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Speaker 1: The I Am Rapp Reports Stereo aio podcast live and

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Speaker 1: you're down with Rapp Report. Yes I am, I'm a Rapperport,

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Speaker 1: Yes i am. I'm a Rapperport. Yes I am a Rapperport.

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Speaker 1: Yes i am. Better tune in. I am wrapperport dot

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Speaker 1: com because every single podcast, you know, we drops bums.

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Speaker 1: I've seen him on set a season vet with True Town,

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Speaker 1: catch him on his way to course fit rocking the

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Speaker 1: New Balance. He asked me to do the track because

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Speaker 1: you know, I round the leak. But I'm just waiting

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Speaker 1: for the Robert the Nero line of the week. Rightface

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Speaker 1: the Champions hosted Bagel, Cream, Cheese and Lock. This is

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Speaker 1: I Am Rapperport. The show never stopped. You might catch

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Speaker 1: the Mountain Public stretching his knee. But if you don't

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Speaker 1: listen to the show, yo, we're gonna plead. We're gonna

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Speaker 1: rapport podcast. Alright, We're back. This is the I Am

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Speaker 1: Rappaport Podcast and I'm gonna throw this at you. Is it?

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Speaker 1: Is it fucked up to choose not to talk about

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Speaker 1: the recurring conversation of unfortunate Now they're gonna be like, oh,

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Speaker 1: here's Michael Rapper's black shit. The fucking Another unarmed black

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Speaker 1: dude was shot in Cincinnati this week. Dude, is it

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Speaker 1: necessary to bring it up? We I mean we we

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Speaker 1: we acknowledge it's it's it's so upset and that it's

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Speaker 1: like every week thing and you know what's crazy, and

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Speaker 1: I'm gonna just and then we're gonna move on. And

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Speaker 1: we're still not We're not the first people to say this,

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Speaker 1: that these dudes do this ship with cameras on like

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Speaker 1: they don't. That's why I said, the cameras, Remember, we

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Speaker 1: just go back. The cameras won't matter. We said that,

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Speaker 1: we we we predicted here, we said that Rachel Dozel

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Speaker 1: would wind up working in a hair so long. We

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Speaker 1: we make these predictions and these we have these premonitions.

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Speaker 1: We said that we got a great record, we said,

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Speaker 1: we said that the cameras wouldn't matter. You would just

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Speaker 1: see it in high death, right. You said that quote.

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Speaker 1: That's a quote. Brother, Hey, hey, so so so so

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Speaker 1: the next thing that I want to talk about and

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Speaker 1: and and oh here's why I brought that at first,

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Speaker 1: because I talked about Cecil the Lion, that the dentist.

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Speaker 1: We're not the ones breaking the story that the dentist

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Speaker 1: hunter killed and and and now it's it's been that

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Speaker 1: he's killed all kinds of other lions and all this ship. Oh,

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Speaker 1: and I posted something about that this is what it was,

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Speaker 1: and then people got on my my my Instagram fee

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Speaker 1: and they were arguing about why is everybody upset about it? Lyon,

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Speaker 1: you know, black lives matter as if they were if

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Speaker 1: it was an arm wrestling arm wrestling match, of which

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Speaker 1: one is more important. Obviously you can't compare the same things,

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Speaker 1: so we're not comparing the things because you can't compare

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Speaker 1: as funked up as the lion thing is. You can't

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Speaker 1: compare to lives. And I don't like that black lives

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Speaker 1: matters ship. Of what I mean, of course black lives matter.

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Speaker 1: You're gonna wear a shirt to assert yourself with that

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Speaker 1: and to say that, of course you're supposed to have

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Speaker 1: that dignity within you, that that in you to be

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Speaker 1: like I don't have to announce that, I don't have

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Speaker 1: to wear like a protest be out here walking in

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Speaker 1: circles of ship to to to say that my life matters.

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Speaker 1: My life, of course it matters. Good point, of course,

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Speaker 1: it's fucking matter, and it's just it's just silly to

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Speaker 1: be out. You don't see you know, other people doing that.

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Speaker 1: It's just like your your your life matters. You don't

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Speaker 1: have to wear a shirt. You have to believe that

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Speaker 1: it matters, right funk with everybody else believes because you're

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Speaker 1: trying to wear it to announce my life matters. Of

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Speaker 1: course it does. Good ship, Gee Moody, I like when

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Speaker 1: you drop that ship, but the lion. What that lion

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Speaker 1: was doing to you where you had to kill him

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Speaker 1: with a bow and arrow? Yo, what do you off

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Speaker 1: on that ship? Hunting ship? You know better? Like when

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Speaker 1: you're hunting to eat, it's one thing. Let me just

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Speaker 1: let me tell you something. Yeah. Wait, you mean if

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Speaker 1: you're listen, if you're hunting to eat, right, that's what

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Speaker 1: you're doing. And it's legal, right right, And it's animals

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Speaker 1: that are in jeopardy and and and and uh you know,

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Speaker 1: going uh extinct. But if you want to fucking juggle

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Speaker 1: somewhere not in the United States, and you hunting to eat,

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Speaker 1: right because you live in some Africa, that's on you.

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Speaker 1: That's to fucking eat. You ain't looking for no extinction.

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Speaker 1: Motherfucker got on a plane on some hype ship with

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Speaker 1: your gear. Once you wrestle that motherfucker, He's like, I'm

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Speaker 1: gonna pack my gear. I have all my gear set

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Speaker 1: for the for the big, the big match one. He

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Speaker 1: probably has self over there. Yeah, this is out. I

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Speaker 1: guarantee he's got fucking shit. He's destroyed, and I'm gonna

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Speaker 1: get this and there. And we're in the woods right now.

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Speaker 1: You got all the big guns sneaking up on a lion.

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Speaker 1: Why don't you go toe to toe with him, put

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Speaker 1: your guns down and then bring the line. And if you,

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Speaker 1: if you, if you can bring that, mother, they're gonna

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Speaker 1: be like, yo, you know, I don't agree with it,

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Speaker 1: but you know he took the fucking lion by the funk.

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Speaker 1: He fucking he beat the fucking lions ass. He killed

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Speaker 1: a lion with his barons. Can't argue with that. And

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Speaker 1: no one's gonna step to you because they're gonna be like, yo,

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Speaker 1: he killed the lion with his barons. But you didn't

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Speaker 1: do that, man. Bowl did that minute Bowl was on

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Speaker 1: some ship. That's that's a rite of passage in that tribe.

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Speaker 1: But you have to kill a lot A dentist who

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Speaker 1: obviously makes a lot of money, because this is big game,

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Speaker 1: hunting an expensiveship. Who flew over there to kill get

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Speaker 1: some chicks or something? Why don't you Why don't you

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Speaker 1: get some chicks? Why are you flying to kill ship?

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Speaker 1: He means some ass. Yeah, like that's how you get off. Like,

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Speaker 1: you know, if you want to do some ship on

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Speaker 1: the side, like your wife would rather like, you'd be

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Speaker 1: less ridiculed. Now if you cheat it on your wife

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Speaker 1: then killing a lion. Yeah, everybody a piece of ship, everybody, Betty,

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Speaker 1: we even even your fucking wife, your whole You're an embarrassment.

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Speaker 1: And I don't want any harm to be done to

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Speaker 1: this guy because he's got family. And Betty White, Betty

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Speaker 1: White greasy about you and Betty White's two hunted. Betty

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Speaker 1: White was talking greasy. How old does Betty White two hunted?

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Speaker 1: Betty White's two hunted talking greasy, talking greasy, really greasy.

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Speaker 1: You get Betty White to get hype on you. You're

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Speaker 1: a real real and you're in hiding. This guy must

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Speaker 1: be scared. Shit, yo, my man, you you should be.

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Speaker 1: You fucked up. Your face is known and and the

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Speaker 1: thing that the only thing that that that bothers me

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Speaker 1: about it is that he has a family, like they said,

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Speaker 1: he has a wife of two kids. That don't funk

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Speaker 1: with his family, don't funk with his home, don't harm

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Speaker 1: this person, do not that. I don't support any of

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Speaker 1: that it, but I I didn't break the fucking story.

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Speaker 1: So it's just so crazy to me that you get

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Speaker 1: and he's killed grizzly bears and polar bears and but

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Speaker 1: he don't go toe to toe him and like this

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Speaker 1: this animals he shot him with a bow and arrow

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Speaker 1: and the shot didn't even kill the lion. They had

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Speaker 1: to get him forty hours later and and shoot it.

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Speaker 1: And you're proud of that that that you get off,

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Speaker 1: like imagine like like sick. Oh yo, that's a sick

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Speaker 1: fuck You're a sick fun He woke up, went online,

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Speaker 1: gott a fucking plane ticket. Yeah, I'm gonna go kill

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Speaker 1: this motherfucker that right there, what's his name, Cecil? I'm

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Speaker 1: gonna shoot his ass. Why don't you go? He bought

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Speaker 1: gear like he had like, yeah, I got my gear.

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Speaker 1: I went to Dick. I went to Dick. He's got

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Speaker 1: a fun and he's like this is a twenty seven

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Speaker 1: pound uh uh or Archery said I'm like on some

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Speaker 1: Robin Hood ship. Yeah, you fucking dick. I got this,

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Speaker 1: uh this gear here, I got my bow and I

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Speaker 1: got my arrow. I got one from Dick cheney Side

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Speaker 1: and this one's aluminum and it could could pierce a

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Speaker 1: skin of an elephant birth their hearts, you fucking dummy. Yeah,

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Speaker 1: this is my rifle by two seventy five. And but

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Speaker 1: you you weren't over there fucking anything. Yeah, why he

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Speaker 1: wasn't with old ladies and that you should have been

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Speaker 1: freaking off. You freaking off. You're freaking off his killing animals. Jesus,

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Speaker 1: that's how you freak off. Sneak up and blow them away,

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Speaker 1: and then you put that on your wall. You're proud

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Speaker 1: of that, you fly it back that this is an

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Speaker 1: expensive hobby like his animals like to get them? Um

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Speaker 1: what does it call? When they got it and all

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Speaker 1: that else? You know, when they fill it up with

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Speaker 1: I don't know what, then you know what I'm talking about. Yeah,

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Speaker 1: you're a sick I got a barrel bear and you

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Speaker 1: kill Yeah, damn you happy? You proud of that? You're

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Speaker 1: not a human being. You you that ship or you

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Speaker 1: just killed it for no reason. You think that's a

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Speaker 1: good decoration. Fuck you man, you have a zebra, a

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Speaker 1: fucking zebra. Can you imagine can you imagine having the

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Speaker 1: balls big enough to kill a zebra? To just to

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Speaker 1: do that in this thing and age like this isn't

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Speaker 1: oh tarza, And we're not talking about that. I'm talking

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Speaker 1: about now. We're not talking about what people used to

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Speaker 1: do or what gives a funk what they used to do.

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Speaker 1: It's over. That's what they used to do. You're gonna

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Speaker 1: have I come in your living room. You gotta fucking

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Speaker 1: bear that you killed and the US and you know what,

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Speaker 1: you know what else they used to do. Here's the

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Speaker 1: other thing that they used to do. They used to

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Speaker 1: not have social media, but now they do. And now

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Speaker 1: you fuck we don't even know the dentist name. Fuck

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Speaker 1: money though, we're not fucking with you money. He he

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Speaker 1: doesn't get a wig killing nature and ship from the

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Speaker 1: fund is matter of you don't get Oh you know

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Speaker 1: you're not worthy of a wigow please, and you're below

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Speaker 1: sick funk of the week, but you still are a

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Speaker 1: sick funk. So you're such a piece of ship that

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Speaker 1: you don't get a wigow please, Nor do you get

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Speaker 1: sick funk of the week. You're just like we had

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Speaker 1: a solo thing on. It's no label. You're just a motherfucker.

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Speaker 1: You know, nobody's gonna get their teeth fixed by you.

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Speaker 1: If that's your dentist, I'd be embarrassed, Like, yo, yeah, yo,

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Speaker 1: you know the dentist that guy who killed the line off.

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Speaker 1: You're an infamy. This isn't gonna go away. And those

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Speaker 1: radical people, they're gonna funk with this guy. But my

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Speaker 1: point that I wanted to bring up is what do

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Speaker 1: you think about this? Because I have felt I don't

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Speaker 1: have any accusations. I mean, I don't have any proof

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Speaker 1: and I don't have the details because you don't fact check.

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Speaker 1: But I have felt that Mia Farrow has been a

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Speaker 1: little bit wacky. She's a little wacky. She's accused Woody

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Speaker 1: Allen up some stuff, and I think some of it

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Speaker 1: was fabricated. This is my feeling. This is this is

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Speaker 1: just my feeling. I feel like some of it just

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Speaker 1: doesn't make sense. He got a biography coming out. Maybe

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Speaker 1: I'm wrong, Maybe I'm wrong, but that's just my feeling.

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Speaker 1: But but aside from that, Aside from that, she went

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Speaker 1: on Twitter and posted this dentist work address. Oh yeah, me,

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Speaker 1: it was Mia said funk all that. Yeah, So what

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Speaker 1: what do you think about that? That's one because what

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Speaker 1: if somebody kills this motherfucker? Right, That's what I'm saying.

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Speaker 1: You can't do you don't know better than that, Miya.

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Speaker 1: I can't do like that. You can't do you can't

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Speaker 1: do that. You can't you jeopardize in him. He killed

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Speaker 1: the fucking line. Okay, that's a piece of ship. He's

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Speaker 1: gonna he's gonna pay the price, one way or not.

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Speaker 1: But you are galvanizing motherfucker's Oh I got his address?

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Speaker 1: Who the fund are you to do that? So you

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Speaker 1: know what? You get? Wiga? Please got you got him?

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Speaker 1: I got you, Mia, I fucking got you. You get

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Speaker 1: a Wiga please, I fucking got her. She didn't know

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Speaker 1: it's coming, g Moody And if you didn't even know

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Speaker 1: it's coming to yo, that just came out of left field.

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Speaker 1: I fucking I was rolling with you, yo. But you

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Speaker 1: know what, here's another thing I wanted to tell me

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Speaker 1: because I'm I'm gonna stay in this, in this day,

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Speaker 1: in this n to wigga please or to not wigga please,

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Speaker 1: there's a cop a female cop in Miami. I read

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Speaker 1: about this. Okay, the fucking cop who works as a

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Speaker 1: police officer now has been in pornographic films. She's bad too.

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Speaker 1: She's pretty. I saw like as a cop, you'd be like, yo,

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Speaker 1: this is a pretty cop trying to bag if she

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Speaker 1: if she pull you over? You know how you know,

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Speaker 1: there's every now and then in New York City. I

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Speaker 1: don't know other cities as well, but every now and

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Speaker 1: then in New York City. I will tell you you'll

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Speaker 1: see a cop like a straight j Low. Like we've

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Speaker 1: said before, if you're if you're in New York City

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Speaker 1: and you ride the trains in New York, you're gonna

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Speaker 1: see straight up j Los. And I've seen straight j

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Speaker 1: Lo's in New York City cops as New York City cops, say,

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Speaker 1: work as New York City cops. You'll see him on

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Speaker 1: the train and be like, damn beautiful. Not oh, she's

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Speaker 1: pretty for a cop, Like she's pretty for a fireman,

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Speaker 1: a construction work or a teacher anything anything. I didn't say, bud, Okay,

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Speaker 1: So anyway, that's what I was saying about this this cop.

