WEBVTT - Episode 372 w/ AKON

0:00:12.000 --> 0:00:13.720
<v Speaker 1>He is drinks Chests, motherfucking podcast.

0:00:13.800 --> 0:00:14.240
<v Speaker 2>Mai.

0:00:15.160 --> 0:00:18.080
<v Speaker 1>He's a Legends every Queens rapper. He ain't agreed as

0:00:18.120 --> 0:00:20.400
<v Speaker 1>your boy in O r E. He's a Miami hip

0:00:20.440 --> 0:00:22.840
<v Speaker 1>hop mayonneer put up as d j e f N.

0:00:23.040 --> 0:00:24.799
<v Speaker 2>Together they drink it up with some.

0:00:24.760 --> 0:00:26.599
<v Speaker 1>Of the biggest players, you know what I mean. And

0:00:26.720 --> 0:00:31.200
<v Speaker 1>the most professional unprofessional podcast and your number one source

0:00:31.280 --> 0:00:33.800
<v Speaker 1>for drunk drink chants, mother fucking post for every day

0:00:33.960 --> 0:00:34.400
<v Speaker 1>is New year.

0:00:34.440 --> 0:00:38.760
<v Speaker 2>Ce Listen, It's time for Drink Champions. Drink up, motherfucking mother.

0:00:44.760 --> 0:00:46.280
<v Speaker 2>Would it good? Be hoping he's gonna super This.

0:00:46.280 --> 0:00:47.919
<v Speaker 1>Is your boy in O r E as good as

0:00:48.000 --> 0:00:51.880
<v Speaker 1>dj e f N. This Drink Champs hour, make some NU.

0:00:53.920 --> 0:00:56.360
<v Speaker 2>I want to listen with this guest that we're about

0:00:56.400 --> 0:00:58.360
<v Speaker 2>to introduce. The last time he came on our show,

0:00:58.600 --> 0:01:01.440
<v Speaker 2>he said, brothers, we gotta go back to Africa. And

0:01:01.480 --> 0:01:05.920
<v Speaker 2>it seems like since then, people are going back to Africa.

0:01:07.040 --> 0:01:09.720
<v Speaker 2>They going back to Nigeria, Ghana. It's so many different

0:01:09.720 --> 0:01:12.319
<v Speaker 2>places that we gotta go. I know you've been to

0:01:12.400 --> 0:01:17.319
<v Speaker 2>South Africa. Well, uh, this man, we just went through

0:01:17.319 --> 0:01:21.080
<v Speaker 2>his disciography and when I tell you he got hits

0:01:21.560 --> 0:01:24.800
<v Speaker 2>upon his like, he almost reminds me of the Seal

0:01:24.920 --> 0:01:29.000
<v Speaker 2>of this generation. You know how Seal no one, no

0:01:29.040 --> 0:01:31.840
<v Speaker 2>one gave a fuck with what race Seal was. He

0:01:31.959 --> 0:01:34.400
<v Speaker 2>just made the best music and everybody said, Pucket, you

0:01:34.480 --> 0:01:37.520
<v Speaker 2>roll with Seal. Goddamn it. He is the Seal and

0:01:37.600 --> 0:01:40.280
<v Speaker 2>this generation. He got the illes hair cut in the

0:01:40.280 --> 0:01:48.280
<v Speaker 2>world right now, hit after hit, when my first time

0:01:48.360 --> 0:01:51.320
<v Speaker 2>going to Africa, I'm going with him? I see he

0:01:51.440 --> 0:01:53.000
<v Speaker 2>just went with Earn your lesions.

0:01:53.000 --> 0:01:53.880
<v Speaker 1>Did y'all go to Africa?

0:01:53.920 --> 0:01:57.640
<v Speaker 2>Actually Africa? Oh wow, we're gonna get into that. We're

0:01:57.640 --> 0:02:00.800
<v Speaker 2>gonna get into everything. But Casey, I don't know who

0:02:00.800 --> 0:02:02.559
<v Speaker 2>we told about. We talking about the one, the only

0:02:02.680 --> 0:02:09.600
<v Speaker 2>motherfucker car, the eight car. It's you know, it was

0:02:09.840 --> 0:02:12.720
<v Speaker 2>very interesting going through the discography and I'm listening to

0:02:12.800 --> 0:02:15.760
<v Speaker 2>Locked Up right because when I googled you, one of

0:02:15.760 --> 0:02:17.720
<v Speaker 2>the things that popped up was they said you was

0:02:17.760 --> 0:02:24.760
<v Speaker 2>a professional card and you kind of set it on

0:02:24.880 --> 0:02:27.920
<v Speaker 2>Locked Up just now said you said my car is.

0:02:29.360 --> 0:02:36.200
<v Speaker 1>Ain't gonna registration. You know you were.

0:02:38.080 --> 0:02:41.280
<v Speaker 2>But because when when you google you, that's actually something

0:02:41.280 --> 0:02:43.959
<v Speaker 2>that comes up that says that, yeah, I believe you

0:02:44.040 --> 0:02:46.840
<v Speaker 2>said it on a different platform. So you used to

0:02:47.400 --> 0:02:49.359
<v Speaker 2>this is a new Jersey imagine.

0:02:49.000 --> 0:02:50.639
<v Speaker 1>New Jersey drive drive.

0:02:52.160 --> 0:02:54.440
<v Speaker 2>So what happened? Someone come up to you and say,

0:02:54.720 --> 0:02:59.160
<v Speaker 2>let's just because because you're a sophisticated car still like

0:02:59.440 --> 0:03:02.360
<v Speaker 2>you wasn't like popping ship. You was changing the serial numbers.

0:03:02.480 --> 0:03:03.520
<v Speaker 2>And she's like that is that true?

0:03:05.000 --> 0:03:05.400
<v Speaker 1>It was a.

0:03:13.280 --> 0:03:15.280
<v Speaker 2>Just expect that every time.

0:03:17.760 --> 0:03:18.560
<v Speaker 1>How did that happen?

0:03:19.720 --> 0:03:22.960
<v Speaker 3>Well, getting back to the past, it was like I

0:03:23.000 --> 0:03:24.800
<v Speaker 3>was never the kind of person when it came to

0:03:25.040 --> 0:03:29.359
<v Speaker 3>some you know what's interesting, Like I think I say

0:03:29.400 --> 0:03:31.120
<v Speaker 3>the word that I was. I kind of used the

0:03:31.160 --> 0:03:33.000
<v Speaker 3>excuse that I was surviving because it made me feel

0:03:33.000 --> 0:03:33.680
<v Speaker 3>better about it.

0:03:34.280 --> 0:03:35.600
<v Speaker 1>But that was nothing for me to about.

0:03:35.640 --> 0:03:37.840
<v Speaker 3>It was nothing really for me to survive because my

0:03:37.920 --> 0:03:41.960
<v Speaker 3>parents was actually really wealthy. You know, we lived like

0:03:42.280 --> 0:03:43.760
<v Speaker 3>I was, and I was living in Jersey. We lived

0:03:43.760 --> 0:03:46.080
<v Speaker 3>in a three story house, just me and my older brother,

0:03:46.800 --> 0:03:48.840
<v Speaker 3>you know what I'm saying, So we have a house

0:03:48.880 --> 0:03:51.360
<v Speaker 3>to ourselves now when I think about it, we were

0:03:51.400 --> 0:03:55.080
<v Speaker 3>just bored as hell looking at something, you know what

0:03:55.120 --> 0:03:58.480
<v Speaker 3>I'm saying. But what was interesting was as I started

0:03:58.480 --> 0:04:00.320
<v Speaker 3>watching a lot of my homies, you know, they selling

0:04:00.360 --> 0:04:05.920
<v Speaker 3>drugs and I didn't understand, like, why such hard labor

0:04:06.000 --> 0:04:09.240
<v Speaker 3>for no money? These niggas would be like on a

0:04:09.320 --> 0:04:13.400
<v Speaker 3>corner rain seat, sleek hell Snow. I was born in

0:04:13.440 --> 0:04:16.919
<v Speaker 3>Senegue in St. Louis Louis, Saint Louis, but then I

0:04:16.960 --> 0:04:18.160
<v Speaker 3>was raising Senegal.

0:04:18.000 --> 0:04:18.680
<v Speaker 2>Raised, Yeah, I was.

0:04:18.760 --> 0:04:18.960
<v Speaker 1>I was.

0:04:19.600 --> 0:04:23.040
<v Speaker 3>Were you there when I was a Senegalgue from birth?

0:04:23.800 --> 0:04:27.160
<v Speaker 3>What was borron in Senegalue? I mean Saint Louis shipped Senegal.

0:04:27.600 --> 0:04:29.200
<v Speaker 3>Then when I was about seven and eight, that's when

0:04:29.200 --> 0:04:31.159
<v Speaker 3>my mom and pop brought us back to the States

0:04:31.160 --> 0:04:32.640
<v Speaker 3>to go to school, and every summer we would go

0:04:32.680 --> 0:04:33.480
<v Speaker 3>back to Senegalue.

0:04:33.560 --> 0:04:35.719
<v Speaker 1>Wow, So he wanted to pretty much, my dad just

0:04:35.720 --> 0:04:37.160
<v Speaker 1>wanted to make sure he was all born in the US.

0:04:37.200 --> 0:04:37.280
<v Speaker 4>You know.

0:04:37.320 --> 0:04:38.719
<v Speaker 1>He's always fought with thinking since then.

0:04:39.000 --> 0:04:40.240
<v Speaker 2>He wanted to have a US pastor.

0:04:40.279 --> 0:04:41.640
<v Speaker 3>Yeah, he wanted us to be a citizen so we

0:04:41.680 --> 0:04:43.680
<v Speaker 3>would never have immigration issues. So he was always thinking

0:04:43.720 --> 0:04:45.640
<v Speaker 3>about the future, you.

0:04:45.680 --> 0:04:46.120
<v Speaker 1>Know what I mean.

0:04:46.160 --> 0:04:47.880
<v Speaker 3>So when I came here, just it was just a

0:04:47.880 --> 0:04:49.839
<v Speaker 3>matter of adopting. And I think a lot of my

0:04:50.120 --> 0:04:52.279
<v Speaker 3>choices came from just wanting to be a you know,

0:04:52.400 --> 0:04:56.279
<v Speaker 3>accepted amongst the crowd. So that's how I got caught into,

0:04:56.880 --> 0:04:58.400
<v Speaker 3>you know, all the things that I got caught into,

0:04:58.480 --> 0:05:01.040
<v Speaker 3>including cars, because cars made me feel special.

0:05:01.440 --> 0:05:03.880
<v Speaker 1>You know, I was young. I can drive into the

0:05:03.880 --> 0:05:05.800
<v Speaker 1>most elite vehicles.

0:05:06.080 --> 0:05:07.840
<v Speaker 3>And then I read with the you know, the scenarrative

0:05:07.880 --> 0:05:10.080
<v Speaker 3>that I was an African prince, you know what I'm saying.

0:05:10.160 --> 0:05:11.800
<v Speaker 2>So he was using that back then.

0:05:11.880 --> 0:05:21.600
<v Speaker 5>Yeah, after coming to America, Yeah, you know what I'm saying,

0:05:23.160 --> 0:05:24.040
<v Speaker 5>that's a motivator.

0:05:24.160 --> 0:05:26.160
<v Speaker 3>Yeah, I was working at this barber shop man, and

0:05:26.880 --> 0:05:29.040
<v Speaker 3>you know, I met this Jamaican dude that was like yo,

0:05:29.080 --> 0:05:30.560
<v Speaker 3>you know, you know, he was in the cars and

0:05:30.600 --> 0:05:31.760
<v Speaker 3>I was like, man, every time I see you in

0:05:31.760 --> 0:05:33.800
<v Speaker 3>a different car. And one day he's like a rude boy,

0:05:33.880 --> 0:05:35.240
<v Speaker 3>let me show you something, you know. He took me

0:05:35.240 --> 0:05:36.120
<v Speaker 3>to the spot, took me.

0:05:36.200 --> 0:05:36.840
<v Speaker 1>I was like wow.

0:05:37.279 --> 0:05:39.200
<v Speaker 3>I was mesmerized, and I was like how much of these?

0:05:39.520 --> 0:05:41.560
<v Speaker 3>He was like twenty five hundred dollars apiece? I said

0:05:41.680 --> 0:05:45.080
<v Speaker 3>what how is that? And he showed me the whole layout,

0:05:45.120 --> 0:05:48.280
<v Speaker 3>and before you know it, I just copied and paste and.

0:05:50.000 --> 0:05:50.679
<v Speaker 2>You know what I'm saying.

0:05:51.160 --> 0:05:54.320
<v Speaker 3>So now, yeah, well, now like literally every other month

0:05:54.400 --> 0:05:56.040
<v Speaker 3>now I would come to school in a different car

0:05:56.120 --> 0:05:58.520
<v Speaker 3>and they was like yo where you know. I was like, heah,

0:05:58.520 --> 0:06:01.720
<v Speaker 3>I'm an African print and they believe it because of

0:06:01.760 --> 0:06:03.960
<v Speaker 3>the weapon I was driving. And so then I said,

0:06:03.960 --> 0:06:06.320
<v Speaker 3>this could be something, you know, that I can actually

0:06:06.360 --> 0:06:08.760
<v Speaker 3>make a career out of. Now that's how I'm thinking

0:06:08.800 --> 0:06:10.800
<v Speaker 3>back then. So I was just trying to figure out

0:06:10.800 --> 0:06:12.880
<v Speaker 3>the best way to do it. Then that's when Atlanta

0:06:12.960 --> 0:06:15.520
<v Speaker 3>hit me because I was getting out of high school, graduating.

0:06:15.560 --> 0:06:17.520
<v Speaker 3>My mops and my mom's in Atlanta because my dad

0:06:17.560 --> 0:06:21.120
<v Speaker 3>was a professor doing culture exchange at Clark Atlanta University.

0:06:21.360 --> 0:06:23.560
<v Speaker 3>And that's when they just had the Olympics going over

0:06:23.600 --> 0:06:26.320
<v Speaker 3>there with Freaknick and everything, you know what I'm saying.

0:06:27.000 --> 0:06:29.160
<v Speaker 3>So when I went out there, I saw all these

0:06:29.320 --> 0:06:34.599
<v Speaker 3>just young black just really successful black people. I ain't

0:06:34.640 --> 0:06:38.080
<v Speaker 3>seen that many black people successful in one city since New.

0:06:38.080 --> 0:06:40.840
<v Speaker 2>York, you know what I'm saying. It was even Africa.

0:06:41.680 --> 0:06:43.919
<v Speaker 3>Well nah, because I wasn't there long enough to understand

0:06:44.000 --> 0:06:46.200
<v Speaker 3>what that was at that time, you know. So, but

0:06:46.360 --> 0:06:47.760
<v Speaker 3>so that was just different. But I saw a lot

0:06:47.800 --> 0:06:50.280
<v Speaker 3>of new athletes coming out, a lot of artists out there,

0:06:50.360 --> 0:06:53.200
<v Speaker 3>and then everybody was driving. So I was like, this

0:06:53.240 --> 0:06:55.880
<v Speaker 3>could be the spot you know. So that's where I

0:06:55.960 --> 0:06:59.040
<v Speaker 3>just set up shop in Atlanta.

0:07:00.120 --> 0:07:02.599
<v Speaker 2>Driving it was looking for it.

0:07:02.600 --> 0:07:04.680
<v Speaker 3>I'm like, y'all paying three Well, at that time, one

0:07:04.720 --> 0:07:07.600
<v Speaker 3>hundred one hundred fifty thousand was probably the emotional pay

0:07:07.680 --> 0:07:09.720
<v Speaker 3>for a car, but those was even the super high

0:07:09.720 --> 0:07:11.600
<v Speaker 3>line because at that time even ninety thousand dollars was

0:07:11.600 --> 0:07:12.520
<v Speaker 3>a lot for a Porsche.

0:07:12.880 --> 0:07:13.560
<v Speaker 1>You know what I'm saying.

0:07:13.600 --> 0:07:15.000
<v Speaker 3>So if I can get it to you for like

0:07:15.000 --> 0:07:16.720
<v Speaker 3>ten grand, you know you.

0:07:16.760 --> 0:07:18.760
<v Speaker 1>Was legit into that? Oh no, I was.

0:07:18.760 --> 0:07:20.840
<v Speaker 2>It wasn't like a past sign for a teenager to day,

0:07:20.920 --> 0:07:21.080
<v Speaker 2>it was.

0:07:21.120 --> 0:07:21.200
<v Speaker 1>No.

0:07:21.360 --> 0:07:24.320
<v Speaker 3>It became a real It became a real occupation for

0:07:24.360 --> 0:07:26.840
<v Speaker 3>me because I started finding ins and outs, like most

0:07:26.880 --> 0:07:29.360
<v Speaker 3>people will go out jack people for cars, and then

0:07:29.440 --> 0:07:32.360
<v Speaker 3>of course me, it was always the biggest profit for

0:07:32.400 --> 0:07:34.880
<v Speaker 3>the less jail time. So I started studying the law

0:07:34.920 --> 0:07:37.880
<v Speaker 3>and I realized, man, joy riding charge is a misdemeanor.

0:07:37.920 --> 0:07:38.880
<v Speaker 1>You get out the same day.

0:07:39.120 --> 0:07:39.480
<v Speaker 2>Wow.

0:07:39.520 --> 0:07:40.640
<v Speaker 3>But the only way you can get hit for a

0:07:40.720 --> 0:07:42.520
<v Speaker 3>joy riding charge you actually have to have the key.

0:07:43.160 --> 0:07:45.480
<v Speaker 3>So if you actually have the key in the car,

0:07:45.560 --> 0:07:46.480
<v Speaker 3>it's considered.

0:07:46.120 --> 0:07:47.360
<v Speaker 1>The joy riding. So I was like, if I can

0:07:47.440 --> 0:07:53.960
<v Speaker 1>just get for kees a car exactly secrets other people

0:07:54.080 --> 0:07:55.800
<v Speaker 1>still tell you.

0:07:55.880 --> 0:07:58.360
<v Speaker 3>Now the stuff back then you can't even do it today.

0:07:58.360 --> 0:08:00.200
<v Speaker 3>Now you got a navigation, you got on all you

0:08:00.280 --> 0:08:03.080
<v Speaker 3>got cars on your phone, you could track your vehicle.

0:08:03.120 --> 0:08:05.880
<v Speaker 3>So it's like, you know, so the so the crazy part.

0:08:05.920 --> 0:08:08.040
<v Speaker 3>So what I ended up doing was I started going

0:08:08.080 --> 0:08:11.000
<v Speaker 3>to the dealership and start peeling keys and pretty much

0:08:11.240 --> 0:08:12.600
<v Speaker 3>what that means, like, you know, you're just going if

0:08:12.600 --> 0:08:15.200
<v Speaker 3>you see a key on the table, you just grab that,

0:08:15.240 --> 0:08:17.440
<v Speaker 3>bad boy, go to the bathroom, hit the click, see

0:08:17.440 --> 0:08:19.760
<v Speaker 3>which one opens up, and if the car light up,

0:08:19.920 --> 0:08:20.400
<v Speaker 3>jump in and.

0:08:20.440 --> 0:08:21.920
<v Speaker 1>Pull out right at the dealer.

0:08:22.120 --> 0:08:25.400
<v Speaker 3>At the dealership, because you understand, car dealerships is mad

0:08:25.480 --> 0:08:26.360
<v Speaker 3>busy all the time.

0:08:27.960 --> 0:08:29.000
<v Speaker 2>They're not even thinking about it.

0:08:29.040 --> 0:08:30.360
<v Speaker 1>They see you in a car pull out, I think,

0:08:30.520 --> 0:08:32.560
<v Speaker 1>do you think you test driving or something? Well, you

0:08:32.600 --> 0:08:34.320
<v Speaker 1>might have just purchasedtomer.

0:08:35.880 --> 0:08:36.440
<v Speaker 2>So after a.

0:08:36.440 --> 0:08:38.959
<v Speaker 1>While they start seeing my face come through all the time,

0:08:39.400 --> 0:08:44.959
<v Speaker 1>they said, well who So every time my face got

0:08:44.960 --> 0:08:47.160
<v Speaker 1>burnt out. Then I had to get another car dealership

0:08:47.200 --> 0:08:47.480
<v Speaker 1>to go to.

0:08:47.520 --> 0:08:48.880
<v Speaker 3>But then after while it was only but so many

0:08:48.880 --> 0:08:50.800
<v Speaker 3>car dealerships, and I had to find a whole new method.

0:08:51.440 --> 0:08:55.160
<v Speaker 3>Then I start hitting the valet parking. That's what the

0:08:55.200 --> 0:08:56.400
<v Speaker 3>business was because.

0:08:56.120 --> 0:08:59.440
<v Speaker 2>He was putting the valet jacket on. No, okay, that

0:08:59.480 --> 0:08:59.960
<v Speaker 2>was a great hold.

0:09:00.040 --> 0:09:02.160
<v Speaker 1>That's a great idea. It actually ain't.

0:09:05.120 --> 0:09:09.120
<v Speaker 3>Yeah, it really ain't because what happens is clearly like,

0:09:09.200 --> 0:09:10.840
<v Speaker 3>first of all, it's not it's not easy to get

0:09:10.920 --> 0:09:11.720
<v Speaker 3>up valet.

0:09:11.720 --> 0:09:14.720
<v Speaker 1>Jacket that matches the car that you're doing. That's the one.

0:09:14.760 --> 0:09:17.520
<v Speaker 1>They know each other and they all know, so they'd

0:09:17.559 --> 0:09:21.600
<v Speaker 1>be like, Yo, who are you the cabinet right now.

0:09:21.920 --> 0:09:23.120
<v Speaker 2>With your jacket? All right?

0:09:23.160 --> 0:09:25.520
<v Speaker 3>So I took the I took the diplomat diplomatic approach.

0:09:25.559 --> 0:09:28.120
<v Speaker 3>I said, you know, let me just negotiate with these days, yo,

0:09:28.280 --> 0:09:30.000
<v Speaker 3>how much, like do you actually make? How much are

0:09:30.000 --> 0:09:32.640
<v Speaker 3>they paying you? They was making like, you know, fifty

0:09:32.679 --> 0:09:34.040
<v Speaker 3>dollars a week plus tips.

0:09:34.280 --> 0:09:34.679
<v Speaker 1>Wow.

0:09:34.760 --> 0:09:36.439
<v Speaker 3>And I'm like, well, even with tips, how much you

0:09:36.520 --> 0:09:39.240
<v Speaker 3>actually make? They said, well, pulling off maybe two hundred.

0:09:39.000 --> 0:09:39.520
<v Speaker 1>Dollars a week.

0:09:39.920 --> 0:09:41.240
<v Speaker 3>I said, all right, cool, if I give you one

0:09:41.240 --> 0:09:45.280
<v Speaker 3>thousand dollars a week, one thousand dollars a week guaranteed,

0:09:46.400 --> 0:09:48.400
<v Speaker 3>you just give me the spare key of any car

0:09:48.480 --> 0:09:49.400
<v Speaker 3>that got a spare in it.

0:09:49.679 --> 0:09:51.560
<v Speaker 2>Wow, And you don't take it there you take it

0:09:51.559 --> 0:09:52.560
<v Speaker 2>where they go away.

0:09:52.800 --> 0:09:54.959
<v Speaker 1>Boom. If you can do that for me every time

0:09:55.000 --> 0:09:56.360
<v Speaker 1>you get just give me.

0:09:56.280 --> 0:09:58.040
<v Speaker 2>A call and all I.

0:09:58.000 --> 0:09:59.880
<v Speaker 3>Need is the key and a piece of male out

0:09:59.880 --> 0:10:03.160
<v Speaker 3>there with an address. Wow, that's all I needed, so boom,

0:10:03.160 --> 0:10:04.040
<v Speaker 3>they would get that to me.

0:10:04.440 --> 0:10:06.880
<v Speaker 1>I just wait, maybe a week two weeks later, pull

0:10:06.960 --> 0:10:08.440
<v Speaker 1>up late night, carby park right.

0:10:08.320 --> 0:10:12.560
<v Speaker 3>There in the front, jump in out and that was it,

0:10:12.600 --> 0:10:15.000
<v Speaker 3>like it was a real business. But then don't forget.

0:10:15.040 --> 0:10:17.480
<v Speaker 3>You still have to get the paperwork done for you

0:10:17.520 --> 0:10:19.880
<v Speaker 3>gotta get vend numbers and all that. But so the beginning,

0:10:19.920 --> 0:10:22.680
<v Speaker 3>you're just selling hot cars. You get caught, bros. Drive

0:10:22.800 --> 0:10:25.400
<v Speaker 3>your own risk, all right, the car's only five hundred

0:10:25.400 --> 0:10:28.000
<v Speaker 3>dollars though, like just these are squatters, right, But then

0:10:28.040 --> 0:10:30.680
<v Speaker 3>once you build a bit of money, create them pawn shop.

