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Speaker 1: This is your week up, Hall Up, Breakfast Club to

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Speaker 1: show you love to hate from the East to the West,

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Speaker 1: Coat d j Envy, Angela yee, Charlomagne, the really show

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Speaker 1: on the planet. This is where I respect this show

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Speaker 1: because this is a voice of society. Thames in the game.

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Speaker 1: Guys are the the coveted morning show. What y'all earning?

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Speaker 1: Exacting the coach the week up in the morning, and

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Speaker 1: they they want to hear that Breakfast the world's most

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Speaker 1: dangerous morning show. Good morning Usa, Good morning Angela yee,

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Speaker 1: Good morning Charlemagne. Hey, come on the guys. Hello, Hello, Hey,

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Speaker 1: Hey about myself this morning. Welcome morning to you guys.

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Speaker 1: It's Friday. Yes, we got a great show planning for you.

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Speaker 1: As soon as my co host come in. Two Chains

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Speaker 1: will be joining us this morning. He has a new

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Speaker 1: album that's out today, so we're gonna kick it with

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Speaker 1: Two Chains and also Steve Stout. Yeah, Steve Stout. Of course,

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Speaker 1: he has a new I guess it's a label called

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Speaker 1: United Masters. He has a new artist called Chopper, so

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Speaker 1: we'll be kicking it with him as well. What up

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Speaker 1: you hey, MV. I know they still started. Oh you

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Speaker 1: didn't know it's thoughts six o'clock every three morning Eastern time.

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Speaker 1: You know it's just turned six o'clock now it's actually

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Speaker 1: six sold Yeah, I'm out there, but you're late. You're late.

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Speaker 1: I was here, I was another room. No, how are

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Speaker 1: you feeling. I'm still a little sick, but I feel better. Okay,

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Speaker 1: did you go to the doctor? You said you were

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Speaker 1: going to the doctor yesterday? So yesterday I had yet

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Speaker 1: another pack day now shout out to him. My alma mater, Wesleyan.

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Speaker 1: We had a whole panel yesterday. One of my friends,

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Speaker 1: Krishan that she wrote a book, We Come as Girls,

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Speaker 1: We Leave as Women. It's a fictional novel. So we

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Speaker 1: had a panel yesterday being that it's Women's History Month

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Speaker 1: today starts that and then last month was Black History Months,

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Speaker 1: so on the cusp of that, we had a great

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Speaker 1: panel yesterday all women, just discussing storytelling, any importance of

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Speaker 1: storytelling for black women. But did you go to the doctor?

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Speaker 1: Though I have time, are you going today? Today? I'm

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Speaker 1: on another panel. I'm actually gonna be doing a fireside

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Speaker 1: chat with Kenya more from Cause West of Atlanta, and

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Speaker 1: that is for our Black women in tech. Can you

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Speaker 1: go get yet some medicine, because I would hate to

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Speaker 1: hear you passed out or something like you gotta go

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Speaker 1: to the doctor. You've been sick for two weeks now,

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Speaker 1: I've been too business. You might have the flu or something.

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Speaker 1: Please go to I don't have the flu, but I'm

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Speaker 1: gonna tell you how you know you don't have the flu.

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Speaker 1: You're self medicating yourself. How I do feel better? You

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Speaker 1: know how I know I feel better? Wow, when you

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Speaker 1: had the chunky flem yes starts coming out, that means

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Speaker 1: you're feeling better, right coming out of Oh my goodness,

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Speaker 1: shout out to the students at Stockton University. I was

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Speaker 1: out in Stockton University yesterday in Atlantic City. Now this

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Speaker 1: is gonna sound stupid, right, but I don't know what

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Speaker 1: came first, the Monopoly game or Atlantic City. I don't

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Speaker 1: know if they got because in a Monopoly game, you

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Speaker 1: know you have Park, Avenue, Ventnor in all those different streets,

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Speaker 1: but that's the whole Atlantic City. So you know, as

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Speaker 1: I'm you know, buying properly in Atlantic City, like I'm

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Speaker 1: buying Monopoly, and it feels like I'm buying a Monopoly boar,

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Speaker 1: Like I just put an offer of something on Park Avenue.

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Speaker 1: I just looked at something vetting and I'm like, this

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Speaker 1: is amazing to me. I mean, my kids would love

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Speaker 1: this because we love Monopoly. I'm like, this is crazy

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Speaker 1: to me. This is I don't I don't know, I

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Speaker 1: mean Atlantic City, I'm sure. I mean, I don't know,

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Speaker 1: but I thought it was pretty cool. I really did.

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Speaker 1: Nobody else kids, nobody else got it up. If y'all,

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Speaker 1: but shout out to the students and Stockholm University. We're

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Speaker 1: actually trying to do something. I was. I think I

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Speaker 1: tell you guys before you know, I do the real

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Speaker 1: estate thing. And Stockholm University, I believe houses has ten

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Speaker 1: thousand students, but the main campus in Atlantic City only

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Speaker 1: houses like five hundred students. So they need more rooming

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Speaker 1: for the students and for the kids to go to school.

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Speaker 1: So that's always a great investment if you can to

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Speaker 1: get it in and you know, find some you know,

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Speaker 1: build some stuff for the students to have. So we

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Speaker 1: were out there looking at that yesterday. So shout to

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Speaker 1: everybody in Atlantic City. Shout the morning more. We'll be

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Speaker 1: back in doing some more things. But let's get the

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Speaker 1: show cracking front page news. What we're talking about We

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Speaker 1: are going to be talking about yet another person, Dog

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Speaker 1: Park Debbie. Find out what dog Park Debbie did to

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Speaker 1: deserve this title. Dog park Debbie. All right, we'll get

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Speaker 1: into that next. Keep it locked. And if you're on

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Speaker 1: the East coast, it's snow and it came out of

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Speaker 1: no wayn't know it's gonna be snowing today either. I

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Speaker 1: woke up this morning, walked outside, no hat on, and

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Speaker 1: it was coming. It's nasty. So give yourself a little

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Speaker 1: extra time. I know Charlomagne is going to belate because

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Speaker 1: I'm sure he didn't give himself an extra time. It's

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Speaker 1: stripped too hard. It's to breakfast club, gole morning. All right, morning,

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Speaker 1: everybody is DJ mvy Angela yee, Charlomagne the guy. We

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Speaker 1: are the breakfast Club. Let's getting some front page news.

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Speaker 1: All right. What we're starting off for you, Well, let's

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Speaker 1: start off with dog park Debby. This was in Massachusetts.

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Speaker 1: Now a woman has now gone viral. She caught the

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Speaker 1: cops on a black man because his dog was humping

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Speaker 1: her dog at a dog park. Really now. Franklin Baxley,

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Speaker 1: who's forty two years old, posted the cell phone footage

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Speaker 1: on his Facebook page showing the women just getting so

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Speaker 1: upset and even calling the hops. Honestly, I'm you're not

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Speaker 1: trying to help me. Tell you, no, you're not trying

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Speaker 1: to help me. I know the rules, you're not the dogs.

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Speaker 1: I don't rules. What are you talking about. I'm right here.

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Speaker 1: Your dog aggressively on top of another. The dogs hump

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Speaker 1: each other every day. You took him off. I took

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Speaker 1: him off. I know it's my opinion, but you don't

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Speaker 1: call the cops over it. That's all I'm saying. That's

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Speaker 1: pretty stupid. Now, if you have a dog, especially a

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Speaker 1: male dog, and you don't get him a neutered like

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Speaker 1: my dog, is not new that. My dog will hump anything.

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Speaker 1: My dogs a female and she humps everything. To your

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Speaker 1: dog humps, yeah she does. Yeah, she she had this

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Speaker 1: stuffed um like crocodile toy to hump it. Yeah, absolutely,

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Speaker 1: your fee. I had never heard of that. But my dog,

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Speaker 1: my dog is of course it's a German Shepherd. Well,

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Speaker 1: one of my dogs a German Shepherd, and Chuck Norris

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Speaker 1: is his name. He will hump anything. He will hump

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Speaker 1: your leg, your foot, your shoe, another dog, and he

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Speaker 1: probably if he called a squirrel. He'll hump a squirrel,

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Speaker 1: not just men. I don't know, but I didn't. I've

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Speaker 1: never seen them hump like the humping motion like I mean.

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Speaker 1: And when I say he goes in, he'd be going in. Well,

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Speaker 1: dog park, Debbie would definitely call the cops on your

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Speaker 1: dog that. Then my dog will hump her too, all right.

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Speaker 1: Now YouTube has disabled comments on videos of kids because

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Speaker 1: of safety concerns. They've turned off comments on tens of

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Speaker 1: millions of videos because they're saying that they could be

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Speaker 1: subject to predatory behavior. Now, what happens is people are

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Speaker 1: going on videos of kids who are doing things like gymnastics, yoga,

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Speaker 1: and some users are leaving comments specifying what times miners

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Speaker 1: are seen in compromising positions, which is making it easier

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Speaker 1: for pedophiles to find clips of young kids performing these activities.

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Speaker 1: So now they have disabled those comments to make it

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Speaker 1: not as easy for things like that to happen. What's

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Speaker 1: wrong with these sick, disgusting people? People are disgusting and

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Speaker 1: that moment thing was fake. The lady that that person

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Speaker 1: that was the fake and is saying she was on

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Speaker 1: YouTube telling kids to hurt themselves. They saying that that

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Speaker 1: was fake, someone thinking kids how to commit suicide. I didn't.

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Speaker 1: I don't know if it was sing was a hoax,

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Speaker 1: so I'm not sure. Okay, all right, now, let's talk

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Speaker 1: about Robert Craft, the owner of the Patriots. He is

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Speaker 1: pleading not guilty to soliciting prostitution. He has entered a

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Speaker 1: plea of not guilty to two counts of that, and

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Speaker 1: he is seeking a non jury trial. He was charged

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Speaker 1: to following a sex trafficking investigation of these day spots

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Speaker 1: and massage parlors in central Florida. That all started when

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Speaker 1: a health inspector saw some curious things that suggested that

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Speaker 1: women might be living at the actual day spots. So

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Speaker 1: we'll see what happens. The charge is the first degree misdemeanor,

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Speaker 1: which is punishable by up to one year in jail,

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Speaker 1: a five thousand dollars civil penalty, and a mandatory one

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Speaker 1: hundred hours of community service. I guess you gotta plead

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Speaker 1: not guilty. But if they got you on camera, and

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Speaker 1: they got you on tape, they got your car, like

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Speaker 1: is that? I guess you just have to plead not guilty.

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Speaker 1: You could say it wasn't me what I'm miss a

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Speaker 1: robber craft pleading not guilty. I guess I guess you

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Speaker 1: got to right. You got to even though they got

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Speaker 1: you on camera and taping all that other stuff. You

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Speaker 1: got have to right. Well, he's among twenty five people.

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Speaker 1: He was amongst the twenty five people accused. Okay, all right,

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Speaker 1: well that is your front page news. Get it off

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Speaker 1: a few chests eight on drip five eight five one

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Speaker 1: o five one. If you're upset, you need to vent

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Speaker 1: hit us up right now. Maybe had a bad night,

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Speaker 1: a bad morning. Maybe you didn't know what was gonna

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Speaker 1: stow like it was and you were a little late.

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Speaker 1: Nobody knew it was gonna The roads weren't cleared, no

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Speaker 1: salt on the road, no nothing. But I gave myself

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Speaker 1: a little extra time this one exact to listen to

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Speaker 1: the Salone album. So I wanted to vibe to that. Yeah,

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Speaker 1: but you think I think it's a great project. It's

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Speaker 1: a great vibe. My wife's gonna love it. I love

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Speaker 1: slone you. So she she relaunched Black Planet. That's not

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Speaker 1: gonna work, though, I listen, I love blackness like mother effort.

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Speaker 1: Ain't nobody going on black Planet, bro. They might know

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Speaker 1: they got to figure out how to repackage it. Well,

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Speaker 1: we live in an era of digital minimalism, so you know,

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Speaker 1: it's more and more people scaling back from social media.

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Speaker 1: We're not about to add another website unless black Planet

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Speaker 1: is offering something that we can't get nowhere else. Maybe

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Speaker 1: you know where. Black Planet's been around for such a

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Speaker 1: long time, longer than a lot of these other sites,

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Speaker 1: and people have had their profiles on there for so long.

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Speaker 1: Remember remember when Justin timber Lake tried to relaunch my space.

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Speaker 1: Yeah they tried that, that was all, but I think

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Speaker 1: they tried to launch Black Planet before too. Yeah they did.

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Speaker 1: I mean it never went away. It just is she

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Speaker 1: trying to relaunch black Planet or she just got a

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Speaker 1: black Planet page. It's a difference. Well, she's the person

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Speaker 1: that they're using as a spokesperson to relaunch it. So

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Speaker 1: that campaign that you saw was officially with black Planet.

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Speaker 1: And don't even see the campaign. How you see it?

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Speaker 1: I just heard you saying just now, wow, all right,

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Speaker 1: we'll get it off your chest, call us up right now.

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Speaker 1: It was the Breakfast Club. Good morning, the Breakfast Club.

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Speaker 1: It's your time to get it off your chests, whether

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Speaker 1: you're mad or blast so so you better have the

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Speaker 1: same intry we want to hear from you on the

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Speaker 1: breakfast club. Hello, who's this? This is Andrew Beck from Boston.

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Speaker 1: Andrew to give Boston up. Bro. What's good? Everything's good? Man?

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Speaker 1: How are you? How are you all? Envy Charlotte? Mane ye, everybody? Everybody.

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Speaker 1: Man's national It's national Peanut butter Lover's day. You mad

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Speaker 1: aggressive man for too early? Man? Was why why are

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Speaker 1: you so aggressive? It's Friday? You should be chill. Man,

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Speaker 1: Just come everything. You don't tell that man how to

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Speaker 1: be man. It's about balanced, man. We gotta be on

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Speaker 1: our toes out here. Man. I saw that that really

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Speaker 1: story about the young girl in Boston who went missing. Yeah, yeah,

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Speaker 1: you know that's part of my job actually right now.

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Speaker 1: But we found a body in Delaware. Oh yeah, yeah him. Now.

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Speaker 1: So I'm in the military, but right now in National Guards,

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Speaker 1: so we work with with with big incidents like that.

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Speaker 1: When it's out of the type of stuff, we'll be

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Speaker 1: safe out there. Bro. Yeah, I appreciate it, but I

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Speaker 1: wanted to give a shout out. And I'm coming off

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Speaker 1: of military orders and first shot. Three hundred and fifty

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Speaker 1: two people applied to this firefighter position and I got

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Speaker 1: selected on the first shot man man. Yeah, yeah, so

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Speaker 1: you know that. So oppressive. We gotta be aggressive towards

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Speaker 1: our goals. Sometimes assive aggressive, yeah, sometimes about we eat

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Speaker 1: aggressive aggressive ralph ras. All right, but y'all, I've been

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Speaker 1: where you at right now. Bro, you you stuck him

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Speaker 1: in that and then you can't find a gas station.

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Speaker 1: I've been there exactly, and how to find that? I remember, like, yeah,

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Speaker 1: we can't find a Jason. What screet you on? What

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Speaker 1: street I'm gonna listen is eleven five eleven. I'm right

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Speaker 1: here saying Colobia and krobe you know rast Oh yeah, yeah,

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Speaker 1: you all the way down. I think there's one on

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Speaker 1: twenty third on the east side. On the west side,

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Speaker 1: you got a couple more like on the on the forty.

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Speaker 1: First of all, don't listen to give y'all the wrong

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Speaker 1: traffic every morning. Okay, I haven't given trafficing three years,

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Speaker 1: oh exactly that they made you stop, So listen, you

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Speaker 1: better Google. Google is your friend, bro. I'm trying to

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Speaker 1: go on ways. I'm gonna be the best eacolments New

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Speaker 1: York ever had. But like dmen paying for this, so

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Speaker 1: I'm just trying to figure out what the gays. Be

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Speaker 1: careful because you know, with the Google they have updated

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Speaker 1: those gas sations and they sold a lot of them

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Speaker 1: gasation but high rises. I've been there before. Bro. All right,

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Speaker 1: thank you, good luck, use ways, use your ways at

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Speaker 1: thank you. Hello, who's this gear from North Carolina? What's up? Bro?

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Speaker 1: Get it off your chest? Hey, I want to talk

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Speaker 1: about dogs, bark, Debbie, let me talk about me. I

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Speaker 1: would have one hundred down rock Willer. You're wearing pool

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Speaker 1: Man subnix if you let your dog up my dog. Now,

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Speaker 1: now I got a little up dogs that the money,

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Speaker 1: So yeah, I would be very upset if you let

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Speaker 1: your dogs up my dog and the dog parks because now,

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Speaker 1: I mean, do we let our dogs hump up the dogs?

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Speaker 1: Those kind of did they just start and then you

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Speaker 1: have to stop that? Yeah, let the dog let he

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Speaker 1: like he did. He put the dog off. Yeah. But

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Speaker 1: dogs get stuck too, though, and that's not easy. Dogs

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Speaker 1: get stuck together, not that fast. You're crazy, y'all. Y'all,

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Speaker 1: y'all can tell you from the city. But but but

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Speaker 1: in the same token, my man, he was aggressively following

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Speaker 1: those little white females. Sorry, I'm a black dude. You

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Speaker 1: just don't argue with females. You just don't argue with

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Speaker 1: female I don't know. I don't even know the whole story.

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Speaker 1: I don't know what you're talking about. I heard that.

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Speaker 1: I heard a little bit of it. Yeah, she was.

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Speaker 1: She called the cops in him because her dog was

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Speaker 1: his dog was humping her dog and the dog park.

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Speaker 1: That is correct. So yes, I wouldn't be upset. I

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Speaker 1: wouldn't have to almost kick his dog off my dog.

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Speaker 1: He did take his dog. Hey, what's the charge, though, Like,

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Speaker 1: what's the charge when your dog humps another dog without consent?

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Speaker 1: No charge, That's what I'm saying. What's the child? I

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Speaker 1: don't but now you're possibly ruining my female dog because

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Speaker 1: you're because you didn't train your dogs. I get it, though,

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Speaker 1: I understand why you would be mad at that, especially

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Speaker 1: if you got a red dog. You don't want no

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Speaker 1: random dogs humping on your dog. I get it. Stay

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Speaker 1: away from my dog. My dog will hump dogs, cats, squirrels,

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Speaker 1: big people. You don't hump me. I don't know. You

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Speaker 1: don't like me, you don't hump me, But anyway, get

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Speaker 1: it off your chest. Eight hundred five day five one

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Speaker 1: on five one. If you need to vent, hit this

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Speaker 1: up now. It's the breakfast Club. Good morning, the breakfast Club.

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Speaker 1: This is your time to get it off your chest.

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Speaker 1: Whether you're man than from you on the breakfast club.

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Speaker 1: But you got something on your mind. Let hello, Hey,

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Speaker 1: good morning. Who's this? This is Kia. Kia got a

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Speaker 1: birthday tomorrow. Kia got a birthday tomorrow. What you goot

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Speaker 1: to do? It's the weekend. I got a lot of

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Speaker 1: plan I'm not gonna get into detail, but it's gonna

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Speaker 1: be a turn up. Oh what you what you're gonna do?

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Speaker 1: Where you gonna Where you at? Where you from? First

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Speaker 1: of all part news Virginia, Oh seven to five seven.

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Speaker 1: So what you're doing out there? You go to the Broadway,

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Speaker 1: You're going to the beach? What you're doing? I'm doing

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Speaker 1: a lot o you Listen, If I told you everything,

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Speaker 1: I'd be here all day. WHOA, Okay, you gotta boot

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Speaker 1: you gotta you gotta boot of celebrated with you. Yes,

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Speaker 1: I do. But it's the first time I've had like

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Speaker 1: an actual birthday in like three years, because you know,

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Speaker 1: I was pregnant a lot. So well that's good. Now

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Speaker 1: you're about to get some birthday sex, get pregnant again? Yep,

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Speaker 1: oh lord no, no, I'm done, thank you. All my

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Speaker 1: kids are under four? Okay, under five? How many kids

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Speaker 1: you got? Three? Okay? Well congratulations. This birthday was yesterday,

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Speaker 1: so you know we're a couple of days apart. All right, Well,

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Speaker 1: happy birthday and Juili your day, my mom. They're all

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Speaker 1: from the same baby daddy. No, all three different baby daddies.

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Speaker 1: Oh yeah, they all have the same baby daddy. But no,

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Speaker 1: that's that's not who I'm with now at the moment.

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Speaker 1: Oh got you got you? Okay? Wellen Juilior born did tomorrow?

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Speaker 1: Go find somebody's candle to blowout booth? Thank you, y'all

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Speaker 1: have a good day time, Yo, what's good? What's uptime?

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Speaker 1: Why are you upset? Get it off your chests? Okay,

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Speaker 1: I want to know, I r rest? Where's my money? Like?

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Speaker 1: Long time? I know y'all ain't got these problems, you know,

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Speaker 1: y'all loved there sitting all right, that's not true. And

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Speaker 1: I haven't even got my taxes yet. Yeah, I mean either,

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Speaker 1: but when I filing then yet I write off a

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Speaker 1: lot and things that I should be writing off. And

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Speaker 1: you gotta want my money. I want my money. I

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Speaker 1: paid my money. Yeah, the difference. I just don't want

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Speaker 1: to old you know this time. You know, we got

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Speaker 1: old kids to check. I've seen Donald Trump tweet iris mean,

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Speaker 1: can't be funding you know, you know not. Donald Trump

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Speaker 1: did not tweet that. What fake Donald Trump page? Do

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Speaker 1: you follow? He did not tweet that. I saw it

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Speaker 1: on Instagram. We're all just out here trying to make him.

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Speaker 1: My mama told me a long time ago. Just be

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Speaker 1: happy that you're making a living. Okay, how much you're

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Speaker 1: getting back? I can't exclose that. I'm out on the radio,

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Speaker 1: you know, but you already now so you know what

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Speaker 1: you're expecting, though, I do know. Okay, how much Gucci?

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Speaker 1: You playing the boy with that refund check? I'm not

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Speaker 1: doing we supporting all black businesses, all right, That's what

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Speaker 1: I like to hear. You gonna you're in the house

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Speaker 1: yet you're gonna get ready to do a big purchase.

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Speaker 1: Oh I'm buying from Boo. Okay, I'm being irresponsible at

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Speaker 1: to admitted she got that rest and plants. You might

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Speaker 1: as well buy Gucci. What's wrong with you? Why? What's

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Speaker 1: the point? Why why you need? Why you need boobs,

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Speaker 1: Thank you, mama. Why you went your tax on your boob?

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Speaker 1: That's what you want? No, ain't you'all. Ain't y'all be

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Speaker 1: encouraging her to invest in something better. Listen, I ain't

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Speaker 1: gonna tell her what to do it. In fifteen thousand dollars,

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Speaker 1: you can go buy some property with that. How much

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Speaker 1: booze you how much boobs? Of course it's five dollars. Oh,

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Speaker 1: you're getting a bad booby job too, exactly what you

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Speaker 1: pay for. Yeah, they're gonna be dropped to your knees.

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Speaker 1: You're gonna be bigger than the other one day. It's

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Speaker 1: gonna be all bad. But when you have kids, the

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Speaker 1: milk ducks ain't gonna work. It's her body. She could

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Speaker 1: do what she want. We're gonna get the boot job.

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Speaker 1: You're going out the country, mamma. Oh no, they said

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Speaker 1: that's the worst place to go. Where you going? Djself

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Speaker 1: got his handline, you stupid, you better wherever self got

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Speaker 1: his headline that she's going to the same place. Maybe

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Speaker 1: I come up the first club. When I blow up,

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Speaker 1: y'all gonna see how to do job. All right, man,

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Speaker 1: I have a blood day. We tried goods tried go

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Speaker 1: broy the house instead of man, get it off your

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Speaker 1: one five one. If you need to get it off

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Speaker 1: your chest, you get this at any time. You've got

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Speaker 1: roomors on the way, Yes to talk about Jordan Woods

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Speaker 1: on a red table Tuck. You know that's out today,

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Speaker 1: and I'll tell you what they are reportedly saying is

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Speaker 1: happening on that show. All right, we'll get into that next.

