WEBVTT - Jeff "Skunk" Baxter

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is guitarist extraordinaire Jeff Skunk Baxter. Jeff,

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<v Speaker 1>how you doing, I'm doing just find it. That's very

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<v Speaker 1>kind of you, the introduction. That was very kind. Thank you. Okay,

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<v Speaker 1>do most people in your intimate life refer to you

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<v Speaker 1>as Skunk or Jeff? They refer to me as Skunk.

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<v Speaker 1>It's my sort of rocket roll nickname. And for my

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<v Speaker 1>day job, even when I was at the White House,

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<v Speaker 1>President Bush called me sculpture. So and it's my call signs.

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<v Speaker 1>So when I get on the phone and people are

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<v Speaker 1>looking at me like I'm from flatted X and said, listen,

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<v Speaker 1>I need to talk to Nato Balls and bam bam.

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<v Speaker 1>So get him on the phone and they'll go, what

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<v Speaker 1>the hell are you talking about? Everybody has a call sign. So, yeah,

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<v Speaker 1>you have a new album, Speed of Heat. Sir? Why

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<v Speaker 1>record an album? Well, since I've been working on it

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<v Speaker 1>for about twelve years, there comes a time when everybody

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<v Speaker 1>must graduate from high school and you have to, you know,

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<v Speaker 1>stop what you're doing and put a period on it.

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<v Speaker 1>So I got to the point with my my music

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<v Speaker 1>production writer partner c J. Vanston, where after twelve years

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<v Speaker 1>we figured we got everything that we need. We'll take

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<v Speaker 1>it from there. Okay, I know c J emails me.

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<v Speaker 1>How do you know CJ? I met c J in

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<v Speaker 1>Chicago many years ago, about thirty years ago, when I

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<v Speaker 1>was flying to Chicago to do jingles. Uh. They had asked,

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<v Speaker 1>you know, for the different jingle houses. Um, sleeping on

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<v Speaker 1>the sofa at Universal Studios sounds in Chicago, because why

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<v Speaker 1>go to the hotel when you started seven am and

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<v Speaker 1>keep doing it until you drop. So I would spent

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<v Speaker 1>like a week in the studio, and many of the

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<v Speaker 1>sessions that I did there uh included c J as

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<v Speaker 1>the keyboard player, and we started to play together. We

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<v Speaker 1>had a really good time. And then one day, um

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<v Speaker 1>it was a Wednesday. I think it was the producer

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<v Speaker 1>of the jingle, who shall remain nameless, so I'll just

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<v Speaker 1>say his name was Bob Um came in and he

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<v Speaker 1>was really banked. Uh. It looked like being up for

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<v Speaker 1>about three or four days, which is fine. You know,

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<v Speaker 1>we're session sluts, you know, we do what we do.

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<v Speaker 1>And so Bobby walks in and goes, okay, guys, all right, um,

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<v Speaker 1>are you guys ready and say, sure, man, what do

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<v Speaker 1>you got? He said, well, here, here it is. So

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<v Speaker 1>he starts to hand out the music and it says

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<v Speaker 1>highat it has a key signature, at a time signature,

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<v Speaker 1>and sixty four bars. That's it. So he says, well,

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<v Speaker 1>you guys ready, And I looked at c J. And

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<v Speaker 1>he looked at me and said, yeah, what the hell,

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<v Speaker 1>who needs music? Give us a click? We know what

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<v Speaker 1>the key signature is. Let's go. And so we composed

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<v Speaker 1>on the fly the jingle, and afterwards we realized, hey,

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<v Speaker 1>if we could do this, maybe we ought to start

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<v Speaker 1>playing together. And I said to him, listen, if I

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<v Speaker 1>were do a solo project, I would love to do

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<v Speaker 1>it with you, because actually the proof is in the

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<v Speaker 1>eating of the pudding. As they say, there are two

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<v Speaker 1>cuts on the album, both instrumentals that we just wrote

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<v Speaker 1>as we played it. So there's this really wonderful magic

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<v Speaker 1>and and nonverbal communication sort of understanding in a higher

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<v Speaker 1>dimension when the two of us play together. So we

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<v Speaker 1>started recording together and we filled up twelve tracks and

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<v Speaker 1>again it's time. Okay. Needless to say, today's landscape is

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<v Speaker 1>very different from the seventies and eighties when you had

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<v Speaker 1>your most commercial success and it's hard to get notice

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<v Speaker 1>you don't make as much money on recordings. What are

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<v Speaker 1>your expectations or what are your feelings about that? That's

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<v Speaker 1>an interesting question. I guess if I was nineteen or

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<v Speaker 1>twenty three. You know, it's just like Steely Dana when

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<v Speaker 1>we did the first record. Oh yeah, man, it's gonna

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<v Speaker 1>be great. You know, Uh, that car on Sunset strip.

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<v Speaker 1>I'm gonna have one of those, you know, move out

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<v Speaker 1>of that crappy apartment in Hollywood. Now. The most important

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<v Speaker 1>thing to me it was actually making me what do

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<v Speaker 1>we call them records? Now? Well, you know there's still recordings.

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<v Speaker 1>I call them records. A record, you're making a record?

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<v Speaker 1>So are kk idea absolutely so? Uh to make to

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<v Speaker 1>do a recording of some of the stuff that I

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<v Speaker 1>would like to do because I've hat a session musician.

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<v Speaker 1>I counted the years. It's a little nuts. It's sixty

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<v Speaker 1>years so far of working in the studios as a

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<v Speaker 1>studio sausage. So it's time and I'm not planning. It

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<v Speaker 1>was more important to me actually to be a first

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<v Speaker 1>call studio guy that it was to be a rock star.

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<v Speaker 1>To me, you can either have a nice airplane or

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<v Speaker 1>you can be top gun. So I kind of move

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<v Speaker 1>towards the the ladder. But making a solo record, the

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<v Speaker 1>opportunity to actually play what I wanted, Um, that's was important.

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<v Speaker 1>That was really important, and doing it with c J

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<v Speaker 1>was even more fun. And you know Clint Black and uh,

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<v Speaker 1>Mike McDonald and um uh David Paige played the organ

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<v Speaker 1>solo on My Old School and Johnny Lange and I

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<v Speaker 1>mean it was gonna be an instrumental album. Then all

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<v Speaker 1>these guys said they wanted to work on the record.

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<v Speaker 1>I said, sure, why not, and here we are. So

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<v Speaker 1>it's half vocals, half instrumentals. But most importantly it has

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<v Speaker 1>a patchy on it, which was always my favorite instrument

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<v Speaker 1>it as a kid. Okay, it took twelve years. So

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<v Speaker 1>where did you record in a home studio? How did

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<v Speaker 1>you do it in? What were the gaps in between tracks?

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<v Speaker 1>The vast majority of it was at CJ's place. He

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<v Speaker 1>has a studio called the Treehouse. And it took twelve years.

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<v Speaker 1>Because I'm produced at albums, I'm doing tons of studio work.

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<v Speaker 1>I mean, I'm still going out in the road, you know,

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<v Speaker 1>with Julie and Lena are different folks, And uh CJ

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<v Speaker 1>is a busy guy too, so it really was it

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<v Speaker 1>was like getting together with your son to build a birdhouse.

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<v Speaker 1>Whenever you can find the time, you're go into the workshop,

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<v Speaker 1>and today we'll do this, and tomorrow we'll do this.

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<v Speaker 1>So it was, yeah, it was kind of like that

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<v Speaker 1>home craft. Okay, you mentioned a son and a treehouse.

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<v Speaker 1>Do you have any kids? I do. I have two

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<v Speaker 1>wonderful children, And how old are they today? My son

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<v Speaker 1>is forty five and my daughter is third e seven. Now,

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<v Speaker 1>my son Fender not my idea, a little a little

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<v Speaker 1>bit stower. What's the middle name Fender? Okay, so the

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<v Speaker 1>middle name is Fender. What's the first name Jeffrey? But

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<v Speaker 1>everybody calls him so if it wasn't your choice, it

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<v Speaker 1>was his mother's choice. Yes, And uh my my grandson

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<v Speaker 1>his middle name is Gibson. So I'm thinking if I

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<v Speaker 1>ever have a daughter, a granddaughter, I'll probably want to

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<v Speaker 1>name her Taylor Martin, which I think is a beautiful

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<v Speaker 1>name anyway, you know. And so I have that, and

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<v Speaker 1>I have my daughter. She has three children, and her

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<v Speaker 1>name is Faith. My son is a building contractor. He

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<v Speaker 1>was former Special Forces. Something's Ranger Battalion, Panama Haiti, etcetera, etcetera.

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<v Speaker 1>My daughter I brought into the dark Side when she

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<v Speaker 1>was eighteen, brought her into d C, hooked her up

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<v Speaker 1>at the Potomac Institute for Policy Studies, and she's been

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<v Speaker 1>moving downrange ever since. Okay, the life of the musician,

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<v Speaker 1>it tends to be itinerant. How was it having kids

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<v Speaker 1>being a musician? Did you have enough time or do

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<v Speaker 1>you wish you had more time? I certainly wished I

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<v Speaker 1>had more time. Um, and I didn't really get to

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<v Speaker 1>spend much time with him until later on. But they

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<v Speaker 1>bring me such joy. Uh, And it's probably I probably

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<v Speaker 1>appreciate it more now. Frankly, the older you get, the more,

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<v Speaker 1>at least in my experience, the little things drop away.

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<v Speaker 1>You begin to experience a lot more as you get older,

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<v Speaker 1>because you have enough experience to appreciate experience. So that

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<v Speaker 1>makes sense. I'm old too, so I completely understand it's

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<v Speaker 1>a wisdom. People who are not old don't understand. But

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<v Speaker 1>when you're in that park, it becomes obviously well. And

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<v Speaker 1>you tell it, tell your kids that they go, yeah, sure,

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<v Speaker 1>right right, and and now my daughter goes, oh yeah,

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<v Speaker 1>Now I get it, Yeah, okay, how many times you've

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<v Speaker 1>been married? Never been married? Okay, so the mother of

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<v Speaker 1>those two children, how long were you with her? Two

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<v Speaker 1>different mothers? I see, And I really don't want to

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<v Speaker 1>get too much into it because I don't want to.

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<v Speaker 1>I don't want to bring it too much personal stuff

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<v Speaker 1>into it. I mean, I don't you know, I got

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<v Speaker 1>nothing to hide. But I also don't want to when

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<v Speaker 1>you when you bring you know, personal stuff into it

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<v Speaker 1>you I don't know. I just I'm always careful about that.

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<v Speaker 1>People can say anything they want to buy me. But

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<v Speaker 1>let me just ask this. Being a musician, is it

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<v Speaker 1>hard to sustain relationships? I think so, But I can

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<v Speaker 1>only speak for myself. I know musicians that have been

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<v Speaker 1>married or have been living with someone for a bazillion years.

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<v Speaker 1>And then I know musicians who have never been married

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<v Speaker 1>or musicians who married later in life. So I probably

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<v Speaker 1>am not the go to person for expert advice. I'm

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<v Speaker 1>not a SMEE, a subject matter expert on on that. Um,

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<v Speaker 1>I've seen it every I've seen it all. Okay, let's

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<v Speaker 1>go right as we speak, there's the conflict in Ukraine

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<v Speaker 1>between Ukraine and Russia. As a defense expert. What do

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<v Speaker 1>you see there? My caveat, and I have to be

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<v Speaker 1>very careful. My caveat is I do not speak for

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<v Speaker 1>the US government, and any opinion that I have or

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<v Speaker 1>any observation that I make is purely, purely personal, and

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<v Speaker 1>I have to say that as a disclaimer. Um, so

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<v Speaker 1>you're asked to give me what do I think about

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<v Speaker 1>this situation? In Let me just ask you before we

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<v Speaker 1>get there. Since you gave that disclaimer, are you still

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<v Speaker 1>working for the government in the defense capacity? Yes? Okay,

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<v Speaker 1>So when I'm talking about Ukraine in Russia, let me

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<v Speaker 1>set it up. Certainly communism fell, Putin came in, turns

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<v Speaker 1>into autocracy. You know, he took property back after the Olympics.

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<v Speaker 1>We have never put a stop to it. Now he

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<v Speaker 1>is invaded Ukraine. Suddenly the Western country seemed to be

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<v Speaker 1>sending munitions. As an expert in this field, how does

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<v Speaker 1>it play out? Because you know, just yesterday they said, okay,

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<v Speaker 1>this is you know, all NATO attacking us and we

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<v Speaker 1>have the nuclear option. How do you see this conflict? Well,

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<v Speaker 1>a little bit of context. After the fall of the

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<v Speaker 1>Soviet Union, which was the combination of French Fies, blue

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<v Speaker 1>jeans Elvis Presley and misssile defense. The Soviet Union became

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<v Speaker 1>Russia and had this sort of regroup. Putin, I believe,

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<v Speaker 1>has a vision where he would like to go down

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<v Speaker 1>in history as the great Russian unifier who brought Russia

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<v Speaker 1>back to its golden era where its borders were the

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<v Speaker 1>same as at the end of World War Two. Install Uh,

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<v Speaker 1>create it a buffer zone what the Russians referred to

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<v Speaker 1>as the near strategic around Russia to protect him. And

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<v Speaker 1>you know he's done that. He thinks that without that

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<v Speaker 1>military that sort of land uh land soldier land warfare concept. Uh,

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<v Speaker 1>what's gonna happen? It's gonna get even uglier, I think,

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<v Speaker 1>And that's just my opinion. Uh. Mr Putin is a

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<v Speaker 1>ruthless killer. He has and the Russian way of fighting.

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<v Speaker 1>If you're familiar with Afghanistan, the use of and I

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<v Speaker 1>personnel minds that are designed to blow off the hands

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<v Speaker 1>and feet of young children, crushing babies underneath tank treads. Uh.

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<v Speaker 1>If you can get your head around another non Western

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<v Speaker 1>and Judeo Christian way of looking at warfare, then you

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<v Speaker 1>can begin to understand his doctrine and his war fighting doctrine.

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<v Speaker 1>You mentioned nuclear weapons. The Russians have stated their doctrine

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<v Speaker 1>of escalate to de escalate the possible use of nuclear

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<v Speaker 1>weapons and a conventional UH scenario mostly too, if they

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<v Speaker 1>feel that the near strategic, the area that's close to

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<v Speaker 1>them is threatened. UH. This, this kind of warfare is ruthless.

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<v Speaker 1>You saw it in Syria, you saw it in Georgia,

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<v Speaker 1>you saw it in Czech Death. There's nothing new here.

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<v Speaker 1>It's the same nastiness we have all that history, which

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<v Speaker 1>is ruthless. So let's talk about Ukraine specifically terms of Putin.

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<v Speaker 1>Can he end up with East Ukraine to clear victory

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<v Speaker 1>and leave it at that? Would that satisfy him? The

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<v Speaker 1>strategic messaging, the perception management, perception engineering, moving in terms

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<v Speaker 1>of their media, which is very controlled, the fact that

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<v Speaker 1>their vast majority of their population has no access to

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<v Speaker 1>any other media but state media, preparing them to say, oh, yeah,

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<v Speaker 1>don't you don't you remember we said that this is

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<v Speaker 1>really what we wanted. You know how that works? So

0:14:34.560 --> 0:14:38.160
<v Speaker 1>you read so it's very or well, and the Ministry

0:14:38.160 --> 0:14:42.240
<v Speaker 1>of truth will then begin to remind people of what

0:14:42.800 --> 0:14:47.480
<v Speaker 1>the truth is supposed to be, that he would what

0:14:47.680 --> 0:14:51.480
<v Speaker 1>he really wants. First of all, he wants access. He

0:14:51.520 --> 0:14:54.800
<v Speaker 1>wants to cut off the south of Ukraine. Who wants

0:14:54.840 --> 0:14:57.520
<v Speaker 1>to make sure that he has access to the water.

0:14:58.160 --> 0:15:02.000
<v Speaker 1>Number two, he wants to make sure that Ukraine is

0:15:02.080 --> 0:15:08.000
<v Speaker 1>a crippled orphan struggling for life for the rest of

0:15:08.040 --> 0:15:13.320
<v Speaker 1>its foreseeable future. He's killing everything he's and he is

0:15:13.400 --> 0:15:19.840
<v Speaker 1>destroying the infrastructure of the country. It again looks very

0:15:19.920 --> 0:15:26.480
<v Speaker 1>much like nineteen forty four, end of ninety three, beginning

0:15:26.480 --> 0:15:31.880
<v Speaker 1>of nineteen in Europe when the Russians invaded or return

0:15:32.440 --> 0:15:38.960
<v Speaker 1>the favor to Germany during World War Two. Utter complete devastation. Okay,

0:15:39.000 --> 0:15:42.200
<v Speaker 1>so if it's utter complete devastation, how should the West

0:15:42.560 --> 0:15:45.760
<v Speaker 1>handle putin? Well, that's an interesting question, and again I

0:15:45.760 --> 0:15:51.640
<v Speaker 1>have to be to be very careful. Let me step

0:15:51.640 --> 0:15:54.200
<v Speaker 1>back for a second. Um. In many of the war

0:15:54.280 --> 0:15:59.960
<v Speaker 1>games that I do of the time, I represent the

0:16:00.080 --> 0:16:05.880
<v Speaker 1>Red team, Red meaning the bad guys of all the

0:16:05.960 --> 0:16:12.320
<v Speaker 1>bad guys. The number one objective and the number one

0:16:13.280 --> 0:16:21.520
<v Speaker 1>uh the most important thing is regime preservation. Everything else

0:16:21.640 --> 0:16:27.000
<v Speaker 1>takes a second, takes second place, second fiddle. Preserving yourself

0:16:27.280 --> 0:16:30.960
<v Speaker 1>as the leader in an autocracy is the only goal.

0:16:31.880 --> 0:16:36.840
<v Speaker 1>Everything else is subsumed to that. Putin needs to stay

0:16:36.920 --> 0:16:39.800
<v Speaker 1>in power. The only way he can stay in power

0:16:39.920 --> 0:16:46.280
<v Speaker 1>is to constantly do a number of things amplify and

0:16:46.440 --> 0:16:52.360
<v Speaker 1>praise Russia's strength. You've noticed that the one word that

0:16:52.520 --> 0:16:56.480
<v Speaker 1>the Russian media uses in referring to Ukraine more than

0:16:56.520 --> 0:17:01.720
<v Speaker 1>any anything else is nazis Nazism. So what he's doing

0:17:01.800 --> 0:17:06.160
<v Speaker 1>is he's recalling the memory of the Great Patriotic War,

0:17:06.560 --> 0:17:09.800
<v Speaker 1>is how the Russians refer to World War Two and

0:17:10.880 --> 0:17:17.640
<v Speaker 1>ginning up that emotion that we're fighting Nazis. If you're

0:17:17.680 --> 0:17:21.000
<v Speaker 1>fighting anybody else, it's kind of hard to hate the Ukrainians.

0:17:21.640 --> 0:17:26.120
<v Speaker 1>Most of them speak Russian. So you have to create

0:17:26.160 --> 0:17:29.639
<v Speaker 1>an enemy, and then you have to conquer them, and

0:17:29.720 --> 0:17:32.040
<v Speaker 1>you have to show that you're conquering them, and you

0:17:32.119 --> 0:17:35.479
<v Speaker 1>have to show that you're ruthless. So Putin needs to

0:17:35.520 --> 0:17:38.680
<v Speaker 1>prove that he's a leader, proved that he's in control,

0:17:39.320 --> 0:17:43.359
<v Speaker 1>create whatever mythology that he needs to create, to say

0:17:43.440 --> 0:17:47.960
<v Speaker 1>to his people, I have accomplished what I've accomplished, See

0:17:48.000 --> 0:17:51.840
<v Speaker 1>what a great leader I am. That's the goal, and

0:17:51.920 --> 0:17:56.200
<v Speaker 1>of course, to cripple Ukraine to the point where maybe

0:17:56.200 --> 0:17:58.720
<v Speaker 1>it doesn't even become a part of NATO. He was

0:17:59.040 --> 0:18:03.320
<v Speaker 1>very upset about that one. Okay, so at first everybody

0:18:03.560 --> 0:18:07.120
<v Speaker 1>was there were sanctions on Russia, but the Western countries

0:18:07.280 --> 0:18:11.800
<v Speaker 1>relatively hands off. Just recently the United States government said

0:18:11.800 --> 0:18:17.840
<v Speaker 1>they'll ship material within seven days. Germany now is coming

0:18:17.880 --> 0:18:21.840
<v Speaker 1>down opposite even though they need fuel opposite Russia. Israel

0:18:21.960 --> 0:18:25.600
<v Speaker 1>is condemning Russia. Is this just all words, or are

0:18:25.600 --> 0:18:29.760
<v Speaker 1>we going to send them enough infrastructure, tanks, you know, missiles,

0:18:29.800 --> 0:18:33.000
<v Speaker 1>etcetera that they can defend themselves. Where is a foregoing

0:18:33.080 --> 0:18:36.240
<v Speaker 1>conclusion that Prutin will take what he wants. Well, again,

0:18:36.280 --> 0:18:39.960
<v Speaker 1>I'm not gonna I'm not gonna even speculate on US

0:18:40.160 --> 0:18:48.479
<v Speaker 1>or Western policy. But the fact that the Germans, in

0:18:48.640 --> 0:18:51.440
<v Speaker 1>some shape or form now they've backtracked a little bit,

0:18:51.840 --> 0:18:56.040
<v Speaker 1>but still in some shape or form, have said, in

0:18:56.160 --> 0:18:59.919
<v Speaker 1>spite of the fact that we rely on Russian uh

0:19:00.040 --> 0:19:07.600
<v Speaker 1>um fuel, mostly natural gas and some coal, we are

0:19:07.680 --> 0:19:12.960
<v Speaker 1>willing to take a stand against against Russian aggression. I

0:19:13.000 --> 0:19:17.320
<v Speaker 1>think Putin has made a big mistake because in his

0:19:17.440 --> 0:19:24.160
<v Speaker 1>own mind his the way the Russians conduct foreign policy

0:19:24.280 --> 0:19:27.560
<v Speaker 1>is much the same way the Chinese do. They they

0:19:27.640 --> 0:19:30.760
<v Speaker 1>live in a bilateral world. They don't like to live

0:19:30.800 --> 0:19:34.480
<v Speaker 1>in a multilateral world. To them, NATO is a multi

0:19:34.640 --> 0:19:40.960
<v Speaker 1>multilateral situation and problem each separate country. If you deal

0:19:41.040 --> 0:19:44.320
<v Speaker 1>with each separate country country in a bilateral way makes

0:19:44.359 --> 0:19:47.840
<v Speaker 1>it a lot easier. And then you can UH, in

0:19:48.320 --> 0:19:54.080
<v Speaker 1>typical Russian fashion, UH pit one ally against the other

0:19:54.359 --> 0:20:00.800
<v Speaker 1>and create discord and split the alliances. Hasn't really worked

0:20:00.840 --> 0:20:04.840
<v Speaker 1>that well. It worked many times before, but it hasn't

0:20:04.880 --> 0:20:07.560
<v Speaker 1>worked that well this time. So I believe he's made

0:20:07.560 --> 0:20:11.520
<v Speaker 1>a miscalculation on that level. The only problem is if

0:20:11.520 --> 0:20:13.560
<v Speaker 1>it gets to the point where it starts to look

0:20:13.600 --> 0:20:17.080
<v Speaker 1>bad for him, he's gonna have a couple of tough choices.

0:20:18.160 --> 0:20:21.639
<v Speaker 1>I don't think we'll see the nuclear option, but what

0:20:21.760 --> 0:20:25.760
<v Speaker 1>I I am very afraid of is the use of

0:20:25.800 --> 0:20:30.520
<v Speaker 1>weapons of mass destruction other than nuclear weapons, or what

0:20:30.560 --> 0:20:41.560
<v Speaker 1>we are seeing is massive conventional destruction of everything, people, buildings, infrastructure, everything,

0:20:41.960 --> 0:20:47.040
<v Speaker 1>to just lay waste to it completely, which is what

0:20:47.080 --> 0:20:50.320
<v Speaker 1>the Russians did in Germany during World War Two. If

0:20:50.320 --> 0:20:53.040
<v Speaker 1>we talk about Syria, we talked about poison gas. You

0:20:53.080 --> 0:20:55.160
<v Speaker 1>think that's an option they might use. What I think

0:20:55.160 --> 0:21:00.879
<v Speaker 1>about Syria, well, we talk about chemical warfare. I'm not

0:21:02.320 --> 0:21:05.920
<v Speaker 1>as worried about that as I am about the use

0:21:06.480 --> 0:21:10.200
<v Speaker 1>of things like barrel bombs in the Scriminate killing. They

0:21:10.280 --> 0:21:15.200
<v Speaker 1>found a number of flashettes embedded in buildings in certain

0:21:15.600 --> 0:21:18.479
<v Speaker 1>outside of certain cities in Ukraine. I don't know if

0:21:18.480 --> 0:21:21.320
<v Speaker 1>you're familiar with flashettes, no, no, can you explain what

0:21:21.359 --> 0:21:24.960
<v Speaker 1>those are? And also barrel bombs. A flashette is in

0:21:25.040 --> 0:21:30.919
<v Speaker 1>a sense kind of like a modern arrowhead. Uh. It

0:21:31.119 --> 0:21:34.920
<v Speaker 1>is made out of a very strong metal and when

0:21:34.960 --> 0:21:39.439
<v Speaker 1>it pierces something it's it leaves a very ugly wound.