0:10:30.720 --> 0:10:33.320
<v Speaker 3>I mean, I'm the what do you call it?

0:10:33.800 --> 0:10:34.319
<v Speaker 2>Chop shot.

0:10:34.840 --> 0:10:36.560
<v Speaker 3>So then I had a chop shot where I had

0:10:36.600 --> 0:10:39.360
<v Speaker 3>some Mexicans over there that was super dope cars. Mexicans,

0:10:41.160 --> 0:10:44.120
<v Speaker 3>you know, big up to the Mexicans. They would chop

0:10:44.160 --> 0:10:45.800
<v Speaker 3>it up for me. Change the serious numbers. Then I

0:10:45.840 --> 0:10:47.120
<v Speaker 3>had to get it registered.

0:10:47.840 --> 0:10:52.000
<v Speaker 1>This where the finesse has to it has to come back.

0:10:52.600 --> 0:10:54.079
<v Speaker 3>So I would go to DMV and I would just

0:10:54.120 --> 0:10:59.920
<v Speaker 3>look for the most vulnerable, insecure, overweight check.

0:11:03.840 --> 0:11:08.880
<v Speaker 2>I about to go to hell.

0:11:09.960 --> 0:11:12.560
<v Speaker 3>So you know, but you know, you know, you just vancessar.

0:11:12.640 --> 0:11:16.200
<v Speaker 3>You know, take out to eat set the dream. You know,

0:11:16.640 --> 0:11:18.520
<v Speaker 3>you just dangled the carrot dough. You never beat, you

0:11:18.600 --> 0:11:19.079
<v Speaker 3>never hit it.

0:11:19.160 --> 0:11:21.200
<v Speaker 1>You just always make her believe that one day it's

0:11:21.240 --> 0:11:22.080
<v Speaker 1>gonna go down.

0:11:22.400 --> 0:11:24.040
<v Speaker 3>And she is just doing anything for you. So I

0:11:24.080 --> 0:11:25.520
<v Speaker 3>was like, look, baby, you know right now I'm going

0:11:25.520 --> 0:11:27.640
<v Speaker 3>through some things. You know, I got a few vehicles

0:11:27.640 --> 0:11:29.440
<v Speaker 3>that I got, but you know, they ain't paid me

0:11:29.480 --> 0:11:31.959
<v Speaker 3>for it just came off the truck. She was completely

0:11:32.040 --> 0:11:34.400
<v Speaker 3>dreamed like Green didn't have no clue. I just need

0:11:34.400 --> 0:11:35.880
<v Speaker 3>you to get these registered for you man. You know,

0:11:35.920 --> 0:11:37.199
<v Speaker 3>every time I sell one, I just give you some

0:11:37.240 --> 0:11:38.880
<v Speaker 3>money out of it. And that's all it took.

0:11:38.960 --> 0:11:40.000
<v Speaker 1>And before you know what, every.

0:11:39.800 --> 0:11:42.360
<v Speaker 3>Call we got shopped it, got it registered. Then now

0:11:42.400 --> 0:11:45.040
<v Speaker 3>we're in business. By the time we started selling Atlanta,

0:11:45.360 --> 0:11:47.800
<v Speaker 3>it wasn't not nobody that was coming through Atlanta wouldn't

0:11:47.800 --> 0:11:48.520
<v Speaker 3>getting cast from us.

0:11:48.760 --> 0:11:52.760
<v Speaker 2>But let me ask you, how if you ever got caught,

0:11:52.760 --> 0:11:54.800
<v Speaker 2>how would you get caught? How would the police.

0:11:55.880 --> 0:11:59.000
<v Speaker 3>Well, that's the thing, like, I okay, and that was

0:11:59.040 --> 0:12:01.520
<v Speaker 3>a mistake that I made, Okay, but normally I wouldn't.

0:12:01.800 --> 0:12:05.520
<v Speaker 3>I never really get caught because I always went through middleman,

0:12:06.000 --> 0:12:07.920
<v Speaker 3>so I was just a supplier and I would give

0:12:07.920 --> 0:12:09.840
<v Speaker 3>it to the purpose that would go out and sell

0:12:09.880 --> 0:12:13.199
<v Speaker 3>it out. My only rule was don't sell squadners to

0:12:13.280 --> 0:12:16.280
<v Speaker 3>dope boys because that's how you get fucked up. Like,

0:12:16.440 --> 0:12:18.600
<v Speaker 3>don't whatever you do, don't sell us no drug dealers

0:12:18.720 --> 0:12:21.160
<v Speaker 3>because the problem with them is they drive in any conditions.

0:12:21.480 --> 0:12:23.520
<v Speaker 3>They moved, they dried and dirty, like, they give you

0:12:23.559 --> 0:12:27.000
<v Speaker 3>all the reasons for them to start investigating. So after

0:12:27.040 --> 0:12:29.520
<v Speaker 3>so many dope boys get caught, then now they're like, okay,

0:12:29.559 --> 0:12:33.480
<v Speaker 3>well all these cars are kind of they can start

0:12:33.520 --> 0:12:36.040
<v Speaker 3>following situations before you know it leads all back down

0:12:36.040 --> 0:12:38.480
<v Speaker 3>to them and then they don't rat you out in time.

0:12:38.520 --> 0:12:39.679
<v Speaker 1>That's exactly what ended up happening.

0:12:39.920 --> 0:12:42.520
<v Speaker 2>Oh yeah, so dope boy got caught in the car

0:12:42.960 --> 0:12:45.400
<v Speaker 2>and said I got it from the Prinson's of Munda.

0:12:47.120 --> 0:12:49.320
<v Speaker 3>Well to see what saying me was the fact that

0:12:49.360 --> 0:12:52.800
<v Speaker 3>I never really met the customer. So when we so

0:12:52.840 --> 0:12:54.960
<v Speaker 3>when we went to trial, because I ended up getting

0:12:54.960 --> 0:12:58.320
<v Speaker 3>to trial. Nobody recognized me, so my attorney was just

0:12:58.440 --> 0:13:01.400
<v Speaker 3>super amazing. He was like, look, man, you know he's

0:13:01.440 --> 0:13:02.679
<v Speaker 3>he's a customer like they are.

0:13:02.800 --> 0:13:03.440
<v Speaker 1>I didn't even.

0:13:03.400 --> 0:13:05.400
<v Speaker 3>Honestly, I didn't know what my car was even stolen.

0:13:05.720 --> 0:13:07.760
<v Speaker 3>I was just driving. I thought I thought it was legit.

0:13:16.640 --> 0:13:19.079
<v Speaker 3>Way over it happened again. That was once in a

0:13:19.200 --> 0:13:20.120
<v Speaker 3>lifetime opportunity.

0:13:22.600 --> 0:13:28.120
<v Speaker 2>Do you see, like, uh, let's get straight to it.

0:13:28.160 --> 0:13:29.360
<v Speaker 1>Man. You always getting straight to.

0:13:31.679 --> 0:13:35.200
<v Speaker 2>What's beautiful music that you've made. I'm trying to think,

0:13:35.600 --> 0:13:38.880
<v Speaker 2>who the hell about you at Versus?

0:13:39.760 --> 0:13:43.400
<v Speaker 3>I know they've been you know what, actually Swiss talking

0:13:43.400 --> 0:13:45.240
<v Speaker 3>to my little brother about it. We talked to about it,

0:13:45.559 --> 0:13:49.960
<v Speaker 3>and Boo kind of hinted it to me, but I

0:13:50.000 --> 0:13:52.000
<v Speaker 3>was just never I don't know. I think I think

0:13:51.800 --> 0:13:56.040
<v Speaker 3>the I love Versus to watch it, but I think

0:13:56.160 --> 0:13:59.360
<v Speaker 3>some legends and they're right. I thought it was a

0:13:59.400 --> 0:14:01.040
<v Speaker 3>mistake for them to get on it, because I think

0:14:01.080 --> 0:14:06.240
<v Speaker 3>sometimes when you contribute to a culture this big, your music.

0:14:06.000 --> 0:14:07.040
<v Speaker 1>Should never be compared.

0:14:07.480 --> 0:14:12.000
<v Speaker 3>It should be more celebrated than, you know, competed to

0:14:12.040 --> 0:14:14.400
<v Speaker 3>an extent. I know maybe in the beginning it partly

0:14:14.440 --> 0:14:17.679
<v Speaker 3>wasn't meant to be competition, but it's now turned into

0:14:17.760 --> 0:14:21.440
<v Speaker 3>a battle, and I don't want to put myself in

0:14:21.480 --> 0:14:24.880
<v Speaker 3>a position where I'm kind of relinquishing someone else's legacy

0:14:25.400 --> 0:14:27.200
<v Speaker 3>because I really don't believe there's too many people that

0:14:27.240 --> 0:14:28.320
<v Speaker 3>can go against.

0:14:27.960 --> 0:14:37.840
<v Speaker 2>Me, so basically, you're going against yourself. That was the

0:14:37.840 --> 0:14:41.720
<v Speaker 2>most humblest I've heard. It was at the same time,

0:14:43.920 --> 0:14:47.720
<v Speaker 2>but off top, which would be dope. A lot of

0:14:47.720 --> 0:14:50.320
<v Speaker 2>people always compare Little Wayne's Drake, and they said if

0:14:50.320 --> 0:14:51.479
<v Speaker 2>they would do it together.

0:14:51.280 --> 0:14:54.800
<v Speaker 1>But it wouldn't work because Bill Rain found Drake.

0:14:55.240 --> 0:14:59.080
<v Speaker 2>That's like pain. I gave him all my secrets. I

0:14:59.120 --> 0:15:03.200
<v Speaker 2>gave them all my resources I created. That's don't come

0:15:03.200 --> 0:15:03.680
<v Speaker 2>against me.

0:15:05.320 --> 0:15:07.600
<v Speaker 1>If anything, I'm a sick T paint on everybody else

0:15:07.960 --> 0:15:08.560
<v Speaker 1>past him.

0:15:08.480 --> 0:15:11.040
<v Speaker 2>Then you get to me, You and T paying double teams.

0:15:11.040 --> 0:15:11.520
<v Speaker 2>I like that.

0:15:11.600 --> 0:15:14.400
<v Speaker 3>Now that'll work me and T paining together against somebody

0:15:14.400 --> 0:15:16.600
<v Speaker 3>else all day because he paint love that kind of smoke.

0:15:18.960 --> 0:15:23.760
<v Speaker 1>I got goose bumps. You know what I'm saying, Double team.

0:15:24.200 --> 0:15:26.600
<v Speaker 2>I don't know about that man, because that's too gosket

0:15:26.600 --> 0:15:30.320
<v Speaker 2>agast lights again. No no, no, you ain't his dosk

0:15:30.480 --> 0:15:34.720
<v Speaker 2>okay hold on because no should be r and B singers.

0:15:35.480 --> 0:15:37.520
<v Speaker 2>I mean, you can't be Chris Brown. This is the

0:15:37.560 --> 0:15:39.880
<v Speaker 2>thing Chris Brown Usher that's.

0:15:41.080 --> 0:15:43.600
<v Speaker 3>That honestly would be I would love to watch that myself.

0:15:44.560 --> 0:15:46.880
<v Speaker 3>I would not, That's what I'm saying, Like I love

0:15:46.880 --> 0:15:50.800
<v Speaker 3>to be entertained by. But it's also that fear right

0:15:51.240 --> 0:15:55.720
<v Speaker 3>because what Usher built, Like sometimes what the scariest.

0:15:55.280 --> 0:15:59.560
<v Speaker 1>Part he might come out with rod That's cool, he

0:15:59.680 --> 0:16:02.080
<v Speaker 1>was on. But see this, this is the thing, right

0:16:02.320 --> 0:16:05.120
<v Speaker 1>this generation don't appreciate music the way our generation did,

0:16:05.640 --> 0:16:08.320
<v Speaker 1>so the way we value what Usher brought to the table.

0:16:08.600 --> 0:16:10.960
<v Speaker 3>This generation may not see that. It may lean more

0:16:11.000 --> 0:16:14.120
<v Speaker 3>towards Chris and vice versa. The eldest might not, you know,

0:16:15.520 --> 0:16:17.760
<v Speaker 3>you know, appreciate what Chris brought to the you know,

0:16:17.840 --> 0:16:19.720
<v Speaker 3>to this industry. You know what I'm saying, because even

0:16:19.760 --> 0:16:22.360
<v Speaker 3>now when I look at Chris Brown, always believed that

0:16:22.440 --> 0:16:26.040
<v Speaker 3>he could have been the only person that can come

0:16:26.080 --> 0:16:27.200
<v Speaker 3>behind Michael Jackson.

0:16:28.280 --> 0:16:31.400
<v Speaker 1>Chris is that talented, Like he is fucking genius.

0:16:32.200 --> 0:16:35.640
<v Speaker 3>I mean from an artist's downpoint, from a performance standpoint, imaging.

0:16:35.520 --> 0:16:38.440
<v Speaker 1>Like he's a global superstar, you know what I'm saying.

0:16:38.920 --> 0:16:40.880
<v Speaker 3>But I think sometimes it's a matter of how we

0:16:40.960 --> 0:16:44.560
<v Speaker 3>harness and how we you know, package our talent that

0:16:44.600 --> 0:16:47.360
<v Speaker 3>we can claim and take it to that next level.

0:16:47.360 --> 0:16:51.240
<v Speaker 3>It's almost like, okay, let's say if we introduce the

0:16:51.360 --> 0:16:55.480
<v Speaker 3>versus concept to the pop community. I want to see that,

0:16:55.840 --> 0:16:56.840
<v Speaker 3>they gonna turn it down.

0:16:56.920 --> 0:16:59.720
<v Speaker 2>I want to see Chris, but they're not gonna do it.

0:17:00.040 --> 0:17:00.600
<v Speaker 1>You want to do it?

0:17:01.280 --> 0:17:07.560
<v Speaker 2>Listen? Listen is Backstreet noise?

0:17:08.560 --> 0:17:11.280
<v Speaker 1>No, we would all be here, but that day will

0:17:11.280 --> 0:17:15.120
<v Speaker 1>never come. You know why, because they see things differently.

0:17:15.160 --> 0:17:18.760
<v Speaker 3>They preserve culture, they preserve legacy. We compete against it.

0:17:19.600 --> 0:17:21.920
<v Speaker 3>Like blacks and whites are two different mentalities.

0:17:22.440 --> 0:17:27.639
<v Speaker 1>We're combative, like we're African white regular no white period Africa.

0:17:28.560 --> 0:17:30.920
<v Speaker 3>Let's let's get back to South calf Africa. I'm kind

0:17:30.920 --> 0:17:32.960
<v Speaker 3>of the intro was just so amazing, so I couldn't

0:17:32.960 --> 0:17:33.440
<v Speaker 3>cut you off.

0:17:34.760 --> 0:17:38.640
<v Speaker 1>I couldn't cut you off. Let's be very very very

0:17:38.720 --> 0:17:42.000
<v Speaker 1>very very very clear. South Africa is the real Africa.

0:17:42.400 --> 0:17:43.720
<v Speaker 1>See this is what happens.

0:17:43.800 --> 0:17:47.800
<v Speaker 3>Right, Any amazing part of Africa that's beautiful, that attracts tourism,

0:17:48.000 --> 0:17:50.280
<v Speaker 3>they say it ain't really the real Africa. But if

0:17:50.280 --> 0:17:53.679
<v Speaker 3>it's poor, poverished, and and and you know, full of

0:17:53.840 --> 0:17:57.479
<v Speaker 3>diseases or plagues. Oh yeah, be careful us you want

0:17:57.520 --> 0:17:59.440
<v Speaker 3>to be in that part of Africa. So they claim

0:17:59.480 --> 0:18:01.879
<v Speaker 3>the poor for Africa to say, okay, that's Africa. But

0:18:01.920 --> 0:18:04.879
<v Speaker 3>then if there's anything that's enticing or inviting about Africa,

0:18:04.920 --> 0:18:07.119
<v Speaker 3>they say, well, that's not really the real Africa. And

0:18:07.160 --> 0:18:10.560
<v Speaker 3>that's what we got to break because you know, South

0:18:10.600 --> 0:18:14.119
<v Speaker 3>Africa's credit they had helped by the British to actually help.

0:18:14.040 --> 0:18:16.600
<v Speaker 2>To develop right right, which was the.

0:18:16.560 --> 0:18:20.919
<v Speaker 1>Smallest population period. But those are real Africans, like the

0:18:21.080 --> 0:18:24.640
<v Speaker 1>white boys over there, African the actual Africans.

0:18:25.240 --> 0:18:27.360
<v Speaker 2>That's why they call Afrikaans.

0:18:28.280 --> 0:18:29.159
<v Speaker 1>Biggas. It's ghetto.

0:18:30.240 --> 0:18:30.840
<v Speaker 2>That's crazy.

0:18:30.920 --> 0:18:33.960
<v Speaker 3>Some certain parts of Africa, of South Africa, the white

0:18:34.000 --> 0:18:36.639
<v Speaker 3>folks are the ones in the ghettos. If you go

0:18:36.680 --> 0:18:39.040
<v Speaker 3>to South Africa, the richest people in South Africa are

0:18:39.240 --> 0:18:47.679
<v Speaker 3>the black ones. Netflix in the in the flat Brohannesburg

0:18:48.080 --> 0:18:51.640
<v Speaker 3>like they're like everywhere you go, there's areas where there's

0:18:51.800 --> 0:18:54.440
<v Speaker 3>poor people, but the poorest areas are the poor parts

0:18:54.440 --> 0:18:57.800
<v Speaker 3>where the white folks are. Yeah, it's a matter of fact,

0:18:57.960 --> 0:19:01.199
<v Speaker 3>it's a Netflix special on It's a Netflix special on that.

0:19:01.320 --> 0:19:03.239
<v Speaker 3>I got to remember the name though, but if you

0:19:03.280 --> 0:19:05.120
<v Speaker 3>if you, if you Google, I mean, if you serve

0:19:05.200 --> 0:19:07.480
<v Speaker 3>South Africa on there, it'll pop up on.

0:19:07.760 --> 0:19:10.960
<v Speaker 6>Watch my documentary Coming Home South Africa. And I'm telling you,

0:19:11.000 --> 0:19:13.000
<v Speaker 6>And they have an amazing hip hop scene. And I

0:19:13.040 --> 0:19:15.040
<v Speaker 6>went into Johannesburg and they got a spot called the

0:19:15.920 --> 0:19:20.000
<v Speaker 6>what is it called the Cool oh Man Slaughterhouse and

0:19:20.040 --> 0:19:22.200
<v Speaker 6>it's in there, it's in their language. But and it's

0:19:22.200 --> 0:19:25.840
<v Speaker 6>like a crazy MC battle place is dope, dope see

0:19:25.920 --> 0:19:26.240
<v Speaker 6>out there?

0:19:26.240 --> 0:19:28.520
<v Speaker 2>Man, I'm not.

0:19:28.480 --> 0:19:32.080
<v Speaker 1>Sure what should I just want to go to if I.

0:19:32.040 --> 0:19:34.679
<v Speaker 2>Go first, But hear me, I want to buy a

0:19:34.680 --> 0:19:36.600
<v Speaker 2>fake credit card or something. You know what I'm saying, Like,

0:19:36.640 --> 0:19:39.520
<v Speaker 2>I want to see you got stereo top on it.

0:19:39.560 --> 0:19:41.520
<v Speaker 1>I want to get scammed like.

0:19:49.600 --> 0:19:50.120
<v Speaker 2>In your life.

0:19:50.119 --> 0:19:53.560
<v Speaker 1>Man, I want to get scared.

0:19:57.280 --> 0:20:00.000
<v Speaker 2>But what is the first It never been to Africa?

0:20:00.080 --> 0:20:00.399
<v Speaker 1>Uh?

0:20:00.600 --> 0:20:04.240
<v Speaker 2>If they want to go for party purposes, to party purposes,

0:20:04.280 --> 0:20:08.400
<v Speaker 2>like what were you? Compare it to what place? All right?

0:20:08.440 --> 0:20:12.640
<v Speaker 3>So I would say Nigeria is compared to New York

0:20:12.680 --> 0:20:14.440
<v Speaker 3>City if I had to compare.

0:20:14.200 --> 0:20:15.600
<v Speaker 2>Something, that's definitely scammers.

0:20:16.000 --> 0:20:19.440
<v Speaker 1>The scammers are everywhere. I'm being.

0:20:21.320 --> 0:20:22.600
<v Speaker 2>That Nigeria princes.

0:20:22.280 --> 0:20:25.760
<v Speaker 1>Probably a more holy one they got the females.

0:20:25.800 --> 0:20:32.640
<v Speaker 2>Goddamn Nigerian prince got something.

0:20:32.680 --> 0:20:32.800
<v Speaker 4>Yo.

0:20:39.160 --> 0:20:43.400
<v Speaker 3>This could be debatable, but the Nigerians are the most

0:20:43.520 --> 0:20:45.199
<v Speaker 3>smartest people on the planet.

0:20:46.000 --> 0:20:46.600
<v Speaker 1>Yeah, I believe.

0:20:47.160 --> 0:20:51.399
<v Speaker 3>I promise you there's nobody more smarter than the Nigerian. Now,

0:20:51.440 --> 0:20:54.000
<v Speaker 3>of course there's there's a few bad apples that came out,

0:20:54.400 --> 0:20:54.920
<v Speaker 3>you know what I'm saying.

0:20:55.520 --> 0:20:56.560
<v Speaker 1>No, they extremely smart.

0:20:56.640 --> 0:20:58.600
<v Speaker 3>They put they just put their intelligence all in the

0:20:58.640 --> 0:21:02.080
<v Speaker 3>wrong place. They're geared, dess or something more, you know,

0:21:02.160 --> 0:21:06.440
<v Speaker 3>positive productive because the ones that did there's more. There's

0:21:06.520 --> 0:21:08.720
<v Speaker 3>more billionaires being made in Nigeria than anywhere in the

0:21:08.800 --> 0:21:10.480
<v Speaker 3>world on the annual basis.

0:21:10.800 --> 0:21:18.360
<v Speaker 2>Took that email. Listen to the credit of them though.

0:21:19.359 --> 0:21:23.920
<v Speaker 1>You only get caught if you get greedy. They don't

0:21:23.960 --> 0:21:26.280
<v Speaker 1>ask you to do anything, They just present it to

0:21:26.400 --> 0:21:28.360
<v Speaker 1>you and then your greed get caught in that way

0:21:28.480 --> 0:21:35.119
<v Speaker 1>because I'm giving fifty they're not, They're just giving you

0:21:35.160 --> 0:21:36.639
<v Speaker 1>a positions.

0:21:37.840 --> 0:21:40.920
<v Speaker 2>Greedy took it was.

0:21:41.080 --> 0:21:44.080
<v Speaker 1>What's crazier is that after you get got, there's nobody

0:21:44.119 --> 0:21:47.560
<v Speaker 1>else to blame but yourself, because you know better. Honest,

0:21:47.640 --> 0:21:49.680
<v Speaker 1>anything that's too good to be true, you know, it's

0:21:49.720 --> 0:21:50.840
<v Speaker 1>always too good to be true.

0:21:50.880 --> 0:21:53.199
<v Speaker 2>What's the nigga that they was hunt him down? They

0:21:53.240 --> 0:22:02.800
<v Speaker 2>made you puppy Cony right, Coney Coney, I donated that

0:22:02.960 --> 0:22:06.760
<v Speaker 2>was that was the Africans that was doing that. Somebody.

0:22:07.920 --> 0:22:12.320
<v Speaker 1>Yeah, I still don't got my shirt, Like is he

0:22:12.400 --> 0:22:13.359
<v Speaker 1>comparing that Africa?

0:22:15.480 --> 0:22:17.080
<v Speaker 2>It was Cony. He was doing someth bad.

0:22:17.560 --> 0:22:19.840
<v Speaker 1>Yeah, And it wasn't that he was like, donate to

0:22:19.960 --> 0:22:21.080
<v Speaker 1>him and we're going to get I like.

0:22:21.200 --> 0:22:27.960
<v Speaker 2>Word, it's like dude in San Francisco doing that. I

0:22:28.000 --> 0:22:30.560
<v Speaker 2>want it was my T shirt shirt. And that's when

0:22:30.600 --> 0:22:36.200
<v Speaker 2>I started to complain, that is ting right about this shirt.

0:22:36.560 --> 0:22:40.840
<v Speaker 2>It's too funny. So you say Nigeria is the first, Well.

0:22:40.920 --> 0:22:42.359
<v Speaker 3>That mean it depends on what you're going there for.

0:22:42.600 --> 0:22:45.560
<v Speaker 3>Like every place has his destination and has especialty for

0:22:45.680 --> 0:22:46.560
<v Speaker 3>what you want to do.

