WEBVTT - Dreamfall into the Dark, Part 3

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey you welcome to Stuff to Blow Your Mind.

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<v Speaker 3>My name is Robert Land, and I'm Joe McCormick.

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<v Speaker 2>This is the third episode and what I believe is

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<v Speaker 2>going to be a four part series about dream mystique,

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<v Speaker 2>dream culture. We're going to have one more episode that

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<v Speaker 2>is going to focus on Japanese dream.

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<v Speaker 3>Culture and finally get to that monster that is the

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<v Speaker 3>reason we started looking at this.

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<v Speaker 2>Yes, yeah, we've been chasing after that monster and ultimately

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<v Speaker 2>we will chase it across the sea and discuss its

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<v Speaker 2>form and function. In this one, we're going to get

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<v Speaker 2>more properly into the main focus of the Dreaming Mind

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<v Speaker 2>of The End of the Main World by Lynn A. Struve,

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<v Speaker 2>which we've been referring to in these episodes. This was

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<v Speaker 2>published in twenty nineteen by the University of Hawaii Press. Naturally,

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<v Speaker 2>we're not going to cover everything in that but rather,

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<v Speaker 2>you know, highlight some of the key points, some interesting

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<v Speaker 2>bits that stand out and leave you to explore the

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<v Speaker 2>book yourself if you want to go deeper in on it.

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<v Speaker 3>But in the.

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<v Speaker 2>Previous episodes two episodes, we we mostly discussed other dream

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<v Speaker 2>cultures from around the world highlighted lighted by Stroove as

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<v Speaker 2>being sort of hot beds of focus on the potential

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<v Speaker 2>of dreams to impact our daily lives.

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<v Speaker 3>Yeah, particularly times and places when a lot of dream

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<v Speaker 3>writing was produced. A lot of literature that still comes

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<v Speaker 3>down to us, whether that's individual like from journals and

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<v Speaker 3>diaries and letters and stuff, or you know, published works

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<v Speaker 3>that concern dreams and often invest kind of some significance

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<v Speaker 3>beyond just psychological curiosity in dreams.

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<v Speaker 2>Yeah, because there's always going to be some sort of

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<v Speaker 2>dream culture in play. There's going to be you know,

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<v Speaker 2>dream or are a reality among all us, you know,

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<v Speaker 2>I mean, it's just it's a human, universal, human experience.

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<v Speaker 2>We're going to have these strange visions, mundane visions, comforting visions,

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<v Speaker 2>disturbing visions, or traumatizing visions come to us in the night.

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<v Speaker 2>It is the you know, we talk so much, you know,

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<v Speaker 2>on the show, but in the culture in general about

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<v Speaker 2>you know, visions brought on by things that are less

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<v Speaker 2>every day you know that be it some sort of

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<v Speaker 2>a you know, peculiar encounter or the use of some

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<v Speaker 2>sort of substance that creates a vision. But the thing

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<v Speaker 2>about dreams is the dreams open up the door to

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<v Speaker 2>visions pretty much every night, like it's just with with

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<v Speaker 2>regular frequency, and something is always going to be made

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<v Speaker 2>of that in a given culture. But these are those

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<v Speaker 2>periods of times where they really went all in, especially

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<v Speaker 2>among like the the literary, you know, the the upper

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<v Speaker 2>echeligne of the like the theological branch of a given culture.

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<v Speaker 3>Now, in the introduction to Struve's book about the dream

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<v Speaker 3>arc in the End of the Ming Dynasty in China,

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<v Speaker 3>she does talk about how, basically like any time and

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<v Speaker 3>place she has examined, there seems to be a trichotomy

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<v Speaker 3>of explanations for dreams. There's always sort of in the mix,

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<v Speaker 3>a way of saying, well, that dream is just sort

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<v Speaker 3>of a natural phenomenon. Maybe it's a result of you

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<v Speaker 3>digesting a bit of mustard or cheese. There is a

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<v Speaker 3>way of saying that the dream is given to you

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<v Speaker 3>by a demonic force or bad spiritual entity. And there's

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<v Speaker 3>a way of saying that a dream is given to

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<v Speaker 3>you by a heavenly force or it's some kind of inspiration,

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<v Speaker 3>it's a positive supernatural gift, and that kind of does permeate.

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<v Speaker 3>You can find those three explanations all around the world

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<v Speaker 3>at basically all times in places.

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<v Speaker 2>Yeah, God, devil or potato, and I guess at times

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<v Speaker 2>that you know, you may lean more towards one of

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<v Speaker 2>the other, though I guess seems to be the case

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<v Speaker 2>that you know, all three are going to be in

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<v Speaker 2>play to some degree, because I mean, how all in

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<v Speaker 2>can you go on say the devil or evil spirit

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<v Speaker 2>understanding of dreams without having to sort of release the

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<v Speaker 2>pressure a little bit and saying, you know, not all

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<v Speaker 2>of these are the devil, some of these are just

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<v Speaker 2>a potato, and you know, maybe some of these are

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<v Speaker 2>actually useful as well. Now, one thing I wanted to

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<v Speaker 2>touch on here at the start is coming back to

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<v Speaker 2>something we discussed towards the end of the last episode,

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<v Speaker 2>is the idea that when you have a given culture

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<v Speaker 2>that really like opens the gates on dreaming, that that says,

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<v Speaker 2>in one way or another, dreams matter, Dreams are important,

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<v Speaker 2>and we all have access to them. You know this,

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<v Speaker 2>this can open the floodgate, and this can perhaps require

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<v Speaker 2>some individuals to sort of move in and individuals and

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<v Speaker 2>positions of power, et cetera to sort of say, well,

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<v Speaker 2>let's let's reconsider that or let's let's maybe think about

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<v Speaker 2>what this particular dream means. And for the main candidate

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<v Speaker 2>here would be anytime dreams are interpreted as being the

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<v Speaker 2>will or revelations of a God, or God's dreams as

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<v Speaker 2>revelations of the future.

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<v Speaker 3>The main context in which this came up was our

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<v Speaker 3>discussion of the role of dreams in early Quakerism, where

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<v Speaker 3>a lot of meetings of the religious Society of Friends

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<v Speaker 3>and publications by this fledgling religious group would discuss dreams

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<v Speaker 3>people had as prophetic revelations from God. But of course

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<v Speaker 3>that gives any individual person a lot of power and

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<v Speaker 3>authority to say like, oh, I had a dream. This

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<v Speaker 3>might be from God, and the dream could say anything.

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<v Speaker 3>It might say something really destabilizing to your social group,

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<v Speaker 3>or it might give a kind of really destabilizing political exhortation,

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<v Speaker 3>maybe we need to do something that could get us

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<v Speaker 3>into trouble with the authorities. So yeah, you had to

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<v Speaker 3>have a kind of dream police, as it were, Like

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<v Speaker 3>leaders of the early Quakers ended up kind of steering

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<v Speaker 3>dream interpretation and selective publication of dreams to rock the

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<v Speaker 3>boat less essentially, to to be like, oh, let's not

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<v Speaker 3>let's not do anything too crazy. Now, how about we

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<v Speaker 3>just interpret these dreams as you know, applying to individual

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<v Speaker 3>moral behavior rather than having any kind of radical, broader

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<v Speaker 3>social or political implications.

