1 00:00:00,240 --> 00:00:04,680 Speaker 1: Hello the Internet or daily zeite geistirs. That's how you 2 00:00:04,720 --> 00:00:09,399 Speaker 1: start this show, right? Wow? Huge. This is superproducer Anna 3 00:00:09,760 --> 00:00:15,880 Speaker 1: and I am joined by superproducer Becca. Hello. Hello, we 4 00:00:16,079 --> 00:00:24,759 Speaker 1: are doing an International Women's Day trending episodes. Oh hold on, 5 00:00:24,840 --> 00:00:27,000 Speaker 1: let's give a moment of silence for all the people 6 00:00:27,040 --> 00:00:31,280 Speaker 1: who are about to turn this off. Perfect and we 7 00:00:31,400 --> 00:00:36,280 Speaker 1: always lost the week? Oh feeling good? Yes, everyone who stayed, 8 00:00:36,320 --> 00:00:38,760 Speaker 1: You guys are the true champions. And if you stayed, 9 00:00:38,760 --> 00:00:41,480 Speaker 1: you're about to get the real tea behind Daily Site guys. 10 00:00:41,520 --> 00:00:44,360 Speaker 1: That's right. This is a Bravo style reunion of the 11 00:00:44,440 --> 00:00:47,400 Speaker 1: two people who know exactly what's happening, and we're about 12 00:00:47,400 --> 00:00:50,960 Speaker 1: to tell you everything. Just joking. Could you imagine we 13 00:00:51,080 --> 00:00:54,200 Speaker 1: just come on here, we destroyed the show. Jack comes 14 00:00:54,240 --> 00:00:57,960 Speaker 1: back totally confuse why all the tea's out? And we 15 00:00:58,000 --> 00:01:03,280 Speaker 1: get canceled. So and that's, you know, just how it goes. 16 00:01:03,280 --> 00:01:06,039 Speaker 1: So it is Wednesday, March A. It is officially International 17 00:01:06,080 --> 00:01:10,759 Speaker 1: Women's Day. Uh you know, look, women, we have been 18 00:01:10,760 --> 00:01:14,440 Speaker 1: here and women identifying that's right. Shout out to every 19 00:01:14,560 --> 00:01:18,039 Speaker 1: person who identifies as a woman. Absolutely, we see you. 20 00:01:18,360 --> 00:01:20,720 Speaker 1: We are here for you, and we're here to do 21 00:01:20,800 --> 00:01:24,520 Speaker 1: an entire sort of trending episode about how women deserve 22 00:01:24,560 --> 00:01:26,959 Speaker 1: more rights than men. That's right, we're not even feminists. 23 00:01:27,000 --> 00:01:31,520 Speaker 1: We believe womens rights. Yeah, we're we moved beyond. We're 24 00:01:31,560 --> 00:01:36,759 Speaker 1: like men, catch a cab. I'd love to tell people 25 00:01:36,760 --> 00:01:39,360 Speaker 1: to catch cab anyway. So yes, it is Wednesday in 26 00:01:39,400 --> 00:01:41,640 Speaker 1: March eighth, and we are here to tell you. Actually, 27 00:01:41,720 --> 00:01:45,399 Speaker 1: let's Mecca. Should we start with some like women's International 28 00:01:45,400 --> 00:01:48,600 Speaker 1: Women's Day facts that I looked up and not so 29 00:01:48,680 --> 00:01:52,600 Speaker 1: I'm gonna let you to be quite honest. When I 30 00:01:52,640 --> 00:01:56,160 Speaker 1: was like doing a little Google for the show, I 31 00:01:56,200 --> 00:01:58,480 Speaker 1: was having trouble finding fun facts. I was like, can 32 00:01:58,520 --> 00:02:02,240 Speaker 1: we get some lady facts? And truly they were kind 33 00:02:02,240 --> 00:02:04,559 Speaker 1: of shitty, but a couple of them that I found 34 00:02:04,600 --> 00:02:08,520 Speaker 1: interesting was one. The first ever Woman's Day was observed 35 00:02:08,560 --> 00:02:11,000 Speaker 1: in the Ice States on the twenty eighth of February 36 00:02:11,000 --> 00:02:14,160 Speaker 1: in nineteen oh nine in commemoration of the fifteen thousand 37 00:02:14,240 --> 00:02:17,560 Speaker 1: women who protested in New York against harsh working unitions, 38 00:02:17,800 --> 00:02:21,880 Speaker 1: more working hours and lesser wages. So let's thank those 39 00:02:21,880 --> 00:02:25,440 Speaker 1: women who were, you know, in the triangle shirtwaist fires 40 00:02:25,520 --> 00:02:28,040 Speaker 1: and things like that that were really pushing for the 41 00:02:28,080 --> 00:02:31,079 Speaker 1: first wave feminism rights. But obviously there was a lot 42 00:02:31,080 --> 00:02:34,120 Speaker 1: of a racism in all of that, so let's not 43 00:02:34,320 --> 00:02:39,400 Speaker 1: give them too much credit. Yeah, you know, oh super 44 00:02:39,440 --> 00:02:45,240 Speaker 1: producer Brian a man fighting for women's right. Though he 45 00:02:45,240 --> 00:02:48,079 Speaker 1: says shout out a a love place, he did sayd 46 00:02:48,360 --> 00:02:51,600 Speaker 1: that he was fully in support of men not having rights. 47 00:02:51,720 --> 00:02:54,800 Speaker 1: So yeah, we did positive world where we took men's 48 00:02:54,840 --> 00:02:57,120 Speaker 1: like voting rights away for eight years. But then we 49 00:02:57,120 --> 00:02:58,640 Speaker 1: were also kind of like, wait a second, all the 50 00:02:58,680 --> 00:03:01,399 Speaker 1: Hawaii women who voted for could ruin they could ruin 51 00:03:01,480 --> 00:03:04,520 Speaker 1: them for us, so experience for us, so they'll take 52 00:03:04,520 --> 00:03:07,079 Speaker 1: away the trans writes again, and like that's not really 53 00:03:07,120 --> 00:03:10,920 Speaker 1: what we're going for. So you know, yeah, no respect, 54 00:03:11,280 --> 00:03:14,200 Speaker 1: you're always the best person in the room. It just 55 00:03:14,320 --> 00:03:19,880 Speaker 1: means that you have been othered, yeah, in your life. Yeah. 56 00:03:19,880 --> 00:03:22,720 Speaker 1: But also you had another fact about how much money 57 00:03:22,760 --> 00:03:25,520 Speaker 1: women make. Oh yeah, this fact I feel like has 58 00:03:25,560 --> 00:03:28,000 Speaker 1: not gotten better year after year after year. I was 59 00:03:28,040 --> 00:03:30,520 Speaker 1: trying to find like a cute little graphic. Couldn't find one, 60 00:03:30,600 --> 00:03:35,440 Speaker 1: but I did finally read the Census Bureaus documentation of 61 00:03:35,520 --> 00:03:40,720 Speaker 1: our lack of pay as women. Overall, women earn eighty 62 00:03:40,720 --> 00:03:44,520 Speaker 1: two cents for every dollar a man earns Hispanic or 63 00:03:44,760 --> 00:03:49,080 Speaker 1: Latino women. I'MUSA say, Latin a women earn about fifty 64 00:03:49,120 --> 00:03:51,800 Speaker 1: eight cents to the dollar, and black women earn sixty 65 00:03:51,880 --> 00:03:54,560 Speaker 1: three cents for the dollar of every white man earned. 66 00:03:54,840 --> 00:03:59,279 Speaker 1: So needless to say, pay us more. This is embarrassing 67 00:03:59,640 --> 00:04:01,720 Speaker 1: that year we have this argument, they're like, oh my god, 68 00:04:01,800 --> 00:04:04,040 Speaker 1: let's pay women. And then like, we get the same 69 00:04:04,040 --> 00:04:07,400 Speaker 1: statistics every year. It doesn't change. I don't that's right. 70 00:04:07,480 --> 00:04:11,440 Speaker 1: And your stats from that came from December fifteen, twenty 71 00:04:11,480 --> 00:04:14,520 Speaker 1: twenty two. Yeah, like literally, this is reason it hasn't 72 00:04:14,520 --> 00:04:18,560 Speaker 1: gotten better. Oh and I don't know what those stats 73 00:04:18,560 --> 00:04:22,960 Speaker 1: are for trans women and trans women of color. You know, 74 00:04:23,080 --> 00:04:26,040 Speaker 1: they don't have those included because there's you know, discrimination, 75 00:04:26,080 --> 00:04:29,039 Speaker 1: And obviously, I as much as we're being fun silly 76 00:04:29,080 --> 00:04:31,920 Speaker 1: little goofs, I want to be you know, very transparent 77 00:04:32,000 --> 00:04:35,919 Speaker 1: that support trans women, support you know, especially black trans women. 