WEBVTT - Leave Work, Do a Couple Shooters

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<v Speaker 1>I don't know what happens you leave work and do

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<v Speaker 1>a couple of shooters. It's one more thing.

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<v Speaker 2>I'm one more thing.

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<v Speaker 3>I was about town a couple of stiff ones to

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<v Speaker 3>get through this stinking podcast.

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<v Speaker 1>That's not true. So before we play one of our

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<v Speaker 1>favorite clips we've ever had in the history of the

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<v Speaker 1>radio show, apparently we have a new one. So these

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<v Speaker 1>are news anchors getting into an argument on the air,

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<v Speaker 1>Michael or like off the air, but they typed it's

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<v Speaker 1>off the air, but cameras are rolling, so it sounds.

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<v Speaker 4>Like a segment went bad. Is apparently what happened.

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<v Speaker 1>Okay, let's hear it.

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<v Speaker 2>I'm gonna have to do that again. I am I'm

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<v Speaker 2>an Amy script the Amy's Angels one there was the

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<v Speaker 2>second thing didn't make sense, so I was just trying

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<v Speaker 2>to fix that part. And I can't wait for you

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<v Speaker 2>to go through them all and then I go through

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<v Speaker 2>them because then I'm already getting ready by that. But

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<v Speaker 2>this time we had to do the PSAs, So.

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<v Speaker 1>Finish, what go ahead?

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<v Speaker 2>I don't think you are you walking out really angry?

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<v Speaker 3>Geez?

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<v Speaker 2>Oh, Pete, can I feel please finish? We're'm gonna say

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<v Speaker 2>what the.

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<v Speaker 1>Grow up.

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<v Speaker 2>I'm so done with her antics telling on me every

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<v Speaker 2>five seconds. I'm done.

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<v Speaker 1>So I wish there was more. There had to be

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<v Speaker 1>more because it was mundane. But then it went zero

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<v Speaker 1>to right. There had to be more. Who cut it off?

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<v Speaker 3>Damn it?

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<v Speaker 1>Uh? It sounded like there was a gentleman there who

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<v Speaker 1>was trying to calm things down. And you hear that

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<v Speaker 1>towards the end, And isn't the woman in the classic? Yes? Yeah, yeah,

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<v Speaker 1>So now we're going to go back to uh famous

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<v Speaker 1>Los Angeles news. We gotta get more of that.

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<v Speaker 3>There's got to be Unless somebody realized, oh, these mics

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<v Speaker 3>are hot and cut it.

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<v Speaker 1>At that could be very well.

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<v Speaker 3>Yeah, that's happened to us more than once.

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<v Speaker 1>We're usually bad. Well I'm not gonna say we're usually bad.

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<v Speaker 1>Mouthing yeah, good lord man would be a bad idea.

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<v Speaker 1>The smart thing if you're in broadcasting is to never

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<v Speaker 1>say anything around a microphone that you don't want aired

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<v Speaker 1>or recorded. That's the smart thing to do. Do I

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<v Speaker 1>follow that? Have I followed that? Over the previous forty

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<v Speaker 1>three years I've been talking into microphones? Uh No, I'm

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<v Speaker 1>just lucky that there's not some viral something going out there.

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<v Speaker 1>That is a national meme of various things.

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<v Speaker 3>I've said, We've become savvy enough though that if we're

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<v Speaker 3>in a studio with microphones and we're getting, you know, treasonous,

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<v Speaker 3>that we unplug the microphone.

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<v Speaker 1>Reason. So this is a classic. I've heard it eight

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<v Speaker 1>million times and I look forward to hearing it again.

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<v Speaker 1>It's so good. Male anchor and female anchor who had

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<v Speaker 1>been working together for years, and they were a big

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<v Speaker 1>deal in Los Angeles for a long time, and they

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<v Speaker 1>got I don't know what I've probably been building for years. Anyway,

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<v Speaker 1>this is how it went during a commercial break.

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<v Speaker 5>I guess first second, all the time it frequently is

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<v Speaker 5>complaining about it, then we better because tonight we better

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<v Speaker 5>talk about it because I think you've got a problem.

