WEBVTT - Heavyweight Check In 6

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<v Speaker 1>Pushkin. Hey everyone, before we start the show, I just

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<v Speaker 1>wanted to make a little announcement. Heavyweight is going to

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<v Speaker 1>remain available on every platform, but we're going to be

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<v Speaker 1>making some extra bonus material exclusive to those who listen

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<v Speaker 1>on Spotify right now. On Spotify, we're offering the hard

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<v Speaker 1>hitting and beer sponsored eight part investigative series, The Heavyweight Diaries,

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<v Speaker 1>and we'll have some other fun bonus content coming later

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<v Speaker 1>this year. So if you want to check all that out,

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<v Speaker 1>you can follow us for free on Spotify. All right,

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<v Speaker 1>let's start the show. Hello Stevie, Yes, let me get

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<v Speaker 1>Khalila on the line. Hello, Khalila, It's Jonathan.

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<v Speaker 2>Hi.

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<v Speaker 1>Yep, Goldstein. I know you're both therey. What's going on?

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<v Speaker 3>So?

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<v Speaker 4>You know, I'm at home with my parents, and my

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<v Speaker 4>older brother and his fiance, Miriam are staying with us

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<v Speaker 4>as well. Yeah, and we're all pretty much on top

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<v Speaker 4>of each other and there's like not really anywhere to

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<v Speaker 4>escape to. But the thing I'm really enjoying about it,

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<v Speaker 4>actually is I've gotten to know Miriam so much better.

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<v Speaker 4>She and my brother have been dating for like eight years,

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<v Speaker 4>but I don't think we'd ever hung out one on

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<v Speaker 4>one before.

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<v Speaker 5>Now it feels like Jane Austen novel or something, where

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<v Speaker 5>like your brother's betrothed is staying at the house, and

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<v Speaker 5>like the ladies are getting to spend time together and

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<v Speaker 5>like go for strolls and stuff.

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<v Speaker 4>Yeah, and I'm learning all these little things about her

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<v Speaker 4>which I find so entertaining. She has a terrible sense

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<v Speaker 4>of direction. Basically, she can't form any kind of mental

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<v Speaker 4>map in her head. She told me this great story

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<v Speaker 4>about when she first started driving. She was in the

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<v Speaker 4>town where she grew up her whole life.

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<v Speaker 6>And I got lost, and I had no idea where

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<v Speaker 6>I was going, and somehow I just decided to follow

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<v Speaker 6>the car in front of me.

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<v Speaker 4>Where were you trying to go?

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<v Speaker 5>I was trying to get home.

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<v Speaker 4>You were trying to go home, and you were just like,

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<v Speaker 4>maybe the car in front of me is also going

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<v Speaker 4>to my house.

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<v Speaker 1>I didn't know, but I.

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<v Speaker 6>Just figured they were going somewhere, and they would at

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<v Speaker 6>least be going like on real roads and going like

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<v Speaker 6>on the right direction in roads. But actually it was

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<v Speaker 6>a terrible idea. And the car in front of me

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<v Speaker 6>turned onto the highway, so I just followed them on

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<v Speaker 6>the highway for like, I don't know a while, and

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<v Speaker 6>finally I like pulled over in a gas station and

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<v Speaker 6>I was like, where am I? And it was in Pennsylvania,

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<v Speaker 6>and where did you start? I started in Maryland.

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<v Speaker 4>It's pretty extreme, Like she gets lost in restaurants. If

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<v Speaker 4>she goes to the bathroom, she can't find her way

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<v Speaker 4>back to the table.

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<v Speaker 7>You know.

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<v Speaker 4>She's been at our house for a little while now,

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<v Speaker 4>and still like when she goes on walks in the neighborhood,

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<v Speaker 4>she has a really hard time getting back. So she

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<v Speaker 4>was telling me that the way she gets around is

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<v Speaker 4>basically by just stumbling on what she calls landmarks.

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<v Speaker 6>There's some bone on the street that's kind of near

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<v Speaker 6>your street, like near the gutter, And a lot of

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<v Speaker 6>times I'm walking and the bone is nearby, and then

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<v Speaker 6>your house is really close by.

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<v Speaker 4>Wait wait wait wait wait, like an animal boat.

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<v Speaker 6>Yeah, Like I don't know if there's like part of

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<v Speaker 6>a chicken bone or like even something a dog was

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<v Speaker 6>chewing on. But it's been like really helpful because there's

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<v Speaker 6>been a few times that I'm kind of like a

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<v Speaker 6>bit lost and then I look down and there's the bone,

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<v Speaker 6>and it's like.