0:22:46.640 --> 0:22:49.639
<v Speaker 1>A huge continent, it's no North Africa.

0:22:50.400 --> 0:22:53.000
<v Speaker 3>How big Africa is, right? You see how big United

0:22:53.000 --> 0:22:55.760
<v Speaker 3>States is. You could take five United States and fit

0:22:55.880 --> 0:23:00.520
<v Speaker 3>it inside it. Five of US, I mean all fifty two,

0:23:00.760 --> 0:23:03.159
<v Speaker 3>three faux states whatever, you can take them all, put

0:23:03.240 --> 0:23:04.560
<v Speaker 3>him inside Africa five times.

0:23:04.600 --> 0:23:07.480
<v Speaker 1>That's how big the continent is. That's how big it is.

0:23:07.560 --> 0:23:09.280
<v Speaker 1>So it's a matter of like it's any and everything

0:23:09.320 --> 0:23:09.680
<v Speaker 1>you want to do.

0:23:09.840 --> 0:23:12.159
<v Speaker 3>Like you got East Africa, you got South Africa, you

0:23:12.200 --> 0:23:15.280
<v Speaker 3>got West Africa, North Africa. Everywhere you go, there's destination

0:23:15.400 --> 0:23:16.840
<v Speaker 3>for what it is you want. So it depends on

0:23:16.880 --> 0:23:17.520
<v Speaker 3>what you're going there for.

0:23:18.400 --> 0:23:21.119
<v Speaker 2>You know, no I said anybody got questions for Akon.

0:23:22.840 --> 0:23:25.040
<v Speaker 1>It was like Yo, man in the US mad at

0:23:25.080 --> 0:23:27.280
<v Speaker 1>him for messing with China. Man, listen honestly.

0:23:27.320 --> 0:23:30.960
<v Speaker 3>First, to be honest, bro Me, I would want the

0:23:31.119 --> 0:23:33.840
<v Speaker 3>US to take more initiative in Africa.

0:23:34.000 --> 0:23:35.840
<v Speaker 1>They have done it this year though.

0:23:36.359 --> 0:23:39.240
<v Speaker 3>Really Yeah, they flew in a lot of African presidents,

0:23:40.080 --> 0:23:44.280
<v Speaker 3>created this huge you knows, the initiative in DC, you know,

0:23:44.400 --> 0:23:45.600
<v Speaker 3>but it was a great conversation.

0:23:45.720 --> 0:23:46.440
<v Speaker 1>It was a great start.

0:23:46.840 --> 0:23:50.159
<v Speaker 3>But I just think they're a little bit ten twelve

0:23:50.240 --> 0:23:54.800
<v Speaker 3>steps behind the Chinese. The area where the Chinese got

0:23:55.320 --> 0:23:59.120
<v Speaker 3>smart was they realized, okay, are they're already done created

0:23:59.200 --> 0:24:01.400
<v Speaker 3>enough manufacturing plans to supply the whole world?

0:24:02.160 --> 0:24:02.280
<v Speaker 6>Right?

0:24:02.520 --> 0:24:07.240
<v Speaker 3>Yes, Americas are their biggest suppliers, America then Europe. This

0:24:07.359 --> 0:24:08.920
<v Speaker 3>is why the US is in debt to the Chinese.

0:24:08.960 --> 0:24:12.000
<v Speaker 3>Already they supplied the US was so much. But after

0:24:12.040 --> 0:24:14.400
<v Speaker 3>a while you can only supply for so much because

0:24:14.400 --> 0:24:16.960
<v Speaker 3>that's only a certain amount of population. They're the reason

0:24:17.000 --> 0:24:18.600
<v Speaker 3>why Chinese is so powerful because they got over a

0:24:18.640 --> 0:24:21.399
<v Speaker 3>billion people over there within China in itself. But for

0:24:21.480 --> 0:24:23.720
<v Speaker 3>the most part, they start a value in Africa though

0:24:24.119 --> 0:24:26.880
<v Speaker 3>they said, okay, cool, Africa got close to two billion people.

0:24:27.440 --> 0:24:29.200
<v Speaker 1>Right, it's underdeveloped.

0:24:29.960 --> 0:24:32.359
<v Speaker 3>So human resource to them is more important than actual

0:24:32.400 --> 0:24:35.480
<v Speaker 3>resources itself because they've seen what have done for them themselves.

0:24:35.800 --> 0:24:35.919
<v Speaker 7>Right.

0:24:35.960 --> 0:24:38.440
<v Speaker 1>So now I imagine if you combine two billion people

0:24:38.480 --> 0:24:41.760
<v Speaker 1>of China in partnership with two billion people in Africa,

0:24:42.359 --> 0:24:44.240
<v Speaker 1>and then you have all the resources and all the

0:24:44.320 --> 0:24:46.240
<v Speaker 1>factories for distribution to the globe.

0:24:46.600 --> 0:24:50.200
<v Speaker 2>Is that why the currency is the currency is China.

0:24:51.600 --> 0:24:56.520
<v Speaker 6>The bricks I'm talking about bricks, which is China, China, Russia, Brazil.

0:24:57.280 --> 0:25:01.160
<v Speaker 1>They trying to create their Oh well, I mean break

0:25:01.600 --> 0:25:02.760
<v Speaker 1>they call that school ring.

0:25:03.119 --> 0:25:09.040
<v Speaker 2>I either heard that ringusin is eighty eight, but you

0:25:09.200 --> 0:25:11.160
<v Speaker 2>hear that, Yeah, it's bridge.

0:25:11.400 --> 0:25:14.040
<v Speaker 1>They haven't done it yet. They're trying to. They're trying

0:25:14.080 --> 0:25:14.399
<v Speaker 1>to do it.

0:25:14.480 --> 0:25:17.400
<v Speaker 3>It's a conversation that's being had. Of course it's gonna

0:25:17.560 --> 0:25:19.320
<v Speaker 3>and Saudi Arabia is kind of like top of the

0:25:19.600 --> 0:25:22.000
<v Speaker 3>US dollar if that happens. So I don't think it's

0:25:22.000 --> 0:25:24.359
<v Speaker 3>gonna be something that's gonna be easy to accomplish because

0:25:24.359 --> 0:25:27.040
<v Speaker 3>it's just too many interesting at play. But if it

0:25:27.119 --> 0:25:28.720
<v Speaker 3>does happen, it's gonna be a it's gonna be a

0:25:29.359 --> 0:25:30.919
<v Speaker 3>US is gonna have a huge problem.

0:25:31.400 --> 0:25:33.680
<v Speaker 6>Right, And China's been involved in Latin America too. They're

0:25:33.680 --> 0:25:35.840
<v Speaker 6>doing the same thing all that everywhere. You know, understanding,

0:25:36.280 --> 0:25:37.680
<v Speaker 6>they have been quiet.

0:25:38.359 --> 0:25:40.639
<v Speaker 1>Right, you can go to any hood anywhere in the

0:25:40.720 --> 0:25:43.240
<v Speaker 1>world and you're gonna find them. That's what they're doing.

0:25:43.440 --> 0:25:44.960
<v Speaker 3>And then you can go to any place in the

0:25:45.000 --> 0:25:48.879
<v Speaker 3>world and they will be a China town. Always they've been.

0:25:49.000 --> 0:25:50.600
<v Speaker 3>They've always been non controversial.

0:25:51.440 --> 0:25:52.680
<v Speaker 2>Right, you've been to China.

0:25:52.960 --> 0:25:55.239
<v Speaker 3>I love China, you really, I love it out there.

0:25:55.280 --> 0:25:58.280
<v Speaker 3>I just can't say that too long ago. Why I

0:25:58.400 --> 0:26:01.320
<v Speaker 3>need the food, the food, it's just it's not my

0:26:01.680 --> 0:26:08.960
<v Speaker 3>my type. The food small, it's just the portions are

0:26:09.000 --> 0:26:13.360
<v Speaker 3>pretty small. But it's it's just too healthy. Really, it's

0:26:13.440 --> 0:26:13.920
<v Speaker 3>too healthy.

0:26:13.960 --> 0:26:17.320
<v Speaker 1>You need some glue, I need yeah, iy, fat, honey, cholesterol,

0:26:18.240 --> 0:26:23.439
<v Speaker 1>I need all that, like I can't American. It's too healthy, Okay,

0:26:23.840 --> 0:26:24.520
<v Speaker 1>it's too healthy.

0:26:24.640 --> 0:26:28.000
<v Speaker 2>One of the things that Michael Blacksman, who is my friend,

0:26:28.720 --> 0:26:32.439
<v Speaker 2>but he turns me off every time I see him

0:26:32.520 --> 0:26:36.119
<v Speaker 2>eat it. The way he eats foodful is hard. Have

0:26:36.240 --> 0:26:39.960
<v Speaker 2>you ever seen him eat fool? Did he put on

0:26:40.040 --> 0:26:41.920
<v Speaker 2>the tracks? He's like, I'm like, how can you tell

0:26:41.960 --> 0:26:42.960
<v Speaker 2>me this is good? And you're going to.

0:26:45.480 --> 0:26:47.120
<v Speaker 1>I'm the only one who followed Michael Blacksmith.

0:26:47.920 --> 0:26:51.960
<v Speaker 2>Listen, I mean, I swear, and he'd be like after

0:26:52.080 --> 0:26:55.000
<v Speaker 2>he he puts pause, pulls his mouth with his hand

0:26:55.040 --> 0:26:57.520
<v Speaker 2>away from his mouth. He acts like he's enjoying it,

0:26:57.760 --> 0:26:58.640
<v Speaker 2>but as he's.

0:26:58.560 --> 0:27:02.359
<v Speaker 1>Chewing it, he puts on the pit bull face, like

0:27:02.600 --> 0:27:04.080
<v Speaker 1>a pit bull is a tackle the.

0:27:04.119 --> 0:27:07.440
<v Speaker 2>Tea and I like it. So, but are you a

0:27:07.520 --> 0:27:09.080
<v Speaker 2>fan of fool fool me?

0:27:09.240 --> 0:27:11.680
<v Speaker 1>I'm not really a fan of food food specifically, I don't.

0:27:11.760 --> 0:27:12.160
<v Speaker 2>Yeah, I don't.

0:27:12.200 --> 0:27:13.680
<v Speaker 1>I don't like food food as much, but I like

0:27:13.760 --> 0:27:14.280
<v Speaker 1>everything else.

0:27:14.320 --> 0:27:14.560
<v Speaker 2>Food.

0:27:14.560 --> 0:27:15.800
<v Speaker 1>Food is the only thing I don't like as much.

0:27:15.840 --> 0:27:18.239
<v Speaker 1>Food is like my fungal right, it's a plantain, that's

0:27:18.280 --> 0:27:19.360
<v Speaker 1>the thing you Yeah.

0:27:19.960 --> 0:27:23.280
<v Speaker 3>Well, myself, I like, but this is the okra sauce

0:27:23.320 --> 0:27:25.320
<v Speaker 3>that comes from and I don't like the texture of okra.

0:27:25.880 --> 0:27:28.080
<v Speaker 3>You know what I'm saying, but because it got food

0:27:28.280 --> 0:27:30.119
<v Speaker 3>and some other sauce like the peanut butter sauce. It

0:27:30.200 --> 0:27:32.639
<v Speaker 3>comes with different sauces. But the reason why they call

0:27:32.640 --> 0:27:36.359
<v Speaker 3>it food food is because of the okrat, the bread bread.

0:27:36.440 --> 0:27:40.200
<v Speaker 1>Well, I mean it's yeah, yeah, yeah, it's a combination.

0:27:40.400 --> 0:27:43.280
<v Speaker 3>So yeah, but it's it's a it's a team effort,

0:27:43.359 --> 0:27:44.920
<v Speaker 3>like one don't work without the other, you know what

0:27:44.920 --> 0:27:45.240
<v Speaker 3>I'm saying.

0:27:45.560 --> 0:27:47.200
<v Speaker 2>So, what's your favorite African dish?

0:27:47.720 --> 0:27:52.600
<v Speaker 1>It's jelly rice for sure? What je rice? J Yeah.

0:27:54.119 --> 0:27:55.879
<v Speaker 2>Sounds I don't know how it sounds.

0:27:55.920 --> 0:27:57.840
<v Speaker 1>Sounds delicious, is it?

0:27:59.440 --> 0:27:59.480
<v Speaker 7>So?

0:28:00.240 --> 0:28:02.879
<v Speaker 3>Rice is originally from Senegal with Stafford that'shere, I'm from.

0:28:04.400 --> 0:28:07.400
<v Speaker 1>Ghana's. Ghana has adapted it very well.

0:28:07.960 --> 0:28:10.720
<v Speaker 3>Nigeria is always in competition with Ghana on who makes

0:28:10.720 --> 0:28:13.560
<v Speaker 3>the best jelly of rice. And then you have Liberia

0:28:13.640 --> 0:28:17.720
<v Speaker 3>also that makes it really really good, right. But it's

0:28:17.840 --> 0:28:21.800
<v Speaker 3>it's an old traditional uh recipe that's made with rice

0:28:22.440 --> 0:28:25.400
<v Speaker 3>and tomato paste. So the tomato paste is what makes

0:28:25.440 --> 0:28:28.879
<v Speaker 3>it red. But in Senegal you have two types of jelloff.

0:28:28.920 --> 0:28:30.600
<v Speaker 3>You have the red jelloff and then you have the

0:28:30.680 --> 0:28:34.480
<v Speaker 3>white jellaf. The white jellaf is made with like onions

0:28:34.960 --> 0:28:37.240
<v Speaker 3>and you know, more broth, you know what I'm saying.

0:28:37.320 --> 0:28:39.480
<v Speaker 3>But the taste of it is just it's it's like

0:28:39.640 --> 0:28:42.440
<v Speaker 3>an African version of fried rice to an extent, that's

0:28:42.440 --> 0:28:44.440
<v Speaker 3>probably the best way to kind of explain it. Because

0:28:44.800 --> 0:28:46.760
<v Speaker 3>after the rice is done, they let the bottom of

0:28:46.800 --> 0:28:49.320
<v Speaker 3>the rice burn, so it's like you get that that

0:28:49.520 --> 0:28:51.960
<v Speaker 3>that burned smoky and then that smoke goes through the

0:28:52.040 --> 0:28:53.720
<v Speaker 3>rice and you could taste that smokiness in it.

0:28:53.920 --> 0:28:54.880
<v Speaker 1>It's it's delicious.

0:29:00.120 --> 0:29:02.840
<v Speaker 3>The bird part is this, This is why I've been

0:29:02.880 --> 0:29:05.320
<v Speaker 3>a deal lot. When I eat that boy, it reminds

0:29:05.360 --> 0:29:07.040
<v Speaker 3>me of Jeff, you know what I'm saying.

0:29:07.400 --> 0:29:10.640
<v Speaker 2>So so we all know that music, we all know

0:29:10.680 --> 0:29:14.479
<v Speaker 2>the original man comes from Africa, right right. I remember,

0:29:14.600 --> 0:29:19.360
<v Speaker 2>you know reggae music coming making its mark, you know.

0:29:19.640 --> 0:29:22.200
<v Speaker 2>Then you know, you know Spanish music, all that song

0:29:22.200 --> 0:29:24.280
<v Speaker 2>and so forth. But it just kind of like seemed

0:29:24.320 --> 0:29:28.840
<v Speaker 2>like it's three sixty and now it's like Afro Beasts

0:29:28.920 --> 0:29:29.440
<v Speaker 2>is like so.

0:29:29.720 --> 0:29:31.320
<v Speaker 1>Fucking popular, right, It's huge.

0:29:31.840 --> 0:29:34.760
<v Speaker 2>I never saw this coming, like I never saw obviously,

0:29:35.440 --> 0:29:37.680
<v Speaker 2>you know that music originates in Africa, so for it

0:29:37.800 --> 0:29:40.400
<v Speaker 2>to come back, it's something that's very very beautiful, but

0:29:40.480 --> 0:29:42.600
<v Speaker 2>I obviously didn't see this. Is this something that you've

0:29:42.640 --> 0:29:43.960
<v Speaker 2>been saw that you knew that.

0:29:44.080 --> 0:29:47.080
<v Speaker 3>Bro since two thousand and seven. Wow, I was in

0:29:47.160 --> 0:29:50.280
<v Speaker 3>labels trying to get this going. Like you, man, you'd

0:29:50.280 --> 0:29:52.600
<v Speaker 3>be surprised how good it makes somebody feel when you've

0:29:52.600 --> 0:29:54.840
<v Speaker 3>been saying you want to say, like I told you

0:29:54.960 --> 0:29:55.920
<v Speaker 3>so so loud.

0:29:57.080 --> 0:29:57.760
<v Speaker 2>You know what I'm saying.

0:29:58.400 --> 0:30:02.160
<v Speaker 3>But it's I kind of Latin music kind of came

0:30:02.200 --> 0:30:04.920
<v Speaker 3>through the same tunnel because with reggae thong, it was

0:30:04.960 --> 0:30:06.880
<v Speaker 3>the same thing. Nobody expected it to be this big

0:30:07.000 --> 0:30:19.840
<v Speaker 3>and dominate, like you know what I'm saying on everything, right,

0:30:22.280 --> 0:30:23.760
<v Speaker 3>you know what I'm saying. So it's I think it's

0:30:23.760 --> 0:30:25.720
<v Speaker 3>the same thing. And I think now people are getting

0:30:25.760 --> 0:30:29.000
<v Speaker 3>more you know, open to different sounds and different music

0:30:29.080 --> 0:30:31.440
<v Speaker 3>now actually start you know, you can now see melodies

0:30:31.920 --> 0:30:35.200
<v Speaker 3>change into something that sounds familiar to you that back

0:30:35.280 --> 0:30:36.959
<v Speaker 3>then was foreign, you know what I'm saying. So when

0:30:37.000 --> 0:30:39.480
<v Speaker 3>you listen to a lot of the afrobat music today,

0:30:39.480 --> 0:30:41.680
<v Speaker 3>you'd be like, wow, it actually makes sense because when

0:30:41.680 --> 0:30:44.600
<v Speaker 3>you go from reggae music to reggae thong and now

0:30:44.680 --> 0:30:48.120
<v Speaker 3>afrobeat within all in the span of ten fifteen years

0:30:48.160 --> 0:30:50.720
<v Speaker 3>in America's like it's it's all the same, you know

0:30:50.760 --> 0:30:52.560
<v Speaker 3>what I'm saying. It was just a matter of who

0:30:52.640 --> 0:30:54.520
<v Speaker 3>was the gatekeepers that would allow that music to come in,

0:30:55.000 --> 0:30:56.640
<v Speaker 3>And that was the challenging part, trying to get them

0:30:56.640 --> 0:30:58.560
<v Speaker 3>to understand that, Yo, this is bigger than you think

0:30:58.600 --> 0:30:58.800
<v Speaker 3>it is.

0:30:59.520 --> 0:31:02.040
<v Speaker 1>Yeah, you know, like internationally this is huge already.

0:31:02.760 --> 0:31:04.920
<v Speaker 3>If it breaks in America, this could be the biggest

0:31:04.960 --> 0:31:07.600
<v Speaker 3>turnover for y'all from a financial standpoint that you've ever seen.

0:31:07.640 --> 0:31:09.920
<v Speaker 3>But it's just a matter of just now Digital actually

0:31:09.960 --> 0:31:11.160
<v Speaker 3>allowed that because of YouTube.

0:31:11.960 --> 0:31:14.120
<v Speaker 6>You think they were trying to keep people from working

0:31:14.120 --> 0:31:16.920
<v Speaker 6>internationally that closely because it might change the way that

0:31:16.960 --> 0:31:18.160
<v Speaker 6>business has done domestically.

0:31:19.320 --> 0:31:21.200
<v Speaker 3>Actually, I wouldn't go that far, but I would say

0:31:21.240 --> 0:31:23.600
<v Speaker 3>that they didn't understand the music well enough to know

0:31:23.720 --> 0:31:25.880
<v Speaker 3>how to move it around. And I think a lot

0:31:25.920 --> 0:31:30.000
<v Speaker 3>of the times when you look at executives, they kind

0:31:30.000 --> 0:31:33.120
<v Speaker 3>of move on either excitement because they know what they got,

0:31:33.720 --> 0:31:35.480
<v Speaker 3>or on fear because they don't know what to do

0:31:35.560 --> 0:31:37.680
<v Speaker 3>with it, you know what I mean. Instead of just

0:31:37.720 --> 0:31:39.560
<v Speaker 3>putting it out and let it find his own audience,

0:31:40.080 --> 0:31:42.400
<v Speaker 3>they want to be the A and R to decide

0:31:42.560 --> 0:31:43.760
<v Speaker 3>what goes out and what's.

0:31:43.640 --> 0:31:44.520
<v Speaker 1>Going to be a hit and what's not.

0:31:44.640 --> 0:31:47.240
<v Speaker 2>And I think that's a mistake, is right, because they

0:31:47.280 --> 0:31:47.960
<v Speaker 2>only you know, they make.

0:31:47.880 --> 0:31:49.760
<v Speaker 3>The decision called to what they see, and most of

0:31:49.800 --> 0:31:51.480
<v Speaker 3>them never even left America, so they wouldn't even know

0:31:51.480 --> 0:31:51.920
<v Speaker 3>where to start.

0:31:53.200 --> 0:31:55.520
<v Speaker 2>I remember, like I was saying this to da veto

0:31:57.280 --> 0:31:59.960
<v Speaker 2>a friend of mine who's Fump Senegal. He lives in Paris,

0:32:00.560 --> 0:32:02.800
<v Speaker 2>and he kept he kept telling me about afrobeasts, but

0:32:02.880 --> 0:32:04.680
<v Speaker 2>he didn't have he didn't have. It wasn't a word

0:32:04.840 --> 0:32:07.440
<v Speaker 2>at the time. We kept saying, listen, man, we have

0:32:07.560 --> 0:32:12.080
<v Speaker 2>African ricked doone. And I was like, because I'm assuming,

0:32:12.080 --> 0:32:14.480
<v Speaker 2>I'm assuming reggae don't can only be Spanish. I'm not.

0:32:14.880 --> 0:32:17.200
<v Speaker 2>I'm not smart enough to understand that this is a

0:32:17.240 --> 0:32:19.920
<v Speaker 2>global thing. And then he was he was playing me

0:32:20.000 --> 0:32:22.680
<v Speaker 2>this and I was just like wow. And then when

0:32:22.800 --> 0:32:25.560
<v Speaker 2>afrobeas blew up, like I said, my boy at and

0:32:26.080 --> 0:32:27.720
<v Speaker 2>he's from Sitaguar, he just lives in Paris.

0:32:28.200 --> 0:32:33.120
<v Speaker 1>He called me every day I told you, I was like, damn,

0:32:33.360 --> 0:32:33.640
<v Speaker 1>he was.

0:32:33.680 --> 0:32:35.640
<v Speaker 2>Right, and he was right. We listen to Acon. Our

0:32:35.680 --> 0:32:38.160
<v Speaker 2>show was about giving people their flowers while they're alive.

0:32:38.680 --> 0:32:40.360
<v Speaker 2>We want to give you a flowers face to face.

0:32:43.920 --> 0:32:47.720
<v Speaker 2>You an icon. You're a pioneer. You single handed and

0:32:47.960 --> 0:32:49.760
<v Speaker 2>changed the face of how music is played.

0:32:50.280 --> 0:32:51.280
<v Speaker 1>You you did it.

0:32:52.160 --> 0:32:55.880
<v Speaker 2>Are you like the first African artists or first African?

0:32:56.440 --> 0:33:00.400
<v Speaker 2>Nos African because you wasn't born said he was born

0:33:00.440 --> 0:33:05.320
<v Speaker 2>in Saint Louis, but obviously you still considered well.

0:33:05.160 --> 0:33:06.800
<v Speaker 3>I mean, this is the thing, like, I don't think

0:33:06.880 --> 0:33:10.440
<v Speaker 3>where you're born decides who you are, right because in

0:33:10.560 --> 0:33:14.200
<v Speaker 3>our case, my mom and father was born raised, full

0:33:14.240 --> 0:33:17.280
<v Speaker 3>blooded Senegalese, but Pops decided to make sure we was

0:33:17.360 --> 0:33:19.560
<v Speaker 3>born here just to ship us back.

0:33:20.000 --> 0:33:22.920
<v Speaker 1>Yeah, it was a transactional reason. You understand what I'm saying.

0:33:22.960 --> 0:33:25.320
<v Speaker 3>So that's why when I identify with Africa, it's just

0:33:25.400 --> 0:33:26.680
<v Speaker 3>a little bit different because.

0:33:26.480 --> 0:33:28.280
<v Speaker 1>That's where my childhood began.

0:33:28.480 --> 0:33:30.240
<v Speaker 3>And then when I came to the States, I was

0:33:30.320 --> 0:33:32.880
<v Speaker 3>here just more to go to school because every summer

0:33:32.920 --> 0:33:33.760
<v Speaker 3>we would go back home.

