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Speaker 1: All right, everybody knew who was coming. We're here. The

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Speaker 1: I Am Wrapp Reports Stereo podcast review is in effect.

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Speaker 1: And when I say review, we have been reviewing things

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Speaker 1: like Game one of the NBA Finals. We have a

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Speaker 1: reviewing things like Kanye West new album. We have been

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Speaker 1: reviewing things like the Quintessential MC black Thought from the

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Speaker 1: Roots new record. We're breaking all that down. Plus we

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Speaker 1: have six funks of the week. Plus this is gonna

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Speaker 1: blow your fucking mind. Everybody was caught up in the

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Speaker 1: controversy what went right? What went wrong with the refs

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Speaker 1: in Game one? What we have Tim Donnahee, you know

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Speaker 1: Tim Donnahe remember Tim Donnie be refereed in the NBA

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Speaker 1: for thirteen seasons. Thirteen seasons in the NBA. He was

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Speaker 1: the ref who was mixed up in the allegations that

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Speaker 1: he bet on games. He was sentenced in federal prison.

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Speaker 1: That guy, Tim Donny, he's been a friend of mine.

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Speaker 1: We've been talking. He came on the Iron Rapports Stereo podcast.

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Speaker 1: He's breaking down verbatim from the playbook, from the referee book,

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Speaker 1: from the referee guy, what the funk happened in Game one?

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Speaker 1: All that and more on a smash mouth, explosive, high octen,

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Speaker 1: hard body karate I Am Rappaport Stereo podcast coming up next,

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Speaker 1: Miles Jordan's let Me Get something funky, let Me get

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Speaker 1: something nasty, all right? G Moody, last name rhymes with

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Speaker 1: duty Yo. Game one is in the books. Kanye West

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Speaker 1: put out an album and had a fucking listening party

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Speaker 1: in Wyoming with all these uh, music critics. Whatever the

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Speaker 1: funk that is a music critic and influencers, which even

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Speaker 1: more so, what the funk is that an influencer? And

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Speaker 1: all these celebrities were flown out to Wyoming and they

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Speaker 1: they you know, after all the fuck Kanye, Kanye's dead

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Speaker 1: to me, He's a piece of shit. They got on

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Speaker 1: the private jets that Kanye sent for them. They all

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Speaker 1: came out to Wyoming. Didn't watch Game one of the

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Speaker 1: NBA Finals. They didn't do that. They did, but they

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Speaker 1: went out to Kanye West. Uh, he had a fucking

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Speaker 1: bonfire and a listening party for his record. I mean,

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Speaker 1: you couldn't. You couldn't pry me away from a TV

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Speaker 1: for Game one of the NBA Finals to go out

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Speaker 1: to Wyoming and listen to this fucking whacka dus record.

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Speaker 1: Can you imagine missing the historical game one of the

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Speaker 1: NBA Finals last night? Can you imagine missing Lebron James

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Speaker 1: going for fifty one point to go out to Wyoming

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Speaker 1: and sit outside in the fucking cold and listen to

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Speaker 1: that bullshit. Damn he had him out there in the cold.

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Speaker 1: It's outside and the cold and Wyoming the music where

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Speaker 1: we got so much to talk about. First of all,

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Speaker 1: what is a music critic? Like? How do you? How

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Speaker 1: are you a music critic? Music is such a thing

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Speaker 1: that goes into your body, and it's such a something

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Speaker 1: that you respond to from your d n A and

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Speaker 1: you respond to from the cells in your body. You know,

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Speaker 1: it's such a something that you absorb. You either take

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Speaker 1: to it or not. How could you be a music critic? Like?

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Speaker 1: How can you? Like? It's so sort of um specific

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Speaker 1: to each person. Well, what the fund is an influencer?

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Speaker 1: These influencers went out there, Chris Rock and Jonah Hill

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Speaker 1: and Kid Cutty and all these these people they go,

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Speaker 1: they get flown out there. Why you didn't get some

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Speaker 1: people from the projects, some hip hop fans, some people

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Speaker 1: all in the corner that are gonna either like your

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Speaker 1: ship and listen to your ship or not. I don't

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Speaker 1: even know music critics that tell me if my record

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Speaker 1: is good or fucking influencers, people with like a lot

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Speaker 1: of Instagram followers and Twitter followers, and their word means ship.

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Speaker 1: Your word doesn't mean shipped to me. First of all,

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Speaker 1: you've been you've been the um Um movie premiers. Yeah,

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Speaker 1: they're very they're very seductive thing. You know, you go

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Speaker 1: to the movie premiere, it's everybody's dressed up, everybody smells good,

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Speaker 1: There's a there's an air of excitement in the room.

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Speaker 1: You know, everybody who's in the movie who worked their

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Speaker 1: ass to get the movie made, their friends, their family,

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Speaker 1: their loved ones are all there. So this is not

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Speaker 1: an unbiased audience, right, Yeah, absolutely, of course that's that's

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Speaker 1: the crew. That's your crew. So imagine getting flown out

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Speaker 1: in private jets to Wyoming and nas is there, Chris

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Speaker 1: Rock is there, and you know this one is there

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Speaker 1: and that one's there. You're already you're already not giving

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Speaker 1: a biased opinion of what you're listening to. Your Kim

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Speaker 1: Kardashian's there, she was just there with Trump. The star

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Speaker 1: power they probably had, you know, sushi or derves and

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Speaker 1: lobster tails and you know, I don't even know music critics,

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Speaker 1: and a big listening party for your ship. It was

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Speaker 1: either dope or it's not dope. Yeah. And I woke

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Speaker 1: up this morning and I listened to I woke up

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Speaker 1: specifically to get prepared for this Iron Wrap Reports stereo

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Speaker 1: podcast and to listen to this dude's record. I took

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Speaker 1: my dog, Wheezy, the Iron Rapports Stereo podcast news dog,

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Speaker 1: to confer a walk, put my earphones on, put my

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Speaker 1: phone on airplane mode, and I listened to his record twice.

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Speaker 1: And I'm gonna tell you and I said on the

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Speaker 1: last podcast last week that the push a record, which

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Speaker 1: was also produced by Kanye West. I don't have a problem.

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Speaker 1: I'm not banning Kanye West's music. I don't give a fuck.

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Speaker 1: I don't care about his political beliefs. I said that

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Speaker 1: either the music's dope or not. I like to push

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Speaker 1: a t record he produced it. Listen to the Kanye

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Speaker 1: record twice. It's dog shit, it's trash. None of these,

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Speaker 1: none of these music critics or influencers throw all on

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Speaker 1: Twitter saying oh this was a great experience. This song

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Speaker 1: is this this song is that funk? ADDI? I listened

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Speaker 1: to that record twice. G you have to listen twice.

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Speaker 1: Why is it trash? Yo? There's no Smackers number one

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Speaker 1: like like either either something makes your face like you

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Speaker 1: you put on you put on James Brown? You you you?

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Speaker 1: You put on uh Eric b for President? You you

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Speaker 1: you hear um you know check the rhyme by trap

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Speaker 1: Coal Quest you hear uh poetry by cares One. You

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Speaker 1: don't need any explanation. You, you don't need any um.

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Speaker 1: You don't need to go into your cerebral part of

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Speaker 1: your brain to sort of process it. It's either dope

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Speaker 1: or it's not dope. You listen to Stevie Wonder you

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Speaker 1: you you know, you listen to a great led Zeppelin song.

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Speaker 1: You listen to a great uh Miles Davis song. You

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Speaker 1: listen to anything. It's either dope or it's not fucking dope.

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Speaker 1: Like when you have to start going into the third

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Speaker 1: parameter of your cerebral part of it, your brain to

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Speaker 1: sort of go, well, he's trying to do this. It's

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Speaker 1: either dope or it's not dope. That's like a magician,

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Speaker 1: you know, who's doing a basic trick. He's trying to

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Speaker 1: pull a rabbit out of a hat. Oh but you

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Speaker 1: see the rabbit and and and the trick is in there.

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Speaker 1: But well maybe not, there's no Maybe it's either funky

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Speaker 1: or it's not funky. You listen to flavor in your year,

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Speaker 1: like the Craig mac Biggie remix. The first time you

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Speaker 1: heard it, you were like, Yo, that is some ship

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Speaker 1: right there. Like it Either you either response to it

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Speaker 1: or not. You listen to the Corner by Kanye did

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Speaker 1: that that it's either a banger or it's not a banger. Hope, boy,

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Speaker 1: it is. You know it's it's it's some. It didn't

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Speaker 1: have any feel You're just you just every song had

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Speaker 1: no feel to it. No, no funkiness. You just didn't

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Speaker 1: understand it or what what I mean? No no funk,

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Speaker 1: there's no funk. There's there's no funk. And I know

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Speaker 1: for for for you, that's that's rule number one. Oh yeah,

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Speaker 1: hip hop is is funk. I don't know what happened

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Speaker 1: to it, but no, there's no there's no for me.

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Speaker 1: That's crazy that that you would go into the studio

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Speaker 1: and not have the intention of making it as funky

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Speaker 1: as possible so people could actually, you know, get down

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Speaker 1: to it, check the rons out. That's what I thought

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Speaker 1: the original art form was was about. But it's changed.

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Speaker 1: It's something else now. Yeah, I'm gonna tell you right now.

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Speaker 1: But for the next time, I am rapport stereo pockets.

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Speaker 1: A matter of fact, when we do the live show Sunday,

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Speaker 1: we are pregaming. Me and G Moody are doing the

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Speaker 1: pregame in San Francisco, Oh at the Clusterfest comedy and

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Speaker 1: music festival this week and five pm in San Francisco.

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Speaker 1: Me and G Moody, we are the best pregame show

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Speaker 1: in the entire world. We are performing at five o'clock

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Speaker 1: in San Francisco cluster Fest dot com. The last time

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Speaker 1: we were in San Francisco, that was the most the

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Speaker 1: rowdiest crowd we've ever performed in front of. Okay, yeah,

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Speaker 1: we're shutting it down five to six an hour on stage. Moody,

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Speaker 1: I am demanding that you listen to the Kanye West

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Speaker 1: record at least two times before that show to give

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Speaker 1: your full insight and review. But if you want to

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Speaker 1: see me and G. Moody live in San France Sunday

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Speaker 1: before Game two of the NBA Finals, we will be

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Speaker 1: there Clusterfest dot Com. Get your tickets. You know what

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Speaker 1: we do live. Um, we're gonna put on a good show.

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Speaker 1: But the thing about this record, like, like I said,

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Speaker 1: I don't care about Kanye West personal opinions. I don't.

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Speaker 1: I don't. I could care less either way about what

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Speaker 1: this dude's talking about the Maga hat Um. I was offended,

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Speaker 1: just like everybody else by by his dumb comments against slavery.

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Speaker 1: But if you listen to this record, you'll know this

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Speaker 1: guy's fucking batshit crazy. He he's got major problems. It's scattered.

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Speaker 1: He's still singing on the records. Nobody is telling him.

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Speaker 1: Chris Kardashian, come get your man, not him the mother.

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Speaker 1: Come get your man and tell him stop singing on

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Speaker 1: the records. Duke, you're not done. He half away, You're

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Speaker 1: not Teddy Pendergrass. Your voice is not good for singing.

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Speaker 1: Uh Where I don't know where that came from. I

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Speaker 1: asked that years ago. Who told him that he could sing?