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<v Speaker 2>Yeah, yeah, so there are There are two examples from

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<v Speaker 2>from Chinese history and Chinese considerations of dream that I

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<v Speaker 2>want to share here from from her book that tie

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<v Speaker 2>into this. The first is an example that far precedes

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<v Speaker 2>the Ning dynasty. Struve shares an account of one Zao

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<v Speaker 2>xi Lang, a disciple of the great polymath Tao hong

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<v Speaker 2>Jing of the fifth and sixth centuries BCE. So hong

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<v Speaker 2>Jing insisted that most of his disciples visions. This is

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<v Speaker 2>the man that had various visions and would write about

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<v Speaker 2>these visions. We're waking visions. These were visions he's having

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<v Speaker 2>during the day, you know, the kind of thing that

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<v Speaker 2>we might think of as being brought on by like

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<v Speaker 2>meditation or something of that nature. But Zao's own dream records,

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<v Speaker 2>it seems, are just increasingly dream focused if you look

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<v Speaker 2>at them in chronological order, until all of his alleged

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<v Speaker 2>visitations with Dallas deities are conducted via dream as opposed

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<v Speaker 2>to waking visions of one sort or another, and he

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<v Speaker 2>ultimately believes himself summoned to the celestial realm, so he

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<v Speaker 2>intentionally overdoses on poison in order to obey those summons.

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<v Speaker 2>So ultimately kind of a haunting tale, but one of

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<v Speaker 2>these where you can see like this push and pull,

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<v Speaker 2>the one individual pulled strongly into the dream visions, and

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<v Speaker 2>this kind of attempted course correction, either course correction or

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<v Speaker 2>or some attempt to sort of alter the account a

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<v Speaker 2>little bit and say, well, you know, actually they weren't

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<v Speaker 2>all dream visions. Most of them were or are waking visions,

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<v Speaker 2>and those are ultimately more important. And this will become

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<v Speaker 2>essential when we talk a little bit more about this

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<v Speaker 2>idea of what dreams represent and what the waking world

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<v Speaker 2>represents in sort of the larger Chinese cosmology. Now, she

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<v Speaker 2>also shares an interesting situation concerning a prominent Jesuit missionary

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<v Speaker 2>to China by the name of Guglio Alini who lived

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<v Speaker 2>fifteen eighty two through sixteen forty nine, and this individual

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<v Speaker 2>enacted a strict policy of rationalistic dream and sleep interpretation

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<v Speaker 2>among Christian followers in China at the time. In other words,

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<v Speaker 2>the idea was no divine dreams even for the devout,

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<v Speaker 2>and one reason for this would seem to be that

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<v Speaker 2>the people of maritime Fujan Province were said to have

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<v Speaker 2>a strong zeal for the power of dream, very strong

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<v Speaker 2>dream culture, and that this particular missionary had to contend

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<v Speaker 2>with quote, a virtual cult of sainthood concerning the dream

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<v Speaker 2>accounts of a convert to Christianity named zang Shi. It

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<v Speaker 2>would seem that Jesuit records of this time insisted that

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<v Speaker 2>these dreams occurred during periods of ill health, to further

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<v Speaker 2>push them aside into that dismissable realm of dreams as

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<v Speaker 2>byproduct or residue, the potato realm, as opposed to the

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<v Speaker 2>divine realm. Though of course this is of course again

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<v Speaker 2>a Jesuit missionary. So this is an outsider with an

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<v Speaker 2>outside faith that has been introduced into China. It's contending

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<v Speaker 2>like a with a local indigenous dream culture.

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<v Speaker 3>Well right, yeah, So as a Catholic missionary, he would

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<v Speaker 3>want to be presenting a sort of a stable theology

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<v Speaker 3>to people. It's like, this is what comes from the

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<v Speaker 3>Bible and from the Church, and you can't like change

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<v Speaker 3>anything by having a dream and getting a new revelation

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<v Speaker 3>from God. It's all already here for you.

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<v Speaker 2>Yeah, I mean, obviously, the Catholic Church is kind of

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<v Speaker 2>like the poster child of top down religion, top down theology,

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<v Speaker 2>and historically they have not reacted well to new revelations

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<v Speaker 2>among the lower tiers. Now, to move on to the

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<v Speaker 2>Ming Dynasty period, the late Ming Dynasty period in particular,

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<v Speaker 2>that's the main focus of the book, it's probably necessary

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<v Speaker 2>to add just a little historical context. So the Ming

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<v Speaker 2>Dynasty was an imperial dynasty of China ruled by the

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<v Speaker 2>Han people. They had overthrown the Mongol led Yuan dynasty

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<v Speaker 2>in thirteen sixty eight and would ultimately succumb to the

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<v Speaker 2>Manchu led Qing dynasty in sixteen forty four. The Qing

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<v Speaker 2>Dynasty would be the last imperial dynasty of China. And

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<v Speaker 2>so Struve is dealing mostly with the Late Ming Empire,

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<v Speaker 2>this period that she describes as a time of disintegration,

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<v Speaker 2>the empires in decline, it's threatened and ultimately overthrown by outsiders.

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<v Speaker 2>And then also she's dealing with the immediate period thereafter,

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<v Speaker 2>the early Qing dynasty, in which you have all of

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<v Speaker 2>these people who have the you know, the Han people

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<v Speaker 2>within this dynasty who have gone through all this change

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<v Speaker 2>and are dealing at times with the trauma all of

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<v Speaker 2>that change. And incidentally, she also gets we're not gonna

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<v Speaker 2>have time to get into any of this, but she

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<v Speaker 2>has a number of mentions of the writings of pousong Ling,

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<v Speaker 2>who wrote the Strange Tales from the Chinese studio. He's

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<v Speaker 2>born shortly after the fall of the Ming dynasty in

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<v Speaker 2>that period of transition. So if you're interested in pusong Ling,

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<v Speaker 2>this is also a book we're picking up.

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<v Speaker 3>Referenced frequently on this show.

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<v Speaker 2>Yeah, pusong Ling a lot of weird tales he shares

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<v Speaker 2>concerning everything from ghosts and trolls and goblins to you know,

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<v Speaker 2>at times just kind of there's more than one sort

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<v Speaker 2>of body story thrown in there as well. Now, other

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<v Speaker 2>key factors during this time period, according to Struve, she says,

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<v Speaker 2>there is a trend toward moral ethical subjectivity in spiritual exploration.

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<v Speaker 2>There was a mounting dysfunctionality of the state system in

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<v Speaker 2>political culture, which meant that you had a lot of

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<v Speaker 2>individuals that would you know, otherwise have been focusing their

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<v Speaker 2>energy on advancing themselves and applying themselves in official state positions,

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<v Speaker 2>but they're unable to so they're left to engage personal projects,

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<v Speaker 2>they're left to indulge inward gazing in this pursuit of

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<v Speaker 2>dream and fed by all of this, there was also

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<v Speaker 2>a general questioning of the rationalism and emotional control that

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<v Speaker 2>was part of sort of the dominant mean philosophy and

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<v Speaker 2>politics up to that point. And just in general again

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<v Speaker 2>the line of one dynasty and the pending emergence of

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<v Speaker 2>a new dynasty, there's this growing sense of a loss

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<v Speaker 2>of control for many, she says, a sense of uncertainty

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<v Speaker 2>that leads to an increased focus on cosmic answers and

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<v Speaker 2>inward reflections, both of which, as we've been discussing, are

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<v Speaker 2>sort of universally sometimes sought out through the world of dreams,

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<v Speaker 2>and this is very much part of dream culture in

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<v Speaker 2>China of the day as well. Now Streff discusses the

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<v Speaker 2>legacy of Chinese dream interpretation at length, going back well

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<v Speaker 2>before this period, of course, into shamanistic traditions of old,

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<v Speaker 2>similar to some of what we discussed concerning the Ottoman

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<v Speaker 2>dream culture, but she explains that the understanding of dreaming

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<v Speaker 2>at its most basic and Chinese tradition was considered in

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<v Speaker 2>terms of course of yen and yang and in two

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<v Speaker 2>sort of broad ways of looking at it. So, in

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<v Speaker 2>one school of thought, which she calls the partheid model,

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<v Speaker 2>wakefulness is the Yang state and sleep or dream is

0:14:01.120 --> 0:14:04.000
<v Speaker 2>the Yen state. So it's in the yen state that

0:14:04.080 --> 0:14:07.199
<v Speaker 2>one's two souls, the terrestrial soul and the aerial soul,

