WEBVTT - *Bonus* Wu Tang: An American Saga

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<v Speaker 1>Based on the formation of the most influential group of

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<v Speaker 1>hip hop history, Woutang Clan in American Saga is now

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<v Speaker 1>streaming only on hu What's Up as Angela yef from

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<v Speaker 1>the Breakfast Club And if you know me, you know

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<v Speaker 1>I'm excited about this Woutang series coming to Hulu. Now,

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<v Speaker 1>let me give you some of my favorite Woutang memories.

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<v Speaker 1>I got my start working in the music industry interning

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<v Speaker 1>for Woutang Management when I was in college, and then

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<v Speaker 1>when I graduated, my first job was working for Woutang Corporation.

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<v Speaker 1>How I even got the job was crazy. So I

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<v Speaker 1>was coming from a job interview at Columbia Records, and

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<v Speaker 1>I was like, let me stop by the office and

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<v Speaker 1>say hi to the people I used to intern with. Well,

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<v Speaker 1>when I got there, it was the same day that

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<v Speaker 1>they were doing a huge concert in New York City

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<v Speaker 1>and things went left on the concert. The guys got

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<v Speaker 1>on stage and they started cursing out the host of

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<v Speaker 1>the radio station, and they actually ended up getting banned

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<v Speaker 1>from the station after that, And that band was on

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<v Speaker 1>for years. But it just told you how Woutang really

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<v Speaker 1>didn't give an f about anybody. They were just going

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<v Speaker 1>to do what they were doing. His risen in mathematics,

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<v Speaker 1>describing how the legendary logo came about mathematics. You created

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<v Speaker 1>the wootang logo. Yeah, yeah, that's a dope shot too. Yeah,

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<v Speaker 1>I got a lot of wood tank. Thank you for

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<v Speaker 1>the wilet. Rizzen came in here with gifts. How do

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<v Speaker 1>you come up with the logo? What was? How do

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<v Speaker 1>you think of that? One? Actual logo actually came just

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<v Speaker 1>one night. God called me, was like, yo, getting these

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<v Speaker 1>joints punting up, punting it up tomorrow. I need I

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<v Speaker 1>need a logo tomorrow. So I was like, worried tomorrow.

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<v Speaker 1>So I came home from work. I was like all right,

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<v Speaker 1>I sat on the floor on the living room floor,

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<v Speaker 1>just started came up, came up with what I came

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<v Speaker 1>up with. So I just remember, you know, we discussed

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<v Speaker 1>a few things, you know what I mean, that's editing

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<v Speaker 1>and all that. But yeah, and then who was the

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<v Speaker 1>first person you showed the rizzo? Yeah, okay, they came

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<v Speaker 1>up to the job. Him goes power and divine. I

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<v Speaker 1>remember all of them looking at it like bad because

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<v Speaker 1>I this is it and it was this right here

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<v Speaker 1>this w yeah, wow, all of the wootang merchant. As

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<v Speaker 1>we see, I can targeting everywhere. Like who gets the

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<v Speaker 1>money for that? That goes to the company. I mean

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<v Speaker 1>law man did joy. But how much I paid you

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<v Speaker 1>for that back then? M bucks something like that. Jesus,

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<v Speaker 1>Jesus ya at the time that was happening at the time.

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<v Speaker 1>That was half my rent money. And so I mean

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<v Speaker 1>he enjoyed it, but you know it was you know

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<v Speaker 1>it was it was a paid for a service, you

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<v Speaker 1>know what I mean. So it's owned by the company.

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<v Speaker 1>I owned the company, so the majority of it goes

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<v Speaker 1>to the company, all the licenses and everything. So y'all

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<v Speaker 1>reach forever off a logo. Yeah, mathematics, you want to renegotiate.

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<v Speaker 1>So the Nike guy did the Nike logo for two

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<v Speaker 1>hundred and fifty dollars. Here's you guy talking about how

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<v Speaker 1>the Woo was formed? How did the WU ting form? Well,

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<v Speaker 1>that was that's a crazy situation because we always was

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<v Speaker 1>together some form of fashion. You know, when when when

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<v Speaker 1>Jesus with Genius and Rizzard comes to the hill, it

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<v Speaker 1>comes to the OO building. They come with six Steven

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<v Speaker 1>went in front of the OO building. Me me math uh,

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<v Speaker 1>you know dak Kappa used to live in the building,

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<v Speaker 1>so that was our little building and raised the right

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<v Speaker 1>the building the course right right right next to it.

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<v Speaker 1>But he had his gate, you know, him and Power

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<v Speaker 1>had the gate in the unto twenty five. So Ray

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<v Speaker 1>had to go when he was hustling, he had to

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<v Speaker 1>go all around, drop his little bombs off, and come

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<v Speaker 1>allay back whatever he was doing. I'm saying so, but

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<v Speaker 1>when they used to come to the hill, we used

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<v Speaker 1>to drop everything going back, drink ballence time with me,

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<v Speaker 1>Dirty Genius and Wristle. We're just going back and just

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<v Speaker 1>start versing and just chilling in. You know. It was

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<v Speaker 1>it was that was our brothers back there. You and

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<v Speaker 1>Math really had a very special relationship, and you focused

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<v Speaker 1>on that a lot. What I did like was you

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<v Speaker 1>talk about being a team player in the book, and

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<v Speaker 1>that's important for a lot of people, I think in

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<v Speaker 1>life in general. Because you knew, Okay, Math is not

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<v Speaker 1>going to be doing this street stuff. He has all

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<v Speaker 1>this talent and he's working really hard for it. So

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<v Speaker 1>I'm gonna make sure he's good. But I'm gonna keep

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<v Speaker 1>doing what I'm doing because you felt like I have

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<v Speaker 1>to take care of my brother. Him and Dirty were

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<v Speaker 1>like out of here mentally when it comes to right

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<v Speaker 1>and rhymes and raps and on, and so I had

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<v Speaker 1>to had to protect him because he was stuf. He

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<v Speaker 1>was just that dude. And I always tell him like,

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<v Speaker 1>yo dog, you got something, especially when he had an

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<v Speaker 1>old lady. They used to scream out the window to him,

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<v Speaker 1>this is a note. This is a straight up story.

