1 00:00:00,200 --> 00:00:02,800 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:02,840 --> 00:00:04,800 Speaker 1: am your host Movie Mike. Today I want to share 3 00:00:04,840 --> 00:00:07,680 Speaker 1: with you my top five movies I want to be 4 00:00:07,760 --> 00:00:09,760 Speaker 1: alive to see. I know what's kind of a morbid topic. 5 00:00:09,800 --> 00:00:12,119 Speaker 1: It is Halloween week. I'm not doing a horror theme 6 00:00:12,760 --> 00:00:16,240 Speaker 1: or scary movie episode, but to some that topic might 7 00:00:16,280 --> 00:00:18,880 Speaker 1: be a little bit morbid. In the movie review, we'll 8 00:00:18,880 --> 00:00:21,840 Speaker 1: be talking about the conclusion to the Venom franchise, Venom 9 00:00:21,880 --> 00:00:25,440 Speaker 1: the Last Dance. Did it live up to the expectations 10 00:00:25,440 --> 00:00:27,800 Speaker 1: of closing out well? I don't know if anybody has 11 00:00:27,840 --> 00:00:31,360 Speaker 1: real expectations about Venom. The movies have been fun. Where 12 00:00:31,360 --> 00:00:34,400 Speaker 1: does this one lie compared to the other two? And 13 00:00:34,440 --> 00:00:35,960 Speaker 1: in the trailer park, we'll take a look at the 14 00:00:36,040 --> 00:00:40,199 Speaker 1: john Wick spinoff starring Ana the Ottamas Ballerina. Thank you 15 00:00:40,240 --> 00:00:42,599 Speaker 1: for being here, Thank you for being subscribed. Shout out 16 00:00:42,640 --> 00:00:45,000 Speaker 1: to the Monday Morning movie crew. I love you guys. 17 00:00:45,320 --> 00:00:47,000 Speaker 1: And now let's talk movies. 18 00:00:47,360 --> 00:00:50,520 Speaker 2: In a world where everyone and their mother has a podcast, 19 00:00:51,040 --> 00:00:54,960 Speaker 2: one man stands to infiltrate the ears of listeners like 20 00:00:55,040 --> 00:00:57,480 Speaker 2: never before in a movie podcast. 21 00:00:58,200 --> 00:00:59,920 Speaker 1: A man with so much movie nalla. 22 00:01:00,440 --> 00:01:05,200 Speaker 2: He's basically like a walking ONMTB with glasses from the 23 00:01:05,280 --> 00:01:06,760 Speaker 2: Nashville Podcast Network. 24 00:01:06,959 --> 00:01:11,800 Speaker 1: This is movie Mike, some movie podcast. Some major movie 25 00:01:11,840 --> 00:01:14,880 Speaker 1: news dropped last week and it got me thinking, I 26 00:01:14,959 --> 00:01:17,560 Speaker 1: want to be alive to see this movie. So I 27 00:01:17,600 --> 00:01:19,880 Speaker 1: decided to put together a list of my top five 28 00:01:19,920 --> 00:01:22,040 Speaker 1: movies I want to be alive to see. I'm not 29 00:01:22,080 --> 00:01:26,160 Speaker 1: sick or anything, but anytime a movie gets announced, just announce, 30 00:01:26,240 --> 00:01:28,920 Speaker 1: not even that they're working on it or there's a 31 00:01:28,959 --> 00:01:32,200 Speaker 1: script or a director attached, just when it gets announced, 32 00:01:32,319 --> 00:01:34,600 Speaker 1: just the hype on that. I get excited. But I 33 00:01:34,640 --> 00:01:38,000 Speaker 1: also think, man, am I gonna be alive to see 34 00:01:38,000 --> 00:01:41,080 Speaker 1: this movie? That is always how I feel, especially with 35 00:01:41,240 --> 00:01:44,040 Speaker 1: all of the MCU movies where they announce their slate 36 00:01:44,480 --> 00:01:46,640 Speaker 1: and they're like, boy, do we have a movie coming 37 00:01:46,680 --> 00:01:49,800 Speaker 1: for you in twenty twenty six and twenty twenty seven. 38 00:01:50,520 --> 00:01:52,960 Speaker 1: I'm like, I need this now. And it's not that 39 00:01:53,080 --> 00:01:55,840 Speaker 1: I'm sick or have any reason to believe I'm gonna 40 00:01:55,880 --> 00:01:58,280 Speaker 1: drop dead in my thirties, but I think I have 41 00:01:58,400 --> 00:02:01,720 Speaker 1: this anxiety of something bad is always going to happen. 42 00:02:01,800 --> 00:02:03,400 Speaker 1: If you want to take a look inside my brain, 43 00:02:03,520 --> 00:02:07,200 Speaker 1: I always feel like there is something looming happening. I 44 00:02:07,200 --> 00:02:09,119 Speaker 1: almost feel like when I go to sleep at night, 45 00:02:09,160 --> 00:02:12,399 Speaker 1: there is a sword dangling ride above me that could 46 00:02:12,440 --> 00:02:15,880 Speaker 1: come down at any time. Welcome to the podcast. My 47 00:02:16,000 --> 00:02:18,560 Speaker 1: name is Mike, and I suffer from anxiety. That is 48 00:02:18,600 --> 00:02:21,760 Speaker 1: just how I feel. And one of my biggest things 49 00:02:21,800 --> 00:02:25,840 Speaker 1: about living to see the next day is I really 50 00:02:25,919 --> 00:02:28,720 Speaker 1: do it. Not only to enjoy my wife, my family, 51 00:02:28,760 --> 00:02:31,600 Speaker 1: and friends, but I want to see all these movies 52 00:02:31,639 --> 00:02:34,040 Speaker 1: that are getting announced because my biggest fear in life 53 00:02:34,160 --> 00:02:37,359 Speaker 1: is not dying, but it is dying and not knowing 54 00:02:37,680 --> 00:02:40,640 Speaker 1: how they're going to do some of these movies, especially 55 00:02:40,720 --> 00:02:44,080 Speaker 1: ones that have been rumored for so long. If I 56 00:02:44,120 --> 00:02:46,560 Speaker 1: went away and I got to Heaven or maybe Hell, 57 00:02:46,720 --> 00:02:48,360 Speaker 1: I hope I don't get to Hell. But if I 58 00:02:48,560 --> 00:02:52,359 Speaker 1: die and they don't have a movie theater wherever I go, 59 00:02:53,320 --> 00:02:56,160 Speaker 1: no way of me seeing any of these movies. I 60 00:02:56,200 --> 00:02:59,360 Speaker 1: am coming back as a ghost and I will be 61 00:02:59,480 --> 00:03:02,480 Speaker 1: in the rear you go in Nashville, sitting there to 62 00:03:02,560 --> 00:03:05,880 Speaker 1: watch these movies. That is gonna be my unfinished business. 63 00:03:06,080 --> 00:03:08,480 Speaker 1: And that is what keeps me up at night. And 64 00:03:08,520 --> 00:03:11,800 Speaker 1: I get so excited when they announce these movies. But 65 00:03:12,280 --> 00:03:15,080 Speaker 1: when it's three four or five years away. I'm like, 66 00:03:15,280 --> 00:03:17,720 Speaker 1: why does it have to be so long? Can't you 67 00:03:17,800 --> 00:03:20,200 Speaker 1: go film it now so I can watch it tomorrow, 68 00:03:20,480 --> 00:03:23,720 Speaker 1: maybe by Friday. But that's not the way the world works. 69 00:03:23,760 --> 00:03:25,840 Speaker 1: I also think we live in a world now where 70 00:03:25,880 --> 00:03:30,040 Speaker 1: we get so much information all the time about everything. 71 00:03:30,440 --> 00:03:33,239 Speaker 1: Back in the nineties, we did not look I sound 72 00:03:33,280 --> 00:03:35,720 Speaker 1: like a freakin' boomer right now. Back in my day, 73 00:03:35,840 --> 00:03:37,480 Speaker 1: Back when I was a kid in the nineties, or 74 00:03:37,520 --> 00:03:40,920 Speaker 1: even the two thousands, maybe later in like the twenty tens, 75 00:03:41,200 --> 00:03:45,800 Speaker 1: we didn't know about every phase of every movie at 76 00:03:45,840 --> 00:03:49,160 Speaker 1: every single time. And that is why it feels like now, 77 00:03:49,160 --> 00:03:52,080 Speaker 1: whenever a movie finally comes out in theaters, we've known 78 00:03:52,120 --> 00:03:55,640 Speaker 1: about it forever because we hear the moment it gets announced. 79 00:03:55,680 --> 00:03:57,640 Speaker 1: We hear the moment a director gets attached to it. 80 00:03:57,680 --> 00:04:00,280 Speaker 1: We hear the moment a script is done, and we 81 00:04:00,320 --> 00:04:03,520 Speaker 1: hear another moment when that director drops out and they recast. 82 00:04:03,840 --> 00:04:07,880 Speaker 1: We get reported on every aspect of the process to 83 00:04:07,920 --> 00:04:10,560 Speaker 1: by the time the movie actually comes out in theaters, 84 00:04:11,000 --> 00:04:14,120 Speaker 1: we are exhausted. We feel like we've known everything about 85 00:04:14,120 --> 00:04:18,159 Speaker 1: this movie. We've seen trailer after trailer after trailer. Sometimes 86 00:04:18,200 --> 00:04:20,040 Speaker 1: I wish we could just go back to that time 87 00:04:20,120 --> 00:04:21,919 Speaker 1: where we see a trailer and be like, Oh, I 88 00:04:21,960 --> 00:04:23,280 Speaker 1: want to go see that, and then it comes down 89 00:04:23,320 --> 00:04:26,880 Speaker 1: in theaters. We're not sitting here looking at pictures on 90 00:04:27,000 --> 00:04:30,160 Speaker 1: threads trying to decide if that really is the look 91 00:04:30,160 --> 00:04:32,920 Speaker 1: of Superman? Is this gonna be in this movie? Are 92 00:04:32,920 --> 00:04:35,720 Speaker 1: they going to tease this character? And a lot of 93 00:04:35,760 --> 00:04:38,920 Speaker 1: how I feel and in describing here is frustrations with 94 00:04:39,240 --> 00:04:44,000 Speaker 1: superhero comic book culture. That is kind of the nature 95 00:04:44,200 --> 00:04:47,960 Speaker 1: of this relationship we have Harvard. We want to know 96 00:04:48,040 --> 00:04:50,280 Speaker 1: all the things, we want to know the things being teased, 97 00:04:50,320 --> 00:04:53,120 Speaker 1: So a bit of it it is a product of 98 00:04:53,200 --> 00:04:56,080 Speaker 1: how we treat these movies. But there are cases with 99 00:04:56,400 --> 00:04:58,520 Speaker 1: other types of movies too, so you're even going to 100 00:04:58,560 --> 00:05:00,719 Speaker 1: see that reflected in this list. So what I did 101 00:05:00,960 --> 00:05:02,960 Speaker 1: is I put together my top five of movies I 102 00:05:02,960 --> 00:05:05,360 Speaker 1: want to be alive to see that are already announced. 103 00:05:05,560 --> 00:05:09,520 Speaker 1: They are either already have their own release date or 104 00:05:09,839 --> 00:05:13,080 Speaker 1: the idea of these movies are actually out and they 105 00:05:13,080 --> 00:05:15,240 Speaker 1: are going to happen at some point. And then I 106 00:05:15,240 --> 00:05:18,200 Speaker 1: also did my top five movies that have no indication 107 00:05:18,320 --> 00:05:20,960 Speaker 1: that they are actually happening, but they are movies that 108 00:05:21,040 --> 00:05:23,880 Speaker 1: in my lifetime I want to see come to fruition. 109 00:05:24,120 --> 00:05:26,640 Speaker 1: So let's get the list started. Now. At number five 110 00:05:26,839 --> 00:05:30,640 Speaker 1: is Christopher Nolan's untitled project, The news of This really 111 00:05:30,720 --> 00:05:33,240 Speaker 1: just broke last week. It is supposed to come out 112 00:05:33,240 --> 00:05:37,200 Speaker 1: in theaters July seventeenth, twenty twenty six. It is being 113 00:05:37,560 --> 00:05:41,120 Speaker 1: written and directed by Christopher Nolan, and as of now, 114 00:05:41,560 --> 00:05:45,760 Speaker 1: it stars Matt Damon, Tom Holland, and Florence Pugh. So 115 00:05:45,920 --> 00:05:49,640 Speaker 1: Christopher Nolan now kind of creating his own new cast 116 00:05:49,720 --> 00:05:52,960 Speaker 1: of characters, like a new pool, because Christopher Nolan since 117 00:05:53,000 --> 00:05:56,839 Speaker 1: his first early films, has always gone to the same 118 00:05:57,040 --> 00:06:00,760 Speaker 1: cast of actors, which I love because I that gives 119 00:06:00,800 --> 00:06:03,919 Speaker 1: a director their identity, their brand of who they like 120 00:06:04,000 --> 00:06:06,040 Speaker 1: to work with. If I'm going to watch a Christopher 121 00:06:06,040 --> 00:06:09,840 Speaker 1: Nolan movie, I'm probably gonna get Killian Murphy. I'm probably 122 00:06:09,839 --> 00:06:13,960 Speaker 1: gonna get Christian Bale in some capacity. Matt Damon was 123 00:06:14,200 --> 00:06:18,480 Speaker 1: in Oppenheimer, so maybe that's now them forming a relationship. 124 00:06:18,520 --> 00:06:22,799 Speaker 1: Florence Pugh was also in Oppenheimer. Tom Holland was probably 125 00:06:22,880 --> 00:06:26,360 Speaker 1: the only actor in Hollywood that was not in Oppenheimer. 126 00:06:26,400 --> 00:06:29,640 Speaker 1: There were so many people in that massive, massive cast 127 00:06:29,720 --> 00:06:33,400 Speaker 1: and whenever that movie got announced, I was thinking, Christopher 128 00:06:33,440 --> 00:06:36,000 Speaker 1: Nolan doing a bio pick of somebody I really have 129 00:06:36,240 --> 00:06:39,000 Speaker 1: no idea about their life what that movie is going 130 00:06:39,040 --> 00:06:41,400 Speaker 1: to entail. And I went to go see that and 131 00:06:41,600 --> 00:06:44,480 Speaker 1: was completely blown away by it. I still stand by 132 00:06:44,480 --> 00:06:47,039 Speaker 1: my five out of five rating with that. The only 133 00:06:47,120 --> 00:06:50,880 Speaker 1: movie of Christopher Nolan's in recent history that I was 134 00:06:50,920 --> 00:06:53,200 Speaker 1: a little bit confused by the premise when it was 135 00:06:53,240 --> 00:06:56,600 Speaker 1: first announced, And that's normally what happens with Christopher Nolan. 