:05,640
Speaker 1: kill a sunrise? Right? The sunrise? Okay, um, I think

964
00:52:05,680 --> 00:52:07,719
Speaker 1: it's such a funked up thing. At sixteen three, to

965
00:52:07,760 --> 00:52:11,759
Speaker 1: say someone to someone, I don't dislike you. I nothing you. Yeah,

966
00:52:12,440 --> 00:52:16,080
Speaker 1: And that's a that's an actual Christa Miller is saying, yes,

967
00:52:16,480 --> 00:52:18,840
Speaker 1: I have no feelings for you. Let you don't understand

968
00:52:19,360 --> 00:52:22,360
Speaker 1: you so little affect me that I don't even have energy,

969
00:52:22,600 --> 00:52:24,040
Speaker 1: I don't write, I don't even I don't even have

970
00:52:24,120 --> 00:52:26,480
Speaker 1: feelings of not liking you. I just I just don't

971
00:52:26,520 --> 00:52:28,520
Speaker 1: think about nothing you. I don't even think about you.

972
00:52:28,840 --> 00:52:31,400
Speaker 1: Remember christ Remember Christal telling me she was like, you,

973
00:52:31,520 --> 00:52:35,759
Speaker 1: if you ever want to hurt someone, she handed up.

974
00:52:36,080 --> 00:52:38,160
Speaker 1: She was like, this is how you do it. She

975
00:52:38,320 --> 00:52:40,480
Speaker 1: was like, I've always thought this was the funniest way

976
00:52:40,520 --> 00:52:43,160
Speaker 1: to do it. I don't dislike you. I'm nothing you

977
00:52:43,680 --> 00:52:47,760
Speaker 1: nothing you I don't know you know. We don't advise

978
00:52:47,840 --> 00:52:50,120
Speaker 1: you being that mean to anyone in your life. That's

979
00:52:50,160 --> 00:52:53,920
Speaker 1: COVID Doctor's Real Friends podcast. But it's the television show.

980
00:52:53,960 --> 00:52:56,640
Speaker 1: It's a great joke. No, I'm just saying something to

981
00:52:56,680 --> 00:52:59,040
Speaker 1: say to someone. Yeah. Remember we had a whole riff

982
00:52:59,120 --> 00:53:01,120
Speaker 1: on like what's the worst thing that someone could ever

983
00:53:01,160 --> 00:53:03,279
Speaker 1: say to you? And it was like, would you just

984
00:53:04,000 --> 00:53:11,520
Speaker 1: please leave? He's like, oh my gosh, sw not. We

985
00:53:11,719 --> 00:53:13,680
Speaker 1: like we like zoned in on like, what's the like

986
00:53:13,920 --> 00:53:15,960
Speaker 1: if someone just looks at you, it just says you

987
00:53:16,239 --> 00:53:22,440
Speaker 1: just please leave. That was horrible. Sean Hayes has a

988
00:53:22,520 --> 00:53:25,480
Speaker 1: good one too, where you know where you're talking to

989
00:53:25,640 --> 00:53:30,000
Speaker 1: someone and you don't want to talk to someone who's approaching,

990
00:53:30,960 --> 00:53:33,680
Speaker 1: and they approach and you turned in and go, you're

991
00:53:33,719 --> 00:53:35,279
Speaker 1: gonna have to give me a second, and you turned

992
00:53:35,320 --> 00:53:38,360
Speaker 1: back to the person you were talking to. Yeah, he

993
00:53:38,440 --> 00:53:40,680
Speaker 1: had a lot of funny ones where you go someone interrupted,

994
00:53:40,760 --> 00:53:46,120
Speaker 1: I'm sorry, I'm not used to be interrupted. Um, I

995
00:53:46,160 --> 00:53:48,719
Speaker 1: thought that was you dude. You stole that one. St

996
00:53:48,880 --> 00:53:51,359
Speaker 1: that from Shawn Hayes. That's a good thing up. He's

997
00:53:51,400 --> 00:53:54,239
Speaker 1: coming up in an episode. I can't wait. That was

998
00:53:54,360 --> 00:53:56,680
Speaker 1: season one, right? It definitely was season one because it

999
00:53:56,760 --> 00:54:01,080
Speaker 1: happened the same September eleven, September eleven. Ye. The song

1000
00:54:01,200 --> 00:54:04,560
Speaker 1: that ends the show is a Good Life stunner. Yes,

1001
00:54:04,800 --> 00:54:07,640
Speaker 1: can I say something please? I've been bumping Good Life

1002
00:54:08,239 --> 00:54:11,239
Speaker 1: in my car for the past and on my iPad

1003
00:54:11,800 --> 00:54:15,160
Speaker 1: or I phone, whatever it is, my whatever, wherever it is.