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Speaker 1: And who told him that that sounds good in the studio,

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Speaker 1: your friends and your home. He's supposed to say, Yo,

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Speaker 1: I'm gonna kicking to you. Man. You're my man and

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Speaker 1: everything but yo, cut that singing out like it's it

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Speaker 1: doesn't sound good. Get Keith Sweat up in there to

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Speaker 1: sing or something like that. Yeah, get get Aaron Hole

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Speaker 1: from guy in there to sing. You can't sing money. Yeah,

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Speaker 1: it doesn't sound it's not good sonically to the ears.

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Speaker 1: But he knows all these motherfucker's out here sheep whatever

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Speaker 1: he puts out, whatever he throws out there, Oh, they'll

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Speaker 1: suck it in. That's why I got all the pomp

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Speaker 1: and circumstance you bring. You gotta bring a guy people

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Speaker 1: all the way into Why why Yo, you just have

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Speaker 1: a fucking music listening ship in Chicago and boom, just

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Speaker 1: ship got all this ship. That's how you know. This

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Speaker 1: ship is wet. It's whack. It is whack. And I'm

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Speaker 1: gonna say it for the last time, I liked the

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Speaker 1: production on the Pusher T record. So this isn't like

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Speaker 1: a fuck Kanye thing. That record is trash. It's trash

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Speaker 1: and homeboy. Like the ship that he's kicking on there,

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Speaker 1: it's like overly sentimental and self indulgent. Yeah, my man,

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Speaker 1: save that ship for your diary entries, my man. I know.

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Speaker 1: It's like art needs to be personal, like yo. You

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Speaker 1: then don't put the music out, just just listen to it.

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Speaker 1: With the Jenners and the Kardashians playing for them, they're

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Speaker 1: gonna sit there and tell you it's great. You play

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Speaker 1: it for me. I'm telling you this morning, I listened

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Speaker 1: to it two times all the way through with headphones,

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Speaker 1: no interruption. It was whack as fuck. It's whack. You

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Speaker 1: know what's not whack? And it's really it's really sad.

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Speaker 1: It's gonna that it's it's gonna sort of be swept

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Speaker 1: away because all the music critics and influencers, there's such

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Speaker 1: big influencers and music critics. How it's not even a

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Speaker 1: job check it out rap. Like Paris Smith said from

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Speaker 1: E P m D. Music critics could get the did

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Speaker 1: it that's how we look at it. Music critics could

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Speaker 1: get the diddick shout out to E P m D.

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Speaker 1: As a record that I'm not gonna let get swept

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Speaker 1: away and swept under the rug. It's short. I think

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Speaker 1: it's like this. I think is like a MAXI single

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Speaker 1: or an EP, but it's banger banger banger and it

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Speaker 1: and it shows improves and it does not disappoint the

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Speaker 1: great I call him the quintessential MC black Thought. M H.

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Speaker 1: Black Thought put out a joint with six five joints

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Speaker 1: on it. Okay, so it's it's it's an EP. It's

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Speaker 1: it's it's an EP. But all five are smackers, and

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Speaker 1: all five show the lyricism and and the word play

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Speaker 1: and and every single word and every single line is

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Speaker 1: hit and his voice and the command of the craft

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Speaker 1: download or by Streams of Thought, Volume one by Black

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Speaker 1: Thought from the Roots. That's the record, motherfucker should be

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Speaker 1: talking about in all these music critics. All we're gonna

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Speaker 1: talk about is this fucking nutcase and his self indulgent

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Speaker 1: bullshit over sentimental bonfire bullshit. Yeah. I like, but Black

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Speaker 1: Thought that's to be expected his name that you know,

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Speaker 1: they's anonymous. We're putting out funky hip hop ship. So

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Speaker 1: you know, I've always liked them. They never kind of

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Speaker 1: veered away from that because that's what it's about. That's

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Speaker 1: what they love to do. You make them beat hard.

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Speaker 1: You hear him in the studio blasting. It's good. He's

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Speaker 1: always been good. A matter of fact, Miles played play

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Speaker 1: a little bit of that Dostoevsky. H I said te

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Speaker 1: Evan that a glass half empty, turning me from Dr

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Speaker 1: Sevy the cock and send me it got me clutched

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Speaker 1: my machete from the seven Ghetti already while styles and

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Speaker 1: fat fire, Freddie I'm a strange from my scow don't last?

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Speaker 1: How deadly is the UMA's Lama Truma to the Tripolie

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Speaker 1: show from the Harns and Monte Tuma, Stop the Truda.

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Speaker 1: I'm built through facts, I'm not the rumor of malignant

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Speaker 1: tumor slid through in the swinging Tuma, the steady heavy

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Speaker 1: Legend Derby all praises overdue St Clauss has it chosen?

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Speaker 1: Few rat normal truth a gaverge to you, normal music

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Speaker 1: by suckers. It's not a victim of crime. If anybody suffers.

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Speaker 1: See See that's what it's all about. Hey. You know, listen,

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Speaker 1: you know it happens to It happens to athletes and artists.

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Speaker 1: You know some some people will quit, uh, you know,

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Speaker 1: athletes as artists. I heard Kevin Durant talking about it.

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Speaker 1: I I do too, Alan Iverson, in my opinion was

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Speaker 1: it was an artist. It was an expression of his emotions. Listen, boxers,

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Speaker 1: you take one too many punch to the head, You're

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Speaker 1: not the same. It happened to you know, Sugar, Ray Robertson,

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Speaker 1: obviously the great Muhammad Ali and and and hundreds and

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Speaker 1: hundreds of other boxers. UH director's movie directors, Francis Ford Copoly,

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Speaker 1: he put everything on the line with his first few movies,

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Speaker 1: The Conversation, Godfather One, Godfather to Apocalypse Now and then

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Speaker 1: and then like you know, you know, like something, something

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Speaker 1: clicks and you're not the same. It happened to Brian

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Speaker 1: de Palma made a bunch of good movies, not the same. Yeah,

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Speaker 1: you know, Kanye West made a bunch of good music.

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Speaker 1: He's not the same guy. It's over. It's it's amazing

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Speaker 1: that jay Z is able to sustain himself for as

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Speaker 1: long as he has, even M and M. He's still

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Speaker 1: ultra talented. But his last two records nothing nothing. It's

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Speaker 1: not that he's he's not that his rhymes are still good,

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Speaker 1: but you know, you lose your perspective, perspective, perspective is

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Speaker 1: is a lot. We could sit here, me and ge

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Speaker 1: movie we know yo. I can already tell you right

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Speaker 1: now this episode of the Iron Wrap or Stereo Podcasts,

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Speaker 1: a banger sometimes will be like yo, this segment wasn't good,

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Speaker 1: or you know, like, let's cut that that that wasn't good,

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Speaker 1: that didn't land. You have to be honest with yourself. Yeah, absolutely,

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Speaker 1: when when you're when you're doing art, any sort of

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Speaker 1: artistic thing, or like if you're playing a game like yo,

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Speaker 1: you know, y'all, I had a funked up game. I

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Speaker 1: missed all these shots. I wasn't all my ship. I

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Speaker 1: didn't play good defense. I was lazy. I was sluggish.

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Speaker 1: I wasn't as focused. We do the podcast, same thing

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Speaker 1: as an actor. I could say some days like you

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Speaker 1: you clicking, you're in the zone. You you got all

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Speaker 1: your lines, now, you're hitting all your marks. It's just

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Speaker 1: it's just candy. Some days it's not. Yo. You could

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Speaker 1: lose your perspective where you think what you're doing is

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Speaker 1: dope and it's not dope. And I am telling you

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Speaker 1: right now that Kanye West record is not mother fucking dope. Period. Hey,

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Speaker 1: I I understand I expected to be some weirdo ship.

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Speaker 1: Well we got we got more weird. I thought, this

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Speaker 1: is what I thought you expected it to be. Weirdo ship.

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Speaker 1: I thought, well, because of all the chaos that's been

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Speaker 1: going on with this nut job in the last few

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Speaker 1: weeks that he was gonna be like, yeah, I'm gonna

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Speaker 1: make the like just a straight hip hop you know,

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Speaker 1: I'm gonna give to people what they want to sort

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Speaker 1: of like prove like I still got it. Well, this

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Speaker 1: is the worst record you've ever put out, Homeboy, I'm

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Speaker 1: saying it's it's it's trash. And all these music critics

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Speaker 1: and influencers and celebrities that are out there that went

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Speaker 1: on Twitter and Instagram that got seduced by the crab

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Speaker 1: roles and the private jets, they are all bugging. No

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Speaker 1: disrespect to any of them, but they're fucking bugging every

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Speaker 1: single one of them that try to tell you, you know,

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Speaker 1: I was in Wyoming. It was a credible experience. I'm

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Speaker 1: sure it wasn't beautiful experience. You got flowed on a

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Speaker 1: private jet to Wyoming. The landscape is fantastic, the mountains,

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Speaker 1: the fresh air. I'm sure it was a beautiful, beautiful experience.

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Speaker 1: But is the good good or is the record not good?

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Speaker 1: That's it fucking it. They should have been flown out

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Speaker 1: School Blover and Scrap Lover, the the former dancers of

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Speaker 1: Big Daddy King. These guys get down either they're gonna

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Speaker 1: be able to rock and dance and start doing all

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Speaker 1: that wild ship or not. When when Kim Kardashian and

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Speaker 1: Chris Kardashian are your sounding board for your musical ideas

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Speaker 1: in the genre of hip hop, you're fucked. Yeah, he's

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Speaker 1: in that. He's in a in a in a different

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Speaker 1: world man, And Hey, this this is what you put

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Speaker 1: out to the world. That's what it is. You know

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Speaker 1: it's bullshit. Don't try to pull the wool over the

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Speaker 1: people's eyes. You know yourself that it is whacked. All right,

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Speaker 1: Miles Jordan, Let let me get something funky to transition

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Speaker 1: into the game. Play me something like, play me something

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Speaker 1: that's not whack, Miles, give me a smack that's not whack.

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Speaker 1: To prove to the people we know what's funky. So

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Speaker 1: everybody that's listening to this, they're gonna be like, oh,

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Speaker 1: give me something there, it is all right. Game one. Um,

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Speaker 1: I'm not even gonna get into the call. Uh. We

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Speaker 1: have Tim Donaghee uh coming up on the show later on,

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Speaker 1: and is he he knows the game inside and out,

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Speaker 1: and he knows the mentality of the NBA and the

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Speaker 1: mentality of the referees. Like a homeboy. He he keeps

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Speaker 1: it really really really real. Um. Of course, Gerald's favorite

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Speaker 1: player of all time Lebron James fifty one points. I mean,

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Speaker 1: he's on. He's unbelievable. The thing that's craziest, most impressive

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Speaker 1: to me about him this point is, forget the basketball skills,

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Speaker 1: is his endurance and stamina. Is like the fact that

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Speaker 1: he's able to just go and go and go and

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Speaker 1: go and go and seemingly doesn't get tired and he

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Speaker 1: stays focused. Uh is just is beyond all the other things.