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<v Speaker 5>I think we've got a problem, all right, if that's

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<v Speaker 5>what you think, And we'll talk about it after the show,

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<v Speaker 5>and we'll talk about it with Roger Bell, because I'm

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<v Speaker 5>not going to sit here night after night and put

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<v Speaker 5>up with this sh okay.

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<v Speaker 6>Night after night, night after night where what looks.

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<v Speaker 5>Like that's the way it's going to go.

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<v Speaker 6>A little higher than that. Even you're not only wrong,

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<v Speaker 6>you're way out of line.

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<v Speaker 5>Let me tell you, so you started it pass you

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<v Speaker 5>want Harold Green? You might get them?

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<v Speaker 6>Is it really good?

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<v Speaker 2>Old Harold Green?

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<v Speaker 5>Okay, okay, you want to start dealing with Go ahead,

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<v Speaker 5>that's what you want. You just might get it. You know,

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<v Speaker 5>you go home and have a couple of shooters, and

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<v Speaker 5>I don't know what happens when you come back. You're

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<v Speaker 5>not the same lady.

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<v Speaker 3>That's it's not set.

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<v Speaker 5>Some nights it is.

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<v Speaker 6>Manne and the news happened. You see it happen on

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<v Speaker 6>Channel seven, the number one station to news and information

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<v Speaker 6>and Southern Cam upon you No Paul Moyer and Mark

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<v Speaker 6>Johnny mountin weather, Oh God, donajo, So I'm so happy?

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<v Speaker 1>Is eye Witness.

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<v Speaker 5>News the Mike you go in dead tonight in an

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<v Speaker 5>execution style murder in Los Angeles. Good evening, all, it's

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<v Speaker 5>now the eleven.

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<v Speaker 1>He's off being a professional.

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<v Speaker 3>Johnny Mott is refusing to choose sides in the current

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<v Speaker 3>bitch fest.

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<v Speaker 1>There's so much goodness in that. Oh, I know, we've

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<v Speaker 1>always enjoyed the fact that poor Hill de Green, who

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<v Speaker 1>done nothing wrong? WHOA how did I come in? Frick?

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<v Speaker 1>He's thinking, how did I get involved in this? Do

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<v Speaker 1>you want to work with shit? Wait on shit? Oh

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<v Speaker 1>my god. And then I like, he accuses her of

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<v Speaker 1>being too drunk to do her job and she has

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<v Speaker 1>like no response to it. Well, that's not true.

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<v Speaker 7>I mean, if you told.

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<v Speaker 1>Me I was drunk on the air and I wasn't,

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<v Speaker 1>what the hell are you talking about? Let's she is

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<v Speaker 1>too drunk to come up with a better comeback. That's

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<v Speaker 1>not true.

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<v Speaker 3>Night after night, I feel I almost feel bad for

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<v Speaker 3>her because she's a gentle spirit.

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<v Speaker 1>She sounds a dope.

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<v Speaker 3>Yeah, yeah, probably hot. I don't I don't know her. Actually,

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<v Speaker 3>I think she's still kicking. Harold Green passed what a

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<v Speaker 3>couple of years ago. I don't know what Headstone say.

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<v Speaker 1>He wasn't ship.

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<v Speaker 7>Quin saying is ship You.

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<v Speaker 1>Want to work with Harold Green? That's fine, good Old

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<v Speaker 1>Harold Green. You want to work with shit?

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<v Speaker 3>Sorry, Hans, I'm a nice guy, best way, maybe my

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<v Speaker 3>best days are behind. He's no need to you know,

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<v Speaker 3>I'm not even.

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<v Speaker 1>In this argument. Ah boy, that is so dangnan funny.

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<v Speaker 3>Oh, she has the aggressiveness because they had to go

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<v Speaker 3>back on the air, so everybody had to keep cool,

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<v Speaker 3>kind of.

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<v Speaker 1>Which one of them is pounding the papers. You think,

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<v Speaker 1>is that him or her that's dealing with their frustration

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<v Speaker 1>by pounding the scripts over and over again. I guess

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<v Speaker 1>it's him.

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<v Speaker 3>I'm guessing it's him. Probably seemed like a more male

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<v Speaker 3>thing today, and.