136 00:06:56,680 --> 00:06:59,080 Speaker 1: He is so ahead of his time and forward thinking 137 00:06:59,080 --> 00:07:01,719 Speaker 1: when it comes to film that a lot of his movies, 138 00:07:01,800 --> 00:07:04,720 Speaker 1: like Interstellar Inception are movies that you might not get 139 00:07:04,760 --> 00:07:06,680 Speaker 1: the first time you go see it in theaters or 140 00:07:06,720 --> 00:07:09,039 Speaker 1: sit down to watch it at home. They often take 141 00:07:09,080 --> 00:07:11,760 Speaker 1: a good two sometimes three times to rewatch to fully 142 00:07:11,880 --> 00:07:14,480 Speaker 1: understand them. But for me, the movie that I was 143 00:07:14,520 --> 00:07:16,840 Speaker 1: confused by when it was first announced and was still 144 00:07:16,840 --> 00:07:19,360 Speaker 1: confused by when I saw it for the first time 145 00:07:19,640 --> 00:07:22,400 Speaker 1: was Tenant. But with this new film, I kind of 146 00:07:22,400 --> 00:07:25,640 Speaker 1: feel the same way I felt about Tenant is I 147 00:07:25,680 --> 00:07:28,320 Speaker 1: don't know how he is going to make this premise good, 148 00:07:28,680 --> 00:07:31,080 Speaker 1: but I have faith in him because the movie is 149 00:07:31,160 --> 00:07:35,600 Speaker 1: allegedly going to be a nineteen twenties period horror movie 150 00:07:35,920 --> 00:07:40,080 Speaker 1: about vampires with Tom Holland and Matt Damon and Florence 151 00:07:40,240 --> 00:07:43,920 Speaker 1: Pugh thrown in there somewhere, and for me, I really 152 00:07:43,960 --> 00:07:47,000 Speaker 1: don't love period pieces, especially going back to the twenties, 153 00:07:47,200 --> 00:07:51,800 Speaker 1: where I can't even associate what twenties culture is, aside 154 00:07:51,800 --> 00:07:55,360 Speaker 1: from people like mah, she she you haven't met my 155 00:07:55,440 --> 00:07:58,880 Speaker 1: Tommy gunh that is kind of what I associate the 156 00:07:58,920 --> 00:08:03,600 Speaker 1: twenties with. And to put a horror movie where Christopher 157 00:08:03,640 --> 00:08:06,800 Speaker 1: Nolan hasn't done a horror movie. The closest I feel 158 00:08:06,840 --> 00:08:09,840 Speaker 1: he has really gotten to the horror genre was probably 159 00:08:09,960 --> 00:08:14,600 Speaker 1: Insomnia with Robin Williams and Al Pacino, but it was 160 00:08:14,640 --> 00:08:18,600 Speaker 1: really more of a thriller. But based on the performances 161 00:08:18,600 --> 00:08:21,360 Speaker 1: in that movie, you could paint that movie out to 162 00:08:21,440 --> 00:08:23,840 Speaker 1: be a horror movie. It had some of those elements, 163 00:08:23,880 --> 00:08:26,840 Speaker 1: but a straight on horror film he has not done. 164 00:08:26,920 --> 00:08:29,680 Speaker 1: So maybe he wants to dip into that genre because 165 00:08:29,720 --> 00:08:32,120 Speaker 1: I feel like every great director has dipped their toes 166 00:08:32,120 --> 00:08:34,160 Speaker 1: in horror and that is exciting to me. It was 167 00:08:34,200 --> 00:08:38,240 Speaker 1: also cool seeing how Tom Holland reacted to getting cast 168 00:08:38,280 --> 00:08:41,560 Speaker 1: in this movie, which is a huge deal. Tom Holland 169 00:08:41,559 --> 00:08:45,000 Speaker 1: has been so in demand in the last I would say, 170 00:08:45,040 --> 00:08:48,319 Speaker 1: even just four years altogether, and for him to get 171 00:08:48,320 --> 00:08:50,760 Speaker 1: a call and say that it was very reminiscent of 172 00:08:50,800 --> 00:08:52,960 Speaker 1: the time that he got the phone call that he 173 00:08:53,080 --> 00:08:55,760 Speaker 1: was going to be Spider Man. To think to work 174 00:08:55,800 --> 00:09:00,000 Speaker 1: with that caliber of director, which I really believe now 175 00:09:01,120 --> 00:09:04,640 Speaker 1: that you can't really put all your money and investment 176 00:09:04,720 --> 00:09:08,120 Speaker 1: and time into just a list actors. I think when 177 00:09:08,160 --> 00:09:11,880 Speaker 1: you really look at the greatest movies in history, they 178 00:09:11,960 --> 00:09:15,600 Speaker 1: have to have a great director. I think an a 179 00:09:15,760 --> 00:09:20,840 Speaker 1: list director has much more longevity and impact in film 180 00:09:20,960 --> 00:09:24,480 Speaker 1: than an A list actor because without these people creating 181 00:09:24,520 --> 00:09:30,280 Speaker 1: these unforgettable experiences and having these amazing visions, I feel 182 00:09:30,280 --> 00:09:33,120 Speaker 1: like that is a foundation of filmmaking and the foundation 183 00:09:33,320 --> 00:09:37,640 Speaker 1: of movies that have really affected and stayed inside of 184 00:09:37,679 --> 00:09:40,480 Speaker 1: our lives, in movies that we rewatch time and time again. 185 00:09:40,880 --> 00:09:45,400 Speaker 1: And sometimes you don't always feel that. I feel generally 186 00:09:45,559 --> 00:09:47,719 Speaker 1: probably if you're walking down the street and talk to 187 00:09:47,760 --> 00:09:50,680 Speaker 1: people about their favorite movies, sometimes they have no idea 188 00:09:50,679 --> 00:09:53,240 Speaker 1: who directed them. But if you broke it down and 189 00:09:53,280 --> 00:09:55,600 Speaker 1: looked at the movies that have had the most impact 190 00:09:55,640 --> 00:09:58,880 Speaker 1: in America that people would say are their most favorite 191 00:09:58,920 --> 00:10:01,880 Speaker 1: films of all time. What you would see is a 192 00:10:01,920 --> 00:10:05,400 Speaker 1: great director behind all of those movies who have done 193 00:10:05,640 --> 00:10:09,840 Speaker 1: multiple really great movies. And I feel, especially with Christopher Nolan, 194 00:10:09,960 --> 00:10:14,560 Speaker 1: he is responsible for keeping some actors careers alive who 195 00:10:14,640 --> 00:10:18,439 Speaker 1: otherwise maybe wouldn't have had the longevity that they had. 196 00:10:18,840 --> 00:10:22,160 Speaker 1: That is exactly what Anne Hathaway said that Christopher Nolan 197 00:10:22,200 --> 00:10:25,280 Speaker 1: did for her career, that without him casting her in 198 00:10:25,360 --> 00:10:28,520 Speaker 1: his movies, her career maybe would have died out. So 199 00:10:28,600 --> 00:10:30,360 Speaker 1: I can't wait to see what this movie is about. 200 00:10:30,400 --> 00:10:32,800 Speaker 1: I just have to stay alive until twenty twenty six. 201 00:10:32,960 --> 00:10:36,760 Speaker 1: At number two, I have The Batman, which is supposed 202 00:10:36,800 --> 00:10:40,240 Speaker 1: to come out O this one hurts October second, twenty 203 00:10:40,280 --> 00:10:42,800 Speaker 1: twenty six. And I guess the crazy part of this 204 00:10:43,120 --> 00:10:45,880 Speaker 1: is that we're almost all the way through twenty twenty four, 205 00:10:46,400 --> 00:10:49,360 Speaker 1: so twenty twenty five isn't that far away at this 206 00:10:49,480 --> 00:10:53,160 Speaker 1: point in time. But October second, twenty twenty six, I mean, 207 00:10:53,160 --> 00:10:56,319 Speaker 1: it's still October now. To have to wait another two 208 00:10:56,440 --> 00:10:59,679 Speaker 1: years for this movie that has been delayed so much 209 00:10:59,760 --> 00:11:01,960 Speaker 1: becase because of the strike, because of the pandemic, It's 210 00:11:02,000 --> 00:11:05,240 Speaker 1: also a really big and expensive movie to make, and 211 00:11:05,320 --> 00:11:08,160 Speaker 1: I have really high expectations on the Batman two for 212 00:11:08,240 --> 00:11:11,720 Speaker 1: a couple of reasons. One is because Part one really 213 00:11:11,840 --> 00:11:15,640 Speaker 1: changed the way I felt about Batman's portrayal in movies, 214 00:11:16,280 --> 00:11:18,720 Speaker 1: really seeing him for the first time being the great 215 00:11:18,760 --> 00:11:21,840 Speaker 1: detective that he is like he has described in the 216 00:11:21,920 --> 00:11:25,040 Speaker 1: comic books. And I think the big criticism that all 217 00:11:25,080 --> 00:11:27,520 Speaker 1: the Batman movies and even the Joker movies have now 218 00:11:28,040 --> 00:11:30,319 Speaker 1: is why are we making them so dark? Why does 219 00:11:30,360 --> 00:11:33,040 Speaker 1: Batman need to be so dark? He is based on 220 00:11:33,120 --> 00:11:36,000 Speaker 1: a comic book. If you look back on the early 221 00:11:36,080 --> 00:11:38,840 Speaker 1: iterations of Batman, like Adam West or even some of 222 00:11:38,840 --> 00:11:41,880 Speaker 1: the movies of the nineties where he got a little 223 00:11:41,880 --> 00:11:45,000 Speaker 1: bit more campy and cartoon like, a lot of people 224 00:11:45,040 --> 00:11:47,480 Speaker 1: are demanding that we get away from the dark stuff 225 00:11:47,559 --> 00:11:51,559 Speaker 1: and make Batman movies fun again and colorful. But if 226 00:11:51,600 --> 00:11:54,640 Speaker 1: you look at the comic books like The Long Halloween, 227 00:11:55,200 --> 00:11:58,160 Speaker 1: The Court of Vowels, a lot of the stuff back 228 00:11:58,200 --> 00:12:02,320 Speaker 1: in the eighties and nineties, Batman has always been a 229 00:12:02,400 --> 00:12:05,400 Speaker 1: dark comic. And yes there is the version that is 230 00:12:05,440 --> 00:12:08,079 Speaker 1: more kid friendly. I think a lot of people are 231 00:12:08,120 --> 00:12:10,800 Speaker 1: looking back on the first iterations of Batman back when 232 00:12:10,880 --> 00:12:13,240 Speaker 1: it was first introduced. But if you look at a 233 00:12:13,280 --> 00:12:17,640 Speaker 1: lot of the defining Batman stories and graphic novels and comics, 234 00:12:18,080 --> 00:12:21,120 Speaker 1: it is the really dark stuff that cuts through that 235 00:12:21,240 --> 00:12:24,960 Speaker 1: makes Gotham out to be this crazy city and really 236 00:12:25,000 --> 00:12:29,000 Speaker 1: defines the character of Bruce Wayne and Batman. So if 237 00:12:29,040 --> 00:12:31,440 Speaker 1: you think that just because it's based on a comic 238 00:12:31,440 --> 00:12:34,600 Speaker 1: book that Batman was created for kids, that the movie 239 00:12:34,640 --> 00:12:37,079 Speaker 1: shouldn't be as dark as they are, that you should 240 00:12:37,120 --> 00:12:40,439 Speaker 1: feel shame in watching these movies because they are so dark. 241 00:12:40,679 --> 00:12:43,040 Speaker 1: I think the source material is there and that is 242 00:12:43,080 --> 00:12:47,679 Speaker 1: where I feel the action, the characters, the villains really shine. 243 00:12:48,120 --> 00:12:50,440 Speaker 1: I also think there's a lot of anticipation going into 244 00:12:50,480 --> 00:12:52,280 Speaker 1: this movie for me, and a lot of hype being 245 00:12:52,320 --> 00:12:55,840 Speaker 1: built because of The Penguin right now on HBO, which 246 00:12:55,880 --> 00:12:59,800 Speaker 1: is my favorite show to watch right now, easily going 247 00:12:59,840 --> 00:13:02,440 Speaker 1: to be in my top three favorite shows of the year, 248 00:13:03,000 --> 00:13:06,080 Speaker 1: right up there next to X Men ninety seven, which 249 00:13:06,160 --> 00:13:09,040 Speaker 1: is fantastic in a much different way. But this show 250 00:13:09,080 --> 00:13:11,920 Speaker 1: has a grip on me like any other show, and 251 00:13:11,960 --> 00:13:14,120 Speaker 1: I think it's because I love the movie so much 252 00:13:14,160 --> 00:13:17,960 Speaker 1: and there's such fantastic performances in this show, and it 253 00:13:18,040 --> 00:13:20,640 Speaker 1: is really opening up the world of Gotham that I 254 00:13:20,679 --> 00:13:23,680 Speaker 1: hope leads back into The Batman two. And it does 255 00:13:23,720 --> 00:13:27,120 Speaker 1: give me an appreciation for TV shows based on comic books, 256 00:13:27,559 --> 00:13:31,199 Speaker 1: because you are able to flesh out characters so much 257 00:13:31,400 --> 00:13:35,000 Speaker 1: in multiple episode series that you can't really do in 258 00:13:35,040 --> 00:13:37,320 Speaker 1: a movie you have limited time, and I think that 259 00:13:37,520 --> 00:13:40,760 Speaker 1: is the big reason why some movies are getting longer, 260 00:13:40,800 --> 00:13:43,520 Speaker 1: because there's so much story to tell. You want to 261 00:13:43,559 --> 00:13:46,360 Speaker 1: flesh out these characters, you want to give them backstory, 262 00:13:46,679 --> 00:13:48,600 Speaker 1: and you can really only cram so much of that 263 00:13:48,720 --> 00:13:50,640 Speaker 1: in a two two and a half hour movie, So 264 00:13:50,679 --> 00:13:53,360 Speaker 1: that is why these movies are swelling to three hours. 