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<v Speaker 1>He'll tell you the same thing. It's old as you know.

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<v Speaker 1>She was an alcoholic whatever whatever, but she was a

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<v Speaker 1>good woman and she used to be out there within

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<v Speaker 1>him like sing for me, singer, to sing for me.

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<v Speaker 1>And she used to be telling that the Meth. She said,

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<v Speaker 1>you're gonna be a star. I used to be laughing

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<v Speaker 1>at him, like yo dog. She used to because but

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<v Speaker 1>every time we used to be on the block, she

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<v Speaker 1>was old, but I'm wanted to sing for me, singer.

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<v Speaker 1>And then Meth start beating on his test, you know,

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<v Speaker 1>doing his little routine and stuff like that, and they

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<v Speaker 1>used to make her day, you know, and she was

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<v Speaker 1>and she was right. But even just hearing how Cream

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<v Speaker 1>took off for you guys, basically the performance and the

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<v Speaker 1>money falling from the ceiling and then you said, the

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<v Speaker 1>song went gold within hours of you guys performing cream

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<v Speaker 1>Yeah yeah, and pride of that we was going to

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<v Speaker 1>be worried about he was gonna make it or not,

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<v Speaker 1>you know, man. And then we already had all the

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<v Speaker 1>videos in the can. So when you know, we draw

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<v Speaker 1>cream offs into your hall. Next day we got the

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<v Speaker 1>the record reports. He was like, what just went because

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<v Speaker 1>he was already like a hundred twenty thousand sales with

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<v Speaker 1>his head spots and all this stuff he put out.

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<v Speaker 1>He was already twentyth thousand sales. And soon as we

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<v Speaker 1>dropped that just jumped the fire hunting and just kept going.

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<v Speaker 1>That's amazing how an appearance on our send of your

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<v Speaker 1>hall affected. That was the platform back then to this day.

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<v Speaker 1>If you ever need, if he ever need, ain't anything.

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<v Speaker 1>So he just hit me, DM me getting contact with me. Bro.

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<v Speaker 1>You get anything, man, you get you know, from from

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<v Speaker 1>any brother man, anyone. Wou Tang, an American saga, is

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<v Speaker 1>inspired by the Wou Tang Manual and based on the

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<v Speaker 1>true story of the Wou Tang clan. Set in the

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<v Speaker 1>early nineties New York at the height of the crack

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<v Speaker 1>cocaine epidemic, The show tracks the Clan's formation, a vision

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<v Speaker 1>of Bobby Digg's aka The Rizzer, who unites the men

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<v Speaker 1>torn between music and crime, but eventually rise to become

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<v Speaker 1>the unlikeliest of American success stories. The show stars Ashton

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<v Speaker 1>Sanders as The Rizzer, as well as rappers Dave East

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<v Speaker 1>Player Met the Man, and Joey bad as Player and

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<v Speaker 1>Inspect the Deck. Woutang Klan and American Saga is now

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<v Speaker 1>streaming with new episodes every Wednesday only on Hulu. What's

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<v Speaker 1>Up as angela Ye from the Breakfast Club and if

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<v Speaker 1>you know me, you know I'm excited about this Boutang

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<v Speaker 1>series coming to Hulu. Now, let me give you some

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<v Speaker 1>of my favorite Woutang memories. I remember not knowing how

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<v Speaker 1>huge Boutang were as stars, just because I knew them

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<v Speaker 1>like my brothers. And one day metha Man asked me

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<v Speaker 1>to come at him to the bank when I was

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<v Speaker 1>in the office. Now he said we had to take

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<v Speaker 1>a cab, but the bank was only three blocks away,

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<v Speaker 1>so I said, why are we taking a cab? Why

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<v Speaker 1>don't we just walk there? So I remember walking down

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<v Speaker 1>the street with meThe Man, and it took us like

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<v Speaker 1>two hours just to get to the bank because everybody

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<v Speaker 1>was stopping him on the street because those guys were

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<v Speaker 1>already huge superstars and I didn't even realize it. Here's

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<v Speaker 1>another great moment from our conversation with the cast of

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<v Speaker 1>the Wu Tang and American Saga now screaming only on

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<v Speaker 1>Hulu Erica. Is this Doctor series you think nostalgia for

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<v Speaker 1>the older generation or lessons for the younger generation both.

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<v Speaker 1>That's a really good question. I think that narrative and

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<v Speaker 1>storytelling has always been hijacked by white men in studios

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<v Speaker 1>and told us our narrative in their history. And now

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<v Speaker 1>we have these street poets. We've grown up, and now

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<v Speaker 1>they are the heroes of our you know, older so

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<v Speaker 1>called you know, going into their forties and fifties and sixties.