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Speaker 1: I will say this, Moody, and I want to hear

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Speaker 1: what you say about this, because I was watching that

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Speaker 1: funk last night real closely. All Right, every time he

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Speaker 1: goes to the basket, when he goes to the right,

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Speaker 1: when he goes to the basket with his right hand,

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Speaker 1: he pushes off with his left hand. I want you

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Speaker 1: to watch that going forward. Every single time he goes

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Speaker 1: to the basket, he pushes off with his left hand. Yo,

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Speaker 1: do you know that these are men and this is

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Speaker 1: the NBA, and that's so that's the number one star

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Speaker 1: in the league. And basketball is uh contact, that's part

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Speaker 1: of the game. If I get a little angle on you.

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Speaker 1: Of course my arm gonna go or to shoot to

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Speaker 1: shield you off a little bit. And you're watching that, Yo,

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Speaker 1: what the fund is wrong with you? That's basketball. But

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Speaker 1: the reason, the reason why I'm stental, the reason why

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Speaker 1: I'm saying it is because the rules state that they

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Speaker 1: defend the defender. If they put their hand on you,

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Speaker 1: they call it. I saw a guy, uh last in

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Speaker 1: the in the Houston series. I can't remember what it

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Speaker 1: was like, uh light skinned duty might have been a

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Speaker 1: foreign and I can't remember his name. He literally had

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Speaker 1: his fingertips on Steph Curry five ft behind the three

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Speaker 1: point line. He he was like he had his hands

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Speaker 1: on him to sort of like, you know, so he

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Speaker 1: wouldn't go buy him. Like he had his hand extended.

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Speaker 1: He had his fingertips on him, and they called it.

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Speaker 1: If the defender touches you, you get the foul call.

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Speaker 1: But the biggest, strongest player watch it. Check it out

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Speaker 1: every time. I'm not saying sometimes. I watched it last

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Speaker 1: night and I just complimented him. Guy's a fucking animal.

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Speaker 1: Fifty one. He's a fucking beast. Every time he goes

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Speaker 1: to the basket, he pushes off with his left hand

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Speaker 1: I'm just saying again with the referees, they let him

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Speaker 1: get away with that ship. That you wouldn't get away

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Speaker 1: with that ship. The other player wouldn't be able to

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Speaker 1: do that. Every time he goes to the basket, Well,

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Speaker 1: well he earned he earned that, He earned that. This

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Speaker 1: dude came from high school. This dude earned all that.

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Speaker 1: So he's afforded some of the you know he'd afforded that.

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Speaker 1: So but we don't got to talk about him because

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Speaker 1: he's already it's self explained to what he did. Who

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Speaker 1: do you want to and we don't even talk about

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Speaker 1: the call George Hill? Who George Hill? If he makes

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Speaker 1: that second free throw, there's no fucking conversation. He's the guy.

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Speaker 1: It ain't even j R. Jr did bone head ship

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Speaker 1: But if this dude makes the free throw, Jr. Doesn't

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Speaker 1: have the opportunity to funk up. So it should all

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Speaker 1: be on that guy. How you Cleveland wins the game

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Speaker 1: if he makes the free throw, so he should be

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Speaker 1: feeling like a ship head and not j R. Smith. Well,

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Speaker 1: I mean, so do you think I should I yellow

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Speaker 1: George Hill or j R? Smith? Because I think no Jr.

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Speaker 1: Because of the the fucking behavior like like like he

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Speaker 1: was like, uh, fucking in a saying asylum. He's supposed

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Speaker 1: to go right up with the ball. This guy ran

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Speaker 1: to the fucking back. J R. Smith got the email.

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Speaker 1: All he had to do is shoot the ball. He was.

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Speaker 1: He was right there right, Yeah, it's a putback and

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Speaker 1: he goes away from the court. Yo, that's the are

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Speaker 1: you going? What the fuck are you doing? Get me

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Speaker 1: the fun the fuck Lebron Shivility, What the fuck are

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Speaker 1: you doing? You eat smoking cuck sucker? Yo? He said,

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Speaker 1: I thought we were up. Hey, they showed it on

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Speaker 1: the thing. You could read his lips. He said, I

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Speaker 1: thought we were up. You're not fucking winning, you dumb

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Speaker 1: cuck suck? Are you Damn? Yo, there's no excuse Jesus,

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Speaker 1: You're gonna if they know, if they don't win this series,

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Speaker 1: you're gonna that's gonna be your the legacy for you

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Speaker 1: of his career, well, he's had. He's had so many

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Speaker 1: of these these situations. He was in ship last year

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Speaker 1: in the finals. We were talking about him last year

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Speaker 1: in the finals. The year before when they did win,

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Speaker 1: he was great, especially in Game seven. I don't remember

415
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Speaker 1: the points, but he was he won them the game.

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Speaker 1: He had like thirteen points or sixteen points in the

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Speaker 1: fourth quarter. He's knocking down threes. He made all the

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Speaker 1: big shots. Obviously Kyrie made shots too, and he made

419
00:25:15,840 --> 00:25:20,160
Speaker 1: the shot. But j R. Smith was was bawling, he

420
00:25:20,240 --> 00:25:22,080
Speaker 1: was bulling. That's the year he was walking around with

421
00:25:22,119 --> 00:25:24,160
Speaker 1: his shirt off member because he like earned the right

422
00:25:24,160 --> 00:25:28,880
Speaker 1: to act like a fucking idiot. Yeah yeah, but now yo,

423
00:25:29,080 --> 00:25:31,320
Speaker 1: and I hate to say it. I hate to say it.

424
00:25:31,800 --> 00:25:36,919
Speaker 1: They they had the Warriors on the ropes the call.

425
00:25:37,240 --> 00:25:40,200
Speaker 1: I'm gonna let Donnie he break that down. He he

426
00:25:40,359 --> 00:25:43,760
Speaker 1: he breaks down verbat him from the rule book and

427
00:25:43,800 --> 00:25:46,160
Speaker 1: everything he knows about it. Tim Donnie, He's gonna break

428
00:25:46,200 --> 00:25:50,520
Speaker 1: down that call. Uh later on in the episode. Uh.

429
00:25:50,560 --> 00:25:55,200
Speaker 1: But they had him, Cleveland had him. They had him.

430
00:25:55,560 --> 00:25:57,679
Speaker 1: Think about this. Let me let me just say this thing.

431
00:25:57,680 --> 00:26:00,800
Speaker 1: You could go on, look at Lebron's team, right and

432
00:26:00,840 --> 00:26:02,840
Speaker 1: look at the other team they got. The other team

433
00:26:02,880 --> 00:26:06,280
Speaker 1: Golden State has four basically Hall of Famous and Lebron

434
00:26:06,960 --> 00:26:09,679
Speaker 1: is got these guys where they could have won, they

435
00:26:09,680 --> 00:26:11,560
Speaker 1: could have been you know, they could have won the game.

436
00:26:11,680 --> 00:26:14,760
Speaker 1: So and look at his team versus the team he's

437
00:26:14,800 --> 00:26:18,920
Speaker 1: playing so there now though, that leads me to believe

438
00:26:19,359 --> 00:26:22,440
Speaker 1: that everybody's saying this is a cake walk just from

439
00:26:22,560 --> 00:26:26,879
Speaker 1: visually watching Golden State. It's not because you have this

440
00:26:27,200 --> 00:26:30,920
Speaker 1: X factor dude, that's an all around player that actually

441
00:26:31,000 --> 00:26:33,880
Speaker 1: makes everyone better. So it kind of evens up ship.

442
00:26:34,200 --> 00:26:37,320
Speaker 1: And you saw it last night because visually you would

443
00:26:37,320 --> 00:26:39,920
Speaker 1: think Golden State would just blow these guys out. I

444
00:26:40,040 --> 00:26:42,880
Speaker 1: think that they're fucked. I think that was their shot

445
00:26:43,000 --> 00:26:46,280
Speaker 1: last night and they're fucked. If you split, you're good.

446
00:26:46,400 --> 00:26:48,520
Speaker 1: So I know, but I think I think that I

447
00:26:48,600 --> 00:26:53,080
Speaker 1: really think that that that that losing that way and

448
00:26:53,119 --> 00:26:59,080
Speaker 1: the way that they lost like that was I mean, yeah,

449
00:26:59,200 --> 00:27:01,080
Speaker 1: I was on the edge of that ship. That shit

450
00:27:01,240 --> 00:27:03,520
Speaker 1: fucked up. But like Donnie, he's gonna say, like, Yo,

451
00:27:03,640 --> 00:27:09,879
Speaker 1: these things have been happening. Um he listened. You know

452
00:27:10,119 --> 00:27:12,639
Speaker 1: that call was fucked up, j R. Smith fucked up.

453
00:27:12,920 --> 00:27:15,640
Speaker 1: You know this one played good. This all that ship,

454
00:27:16,000 --> 00:27:20,720
Speaker 1: It don't matter Cleveland. They were looming around, they dealt

455
00:27:20,760 --> 00:27:26,680
Speaker 1: with the flurry. Uh, they stayed close and Yo, it

456
00:27:26,800 --> 00:27:29,199
Speaker 1: didn't happen. And me as a fan, even though I'm

457
00:27:29,240 --> 00:27:32,399
Speaker 1: glad Golden State one, you know the call not cole

458
00:27:33,040 --> 00:27:35,879
Speaker 1: Um and I'm I'm gonna let Donnie he explain what

459
00:27:36,720 --> 00:27:39,720
Speaker 1: it should have been, what it really should have been

460
00:27:39,960 --> 00:27:44,399
Speaker 1: based on the rules. Um, and then the j R. Smith, Uh,

461
00:27:45,400 --> 00:27:47,720
Speaker 1: it doesn't. I don't know, man, it's fucked up. You know.

462
00:27:47,760 --> 00:27:49,720
Speaker 1: It's just the same thing like with the Draymond when

463
00:27:49,760 --> 00:27:52,520
Speaker 1: they suspended them for the phantom dick kick. You know,

464
00:27:52,600 --> 00:27:56,440
Speaker 1: they gotta be a way to to just we we

465
00:27:56,560 --> 00:27:59,840
Speaker 1: we we we want the players to decide who wins

466
00:27:59,880 --> 00:28:02,600
Speaker 1: the game. That's it. That's when you run the players

467
00:28:02,640 --> 00:28:04,720
Speaker 1: and they may the best man and may the best

468
00:28:04,800 --> 00:28:09,600
Speaker 1: team win, reversing the call that that is ultimately like

469
00:28:10,560 --> 00:28:12,760
Speaker 1: as a policy, he should be like yo, at the

470
00:28:12,840 --> 00:28:14,560
Speaker 1: end of the game, we're not reversed the no ship

471
00:28:14,680 --> 00:28:19,080
Speaker 1: unless it's fucking flagrant than everybody. See. That was sketchy

472
00:28:19,560 --> 00:28:22,920
Speaker 1: and it lends to some bullshit, you know, because you

473
00:28:22,960 --> 00:28:25,560
Speaker 1: know I'm telling you, Lebron's gonna win this ship. Man,

474
00:28:25,600 --> 00:28:27,399
Speaker 1: You're gonna be like, oh, ship, Lebron's could have win

475
00:28:27,480 --> 00:28:30,480
Speaker 1: this ship if they if they had one last night,

476
00:28:30,600 --> 00:28:33,879
Speaker 1: I would say, I would say, how you'd hear a

477
00:28:33,920 --> 00:28:36,920
Speaker 1: different thing from me? They're fucked there? How can you

478
00:28:37,000 --> 00:28:40,080
Speaker 1: even entrust j r. Smith. Now, like you gotta be

479
00:28:40,200 --> 00:28:44,160
Speaker 1: like think about the rambifications, Like there's no bouncing back

480
00:28:44,200 --> 00:28:46,080
Speaker 1: from that. That dude is a big part of that team.