1004
00:54:15,400 --> 00:54:17,960
Speaker 1: You listen to your music, wherever it is, uses to

1005
00:54:18,040 --> 00:54:22,080
Speaker 1: your music. I have been bumping Good Life for about

1006
00:54:22,120 --> 00:54:24,959
Speaker 1: two years now, and I thought I found some deep

1007
00:54:25,080 --> 00:54:28,080
Speaker 1: cut on a not the best of playlist, but you know,

1008
00:54:28,200 --> 00:54:30,279
Speaker 1: like the you know how they have the eighties now

1009
00:54:30,719 --> 00:54:34,480
Speaker 1: music and they have like the love song from the

1010
00:54:34,600 --> 00:54:37,840
Speaker 1: eighties or love songs from the Coast or whatever it is,

1011
00:54:38,000 --> 00:54:39,640
Speaker 1: you know what I mean. I thought I found a

1012
00:54:39,719 --> 00:54:42,440
Speaker 1: deep cut and it was good life, And then when

1013
00:54:42,480 --> 00:54:44,399
Speaker 1: it came on today, I was like, this is where

1014
00:54:44,440 --> 00:54:46,640
Speaker 1: I know the song from. It's a great song, and

1015
00:54:46,800 --> 00:54:49,160
Speaker 1: like like like you, I think a lot of people

1016
00:54:49,200 --> 00:54:53,000
Speaker 1: found some good tunes on scrubs. And just a reminder

1017
00:54:53,080 --> 00:54:55,560
Speaker 1: for those of you who don't know UM on streaming

1018
00:54:56,239 --> 00:54:58,360
Speaker 1: platforms at least have all the same songs that we

1019
00:54:58,440 --> 00:55:01,839
Speaker 1: reference on this podcast because of licensing deals. And these

1020
00:55:01,880 --> 00:55:05,840
Speaker 1: were all contracts that were signed before streaming existed, so

1021
00:55:06,120 --> 00:55:09,400
Speaker 1: it's really only on if you buy it iTunes or

1022
00:55:09,400 --> 00:55:11,480
Speaker 1: the DVDs. I'm not telling you to buy it, we

1023
00:55:11,520 --> 00:55:13,040
Speaker 1: don't care, but I'm just saying that some of the

1024
00:55:13,120 --> 00:55:15,320
Speaker 1: music might be different, so you might be listening to

1025
00:55:15,360 --> 00:55:18,840
Speaker 1: something that's not Francis dunnering if you're streaming it because

1026
00:55:19,280 --> 00:55:22,040
Speaker 1: some of the songs didn't have contracts that lasted until

1027
00:55:22,840 --> 00:55:25,320
Speaker 1: well this was on Hulu that I heard this, So

1028
00:55:25,800 --> 00:55:28,560
Speaker 1: so that's the episode that was that was what else

1029
00:55:28,560 --> 00:55:30,200
Speaker 1: are you gonna say? I'm trying to think. I'm trying

1030
00:55:30,239 --> 00:55:32,759
Speaker 1: to think if I had anything else. How many times

1031
00:55:32,800 --> 00:55:35,840
Speaker 1: have they used the inside the mouth shot to somebody

1032
00:55:35,960 --> 00:55:38,239
Speaker 1: saying say now, say ah? You know? Is that? That

1033
00:55:38,320 --> 00:55:40,160
Speaker 1: was definitely one of the Mark Buckling the trick shots.

1034
00:55:40,239 --> 00:55:42,480
Speaker 1: There's also a close up shot of Jordan with the mirror.

1035
00:55:42,560 --> 00:55:45,319
Speaker 1: There's also the sideways shot of Sarah from the from

1036
00:55:45,360 --> 00:55:49,680
Speaker 1: the Psychologists, a lot of cookie fun Mark. I thought

1037
00:55:49,680 --> 00:55:51,319
Speaker 1: that was really cool. I think like the only time

1038
00:55:51,360 --> 00:55:54,000
Speaker 1: that I've ever seen that was like Little Shapa Horrors.

1039
00:55:54,040 --> 00:55:56,680
Speaker 1: When Steve Martin is looking in the person's mouth, He's

1040
00:55:56,719 --> 00:56:01,399
Speaker 1: like say ah, like wrap up this episode. You wanted

1041
00:56:01,440 --> 00:56:03,719
Speaker 1: to go back to the very first shot, the very

1042
00:56:03,840 --> 00:56:07,799
Speaker 1: first shot of the episode, start at the very beginning.

1043
00:56:08,640 --> 00:56:11,560
Speaker 1: You love that reference. I love you. I love you too, man,

1044
00:56:11,960 --> 00:56:14,279
Speaker 1: I miss you man, I really do you know? I

1045
00:56:14,520 --> 00:56:17,840
Speaker 1: I I dream and hope that this will all be

1046
00:56:18,000 --> 00:56:21,480
Speaker 1: over soon, you know, and we can sit in the studio.