78 00:04:36,040 --> 00:04:38,679 Speaker 1: It is a really rough time in the house scape 79 00:04:38,680 --> 00:04:42,960 Speaker 1: that is our political landscape for trans folks, especially black 80 00:04:42,960 --> 00:04:47,000 Speaker 1: trans women, are always the most marginalized. So like, support 81 00:04:47,040 --> 00:04:51,200 Speaker 1: all women, including trans women. Yeah, and I guess the 82 00:04:51,200 --> 00:04:53,520 Speaker 1: biggest thing is don't be a turf. Yeah, don't be 83 00:04:53,520 --> 00:04:56,440 Speaker 1: a turf. Don't do that. That's a simpler way to 84 00:04:56,480 --> 00:05:00,760 Speaker 1: put it. Don't be a turf. There's no reason. My 85 00:05:00,800 --> 00:05:03,680 Speaker 1: biggest struggle in the like ever just hearing people who 86 00:05:03,720 --> 00:05:06,640 Speaker 1: are turfs, And I recently did encounter one that shook 87 00:05:06,680 --> 00:05:08,280 Speaker 1: me to my core because I did not realize this 88 00:05:08,320 --> 00:05:11,880 Speaker 1: person would be one. But I was like, why are 89 00:05:11,880 --> 00:05:15,800 Speaker 1: you so affected by this? I'll never get a person 90 00:05:16,080 --> 00:05:20,039 Speaker 1: identifying as a woman. There's no reason for it to 91 00:05:20,040 --> 00:05:22,640 Speaker 1: affect you in any regard. And you know, that's why 92 00:05:22,720 --> 00:05:27,440 Speaker 1: we need more media and content in the world about 93 00:05:27,480 --> 00:05:30,919 Speaker 1: and being created by trans people, because it's like, you 94 00:05:31,040 --> 00:05:34,560 Speaker 1: clearly have this issue with someone because they identify as 95 00:05:34,560 --> 00:05:39,360 Speaker 1: a woman, and you're just like flabbergass about you can't 96 00:05:39,360 --> 00:05:40,640 Speaker 1: wrap your mind er out it. Well, have you ever 97 00:05:40,640 --> 00:05:42,400 Speaker 1: spoken to a trans person? Have you ever listened to 98 00:05:42,480 --> 00:05:45,599 Speaker 1: a trans person's story? Have you ever like actually gone 99 00:05:45,640 --> 00:05:49,960 Speaker 1: out of your way to take in what their life 100 00:05:50,080 --> 00:05:53,240 Speaker 1: is like or why they are identified? Like you, you 101 00:05:53,279 --> 00:05:55,120 Speaker 1: don't even care, which is why you're jumping to this 102 00:05:55,160 --> 00:05:58,080 Speaker 1: conclusion that like it's this or it's that I don't 103 00:05:58,080 --> 00:06:02,760 Speaker 1: like a Lalla Lula and it's like, well, what what 104 00:06:02,880 --> 00:06:05,360 Speaker 1: are you bringing to the table other than negativity and 105 00:06:05,880 --> 00:06:08,960 Speaker 1: hate for a human being after just trying to live 106 00:06:09,080 --> 00:06:13,200 Speaker 1: their life and survive in their truest like identity. Yeah, 107 00:06:13,240 --> 00:06:16,640 Speaker 1: it's like and it's like that is never easy to do. 108 00:06:16,800 --> 00:06:20,839 Speaker 1: So what, like, why don't you believe trans women if 109 00:06:20,920 --> 00:06:23,800 Speaker 1: it is fundamentally more difficult to live your life as 110 00:06:23,839 --> 00:06:27,119 Speaker 1: a trans woman? You know, like yeah, it's like, there's 111 00:06:27,160 --> 00:06:30,160 Speaker 1: no reason to not believe in their identity because it 112 00:06:30,240 --> 00:06:33,000 Speaker 1: is so much easier to just stick with your sis 113 00:06:33,040 --> 00:06:36,960 Speaker 1: identity if that is what you do or don't identify 114 00:06:37,000 --> 00:06:39,599 Speaker 1: as you know, like it's so much harder transition, whether 115 00:06:39,640 --> 00:06:42,240 Speaker 1: you do fully transition or not, you still are a 116 00:06:42,320 --> 00:06:45,520 Speaker 1: woman as that is the way it is, and there's 117 00:06:45,520 --> 00:06:49,040 Speaker 1: just no reason. I don't see the argument. But I 118 00:06:49,040 --> 00:06:51,920 Speaker 1: guess the argument that I have heard I don't identify 119 00:06:52,000 --> 00:06:55,880 Speaker 1: this argument is they feel that trans women encroach on 120 00:06:56,200 --> 00:07:02,520 Speaker 1: like the inherent suffering that comes with have actual female anatomy. 121 00:07:02,760 --> 00:07:06,200 Speaker 1: But I'm like it's like a threat and you're like 122 00:07:06,279 --> 00:07:07,919 Speaker 1: it's not a threat, and it's like, how is that 123 00:07:07,960 --> 00:07:10,760 Speaker 1: a threat to your woman? Actually has nothing, has nothing 124 00:07:10,800 --> 00:07:12,840 Speaker 1: to do if anything, I wish I didn't have these 125 00:07:12,840 --> 00:07:14,760 Speaker 1: issues to do with you. Yeah, I'm like, if I 126 00:07:14,800 --> 00:07:16,960 Speaker 1: could not have a period, that'd be Lita shit, Like 127 00:07:17,760 --> 00:07:19,800 Speaker 1: I don't want to be on birth control ever. Again, 128 00:07:20,160 --> 00:07:23,880 Speaker 1: this shit is evil, Get it out. And I think 129 00:07:23,960 --> 00:07:28,080 Speaker 1: that's the toughest part is like, there is this person's 130 00:07:28,120 --> 00:07:31,480 Speaker 1: experience and choices, if they are choosing to transition to 131 00:07:31,520 --> 00:07:34,520 Speaker 1: be a woman, does not make you any less of 132 00:07:34,600 --> 00:07:37,000 Speaker 1: a woman. It doesn't make you anything other than another 133 00:07:37,080 --> 00:07:40,640 Speaker 1: human being who should have empathy for that experience. The 134 00:07:40,800 --> 00:07:44,680 Speaker 1: human struggle, Yeah, to like want to feel whole and 135 00:07:44,760 --> 00:07:48,720 Speaker 1: like themselves and also then be themselves in a public 136 00:07:48,760 --> 00:07:52,160 Speaker 1: setting without judgment. It's like that has nothing to do 137 00:07:52,240 --> 00:07:54,800 Speaker 1: with you. Nothing. You should always trying to live yourself 138 00:07:54,800 --> 00:07:57,200 Speaker 1: and be comfortable with yourself because clearly you're not comfortable 139 00:07:57,240 --> 00:08:01,160 Speaker 1: with yourself if you're attacking another person. Just saying and 140 00:08:01,200 --> 00:08:03,360 Speaker 1: a lot of I was listening to Pocket the day 141 00:08:03,360 --> 00:08:04,840 Speaker 1: that I was talking about how you know a lot 142 00:08:04,840 --> 00:08:10,680 Speaker 1: of these hormones that are necessary for trans people to 143 00:08:10,880 --> 00:08:13,760 Speaker 1: feel whole, you know, these are hormones were developed for 144 00:08:13,960 --> 00:08:16,360 Speaker 1: ciss people originally. So it's like these arguments that they're 145 00:08:16,400 --> 00:08:19,560 Speaker 1: making about the medical necessities, and like the harmfulness for 146 00:08:19,600 --> 00:08:23,560 Speaker 1: the bodies. It's just like all wrong because these hormone 147 00:08:23,800 --> 00:08:27,840 Speaker 1: replacement therapies and things were developed for CISS people with 148 00:08:28,160 --> 00:08:32,240 Speaker 1: like hormonal issues like thyroid problems or you know, dealing 149 00:08:32,280 --> 00:08:35,160 Speaker 1: with I don't know, any other medical issues that would 150 00:08:35,160 --> 00:08:39,000 Speaker 1: complicate your hormone regularity. So it's like these were developed 151 00:08:39,000 --> 00:08:41,320 Speaker 1: for heterobodies to dig in with. So like it's not 152 00:08:41,440 --> 00:08:44,560 Speaker 1: harmful for trans people to receive the medical care that 153 00:08:44,640 --> 00:08:48,280 Speaker 1: they desire, you know, it's like to get top surgery. 