0:21:40.280 --> 0:21:45.840
<v Speaker 1>It's like, um, if somebody loaded up a cannon with

0:21:45.960 --> 0:21:49.080
<v Speaker 1>a bunch of straightened fish hooks that were probably three

0:21:49.160 --> 0:21:53.879
<v Speaker 1>inches long and maybe half fininch wide by the thousands.

0:21:55.240 --> 0:22:02.080
<v Speaker 1>It's basically a scythe that cuts through everything. It's an

0:22:02.240 --> 0:22:07.200
<v Speaker 1>it's a complete anti personnel weapon. It's designed to maim

0:22:07.280 --> 0:22:13.320
<v Speaker 1>and kill on Uh. It's probably the modern version of

0:22:13.359 --> 0:22:18.560
<v Speaker 1>what grape shot was back in the Barrel bombs are

0:22:18.600 --> 0:22:22.560
<v Speaker 1>basically fifty five gallon drums full of explosives and whatever

0:22:22.600 --> 0:22:29.880
<v Speaker 1>else you might want to put in it, pass uh, metal, glass, whatever,

0:22:30.400 --> 0:22:32.919
<v Speaker 1>and you just roll them out of helicopters and you

0:22:33.000 --> 0:22:36.800
<v Speaker 1>roll them down on people and it kills everything without

0:22:36.800 --> 0:22:41.679
<v Speaker 1>a sixties seventy ft radius. Do you anticipate, as a

0:22:41.720 --> 0:22:47.960
<v Speaker 1>result of sanctions and as result of inferior tanks and morale,

0:22:48.800 --> 0:22:52.080
<v Speaker 1>that the Russians may end up with the depleted force

0:22:52.280 --> 0:22:54.560
<v Speaker 1>or do you believe they have enough resources they can

0:22:54.560 --> 0:22:57.240
<v Speaker 1>continue to fight for a very long time. I'm I

0:22:57.359 --> 0:23:03.440
<v Speaker 1>think they're gonna They're gonna have a problem recruiting their

0:23:03.480 --> 0:23:06.879
<v Speaker 1>Their military will never be all volunteer, and one of

0:23:06.880 --> 0:23:11.040
<v Speaker 1>the reasons find the low morale in the military. I mean,

0:23:11.080 --> 0:23:14.240
<v Speaker 1>I remember in UH back in the day, I think

0:23:14.280 --> 0:23:19.000
<v Speaker 1>it was Blenko flew a big into Japan out of

0:23:19.040 --> 0:23:22.440
<v Speaker 1>the camp Chat Peninsula, but it couldn't go above fifteen

0:23:22.440 --> 0:23:24.720
<v Speaker 1>thousand feet because the ground crew had drank all the

0:23:24.800 --> 0:23:28.439
<v Speaker 1>d I all hydraulic fluid. So that gives you an

0:23:28.480 --> 0:23:30.719
<v Speaker 1>idea about what it's like to be in the Russian

0:23:30.840 --> 0:23:38.639
<v Speaker 1>army um as far as um inferior tanks, Yes, and

0:23:38.760 --> 0:23:45.800
<v Speaker 1>no that that I there will come a time where

0:23:45.840 --> 0:23:48.840
<v Speaker 1>there will be decisions made by Putin and his inner

0:23:48.880 --> 0:23:55.320
<v Speaker 1>circle to change the the equipment, UH military hardware that

0:23:55.359 --> 0:24:02.240
<v Speaker 1>they apply to the conflict. As far as um, what

0:24:02.240 --> 0:24:07.840
<v Speaker 1>what will happen In. Right now, Russia is making more

0:24:07.920 --> 0:24:14.399
<v Speaker 1>money now from it from uh petroleum exports than they

0:24:14.440 --> 0:24:19.160
<v Speaker 1>were before the conflict. So right now he's not hurting

0:24:19.160 --> 0:24:25.119
<v Speaker 1>at all. It's actually doing much better. So the question

0:24:25.200 --> 0:24:34.560
<v Speaker 1>is how do you define winning? Just how I understand

0:24:34.600 --> 0:24:37.560
<v Speaker 1>because you're closer than I am. So you're saying, despite

0:24:37.560 --> 0:24:40.679
<v Speaker 1>all the sanctions and the fall of the ruble and

0:24:40.720 --> 0:24:44.359
<v Speaker 1>the banking restrictions, when even it all out, he's actually

0:24:44.440 --> 0:24:48.359
<v Speaker 1>doing better. Yeah, I just remember quickly. I was I

0:24:48.480 --> 0:24:50.880
<v Speaker 1>was giving the Wall Street Journal today and I saw

0:24:50.920 --> 0:24:54.920
<v Speaker 1>an article that spoke about his I think I was

0:24:54.960 --> 0:24:57.479
<v Speaker 1>in the Wall Street Journal that spoke about how he

0:24:57.560 --> 0:25:02.840
<v Speaker 1>was actually collecting more money than he was before, not

0:25:03.000 --> 0:25:07.720
<v Speaker 1>hurting sanctions notwithstanding the Russian people are not happy. But

0:25:08.040 --> 0:25:10.800
<v Speaker 1>so what? And do you think there's been talk of

0:25:10.880 --> 0:25:15.639
<v Speaker 1>Sweden in Finland joining NATO. Is that a possibility or

0:25:15.920 --> 0:25:18.720
<v Speaker 1>that's just gonna trigger more mayhem. I think it's a

0:25:18.760 --> 0:25:22.639
<v Speaker 1>possibility for a couple of reasons. One the obvious reason

0:25:23.600 --> 0:25:30.720
<v Speaker 1>is if they believe that Putin has miscalculated now, they

0:25:30.840 --> 0:25:34.240
<v Speaker 1>probably don't believe that he has learned a whole lot

0:25:35.520 --> 0:25:39.760
<v Speaker 1>from the situation. And we go back to the motivation,

0:25:39.840 --> 0:25:45.560
<v Speaker 1>regime preservation, etcetera, etcetera. That's not really gonna change. Uh.

0:25:45.600 --> 0:25:50.760
<v Speaker 1>And also NATO has become in some sense a de

0:25:50.960 --> 0:25:56.480
<v Speaker 1>facto trade organization. It's not just military, but there's a

0:25:56.480 --> 0:26:00.800
<v Speaker 1>lot of economic interaction between members of NATO, and so

0:26:01.080 --> 0:26:07.879
<v Speaker 1>for some it has become more than a military alliance.

0:26:08.000 --> 0:26:14.920
<v Speaker 1>It has become economic, social, educational, etcetera, etcetera. It's it's

0:26:15.040 --> 0:26:18.439
<v Speaker 1>it's grown a couple of facets to it. So it

0:26:18.480 --> 0:26:20.960
<v Speaker 1>makes good sense. So how does trying to fit into

0:26:21.000 --> 0:26:24.240
<v Speaker 1>all this? That's a rather broad question. That's like saying,

0:26:24.280 --> 0:26:27.600
<v Speaker 1>play me every solo you overplayed. Okay, let's attack it

0:26:27.680 --> 0:26:35.119
<v Speaker 1>from a different way. Certainly, under Clinton we moved towards globalization. Okay,

0:26:35.359 --> 0:26:39.480
<v Speaker 1>now there is talk that we're deglobalizing. Needless to say,

0:26:39.480 --> 0:26:43.479
<v Speaker 1>when Trump was president, he certainly pulled back. The world

0:26:43.640 --> 0:26:46.439
<v Speaker 1>was getting closer, and now people are talking about the

0:26:46.440 --> 0:26:51.320
<v Speaker 1>world pulling apart into its various Fiefdom's got a bad connotation.

0:26:51.400 --> 0:26:54.879
<v Speaker 1>But the EU, the United States, China, Russia, how do

0:26:54.960 --> 0:27:00.200
<v Speaker 1>you see globalization today? Right? Going back to tribal um

0:27:00.240 --> 0:27:09.920
<v Speaker 1>first of all, again to understand the Chinese government leadership philosophy,

0:27:10.040 --> 0:27:14.000
<v Speaker 1>first of all, Number one, they are the chosen people.

0:27:15.080 --> 0:27:20.639
<v Speaker 1>Number two, they have been humiliated in their own mind

0:27:21.240 --> 0:27:24.400
<v Speaker 1>for the past hundred years and it's time to pay

0:27:24.440 --> 0:27:30.080
<v Speaker 1>the piper. Number three, they feel that they should be

0:27:31.119 --> 0:27:35.760
<v Speaker 1>now the leader of the world, and it's interesting to

0:27:35.800 --> 0:27:38.960
<v Speaker 1>see how they're going about doing that. One way, of course,

0:27:39.160 --> 0:27:43.240
<v Speaker 1>is to replace the dollar as the world currency. And

0:27:43.359 --> 0:27:46.800
<v Speaker 1>I will bet you whatever it is you'd like to

0:27:46.880 --> 0:27:52.840
<v Speaker 1>bet um, you know, uh, dinner at the cheesecake factory,

0:27:52.920 --> 0:27:57.679
<v Speaker 1>whatever it is that they will be asking the Russians

0:27:57.800 --> 0:28:02.159
<v Speaker 1>to pay. The Russians will be asking the Russians they

0:28:02.160 --> 0:28:07.680
<v Speaker 1>will pay the Russians for their um um raw materials

0:28:07.760 --> 0:28:11.600
<v Speaker 1>in Chinese currency. And as soon as they do that,

0:28:11.640 --> 0:28:15.160
<v Speaker 1>the Iranians will do the same. They're they're pushing very

0:28:15.200 --> 0:28:20.399
<v Speaker 1>hard to replace that. So it's not just warfare or

0:28:20.560 --> 0:28:25.760
<v Speaker 1>conflict on a narrow level, it's conflict all across the board.

0:28:26.160 --> 0:28:29.360
<v Speaker 1>China is the only real winner in this game right now,

0:28:30.640 --> 0:28:35.160
<v Speaker 1>because they're gonna buy everything that Russia can dig out

0:28:35.160 --> 0:28:38.520
<v Speaker 1>of the ground. I remember a friend of mine on

0:28:38.600 --> 0:28:41.480
<v Speaker 1>the Joint chiefs of Staff asked me, said, skunk, I

0:28:41.520 --> 0:28:44.160
<v Speaker 1>want you to describe to me in very few words.

0:28:45.280 --> 0:28:49.800
<v Speaker 1>The Russia said, yes, sir, Russia is a nuclear armed

0:28:49.800 --> 0:28:53.920
<v Speaker 1>gas station run by the mafia with a little grocery

0:28:53.960 --> 0:28:58.080
<v Speaker 1>store that sells a couple of things. If that's all

0:28:58.160 --> 0:29:02.400
<v Speaker 1>you got, and you're being sanctioned by much of the world,

0:29:03.080 --> 0:29:06.719
<v Speaker 1>and you don't have to worry like the Chinese. One

0:29:06.720 --> 0:29:08.640
<v Speaker 1>of the reasons that the Chinese have been so active

0:29:08.680 --> 0:29:12.880
<v Speaker 1>in the South China Sea is they remember the the

0:29:13.120 --> 0:29:17.680
<v Speaker 1>Co East Asian Co Prosperity Sphere that Japan set up

0:29:17.680 --> 0:29:20.920
<v Speaker 1>in World War Two to try to protect the sea

0:29:21.000 --> 0:29:26.040
<v Speaker 1>lanes of communication and supply. China has done that. But

0:29:26.240 --> 0:29:31.479
<v Speaker 1>now you could build a railroad from Russia to China,

0:29:31.920 --> 0:29:35.000
<v Speaker 1>never have to put anything on a ship and protect

0:29:35.520 --> 0:29:39.840
<v Speaker 1>your ability to um access raw materials. And the Russians

0:29:39.840 --> 0:29:42.000
<v Speaker 1>will sell them everything they've got, and the and the

0:29:42.080 --> 0:29:49.320
<v Speaker 1>Chinese will buy everything they have. So who wins right now? Okay,

0:29:49.320 --> 0:29:51.760
<v Speaker 1>So let's talk about America. One thing, you know, it's

0:29:51.800 --> 0:29:54.920
<v Speaker 1>hard to move forward in America if you read about China.

0:29:55.240 --> 0:29:58.920
<v Speaker 1>Not only are they head in electric cars, they're buying

0:29:59.000 --> 0:30:03.360
<v Speaker 1>up all the rang materials around the world. In addition,

0:30:03.440 --> 0:30:07.800
<v Speaker 1>as we know, production goes where its cheapest. Presidentally production

0:30:07.960 --> 0:30:12.840
<v Speaker 1>is in China of chips, of computers, et cetera, mostly Taiwan,

0:30:13.040 --> 0:30:18.240
<v Speaker 1>mostly Taiwan. That begs two questions. Since China certainly clamped

0:30:18.280 --> 0:30:22.400
<v Speaker 1>down on Hong Kong and supposedly the next move is Taiwan.

0:30:23.360 --> 0:30:26.000
<v Speaker 1>Is that something that's imminent. If there's such a word

0:30:26.000 --> 0:30:32.640
<v Speaker 1>as imminence, then I would say the definition of imminence

0:30:33.040 --> 0:30:36.440
<v Speaker 1>in the Western world which is usually about a thirteen

0:30:36.560 --> 0:30:42.640
<v Speaker 1>week um economic cycle in business, and China which is

0:30:42.800 --> 0:30:46.640
<v Speaker 1>five or six hundred years, and in bits and pieces,

0:30:48.560 --> 0:30:51.920
<v Speaker 1>I would say from a Chinese point of view, it's imminent.

0:30:52.040 --> 0:30:57.800
<v Speaker 1>There's a couple of factors here. They the goal of

0:30:57.840 --> 0:31:02.360
<v Speaker 1>the Chinese government in the last fifty years has been

0:31:03.800 --> 0:31:09.560
<v Speaker 1>to reclaim three things Macau, Hong Kong, and Taiwan. They

0:31:09.600 --> 0:31:13.800
<v Speaker 1>got two out of three. J And Ping also has

0:31:13.840 --> 0:31:16.960
<v Speaker 1>to show something. The next party congress is coming up

0:31:17.040 --> 0:31:22.880
<v Speaker 1>very soon, and he wants to be um h King

0:31:23.120 --> 0:31:27.600
<v Speaker 1>or President or whatever acute label they want to put

0:31:27.600 --> 0:31:31.760
<v Speaker 1>on it for life. So he has to prove that

0:31:31.880 --> 0:31:34.440
<v Speaker 1>there's a reason for that and that people should agree

0:31:34.480 --> 0:31:41.120
<v Speaker 1>to that. So is the invasion of Taiwan imminent? In

0:31:41.200 --> 0:31:45.640
<v Speaker 1>a from a Chinese perspective, yes, whether from a Western perspective,

0:31:46.320 --> 0:31:49.840
<v Speaker 1>I don't think so. I don't think China is capable

0:31:51.000 --> 0:31:55.040
<v Speaker 1>of securing Taiwan. I think it would be a very

0:31:55.120 --> 0:31:59.640
<v Speaker 1>different battle. And this is just my opinion. I would

0:32:00.840 --> 0:32:04.840
<v Speaker 1>posit that there will be no massive attack like you

0:32:04.880 --> 0:32:08.560
<v Speaker 1>see in Ukraine. There will be a cyber attack. I

0:32:08.560 --> 0:32:12.120
<v Speaker 1>would call it a cyber siege that will shut Taiwan

0:32:12.200 --> 0:32:17.560
<v Speaker 1>down until people starve and then sue for piece. So

0:32:17.640 --> 0:32:19.880
<v Speaker 1>let's talk about warfare. You and me grew up in

0:32:19.880 --> 0:32:23.240
<v Speaker 1>the Vietnam era. We were told that America was the

0:32:23.240 --> 0:32:25.360
<v Speaker 1>greatest country in the world. We could win any war.

0:32:25.920 --> 0:32:29.400
<v Speaker 1>But needless to say, with guerilla warfare, hearts and minds,

0:32:29.520 --> 0:32:33.360
<v Speaker 1>we could not win. So for sixty odd years we've

0:32:33.360 --> 0:32:37.800
<v Speaker 1>had the nuclear option. So if you're fighting war today,

0:32:38.400 --> 0:32:42.640
<v Speaker 1>how important are missiles? We have this incredible defense budget.

0:32:42.680 --> 0:32:45.400
<v Speaker 1>Where should it be put? Missiles and nuclear weapons are

0:32:45.440 --> 0:32:47.880
<v Speaker 1>two different things. I think that's important to make the distinction.

0:32:47.960 --> 0:32:50.680
<v Speaker 1>Let me reframe the question. If you were in charge

0:32:50.720 --> 0:32:56.480
<v Speaker 1>of the defense budget, how would you allocate money today? Okay,

0:32:57.000 --> 0:32:59.880
<v Speaker 1>probably go out on a limb here. I would be

0:33:00.400 --> 0:33:08.560
<v Speaker 1>lots and lots of submarines, I watched Germany almost twice

0:33:09.360 --> 0:33:16.600
<v Speaker 1>when simply because they have the underwater advantage um as

0:33:16.760 --> 0:33:20.320
<v Speaker 1>far as and this is not meant to at all

0:33:21.320 --> 0:33:26.000
<v Speaker 1>reflect negatively on any of the services, but the Chinese

0:33:26.040 --> 0:33:33.040
<v Speaker 1>have built specific weapons to counter specific US weapons systems.

0:33:33.520 --> 0:33:39.520
<v Speaker 1>Give you any example, the DF and the DF are

0:33:39.760 --> 0:33:43.080
<v Speaker 1>anti ship missiles, but they're anti ship missiles that have

0:33:43.120 --> 0:33:48.000
<v Speaker 1>a range of They have the ability to take out

0:33:48.000 --> 0:33:52.680
<v Speaker 1>an aircraft carrier. Now, if you look at the range

0:33:53.080 --> 0:33:57.960
<v Speaker 1>of the typical aircraft on an aircraft carrier, it's a

0:33:58.000 --> 0:34:02.880
<v Speaker 1>lot less than that. So the idea Chinese strategy is

0:34:03.240 --> 0:34:08.280
<v Speaker 1>we will keep American carrier battle groups away from US

0:34:08.320 --> 0:34:11.520
<v Speaker 1>so they can no longer function. Now again I'm not

0:34:11.560 --> 0:34:14.800
<v Speaker 1>gonna I'm right on the edge here, but just because

0:34:15.040 --> 0:34:18.720
<v Speaker 1>carrier battle groups are big doesn't mean there are fat

0:34:18.760 --> 0:34:21.359
<v Speaker 1>targets all the time. And I'll just leave it at that.

0:34:22.560 --> 0:34:32.080
<v Speaker 1>In terms of the ability to prosecute the underwater domain,

0:34:33.280 --> 0:34:38.520
<v Speaker 1>the Chinese have built a lot of diesel submarines. Diesel

0:34:38.560 --> 0:34:45.600
<v Speaker 1>meaning non nuclear, and actually an air independent probulsion design

0:34:46.280 --> 0:34:49.880
<v Speaker 1>in a non nuclear submarine is quieter even than some

0:34:50.000 --> 0:34:54.480
<v Speaker 1>nuclear submarines. They don't have the range, but it doesn't

0:34:54.520 --> 0:34:57.400
<v Speaker 1>make any difference if you're fighting in the littorals or

0:34:57.440 --> 0:35:02.000
<v Speaker 1>if you're fighting in your near strategic In China, that

0:35:02.000 --> 0:35:04.080
<v Speaker 1>would be in the first style and chain or the

0:35:04.120 --> 0:35:08.319
<v Speaker 1>second island chain in the South China seat. So as

0:35:08.360 --> 0:35:13.879
<v Speaker 1>I watched the Chinese very specifically, very specifically designed their

0:35:13.920 --> 0:35:18.120
<v Speaker 1>weapons systems based on going to war with the United States,

0:35:18.360 --> 0:35:21.920
<v Speaker 1>missiles are excellent. I would build a lot of missiles.

0:35:22.400 --> 0:35:24.439
<v Speaker 1>I would build a lot of cruise missiles. I would

0:35:24.480 --> 0:35:27.560
<v Speaker 1>build a lot of hypersonic missiles. I would build a

0:35:27.680 --> 0:35:32.080
<v Speaker 1>lot of weapons that are autonomous, that are nonpiloted, that

0:35:32.160 --> 0:35:36.359
<v Speaker 1>are fast, that cover a vast spectrum from going very

0:35:36.400 --> 0:35:39.759
<v Speaker 1>slowly to going to mock ten. And I would I

0:35:39.760 --> 0:35:47.800
<v Speaker 1>would highly complicate my adversaries ability to intercept and prosecute

0:35:48.160 --> 0:35:53.280
<v Speaker 1>any kind of defensive capability against those kind of weapons.

0:35:55.160 --> 0:35:59.600
<v Speaker 1>Nuclear weapons. We already talked about that. Under Trump, there

0:35:59.719 --> 0:36:05.400
<v Speaker 1>was pulling back and an America first philosophy. If you

0:36:05.440 --> 0:36:10.520
<v Speaker 1>were running the country, what would your philosophy be Integrating

0:36:10.600 --> 0:36:12.359
<v Speaker 1>with the rest of the world. There are a lot

0:36:12.400 --> 0:36:16.040
<v Speaker 1>of things here, not only defense. There's economic issues, there's

0:36:16.080 --> 0:36:19.960
<v Speaker 1>climate issues. To what degree should we be integrated in

0:36:20.000 --> 0:36:22.240
<v Speaker 1>the rest of the world, or should we pull back. Well,

0:36:22.320 --> 0:36:24.600
<v Speaker 1>let's look at a little bit of history. What happened

0:36:24.640 --> 0:36:30.360
<v Speaker 1>after World War Two? Did the United States conquer anybody? No,

0:36:31.760 --> 0:36:36.080
<v Speaker 1>what they did was put in place the US dollar

0:36:37.080 --> 0:36:42.520
<v Speaker 1>as the world currency. Didn't have to shoot anybody, didn't

0:36:42.520 --> 0:36:44.960
<v Speaker 1>have to blow anything up. I mean, this is after

0:36:45.040 --> 0:36:48.760
<v Speaker 1>World War Two. The idea of becoming a world power

0:36:49.120 --> 0:36:54.240
<v Speaker 1>without killing everything in sight, unlike some of the other

0:36:54.320 --> 0:36:57.560
<v Speaker 1>adversaries that we could talk about back at World War two,

0:36:58.320 --> 0:37:04.319
<v Speaker 1>was kind of an interesting idea. The British did it

0:37:05.440 --> 0:37:08.319
<v Speaker 1>back in the sixteen seventeen and eighteen hundreds, but they

0:37:08.400 --> 0:37:13.120
<v Speaker 1>followed it on with military strength as well, you're I

0:37:13.160 --> 0:37:17.880
<v Speaker 1>mean England, the UK for many years was the world

0:37:17.920 --> 0:37:21.319
<v Speaker 1>economic power, but they backed it up with military might.

0:37:22.320 --> 0:37:24.680
<v Speaker 1>Same thing with the United States. After World War two.

0:37:24.680 --> 0:37:30.920
<v Speaker 1>Two things happened. One American became the the the the

0:37:31.920 --> 0:37:35.440
<v Speaker 1>what would you call it, the sort of centerpiece of

0:37:35.480 --> 0:37:39.239
<v Speaker 1>the world economy. And number two, they became the guaranteur

0:37:40.160 --> 0:37:47.799
<v Speaker 1>of of freedom against authoritarian regimes, and they guaranteed it

0:37:48.239 --> 0:37:52.399
<v Speaker 1>with nuclear weapons. The Russians had a seven to one

0:37:52.520 --> 0:37:57.520
<v Speaker 1>conventional advantage in Europe. Everybody in every military commander in

0:37:57.560 --> 0:38:03.880
<v Speaker 1>Germany was sitting there waiting for hundred hundreds of armored

0:38:03.960 --> 0:38:10.200
<v Speaker 1>Russian divisions pouring down the folded gap into Germany. The

0:38:10.239 --> 0:38:14.040
<v Speaker 1>only way to stop that would be with technical nuclear weapons.

0:38:16.239 --> 0:38:21.560
<v Speaker 1>Why did the Russians deploy the s S twenty because

0:38:21.600 --> 0:38:25.360
<v Speaker 1>they needed a tactical nuclear option? Why did they not?

