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Speaker 1: First of all, you don't know me.

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Speaker 2: All about that high school drama Girl Drama Girl, all

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Speaker 2: about them.

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Speaker 1: High school queens, We'll take you for a ride.

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Speaker 3: And our comic girl shared for the right teams.

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Speaker 2: Drama Queens, Jaylie's Up Girl Fashion, which your tough girl,

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Speaker 2: you could sit with us, Girl Drama, Queens Drama, Queise Drama,

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Speaker 2: Queens Drama, Drahna Queens Drama, Queens Ladies.

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Speaker 3: We still have our Queen with us.

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Speaker 4: Daphney's Aniga is here to help us walk through Season five,

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Speaker 4: episode four, It's all Right, Ma, I'm Only Bleeding, which

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Speaker 4: aired in January twenty second of two thousand and eight.

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Speaker 1: Daphney, will you read the synopsis for us?

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Speaker 5: Peyton has her hands full when the lead singer of

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Speaker 5: a band she just signed turns out to be problematic.

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Speaker 3: Peyton asked Haley.

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Speaker 5: To come help her work with them, which reignites Haley's

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Speaker 5: love for music and gets her back in the studio.

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Speaker 5: Nathan is struggling to get through to Quentin. Brook has

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Speaker 5: her grand close over Bros. Boutique, which Peyton and Lucas

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Speaker 5: attend together and try to get back to being just friends. Meanwhile,

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Speaker 5: Marvin's relationship with his boss grows.

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Speaker 6: Heated, oh, even more heated.

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Speaker 7: The director Danis Cook and the writer was Adele kim.

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Speaker 3: Oh Jennison Adele.

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Speaker 6: Oh, that was a good combo. I loved those two.

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Speaker 1: I love a combo of these women and of these

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Speaker 1: women on this zoom.

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Speaker 6: Yes, when was the last time you watched an episode

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Speaker 6: of One treeal Defane?

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Speaker 3: It had been a while. I mean I watched this

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Speaker 3: twenty years. Maybe it's been a while. I think i'd

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Speaker 3: seen one since then.

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Speaker 5: I'm not sure when though, But you know, to be honest,

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Speaker 5: I'm not crazy about looking at myself.

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Speaker 3: But but I.

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Speaker 5: Yeah, And it's it's as much as I remember loving

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Speaker 5: working with you guys.

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Speaker 3: Every time I would watch it in the past, I'd just.

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Speaker 7: Be like, gosh, it's such a wi.

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Speaker 4: Now.

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Speaker 3: I used to tell me, just bring me some humor.

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Speaker 5: Let's make sure that like she's you know, a little

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Speaker 5: tipsy in the scene or something I always wanted that

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Speaker 5: comes later after this scene she warms up to that

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Speaker 5: more humor.

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Speaker 4: No, but you sell it though, like it's it's almost

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Speaker 4: like a compliment. Like you know, those shitty restaurants down

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Speaker 4: in North Carolina, like Dirty Dix or those restaurants that

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Speaker 4: you go.

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Speaker 3: To with the intention of being insulted by the.

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Speaker 4: Wait staff, and it's like it's so you and your

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Speaker 4: friends can all laugh about it together after the fact.

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Speaker 4: That's what it feels like. It's like Peyton's figured that out.

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Speaker 4: That's why Peyton is always laughing when Victoria is saying

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Speaker 4: horrible things to her, because she knows the formula.

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Speaker 3: She's like, this woman's gonna tell me how.

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Speaker 4: Terrible I am, and Brooke and I are gonna get

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Speaker 4: together later and have a laugh.

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Speaker 3: Like it's it's a rite.

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Speaker 4: Of passage that everyone in Tree Hills should go for us.

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Speaker 6: Yeah, when we started watching episodes back for the first time.

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Speaker 6: When we first started doing this, there were so many

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Speaker 6: things coming at us because we none of us had

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Speaker 6: seen the show in so long. And was there anything

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Speaker 6: that stood out to you about about the show itself,

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Speaker 6: about like I see why this was a hit or

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Speaker 6: something that surprised you.

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Speaker 3: I don't know. Was there anything that just struck you? Yeah,

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Speaker 3: A couple of things.

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Speaker 7: Two things main the main two things that stand out

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Speaker 7: at me is.

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Speaker 5: How good you all are. You're just, I mean all

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Speaker 5: of you are so everyone. I mean, you guys you're

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Speaker 5: and your fan base is aren't prove it. You're so good,

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Speaker 5: each of you in your I mean, you're all very different.

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Speaker 5: But that's what I really looked at. I was like,

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Speaker 5: you're so solid, you're so good. And the and the

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Speaker 5: and the lines. You know, they're smart, they're ahead of

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Speaker 5: their years. So I remember when I first you know,

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Speaker 5: as I'm watching going, I I.

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Speaker 7: Get why people are still into.

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Speaker 5: It because you know, the characters really do kind of

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Speaker 5: like say what's up and truth and keep dealing with stuff,

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Speaker 5: and there's so much flying at them and they're just smart.

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Speaker 3: They're smarter than.

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Speaker 5: Then they should be, really and I think then I think,

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Speaker 5: but I think that's the key to like, you know,

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Speaker 5: you want to keep watching what's going to happen next?

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Speaker 3: So what's going to happen next? You know what I mean?

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Speaker 5: It keeps going for sure. Yeah, So that's what I saw.

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Speaker 5: I mean, all the regulars are so strong. I can't

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Speaker 5: you know, Joy, I just noticed, like you're so natural with.

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Speaker 3: You you always have like a prop or your behavior.

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Speaker 5: You're thrown off lines to Nanny Carre and I'm like,

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Speaker 5: how can Nanny carry you know, you just toss it

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Speaker 5: off you're very natural. I know you've been doing it

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Speaker 5: since you were little, you know, all of you, and

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Speaker 5: I mean you had to sell stuff too, so you

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Speaker 5: know you.

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Speaker 3: Have to sell that.

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Speaker 5: You're facing me and you have to you help me

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Speaker 5: sell Victoria. Yes, for sure, because the way that you

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Speaker 5: receive it and when we cut to your close up

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Speaker 5: and your side of it, you helped the audience go Okay,

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Speaker 5: I but I'm scared of her, but she's my mom.

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Speaker 3: There's a complexity to you.

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Speaker 5: There is emotion there, and you really help sell it.

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Speaker 5: And you know, I know you guys like how I

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Speaker 5: played it, but some of those lines were hard, and

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Speaker 5: so yeah, you guys helped sell it.

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Speaker 6: That was my favorite part of this episode was the

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Speaker 6: storyline being able to watch because we've only seen Victoria

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Speaker 6: come in in these small little moments with quips and

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Speaker 6: a few things to say, but here we really get

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Speaker 6: It's the full Victoria, It's the full experience. I loved

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Speaker 6: seeing that. That's what I loved about this episode.

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Speaker 4: Only a woman could have written this episode like Adele

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Speaker 4: Limb for you at home who don't know is an

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Speaker 4: incredible writers. She were crazy rich, Asian and the last

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Speaker 4: dragon like she is a just force. And I worked

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Speaker 4: with her on Lethal Weapon where she wrote these kind

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Speaker 4: of lines for me. I got to be Victoria on

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Speaker 4: that show, and so she is so good at bitch lines,

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Speaker 4: like just so good at it and really teed you

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Speaker 4: up to just steal all our hearts and our fear.

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Speaker 3: That's great And the.

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Speaker 1: Way that you can write someone to be an archetypal bitch,

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Speaker 1: or you can write someone to be boiling under the surface.

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Speaker 1: And what I love is that there are a lot

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Speaker 1: of women on our show who've been put in this

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Speaker 1: almost camp version of bitchiness. And you came in so

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Speaker 1: strong and you did so much with these moments that

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Speaker 1: they'd given us before the reveal that everyone knew they

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Speaker 1: had to step up their game for you, and what

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Speaker 1: they begin to give you an eye, even how early

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Speaker 1: in the episode when I'm begging you to understand why

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Speaker 1: I want to have this store, and you pivot and

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Speaker 1: it's the first time we see Victoria be kind and gentle,

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Speaker 1: and you say I want what's best for you, and

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Speaker 1: you touch my face like that felt like water in

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Speaker 1: the desert. And then Brooke doesn't know, but the audience

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Speaker 1: sees because of Millicent and Victoria's lines to Midicine. The

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Speaker 1: Victoria is designing this failure and oh, it's just such

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Speaker 1: a rich world for us as a cast of women,

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Speaker 1: and we didn't always get that, and so to see

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Speaker 1: it is like, oh, it's delicious.

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Speaker 5: I forgot that she designs the failure. So I was

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Speaker 5: like just being so nice so early on. This is

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Speaker 5: only episode four.

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Speaker 3: Oh you know, And yeah, no, I loved.

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Speaker 5: I loved h I love that part of it that

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Speaker 5: you do. Like you say, Hillary, we see the different

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Speaker 5: sides to her. You see, you have to you have

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Speaker 5: to either has to be like reprieved from just where.

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Speaker 5: But it doesn't last long and it usually.

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Speaker 3: Is just to hook you.

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Speaker 7: Like I think when I say to.

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Speaker 3: To Peyton, just some of those looks and she zips

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Speaker 3: up that.

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Speaker 7: Dress and she goes, don't you you know yah, don't

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Speaker 7: you dare think you're gonna blah blah blah blah blah.

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Speaker 3: The only reason she's here is because of you, loser, Yeah, loser.

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Speaker 3: When Victoria tells Peyton Swier to get your act together

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Speaker 3: is so real. How old are you twenty one by now?

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Speaker 6: Why aren't you running your own company? Except that she

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Speaker 6: is Peyton is running her own company, and that's what

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Speaker 6: I would love to talk about, because this is her

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Speaker 6: first foray into really dealing with a first band that

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Speaker 6: she signed.

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Speaker 3: It's a big deal, you guys.

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Speaker 4: This is It's one of my face behind the scenes

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Speaker 4: One Tree Hill stories because here.

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Speaker 1: We getting Oh god, you're gonna tell it.

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Speaker 4: So in real life, like I wanted to produce bands,

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Speaker 4: I wanted a record label. In real life, I'd come

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Speaker 4: from MTV. I was like, yes, this is happening.

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Speaker 3: And so I have to give just a little bit

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Speaker 3: of backstory.

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Speaker 4: And for those of you who don't like it, when

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Speaker 4: we go off on Tangent, we're doing it today.

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Speaker 3: You can sulk it.

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Speaker 1: It's our show. We will Tangent if we want to.

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Speaker 4: It is August and little tiny teenage Hillary Burton gets

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Speaker 4: dropped off in New York City at college right and

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Speaker 4: it becomes very clear right away. At Fordham it is

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Speaker 4: eight girls to one boy in this school, and so

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Speaker 4: there's a talent show as a part of orientation in

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Speaker 4: this dude who I had been in the same group

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Speaker 4: as him the whole time, gets up and he sings.

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Speaker 3: His name is Tom Stewart.

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Speaker 4: He is very talented and we are also like oil

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Speaker 4: and water, like we do not get along, but he's

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Speaker 4: so talented and so akat.

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Speaker 3: We start making out. It's awesome. Everyone in the dorm

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Speaker 3: is jealous. They're like, how'd she bag him?

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Speaker 4: And so that lasts until, you know, three weeks into

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Speaker 4: school and I'm literally crying on this boy's dorm floor

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Speaker 4: because I'm like, I haven't made it yet.

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Speaker 3: I've been in New York for three weeks. I haven't

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Speaker 3: made it yet.

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Speaker 4: And then I get scouted by MTV the very next day,

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Speaker 4: and so I start doing all this stuff with TRL

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Speaker 4: and he's like, you've changed, and I get pissed because

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Speaker 4: I'm like, you've known me three weeks, how have I changed?

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Speaker 3: And so Tom and I break up.

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Speaker 4: But it was a very lovely little romances. Cut to

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Speaker 4: all these years later, and we have Kevin Fetterline on

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Speaker 4: the show, and we know that he is lip syncing

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Speaker 4: these songs because he is not a singer. And so

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Speaker 4: Hillary Burton, the actress, hears this song that he's singing

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Speaker 4: in the recording studio and I think to myself, I

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Speaker 4: think to myself, that's a catchy song. I'm gonna go

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Speaker 4: look up the real singer. So I send a little

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Speaker 4: email and I'm like, who's the band.

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Speaker 3: That sings this?

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Speaker 4: And I get the response It's a band called Radio America.

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Speaker 4: So I get on the Google machine and I look

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Speaker 4: up Radio America and they had just released a music

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Speaker 4: video and I'm like, oh, fantastic, I can't wait to

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Speaker 4: watch this. And it's like grainy and very early two

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Speaker 4: thousands edgy Brooklyn vibe and it turns to the lead

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Speaker 4: singer and it.

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Speaker 3: Is dumb snooer no way. I knew I liked that voice.

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Speaker 4: I knew I liked that voice, and so I'm so like,

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Speaker 4: I'm I keep I'm like, is he going to reach

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Speaker 4: out to me?

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Speaker 3: Should I reach out to him?

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Speaker 4: Like?

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Speaker 3: What do I do? And so finally, when the episode aired,

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Speaker 3: I reach out through Facebook and.

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Speaker 4: I'm like, hey, uh, your song was great. I'm happier

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Speaker 4: on the show. And he was so lovely. He's like

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Speaker 4: my publicist really wanted to like like use the fact

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Speaker 4: that we dated as a thing to like try to

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Speaker 4: get more attention on the song. And I wouldn't let

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Speaker 4: her because I know your relationship and he was so lovely.

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Speaker 4: But I definitely made out with that voice that is

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Speaker 4: singing Kevin fetterliin sog.

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Speaker 3: What a small world. It's so weird. It's just such

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Speaker 3: a weird thing to be like, oh yeah, I'll sign

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Speaker 3: that band. No, I will not. Oh my god, he's fun, dude,

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Speaker 3: that's awesome. But that's the world of One Tree Hill folks,

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Speaker 3: where you never know. I mean, you've kissed.

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Speaker 1: Everybody in Wilmington, kissed everybody in Wilmington, and it turns

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Speaker 1: out even the ones who weren't in wilbyt kissed.

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Speaker 3: I've kissed literally everyone. I loved it.

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Speaker 1: You working on this band also brought for me as

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Speaker 1: a viewer one of my favorite scenes in the episode,

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Speaker 1: which you know, we talk about how special it is

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Speaker 1: when you just get to see friends being friends, but

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Speaker 1: this scene with Peyton and Haley sitting by the pool

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Speaker 1: eating a snack, Nathan's doing a physical therapy and you

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Speaker 1: guys are just talking about how to figure it out

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Speaker 1: and you ask for help, which, for whatever reason, we

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Speaker 1: don't really do a lot. We don't model that on

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Speaker 1: TV very often.

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Speaker 4: Yeah, it's more dramatic to cry in a closet, yeah,

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Speaker 4: or to be like I want your.

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Speaker 1: Help and then someone says, well, I'm going to help

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Speaker 1: you anyway and Nathan, But like, I just loved how

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Speaker 1: sweet that moment was. It gave such a again, such

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Speaker 1: a backstory, and because Peyton says I need help with something.

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Speaker 1: It also it opens up this whole new world for

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Speaker 1: Haley and by the end of the episode she's playing

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Speaker 1: the piano again.

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Speaker 6: I loved that and right on the heels of Haley

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Speaker 6: talking about why can't I have also soll my own things? Yes,

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Speaker 6: it's so it's so fun I mean, I guess she

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Speaker 6: better in the middle of it. But it was also

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Speaker 6: funny to me to hear a twenty one year old

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Speaker 6: be like, I know I'm a wife and a mother

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Speaker 6: and a teacher, but can I also have like a

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Speaker 6: big career and can I Also I'm like, no, you can't,

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Speaker 6: you can't.

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Speaker 3: You cannot have it all.

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Speaker 6: Calm down, pick something and stick with it for a

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Speaker 6: while and then do something else afterwards.