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<v Speaker 1>Her really weak retort of, oh, you're not only wrong,

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<v Speaker 1>you're way out of line.

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<v Speaker 3>Wow, about if I up the anti handing a little bit.

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<v Speaker 1>Oh here we go, Hell, hath no fury? Like a

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<v Speaker 1>woman's scored. She's about to lay it on him. You're

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<v Speaker 1>not only wrong, you're way out of line. What's that's

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<v Speaker 1>all you got?

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<v Speaker 3>You know? She strikes me as a sweet.

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<v Speaker 1>And then maybe she's just too nice to get into

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<v Speaker 1>the bare knuckled fight that what's his name was looking

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<v Speaker 1>for there right exactly?

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<v Speaker 4>We called her, kiddo.

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<v Speaker 1>You know that's true.

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<v Speaker 3>Look, kiddo, Wow, I just hope those two were able

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<v Speaker 3>to patch it up.

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<v Speaker 1>Do we know the story? Did they end up working

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<v Speaker 1>together for years after that? Or was that the end

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<v Speaker 1>of it?

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<v Speaker 4>Or I think they continued on.

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<v Speaker 1>I think they did too.

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<v Speaker 3>I remember we've heard the whole story more than once, but.

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<v Speaker 1>It was a long time ago, so back then it

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<v Speaker 1>will I mean, it's do we have a data on that.

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<v Speaker 1>Do you have any idea what year that was. No,

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<v Speaker 1>but it was before something could go viral online and

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<v Speaker 1>all that sort of thing. So you could have just

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<v Speaker 1>moved on and it only existed like at radio stations

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<v Speaker 1>and TV stations being passed on like physical media. If

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<v Speaker 1>it happened today, it would be everywhere. Jimmy Fallon would

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<v Speaker 1>be talking about it, and I mean it would be

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<v Speaker 1>be memes and set to music and everything like that.

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<v Speaker 1>You'd have to remss this, You'd have to address it.

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<v Speaker 7>You'd have to walk about Harold Harold Green, rug and shit,

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<v Speaker 7>shit Harold Green, the dance remigs, night after night, night

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<v Speaker 7>after night.

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<v Speaker 1>Harold Green, Tonight, Harold Green. That's not true. True. Yes,

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<v Speaker 1>they would have had to have addressed it, but I

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<v Speaker 1>think back in the old days they probably could just

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<v Speaker 1>soldier on and the ninety of their audience never heard it,

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<v Speaker 1>so didn't know that. Behind the scenes she was talking

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<v Speaker 1>about how drunk she was. I know, you go home,

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<v Speaker 1>I have a few shots, come back in here. Differently,

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<v Speaker 1>that's not true. Sounds a little true, man. You sound

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<v Speaker 1>a little slow.

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<v Speaker 3>Night after night, you know you do occasionally. I know

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<v Speaker 3>you have run into the drunk who does not slur

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<v Speaker 3>at all. Right, that's always impressed me. That's that's my

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<v Speaker 3>uh uh oh, I've had too much because I will.

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<v Speaker 1>Start to slur and you notice it yourself. Oh yeah.

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<v Speaker 3>Yeah. In fact, it's you know sometimes that happens that

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<v Speaker 3>you think, no, I'm fine, and then like thirty seconds

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<v Speaker 3>later you're like, that's why I think, oh oh no, whoops. Yeah,

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<v Speaker 3>I'm not going to finish this. Yeah, because I'd rather

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<v Speaker 3>not be embarrassing myself.

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<v Speaker 1>I do that enough.

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<v Speaker 4>Yes, Michael, that's the question is strictly for entertainment purposes

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<v Speaker 4>anybody listening, So would possibly either one of you have

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<v Speaker 4>ever been inebriated?

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<v Speaker 1>Oh many times? Oh yeah, what on the air? Yeah yeah,

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<v Speaker 1>many times, not many times, but more than once.

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<v Speaker 3>Yeah. Yeah, I mean there have been a couple of

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<v Speaker 3>things that we've done.