0:38:25.760 --> 0:38:29.880
<v Speaker 1>Why did NATO deploy the Pershing too, to say to

0:38:29.960 --> 0:38:34.640
<v Speaker 1>the Russians, ain't gonna work, buddy. We are now in

0:38:34.800 --> 0:38:39.400
<v Speaker 1>your wheelhouse with tactical nuclear weapons, and you don't know

0:38:39.400 --> 0:38:42.799
<v Speaker 1>if we're gonna use them or not. So for a

0:38:42.880 --> 0:38:47.400
<v Speaker 1>long time, it was a bipolar world. China had really

0:38:47.440 --> 0:38:54.839
<v Speaker 1>not risen to any uh super strength as it is now.

0:38:55.680 --> 0:38:58.920
<v Speaker 1>They certainly had a large army, but their economy was

0:38:59.120 --> 0:39:02.200
<v Speaker 1>the size of O High for you know, a long time.

0:39:03.120 --> 0:39:07.120
<v Speaker 1>So for a long time everything was kind of imbalance.

0:39:07.760 --> 0:39:12.280
<v Speaker 1>You either on one side or the other. Everybody like dollars,

0:39:13.040 --> 0:39:20.319
<v Speaker 1>but you were either allied to Russia China wasn't really

0:39:20.400 --> 0:39:23.960
<v Speaker 1>a player in the alliance game at the time, or

0:39:24.000 --> 0:39:26.760
<v Speaker 1>you were aligned to the United States. Now it's interesting,

0:39:27.120 --> 0:39:33.040
<v Speaker 1>there's the third player, very powerful both economically and militarily.

0:39:33.080 --> 0:39:38.239
<v Speaker 1>I mean I I believe the Chinese thought about this.

0:39:38.360 --> 0:39:42.880
<v Speaker 1>It said, I think the formula is what the United

0:39:42.960 --> 0:39:49.040
<v Speaker 1>States did after World War Two. Let's manufacture everything, Let's

0:39:49.120 --> 0:39:53.719
<v Speaker 1>try to become the world currency. Let's become the dominant

0:39:53.760 --> 0:40:03.040
<v Speaker 1>military power and reach out and through alliances, not conquering

0:40:03.560 --> 0:40:09.080
<v Speaker 1>through the belt of road. Um uh concept bring people

0:40:09.160 --> 0:40:14.319
<v Speaker 1>into our fold looks to me. I would say it

0:40:14.360 --> 0:40:18.719
<v Speaker 1>passes the duck test. Walks like a duck, quacks like

0:40:18.800 --> 0:40:23.600
<v Speaker 1>a duck, probably a duck. It looks exactly like what

0:40:23.680 --> 0:40:26.600
<v Speaker 1>the United States did. So what do the United States

0:40:26.640 --> 0:40:29.399
<v Speaker 1>do going forward? Well, now you're asking me to talk

0:40:29.440 --> 0:40:34.120
<v Speaker 1>about policy, and that's always an interesting arena. The United

0:40:34.120 --> 0:40:38.480
<v Speaker 1>States has two main problems. One is China has infiltrated

0:40:39.560 --> 0:40:45.319
<v Speaker 1>the United States on all levels government, commercial, academic, and

0:40:45.400 --> 0:40:51.279
<v Speaker 1>it's very difficult once that adversary has gained this much

0:40:51.320 --> 0:40:54.880
<v Speaker 1>control to be able to deal with it. You have

0:40:55.120 --> 0:40:58.840
<v Speaker 1>to know. Let me say that if one were to

0:40:59.040 --> 0:41:04.480
<v Speaker 1>try to meliorate that, one would have to number one,

0:41:07.719 --> 0:41:13.000
<v Speaker 1>um unite the population to understand what the dangers are,

0:41:15.400 --> 0:41:19.120
<v Speaker 1>get their agreement that there is a problem, and get

0:41:19.120 --> 0:41:22.840
<v Speaker 1>their agreement on what the solutions might be. Before you

0:41:22.880 --> 0:41:26.919
<v Speaker 1>even discuss the solutions. You have to have support, can't

0:41:26.960 --> 0:41:30.960
<v Speaker 1>do anything unless people will let you do it. And

0:41:31.080 --> 0:41:36.200
<v Speaker 1>in a tripolar world, it's very different. Some would argue

0:41:36.200 --> 0:41:40.440
<v Speaker 1>that a tripolar world is easier because you ever have

0:41:40.480 --> 0:41:46.239
<v Speaker 1>you ever played risk? Uh? Yeah, So in a tripolar

0:41:46.360 --> 0:41:54.320
<v Speaker 1>or a quad quadripolar world, Uh, it's alliances, My the

0:41:54.320 --> 0:41:59.640
<v Speaker 1>the enemy, and my friend is my friend. It's a

0:41:59.760 --> 0:42:04.480
<v Speaker 1>little different game. The question is how do you play

0:42:04.520 --> 0:42:08.719
<v Speaker 1>that game with Russia and China, especially with Russia being

0:42:08.719 --> 0:42:12.000
<v Speaker 1>crippled in terms of its ability to relate to the

0:42:12.040 --> 0:42:15.680
<v Speaker 1>Western world and China reaching out and saying it's okay,

0:42:15.800 --> 0:42:17.640
<v Speaker 1>Well by everything you can dig out on the ground.

0:42:19.200 --> 0:42:22.839
<v Speaker 1>So how do you rally the American people? Well, I

0:42:22.840 --> 0:42:26.920
<v Speaker 1>guess I'm a bit of a patriot. I love my country.

0:42:27.080 --> 0:42:29.799
<v Speaker 1>I'm willing to put my life down for it. I

0:42:29.840 --> 0:42:35.080
<v Speaker 1>took an oath to defend the Constitution. I don't believe

0:42:35.640 --> 0:42:40.640
<v Speaker 1>that it is a zero sum game, which I believe

0:42:41.120 --> 0:42:46.760
<v Speaker 1>Russia and China believe. I think everybody could get along

0:42:47.640 --> 0:42:52.759
<v Speaker 1>just fine. The only problem is some people are just

0:42:53.040 --> 0:43:02.960
<v Speaker 1>nasty bastards. Putin is not Elon musk g is not

0:43:03.160 --> 0:43:10.360
<v Speaker 1>New gig Rich. There's a very different world here, you know, Uh,

0:43:10.760 --> 0:43:17.920
<v Speaker 1>Putin is not Jack Kennedy. They look at things very differently,

0:43:17.960 --> 0:43:19.879
<v Speaker 1>and they look at it as a zero sum game,

0:43:21.239 --> 0:43:24.840
<v Speaker 1>as the Russians always are fond of saying their version

0:43:24.840 --> 0:43:27.359
<v Speaker 1>of negotiation and what's mine is mine and what's yours

0:43:27.480 --> 0:43:32.120
<v Speaker 1>is negotiable. That is really another definition of a zero

0:43:32.200 --> 0:43:39.080
<v Speaker 1>sum game. So I'm answering your question with a question,

0:43:39.640 --> 0:43:43.759
<v Speaker 1>how do you educate your population instill in them a

0:43:43.920 --> 0:43:51.040
<v Speaker 1>need and a desire to protect the tenants of democracy, which,

0:43:51.120 --> 0:43:55.880
<v Speaker 1>by the way, all the words used in Constitution, declaration

0:43:55.920 --> 0:44:00.480
<v Speaker 1>of Independence, bill of rights refer to the individual, whereas

0:44:00.480 --> 0:44:03.799
<v Speaker 1>in an autocracy it's the state. If you believe that

0:44:03.880 --> 0:44:10.840
<v Speaker 1>the individual above all, whether it's a religious um mandate,

0:44:11.640 --> 0:44:16.960
<v Speaker 1>all freedom is flow from God or whatever you're theological

0:44:17.040 --> 0:44:22.680
<v Speaker 1>or philosophical point of view may be, that the individual

0:44:25.000 --> 0:44:27.840
<v Speaker 1>the importance and the existence of the individual, and the

0:44:27.920 --> 0:44:32.560
<v Speaker 1>right of the individual to be free, uh, and to

0:44:32.719 --> 0:44:39.160
<v Speaker 1>operate autonomous, autonomously in a system where people agree to

0:44:39.239 --> 0:44:42.279
<v Speaker 1>certain rules. If you think that's important, then that's what

0:44:42.360 --> 0:44:45.960
<v Speaker 1>America is. Now. We can get into woke arguments about

0:44:46.320 --> 0:44:52.280
<v Speaker 1>who's doing what, etcetera. And yeah, nobody's perfect, My God, please,

0:44:53.480 --> 0:44:56.760
<v Speaker 1>But why does everybody want to come to the United States?

0:44:59.440 --> 0:45:04.160
<v Speaker 1>Are there hundreds of thousands of people coming across the

0:45:04.200 --> 0:45:11.000
<v Speaker 1>borders of Russia, North Korea, Iran? I don't think so.

0:45:11.920 --> 0:45:15.440
<v Speaker 1>So there must be something about the United States the people.

0:45:15.800 --> 0:45:20.160
<v Speaker 1>It's philosophy, it's ideas, it's dreams, the way it looks

0:45:20.160 --> 0:45:25.600
<v Speaker 1>at things that appeals to people deep down. And I'll

0:45:25.600 --> 0:45:30.680
<v Speaker 1>give you an example. Uh, when we were up on

0:45:30.719 --> 0:45:36.760
<v Speaker 1>the Thai Burma border. This is about years ago. People

0:45:37.320 --> 0:45:40.719
<v Speaker 1>we had brought with us copies of the Declaration of Independence,

0:45:40.719 --> 0:45:45.080
<v Speaker 1>the Bill of Rights, and the Constitution that we're translated

0:45:45.120 --> 0:45:51.160
<v Speaker 1>into different languages among Korenean Wah, the languages of the

0:45:51.200 --> 0:45:55.880
<v Speaker 1>border people's up in Burma and up on western Thailand.

0:45:56.920 --> 0:45:59.680
<v Speaker 1>People were coming through the jungle two miles to get

0:45:59.719 --> 0:46:05.000
<v Speaker 1>their ends on those documents. What does that mean? Why

0:46:05.040 --> 0:46:09.400
<v Speaker 1>would a piece of paper be that important? Well? What

0:46:09.480 --> 0:46:14.400
<v Speaker 1>does that piece of paper resent represent? So the answer

0:46:14.480 --> 0:46:18.440
<v Speaker 1>to that, I believe is a dream that most everyone has.

0:46:19.239 --> 0:46:21.319
<v Speaker 1>I want to do what I need to do, I'd

0:46:21.360 --> 0:46:24.959
<v Speaker 1>like to do it in relative peace and tranquility. Raise

0:46:25.040 --> 0:46:31.520
<v Speaker 1>my children, pursue happiness. Let's see raising your children in

0:46:31.600 --> 0:46:38.200
<v Speaker 1>peace and tranquility and pursuing happiness. See much of that

0:46:38.200 --> 0:46:43.879
<v Speaker 1>in Russia, Yeah, North Korea. The Yeah, well, and listen,

0:46:43.920 --> 0:46:46.520
<v Speaker 1>I'm not trying to be a snot. I'm just saying

0:46:46.560 --> 0:46:50.440
<v Speaker 1>that that I think when maybe to use the words

0:46:50.520 --> 0:46:55.840
<v Speaker 1>that these truths we believe to be ourselves evident. Yeah, yeah,

0:46:56.360 --> 0:47:00.440
<v Speaker 1>so too. And I'm sorry it's it can be a

0:47:00.440 --> 0:47:03.360
<v Speaker 1>long time to get around to answering your question. But

0:47:03.480 --> 0:47:08.720
<v Speaker 1>the way that you bring together a group of people

0:47:08.920 --> 0:47:14.399
<v Speaker 1>is under a philosophy, and our philosophy, or our philosophy

0:47:14.440 --> 0:47:21.120
<v Speaker 1>in America is the philosophy of the individual subsumed. Uh,

0:47:21.280 --> 0:47:24.600
<v Speaker 1>where the state is subsumed to the individual, the individual

0:47:24.680 --> 0:47:28.040
<v Speaker 1>is more important than the state. Not in Russia, not

0:47:28.200 --> 0:47:30.640
<v Speaker 1>in China, not in North Korea, not the wrong, not

0:47:30.719 --> 0:47:33.680
<v Speaker 1>in any place I can think of other than the

0:47:33.680 --> 0:47:37.520
<v Speaker 1>Western world. Okay, just one question, uh, needle to say

0:47:37.560 --> 0:47:42.040
<v Speaker 1>America is divided. One half of the population, maybe a

0:47:42.040 --> 0:47:46.560
<v Speaker 1>little bit more than that, believes democracy is in danger

0:47:46.800 --> 0:47:51.000
<v Speaker 1>and autocracy is possible in the near future. Do you

0:47:51.080 --> 0:47:54.400
<v Speaker 1>believe that's a possibility. I believe it's a possibility, and

0:47:54.480 --> 0:48:01.600
<v Speaker 1>not necessarily because of present circumstances. I think and I've

0:48:01.600 --> 0:48:08.160
<v Speaker 1>gonna sound trite, but the price of freedom is eternal vigilance.

0:48:10.600 --> 0:48:15.760
<v Speaker 1>And I'm gonna roll off a couple of um um

0:48:16.000 --> 0:48:23.160
<v Speaker 1>sort of maybe tried phrases. Absolute power crops. Absolutely the

0:48:23.200 --> 0:48:30.400
<v Speaker 1>whole idea of a democratic republic where the voice of

0:48:30.440 --> 0:48:35.200
<v Speaker 1>the people creates the government, was designed to try to

0:48:36.000 --> 0:48:42.680
<v Speaker 1>prevent that, again, the individual versus the state, because I

0:48:42.880 --> 0:48:48.280
<v Speaker 1>see a greater reliance or a greater desire to rely

0:48:48.560 --> 0:48:52.800
<v Speaker 1>on the government as opposed to the individual for things

0:48:52.880 --> 0:48:58.719
<v Speaker 1>like food and clothing, the basic necessities of life. When

0:48:58.840 --> 0:49:06.279
<v Speaker 1>that manifests itself, there is a danger that people we'll

0:49:06.320 --> 0:49:10.400
<v Speaker 1>give up their freedom of giving an example. Uh, And

0:49:10.440 --> 0:49:13.680
<v Speaker 1>I'm gonna take you back you're my age or around it.

0:49:14.000 --> 0:49:16.560
<v Speaker 1>I'm gonna go back to high school or in college.

0:49:16.560 --> 0:49:19.720
<v Speaker 1>When you read The Brothers karamats Off and you read

0:49:19.719 --> 0:49:25.719
<v Speaker 1>the chapter called the Grand Inquisitor, when Alexei was basically

0:49:26.120 --> 0:49:31.760
<v Speaker 1>telling an allegory about how Jesus Christ came to a

0:49:31.760 --> 0:49:36.319
<v Speaker 1>a town back in the ninth century and immediately was

0:49:36.440 --> 0:49:40.400
<v Speaker 1>arrested by the Grand Inquisitor and put in jail. And

0:49:40.560 --> 0:49:44.080
<v Speaker 1>so there's seven or eight pages of a dialogue between

0:49:44.160 --> 0:49:49.440
<v Speaker 1>Jesus Christ and the Grand Inquisitor Jesus Christ says, and

0:49:49.719 --> 0:49:52.440
<v Speaker 1>this is I'm not this is not theological, this is

0:49:52.520 --> 0:49:57.720
<v Speaker 1>just characters. Jesus Christ says. People want to be free,

0:49:58.560 --> 0:50:01.319
<v Speaker 1>they want to be able to operate, think freely, they

0:50:01.360 --> 0:50:04.759
<v Speaker 1>want to exercise free will and all the things that

0:50:04.800 --> 0:50:08.759
<v Speaker 1>were familiar with The Grand Inquisitor says, No, they want

0:50:08.800 --> 0:50:13.000
<v Speaker 1>three hots and a cot if they if I give

0:50:13.040 --> 0:50:17.279
<v Speaker 1>them what they need, they'll give up their freedoms. And

0:50:17.320 --> 0:50:20.279
<v Speaker 1>it was an interesting dialogue. And I would suggest that

0:50:20.440 --> 0:50:24.799
<v Speaker 1>anyone who would like to pursue the discussion that you

0:50:24.840 --> 0:50:29.680
<v Speaker 1>and I are having start with that. There are very

0:50:29.719 --> 0:50:35.280
<v Speaker 1>well um presented arguments on both sides. There are people

0:50:35.360 --> 0:50:40.560
<v Speaker 1>that will tell you that a democratic state that where

0:50:40.560 --> 0:50:46.600
<v Speaker 1>the individual is of of prime importance, will ultimately fail.

0:50:47.600 --> 0:50:50.560
<v Speaker 1>That's what the Chinese will tell you. The Chinese government

0:50:50.560 --> 0:50:56.279
<v Speaker 1>will tell you that. I don't believe that, but I've

0:50:56.320 --> 0:51:02.200
<v Speaker 1>heard people make excellent arguments to the contrary. That democracy

0:51:02.239 --> 0:51:07.280
<v Speaker 1>is a flawed Some people refer to the democratic process

0:51:07.360 --> 0:51:12.600
<v Speaker 1>as making sausage, which is never really a pretty process.

0:51:14.160 --> 0:51:20.560
<v Speaker 1>But as Winston Churchill said, with his American mother, you

0:51:20.560 --> 0:51:23.560
<v Speaker 1>can always rely on America to do the right thing

0:51:24.120 --> 0:51:28.719
<v Speaker 1>after they've exhausted every other possibility. But he said it

0:51:28.760 --> 0:51:32.680
<v Speaker 1>with love. He did not say it to be nasty

0:51:33.200 --> 0:51:37.480
<v Speaker 1>or in any of a detrimental way. He believed that

0:51:37.600 --> 0:51:41.520
<v Speaker 1>even though the system was a little rough, that you

0:51:41.640 --> 0:51:51.160
<v Speaker 1>get ultimately you get what you need. Okay, let's do

0:51:51.200 --> 0:51:53.480
<v Speaker 1>a one eight here and go back to music. I

0:51:53.480 --> 0:51:55.719
<v Speaker 1>could go on for hours about this, but people also

0:51:55.760 --> 0:51:58.520
<v Speaker 1>want to hear about your musical career. He referenced that

0:51:58.719 --> 0:52:04.080
<v Speaker 1>session in che Tago where the Stone leader passed out

0:52:04.480 --> 0:52:08.200
<v Speaker 1>staffs with nothing on them. Do you read music? I'm

0:52:08.239 --> 0:52:09.840
<v Speaker 1>not great at it. How did you learn how to

0:52:09.880 --> 0:52:13.040
<v Speaker 1>read music? I studied classical piano for eight years, and

0:52:13.080 --> 0:52:16.840
<v Speaker 1>then as I began to pursue a career in the

0:52:16.920 --> 0:52:22.040
<v Speaker 1>studio that's the studio musician, I began to study books

0:52:22.040 --> 0:52:27.560
<v Speaker 1>on reading music. And as my dad I used to say,

0:52:27.719 --> 0:52:32.160
<v Speaker 1>there's nothing like a hanging to focus your attention. Uh.

0:52:32.280 --> 0:52:34.120
<v Speaker 1>If you're in the studio and they put a piece

0:52:34.160 --> 0:52:36.960
<v Speaker 1>of music in front of you, you better be able

0:52:37.000 --> 0:52:40.000
<v Speaker 1>to read it or you're gonna learn real quick. Now.

0:52:40.400 --> 0:52:45.040
<v Speaker 1>Can I read music like Tommy Tedesco could? Or am

0:52:45.080 --> 0:52:48.239
<v Speaker 1>I reading like Tim may No? I'm not really great

0:52:48.280 --> 0:52:54.280
<v Speaker 1>at the fly ship, but I can certainly uh fulfill

0:52:54.400 --> 0:52:58.880
<v Speaker 1>the session. As a matter of fact, I remember I

0:52:58.960 --> 0:53:01.480
<v Speaker 1>remember a session with David Campbell, and I'm trying to

0:53:01.520 --> 0:53:04.719
<v Speaker 1>remember who the artist was. This was like years ago

0:53:05.480 --> 0:53:11.359
<v Speaker 1>where there were twenty five sheets of music. It would

0:53:11.400 --> 0:53:14.000
<v Speaker 1>say they wanted to do was a movie soundtrack and

0:53:14.040 --> 0:53:16.920
<v Speaker 1>they wanted to do all the guitar overdubs in one past.

0:53:18.880 --> 0:53:23.839
<v Speaker 1>So I said, okay, I'm in. And what they did

0:53:23.960 --> 0:53:26.360
<v Speaker 1>is that they taped all the pieces of music to

0:53:26.400 --> 0:53:29.520
<v Speaker 1>get all the sheets of music they used about I

0:53:29.560 --> 0:53:34.000
<v Speaker 1>don't know sixteen seventeen eighteen music stands. Put me on

0:53:34.040 --> 0:53:38.680
<v Speaker 1>a chair with wheels, and David slowly wheeled me down,

0:53:39.840 --> 0:53:43.200
<v Speaker 1>pasted all the charts until I got to the end

0:53:43.280 --> 0:53:47.319
<v Speaker 1>of it and was just reading it as we go. So, yes,

0:53:47.800 --> 0:53:49.920
<v Speaker 1>I can read music. Okay, let's go to the beginning.

0:53:49.920 --> 0:53:52.319
<v Speaker 1>Where did you grow up? Till I was nine years old?

0:53:52.400 --> 0:53:55.320
<v Speaker 1>I grew up in Washington, d C. What'd your parents

0:53:55.360 --> 0:53:57.759
<v Speaker 1>do for living there? Well, my mom was a housewife,

0:53:58.200 --> 0:54:01.000
<v Speaker 1>a good one. And did you ever seen Madman? I

0:54:01.000 --> 0:54:03.520
<v Speaker 1>haven't seen the whole series, but I've certainly seen it. Well,

0:54:03.520 --> 0:54:07.320
<v Speaker 1>that was my dad. Don Draper with without without the issues.

0:54:07.880 --> 0:54:11.880
<v Speaker 1>He was uh senior vice president of J Walter Thompson,

0:54:12.120 --> 0:54:14.959
<v Speaker 1>the largest advertising agency in the world. How many kids

0:54:14.960 --> 0:54:16.880
<v Speaker 1>in the family. Just okay, So where do you go

0:54:16.920 --> 0:54:19.520
<v Speaker 1>when you're nine? We moved to Mexico City, where he

0:54:19.560 --> 0:54:23.799
<v Speaker 1>took over all of the Latin American branch of Jay

0:54:23.840 --> 0:54:26.400
<v Speaker 1>Walter Thompson. So what was that like for you suddenly

0:54:26.480 --> 0:54:30.880
<v Speaker 1>being in Mexico? Awesome because here I am in a country.

0:54:31.000 --> 0:54:32.960
<v Speaker 1>I've got a couple of bucks to put together, and

0:54:32.960 --> 0:54:34.759
<v Speaker 1>not wealthy, but I have a couple of bucks to

0:54:34.760 --> 0:54:38.440
<v Speaker 1>put together. I'm living a country which really has no rules.

0:54:39.400 --> 0:54:43.120
<v Speaker 1>I can play strip bars and clubs. When I'm eleven twelve,

0:54:43.560 --> 0:54:46.279
<v Speaker 1>I could be in bands. I could do pretty much

0:54:46.320 --> 0:54:53.280
<v Speaker 1>whatever I want and also be exposed to a tremendous,

0:54:53.920 --> 0:54:58.680
<v Speaker 1>tremendously multifaceted and varied culture. It's a matter of fact,

0:54:59.160 --> 0:55:00.759
<v Speaker 1>I went to the America School for a year in

0:55:00.800 --> 0:55:03.560
<v Speaker 1>my dad's in no way, You're gonna go to the

0:55:03.560 --> 0:55:06.319
<v Speaker 1>British Academy run by the British Embassy because I wanted

0:55:06.320 --> 0:55:09.440
<v Speaker 1>you get an education. So one thing was interesting. You

0:55:09.480 --> 0:55:15.440
<v Speaker 1>studied four languages, English, French, Spanish, and Latin, and people

0:55:17.120 --> 0:55:21.880
<v Speaker 1>mostly concentrated on French. I would say English was pretty

0:55:21.880 --> 0:55:25.440
<v Speaker 1>close behind, but French at the time was the diplomatic language.

0:55:25.560 --> 0:55:35.200
<v Speaker 1>We're talking late fifties, early sixties. So the the multifaceted, multinational,

0:55:36.800 --> 0:55:41.719
<v Speaker 1>multicultural um melting pot that I was in was fascinating.

0:55:42.640 --> 0:55:45.400
<v Speaker 1>I really it was a It was a It was

0:55:45.440 --> 0:55:49.000
<v Speaker 1>a course in sociology that you would never be able

0:55:49.040 --> 0:55:52.000
<v Speaker 1>to take anywhere else unless you're living in a foreign country.