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<v Speaker 5>Oh good, wait, what's gonna happen? When someone cleans up

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<v Speaker 5>that chicken bone.

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<v Speaker 4>I know, I was like that bone could be gone

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<v Speaker 4>like any day.

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<v Speaker 6>The bone has been very reliable for like three, three

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<v Speaker 6>or four weeks since I've been here.

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<v Speaker 4>Our house, which for me is feeling like smaller and

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<v Speaker 4>smaller every day. For her, it's like completely the opposite

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<v Speaker 4>my experience of walking and moving around in spaces in

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<v Speaker 4>the world.

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<v Speaker 6>I do think everything feels really really huge to me

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<v Speaker 6>all the time, like unfathomably, like infinitely just mysterious and

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<v Speaker 6>kind of unknowable. And so I think I might be

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<v Speaker 6>a bit lucky and that I may not be feeling

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<v Speaker 6>that clausterphobia that a lot of people are feeling right

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<v Speaker 6>now in quarantine.

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<v Speaker 4>I just am fascinated by how she experiences the world,

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<v Speaker 4>and I've actually been doing these sort of like experiments

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<v Speaker 4>with her where I make her close her eyes and

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<v Speaker 4>I ask her to point to things that are in

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<v Speaker 4>the room, like the TV or the couch or the

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<v Speaker 4>kitchen table or whatever, and then I have her open

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<v Speaker 4>her eyes.

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<v Speaker 6>Wait, oh my god, Wait, was all of that wrong,

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<v Speaker 6>because I thought the whole time that I was in

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<v Speaker 6>a totally different part of the house. Did you do

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<v Speaker 6>that on purpose or no, no, no, no, no, you

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<v Speaker 6>weren't trying to trick me. No, I was totally shocked

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<v Speaker 6>to open my eyes.

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<v Speaker 5>And I am not sharing my home with a sister

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<v Speaker 5>in law to be. But I did talk to my

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<v Speaker 5>little sister this week. Oh so she's much younger than me.

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<v Speaker 5>She's a senior in high school right now. Her name's Jeffy,

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<v Speaker 5>And I also feeling she like has it together in

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<v Speaker 5>a way that I did not in high school. Like

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<v Speaker 5>if I look at pictures of her and her friends,

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<v Speaker 5>I'm like, wow, they look so polished. So normally she'd

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<v Speaker 5>be graduating in a couple of weeks because she's a senior,

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<v Speaker 5>but obviously they're not having a real graduation right this

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<v Speaker 5>week she had her sort of fake graduation. What they're

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<v Speaker 5>doing is they're having all the kids come to the

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<v Speaker 5>school over the course of three days, and they're just

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<v Speaker 5>filming them walking across the stage.

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<v Speaker 7>They were basically like tapeline every six feet and yeah,

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<v Speaker 7>we basically just walked across stage.

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<v Speaker 5>Did they like play music or anything while you were

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<v Speaker 5>walking across the stage. Nope, Like she just walked across

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<v Speaker 5>a silent stage in an empty room, and they were

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<v Speaker 5>like Okay, that's your graduation. Yeah, I guess it wasn't

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<v Speaker 5>like totally empty. It was like there were a handful

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<v Speaker 5>of people there in this very large arena.

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<v Speaker 7>Obviously mom and dad were there, and then they had

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<v Speaker 7>to wear masks, and my principal was there to like

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<v Speaker 7>kind of remind me what to do, and but my

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<v Speaker 7>principle he stick really close to me. That was like,

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<v Speaker 7>really weird, the closest I've been to another person besides

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<v Speaker 7>my family in a long time.

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<v Speaker 5>And did it feel like a graduation?

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<v Speaker 8>Uh?

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<v Speaker 7>It was pretty as I claimactic none of this really

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<v Speaker 7>feels real. So yeah, I mean I feel like you

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<v Speaker 7>normally get those feelings anyway of like, oh, it doesn't

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<v Speaker 7>really feel over, but like it really doesn't feel over.

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<v Speaker 5>Yeah, yeah, I assume you're not having a prom.

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<v Speaker 7>No, that was one of the first things we canceled.

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<v Speaker 5>Yeah, I don't know.

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<v Speaker 7>I feel kind of grateful that I hadn't already bought

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<v Speaker 7>my dress. Little things right, Dad joking and was.

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<v Speaker 5>Like, well, at least you don't have a date.