154 00:08:48,440 --> 00:08:51,400 Speaker 1: It's like we we've had mostectomies for so long too, 155 00:08:51,520 --> 00:08:53,800 Speaker 1: you know, like and that is for health purposes. So 156 00:08:53,840 --> 00:08:56,920 Speaker 1: it's just so silly that all these medical procedures for 157 00:08:57,000 --> 00:09:00,560 Speaker 1: trans people to feel safe in their bodies are being 158 00:09:00,600 --> 00:09:04,079 Speaker 1: limited because of the damages when reality, the science was 159 00:09:04,160 --> 00:09:10,320 Speaker 1: developed for SIS people already. Yeah, goofy Yeah. And I 160 00:09:10,360 --> 00:09:12,480 Speaker 1: feel like as a country, we always find a way 161 00:09:12,480 --> 00:09:15,760 Speaker 1: to other and it's it's really it's sad, you know. 162 00:09:15,800 --> 00:09:19,160 Speaker 1: Like another story that we're seeing right now is how 163 00:09:19,520 --> 00:09:21,559 Speaker 1: the right is coming the right and the Conservats are 164 00:09:21,559 --> 00:09:25,120 Speaker 1: coming for drag and drag queens, and it's like there 165 00:09:25,200 --> 00:09:31,240 Speaker 1: is no reason to take a very beautiful performance, you know, 166 00:09:31,280 --> 00:09:34,240 Speaker 1: like it's a performance. These people were performance of vanity 167 00:09:34,400 --> 00:09:37,760 Speaker 1: for sure. Yeah, it's like and they like it's it's art. 168 00:09:37,800 --> 00:09:41,160 Speaker 1: It's literally like, I'm sorry, can you go away, go 169 00:09:41,200 --> 00:09:43,320 Speaker 1: into a back room and come out looking like some 170 00:09:43,360 --> 00:09:46,280 Speaker 1: of these drag queens their outfits, their hair, their makeup. 171 00:09:46,400 --> 00:09:49,600 Speaker 1: They're literally creating new styles of like how to do 172 00:09:49,640 --> 00:09:52,160 Speaker 1: your makeup. Like they are breaking barriers and you're sitting 173 00:09:52,160 --> 00:09:56,360 Speaker 1: here being like that. Children they can't see the drag queens. 174 00:09:56,360 --> 00:09:58,960 Speaker 1: It's like, what are you talking about. It's so children 175 00:09:59,000 --> 00:10:01,439 Speaker 1: are not being groom The children are not here being worried. 176 00:10:01,480 --> 00:10:04,000 Speaker 1: You guys are putting out all these weird fake videos 177 00:10:04,040 --> 00:10:07,080 Speaker 1: of drag queens performing for children, which is not the case. 178 00:10:07,840 --> 00:10:11,120 Speaker 1: It's not real. You're not doing that. Drag is a 179 00:10:11,160 --> 00:10:16,360 Speaker 1: beautiful art form that like takes so much preparation and 180 00:10:16,400 --> 00:10:22,920 Speaker 1: like also stamina, like skill. It's truly so much skill. 181 00:10:23,000 --> 00:10:26,520 Speaker 1: Like I love dragon. I'm a big drag fan. I 182 00:10:26,600 --> 00:10:29,200 Speaker 1: watch Ru Paul drag Race. I've watched many of the 183 00:10:29,240 --> 00:10:31,760 Speaker 1: other ums, but I was what's the one that um 184 00:10:31,840 --> 00:10:35,439 Speaker 1: it's like the horror drag show that was on I 185 00:10:35,480 --> 00:10:39,760 Speaker 1: don't remember Dragula da thank you shout out super producer 186 00:10:39,800 --> 00:10:42,840 Speaker 1: bay Um. Yes, I love Dragula. Dragar is my favorite 187 00:10:42,840 --> 00:10:46,480 Speaker 1: because I love like the horror aspect of it. But 188 00:10:47,080 --> 00:10:51,040 Speaker 1: it's like it requires like sewing, gluing, the creativity of 189 00:10:51,080 --> 00:10:54,839 Speaker 1: designing these things, Like you are designers, you are seamstresses, 190 00:10:55,120 --> 00:10:58,480 Speaker 1: you are makeup artists, you are like hairdressers, Like you're 191 00:10:58,800 --> 00:11:02,280 Speaker 1: designing these wigs to be like aol. Like the skills 192 00:11:02,320 --> 00:11:06,640 Speaker 1: that a lot of women have come from drag too. 193 00:11:06,760 --> 00:11:08,959 Speaker 1: You know, it's like we cross over and learn from 194 00:11:09,040 --> 00:11:12,080 Speaker 1: drag just as much as we learn from also black women, 195 00:11:12,120 --> 00:11:14,400 Speaker 1: because let's be honest, like they're setting the standard and 196 00:11:14,400 --> 00:11:17,920 Speaker 1: then everyone else is pulling from you know, black women, 197 00:11:18,240 --> 00:11:20,640 Speaker 1: so yeah, black trans women too. You know, it's like 198 00:11:20,800 --> 00:11:25,560 Speaker 1: very specifically all comes back down to that. So fuck 199 00:11:25,640 --> 00:11:31,080 Speaker 1: the haters. We're here from. Fuck the haters. Uh. Let 200 00:11:31,320 --> 00:11:36,600 Speaker 1: these drag queens perform without creating unnecessary misinformation about who 201 00:11:36,640 --> 00:11:40,839 Speaker 1: they are and what they do as artists. So have 202 00:11:40,880 --> 00:11:45,959 Speaker 1: some respect some people who literally create like the baseline 203 00:11:46,320 --> 00:11:51,960 Speaker 1: of what performance then gets appropriated. So you know, open 204 00:11:52,000 --> 00:11:54,280 Speaker 1: your eyes and also watch drag Race. It's a great 205 00:11:54,360 --> 00:12:00,240 Speaker 1: Literally I love last night, honestly, and if you watch 206 00:12:00,320 --> 00:12:04,080 Speaker 1: All Stars, All Stars, Best of the Best. All right, 207 00:12:04,320 --> 00:12:07,160 Speaker 1: let's actually take a let me just talk about All 208 00:12:07,160 --> 00:12:09,559 Speaker 1: Stars for like forty five minutes. Let's take a quick 209 00:12:09,640 --> 00:12:12,719 Speaker 1: ad break, and then we'll be back and we're gonna, um, 210 00:12:13,520 --> 00:12:17,400 Speaker 1: you know, talk a few more stories than involve women. Okay, 211 00:12:17,720 --> 00:12:31,120 Speaker 1: all right, b RB and we are back, guys. Becka 212 00:12:31,200 --> 00:12:33,920 Speaker 1: pulled another story about the show Wednesday in Jenna Ortega, 213 00:12:33,960 --> 00:12:38,280 Speaker 1: would you like to kind of break down? So Jenna 214 00:12:38,400 --> 00:12:43,160 Speaker 1: Artega went on Dak Shepherd's podcasts Armchair Armchair Expert. Yeah, 215 00:12:43,240 --> 00:12:47,760 Speaker 1: armchair expert and kind of just called armchair. Oh, I'm 216 00:12:47,800 --> 00:12:53,000 Speaker 1: just joking. He's like, my show's called arm Anyway, this 217 00:12:53,080 --> 00:12:55,160 Speaker 1: is off topic. But did you see the image that 218 00:12:55,200 --> 00:12:58,079 Speaker 1: they took for the Instagram for the show? Dak Shepper 219 00:12:58,120 --> 00:13:00,199 Speaker 1: looks real odd in that image, Like he looked like 220 00:13:00,280 --> 00:13:02,760 Speaker 1: he got like Hella eyeliner on her something. It's like, 221 00:13:03,000 --> 00:13:05,520 Speaker 1: I did not, but I will look it up right now. 222 00:13:05,559 --> 00:13:07,440 Speaker 1: It's a little I'm like, why is no one talking 223 00:13:07,480 --> 00:13:10,360 Speaker 1: about that? Um? I get the interview was very insightful, 224 00:13:10,400 --> 00:13:13,280 Speaker 1: but um, I was really interested in that image being 225 00:13:13,679 --> 00:13:17,800 Speaker 1: super wild, But um Jennier Take has been doing a 226 00:13:17,840 --> 00:13:20,360 Speaker 1: little bit of press. She was on the Armchair Expert 227 00:13:20,360 --> 00:13:24,400 Speaker 1: with