0:55:52.000 --> 0:55:53.799
<v Speaker 1>How long were you there about five years? Now you

0:55:53.880 --> 0:55:56.160
<v Speaker 1>end up going at Taft. How does that happen? Well,

0:55:56.239 --> 0:55:59.320
<v Speaker 1>my dad, after sending me to the Gregates Academy, that

0:55:59.400 --> 0:56:03.040
<v Speaker 1>British embassy school, he said, now you're going to get

0:56:03.040 --> 0:56:08.120
<v Speaker 1>an even better education. Okay, you're gonna go to boarding

0:56:08.120 --> 0:56:12.919
<v Speaker 1>school in Connecticut. So we went to Chot and Hodgkins

0:56:12.960 --> 0:56:16.560
<v Speaker 1>and Taft and Loomis and Kent, Phillips, Exeter and or

0:56:16.640 --> 0:56:24.120
<v Speaker 1>you know the usual suspects. And my gut feeling told

0:56:24.120 --> 0:56:27.160
<v Speaker 1>me that Taft was the place to go for a

0:56:27.200 --> 0:56:29.160
<v Speaker 1>couple of reasons. One there was a generalman there in

0:56:29.160 --> 0:56:37.320
<v Speaker 1>the name Mr Cunningham who somehow or other talking to him.

0:56:37.360 --> 0:56:40.640
<v Speaker 1>I felt that I could relate to what his vision

0:56:40.920 --> 0:56:44.120
<v Speaker 1>of that place was, because after all, I mean, you're

0:56:44.120 --> 0:56:47.160
<v Speaker 1>gonna go from Mexico City, where you could drive a

0:56:47.160 --> 0:56:49.360
<v Speaker 1>car at twall by putting a hundred paste note in

0:56:49.360 --> 0:56:51.320
<v Speaker 1>your wallet, handing into the traffic cop and and go,

0:56:51.480 --> 0:56:53.560
<v Speaker 1>thank you very much. I have a great day to

0:56:53.680 --> 0:56:56.080
<v Speaker 1>go into an all boys boarding school meeting locked up

0:56:56.120 --> 0:56:59.600
<v Speaker 1>for three months, so you kind of have to figure out.

0:57:00.760 --> 0:57:02.439
<v Speaker 1>You want to make sure if you're gonna be there,

0:57:02.920 --> 0:57:05.520
<v Speaker 1>it's not gonna be too ugly. So the people that

0:57:05.560 --> 0:57:10.920
<v Speaker 1>I met there, and the especially Mr Cunningham, made me

0:57:10.960 --> 0:57:13.400
<v Speaker 1>feel like I would be at home there. And I

0:57:13.440 --> 0:57:20.840
<v Speaker 1>am extremely grateful to everyone who was a teacher, headmaster,

0:57:21.480 --> 0:57:26.840
<v Speaker 1>anybody at TAFT, anybody ever came in contact with UM,

0:57:26.840 --> 0:57:32.280
<v Speaker 1>because the education I received there was incredible. When you

0:57:32.360 --> 0:57:35.600
<v Speaker 1>graduate from one of those schools, you've it's like graduating

0:57:36.240 --> 0:57:40.520
<v Speaker 1>after two years of college, and it's not teaching you

0:57:41.000 --> 0:57:45.200
<v Speaker 1>what to learn, it's teaching you how to learn. I

0:57:45.240 --> 0:57:52.920
<v Speaker 1>remember I remember my English teacher, Uh, great guy. He

0:57:53.000 --> 0:57:56.880
<v Speaker 1>was also by track coach. But we had to run

0:57:56.960 --> 0:58:00.880
<v Speaker 1>an essay on the Red Badge of Courage, so I

0:58:00.920 --> 0:58:03.800
<v Speaker 1>read it. I read the first page that I read

0:58:03.800 --> 0:58:07.560
<v Speaker 1>the last page. You know, I'm a little snot right.

0:58:07.680 --> 0:58:09.400
<v Speaker 1>So I read that, of course, and I wrote this

0:58:09.480 --> 0:58:13.440
<v Speaker 1>paper about Okay, red Badge of Courage j C. The

0:58:13.520 --> 0:58:17.960
<v Speaker 1>initials Jim Conkin really mean send for Jesus Christ. The

0:58:18.040 --> 0:58:20.640
<v Speaker 1>sun hung in the sky like a red way. It's

0:58:20.680 --> 0:58:24.320
<v Speaker 1>obviously the sacrament. I just went off on all of

0:58:24.360 --> 0:58:28.160
<v Speaker 1>this bullshit, handed it in and he called me in

0:58:28.640 --> 0:58:31.000
<v Speaker 1>as a as a professor will do, and he says,

0:58:31.840 --> 0:58:38.720
<v Speaker 1>you wrote this. I said, yes, I did, and I said, okay,

0:58:39.160 --> 0:58:41.920
<v Speaker 1>it is the most incredible pile of ship I have

0:58:42.080 --> 0:58:47.520
<v Speaker 1>ever read in my life. However, I'm gonna give you

0:58:47.600 --> 0:58:54.440
<v Speaker 1>an a once because it's an incredibly convincing pile of ship.

0:58:56.120 --> 0:59:01.640
<v Speaker 1>So I get. I used that to illustrate. It's not

0:59:01.800 --> 0:59:05.200
<v Speaker 1>just yeah I remember the Battle of Hastings ten sixty six, Yeah,

0:59:05.200 --> 0:59:08.640
<v Speaker 1>I remember. No, it's how do you learn? How do

0:59:08.680 --> 0:59:12.840
<v Speaker 1>you learn to survive? How do you learn to advance?

0:59:13.120 --> 0:59:16.440
<v Speaker 1>How do you learn to educate yourself? I am just

0:59:16.880 --> 0:59:20.720
<v Speaker 1>so lucky that I had that opportunity, and I was

0:59:20.760 --> 0:59:23.880
<v Speaker 1>still living in Mexico. I was commuting back and forth,

0:59:24.160 --> 0:59:26.840
<v Speaker 1>so I was going to New York City working in clubs.

0:59:26.840 --> 0:59:29.880
<v Speaker 1>They're working in music stores, you know, so it was

0:59:29.920 --> 0:59:34.200
<v Speaker 1>pretty cool. Let's let's slow down a little bit here. Okay,

0:59:34.200 --> 0:59:37.440
<v Speaker 1>when do you start taking classical piano? When I was five,

0:59:37.680 --> 0:59:40.080
<v Speaker 1>my mother taught me to read. It was an incredible gift.

0:59:40.320 --> 0:59:42.760
<v Speaker 1>And then my dad said, oh, so you could read,

0:59:43.280 --> 0:59:45.520
<v Speaker 1>and went yeah, like a little snot yeah, I could read.

0:59:45.680 --> 0:59:48.200
<v Speaker 1>I'm reading Huckleberry Fame with my mom. So he walks

0:59:48.200 --> 0:59:50.560
<v Speaker 1>into the library, grabs a copy of The Gathering Storm

0:59:50.560 --> 0:59:53.240
<v Speaker 1>by Wisdom Churchill, drops into my lapse and read that

0:59:53.760 --> 0:59:55.920
<v Speaker 1>it took me three years to get through it. But

0:59:56.040 --> 1:00:00.080
<v Speaker 1>that's why WinCE Churchill happens to be a someone that

1:00:00.160 --> 1:00:02.960
<v Speaker 1>I respect. But yes, my mom taught me to read

1:00:02.960 --> 1:00:05.200
<v Speaker 1>when I was five, and we always had a piano.

1:00:05.280 --> 1:00:08.160
<v Speaker 1>She played piano and I would bang on the keys

1:00:08.200 --> 1:00:10.440
<v Speaker 1>and I said, can I take pianolists? And she's sure?

1:00:10.840 --> 1:00:14.080
<v Speaker 1>And how did you become proficient in other instruments? When

1:00:14.120 --> 1:00:19.160
<v Speaker 1>we moved to Mexico, the guitar was kind of the

1:00:19.400 --> 1:00:24.080
<v Speaker 1>national instrument. Plus, my dad, who was not a musician,

1:00:24.360 --> 1:00:29.320
<v Speaker 1>had an incredibly deep record collection. A friend of his,

1:00:29.320 --> 1:00:31.320
<v Speaker 1>who was a disc jockey in Washington d seen him.

1:00:31.320 --> 1:00:35.800
<v Speaker 1>Al Ross would send him boxes full of records because

1:00:35.840 --> 1:00:38.280
<v Speaker 1>it was a jazz station and they didn't play a

1:00:38.280 --> 1:00:41.640
<v Speaker 1>lot of other records and even some jazz. That's when

1:00:41.680 --> 1:00:45.360
<v Speaker 1>I got turned onto the guitar player Howard Roberts, along

1:00:45.400 --> 1:00:47.280
<v Speaker 1>with West Montgomery and a bunch of other folks. But

1:00:48.120 --> 1:00:53.920
<v Speaker 1>so listening to my dad's records and then all of

1:00:53.960 --> 1:00:56.800
<v Speaker 1>a sudden, we're living in the rock and roll era,

1:00:57.440 --> 1:00:59.960
<v Speaker 1>where if you have a guitar and you know three chords,

1:01:00.880 --> 1:01:06.360
<v Speaker 1>you're happening. You can form a band. So my parents

1:01:06.560 --> 1:01:10.320
<v Speaker 1>gave me a guitar from my tenth birthday. I really

1:01:10.360 --> 1:01:15.840
<v Speaker 1>wanted a bicycle had pissed me off, so hung on

1:01:15.920 --> 1:01:18.520
<v Speaker 1>the wall for about six months. And then a friend

1:01:18.560 --> 1:01:21.520
<v Speaker 1>of mine named Kurt Bundy, who lived in the apartment downstairs,

1:01:21.560 --> 1:01:26.280
<v Speaker 1>started taking guitar lessons. Has said, I'll teach you some

1:01:26.360 --> 1:01:29.400
<v Speaker 1>chords so that I have somebody to play with. And

1:01:29.480 --> 1:01:34.800
<v Speaker 1>so I started playing, and I went, holy crap, this

1:01:34.920 --> 1:01:39.640
<v Speaker 1>is awesome. I mean, I just somehow or other, I

1:01:39.640 --> 1:01:42.440
<v Speaker 1>don't know, evoke in mind, meld, grocked it, whatever you know,

1:01:42.720 --> 1:01:45.240
<v Speaker 1>the term you want to use. I just fell in

1:01:45.280 --> 1:01:48.240
<v Speaker 1>love with it to the point where I had a

1:01:48.280 --> 1:01:51.200
<v Speaker 1>sixty point one great average because all I didn't was

1:01:51.240 --> 1:01:54.880
<v Speaker 1>play the guitar. But yeah, was that sixty capter in

1:01:54.960 --> 1:01:57.400
<v Speaker 1>Mexico pretty much the same everywhere. That's all I want

1:01:57.440 --> 1:02:00.240
<v Speaker 1>to do is play the guitar. Practiced eight hours a day.

1:02:00.240 --> 1:02:03.040
<v Speaker 1>So you say you were playing gigs at a young

1:02:03.120 --> 1:02:06.200
<v Speaker 1>age in Mexico, You're in the middle of Connecticut. You're

1:02:06.240 --> 1:02:09.000
<v Speaker 1>going to taft Are you playing in bands when you're

1:02:09.000 --> 1:02:11.240
<v Speaker 1>in high school? Oh? Yeah, I mean we made it

1:02:11.280 --> 1:02:14.000
<v Speaker 1>a great reputation by playing a rock version of the

1:02:14.040 --> 1:02:16.680
<v Speaker 1>school song and got any detention for three weeks, but

1:02:16.800 --> 1:02:20.000
<v Speaker 1>that established us as a rock band. The band that

1:02:20.040 --> 1:02:27.720
<v Speaker 1>we had a taft um And I remember after a

1:02:27.720 --> 1:02:31.160
<v Speaker 1>a visitation with a young lady from one of the

1:02:31.200 --> 1:02:36.440
<v Speaker 1>boarding schools, Mr Douglas, who was the other assistant head master, said, Baxtor,

1:02:37.600 --> 1:02:40.320
<v Speaker 1>you're grounded and your band is not going to play

1:02:40.320 --> 1:02:44.520
<v Speaker 1>anymore gigs. Well, nobody would go to the school dances,

1:02:44.560 --> 1:02:47.720
<v Speaker 1>so he had to relent. So the power of music.

1:02:47.760 --> 1:02:51.880
<v Speaker 1>And then my senior year, Mr Oscarson, who was the

1:02:51.960 --> 1:02:58.440
<v Speaker 1>dean of students and a wonderful man, because there was

1:02:58.480 --> 1:03:01.280
<v Speaker 1>a group of us that were the trouble Acres, and

1:03:01.400 --> 1:03:03.680
<v Speaker 1>so he figured it bring us all together into groups

1:03:03.720 --> 1:03:06.680
<v Speaker 1>who can keep an eye on us. And when we

1:03:06.800 --> 1:03:12.320
<v Speaker 1>formed this band, uh, the other girls school started asking

1:03:12.360 --> 1:03:15.840
<v Speaker 1>if we would play you know, Dobb's Ferry or St.

1:03:15.840 --> 1:03:21.400
<v Speaker 1>Margaret's or Emma Willard or and so the dean said yeah,

1:03:21.480 --> 1:03:24.240
<v Speaker 1>and he started booking the bands. And we came from

1:03:24.280 --> 1:03:29.960
<v Speaker 1>ten and so one of our one of the people

1:03:29.960 --> 1:03:33.120
<v Speaker 1>that we knew in town became our sort of road

1:03:33.160 --> 1:03:36.280
<v Speaker 1>guy and would take us to the shows. Mr Oskinson

1:03:36.360 --> 1:03:38.880
<v Speaker 1>would book the bands. And yeah, we were It was great.

1:03:39.240 --> 1:03:42.640
<v Speaker 1>It was really cool. I can't beat that. You know.

1:03:42.800 --> 1:03:44.680
<v Speaker 1>How did you end up working at Manny? That's a

1:03:45.760 --> 1:03:50.240
<v Speaker 1>slight uh mimsing omer that I have to correct. I

1:03:50.360 --> 1:03:54.320
<v Speaker 1>started working at Jimmy's. Uh. Mannis was a big part

1:03:54.400 --> 1:03:58.040
<v Speaker 1>of my life because I worked on street at Jimmie's

1:03:58.120 --> 1:04:01.680
<v Speaker 1>music shop and also ended up working at Dan Armstrong's

1:04:01.680 --> 1:04:04.960
<v Speaker 1>guitar shop. And when I was living in Mexico, Henry

1:04:05.080 --> 1:04:08.840
<v Speaker 1>Henry Goldrick, who was the guy that everybody knows when

1:04:08.840 --> 1:04:11.760
<v Speaker 1>you walk into the door, say you got fifty signs

1:04:11.800 --> 1:04:13.200
<v Speaker 1>you want to buy and get out of my store,

1:04:13.720 --> 1:04:17.200
<v Speaker 1>but you get forty offf and you walk in the door.

1:04:17.320 --> 1:04:19.720
<v Speaker 1>So Henry took a liking to me and kind of

1:04:19.800 --> 1:04:22.200
<v Speaker 1>kept me under his wing. He was like my second dad,

1:04:22.480 --> 1:04:25.120
<v Speaker 1>very special man. But I work the way. Wait, you're

1:04:25.160 --> 1:04:28.280
<v Speaker 1>working at Jimmy's and Dan Armstrong, how do you ultimately

1:04:28.360 --> 1:04:31.439
<v Speaker 1>meet him? Well, because I started working at Jimmy's because

1:04:31.480 --> 1:04:34.600
<v Speaker 1>I was standing outside the music store and Frank Scuolachi

1:04:35.720 --> 1:04:40.080
<v Speaker 1>Jimmy Sculaschi, the Squashi brothers owned it. Um was trying

1:04:40.120 --> 1:04:46.400
<v Speaker 1>to uh interact with a customer who didn't speak English.

1:04:46.440 --> 1:04:50.240
<v Speaker 1>And as you know, if someone doesn't speak English and

1:04:50.440 --> 1:04:53.880
<v Speaker 1>the only language that you know, the first thing you

1:04:53.960 --> 1:04:58.040
<v Speaker 1>do is to talk louder and slower. So there's Jimmy

1:04:58.080 --> 1:05:04.760
<v Speaker 1>going String's love Bell La Strings La Bella, and the

1:05:04.800 --> 1:05:07.400
<v Speaker 1>guys look at him like, okay, that's like when you

1:05:07.440 --> 1:05:11.360
<v Speaker 1>talk to a dog and they hear nip nip. So

1:05:12.960 --> 1:05:16.200
<v Speaker 1>I walked in and I translated for the gentleman, and

1:05:16.320 --> 1:05:19.640
<v Speaker 1>Jimmy said, you want a job. I said, yes, sir,

1:05:19.800 --> 1:05:23.800
<v Speaker 1>but I can only work on Christmas vacation, Easter vacation,

1:05:23.840 --> 1:05:26.160
<v Speaker 1>and in the summer because I go to I'm going

1:05:26.160 --> 1:05:29.640
<v Speaker 1>to school. He says, that's fine. So it was the

1:05:29.760 --> 1:05:34.800
<v Speaker 1>perfect job. So so I thought I was very happy

1:05:35.280 --> 1:05:39.000
<v Speaker 1>taking two Fender twin reaver rooms up six flights of

1:05:39.080 --> 1:05:41.120
<v Speaker 1>stairs in the middle of August for bucking a quarter

1:05:41.160 --> 1:05:44.560
<v Speaker 1>an hour. And I started because I had grown up

1:05:44.560 --> 1:05:47.360
<v Speaker 1>in Mexico and there was nobody to repair my guitars

1:05:47.600 --> 1:05:51.320
<v Speaker 1>or my amplifiers. I gained some fundamental knowledge in both

1:05:51.320 --> 1:05:58.280
<v Speaker 1>those areas and began repairing guitars at Jimmy's. And that's

1:05:58.280 --> 1:06:00.720
<v Speaker 1>when Dan Armstrong realized we're a noa trs coming out

1:06:00.720 --> 1:06:03.360
<v Speaker 1>of Jimmy's. So he said, I'll pay you five bucks

1:06:03.400 --> 1:06:06.960
<v Speaker 1>an hour, which was all fortune in nine four to

1:06:07.040 --> 1:06:09.600
<v Speaker 1>come and work for me. But at six o'clock every

1:06:09.720 --> 1:06:15.120
<v Speaker 1>night they would basically close off. Now there was Terminal Music,

1:06:15.320 --> 1:06:24.520
<v Speaker 1>Ben's Music, UM, uh Manny's, uh Charles Ponty. There were

1:06:24.560 --> 1:06:27.200
<v Speaker 1>a number of music stores, but the deal was that

1:06:28.160 --> 1:06:32.320
<v Speaker 1>each music store could only have one franchise or other

1:06:32.440 --> 1:06:37.360
<v Speaker 1>music stores cannot have uh dual franchisees. So at six

1:06:37.360 --> 1:06:40.440
<v Speaker 1>o'clock at night, myself and all the stock boys from

1:06:40.440 --> 1:06:44.959
<v Speaker 1>the different stores they would go okay. So Henry would

1:06:44.960 --> 1:06:48.240
<v Speaker 1>come out and uh Billy would come down from Terminal

1:06:48.240 --> 1:06:51.240
<v Speaker 1>and say, okay, I'll trade your two jazz masters at

1:06:51.240 --> 1:06:54.960
<v Speaker 1>a deluxe reverb for one Rickebacker uh twelve string it.

1:06:55.120 --> 1:06:57.760
<v Speaker 1>So anyway, that was all we were moving stuff all

1:06:57.840 --> 1:07:00.520
<v Speaker 1>over forty Street and then I met when I met

1:07:00.560 --> 1:07:03.440
<v Speaker 1>Henry because of that, he's still a liking to me

1:07:04.840 --> 1:07:08.040
<v Speaker 1>and we had become friends over the long term, and

1:07:08.080 --> 1:07:13.600
<v Speaker 1>we stayed friends way after you know, I left Taft

1:07:13.680 --> 1:07:16.919
<v Speaker 1>and way after until I became you know, even when

1:07:16.920 --> 1:07:24.320
<v Speaker 1>I became a successful musician. And I remember one day, Uh, Henry,

1:07:25.040 --> 1:07:28.080
<v Speaker 1>he said, I walked into the store and typically Henry,

1:07:28.200 --> 1:07:29.600
<v Speaker 1>I made. I don't know if you knew Henry, but

1:07:30.640 --> 1:07:33.160
<v Speaker 1>certainly been to me and he's an interacting with him, right,

1:07:33.240 --> 1:07:37.840
<v Speaker 1>so you know, so I walk in and uh, I said, Henry,

1:07:37.840 --> 1:07:40.680
<v Speaker 1>you got anything new? And he says, God, damnit, skunk

1:07:41.000 --> 1:07:44.280
<v Speaker 1>you you could endorse anything you want. I here. So

1:07:44.360 --> 1:07:46.600
<v Speaker 1>he handed me an ovation in classgow guitar which I

1:07:46.680 --> 1:07:48.960
<v Speaker 1>used on the album, and said take this and get

1:07:49.000 --> 1:07:51.040
<v Speaker 1>out of my store. But you know, Henry was gruff.

1:07:51.240 --> 1:07:53.520
<v Speaker 1>I mean it was that was that was his personality.

1:07:53.920 --> 1:07:56.640
<v Speaker 1>So the next day I came back and I said,

1:07:57.280 --> 1:07:59.880
<v Speaker 1>can I talk to you? And he always had time

1:08:00.000 --> 1:08:02.160
<v Speaker 1>for me. So we went upstairs and they said, what's

1:08:02.200 --> 1:08:07.560
<v Speaker 1>on your mind. I said, I've been offered this incredible

1:08:07.640 --> 1:08:12.600
<v Speaker 1>opportunity to serve my country, but I'm taking a lot

1:08:12.640 --> 1:08:16.360
<v Speaker 1>of grief from a number of my colleagues in the

1:08:16.520 --> 1:08:23.519
<v Speaker 1>music business. And he said, screw them. Do you believe

1:08:23.520 --> 1:08:26.760
<v Speaker 1>in this? I said, yes, Sir, I really do. I

1:08:27.280 --> 1:08:31.639
<v Speaker 1>was brought up on my father UH fifty five years

1:08:31.640 --> 1:08:35.840
<v Speaker 1>active military, twenty years reserved. I was brought up to

1:08:35.960 --> 1:08:38.719
<v Speaker 1>believe in some of the things that we talked about.

1:08:39.200 --> 1:08:41.559
<v Speaker 1>He said, will you do it? You go do it,

1:08:42.280 --> 1:08:45.720
<v Speaker 1>and if anybody gives you any ship, you tell him

1:08:45.800 --> 1:08:49.160
<v Speaker 1>come talk to me. And I thought, my god, not

1:08:49.240 --> 1:08:52.519
<v Speaker 1>only did I had I always loved this man, but

1:08:54.200 --> 1:08:56.360
<v Speaker 1>now I know that I had done the right thing.

1:08:56.960 --> 1:08:58.960
<v Speaker 1>And here's a guy that most people think of, some

1:08:59.000 --> 1:09:01.400
<v Speaker 1>gruff guy's gotta hell at you, get you the hell

1:09:01.439 --> 1:09:03.320
<v Speaker 1>out of his store with a couple of Tony herbs

1:09:03.840 --> 1:09:07.479
<v Speaker 1>and UH an offender Strato Castle. So I was very

1:09:07.560 --> 1:09:11.280
<v Speaker 1>lucky to have him, Dan Armstrong, and even to the

1:09:11.360 --> 1:09:14.000
<v Speaker 1>point Frank and Jimmy who took me under their wing.

1:09:14.160 --> 1:09:18.600
<v Speaker 1>Good people, good people. Dan Armstrong became famous for the

1:09:18.680 --> 1:09:21.160
<v Speaker 1>loose sight guitar. What was Dan Armstrong doing in the

1:09:21.160 --> 1:09:26.120
<v Speaker 1>middle sixties, Danny had the only guitar customizing shop that

1:09:26.200 --> 1:09:30.080
<v Speaker 1>I knew of pretty much in the United States. You

1:09:30.160 --> 1:09:34.960
<v Speaker 1>could bring your instrument into into Danny's place and have

1:09:35.160 --> 1:09:40.320
<v Speaker 1>something done to it, like okay. Uh. We invented the

1:09:40.360 --> 1:09:43.080
<v Speaker 1>coil fader for instant the ability to split the coils,

1:09:43.080 --> 1:09:47.360
<v Speaker 1>and a humbucker. Um. We invented a number of different

1:09:48.360 --> 1:09:54.040
<v Speaker 1>ways to wire and rewire electric guitars to produce different sounds,

1:09:54.560 --> 1:09:59.719
<v Speaker 1>different tones. Um. We would take dan electro guitars, spend

1:09:59.720 --> 1:10:05.040
<v Speaker 1>a b to time on them and release them as hybrids. Uh.