265 00:13:53,559 --> 00:13:55,640 Speaker 1: And sometimes even I get a little bit annoyed when 266 00:13:55,679 --> 00:13:58,200 Speaker 1: movies are that long. But if a movie can keep 267 00:13:58,200 --> 00:14:00,640 Speaker 1: your attention for that long, I am a okay with it. 268 00:14:01,240 --> 00:14:04,080 Speaker 1: And by watching The Penguin, I realize the power in 269 00:14:04,160 --> 00:14:08,800 Speaker 1: television to be able to dedicate an entire hour episode 270 00:14:09,360 --> 00:14:13,280 Speaker 1: to giving a character all of this amazing backstory that 271 00:14:13,320 --> 00:14:16,040 Speaker 1: you really couldn't do in a movie, because an hour 272 00:14:16,120 --> 00:14:19,720 Speaker 1: long episode showing why someone is the way they are, 273 00:14:19,800 --> 00:14:23,120 Speaker 1: why someone is a villain, would have to be like 274 00:14:23,160 --> 00:14:26,000 Speaker 1: a five to seven minute sequence in a movie, because 275 00:14:26,000 --> 00:14:29,680 Speaker 1: there's so much more to get to. So I really 276 00:14:29,760 --> 00:14:34,600 Speaker 1: like what Max is doing by creating the spinoff, building 277 00:14:34,600 --> 00:14:38,040 Speaker 1: this entire world of Gotham for anybody who wants to 278 00:14:38,080 --> 00:14:40,160 Speaker 1: know more about it, who wants to invest more into 279 00:14:40,200 --> 00:14:43,800 Speaker 1: these characters, and then have them brought back into the movie, 280 00:14:43,840 --> 00:14:46,200 Speaker 1: Because when you start seeing characters from The Penguin Show 281 00:14:46,240 --> 00:14:49,200 Speaker 1: up and The Batman, all the fans of that show 282 00:14:49,200 --> 00:14:52,120 Speaker 1: are gonna say, oh, we know all about them, We 283 00:14:52,200 --> 00:14:54,480 Speaker 1: know all about them because we watched the show. And 284 00:14:54,520 --> 00:14:56,720 Speaker 1: maybe to the people who only watch The Batman and 285 00:14:56,760 --> 00:14:59,720 Speaker 1: then watch The Batman too, they don't really lose on 286 00:14:59,720 --> 00:15:01,800 Speaker 1: an any of the meaning of it, but it really 287 00:15:01,880 --> 00:15:05,360 Speaker 1: shows an appreciation to the fans of the show. So 288 00:15:05,440 --> 00:15:08,680 Speaker 1: I hope that DC handles it a little bit different 289 00:15:08,720 --> 00:15:12,320 Speaker 1: to where you don't necessarily have to watch the show 290 00:15:12,360 --> 00:15:14,720 Speaker 1: to get the next movie, which is what Marvel does. 291 00:15:15,080 --> 00:15:18,160 Speaker 1: You gotta watch this show because it's gonna be referenced here. Instead, 292 00:15:18,200 --> 00:15:21,600 Speaker 1: it can be an extension of but not required watching, 293 00:15:21,640 --> 00:15:23,720 Speaker 1: which I think is going to be the key difference 294 00:15:24,120 --> 00:15:26,240 Speaker 1: in the next phase of DC. So that is why 295 00:15:26,320 --> 00:15:30,280 Speaker 1: I'm excited at number four. The Batman too. At number three. 296 00:15:30,720 --> 00:15:34,640 Speaker 1: I'm lumping in both of the Avengers movies, Avengers Doomsday, 297 00:15:34,880 --> 00:15:37,680 Speaker 1: which is coming out on May first, twenty twenty six, 298 00:15:38,240 --> 00:15:44,560 Speaker 1: and Avenger Secret Wars coming out on May seventh, twenty 299 00:15:44,680 --> 00:15:48,600 Speaker 1: twenty seven, three years away. That is wild to me. 300 00:15:48,640 --> 00:15:50,600 Speaker 1: That is a really long time. By the time this 301 00:15:50,640 --> 00:15:54,120 Speaker 1: movie comes out. I'm gonna be thirty six years old. 302 00:15:54,160 --> 00:15:57,160 Speaker 1: Sometimes I forget how old I am. Somebody mentioned someone 303 00:15:57,240 --> 00:15:59,040 Speaker 1: being thirty one and I was like, oh, I'm thirty one. 304 00:15:59,080 --> 00:16:01,120 Speaker 1: I'm like, no, I was thirty one two years ago. 305 00:16:01,520 --> 00:16:03,800 Speaker 1: But I'm gonna be thirty six still going to the 306 00:16:03,800 --> 00:16:07,240 Speaker 1: theater and watching superhero movies, which is another thing that 307 00:16:07,240 --> 00:16:09,680 Speaker 1: people say is that the genre is going to die out. 308 00:16:09,920 --> 00:16:11,920 Speaker 1: I don't think it's gonna die out. But what I'm 309 00:16:11,920 --> 00:16:14,960 Speaker 1: looking forward to the most about Doom's Day, of course, 310 00:16:15,240 --> 00:16:18,600 Speaker 1: to see how they bring Robert Downey Junior into the picture. 311 00:16:19,080 --> 00:16:21,120 Speaker 1: The more and more I see and read about it, 312 00:16:21,160 --> 00:16:23,000 Speaker 1: and the more and more I get invested into the 313 00:16:23,080 --> 00:16:26,840 Speaker 1: character of doctor Doom, I get more excited and I 314 00:16:26,920 --> 00:16:29,760 Speaker 1: really feel like something is brewing and I just want 315 00:16:29,800 --> 00:16:33,160 Speaker 1: to be in that theater to experience that moment, the 316 00:16:33,200 --> 00:16:36,560 Speaker 1: first time you see the person that we know as 317 00:16:36,640 --> 00:16:40,600 Speaker 1: Tony Stark now as a villain. I have to know 318 00:16:40,680 --> 00:16:44,080 Speaker 1: how that happens. I cannot leave this world until I 319 00:16:44,200 --> 00:16:46,480 Speaker 1: know how that happens. I'm just gonna say that that 320 00:16:46,560 --> 00:16:49,040 Speaker 1: is already gonna be a core movie memory for me, 321 00:16:49,640 --> 00:16:52,760 Speaker 1: like a lot of Marvel movies have contained. And on 322 00:16:52,800 --> 00:16:55,880 Speaker 1: top of that, the next year we get Secret Wars, 323 00:16:55,880 --> 00:16:59,880 Speaker 1: which is my favorite story out of anything in ma 324 00:17:00,000 --> 00:17:04,000 Speaker 1: Marvel Comics. It is on my wall in this studio, 325 00:17:04,080 --> 00:17:07,120 Speaker 1: I have the issue number eight with the first appearance 326 00:17:07,160 --> 00:17:09,639 Speaker 1: of the Black Suit Spider Man. I feel it is 327 00:17:09,680 --> 00:17:13,040 Speaker 1: the best story because it takes all the superheroes, puts 328 00:17:13,080 --> 00:17:15,280 Speaker 1: them on a planet and pits them against each other, 329 00:17:15,400 --> 00:17:19,240 Speaker 1: the X Men, Fantastic Four, the Avengers. That is going 330 00:17:19,320 --> 00:17:22,840 Speaker 1: to be such a big feat for the Russo Brothers 331 00:17:22,840 --> 00:17:24,800 Speaker 1: to get right. But if I had to invest in 332 00:17:24,880 --> 00:17:26,960 Speaker 1: somebody to do it, it would be with the people 333 00:17:27,000 --> 00:17:29,800 Speaker 1: who brought us Infinity War and who brought us Endgame. 334 00:17:30,000 --> 00:17:32,320 Speaker 1: Everything now, of course, is a rumor of how they 335 00:17:32,359 --> 00:17:34,680 Speaker 1: are going to do it. I cannot wait to see 336 00:17:34,720 --> 00:17:37,439 Speaker 1: those stories come to fruition. I just got to make 337 00:17:37,480 --> 00:17:41,040 Speaker 1: it to twenty twenty seven at number two. I have 338 00:17:41,200 --> 00:17:45,240 Speaker 1: TMNT the last ronin. When this got announced earlier this year, 339 00:17:45,320 --> 00:17:48,000 Speaker 1: I thought I was dreaming this is one of those movies. 340 00:17:48,080 --> 00:17:51,240 Speaker 1: I never thought what happened, because I have been a 341 00:17:51,359 --> 00:17:55,120 Speaker 1: lifelong teenage mutant Ninja Turtles fan since the first one 342 00:17:55,160 --> 00:17:59,119 Speaker 1: back in nineteen ninety. Growing up, my favorite was probably, well, 343 00:17:59,119 --> 00:18:01,360 Speaker 1: at least the one I watch the most was Secret 344 00:18:01,359 --> 00:18:04,800 Speaker 1: of the Us because that one was a lot more 345 00:18:04,840 --> 00:18:07,600 Speaker 1: appealing to me as a kid, because they knew that okay. 346 00:18:07,680 --> 00:18:09,359 Speaker 1: The first one was a little bit more serious, the 347 00:18:09,440 --> 00:18:12,080 Speaker 1: violence was a little bit more intense because the demo 348 00:18:12,280 --> 00:18:14,240 Speaker 1: was the kids who grew up with the cartoon in 349 00:18:14,280 --> 00:18:16,760 Speaker 1: the eighties and now wanted to see that cartoon come 350 00:18:16,800 --> 00:18:20,080 Speaker 1: to life. And for me as a kid, seeing Secret 351 00:18:20,119 --> 00:18:23,359 Speaker 1: of the Ewes was exactly what I wanted. It was 352 00:18:23,440 --> 00:18:26,520 Speaker 1: fun quick lines, It was fun battles where they weren't 353 00:18:26,520 --> 00:18:30,040 Speaker 1: necessarily hurting each other with weapons, they were using other 354 00:18:30,119 --> 00:18:33,200 Speaker 1: things to fight off the villains, and at the core 355 00:18:33,200 --> 00:18:34,600 Speaker 1: of it, it was just a lot of fun. You 356 00:18:34,600 --> 00:18:36,919 Speaker 1: have Vanilla Ice dancing. I still see it going on 357 00:18:37,000 --> 00:18:40,040 Speaker 1: tour with Ninja Turtles because of how big This song 358 00:18:40,200 --> 00:18:44,720 Speaker 1: was in that movie. But now The Last Ronin is 359 00:18:44,800 --> 00:18:47,720 Speaker 1: going to take everything we know about the Teenage Mutant 360 00:18:47,760 --> 00:18:50,919 Speaker 1: Ninja Turtles and totally flip it on its side, because 361 00:18:50,960 --> 00:18:53,960 Speaker 1: it's now going to be an R rated version based 362 00:18:54,040 --> 00:18:57,479 Speaker 1: upon the graphic novel, which is the graphic novel that 363 00:18:57,560 --> 00:19:03,080 Speaker 1: has really gotten me into rehic novels. It entirely changed 364 00:19:03,080 --> 00:19:07,520 Speaker 1: my perspective on Teenage Mutant Ninja Turtles lore. And if 365 00:19:07,520 --> 00:19:10,439 Speaker 1: you're not familiar with what happens in The Last Rownin, 366 00:19:11,200 --> 00:19:14,320 Speaker 1: there is only one remaining Ninja Turtle who was out 367 00:19:14,359 --> 00:19:16,960 Speaker 1: to avenge the deaths of his brothers and the death 368 00:19:17,119 --> 00:19:21,240 Speaker 1: of Splinter, And it's a very raw and emotional story. 369 00:19:22,000 --> 00:19:24,040 Speaker 1: And I know we've been talking about things that have 370 00:19:24,119 --> 00:19:26,879 Speaker 1: a darker, sinister feel to it, anything, why do the 371 00:19:27,000 --> 00:19:29,760 Speaker 1: Ninja Turtles that need to be dark and sinister? They 372 00:19:29,760 --> 00:19:33,160 Speaker 1: say calabunga and they eat pizza. But if you think 373 00:19:33,200 --> 00:19:36,520 Speaker 1: back to that first movie, the root of the anger 374 00:19:36,560 --> 00:19:39,400 Speaker 1: of the Ninja Turtles of being a now cast, of 375 00:19:39,960 --> 00:19:43,919 Speaker 1: wanting to be heroes to these humans, but they also 376 00:19:44,040 --> 00:19:46,320 Speaker 1: see you as a monster. There is a lot of 377 00:19:46,359 --> 00:19:49,040 Speaker 1: pent up anger in there. And I think why this 378 00:19:49,119 --> 00:19:52,080 Speaker 1: movie is going to be successful. It's obviously because it's 379 00:19:52,080 --> 00:19:55,600 Speaker 1: in the teenage Mutant Ninja Turtles franchise, and you're gonna 380 00:19:55,600 --> 00:19:57,840 Speaker 1: have the people like me who grew up with them. 381 00:19:58,160 --> 00:19:59,600 Speaker 1: I mean, they were even a little bit ahead of 382 00:19:59,600 --> 00:20:01,520 Speaker 1: my time. I feel like you had to be an 383 00:20:01,520 --> 00:20:04,560 Speaker 1: eighties kid to really fully appreciate the Turtles. But they've 384 00:20:04,560 --> 00:20:07,960 Speaker 1: had so many iterations throughout the years that you've no 385 00:20:08,040 --> 00:20:10,400 Speaker 1: matter when you grew up, you were introduced to them 386 00:20:10,440 --> 00:20:14,160 Speaker 1: in some capacity. But I think now at this point 387 00:20:14,160 --> 00:20:16,639 Speaker 1: in time which the movie is supposed to there's no 388 00:20:16,840 --> 00:20:20,080 Speaker 1: official release date on it now they're working on it. 389 00:20:20,080 --> 00:20:23,200 Speaker 1: It was just now earlier this year, so it's probably 390 00:20:23,240 --> 00:20:25,359 Speaker 1: going to be twenty twenty six, twenty twenty seven, and 391 00:20:25,359 --> 00:20:27,720 Speaker 1: by that time, I'm going to be in thirty six, 392 00:20:27,840 --> 00:20:30,840 Speaker 1: thirty seven years old. I'll probably be thirty five thirty 393 00:20:30,880 --> 00:20:33,000 Speaker 1: six years old, and I'm going to be at that 394 00:20:33,160 --> 00:20:36,000 Speaker 1: age where they're going to be making it for the 395 00:20:36,040 --> 00:20:39,000 Speaker 1: people like me who grew up with them and who 396 00:20:39,000 --> 00:20:42,399 Speaker 1: are now adults and probably feeling like these type of 397 00:20:42,400 --> 00:20:45,119 Speaker 1: ways that these characters are and what you would do 398 00:20:45,320 --> 00:20:47,960 Speaker 1: to avenge the death of your brothers, which is something 399 00:20:47,960 --> 00:20:51,560 Speaker 1: you really couldn't explore back when they were teenagers. And 400 00:20:51,640 --> 00:20:54,040 Speaker 1: I think the big success of this movie is going 401 00:20:54,080 --> 00:20:57,280 Speaker 1: to come down to the look of the teenage mutant 402 00:20:57,320 --> 00:20:59,640 Speaker 1: Ninja Turtles, because back when they did it with Michael Bay, 403 00:21:00,480 --> 00:21:03,000 Speaker 1: the look just wasn't right. That I never felt any 404 00:21:03,080 --> 00:21:06,920 Speaker 1: connection to those characters because they were entirely CGI, which 405 00:21:06,920 --> 00:21:10,000 Speaker 1: I feel now they're gonna probably lean towards CGI, and 406 00:21:10,040 --> 00:21:13,200 Speaker 1: I'm not opposed to that, but they look so freakish 407 00:21:13,359 --> 00:21:17,399 Speaker 1: like and so oversized and had no real warmth to 408 00:21:17,520 --> 00:21:21,560 Speaker 1: them that I never really found myself grasping to those 409 00:21:21,680 --> 00:21:24,000 Speaker 1: characters like I did to the rubber suits back in 410 00:21:24,080 --> 00:21:26,159 Speaker 1: the nineties. And it's not just because I had the 411 00:21:26,200 --> 00:21:29,600 Speaker 1: nostalgia for those suits. It's just because it felt a 412 00:21:29,680 --> 00:21:33,280 Speaker 1: little bit cold and a little bit faceless, that this 413 00:21:33,400 --> 00:21:36,360 Speaker 1: really isn't how these characters should be represented. So I'm 414 00:21:36,400 --> 00:21:40,200 Speaker 1: okay if they use some CGI, which has greatly improved. 