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Speaker 5: For me, it was really cool to see you guys

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Speaker 5: work together in that because knowing joy and how musical

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Speaker 5: you are.

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Speaker 3: Yeah, that was funny.

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Speaker 5: It was like, you know, just so cool to see

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Speaker 5: you like say, look, I know you don't see it,

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Speaker 5: but I know where the gold is in this and

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Speaker 5: it's this one the shy girl, and they do Kate

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Speaker 5: sing and.

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Speaker 3: Was that her song? Yeah? That was her, It must

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Speaker 3: have been.

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Speaker 5: Yeah, just reminded me again how freaking talented she is too. Yeah,

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Speaker 5: I think just I loved all that. I love that

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Speaker 5: stuff with you guys. And then even in the sound

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Speaker 5: booth with that classic of like we can't hear, we

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Speaker 5: don't know that.

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Speaker 3: Yeah. I love what he did too. Kevin was so great.

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Speaker 6: I mean, I don't I don't know if he made

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Speaker 6: that choice or if he was directed to do that,

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Speaker 6: but it was hilarious him like being big and taking

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Speaker 6: all the faces and yelling.

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Speaker 3: By Yeah, he had so much fun with that.

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Speaker 6: Which is always so nice to see a guest star

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Speaker 6: feel free to play and be goofy.

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Speaker 4: Yeah. Well, and remember how nervous he was about calling

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Speaker 4: us bitches, like he really wanted to quantify that, like

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Speaker 4: he did not think we were bitches, and this was

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Speaker 4: words on paper.

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Speaker 3: Oh that's cool.

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Speaker 6: He used to slap my ass in it in a

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Speaker 6: scene later like in you know, if it's the next

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Speaker 6: episode of the one afterward, but he smacks me on

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Speaker 6: yeah trick and I and he was he was so

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Speaker 6: nervous about it, and he was so like, is this okay?

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Speaker 3: I'm so sorry, Like, oh, I hate making you feel

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Speaker 3: this way. I'm like, it's okay, it's in the page.

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Speaker 6: I'm fine.

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Speaker 4: Do you think he knew what an bol he was

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Speaker 4: being cast to play probab?

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Speaker 3: I got a call from his manager like, we got

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Speaker 3: you a job. You're rock star? Yeahol.

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Speaker 1: Didn't he come up as a dancer?

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Speaker 3: Yeah? I think so. Yeah.

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Speaker 1: I wonder if he was kind of like, I mean,

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Speaker 1: it seems cool and I know the show is like

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Speaker 1: a hit, but why yeah, I know, like knowing that

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Speaker 1: he doesn't sing, I'm like, I wonder if that was

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Speaker 1: weird for him. Maybe not.

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Speaker 4: It is one of the stranger pieces of casting on

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Speaker 4: our show that absolutely works because that mohawk that he

329
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Speaker 4: has that's like so weird, and every bit of it

330
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Speaker 4: just it screams this puzzle piece doesn't fit, so that

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Speaker 4: it is magical when Haley finds the right thing. And

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Speaker 4: I love that notion of like going home and bringing

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Speaker 4: the people you love into the thing that you love.

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Speaker 4: Like we've all done that, We've all gone home and

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Speaker 4: been like, hey, best friend, can you help me with

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Speaker 4: social media?

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Speaker 3: Hey?

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Speaker 4: Best friend, can you help me with this movie? You know,

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Speaker 4: who have you guys pulled in in real life to

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Speaker 4: help you with this new life that we created for ourselves.

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Speaker 6: Oh my gosh, Well that's I mean, there's so many

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00:17:08,840 --> 00:17:15,360
Speaker 6: creative projects that because we're in a creative space, especially

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Speaker 6: when I was in LA But you know, there's so

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Speaker 6: much creativity there and here in Nashville there is. And

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Speaker 6: I think that's just a natural byproduct of having relationships

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Speaker 6: in a creative community that you'll just bring people in.

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Speaker 6: But I still check in with my high school best

348
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Speaker 6: friend Jenny, and you guys met her on the tour

349
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Speaker 6: and will like run ideas by her and just you

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Speaker 6: know how, she just lives a completely different life than

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Speaker 6: I do. So it's nice to just hear things from

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Speaker 6: a different perspective that's so outside of the bubble that

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Speaker 6: I can live in. Sometimes. Yeah, I don't know, that's

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Speaker 6: my answer.

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Speaker 5: What about you, guys, I mean I don't have I'm

356
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Speaker 5: not close to I moved around a lot as a kid,

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Speaker 5: as I told you a little bit.

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Speaker 3: Then stay close with the five hundred people in Vermont, Daphney.

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Speaker 3: That's great. Same weird.

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Speaker 5: Yeah, I mean I turned seventeen and graduated, and I

361
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Speaker 5: was out of there.

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Speaker 7: But I did make a very good friend there, thank God.

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Speaker 5: And in hindsight, I'm so glad I lived there during

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Speaker 5: those years and in nature and with the small and

365
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Speaker 5: my graduating class was one hundred and twenty nine people, but.

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Speaker 7: I don't know any of them anymore.

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Speaker 5: But if the people currently count, I mean, I'm constantly.

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Speaker 5: I just sent the script that I wrote a hundred

369
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Speaker 5: years ago to a friend of mine today, I'm like,

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00:18:28,040 --> 00:18:28,399
Speaker 5: read it.

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Speaker 3: Let me know what you think.

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Speaker 7: She's You know, Joy, I remember you were shooting. You

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Speaker 7: did a short.

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Speaker 5: I think that a friend of yours was directing or something,

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Speaker 5: and we did a scene or something.

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Speaker 3: I remember, you know, together, And I just love that.

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Speaker 7: Because you know, at heart were playful.

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Speaker 5: You know, every time David watches something, he's like, God,

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Speaker 5: what you guys do is fun.

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Speaker 7: Now.

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Speaker 5: Of course he knows the behind the scenes stuff too,

382
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Speaker 5: because he's we've been together fifteen years and he knows

383
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Speaker 5: it's like a lot of hard stuff too, But he's like, God,

384
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Speaker 5: can you believe you're grown ups and this is your job?

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Speaker 8: Yeahan, So we have that playfulness that we had as

386
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Speaker 8: a kid, and so I love it when I can

387
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Speaker 8: just drop the worry, drop the hustle, let.

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Speaker 3: Go of the like your career.

389
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Speaker 5: Just trust for just trust the universe trusts things for like,

390
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Speaker 5: I don't know, a couple of days, so you can

391
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Speaker 5: just go play and then I'll just you know, be

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Speaker 5: playful with my grown up friends.

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Speaker 3: Yeah, that I've known for a long time here in

394
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Speaker 3: LA I.

395
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Speaker 5: Mean I've been here since I was seventeen, so I

396
00:19:32,040 --> 00:19:34,240
Speaker 5: do have a lot of friends here that are like that.

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Speaker 3: You know, Yeah, it's important.

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Speaker 1: Yeah, it's interesting. It's like so many of my closest

399
00:19:43,400 --> 00:19:48,040
Speaker 1: friends who you know, I think maybe we found each

400
00:19:48,040 --> 00:19:50,680
Speaker 1: other because we all were a bit in these weird ways.

401
00:19:50,720 --> 00:19:54,639
Speaker 1: Like I've always found it hard to be the person

402
00:19:54,640 --> 00:19:57,960
Speaker 1: who always has to leave for a job. And you know,

403
00:19:58,160 --> 00:20:01,040
Speaker 1: we left our job and then I you know, everybody

404
00:20:01,080 --> 00:20:03,119
Speaker 1: did in their own ways, but like I went and

405
00:20:03,160 --> 00:20:04,960
Speaker 1: I did this other job, and then it's like, well,

406
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Speaker 1: do I try to stay present with all these people

407
00:20:07,160 --> 00:20:09,080
Speaker 1: who just scattered in the wind as often as I

408
00:20:09,119 --> 00:20:11,040
Speaker 1: want to, or do I stay present in this job

409
00:20:11,080 --> 00:20:12,719
Speaker 1: I have to do now ten months a year, And

410
00:20:12,760 --> 00:20:15,119
Speaker 1: like I always kind of feel like I'm failing in

411
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Speaker 1: one direction or the other, and then there's home, and

412
00:20:17,600 --> 00:20:20,000
Speaker 1: then there's family, and then they're like how do you

413
00:20:20,080 --> 00:20:24,520
Speaker 1: juggle all these balls right? And for me, it's like

414
00:20:24,600 --> 00:20:27,560
Speaker 1: if I love you, I love you forever forever, Like

415
00:20:27,760 --> 00:20:30,200
Speaker 1: you're in I could talk to you once a week

416
00:20:30,280 --> 00:20:32,480
Speaker 1: or once a year, it doesn't matter, Like tell me

417
00:20:32,520 --> 00:20:33,840
Speaker 1: what you need, where you need me to be, I'll

418
00:20:33,880 --> 00:20:38,479
Speaker 1: be there. And I think what's been helpful, like in

419
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Speaker 1: all of our friendships and in the friendships I have

420
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Speaker 1: with friends who have merged art and activism, is that

421
00:20:45,240 --> 00:20:49,000
Speaker 1: we're all kind of nomadic, so we all get it.

422
00:20:49,359 --> 00:20:52,360
Speaker 1: And it's me a long time to find people who

423
00:20:52,400 --> 00:20:56,200
Speaker 1: got it and who didn't resent it. And this feels

424
00:20:56,240 --> 00:20:58,800
Speaker 1: like such a sweet season of life, you know, this

425
00:20:58,920 --> 00:21:04,800
Speaker 1: last ten years in particular, because everybody kind of ebbs

426
00:21:04,840 --> 00:21:07,159
Speaker 1: and flows together and shows up for each other. And

427
00:21:07,880 --> 00:21:11,760
Speaker 1: you know, even when we decided to do this podcast,

428
00:21:11,880 --> 00:21:13,800
Speaker 1: like I called Kenny and was like, hey, can you

429
00:21:13,800 --> 00:21:17,320
Speaker 1: come and direct a music video? He was like, day yeah,

430
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Speaker 1: And like, you know, Kenny was my whatever the girl's

431
00:21:20,320 --> 00:21:23,000
Speaker 1: version of a best man is, he was my like

432
00:21:23,720 --> 00:21:26,560
Speaker 1: he was my man, a man or I don't know,

433
00:21:27,359 --> 00:21:29,480
Speaker 1: you know, like ye it's my dude, Like he stood

434
00:21:29,520 --> 00:21:33,480
Speaker 1: next to me at my wedding, And what a cool

435
00:21:33,560 --> 00:21:35,560
Speaker 1: thing to have somebody who you can call and go,

436
00:21:35,800 --> 00:21:37,560
Speaker 1: you want to go do a weird photo shoot at

437
00:21:37,560 --> 00:21:39,680
Speaker 1: one am on sunset and he'll call me and ask

438
00:21:39,720 --> 00:21:41,479
Speaker 1: me that and I'm like yeah, And then I'm like, hey,

439
00:21:41,520 --> 00:21:44,040
Speaker 1: can you make a video for a podcast? And he's

440
00:21:44,080 --> 00:21:47,320
Speaker 1: like yeah. Like anything that we want to do, we do.

441
00:21:47,560 --> 00:21:50,320
Speaker 1: And it's it is really special when you get to,

442
00:21:51,000 --> 00:21:54,000
Speaker 1: I think, experience that with your friends. And now we're

443
00:21:54,040 --> 00:21:57,080
Speaker 1: in this moment where we're dreaming about like going to

444
00:21:57,080 --> 00:21:59,520
Speaker 1: make a feature and what that would look like, and

445
00:21:59,720 --> 00:22:03,600
Speaker 1: that I just can't wait for that nice well.

446
00:22:03,640 --> 00:22:05,879
Speaker 4: I love That's like one of my favorite scenes in

447
00:22:05,920 --> 00:22:09,560
Speaker 4: the episode is when everyone is a close over bros

448
00:22:10,200 --> 00:22:14,240
Speaker 4: getting ready for Brooks big thing, and you know, Millicent comments, She's.

449
00:22:14,080 --> 00:22:16,640
Speaker 3: Like, your friends like showed up also.

450
00:22:16,880 --> 00:22:19,880
Speaker 4: But that sense of like, yeah, we haven't all been

451
00:22:19,960 --> 00:22:23,640
Speaker 4: together in a very long time, but that doesn't stop

452
00:22:23,720 --> 00:22:24,800
Speaker 4: us from showing up.

453
00:22:26,160 --> 00:22:26,320
Speaker 3: Well.

454
00:22:26,359 --> 00:22:28,639
Speaker 1: And I think in the real world and in a

455
00:22:28,680 --> 00:22:31,919
Speaker 1: world that's as busy as this one, is the people

456
00:22:31,960 --> 00:22:35,560
Speaker 1: that you can just pick right back up with regardless

457
00:22:35,600 --> 00:22:41,760
Speaker 1: of times that's so meaningful. Yeah, and we got to

458
00:22:41,880 --> 00:22:43,640
Speaker 1: model that in this episode.

459
00:22:43,400 --> 00:22:44,520
Speaker 3: And also make them work.

460
00:22:44,600 --> 00:22:49,200
Speaker 4: We all paint on us, we're dirty trying to put

461
00:22:49,240 --> 00:22:49,959
Speaker 4: everything together.

462
00:22:50,440 --> 00:22:53,840
Speaker 1: I also love that Daphney puts the button on the

463
00:22:53,960 --> 00:22:57,560
Speaker 1: end of that sweet moment, everyone's like, wow, your friends,

464
00:22:57,600 --> 00:22:59,760
Speaker 1: and Millicin gets vulnerable and says, I don't have real

465
00:23:00,160 --> 00:23:02,160
Speaker 1: in New York and you walk up and go, she's

466
00:23:02,359 --> 00:23:02,879
Speaker 1: very frumpy.

467
00:23:02,920 --> 00:23:06,960
Speaker 3: We should fire her. Yeah, totally. What if she looks

468
00:23:06,960 --> 00:23:12,840
Speaker 3: like a slavic something? What's the bag woman Favella, isn't it? Yeah?

469
00:23:12,960 --> 00:23:16,440
Speaker 3: I love It's so good. Well, that's it.

470
00:23:16,600 --> 00:23:21,480
Speaker 4: It's so we see brute Brooks like gaping mother wound. Yeah,

471
00:23:21,680 --> 00:23:25,439
Speaker 4: this whole episode is about mother wounds, because we start

472
00:23:25,720 --> 00:23:29,000
Speaker 4: with Brooks gaping mother wound, Peyton going to visit her

473
00:23:29,080 --> 00:23:32,880
Speaker 4: dead mother's grave, and then the episode ends with Haley

474
00:23:33,440 --> 00:23:36,679
Speaker 4: seeing this picture that Jamie has drawn of him in

475
00:23:36,720 --> 00:23:39,359
Speaker 4: the arms of another woman, and that is a different

476
00:23:39,440 --> 00:23:43,119
Speaker 4: kind of mother wound. And so all of these like

477
00:23:43,440 --> 00:23:49,640
Speaker 4: very big feelings about motherhood are wrapped up in this story.

478
00:23:49,800 --> 00:23:54,200
Speaker 3: Even the cougar gets thrown in there. Yeah, the cougar. Yeah.

479
00:23:54,520 --> 00:23:57,639
Speaker 5: It's also when you do come back to this town,

480
00:23:57,800 --> 00:24:00,480
Speaker 5: to a small town like this, you know, you don't

481
00:24:00,480 --> 00:24:03,000
Speaker 5: get to yes, your friends rally for you.

482
00:24:03,359 --> 00:24:03,520
Speaker 4: But.

483
00:24:05,320 --> 00:24:07,800
Speaker 3: All those other old old feelings show up. You know.

484
00:24:07,840 --> 00:24:08,680
Speaker 3: I don't know about you guys.

485
00:24:08,800 --> 00:24:11,560
Speaker 7: My mother still lives back East, and when I go visit, it's.

486
00:24:11,400 --> 00:24:15,160
Speaker 3: Like, Breeze, you don't live here anymore.

