WEBVTT - Mini Crush #23 0:00:24.920 --> 0:00:32.160 Hey, everybody, welcome to movie Crush Mini Crush. Hello. That's 0:00:33.560 --> 0:00:35.479 how you doing. I'm doing well, man, doing pretty well. 0:00:35.479 --> 0:00:39.040 How about you? I'm doing great, as you know, a 0:00:39.080 --> 0:00:41.360 little under the gun. Under the gun. So we got 0:00:41.360 --> 0:00:42.879 to record this thing so I can go to the airport. 0:00:43.720 --> 0:00:47.600 So geez, let's get right to it. So to chit chatting. 0:00:48.200 --> 0:00:52.800 We got a new segment. Oh boy, it's called all 0:00:52.880 --> 0:00:57.760 right shopping. So no, a little bit like almost famous 0:00:58.240 --> 0:01:02.440 where actors had been turned on movies, um that went 0:01:02.480 --> 0:01:05.440 on to be very iconic roles. This is uh this 0:01:05.680 --> 0:01:09.959 directors who turned down jobs, and some directors are very 0:01:10.000 --> 0:01:13.600 famous for turning down a lot of great movies, you know, 0:01:13.640 --> 0:01:16.560 because a lot comes their way. Alfred Hitchcock turned down 0:01:16.600 --> 0:01:20.679 The Exorcist, he turned down Rosemary's Baby, he turned down 0:01:20.720 --> 0:01:23.360 Wait until Dark, and he turned down whatever happened to 0:01:23.400 --> 0:01:26.280 Baby Jane. Interesting. It makes sense though, because he's sort of, 0:01:26.560 --> 0:01:28.960 you know, he's sort of the originator of that vibe 0:01:29.200 --> 0:01:32.119 with like psycho and stuff. I could see them wanting 0:01:32.160 --> 0:01:34.680 to him to be their first pick for absolutely Exorcist. 0:01:34.880 --> 0:01:36.360 But I think you would have gone as far as 0:01:36.440 --> 0:01:38.399 freed can would have. But we'll never know. Yeah, it's 0:01:38.400 --> 0:01:41.520 an interesting proposition. David Fincher. He turns down a lot 0:01:41.560 --> 0:01:44.520 of work because you know, a lot of these directors 0:01:44.520 --> 0:01:46.520 they can do whatever they want, so a lot of 0:01:46.520 --> 0:01:48.560 movies come their way. But he turned down The Black Dahlia. 0:01:49.080 --> 0:01:52.760 He turned down the documentary Madonna, Truth or Dare. Uh. 0:01:52.800 --> 0:01:54.960 He was gonna direct and then dropped out. He directed 0:01:55.000 --> 0:01:57.320 a lot of Madonna videos, well, so that makes sense. 0:01:57.320 --> 0:02:01.800 He did Vogue, I Believe and Maybe Express Yourself. Interesting. Uh. 0:02:01.840 --> 0:02:05.600 He turned on Mission Impossible three, dropped out over creative differences. 0:02:06.280 --> 0:02:10.560 He was going to direct Catch Me If you Can uh, 0:02:10.600 --> 0:02:15.560 and instead directed Panic Room. Yeah. A lesser Fincher though. 0:02:15.639 --> 0:02:19.200 Panic Room, yeah for sure, but not not a bad movie. Uh, 0:02:19.360 --> 0:02:24.480 Batman begins. He turned that down to direct another film, 0:02:24.600 --> 0:02:27.720 Eight Millimeter. He turned down Remember that one. I loved 0:02:27.760 --> 0:02:30.600 eight Millimeter. Really it's so trashy, but it's it's it's 0:02:30.639 --> 0:02:33.960 you know, it's about the snuff industry, like you know, bondage, 0:02:34.560 --> 0:02:37.560 but well, yeah, it's it's I enjoy it. He turned 0:02:37.600 --> 0:02:40.000 that down to direct Fight Club, So good career choice there, 0:02:40.880 --> 0:02:42.880 and then he turned down the movie Collateral, the Michael 0:02:42.880 --> 0:02:45.960 Mann movie with Tom Cruise and Jamie Fox was good. 0:02:46.080 --> 0:02:47.920 He's like, he's like an assassin. It was good. And 0:02:47.919 --> 0:02:50.280 you'll you'll see a thread here popping up the great 0:02:50.280 --> 0:02:54.080 Martin Scorsese. The movie Clockers, Spike Lee ultimately directed, he 0:02:54.120 --> 0:02:58.720 turned down, He signed on, but dropped out to do Casino. Well, 0:02:58.919 --> 0:03:02.639 that's clearly the right choice. Yeah. He also turned down 0:03:02.680 --> 0:03:07.800 Collaterals two. Oh wow, let's just keep track here. Interesting 0:03:07.880 --> 0:03:10.480 he turned down Schindler's List. Very interestingly. He turned down 0:03:10.520 --> 0:03:13.400 