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Speaker 1: So that this cop was in Porto, do you think

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Speaker 1: a police officer. I'm just asking your opinion. G Moody,

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Speaker 1: do you think a police officer, her her name is

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Speaker 1: Sabine Raymalville, should be allowed to have have had a

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Speaker 1: history in portal? Yeah, what happens if you get pulled over.

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Speaker 1: Let's say check this out. You've listened to this. Let's

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Speaker 1: say the night before, you're on your you're on your

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Speaker 1: your computer and you want to you want to watch

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Speaker 1: some porno. You you got your fucking loaf out. No, no,

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Speaker 1: I don't. I'm just I'm just I'm just saying I

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Speaker 1: don't do those, Okay, Philip Phillis, you got your fucking

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Speaker 1: loaf out, and and and you watch a portal and

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Speaker 1: and it's this officer. You have no idea, and you're like, damn,

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Speaker 1: you watch your dow inappropriate things, okay, and and you're

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Speaker 1: you're you're you have your low fout and you all know, Okay.

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Speaker 1: But I'm saying some people do say that. Some people

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Speaker 1: some people do that. And then the next day you

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Speaker 1: get pulled over at nine in the morning, you're on

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Speaker 1: your way to work. Granted, the night before, you watch

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Speaker 1: the fucking thing. I'll try to bag her. Now she

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Speaker 1: pulls you over because you have a broken tail and

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Speaker 1: you were going to ball because I saw her, I'll

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Speaker 1: try to bag her. You won't be a feminist. I

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Speaker 1: won't be like yo, like just like blow her spot.

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Speaker 1: I'll try to bag her. What if she's giving you

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Speaker 1: a ticket, I'll take that ticket. But would you At

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Speaker 1: what point would you say to you? I know who

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Speaker 1: I know who you are. If I can bag her, no, no, no.

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Speaker 1: If she give me the number, then we're gonna converensate

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Speaker 1: and then I'm gonna kick. But if she's if she's

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Speaker 1: arresting you, she's not arresting. You get a summer you're

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Speaker 1: gonna get. You get pulled over, you get you get

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Speaker 1: a ticket for speeding and for a broken tail light.

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Speaker 1: This is a pain in the ast ticket. It costs

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Speaker 1: like three dollars. You gotta If I know that it's

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Speaker 1: her and you said I would, so you're gonna say

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Speaker 1: what to her? At what point are you gonna try

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Speaker 1: to say something? And what are you gonna say after

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Speaker 1: I get the ticket and just be talking during the

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Speaker 1: writing process and say what how are you doing? What's

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Speaker 1: going on? Like? Yeah, I know what you know? You know?

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Speaker 1: Can I see your okay, okay, okay. So so basically

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Speaker 1: you don't have a problem with her being you. Uh okay,

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Speaker 1: that's motherfucker's gonna know what? Well, why can't I just

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Speaker 1: ask a simple question? Asking, and I'm telling you, okay,

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Speaker 1: no no problem. Man, just was asking. So I'm not

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Speaker 1: going she said, you don't think I she warrants a

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Speaker 1: wigow please? No, okay, I was just asking a question. Okay,

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Speaker 1: fair enough. This I podcast great Sneakers Boklyn Greats dot

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Speaker 1: out all right. G Moody has suggested yeah, album of

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Speaker 1: the week. First we said we were gonna call it

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Speaker 1: old school album of the week. But why don't we

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Speaker 1: just call an album of the week. Like if you

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Speaker 1: were saying album of the weekend, you would be like, oh,

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Speaker 1: get the Rolling Stone sticky figures? Would you say old

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Speaker 1: school album? Will the album stands on its own? So

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Speaker 1: what would you like this week's album of the to be?

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Speaker 1: G Moody E p m D. Business as Usual breakdown

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Speaker 1: E p m D. The production, Paris Smith, Eric Sermon

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Speaker 1: first DJ DJ Caleb Boss, then DJ Scratch Caleb Boss

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Speaker 1: takes no shorts. Just funk with E p m D.

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Speaker 1: Try it out, try it out, Business as usual. Red

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Speaker 1: Man on it. I think my man k solo. I'm

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Speaker 1: not sure. Just check it out. It's like when I

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Speaker 1: was learning about jazz, Like I would ask people that

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Speaker 1: knew more about jazz, like, yo, tell me about an artist. Okay,

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Speaker 1: this week you funk around with Chet Baker. This can

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Speaker 1: work around with you know, you try random ship, like oh,

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Speaker 1: let me get some Latin jazz and you're like, okay,

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Speaker 1: I'm gonna try this, and like, oh, Miles Davison, he

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Speaker 1: had different sounds here, differ and sounds here and I

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Speaker 1: learned about it like Oh Lou Donaldson and then our

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Speaker 1: Blaky and then and then you just start listening to

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Speaker 1: it and fall in love with it. So we suggest

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Speaker 1: this week E p m D Business as Usual check

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Speaker 1: it out. There's not even any rap rap groups anymore,

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Speaker 1: they don't even exist. So if you're not familiar with

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Speaker 1: Business as Usual, and you're not for you're not familiar

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Speaker 1: with E p m D, just try it. Just try it.

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Speaker 1: You can download it for free. Now it's a fucking joke.

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Speaker 1: Try it. Go back to the icons and see if

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Speaker 1: it's better or if it's some hardcore Jane three gold Digger,

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Speaker 1: the original gold Digger. You know, Kanye, you dick mama,

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Speaker 1: there was a song made by E p m D.

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Speaker 1: Already Kanye knows it. Kanye fucking knows. I'm mad. Jane

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Speaker 1: is some iconic ship. I'm mad as with you. Should

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Speaker 1: you should want to know more about the music. Live

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Speaker 1: with it for a week, Live with all doing all

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Speaker 1: E p m D week. Not to say that all

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Speaker 1: you can listen to is E p m D, but

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Speaker 1: give yourself the time for a week and listen to

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Speaker 1: just E p m D. And see see if you

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Speaker 1: see make your own opinion Golden Era week, Golden Era week,

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Speaker 1: Why don't you just try this. It's not just golden.

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Speaker 1: I think it should just I've said this before, it

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Speaker 1: should be called platinum because platinum is one up. But

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Speaker 1: platinum is like the platinum ry, but like gold is enough.

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Speaker 1: But like for me, it's the platinum era, the elite era,

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Speaker 1: the mural level era, because the albums were murals. They

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Speaker 1: weren't just like, oh they got two they got two

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Speaker 1: joints on it. Motherfucker's put their heart and their soul

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Speaker 1: in their guts. Like it wasn't like you could go

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Speaker 1: on the internet and like just put it out. Like

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Speaker 1: when you came out, it was like it was like

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Speaker 1: if you don't, if you're whack, you're never gonna be.

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Speaker 1: You're gonna be your exonerating, you're back working at FedEx.

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Speaker 1: Absolutely and Life or Death rap. Who made hip hop

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Speaker 1: so popular? Eat that Golden error. That's why you were

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Speaker 1: able to rock. They took the torch from jazz and

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Speaker 1: flash and and they rocked it, and they passed it

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Speaker 1: forward and they took it to another level. And you

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Speaker 1: don't want to listen to that if you're learning about

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Speaker 1: rock and roll music. You're gonna eventually get to the

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Speaker 1: blues if you don't keeping to that delta. And if

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Speaker 1: you don't learn that, then you don't then you don't

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Speaker 1: know rock and roll. So you if you want to

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Speaker 1: listen to this techno and this fucking house ship, where

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Speaker 1: do you think it starts from? House? Starts from hip hop?

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Speaker 1: Absolutely rap music dejaning houses before that. I mean hip

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Speaker 1: hop is before that. It is the last form of

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Speaker 1: original American music. And if you don't want to give

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Speaker 1: it the credit and give it the time, then keep

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Speaker 1: listening to the bullshit that you listen to, and in

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Speaker 1: twenty five years see see what you see what you

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Speaker 1: have to talk about, Because I'm talking, I'm still influence.

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Speaker 1: I still listen to E. P. M D. And I'm like,

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Speaker 1: I get the goose bumps. I still listen to Jungle

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Speaker 1: Brothers and get the goose bumps. There's no hip hop

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Speaker 1: groups now, they don't exist. X Clan African, Very African,

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Speaker 1: the Jungle Brothers, the fucking beat Nuts, Daylas Soul, Smooth

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Speaker 1: is Funky, also hip hop junkies. All we wanna do

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Speaker 1: is pump pump in You fuck just Ice Nice and

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Speaker 1: Smooth is Funky. Also hip hop. All we Wanna do

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Speaker 1: is pump pump in you and you fuck you work

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Speaker 1: just ice all that even Stizo Yo, if you listen,

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Speaker 1: watch fucking Stizo the Stizo Dance, Go watch Yo hip

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Speaker 1: Hop Dance and Scoop with Scrap Show School Lover, my Brother,

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Speaker 1: Scrap Lover the other actual show, not a not not

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Speaker 1: a gang banger, just fucking walking around stage like a

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Speaker 1: guy that like really was like, Yo, let's rehearse this

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Speaker 1: and I'm a rock Scoop and Scrap like they took

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Speaker 1: their job serious, Cliff Love and Stretch of Houdini. These

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Speaker 1: are guys like famous iconic dudes in hip hop, backup

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Speaker 1: dancers for Houdini, the Flex, the comedian flex. Uh. He

393
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Speaker 1: was a backup dancer for so On Pepper. But it

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Speaker 1: wasn't a demeaning thing. It wasn't like you, you're you,

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Speaker 1: you're backup you a video the show, part of the show.

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00:22:51,840 --> 00:22:53,919
Speaker 1: He's not a backup. He's part of so On Pepper

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Speaker 1: on stage because it was it was like a craft.

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Speaker 1: It was like, Yo, we're gonna have a whole thing. Now.

399
00:22:59,680 --> 00:23:01,720
Speaker 1: You got your man up there walking around with a

400
00:23:01,840 --> 00:23:06,280
Speaker 1: fucking and his ass out and a black jack in

401
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Speaker 1: his hand, ready to fucking smack the shipt out of somebody.

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Speaker 1: No hip hop shows vulgarity. You got your fucking ass out.

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Speaker 1: Pull your fucking pants up, you motherfucker, You cocksucker. I

404
00:23:23,000 --> 00:23:26,480
Speaker 1: didn't come to fucking Jones Beach to see your fucking

405
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Speaker 1: ass Pull your fucking close up, you fuck. I got

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00:23:32,920 --> 00:23:39,240
Speaker 1: my fucking nephew, Charlie with me. Hey, little sal he

407
00:23:39,359 --> 00:23:45,600
Speaker 1: doesn't want to see your fucking asshole. That's right me.

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Speaker 1: Neither R and B is dead. Soul music is dead.

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Speaker 1: I heard Tyrese got some ship. He's talented, he got that.

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Speaker 1: Fucking soul music is dead. Tyrese got some ship. He

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Speaker 1: got that voice, he got that that Teddy Pendergrast got

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Speaker 1: that gravelly. Yeah, he got that ship. He's a good

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Speaker 1: cat man. Yeah, I foxed with Tyrese. But Teddy Pendergrass

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Speaker 1: had a fucking beard and lint in his ship. I'm

415
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Speaker 1: talking about that. Remember he had the beard, He'd be

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Speaker 1: on stage, he'd have lint in his ship. The Sola

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Speaker 1: just soling lou Roll with lu Rolls had mutton chops.

418
00:24:25,960 --> 00:24:30,320
Speaker 1: Will never find dune. Dune dune. He's a musicians man.

419
00:24:30,400 --> 00:24:33,840
Speaker 1: You don't know fucking beat makers. He's at an orchestra.

420
00:24:34,040 --> 00:24:39,560
Speaker 1: Lu Rolls was on that ship. His voice was deep

421
00:24:39,720 --> 00:24:45,480
Speaker 1: baritone ship like, Yo, he's a you will never find Yeah,

422
00:24:45,520 --> 00:24:47,840
Speaker 1: that's like should you here in Walmart like you hear

423
00:24:47,880 --> 00:24:50,640
Speaker 1: that ship forever? Yeah, it'll never go away as and

424
00:24:50,840 --> 00:24:59,080
Speaker 1: as it should. Lady, you're my lady, love, You're my lead, Yo.

425
00:24:59,440 --> 00:25:03,400
Speaker 1: Parliament Funk Doug, no bands, no nothing, just one motherfucker

426
00:25:03,480 --> 00:25:07,879
Speaker 1: with his pants below his ass. That's what we fucking got.

427
00:25:08,080 --> 00:25:11,520
Speaker 1: That's what we're left with. Musician Bobby Womack. They don't

428
00:25:11,560 --> 00:25:15,160
Speaker 1: even have DJs anymore. They don't even have fucking DJs

429
00:25:15,160 --> 00:25:16,600
Speaker 1: where you could be like, damn, look what he's doing

430
00:25:16,600 --> 00:25:20,399
Speaker 1: with those rap master flash cuts on his zodiac sign

431
00:25:20,480 --> 00:25:25,560
Speaker 1: is CAPRICR. We don't got a ship. We got like

432
00:25:25,560 --> 00:25:29,000
Speaker 1: like every group had a DJ, the DJ. It was

433
00:25:29,080 --> 00:25:37,760
Speaker 1: part of the fucking show. Howie T. Howe's t DJ,

434
00:25:38,000 --> 00:25:44,679
Speaker 1: Scratch Terminator X rocking with his hand shit Slick, Nick

435
00:25:45,160 --> 00:25:51,719
Speaker 1: Nice and Smooth Hill Will and Barry B. Pete rock cleric.

436
00:25:52,240 --> 00:25:58,359
Speaker 1: You knew to DJs. Scott Rock had a ball Rizza.

437
00:26:00,000 --> 00:26:04,280
Speaker 1: What's the DJ Kenny Parker, my DJ Kenny Parker, Kenneth,

438
00:26:04,440 --> 00:26:09,200
Speaker 1: he's much darker. Yeah, I see you. He's down with

439
00:26:09,320 --> 00:26:14,840
Speaker 1: us making funky music. Number one, we number one, We're

440
00:26:14,960 --> 00:26:21,359
Speaker 1: number one. There's a whole group. DJ D Nice D Nice.

441
00:26:21,400 --> 00:26:26,760
Speaker 1: The t R eight away is coming right in the wools.

442
00:26:26,840 --> 00:26:32,520
Speaker 1: Drake's DJ. I don't know. He's probably interchangeable. It's just

443
00:26:32,760 --> 00:26:35,840
Speaker 1: Drake or it's the tape playing and I'm wrapping over

444
00:26:35,880 --> 00:26:42,640
Speaker 1: the tape. Where are where is the Mr j mc?