481
00:28:46,160 --> 00:28:49,440
Speaker 1: Like you're like, yo, you're you're. You gotta look at him, like, Yo,

482
00:28:49,520 --> 00:28:52,320
Speaker 1: you're you're a dumb fuck. Like I'm not just saying

483
00:28:52,360 --> 00:28:55,800
Speaker 1: you're a dumb fuck. You actually have earned the right

484
00:28:56,600 --> 00:28:59,239
Speaker 1: to be. You got all them tattoos. If he had

485
00:28:59,280 --> 00:29:01,840
Speaker 1: a tattoo put on himself that said dumb fuck, no

486
00:29:01,920 --> 00:29:04,480
Speaker 1: one would say why do you have dumb fuck tattooed

487
00:29:04,520 --> 00:29:09,280
Speaker 1: on you? Based on how they Cleveland played last night,

488
00:29:09,840 --> 00:29:14,080
Speaker 1: tells me they're gonna win the fucking series because Golden

489
00:29:14,160 --> 00:29:17,520
Speaker 1: State physicality. Those dudes don't want it. You could see it.

490
00:29:17,760 --> 00:29:21,360
Speaker 1: And when I'm jumper start missing, that's what happens. Physicality

491
00:29:21,480 --> 00:29:24,800
Speaker 1: makes the jumpers off. I don't think there's a physicality.

492
00:29:24,960 --> 00:29:28,080
Speaker 1: I don't think Cleveland play some physical brand of basketball. No,

493
00:29:28,160 --> 00:29:30,560
Speaker 1: they get up in them. It's it's about getting up

494
00:29:30,640 --> 00:29:34,000
Speaker 1: in them like at half. That's what it's about. All

495
00:29:34,080 --> 00:29:36,440
Speaker 1: that shooting jumpers and all that you start to get

496
00:29:36,520 --> 00:29:38,840
Speaker 1: up in them at half, all that should change. And

497
00:29:38,920 --> 00:29:42,920
Speaker 1: that's what we saw last night. Bro um before we

498
00:29:43,000 --> 00:29:46,720
Speaker 1: get into these sick fox Uh. This this guy is

499
00:29:46,760 --> 00:29:53,680
Speaker 1: being celebrated. This fucking guy's being celebrated an uber driver. Oh,

500
00:29:54,440 --> 00:29:58,560
Speaker 1: this guy, Uh, he is an uber driver. Young kid.

501
00:29:59,040 --> 00:30:02,480
Speaker 1: I get what, uh you're trying to do, homie, but

502
00:30:02,560 --> 00:30:05,360
Speaker 1: I'm letting you know right now you're the problem. He's

503
00:30:05,360 --> 00:30:07,960
Speaker 1: a young kid of uber driver. Seems like a nice kid.

504
00:30:08,960 --> 00:30:12,320
Speaker 1: He got all these different play playlists in his cars.

505
00:30:13,240 --> 00:30:16,000
Speaker 1: He he made playlists for white guys that look like

506
00:30:16,080 --> 00:30:20,240
Speaker 1: they like hip hop films, thirties to forties, you know,

507
00:30:20,360 --> 00:30:24,440
Speaker 1: twenties to thirties, basics, white males in their early twenties.

508
00:30:24,480 --> 00:30:26,240
Speaker 1: All the kind of different people that ride in this car.

509
00:30:27,240 --> 00:30:30,600
Speaker 1: You too, And he even has a playlist for quiet people. Now,

510
00:30:30,720 --> 00:30:33,280
Speaker 1: if if, if you have a playlist for quiet people

511
00:30:34,120 --> 00:30:36,040
Speaker 1: and you think they're quiet, what makes you think they

512
00:30:36,120 --> 00:30:38,960
Speaker 1: want to hear your bullshit? Duke? You are one of

513
00:30:39,040 --> 00:30:42,240
Speaker 1: these uber drivers who thinks you're part of the show.

514
00:30:43,160 --> 00:30:44,880
Speaker 1: I didn't get in the car. I'm gonna say it

515
00:30:45,000 --> 00:30:47,600
Speaker 1: one more time. I'm gonna say it one one more time.

516
00:30:49,200 --> 00:30:51,000
Speaker 1: I get in the car to get from one place

517
00:30:51,080 --> 00:30:53,480
Speaker 1: to another place. I didn't get in there for the show.

518
00:30:54,600 --> 00:30:56,480
Speaker 1: I'm not in here for you to try to audition

519
00:30:56,640 --> 00:30:58,480
Speaker 1: for me. I'm not in here for you to try

520
00:30:58,560 --> 00:31:01,640
Speaker 1: to for us to bond. And I don't give a funk.

521
00:31:01,760 --> 00:31:04,120
Speaker 1: What's your playlist is, Duke? You see, I got these

522
00:31:04,200 --> 00:31:07,560
Speaker 1: headphones on. I'm not trying to talk to you like

523
00:31:07,680 --> 00:31:09,880
Speaker 1: I'm not trying to like get on your good side,

524
00:31:10,120 --> 00:31:12,680
Speaker 1: and you're not getting on my good side, Duke. I

525
00:31:12,720 --> 00:31:14,720
Speaker 1: don't give a funk what you got in the playlist

526
00:31:15,200 --> 00:31:18,920
Speaker 1: don't speak to me exactly. And the guy got the

527
00:31:20,240 --> 00:31:23,360
Speaker 1: racial identity playlist, Yes he does, he's proud of it.

528
00:31:23,520 --> 00:31:25,760
Speaker 1: I got these are for white guys in their their

529
00:31:25,800 --> 00:31:31,120
Speaker 1: mid twenties, white women thirty forties. Uh, film feminist white

530
00:31:31,200 --> 00:31:35,120
Speaker 1: dudes that might like hip hop. Oh my god. Oh

531
00:31:35,640 --> 00:31:39,959
Speaker 1: he's actually home curating a racial identity playlist. As if

532
00:31:40,000 --> 00:31:42,080
Speaker 1: you could look at a person and say, well, I

533
00:31:42,200 --> 00:31:45,480
Speaker 1: think they like that. You're you're you're you're being prejudiced,

534
00:31:46,080 --> 00:31:49,240
Speaker 1: you're being racist. How about you keep your fucking eyes

535
00:31:49,280 --> 00:31:51,880
Speaker 1: on the road and you keep your fucking mouth shut.

536
00:31:52,240 --> 00:31:55,880
Speaker 1: That's that's it, That's what I want. Keep it on

537
00:31:55,960 --> 00:31:59,160
Speaker 1: the road, keep two hands on the fucking wheel, and

538
00:31:59,360 --> 00:32:03,240
Speaker 1: zip the fucking lift. Shut your fucking pie hole. Yeah,

539
00:32:03,560 --> 00:32:07,840
Speaker 1: and and what's his what's the title? Uber driver not

540
00:32:08,160 --> 00:32:14,080
Speaker 1: uber DJ driver driver. We we want wheels. We'll ham

541
00:32:14,120 --> 00:32:16,400
Speaker 1: him do the rest. Shut the funk up. Guys think

542
00:32:16,400 --> 00:32:18,040
Speaker 1: they're part of the show. And I don't want to

543
00:32:18,080 --> 00:32:22,360
Speaker 1: hear any of that. I think I want to hear

544
00:32:22,400 --> 00:32:24,760
Speaker 1: from you. Hear about what you gotta say, and your

545
00:32:24,800 --> 00:32:27,280
Speaker 1: your your taste in music, and you're gonna assume my

546
00:32:27,440 --> 00:32:29,480
Speaker 1: like I'm I'm gonna that ship is trash. Dude, you

547
00:32:29,560 --> 00:32:32,200
Speaker 1: got any just ice? You don't have any just ice

548
00:32:32,280 --> 00:32:39,240
Speaker 1: in here? Yeah? Like right exactly? Funk is you talking about? Duke? Now? Nah?

549
00:32:39,960 --> 00:32:42,360
Speaker 1: You got beat nuts? Na turn this ship off? Duke?

550
00:32:43,120 --> 00:32:47,360
Speaker 1: Just cut it off, Oh ship man, before you get

551
00:32:47,400 --> 00:32:50,120
Speaker 1: to these six funcks. We're talking about this. The other time,

552
00:32:50,720 --> 00:32:54,360
Speaker 1: Starbucks put out there sixty eight page race manifesto. Man,

553
00:32:55,360 --> 00:32:59,080
Speaker 1: I know, did you hear it said? Instead of color blind,

554
00:32:59,200 --> 00:33:03,320
Speaker 1: we're gonna be to be color brave. What the funk

555
00:33:03,440 --> 00:33:07,760
Speaker 1: is that? And we're gonna respect the customer spaces. I say,

556
00:33:07,920 --> 00:33:12,840
Speaker 1: your your Starbucks is turning into a politically correct homeless shelter.

557
00:33:13,480 --> 00:33:16,240
Speaker 1: Your name, the name on your cup will now be

558
00:33:16,400 --> 00:33:19,920
Speaker 1: written in ship. I agree. I went to my Lotte

559
00:33:20,000 --> 00:33:21,880
Speaker 1: Starbucks the other day and I was talking to them

560
00:33:21,880 --> 00:33:26,360
Speaker 1: about the you know, uh, one of the misconceptions is

561
00:33:26,560 --> 00:33:30,480
Speaker 1: that the way it was presented is that I'm sure

562
00:33:30,560 --> 00:33:32,200
Speaker 1: they might have done this in some places, but the

563
00:33:32,280 --> 00:33:34,640
Speaker 1: majority of the Starbucks when they shut it, it was

564
00:33:34,720 --> 00:33:37,480
Speaker 1: like a cyber thing and you got on your computer.

565
00:33:37,600 --> 00:33:40,640
Speaker 1: That's how they had the two hour racial what is it?

566
00:33:40,720 --> 00:33:47,760
Speaker 1: What's it called? Racial? Um? Uh? Sensitivity? Racial sensitive training? Yo,

567
00:33:48,360 --> 00:33:51,920
Speaker 1: that's it. Wait, you'll you'll start to see everything decline.

568
00:33:52,120 --> 00:33:54,360
Speaker 1: I just want my coffee, but shortly, I just want

569
00:33:54,400 --> 00:33:57,120
Speaker 1: my coffee. I go in there, and I'm gonna be

570
00:33:57,160 --> 00:34:00,120
Speaker 1: honest when I go on my Starbucks now, I'm going

571
00:34:00,200 --> 00:34:02,280
Speaker 1: to see if there's, like, you know, dudes with ship

572
00:34:02,360 --> 00:34:04,400
Speaker 1: in their pants. I'm not lying, and I'm not even

573
00:34:04,440 --> 00:34:07,680
Speaker 1: trying to be funny. I'm looking like, who's in here? What? What? What?

574
00:34:08,080 --> 00:34:11,680
Speaker 1: What's popping? What's really good in my Starbucks? Miles Jordan,

575
00:34:11,760 --> 00:34:13,239
Speaker 1: let me get that sick Funk of the Week music.