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<v Speaker 7>Yeah, you're right, No way, I'm getting a boyfriend in

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<v Speaker 7>high school now.

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<v Speaker 5>Well I didn't either, so I don't know if that's

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<v Speaker 5>that any comfort.

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<v Speaker 7>I didn't have super high over.

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<v Speaker 4>Jonathan, how are you doing?

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<v Speaker 1>You know I'm doing okay. I I had a milestone

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<v Speaker 1>this weekend. My three year old Aggie showed an interest

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<v Speaker 1>in what I do for a living for the very

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<v Speaker 1>first time. So I invited him into my home studio

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<v Speaker 1>so he could so you could feel the magic. Yeah, yeah,

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<v Speaker 1>you hear yourself. You could see how you're recording. When

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<v Speaker 1>you see those little lines. When you talk loud, it

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<v Speaker 1>goes up up. Okay, that's a little loud. Mostly what

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<v Speaker 1>we did was just fight over the microphone. I hold it.

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<v Speaker 2>Let.

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<v Speaker 1>We ended up calling up his grandmother to interview her. Hi, Hi,

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<v Speaker 1>whenne viewing you. That makes me feel very important. Left

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<v Speaker 1>new It's hard.

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<v Speaker 7>To think of new things when you can't leave your house.

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<v Speaker 1>I come out of more of a I guess public

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<v Speaker 1>radio tradition, but Aggie seems to adhere more to commercial

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<v Speaker 1>morning zoo, aesthetic knack knack. Who's there? Dung dung?

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<v Speaker 3>Who dung doggy dung. I'm healthy, Papa, you are?

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<v Speaker 1>I see you have a microphone?

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<v Speaker 8>And are you in his studio?

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<v Speaker 2>No?

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<v Speaker 4>I mean the.

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<v Speaker 1>Classic, Well, the closet is my studio. My fear. Now

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<v Speaker 1>is that hearing his old man say in that pleading

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<v Speaker 1>tone of voice that the closet is my studio might

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<v Speaker 1>be Augie's very first memory. Anyway, you know what time

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<v Speaker 1>it is? Twelve?

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<v Speaker 5>Ad time?

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<v Speaker 1>Did you say bedtime?

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<v Speaker 5>I said add time, but I wish it were bedtime.

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<v Speaker 1>Wrong again, It's AD time, So I was right. You

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<v Speaker 1>know why they call them.

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<v Speaker 5>Ads because they add a value tier, because they.

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<v Speaker 1>Add so much to your life. And when we get back,

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<v Speaker 1>you're not going to believe who I talk to next?

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<v Speaker 1>Heavyweight Gang. Yeah, you remember my old friend James. He's

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<v Speaker 1>a successful TV writer living in Toronto. In season one,

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<v Speaker 1>we snuck onto a golf course to scatter his dad's ashes.

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<v Speaker 1>So one night recently, James began to feel really ill

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<v Speaker 1>with what he's now pretty sure was COVID scary, so

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<v Speaker 1>his wife decided to steal them off in their bedroom,

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<v Speaker 1>away from their two kids. And James is feeling much

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<v Speaker 1>better now, but he's still in isolation. So I gave

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<v Speaker 1>him a call to see how he's doing, and he

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<v Speaker 1>told me about the weird way that the sickness first

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<v Speaker 1>came on.

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<v Speaker 2>I was doing a chickstarw puzzle. It's a woodstock puzzle,

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<v Speaker 2>and you'd think it's all like hifty, peaceful, it's going

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<v Speaker 2>to be easy. No, it was a nightmare of this puzzle.

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<v Speaker 1>How many pieces? How many pieces on thousand?

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<v Speaker 2>Well, I'm no punk, I'm no punk. Anything less than

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<v Speaker 2>a thousand that's a kid puzzle. Anyways, it's a mad,

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<v Speaker 2>challenging puzzle, and it was really getting on my nerves.

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<v Speaker 2>He was pissing me off. I couldn't get to sleep

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<v Speaker 2>because it started. I was getting angry and I felt sick,

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<v Speaker 2>and I thought.

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<v Speaker 1>You thought you were just like sick with anger about

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<v Speaker 1>the puzzle for real?

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<v Speaker 2>Yeah, yeah, yeah, yeah, because I was like starting to

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<v Speaker 2>get you know, like, oh my stomach sick and I'm

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<v Speaker 2>mad at this goddamn puzzle.