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Speaker 1: Keeping locked this to Breakfast Club. Good morning, the Breakfast Club.

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Speaker 1: The money. We're having a heated discussion behind the scene.

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Speaker 1: They no damn head discussion monopoly money. Because DM asked

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Speaker 1: the question ahead, tell them what you want to know? No,

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Speaker 1: I said, it's not. What I want to know was

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Speaker 1: yesterday I was out in Atlantic City and I just

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Speaker 1: realized that a lot of the streets in the Monopoly

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Speaker 1: game is chambers as Atlantic City. And what was the question?

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Speaker 1: I didn't ask a question? You did this morning? Oh

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Speaker 1: though this morning I didn't. I didn't know if Atlantic

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Speaker 1: City was built off of the Monopoly game because it

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Speaker 1: was rich people at built Atlantic City for casinos. I

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Speaker 1: didn't know. I honestly didn't know. I didn't want don't

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Speaker 1: know what I came from its Atlantic City of Monopoly.

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Speaker 1: I didn't know if Atlantic City was built off the

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Speaker 1: Monopoly game of the Monopoly game was built of Atlantic City.

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Speaker 1: I don't know who built Atlantic City or why I

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Speaker 1: was built. I honestly don't know. I was asking a question.

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Speaker 1: Atlantic City was founded in eighteen fifty four. Oh, there

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Speaker 1: you go, Well, now we know. Must Monopoly found it

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Speaker 1: eightfoll The earliest known game was like nineteen o four

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Speaker 1: if patterned in nineteen o four, but existed as early

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Speaker 1: as nineteen o nineteen o four. So I honestly didn't know.

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Speaker 1: So that's a good question. What's wrong with that? No,

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Speaker 1: I didn't know. It's not a good question. I didn't know,

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Speaker 1: and most people to even know Atlantic City is based

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Speaker 1: off to ga if the game is based on Atlantic City,

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Speaker 1: most people didn't know, So what's what's the problems? I

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Speaker 1: didn't know Hip Hippopotamus. I think that God made Hippopotamus

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Speaker 1: is based off the Hungry hippop game. You guys are stupid.

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Speaker 1: You guys stupid. I don't I don't. I don't see

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Speaker 1: the problem with the question, especially since most people don't

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Speaker 1: know that the game is based off Atlantic City. That's

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00:19:55,640 --> 00:19:58,120
Speaker 1: not what the question. You you try to move the goalposts.

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Speaker 1: Remember first, I don't want to. I can't. Can we

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Speaker 1: please the us like I'm certainly I'm sure there's some

405
00:20:06,560 --> 00:20:09,320
Speaker 1: places built off somebody's ideas that they've seen somewhere else

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Speaker 1: and they built a place. Oh God, I can't ask

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00:20:12,440 --> 00:20:14,560
Speaker 1: a question anyway. Let's get to the rumors. Let's talk

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Speaker 1: about a rapper being Arrested's tea. This is the rumor

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00:20:21,480 --> 00:20:26,920
Speaker 1: report with Angela Yee on the Breakfast Club. Well, black

410
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Speaker 1: Boy Jab has gotten arrested on gun and drug charges.

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Speaker 1: He turned himself in because authority said that he was

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Speaker 1: wanted on criminal possession of a firearm and various drug

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Speaker 1: and paraphernalia possession charges. That's so now he has turned

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Speaker 1: himself in. So he did share some videos to Instagram

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Speaker 1: before he actually contacted the police as well. I always

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Speaker 1: feel like rappers who get caught with drugs and stuff

417
00:20:49,680 --> 00:20:53,879
Speaker 1: and guns, they can't afford security. Noah, I think they

418
00:20:53,920 --> 00:20:56,240
Speaker 1: can't afford security. But some people just don't want to

419
00:20:56,280 --> 00:20:58,720
Speaker 1: have security everywhere they go. They don't want to go

420
00:20:58,800 --> 00:21:00,480
Speaker 1: to the mall and have security, don't want to go

421
00:21:00,520 --> 00:21:02,600
Speaker 1: to the store and have security. So people feel like

422
00:21:02,600 --> 00:21:04,399
Speaker 1: I got to protect themselves. I don't want to say.

423
00:21:04,440 --> 00:21:06,639
Speaker 1: He's kind of a newer artist. So sometimes you make

424
00:21:06,720 --> 00:21:08,960
Speaker 1: those mistakes early on in the game, and then you

425
00:21:09,080 --> 00:21:12,760
Speaker 1: realize it's better to be proactive obviously and do that beforehand.

426
00:21:12,920 --> 00:21:14,640
Speaker 1: It's better than tho the gun laws in the state

427
00:21:14,680 --> 00:21:16,280
Speaker 1: that you are in. Yeah, as well, we don't know

428
00:21:16,400 --> 00:21:18,640
Speaker 1: exactly what happened yet, so the show we'll find out

429
00:21:19,000 --> 00:21:21,000
Speaker 1: all right now, Jordan Woods, as you know, is going

430
00:21:21,040 --> 00:21:23,000
Speaker 1: to be on Red Table Talk today and they're saying,

431
00:21:23,240 --> 00:21:26,360
Speaker 1: according to sources familiar with the show, she is going

432
00:21:26,440 --> 00:21:30,440
Speaker 1: to apologize to Chloe Kardashian. On the show, she said

433
00:21:30,480 --> 00:21:32,560
Speaker 1: that she was not drunk when she hooked up with

434
00:21:32,640 --> 00:21:36,600
Speaker 1: Tristan Thompson and she just made a mistake. Also, she

435
00:21:36,720 --> 00:21:39,720
Speaker 1: felt comfortable speaking on that issue with Jada Pinkett Smith

436
00:21:39,720 --> 00:21:41,879
Speaker 1: because they have a very close relationship with the family,

437
00:21:42,359 --> 00:21:46,320
Speaker 1: and Jada Pinkett Smith was very non judgmental with everything. Oh,

438
00:21:46,359 --> 00:21:48,680
Speaker 1: apology will probably be accepted, but friendship will be done.

439
00:21:49,080 --> 00:21:52,000
Speaker 1: Can't trust you after that now. Chloe Kardashian, in the meantime,

440
00:21:52,200 --> 00:21:53,600
Speaker 1: is of course in a feeling. She was on her

441
00:21:53,600 --> 00:21:56,920
Speaker 1: Instagram story and she posted a couple of things about cheaters.

442
00:21:57,119 --> 00:21:59,320
Speaker 1: She said, you ever noticed people would rather stop speaking

443
00:21:59,359 --> 00:22:03,080
Speaker 1: to you instead of apologizing when they've done something wrong. Remember,

444
00:22:03,160 --> 00:22:06,040
Speaker 1: they cheated because they wanted to, They lied because they could,

445
00:22:06,400 --> 00:22:08,920
Speaker 1: and now they're sorry because they got caught. It's always

446
00:22:08,960 --> 00:22:12,240
Speaker 1: about them. You did nothing to cause or deserve it.

447
00:22:12,600 --> 00:22:14,720
Speaker 1: She also posted, Dear God, I am going through a

448
00:22:14,840 --> 00:22:16,720
Speaker 1: rough patch in my life right now, but I trust

449
00:22:16,760 --> 00:22:18,920
Speaker 1: in you. Please help me unfold. But you are trying

450
00:22:18,960 --> 00:22:21,200
Speaker 1: to teach me in this storm. I believe that even

451
00:22:21,280 --> 00:22:23,639
Speaker 1: in this storm, there is a powerful message that I

452
00:22:23,720 --> 00:22:25,840
Speaker 1: can take to help strengthen me. She's wrong about some

453
00:22:25,920 --> 00:22:28,080
Speaker 1: of that, though. You cheat because you could know what

454
00:22:28,200 --> 00:22:31,280
Speaker 1: you said. You cheat because you wanted to. You cheated

455
00:22:31,320 --> 00:22:33,760
Speaker 1: because you wanted to. You lied because you could know

456
00:22:34,160 --> 00:22:36,440
Speaker 1: it like our cat, and now you're sorry because you

457
00:22:36,520 --> 00:22:40,119
Speaker 1: got caught. Yes, that's accurate, right, it's pretty yeah, yes,

458
00:22:40,320 --> 00:22:44,080
Speaker 1: pretty accurate. Basically, don't blame yourself because somebody cheated on you.

459
00:22:44,200 --> 00:22:46,119
Speaker 1: It's not young. You could be sorry. You hurt your

460
00:22:46,160 --> 00:22:49,639
Speaker 1: woman's feelings. Now. The other rumor is that Kylie Jenner

461
00:22:50,000 --> 00:22:52,880
Speaker 1: and Travis Scott are having some issues. Travis Scott postponed

462
00:22:52,960 --> 00:22:56,080
Speaker 1: his Astro World concert in Buffalo that was supposed to

463
00:22:56,160 --> 00:22:58,400
Speaker 1: be last night. He said he was sick, but they're

464
00:22:58,400 --> 00:23:01,440
Speaker 1: saying really, Kylie accused him of cheating, and now he

465
00:23:01,520 --> 00:23:03,920
Speaker 1: had to stay in LA to deal with those accusations.

466
00:23:03,960 --> 00:23:07,359
Speaker 1: According to TMZ. Now, Travis Scott's rep say that he

467
00:23:07,680 --> 00:23:09,919
Speaker 1: did not cheat on Kylie, but he did end up

468
00:23:09,960 --> 00:23:12,560
Speaker 1: flying back to the East Coast to surprise her and Stormy,

469
00:23:12,600 --> 00:23:15,760
Speaker 1: and allegedly they were at her house and she claimed

470
00:23:15,800 --> 00:23:17,919
Speaker 1: that she discovered evidence that he cheated, and that's when

471
00:23:17,920 --> 00:23:21,200
Speaker 1: they got into an argument, and that argument continued until yesterday.

472
00:23:21,240 --> 00:23:23,679
Speaker 1: We don't know the evidence, but anybody would if Hey,

473
00:23:23,920 --> 00:23:26,560
Speaker 1: if your family's going to do a little trouble, you

474
00:23:26,640 --> 00:23:28,280
Speaker 1: gotta do what you gotta do. All right. Well, I'm

475
00:23:28,280 --> 00:23:30,720
Speaker 1: Angela Yee and that is your rumor report. And you

476
00:23:30,800 --> 00:23:32,920
Speaker 1: know I try the new flavors of orange vanilla coke

477
00:23:33,119 --> 00:23:36,119
Speaker 1: and orange vanilla Coke zero sugar. Yeah, you heard that right,

478
00:23:36,200 --> 00:23:38,320
Speaker 1: And I have to tell you it's a great combination

479
00:23:38,359 --> 00:23:41,120
Speaker 1: of coke, orange and vanilla flavor. Head to your closest

480
00:23:41,119 --> 00:23:43,959
Speaker 1: retailer today and try him out. All right now, when

481
00:23:44,000 --> 00:23:45,480
Speaker 1: we come back, we got front page news what we're

482
00:23:45,480 --> 00:23:48,960
Speaker 1: talking about, Oh man, I'm fortunate situation about a young

483
00:23:49,080 --> 00:23:51,280
Speaker 1: lady who was missing, and we'll tell you what happened.

484
00:23:51,280 --> 00:23:53,520
Speaker 1: We'll give you some information. This all started in Boston,

485
00:23:53,800 --> 00:23:55,760
Speaker 1: all right, we'll get into that next. Keeping lockedese to

486
00:23:55,760 --> 00:24:00,280
Speaker 1: Breakfast clogal Morning morning. Everybody is DJ Mvy and Lee

487
00:24:00,480 --> 00:24:03,800
Speaker 1: Charlemagne the guy. We are the Breakfast club. Let's get

488
00:24:03,840 --> 00:24:05,560
Speaker 1: in some front page news. What we're talking about, you

489
00:24:06,040 --> 00:24:09,440
Speaker 1: really unfortunate situation. Now, I have arrested a suspect in

490
00:24:09,640 --> 00:24:13,280
Speaker 1: jas Korea's kidnapping case. She had went out. She's twenty

491
00:24:13,359 --> 00:24:17,160
Speaker 1: three years old and she was last seen leaving Venue

492
00:24:17,280 --> 00:24:21,359
Speaker 1: nightclub which is in Boston and Theater district, and they

493
00:24:21,440 --> 00:24:26,679
Speaker 1: reported her missing and very unfortunate situation. They did find

494
00:24:26,840 --> 00:24:31,080
Speaker 1: her in the trunk of Louis D. Coleman, the third car.

495
00:24:31,240 --> 00:24:34,520
Speaker 1: He has been located and placed under arrest in Delaware.

496
00:24:34,600 --> 00:24:37,919
Speaker 1: That happened yesterday evening. The police said a body has

497
00:24:37,960 --> 00:24:41,320
Speaker 1: been recovered and they are waiting a positive identification at

498
00:24:41,400 --> 00:24:44,280
Speaker 1: this time and manner of death. Are Penning twenty three

499
00:24:44,359 --> 00:24:47,920
Speaker 1: years old. Yes, he was in Delaware when he got arrested.

500
00:24:48,000 --> 00:24:51,439
Speaker 1: So according to her father, he told The Boston Globe

501
00:24:51,440 --> 00:24:53,520
Speaker 1: his daughter went out Saturday night with two female friends

502
00:24:53,560 --> 00:24:55,840
Speaker 1: and a man. We don't know if that man was Coleman,

503
00:24:55,920 --> 00:24:58,680
Speaker 1: and according to the police, that's last time she was

504
00:24:58,720 --> 00:25:01,520
Speaker 1: seen was early Sunday morn after leaving that nightclub. Well,

505
00:25:01,560 --> 00:25:03,240
Speaker 1: if he murdered that girl, I hope he lives. I

506
00:25:03,320 --> 00:25:06,399
Speaker 1: hope he lives long and suffers in prison and dies

507
00:25:06,440 --> 00:25:12,399
Speaker 1: a horrible death. Right YEA, our condolence her family, Jassy career.

508
00:25:13,000 --> 00:25:16,640
Speaker 1: Now dog Pack Debbie, a white woman from Massachusetts, has

509
00:25:16,720 --> 00:25:18,840
Speaker 1: gone viral, and that is because you called the cops

510
00:25:19,160 --> 00:25:22,280
Speaker 1: on a black man because his dog was humping hers.

511
00:25:22,920 --> 00:25:25,480
Speaker 1: So now they're calling her dog park Debbie. Here's what

512
00:25:25,600 --> 00:25:29,720
Speaker 1: Franklin Baxley had to say. Honestly, you're not trying to

513
00:25:29,800 --> 00:25:32,119
Speaker 1: help me. Tell you, no, you're not trying to help me.

514
00:25:32,440 --> 00:25:36,480
Speaker 1: I know the rules. You're not the dogs. What are

515
00:25:36,480 --> 00:25:39,280
Speaker 1: you talking about. I'm right here your dog aggressively on

516
00:25:39,359 --> 00:25:41,880
Speaker 1: top of another. The dogs hump each other every day,

517
00:25:42,320 --> 00:25:46,479
Speaker 1: and I know it's my opinion, but you don't call

518
00:25:46,560 --> 00:25:49,960
Speaker 1: the cops over it. That's all I'm saying. He took

519
00:25:50,000 --> 00:25:52,359
Speaker 1: his dog off the other dog. It wasn't you know

520
00:25:52,400 --> 00:25:54,520
Speaker 1: that's what happens. Your dog goes tries to hump another

521
00:25:54,560 --> 00:25:56,040
Speaker 1: dog and then you go grab him, like stop it.

522
00:25:56,200 --> 00:25:59,720
Speaker 1: What is the police post to do? Thought the dog?

523
00:26:00,040 --> 00:26:02,280
Speaker 1: Dogs get stuck? What do you do when a dog

524
00:26:02,960 --> 00:26:05,960
Speaker 1: goes to sleep with another person's dog without consent? But

525
00:26:06,040 --> 00:26:07,919
Speaker 1: if the dog comes one time, he pulls it off

526
00:26:08,000 --> 00:26:12,680
Speaker 1: and then he humps again. By the first time or

527
00:26:12,720 --> 00:26:14,560
Speaker 1: the second time. Anyway, I'm just saying, what are the

528
00:26:14,600 --> 00:26:17,320
Speaker 1: police supposed to do with the charge? He also, according

529
00:26:17,320 --> 00:26:19,720
Speaker 1: to Franklin, he said, then another dog came in and

530
00:26:19,840 --> 00:26:25,520
Speaker 1: humped his dog and no one said anything. Orgy. He

531
00:26:25,600 --> 00:26:28,440
Speaker 1: also said that she was saying that he was threatening

532
00:26:28,480 --> 00:26:30,240
Speaker 1: her and following her around, but he said, I'm following

533
00:26:30,320 --> 00:26:33,840
Speaker 1: my dog around because I'm the dog's owner, not following you.

534
00:26:33,880 --> 00:26:36,800
Speaker 1: Everybody's following their dog around, relaxed the lave person. We

535
00:26:36,880 --> 00:26:38,320
Speaker 1: need to be talking to the cops. I needed to

536
00:26:38,400 --> 00:26:40,480
Speaker 1: know how the cops responded to this. I need to know, well,

537
00:26:40,520 --> 00:26:42,080
Speaker 1: he said. He told the cop, I don't know why

538
00:26:42,160 --> 00:26:45,200
Speaker 1: he's doing this, why she's doing this? And uh, he

539
00:26:45,280 --> 00:26:47,760
Speaker 1: says he I'm used to it. That's no charge. Is

540
00:26:47,800 --> 00:26:49,520
Speaker 1: there a charge on the books for something like this.

541
00:26:49,680 --> 00:26:52,000
Speaker 1: They can't be I don't know. I'm not responsible for

542
00:26:52,080 --> 00:26:54,840
Speaker 1: my dog sleeping with another dog. Dog sleep with each

543
00:26:54,840 --> 00:26:56,280
Speaker 1: other all the time. Be what do you say? It's

544
00:26:56,320 --> 00:27:00,239
Speaker 1: real dogs hump each other all the time. Be okay, right,

545
00:27:00,480 --> 00:27:02,760
Speaker 1: it is what it is, all right. And Robert Kraft,

546
00:27:02,800 --> 00:27:06,520
Speaker 1: speaking of humping, he has pleaded not guilty to soliciting prostitution,

547
00:27:06,600 --> 00:27:08,679
Speaker 1: the owner of the New England Patriots. He is one

548
00:27:08,720 --> 00:27:13,800
Speaker 1: of twenty five people who are accused of actually soliciting prostitution.

549
00:27:13,880 --> 00:27:16,040
Speaker 1: And he is saying that he is not guilty. So

550
00:27:16,160 --> 00:27:18,679
Speaker 1: we shall see what happens with this investigation. I've been

551
00:27:18,720 --> 00:27:21,720
Speaker 1: thinking about this right now. They're saying that the lady

552
00:27:21,760 --> 00:27:24,159
Speaker 1: that did these acts was the owner, the business manager

553
00:27:24,240 --> 00:27:26,200
Speaker 1: web But if the business manager just liked them and

554
00:27:26,320 --> 00:27:28,840
Speaker 1: he did that, and he said, okay, you know, it's

555
00:27:28,840 --> 00:27:31,120
Speaker 1: a little something to clean up your you know, I've

556
00:27:31,200 --> 00:27:33,000
Speaker 1: ruined your shirt, so his little something to clean your

557
00:27:33,040 --> 00:27:34,520
Speaker 1: shirt to get a new shirts are happy, And this

558
00:27:34,680 --> 00:27:37,000
Speaker 1: could be on the secret menu at this massage parlor

559
00:27:37,080 --> 00:27:38,959
Speaker 1: like they are at a lot of massage paulls. Well,

560
00:27:39,000 --> 00:27:43,080
Speaker 1: you know, but the real issue is that, um, they

561
00:27:43,119 --> 00:27:46,960
Speaker 1: saw that these women are living in the massage procn

562
00:27:47,160 --> 00:27:48,919
Speaker 1: the business now, but I'm talking about that. That's how

563
00:27:48,960 --> 00:27:52,200
Speaker 1: the investigation even started. So it is not I think

564
00:27:52,240 --> 00:27:54,840
Speaker 1: if you are soliciting prostitution and you're going to these

565
00:27:54,880 --> 00:27:57,280
Speaker 1: massage parlors, you don't know under what conditions. I told

566
00:27:57,359 --> 00:27:58,760
Speaker 1: you from the beginning. They put a lot of sauce

567
00:27:58,840 --> 00:28:00,920
Speaker 1: on this store. It's literally like going to the traphouse

568
00:28:01,000 --> 00:28:03,000
Speaker 1: to buy weed and then the Fed bust the traphouse.

569
00:28:03,040 --> 00:28:05,040
Speaker 1: I'm just here to buy a nine back, Okay. Robert

570
00:28:05,040 --> 00:28:08,080
Speaker 1: Craft was nig get a little rubbin tub. Okay, he

571
00:28:08,200 --> 00:28:09,960
Speaker 1: didn't know because it was the owner. It was the

572
00:28:10,000 --> 00:28:12,840
Speaker 1: business manager that he's probably been there before. Yeah, and

573
00:28:13,080 --> 00:28:14,920
Speaker 1: you know, hey, you know she she likes me. She

574
00:28:15,000 --> 00:28:16,480
Speaker 1: did an act and I said, here's a little something

575
00:28:16,520 --> 00:28:18,200
Speaker 1: to you know, here's a little lunch, see you tomorrow.

576
00:28:18,200 --> 00:28:20,119
Speaker 1: I'll be back exactly you know where the goal he've

577
00:28:20,119 --> 00:28:22,159
Speaker 1: been there, I don't know. I can't make it with

578
00:28:22,240 --> 00:28:23,720
Speaker 1: lunch to you. My team got you know, it's playing

579
00:28:23,720 --> 00:28:26,000
Speaker 1: in this playoff game. But you know next time then

580
00:28:26,080 --> 00:28:27,920
Speaker 1: know me. I mean, but this this charge is not

581
00:28:28,000 --> 00:28:31,840
Speaker 1: gonna stick anywhere though. I come on, this guy's a billionaire.

582
00:28:31,840 --> 00:28:39,520
Speaker 1: He'll eat that. Gonna eat it all right now when

583
00:28:39,560 --> 00:28:44,880
Speaker 1: we come back. Two Chains is out today, Rapper, go

584
00:28:44,960 --> 00:28:46,800
Speaker 1: to the league. I've been listening to the Two Chains

585
00:28:46,840 --> 00:28:48,360
Speaker 1: for a long time, listening to the Two Chains when

586
00:28:48,400 --> 00:28:50,800
Speaker 1: he was titty boy with Players Circle. Uh. This is

587
00:28:50,840 --> 00:28:53,760
Speaker 1: absolutely Two Chains best body of work. It's not even close.

588
00:28:53,840 --> 00:28:55,840
Speaker 1: All right, we'll get into that next keep it locked.

589
00:28:55,880 --> 00:29:01,440
Speaker 1: It's the Breakfast Club. Come on the Breakfast Club morning.

590
00:29:01,480 --> 00:29:05,440
Speaker 1: Everybody is DJ mvy, Angela Yee, Charlomagne the guy. We

591
00:29:05,600 --> 00:29:07,760
Speaker 1: are the Breakfast Club. We got a special guest in

592
00:29:07,800 --> 00:29:11,720
Speaker 1: the building to change. Yes, Yes, that's up, my brother.

593
00:29:11,920 --> 00:29:15,280
Speaker 1: I'm good. Thank you for having one of the most

594
00:29:15,360 --> 00:29:18,800
Speaker 1: consistent artists around. Thank you, I have to say, because

595
00:29:19,240 --> 00:29:21,560
Speaker 1: we love pretty girls like trap music. But this new

596
00:29:21,600 --> 00:29:23,520
Speaker 1: album I just got it last night, so we were

597
00:29:23,560 --> 00:29:26,640
Speaker 1: all listening to it together and amazing. Let me tell

598
00:29:26,640 --> 00:29:28,680
Speaker 1: you something, man, I've been I've been. You've not been

599
00:29:28,720 --> 00:29:31,000
Speaker 1: a Player Circle fan. I've been with you since the

600
00:29:31,000 --> 00:29:32,960
Speaker 1: Traffic Valley tapes, Robb with you for a long time.