0:14:07.280 --> 0:14:11.760
<v Speaker 2>become disconnected, allowing the end state of the soul to

0:14:11.880 --> 0:14:15.360
<v Speaker 2>explore without anchor of the yang. And if these two

0:14:15.440 --> 0:14:19.800
<v Speaker 2>souls don't recouple upon waking, well, then you die. And

0:14:19.840 --> 0:14:23.200
<v Speaker 2>thus there's this long standing connection between sleep and death

0:14:23.200 --> 0:14:28.360
<v Speaker 2>in Chinese thought, I guess I'm assuming also coupled with

0:14:27.520 --> 0:14:32.320
<v Speaker 2>the with the obvious observation that when we sleep it's

0:14:32.400 --> 0:14:36.240
<v Speaker 2>kind of like we're dead. Also in dream, it's said

0:14:36.440 --> 0:14:40.560
<v Speaker 2>via this model, the drifting soul might encounter quote, avatars

0:14:40.600 --> 0:14:43.720
<v Speaker 2>of the forces of justice and fate that one would

0:14:43.800 --> 0:14:46.360
<v Speaker 2>not normally encounter in the mundane world, but you might

0:14:46.440 --> 0:14:49.080
<v Speaker 2>encounter them in dream, and therefore you might suffer ill

0:14:49.160 --> 0:14:51.160
<v Speaker 2>dreams and nightmares as punishments.

0:14:52.440 --> 0:14:55.880
<v Speaker 3>But basically the idea that when the material like the

0:14:56.600 --> 0:15:00.200
<v Speaker 3>grounded soul and the aerial souls separate during sleep, the

0:15:00.240 --> 0:15:03.560
<v Speaker 3>aerial soul can kind of wander and have encounters with

0:15:03.640 --> 0:15:06.680
<v Speaker 3>other like ghosts or ancestors or other beings.

0:15:07.120 --> 0:15:11.160
<v Speaker 2>Yeah, and also just more broadly, that the waking world

0:15:11.240 --> 0:15:13.160
<v Speaker 2>is the yang world and the dream world is the

0:15:13.240 --> 0:15:17.280
<v Speaker 2>yen world. But then this other model, which she calls

0:15:17.320 --> 0:15:19.720
<v Speaker 2>the phasic model, it takes a different approach to yin

0:15:19.800 --> 0:15:25.040
<v Speaker 2>and yang and dreams and wakefulness. In this one, the

0:15:25.160 --> 0:15:29.400
<v Speaker 2>idea is that a sleeping individual will cycle in and

0:15:29.440 --> 0:15:33.560
<v Speaker 2>out of different phases of yin and yang throughout one's

0:15:33.840 --> 0:15:37.080
<v Speaker 2>sleep at night, and this would be in the form

0:15:37.120 --> 0:15:41.480
<v Speaker 2>of dreamlessness and dreaming. So in this what goes on

0:15:41.560 --> 0:15:44.160
<v Speaker 2>in our sleep mirror mirrors just all the other patterns

0:15:44.160 --> 0:15:46.040
<v Speaker 2>in our life, just a pattern of yin and yang,

0:15:46.480 --> 0:15:49.120
<v Speaker 2>and you know, and ultimately you want these to be

0:15:49.160 --> 0:15:52.240
<v Speaker 2>in balance with each other. This school of thoughts, she writes,

0:15:52.280 --> 0:15:56.520
<v Speaker 2>stress natural causes of dreams and nightmares rather than the supernatural,

0:15:57.120 --> 0:15:59.360
<v Speaker 2>so not saying that it was just all potato, but

0:15:59.520 --> 0:16:02.880
<v Speaker 2>leaned more potato than the other model.

0:16:03.240 --> 0:16:07.520
<v Speaker 3>That's interesting because obviously it mirrors the true fact that

0:16:07.560 --> 0:16:10.120
<v Speaker 3>we don't dream the entire time we're asleep, that there

0:16:10.120 --> 0:16:13.960
<v Speaker 3>are specific phases of sleep during which we dream or

0:16:14.040 --> 0:16:15.560
<v Speaker 3>during which dreaming is heightened.

0:16:15.840 --> 0:16:17.880
<v Speaker 2>Yeah, it's also interesting concerning some other things that come

0:16:17.920 --> 0:16:21.080
<v Speaker 2>up in the book about just thinking about different ways

0:16:21.240 --> 0:16:25.000
<v Speaker 2>that a night's sleep may go. And indeed this sort

0:16:25.000 --> 0:16:29.320
<v Speaker 2>of idea that some positive that you could have an

0:16:29.480 --> 0:16:32.840
<v Speaker 2>entire night's sleep that is completely dream free, that you

0:16:32.880 --> 0:16:37.040
<v Speaker 2>can avoid dreams entirely, or you can avoid all sorts

0:16:37.080 --> 0:16:39.880
<v Speaker 2>of one type of dream in favor of another.

0:16:41.120 --> 0:16:43.240
<v Speaker 3>Oh yeah, well that brings up another way of thinking

0:16:43.240 --> 0:16:46.920
<v Speaker 3>about dreams that is different than I think anything we've

0:16:46.960 --> 0:16:49.120
<v Speaker 3>discussed in this series so far. We focused a lot

0:16:49.160 --> 0:16:54.680
<v Speaker 3>on people attaching various kinds of supernatural, revelatory or prophetic

0:16:54.800 --> 0:16:57.600
<v Speaker 3>power to the contents of their dreams. But you know,

0:16:57.640 --> 0:16:59.760
<v Speaker 3>another thing that seems to be fairly common in the

0:16:59.760 --> 0:17:03.840
<v Speaker 3>world is just having beliefs about ways to have a

0:17:03.920 --> 0:17:06.640
<v Speaker 3>good dream, like when you want to have a good

0:17:06.760 --> 0:17:08.240
<v Speaker 3>dream as opposed to a bad one.

0:17:08.760 --> 0:17:11.000
<v Speaker 2>Yeah, And I think this is like a lot of

0:17:11.040 --> 0:17:13.040
<v Speaker 2>what's going on, and particularly in the Chinese example, is

0:17:13.080 --> 0:17:16.639
<v Speaker 2>occurring again among the elites, among the intellectual elites and

0:17:16.680 --> 0:17:19.919
<v Speaker 2>theological elites of the day, and it gets, you know,

0:17:19.960 --> 0:17:23.239
<v Speaker 2>it gets rather complex. But I think like when you

0:17:23.320 --> 0:17:26.000
<v Speaker 2>get down to some of the more like shamanistic roots

0:17:26.000 --> 0:17:28.760
<v Speaker 2>of all of this and sort of like the average

0:17:28.800 --> 0:17:33.680
<v Speaker 2>individuals like sort of base understanding of dreams. You kind

0:17:33.680 --> 0:17:35.399
<v Speaker 2>of come down to those some of the like the

0:17:35.480 --> 0:17:38.199
<v Speaker 2>really key questions. And obviously one question is is this

0:17:38.280 --> 0:17:40.560
<v Speaker 2>real or is it not? And if it's not real,

0:17:40.720 --> 0:17:42.400
<v Speaker 2>where does it come from? If it is real, where

0:17:42.400 --> 0:17:43.840
<v Speaker 2>does it come from? And what does it mean? That

0:17:43.920 --> 0:17:46.399
<v Speaker 2>sort of thing. But then also like coming down if

0:17:46.400 --> 0:17:48.600
<v Speaker 2>you ask the average individual just on the street, hey,

0:17:48.640 --> 0:17:50.760
<v Speaker 2>what do you think about dreams? Even today? They might

0:17:50.840 --> 0:17:53.960
<v Speaker 2>be like, I don't know, you know, dreams or dreams whatever.