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<v Speaker 1>But at a certain point, did you realize, you know, actually,

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<v Speaker 1>it's not normal to be getting this upset and this

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<v Speaker 1>sick over a puzzle.

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<v Speaker 2>Eventually, about four five in the morning, I got so

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<v Speaker 2>cold and I started to shake, and I went, oh,

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<v Speaker 2>I'm sick, that's what this is.

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<v Speaker 1>Yeah.

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<v Speaker 2>I was moaning on every outpress like this. It was

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<v Speaker 2>like for hours. I was going One night, as I'm

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<v Speaker 2>going I heard people outside being like, what is that

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<v Speaker 2>like I was causing a disturbance in the neighborhood. It

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<v Speaker 2>was like the Extra Sister or something. You know, a migraine.

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<v Speaker 2>You're in a migraine.

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<v Speaker 1>No, but I mean I've heard I've read about them.

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<v Speaker 2>Yeah, me too. So it's like I had a migraine

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<v Speaker 2>in my body. It's like my legs were a migraine.

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<v Speaker 2>Everything hurts. And I said something like I want to die.

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<v Speaker 2>I want to die, you know. Oh, it's just I did.

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<v Speaker 2>I really wanted to die for a good forty eight hours.

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<v Speaker 2>Kill me.

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<v Speaker 1>So the weirdest thing was that, in spite of how

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<v Speaker 1>sick he was and how he felt like he was

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<v Speaker 1>looking at his own mortality, we spent most of the

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<v Speaker 1>conversation talking about this movie, this seventies disaster film that

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<v Speaker 1>he'd seen as a kid and had decided to rewatch

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<v Speaker 1>while he was recovering in Quarantine. And the movie is

0:12:44.770 --> 0:12:49.370
<v Speaker 1>straight strangely timely because it's about a pandemic and it's

0:12:49.370 --> 0:12:50.890
<v Speaker 1>called the Cassandra Crossing.

0:12:51.290 --> 0:12:54.890
<v Speaker 2>It is one of the worst movies ever made. It's terrible.

0:12:55.010 --> 0:12:56.570
<v Speaker 2>It's like eating bad ice cream.

0:12:56.650 --> 0:12:58.930
<v Speaker 1>So wait to what happens. So it's it's Santa.

0:12:58.610 --> 0:13:02.410
<v Speaker 2>Crossing takes place on a very sexy, glamorous train from

0:13:02.450 --> 0:13:06.650
<v Speaker 2>Geneva to Rembra and it's filled the stars. And what's

0:13:06.730 --> 0:13:10.730
<v Speaker 2>the twist that makes a disaster movie? A terrorist infected

0:13:10.770 --> 0:13:14.090
<v Speaker 2>with the bubonic plague gets on the train and he's

0:13:14.090 --> 0:13:17.450
<v Speaker 2>going to get everybody sick and they're going to die.

0:13:17.930 --> 0:13:21.890
<v Speaker 2>And the government represent on of Burt Lancaster decides they

0:13:22.090 --> 0:13:25.890
<v Speaker 2>just going to kill everybody. Let's just kill them, so

0:13:26.370 --> 0:13:31.210
<v Speaker 2>they stop the train at Nuremberg. At Nuremberg, no connotations there,

0:13:31.610 --> 0:13:34.730
<v Speaker 2>and they board it up with metal. The Cassandra Crossing

0:13:34.930 --> 0:13:37.770
<v Speaker 2>of the title is they're going to divert the train

0:13:38.210 --> 0:13:42.450
<v Speaker 2>over a crossing an elevated bridge, okay, massive, huge bridge

0:13:42.690 --> 0:13:47.130
<v Speaker 2>over a canyon, knowing that the bridge cannot sustain this

0:13:47.250 --> 0:13:50.450
<v Speaker 2>train and they will all plummet to their death. And

0:13:50.890 --> 0:13:54.050
<v Speaker 2>they deliberately pump the train full of pure oxygen, which

0:13:54.130 --> 0:13:58.170
<v Speaker 2>is flammable, knowing that when the train crashes, it's going

0:13:58.250 --> 0:14:02.130
<v Speaker 2>to blow up. There's O. J. Simpson. He's playing a priest,

0:14:02.410 --> 0:14:06.170
<v Speaker 2>but he's actually an agent from Interpol who's tracking Martin Sheen,

0:14:06.250 --> 0:14:09.010
<v Speaker 2>the drug dealer. Turns out Martin Sheen's a heroin at

0:14:09.290 --> 0:14:13.490
<v Speaker 2>and he goes bananas because he needs Heroin right, grabs

0:14:13.490 --> 0:14:16.890
<v Speaker 2>a machine gun and starts shooting people. He starts shooting

0:14:16.890 --> 0:14:20.010
<v Speaker 2>people and then because he's like, I need this stuff.