601
00:29:33,200 --> 00:29:35,400
Speaker 1: This is your best album and it's not even close.

602
00:29:35,480 --> 00:29:37,240
Speaker 1: Do you feel that way, No, no doubt about it.

603
00:29:37,480 --> 00:29:39,200
Speaker 1: Who gets the credit for this being the best body

604
00:29:39,200 --> 00:29:41,640
Speaker 1: of work? Is it you? Is it Tech? Is Lebron?

605
00:29:41,920 --> 00:29:43,920
Speaker 1: Is it the team effort? Now? Well, you know, uh,

606
00:29:44,360 --> 00:29:47,480
Speaker 1: Tech just really liked answers phone calls. I mean does

607
00:29:47,680 --> 00:29:49,840
Speaker 1: more than he does more than that. But then he

608
00:29:49,920 --> 00:29:52,600
Speaker 1: asked me what you think about this? So he can't

609
00:29:52,640 --> 00:29:54,440
Speaker 1: take the credit for that. And then you know, Lebron

610
00:29:55,400 --> 00:29:59,240
Speaker 1: obviously getting the monica or the title of an artist

611
00:29:59,320 --> 00:30:02,160
Speaker 1: project was definitely my idea. But you know, he went

612
00:30:02,320 --> 00:30:04,440
Speaker 1: in there turning knobs or anything. He didn't have time

613
00:30:04,480 --> 00:30:06,440
Speaker 1: to like, you know, send me beats or anything. It was.

614
00:30:06,840 --> 00:30:09,840
Speaker 1: I brought him on board for a couple of different reasons.

615
00:30:09,960 --> 00:30:11,800
Speaker 1: But but this Ropper go to the League was something

616
00:30:11,840 --> 00:30:14,600
Speaker 1: that I worked on for over a year, like you know,

617
00:30:14,760 --> 00:30:17,560
Speaker 1: pretty good, like trap music did very well. We essentially

618
00:30:17,640 --> 00:30:20,080
Speaker 1: had you know, damn Neil statue of Liberty in a

619
00:30:20,160 --> 00:30:22,520
Speaker 1: pink trap house in Atlanta. It was basically the same

620
00:30:23,000 --> 00:30:25,560
Speaker 1: type of effect as an Eiffel Tower. Just as people

621
00:30:25,920 --> 00:30:28,040
Speaker 1: you know, this is way after the album, people still

622
00:30:28,120 --> 00:30:31,680
Speaker 1: following the campaign. These ideas, they just keep going, they

623
00:30:31,800 --> 00:30:34,280
Speaker 1: keep working, They employed people, you know what I mean.

624
00:30:34,400 --> 00:30:36,320
Speaker 1: And so would Rapper go to the League. I had

625
00:30:36,360 --> 00:30:38,000
Speaker 1: to find a way to connect the dots. And that's

626
00:30:38,040 --> 00:30:40,720
Speaker 1: why you see this yellow crate on the album cover,

627
00:30:40,880 --> 00:30:43,360
Speaker 1: because this was this is kind of where I came from,

628
00:30:43,520 --> 00:30:50,960
Speaker 1: like a low social economic Yeah. So basically sometimes it's

629
00:30:50,960 --> 00:30:53,200
Speaker 1: either a milk crate or a bike ram, but basically

630
00:30:53,280 --> 00:30:56,360
Speaker 1: you're using you know what you have to get certain results,

631
00:30:56,400 --> 00:30:57,720
Speaker 1: you know what I'm saying. So proud of getting a

632
00:30:57,760 --> 00:31:00,840
Speaker 1: basketball goal. We used to we would open things like,

633
00:31:01,000 --> 00:31:03,480
Speaker 1: you know, like this, and so why the basketball police

634
00:31:03,480 --> 00:31:05,240
Speaker 1: are such a role in this album. So I call

635
00:31:05,320 --> 00:31:07,640
Speaker 1: it Ropper Go to the League, but it's actually an

636
00:31:07,680 --> 00:31:11,040
Speaker 1: oxymor run. I wanted to really show people that they

637
00:31:11,080 --> 00:31:14,240
Speaker 1: can do more than just have a wicked crossover or

638
00:31:14,400 --> 00:31:16,360
Speaker 1: be able to hold certain notes. And that's why I

639
00:31:16,440 --> 00:31:20,400
Speaker 1: started these Black Now stories to inform people of people

640
00:31:20,440 --> 00:31:24,880
Speaker 1: who are currently living right now, real time inspiration. They

641
00:31:24,960 --> 00:31:27,480
Speaker 1: don't know how to do a layup, they don't know

642
00:31:27,560 --> 00:31:29,400
Speaker 1: how to do any of these things, and they're successful

643
00:31:29,400 --> 00:31:32,000
Speaker 1: and they're also African Americans. So on this album, I

644
00:31:32,080 --> 00:31:33,640
Speaker 1: try to teach a little bit more. I try to

645
00:31:33,680 --> 00:31:36,440
Speaker 1: have a little bit more substance, more concepts because I

646
00:31:36,560 --> 00:31:38,960
Speaker 1: love concepts, and so Ropper Go to the league with

647
00:31:39,000 --> 00:31:40,680
Speaker 1: something like it was almost like click bait, you know

648
00:31:40,720 --> 00:31:42,240
Speaker 1: what I mean. And then when I bring in Lebron,

649
00:31:42,520 --> 00:31:45,600
Speaker 1: who has the same similar campaign of more than an athlete,

650
00:31:46,000 --> 00:31:49,640
Speaker 1: So I had an idem like this guy already supports

651
00:31:49,720 --> 00:31:52,680
Speaker 1: hip hop, he already supports the culture. Why not add

652
00:31:52,800 --> 00:31:55,360
Speaker 1: this an R to his resume. But in Lebron saying

653
00:31:55,360 --> 00:31:56,520
Speaker 1: when you hit him up and was like, yo, I

654
00:31:56,520 --> 00:31:59,200
Speaker 1: want you to be the an R. Surprisedly he was

655
00:31:59,240 --> 00:32:01,240
Speaker 1: with it, wash with it, you know what I'm saying.

656
00:32:01,280 --> 00:32:03,200
Speaker 1: He was cool with it because I already told him

657
00:32:03,240 --> 00:32:04,680
Speaker 1: that I was going to give him the credit. I

658
00:32:04,800 --> 00:32:07,560
Speaker 1: obviously was gonna pay him. And one of the things

659
00:32:07,600 --> 00:32:09,760
Speaker 1: I brought him in for was like I had more

660
00:32:09,840 --> 00:32:12,240
Speaker 1: than enough songs I overrecord on purpose, you know what

661
00:32:12,280 --> 00:32:14,080
Speaker 1: I'm saying. And so then it was about getting an

662
00:32:14,120 --> 00:32:16,720
Speaker 1: outside ear to hear the concept of the album and

663
00:32:17,160 --> 00:32:19,280
Speaker 1: just try to narrow down songs to fit up front

664
00:32:19,280 --> 00:32:21,959
Speaker 1: of this unbrother. You know, like I probably chose from

665
00:32:22,000 --> 00:32:24,720
Speaker 1: between twenty one and twenty five songs and narrowed it

666
00:32:24,800 --> 00:32:28,800
Speaker 1: down to fourteen with his assistant. What songs did he pick? Specifically?

667
00:32:28,800 --> 00:32:30,080
Speaker 1: We do want to know what kind of air Braun

668
00:32:30,160 --> 00:32:34,160
Speaker 1: got um. He obviously liked uh NC double a okay,

669
00:32:34,680 --> 00:32:38,000
Speaker 1: he liked he liked two dollar bill, he liked Well,

670
00:32:38,720 --> 00:32:40,440
Speaker 1: I could talking about all these things, right, I could

671
00:32:40,880 --> 00:32:48,520
Speaker 1: Mama hit a lick? Oh yeah, threat, Okay? What about sequencing,

672
00:32:49,120 --> 00:32:52,200
Speaker 1: like putting that sum at Marshambos' first How did you

673
00:32:52,280 --> 00:32:54,719
Speaker 1: guys collaborate on that? Or is that that was an

674
00:32:54,800 --> 00:32:57,240
Speaker 1: idea that actually he had for a long time, Like

675
00:32:57,400 --> 00:32:58,920
Speaker 1: we met out here in New York and played some

676
00:32:59,000 --> 00:33:02,280
Speaker 1: songs and I had to Marcia song for kind of

677
00:33:02,360 --> 00:33:04,440
Speaker 1: some time, but it was hard for me to put

678
00:33:04,520 --> 00:33:05,840
Speaker 1: it out, and I didn't know where to put it

679
00:33:05,880 --> 00:33:07,600
Speaker 1: when I put it out because the originally I thought

680
00:33:07,880 --> 00:33:09,680
Speaker 1: maybe this could be an outro, but it had so

681
00:33:09,840 --> 00:33:12,240
Speaker 1: much weight to it, it had so much substance, and

682
00:33:12,400 --> 00:33:14,800
Speaker 1: I said, why not start off my album with that

683
00:33:14,880 --> 00:33:17,200
Speaker 1: kind of emotion. It talks about death in the intro,

684
00:33:17,440 --> 00:33:20,720
Speaker 1: you know what I mean? It talks about Yeah, it

685
00:33:20,760 --> 00:33:23,560
Speaker 1: talks about my partner, little faith son passing away, My

686
00:33:23,640 --> 00:33:27,560
Speaker 1: homie Big, his son passed away last year in August.

687
00:33:27,600 --> 00:33:29,440
Speaker 1: He was about to be eighteen in September and he

688
00:33:29,960 --> 00:33:32,760
Speaker 1: died to gun violence. And these are like my friends.

689
00:33:32,800 --> 00:33:34,320
Speaker 1: I went to school with him, and then and now

690
00:33:34,400 --> 00:33:37,680
Speaker 1: the kids are getting killed, and it's like, there's nobody

691
00:33:38,240 --> 00:33:40,720
Speaker 1: that I know can explain that feeling. You know what

692
00:33:40,720 --> 00:33:42,800
Speaker 1: I'm saying, There's nobody that I know can explain that feeling.

693
00:33:42,840 --> 00:33:46,400
Speaker 1: And I got phone calls both times. When your homeboy

694
00:33:46,520 --> 00:33:49,760
Speaker 1: calls you and that child has been taken away from

695
00:33:49,840 --> 00:33:52,360
Speaker 1: it's some of the most harshest pain I've ever I've

696
00:33:52,400 --> 00:33:54,760
Speaker 1: ever heard or felt in my life. So I wanted

697
00:33:54,800 --> 00:33:57,920
Speaker 1: to get straight into that, letting people know, Oh, this

698
00:33:58,000 --> 00:34:00,520
Speaker 1: is a different album from Change. This is a different direction.

699
00:34:00,720 --> 00:34:02,400
Speaker 1: When when little Fake calls you and says that, how

700
00:34:02,440 --> 00:34:04,560
Speaker 1: do you even console your man in a situation like that?

701
00:34:04,600 --> 00:34:07,080
Speaker 1: Because you describe how you felt, You said he was

702
00:34:07,120 --> 00:34:09,080
Speaker 1: shaking and all, like, how do you console your man

703
00:34:09,160 --> 00:34:12,000
Speaker 1: in the situation? I knew it, like he actually had

704
00:34:12,040 --> 00:34:13,960
Speaker 1: a kid, like the ninth grade. He was popping, you

705
00:34:14,000 --> 00:34:14,920
Speaker 1: know what I mean, He had a kid in the

706
00:34:15,000 --> 00:34:17,000
Speaker 1: ninth grade, kind of grew up with him and he

707
00:34:17,160 --> 00:34:19,399
Speaker 1: was twenty one. You know, he was twenty one years

708
00:34:19,440 --> 00:34:21,320
Speaker 1: old and somebody I didn't kill him, you know, we

709
00:34:21,400 --> 00:34:23,680
Speaker 1: went to the funeral, and it's just it's just it's

710
00:34:23,760 --> 00:34:26,439
Speaker 1: hard to just relive that. Like the last one, Big,

711
00:34:26,640 --> 00:34:29,719
Speaker 1: that's my Big, my partner, he's actually um I got

712
00:34:29,800 --> 00:34:32,120
Speaker 1: him working for TRU my label, like doing an R

713
00:34:32,480 --> 00:34:34,840
Speaker 1: for some of the upcoming artists that I have. But

714
00:34:35,000 --> 00:34:36,839
Speaker 1: like one of my other friends is blowing my phone

715
00:34:36,880 --> 00:34:38,799
Speaker 1: up and he tim me, man, I heard big son

716
00:34:39,320 --> 00:34:42,759
Speaker 1: just got killed. And so sixty seconds later Big was

717
00:34:42,880 --> 00:34:46,720
Speaker 1: calling me. So I started praying that the information was untrue.

718
00:34:46,920 --> 00:34:49,040
Speaker 1: And then while I was praying Big the phone hung up,

719
00:34:49,080 --> 00:34:50,600
Speaker 1: and then he called me back. And then when he

720
00:34:50,680 --> 00:34:53,200
Speaker 1: called me, basic bro, somebody took my son away. And

721
00:34:53,440 --> 00:34:55,080
Speaker 1: and that was like I heard this call. I heard

722
00:34:55,160 --> 00:34:57,920
Speaker 1: this call before, I heard this pain before I went

723
00:34:58,000 --> 00:34:59,560
Speaker 1: straight out there to where he was, you know what

724
00:34:59,600 --> 00:35:01,960
Speaker 1: I'm saying. And I still beat myself up about it

725
00:35:02,000 --> 00:35:04,400
Speaker 1: because I talked to him two weeks earlier. It was

726
00:35:04,480 --> 00:35:06,000
Speaker 1: hard for me to connect with him because he was

727
00:35:06,080 --> 00:35:08,520
Speaker 1: old and he was so cool and so like, I

728
00:35:08,560 --> 00:35:10,359
Speaker 1: don't care if you to change, you know what I'm saying,

729
00:35:10,400 --> 00:35:13,120
Speaker 1: And that that happens to me not that often, you

730
00:35:13,160 --> 00:35:15,799
Speaker 1: know what I'm saying. I can really this street stuff

731
00:35:15,840 --> 00:35:17,879
Speaker 1: mixed with this psychology to grim made with a tap

732
00:35:17,960 --> 00:35:20,279
Speaker 1: into a few things, but he had a shield up,

733
00:35:20,600 --> 00:35:23,080
Speaker 1: and I'm like, damn little when you think you're cooler

734
00:35:23,120 --> 00:35:24,279
Speaker 1: than me, you know what I mean? And then I

735
00:35:24,760 --> 00:35:26,680
Speaker 1: had to kick into psychology. I remember he used to

736
00:35:26,719 --> 00:35:29,319
Speaker 1: love football. In my studio it is twenty thousand square feet.

737
00:35:29,560 --> 00:35:32,120
Speaker 1: So we played a little catch, worked on some spirals,

738
00:35:32,160 --> 00:35:33,680
Speaker 1: and then we kind of talked about like what you

739
00:35:33,760 --> 00:35:34,960
Speaker 1: want to do? You know what I'm saying. And the

740
00:35:35,040 --> 00:35:37,120
Speaker 1: common thing that most young people want to do is rap.

741
00:35:37,680 --> 00:35:38,880
Speaker 1: You know, I'm like, what else you want to do?

742
00:35:39,040 --> 00:35:41,560
Speaker 1: Like rap? You know what I'm saying, something like comeback?

743
00:35:41,760 --> 00:35:43,560
Speaker 1: And you know, I never The next time I saw him,

744
00:35:43,560 --> 00:35:45,759
Speaker 1: he was he was in a coffin, so that that's

745
00:35:45,800 --> 00:35:47,640
Speaker 1: just this hardness. So I talked about that on the

746
00:35:47,680 --> 00:35:50,000
Speaker 1: first song. I know it's probably not a normal way

747
00:35:50,040 --> 00:35:51,960
Speaker 1: to start off an album, but it's very hard to

748
00:35:52,000 --> 00:35:54,160
Speaker 1: get past that record. I repeat that record over and over.

749
00:35:54,200 --> 00:35:56,799
Speaker 1: Why do you call it forgiving though? Because I think

750
00:35:56,880 --> 00:35:59,000
Speaker 1: that that's something that we got to work on. You know,

751
00:35:59,160 --> 00:36:03,120
Speaker 1: pride and grudges is something that we all I used

752
00:36:03,120 --> 00:36:04,719
Speaker 1: to say black man, but I think we all have

753
00:36:04,840 --> 00:36:07,879
Speaker 1: a problem with like holding grudges to the point where

754
00:36:07,880 --> 00:36:10,120
Speaker 1: you forget why you don't even what a person on

755
00:36:11,080 --> 00:36:12,960
Speaker 1: You gotta think how many people in prison or in

756
00:36:13,040 --> 00:36:16,399
Speaker 1: the graveyard because a pride. So for me, I guess

757
00:36:16,440 --> 00:36:18,799
Speaker 1: I'm I'm on some each one teach one, just trying

758
00:36:18,840 --> 00:36:21,279
Speaker 1: to lead by example. And it also takes a burden

759
00:36:21,360 --> 00:36:23,520
Speaker 1: off of you when you can forgive certain things and

760
00:36:23,640 --> 00:36:26,839
Speaker 1: not have that ego. No, yes, yeah, because I don't

761
00:36:26,880 --> 00:36:29,040
Speaker 1: want to say this, but yeah, I've definitely held grudges

762
00:36:29,080 --> 00:36:30,680
Speaker 1: to where I want to like get some get back,

763
00:36:30,840 --> 00:36:33,560
Speaker 1: like revenge, revenge? Have you let it go with whoever

764
00:36:33,600 --> 00:36:37,960
Speaker 1: it is. It's like how you gonna teach people? You

765
00:36:38,040 --> 00:36:41,200
Speaker 1: can't hard thing to do. I'm starting to meet more

766
00:36:41,239 --> 00:36:43,359
Speaker 1: and more black people to actually see therapists. I didn't

767
00:36:43,400 --> 00:36:45,560
Speaker 1: know you know what I'm saying. You know you got

768
00:36:45,640 --> 00:36:47,680
Speaker 1: a psychology degree and you don't see. That's why I

769
00:36:47,760 --> 00:36:49,920
Speaker 1: don't because I think I know all the I think

770
00:36:49,960 --> 00:36:51,400
Speaker 1: I know all the whoops. I think I know how

771
00:36:51,440 --> 00:36:53,480
Speaker 1: they're gonna come, and I'm gonna play too much defense

772
00:36:53,560 --> 00:36:55,719
Speaker 1: instead of letting myself go. I go once a week.

773
00:36:55,880 --> 00:36:57,520
Speaker 1: I heard you was crazy, a nut. I heard you

774
00:36:59,040 --> 00:37:02,600
Speaker 1: ain't done a bad heard you coming out of water.

775
00:37:02,719 --> 00:37:04,480
Speaker 1: Now we are waiting to see some progress and I

776
00:37:04,520 --> 00:37:06,560
Speaker 1: don't know it's in a while. It was good for you.

777
00:37:06,800 --> 00:37:08,560
Speaker 1: It's good to have somebody to talk to. You. Man

778
00:37:09,560 --> 00:37:12,279
Speaker 1: can't tell your business. That's really what it is. Man

779
00:37:12,480 --> 00:37:17,080
Speaker 1: like they legally can't tell that your scumbag. I did.

780
00:37:19,239 --> 00:37:21,200
Speaker 1: Let's get into a joint off the album. That's what

781
00:37:21,280 --> 00:37:24,480
Speaker 1: it's called forgiving feature of Marsha Ambrosis. It's the breakfast

782
00:37:24,480 --> 00:37:27,200
Speaker 1: Club good Morning that was forgiving off to two Chains

783
00:37:27,360 --> 00:37:31,719
Speaker 1: album Morning. Everybody is DJ Envy Angela Yee, Charlomagne the

784
00:37:31,760 --> 00:37:34,640
Speaker 1: guy we all the Breakfast Club two Chains is here. Gee.

785
00:37:34,840 --> 00:37:37,040
Speaker 1: So Arianna Grande has a feature on the album. Now

786
00:37:37,120 --> 00:37:38,880
Speaker 1: we saw when you said the whole thing with the

787
00:37:39,880 --> 00:37:41,719
Speaker 1: pink car in the video, and then you did the

788
00:37:41,800 --> 00:37:44,480
Speaker 1: remix and now she's on the album. Was that already

789
00:37:44,560 --> 00:37:46,120
Speaker 1: something that was done or was that something that was

790
00:37:46,160 --> 00:37:48,759
Speaker 1: worked out after you guys established a relationship. It all

791
00:37:48,840 --> 00:37:51,439
Speaker 1: happened post she put out a video. Obviously your head

792
00:37:52,440 --> 00:37:54,879
Speaker 1: it was pink, you know it was pink. I didn't

793
00:37:54,920 --> 00:37:57,439
Speaker 1: make up the color paint. People personally have been taking

794
00:37:57,640 --> 00:37:59,440
Speaker 1: ideas for me a long time, and I feel like

795
00:37:59,520 --> 00:38:02,239
Speaker 1: about ledge them gonna say something. I'm being pettied. So

796
00:38:02,880 --> 00:38:05,520
Speaker 1: even when I posted something about should I go Big Draco,

797
00:38:05,880 --> 00:38:08,080
Speaker 1: like it was just a thing because Big Draco was

798
00:38:08,160 --> 00:38:12,240
Speaker 1: making so many ways right, And then her management calls

799
00:38:12,440 --> 00:38:15,960
Speaker 1: my management and uh it was it was a cool vibes.

800
00:38:16,080 --> 00:38:18,000
Speaker 1: He was like, Hudi want to you know what I'm saying,

801
00:38:18,560 --> 00:38:21,880
Speaker 1: meet him? You know, had this conversation. So I pulled

802
00:38:22,000 --> 00:38:24,279
Speaker 1: up to the studio, you know what I mean. We

803
00:38:24,480 --> 00:38:28,080
Speaker 1: had maybe a three or four hour dialogue that's about everything.

804
00:38:28,600 --> 00:38:31,120
Speaker 1: And then we actually started working the same night, which

805
00:38:31,200 --> 00:38:33,600
Speaker 1: was kind of different because I'm known to work with

806
00:38:33,640 --> 00:38:36,000
Speaker 1: a lot of different hip hop you know, artists and

807
00:38:36,000 --> 00:38:37,960
Speaker 1: stuff like this, and so for her to be and

808
00:38:38,040 --> 00:38:40,800
Speaker 1: then I didn't recognize, like, you know, how big she was,

809
00:38:40,840 --> 00:38:43,719
Speaker 1: which is which is always good for me too. Or

810
00:38:43,760 --> 00:38:47,400
Speaker 1: Instagram fillow woman on Instagram. Yeah, yeah, I just started

811
00:38:47,480 --> 00:38:49,520
Speaker 1: falling the last night you put her over the top.