the offer because he felt that a Jewish director should 0:03:13.440 --> 0:03:15.680 take that job. I would have thought that was Spielberg 0:03:15.840 --> 0:03:18.440 from Soup to Nuts. Yeah, like his baby. I would 0:03:18.440 --> 0:03:20.920 have thought that. But that's interesting. That's wow. Okay, yeah, 0:03:21.000 --> 0:03:23.400 so very uh. I mean this just goes to show 0:03:23.400 --> 0:03:26.760 you too. Sometimes these movies are percolating around Hollywood for years, 0:03:27.080 --> 0:03:30.080 passed around. Uh, Spielberg speaking of he was gonna direct 0:03:30.120 --> 0:03:32.600 Big and he actually wanted Harrison Ford to start on 0:03:32.639 --> 0:03:35.760 the lead role. But when they went in another direction, 0:03:36.360 --> 0:03:40.400 he turned down Collateral got it. I feel bad now 0:03:40.480 --> 0:03:43.880 because people thought this was hot shit script Michael Man like, 0:03:44.160 --> 0:03:46.480 was he the fourth choice? Yeah, it must have been. 0:03:46.800 --> 0:03:48.960 And those are just the people I saw. I don't 0:03:49.000 --> 0:03:51.080 know how far down he goes on the list. That's 0:03:51.120 --> 0:03:54.560 Michael Man. Yeah he did. What did he do? What's 0:03:54.600 --> 0:03:59.320 what's he known for? Uh? Well? Heat? Yeah, and the 0:03:59.320 --> 0:04:01.880 original Man and Hunter movie. I thought, that's what I thought. 0:04:01.920 --> 0:04:04.080 I love that Man Hunter movie. That one's good. Heat 0:04:04.120 --> 0:04:08.400 is also, I watched that recently, Michael. Yeah, Heat is 0:04:08.440 --> 0:04:11.080 just an epically good movie. Yeah. One of the great 0:04:11.280 --> 0:04:14.760 crime movies of all time, The Curious Case of Benjamin 0:04:14.800 --> 0:04:17.960 button Um. Apparently, according to IMDb, he was attached to 0:04:18.000 --> 0:04:20.040 the film in the nineties and it was gonna have 0:04:20.080 --> 0:04:24.560 Tom Cruise aging backwards Spielberg. Spielberg turned it down. You know, 0:04:24.560 --> 0:04:26.720 it seems like more of a Spielberg movie than a 0:04:27.040 --> 0:04:29.960 That's a Fincher, right, Yeah, weird choice for a Fincher. 0:04:30.000 --> 0:04:31.599 I didn't like that movie. I did not care for 0:04:31.640 --> 0:04:35.279 that movie. Harry Potter and the Sorcerer's Stone. He was 0:04:35.320 --> 0:04:38.600 considered to direct the whole series, but apparently J. K. Rowling, 0:04:39.360 --> 0:04:42.560 uh I didn't want to lose control of of the franchise, 0:04:42.920 --> 0:04:45.000 and she thought Spielberg like, it's all over. Well, they 0:04:45.000 --> 0:04:46.920 parsed it out to a bunch of different directors like 0:04:47.000 --> 0:04:49.800 Chris Columbus. I think directed the first two of Home 0:04:49.800 --> 0:04:52.520 Alone Fame, and then then there were a couple of 0:04:52.640 --> 0:04:56.800 interesting prestige directors like that. Alfonso Koran did one of them. Yea, 0:04:57.240 --> 0:04:59.440 but just the one, the kind of darker one. I'm 0:04:59.440 --> 0:05:01.080 not I didn't see the last two. I think they 0:05:01.120 --> 0:05:02.760 get pretty ark. See, I knew you were a big fan. 0:05:02.880 --> 0:05:05.160 I'm not, man, I dropped off. I haven't seen the 0:05:05.240 --> 0:05:07.760 last like two or three. I really don't care about 0:05:07.760 --> 0:05:12.960 the movie. It's it's in the zeitgeist. Man. I I 0:05:13.080 --> 0:05:14.799 you have a daughter. I have a daughter. She doesn't 0:05:14.800 --> 0:05:17.360 like it either. She does not like it. She doesn't 0:05:17.360 --> 0:05:19.159 it's not like her thing. And I think you guys 0:05:19.200 --> 0:05:21.480 need to really dig into an unpack white how you 0:05:21.520 --> 0:05:24.640 feel about Harry Potter. This is all your narrative here 0:05:24.640 --> 0:05:26.320 at Chuck. I don't know where this is coming from. 0:05:26.440 --> 0:05:29.800 This thing we created Last Action Hero, Spielberg turned that 0:05:29.839 --> 0:05:32.039 down to Directionler's list. That was a ship movie, so 0:05:32.480 --> 0:05:37.400 uh yeah, rain Man. He backed out because he needed 0:05:37.400 --> 0:05:40.159 