487
00:24:15,320 --> 00:24:17,920
Speaker 7: You know, you're your own woman, You have your own life.

488
00:24:17,960 --> 00:24:20,280
Speaker 3: You can't afford to leave. You're not stuck, you know,

489
00:24:20,359 --> 00:24:21,000
Speaker 3: like I just.

490
00:24:20,920 --> 00:24:23,119
Speaker 5: Have to breathe through it all if I you know,

491
00:24:23,200 --> 00:24:23,920
Speaker 5: I'm going to put a.

492
00:24:23,840 --> 00:24:28,560
Speaker 7: Limit, maybe four or five days, pops, because when you.

493
00:24:28,480 --> 00:24:31,800
Speaker 3: Do, you know, come back to this small town.

494
00:24:31,920 --> 00:24:34,080
Speaker 5: I mean all the ghosts are there too, obviously for

495
00:24:34,200 --> 00:24:39,080
Speaker 5: your character, yeah, Hillary, and you know anyway, So I

496
00:24:39,160 --> 00:24:42,640
Speaker 5: just feel like I just feel like that when you're

497
00:24:42,640 --> 00:24:46,959
Speaker 5: saying all her friends rally. I mean it's just like

498
00:24:48,119 --> 00:24:50,600
Speaker 5: for for Victorious, like what's that saying?

499
00:24:50,640 --> 00:24:53,840
Speaker 3: Shooting ducks in a pond? Like you're like us band?

500
00:24:54,960 --> 00:24:56,240
Speaker 3: That was my first line.

501
00:24:56,280 --> 00:24:59,080
Speaker 5: I think maybe my with with Lucas, Like I've never

502
00:24:59,080 --> 00:25:01,440
Speaker 5: even met him, you know what I mean?

503
00:25:01,800 --> 00:25:02,239
Speaker 3: Were you?

504
00:25:03,400 --> 00:25:03,560
Speaker 4: Oh?

505
00:25:03,920 --> 00:25:07,680
Speaker 3: Yeah, like how many of them I gotta knock over?

506
00:25:09,280 --> 00:25:12,480
Speaker 4: Just loved it, listen. I wish you would have seen

507
00:25:12,560 --> 00:25:15,960
Speaker 4: Nathan with the long hair. That's the Victoria commentary that

508
00:25:16,000 --> 00:25:16,960
Speaker 4: I would have Nail with.

509
00:25:16,920 --> 00:25:17,560
Speaker 3: The long hair.

510
00:25:17,600 --> 00:25:19,280
Speaker 6: Is that like Becky with the good Becky with the

511
00:25:19,320 --> 00:25:21,880
Speaker 6: good hair, we have the same haircut. I just kept

512
00:25:21,920 --> 00:25:24,320
Speaker 6: looking at that scene like we're with His hair was longer,

513
00:25:24,359 --> 00:25:26,760
Speaker 6: but I was like, wow, we're twins, and I actually

514
00:25:26,800 --> 00:25:27,600
Speaker 6: make fun of his hair.

515
00:25:27,600 --> 00:25:32,119
Speaker 4: And then scene we got messages from fans because last

516
00:25:32,200 --> 00:25:36,800
Speaker 4: episode we asked. We were like, god, Nathan looks like

517
00:25:36,880 --> 00:25:39,080
Speaker 4: someone when he shaves his beard and we can't figure

518
00:25:39,080 --> 00:25:39,919
Speaker 4: out who he looks like.

519
00:25:40,200 --> 00:25:41,480
Speaker 3: And I got a message from a fan.

520
00:25:41,480 --> 00:25:44,280
Speaker 4: They're like, Hillary, he looks like the end of Beauty

521
00:25:44,280 --> 00:25:46,480
Speaker 4: and the Beast when the Beast turns into a man.

522
00:25:47,119 --> 00:25:51,960
Speaker 3: Oh yes, D's like huge blue eyes.

523
00:25:51,760 --> 00:25:56,080
Speaker 4: And oh my god, oh Victorious commentary on that hair

524
00:25:56,240 --> 00:25:57,000
Speaker 4: just would have been.

525
00:25:57,560 --> 00:25:58,960
Speaker 1: It would have been fabulous.

526
00:25:59,280 --> 00:25:59,480
Speaker 3: You know.

527
00:25:59,520 --> 00:26:02,960
Speaker 5: I feel like a service, a public service that the

528
00:26:03,000 --> 00:26:08,960
Speaker 5: writers of Victoria the character can do for what fans

529
00:26:09,040 --> 00:26:12,080
Speaker 5: and audiences. Just like if you're in life, you know,

530
00:26:12,160 --> 00:26:14,440
Speaker 5: you can just come up with a Victoria to deal

531
00:26:14,480 --> 00:26:15,440
Speaker 5: with something.

532
00:26:15,400 --> 00:26:16,879
Speaker 3: Because she doesn't apologize.

533
00:26:17,119 --> 00:26:20,480
Speaker 7: She does she does the least ever until towards the

534
00:26:20,560 --> 00:26:23,080
Speaker 7: end when she kind of sees obviously when she can

535
00:26:24,200 --> 00:26:27,920
Speaker 7: for to let the shell down. You know, episodes to come,

536
00:26:28,040 --> 00:26:28,720
Speaker 7: years to come.

537
00:26:28,960 --> 00:26:32,480
Speaker 4: You need an app like an insult generator that's all

538
00:26:32,600 --> 00:26:33,480
Speaker 4: victoria based.

539
00:26:34,400 --> 00:26:38,520
Speaker 1: Yes, yes, like you have those daily affirmation apps, but

540
00:26:38,680 --> 00:26:42,359
Speaker 1: you do like you do your daily dose of victoria.

541
00:26:42,640 --> 00:26:45,000
Speaker 1: It just says a rude thing to you every day.

542
00:26:45,200 --> 00:26:47,600
Speaker 6: Oh my gosh, I kind of want that app. I

543
00:26:47,680 --> 00:26:49,200
Speaker 6: really want that app, and.

544
00:26:49,160 --> 00:26:51,159
Speaker 1: We should make it and not let anyone do it.

545
00:26:51,200 --> 00:26:53,400
Speaker 1: They can't steal our idea, our idea.

546
00:26:53,760 --> 00:26:57,280
Speaker 5: Because you know, when you're feeling insecure and apologetic, you know,

547
00:26:57,400 --> 00:26:59,760
Speaker 5: I don't know if I can take up space in

548
00:26:59,760 --> 00:27:01,560
Speaker 5: the world world, and what if they're right and they're

549
00:27:01,640 --> 00:27:02,440
Speaker 5: right and he's right.

550
00:27:02,480 --> 00:27:04,439
Speaker 3: And it's like you have a hard.

551
00:27:04,320 --> 00:27:06,560
Speaker 5: Time setting your boundaries right, Like the therapist is going

552
00:27:06,560 --> 00:27:09,000
Speaker 5: you need healthy boundaries, that's okay, and.

553
00:27:08,920 --> 00:27:11,680
Speaker 3: You're like, oh, that sounds exhausting. Just coming.

554
00:27:12,840 --> 00:27:14,720
Speaker 7: I'll tell you a boundary, you know what I mean,

555
00:27:14,800 --> 00:27:16,320
Speaker 7: and just pull up your victoria.

556
00:27:16,320 --> 00:27:18,879
Speaker 1: You're having a hard time with a boundary. This should

557
00:27:18,880 --> 00:27:22,959
Speaker 1: be your boundary. Get over yourself and be like, okay,

558
00:27:23,600 --> 00:27:24,160
Speaker 1: I love.

559
00:27:24,000 --> 00:27:35,920
Speaker 4: It speaking of someone with lots of boundaries. So Quentin

560
00:27:36,440 --> 00:27:41,280
Speaker 4: is night and what do we think of Hayley, who

561
00:27:41,359 --> 00:27:43,200
Speaker 4: was like, I need to save this kid.

562
00:27:43,359 --> 00:27:46,199
Speaker 3: Actually, I don't need to save this kid. Nathan, what

563
00:27:46,280 --> 00:27:46,879
Speaker 3: are you doing?

564
00:27:47,160 --> 00:27:47,840
Speaker 6: You need to do it?

565
00:27:48,280 --> 00:27:52,440
Speaker 3: Yeah exactly. She's like, duh, you need a project.

566
00:27:53,119 --> 00:27:56,119
Speaker 1: I have too many projects. Get out of the house.

567
00:27:56,880 --> 00:27:57,480
Speaker 3: Can't help me.

568
00:27:57,920 --> 00:28:01,240
Speaker 6: This is a smart woman who understands how to get

569
00:28:01,280 --> 00:28:04,159
Speaker 6: her man into a zone that he needs to be

570
00:28:04,240 --> 00:28:06,720
Speaker 6: in in a really loving and encouraging way.

571
00:28:06,800 --> 00:28:07,280
Speaker 3: And it's great.

572
00:28:07,280 --> 00:28:09,159
Speaker 6: And then he shows up with a haircut on the

573
00:28:09,200 --> 00:28:13,840
Speaker 6: real Court, looking great, feeling good, and and then he

574
00:28:13,880 --> 00:28:15,800
Speaker 6: convinces Lucas to like.

575
00:28:15,760 --> 00:28:19,600
Speaker 3: It's great, it all works? Does it? Scared for them?

576
00:28:20,840 --> 00:28:24,600
Speaker 1: I really need to understand why after all these episodes

577
00:28:24,640 --> 00:28:29,879
Speaker 1: the writers had Hayley make fun of Nathan's haircut, and

578
00:28:29,920 --> 00:28:34,919
Speaker 1: then Nathan goes and gets a haircut for Quentin. Like

579
00:28:35,680 --> 00:28:41,640
Speaker 1: the reveal is when he's at the River Court.

580
00:28:38,280 --> 00:28:43,760
Speaker 3: An a sexy moment between husband and w I'm so.

581
00:28:43,600 --> 00:28:48,360
Speaker 1: Sorry that is a reveal James that range Rower looking

582
00:28:48,400 --> 00:28:51,680
Speaker 1: like Clark. You can't and nobody sees it except for

583
00:28:51,720 --> 00:28:52,680
Speaker 1: a kid who tells me he.

584
00:28:55,800 --> 00:29:00,960
Speaker 3: Has a missed opportunity. That's awesome. Bumbled the ball there.

585
00:29:01,480 --> 00:29:04,560
Speaker 1: Haley should have said, you are you whatever? You're bringing

586
00:29:04,560 --> 00:29:07,040
Speaker 1: the mullet back? Yeah, And then he should have been like,

587
00:29:08,000 --> 00:29:10,000
Speaker 1: give me a second and come back into the kitchen

588
00:29:10,040 --> 00:29:12,360
Speaker 1: with a pair of scissors. And she should have given

589
00:29:12,400 --> 00:29:14,960
Speaker 1: him a haircut on the edge of the bathtub and would.

590
00:29:14,760 --> 00:29:15,480
Speaker 3: Have been sexy.

591
00:29:15,880 --> 00:29:19,120
Speaker 6: Oh yeah, you need a little sexiness. Yes, what another

592
00:29:19,160 --> 00:29:20,080
Speaker 6: missed opportunity.

593
00:29:20,320 --> 00:29:22,160
Speaker 5: I was going to say, I did love that line

594
00:29:22,160 --> 00:29:30,040
Speaker 5: that between he and quin about what team.

595
00:29:29,880 --> 00:29:30,360
Speaker 3: Do you have?

596
00:29:30,440 --> 00:29:32,600
Speaker 7: He goes to insult him, what team do you want?

597
00:29:32,840 --> 00:29:36,080
Speaker 5: And he knows he doesn't, and then Nathan says, oh,

598
00:29:36,120 --> 00:29:38,600
Speaker 5: I'll tell you, and then he goes to what's that

599
00:29:38,760 --> 00:29:42,720
Speaker 5: line where he just says like, you know, I can't walk,

600
00:29:42,760 --> 00:29:45,200
Speaker 5: I have nothing, I have this and that and if

601
00:29:45,200 --> 00:29:47,120
Speaker 5: you can't read a book, then welcome to my team.

602
00:29:47,520 --> 00:29:50,000
Speaker 3: I just thought that was so good. Like, what episode

603
00:29:50,000 --> 00:29:53,640
Speaker 3: did you watch? Is always just another episode? Was that

604
00:29:53,680 --> 00:29:56,240
Speaker 3: in this episode? Did I miss it? You? Guys?

605
00:29:56,280 --> 00:30:01,080
Speaker 1: I could have stopped watching. I'm sorry, Daphne, you are

606
00:30:01,200 --> 00:30:01,760
Speaker 1: so good.

607
00:30:02,200 --> 00:30:05,680
Speaker 3: She's like, actually in five point fifteen, we're going to

608
00:30:06,480 --> 00:30:10,080
Speaker 3: oh sorry, we'll get there. Okay, well that's telling.

609
00:30:10,640 --> 00:30:14,720
Speaker 4: Yeah, but there is something to say about the fact that, like,

610
00:30:15,720 --> 00:30:20,240
Speaker 4: when you feel isolated, sometimes the only person who can

611
00:30:20,280 --> 00:30:22,880
Speaker 4: get through to you is someone who has also been

612
00:30:23,040 --> 00:30:26,520
Speaker 4: in that position. You know, that is the person you know,

613
00:30:26,520 --> 00:30:29,160
Speaker 4: I've been open about like Moira Kelly telling me you

614
00:30:29,160 --> 00:30:32,120
Speaker 4: should leave this show, you should go, because she'd also

615
00:30:32,280 --> 00:30:34,760
Speaker 4: been in positions. You have to have someone who's been

616
00:30:34,800 --> 00:30:38,000
Speaker 4: there before, so that you know that the path out

617
00:30:38,680 --> 00:30:44,040
Speaker 4: is manageable, you know, yea, And Nathan's giving him a

618
00:30:44,080 --> 00:30:48,480
Speaker 4: path out of this very ugly corner he's put himself in.

619
00:30:50,680 --> 00:30:53,640
Speaker 4: Although that scene where he put Chad on his heels

620
00:30:53,720 --> 00:30:57,880
Speaker 4: in that office was delicious.

621
00:30:58,480 --> 00:30:59,320
Speaker 1: I don't know.

622
00:30:59,160 --> 00:31:01,640
Speaker 3: How to navigate that. If a kid was talking to

623
00:31:01,680 --> 00:31:04,880
Speaker 3: me that way, I die. Yeah, what would you do?

624
00:31:06,000 --> 00:31:09,080
Speaker 1: I don't know. And think about it. It's the second

625
00:31:09,120 --> 00:31:12,640
Speaker 1: time we've seen Quentin do this. He did it to Haley. Yeah,

626
00:31:12,720 --> 00:31:16,560
Speaker 1: when you think that this youngster absolutely has to stop.

627
00:31:16,640 --> 00:31:19,280
Speaker 1: He's a youngster, right past where you assume the line

628
00:31:19,360 --> 00:31:21,600
Speaker 1: is going to be, like he's a high school kid. Yeah,

629
00:31:21,880 --> 00:31:25,480
Speaker 1: he's a child, and he crosses the line with Haley.

630
00:31:25,520 --> 00:31:29,720
Speaker 1: He crosses the line with Lucas and even with Nathan.

631
00:31:29,800 --> 00:31:33,120
Speaker 1: But what's interesting is that Nathan is the first person

632
00:31:33,120 --> 00:31:38,400
Speaker 1: who says it's not going to get you anywhere. It's

633
00:31:38,400 --> 00:31:41,240
Speaker 1: not a battle between who's going to win. And he

634
00:31:41,280 --> 00:31:45,120
Speaker 1: says it's going to damage your relationships. And I thought

635
00:31:45,160 --> 00:31:47,480
Speaker 1: that was an interesting peek into Quentin' psyche because he

636
00:31:47,520 --> 00:31:52,040
Speaker 1: said relationships. Who needs a relationship when and you go, oh,

637
00:31:52,400 --> 00:31:56,800
Speaker 1: this kid doesn't have experiences of trust in his life,

638
00:31:57,600 --> 00:31:58,080
Speaker 1: got it?

