WEBVTT - Rico Love

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<v Speaker 1>Money. We all take valiche. We are the authority on

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<v Speaker 1>all things. Ladies and gentlemen. My name is Tank and

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<v Speaker 1>this don't be money podcasts. Well, we are the authority

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<v Speaker 1>on all things. And the lights, the lights, all the

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<v Speaker 1>lights on. They're okay, okay, because when when you talk,

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<v Speaker 1>when you talk this talk, the lights gotta be all

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<v Speaker 1>you know there there there are some individuals, right, and

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<v Speaker 1>when you are working with these individuals, when you are

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<v Speaker 1>in the presence of these individuals, you just shut the

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<v Speaker 1>funk up and do what they tell you to do.

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<v Speaker 1>Because it's rare. But there are those people, and one

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<v Speaker 1>of them is here today, our brother Mr Rico Love

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<v Speaker 1>What out? What up? Listen? It's it's it's very I

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<v Speaker 1>can count on one hand the people who have vocal

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<v Speaker 1>produced me, and I can count on an alien hand.

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<v Speaker 1>What are the three fingers? And then they got four

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<v Speaker 1>because they counted force the count of threes. The threes, well,

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<v Speaker 1>I know another alienation. That's why I'm going four by

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<v Speaker 1>eight bytes. Yes, alien talk, three binary code micro chips talk. Um,

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<v Speaker 1>it's it's rare, and and not even just from a

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<v Speaker 1>vocal production standpoint, but um just an overall understanding and

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<v Speaker 1>idea of where a song should go, and to be

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<v Speaker 1>able to sit up under you, pause and and take

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<v Speaker 1>those notes and instructions word for word, line for line,

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<v Speaker 1>like I felt great in that space, man, you know

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<v Speaker 1>what I'm saying. I felt I felt like I felt

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<v Speaker 1>like I was in school and I was learning something.

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<v Speaker 1>And at the end of this, at the end of

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<v Speaker 1>this semester, I was going to graduate. You know. It's

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<v Speaker 1>crazy was when I when I started the session with you,

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<v Speaker 1>after I wrote the song, I was about to step

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<v Speaker 1>out you and but he said are you going? You

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<v Speaker 1>said where you going? You're like, nah, no, and then

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<v Speaker 1>you just let me leave. That was amazing. That was

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<v Speaker 1>a great, great moment for me. Just so you know,

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<v Speaker 1>I mean, it's it's Harvey Mason JR. Oh yeah, you

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<v Speaker 1>coop When Jay is not poll j Jye Vocal produced me,

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<v Speaker 1>run the proteols, be watching NBA and on social media

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<v Speaker 1>all the same. I don't know how he does just

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<v Speaker 1>the time to say that ain't the chief JQ. Jake,

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<v Speaker 1>Jake was really dope, and you've done a lot of

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<v Speaker 1>work together. But in terms of me just getting to

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<v Speaker 1>where I know I need to go, I know how

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<v Speaker 1>to get there. But there are just some guys who

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<v Speaker 1>just hear things away. I want to hear them and

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<v Speaker 1>and make things away that I want to make them.

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<v Speaker 1>And I'm like, whatever you're doing, you want the record

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<v Speaker 1>to feel like that demo you heard, and then give

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<v Speaker 1>me that. Give me the suit that you're wearing, give

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<v Speaker 1>it to me. Just cut a little bit offsides and

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<v Speaker 1>you know what I'm saying, the tail of the arms,

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<v Speaker 1>maybe cut the sleeves off. I'd like to show my ship.

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<v Speaker 1>But that's like, that's an amazing gift that you have,

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<v Speaker 1>you know what I'm saying, And so I just wanted

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<v Speaker 1>to start there and say thank you, um, and give

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<v Speaker 1>you all the respect and love, you know what I mean.

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<v Speaker 1>They call it flowers or whatever else they want to

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<v Speaker 1>call it, but you know that's a respect thing. And

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<v Speaker 1>you're from the house, yeah, man, from the mill. You

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<v Speaker 1>know what I'm saying. And I know what kind of

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<v Speaker 1>guy you are. You don't know, it's in your blood, um.

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<v Speaker 1>But we always like to go to the beginning, you

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<v Speaker 1>know what I'm saying. We like to start at the

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<v Speaker 1>very beginning of of of where it happened for you,

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<v Speaker 1>where you felt like or somebody felt like you had

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<v Speaker 1>something different and something special to off crazy because I

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<v Speaker 1>started off as a rap artist and a lot of

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<v Speaker 1>people may have Yeah, yeah, so I started off as

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<v Speaker 1>a rap artist and I was signed as a rap artist.

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<v Speaker 1>I should just label us records and you slash slap record.

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<v Speaker 1>I remember all part of that. Remember performing for Clive,

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<v Speaker 1>because that's when you you couldn't just get up straight.

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<v Speaker 1>I want to you want to see him, and I

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<v Speaker 1>remember Clive standing up and clapping at a rap performance

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<v Speaker 1>of mine. So, but yeah, I signed to us you

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<v Speaker 1>as a rap artist. But I always thought, you know,

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<v Speaker 1>you have to understand, well, I sure put you on

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<v Speaker 1>TV with him as a gift in the curse, So

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<v Speaker 1>I thought I signed with him. He put me on

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<v Speaker 1>How I'm Living, and he put me on Diary, MTV Diary,

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<v Speaker 1>and I was just in the house. He introduces me

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<v Speaker 1>on Diary, introduces me on b TE How I'm Living.

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<v Speaker 1>So what happens is your family thinks, oh, he's got

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<v Speaker 1>a million dollars like he's This is before social media,

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<v Speaker 1>and this is social media exposed too much, I think,

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<v Speaker 1>maybe too much of what the business is to way

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<v Speaker 1>it eliminated the mystique. But that's a whole other conversation.

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<v Speaker 1>Hope believe we get it into that later. But the family,

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<v Speaker 1>my mom, I said, everybody thought is really up. So

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<v Speaker 1>everybody's just calling we need this, you know, grandmom and everybody.

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<v Speaker 1>So I remember thinking to myself, Yo, I'm entirely too

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<v Speaker 1>broke to have a record, dude, this is crazy. Had

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<v Speaker 1>to deal, Yeah, I had to deal. I hadn't did

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<v Speaker 1>We had performed for Clive, but we hadn't did the

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<v Speaker 1>actual deal with Jay Records. We had just did the

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<v Speaker 1>deal with US Records. So I did that deal. I remember.

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<v Speaker 1>So I remember going to Usher's office like every day,

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<v Speaker 1>just waiting, you know what I mean. I don't know

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<v Speaker 1>bully Ship, just waiting like where is he? Oh, he's

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<v Speaker 1>not here today. I'm like wait because I need some money.

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<v Speaker 1>So these people on my back exactly exactly. So I

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<v Speaker 1>showed up one day and he said us not here,

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<v Speaker 1>and I was getting ready to leave and he pulled up.

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<v Speaker 1>I never forget. He had a box to He had

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<v Speaker 1>this box to Porsch and he had on a yellow vest.

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<v Speaker 1>Remember the vest of people were and they were the

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<v Speaker 1>polo under it. He had the yellow vests. I never forget,

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<v Speaker 1>like the cloth and I just remember thinking himself at

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<v Speaker 1>that time, it just looks so rich, and I just

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<v Speaker 1>got angry. I'm like, I need some money, man, what's

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<v Speaker 1>going on? Because so I go there and my set bro,

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<v Speaker 1>I need some money, like we signed, I I need

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<v Speaker 1>some bread. He said, all right, listen, come here, come

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<v Speaker 1>and come in his off and he made a blank CD.

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<v Speaker 1>Made it, took a blank CD put in the record.

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<v Speaker 1>He had Terrence Carter burn this CD and he said,

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<v Speaker 1>here's a beat. We've been trying to write to this

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<v Speaker 1>beat for a very long time. We had everybody tried.

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<v Speaker 1>Nobody can nail the song for this. So what I

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<v Speaker 1>want you to do is I want you to write

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<v Speaker 1>a song for me. And his exact words to me,

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<v Speaker 1>the level of confidence was write a song for me.

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<v Speaker 1>You'll be good. I'm a cell ten million. So I said,

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<v Speaker 1>all right, I take the track and I got a tacke.

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<v Speaker 1>You have a lot of diamonds on it. He said

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<v Speaker 1>that to me. He said it with in those exact words,

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<v Speaker 1>I'm a Shelton million, you know what I mean. So

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<v Speaker 1>I was like, okay, I took the track. Um sitting

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<v Speaker 1>in a parking lot of red Zone studios, those don't

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<v Speaker 1>know the Red Zone. So you understand. I came up

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<v Speaker 1>in the community of writer's creators, rappers. It was myself

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<v Speaker 1>in one room. Dream was in another room. Nobody knew him.

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<v Speaker 1>Carry Holston would be in one of room. Sierra would

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<v Speaker 1>come down and from high school, drive down and work

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<v Speaker 1>in the studio. She was signed the Jazz Faye. It

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<v Speaker 1>was a whole community of us. I used to run

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<v Speaker 1>into a little young jock and t like we were

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<v Speaker 1>all trying to make it in the business. And I

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<v Speaker 1>sat in Red Zone parking lot because all the studios

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<v Speaker 1>were booked. Me and the corner boys had a room

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<v Speaker 1>in the back right. Shout out to the corner boy,

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<v Speaker 1>and I had a flip phone and I sang to

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<v Speaker 1>the beat and the beat was, uh, just blaze, You're

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<v Speaker 1>gonna want me back? And I sang throwback in the

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<v Speaker 1>phone and saved it on the on the notes, and

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<v Speaker 1>I tried to get Pierre mcdual. My brothers shout, I gotta,

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<v Speaker 1>I gotta give him shift for this. But I tried

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<v Speaker 1>to get Pierre to do the demo for me. He

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<v Speaker 1>didn't just didn't have time. So j Q was just

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<v Speaker 1>walking through the halls and he said, you need, you

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<v Speaker 1>need somebody to demo something, I'll demo it for you now.

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<v Speaker 1>Now I'm gonna tell you the truth about everything. I

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<v Speaker 1>don't like to leave things out. I don't want to

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<v Speaker 1>make sure everybody gets their credit. JQ demoed the song,

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<v Speaker 1>and although he didn't write lyrics on the song, he

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<v Speaker 1>did an ad lib on the song and said, I

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<v Speaker 1>wish I could throw it back to the way it

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<v Speaker 1>used to be. That was the ad lit that he added.

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<v Speaker 1>And he said to me, I was thinking because he

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<v Speaker 1>sent me he gave me the CD back after he

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<v Speaker 1>cut it, and he said, I was thinking, by the way,

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<v Speaker 1>we couldn't say we had to see me to give

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<v Speaker 1>me this. So he said, I was thinking that you

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<v Speaker 1>should call a song throwback at that time, two thousand

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<v Speaker 1>and three throwback jerseys, you know, And so I was like,

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<v Speaker 1>why does genius? So we called a song throwback and

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<v Speaker 1>heard that them when I played it for us, Terence

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<v Speaker 1>called a loss is my mark, pits loss my Usher,

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<v Speaker 1>loss is mine and the rest of just history. He

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<v Speaker 1>cut that record and it changed my life. That's how

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<v Speaker 1>my career started as a songwriter. So even when Usher

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<v Speaker 1>got rid of his label and moved on to other things.

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<v Speaker 1>He blessed me with something that nobody could ever take

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<v Speaker 1>away from me. He he unlocked something in me that

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<v Speaker 1>I didn't know existed. So I just kept right enofter that.

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<v Speaker 1>So that's why when people, you know, if you ever

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<v Speaker 1>been around me here, somebody talk bad about us, it

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<v Speaker 1>gets really bad for them. I just don't lie. I

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<v Speaker 1>just don't allow it. But that's how it should be,

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<v Speaker 1>you know what I mean, When when somebody gives you

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<v Speaker 1>those type of opportunities, you have to always stay loyal.

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<v Speaker 1>You know what I'm saying that. Now you may have

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<v Speaker 1>your own little personal things, yeah, we go, we go through,

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<v Speaker 1>but when somebody gives you that type of opportunity to

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<v Speaker 1>change your life, you gotta go with the And also

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<v Speaker 1>out of Usher had an R and B group signed

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<v Speaker 1>to him. One chance incredible, he had one chance on him.

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<v Speaker 1>But he would take me everywhere with him. It's the

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<v Speaker 1>craziest thing in the world. Usher would call me and say,

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<v Speaker 1>get on the plane. I'm gonna get a ticket for you.

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<v Speaker 1>Just bring an empty bag and the will fly to

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<v Speaker 1>l A. He was here for American Music Awards and

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<v Speaker 1>he would just take me shopping while I was like

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<v Speaker 1>there's like a real little brother. We just always connected.

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<v Speaker 1>We always have great talks and and I would give

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<v Speaker 1>him advice. He would give me advice, you know. He

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<v Speaker 1>always said, bro, you're so wise, like what you're thinking

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<v Speaker 1>about this the high level ship and he would just

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<v Speaker 1>put me on. So we would always hang out. When

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<v Speaker 1>he did the press run, he did read Just and

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<v Speaker 1>Kelly and did all those shows. I was with him

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<v Speaker 1>when he was going to do BT Awards. He would

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<v Speaker 1>just say, come with me and it would be myself,

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<v Speaker 1>Keith Thomas, and Usher and we would just hang out

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<v Speaker 1>and I'd be like, obviously, I felt so blessed. And

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<v Speaker 1>later on I realized that, you know, it's something special

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<v Speaker 1>in in in certain people that stands out and others

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<v Speaker 1>recognize that. So the gift of recogniz eysing something special

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<v Speaker 1>and another individual is a gift that I don't think

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<v Speaker 1>it's enough credit. Because he saw something incredible in me.

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<v Speaker 1>He helped me learn a bit, and he took me

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<v Speaker 1>on tour with him. Mind you. I rapped on Throwback

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<v Speaker 1>on the original version, but on the album version it

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<v Speaker 1>didn't make the album, you know what I mean, And

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<v Speaker 1>it was political. Jada Kiss was going to remix and repackage.

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<v Speaker 1>But I went on a tour with him, and I

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<v Speaker 1>would wrap my verse on tour in front of sixteen

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<v Speaker 1>thousand people every night on tour for two and a

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<v Speaker 1>half months. So it was a life changing experience. It

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<v Speaker 1>was like seeing the world from the lens of a

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<v Speaker 1>number one superstar in the world, so that I can understand.

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<v Speaker 1>I think God was just preparing me, like, Yo, we're

0:11:37.840 --> 0:11:40.160
<v Speaker 1>gonna get you to this level in some capacity. I'm

0:11:40.160 --> 0:11:42.400
<v Speaker 1>just gonna show you it from here. You know, So

0:11:42.520 --> 0:11:44.880
<v Speaker 1>is your is you coming up as a rapper? That's

0:11:44.920 --> 0:11:47.680
<v Speaker 1>your first You know that that that's your main state,

0:11:47.720 --> 0:11:49.360
<v Speaker 1>that's what you think you're getting ready, That's what I

0:11:49.360 --> 0:11:52.240
<v Speaker 1>thought I was gonna you had you ever thought about

0:11:52.640 --> 0:11:56.240
<v Speaker 1>writing R and never before that point, never to that day.

0:11:56.400 --> 0:11:58.440
<v Speaker 1>So that day that I wrote that song, I would

0:11:58.480 --> 0:12:00.960
<v Speaker 1>write hooks for myself. I write a song and write

0:12:01.000 --> 0:12:03.240
<v Speaker 1>an R and B hook type thing. But I never

0:12:03.320 --> 0:12:05.280
<v Speaker 1>ever had written a song. And my dad used to

0:12:05.360 --> 0:12:08.040
<v Speaker 1>tell me all the time, you could sing, why don't

0:12:08.080 --> 0:12:10.240
<v Speaker 1>you sing? And I was like, WHOA, I'm not no singer,

0:12:10.559 --> 0:12:12.439
<v Speaker 1>you know what I mean? Because it was a whole

0:12:12.520 --> 0:12:14.200
<v Speaker 1>thing about R and B back in the day. It

0:12:14.240 --> 0:12:16.160
<v Speaker 1>was like that false idea of what an R and

0:12:16.160 --> 0:12:19.160
<v Speaker 1>B artist was, even though the details and so many

0:12:19.240 --> 0:12:22.040
<v Speaker 1>R and B artists were contrary to that, you know

0:12:22.080 --> 0:12:24.120
<v Speaker 1>what I mean. They were the toughest guys in the

0:12:24.160 --> 0:12:27.040
<v Speaker 1>whole musical community. But I just was like nah. And

0:12:27.040 --> 0:12:29.600
<v Speaker 1>then I remember, and to skip away ahead, I remember

0:12:29.600 --> 0:12:31.959
<v Speaker 1>when Drake first came out and I had I had

0:12:32.120 --> 0:12:34.000
<v Speaker 1>been done being an artist at that point. I've already

0:12:34.000 --> 0:12:36.080
<v Speaker 1>been a successful as a writer. And when Drake first

0:12:36.080 --> 0:12:37.720
<v Speaker 1>came up, my dad called me and said, I told

0:12:37.760 --> 0:12:42.320
<v Speaker 1>you because singing rapped, you know what I mean? So yeah, yeah,

0:12:42.320 --> 0:12:47.480
<v Speaker 1>but I was originally a rapper. Wow, So because I'm

0:12:47.600 --> 0:12:51.640
<v Speaker 1>we're not gonna We're gonna stay here for man, because

0:12:51.640 --> 0:12:56.080
<v Speaker 1>there's a record that is my favorite song on that

0:12:56.120 --> 0:13:00.480
<v Speaker 1>project that you wrote that's purely not like I could Okay,

0:13:00.600 --> 0:13:03.320
<v Speaker 1>I could see a rapper coming in and writing to Throwback.