to start on Indiana Jones in the Last Crusade. How 0:05:40.200 --> 0:05:44.680 about that ye Meet the Parents. Apparently he was approached 0:05:44.680 --> 0:05:47.280 to direct that with Jim Carey as the lead. Ye, 0:05:47.360 --> 0:05:49.960 I'll think of him as he's got good physical comedy 0:05:50.000 --> 0:05:52.320 stuff in the movies, but he's not a comedy director 0:05:52.360 --> 0:05:56.040 exactly right, Like, no, not not in that way. That 0:05:56.040 --> 0:05:57.440 would have been an odd choice. It would have been like, 0:05:57.480 --> 0:06:00.120 I want to try this comedy. Yeah, yeah, that a 0:06:00.160 --> 0:06:02.240 movie for sure. And then finally we're going to finish 0:06:02.320 --> 0:06:04.640 up with a great Terry Gilliam with take this job 0:06:04.680 --> 0:06:08.600 and shove it. He uh turned down some pretty good movies. 0:06:08.720 --> 0:06:13.000 American Beauty, turned down interesting, a movie called Enemy Mine 0:06:13.279 --> 0:06:15.360 that I remember growing up. It was a sci fi 0:06:15.400 --> 0:06:17.440 masin alien on the cover, that's all I remember. Yeah, 0:06:17.480 --> 0:06:21.520 lucas a junior plays an alien Forrest Gump through Terry 0:06:21.640 --> 0:06:24.039 Terry Gilliam's eyes. It would have been interesting. Yeah, And 0:06:24.120 --> 0:06:25.960 most of these I'm just like, what would Terry Gillham 0:06:26.000 --> 0:06:29.240 have done? Yeah, yeah, very much. He's he's his own thing, 0:06:29.320 --> 0:06:36.080 kind of who framed Roger Rabbit? Yeah? Alien Insurrection apparently 0:06:36.160 --> 0:06:39.960 the Harry Potter and the Sorcerer's Stone. Alien Resurrection Maybe 0:06:40.200 --> 0:06:45.239 would I say insurrection resurrection in insurrection? This is another 0:06:45.240 --> 0:06:48.200 one of those room this This is like the Mandala effect. 0:06:48.320 --> 0:06:52.080 That's right. Alien Resurrection there should be an Alien insurrection. 0:06:52.160 --> 0:06:55.440 I think Fincher directed Alien Resurrection. That's the one alien 0:06:55.520 --> 0:06:57.320 movie that he directs. Funny, it seems like there was 0:06:57.640 --> 0:07:02.200 for a time. They probably still are just like eight people. 0:07:02.320 --> 0:07:04.720 They're all my favorites. They mean, like they growing up 0:07:04.720 --> 0:07:09.679 like Fincher and Gilliam, like and um, you know, Spike 0:07:09.800 --> 0:07:14.000 Jones and Michelle Gandry were like my, my guys. Have 0:07:14.080 --> 0:07:17.040 you seen the preview for the new Showtime series that 0:07:17.080 --> 0:07:20.520 Michelle gandr is doing? What? No, dude, just look at 0:07:20.520 --> 0:07:23.520 the trailer. It's called Kidding. It looks great. I do 0:07:23.560 --> 0:07:25.440 want to say one thing about Gilliam. He's been trying 0:07:25.480 --> 0:07:28.560 to make this Don quixotea movie forever, didn't he have? 0:07:28.640 --> 0:07:32.840 But then he lost the rights. Shut up, yea. He 0:07:32.960 --> 0:07:34.960 lost the right to the last minute, like the production 0:07:35.000 --> 0:07:38.520 company that owned it. He apparently, in a weird, unprecedented move, 0:07:38.600 --> 0:07:40.600 he went ahead and made the movie even though he 0:07:40.640 --> 0:07:43.280 didn't have the rights. So it's gonna it's dead now. 0:07:43.280 --> 0:07:45.640 I think of that. That's what I read. Yeah, and 0:07:45.680 --> 0:07:50.320 it's made. Yeah, it's got Kylo Ren in it, and uh, 0:07:50.480 --> 0:07:54.400 oh my god, such a like like I think he 0:07:54.400 --> 0:07:56.360 needs to just they made a documentary about him trying 0:07:56.360 --> 0:07:58.040 to make that. Yeah, it's called Lost in La Mansha. 