1:10:05.240 --> 1:10:08.519
<v Speaker 1>Nobody else was doing that, And so every guitar player

1:10:08.640 --> 1:10:14.360
<v Speaker 1>on the planet hung out at Danny's place. Bill Burkeo

1:10:14.479 --> 1:10:17.759
<v Speaker 1>was building amps across the hall, Danny was repairing guitars,

1:10:18.400 --> 1:10:20.880
<v Speaker 1>and it was great. I mean, you'd walk in and

1:10:22.080 --> 1:10:25.360
<v Speaker 1>there would be five or six guys playing my job.

1:10:25.479 --> 1:10:29.599
<v Speaker 1>As a little snot nose kid, Danny said, here's this guitar.

1:10:29.640 --> 1:10:33.400
<v Speaker 1>It's got four regular strings and to bass strings. You

1:10:33.920 --> 1:10:36.880
<v Speaker 1>are going to learn the cop chords and basslines at

1:10:36.880 --> 1:10:38.760
<v Speaker 1>the same time, and I'm gonna teach you how to

1:10:38.800 --> 1:10:42.120
<v Speaker 1>do it. Because me and Sam Brown and Eddie Deal

1:10:42.360 --> 1:10:46.720
<v Speaker 1>and all the seriously frightening bebop guitar players who were

1:10:46.760 --> 1:10:49.519
<v Speaker 1>hanging around at that place wanted somebody to accompany them

1:10:49.520 --> 1:10:52.480
<v Speaker 1>all the time. So okay, that was my first education

1:10:52.800 --> 1:10:56.120
<v Speaker 1>in a very different kind of guitar playing. Um, and

1:10:56.160 --> 1:10:58.160
<v Speaker 1>I'll tell you another great story, if you got a

1:10:58.200 --> 1:11:04.920
<v Speaker 1>minute under a Stegovia comes in his ramires Is. He's

1:11:04.960 --> 1:11:08.360
<v Speaker 1>broken one of the tuning pigs on one side of them,

1:11:08.560 --> 1:11:10.800
<v Speaker 1>and you have as you know, they're come in three.

1:11:10.880 --> 1:11:14.200
<v Speaker 1>So they really couldn't repair an at concert that night,

1:11:14.520 --> 1:11:17.560
<v Speaker 1>so he brought it in. So I ran across the

1:11:17.560 --> 1:11:21.639
<v Speaker 1>streets to Charles Ponti, who was also a music store,

1:11:21.640 --> 1:11:24.480
<v Speaker 1>but he was a violin and cello repair a guy,

1:11:24.640 --> 1:11:26.599
<v Speaker 1>and so I was hoping against hope that he would

1:11:26.640 --> 1:11:31.360
<v Speaker 1>have a set of classical guitar machines. And he did. Uh.

1:11:31.400 --> 1:11:34.720
<v Speaker 1>So I bought him, brought him back over, installed him

1:11:34.760 --> 1:11:39.000
<v Speaker 1>on this Ramires, strung it up, tuned it up, walked out,

1:11:39.720 --> 1:11:43.400
<v Speaker 1>and Mr Segovi was sitting patiently on the sofa. Meanwhile,

1:11:43.520 --> 1:11:46.280
<v Speaker 1>Mike Bluefield and Frank Zappa and a bunch of other

1:11:46.320 --> 1:11:49.320
<v Speaker 1>guys were all standing around a couple of amplifiers hang

1:11:49.360 --> 1:11:53.120
<v Speaker 1>out playing rock and just having a great time. And

1:11:54.200 --> 1:11:56.400
<v Speaker 1>you know, I saw this on a footlook of serenity

1:11:56.400 --> 1:11:59.479
<v Speaker 1>on on Andrews to go his face. I walked over

1:11:59.520 --> 1:12:04.120
<v Speaker 1>and said, in Spanish, here's your instrument, sir uh, let

1:12:04.120 --> 1:12:06.679
<v Speaker 1>me know if this is to your liking, and because

1:12:06.720 --> 1:12:09.280
<v Speaker 1>I had a tremendous amount of respect for this guy,

1:12:09.360 --> 1:12:11.840
<v Speaker 1>and tell me what you think. I said, guys, stand

1:12:11.880 --> 1:12:14.840
<v Speaker 1>by for one second. Just as a gentleman can make

1:12:14.880 --> 1:12:17.880
<v Speaker 1>sure his guitar is working, so he tunes it up.

1:12:18.640 --> 1:12:21.640
<v Speaker 1>He plays the first sixty four bars of the concerto

1:12:21.800 --> 1:12:26.880
<v Speaker 1>that on Quest by Rodrigo and I'm losing it. I

1:12:26.960 --> 1:12:31.600
<v Speaker 1>just can't, I mean, and the way he plays the

1:12:31.960 --> 1:12:35.439
<v Speaker 1>emotion anyway, it was. It was an incredible moment in

1:12:35.520 --> 1:12:39.880
<v Speaker 1>my life. And even the other players were just transfixed.

1:12:40.720 --> 1:12:43.240
<v Speaker 1>And then in Spanish you said, you tell those people

1:12:44.120 --> 1:12:46.000
<v Speaker 1>that you don't hang it around your neck like a

1:12:46.040 --> 1:12:50.599
<v Speaker 1>canoe paddle. You sit down, behold it against your body

1:12:50.920 --> 1:12:58.559
<v Speaker 1>because it is a part of you. It feeded through

1:12:59.800 --> 1:13:04.639
<v Speaker 1>Its connected to your spirit and your mind and your heart. Yep,

1:13:05.400 --> 1:13:08.760
<v Speaker 1>that's what I do. That makes perfect sense to me. Now.

1:13:08.760 --> 1:13:11.320
<v Speaker 1>There were times when I leaped around stage, but ultimately

1:13:11.360 --> 1:13:13.560
<v Speaker 1>I ended up being a sit down guitar player and

1:13:13.680 --> 1:13:16.800
<v Speaker 1>BB King. One time he said to me, Jesus kunk

1:13:17.120 --> 1:13:19.320
<v Speaker 1>if I after hear one of his knees had a

1:13:19.400 --> 1:13:22.000
<v Speaker 1>knee operation, that if I had only known, I used

1:13:22.080 --> 1:13:23.639
<v Speaker 1>to see you sit down and play all the time.

1:13:23.760 --> 1:13:25.280
<v Speaker 1>If I had known, I would have done this since

1:13:25.320 --> 1:13:28.920
<v Speaker 1>the day I was born. So anyway, it was a

1:13:28.960 --> 1:13:33.040
<v Speaker 1>wonderful experience working at Danny's, being on Street which is

1:13:33.080 --> 1:13:37.920
<v Speaker 1>now all disappeared, it's all gone. It was a unique

1:13:37.920 --> 1:13:50.240
<v Speaker 1>place in the world. Okay, you're there when the Beatles arrived,

1:13:50.680 --> 1:13:53.879
<v Speaker 1>what was your experience and was that positive or negative?

1:13:54.400 --> 1:13:57.479
<v Speaker 1>I would say it was all positive because along with

1:13:57.560 --> 1:14:03.760
<v Speaker 1>the Beatles came some really amazing bands that I thought

1:14:03.800 --> 1:14:11.000
<v Speaker 1>were amazing. The yard Birds, the Kicks. I thought Village Village,

1:14:11.040 --> 1:14:13.599
<v Speaker 1>Green Preservation Society was one of the greatest records I've

1:14:13.600 --> 1:14:16.240
<v Speaker 1>ever heard in my life. It's like pat sounds. The

1:14:16.320 --> 1:14:21.920
<v Speaker 1>Yardbirds were playing music with incredible guitar players playing writing

1:14:21.960 --> 1:14:26.679
<v Speaker 1>songs that had time changes, key changes, field groove changes.

1:14:27.640 --> 1:14:32.160
<v Speaker 1>That was amazing. So I thought number one, it was

1:14:32.240 --> 1:14:38.920
<v Speaker 1>a wonderful thing. Number two and I have no um

1:14:39.160 --> 1:14:43.320
<v Speaker 1>I never want to speak ill of pop pop pop music,

1:14:43.640 --> 1:14:47.880
<v Speaker 1>pop pop pop pop pop music, which Jerry Lee Lewis

1:14:47.960 --> 1:14:50.040
<v Speaker 1>used to refer to as the Bobbies. To all these

1:14:50.080 --> 1:14:53.000
<v Speaker 1>Bobbies Bobby b Bobby Bobby right al Bobby Bobby Bobby

1:14:53.960 --> 1:15:02.400
<v Speaker 1>um and used to make them crazy. Uh, the bridge said, hey,

1:15:02.520 --> 1:15:05.400
<v Speaker 1>have you ever heard Lightning Hopkins? Have you ever heard

1:15:05.400 --> 1:15:08.880
<v Speaker 1>Buddy Waters? And for many people, they've never heard of that.

1:15:09.640 --> 1:15:14.160
<v Speaker 1>So I believe they they gave America an education into

1:15:14.160 --> 1:15:18.559
<v Speaker 1>its roots music. So I thought it was fantastic, right,

1:15:19.720 --> 1:15:22.640
<v Speaker 1>no problem at all. Okay, you're working at Dan Armstrong's.

1:15:22.640 --> 1:15:29.240
<v Speaker 1>You reference Bloomfield, Zappa Yardbirds back in page Other than yourself,

1:15:29.600 --> 1:15:32.080
<v Speaker 1>who do you admire? Who's at the top of that pile?

1:15:32.200 --> 1:15:34.040
<v Speaker 1>I don't know. It's a it's a tough question. But

1:15:34.160 --> 1:15:39.080
<v Speaker 1>do I what's my favorite airplane? Well, that's my favorite

1:15:39.120 --> 1:15:43.120
<v Speaker 1>fire plane. Well it depends on the mission. Um, it

1:15:43.240 --> 1:15:50.360
<v Speaker 1>was my favorite guitar player, I would say, Um. Probably

1:15:51.040 --> 1:15:56.200
<v Speaker 1>overall for creativity would be Jeff Beck. You never know

1:15:56.280 --> 1:15:58.559
<v Speaker 1>where he's going. There's you never know what that. There

1:15:58.600 --> 1:16:01.559
<v Speaker 1>are other people who were in and lameless who are

1:16:01.680 --> 1:16:05.559
<v Speaker 1>masters of the obvious. Jeff Beck is not one of those.

1:16:07.600 --> 1:16:12.639
<v Speaker 1>Another guitar player I discovered playing in uh a little

1:16:12.680 --> 1:16:15.800
<v Speaker 1>club in Austin and sort of brought him to l A.

1:16:16.160 --> 1:16:23.400
<v Speaker 1>Was Eric Johnson. Wonderful guitar player, wonderful player, and again

1:16:24.520 --> 1:16:28.880
<v Speaker 1>not a master of the obvious melodic. That's one of

1:16:28.920 --> 1:16:31.519
<v Speaker 1>the reasons why I loved the Ventures so much, and

1:16:31.640 --> 1:16:33.360
<v Speaker 1>I joined their fan club when I was eleven years

1:16:33.400 --> 1:16:35.400
<v Speaker 1>old and then ended up finally playing with him and

1:16:35.479 --> 1:16:41.080
<v Speaker 1>producing him and melody. Hey, guys, what a concept. There's

1:16:41.160 --> 1:16:46.400
<v Speaker 1>a melody. Let's play the melody. So people who grow

1:16:46.560 --> 1:16:48.599
<v Speaker 1>up and there is not a guitar player that I've

1:16:48.640 --> 1:16:51.639
<v Speaker 1>ever met who doesn't have a tremendous amount of love

1:16:52.080 --> 1:16:56.960
<v Speaker 1>or at least respect for the Ventures because of that. Um,

1:16:57.840 --> 1:17:01.320
<v Speaker 1>guys like Eric Johnson are so lodic. So it's Jeff Beck.

1:17:02.120 --> 1:17:06.280
<v Speaker 1>They're they're melody guys, and I that's hopefully what I

1:17:06.400 --> 1:17:13.280
<v Speaker 1>aspire to is melodies, compositions within compositions. Now, Jeff Beck, please,

1:17:13.360 --> 1:17:16.240
<v Speaker 1>without a pick, what's your take on that? If he

1:17:16.320 --> 1:17:22.200
<v Speaker 1>wants to play with his nose? Um, there were outside

1:17:22.320 --> 1:17:25.720
<v Speaker 1>of the National Cathedral in Mexico City when I was

1:17:25.800 --> 1:17:29.479
<v Speaker 1>a kid, there was a guitar player with no arms

1:17:30.760 --> 1:17:34.200
<v Speaker 1>who played with his feet and he played pretty well.

1:17:35.479 --> 1:17:41.920
<v Speaker 1>So I guess I I see no efficacy and being

1:17:42.040 --> 1:17:46.160
<v Speaker 1>judgmental in terms of how one approaches the instrument. Okay,

1:17:46.240 --> 1:17:49.479
<v Speaker 1>so you're in TAFT, you graduate, you end up going

1:17:49.560 --> 1:17:51.080
<v Speaker 1>to be you? How do you end up going to

1:17:51.160 --> 1:17:53.720
<v Speaker 1>Boston University? I wanted to go to the School of

1:17:53.760 --> 1:17:58.880
<v Speaker 1>Public Communications. Uh, kind of following my dad's footsteps on

1:17:59.040 --> 1:18:06.280
<v Speaker 1>some level, um, and ended up at BU, at the

1:18:06.320 --> 1:18:09.000
<v Speaker 1>School of Public In the case, now, did you graduate

1:18:09.080 --> 1:18:12.240
<v Speaker 1>from BU? No? I joined a rock and roll band. Well,

1:18:12.400 --> 1:18:15.240
<v Speaker 1>I joined the Ultimate Spinish. Although I was playing bass

1:18:15.320 --> 1:18:18.360
<v Speaker 1>for Tim Buckley and playing gigs around town, doing a

1:18:18.439 --> 1:18:22.240
<v Speaker 1>lot of work at a place called Natural Sound, which

1:18:22.320 --> 1:18:25.160
<v Speaker 1>was all country music, and I was playing in the

1:18:25.240 --> 1:18:30.080
<v Speaker 1>combat zone either at the at the Intermission Lounge, which

1:18:30.360 --> 1:18:33.000
<v Speaker 1>if you ever saw the Blues Brothers, you know about

1:18:33.080 --> 1:18:35.240
<v Speaker 1>chicken wire and all that kind of stuff. And then

1:18:35.280 --> 1:18:38.000
<v Speaker 1>there was the Crazy Horse was just right next to it,

1:18:38.320 --> 1:18:40.640
<v Speaker 1>and I was just learning to play pedal steel, and

1:18:40.720 --> 1:18:42.679
<v Speaker 1>I was I love country music. Again. It was playing

1:18:42.680 --> 1:18:46.280
<v Speaker 1>a lot of the country and so for that I

1:18:46.400 --> 1:18:49.479
<v Speaker 1>started doing gigs and I realized I can make I

1:18:49.520 --> 1:18:51.840
<v Speaker 1>can make a lot of money and do what I

1:18:51.880 --> 1:18:56.120
<v Speaker 1>wanted to do, or wait four years and I just didn't.

1:18:56.360 --> 1:18:58.599
<v Speaker 1>I didn't want didn't wait. I don't want to wait.

1:18:58.720 --> 1:19:00.240
<v Speaker 1>So how long did you go to be you? And

1:19:00.360 --> 1:19:02.760
<v Speaker 1>what'd your father say when you dropped out? I went

1:19:02.880 --> 1:19:08.519
<v Speaker 1>for a year. My mother was apoplectic, and my father,

1:19:09.800 --> 1:19:13.400
<v Speaker 1>who as any good father would do, had planned out

1:19:13.479 --> 1:19:16.439
<v Speaker 1>my life for me if I wanted it, to graduate

1:19:16.479 --> 1:19:20.679
<v Speaker 1>from Boston University, to become a junior vice president in Kodak.

1:19:20.880 --> 1:19:23.960
<v Speaker 1>You moved to Rochester, You work your way through the corporation.

1:19:24.560 --> 1:19:26.840
<v Speaker 1>You probably do thirty years and end up as a

1:19:26.880 --> 1:19:31.920
<v Speaker 1>senior executive vice president. You retire um which if you

1:19:32.520 --> 1:19:35.880
<v Speaker 1>in my mind, that was beautiful that my father would

1:19:35.920 --> 1:19:39.560
<v Speaker 1>care enough about me to try to do something like that.

1:19:40.240 --> 1:19:43.240
<v Speaker 1>It's just incredible. I didn't resent it, far from it,

1:19:44.120 --> 1:19:47.479
<v Speaker 1>But like every other snot nose kids with a guitar,

1:19:48.520 --> 1:19:53.000
<v Speaker 1>I ended up playing in bands, making no money, you know,

1:19:53.240 --> 1:19:58.080
<v Speaker 1>basically you know the drill. And my father, although he

1:19:58.200 --> 1:20:03.479
<v Speaker 1>was supportive, there are times when he was disappointed. And

1:20:03.560 --> 1:20:08.280
<v Speaker 1>of course my mother, well, my god, if uh you know,

1:20:08.880 --> 1:20:10.880
<v Speaker 1>how what could she tell them the ladies at the

1:20:10.920 --> 1:20:13.479
<v Speaker 1>country club? You know what the son wasn't doing anything.

1:20:14.160 --> 1:20:16.920
<v Speaker 1>He's playing in bands. My mother came down to the

1:20:17.000 --> 1:20:18.920
<v Speaker 1>village to see us playing one of the clubs down there.

1:20:19.000 --> 1:20:21.640
<v Speaker 1>She walked down the middle of the street. She was

1:20:21.840 --> 1:20:27.440
<v Speaker 1>kind of afraid to be too close to the the clientele.

1:20:28.479 --> 1:20:31.240
<v Speaker 1>So and I get it. You know, this is not

1:20:31.360 --> 1:20:33.920
<v Speaker 1>putting my mother down. She was scared, she didn't. I mean,

1:20:34.120 --> 1:20:37.640
<v Speaker 1>come on, let's face it, walking down Bleaker Street in

1:20:37.760 --> 1:20:43.040
<v Speaker 1>nineteen are you kidding me? It's like the Star Wars

1:20:43.160 --> 1:20:48.760
<v Speaker 1>bar so. So were they supported financially and did they

1:20:48.840 --> 1:20:51.760
<v Speaker 1>ever get it? I never really had to rely on

1:20:51.880 --> 1:20:56.400
<v Speaker 1>them financially, And even when I was working in in

1:20:56.800 --> 1:20:59.200
<v Speaker 1>uh during the time I was going to TAFT, I

1:20:59.280 --> 1:21:03.519
<v Speaker 1>gave everything I made to them. It just made sense

1:21:03.600 --> 1:21:06.840
<v Speaker 1>to me, and they would give me an allowance. But

1:21:07.040 --> 1:21:11.519
<v Speaker 1>I thought, okay, you know whatever, my however, my work

1:21:11.600 --> 1:21:15.760
<v Speaker 1>ethic was, that's what made perfect sense to me. I

1:21:15.880 --> 1:21:20.680
<v Speaker 1>live here, I should help support I'm making money. Hey,

1:21:20.720 --> 1:21:23.120
<v Speaker 1>I'm making a buck on a quarter an hour for

1:21:23.280 --> 1:21:27.600
<v Speaker 1>eight hours a day in nineteen sixty not that so

1:21:28.560 --> 1:21:32.559
<v Speaker 1>Boston is a provincial town, not that there isn't a scene.

1:21:32.840 --> 1:21:34.840
<v Speaker 1>How long you in Boston and when and how to

1:21:34.920 --> 1:21:39.800
<v Speaker 1>decide to leave. I'm in Boston obviously from seven and

1:21:39.920 --> 1:21:49.200
<v Speaker 1>sixty eight to go to Boston University UM, and then

1:21:49.280 --> 1:21:51.960
<v Speaker 1>I stayed for about another two or three years. I

1:21:52.120 --> 1:21:55.280
<v Speaker 1>was doing session work in Boston. I had a guitar

1:21:55.400 --> 1:22:00.240
<v Speaker 1>shop with Dave Schuckter. We were building and repairing guitars. UM.

1:22:00.520 --> 1:22:02.840
<v Speaker 1>I was commuting to New York to do sessions down

1:22:03.000 --> 1:22:05.920
<v Speaker 1>in New York as well. Uh, there was a fair

1:22:05.920 --> 1:22:09.000
<v Speaker 1>amount of working in Boston. Wasn't huge, but it was

1:22:09.040 --> 1:22:11.360
<v Speaker 1>a fair amount. And I had already had friends in

1:22:11.400 --> 1:22:13.720
<v Speaker 1>the session scene in New York, so that worked out

1:22:14.680 --> 1:22:26.200
<v Speaker 1>UM pretty well. UM. And around nineteen seventy I was

1:22:26.479 --> 1:22:29.639
<v Speaker 1>working in the intermediate sound and there was a band

1:22:29.800 --> 1:22:34.360
<v Speaker 1>called The Beat Game and they were being produced by

1:22:34.400 --> 1:22:39.000
<v Speaker 1>a gentleman named Gary Katz, and these guys were all friends.

1:22:40.080 --> 1:22:44.240
<v Speaker 1>And there were different bands coming into intermedia, and there

1:22:44.400 --> 1:22:47.160
<v Speaker 1>was never really anything like a house guitar player or

1:22:47.160 --> 1:22:50.400
<v Speaker 1>a house piano player, but there were always bands that

1:22:50.520 --> 1:22:54.120
<v Speaker 1>needed players. So there were many instances where bands would

1:22:54.120 --> 1:22:56.080
<v Speaker 1>come in and say we need guitar player, or we

1:22:56.200 --> 1:23:00.280
<v Speaker 1>need guitar on this or something. So UM, there was

1:23:00.400 --> 1:23:03.280
<v Speaker 1>something that had to do with the beat game. I

1:23:03.400 --> 1:23:06.240
<v Speaker 1>think it was playing acoustic guitar while the other guitar

1:23:06.320 --> 1:23:08.519
<v Speaker 1>player was a great guitar player. Was they need an

1:23:08.520 --> 1:23:11.479
<v Speaker 1>acoustic in the track. And that's why I met Gary

1:23:11.560 --> 1:23:17.040
<v Speaker 1>Katz and Gary said, I have a production project in

1:23:17.120 --> 1:23:22.479
<v Speaker 1>New York with a woman named Linda Hoover I think

1:23:22.520 --> 1:23:24.680
<v Speaker 1>that was your stage named Linda Willingham, I think was

1:23:24.720 --> 1:23:28.280
<v Speaker 1>a regular name. And there are these two songwriters who

1:23:28.320 --> 1:23:31.599
<v Speaker 1>are writing all the material for the album called Walter

1:23:31.760 --> 1:23:35.000
<v Speaker 1>Becker and Donald Fagan. Would you be willing to come

1:23:35.080 --> 1:23:40.519
<v Speaker 1>down and play on this project? I said, yeah, sure,

1:23:41.280 --> 1:23:43.200
<v Speaker 1>you know I'm a sense of artist. Where's the chuck?

1:23:43.720 --> 1:23:47.600
<v Speaker 1>So yeah, I got on train, went down there and

1:23:48.200 --> 1:23:51.240
<v Speaker 1>did the project, and I was really impressed with the music,

1:23:52.439 --> 1:23:56.160
<v Speaker 1>and I said, you know, this songwriting is really spectacular,

1:23:56.320 --> 1:23:58.680
<v Speaker 1>at least I think. And I said, well, we've never

1:23:58.880 --> 1:24:02.439
<v Speaker 1>heard anybody play gus are like you do, especially on

1:24:02.520 --> 1:24:05.400
<v Speaker 1>our music. So maybe what we ought to do is

1:24:05.479 --> 1:24:11.960
<v Speaker 1>whoever whoever passes go first, call everybody else up and

1:24:12.040 --> 1:24:16.479
<v Speaker 1>we'll form a band. And so Becker and Fagan came

1:24:16.479 --> 1:24:21.879
<v Speaker 1>out to Los Angeles, got a publishing deal with ABC Records,

1:24:23.520 --> 1:24:28.320
<v Speaker 1>and then said to everybody Okay, we've passed. Go does

1:24:28.360 --> 1:24:32.160
<v Speaker 1>everybody go to l A? Okay? So we all went

1:24:32.200 --> 1:24:36.880
<v Speaker 1>to Los Angeles. Um I found various jobs playing around

1:24:37.040 --> 1:24:40.280
<v Speaker 1>Los Angeles. I was a guitar repairman, so I met

1:24:40.320 --> 1:24:43.040
<v Speaker 1>every guitar player in the substance scene, everybody in l A.