0:13:03.760 --> 0:13:05.840
<v Speaker 1>I can see that, right, great record, But I can

0:13:05.880 --> 0:13:11.320
<v Speaker 1>see a rapper right now Seduction. Yeah, but that's that's

0:13:11.480 --> 0:13:14.560
<v Speaker 1>myself and jam and Lewis and Usher of course, but

0:13:14.600 --> 0:13:21.079
<v Speaker 1>that's still a rapper in the mix writing Sduction like right,

0:13:21.160 --> 0:13:25.480
<v Speaker 1>like this is just my my opinion, Usher to me

0:13:26.440 --> 0:13:32.240
<v Speaker 1>was never fully a sex symbol until he had seduction.

0:13:32.720 --> 0:13:36.319
<v Speaker 1>You think, in my opinion, this is my opinion nicest slow,

0:13:36.559 --> 0:13:40.320
<v Speaker 1>but Nice and Slow was young. Nice and Slow was young.

0:13:41.480 --> 0:13:44.000
<v Speaker 1>Was a nice record, was a nice record and an

0:13:44.040 --> 0:13:48.240
<v Speaker 1>amazing record, but it was it about fucking no no no,

0:13:49.480 --> 0:13:54.720
<v Speaker 1>Nice and Slow, about nice and Slow as a love song. Yeah,

0:13:55.559 --> 0:13:58.880
<v Speaker 1>give me what you got whatever whatever you look at

0:13:58.880 --> 0:14:03.400
<v Speaker 1>a woman and that. Yeah. I watched Terry Lewis produced

0:14:03.400 --> 0:14:07.800
<v Speaker 1>that that vocal and he was feeding at lives like

0:14:08.120 --> 0:14:10.760
<v Speaker 1>that record, bro throwing out your best, get you out

0:14:10.760 --> 0:14:21.800
<v Speaker 1>of control, baby, And I was like, yeah, to beat,

0:14:21.800 --> 0:14:26.680
<v Speaker 1>I'm gonna be honest. And I came to that session late.

0:14:26.720 --> 0:14:29.560
<v Speaker 1>They had already been deep into the record. They allowed

0:14:29.600 --> 0:14:31.520
<v Speaker 1>me to add on to that record, you know what

0:14:31.520 --> 0:14:33.600
<v Speaker 1>I mean to They allowed me in that room to

0:14:33.640 --> 0:14:36.720
<v Speaker 1>add elements to it. And I think that it's a

0:14:36.800 --> 0:14:40.080
<v Speaker 1>learning opportunity to be in the room with Terry Lewis

0:14:40.080 --> 0:14:43.120
<v Speaker 1>producing the vocal and company vocal and you and you

0:14:43.200 --> 0:14:45.320
<v Speaker 1>learn how to write a song and you almost have

0:14:45.400 --> 0:14:47.560
<v Speaker 1>to keep up with his float. And if you don't

0:14:47.640 --> 0:14:50.360
<v Speaker 1>keep up, you really got to get out that room.

0:14:50.400 --> 0:14:52.560
<v Speaker 1>So I was able to kind of follow follow suit.

0:14:52.640 --> 0:14:55.520
<v Speaker 1>But honestly, like I said, when you have something in you,

0:14:55.640 --> 0:14:57.640
<v Speaker 1>it was kind of like something that was naturally in

0:14:57.720 --> 0:15:00.280
<v Speaker 1>me because I didn't realize was there. I was always

0:15:00.280 --> 0:15:02.880
<v Speaker 1>a humongous fan of R and B. Like even as

0:15:02.880 --> 0:15:05.480
<v Speaker 1>a rap artist, I always listened to mostly R and

0:15:05.520 --> 0:15:09.240
<v Speaker 1>B records. I was a student. I studied Luther, I studied,

0:15:09.280 --> 0:15:12.560
<v Speaker 1>you know, but I even studied like um um James

0:15:12.600 --> 0:15:15.920
<v Speaker 1>Taylor and just those soul full bluesy folk you know,

0:15:16.040 --> 0:15:19.200
<v Speaker 1>Jim Crazy, you know, and studying Carol King, and you know,

0:15:19.280 --> 0:15:22.200
<v Speaker 1>I just always loved great songwriting, the great singing, you know.

0:15:22.320 --> 0:15:24.320
<v Speaker 1>And I didn't even realize it, didn't even realize it.

0:15:24.360 --> 0:15:26.720
<v Speaker 1>And so then when it became my opportunity. But I

0:15:26.760 --> 0:15:28.640
<v Speaker 1>have to take it back one second. I have to

0:15:28.640 --> 0:15:30.880
<v Speaker 1>take this all the way back. When I first came

0:15:30.920 --> 0:15:34.040
<v Speaker 1>to Atlanta to try to make it in music, I

0:15:34.080 --> 0:15:38.520
<v Speaker 1>was living in Jagged Edges House in Cayl Norman's house,

0:15:39.320 --> 0:15:41.560
<v Speaker 1>and I remember the house was called the Corner. It

0:15:41.640 --> 0:15:44.640
<v Speaker 1>was a memorial drive. They called the house to the Corner.

0:15:44.640 --> 0:15:46.440
<v Speaker 1>That's where the Corner Boys were birth. They called the

0:15:46.440 --> 0:15:48.880
<v Speaker 1>Corner because that was the house. It was called the corner.

0:15:48.880 --> 0:15:50.720
<v Speaker 1>Everybody would pull up and it was like pulling up

0:15:50.760 --> 0:15:53.680
<v Speaker 1>to the corner. The corner boys were birth from the

0:15:53.760 --> 0:15:56.920
<v Speaker 1>corner right. So I would sleep on the couch at

0:15:56.960 --> 0:16:00.600
<v Speaker 1>the corner and Brandon and Brian would come to the

0:16:00.600 --> 0:16:03.160
<v Speaker 1>studio and I'm not exaggerating at eight in the morning

0:16:03.680 --> 0:16:07.000
<v Speaker 1>every day and they would write songs till six o'clock,

0:16:07.160 --> 0:16:10.160
<v Speaker 1>get something to eat, smoke, go back down, write something.

0:16:10.160 --> 0:16:11.960
<v Speaker 1>And if anybody knows what I mean by Brandon the Brian,

0:16:12.040 --> 0:16:17.000
<v Speaker 1>that's Jacket as twins from jacketas the legendary. The work

0:16:17.000 --> 0:16:19.600
<v Speaker 1>ethic was insane. They never wrote anything down. They went

0:16:19.600 --> 0:16:21.480
<v Speaker 1>in the booth and they would just right right all day,

0:16:21.640 --> 0:16:24.240
<v Speaker 1>right all day, some great songs, some not, so it

0:16:24.280 --> 0:16:27.120
<v Speaker 1>don't matter. Every day they were writing right and after

0:16:27.160 --> 0:16:29.480
<v Speaker 1>they wrote they would get in the car go to

0:16:29.560 --> 0:16:34.920
<v Speaker 1>Strokers in Atlanta. They would they would go to strokers,

0:16:35.080 --> 0:16:38.360
<v Speaker 1>hang out all night, sleep for two or three hours,

0:16:39.120 --> 0:16:42.200
<v Speaker 1>and go back to the studio. So the work ethic,

0:16:42.240 --> 0:16:43.920
<v Speaker 1>and then what I was told was that was how

0:16:44.000 --> 0:16:46.680
<v Speaker 1>Jermaine worked. Every day, early in the morning, get to

0:16:46.760 --> 0:16:48.480
<v Speaker 1>the studio, work all night through the week. I was

0:16:48.640 --> 0:16:51.240
<v Speaker 1>sleep for a few hours and then go back to work.

0:16:51.280 --> 0:16:53.840
<v Speaker 1>So that was a culture I was I was breeding into.

0:16:53.960 --> 0:16:56.760
<v Speaker 1>So when I got with Usher the idea of understanding

0:16:56.760 --> 0:16:59.360
<v Speaker 1>how to formulate a song, I had already been absorbed.

0:16:59.360 --> 0:17:02.880
<v Speaker 1>There your knee, guys. So when I got my opportunity,

0:17:03.240 --> 0:17:06.040
<v Speaker 1>it felt natural. It felt in. It felt like, you know,

0:17:06.080 --> 0:17:08.320
<v Speaker 1>like an instinct in me that I didn't even realize

0:17:08.320 --> 0:17:10.040
<v Speaker 1>what was there until it happens. It's like if somebody

0:17:10.119 --> 0:17:13.159
<v Speaker 1>swings at you and you just automatically, you just instinct,

0:17:13.280 --> 0:17:15.639
<v Speaker 1>you just know it's there. So I think that that

0:17:15.640 --> 0:17:20.800
<v Speaker 1>that school of you know, because you weren't signed to jack.

0:17:21.160 --> 0:17:23.159
<v Speaker 1>I was not signing Jack. I was begging Jackets to

0:17:23.200 --> 0:17:25.879
<v Speaker 1>sign me, and you were that was a rapper. I

0:17:25.880 --> 0:17:27.800
<v Speaker 1>wanted them to sign me as a rapper and they

0:17:27.800 --> 0:17:29.920
<v Speaker 1>always would say they would, but they just never got

0:17:29.920 --> 0:17:33.520
<v Speaker 1>around to doing it. And then uh Me and Cayl

0:17:33.640 --> 0:17:35.919
<v Speaker 1>got into a situation we got we fell out. So

0:17:35.960 --> 0:17:37.520
<v Speaker 1>then I stopped being able to come over to the

0:17:37.520 --> 0:17:39.919
<v Speaker 1>corner for a while, but then the corner boys allowed

0:17:39.960 --> 0:17:41.840
<v Speaker 1>me to come and I would sleep on their couch.

0:17:42.440 --> 0:17:48.560
<v Speaker 1>You're just gonnach couch, the couch whore straight or so

0:17:48.680 --> 0:17:50.399
<v Speaker 1>you fresh out of college. At this I was in

0:17:50.760 --> 0:17:52.479
<v Speaker 1>Are you still in school? I'm still in school. Told

0:17:52.520 --> 0:17:56.080
<v Speaker 1>catch the bus to Atlanta every weekend from Tallahassee from

0:17:56.119 --> 0:18:00.000
<v Speaker 1>fam you, So I would catch the bus to Atlanta

0:18:00.000 --> 0:18:02.520
<v Speaker 1>to every single weekend. So I would on Friday nights,

0:18:02.720 --> 0:18:04.720
<v Speaker 1>I didn't go to Cappa lou Al. I've never been

0:18:04.760 --> 0:18:07.840
<v Speaker 1>to uh Gorilla Thriller And anybody from family knows what

0:18:07.880 --> 0:18:09.680
<v Speaker 1>I'm talking about. I had never attended any of these

0:18:09.680 --> 0:18:12.080
<v Speaker 1>events because on the weekends, I was like, I'm going

0:18:12.080 --> 0:18:14.720
<v Speaker 1>to Atlanta because I gotta make it right. I would

0:18:14.720 --> 0:18:17.560
<v Speaker 1>always tell everybody this, y'all, I'm not gonna graduate. I'm

0:18:17.600 --> 0:18:21.080
<v Speaker 1>going to get a deal journalism. But I didn't even

0:18:21.080 --> 0:18:23.080
<v Speaker 1>get into journalism. I gotta I was in general studies.

0:18:23.119 --> 0:18:26.119
<v Speaker 1>I had never even made it to journalism yet, because honestly,

0:18:26.160 --> 0:18:28.080
<v Speaker 1>I was just like, I'm just here. Yeah, I'm just

0:18:28.119 --> 0:18:32.280
<v Speaker 1>taking liberal arts math, and but I was taking a

0:18:32.359 --> 0:18:36.320
<v Speaker 1>bus on Friday nights. I would take the bus to Atlanta.

0:18:36.800 --> 0:18:39.679
<v Speaker 1>Actually a Friday nights, it would be a flight a

0:18:39.680 --> 0:18:41.680
<v Speaker 1>bus that would take you five or five in the morning.

0:18:41.680 --> 0:18:43.720
<v Speaker 1>So I say, Saturday morning, I would take a bus

0:18:43.720 --> 0:18:45.560
<v Speaker 1>to Atlanta for seven hours. Because you had to stop

0:18:45.560 --> 0:18:48.160
<v Speaker 1>in between all these cities Greyhound bus. I would get

0:18:48.160 --> 0:18:51.200
<v Speaker 1>there Saturday, I would work all day. Sunday. I would

0:18:51.200 --> 0:18:53.440
<v Speaker 1>work all day Sunday night, I would get on the bus,

0:18:53.480 --> 0:18:55.160
<v Speaker 1>go back to school. I had a three point eight

0:18:55.240 --> 0:18:57.800
<v Speaker 1>g p A in college. Still I would go back

0:18:57.800 --> 0:19:00.080
<v Speaker 1>to Atlanta and we go back to tallas See, do

0:19:00.200 --> 0:19:02.879
<v Speaker 1>my school work, have good time, do the talent shows

0:19:02.920 --> 0:19:04.440
<v Speaker 1>at Lee Hall, go to the snake pit with a

0:19:04.440 --> 0:19:06.320
<v Speaker 1>little Steve and do all the little stuff. And then

0:19:06.359 --> 0:19:09.400
<v Speaker 1>I would get back on the bus every Friday going

0:19:09.440 --> 0:19:11.560
<v Speaker 1>to Atlanta to make it. People invite me to things,

0:19:11.600 --> 0:19:13.320
<v Speaker 1>don't come to this. I'm like, I'm going to Atlanta.

0:19:13.480 --> 0:19:15.399
<v Speaker 1>Then I found friends who would drive me there. My

0:19:15.440 --> 0:19:18.400
<v Speaker 1>man and Chad Roper would just drive me every weekend

0:19:18.680 --> 0:19:20.439
<v Speaker 1>and I would be going to Atlanta to make it.

0:19:20.480 --> 0:19:22.480
<v Speaker 1>That's all I wanted. So if I had gas money,

0:19:22.560 --> 0:19:24.360
<v Speaker 1>they'd be like yo. So I got a credit card.

0:19:24.359 --> 0:19:26.919
<v Speaker 1>They used to give out credit cards on campus too.

0:19:26.960 --> 0:19:29.240
<v Speaker 1>As soon as you get eighteen. I got a credit card.

0:19:29.520 --> 0:19:31.560
<v Speaker 1>I maxed out the credit card because I was like,

0:19:31.720 --> 0:19:35.240
<v Speaker 1>that's my bus trips and money to you know, get

0:19:35.240 --> 0:19:37.399
<v Speaker 1>to Atlanta. It was a limit and I think that

0:19:37.520 --> 0:19:40.200
<v Speaker 1>lasted me a few good good a good little while,

0:19:40.720 --> 0:19:42.000
<v Speaker 1>and I would go. So let me tell you the

0:19:42.000 --> 0:19:45.800
<v Speaker 1>crazy part about it. I get back to school one

0:19:45.840 --> 0:19:49.600
<v Speaker 1>week and they tell me you're no longer registered here,

0:19:49.720 --> 0:19:53.119
<v Speaker 1>your your financial aid is not was not accepted. And

0:19:53.160 --> 0:19:55.560
<v Speaker 1>I was like, yes it is, you know, you know,

0:19:55.680 --> 0:19:57.400
<v Speaker 1>And I called my mom and say, yoh, they're saying

0:19:57.400 --> 0:19:59.639
<v Speaker 1>I'm not in Roding school. My mother who I like,

0:19:59.720 --> 0:20:01.600
<v Speaker 1>my mom is my best friend, but at this time

0:20:01.800 --> 0:20:03.800
<v Speaker 1>it was a you know, she was a little angry.

0:20:03.840 --> 0:20:06.440
<v Speaker 1>She said, you're you're playing games. You don't want to

0:20:06.480 --> 0:20:08.320
<v Speaker 1>go to school, and you think you're you're playing because

0:20:08.359 --> 0:20:09.879
<v Speaker 1>I am looking at the paper right here. How are

0:20:09.880 --> 0:20:11.960
<v Speaker 1>you going to tell me? And I'm like Monty saying

0:20:11.960 --> 0:20:13.760
<v Speaker 1>I'm not in Rolling school. So what I used to

0:20:13.840 --> 0:20:16.320
<v Speaker 1>do each semester They would have my paperwork not ready,

0:20:16.400 --> 0:20:17.760
<v Speaker 1>or my money wouldn't all the way be in yet,

0:20:17.760 --> 0:20:19.680
<v Speaker 1>but I would still go to class. And you still

0:20:19.720 --> 0:20:21.960
<v Speaker 1>go to class, and by the time your paper is there,

0:20:22.160 --> 0:20:25.479
<v Speaker 1>you still caught up. You catch back up. I was

0:20:25.600 --> 0:20:28.480
<v Speaker 1>told that I could no longer attend classes because my

0:20:28.560 --> 0:20:30.120
<v Speaker 1>name wasn't on the road. They would take a role

0:20:30.440 --> 0:20:32.000
<v Speaker 1>if you're named in show up. You couldn't even come

0:20:32.000 --> 0:20:33.879
<v Speaker 1>in for the class. So I told my mom over

0:20:33.880 --> 0:20:36.120
<v Speaker 1>there tripping, I went down set in the financial aid

0:20:36.200 --> 0:20:38.440
<v Speaker 1>office of in the line because he'll be a line

0:20:38.480 --> 0:20:40.080
<v Speaker 1>for it's like six hours to get to the front

0:20:40.080 --> 0:20:45.040
<v Speaker 1>of the line is six hour line. The lines it

0:20:45.040 --> 0:20:49.080
<v Speaker 1>looks like like players club when when uh when was

0:20:49.119 --> 0:20:51.280
<v Speaker 1>in line? You know, I don't go to college, but

0:20:51.400 --> 0:20:54.000
<v Speaker 1>I don't know. It's more like it's more like ebt vibes,

0:20:55.880 --> 0:21:00.800
<v Speaker 1>like more like food food stamp line by. So I

0:21:00.880 --> 0:21:03.679
<v Speaker 1>was sitting, I sat in there. I get there. The

0:21:03.760 --> 0:21:08.000
<v Speaker 1>woman looks on the computer and she says, I'm looking

0:21:08.040 --> 0:21:10.040
<v Speaker 1>into your name is not here. After six hours and

0:21:10.200 --> 0:21:11.720
<v Speaker 1>six hours, your name is not here. You're not a

0:21:11.720 --> 0:21:16.520
<v Speaker 1>student in school. So I go. I was upset, but

0:21:16.560 --> 0:21:21.720
<v Speaker 1>I go. I go to Atlanta on that Friday. I

0:21:21.800 --> 0:21:25.240
<v Speaker 1>want to go to Atlanta. Friday. We get opportunity. The

0:21:25.280 --> 0:21:27.720
<v Speaker 1>week before I had rapped on this remix that Usher

0:21:27.800 --> 0:21:30.800
<v Speaker 1>had produced um us. She was doing a remix album.