639
00:31:58,320 --> 00:32:01,320
Speaker 6: Well, he can't if he's behaving that way, because that's

640
00:32:01,320 --> 00:32:04,000
Speaker 6: what kids do when they they don't have they haven't

641
00:32:04,040 --> 00:32:06,760
Speaker 6: been given boundaries, like they push. They push because they

642
00:32:06,760 --> 00:32:09,000
Speaker 6: want to know where the boundaries are, and if nobody

643
00:32:09,080 --> 00:32:11,400
Speaker 6: ever puts any up, then they just keep put they can.

644
00:32:11,480 --> 00:32:13,080
Speaker 6: And then it makes sense he would get to school

645
00:32:13,080 --> 00:32:15,960
Speaker 6: and just start trying to push everything over, like does

646
00:32:16,000 --> 00:32:19,920
Speaker 6: anybody care enough about me to say no and still

647
00:32:20,160 --> 00:32:22,720
Speaker 6: love me anyway? I mean, that's like the foundation of

648
00:32:22,720 --> 00:32:24,880
Speaker 6: whatever kid is looking for all the time when they

649
00:32:24,960 --> 00:32:30,160
Speaker 6: just are pushing, pushing, pushing, So it's it's really very

650
00:32:30,160 --> 00:32:33,280
Speaker 6: to I thought it was very telling and it's super

651
00:32:34,560 --> 00:32:38,400
Speaker 6: authentic and accurate to what a lot of kids go through.

652
00:32:38,400 --> 00:32:41,640
Speaker 4: I think it was really calm of Nathan too. My

653
00:32:41,720 --> 00:32:44,160
Speaker 4: favorite line in that little change at the River Court

654
00:32:44,480 --> 00:32:47,800
Speaker 4: was when Quintin was like, yeah, and lucky for you,

655
00:32:48,040 --> 00:32:50,480
Speaker 4: I quit the team because I was about to break

656
00:32:50,520 --> 00:32:54,320
Speaker 4: your scoring record. And rather than be like, no, you weren't,

657
00:32:54,440 --> 00:32:56,400
Speaker 4: Nathan's like all right, well let's see if we can

658
00:32:56,480 --> 00:32:56,840
Speaker 4: change that.

659
00:32:57,200 --> 00:33:00,440
Speaker 3: Yeah, Like, I'd love for you to break my record.

660
00:33:00,480 --> 00:33:05,320
Speaker 3: Wouldn't that be wonderful? Come on, kid, let's do it. Yeah.

661
00:33:05,400 --> 00:33:08,000
Speaker 4: It was a very adult way to handle that kind

662
00:33:08,080 --> 00:33:10,240
Speaker 4: of antagonism.

663
00:33:10,520 --> 00:33:13,080
Speaker 1: I'm scrolling through my notes and this has nothing to

664
00:33:13,120 --> 00:33:16,680
Speaker 1: do with anything, but I want to talk about this. Okay,

665
00:33:17,480 --> 00:33:23,160
Speaker 1: you and that cube bartender flirting were a vibe girl,

666
00:33:23,400 --> 00:33:27,040
Speaker 1: and and the I have the whole thing of like,

667
00:33:27,160 --> 00:33:30,040
Speaker 1: oh yeah, because it comes on the heels of Victoria

668
00:33:30,160 --> 00:33:35,040
Speaker 1: eviscerating Lucas and Peyton being like yeah, been there, Welcome

669
00:33:35,040 --> 00:33:37,320
Speaker 1: to the club, kid, and then we get to have

670
00:33:37,400 --> 00:33:40,160
Speaker 1: this cute moment and it's like an oh an oh,

671
00:33:40,880 --> 00:33:43,600
Speaker 1: and it's so fun at the bar. And I love

672
00:33:43,680 --> 00:33:46,720
Speaker 1: that Carol put us in really similar dresses, like yeah,

673
00:33:46,800 --> 00:33:48,800
Speaker 1: yours had a low front, mine had a low back,

674
00:33:48,840 --> 00:33:52,520
Speaker 1: but they both were like swirly yours in like green

675
00:33:52,560 --> 00:33:54,760
Speaker 1: and dark green and mine and shades of purple.

676
00:33:55,120 --> 00:33:57,440
Speaker 3: And that was the day we did that famous photo shoot.

677
00:33:57,840 --> 00:34:00,479
Speaker 1: Yes, you feel like you're watching like the Bobs Twins

678
00:34:00,520 --> 00:34:03,120
Speaker 1: go on an adventure and then you're flirting with a

679
00:34:03,200 --> 00:34:06,920
Speaker 1: dude we've never seen before, and they have Lucas walk

680
00:34:07,000 --> 00:34:10,440
Speaker 1: up to Peyton and he's instantly jealous, and I was like,

681
00:34:10,600 --> 00:34:12,920
Speaker 1: I get it. I want to know more about what

682
00:34:12,960 --> 00:34:13,600
Speaker 1: she's talking.

683
00:34:13,360 --> 00:34:15,439
Speaker 3: To that guy about. Who is that guy? What's the vibe?

684
00:34:15,440 --> 00:34:17,480
Speaker 1: Did Hillary kiss him after work? I don't know. I

685
00:34:17,520 --> 00:34:17,960
Speaker 1: need to know.

686
00:34:18,280 --> 00:34:19,759
Speaker 3: Like I bought it.

687
00:34:20,400 --> 00:34:24,440
Speaker 1: I bought it from the walk up and it it

688
00:34:24,480 --> 00:34:28,799
Speaker 1: was a reminder of how fresh but like it was

689
00:34:28,920 --> 00:34:31,239
Speaker 1: fresh to see you as someone knew. It felt fun.

690
00:34:31,719 --> 00:34:35,920
Speaker 4: Yeah, I love like what's happening in this season and

691
00:34:36,000 --> 00:34:38,880
Speaker 4: I can tell that, like, you know, twenty four to

692
00:34:38,880 --> 00:34:41,840
Speaker 4: twenty five year old Hillary Burton was also having fun.

693
00:34:42,320 --> 00:34:46,600
Speaker 4: And I remember this this scene, you know, I remember

694
00:34:46,600 --> 00:34:49,239
Speaker 4: feeling really defensive of Lindsay because we had that fun

695
00:34:49,280 --> 00:34:51,920
Speaker 4: exchange at the beginning and it was like, I've dup,

696
00:34:52,000 --> 00:34:54,120
Speaker 4: you're a cool girl. I'm gonna be a cool girl too.

697
00:34:54,120 --> 00:34:56,960
Speaker 4: We'll be cool girls together and then it's like she's

698
00:34:57,239 --> 00:35:01,200
Speaker 4: daring me to go out with her boyfrien friend and

699
00:35:02,239 --> 00:35:03,880
Speaker 4: we all know how this is gonna go.

700
00:35:04,400 --> 00:35:07,799
Speaker 3: But Peyton has to be honorable. And so when Luke

701
00:35:07,960 --> 00:35:11,520
Speaker 3: does this like, you know, lame, he's not good enough

702
00:35:11,560 --> 00:35:14,239
Speaker 3: for you stuff. I hated that.

703
00:35:14,280 --> 00:35:15,799
Speaker 6: I mean, if you didn't watch the episode and you're

704
00:35:15,800 --> 00:35:18,400
Speaker 6: listening to this, this is the moment when Peyton is

705
00:35:18,600 --> 00:35:21,720
Speaker 6: flirting with the bartender and like having a finally free

706
00:35:22,040 --> 00:35:25,000
Speaker 6: moment to herself and he has to ruin it.

707
00:35:25,320 --> 00:35:27,920
Speaker 3: He walks in it. He has to. He walks up.

708
00:35:27,960 --> 00:35:29,080
Speaker 3: He's like, oh, let's go.

709
00:35:29,920 --> 00:35:32,000
Speaker 6: She says, you know, I'm kind of enjoying this moment.

710
00:35:32,120 --> 00:35:34,839
Speaker 6: Selsey letter bye bye. Yeah, and he leans in and

711
00:35:34,880 --> 00:35:37,399
Speaker 6: goes he's not good enough for you.

712
00:35:37,880 --> 00:35:39,160
Speaker 3: He doesn't even just lean in.

713
00:35:39,560 --> 00:35:44,920
Speaker 1: He pulls her back and embraces her right in her ear.

714
00:35:45,480 --> 00:35:47,239
Speaker 1: I honestly was like, oh my god, is he going

715
00:35:47,280 --> 00:35:49,640
Speaker 1: to kiss her? Like I didn't know what was coming.

716
00:35:49,880 --> 00:35:55,359
Speaker 4: It was so intimate, and it like felt like I

717
00:35:55,400 --> 00:35:57,600
Speaker 4: felt bad for the actor that was playing the bartender

718
00:35:57,680 --> 00:35:58,320
Speaker 4: like all of that.

719
00:35:58,480 --> 00:35:59,720
Speaker 3: Yeah, I did too.

720
00:36:00,239 --> 00:36:03,239
Speaker 4: We'd all been together for long enough that like it

721
00:36:03,360 --> 00:36:05,160
Speaker 4: just felt real and kind of strange.

722
00:36:05,200 --> 00:36:06,160
Speaker 3: And so when we were.

723
00:36:06,040 --> 00:36:09,680
Speaker 4: Shooting that in particular, you know, all the all of

724
00:36:09,760 --> 00:36:12,200
Speaker 4: Karen's cafe is windows, and so we had to shoot

725
00:36:12,200 --> 00:36:15,799
Speaker 4: that at night. And the woman who lived across the

726
00:36:15,840 --> 00:36:17,440
Speaker 4: street from Close Over Bros.

727
00:36:17,960 --> 00:36:20,160
Speaker 3: Hated us. She hated us.

728
00:36:20,520 --> 00:36:23,040
Speaker 4: And so as we're doing the scene where I have

729
00:36:23,160 --> 00:36:25,680
Speaker 4: to go out the front door and be like, don't

730
00:36:25,840 --> 00:36:30,680
Speaker 4: do that, right, she starts putting on like mariachi music

731
00:36:30,840 --> 00:36:34,760
Speaker 4: and like lasting crazy music at two or three o'clock

732
00:36:34,800 --> 00:36:36,920
Speaker 4: in the morning because she's so pissed that we're filming.

733
00:36:37,520 --> 00:36:41,360
Speaker 4: And there's some fan video online of Chad and I

734
00:36:41,680 --> 00:36:45,320
Speaker 4: just like dancing in the street because we can't film,

735
00:36:45,920 --> 00:36:47,040
Speaker 4: we can't do anything.

736
00:36:47,920 --> 00:36:51,319
Speaker 3: Oh my gosh, she's just making it go longer. I mean,

737
00:36:51,760 --> 00:36:53,839
Speaker 3: that's it. We'll stay all night, babe, we're here.

738
00:36:53,920 --> 00:36:55,919
Speaker 1: She didn't even realize she was shooting herself in the butt.

739
00:36:56,080 --> 00:36:59,480
Speaker 1: Here's the thing. Did anybody track this part? Because I

740
00:36:59,480 --> 00:37:04,040
Speaker 1: wrote it down my notes. Lindsay does the thing you mentioned? Hillary?

741
00:37:04,080 --> 00:37:06,960
Speaker 1: She says, you know you'd never do that, like you'd

742
00:37:06,960 --> 00:37:09,800
Speaker 1: be a terrible person. I'm not doing it. I'm counting

743
00:37:09,800 --> 00:37:12,640
Speaker 1: on it. You have your whole thing, and it's funny, funny, funny,

744
00:37:12,880 --> 00:37:17,840
Speaker 1: ha ha ha. But the opener, because guys, we usually

745
00:37:17,840 --> 00:37:20,279
Speaker 1: skip the recap, like, duh, we're watching an episode a week.

746
00:37:20,320 --> 00:37:22,760
Speaker 1: We know what happened last week, we had a computer glitch.

747
00:37:22,800 --> 00:37:26,560
Speaker 1: This week, we couldn't skip the recap. At the end

748
00:37:26,600 --> 00:37:33,400
Speaker 1: of the recap, Lucas's voiceover says something about, while I

749
00:37:33,400 --> 00:37:35,799
Speaker 1: have the quote written downe, what if the things we

750
00:37:35,800 --> 00:37:39,759
Speaker 1: were looking for were in tree Hill all along? And

751
00:37:39,840 --> 00:37:43,279
Speaker 1: as Lucas is reading that part of his little voiceover monologue,

752
00:37:44,239 --> 00:37:48,799
Speaker 1: it cuts to Peyton on the river court. So they

753
00:37:49,040 --> 00:37:52,440
Speaker 1: open the episode with a teaser about how he's been

754
00:37:52,480 --> 00:37:57,560
Speaker 1: looking for her all along, and then Lindsay's like, you

755
00:37:57,560 --> 00:37:59,480
Speaker 1: wouldn't be that terrible of a person to hit on

756
00:37:59,520 --> 00:38:01,160
Speaker 1: my boyfriend. And when I told you to go to

757
00:38:01,200 --> 00:38:03,879
Speaker 1: an event with him, and then he does that thing

758
00:38:03,960 --> 00:38:08,680
Speaker 1: to you, he hugs you. No, nope, nope, you know

759
00:38:08,800 --> 00:38:11,000
Speaker 1: there is drama coming.

760
00:38:12,520 --> 00:38:14,920
Speaker 4: And I like that Peyton doesn't go home from the event,

761
00:38:15,000 --> 00:38:17,040
Speaker 4: you know, like she goes home, she sees Brooke crying

762
00:38:17,640 --> 00:38:19,560
Speaker 4: and never makes it about herself.

763
00:38:19,600 --> 00:38:22,799
Speaker 3: She's not like Lucas did a weird It's just like

764
00:38:22,920 --> 00:38:26,880
Speaker 3: you know what. He doesn't even register, like, I'm so

765
00:38:27,080 --> 00:38:29,799
Speaker 3: over him, I'm not even gonna mention him.

766
00:38:30,400 --> 00:38:33,520
Speaker 5: Yeah pass, I mean you guys, I have to say, though,

767
00:38:33,680 --> 00:38:36,920
Speaker 5: it seems very realistic that he or a guy like

768
00:38:37,120 --> 00:38:38,480
Speaker 5: in his position would do that.

769
00:38:38,600 --> 00:38:42,839
Speaker 3: I mean, I've heard that with I'm sure something.

770
00:38:42,600 --> 00:38:45,400
Speaker 5: Like that, like he's not good enough for you and

771
00:38:45,480 --> 00:38:47,440
Speaker 5: he's not, which just doesn't mean come back to me.

772
00:38:47,960 --> 00:38:50,359
Speaker 5: It just means I'm gonna, you know, keep some kind

773
00:38:50,400 --> 00:38:52,319
Speaker 5: of control over you, or just like put that in.

774
00:38:52,320 --> 00:38:56,440
Speaker 3: Your ear exactly. Yeah. Yeah, but it's so common.

775
00:38:57,200 --> 00:38:59,319
Speaker 6: It's so common. That's what's so infuriating. I think that's

776
00:38:59,320 --> 00:39:02,040
Speaker 6: why we're all so like, because it's been done to us.

777
00:39:02,080 --> 00:39:03,319
Speaker 3: We all experience that.

778
00:39:04,160 --> 00:39:06,920
Speaker 1: Because you're so clearly marking your territory.

779
00:39:07,360 --> 00:39:11,720
Speaker 4: Yes, Victoria would say, like, I know, what's your point?

780
00:39:11,800 --> 00:39:20,960
Speaker 3: Neither are you exactly? Neither were you? Who is? Who isous?

781
00:39:22,080 --> 00:39:23,960
Speaker 5: I would have loved it if Peyton would a run

782
00:39:24,000 --> 00:39:25,680
Speaker 5: back in Victoria, get down.

783
00:39:25,600 --> 00:39:29,160
Speaker 6: Here, get him, yes, yeah him, get him.