0:33:34.240 --> 0:33:36.400
<v Speaker 1>Until I graduated high school. I decided to stay.

0:33:36.680 --> 0:33:38.440
<v Speaker 2>Let me ask you the whole thing with New York

0:33:38.520 --> 0:33:41.160
<v Speaker 2>Puerto Ricans, right, and then Puerto Ricans from the islands

0:33:41.320 --> 0:33:44.280
<v Speaker 2>right right, and for years, Puerto Weecans from the Island

0:33:44.320 --> 0:33:45.880
<v Speaker 2>just thought they was better than us. I'm sorry, that's

0:33:45.920 --> 0:33:50.000
<v Speaker 2>how we felt about y'all. Like we felt like they

0:33:50.400 --> 0:33:52.760
<v Speaker 2>felt like they were like the real Puerto Ricans, and like,

0:33:53.080 --> 0:33:55.200
<v Speaker 2>I mean, actually, at certain.

0:33:54.960 --> 0:34:01.080
<v Speaker 3>Times, technically, technically they are the real Puerto Ricans because

0:34:01.240 --> 0:34:02.960
<v Speaker 3>y'all are more Americanized.

0:34:03.960 --> 0:34:07.160
<v Speaker 2>Yeah, but they we watched us on TV. Yeah, they

0:34:07.240 --> 0:34:09.040
<v Speaker 2>just say technically a little bit different. You know, I

0:34:09.400 --> 0:34:11.279
<v Speaker 2>grew up with chickens in our backyard. Why are you

0:34:11.360 --> 0:34:12.200
<v Speaker 2>going at your people?

0:34:12.239 --> 0:34:12.319
<v Speaker 7>Bro?

0:34:22.080 --> 0:34:24.359
<v Speaker 3>They just a little the Puerto Ricans in Puerto Rico

0:34:24.400 --> 0:34:27.000
<v Speaker 3>a little bit closer to the culture. And I think

0:34:27.480 --> 0:34:29.200
<v Speaker 3>that's what they're trying to say. They're not saying that

0:34:29.239 --> 0:34:32.080
<v Speaker 3>you ain't Puerto Rican. They're saying, well, we're actually here.

0:34:33.040 --> 0:34:35.320
<v Speaker 2>You know, it's a place in Porto Rico called Louisa.

0:34:35.840 --> 0:34:39.040
<v Speaker 2>You know, that's the where the slaves got dropped off. Right,

0:34:39.239 --> 0:34:41.000
<v Speaker 2>you are light skinned out there compared to them.

0:34:42.440 --> 0:34:45.600
<v Speaker 3>But all of those niggas came from Senegalgue. I'm not

0:34:45.640 --> 0:34:46.480
<v Speaker 3>even joking.

0:34:49.080 --> 0:34:50.399
<v Speaker 2>That last spot they.

0:34:50.400 --> 0:34:51.520
<v Speaker 1>Dropped off in Puerto Rico.

0:34:51.600 --> 0:34:54.480
<v Speaker 3>They dropped off in Haiti, and the Haiti became Dominican

0:34:54.520 --> 0:34:58.000
<v Speaker 3>Republic because of the Spaniards came and mixed up with Haitians. Yeah,

0:34:58.040 --> 0:35:01.440
<v Speaker 3>the all Portuguese, mister Lee, So Portuguese, y'all niggas is.

0:35:01.440 --> 0:35:02.239
<v Speaker 1>More African than we are.

0:35:02.400 --> 0:35:04.200
<v Speaker 2>Why do you think y'all moved away? Y'all move goddamn?

0:35:04.320 --> 0:35:04.640
<v Speaker 4>Do you think?

0:35:06.080 --> 0:35:09.719
<v Speaker 1>Seriously think about it, Think about how we like, how

0:35:09.800 --> 0:35:12.560
<v Speaker 1>we communicate with Puerto Ricans, Couerto Rican We call each

0:35:12.560 --> 0:35:16.600
<v Speaker 1>other's niggas, y'all niggas. Ain't y'all far from niggas? Perto

0:35:16.640 --> 0:35:21.040
<v Speaker 1>Ricans say the ship and we're like you think about it,

0:35:21.160 --> 0:35:24.520
<v Speaker 1>like like we look at each other as one. You

0:35:24.600 --> 0:35:27.560
<v Speaker 1>find what I'm saying, like, so we like our history

0:35:27.680 --> 0:35:30.520
<v Speaker 1>is intertwined. It's not even a it's not even a question.

0:35:31.160 --> 0:35:32.000
<v Speaker 2>That's a beautiful thing.

0:35:32.040 --> 0:35:32.320
<v Speaker 1>You know what.

0:35:32.480 --> 0:35:34.680
<v Speaker 2>Also was something beautiful I've seen on the internet the

0:35:34.719 --> 0:35:37.520
<v Speaker 2>other day. They said something that could and you said

0:35:37.560 --> 0:35:40.400
<v Speaker 2>this on our show years ago. It says something that

0:35:40.560 --> 0:35:44.960
<v Speaker 2>was going to help boost Africa's economy is is if

0:35:45.080 --> 0:35:48.000
<v Speaker 2>African Americans going over back and start going back. And

0:35:48.040 --> 0:35:50.120
<v Speaker 2>I see somebody like I think this was like a

0:35:50.200 --> 0:35:52.360
<v Speaker 2>preacher or something like he was just and I was like,

0:35:52.520 --> 0:35:54.640
<v Speaker 2>damn a concept. That shit like seven years ago on

0:35:54.760 --> 0:35:57.600
<v Speaker 2>our show. You you think that's it that's still choose

0:35:57.640 --> 0:35:58.040
<v Speaker 2>you this day?

0:35:58.080 --> 0:36:01.719
<v Speaker 3>It's I think Africa will start to become it's to

0:36:01.800 --> 0:36:04.759
<v Speaker 3>its fullest potential when y'all all go back home, right

0:36:05.400 --> 0:36:09.000
<v Speaker 3>like and even y'all, what's interesting is that everything that

0:36:09.120 --> 0:36:14.200
<v Speaker 3>y'all fighting for over here, you actually you get on

0:36:14.320 --> 0:36:16.879
<v Speaker 3>a silver platter over there. Like it's like you, It's

0:36:16.920 --> 0:36:20.000
<v Speaker 3>like you guys want to suffer, Like y'all motherfuckers just

0:36:20.120 --> 0:36:20.719
<v Speaker 3>want to just be.

0:36:23.800 --> 0:36:24.680
<v Speaker 2>Because you don't have to be.

0:36:24.760 --> 0:36:27.080
<v Speaker 3>It's like it's it's like, believe me, they wouldn't want

0:36:27.160 --> 0:36:30.080
<v Speaker 3>nothing better than to shift all y'all niggas back to Africa,

0:36:30.120 --> 0:36:31.880
<v Speaker 3>but they're not even knowing this for your best.

0:36:31.760 --> 0:36:33.719
<v Speaker 1>Interest, y'all would actually be better off.

0:36:34.320 --> 0:36:37.080
<v Speaker 3>Wow, you know what I'm saying, No more crying, no

0:36:37.200 --> 0:36:41.800
<v Speaker 3>more like marching, no more getting killed by cops, no

0:36:41.960 --> 0:36:44.520
<v Speaker 3>more crying racism because y'all are the majority over there.

0:36:44.680 --> 0:36:47.840
<v Speaker 6>You know what I'm saying. Supposed to be that originally

0:36:48.560 --> 0:36:51.880
<v Speaker 6>wasn't a return. A lot of the free slaves helped

0:36:52.480 --> 0:36:54.520
<v Speaker 6>begin help create Liberia.

0:36:56.360 --> 0:36:57.760
<v Speaker 1>I can't give you too much story.

0:36:59.239 --> 0:36:59.600
<v Speaker 2>A little bit.

0:37:00.120 --> 0:37:02.279
<v Speaker 3>That's all the flags if you notice, every flag got

0:37:02.320 --> 0:37:04.319
<v Speaker 3>a meaning, right, but it's always got the meaning that's

0:37:04.360 --> 0:37:05.839
<v Speaker 3>attached to whoever colonized them.

0:37:06.400 --> 0:37:08.880
<v Speaker 1>But history nowadays, I don't know what to believe in anymore.

0:37:08.880 --> 0:37:10.800
<v Speaker 1>It's all convoluted.

0:37:10.840 --> 0:37:13.480
<v Speaker 3>Everybody has a different story of what took place around

0:37:13.560 --> 0:37:15.920
<v Speaker 3>that time, so the accuracy is very slim. But when

0:37:15.920 --> 0:37:18.920
<v Speaker 3>you stop and you think about just basic common sense,

0:37:19.440 --> 0:37:23.080
<v Speaker 3>some of the things that happen can easily be like

0:37:23.200 --> 0:37:26.960
<v Speaker 3>returned and redone like. But it's on in the mind state,

0:37:27.000 --> 0:37:29.080
<v Speaker 3>you know, once you got your mindset on something, that's

0:37:29.120 --> 0:37:31.200
<v Speaker 3>what it is. It's like Norri, he just want to

0:37:31.239 --> 0:37:34.080
<v Speaker 3>go to Africa to get fucking like. He gotta get

0:37:34.120 --> 0:37:39.840
<v Speaker 3>scammed otherwise Costomer, that's the experience.

0:37:40.160 --> 0:37:42.000
<v Speaker 1>He got to go through that first, and they say,

0:37:42.239 --> 0:37:44.560
<v Speaker 1>all right, cool now, who don't have to talk about

0:37:44.600 --> 0:37:45.799
<v Speaker 1>to give you a history on how I can get

0:37:45.800 --> 0:37:46.040
<v Speaker 1>it back?

0:37:46.719 --> 0:37:50.560
<v Speaker 2>So I gotta scam him to educate. You don't want

0:37:50.560 --> 0:37:53.319
<v Speaker 2>to go see a start resort. This is Africa. Yeah,

0:37:53.360 --> 0:37:55.600
<v Speaker 2>I want to do that. That's not too nice, it's

0:37:55.640 --> 0:37:56.520
<v Speaker 2>too clean. Take me.

0:37:57.480 --> 0:37:59.240
<v Speaker 1>I want to hunt straw.

0:37:59.360 --> 0:38:06.520
<v Speaker 2>You know, you know that's real man, because like a

0:38:06.600 --> 0:38:10.439
<v Speaker 2>lot of us, I remember me being scared. I send

0:38:10.520 --> 0:38:13.839
<v Speaker 2>in my twenty what is that twenty three and all

0:38:13.880 --> 0:38:15.799
<v Speaker 2>that where you where you get your thing twenty three

0:38:15.840 --> 0:38:18.719
<v Speaker 2>and me, Yeah, for the DNA, Yeah, the DNA. And

0:38:18.800 --> 0:38:24.360
<v Speaker 2>I remember my wife doing it and I'm being like, like,

0:38:24.440 --> 0:38:25.960
<v Speaker 2>you don't want to know where you're really from?

0:38:26.040 --> 0:38:27.400
<v Speaker 1>And I was like not really.

0:38:30.040 --> 0:38:32.440
<v Speaker 2>Actually, I actually think I swabbed or whatever it was.

0:38:32.600 --> 0:38:34.040
<v Speaker 2>I just never gave it to I was like, I

0:38:34.080 --> 0:38:36.759
<v Speaker 2>don't know, man. I was just like, man, I don't

0:38:36.800 --> 0:38:38.040
<v Speaker 2>know what I did with it, but I'm I don't

0:38:38.080 --> 0:38:41.440
<v Speaker 2>do it this time. You know where I'm at because

0:38:41.800 --> 0:38:44.200
<v Speaker 2>obviously when you when you're Puerto Rican, which I'm half

0:38:44.239 --> 0:38:51.319
<v Speaker 2>put a week and half black, part of you goes

0:38:51.400 --> 0:38:54.520
<v Speaker 2>to Spade, But that's not where it ends. That's where like,

0:38:54.880 --> 0:38:58.400
<v Speaker 2>that's just one little small it's Puerto Rican because we

0:38:58.400 --> 0:39:00.760
<v Speaker 2>don't come from Portibo, don't come from port Cuba.

0:39:00.880 --> 0:39:04.239
<v Speaker 3>Yeah, most Caribbean, Puerto Rican. Your DNA is gonna trace

0:39:04.320 --> 0:39:05.200
<v Speaker 3>back to Portugal.

0:39:05.000 --> 0:39:08.720
<v Speaker 1>Cuban port because ain't like the same birds, different president.

0:39:08.920 --> 0:39:10.600
<v Speaker 2>I'm just waiting for whatever they.

0:39:12.800 --> 0:39:17.000
<v Speaker 4>For the Cuban, the Cubans, Yeah, the black coming back Africa,

0:39:18.360 --> 0:39:19.600
<v Speaker 4>Cuban Cuban.

0:39:19.840 --> 0:39:22.239
<v Speaker 3>Cubans are the most African when it comes to the

0:39:22.400 --> 0:39:23.680
<v Speaker 3>Latin side of the world.

0:39:25.640 --> 0:39:26.080
<v Speaker 1>In Africa.

0:39:26.360 --> 0:39:32.120
<v Speaker 2>Yeah, niggas in the Latin country without as Jesus the

0:39:32.160 --> 0:39:39.160
<v Speaker 2>Latin just just making.

0:39:45.640 --> 0:39:48.280
<v Speaker 1>That my friend hates right there, sound.

0:39:56.360 --> 0:40:04.759
<v Speaker 2>Because all right you want to do ye oh man,

0:40:04.880 --> 0:40:07.759
<v Speaker 2>but he's not drinking. So Sunday drinking from drinking from

0:40:07.880 --> 0:40:11.040
<v Speaker 2>Sunday shot from me, my Haitian brother, that's what you're

0:40:11.040 --> 0:40:11.439
<v Speaker 2>talking about.

0:40:11.520 --> 0:40:11.719
<v Speaker 8>Drink.

0:40:14.480 --> 0:40:17.200
<v Speaker 6>I'm we go like today we were like, man, we're healthy,

0:40:17.280 --> 0:40:21.000
<v Speaker 6>were healthy hoods right now, water champs today.

0:40:22.000 --> 0:40:23.799
<v Speaker 2>I don't think you know what we love this last time.

0:40:24.560 --> 0:40:26.600
<v Speaker 6>We didn't do this last time with you, right, all right,

0:40:26.640 --> 0:40:28.799
<v Speaker 6>So we're gonna give you two choices. You pick one.

0:40:29.320 --> 0:40:31.800
<v Speaker 6>We're good if you say both or neither. We drinking,

0:40:32.280 --> 0:40:34.919
<v Speaker 6>got it, all right? So the first one is Chris

0:40:35.000 --> 0:40:36.719
<v Speaker 6>Brown or Usher you get my drink?

0:40:36.880 --> 0:40:37.120
<v Speaker 2>Wow?

0:40:37.719 --> 0:40:40.600
<v Speaker 1>Both okay? So see he gonna say this free. No, no,

0:40:41.080 --> 0:40:43.680
<v Speaker 1>that that one. Listen, They both to me are equal

0:40:43.719 --> 0:40:45.640
<v Speaker 1>when it comes to generations, right in the generation.

0:40:45.760 --> 0:40:48.600
<v Speaker 3>No, I never drink, never drink, but I did have.

0:40:48.880 --> 0:40:51.200
<v Speaker 3>I did sip it by accident one time and thought

0:40:51.239 --> 0:40:55.960
<v Speaker 3>it was water. Bro my chest got sold. It was

0:40:56.080 --> 0:41:02.000
<v Speaker 3>like what brook? It was a nasty ship I ever

0:41:02.160 --> 0:41:03.680
<v Speaker 3>tasted and know the taste.

0:41:03.520 --> 0:41:06.360
<v Speaker 1>Was lingering in my mouthful. A week I was like,

0:41:06.400 --> 0:41:09.680
<v Speaker 1>how did y'all drink? Even if I thought about drinking

0:41:09.760 --> 0:41:14.800
<v Speaker 1>after that, I would never drink rushing, But I was

0:41:14.840 --> 0:41:17.359
<v Speaker 1>in Dubai. Dubai That's why I thought it was wide

0:41:17.760 --> 0:41:22.279
<v Speaker 1>doesn't drink, drink. But unfortunately the person no, no. But

0:41:22.320 --> 0:41:24.439
<v Speaker 1>I'm saying as a country, they don't. They don't drink.

0:41:24.640 --> 0:41:25.560
<v Speaker 1>The people there like that.

0:41:25.800 --> 0:41:26.000
<v Speaker 4>You know.

0:41:27.640 --> 0:41:31.440
<v Speaker 7>You've been to the was you could drinking. Oh yeah, yeah,

0:41:31.440 --> 0:41:39.320
<v Speaker 7>don't leaves. Yeah, trust me, they drink.

0:41:42.200 --> 0:41:45.239
<v Speaker 1>Off of the drinkers and they do anything else to

0:41:45.520 --> 0:41:46.000
<v Speaker 1>trugt me.

0:41:46.360 --> 0:41:49.239
<v Speaker 2>Gotta be they got underground shoes, gotta be underground.

0:41:49.320 --> 0:41:51.239
<v Speaker 1>So you drank, because what did you drink?

0:41:52.239 --> 0:41:52.439
<v Speaker 6>Drink?

0:41:52.480 --> 0:41:55.560
<v Speaker 2>Anotherhing bigger, bigger than my boy guy. We just came home.

0:41:55.640 --> 0:41:58.320
<v Speaker 2>He had to hear a life sentence in for cocaine

0:41:58.880 --> 0:42:02.120
<v Speaker 2>and marijuana, and the life sentence he did four years

0:42:02.160 --> 0:42:03.239
<v Speaker 2>and he got his ask about of.

0:42:03.239 --> 0:42:04.640
<v Speaker 1>There, you gotta be careful when we go to the

0:42:04.680 --> 0:42:06.640
<v Speaker 1>other con. They don't play, they don't play with that

0:42:06.880 --> 0:42:09.440
<v Speaker 1>learned the coach by.

0:42:08.719 --> 0:42:10.400
<v Speaker 2>I play songs of Jeremiah.

0:42:15.520 --> 0:42:17.879
<v Speaker 1>That's a good one too, But I was I'll probably

0:42:17.920 --> 0:42:23.320
<v Speaker 1>go with Jeremiah Jeremiah, okay, Tupac or d m X Wow,

0:42:23.560 --> 0:42:32.040
<v Speaker 1>another good one. I probably go with Pop. I met

0:42:32.120 --> 0:42:35.480
<v Speaker 1>him one time, met Pox this one time. I never

0:42:35.560 --> 0:42:38.439
<v Speaker 1>met that one time? What was that a meaning?

0:42:38.600 --> 0:42:38.640
<v Speaker 4>Like?

0:42:39.160 --> 0:42:40.640
<v Speaker 1>It was like, oh, yo, this is my man, pot

0:42:40.800 --> 0:42:41.239
<v Speaker 1>yo Pop.

0:42:41.960 --> 0:42:42.560
<v Speaker 7>That kind.

0:42:44.520 --> 0:42:47.160
<v Speaker 1>Cool, we got to get in cool and it never

0:42:47.160 --> 0:42:49.080
<v Speaker 1>seen him again. His knew the new series on FX,

0:42:49.160 --> 0:42:52.799
<v Speaker 1>The Dear Mama. I saw it the first episode. It's crazy. Yeah,

0:42:52.840 --> 0:42:57.759
<v Speaker 1>it's real good, real good. Wow, it's on FXX. I

0:42:57.840 --> 0:43:00.200
<v Speaker 1>know you worked one of them. I don't know if

0:43:00.200 --> 0:43:03.960
<v Speaker 1>he worked with both, but Michael Jackson or Prince. Oh,

0:43:04.160 --> 0:43:05.760
<v Speaker 1>that's easy. Michael Jackson.

0:43:06.080 --> 0:43:07.000
<v Speaker 2>You worked with m J.

0:43:07.520 --> 0:43:07.719
<v Speaker 1>Yeah.

0:43:08.880 --> 0:43:10.319
<v Speaker 3>I didn't get a chance to work with Prince though,

0:43:10.640 --> 0:43:12.120
<v Speaker 3>but it was on the schedule to work with him

0:43:12.120 --> 0:43:12.720
<v Speaker 3>before he passed.

0:43:13.239 --> 0:43:14.799
<v Speaker 1>Was on the schedule. It was, yeah, I was gonna

0:43:14.800 --> 0:43:15.480
<v Speaker 1>get in with him before.

0:43:16.080 --> 0:43:17.160
<v Speaker 2>In the same room with Prince.

0:43:17.360 --> 0:43:20.480
<v Speaker 1>Yeah, you met Actually Jimmy Ivan was want to introduce

0:43:20.560 --> 0:43:23.279
<v Speaker 1>me to him, have his ass out.

0:43:27.120 --> 0:43:29.440
<v Speaker 6>I'm saying, you know this different versions really wants to

0:43:29.480 --> 0:43:30.920
<v Speaker 6>know because he has everybody.

0:43:32.560 --> 0:43:35.120
<v Speaker 2>Different versions. Because I wanted to I wanted to know myself,

0:43:35.560 --> 0:43:36.440
<v Speaker 2>say you wanted those pants.

0:43:38.640 --> 0:43:41.560
<v Speaker 3>He was an interesting character though, because even when I

0:43:41.640 --> 0:43:44.399
<v Speaker 3>met him through Jimmy, I would ask him a question

0:43:44.880 --> 0:43:47.200
<v Speaker 3>and then the assistant or the one that was standing

0:43:47.239 --> 0:43:48.520
<v Speaker 3>next to him would be the one to tell him,

0:43:49.239 --> 0:43:51.080
<v Speaker 3>so it was one of those, and then he would

0:43:51.080 --> 0:43:52.400
<v Speaker 3>whisper in her ear and then she would tell me

0:43:52.480 --> 0:43:54.360
<v Speaker 3>what he said it was.

0:43:54.440 --> 0:44:01.200
<v Speaker 1>It was, that's awkward, it was interesting, that's interesting. I

0:44:01.360 --> 0:44:01.839
<v Speaker 1>like this one.

0:44:02.400 --> 0:44:06.440
<v Speaker 2>You got eminem or Boston rhymes and what way?

0:44:06.520 --> 0:44:09.000
<v Speaker 1>Though, it's up to you. No, hold on. It's a

0:44:09.040 --> 0:44:14.680
<v Speaker 1>difference because if it's versus in versus, oh, in versus,

0:44:14.960 --> 0:44:18.600
<v Speaker 1>I mean just I just made in versus yeah versus.

0:44:19.680 --> 0:44:23.680
<v Speaker 2>That depends too, though, just just makes shinny take a shot. Yeah,

0:44:23.880 --> 0:44:25.080
<v Speaker 2>it depends. It depends.

0:44:25.560 --> 0:44:29.960
<v Speaker 3>It's no because these are two different lanes, like not even. Yeah,

0:44:30.040 --> 0:44:32.200
<v Speaker 3>but it's not even. It's like you can't even compare those.

0:44:32.520 --> 0:44:34.680
<v Speaker 3>I gotta go with both because you can't really compare.

0:44:35.160 --> 0:44:37.640
<v Speaker 6>That's fair taking a shot. You took a shot, Sonny.

0:44:38.560 --> 0:44:40.000
<v Speaker 6>You can't just drink out of your cup. You gotta

0:44:40.000 --> 0:44:44.160
<v Speaker 6>take a shot no because of what.

0:44:46.680 --> 0:44:49.000
<v Speaker 1>Okay, like this no, no, you make no sense?

0:44:49.239 --> 0:44:51.440
<v Speaker 2>And I did the next one after that, this.

0:44:51.520 --> 0:44:55.440
<v Speaker 6>One, yeah, justin Timberlake skip one. Oh yeah, Snooper jay

0:44:55.520 --> 0:45:01.719
<v Speaker 6>Z Snooper jay Z in the versus anyway, whatever the

0:45:01.800 --> 0:45:04.239
<v Speaker 6>criteria in your mind is the criteria in mind, I

0:45:04.239 --> 0:45:05.200
<v Speaker 6>will probably say.

0:45:08.400 --> 0:45:13.000
<v Speaker 1>That's that's also two different types, you know what I'm saying?

0:45:13.120 --> 0:45:18.279
<v Speaker 1>Like two icons? Thanks Lee?

0:45:23.400 --> 0:45:24.440
<v Speaker 2>This this this might be.

0:45:26.120 --> 0:45:30.440
<v Speaker 1>Debatable, but I'll probably go with Snoop. Okay, And and

0:45:30.560 --> 0:45:32.680
<v Speaker 1>y'all worked early on in your career and your career

0:45:32.760 --> 0:45:36.440
<v Speaker 1>too with Snoop, right yeah? And then I like, as

0:45:36.480 --> 0:45:38.040
<v Speaker 1>I travel, I see.

