1 00:00:04,360 --> 00:00:08,879 Speaker 1: Hey man, welcome back twenty twenty five b E T 2 00:00:09,080 --> 00:00:14,000 Speaker 1: Awards Media House. Now we're talking to the biggest stars today, 3 00:00:14,040 --> 00:00:15,080 Speaker 1: brou only. 4 00:00:15,280 --> 00:00:15,680 Speaker 2: That's all. 5 00:00:15,720 --> 00:00:16,600 Speaker 3: We need to talk to. 6 00:00:19,239 --> 00:00:22,279 Speaker 1: Who we got and he'll with us now, Bro, Yeah, 7 00:00:22,400 --> 00:00:24,360 Speaker 1: left the gun play left the guns. 8 00:00:24,680 --> 00:00:26,720 Speaker 4: Best Latino artists you know, Cali. 9 00:00:26,960 --> 00:00:28,920 Speaker 3: Now say it a little louder in case they here. 10 00:00:29,080 --> 00:00:32,000 Speaker 5: Hey, the best Latino artists in all California. Yeah, sure 11 00:00:32,320 --> 00:00:33,120 Speaker 5: one number one. 12 00:00:33,440 --> 00:00:36,360 Speaker 6: First of all, congratulations on all your success. 13 00:00:35,960 --> 00:00:38,800 Speaker 4: Bro, I appreciate you. Congratulations on your success man. 14 00:00:38,680 --> 00:00:41,279 Speaker 2: Thank you man? How you being a dustined? Tell all 15 00:00:41,320 --> 00:00:42,839 Speaker 2: the new found famous. 16 00:00:42,640 --> 00:00:43,760 Speaker 4: Happy needs so fast? 17 00:00:43,800 --> 00:00:45,960 Speaker 5: But you know, I'm learning as I go, and I 18 00:00:46,000 --> 00:00:48,000 Speaker 5: feel sometimes I gotta get burned to learn from my 19 00:00:48,600 --> 00:00:50,519 Speaker 5: but you know I learned from what these mistakes too. 20 00:00:50,560 --> 00:00:54,320 Speaker 4: But you either got it or you don't. I got it. 21 00:00:54,440 --> 00:00:57,280 Speaker 1: One thing that made people really connect with you who 22 00:00:57,360 --> 00:01:00,880 Speaker 1: may not have been familiar with your your movement, but you. 23 00:01:00,840 --> 00:01:03,880 Speaker 3: Drop a lot of real last interviews and you said, yeah. 24 00:01:03,880 --> 00:01:06,880 Speaker 4: Real, yeah, you got to keep it authentic, bro, But. 25 00:01:08,400 --> 00:01:11,119 Speaker 5: It really uh yeah, some people know me just from 26 00:01:11,160 --> 00:01:13,440 Speaker 5: the interviews and then they'll tap in and see the music. 27 00:01:13,480 --> 00:01:15,240 Speaker 5: But some people know me for the music and tapping 28 00:01:15,280 --> 00:01:17,240 Speaker 5: with the interviews. So it's kind of a win win situation. 29 00:01:18,040 --> 00:01:20,160 Speaker 5: The songs are hitting a million and the interviews are 30 00:01:20,200 --> 00:01:20,880 Speaker 5: hitting a million. 31 00:01:21,560 --> 00:01:23,119 Speaker 2: You just dropped the album not too long. 32 00:01:23,319 --> 00:01:25,680 Speaker 5: It can't get it can't get right, produced by Problem 33 00:01:25,720 --> 00:01:26,839 Speaker 5: and Mike and Keys. 34 00:01:27,560 --> 00:01:28,360 Speaker 4: That's how. Yeah. 35 00:01:28,440 --> 00:01:31,000 Speaker 5: And I got a couple of billboards and you know, 36 00:01:31,040 --> 00:01:32,759 Speaker 5: all around the city and the game. 37 00:01:32,920 --> 00:01:35,320 Speaker 4: You know, the game's on there, ty dollar sign r 38 00:01:35,440 --> 00:01:36,600 Speaker 4: j X four. 39 00:01:36,800 --> 00:01:37,360 Speaker 6: Just the time. 40 00:01:37,840 --> 00:01:38,080 Speaker 3: Yeah. 41 00:01:38,200 --> 00:01:40,560 Speaker 1: Yeah, let me ask you this, how did you what 42 00:01:40,720 --> 00:01:42,440 Speaker 1: was your introduction to the music. 43 00:01:42,880 --> 00:01:47,760 Speaker 4: Doctor Dre and some from Doctor Dre when I was young? Album? 