0:17:54.280 --> 0:17:55.560
<v Speaker 2>But if you ask them what do you think about

0:17:55.600 --> 0:17:58.359
<v Speaker 2>what is your opinion on nightmares? Most people are going

0:17:58.440 --> 0:18:00.720
<v Speaker 2>to say I don't care for them. I would prefer

0:18:00.840 --> 0:18:03.480
<v Speaker 2>not to have them. And so there's I think there's

0:18:03.480 --> 0:18:06.120
<v Speaker 2>always going to be that level of a dream culture

0:18:06.160 --> 0:18:09.120
<v Speaker 2>as well, like can we do something about these nightmares?

0:18:09.160 --> 0:18:10.760
<v Speaker 2>I mean, this is nice that you have all these

0:18:10.760 --> 0:18:13.080
<v Speaker 2>thoughts about like where these are coming from, But I

0:18:13.119 --> 0:18:16.120
<v Speaker 2>would tell me how to not have the nightmare.

0:18:16.240 --> 0:18:19.480
<v Speaker 3>Whether Scrooge is being tortured by the actual ghost of

0:18:19.560 --> 0:18:22.320
<v Speaker 3>Jacob Marley or it is just the bit of mustard

0:18:22.480 --> 0:18:25.240
<v Speaker 3>or the crust of bread that is causing it. Either way,

0:18:25.280 --> 0:18:26.400
<v Speaker 3>it is unpleasant.

0:18:27.080 --> 0:18:29.639
<v Speaker 2>Yeah, I mean this is I'm sure preaching to the

0:18:29.680 --> 0:18:34.200
<v Speaker 2>choir universally among our listeners here. But you know, nightmares suck.

0:18:34.600 --> 0:18:40.560
<v Speaker 2>They disrupt your night's sleep, and by disrupting your night's sleep,

0:18:40.560 --> 0:18:45.320
<v Speaker 2>you're gonna inevitably disrupt your waking day to follow, not

0:18:45.359 --> 0:18:48.360
<v Speaker 2>only like on a physiological level, but also a potentially

0:18:48.400 --> 0:18:51.040
<v Speaker 2>on a mental or emotional level. And we have to

0:18:51.240 --> 0:18:54.960
<v Speaker 2>bear in mind that like bad dreams and nightmares can

0:18:55.000 --> 0:18:59.680
<v Speaker 2>also be intensified via stress and trauma in life. So

0:19:00.040 --> 0:19:03.880
<v Speaker 2>you know, it's like this boulder rolling down a hill,

0:19:04.200 --> 0:19:07.960
<v Speaker 2>and I think we can all, you know, understand that

0:19:07.960 --> 0:19:12.000
<v Speaker 2>that desire to want to stop that boulder or to

0:19:12.640 --> 0:19:16.440
<v Speaker 2>diminish it somehow before it lands into us. And that's

0:19:16.520 --> 0:19:18.720
<v Speaker 2>without even getting into some of the more extreme examples

0:19:18.760 --> 0:19:21.600
<v Speaker 2>of Paris on the night terrors and so forth, Like

0:19:21.720 --> 0:19:25.280
<v Speaker 2>just sort of like normal nightmares can be horrible. They're

0:19:25.280 --> 0:19:28.840
<v Speaker 2>horrible for us and then certainly as parents, you know,

0:19:29.040 --> 0:19:32.159
<v Speaker 2>they're horrible when you're having to deal with someone, especially

0:19:32.200 --> 0:19:34.560
<v Speaker 2>a young child, but also to other loved ones when

0:19:34.560 --> 0:19:37.280
<v Speaker 2>they're experiencing them, because there's this kind of kind of

0:19:37.359 --> 0:19:41.119
<v Speaker 2>helplessness to it, right, Like you can't protect them in

0:19:41.200 --> 0:19:54.040
<v Speaker 2>their dreams. So we'll get back to this general topic

0:19:54.119 --> 0:19:59.000
<v Speaker 2>of like traditions and customs regarding the prevention of bad

0:19:59.119 --> 0:20:03.040
<v Speaker 2>dreams and sort of opening the door for more positive dreams.

0:20:03.640 --> 0:20:06.920
<v Speaker 2>But this also brings up something that I'm sure a

0:20:07.000 --> 0:20:09.520
<v Speaker 2>number of you have been thinking about listening to these episodes,

0:20:09.720 --> 0:20:13.080
<v Speaker 2>and you've probably been wondering why it hasn't come up yet,

0:20:13.200 --> 0:20:17.040
<v Speaker 2>and that is the topic of so called lucid dreaming.

0:20:18.040 --> 0:20:20.200
<v Speaker 2>Lucid dreaming is, of course, you know, the idea that

0:20:20.240 --> 0:20:23.600
<v Speaker 2>you can take the wheel of your dreams, that within

0:20:23.680 --> 0:20:26.680
<v Speaker 2>your dream you can realize you are dreaming and say, hey,

0:20:26.880 --> 0:20:28.560
<v Speaker 2>I'm going to flip the script here, I'm going to

0:20:28.640 --> 0:20:29.600
<v Speaker 2>do whatever I want.

0:20:30.040 --> 0:20:33.840
<v Speaker 3>Essentially, it's interesting because it often seems to hinge on

0:20:33.880 --> 0:20:37.120
<v Speaker 3>the question of whether you can realize when you are dreaming.

0:20:37.920 --> 0:20:41.160
<v Speaker 2>Yeah, and you know, it's something that my understanding from

0:20:41.160 --> 0:20:43.280
<v Speaker 2>having you know, discussed on the show in the bast

0:20:43.400 --> 0:20:45.440
<v Speaker 2>is that it's something you got to work at. People

0:20:45.440 --> 0:20:49.680
<v Speaker 2>do apply themselves to it, and people do report results.

0:20:50.200 --> 0:20:53.600
<v Speaker 2>I've never applied myself to it, and therefore the few

0:20:53.640 --> 0:20:56.760
<v Speaker 2>times that I do have lucid moments in my dreams

0:20:56.800 --> 0:20:59.960
<v Speaker 2>where I realize that I am dreaming. I immediately follow

0:21:00.080 --> 0:21:02.240
<v Speaker 2>out of it. So I'll have a dream where I'm like, hey,

0:21:02.240 --> 0:21:04.320
<v Speaker 2>this is a dream, and then I'll be like, what

0:21:04.440 --> 0:21:06.440
<v Speaker 2>did I just think? I don't remember, and then I'm

0:21:06.480 --> 0:21:08.680
<v Speaker 2>back under the spell of the dream, and this will

0:21:08.720 --> 0:21:11.000
<v Speaker 2>happen the times that it's happened like this, It'll just

0:21:11.040 --> 0:21:15.720
<v Speaker 2>happen like several times in a row, and I'm unable

0:21:15.760 --> 0:21:18.240
<v Speaker 2>to shake the delusion of the dream.

0:21:18.560 --> 0:21:20.479
<v Speaker 3>I think I've shared this on the show before, but

0:21:21.480 --> 0:21:24.280
<v Speaker 3>my experience is every time in a dream I start

0:21:24.320 --> 0:21:27.159
<v Speaker 3>to wonder if I'm dreaming or not, I think, no,

0:21:27.480 --> 0:21:32.479
<v Speaker 3>this is definitely real. It seems to imply I don't know.

0:21:32.520 --> 0:21:35.199
<v Speaker 3>I wonder if that means I'm especially prone to delusions.

0:21:35.640 --> 0:21:36.479
<v Speaker 3>I'm not sure.

0:21:36.920 --> 0:21:40.760
<v Speaker 2>Yeah, it's hard for me to like in the dream.

0:21:40.840 --> 0:21:44.400
<v Speaker 2>I'm always like, I bring my own like waking sort

0:21:44.440 --> 0:21:47.719
<v Speaker 2>of cautiousness to the dream. So I was thinking earlier

0:21:47.800 --> 0:21:53.040
<v Speaker 2>about like substances within dreams, drugs within dreams, for example,

0:21:53.080 --> 0:21:56.359
<v Speaker 2>which I've read some wonderful fictional treatments of this before.