784
00:39:29,920 --> 00:39:33,160
Speaker 3: Yeah. I know you hate me, but hate him more.

785
00:39:34,600 --> 00:39:35,640
Speaker 6: Here's what he did to me.

786
00:39:36,040 --> 00:39:38,440
Speaker 1: I think we also have to talk about how incredible

787
00:39:38,440 --> 00:39:42,560
Speaker 1: it is to get Kate Vogel and to have these

788
00:39:42,600 --> 00:39:45,920
Speaker 1: scenes where you get to see her singing and like

789
00:39:46,480 --> 00:39:49,760
Speaker 1: belting these songs. And I was laughing that we gave

790
00:39:49,920 --> 00:39:52,400
Speaker 1: Mia the Rachel Lee Cook treatment. Like we put this

791
00:39:52,440 --> 00:39:54,920
Speaker 1: girl who looks like Angelina Jolie in a hoodie and

792
00:39:54,960 --> 00:39:58,880
Speaker 1: we were like, oh, she's so awkward and very secure.

793
00:40:00,080 --> 00:40:04,240
Speaker 1: She started belting like a freaking legend at the piano.

794
00:40:05,320 --> 00:40:09,239
Speaker 3: I totally forgot that's how Mia came to us. The

795
00:40:09,320 --> 00:40:13,520
Speaker 3: combination of you and Kate is so great.

796
00:40:14,239 --> 00:40:17,080
Speaker 6: Yeah, it's nice to see that mentor relationship.

797
00:40:17,120 --> 00:40:19,160
Speaker 3: But also history repeating itself.

798
00:40:19,400 --> 00:40:22,320
Speaker 4: You know, the life in a small town is about

799
00:40:22,320 --> 00:40:29,360
Speaker 4: cycles and watching Haley take Mia the way she should

800
00:40:29,360 --> 00:40:32,080
Speaker 4: have been mentored instead of Chris Keller, you know, ruining

801
00:40:32,080 --> 00:40:36,359
Speaker 4: her relationship. God, if Haley had just had a Haley, Yeah,

802
00:40:36,400 --> 00:40:38,040
Speaker 4: it would have been man.

803
00:40:38,120 --> 00:40:39,160
Speaker 3: Adele's so smart.

804
00:40:39,880 --> 00:40:43,760
Speaker 6: What a mar I thought you met the singer Adele.

805
00:40:43,800 --> 00:40:48,160
Speaker 6: I'm like, did she have a Haley? No, Adele Limb Sorry,

806
00:40:48,160 --> 00:40:50,239
Speaker 6: the writer a writer so smart. It's just so smart

807
00:40:50,280 --> 00:40:51,000
Speaker 6: to tie all that in.

808
00:40:51,520 --> 00:40:53,719
Speaker 1: Yeah, we're going, oh, another woman who belts at the

809
00:40:53,760 --> 00:40:56,520
Speaker 1: piano like a legend. Of course, Well, enjoy I have

810
00:40:56,520 --> 00:40:59,520
Speaker 1: a question for you, because there's that beat where you

811
00:40:59,600 --> 00:41:02,799
Speaker 1: before the true mentor relationship starts at the beginning, when

812
00:41:02,840 --> 00:41:05,319
Speaker 1: you first walk in and you and you catch her,

813
00:41:05,640 --> 00:41:07,799
Speaker 1: Haley catches me a singing at the piano in her

814
00:41:07,840 --> 00:41:10,920
Speaker 1: little hoodie, and you're looking all cute and emo, and

815
00:41:10,960 --> 00:41:14,879
Speaker 1: she's so afraid that Jason Kevin Feederline's gonna find out,

816
00:41:15,200 --> 00:41:20,000
Speaker 1: and she runs off, and you do the thing where

817
00:41:20,040 --> 00:41:21,640
Speaker 1: like as she runs out of the room, we can

818
00:41:21,640 --> 00:41:24,720
Speaker 1: see Haley having an idea. I'm like, do you remember

819
00:41:24,760 --> 00:41:26,319
Speaker 1: if that was one of those times that you got

820
00:41:26,360 --> 00:41:31,960
Speaker 1: the parentheses under Mia exits and then off Haley scheming like,

821
00:41:32,080 --> 00:41:34,600
Speaker 1: did you have that kind of thing in the script?

822
00:41:35,080 --> 00:41:37,680
Speaker 1: I'm sure it was wheels turning?

823
00:41:37,840 --> 00:41:38,480
Speaker 3: Yeah, wheels.

824
00:41:38,800 --> 00:41:41,960
Speaker 6: They loved a wheels turning, didn't They loved a wheels turning?

825
00:41:42,200 --> 00:41:46,400
Speaker 6: Wheels turned so many times on this show, didn't.

826
00:41:46,400 --> 00:41:49,200
Speaker 3: We used to sing the Journey song the wheel in

827
00:41:49,400 --> 00:41:51,160
Speaker 3: this guy he's on turning.

828
00:41:51,560 --> 00:41:54,960
Speaker 4: I feel like the ad department definitely would sing that

829
00:41:55,040 --> 00:41:56,759
Speaker 4: song making fun of us.

830
00:41:58,160 --> 00:42:00,000
Speaker 6: The only song we heard all the time on set,

831
00:42:00,560 --> 00:42:04,640
Speaker 6: mostly because I would sing it was turn around You

832
00:42:04,719 --> 00:42:07,160
Speaker 6: never know then, like I just couldn't help it. Every

833
00:42:07,160 --> 00:42:08,719
Speaker 6: single time somebody said turn around, it was like my

834
00:42:08,760 --> 00:42:10,759
Speaker 6: brain was screaming until I let it out for like

835
00:42:10,800 --> 00:42:14,840
Speaker 6: even the little tiniest moment. I'm sorry to all of

836
00:42:14,840 --> 00:42:17,239
Speaker 6: you who had to live with that for so long.

837
00:42:17,719 --> 00:42:21,239
Speaker 3: It was a delight. I mean, sure, you just.

838
00:42:21,280 --> 00:42:23,520
Speaker 1: Voiced what the rest of us were thinking. Bib.

839
00:42:24,320 --> 00:42:32,040
Speaker 6: Yeah.

840
00:42:32,560 --> 00:42:36,919
Speaker 4: I think Kate's introduction is great. It struck me how

841
00:42:37,000 --> 00:42:40,480
Speaker 4: young she is, like as young as we all were.

842
00:42:41,560 --> 00:42:43,480
Speaker 3: What was she seventeen eighteen?

843
00:42:44,200 --> 00:42:46,480
Speaker 6: I thought she was nineteen, but we were not twenty one.

844
00:42:46,560 --> 00:42:48,319
Speaker 6: We were all older by twenty four.

845
00:42:48,640 --> 00:42:50,319
Speaker 1: We were all like twenty five by now.

846
00:42:50,600 --> 00:42:53,400
Speaker 6: Yeah, she was definitely young. I think she was nineteen.

847
00:42:54,360 --> 00:42:57,960
Speaker 4: And I love that she really struck that emo vibe

848
00:42:58,000 --> 00:43:01,480
Speaker 4: of like the really like glossy bla black bang across

849
00:43:01,520 --> 00:43:04,560
Speaker 4: the face. Like we've had enough emo bands on the show,

850
00:43:04,680 --> 00:43:08,360
Speaker 4: and Peyton is like the least emo looking emo girl,

851
00:43:08,960 --> 00:43:11,520
Speaker 4: because there was a uniform, you were sweat bands on

852
00:43:11,560 --> 00:43:15,239
Speaker 4: your wrist, you had that glossy bang that hung down

853
00:43:15,239 --> 00:43:18,960
Speaker 4: over your face, you had the eyeliner, and there's just

854
00:43:19,800 --> 00:43:24,000
Speaker 4: there was the hoodie sweatshirt and Kate is finally the

855
00:43:24,080 --> 00:43:27,799
Speaker 4: right representation for that that lovely little subculture.

856
00:43:28,160 --> 00:43:30,760
Speaker 3: I still listen to the Emo station on Sirius Radio.

857
00:43:31,400 --> 00:43:33,560
Speaker 1: I know you do, Daphne, did you ever have an

858
00:43:33,560 --> 00:43:35,440
Speaker 1: Emo phase or like any kind of.

859
00:43:35,400 --> 00:43:38,920
Speaker 5: Specific music phase. I'm just writing this down, I go.

860
00:43:39,080 --> 00:43:42,280
Speaker 5: Should I say this, You're gonna sound really old and out.

861
00:43:42,040 --> 00:43:50,960
Speaker 3: Of its characters. Okay, so listen, Like remember like the

862
00:43:51,120 --> 00:43:55,839
Speaker 3: James Taylor like emotional folk rock vibe all right, now,

863
00:43:55,920 --> 00:43:58,520
Speaker 3: put some like bass guitars on that and a bunch

864
00:43:58,520 --> 00:44:02,080
Speaker 3: of boys with terrible haircuts, and that was emo. No,

865
00:44:02,400 --> 00:44:06,480
Speaker 3: that's grund grunge. Grunge was Nirvana. But but that the

866
00:44:06,520 --> 00:44:08,120
Speaker 3: emo came out of the grunge thing.

867
00:44:08,719 --> 00:44:12,320
Speaker 4: It was way more like eighties glam rock. These boys

868
00:44:12,320 --> 00:44:15,800
Speaker 4: had so much hair product and so much like stage production,

869
00:44:16,640 --> 00:44:19,799
Speaker 4: but they were it was like play acting punk rock,

870
00:44:20,239 --> 00:44:23,359
Speaker 4: but instead they were just talking about girls dumping them all.

871
00:44:23,680 --> 00:44:29,720
Speaker 1: Yeah. It was like deeply emotional rock music, like like Daphne,

872
00:44:29,880 --> 00:44:34,200
Speaker 1: follow Boy is like a very emo famous band Emo.

873
00:44:34,320 --> 00:44:37,480
Speaker 7: Okay, so it means emotional, but like, yes, it's short

874
00:44:37,520 --> 00:44:37,759
Speaker 7: for that.

875
00:44:38,440 --> 00:44:38,840
Speaker 3: Okay.

876
00:44:39,320 --> 00:44:42,200
Speaker 7: Well my era was James Taylor, the og.

877
00:44:44,520 --> 00:44:49,400
Speaker 5: Yeah, I mean, I mean, you know you couldn't improve

878
00:44:49,480 --> 00:44:52,240
Speaker 5: upon that. It was so simple and pear down. It's

879
00:44:52,320 --> 00:44:57,839
Speaker 5: just so pristinely perfect and spoke from the emotion that

880
00:44:57,880 --> 00:44:59,040
Speaker 5: we all related to.

881
00:44:59,480 --> 00:45:03,640
Speaker 3: So simple. But I gotta say, listening.

882
00:45:03,400 --> 00:45:05,520
Speaker 5: To you guys talk, I mean, when I hear that

883
00:45:05,600 --> 00:45:06,760
Speaker 5: kind of music, I get.

884
00:45:06,680 --> 00:45:10,520
Speaker 7: So tired of these boys saying the same thing.

885
00:45:10,600 --> 00:45:13,160
Speaker 5: In another way, it's kind of like I love country music,

886
00:45:13,239 --> 00:45:17,280
Speaker 5: but you know that whole thing, like the truck songs.

887
00:45:16,400 --> 00:45:18,960
Speaker 7: Like yeah, the cowboy and the truck.

888
00:45:20,680 --> 00:45:22,839
Speaker 5: Yeah, I'm gonna take you down a dirt road and

889
00:45:22,840 --> 00:45:23,960
Speaker 5: we're gonna, you know whatever.

890
00:45:24,080 --> 00:45:27,839
Speaker 7: The it's like, how many ways can you say one thing?

891
00:45:27,960 --> 00:45:29,400
Speaker 3: It's just one thing you're saying.

892
00:45:29,560 --> 00:45:31,759
Speaker 7: It's there's nothing out there.

893
00:45:31,960 --> 00:45:34,359
Speaker 4: You know, I would prefer if you helped me with

894
00:45:34,360 --> 00:45:36,840
Speaker 4: the mental labor of grocery shopping and playing in the

895
00:45:36,880 --> 00:45:37,520
Speaker 4: house and.

896
00:45:40,440 --> 00:45:41,799
Speaker 3: Washer have a fun.

897
00:45:41,880 --> 00:45:44,600
Speaker 7: It's just so funny talk about the repetition.

898
00:45:44,760 --> 00:45:47,440
Speaker 5: But you know, and speaking of that, well, never mind,

899
00:45:47,520 --> 00:45:49,080
Speaker 5: I think it was another episode.

900
00:45:49,120 --> 00:45:50,000
Speaker 3: I watched like.

901
00:45:50,040 --> 00:45:54,920
Speaker 5: Three of those these Oh my god, guy, but I

902
00:45:55,080 --> 00:45:59,440
Speaker 5: just it was so I mean, I guess, not analyzing everything.

903
00:45:59,480 --> 00:46:02,479
Speaker 5: I just really every time, I you know, I really

904
00:46:02,520 --> 00:46:05,839
Speaker 5: get why the fans are still strong. You know, I

905
00:46:05,880 --> 00:46:10,560
Speaker 5: really do like other than you guys have made this wonderful.

906
00:46:11,080 --> 00:46:14,600
Speaker 5: You parlayed what you were and grown in front of

907
00:46:14,840 --> 00:46:17,960
Speaker 5: in the public into this version of yourself. You know,

908
00:46:18,080 --> 00:46:21,640
Speaker 5: you've grown up into this and it's so rich and

909
00:46:21,680 --> 00:46:26,480
Speaker 5: you have so much to offer. I also, I get it,

910
00:46:26,560 --> 00:46:29,160
Speaker 5: like so watching and I was like, you know, David

911
00:46:29,239 --> 00:46:30,839
Speaker 5: went off and did something, and he.

912
00:46:30,800 --> 00:46:34,000
Speaker 3: Comes back and goes, are you still watching him? Like wait,

913
00:46:34,040 --> 00:46:36,759
Speaker 3: who is that guy? Wait? There?

914
00:46:36,880 --> 00:46:39,800
Speaker 5: And I'm literally thinking, Oh, if I were an audience,

915
00:46:39,800 --> 00:46:41,960
Speaker 5: if I were the fan of audience, I would just

916
00:46:42,160 --> 00:46:45,759
Speaker 5: totally just totally get it because you guys, you know,

917
00:46:45,800 --> 00:46:49,240
Speaker 5: I know you behind the scenes, but you really showed

918
00:46:49,320 --> 00:46:52,880
Speaker 5: up and brought it to the screen.

919
00:46:53,080 --> 00:46:54,040
Speaker 3: I mean you really did.

920
00:46:54,080 --> 00:46:59,320
Speaker 5: It's and then knowing you now knowing you more, uh,

921
00:46:59,600 --> 00:47:02,200
Speaker 5: it's it was just I had so much fun watching it,

922
00:47:02,280 --> 00:47:02,719
Speaker 5: that's all.

923
00:47:03,280 --> 00:47:04,839
Speaker 3: And again, everyone's so good.

924
00:47:04,960 --> 00:47:07,400
Speaker 1: Okay, wait to have a question because I wanted to

925
00:47:07,440 --> 00:47:11,720
Speaker 1: ask you this anyway, But now knowing that you've peeked ahead.

926
00:47:13,000 --> 00:47:13,359
Speaker 3: Do you.

927
00:47:14,840 --> 00:47:18,759
Speaker 1: I mean, god, there's just so much coming for Victoria.

928
00:47:18,960 --> 00:47:24,040
Speaker 1: Do you have a favorite storyline or moment for her?

929
00:47:24,440 --> 00:47:26,920
Speaker 1: When you look back on the years that you did

930
00:47:27,000 --> 00:47:30,880
Speaker 1: the show with us a Victoria line.

931
00:47:31,120 --> 00:47:35,520
Speaker 5: I mean, listen, I did five years, so there's so

932
00:47:35,719 --> 00:47:36,759
Speaker 5: much to come, you know.

933
00:47:37,000 --> 00:47:38,120
Speaker 3: With with.