Dak Shepherd, and she kind of goes into what 228 00:13:24,559 --> 00:13:27,320 Speaker 1: happened on Wednesday set. We had already heard rumors, I 229 00:13:27,320 --> 00:13:30,280 Speaker 1: feel like the past few months about how kind of 230 00:13:30,320 --> 00:13:33,960 Speaker 1: inhospitable this set was. Like she was fully performing while 231 00:13:34,000 --> 00:13:37,319 Speaker 1: having COVID, Like she was very you know, not very 232 00:13:37,320 --> 00:13:40,719 Speaker 1: well taken care of. She had to learn so much shit, 233 00:13:40,880 --> 00:13:43,199 Speaker 1: Like she was learning different languages, she was learning how 234 00:13:43,240 --> 00:13:46,439 Speaker 1: to you know, play the cello in like martial arts 235 00:13:46,600 --> 00:13:50,880 Speaker 1: and fencing and all sorts of things. So the role 236 00:13:50,960 --> 00:13:54,520 Speaker 1: was really like, Wow, that woman is such a bad ass. 237 00:13:55,360 --> 00:13:59,000 Speaker 1: But she kind of talks about on Armchair Expert how 238 00:13:59,120 --> 00:14:03,559 Speaker 1: she was pushing these little bit of unprofessional boundaries by 239 00:14:03,600 --> 00:14:07,920 Speaker 1: like literally changing the script behind writer's backs and then 240 00:14:07,960 --> 00:14:09,960 Speaker 1: like using her own lines while she was doing it, 241 00:14:10,000 --> 00:14:12,040 Speaker 1: because she was just like, I don't understand what they're 242 00:14:12,080 --> 00:14:14,440 Speaker 1: doing with this character. Like I signed on when I 243 00:14:14,440 --> 00:14:16,839 Speaker 1: took this project, especially being a Tim Burton project, I 244 00:14:16,880 --> 00:14:18,920 Speaker 1: thought it was for an adult audience. I didn't know 245 00:14:18,679 --> 00:14:20,520 Speaker 1: I know it was gonna be for a young adult audience. 246 00:14:20,840 --> 00:14:23,480 Speaker 1: And given the most recent roles she's been taking on. 247 00:14:24,000 --> 00:14:26,960 Speaker 1: She has been doing way more serious work, so it 248 00:14:27,080 --> 00:14:28,880 Speaker 1: makes sense that she would have chosen to sign on 249 00:14:29,000 --> 00:14:31,240 Speaker 1: for the show when it was you know, pitched to 250 00:14:31,280 --> 00:14:33,680 Speaker 1: her as geared towards an adult audience versus a young 251 00:14:33,720 --> 00:14:36,720 Speaker 1: adult audience. Like she has been doing the Scream franchises. 252 00:14:36,720 --> 00:14:39,160 Speaker 1: She's been pushing herself as a Scream queen. To be honest, 253 00:14:39,760 --> 00:14:42,480 Speaker 1: she's been in quite a few horror movies lately. Her 254 00:14:42,560 --> 00:14:44,920 Speaker 1: role on You is also pretty serious, even though that 255 00:14:44,960 --> 00:14:48,800 Speaker 1: came from a CW you know, original script, but that 256 00:14:48,840 --> 00:14:52,440 Speaker 1: show is pretty dark. It's not for young adult audience 257 00:14:52,680 --> 00:14:56,000 Speaker 1: by it means if you watched it. So yeah, she 258 00:14:56,160 --> 00:14:58,520 Speaker 1: was just like, as I was reading this, they've like 259 00:14:58,680 --> 00:15:02,840 Speaker 1: turned Wednesday into the spear two dimensional character. Like the 260 00:15:03,160 --> 00:15:05,160 Speaker 1: storylines don't even make sense, Like why would she be 261 00:15:05,200 --> 00:15:07,640 Speaker 1: in a love triangle. She's kind of like an asexual 262 00:15:07,720 --> 00:15:10,880 Speaker 1: human being. She's arguing with Tim Burton about how much 263 00:15:10,880 --> 00:15:14,760 Speaker 1: emotion should Wednesday have because I'm assuming tim Burton didn't 264 00:15:14,800 --> 00:15:17,240 Speaker 1: want Wednesday to have emotion and kind of make her 265 00:15:17,280 --> 00:15:20,240 Speaker 1: this like wall of a person. But Jennie Artaker was like, 266 00:15:20,280 --> 00:15:23,320 Speaker 1: well then she has no dimension if she has zero emotion, 267 00:15:23,400 --> 00:15:27,200 Speaker 1: you know, and if you've watched the you know, former 268 00:15:27,840 --> 00:15:32,480 Speaker 1: ip of Adam's Family Wednesday has I mean, she's a dark, 269 00:15:32,640 --> 00:15:36,200 Speaker 1: twisted character, kind of like almost Joker esque, where she's 270 00:15:36,240 --> 00:15:39,760 Speaker 1: like her mind is just like and she kind of 271 00:15:39,760 --> 00:15:42,640 Speaker 1: has this like scary ass smile to her, a little 272 00:15:42,680 --> 00:15:46,360 Speaker 1: bit like a little bit and Kenny Valley vibe. But 273 00:15:46,760 --> 00:15:49,840 Speaker 1: she is an emotional character, like she chooses to act 274 00:15:49,880 --> 00:15:54,680 Speaker 1: out in her own justices, and she isn't about you know, 275 00:15:54,720 --> 00:15:57,400 Speaker 1: I mean, she's about full chaos, but she is not 276 00:15:57,520 --> 00:16:00,360 Speaker 1: about letting like bad people win, you know. That's like 277 00:16:00,480 --> 00:16:03,840 Speaker 1: kind of her vibe. So kudos at gener Artaker. She's 278 00:16:03,840 --> 00:16:06,440 Speaker 1: really young, she's also a brown woman in the industry, 279 00:16:06,520 --> 00:16:09,240 Speaker 1: so for her to like be, you know, acting so 280 00:16:09,240 --> 00:16:12,840 Speaker 1: aggressively while on set, I think it's like such a 281 00:16:12,840 --> 00:16:15,640 Speaker 1: testament to where gen Z is at today and how 282 00:16:15,680 --> 00:16:18,080 Speaker 1: they are really changing the boundaries of like what it 283 00:16:18,120 --> 00:16:20,800 Speaker 1: means to work in this industry and just like work 284 00:16:20,800 --> 00:16:22,680 Speaker 1: in general, and being able to stand up for themselves. 285 00:16:22,720 --> 00:16:26,600 Speaker 1: So I'm I'm a Generartaker fan, and I honestly liked 286 00:16:26,840 --> 00:16:30,200 Speaker 1: the show. I did, so I'm curious what it would 287 00:16:30,200 --> 00:16:32,880 Speaker 1: have been like had it been what she had envisioned 288 00:16:32,880 --> 00:16:34,600 Speaker 1: it was going to be. Because I enjoyed what it was, 289 00:16:34,920 --> 00:16:36,960 Speaker 1: I watched the whole thing. Yeah, I will say I 290 00:16:36,960 --> 00:16:39,720 Speaker 1: watched the first episode and I did feel potentially the 291 00:16:39,800 --> 00:16:42,000 Speaker 1: show was for a younger audience, and so my partner 292 00:16:42,080 --> 00:16:45,200 Speaker 1: kept watching it, but I did not continue. Yeah, I 293 00:16:45,240 --> 00:16:47,000 Speaker 1: think because I was like, oh, I don't know if 294 00:16:47,000 --> 00:16:49,320 Speaker 1: I need to see Wednesday like in high school or what. Yeah, 295 00:16:49,440 --> 00:16:52,240 Speaker 1: I kinda backed off of it a little, but I 296 00:16:52,280 --> 00:16:54,800 Speaker 1: am curious if it had gone the way she originally 297 00:16:54,880 --> 00:16:57,520 Speaker 1: thought how it would be. And I actually I'm glad 298 00:16:57,560 --> 00:17:02,840 Speaker 1: that she decided to raise sort of you know, changing 299 00:17:02,840 --> 00:17:04,639 Speaker 1: it up and stepping up and saying something because you know, 300 00:17:04,640 --> 00:17:06,760 Speaker 1: in a lot of cases, especially like our era of 301 00:17:06,840 --> 00:17:09,080 Speaker 1: growing up, like when you are a woman of color, 302 00:17:09,160 --> 00:17:11,000 Speaker 1: or even just like a woman in general, when you 303 00:17:11,040 --> 00:17:14,359 Speaker 1: start to like sort of point things out and be