0:07:58.080 --> 0:07:59.680 It's really really good. I haven't seen that one. I 0:07:59.720 --> 0:08:08.600 needed check that out. All Right, we're gonna go with 0:08:08.680 --> 0:08:16.000 a trope time segment. Tropes keep coming in. Um, we'll 0:08:16.040 --> 0:08:20.920 start with David Gooch, he said, not necessarily the Gooch, 0:08:21.280 --> 0:08:26.840 not necessarily trope. But coffee cups are clearly always empty. Uh, 0:08:27.120 --> 0:08:29.760 maybe not a quite a trope, but I definitely agree 0:08:29.760 --> 0:08:32.160 with him there. You mean in terms of like the 0:08:32.240 --> 0:08:35.480 weight of it. Yeah, like coffee cups and like suitcases, 0:08:35.760 --> 0:08:39.520 it's always clearly empty. There's definitely I've seen a video 0:08:39.559 --> 0:08:42.720 where it's it's mostly from TV where they show people 0:08:42.800 --> 0:08:45.800 slinging around a coffee cup and it's just very clearly 0:08:45.840 --> 0:08:47.800 got no hath to it at all. Like there's a 0:08:47.840 --> 0:08:50.960 there's a YouTube compilation of that, so that that's certainly 0:08:51.120 --> 0:08:53.440 a thing. Yeah, for sure. You know, I'm gonna pull 0:08:53.480 --> 0:08:57.280 one off Facebook real quick because this is a live one, 0:08:57.320 --> 0:09:01.480 because I saw this one just earlier that I thought 0:09:01.559 --> 0:09:06.720 was a pretty good one. Uh. This is from sigh low. Uh. 0:09:07.400 --> 0:09:11.080 I call it the Hollywood rap when gift boxes always 0:09:11.120 --> 0:09:14.080 have the lids wrapped separately so the actor can just 0:09:14.160 --> 0:09:16.880 pop off the box and not tear into gift wrapping. 0:09:16.880 --> 0:09:22.840 That is a total trope, is no, nobody, nobody, because 0:09:22.880 --> 0:09:24.480 part of the fun is tearing into that gift wrapp 0:09:24.840 --> 0:09:29.439 is you know, um let me see here. Uh. Lee 0:09:29.520 --> 0:09:32.880 Dallas says the I'm in trope when a fourteen year 0:09:32.880 --> 0:09:36.000 old hack gets into a multimillion dollar computer system and 0:09:36.080 --> 0:09:40.240 under thirty seconds I'm in. It's like, it's like, yeah, 0:09:40.280 --> 0:09:45.040 I'm in. It's so great. That's a total trope. Uh. 0:09:45.080 --> 0:09:47.120 And a lot of these tropes are about just cutting 0:09:47.120 --> 0:09:54.839 to the chase. You let me see. Benjamin Johnston says 0:09:54.880 --> 0:09:58.280 the action chascene running, driving, riding a horse so fast, 0:09:58.320 --> 0:10:02.920 but wait there's a cliff. Yeah, that's pretty good. I 0:10:02.920 --> 0:10:05.560 thought of one to day. Actually my daughter pointed it out. Um, 0:10:05.600 --> 0:10:08.760 it was raining and there was a big giant puddle 0:10:09.240 --> 0:10:11.559 and I drove through it and she said, good thing, 0:10:11.559 --> 0:10:13.800 no one was walking there, she said, but that only 0:10:13.840 --> 0:10:18.600 happens in the movies. Someone's having a bad day, and 0:10:18.640 --> 0:10:22.280 then adding insult to injury, a car drives by and 0:10:22.559 --> 0:10:25.080 trenches them in a torrent of water. Could just take 0:10:25.120 --> 0:10:29.000 it any Oh, it did. That's funny, and just the 0:10:29.280 --> 0:10:32.920 wet down period like all movies. You know, all streets 0:10:32.920 --> 0:10:35.640 are wet movies because they call it the wet down. 0:10:36.000 --> 0:10:38.080 If you didn't know this and you start paying attention, 0:10:38.640 --> 0:10:40.679 you wonder did it just rain? And every movie I've 0:10:40.679 --> 0:10:43.840 ever seen, especially at night, they do this because it 0:10:43.880 --> 0:10:46.040 looks better at night. But I'm sure it makes it 0:10:46.120 --> 0:10:49.840 more reflective and makes it where you can see. And 0:10:50.200 --> 0:10:53.600 on every single movie there are water trucks that drive 0:10:53.679 --> 0:10:56.320 down the road and these sprinklers go off, and they 0:10:56.320 --> 0:10:58.040 call it the wet down, and they do it before 0:10:58.080 --> 0:11:00.040 they shoot every single scene. I did not know that. 0:11:00.040 --> 0:11:02.520 That makes perfect sense. Yeah. The only person that very 0:11:02.520 --> 0:11:06.720 famously does not do that very purposefully is Alexander Payne. 0:11:07.280 --> 0:11:10.040 He is very adamant about his movies looking like movies, 0:11:10.559 --> 0:11:13.720 and he insists on two things, which is which are 0:11:13.800 --> 0:11:16.840 dry streets and dirty cars. If you ever look at 0:11:16.840 --> 0:11:18.960 one of his movies, like the windshield will be dirty, 0:11:19.440 --> 0:11:21.480 and that's just like a no, no, you don't do 0:11:21.520 --> 0:11:24.480 that in movies. You like, clean that wind shield right 0:11:24.480 --> 0:11:26.839 before you shoot. But Alexander Paine is like, no, it's 0:11:26.880 --> 0:11:31.240 not real. Love, I like that too, um Bill Steele. 