415 00:21:40,240 --> 00:21:43,200 Speaker 1: If you look at the last Guardians of the Galaxy movie, 416 00:21:43,280 --> 00:21:46,760 Speaker 1: they do a fantastic job with CGI, especially with the 417 00:21:46,840 --> 00:21:50,320 Speaker 1: character like Rocket Raccoon, where it looks like on the 418 00:21:50,359 --> 00:21:52,920 Speaker 1: screen that you could actually go in there and touch them. 419 00:21:53,160 --> 00:21:56,760 Speaker 1: Even though he is a CGI character. That movie also 420 00:21:56,840 --> 00:22:00,640 Speaker 1: had a fantastic wardrobe and makeup and hair department. They 421 00:22:00,720 --> 00:22:04,520 Speaker 1: use over twenty thousand prosthetics, five hundred wigs, and one 422 00:22:04,640 --> 00:22:08,560 Speaker 1: hundred and thirty facial hair pieces to create the characters 423 00:22:08,600 --> 00:22:12,160 Speaker 1: and Guardians of the Galaxy Volume three. That movie actually 424 00:22:12,200 --> 00:22:15,080 Speaker 1: broke the record for the most prosthetics ever used in 425 00:22:15,119 --> 00:22:18,040 Speaker 1: a film. So to make this teenage mutant Ninja Turtles 426 00:22:18,119 --> 00:22:21,160 Speaker 1: movie look great, you're gonna have to spend some money, 427 00:22:21,200 --> 00:22:25,320 Speaker 1: which I hope they actually invest the money in this movie, 428 00:22:25,320 --> 00:22:27,439 Speaker 1: because that is gonna make or break it. You can't 429 00:22:27,480 --> 00:22:31,560 Speaker 1: rely on the power of the name and the nostalgia 430 00:22:31,640 --> 00:22:34,040 Speaker 1: bate and it doesn't just take a great story like 431 00:22:34,080 --> 00:22:37,480 Speaker 1: basing it on the Great graphic novel. You have to 432 00:22:37,560 --> 00:22:40,400 Speaker 1: spend the money to make the movie look good, which 433 00:22:40,440 --> 00:22:45,359 Speaker 1: I feel gets overlooked so much in reboots and sequels 434 00:22:45,400 --> 00:22:48,320 Speaker 1: that you think, which sounds so elementary. Oh, to get 435 00:22:48,320 --> 00:22:50,600 Speaker 1: a movie that people are gonna be excited about, it 436 00:22:50,680 --> 00:22:54,840 Speaker 1: has to look good. Yes, it has to represent what 437 00:22:54,880 --> 00:22:59,320 Speaker 1: the characters embody, and that's gonna cost money, and studios 438 00:22:59,359 --> 00:23:03,159 Speaker 1: cannot cut corners in that department. So I'm fine with 439 00:23:03,240 --> 00:23:07,760 Speaker 1: the CGI, use your animation, use your special effects, make 440 00:23:07,840 --> 00:23:10,879 Speaker 1: it to where the CGI is not distracting. If you 441 00:23:10,920 --> 00:23:13,879 Speaker 1: go on YouTube and look up some tmn T test 442 00:23:13,880 --> 00:23:18,479 Speaker 1: footage that somebody did of these fights between Leonardo and 443 00:23:18,560 --> 00:23:22,080 Speaker 1: Donna Tello with some foot clan, it looks fantastic. The 444 00:23:22,200 --> 00:23:26,160 Speaker 1: skin actually looks like skin, you could touch it very much. 445 00:23:26,280 --> 00:23:28,560 Speaker 1: Looks like those nineties rubber suits, but it has this 446 00:23:28,680 --> 00:23:32,040 Speaker 1: texture to it that I think wild look fantastic. Also 447 00:23:32,080 --> 00:23:36,080 Speaker 1: looks pretty expensive. So to the creators of this movie, 448 00:23:36,119 --> 00:23:38,360 Speaker 1: go to YouTube and find the people who made that 449 00:23:38,640 --> 00:23:41,040 Speaker 1: and put it in this movie and it will work. 450 00:23:41,600 --> 00:23:45,480 Speaker 1: So no official release date. I'm hoping twenty twenty six, 451 00:23:45,520 --> 00:23:49,040 Speaker 1: but probably looking more at twenty twenty seven. I have 452 00:23:49,119 --> 00:23:51,880 Speaker 1: to be alive to see the last ronin But now 453 00:23:51,880 --> 00:23:54,720 Speaker 1: at number one. The movie that inspired this entire list 454 00:23:54,760 --> 00:23:58,000 Speaker 1: because Tom Holland went on Good Morning America last week 455 00:23:58,040 --> 00:24:01,840 Speaker 1: and said, Spider Man is happening, and I quote he said, 456 00:24:02,080 --> 00:24:04,080 Speaker 1: all I can tell you is that it's happening. The 457 00:24:04,160 --> 00:24:07,360 Speaker 1: idea is crazy. It's a little different to anything we've 458 00:24:07,400 --> 00:24:10,000 Speaker 1: done before, but I think the fans are really gonna 459 00:24:10,080 --> 00:24:12,480 Speaker 1: respond to it. I feel like Tom Holland had to 460 00:24:12,520 --> 00:24:15,720 Speaker 1: be very careful to not give any spoilers. You know, 461 00:24:15,800 --> 00:24:18,880 Speaker 1: he knows more than that he has famously spoiled some movies. 462 00:24:18,920 --> 00:24:22,400 Speaker 1: But I also think Marvel probably lets him actually do that, Like, hey, 463 00:24:22,880 --> 00:24:25,040 Speaker 1: be kind of a funny bit to have Tom Holland 464 00:24:25,080 --> 00:24:28,120 Speaker 1: go on different things and spoil movies, but that's really 465 00:24:28,160 --> 00:24:30,000 Speaker 1: just the way to create time. I would do the 466 00:24:30,040 --> 00:24:33,160 Speaker 1: same thing. But Spider Man for is set to start 467 00:24:33,200 --> 00:24:36,600 Speaker 1: filming next summer. He's going to be back, Zandaa's going 468 00:24:36,680 --> 00:24:38,880 Speaker 1: to be back. I don't want to say too much 469 00:24:38,880 --> 00:24:41,720 Speaker 1: about how that movie ended if you haven't seen it yet. 470 00:24:41,760 --> 00:24:45,600 Speaker 1: Although I feel weird about spoilers to superhero movies because 471 00:24:45,640 --> 00:24:49,720 Speaker 1: to me, they're kind of like live events. Marvel gives 472 00:24:49,800 --> 00:24:53,560 Speaker 1: everybody like that first weekend really to not post spoilers, 473 00:24:53,800 --> 00:24:55,679 Speaker 1: but I almost feel like that goes out the window 474 00:24:55,960 --> 00:24:59,520 Speaker 1: whenever the next Marvel project is announced, because they always 475 00:24:59,520 --> 00:25:02,640 Speaker 1: tease that by talking about what happened in the last one. 476 00:25:03,080 --> 00:25:05,280 Speaker 1: So I almost feel like you have to be a 477 00:25:05,320 --> 00:25:08,200 Speaker 1: part of those movies as they happen, and the same 478 00:25:08,280 --> 00:25:12,040 Speaker 1: rules don't apply, especially when one Avengers movie goes right 479 00:25:12,080 --> 00:25:13,760 Speaker 1: into the next one. So if you're talking about the 480 00:25:13,800 --> 00:25:16,520 Speaker 1: next one, you're referencing what happened in the other one. 481 00:25:17,000 --> 00:25:20,400 Speaker 1: So it's hard to keep all those same spoiler rules 482 00:25:20,480 --> 00:25:23,400 Speaker 1: on Marvel projects. But for the sake of this podcast, 483 00:25:23,480 --> 00:25:25,520 Speaker 1: I won't say what happened at the end of that one, 484 00:25:25,760 --> 00:25:27,920 Speaker 1: but I have to assume what he is saying there 485 00:25:28,000 --> 00:25:30,560 Speaker 1: that is different, and what fans are going to respond 486 00:25:30,600 --> 00:25:33,359 Speaker 1: to has to be how they ended that one and 487 00:25:33,400 --> 00:25:36,359 Speaker 1: how they're going to carry on Spider Man's story into 488 00:25:36,440 --> 00:25:39,520 Speaker 1: this one. If I had to rank all of the 489 00:25:39,640 --> 00:25:43,160 Speaker 1: Tom Holland Spider Man movies as of now, I rewatch 490 00:25:43,240 --> 00:25:47,479 Speaker 1: Homecoming a couple weeks ago, I would say every single year, 491 00:25:47,560 --> 00:25:50,320 Speaker 1: I rewatch every Spider Man movie. Right now, it is 492 00:25:50,359 --> 00:25:54,879 Speaker 1: all the Tom Holland Spider Man movies. Homecoming. Ough, I 493 00:25:54,920 --> 00:25:58,199 Speaker 1: have to put that one at number one because I 494 00:25:58,320 --> 00:26:00,440 Speaker 1: had to put myself back to win that movie first 495 00:26:00,440 --> 00:26:03,159 Speaker 1: came out, and how refreshing it was, and how I 496 00:26:03,200 --> 00:26:06,280 Speaker 1: felt that they finally got the Peter Parker character down 497 00:26:06,720 --> 00:26:09,920 Speaker 1: by making them younger, by making them more in love 498 00:26:10,000 --> 00:26:13,639 Speaker 1: with the world, bright eyed and bushy tailed, and really 499 00:26:14,040 --> 00:26:17,600 Speaker 1: playing into making Peter Parker feel like a high schooler 500 00:26:18,119 --> 00:26:22,560 Speaker 1: very inexperienced, and that was the Peter Parker that we needed, 501 00:26:22,680 --> 00:26:26,560 Speaker 1: especially to be so different than Andrew Garfield and Toby Maguire, 502 00:26:26,600 --> 00:26:29,359 Speaker 1: who looked like, you know, thirty five year old Spider 503 00:26:29,400 --> 00:26:31,639 Speaker 1: Man out there playing teenagers. So I felt like they 504 00:26:31,720 --> 00:26:35,120 Speaker 1: got the character himself of Peter Parker at least really 505 00:26:35,119 --> 00:26:37,760 Speaker 1: down in that movie. And number two I would put 506 00:26:37,800 --> 00:26:41,880 Speaker 1: No Way Home because you saw the evolution from Peter 507 00:26:42,040 --> 00:26:45,400 Speaker 1: Parker into what embodies all the things that I would 508 00:26:45,440 --> 00:26:48,240 Speaker 1: classify it as what makes a great Spider Man, so 509 00:26:48,359 --> 00:26:51,920 Speaker 1: not only having that childlike sense of humor, that weediness, 510 00:26:52,320 --> 00:26:56,680 Speaker 1: but also going through some real chemical changes that turn 511 00:26:56,920 --> 00:27:00,919 Speaker 1: Peter Parker into really being Spider Man. We felt that 512 00:27:01,000 --> 00:27:02,840 Speaker 1: in No Way Home. And then at the bottom a 513 00:27:02,960 --> 00:27:05,280 Speaker 1: number three I would put Far from Home. Even though 514 00:27:05,280 --> 00:27:07,600 Speaker 1: I had a great theater experience when I saw that 515 00:27:07,640 --> 00:27:10,360 Speaker 1: back when it first came out, every time I watch 516 00:27:10,440 --> 00:27:12,800 Speaker 1: it again and again, I find myself liking that one 517 00:27:12,840 --> 00:27:15,679 Speaker 1: a little bit less. Even though I love Mysterio, I 518 00:27:15,720 --> 00:27:18,280 Speaker 1: love Jake Jillenhall in that movie, it's just when I 519 00:27:18,320 --> 00:27:21,120 Speaker 1: compare them to not only the other two Spider Man 520 00:27:21,160 --> 00:27:23,879 Speaker 1: movies and then all the other Spider Man movies with 521 00:27:24,000 --> 00:27:27,000 Speaker 1: maguire and Andrew Garfield. I think that one just ends 522 00:27:27,080 --> 00:27:29,119 Speaker 1: up getting lower and lower on the list, so I 523 00:27:29,119 --> 00:27:32,200 Speaker 1: would put that in the bottom three here, but probably 524 00:27:32,280 --> 00:27:34,760 Speaker 1: in the bottom three overall. It is interesting to me 525 00:27:34,920 --> 00:27:37,240 Speaker 1: that they call this movie Spider Man for even though 526 00:27:37,240 --> 00:27:39,760 Speaker 1: none of these movies had numbers, and it's like, man, 527 00:27:39,840 --> 00:27:42,000 Speaker 1: if we could have ever got the Amazing Spider Man 528 00:27:42,040 --> 00:27:45,840 Speaker 1: three and four or Sam Raimi Spider Man four, I'm 529 00:27:45,920 --> 00:27:47,720 Speaker 1: still kind of holding onto home if they do those 530 00:27:47,760 --> 00:27:50,320 Speaker 1: at some point, especially after what happened in No Way Home. 531 00:27:50,640 --> 00:27:52,600 Speaker 1: But for some reason, to me, this doesn't feel like 532 00:27:52,680 --> 00:27:55,320 Speaker 1: a true Spider Man for. But it is a movie 533 00:27:55,359 --> 00:27:58,520 Speaker 1: I need to see before I die again. I'm doing 534 00:27:58,560 --> 00:28:01,240 Speaker 1: okay right now, but that is the of the top 535 00:28:01,240 --> 00:28:03,840 Speaker 1: five movies that have actually been announced that I want 536 00:28:03,880 --> 00:28:07,560 Speaker 1: to be alive to see. I'll go through quickly five 537 00:28:07,640 --> 00:28:10,560 Speaker 1: other movies I hope to see in my lifetime before 538 00:28:10,600 --> 00:28:14,000 Speaker 1: I die, and these are movies that haven't even been announced. 539 00:28:14,080 --> 00:28:16,600 Speaker 1: There is no indication that any of these are happening. 540 00:28:16,640 --> 00:28:18,760 Speaker 1: So don't take what I'm saying about these movies. And hey, 541 00:28:18,800 --> 00:28:21,520 Speaker 1: Mike was talking about this movie actually happening. These are 542 00:28:21,520 --> 00:28:25,040 Speaker 1: not happening. This is all just from my desires of 543 00:28:25,160 --> 00:28:28,400 Speaker 1: movies that I hope they finally do because they are 544 00:28:28,440 --> 00:28:31,840 Speaker 1: stories and characters I hope have justice in the film world. 545 00:28:32,640 --> 00:28:35,960 Speaker 1: At number five is Gambit, and that is largely due 546 00:28:36,080 --> 00:28:39,760 Speaker 1: to the success of Wolverine and Deadpool, and there's been 547 00:28:39,840 --> 00:28:42,080 Speaker 1: kind of rumors that this was going to happen. I've 548 00:28:42,080 --> 00:28:45,880 Speaker 1: seen fake posters, but I really feel like Gambit has 549 00:28:46,040 --> 00:28:48,920 Speaker 1: had a great year, especially with X Men ninety seven, 550 00:28:49,320 --> 00:28:51,320 Speaker 1: and he's been exposed to a lot of people who 551 00:28:51,520 --> 00:28:54,239 Speaker 1: didn't really know him from the animated series or the 552 00:28:54,240 --> 00:28:56,800 Speaker 1: comic books, had no idea he had an accent, so 553 00:28:56,920 --> 00:28:59,760 Speaker 1: are maybe confused by the way he was depicted in 554 00:28:59,760 --> 00:29:02,720 Speaker 1: Will and Deadpool. I'm not sure if they're gonna work 555 00:29:02,760 --> 00:29:06,280 Speaker 1: Gambit into the next two Avengers movies, but I hope 556 00:29:06,320 --> 00:29:09,160 Speaker 1: at some point he gets his own solo movie. Maybe 557 00:29:09,240 --> 00:29:12,920 Speaker 1: after they announced that they pulled Blade from their upcoming 558 00:29:12,960 --> 00:29:15,720 Speaker 1: list of movies, maybe they're working in a Gambit movie. 