like, dude, 304 00:17:14,400 --> 00:17:16,280 Speaker 1: what the fuck this should be this way? Why is 305 00:17:16,280 --> 00:17:19,760 Speaker 1: this happening? Can we change this? You know, the room 306 00:17:19,800 --> 00:17:25,080 Speaker 1: turns on you sometimes crazy, You're just you become a 307 00:17:25,080 --> 00:17:26,359 Speaker 1: bit a lot. And I know you guys are like 308 00:17:26,400 --> 00:17:31,040 Speaker 1: a stotype. Stereotype to an extent, but also a lot 309 00:17:31,080 --> 00:17:34,800 Speaker 1: of us have experienced this very clear sort of bias 310 00:17:35,000 --> 00:17:39,520 Speaker 1: towards women and women of color when wepeak out to 311 00:17:39,800 --> 00:17:42,280 Speaker 1: put ourselves out there and say something, because you are 312 00:17:42,520 --> 00:17:45,719 Speaker 1: automatically labeled a certain way. You're labeled as like, you know, 313 00:17:46,560 --> 00:17:51,360 Speaker 1: hard to work with, crazy, you know. And I recently was, um, 314 00:17:51,400 --> 00:17:56,640 Speaker 1: I heard a story about someone, you know, a guy 315 00:17:56,760 --> 00:17:59,560 Speaker 1: broke up with this girl and I was like, oh, like, 316 00:17:59,800 --> 00:18:01,800 Speaker 1: is k like what happened? And he just immediate it 317 00:18:01,840 --> 00:18:03,560 Speaker 1: was like, well, she was crazy, And I was like, 318 00:18:03,800 --> 00:18:07,360 Speaker 1: I know this person, Yeah, she's not crazy. Well why 319 00:18:07,440 --> 00:18:10,080 Speaker 1: are you just saying she's crazy? Because that's like it's 320 00:18:10,119 --> 00:18:12,119 Speaker 1: just like almost like a blanket statement to just be 321 00:18:12,240 --> 00:18:14,960 Speaker 1: like to dismiss a woman, to be like absolutely, you know, 322 00:18:15,119 --> 00:18:19,159 Speaker 1: she's crazy, and it's like maybe not any dimensional person 323 00:18:19,240 --> 00:18:21,760 Speaker 1: who you could not understand. So you were just dismissing 324 00:18:21,760 --> 00:18:24,240 Speaker 1: her as crazy absolutely and not acknowledged maybe your role 325 00:18:24,280 --> 00:18:27,159 Speaker 1: into like what made her feel, you know, difficult to 326 00:18:27,160 --> 00:18:30,200 Speaker 1: work with or whatever. I know, I don't know. We've 327 00:18:30,240 --> 00:18:33,679 Speaker 1: talked offline of our experiences with this type of behavior 328 00:18:33,680 --> 00:18:35,720 Speaker 1: where it's like we have spoken out in other workplaces 329 00:18:35,840 --> 00:18:38,639 Speaker 1: and been shafted for it so to speak, you know, 330 00:18:38,880 --> 00:18:44,159 Speaker 1: like I've definitely experienced this deeply. Um So, I am 331 00:18:44,280 --> 00:18:47,080 Speaker 1: very proud of Jenner Ertaga and she, I mean her 332 00:18:47,160 --> 00:18:49,840 Speaker 1: the first different Labor paid off. The show did really 333 00:18:49,880 --> 00:18:51,920 Speaker 1: well and it got renewed for a second season, and 334 00:18:52,880 --> 00:18:55,600 Speaker 1: it was just recently announced after this interview went out 335 00:18:55,640 --> 00:18:57,720 Speaker 1: that she is going to be an EP for this 336 00:18:57,760 --> 00:19:01,520 Speaker 1: next season. So great, good can the show would be 337 00:19:01,560 --> 00:19:04,359 Speaker 1: slightly different or progress in a different way. I'm excited 338 00:19:04,359 --> 00:19:08,120 Speaker 1: to see what she does with it, and I'm it's 339 00:19:08,200 --> 00:19:10,880 Speaker 1: nice to see her coming up and get her roles 340 00:19:10,880 --> 00:19:14,439 Speaker 1: and also carving out a path that, like in the past, 341 00:19:14,640 --> 00:19:18,040 Speaker 1: was considered almost like a low end acting choice. I'm 342 00:19:18,040 --> 00:19:20,600 Speaker 1: talking about, being a scream queen for a very long 343 00:19:20,640 --> 00:19:23,800 Speaker 1: time was looked down upon. Yeah, Like he would be like, oh, 344 00:19:23,840 --> 00:19:25,959 Speaker 1: they're a scream queen. They're not a serious actor. But 345 00:19:26,000 --> 00:19:30,040 Speaker 1: she's actually really working hard to change that a narrative 346 00:19:30,160 --> 00:19:32,000 Speaker 1: about what it is to be a screaming queen or 347 00:19:32,000 --> 00:19:34,320 Speaker 1: what it is to be a person who particularly likes 348 00:19:34,440 --> 00:19:38,960 Speaker 1: being in horror film. Yeah, and good for her. Fuck yeah, Jenna, 349 00:19:39,080 --> 00:19:42,520 Speaker 1: keep doing you all right, Becca. Now we're at a 350 00:19:42,720 --> 00:19:46,119 Speaker 1: very important part of the show. This is a spinoff 351 00:19:46,160 --> 00:19:50,080 Speaker 1: of anna Streaming Corner. It's Becca and Anna's movie theater. 352 00:19:50,119 --> 00:19:51,879 Speaker 1: A corner is where we talk about a movie that 353 00:19:51,920 --> 00:19:55,919 Speaker 1: we both saw in theaters and that we enjoyed. We 354 00:19:56,080 --> 00:19:59,320 Speaker 1: love has We have to talk about Magic, Mike's Last 355 00:19:59,480 --> 00:20:05,240 Speaker 1: Damn Okay, if y'all listened, I cover Magic my XXL 356 00:20:05,400 --> 00:20:08,440 Speaker 1: on the Bechtel cast a few weeks ago. I immediately 357 00:20:08,480 --> 00:20:12,720 Speaker 1: saw Magic, stop and go listen. We wait and then 358 00:20:12,800 --> 00:20:15,439 Speaker 1: go Listenmagice my Last stands. Honestly, it blew me out 359 00:20:15,480 --> 00:20:17,400 Speaker 1: of the the water. There was a standing ovation when I went, 360 00:20:17,520 --> 00:20:20,840 Speaker 1: Like the ladies were screaming in the theater. They were 361 00:20:20,880 --> 00:20:23,400 Speaker 1: like looking up. Like. I went to the bathroom after 362 00:20:23,520 --> 00:20:25,320 Speaker 1: and there was a bunch of ladies who had seen 363 00:20:25,359 --> 00:20:28,080 Speaker 1: it in the same theater and they were like, so yeah, 364 00:20:28,160 --> 00:20:29,919 Speaker 1: let's like look up a strip club, like let's go like, 365 00:20:29,960 --> 00:20:33,040 Speaker 1: can we see Magic? Like they were ready to get 366 00:20:33,119 --> 00:20:37,240 Speaker 1: horny in public, and I was living, how'd you feel? 367 00:20:37,240 --> 00:20:39,520 Speaker 1: On what are your thoughts? I had a very similar 368 00:20:39,560 --> 00:20:41,280 Speaker 1: experience in the theater. I went with a group of 369 00:20:41,280 --> 00:20:44,440 Speaker 1: like ten people, mostly women, two gay men. But you know, look, 370 00:20:45,160 --> 00:20:49,040 Speaker 1: we don't desperminent, you know, I'm sure. But we went 371 00:20:49,440 --> 00:20:52,560 Speaker 1: and it was a theater filled mostly women. And let 372 00:20:52,600 --> 00:20:54,719 Speaker 1: me tell you, you know, and the straggling boyfriend here 373 00:20:54,760 --> 00:20:58,120 Speaker 1: and there, who's just I had brought my straggling boyfriend, Yeah, 374 00:20:58,160 --> 00:21:01,080 Speaker 1: and he was down to cloud. He loved it. Yeah. 375 00:21:01,119 --> 00:21:05,040 Speaker 1: And so the theater going experience was incredible, Like the 376 00:21:05,320 --> 00:21:10,800 Speaker 1: energy in the room when Channing Tatum starts dancing is electric, 377 00:21:11,000 --> 00:21:13,879 Speaker 1: like it is such a fun movie going experience. And 378 00:21:13,920 --> 00:21:16,120 Speaker 1: I will tell you I saw XXL in theater as well, 379 00:21:16,359 --> 00:21:20,760 Speaker 1: same experience. It was incredible and that energy you don't 380 00:21:20,800 --> 00:21:23,919 Speaker 1: really find that in theaters. And I will sing Magic 381 00:21:23,960 --> 00:21:29,879 Speaker 1: Mike's Last Dance is a plot, whole film continuity, just 382 00:21:30,480 --> 00:21:34,879 Speaker 1: narrative mess I left such Okay, First of all, what 383 00:21:35,040 --> 00:21:37,000 Speaker 1: was the story there? I don't understand what's going on. 384 00:21:37,280 --> 00:21:42,960 Speaker 1: But the dancing was incredible. It was the energy. I 385 00:21:43,040 --> 00:21:45,560 Speaker 1: feel like it took a learning from like every movie, 386 00:21:45,680 --> 00:21:48,160 Speaker 1: like it built upon itself. It was like it took 387 00:21:48,160 --> 00:21:50,520 Speaker 1: the critiques of like we want more dancing, you know, 388 00:21:50,520 --> 00:21:51,960 Speaker 1: and they were like, we're gonna give you more dancing 389 00:21:52,000 --> 00:21:55,360 Speaker 1: this time because to me, Magic, my exxel not enough dancing. 