812
00:38:49,760 --> 00:38:53,440
Speaker 1: That is that a free feature? Did I have to pay? Yes? No,

813
00:38:53,520 --> 00:38:57,120
Speaker 1: I didn't have to pay. Okay, that's a joke. Song

814
00:38:57,160 --> 00:38:59,439
Speaker 1: I was gonna say, Still, such thing as a single

815
00:38:59,480 --> 00:39:01,000
Speaker 1: that should be the Yeah, I think I think it

816
00:39:01,080 --> 00:39:03,160
Speaker 1: will be too. What I want to do this project,

817
00:39:03,239 --> 00:39:05,239
Speaker 1: which I've never done, is put out a whole body

818
00:39:05,280 --> 00:39:07,279
Speaker 1: of work at one time, not just putting out a song,

819
00:39:07,360 --> 00:39:09,600
Speaker 1: or at least I like the way it feels when

820
00:39:09,600 --> 00:39:11,959
Speaker 1: you hear it all the way through. Obviously it's people

821
00:39:12,040 --> 00:39:14,840
Speaker 1: that's gonna skim through it. See a couple of features,

822
00:39:15,400 --> 00:39:17,200
Speaker 1: some streaming and be up. But I'm telling I want

823
00:39:17,239 --> 00:39:19,600
Speaker 1: to smoke settles. I wanted the project to be a

824
00:39:19,680 --> 00:39:23,320
Speaker 1: well organized body of work. As far as the song, Ariana,

825
00:39:23,520 --> 00:39:27,200
Speaker 1: the song feels really good. She sings like, ain'tel I

826
00:39:27,280 --> 00:39:29,400
Speaker 1: feel like it's gonna be a number one record sample

827
00:39:29,480 --> 00:39:32,480
Speaker 1: the Ama rejoint by The Food's fall in Love. Yeah,

828
00:39:33,080 --> 00:39:35,920
Speaker 1: you talk about selling drugs of your mom on on

829
00:39:36,160 --> 00:39:39,120
Speaker 1: on the album, like do you still feel guilty about that?

830
00:39:40,080 --> 00:39:43,440
Speaker 1: How you come to terms with it? All? Right? You

831
00:39:43,480 --> 00:39:46,840
Speaker 1: know what he's trying to dig in, somebody about to

832
00:39:46,880 --> 00:39:49,680
Speaker 1: find something out about you. That was a good mall now,

833
00:39:51,600 --> 00:39:53,800
Speaker 1: yeah it was, But I ain't able to deal with

834
00:39:53,880 --> 00:39:56,760
Speaker 1: it yet. That's by the surface. I can get what's

835
00:39:56,840 --> 00:39:58,200
Speaker 1: up with you and jail? You say on I think

836
00:39:58,239 --> 00:40:01,080
Speaker 1: it's on threat. You said to be so hard. Jay

837
00:40:01,080 --> 00:40:02,560
Speaker 1: could have been on it. Why y'all ain't did the

838
00:40:02,560 --> 00:40:07,000
Speaker 1: record it? I just I don't know. You know, he's

839
00:40:07,080 --> 00:40:08,960
Speaker 1: my favorite. I would love to work with him. You know,

840
00:40:09,200 --> 00:40:12,480
Speaker 1: I tried to get him on this album. He told him,

841
00:40:12,600 --> 00:40:15,440
Speaker 1: he said maybe next album. So I'm just we'll get

842
00:40:15,480 --> 00:40:17,040
Speaker 1: it going. You know, I loved what he did on

843
00:40:17,160 --> 00:40:19,880
Speaker 1: Meeks Project. I love that push the record. He did

844
00:40:20,360 --> 00:40:23,080
Speaker 1: so a few ross records. I like a few cheesy records.

845
00:40:23,080 --> 00:40:26,080
Speaker 1: I like record did he did with fab So he

846
00:40:26,160 --> 00:40:28,720
Speaker 1: gets busy on all the people's stuff, so I'll become

847
00:40:33,840 --> 00:40:40,040
Speaker 1: And he was like, maybe next time, Charlotte Mane, why

848
00:40:40,080 --> 00:40:44,719
Speaker 1: do you do this today? The timing was not right.

849
00:40:45,040 --> 00:40:47,120
Speaker 1: You know, this would have been like a bucket list

850
00:40:47,280 --> 00:40:49,640
Speaker 1: and I'm gonna check it out one day. He know,

851
00:40:49,719 --> 00:40:51,600
Speaker 1: he know I'm passionate about this music stuff. I went

852
00:40:51,640 --> 00:40:53,640
Speaker 1: to the bunch. We had a good conversation. So ja

853
00:40:53,760 --> 00:40:55,160
Speaker 1: he might have missed out on this album. And this

854
00:40:55,280 --> 00:40:57,480
Speaker 1: is a great album, Like I wanted it bad, but

855
00:40:57,560 --> 00:40:59,480
Speaker 1: I didn't want to think like I was depending on

856
00:40:59,600 --> 00:41:02,840
Speaker 1: it to move the needle. You know, I'm down with

857
00:41:02,960 --> 00:41:05,400
Speaker 1: under my respect, you know what I'm saying. But he

858
00:41:05,600 --> 00:41:07,680
Speaker 1: know I've told him all those things. You work with

859
00:41:07,719 --> 00:41:12,000
Speaker 1: a lot of people. I'll bet play play too sometimes.

860
00:41:12,239 --> 00:41:14,120
Speaker 1: Why do you feel underrated though, because I mean, if

861
00:41:14,120 --> 00:41:15,360
Speaker 1: you had to put it, because I am, you know

862
00:41:15,400 --> 00:41:18,440
Speaker 1: I'm underrated. Charlotte Maagne like, oh, I'm underrated. I know

863
00:41:18,480 --> 00:41:22,200
Speaker 1: I'm underrated. If you do a survey. People asleep on

864
00:41:22,320 --> 00:41:25,200
Speaker 1: me because they don't Sometimes they don't understand it. Don't

865
00:41:25,239 --> 00:41:28,640
Speaker 1: bother me. I've always been highly confident. It's a thin

866
00:41:28,760 --> 00:41:32,160
Speaker 1: line between cockiness and confidence, and I sometimes I strid

867
00:41:32,280 --> 00:41:34,600
Speaker 1: to both of them. And so I know I know

868
00:41:34,680 --> 00:41:36,800
Speaker 1: what I'm doing in the booth. I know I'm somebody

869
00:41:36,840 --> 00:41:39,279
Speaker 1: that can wrap with daylight soul. I can wrap with

870
00:41:39,680 --> 00:41:42,840
Speaker 1: yge for the little baby. I have such a wide

871
00:41:43,200 --> 00:41:45,520
Speaker 1: area on a ground. I have such a wide range.

872
00:41:45,920 --> 00:41:47,759
Speaker 1: You know, people don't know how I'm a calm. I see.

873
00:41:47,760 --> 00:41:49,960
Speaker 1: They were saying that Lebron missed the game because of you.

874
00:41:50,360 --> 00:41:52,000
Speaker 1: He was in the studio with you late at night,

875
00:41:52,040 --> 00:41:54,600
Speaker 1: he posted the Warriors game damn near midnight, and then

876
00:41:54,640 --> 00:41:56,600
Speaker 1: the next day he didn't make it to the case.

877
00:41:56,680 --> 00:42:01,000
Speaker 1: You take the blame for that because it's not true true.

878
00:42:01,160 --> 00:42:03,480
Speaker 1: I mean, he didn't had missed the game, y'all, was

879
00:42:03,520 --> 00:42:06,080
Speaker 1: a missed sixteen to eighteen games. I had nothing to

880
00:42:06,200 --> 00:42:09,320
Speaker 1: do with it, and it was for what y'all know

881
00:42:09,400 --> 00:42:11,200
Speaker 1: that man, y'all see a y'all see a clip of

882
00:42:11,239 --> 00:42:13,920
Speaker 1: that man in the studio with me. Maybe maybe it

883
00:42:14,040 --> 00:42:15,440
Speaker 1: was an hour or something like this, and I had

884
00:42:15,480 --> 00:42:17,879
Speaker 1: something to do with his crowing. Dam pull. I can't

885
00:42:17,920 --> 00:42:19,759
Speaker 1: get sucked into that. That's not why he missed the

886
00:42:19,800 --> 00:42:22,200
Speaker 1: Warrior game, though he said it was work overloading. Nah.

887
00:42:25,040 --> 00:42:27,160
Speaker 1: So the thing is, everybody keeps looking at the day

888
00:42:27,239 --> 00:42:29,480
Speaker 1: and seeing with Lebron doing. Nobody's seeing what I'm doing

889
00:42:29,520 --> 00:42:31,120
Speaker 1: on the day. Nobody even know if the date is

890
00:42:31,160 --> 00:42:33,440
Speaker 1: official or not. I thought this was called the internet,

891
00:42:33,520 --> 00:42:34,840
Speaker 1: I think, and this is what y'all be doing, this

892
00:42:34,920 --> 00:42:36,800
Speaker 1: little thing that I play the internet every day. I

893
00:42:36,840 --> 00:42:38,560
Speaker 1: think y'all know y'all play on the internet every day,

894
00:42:38,600 --> 00:42:41,120
Speaker 1: and nobody care about the truth and the live more entertaining. Man,

895
00:42:41,200 --> 00:42:44,600
Speaker 1: I'm cool. I don't entertain. It's funny story. I don't entertain.

896
00:42:44,760 --> 00:42:46,839
Speaker 1: I'm a Laker fan, you know I won't. I want

897
00:42:46,920 --> 00:42:48,840
Speaker 1: them to make the playoffs. I'm I want so to

898
00:42:48,880 --> 00:42:51,920
Speaker 1: get back healthy. There's there's there's a few people that's

899
00:42:52,080 --> 00:42:54,160
Speaker 1: doing what I do that I love the Lakers like

900
00:42:54,280 --> 00:42:57,680
Speaker 1: I do. Let's talk about somebody. I'm not the reason

901
00:42:57,760 --> 00:42:59,640
Speaker 1: he didn't want to play. I only got like wanting

902
00:42:59,680 --> 00:43:01,759
Speaker 1: more wrong question too? Was there any content you were

903
00:43:01,840 --> 00:43:04,400
Speaker 1: kid to stay away from because Lebron was the an No,

904
00:43:04,560 --> 00:43:06,799
Speaker 1: I just knew how I had to kind of had

905
00:43:06,880 --> 00:43:09,320
Speaker 1: the ominience when he was around, you know, respectable, So

906
00:43:09,440 --> 00:43:12,360
Speaker 1: it went like not knock him off the pedestal what

907
00:43:12,440 --> 00:43:13,719
Speaker 1: he was doing to help me, you know what I mean.

908
00:43:13,760 --> 00:43:16,920
Speaker 1: So obviously it won no gass in the studio, you know,

909
00:43:17,040 --> 00:43:19,040
Speaker 1: it was more conversational, you know what I'm saying, Like

910
00:43:19,440 --> 00:43:21,720
Speaker 1: I think he had you know, a little red wine

911
00:43:21,760 --> 00:43:23,320
Speaker 1: circle lan if that, you know what I mean. So

912
00:43:23,360 --> 00:43:25,400
Speaker 1: it was just vibes. We've been doing this for a

913
00:43:25,520 --> 00:43:27,640
Speaker 1: god years. So I gave Lebron a whole another album

914
00:43:27,719 --> 00:43:30,200
Speaker 1: that he has. That's crazy, he has a whole another project.

915
00:43:30,480 --> 00:43:32,320
Speaker 1: And then I was working on this and I'm like, rompiness,

916
00:43:32,320 --> 00:43:33,880
Speaker 1: wish this whole thing up, you know what I mean?

917
00:43:34,239 --> 00:43:36,120
Speaker 1: And he still was asking about some of the records

918
00:43:36,160 --> 00:43:38,200
Speaker 1: that's on the other project. But this is like what

919
00:43:38,320 --> 00:43:40,320
Speaker 1: I felt like I went together. So I'm sure he

920
00:43:40,480 --> 00:43:43,920
Speaker 1: learned a lot about me during this process like me personally. Well,

921
00:43:43,960 --> 00:43:46,359
Speaker 1: seeing that you're such a basketball fanatic that you even

922
00:43:46,440 --> 00:43:48,759
Speaker 1: have lebron A and R on your album, you know,

923
00:43:48,840 --> 00:43:50,040
Speaker 1: I had to get you to come to a Nets

924
00:43:50,080 --> 00:43:52,239
Speaker 1: game in Brooklyn. Yeah, me and Angela went to the

925
00:43:52,440 --> 00:43:56,080
Speaker 1: Brookland game. Now she's sitting up there. She got she

926
00:43:56,160 --> 00:44:02,600
Speaker 1: got on, beat her foots on the woods and then

927
00:44:02,680 --> 00:44:05,880
Speaker 1: go sit courts idly. I left Charlomagne and Envy. I

928
00:44:06,000 --> 00:44:10,279
Speaker 1: left the date once with a date. Yes, they go

929
00:44:10,400 --> 00:44:18,120
Speaker 1: sit next to jay Z and Kayser stayed out. Don't

930
00:44:18,160 --> 00:44:23,120
Speaker 1: bring it. You just stay right where you are. I mean, no,

931
00:44:23,200 --> 00:44:25,319
Speaker 1: they're two. That's good there. So and my NSA doing

932
00:44:25,360 --> 00:44:27,920
Speaker 1: well this season, so I'm happy about that. Appreciate the invitation.

933
00:44:28,320 --> 00:44:29,839
Speaker 1: When we come back, we're gonna get into a two

934
00:44:29,960 --> 00:44:32,359
Speaker 1: change mini mix and don't move. It's a breakfast club.

935
00:44:32,440 --> 00:44:35,560
Speaker 1: Good morning. That was a two change mini mix. Morning.

936
00:44:35,600 --> 00:44:39,680
Speaker 1: Everybody is DJ, Envy, Angela, yee, Charlemagne the guy. We

937
00:44:39,840 --> 00:44:43,200
Speaker 1: are the breakfast club. Two changes in the building, Charlemagne,

938
00:44:43,680 --> 00:44:46,279
Speaker 1: I said me. As another reflective record, you refer to

939
00:44:46,280 --> 00:44:49,759
Speaker 1: yourself as a drug dealer, a killer, and a real

940
00:44:50,440 --> 00:44:51,800
Speaker 1: but it seems like you're more than all of that

941
00:44:51,880 --> 00:44:55,040
Speaker 1: at this point, So what are you? Two change? Um,

942
00:44:55,120 --> 00:44:57,800
Speaker 1: two change. I'm a great father, great husband, I'm an entrepreneur.

943
00:44:58,120 --> 00:45:01,440
Speaker 1: I'm I'm a musician. I have a lot of adjectives

944
00:45:01,440 --> 00:45:05,480
Speaker 1: to describe me. Tall, dark, handsome. I'm a virgo. I

945
00:45:05,640 --> 00:45:09,520
Speaker 1: enjoy long walks in the bank, doing pretty good. I'm

946
00:45:09,560 --> 00:45:12,480
Speaker 1: all those things and things like the album is very reflective.

947
00:45:12,560 --> 00:45:15,200
Speaker 1: You know. I use past tense a lot of my

948
00:45:15,360 --> 00:45:18,759
Speaker 1: music because I'm obviously not trapping right now, but these

949
00:45:18,800 --> 00:45:20,759
Speaker 1: are some of the things. My kids really listen to

950
00:45:20,880 --> 00:45:23,040
Speaker 1: my music now, Like I just got it. Just got

951
00:45:23,120 --> 00:45:26,160
Speaker 1: the phone with my son. He took my hey, you know,

952
00:45:26,320 --> 00:45:28,560
Speaker 1: Jews because that was only pretty goods like tramping music,

953
00:45:29,000 --> 00:45:31,360
Speaker 1: and so they thought it was funny that me and

954
00:45:31,440 --> 00:45:33,200
Speaker 1: him going back on the phone to my hey. He's

955
00:45:33,239 --> 00:45:35,680
Speaker 1: like hey, I'm like hey, and that was like, but

956
00:45:35,800 --> 00:45:38,440
Speaker 1: that's my old album and he three. And so it's

957
00:45:38,480 --> 00:45:40,480
Speaker 1: like when I got my wife the new car. I

958
00:45:40,480 --> 00:45:42,880
Speaker 1: ain't getting no TVs this time on purpose, because my

959
00:45:43,000 --> 00:45:45,560
Speaker 1: kids would watch TV the whole day to school. Hold,

960
00:45:45,640 --> 00:45:47,120
Speaker 1: I'm like, man, they need to look out the one

961
00:45:47,200 --> 00:45:49,279
Speaker 1: the song, So now they don't want to look out

962
00:45:49,280 --> 00:45:50,799
Speaker 1: the one to Still they just want to hear music,

963
00:45:51,160 --> 00:45:53,440
Speaker 1: and so they're gonna listen to my album. So I

964
00:45:53,520 --> 00:45:56,799
Speaker 1: don't say, like can sit and stuff like that too much.

965
00:45:56,920 --> 00:45:58,919
Speaker 1: Like I try to find creative ways to talk about

966
00:45:59,000 --> 00:46:01,400
Speaker 1: even sex and things like that. Obviously still do. But

967
00:46:01,480 --> 00:46:03,600
Speaker 1: when you got a ten year old asking me, did

968
00:46:03,640 --> 00:46:06,360
Speaker 1: you just say two girls in the pool kissing? And like,

969
00:46:07,080 --> 00:46:09,400
Speaker 1: did I say two girls in the pool kissing? I

970
00:46:09,480 --> 00:46:13,120
Speaker 1: ain't see what you what you're doing, you know, And

971
00:46:13,200 --> 00:46:15,800
Speaker 1: I can't make them stop listening. They got iPhones and stuff.

972
00:46:15,840 --> 00:46:17,640
Speaker 1: So I'm like, when my daughter asked me what a

973
00:46:17,719 --> 00:46:20,520
Speaker 1: drug dealer was, I told him me because obviously I

974
00:46:20,560 --> 00:46:22,680
Speaker 1: don't live the same way I lived before they got here.

975
00:46:22,840 --> 00:46:25,320
Speaker 1: But you know, kids are exposed to so much anyway.

976
00:46:25,400 --> 00:46:27,480
Speaker 1: You can't play with kids like that, you're playing yourself.

977
00:46:27,800 --> 00:46:29,520
Speaker 1: I had a threesome in the seventh grade. That's no

978
00:46:29,680 --> 00:46:32,840
Speaker 1: cap God damn. So don't don't play with kids like that.

979
00:46:33,320 --> 00:46:36,640
Speaker 1: The girls that it was two thirteen too, But the

980
00:46:36,760 --> 00:46:38,959
Speaker 1: first when I was in seventh grade, I could probably

981
00:46:38,960 --> 00:46:40,640
Speaker 1: say their name. They might try to suit me. No,

982
00:46:40,719 --> 00:46:43,800
Speaker 1: they don't do that. Don't do that. M might be

983
00:46:44,239 --> 00:46:49,920
Speaker 1: big and ugly by now, Facebook like she will find it.

984
00:46:49,960 --> 00:46:55,800
Speaker 1: In seventh grade, boy, this was that smoke and you

985
00:46:55,920 --> 00:46:57,880
Speaker 1: know who you are, they might come out to do

986
00:46:57,920 --> 00:47:01,080
Speaker 1: a video now just because yeah we do. We was,

987
00:47:05,719 --> 00:47:07,520
Speaker 1: but you didn't even know what you were doing anyway,

988
00:47:07,600 --> 00:47:10,680
Speaker 1: and I did. I did, So that was the threeson

989
00:47:10,760 --> 00:47:12,480
Speaker 1: was the second time I had sex. The first time

990
00:47:12,520 --> 00:47:14,960
Speaker 1: I was a little like it was a ninth grader

991
00:47:15,719 --> 00:47:17,200
Speaker 1: and I was like, okay, you know what I'm saying.

992
00:47:17,239 --> 00:47:20,000
Speaker 1: So then I thought I was you know, I told everybody,

993
00:47:20,200 --> 00:47:24,160
Speaker 1: don't tell nobody. You know what I'm saying, that brood

994
00:47:24,960 --> 00:47:28,600
Speaker 1: I told everybody. Yeah, I mean elementary. She in high

995
00:47:28,640 --> 00:47:32,359
Speaker 1: school cut my award off a sep. No more that, man,

996
00:47:32,480 --> 00:47:34,200
Speaker 1: Now I'm searching for I had a little pee on

997
00:47:34,280 --> 00:47:37,319
Speaker 1: a doll, a full full fledged dog now and these

998
00:47:37,360 --> 00:47:39,120
Speaker 1: two little girls they was, they was fast. They was

999
00:47:39,160 --> 00:47:41,359
Speaker 1: watching flicks and they called me. I was shooting ball.

1000
00:47:41,400 --> 00:47:42,719
Speaker 1: They called me in the house and then you know,

1001
00:47:42,760 --> 00:47:45,200
Speaker 1: the rest is history. But like basically what I'm saying,

1002
00:47:45,280 --> 00:47:47,320
Speaker 1: I was back then and people were promistery with and

1003
00:47:47,400 --> 00:47:49,480
Speaker 1: doing sneaky stuff. So you can't play yourself with kids.

1004
00:47:50,080 --> 00:47:52,680
Speaker 1: Mama hit a liquid Kendrick, how do you how do

1005
00:47:52,760 --> 00:47:54,759
Speaker 1: you choose features, Like do they choose you? Do you

1006
00:47:54,800 --> 00:47:56,440
Speaker 1: do a record and say I'm gonna get Kendrick on this,

1007
00:47:56,520 --> 00:47:58,640
Speaker 1: or do you do record already with Kendrick and mount

1008
00:47:59,040 --> 00:48:01,640
Speaker 1: um No. So for Real came to my crib. I

1009
00:48:01,719 --> 00:48:03,960
Speaker 1: was actually gonna tattoo. I was getting trap house tattered

1010
00:48:04,000 --> 00:48:05,600
Speaker 1: on my leg and then for Real came and played

1011
00:48:05,640 --> 00:48:08,279
Speaker 1: this beat and I had already gave Kendrick something to do,

1012
00:48:08,840 --> 00:48:11,279
Speaker 1: and so when he played this beat and I did

1013
00:48:11,400 --> 00:48:13,440
Speaker 1: my verse, and I was like, man, I think Kendrick

1014
00:48:13,520 --> 00:48:16,000
Speaker 1: might just really destroy this song. Man and him just

1015
00:48:16,120 --> 00:48:18,000
Speaker 1: kind of FaceTime until we got it done. The song

1016
00:48:18,200 --> 00:48:20,480
Speaker 1: was done a while ago, but we couldn't get the

1017
00:48:20,520 --> 00:48:23,120
Speaker 1: hook that that was just crazy enough I had. Man,

1018
00:48:23,160 --> 00:48:25,360
Speaker 1: I had probably eight different hooks on this song. I

1019
00:48:25,480 --> 00:48:28,320
Speaker 1: had a Sway version of Travis version off, a Real version.

1020
00:48:28,680 --> 00:48:31,200
Speaker 1: I had a version, and then we just decided to

1021
00:48:31,239 --> 00:48:33,719
Speaker 1: do it together. I had a Ya version, a hook

1022
00:48:33,760 --> 00:48:36,080
Speaker 1: and everything. So it came. It came together like I

1023
00:48:36,120 --> 00:48:38,960
Speaker 1: wanted you. You break down a jump shot on the record,

1024
00:48:39,239 --> 00:48:41,279
Speaker 1: like you talk about how to actually follow through and

1025
00:48:41,320 --> 00:48:43,000
Speaker 1: all of that. So what lessons did you learn from

1026
00:48:43,040 --> 00:48:45,120
Speaker 1: college wall that you're still implementing your well, this is

1027
00:48:45,160 --> 00:48:47,800
Speaker 1: what I learned. This was when I learned just playing

1028
00:48:48,520 --> 00:48:51,799
Speaker 1: au ball, like Coach Outlaw was rest in peace. Coach

1029
00:48:51,880 --> 00:48:54,080
Speaker 1: Outlaw I talked about how I learned more from my

1030
00:48:54,160 --> 00:48:56,920
Speaker 1: coaches than I did from my own relatives, which is crazy,

1031
00:48:56,960 --> 00:48:58,759
Speaker 1: but it's not crazy because you spend more time with

1032
00:48:58,840 --> 00:49:01,719
Speaker 1: your coaches, spend more time. You go to school from

1033
00:49:01,920 --> 00:49:03,920
Speaker 1: eight to three or whatever, and then you practice from

1034
00:49:04,040 --> 00:49:07,040
Speaker 1: four to six, then you go home from seven to

1035
00:49:07,480 --> 00:49:09,440
Speaker 1: whatever time you go to bed, right, So that's like

1036
00:49:09,800 --> 00:49:12,920
Speaker 1: limited time with your parents. And I've learned through this

1037
00:49:13,480 --> 00:49:17,320
Speaker 1: album when my disconnection was with that, how much I

1038
00:49:17,440 --> 00:49:20,960
Speaker 1: spent time with other people than than than my own king.