0:21:30.840 --> 0:21:32.280
<v Speaker 1>You don't know him then, though I don't know him,

0:21:32.280 --> 0:21:34.119
<v Speaker 1>you know us. She was doing a remix album. He

0:21:34.119 --> 0:21:35.800
<v Speaker 1>was looking for new producers to sign. He was not

0:21:35.920 --> 0:21:40.399
<v Speaker 1>even trying to sign artists. By the way, the Corner

0:21:40.440 --> 0:21:44.880
<v Speaker 1>Boys end up doing their deal with Red Zone because

0:21:45.000 --> 0:21:47.040
<v Speaker 1>I told Redson red Zone was looking for a rappers.

0:21:47.080 --> 0:21:48.760
<v Speaker 1>Here I went back for Red Zone was looking for

0:21:48.760 --> 0:21:51.000
<v Speaker 1>a rapper. Tell Us, tell us who who red Zone it?

0:21:51.560 --> 0:21:55.960
<v Speaker 1>Red Zone, Tricky Stewart, Stewart Stewart brothers. Who did you

0:21:56.000 --> 0:21:59.640
<v Speaker 1>discovered dreams? You don't did all that? Even by the way,

0:21:59.640 --> 0:22:06.160
<v Speaker 1>Tricky still that we get still and it's just one

0:22:06.160 --> 0:22:08.600
<v Speaker 1>of those incredible figures in my life and my career

0:22:08.600 --> 0:22:12.479
<v Speaker 1>and myself in the Corner Boys. So Tricky and Laney

0:22:12.520 --> 0:22:14.560
<v Speaker 1>want to sign me as a rap artist. I went

0:22:14.600 --> 0:22:17.360
<v Speaker 1>down there and I said, I'm not signing to anybody

0:22:17.400 --> 0:22:19.520
<v Speaker 1>unless the Corner Boys do my album. They said, well,

0:22:19.520 --> 0:22:22.000
<v Speaker 1>we're production team, so we only we want to sign

0:22:22.040 --> 0:22:23.600
<v Speaker 1>you because we want to do y'all. I said, no,

0:22:23.720 --> 0:22:25.800
<v Speaker 1>Corner Boys gotta do my mom or I'm not doing

0:22:25.840 --> 0:22:28.280
<v Speaker 1>a deal. So they said, f you, We're gonna sign

0:22:28.280 --> 0:22:33.040
<v Speaker 1>the Corner Boys. They signed the Corner Boys, you know,

0:22:33.160 --> 0:22:35.800
<v Speaker 1>did a deal for Peer Music Group. Right, So long

0:22:35.800 --> 0:22:37.520
<v Speaker 1>story short, that's all cool because it worked. That way's

0:22:37.560 --> 0:22:40.920
<v Speaker 1>supposed to work out. So I'm down there The Corner

0:22:40.920 --> 0:22:42.720
<v Speaker 1>Boys had did a remix to if I Want to,

0:22:42.840 --> 0:22:45.320
<v Speaker 1>If I want it, I could take you from your man.

0:22:45.440 --> 0:22:47.960
<v Speaker 1>It was my way out. Corner Boys remix it and

0:22:48.000 --> 0:22:55.399
<v Speaker 1>I wrapped on it. DJ Rogers Jr. I know. D

0:22:55.720 --> 0:23:01.600
<v Speaker 1>J Rogers tells Ussher, you need to hear this nigga.

0:23:02.960 --> 0:23:06.320
<v Speaker 1>You you and he said, he tells the story. He said,

0:23:06.359 --> 0:23:14.159
<v Speaker 1>I was about to fight everything. Every time. He like,

0:23:14.200 --> 0:23:16.840
<v Speaker 1>you know, I was about to fight. So he told

0:23:16.880 --> 0:23:19.000
<v Speaker 1>us you you better sign this kid, so USh you

0:23:19.200 --> 0:23:23.439
<v Speaker 1>had a showcase. I had the opportunity to wrap on

0:23:23.480 --> 0:23:28.720
<v Speaker 1>this song. That opportunity came on a Tuesday. I used

0:23:28.720 --> 0:23:31.919
<v Speaker 1>to go to Atlanta on a Friday and catch the

0:23:32.040 --> 0:23:36.080
<v Speaker 1>bus on what day on a Sunday. The opportunity came

0:23:36.119 --> 0:23:38.480
<v Speaker 1>to rap on the song on a Tuesday in the

0:23:38.480 --> 0:23:40.399
<v Speaker 1>middle of the week. I rapped on a song. A

0:23:40.440 --> 0:23:42.840
<v Speaker 1>few weeks later, I get back. I'm out of school

0:23:43.000 --> 0:23:45.760
<v Speaker 1>and I'm still there and I was able to be

0:23:45.800 --> 0:23:48.600
<v Speaker 1>invited to a showcase to perform for US f artists

0:23:48.600 --> 0:23:52.119
<v Speaker 1>he wanted to sign. I worked, I perform, I bust

0:23:52.200 --> 0:23:54.320
<v Speaker 1>my ass on the showcase. Then they had an MC

0:23:54.440 --> 0:23:56.200
<v Speaker 1>battle at the end of it, and it was a

0:23:56.240 --> 0:23:58.760
<v Speaker 1>kid named Nitty from Chicago, and he and I battled,

0:23:59.640 --> 0:24:04.840
<v Speaker 1>and respectfully, he didn't win. It was it was, it was.

0:24:04.920 --> 0:24:08.920
<v Speaker 1>It was a massacre. So plus, you gave me the opportunity.

0:24:08.960 --> 0:24:12.879
<v Speaker 1>End up signing me. Now after I get signed, and

0:24:12.920 --> 0:24:15.760
<v Speaker 1>this is gonna make all the Saints around the shout.

0:24:15.880 --> 0:24:19.280
<v Speaker 1>In five seconds after I get signed, I'm doing my thing.

0:24:19.320 --> 0:24:22.240
<v Speaker 1>I'm working. I'm working. I get a call from financial

0:24:22.280 --> 0:24:26.879
<v Speaker 1>aide department at Family and guess what they said, We

0:24:26.960 --> 0:24:32.159
<v Speaker 1>are so sorry, Mr Butler. Your name was spelled wrong

0:24:32.680 --> 0:24:34.959
<v Speaker 1>and a letter was missing and it didn't show up

0:24:34.960 --> 0:24:38.840
<v Speaker 1>in the computer. I'm gonna tell y'all, sometimes God will

0:24:38.880 --> 0:24:42.240
<v Speaker 1>just take a letter. Yeah, let me just move that.

0:24:43.200 --> 0:24:46.359
<v Speaker 1>And that's how I got my whole start. I would

0:24:46.359 --> 0:24:48.600
<v Speaker 1>have been in school and I would have missed that opportunity.

0:24:49.200 --> 0:24:50.920
<v Speaker 1>My whole life is different. And I'm gonna tell you

0:24:51.119 --> 0:24:55.280
<v Speaker 1>something even further. Every time life gets tricky and weird

0:24:55.359 --> 0:24:58.800
<v Speaker 1>for me or I went through some incredibly hard times

0:24:59.119 --> 0:25:02.840
<v Speaker 1>in two thousand, sixteen and seventeen, like terrible times, right.

0:25:03.200 --> 0:25:06.080
<v Speaker 1>I had to file for bankruptcy, lost my house, went

0:25:06.080 --> 0:25:08.199
<v Speaker 1>through the most. Everybody turned the back on me. It

0:25:08.280 --> 0:25:11.240
<v Speaker 1>was ugly for me. But I always think back to

0:25:11.440 --> 0:25:14.040
<v Speaker 1>God moving a letter out of the way to make

0:25:14.040 --> 0:25:16.600
<v Speaker 1>sure that I was there and the opportunity was made available.

0:25:24.960 --> 0:25:35.280
<v Speaker 1>Do you think, um, I'm because as as fellow rap singers, Um,

0:25:35.760 --> 0:25:40.639
<v Speaker 1>fellow rap singers, we both rap? Did you rap on

0:25:40.680 --> 0:25:49.720
<v Speaker 1>the T G T Trise? Did him he better rappers? No? Tresper?

0:25:50.280 --> 0:25:54.080
<v Speaker 1>Remember what tyres made? The double CD? The R and

0:25:54.080 --> 0:26:08.080
<v Speaker 1>B side was fired black Tie? Support you? And um,

0:26:09.080 --> 0:26:13.040
<v Speaker 1>do you feel like you as a rapper and just

0:26:13.040 --> 0:26:17.639
<v Speaker 1>just understanding you know, word play and phrasing and all

0:26:17.680 --> 0:26:24.200
<v Speaker 1>these things made you that much more ready for those

0:26:24.240 --> 0:26:27.199
<v Speaker 1>moments and those opportunities to put those words together on

0:26:27.320 --> 0:26:30.240
<v Speaker 1>R and B songs Because I find that I found

0:26:30.240 --> 0:26:34.480
<v Speaker 1>that writing R and B music was so easy, and

0:26:34.560 --> 0:26:36.359
<v Speaker 1>it was because to me, everybody laughing at me, but

0:26:36.359 --> 0:26:38.240
<v Speaker 1>I do come from a rap background, but then coming

0:26:38.280 --> 0:26:41.119
<v Speaker 1>from a gospel background where all these things are so

0:26:41.240 --> 0:26:44.720
<v Speaker 1>intricate and wordy, and then you get over to this

0:26:44.800 --> 0:26:48.160
<v Speaker 1>space where, especially early in the R and B days,

0:26:48.480 --> 0:26:51.160
<v Speaker 1>there was a real structure, you know what I mean,

0:26:51.280 --> 0:26:54.400
<v Speaker 1>And if you knew how to dance within that structure,

0:26:54.400 --> 0:26:56.680
<v Speaker 1>it was it was light like I was like it

0:26:56.800 --> 0:26:57.879
<v Speaker 1>was like, Yeah, we're gonna write a song, and I

0:26:57.920 --> 0:26:59.679
<v Speaker 1>was like, I'm gonna right, We're gonna like pencil it.

0:27:00.320 --> 0:27:01.920
<v Speaker 1>I didn't do any of that. I was like, the

0:27:01.960 --> 0:27:04.080
<v Speaker 1>words are coming so fast. I'm just telling the story

0:27:04.080 --> 0:27:05.840
<v Speaker 1>word for word. How it goes. Do you feel like

0:27:05.840 --> 0:27:09.800
<v Speaker 1>your rep I will say that is a science to

0:27:10.240 --> 0:27:17.480
<v Speaker 1>being melodically meticulous, understanding what a classic progression feels like,

0:27:17.600 --> 0:27:21.480
<v Speaker 1>and understanding how to place an inspiring melody over a

0:27:21.560 --> 0:27:27.560
<v Speaker 1>classic progression. Right, inspiring melody, you know when you think

0:27:27.600 --> 0:27:30.680
<v Speaker 1>about and I miss you like the desert, miss the rain,

0:27:31.119 --> 0:27:33.720
<v Speaker 1>when you think about I know you want to leave man,

0:27:34.000 --> 0:27:37.560
<v Speaker 1>But that's inspiring melody. When you think about Neo so sick,

0:27:37.880 --> 0:27:42.000
<v Speaker 1>you think about melodically it inspires whatever the subject is

0:27:42.040 --> 0:27:45.120
<v Speaker 1>and whatever the listeners, it inspires them to feel something. Right,

0:27:45.760 --> 0:27:48.480
<v Speaker 1>That part of it is not easy. Now, the part

0:27:48.520 --> 0:27:52.199
<v Speaker 1>that came natural for me was the melodic instinct. But

0:27:52.320 --> 0:27:55.200
<v Speaker 1>the part that also came much more with much more practice,

0:27:55.240 --> 0:27:57.040
<v Speaker 1>being as the rapper, was making sure that the lyric

0:27:57.160 --> 0:28:01.280
<v Speaker 1>was just as captivating. Now, writing rn be melody. If

0:28:01.320 --> 0:28:03.679
<v Speaker 1>you have that ability, that's one step of it. But

0:28:03.720 --> 0:28:06.800
<v Speaker 1>Elton John had an ability to write melodies. He didn't

0:28:06.840 --> 0:28:09.840
<v Speaker 1>have a lyrical ability, so his partner would write the

0:28:09.960 --> 0:28:14.200
<v Speaker 1>lyric and John would put the melody to T Bobs.

0:28:14.200 --> 0:28:17.200
<v Speaker 1>When she wrote I'm Pretty, she wrote it as a poem.

0:28:17.320 --> 0:28:19.960
<v Speaker 1>Somebody put a melody to it and made an incredible song.

0:28:20.280 --> 0:28:23.240
<v Speaker 1>So I don't like to use the word easy when

0:28:23.240 --> 0:28:25.359
<v Speaker 1>it comes to anything with R and B because we

0:28:25.440 --> 0:28:27.879
<v Speaker 1>don't get enough credit as it is right. But I

0:28:27.960 --> 0:28:31.080
<v Speaker 1>will say it's an instinct in R and B writers

0:28:31.119 --> 0:28:34.000
<v Speaker 1>to be melodic, but it's also an instinct in rappers

0:28:34.080 --> 0:28:37.359
<v Speaker 1>to make sure that you're saying something. So marriaging marrying

0:28:37.400 --> 0:28:39.880
<v Speaker 1>the two what I is, what I would believe was

0:28:39.920 --> 0:28:42.920
<v Speaker 1>be my strong point. When I wrote Sweet Dreams for Beyonce.

0:28:43.040 --> 0:28:45.080
<v Speaker 1>I remember her looking at me when I said, when

0:28:45.080 --> 0:28:46.640
<v Speaker 1>it says you can be a sweet dream or a

0:28:46.680 --> 0:28:49.280
<v Speaker 1>beautiful nightmare, either way, I want to wake up from you.

0:28:50.080 --> 0:28:52.680
<v Speaker 1>And she was like, because if you know Beyonce, she's

0:28:52.680 --> 0:28:56.200
<v Speaker 1>a lyric person. She's not gonna sing no fluff. And

0:28:57.320 --> 0:28:59.200
<v Speaker 1>so when I think about songs i've written it, and

0:28:59.240 --> 0:29:02.120
<v Speaker 1>I think about the time I take to make sure

0:29:02.160 --> 0:29:04.600
<v Speaker 1>that the words line up. Even when I teach, I

0:29:04.600 --> 0:29:07.240
<v Speaker 1>always tell people if you can't read it like a

0:29:07.320 --> 0:29:11.920
<v Speaker 1>sentence and it makes sense trash. It gotta from start

0:29:11.960 --> 0:29:13.360
<v Speaker 1>to finish you have You should be able to read

0:29:13.360 --> 0:29:16.240
<v Speaker 1>it like a novel. It should be that well put together.

0:29:16.400 --> 0:29:18.720
<v Speaker 1>It should be the detail, and you gotta inspire something

0:29:18.760 --> 0:29:20.320
<v Speaker 1>to people. You have to say the thing that's most

0:29:20.320 --> 0:29:22.120
<v Speaker 1>commonly said. A hit record is saying the thing that's

0:29:22.160 --> 0:29:24.880
<v Speaker 1>most commonly said in a way that's never been said before.

0:29:25.080 --> 0:29:27.080
<v Speaker 1>Because I have to do the work for you. If

0:29:27.120 --> 0:29:29.480
<v Speaker 1>you're if you're dating a girl and you really don't

0:29:29.480 --> 0:29:31.640
<v Speaker 1>know what to say to her, I'm that's my job.

0:29:32.000 --> 0:29:35.080
<v Speaker 1>All you does player the song. That's why we said

0:29:35.200 --> 0:29:36.920
<v Speaker 1>mixtape and I was coming up and you're just sending

0:29:36.920 --> 0:29:38.960
<v Speaker 1>a girl just dedicate. I want to dedicate this song

0:29:39.040 --> 0:29:40.760
<v Speaker 1>to Blah blah blah, because I don't know how to

0:29:40.800 --> 0:29:43.120
<v Speaker 1>say this. He said it for me. So if your

0:29:43.120 --> 0:29:46.040
<v Speaker 1>songs don't do that, don't speak to people, speak for people.