445
00:26:42,800 --> 00:26:47,320
Speaker 1: You come out with his hand? Shit Molly mall m

446
00:26:47,359 --> 00:26:53,240
Speaker 1: c shaan You understand? Doesn't that sounds like a good show.

447
00:26:53,280 --> 00:26:57,320
Speaker 1: You've got dancers, you got DJs, you've got choreography, you've

448
00:26:57,320 --> 00:26:59,919
Speaker 1: got guys that really cared, not just I'm gonna have

449
00:27:00,000 --> 00:27:01,960
Speaker 1: have the guys come on stage and and then they're

450
00:27:02,000 --> 00:27:05,840
Speaker 1: gonna punch people in the fucking face. Fuck fuck fuck nigga,

451
00:27:05,920 --> 00:27:10,920
Speaker 1: nigga fuck fuck oh yeah, fuck motherfucker nigga. Boom. That's

452
00:27:10,920 --> 00:27:15,040
Speaker 1: the fucking that's that's your song. That's ship. Get out

453
00:27:15,040 --> 00:27:19,840
Speaker 1: of here. Fuck you man, old Young, I don't care. Sucks.

454
00:27:20,080 --> 00:27:24,840
Speaker 1: I listened to our Blakey where That's what I'm listening

455
00:27:24,880 --> 00:27:29,119
Speaker 1: to that Delta ship, George Benson, listen to what we

456
00:27:29,240 --> 00:27:34,760
Speaker 1: listened Freddie Kane Blues, Albert King, Memphis, go to stacks,

457
00:27:35,080 --> 00:27:37,840
Speaker 1: get some funky ship man. There's so much funk you

458
00:27:37,840 --> 00:27:40,399
Speaker 1: could be listening to besides the ship that you listened

459
00:27:40,440 --> 00:27:45,840
Speaker 1: to on the radio where hip hop died, died, It died,

460
00:27:46,280 --> 00:27:49,399
Speaker 1: Soul music died, it died. You got you got your

461
00:27:49,480 --> 00:27:53,320
Speaker 1: vinyl you hopefully you've got shipped from Napster and you're rocking. Yeah,

462
00:27:53,600 --> 00:27:55,480
Speaker 1: you could know the great thing about nawas online you

463
00:27:55,480 --> 00:27:57,439
Speaker 1: could do You could get any you could get anything.

464
00:27:57,960 --> 00:28:01,000
Speaker 1: You could get anything, and that's fantastic. The Iron Rapport Podcasts,

465
00:28:01,040 --> 00:28:06,160
Speaker 1: we'll be right back with some more complaining American giants.

466
00:28:06,200 --> 00:28:10,280
Speaker 1: Sponsors the Iron rapp Report podcast. Go to American hyphen

467
00:28:10,760 --> 00:28:15,200
Speaker 1: Giant dot com. Check it out. T shirts, sweatshirts, American made,

468
00:28:15,240 --> 00:28:23,000
Speaker 1: American manufactured, really good qualities, soft rugged, hoodies, sweatpants, all

469
00:28:23,040 --> 00:28:27,560
Speaker 1: of it. American Giant dot Com. American hyphen Giant dot Com.

470
00:28:27,800 --> 00:28:30,920
Speaker 1: The slogan for American Giant that we created this American

471
00:28:31,040 --> 00:28:37,760
Speaker 1: Giant Clothing Champion camp book with this ship though, see

472
00:28:37,760 --> 00:28:41,080
Speaker 1: this is what this is what's gonna turn people off

473
00:28:41,160 --> 00:28:45,000
Speaker 1: about the transgender movement that we're going through is that

474
00:28:45,640 --> 00:28:48,760
Speaker 1: motherfucker's are coming out of the woodworld was ship okay

475
00:28:49,760 --> 00:28:51,480
Speaker 1: in twenty years Like in the sixties, it was a

476
00:28:51,560 --> 00:28:58,520
Speaker 1: sexual revolution. It's gonna happen black black panthers. Now we

477
00:28:58,640 --> 00:29:03,680
Speaker 1: got the transgendum movement. This guy whose name is Matt

478
00:29:03,840 --> 00:29:07,680
Speaker 1: I can't pronounce the last name, has come out publicly

479
00:29:07,720 --> 00:29:12,320
Speaker 1: as a transgender and he's now name is Janey Croc.

480
00:29:12,640 --> 00:29:17,560
Speaker 1: But the fucking by cock Crock. Oh. The thing is

481
00:29:17,600 --> 00:29:21,720
Speaker 1: that it's a two and twenty pound bodybuilder, and and

482
00:29:21,720 --> 00:29:25,400
Speaker 1: and and and and and she has said I don't

483
00:29:25,400 --> 00:29:27,520
Speaker 1: know if she's she. I don't think this person cares

484
00:29:27,560 --> 00:29:29,880
Speaker 1: if you call her a she or he, because she said,

485
00:29:30,160 --> 00:29:32,280
Speaker 1: in a perfect world, I could snap my fingers and

486
00:29:32,320 --> 00:29:36,440
Speaker 1: go back and forth and to from one gender to another. YEA,

487
00:29:36,480 --> 00:29:38,040
Speaker 1: why would the fund would you want to do that?

488
00:29:38,680 --> 00:29:42,360
Speaker 1: You want to trick people? What is this? That's not

489
00:29:42,480 --> 00:29:45,840
Speaker 1: that's not that's something you should wanna do. And then

490
00:29:45,920 --> 00:29:48,360
Speaker 1: and then you say that, and then if I say no,

491
00:29:48,880 --> 00:29:51,360
Speaker 1: that's not, I don't like. I don't have to accept that.

492
00:29:52,640 --> 00:29:54,800
Speaker 1: I don't have to accept that, which I refuse to

493
00:29:54,800 --> 00:29:57,240
Speaker 1: accept that. If you say that I'm on some archie bunker,

494
00:29:57,320 --> 00:30:00,960
Speaker 1: I'm offensive, then fuck you. It's not something I want.

495
00:30:01,160 --> 00:30:03,640
Speaker 1: I'm cool with. You know you want to change. You

496
00:30:03,640 --> 00:30:07,320
Speaker 1: gotta change what. You can't just be literally flipping the one.

497
00:30:07,800 --> 00:30:11,520
Speaker 1: He want to do some won to twin ship to activate.

498
00:30:11,840 --> 00:30:15,400
Speaker 1: You can't do that one to twin ship. I'm a

499
00:30:15,480 --> 00:30:18,040
Speaker 1: I'm a I'm a chip. It's a two twenty pound,

500
00:30:18,120 --> 00:30:20,760
Speaker 1: greased up bodybuilder. That's that's what we're talking about. And

501
00:30:20,840 --> 00:30:23,480
Speaker 1: look him up, her up in the words of cool

502
00:30:23,560 --> 00:30:28,959
Speaker 1: g rap what you lift the barbells, but you're still Cottonell.

503
00:30:30,240 --> 00:30:41,360
Speaker 1: That's him. So you Mark could Jowski or Jenney Jack.

504
00:30:42,080 --> 00:30:44,520
Speaker 1: You know who you are and and people will will

505
00:30:44,560 --> 00:30:48,040
Speaker 1: will will will be able to look you up. Janee Croc,

506
00:30:49,320 --> 00:30:52,600
Speaker 1: you get a wig of please for this, because that's

507
00:30:52,600 --> 00:30:55,760
Speaker 1: not I'm not going to accept that. That's not dope,

508
00:30:56,160 --> 00:30:58,959
Speaker 1: my man or my woman, whatever you may be on

509
00:30:59,000 --> 00:31:02,320
Speaker 1: this particular day, that's just not that's not that's not fly.

510
00:31:03,440 --> 00:31:05,720
Speaker 1: That's not something that you should be spending your time.

511
00:31:05,760 --> 00:31:09,560
Speaker 1: You could you could spend time having different hopes and

512
00:31:09,600 --> 00:31:12,120
Speaker 1: aspirations than to want to be able to snap your

513
00:31:12,120 --> 00:31:14,080
Speaker 1: fingers and go back from a man to a woman

514
00:31:14,560 --> 00:31:16,760
Speaker 1: at the blink of an eye. Because if you address

515
00:31:16,800 --> 00:31:18,960
Speaker 1: as a woman, and you have a dick, and you're

516
00:31:19,000 --> 00:31:22,240
Speaker 1: two twenty pounds of fucking steel, and you're an address,

517
00:31:22,720 --> 00:31:25,480
Speaker 1: and you walk into the woman's bathroom with full makeup on,

518
00:31:26,840 --> 00:31:29,640
Speaker 1: you're gonna scare the ship out of people. If you're

519
00:31:29,640 --> 00:31:33,200
Speaker 1: two hundred twenty pounds and address and and and and

520
00:31:33,280 --> 00:31:36,560
Speaker 1: you come into the mail locker room, you're gonna fucking

521
00:31:36,560 --> 00:31:39,280
Speaker 1: scare people too. Freaking motherfucker's out. So what what? What

522
00:31:39,400 --> 00:31:43,080
Speaker 1: is this trying to blur lines? Man only I want

523
00:31:43,120 --> 00:31:47,920
Speaker 1: to dumb ship. Yo, do what you wanna do. But yo, listen, man,

524
00:31:48,000 --> 00:31:51,040
Speaker 1: you got two kids. Pick a side, mother, pick a side. Yeah.

525
00:31:51,080 --> 00:31:52,680
Speaker 1: That the point is with you is you gotta pick

526
00:31:52,720 --> 00:31:56,120
Speaker 1: a side. And until you pick a side, you get wigga.

527
00:31:56,240 --> 00:32:02,200
Speaker 1: Please one more thing, my friend ship. Supermarket. Yeah, I'm

528
00:32:02,240 --> 00:32:04,600
Speaker 1: in a supermarket. I go early, I go up to

529
00:32:04,600 --> 00:32:12,040
Speaker 1: Stu Leonards and Yonkers, okay, and one thing I hate Yeah,

530
00:32:12,320 --> 00:32:14,600
Speaker 1: you know you get the uh. I know you said

531
00:32:14,640 --> 00:32:17,920
Speaker 1: retarded on his and hers and you caught a lot

532
00:32:17,920 --> 00:32:21,520
Speaker 1: of flak. It wasn't that much flack. You have to apologize. Yeah,

533
00:32:21,520 --> 00:32:24,760
Speaker 1: well they asked, they made you. No, they didn't make me.

534
00:32:25,160 --> 00:32:27,880
Speaker 1: They were very cool, and and and and once they

535
00:32:27,920 --> 00:32:30,640
Speaker 1: said that it was something, I said, no, let me

536
00:32:30,720 --> 00:32:33,480
Speaker 1: fix it. But I'm not gonna fix my ship. Okay,

537
00:32:34,320 --> 00:32:36,240
Speaker 1: just so you know, like the the the ESPN people,

538
00:32:36,240 --> 00:32:39,600
Speaker 1: I love them, They're totally cool. They didn't make a

539
00:32:39,600 --> 00:32:42,920
Speaker 1: big deal out of something, and and and everybody was supportive,

540
00:32:42,960 --> 00:32:45,120
Speaker 1: and we're like, yo, what happens? La la? La is

541
00:32:45,160 --> 00:32:47,080
Speaker 1: like I didn't know the fucking word was banned. Yeah,

542
00:32:47,120 --> 00:32:50,360
Speaker 1: I should have told you mentally challenged. Mentally to me,

543
00:32:50,440 --> 00:32:53,680
Speaker 1: that sounds worse. That sounds my man is mentally challenged.

544
00:32:53,760 --> 00:32:56,960
Speaker 1: You know, I can't call it because I'm not. But

545
00:32:56,960 --> 00:32:59,680
Speaker 1: but to me, that's way more detail. That's key. That's

546
00:32:59,760 --> 00:33:03,200
Speaker 1: a lot of information. Yeah, retard could be. It's it's vague.

547
00:33:03,240 --> 00:33:07,160
Speaker 1: It's like a condition. But yo, yo, you you yo,

548
00:33:07,240 --> 00:33:09,640
Speaker 1: this is the this is the should we say it

549
00:33:09,720 --> 00:33:15,320
Speaker 1: on this show though, retard? And with no disrespect to them.

550
00:33:15,440 --> 00:33:19,280
Speaker 1: I say jew, pricks, I say nigger, we say all

551
00:33:19,360 --> 00:33:23,120
Speaker 1: kind of ship. So for anyway, so we stay on

552
00:33:23,200 --> 00:33:25,840
Speaker 1: stand points, stay on stay they call it in this podcast,

553
00:33:25,840 --> 00:33:29,880
Speaker 1: won't stand topic. I'm just learning the fucking lingo. So

554
00:33:29,920 --> 00:33:33,000
Speaker 1: I'm in a supermarket, big broadcaster now, and I see

555
00:33:33,040 --> 00:33:38,960
Speaker 1: a vanload of mentally challenged motherfucker's right, and they get

556
00:33:39,000 --> 00:33:44,880
Speaker 1: out and the person that's supervising them wanders away while

557
00:33:44,920 --> 00:33:49,560
Speaker 1: I'm trying to get my coffee right, and I turned

558
00:33:49,560 --> 00:33:53,640
Speaker 1: around and I see these retarded motherfucker's spitting on ship,

559
00:33:54,200 --> 00:33:59,120
Speaker 1: kicking coffee ship, get the fun and fucking yelling and screaming.

560
00:33:59,840 --> 00:34:05,640
Speaker 1: My point is, why do you wander away as if

561
00:34:05,720 --> 00:34:11,480
Speaker 1: these retarded people are normal? So I left the fucking supermarket.

562
00:34:11,840 --> 00:34:15,840
Speaker 1: I left this motherfucker's spitting on the strawberries and ship.

563
00:34:16,320 --> 00:34:21,960
Speaker 1: Who wants to see that? And just just yelling don't

564
00:34:22,040 --> 00:34:28,400
Speaker 1: wander away. You have to leave these motherfucker's so nobody

565
00:34:28,400 --> 00:34:36,680
Speaker 1: can see that ship. And that's it. Rap yo. Now

566
00:34:36,719 --> 00:34:39,920
Speaker 1: I have to clarify that we're not talking about the

567
00:34:39,960 --> 00:34:45,960
Speaker 1: mentally challenged people. We're talking about the chaperone. We have

568
00:34:46,000 --> 00:34:48,240
Speaker 1: to clear it because if you don't clarify it, don't

569
00:34:48,440 --> 00:34:57,040
Speaker 1: leave them. They're not normal. They're retarded chick going around

570
00:34:57,040 --> 00:35:00,200
Speaker 1: the oisles and ship and I just get my off

571
00:35:00,239 --> 00:35:02,840
Speaker 1: he grinding him ships. But you know I get the

572
00:35:02,880 --> 00:35:08,520
Speaker 1: fresh ship wrap grinding it and I turned around here

573
00:35:08,640 --> 00:35:12,919
Speaker 1: so much noise and these retarding motherfucker's is spitting on

574
00:35:13,040 --> 00:35:19,360
Speaker 1: ship man kicking ship over who ship that I left.