390 00:21:56,359 --> 00:21:58,160 Speaker 1: So they were like we're gonna give you more shirtless 391 00:21:58,240 --> 00:22:00,800 Speaker 1: Channing Tatum and then they're bringing back the critique from 392 00:22:00,840 --> 00:22:02,320 Speaker 1: you know, movie one was like we want more Channing 393 00:22:02,359 --> 00:22:06,000 Speaker 1: Tatum because I feel like the like first movie lot dancing, 394 00:22:06,640 --> 00:22:08,720 Speaker 1: you know, and focus on Channing Tatum. And then second 395 00:22:08,760 --> 00:22:12,479 Speaker 1: movie was like more about the friends, not enough dancing, 396 00:22:12,880 --> 00:22:14,040 Speaker 1: just like the second one was more of like a 397 00:22:14,119 --> 00:22:16,640 Speaker 1: road trip movie, which it was fun, mom, we loved it. 398 00:22:16,640 --> 00:22:18,520 Speaker 1: It was a fun romp. But this one it was 399 00:22:18,560 --> 00:22:21,520 Speaker 1: like we're gonna give you like step up vibes, like 400 00:22:21,600 --> 00:22:24,320 Speaker 1: we're bringing it back to the raths of it all 401 00:22:24,720 --> 00:22:29,919 Speaker 1: Channing Tatum, step up hotness dancing. The wet dance scene 402 00:22:30,000 --> 00:22:34,040 Speaker 1: was incredible. Well which fun um, I have some fun 403 00:22:34,080 --> 00:22:36,919 Speaker 1: inside on that, which yes, I said, I agree it was. 404 00:22:36,960 --> 00:22:39,760 Speaker 1: It was almost also like the the making u like 405 00:22:39,760 --> 00:22:43,040 Speaker 1: an origin story of like what the Magic Mike Live 406 00:22:43,080 --> 00:22:47,280 Speaker 1: Show is, yes in Vegas? Yeah, um, but okay, so 407 00:22:47,320 --> 00:22:50,320 Speaker 1: that there's and I guess this is a spoiler. I 408 00:22:50,359 --> 00:22:52,080 Speaker 1: mean you should have know the teme we said, Magic 409 00:22:52,080 --> 00:22:55,679 Speaker 1: Mike Last Dance full spoilers. Sorry, spoiler, can't spoil too 410 00:22:55,760 --> 00:22:59,199 Speaker 1: much because there's not really any plot. Yeah, there's we 411 00:22:59,240 --> 00:23:01,600 Speaker 1: can't give you one real plot spoilers, because that would 412 00:23:01,800 --> 00:23:05,359 Speaker 1: that would need to include a plot. So but what 413 00:23:05,400 --> 00:23:07,760 Speaker 1: we're gonna tell you is that there is a dance 414 00:23:07,800 --> 00:23:10,399 Speaker 1: sequence that it was. It's almost like a like a 415 00:23:10,800 --> 00:23:14,119 Speaker 1: sexy in the water sort of like it's a dance. 416 00:23:14,119 --> 00:23:17,440 Speaker 1: It tells a story about a relations confusing why it 417 00:23:17,520 --> 00:23:20,199 Speaker 1: comes up based on the Like if you're watching the 418 00:23:20,240 --> 00:23:23,520 Speaker 1: movie and they're doing the last dance, like the final 419 00:23:23,680 --> 00:23:25,600 Speaker 1: the act of the show that they have built over 420 00:23:25,720 --> 00:23:28,960 Speaker 1: months in London, You're like, this doesn't go in the show, 421 00:23:29,200 --> 00:23:32,680 Speaker 1: but we gotta have a wet Channing Tatum scene. So exactly, 422 00:23:33,040 --> 00:23:35,360 Speaker 1: because the whole time Channing's like, he does a big 423 00:23:35,440 --> 00:23:37,080 Speaker 1: dance sequence at the top, and then the rest he's like, 424 00:23:37,119 --> 00:23:38,879 Speaker 1: I'm not dancing in the show. I'm not dancing in 425 00:23:38,880 --> 00:23:41,960 Speaker 1: the show, and Sama hikes like you gotta dance. I 426 00:23:41,960 --> 00:23:43,600 Speaker 1: don't know. And then in the end he's like, what 427 00:23:43,760 --> 00:23:47,360 Speaker 1: a second, I'm gonna do this sexiest dance possible. So 428 00:23:47,440 --> 00:23:50,159 Speaker 1: he does a dance with a ballerina. And this ballerina, 429 00:23:50,240 --> 00:23:52,560 Speaker 1: her name is Kylie Scha She is a real ballerina. 430 00:23:52,600 --> 00:23:55,720 Speaker 1: She's a choreographer, she's great at what she does. She 431 00:23:55,880 --> 00:24:00,040 Speaker 1: did a very similar dance sequence with Mac from It 432 00:24:00,160 --> 00:24:02,600 Speaker 1: Always Sunny in Philadelphia, and it's that episode where he 433 00:24:02,640 --> 00:24:05,080 Speaker 1: goes and does the dance. It's same thing. It's in water. 434 00:24:05,440 --> 00:24:08,280 Speaker 1: It's a very similar dance. It's a performance art piece 435 00:24:08,280 --> 00:24:09,560 Speaker 1: and he's doing it for his father. I don't know 436 00:24:09,560 --> 00:24:12,040 Speaker 1: if you guys saw that upisode, hilarious episode. It's the 437 00:24:12,119 --> 00:24:15,800 Speaker 1: same woman from that dance sequence, and they got her 438 00:24:15,840 --> 00:24:18,480 Speaker 1: to come and do Magic Mike's last dance. And I 439 00:24:18,560 --> 00:24:21,960 Speaker 1: was when I learned this on Twitter, I was having 440 00:24:21,960 --> 00:24:24,800 Speaker 1: a feel so happy. I was like, yes, it's her 441 00:24:24,840 --> 00:24:26,719 Speaker 1: because I in the theater who I was sitting next 442 00:24:26,760 --> 00:24:29,040 Speaker 1: to my friend Ali Turnpin goes, doesn't this for much? 443 00:24:29,200 --> 00:24:31,560 Speaker 1: The Always Sunny episode, and I go, yeah, it does. 444 00:24:31,800 --> 00:24:33,920 Speaker 1: That's so funny. Yeah he did do something like this. 445 00:24:34,119 --> 00:24:37,240 Speaker 1: Turns out same woman because I know what she knows art. 446 00:24:37,480 --> 00:24:39,679 Speaker 1: She knows art and she knows comedy and you know 447 00:24:39,760 --> 00:24:41,760 Speaker 1: what ye like at the end of the day, it 448 00:24:41,840 --> 00:24:44,119 Speaker 1: was a romp. Like I said in the episode of 449 00:24:44,160 --> 00:24:46,800 Speaker 1: the Bechtel Cast, it's like you watch Channing Team, You're like, 450 00:24:46,920 --> 00:24:49,120 Speaker 1: this is a movie star. You know what I'm saying, Like, yeah, 451 00:24:49,160 --> 00:24:51,560 Speaker 1: he's on the most talented actor for sure, but that's 452 00:24:51,560 --> 00:24:53,280 Speaker 1: not why we go see him. We see him as 453 00:24:53,320 --> 00:24:55,600 Speaker 1: he's hot, and we see him because it's fucking charming 454 00:24:55,600 --> 00:24:58,879 Speaker 1: as shit, and you're like, Wow, you're watching it, You're like, God, 455 00:24:58,920 --> 00:25:01,320 Speaker 1: I want to date him. Like he's so himbo, you know, 456 00:25:01,400 --> 00:25:04,600 Speaker 1: he's just like Yeah, he's so fun, he's so beautiful. 