576
00:34:14,480 --> 00:34:18,279
Speaker 1: This award is earned, not given. It's called the sick

577
00:34:18,680 --> 00:34:21,719
Speaker 1: fucking a Week. This guy is really sick. Lock him up?

578
00:34:22,080 --> 00:34:25,200
Speaker 1: How could you do it. Don't let him out. Damn

579
00:34:25,680 --> 00:34:28,399
Speaker 1: when you fuck the door, you want you fuck the door?

580
00:34:28,480 --> 00:34:31,359
Speaker 1: Why would you fuck the dog? Why would you fuck

581
00:34:31,480 --> 00:34:35,560
Speaker 1: your girlfriend's dog? What? Sick fuck? The sick funk of

582
00:34:35,600 --> 00:34:48,920
Speaker 1: the week. It's earned, earned, not giving you did what? No? No, no, okay,

583
00:34:50,280 --> 00:34:51,920
Speaker 1: sick funk of the week. This is an award that

584
00:34:51,960 --> 00:34:53,960
Speaker 1: has earned, not given. This is an award that has

585
00:34:54,000 --> 00:35:02,440
Speaker 1: earned but not given. Televangel list Jesse do Plantess, who

586
00:35:02,560 --> 00:35:06,040
Speaker 1: already has three private jets. It's one of these these

587
00:35:06,160 --> 00:35:09,800
Speaker 1: fake guys that thinks he's got a uh God or

588
00:35:09,960 --> 00:35:13,479
Speaker 1: Jesus Christ, or or some sort of uh phone number

589
00:35:13,560 --> 00:35:18,400
Speaker 1: or text relationship with with God, Jesus Christ. He's a televangelist,

590
00:35:19,040 --> 00:35:22,240
Speaker 1: you know, when one of these one of these khan men, pimps,

591
00:35:22,680 --> 00:35:26,240
Speaker 1: hustlers that lives in the mansion. He already has three planes,

592
00:35:26,840 --> 00:35:29,200
Speaker 1: three private planes. This is this is a man of

593
00:35:29,400 --> 00:35:31,160
Speaker 1: a man of the faith, a man of the cloth,

594
00:35:31,719 --> 00:35:36,960
Speaker 1: this piece of ship, this sick fuck. Jesse do Plantest

595
00:35:37,080 --> 00:35:41,880
Speaker 1: wants his followers to fund a fourth plane for fifty

596
00:35:42,000 --> 00:35:44,759
Speaker 1: four million dollars. He said that God told him he

597
00:35:44,920 --> 00:35:50,440
Speaker 1: needs a Falcon seven X plane, and his followers need

598
00:35:50,560 --> 00:35:53,719
Speaker 1: to raise fifty four million dollars so he can have

599
00:35:54,120 --> 00:35:57,640
Speaker 1: his fourth private plane. This is a sick fuck. This

600
00:35:57,840 --> 00:36:03,040
Speaker 1: is everything that is indicative of a true blue sick fuck.

601
00:36:03,080 --> 00:36:06,399
Speaker 1: It's an award that's earned, not given. This motherfucker has

602
00:36:06,480 --> 00:36:09,759
Speaker 1: earned it, oh man, But do you give it to

603
00:36:09,960 --> 00:36:12,200
Speaker 1: him or do you give it to the people who

604
00:36:12,360 --> 00:36:16,840
Speaker 1: actually will donate money? There? It has to be a double,

605
00:36:16,960 --> 00:36:19,719
Speaker 1: has to be a cold uh sick funk of a

606
00:36:19,800 --> 00:36:23,040
Speaker 1: week because he could ask for that, right, it's your

607
00:36:23,560 --> 00:36:25,719
Speaker 1: You have the option to say, Yo, get the funk

608
00:36:25,760 --> 00:36:27,719
Speaker 1: out of here. Ain't giving you ship? And you give

609
00:36:27,800 --> 00:36:30,520
Speaker 1: him that you're the thick funk as well. Man, you

610
00:36:30,600 --> 00:36:33,640
Speaker 1: can't be absolutely, but that's gonna be like hundreds of

611
00:36:33,719 --> 00:36:36,600
Speaker 1: thousands of them and it's hard to identify. Uh sick

612
00:36:36,719 --> 00:36:40,960
Speaker 1: funs and and and packs of thousands blankets. Second sick

613
00:36:41,040 --> 00:36:45,080
Speaker 1: funk of a week in Arizona. This is really I

614
00:36:45,160 --> 00:36:47,200
Speaker 1: hope this guy gets as much jail time as he

615
00:36:47,239 --> 00:36:49,799
Speaker 1: possibly can to learn a lesson. A twenty two year

616
00:36:49,800 --> 00:36:53,760
Speaker 1: old man was arrested. He was at a Disney World

617
00:36:54,040 --> 00:36:59,160
Speaker 1: Contemporary resort in Arizona. This piece of ship, this sick

618
00:36:59,320 --> 00:37:06,560
Speaker 1: fuck did a YouTube stunt after he announced that there

619
00:37:06,680 --> 00:37:12,560
Speaker 1: was an active shooter running around. Obviously, people were scared

620
00:37:12,600 --> 00:37:16,120
Speaker 1: to death. There's so many kids there, there's families there,

621
00:37:17,760 --> 00:37:22,360
Speaker 1: all this for YouTube to get YouTube fame. Dylan Birch,

622
00:37:23,239 --> 00:37:26,160
Speaker 1: who was highly intoxicated, was running up to guests at

623
00:37:26,200 --> 00:37:29,439
Speaker 1: the Disney Resort telling them they had to evacuate because

624
00:37:29,480 --> 00:37:33,040
Speaker 1: there was an active shooter. People were freaking out, crying,

625
00:37:33,560 --> 00:37:36,200
Speaker 1: and it was all being filmed to get on YouTube.

626
00:37:36,920 --> 00:37:40,920
Speaker 1: Lock them up, no trial, and you know that's it.

627
00:37:41,239 --> 00:37:43,839
Speaker 1: We're gonna determine the amount of time. We're not gonna

628
00:37:43,880 --> 00:37:46,759
Speaker 1: have a trial. You're guilty. What we're trying to pinpoint

629
00:37:47,040 --> 00:37:50,080
Speaker 1: how much time you should get. So just waiting to sell.

630
00:37:50,320 --> 00:37:53,600
Speaker 1: That's it. Um. Before I go further, I want to

631
00:37:53,960 --> 00:37:56,359
Speaker 1: continue to thank all the people that are sending us

632
00:37:57,080 --> 00:38:00,799
Speaker 1: the sick Funk of the Week candidates. Want to give

633
00:38:01,000 --> 00:38:04,520
Speaker 1: another shout out to the relentless. I mean, he's relentless,

634
00:38:05,360 --> 00:38:07,600
Speaker 1: this guy. I'm telling you, he's got a nose for

635
00:38:07,719 --> 00:38:11,399
Speaker 1: sick Fox. Mike Schaeffer. We call him the sick Funk

636
00:38:11,440 --> 00:38:14,680
Speaker 1: of the Week whisperer um. And they're all the other

637
00:38:14,800 --> 00:38:18,200
Speaker 1: fans um that are are are sending me and Moody

638
00:38:18,320 --> 00:38:21,279
Speaker 1: and and uh the dust brothers, the sick fus, keep

639
00:38:21,360 --> 00:38:28,760
Speaker 1: them coming. Um. This guy, a guy named Ernest Mays Mains.

640
00:38:29,360 --> 00:38:32,600
Speaker 1: Do do you know this guy? Nope? Well if you

641
00:38:32,640 --> 00:38:34,560
Speaker 1: look up Ernest Mains, you'll see that he looks like

642
00:38:34,640 --> 00:38:36,719
Speaker 1: a sick fuck. And it's not being made up. He

643
00:38:36,760 --> 00:38:40,360
Speaker 1: actually looks like a sick fuck. He set a fire.

644
00:38:41,360 --> 00:38:45,520
Speaker 1: He wanted to watch the world burn. Um. He set

645
00:38:45,560 --> 00:38:49,200
Speaker 1: a fire of a home that had a horse stable.

646
00:38:49,760 --> 00:38:53,680
Speaker 1: He wanted to see things blow up. And uh a

647
00:38:53,840 --> 00:38:58,319
Speaker 1: quote watch the world burn. This piece of shit um

648
00:38:59,120 --> 00:39:04,239
Speaker 1: killed six horses and a dog and and obviously you know,

649
00:39:04,320 --> 00:39:06,640
Speaker 1: set a fire and and and caused all kinds of

650
00:39:06,719 --> 00:39:12,520
Speaker 1: destruction in Colorado. Um, six horses and a dog were killed.

651
00:39:12,800 --> 00:39:17,440
Speaker 1: Fortunately no people were hurt. Um the fire was was

652
00:39:18,120 --> 00:39:21,160
Speaker 1: was was put out by the firefighters. Uh. This this

653
00:39:21,320 --> 00:39:25,680
Speaker 1: poor bloodhound named Rimby, Uh may he rest in peace.

654
00:39:26,120 --> 00:39:29,000
Speaker 1: Uh was burned to death by this six funk along

655
00:39:29,080 --> 00:39:31,400
Speaker 1: with six horses. Shout out to my mom June Brody,

656
00:39:31,800 --> 00:39:35,240
Speaker 1: who just had lasix surgery. Um, she's fine. Minor surgery

657
00:39:35,280 --> 00:39:36,960
Speaker 1: to get her to get her eye game right. She

658
00:39:37,000 --> 00:39:39,560
Speaker 1: doesn't want to be walking around with the bifocals. Um.

659
00:39:40,040 --> 00:39:44,960
Speaker 1: But this guy earnest Sunday mains. Congratulations, my friend, you

660
00:39:45,080 --> 00:39:48,840
Speaker 1: killed six horses and a dog and you are in

661
00:39:48,920 --> 00:39:52,239
Speaker 1: the top fifteen of the sick Fox of the year.

662
00:39:52,480 --> 00:39:55,319
Speaker 1: So j oh, no, he's locked up. They're gonna lock

663
00:39:55,400 --> 00:40:02,480
Speaker 1: him up. Oh good, good, good time. Florida man, Florida man,

664
00:40:02,520 --> 00:40:05,520
Speaker 1: and they never disappointed. Clear Water, Florida, the home of

665
00:40:05,719 --> 00:40:12,160
Speaker 1: scientology in Florida. By the way, Um was arrested. He

666
00:40:12,280 --> 00:40:16,319
Speaker 1: was at a bus stop on Babe Boulevard and at

667
00:40:16,440 --> 00:40:22,840
Speaker 1: Levin in the morning, and he was there choking his chicken.

668
00:40:24,200 --> 00:40:28,880
Speaker 1: He had his pants pulled down. Uh, he was choking

669
00:40:28,920 --> 00:40:32,600
Speaker 1: his chicken, and the police caught him. When they found

670
00:40:32,640 --> 00:40:35,800
Speaker 1: him choking his chicken, he said, I wasn't choking my chicken.

671
00:40:36,480 --> 00:40:39,600
Speaker 1: I was scratching myself, which you gotta laugh at that.