0:29:46.840 --> 0:29:49.240
<v Speaker 1>It's really a cheat. So when I think about easier,

0:29:49.280 --> 0:29:50.680
<v Speaker 1>I don't know if it's easier. I think that I

0:29:51.120 --> 0:29:54.840
<v Speaker 1>definitely lyrically required myself to to be at a certain

0:29:54.840 --> 0:29:57.200
<v Speaker 1>standard because I start off as a rapper. M hm,

0:29:58.600 --> 0:30:03.120
<v Speaker 1>you should a whole bunch of bars. But that's that

0:30:03.120 --> 0:30:06.600
<v Speaker 1>that is ultimately why you are who you are, right

0:30:06.600 --> 0:30:11.000
<v Speaker 1>because you've you're also well studied, and there are a

0:30:11.040 --> 0:30:14.920
<v Speaker 1>lot of talented people. But we're not always well studied,

0:30:15.480 --> 0:30:19.440
<v Speaker 1>you know, we're just talented. And a lot of those

0:30:19.560 --> 0:30:22.520
<v Speaker 1>just talented people come and go, yeah, you know. It's

0:30:22.600 --> 0:30:26.200
<v Speaker 1>it's it starts off with with with who with who

0:30:26.240 --> 0:30:28.040
<v Speaker 1>you know? We know, that's how you you know, you

0:30:28.360 --> 0:30:30.440
<v Speaker 1>name the people who got you to the places. But

0:30:30.480 --> 0:30:33.640
<v Speaker 1>then it then it turns into what you know. What

0:30:33.760 --> 0:30:37.200
<v Speaker 1>you know, and what you know determines who knows you

0:30:38.160 --> 0:30:39.800
<v Speaker 1>because they used to think it was who you know.

0:30:40.400 --> 0:30:41.760
<v Speaker 1>Then I learned it was what you know. And then

0:30:41.800 --> 0:30:44.680
<v Speaker 1>I realized that the gift of knowing much makes other

0:30:44.760 --> 0:30:47.880
<v Speaker 1>people interested in knowing who you are and inquiring about you.

0:30:48.280 --> 0:30:50.800
<v Speaker 1>So the thing that I like what you said was

0:30:50.840 --> 0:30:53.320
<v Speaker 1>a lot of people don't stick around because they don't

0:30:53.320 --> 0:30:56.880
<v Speaker 1>study and they're not well versed. But the greatest part

0:30:56.920 --> 0:31:02.000
<v Speaker 1>about being well versed is they are values, and a

0:31:02.040 --> 0:31:05.400
<v Speaker 1>person who understands and as a student can make it

0:31:05.400 --> 0:31:07.680
<v Speaker 1>through the valley. I watched for Rells work in the

0:31:07.800 --> 0:31:10.080
<v Speaker 1>room across from me, and it was a drought for

0:31:10.080 --> 0:31:13.040
<v Speaker 1>for Rell, and I was on fire five years in

0:31:13.040 --> 0:31:15.920
<v Speaker 1>a row, nothing but hit six years, just nothing but

0:31:16.040 --> 0:31:20.600
<v Speaker 1>hits NonStop. Farrell was working across the hall diligently and

0:31:20.640 --> 0:31:23.520
<v Speaker 1>he came in there and he played me Happy and

0:31:23.560 --> 0:31:26.400
<v Speaker 1>he played me the whole Despicable Me soundtrack and I said,

0:31:26.600 --> 0:31:28.560
<v Speaker 1>you need some help, Nope, I just wanted to play it.

0:31:29.040 --> 0:31:35.360
<v Speaker 1>Want to show you, show you right, because we're always

0:31:35.720 --> 0:31:39.600
<v Speaker 1>we being creatives right and being as competitive as we

0:31:39.600 --> 0:31:41.400
<v Speaker 1>were or we are we were at one point. At

0:31:41.480 --> 0:31:43.800
<v Speaker 1>one point it was NonStop turning lights on on the radio.

0:31:43.840 --> 0:31:46.720
<v Speaker 1>That's all you heard. Times will always shift. You have

0:31:46.760 --> 0:31:49.560
<v Speaker 1>to understand you're you're never gonna be that guy at

0:31:49.560 --> 0:31:53.080
<v Speaker 1>all times. But and a lot of people they think

0:31:53.120 --> 0:31:55.920
<v Speaker 1>that they can. You know you, you'll see people taunting

0:31:55.920 --> 0:31:58.200
<v Speaker 1>you and saying things like get back and you ain't

0:31:58.200 --> 0:32:00.320
<v Speaker 1>did nothing, blah blah blah. And you even though you know,

0:32:00.400 --> 0:32:03.120
<v Speaker 1>we're still working, we're still very active. But when you're

0:32:03.160 --> 0:32:06.440
<v Speaker 1>not working at that valume, sometimes people can believe that

0:32:06.800 --> 0:32:08.400
<v Speaker 1>you don't matter as much of the business. But I'm

0:32:08.400 --> 0:32:10.840
<v Speaker 1>gonna tell you about being well versed. When you're a student,

0:32:11.360 --> 0:32:14.240
<v Speaker 1>you can always figure out a pocket and when you

0:32:14.280 --> 0:32:17.840
<v Speaker 1>get that pocket. He did happy, he did, lucky, he did,

0:32:17.880 --> 0:32:20.840
<v Speaker 1>blurred lines, he did his album that came like he

0:32:21.000 --> 0:32:25.160
<v Speaker 1>was he got because he understands it. He's not a fluke.

0:32:25.480 --> 0:32:27.360
<v Speaker 1>The type of records and the amount of records, a

0:32:27.440 --> 0:32:30.400
<v Speaker 1>lot of people could not do a versus. They wouldn't

0:32:30.440 --> 0:32:32.400
<v Speaker 1>have the ability to to be able to be blessed

0:32:32.480 --> 0:32:35.480
<v Speaker 1>enough to say I could literally do a versus. That's tough.

0:32:36.480 --> 0:32:39.320
<v Speaker 1>People think that that's a thing. I see them throwing

0:32:39.400 --> 0:32:41.240
<v Speaker 1>around names like such and such and do it versus,

0:32:41.240 --> 0:32:44.600
<v Speaker 1>and I'll be like, yeah, you don't right, you don't know,

0:32:44.800 --> 0:32:47.719
<v Speaker 1>you don't have That's a real long time to go

0:32:47.800 --> 0:32:50.600
<v Speaker 1>back and forth. And it's not because you know. I'm

0:32:50.640 --> 0:32:54.480
<v Speaker 1>just it's because I understand, and I'm musical enough to

0:32:54.480 --> 0:32:57.280
<v Speaker 1>be a student and understand how to the ebbs and

0:32:57.320 --> 0:32:59.200
<v Speaker 1>flow of the business and understand how to talk the

0:32:59.280 --> 0:33:01.640
<v Speaker 1>language of the p when the culture, understanding how to

0:33:01.720 --> 0:33:04.720
<v Speaker 1>listen and be quiet. And what I'm learning now is

0:33:04.840 --> 0:33:06.840
<v Speaker 1>I've listened to so many I've listened to so many

0:33:06.880 --> 0:33:08.960
<v Speaker 1>songs that I've written recently, and I'm thinking to myself,

0:33:10.760 --> 0:33:15.680
<v Speaker 1>versus versus. The melody is not young enough, and that's

0:33:15.720 --> 0:33:17.280
<v Speaker 1>when you've got to be smart enough to know where

0:33:17.320 --> 0:33:20.920
<v Speaker 1>collaboration comes into play. Because I looked at nothing sounds

0:33:21.000 --> 0:33:23.640
<v Speaker 1>dated or cheesy, but I was thinking, like, this sounds

0:33:23.640 --> 0:33:26.600
<v Speaker 1>really good, it sounds classic. But if I just young

0:33:26.720 --> 0:33:29.200
<v Speaker 1>this thing up a little bit, if I get some

0:33:29.280 --> 0:33:30.920
<v Speaker 1>little nineteen year old to come in here and this

0:33:31.280 --> 0:33:36.080
<v Speaker 1>fun with this verse, that's the creative brilliance and understanding

0:33:36.120 --> 0:33:38.680
<v Speaker 1>the collaboration what it means. So I think that a

0:33:38.680 --> 0:33:41.160
<v Speaker 1>lot of us stick around the way, but it still exists.

0:33:41.320 --> 0:33:43.920
<v Speaker 1>I still do scores and movies. I just did pop Smoke,

0:33:44.160 --> 0:33:47.680
<v Speaker 1>Enjoy Yourself at this City, girls work, just this Romeo

0:33:47.760 --> 0:33:50.640
<v Speaker 1>Santos and justin timber Lake Sin Finn number one in

0:33:50.760 --> 0:33:54.560
<v Speaker 1>every Spanish country in the world. Still we still active,

0:33:54.600 --> 0:33:56.840
<v Speaker 1>we still making music. We're still relevant to the to

0:33:56.880 --> 0:34:01.800
<v Speaker 1>the culture. But it's not because Nick. I'm just Kanye

0:34:01.800 --> 0:34:04.080
<v Speaker 1>did not make all those great albums because he was

0:34:04.120 --> 0:34:05.880
<v Speaker 1>just the dopest. He was smiled all this great album

0:34:05.880 --> 0:34:09.120
<v Speaker 1>because he consistently was able to collaborate. He was not afraid.

0:34:09.200 --> 0:34:11.360
<v Speaker 1>Drake does not consistently do it because he's sitting in

0:34:11.400 --> 0:34:13.359
<v Speaker 1>the room with just him and forty He's smart enough

0:34:13.400 --> 0:34:15.399
<v Speaker 1>to say, you you, you just come in the room,

0:34:15.480 --> 0:34:18.560
<v Speaker 1>was ill work? And and tell me where I'm wrong at,

0:34:18.560 --> 0:34:20.480
<v Speaker 1>tell me what I'm missing, tell me when I sound

0:34:20.480 --> 0:34:22.040
<v Speaker 1>like the old thing, and when I need to sound

0:34:22.080 --> 0:34:25.520
<v Speaker 1>like the new thing. And people have lost sight of

0:34:25.600 --> 0:34:29.640
<v Speaker 1>what that collaboration looks like, what it means. Jay Z says,

0:34:29.680 --> 0:34:32.399
<v Speaker 1>all right, I like young Chris, I like this whole

0:34:32.440 --> 0:34:35.239
<v Speaker 1>Philly energy. I'm gonna go and I'm gonna borrow from that,

0:34:35.280 --> 0:34:37.880
<v Speaker 1>but I'm gonna still be jay Z. And somebody would say,

0:34:37.920 --> 0:34:39.560
<v Speaker 1>well he stoked, okay, if he stole it, then they

0:34:39.600 --> 0:34:41.160
<v Speaker 1>would be able to do it. What he did was

0:34:41.440 --> 0:34:44.480
<v Speaker 1>uh Pincy Jones said, the thief stills the genius balls

0:34:45.280 --> 0:34:47.080
<v Speaker 1>Jenius is able to say a lot. A little bit

0:34:47.120 --> 0:34:49.920
<v Speaker 1>of this resonates with me, a little bit, this resonation

0:34:49.960 --> 0:34:52.839
<v Speaker 1>with me, But this is me. I'm I'm gonna take

0:34:52.880 --> 0:34:55.400
<v Speaker 1>a piece of that influence, this piece of that influence.

0:34:55.480 --> 0:34:57.279
<v Speaker 1>How remember Jaden Smith did an interview and he said,

0:34:57.280 --> 0:34:58.400
<v Speaker 1>if I have to live in the world where I

0:34:58.400 --> 0:35:01.200
<v Speaker 1>can't borrow from anybody or poppy off anything, why the

0:35:01.239 --> 0:35:04.080
<v Speaker 1>fund do I even want to hear it? It's like

0:35:04.160 --> 0:35:05.840
<v Speaker 1>bringing me a plate of food and saying that's just

0:35:05.880 --> 0:35:10.160
<v Speaker 1>smell it looking, take it away. It's here for us

0:35:10.200 --> 0:35:13.440
<v Speaker 1>to borrow from sampling music, sampling track, It's here for

0:35:13.520 --> 0:35:16.319
<v Speaker 1>us to do that. If you're not prepared to understand

0:35:16.880 --> 0:35:20.000
<v Speaker 1>how beautiful that feels, to be able to take something

0:35:20.040 --> 0:35:22.960
<v Speaker 1>that was this, take something this is incomplete now when

0:35:22.960 --> 0:35:24.640
<v Speaker 1>you take it away. If I just take a piece

0:35:24.680 --> 0:35:27.319
<v Speaker 1>of a Tank song and a piece of JA Valentine song,

0:35:27.600 --> 0:35:29.480
<v Speaker 1>each one of those things now because they're just pieces,

0:35:29.480 --> 0:35:32.600
<v Speaker 1>are incomplete. But if I add who I am to that,

0:35:32.680 --> 0:35:34.759
<v Speaker 1>then I just made a whole new, complete concept and

0:35:34.800 --> 0:35:37.080
<v Speaker 1>the idea that's familiar to you because you're familiar with

0:35:37.120 --> 0:35:39.680
<v Speaker 1>these two people. It feels what do I know that?

0:35:39.719 --> 0:35:43.000
<v Speaker 1>What does it feel? Why do I know this? Because

0:35:43.000 --> 0:35:46.200
<v Speaker 1>they were able to borrow from incredible things and make

0:35:46.320 --> 0:35:49.560
<v Speaker 1>something new, that's it. It's like taking a drum loop.

0:35:49.800 --> 0:35:51.520
<v Speaker 1>The drum loop, You're just taking a drum loop, So

0:35:51.520 --> 0:35:53.600
<v Speaker 1>what are you gonna add to it? A breakbeat? What

0:35:53.680 --> 0:35:55.439
<v Speaker 1>am I going to add to it? Because if not,

0:35:55.719 --> 0:35:58.600
<v Speaker 1>I'm just taking a breakbeat. But collaboration comes in my

0:35:59.000 --> 0:36:02.399
<v Speaker 1>method of approaching what what what happens after that break?

0:36:02.440 --> 0:36:08.600
<v Speaker 1>Bet Sun I want to go back UM as a UM,

0:36:08.680 --> 0:36:14.680
<v Speaker 1>as a member of the hive of the UM. I'm

0:36:14.680 --> 0:36:21.520
<v Speaker 1>wear yellow UM yeah, yeah your custom. I want to

0:36:21.560 --> 0:36:29.800
<v Speaker 1>represent the Yeah on the rack I wanted Yeah, not

0:36:29.880 --> 0:36:36.600
<v Speaker 1>a These are special hangers, special hangers. These come on

0:36:37.160 --> 0:36:40.479
<v Speaker 1>in a bag, zip up bag. Yeah. Man, you gotta

0:36:40.520 --> 0:36:44.960
<v Speaker 1>walk out the store like that. Yeah, y'all too much.

0:36:51.040 --> 0:36:56.600
<v Speaker 1>UM the experience with Beyonce in in the studio because

0:36:57.320 --> 0:37:00.800
<v Speaker 1>you know, as we get to hear, you know, the

0:37:01.120 --> 0:37:07.919
<v Speaker 1>byproduct of of what we assume is just perfect from

0:37:08.000 --> 0:37:10.399
<v Speaker 1>let me sun up to sundown, you know what I mean,

0:37:10.480 --> 0:37:12.680
<v Speaker 1>and eventually it gets there. But what is that process

0:37:12.800 --> 0:37:15.920
<v Speaker 1>like with her? I'm gonna say this, and I want

0:37:15.920 --> 0:37:18.400
<v Speaker 1>to say this to every new artist, to say this

0:37:18.440 --> 0:37:21.600
<v Speaker 1>to every up and coming act. You just got a

0:37:21.600 --> 0:37:24.959
<v Speaker 1>record deal. He got a little buzz, you know, because

0:37:25.000 --> 0:37:26.920
<v Speaker 1>now you can't get a deal without a buzz. So

0:37:27.040 --> 0:37:28.759
<v Speaker 1>you know, you just got a little buzz going. You

0:37:28.800 --> 0:37:31.319
<v Speaker 1>getting a little attention. You show up two hours late

0:37:31.360 --> 0:37:33.480
<v Speaker 1>to the studio. You high, you know what I mean?

0:37:33.520 --> 0:37:35.879
<v Speaker 1>You got eight friends with you. You don't look make

0:37:35.920 --> 0:37:38.000
<v Speaker 1>eye contact with the producer that you're coming to work,

0:37:38.000 --> 0:37:40.160
<v Speaker 1>where you just kind of like what's up? You know,

0:37:40.800 --> 0:37:42.719
<v Speaker 1>I want you to understand that. Beyonce walks in the

0:37:42.760 --> 0:37:46.279
<v Speaker 1>studio and she greets everybody and she says, how are you?

0:37:46.400 --> 0:37:48.279
<v Speaker 1>And then she'll ask you a question about something and

0:37:48.320 --> 0:37:50.560
<v Speaker 1>you'll say that and the next time you see her,

0:37:50.960 --> 0:37:53.160
<v Speaker 1>I'm on later two months later and she'll say, how

0:37:53.280 --> 0:37:56.319
<v Speaker 1>was that thing that you told me about? And you're like,

0:37:57.280 --> 0:38:01.600
<v Speaker 1>you remember that, right? Beyonce walks the studio and she

0:38:01.840 --> 0:38:05.520
<v Speaker 1>is professional, and she asked questions and she inquires and

0:38:05.560 --> 0:38:10.680
<v Speaker 1>she It was the most professional experience that I've experienced

0:38:10.680 --> 0:38:14.920
<v Speaker 1>with a superstar ever. And I also would like to

0:38:14.960 --> 0:38:19.759
<v Speaker 1>say that she allowed me to produce her vocal, which

0:38:20.000 --> 0:38:23.600
<v Speaker 1>which surprised me, and she allowed and trusted me. When

0:38:23.600 --> 0:38:25.880
<v Speaker 1>she realized that I knew what I was doing, she

0:38:26.040 --> 0:38:28.120
<v Speaker 1>was like it was a certain level of comfort, like

0:38:28.719 --> 0:38:31.160
<v Speaker 1>do your thing, like you know what I mean? And

0:38:31.239 --> 0:38:36.279
<v Speaker 1>she let me rock. And the craziest story is the

0:38:36.360 --> 0:38:38.520
<v Speaker 1>second day that we were supposed to work, we work.