457 00:25:04,960 --> 00:25:07,520 Speaker 1: He's gonna make you a laugh. He's gonna grind on you, 458 00:25:07,560 --> 00:25:10,720 Speaker 1: and it's gonna be crazy because like his his body 459 00:25:10,840 --> 00:25:15,000 Speaker 1: is going to gyrate in a way that you're like what, Like, 460 00:25:15,040 --> 00:25:18,200 Speaker 1: you're literally gonna be confounded by the way his body 461 00:25:18,280 --> 00:25:21,800 Speaker 1: is gyrating. That's all you can want, and that's all 462 00:25:21,800 --> 00:25:24,159 Speaker 1: you want. What was crazy to me about the movie 463 00:25:25,440 --> 00:25:28,880 Speaker 1: was it was so jarring the way that they try 464 00:25:28,880 --> 00:25:30,879 Speaker 1: to set it up, because like you have this like 465 00:25:31,240 --> 00:25:35,560 Speaker 1: British voice narrating the whole movie, and you're like, what 466 00:25:35,880 --> 00:25:39,639 Speaker 1: is this, Like I'll tell you this deterrent of path 467 00:25:39,760 --> 00:25:44,040 Speaker 1: from these other that a choice they made And I'm assuming, 468 00:25:44,200 --> 00:25:46,120 Speaker 1: because I actually haven't read this, that is a choice 469 00:25:46,160 --> 00:25:48,720 Speaker 1: they made after the fact when they watched this movie. 470 00:25:49,640 --> 00:25:53,240 Speaker 1: Understand there's no plot, so we're gonna give a narration 471 00:25:53,440 --> 00:25:58,639 Speaker 1: to the daughter of Salmahayak's writing a book. She's writing 472 00:25:58,640 --> 00:26:01,640 Speaker 1: a novel. She's in high school. Whatever, she's got daddy, 473 00:26:01,680 --> 00:26:05,000 Speaker 1: she's adopted and has daddy mommy issues and hates her 474 00:26:05,040 --> 00:26:08,720 Speaker 1: parents for being like rich people who are divorcing. Question Mark, 475 00:26:08,720 --> 00:26:11,040 Speaker 1: they saw high it's actively sleeping with Channing Tatum, but 476 00:26:11,080 --> 00:26:12,840 Speaker 1: she's like, but we're like not together, like me and 477 00:26:12,840 --> 00:26:14,639 Speaker 1: my husband, like we're not together, like we have an 478 00:26:14,640 --> 00:26:16,720 Speaker 1: open marriage. And then he's like, I'm leaving you and 479 00:26:16,720 --> 00:26:19,840 Speaker 1: she's like and he's like, I'm shutting down your sexy 480 00:26:19,840 --> 00:26:23,560 Speaker 1: man dancing. Yeah, not clear what's happening there. I get 481 00:26:23,920 --> 00:26:27,480 Speaker 1: plot holes. So anyway, so they add this like narration 482 00:26:27,760 --> 00:26:30,080 Speaker 1: by a young girl to like, I guess, try and 483 00:26:30,119 --> 00:26:32,760 Speaker 1: tie the pieces. Let me tell you, the narration is 484 00:26:32,800 --> 00:26:35,640 Speaker 1: so irrelevant to what's going on. It's also so out 485 00:26:35,680 --> 00:26:39,720 Speaker 1: of place, like you're what is she talking about? The 486 00:26:39,760 --> 00:26:41,280 Speaker 1: whole time I kept being like, I'm sorry, what is 487 00:26:41,320 --> 00:26:45,159 Speaker 1: she talking about? Anyway? So that's the movie. Look, it 488 00:26:45,280 --> 00:26:48,080 Speaker 1: is what it is, but great time it was. It 489 00:26:48,119 --> 00:26:49,679 Speaker 1: was literally I want to go back and see it. 490 00:26:49,720 --> 00:26:51,760 Speaker 1: I have not, like literally had time to go back 491 00:26:51,800 --> 00:26:53,360 Speaker 1: and see it, but I want to go see it again, 492 00:26:53,400 --> 00:26:55,520 Speaker 1: Like it is the most fun I've had seeing a 493 00:26:55,560 --> 00:26:57,840 Speaker 1: movie in a long time. Like same, I will say, 494 00:26:57,840 --> 00:26:59,760 Speaker 1: everything everywhere, all at once. Was one of the most 495 00:27:00,040 --> 00:27:02,200 Speaker 1: packful movies I've ever seen. Like I watched it and 496 00:27:02,240 --> 00:27:04,879 Speaker 1: I was like, oh my god, I'm literally moved. I'm 497 00:27:04,920 --> 00:27:08,480 Speaker 1: emotionally like exhausted. I'm never gonna be able to feel 498 00:27:08,680 --> 00:27:11,240 Speaker 1: my feelings as deeply as I've ever felt today. But 499 00:27:11,880 --> 00:27:14,480 Speaker 1: if we're talking fun, this is the most fun I've 500 00:27:14,520 --> 00:27:16,080 Speaker 1: had in a movie. Like I truly was like sitting 501 00:27:16,080 --> 00:27:18,440 Speaker 1: there like Tehi Heing, I was clapping. I was like, 502 00:27:18,440 --> 00:27:21,200 Speaker 1: oh my god, Channing Tatum fucked Samahayak. Yes we needed 503 00:27:21,240 --> 00:27:23,280 Speaker 1: that because there was not enough sex in the last movie. 504 00:27:23,320 --> 00:27:26,920 Speaker 1: Sorry not sorry. Yeah, they really gave you sex. They 505 00:27:26,920 --> 00:27:29,920 Speaker 1: gave you sexiness, they gave you dancing, they gave you 506 00:27:30,000 --> 00:27:33,280 Speaker 1: Channing Tatum fun. They gave you Channing Tatum in real love. 507 00:27:33,320 --> 00:27:35,440 Speaker 1: And it actually like it like made sense that it 508 00:27:35,440 --> 00:27:37,600 Speaker 1: didn't make sense because like like we said, there's no plot, 509 00:27:37,880 --> 00:27:40,000 Speaker 1: but like it made way more sense than it ever 510 00:27:40,040 --> 00:27:42,520 Speaker 1: did in the first movie, because like the first movie, 511 00:27:42,560 --> 00:27:44,399 Speaker 1: I feel like they just like shoehorned in this like 512 00:27:44,480 --> 00:27:47,879 Speaker 1: love plot at the end, but this movie you're like, Okay, 513 00:27:48,280 --> 00:27:51,280 Speaker 1: you built the movie around these two people kind of 514 00:27:51,359 --> 00:27:55,040 Speaker 1: like falling in love as they worked together and fun. Right, 515 00:27:55,359 --> 00:27:58,720 Speaker 1: so you understood it and felt relieved by the end 516 00:27:59,440 --> 00:28:02,040 Speaker 1: that it thinks to gen Z and I am giving 517 00:28:02,080 --> 00:28:05,200 Speaker 1: gen Z this credit. There is no gratuitous sex scene 518 00:28:05,240 --> 00:28:08,120 Speaker 1: in this movie. No, it's very much like they're like, oh, 519 00:28:08,200 --> 00:28:11,119 Speaker 1: I'm dancing, I'm dancing, and then cut two in bed together, 520 00:28:11,200 --> 00:28:13,400 Speaker 1: Yeah we fucked, and I was like, okay, thank you. Yeah, 521 00:28:13,760 --> 00:28:16,639 Speaker 1: need to see them fuck, No, I I and I 522 00:28:16,720 --> 00:28:19,760 Speaker 1: do know. It's it's because gen Z doesn't really need 523 00:28:19,840 --> 00:28:24,240 Speaker 1: they don't like gratuitous sex scenes, and they're changing the game. Baby. Absolutely, 524 00:28:24,640 --> 00:28:28,639 Speaker 1: They're like, HBO get lost. Okay, I don't know. H 525 00:28:29,200 --> 00:28:31,199 Speaker 1: That's just like I remember as a child always being 526 00:28:31,240 --> 00:28:33,159 Speaker 1: like there's a lot of titties on HBO and my 527 00:28:33,240 --> 00:28:36,920 Speaker 1: dad being like, yeah, I just don't look. I mean, no, 528 00:28:37,080 --> 00:28:39,120 Speaker 1: that is true. Like I mean, euphoria is like a 529 00:28:39,120 --> 00:28:41,800 Speaker 1: whole other beast of like oh my god, Like why 530 00:28:41,880 --> 00:28:44,800 Speaker 1: am I seeing of j Zy's well and theory tea 531 00:28:45,600 --> 00:28:50,840 Speaker 1: it all. Yeah, but try to get into the love 532 00:28:51,480 --> 00:28:53,720 Speaker 1: all and then even in the first movie, I feel 533 00:28:53,760 --> 00:28:56,720 Speaker 1: like there was like some gratuitous like yeah, but that 534 00:28:56,800 --> 00:28:59,080 Speaker 1: was early Yeah, that was the movie was in the 535 00:28:59,080 --> 00:29:01,480 Speaker 1: tooth at what did that one? It was? It was 536 00:29:03,680 --> 00:29:08,560 Speaker 1: it was what, um gosh, twenty twelve, I told you 537 00:29:08,640 --> 00:29:12,800 Speaker 1: Victor New twenty twelve, Victor New It Always Knows. Yeah, 538 00:29:12,800 --> 00:29:15,440 Speaker 1: it was two and twelve like that one, because I 539 00:29:15,440 --> 00:29:17,400 Speaker 1: mean that movie was just like really gritty. You were 540 00:29:17,440 --> 00:29:19,280 Speaker 1: kind of like, what is going on? Like they've very 541 00:29:19,360 --> 00:29:23,360 Speaker 1: much evolved from that grittiness to being like this low budget. Yeah, 542 00:29:23,400 --> 00:29:25,920 Speaker 1: it was low budget. It was very much giving Florida. 