1:24:43.960 --> 1:24:46.360
<v Speaker 1>I ended up playing a lot of the Palomino Club,

1:24:46.520 --> 1:24:49.160
<v Speaker 1>the Playtime, and a lot of the country bars around

1:24:49.240 --> 1:24:56.080
<v Speaker 1>town playing pedal steel dough bro guitar. And one day

1:24:56.240 --> 1:25:01.000
<v Speaker 1>we were rehearsing in the office of the president of

1:25:01.080 --> 1:25:07.479
<v Speaker 1>ABC Records, um uh, Hard Stark and Jay Lasker, and

1:25:07.640 --> 1:25:10.680
<v Speaker 1>usually we would break the gear down in time when

1:25:10.760 --> 1:25:13.560
<v Speaker 1>they were before they show up in the morning. We

1:25:13.640 --> 1:25:17.760
<v Speaker 1>stay up all night. One night we cut we didn't

1:25:17.800 --> 1:25:20.880
<v Speaker 1>get out of there in time, and Jacobs say says,

1:25:20.960 --> 1:25:25.800
<v Speaker 1>what the hell is this? And Gary Katz says, well,

1:25:27.120 --> 1:25:33.200
<v Speaker 1>there's this band and they're playing in the material of

1:25:33.360 --> 1:25:38.360
<v Speaker 1>the guys that you signed to a publishing deal. I said, well,

1:25:38.400 --> 1:25:42.160
<v Speaker 1>all right, then I want to hear it. Jay was

1:25:42.240 --> 1:25:47.280
<v Speaker 1>one of those record guy record record guys, and so

1:25:47.520 --> 1:25:50.280
<v Speaker 1>we played for him and he went, I don't know

1:25:50.400 --> 1:25:54.080
<v Speaker 1>what the hell you guys are doing. I mean, because

1:25:54.080 --> 1:25:58.560
<v Speaker 1>we had slags like dr Udu's proto man. But I

1:25:58.720 --> 1:26:02.920
<v Speaker 1>think I like it. Okay, I'll give you a record deal.

1:26:04.280 --> 1:26:06.320
<v Speaker 1>And then Howard Start wrote me a check for a

1:26:06.400 --> 1:26:12.920
<v Speaker 1>thousand dollars, said, skunk, go get an apartment, bring your

1:26:13.000 --> 1:26:15.320
<v Speaker 1>girlfriend out, put somebody in the bank, and I went,

1:26:15.720 --> 1:26:20.599
<v Speaker 1>holy crop, Yeah, thank you, this is great. I mean

1:26:20.680 --> 1:26:22.840
<v Speaker 1>I made money with Ultimate Spinach and said, but this

1:26:23.040 --> 1:26:26.360
<v Speaker 1>was like the real deal. And that's kind of how

1:26:26.400 --> 1:26:29.799
<v Speaker 1>it all started. You know, let's go back a chapter.

1:26:30.080 --> 1:26:33.600
<v Speaker 1>You talked to the advent of wanting to be the

1:26:33.960 --> 1:26:37.840
<v Speaker 1>number one studio cat. So at this point in time,

1:26:37.960 --> 1:26:40.360
<v Speaker 1>do you want it to be first call? There's a

1:26:40.400 --> 1:26:42.720
<v Speaker 1>lot of guys, not a lot, but yes, I don't

1:26:42.720 --> 1:26:45.720
<v Speaker 1>want to sound like a complete dipshit. No, okay, you

1:26:45.800 --> 1:26:47.720
<v Speaker 1>wanted to be first call. So did you want to

1:26:47.760 --> 1:26:49.920
<v Speaker 1>be a studio rat or did you want to be

1:26:50.000 --> 1:26:53.360
<v Speaker 1>in a band? And when you were a studio rap

1:26:53.479 --> 1:26:55.920
<v Speaker 1>before you in a band, how did you get all

1:26:56.000 --> 1:26:58.960
<v Speaker 1>these gigs? Well, you got the gigs by other people,

1:26:59.760 --> 1:27:04.800
<v Speaker 1>uh recommending it. That's always how the studio was. Yeah,

1:27:04.840 --> 1:27:07.439
<v Speaker 1>but I know a lot of musicians, they're usually working

1:27:07.479 --> 1:27:09.519
<v Speaker 1>it too well, of course, So were you good at

1:27:09.600 --> 1:27:12.960
<v Speaker 1>working it. It must have been. I mean, of somebody,

1:27:13.000 --> 1:27:17.880
<v Speaker 1>would I would I go the extra mile? Sure? Would I?

1:27:18.720 --> 1:27:22.559
<v Speaker 1>Um work a little harder? Um? Would I say, hey,

1:27:22.640 --> 1:27:25.360
<v Speaker 1>can you make me a cassette? And I'm going to

1:27:25.439 --> 1:27:27.360
<v Speaker 1>go home and shed on this and I'll come back

1:27:27.400 --> 1:27:31.920
<v Speaker 1>in the morning and I'll nail it. You know again.

1:27:32.000 --> 1:27:36.760
<v Speaker 1>My dad always said, give a little more, it'll come back. Um.

1:27:37.000 --> 1:27:39.960
<v Speaker 1>So that's kind of, I guess, kind of the way

1:27:40.000 --> 1:27:43.200
<v Speaker 1>it was. I wanted to be a studio musician because

1:27:43.280 --> 1:27:46.439
<v Speaker 1>I felt that it was the top gun of the

1:27:46.560 --> 1:27:52.560
<v Speaker 1>music business. I like the idea of taking pride in

1:27:52.680 --> 1:27:56.960
<v Speaker 1>being a craftsman because I built guitars too, and I

1:27:57.080 --> 1:27:59.680
<v Speaker 1>worked with wood when I was a kid, especially in

1:27:59.760 --> 1:28:04.080
<v Speaker 1>mex Ico. The idea of to me playing the guitar

1:28:05.040 --> 1:28:08.080
<v Speaker 1>was a craft. I'm not bluewing it. I mean, it's

1:28:08.120 --> 1:28:10.360
<v Speaker 1>an art, it's all of that, but it's also a craft.

1:28:10.600 --> 1:28:13.160
<v Speaker 1>You're working with your hands. So I wanted to be

1:28:13.280 --> 1:28:17.800
<v Speaker 1>the best craftsman I could possibly be. And watching the

1:28:17.920 --> 1:28:22.559
<v Speaker 1>whole world around me, some of my friends actually die

1:28:22.880 --> 1:28:28.519
<v Speaker 1>from stupidity, whether it's drugs or whatever. It was. There

1:28:28.640 --> 1:28:32.599
<v Speaker 1>was something about the discipline and I think This came

1:28:32.640 --> 1:28:38.760
<v Speaker 1>from my father about being a studio musician, where if

1:28:38.840 --> 1:28:43.920
<v Speaker 1>you didn't show up on time, you're fired, and the

1:28:44.000 --> 1:28:47.559
<v Speaker 1>story there's a thousand people waiting for that gig. If

1:28:47.600 --> 1:28:50.280
<v Speaker 1>you don't play it right, if your mind is too

1:28:51.439 --> 1:28:56.280
<v Speaker 1>messed up, you're fired. So to me, there was a

1:28:59.479 --> 1:29:03.800
<v Speaker 1>to use, I guess a a military term. There was

1:29:03.880 --> 1:29:08.040
<v Speaker 1>a doctrine that I followed that I thought this would

1:29:08.080 --> 1:29:11.240
<v Speaker 1>be a good thing to do. It would be healthy.

1:29:12.040 --> 1:29:15.920
<v Speaker 1>Now that doesn't mean that ours weren't crappy, but it was.

1:29:17.200 --> 1:29:21.080
<v Speaker 1>It was a way to protect yourself against the the

1:29:22.320 --> 1:29:27.280
<v Speaker 1>Sila and Charybdis of rock and roll craziness and insanity.

1:29:27.560 --> 1:29:30.840
<v Speaker 1>So how did you decide to jump enjoying what became

1:29:30.920 --> 1:29:34.880
<v Speaker 1>steely Dan? Well, that's when you know. Gary said, Okay,

1:29:34.960 --> 1:29:37.160
<v Speaker 1>I think we got I think we passed. Go. So

1:29:37.320 --> 1:29:40.200
<v Speaker 1>you're willing to stop being a studio musician and be

1:29:40.520 --> 1:29:42.720
<v Speaker 1>in a band? No, I want to do both. And

1:29:42.800 --> 1:29:45.880
<v Speaker 1>I was doing that as well in Boston and in

1:29:45.960 --> 1:29:49.760
<v Speaker 1>New York. So I didn't see I didn't see a

1:29:49.880 --> 1:29:55.840
<v Speaker 1>geo spatial uh separation problem. So moving to La was

1:29:56.680 --> 1:29:59.080
<v Speaker 1>and my parents were gonna move to Los Angeles, so

1:29:59.080 --> 1:30:01.559
<v Speaker 1>I thought, Okay, at least I got a place of sleep,

1:30:02.920 --> 1:30:05.519
<v Speaker 1>and I will go and take a shot at this. Okay,

1:30:05.640 --> 1:30:10.080
<v Speaker 1>ABC was a second rate label. Steely Dan makes an

1:30:10.120 --> 1:30:14.160
<v Speaker 1>album there instantly a m hits. What was the experience

1:30:14.240 --> 1:30:16.320
<v Speaker 1>on the other side of the fence. Well, I must

1:30:17.000 --> 1:30:19.519
<v Speaker 1>I have to disagree with you a little bit. I'm

1:30:19.560 --> 1:30:22.080
<v Speaker 1>not gonna be a worthy or umbrage because it makes

1:30:22.160 --> 1:30:26.760
<v Speaker 1>me think of rain. But I don't think ABC was

1:30:26.840 --> 1:30:30.519
<v Speaker 1>a second rate label. They did very well with people

1:30:30.600 --> 1:30:35.680
<v Speaker 1>like Steve Barry in their A and R department, the grassroots, Hamilton, Joe,

1:30:35.760 --> 1:30:39.920
<v Speaker 1>Franklin Reynolds, and they did very well. I thought, I

1:30:40.000 --> 1:30:43.479
<v Speaker 1>thought they ran it. It was old school. I mean,

1:30:43.520 --> 1:30:46.200
<v Speaker 1>the cigar smoke was thick when you walked into Jay

1:30:46.280 --> 1:30:51.759
<v Speaker 1>Lasker's and Howard Stark's office. But they were old school

1:30:51.880 --> 1:30:53.760
<v Speaker 1>and I think they did a really good job. As

1:30:53.760 --> 1:30:56.600
<v Speaker 1>a matter of fact, when I joined, when I was

1:30:56.720 --> 1:31:00.360
<v Speaker 1>offered the opportunity to actually join the Doobie Brothers, even

1:31:00.360 --> 1:31:03.040
<v Speaker 1>though I was already playing with him, I went to

1:31:03.200 --> 1:31:06.640
<v Speaker 1>Howard and Jay and said, you guys, I have this

1:31:06.760 --> 1:31:10.799
<v Speaker 1>incredible opportunity to what's did I do? And Jay Lasker

1:31:10.920 --> 1:31:14.360
<v Speaker 1>literally reached into his desk, Strawer pulled out my contract

1:31:15.160 --> 1:31:17.960
<v Speaker 1>tort and half handed it to me and said, good luck.

1:31:18.040 --> 1:31:22.800
<v Speaker 1>You never lied to me kids, good luck. And that

1:31:23.840 --> 1:31:26.320
<v Speaker 1>is why I went to his bedside when he was

1:31:27.040 --> 1:31:32.560
<v Speaker 1>in his last days. Old school, but old school in

1:31:32.640 --> 1:31:35.400
<v Speaker 1>a way like Henry was old school. Those kind of

1:31:35.520 --> 1:31:39.960
<v Speaker 1>people I understood and had a tremendous amount of love,

1:31:40.400 --> 1:31:48.360
<v Speaker 1>affection and respect for so second rate label. I I

1:31:48.520 --> 1:31:51.800
<v Speaker 1>understand what you're saying. They were not a major, they

1:31:51.880 --> 1:31:55.840
<v Speaker 1>weren't our Cia, and they weren't Columbia, but they did

1:31:55.880 --> 1:31:59.320
<v Speaker 1>good and they did well by their artists. That was

1:31:59.360 --> 1:32:03.439
<v Speaker 1>Steely an instant hit. No. The first single that was

1:32:03.560 --> 1:32:08.040
<v Speaker 1>released was a song called Dallas and if you go

1:32:08.280 --> 1:32:11.400
<v Speaker 1>listen to it, it's a great song sung by the

1:32:11.479 --> 1:32:16.040
<v Speaker 1>drummer Jimmy Hotter. It's almost a country tune. I'm playing

1:32:16.040 --> 1:32:19.479
<v Speaker 1>a lot of pedal steel and Poco covered it, number

1:32:19.479 --> 1:32:22.719
<v Speaker 1>of their own bands covered it, But for some reason,

1:32:22.880 --> 1:32:26.360
<v Speaker 1>Becker and Fagan were frightened that between the name Steely

1:32:26.479 --> 1:32:29.599
<v Speaker 1>Dan and having all this pedal steel and that kind

1:32:29.640 --> 1:32:33.960
<v Speaker 1>of that they would be um button hooked or pigeonholed

1:32:34.640 --> 1:32:40.240
<v Speaker 1>as a country band. So they pulled that back then

1:32:40.360 --> 1:32:44.760
<v Speaker 1>released do It Again as the first single, and we

1:32:44.920 --> 1:32:47.760
<v Speaker 1>were we were gigging. I mean, we were playing under

1:32:47.800 --> 1:32:52.240
<v Speaker 1>the Ice House in Pasadena for five night. We were

1:32:53.160 --> 1:32:55.639
<v Speaker 1>you know, Fanny was opening for us to talk about

1:32:55.640 --> 1:32:59.200
<v Speaker 1>an incredible band, you know, talk about a band that

1:32:59.320 --> 1:33:04.519
<v Speaker 1>deserves much more respect and admiration than they ever got.

1:33:05.520 --> 1:33:09.719
<v Speaker 1>We were just we were gigging. We were playing local shows,

1:33:10.680 --> 1:33:13.320
<v Speaker 1>so it wasn't really an instant hit. It took a

1:33:13.400 --> 1:33:16.960
<v Speaker 1>little while, but I appreciate the compliment. Just to clarify,

1:33:17.000 --> 1:33:18.920
<v Speaker 1>I'm talking about the perception on the other side of

1:33:18.960 --> 1:33:21.720
<v Speaker 1>the fence. You know, there was no buzz on the

1:33:21.840 --> 1:33:25.080
<v Speaker 1>album upon release. In terms of reviews, there was no

1:33:25.320 --> 1:33:27.559
<v Speaker 1>FM play, and all of a sudden there were these

1:33:27.680 --> 1:33:31.280
<v Speaker 1>magic AM tracks. But in any event, let me go back,

1:33:31.680 --> 1:33:33.479
<v Speaker 1>what did you play on the album and what did

1:33:33.560 --> 1:33:36.120
<v Speaker 1>Anny Diaz play? Well, you have to I guess song

1:33:36.240 --> 1:33:40.280
<v Speaker 1>by song, but we split a lot of the guitar responsibilities.

1:33:41.479 --> 1:33:46.679
<v Speaker 1>We both played on every track. Uh, sometimes he played

1:33:46.720 --> 1:33:53.560
<v Speaker 1>a great solo undo It Again, Wow, and um my

1:33:53.760 --> 1:33:57.280
<v Speaker 1>solos were kind of well known, things like Ricky, don't

1:33:57.320 --> 1:33:59.599
<v Speaker 1>lose that number of my old school we all had

1:33:59.640 --> 1:34:02.840
<v Speaker 1>a tune it is to play. But we all played

1:34:02.880 --> 1:34:05.320
<v Speaker 1>together and I love playing with Danny. We were very

1:34:05.439 --> 1:34:10.559
<v Speaker 1>different players, and it was one of those lucky things

1:34:10.720 --> 1:34:15.000
<v Speaker 1>where are our playing just messed. It was a little

1:34:15.000 --> 1:34:18.599
<v Speaker 1>bit like when I joined the Doobies and the way

1:34:18.800 --> 1:34:23.120
<v Speaker 1>that Patrick Simmons and I played together. We came from

1:34:23.280 --> 1:34:28.680
<v Speaker 1>very different approaches to the instrument, but we all The

1:34:28.760 --> 1:34:30.880
<v Speaker 1>one thing about Danny and myself is that we grew

1:34:30.960 --> 1:34:34.400
<v Speaker 1>up in New York, and New York guitar players have

1:34:34.520 --> 1:34:39.000
<v Speaker 1>a certain etiquette. Um. As Joe Wallace used to say,

1:34:39.040 --> 1:34:41.120
<v Speaker 1>I don't want to be in institute. Wasn't where everybody

1:34:41.200 --> 1:34:46.000
<v Speaker 1>plays lead all the time, either do I. You make

1:34:46.160 --> 1:34:49.320
<v Speaker 1>room for other musicians, and by doing that you begin

1:34:49.439 --> 1:34:53.879
<v Speaker 1>to learn about your musical partners and your musical colleagues,

1:34:53.960 --> 1:34:59.800
<v Speaker 1>and eventually you get to the point um where you

1:35:00.000 --> 1:35:03.680
<v Speaker 1>become a better musician. I think without learning that etiquette,

1:35:04.080 --> 1:35:07.519
<v Speaker 1>I may may have not had the tools that I

1:35:07.640 --> 1:35:11.000
<v Speaker 1>needed to appreciate what was happening between myself and c

1:35:11.200 --> 1:35:15.479
<v Speaker 1>J now Danny Diaz. He ultimately left the business right

1:35:15.760 --> 1:35:18.800
<v Speaker 1>got into computers pretty much. Yeah, I believe that I

1:35:18.960 --> 1:35:21.800
<v Speaker 1>talked to Danny a couple of times we we got

1:35:21.880 --> 1:35:23.800
<v Speaker 1>a chance to talk about once in a while. I

1:35:23.920 --> 1:35:27.840
<v Speaker 1>believe he's a computer programmer, writes code. Um, I just

1:35:28.040 --> 1:35:31.160
<v Speaker 1>think that the experience and I'm not going to speak

1:35:31.200 --> 1:35:33.880
<v Speaker 1>for him, and I don't never speak for anybody. I

1:35:34.040 --> 1:35:37.880
<v Speaker 1>think for him the experience was different and maybe he

1:35:38.080 --> 1:35:41.880
<v Speaker 1>just saw things like that was great. And I get it.

1:35:42.479 --> 1:35:44.120
<v Speaker 1>I mean, I have my moments for I'm a rock

1:35:44.160 --> 1:35:47.720
<v Speaker 1>guitar player. I had my moments when I'm designing strategies

1:35:47.800 --> 1:35:55.040
<v Speaker 1>for space warfare. You know. Uh, I get that it's

1:35:55.120 --> 1:35:58.800
<v Speaker 1>good to be a colectic. But I think maybe he just,

1:35:59.240 --> 1:36:01.559
<v Speaker 1>you know, got to the point where I didn't want

1:36:01.600 --> 1:36:11.439
<v Speaker 1>to do it anymore. Many people consider the second Steely

1:36:11.479 --> 1:36:15.040
<v Speaker 1>Dan album, Countdown to Ecstasy, the best. I'm not in

1:36:15.120 --> 1:36:18.280
<v Speaker 1>agreement with that, but that seither here and We're there.

1:36:18.760 --> 1:36:21.960
<v Speaker 1>The album comes out, there don't appear to be any

1:36:22.080 --> 1:36:26.200
<v Speaker 1>hit singles on the radio, and suddenly Becker and Fagan say,

1:36:26.439 --> 1:36:28.320
<v Speaker 1>we don't want to go on the road anymore, So

1:36:28.439 --> 1:36:32.400
<v Speaker 1>what's your experience. Well, that didn't really happen to my

1:36:32.560 --> 1:36:35.560
<v Speaker 1>knowledge until after Pretzel Logic. Okay, then maybe I have

1:36:35.720 --> 1:36:37.920
<v Speaker 1>it wrong. No, we were still and we were gigging

1:36:37.960 --> 1:36:40.719
<v Speaker 1>a lot. Actually, Steely Dan played a lot of shows.

1:36:41.360 --> 1:36:45.559
<v Speaker 1>Somehow or other, this this myth arose that Steely Dan

1:36:45.640 --> 1:36:48.519
<v Speaker 1>didn't do any gigs. We worked hard. We opened for

1:36:48.600 --> 1:36:52.719
<v Speaker 1>the Doobie Brothers, we opened for James Gang, we opened

1:36:52.800 --> 1:36:58.439
<v Speaker 1>for um um Bert Cummings, we opened I mean we

1:36:59.360 --> 1:37:03.160
<v Speaker 1>we did a lot lot of shows. Um But I

1:37:03.560 --> 1:37:08.160
<v Speaker 1>think in the same way that I think Living All

1:37:08.200 --> 1:37:12.040
<v Speaker 1>the fault Line, Ultimately it was probably the best Doobie

1:37:12.080 --> 1:37:16.960
<v Speaker 1>Brothers album because and we can certainly have a discussion

1:37:17.000 --> 1:37:22.000
<v Speaker 1>about the transition from rock and bar band two, you know,

1:37:22.760 --> 1:37:30.759
<v Speaker 1>focusing um. The song raised Her Boy on Countdown Ectity.

1:37:30.840 --> 1:37:35.560
<v Speaker 1>To me epitomizes Steely Dan because that record seemed to

1:37:36.520 --> 1:37:44.240
<v Speaker 1>synthesize and and digest a lot of what Steely Dan

1:37:44.400 --> 1:37:46.639
<v Speaker 1>was becoming. And we'd had time to play on the road,

1:37:47.400 --> 1:37:52.360
<v Speaker 1>we'd had time to become a unit. So I wasn't

1:37:52.400 --> 1:37:55.080
<v Speaker 1>really worried about the hits. I mean, I'm doing fine.

1:37:55.640 --> 1:37:58.479
<v Speaker 1>You know, I'm doing four or five sessions to day.

1:37:58.520 --> 1:38:01.960
<v Speaker 1>I'm working my ass off, so and I'm playing in

1:38:02.080 --> 1:38:05.760
<v Speaker 1>Lenda Rostats band. I'm playing pedalist steel, so I'm you know,

1:38:06.120 --> 1:38:09.600
<v Speaker 1>I'm I'm digging my butt off and I'm out with

1:38:09.680 --> 1:38:13.719
<v Speaker 1>the Deobie Brothers playing, So I really wasn't. I guess

1:38:13.800 --> 1:38:16.599
<v Speaker 1>maybe I wasn't affected by that, but I think as

1:38:16.640 --> 1:38:21.400
<v Speaker 1>an albums, as a creative piece, the second Steely Dan

1:38:21.520 --> 1:38:26.080
<v Speaker 1>album shows a maturity of a group of musicians. So

1:38:26.600 --> 1:38:29.040
<v Speaker 1>how did it in with Steely Dan for you? I

1:38:29.160 --> 1:38:30.880
<v Speaker 1>was actually on the phone. I was out with the

1:38:30.960 --> 1:38:35.919
<v Speaker 1>Deobie Brothers playing um uh an outdoor festival in England,

1:38:37.560 --> 1:38:43.120
<v Speaker 1>and I had gotten into a conversation with with Donald

1:38:43.240 --> 1:38:48.640
<v Speaker 1>and Denny, and Danny had called and said, yeah, they

1:38:49.280 --> 1:38:51.320
<v Speaker 1>Walter and Donald just don't want to go on the

1:38:51.400 --> 1:38:53.800
<v Speaker 1>road anymore. They don't want to have a band, they

1:38:53.880 --> 1:38:56.599
<v Speaker 1>just want to So I talked to Donald and said, yeah,

1:38:56.600 --> 1:39:01.080
<v Speaker 1>we just um don't want to do it anymore. We

1:39:01.160 --> 1:39:04.360
<v Speaker 1>can't get the sound, we don't do it. And probably

1:39:04.960 --> 1:39:07.600
<v Speaker 1>they were doing very well with their publishing and so

1:39:07.880 --> 1:39:09.960
<v Speaker 1>you know, if you didn't really going on the road

1:39:10.000 --> 1:39:17.599
<v Speaker 1>could be challenging, um say the least. So I hung

1:39:17.720 --> 1:39:21.560
<v Speaker 1>up the phone. I was in uh net Worth, that

1:39:21.760 --> 1:39:24.639
<v Speaker 1>was it, the net Worth Music Festival, And I hid

1:39:24.760 --> 1:39:26.479
<v Speaker 1>up the phone and I turned to Pat Simmons and

1:39:26.560 --> 1:39:29.080
<v Speaker 1>I said well, I said for me and Steely Dan,

1:39:29.600 --> 1:39:35.160
<v Speaker 1>and he said, well, now you're in the Dubie Brothers. Okay, Okay, great,

1:39:36.479 --> 1:39:39.000
<v Speaker 1>there you go. Okay, let's go back to your conversation

1:39:39.080 --> 1:39:41.519
<v Speaker 1>with Henry. It seemed like you were saying you were

1:39:41.560 --> 1:39:44.479
<v Speaker 1>talking about going into the military. What happened there? Not

1:39:44.640 --> 1:39:47.439
<v Speaker 1>into the military. I did not join the military. I

1:39:47.600 --> 1:39:49.880
<v Speaker 1>was never in the military, and I don't want to again.