44 00:01:48,240 --> 00:01:51,080 Speaker 5: I remember being in the two thousand and one little 45 00:01:51,160 --> 00:01:51,520 Speaker 5: kid and. 46 00:01:51,720 --> 00:01:55,160 Speaker 4: Hearing it, you know, eminem fifty you know not. 47 00:01:55,880 --> 00:01:57,520 Speaker 5: I feel like the sands have got a lot of 48 00:01:57,560 --> 00:02:01,240 Speaker 5: West Coast in him, you know, ye, East coast, but 49 00:02:01,960 --> 00:02:03,680 Speaker 5: he's he's a West Coast sound to me. 50 00:02:03,880 --> 00:02:05,640 Speaker 2: Yeah, I could definitely. 51 00:02:05,640 --> 00:02:09,120 Speaker 5: The first the first fifty, like before Dre, like these mixtapes, 52 00:02:09,200 --> 00:02:12,880 Speaker 5: I was like New York, but then got him on 53 00:02:13,200 --> 00:02:16,200 Speaker 5: d Got with those beats dra Got. Yeah, that's the 54 00:02:16,280 --> 00:02:18,520 Speaker 5: one that's the that's the man right there. He beat 55 00:02:18,520 --> 00:02:19,160 Speaker 5: from Doctor Dre. 56 00:02:19,600 --> 00:02:21,799 Speaker 3: Yeah, So that's what you want. You want one of 57 00:02:21,840 --> 00:02:22,320 Speaker 3: them from doctor. 58 00:02:22,600 --> 00:02:25,399 Speaker 5: I got one with uh I always wrapped to big 59 00:02:25,440 --> 00:02:28,760 Speaker 5: egos and with Scott's storching it. And I actually went 60 00:02:28,760 --> 00:02:30,959 Speaker 5: to Scott Storch's house and he made me the beat 61 00:02:31,000 --> 00:02:35,000 Speaker 5: and that's Lord, forgive me from my sins on the number. 62 00:02:35,160 --> 00:02:37,520 Speaker 5: It's the first song on can't get right and he 63 00:02:37,520 --> 00:02:39,680 Speaker 5: remade it with a problem from scratch for me. 64 00:02:40,320 --> 00:02:42,040 Speaker 6: So why problem? 65 00:02:42,280 --> 00:02:45,920 Speaker 5: Jason shout out to Dre too like he stayed, he 66 00:02:45,919 --> 00:02:48,320 Speaker 5: he'd be sending me his love through through you know 67 00:02:48,480 --> 00:02:49,440 Speaker 5: other artists. 68 00:02:49,160 --> 00:02:49,360 Speaker 4: You know. 69 00:02:49,560 --> 00:02:52,000 Speaker 7: Yeah, So to know that he tapped in with and 70 00:02:52,040 --> 00:02:54,440 Speaker 7: he was an inspiration for you, it's good to know that. 71 00:02:54,520 --> 00:02:56,200 Speaker 4: Huh, Yeah, he was in inspirit. But you know what, 72 00:02:56,240 --> 00:02:56,960 Speaker 4: I want to earn it. 73 00:02:57,280 --> 00:02:57,519 Speaker 6: I don't. 74 00:02:57,520 --> 00:02:58,280 Speaker 4: I don't. I don't want to. 75 00:02:58,280 --> 00:03:00,040 Speaker 5: I don't want nobody to give me no handout. I 76 00:02:59,880 --> 00:03:02,160 Speaker 5: want to, you know, earn it. I never know nobody 77 00:03:02,160 --> 00:03:04,480 Speaker 5: write my lyrics. But I'm getting better and it feels 78 00:03:04,520 --> 00:03:07,200 Speaker 5: better because that's my that's my stuff. I never paid 79 00:03:07,240 --> 00:03:07,720 Speaker 5: for feature. 80 00:03:07,919 --> 00:03:10,080 Speaker 4: I want. I want to earn it. When when it's. 81 00:03:10,000 --> 00:03:12,200 Speaker 5: Dre's time to come give me a beat or we 82 00:03:12,320 --> 00:03:14,320 Speaker 5: work I'm gonna get it. I'm gonna get it the 83 00:03:14,360 --> 00:03:14,720 Speaker 5: right way. 84 00:03:15,240 --> 00:03:17,720 Speaker 1: Hey man, you don't really hear people trying to take 85 00:03:17,760 --> 00:03:19,200 Speaker 1: that approach to tough like that. 86 00:03:19,720 --> 00:03:22,280 Speaker 6: But that's dope that you still got that old school worker. 