0:11:31.360 --> 0:11:34.200 Every building has a ventilation system a grown person can 0:11:34.280 --> 0:11:37.280 fit through, but in real life they could barely fit 0:11:37.320 --> 0:11:39.240 a toddler. Bill says that as if he's done that 0:11:40.160 --> 0:11:43.440 like stuff to toddler kind of okay, Yeah, so you 0:11:43.480 --> 0:11:45.559 gotta get it. You gotta have a toddler on your 0:11:45.559 --> 0:11:48.599 crew if you're if you're pulling off a heist. Yeah, 0:11:48.640 --> 0:11:52.280 that's a good one build. Then you're totally right, uh Kayla. 0:11:52.440 --> 0:11:56.640 Marie Carbone, great name. In romantic comedies, there's always a 0:11:56.679 --> 0:12:00.200 declaration of love. First kiss in the rain. Why is 0:12:00.200 --> 0:12:03.280 it always raining, Well, because it's more dramatic to have 0:12:03.280 --> 0:12:05.320 a kiss in the rains. The wet down, Yeah, it 0:12:05.440 --> 0:12:11.520 is the wet down. Uh let me see here. Achimi Yamaguchi, 0:12:11.600 --> 0:12:14.079 great name. The shortcut to the airport. How do these 0:12:14.080 --> 0:12:16.600 people always know about a shortcut that no one else 0:12:16.679 --> 0:12:20.000 is aware of and they only use the shortcut when 0:12:20.040 --> 0:12:23.160 they need to chase someone down? James Kinnett un clipping 0:12:23.960 --> 0:12:27.040 the push stud on a holster when getting ready for 0:12:27.080 --> 0:12:29.960 a gunfight. Yeah, but then putting the gun away and 0:12:29.960 --> 0:12:33.000 never securing the gun back in. Well, you know, there 0:12:33.040 --> 0:12:35.400 might there might that there might be another gunfight coming up. 0:12:35.840 --> 0:12:39.760 That's true. It's a good point, noll. The old double gunfight, 0:12:39.840 --> 0:12:41.920 the old double gun fight. Hey, one good gun fight 0:12:41.960 --> 0:12:46.840 deserves another. Uh. Let me see, Tammy Mitchell. Uh. The 0:12:46.920 --> 0:12:51.720 woman who was suddenly vomiting always pregnant, or two people 0:12:51.760 --> 0:12:53.839 who hate each other end up loving each other. Yeah, Tammy, 0:12:53.920 --> 0:12:56.400 those are two tropes for sure, and I'll add one 0:12:56.400 --> 0:13:01.240 to the woman vomiting meaning she's pregnant. The uh the 0:13:03.320 --> 0:13:06.160 at the beginning of the movie means they have the consumption. 0:13:06.720 --> 0:13:08.840 It means they're gonna die. Like nobody colls in a 0:13:08.840 --> 0:13:10.839 movie unless they're gonna die, not to mention. If it's 0:13:10.880 --> 0:13:14.680 like you know, seventeen hundred set movie and they're coughing 0:13:14.720 --> 0:13:18.400 into a rag and away, that's a little bit of blood. 0:13:18.720 --> 0:13:22.000 Total trop Uh Yeah, I mean no one that bugs 0:13:22.040 --> 0:13:23.440 me a little bit too, Like no one calls her 0:13:23.440 --> 0:13:26.200 sneezes and movies ever, it's just a thing. I guess 0:13:26.200 --> 0:13:27.800 you don't want to see people sneeze. I was gonna say. 0:13:27.800 --> 0:13:30.200 To do with the vomiting thing, they usually also have 0:13:30.320 --> 0:13:33.880 it happened at a moment for dramatic effect where they're 0:13:33.880 --> 0:13:35.640 in heated argument or something and then all of a 0:13:35.679 --> 0:13:38.640 sudden she runs in pukes, and then it's like comes 0:13:38.679 --> 0:13:41.800 in back and immediately knows she's pregnant. Yeah, it's like 0:13:41.880 --> 0:13:46.760 right away pregnant again. Time savers Sean Leech is the 0:13:46.760 --> 0:13:48.319 person being pulled up and out of the way of 0:13:48.360 --> 0:13:51.600 an oncoming object at the very last second. That's a 0:13:51.600 --> 0:13:55.480 total trope. And I'm also gonna go with this the 0:13:55.480 --> 0:13:59.079 the car or the run away when something is falling, 0:13:59.679 --> 0:14:02.920 like a smoke stack or