0:14:19.970 --> 0:14:20.570
<v Speaker 8>So I get this.

0:14:20.610 --> 0:14:22.490
<v Speaker 2>You're gonna love this. There is always a moment like

0:14:22.530 --> 0:14:26.890
<v Speaker 2>this in all seventies movies where the British actor would act.

0:14:27.450 --> 0:14:30.330
<v Speaker 2>So this is Richard Harris, this moment to act and

0:14:30.370 --> 0:14:32.130
<v Speaker 2>he's like, so what will you do?

0:14:32.210 --> 0:14:32.410
<v Speaker 4>Then?

0:14:32.850 --> 0:14:35.130
<v Speaker 2>Will you shoot everyone on the train?

0:14:35.610 --> 0:14:37.170
<v Speaker 9>So stop start with me?

0:14:37.610 --> 0:14:40.530
<v Speaker 2>Shoot me? And Barnishine's like, oh, yeah, you're right, that's bad.

0:14:40.570 --> 0:14:44.610
<v Speaker 2>I shouldn't do that. Before he was a Heroin Addict

0:14:44.650 --> 0:14:49.050
<v Speaker 2>slash Dealer, he was a champion mountain climber in Europe.

0:14:49.290 --> 0:14:51.970
<v Speaker 2>He borrows some kids tennis shoes and he goes out,

0:14:52.250 --> 0:14:54.570
<v Speaker 2>this is a terrible movie. So the stunt double is like,

0:14:54.650 --> 0:14:58.050
<v Speaker 2>I don't know, eight feet tall and it's obviously not Martchine,

0:14:58.090 --> 0:14:59.010
<v Speaker 2>but whatever do you know?

0:14:59.130 --> 0:15:01.850
<v Speaker 1>As you're telling that, like it sounds as though like

0:15:02.050 --> 0:15:03.690
<v Speaker 1>hadn't you said you saw this movie as a kid,

0:15:03.690 --> 0:15:06.090
<v Speaker 1>I would think like was this a fever dream?

0:15:06.290 --> 0:15:08.410
<v Speaker 2>It's very real. You can probably find it in the

0:15:08.450 --> 0:15:12.890
<v Speaker 2>delete bin event gas station. As Susan Sontag said, the

0:15:12.930 --> 0:15:16.970
<v Speaker 2>disaster movie gives the audience the opportunity to live through

0:15:16.970 --> 0:15:17.610
<v Speaker 2>their own death.

0:15:17.770 --> 0:15:19.530
<v Speaker 1>Do you think that's why you sought out this movie

0:15:19.570 --> 0:15:20.170
<v Speaker 1>at this moment?

0:15:20.530 --> 0:15:20.770
<v Speaker 7>Hell?

0:15:20.930 --> 0:15:24.530
<v Speaker 2>Yeah, absolutely, because I thought I was I don't mean

0:15:24.570 --> 0:15:26.450
<v Speaker 2>to say I thought I was dying in a history onic,

0:15:26.570 --> 0:15:29.210
<v Speaker 2>you know, sort of like melodramatic way. I was like,

0:15:29.250 --> 0:15:31.530
<v Speaker 2>I'm dying. I'm dying, and part of me wanted to

0:15:31.570 --> 0:15:33.370
<v Speaker 2>die because I didn't want to keep going through what

0:15:33.410 --> 0:15:35.250
<v Speaker 2>I was wanting through. It sounds stupid, but that's what

0:15:35.290 --> 0:15:38.610
<v Speaker 2>I thought as I was coming out of it, surely

0:15:38.610 --> 0:15:41.690
<v Speaker 2>before I decided to watch Concentral Crossing again and realizing,

0:15:41.730 --> 0:15:44.170
<v Speaker 2>oh no, okay, you're not only are you not going

0:15:44.250 --> 0:15:46.570
<v Speaker 2>to die, but it was really stupid to want to die.

0:15:46.610 --> 0:15:48.490
<v Speaker 2>That was just the stupidest thing you've ever thought of.

0:15:48.610 --> 0:15:53.290
<v Speaker 2>Because your kids are there, and yeah they're annoying, but

0:15:53.410 --> 0:15:57.450
<v Speaker 2>they're awesome, and I have things to write, and I

0:15:57.490 --> 0:15:59.890
<v Speaker 2>really did have this sense of like, oh my god,

0:16:00.410 --> 0:16:03.250
<v Speaker 2>it's not over for me and I've got shit to do.