1039
00:49:21,280 --> 00:49:23,040
Speaker 1: Are you scared to go deep into the psyche of

1040
00:49:23,200 --> 00:49:26,000
Speaker 1: of mister Eppstore, Yeah, I got some pain. You know,

1041
00:49:26,120 --> 00:49:28,520
Speaker 1: it's some pain, and now I deal with it pretty good.

1042
00:49:28,600 --> 00:49:30,320
Speaker 1: You know what I'm saying Some things that just so

1043
00:49:30,520 --> 00:49:32,600
Speaker 1: close and dial to me. It's just it's just hard

1044
00:49:32,680 --> 00:49:34,319
Speaker 1: to get out, you know what I'm saying, Like, it's

1045
00:49:34,400 --> 00:49:37,239
Speaker 1: not average, it's not it's not it's not normal. It's

1046
00:49:37,280 --> 00:49:39,080
Speaker 1: really savage, you know some of the things. You know

1047
00:49:39,080 --> 00:49:40,680
Speaker 1: what I'm saying, Like I'm not I want going around

1048
00:49:41,080 --> 00:49:42,880
Speaker 1: killing and robbing people, but some of the things I

1049
00:49:42,960 --> 00:49:45,560
Speaker 1: did in my community, like I probably should have been

1050
00:49:45,560 --> 00:49:47,640
Speaker 1: ashamed myself. At the same time, I felt like I

1051
00:49:47,680 --> 00:49:49,520
Speaker 1: ain't having no other option. How do you how do

1052
00:49:49,560 --> 00:49:51,880
Speaker 1: you navigate through the industry? The industry could be just

1053
00:49:52,040 --> 00:49:55,080
Speaker 1: as now. I don't, but you know, I'll be by myself.

1054
00:49:55,239 --> 00:49:57,600
Speaker 1: Really put, I'm cool with everybody in the industry. I'm

1055
00:49:57,600 --> 00:50:00,359
Speaker 1: sure they all did the resume background check. I'm sure

1056
00:50:00,400 --> 00:50:02,680
Speaker 1: they all thought about saying something crazy and then they're like, bro,

1057
00:50:02,840 --> 00:50:04,839
Speaker 1: let let leave bro a loan. You know what I'm saying,

1058
00:50:04,880 --> 00:50:07,759
Speaker 1: he did that's smiling all cap and that's not like

1059
00:50:08,280 --> 00:50:10,080
Speaker 1: for no respect to nothing like that. It's just like

1060
00:50:10,160 --> 00:50:12,440
Speaker 1: how I move. I respect people. I treat the valet

1061
00:50:12,719 --> 00:50:15,000
Speaker 1: just like I treat the CEO. That's how I do it.

1062
00:50:15,040 --> 00:50:18,000
Speaker 1: You know what I'm saying, people, I've saw people I've

1063
00:50:18,000 --> 00:50:19,640
Speaker 1: been in the game loaner to see people get rich,

1064
00:50:19,960 --> 00:50:22,160
Speaker 1: get broke, vice versa. You know what I'm saying. In

1065
00:50:22,280 --> 00:50:24,759
Speaker 1: different attitudes changed, I think it's dope. If I get

1066
00:50:24,840 --> 00:50:28,520
Speaker 1: a fat Super Bowl chick and remain the same, I

1067
00:50:28,600 --> 00:50:30,800
Speaker 1: think that's dope. You know what I'm saying, buy a

1068
00:50:30,920 --> 00:50:34,320
Speaker 1: car to I ain't bather th nobody, buy some property,

1069
00:50:34,719 --> 00:50:37,439
Speaker 1: opening up another business next week, like I ain't ball

1070
00:50:37,520 --> 00:50:40,360
Speaker 1: to nobody. I have a restaurant doing well. I'm opening

1071
00:50:40,480 --> 00:50:42,640
Speaker 1: up members only a whole another spot in the lend

1072
00:50:42,719 --> 00:50:45,520
Speaker 1: them open up Pamper Nail Studio. I got a nail shop.

1073
00:50:45,600 --> 00:50:47,640
Speaker 1: I'm going to open up like mine for players, big

1074
00:50:47,719 --> 00:50:51,200
Speaker 1: throne chairs. You're coming in, get your foots chopped off

1075
00:50:51,239 --> 00:50:53,400
Speaker 1: of whatever you want to do. You know, yeah, you

1076
00:50:55,200 --> 00:50:57,359
Speaker 1: get that bad black tool they need to get fore

1077
00:50:58,440 --> 00:51:01,080
Speaker 1: I gotta you know, you gotta see black nail on that.

1078
00:51:01,840 --> 00:51:03,759
Speaker 1: You know that dude got a black nail under that thing.

1079
00:51:05,080 --> 00:51:09,680
Speaker 1: They got commercials that do each other. So now just

1080
00:51:09,760 --> 00:51:12,360
Speaker 1: about man. I love being different, I love being myself.

1081
00:51:12,400 --> 00:51:14,840
Speaker 1: I gotta go with my gut, you know, my my conscious.

1082
00:51:14,840 --> 00:51:17,480
Speaker 1: I really believe in that that voice that talks to y'all.

1083
00:51:17,760 --> 00:51:19,400
Speaker 1: I listened to that voice. I listened to it all

1084
00:51:19,400 --> 00:51:21,760
Speaker 1: the way home. I feel like, yeah, the law of attraction.

1085
00:51:21,960 --> 00:51:24,520
Speaker 1: I feel like you believe that for real, for real, man,

1086
00:51:24,600 --> 00:51:26,480
Speaker 1: I've done it too many times. Man, Like I can

1087
00:51:26,680 --> 00:51:29,360
Speaker 1: tell you now some stuff about that happen really good like,

1088
00:51:29,480 --> 00:51:31,440
Speaker 1: I just all I can tell you you can hold you.

1089
00:51:31,640 --> 00:51:33,880
Speaker 1: It's like I just dropped the whole shoe with forsacha.

1090
00:51:34,200 --> 00:51:37,319
Speaker 1: Like two people dm me they shoe like, don't dm

1091
00:51:37,400 --> 00:51:39,719
Speaker 1: meo the shoe? Put it up? Support you know, I

1092
00:51:39,840 --> 00:51:42,640
Speaker 1: support y'all. Now, cool, you're holding its? Cool? Cool? Super

1093
00:51:42,680 --> 00:51:45,880
Speaker 1: Bowl come come commercial, come out you ding me? Great job, Bro,

1094
00:51:46,040 --> 00:51:48,640
Speaker 1: tell us somebody stop holding you. Cool the album, come

1095
00:51:48,680 --> 00:51:51,239
Speaker 1: out Lebron put it up. Hey man, you're small to

1096
00:51:51,360 --> 00:51:54,680
Speaker 1: hell Bro tell us somebody else stop holding it. You know? Okay? Cool,

1097
00:51:54,680 --> 00:51:57,000
Speaker 1: you gonna keep holding you. I feel like you don't

1098
00:51:57,040 --> 00:51:58,960
Speaker 1: think you're being celebrated in love too change Now I

1099
00:51:59,000 --> 00:52:01,200
Speaker 1: want my rods. I can no. I won't. I want

1100
00:52:01,239 --> 00:52:02,520
Speaker 1: to get picked up in the sky like I just

1101
00:52:02,640 --> 00:52:05,239
Speaker 1: hit the buzzle beat. I won't get need that I

1102
00:52:05,400 --> 00:52:07,440
Speaker 1: hit the game winning shot. I won't it. That's wild

1103
00:52:07,480 --> 00:52:09,319
Speaker 1: to me, because I mean everybody, I don't know. Maybe

1104
00:52:09,440 --> 00:52:11,080
Speaker 1: maybe because I do it and I see other people

1105
00:52:11,120 --> 00:52:12,680
Speaker 1: do it that I'm not paying attention to who you

1106
00:52:12,760 --> 00:52:15,160
Speaker 1: because you ain't holding on it, and you ain't you

1107
00:52:15,200 --> 00:52:17,680
Speaker 1: ain't holding on in it for a different reason, for

1108
00:52:17,760 --> 00:52:20,319
Speaker 1: a different reason. And like when I say things like that. Don't. Please,

1109
00:52:20,320 --> 00:52:23,160
Speaker 1: don't let me sound petty because I'm blessed. You're doing

1110
00:52:23,200 --> 00:52:24,600
Speaker 1: fine to a change. You just put out your best

1111
00:52:24,640 --> 00:52:26,640
Speaker 1: body of work. I definitely it is good. You gotta

1112
00:52:26,719 --> 00:52:30,080
Speaker 1: hit TV, show your family, no doubt. Man, don't don't

1113
00:52:30,080 --> 00:52:31,759
Speaker 1: make me seem like I'm Don't make me seem like

1114
00:52:31,800 --> 00:52:33,759
Speaker 1: I'm tripping over because I'm not. You asked the legit

1115
00:52:33,840 --> 00:52:35,600
Speaker 1: couch do on Obvio said, would you rather be underrated

1116
00:52:35,680 --> 00:52:40,200
Speaker 1: or unemployed? Listen? Listen. You don't play though, bro, you

1117
00:52:40,400 --> 00:52:42,759
Speaker 1: listen listen. Man, just say some of the stuff you're

1118
00:52:42,760 --> 00:52:45,160
Speaker 1: saying ain't gonna lot though. He's off. And then I

1119
00:52:45,239 --> 00:52:47,360
Speaker 1: saw what you and Joe said about this being my album.

1120
00:52:47,400 --> 00:52:48,600
Speaker 1: I was, you know, I was trying to get you

1121
00:52:48,680 --> 00:52:51,400
Speaker 1: to here earlier. But I appreciate you putting that in

1122
00:52:51,480 --> 00:52:53,279
Speaker 1: the air. You know what I'm saying. Still believing in me,

1123
00:52:53,360 --> 00:52:55,279
Speaker 1: Still knowing I can get the jaw done or a

1124
00:52:55,360 --> 00:52:57,160
Speaker 1: rapper go to the league is out right now to

1125
00:52:57,440 --> 00:52:59,879
Speaker 1: change fifth studio album. Good to see you again, my brother.

1126
00:53:00,239 --> 00:53:03,400
Speaker 1: It's the Breakfast Club, all right. I hate Instagram spam, bro,

1127
00:53:04,239 --> 00:53:06,400
Speaker 1: I'm not interested in getting any illustrations. I don't care

1128
00:53:06,400 --> 00:53:08,680
Speaker 1: if you got a huge booty, I don't need mixtape covers.

1129
00:53:08,760 --> 00:53:11,239
Speaker 1: Leave me alone. I got you. I'll tell you how

1130
00:53:11,280 --> 00:53:14,080
Speaker 1: to block that lead God a matter of fact, the

1131
00:53:14,120 --> 00:53:16,400
Speaker 1: way you told me to block things, that's how you

1132
00:53:16,440 --> 00:53:17,840
Speaker 1: block that. You do one that taught me how to

1133
00:53:17,840 --> 00:53:23,160
Speaker 1: block things. Yes, that's what I did, right, all right?

1134
00:53:23,360 --> 00:53:26,759
Speaker 1: Anyway you think about that? See that? All right? We

1135
00:53:26,840 --> 00:53:30,160
Speaker 1: let's get to the RUMs. Let's talk to lunch just

1136
00:53:31,040 --> 00:53:38,879
Speaker 1: oh gosh reports with Angela Angela the breakfast club. Wow.

1137
00:53:39,000 --> 00:53:41,719
Speaker 1: We were talking about sluns taking over black planet dot com,

1138
00:53:41,800 --> 00:53:45,400
Speaker 1: the social networking site. And now she has dropped a

1139
00:53:45,520 --> 00:53:50,120
Speaker 1: surprise album that came out this morning. So it's called

1140
00:53:50,200 --> 00:53:52,359
Speaker 1: When I Get Home. I wrote to it this morning.

1141
00:53:52,360 --> 00:53:56,640
Speaker 1: It's nice little vibe. Yes, there's what nineteen songs, nineteen

1142
00:53:56,680 --> 00:54:00,640
Speaker 1: songs on this album. Albums only like four minutes. She's

1143
00:54:00,640 --> 00:54:03,280
Speaker 1: been trending ever since you put this out this morning.

1144
00:54:03,640 --> 00:54:05,960
Speaker 1: So let's give you guys some clips in case you

1145
00:54:06,080 --> 00:54:08,800
Speaker 1: haven't had a chance to hear anything yet. A sound

1146
00:54:08,880 --> 00:54:11,520
Speaker 1: of rain. That's the number one trending song off the album.

1147
00:54:11,680 --> 00:54:41,960
Speaker 1: Here's a piece he let it let all right. The

1148
00:54:42,080 --> 00:54:48,080
Speaker 1: number two trending song is stay flu you got it. Oh,

1149
00:54:48,239 --> 00:54:55,880
Speaker 1: there you go, Don Don Don Don the floor and

1150
00:54:57,719 --> 00:55:05,319
Speaker 1: you canno taking all down, taking a home and they

1151
00:55:05,400 --> 00:55:08,840
Speaker 1: feeling on the way taking all shots, and they feeling

1152
00:55:09,000 --> 00:55:19,560
Speaker 1: on the face taking it all down. Feel it's already

1153
00:55:19,600 --> 00:55:21,840
Speaker 1: a vibe, right you like that? I'm telling you right now,

1154
00:55:21,880 --> 00:55:23,840
Speaker 1: they're playing all these records like this out of context.

1155
00:55:23,880 --> 00:55:25,640
Speaker 1: Does this album job? Yeah? She said you have to

1156
00:55:25,680 --> 00:55:27,840
Speaker 1: play it all the way through herself. Now my skin

1157
00:55:27,960 --> 00:55:30,040
Speaker 1: at my logo. The speech is Gucci, Maine and Tyler

1158
00:55:30,080 --> 00:55:37,279
Speaker 1: the creator, real, got the chills, who comes down with

1159
00:55:37,520 --> 00:55:42,440
Speaker 1: the thing, got the fields, Couccie on the sheets, couch

1160
00:55:42,760 --> 00:55:46,520
Speaker 1: on the sweet I didn't want to soccer. She had

1161
00:55:46,600 --> 00:55:51,640
Speaker 1: Gucci on her cleats, liked to shine. Could you like

1162
00:55:51,880 --> 00:55:55,840
Speaker 1: to play? She liked to come down? He got hard

1163
00:55:56,080 --> 00:55:59,000
Speaker 1: and the plain. Yeah, she made that before the boycott.

1164
00:55:59,239 --> 00:56:00,960
Speaker 1: And just like all of y'all who purchased all that,

1165
00:56:02,280 --> 00:56:04,520
Speaker 1: Just like y'all who purchased all that expensive Gucci before

1166
00:56:04,520 --> 00:56:06,640
Speaker 1: the boy because you can't just throw that away. I

1167
00:56:06,719 --> 00:56:08,759
Speaker 1: gotta give y'all this record. It's too fire. I gotta

1168
00:56:08,800 --> 00:56:11,040
Speaker 1: get into an a vibe for this, That's what I'm saying.

1169
00:56:11,080 --> 00:56:14,279
Speaker 1: Like you can't right now. And here's here's how made that,

1170
00:56:14,360 --> 00:56:25,520
Speaker 1: featuring Playboy, Cartie and a Dream, Quills, Jest Brown, The

1171
00:56:25,840 --> 00:56:37,239
Speaker 1: Crowntain Brown, Crown, the Crown, Black Backs, Black Play, Black Molasses,

1172
00:56:38,320 --> 00:56:50,719
Speaker 1: Buried the Master. Yeah, she said, y'all, I'm feeling with

1173
00:56:50,800 --> 00:56:52,879
Speaker 1: so much joy right now where I can't thank y'all

1174
00:56:53,000 --> 00:56:55,319
Speaker 1: enough for this moment and for the feelings I feel

1175
00:56:55,360 --> 00:56:58,600
Speaker 1: in my body. I'm bringing home at me everywhere I go, y'all,

1176
00:56:58,640 --> 00:57:00,799
Speaker 1: and I ain't running from ish no more. Your love

1177
00:57:00,880 --> 00:57:03,600
Speaker 1: lifts me up so high. Thank you. Yeah. Playing all

1178
00:57:03,640 --> 00:57:05,759
Speaker 1: these lucis is not to move. It's a complete body

1179
00:57:05,800 --> 00:57:07,640
Speaker 1: of work and it first should be listened to its touch.

1180
00:57:07,760 --> 00:57:10,279
Speaker 1: The vibe was perfect this morning, especially in Jersey because

1181
00:57:10,320 --> 00:57:12,320
Speaker 1: the weather was disgusting and it was snow on the

1182
00:57:12,360 --> 00:57:13,960
Speaker 1: ground and they hadn't put salt on the ground yet,

1183
00:57:14,000 --> 00:57:16,000
Speaker 1: so I was forced to drive slow. That the reason

1184
00:57:16,040 --> 00:57:17,360
Speaker 1: I was late this morning, so I listened to the

1185
00:57:17,400 --> 00:57:20,480
Speaker 1: Solange now. She also sampled Devin the Dude scarfacing Mike

1186
00:57:20,600 --> 00:57:24,720
Speaker 1: Jones on the album Okay, h Town. Other contributions Tyler

1187
00:57:24,800 --> 00:57:28,280
Speaker 1: the Creator, Cassie the Dream, Gucci and more. So. Make

1188
00:57:28,320 --> 00:57:30,120
Speaker 1: sure you guys have a chance to listen to that

1189
00:57:30,240 --> 00:57:33,960
Speaker 1: one through one through nineteen work. Definitely not CR Double

1190
00:57:34,000 --> 00:57:36,200
Speaker 1: ay music though, No, no, that ain't. That's not gonna

1191
00:57:36,200 --> 00:57:38,240
Speaker 1: getting ready for crule. That ain't gonna be bumping that

1192
00:57:38,320 --> 00:57:40,560
Speaker 1: CR Double A this week maybe Monday. And I gotta

1193
00:57:40,600 --> 00:57:44,800
Speaker 1: go to Albany on Saturday. That's like a three D

1194
00:57:45,440 --> 00:57:47,640
Speaker 1: so that's plenty of time for me to vibe out.

1195
00:57:48,000 --> 00:57:50,760
Speaker 1: All right, Um, I'm Anjela yea. And that's your rumor

1196
00:57:50,800 --> 00:57:54,680
Speaker 1: reporter that was all dedicated to Solange. All right now, Charlemaine, Yes,

1197
00:57:54,920 --> 00:57:57,080
Speaker 1: give it that donkey. You we need dog Park Debby

1198
00:57:57,120 --> 00:57:58,560
Speaker 1: to come to the front of the congregation. Were you

1199
00:57:58,600 --> 00:58:01,240
Speaker 1: like that have a little or with her? Okay, yeah,

1200
00:58:01,280 --> 00:58:02,800
Speaker 1: we'll do that when we come back. Keep a lot

1201
00:58:02,880 --> 00:58:05,000
Speaker 1: this to Breakfast Club co morning. This don't be a

1202
00:58:05,080 --> 00:58:09,480
Speaker 1: dusty because right now you want some real It's time

1203
00:58:09,520 --> 00:58:11,600
Speaker 1: for Donkey of the Day. So if we ever feel

1204
00:58:11,640 --> 00:58:13,800
Speaker 1: I need to be a donk man with the heat,

1205
00:58:15,080 --> 00:58:20,200
Speaker 1: did get I had become Donkey of the day the

1206
00:58:20,320 --> 00:58:27,920
Speaker 1: Breakfast Club bitching to spilt water all over myself. Jesus Christ, okay,

1207
00:58:30,280 --> 00:58:33,160
Speaker 1: Jesus donkey today for Friday, March first goes to a

1208
00:58:33,240 --> 00:58:36,560
Speaker 1: young lady in Massachusetts that the internet is named dog

1209
00:58:37,040 --> 00:58:39,760
Speaker 1: park Debbie. Now, I hate when things like this happened because,

1210
00:58:39,760 --> 00:58:42,240
Speaker 1: for whatever reason, they do not release the names of

1211
00:58:42,360 --> 00:58:44,959
Speaker 1: these white collar criminals. And yes, I call them white

1212
00:58:45,040 --> 00:58:48,240
Speaker 1: collar criminals because whenever a white person called the police

1213
00:58:48,280 --> 00:58:50,160
Speaker 1: on a black person for no reason, it should be

1214
00:58:50,200 --> 00:58:52,480
Speaker 1: considered a crime. Because whenever a black person has an

1215
00:58:52,520 --> 00:58:55,320
Speaker 1: interaction with the police, it's a great chance our lives

1216
00:58:55,360 --> 00:58:57,960
Speaker 1: are in danger, and even if our lives aren't in danger,

1217
00:58:58,040 --> 00:59:00,520
Speaker 1: it feels like it because of the way my anxiety

1218
00:59:00,560 --> 00:59:03,080
Speaker 1: is set up. So I propose that whenever a white

1219
00:59:03,160 --> 00:59:06,160
Speaker 1: collar crime is committed, said white person should be fined

1220
00:59:06,400 --> 00:59:08,920
Speaker 1: a substantial amount. Now, the latest white collar crime was

1221
00:59:08,960 --> 00:59:11,360
Speaker 1: committed by dog park Debbie, and the reason she is

1222
00:59:11,440 --> 00:59:13,920
Speaker 1: being called dog park Debbie is because she was walking

1223
00:59:14,000 --> 00:59:16,800
Speaker 1: her dog at an employee dog park. And so was

1224
00:59:16,840 --> 00:59:19,360
Speaker 1: a brother by the name of Franklin Baxley, tropping a

1225
00:59:19,360 --> 00:59:22,440
Speaker 1: clues bombs for Franklin Baxley. I don't even know this guy,

1226
00:59:22,480 --> 00:59:25,000
Speaker 1: and I like him. Okay, Now, Franklin was walking his dog.

1227
00:59:25,320 --> 00:59:29,400
Speaker 1: If you have any doubts that Franklin is black, let

1228
00:59:29,480 --> 00:59:36,360
Speaker 1: the record show that his dog's name is du says

1229
00:59:38,800 --> 00:59:43,200
Speaker 1: Say is his dog's name named after jay Z's Kanjac. Well,

1230
00:59:43,240 --> 00:59:50,640
Speaker 1: Franklin was walking through Say inside joke. Well, Franklin was

1231
00:59:50,680 --> 00:59:53,520
Speaker 1: walking to Say and Franklin said that he visits the

1232
00:59:53,600 --> 00:59:56,080
Speaker 1: dog park twice a day and all the dogs get

1233
00:59:56,120 --> 00:59:58,240
Speaker 1: excited when a new one is here. Okay, Well, when

1234
00:59:58,280 --> 01:00:01,000
Speaker 1: dog park Debbie walked in with her little mayonnaise flavored

1235
01:00:01,160 --> 01:00:03,960
Speaker 1: mutt do, Say got excited. He ran over and started

1236
01:00:04,040 --> 01:00:08,000
Speaker 1: humping on poor helmets. Franklin immediately removed Du Say's penis

1237
01:00:08,080 --> 01:00:11,160
Speaker 1: from the mayonnaid's jar and apologize. Franklin said, the dog

1238
01:00:11,240 --> 01:00:13,800
Speaker 1: park Debbie said to him, you should leave because your

1239
01:00:13,840 --> 01:00:16,720
Speaker 1: dog keeps doing that. Franklin told dog park Debbie he

1240
01:00:16,840 --> 01:00:19,480
Speaker 1: wasn't leaving, and she took out her phone called nine

1241
01:00:19,560 --> 01:00:23,040
Speaker 1: one one. Let's hear it. Honestly, I'm you're not trying

1242
01:00:23,080 --> 01:00:25,120
Speaker 1: to help me. Tell you no, you're not trying to

1243
01:00:25,200 --> 01:00:29,640
Speaker 1: help me. I know the rules, the dogs, the rules.