a tree or anything. Instead 0:14:02.960 --> 0:14:05.800 of turning right or left and getting out of the 0:14:05.840 --> 0:14:08.880 path of the falling thing, they just try and straightly 0:14:08.960 --> 0:14:11.800 outrun it. In the direct past, yeah, there's that that 0:14:11.800 --> 0:14:16.160 that really silly moment in Prometheus, the Alien prequel or whatever, 0:14:16.360 --> 0:14:19.440 where there's a ship that's a circle. It's a giant 0:14:19.600 --> 0:14:23.000 rain like a hula hoop, and it's rolling and she 0:14:23.200 --> 0:14:25.800 kind of runs away from it instead of just stepping 0:14:25.840 --> 0:14:29.080 to the side. It's literally a hoop shaped chip that's 0:14:29.200 --> 0:14:35.320 rolling at her. It's like, Harry, you know, Yeah, that's 0:14:35.320 --> 0:14:37.000 a total trope, all right, and we're gonna finish up 0:14:37.080 --> 0:14:40.080 trope time this week. These are great everyone with Michelle 0:14:41.120 --> 0:14:51.400 uh Apola, Tigi Apolotic we Michelle Michelle Apola tagu lovely 0:14:51.480 --> 0:14:54.680 beautiful name. I know I'm getting that wrong, so Michelle, 0:14:54.680 --> 0:14:57.120 please tell me how to pronounce that in the future. 0:14:57.720 --> 0:15:00.800 Water breaking going into labor when about ten percent of 0:15:01.000 --> 0:15:05.120 woman's water breaks even on its own, it's a timesaver 0:15:05.240 --> 0:15:09.000 and easy exposition, but it's been pretty detrimental to many 0:15:09.040 --> 0:15:12.640 of our society's understanding of how labor works. That's true. 0:15:12.880 --> 0:15:16.280 I mean, you would think that of the time women 0:15:16.360 --> 0:15:20.200 have babies. It's like my water broke everywhere. It's funny 0:15:20.200 --> 0:15:22.440 you say that. The coworker of ours, who I will 0:15:22.440 --> 0:15:26.600 remain named um, just had a lovely baby and in 0:15:26.720 --> 0:15:29.560 the office Emailly sent out talking about you know, when 0:15:29.600 --> 0:15:32.440 it happened. He said, his wife's water broke, and then 0:15:32.520 --> 0:15:37.520 parenthesis wrote in quite dramatic fashion style, exactly, but like, 0:15:37.800 --> 0:15:41.280 you know, that is interesting, all right, So that's trope time. 0:15:41.400 --> 0:15:44.560 Keep them coming, everyone. We're gonna move on to stream 0:15:44.640 --> 0:15:47.360 this and comment card. And I could have sworn I 0:15:47.440 --> 0:15:51.640 already picked this for stream this, but I went back 0:15:51.640 --> 0:15:55.000 through the stats compiled by Jill Hurley and the gang, 0:15:55.520 --> 0:15:57.440 and I didn't see it. Maybe I just talked about 0:15:57.440 --> 0:15:59.960 it briefly, but This is something I watched the last 0:16:00.160 --> 0:16:03.400 late last year. Uh, the Spike Lee's reboot of She's 0:16:03.400 --> 0:16:05.800 Got to Have It. Did I talk about this? You 0:16:05.920 --> 0:16:08.280 just you've talked about that, you liked it? All right, Well, 0:16:08.280 --> 0:16:11.880 I'm officially putting it in the stream this section because 0:16:12.480 --> 0:16:14.160 it is so great. It's based on the movie from 0:16:15.080 --> 0:16:18.360 and the same name. When I saw that She's Got 0:16:18.360 --> 0:16:20.360 to Have It was being rebooted as a TV show, 0:16:20.440 --> 0:16:24.680 I thought why, why, why bother? And then I watched 0:16:24.680 --> 0:16:29.440 it and it is great. It is really really awesome. Uh. 0:16:29.560 --> 0:16:33.880 Ten thirty minute episodes with Dewonda Wise is Nola Darling. 