575
00:35:22,600 --> 00:35:27,520
Speaker 1: I got a lot of sympathy for the retards. I

576
00:35:27,640 --> 00:35:31,920
Speaker 1: was taking care of a retard. It was my cousin. No,

577
00:35:32,080 --> 00:35:34,440
Speaker 1: I I know you know, so I don't want people

578
00:35:34,440 --> 00:35:36,720
Speaker 1: out there. I didn't want to say anything. But when

579
00:35:37,000 --> 00:35:41,440
Speaker 1: Gerald has has a cousin named Jamal, not Jamal like

580
00:35:41,520 --> 00:35:45,160
Speaker 1: Jamal Hill, a motherfucker to deal with. J Yeah, he's

581
00:35:45,160 --> 00:35:51,280
Speaker 1: a dude, and I understand that you can never leave

582
00:35:51,360 --> 00:35:54,600
Speaker 1: this motherfucker. You took care of him for for for

583
00:35:54,600 --> 00:35:57,480
Speaker 1: a while. You can never leave. You wanted to just

584
00:35:57,520 --> 00:36:03,000
Speaker 1: clarify that you weren't. I. I'm not a retard, and

585
00:36:03,120 --> 00:36:08,840
Speaker 1: he is a retard, and I was always cognizant of

586
00:36:09,000 --> 00:36:15,120
Speaker 1: being being near him. But that's why when you were

587
00:36:15,120 --> 00:36:18,520
Speaker 1: retarding motherfucker's, then you just disappeared to the milk cell.

588
00:36:18,600 --> 00:36:21,000
Speaker 1: I I got it, I got it. Don't understand. The

589
00:36:21,040 --> 00:36:24,000
Speaker 1: thing is also in the eighties, when when when when

590
00:36:24,040 --> 00:36:26,480
Speaker 1: when you were really close? When he lived up here

591
00:36:26,520 --> 00:36:31,080
Speaker 1: from from South Carolina, that term was common retard. Yeah,

592
00:36:31,120 --> 00:36:39,080
Speaker 1: he's retarded. Oh that boy retarded. You think nobody pulled

593
00:36:39,080 --> 00:36:41,800
Speaker 1: out their hair. Nobody said, Oh, we gotta good fucking

594
00:36:41,800 --> 00:36:46,680
Speaker 1: call Al Sharpton. That means he's a little off. You know.

595
00:36:46,719 --> 00:36:49,840
Speaker 1: I I was in special education. Oh you was on

596
00:36:49,880 --> 00:36:52,399
Speaker 1: that yellow bus. Yo. You know this ship? You lived

597
00:36:52,440 --> 00:36:55,880
Speaker 1: a block away from the school. Damn a motherfucker. Yo,

598
00:36:56,640 --> 00:36:59,319
Speaker 1: I was on special education. They had to put your

599
00:36:59,320 --> 00:37:03,680
Speaker 1: ass in there. Yo. You was fucking snuffing teachers and

600
00:37:03,880 --> 00:37:06,400
Speaker 1: or less. I was in the ninth grade at Wagner

601
00:37:06,480 --> 00:37:09,560
Speaker 1: Junior High School. They had me in the special ed

602
00:37:09,600 --> 00:37:12,720
Speaker 1: classes and the only the only other class that was normal.

603
00:37:13,280 --> 00:37:17,200
Speaker 1: Jim was normal. And I somehow managed to get into

604
00:37:17,200 --> 00:37:19,480
Speaker 1: a normal English class. I don't know how the funk

605
00:37:19,520 --> 00:37:21,120
Speaker 1: I got there, and they were reading King Lee or

606
00:37:21,160 --> 00:37:24,800
Speaker 1: the book Shakespeare. I didn't reach ship. I cheated. You

607
00:37:24,920 --> 00:37:29,000
Speaker 1: was just a clown. I passed. I passed the class

608
00:37:29,480 --> 00:37:32,960
Speaker 1: in the English class by cheating, and and and and

609
00:37:32,960 --> 00:37:35,600
Speaker 1: and coaxing my way. And the teacher knew if he

610
00:37:35,800 --> 00:37:38,440
Speaker 1: left me back, he has to deal with me again.

611
00:37:39,239 --> 00:37:42,400
Speaker 1: And I had the misfortune of being in your class

612
00:37:42,400 --> 00:37:46,680
Speaker 1: and seeing you as a teenager giving a teacher. Hell,

613
00:37:47,440 --> 00:37:50,880
Speaker 1: I know, I can imagine what she was as like

614
00:37:51,120 --> 00:37:53,960
Speaker 1: eleven twelve, you saw me in my prime, like fifteen

615
00:37:53,960 --> 00:37:56,320
Speaker 1: and sixteen. Me and Gerald attended the same high school,

616
00:37:56,800 --> 00:38:00,000
Speaker 1: Erasmushole High School with you. We well we we've known

617
00:38:00,000 --> 00:38:03,160
Speaker 1: each other, but we had attended Erasmus Hall High School

618
00:38:03,560 --> 00:38:08,040
Speaker 1: in in eighties six eight seven. I was. I was

619
00:38:08,080 --> 00:38:10,759
Speaker 1: in the eleventh grade. I passed the eleven tenth grade

620
00:38:10,800 --> 00:38:14,120
Speaker 1: and I went we went in class together music right,

621
00:38:14,280 --> 00:38:18,560
Speaker 1: something like that, some crazy shit and giving a fucking guy. Hell,

622
00:38:19,200 --> 00:38:22,920
Speaker 1: it was an old motherfucker. This guy was like seventy

623
00:38:23,080 --> 00:38:26,920
Speaker 1: and like like eighty eighty, fucking with him and he

624
00:38:27,040 --> 00:38:29,759
Speaker 1: was broken down, but he still was teaching. That's what

625
00:38:30,200 --> 00:38:37,439
Speaker 1: a rappaport just kept on his So I could imagine, Man,

626
00:38:37,480 --> 00:38:41,080
Speaker 1: if there was video that we had, if there was

627
00:38:41,239 --> 00:38:44,080
Speaker 1: video of that, our podcast, would we we we we

628
00:38:44,080 --> 00:38:48,080
Speaker 1: we would become number one. Literally that would be the

629
00:38:48,080 --> 00:38:53,279
Speaker 1: most that gold oh period every day and and and

630
00:38:53,320 --> 00:38:57,360
Speaker 1: this is a public school in New York City in

631
00:38:57,760 --> 00:39:01,520
Speaker 1: what's deemed as the worst in nineteen look it up

632
00:39:01,560 --> 00:39:04,719
Speaker 1: in night seven cover story for the New York New

633
00:39:04,800 --> 00:39:07,640
Speaker 1: York Post of the Daily News Daily News said a

634
00:39:07,760 --> 00:39:10,360
Speaker 1: five day profile on Erasmus Whole High School as the

635
00:39:10,440 --> 00:39:14,439
Speaker 1: worst public high school. So if I'm able to get

636
00:39:14,480 --> 00:39:17,640
Speaker 1: thrown out of class and I'm able to harangue a

637
00:39:17,719 --> 00:39:20,759
Speaker 1: teacher more than anyone else, there is no violence. This

638
00:39:20,880 --> 00:39:23,480
Speaker 1: is really no disrespect. I'm not like cursing it the teacher,

639
00:39:23,920 --> 00:39:25,360
Speaker 1: like just so you get it, let it know, Like

640
00:39:25,360 --> 00:39:28,520
Speaker 1: people like, what did you do? What did you do? I?

641
00:39:28,520 --> 00:39:33,040
Speaker 1: I berated, I mentally like I was non stop. I

642
00:39:33,120 --> 00:39:36,680
Speaker 1: was on and onto the break of dawn. Questions, questions,

643
00:39:37,440 --> 00:39:42,000
Speaker 1: answers to the question. The answers are funny, going hard

644
00:39:42,239 --> 00:39:47,880
Speaker 1: body karate from from from the beginning in school. I'll

645
00:39:47,880 --> 00:39:50,319
Speaker 1: go through my track record in in in In in

646
00:39:50,440 --> 00:39:52,360
Speaker 1: nursery school. They put me from with the from the

647
00:39:52,400 --> 00:39:57,160
Speaker 1: five year olds to the six year old kindergarten, first grade,

648
00:39:57,160 --> 00:39:59,680
Speaker 1: second grade, third grade, third grade, thrown out of public

649
00:39:59,760 --> 00:40:03,359
Speaker 1: high public school the third grade in nineteen seventy seven

650
00:40:03,560 --> 00:40:06,600
Speaker 1: to throw out a white Jewish kid from a public

651
00:40:06,640 --> 00:40:13,200
Speaker 1: high school in Manhattan in in In integrated school, like

652
00:40:13,360 --> 00:40:17,040
Speaker 1: it's not some like PS one eight in the seventies.

653
00:40:17,520 --> 00:40:19,120
Speaker 1: It had kids in that. Granted we only went in

654
00:40:19,239 --> 00:40:21,279
Speaker 1: to the sixth rade but it was Puerto Ricans. But

655
00:40:21,480 --> 00:40:25,200
Speaker 1: it wasn't some toity whity ship. It wasn't some fucking zoo,

656
00:40:25,280 --> 00:40:27,200
Speaker 1: but it was it was kids to get thrown out

657
00:40:27,200 --> 00:40:29,880
Speaker 1: of the school. That's an accomplishment in the seventies. This

658
00:40:29,960 --> 00:40:35,040
Speaker 1: is the liberal seventies public school. You got thrown out

659
00:40:35,040 --> 00:40:40,000
Speaker 1: of third grade public school. I did that. I'm imagining

660
00:40:40,880 --> 00:40:45,000
Speaker 1: Mr Mr Flannagan was the principal. Fuck you man, You're

661
00:40:45,200 --> 00:40:50,400
Speaker 1: luckily I had the fucking they had the goal and

662
00:40:50,440 --> 00:40:53,600
Speaker 1: the wherewithal and and I had parents that that that

663
00:40:53,680 --> 00:40:57,719
Speaker 1: didn't let my self esteem go to ship. Yeah you,

664
00:40:57,880 --> 00:41:02,080
Speaker 1: Mr Flannagan, Mr fucking fla and fu man, you get

665
00:41:02,080 --> 00:41:04,719
Speaker 1: a fuck you, Mr Flanagan. That could have did a

666
00:41:04,719 --> 00:41:08,200
Speaker 1: real number on my fucking self esteem. Third grade. Third

667
00:41:08,239 --> 00:41:10,600
Speaker 1: grade was a blood and ship. Yeah, like, I'm a

668
00:41:10,680 --> 00:41:14,000
Speaker 1: fucking like, I'm a fucking gangbanger. I didn't hit anybody.

669
00:41:14,080 --> 00:41:15,560
Speaker 1: I hit him, but he was pulling me out of

670
00:41:15,760 --> 00:41:17,440
Speaker 1: but a third grade I just swung my hand. It

671
00:41:17,480 --> 00:41:19,760
Speaker 1: wasn't like I was like, you're in the third grade,

672
00:41:20,200 --> 00:41:24,000
Speaker 1: you threw me out, You fuck you get away. I'm

673
00:41:24,040 --> 00:41:28,320
Speaker 1: just too much in the seventies, third grade getting thrown

674
00:41:28,360 --> 00:41:34,760
Speaker 1: out that's ill so yo. When it comes to behavior

675
00:41:34,800 --> 00:41:39,080
Speaker 1: in school, my fuck style, it's buck walk like I

676
00:41:39,120 --> 00:41:42,200
Speaker 1: was doing it. I was putting it in hard and

677
00:41:42,200 --> 00:41:44,799
Speaker 1: then I wound up in a Rasmus hole with g

678
00:41:45,000 --> 00:41:49,359
Speaker 1: Moody and eight six. We tore it up and they

679
00:41:49,400 --> 00:41:52,440
Speaker 1: tried to They had my father show up at the school.

680
00:41:52,600 --> 00:41:55,920
Speaker 1: This is a true story, Disco Dave Rappaport. He drove

681
00:41:55,960 --> 00:42:00,040
Speaker 1: his motorcycle up to school and they said, officer, you

682
00:42:00,160 --> 00:42:02,640
Speaker 1: going this way and he said, I'm not a police officer,

683
00:42:02,840 --> 00:42:04,640
Speaker 1: and they said, oh, well, then you must be Michael

684
00:42:04,719 --> 00:42:08,959
Speaker 1: Rappaport's sun. I didn't know that story. Was the only

685
00:42:08,960 --> 00:42:11,960
Speaker 1: white kid in the school? Correct? How many kids are

686
00:42:11,960 --> 00:42:16,000
Speaker 1: in fucking Erasmus hole? It was a lot more than that.

687
00:42:16,160 --> 00:42:19,040
Speaker 1: Like a college. This is a public school. We would

688
00:42:19,040 --> 00:42:21,480
Speaker 1: be in a class with forty five kids in it,

689
00:42:22,320 --> 00:42:27,600
Speaker 1: half of which didn't speak English, Caribbean, Spanish. But but

690
00:42:27,600 --> 00:42:30,480
Speaker 1: but not like they've been here, like they just got here.

691
00:42:30,600 --> 00:42:32,759
Speaker 1: Just yeah, yeah, that was a good That was a

692
00:42:32,760 --> 00:42:37,000
Speaker 1: good time. Dominicans, Jans and and we were in the

693
00:42:37,040 --> 00:42:40,480
Speaker 1: same class with non English speaking ships. They called me

694
00:42:40,640 --> 00:42:43,920
Speaker 1: yank Yankee boy. This is a public school in New

695
00:42:44,000 --> 00:42:46,560
Speaker 1: York at the time. I hope to god it's gotten better.

696
00:42:46,719 --> 00:42:49,600
Speaker 1: Oh yes, I think it has. Yeah, just to just

697
00:42:49,640 --> 00:42:52,719
Speaker 1: to just to show you, like like just that long ago,

698
00:42:52,880 --> 00:42:55,160
Speaker 1: like the public school education, I don't know what it

699
00:42:55,239 --> 00:42:58,760
Speaker 1: is now, was a fucking joke. We were in the school.

700
00:42:58,840 --> 00:43:01,880
Speaker 1: Ye a whole was a free for all. There was

701
00:43:01,920 --> 00:43:05,560
Speaker 1: a fucking remember there was the riot the first day,

702
00:43:05,719 --> 00:43:11,120
Speaker 1: a riot. Remember there were helicopters and I told you

703
00:43:11,160 --> 00:43:13,879
Speaker 1: to come there. It's around the corner from the McDonald's

704
00:43:13,920 --> 00:43:16,799
Speaker 1: from this year, this past year, that horrible incident we

705
00:43:16,880 --> 00:43:20,240
Speaker 1: talked about with the girl where they videotaped her getting

706
00:43:20,239 --> 00:43:22,400
Speaker 1: beat up. That's around the We saw that happen all

707
00:43:22,440 --> 00:43:24,560
Speaker 1: the time, but it never got that far. We saw

708
00:43:24,680 --> 00:43:28,440
Speaker 1: fights like that and that and that very McDonald's numerous times.