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<v Speaker 1>And then they're also um real sort of badasses for

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<v Speaker 1>the young people because we placed them up and they'll go, wow,

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<v Speaker 1>it's like telling the story of Star Wars. You know,

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<v Speaker 1>you had to be there, except you didn't have to

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<v Speaker 1>because it just keeps going on and on and on.

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<v Speaker 1>So I think it's actually beautiful. It's like a full circle.

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<v Speaker 1>But I the best thing about is that shows that

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<v Speaker 1>the narrative at least of this century will be told

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<v Speaker 1>by people of color. And um, I'm glad that Riza

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<v Speaker 1>is so good in communicating his story. We talked last

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<v Speaker 1>time we were here about our writing. You know, the

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<v Speaker 1>people who can write there there, they'll be eternal, you know.

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<v Speaker 1>And and to me to write the stories of so

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<v Speaker 1>called American saga and be the new Waltons, that's power.

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<v Speaker 1>What do you think Aston, what's the lesson of the

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<v Speaker 1>younger generation can learn from this story of of passionate

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<v Speaker 1>story of we kind of see the cultivation of you know,

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<v Speaker 1>if you have a dream, you know, sticking with that,

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<v Speaker 1>you know, like no matter what your circumstances are, you know,

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<v Speaker 1>like living through them or not letting your circumstances like

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<v Speaker 1>kind of define what the outcome is going to be.

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<v Speaker 1>And so I think you just cut through this character

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<v Speaker 1>of Bobby. We watch all of that within the character.

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<v Speaker 1>It's so specific to his life and his story. But

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<v Speaker 1>at the same time, I feel like it's something that

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<v Speaker 1>everybody's going to be able to be inspired by outside

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<v Speaker 1>of like the music. So I think that's going to

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<v Speaker 1>be though. Erica said something that made me think earlier

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<v Speaker 1>talking about like how they're making the movies of all

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<v Speaker 1>of our heroes that grew up in the nineties. Like

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<v Speaker 1>you think that's a good thing a bad thing, because

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<v Speaker 1>it's usually all celebrities are, it's all artists. You know,

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<v Speaker 1>we grew up on autobiography of malcaelm X and like

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<v Speaker 1>things that have like a real socially redeemed value. Not

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<v Speaker 1>saying that the Raptors didn't. But you think that's a

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<v Speaker 1>good thing a bad thing, that these are heroes. But

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<v Speaker 1>I think we valorize the things that that make us feel.

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<v Speaker 1>And frankly, especially in that time, music became a source

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<v Speaker 1>of not only you know, of empowerment, but also how

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<v Speaker 1>we expressed our rage and our frustration. So if you

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<v Speaker 1>don't and if everybody shooting at each other, the thing

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<v Speaker 1>that you you might talk about um or remember, or

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<v Speaker 1>want to at least historically place your life in is

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<v Speaker 1>are these people who you may not know, but they

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<v Speaker 1>are telling the story of your real life. And frankly,

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<v Speaker 1>I mean, if we look at what reporting and journally

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<v Speaker 1>you talk about journalism today, they weren't. I mean it

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<v Speaker 1>was it was bizarre. They were sort of telling us

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<v Speaker 1>who who they thought we were, and who they thought

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<v Speaker 1>we were were evil and drugged out and all this stuff.

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<v Speaker 1>But then you look back and you see, I love

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<v Speaker 1>the character Sadiq Thoughtersho plays and he does it so well.

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<v Speaker 1>He plays Dennis there he was taking care of two

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<v Speaker 1>of his brothers who where I had multiple corrosive yeahs

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<v Speaker 1>a child. He's reframing the narrative, and so that's why

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<v Speaker 1>I think it's really good to sort of come back.

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<v Speaker 1>Sure it would be great to talk about other people

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<v Speaker 1>who are there, but you know, that's how it is.

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<v Speaker 1>The media stole everything, and one thing it stole was

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<v Speaker 1>the fact that it stopped talking about people like James

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<v Speaker 1>Baldwin and it sort of gave us a narrative that

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<v Speaker 1>was only focused on people who were in the streets,

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<v Speaker 1>because that's how it happens, even with all gangsters, the

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<v Speaker 1>gangster movies, the mafia. So that's what we're talking about.

0:10:33.040 --> 0:10:34.760
<v Speaker 1>That's what you like this flick so well because you

0:10:34.800 --> 0:10:38.439
<v Speaker 1>see all sides. You know, I'm a huge utang fan,

0:10:38.480 --> 0:10:42.040
<v Speaker 1>so I only see the side of the MPVs and

0:10:42.080 --> 0:10:45.080
<v Speaker 1>the things in the streets. That's what I agree with you.

0:10:45.160 --> 0:10:48.840
<v Speaker 1>But nah, it's like I gravitated to the five percent, right,

0:10:48.920 --> 0:10:50.680
<v Speaker 1>So you know, there's so many different things that people

0:10:50.679 --> 0:10:53.360
<v Speaker 1>gravitate to, you know. But you see the other side.

0:10:53.400 --> 0:10:56.360
<v Speaker 1>You see ghosts taking care of his brothers, you know

0:10:56.400 --> 0:10:58.520
<v Speaker 1>what I mean, and wipe and his brother's lip. So

0:10:58.640 --> 0:11:00.960
<v Speaker 1>you see that sensitive side again that was so and so.