0:16:34.440 --> 0:16:38.960 She is phenomenal. Uh. Anthony Ramos from from Hamilton's Mars 0:16:39.000 --> 0:16:42.120 Blackman and especially I thought who could play Mars Blackman 0:16:42.160 --> 0:16:46.520 but Spike Lee. But Anthony Ramos brings his own Mars 0:16:46.560 --> 0:16:49.480 Blackman to the table and it's great. And he you know, 0:16:49.560 --> 0:16:52.160 he he does a couple of a little like please, baby, Please, 0:16:52.200 --> 0:16:54.400 baby please. He does a couple of the old Mars 0:16:54.400 --> 0:16:57.360 black Man lines, but he makes it his own yet 0:16:57.400 --> 0:16:59.680 it's still the same and in a way that's like, 0:17:00.200 --> 0:17:04.159 it's really really great. Uh. Lyric Bent is Jamie Overstreet 0:17:04.160 --> 0:17:06.560 and Cleo Anthony as a greer child. Uh. And if 0:17:06.600 --> 0:17:08.240 you don't know about the original movie or the show, 0:17:08.280 --> 0:17:13.040 it's a story of a young African American woman who 0:17:13.119 --> 0:17:15.760 has got three boyfriends and she doesn't want to choose 0:17:15.760 --> 0:17:18.520 between them. They all do something different for her. One 0:17:18.640 --> 0:17:22.520 is very stable and has money and as uh ambitious. 0:17:22.720 --> 0:17:25.320 One is silly and fun that's Mars, and one is 0:17:25.359 --> 0:17:29.760 a model and super handsome. Uh. And she's very frank 0:17:29.800 --> 0:17:32.159 about her sexuality. All the guys know she's not cheating 0:17:32.160 --> 0:17:35.160 on them. They all know about each other. And that's 0:17:35.160 --> 0:17:36.680 one of the great parts in the movies. All the 0:17:36.680 --> 0:17:38.840 guys at one point get together and they she brings 0:17:38.880 --> 0:17:40.600 them in and they have a big dinner together to 0:17:40.680 --> 0:17:43.880 kind of go through this. But he manages, Spike Lee manages. 0:17:43.920 --> 0:17:48.840 He directed all the episodes to make this completely fresh 0:17:49.119 --> 0:17:54.240 and new for today's times. Took a movie from dusted 0:17:54.320 --> 0:17:57.480 it off. And I'm dying to know how this came 0:17:57.520 --> 0:18:00.960 about to begin with, uh, because it was a sort 0:18:01.000 --> 0:18:02.639 of a brave thing to do, I think, a risky 0:18:02.680 --> 0:18:05.399 thing to do. But it's of the time, it's fresh, 0:18:05.440 --> 0:18:09.280 it's current, it's funny, it's well acted, it's the direction 0:18:09.400 --> 0:18:11.840 is great, and I thought it was a one off 0:18:11.840 --> 0:18:14.240 in an Emily and I were really disappointed, but I 0:18:14.280 --> 0:18:16.040 saw that earlier this year was picked up for a 0:18:16.080 --> 0:18:19.280 season two, So it is it works for that, like 0:18:19.560 --> 0:18:22.000 they can just extend that world or is it that 0:18:22.160 --> 0:18:24.439 contain story that's sort of in the movie or does 0:18:24.480 --> 0:18:27.199 it go beyond that? It's contained, But it's it. They 0:18:27.200 --> 0:18:30.120 could totally do more, and I'm glad they are. It's 0:18:30.160 --> 0:18:33.760 really really great. It sounds like it's a good ensemble opportunity, right, 0:18:33.880 --> 0:18:36.280 you could have different stories with these characters and acting. 0:18:36.680 --> 0:18:38.159 That sounds I'm interested to see where it goes. To 0:18:38.280 --> 0:18:39.920 wonder why is it just so great. I've never heard 0:18:39.960 --> 0:18:43.160 of her before, and she's just beautiful and so talented, 0:18:43.200 --> 0:18:45.480 and uh, it's good. I got a big fat crush 0:18:45.520 --> 0:18:47.840 on her right now, so does Emily. We agree on 0:18:47.880 --> 0:18:52.160 that one. Uh. And then finally comic cardinal questions from 0:18:52.160 --> 0:18:55.800 you all to us. We'll go through a few of these, 0:18:55.800 --> 0:18:57.439 and then I got high tail it out of here. Everyone. 0:18:58.280 --> 0:19:00.880 Um let me see here, all right? Who was your 0:19:00.880 --> 0:19:05.400 most revered film crew regular from throughout the history of cinema? 0:19:06.200 --> 0:19:09.480 He said, For example, costumer Edith Head Yeah, all right, 0:19:09.720 --> 0:19:11.920 I'm gonna go with the great Roger Deakins. I was 0:19:11.960 --> 0:19:14.639 going to do that. Yeah, that's easy. It makes it easy. Well, 0:19:14.680 --> 0:19:16.440 let's talk about it then. Now he's just that, he's 0:19:16.480 --> 0:19:19.800 done everything and as he's just visually responsible for some 0:19:19.840 --> 0:19:22.719 of the greatest movies of of our time. And you know, 0:19:24.000 --> 0:19:28.280 he's just fantastic cinematographer and you can just see his 0:19:28.920 --> 0:19:32.000 fingerprints on so many iconic movies. He doesn't have just 0:19:32.119 --> 0:19:35.280 