934
00:47:39,920 --> 00:47:43,280
Speaker 5: There's just so much to come, including becoming a grandmother.

935
00:47:44,520 --> 00:47:46,600
Speaker 3: You don't do a little freaking twins.

936
00:47:47,640 --> 00:47:51,360
Speaker 7: But this the just right ahead, a few episodes ahead.

937
00:47:51,400 --> 00:47:53,719
Speaker 7: I loved when she's like, Okay, you're not going to

938
00:47:53,840 --> 00:47:54,279
Speaker 7: leave town.

939
00:47:54,320 --> 00:47:54,920
Speaker 3: I'm staying.

940
00:47:55,200 --> 00:47:57,719
Speaker 7: And there's like in the bar and the trick, there's

941
00:47:57,800 --> 00:47:59,000
Speaker 7: just all that fun.

942
00:47:59,360 --> 00:48:01,640
Speaker 3: Oh that's right, you're like sexy dancing.

943
00:48:02,520 --> 00:48:05,600
Speaker 5: Yeah, you guys have you guys have all this drama

944
00:48:05,640 --> 00:48:08,600
Speaker 5: and there's yes, it's it was fun in there.

945
00:48:08,640 --> 00:48:09,080
Speaker 3: I love that.

946
00:48:09,239 --> 00:48:12,680
Speaker 5: Again, I loved I loved her strength, but I also

947
00:48:12,760 --> 00:48:14,719
Speaker 5: love to bring humor to it. So when they would

948
00:48:14,800 --> 00:48:18,879
Speaker 5: give me funny stuff, I just I just ate it up.

949
00:48:18,920 --> 00:48:22,080
Speaker 5: I just loved it because she gets to me both well.

950
00:48:22,120 --> 00:48:24,600
Speaker 4: Speaking of that, like cougar energy, we need to we

951
00:48:24,680 --> 00:48:28,760
Speaker 4: need to assess the mouth and his boss storyline.

952
00:48:28,920 --> 00:48:30,680
Speaker 3: How are we feeling about that?

953
00:48:30,760 --> 00:48:33,319
Speaker 4: I feel like we avoid it because it's like I

954
00:48:33,320 --> 00:48:35,759
Speaker 4: don't necessarily know how to feel about it.

955
00:48:36,040 --> 00:48:38,440
Speaker 1: You know, the only person who makes me feel okay

956
00:48:38,480 --> 00:48:43,200
Speaker 1: about it, Yes, kills Yes, because he's so funny.

957
00:48:43,080 --> 00:48:46,680
Speaker 3: His joy like his bliss. The mouth is like hooking

958
00:48:46,760 --> 00:48:47,560
Speaker 3: up with the boss.

959
00:48:48,040 --> 00:48:53,239
Speaker 1: Those scenes are so fun to watch Antoine, But I

960
00:48:53,280 --> 00:48:53,680
Speaker 1: don't know.

961
00:48:53,760 --> 00:48:54,520
Speaker 3: The mouth and the.

962
00:48:54,520 --> 00:48:56,920
Speaker 1: Boss seems make me feel very uncomfortable.

963
00:48:57,520 --> 00:48:59,120
Speaker 3: Mm hmmm, yeah, I don't.

964
00:48:59,160 --> 00:49:01,400
Speaker 6: I don't have anything about them. I just wait for

965
00:49:01,440 --> 00:49:03,399
Speaker 6: them to be over because I'm uncomfortable too.

966
00:49:04,480 --> 00:49:06,680
Speaker 3: Like he's doing a great job. The actors are great.

967
00:49:06,760 --> 00:49:09,319
Speaker 3: It's not their fault. I've hated it.

968
00:49:09,800 --> 00:49:14,080
Speaker 4: And there were some specific lines in this one about

969
00:49:14,120 --> 00:49:17,799
Speaker 4: like there was stuff where it was like, oh, I'm

970
00:49:17,840 --> 00:49:20,440
Speaker 4: hooking up with the boss, and now she's going to

971
00:49:20,480 --> 00:49:23,239
Speaker 4: put me on TV, and is that the lesson that

972
00:49:23,280 --> 00:49:29,680
Speaker 4: we're trying to pass along? But when mouth goes and

973
00:49:29,840 --> 00:49:32,279
Speaker 4: is like I saw you on a date with someone else,

974
00:49:33,040 --> 00:49:36,880
Speaker 4: and this grown woman said, my personal life is my

975
00:49:36,960 --> 00:49:40,919
Speaker 4: personal life, but I'm here are I? And that other

976
00:49:40,960 --> 00:49:41,720
Speaker 4: guy was boring?

977
00:49:42,200 --> 00:49:44,280
Speaker 3: Like I just really liked how she did that because

978
00:49:44,280 --> 00:49:48,560
Speaker 3: she wasn't wrong, like her personal life is her personal life,

979
00:49:48,800 --> 00:49:51,640
Speaker 3: and I like that she asserted that, like I don't.

980
00:49:51,480 --> 00:49:57,680
Speaker 4: Owe you anything. I appreciated that moment, but that's about

981
00:49:57,680 --> 00:49:58,640
Speaker 4: all I appreciate it.

982
00:49:59,560 --> 00:50:02,960
Speaker 7: I did like Antoine's lines yeah.

983
00:50:02,840 --> 00:50:04,040
Speaker 3: You need to ask for a raise.

984
00:50:04,239 --> 00:50:08,440
Speaker 4: Yeah, you need to the claw marks, Oh my god,

985
00:50:08,600 --> 00:50:10,600
Speaker 4: those were aggressive.

986
00:50:11,840 --> 00:50:12,600
Speaker 1: Too much.

987
00:50:13,280 --> 00:50:17,200
Speaker 4: Yeah, it's such a weird storyline, but we saw a

988
00:50:17,200 --> 00:50:21,200
Speaker 4: glimmer of mouth and Millie, which was excitement.

989
00:50:22,040 --> 00:50:25,759
Speaker 1: The first meat, the meat cute in the store. Oh

990
00:50:26,280 --> 00:50:31,320
Speaker 1: so sweet. Lisa is such a joy to watch.

991
00:50:31,719 --> 00:50:36,200
Speaker 6: Yeah, yeah, she's real dropped in God, I just.

992
00:50:37,640 --> 00:50:42,600
Speaker 1: I remember feeling when she showed up. I was like, oh,

993
00:50:42,680 --> 00:50:47,200
Speaker 1: everything just got better because she's so much fun as

994
00:50:47,200 --> 00:50:52,640
Speaker 1: an actor. She's so wonderful as a person. I mean,

995
00:50:52,920 --> 00:50:56,759
Speaker 1: just so great, And I don't know, there were so

996
00:50:56,840 --> 00:51:00,520
Speaker 1: many happy stories that came out of are show in

997
00:51:00,560 --> 00:51:03,840
Speaker 1: these years, like Mikayla and her husband, Lisa and her husband,

998
00:51:03,920 --> 00:51:06,920
Speaker 1: like you know, Lee and his wife, like so just

999
00:51:07,080 --> 00:51:10,920
Speaker 1: so many things were blossoming, and it just felt like

1000
00:51:11,040 --> 00:51:16,600
Speaker 1: such a special, sparkly moment. And interestingly, as as our

1001
00:51:16,719 --> 00:51:21,440
Speaker 1: characters got to get back to friendships, and you know, obviously, Daphne,

1002
00:51:21,520 --> 00:51:25,040
Speaker 1: you came in as an initial foil, but we forged

1003
00:51:25,080 --> 00:51:28,000
Speaker 1: a great friendship like so many of us who'd been

1004
00:51:28,040 --> 00:51:31,200
Speaker 1: there for so long, We're having these experiences of friendships.

1005
00:51:31,200 --> 00:51:35,920
Speaker 1: And then there were folks coming in who we just

1006
00:51:36,000 --> 00:51:38,920
Speaker 1: loved immediately. And then who also found this sort of

1007
00:51:39,000 --> 00:51:42,640
Speaker 1: new joy in their lives, like this happiness it. I

1008
00:51:42,640 --> 00:51:45,759
Speaker 1: don't know, it's just a really I look back on

1009
00:51:45,840 --> 00:51:47,480
Speaker 1: season five really fondly.

1010
00:51:48,680 --> 00:51:54,000
Speaker 7: I loved it when Melicent likes late mouth.

1011
00:51:54,160 --> 00:51:57,360
Speaker 3: I just was like, Oh, they're just perfect, you know, perfect.

1012
00:51:59,200 --> 00:52:01,520
Speaker 3: And I agree about there was a softness.

1013
00:52:01,880 --> 00:52:05,440
Speaker 7: Her character was just you know, sweet, and there.

1014
00:52:05,320 --> 00:52:07,920
Speaker 5: Was just a softness. It was really fun for me

1015
00:52:08,040 --> 00:52:10,480
Speaker 5: to work with her. Balanced out the energy that I

1016
00:52:10,520 --> 00:52:14,880
Speaker 5: had to play, even though I was throwing darts at her. Yeah.

1017
00:52:14,920 --> 00:52:16,960
Speaker 5: And plus she's just so nice, you know on the

1018
00:52:17,040 --> 00:52:18,960
Speaker 5: camera when there was a cut, she was so funny.

1019
00:52:19,160 --> 00:52:21,120
Speaker 3: You know, we just had so sweet.

1020
00:52:21,520 --> 00:52:24,160
Speaker 4: Remember how excited we were when we found out she

1021
00:52:24,320 --> 00:52:26,120
Speaker 4: was a real Disney princess.

1022
00:52:26,239 --> 00:52:30,120
Speaker 3: Yes, I was gonna do I just look what this

1023
00:52:30,200 --> 00:52:35,560
Speaker 3: is the coolest thing you could tell us lariol or something. Jasmine,

1024
00:52:35,960 --> 00:52:40,000
Speaker 3: Jasmine and Bell and Bell. That's right. God, she's so cool,

1025
00:52:40,600 --> 00:52:42,520
Speaker 3: She's so cool, so perfect.

1026
00:52:43,520 --> 00:52:47,440
Speaker 4: Man, Just that that bright and bubbly energy. There's nothing

1027
00:52:47,480 --> 00:52:52,000
Speaker 4: you can do to squash it. Yes, her coming up

1028
00:52:52,000 --> 00:52:57,080
Speaker 4: with that little check with a paper check. Remember before Venmo,

1029
00:52:57,360 --> 00:52:58,280
Speaker 4: we had check.

1030
00:52:58,040 --> 00:53:01,200
Speaker 1: Books Oh yeah, my god, it makes me want to cry.

1031
00:53:00,920 --> 00:53:06,839
Speaker 1: That did make me cry that moment. With as much

1032
00:53:06,880 --> 00:53:11,600
Speaker 1: as Victoria is the badgering Milicent in this episode, Milicent

1033
00:53:11,719 --> 00:53:14,839
Speaker 1: being willing to stand in front of Victoria, not just

1034
00:53:15,400 --> 00:53:18,319
Speaker 1: in front of Brook, but with Victoria watching and say

1035
00:53:19,040 --> 00:53:23,280
Speaker 1: I believe in you. It's so bold and it's so kind,

1036
00:53:24,000 --> 00:53:27,399
Speaker 1: and oh, I just loved it.

1037
00:53:28,080 --> 00:53:30,160
Speaker 6: We got a lot of information about her too, because

1038
00:53:30,160 --> 00:53:33,960
Speaker 6: it shows us that even though she's eager to please

1039
00:53:34,120 --> 00:53:36,960
Speaker 6: and wants to do hard work and wants to kind

1040
00:53:37,000 --> 00:53:39,840
Speaker 6: of float under the radar and she's just trying to

1041
00:53:39,840 --> 00:53:43,080
Speaker 6: get by, we got the information that she's not a pushover. Yeah,

1042
00:53:43,120 --> 00:53:44,600
Speaker 6: which I think is really interesting.

1043
00:53:45,160 --> 00:53:46,680
Speaker 3: M Right.

1044
00:53:46,760 --> 00:53:49,560
Speaker 7: She brought that check in front of Y'll buy.

1045
00:53:49,400 --> 00:53:52,120
Speaker 6: It to have all those typical characteristics of somebody who

1046
00:53:52,120 --> 00:53:54,440
Speaker 6: you would think would kind of be a doormat. Yeah,

1047
00:53:54,760 --> 00:53:58,080
Speaker 6: if we're using that phrase, But she's not, she's not

1048
00:53:58,160 --> 00:54:02,959
Speaker 6: at all. She's actually she's very confident. Yeah, it's cool.

1049
00:54:03,480 --> 00:54:06,120
Speaker 3: Did we miss anything. I'm going through my notes.

1050
00:54:06,440 --> 00:54:08,240
Speaker 1: I was going to say, we have some really important

1051
00:54:08,239 --> 00:54:10,920
Speaker 1: things happening on paper in this episode. Millicent hands me

1052
00:54:11,000 --> 00:54:16,239
Speaker 1: that check. Yes, and then Haley finds the Jamie and

1053
00:54:16,280 --> 00:54:19,439
Speaker 1: Mom drawing that turns out to be Nanny Carey, Like.

1054
00:54:19,440 --> 00:54:21,279
Speaker 6: I don't know if it's that, because I was watching,

1055
00:54:21,360 --> 00:54:23,120
Speaker 6: I was like, yeah, so what, like that's of course

1056
00:54:23,160 --> 00:54:24,719
Speaker 6: the kid's going to make a drawing of somebody who's

1057
00:54:24,760 --> 00:54:26,919
Speaker 6: become important in their life. That's not a big deal.

1058
00:54:27,200 --> 00:54:29,120
Speaker 6: But I guess it's when it's your first kid. I

1059
00:54:29,160 --> 00:54:32,520
Speaker 6: was like, actually, the first time Maria ever did a drawing,

1060
00:54:32,600 --> 00:54:35,680
Speaker 6: and like, wasn't about me or her dad, I was

1061
00:54:35,840 --> 00:54:37,279
Speaker 6: it was like a nanny or something like that. I

1062
00:54:37,280 --> 00:54:41,279
Speaker 6: definitely felt a little pang of like, other people matter.

1063
00:54:41,400 --> 00:54:44,440
Speaker 3: I want to be the only one who matters. I know,

1064
00:54:44,520 --> 00:54:47,120
Speaker 3: you got to just yeah.

1065
00:54:47,200 --> 00:54:50,680
Speaker 1: But I also think the interesting thing is right, Haley

1066
00:54:50,719 --> 00:54:57,839
Speaker 1: has been sacrificing her self for her family, yeah, and

1067
00:54:57,880 --> 00:55:03,400
Speaker 1: loves her family obviously, and you know, has been in

1068
00:55:03,440 --> 00:55:06,440
Speaker 1: our support system. But in the first moment that Nathan

1069
00:55:06,480 --> 00:55:08,800
Speaker 1: starts to show up again, and in the first moment

1070
00:55:08,800 --> 00:55:11,839
Speaker 1: that she gets some help and she thanks someone for

1071
00:55:11,880 --> 00:55:16,440
Speaker 1: giving her space to find her individuality again, that space

1072
00:55:18,120 --> 00:55:20,439
Speaker 1: is being filled by someone else. And by the way,

1073
00:55:20,480 --> 00:55:25,799
Speaker 1: that's not a bad thing. Kids deserve community, but it

1074
00:55:25,880 --> 00:55:29,120
Speaker 1: is new and this idea that like, wait, I've spent

1075
00:55:29,320 --> 00:55:31,680
Speaker 1: one week in the studio and now my kid is

1076
00:55:31,760 --> 00:55:35,640
Speaker 1: drawing pictures of someone else, Like how do you process that?

1077
00:55:36,320 --> 00:55:39,400
Speaker 1: How do you divest from your own ego as a

1078
00:55:39,480 --> 00:55:44,360
Speaker 1: parent and say okay, this is okay? And for us

1079
00:55:45,320 --> 00:55:48,399
Speaker 1: knowing where the Nanny Carey story goes, I'm like, oh god,

1080
00:55:48,480 --> 00:55:51,440
Speaker 1: it's like death by a thousand cuts, like it's starting.