1244
01:00:29,640 --> 01:00:31,760
Speaker 1: What are you talking about. I'm right here, your dog

1245
01:00:31,880 --> 01:00:34,680
Speaker 1: aggressively on top of another. The dogs hump each other

1246
01:00:34,720 --> 01:00:37,880
Speaker 1: every day, and he took him off. I took him off.

1247
01:00:38,120 --> 01:00:39,960
Speaker 1: I know it's my opinion, but you don't call the

1248
01:00:40,120 --> 01:00:43,360
Speaker 1: cops over it. That's all I'm saying. It's not an

1249
01:00:43,400 --> 01:00:46,640
Speaker 1: opinion that dogs hump every day. Okay, it's two dogs

1250
01:00:46,720 --> 01:00:49,920
Speaker 1: hoping right now. I can guarantee you that dogs absolutely

1251
01:00:50,000 --> 01:00:53,800
Speaker 1: hump every day. Well, when dog park Debbie walked walked in,

1252
01:00:54,160 --> 01:00:55,840
Speaker 1: you know what I'm saying, she got upset. She called.

1253
01:00:56,160 --> 01:00:58,400
Speaker 1: And this is why white caller criminals need to be fine.

1254
01:00:58,600 --> 01:01:01,200
Speaker 1: All right, you are wasted valuable policeman hours. It is

1255
01:01:01,280 --> 01:01:04,000
Speaker 1: real crimes that are going on in Massachusetts that police

1256
01:01:04,040 --> 01:01:06,320
Speaker 1: could be tending to, but they are being distracted from

1257
01:01:06,360 --> 01:01:09,480
Speaker 1: the real issues because people like dog Park Debbie are

1258
01:01:09,560 --> 01:01:12,400
Speaker 1: so afraid of the big scary black man that she

1259
01:01:12,480 --> 01:01:15,200
Speaker 1: has to call nine one one just because little Doo, say,

1260
01:01:15,320 --> 01:01:17,640
Speaker 1: wanted some mayonnaise on his dog treat. All right, What

1261
01:01:17,760 --> 01:01:20,360
Speaker 1: bothers me about this is you called the police on Franklin.

1262
01:01:21,200 --> 01:01:23,240
Speaker 1: But what do you want the police to do? What

1263
01:01:23,400 --> 01:01:26,040
Speaker 1: would the charge be you called the police on Franklin,

1264
01:01:26,080 --> 01:01:28,360
Speaker 1: where you might as well call the police on Mother Nature,

1265
01:01:28,400 --> 01:01:31,640
Speaker 1: call the police on God. Because dogs hump other dogs,

1266
01:01:31,920 --> 01:01:34,640
Speaker 1: not because their owners tell them too, but because that's

1267
01:01:34,680 --> 01:01:36,959
Speaker 1: the way dogs are designed. It's just that easy. Okay.

1268
01:01:37,000 --> 01:01:39,280
Speaker 1: Dogs mount and other dogs. They hump other dogs, not

1269
01:01:39,440 --> 01:01:42,720
Speaker 1: even for sexual reason, sometime just because they are excited. Okay,

1270
01:01:42,760 --> 01:01:45,600
Speaker 1: I'll seeking attention, all right. When dogs are unsure of

1271
01:01:45,640 --> 01:01:47,880
Speaker 1: they're placing the pack, they're more likely to hump. They

1272
01:01:47,920 --> 01:01:50,440
Speaker 1: see how many dogs will accept the behavior, which usually

1273
01:01:50,600 --> 01:01:52,880
Speaker 1: just leads to fights with other dogs. Okay, dog park

1274
01:01:53,000 --> 01:01:56,320
Speaker 1: Debbie is actually being a Debbie dog downer because she's

1275
01:01:56,400 --> 01:01:58,120
Speaker 1: ruining the fun. All right, you're not gonna tell me

1276
01:01:58,160 --> 01:02:00,479
Speaker 1: that this hasn't happened to you before and dog parks,

1277
01:02:00,480 --> 01:02:02,920
Speaker 1: So let's be honest here. It's not the dog humping

1278
01:02:03,000 --> 01:02:05,440
Speaker 1: that's got you bothered. It's the black man that's walking

1279
01:02:05,480 --> 01:02:08,280
Speaker 1: the dog that got you bothered. In fact, you probably

1280
01:02:08,440 --> 01:02:11,600
Speaker 1: value the life of dou S more than you value

1281
01:02:11,640 --> 01:02:14,800
Speaker 1: the life of Franklin Baxley. The problem wasn't the puppy.

1282
01:02:15,080 --> 01:02:17,920
Speaker 1: The problem was your prejudice. Please let Cathy Griffin hand

1283
01:02:17,960 --> 01:02:20,640
Speaker 1: in my white work. Please give this giant jar male

1284
01:02:20,920 --> 01:02:26,280
Speaker 1: the biggest heahaw. All right, well, thank you for that

1285
01:02:26,360 --> 01:02:28,840
Speaker 1: donkey today and dropping a clothes bombs for Franklin naming

1286
01:02:28,880 --> 01:02:32,920
Speaker 1: his dog to say, you know what, I'm saying sticking

1287
01:02:32,960 --> 01:02:36,560
Speaker 1: with the times, all right, No, I like that. All right. Now,

1288
01:02:36,640 --> 01:02:39,160
Speaker 1: when we come back, Steve Stout will be joining us.

1289
01:02:39,200 --> 01:02:42,680
Speaker 1: He's bringing his new artist, Chopper. Is Chopper considers his

1290
01:02:42,920 --> 01:02:46,160
Speaker 1: artists because I know he's signed to United Masters. United Masters.

1291
01:02:46,200 --> 01:02:49,800
Speaker 1: Is Steve Stout mother because there's a lot of other

1292
01:02:50,000 --> 01:02:52,440
Speaker 1: artists on United Masters. I don't. I don't know if

1293
01:02:52,480 --> 01:02:55,160
Speaker 1: that's his artist person. We'll find out next. Yeahs a

1294
01:02:55,240 --> 01:02:58,280
Speaker 1: deal for distribution, all right, we'll talk to him next.

1295
01:02:58,320 --> 01:03:01,680
Speaker 1: You don't move. It's to Breakfast Club. Come morning, you're

1296
01:03:01,720 --> 01:03:04,680
Speaker 1: chicking out the world's most dangerous morning show. Morning Everybody

1297
01:03:04,840 --> 01:03:08,560
Speaker 1: is DJ Envy, Angela Yee, Charlomagne the guy. We are

1298
01:03:08,640 --> 01:03:11,240
Speaker 1: the Breakfast Club. We got some special guests in the building,

1299
01:03:11,680 --> 01:03:14,439
Speaker 1: Steve Stout and his new artist, Chopper. I just started

1300
01:03:14,520 --> 01:03:16,840
Speaker 1: hitting about Chopper because Chopper turned down a three million

1301
01:03:16,880 --> 01:03:19,560
Speaker 1: dollar record deal to sign with your United Masters. Yeah.

1302
01:03:20,040 --> 01:03:22,440
Speaker 1: And you know, Steve Stout doesn't really roll with artists

1303
01:03:22,480 --> 01:03:26,800
Speaker 1: that much. It's important to come and support this young

1304
01:03:26,880 --> 01:03:29,840
Speaker 1: man because he made a very important decision. I mean,

1305
01:03:29,920 --> 01:03:34,000
Speaker 1: he decided to be independent, to own his rights, and uh,

1306
01:03:34,520 --> 01:03:37,200
Speaker 1: you know, cod with an independent company, and a lot

1307
01:03:37,240 --> 01:03:39,200
Speaker 1: of young guys sixteen years old would have taken the

1308
01:03:39,280 --> 01:03:42,320
Speaker 1: money obviously, and we know how that all ends. In fact,

1309
01:03:42,720 --> 01:03:45,919
Speaker 1: um nobody ends that. That story doesn't end. Well, I've

1310
01:03:45,960 --> 01:03:47,919
Speaker 1: never met an artist in my life that ever said

1311
01:03:48,240 --> 01:03:50,120
Speaker 1: one of the best decisions I ever made was signing

1312
01:03:50,200 --> 01:03:52,040
Speaker 1: with a record But Chappa, how did you come to

1313
01:03:52,120 --> 01:03:55,560
Speaker 1: that decision? Is be independent? Really owning all your stuff

1314
01:03:55,880 --> 01:03:58,320
Speaker 1: because life, I think a lot of repels when they signed,

1315
01:03:58,360 --> 01:04:01,480
Speaker 1: they think a short term, long term like you're not

1316
01:04:01,680 --> 01:04:03,720
Speaker 1: making them money out though you know what I'm saying

1317
01:04:03,800 --> 01:04:05,320
Speaker 1: the song because at the end of the day, the

1318
01:04:05,480 --> 01:04:10,000
Speaker 1: labor own that song. But if you mus know I'm

1319
01:04:10,000 --> 01:04:12,400
Speaker 1: saying that jall song, you're making money. Have you watched

1320
01:04:12,400 --> 01:04:13,960
Speaker 1: other people's stories and been like, I don't want to

1321
01:04:14,040 --> 01:04:18,200
Speaker 1: end up like that? Yeah? You sixteen? I love it

1322
01:04:18,240 --> 01:04:19,960
Speaker 1: because a lot of people, you know, they don't have

1323
01:04:20,080 --> 01:04:23,120
Speaker 1: that type of vision. Dollars a lot of money. You know,

1324
01:04:23,480 --> 01:04:25,960
Speaker 1: what makes you think I'm gonna be able to make

1325
01:04:26,040 --> 01:04:28,120
Speaker 1: more than this in the next couple of years. Well,

1326
01:04:28,280 --> 01:04:32,120
Speaker 1: it's really just when it ain't know, cocky type thing,

1327
01:04:32,280 --> 01:04:35,560
Speaker 1: but it's like you know your worst type. You mean,

1328
01:04:36,360 --> 01:04:39,320
Speaker 1: what I'm saying I think I can make more through yeah,

1329
01:04:40,640 --> 01:04:43,439
Speaker 1: or it's the white man's worst night man Steve black people,

1330
01:04:43,840 --> 01:04:48,600
Speaker 1: young black people. Yeah. Well look, I've always believed that

1331
01:04:48,680 --> 01:04:52,880
Speaker 1: record company contracts were very similar to share cropping, right,

1332
01:04:53,120 --> 01:04:55,440
Speaker 1: like you don't really own it, and they make you

1333
01:04:55,560 --> 01:04:57,720
Speaker 1: believe you own it. And a bank it's gonna make

1334
01:04:57,800 --> 01:05:01,200
Speaker 1: it's it's it's a usury bank loo. You know, like

1335
01:05:01,360 --> 01:05:04,720
Speaker 1: bank loans, there's laws against the amount of interest you

1336
01:05:04,800 --> 01:05:08,240
Speaker 1: could charge on the bank loan. Record company contracts are

1337
01:05:08,360 --> 01:05:11,800
Speaker 1: just bank loans with the most ridiculous interest rates. If

1338
01:05:11,840 --> 01:05:13,960
Speaker 1: you have a calculated that would be against the law.

1339
01:05:14,560 --> 01:05:16,680
Speaker 1: But they it's worse than that because they actually own it.

1340
01:05:18,400 --> 01:05:22,200
Speaker 1: And this is an example of what, yes, what's yet

1341
01:05:22,280 --> 01:05:25,920
Speaker 1: to come. These changes take place over generations. So you

1342
01:05:26,000 --> 01:05:27,800
Speaker 1: got a sixteen year old guy who says, you know what,

1343
01:05:27,920 --> 01:05:30,320
Speaker 1: this is what I'm doing, and it changes a generation

1344
01:05:30,440 --> 01:05:32,680
Speaker 1: that goes, you know what, I don't need this anymore.

1345
01:05:33,000 --> 01:05:36,800
Speaker 1: Instagram and social media is the new MTV and Apple

1346
01:05:37,080 --> 01:05:40,040
Speaker 1: and Spotify as the new record store. What do I

1347
01:05:40,160 --> 01:05:43,440
Speaker 1: need you for? And you look at it. I mean,

1348
01:05:43,520 --> 01:05:45,800
Speaker 1: this guy put out the music on his own. I mean,

1349
01:05:46,240 --> 01:05:48,640
Speaker 1: so in a month, got fifty is that fifteen million

1350
01:05:48,760 --> 01:05:51,880
Speaker 1: views on YouTube? What does he need a record company

1351
01:05:51,920 --> 01:05:55,280
Speaker 1: owning that for? That's all? And yeah, everybody should know

1352
01:05:55,360 --> 01:05:57,680
Speaker 1: you know your worth. You know your worth. He knows

1353
01:05:57,720 --> 01:06:00,560
Speaker 1: his worth. I certainly know mine. And that's the way

1354
01:06:00,600 --> 01:06:02,920
Speaker 1: we're move and going forward. That's that's the power that

1355
01:06:03,000 --> 01:06:06,439
Speaker 1: we all possess. How does that work? How does United

1356
01:06:06,520 --> 01:06:09,320
Speaker 1: Masters work? We're distribution company. He's not signed to us.

1357
01:06:09,680 --> 01:06:13,160
Speaker 1: We distribute the work that he owns own it. Yeah, yeah,

1358
01:06:13,200 --> 01:06:14,920
Speaker 1: we distribute the work that he owns So we're just

1359
01:06:15,040 --> 01:06:18,160
Speaker 1: a distribution partner form. We allow his music to go

1360
01:06:18,360 --> 01:06:22,000
Speaker 1: from the studio onto Spotify on the Apple, so we

1361
01:06:22,120 --> 01:06:26,000
Speaker 1: distribute to all the streaming platforms final and they pussy

1362
01:06:26,040 --> 01:06:30,120
Speaker 1: puss it just like a label. We'll do what is

1363
01:06:30,240 --> 01:06:33,320
Speaker 1: United Mass for people who don't I know what I'm

1364
01:06:33,360 --> 01:06:35,680
Speaker 1: saying for people watching you, just for people who don't

1365
01:06:35,680 --> 01:06:37,160
Speaker 1: know what it is. If you're an artist and you

1366
01:06:37,240 --> 01:06:38,959
Speaker 1: want to get your music out all over the world,

1367
01:06:39,240 --> 01:06:40,880
Speaker 1: but you don't want to sign to a record company

1368
01:06:40,960 --> 01:06:44,240
Speaker 1: or or a record company hasn't contacted you, you can

1369
01:06:44,320 --> 01:06:46,640
Speaker 1: put your music up on YouTube on your own easy,

1370
01:06:46,840 --> 01:06:50,800
Speaker 1: But to get your music on Amazon, Title, Apple, Spotify.

1371
01:06:51,120 --> 01:06:53,680
Speaker 1: You need a distribution company to do that, and we

1372
01:06:53,800 --> 01:06:56,240
Speaker 1: also not only distribute it for you, but we collect

1373
01:06:56,320 --> 01:06:59,560
Speaker 1: on your behalf and pay you the money on your math.

1374
01:06:59,680 --> 01:07:04,040
Speaker 1: So it's basically a service that allows independent artists to

1375
01:07:04,160 --> 01:07:06,600
Speaker 1: get their music distributed and to collect the money and

1376
01:07:06,680 --> 01:07:09,560
Speaker 1: pay them, and then he pays you out of that money. Yeah, okay,

1377
01:07:10,600 --> 01:07:13,640
Speaker 1: that you provide. He sees it in real time. It's transparent.

1378
01:07:13,880 --> 01:07:15,960
Speaker 1: So whatever the money that comes in is earned, he

1379
01:07:16,120 --> 01:07:19,640
Speaker 1: sees it. It's not like you know, don't I'll call

1380
01:07:19,720 --> 01:07:22,480
Speaker 1: you when the money comes in and checks in the mail. Nonsense.

1381
01:07:22,720 --> 01:07:25,160
Speaker 1: You know record companies, they'd pay you. They'll give you

1382
01:07:25,160 --> 01:07:27,320
Speaker 1: an advance and you get like a statement once every

1383
01:07:27,360 --> 01:07:30,640
Speaker 1: six months. I mean you get paid over long, long

1384
01:07:30,680 --> 01:07:33,919
Speaker 1: periods of time. This is he sees it seven days,

1385
01:07:34,000 --> 01:07:36,800
Speaker 1: fourteen days, twenty eight days. You see exactly what your

1386
01:07:36,840 --> 01:07:39,640
Speaker 1: song generated, and you get paid that money. Now, what

1387
01:07:39,720 --> 01:07:42,960
Speaker 1: if he needs marketing promotions? Does United Masters provide those

1388
01:07:43,000 --> 01:07:46,800
Speaker 1: services also? Yeah? That's why we hear it right now. Yeah,

1389
01:07:47,480 --> 01:07:48,840
Speaker 1: because the job of you would not be here if

1390
01:07:48,880 --> 01:07:54,240
Speaker 1: he was not signing you not a massive I didn't

1391
01:07:54,240 --> 01:07:57,560
Speaker 1: say that, bro, I didn't say that y'all got a

1392
01:07:57,560 --> 01:08:00,920
Speaker 1: partnership with the NBA. Right, Oh yeah, what is that? Well,

1393
01:08:00,920 --> 01:08:03,640
Speaker 1: it's another thing that we did. We decided like, not

1394
01:08:03,800 --> 01:08:05,640
Speaker 1: only do we want to do distribution, but we want

1395
01:08:05,680 --> 01:08:08,680
Speaker 1: to provide to your point services and one of the

1396
01:08:08,760 --> 01:08:13,440
Speaker 1: services my strong set, my skills in brands. It's what

1397
01:08:13,600 --> 01:08:15,479
Speaker 1: I've You know, I went from music and I built

1398
01:08:15,480 --> 01:08:18,120
Speaker 1: an advertising companies. You guys, well if you don't know,

1399
01:08:18,479 --> 01:08:21,960
Speaker 1: now you know. I built an advertising company and I

1400
01:08:22,080 --> 01:08:24,840
Speaker 1: wanted to be able to bring that service to artists

1401
01:08:24,880 --> 01:08:27,519
Speaker 1: that were assigned to United Masses or was working with us.

1402
01:08:27,800 --> 01:08:30,840
Speaker 1: So the NBA is our first partner, with many more

1403
01:08:30,920 --> 01:08:35,080
Speaker 1: partnerships to announcements to follow where we allow your music

1404
01:08:35,160 --> 01:08:37,719
Speaker 1: to actually be used in all of the NBA content.

1405
01:08:38,000 --> 01:08:41,519
Speaker 1: The NBA has one point five billion followers with their

1406
01:08:41,560 --> 01:08:45,200
Speaker 1: social footprint, they have twenty six billion views of their content.

1407
01:08:45,320 --> 01:08:48,880
Speaker 1: All the music that's behind that all goes to United Masses.

1408
01:08:48,920 --> 01:08:52,800
Speaker 1: How much is United as from artists? Ten percent? Okay

1409
01:08:52,840 --> 01:08:54,519
Speaker 1: if you depend on the deal, but if you're just

1410
01:08:54,720 --> 01:08:57,920
Speaker 1: distribution with zero services, you just go through our service,

1411
01:08:58,000 --> 01:09:00,240
Speaker 1: it's ten percent. I want to know for Choppol, how

1412
01:09:00,320 --> 01:09:02,200
Speaker 1: hard was it not? Only to turn down to three

1413
01:09:02,240 --> 01:09:04,519
Speaker 1: million dollars, but not to like sign a deal, because

1414
01:09:04,560 --> 01:09:07,120
Speaker 1: that's everybody's dream as a young artist to sign a

1415
01:09:07,200 --> 01:09:10,240
Speaker 1: record deal. On me young is like, it wasn't hard

1416
01:09:10,320 --> 01:09:15,840
Speaker 1: at all. Really just anything I if it move you mad,

1417
01:09:16,080 --> 01:09:18,040
Speaker 1: gotta be your business. You know what I'm saying, A

1418
01:09:18,120 --> 01:09:21,360
Speaker 1: good move. I just feel like they move or sign

1419
01:09:21,439 --> 01:09:24,519
Speaker 1: it wasn't a good move. I'm saying, if you're working,

1420
01:09:24,720 --> 01:09:27,280
Speaker 1: you're working hard, you're doing this. You know that. I

1421
01:09:27,320 --> 01:09:30,479
Speaker 1: was saying money gonna coom three million. They're three million

1422
01:09:30,600 --> 01:09:33,640
Speaker 1: right now. But if you you're working hard, and you

1423
01:09:34,320 --> 01:09:36,720
Speaker 1: know I'm saying, working doing what you're doing, you could

1424
01:09:36,720 --> 01:09:39,360
Speaker 1: probably make five million in one year instead of just

1425
01:09:39,960 --> 01:09:43,240
Speaker 1: they're three million. You add then they're gonna recuperate that anyway.

1426
01:09:43,880 --> 01:09:46,120
Speaker 1: It's just the first thing he's When I sat down

1427
01:09:46,160 --> 01:09:48,200
Speaker 1: with him, he sucked. He talked about how much money

1428
01:09:48,240 --> 01:09:50,320
Speaker 1: he paid for the video and how much money he

1429
01:09:50,360 --> 01:09:52,600
Speaker 1: paid for the studio time, and how much money he

1430
01:09:52,680 --> 01:09:56,040
Speaker 1: got back he made five xos investment problem too, he

1431
01:09:56,160 --> 01:09:58,840
Speaker 1: said that immediately this is like meeting one. I'm like,

1432
01:09:59,400 --> 01:10:01,720
Speaker 1: who talks like that? I mean, I paid attention to

1433
01:10:01,840 --> 01:10:05,880
Speaker 1: every little thing and my belief that independent artist is

1434
01:10:05,920 --> 01:10:09,559
Speaker 1: the way of the future, that these labels honestly are

1435
01:10:09,640 --> 01:10:12,640
Speaker 1: nothing more. They served the purpose at a time, but

1436
01:10:12,800 --> 01:10:17,040
Speaker 1: for centuries, all they've done is taken away. You know.

1437
01:10:17,160 --> 01:10:20,800
Speaker 1: I just was. I was with Al Sharpton yesterday. How

1438
01:10:20,840 --> 01:10:22,920
Speaker 1: did Al Sharpton getting this? I'll tell you well, Al

1439
01:10:23,000 --> 01:10:26,240
Speaker 1: Sharpton used to be James Brown road mast right, and

1440
01:10:26,360 --> 01:10:29,320
Speaker 1: Al Shalton was telling me yesterday that as many times

1441
01:10:29,360 --> 01:10:31,320
Speaker 1: as James Brown has been sampled in the whole thing,

1442
01:10:31,520 --> 01:10:34,400
Speaker 1: this man sat in the morgue for seventy days. There

1443
01:10:34,520 --> 01:10:37,920
Speaker 1: was not five thousand dollars to pay for his funeral

1444
01:10:38,280 --> 01:10:41,080
Speaker 1: because he didn't own the music. And we just said

1445
01:10:41,200 --> 01:10:43,559
Speaker 1: when Prince wrote slave on his face, we were looking

1446
01:10:43,600 --> 01:10:47,080
Speaker 1: at it like it was crazy. He knew they put

1447
01:10:47,200 --> 01:10:50,960
Speaker 1: slave in the recording contracts. The original copy is called

1448
01:10:51,000 --> 01:10:54,800
Speaker 1: the master and the duplicates are called slaves. These things

1449
01:10:54,840 --> 01:10:56,840
Speaker 1: are just wild to me. And when you look at it,

1450
01:10:57,160 --> 01:11:00,320
Speaker 1: you know, it was like was hopping around hipping in

1451
01:11:00,439 --> 01:11:02,960
Speaker 1: happy because they got a record deal and they turned

1452
01:11:02,960 --> 01:11:05,719
Speaker 1: around and you can't pay for your funeral. Now, whether

1453
01:11:05,800 --> 01:11:08,360
Speaker 1: he blew the money or did whatever he did. M

1454
01:11:09,400 --> 01:11:12,559
Speaker 1: James Brown case, if he owned his rights, he would

1455
01:11:12,560 --> 01:11:14,720
Speaker 1: have been he wouldn't have been in that situation. I

1456
01:11:14,800 --> 01:11:17,320
Speaker 1: don't like any of that. We need to protect his rights,

1457
01:11:17,439 --> 01:11:20,080
Speaker 1: not own his rights. We got more with Steve Stouton

1458
01:11:20,160 --> 01:11:22,519
Speaker 1: chopper when we come back. Don't move as to breakfast club.