709
00:43:29,719 --> 00:43:31,680
Speaker 1: And as wild as that school was, it when you

710
00:43:31,760 --> 00:43:33,600
Speaker 1: never would have seen a girl get you could have

711
00:43:33,680 --> 00:43:35,879
Speaker 1: seen a girl get punched, like you could have seen

712
00:43:35,880 --> 00:43:38,200
Speaker 1: something happen, But people, I don't. I never saw some

713
00:43:38,320 --> 00:43:42,000
Speaker 1: people stand around like that. Yeah, I mean it's different,

714
00:43:42,040 --> 00:43:46,239
Speaker 1: it's different, different ship man that I'm not with the

715
00:43:46,360 --> 00:43:50,719
Speaker 1: Iron Rapport podcast and we'll be right back all right.

716
00:43:51,080 --> 00:43:54,080
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717
00:43:54,160 --> 00:43:58,239
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718
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719
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720
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721
00:44:09,560 --> 00:44:11,719
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723
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724
00:44:17,680 --> 00:44:19,960
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725
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726
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727
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728
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729
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730
00:44:37,960 --> 00:44:41,560
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731
00:44:41,680 --> 00:44:45,520
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732
00:44:45,560 --> 00:44:49,720
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733
00:44:49,760 --> 00:44:51,960
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734
00:44:52,120 --> 00:44:55,520
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735
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736
00:44:59,200 --> 00:45:05,600
Speaker 1: dollar fantasy baseball contest. That's DraftKings dot Com. You know

737
00:45:05,680 --> 00:45:09,320
Speaker 1: what's up with? Uh fucking uh? I think another Rocky

738
00:45:09,520 --> 00:45:11,880
Speaker 1: is coming out. I'm not. I'm gonna tell you, I'm

739
00:45:11,880 --> 00:45:14,200
Speaker 1: gonna do a movie of the Week. Rocky is a

740
00:45:14,239 --> 00:45:16,799
Speaker 1: fixture of of the Iron app Corp. Podcast and it's

741
00:45:16,840 --> 00:45:20,920
Speaker 1: a it's a pillar of inspiration. I need to do

742
00:45:20,960 --> 00:45:23,800
Speaker 1: an all Rocky episode one, two and three, one to

743
00:45:24,080 --> 00:45:29,040
Speaker 1: three and even parts of four and five, six was atrocious.

744
00:45:29,440 --> 00:45:33,399
Speaker 1: And they're coming out with Apollo about Apollo creeds Son. Now,

745
00:45:33,480 --> 00:45:35,560
Speaker 1: I just want to preface this by saying, I fucking

746
00:45:35,719 --> 00:45:38,640
Speaker 1: think that Michael Jordan, Michael B. Jordan's is one of

747
00:45:38,680 --> 00:45:43,719
Speaker 1: the best young actors out there. He's enormously talented, food

748
00:45:43,800 --> 00:45:48,560
Speaker 1: fill station, oh money right there. That he's great. But

749
00:45:48,680 --> 00:45:52,480
Speaker 1: I cannot funk with you guys on Apollo. I've had enough, man.

750
00:45:52,880 --> 00:45:56,719
Speaker 1: It has to stop. It has to fucking stop. Stallone

751
00:45:56,800 --> 00:45:58,879
Speaker 1: is in there. He's still got the hat on. He's

752
00:45:58,880 --> 00:46:01,640
Speaker 1: playing Apollo Eads Son, and I guess the loan's gonna

753
00:46:01,640 --> 00:46:05,480
Speaker 1: train him. No, No, this isn't the Avengers, this isn't

754
00:46:05,520 --> 00:46:08,200
Speaker 1: Son of Batman. It's turning literally turned into that like

755
00:46:08,280 --> 00:46:11,040
Speaker 1: Son of Apollo and then like it'll be like Apollo

756
00:46:11,200 --> 00:46:14,120
Speaker 1: son and then Rocky's cousin, and it will be something. No,

757
00:46:16,680 --> 00:46:20,160
Speaker 1: it's been Malign's enough. Stop sylvest Is like, if they're

758
00:46:20,160 --> 00:46:22,239
Speaker 1: gonna give any money to do it, I'm gonna do

759
00:46:22,400 --> 00:46:28,640
Speaker 1: I understand. But he's making a mockery out of his master.

760
00:46:29,040 --> 00:46:30,640
Speaker 1: He's making a mockery out of it. Like at a

761
00:46:30,680 --> 00:46:33,880
Speaker 1: certain point, it's like, yo, just do another Rambo Like Rambo,

762
00:46:33,960 --> 00:46:37,320
Speaker 1: you could run into the ground son of Rambo cousin.

763
00:46:37,320 --> 00:46:40,920
Speaker 1: They're like, you know, illegitimate son of Rambo, Rambo's daughter

764
00:46:41,560 --> 00:46:43,600
Speaker 1: who who? Who was in a gang? And then she

765
00:46:43,640 --> 00:46:46,560
Speaker 1: came Actual's on a straight and narrow all kind of

766
00:46:46,560 --> 00:46:49,600
Speaker 1: plots of ship. But Yo, to funk with Balboa like that,

767
00:46:49,680 --> 00:46:53,600
Speaker 1: to funk with Rocky Balboa and and and Pauli and like,

768
00:46:53,680 --> 00:46:55,360
Speaker 1: you know, if you're gonna do it, bring back Pauli.

769
00:46:55,480 --> 00:47:00,399
Speaker 1: Number one. You get Burr Young. He's alive. Young is great.

770
00:47:00,440 --> 00:47:02,200
Speaker 1: I'm gonna check if Burt Young is in, is in

771
00:47:02,760 --> 00:47:05,239
Speaker 1: is in Creed, then I'll go see it. If Burt

772
00:47:05,239 --> 00:47:07,480
Speaker 1: Young isn't having and then I'm not gonna go see it.

773
00:47:07,800 --> 00:47:10,239
Speaker 1: Get tell you Shire, Oh they killed their character if

774
00:47:10,239 --> 00:47:16,200
Speaker 1: they killed me to town, get him for sure. Get

775
00:47:16,239 --> 00:47:22,520
Speaker 1: that guy. Let it go, Let it go. You're the champ.

776
00:47:23,680 --> 00:47:27,360
Speaker 1: I saw you beat that man like I never saw

777
00:47:27,880 --> 00:47:33,560
Speaker 1: no man get beat before, and the man kept coming

778
00:47:34,080 --> 00:47:38,160
Speaker 1: after you. We don't need that type of man in

779
00:47:38,200 --> 00:47:44,759
Speaker 1: all life. Let it go. Let it go. From Rocky too,

780
00:47:44,800 --> 00:47:47,560
Speaker 1: that was off the cuff. I see that was Duke.

781
00:47:48,239 --> 00:47:50,160
Speaker 1: He said his character's name was Duke. He was Apollo

782
00:47:50,239 --> 00:47:54,520
Speaker 1: Creeds trainer. Get Duke in there. But but if if

783
00:47:54,560 --> 00:47:58,439
Speaker 1: you get Burt Young, who now I have stolen from

784
00:47:58,440 --> 00:48:02,960
Speaker 1: Burt Young, if we could do a live podcast of

785
00:48:03,040 --> 00:48:06,600
Speaker 1: Rocky and Britt, I could tell you scene for seeing,

786
00:48:06,719 --> 00:48:09,719
Speaker 1: gesture by gesture, word for words that I've stolen from

787
00:48:09,760 --> 00:48:13,960
Speaker 1: Burt Young. I've stolen from Rocky in general and put

788
00:48:14,000 --> 00:48:18,839
Speaker 1: it in other films. I'll tell you one time right now,

789
00:48:20,040 --> 00:48:23,239
Speaker 1: screw you creep. Oh you know you know what she said.

790
00:48:23,360 --> 00:48:27,040
Speaker 1: Rocky's walking with Maria the little girl. She's like coconuts.

791
00:48:27,200 --> 00:48:29,600
Speaker 1: Is a coconut people you hang out with in the

792
00:48:29,640 --> 00:48:31,680
Speaker 1: first Rocky the girl from the time of Kogi Shop,

793
00:48:32,520 --> 00:48:35,520
Speaker 1: the little girl. You know you got a real mouth

794
00:48:35,560 --> 00:48:37,799
Speaker 1: on you. You know that Maria that scene and then

795
00:48:37,800 --> 00:48:39,399
Speaker 1: at the end she goes, Yo, rock and he goes

796
00:48:39,560 --> 00:48:42,360
Speaker 1: he goes what he goes, screw you creep oh. And

797
00:48:42,400 --> 00:48:47,919
Speaker 1: then the music comes in don and and he goes,

798
00:48:48,120 --> 00:48:50,280
Speaker 1: screw you creep Oh. Yeah, who you can give advice

799
00:48:50,280 --> 00:48:53,640
Speaker 1: creep oh? In that movie, I did kick kicked in

800
00:48:53,640 --> 00:48:59,000
Speaker 1: the head. Watch the movie Kevin Corrigan, good movie, independent

801
00:48:59,040 --> 00:49:02,800
Speaker 1: movie in the nineties. Linda Fiorentino, My man, Kevin Corrigan,

802
00:49:02,840 --> 00:49:04,839
Speaker 1: A good cast, a bunch of good actors in a

803
00:49:04,880 --> 00:49:08,399
Speaker 1: good New York movie, independent movie, funny, weird comedy. That's

804
00:49:08,440 --> 00:49:12,120
Speaker 1: good ship. My entrance, I ring the bell, Yo, creep oh,

805
00:49:12,239 --> 00:49:15,560
Speaker 1: who is it? Creeper? That's my homage to that ship

806
00:49:15,960 --> 00:49:17,920
Speaker 1: because you know, but Rocky, I mean you you know,

807
00:49:18,080 --> 00:49:20,399
Speaker 1: Rocky is my ship. So to answer your question, I'm

808
00:49:20,400 --> 00:49:23,200
Speaker 1: not fucking Rocky one is my ship? Too, is my ship?

809
00:49:23,880 --> 00:49:25,560
Speaker 1: Because we're gonna talk about two after this. We need

810
00:49:25,600 --> 00:49:28,520
Speaker 1: to talk about thunder Lips. We need to talk about

811
00:49:29,960 --> 00:49:36,239
Speaker 1: almost we almost forgot thunder Lips, the Greatest man Verse,

812
00:49:36,400 --> 00:49:42,000
Speaker 1: the Greatest meat Ball Yo, thunder Lips. But anyway, so

813
00:49:42,080 --> 00:49:44,040
Speaker 1: I'm not I have to find out if if if

814
00:49:44,040 --> 00:49:48,759
Speaker 1: Burr Young isn't in it no disrespect. Unless we could

815
00:49:48,760 --> 00:49:52,640
Speaker 1: get Michael Jordan and Rocky Stallone on the podcast, then

816
00:49:52,680 --> 00:49:55,160
Speaker 1: I'd go see it. Then I go see Because I'm

817
00:49:55,200 --> 00:49:57,160
Speaker 1: such an advocate for Rocky, I should be able to go.

818
00:49:57,239 --> 00:50:01,399
Speaker 1: I worked with Stallone, Copland, I see, man, I want

819
00:50:01,680 --> 00:50:03,520
Speaker 1: I wonder if he gives two ships about me. It's

820
00:50:03,560 --> 00:50:05,000
Speaker 1: just a guy that worked with him. Do you think

821
00:50:05,000 --> 00:50:09,759
Speaker 1: he knows about the Iron Rapports podcast? Yeah? You think

822
00:50:09,960 --> 00:50:11,839
Speaker 1: I think he does? Or do you think we could

823
00:50:11,840 --> 00:50:13,640
Speaker 1: get him. I'm gonna try to get him now. I'm

824
00:50:13,680 --> 00:50:15,200
Speaker 1: gonna work on it now, so we're not lasting. You

825
00:50:15,200 --> 00:50:17,040
Speaker 1: could get him use in a movie with this motherfucker.

826
00:50:17,440 --> 00:50:20,719
Speaker 1: If I get Michael B. Jordan and Stallone, then I'll

827
00:50:20,760 --> 00:50:23,760
Speaker 1: do it. I'll do He was a Charlie Rose who

828
00:50:23,920 --> 00:50:26,080
Speaker 1: magging you up years ago. We've got some of the

829
00:50:26,160 --> 00:50:33,239
Speaker 1: greatest actors Stallan in he said that ship yeah, yeah, yeah, yeah, yeah,

830
00:50:33,239 --> 00:50:35,440
Speaker 1: all right. I'm gonna try to get him anyway. So

831
00:50:35,560 --> 00:50:38,600
Speaker 1: so that's that, But we will go back into now

832
00:50:39,760 --> 00:50:45,000
Speaker 1: Thunderlips Hulk Hogan. What is your opinion of Hulk Cogan? Yo,

833
00:50:46,280 --> 00:50:52,920
Speaker 1: he said some ship that that's what he thinks. Do

834
00:50:53,000 --> 00:50:55,560
Speaker 1: you think that that's a common thought, Like what do

835
00:50:55,600 --> 00:50:58,560
Speaker 1: you think, Like do you think like you know people

836
00:50:58,600 --> 00:51:01,799
Speaker 1: think this way, Like like I'm asking this is like

837
00:51:01,840 --> 00:51:04,040
Speaker 1: a question I would normally never ask, but like from

838
00:51:04,040 --> 00:51:08,359
Speaker 1: a from a black black man's perspective. When I ask

839
00:51:08,400 --> 00:51:09,480
Speaker 1: you that and you're like, what do you mean a

840
00:51:09,480 --> 00:51:11,719
Speaker 1: black man's perspective, don't don't keep going to ask a

841
00:51:11,800 --> 00:51:14,080
Speaker 1: question your perspective as a black man, which is different

842
00:51:14,080 --> 00:51:16,239
Speaker 1: than my perspective as a white man. Like we can

843
00:51:16,320 --> 00:51:18,520
Speaker 1: acknowledge that, Like it's like we're all the same, all

844
00:51:18,560 --> 00:51:21,440
Speaker 1: the same, but we have different perspectives because the world

845
00:51:21,560 --> 00:51:24,000
Speaker 1: is given to us and it has One of the

846
00:51:24,040 --> 00:51:25,960
Speaker 1: big things is that he's black and I'm white. But

847
00:51:26,000 --> 00:51:27,759
Speaker 1: it also has to do with who I am, who

848
00:51:27,760 --> 00:51:30,960
Speaker 1: he is. You know, he could be good looking, I

849
00:51:30,960 --> 00:51:32,600
Speaker 1: could be there. You know, you you view the world

850
00:51:32,600 --> 00:51:35,480
Speaker 1: through all the he's got parents. But I'm asking you

851
00:51:35,800 --> 00:51:37,960
Speaker 1: as a black man's point of view and what you

852
00:51:38,080 --> 00:51:40,640
Speaker 1: know and everything that you've heard and learned and seen

853
00:51:40,680 --> 00:51:43,160
Speaker 1: and thought and been told in your life. Do you

854
00:51:43,239 --> 00:51:46,040
Speaker 1: think that's a common not that he said the word

855
00:51:46,360 --> 00:51:51,280
Speaker 1: where it was how it was basically saying about his daughter.

856
00:51:52,080 --> 00:51:55,720
Speaker 1: When it gets to the daughter and the integrating nigga.