672
00:40:40,440 --> 00:40:43,120
Speaker 1: You gotta laugh at that. Um. Then he told the

673
00:40:43,160 --> 00:40:46,279
Speaker 1: people that his name was Captain Kirk. Uh. The man

674
00:40:46,520 --> 00:40:50,840
Speaker 1: has been arrested and at indecent exposure and so forth

675
00:40:51,160 --> 00:40:56,480
Speaker 1: and so on. Congratulations, James Bundrick, fifty six year old man. Uh.

676
00:40:56,560 --> 00:40:59,919
Speaker 1: He's facing charges of of also a false name fall

677
00:41:00,080 --> 00:41:05,640
Speaker 1: identity um and choking his chicken in public again earned

678
00:41:05,840 --> 00:41:13,799
Speaker 1: not given sick Funk of the Week. Fantastic. Uh. Finally, man,

679
00:41:14,760 --> 00:41:19,919
Speaker 1: a guy adopted a dog from a shelter. Um, which

680
00:41:20,000 --> 00:41:21,560
Speaker 1: is nice. You know he wanted to get a dog.

681
00:41:22,440 --> 00:41:25,440
Speaker 1: He picked up a puppy, a pit bull mix. One

682
00:41:25,480 --> 00:41:29,399
Speaker 1: of the best kinds of dog to get pit bull mix. Um,

683
00:41:29,640 --> 00:41:32,000
Speaker 1: my dog has a little pit bull in him. Uh.

684
00:41:33,280 --> 00:41:35,839
Speaker 1: Any kind of mutt dog, rescue dog. These dogs will

685
00:41:35,880 --> 00:41:40,839
Speaker 1: love you like man's best friend. Truly indicative man's best friend.

686
00:41:40,880 --> 00:41:44,719
Speaker 1: This piece of sh it. Um got a dog named

687
00:41:44,760 --> 00:41:49,439
Speaker 1: Titan in Dallas from an animal rescue group. The dog

688
00:41:49,600 --> 00:41:53,680
Speaker 1: was found a few days later with a gunshot to

689
00:41:53,760 --> 00:41:56,960
Speaker 1: the head. The man has been arrested. The man has

690
00:41:57,000 --> 00:42:00,400
Speaker 1: been found. He put it in a notorious dump ground

691
00:42:00,680 --> 00:42:04,720
Speaker 1: for trash occasionally human bodies. This is from the police.

692
00:42:05,640 --> 00:42:09,520
Speaker 1: The rescue group, Uh found the dog. The man has

693
00:42:09,560 --> 00:42:14,440
Speaker 1: been arrested. Welcome to the sick Funk of the Week group.

694
00:42:14,840 --> 00:42:17,920
Speaker 1: You're amongst good company. What can I say? I mean,

695
00:42:18,080 --> 00:42:19,800
Speaker 1: why why are you going to adopt the dog and

696
00:42:19,840 --> 00:42:25,680
Speaker 1: then and then kill it? Man? I think jail time

697
00:42:25,760 --> 00:42:29,520
Speaker 1: and a wonderbread back just for the the ruthlessness of that,

698
00:42:31,080 --> 00:42:34,080
Speaker 1: no problem, Judge Moody. All right, listen, coming up next,

699
00:42:34,400 --> 00:42:37,600
Speaker 1: if you like basketball, If you like basketball, and I

700
00:42:37,719 --> 00:42:41,239
Speaker 1: know a lot of people like basketball. Tim Donny, he

701
00:42:41,360 --> 00:42:44,120
Speaker 1: refereed in the NBA for thirteen years. He's the guy

702
00:42:44,239 --> 00:42:46,319
Speaker 1: that got mixed up in the allegations that he bet

703
00:42:46,400 --> 00:42:49,640
Speaker 1: on games. He did, He did his time. I've been

704
00:42:49,960 --> 00:42:53,680
Speaker 1: speaking him on emails and texts for a few years. Uh.

705
00:42:53,880 --> 00:42:56,239
Speaker 1: He hit me this morning about the rules of the

706
00:42:56,400 --> 00:42:58,400
Speaker 1: NBA for Game one, so I said, let's get on

707
00:42:58,520 --> 00:43:01,120
Speaker 1: the podcast. He breaks it down, breaks down the calls

708
00:43:01,200 --> 00:43:05,640
Speaker 1: that went against James Harden in the Western Conference Finals,

709
00:43:05,680 --> 00:43:10,239
Speaker 1: the Golden State, UM and Houston, and it's just it's

710
00:43:10,440 --> 00:43:14,560
Speaker 1: it's as real as it gets basketball officiating in the NBA.

711
00:43:14,920 --> 00:43:18,839
Speaker 1: Who was hard to to officiate against? Like what players were?

712
00:43:18,920 --> 00:43:22,480
Speaker 1: Just hard to officiate for? UM and so much more.

713
00:43:22,560 --> 00:43:25,160
Speaker 1: But we focus on Game one and the call that

714
00:43:25,280 --> 00:43:27,719
Speaker 1: was overturned. Coming up next, Tim Donhe on the I M.

715
00:43:27,800 --> 00:43:36,319
Speaker 1: Rappers Stereo podcast. Let's go. Hello, Tim, It's Mike Rappaport. Hey, buddy,

716
00:43:36,400 --> 00:43:39,319
Speaker 1: what's going on. I'm good. How you doing, Buddy, I'm

717
00:43:39,400 --> 00:43:42,839
Speaker 1: doing I'm doing terrific. Man, alright, good, good, good, Well.

718
00:43:42,880 --> 00:43:46,839
Speaker 1: I appreciate you, uh coming on the podcast. It's funny

719
00:43:46,840 --> 00:43:49,680
Speaker 1: because we we've never spoken. We've been tweeting and texting

720
00:43:49,840 --> 00:43:54,000
Speaker 1: and uh emailing for a while, so this is a

721
00:43:54,040 --> 00:43:57,239
Speaker 1: good time to have you on because I'm I'm everybody's

722
00:43:57,280 --> 00:44:02,640
Speaker 1: in the uproar about Game one in the call of

723
00:44:02,840 --> 00:44:06,239
Speaker 1: the charge that turned into free throws. So I'll let

724
00:44:06,320 --> 00:44:09,799
Speaker 1: you take the floor Game one. What did you think

725
00:44:10,480 --> 00:44:14,480
Speaker 1: of the charge call that was overturned, that was turned

726
00:44:14,520 --> 00:44:18,759
Speaker 1: around into Kevin Durant shooting free throws? Um? And uh,

727
00:44:19,000 --> 00:44:21,040
Speaker 1: you know, you know it was a big it was

728
00:44:21,120 --> 00:44:25,160
Speaker 1: a big game changer last night. Absolutely, Michael. It's I'm

729
00:44:25,200 --> 00:44:27,480
Speaker 1: sitting there watching the game and I'm confused because I

730
00:44:27,600 --> 00:44:30,640
Speaker 1: know what the rules are. So I'm basically, you know,

731
00:44:30,880 --> 00:44:34,399
Speaker 1: rushing to my computer and uh, you know, figuring out

732
00:44:34,440 --> 00:44:37,920
Speaker 1: if it's just a situation where you know, I'm confused.

733
00:44:39,000 --> 00:44:40,840
Speaker 1: I know what the rule is. It's a it's a

734
00:44:40,920 --> 00:44:43,880
Speaker 1: difference of opinion by two referees. One's calling a block

735
00:44:43,920 --> 00:44:47,040
Speaker 1: on one's calling a charge. So I'm wondering how you

736
00:44:47,200 --> 00:44:50,560
Speaker 1: can turn that into given Durant two free throws when

737
00:44:50,640 --> 00:44:53,879
Speaker 1: the rule clearly states in that situation, that's a jump

738
00:44:53,960 --> 00:44:57,719
Speaker 1: ball between any two opponents at the center circle. And

739
00:44:57,920 --> 00:45:00,920
Speaker 1: they didn't do that. And m I know that the

740
00:45:01,000 --> 00:45:04,920
Speaker 1: rule change last year to where you could review a

741
00:45:05,120 --> 00:45:07,480
Speaker 1: play if it had to do with the restricted area

742
00:45:07,600 --> 00:45:10,160
Speaker 1: and if he's out, then determine if it was a

743
00:45:10,239 --> 00:45:12,320
Speaker 1: block charge. But it should have never come to that

744
00:45:12,520 --> 00:45:15,520
Speaker 1: because the rule states that when you have that difference

745
00:45:15,560 --> 00:45:19,120
Speaker 1: of opinion by two referees who signal that it's supposed

746
00:45:19,120 --> 00:45:22,000
Speaker 1: to be a jump ball, to avoid a bunch of uh,

747
00:45:22,200 --> 00:45:25,839
Speaker 1: you know, situations where one guy over rules another guy.

748
00:45:26,040 --> 00:45:29,400
Speaker 1: So it's just a very confusing situation. And that's why

749
00:45:29,440 --> 00:45:33,160
Speaker 1: I think the fans are continuously confused about how the

750
00:45:33,320 --> 00:45:36,319
Speaker 1: NBA office and how the NBA referees call a game.

751
00:45:36,800 --> 00:45:41,120
Speaker 1: There's no consistency. So obviously you weren't. You weren't, you

752
00:45:41,200 --> 00:45:44,239
Speaker 1: didn't call the game, But how does something like that happen? Like,

753
00:45:44,880 --> 00:45:47,359
Speaker 1: you know, these guys are there in the season, they're

754
00:45:47,400 --> 00:45:50,640
Speaker 1: in the championship. Uh, they're in the finals. I'm talking

755
00:45:50,680 --> 00:45:53,520
Speaker 1: about the referees. Obviously, these are all good refs. They're

756
00:45:53,560 --> 00:45:56,480
Speaker 1: they're fine tuned, you know, they they know that the

757
00:45:56,600 --> 00:46:01,080
Speaker 1: stakes How does a decision like that and you know happen.

758
00:46:01,160 --> 00:46:03,440
Speaker 1: I know there's like energy and you know they're humans.

759
00:46:03,520 --> 00:46:05,719
Speaker 1: You guys are all humans. How does something like that

760
00:46:06,160 --> 00:46:08,800
Speaker 1: happen where it goes from being overturned. It's not it

761
00:46:08,840 --> 00:46:11,040
Speaker 1: doesn't turn into a jump ball turns into free throws.

762
00:46:12,080 --> 00:46:15,800
Speaker 1: It's confusion and not applying the rules. I think this

763
00:46:15,960 --> 00:46:19,800
Speaker 1: is a protestable situation. Uh. We've seen in the past

764
00:46:19,920 --> 00:46:22,520
Speaker 1: where uh, you know, when a rule set aside that

765
00:46:22,640 --> 00:46:25,680
Speaker 1: they've gone back and they replay the game from the

766
00:46:25,800 --> 00:46:28,480
Speaker 1: point of interruption to where you know where the mistake

767
00:46:28,640 --> 00:46:31,480
Speaker 1: was made. I think, Uh, this is one of those situations.