1459
01:11:22,560 --> 01:11:27,000
Speaker 1: Good morning morning. Everybody is DJ mvy angela yee. Charlomagne

1460
01:11:27,000 --> 01:11:29,000
Speaker 1: the guy we all the breakfast club we have, Steve

1461
01:11:29,040 --> 01:11:31,800
Speaker 1: Stouton is all his chopper in the building. Charlomagne gotta

1462
01:11:31,840 --> 01:11:37,080
Speaker 1: ask you, do you accept Dame Dash's apology? Yeah? Yeah.

1463
01:11:37,520 --> 01:11:40,040
Speaker 1: By the way, I told Dame Dash about a year

1464
01:11:40,120 --> 01:11:43,599
Speaker 1: ago that a lot of the things that he had

1465
01:11:43,680 --> 01:11:48,120
Speaker 1: said and professed during his the height of his career

1466
01:11:48,520 --> 01:11:53,240
Speaker 1: with Rockefeller and Rockeware was we're ahead of its time.

1467
01:11:53,640 --> 01:11:57,120
Speaker 1: I told him that and um, and I felt that

1468
01:11:57,240 --> 01:11:59,080
Speaker 1: I had to say that to him because well, I

1469
01:11:59,160 --> 01:12:01,479
Speaker 1: was building his company. I was thinking through all of

1470
01:12:01,520 --> 01:12:05,320
Speaker 1: the guys who sacrificed to help pave the way to

1471
01:12:05,479 --> 01:12:09,160
Speaker 1: teach in their own way that we should be owning

1472
01:12:09,200 --> 01:12:13,200
Speaker 1: ourselves and owning our empowering ourselves. And he's on that

1473
01:12:13,320 --> 01:12:15,960
Speaker 1: short list of guys who did that. So I definitely

1474
01:12:16,000 --> 01:12:17,920
Speaker 1: called him and told him that. So you know the

1475
01:12:18,000 --> 01:12:20,720
Speaker 1: fact that you know he called you know, he apologized.

1476
01:12:20,760 --> 01:12:23,160
Speaker 1: I didn't like the fact that he actually put me

1477
01:12:23,560 --> 01:12:26,799
Speaker 1: in the category of a culture vulture. That's that's crazy

1478
01:12:26,960 --> 01:12:28,880
Speaker 1: to me that he would do it. In fact, I

1479
01:12:29,040 --> 01:12:31,559
Speaker 1: think culture vulture is a great idea, and there are

1480
01:12:31,680 --> 01:12:33,880
Speaker 1: a lot of culture vultures, a lot of guys out

1481
01:12:33,920 --> 01:12:37,840
Speaker 1: there barring and stealing and ripping off the culture right now,

1482
01:12:38,160 --> 01:12:40,080
Speaker 1: and a lot of them are getting supported by us,

1483
01:12:40,160 --> 01:12:42,639
Speaker 1: and they don't even realize that we're that they all stealing.

1484
01:12:44,439 --> 01:12:47,360
Speaker 1: So I support the theory of culture vultures and I

1485
01:12:47,400 --> 01:12:49,880
Speaker 1: would love to work with them and let's put those

1486
01:12:49,960 --> 01:12:52,479
Speaker 1: guys on blast. But the fact that he ever called

1487
01:12:52,520 --> 01:12:55,080
Speaker 1: me that was wild to me, and I hope that's

1488
01:12:55,120 --> 01:12:58,800
Speaker 1: what he apologized for, because there's nothing at all that

1489
01:12:58,920 --> 01:13:01,400
Speaker 1: I've ever done in mind hire career that would even

1490
01:13:01,479 --> 01:13:05,280
Speaker 1: categorize me close to that. All I've ever done was

1491
01:13:05,320 --> 01:13:08,400
Speaker 1: pushed the culture forward from day one. That's all I've done,

1492
01:13:08,600 --> 01:13:10,960
Speaker 1: and that's all I am I'm ever gonna do if

1493
01:13:11,040 --> 01:13:14,000
Speaker 1: I what success is to me is did I move

1494
01:13:14,040 --> 01:13:17,280
Speaker 1: the culture forward? When I went into advertising? Nobody gave

1495
01:13:17,280 --> 01:13:19,920
Speaker 1: a about advertising and why would you leave the record

1496
01:13:19,920 --> 01:13:22,400
Speaker 1: business to go into advertising? Because I want to take

1497
01:13:22,560 --> 01:13:24,640
Speaker 1: what I learned from the record business and put that

1498
01:13:25,160 --> 01:13:28,080
Speaker 1: an advertising business. Nobody was gonna put Jada Kiss on

1499
01:13:28,479 --> 01:13:31,200
Speaker 1: TV doing a commercial back in two thousand and one,

1500
01:13:31,720 --> 01:13:34,400
Speaker 1: but Alan and Iverson, who would do that? Who's gonna

1501
01:13:34,439 --> 01:13:37,240
Speaker 1: give jay Z sneakers? You think jay Z sneaking and

1502
01:13:37,280 --> 01:13:40,120
Speaker 1: fifty cents sneaking for Rell sneaker has nothing to do it.

1503
01:13:40,240 --> 01:13:43,200
Speaker 1: Why all these guys got sneakers today? It has everything

1504
01:13:43,280 --> 01:13:46,000
Speaker 1: to do it. Why that's my job. I've taken that job.

1505
01:13:46,360 --> 01:13:49,400
Speaker 1: So anybody who says anything to me that is not

1506
01:13:49,880 --> 01:13:53,120
Speaker 1: complimentary of the of what I've contributed to get us

1507
01:13:53,160 --> 01:13:55,719
Speaker 1: all where we are today is in the music business

1508
01:13:56,000 --> 01:13:58,439
Speaker 1: is out of their mommy and they need they need

1509
01:13:58,479 --> 01:14:02,400
Speaker 1: an education. On on on Steve Stock to even talk

1510
01:14:02,439 --> 01:14:06,000
Speaker 1: about anything that's not like that. I didn't push the

1511
01:14:06,080 --> 01:14:08,720
Speaker 1: culture forward or any I just went on a little. Ready,

1512
01:14:08,760 --> 01:14:11,240
Speaker 1: I guess I got upset. I don't like that. I

1513
01:14:11,320 --> 01:14:12,880
Speaker 1: want to ask you guys a question, if you don't

1514
01:14:12,920 --> 01:14:17,360
Speaker 1: mind us, what do you think about? Like, what do

1515
01:14:17,439 --> 01:14:20,439
Speaker 1: you think about the Gucci situation? Um? I think I

1516
01:14:20,560 --> 01:14:22,600
Speaker 1: have a lot of thoughts on that that I've been

1517
01:14:22,680 --> 01:14:26,200
Speaker 1: trying to figure out. I do think they absolutely need

1518
01:14:26,280 --> 01:14:29,360
Speaker 1: diversity there. I also feel like it's a foreign company

1519
01:14:29,880 --> 01:14:32,559
Speaker 1: and I don't know what the sensitivities are to certain things.

1520
01:14:32,920 --> 01:14:35,760
Speaker 1: I do know that that turtleneck was up on the side.

1521
01:14:35,800 --> 01:14:37,400
Speaker 1: It wasn't like it just got put up because I

1522
01:14:37,400 --> 01:14:39,600
Speaker 1: have to sweatpass this in the picture. Um. So I

1523
01:14:39,680 --> 01:14:43,200
Speaker 1: had seen it and I didn't think, no, it's not matching,

1524
01:14:43,200 --> 01:14:46,760
Speaker 1: it's just the picture. I just I looked at the

1525
01:14:46,840 --> 01:14:49,559
Speaker 1: website like months ago, and I had seen it on there,

1526
01:14:50,160 --> 01:14:51,720
Speaker 1: and I didn't think they were trying to do like

1527
01:14:51,800 --> 01:14:54,080
Speaker 1: a black face. I didn't think that was the intention

1528
01:14:54,400 --> 01:14:56,960
Speaker 1: of it. I thought it was just like an ugly turtleneck.

1529
01:14:57,000 --> 01:14:58,519
Speaker 1: And I was like, why would I want to put

1530
01:14:58,560 --> 01:15:01,000
Speaker 1: a turtleneck over my face and get makeup on it?

1531
01:15:01,160 --> 01:15:03,439
Speaker 1: You know, That's just what my thought was. So I

1532
01:15:03,479 --> 01:15:05,320
Speaker 1: didn't really and I know a lot of people had

1533
01:15:05,320 --> 01:15:07,000
Speaker 1: to have seen it before that because it was up

1534
01:15:07,040 --> 01:15:09,320
Speaker 1: for months. So I don't know that their intent was

1535
01:15:09,400 --> 01:15:12,640
Speaker 1: to be like, Okay, we're gonna do this blackface turtleneck.

1536
01:15:12,680 --> 01:15:15,280
Speaker 1: I do think that it's great for them to have

1537
01:15:15,439 --> 01:15:18,080
Speaker 1: them called out for that and for them to implement

1538
01:15:18,160 --> 01:15:21,120
Speaker 1: these plans of diversity that they better follow up on. Yeah,

1539
01:15:21,560 --> 01:15:26,240
Speaker 1: so my point of view on it I part of

1540
01:15:26,360 --> 01:15:30,280
Speaker 1: again moving culture forward. I put Dapper Dan with Gucci

1541
01:15:31,080 --> 01:15:33,479
Speaker 1: a year and a half ago to do that and

1542
01:15:33,600 --> 01:15:37,479
Speaker 1: put that arrangement together. And what I've been saying for

1543
01:15:37,640 --> 01:15:42,240
Speaker 1: years is that black people, African Americans is the best

1544
01:15:42,280 --> 01:15:45,479
Speaker 1: consumers in the world because they buy products that aren't

1545
01:15:45,479 --> 01:15:49,080
Speaker 1: marketed to them. Right for some strange reason, if something

1546
01:15:49,280 --> 01:15:53,280
Speaker 1: isn't marketed to African Americans, they look at it as aspirational.

1547
01:15:53,800 --> 01:15:55,840
Speaker 1: I want to get that, even though they're not talking

1548
01:15:55,880 --> 01:16:00,479
Speaker 1: to me directly. In the case of Gucci, absolutely I don't.

1549
01:16:00,560 --> 01:16:06,120
Speaker 1: Their intent wasn't to be um harmful, but they're culturally

1550
01:16:06,240 --> 01:16:12,400
Speaker 1: completely unaware, clueless, and it's because they look at they

1551
01:16:12,520 --> 01:16:15,920
Speaker 1: must look at African Americans specifically and go They like

1552
01:16:16,040 --> 01:16:19,960
Speaker 1: big logos and bright colors, but not necessarily understand the

1553
01:16:20,160 --> 01:16:23,600
Speaker 1: depth have any nuance to what really is offensive or not,

1554
01:16:24,200 --> 01:16:28,479
Speaker 1: which means they can do programs with you know, getting

1555
01:16:28,520 --> 01:16:30,760
Speaker 1: young black designers in the company and all that. That's cool,

1556
01:16:31,000 --> 01:16:35,120
Speaker 1: but they need like a black executive or black executives

1557
01:16:35,400 --> 01:16:38,160
Speaker 1: on their board. They need a diversity council. You can't

1558
01:16:38,200 --> 01:16:42,760
Speaker 1: sit in Italy and understand exactly the nuances without having

1559
01:16:43,320 --> 01:16:45,880
Speaker 1: black people over there or people that are in the

1560
01:16:46,000 --> 01:16:50,320
Speaker 1: culture informing you constantly, not one day master class, a

1561
01:16:50,520 --> 01:16:54,640
Speaker 1: constant flow of information helping you stay on the right.

1562
01:16:54,720 --> 01:16:56,720
Speaker 1: And I'm sure they do it. I'm sure there's a

1563
01:16:57,240 --> 01:17:00,320
Speaker 1: there's a Chinese version of offensive right they're in. I'm

1564
01:17:00,320 --> 01:17:02,559
Speaker 1: sure this. I don't know what's offensive to people in Italy.

1565
01:17:02,840 --> 01:17:06,920
Speaker 1: I would exactly. We may say pizza wrong. We don't

1566
01:17:06,920 --> 01:17:09,600
Speaker 1: even know what's offensive to that, Mamma Mia. And so

1567
01:17:09,840 --> 01:17:12,240
Speaker 1: you gotta have so if that, if that's your customer base,

1568
01:17:12,640 --> 01:17:15,679
Speaker 1: you gotta put people in there that understand it, because

1569
01:17:16,920 --> 01:17:19,160
Speaker 1: you're gonna make these mistakes on a regular basis. The

1570
01:17:19,240 --> 01:17:20,760
Speaker 1: other thing, I don't want to I don't want this

1571
01:17:20,840 --> 01:17:23,320
Speaker 1: to get lost. It's not only them, by the way,

1572
01:17:23,360 --> 01:17:25,479
Speaker 1: this is the this is Erma's that I had Oprah

1573
01:17:25,479 --> 01:17:28,760
Speaker 1: Winfrey standing outside and didn't let her in the store. Right, So,

1574
01:17:28,920 --> 01:17:31,800
Speaker 1: whether it be Oprah Winfrey and Erma's or Proader with

1575
01:17:31,840 --> 01:17:35,240
Speaker 1: the monkey in the bag or you or the brand

1576
01:17:35,280 --> 01:17:39,479
Speaker 1: that had the noose umber, what they all saying is

1577
01:17:39,800 --> 01:17:43,800
Speaker 1: we're foreign companies and we don't know. And what I'm

1578
01:17:43,840 --> 01:17:46,960
Speaker 1: saying is all of you luxury brands that are sitting

1579
01:17:47,040 --> 01:17:51,400
Speaker 1: over in Europe that are getting our dollars, put a

1580
01:17:51,479 --> 01:17:55,040
Speaker 1: diversity council together, put young people like such as yourself

1581
01:17:55,240 --> 01:17:58,320
Speaker 1: as yourself and be like you have that around you.

1582
01:17:59,160 --> 01:18:01,400
Speaker 1: If your intention and it's not to make mistakes like that,

1583
01:18:02,080 --> 01:18:04,000
Speaker 1: then you should have people around you don't make sure

1584
01:18:04,040 --> 01:18:06,320
Speaker 1: that you never make those mistakes. I think they have

1585
01:18:06,439 --> 01:18:08,799
Speaker 1: to know though it's too specific. Like the sambo lips

1586
01:18:09,160 --> 01:18:14,680
Speaker 1: the monkey the news talk to me. I think I

1587
01:18:14,800 --> 01:18:16,920
Speaker 1: told him. I don't know who I told it with

1588
01:18:17,040 --> 01:18:20,360
Speaker 1: the news. I don't see how you know what I'm saying.

1589
01:18:20,439 --> 01:18:23,160
Speaker 1: It's black, it's being black. How you can get offended

1590
01:18:23,160 --> 01:18:25,040
Speaker 1: about it? I look at it like this, like we

1591
01:18:25,120 --> 01:18:28,880
Speaker 1: were choice, Like do you not see? You know what

1592
01:18:28,920 --> 01:18:30,760
Speaker 1: I mean? Like you need media training. That is the

1593
01:18:30,840 --> 01:18:34,920
Speaker 1: stupidest thing I ever heard in my life. Yes, lynching, lynching.

1594
01:18:35,160 --> 01:18:36,839
Speaker 1: You need to do the history of lynching in America,

1595
01:18:36,920 --> 01:18:39,160
Speaker 1: my brother, I know that, But I'm saying so this

1596
01:18:39,680 --> 01:18:42,280
Speaker 1: you don't have no resemblent. No, well, it's an actual

1597
01:18:42,400 --> 01:18:48,920
Speaker 1: news people hanging and not tied into a noose. That

1598
01:18:49,080 --> 01:18:51,000
Speaker 1: was the issue. It's it was supposed to be a

1599
01:18:51,080 --> 01:18:53,360
Speaker 1: nautical theme for Burberry. It could have been just the

1600
01:18:53,479 --> 01:18:55,479
Speaker 1: ropes hanging, but instead it was tied into a noose

1601
01:18:55,520 --> 01:18:59,840
Speaker 1: around your nose, a specific way that a rope is tied, Yes,

1602
01:19:00,040 --> 01:19:03,160
Speaker 1: where it goes from, Oh that's a rope to that's

1603
01:19:03,160 --> 01:19:10,440
Speaker 1: a specifically and um, that is absolutely it's so offensive.

1604
01:19:10,760 --> 01:19:14,040
Speaker 1: That's why that's what got Jesse Smollett. Yeah, that's why

1605
01:19:14,080 --> 01:19:16,320
Speaker 1: he used why he looks like a clown. He was

1606
01:19:16,400 --> 01:19:17,760
Speaker 1: then he was trying to do it all. He was

1607
01:19:17,800 --> 01:19:19,920
Speaker 1: trying to turn this into his moment. And you know what,

1608
01:19:20,720 --> 01:19:24,800
Speaker 1: you guys are talented. You're talented, and I've watched from

1609
01:19:24,840 --> 01:19:28,760
Speaker 1: an outside, I've watched you get better over time, better,

1610
01:19:28,920 --> 01:19:31,519
Speaker 1: much better interview, a much better interview, much more in

1611
01:19:31,600 --> 01:19:35,360
Speaker 1: depth journalistic perspective. When things kudo see you on that

1612
01:19:35,880 --> 01:19:40,599
Speaker 1: your real talent. Unfortunately, we're in an era where fame

1613
01:19:40,680 --> 01:19:45,559
Speaker 1: and talent adds. Yeah, yeah, and people would do anything

1614
01:19:46,040 --> 01:19:48,920
Speaker 1: for fame. You know, it don't sound ridiculous anymore that

1615
01:19:49,000 --> 01:19:51,200
Speaker 1: Kim kardash me at a sex tape. If you can

1616
01:19:51,280 --> 01:19:54,040
Speaker 1: have aff if you know that you a sex tape

1617
01:19:54,040 --> 01:19:56,559
Speaker 1: can get you that you're doing that all day long.

1618
01:19:56,880 --> 01:19:58,599
Speaker 1: We got to move away from that because I don't

1619
01:19:58,640 --> 01:20:03,280
Speaker 1: want the talent to get lost behind that fame. The

1620
01:20:03,479 --> 01:20:06,439
Speaker 1: fame is fu and the talented people who are going

1621
01:20:06,560 --> 01:20:09,200
Speaker 1: like this, you know what, I'm gonna opt out the

1622
01:20:09,280 --> 01:20:12,560
Speaker 1: talent check the fame box because that's working. Fame is

1623
01:20:12,600 --> 01:20:16,599
Speaker 1: getting rewarded and people are doing dumb for fame. That's

1624
01:20:16,600 --> 01:20:18,960
Speaker 1: what Jesse Smollett did it for. He did it for fame.

1625
01:20:19,040 --> 01:20:21,439
Speaker 1: He did it for attention. That drug of attention is

1626
01:20:21,439 --> 01:20:24,760
Speaker 1: a real problem. You did. You took this opportunity and

1627
01:20:24,880 --> 01:20:27,360
Speaker 1: you guys turned it into something that everybody around the

1628
01:20:27,400 --> 01:20:30,080
Speaker 1: world talks about. The breakfast club. It's a privilege to

1629
01:20:30,120 --> 01:20:32,840
Speaker 1: be on the breakfast club. That's talent did that. It

1630
01:20:32,920 --> 01:20:37,960
Speaker 1: wasn't a stupid that did that. We have some stupid happened,

1631
01:20:40,960 --> 01:20:43,280
Speaker 1: but but but but talent got you where you are

1632
01:20:43,680 --> 01:20:46,240
Speaker 1: and and talent's always gonna win in the long run.

1633
01:20:46,479 --> 01:20:52,200
Speaker 1: I agree, Mesty stout Chopper, give me your Instagram, Oh,

1634
01:20:52,800 --> 01:20:55,720
Speaker 1: chopper with six ps, Chopper with six pas which a

1635
01:20:55,840 --> 01:21:00,559
Speaker 1: YouTube page? Okay, and United Masters dot com. You masters

1636
01:21:00,720 --> 01:21:03,640
Speaker 1: at United Masters, United Masters dot Com. And let's go

1637
01:21:03,760 --> 01:21:09,639
Speaker 1: get it. It's the Breakfast Club, the Breakfast Club Morning.

1638
01:21:09,720 --> 01:21:13,640
Speaker 1: Everybody is DJ Envy, Angela Ye, Charlemagne, the god We

1639
01:21:13,760 --> 01:21:16,599
Speaker 1: are the Breakfast Club. What's happening? Good morning? Is Friday?

1640
01:21:16,680 --> 01:21:18,400
Speaker 1: Damn it, it is Friday. Let's get to these rumors

1641
01:21:18,439 --> 01:21:21,880
Speaker 1: to talk to Rockefeller biopic. This is the rum of

1642
01:21:21,920 --> 01:21:32,360
Speaker 1: report with Angela year Breakfast Club. Well, Biggs aka Kareem

1643
01:21:32,439 --> 01:21:35,439
Speaker 1: Biggs Burke just sat down for an interview with Revolt

1644
01:21:35,479 --> 01:21:39,280
Speaker 1: TV and he talked about the Rockefeller biopic that he's

1645
01:21:39,320 --> 01:21:41,120
Speaker 1: working on. You know, he was one of the founders

1646
01:21:41,600 --> 01:21:44,000
Speaker 1: of Rockefeller. He said, yeah, I'm working on it now,

1647
01:21:44,680 --> 01:21:46,519
Speaker 1: and he said the film is going to be like

1648
01:21:46,760 --> 01:21:48,960
Speaker 1: one of the Great Gangs to flix Um. He talks

1649
01:21:48,960 --> 01:21:52,560
Speaker 1: about his story and his story alongside Jay Z and

1650
01:21:52,640 --> 01:21:54,599
Speaker 1: Damon Dash and he said it's going to be told

1651
01:21:54,720 --> 01:21:57,920
Speaker 1: in cinematic stylef similar to The Godfather Part two. I

1652
01:21:58,000 --> 01:22:01,080
Speaker 1: can't see Sean Carter allowing that, And I'm gonna tell

1653
01:22:01,080 --> 01:22:02,479
Speaker 1: you why, because remember when he was supposed to do

1654
01:22:02,560 --> 01:22:05,000
Speaker 1: The Black Book with Dreamhampton and he said it was

1655
01:22:05,320 --> 01:22:07,880
Speaker 1: too personal. Yeah, I feel like Biggs would have to

1656
01:22:07,920 --> 01:22:10,599
Speaker 1: reveal so much personal stuff from that situation. I don't

1657
01:22:10,600 --> 01:22:12,320
Speaker 1: think he want to be a part of that, I said,

1658
01:22:12,560 --> 01:22:15,240
Speaker 1: showing us as kids. He said, it'll probably be separate

1659
01:22:15,280 --> 01:22:17,600
Speaker 1: stories of Jay, damon myself, all the hardships, all the

1660
01:22:17,640 --> 01:22:20,280
Speaker 1: paintings that being evicted, living in a shelter, staying in

1661
01:22:20,320 --> 01:22:22,760
Speaker 1: people's houses and floors for two years, Jay losing his

1662
01:22:22,840 --> 01:22:25,320
Speaker 1: father at four years old, when his father left him,

1663
01:22:25,400 --> 01:22:27,160
Speaker 1: Dame lud his mom at fourteen years old, and having

1664
01:22:27,200 --> 01:22:29,799
Speaker 1: to put himself through private school, all of the hardships.

1665
01:22:29,920 --> 01:22:32,400
Speaker 1: Is it too early for them? No, not at all,

1666
01:22:33,200 --> 01:22:35,720
Speaker 1: not at all, because it seems like Rockefeller is I

1667
01:22:35,720 --> 01:22:37,320
Speaker 1: don't want to say done. But you know, Jay got

1668
01:22:37,400 --> 01:22:41,519
Speaker 1: a new chapter. Biggs as a new chapter, so capping

1669
01:22:41,560 --> 01:22:45,360
Speaker 1: that Rockefeller chapter I would love to set. But now

1670
01:22:45,400 --> 01:22:47,960
Speaker 1: they all have their own different ventures. Absolutely seems so young.