0:11:01.080 --> 0:11:03.240
<v Speaker 1>But then you see ray on this side. So you

0:11:03.240 --> 0:11:04.880
<v Speaker 1>get to see all those sides. That's what I love

0:11:04.920 --> 0:11:07.160
<v Speaker 1>about it. Well, and also you think like you said

0:11:07.200 --> 0:11:09.720
<v Speaker 1>about you know, you know, you know Malcolm X and

0:11:09.800 --> 0:11:13.680
<v Speaker 1>the great heroes that inspired us right at the end

0:11:13.720 --> 0:11:16.400
<v Speaker 1>of the day though then you know that was the

0:11:16.440 --> 0:11:19.880
<v Speaker 1>sixties generation that inspired us who become the nineties generations? Right,

0:11:19.920 --> 0:11:21.640
<v Speaker 1>We grew up in the seventy eighties and then our

0:11:21.720 --> 0:11:24.400
<v Speaker 1>voice comes out in the nineties. So it's it's actually,

0:11:25.360 --> 0:11:29.200
<v Speaker 1>I think proper that the nineties is now the the

0:11:29.480 --> 0:11:32.400
<v Speaker 1>with the lenses at because no, there's there are a

0:11:32.600 --> 0:11:36.480
<v Speaker 1>lot of heroes that brought that message forward, you know

0:11:36.480 --> 0:11:39.400
<v Speaker 1>what I mean, that bought the audiology for that bought

0:11:39.400 --> 0:11:42.360
<v Speaker 1>the movement. You know, you think about, umlet's just talk

0:11:42.400 --> 0:11:44.600
<v Speaker 1>about you know, you look at Sonny Carson, right, remember,

0:11:44.920 --> 0:11:48.600
<v Speaker 1>and then then he has his son, uh, the overseer

0:11:48.800 --> 0:11:52.240
<v Speaker 1>right right, and then you know we come into the

0:11:52.240 --> 0:11:54.040
<v Speaker 1>then we get the public enemy coming, you know what

0:11:54.080 --> 0:11:57.960
<v Speaker 1>I mean. It's like these people become the voices that

0:11:58.080 --> 0:12:02.319
<v Speaker 1>started from there. So I think it's really positive and

0:12:02.400 --> 0:12:05.280
<v Speaker 1>all reality that the that the that the lens is

0:12:05.320 --> 0:12:08.800
<v Speaker 1>being turned onto the nineties. Now we of course we

0:12:08.840 --> 0:12:12.640
<v Speaker 1>can find more than just the hip hop source of it, right, um.

0:12:13.360 --> 0:12:17.520
<v Speaker 1>And and the beauty of it is that these heroes

0:12:18.080 --> 0:12:24.640
<v Speaker 1>or these people are not just linear. They're multi facet

0:12:24.760 --> 0:12:26.880
<v Speaker 1>you know what I mean. When University had did the

0:12:26.920 --> 0:12:31.880
<v Speaker 1>movie American Gangster, I was proud for the fact of this.

0:12:32.000 --> 0:12:33.200
<v Speaker 1>I just want to say this out loud. And I

0:12:33.200 --> 0:12:36.400
<v Speaker 1>remember thinking one of the executives, he's like, I was like, yo,

0:12:37.600 --> 0:12:39.720
<v Speaker 1>you came to New York City spent over one hundred

0:12:39.720 --> 0:12:43.040
<v Speaker 1>million dollars, you know what I mean in about three months.

0:12:44.000 --> 0:12:47.840
<v Speaker 1>All the Harlem silvias was full, was being sold out,

0:12:47.880 --> 0:12:51.040
<v Speaker 1>all the food sold out, Brooklyn everything, everybody making money,

0:12:51.080 --> 0:12:53.320
<v Speaker 1>ice cream trucks. Coun't keep ice scream on the trucks, right,

0:12:53.320 --> 0:12:55.720
<v Speaker 1>because all this money has come to the city and

0:12:55.760 --> 0:12:58.880
<v Speaker 1>they were telling the story of a black man, even

0:12:58.920 --> 0:13:03.320
<v Speaker 1>though he was a drug dealer, it still was this

0:13:03.440 --> 0:13:05.320
<v Speaker 1>money is being spent on the story of the black

0:13:05.360 --> 0:13:08.200
<v Speaker 1>Man and now here we are on the ever where

0:13:08.240 --> 0:13:11.560
<v Speaker 1>it'll be spent on maybe a hip hop artist. I mean,

0:13:12.040 --> 0:13:15.160
<v Speaker 1>you know, something to that nature that's that's a different

0:13:15.160 --> 0:13:17.200
<v Speaker 1>look at it, you know, and even the story that

0:13:18.360 --> 0:13:21.719
<v Speaker 1>I know, I'm here to promote our show, but when

0:13:21.720 --> 0:13:26.800
<v Speaker 1>I watched the Ava show, Um, yeah, it's like, yo,

0:13:27.720 --> 0:13:31.080
<v Speaker 1>that's a lot of money being spent on exposing a

0:13:31.200 --> 0:13:34.120
<v Speaker 1>truth that really equipped with our city, you know what

0:13:34.120 --> 0:13:37.520
<v Speaker 1>I mean? So I think I think you know these

0:13:37.520 --> 0:13:40.040
<v Speaker 1>writers and what we act right now, as they say

0:13:40.080 --> 0:13:42.440
<v Speaker 1>in Hollywood, I think that our lens is pointed at

0:13:42.440 --> 0:13:45.120
<v Speaker 1>the right direction and hopefully a lot more these stories

0:13:45.120 --> 0:13:47.319
<v Speaker 1>to get out. Now, what's the relationship with what? I know?