0:21:56.440 --> 0:21:59.480
<v Speaker 2>But the times where I've been offered, say a drug

0:21:59.600 --> 0:22:02.280
<v Speaker 2>within it. I'm always like, no, thank you, I don't

0:22:02.280 --> 0:22:05.960
<v Speaker 2>know what's in that will I will politely decline, And

0:22:05.960 --> 0:22:07.960
<v Speaker 2>then afterwards I'm like, well that, why didn't. It's a

0:22:08.080 --> 0:22:11.720
<v Speaker 2>dream like that, this is the place to try strange substances,

0:22:12.000 --> 0:22:14.480
<v Speaker 2>the dream world. But no, I don't realize it's a dream,

0:22:14.520 --> 0:22:15.840
<v Speaker 2>so I don't give it a go.

0:22:16.320 --> 0:22:17.679
<v Speaker 3>Dream cocaine can't hurt you.

0:22:19.480 --> 0:22:22.120
<v Speaker 2>So, as we've discussed on the show before, the term

0:22:22.119 --> 0:22:27.240
<v Speaker 2>itself lucid dreaming originates in nineteen thirteen with Dutch psychiatrist

0:22:27.359 --> 0:22:30.399
<v Speaker 2>Frederick van Eaton, but he was hardly the first person

0:22:30.440 --> 0:22:33.800
<v Speaker 2>to recognize that the dreamer can become aware that they

0:22:33.840 --> 0:22:36.159
<v Speaker 2>are in a dream and then influence the shape of

0:22:36.160 --> 0:22:40.119
<v Speaker 2>that dream. That this basic idea had been written about

0:22:40.200 --> 0:22:43.439
<v Speaker 2>in Europe for centuries, and in ancient times you have

0:22:43.480 --> 0:22:47.600
<v Speaker 2>the likes of Saint Augustine, Galen, Aristotle. They all wrote

0:22:47.600 --> 0:22:50.360
<v Speaker 2>about it. In Asia of The concept was also understood

0:22:50.400 --> 0:22:54.080
<v Speaker 2>among ancient Hindus and early Buddhists, and so this was

0:22:54.119 --> 0:22:58.199
<v Speaker 2>certainly recognized in the dream culture of the Latening period

0:22:58.240 --> 0:23:02.040
<v Speaker 2>as well. Interestingly, we've only mentioned lucid dreaming once in

0:23:02.080 --> 0:23:06.560
<v Speaker 2>the book, but it's still notable. In one section, she

0:23:06.680 --> 0:23:10.760
<v Speaker 2>is discussing leang ying Ming, an important Neo Confucian thinker

0:23:10.800 --> 0:23:13.680
<v Speaker 2>of the Ming dynasty. He is said to have followed

0:23:13.720 --> 0:23:19.080
<v Speaker 2>a Taoist practice of deep meditation that minimized both sleep

0:23:19.280 --> 0:23:22.000
<v Speaker 2>and dream. And I suppose in this we see a

0:23:22.000 --> 0:23:24.119
<v Speaker 2>reflection of that idea that you know, there is a

0:23:24.119 --> 0:23:27.199
<v Speaker 2>threat posed by the irrational dreams. You know, this is

0:23:27.840 --> 0:23:29.840
<v Speaker 2>these are to be avoided because this is where I

0:23:29.840 --> 0:23:34.800
<v Speaker 2>do not have like intellectual and emotional control. So I

0:23:34.840 --> 0:23:37.919
<v Speaker 2>take it to mean he was just maybe not a

0:23:37.960 --> 0:23:41.200
<v Speaker 2>big fan of dreams anyway. He wrote very little about

0:23:41.240 --> 0:23:45.359
<v Speaker 2>dreams himself, but he was a big proponent of something

0:23:45.440 --> 0:23:49.959
<v Speaker 2>known as the lug shi, which Struve describes as the

0:23:50.080 --> 0:23:53.640
<v Speaker 2>infant mind, an innate sense of right and wrong. That

0:23:54.600 --> 0:23:57.000
<v Speaker 2>you can think of this as a kind of innate conscious.

0:23:58.000 --> 0:24:01.400
<v Speaker 2>This is infected if you put it into translators. This

0:24:01.440 --> 0:24:04.040
<v Speaker 2>is how it'll be translated in the modern sense. It's

0:24:04.119 --> 0:24:06.879
<v Speaker 2>kind of a it's your conscious. It's you know, this

0:24:06.960 --> 0:24:10.199
<v Speaker 2>innate sense of right and wrong. And it's said to

0:24:10.240 --> 0:24:13.399
<v Speaker 2>be present even when we are infants. So it's something

0:24:13.480 --> 0:24:16.800
<v Speaker 2>that is not you don't learn in books or school.

0:24:16.840 --> 0:24:21.159
<v Speaker 2>It is something sort of innate and pure within the human.

0:24:20.920 --> 0:24:23.200
<v Speaker 3>Psyche conscience without the law.

0:24:24.080 --> 0:24:28.960
<v Speaker 2>Yeah, which, and where it gets interesting with concerning dreams

0:24:29.080 --> 0:24:32.320
<v Speaker 2>is that Youngming insists that the lang Gie is active

0:24:32.400 --> 0:24:36.600
<v Speaker 2>all the time in both waking and sleeping, making sure

0:24:36.600 --> 0:24:39.080
<v Speaker 2>that any dreams you have are going to be prescient

0:24:39.520 --> 0:24:43.879
<v Speaker 2>rather than mere delusions of dream sleep. I guess you

0:24:43.880 --> 0:24:45.879
<v Speaker 2>would maybe agree that the reason I'm turning down the

0:24:45.920 --> 0:24:49.840
<v Speaker 2>dream cocaine is because of my lang Gee or some

0:24:50.280 --> 0:24:51.639
<v Speaker 2>semblance of my lang Gi.

0:24:52.080 --> 0:24:52.520
<v Speaker 3>I don't know.

0:24:52.640 --> 0:24:56.760
<v Speaker 2>But more importantly, to his teachings, specifically, it was meant

0:24:56.880 --> 0:24:59.960
<v Speaker 2>that the core of spiritual truth was not something limit

0:25:00.240 --> 0:25:03.879
<v Speaker 2>to intellectuals, but something available to everyone from birth. And therefore,

0:25:04.040 --> 0:25:06.680
<v Speaker 2>you know, it had wide popularity and would be the

0:25:06.760 --> 0:25:09.720
<v Speaker 2>kind of the idea that you know, non intellectuals would

0:25:09.760 --> 0:25:14.400
<v Speaker 2>also gravitate towards. But here's where the lucid dreaming comes.

0:25:14.400 --> 0:25:18.919
<v Speaker 2>In one of his contemporaries, lou Honkshin wrote of a

0:25:19.000 --> 0:25:22.119
<v Speaker 2>dream he had as a young boy to demonstrate the

0:25:22.160 --> 0:25:27.439
<v Speaker 2>importance of Langzi, and in particular, this account involves his

0:25:27.640 --> 0:25:32.040
<v Speaker 2>five year old self channeling the Langhi in order to

0:25:32.119 --> 0:25:36.399
<v Speaker 2>overcome the delusions of dream and instead lucid dream his

0:25:36.480 --> 0:25:39.639
<v Speaker 2>way out of it. And Struve also says that this

0:25:39.840 --> 0:25:45.200
<v Speaker 2>was a way to illustrate the importance of Buddha Dallas

0:25:45.200 --> 0:25:50.119
<v Speaker 2>thought even among less radical followers. There's a full account

0:25:50.200 --> 0:25:52.040
<v Speaker 2>of the dream in the book, and the dream itself

0:25:52.080 --> 0:25:54.960
<v Speaker 2>is pretty simple. It's not you know, it's not crazy.