768
00:46:31,560 --> 00:46:35,120
Speaker 1: It's it's the NBA Finals, it's a pivotal game. Uh,

769
00:46:35,239 --> 00:46:37,400
Speaker 1: there was a rule set aside. I mean, it's clearly

770
00:46:37,520 --> 00:46:40,200
Speaker 1: in the in the rule book, page forty seven. Wetter

771
00:46:40,360 --> 00:46:42,160
Speaker 1: f I went and looked it up to make sure

772
00:46:42,200 --> 00:46:44,600
Speaker 1: that it was still there, and it was so Uh,

773
00:46:44,880 --> 00:46:46,560
Speaker 1: I don't know what the league's going to do because

774
00:46:46,600 --> 00:46:51,280
Speaker 1: nobody's talking about that. They're all talking about, uh, you know, switching,

775
00:46:51,360 --> 00:46:55,560
Speaker 1: going to replay, which really to me the situation that

776
00:46:55,680 --> 00:46:59,239
Speaker 1: everybody should be in an uproar about, especially Cleveland is

777
00:46:59,280 --> 00:47:04,040
Speaker 1: the fact that it is uh opinion that one how

778
00:47:04,080 --> 00:47:06,520
Speaker 1: to block, one how to charge. They both signaled and

779
00:47:06,840 --> 00:47:08,640
Speaker 1: the rule states when that happens that you have a

780
00:47:08,719 --> 00:47:12,040
Speaker 1: jump out the center circle. So so both both referees

781
00:47:12,080 --> 00:47:16,000
Speaker 1: signal one one was block, one was charged. And then yeah,

782
00:47:16,080 --> 00:47:18,600
Speaker 1: it's crazy, man, I mean it's crazy that that happened

783
00:47:18,640 --> 00:47:21,279
Speaker 1: on the big the biggest stage, last name and then

784
00:47:21,400 --> 00:47:23,520
Speaker 1: the top of all, off, Michael, you have Steve Javy

785
00:47:23,840 --> 00:47:27,080
Speaker 1: who goes on ABC and says it's a it's a

786
00:47:27,360 --> 00:47:30,640
Speaker 1: offensive foul, and then you have Joe Borgia who goes

787
00:47:30,760 --> 00:47:33,320
Speaker 1: on NBA TV and says it's a block. Two guys

788
00:47:33,440 --> 00:47:36,919
Speaker 1: that work in that NBA office. So it just there's

789
00:47:37,000 --> 00:47:41,759
Speaker 1: no consistency. There's there's it's it's really your referee and

790
00:47:42,239 --> 00:47:44,239
Speaker 1: names on the front and back of the jerseys rather

791
00:47:44,280 --> 00:47:46,600
Speaker 1: than rules as they're written and written in the rule book,

792
00:47:46,640 --> 00:47:49,359
Speaker 1: and that's why everyone gets piste off. Do you think, uh,

793
00:47:49,840 --> 00:47:54,560
Speaker 1: the the the replay is good or bad in general? Like,

794
00:47:54,640 --> 00:47:57,120
Speaker 1: what are your thoughts on the replay? I think the

795
00:47:57,239 --> 00:47:59,920
Speaker 1: replay is good. I know the referee hate hate it

796
00:48:00,040 --> 00:48:04,399
Speaker 1: because it embarrasses them, it overturns their calls. Uh. It's

797
00:48:04,440 --> 00:48:07,320
Speaker 1: a situation though where you know, why is just the

798
00:48:07,480 --> 00:48:10,680
Speaker 1: last two minutes uh of a game important to go

799
00:48:10,800 --> 00:48:14,200
Speaker 1: to the replay? There should be some uh situation in

800
00:48:14,280 --> 00:48:18,200
Speaker 1: place like they're having football where uh referee coaches have

801
00:48:18,239 --> 00:48:21,440
Speaker 1: a certain amount of challenges per game and if they're right,

802
00:48:21,840 --> 00:48:25,719
Speaker 1: if they're right, they get another one. You know. This way, Uh,

803
00:48:25,840 --> 00:48:27,879
Speaker 1: you know, you're not gonna have the referees out there

804
00:48:28,040 --> 00:48:30,719
Speaker 1: refereeing names on the front and back of jerseys because

805
00:48:30,719 --> 00:48:34,160
Speaker 1: they're gonna get embarrassed if their calls keep getting overturned

806
00:48:34,200 --> 00:48:36,920
Speaker 1: through replay. And they're gonna call what happens out on

807
00:48:36,960 --> 00:48:39,480
Speaker 1: the floor based on the rules as they're written in

808
00:48:39,520 --> 00:48:43,040
Speaker 1: the rule book and not based on uh names on jerseys.

809
00:48:43,120 --> 00:48:46,160
Speaker 1: And that's what they do all to offer when you

810
00:48:46,239 --> 00:48:50,080
Speaker 1: were refereeing games. You know, like they've talked about certain players,

811
00:48:50,239 --> 00:48:52,879
Speaker 1: you know, throughout his history obviously going back to wild

812
00:48:53,000 --> 00:48:56,400
Speaker 1: Chamberlain and then Shakil and in my opinion, lebron Is

813
00:48:56,680 --> 00:49:00,320
Speaker 1: Is is a hard person to referee because he's so

814
00:49:00,520 --> 00:49:04,680
Speaker 1: physically strong. Uh, people bounce off of him. Uh. You

815
00:49:04,760 --> 00:49:07,960
Speaker 1: know it's like you know, as a fan and the

816
00:49:08,000 --> 00:49:10,840
Speaker 1: announcements they sometimes say well, we let, you know, the

817
00:49:10,920 --> 00:49:15,640
Speaker 1: defenders punch and smack and claudet Shaquille O'Neal. We let

818
00:49:15,719 --> 00:49:19,279
Speaker 1: the defenders punch and claw and smack at Lebron James

819
00:49:19,320 --> 00:49:22,760
Speaker 1: because of their physical size. When you when you were referring,

820
00:49:23,000 --> 00:49:25,960
Speaker 1: who would you say if there is a person was

821
00:49:26,080 --> 00:49:29,120
Speaker 1: the hardest person to be as biased as you possibly

822
00:49:29,200 --> 00:49:33,359
Speaker 1: could to call fouls against her or four? Was there

823
00:49:33,400 --> 00:49:36,880
Speaker 1: one player that was challenging? Definitely Shaquille O'Neal, because like

824
00:49:37,040 --> 00:49:39,640
Speaker 1: you just said, he was so big, strong and powerful.

825
00:49:40,239 --> 00:49:42,520
Speaker 1: Uh you know, when he turned around and got through

826
00:49:42,640 --> 00:49:45,799
Speaker 1: people and dunked in two people were hanging all over him.

827
00:49:46,080 --> 00:49:48,319
Speaker 1: He was foul, but it really didn't affect the shot.

828
00:49:48,400 --> 00:49:50,279
Speaker 1: And if it went in and he dumped it, we

829
00:49:50,400 --> 00:49:52,800
Speaker 1: let it go. Really, you shouldn't do that. A fouls

830
00:49:52,800 --> 00:49:55,279
Speaker 1: a foul whether he makes the shot or not. That's

831
00:49:55,320 --> 00:49:58,360
Speaker 1: why sometimes you'll see referees come up with such a

832
00:49:58,480 --> 00:50:02,480
Speaker 1: late whistle as body powers through contact and if they

833
00:50:02,600 --> 00:50:05,239
Speaker 1: missed the shot, they'll blow the whistle, and if they don't,

834
00:50:05,280 --> 00:50:09,080
Speaker 1: they let it go. Do you think that Lebron gets

835
00:50:09,120 --> 00:50:11,280
Speaker 1: the same thing, because I mean, I have my personal

836
00:50:11,360 --> 00:50:13,360
Speaker 1: feelings about him, but he's I mean, last night was

837
00:50:13,880 --> 00:50:17,279
Speaker 1: like you know, it was like Mozart is like Picasso performance.

838
00:50:17,560 --> 00:50:21,280
Speaker 1: He's ridiculous. Do you think the referees, you know, inadvertently

839
00:50:21,800 --> 00:50:24,760
Speaker 1: let him take more pounding than they let any player

840
00:50:24,800 --> 00:50:27,360
Speaker 1: in the league right now? Definitely going to the basket

841
00:50:27,400 --> 00:50:29,200
Speaker 1: because you look at him, and you look at his

842
00:50:29,360 --> 00:50:33,520
Speaker 1: fatique compared to everybody else on that floor, he's just

843
00:50:33,640 --> 00:50:37,200
Speaker 1: so much bigger, stronger, and powerful, uh than anyone that's

844
00:50:37,239 --> 00:50:39,640
Speaker 1: on that floor at this time that uh, you know,

845
00:50:39,719 --> 00:50:42,680
Speaker 1: he's able to get through the contact very easily to

846
00:50:42,800 --> 00:50:45,279
Speaker 1: where other guys like as Seth Terry would be on

847
00:50:45,360 --> 00:50:48,359
Speaker 1: the ground. So he's like a running back going through

848
00:50:48,400 --> 00:50:51,400
Speaker 1: the offensive line that nobody can touch because he's so

849
00:50:51,560 --> 00:50:54,279
Speaker 1: much bigger, stronger and powerful than everybody else. So he

850
00:50:54,360 --> 00:50:57,600
Speaker 1: gets through it. And I think that's what happens. What

851
00:50:57,920 --> 00:51:00,960
Speaker 1: do you think the outcome of of Game one is

852
00:51:01,000 --> 00:51:03,239
Speaker 1: gonna be going forward in this series? Do you think

853
00:51:03,280 --> 00:51:07,440
Speaker 1: the referees or the league you know, again, you know,

854
00:51:07,719 --> 00:51:10,680
Speaker 1: everybody's human and you try to do it as biasly

855
00:51:11,160 --> 00:51:15,400
Speaker 1: as uh as you possibly can. Is this gonna change?

856
00:51:15,800 --> 00:51:18,440
Speaker 1: You know, the way refereeing is done. Obviously, this mistake.

857
00:51:18,520 --> 00:51:20,279
Speaker 1: Probably you will never be done. Uh you know, be

858
00:51:20,560 --> 00:51:23,520
Speaker 1: me what won't be made again during this series? But

859
00:51:23,800 --> 00:51:25,359
Speaker 1: what do you think, how do you think it will

860
00:51:25,480 --> 00:51:28,080
Speaker 1: change the course of this particular series, Uh, for the

861
00:51:28,360 --> 00:51:31,120
Speaker 1: for the rest of the remainder of the way. You know, listen,

862
00:51:31,160 --> 00:51:33,800
Speaker 1: everybody's human, and like you said, everybody makes mistakes. But

863
00:51:33,920 --> 00:51:38,279
Speaker 1: let's go back to Game seven, Houston verse uh, Golden State.

864
00:51:38,719 --> 00:51:41,840
Speaker 1: You know when they missed that many calls against James Harden.

865
00:51:42,160 --> 00:51:45,279
Speaker 1: It's not being human. That's something that's personal that either

866
00:51:45,400 --> 00:51:48,080
Speaker 1: the league or that group of officials has against him

867
00:51:48,120 --> 00:51:51,800
Speaker 1: because he totally got screwed in that game. So until

868
00:51:52,000 --> 00:51:55,920
Speaker 1: the uh, you know, they started advancing these referees in

869
00:51:56,000 --> 00:51:58,719
Speaker 1: a way based on merit, you're always gonna have that

870
00:51:58,880 --> 00:52:02,040
Speaker 1: because you look at that Game seven, that was a disaster.

871
00:52:02,640 --> 00:52:07,239
Speaker 1: Yet you're gonna have Scott Foster, Mike Callahan, and I

872
00:52:07,360 --> 00:52:09,920
Speaker 1: forget who the other referee was in that Game seven.