0:38:38.560 --> 0:38:40.200
<v Speaker 1>One day. I wrote a song called save the Hero,

0:38:40.600 --> 0:38:44.520
<v Speaker 1>which is on the Sastra Fist album, and she got

0:38:44.520 --> 0:38:46.560
<v Speaker 1>emotional when she heard it and she's sang it right,

0:38:46.600 --> 0:38:48.640
<v Speaker 1>Who's there to save the Hero? Who's say, who's there

0:38:48.640 --> 0:38:51.000
<v Speaker 1>to save the girl after she saves the world? That's

0:38:51.000 --> 0:38:55.239
<v Speaker 1>the lyric. So um, she came and the next day

0:38:55.280 --> 0:38:57.640
<v Speaker 1>she had to shoot an American Express commercial with Ellen,

0:38:57.800 --> 0:38:58.920
<v Speaker 1>so she had to leave it, go to l A

0:38:58.920 --> 0:39:01.920
<v Speaker 1>and then come back to Miami and circle around. By

0:39:01.920 --> 0:39:03.480
<v Speaker 1>the way, she came to Miami to work with me,

0:39:04.160 --> 0:39:06.600
<v Speaker 1>she understood that that's where I was comfortable. So she

0:39:06.760 --> 0:39:08.719
<v Speaker 1>came to me and a lot of people are stuck

0:39:08.719 --> 0:39:11.960
<v Speaker 1>in their ways and say, you gotta doing this. She

0:39:12.040 --> 0:39:16.120
<v Speaker 1>understood even though on Beyonce he's comfortable to get Yeah,

0:39:16.280 --> 0:39:18.680
<v Speaker 1>I'm gonna get the best out of him where he's comfortable.

0:39:19.040 --> 0:39:21.600
<v Speaker 1>And then so she left. It just so happened that

0:39:21.680 --> 0:39:25.080
<v Speaker 1>Jay was coming on tour with Mary J. Blige. So

0:39:25.160 --> 0:39:27.920
<v Speaker 1>she came in and her plane had to circle around

0:39:28.400 --> 0:39:31.200
<v Speaker 1>for like two and a half hours or some some craziness.

0:39:31.200 --> 0:39:32.880
<v Speaker 1>Her flight was delayed for a long time because it

0:39:32.920 --> 0:39:36.440
<v Speaker 1>was a bad storm in Miami. Uh. While I was waiting,

0:39:36.920 --> 0:39:38.799
<v Speaker 1>I wrote a song about the house, like some song

0:39:38.840 --> 0:39:40.920
<v Speaker 1>that I thought was just brilliant about it's a metaphor

0:39:41.040 --> 0:39:43.080
<v Speaker 1>by the house, and and I thought it was each

0:39:43.160 --> 0:39:48.799
<v Speaker 1>room is going to represent everybody has a Yeah. I

0:39:48.960 --> 0:39:57.920
<v Speaker 1>started myself like this it's gonna be like it exactly,

0:39:58.800 --> 0:40:01.520
<v Speaker 1>and the stairs talking to me and you know, oh,

0:40:01.560 --> 0:40:04.920
<v Speaker 1>by the way, I did right, paid this house and

0:40:04.920 --> 0:40:08.440
<v Speaker 1>that ship was good though you have already paid this house, Brandy,

0:40:08.520 --> 0:40:10.400
<v Speaker 1>that was a good one. Now. But I wrote this

0:40:10.440 --> 0:40:12.319
<v Speaker 1>song about the house that I thought was like this

0:40:12.400 --> 0:40:17.480
<v Speaker 1>is it like Grammy, Grammy anyone? So I was like,

0:40:17.480 --> 0:40:20.400
<v Speaker 1>all right, cool. Then I said, okay, she's she's not

0:40:20.480 --> 0:40:23.319
<v Speaker 1>here because of flame. Let me just all write another song.

0:40:24.200 --> 0:40:32.640
<v Speaker 1>So Wayne Wilkins and Jim Johnson played this loop boom boom,

0:40:32.640 --> 0:40:34.520
<v Speaker 1>and all her was turn of Light song. That's why

0:40:34.520 --> 0:40:38.280
<v Speaker 1>I keep hearing. Okay, let's go. So I wrote sweet

0:40:38.360 --> 0:40:41.680
<v Speaker 1>Dreams and before she showed up. So she walks in,

0:40:42.239 --> 0:40:45.000
<v Speaker 1>and when she walks in this time, she's in full

0:40:45.160 --> 0:40:51.279
<v Speaker 1>Beyonce apparel, diamonds, studied every hair done, make everything. He

0:40:51.480 --> 0:40:57.440
<v Speaker 1>was just looking like Jesus Christ, respectfully home. So she says,

0:40:57.520 --> 0:41:00.000
<v Speaker 1>I really don't have time to work. And then let's

0:41:00.000 --> 0:41:03.680
<v Speaker 1>what I'm talking about, character, I don't have time to record.

0:41:04.000 --> 0:41:06.399
<v Speaker 1>I wanted to come because I was late. I wanted

0:41:06.440 --> 0:41:10.000
<v Speaker 1>to make sure you saw my face. I'm sorry our

0:41:10.040 --> 0:41:12.319
<v Speaker 1>playing circled around. I couldn't make it, but I wanted

0:41:12.360 --> 0:41:14.520
<v Speaker 1>to make sure I came personally, so you because you

0:41:14.560 --> 0:41:16.600
<v Speaker 1>guys have been waiting here for hours and I want

0:41:16.680 --> 0:41:19.879
<v Speaker 1>to come and I class act. By the way, this

0:41:19.920 --> 0:41:22.479
<v Speaker 1>is the all time most winning this Grammy Award winning

0:41:22.520 --> 0:41:26.080
<v Speaker 1>artists of all time, and she's a class act. She

0:41:26.200 --> 0:41:29.279
<v Speaker 1>walks in. She says that, and I say, Beyonce, I

0:41:29.320 --> 0:41:32.280
<v Speaker 1>would love to play you a song that I just wrote.

0:41:33.040 --> 0:41:37.840
<v Speaker 1>And I played her the House song and she's like, nice, cool,

0:41:38.400 --> 0:41:39.919
<v Speaker 1>And I said, why, I just wrote this other one

0:41:40.160 --> 0:41:42.440
<v Speaker 1>before you got here, but it's I just finished it

0:41:42.480 --> 0:41:44.200
<v Speaker 1>literally the mix. It ain't even all the way there,

0:41:44.239 --> 0:41:45.320
<v Speaker 1>but I would love to play you that. And she

0:41:45.480 --> 0:41:47.200
<v Speaker 1>kind of like, yeah, I have to go, but all right,

0:41:47.600 --> 0:41:50.640
<v Speaker 1>and I played her Sweet Dreams. She looked at Angie.

0:41:51.160 --> 0:41:54.719
<v Speaker 1>Angie is her cousin assistant at the time, and she said,

0:41:54.880 --> 0:41:57.360
<v Speaker 1>how much time we got ange? She said, we probably

0:41:57.360 --> 0:42:00.960
<v Speaker 1>got twenty minutes, but you know, we got escorts, so

0:42:01.040 --> 0:42:04.520
<v Speaker 1>we get there to the American Airlines, stating, she took

0:42:04.520 --> 0:42:06.319
<v Speaker 1>her heels off, and she stook her earrings off, and

0:42:06.320 --> 0:42:11.000
<v Speaker 1>she cut Sweet Dreams. In fifteen minutes, she cut free

0:42:11.120 --> 0:42:12.560
<v Speaker 1>dreams of fifteen minutes and I'm gonna tell you what

0:42:12.640 --> 0:42:14.879
<v Speaker 1>happened back and listen to that guy. I'm gonna tell

0:42:14.880 --> 0:42:18.879
<v Speaker 1>you what changed my life. She my voice was saying,

0:42:18.920 --> 0:42:22.200
<v Speaker 1>turn of lights on. So when she stepped out the booth,

0:42:22.239 --> 0:42:23.520
<v Speaker 1>she said, oh wait, I didn't do the turn of

0:42:23.600 --> 0:42:34.840
<v Speaker 1>lights on her sick. She says, it's better enough because

0:42:35.000 --> 0:42:41.160
<v Speaker 1>I am going to be a hord. Do you understand

0:42:43.560 --> 0:42:45.920
<v Speaker 1>you better? And she went and she said, turning the

0:42:46.000 --> 0:43:02.320
<v Speaker 1>lights on under set. You've had records that just have

0:43:03.400 --> 0:43:05.960
<v Speaker 1>have no no, no, I have absolutely half. But we

0:43:06.040 --> 0:43:07.960
<v Speaker 1>got to talk about the past too. Yeah, we got

0:43:08.160 --> 0:43:09.680
<v Speaker 1>we have to know. No. Reason why I say have

0:43:09.920 --> 0:43:12.479
<v Speaker 1>is because we still have them right. And what people

0:43:12.560 --> 0:43:14.239
<v Speaker 1>say to me that I really kind of cringe when

0:43:14.239 --> 0:43:17.640
<v Speaker 1>they say I used to love that song. Why tell

0:43:17.680 --> 0:43:19.239
<v Speaker 1>me right though, because that's a song, right I want.

0:43:19.280 --> 0:43:20.839
<v Speaker 1>I want to know that to us because I still

0:43:20.920 --> 0:43:22.640
<v Speaker 1>love it and you still love it. When I listen

0:43:22.680 --> 0:43:24.239
<v Speaker 1>to Stevie Wonder, I don't say I used to love

0:43:24.320 --> 0:43:26.399
<v Speaker 1>that song. When I listen to Burn, but I don't

0:43:26.400 --> 0:43:30.000
<v Speaker 1>say I used to love when the song comes out. Still,

0:43:31.320 --> 0:43:33.960
<v Speaker 1>and we go particular about how we say things you

0:43:34.000 --> 0:43:36.040
<v Speaker 1>know what I mean. So that's what we have them.

0:43:36.360 --> 0:43:38.080
<v Speaker 1>You know what I mean? That still lies, They still

0:43:38.120 --> 0:43:46.160
<v Speaker 1>existing now past when when it comes to music, when

0:43:46.200 --> 0:43:48.680
<v Speaker 1>it comes to me, it's a gift, alright if it

0:43:48.760 --> 0:44:02.359
<v Speaker 1>keeps giving. Yeah, Tank has his piano. Did y'all tune

0:44:02.360 --> 0:44:05.680
<v Speaker 1>that it sounds better to? There? Can you even tune

0:44:05.760 --> 0:44:28.520
<v Speaker 1>this thing? Top five? You're top five, re equos top five.

0:44:30.280 --> 0:44:33.560
<v Speaker 1>I don't know what notes hev your top your top

0:44:33.960 --> 0:44:42.359
<v Speaker 1>five be so be honest, he makes it makes sense.

0:44:42.440 --> 0:44:49.160
<v Speaker 1>You know, you know you got somebody so so bad

0:44:49.880 --> 0:44:55.600
<v Speaker 1>you want to put in your top file A yeah,

0:44:56.400 --> 0:45:21.200
<v Speaker 1>yeah you reco loves talk fine, no get ready songs

0:45:23.080 --> 0:45:26.719
<v Speaker 1>songs Okay. By the way, first of all, no matter

0:45:26.800 --> 0:45:31.120
<v Speaker 1>what you people feel, Prince's ours. He belongs to us,

0:45:31.640 --> 0:45:35.000
<v Speaker 1>even a conversation because I had this come yeah, man,

0:45:35.040 --> 0:45:39.360
<v Speaker 1>all right, not here Prince R and B King Diamond's

0:45:39.360 --> 0:45:48.399
<v Speaker 1>imperiled by Prince Base Easy Human Nature by Michael Jackson.

0:45:49.239 --> 0:45:54.400
<v Speaker 1>I gotta follow it up? Yes, yes, you get it.

0:45:55.040 --> 0:45:57.680
<v Speaker 1>Come on with it. Number three. I'm gonna go with

0:45:58.200 --> 0:46:08.920
<v Speaker 1>so Sick by Neosens. Number four, I'm gonna go with

0:46:10.840 --> 0:46:16.880
<v Speaker 1>Sexual Healing by Marvin Gay Calling up get up, Get up,

0:46:16.960 --> 0:46:19.440
<v Speaker 1>Get up? Who's he talking to us? Make not tonight?

0:46:21.040 --> 0:46:27.000
<v Speaker 1>Land was next to dare you whisper? Number five, number five,

0:46:28.440 --> 0:46:36.320
<v Speaker 1>mm hmm. I'm gonna go with sorry, I have to

0:46:36.360 --> 0:46:42.319
<v Speaker 1>do it. You got a bad boss. You when you're

0:46:42.360 --> 0:46:45.080
<v Speaker 1>on the phone, hang up in your call right all

0:46:45.160 --> 0:46:48.400
<v Speaker 1>right back, called right back. And then if we go,

0:46:48.520 --> 0:46:50.000
<v Speaker 1>if we go down the list, I'm gonna say, because

0:46:50.000 --> 0:46:51.200
<v Speaker 1>we gotta go all the time, I'm gonna go to

0:46:51.360 --> 0:46:54.120
<v Speaker 1>my number like seven, because just randomly, because this came

0:46:54.160 --> 0:46:58.360
<v Speaker 1>to mind, jump down. I know this sounds crazy, but

0:46:58.560 --> 0:47:03.200
<v Speaker 1>when dream goes, I'm in love with your baby, and

0:47:03.520 --> 0:47:07.399
<v Speaker 1>I want you to know then I'm looked though your

0:47:07.600 --> 0:47:10.239
<v Speaker 1>bad Come on, man, I was just doing a three

0:47:10.320 --> 0:47:12.719
<v Speaker 1>part you just know what it is that record. Come on,

0:47:14.800 --> 0:47:16.920
<v Speaker 1>she rocking that thing that was just to me, and

0:47:17.000 --> 0:47:19.279
<v Speaker 1>she rocking that thing that was just he was just

0:47:20.280 --> 0:47:28.359
<v Speaker 1>like his attitude keeps. He got he got gotta jail, jail.

0:47:28.600 --> 0:47:31.279
<v Speaker 1>That's a great top five, great top You can't ready

0:47:31.320 --> 0:47:39.000
<v Speaker 1>with your ship, you know, clip for I had to

0:47:39.040 --> 0:47:41.399
<v Speaker 1>make sure that you know that song just I don't

0:47:41.400 --> 0:47:43.880
<v Speaker 1>know what every time I started thinking about the top

0:47:43.920 --> 0:47:46.160
<v Speaker 1>of this whole company, I'm like, damn, that song is

0:47:46.200 --> 0:47:48.799
<v Speaker 1>so special to me. Yeah you know. Okay, alright, your

0:47:48.840 --> 0:47:53.240
<v Speaker 1>top five R and B artists. Yeah, Usher Ship, Okay,

0:47:53.320 --> 0:47:57.480
<v Speaker 1>let's get Beyonce, Let's get there, luth Vangil, why not, Brandy,

0:48:00.120 --> 0:48:06.600
<v Speaker 1>Tank Milwaukee, do look at Milwaukee right here. Just get

0:48:06.760 --> 0:48:10.319
<v Speaker 1>honest to show up to the give it to the Tank.

0:48:10.320 --> 0:48:12.960
<v Speaker 1>I'm gonna tell you why. It's a group called Rain

0:48:14.760 --> 0:48:16.719
<v Speaker 1>and those guys grew up with those guys and they

0:48:16.800 --> 0:48:19.240
<v Speaker 1>had a record deal or they were signed to J Jacket.

0:48:19.560 --> 0:48:21.600
<v Speaker 1>They came back to them and they sang this song.

0:48:23.000 --> 0:48:25.879
<v Speaker 1>B J would sing this song when we turn out

0:48:26.000 --> 0:48:28.440
<v Speaker 1>the lights, the two of us. No, no, not, that's

0:48:28.480 --> 0:48:30.640
<v Speaker 1>the Joe. He would say, um no, it was the

0:48:30.719 --> 0:48:34.799
<v Speaker 1>song star with beings, bunch lonliness. But as soon as

0:48:34.920 --> 0:48:38.840
<v Speaker 1>I see you, the feelings of being blues gone, visions

0:48:38.880 --> 0:48:41.759
<v Speaker 1>of your lovely face of gone. And Tank wrote that

0:48:41.840 --> 0:48:47.640
<v Speaker 1>song for them five years ago. I was in high school.

0:48:48.120 --> 0:48:51.680
<v Speaker 1>They came back with that demo you remember Rain, you

0:48:51.719 --> 0:48:55.080
<v Speaker 1>don't read y b J. Mario and Tim and they

0:48:56.560 --> 0:49:06.560
<v Speaker 1>yeah you Tim Canniball and they and they came back

0:49:07.000 --> 0:49:08.920
<v Speaker 1>and they played that song and I listened to that

0:49:09.000 --> 0:49:11.719
<v Speaker 1>song everything I remember because I used to get really emotional,

0:49:11.840 --> 0:49:13.799
<v Speaker 1>by the way, like if I heard the album when

0:49:13.800 --> 0:49:15.000
<v Speaker 1>I but when I was trying to make it, I

0:49:15.120 --> 0:49:18.359
<v Speaker 1>was a kid um. Like instance, the album emotional about

0:49:18.360 --> 0:49:21.000
<v Speaker 1>Carl Thomas. When I first heard it, I cried, not

0:49:21.160 --> 0:49:23.680
<v Speaker 1>because it was so much, because I thought, if this

0:49:23.840 --> 0:49:25.840
<v Speaker 1>is what I have to make to make it in

0:49:25.880 --> 0:49:29.960
<v Speaker 1>the business, I'm never gonna make. That's how so I

0:49:30.080 --> 0:49:33.440
<v Speaker 1>remember hearing that song and I got emotions like I'm fucked, bro,

0:49:35.000 --> 0:49:37.120
<v Speaker 1>And I don't even I was a rapper, but I

0:49:37.200 --> 0:49:39.640
<v Speaker 1>just thought, if things have to be on this level.