559 00:29:15,880 --> 00:29:18,600 Speaker 1: So at number five, I have Gambit, and number two 560 00:29:19,320 --> 00:29:22,239 Speaker 1: I have a proper dragon Ball movie. I don't care 561 00:29:22,280 --> 00:29:25,880 Speaker 1: if it's Dragonball Z dragon Ball Super because in the 562 00:29:25,880 --> 00:29:28,960 Speaker 1: world of dragon Ball. They are fantastic animated movies that 563 00:29:29,040 --> 00:29:32,000 Speaker 1: I would take any day of the week. But the 564 00:29:32,080 --> 00:29:36,720 Speaker 1: only live action American version we have is Dragonball Evolution 565 00:29:36,920 --> 00:29:41,880 Speaker 1: from two thousand and nine, which is horrendous. The character 566 00:29:41,960 --> 00:29:45,880 Speaker 1: design in that movie is awful. You can't even tell 567 00:29:45,960 --> 00:29:49,840 Speaker 1: some of the characters are supposed to be certain characters 568 00:29:49,840 --> 00:29:53,160 Speaker 1: because they look so bad. The action is bad, everything 569 00:29:53,200 --> 00:29:56,440 Speaker 1: about Dragonball was wasted in that film. It looked like 570 00:29:56,480 --> 00:29:59,200 Speaker 1: a parody movie. And I was so excited for that 571 00:29:59,240 --> 00:30:00,920 Speaker 1: movie back in two thous thousand and nine because I've 572 00:30:00,920 --> 00:30:03,800 Speaker 1: been a Dragonball Z fan since I was a kid, 573 00:30:04,240 --> 00:30:06,880 Speaker 1: going to Mexico and watching it in Spanish with my cousins. 574 00:30:07,160 --> 00:30:11,240 Speaker 1: Dragon Ball was huge in Mexico all over the world 575 00:30:11,800 --> 00:30:14,560 Speaker 1: that I watched it more with Spanish dubs than I 576 00:30:14,600 --> 00:30:17,240 Speaker 1: ever did with English dubs. And the world of dragon 577 00:30:17,280 --> 00:30:19,920 Speaker 1: Ball is so immersive, which is why I have to 578 00:30:19,960 --> 00:30:23,160 Speaker 1: believe it is such a daunting task to take on 579 00:30:23,360 --> 00:30:25,520 Speaker 1: and make a two hour movie too, because there is 580 00:30:25,600 --> 00:30:28,200 Speaker 1: so much of a world to explore. But I think 581 00:30:28,200 --> 00:30:30,920 Speaker 1: if you really focused on the action instead of trying 582 00:30:30,960 --> 00:30:34,160 Speaker 1: to build all those characters and do everything all at once, 583 00:30:34,200 --> 00:30:37,200 Speaker 1: in one movie and just made a really good action 584 00:30:37,400 --> 00:30:39,960 Speaker 1: movie and the story of Goku. I think that would 585 00:30:39,960 --> 00:30:42,040 Speaker 1: be fantastic, and I hope I live to see that. 586 00:30:42,560 --> 00:30:45,840 Speaker 1: At number three, I have the Simpsons Movie Tube, primarily 587 00:30:45,880 --> 00:30:48,640 Speaker 1: because every time I get on Facebook, somebody is posting 588 00:30:48,680 --> 00:30:50,720 Speaker 1: a fake movie poster, which I think. I want to 589 00:30:50,720 --> 00:30:53,280 Speaker 1: do an episode where I just take all the fake 590 00:30:53,400 --> 00:30:56,400 Speaker 1: posters I've seen on Facebook that people believe are actually happening, 591 00:30:56,760 --> 00:30:59,960 Speaker 1: even though they are such bad photoshop. You have Graham 592 00:31:00,320 --> 00:31:03,160 Speaker 1: Wichita still believing that Forrest Gump two is happening, and 593 00:31:03,200 --> 00:31:06,360 Speaker 1: it's a Christmas movie. It's not happening, so don't get 594 00:31:06,480 --> 00:31:09,600 Speaker 1: all up in rage in the comments. Those are fake posters. 595 00:31:09,640 --> 00:31:12,240 Speaker 1: But I always see somebody saying the Simpsons to a 596 00:31:12,320 --> 00:31:15,240 Speaker 1: movie has been announced and it's confirmed that there's no word 597 00:31:15,280 --> 00:31:17,360 Speaker 1: that it's actually happening. I feel they just put this 598 00:31:17,400 --> 00:31:20,680 Speaker 1: story out to enraged nerds like me who love the 599 00:31:20,720 --> 00:31:24,160 Speaker 1: two thousand and seven movie and want to see another 600 00:31:24,240 --> 00:31:27,920 Speaker 1: movie happen, especially with knowing that The Simpsons aren't going 601 00:31:28,000 --> 00:31:30,720 Speaker 1: to go on forever. They did that episode earlier this year, 602 00:31:30,760 --> 00:31:33,520 Speaker 1: but they tease their serious finale, and that was just 603 00:31:33,560 --> 00:31:35,800 Speaker 1: like Oh man, I kind of want to see it 604 00:31:35,840 --> 00:31:38,680 Speaker 1: come to an end in my lifetime, just because I 605 00:31:38,800 --> 00:31:41,480 Speaker 1: want to experience it. And I think we're at that 606 00:31:41,600 --> 00:31:44,800 Speaker 1: point to where really the only thing that would cause 607 00:31:44,840 --> 00:31:47,680 Speaker 1: the Simpsons to end would be one of the legacy 608 00:31:47,840 --> 00:31:50,680 Speaker 1: voice actors passing away, which would be really sad, and 609 00:31:50,720 --> 00:31:52,840 Speaker 1: I'm not sure that they would go on and replace 610 00:31:52,880 --> 00:31:55,960 Speaker 1: somebody like a Dan Castanletta who does the voice of 611 00:31:55,960 --> 00:31:59,080 Speaker 1: Homer Simpson. I think that would cause a real big 612 00:31:59,120 --> 00:32:01,760 Speaker 1: decision to make of do we continue this or do 613 00:32:01,840 --> 00:32:04,280 Speaker 1: we decide just to end this. So I hope before 614 00:32:04,320 --> 00:32:07,520 Speaker 1: anything tragic like that happens again it's a very odd, 615 00:32:07,640 --> 00:32:11,680 Speaker 1: more fidly themed episode. Before anything like that happens, I 616 00:32:11,760 --> 00:32:15,520 Speaker 1: hope they make another Simpsons movie. At number two, I 617 00:32:15,640 --> 00:32:18,920 Speaker 1: have a live action Miles Morales movie, which has kind 618 00:32:18,920 --> 00:32:21,520 Speaker 1: of been teased with all of the success of the 619 00:32:21,560 --> 00:32:24,200 Speaker 1: indto the Spider Verse movies, So I think, out of 620 00:32:24,360 --> 00:32:27,680 Speaker 1: anything on this list, that is probably the easiest. Oh yeah, 621 00:32:27,680 --> 00:32:30,000 Speaker 1: We're gonna make that movie eventually. That has to be 622 00:32:30,120 --> 00:32:32,640 Speaker 1: a timing issue because they have to get all the 623 00:32:32,680 --> 00:32:36,040 Speaker 1: animated movies out there. They also have to find the 624 00:32:36,160 --> 00:32:39,200 Speaker 1: right Miles morales for that project. So out of everything 625 00:32:39,200 --> 00:32:41,960 Speaker 1: I've been talking about, that one probably has the longest 626 00:32:42,040 --> 00:32:44,920 Speaker 1: date to ever happen. I'm gonna put that one if 627 00:32:44,960 --> 00:32:47,640 Speaker 1: I had to, at twenty thirty four at the earliest, 628 00:32:47,720 --> 00:32:50,600 Speaker 1: but at number one movies I hope to see before 629 00:32:50,640 --> 00:32:53,280 Speaker 1: I die, even though there's no indication of me dying 630 00:32:53,400 --> 00:32:57,800 Speaker 1: or anybody making This movie is a proper live action 631 00:32:58,040 --> 00:33:02,280 Speaker 1: Pokemon movie, not Detective Pikachu. We don't want that anymore. 632 00:33:02,320 --> 00:33:05,560 Speaker 1: I want a full on Pokemon movie, and they should 633 00:33:05,560 --> 00:33:08,880 Speaker 1: call it Pokemon Indigo, which would be based on the 634 00:33:08,920 --> 00:33:11,600 Speaker 1: original anime series that we all grew up with and 635 00:33:11,640 --> 00:33:14,920 Speaker 1: were introduced back in the nineties, heavily based on that 636 00:33:14,960 --> 00:33:18,160 Speaker 1: TV show and also the first Game Boy video game, 637 00:33:18,640 --> 00:33:22,520 Speaker 1: red version, blue version, even the yellow version. I think 638 00:33:22,600 --> 00:33:26,280 Speaker 1: that would be an instant cash cow. All these thirty 639 00:33:26,280 --> 00:33:29,040 Speaker 1: plus year olds who grew up with that video game 640 00:33:29,080 --> 00:33:31,480 Speaker 1: and just have been wanting to see that for our 641 00:33:31,720 --> 00:33:35,360 Speaker 1: entire lives. Just take this idea that we grew up with, 642 00:33:35,400 --> 00:33:37,720 Speaker 1: the simple concept and bring it to the big screen, 643 00:33:38,000 --> 00:33:40,720 Speaker 1: which is all we've ever wanted. We had the animated movies, 644 00:33:40,760 --> 00:33:44,960 Speaker 1: which are fantastic, which have a fantastic little cubby hole 645 00:33:45,000 --> 00:33:47,560 Speaker 1: in my heart. Those are great, but I just want 646 00:33:47,560 --> 00:33:49,520 Speaker 1: to see it live action, and I did enjoy it 647 00:33:49,560 --> 00:33:52,080 Speaker 1: To take a Pikachu. I rewatched that movie from time 648 00:33:52,120 --> 00:33:54,520 Speaker 1: to time, especially when it's on a flight. It's to 649 00:33:54,560 --> 00:33:55,880 Speaker 1: the point that I'll start it on the plane and 650 00:33:55,920 --> 00:33:57,440 Speaker 1: then be like, oh, I didn't get to finish it 651 00:33:57,440 --> 00:33:58,760 Speaker 1: on the plane. I have to watch it at home. 652 00:33:59,040 --> 00:34:01,200 Speaker 1: And what I loved about that movie is it did 653 00:34:01,240 --> 00:34:03,960 Speaker 1: show the creatures in the wild and how humans interact 654 00:34:04,000 --> 00:34:06,320 Speaker 1: with them. But I want to see that traditional story. 655 00:34:06,360 --> 00:34:08,680 Speaker 1: I want to see ash Ketchum going on his journey 656 00:34:08,680 --> 00:34:12,840 Speaker 1: from Palettetown, battling Pokemon, getting his first Pokemon, the relationship 657 00:34:12,840 --> 00:34:16,439 Speaker 1: with Pikachu being afraid and him not responding to him 658 00:34:16,480 --> 00:34:18,239 Speaker 1: not wanting to go in his poke baal, and then 659 00:34:18,360 --> 00:34:21,600 Speaker 1: having that first bonding experience. If you broke down those 660 00:34:21,640 --> 00:34:24,919 Speaker 1: first initial episodes of Pokemon and turned them into one 661 00:34:25,000 --> 00:34:28,759 Speaker 1: concise story, that would be fantastic. And I don't know 662 00:34:28,840 --> 00:34:31,960 Speaker 1: why they don't do it. Pokemon is like the biggest 663 00:34:31,960 --> 00:34:35,359 Speaker 1: franchise in the world. Please make it happen for all 664 00:34:35,400 --> 00:34:37,879 Speaker 1: the aging millennials out there. So that is my list. 665 00:34:38,280 --> 00:34:40,759 Speaker 1: I'll come back. I'll give my spoiler free review on 666 00:34:40,880 --> 00:34:47,600 Speaker 1: Venom The Last Dance. I don't know what I was expecting. Guys, 667 00:34:47,880 --> 00:34:50,800 Speaker 1: Welcome to a spoiler free movie review of Venom The 668 00:34:50,920 --> 00:34:54,960 Speaker 1: Last Dance. It is Tom Hardy saying goodbye to the 669 00:34:55,040 --> 00:34:58,919 Speaker 1: Venom character the lovable symbiote, which, if you can tell 670 00:34:58,960 --> 00:35:02,160 Speaker 1: by watching on YouTube. I'm a huge Venom fan, obviously, 671 00:35:02,200 --> 00:35:06,600 Speaker 1: Spider Man being my favorite superhero of all time, Venom 672 00:35:06,640 --> 00:35:09,520 Speaker 1: has been for a large majority of my life, my 673 00:35:09,640 --> 00:35:13,279 Speaker 1: favorite villain, dating back to the animated series, dating back 674 00:35:13,320 --> 00:35:16,200 Speaker 1: to the video game. He has always just looked really 675 00:35:16,280 --> 00:35:18,759 Speaker 1: cool to me. Black is my favorite color, and you 676 00:35:18,880 --> 00:35:22,919 Speaker 1: take all the qualities of Spider Man but rot them up, 677 00:35:23,560 --> 00:35:25,880 Speaker 1: give him a lot of crazy teeth. Have a pretty 678 00:35:25,920 --> 00:35:29,400 Speaker 1: great backstory with Eddie Barrock in the comics which I 679 00:35:29,440 --> 00:35:33,120 Speaker 1: have actually a copy of, well not the actual copy, 680 00:35:33,160 --> 00:35:36,080 Speaker 1: but a reprint of Spider Man three hundred, which is 681 00:35:36,640 --> 00:35:39,799 Speaker 1: the first full appearance of Venom. The character was co 682 00:35:39,880 --> 00:35:43,880 Speaker 1: created by Todd McFarlane, who is my favorite comic book artist. 