0:45:40.120 --> 0:45:43.359
<v Speaker 3>The personality and the effect that Snoop has on people

0:45:43.400 --> 0:45:45.279
<v Speaker 3>globally and through his music.

0:45:45.400 --> 0:45:49.320
<v Speaker 2>So Snooper's hands down the most famous rat that you

0:45:49.360 --> 0:45:51.400
<v Speaker 2>know what I'm there's not one person on earth that

0:45:51.920 --> 0:45:52.560
<v Speaker 2>I don't think I.

0:45:52.640 --> 0:45:56.040
<v Speaker 1>Don't know who Snoop thats recognized? Right, absolutely, kid you

0:45:56.160 --> 0:46:04.520
<v Speaker 1>not justin Timberlake or justin Bieber. I probably go with Biber, Okay,

0:46:05.520 --> 0:46:06.120
<v Speaker 1>how about.

0:46:05.920 --> 0:46:10.360
<v Speaker 2>Him versus still go with Biber? Still going with Okay, Okay.

0:46:10.480 --> 0:46:13.279
<v Speaker 1>People got records, bro, People records are on a different

0:46:13.360 --> 0:46:15.759
<v Speaker 1>level and he spoke, we you too, now my mom?

0:46:17.760 --> 0:46:23.160
<v Speaker 1>For fact, what else does he do? He styles p

0:46:23.360 --> 0:46:28.880
<v Speaker 1>or ross. I gotta go both on that one, Okay, Sonny?

0:46:29.120 --> 0:46:32.000
<v Speaker 1>Yeah can they both represent two different things too? But

0:46:32.080 --> 0:46:33.719
<v Speaker 1>style is like my brother. I couldn't go against him

0:46:33.719 --> 0:46:34.239
<v Speaker 1>if I wanted to.

0:46:34.840 --> 0:46:37.239
<v Speaker 2>Okay, I'm gonna let you Finn take this one.

0:46:37.640 --> 0:46:40.120
<v Speaker 1>These last two, I mean the next two French or

0:46:40.160 --> 0:46:43.480
<v Speaker 1>fifty French or fifty that would be a good one.

0:46:43.880 --> 0:46:46.480
<v Speaker 1>I would have known what, dude, But yeah, fifty will

0:46:46.480 --> 0:46:49.160
<v Speaker 1>get it. Oh and your mind saying versus? Is you

0:46:49.200 --> 0:46:53.360
<v Speaker 1>get my mind? I'm saying versus? Okay, atl or Miami

0:46:54.480 --> 0:46:57.920
<v Speaker 1>at L of Miami, definitely a t L. Still live

0:46:57.960 --> 0:47:00.520
<v Speaker 1>in atl Huh, still live in atl. I still got

0:47:00.560 --> 0:47:03.160
<v Speaker 1>a gas station, same house.

0:47:04.400 --> 0:47:08.920
<v Speaker 2>They got to know who got a gas station? That's

0:47:08.960 --> 0:47:09.479
<v Speaker 2>how you flow.

0:47:10.400 --> 0:47:11.879
<v Speaker 1>I got it, I got a gas station.

0:47:13.640 --> 0:47:16.520
<v Speaker 2>Whatever. Yeah, yeah, yeah, I gotta patack. I gotta have

0:47:16.600 --> 0:47:21.160
<v Speaker 2>a gas station. Shut everyone down, Everyone shut up? Like word,

0:47:21.239 --> 0:47:26.520
<v Speaker 2>he just said, you got a gas Okay. Naughty by

0:47:26.640 --> 0:47:27.920
<v Speaker 2>nature or laws are underground.

0:47:30.280 --> 0:47:32.880
<v Speaker 3>That's a jersey. That one was a good one too,

0:47:33.719 --> 0:47:36.400
<v Speaker 3>both legends, Yeah they are. But I think Naughty went

0:47:36.400 --> 0:47:37.200
<v Speaker 3>a little bit further.

0:47:39.000 --> 0:47:40.200
<v Speaker 2>Jada kiss or Nas.

0:47:42.040 --> 0:47:52.239
<v Speaker 1>Oh, oh, that one is interesting. That's a tough one too.

0:47:52.680 --> 0:47:55.520
<v Speaker 3>Why I say that is because Jade is probably the

0:47:55.640 --> 0:47:59.759
<v Speaker 3>most underrated. I don't think he ever got the credit

0:47:59.840 --> 0:48:01.160
<v Speaker 3>that he needed to get.

0:48:01.880 --> 0:48:03.680
<v Speaker 1>He getting it now. I believe you think you get

0:48:03.719 --> 0:48:06.640
<v Speaker 1>it now. I think he's getting it now because Nas,

0:48:07.040 --> 0:48:07.720
<v Speaker 1>it took time.

0:48:07.640 --> 0:48:10.000
<v Speaker 3>For people to give him that right, not as well,

0:48:10.160 --> 0:48:14.000
<v Speaker 3>it took some time. Yeah, And I think Jada he

0:48:14.160 --> 0:48:17.399
<v Speaker 3>never got it, right, you think he got it after

0:48:17.480 --> 0:48:18.520
<v Speaker 3>versus Yeah, I.

0:48:18.520 --> 0:48:19.840
<v Speaker 1>Think he's getting it. I think he's still in the

0:48:19.920 --> 0:48:20.800
<v Speaker 1>process of getting it.

0:48:21.040 --> 0:48:21.600
<v Speaker 2>That's what I think.

0:48:21.640 --> 0:48:22.600
<v Speaker 1>I think he's in the process.

0:48:23.680 --> 0:48:25.640
<v Speaker 3>I will say Jada, just to help him get that process,

0:48:25.760 --> 0:48:27.120
<v Speaker 3>because I think Nas is already given.

0:48:27.480 --> 0:48:35.600
<v Speaker 2>Okay, it's fair enough. Coming to America call Hall ofm Knights. Yeah,

0:48:38.800 --> 0:48:41.320
<v Speaker 2>I know both of them. I would definitely go with

0:48:41.440 --> 0:48:45.720
<v Speaker 2>coming to America Lady Gaga or Katy Perry.

0:48:45.920 --> 0:48:47.080
<v Speaker 1>Definitely Lady Goga.

0:48:49.960 --> 0:48:54.200
<v Speaker 2>With Lady Gaga, Gwen Stephani. But all right, these are

0:48:54.239 --> 0:48:56.200
<v Speaker 2>the guys who make it up, the Colombians and the Dominicans.

0:48:58.280 --> 0:49:00.439
<v Speaker 2>Red Man or Method Man both.

0:49:00.840 --> 0:49:02.759
<v Speaker 3>Yeah, those are twins right there. You can't separate them too,

0:49:04.200 --> 0:49:05.479
<v Speaker 3>and you can't separate them too.

0:49:08.160 --> 0:49:09.319
<v Speaker 2>Big pun or big al.

0:49:10.719 --> 0:49:11.560
<v Speaker 1>I go a pun.

0:49:13.880 --> 0:49:20.719
<v Speaker 2>Amy Winehouse or Whitney Houston. Oh rest a piece of both. Yeah, she.

0:49:23.400 --> 0:49:27.240
<v Speaker 1>That's a tough one too, but I go with Whitney.

0:49:28.880 --> 0:49:30.240
<v Speaker 2>You gotta see a movie on Netflix.

0:49:30.560 --> 0:49:31.200
<v Speaker 1>No, I haven't seen you.

0:49:31.280 --> 0:49:32.680
<v Speaker 2>I haven't seen it yet, neither I heard his good

0:49:32.840 --> 0:49:33.400
<v Speaker 2>Yea'm gonna take it.

0:49:33.400 --> 0:49:33.920
<v Speaker 1>Look at it now?

0:49:34.320 --> 0:49:38.479
<v Speaker 2>T Pain or floor Rider, t Pain, Wayne or Drake.

0:49:46.840 --> 0:49:48.719
<v Speaker 1>I would want to say Wayne.

0:49:50.480 --> 0:49:54.120
<v Speaker 3>Because he discovered him and recognize the talent that Drake got.

0:49:55.160 --> 0:49:57.600
<v Speaker 3>But in this case, I would choose Drake because Drake,

0:49:58.480 --> 0:50:03.000
<v Speaker 3>to me, it's more versati how and he he. I

0:50:03.120 --> 0:50:05.720
<v Speaker 3>think he maximized the opportunity better than anybody in the business.

0:50:07.320 --> 0:50:11.920
<v Speaker 1>That's fair, USA or Africa. Africa hesitates for that, not

0:50:12.000 --> 0:50:12.640
<v Speaker 1>even question.

0:50:12.760 --> 0:50:14.440
<v Speaker 2>Your old hairline or your new hairline.

0:50:15.440 --> 0:50:25.200
<v Speaker 1>The new hairlines look good.

0:50:25.239 --> 0:50:31.200
<v Speaker 2>A lie, I'm looking at me, get this, start me

0:50:31.440 --> 0:50:33.960
<v Speaker 2>say something somebody to pumped up bitch of you. But

0:50:34.040 --> 0:50:35.960
<v Speaker 2>because in person, it shod looks good. You look you

0:50:36.040 --> 0:50:37.480
<v Speaker 2>look Dominican, you look like.

0:50:40.760 --> 0:50:45.800
<v Speaker 1>It looked good. They actually I started that campaign.

0:50:45.880 --> 0:50:47.560
<v Speaker 2>He started it. I did that on purpose because you said,

0:50:47.600 --> 0:50:49.280
<v Speaker 2>you went to Turkey, and Nigga said, Nigga, don't.

0:50:49.120 --> 0:50:50.680
<v Speaker 1>Go to Turkey, right. So then so then I have

0:50:50.760 --> 0:50:52.120
<v Speaker 1>to look where I can kind of play with it.

0:50:52.120 --> 0:50:52.399
<v Speaker 2>I said.

0:50:52.480 --> 0:50:54.759
<v Speaker 1>I was just interested because, Bro, I ain't laughed at

0:50:55.000 --> 0:50:56.080
<v Speaker 1>I ain't laughed that much.

0:50:56.560 --> 0:51:00.200
<v Speaker 2>It's so long. This ship was so funny. Do you

0:51:00.239 --> 0:51:00.560
<v Speaker 2>want to do?

0:51:02.320 --> 0:51:04.640
<v Speaker 1>I was literally I was literally on the plane just

0:51:04.760 --> 0:51:06.680
<v Speaker 1>creating just I was like, oh, this is gonna look real.

0:51:07.000 --> 0:51:10.400
<v Speaker 1>What you think, baby? We just push it out there. Boy, Yo,

0:51:10.520 --> 0:51:13.600
<v Speaker 1>the memes that came means when I tell you that

0:51:13.760 --> 0:51:15.000
<v Speaker 1>was the funnies sh I heard?

0:51:15.080 --> 0:51:18.200
<v Speaker 2>Man, I love that ship? Did you start it on Twitter?

0:51:18.239 --> 0:51:19.399
<v Speaker 1>Would you on Twitter?

0:51:20.640 --> 0:51:24.120
<v Speaker 2>Negative place on the planet? You want to be in

0:51:24.160 --> 0:51:27.040
<v Speaker 2>place on the baby place? Wanted to be negative. But

0:51:27.400 --> 0:51:29.480
<v Speaker 2>you can go on Twitter and be like peace, good

0:51:29.520 --> 0:51:36.640
<v Speaker 2>morning everybody. Somebody gonna say, shut the fuck youposed a

0:51:36.680 --> 0:51:38.600
<v Speaker 2>baby picture. They're like that baby ugly?

0:51:39.040 --> 0:51:41.040
<v Speaker 1>Like what you could do anything?

0:51:41.120 --> 0:51:43.600
<v Speaker 2>Twitter is the horrible place, bro, But it'll also tell

0:51:43.600 --> 0:51:48.160
<v Speaker 2>you some foul ship. Okay, where we're at the burner?

0:51:48.239 --> 0:51:52.040
<v Speaker 1>Boy, Oh that's good. Oh I probably go with David though,

0:51:52.680 --> 0:51:53.160
<v Speaker 1>David Dough.

0:51:53.360 --> 0:51:55.680
<v Speaker 2>Yeah, we just had them on pick up to Dabba.

0:51:55.480 --> 0:51:58.200
<v Speaker 1>Door oh Davy. Yeah that kid, right, there's a beast. Yeah,

0:51:59.040 --> 0:52:00.920
<v Speaker 1>he's the beast. He's another And I think that deserves

0:52:00.960 --> 0:52:02.560
<v Speaker 1>more flowers than he's received.

0:52:02.719 --> 0:52:03.880
<v Speaker 2>We gave him flowers.

0:52:04.560 --> 0:52:05.239
<v Speaker 1>I appreciate that.

0:52:06.120 --> 0:52:11.000
<v Speaker 2>Uh n w A or Wu Tang Klan, which I.

0:52:11.000 --> 0:52:12.120
<v Speaker 1>Don't think is a good match up.

0:52:12.160 --> 0:52:12.319
<v Speaker 7>Man.

0:52:12.480 --> 0:52:14.759
<v Speaker 1>I do think it's it's just generationals.

0:52:14.880 --> 0:52:20.879
<v Speaker 3>It's definitely a generational match. But I want to say both,

0:52:20.920 --> 0:52:24.440
<v Speaker 3>and let me tell you why. First of all, n

0:52:24.600 --> 0:52:27.680
<v Speaker 3>w A created gangster rap. Regardless what anybody tell you,

0:52:28.000 --> 0:52:31.400
<v Speaker 3>school d did, but n w A, regardless of what anybody.

0:52:31.760 --> 0:52:34.920
<v Speaker 1>On there's a difference. Schoolie was just a gangster period.

0:52:35.320 --> 0:52:37.160
<v Speaker 2>Yeah, but he would made against the music though he

0:52:37.239 --> 0:52:37.640
<v Speaker 2>did happen.

0:52:37.640 --> 0:52:39.560
<v Speaker 6>And I see it was around but around the same

0:52:39.600 --> 0:52:41.560
<v Speaker 6>time in w A and maybe before, to be honest

0:52:41.600 --> 0:52:42.440
<v Speaker 6>with you, Yeah, so.

0:52:42.680 --> 0:52:43.840
<v Speaker 1>You're right, it could be debatable.

0:52:44.600 --> 0:52:48.960
<v Speaker 2>But n w A made it popular, the most popular.

0:52:49.239 --> 0:52:51.280
<v Speaker 2>That's what you gotta get credit to, absolutely.

0:52:51.000 --> 0:52:53.080
<v Speaker 3>Because I think sometimes we kind of make the mistake

0:52:53.120 --> 0:52:54.600
<v Speaker 3>of the person that invented it versus the person that

0:52:54.680 --> 0:52:55.560
<v Speaker 3>actually made it famous.

0:52:56.760 --> 0:52:57.680
<v Speaker 1>You understand what I'm saying.

0:52:57.920 --> 0:53:00.600
<v Speaker 2>So there's two parts the person that invented it.

0:53:00.800 --> 0:53:02.400
<v Speaker 3>Yeah, we have to give him the flowers because he

0:53:02.440 --> 0:53:06.319
<v Speaker 3>and he actually created the this is what got us.

0:53:06.239 --> 0:53:07.239
<v Speaker 2>Inspired to do it.

0:53:07.880 --> 0:53:11.719
<v Speaker 1>But the person that made it famous, it is really

0:53:11.760 --> 0:53:14.399
<v Speaker 1>the person you give the credit to. And that could

0:53:14.400 --> 0:53:15.279
<v Speaker 1>be debatable as well.

0:53:15.480 --> 0:53:16.200
<v Speaker 2>It's like everybody.

0:53:16.200 --> 0:53:17.920
<v Speaker 1>But I also believe that the person that made it

0:53:18.000 --> 0:53:20.480
<v Speaker 1>famous should also always go back and take care of

0:53:20.520 --> 0:53:23.759
<v Speaker 1>the person that invented it. That's what makes it even.

0:53:24.560 --> 0:53:26.480
<v Speaker 1>But when you ignore the person that made it even.

0:53:26.680 --> 0:53:28.239
<v Speaker 3>Or you you know, look at him on a certain

0:53:28.239 --> 0:53:30.799
<v Speaker 3>way and you know, kind of decrease its value, then

0:53:30.880 --> 0:53:31.719
<v Speaker 3>I think that's fucked up.

0:53:31.880 --> 0:53:34.919
<v Speaker 6>All right, There's there's one more debatable thing. Who called

0:53:34.960 --> 0:53:36.840
<v Speaker 6>it gangster act? Because a lot of people debate.

0:53:36.880 --> 0:53:37.279
<v Speaker 4>But I was.

0:53:38.880 --> 0:53:39.120
<v Speaker 6>Next.

0:53:39.280 --> 0:53:42.320
<v Speaker 1>You ain't all music, but you saw nigga.

0:53:42.160 --> 0:53:44.719
<v Speaker 2>Like n w A them niggas start they show off

0:53:45.000 --> 0:53:46.440
<v Speaker 2>with easy Goddamn with.

0:53:46.520 --> 0:53:48.720
<v Speaker 1>A twenty two popular in the side of the areada.

0:53:49.400 --> 0:53:52.400
<v Speaker 2>I was scared to dath How was I was terrified?

0:53:52.440 --> 0:53:54.879
<v Speaker 3>Listen to you never wanted to go to Compton, Right,

0:53:55.040 --> 0:53:57.000
<v Speaker 3>and then now let's talk about Wu Tang Clan.

0:53:58.120 --> 0:53:58.959
<v Speaker 2>Wu Tang Clan.

0:53:59.760 --> 0:54:03.680
<v Speaker 1>They took New York culture and made it global facts

0:54:04.360 --> 0:54:08.520
<v Speaker 1>even more. Staten islandro to the point where you go

0:54:08.640 --> 0:54:11.520
<v Speaker 1>to Japan, is you Wu Tang is like a religion.

0:54:12.280 --> 0:54:12.839
<v Speaker 1>It's a fact.

0:54:13.320 --> 0:54:16.040
<v Speaker 2>You understand what I'm saying now, Nwa.

0:54:15.600 --> 0:54:18.759
<v Speaker 1>Ain't going that far. They were more domestic, right, So

0:54:19.239 --> 0:54:20.960
<v Speaker 1>that's why I said, you got to give them both.

0:54:21.800 --> 0:54:22.960
<v Speaker 1>You gotta choose both on that one.

0:54:23.000 --> 0:54:24.879
<v Speaker 2>I love how you broke that down, mad hip hop.

0:54:25.160 --> 0:54:26.600
<v Speaker 2>That was a mad I break that.

0:54:27.360 --> 0:54:27.880
<v Speaker 1>I love that.

0:54:28.960 --> 0:54:31.080
<v Speaker 6>Look at those recent shows. Wu Tang's been posting in

0:54:31.280 --> 0:54:33.440
<v Speaker 6>Argentina and Colombia Like.

0:54:35.360 --> 0:54:37.480
<v Speaker 2>I'm Wu tangans in Paris right now?

0:54:37.640 --> 0:54:39.880
<v Speaker 1>Oh dope, whutang made New York famous?

0:54:40.840 --> 0:54:41.080
<v Speaker 2>Damn.

0:54:41.239 --> 0:54:42.040
<v Speaker 1>That's debatable too.

0:54:42.120 --> 0:54:46.840
<v Speaker 2>That's debatable too. Jackson five or new audition, Oh.

0:54:47.239 --> 0:54:50.719
<v Speaker 1>Jackson five, Mike's voice, Boy, ain't nobody can touch that

0:54:51.080 --> 0:54:54.120
<v Speaker 1>at that age. And it's before too. It's like the

0:54:54.160 --> 0:54:55.399
<v Speaker 1>audition would say Jackson five.

0:54:55.520 --> 0:54:58.879
<v Speaker 2>They would even say if they don't, then I don't

0:54:58.880 --> 0:55:01.120
<v Speaker 2>know what you're gonna say on this one. DJ College

0:55:01.200 --> 0:55:05.160
<v Speaker 2>or DJ Drama. Oh that's a good one too, big

0:55:05.239 --> 0:55:06.239
<v Speaker 2>lightskin beef right there.

0:55:10.320 --> 0:55:12.720
<v Speaker 1>I don't know get in the mix of that lights ginness.

0:55:12.800 --> 0:55:13.040
<v Speaker 1>Right now?

0:55:14.040 --> 0:55:16.719
<v Speaker 3>They both abandons. Yes, I think I'm gonna choose both,

0:55:16.800 --> 0:55:17.520
<v Speaker 3>just for the polic.

0:55:17.600 --> 0:55:23.640
<v Speaker 2>Okay, both my niggas or push your teeth.

0:55:24.480 --> 0:55:27.239
<v Speaker 1>That's a good one. That's a real good one. That's

0:55:27.280 --> 0:55:35.080
<v Speaker 1>a good one. Mm hmmm. I think I'm it's a

0:55:35.160 --> 0:55:37.279
<v Speaker 1>hard lean, but I think I'm gonna go with fab

0:55:37.360 --> 0:55:41.919
<v Speaker 1>on this one. Okay, wow, Okay, Juice or New Jersey Drive.

0:55:43.520 --> 0:55:48.160
<v Speaker 3>Juice or New Jersey Drive both good ones too. Yeah,

0:55:48.200 --> 0:55:49.280
<v Speaker 3>but Juice is just different.

0:55:50.040 --> 0:55:52.520
<v Speaker 1>That's that's yea. They gotta go with Juice on that one.

0:55:53.520 --> 0:55:55.360
<v Speaker 2>And it's just something I want to see in versus

0:55:55.719 --> 0:55:59.840
<v Speaker 2>Christina Aguileva versus Btney Spears. Who you've got, Oh, I

0:56:00.040 --> 0:56:00.480
<v Speaker 2>want to see you.

0:56:00.800 --> 0:56:06.040
<v Speaker 1>I got Brittany. I think Brittany. I think Brittany, I

0:56:06.200 --> 0:56:06.560
<v Speaker 1>promise you.

0:56:06.600 --> 0:56:08.520
<v Speaker 3>I think Brittany gonna take it because Brittany got the

0:56:08.560 --> 0:56:11.400
<v Speaker 3>attitude for the audience, you know, versus Actually.

0:56:11.280 --> 0:56:13.320
<v Speaker 2>You know why this is great and it's debatable. I

0:56:13.400 --> 0:56:17.000
<v Speaker 2>think Brittany has probably it's just a little bit more records,

0:56:17.120 --> 0:56:18.239
<v Speaker 2>But I think Christine.

0:56:18.120 --> 0:56:24.040
<v Speaker 1>Is a vocalist, better vocalist. Live what I'm saying. That's why,

0:56:25.880 --> 0:56:29.040
<v Speaker 1>let's be very clear. Okay, yes, yes, please the versus audience.

0:56:29.680 --> 0:56:34.080
<v Speaker 1>It's niggas. Let's not fool ourselves.

0:56:34.160 --> 0:56:35.440
<v Speaker 2>So we're gonna do this in malible.

0:56:35.560 --> 0:56:39.600
<v Speaker 1>So trust me, bro, you can do this in the

0:56:39.680 --> 0:56:45.440
<v Speaker 1>White House. The people that will be streaming is a

0:56:45.480 --> 0:56:48.959
<v Speaker 1>streaming platform, ain't They can do it right here.

0:56:48.880 --> 0:56:49.280
<v Speaker 6>And here.

0:56:51.440 --> 0:56:56.640
<v Speaker 3>Between Christina and Learra and Britney Spears. You gotta ask

0:56:56.719 --> 0:56:59.040
<v Speaker 3>yourself who gonna lean more to the black audience.

0:57:00.600 --> 0:57:01.200
<v Speaker 1>Damn, I don't know.

0:57:01.520 --> 0:57:06.040
<v Speaker 2>It's Brittany, Britney, Britney Pitch. I'm telling you it's Brittany Man.

0:57:06.160 --> 0:57:07.040
<v Speaker 2>Christina's Latina.

0:57:07.160 --> 0:57:07.239
<v Speaker 4>Bro.

0:57:07.920 --> 0:57:09.560
<v Speaker 1>Yeah, but Christina don't act Latina.

0:57:09.640 --> 0:57:12.480
<v Speaker 2>She don't even claim you did right. I'm confused with

0:57:12.560 --> 0:57:14.200
<v Speaker 2>this one. I'm telling you.

0:57:15.440 --> 0:57:18.800
<v Speaker 1>Holy ship Brittany and Brittany's Instagram, my girl just put

0:57:18.840 --> 0:57:22.600
<v Speaker 1>me on. She's like, she's yeah, I'm telling you I've

0:57:22.640 --> 0:57:26.640
<v Speaker 1>been down by Brittany a fucking around and take off

0:57:26.680 --> 0:57:28.160
<v Speaker 1>on Christy. We need to do the way in right here,

0:57:28.440 --> 0:57:35.960
<v Speaker 1>drink chances the way Holy sh Okay, it's a good one.