0:49:39.880 --> 0:49:42.880
<v Speaker 1>That's how songs used to affect me. Used to get

0:49:43.440 --> 0:49:44.839
<v Speaker 1>sad as sleep. I used to get in the bed

0:49:44.840 --> 0:49:46.320
<v Speaker 1>then want to get out of bed because I'd be like,

0:49:46.400 --> 0:49:47.920
<v Speaker 1>what the funk am I gonna do? This is all

0:49:47.960 --> 0:49:50.759
<v Speaker 1>I want to do. And if this nick is making

0:49:50.760 --> 0:49:52.440
<v Speaker 1>ship like that, I gotta make stuff like this to

0:49:52.520 --> 0:49:56.359
<v Speaker 1>make it. I'm fucked. Yeah. So that's why I gotta

0:49:56.400 --> 0:50:00.279
<v Speaker 1>go on my number five, because we got history. It's

0:50:00.320 --> 0:50:07.120
<v Speaker 1>just gotta finish business. Let's do a voltron. Okay, let's

0:50:07.200 --> 0:50:10.520
<v Speaker 1>make your Let's make your Let's make your r and

0:50:10.560 --> 0:50:12.879
<v Speaker 1>b artists, your elite R and B artist. We want

0:50:12.920 --> 0:50:15.520
<v Speaker 1>to see who are you gonna pull the vocal from?

0:50:16.280 --> 0:50:19.080
<v Speaker 1>Who are you gonna pull the performance style from? Who

0:50:19.080 --> 0:50:23.440
<v Speaker 1>are gonna pull the styling from? And you're gonna pull uh,

0:50:24.040 --> 0:50:28.080
<v Speaker 1>the passion from? So what artists are you getting the

0:50:28.320 --> 0:50:32.359
<v Speaker 1>vocal from. I gotta get the vocal from Sam Cooke

0:50:33.040 --> 0:50:36.239
<v Speaker 1>ship and it's close because it's Donnie had the way

0:50:36.280 --> 0:50:38.560
<v Speaker 1>of Sam Cooke. But I gotta go Sam Cooked because

0:50:39.960 --> 0:50:41.880
<v Speaker 1>just a you know what he was like to it,

0:50:42.400 --> 0:50:47.640
<v Speaker 1>you know what I mean? So the stalling performance performance

0:50:47.680 --> 0:50:51.400
<v Speaker 1>style from I gotta go with Usher. I don't know

0:50:51.400 --> 0:50:57.680
<v Speaker 1>if anybody's been a Vegas because Michael was an incredible

0:50:57.760 --> 0:51:00.440
<v Speaker 1>showman and credible performer. But I don't think had to win,

0:51:01.560 --> 0:51:03.840
<v Speaker 1>you know what I mean? Ushers has the wind to

0:51:04.080 --> 0:51:06.640
<v Speaker 1>perform for three hours. I think Michael was so slim

0:51:06.760 --> 0:51:08.719
<v Speaker 1>and so you know, I'm going to stay out of this. Yeah,

0:51:08.840 --> 0:51:11.320
<v Speaker 1>I mean, I don't know. I don't feel not not

0:51:11.719 --> 0:51:13.279
<v Speaker 1>I'm not trying to say to sing the songs. So

0:51:13.360 --> 0:51:16.040
<v Speaker 1>he sounded great, but I just think Michael Usher just

0:51:16.160 --> 0:51:19.080
<v Speaker 1>had more has more wind to me in a three

0:51:19.120 --> 0:51:23.720
<v Speaker 1>hour performance. This is your vote, Troy. I'm staying you disagree,

0:51:23.760 --> 0:51:25.759
<v Speaker 1>all right, all right, so I'm gonna go because that's

0:51:25.880 --> 0:51:31.440
<v Speaker 1>that's okay. You do realize that Michael Jackson will perform

0:51:31.600 --> 0:51:36.200
<v Speaker 1>his songs anywhere from five to ten bpms fast. Yes,

0:51:36.320 --> 0:51:39.000
<v Speaker 1>that's true, that's very true. Yeah, you know, I just

0:51:39.080 --> 0:51:44.680
<v Speaker 1>I don't play about the Michaels, Michael Jordan's, Mike Tyson,

0:51:45.239 --> 0:51:50.200
<v Speaker 1>Michael Jackson, Michael Corleon. I just don't play. I don't

0:51:50.200 --> 0:51:53.520
<v Speaker 1>play about the Michaels. That's fair, that's fair. You gotta

0:51:53.600 --> 0:51:57.520
<v Speaker 1>you got, you got. I can accept when i'm but

0:51:57.520 --> 0:52:04.760
<v Speaker 1>I'm still gonna go with us performances styling the style

0:52:04.800 --> 0:52:07.640
<v Speaker 1>of that artist, what they're putting on, they're putting on

0:52:08.920 --> 0:52:18.800
<v Speaker 1>mm hmmm, staling. Let's say, I'm gonna go with and

0:52:18.920 --> 0:52:22.799
<v Speaker 1>this is this is my wild carkay, okay, the Five

0:52:22.840 --> 0:52:26.719
<v Speaker 1>Heart Beats, they didn't imagine aary, imagine a group. Yeah,

0:52:27.640 --> 0:52:29.960
<v Speaker 1>but when Flash joined the group, the whole style it

0:52:30.080 --> 0:52:34.319
<v Speaker 1>turned out they was definitely fly. They look rich, look

0:52:34.520 --> 0:52:37.000
<v Speaker 1>very rich. So I gotta go imagine a group with

0:52:37.040 --> 0:52:39.839
<v Speaker 1>that one with the look appealing. Yeah that you wan't

0:52:39.880 --> 0:52:45.879
<v Speaker 1>want people spot ye dang, where did he still had

0:52:45.960 --> 0:52:51.040
<v Speaker 1>that fear? They ripped that. They ripped it, brother dripped

0:52:51.080 --> 0:52:56.000
<v Speaker 1>sleeves off he had on the depiction of that was

0:52:56.160 --> 0:53:00.560
<v Speaker 1>so crazy. No, Robert, you shout out to Robert Man

0:53:00.800 --> 0:53:03.160
<v Speaker 1>genius because he's not He's not a singer. He's not

0:53:03.200 --> 0:53:05.320
<v Speaker 1>an R and B guy like obviously the R B

0:53:05.440 --> 0:53:09.920
<v Speaker 1>guy an amazing series. Acted his ass off the greatest,

0:53:10.320 --> 0:53:12.080
<v Speaker 1>by the way, By the way, the writing at the

0:53:12.239 --> 0:53:15.360
<v Speaker 1>end when he said, when when Eddie Kane saying I

0:53:15.400 --> 0:53:23.320
<v Speaker 1>feel like whole were precious, she said she did not

0:53:23.440 --> 0:53:27.759
<v Speaker 1>know what I saw. No, So yeah, yeah, incredible the

0:53:27.840 --> 0:53:29.879
<v Speaker 1>passion of that artist. Who are you getting the heart

0:53:29.920 --> 0:53:37.560
<v Speaker 1>from jarill LeVert easily? We've had to garill Leverts in

0:53:37.640 --> 0:53:40.640
<v Speaker 1>the passion section for sure. Yeah. And you can't go

0:53:40.760 --> 0:53:44.439
<v Speaker 1>wrong with you can't go wrong with ever any state,

0:53:44.520 --> 0:53:51.919
<v Speaker 1>any level. Yeah. Yeah, vocally yeah, fly fly, come on bear. Yeah.

0:53:52.560 --> 0:53:54.799
<v Speaker 1>Remember that episode Martin was on The Varnel Hill Show

0:53:54.840 --> 0:54:00.800
<v Speaker 1>and he slid across That's all He's gonna do it

0:54:00.840 --> 0:54:07.480
<v Speaker 1>because his daddy exactly in the suit I watched this daddy. Yeah,

0:54:07.760 --> 0:54:09.560
<v Speaker 1>and I'm just making a joke. At a hundred seven

0:54:09.640 --> 0:54:13.160
<v Speaker 1>years old on front of the stage, he was reading

0:54:14.360 --> 0:54:17.919
<v Speaker 1>rolled across the stage of the sweating out his suit,

0:54:18.440 --> 0:54:28.359
<v Speaker 1>give him full, all of it all. You know, I'm

0:54:28.400 --> 0:54:31.359
<v Speaker 1>like this, he is still getting to it. I used

0:54:31.400 --> 0:54:32.960
<v Speaker 1>to watch my show every now he come talk to

0:54:33.040 --> 0:54:35.160
<v Speaker 1>me to say, you know what, I gotta apologize again

0:54:35.160 --> 0:54:37.400
<v Speaker 1>because that Michael Ship was out of pocket. It was

0:54:37.440 --> 0:54:43.239
<v Speaker 1>out of pocket because I'm thinking about Jackson five. He's

0:54:43.280 --> 0:54:46.479
<v Speaker 1>been fucking conditioning since he was sucking two and a half.

0:54:46.920 --> 0:54:49.760
<v Speaker 1>I mean, if Michael Jackson takes a break, is because

0:54:49.800 --> 0:54:52.520
<v Speaker 1>he feels he like I need everybody to go watch

0:54:52.640 --> 0:54:58.160
<v Speaker 1>the Dancing Machine performance. Just go watch the Dancing Machine perform.

0:54:58.239 --> 0:55:02.120
<v Speaker 1>Is that a hand? Yeah, I'm apologize. I apologize Michael

0:55:02.160 --> 0:55:12.320
<v Speaker 1>and all of the I'll tell them. I know. So

0:55:13.880 --> 0:55:17.960
<v Speaker 1>why while we're here, we got another selection? You won't

0:55:17.960 --> 0:55:20.000
<v Speaker 1>give him a selection. You want to give him selection?

0:55:21.239 --> 0:55:24.880
<v Speaker 1>What speed you're gonna play? Okay, I'm gonna play the

0:55:24.920 --> 0:55:28.319
<v Speaker 1>fast speed. I ain't saying I ain't saying no names.

0:55:28.640 --> 0:55:31.120
<v Speaker 1>I ain't saying no names. I ain't saying no name.

0:55:31.360 --> 0:55:36.280
<v Speaker 1>He was you win what you did? Don't say Ship,

0:55:40.239 --> 0:55:53.440
<v Speaker 1>I ain't saying no name. Story funnier, fucked up man,

0:55:53.760 --> 0:55:56.200
<v Speaker 1>are funny and fucked up, Funny and fucked up. The

0:55:56.280 --> 0:55:59.480
<v Speaker 1>only rule is you can't say no names. Yeah, man,

0:56:00.360 --> 0:56:04.800
<v Speaker 1>so this is Rico. Actually, are you ready? This is

0:56:05.000 --> 0:56:11.600
<v Speaker 1>Rico loves Division One. Turner lights on the motivation man himself.

0:56:12.760 --> 0:56:19.480
<v Speaker 1>Huh there goes my baby, they thought, but they don't know.

0:56:21.080 --> 0:56:27.120
<v Speaker 1>They couldn't know. They couldn't know. I ain't saying no names.

0:56:27.760 --> 0:56:35.520
<v Speaker 1>Oh man, I ain't saying no names. But when I

0:56:35.719 --> 0:56:41.840
<v Speaker 1>was young, I'm I'm eliminate. I was on tour with ushers,

0:56:41.840 --> 0:56:47.120
<v Speaker 1>so that eliminates him because I'm not saying their names. Right. Yeah.

0:56:47.239 --> 0:56:50.080
<v Speaker 1>So I'm on tour and somebody I really loved and

0:56:50.160 --> 0:56:53.960
<v Speaker 1>admire what was hanging out with me were back. We're

0:56:54.000 --> 0:56:58.720
<v Speaker 1>hanging out, and uh I met a young lady, beautiful,

0:56:58.719 --> 0:57:00.680
<v Speaker 1>probably one of the most beautiful guys I ever met

0:57:00.719 --> 0:57:02.400
<v Speaker 1>in my life. I'm thinking to myself, you know what,

0:57:03.040 --> 0:57:06.800
<v Speaker 1>And for some reason it's particularly even and Sky, very popular,

0:57:07.239 --> 0:57:08.960
<v Speaker 1>very well. It comes to guy just hanging out with me.

0:57:09.640 --> 0:57:11.759
<v Speaker 1>So he's like, yo, this vibeing with me, right, So

0:57:11.840 --> 0:57:13.960
<v Speaker 1>I'm just like, all right, cool. We we're hanging out,

0:57:14.040 --> 0:57:16.720
<v Speaker 1>and uh I met this young lady who I thought

0:57:16.760 --> 0:57:20.160
<v Speaker 1>to myself easily going to be my my girlfriend. You know,

0:57:20.320 --> 0:57:23.760
<v Speaker 1>first day, mita, this is it, This is it for me,

0:57:24.200 --> 0:57:27.520
<v Speaker 1>This is all I need in my life. She was

0:57:27.600 --> 0:57:30.160
<v Speaker 1>that beautiful and I'm just like thinking, like manny fie man.

0:57:30.320 --> 0:57:32.640
<v Speaker 1>But Homeway he's around me, and I'm just thinking, oh,

0:57:32.840 --> 0:57:36.760
<v Speaker 1>he must be this makes me look cooler because you

0:57:36.840 --> 0:57:39.360
<v Speaker 1>know what I mean, make me make me look a

0:57:39.400 --> 0:57:42.600
<v Speaker 1>lot cooler because I'm hanging with Homeway. So I uh,

0:57:45.160 --> 0:57:48.240
<v Speaker 1>I say, yo, I'm gonna go step out in the

0:57:48.280 --> 0:57:51.400
<v Speaker 1>second how let my man, because I gotta jump on stage,

0:57:51.440 --> 0:57:53.880
<v Speaker 1>you know, because I'm on the cheop to I gonna perform.

0:57:53.960 --> 0:57:57.200
<v Speaker 1>And I really really really like this girl. I'm thinking

0:57:57.200 --> 0:57:59.400
<v Speaker 1>to myself, this is it's gonna be it for me

0:57:59.520 --> 0:58:03.439
<v Speaker 1>in a lot pinkies, that type of energy walking Yeah

0:58:04.120 --> 0:58:10.320
<v Speaker 1>yeah man. And uh not only not only was this

0:58:10.480 --> 0:58:20.400
<v Speaker 1>man ravishing her when I returned, but he locked the door. Yeah,

0:58:20.480 --> 0:58:23.880
<v Speaker 1>he locked the door. And he must have been experienced

0:58:23.920 --> 0:58:33.240
<v Speaker 1>sexually because she because because because she was she was

0:58:33.320 --> 0:58:36.560
<v Speaker 1>doing she's doing vocal exorcisey. I thought maybe they were

0:58:36.720 --> 0:58:38.560
<v Speaker 1>they were doing At first, I thought like maybe he's

0:58:38.600 --> 0:58:46.160
<v Speaker 1>training their vocus. I was like, they're doing vocal exorcise

0:58:46.320 --> 0:58:51.240
<v Speaker 1>for sure. Y. Yeah. And then uh, and you said

0:58:51.280 --> 0:58:53.560
<v Speaker 1>it wasn't that long. It was quick. Quick. I go

0:58:53.680 --> 0:58:55.240
<v Speaker 1>up there and do the verse. I come back. I'm like,

0:58:56.240 --> 0:58:57.880
<v Speaker 1>I'm you know, I'm not thinking. Maybe she's so oft

0:58:57.880 --> 0:58:59.440
<v Speaker 1>from the side of the stage I gave you. I

0:58:59.480 --> 0:59:00.720
<v Speaker 1>made a spot for her on the side of that

0:59:00.760 --> 0:59:04.360
<v Speaker 1>did all access lambing lamb. Yeah, yeah, I took that

0:59:04.440 --> 0:59:07.480
<v Speaker 1>lambing back. She came out of there. Yeah, so well, yeah,

0:59:07.520 --> 0:59:11.800
<v Speaker 1>he was ravishing her, ravishing Rick rude. Yeah, yeah, it was,

0:59:11.920 --> 0:59:14.080
<v Speaker 1>it was, it was, it was. Yeah. They had a

0:59:14.160 --> 0:59:19.400
<v Speaker 1>time and then she walked out. She commenced, acting like

0:59:19.520 --> 0:59:20.840
<v Speaker 1>she was gonna hang with me for the rest of

0:59:20.880 --> 0:59:27.520
<v Speaker 1>the Yeah, this happened. What's happened? This happened? Did you

0:59:27.600 --> 0:59:32.320
<v Speaker 1>let her hang out? I did? She was bad, she

0:59:32.480 --> 0:59:41.880
<v Speaker 1>was helping. He's a lover. He's a lover, not a

0:59:41.960 --> 0:59:49.120
<v Speaker 1>harm Oh my god, Drake said it best new to me,

0:59:51.560 --> 0:59:56.800
<v Speaker 1>new to me? Oh yeah, man, that was great. Happened,

0:59:57.000 --> 0:59:59.880
<v Speaker 1>that was real? He said he must have been experienced.