0:13:47.400 --> 0:13:49.640
<v Speaker 1>It was rocky at times, but it seemed like this

0:13:50.120 --> 0:13:52.160
<v Speaker 1>could have got everybody together because it was so many

0:13:52.160 --> 0:13:55.640
<v Speaker 1>different stories and reliving the nineties and reliving when y'all

0:13:55.640 --> 0:13:57.959
<v Speaker 1>were younger on that ground, what's the relationship now with everybody?

0:13:58.080 --> 0:14:00.520
<v Speaker 1>I mean, the relationship is is peace. You know, we know,

0:14:00.679 --> 0:14:03.320
<v Speaker 1>you know, it's a brotherhood. So it's always you know,

0:14:03.360 --> 0:14:05.960
<v Speaker 1>like you said, the up and down. Um, I think

0:14:06.040 --> 0:14:09.040
<v Speaker 1>more so than ever though, I think you know, at

0:14:09.040 --> 0:14:11.520
<v Speaker 1>this such mature age now, everybody is just letting everybody

0:14:11.520 --> 0:14:13.319
<v Speaker 1>live there, live there, Lane, you know what I mean.

0:14:13.440 --> 0:14:16.439
<v Speaker 1>So I'm a i'men. I've been making I'm been in

0:14:16.559 --> 0:14:19.760
<v Speaker 1>Hollywood for about thirteen years now. I mean, I right movies, yo,

0:14:20.000 --> 0:14:22.240
<v Speaker 1>direct movies. That's what I do. It's like that's my

0:14:22.320 --> 0:14:25.760
<v Speaker 1>craft and so and so that's my job to tell

0:14:25.840 --> 0:14:27.320
<v Speaker 1>that part of the story, you know what I mean.

0:14:27.680 --> 0:14:30.880
<v Speaker 1>Where where other brothers could be into, you know, whether

0:14:30.880 --> 0:14:33.480
<v Speaker 1>they're making songs or still. You know, Jill did this

0:14:33.480 --> 0:14:37.240
<v Speaker 1>this whole science show, but he loves science and mathematics,

0:14:37.280 --> 0:14:39.600
<v Speaker 1>and he goes to the schools and he older colleges

0:14:39.640 --> 0:14:41.120
<v Speaker 1>and do speeches. And you go up there and you

0:14:41.120 --> 0:14:43.640
<v Speaker 1>see Jill there telling us about they're trying to turn

0:14:43.760 --> 0:14:46.360
<v Speaker 1>light into liquid. Right, you're seeing this liquid science. Think

0:14:46.360 --> 0:14:51.880
<v Speaker 1>he does yo yo yo. It's it's like twelve episodes

0:14:51.920 --> 0:14:55.680
<v Speaker 1>on science hosted about the JUSTI on that Flix and

0:14:55.800 --> 0:14:58.440
<v Speaker 1>my son watched it and he was picking up wisdom

0:14:58.960 --> 0:15:01.920
<v Speaker 1>because he because he vold with it. So anyway, but

0:15:02.280 --> 0:15:05.120
<v Speaker 1>let me pass the mic. Woutang and American Saga is

0:15:05.160 --> 0:15:08.320
<v Speaker 1>inspired by the Woutang manual, set in early nineties New

0:15:08.400 --> 0:15:10.560
<v Speaker 1>York and the height of the crack cocaine epidemic to

0:15:10.640 --> 0:15:13.760
<v Speaker 1>show tracks to clans Formation, a vision of Bobby digs

0:15:13.800 --> 0:15:16.320
<v Speaker 1>Ak eight to Rizzo, who unice the men tone between

0:15:16.400 --> 0:15:19.320
<v Speaker 1>music and crime, but eventually rods to become the unlikeliest

0:15:19.320 --> 0:15:22.080
<v Speaker 1>of American success stories. The Wu Tang Clan has sold

0:15:22.080 --> 0:15:24.760
<v Speaker 1>forty million albums worldwide, and the group is often held

0:15:24.800 --> 0:15:26.720
<v Speaker 1>as one of the most influential groups in the history

0:15:26.720 --> 0:15:29.120
<v Speaker 1>of hip hop, with a unique sound and distinct image.

0:15:29.200 --> 0:15:32.160
<v Speaker 1>Its producers include members of the Wu Tang Clan, Rizzle

0:15:32.320 --> 0:15:35.120
<v Speaker 1>and Mefi Man. Wou Tang and American Saga is now

0:15:35.200 --> 0:15:38.440
<v Speaker 1>Screaming with new episodes every Wednesday only on Hulu. What's

0:15:38.480 --> 0:15:40.360
<v Speaker 1>Up is angela Ye from the Breakfast Club And if

0:15:40.360 --> 0:15:42.720
<v Speaker 1>you know me, you know I'm excited about this Woutang

0:15:42.840 --> 0:15:45.320
<v Speaker 1>series coming to Hulu. Now, let me give you some

0:15:45.360 --> 0:15:47.600
<v Speaker 1>of my favorite Wou Tang memories. What I learned the

0:15:47.640 --> 0:15:49.880
<v Speaker 1>most from working for Wu Tang was just how important

0:15:49.880 --> 0:15:52.400
<v Speaker 1>it is to have your business together. I remember on

0:15:52.440 --> 0:15:54.360
<v Speaker 1>the back of my business card they were like ten

0:15:54.400 --> 0:15:57.760
<v Speaker 1>different businesses listed. So it wasn't just Woutang the group.