683 00:35:43,920 --> 00:35:47,400 Speaker 1: Has done some amazing covers, and even in that first iteration, 684 00:35:47,520 --> 00:35:51,279 Speaker 1: Venom was a much more grittier character and My overall 685 00:35:51,360 --> 00:35:55,160 Speaker 1: complaint with Venom being my favorite character is I don't 686 00:35:55,200 --> 00:35:58,160 Speaker 1: feel he's been represented well in these movies. The first 687 00:35:58,160 --> 00:36:00,880 Speaker 1: one came out in twenty eighteen, and I thought it 688 00:36:01,000 --> 00:36:05,520 Speaker 1: was pretty okay, pretty average, some pretty good action, but overall, 689 00:36:06,560 --> 00:36:09,480 Speaker 1: what I realized is they were going for more fun 690 00:36:09,560 --> 00:36:12,200 Speaker 1: movies and not really making any great movies. And we're 691 00:36:12,239 --> 00:36:15,000 Speaker 1: dealing with the Sody Spider verse here, which has been 692 00:36:15,160 --> 00:36:19,920 Speaker 1: historically bad, and Venom has actually been their best franchise 693 00:36:20,040 --> 00:36:22,200 Speaker 1: so far in a world of Madam Web. This is 694 00:36:22,320 --> 00:36:24,640 Speaker 1: kind of like their goal and child because it's really 695 00:36:24,680 --> 00:36:28,000 Speaker 1: the only thing that has generated fan interest, and going 696 00:36:28,040 --> 00:36:31,160 Speaker 1: into this one coming off of Venom two, which they 697 00:36:31,160 --> 00:36:34,680 Speaker 1: didn't really do the character of Carnage justice in that 698 00:36:34,760 --> 00:36:37,719 Speaker 1: one either, But overall Part one and Part two have 699 00:36:37,840 --> 00:36:42,200 Speaker 1: been pretty enjoyable. They've just kind of been declining in 700 00:36:42,360 --> 00:36:46,520 Speaker 1: overall value as they've gone along. So first, I'd put 701 00:36:46,520 --> 00:36:50,160 Speaker 1: it up there as being the best. Second, I think critically, 702 00:36:50,239 --> 00:36:51,719 Speaker 1: if you look at it and break down all the 703 00:36:51,719 --> 00:36:54,120 Speaker 1: things that happened in that movie, it's pretty dumb. But 704 00:36:54,160 --> 00:36:56,120 Speaker 1: for me, going into a movie just wanting to have 705 00:36:56,239 --> 00:36:59,720 Speaker 1: fun for the sake of having fun, which is sadly 706 00:36:59,760 --> 00:37:01,640 Speaker 1: how you have to approach these movies. I wish that 707 00:37:01,680 --> 00:37:03,720 Speaker 1: wasn't the case, because Venom is such a great character. 708 00:37:03,760 --> 00:37:06,160 Speaker 1: I mean, just look at the design of Venom. These 709 00:37:06,200 --> 00:37:10,680 Speaker 1: should be amazingly awesome movies even without having Spider Man 710 00:37:10,680 --> 00:37:12,560 Speaker 1: in there. That one took a bit of a decline, 711 00:37:12,560 --> 00:37:14,520 Speaker 1: but that one actually had some story, It had some 712 00:37:14,560 --> 00:37:20,840 Speaker 1: substance in there. Venom three was so underwhelming and so uninteresting. 713 00:37:21,160 --> 00:37:24,160 Speaker 1: The only real reason I had my expectations even a 714 00:37:24,160 --> 00:37:27,240 Speaker 1: little bit higher than two is because anytime you close 715 00:37:27,239 --> 00:37:30,719 Speaker 1: out a chapter to a character, I'm just expecting some 716 00:37:30,800 --> 00:37:34,120 Speaker 1: kind of big, epic finish, at least some kind of 717 00:37:34,400 --> 00:37:37,000 Speaker 1: just great bookend that even if you didn't watch part 718 00:37:37,040 --> 00:37:39,480 Speaker 1: one or two, that you could watch this movie and think, oh, 719 00:37:39,480 --> 00:37:42,160 Speaker 1: I actually felt something emotional there. That is not the 720 00:37:42,160 --> 00:37:45,279 Speaker 1: case with this movie. So even if you're thinking, should 721 00:37:45,320 --> 00:37:47,359 Speaker 1: I check this movie out? Do I need to watch one? 722 00:37:47,360 --> 00:37:49,399 Speaker 1: Do I need to watch two? If you didn't watch 723 00:37:49,440 --> 00:37:52,680 Speaker 1: one or two, this one, by no means would win 724 00:37:52,760 --> 00:37:54,480 Speaker 1: you over. You would go into this movie and think, 725 00:37:54,520 --> 00:37:57,120 Speaker 1: what exactly is going on? Why does Venom talk like that? 726 00:37:57,440 --> 00:38:00,600 Speaker 1: Which is another thing that it can't get over heard 727 00:38:00,600 --> 00:38:03,640 Speaker 1: of them. That sounds so cartoony and off putting to me. 728 00:38:03,760 --> 00:38:05,920 Speaker 1: I feel like Venom should be a little bit more fierce, 729 00:38:06,320 --> 00:38:08,920 Speaker 1: and their entire relationship has been more of a buddy 730 00:38:08,920 --> 00:38:11,360 Speaker 1: cop than it is, like a symbiot host, like a 731 00:38:11,440 --> 00:38:14,480 Speaker 1: symbiote taking over your body, it should be putting you 732 00:38:14,520 --> 00:38:18,120 Speaker 1: through some real mental struggle and anguish, much like we 733 00:38:18,160 --> 00:38:20,200 Speaker 1: saw with Toef for Grace and Spider Man three and 734 00:38:20,280 --> 00:38:23,160 Speaker 1: Toby Maguire. Not the case in this one. They're just 735 00:38:23,239 --> 00:38:26,200 Speaker 1: best friends hanging out doing best friend things. And it 736 00:38:26,239 --> 00:38:28,560 Speaker 1: was from the very opening scene of this movie, in 737 00:38:28,640 --> 00:38:32,279 Speaker 1: the first fight between Venom and the Mexican dudes, that 738 00:38:32,400 --> 00:38:34,439 Speaker 1: I was like, this is not gonna be a fun 739 00:38:34,480 --> 00:38:37,040 Speaker 1: time for me. And what this movie is about. Eddie 740 00:38:37,080 --> 00:38:40,240 Speaker 1: Brock and Venom are still hanging out, hiding out in Mexico. 741 00:38:40,880 --> 00:38:45,319 Speaker 1: They happen to watch a just perfectly timed newscast that 742 00:38:45,440 --> 00:38:48,839 Speaker 1: Eddie Brock is wanted in connection of a murder from 743 00:38:48,840 --> 00:38:51,920 Speaker 1: a character from Part two. I won't spoil it for 744 00:38:52,000 --> 00:38:54,719 Speaker 1: you if you haven't seen that one, although after watching three, 745 00:38:54,800 --> 00:38:57,680 Speaker 1: I don't really encourage you to go back and watch 746 00:38:57,760 --> 00:39:00,520 Speaker 1: one or two. I don't really even encourage just to 747 00:39:00,600 --> 00:39:02,400 Speaker 1: take this one on to see how bad it is, 748 00:39:02,440 --> 00:39:05,680 Speaker 1: because I do think there is a different level of 749 00:39:05,760 --> 00:39:08,000 Speaker 1: bad movies, and I'm gonna start comparing this movie to 750 00:39:08,600 --> 00:39:10,960 Speaker 1: Joker two, which was the last bad movie I saw 751 00:39:11,000 --> 00:39:15,000 Speaker 1: in theaters. Two entirely different types of bad movies. Joker 752 00:39:15,040 --> 00:39:18,320 Speaker 1: two is bad in the sense that it was such 753 00:39:18,520 --> 00:39:21,640 Speaker 1: a creative departure from the first one, and it was 754 00:39:21,680 --> 00:39:24,160 Speaker 1: so different that it alienated the fan base that it 755 00:39:24,239 --> 00:39:26,400 Speaker 1: created with that first one and was kind of a 756 00:39:26,440 --> 00:39:28,960 Speaker 1: middle finger to you, and it just kind of gave 757 00:39:29,000 --> 00:39:31,399 Speaker 1: you this heap of just I don't even know what 758 00:39:31,440 --> 00:39:33,920 Speaker 1: this is. Is it a musical, was it a courtroom drama? 759 00:39:34,360 --> 00:39:37,480 Speaker 1: It just felt like a mess. But I still believe 760 00:39:37,520 --> 00:39:40,800 Speaker 1: that Joker two set out to do what it wanted 761 00:39:40,840 --> 00:39:43,640 Speaker 1: to do, like that was the big creative swing it took. 762 00:39:43,840 --> 00:39:46,560 Speaker 1: It did it. It just didn't land with audiences. So 763 00:39:46,640 --> 00:39:49,200 Speaker 1: that is bad because you just don't like the results 764 00:39:49,239 --> 00:39:52,600 Speaker 1: of the movie. There's another type of bad that all 765 00:39:52,680 --> 00:39:56,760 Speaker 1: of the acting, all of the cgi, the entire story 766 00:39:56,960 --> 00:39:59,719 Speaker 1: is just bad and awful, and on paper, it's not 767 00:39:59,760 --> 00:40:01,920 Speaker 1: even a good movie. So it's not even that it 768 00:40:01,960 --> 00:40:04,640 Speaker 1: does things right. That you just don't enjoy. It just 769 00:40:04,680 --> 00:40:07,879 Speaker 1: doesn't do anything right. And I was so surprised of 770 00:40:07,960 --> 00:40:11,520 Speaker 1: just how uninteresting this story was. It never at any 771 00:40:11,560 --> 00:40:14,239 Speaker 1: point felt like a movie to me. It just kind 772 00:40:14,239 --> 00:40:16,279 Speaker 1: of felt like when you're starting up your car and 773 00:40:16,320 --> 00:40:18,719 Speaker 1: it just won't turn on for some reason, maybe the 774 00:40:18,760 --> 00:40:21,600 Speaker 1: batteries like half dead, and you're like, I can almost 775 00:40:21,640 --> 00:40:23,600 Speaker 1: get it on there, but it just never turns on. 776 00:40:24,320 --> 00:40:27,120 Speaker 1: That is exactly how I felt by watching this movie 777 00:40:27,560 --> 00:40:31,360 Speaker 1: from that first scene where it's just so comical in 778 00:40:31,400 --> 00:40:33,560 Speaker 1: a really weird way. And I think that's what they 779 00:40:33,560 --> 00:40:37,400 Speaker 1: are going for with Venom, of trying to be almost 780 00:40:37,440 --> 00:40:40,480 Speaker 1: like a meta Deadpool movie, because they do make some 781 00:40:40,520 --> 00:40:44,000 Speaker 1: references to the MCU and the multiverse. They talk about 782 00:40:44,040 --> 00:40:47,880 Speaker 1: thanos and talk about like, oh, an alien wouldn't be 783 00:40:48,040 --> 00:40:50,920 Speaker 1: into rings, he would be into eating people. And it 784 00:40:51,000 --> 00:40:54,640 Speaker 1: just felt like it wasn't really that funny. It's almost 785 00:40:54,640 --> 00:40:56,520 Speaker 1: like that kid in class who was known as the 786 00:40:56,560 --> 00:40:59,880 Speaker 1: funny kid, even though he never really said anything funny. 787 00:41:00,320 --> 00:41:02,880 Speaker 1: In no way at all did he have any comedic ability. 788 00:41:02,880 --> 00:41:05,920 Speaker 1: He would just say things loud and declares that he 789 00:41:05,960 --> 00:41:08,120 Speaker 1: was the funny kid in class, even though there was 790 00:41:08,200 --> 00:41:10,080 Speaker 1: no credit to his name, Like, dude, you've never done 791 00:41:10,080 --> 00:41:13,120 Speaker 1: a funny thing in your life. We've never really fully 792 00:41:13,200 --> 00:41:15,320 Speaker 1: laughed at you. You're just the one laughing in the corner. 793 00:41:15,360 --> 00:41:18,200 Speaker 1: You can't declare yourself the funny kid. That is kind 794 00:41:18,200 --> 00:41:21,319 Speaker 1: of how I feel about Venom. That they wanted that 795 00:41:21,440 --> 00:41:24,960 Speaker 1: dead Pool relationship, that going back and forth, that commentary 796 00:41:25,040 --> 00:41:28,520 Speaker 1: on comic book movies, and it never got there whatsoever. 797 00:41:29,360 --> 00:41:31,480 Speaker 1: And it committed to that. It tried to be funny 798 00:41:31,480 --> 00:41:34,319 Speaker 1: time and time again, even more so than part one, 799 00:41:34,440 --> 00:41:37,160 Speaker 1: even more so than Part two. It was really leaning 800 00:41:37,239 --> 00:41:39,840 Speaker 1: into that and even got away from the action that 801 00:41:39,880 --> 00:41:42,360 Speaker 1: at least the first and the second part had going 802 00:41:42,400 --> 00:41:45,640 Speaker 1: for it, So it ended up becoming a big mess 803 00:41:45,840 --> 00:41:49,879 Speaker 1: of nothing. So they are on the run because Eddie 804 00:41:49,920 --> 00:41:52,560 Speaker 1: Brock sees that he's wanted in Mexico, and if they're 805 00:41:52,560 --> 00:41:55,160 Speaker 1: seeing this news report here, they're probably seeing it all 806 00:41:55,200 --> 00:41:57,400 Speaker 1: over the world, and for some reason they decided to 807 00:41:57,440 --> 00:42:00,200 Speaker 1: go to New York City. They take off and then 808 00:42:00,280 --> 00:42:03,279 Speaker 1: chew atail. Edgy Afour's character is like this, I don't 809 00:42:03,320 --> 00:42:06,759 Speaker 1: take any crap military guy and swoops in trying to 810 00:42:06,840 --> 00:42:10,040 Speaker 1: find them. He is on their trail. The entire time. 811 00:42:10,160 --> 00:42:13,120 Speaker 1: You have this other plot line with Juno Temple's character 812 00:42:13,200 --> 00:42:16,959 Speaker 1: from ted Lasso. Her brother died and she is living 813 00:42:16,960 --> 00:42:19,759 Speaker 1: out his dream of being this scientist. So there are 814 00:42:19,800 --> 00:42:21,719 Speaker 1: a lot of things going on at once, all these 815 00:42:21,760 --> 00:42:24,239 Speaker 1: little plot lines that are supposed to all meet up, 816 00:42:24,400 --> 00:42:27,000 Speaker 1: and it just felt like a big, heaping mess. And 817 00:42:27,040 --> 00:42:30,080 Speaker 1: then you have the symbiolt Killers who were trying to 818 00:42:30,080 --> 00:42:32,839 Speaker 1: find Venom and Eddie Brock because they need something from 819 00:42:32,920 --> 00:42:35,080 Speaker 1: him in order to take it back to their big 820 00:42:35,160 --> 00:42:37,920 Speaker 1: bad And never, at any point did I have any 821 00:42:38,000 --> 00:42:40,640 Speaker 1: interest in all of these plot lines that were happening. 