1:00:00.560 --> 1:00:05.520
<v Speaker 1>Actually he definitely, he definitely knew his way around this

1:00:05.640 --> 1:00:15.240
<v Speaker 1>way around the dressing room. Respectfully, I don't think it

1:00:15.400 --> 1:00:20.080
<v Speaker 1>was Yeah, he was quick too, And I'm like, and

1:00:20.160 --> 1:00:23.640
<v Speaker 1>now I realized he just really I'm thinking he's making

1:00:23.680 --> 1:00:26.160
<v Speaker 1>me look like that nigga, Like, you know, I'm blah

1:00:26.160 --> 1:00:31.000
<v Speaker 1>black and I'm just like, I'm all night and I'm

1:00:31.040 --> 1:00:33.960
<v Speaker 1>sitting there, but I'm on you think it's you. You

1:00:34.160 --> 1:00:37.080
<v Speaker 1>miss what I'm telling her, Like, Yo, get on this

1:00:37.200 --> 1:00:40.040
<v Speaker 1>side of the stage right here when I get out,

1:00:40.080 --> 1:00:41.640
<v Speaker 1>you know, I'm blah blah blah, get on the stage.

1:00:41.640 --> 1:00:42.920
<v Speaker 1>I don't really see it, but I'm not a tripping

1:00:42.920 --> 1:00:44.960
<v Speaker 1>because I just killed it and I'm just like, oh,

1:00:45.000 --> 1:00:47.000
<v Speaker 1>this is a great performance. This is good. You know,

1:00:47.560 --> 1:00:49.600
<v Speaker 1>I go back. I'm like, you know, where's you know,

1:00:50.440 --> 1:00:57.760
<v Speaker 1>go to who dressing room? Yeah, annihilating, annihilating this young lady.

1:00:58.760 --> 1:01:02.280
<v Speaker 1>You're respectfully and safely. But it was just sae. Yeah, yeah,

1:01:02.280 --> 1:01:03.800
<v Speaker 1>it was. It was. It was a It was a

1:01:04.400 --> 1:01:10.760
<v Speaker 1>learning experience, learning, absolute learning. Next yea exactly. I still

1:01:10.840 --> 1:01:13.320
<v Speaker 1>hung out with a Pinkies. No more like the Pinkies.

1:01:13.400 --> 1:01:18.000
<v Speaker 1>Was that I got standards ship. Listen, listen, I know

1:01:18.080 --> 1:01:22.560
<v Speaker 1>you gotta go. It's a very important thing. I need

1:01:22.640 --> 1:01:26.480
<v Speaker 1>you to give our audience a little bit of the

1:01:26.600 --> 1:01:30.760
<v Speaker 1>rundown of the Recording Academy, the Grammys, and the Black

1:01:30.880 --> 1:01:34.720
<v Speaker 1>Music coalition. How that collective, I'm sorry, how that all

1:01:34.800 --> 1:01:37.680
<v Speaker 1>goes together, and the part that you're playing in that,

1:01:37.840 --> 1:01:41.680
<v Speaker 1>and how important that is to up and coming and

1:01:42.000 --> 1:01:48.360
<v Speaker 1>current established, established creative in this business. So I'm the

1:01:48.880 --> 1:01:52.760
<v Speaker 1>vice chairman of the Recording Academy's board the Trustees, so um,

1:01:53.440 --> 1:01:55.960
<v Speaker 1>and I'm also the chairman of the Black Music Collective.

1:01:57.080 --> 1:02:01.240
<v Speaker 1>I always love watching the grand I always felt like

1:02:01.360 --> 1:02:04.560
<v Speaker 1>this was music's biggest night. Not to sound like cliche,

1:02:04.680 --> 1:02:07.560
<v Speaker 1>but I just felt like, this is this is it,

1:02:07.640 --> 1:02:09.240
<v Speaker 1>This is super Bowl for us, This is the thing

1:02:09.320 --> 1:02:14.360
<v Speaker 1>that we can say wow. And a while ago I

1:02:14.760 --> 1:02:16.560
<v Speaker 1>became a member and I was joined, and I started

1:02:16.640 --> 1:02:19.640
<v Speaker 1>understanding what it means and how you vote and how

1:02:19.800 --> 1:02:21.920
<v Speaker 1>this operates. And I I used to be as angry

1:02:21.960 --> 1:02:25.360
<v Speaker 1>with the Recording Academy as everybody else, until I realized

1:02:25.920 --> 1:02:29.280
<v Speaker 1>that these are things. The issues inside the Recording Academy

1:02:29.280 --> 1:02:31.680
<v Speaker 1>are things that can be fixed. It's just about us

1:02:31.760 --> 1:02:36.680
<v Speaker 1>coming together. Right. If everyone decides that we're gonna walk

1:02:36.760 --> 1:02:40.360
<v Speaker 1>away from the race, we don't. We don't harm or

1:02:40.480 --> 1:02:42.280
<v Speaker 1>hurt the rest of the people in the race. We

1:02:42.360 --> 1:02:46.000
<v Speaker 1>don't run as fast as us. We helped him. They

1:02:46.120 --> 1:02:50.480
<v Speaker 1>benefit from our absence and participating in certain elements of it.

1:02:51.640 --> 1:02:54.800
<v Speaker 1>People often say like, we should fight for our seats

1:02:54.840 --> 1:02:57.760
<v Speaker 1>at the table, and I'm telling you we should not

1:02:57.880 --> 1:03:00.040
<v Speaker 1>fight for our seats at the table. I'm telling you

1:03:00.120 --> 1:03:04.320
<v Speaker 1>that my ancestors built the table. Their influences, their music,

1:03:04.640 --> 1:03:09.280
<v Speaker 1>their soul, their energy created this table. Every artist that

1:03:09.440 --> 1:03:12.200
<v Speaker 1>that's done great numbers and great things can always say

1:03:12.240 --> 1:03:14.560
<v Speaker 1>there's a black artist that influenced them. This is a fact.

1:03:15.120 --> 1:03:17.160
<v Speaker 1>So I'm not fighting for a seat. I'm claiming an

1:03:17.160 --> 1:03:19.960
<v Speaker 1>inheritance that is let belongs to me, that's old to me.

1:03:20.400 --> 1:03:22.360
<v Speaker 1>So when I'm in the sign of Recording Academy and

1:03:22.400 --> 1:03:25.240
<v Speaker 1>I'm fighting to make sure that we raise awareness for

1:03:25.320 --> 1:03:28.680
<v Speaker 1>black voting members. When I'm chairing a BMC, we're honoring

1:03:28.800 --> 1:03:32.080
<v Speaker 1>this year. This week we honor Sylvia Own, Little Wayne,

1:03:32.680 --> 1:03:35.720
<v Speaker 1>Missy Elliot, and Dr Dre. Little Wayne speech, he cried

1:03:36.520 --> 1:03:39.120
<v Speaker 1>because we gave him the Global Impact Award. We didn't

1:03:39.120 --> 1:03:41.120
<v Speaker 1>give him an award for a song, we didn't give

1:03:41.160 --> 1:03:43.800
<v Speaker 1>him an award for an album. We said that you

1:03:43.880 --> 1:03:47.080
<v Speaker 1>globally have impacted the world, your style, your energy, who

1:03:47.160 --> 1:03:50.600
<v Speaker 1>you are, and that it's the awareness that I want

1:03:50.600 --> 1:03:52.400
<v Speaker 1>to raise a lot of people say the Grammy's and

1:03:52.440 --> 1:03:54.840
<v Speaker 1>NAT and I always ask them how does the Grammy's work?

1:03:56.400 --> 1:03:58.560
<v Speaker 1>Every person that says fun the Grammys, I say, how

1:03:58.600 --> 1:04:01.040
<v Speaker 1>does it work? M I heard people saying, well, this

1:04:01.160 --> 1:04:02.480
<v Speaker 1>year they I know they ain't gonna to hell win

1:04:02.520 --> 1:04:04.400
<v Speaker 1>this year, but next year it's because they blow the

1:04:04.480 --> 1:04:07.680
<v Speaker 1>politics to day. And I'm like, there's a voting body.

1:04:08.440 --> 1:04:13.920
<v Speaker 1>And if we make up of this streaming the best

1:04:13.960 --> 1:04:18.440
<v Speaker 1>streaming music, but we only make two of the voting membership,

1:04:18.640 --> 1:04:20.600
<v Speaker 1>how do we expect to be recognized when it's time

1:04:20.680 --> 1:04:23.160
<v Speaker 1>to vote. So what I encourage us all to do

1:04:23.280 --> 1:04:25.400
<v Speaker 1>is make sure that we've become voting members. Now. I

1:04:25.440 --> 1:04:26.960
<v Speaker 1>don't know when this is gonna air, but I will

1:04:27.000 --> 1:04:32.240
<v Speaker 1>say this February is when you can start submitting to

1:04:32.400 --> 1:04:35.040
<v Speaker 1>be a voting member. You go to grammy dot com.

1:04:35.640 --> 1:04:38.640
<v Speaker 1>You're clicking that top left corner tab is gonna come

1:04:38.680 --> 1:04:40.880
<v Speaker 1>down in the middle is gonna say membership. Click on

1:04:40.920 --> 1:04:44.280
<v Speaker 1>that membership. You get two people to co sign you,

1:04:44.440 --> 1:04:48.120
<v Speaker 1>to give you letters to to to speak up for you. Right.

1:04:49.280 --> 1:04:51.880
<v Speaker 1>They don't have to be established artists, they could be anybody.

1:04:51.920 --> 1:04:53.840
<v Speaker 1>It helps if you know somebody inside the Academy, but

1:04:53.920 --> 1:04:57.120
<v Speaker 1>if they, if you don't, it's okay, And then be

1:04:57.640 --> 1:05:01.560
<v Speaker 1>active in the music business. Currently, every rapper, every R

1:05:01.640 --> 1:05:03.880
<v Speaker 1>and B artist, who has friends in the business, who

1:05:03.920 --> 1:05:06.640
<v Speaker 1>have an engineer, who has producers, all of those people

1:05:06.680 --> 1:05:10.560
<v Speaker 1>should be voting members. When you're a phenomination or your

1:05:10.720 --> 1:05:13.400
<v Speaker 1>peers of phenomination, people y'all like in support, they should

1:05:13.400 --> 1:05:14.840
<v Speaker 1>be able to lean on you and say, hey, vote

1:05:14.880 --> 1:05:17.520
<v Speaker 1>for me. Make sure you vote for me, because other

1:05:17.640 --> 1:05:20.160
<v Speaker 1>races and other cultures are doing that. I do believe

1:05:20.240 --> 1:05:22.360
<v Speaker 1>in the power of what the Recording Academy can do

1:05:22.480 --> 1:05:25.120
<v Speaker 1>for you. Look at the stream spike for Harry Styles

1:05:25.160 --> 1:05:27.760
<v Speaker 1>after winning the Album of the Year. All right, let's

1:05:27.760 --> 1:05:31.160
<v Speaker 1>say anti even if the streams for the weekend even

1:05:31.200 --> 1:05:34.160
<v Speaker 1>went crazy the day of the Grammys, Right, it's an

1:05:34.200 --> 1:05:38.760
<v Speaker 1>opportunity with the opportunity that's given when you're on that stage,

1:05:38.800 --> 1:05:40.560
<v Speaker 1>and when you win, it means so much for your

1:05:40.640 --> 1:05:42.760
<v Speaker 1>career for the rest of your life. Your Grammy Award

1:05:42.840 --> 1:05:45.800
<v Speaker 1>winning right or even Grammy nominated, it's for the rest

1:05:45.840 --> 1:05:47.680
<v Speaker 1>of your career. And what it does for us is

1:05:47.720 --> 1:05:50.200
<v Speaker 1>the people and make sure that we're represented on music's

1:05:50.240 --> 1:05:52.840
<v Speaker 1>highest stage as we should. And I think that people

1:05:52.880 --> 1:05:55.440
<v Speaker 1>say to us, we should make our own Grammys. They

1:05:55.440 --> 1:05:57.360
<v Speaker 1>don't treat us right. Let's make our own Grammys. And

1:05:57.440 --> 1:05:59.480
<v Speaker 1>it's like, as black people, we've been having to make

1:05:59.480 --> 1:06:02.680
<v Speaker 1>our own thing after building their thing for too long.

1:06:03.080 --> 1:06:06.080
<v Speaker 1>I'm not making another one. I made this one, My

1:06:06.240 --> 1:06:09.040
<v Speaker 1>people made this one, and I want to be represented properly,

1:06:09.120 --> 1:06:10.920
<v Speaker 1>and I'm gonna fight to make sure I am. And

1:06:11.040 --> 1:06:12.800
<v Speaker 1>look at the changes that have been made. Look at

1:06:12.840 --> 1:06:16.760
<v Speaker 1>that stage, look at that front, that whole, Lizzo winning

1:06:16.760 --> 1:06:19.280
<v Speaker 1>to Perform, Look at Samara Joy winning Best New Artists.

1:06:19.480 --> 1:06:23.000
<v Speaker 1>Think about Beyonce breaking the record on television. Think about

1:06:23.280 --> 1:06:25.640
<v Speaker 1>last year when you've got Bruno Marza Innocent Pact getting

1:06:25.680 --> 1:06:28.560
<v Speaker 1>on stage winning. What when you got Demles getting on

1:06:28.680 --> 1:06:31.440
<v Speaker 1>stage on television on the telecast winning the WARLD. We

1:06:31.560 --> 1:06:34.760
<v Speaker 1>got John Baptiques winning Best New Out, Best Album of

1:06:34.800 --> 1:06:37.440
<v Speaker 1>the Year. Think about all these things to change. Our

1:06:37.520 --> 1:06:40.040
<v Speaker 1>faces are being seen, our energy is being felt, but

1:06:40.120 --> 1:06:42.280
<v Speaker 1>we just gotta keep pushing. We have to keep pushing.

1:06:42.480 --> 1:06:44.680
<v Speaker 1>And by the way, I'm not saying this because I

1:06:44.720 --> 1:06:46.920
<v Speaker 1>think the Grammys have gotten it right. I don't want

1:06:46.960 --> 1:06:48.960
<v Speaker 1>you guys to think that I'm like I went to

1:06:49.000 --> 1:06:52.040
<v Speaker 1>the Grammys, and it's just a new No. They have

1:06:52.120 --> 1:06:54.760
<v Speaker 1>not always gotten it right, but they are hungry and

1:06:54.880 --> 1:06:56.880
<v Speaker 1>starving to get it right. When I'm in the board rooms,

1:06:56.880 --> 1:06:58.400
<v Speaker 1>I'm not gonna lie to you. I'm around a lot

1:06:58.440 --> 1:07:00.880
<v Speaker 1>of people that don't look like me, and I'm expecting

1:07:00.960 --> 1:07:02.840
<v Speaker 1>resistance when I say that this and this, this, and

1:07:03.040 --> 1:07:05.400
<v Speaker 1>I'm not getting it. Bro, I'm being very honest with you,

1:07:05.840 --> 1:07:07.840
<v Speaker 1>and I would say it. They're white people in that room.

1:07:07.880 --> 1:07:10.040
<v Speaker 1>That says Rico, tell us what needs to happen? We

1:07:10.240 --> 1:07:12.479
<v Speaker 1>all right, you closer to it. What needs to happen?

1:07:12.600 --> 1:07:14.120
<v Speaker 1>Can we sit down with blah blah blah. You think

1:07:14.120 --> 1:07:16.080
<v Speaker 1>they will come, You think they'll show up? And I

1:07:16.160 --> 1:07:19.320
<v Speaker 1>asked artists a lot to show up. Let's talk about it.

1:07:19.840 --> 1:07:22.120
<v Speaker 1>What don't you like, Let's fix it, Let's figure out

1:07:22.120 --> 1:07:23.320
<v Speaker 1>how to do it, because a lot of a lot

1:07:23.400 --> 1:07:25.720
<v Speaker 1>has changed. Now, a complete change is not gonna happen

1:07:25.720 --> 1:07:28.560
<v Speaker 1>all at once. But if we become voting members, people

1:07:28.600 --> 1:07:30.720
<v Speaker 1>from the outside looking in, the people in the comment section,

1:07:30.760 --> 1:07:34.280
<v Speaker 1>they're always gonna have their whole conspiracy theories about whatever exists.

1:07:34.520 --> 1:07:36.760
<v Speaker 1>But for those of us who are actually in the business,

1:07:37.200 --> 1:07:39.240
<v Speaker 1>and I don't mean major label. You don't have to

1:07:39.280 --> 1:07:41.640
<v Speaker 1>be major recording artists to be a voting member. Now

1:07:41.960 --> 1:07:44.960
<v Speaker 1>you just have to meet the release requirements. You meet

1:07:45.000 --> 1:07:47.800
<v Speaker 1>those released requirements and you're active. You get in front

1:07:47.800 --> 1:07:49.920
<v Speaker 1>of that membership board and you will be a member.

1:07:50.280 --> 1:07:52.200
<v Speaker 1>You vote every time it comes up. We sit on

1:07:52.320 --> 1:07:55.959
<v Speaker 1>social media all day. Grab that phone when the voting

1:07:56.040 --> 1:07:57.640
<v Speaker 1>comes up, and you vote for the people that you

1:07:57.760 --> 1:07:59.919
<v Speaker 1>agree and believe should win, and you'll be a voice

1:08:00.040 --> 1:08:02.440
<v Speaker 1>for the people who aren't getting a visibility. P J.

1:08:02.640 --> 1:08:08.440
<v Speaker 1>Morton has four Grammys, My Man j I independently, my

1:08:08.560 --> 1:08:11.760
<v Speaker 1>Man j I v just one Best Spoken Word Album

1:08:11.880 --> 1:08:14.680
<v Speaker 1>and he was on the Tennessee State University album. So

1:08:15.240 --> 1:08:17.120
<v Speaker 1>I look at those things that I say to myself,

1:08:17.200 --> 1:08:20.960
<v Speaker 1>these are people who don't have national recognition, number one records.

1:08:21.760 --> 1:08:24.720
<v Speaker 1>Robert Glass there in those room, and they're gonna be tough,

1:08:25.040 --> 1:08:26.720
<v Speaker 1>even with the whole situation where they were like, why

1:08:26.840 --> 1:08:29.839
<v Speaker 1>is Chris Brown and Robert glassber in the same category?