873
00:52:10,239 --> 00:52:12,680
Speaker 1: You're gonna have them ref in the NBA Finals. Show

874
00:52:12,760 --> 00:52:15,600
Speaker 1: me some business or or job that you can have

875
00:52:15,760 --> 00:52:18,120
Speaker 1: where you can just totally screw up and you can

876
00:52:18,160 --> 00:52:21,400
Speaker 1: advance to the next level and get a dollar bonus.

877
00:52:22,560 --> 00:52:26,240
Speaker 1: It just confuses the league and the fans and everybody

878
00:52:26,320 --> 00:52:28,640
Speaker 1: else is to you know, why this happens n c

879
00:52:28,800 --> 00:52:31,759
Speaker 1: A tournament, you have a referee that referees in the first, second,

880
00:52:31,840 --> 00:52:34,759
Speaker 1: or third round. They're not advancing to the next round

881
00:52:34,840 --> 00:52:37,799
Speaker 1: if they screw up a game and and basically embarrassed

882
00:52:37,840 --> 00:52:40,319
Speaker 1: the the n c a A in the league, they're

883
00:52:40,320 --> 00:52:42,480
Speaker 1: they're sitting that referee down till next year, hoping he

884
00:52:42,560 --> 00:52:45,600
Speaker 1: improves and and gets better. The NBA, they just seem

885
00:52:45,719 --> 00:52:48,440
Speaker 1: to continue to get to that next level and advance

886
00:52:48,480 --> 00:52:51,600
Speaker 1: them for that playoff bonus. So for me as a fan,

887
00:52:51,719 --> 00:52:53,479
Speaker 1: and and and the and the millions of other fans

888
00:52:53,520 --> 00:52:57,200
Speaker 1: out there, how can we watch basketball, you know, and

889
00:52:57,440 --> 00:52:59,360
Speaker 1: know that everything is on the up and up and

890
00:52:59,440 --> 00:53:01,680
Speaker 1: that there's like I mean again, you guys are humans,

891
00:53:01,840 --> 00:53:04,160
Speaker 1: But how can we watch basketball and and and not

892
00:53:04,520 --> 00:53:08,279
Speaker 1: think that these things are happening? You can't. I mean

893
00:53:08,960 --> 00:53:11,319
Speaker 1: you can unless you're an idiot in the moron because

894
00:53:11,360 --> 00:53:15,000
Speaker 1: they're continue to happen every year. Uh, you know, we

895
00:53:15,200 --> 00:53:19,000
Speaker 1: we progress and the rules are the same, but the

896
00:53:19,080 --> 00:53:21,759
Speaker 1: referee stay the same, and the referee still advance even

897
00:53:21,800 --> 00:53:25,000
Speaker 1: when they make drastic mistakes and games so they came

898
00:53:25,040 --> 00:53:26,719
Speaker 1: out and tell you that they put the best on

899
00:53:26,800 --> 00:53:30,560
Speaker 1: the floor. Uh, they have the highest innategorty, these referees,

900
00:53:30,680 --> 00:53:33,400
Speaker 1: And and I just sit there and literally, you know,

901
00:53:33,520 --> 00:53:37,040
Speaker 1: Michael rasped my ass off because you know, here, you've

902
00:53:37,040 --> 00:53:40,000
Speaker 1: got twelve referees in the NBA Finals. Eight of them

903
00:53:40,280 --> 00:53:43,560
Speaker 1: are trying to bang every goddamn flight attending or or

904
00:53:44,200 --> 00:53:47,680
Speaker 1: lady in a hotel from from here to California. And

905
00:53:47,800 --> 00:53:49,560
Speaker 1: they got a wife and three kids at home and

906
00:53:49,600 --> 00:53:51,920
Speaker 1: they got there. Want to talk about their fucking integrity?

907
00:53:52,040 --> 00:53:57,800
Speaker 1: Come on, this is great, man. I'm so glad you

908
00:53:57,960 --> 00:54:01,000
Speaker 1: you you came on the podcast. All right, listen, Tim,

909
00:54:01,040 --> 00:54:03,200
Speaker 1: I'm gonna let you go. Maybe maybe if there's some

910
00:54:03,280 --> 00:54:05,919
Speaker 1: other crazy shit, uh, you could come on and talk

911
00:54:06,000 --> 00:54:09,000
Speaker 1: more about the finals and just about basketball in general,

912
00:54:09,080 --> 00:54:12,239
Speaker 1: because you know, I'm such a fan of the game,

913
00:54:12,320 --> 00:54:15,200
Speaker 1: and you know, think, why why is it that no referees,

914
00:54:15,280 --> 00:54:18,239
Speaker 1: whether even like retired guys like Dick Bavetta, who's a

915
00:54:18,320 --> 00:54:21,799
Speaker 1: colorful personality, is there a rule that like you're never

916
00:54:21,920 --> 00:54:25,000
Speaker 1: allowed to sort of tell your stories after you leave

917
00:54:25,040 --> 00:54:28,000
Speaker 1: the league. Because I like, for me as a fan,

918
00:54:28,480 --> 00:54:30,760
Speaker 1: like you know, like Dick Bavetta. He's like a famous

919
00:54:30,840 --> 00:54:32,480
Speaker 1: referee that a lot of people know. He's the guy

920
00:54:32,560 --> 00:54:35,719
Speaker 1: that raised Charles Barkley boldended guy always seemed like he

921
00:54:35,840 --> 00:54:37,840
Speaker 1: was having a good time referee until he was like,

922
00:54:38,360 --> 00:54:41,000
Speaker 1: you know, seventy something years old. Like I would love

923
00:54:41,120 --> 00:54:43,560
Speaker 1: to hear all his basketball stories. Is there like a

924
00:54:43,719 --> 00:54:45,959
Speaker 1: rule like you sign a thing like you could never share,

925
00:54:46,080 --> 00:54:49,279
Speaker 1: like you know everything you saw refereeing the game. What

926
00:54:49,440 --> 00:54:52,120
Speaker 1: happens is, Michael, is people don't realize this, but in

927
00:54:52,600 --> 00:54:55,600
Speaker 1: every NBA city, they have observers that go and they

928
00:54:55,719 --> 00:54:59,160
Speaker 1: rate the referees and they chart these calls. They retire

929
00:54:59,200 --> 00:55:01,600
Speaker 1: and they give them a job in their home city,

930
00:55:02,040 --> 00:55:04,600
Speaker 1: you know, doing this stuff. So you're not gonna come

931
00:55:04,640 --> 00:55:07,799
Speaker 1: out and start talking because referees aren't allowed to talk

932
00:55:07,840 --> 00:55:09,960
Speaker 1: to the press. Employees aren't allowed to talk to the press.

933
00:55:10,239 --> 00:55:13,000
Speaker 1: Now you have a guy like Dick Bavetta. I don't

934
00:55:13,040 --> 00:55:15,279
Speaker 1: know if there's a new rule put in since my

935
00:55:15,520 --> 00:55:18,560
Speaker 1: situation that has to do with their retirement and pension

936
00:55:18,920 --> 00:55:21,520
Speaker 1: that they're not allowed to do this stuff or write books.

937
00:55:21,719 --> 00:55:24,080
Speaker 1: But I'm sure that there's something in place right now

938
00:55:24,960 --> 00:55:27,520
Speaker 1: after my situation that in order to continue to get

939
00:55:27,600 --> 00:55:30,759
Speaker 1: your pension, or you know, you're not allowed to disparage

940
00:55:30,840 --> 00:55:33,760
Speaker 1: the league, or there's something in the collective bargaining agreement.

941
00:55:33,840 --> 00:55:36,480
Speaker 1: There's there's no doubt in my mind you know that's

942
00:55:36,520 --> 00:55:39,439
Speaker 1: the case. And they, you know, the guys that don't

943
00:55:39,480 --> 00:55:43,440
Speaker 1: take the jobs, which of them do you know, just

944
00:55:43,760 --> 00:55:47,960
Speaker 1: just float away and keep their mouth shuts right? All right? Tim, Well,

945
00:55:47,960 --> 00:55:49,920
Speaker 1: I appreciate that this is I mean, like, this is

946
00:55:49,960 --> 00:55:53,160
Speaker 1: about his a front row seat that you could get.

947
00:55:53,200 --> 00:55:55,400
Speaker 1: So I appreciate you coming on on the podcast and

948
00:55:55,719 --> 00:55:58,440
Speaker 1: giving us this insight. This is is, my opinion, is

949
00:55:58,480 --> 00:56:00,839
Speaker 1: the best ship out there. Because this I just really

950
00:56:00,880 --> 00:56:03,399
Speaker 1: appreciate it. Anytime, brother, you know, and the next time

951
00:56:03,440 --> 00:56:05,040
Speaker 1: I'm in New York, will wrap some launch are you

952
00:56:05,160 --> 00:56:07,640
Speaker 1: and where are you? You in l A? I'm in

953
00:56:07,880 --> 00:56:09,440
Speaker 1: l A now. I'll be in New York soon. But

954
00:56:09,480 --> 00:56:11,879
Speaker 1: we'll stay in touch and we'll finally me face to faith.

955
00:56:13,360 --> 00:56:15,120
Speaker 1: All right, Tim, I appreciate I'll talk to you soon.

956
00:56:18,840 --> 00:56:21,279
Speaker 1: I want to thank special guest, Tim Donnie. I hope

957
00:56:21,280 --> 00:56:24,960
Speaker 1: you come back to talk more hoops. Um. You know

958
00:56:25,040 --> 00:56:27,040
Speaker 1: this guy referee, he knows what these guys are like,

959
00:56:27,200 --> 00:56:29,120
Speaker 1: he knows what there the breath smells like he knows

960
00:56:29,200 --> 00:56:31,719
Speaker 1: if they have body order. He knows what players talk shit,

961
00:56:32,200 --> 00:56:34,480
Speaker 1: who doesn't talk? Ship so much more. Thank you for

962
00:56:34,600 --> 00:56:37,399
Speaker 1: coming on the Iron Rapports stereo podcast. G Moody last

963
00:56:37,480 --> 00:56:41,680
Speaker 1: name rhymes with duty. Sunday, we are pregaming in San Francisco.

964
00:56:41,840 --> 00:56:46,399
Speaker 1: Get tickets to see us live Clusterfest dot com Clusterfest

965
00:56:46,480 --> 00:56:48,960
Speaker 1: dot com. The game starts at six fifteen. Me and G.

966
00:56:49,160 --> 00:56:51,719
Speaker 1: Moody will be getting off the stage at six and

967
00:56:51,920 --> 00:56:56,680
Speaker 1: watching the game nearby live in San Francisco. Clusterfest dot com.

968
00:56:57,160 --> 00:56:59,759
Speaker 1: Miles Jordan take us out of here with something something,

969
00:57:00,560 --> 00:57:03,640
Speaker 1: something that cornye into a smacker. Let me get something funky.

970
00:57:04,040 --> 00:57:11,960
Speaker 1: I am ready port stereoparks amount, I'm I'm I'm imp indeed,

971
00:57:13,960 --> 00:57:28,480
Speaker 1: I'm I'm tip. I'm tip indeed, I'm I'm Tim, t

972
00:57:30,280 --> 00:57:35,600
Speaker 1: empy in deep, I'm tied, I'm t