822 00:42:40,840 --> 00:42:42,960 Speaker 1: It just felt like they were trying to crow bart 823 00:42:43,040 --> 00:42:46,399 Speaker 1: in a lot of different characters and comic book references 824 00:42:46,960 --> 00:42:49,719 Speaker 1: and Easter eggs and try to set up some villains 825 00:42:49,760 --> 00:42:52,879 Speaker 1: to gain some people's interests that they could take from 826 00:42:52,920 --> 00:42:56,520 Speaker 1: this movie and create another movie for even though this 827 00:42:56,680 --> 00:42:59,400 Speaker 1: is supposed to be the last Venom movie, although I 828 00:42:59,440 --> 00:43:02,319 Speaker 1: feel like would have easily made another one if this 829 00:43:02,360 --> 00:43:05,400 Speaker 1: one would have performed well in the box office or had. 830 00:43:06,280 --> 00:43:08,759 Speaker 1: They weren't gonna get the critical acclaim. They know that, 831 00:43:08,920 --> 00:43:11,760 Speaker 1: but even the audience reaction of enjoying this one, maybe 832 00:43:11,760 --> 00:43:14,200 Speaker 1: they could crank out another one and be like, Oh, 833 00:43:14,360 --> 00:43:16,799 Speaker 1: we're not done yet. So it was almost like they 834 00:43:16,840 --> 00:43:20,080 Speaker 1: were going into this movie without fully committing to that goodbye, 835 00:43:20,440 --> 00:43:24,000 Speaker 1: and it really showed there was just no real turmoil 836 00:43:24,120 --> 00:43:27,400 Speaker 1: in this movie. There was no real defining moment of 837 00:43:27,560 --> 00:43:31,959 Speaker 1: Eddie Brock or Venom. The CGI was very mediocre, felt 838 00:43:32,000 --> 00:43:35,320 Speaker 1: like nothing was on the line, and Tom Hardy just 839 00:43:35,360 --> 00:43:37,600 Speaker 1: didn't really sell this movie. He is a great actor, 840 00:43:38,480 --> 00:43:41,680 Speaker 1: and I don't really know why he is so attached 841 00:43:41,680 --> 00:43:44,520 Speaker 1: to making Venom movies. I almost feel like the character 842 00:43:44,680 --> 00:43:46,719 Speaker 1: is a little bit beneath them. But it makes me 843 00:43:46,920 --> 00:43:48,799 Speaker 1: like a more that he is such a fan of 844 00:43:48,840 --> 00:43:51,360 Speaker 1: the comic book character that he has done three of 845 00:43:51,360 --> 00:43:53,319 Speaker 1: these movies. I have to imagine he's made some pretty 846 00:43:53,360 --> 00:43:55,759 Speaker 1: good money from doing these movies, so maybe that's a 847 00:43:55,760 --> 00:43:58,160 Speaker 1: little bit of an influence too. But it just felt 848 00:43:58,200 --> 00:44:01,720 Speaker 1: like he was never really there. The die felt very canned, 849 00:44:02,160 --> 00:44:05,400 Speaker 1: and I was just overall bored for a majority of 850 00:44:05,440 --> 00:44:08,200 Speaker 1: the film, and it had one of the most cringe 851 00:44:08,239 --> 00:44:12,160 Speaker 1: worthy scenes out of any superhero movie of all time, 852 00:44:12,239 --> 00:44:13,880 Speaker 1: and I saw it in the trailer. There was a 853 00:44:13,920 --> 00:44:18,239 Speaker 1: glimpse of it of Venom dancing on this staircase, and 854 00:44:18,280 --> 00:44:20,680 Speaker 1: I just knew that was a bad indication of what 855 00:44:20,880 --> 00:44:23,560 Speaker 1: was to come. And it's not that I don't like comedy. 856 00:44:23,640 --> 00:44:25,759 Speaker 1: I would love to laugh. I love laughing. Look at me, 857 00:44:25,760 --> 00:44:28,680 Speaker 1: I'm laughing now, ma. It's not that I don't like 858 00:44:28,719 --> 00:44:32,160 Speaker 1: to laugh or want to hate something for the fact 859 00:44:32,200 --> 00:44:33,960 Speaker 1: that it's. Ah, it's just supposed to be fun. You're 860 00:44:33,960 --> 00:44:37,080 Speaker 1: not supposed to think too much about it. Movies can 861 00:44:37,160 --> 00:44:40,040 Speaker 1: be fun, but they also have to be good. There 862 00:44:40,120 --> 00:44:44,120 Speaker 1: is a very fine line to walk where you're making 863 00:44:44,160 --> 00:44:48,120 Speaker 1: something with the intention of just making people smile, disconnect 864 00:44:48,160 --> 00:44:51,440 Speaker 1: from reality, be a form of escapism. But if you're 865 00:44:51,480 --> 00:44:54,360 Speaker 1: giving somebody something that doesn't even feel like a finished product, 866 00:44:54,480 --> 00:44:57,720 Speaker 1: it can't really be that fun. And overall just really 867 00:44:57,800 --> 00:45:00,640 Speaker 1: cringey at times. And the other moment in the trailer 868 00:45:00,719 --> 00:45:03,240 Speaker 1: that didn't really hit in the movie either was whenever 869 00:45:03,280 --> 00:45:06,320 Speaker 1: they take over the horse and they're running. It's supposed 870 00:45:06,360 --> 00:45:08,480 Speaker 1: to be like a callback to the first one when 871 00:45:08,520 --> 00:45:11,120 Speaker 1: he's on the motorcycle. The movie just overall felt a 872 00:45:11,160 --> 00:45:14,240 Speaker 1: little bit embarrassing to me. Going in my Venom shirt. 873 00:45:14,560 --> 00:45:17,840 Speaker 1: It really makes me feel more hesitation going into Craven 874 00:45:17,880 --> 00:45:21,280 Speaker 1: the Hunter, which was the preview right before Venom, because 875 00:45:21,320 --> 00:45:23,920 Speaker 1: on paper that looks kind of good too. It's rated R, 876 00:45:24,440 --> 00:45:28,040 Speaker 1: looks a little bit more hardcore. Aaron Taylor Johnson looks 877 00:45:28,040 --> 00:45:30,920 Speaker 1: great as Craven the Hunter. But if you look at 878 00:45:30,920 --> 00:45:35,000 Speaker 1: the Sony Spider Verse movies as a whole, Morbius now 879 00:45:35,080 --> 00:45:39,880 Speaker 1: Venom three, Madam Webb, they just don't have a great 880 00:45:40,000 --> 00:45:42,960 Speaker 1: track history. And I was rooting for it. I wanted 881 00:45:43,000 --> 00:45:45,600 Speaker 1: to enjoy it, but it just couldn't get behind Venom 882 00:45:45,640 --> 00:45:48,799 Speaker 1: the last dance. I give it one point five out 883 00:45:48,800 --> 00:45:52,680 Speaker 1: of five symbiotes and say goodbye, see you later. Why 884 00:45:52,719 --> 00:45:54,880 Speaker 1: on earth did you make Venom do a dance number? 885 00:45:58,160 --> 00:45:59,799 Speaker 1: It's time to head down to. 886 00:46:01,600 --> 00:46:01,839 Speaker 2: Paul. 887 00:46:02,760 --> 00:46:08,440 Speaker 1: Spinoffs over prequels all day. Every day. I'll take a 888 00:46:08,440 --> 00:46:13,200 Speaker 1: spin off. Think about prequels. It's not all about a 889 00:46:13,239 --> 00:46:16,520 Speaker 1: story you don't really care about. Do you really want 890 00:46:16,560 --> 00:46:19,719 Speaker 1: to know the way that I got this glass eye? 891 00:46:20,280 --> 00:46:22,200 Speaker 1: A character who's had a glass eye of the entire time, 892 00:46:22,200 --> 00:46:24,640 Speaker 1: and then they do a whole movie explaining why that 893 00:46:24,719 --> 00:46:26,200 Speaker 1: character has a glass eye, and by the end of 894 00:46:26,200 --> 00:46:27,759 Speaker 1: that movie, you're like, Oh, this is why he has 895 00:46:27,760 --> 00:46:30,040 Speaker 1: a glass eye? All right? That doesn't really add anything 896 00:46:30,120 --> 00:46:32,080 Speaker 1: to Part one, two, or three, but now I know 897 00:46:32,160 --> 00:46:34,600 Speaker 1: how he has a glass eye. I just feel every 898 00:46:34,600 --> 00:46:37,240 Speaker 1: time they make a prequel it is a cash grab 899 00:46:37,280 --> 00:46:39,160 Speaker 1: and they are just kind of out of the story. 900 00:46:39,560 --> 00:46:42,520 Speaker 1: Want to still live in that world. So let's do 901 00:46:42,719 --> 00:46:46,040 Speaker 1: the fans some little justice and say, oh, we're feeding 902 00:46:46,040 --> 00:46:48,840 Speaker 1: the fans here, but really we're just scraping the barrel 903 00:46:48,880 --> 00:46:51,080 Speaker 1: for a story here. That is why I would take 904 00:46:51,080 --> 00:46:54,359 Speaker 1: a spin off over a prequel all day or day, 905 00:46:55,040 --> 00:46:57,600 Speaker 1: except for the fact that this is kind of a 906 00:46:57,600 --> 00:46:59,960 Speaker 1: spinoff and a prequel in one, so I have a 907 00:47:00,160 --> 00:47:02,760 Speaker 1: little bit of hesitation going into it. But the movie 908 00:47:02,800 --> 00:47:06,520 Speaker 1: we are talking about is Ballerina, which is a John 909 00:47:06,560 --> 00:47:10,560 Speaker 1: Wick spinoff. It takes place between part three and Part 910 00:47:10,600 --> 00:47:13,600 Speaker 1: four of John Wick, so the chapter in between that 911 00:47:13,760 --> 00:47:16,279 Speaker 1: is where this story takes place. So the reason I 912 00:47:16,320 --> 00:47:18,480 Speaker 1: feel it's a little bit different is because it's not 913 00:47:18,560 --> 00:47:22,279 Speaker 1: a full on John Wick prequel. Because in john Wick one, 914 00:47:22,440 --> 00:47:26,200 Speaker 1: he is already an assassin. You biting to the fact that, Okay, 915 00:47:26,239 --> 00:47:28,200 Speaker 1: he's an assassin. I get it, he's mad because they 916 00:47:28,280 --> 00:47:30,520 Speaker 1: killed his dog. You go on this journey with him. 917 00:47:30,840 --> 00:47:34,239 Speaker 1: That movie works because starts at the action, and it's 918 00:47:34,280 --> 00:47:37,400 Speaker 1: all a direct result of that first moment in that scene. 919 00:47:37,680 --> 00:47:42,600 Speaker 1: It's not him going to assassin school rising up the ranks. 920 00:47:42,640 --> 00:47:44,480 Speaker 1: You just exist in that world. You go on that 921 00:47:44,560 --> 00:47:47,240 Speaker 1: journey one, two, and three and four Bam, Bam bam. 922 00:47:47,280 --> 00:47:51,400 Speaker 1: A fantastic action franchise. We don't need to know his story, 923 00:47:51,520 --> 00:47:55,840 Speaker 1: but here in Ballerina, we're kind of getting what would 924 00:47:55,920 --> 00:47:58,120 Speaker 1: be the making of his story because this movie is 925 00:47:58,160 --> 00:48:01,000 Speaker 1: about another Attemasi's character who trained to be an assassin 926 00:48:01,080 --> 00:48:04,160 Speaker 1: to avenge the death of her father. So much like 927 00:48:04,239 --> 00:48:07,319 Speaker 1: John Wick was avenging the death of his dog, went 928 00:48:07,360 --> 00:48:09,840 Speaker 1: on an entire killing spree just to do that. She 929 00:48:09,960 --> 00:48:12,840 Speaker 1: is doing that because somebody killed her father. So you 930 00:48:12,880 --> 00:48:15,400 Speaker 1: will see a little bit of how she becomes an assassin. 931 00:48:15,640 --> 00:48:18,080 Speaker 1: So we will see that with her character. And John 932 00:48:18,120 --> 00:48:20,399 Speaker 1: Wick does make an appearance, not only in the movie, 933 00:48:20,480 --> 00:48:22,759 Speaker 1: but you actually see him in the trailer. It's not 934 00:48:22,800 --> 00:48:24,960 Speaker 1: like we're getting his full backstory. It's kind of a 935 00:48:25,000 --> 00:48:26,759 Speaker 1: side quest for him. I feel like they kind of 936 00:48:26,800 --> 00:48:29,720 Speaker 1: included him in the trailer to get people more interested 937 00:48:29,760 --> 00:48:32,360 Speaker 1: in it, to show, hey, here's Keanu Reeves in this movie, 938 00:48:32,680 --> 00:48:34,360 Speaker 1: much like they did Iron Man. With some of the 939 00:48:34,360 --> 00:48:36,719 Speaker 1: Spider Man movies. So before I get into more of 940 00:48:36,760 --> 00:48:39,200 Speaker 1: my thoughts of Ballerina, here's just a little bit of 941 00:48:39,200 --> 00:48:47,719 Speaker 1: the trailer. To stop the assassin, you must become the assassin. 942 00:48:48,760 --> 00:48:52,640 Speaker 1: You will always be weaker, you will always be smaller. 943 00:48:53,239 --> 00:48:58,319 Speaker 3: They killed my father. This isn't done until they're dead. 944 00:48:59,280 --> 00:49:05,279 Speaker 3: Are That's the one they called a how do I 945 00:49:05,400 --> 00:49:06,960 Speaker 3: start doing what you do? 946 00:49:13,840 --> 00:49:18,240 Speaker 1: Looks like you already have Keanu Reeves with this classic 947 00:49:18,400 --> 00:49:21,440 Speaker 1: line delivery there. I think just in this trailer alone, 948 00:49:21,480 --> 00:49:24,480 Speaker 1: he probably said at least half the words that he 949 00:49:24,520 --> 00:49:28,600 Speaker 1: did in the entire john Wick Chapter four. I just 950 00:49:28,719 --> 00:49:32,440 Speaker 1: love the character of John Wick of being so loof, 951 00:49:32,920 --> 00:49:36,160 Speaker 1: very calm and jill and saying things like this but 952 00:49:36,360 --> 00:49:39,760 Speaker 1: on screen just being a total ba the entire time. 953 00:49:40,239 --> 00:49:42,560 Speaker 1: I really love that the identity of the john Wick 954 00:49:42,640 --> 00:49:45,319 Speaker 1: films is in this trailer for Ballerina. You had the 955 00:49:45,360 --> 00:49:49,920 Speaker 1: fantastic action. I think the john Wick trademarks are the gunfire, 956 00:49:49,960 --> 00:49:53,440 Speaker 1: which is just NonStop crazy weapons. I would also put 957 00:49:53,480 --> 00:49:56,160 Speaker 1: in there people getting thrown through glass, which was one 958 00:49:56,160 --> 00:49:59,120 Speaker 1: of my favorite parts of the last chapter four. Like 959 00:49:59,160 --> 00:50:01,359 Speaker 1: in my lifetime, I just want to be thrown through 960 00:50:01,400 --> 00:50:04,440 Speaker 1: a fake wall of glass. They make it look so cool, 961 00:50:04,760 --> 00:50:08,520 Speaker 1: and they also, I guess, don't properly show what it 962 00:50:08,560 --> 00:50:11,880 Speaker 1: would be like to get thrown through a wall of glass, 963 00:50:11,920 --> 00:50:14,600 Speaker 1: just like a big glass panel that would get stuck 964 00:50:14,680 --> 00:50:17,600 Speaker 1: into every piece of your body. You would not be 965 00:50:17,680 --> 00:50:20,000 Speaker 1: able to walk away from that. But in the movies 966 00:50:20,480 --> 00:50:22,920 Speaker 1: the entire thing shatters and you don't even get a 967 00:50:22,960 --> 00:50:25,279 Speaker 1: scratch on you. That would out of everything. I mean, 968 00:50:25,280 --> 00:50:28,399 Speaker 1: that could probably be worse than getting shot in the leg, 969 00:50:28,760 --> 00:50:32,520 Speaker 1: Like going through your entire body through all that glass 970 00:50:32,520 --> 00:50:35,480 Speaker 1: and walking out of it. In Hollywood, it's all just 971 00:50:35,600 --> 00:50:38,799 Speaker 1: like salt water and jelly and all these things they 972 00:50:38,800 --> 00:50:41,319 Speaker 1: make look like glass. But in real life that would 973 00:50:41,400 --> 00:50:44,960 Speaker 1: be such a pain, such a terror, probably the worst experience. 