857
00:51:56,360 --> 00:51:59,760
Speaker 1: See that I could I could tell you the tone

858
00:52:00,280 --> 00:52:04,040
Speaker 1: and how he said it without hearing it. Yeah, it

859
00:52:04,120 --> 00:52:09,799
Speaker 1: was it was like discussed. That's the tone. So that's

860
00:52:09,840 --> 00:52:12,480
Speaker 1: a great point. That's that's a great point about you

861
00:52:12,480 --> 00:52:16,200
Speaker 1: could you could feel the the the anger and the

862
00:52:16,360 --> 00:52:22,200
Speaker 1: hate in just reading it. So that's how most black

863
00:52:22,239 --> 00:52:25,120
Speaker 1: folks feel. Yeah, it's no surprise to us because we

864
00:52:25,200 --> 00:52:28,080
Speaker 1: think you think like that's how you you you think

865
00:52:28,120 --> 00:52:31,799
Speaker 1: that that's how most white folks think about us. So

866
00:52:31,840 --> 00:52:35,919
Speaker 1: it's no surprise to us. But the black people think

867
00:52:36,000 --> 00:52:38,560
Speaker 1: the same way, Like is that a common like that

868
00:52:38,880 --> 00:52:41,400
Speaker 1: we have a reason. But just saying this, just saying

869
00:52:41,400 --> 00:52:42,880
Speaker 1: this in terms of like, yo, I don't want my

870
00:52:42,960 --> 00:52:46,600
Speaker 1: daughter no marry marry no white dude, we don't. For

871
00:52:46,640 --> 00:52:49,279
Speaker 1: the most part, we don't. You would say that we

872
00:52:48,960 --> 00:52:51,640
Speaker 1: were not the ones hung up on that racial right.

873
00:52:52,320 --> 00:52:57,320
Speaker 1: We don't care. It's been forced on us. You're different,

874
00:52:58,600 --> 00:53:00,520
Speaker 1: you know what I'm saying. Like, but so you think

875
00:53:00,560 --> 00:53:03,759
Speaker 1: the chairman to your example, but who came into all

876
00:53:04,000 --> 00:53:08,439
Speaker 1: fucking black neighborhood. Nobody never stepped to you, Nobody never

877
00:53:08,520 --> 00:53:14,080
Speaker 1: call you white? You anything, right and all black. You're

878
00:53:14,120 --> 00:53:17,120
Speaker 1: the only one. We're not caught up on that us

879
00:53:17,719 --> 00:53:23,000
Speaker 1: because that was my experience. That's your home, right. I

880
00:53:23,040 --> 00:53:27,880
Speaker 1: didn't get I didn't get like looks of disgusted. I

881
00:53:27,920 --> 00:53:31,240
Speaker 1: never got looks of And now I'm not Mr fucking avocations.

882
00:53:31,320 --> 00:53:33,600
Speaker 1: We're just talking about our experience, So fuck you because

883
00:53:33,600 --> 00:53:36,200
Speaker 1: this is the iron. But I didn't get looks of discussed,

884
00:53:36,200 --> 00:53:39,200
Speaker 1: like when you were in my neighborhood, which is it's

885
00:53:39,280 --> 00:53:42,719
Speaker 1: all white, predominantly, it's white. The black people didn't live

886
00:53:42,760 --> 00:53:46,000
Speaker 1: over here. There's they worked there in my building, and

887
00:53:46,040 --> 00:53:48,600
Speaker 1: you could like my father's building, my mother where I

888
00:53:48,640 --> 00:53:53,920
Speaker 1: grew up, working middle class, some upper some working middle class,

889
00:53:53,960 --> 00:54:00,520
Speaker 1: this neighborhood in general. In the elevator, what did you feel, yo?

890
00:54:00,640 --> 00:54:07,279
Speaker 1: It was for me, it was unsettling as a kid. Yeah,

891
00:54:07,480 --> 00:54:10,240
Speaker 1: you felt that when you came over to Yeah, because

892
00:54:10,719 --> 00:54:13,360
Speaker 1: because me and G. Moody been hanging out since nineteen

893
00:54:13,480 --> 00:54:17,719
Speaker 1: eighty two eighty three. Because I come from ship in

894
00:54:17,760 --> 00:54:22,600
Speaker 1: my household where my mother experienced that ship in South Carolina,

895
00:54:22,960 --> 00:54:26,280
Speaker 1: like experienced the racism, and she never or my father

896
00:54:26,840 --> 00:54:33,360
Speaker 1: never uh differentiated, never spoke an ill word of white folks.

897
00:54:33,600 --> 00:54:36,640
Speaker 1: So for me going to your fucking building, right and

898
00:54:36,640 --> 00:54:39,759
Speaker 1: to see like something to look sometimes would make me

899
00:54:39,960 --> 00:54:42,960
Speaker 1: unsettled because I had no I'm coming to see my man,

900
00:54:43,360 --> 00:54:45,520
Speaker 1: like we come to cheer young you're so young, Like

901
00:54:45,560 --> 00:54:48,200
Speaker 1: when you're that young, like yo, it makes you self.

902
00:54:48,560 --> 00:54:52,160
Speaker 1: I would see it too. I listen, but we're going

903
00:54:52,200 --> 00:54:55,319
Speaker 1: off the subject. We were in a good topic, but

904
00:54:55,480 --> 00:54:58,040
Speaker 1: thundering because we were talking on what he said. That's

905
00:54:58,080 --> 00:55:00,440
Speaker 1: what I'm saying. We're on the subject now. They say

906
00:55:00,480 --> 00:55:04,160
Speaker 1: the elephant in the room, the black dick in the room,

907
00:55:04,360 --> 00:55:09,239
Speaker 1: this is a fear. This isn't this is this is

908
00:55:09,320 --> 00:55:11,080
Speaker 1: this is, this is what it has to be. I

909
00:55:11,480 --> 00:55:15,319
Speaker 1: think like, like you know, no, I hate you know,

910
00:55:15,800 --> 00:55:18,879
Speaker 1: it's like it doesn't get spoken about. Can you say

911
00:55:18,880 --> 00:55:21,319
Speaker 1: the elephant in the room. You know? This is? This

912
00:55:21,400 --> 00:55:26,759
Speaker 1: is has to be. It's it's it all comes from

913
00:55:26,880 --> 00:55:30,480
Speaker 1: like a fear, right, and this is where the fear

914
00:55:30,560 --> 00:55:35,200
Speaker 1: comes from. Here it is you have to think that

915
00:55:35,400 --> 00:55:38,839
Speaker 1: fucking white dude, we're going back to the sev Dred

916
00:55:39,800 --> 00:55:44,560
Speaker 1: got a hundred slaves out there. He's outnumbered, you know

917
00:55:44,600 --> 00:55:47,239
Speaker 1: what I'm saying, Like he got the he owes the

918
00:55:47,320 --> 00:55:50,680
Speaker 1: land and he's got these people planting and it's there's

919
00:55:50,800 --> 00:55:54,879
Speaker 1: fifty black man, like he's outnumbered. Most of the time

920
00:55:54,920 --> 00:55:58,240
Speaker 1: they were outnumbered in the South. That's where that fear

921
00:55:58,320 --> 00:56:01,120
Speaker 1: comes from. Like if these motherfuckers get together, they can

922
00:56:01,200 --> 00:56:05,000
Speaker 1: take over ship, you know what I'm saying. And that's

923
00:56:05,040 --> 00:56:08,520
Speaker 1: where that initial fear comes from. And that's where the

924
00:56:08,560 --> 00:56:11,880
Speaker 1: cops come from. So when the black people are they

925
00:56:11,880 --> 00:56:14,640
Speaker 1: wouldn't let them get together because they think they're trying

926
00:56:14,680 --> 00:56:18,120
Speaker 1: to burn the plantation down. So if you see it today,

927
00:56:18,280 --> 00:56:21,520
Speaker 1: black people can't be on the corner together. They'll come,

928
00:56:21,560 --> 00:56:23,799
Speaker 1: what are you doing? It's it's it's all. You gotta

929
00:56:23,840 --> 00:56:26,400
Speaker 1: go back to the beginning, the founding of the United States.

930
00:56:26,440 --> 00:56:29,000
Speaker 1: That's a great point. You have to go back what

931
00:56:29,160 --> 00:56:31,880
Speaker 1: you seeing now, you have to go back to the

932
00:56:31,880 --> 00:56:34,840
Speaker 1: founding of the United States. It's a good point. G

933
00:56:35,040 --> 00:56:41,799
Speaker 1: Moody Signor podcast. The I Am Rappaport podcast is sponsored

934
00:56:41,800 --> 00:56:47,040
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939
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940
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941
00:57:05,320 --> 00:57:09,120
Speaker 1: bed after a hundred nights, you can return the mattress

942
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943
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Speaker 1: be delivered between two to five days anywhere in the

944
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Speaker 1: United States and Canada, same day delivery in New York City.

945
00:57:20,840 --> 00:57:23,640
Speaker 1: We do not plug, We do not support, We do

946
00:57:23,720 --> 00:57:26,720
Speaker 1: not take sponsorship from anything. We have not tried, and

947
00:57:26,760 --> 00:57:38,080
Speaker 1: we are not passionate about four hundred. Gee Moody, so uh,

948
00:57:38,160 --> 00:57:42,800
Speaker 1: as you know, I was on his in Hers with

949
00:57:42,920 --> 00:57:54,600
Speaker 1: Jamal Hill, the beautiful, lovely, very supportive, cool, nurturing hosts

950
00:57:55,200 --> 00:58:00,640
Speaker 1: of her Michael Smith co host. She was, she was.

951
00:58:00,680 --> 00:58:02,280
Speaker 1: It should have been called Hers and His when I

952
00:58:02,320 --> 00:58:04,480
Speaker 1: was there because she was leading away. But one of

953
00:58:04,520 --> 00:58:09,040
Speaker 1: the topics that we talked about was Larry Bird was

954
00:58:09,160 --> 00:58:16,080
Speaker 1: asked if he played Michael Jordan's now, what would happen?

955
00:58:16,120 --> 00:58:18,080
Speaker 1: And he said, Larry Bird. He said Michael Jordan would

956
00:58:18,200 --> 00:58:20,480
Speaker 1: kill him. And he said he hated admitting it, and

957
00:58:20,520 --> 00:58:22,320
Speaker 1: he said that but in his prime, he said he

958
00:58:22,360 --> 00:58:23,880
Speaker 1: didn't know if he beat him, but the games would

959
00:58:23,880 --> 00:58:25,760
Speaker 1: be good. And you know it's a little a little

960
00:58:25,800 --> 00:58:28,600
Speaker 1: little back and forth, you know. But Larry the hick

961
00:58:28,680 --> 00:58:31,560
Speaker 1: from French Lick said, he conceded. He said, I'm done,

962
00:58:31,960 --> 00:58:34,120
Speaker 1: like my body's done, my desire is done. And he

963
00:58:34,160 --> 00:58:36,840
Speaker 1: seems like he you know, he beat him. So I

964
00:58:36,880 --> 00:58:39,840
Speaker 1: wanted to ask you, what do you think about that

965
00:58:39,880 --> 00:58:42,880
Speaker 1: matchup if they played one on one? Imagine if Michael

966
00:58:42,960 --> 00:58:45,240
Speaker 1: Jordan Larry Bird played one on one for a million

967
00:58:45,280 --> 00:58:50,280
Speaker 1: dollars to fifteen two out of three, who do you

968
00:58:50,320 --> 00:58:55,520
Speaker 1: think would win? And one on one two out of

969
00:58:55,600 --> 00:59:01,080
Speaker 1: three for a million bucks? You think Jordan's in their prime?

970
00:59:02,160 --> 00:59:04,439
Speaker 1: MJ was, MJ was a motherfucker man. I mean, it's

971
00:59:04,440 --> 00:59:08,120
Speaker 1: like the athleticism is just too much. I said, I

972
00:59:08,160 --> 00:59:09,880
Speaker 1: can't argue with that. I said that I thought that

973
00:59:10,160 --> 00:59:13,000
Speaker 1: because they're so great and like I was, I was given.

974
00:59:13,280 --> 00:59:15,800
Speaker 1: I was like when you see pros play as as

975
00:59:16,280 --> 00:59:18,760
Speaker 1: you've seen, like forget in the game, like just shooting

976
00:59:18,760 --> 00:59:22,360
Speaker 1: around like literally like Larry Bird could literally beat Michael

977
00:59:22,400 --> 00:59:25,720
Speaker 1: Jordan's ten times in a row without him getting the ball,

978
00:59:25,800 --> 00:59:28,240
Speaker 1: and then Jordan could come back and beat him fifteen

979
00:59:28,240 --> 00:59:31,240
Speaker 1: times in a row that they're that they're that great,

980
00:59:31,240 --> 00:59:35,080
Speaker 1: where like professional basketball players at that level, like when

981
00:59:35,120 --> 00:59:41,160
Speaker 1: I shoot, it's like chance that it goes in. But

982
00:59:41,280 --> 00:59:45,000
Speaker 1: Michael Jordan's shoots in a one on one game where

983
00:59:45,000 --> 00:59:48,400
Speaker 1: there's like there's you know, it's one person on him,

984
00:59:48,440 --> 00:59:50,880
Speaker 1: he can literally make fifty in a row. So he

985
00:59:50,920 --> 00:59:53,240
Speaker 1: could win five games in a row like Larry Bird can.

986
00:59:53,360 --> 00:59:55,240
Speaker 1: He can do like if he misses fifty, he could

987
00:59:55,240 --> 00:59:58,160
Speaker 1: get the rebound. And like, because we're telling this because

988
00:59:58,520 --> 01:00:01,280
Speaker 1: when when Gerald and I, I'm gonna bring this up.

989
01:00:01,680 --> 01:00:06,160
Speaker 1: We're in high school. We played basketball intimately, meaning we

990
01:00:06,200 --> 01:00:08,640
Speaker 1: played like not just on like full courts. We played

991
01:00:08,640 --> 01:00:11,440
Speaker 1: like two on ones. We played Utah, we played twenty one.

992
01:00:11,440 --> 01:00:13,240
Speaker 1: I played one on one. Gerald played one on one

993
01:00:13,440 --> 01:00:16,000
Speaker 1: with a great high school and college player. He had

994
01:00:16,720 --> 01:00:19,720
Speaker 1: not a good pro career. But Sean Higgins who played

995
01:00:19,720 --> 01:00:23,560
Speaker 1: that Michigan. We would see him when he was sixteen.

996
01:00:24,480 --> 01:00:29,880
Speaker 1: That motherfucker didn't miss literally in a row from three. Yeah.

997
01:00:29,920 --> 01:00:34,120
Speaker 1: I have never been around, uh that type of talent.

998
01:00:34,320 --> 01:00:37,360
Speaker 1: Never saw it. And I remember I told you this

999
01:00:37,400 --> 01:00:41,120
Speaker 1: is some other ship. So that's Sean Higgins. We saw

1000
01:00:41,200 --> 01:00:43,440
Speaker 1: him do that where he wouldn't miss twenty shots in

1001
01:00:43,480 --> 01:00:45,560
Speaker 1: a row. So if he could make twenty shots in

1002
01:00:45,560 --> 01:00:47,120
Speaker 1: a row, what do you think Michael Jordan could do?