0:15:58.000 --> 0:16:00.880
<v Speaker 1>It was Raised Sharp Records, Liquid Sort into Tayman thirty six,

0:16:00.960 --> 0:16:05.560
<v Speaker 1>Chambers Studio, method Man Entertainment, Inspected Deck Entertainment, just a

0:16:05.560 --> 0:16:08.040
<v Speaker 1>whole lot of different companies. They definitely spread out, And

0:16:08.080 --> 0:16:09.840
<v Speaker 1>what I really like about it was it's not having

0:16:09.840 --> 0:16:12.000
<v Speaker 1>all your eggs in one basket. Wu Tang had their

0:16:12.120 --> 0:16:14.680
<v Speaker 1>artists signed to all the different labels, so it was

0:16:14.720 --> 0:16:17.040
<v Speaker 1>a great opportunity for them to spread out and get

0:16:17.040 --> 0:16:20.000
<v Speaker 1>that money. There's another great moment from our conversation with

0:16:20.080 --> 0:16:22.120
<v Speaker 1>the cast of the Wu Tang and American Saga now

0:16:22.200 --> 0:16:24.880
<v Speaker 1>screaming only on Hulu. There was no social media back then,

0:16:25.480 --> 0:16:28.080
<v Speaker 1>no no internet service like that. Back then, we didn't

0:16:28.080 --> 0:16:31.560
<v Speaker 1>have access to that, very little access to cell phones.

0:16:32.400 --> 0:16:35.160
<v Speaker 1>So when you see it, I lived it, but I

0:16:35.160 --> 0:16:37.440
<v Speaker 1>didn't live that part of it. So like when I'm

0:16:37.440 --> 0:16:39.360
<v Speaker 1>watching it, because we got to see the first episode,

0:16:39.800 --> 0:16:42.120
<v Speaker 1>I'm sitting in and I thought ray Kuon and ghost

0:16:42.120 --> 0:16:48.280
<v Speaker 1>Face with breast friends from That's how I looked at them.

0:16:48.360 --> 0:16:50.320
<v Speaker 1>But then when you watch and you'd be like, it

0:16:50.440 --> 0:16:52.840
<v Speaker 1>really almost killed each other, I'm like, that's crazy. How

0:16:52.880 --> 0:16:56.280
<v Speaker 1>did you I didn'tee the rest of the second second season,

0:16:56.280 --> 0:16:59.600
<v Speaker 1>but second episode, how did you get them cool? Well?

0:17:00.000 --> 0:17:02.880
<v Speaker 1>And this and this is real yeah, well in all reality, right,

0:17:02.880 --> 0:17:07.760
<v Speaker 1>it's like, you know, Stapleton and park Kill just had this.

0:17:09.040 --> 0:17:12.240
<v Speaker 1>I mean, the beef was was was from God's older

0:17:12.240 --> 0:17:18.840
<v Speaker 1>than me and and and yet you know, Staten Island

0:17:19.080 --> 0:17:23.920
<v Speaker 1>is still uh isolated island. One thing that Staton Alan did,

0:17:24.119 --> 0:17:26.119
<v Speaker 1>I would say is that when we left Staten Island,

0:17:26.720 --> 0:17:29.080
<v Speaker 1>right and we go to Brooklyn or we go to

0:17:29.160 --> 0:17:34.600
<v Speaker 1>Sensations in Jersey, we did fight together. If you go

0:17:34.640 --> 0:17:37.160
<v Speaker 1>to the Square and you got some staton Alans in there,

0:17:37.520 --> 0:17:40.040
<v Speaker 1>even though we're from all different hoods, we always fought

0:17:40.080 --> 0:17:43.520
<v Speaker 1>together regardless. But then back on the Rock, it's like, yeah,

0:17:43.960 --> 0:17:45.920
<v Speaker 1>it's all any enemies, you know what I mean. So,

0:17:46.520 --> 0:17:50.440
<v Speaker 1>but more importantly, you know, there was a common denominator,

0:17:50.800 --> 0:17:53.280
<v Speaker 1>you know what I mean between me and the Woo

0:17:53.400 --> 0:17:57.480
<v Speaker 1>brothers and that common denominator. Um, it's something that helped

0:17:57.920 --> 0:18:00.640
<v Speaker 1>meilt that energy, you know what I mean. Um, And

0:18:00.760 --> 0:18:03.359
<v Speaker 1>you know, you know, just you know, not to give spoilers,

0:18:03.720 --> 0:18:06.040
<v Speaker 1>but as you go through the show, you'll see some

0:18:06.119 --> 0:18:09.200
<v Speaker 1>of that common denominator evolved and answer some of the

0:18:09.280 --> 0:18:11.440
<v Speaker 1>questions like you know, because that's one of the challenges

0:18:11.480 --> 0:18:15.000
<v Speaker 1>that you know that Aston has to face his Bobby.