1:08:30.080 --> 1:08:32.400
<v Speaker 1>You have to understand it. There are rooms put together

1:08:32.479 --> 1:08:34.720
<v Speaker 1>for people to debate on how these things go and

1:08:34.800 --> 1:08:37.280
<v Speaker 1>try to understand, and they're they're trying to figure things

1:08:37.360 --> 1:08:40.160
<v Speaker 1>out and they have to make adjustments. But then sometimes

1:08:40.160 --> 1:08:41.880
<v Speaker 1>you gotta understand if you're not in that room and

1:08:41.960 --> 1:08:43.880
<v Speaker 1>knowing what they were up against. What if they were

1:08:43.880 --> 1:08:45.800
<v Speaker 1>trying to put glass for in the best jazz and

1:08:45.880 --> 1:08:47.200
<v Speaker 1>he was like, well, it's not a jazz record, and

1:08:47.280 --> 1:08:48.800
<v Speaker 1>jazz say, we don't think it's jazz. And what if

1:08:48.840 --> 1:08:50.240
<v Speaker 1>you're trying to put them in this category and they

1:08:50.240 --> 1:08:52.519
<v Speaker 1>say it doesn't work this way. You never know that

1:08:52.760 --> 1:08:55.760
<v Speaker 1>the situation either way. If they are changes that need

1:08:55.840 --> 1:08:58.840
<v Speaker 1>to be made and things you don't agree with, staying

1:08:58.840 --> 1:09:02.839
<v Speaker 1>on the outside is not gonna answer it. The problem

1:09:02.960 --> 1:09:05.040
<v Speaker 1>is going to be solved if we get involved. And

1:09:05.960 --> 1:09:09.920
<v Speaker 1>I have such a uh a voice in the building

1:09:10.000 --> 1:09:11.960
<v Speaker 1>and they respected my voice. Think about this as a

1:09:12.040 --> 1:09:14.840
<v Speaker 1>black man. I served as a governor in a Florida

1:09:14.960 --> 1:09:17.600
<v Speaker 1>chapter for one term. I was elected to the Trustee

1:09:17.720 --> 1:09:20.320
<v Speaker 1>National Board of Trustees after one term. After one term

1:09:20.400 --> 1:09:23.000
<v Speaker 1>serving as a trustee, I'm not a vice chairman of

1:09:23.040 --> 1:09:27.320
<v Speaker 1>a recording academy. Does that mean? That means that these

1:09:27.400 --> 1:09:31.240
<v Speaker 1>people heard me, they felt my energy, and they trusted

1:09:31.320 --> 1:09:33.679
<v Speaker 1>that I've had the best interests of the Recording Academy.

1:09:33.840 --> 1:09:36.240
<v Speaker 1>And every day I speak up for African Americans, for

1:09:36.320 --> 1:09:38.760
<v Speaker 1>people of color, for women, and they do not bat

1:09:38.840 --> 1:09:41.640
<v Speaker 1>an eye. I don't get resistance. I don't get people saying, man,

1:09:41.680 --> 1:09:44.439
<v Speaker 1>I don't. I go in there and we fight and

1:09:44.520 --> 1:09:47.040
<v Speaker 1>we make things happen, and change has to happen over time.

1:09:48.160 --> 1:09:50.599
<v Speaker 1>I just think that people should recognize all the change

1:09:50.680 --> 1:09:53.920
<v Speaker 1>that is happening, understand that. I understand that there's a

1:09:53.960 --> 1:09:56.240
<v Speaker 1>lot more change that needs to happen. But I need

1:09:56.320 --> 1:09:58.799
<v Speaker 1>you all to come so as the chair of the BMC,

1:09:58.960 --> 1:10:01.040
<v Speaker 1>and I'm gonna end here has a chair to BMC.

1:10:01.479 --> 1:10:03.280
<v Speaker 1>My goal is to make sure that we have traveled

1:10:03.320 --> 1:10:07.640
<v Speaker 1>this country, do many outreach events, reach out to the executives,

1:10:08.040 --> 1:10:11.640
<v Speaker 1>independent artists, independent uh A, and if you want to

1:10:11.680 --> 1:10:13.240
<v Speaker 1>be a manager, if you want to study in music

1:10:13.280 --> 1:10:14.679
<v Speaker 1>in some way, we want to reach out our hands

1:10:14.680 --> 1:10:16.519
<v Speaker 1>to you and build a relationship with you. And we

1:10:16.560 --> 1:10:18.880
<v Speaker 1>want to make sure that the voting body reflects the

1:10:19.000 --> 1:10:21.639
<v Speaker 1>music that's being created and being produced, that the people

1:10:21.680 --> 1:10:24.200
<v Speaker 1>that vote look like us and understand where we come

1:10:24.280 --> 1:10:27.200
<v Speaker 1>from and can and can relate to us. Jasmine Sullivan

1:10:27.280 --> 1:10:31.679
<v Speaker 1>getting on that stage last year on television, it's major.

1:10:32.560 --> 1:10:35.400
<v Speaker 1>That's an incredible look for a soul artist who has

1:10:35.439 --> 1:10:39.479
<v Speaker 1>never had a pop hit, who's had hits, record strong records,

1:10:39.680 --> 1:10:42.760
<v Speaker 1>but didn't cross her music over. She didn't. She didn't

1:10:42.840 --> 1:10:45.280
<v Speaker 1>compromise who she was as a creative in order to

1:10:45.360 --> 1:10:47.600
<v Speaker 1>get a Grammy or to sell a million records. She

1:10:47.720 --> 1:10:50.160
<v Speaker 1>got up on that stage and one that has to

1:10:50.200 --> 1:10:52.880
<v Speaker 1>show you that the ties are churning and things are changing,

1:10:53.160 --> 1:10:54.559
<v Speaker 1>and I want to be a part of that change.

1:10:54.560 --> 1:10:55.880
<v Speaker 1>But I also want you to be a part of

1:10:55.920 --> 1:10:57.360
<v Speaker 1>that change with me. And I want you to be

1:10:57.400 --> 1:10:58.920
<v Speaker 1>a part of that change with me, and I want

1:10:59.000 --> 1:11:00.599
<v Speaker 1>us to be able to speak up, because either way,

1:11:00.600 --> 1:11:02.280
<v Speaker 1>we're gonna speak up, right. Either way, we're gonna talk

1:11:02.479 --> 1:11:04.560
<v Speaker 1>about what we don't like, right, absolutely, Why don't we

1:11:04.600 --> 1:11:06.960
<v Speaker 1>talk ship from from the inside and say, let's change it.

1:11:07.479 --> 1:11:09.600
<v Speaker 1>And if I feel like I'm in that place, and

1:11:09.600 --> 1:11:11.320
<v Speaker 1>I give you guys my word, if I ever felt

1:11:11.360 --> 1:11:12.960
<v Speaker 1>like I was in that space and I felt like

1:11:13.040 --> 1:11:15.120
<v Speaker 1>nobody was respecting the change that I wanted to see,

1:11:15.400 --> 1:11:18.200
<v Speaker 1>I would be out. I would walk away from it.

1:11:19.000 --> 1:11:21.040
<v Speaker 1>But that's not what I'm seeing, that's not what I'm feeling.

1:11:21.040 --> 1:11:22.840
<v Speaker 1>I'm feeling a lot of love and a lot of

1:11:22.880 --> 1:11:25.679
<v Speaker 1>people who are just expressing and admitting to the certain

1:11:25.720 --> 1:11:28.960
<v Speaker 1>ignorances that they may have about our culture. But they

1:11:29.040 --> 1:11:31.800
<v Speaker 1>all recognize the influence that we've had on the world.

1:11:32.360 --> 1:11:35.840
<v Speaker 1>And if they didn't, I wouldn't be involved because you

1:11:35.880 --> 1:11:38.000
<v Speaker 1>already know what type of time. I'm always on. I'm on.

1:11:38.280 --> 1:11:41.920
<v Speaker 1>I'm always about us, I'm always about the culture. Hey

1:11:41.960 --> 1:11:50.120
<v Speaker 1>man cho love no man um. Thank you, Thank you guys,

1:11:51.680 --> 1:11:53.920
<v Speaker 1>thank you for being here, and now we appreciate you.

1:11:54.240 --> 1:11:59.160
<v Speaker 1>Thank you for that. Thank you. Listen. I'm and you

1:11:59.240 --> 1:12:06.679
<v Speaker 1>got me excited. Ready between you, I want to chair,

1:12:08.439 --> 1:12:11.920
<v Speaker 1>let's uh, let's talk. But I mean the key thing

1:12:11.960 --> 1:12:16.639
<v Speaker 1>you said is that let's let's be the change. Let's

1:12:16.640 --> 1:12:21.679
<v Speaker 1>get in here. And because the doors aren't closed to us. Yeah,

1:12:21.920 --> 1:12:25.240
<v Speaker 1>and I think that's the part that that we all missed.

1:12:25.280 --> 1:12:28.840
<v Speaker 1>I think the doors are open to its available. This

1:12:29.000 --> 1:12:31.559
<v Speaker 1>is available. So I really want to get in here

1:12:31.600 --> 1:12:35.840
<v Speaker 1>and do something. The R and B Money podcast family,

1:12:35.920 --> 1:12:40.680
<v Speaker 1>the R and B Money family, we're getting involved absolutely,

1:12:41.200 --> 1:12:45.760
<v Speaker 1>and we support the BMC. So I suggest we do

1:12:46.560 --> 1:12:51.040
<v Speaker 1>an event here here in l A. We invite all musicians,

1:12:51.160 --> 1:12:54.280
<v Speaker 1>all music creatives. We make it a whole BMC R

1:12:54.320 --> 1:12:57.960
<v Speaker 1>and B Money collaboration we do something very sexy and fly,

1:12:58.560 --> 1:13:00.960
<v Speaker 1>and we bring people together and then we pick out

1:13:01.360 --> 1:13:05.040
<v Speaker 1>the top two or three incredibly talented artists who are

1:13:05.080 --> 1:13:08.000
<v Speaker 1>on them on the verge we're coming up. We allowed

1:13:08.040 --> 1:13:10.960
<v Speaker 1>them to perform, we talk to them and we educate

1:13:11.040 --> 1:13:14.280
<v Speaker 1>them about the process and what the Recording Academy represents

1:13:14.320 --> 1:13:16.200
<v Speaker 1>and how we invest in artists and how we make

1:13:16.200 --> 1:13:18.680
<v Speaker 1>sure we protect artists with our Music Cares program, how

1:13:18.760 --> 1:13:21.400
<v Speaker 1>we protect artists with our advocacy work. Believe it or not,

1:13:21.640 --> 1:13:24.960
<v Speaker 1>the music the Grammys is a nonprofit organization. This is

1:13:25.040 --> 1:13:27.719
<v Speaker 1>not They're not making a ton of money and banking money.

1:13:27.960 --> 1:13:32.160
<v Speaker 1>We're giving money every year to music creators who need it.

1:13:32.200 --> 1:13:34.439
<v Speaker 1>If a person is got a bad heart and they

1:13:34.479 --> 1:13:36.960
<v Speaker 1>don't have insurance, but they do music full time, they

1:13:37.000 --> 1:13:38.760
<v Speaker 1>come to Music Cares and we're gonna take care of them.

1:13:38.760 --> 1:13:41.040
<v Speaker 1>So when you say the Grammys, you're saying funk. All

1:13:41.080 --> 1:13:43.400
<v Speaker 1>the millions of dollars we've donated to helping other people

1:13:43.439 --> 1:13:46.439
<v Speaker 1>without acting anything in return and without turning anybody away.

1:13:47.200 --> 1:13:49.880
<v Speaker 1>So that show that we do is great. When you

1:13:49.920 --> 1:13:52.000
<v Speaker 1>see us at the BMC Honors with our Texas and

1:13:52.040 --> 1:13:54.439
<v Speaker 1>we're looking fly and y'all showing up for that. That's

1:13:54.479 --> 1:13:56.680
<v Speaker 1>great that everybody who showed up. I'm asking you to

1:13:56.760 --> 1:13:59.320
<v Speaker 1>do the work. Everybody begged me for tickets for BMC

1:13:59.479 --> 1:14:01.640
<v Speaker 1>this year. Everybody's trying to be on the list next

1:14:01.720 --> 1:14:03.960
<v Speaker 1>year already. All I'm saying is show up for the

1:14:04.120 --> 1:14:06.719
<v Speaker 1>for the artists, and show for ourselves as black creatives,

1:14:06.760 --> 1:14:08.679
<v Speaker 1>and make sure that we do the work. It's something

1:14:08.680 --> 1:14:11.160
<v Speaker 1>I'm super passionate about. This is nothing you can fake

1:14:11.240 --> 1:14:13.960
<v Speaker 1>the time that we've spent doing and stuff. It's genuine

1:14:14.000 --> 1:14:16.560
<v Speaker 1>because I'm an artist and I'm a creative, and I

1:14:16.680 --> 1:14:18.840
<v Speaker 1>believe in creatives, and I believe in developing the teaching

1:14:18.880 --> 1:14:20.599
<v Speaker 1>and growing and holding my hand out there. And by

1:14:20.640 --> 1:14:23.679
<v Speaker 1>the way, they support me. So let's do that. Let's

1:14:23.680 --> 1:14:25.479
<v Speaker 1>do it. Let's create the R and R and B

1:14:25.640 --> 1:14:29.240
<v Speaker 1>Money BMC Collaboration event, and we bring people there and

1:14:29.320 --> 1:14:31.680
<v Speaker 1>we educate them on the Recording Academy. We have a

1:14:31.760 --> 1:14:33.920
<v Speaker 1>dialogue like this, and we allow artists to come up

1:14:33.960 --> 1:14:37.240
<v Speaker 1>and perform and and and give the voting members and

1:14:37.280 --> 1:14:39.960
<v Speaker 1>the opportunity to see them. Imagine if you're in a

1:14:40.080 --> 1:14:42.840
<v Speaker 1>room full of Grammy voting members and you perform and

1:14:42.840 --> 1:14:45.040
<v Speaker 1>They're like, I remember you. So now when your name

1:14:45.080 --> 1:14:48.080
<v Speaker 1>shows up on that ballot, people are like, oh, I remember,

1:14:48.200 --> 1:14:50.719
<v Speaker 1>surely she was at the joint. I like her album.

1:14:50.800 --> 1:14:52.400
<v Speaker 1>Let me check this out, let me vote for her.

1:14:53.040 --> 1:14:55.200
<v Speaker 1>That's that's that's a sample. Let's do that. Let's make

1:14:55.200 --> 1:14:57.080
<v Speaker 1>sure we make it. You already know how we get out. Yea,

1:14:58.760 --> 1:15:02.240
<v Speaker 1>let's do it. Let's we're in. Let's make that happen.

1:15:02.280 --> 1:15:10.120
<v Speaker 1>Great goose help us. Mr Yeah, um man, amazing creative,

1:15:10.160 --> 1:15:13.320
<v Speaker 1>amazing human being. Um you know you you like a

1:15:13.400 --> 1:15:20.080
<v Speaker 1>brother man. So um loving to hear the mountaintops and

1:15:20.120 --> 1:15:23.519
<v Speaker 1>the valley loads and more mountaintops and more valley lows.

1:15:23.600 --> 1:15:25.680
<v Speaker 1>You know what I'm saying, It's life. It's life, man,

1:15:26.160 --> 1:15:29.280
<v Speaker 1>and and and I think that people really need to

1:15:29.560 --> 1:15:33.439
<v Speaker 1>hear that and know that it's okay to go through that.

1:15:34.520 --> 1:15:39.160
<v Speaker 1>It's fine. Yeah, it's another day. Jay always say this

1:15:39.360 --> 1:15:41.560
<v Speaker 1>is like the lottery, right, and doing music is like

1:15:41.640 --> 1:15:43.960
<v Speaker 1>the lot of lottery. You can write you one song,

1:15:44.160 --> 1:15:50.120
<v Speaker 1>be broke yesterday and to mom change really say tomorrow, tomorrow, tomorrow,

1:15:50.200 --> 1:15:54.160
<v Speaker 1>but tomorrow tom So we thank you for everything, man,

1:15:54.400 --> 1:15:56.720
<v Speaker 1>and that that is a big thank you man. That

1:15:56.840 --> 1:16:01.800
<v Speaker 1>encompasses the entire university, food and what you are Ladies,

1:16:01.800 --> 1:16:04.240
<v Speaker 1>gentle My money was Tank. I'm Jay Valentine and this

1:16:04.400 --> 1:16:06.960
<v Speaker 1>is the Money Podcast, the authority on All Things are

1:16:07.040 --> 1:16:18.439
<v Speaker 1>and being here and um we go. Love Man R

1:16:18.520 --> 1:16:21.479
<v Speaker 1>and Baby Money. R and B Money is a production

1:16:21.560 --> 1:16:25.160
<v Speaker 1>of the Black Effect Podcast Network. For more podcasts from

1:16:25.200 --> 1:16:29.240
<v Speaker 1>I Heart Radio, visit the I Heart Radio app, Apple Podcast,

1:16:29.439 --> 1:16:32.639
<v Speaker 1>or wherever you listen to your favorite shows. Don't forget

1:16:32.680 --> 1:16:35.479
<v Speaker 1>to subscribe to and rate our show, and you can

1:16:35.520 --> 1:16:38.960
<v Speaker 1>connect with us on social media at Ja Valentine and

1:16:39.080 --> 1:16:42.840
<v Speaker 1>at the Real Tank. For the extended episode, subscribe to

1:16:43.040 --> 1:16:46.639
<v Speaker 1>YouTube dot com, forward Slash, R and B Money