1081
00:55:52,440 --> 00:55:55,640
Speaker 1: And I don't know. I think it got to me

1082
00:55:55,840 --> 00:56:00,839
Speaker 1: in perhaps a more intense way because I know who

1083
00:56:00,920 --> 00:56:05,839
Speaker 1: Nanny Carey is going to be. But it really did

1084
00:56:05,880 --> 00:56:08,080
Speaker 1: make me think about it. And you said it earlier, Joy,

1085
00:56:08,160 --> 00:56:13,320
Speaker 1: You were like, you just can't have it all. Yeah,

1086
00:56:13,360 --> 00:56:15,840
Speaker 1: And I've heard so many women I respect say, look,

1087
00:56:16,400 --> 00:56:19,799
Speaker 1: you can through your life, but you can't have it

1088
00:56:19,880 --> 00:56:22,920
Speaker 1: all at the same time. No, you know, everything is

1089
00:56:22,960 --> 00:56:26,440
Speaker 1: about balance and juggling. And you know, Hayley's getting some

1090
00:56:26,560 --> 00:56:31,520
Speaker 1: of herself back after this period of immense sacrifice and

1091
00:56:31,640 --> 00:56:36,719
Speaker 1: putting herself last, and she's feeling it. And I thought,

1092
00:56:36,760 --> 00:56:37,399
Speaker 1: I just thought it.

1093
00:56:37,360 --> 00:56:41,560
Speaker 4: Was cool that scene where you were thinking, Carrie. All

1094
00:56:41,560 --> 00:56:43,480
Speaker 4: I could think about was that scene and The Godfather

1095
00:56:44,120 --> 00:56:44,920
Speaker 4: where he.

1096
00:56:44,840 --> 00:56:47,800
Speaker 3: Knows he knows his brother's betrayed.

1097
00:56:47,880 --> 00:56:50,279
Speaker 4: Him, and he goes and like kisses him in front

1098
00:56:50,320 --> 00:56:53,120
Speaker 4: of everyone, and it is like, like it felt like

1099
00:56:54,480 --> 00:56:59,200
Speaker 4: because the same way that Peyton read into the Lindsay stuff,

1100
00:57:00,600 --> 00:57:03,479
Speaker 4: I can feel Nanny Carey be like, what do you mean,

1101
00:57:03,840 --> 00:57:08,120
Speaker 4: thank you? I'm not doing this for you, I'm doing

1102
00:57:08,160 --> 00:57:11,160
Speaker 4: this for my boys. That's right, Like you could just

1103
00:57:11,200 --> 00:57:14,840
Speaker 4: start to feel like the ikiness creeping.

1104
00:57:16,360 --> 00:57:18,600
Speaker 1: I'm excited to see where it goes. You guys, I

1105
00:57:18,640 --> 00:57:23,520
Speaker 1: can't wait to see when Nanny Carey gets crazy. I

1106
00:57:23,560 --> 00:57:27,680
Speaker 1: can't wait to see what Daphne saw prepping for this

1107
00:57:27,800 --> 00:57:29,120
Speaker 1: in the next three episodes.

1108
00:57:29,480 --> 00:57:32,440
Speaker 4: Well yeah, wait, so do Victoria and the Nanny ever

1109
00:57:32,520 --> 00:57:33,320
Speaker 4: cross paths?

1110
00:57:33,400 --> 00:57:38,080
Speaker 5: No, And you know I knew, you know, Tory DeVito

1111
00:57:38,240 --> 00:57:41,000
Speaker 5: played my daughter and Beautiful People, and as serios we

1112
00:57:41,120 --> 00:57:45,720
Speaker 5: did probably I don't know, eight years earlier or six

1113
00:57:45,800 --> 00:57:46,440
Speaker 5: years earlier.

1114
00:57:47,160 --> 00:57:47,960
Speaker 3: That's crazy.

1115
00:57:48,160 --> 00:57:51,600
Speaker 5: Yeah, So we wanted to have scenes together, that's all.

1116
00:57:51,640 --> 00:57:53,920
Speaker 5: We would see each other, you know all We're like.

1117
00:57:54,240 --> 00:57:57,479
Speaker 1: Yeah, but isn't that interesting that you guys had worked

1118
00:57:57,480 --> 00:58:00,400
Speaker 1: together before? So many people from our show have come

1119
00:58:00,440 --> 00:58:02,840
Speaker 1: in and out of jobs together. And then we left

1120
00:58:03,160 --> 00:58:05,920
Speaker 1: North Carolina and I started working in Chicago, and then

1121
00:58:05,960 --> 00:58:08,760
Speaker 1: Tory came to work with me and right, yeah, they

1122
00:58:08,760 --> 00:58:11,400
Speaker 1: were on these sister shows. Tory and I shared a

1123
00:58:11,440 --> 00:58:13,320
Speaker 1: whole universe there.

1124
00:58:13,880 --> 00:58:14,760
Speaker 3: That's so wild.

1125
00:58:15,400 --> 00:58:18,680
Speaker 6: Yeah, it is a small world, it really is.

1126
00:58:18,720 --> 00:58:21,240
Speaker 1: It's so cool. We just keep finding each other.

1127
00:58:29,120 --> 00:58:29,440
Speaker 4: All right.

1128
00:58:29,440 --> 00:58:30,560
Speaker 3: This is from Kim.

1129
00:58:30,880 --> 00:58:33,200
Speaker 4: She says, I was wondering if the location of the

1130
00:58:33,280 --> 00:58:36,560
Speaker 4: River Court had already had a basketball court or if

1131
00:58:36,560 --> 00:58:38,040
Speaker 4: production created the court.

1132
00:58:38,280 --> 00:58:41,160
Speaker 3: Is it still there or when was it taken down? Oh,

1133
00:58:41,240 --> 00:58:41,720
Speaker 3: this is a.

1134
00:58:42,840 --> 00:58:46,439
Speaker 6: I don't know. Actually, no, they built it.

1135
00:58:47,000 --> 00:58:47,800
Speaker 3: We built it.

1136
00:58:48,440 --> 00:58:52,919
Speaker 4: They had had lunch downtown. There's like a whole story

1137
00:58:52,920 --> 00:58:54,640
Speaker 4: about this. The producers had been on a scout and

1138
00:58:54,680 --> 00:58:58,520
Speaker 4: they had lunch downtown and they were like, what we

1139
00:58:58,560 --> 00:59:00,760
Speaker 4: want to do is be able to see this town.

1140
00:59:01,120 --> 00:59:03,200
Speaker 4: And so what we need is to find a basketball

1141
00:59:03,240 --> 00:59:06,080
Speaker 4: court over there. And they were doing a scout over there,

1142
00:59:06,120 --> 00:59:09,120
Speaker 4: They're like, we need to find a place here that

1143
00:59:09,240 --> 00:59:10,720
Speaker 4: can look back in that direction.

1144
00:59:11,520 --> 00:59:14,840
Speaker 3: And then somebody had the bright idea like it's just asphalt,

1145
00:59:15,160 --> 00:59:16,720
Speaker 3: Like why aren't we just put it?

1146
00:59:17,080 --> 00:59:20,400
Speaker 1: But the whole story goes that Martin Lawrence was shooting

1147
00:59:20,400 --> 00:59:25,440
Speaker 1: a movie in Wilmington and base camp was in that empty.

1148
00:59:25,840 --> 00:59:28,280
Speaker 3: Is that where it was, yes, by.

1149
00:59:28,760 --> 00:59:32,520
Speaker 1: The battleship, and Martin Lawrence on this big budget movie

1150
00:59:32,640 --> 00:59:34,880
Speaker 1: was like, I need a basketball court outside my trailer

1151
00:59:34,920 --> 00:59:38,080
Speaker 1: so I can lak out, and they pulled the basketball

1152
00:59:38,120 --> 00:59:39,520
Speaker 1: court for him.

1153
00:59:40,080 --> 00:59:41,160
Speaker 3: Wait is that real?

1154
00:59:41,840 --> 00:59:43,560
Speaker 1: I don't know if it's real or an urban legend,

1155
00:59:43,640 --> 00:59:46,840
Speaker 1: but until today, this moment is real. I have always

1156
00:59:46,840 --> 00:59:49,160
Speaker 1: thought we were playing basketball on a court that was

1157
00:59:49,160 --> 00:59:52,560
Speaker 1: poured for Martin Lawrence before we ever got there, and

1158
00:59:52,600 --> 00:59:56,200
Speaker 1: they were like, actually, there's there's this random assphalt like

1159
00:59:56,280 --> 00:59:58,040
Speaker 1: by the river there we need to used to be

1160
00:59:58,080 --> 00:59:59,080
Speaker 1: a movie base camp.

1161
00:59:59,360 --> 01:00:03,440
Speaker 3: Doesn't any I know Martin Lawrence? Does anyone know anyone?

1162
01:00:05,120 --> 01:00:06,439
Speaker 1: Because yeah, there's good enough.

1163
01:00:06,600 --> 01:00:08,640
Speaker 4: Somebody knows the right answer to this, because I remember

1164
01:00:08,680 --> 01:00:12,280
Speaker 4: hearing stories about that Martin Lawrence movie because they had

1165
01:00:12,320 --> 01:00:15,080
Speaker 4: just they had wrapped not long before we started, and

1166
01:00:15,120 --> 01:00:15,840
Speaker 4: that was like a.

1167
01:00:15,760 --> 01:00:19,160
Speaker 3: Big deal Black Night, Black Knight. Yeah, it was the

1168
01:00:19,200 --> 01:00:23,320
Speaker 3: medieval one. Yes. I want to be powerful enough just

1169
01:00:23,320 --> 01:00:26,360
Speaker 3: to be like, build me a basketball court, make me that.

1170
01:00:27,720 --> 01:00:31,080
Speaker 1: To be like, you know what, we're working sixteen hours

1171
01:00:31,120 --> 01:00:33,600
Speaker 1: a day and I need to sweat, So me and

1172
01:00:33,640 --> 01:00:35,960
Speaker 1: the care we're going to play basketball at lunch for

1173
01:00:36,880 --> 01:00:37,320
Speaker 1: it's great.

1174
01:00:37,640 --> 01:00:39,720
Speaker 3: Or a spa or make a spa.

1175
01:00:39,800 --> 01:00:40,480
Speaker 1: I would like that.

1176
01:00:40,560 --> 01:00:42,240
Speaker 3: Yeah, a spa trailer please.

1177
01:00:43,440 --> 01:00:45,840
Speaker 1: Right, the girls have different ideas.

1178
01:00:46,080 --> 01:00:48,480
Speaker 4: Yeah, it's been pulled up though, right. We had to

1179
01:00:48,480 --> 01:00:49,640
Speaker 4: pull it up after our show.

1180
01:00:49,720 --> 01:00:52,120
Speaker 6: Yeah, they broke it up well.

1181
01:00:52,280 --> 01:00:55,360
Speaker 1: Because the land was sold and so then it was

1182
01:00:55,440 --> 01:00:58,880
Speaker 1: dug up. And there was actually a big thing where

1183
01:00:58,960 --> 01:01:02,040
Speaker 1: you could contribute to like a Wilmington Public Parks project

1184
01:01:02,120 --> 01:01:04,080
Speaker 1: or something and buy a piece of the river court.

1185
01:01:04,760 --> 01:01:07,080
Speaker 1: And I did because I was like I want a

1186
01:01:07,080 --> 01:01:09,960
Speaker 1: piece of it, and I never got it. I got

1187
01:01:10,040 --> 01:01:12,920
Speaker 1: an email being like, we're so sorry. The site like

1188
01:01:13,000 --> 01:01:16,760
Speaker 1: got overloaded and many more pieces of this asphalt than

1189
01:01:16,800 --> 01:01:18,000
Speaker 1: were possible to have.

1190
01:01:18,760 --> 01:01:20,439
Speaker 3: We're so and.

1191
01:01:20,360 --> 01:01:23,480
Speaker 1: Hopefully you don't want, you know, to reneg your donation

1192
01:01:23,560 --> 01:01:25,000
Speaker 1: to the city. And I was like, whatever, you can

1193
01:01:25,080 --> 01:01:27,400
Speaker 1: keep my money, but I really wanted my piece of assphalt.

1194
01:01:28,320 --> 01:01:30,280
Speaker 3: Give me my rock. Was it Sofia?

1195
01:01:30,440 --> 01:01:32,240
Speaker 5: Was it like a form letter that went out to

1196
01:01:32,280 --> 01:01:33,920
Speaker 5: all them things like if they didn't know who they

1197
01:01:33,920 --> 01:01:34,560
Speaker 5: were talking to.

1198
01:01:35,160 --> 01:01:37,320
Speaker 1: Yeah, it was just like an auto reply.

1199
01:01:37,960 --> 01:01:41,800
Speaker 3: And I was like, oh, dear customer, yeah, exactly.

1200
01:01:42,360 --> 01:01:44,600
Speaker 6: Like I don't I don't mean to ask for special treatment,

1201
01:01:44,680 --> 01:01:46,680
Speaker 6: but ca can.

1202
01:01:46,520 --> 01:01:49,800
Speaker 1: I have I do have a personal attachment to a court,

1203
01:01:51,240 --> 01:01:53,640
Speaker 1: but I do believe aren't there condos there now?

1204
01:01:53,840 --> 01:01:57,640
Speaker 4: No, they're trying to build there, and it's it's super

1205
01:01:57,680 --> 01:02:02,400
Speaker 4: problematic because there's indigenously that's there, and there is historically

1206
01:02:02,720 --> 01:02:06,120
Speaker 4: black owned lands that's there, and so development on that

1207
01:02:06,200 --> 01:02:10,080
Speaker 4: side of the river is super problematic. So I know

1208
01:02:10,160 --> 01:02:14,000
Speaker 4: that there's some advocacy groups that are trying to keep

1209
01:02:14,080 --> 01:02:15,920
Speaker 4: building from happening there. So if you're a one Tree

1210
01:02:16,000 --> 01:02:18,400
Speaker 4: Hill fan and you also want to get involved with

1211
01:02:18,440 --> 01:02:21,240
Speaker 4: some advocacy, look up those groups because I'm sure they

1212
01:02:21,240 --> 01:02:24,200
Speaker 4: would love your help in trying to preserve the space

1213
01:02:24,320 --> 01:02:25,720
Speaker 4: that was the River Court.

1214
01:02:26,640 --> 01:02:28,400
Speaker 3: It is a special little chunkle property.

1215
01:02:28,960 --> 01:02:31,400
Speaker 1: Give the land back to the people who are supposed

1216
01:02:31,400 --> 01:02:32,880
Speaker 1: to own it and let them decide.

1217
01:02:34,080 --> 01:02:35,320
Speaker 3: No, oh, somebody else.

1218
01:02:37,040 --> 01:02:39,560
Speaker 1: Just a little piece of app okay land I have

1219
01:02:39,640 --> 01:02:40,280
Speaker 1: no claim to.

1220
01:02:40,760 --> 01:02:41,680
Speaker 3: That's hilarious.

1221
01:02:41,800 --> 01:02:44,000
Speaker 1: I just wanted it was like a four x four

1222
01:02:44,080 --> 01:02:48,640
Speaker 1: little square. Yeah, I'm sad I didn't get one, but

1223
01:02:48,680 --> 01:02:51,360
Speaker 1: it's okay. I love the city of Wilmington anyway.

1224
01:02:51,520 --> 01:02:53,400
Speaker 3: I got a piece of the Berlin Wall. You got

1225
01:02:53,400 --> 01:02:57,680
Speaker 3: your stands. Don't even know and literally I'm not joking.

1226
01:02:57,760 --> 01:03:00,600
Speaker 7: I'm not saying that to Yeah.

1227
01:03:00,600 --> 01:03:04,160
Speaker 5: I was nineteen eighty seven or eight or I think

1228
01:03:04,320 --> 01:03:08,240
Speaker 5: seven in November and we went there and we chipped

1229
01:03:08,640 --> 01:03:09,080
Speaker 5: the wall.