0:18:15.200 --> 0:18:17.879
<v Speaker 1>You know, my favorite you know, one of my favorite

0:18:17.920 --> 0:18:20.280
<v Speaker 1>scenes is in the episode two which comes up next

0:18:21.080 --> 0:18:25.720
<v Speaker 1>when the when these confronted by shot. The SHOT's not

0:18:25.800 --> 0:18:29.200
<v Speaker 1>really fine, yeah right hey, and then he's he's just like, yo, Bobby,

0:18:29.440 --> 0:18:32.679
<v Speaker 1>where's my gun? Son? Like yo, you let that stapid

0:18:32.680 --> 0:18:36.240
<v Speaker 1>tis nigga eat my food like you know, And and

0:18:36.240 --> 0:18:39.919
<v Speaker 1>and that kind of energy of of of of friendship

0:18:40.720 --> 0:18:43.600
<v Speaker 1>and then being pulled between you know, what's going on

0:18:43.680 --> 0:18:45.600
<v Speaker 1>with your friends and what's going on with your brother

0:18:45.680 --> 0:18:48.920
<v Speaker 1>or what's going on in the streets. That dynamic, I mean,

0:18:48.920 --> 0:18:52.439
<v Speaker 1>that dynamic was strong then, but even that dynamic finds

0:18:52.440 --> 0:18:55.680
<v Speaker 1>itself and the equation these days, yeah, because it could

0:18:55.680 --> 0:18:59.879
<v Speaker 1>be business or personal. Yeah, and you never know, I like,

0:19:00.000 --> 0:19:01.520
<v Speaker 1>you know sometimes you know, you know how that you

0:19:01.560 --> 0:19:04.280
<v Speaker 1>may come with the one thing about you know about

0:19:04.320 --> 0:19:06.600
<v Speaker 1>coming from the hood or come from I may have

0:19:06.640 --> 0:19:09.480
<v Speaker 1>a guy with me that's tight with me, but he

0:19:09.480 --> 0:19:12.480
<v Speaker 1>ain't tight with you, you know what I mean? Now

0:19:12.480 --> 0:19:14.400
<v Speaker 1>you see him, it's like, yo, but man, you tight.

0:19:15.000 --> 0:19:16.199
<v Speaker 1>You know what I'm saying. I might not even know

0:19:16.280 --> 0:19:19.800
<v Speaker 1>that y'all signed two years ago my man's pockets, you

0:19:20.080 --> 0:19:22.359
<v Speaker 1>know what I mean? So all that kind of energy exists,

0:19:22.840 --> 0:19:25.320
<v Speaker 1>and you know the show with the show that though

0:19:25.359 --> 0:19:28.600
<v Speaker 1>the show took a lot of time and how to

0:19:28.680 --> 0:19:31.760
<v Speaker 1>squeeze an egg, you know, like Ever was explaining. You

0:19:31.760 --> 0:19:34.040
<v Speaker 1>know when you go to my uh from outside of

0:19:34.040 --> 0:19:36.320
<v Speaker 1>the family and talking, you know, you only see him

0:19:36.320 --> 0:19:38.920
<v Speaker 1>four of the children. You can't put on laming children

0:19:38.920 --> 0:19:43.080
<v Speaker 1>in the TV show that the Waltons, I know, right,

0:19:43.560 --> 0:19:45.440
<v Speaker 1>but you know so so so we so you got

0:19:45.440 --> 0:19:48.679
<v Speaker 1>to condense, condense it and you gotta dramatize it the

0:19:48.760 --> 0:19:51.520
<v Speaker 1>way to make it all fit within a construct. How

0:19:51.520 --> 0:19:54.760
<v Speaker 1>did the other seven siblings feel about that? Though I

0:19:54.760 --> 0:19:57.040
<v Speaker 1>ain't no, this is this is yo. Everybody knows that

0:19:57.119 --> 0:19:59.840
<v Speaker 1>this is you know, this is art yo, and so

0:20:00.080 --> 0:20:04.160
<v Speaker 1>nobody well nobody didn't openly say nothing. They didn't see

0:20:04.160 --> 0:20:07.440
<v Speaker 1>the show yet either, but but they'll give you an example.

0:20:07.480 --> 0:20:11.280
<v Speaker 1>My brother Chamber is my oldest brother, right, his government

0:20:11.359 --> 0:20:17.200
<v Speaker 1>name is Randy um and so um. But I gave

0:20:17.240 --> 0:20:20.359
<v Speaker 1>that name to my younger brother and the show, you

0:20:20.359 --> 0:20:24.479
<v Speaker 1>know what I mean, So, my my four younger brothers um,

0:20:25.320 --> 0:20:27.480
<v Speaker 1>I didn't use their names. I just used my older

0:20:27.520 --> 0:20:30.960
<v Speaker 1>brother and then my and then Sophie, who's my older sister.

0:20:32.960 --> 0:20:36.639
<v Speaker 1>But in the show, my sister is Shari, my younger sister,

0:20:37.440 --> 0:20:40.280
<v Speaker 1>and so when I explained everything to my writer's room,

0:20:40.280 --> 0:20:44.040
<v Speaker 1>we was able to take both of their personalities emerged

0:20:45.720 --> 0:20:48.200
<v Speaker 1>right Solda, so that so the energy of that household

0:20:48.200 --> 0:20:52.200
<v Speaker 1>remains the same, you know, Sophie being the one who

0:20:52.920 --> 0:20:55.000
<v Speaker 1>has to take care of the kids and then Shari

0:20:55.160 --> 0:20:57.960
<v Speaker 1>being a younger one trying to find ourselves. And then

0:20:57.960 --> 0:21:01.359
<v Speaker 1>we emerged those two into one person and gave our

0:21:01.400 --> 0:21:04.040
<v Speaker 1>actress a lot to play with. It's a hard doing

0:21:04.040 --> 0:21:08.040
<v Speaker 1>period pieces now because listen, man, nineties hip hop eighties

0:21:08.160 --> 0:21:10.480
<v Speaker 1>was a totally different ball game. You know what I'm saying.