0:57:36.680 --> 0:57:43.040
<v Speaker 1>Fuck Master flex or DJ Clue in what way whatever

0:57:43.320 --> 0:57:46.720
<v Speaker 1>that's you, because there's an animation that comes with flex.

0:57:47.280 --> 0:57:49.600
<v Speaker 2>Nobody cared to me, No one's out.

0:57:50.000 --> 0:57:53.200
<v Speaker 1>Nobody has out animated rhymes, and the only way to

0:57:53.280 --> 0:57:59.280
<v Speaker 1>be an exceptional DJ is to capture the attention of

0:57:59.320 --> 0:58:01.360
<v Speaker 1>the audience, and I'm think nobody does that better than Flex.

0:58:02.240 --> 0:58:04.040
<v Speaker 1>So in that note, I gotta go with Flex.

0:58:04.360 --> 0:58:08.040
<v Speaker 2>I ain't gonna lie to you Like I used to

0:58:08.080 --> 0:58:10.560
<v Speaker 2>have to catch myself because I would listen to Flex,

0:58:10.760 --> 0:58:12.920
<v Speaker 2>and Flex like pull over and I pulled over, Like

0:58:13.400 --> 0:58:14.840
<v Speaker 2>what the fuck am I pulled over for.

0:58:16.680 --> 0:58:24.000
<v Speaker 1>New York City? Pull? I'm listen.

0:58:25.960 --> 0:58:27.880
<v Speaker 2>New York City with Flex.

0:58:27.680 --> 0:58:31.520
<v Speaker 1>Player record that you like, artist that you love, and

0:58:31.640 --> 0:58:34.920
<v Speaker 1>he's dropping them ball is like.

0:58:36.800 --> 0:58:41.640
<v Speaker 2>From here. Yes, he comes from an experience like some records.

0:58:42.000 --> 0:58:44.000
<v Speaker 3>I ain't gonna lie to you some things I might

0:58:44.040 --> 0:58:46.800
<v Speaker 3>have thought was trash before Flex actually presented it on

0:58:46.920 --> 0:58:47.200
<v Speaker 3>the show.

0:58:48.280 --> 0:58:50.400
<v Speaker 2>After they presented it, I was like, Yo, that ship

0:58:50.600 --> 0:58:53.800
<v Speaker 2>was kind of dope. So it was all in the presentation,

0:58:55.120 --> 0:58:55.840
<v Speaker 2>and you know what I'm saying.

0:58:55.840 --> 0:58:56.240
<v Speaker 1>I tell you that.

0:58:56.280 --> 0:58:57.840
<v Speaker 2>I tell you that's what I like about Flex. If

0:58:57.840 --> 0:59:00.280
<v Speaker 2>he's laid on the record, he'll come back on station

0:59:00.440 --> 0:59:01.800
<v Speaker 2>just be like yo, I'm.

0:59:01.680 --> 0:59:04.600
<v Speaker 1>Sorry, New York City. I was late on this record,

0:59:04.880 --> 0:59:05.480
<v Speaker 1>Like I liked it.

0:59:06.240 --> 0:59:09.360
<v Speaker 2>I like that, like I remember I said this on

0:59:09.480 --> 0:59:15.240
<v Speaker 2>this on before well with Meek and and Drake was

0:59:15.280 --> 0:59:18.160
<v Speaker 2>going at it. Flex hyped it up so bad. He

0:59:18.360 --> 0:59:20.920
<v Speaker 2>was like, I got the response from Drake, and I

0:59:21.040 --> 0:59:25.400
<v Speaker 2>got Meek Mill's response. I called my wife not coming home, bag,

0:59:26.360 --> 0:59:29.120
<v Speaker 2>not tonight. I have to stay in New York City.

0:59:29.600 --> 0:59:33.120
<v Speaker 2>Here funk Flex talk this ship about Drake and Meek's record.

0:59:33.160 --> 0:59:35.480
<v Speaker 2>I couldn't have been nowhere else. I didn't want to

0:59:35.520 --> 0:59:37.280
<v Speaker 2>be on a plane. I didn't want to listen to

0:59:37.320 --> 0:59:39.320
<v Speaker 2>it on the headphones. I wanted to sit in the

0:59:39.440 --> 0:59:43.240
<v Speaker 2>car and just let Flex just played Drake's and Meek's

0:59:43.280 --> 0:59:45.640
<v Speaker 2>mile record and he didn't have neither one that day,

0:59:47.960 --> 0:59:51.160
<v Speaker 2>breaking the whole flight. Wife bad at me, But that's how.

0:59:51.320 --> 0:59:56.280
<v Speaker 2>That's how, But that's how. That's some showmanship.

0:59:56.600 --> 0:59:56.880
<v Speaker 1>That's how.

0:59:58.400 --> 0:59:59.800
<v Speaker 2>The next day I called him this why I love.

1:00:00.440 --> 1:00:02.240
<v Speaker 2>The next day I called him, I'm like, yo, man,

1:00:03.320 --> 1:00:04.480
<v Speaker 2>I want to give you a record because you know

1:00:04.560 --> 1:00:08.360
<v Speaker 2>everyone's too. Then he was like, Yo, Norri, that was

1:00:08.400 --> 1:00:10.720
<v Speaker 2>a rough night for me today, right because I'm trying

1:00:10.720 --> 1:00:13.480
<v Speaker 2>to avoid that yo. You know, like he looked crazy.

1:00:13.560 --> 1:00:16.200
<v Speaker 2>He had neither record at this time, so he's promoting

1:00:16.240 --> 1:00:18.640
<v Speaker 2>all this ship and so I'm trying to avoid it.

1:00:18.680 --> 1:00:20.800
<v Speaker 2>And he's like, but he wants because you know, I'm

1:00:20.800 --> 1:00:23.440
<v Speaker 2>gonna keep it real. So he's like, yo, it was.

1:00:23.520 --> 1:00:25.240
<v Speaker 2>It was a rough night for me last night, right,

1:00:25.480 --> 1:00:26.360
<v Speaker 2>I said, Flex.

1:00:26.080 --> 1:00:30.040
<v Speaker 1>I can't lie. He was baking like a biscuit. He goes,

1:00:30.400 --> 1:00:32.000
<v Speaker 1>He goes, this is how no nor I had to

1:00:32.000 --> 1:00:32.440
<v Speaker 1>stay home.

1:00:32.480 --> 1:00:34.560
<v Speaker 2>The next day he said, it was one person that

1:00:34.640 --> 1:00:36.680
<v Speaker 2>came to my house, and he said, he opened the

1:00:36.720 --> 1:00:39.000
<v Speaker 2>door and it was the FedEx man. The FedEx man

1:00:39.040 --> 1:00:46.480
<v Speaker 2>looked at him like he took his loss the same

1:00:46.600 --> 1:00:48.840
<v Speaker 2>way he took his like he took his w And

1:00:48.960 --> 1:00:51.560
<v Speaker 2>Flex told me something that day. It was like, alright, cool,

1:00:52.040 --> 1:00:55.000
<v Speaker 2>you lose for momentarily, come your ass out the next

1:00:55.080 --> 1:00:57.080
<v Speaker 2>day and get back to the way. But he took it.

1:00:57.280 --> 1:00:58.880
<v Speaker 2>He took out that that was remarkable to be he

1:00:58.920 --> 1:00:59.680
<v Speaker 2>could do the last two.

1:01:00.800 --> 1:01:06.120
<v Speaker 1>Sorry, Nipsy are easy. Oh that's a good one too. Yeah,

1:01:06.120 --> 1:01:08.920
<v Speaker 1>but Nipsey just I don't know. I would go with

1:01:09.000 --> 1:01:12.640
<v Speaker 1>Nipsey on this one. Yeah. And the last one, loyalty

1:01:12.720 --> 1:01:17.080
<v Speaker 1>or respect. Loyalty all day. You can't respect somebody that

1:01:17.120 --> 1:01:17.920
<v Speaker 1>you're not loyal to him.

1:01:20.920 --> 1:01:28.040
<v Speaker 2>Yeah, Now you said you spoke earlier about Jimmy Ivan.

1:01:28.120 --> 1:01:30.120
<v Speaker 2>Everyone knows that Jimmy Ivan is like one of the

1:01:30.280 --> 1:01:35.360
<v Speaker 2>illest UH artists and artist like, he's an artist based artist.

1:01:35.400 --> 1:01:39.640
<v Speaker 1>I called Jimmy Ivan the king Maker. Damn, that's the king,

1:01:39.800 --> 1:01:42.480
<v Speaker 1>the king Maker. That's what he does. If he comes

1:01:42.480 --> 1:01:44.040
<v Speaker 1>into your life, he's gonna change it.

1:01:44.320 --> 1:01:45.680
<v Speaker 2>Now. He came into your life.

1:01:45.520 --> 1:01:48.479
<v Speaker 1>After loud right, No, he came into my life during

1:01:48.560 --> 1:01:50.920
<v Speaker 1>my peak, at the point when I thought I couldn't

1:01:50.960 --> 1:01:53.760
<v Speaker 1>get bigger. Wow, he made me bigger.

1:01:55.520 --> 1:01:56.160
<v Speaker 2>That shows you.

1:01:57.080 --> 1:01:59.680
<v Speaker 3>And what I love about Jimmy is that he allows

1:01:59.720 --> 1:02:02.640
<v Speaker 3>you to yourself. Like he doesn't dictate what you need

1:02:02.760 --> 1:02:05.600
<v Speaker 3>to be doing or tell you what he thinks you

1:02:05.720 --> 1:02:08.440
<v Speaker 3>should do. He'll hear you out and then give you

1:02:08.520 --> 1:02:09.480
<v Speaker 3>the tools to make it work.

1:02:10.320 --> 1:02:11.440
<v Speaker 2>Let me because I want to get back to that.

1:02:11.520 --> 1:02:13.440
<v Speaker 2>But in the beginning, wasn't you all loud.

1:02:13.760 --> 1:02:19.280
<v Speaker 1>No, I was on s r C. You want to

1:02:19.280 --> 1:02:27.880
<v Speaker 1>make sure that you understand. Yeah, Partner Rich Corporation, that's

1:02:27.960 --> 1:02:28.640
<v Speaker 1>all him, right.

1:02:28.640 --> 1:02:37.160
<v Speaker 2>Right, right right, Yeah, that's was by himself, but was

1:02:37.320 --> 1:02:42.640
<v Speaker 2>was his partners with just right? Oh sr C as well? Okay,

1:02:42.640 --> 1:02:47.200
<v Speaker 2>I didn't know, Okay, So at what point, did you

1:02:47.600 --> 1:02:49.760
<v Speaker 2>did you and Steve part ways?

1:02:50.240 --> 1:02:52.920
<v Speaker 1>We never part ways? Still you still this day we

1:02:53.040 --> 1:02:56.160
<v Speaker 1>contact each other. Oh wow, yeah we never literally like

1:02:56.200 --> 1:02:57.600
<v Speaker 1>we never parted ways. Wow.

1:02:58.160 --> 1:03:00.160
<v Speaker 3>All my records was always ran through Steve rip Can

1:03:00.280 --> 1:03:03.000
<v Speaker 3>until my contract was ran out. And that's when you

1:03:03.080 --> 1:03:05.960
<v Speaker 3>went to Now, when I went to Interscope, I wasn't

1:03:06.000 --> 1:03:08.840
<v Speaker 3>signed there. My label deal was at Interscope. I was

1:03:08.920 --> 1:03:09.720
<v Speaker 3>still at SRC.

1:03:11.760 --> 1:03:12.400
<v Speaker 1>You see what I'm saying.

1:03:12.440 --> 1:03:17.480
<v Speaker 2>You're getting both goddamn ship And that's where T Paine

1:03:17.600 --> 1:03:17.800
<v Speaker 2>was at.

1:03:17.920 --> 1:03:20.000
<v Speaker 3>No, t Pain was my well, he was at my

1:03:20.120 --> 1:03:22.760
<v Speaker 3>other label deal over So that's that's so. I had

1:03:22.800 --> 1:03:25.440
<v Speaker 3>a label deal a Sony, a joint venture label deal

1:03:25.440 --> 1:03:27.560
<v Speaker 3>at University with s r C. And then I had

1:03:27.600 --> 1:03:32.880
<v Speaker 3>my con life over at UH Interscope. So Commic music

1:03:33.000 --> 1:03:37.520
<v Speaker 3>was at Sony M. Yeah, it was Joe first before

1:03:37.600 --> 1:03:38.440
<v Speaker 3>Sony acquired them.

1:03:40.840 --> 1:03:42.320
<v Speaker 2>Yeah, he got.

1:03:43.880 --> 1:03:49.040
<v Speaker 1>Holy Ship. Yeah, but Jimmy, Jimmy was And you said,

1:03:49.200 --> 1:03:50.560
<v Speaker 1>when does Jimmy come into the picture.

1:03:50.840 --> 1:03:52.680
<v Speaker 3>Jimmy came into the picture when I was shopping my

1:03:52.760 --> 1:03:56.120
<v Speaker 3>label deal because I went to Universal first because I

1:03:56.200 --> 1:03:58.000
<v Speaker 3>was already there and I presented.

1:03:57.720 --> 1:03:59.200
<v Speaker 1>Them my list. I want to start a labeled as

1:03:59.200 --> 1:04:01.480
<v Speaker 1>what I'm Wanna do, and I brought in T Pain.

1:04:03.080 --> 1:04:04.600
<v Speaker 1>I was there. They laughed me out the building. You

1:04:04.600 --> 1:04:09.400
<v Speaker 1>remember that, man, They was Joe and you know how

1:04:09.440 --> 1:04:12.080
<v Speaker 1>they jone over s I s especially oh man.

1:04:11.960 --> 1:04:20.920
<v Speaker 2>Godby, oh my goodness. Yeah, it's big Gapy at the time. Yeah,

1:04:22.120 --> 1:04:24.880
<v Speaker 2>math he got slim and stop.

1:04:24.680 --> 1:04:27.520
<v Speaker 1>Being funny, like yo, the records and he was saying,

1:04:27.560 --> 1:04:29.360
<v Speaker 1>all clear, Yo, the records are amazing.

1:04:29.840 --> 1:04:31.400
<v Speaker 2>But bro his face.

1:04:33.480 --> 1:04:36.040
<v Speaker 3>He would say stuff like that, you know what I'm saying. Like,

1:04:36.680 --> 1:04:39.560
<v Speaker 3>so they leaders say they passed. So I went to

1:04:39.640 --> 1:04:41.560
<v Speaker 3>the top and tried to go through the big building

1:04:41.840 --> 1:04:44.560
<v Speaker 3>and then they passed. So that's when I went to

1:04:44.680 --> 1:04:47.320
<v Speaker 3>job and job took T Pain. But then when the

1:04:47.360 --> 1:04:48.000
<v Speaker 3>success of TE.

1:04:48.040 --> 1:04:50.640
<v Speaker 2>Pain, that's when I came back to doing another time

1:04:52.600 --> 1:04:53.480
<v Speaker 2>ll at job.

1:04:53.720 --> 1:05:01.520
<v Speaker 1>At Job, it was U It'll come to me in

1:05:01.560 --> 1:05:01.880
<v Speaker 1>a minute.

1:05:01.880 --> 1:05:03.560
<v Speaker 2>It's damn, I'm not faith.

1:05:08.120 --> 1:05:10.479
<v Speaker 1>It was Barry White. It was Barry White.

1:05:10.640 --> 1:05:13.880
<v Speaker 3>Another brilliant, brilliant, brilliant motherfucker right, So it's Barry White

1:05:13.920 --> 1:05:14.360
<v Speaker 3>at the time.

1:05:14.520 --> 1:05:15.720
<v Speaker 1>So then with the success Ty.

1:05:15.800 --> 1:05:18.840
<v Speaker 3>Pain, that's when I doubled back to try to do

1:05:19.200 --> 1:05:23.000
<v Speaker 3>a direct label deal with Universal again. And then that's

1:05:23.000 --> 1:05:24.880
<v Speaker 3>when Melon Winter told me that what I'm asking for,

1:05:25.000 --> 1:05:27.920
<v Speaker 3>nobody would give it to me. You know, this is like, no,

1:05:28.040 --> 1:05:31.120
<v Speaker 3>it was it was well, it was a label distribution deal,

1:05:31.160 --> 1:05:32.800
<v Speaker 3>but then it was the amount of money that I

1:05:32.920 --> 1:05:36.240
<v Speaker 3>wanted up front, and he was like, you know, kind

1:05:36.280 --> 1:05:37.720
<v Speaker 3>of unfortunately, we're not going to be a get that

1:05:37.800 --> 1:05:39.439
<v Speaker 3>kind of money. And if you go anywhere, they won't.

1:05:39.720 --> 1:05:41.000
<v Speaker 3>I don't think they'll do it anywhere. But if you

1:05:41.040 --> 1:05:43.600
<v Speaker 3>can find somebody to do it, then feel free to

1:05:43.720 --> 1:05:46.080
<v Speaker 3>just take the deal. I said, okay, no problem, and

1:05:46.160 --> 1:05:48.480
<v Speaker 3>that's what I called Tubby, and Tubby brought me in

1:05:48.560 --> 1:05:50.840
<v Speaker 3>Divine over the in the sculle, and that's when I

1:05:50.920 --> 1:05:55.160
<v Speaker 3>met with Jimmy, and Jimmy already had my full portfolio

1:05:55.240 --> 1:05:57.520
<v Speaker 3>already out. He already knew what it was. He said, listen,

1:05:57.600 --> 1:05:59.560
<v Speaker 3>this is what you're worth. This is what we want

1:05:59.600 --> 1:06:01.120
<v Speaker 3>to give you. I wanted to do the deal here

1:06:01.560 --> 1:06:03.880
<v Speaker 3>and it was what you expected. It was double what

1:06:03.960 --> 1:06:06.440
<v Speaker 3>I wanted. It was do you just asked for double

1:06:06.440 --> 1:06:07.120
<v Speaker 3>what I just asked for?

1:06:07.560 --> 1:06:08.360
<v Speaker 2>Fuck, that's dope.

1:06:08.560 --> 1:06:09.760
<v Speaker 1>And that's when it all worked out.

1:06:10.320 --> 1:06:10.520
<v Speaker 7>Wow.

1:06:11.600 --> 1:06:13.360
<v Speaker 2>And then where does Lady Gaga come in?

1:06:13.600 --> 1:06:16.080
<v Speaker 1>So Lady Goga was already at inter Scope when I

1:06:16.160 --> 1:06:16.560
<v Speaker 1>got there.

1:06:17.880 --> 1:06:19.479
<v Speaker 2>She was an artist artist.

1:06:19.760 --> 1:06:22.680
<v Speaker 3>Yeah, she was actually an artist there, but at the time,

1:06:23.080 --> 1:06:25.040
<v Speaker 3>I don't know what Inner Score was gonna do with

1:06:25.080 --> 1:06:26.880
<v Speaker 3>hercause she was there for a minute, right, she was

1:06:26.960 --> 1:06:31.560
<v Speaker 3>under Troy and Vince under management there. So we was

1:06:31.560 --> 1:06:33.600
<v Speaker 3>writing for the Pussycat Dolls at the time, and then

1:06:34.360 --> 1:06:36.680
<v Speaker 3>that's when I got I was just excited about this deal.

1:06:37.320 --> 1:06:39.640
<v Speaker 1>I was happy. I called it complete block. I needed

1:06:39.680 --> 1:06:40.200
<v Speaker 1>some inspiration.

1:06:40.320 --> 1:06:41.760
<v Speaker 3>So I was like Red One, which is an artist,

1:06:41.800 --> 1:06:43.160
<v Speaker 3>I mean a producer that I had just signed from

1:06:43.200 --> 1:06:45.440
<v Speaker 3>Morocco man was working. I was like, you know, anybody

1:06:45.520 --> 1:06:46.960
<v Speaker 3>can just come back and forth with He's like, well,

1:06:47.000 --> 1:06:48.800
<v Speaker 3>I was in the studio with you know this check

1:06:48.880 --> 1:06:52.320
<v Speaker 3>that Fa brought in. You know, like she's pretty dope.

1:06:52.440 --> 1:06:54.360
<v Speaker 3>I mean, if anything, you can get some inspiration, trust me.

1:06:54.400 --> 1:06:56.240
<v Speaker 3>When you see her and she walks in with these

1:06:56.240 --> 1:06:58.160
<v Speaker 3>all gold le guitars and stuff and looking like she's

1:06:58.160 --> 1:06:58.680
<v Speaker 3>from the eighties.

1:06:58.720 --> 1:07:03.280
<v Speaker 1>And I was like, but she looked like a real artist.

1:07:03.360 --> 1:07:05.479
<v Speaker 4>But was that a good damn or a bad damn?

1:07:05.640 --> 1:07:08.920
<v Speaker 4>You know, it was like a or a different dare different.

1:07:08.960 --> 1:07:11.920
<v Speaker 4>I didn't know what that damn meant yet she was

1:07:11.960 --> 1:07:15.440
<v Speaker 4>already she was already different, like she was already different.

1:07:15.560 --> 1:07:17.400
<v Speaker 3>But then after, you know, after speaking with her, talking

1:07:17.440 --> 1:07:19.360
<v Speaker 3>to out like this bitch is mad talented. So we

1:07:19.440 --> 1:07:21.920
<v Speaker 3>write the record. She goes into demo the song album.

1:07:22.360 --> 1:07:23.960
<v Speaker 3>So as she's going in the demo the song for

1:07:24.000 --> 1:07:26.080
<v Speaker 3>the girls to hear it, I'm looking like, man, yo.

1:07:26.120 --> 1:07:27.120
<v Speaker 2>This bitch is a star.

1:07:27.600 --> 1:07:29.960
<v Speaker 1>I said, oh, ready she signed. He's like, I don't know,

1:07:30.040 --> 1:07:31.400
<v Speaker 1>ask her when she get out. So she comes out.

1:07:31.400 --> 1:07:32.440
<v Speaker 1>I was like, it was a situation.

1:07:32.840 --> 1:07:34.760
<v Speaker 3>She's like, well, you know I met an innerscope. I said, really,

1:07:35.200 --> 1:07:37.120
<v Speaker 3>I said, sohole situation. She said, well, you know, I'm

1:07:37.160 --> 1:07:39.120
<v Speaker 3>not quite sure. I said, okay, give me a second.

1:07:39.160 --> 1:07:39.720
<v Speaker 3>I called Jimmy.

1:07:39.720 --> 1:07:42.439
<v Speaker 1>I said, Jimmy, what's up with this lady? Guy got chick?

1:07:43.000 --> 1:07:45.520
<v Speaker 1>And he's like why, I said, I think I want

1:07:45.520 --> 1:07:48.240
<v Speaker 1>to sign her. He said take her? I said I have.

1:07:48.400 --> 1:07:51.160
<v Speaker 1>He said, yeah, she's all yours. It's crazy, like he

1:07:51.240 --> 1:07:54.040
<v Speaker 1>threw me that bone, like literally like take her. Almost

1:07:54.360 --> 1:07:55.960
<v Speaker 1>if he didn't know what to do with her. I

1:07:56.000 --> 1:07:59.920
<v Speaker 1>wouldn't say that because Jimmy. Yeah, you can't never count

1:08:00.040 --> 1:08:01.800
<v Speaker 1>Jimmy out. He hold it down ntil he knows what

1:08:01.880 --> 1:08:04.720
<v Speaker 1>to do with it. But I guess it's gave me

1:08:04.960 --> 1:08:09.440
<v Speaker 1>doctor exactly. Jimmy was great for preparing producers with writers

1:08:09.560 --> 1:08:12.880
<v Speaker 1>or producers and artists, and artists writing me, you understep

1:08:14.560 --> 1:08:16.120
<v Speaker 1>he knew, right. So when he saw that I had

1:08:16.200 --> 1:08:20.000
<v Speaker 1>interest in it, he was like, that can work. So

1:08:20.080 --> 1:08:22.439
<v Speaker 1>he's like, yeah, take it. So then mind you, we

1:08:22.479 --> 1:08:25.360
<v Speaker 1>got to smash hit record. I said, you, Jimmy, we

1:08:25.439 --> 1:08:28.360
<v Speaker 1>got the record. I'm going back in. He's thinking, we're

1:08:28.360 --> 1:08:30.960
<v Speaker 1>playing the record for the pussy Cat Dolls. But at

1:08:31.000 --> 1:08:32.280
<v Speaker 1>that point when he told me I can have gag,

1:08:32.400 --> 1:08:33.519
<v Speaker 1>I'm like, we're working on her album.

1:08:36.160 --> 1:08:38.760
<v Speaker 2>How I forgot all right? So now we put it.

1:08:41.200 --> 1:08:41.720
<v Speaker 1>We going there.