one style or one look. He's very adaptable and that's 0:19:35.320 --> 0:19:39.040 just such a crucial you know, crew member in general, 0:19:39.119 --> 0:19:40.520 and he's one of the best versions of that. And 0:19:40.520 --> 0:19:42.720 he finally won his Oscar I think for the for 0:19:42.800 --> 0:19:47.000 Blade Runner eight. Yeah, way overdue, like he was. I 0:19:47.000 --> 0:19:48.760 think they gave it. I mean he deserved it for 0:19:48.800 --> 0:19:50.760 that for sure, but I think the outcry was so 0:19:50.880 --> 0:19:54.159 great by this point. Uh just ticking through some of 0:19:54.240 --> 0:19:58.320 his his movies here, Barton Fink, shawsh Ink, Redemption, Fargo. 0:19:58.359 --> 0:20:00.600 He worked a lot with the Cohen brothers, obviously, Uh 0:20:00.680 --> 0:20:02.520 Kuon done a brother, Where aren't they all? The man 0:20:02.560 --> 0:20:06.720 who wasn't there No Country for Old Men? Revolutionary Road, 0:20:06.840 --> 0:20:12.560 The Reader, Skyfall, jar Head Ah, of course, you just 0:20:12.600 --> 0:20:16.040 said the New Blade Runner. Uh, just amazing. He's even 0:20:16.119 --> 0:20:19.320 made some documentaries. He did one on Van Morrison and 0:20:19.400 --> 0:20:23.639 one on Carl Perkins. So hats off to you, Roger Deakins. 0:20:23.720 --> 0:20:26.879 He's even had some smaller movies like You're You're forget 0:20:26.880 --> 0:20:29.200 the director, but it's when you highlighted the Passion Fish. 0:20:29.200 --> 0:20:33.720 He did that one as well. Oh really, John Sayles, Wow, yeah, 0:20:33.760 --> 0:20:35.960 Roger Deakins, you know you're gonna get a gorgeous looking film. 0:20:36.359 --> 0:20:40.719 Good question from Howard Carson. Uh, let me see here. 0:20:40.760 --> 0:20:45.359 Alex Glasnovic says, what movies have your favorite favorite supplements, 0:20:45.359 --> 0:20:49.760 commentaries or special features on their blue ray? You know, 0:20:49.800 --> 0:20:51.440 I don't do the blue ray, and like I said, 0:20:51.440 --> 0:20:53.199 I don't do this much anymore, but I used to 0:20:53.240 --> 0:20:55.280 really get into this. So my pick is going to 0:20:55.359 --> 0:20:58.359 be an old one. But um, Boogie Nights has a 0:20:58.480 --> 0:21:02.840 very very great direct your commentary if I remember correctly, 0:21:03.480 --> 0:21:06.280 and it's always good. It's like a masterclass to sit 0:21:06.359 --> 0:21:08.639 in and hear pt Anderson talk about making a movie. 0:21:09.080 --> 0:21:11.159 So that that's my pick. Do you have one no 0:21:11.760 --> 0:21:15.239 director's commentary or actor's commentary that stands out? I'm just 0:21:15.280 --> 0:21:17.760 so out of the loop with those. I haven't really 0:21:17.840 --> 0:21:19.840 messed with any in quite a long time, so I 0:21:19.880 --> 0:21:22.639 can't even when one doesn't come to mind. Yeah, in 0:21:22.720 --> 0:21:25.080 the same way, I missed that stuff. But it's it's 0:21:25.080 --> 0:21:27.560 hard to watch a movie and then rewatch it again 0:21:27.600 --> 0:21:31.680 with a commentary on these days. I can't believe he 0:21:31.720 --> 0:21:34.880 used to have that much time in my life. Must 0:21:34.880 --> 0:21:45.920 have been nice. Uh, let me see, Kayla. M h 0:21:46.040 --> 0:21:50.800 What is your least favorite genre? M hmmm. I don't 0:21:50.800 --> 0:21:54.520 know if I have a least favorite genre. I mean, 0:21:55.760 --> 0:21:58.479 maybe the rom com because so many of them are 0:21:58.520 --> 0:22:02.760 not very good. This I guess my answer. But if 0:22:02.800 --> 0:22:05.440 it's a good rom comma, I love it, it's fine. Yeah, 0:22:05.560 --> 0:22:07.680 But but typically you're gonna have to win me over 0:22:08.119 --> 0:22:09.960 because because even when people call it a rom com, 0:22:09.960 --> 0:22:12.280 it's almost like the fact that you're giving it that 0:22:12.320 --> 0:22:16.240 distinction implies something of a lack of quality, like a 0:22:16.320 --> 0:22:19.680 lesser film, like like a guilty pleasure kind of film. Right. Yeah, 0:22:19.880 --> 0:22:22.480 So I guess rom com for me, same for you. 0:22:23.280 --> 0:22:25.280