87 00:03:22,440 --> 00:03:24,839 Speaker 4: Yeah, you gotta earn it, man, You gotta earn that. 88 00:03:25,840 --> 00:03:26,080 Speaker 2: Man. 89 00:03:26,360 --> 00:03:28,400 Speaker 4: How you against the rapper and you can't even go 90 00:03:28,440 --> 00:03:30,200 Speaker 4: back to your hood? You know what I'm saying. You 91 00:03:30,240 --> 00:03:31,920 Speaker 4: gotta be you gotta everything, gotta be authentic. 92 00:03:33,040 --> 00:03:39,000 Speaker 7: You saying some ship then, yeah, a lot of them 93 00:03:39,160 --> 00:03:41,040 Speaker 7: they can't get no shoes out there. 94 00:03:41,360 --> 00:03:44,520 Speaker 4: You want to be the hood? Gotta say that you good? Yeah, 95 00:03:44,680 --> 00:03:45,360 Speaker 4: you know what I'm saying. 96 00:03:45,480 --> 00:03:47,480 Speaker 1: But if man, you was part of one of the 97 00:03:47,480 --> 00:03:50,840 Speaker 1: biggest projects of the year on the West and historical 98 00:03:51,080 --> 00:03:53,560 Speaker 1: probably of all time, probably in the West. 99 00:03:53,600 --> 00:03:56,040 Speaker 5: You know the way that run came as well, that 100 00:03:56,080 --> 00:03:59,400 Speaker 5: wann't really like the West really, you know, came together. 101 00:03:59,440 --> 00:04:01,400 Speaker 5: You gotta hoof on there. You got a blood of crib, 102 00:04:02,440 --> 00:04:04,680 Speaker 5: you know, like he got a gang member and you 103 00:04:04,720 --> 00:04:07,640 Speaker 5: know we made that album, and we made that album 104 00:04:07,760 --> 00:04:10,040 Speaker 5: and uh, you know we all went platinum. 105 00:04:10,320 --> 00:04:11,440 Speaker 4: You know, I was just in jail. 106 00:04:11,680 --> 00:04:13,880 Speaker 5: Everybody in that album was just sitting in jail, you know, 107 00:04:14,080 --> 00:04:16,919 Speaker 5: all gang members. But you know Kate, he had his 108 00:04:17,000 --> 00:04:19,000 Speaker 5: ear chapped in heat to the streets of l A. 109 00:04:19,080 --> 00:04:19,960 Speaker 4: You know he really is. 110 00:04:20,839 --> 00:04:24,240 Speaker 7: And yeah, I say this man for somebody who never 111 00:04:24,279 --> 00:04:26,880 Speaker 7: heard of you. But I think once you start rapping 112 00:04:26,880 --> 00:04:28,039 Speaker 7: on the song, like bro, who. 113 00:04:27,839 --> 00:04:28,520 Speaker 3: The fuck it is? 114 00:04:28,720 --> 00:04:31,320 Speaker 7: Like, it'll make you like like how you just came in. 115 00:04:31,400 --> 00:04:33,600 Speaker 7: You came in with that confidence on the motherfucker? 116 00:04:35,160 --> 00:04:35,800 Speaker 4: Yeah? What else? 117 00:04:35,960 --> 00:04:39,920 Speaker 5: Why these says outside without group post in the hood 118 00:04:39,920 --> 00:04:42,240 Speaker 5: will never ever be the same. You know, it's god 119 00:04:42,320 --> 00:04:49,240 Speaker 5: damn shame that you bang you Yeah, yeah, but it's 120 00:04:49,360 --> 00:04:52,040 Speaker 5: it's funny on that litric group post, like a group 121 00:04:52,040 --> 00:04:53,839 Speaker 5: post with the hummies, like the hood would never be 122 00:04:53,920 --> 00:04:55,719 Speaker 5: the same because some of them get life, some of 123 00:04:55,720 --> 00:04:58,200 Speaker 5: them beacy up, some of them die. 124 00:04:58,480 --> 00:04:59,039 Speaker 4: You know what I'm saying. 