0:25:55.160 --> 0:25:57.480
<v Speaker 2>He dreams himself on a wide, busy street full of

0:25:57.520 --> 0:26:00.520
<v Speaker 2>carts and people, and there, I guess the one like

0:26:00.800 --> 0:26:03.840
<v Speaker 2>implied dream world aspect of it is that the mansions

0:26:04.040 --> 0:26:07.480
<v Speaker 2>towering overhead are kind of dizzying, so I'm imagining something

0:26:07.480 --> 0:26:10.320
<v Speaker 2>more like times Square as opposed to something that would

0:26:10.320 --> 0:26:13.639
<v Speaker 2>actually be appropriate for the time period. But then he

0:26:13.680 --> 0:26:16.159
<v Speaker 2>realizes it's all a dream, and he starts shouting at

0:26:16.160 --> 0:26:18.760
<v Speaker 2>all the people, saying something along the lines of hey, dummies,

0:26:18.760 --> 0:26:21.280
<v Speaker 2>don't you know this is a dream, And they don't listen.

0:26:21.320 --> 0:26:22.840
<v Speaker 2>They just kind of shrug it off and keep doing

0:26:22.880 --> 0:26:25.680
<v Speaker 2>their things. So he laughs at them, he claps his hands,

0:26:26.000 --> 0:26:30.359
<v Speaker 2>and he wakes up, and then as an adult, he

0:26:30.400 --> 0:26:33.120
<v Speaker 2>goes out. You know. In retelling this, he also uses

0:26:33.160 --> 0:26:35.199
<v Speaker 2>this to sort of compare it to the waking world

0:26:35.200 --> 0:26:37.920
<v Speaker 2>as well, which of course, is a common motif.

0:26:38.359 --> 0:26:41.000
<v Speaker 3>This reminds me of one of my favorite Twilight Zone episodes,

0:26:41.040 --> 0:26:43.840
<v Speaker 3>when we talked about in a Halloween show we did

0:26:43.920 --> 0:26:46.920
<v Speaker 3>a few years back, where there is a character who

0:26:47.000 --> 0:26:50.680
<v Speaker 3>keeps insisting to everyone around him that he is dreaming

0:26:50.720 --> 0:26:53.240
<v Speaker 3>and they only exist right now because they are in

0:26:53.320 --> 0:26:56.040
<v Speaker 3>his dream, and whenever he wakes up, they're going to

0:26:56.080 --> 0:27:00.000
<v Speaker 3>cease to be, so it's in their interest for him

0:27:00.080 --> 0:27:02.879
<v Speaker 3>him to keep dreaming. And it turns out he's like

0:27:03.000 --> 0:27:05.320
<v Speaker 3>on death row about to be executed for a crime.

0:27:05.640 --> 0:27:07.959
<v Speaker 3>He's like, don't execute me, because then you will no

0:27:08.040 --> 0:27:08.840
<v Speaker 3>longer exist.

0:27:09.280 --> 0:27:11.520
<v Speaker 2>Oh yeah, that was a good one. Yeah, we did.

0:27:11.600 --> 0:27:14.840
<v Speaker 2>We discussed that in one of the Anthology of Horror episodes,

0:27:14.840 --> 0:27:15.280
<v Speaker 2>I believe.

0:27:16.280 --> 0:27:19.280
<v Speaker 3>But hang Jan doesn't make that case to the people

0:27:19.280 --> 0:27:19.760
<v Speaker 3>around him.

0:27:19.800 --> 0:27:40.560
<v Speaker 4>He's just like, you don't know, you're in a dream right.

0:27:33.400 --> 0:27:33.560
<v Speaker 3>Now.

0:27:33.800 --> 0:27:36.359
<v Speaker 2>To bring things back into like sort of wider consideration

0:27:36.400 --> 0:27:39.639
<v Speaker 2>of dreams during the ming period, again, there's this idea

0:27:39.800 --> 0:27:42.800
<v Speaker 2>that waking is yang and dream as yin only in

0:27:42.840 --> 0:27:46.200
<v Speaker 2>the waking state do you have like true clarity and penetration.

0:27:47.840 --> 0:27:49.640
<v Speaker 2>Though with a number of caveats, you know, we get

0:27:49.640 --> 0:27:51.720
<v Speaker 2>into this idea, like we say in the Three Varieties

0:27:51.760 --> 0:27:56.479
<v Speaker 2>of Dreams, and I saw these discussed elsewhere in Strew's

0:27:56.520 --> 0:28:01.320
<v Speaker 2>book with the confusion Take on Everything, idea of true

0:28:01.400 --> 0:28:05.280
<v Speaker 2>dreams or dreamless dreams, those non delusional dreams which are

0:28:05.320 --> 0:28:09.600
<v Speaker 2>said to arise spontaneously versus strange dreams or nightmares, which

0:28:09.640 --> 0:28:12.800
<v Speaker 2>I think we can compare to the infernal interpretation. And

0:28:12.840 --> 0:28:17.640
<v Speaker 2>then stirrings which arise in response to life experiences, which

0:28:17.640 --> 0:28:20.720
<v Speaker 2>of course is clearly the potato category. But by the

0:28:20.760 --> 0:28:23.959
<v Speaker 2>seventeenth century there is also this idea that in sleep,

0:28:24.000 --> 0:28:25.919
<v Speaker 2>some part of the dream is allowed to wander like

0:28:25.960 --> 0:28:29.280
<v Speaker 2>an unbridled horse, a horse that is still tame, though,

0:28:29.440 --> 0:28:32.920
<v Speaker 2>and may report back to the body with wisdom. Again

0:28:33.000 --> 0:28:35.440
<v Speaker 2>touching into some of these ideas we've discussed already about

0:28:35.440 --> 0:28:38.880
<v Speaker 2>half the soul wandering and having these encounters, opening the

0:28:38.880 --> 0:28:42.720
<v Speaker 2>possibility for divine visions and so forth. S True summarizes

0:28:42.760 --> 0:28:45.560
<v Speaker 2>that all of this begins with a general trend towards

0:28:45.560 --> 0:28:49.560
<v Speaker 2>subjectivity and neo Confucianism, but then it gains more momentum

0:28:49.600 --> 0:28:56.280
<v Speaker 2>through Dallast and Buddhist thought and ming intellectual circles. These are,

0:28:56.320 --> 0:28:59.760
<v Speaker 2>of course the three major teachings, and then the dream

0:28:59.760 --> 0:29:03.360
<v Speaker 2>could permeates the literary and visual arts of the time period,

0:29:03.440 --> 0:29:07.760
<v Speaker 2>producing apparently more dream related works of art and literature

0:29:08.040 --> 0:29:12.000
<v Speaker 2>in China than any other period. And everything is then

0:29:12.040 --> 0:29:14.520
<v Speaker 2>sort of wrapped up in the vortex of a dynasty

0:29:14.560 --> 0:29:17.240
<v Speaker 2>at its end, and then ultimately the aftermath of that end.

0:29:17.560 --> 0:29:20.080
<v Speaker 2>And she says that while all cultures have their dream cultures,

0:29:20.480 --> 0:29:23.720
<v Speaker 2>dreams are not considered with equal seriousness across all of them,

0:29:23.920 --> 0:29:27.560
<v Speaker 2>especially among the educated elite. But one of her core

0:29:27.640 --> 0:29:30.520
<v Speaker 2>arguments is that the Late Ming period is the most

0:29:30.600 --> 0:29:35.040
<v Speaker 2>radical period of Chinese dream culture, and given that, one

0:29:35.080 --> 0:29:37.600
<v Speaker 2>could make a good case for it being the most

0:29:37.640 --> 0:29:41.080
<v Speaker 2>radical period of dream culture in recorded human history. And

0:29:41.120 --> 0:29:44.440
<v Speaker 2>here's one more interesting tidbit. Struve argues the quote, the

0:29:44.480 --> 0:29:47.720
<v Speaker 2>total effect of these changes was to weaken the distinction

0:29:48.160 --> 0:29:51.920
<v Speaker 2>that people normally drew between waking and non waking awareness

0:29:52.320 --> 0:29:57.680
<v Speaker 2>and to make doubts about parsing reality and unreality emblematic

0:29:57.800 --> 0:29:58.480
<v Speaker 2>of the age.