974 00:50:45,480 --> 00:50:48,880 Speaker 1: But you have the gunfire, the glass, and the really 975 00:50:48,920 --> 00:50:52,719 Speaker 1: fast paced action, and also some really brutal headshot, which 976 00:50:52,760 --> 00:50:55,359 Speaker 1: I think is something that John Wick really owned. It 977 00:50:55,400 --> 00:50:59,280 Speaker 1: really desensitized me to violence on an entirely different level. 978 00:51:00,120 --> 00:51:01,560 Speaker 1: Now I see somebody get shot in the head, I'm 979 00:51:01,600 --> 00:51:03,239 Speaker 1: just like, oh cool, that was a cool shot. I 980 00:51:03,239 --> 00:51:05,480 Speaker 1: wonder how they got it, not like, oh man, I 981 00:51:05,520 --> 00:51:07,600 Speaker 1: hope that he's not okay, he is lying on the 982 00:51:07,600 --> 00:51:10,400 Speaker 1: floor and in a world where we have very short 983 00:51:10,440 --> 00:51:14,279 Speaker 1: attention spans and where sometimes in action movies now the 984 00:51:14,440 --> 00:51:17,480 Speaker 1: actual action sequences just kind of feel like a waste. 985 00:51:17,480 --> 00:51:21,600 Speaker 1: It's people going through the motions, really slow action and gunfire. 986 00:51:21,719 --> 00:51:24,760 Speaker 1: You will go down, You'll go down. John Wick movies 987 00:51:24,800 --> 00:51:26,640 Speaker 1: take it all up to a ten and just like 988 00:51:26,640 --> 00:51:29,839 Speaker 1: boom boom boom right after another, to where your eye 989 00:51:30,040 --> 00:51:32,360 Speaker 1: is just looking on the screen the entire time and 990 00:51:32,440 --> 00:51:35,399 Speaker 1: has stimulated in some way. So I'm glad to see 991 00:51:35,520 --> 00:51:38,000 Speaker 1: that they took that fiber of the john Wick movies 992 00:51:38,320 --> 00:51:41,440 Speaker 1: and are incorporating it into this Ballerina story, even just 993 00:51:41,480 --> 00:51:44,880 Speaker 1: from the scenes of her training up until the point 994 00:51:44,880 --> 00:51:47,319 Speaker 1: to where she becomes more on the level of a 995 00:51:47,400 --> 00:51:50,440 Speaker 1: John Wick. I think that transformation is actually going to 996 00:51:50,480 --> 00:51:53,600 Speaker 1: be interesting to watch and learning about her wanting to 997 00:51:53,640 --> 00:51:56,560 Speaker 1: avenge the death of her father. This movie was actually 998 00:51:56,600 --> 00:51:59,040 Speaker 1: supposed to come out on June seventh of this year, 999 00:51:59,080 --> 00:52:01,520 Speaker 1: but it's been delayed and coming out on June sixth, 1000 00:52:01,600 --> 00:52:06,200 Speaker 1: twenty twenty five. Ana the Otomas is a fantastic actor 1001 00:52:06,560 --> 00:52:09,120 Speaker 1: and it's really cool to see her in an action role. 1002 00:52:09,160 --> 00:52:12,720 Speaker 1: There are some fantastics shots in here, where it doesn't 1003 00:52:12,840 --> 00:52:15,719 Speaker 1: look at all weird to see her performing some of 1004 00:52:15,760 --> 00:52:18,799 Speaker 1: this stunts. It makes sense because I believe her to 1005 00:52:18,960 --> 00:52:22,239 Speaker 1: be this hardcore. There's a scene that I loved in 1006 00:52:22,280 --> 00:52:25,480 Speaker 1: this trailer where she's fighting this dude takes the grenade, 1007 00:52:25,520 --> 00:52:28,040 Speaker 1: throws it, pins them behind the door, and you just 1008 00:52:28,080 --> 00:52:31,400 Speaker 1: see the grenade explode. That is fantastic. And then at 1009 00:52:31,400 --> 00:52:33,400 Speaker 1: the end of the trailer you have a dude with 1010 00:52:33,480 --> 00:52:37,640 Speaker 1: a flamethrower. Oh that is my dream to be like 1011 00:52:37,680 --> 00:52:41,279 Speaker 1: in an open concrete lot with a flamethrower and just 1012 00:52:41,360 --> 00:52:43,680 Speaker 1: allowed to unleash all this anger I have pent up, 1013 00:52:43,760 --> 00:52:48,360 Speaker 1: just like that is what I want to do. Like 1014 00:52:48,400 --> 00:52:50,120 Speaker 1: I was talking about earlier movies, I want to be 1015 00:52:50,160 --> 00:52:54,279 Speaker 1: alive to see. On my bucket list is of things 1016 00:52:54,280 --> 00:52:56,360 Speaker 1: I want to do before I die is to be 1017 00:52:56,440 --> 00:52:58,959 Speaker 1: able just to shoot a flamethrower, not with anybody around. 1018 00:52:58,960 --> 00:53:00,600 Speaker 1: I don't want to burn down Bill, I don't want 1019 00:53:00,600 --> 00:53:03,399 Speaker 1: to burn people. I'm not that demented. I just want 1020 00:53:03,440 --> 00:53:06,640 Speaker 1: to feel the fire. I guess I'm revealing here that 1021 00:53:06,719 --> 00:53:08,319 Speaker 1: I was a bit of a pyro as a kid. 1022 00:53:08,360 --> 00:53:11,160 Speaker 1: I love going to Mexico because, as like a ten 1023 00:53:11,239 --> 00:53:13,320 Speaker 1: year old, you could go to the store and buy matches, 1024 00:53:13,360 --> 00:53:14,880 Speaker 1: and I would spend a lot of my money that 1025 00:53:15,040 --> 00:53:17,560 Speaker 1: my parents gave me four snacks to go buy matches, 1026 00:53:18,120 --> 00:53:20,920 Speaker 1: and I would just light the entire box of matches 1027 00:53:20,920 --> 00:53:23,520 Speaker 1: on fire because I just found it enjoyable. I would 1028 00:53:23,560 --> 00:53:26,479 Speaker 1: get Mexican fireworks, and I had a great old time 1029 00:53:26,840 --> 00:53:30,000 Speaker 1: lighting things on fire in Mexico. So I would just 1030 00:53:30,080 --> 00:53:33,200 Speaker 1: want to have a flamethrower, even though those are probably 1031 00:53:33,239 --> 00:53:36,040 Speaker 1: really dangerous because in movies you always see people with 1032 00:53:36,080 --> 00:53:37,960 Speaker 1: the flamethrower and they had the tank on their back, 1033 00:53:37,960 --> 00:53:39,960 Speaker 1: and then someone shoots the tank on their back and 1034 00:53:40,040 --> 00:53:41,440 Speaker 1: they all go up and flame. So it's a very 1035 00:53:41,520 --> 00:53:46,720 Speaker 1: dangerous tool. But just in like a concrete area with nothing, 1036 00:53:46,880 --> 00:53:49,400 Speaker 1: just to be able to feel the flame in my 1037 00:53:49,560 --> 00:53:52,920 Speaker 1: hand burning the whiskers of my face. That is something 1038 00:53:52,960 --> 00:53:54,759 Speaker 1: I want to do and something that is on my 1039 00:53:54,760 --> 00:53:57,480 Speaker 1: bucket list, and that is what this movie provided for me. 1040 00:53:57,520 --> 00:53:59,520 Speaker 1: Of like, ah, I want to be able to do that. 1041 00:53:59,680 --> 00:54:01,680 Speaker 1: The other part of this trailer that kind of got 1042 00:54:01,680 --> 00:54:05,160 Speaker 1: me that I wasn't expecting to was seeing Lance Reddick's 1043 00:54:05,200 --> 00:54:09,200 Speaker 1: character who passed away last year. He plays the concierge 1044 00:54:09,320 --> 00:54:12,400 Speaker 1: down at the Continental, which is the Hotel in john Wick, 1045 00:54:12,640 --> 00:54:14,600 Speaker 1: And I remember it was really sad when that movie 1046 00:54:14,640 --> 00:54:16,879 Speaker 1: came out and then he passed away. And a lot 1047 00:54:16,920 --> 00:54:19,560 Speaker 1: of times, like actor deaths don't really affect me because 1048 00:54:20,120 --> 00:54:23,839 Speaker 1: to me, a famous person will continue to exist in 1049 00:54:23,840 --> 00:54:26,200 Speaker 1: my mind if I go and watch their work, because 1050 00:54:26,680 --> 00:54:28,920 Speaker 1: I don't know Lance Reddick as a person. I've never 1051 00:54:28,960 --> 00:54:30,880 Speaker 1: met him, probably would have never met him even if 1052 00:54:30,920 --> 00:54:35,440 Speaker 1: he was still alive. To me, their work continues to 1053 00:54:35,480 --> 00:54:38,560 Speaker 1: carry on their legacy. But it's just kind of sad 1054 00:54:38,640 --> 00:54:40,680 Speaker 1: seeing them in this trailer and knowing that he's not 1055 00:54:40,719 --> 00:54:43,600 Speaker 1: actually alive anymore and this will be the last time 1056 00:54:43,640 --> 00:54:45,840 Speaker 1: we ever see him in a new movie, and that 1057 00:54:45,920 --> 00:54:47,680 Speaker 1: just made me sad. But then I went back to 1058 00:54:47,719 --> 00:54:54,200 Speaker 1: thinking about the flamethrower, thinking having a dreamed for that flamethrower. 1059 00:54:54,239 --> 00:54:56,600 Speaker 1: So again, this movie is coming out next summer on 1060 00:54:56,719 --> 00:54:59,480 Speaker 1: June sixth, twenty twenty five. I will be there with 1061 00:54:59,560 --> 00:55:00,880 Speaker 1: flame thro in my eyes. 1062 00:55:01,719 --> 00:55:05,839 Speaker 2: And that was this week's edition of Movie Li Tramer Bar. 1063 00:55:06,400 --> 00:55:08,760 Speaker 1: And that is going to do it for another episode 1064 00:55:08,800 --> 00:55:11,399 Speaker 1: here of the podcast. But before I go, I gotta 1065 00:55:11,440 --> 00:55:13,600 Speaker 1: give my listeners shout out of the week. How do 1066 00:55:13,680 --> 00:55:15,759 Speaker 1: you get a listener shout out of the week, Well, 1067 00:55:15,840 --> 00:55:17,840 Speaker 1: I am glad that you asked. You can go to 1068 00:55:17,880 --> 00:55:22,000 Speaker 1: Facebook dot com slash Mike Dstro, comment on my Instagram, 1069 00:55:22,000 --> 00:55:25,120 Speaker 1: be sure to follow me there at Mike Distro TikTok, 1070 00:55:25,360 --> 00:55:28,200 Speaker 1: or YouTube dot com slash Mike Dstro. If you're really 1071 00:55:28,200 --> 00:55:30,880 Speaker 1: old school, you can go movie Mike d at gmail 1072 00:55:30,920 --> 00:55:33,399 Speaker 1: dot com send me an email. I do read those 1073 00:55:33,600 --> 00:55:36,400 Speaker 1: all the time, but this week I'm going over to 1074 00:55:36,440 --> 00:55:38,759 Speaker 1: my YouTube channel and the shout out of the week 1075 00:55:38,800 --> 00:55:42,000 Speaker 1: goes to green robot five on YouTube, who wrote, I 1076 00:55:42,040 --> 00:55:44,920 Speaker 1: have my entire Nightmare on ELM Street interview up there, 1077 00:55:44,920 --> 00:55:46,480 Speaker 1: so if you miss that, you can go watch it 1078 00:55:46,520 --> 00:55:49,879 Speaker 1: in its entirety. But green robot five wrote how does 1079 00:55:49,920 --> 00:55:53,160 Speaker 1: this video have only seventy nine likes? The questions were 1080 00:55:53,160 --> 00:55:56,480 Speaker 1: smart and not the same ones we hear over and over. 1081 00:55:56,920 --> 00:55:59,840 Speaker 1: I really appreciate that, Green robot. I have been seeing 1082 00:56:00,360 --> 00:56:03,240 Speaker 1: the support of this interview trickle out more and more 1083 00:56:03,320 --> 00:56:05,120 Speaker 1: as some of the clips have blown up on TikTok. 1084 00:56:05,440 --> 00:56:07,960 Speaker 1: Some people have discovered the podcast from that, some people 1085 00:56:08,000 --> 00:56:10,680 Speaker 1: have discovered and subscribed to the YouTube channel. And I 1086 00:56:10,719 --> 00:56:13,440 Speaker 1: don't really have the most subscribers on YouTube right now. 1087 00:56:13,840 --> 00:56:16,600 Speaker 1: That is something I kind of just built alongside of 1088 00:56:16,640 --> 00:56:18,680 Speaker 1: this podcast because I wanted to have a place that 1089 00:56:18,719 --> 00:56:22,480 Speaker 1: people could go and find individual reviews without having to 1090 00:56:22,480 --> 00:56:25,440 Speaker 1: go through all the old backlog of podcasts. Sometimes you 1091 00:56:25,520 --> 00:56:27,720 Speaker 1: just want to hear my thoughts on one particular movie, 1092 00:56:27,760 --> 00:56:29,799 Speaker 1: so that is why I created that channel. I also 1093 00:56:29,840 --> 00:56:32,319 Speaker 1: decided to put all my interviews there, so if you 1094 00:56:32,360 --> 00:56:34,640 Speaker 1: want to see me talking to other people I've had 1095 00:56:34,680 --> 00:56:37,760 Speaker 1: on the podcast, they all exist there. So it's something 1096 00:56:37,800 --> 00:56:40,680 Speaker 1: that really this year I started to become more conscious 1097 00:56:40,719 --> 00:56:44,200 Speaker 1: of of building and putting new things on there, trying 1098 00:56:44,239 --> 00:56:47,400 Speaker 1: to create content that doesn't even exist on this podcast 1099 00:56:47,480 --> 00:56:50,440 Speaker 1: and put it there. So I'll admit I'm not exactly 1100 00:56:50,480 --> 00:56:53,399 Speaker 1: where I want to be on YouTube yet, but thank 1101 00:56:53,400 --> 00:56:57,240 Speaker 1: you Greeting Robot for giving me that encouragement to continue 1102 00:56:57,239 --> 00:57:00,359 Speaker 1: to post videos there and build that channel because I'm 1103 00:57:00,400 --> 00:57:02,880 Speaker 1: just trying to be everything everywhere all at once. So 1104 00:57:02,960 --> 00:57:06,240 Speaker 1: appreciate that. Thank you for being subscribed over on YouTube 1105 00:57:06,280 --> 00:57:09,680 Speaker 1: wherever you're listening to this podcast now, really appreciate it. 1106 00:57:09,719 --> 00:57:12,720 Speaker 1: And until next time, go out and watch good movies 1107 00:57:12,719 --> 00:57:14,680 Speaker 1: and I will talk to you later.