1003
01:00:47,280 --> 01:00:49,720
Speaker 1: So when I say he could literally win fifteen in

1004
01:00:49,720 --> 01:00:51,680
Speaker 1: a row, he could win fifteen a row. And I'm

1005
01:00:51,680 --> 01:00:53,840
Speaker 1: talking about where Bird won't even get the fucking ball.

1006
01:00:54,000 --> 01:00:56,520
Speaker 1: But Bird can do that too. And also like other

1007
01:00:56,640 --> 01:00:59,080
Speaker 1: NBA players like Steve Kirk could do that Ship too.

1008
01:00:59,840 --> 01:01:03,040
Speaker 1: I have to recall it's whoever get the ball first

1009
01:01:03,560 --> 01:01:06,720
Speaker 1: and whoever's hot that day. They're not hot, right, They're

1010
01:01:06,720 --> 01:01:08,840
Speaker 1: not hot. They're not hot. But I'm talking about literally

1011
01:01:08,880 --> 01:01:11,240
Speaker 1: like where like he could shut him out, like Jordan

1012
01:01:11,280 --> 01:01:14,080
Speaker 1: could shut out Larry Birdie. It depends on who gets

1013
01:01:14,120 --> 01:01:17,520
Speaker 1: the ball. Because Larry bird he gets it, he won't miss, right,

1014
01:01:17,600 --> 01:01:20,760
Speaker 1: he won't miss any six nine. And Jordan's gets it

1015
01:01:20,960 --> 01:01:22,840
Speaker 1: he won't miss either. He won't miss He's gonna go

1016
01:01:22,880 --> 01:01:27,360
Speaker 1: to the baskets. You understand professional basketball. And that was

1017
01:01:27,400 --> 01:01:30,320
Speaker 1: the That was an eventual answer that I said a

1018
01:01:30,360 --> 01:01:33,600
Speaker 1: lot of people probably don't agree. Probably people just think

1019
01:01:33,680 --> 01:01:35,600
Speaker 1: Jordan's but you don't know ship because you don't know

1020
01:01:36,040 --> 01:01:37,800
Speaker 1: no ball and you don't know you've never been around,

1021
01:01:37,880 --> 01:01:40,640
Speaker 1: never seen what do you know? We played in the

1022
01:01:40,680 --> 01:01:43,960
Speaker 1: park with professionals, and what are you talking about? Were

1023
01:01:44,200 --> 01:01:49,400
Speaker 1: we worked out? We played pickup games World Scott Skytle's World,

1024
01:01:49,400 --> 01:01:53,280
Speaker 1: be free Yearly. You've never seen guys like this play

1025
01:01:53,360 --> 01:01:56,920
Speaker 1: up close and personal like that, then shut your mouth exactly.

1026
01:01:57,280 --> 01:02:00,080
Speaker 1: And if you have, you understand that Brian Scalabrine, he

1027
01:02:00,120 --> 01:02:02,120
Speaker 1: can make fifty shots in a row in a row.

1028
01:02:03,120 --> 01:02:06,600
Speaker 1: Do you understand that? Can you? Now you can't make ship,

1029
01:02:06,720 --> 01:02:10,200
Speaker 1: You can't make fucking two? You fuck you may make one,

1030
01:02:10,760 --> 01:02:13,840
Speaker 1: you don't know and and so so then I was

1031
01:02:13,920 --> 01:02:17,800
Speaker 1: I started talking about Michael Jordan's wardrobe because he dresses

1032
01:02:17,880 --> 01:02:22,720
Speaker 1: like shit and and and Michael Jordan's but but but

1033
01:02:22,720 --> 01:02:24,880
Speaker 1: but at this point somebody should pull his coat and

1034
01:02:24,920 --> 01:02:28,680
Speaker 1: be like, just maybe a mod should be like, yo,

1035
01:02:28,760 --> 01:02:32,240
Speaker 1: my man, listen those jeans that you're wearing. The legs

1036
01:02:32,960 --> 01:02:36,880
Speaker 1: are four sizes too big. Duke and Michael be like,

1037
01:02:36,920 --> 01:02:38,440
Speaker 1: what do you mean? Be like, look, it looks like

1038
01:02:38,480 --> 01:02:42,040
Speaker 1: you have on fucking snow pants. And and also check

1039
01:02:42,120 --> 01:02:47,120
Speaker 1: this out, Michael Jordan's nobody's wearing acid wash anymore. Don't

1040
01:02:47,200 --> 01:02:51,520
Speaker 1: wear acid wash anything, And don't wear any jeans with

1041
01:02:51,600 --> 01:02:55,320
Speaker 1: any rips in them. You look crazy? Yeah, what you

1042
01:02:55,360 --> 01:02:59,760
Speaker 1: want some new kids on the block that see and

1043
01:02:59,760 --> 01:03:04,040
Speaker 1: and and what suits great? The Charlie Chaplin Hitler mustache?

1044
01:03:04,800 --> 01:03:07,520
Speaker 1: Are you what the funk that? I don't think he

1045
01:03:07,600 --> 01:03:09,880
Speaker 1: still does that, but but he did it. I don't

1046
01:03:09,880 --> 01:03:12,080
Speaker 1: even think he knew that it was doing anything like

1047
01:03:12,400 --> 01:03:14,960
Speaker 1: not forget that it references Charlie Chaplin, and forget that

1048
01:03:15,000 --> 01:03:19,520
Speaker 1: it references Hitler, and forget all that. It looks stupid

1049
01:03:20,480 --> 01:03:23,960
Speaker 1: no matter what, unless you are Charlie Chaplin. Hitler looked

1050
01:03:24,000 --> 01:03:27,240
Speaker 1: like a fucking asshole with that mustache. You look dumb.

1051
01:03:27,680 --> 01:03:30,200
Speaker 1: Charlie Chaplin is a comedian, so he had the mustache.

1052
01:03:30,360 --> 01:03:32,800
Speaker 1: Hitler was a fuck so he had the mustache. And

1053
01:03:32,840 --> 01:03:34,520
Speaker 1: the only other person I could think of, off the

1054
01:03:34,520 --> 01:03:37,400
Speaker 1: top of my head that is consistently rocked the mustaches.

1055
01:03:37,480 --> 01:03:45,919
Speaker 1: Who Michael Jordan's. You need a fucking makeover. Just get

1056
01:03:45,960 --> 01:03:52,520
Speaker 1: yourself some dark jeans, some long sleeve shirts, Lacos shirts,

1057
01:03:52,520 --> 01:03:56,320
Speaker 1: the more simple. How to dress this motherfuck is bad

1058
01:03:56,520 --> 01:03:59,400
Speaker 1: in the press conference right, somebody must have been dressing him.

1059
01:03:59,520 --> 01:04:01,840
Speaker 1: He's one of the first people, first athletes of the

1060
01:04:01,880 --> 01:04:05,920
Speaker 1: modern era to come out in the custom suits, so

1061
01:04:06,040 --> 01:04:08,800
Speaker 1: we know you're have it in you like the president,

1062
01:04:10,360 --> 01:04:13,720
Speaker 1: but now you look like shit. I've seen him with

1063
01:04:13,800 --> 01:04:16,640
Speaker 1: some like a custom made leather blazer, look like it

1064
01:04:16,720 --> 01:04:20,520
Speaker 1: was forty six pounds. That's that country ship, custom made

1065
01:04:20,600 --> 01:04:24,200
Speaker 1: leather like it looks so heavy on country sensibilities. You

1066
01:04:24,240 --> 01:04:27,640
Speaker 1: look like shit. And the Bendy hats, the Nike hats

1067
01:04:27,640 --> 01:04:30,480
Speaker 1: in the air, Jordan's hats, and you born in and

1068
01:04:30,520 --> 01:04:34,240
Speaker 1: the weird cut suits and the weird cut shirts. Stop

1069
01:04:34,680 --> 01:04:40,440
Speaker 1: tail lords, man, stop cut it out, Cut it out, yo,

1070
01:04:40,600 --> 01:04:43,600
Speaker 1: listen to me. Get yourself. You could call any designer,

1071
01:04:43,640 --> 01:04:47,160
Speaker 1: they would make you customates. Get yourself about fifty different

1072
01:04:47,200 --> 01:04:50,240
Speaker 1: custom suits, all in dark colors. And you're talking to

1073
01:04:50,320 --> 01:04:52,840
Speaker 1: a guy that is color blind. And I'm saying I

1074
01:04:52,880 --> 01:04:55,120
Speaker 1: have better style than you. I have the worst fashion.

1075
01:04:55,240 --> 01:04:57,880
Speaker 1: When I have to dress up in anything more than

1076
01:04:57,960 --> 01:04:59,800
Speaker 1: jeans and a T shirt, I have to I have

1077
01:04:59,840 --> 01:05:03,520
Speaker 1: to ask somebody does this match? So I'm not Mr. Fashion,

1078
01:05:04,120 --> 01:05:06,439
Speaker 1: but even not even I know what would fucking would

1079
01:05:06,480 --> 01:05:10,560
Speaker 1: work for you. Jordan's because you're embarrassing yourself. You're embarrassing

1080
01:05:10,560 --> 01:05:15,120
Speaker 1: your legacy. You look crazy, duke. You look like shit

1081
01:05:15,720 --> 01:05:20,240
Speaker 1: duke yo, yo, yo yo, My man needs to fix

1082
01:05:20,280 --> 01:05:24,600
Speaker 1: his whole get up. Yo. We everyone knows that Rapp report,

1083
01:05:25,040 --> 01:05:28,440
Speaker 1: But I want to talk about some all Hollywood ship brother.

1084
01:05:29,080 --> 01:05:32,200
Speaker 1: When you I see you studying your lines, right, I

1085
01:05:32,240 --> 01:05:36,360
Speaker 1: see you have those folders and ship right, Yeah, where

1086
01:05:36,440 --> 01:05:39,200
Speaker 1: is this gonna go? I just want to know, like

1087
01:05:39,560 --> 01:05:44,880
Speaker 1: I would need total silence. I see you studying the

1088
01:05:45,000 --> 01:05:50,120
Speaker 1: lines while I'm here fucking talking on the phone. So

1089
01:05:50,240 --> 01:05:55,360
Speaker 1: I'm saying, like, my question is, does it matter? Good

1090
01:05:55,440 --> 01:05:59,080
Speaker 1: question when you see me studying the lines when you're

1091
01:05:59,080 --> 01:06:01,640
Speaker 1: talking on the phone or watching the games. I've already

1092
01:06:01,640 --> 01:06:04,960
Speaker 1: studied them in quiet. So if I ever study the

1093
01:06:05,000 --> 01:06:07,200
Speaker 1: lines when I'm just like, I'll keep it around me

1094
01:06:07,240 --> 01:06:10,480
Speaker 1: like a safety blankets. Already know the lines, like I like.

1095
01:06:10,880 --> 01:06:13,120
Speaker 1: So if I'm sitting here with a script and we're

1096
01:06:13,160 --> 01:06:15,720
Speaker 1: talking this podcasting, and then afterwards we turn on the TV,

1097
01:06:15,800 --> 01:06:18,240
Speaker 1: and I like, go over some lines for public morals.

1098
01:06:18,280 --> 01:06:24,920
Speaker 1: My show, which airs on T and T August, created

1099
01:06:24,920 --> 01:06:28,720
Speaker 1: by Ed Burns, starring Ed Burns, directed by Ed Burns,

1100
01:06:28,880 --> 01:06:36,600
Speaker 1: Bad Motherfucker, produced executive produced by Steven Spielberg, who Great

1101
01:06:36,680 --> 01:06:39,320
Speaker 1: Cast takes place in the nineteen sixties in New York

1102
01:06:39,400 --> 01:06:46,040
Speaker 1: City cop drama, Sexy, Tough, good ship, proud to tell

1103
01:06:46,040 --> 01:06:49,840
Speaker 1: you about the show. Okay, So if you saw me

1104
01:06:50,120 --> 01:06:54,120
Speaker 1: studying the lines in between podcast and there was TV on,

1105
01:06:54,320 --> 01:06:56,960
Speaker 1: or maybe some ghost facing some rat Kuan shin on

1106
01:06:57,160 --> 01:07:00,440
Speaker 1: or some Bobby Wamack or some Curtis Mayfielding already know

1107
01:07:00,480 --> 01:07:03,760
Speaker 1: the lines. You already already know him. I'm just going

1108
01:07:03,800 --> 01:07:08,880
Speaker 1: over them or I I also would be studying them

1109
01:07:08,920 --> 01:07:14,400
Speaker 1: again later on and quiet by myself. Now, how the

1110
01:07:15,760 --> 01:07:19,120
Speaker 1: learning the lines thing is an overrated thing, except for

1111
01:07:19,160 --> 01:07:21,360
Speaker 1: if you're doing a play, then you gotta learn the

1112
01:07:21,360 --> 01:07:23,560
Speaker 1: whole ship. Because when you're learning lines, you shoot scene

1113
01:07:23,600 --> 01:07:25,440
Speaker 1: my scene play, you need to do the whole thing.

1114
01:07:25,440 --> 01:07:28,640
Speaker 1: Then you literally literally need to learn all the lines.

1115
01:07:28,960 --> 01:07:32,000
Speaker 1: Oh wow, so it's just a scene that you have

1116
01:07:32,080 --> 01:07:33,880
Speaker 1: to know. Yeah, it could be a hard scene. It

1117
01:07:33,880 --> 01:07:35,240
Speaker 1: could be a bunch of scenes. It could be a

1118
01:07:35,240 --> 01:07:37,160
Speaker 1: long scene. It could be a very It could have

1119
01:07:37,200 --> 01:07:39,880
Speaker 1: a lot of dialogue. It could have dialogue that um

1120
01:07:40,440 --> 01:07:43,720
Speaker 1: is wordy. You could be doing something that you know

1121
01:07:43,760 --> 01:07:46,439
Speaker 1: where the project calls for you to know a word

1122
01:07:46,480 --> 01:07:48,520
Speaker 1: for word. There could be you could be doing a

1123
01:07:48,520 --> 01:07:51,200
Speaker 1: project where you could just totally you know, riff on things.