125 00:04:59,080 --> 00:05:01,920 Speaker 5: So you'll never get it, you know. But I knew 126 00:05:01,960 --> 00:05:03,640 Speaker 5: what it was when I signed up for it, you know. 127 00:05:03,839 --> 00:05:05,840 Speaker 5: But I'm putting my hood on more by doing this, 128 00:05:05,960 --> 00:05:08,920 Speaker 5: you know, yeah, checking a different approach with it. I'm 129 00:05:08,960 --> 00:05:11,640 Speaker 5: gonna keep Vonnie and I'm gonna bust down all my homeboys, 130 00:05:11,640 --> 00:05:13,960 Speaker 5: whether I don't see how iron them or not. How 131 00:05:14,040 --> 00:05:16,200 Speaker 5: my buzz down in my homies ain't so I'm a 132 00:05:16,279 --> 00:05:19,440 Speaker 5: bust them all down. Yeah, And I look at it 133 00:05:19,480 --> 00:05:20,919 Speaker 5: that way. How's my rod dog? And now I have a 134 00:05:20,920 --> 00:05:22,520 Speaker 5: buzz down, But I'm all busted down. 135 00:05:22,600 --> 00:05:25,000 Speaker 4: You know. You gotta bust down the homie too. 136 00:05:25,120 --> 00:05:26,520 Speaker 3: Yeah. 137 00:05:26,920 --> 00:05:29,880 Speaker 4: Man, this is your first beat to it's my first 138 00:05:29,880 --> 00:05:31,880 Speaker 4: beach here award. This is it's a blessing. 139 00:05:32,600 --> 00:05:35,000 Speaker 3: I really at it, man, Like, is this something being 140 00:05:35,080 --> 00:05:35,920 Speaker 3: from the city. 141 00:05:36,240 --> 00:05:40,880 Speaker 5: Yeah, it's cool, man, you know, it's it's it's I 142 00:05:40,920 --> 00:05:45,040 Speaker 5: feel I feel actually it's nothing but black people, right, 143 00:05:45,839 --> 00:05:48,880 Speaker 5: and I feel good, Like I feel like I'm in 144 00:05:49,080 --> 00:05:52,760 Speaker 5: I'm I'm embraced, you know, And that's that's a beautiful thing. 145 00:05:52,839 --> 00:05:54,880 Speaker 5: That's part of bridging the gap, breaking the barrier in 146 00:05:55,080 --> 00:05:56,720 Speaker 5: l A. You know, let me ask you this. 147 00:05:56,800 --> 00:05:59,000 Speaker 6: Did you ever feel like it wouldn't be that though? 148 00:06:00,400 --> 00:06:03,279 Speaker 5: Yeah, when I was in prison. When I was in prison, 149 00:06:04,560 --> 00:06:08,440 Speaker 5: jail in LA segregates you from the jump. So you 150 00:06:08,440 --> 00:06:10,960 Speaker 5: go to Joe in LA. The cops right away say 151 00:06:11,040 --> 00:06:11,680 Speaker 5: you in that tank. 152 00:06:11,760 --> 00:06:14,080 Speaker 4: You're black. You in that tank. So that's they put 153 00:06:14,560 --> 00:06:15,839 Speaker 4: that's what they put in your head. 154 00:06:16,520 --> 00:06:19,039 Speaker 5: And then the gangs, you're Mexican, you get in a 155 00:06:19,080 --> 00:06:22,080 Speaker 5: Mexican game, you black, you crip her blood, and then 156 00:06:22,320 --> 00:06:25,000 Speaker 5: that's all the culture is but for them to mix. 157 00:06:25,080 --> 00:06:27,520 Speaker 5: And I'm the only I'm probably one of the only 158 00:06:27,560 --> 00:06:29,200 Speaker 5: ones that I don't. I don't say the N word. 159 00:06:29,760 --> 00:06:31,800 Speaker 5: You know, nowadays you get a lot of Latino kids 160 00:06:31,800 --> 00:06:33,520 Speaker 5: and say that. I don't agree with that. I think 161 00:06:33,520 --> 00:06:34,919 Speaker 5: that'sh is I think that's. 162 00:06:35,360 --> 00:06:39,240 Speaker 2: Turned in tune in your music. When I saw you say. 163 00:06:39,000 --> 00:06:43,240 Speaker 6: That on the Energy, Yeah, I don't play that ship. 164 00:06:43,320 --> 00:06:45,279 Speaker 5: Yeah you get you know what I'm saying. It's becoming 165 00:06:45,320 --> 00:06:46,880 Speaker 5: a bad happy with a lot of people. But you're 166 00:06:46,880 --> 00:06:48,560 Speaker 5: not gonna go say that with the big homie on 167 00:06:48,600 --> 00:06:49,880 Speaker 5: the yard and talk like that. 168 00:06:50,040 --> 00:06:52,440 Speaker 7: So but you know the other