1:08:41.760 --> 1:08:45.360
<v Speaker 2>We're playing this record just damn okay.

1:08:45.720 --> 1:08:47.800
<v Speaker 1>Oh he going crazyness. I'm like, God, this is that.

1:08:48.080 --> 1:08:49.880
<v Speaker 2>We got fucking one. We got it, we got it.

1:08:50.400 --> 1:08:52.960
<v Speaker 3>So now the whole time, he's thinking this record is

1:08:53.000 --> 1:08:56.599
<v Speaker 3>the perfect record for the pussy cat So the music stops.

1:08:56.920 --> 1:08:58.920
<v Speaker 3>So jim what are we doing? He said, man, thank

1:08:58.920 --> 1:09:00.280
<v Speaker 3>you man. The pussy Cat Dolls is going I love

1:09:00.320 --> 1:09:00.759
<v Speaker 3>this record.

1:09:00.960 --> 1:09:01.240
<v Speaker 1>I said.

1:09:01.400 --> 1:09:03.000
<v Speaker 2>He's dating one of them at the time, isn't he

1:09:05.040 --> 1:09:07.000
<v Speaker 2>No comment no comment.

1:09:08.000 --> 1:09:08.320
<v Speaker 6>I don't know.

1:09:08.439 --> 1:09:09.639
<v Speaker 1>I don't I don't have the information.

1:09:10.520 --> 1:09:13.000
<v Speaker 2>I have no idea what we're doing. On all I

1:09:13.040 --> 1:09:16.720
<v Speaker 2>can tell you, I tell you Jimmy was a very

1:09:16.760 --> 1:09:19.000
<v Speaker 2>handsome guy and all the girls wanted them.

1:09:19.000 --> 1:09:19.680
<v Speaker 1>That's all I can tell you.

1:09:20.080 --> 1:09:22.640
<v Speaker 3>So the worst. So so then he's like, you know, so,

1:09:23.000 --> 1:09:25.519
<v Speaker 3>uh what are you doing? I said, well, can we,

1:09:25.600 --> 1:09:27.560
<v Speaker 3>you know, put this record out. He's like yeah, but

1:09:27.720 --> 1:09:29.200
<v Speaker 3>at the time he wanted to put on pussy Cat

1:09:29.240 --> 1:09:33.120
<v Speaker 3>Dolls and me and Martin was like, he's looking at

1:09:33.160 --> 1:09:35.560
<v Speaker 3>me like con don't, don't say nothing, because you know me,

1:09:35.560 --> 1:09:38.400
<v Speaker 3>I'm so outspoken. I say, oh, Jimmy's.

1:09:37.640 --> 1:09:42.920
<v Speaker 1>RECORDSS for ga GA. He's like no. Jimmy was like yeah,

1:09:42.920 --> 1:09:44.759
<v Speaker 1>I said, I said, Jimmy, this is regular for gay.

1:09:45.120 --> 1:09:49.160
<v Speaker 1>He said what I said, Yes, it's forgot. He said, Okay,

1:09:49.360 --> 1:09:50.200
<v Speaker 1>make me understand this.

1:09:51.160 --> 1:09:54.040
<v Speaker 3>I said, Jimmy, listen, the pussy Cat Dolls are already

1:09:54.040 --> 1:09:58.920
<v Speaker 3>a global smash art, like their piece of art. All

1:09:58.960 --> 1:10:01.240
<v Speaker 3>they need is one record. I make a million of mess.

1:10:01.240 --> 1:10:02.840
<v Speaker 3>You can see I just did this last night. I'll

1:10:02.880 --> 1:10:04.880
<v Speaker 3>make another one for them. He said that's not good enough.

1:10:05.560 --> 1:10:07.720
<v Speaker 3>I said, okay, listen to this. Record again, one more

1:10:07.800 --> 1:10:10.960
<v Speaker 3>time we've played the record. I said, this record will

1:10:11.000 --> 1:10:13.840
<v Speaker 3>make you another pussy Cat Dog or possibly even bigger.

1:10:14.120 --> 1:10:16.560
<v Speaker 3>This is a record that break a new artist, not

1:10:16.720 --> 1:10:17.759
<v Speaker 3>keep a new artist popping.

1:10:19.400 --> 1:10:22.680
<v Speaker 1>And he thought about it. He said, would you put

1:10:22.680 --> 1:10:23.320
<v Speaker 1>your label on that?

1:10:24.640 --> 1:10:28.240
<v Speaker 3>I said yeah, I said this record don't work, you

1:10:28.280 --> 1:10:30.760
<v Speaker 3>could drop me, and he let me go with it,

1:10:32.439 --> 1:10:35.200
<v Speaker 3>and that probably been the best decision collectively we made

1:10:35.720 --> 1:10:36.559
<v Speaker 3>together together.

1:10:41.000 --> 1:10:43.519
<v Speaker 6>Wait, wait, would you were you not worried that the

1:10:43.720 --> 1:10:45.799
<v Speaker 6>machine would have not got behind the record?

1:10:46.120 --> 1:10:47.680
<v Speaker 1>Listen stuff like that sabotage.

1:10:48.200 --> 1:10:48.920
<v Speaker 2>I don't you know why?

1:10:49.040 --> 1:10:50.760
<v Speaker 3>Because one thing I do know, and I believe this

1:10:50.880 --> 1:10:53.120
<v Speaker 3>in my soul, A hit record is always gonna find

1:10:53.160 --> 1:10:56.640
<v Speaker 3>this artist always, even if it ain't got pushed. It

1:10:56.760 --> 1:10:59.320
<v Speaker 3>might take a lot, it may take time. And prime

1:10:59.400 --> 1:11:03.920
<v Speaker 3>example Bonanza belly Dancer. A lot of people don't know

1:11:04.040 --> 1:11:08.280
<v Speaker 3>that was my first single before Locked Up. Right wrong,

1:11:08.439 --> 1:11:11.599
<v Speaker 3>I didn't know that that was my first single, first

1:11:11.640 --> 1:11:15.960
<v Speaker 3>thing heard university dropped that first. When that didn't work,

1:11:17.040 --> 1:11:19.400
<v Speaker 3>that's when locked because while they was moving and working

1:11:19.560 --> 1:11:22.680
<v Speaker 3>Belly Dancer, me Gody Cleve and I, we was.

1:11:22.760 --> 1:11:24.200
<v Speaker 2>On the road pushing Locked Up.

1:11:24.640 --> 1:11:27.120
<v Speaker 3>Wow, So Locked up gaining some the momentum on the

1:11:27.160 --> 1:11:29.920
<v Speaker 3>streets became on everybody's mixtape. Then we did that little

1:11:29.960 --> 1:11:32.479
<v Speaker 3>Penitentiary towards starting off in royck Iss Island, did that

1:11:32.520 --> 1:11:33.680
<v Speaker 3>little you know what's the name?

1:11:33.720 --> 1:11:33.960
<v Speaker 1>People?

1:11:34.040 --> 1:11:36.760
<v Speaker 3>I mean yeah, styles P came on when stops P

1:11:36.880 --> 1:11:39.599
<v Speaker 3>came home. It actually changed everything because its verse made

1:11:39.640 --> 1:11:40.799
<v Speaker 3>it actually an urban.

1:11:40.640 --> 1:11:43.240
<v Speaker 2>Record, because I so was it locked up out without

1:11:43.280 --> 1:11:45.400
<v Speaker 2>styles being Yeah, it was, it was.

1:11:45.720 --> 1:11:46.679
<v Speaker 1>It was crazy.

1:11:46.720 --> 1:11:48.320
<v Speaker 2>The first time I heard locked up I believe it

1:11:48.439 --> 1:11:49.680
<v Speaker 2>was with styles Peers.

1:11:49.760 --> 1:11:51.680
<v Speaker 3>Record before styles P got on. We was working that

1:11:51.760 --> 1:11:55.519
<v Speaker 3>record about seven maybe eight months. When Stiles got on.

1:11:55.520 --> 1:12:00.760
<v Speaker 1>That record took off. Why took off? Yeah? Oh and

1:12:00.840 --> 1:12:02.960
<v Speaker 1>then we did another remix with Beanie siegell on there.

1:12:03.200 --> 1:12:06.080
<v Speaker 1>I never heard that that came out, Yeah, it came.

1:12:06.160 --> 1:12:07.080
<v Speaker 2>It was on the B side.

1:12:07.160 --> 1:12:09.880
<v Speaker 3>Oh, but what happened was the styles P version just

1:12:09.920 --> 1:12:14.680
<v Speaker 3>trumped it. But Beanie Siaguals versus stupid. Wow, it was stupid.

1:12:15.960 --> 1:12:16.240
<v Speaker 6>Know that?

1:12:16.640 --> 1:12:19.160
<v Speaker 2>Yeah? Man, let me let another.

1:12:19.479 --> 1:12:22.320
<v Speaker 6>So do you think you think you get credit for

1:12:22.960 --> 1:12:25.080
<v Speaker 6>enough credit for Lady Gogo's career?

1:12:25.520 --> 1:12:25.640
<v Speaker 1>Oh?

1:12:25.760 --> 1:12:28.360
<v Speaker 3>Yeah, for your pardon it, I got plenty of credit.

1:12:28.479 --> 1:12:30.519
<v Speaker 3>I got enough credit that I can maximize to build

1:12:30.520 --> 1:12:32.559
<v Speaker 3>my city. That's all the credit I need.

1:12:33.600 --> 1:12:37.960
<v Speaker 2>Maximize to build your city, bro, Yes, build your city,

1:12:38.600 --> 1:12:42.320
<v Speaker 2>build our city. Okay, okay, let's take that.

1:12:43.360 --> 1:12:44.320
<v Speaker 1>Yeah, right, I think that.

1:12:46.120 --> 1:12:46.559
<v Speaker 2>Coming back.

1:12:49.560 --> 1:12:52.920
<v Speaker 1>Hell yeah, what's the name of Acon city as of

1:12:53.000 --> 1:12:54.920
<v Speaker 1>right now? Right now?

1:12:55.120 --> 1:12:57.519
<v Speaker 2>Because I remember? All right, so what is the city

1:12:58.280 --> 1:12:58.800
<v Speaker 2>consist of?

1:12:59.600 --> 1:13:03.400
<v Speaker 3>I mean just think of just think of what dubaias today, yes,

1:13:03.960 --> 1:13:07.320
<v Speaker 3>and what it used to be fifteen years ago. Remember

1:13:07.479 --> 1:13:09.840
<v Speaker 3>that's what we we want to become.

1:13:10.520 --> 1:13:11.320
<v Speaker 2>Gonna it's gonna start.

1:13:11.360 --> 1:13:14.720
<v Speaker 3>It's gonna start small, right, It's gonna start small. Two

1:13:14.760 --> 1:13:18.040
<v Speaker 3>thousand acres in synagogue, yes, in Senegal, right off the waters,

1:13:18.080 --> 1:13:18.880
<v Speaker 3>all on the beach front.

1:13:19.160 --> 1:13:20.240
<v Speaker 1>So you're gonna have to have resorts.

1:13:20.520 --> 1:13:24.599
<v Speaker 3>You're gonna have entertainment complexes, you know, hotels, boating docks,

1:13:25.040 --> 1:13:30.800
<v Speaker 3>you know, amphitheaters for concerts, film studios, music studios, restaurants.

1:13:31.120 --> 1:13:33.360
<v Speaker 3>Like it's gonna be it's gonna be a master How

1:13:33.439 --> 1:13:35.719
<v Speaker 3>far you think this is a way? Well, the first

1:13:35.760 --> 1:13:37.800
<v Speaker 3>stage is three and a half years. We are we

1:13:37.960 --> 1:13:42.920
<v Speaker 3>just literally started building last last week actually, when we

1:13:42.960 --> 1:13:45.160
<v Speaker 3>talked about the first time, we had just started doing

1:13:45.560 --> 1:13:49.040
<v Speaker 3>you know, environmental studies, soil studies, all that stuff, you know,

1:13:49.120 --> 1:13:51.040
<v Speaker 3>doing all the paper, all the studies, and then KOVID

1:13:51.080 --> 1:13:53.000
<v Speaker 3>hit four minutes slowed us up, but then we got

1:13:53.080 --> 1:13:55.679
<v Speaker 3>back into it. But now everything is official. Construction actually

1:13:55.720 --> 1:13:56.840
<v Speaker 3>literally started last week.

1:13:57.000 --> 1:13:57.120
<v Speaker 1>Right.

1:14:02.240 --> 1:14:07.120
<v Speaker 2>That's beautiful man, that's beautiful man. And is that where

1:14:07.200 --> 1:14:09.480
<v Speaker 2>we were talking about the Chinese helping out with the electricity.

1:14:09.720 --> 1:14:11.400
<v Speaker 1>No, that's no, that has nothing to do with has

1:14:11.439 --> 1:14:12.599
<v Speaker 1>nothing to do nothing at all.

1:14:12.720 --> 1:14:16.120
<v Speaker 3>The Chinese side was acon lighting and that's when we

1:14:16.200 --> 1:14:20.559
<v Speaker 3>were providing solar lights to you know, it started with villages.

1:14:20.920 --> 1:14:24.080
<v Speaker 3>Then we got then we expanded and got into government

1:14:24.120 --> 1:14:26.880
<v Speaker 3>contracts to do utility work, scale work, so we would

1:14:26.960 --> 1:14:29.120
<v Speaker 3>kind of just take a specific side of the city

1:14:29.360 --> 1:14:32.120
<v Speaker 3>and electrify that whole area and then connect to the

1:14:32.520 --> 1:14:34.160
<v Speaker 3>city above or whatever the case, till we got the

1:14:34.160 --> 1:14:36.320
<v Speaker 3>whole country. But then, I mean, when we got the

1:14:36.320 --> 1:14:38.519
<v Speaker 3>support from the Chinese with that billion dollar credit line,

1:14:38.640 --> 1:14:40.920
<v Speaker 3>we was able to expand into sixteen different countries.

1:14:40.680 --> 1:14:43.000
<v Speaker 2>In Africa because there was there was there's still places

1:14:43.040 --> 1:14:46.839
<v Speaker 2>in Africa without electricity. Yeah really, oh yeah, like villages.

1:14:47.200 --> 1:14:48.880
<v Speaker 1>Yeah, real, Africa's huge.

1:14:49.360 --> 1:14:52.000
<v Speaker 3>It's gonna take another forty fifty years to light the

1:14:52.000 --> 1:14:52.760
<v Speaker 3>whole continent up.

1:14:53.320 --> 1:14:54.120
<v Speaker 1>It's gonna take time.

1:14:54.200 --> 1:14:58.800
<v Speaker 2>Yeah wow, ye, like because we see like places like indigitous.

1:14:58.600 --> 1:15:02.479
<v Speaker 3>Right, there's still some area indigenous areas in Africa, and

1:15:02.920 --> 1:15:03.400
<v Speaker 3>I heard.

1:15:03.280 --> 1:15:05.800
<v Speaker 2>There's even places. I know Africa is huge. I heard

1:15:05.800 --> 1:15:08.559
<v Speaker 2>there's one place in Africa where there's like no outside

1:15:08.600 --> 1:15:10.120
<v Speaker 2>people is allowed.

1:15:10.960 --> 1:15:13.120
<v Speaker 1>Like it's like, I mean ship. There's place like that

1:15:13.240 --> 1:15:16.680
<v Speaker 1>in California and in New York, a certain place you

1:15:16.720 --> 1:15:22.679
<v Speaker 1>can't want even the cops can't come in Africa.

1:15:23.200 --> 1:15:25.280
<v Speaker 3>Mean, personally, I haven't never experienced no areas like that,

1:15:25.439 --> 1:15:28.559
<v Speaker 3>but I'm sure there's areas out there that they've never

1:15:28.680 --> 1:15:32.160
<v Speaker 3>seen white people or they've never seen foreigners come and

1:15:32.280 --> 1:15:34.360
<v Speaker 3>dressed a certain kind of way. Because if you go

1:15:34.479 --> 1:15:35.640
<v Speaker 3>deep in Africa where there's no.

1:15:35.720 --> 1:15:39.240
<v Speaker 1>Airports in the countryside, like the rural areas, there's areas

1:15:39.240 --> 1:15:41.280
<v Speaker 1>where there's not even no cars. Maybe you know what

1:15:41.280 --> 1:15:41.920
<v Speaker 1>I'm saying, that's.

1:15:41.760 --> 1:15:44.760
<v Speaker 2>How big this place is. Riding horses, you think, or.

1:15:45.040 --> 1:15:48.120
<v Speaker 1>Yeah, they're still riding horse. I mean beautiful horses too,

1:15:48.720 --> 1:15:53.160
<v Speaker 1>beautiful horses. Holy, you don't fuck with lions and ship

1:15:53.240 --> 1:15:53.400
<v Speaker 1>like that.

1:15:55.800 --> 1:15:59.160
<v Speaker 2>That's a different kind of questions because you see rich

1:15:59.200 --> 1:16:00.840
<v Speaker 2>people have lions, knowice in the house.

1:16:00.880 --> 1:16:02.719
<v Speaker 3>Don't forget you must have forgot. I had two tigers

1:16:02.760 --> 1:16:06.559
<v Speaker 3>in my house in Atlanta. Like, those are my real pets.

1:16:06.720 --> 1:16:07.760
<v Speaker 3>Like that, those are pest.

1:16:07.960 --> 1:16:08.600
<v Speaker 1>Those are the.

1:16:08.960 --> 1:16:17.240
<v Speaker 3>Shoes cats all day, black panthers, tigers one thousand percent. Bro,

1:16:17.439 --> 1:16:19.479
<v Speaker 3>put your dog up against my lion, and see what happened.

1:16:20.640 --> 1:16:23.440
<v Speaker 2>Just imagine you ever walked your dog around the neighborhood

1:16:23.439 --> 1:16:24.920
<v Speaker 2>and I don't like them? I mean, you're lying. You

1:16:25.080 --> 1:16:28.920
<v Speaker 2>ever walked into the like Tyson said?

1:16:28.960 --> 1:16:30.000
<v Speaker 1>He what is what?

1:16:30.080 --> 1:16:30.439
<v Speaker 2>He said?

1:16:30.560 --> 1:16:30.760
<v Speaker 1>Yeah?

1:16:31.120 --> 1:16:34.240
<v Speaker 2>He slept with his lions. Yeah, yeah, yeah.

1:16:34.320 --> 1:16:35.680
<v Speaker 1>He was like, how does that work? He said, it

1:16:35.680 --> 1:16:36.120
<v Speaker 1>doesn't work.

1:16:38.800 --> 1:16:41.880
<v Speaker 3>But the kids you gotta raise them from from cubs though,

1:16:42.120 --> 1:16:44.680
<v Speaker 3>right right, once you get up a baby, you got

1:16:44.800 --> 1:16:45.479
<v Speaker 3>to declare them.

1:16:45.520 --> 1:16:48.160
<v Speaker 2>Yeah, you might want to declare them and defang them,

1:16:48.200 --> 1:16:49.519
<v Speaker 2>I think or whatever.

1:16:49.760 --> 1:16:49.960
<v Speaker 6>I mean.

1:16:49.960 --> 1:16:52.559
<v Speaker 1>The defanging ain't gonna really do much because they still

1:16:52.560 --> 1:16:53.280
<v Speaker 1>got a hard bite.

1:16:53.360 --> 1:16:54.040
<v Speaker 7>Like, Bro, that.

1:16:54.320 --> 1:16:55.519
<v Speaker 1>Defanging means nothing.

1:16:56.160 --> 1:16:57.040
<v Speaker 2>I really don't.

1:16:59.120 --> 1:17:01.160
<v Speaker 1>If they come at you is done because these teeth

1:17:01.160 --> 1:17:03.679
<v Speaker 1>are still existing. It's just the things that you can't

1:17:03.720 --> 1:17:05.160
<v Speaker 1>take those teeth because I got to eat.

1:17:05.240 --> 1:17:05.880
<v Speaker 2>Yeah, that's right.

1:17:06.040 --> 1:17:11.400
<v Speaker 1>That's right. Yeah, listen, you mistreated, It's gonna come for you. What.

1:17:13.439 --> 1:17:15.360
<v Speaker 2>Oh yeah, I don't want to no pet like that.

1:17:15.840 --> 1:17:19.280
<v Speaker 1>I mean, that's any pant though. That's truth, that's the truth. Yes,

1:17:19.520 --> 1:17:20.960
<v Speaker 1>he said, I see the street is donna come for you.

1:17:21.040 --> 1:17:22.599
<v Speaker 1>I've seen the story the other day that I think.

1:17:22.800 --> 1:17:26.640
<v Speaker 1>What's his name, Joe Rogan. He said, this is how

1:17:26.720 --> 1:17:27.680
<v Speaker 1>ill pip is.

1:17:28.280 --> 1:17:32.400
<v Speaker 2>That he came home. His piple was cut all up, wow,

1:17:32.680 --> 1:17:35.559
<v Speaker 2>like cut all up all over his face. His piple

1:17:35.720 --> 1:17:39.040
<v Speaker 2>was cut up. So he in his back and everything.

1:17:39.120 --> 1:17:41.320
<v Speaker 2>So he took the dog and he brung the dog

1:17:41.520 --> 1:17:44.680
<v Speaker 2>to the hospital hospital system up. But then when he

1:17:44.760 --> 1:17:46.720
<v Speaker 2>brung him back, he wanted to understand no one knows

1:17:46.760 --> 1:17:49.639
<v Speaker 2>the story. He wanted to. He wanted to to see

1:17:49.720 --> 1:17:54.080
<v Speaker 2>what exactly happens. So he followed the the trail of

1:17:54.200 --> 1:17:59.960
<v Speaker 2>his dog and he saw ten coyotes. Ten dead coyotes,

1:18:00.160 --> 1:18:03.639
<v Speaker 2>nine dead coyotes. So the coyotes was coming in trying

1:18:03.640 --> 1:18:07.120
<v Speaker 2>to kill him, and the dog held it down against nine.

1:18:07.400 --> 1:18:12.719
<v Speaker 2>He killed nine coyotes. Bro, that's that's kind of hard,

1:18:13.200 --> 1:18:17.960
<v Speaker 2>and that's hard, like that's that's a lawyer asked, I said,

1:18:18.000 --> 1:18:20.240
<v Speaker 2>maybe every time I see it, put bull down like this.

1:18:22.560 --> 1:18:22.760
<v Speaker 1>Like this.

1:18:22.960 --> 1:18:24.360
<v Speaker 2>Make sure me and you're on a good level.

1:18:24.400 --> 1:18:24.559
<v Speaker 6>Man.

1:18:24.880 --> 1:18:26.600
<v Speaker 1>All right, So we're gonna go into some.

1:18:26.640 --> 1:18:27.160
<v Speaker 2>Of these hits.

1:18:27.240 --> 1:18:29.439
<v Speaker 1>Man, We're gonna go into some of these hits. Man,

1:18:37.720 --> 1:18:38.559
<v Speaker 1>where did we start?

1:18:39.160 --> 1:18:43.400
<v Speaker 2>Let's start with the two Like I said earlier, Uh,

1:18:45.439 --> 1:18:47.040
<v Speaker 2>if you're in the club and you don't hear these

1:18:47.080 --> 1:18:51.880
<v Speaker 2>two records, that means you're in the worst club there

1:18:52.000 --> 1:18:55.320
<v Speaker 2>ever is. If they won't play I want to Walk

1:18:55.400 --> 1:18:58.160
<v Speaker 2>You Sweet and Snoop Dogg and if they don't play

1:18:58.200 --> 1:19:00.080
<v Speaker 2>Smack that I suggest.

1:18:59.760 --> 1:19:02.360
<v Speaker 1>You immediate.

1:19:03.400 --> 1:19:04.080
<v Speaker 2>Immediately.

1:19:04.479 --> 1:19:06.200
<v Speaker 1>But what was it?

1:19:06.240 --> 1:19:08.519
<v Speaker 2>What was Let's let's start with one. I want to

1:19:08.560 --> 1:19:11.200
<v Speaker 2>fuck you obviously? What what what made you make that?

1:19:12.160 --> 1:19:14.679
<v Speaker 2>Because girls say that too. It's not like only guys.

1:19:15.000 --> 1:19:19.320
<v Speaker 2>The club is going on. You're like, okay, yeah.

1:19:19.520 --> 1:19:19.920
<v Speaker 1>You know what I mean.

1:19:24.080 --> 1:19:27.200
<v Speaker 2>You know what I'm trying to say, mean literally, but

1:19:29.280 --> 1:19:32.280
<v Speaker 2>it's a unisex, it's a university. Did you did you

1:19:32.320 --> 1:19:33.800
<v Speaker 2>think that was gonna be a unit set? And then

1:19:33.880 --> 1:19:35.200
<v Speaker 2>where was your mind for listen to take?