543 00:29:26,200 --> 00:29:30,920 Speaker 1: It was giving like underbelly vibe. Um. But it's like 544 00:29:30,960 --> 00:29:33,440 Speaker 1: they showed a lot of tits. In my opinion, if 545 00:29:33,440 --> 00:29:36,360 Speaker 1: you're gonna be that gritty of a movie, you needed 546 00:29:36,360 --> 00:29:38,360 Speaker 1: to show more dick too. Sorry, it needs to be 547 00:29:38,400 --> 00:29:42,240 Speaker 1: equal organization. This is feminism. Um, I want more dick. 548 00:29:42,440 --> 00:29:45,680 Speaker 1: I'm sorry yea um. But by the end, I felt 549 00:29:45,680 --> 00:29:47,719 Speaker 1: like this movie was tasteful and it was fun. Like 550 00:29:47,760 --> 00:29:49,640 Speaker 1: the way they played off of like it was giving 551 00:29:49,640 --> 00:29:52,560 Speaker 1: you sexiness, but it wasn't giving you like, Okay, this 552 00:29:52,640 --> 00:29:55,160 Speaker 1: is gonna get weird seeing this with anybody, you know, 553 00:29:55,520 --> 00:29:59,520 Speaker 1: you could just enjoy it definitely. Yeah, it was again 554 00:29:59,600 --> 00:30:02,320 Speaker 1: a fun romp and I want to go see it again. 555 00:30:02,920 --> 00:30:05,880 Speaker 1: And your boyfriends will enjoy it, I'm sorry, or maybe 556 00:30:05,880 --> 00:30:08,400 Speaker 1: they won't, but mine did. He was like yeah. He 557 00:30:08,560 --> 00:30:10,560 Speaker 1: literally like I was on the phone with him yesterday 558 00:30:10,680 --> 00:30:13,160 Speaker 1: and he was like, Becca, that was such a good movie. 559 00:30:13,160 --> 00:30:14,719 Speaker 1: Like he was like reflect like he went back and 560 00:30:14,760 --> 00:30:19,320 Speaker 1: watched Magic My XXL and first Magic Mike and then 561 00:30:19,360 --> 00:30:21,680 Speaker 1: listen to my podcast because he's a supportive king, and 562 00:30:21,880 --> 00:30:25,280 Speaker 1: he was just like, those are good movies. They are 563 00:30:25,360 --> 00:30:28,360 Speaker 1: good movies. He was like, these are good movies. These 564 00:30:28,360 --> 00:30:32,520 Speaker 1: are fucking good movies. And we stand, well, we'll say 565 00:30:32,640 --> 00:30:35,920 Speaker 1: number one, that's a good movie. Number two, fabulous movie. 566 00:30:36,120 --> 00:30:38,640 Speaker 1: Number three, great movie. No plot, you know why, you 567 00:30:38,720 --> 00:30:41,120 Speaker 1: take it for what it is. But that's what's fun too, 568 00:30:41,200 --> 00:30:44,000 Speaker 1: because sometimes shit is just so serious and you're like 569 00:30:44,120 --> 00:30:46,320 Speaker 1: I just want to like turn off my brain, but 570 00:30:46,360 --> 00:30:49,760 Speaker 1: not feel like gross I turn off my brain. Like 571 00:30:49,800 --> 00:30:52,240 Speaker 1: sometimes I feel a reality TV Like I'm like, oh, 572 00:30:52,280 --> 00:30:56,040 Speaker 1: I've just like internalized like so much misogyny on screen 573 00:30:56,160 --> 00:30:59,760 Speaker 1: of these men gaslighting these women in their bikinis at 574 00:30:59,760 --> 00:31:02,240 Speaker 1: the each you know, yeah, and you can feel a 575 00:31:02,240 --> 00:31:05,080 Speaker 1: little bit better because Channing Tatum, He's like even in 576 00:31:05,080 --> 00:31:07,480 Speaker 1: the second movie, he has this like really weird line 577 00:31:07,520 --> 00:31:10,360 Speaker 1: where um, she's like yeah if like he was talking 578 00:31:10,400 --> 00:31:13,360 Speaker 1: to Ambarrose and she's talking about God and he was like, wow, 579 00:31:13,400 --> 00:31:15,360 Speaker 1: your God's not a woman, and I was like, honestly, 580 00:31:15,400 --> 00:31:17,400 Speaker 1: that was even before Adi Grande's song came out, So 581 00:31:17,440 --> 00:31:20,440 Speaker 1: like we stand a king God as women stand a 582 00:31:20,560 --> 00:31:24,200 Speaker 1: God is woman king. Um, all right, guys, and you 583 00:31:24,240 --> 00:31:26,120 Speaker 1: know I'm gonna end this right now and say tonight, 584 00:31:26,160 --> 00:31:28,800 Speaker 1: I'm gonna go see Magic Mike Lives. I'm in Vegas 585 00:31:28,840 --> 00:31:31,360 Speaker 1: for what I figure, you know what. Let me just 586 00:31:32,280 --> 00:31:35,320 Speaker 1: uh convinced Joel Monique to go to the show, really 587 00:31:36,880 --> 00:31:41,120 Speaker 1: doing it. Okay, so we will report back ut about 588 00:31:41,320 --> 00:31:43,640 Speaker 1: I can't wait. I can't wait to hear it. I'm jealous. 589 00:31:43,640 --> 00:31:47,800 Speaker 1: And more importantly, the choreography. Of course, we must focus 590 00:31:47,880 --> 00:31:51,520 Speaker 1: on the art that is the choreography of these choreography. Okay, 591 00:31:51,520 --> 00:31:54,440 Speaker 1: and I will uh yeah, report back. But yeah, guys, 592 00:31:54,480 --> 00:31:59,560 Speaker 1: that has been today's trending episode for International Women's Day, Wednesday, 593 00:31:59,640 --> 00:32:06,320 Speaker 1: March Hey, guys, go hug a woman, Well you give 594 00:32:06,400 --> 00:32:09,040 Speaker 1: your significant other or even just a friend no woman 595 00:32:09,200 --> 00:32:14,400 Speaker 1: or a woman identifying person. Literally, I'll say, buy a 596 00:32:14,440 --> 00:32:18,600 Speaker 1: woman dinner and expect nothing from them, pure reparations. Give 597 00:32:18,640 --> 00:32:22,800 Speaker 1: them money, be respectful, give them flowers, give them dinner, 598 00:32:23,200 --> 00:32:26,080 Speaker 1: give them wine, and then leave them the fuck alone. 599 00:32:26,240 --> 00:32:29,360 Speaker 1: Like literally, don't talk to them, and then expect fucking nuts. 600 00:32:29,400 --> 00:32:33,160 Speaker 1: Expect nothing. Nothing In the episode, We hope you enjoyed it. 601 00:32:33,520 --> 00:32:37,160 Speaker 1: Have a great Wednesday. I know Jack says about a 602 00:32:37,200 --> 00:32:38,560 Speaker 1: lot of stuff at the end of this I can't 603 00:32:38,600 --> 00:32:42,080 Speaker 1: remember any of it. So let's kind yourself, be kind 604 00:32:42,080 --> 00:32:45,400 Speaker 1: of others, don't do nothing about white supremacy, and we'll 605 00:32:45,480 --> 00:32:50,040 Speaker 1: get you tomorrow. All right, guys, Oh yes, and tomorrow's schedule. 606 00:32:50,040 --> 00:32:52,400 Speaker 1: We will return to normal. Sorry we missed some episodes. Look, 607 00:32:52,760 --> 00:32:56,360 Speaker 1: we're not going to happen, okay, all right, Um it's 608 00:32:56,760 --> 00:32:58,560 Speaker 1: Jack was at Magic Mike. That's why the episode didn't 609 00:32:58,560 --> 00:33:00,720 Speaker 1: get recorded. Here from bye byes,