1047
00:56:21,520 --> 00:56:24,319
Speaker 1: It would be great to do this sitting across from

1048
00:56:24,360 --> 00:56:27,359
Speaker 1: each other, and we could offer each other snacks. Yeah,

1049
00:56:27,800 --> 00:56:30,360
Speaker 1: maybe drink a Coca cola together. You can offer me

1050
00:56:30,440 --> 00:56:35,080
Speaker 1: a tequila sunrise or although I'm not day drinking yet today,

1051
00:56:35,120 --> 00:56:36,960
Speaker 1: although I probably will in a bit because the sun's out,

1052
00:56:37,000 --> 00:56:41,360
Speaker 1: there might be time for an ice cold beverage. You know.

1053
00:56:41,480 --> 00:56:45,400
Speaker 1: They say that during this uh pandemic quarantine, a lot

1054
00:56:45,440 --> 00:56:48,759
Speaker 1: of people are playing video games, drinking, smoking a lot

1055
00:56:48,840 --> 00:56:53,320
Speaker 1: of weed, and eating. I love that marijuana in the

1056
00:56:53,800 --> 00:56:57,440
Speaker 1: at least Los Angeles has been considered an essential service.

1057
00:56:58,040 --> 00:57:00,800
Speaker 1: Of course, I respect that some people do for medicine

1058
00:57:00,840 --> 00:57:04,640
Speaker 1: and it is UH required to help them. But for

1059
00:57:04,760 --> 00:57:08,080
Speaker 1: Donal and I, who don't always use it for medical purposes,

1060
00:57:08,200 --> 00:57:12,239
Speaker 1: we occasionally find ourselves using it for recreational services. I

1061
00:57:13,160 --> 00:57:17,240
Speaker 1: do appreciate that the weed stores are all open. You know.

1062
00:57:17,320 --> 00:57:20,440
Speaker 1: It definitely calms the spirit. Yeah, you know what, when

1063
00:57:20,480 --> 00:57:22,600
Speaker 1: you need to take a little bit of anxiety edge off.

1064
00:57:24,360 --> 00:57:26,840
Speaker 1: We're not endorsing it, but if anybody out there has

1065
00:57:26,920 --> 00:57:32,400
Speaker 1: a weed company it once to sponsor our show, we'd

1066
00:57:32,480 --> 00:57:39,480
Speaker 1: be more than happy to first try your product. This

1067
00:57:39,640 --> 00:57:43,080
Speaker 1: is drug deals gone down on zoom. I don't know

1068
00:57:43,160 --> 00:57:45,360
Speaker 1: if he's an I don't know if there's any weed

1069
00:57:45,760 --> 00:57:49,880
Speaker 1: distributors advertising on podcast. But we'll soon find out, won't

1070
00:57:49,920 --> 00:57:55,200
Speaker 1: we do? This is three two seven dude? Enough enough, Okay, sorry,

1071
00:57:57,400 --> 00:57:59,400
Speaker 1: Hey fans, we love you. If you're a health worker

1072
00:57:59,480 --> 00:58:01,640
Speaker 1: on the front lines, thank you so much for everything

1073
00:58:01,720 --> 00:58:04,360
Speaker 1: you're doing and for your courage. Whether you're a nurse

1074
00:58:04,480 --> 00:58:06,440
Speaker 1: or a doctor, or a janitor or a medic, or

1075
00:58:06,480 --> 00:58:09,880
Speaker 1: a cop or a fireman, we are grateful to you

1076
00:58:10,160 --> 00:58:13,360
Speaker 1: for being so brave during this time. Yes, we are

1077
00:58:13,400 --> 00:58:16,520
Speaker 1: absolutely very grateful to all of the people that work

1078
00:58:16,600 --> 00:58:20,440
Speaker 1: in the grocery stores and put themselves in the virus

1079
00:58:20,600 --> 00:58:24,160
Speaker 1: is way by putting out food and helping people at

1080
00:58:24,200 --> 00:58:27,160
Speaker 1: the grocery stores or uh, we thank you as well.

1081
00:58:27,280 --> 00:58:30,840
Speaker 1: You you guys are all heroes to us, and thank you.

1082
00:58:31,000 --> 00:58:33,720
Speaker 1: Thank you so so, so so much for your service

1083
00:58:34,160 --> 00:58:36,280
Speaker 1: as thank you so much. And to the brave souls

1084
00:58:36,360 --> 00:58:39,680
Speaker 1: manning all the pot shops in Los Angeles, thank you.

1085
00:58:40,360 --> 00:58:52,720
Speaker 1: Donald's thanks stories about show we paid nurses and janitor stories.

1086
00:58:56,560 --> 00:59:01,360
Speaker 1: So get around here, are ye around to hear viscru

1087
00:59:01,560 --> 00:59:05,880
Speaker 1: free watch you wi and then d mm hmm