0:29:59.080 --> 0:30:00.280
<v Speaker 3>Is this real life?

0:30:00.440 --> 0:30:04.280
<v Speaker 2>Yeah? So yeah, just such a fascinating look at this

0:30:04.440 --> 0:30:06.880
<v Speaker 2>time period, which again we check out the book if

0:30:06.880 --> 0:30:08.840
<v Speaker 2>you want to really go go and deep on it.

0:30:08.840 --> 0:30:13.240
<v Speaker 2>It's it's very readable, very interesting stuff. But just the

0:30:13.280 --> 0:30:16.880
<v Speaker 2>take home, yeah, is that that perhaps arguably like this

0:30:16.960 --> 0:30:20.440
<v Speaker 2>may be the period certainly in Chinese tradition, in Chinese history,

0:30:20.760 --> 0:30:24.920
<v Speaker 2>but maybe even larger, maybe with thin human culture recorded

0:30:25.000 --> 0:30:28.360
<v Speaker 2>human history entirely, like this is the period of time

0:30:28.520 --> 0:30:34.960
<v Speaker 2>where the focus on dreams becomes like like so pronounced

0:30:35.160 --> 0:30:39.640
<v Speaker 2>that that you're like weakening our popular understanding of the

0:30:39.720 --> 0:30:42.920
<v Speaker 2>day between reality and unreality. It's it's fascinating to think

0:30:42.960 --> 0:30:43.240
<v Speaker 2>about it.

0:30:43.760 --> 0:30:47.880
<v Speaker 3>And ultimately, what is the argument Struve makes about why

0:30:48.040 --> 0:30:52.040
<v Speaker 3>the literature and art of this period is so dream focused?

0:30:53.040 --> 0:30:55.080
<v Speaker 2>You know, I think it comes down to those converging

0:30:55.920 --> 0:30:58.880
<v Speaker 2>elements you know that we touched on earlier. You know

0:30:58.960 --> 0:31:02.360
<v Speaker 2>that you have a dynasty at its end, you have

0:31:03.840 --> 0:31:07.280
<v Speaker 2>the intellectual circle. Within the intellectual circle, you have all

0:31:07.320 --> 0:31:10.120
<v Speaker 2>these individuals who aren't able to apply themselves to state

0:31:10.200 --> 0:31:13.400
<v Speaker 2>craft and state function, and then these various sort of

0:31:13.440 --> 0:31:17.960
<v Speaker 2>theological and intellectual trends that are converging as well. So

0:31:18.000 --> 0:31:21.120
<v Speaker 2>it's you know, it's comparable to some of the other

0:31:21.160 --> 0:31:23.120
<v Speaker 2>examples we've pointed out where it's like you have a

0:31:23.160 --> 0:31:25.280
<v Speaker 2>mix of sort of things that are going on within

0:31:25.840 --> 0:31:29.760
<v Speaker 2>the zeitgeist and then within the intellectual circle, and then

0:31:29.920 --> 0:31:33.280
<v Speaker 2>things going on in the external world that are kind

0:31:33.280 --> 0:31:38.000
<v Speaker 2>of forcing this narrowing thought or focusing a thought on

0:31:38.160 --> 0:31:40.040
<v Speaker 2>dreams and the power of dreams.

0:31:40.640 --> 0:31:42.880
<v Speaker 3>I was thinking about ways to compare and contrast with

0:31:43.000 --> 0:31:45.280
<v Speaker 3>the features of the Quaker example that we talked about

0:31:45.280 --> 0:31:49.720
<v Speaker 3>in the previous episode, And if this makes any sense

0:31:49.720 --> 0:31:52.800
<v Speaker 3>to you, let me know. I was kind of noticing

0:31:52.840 --> 0:31:56.440
<v Speaker 3>an interesting difference, which is that both seem to be

0:31:57.280 --> 0:32:00.320
<v Speaker 3>very dream focused cultures that arise when they're is a

0:32:00.360 --> 0:32:04.760
<v Speaker 3>lot of political and social change. Again, the founding of

0:32:04.760 --> 0:32:07.520
<v Speaker 3>the Quakers coming out of the period of the English

0:32:07.560 --> 0:32:10.800
<v Speaker 3>Civil War and the Interregnum period, and then everything you

0:32:10.920 --> 0:32:15.600
<v Speaker 3>just discussed about the Late Ming example. But one difference

0:32:15.600 --> 0:32:19.320
<v Speaker 3>seems to me that at least the way Strove characterizes

0:32:19.440 --> 0:32:23.800
<v Speaker 3>a lot of the dream obsession of the Late Ming period,

0:32:23.880 --> 0:32:25.880
<v Speaker 3>it seems to be kind of a retreat. It's like

0:32:27.120 --> 0:32:32.360
<v Speaker 3>avenues of earthly material focus might be kind of closed off,

0:32:32.760 --> 0:32:35.920
<v Speaker 3>so there is a retreat to looking for significance and

0:32:36.000 --> 0:32:39.040
<v Speaker 3>purpose in the dream world, whereas for the Quakers, it

0:32:39.080 --> 0:32:42.480
<v Speaker 3>almost seems like the focus on dreams is more of

0:32:42.520 --> 0:32:45.960
<v Speaker 3>an advance mode or an attack mode, rather than a retreat.

0:32:46.040 --> 0:32:49.000
<v Speaker 3>You know, it's like there is intense focus on dreams

0:32:49.320 --> 0:32:52.760
<v Speaker 3>as a way of getting guidance for the next step

0:32:52.920 --> 0:32:59.000
<v Speaker 3>forward for a growing and very exuberant, enthusiastic religious group. Yeah.

0:32:59.160 --> 0:33:01.880
<v Speaker 2>Yeah, I think case could be made for that. I mean,

0:33:03.160 --> 0:33:06.400
<v Speaker 2>I guess in both cases it does seem like people

0:33:06.440 --> 0:33:10.480
<v Speaker 2>are turning to dreams at least in part for answers

0:33:10.480 --> 0:33:13.720
<v Speaker 2>and understanding for either self reflection or like a cosmic

0:33:13.800 --> 0:33:17.040
<v Speaker 2>understanding of what's going on in the world. But yeah,

0:33:17.080 --> 0:33:20.120
<v Speaker 2>there's something about or at least in these writings, we've

0:33:20.120 --> 0:33:24.320
<v Speaker 2>looked at the way that the Quaker approach does feel

0:33:24.400 --> 0:33:28.840
<v Speaker 2>like dream tonight, act tomorrow, whereas a lot of the

0:33:28.840 --> 0:33:32.680
<v Speaker 2>way it's discussed by Streuve concerning the late Ming dynasty,

0:33:32.760 --> 0:33:37.120
<v Speaker 2>it's like dream tonight and maybe dream the next several nights,

0:33:38.120 --> 0:33:41.080
<v Speaker 2>less focus on like what is the immediate action, or

0:33:41.240 --> 0:33:42.040
<v Speaker 2>so it seems to me.

0:33:42.440 --> 0:33:46.080
<v Speaker 3>Though, to bring up another example we talked about you

0:33:46.200 --> 0:33:49.560
<v Speaker 3>in the first episode on this in the series focused

0:33:49.560 --> 0:33:54.720
<v Speaker 3>on like the Romantic period in English literature, like the Romantic,

0:33:54.960 --> 0:33:57.520
<v Speaker 3>the British Romantic poets and so forth, which I think

0:33:57.560 --> 0:34:01.080
<v Speaker 3>are largely interpreted in some ways as a reaction to

0:34:01.240 --> 0:34:05.120
<v Speaker 3>the Industrial Revolution and to modernity. Like the literature of

0:34:05.200 --> 0:34:09.880
<v Speaker 3>the English language Romantic period, is often interpreted as an

0:34:09.920 --> 0:34:14.000
<v Speaker 3>attempt to escape the realities of the modern world and

0:34:14.160 --> 0:34:15.719
<v Speaker 3>especially industrialization.