0:16:03.810 --> 0:16:06.850
<v Speaker 2>I'm actually happier than I've did in a really long time.

0:16:07.490 --> 0:16:10.130
<v Speaker 2>And I'm talking like you and years and years, I

0:16:10.210 --> 0:16:13.410
<v Speaker 2>swear to god, I there's a lateness. I just feel

0:16:13.490 --> 0:16:17.650
<v Speaker 2>light in a way that I haven't never Maybe.

0:16:18.530 --> 0:16:20.930
<v Speaker 1>How long have you been in there now? Like a

0:16:20.970 --> 0:16:21.330
<v Speaker 1>week and a.

0:16:21.290 --> 0:16:23.210
<v Speaker 2>Half now, So I still got more time in here,

0:16:23.530 --> 0:16:26.570
<v Speaker 2>got my computer, I got my Chickstop puzzle, of course

0:16:26.610 --> 0:16:29.410
<v Speaker 2>I did. Sully did bring up my my Goddawn? Which

0:16:29.450 --> 0:16:30.050
<v Speaker 2>star puzzle?

0:16:30.210 --> 0:16:30.530
<v Speaker 1>Did you?

0:16:30.570 --> 0:16:30.730
<v Speaker 8>Did?

0:16:30.730 --> 0:16:31.930
<v Speaker 1>You continue working on it.

0:16:33.010 --> 0:16:36.050
<v Speaker 2>As soon as I was able. As soon as I

0:16:36.090 --> 0:16:38.490
<v Speaker 2>was able, I was back at.

0:16:38.210 --> 0:16:53.730
<v Speaker 1>That shit Wow. A listener to the show, Cheyenne, wrote

0:16:53.770 --> 0:16:57.610
<v Speaker 1>in about her boyfriend Torstein, who she's in a long

0:16:57.650 --> 0:17:02.130
<v Speaker 1>distance relationship with, and Torstein is having a hard time.

0:17:02.930 --> 0:17:07.649
<v Speaker 1>He's stuck at home, quarantining with a large family in

0:17:07.730 --> 0:17:11.930
<v Speaker 1>a crowded house TV. You can relate, probably.

0:17:11.570 --> 0:17:12.929
<v Speaker 4>Yeah, totally, I get it.

0:17:13.169 --> 0:17:15.729
<v Speaker 1>Yeah. And so he was supposed to go off to

0:17:15.850 --> 0:17:19.609
<v Speaker 1>university this fall, which he was very excited about. But

0:17:19.730 --> 0:17:22.769
<v Speaker 1>now all the classes are going to be online.

0:17:23.330 --> 0:17:23.770
<v Speaker 4>Yeah.

0:17:23.850 --> 0:17:26.729
<v Speaker 5>It feels like similarly like with my sister, just like

0:17:26.810 --> 0:17:30.050
<v Speaker 5>a lot of the milestones that people would normally be

0:17:30.169 --> 0:17:33.129
<v Speaker 5>hitting right now they kind of aren't getting to have.

0:17:33.649 --> 0:17:37.729
<v Speaker 1>Yeah, so's he's sad about that, And Chyenne says that

0:17:37.770 --> 0:17:39.689
<v Speaker 1>he's a big fan of the show, and she asked

0:17:39.770 --> 0:17:42.409
<v Speaker 1>if the three of us could surprise him with a

0:17:42.850 --> 0:17:43.330
<v Speaker 1>phone call.

0:17:44.090 --> 0:17:44.929
<v Speaker 2>So fun.

0:17:45.010 --> 0:17:48.929
<v Speaker 1>Yeah, so let's let's do it. Let's call Chyenne first. Okay,

0:17:49.290 --> 0:17:52.449
<v Speaker 1>here we go. Get ready to bring the sunshine, Kayley,

0:17:52.770 --> 0:17:55.330
<v Speaker 1>Oh god, I want to hear a smile in your voice.

0:17:55.770 --> 0:17:57.689
<v Speaker 5>I'm smiling now, can you hear it?

0:17:57.689 --> 0:17:58.850
<v Speaker 1>It sounds like it's painting you.

0:18:00.530 --> 0:18:02.609
<v Speaker 4>It's sort of like that model thing of smiling, just

0:18:02.649 --> 0:18:04.489
<v Speaker 4>with your eyes. Just smile with your voice.