1230
01:03:09,280 --> 01:03:11,920
Speaker 7: So just for those who don't, to the fan, two

1231
01:03:11,920 --> 01:03:14,160
Speaker 7: people your age know that there.

1232
01:03:14,080 --> 01:03:16,760
Speaker 3: Was a wall. Oh my god, I remember that like

1233
01:03:16,800 --> 01:03:18,680
Speaker 3: it was yesterday. Yeah.

1234
01:03:19,200 --> 01:03:22,520
Speaker 5: And the East and West Berlin were totally different.

1235
01:03:23,200 --> 01:03:23,560
Speaker 3: Yeah.

1236
01:03:23,720 --> 01:03:27,000
Speaker 1: I remember you telling me that story early into us,

1237
01:03:27,240 --> 01:03:30,200
Speaker 1: hanging out on set, and I was like, this is

1238
01:03:30,240 --> 01:03:32,320
Speaker 1: the coolest person I've ever met. And you talked to

1239
01:03:32,400 --> 01:03:35,360
Speaker 1: me about how is the holes were getting chipped. There

1240
01:03:35,440 --> 01:03:37,600
Speaker 1: was a soldier on the other side and he waved

1241
01:03:37,640 --> 01:03:40,160
Speaker 1: at you. Oh, and I don't remember if you told

1242
01:03:40,200 --> 01:03:42,880
Speaker 1: me that you realized he was a soldier because you

1243
01:03:42,960 --> 01:03:45,800
Speaker 1: saw his medals, or if he handed one to you.

1244
01:03:45,920 --> 01:03:48,400
Speaker 3: So he had a pin right here. He was all

1245
01:03:48,440 --> 01:03:52,280
Speaker 3: in green khaki green, And did he give it to you? Yes?

1246
01:03:52,960 --> 01:03:55,800
Speaker 3: I know it. Yes, I can't believe this came up

1247
01:03:55,840 --> 01:03:57,120
Speaker 3: with us. That's so funny.

1248
01:03:57,640 --> 01:04:00,440
Speaker 1: Oh my god, Daphnie, that affected me so much much.

1249
01:04:00,880 --> 01:04:01,160
Speaker 3: Wow.

1250
01:04:01,920 --> 01:04:05,600
Speaker 5: Yeah, I said, so are you You're on East Berlin,

1251
01:04:05,800 --> 01:04:09,600
Speaker 5: he said, And I said so. But the wall is down.

1252
01:04:09,720 --> 01:04:14,120
Speaker 5: So do you need that pen? And he said no,

1253
01:04:14,320 --> 01:04:17,360
Speaker 5: and I said, can I have it? I still have it,

1254
01:04:17,400 --> 01:04:20,200
Speaker 5: soup and ear. Well, he just took it off and

1255
01:04:20,240 --> 01:04:22,360
Speaker 5: he went like this through the wall and see.

1256
01:04:22,440 --> 01:04:25,400
Speaker 6: You'll unless you ask for what you want, yeah, you

1257
01:04:25,520 --> 01:04:26,640
Speaker 6: may never get it.

1258
01:04:27,040 --> 01:04:28,919
Speaker 3: There's the lesson, ask for what you want.

1259
01:04:29,640 --> 01:04:31,760
Speaker 5: Yeah, so this is why I'm pushing you to go

1260
01:04:31,800 --> 01:04:40,000
Speaker 5: get your piece of Ass's.

1261
01:04:36,360 --> 01:04:41,400
Speaker 1: Fault, like, you better call up that city comptroller.

1262
01:04:42,440 --> 01:04:44,000
Speaker 3: You guys, what's our honorable mention?

1263
01:04:45,760 --> 01:04:46,400
Speaker 1: Daphne?

1264
01:04:47,080 --> 01:04:50,959
Speaker 3: Yeah, Daphne, you stole the show. Obviously still the show.

1265
01:04:51,080 --> 01:04:52,400
Speaker 3: Those outfits, the.

1266
01:04:52,440 --> 01:04:54,720
Speaker 1: Hair, those outfits in those one liners.

1267
01:04:54,920 --> 01:04:56,720
Speaker 3: Oh do we even talk about there?

1268
01:04:56,800 --> 01:04:57,000
Speaker 4: Oh?

1269
01:04:57,120 --> 01:04:59,120
Speaker 3: I have a silly fashion question.

1270
01:05:00,280 --> 01:05:02,120
Speaker 7: By the way, I loved her hair like it was

1271
01:05:02,160 --> 01:05:04,520
Speaker 7: like helmet hair like soap.

1272
01:05:04,280 --> 01:05:05,760
Speaker 3: Didn't move and I loved it.

1273
01:05:05,840 --> 01:05:08,520
Speaker 7: You know, all of it was great, the outfits.

1274
01:05:08,600 --> 01:05:13,000
Speaker 5: But that T shirt that Nathan was wearing, what's the

1275
01:05:13,040 --> 01:05:14,200
Speaker 5: backwards nineteen?

1276
01:05:15,080 --> 01:05:17,280
Speaker 7: It said nineteen but it was reversed.

1277
01:05:17,560 --> 01:05:19,120
Speaker 3: You guys didn't see this. You're so happy.

1278
01:05:19,760 --> 01:05:21,640
Speaker 4: I clocked it too, And I was like they bought

1279
01:05:21,680 --> 01:05:24,400
Speaker 4: that at the mall, Like someone went to the mall

1280
01:05:24,880 --> 01:05:25,440
Speaker 4: and bought.

1281
01:05:25,640 --> 01:05:27,240
Speaker 3: For sure the fans were gonna say.

1282
01:05:27,360 --> 01:05:30,400
Speaker 5: Dust like a big band or something, so it was

1283
01:05:30,480 --> 01:05:32,520
Speaker 5: just hold maybe wow.

1284
01:05:32,760 --> 01:05:35,480
Speaker 3: Okay, well, if you guys know out there, somebody tell.

1285
01:05:35,360 --> 01:05:37,240
Speaker 7: Us nineteen It was backwards.

1286
01:05:37,280 --> 01:05:39,720
Speaker 3: It was so weird it looked like the shirt was

1287
01:05:39,720 --> 01:05:41,120
Speaker 3: inside out. Yeah.

1288
01:05:41,880 --> 01:05:44,480
Speaker 1: I don't care about Nathan's hot topic shirt. I care

1289
01:05:44,520 --> 01:05:47,520
Speaker 1: about Victoria's saint John Kashmir.

1290
01:05:47,680 --> 01:05:50,959
Speaker 3: Hello you die.

1291
01:05:51,520 --> 01:05:54,600
Speaker 1: This is the season of the women, and Victoria is

1292
01:05:54,680 --> 01:05:55,760
Speaker 1: leveling us all up.

1293
01:05:56,360 --> 01:05:58,200
Speaker 6: Oh my god, major honorable mention.

1294
01:05:58,280 --> 01:06:01,160
Speaker 3: All right, let's been a wheel, Daphne. We're doing most

1295
01:06:01,240 --> 01:06:01,840
Speaker 3: likely too.

1296
01:06:02,200 --> 01:06:04,720
Speaker 4: So did you have superlatives at your school that had

1297
01:06:04,760 --> 01:06:05,560
Speaker 4: twelve kids in it?

1298
01:06:05,640 --> 01:06:06,160
Speaker 3: And Vermont?

1299
01:06:07,760 --> 01:06:10,680
Speaker 4: Did I like, most likely to succeed?

1300
01:06:11,200 --> 01:06:13,360
Speaker 3: Yes, that's looking at all that. What did you win?

1301
01:06:14,200 --> 01:06:15,040
Speaker 3: Do you want me to brag?

1302
01:06:15,560 --> 01:06:15,720
Speaker 7: Yes?

1303
01:06:15,760 --> 01:06:23,400
Speaker 5: Yes, okay, and yet cutest, most likely to most talented,

1304
01:06:23,520 --> 01:06:26,600
Speaker 5: most likely to I think mine was actually most likely

1305
01:06:26,640 --> 01:06:31,560
Speaker 5: to go to Broadway instead of Hollywood.

1306
01:06:29,560 --> 01:06:32,720
Speaker 3: And there's time.

1307
01:06:33,360 --> 01:06:34,480
Speaker 1: You have so much time.

1308
01:06:34,920 --> 01:06:37,240
Speaker 6: I think you're going to win this one too. Somebody

1309
01:06:37,400 --> 01:06:39,480
Speaker 6: read it out.

1310
01:06:38,960 --> 01:06:43,440
Speaker 1: Guys, our wheel landed on most likely to host SNL.

1311
01:06:44,560 --> 01:06:50,160
Speaker 6: That's so, Daphne, Yeah, totally you daf.

1312
01:06:50,320 --> 01:06:52,000
Speaker 3: Yeah, daph you would kill.

1313
01:06:52,160 --> 01:06:56,840
Speaker 1: The Melrose Place skits, the Spaceball skits, like the list

1314
01:06:56,920 --> 01:07:02,280
Speaker 1: goes on. You'd have so many classic iconic films and

1315
01:07:02,320 --> 01:07:03,640
Speaker 1: TV shows to spoof.

1316
01:07:03,920 --> 01:07:05,040
Speaker 3: Wait have you hosted?

1317
01:07:05,840 --> 01:07:08,720
Speaker 7: I didn't from Melrose Heather did it, and Laura did it.

1318
01:07:08,760 --> 01:07:12,440
Speaker 5: But I have to say I was pretty honored when

1319
01:07:12,480 --> 01:07:15,840
Speaker 5: they when I was portrayed on SNL as Joe in

1320
01:07:15,920 --> 01:07:16,680
Speaker 5: Melur's Place.

1321
01:07:17,760 --> 01:07:19,560
Speaker 7: I forget who did it, but they were like all

1322
01:07:19,560 --> 01:07:21,480
Speaker 7: in black and just like just.

1323
01:07:21,440 --> 01:07:22,400
Speaker 3: Laid that on and like.

1324
01:07:24,040 --> 01:07:27,080
Speaker 5: Picked a bad boyfriend. I mean, because that's what my

1325
01:07:27,160 --> 01:07:30,919
Speaker 5: part really was. Basically, did SNL ever spoof One Tree Hill?

1326
01:07:31,440 --> 01:07:33,400
Speaker 3: Yeah? They made fun of Chat a couple of times.

1327
01:07:33,720 --> 01:07:37,920
Speaker 4: Okay, Yeah, so in real life, Daphne would host Saturday

1328
01:07:38,000 --> 01:07:38,439
Speaker 4: Night Live?

1329
01:07:38,680 --> 01:07:43,480
Speaker 3: Who? Yes, Well, what character on the show is most.

1330
01:07:43,320 --> 01:07:46,160
Speaker 4: Likely to host Saturday Night Live? Book Davis, She's the

1331
01:07:46,240 --> 01:07:46,960
Speaker 4: most famous?

1332
01:07:47,480 --> 01:07:51,240
Speaker 6: Yeah, Brooke or Mouth, I mean Mouth if he becomes

1333
01:07:51,240 --> 01:07:54,920
Speaker 6: a bigger TV personality and like he's a sportscaster and

1334
01:07:54,960 --> 01:07:56,960
Speaker 6: then he's on the news and then I don't know.

1335
01:07:57,000 --> 01:08:00,919
Speaker 1: Would Mouth have become the actual TAO.

1336
01:08:03,520 --> 01:08:06,040
Speaker 3: Or Chris Keller could have hosted SNL. I feel like

1337
01:08:06,080 --> 01:08:09,360
Speaker 3: Chris Keller could have kept going the musical act that

1338
01:08:09,560 --> 01:08:12,000
Speaker 3: like wicks up and is like I'm out of here.

1339
01:08:12,160 --> 01:08:14,640
Speaker 3: Oh my god, what.

1340
01:08:14,480 --> 01:08:17,680
Speaker 1: If because it would have been so humiliating for her.

1341
01:08:17,800 --> 01:08:21,080
Speaker 1: If we go with Hillary's idea and Brook hosts SL

1342
01:08:21,200 --> 01:08:22,800
Speaker 1: in the book Chris Keller.

1343
01:08:23,720 --> 01:08:26,240
Speaker 6: Musical act, I'm in for that episode. I want to

1344
01:08:26,280 --> 01:08:27,320
Speaker 6: see it that.

1345
01:08:27,560 --> 01:08:29,280
Speaker 1: We should have done that on the show.

1346
01:08:29,400 --> 01:08:30,479
Speaker 3: Yeah, that would have been fun.

1347
01:08:30,520 --> 01:08:34,960
Speaker 1: Like Victoria should have gotten Brooke on SNL. Chris Keller

1348
01:08:35,000 --> 01:08:36,800
Speaker 1: could have been booked and just opened the door to

1349
01:08:36,880 --> 01:08:38,840
Speaker 1: his dressing room and his elvis out going.

1350
01:08:39,360 --> 01:08:45,360
Speaker 3: Well we oh it's so cringey, cringey but funny.

1351
01:08:45,920 --> 01:08:48,960
Speaker 6: I love it. Oh, it's been so great having you, Daphne.

1352
01:08:48,960 --> 01:08:51,000
Speaker 6: Thank you for joining us for this afternoon.

1353
01:08:51,240 --> 01:08:55,200
Speaker 3: You guys, this is so fun. Next episode you've already watched.

1354
01:08:55,200 --> 01:08:59,320
Speaker 3: Are we going to be happy next week? It's all good,

1355
01:08:59,439 --> 01:09:00,200
Speaker 3: it's all good.

1356
01:09:00,240 --> 01:09:05,440
Speaker 5: Come on, you're either just take drink your white wine, spritzer, podcorn.

1357
01:09:07,080 --> 01:09:10,280
Speaker 3: Don't take it so seriously. It's so much fun. Don't

1358
01:09:10,479 --> 01:09:12,080
Speaker 3: take it so seriously.

1359
01:09:12,640 --> 01:09:15,360
Speaker 5: Yeah, it's fun to cringe too. You guys like the

1360
01:09:15,439 --> 01:09:18,400
Speaker 5: cringe every now and then, which is good. So there's

1361
01:09:18,439 --> 01:09:23,040
Speaker 5: some Yeah, good, especially with the nanny Carey Steph, Miss Haley.

1362
01:09:23,280 --> 01:09:26,519
Speaker 3: Can't wait, I can't wait. I'm so excited. All right,

1363
01:09:26,560 --> 01:09:27,679
Speaker 3: what do we got next week?

1364
01:09:28,160 --> 01:09:31,240
Speaker 1: All right, friends, next week we have season five, Episode five.

1365
01:09:32,160 --> 01:09:35,080
Speaker 1: I forgot to remember to forget you guys.

1366
01:09:35,160 --> 01:09:41,400
Speaker 3: This has been great. Hey, thanks for listening.

1367
01:09:41,520 --> 01:09:43,759
Speaker 1: Don't forget to leave us a review. You can also

1368
01:09:43,840 --> 01:09:46,839
Speaker 1: follow us on Instagram at Drama Queen's ot.

1369
01:09:46,920 --> 01:09:51,599
Speaker 3: H or email us at Drama Queens at iHeartRadio dot com.

1370
01:09:51,880 --> 01:09:52,880
Speaker 3: See you next time.

1371
01:09:54,120 --> 01:09:57,519
Speaker 2: We all about that high school drama Girl, Drama Girl,

1372
01:09:57,600 --> 01:10:00,720
Speaker 2: all about the high school Queens will take you for

1373
01:10:00,800 --> 01:10:04,240
Speaker 2: a ride, and our comic girl cheering for the right teams.

1374
01:10:04,320 --> 01:10:08,360
Speaker 2: Drama Queenslise my girl, rough girl fashion with your tough girl,

1375
01:10:08,439 --> 01:10:09,400
Speaker 2: you could sit with us.

1376
01:10:09,439 --> 01:10:13,519
Speaker 6: Girl Drama Queens, Drama Quease Drama, Queens Drama Drama, Queens

1377
01:10:13,600 --> 01:10:15,200
Speaker 6: Drama Queens