1:39:49.920 --> 1:39:53.840
<v Speaker 1>I want to be very very careful. I what I

1:39:54.080 --> 1:39:58.160
<v Speaker 1>do is I work for the Department of Defense and

1:39:58.280 --> 1:40:03.240
<v Speaker 1>a number of US government agencies on many different levels,

1:40:04.320 --> 1:40:13.080
<v Speaker 1>mostly having to do with unconventional warfare, space, UM perception management,

1:40:14.360 --> 1:40:19.599
<v Speaker 1>UM war gaming. But I'm not actually I was never

1:40:21.240 --> 1:40:23.880
<v Speaker 1>a member of the military. Okay. A couple of questions,

1:40:23.920 --> 1:40:25.800
<v Speaker 1>How did you get out of the draft? I showed

1:40:25.880 --> 1:40:30.559
<v Speaker 1>up at my draft board like everybody else? And did

1:40:30.600 --> 1:40:32.800
<v Speaker 1>you ever did you ever go to a draft physical? No,

1:40:33.160 --> 1:40:35.800
<v Speaker 1>because I filed as the CEO. But then I got

1:40:35.880 --> 1:40:39.920
<v Speaker 1>a number like two nine and it didn't become an issue. Okay.

1:40:40.080 --> 1:40:42.920
<v Speaker 1>So I show up at the well the experience, So

1:40:43.040 --> 1:40:45.920
<v Speaker 1>you show up at the Boston Navy Yard. Truth is

1:40:46.000 --> 1:40:49.160
<v Speaker 1>stranger than fiction. I've show up at the Boston Navy Yard.

1:40:49.720 --> 1:40:51.479
<v Speaker 1>So yeah, I got all your clothes off. You got

1:40:51.479 --> 1:40:53.519
<v Speaker 1>a little bag in your hand with all your little stuff,

1:40:54.040 --> 1:40:56.799
<v Speaker 1>and you go from desk to desk and they're checking

1:40:56.880 --> 1:41:02.000
<v Speaker 1>things off. Yep, this looks good. Yeah, this looks good. Yep.

1:41:02.200 --> 1:41:04.439
<v Speaker 1>You look good here, you look good here. Yep. So

1:41:04.560 --> 1:41:06.719
<v Speaker 1>you're going from desk to desk, and I'm thinking, okay,

1:41:07.920 --> 1:41:11.839
<v Speaker 1>in about three weeks, maybe a second lieutenant in Vietnam,

1:41:12.520 --> 1:41:16.000
<v Speaker 1>and that may be it for me. So it wasn't

1:41:16.080 --> 1:41:20.200
<v Speaker 1>a very pleasant experience. So the last guy at the

1:41:20.360 --> 1:41:23.760
<v Speaker 1>end of the hall, and I guess I'm being cinematic

1:41:23.800 --> 1:41:26.639
<v Speaker 1>about this, but the last guy, so you walked through

1:41:26.680 --> 1:41:31.479
<v Speaker 1>the door, big steel desk, sitting behind the desk, looks

1:41:31.520 --> 1:41:34.839
<v Speaker 1>down at my papers and says says, here you're a musician.

1:41:35.280 --> 1:41:41.040
<v Speaker 1>Said yes, sir, Well do you only think about stereo equipment?

1:41:42.240 --> 1:41:45.920
<v Speaker 1>And I'm thinking, okay, I have just moved into an

1:41:46.000 --> 1:41:51.200
<v Speaker 1>alternate universe. I'm gonna wake up in Way City. But

1:41:51.640 --> 1:41:55.000
<v Speaker 1>right now, okay, he says, do you have a minute.

1:41:57.120 --> 1:42:01.519
<v Speaker 1>So now this thing is really starting to now I

1:42:01.560 --> 1:42:05.240
<v Speaker 1>even more than I'm in a multidimensional universe, you know,

1:42:05.479 --> 1:42:11.280
<v Speaker 1>I'm I am living string theory. So I sit down

1:42:11.320 --> 1:42:13.439
<v Speaker 1>on the edge of his desk naked with my little

1:42:13.479 --> 1:42:16.080
<v Speaker 1>bag of stuff. He draws a picture of his living

1:42:16.160 --> 1:42:21.400
<v Speaker 1>room with the measurements, and I said okay, And I

1:42:21.479 --> 1:42:25.200
<v Speaker 1>asked the question. I said, is your wife want to

1:42:25.280 --> 1:42:29.920
<v Speaker 1>not see this uh stuff? And she said absolutely not.

1:42:30.840 --> 1:42:33.880
<v Speaker 1>He said, I want to see this crop. So I said, okay,

1:42:33.920 --> 1:42:38.080
<v Speaker 1>Here's what I would suggest in these corners. I would

1:42:38.200 --> 1:42:45.439
<v Speaker 1>build a m a curtain, put a set of curtains

1:42:45.520 --> 1:42:48.360
<v Speaker 1>in that our catacorners are to try, you know, the

1:42:48.840 --> 1:42:51.760
<v Speaker 1>other side of the triangle that the that the the

1:42:52.960 --> 1:42:55.920
<v Speaker 1>the room forms. Put in a pair of clip shorns,

1:42:56.880 --> 1:42:59.680
<v Speaker 1>because they'll create enough top end so they get through

1:42:59.680 --> 1:43:03.160
<v Speaker 1>the curve. But it will create enough high fidelity for you.

1:43:04.000 --> 1:43:07.160
<v Speaker 1>I would recommend that you buy a Macintosh to box

1:43:08.840 --> 1:43:15.280
<v Speaker 1>um I and probably a Dina kit to preamp Thorne's

1:43:15.320 --> 1:43:19.600
<v Speaker 1>turntable with a short cartridge. And I think you'll have

1:43:19.680 --> 1:43:24.599
<v Speaker 1>a wonderful stereo system that you really like. Meanwhile, the line,

1:43:25.720 --> 1:43:31.639
<v Speaker 1>it's like way back, I'm spending twenty minutes in there,

1:43:32.320 --> 1:43:35.679
<v Speaker 1>and then the guy says, okay, thank you for your time.

1:43:35.760 --> 1:43:40.040
<v Speaker 1>You know, if you came into the military, it would

1:43:40.040 --> 1:43:43.519
<v Speaker 1>probably ruin your career as a musician, checked off four

1:43:43.600 --> 1:43:47.719
<v Speaker 1>off and handing in my papers, and I thought, okay,

1:43:47.840 --> 1:43:52.360
<v Speaker 1>I'm just when am I gonna wake up out of this?

1:43:53.080 --> 1:43:56.840
<v Speaker 1>When when I pass back into you know, the the

1:43:57.200 --> 1:44:01.560
<v Speaker 1>universe that I'm familiar with. Never happened? That was it?

1:44:01.840 --> 1:44:05.240
<v Speaker 1>Well quite a story. So when did this conversation with

1:44:05.360 --> 1:44:08.320
<v Speaker 1>Henry take place? It was, well, after all of that,

1:44:09.160 --> 1:44:13.120
<v Speaker 1>well after all that, I mean, James Montgomery was my

1:44:13.240 --> 1:44:16.520
<v Speaker 1>roommate at Boston University. So that way with James Montgomery,

1:44:16.640 --> 1:44:18.680
<v Speaker 1>the Blues single, Oh yeah, we're we're being friends and

1:44:18.760 --> 1:44:22.600
<v Speaker 1>playing together for years. He was your roommate accidentally it

1:44:22.720 --> 1:44:24.439
<v Speaker 1>be you where you met each other and said, let's

1:44:24.520 --> 1:44:26.680
<v Speaker 1>room together. It was my roommate accidentally it be you

1:44:27.160 --> 1:44:29.559
<v Speaker 1>for a while, and we lived in the football arms.

1:44:29.600 --> 1:44:31.960
<v Speaker 1>So we go down to the commons room and get

1:44:32.120 --> 1:44:36.280
<v Speaker 1>musicians together and play. So um, there was a lot

1:44:36.360 --> 1:44:38.400
<v Speaker 1>of music going on and you know, again meeting a

1:44:38.479 --> 1:44:40.559
<v Speaker 1>lot of folks and and a lot of that stuff.

1:44:41.040 --> 1:44:47.840
<v Speaker 1>But the conversation with Henry came after I was after

1:44:48.040 --> 1:44:52.320
<v Speaker 1>I had written the first paper that I had written

1:44:52.439 --> 1:44:56.439
<v Speaker 1>about missile defense. About that I'm not going to go

1:44:56.520 --> 1:44:58.800
<v Speaker 1>into too much detail. I want to bore anybody about

1:44:58.960 --> 1:45:08.080
<v Speaker 1>adapting a Navy carrier battle group antire defense system to

1:45:08.240 --> 1:45:11.240
<v Speaker 1>do missile defense. And I wrote a paper. My dad said,

1:45:11.280 --> 1:45:14.280
<v Speaker 1>you got an idea, You're right down. So I had

1:45:14.320 --> 1:45:16.320
<v Speaker 1>an idea. I went to a friend of mine at

1:45:16.360 --> 1:45:19.240
<v Speaker 1>a propulsion laboratories to do some math for me, make

1:45:19.280 --> 1:45:23.080
<v Speaker 1>sure I had the radar stuff right. And so I

1:45:23.200 --> 1:45:26.599
<v Speaker 1>handed the paper to a congressman in Los Angeles who

1:45:26.640 --> 1:45:28.040
<v Speaker 1>I was doing a lot of work with because I

1:45:28.120 --> 1:45:30.200
<v Speaker 1>was a reserve officer with L A p D. And

1:45:30.280 --> 1:45:32.799
<v Speaker 1>I was helping him with some counter terrors and stuff.

1:45:33.320 --> 1:45:35.519
<v Speaker 1>And so he gives it to the vice chairman of

1:45:35.560 --> 1:45:37.920
<v Speaker 1>the Armed Services Committee. He said, well, there's a guy

1:45:38.000 --> 1:45:41.280
<v Speaker 1>from Boeing or Raytheon No, he's a guitar player for

1:45:41.320 --> 1:45:45.040
<v Speaker 1>the Doobie Brothers. And he goes, well, I want to

1:45:45.080 --> 1:45:48.080
<v Speaker 1>meet this guy. So I get a call, would you

1:45:48.200 --> 1:45:52.160
<v Speaker 1>be willing to accept the position on the House Arm

1:45:52.240 --> 1:45:56.080
<v Speaker 1>Services Committee UH to head up the Civilian Advisory Board

1:45:56.080 --> 1:45:58.599
<v Speaker 1>on Missile Defense. And we're going to classify the paper

1:45:58.680 --> 1:46:02.040
<v Speaker 1>that you wrote, and we're gonna give you a security clearance.

1:46:02.120 --> 1:46:03.719
<v Speaker 1>So of course, the next thing you know, you're taking

1:46:03.800 --> 1:46:06.240
<v Speaker 1>polygraphs and you're doing all this kind of stuff. But

1:46:06.360 --> 1:46:09.600
<v Speaker 1>this opportunity came up. And there's other opportunities that we

1:46:09.680 --> 1:46:13.559
<v Speaker 1>can cover in a later date about the counter terrorism stuff, etcetera, etcetera.

1:46:13.960 --> 1:46:17.200
<v Speaker 1>But when this happened, I was in New York and

1:46:17.320 --> 1:46:19.800
<v Speaker 1>I went I had mentioned it to a couple of

1:46:19.880 --> 1:46:23.879
<v Speaker 1>friends of mine, many of whom said, well, that's really stupid.

1:46:23.920 --> 1:46:25.320
<v Speaker 1>What do you want to do something like that for?

1:46:25.439 --> 1:46:27.519
<v Speaker 1>What are you a war guy? What do you you

1:46:27.600 --> 1:46:34.599
<v Speaker 1>know that that kind of attitude? So I thought, who

1:46:34.600 --> 1:46:37.200
<v Speaker 1>am I going to talk to about this? I know

1:46:37.320 --> 1:46:41.680
<v Speaker 1>how my dad feels, uh, And he was very very supportive.

1:46:42.960 --> 1:46:44.960
<v Speaker 1>But I thought, okay, who do I know? And that's

1:46:44.960 --> 1:46:49.760
<v Speaker 1>got a foot in both worlds. Gotta be Henry. So

1:46:50.120 --> 1:46:53.320
<v Speaker 1>I went to talk to Henry and he was not

1:46:54.200 --> 1:47:00.920
<v Speaker 1>at all um hesitant at all. I mean, he looked

1:47:00.960 --> 1:47:03.479
<v Speaker 1>me right in the eyes. He said, I've known you

1:47:04.000 --> 1:47:08.519
<v Speaker 1>since you were a kid. I think I know you

1:47:08.640 --> 1:47:12.800
<v Speaker 1>well enough. Do you really want my opinion? And I said, Henry,

1:47:12.840 --> 1:47:16.840
<v Speaker 1>I need your opinion please, And he said, you again,

1:47:16.920 --> 1:47:18.880
<v Speaker 1>what I told you before you go do it? Screw

1:47:19.000 --> 1:47:22.320
<v Speaker 1>those people. If you believe in this, you go do

1:47:22.439 --> 1:47:27.160
<v Speaker 1>it and tell him to call me. So. I don't

1:47:27.200 --> 1:47:29.880
<v Speaker 1>think anybody ever did, but you know, Henry, I mean,

1:47:30.880 --> 1:47:34.480
<v Speaker 1>so you switch to the Doobie Brothers when Tom Johnston

1:47:34.640 --> 1:47:36.519
<v Speaker 1>is still the front person for the band along with

1:47:36.560 --> 1:47:41.679
<v Speaker 1>Patrick Simmons, and tell me about the transition where Tom

1:47:41.840 --> 1:47:45.960
<v Speaker 1>ultimately falls out of the band and you bring Michael

1:47:46.000 --> 1:47:49.479
<v Speaker 1>McDonald in. Well, okay, So for a while we were

1:47:49.520 --> 1:47:53.479
<v Speaker 1>a three master at Schooner, three guitar players. Um, all

1:47:53.560 --> 1:47:55.920
<v Speaker 1>of us, by the way, we're big fans of Will

1:47:55.960 --> 1:47:58.320
<v Speaker 1>Be Great. I think that was probably the greatest American

1:47:58.400 --> 1:48:04.200
<v Speaker 1>rock and roll band ever, and they managed to synthesize

1:48:05.160 --> 1:48:09.840
<v Speaker 1>the interaction between three guitar players in a magic way,

1:48:10.800 --> 1:48:14.640
<v Speaker 1>no doubt about it. So the three guitar player thing

1:48:14.720 --> 1:48:17.559
<v Speaker 1>was very comfortable, especially because you could always have an

1:48:17.560 --> 1:48:20.679
<v Speaker 1>acoustic guitar as well. I mean, you could really fill

1:48:20.760 --> 1:48:23.680
<v Speaker 1>it out the way it should be. UM. So we

1:48:23.800 --> 1:48:26.439
<v Speaker 1>played a lot of shows and then we were playing

1:48:26.720 --> 1:48:31.040
<v Speaker 1>l s U Louisiana State University and Tom had had

1:48:31.120 --> 1:48:35.400
<v Speaker 1>some health problems before, but he couldn't go out on stage.

1:48:36.200 --> 1:48:41.599
<v Speaker 1>He his he has some serious and again I don't

1:48:41.800 --> 1:48:44.719
<v Speaker 1>tell tales out of school but he has some serious

1:48:45.200 --> 1:48:54.160
<v Speaker 1>um um digestive problems, stomach problems, and he was in

1:48:54.320 --> 1:48:59.040
<v Speaker 1>paint and he couldn't come out and perform. So um,

1:49:00.560 --> 1:49:02.320
<v Speaker 1>and I'm not going to get into again. I don't

1:49:02.360 --> 1:49:06.719
<v Speaker 1>tell tales out of school. There was certainly a number

1:49:06.800 --> 1:49:12.519
<v Speaker 1>of interesting conversations back in the dressing room, and we

1:49:12.640 --> 1:49:15.120
<v Speaker 1>all came to the conclusion, or some of us came

1:49:15.200 --> 1:49:17.760
<v Speaker 1>to the conclusion that we still wanted to do this.

1:49:18.920 --> 1:49:22.080
<v Speaker 1>So I went out on stage and said, they were

1:49:22.160 --> 1:49:25.040
<v Speaker 1>like fifty thou people there. I said, we can either

1:49:25.160 --> 1:49:28.320
<v Speaker 1>give you your money back or come back in ten

1:49:28.439 --> 1:49:32.920
<v Speaker 1>days and we'll put on a show for you. Well, nobody,

1:49:34.640 --> 1:49:39.840
<v Speaker 1>nobody wanted their money back. So right after that, I

1:49:39.920 --> 1:49:43.920
<v Speaker 1>got on the phone and I called Michael McDonald because

1:49:43.960 --> 1:49:47.240
<v Speaker 1>he and I had become friends through playing together and

1:49:47.320 --> 1:49:50.240
<v Speaker 1>Steely Dan and doing some writing together and playing together.

1:49:51.120 --> 1:49:53.439
<v Speaker 1>Said Michael, I'm sending you a one way ticket you

1:49:53.479 --> 1:49:56.879
<v Speaker 1>want to join the Doobie Brothers. And he said, okay,

1:49:57.760 --> 1:50:00.479
<v Speaker 1>I mean, you know, I later on we always we

1:50:00.520 --> 1:50:06.200
<v Speaker 1>we we lived that conversation, but it was yeah, sure,

1:50:06.840 --> 1:50:11.000
<v Speaker 1>why not? So he flew out. We rehearsed for ten days,

1:50:11.160 --> 1:50:15.160
<v Speaker 1>eight hours a day put on a show, got five encores,

1:50:16.040 --> 1:50:20.439
<v Speaker 1>And I guess sometimes you have to make a command

1:50:20.560 --> 1:50:25.560
<v Speaker 1>decision and sometimes you get the elevator and sometimes you

1:50:25.640 --> 1:50:28.960
<v Speaker 1>get the shaft. And this time I think it worked

1:50:29.000 --> 1:50:32.720
<v Speaker 1>out very well. Now, the Doobie Brothers have a new biography.

1:50:33.200 --> 1:50:35.439
<v Speaker 1>To be point blank about it, they give you some

1:50:35.760 --> 1:50:40.240
<v Speaker 1>ship about the end of your tenure with the Doobie Brothers.

1:50:40.640 --> 1:50:43.600
<v Speaker 1>I don't know if you've seen that book, but what

1:50:43.880 --> 1:50:46.760
<v Speaker 1>is your viewpoint of the end? They basically said, you

1:50:46.880 --> 1:50:50.519
<v Speaker 1>were playing what you wanted to didn't necessarily fit in

1:50:50.640 --> 1:50:53.360
<v Speaker 1>with the rest of the band, and to a degree,

1:50:53.439 --> 1:50:58.760
<v Speaker 1>we're incorrigible. What was your experience? Boy? What a compliment? Wow?

1:50:59.680 --> 1:51:04.599
<v Speaker 1>Thank you? Um incorrigible playing what I wanted to play?

1:51:05.960 --> 1:51:17.439
<v Speaker 1>Um gee? Okay UM. When I before we started the

1:51:18.680 --> 1:51:25.360
<v Speaker 1>Living on the fault Line album, I thought, okay because

1:51:25.439 --> 1:51:29.479
<v Speaker 1>Ted Templeman was a great producer, and I thought because

1:51:29.600 --> 1:51:36.280
<v Speaker 1>Michael's material was a little bit more, um, multifaceted than

1:51:36.720 --> 1:51:38.960
<v Speaker 1>the material that the Doobie Brothers were well known for.

1:51:39.840 --> 1:51:42.280
<v Speaker 1>I mean, Tom Johnson is a great songwriter. I am

1:51:42.400 --> 1:51:47.679
<v Speaker 1>This is not in any way, um uh, putting any

1:51:47.760 --> 1:51:51.799
<v Speaker 1>kind of bad spin on any of this. I thought, Okay,

1:51:53.400 --> 1:51:58.920
<v Speaker 1>what would happen if I made if I got everybody

1:51:59.000 --> 1:52:00.760
<v Speaker 1>in the band. What if what the Doobie but has

1:52:00.800 --> 1:52:05.639
<v Speaker 1>worked as a rhythm section for other artists Leo Sayer,

1:52:06.040 --> 1:52:11.479
<v Speaker 1>Carly Simon, Um hoit accident? What if they had to

1:52:11.520 --> 1:52:15.200
<v Speaker 1>show up at nine am as a rhythm section? Play

1:52:15.240 --> 1:52:20.160
<v Speaker 1>it right or you get fired well number one. I

1:52:20.280 --> 1:52:25.599
<v Speaker 1>had always felt that the Doobie Brothers as individuals were

1:52:25.680 --> 1:52:30.760
<v Speaker 1>extremely talented musicians each one and had not realized their

1:52:30.800 --> 1:52:34.479
<v Speaker 1>own potential. Not that it was my job to do that,

1:52:35.160 --> 1:52:37.519
<v Speaker 1>but I thought that they hadn't realized their own potential.

1:52:38.920 --> 1:52:42.320
<v Speaker 1>So they started. I said, let's let's do this. What

1:52:42.439 --> 1:52:44.680
<v Speaker 1>do you think? And there was a little bit of

1:52:44.680 --> 1:52:46.479
<v Speaker 1>ad I don't really want to do that, you know,

1:52:46.479 --> 1:52:48.519
<v Speaker 1>I don't want to get up, And I said okay, fine,

1:52:49.360 --> 1:52:55.680
<v Speaker 1>and Ted Templeman, I believe UM encouraged that idea. So

1:52:56.240 --> 1:53:01.479
<v Speaker 1>there you go, downbeat, nine am. Here we go. And

1:53:02.720 --> 1:53:08.680
<v Speaker 1>what stuck struck me is after about seven or eight

1:53:08.800 --> 1:53:12.800
<v Speaker 1>months of this, I remember Keith Canuteson, who was a

1:53:13.000 --> 1:53:20.720
<v Speaker 1>fabulous drummer, just pocket groove drummer, um listening back to

1:53:20.840 --> 1:53:25.200
<v Speaker 1>a track and saying I think I dropped the snare

1:53:25.280 --> 1:53:32.280
<v Speaker 1>drum beat in bar fifte and I went, BINGO, this

1:53:32.720 --> 1:53:36.920
<v Speaker 1>is great. This is the best of what Steely Dan

1:53:37.120 --> 1:53:41.519
<v Speaker 1>was about with the spirit of the Doobie Brothers and

1:53:41.920 --> 1:53:45.519
<v Speaker 1>pushed very hard a lot of the stuff on the

1:53:45.600 --> 1:53:48.880
<v Speaker 1>Living on the fault Line album. It's very different than

1:53:48.960 --> 1:53:52.320
<v Speaker 1>the Doobie Brothers, but I think it laid the foundation

1:53:53.120 --> 1:53:56.400
<v Speaker 1>for a minute by minute to be that kind of record.

1:53:57.520 --> 1:54:06.200
<v Speaker 1>UM play what I want, UM, Certainly I had ideas

1:54:06.600 --> 1:54:11.560
<v Speaker 1>and things that I felt, UM I wanted to do.

1:54:13.360 --> 1:54:18.559
<v Speaker 1>I unless I'm missing something, there was more agreement than

1:54:18.640 --> 1:54:21.559
<v Speaker 1>there was disagreement. Just to clarify, in that book, they

1:54:21.600 --> 1:54:24.760
<v Speaker 1>were talking at about the last last days of the

1:54:24.800 --> 1:54:28.280
<v Speaker 1>Doobie Brothers, not Living on the fall Line, not minute

1:54:28.280 --> 1:54:30.080
<v Speaker 1>by minute. Well it would be after a minute by

1:54:30.120 --> 1:54:34.440
<v Speaker 1>minute or about the same time. Yeah, So again I

1:54:34.600 --> 1:54:38.200
<v Speaker 1>take that as a huge compliment. UM. When I was

1:54:38.320 --> 1:54:41.120
<v Speaker 1>on stage sometimes I was where I wore headphones all

1:54:41.120 --> 1:54:42.680
<v Speaker 1>the time because I wanted to get a good mix.

1:54:43.240 --> 1:54:45.760
<v Speaker 1>I mean, I'm a studio guy. I'm sitting down with

1:54:45.920 --> 1:54:52.760
<v Speaker 1>headphones people three guys Hyatt Jingle Stadium. That's what I do.