0:18:04.570 --> 0:18:07.369
<v Speaker 1>It's called smiices. And this is called mooie.

0:18:07.850 --> 0:18:08.609
<v Speaker 4>It's moisy.

0:18:09.129 --> 0:18:09.330
<v Speaker 7>Got it?

0:18:09.409 --> 0:18:14.609
<v Speaker 1>You got a that's such a gross word. All right,

0:18:14.649 --> 0:18:24.530
<v Speaker 1>here we go. Hello, Seyenne. Hi, Hello, h Cheyenne. You'll

0:18:24.570 --> 0:18:26.009
<v Speaker 1>conference Torstein in.

0:18:27.010 --> 0:18:29.490
<v Speaker 8>Okay, okay, that was so great.

0:18:33.929 --> 0:18:41.049
<v Speaker 1>Hello, Hello, Hello, Hi tour Stein. Yeah, Hi, it's Jonathan Goldstein.

0:18:42.369 --> 0:18:43.570
<v Speaker 9>Oh wow, Hi.

0:18:43.889 --> 0:18:44.090
<v Speaker 2>Hi.

0:18:46.090 --> 0:18:49.369
<v Speaker 1>You know your very nice girlfriend who seems to love

0:18:49.409 --> 0:18:50.129
<v Speaker 1>you very much.

0:18:50.369 --> 0:18:50.489
<v Speaker 2>Uh.

0:18:50.850 --> 0:18:53.929
<v Speaker 1>She wrote into the show and wanted us to say.

0:18:53.850 --> 0:18:57.769
<v Speaker 9>Hi, thank you. Well, I'm kind of in shockering now.

0:18:58.609 --> 0:19:01.170
<v Speaker 1>Yenne had said that you'd been feeling a little down

0:19:01.209 --> 0:19:02.290
<v Speaker 1>in the midst of everything.

0:19:03.369 --> 0:19:07.329
<v Speaker 9>Yeah, my school just got canceled for the rest of

0:19:07.369 --> 0:19:09.369
<v Speaker 9>the year. Not like canceled, but like I'm going to

0:19:09.369 --> 0:19:11.369
<v Speaker 9>be able to attend it. Yeah, so I was kind

0:19:11.369 --> 0:19:11.809
<v Speaker 9>of bummed.

0:19:11.850 --> 0:19:14.450
<v Speaker 1>But yeah, how old are you?

0:19:15.090 --> 0:19:17.369
<v Speaker 9>I am twenty How.

0:19:17.250 --> 0:19:19.129
<v Speaker 5>Old are you? Makes it sound like you're like attending

0:19:19.129 --> 0:19:20.729
<v Speaker 5>a children's birthday party.

0:19:21.810 --> 0:19:24.009
<v Speaker 1>Well, no, I want to say. I just want to

0:19:24.010 --> 0:19:25.250
<v Speaker 1>tell you. I mean, I don't know if this takes

0:19:25.290 --> 0:19:28.969
<v Speaker 1>the pressure off, but truly nothing matters in like at

0:19:29.090 --> 0:19:33.289
<v Speaker 1>least until twenty five. That does help. Yeah, you're not

0:19:33.290 --> 0:19:35.649
<v Speaker 1>going to remember any of the things you're learning now anyhow.

0:19:36.770 --> 0:19:38.889
<v Speaker 5>I mean I don't know that I totally subscribe to

0:19:38.929 --> 0:19:43.409
<v Speaker 5>the whole nothing you will hearn ever, mean anything, I'm

0:19:43.449 --> 0:19:44.649
<v Speaker 5>just trying to inspire.

0:19:45.169 --> 0:19:47.809
<v Speaker 9>It's not necessarily that like attending classes the shame as

0:19:47.850 --> 0:19:52.129
<v Speaker 9>much as like, there's like eleven people in my house

0:19:52.209 --> 0:19:55.369
<v Speaker 9>right now. You know, I was supposed to move out

0:19:55.409 --> 0:20:01.129
<v Speaker 9>and go to school, but because of the coronavirus and

0:20:01.169 --> 0:20:04.449
<v Speaker 9>having to stay at home for another semester, and I love,

0:20:04.970 --> 0:20:07.129
<v Speaker 9>I love my home, but you know, I want to

0:20:07.169 --> 0:20:09.609
<v Speaker 9>move out and live my own life.

0:20:09.970 --> 0:20:11.490
<v Speaker 1>Have you never been out on your own?