side of it, so 169 00:06:52,480 --> 00:06:56,840 Speaker 7: it's like it's a respect they're respectful, Yeah, very respectful, 170 00:06:56,920 --> 00:07:00,159 Speaker 7: and you know it's not me and that hopeful the 171 00:07:00,240 --> 00:07:03,160 Speaker 7: other I could make a difference with my people to 172 00:07:03,160 --> 00:07:04,360 Speaker 7: shorten that and cut. 173 00:07:04,160 --> 00:07:06,400 Speaker 4: That out, you know, because it's not cool. You know, 174 00:07:06,800 --> 00:07:07,279 Speaker 4: it ain't. 175 00:07:07,320 --> 00:07:10,000 Speaker 1: Definitely, And I was just you know, black people, we're 176 00:07:10,040 --> 00:07:11,320 Speaker 1: the most accepting people. 177 00:07:11,720 --> 00:07:13,600 Speaker 4: Oh yeah, yeah in the fucking world. 178 00:07:13,840 --> 00:07:15,440 Speaker 5: You know what they when we love insight that the 179 00:07:15,560 --> 00:07:18,080 Speaker 5: niggas and gardens inside the community in there. 180 00:07:18,800 --> 00:07:22,000 Speaker 4: Yeah, and watch it was all love and there. I 181 00:07:22,040 --> 00:07:23,240 Speaker 4: loved it. I love watch. 182 00:07:23,600 --> 00:07:27,960 Speaker 1: Yeah, man, Yeah, hey, we definitely appreciate you stepping through here. 183 00:07:28,200 --> 00:07:30,400 Speaker 4: I appreciate some man catching. 184 00:07:30,120 --> 00:07:32,080 Speaker 2: Us up on everything you got going though. 185 00:07:32,240 --> 00:07:35,800 Speaker 1: And we came up with our own segment specifically for 186 00:07:35,880 --> 00:07:38,600 Speaker 1: the twenty twenty five b T or Yeah, and this 187 00:07:38,760 --> 00:07:40,760 Speaker 1: segment is called what. 188 00:07:40,480 --> 00:07:42,960 Speaker 3: The fuck you got on? And you just let us 189 00:07:43,000 --> 00:07:43,760 Speaker 3: know what you're on. 190 00:07:44,040 --> 00:07:44,760 Speaker 2: Yeah. 191 00:07:45,920 --> 00:07:48,040 Speaker 5: I got a whole lot of all right, I got 192 00:07:48,040 --> 00:07:51,559 Speaker 5: the mother this is my hood, Kings, Okaye kings Kings. 193 00:07:51,560 --> 00:07:54,440 Speaker 5: I got the hood. Had navy blue shirt, pants and 194 00:07:54,520 --> 00:07:58,360 Speaker 5: Dodger real buzz down my team. 195 00:07:58,520 --> 00:08:00,640 Speaker 3: You gotta put that reel in front of real bust down. 196 00:08:00,800 --> 00:08:01,960 Speaker 3: It's a real bust. 197 00:08:01,680 --> 00:08:04,800 Speaker 4: That real Christian diord ll bell on on everything. You 198 00:08:04,840 --> 00:08:08,320 Speaker 4: know what I'm saying. Yeah, Yeah, I'm banging. Yeah. 199 00:08:09,080 --> 00:08:09,840 Speaker 3: What's on your foot? 200 00:08:09,960 --> 00:08:10,120 Speaker 2: Man? 201 00:08:10,120 --> 00:08:10,520 Speaker 4: You got on? 202 00:08:10,840 --> 00:08:11,040 Speaker 3: Yeah? 203 00:08:12,120 --> 00:08:12,880 Speaker 4: Like you know what I'm saying? 204 00:08:13,080 --> 00:08:16,720 Speaker 5: Yeah, Yeah, I went to uh the story and said 205 00:08:17,160 --> 00:08:21,760 Speaker 5: navy blue right at you, And that's how I come. 206 00:08:21,960 --> 00:08:23,440 Speaker 3: And that's what the fuck you got on? 207 00:08:23,560 --> 00:08:25,520 Speaker 4: I got on some gangs and ship out here. Yeah, 208 00:08:25,680 --> 00:08:26,680 Speaker 4: getting banged on out here. 209 00:08:26,800 --> 00:08:31,239 Speaker 6: You know, he left the gun play eighty five South 210 00:08:31,280 --> 00:08:32,520 Speaker 6: b TV House. 211 00:08:32,720 --> 00:08:34,320 Speaker 2: We out of here. 212 00:08:34,880 --> 00:08:43,320 Speaker 3: I'm like that, what the but yeah,