1124
01:07:51,280 --> 01:07:53,400
Speaker 1: So it varies, but at the end of the day,

1125
01:07:53,560 --> 01:07:57,200
Speaker 1: to answer the question, I will spend time alone going

1126
01:07:57,200 --> 01:08:00,360
Speaker 1: over the actual line. But the one time, a couple

1127
01:08:00,360 --> 01:08:02,480
Speaker 1: of times that I've done play readings and the one

1128
01:08:02,480 --> 01:08:05,240
Speaker 1: time I did an actual play I performed it, I

1129
01:08:05,280 --> 01:08:08,280
Speaker 1: had to actually learn my lines, like spend time like

1130
01:08:08,320 --> 01:08:10,400
Speaker 1: I'm just just gonna learn the lines forget the acting

1131
01:08:10,480 --> 01:08:13,600
Speaker 1: or the character or or the other bullshit. Now, how

1132
01:08:14,200 --> 01:08:19,960
Speaker 1: do you cry to get the tear to roll down

1133
01:08:20,640 --> 01:08:24,200
Speaker 1: at the time that ship some hard ship? How do

1134
01:08:24,240 --> 01:08:25,800
Speaker 1: you do that when you I've never had to do

1135
01:08:25,840 --> 01:08:29,639
Speaker 1: a scene where the tear the tear like the tear

1136
01:08:29,760 --> 01:08:32,479
Speaker 1: like the most iconic probably version of it is Denzel

1137
01:08:32,560 --> 01:08:37,360
Speaker 1: and Glory absolutely when he's being uh whipped and he's

1138
01:08:37,439 --> 01:08:41,080
Speaker 1: looking at Matthew Broderick in the face and then it's

1139
01:08:41,200 --> 01:08:43,840
Speaker 1: it's a scene that definitely got him the oscar um.

1140
01:08:44,240 --> 01:08:48,439
Speaker 1: You can't plan that ship, you know, Like, I don't

1141
01:08:48,439 --> 01:08:51,200
Speaker 1: know how he did it. That's just like and but

1142
01:08:51,200 --> 01:08:54,280
Speaker 1: but apparently it was. What would you think about to

1143
01:08:54,360 --> 01:08:57,720
Speaker 1: get that tear to come? Well? Okay in another part

1144
01:08:57,760 --> 01:09:01,320
Speaker 1: when I I don't know, I would it depends. It

1145
01:09:01,400 --> 01:09:04,000
Speaker 1: might not even be something terrible. It could be this,

1146
01:09:04,400 --> 01:09:06,000
Speaker 1: you know, like it could be just you know, it

1147
01:09:06,040 --> 01:09:08,880
Speaker 1: doesn't have to be terrible. It could be terrible. It

1148
01:09:08,880 --> 01:09:12,439
Speaker 1: could be spiritual, spiritual because like I've heard Denzel, like

1149
01:09:12,760 --> 01:09:14,280
Speaker 1: I was at a thing and I watched him talk

1150
01:09:14,320 --> 01:09:16,960
Speaker 1: about that, and he just talked about like for him,

1151
01:09:17,000 --> 01:09:19,360
Speaker 1: getting that tear was just a spiritual thing, like he

1152
01:09:19,400 --> 01:09:22,280
Speaker 1: was like I was chanting, I'm just quoting him. This

1153
01:09:22,320 --> 01:09:26,920
Speaker 1: is a guy who, uh I revere so Denzel, I'm

1154
01:09:26,960 --> 01:09:29,280
Speaker 1: just what I remember him saying that because I have

1155
01:09:29,360 --> 01:09:34,240
Speaker 1: so much respect we know from York him Rapp Poor

1156
01:09:34,320 --> 01:09:39,760
Speaker 1: podcast we were we we we we so. But he

1157
01:09:39,800 --> 01:09:43,360
Speaker 1: talked about feeling the spirits and going into it was

1158
01:09:43,400 --> 01:09:45,240
Speaker 1: like a spiritual thing. Like it was like he wasn't

1159
01:09:45,240 --> 01:09:47,800
Speaker 1: doing it just for himself. He was like articulating the

1160
01:09:47,880 --> 01:09:51,439
Speaker 1: voices of the real people that have went through that,

1161
01:09:51,560 --> 01:09:54,679
Speaker 1: through that tear. That's what he said. And I get

1162
01:09:54,720 --> 01:09:56,880
Speaker 1: that makes sense, And you feel the way to bits

1163
01:09:56,920 --> 01:09:58,800
Speaker 1: like almost like you almost don't even have to have

1164
01:09:58,880 --> 01:10:01,439
Speaker 1: to act. You channel and you're like that's some heavy ship.

1165
01:10:01,520 --> 01:10:03,439
Speaker 1: But for that movie, that kind of performance, you're going

1166
01:10:03,520 --> 01:10:06,160
Speaker 1: that deep, so I've never had to do anything where

1167
01:10:06,320 --> 01:10:08,959
Speaker 1: it like I had a friend who's in Public Morals,

1168
01:10:09,000 --> 01:10:12,960
Speaker 1: Austin who's in the new Steven Spielberg movie where he

1169
01:10:13,000 --> 01:10:17,639
Speaker 1: apparently uh has to cry on que with the camera,

1170
01:10:17,960 --> 01:10:21,200
Speaker 1: and like I was asking him about that. He when

1171
01:10:21,200 --> 01:10:24,280
Speaker 1: I do in All Public Morals which airs August, when

1172
01:10:24,320 --> 01:10:27,960
Speaker 1: T and t Um a new show, Um, you'll see him.

1173
01:10:28,040 --> 01:10:30,400
Speaker 1: He's a really good young actor. But he's in this

1174
01:10:30,439 --> 01:10:32,439
Speaker 1: new film with Tom Hanks, and he talked about that.

1175
01:10:32,479 --> 01:10:35,400
Speaker 1: So basically, I've never had to do that. But you know,

1176
01:10:35,680 --> 01:10:37,679
Speaker 1: like I've never had to cry, like tear like where

1177
01:10:37,680 --> 01:10:40,360
Speaker 1: you actually because some things it calls for an actual tear,

1178
01:10:40,840 --> 01:10:42,840
Speaker 1: like it'll be like we want one tear job. I've

1179
01:10:42,840 --> 01:10:44,320
Speaker 1: never had to do that. I've had to cry, and

1180
01:10:44,360 --> 01:10:48,160
Speaker 1: like they're sort of bigger emotional outbursts, and I've never actually,

1181
01:10:48,160 --> 01:10:49,880
Speaker 1: I don't think I've ever actually done something where it

1182
01:10:49,920 --> 01:10:51,800
Speaker 1: said it had to cry. It could just be like

1183
01:10:51,840 --> 01:10:54,800
Speaker 1: emotional but or they say crying, and you know that

1184
01:10:54,840 --> 01:10:56,880
Speaker 1: could be interpreted. Like the only thing that comes in

1185
01:10:56,960 --> 01:10:59,720
Speaker 1: mind when I was thinking about the crying ship was

1186
01:10:59,800 --> 01:11:02,719
Speaker 1: high are learning and for me, like I don't remember

1187
01:11:02,760 --> 01:11:04,240
Speaker 1: what I was thinking that that. I'm thinking like, you're

1188
01:11:04,280 --> 01:11:06,479
Speaker 1: doing it so many times, you're trying over and over,

1189
01:11:06,520 --> 01:11:09,759
Speaker 1: so at some point you're just like just anything like please,

1190
01:11:09,800 --> 01:11:11,559
Speaker 1: like you're you're crying out of fear of not being

1191
01:11:11,600 --> 01:11:15,720
Speaker 1: able to cry. On another level, have you ever got

1192
01:11:15,800 --> 01:11:19,600
Speaker 1: but asked with an actress and did you feel like?

1193
01:11:21,120 --> 01:11:23,599
Speaker 1: I'm sorry, I believe you've asked me this question before

1194
01:11:24,000 --> 01:11:27,439
Speaker 1: about getting what did you call it? But when you

1195
01:11:27,479 --> 01:11:29,719
Speaker 1: had to kiss her and do all kind of ship

1196
01:11:29,840 --> 01:11:32,400
Speaker 1: with with fifty people watching? Have you ever been in

1197
01:11:32,439 --> 01:11:36,600
Speaker 1: a situation like that? Um, I've had to do that

1198
01:11:36,680 --> 01:11:39,320
Speaker 1: a couple of times. Yes, how did you like it?

1199
01:11:39,920 --> 01:11:44,360
Speaker 1: I didn't like it? It's not sexual. You're in there,

1200
01:11:44,400 --> 01:11:48,960
Speaker 1: but ass and there's grips everybody in this fucking lighting

1201
01:11:49,000 --> 01:11:51,479
Speaker 1: guys and you at the beginning you'll be like it's shorts,

1202
01:11:51,760 --> 01:11:53,439
Speaker 1: like it's cool, like and then they'll be like clear

1203
01:11:53,479 --> 01:11:55,120
Speaker 1: the set as if it matters, but they were all

1204
01:11:55,160 --> 01:11:57,960
Speaker 1: just that's acting. Right. Then you have to damn, that's

1205
01:11:57,960 --> 01:12:00,280
Speaker 1: some ship. You just have to like concentrate and just

1206
01:12:00,680 --> 01:12:03,000
Speaker 1: hopefully be with someone that you trust and the trust

1207
01:12:03,040 --> 01:12:05,639
Speaker 1: you and that you just be comfortable and relax and

1208
01:12:06,080 --> 01:12:09,360
Speaker 1: just just do. That's that's some hard ship because I'll

1209
01:12:09,400 --> 01:12:12,919
Speaker 1: be me if you had to do a scene but ass,

1210
01:12:14,240 --> 01:12:16,200
Speaker 1: I love it because I won't try to hit this ship.

1211
01:12:16,280 --> 01:12:19,640
Speaker 1: We're gonna make it authentic. Okay. See that's why you're like,

1212
01:12:19,680 --> 01:12:24,559
Speaker 1: you're so like your answer is so far from the

1213
01:12:24,680 --> 01:12:28,360
Speaker 1: right answer. Well what's the reasonable answer? Like you're you're

1214
01:12:28,400 --> 01:12:31,360
Speaker 1: not thinking you're gonna you're gonna try to hit the actress? Yeah,

1215
01:12:31,479 --> 01:12:36,160
Speaker 1: film this ship? Like film what me getting it in? Okay? See,

1216
01:12:36,680 --> 01:12:40,920
Speaker 1: I can't a credible interview. It's not a credible interview,

1217
01:12:41,000 --> 01:12:46,160
Speaker 1: is it? But you've gone rogue on a serious note,

1218
01:12:46,439 --> 01:12:49,720
Speaker 1: how do you gear up for that? For going but

1219
01:12:49,880 --> 01:12:54,200
Speaker 1: ass or crying but ass? Why? I say you just

1220
01:12:54,320 --> 01:12:56,559
Speaker 1: you just gotta do it, Like I've never had to

1221
01:12:56,600 --> 01:12:58,320
Speaker 1: do like where your butt ass in a scene Like

1222
01:12:58,360 --> 01:13:00,439
Speaker 1: I had to do a scene where I was under

1223
01:13:00,439 --> 01:13:03,639
Speaker 1: the blankets, but asks you can kind of see the ass,

1224
01:13:03,720 --> 01:13:05,360
Speaker 1: you know. And then I've never had to walk through

1225
01:13:05,439 --> 01:13:08,120
Speaker 1: dick out. I've never had to do a lot of

1226
01:13:08,120 --> 01:13:11,120
Speaker 1: ship though they fronting you, I've never I've never had

1227
01:13:11,160 --> 01:13:12,720
Speaker 1: to do what do you what do you mean that's

1228
01:13:12,720 --> 01:13:17,960
Speaker 1: fly ship? You walk through dick out? Yeah, come through

1229
01:13:18,000 --> 01:13:20,400
Speaker 1: a movie that's playing all around the world. I'm walking

1230
01:13:20,400 --> 01:13:24,200
Speaker 1: through with my ship just just swinging. That's sucking dope

1231
01:13:24,280 --> 01:13:27,760
Speaker 1: your loaf. Yeah, that's actually the way when you think

1232
01:13:27,760 --> 01:13:29,439
Speaker 1: of it like that, Yo, yo, look at me up here,

1233
01:13:29,479 --> 01:13:31,200
Speaker 1: look at me. I'm around the world. They put this

1234
01:13:31,280 --> 01:13:35,559
Speaker 1: ship out here. I like that if you're with your

1235
01:13:35,360 --> 01:13:38,360
Speaker 1: with your low foul and you look at it like yo, yo,

1236
01:13:38,400 --> 01:13:41,679
Speaker 1: look at this like Mama made it. Yeah, I'm cool.

1237
01:13:42,800 --> 01:13:48,240
Speaker 1: Look at me, look at me, look at me. I'm

1238
01:13:48,280 --> 01:13:52,040
Speaker 1: I'm but ass. But that's not the extent of the movie.

1239
01:13:52,800 --> 01:13:55,200
Speaker 1: But what I'm saying to you is how did you

1240
01:13:56,439 --> 01:14:02,800
Speaker 1: feel around all those people that terrible you out there?

1241
01:14:02,800 --> 01:14:06,080
Speaker 1: It's terrible, But when they say action, you just gotta

1242
01:14:06,160 --> 01:14:10,400
Speaker 1: gone that. You just like fuck it, fuck it. Yeah,

1243
01:14:10,479 --> 01:14:15,120
Speaker 1: I could go fuck it when I'll go funck it

1244
01:14:15,160 --> 01:14:17,479
Speaker 1: when it's time to go fuck it. Two tears in

1245
01:14:17,479 --> 01:14:21,800
Speaker 1: a bucket. And this interview is kind of over this

1246
01:14:21,840 --> 01:14:24,200
Speaker 1: one with you, this acting interview, but I will say

1247
01:14:24,200 --> 01:14:28,360
Speaker 1: that public morals see my man on his acting T

1248
01:14:28,520 --> 01:14:31,160
Speaker 1: and T. You love the podcast, but this is not

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01:14:31,200 --> 01:14:34,040
Speaker 1: what this motherfucker's known for. I'm gonna it's a good show.

1250
01:14:34,680 --> 01:14:39,120
Speaker 1: I know looking forward to Ed Burns brothers. McMullen directed

1251
01:14:39,160 --> 01:14:43,439
Speaker 1: many many Maize iconic independent filmmaker. I have a great

1252
01:14:44,000 --> 01:14:45,680
Speaker 1: Ed Burns story that we should we should tell what

1253
01:14:45,840 --> 01:14:49,320
Speaker 1: Ed Burns. But remember when we did Entertainment Tonight with

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01:14:49,320 --> 01:14:52,519
Speaker 1: with my man Bob tests to this. I was on

1255
01:14:52,680 --> 01:14:54,800
Speaker 1: Entertainment Tonight and Gerald was actually in the clip. At

1256
01:14:54,800 --> 01:14:59,639
Speaker 1: the time. Ed Burns worked at Entertainment Tonight and when

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01:14:59,640 --> 01:15:00,920
Speaker 1: I first met him, he was like, I did a

1258
01:15:01,000 --> 01:15:02,560
Speaker 1: thing with you and your father and your buddy and

1259
01:15:02,600 --> 01:15:05,320
Speaker 1: you were kicking footballs and now I was directed in

1260
01:15:05,320 --> 01:15:09,240
Speaker 1: a in a in a get him on. We gotta

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01:15:09,240 --> 01:15:11,880
Speaker 1: get Ed Burns on here, I gotta get Ed Burns on.

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01:15:11,880 --> 01:15:14,679
Speaker 1: The next Iron Wrap Corp podcasts are on a Public

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01:15:14,720 --> 01:15:20,680
Speaker 1: Morals podcast with Katrina Bowen, Timothy Hutton's great cast. This

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01:15:20,760 --> 01:15:23,200
Speaker 1: is the Iron Rap Corps podcast and were out