0:34:16.239 --> 0:34:20.240
<v Speaker 2>Yeah, so dream dream tonight, write poetry tomorrow, or create

0:34:21.040 --> 0:34:23.880
<v Speaker 2>visual art tomorrow. And that, of course we see that

0:34:23.920 --> 0:34:26.000
<v Speaker 2>reflected in the main example as well the creation of

0:34:26.040 --> 0:34:29.600
<v Speaker 2>all of this dream literature and also dream visionary arts

0:34:29.600 --> 0:34:32.279
<v Speaker 2>as well. Yeah, and I can't help but come back to,

0:34:32.360 --> 0:34:34.719
<v Speaker 2>you know, wondering about you know, where we are now,

0:34:34.760 --> 0:34:37.160
<v Speaker 2>I mean we, as we've discussed, you know, our modern

0:34:37.239 --> 0:34:41.359
<v Speaker 2>understanding of dreams is largely potato based, you know, with

0:34:41.440 --> 0:34:45.719
<v Speaker 2>some forays into these other worlds, but also today.

0:34:45.760 --> 0:34:48.480
<v Speaker 3>I'm sorry to interrupt you, but just to clarify if

0:34:48.520 --> 0:34:50.839
<v Speaker 3>you happen to tune in late on this series, we're

0:34:50.920 --> 0:34:54.520
<v Speaker 3>using potato as a shorthand just for naturalistic explanations of

0:34:54.560 --> 0:34:58.120
<v Speaker 3>dreams based on a passage and Scrooge. We're not literally

0:34:58.120 --> 0:35:00.680
<v Speaker 3>saying that everybody thinks it's caused by digest of issues,

0:35:00.680 --> 0:35:04.440
<v Speaker 3>though that has been one of the naturalistic explanations people

0:35:04.520 --> 0:35:06.880
<v Speaker 3>have used over the years. I think today a lot

0:35:06.920 --> 0:35:08.799
<v Speaker 3>of people would say the contents of dreams are just

0:35:09.160 --> 0:35:12.480
<v Speaker 3>I don't know, kind of obscure psychological causes. It's things

0:35:12.520 --> 0:35:14.320
<v Speaker 3>you've been thinking about and so forth.

0:35:14.640 --> 0:35:17.440
<v Speaker 2>Though, I am brought back once again to our Beans

0:35:17.480 --> 0:35:21.200
<v Speaker 2>episode talking about like the link between beans and I

0:35:21.239 --> 0:35:23.520
<v Speaker 2>remember us getting into that a little bit, like perhaps

0:35:23.600 --> 0:35:28.000
<v Speaker 2>like beans digestion, beings, association with the spiral world, and ghosts.

0:35:28.239 --> 0:35:28.640
<v Speaker 3>I don't know.

0:35:29.080 --> 0:35:32.799
<v Speaker 2>Yeah, yeah, but I mean today, not only do we

0:35:32.880 --> 0:35:35.960
<v Speaker 2>have beings still and certainly we still have dreams, but

0:35:36.000 --> 0:35:40.080
<v Speaker 2>we also have all of these technological means of throwing

0:35:40.120 --> 0:35:43.640
<v Speaker 2>ourselves down the chasm of other worlds, you know. I

0:35:43.719 --> 0:35:49.640
<v Speaker 2>mean we have virtual worlds, we have various video game

0:35:49.719 --> 0:35:52.000
<v Speaker 2>worlds and so forth. So I don't know how we

0:35:52.000 --> 0:35:55.320
<v Speaker 2>would factor all of that into it as well. M Yeah,

0:35:55.600 --> 0:35:58.040
<v Speaker 2>Like to what extent is the creation and the not

0:35:58.080 --> 0:36:02.680
<v Speaker 2>only the creation of, but the yearning for digital virtual worlds,

0:36:03.120 --> 0:36:07.920
<v Speaker 2>A yearning for like a dream world of our own design,

0:36:08.120 --> 0:36:12.000
<v Speaker 2>A like that's sort of a lucid or semi lucid creation.

0:36:12.600 --> 0:36:14.880
<v Speaker 3>Sold's a dream realized as a nightmare.

0:36:15.680 --> 0:36:18.280
<v Speaker 2>Yeah, I mean it's this like straight up matrix stuff

0:36:18.360 --> 0:36:22.279
<v Speaker 2>right here, I guess, Like, yeah, but so it's not

0:36:22.960 --> 0:36:25.520
<v Speaker 2>a wholly original thought. But yeah, I can't help, but

0:36:25.520 --> 0:36:26.440
<v Speaker 2>but wonder about it.

0:36:26.960 --> 0:36:29.960
<v Speaker 3>Well, Fortunately, if you are stuck in an Internet bad dream,

0:36:30.040 --> 0:36:32.880
<v Speaker 3>you can log off. Always remember that you can. You

0:36:32.920 --> 0:36:34.480
<v Speaker 3>can detach from the device.

0:36:34.960 --> 0:36:37.480
<v Speaker 2>That's right. All right, Well, we're going to gohe and

0:36:37.560 --> 0:36:40.920
<v Speaker 2>close out this episode, but join us Tuesday, I believe,

0:36:41.040 --> 0:36:44.480
<v Speaker 2>for the final episode in this series. In the meantime,

0:36:44.480 --> 0:36:45.640
<v Speaker 2>if you want to go back and listen to any

0:36:45.680 --> 0:36:47.239
<v Speaker 2>other episodes of Stuff to Blow Your Mind, you'll find

0:36:47.280 --> 0:36:48.959
<v Speaker 2>them in the Stuff to Blow Your Mind podcast feed

0:36:49.239 --> 0:36:53.440
<v Speaker 2>Core episodes published on Tuesdays and Thursdays. On Mondays, we

0:36:53.480 --> 0:36:56.080
<v Speaker 2>do a listener mail episode where you know, we'll inevitably

0:36:56.200 --> 0:36:58.600
<v Speaker 2>be discussing everybody's dreams some more, as we've done in

0:36:58.600 --> 0:37:01.920
<v Speaker 2>the past and we'll continue to do in future. On Wednesdays,

0:37:01.920 --> 0:37:05.960
<v Speaker 2>we do a short form artifact or monster fact episode.

0:37:06.040 --> 0:37:09.000
<v Speaker 2>In fact, the monster then inspired the the series was

0:37:09.000 --> 0:37:10.960
<v Speaker 2>originally going to be a monster fact episode, but it

0:37:11.120 --> 0:37:13.600
<v Speaker 2>just got too big. And then on Fridays we set

0:37:13.600 --> 0:37:15.960
<v Speaker 2>aside most serious concerns to just talk about a weird

0:37:16.000 --> 0:37:18.120
<v Speaker 2>film on Weird House SEMA.

0:37:17.960 --> 0:37:21.640
<v Speaker 3>Huge thanks to our excellent audio producer JJ Posway. If

0:37:21.640 --> 0:37:23.080
<v Speaker 3>you would like to get in touch with us with

0:37:23.160 --> 0:37:25.680
<v Speaker 3>feedback on this episode or any other, to suggest a

0:37:25.760 --> 0:37:28.160
<v Speaker 3>topic for the future, or just to say hello. You

0:37:28.200 --> 0:37:31.160
<v Speaker 3>can email us at contact at stuff to Blow your

0:37:31.160 --> 0:37:39.240
<v Speaker 3>Mind dot com.

0:37:40.080 --> 0:37:43.000
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0:37:43.080 --> 0:37:45.879
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0:37:46.040 --> 0:38:06.640
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