0:21:10.480 --> 0:21:12.840
<v Speaker 1>There's a lot of things us as many didn't know.

0:21:13.080 --> 0:21:15.119
<v Speaker 1>You unlearned a lot of the BS behavior. So do

0:21:15.160 --> 0:21:17.680
<v Speaker 1>you do you leave certain things out to avoid backlash

0:21:17.760 --> 0:21:20.159
<v Speaker 1>now or do you have to tell how it really was? No?

0:21:20.280 --> 0:21:22.240
<v Speaker 1>I think, I think. I think. You know, when you

0:21:22.280 --> 0:21:25.359
<v Speaker 1>watch the actors portrayed in nineties and they get a

0:21:25.440 --> 0:21:29.399
<v Speaker 1>chance to know, to remind us of whether we were

0:21:29.440 --> 0:21:32.679
<v Speaker 1>stupid or whether we were smart, you know. No, I

0:21:32.760 --> 0:21:36.120
<v Speaker 1>love the scene with Ashton he goes um and many look,

0:21:36.680 --> 0:21:40.000
<v Speaker 1>many producers and hip hoppers in New York City, right,

0:21:40.760 --> 0:21:44.600
<v Speaker 1>wanted those drum machines, one of those turntables. Right. And

0:21:44.960 --> 0:21:47.960
<v Speaker 1>episode one starsh off with our character wanting to get

0:21:48.000 --> 0:21:49.920
<v Speaker 1>that SP twelve hundred For those who don't know what

0:21:50.000 --> 0:21:52.760
<v Speaker 1>ESP twelve hundred is, the was the sampler that Easymo

0:21:52.880 --> 0:21:57.399
<v Speaker 1>b had um famire. Everybody used this to make hip hop.

0:21:57.920 --> 0:22:01.760
<v Speaker 1>And and how many people growing up in New York

0:22:01.840 --> 0:22:04.119
<v Speaker 1>wanting to get that when that came out, right, and

0:22:04.160 --> 0:22:06.800
<v Speaker 1>then we watch him trying to get it now and

0:22:07.000 --> 0:22:10.879
<v Speaker 1>all it does is sample twelve seconds, right, you know

0:22:11.640 --> 0:22:14.960
<v Speaker 1>for two thousan dollars. Now you can sample ten years

0:22:15.080 --> 0:22:17.600
<v Speaker 1>on your computer. Yo. Basically you know what I mean?

0:22:18.000 --> 0:22:21.280
<v Speaker 1>And so you know and so and so you know

0:22:21.320 --> 0:22:24.919
<v Speaker 1>the show like the ambition and the struggle of what

0:22:25.040 --> 0:22:27.920
<v Speaker 1>that was the show that uh you know, it's he

0:22:28.040 --> 0:22:30.760
<v Speaker 1>going to the parks and Manhattan. Remember the chess players

0:22:30.840 --> 0:22:32.439
<v Speaker 1>used to be down by the World Trade Center. We

0:22:32.480 --> 0:22:34.320
<v Speaker 1>see that in the show. But at the same time,

0:22:34.359 --> 0:22:37.720
<v Speaker 1>the World Trade Center, the Twin Towers and still standing.

0:22:38.640 --> 0:22:41.359
<v Speaker 1>You got kids who they can't even fantom with the

0:22:41.400 --> 0:22:43.879
<v Speaker 1>Twin Towers, right, they couldn't fantom that, Yo. That's an

0:22:43.920 --> 0:22:47.800
<v Speaker 1>area that people were sitting there playing chessing and and

0:22:47.800 --> 0:22:50.280
<v Speaker 1>and and the Israelites and the guards is out building,

0:22:50.400 --> 0:22:51.880
<v Speaker 1>you know what I mean. So there's a scene where

0:22:52.400 --> 0:22:55.200
<v Speaker 1>he's sitting there listening and the guards are talking about, Yo,

0:22:55.240 --> 0:22:57.680
<v Speaker 1>you got knowledge yourself and all that. I mean, that's real,

0:22:57.720 --> 0:23:00.359
<v Speaker 1>that's what that's real. It's real. Where did you learn? Like?

0:23:00.440 --> 0:23:01.680
<v Speaker 1>Where did you learn that? Because when I seen that,

0:23:01.880 --> 0:23:03.080
<v Speaker 1>I know that you were chests, But I'm like, but

0:23:03.119 --> 0:23:04.920
<v Speaker 1>where did you learn that? Coming out of stating anal

0:23:05.040 --> 0:23:07.360
<v Speaker 1>that's something that that you would taught or just going

0:23:07.400 --> 0:23:10.639
<v Speaker 1>to the to the city all the time I was taught.

0:23:11.160 --> 0:23:13.720
<v Speaker 1>I was blessed with a girl that took my virginity

0:23:13.760 --> 0:23:21.320
<v Speaker 1>and taught me chess man. She hit me with a

0:23:21.359 --> 0:23:23.720
<v Speaker 1>two for one. Based on the formation of the most

0:23:23.720 --> 0:23:26.880
<v Speaker 1>influential group in hip hop history, Wu Tang and American

0:23:26.960 --> 0:23:30.359
<v Speaker 1>Saga is now streaming with new episodes every Wednesday only

0:23:30.400 --> 0:23:30.960
<v Speaker 1>on Hulu.