1:54:54.080 --> 1:55:00.360
<v Speaker 1>And Tim McCormick, my my guitar check. They started to

1:55:00.400 --> 1:55:02.680
<v Speaker 1>play this game where they would write a piece of

1:55:03.080 --> 1:55:06.160
<v Speaker 1>a song title on a piece of paper, and since

1:55:06.200 --> 1:55:07.920
<v Speaker 1>I was sitting next to Michael, they put on the

1:55:07.960 --> 1:55:10.520
<v Speaker 1>piano right next to me, and in thirty seconds I

1:55:10.640 --> 1:55:18.200
<v Speaker 1>had to take that song and incorporated into a guitar song. So, uh,

1:55:19.320 --> 1:55:24.880
<v Speaker 1>rocking down the Highway, we want you to play bobble

1:55:24.960 --> 1:55:28.760
<v Speaker 1>spangles and peats and maybe the next night we want

1:55:28.800 --> 1:55:35.880
<v Speaker 1>you to do the Hallelujah chorus. Okay, great, I loved it.

1:55:37.360 --> 1:55:42.000
<v Speaker 1>To me, that's what it's all about, challenge, rising to

1:55:42.120 --> 1:55:45.720
<v Speaker 1>the occasion and playing something different. Not that the solos

1:55:45.800 --> 1:55:48.520
<v Speaker 1>that were originally in those songs weren't great. It's not

1:55:48.680 --> 1:55:51.680
<v Speaker 1>about that, but I think they're You have to stretch

1:55:51.760 --> 1:55:53.560
<v Speaker 1>out a little bit, and maybe that made some people

1:55:53.600 --> 1:55:55.960
<v Speaker 1>feel uncomfortable. So how does it end with you? In

1:55:56.000 --> 1:56:00.800
<v Speaker 1>the Doobie Brothers, we just parted ways. Um. I think

1:56:00.880 --> 1:56:05.680
<v Speaker 1>that Patrick Simmons had another vision of what he wanted

1:56:05.720 --> 1:56:13.240
<v Speaker 1>the band to be and it was kind of his baby. Um.

1:56:14.840 --> 1:56:18.480
<v Speaker 1>I know that they had sort of broken up, but

1:56:18.640 --> 1:56:21.440
<v Speaker 1>they came back together, and I think a lot of

1:56:21.480 --> 1:56:24.560
<v Speaker 1>that has to do with everybody in the band wanting

1:56:24.640 --> 1:56:29.800
<v Speaker 1>to continue, and Tommy was had gotten his health back,

1:56:31.520 --> 1:56:38.760
<v Speaker 1>So I guess it was another metamorphosis. I mean, I

1:56:38.880 --> 1:56:40.880
<v Speaker 1>said a long time ago when I did an interview

1:56:41.320 --> 1:56:46.840
<v Speaker 1>on MSNBC about my other work. To me, life is

1:56:46.880 --> 1:56:51.200
<v Speaker 1>a series of chapters, and I love them all, every

1:56:51.280 --> 1:56:54.320
<v Speaker 1>chapter that I've been involved in. The One thing that's

1:56:54.360 --> 1:56:58.280
<v Speaker 1>important to understand, I believe is that if you're a

1:56:58.440 --> 1:57:02.040
<v Speaker 1>change agent, if you're someone who was willing to try

1:57:02.680 --> 1:57:05.879
<v Speaker 1>to change, and let's face it, what end of whatever

1:57:06.040 --> 1:57:09.560
<v Speaker 1>anybody wants to say. Bringing Michael McDonald and the Dubie

1:57:09.640 --> 1:57:15.560
<v Speaker 1>Brothers was a change. Some would say radical someone, but

1:57:16.160 --> 1:57:20.840
<v Speaker 1>it was a change to have initiated that. There are

1:57:20.960 --> 1:57:25.600
<v Speaker 1>consequences change agents. If you're a change agent, you have

1:57:25.720 --> 1:57:30.000
<v Speaker 1>to be comfortable with knowing when it's time the change

1:57:30.160 --> 1:57:35.440
<v Speaker 1>is done. Everything's done, good, thank you. Plus I wanted

1:57:35.440 --> 1:57:39.400
<v Speaker 1>to produce records. I wanted to try some other things.

1:57:39.520 --> 1:57:42.120
<v Speaker 1>I'd already started producing records when I was still in

1:57:42.200 --> 1:57:50.080
<v Speaker 1>the band, and to me, maybe you know, as time passes,

1:57:52.280 --> 1:57:55.720
<v Speaker 1>I just remember the good stuff. I still I see

1:57:55.800 --> 1:58:00.320
<v Speaker 1>Tommy Johnson probably two or three times a year because

1:58:00.400 --> 1:58:04.600
<v Speaker 1>we do the St. Chud's Hospital um benefit that I

1:58:04.640 --> 1:58:10.760
<v Speaker 1>see him play great. Actually, I thought Tom Johnson was

1:58:10.840 --> 1:58:13.720
<v Speaker 1>and still is a fine human being because one time

1:58:13.760 --> 1:58:15.320
<v Speaker 1>he came and stayed at my house and he made

1:58:15.360 --> 1:58:19.640
<v Speaker 1>his bed and I know that sounds but no, No,

1:58:19.920 --> 1:58:22.520
<v Speaker 1>those little things I noticed. Whether it's like when you're

1:58:22.520 --> 1:58:24.760
<v Speaker 1>in the bathroom with a guy, does he wash his hands?

1:58:25.120 --> 1:58:27.800
<v Speaker 1>If he doesn't wash his hands, It's something you can

1:58:27.880 --> 1:58:32.200
<v Speaker 1>never forget. So ultimately you leave the Doobie Brothers. You

1:58:32.360 --> 1:58:36.800
<v Speaker 1>produce records, and you do a cornucopy of things. You

1:58:36.920 --> 1:58:39.840
<v Speaker 1>work in TV, you work in movies, you work in

1:58:40.240 --> 1:58:44.000
<v Speaker 1>advertising commercials. You write the theme from nine O two

1:58:44.080 --> 1:58:48.880
<v Speaker 1>one Oh So was there any plan? Was there? I

1:58:49.040 --> 1:58:51.440
<v Speaker 1>know you play with multiple people, but you've been in

1:58:51.600 --> 1:58:53.640
<v Speaker 1>bands for a while. Did you not want to be

1:58:53.760 --> 1:58:57.600
<v Speaker 1>in bands again? No? I live Living in Los Angeles

1:58:58.160 --> 1:59:02.960
<v Speaker 1>was like going to the Costco of music. Sometimes you

1:59:03.040 --> 1:59:07.160
<v Speaker 1>didn't even know what you want to buy. Oh yeah,

1:59:07.440 --> 1:59:12.960
<v Speaker 1>that those big truck tires. Maybe I'll buy a truck. Well,

1:59:13.080 --> 1:59:15.800
<v Speaker 1>buy the tires and then I'll buy the truck. Or

1:59:16.440 --> 1:59:20.200
<v Speaker 1>you know it. There's you have so much on There's

1:59:20.240 --> 1:59:26.000
<v Speaker 1>so much available, a pot pourri, a veritable supermarket, a

1:59:26.160 --> 1:59:30.520
<v Speaker 1>voritable bazaar of things to do. I wanted to try

1:59:30.600 --> 1:59:36.120
<v Speaker 1>it all because I wanted to challenge myself. I I'm

1:59:36.200 --> 1:59:39.920
<v Speaker 1>not a big fan of you know, I'm this guy,

1:59:40.120 --> 1:59:43.000
<v Speaker 1>and look at what I've done to me. It's what

1:59:43.120 --> 1:59:46.760
<v Speaker 1>did you do today? Um? Maybe again, that's the work

1:59:46.840 --> 1:59:51.320
<v Speaker 1>ethic that I learned from my father. But I saw

1:59:51.520 --> 1:59:54.520
<v Speaker 1>this opportunity and I wanted. I was curious, could I

1:59:54.640 --> 1:59:57.840
<v Speaker 1>do this? I already know what I can do. I

1:59:57.960 --> 2:00:01.880
<v Speaker 1>had a bucket list. I've tried off every box in

2:00:02.040 --> 2:00:07.480
<v Speaker 1>that bucket list musically except for a solo problem. This

2:00:07.640 --> 2:00:10.800
<v Speaker 1>is the last box. Okay, at this late date, how

2:00:10.920 --> 2:00:13.680
<v Speaker 1>much of your time has spent on music? How much

2:00:13.720 --> 2:00:17.520
<v Speaker 1>has spent on defence work? Right now up until this moment?

2:00:18.320 --> 2:00:22.880
<v Speaker 1>Probably half and half. Because I'm a member of a

2:00:22.960 --> 2:00:27.280
<v Speaker 1>couple of wonderful bands. One is called American vinyl Um.

2:00:28.600 --> 2:00:33.920
<v Speaker 1>The other guitar players former guitar player from Boston. The

2:00:34.040 --> 2:00:37.400
<v Speaker 1>drummer was James Brown's band, and I played with James

2:00:37.440 --> 2:00:40.000
<v Speaker 1>Brown for a little while. He and I became friends.

2:00:40.480 --> 2:00:43.000
<v Speaker 1>A keyboard player from the Whalers. I mean it's just

2:00:43.120 --> 2:00:46.640
<v Speaker 1>awesome band. I mean it's kind of a corporate band.

2:00:46.680 --> 2:00:49.320
<v Speaker 1>We do a lot of charities, especially for vets. You

2:00:49.400 --> 2:00:51.480
<v Speaker 1>want to hear the hinds. Just tell us when you

2:00:51.560 --> 2:00:54.000
<v Speaker 1>want to stop, when when you want us to stop.

2:00:54.760 --> 2:00:58.040
<v Speaker 1>There's a band called the Coalition of the Willing in Washington,

2:00:58.160 --> 2:01:00.800
<v Speaker 1>d C. We do a lot of embassy parties and

2:01:00.880 --> 2:01:07.320
<v Speaker 1>stuff again, fundraisers for vets charities. Myself Tony Blinkin. There's

2:01:07.360 --> 2:01:16.160
<v Speaker 1>a Secretary of State. Um uh uh. The drummer was

2:01:16.280 --> 2:01:23.400
<v Speaker 1>former ambassador of Japan. Um the bass player was a

2:01:23.480 --> 2:01:27.200
<v Speaker 1>former other secondary state from military affairs. I mean that

2:01:27.440 --> 2:01:29.880
<v Speaker 1>kind of band where you get together and there you

2:01:29.920 --> 2:01:35.200
<v Speaker 1>know it's it's it's more for fun and raise money.

2:01:36.560 --> 2:01:39.000
<v Speaker 1>And I played with different bands, you know when the

2:01:39.200 --> 2:01:42.360
<v Speaker 1>when the There's a band called uh six Wire that

2:01:42.480 --> 2:01:44.440
<v Speaker 1>I do some shows with. There are a lot of

2:01:44.520 --> 2:01:49.400
<v Speaker 1>fun band called Side Deal that down in Newport. Best

2:01:49.480 --> 2:01:53.040
<v Speaker 1>singers I've ever heard. So they say, would come and

2:01:53.080 --> 2:01:55.880
<v Speaker 1>play pedal steel? Of course I will, you know, so

2:01:57.520 --> 2:02:01.960
<v Speaker 1>I'd say maybe fifty fifty. We'll see what happens after

2:02:02.120 --> 2:02:07.800
<v Speaker 1>this first solo endeavor and see how that goes. So obviously,

2:02:08.240 --> 2:02:11.960
<v Speaker 1>if you're working, you're playing an instrument, But do you

2:02:12.120 --> 2:02:14.800
<v Speaker 1>play every day or only when you need to. I

2:02:14.920 --> 2:02:18.760
<v Speaker 1>pretty much play every day for a couple of reasons. One,

2:02:18.800 --> 2:02:21.960
<v Speaker 1>I like to play the guitar um. A lot of

2:02:22.040 --> 2:02:26.600
<v Speaker 1>times I'm either um, you know, out with the sidering iron,

2:02:26.680 --> 2:02:30.760
<v Speaker 1>out my workshop, trying something new. You gotta play it after,

2:02:30.880 --> 2:02:34.600
<v Speaker 1>you you know, reroute some of the electronics or something.

2:02:35.480 --> 2:02:42.720
<v Speaker 1>And there's a zen to it that brings me inner peace.

2:02:44.120 --> 2:02:46.800
<v Speaker 1>And in my day job, there are times when it

2:02:46.920 --> 2:02:53.400
<v Speaker 1>gets really really difficult. Um. As you know, we live

2:02:53.440 --> 2:02:58.880
<v Speaker 1>in a world that's not what I think any of us,

2:02:59.120 --> 2:03:02.920
<v Speaker 1>except for the most twisted individual would defined as optimum

2:03:04.280 --> 2:03:09.280
<v Speaker 1>people's behavior. I mean, it can get a little tough,

2:03:10.560 --> 2:03:14.360
<v Speaker 1>but playing the instrument does a couple of things. There's

2:03:14.480 --> 2:03:18.080
<v Speaker 1>this zen. There also is the connection that very few

2:03:18.160 --> 2:03:23.800
<v Speaker 1>people really understand. Um. A lot of people come up

2:03:23.840 --> 2:03:26.400
<v Speaker 1>to me. Quite a few folks have said, hey, I'd

2:03:26.440 --> 2:03:29.800
<v Speaker 1>really like to help you at what you do? You

2:03:29.880 --> 2:03:33.920
<v Speaker 1>know in your day job? What can I do? And

2:03:34.320 --> 2:03:37.640
<v Speaker 1>there are a few folks. Paul Reid Smith came with

2:03:37.720 --> 2:03:41.960
<v Speaker 1>an idea for an underwater acoustic detection system. Called up

2:03:42.000 --> 2:03:44.280
<v Speaker 1>my buddy over at the Nable Research Lab. Hey, nov

2:03:45.040 --> 2:03:47.440
<v Speaker 1>Adam O Carr, you gotta check this out. Now. He's

2:03:47.480 --> 2:03:50.240
<v Speaker 1>got a company called Digital Harmonic that's doing stuff for

2:03:50.280 --> 2:03:54.640
<v Speaker 1>the Navy and other folks. There's some very smart people

2:03:54.720 --> 2:03:57.440
<v Speaker 1>who do that, but most people want to help. And

2:03:57.560 --> 2:04:01.400
<v Speaker 1>I said, listen, you gotta understand. One of the reasons

2:04:01.440 --> 2:04:03.920
<v Speaker 1>why I got involved in Afghanistan is because the Taliban

2:04:04.040 --> 2:04:07.360
<v Speaker 1>was cutting the hands off musicians. Why were they doing that.

2:04:09.080 --> 2:04:13.480
<v Speaker 1>They were doing it because they're frightened that musicians have

2:04:13.680 --> 2:04:17.040
<v Speaker 1>the ability and the key to open people's hearts. And

2:04:17.200 --> 2:04:20.760
<v Speaker 1>you don't want that. If you are dogmatic and you

2:04:20.920 --> 2:04:26.600
<v Speaker 1>are rigid in New York beliefs, anything else is a threat,

2:04:27.240 --> 2:04:29.960
<v Speaker 1>so you try to eliminate it. So I tell every

2:04:30.040 --> 2:04:33.760
<v Speaker 1>musician that I know, every note that you play, every

2:04:34.040 --> 2:04:38.800
<v Speaker 1>word that you sing, you're fighting for freedom. You are

2:04:38.840 --> 2:04:41.960
<v Speaker 1>as much of a freedom fighter as anybody on this planet.

2:04:43.080 --> 2:04:49.360
<v Speaker 1>And so playing the guitar, I believe has a symmetry

2:04:49.480 --> 2:04:51.760
<v Speaker 1>and a synergy to all that. Because again, like I

2:04:51.840 --> 2:04:55.880
<v Speaker 1>said before, what brought down the Soviet Union, well, missile defense,

2:04:56.000 --> 2:04:58.760
<v Speaker 1>no doubt about it. They felt they were sure that

2:04:58.880 --> 2:05:01.680
<v Speaker 1>we could do it, and we we spent them out

2:05:01.760 --> 2:05:05.440
<v Speaker 1>of existence. But also I did the first one of

2:05:05.480 --> 2:05:11.000
<v Speaker 1>the first shows in Rush Soviet Union in kids knew

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<v Speaker 1>every word to every song and all our music was illegal.

2:05:14.760 --> 2:05:17.640
<v Speaker 1>What brought down the Soviet Union was French fires, blue

2:05:17.720 --> 2:05:22.200
<v Speaker 1>chains and Elvis Presley. Soft Power Joseph and I from

2:05:22.320 --> 2:05:25.560
<v Speaker 1>under Secretarity State who wrote a book called soft Power.

2:05:25.640 --> 2:05:28.720
<v Speaker 1>I actually wrote the blurb for his book. We'll tell

2:05:28.760 --> 2:05:33.800
<v Speaker 1>you that the power of culture is massive. Again. Why

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<v Speaker 1>would the Taliban want to cut your hands off because

2:05:36.360 --> 2:05:40.280
<v Speaker 1>they're scared to death of what you do? Okay, you

2:05:40.400 --> 2:05:43.880
<v Speaker 1>talk about doing all these gigs for charity. You talked

2:05:43.920 --> 2:05:46.400
<v Speaker 1>about Bicker and Fagan not having to go on the

2:05:46.520 --> 2:05:50.600
<v Speaker 1>road because of publishing royalties. How are you doing financially?

2:05:50.920 --> 2:05:56.960
<v Speaker 1>Life is good. I cannot complain. Um. I don't wear

2:05:56.960 --> 2:05:59.680
<v Speaker 1>a lot of I don't have any jewelry. I don't buy.

2:06:00.200 --> 2:06:03.320
<v Speaker 1>If I need a guitar, usually somebody will say, hey,

2:06:03.920 --> 2:06:07.440
<v Speaker 1>why don't you It's like Henry take this, get out

2:06:07.480 --> 2:06:14.040
<v Speaker 1>of my store. Um I life is good. I don't

2:06:14.080 --> 2:06:20.560
<v Speaker 1>have a very lavish lifestyle and I'm very comfortable. So yeah,

2:06:21.760 --> 2:06:25.800
<v Speaker 1>um I'm I hesitate to use the word blessed because

2:06:25.840 --> 2:06:29.960
<v Speaker 1>it has theological connotations to it, and lucky is a

2:06:30.920 --> 2:06:36.080
<v Speaker 1>a word that is overused and underdefined. I am fortunate.

2:06:37.400 --> 2:06:40.960
<v Speaker 1>I would say that I've accomplished much of what I

2:06:41.040 --> 2:06:43.760
<v Speaker 1>ever wanted to accomplish. Like I said, I've only got

2:06:43.800 --> 2:06:47.440
<v Speaker 1>one box left to check on my bucket list, and

2:06:48.080 --> 2:06:59.960
<v Speaker 1>it has brought me happiness, fulfillment, satisfaction, adventure, um uh, conflict,

2:07:01.720 --> 2:07:04.720
<v Speaker 1>all of the things that I think are important. Two

2:07:05.360 --> 2:07:09.640
<v Speaker 1>eventually get to the point where it used to be.

2:07:09.760 --> 2:07:11.960
<v Speaker 1>I used to hear people say that he who dies

2:07:12.080 --> 2:07:17.440
<v Speaker 1>with the most toys winds. No, he who dies with

2:07:17.560 --> 2:07:23.920
<v Speaker 1>the most stories wind because you can buy toys, you

2:07:24.080 --> 2:07:27.960
<v Speaker 1>can't buy experience. Okay, just to go one little left

2:07:28.000 --> 2:07:31.200
<v Speaker 1>field deed tour before we go. Most guitarists have a

2:07:31.280 --> 2:07:35.400
<v Speaker 1>lot of equipment. They have preferences. How many guitars and

2:07:35.480 --> 2:07:38.720
<v Speaker 1>he amps do you have and what are your preferences.

2:07:39.200 --> 2:07:40.880
<v Speaker 1>I don't have a lot, and I used to have

2:07:41.000 --> 2:07:43.560
<v Speaker 1>a bunch. I used to have like four guitars. And

2:07:46.000 --> 2:07:48.160
<v Speaker 1>one time John at Whistle and I were out the

2:07:48.280 --> 2:07:53.120
<v Speaker 1>Rainbow and John I was a wonderful friend. I really

2:07:53.240 --> 2:07:57.600
<v Speaker 1>miss him, um but we were sitting around and talking

2:07:57.640 --> 2:07:59.880
<v Speaker 1>about the guitars because he had he was trying to

2:08:00.000 --> 2:08:02.720
<v Speaker 1>out of place to store some of them, And I said, John,

2:08:04.000 --> 2:08:09.000
<v Speaker 1>what the hell are we doing? Why are we why

2:08:09.040 --> 2:08:11.960
<v Speaker 1>are we doing this? When we were children, we would

2:08:12.000 --> 2:08:15.440
<v Speaker 1>put our face up against the window at Manny's or

2:08:15.520 --> 2:08:18.400
<v Speaker 1>in Mexico City, I would go to Casaver Camper, Casla

2:08:18.440 --> 2:08:21.920
<v Speaker 1>Wagner and look at a Fender jazz Master that cost

2:08:22.000 --> 2:08:25.160
<v Speaker 1>almost a thousand dollars. So I'd have to make do

2:08:25.320 --> 2:08:28.440
<v Speaker 1>with something else. And so you want to own all

2:08:28.520 --> 2:08:33.640
<v Speaker 1>of these things. You want to you know, Um, I

2:08:33.760 --> 2:08:37.040
<v Speaker 1>guess it's it's residual. And I said, this is stupid.

2:08:37.840 --> 2:08:41.000
<v Speaker 1>We have all these instruments that are beautiful instruments and

2:08:41.160 --> 2:08:45.000
<v Speaker 1>nobody is playing them. Let's just get rid of them.

2:08:46.000 --> 2:08:48.840
<v Speaker 1>And he said, you're absolutely right. The hell with this,

2:08:49.600 --> 2:08:53.680
<v Speaker 1>Let's get rid of everything. So I probably have maybe

2:08:53.920 --> 2:08:58.760
<v Speaker 1>forty guitars, which may sound like a lot, but if

2:08:58.840 --> 2:09:01.360
<v Speaker 1>you do studio work, you really do need a good

2:09:01.440 --> 2:09:04.840
<v Speaker 1>toolbox of a number of different instruments to be able

2:09:04.840 --> 2:09:08.560
<v Speaker 1>to fulfill the needs of varied people who have varied

2:09:08.640 --> 2:09:13.840
<v Speaker 1>musical tastes and very musical styles. Um. Mostly I'm a

2:09:13.960 --> 2:09:16.920
<v Speaker 1>rolling guy. But with Roland for forty seven years now,

2:09:17.640 --> 2:09:21.720
<v Speaker 1>helping design instruments for them was involved in the guitar

2:09:21.840 --> 2:09:26.720
<v Speaker 1>synthesizing project from the beginning. Actually used the first prototype

2:09:26.720 --> 2:09:32.320
<v Speaker 1>guitar synthesizer on Bad Girls, Uh Donna Summersong, which I

2:09:32.400 --> 2:09:35.120
<v Speaker 1>had done just after I'd done Hot Stuff. Because I

2:09:35.160 --> 2:09:37.640
<v Speaker 1>didn't have any guitars. Everything was on the road. I

2:09:37.760 --> 2:09:40.280
<v Speaker 1>went down a guitar center, brought up Burns Bis Jr.

2:09:40.680 --> 2:09:43.880
<v Speaker 1>For bucks, bought a six pack of beer in a

2:09:44.040 --> 2:09:46.480
<v Speaker 1>deluxe river with me, went down and did Hot Stuff.

2:09:47.320 --> 2:09:51.120
<v Speaker 1>What the hell you know? Why not? Um? Again, it's

2:09:51.200 --> 2:09:54.520
<v Speaker 1>not the instrument. I think it's the player. Um. So

2:09:54.680 --> 2:09:58.240
<v Speaker 1>I don't have a lot of instruments. Uh. And I

2:09:58.320 --> 2:10:01.040
<v Speaker 1>think John and I came to the rough conclusion and

2:10:01.120 --> 2:10:03.960
<v Speaker 1>hopefully all those guitars are out there being played by

2:10:04.000 --> 2:10:06.840
<v Speaker 1>people who really appreciate it. So I don't have a

2:10:06.960 --> 2:10:09.960
<v Speaker 1>lot of equipment. Okay, Scunk, this has been wonderful. I

2:10:10.000 --> 2:10:13.280
<v Speaker 1>would love to go deeper into the defense story, but

2:10:13.360 --> 2:10:15.440
<v Speaker 1>I think we've run out of time for today. I

2:10:15.600 --> 2:10:17.680
<v Speaker 1>want to thank you so much for your time and

2:10:17.840 --> 2:10:20.960
<v Speaker 1>wish you good luck on your final bucket list item.

2:10:21.720 --> 2:10:24.240
<v Speaker 1>Thanks for doing this well, thank you very much for

2:10:24.440 --> 2:10:28.960
<v Speaker 1>even asking. It's let's take it as a pup thank

2:10:29.000 --> 2:10:31.840
<v Speaker 1>you very much. Until next time, this is Bob left

2:10:31.880 --> 2:10:32.200
<v Speaker 1>sex