1671
01:22:48,240 --> 01:22:49,720
Speaker 1: Maybe I just want them to see me young because

1672
01:22:49,720 --> 01:22:52,880
Speaker 1: it makes me feel so old. Maybe I always teena

1673
01:22:52,920 --> 01:22:55,120
Speaker 1: when they did. What's love got to do with it? Um?

1674
01:22:55,479 --> 01:22:56,960
Speaker 1: I don't know. It's always a good gauge for me.

1675
01:22:57,080 --> 01:23:00,000
Speaker 1: You're about seventeen when that happened. But I mean rockefell,

1676
01:23:00,120 --> 01:23:03,479
Speaker 1: the records, it doesn't it isn't you know, make putting

1677
01:23:03,520 --> 01:23:05,960
Speaker 1: out records anymore. So since that chapter is done, you

1678
01:23:06,040 --> 01:23:07,880
Speaker 1: can't do something. I'm here for it. I'm watching it.

1679
01:23:08,080 --> 01:23:09,720
Speaker 1: I definitely want to stay it for it, all right.

1680
01:23:09,840 --> 01:23:13,280
Speaker 1: Michael Jackson's never laying a ranch is back on the market.

1681
01:23:13,479 --> 01:23:17,400
Speaker 1: Whooms that right now? The family? Yeah, I would think so.

1682
01:23:18,120 --> 01:23:20,880
Speaker 1: So they're trying to sell it. It's been now rebranded

1683
01:23:21,280 --> 01:23:24,800
Speaker 1: as the Sycamore Valley Ranch. It'sted now in the name

1684
01:23:24,880 --> 01:23:28,479
Speaker 1: of that ranch. Okay for a thirty one six things

1685
01:23:28,520 --> 01:23:31,320
Speaker 1: that happened there. It's been listed for thirty one million dollars. Now.

1686
01:23:31,360 --> 01:23:36,760
Speaker 1: Originally the asking price was one hundred million dollars when

1687
01:23:36,800 --> 01:23:39,639
Speaker 1: they first put it on the market back in twenty fifteen.

1688
01:23:39,960 --> 01:23:42,280
Speaker 1: So according to the real estate agent, they said, the

1689
01:23:42,320 --> 01:23:44,560
Speaker 1: decision to relist what the reduced price was because the

1690
01:23:44,680 --> 01:23:47,040
Speaker 1: timing is right now for new stewardship. Are just gonna

1691
01:23:47,040 --> 01:23:48,960
Speaker 1: turn into a real park. I'm with you, turn into

1692
01:23:49,000 --> 01:23:51,639
Speaker 1: the museum museum slash park. I think I would be dope.

1693
01:23:51,680 --> 01:23:53,280
Speaker 1: People come there, ride to ride, do you know what

1694
01:23:53,320 --> 01:23:56,720
Speaker 1: I'm saying, serve hot dogs. Well, that would have to

1695
01:23:56,920 --> 01:23:58,920
Speaker 1: mean that the family then would still have to maintain it.

1696
01:23:59,400 --> 01:24:02,000
Speaker 1: Maybe not, it would sell itself. Yeah, but maybe they

1697
01:24:02,040 --> 01:24:04,240
Speaker 1: don't feel like having to go through all that. Maybe

1698
01:24:04,600 --> 01:24:06,160
Speaker 1: get a property manager to take care of it, and

1699
01:24:06,439 --> 01:24:09,160
Speaker 1: maybe they'd rather just cash out. I can't speak for

1700
01:24:09,240 --> 01:24:11,479
Speaker 1: what the state or the family wants to do. We

1701
01:24:11,640 --> 01:24:15,439
Speaker 1: do know that that HBO documentary is coming out this weekend,

1702
01:24:15,840 --> 01:24:19,080
Speaker 1: The Leaving Neverland two part four hour documentary with the

1703
01:24:19,160 --> 01:24:22,200
Speaker 1: testimony Wade Ropeson and James Safe Chuck and Oprah is

1704
01:24:22,200 --> 01:24:24,479
Speaker 1: going to be hosting afterwards. They could do a haunted

1705
01:24:24,520 --> 01:24:26,759
Speaker 1: house that Neverland where they have like a Michael Jackson

1706
01:24:26,840 --> 01:24:29,080
Speaker 1: that looks like Momo running through the house scaring people.

1707
01:24:29,280 --> 01:24:31,800
Speaker 1: That would be That's what I'm saying, that all kind

1708
01:24:31,840 --> 01:24:33,400
Speaker 1: of ways to make money with Neverland. I don't know

1709
01:24:33,400 --> 01:24:35,400
Speaker 1: if they want that dope, but that would be dope. Yeah,

1710
01:24:35,439 --> 01:24:37,400
Speaker 1: I mean it's a lot. That would be a huge operation,

1711
01:24:37,439 --> 01:24:39,519
Speaker 1: the people they would have to pay and hire, and

1712
01:24:39,920 --> 01:24:42,000
Speaker 1: maybe they just don't want to do that. Maybe Neverland

1713
01:24:42,080 --> 01:24:44,040
Speaker 1: has too many bad memories for the family now that

1714
01:24:44,280 --> 01:24:48,040
Speaker 1: Michael's not there, they feel bad every time they see it. All. Right, now,

1715
01:24:48,120 --> 01:24:51,240
Speaker 1: let's talk about Jesse Smolette and the brothers who allegedly

1716
01:24:51,280 --> 01:24:53,000
Speaker 1: took part in what they are saying is a stage

1717
01:24:53,040 --> 01:24:55,240
Speaker 1: attack because we still don't know what happened. Now, they

1718
01:24:55,320 --> 01:24:59,799
Speaker 1: have released a statement through their lawyer saying, my clients

1719
01:25:00,000 --> 01:25:02,799
Speaker 1: I have tremendous regret over their involvement in this situation,

1720
01:25:03,160 --> 01:25:05,920
Speaker 1: and they understand how it has impacted people across the nation,

1721
01:25:06,360 --> 01:25:09,799
Speaker 1: particularly minority communities and especially those who have been victims

1722
01:25:09,800 --> 01:25:12,920
Speaker 1: of hate crimes themselves. So that is the statement now,

1723
01:25:13,040 --> 01:25:14,880
Speaker 1: and that's their first statement that they have released a

1724
01:25:14,920 --> 01:25:18,840
Speaker 1: public apology. All right, Ariana Grande and Big Sean, they

1725
01:25:18,880 --> 01:25:22,559
Speaker 1: were spotted together getting a little cozy in his car

1726
01:25:23,320 --> 01:25:26,320
Speaker 1: after a recording studio session in La. They said she

1727
01:25:26,439 --> 01:25:28,360
Speaker 1: was at the studio first, Big Sean showed up after,

1728
01:25:28,720 --> 01:25:30,920
Speaker 1: and then she came outside. She had a dog with them.

1729
01:25:31,160 --> 01:25:33,360
Speaker 1: If you guys remember she did think it was gonna last,

1730
01:25:33,360 --> 01:25:39,160
Speaker 1: because she did even mention that and thank you next butt,

1731
01:25:40,720 --> 01:25:42,960
Speaker 1: and then even in her music video. Her burn book

1732
01:25:43,000 --> 01:25:45,360
Speaker 1: shows that she still thinks that Sean is so cute,

1733
01:25:45,439 --> 01:25:47,400
Speaker 1: so sweet and could still get it. She wrote that

1734
01:25:47,840 --> 01:25:50,920
Speaker 1: in her burn book. So who knows, maybe the two

1735
01:25:50,920 --> 01:25:53,200
Speaker 1: of them will end up. Is he still with Jennico?

1736
01:25:53,320 --> 01:25:56,479
Speaker 1: I don't think so. What I wouldn't want to be

1737
01:25:56,520 --> 01:25:59,200
Speaker 1: a no woman's burn book. That sound crazy. I don't

1738
01:25:59,240 --> 01:26:03,000
Speaker 1: give a ghna read. Yeah, I don't think you in

1739
01:26:03,040 --> 01:26:05,840
Speaker 1: anybody's book anyway, and nobody misses you, bro, Yeah, and

1740
01:26:05,920 --> 01:26:08,000
Speaker 1: I thought you never had an STD All right now,

1741
01:26:08,120 --> 01:26:14,240
Speaker 1: Lila Anthony, so good. Lila Anthony and mel B. They

1742
01:26:14,280 --> 01:26:17,519
Speaker 1: were undropped in Mike in the freestyle battle and Lila

1743
01:26:17,680 --> 01:26:19,720
Speaker 1: went first. Let's see how you think she did. Yo.

1744
01:26:20,240 --> 01:26:22,840
Speaker 1: It's important that I say one thing off the bat.

1745
01:26:22,960 --> 01:26:26,519
Speaker 1: Mel B is an icon. I'll admit that Spice girls

1746
01:26:26,560 --> 01:26:29,360
Speaker 1: were huge, had hits so consistent, but you were nothing

1747
01:26:29,439 --> 01:26:34,080
Speaker 1: more than Victoria's assistant. Mel Are you even trying? I

1748
01:26:34,200 --> 01:26:38,200
Speaker 1: thought you were scary Spice, not terrifying. First singing the

1749
01:26:38,360 --> 01:26:40,439
Speaker 1: foe for disgrace. If you want to be her, love

1750
01:26:40,479 --> 01:26:43,880
Speaker 1: it and you got horrible tastes. Okay, you know come

1751
01:26:43,920 --> 01:26:45,679
Speaker 1: on now, you know La hip hop, come of bron

1752
01:26:47,439 --> 01:26:52,880
Speaker 1: She should have ended it with a all right, next up,

1753
01:26:52,960 --> 01:26:56,320
Speaker 1: mel B. Let's see if she ripped Lola. Lola used

1754
01:26:56,360 --> 01:26:58,519
Speaker 1: to be a VJ to correct me if I'm wrong,

1755
01:26:58,800 --> 01:27:01,519
Speaker 1: But all she ever did with introduced might hit songs.

1756
01:27:01,800 --> 01:27:05,240
Speaker 1: She was so good awful if you remember because of

1757
01:27:05,320 --> 01:27:08,840
Speaker 1: her MTV stop playing videos forever you write the ball,

1758
01:27:09,080 --> 01:27:11,240
Speaker 1: you can't bring a title home. So he gave you

1759
01:27:11,360 --> 01:27:13,360
Speaker 1: a ring, but he can't get one of his owns.

1760
01:27:13,680 --> 01:27:16,400
Speaker 1: Come us a ball? Who takes it to the glass.

1761
01:27:16,640 --> 01:27:21,120
Speaker 1: So you're the first time ever that he wished it passed. Wow,

1762
01:27:21,560 --> 01:27:30,320
Speaker 1: delivery was trash? Sounds too polite. But whoever was how

1763
01:27:30,360 --> 01:27:32,439
Speaker 1: you know she didn't write now? I don't know delivery

1764
01:27:32,560 --> 01:27:35,719
Speaker 1: was trash? That's why. But VJAS is supposed to introduce videos.

1765
01:27:35,800 --> 01:27:38,080
Speaker 1: That's what they'll stop it. You take the person that

1766
01:27:38,200 --> 01:27:40,720
Speaker 1: stop it. God awful. I don't remember a lot of

1767
01:27:40,800 --> 01:27:43,080
Speaker 1: being god awful and on direct effects back in the

1768
01:27:43,160 --> 01:27:44,880
Speaker 1: day he might only five minutes after he said not

1769
01:27:45,040 --> 01:27:49,080
Speaker 1: god awful? Is that what she wasn't? That's all you

1770
01:27:49,120 --> 01:27:51,559
Speaker 1: have to say. You have to say god awful? All right?

1771
01:27:51,600 --> 01:27:55,000
Speaker 1: Well it is Friday, and uh, you know, I don't

1772
01:27:55,000 --> 01:27:56,559
Speaker 1: know if you were here Shan Lamine when Envy said

1773
01:27:56,600 --> 01:27:58,439
Speaker 1: this yesterday, but you know the way we close out

1774
01:27:58,479 --> 01:28:01,720
Speaker 1: every Friday from now one freaky freaky Friday, right, Yeah,

1775
01:28:01,840 --> 01:28:04,400
Speaker 1: you had the job John most holding out of here

1776
01:28:04,800 --> 01:28:07,760
Speaker 1: by by time, holding it out of here, all right,

1777
01:28:07,920 --> 01:28:12,160
Speaker 1: So that's what we gotta do because it's wow wow,

1778
01:28:13,200 --> 01:28:17,080
Speaker 1: Vy is crazy wow. I'm sure that was taken out

1779
01:28:17,080 --> 01:28:21,200
Speaker 1: of context. I'm sure I was taking out of freaky

1780
01:28:22,200 --> 01:28:27,960
Speaker 1: way it again, holding it out of here, I'm closing,

1781
01:28:28,000 --> 01:28:30,639
Speaker 1: never mind, does it close to explain how this could

1782
01:28:30,640 --> 01:28:32,679
Speaker 1: be taken out of context? I don't want to revote.

1783
01:28:32,720 --> 01:28:35,840
Speaker 1: We'll see you guys tomorrow. Everybody else do whatever he does,

1784
01:28:36,080 --> 01:28:41,719
Speaker 1: shout to it. Ja Rule's birthday is on an eleap

1785
01:28:41,800 --> 01:28:44,799
Speaker 1: hear on eleapyar, so he didn't get the celebrated yesterday,

1786
01:28:44,920 --> 01:28:47,000
Speaker 1: knowing as he's celebrated today, So we're gonna celebrate it

1787
01:28:47,080 --> 01:28:48,920
Speaker 1: right now. For you don't know when he's celebrated. I

1788
01:28:48,920 --> 01:28:50,840
Speaker 1: don't know, but the birthday. How do you know he's

1789
01:28:50,840 --> 01:28:52,760
Speaker 1: not celebrating it today. I saw a picture of him

1790
01:28:52,760 --> 01:28:54,639
Speaker 1: on the golf course. His birthdays on the twenty nine.

1791
01:28:55,000 --> 01:28:57,600
Speaker 1: Today is the first. Yesterday is the twenty eight, so

1792
01:28:57,720 --> 01:28:59,920
Speaker 1: he's celebrating today. So we celebrating form. We're gonna get

1793
01:28:59,920 --> 01:29:01,640
Speaker 1: it to a job Rule mix. Let me know your

1794
01:29:01,680 --> 01:29:03,760
Speaker 1: favorite job joint? What I don't think you want you

1795
01:29:03,800 --> 01:29:07,920
Speaker 1: at this part? Got here would open Buttholes club he

1796
01:29:07,960 --> 01:29:11,439
Speaker 1: can close, I can close it. H I'm closing my

1797
01:29:11,479 --> 01:29:14,800
Speaker 1: butter whole. I'm getting out of him now. The breakfast club,

1798
01:29:14,920 --> 01:29:19,040
Speaker 1: your morning's will never be the same morning. Everybody's DJ

1799
01:29:19,560 --> 01:29:22,759
Speaker 1: Mvy Angela Yee, Charlomagne, the guy we all the breakfast

1800
01:29:22,800 --> 01:29:24,720
Speaker 1: club that shout the Two Chains for joining us this

1801
01:29:24,880 --> 01:29:28,320
Speaker 1: morning to change. His album is out now, Rapper go

1802
01:29:28,479 --> 01:29:30,600
Speaker 1: to the no what is it called, Rapper go to

1803
01:29:30,640 --> 01:29:34,080
Speaker 1: the League. It's a lot of good music out. I mean,

1804
01:29:34,120 --> 01:29:36,519
Speaker 1: you got a really salute at Lanta, the Offset album,

1805
01:29:36,600 --> 01:29:38,800
Speaker 1: the Two Chains album, I Hurt. Gunner's album is good.

1806
01:29:38,920 --> 01:29:41,439
Speaker 1: I haven't heard it chet. Oh yeah, Lane put out

1807
01:29:41,439 --> 01:29:43,320
Speaker 1: a little vibe for the wife, for you and for

1808
01:29:43,400 --> 01:29:45,920
Speaker 1: you and the wife this weekend. It's a lot of

1809
01:29:46,000 --> 01:29:49,320
Speaker 1: good music out, man. Yeah, and all the week and long.

1810
01:29:49,320 --> 01:29:51,080
Speaker 1: I'm gonna be I'm gonna listen to Slange album on

1811
01:29:51,120 --> 01:29:52,960
Speaker 1: Monday because all week and long I'm out in Charlotte

1812
01:29:52,960 --> 01:29:54,960
Speaker 1: for see how double a. Oh yeah, Solange album is

1813
01:29:54,960 --> 01:29:58,439
Speaker 1: definitely not Cundy. Now maybe early in the morning, you

1814
01:29:58,479 --> 01:30:00,599
Speaker 1: know what I'm saying, Like, if you just vibe meditating

1815
01:30:00,640 --> 01:30:03,160
Speaker 1: on a balcony somewhere, maybe I doubt I doubt it

1816
01:30:03,200 --> 01:30:06,360
Speaker 1: though I'll vibe, but that Monday. So tonight I'm gonna

1817
01:30:06,360 --> 01:30:08,760
Speaker 1: be at Candy Ball with mister Ruggs. And then of

1818
01:30:08,840 --> 01:30:12,920
Speaker 1: course Saturday is our Breakfast Clus. You can't just slide

1819
01:30:12,960 --> 01:30:15,839
Speaker 1: over that. What's up, Rugs? That's my guy in Saturday

1820
01:30:16,200 --> 01:30:19,200
Speaker 1: the Breakfast Club Day party, our annual day party shout

1821
01:30:19,320 --> 01:30:21,760
Speaker 1: to Louis VS. Is also his birthday celebration. So we're

1822
01:30:21,760 --> 01:30:25,559
Speaker 1: gonna be partying for Louis V. Saturday, Louis V. Saturday Night,

1823
01:30:25,600 --> 01:30:29,320
Speaker 1: howel at the morning, and Sunday Lucky's Ball in Allcade

1824
01:30:29,320 --> 01:30:31,280
Speaker 1: and then I'll be back Sunday nights. Well, listen, I'm

1825
01:30:31,320 --> 01:30:33,280
Speaker 1: gonna be listening to Solange's album because I'm gonna be

1826
01:30:33,320 --> 01:30:35,680
Speaker 1: in my car in a nice three hour drive. I'm

1827
01:30:35,720 --> 01:30:37,599
Speaker 1: going to Albany and I'll actually be on our Black

1828
01:30:37,680 --> 01:30:40,720
Speaker 1: Women in Media panel that's presented by Sunni Albany's and

1829
01:30:40,800 --> 01:30:44,160
Speaker 1: Double ACP. And that's gonna be with Ashley Sharpton and

1830
01:30:44,320 --> 01:30:46,400
Speaker 1: Rakia May So that should be really fun. So if

1831
01:30:46,439 --> 01:30:48,320
Speaker 1: you guys are in Albany, made sure are you come

1832
01:30:48,439 --> 01:30:52,160
Speaker 1: through for this Women of Color in Media, Women Black

1833
01:30:52,200 --> 01:30:54,320
Speaker 1: Women in Media panel that we have going on. I'll

1834
01:30:54,360 --> 01:30:56,400
Speaker 1: be doing absolutely nothing Okay, my daughter got a Chile

1835
01:30:56,400 --> 01:30:59,519
Speaker 1: eating competition this weekend. Okay, that's what I will be doing.

1836
01:30:59,600 --> 01:31:01,320
Speaker 1: That's a guy. I was just sitting there watching. But

1837
01:31:01,360 --> 01:31:02,880
Speaker 1: if you do want to support anything that I do,

1838
01:31:03,040 --> 01:31:05,479
Speaker 1: you can always, uh, you know, go to PBS dot

1839
01:31:05,600 --> 01:31:08,559
Speaker 1: org and watch Buccari Sellers while I breathe of I hope.

1840
01:31:08,720 --> 01:31:10,400
Speaker 1: Or you can go to Hulu and watch Norieggers on

1841
01:31:10,439 --> 01:31:13,400
Speaker 1: the Run Eating. Okay, a couple couple of things I

1842
01:31:13,439 --> 01:31:16,559
Speaker 1: executive produced. All right, while you're sitting around doing nothing

1843
01:31:16,600 --> 01:31:18,559
Speaker 1: like me, you can watch that, watch all of those things.

1844
01:31:18,600 --> 01:31:20,200
Speaker 1: You know what I'm gonna be watching too after that

1845
01:31:20,360 --> 01:31:24,360
Speaker 1: this weekend? What's that that Teddy Pendergrass movie. I started listening.

1846
01:31:24,400 --> 01:31:27,280
Speaker 1: I am so excited, so good on Showtime. Yeah, the

1847
01:31:27,320 --> 01:31:29,000
Speaker 1: documentary I saw. I watched that, and I watched the

1848
01:31:29,200 --> 01:31:31,759
Speaker 1: Sam Cook documentary. I watched the Sam Cook one already.

1849
01:31:32,040 --> 01:31:34,800
Speaker 1: I thought that Teddy Pendergrass one was on Netflix, so

1850
01:31:34,880 --> 01:31:37,360
Speaker 1: I looked on that back time. Yeah, but it's on Showtime.

1851
01:31:37,439 --> 01:31:41,599
Speaker 1: So hey, drop one of clues bomb for Tyrese. Tyre's

1852
01:31:41,600 --> 01:31:44,080
Speaker 1: back working man, he's back working. If they just announced

1853
01:31:44,080 --> 01:31:46,840
Speaker 1: the Teddy Pendergrass movie is getting the production yesterday. He's

1854
01:31:46,880 --> 01:31:49,599
Speaker 1: playing Teddy pender Grass. That's right. So Lee Daniels is directed.

1855
01:31:49,760 --> 01:31:52,080
Speaker 1: Let me so we are not boycotting Guci anymore? Is

1856
01:31:52,120 --> 01:31:54,519
Speaker 1: it over? Because I's even Lee Daniels wearing a Gucci sweater.

1857
01:31:54,600 --> 01:31:56,479
Speaker 1: They're in the post he post yesterday, Daniels. Don't give

1858
01:31:56,479 --> 01:31:58,320
Speaker 1: a damn ball what y'all doing. Okay, that's what. No,

1859
01:31:59,120 --> 01:32:01,200
Speaker 1: that's what. By the way, that post was before the

1860
01:32:01,240 --> 01:32:03,439
Speaker 1: Gucci boycott though it was before yeah, because that was

1861
01:32:03,479 --> 01:32:06,680
Speaker 1: after they did the pitch meeting for the movie. While ago.

1862
01:32:06,760 --> 01:32:09,080
Speaker 1: I just want to make sure, all right, all right

1863
01:32:09,120 --> 01:32:10,800
Speaker 1: when we come back, positive note, don't move. It's the

1864
01:32:10,840 --> 01:32:15,200
Speaker 1: Breakfast Club. Good morning, morning. Everybody is DJ Envy Angela Yee.

1865
01:32:15,280 --> 01:32:19,120
Speaker 1: Charlemagne the guy. We all the Breakfast Club. Now, um,

1866
01:32:19,439 --> 01:32:23,120
Speaker 1: you guys have a great weekend, Charlemagne. Yes, you know

1867
01:32:23,160 --> 01:32:25,160
Speaker 1: I have a positive note for the people. Yes, man,

1868
01:32:25,200 --> 01:32:26,560
Speaker 1: I mean I got a positive note. I want to

1869
01:32:26,600 --> 01:32:28,400
Speaker 1: say salute to y'all. Enjoy the weekend. But I want

1870
01:32:28,439 --> 01:32:30,479
Speaker 1: to tell you, man, don't waste words on people who

1871
01:32:30,560 --> 01:32:33,280
Speaker 1: deserve your silence. Sometimes the most powerful thing you can

1872
01:32:33,320 --> 01:32:36,719
Speaker 1: say is nothing at all. Remember that this weekend Breakfast

1873
01:32:36,760 --> 01:32:38,960
Speaker 1: club you'll finish for y'all dumb