0:20:12.129 --> 0:20:13.570
<v Speaker 9>Not Like I haven't lived on my own.

0:20:13.929 --> 0:20:15.689
<v Speaker 1>So that was something that you were excited about.

0:20:17.050 --> 0:20:22.970
<v Speaker 9>Absolutely, Yeah, Yeah, I have eight older siblings, and I

0:20:23.050 --> 0:20:27.369
<v Speaker 9>grew up in a room with my three older brothers.

0:20:27.609 --> 0:20:30.009
<v Speaker 9>Whenever one moved out, I would move up to a

0:20:30.010 --> 0:20:34.769
<v Speaker 9>different bed. You know, there's the nicer beds in my

0:20:34.889 --> 0:20:42.689
<v Speaker 9>own So I think that individuality is something that I

0:20:42.730 --> 0:20:47.649
<v Speaker 9>decently desired, and it'll happen, but it just feels like

0:20:48.369 --> 0:20:50.250
<v Speaker 9>it got postponed a little bit more.

0:20:51.290 --> 0:20:53.490
<v Speaker 1>But I think you will probably end up looking back

0:20:53.530 --> 0:20:56.129
<v Speaker 1>on this time with all eleven of you living in

0:20:56.209 --> 0:21:00.369
<v Speaker 1>the house as an incredibly like a kind of moment

0:21:00.409 --> 0:21:03.209
<v Speaker 1>of grace almost. You know, it's going to take on

0:21:03.250 --> 0:21:05.970
<v Speaker 1>a certain kind of sweetness. Right. It might be hard

0:21:05.970 --> 0:21:08.969
<v Speaker 1>to see now, but I.

0:21:09.689 --> 0:21:12.369
<v Speaker 9>Think I do see it to some degree. I'm never

0:21:12.409 --> 0:21:15.810
<v Speaker 9>gonna like have another chance to live with the three

0:21:15.810 --> 0:21:19.209
<v Speaker 9>siblings that are home right now, and these is the

0:21:19.330 --> 0:21:22.730
<v Speaker 9>nephews that are living at the house right now. There's

0:21:22.889 --> 0:21:30.129
<v Speaker 9>joy in playing games with him and talking to them and.

0:21:31.530 --> 0:21:35.169
<v Speaker 1>Yeah, yeah, they probably think you're really cool.

0:21:35.929 --> 0:21:40.250
<v Speaker 9>They're better. My first niece entered the world when I

0:21:40.290 --> 0:21:42.810
<v Speaker 9>was twelve, and twelve year old me, it's like, I

0:21:42.850 --> 0:21:46.569
<v Speaker 9>want to be called Uncle Awesome and that's just stuck.

0:21:46.730 --> 0:21:49.210
<v Speaker 1>So for the rest of my life, they all call

0:21:49.250 --> 0:21:52.929
<v Speaker 1>you uncle awesome. Yeah, all the time.

0:21:53.810 --> 0:21:56.810
<v Speaker 4>They're also only twelve years younger than you, and I

0:21:56.970 --> 0:22:02.729
<v Speaker 4>like the idea of you being like fifty in the

0:22:02.970 --> 0:22:06.169
<v Speaker 4>late thirties and they're still like oh yeah uncle as.

0:22:06.330 --> 0:22:08.409
<v Speaker 1>No no, no, no no. By that point, they'll be more mature.

0:22:08.449 --> 0:22:10.890
<v Speaker 1>They'll probably out the uncle and just call you awesome

0:22:11.010 --> 0:22:16.730
<v Speaker 1>because they have like an adult relationship exactly. Yeah, I'm Shane. Yeah,

0:22:16.889 --> 0:22:20.850
<v Speaker 1>is there anything that you wanted to say?

0:22:21.889 --> 0:22:28.490
<v Speaker 8>I really proud of you and everything you've done, and

0:22:28.889 --> 0:22:34.129
<v Speaker 8>I can't wait to see where you go on this long,

0:22:34.129 --> 0:22:38.209
<v Speaker 8>long journey of life and the short little journey of

0:22:38.290 --> 0:22:45.770
<v Speaker 8>college that's a little shorter now. But I'm crying. Why

0:22:45.810 --> 0:22:46.689
<v Speaker 8>am I crying?

0:22:47.490 --> 0:22:47.810
<v Speaker 2>Please?

0:22:53.970 --> 0:22:54.529
<v Speaker 8>I love you.

0:22:55.889 --> 0:22:56.409
<v Speaker 3>I love you.