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<v Speaker 1>In the evening, well I've done I have to separate

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<v Speaker 1>between things where and I don't know if they I

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<v Speaker 1>don't know if you could still get away with this

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<v Speaker 1>in the radio industry. Maybe it could, because they do

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<v Speaker 1>that on New Year's Eve on CNN. That's part of

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<v Speaker 1>their whole thing. How drunk They're going to get nobody

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<v Speaker 1>watches to see how drunk they get. But I've done

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<v Speaker 1>a whole bunch of radio things where drinking was like

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<v Speaker 1>we were all drinking and that was part of the deal.

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<v Speaker 1>Like you're broadcasting at a parade or a concert or whatever,

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<v Speaker 1>and you're talking about how much you're drinking and everybody

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<v Speaker 1>knows you. That's different then the I wasn't supposed to

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<v Speaker 1>be drunk and I was, which only happened two or

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<v Speaker 1>three times I think, where I was actually drunk working

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<v Speaker 1>like an evening shift. God, I had one bad one

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<v Speaker 1>in Kansas City. Woo oh no. My best friend and

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<v Speaker 1>I went out. We drank all afternoon and I had

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<v Speaker 1>to work the shift that night. Oh boy, and I

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<v Speaker 1>was so damn hammered and uh playing records at the time.

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<v Speaker 1>And I'll tell you what happens when you're drunk the record.

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<v Speaker 1>It doesn't matter if it's a five minute song. It's

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<v Speaker 1>over in like that. I mean, you you get it on,

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<v Speaker 1>you get it rolling, you try not to slur out

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<v Speaker 1>this is Fleetwood mac over enunciating seato slur and uh,

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<v Speaker 1>and then you think, okay, I'm cool for a little

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<v Speaker 1>bit and you look over it's over and it's going

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<v Speaker 1>skits over you know it's already at the end of

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<v Speaker 1>the song. Oh that was rough. I absolutely should have

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<v Speaker 1>would have been fired for that if anybody had caught on. Wowow,

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<v Speaker 1>that was rough. I think that was the only time

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<v Speaker 1>I was actually drunk when I was supposed to not

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<v Speaker 1>be drunk. But that was a rough one. Horrifically hungover. Yeah,

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<v Speaker 1>oh my god, that's a different topic. Yeah. Name me

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<v Speaker 1>somebody in the radio or TV business that has not

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<v Speaker 1>done their job horrifically hungover and maybe they work for

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<v Speaker 1>k q R, Quaker Television or.

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<v Speaker 3>Something, right, Yeah, not good memories. Oh no, that's good

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<v Speaker 3>at all that. I can feel the nausea, the pain,

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<v Speaker 3>the headache.

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<v Speaker 1>Go if I remember just the same. Wait, I'm not

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<v Speaker 1>done with my description. It was k c FX, which

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<v Speaker 1>I believe still exists in Kansas City, and we're on

0:11:41.120 --> 0:11:43.480
<v Speaker 1>the air and game snow down the Fox. Yes, we

0:11:43.559 --> 0:11:46.760
<v Speaker 1>had the chiefs and I was working overnights on like

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<v Speaker 1>a Saturday night, and it's three o'clock in the morning.

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<v Speaker 1>So I don't know how many people were listening, but

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<v Speaker 1>if I remember right, I'll have to ask my friend Chris,

0:11:54.480 --> 0:11:56.600
<v Speaker 1>because he was there in the studio. People were calling

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<v Speaker 1>in and saying dude, are you okay? Oh yeah, that

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<v Speaker 1>was not good. Oh good boy. He could have snuffed

0:12:04.040 --> 0:12:08.439
<v Speaker 1>your career. And it's infinitly absolutely could have. Oh my lord, god,

0:12:08.559 --> 0:12:11.120
<v Speaker 1>dang it. I just get a song on him. Think okay,

0:12:11.160 --> 0:12:13.120
<v Speaker 1>I'm cool, I've got four let I'm gonna get a drink.

0:12:13.160 --> 0:12:16.600
<v Speaker 1>Oh what's over? Tell you what, Jack?

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<v Speaker 3>You go home, you drink forty beers. You're not the

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<v Speaker 3>same guy.

0:12:20.880 --> 0:12:28.360
<v Speaker 1>That's not that very true. Well, I guess that's it.