1:19:35.520 --> 1:19:37.479
<v Speaker 3>Yeah, at the time I was in Magic City when

1:19:37.479 --> 1:19:39.599
<v Speaker 3>I break there, goddamn them pepper Wings.

1:19:41.040 --> 1:19:43.840
<v Speaker 2>Actually, you know what's interesting? Day limit pepper wasn't popular there.

1:19:44.800 --> 1:19:45.599
<v Speaker 2>That's a travesty.

1:19:45.800 --> 1:19:48.400
<v Speaker 1>Yeah, it wasn't. It wasn't popular in two thousand and eight.

1:19:48.479 --> 1:19:51.240
<v Speaker 1>You gotta was y'all chopping on wings in two thousand

1:19:51.240 --> 1:19:52.000
<v Speaker 1>and eight in Miami.

1:19:52.520 --> 1:19:55.560
<v Speaker 3>There wasn't miamise either that or I wasn't up on it.

1:19:56.960 --> 1:19:58.439
<v Speaker 2>Make sure we go back to I want to fuck

1:19:58.479 --> 1:20:00.880
<v Speaker 2>you in and and Magic City. You keep saying that

1:20:01.680 --> 1:20:03.120
<v Speaker 2>I'm gonna get back to what I want to try that.

1:20:03.439 --> 1:20:08.080
<v Speaker 2>Hold hold on in your humble opinion. The first time

1:20:08.160 --> 1:20:11.680
<v Speaker 2>you had limit pepper? Where was it that?

1:20:11.800 --> 1:20:14.839
<v Speaker 1>Because this is this is is a big Miami, more Miami.

1:20:16.560 --> 1:20:18.479
<v Speaker 1>But what's interesting is the first time I ever had

1:20:18.520 --> 1:20:22.280
<v Speaker 1>it was here in Miami. Okay. Yeah, I ain't knowing

1:20:22.280 --> 1:20:25.040
<v Speaker 1>about it until I in Miami, Okay, Because I told.

1:20:24.920 --> 1:20:28.200
<v Speaker 3>You about that time, I didn't know what That's why

1:20:28.240 --> 1:20:31.639
<v Speaker 3>it was like living pepper wings didn't exist at least

1:20:31.680 --> 1:20:33.519
<v Speaker 3>for me. But I know when I came here, that's

1:20:33.560 --> 1:20:34.600
<v Speaker 3>when I got put up on it.

1:20:34.920 --> 1:20:36.880
<v Speaker 2>Then when I got home, would you had your first

1:20:36.920 --> 1:20:40.800
<v Speaker 2>living pepper? You got birthday? Damn it. That's to me,

1:20:40.920 --> 1:20:43.479
<v Speaker 2>that's what I heard. Living pepper is invented. That's what

1:20:43.640 --> 1:20:45.560
<v Speaker 2>I don't know about that. I can't tell that to

1:20:45.600 --> 1:20:46.320
<v Speaker 2>Atlanta nigga.

1:20:46.479 --> 1:20:47.960
<v Speaker 1>He what.

1:20:49.720 --> 1:20:53.120
<v Speaker 2>I realized more Miami than Listen. I realized, I gotta

1:20:53.160 --> 1:20:56.160
<v Speaker 2>leave that set up to y'all. That's what you Miami.

1:20:58.080 --> 1:21:00.040
<v Speaker 1>She's got a broader selection, Yeah.

1:21:00.280 --> 1:21:02.600
<v Speaker 2>Because I had it first in Cities, but then I

1:21:02.640 --> 1:21:04.639
<v Speaker 2>had it very close in ONX as well.

1:21:04.760 --> 1:21:05.479
<v Speaker 1>Didn't that take one?

1:21:07.080 --> 1:21:07.240
<v Speaker 6>Man?

1:21:07.800 --> 1:21:11.240
<v Speaker 2>Maybe very soon, very soon? Okay, So you're in Magic

1:21:11.320 --> 1:21:14.639
<v Speaker 2>City and you just said, man, I want to suck

1:21:14.680 --> 1:21:25.720
<v Speaker 2>this bitch. Yeah, pretty much pretty much? So what the

1:21:25.800 --> 1:21:27.760
<v Speaker 2>rhythm comes to you? Just looking at it? She's there?

1:21:27.880 --> 1:21:30.760
<v Speaker 3>No, it was a thought, oh okay, like whatever song

1:21:30.880 --> 1:21:32.479
<v Speaker 3>was playing, I was in the mood of that song,

1:21:32.560 --> 1:21:33.880
<v Speaker 3>but it was really about her and what she was

1:21:33.920 --> 1:21:35.960
<v Speaker 3>doing on that Okay. Then when I got to I

1:21:36.000 --> 1:21:38.400
<v Speaker 3>mean it just, I mean literally left the studio, I

1:21:38.479 --> 1:21:40.519
<v Speaker 3>mean left Magic went straight to the studio.

1:21:41.280 --> 1:21:44.479
<v Speaker 1>He was writing, huh was you already writing in your mind?

1:21:44.520 --> 1:21:46.680
<v Speaker 3>And I knew what I wanted to say, but I

1:21:46.680 --> 1:21:48.840
<v Speaker 3>didn't know how I was gonna say it until after

1:21:48.840 --> 1:21:49.400
<v Speaker 3>I made the beat.

1:21:49.439 --> 1:21:51.320
<v Speaker 1>Then it just hit me. I knew exactly where I

1:21:51.360 --> 1:21:52.000
<v Speaker 1>was gonna go with him.

1:21:52.000 --> 1:21:52.200
<v Speaker 7>You know what?

1:21:52.200 --> 1:21:55.720
<v Speaker 1>I'm saying you made the beat, but she didn't. I

1:21:55.760 --> 1:21:57.560
<v Speaker 1>was a producer, know you produced that.

1:21:58.200 --> 1:22:00.519
<v Speaker 3>Everything that you heard me on the chorus, ninety five

1:22:00.560 --> 1:22:02.120
<v Speaker 3>percent of stuff you heard me on the chorus beats

1:22:02.120 --> 1:22:06.400
<v Speaker 3>that I mean, Yeah, that's how I used to deliver

1:22:06.479 --> 1:22:07.720
<v Speaker 3>my songs with the chorus already on it.

1:22:09.160 --> 1:22:10.280
<v Speaker 2>That's how you used to make placements.

1:22:10.400 --> 1:22:21.719
<v Speaker 1>Yeah, yep, your publishing game is crazy and smart.

1:22:21.840 --> 1:22:24.120
<v Speaker 8>It was easy to sell. The song was already done.

1:22:24.160 --> 1:22:26.240
<v Speaker 8>I got to drop the verses, and then you get

1:22:26.280 --> 1:22:27.800
<v Speaker 8>a block. I just write the verses for you too.

1:22:29.000 --> 1:22:30.880
<v Speaker 8>It was literally that simple, Like, don't tell me. That's

1:22:30.880 --> 1:22:32.000
<v Speaker 8>how Soul Survivor happened.

1:22:32.760 --> 1:22:34.840
<v Speaker 1>Already chorus on it, beat, ready to go. It was

1:22:34.920 --> 1:22:37.800
<v Speaker 1>actually gonna No, I'm not gonna tell that story, but yeah, that's.

1:22:37.680 --> 1:22:39.720
<v Speaker 2>How I don't tell me beody no no, no, no,

1:22:40.000 --> 1:22:40.560
<v Speaker 2>it was gonna be.

1:22:40.840 --> 1:22:42.160
<v Speaker 1>If it would have been for anybody, it would have

1:22:42.200 --> 1:22:43.920
<v Speaker 1>been for me. Put it so.

1:22:44.400 --> 1:22:48.840
<v Speaker 3>But what's crazy was you had a song and you

1:22:48.920 --> 1:22:52.000
<v Speaker 3>probably experiences where before you.

1:22:52.400 --> 1:22:54.240
<v Speaker 1>He's a feature that shared somebody on it.

1:22:54.360 --> 1:22:56.240
<v Speaker 3>He was like, man, think I'm gonna keep this with myself,

1:22:57.120 --> 1:23:00.160
<v Speaker 3>Like as a producer, songwriter, right, it's some songs you

1:23:00.280 --> 1:23:04.160
<v Speaker 3>just want to hold on to. That's the feeling I

1:23:04.280 --> 1:23:07.960
<v Speaker 3>had after I did Soul Survivor. But then when I

1:23:08.120 --> 1:23:15.560
<v Speaker 3>met with Jeezi and I heard his mixtape, Bruh you

1:23:15.680 --> 1:23:20.439
<v Speaker 3>need this, I just jumped out the window. I was like,

1:23:20.720 --> 1:23:23.600
<v Speaker 3>it's no way this nigga on this record is not

1:23:23.680 --> 1:23:26.800
<v Speaker 3>going to be a bigger record. It was impossible. It

1:23:26.920 --> 1:23:29.200
<v Speaker 3>was just impossible. So when I sent it to him,

1:23:29.960 --> 1:23:31.720
<v Speaker 3>I wasn't sure if he liked it or how he

1:23:31.760 --> 1:23:33.360
<v Speaker 3>felt about it, because it took about.

1:23:35.040 --> 1:23:37.519
<v Speaker 1>Almost to the end of the day before I got

1:23:37.560 --> 1:23:37.880
<v Speaker 1>it back.

1:23:38.880 --> 1:23:40.240
<v Speaker 3>But the fact that I got it back the same

1:23:40.360 --> 1:23:42.519
<v Speaker 3>day was kind of common because a lot of people

1:23:42.520 --> 1:23:44.080
<v Speaker 3>at that time was always excited to get a con

1:23:44.360 --> 1:23:46.280
<v Speaker 3>convict track, so they would do it real quick and

1:23:46.320 --> 1:23:48.439
<v Speaker 3>sind the back. But Jez took a little bit longer

1:23:48.479 --> 1:23:51.000
<v Speaker 3>than normal, and I was like, damn, sh ain't back yet.

1:23:52.439 --> 1:23:55.360
<v Speaker 3>But when it came back, though, I was like, oh

1:23:55.520 --> 1:23:58.640
<v Speaker 3>my god, I sent that shit over to Meach He

1:23:58.840 --> 1:24:03.519
<v Speaker 3>was like, Nigga, so this ship we own like, because

1:24:03.520 --> 1:24:05.720
<v Speaker 3>you got to stand around that time, BMF had the

1:24:05.760 --> 1:24:09.160
<v Speaker 3>biggest brand, but no really no songs out there. They

1:24:09.280 --> 1:24:11.160
<v Speaker 3>just them niggas will be on maybe out the Source

1:24:11.280 --> 1:24:12.880
<v Speaker 3>magazine getting awards.

1:24:12.600 --> 1:24:12.880
<v Speaker 1>And all that.

1:24:16.680 --> 1:24:17.880
<v Speaker 2>Nigga, you're the best that I ever did.

1:24:18.760 --> 1:24:23.040
<v Speaker 1>Niggas getting awards and everything with no ax out, no records,

1:24:24.320 --> 1:24:26.920
<v Speaker 1>huh no, But they was the cultry man, it was,

1:24:27.040 --> 1:24:29.640
<v Speaker 1>it was, it was, it was something. But Jeeze I

1:24:29.880 --> 1:24:30.400
<v Speaker 1>just knew he was.

1:24:30.400 --> 1:24:33.519
<v Speaker 2>Destined for it, you know. So let me ask you.

1:24:33.840 --> 1:24:35.600
<v Speaker 2>Have you ever gave up a record and you was

1:24:35.720 --> 1:24:37.400
<v Speaker 2>mad as ship for giving up a record?

1:24:37.479 --> 1:24:39.160
<v Speaker 3>No, no, no, no, I was never mad at giving

1:24:39.200 --> 1:24:43.000
<v Speaker 3>up a record. But there are records that I gave

1:24:43.120 --> 1:24:46.280
<v Speaker 3>up that I that I thought would be huge and

1:24:46.360 --> 1:24:49.920
<v Speaker 3>it didn't. You thought that right, like I thought, and

1:24:50.200 --> 1:24:52.200
<v Speaker 3>you know those records. It's kind of hard to kind

1:24:52.200 --> 1:24:53.720
<v Speaker 3>of take him back to give him somebody else.

1:24:53.960 --> 1:24:55.840
<v Speaker 1>So you just got to eat that, you know. Yea.

1:24:56.560 --> 1:24:58.439
<v Speaker 2>You ever heard that track, jigga?

1:24:59.800 --> 1:25:02.000
<v Speaker 1>Yeah, I remember that I gave that up that it

1:25:02.120 --> 1:25:03.120
<v Speaker 1>was that.

1:25:05.160 --> 1:25:07.120
<v Speaker 2>When I heard they gave it the jay Z, I was,

1:25:08.920 --> 1:25:11.400
<v Speaker 2>I was like, what they said, nor when we gave

1:25:11.479 --> 1:25:13.160
<v Speaker 2>it to you? And I was like, but you could

1:25:13.200 --> 1:25:21.120
<v Speaker 2>have told me I had no excuse track masters, I was.

1:25:21.760 --> 1:25:24.640
<v Speaker 1>I was, yeah, but you're not. You know something you're

1:25:24.640 --> 1:25:27.519
<v Speaker 1>gonna miss some You're gonna miss something and meant for you. Yeah,

1:25:27.560 --> 1:25:28.599
<v Speaker 1>it just wasn't meant for him.

1:25:28.920 --> 1:25:31.040
<v Speaker 3>He probably would have got too famous, and at that

1:25:31.160 --> 1:25:32.280
<v Speaker 3>time it probably wasn't a good thing.

1:25:33.680 --> 1:25:36.559
<v Speaker 2>It was wild as hell, Yes, it was wild.

1:25:37.040 --> 1:25:39.120
<v Speaker 1>We finished I want to you? Then how did you

1:25:39.240 --> 1:25:43.360
<v Speaker 1>ask the dog? I'm trying to say this, so I'm

1:25:43.360 --> 1:25:45.000
<v Speaker 1>trying to we're trying to avoid that.

1:25:45.680 --> 1:25:49.280
<v Speaker 2>But what made you want to ask now dog? Oh man?

1:25:50.200 --> 1:25:52.040
<v Speaker 3>That was just it was I think that was all

1:25:52.120 --> 1:25:55.800
<v Speaker 3>perfect timing because at that time Snoop was always he was.

1:25:55.840 --> 1:25:58.000
<v Speaker 3>He was hitting me up for songs and I always

1:25:58.040 --> 1:25:59.920
<v Speaker 3>wanted to work with him, but I just didn't have

1:26:00.080 --> 1:26:02.760
<v Speaker 3>the right record that I felt I could put him on.

1:26:03.360 --> 1:26:07.360
<v Speaker 3>And then the record got leaked, and when they got

1:26:07.439 --> 1:26:10.120
<v Speaker 3>leaked in Miami, Pliz was on the record.

1:26:11.479 --> 1:26:15.400
<v Speaker 1>So Pliz had the record first. Because what's interesting enough

1:26:15.600 --> 1:26:17.400
<v Speaker 1>was what I originally did the record. I did it

1:26:17.439 --> 1:26:18.360
<v Speaker 1>for Trick Daddy.

1:26:19.600 --> 1:26:19.760
<v Speaker 6>Right.

1:26:20.040 --> 1:26:23.439
<v Speaker 3>Originally, I was like, because I didn't see myself doing

1:26:23.520 --> 1:26:25.400
<v Speaker 3>that kind of record, even though it was a spa

1:26:25.520 --> 1:26:26.160
<v Speaker 3>by the whole things.

1:26:26.200 --> 1:26:27.519
<v Speaker 1>All my songs were aspired by something.

1:26:27.520 --> 1:26:30.120
<v Speaker 3>But I would always handpick which I asked what I

1:26:30.120 --> 1:26:31.720
<v Speaker 3>think will be able to take the record off. So

1:26:31.840 --> 1:26:33.280
<v Speaker 3>at that time, I'm thinking it was gonna be trick

1:26:33.360 --> 1:26:36.400
<v Speaker 3>daddy Wow. When I sent the record to Slip and

1:26:36.439 --> 1:26:39.920
<v Speaker 3>Slide till his day till this day, I'm guessing I

1:26:40.040 --> 1:26:40.559
<v Speaker 3>never knew.

1:26:40.439 --> 1:26:41.880
<v Speaker 1>How Plies actually got the record.

1:26:42.160 --> 1:26:45.360
<v Speaker 3>All I know is that one week Steve got a

1:26:45.439 --> 1:26:48.599
<v Speaker 3>call that's nigga, we gotta fucking smash in Miami. That's

1:26:48.640 --> 1:26:51.639
<v Speaker 3>all all over satellite radio and every fucking strip club,

1:26:51.760 --> 1:26:54.040
<v Speaker 3>every club. The record is so big, we gotta do

1:26:54.120 --> 1:26:55.880
<v Speaker 3>something about it. And I was like, well, let me

1:26:55.920 --> 1:26:58.320
<v Speaker 3>hear the record, nigga. When I heard that shit, I

1:26:58.360 --> 1:26:59.920
<v Speaker 3>was like, God, damn, who is this little nigga?

1:27:01.000 --> 1:27:01.120
<v Speaker 6>Right?

1:27:01.240 --> 1:27:02.479
<v Speaker 1>So it was one of them things.

1:27:02.520 --> 1:27:04.960
<v Speaker 2>And then oh he wasn't out yet, No, he was

1:27:05.000 --> 1:27:08.519
<v Speaker 2>a new artist. Oh okay, okay, he's already out.

1:27:09.840 --> 1:27:12.320
<v Speaker 1>But everybody agreed that this was a smashit record.

1:27:12.520 --> 1:27:14.800
<v Speaker 3>But universe was going crazy because first of all the

1:27:14.840 --> 1:27:15.880
<v Speaker 3>records out, I'm not clear.

1:27:16.200 --> 1:27:18.040
<v Speaker 1>The ship is like, it's already a potential hit. What

1:27:18.160 --> 1:27:18.439
<v Speaker 1>do we do?

1:27:18.520 --> 1:27:21.120
<v Speaker 3>We gotta we gotta recover this record. So we're like, okay, well,

1:27:21.160 --> 1:27:22.960
<v Speaker 3>we need to just snatch him off of and put

1:27:23.000 --> 1:27:23.920
<v Speaker 3>somebody on the record.

1:27:24.600 --> 1:27:26.000
<v Speaker 1>And then that's when I was like, well, shit, let's

1:27:26.000 --> 1:27:26.880
<v Speaker 1>put Snoop on the record.

1:27:26.920 --> 1:27:29.200
<v Speaker 3>He's been calling me for records and he's he'd be

1:27:29.240 --> 1:27:31.240
<v Speaker 3>a perfect nigga on here. So I sent him to

1:27:31.280 --> 1:27:33.759
<v Speaker 3>Snoop Literally the same day he came back with the record,

1:27:34.120 --> 1:27:37.320
<v Speaker 3>bodied it, and these niggas have the record mastered, mixed,

1:27:37.520 --> 1:27:40.360
<v Speaker 3>and put out the same week. S like literally that's

1:27:40.360 --> 1:27:42.160
<v Speaker 3>saying cause we had to catch it. The record was

1:27:42.200 --> 1:27:45.240
<v Speaker 3>moving too fast that plaus version was gone. But then

1:27:45.280 --> 1:27:47.880
<v Speaker 3>I felt bad. I was like, damn, you know, he's

1:27:47.880 --> 1:27:50.160
<v Speaker 3>a new artist. This would have been his big break.

1:27:51.200 --> 1:27:53.000
<v Speaker 1>Like I felt fucked up because I knew how hard

1:27:53.000 --> 1:27:54.720
<v Speaker 1>it was to get a record and go because I

1:27:54.840 --> 1:27:55.920
<v Speaker 1>know what I went through and locked up.

1:27:55.960 --> 1:27:57.280
<v Speaker 2>But do you think he leaked it?

1:27:58.400 --> 1:27:59.040
<v Speaker 1>Without a doubt?

1:28:00.360 --> 1:28:01.000
<v Speaker 2>De board the funk?

1:28:01.040 --> 1:28:08.720
<v Speaker 1>I supposed to do that, but honestly, believe it or not,

1:28:08.920 --> 1:28:12.120
<v Speaker 1>had he reached out before he did it, believe me,

1:28:12.160 --> 1:28:14.840
<v Speaker 1>I know for sure, but no, because guess what, had

1:28:14.920 --> 1:28:16.719
<v Speaker 1>he not leaked it, we wouldn't have known the record.

1:28:16.560 --> 1:28:19.280
<v Speaker 3>Was that big, So who probably would have worked it out?

1:28:19.840 --> 1:28:20.920
<v Speaker 3>It could have been right, It could have been a

1:28:20.960 --> 1:28:22.720
<v Speaker 3>record him anyway if it had we known him before

1:28:22.760 --> 1:28:26.200
<v Speaker 3>that ship took off. But it just, I mean, God

1:28:26.280 --> 1:28:27.960
<v Speaker 3>has his own way of how things happen, right, So

1:28:28.320 --> 1:28:29.439
<v Speaker 3>at that point I felt bad.

1:28:29.520 --> 1:28:29.640
<v Speaker 1>Man.

1:28:29.720 --> 1:28:32.120
<v Speaker 3>So we got on the phone and I was like, look, man,

1:28:32.160 --> 1:28:33.680
<v Speaker 3>you know it's business. Some of it is beyond what

1:28:33.760 --> 1:28:34.080
<v Speaker 3>I can do.

1:28:34.479 --> 1:28:35.720
<v Speaker 1>But don't worry. I'm gonna make it up to you.

1:28:35.760 --> 1:28:37.040
<v Speaker 2>You know what I'm saying, saying that's applies.

1:28:37.439 --> 1:28:40.040
<v Speaker 3>Said it applies because I just felt bad because that

1:28:40.160 --> 1:28:41.559
<v Speaker 3>was a smash, right, So I was like, all right,

1:28:41.640 --> 1:28:43.200
<v Speaker 3>let me figure this out. So that's when I went

1:28:43.200 --> 1:28:46.400
<v Speaker 3>into the studio and then I made hypnotize and I

1:28:46.439 --> 1:28:47.400
<v Speaker 3>gave him hypnotized.

1:28:48.760 --> 1:28:52.200
<v Speaker 1>Yep, that's so you.

1:28:54.560 --> 1:29:00.280
<v Speaker 2>Take your talk for that's yeah, you was there all

1:29:03.240 --> 1:29:13.000
<v Speaker 2>I got, Yo, that's crazy. I got all that in

1:29:13.080 --> 1:29:18.479
<v Speaker 2>my notes. Okay, now, don't matter. Was that a sample?

1:29:20.000 --> 1:29:20.920
<v Speaker 2>That was not a sample?

1:29:21.640 --> 1:29:25.960
<v Speaker 3>It was all played all original. Yeah, but that was

1:29:26.000 --> 1:29:32.120
<v Speaker 3>a melody part that I did take from Uh Bob.

1:29:31.960 --> 1:29:35.240
<v Speaker 1>Marley we Gotta Fight for all right, Okay. I took

1:29:35.280 --> 1:29:38.120
<v Speaker 1>a piece of that and added to the to the chorus. Okay,

1:29:38.120 --> 1:29:39.720
<v Speaker 1>that's the only part of that sample not the beat.

1:29:39.960 --> 1:29:44.759
<v Speaker 2>That's that was a rendition part Okay, okay, so Survival

1:29:44.800 --> 1:29:48.280
<v Speaker 2>you just answered that question. So how about Lonely. Let's

1:29:48.400 --> 1:29:49.040
<v Speaker 2>let's get into that.

1:29:49.120 --> 1:29:50.720
<v Speaker 1>Yeah, Lonely, I wrote that when I was locked up.

1:29:51.479 --> 1:29:52.920
<v Speaker 3>Yeah, that record was I wrote that when I was

1:29:52.960 --> 1:29:54.760
<v Speaker 3>locked up, and then I recorded it when I got out.

1:29:55.240 --> 1:29:58.599
<v Speaker 2>Oh really, the whole the whole thing, whole record.

1:29:58.800 --> 1:30:01.080
<v Speaker 3>And yeah, the song was written, but then the beat

1:30:01.120 --> 1:30:03.040
<v Speaker 3>at the time wouldn't create it until I got out.

1:30:03.360 --> 1:30:04.920
<v Speaker 3>And that's when I was going through my crates and

1:30:05.479 --> 1:30:08.720
<v Speaker 3>and heard the Bobby Venting sample and I spared that

1:30:08.880 --> 1:30:10.800
<v Speaker 3>up and we did the beat around the voice.

1:30:11.840 --> 1:30:15.080
<v Speaker 1>Hell of a producer. Motherfucker is just hitting us with genius.

1:30:15.160 --> 1:30:20.360
<v Speaker 2>Ship Hold up, I'm not even ready for some of

1:30:20.439 --> 1:30:23.439
<v Speaker 2>this ship Hold on, man, and you know what, let's

1:30:23.439 --> 1:30:27.439
<v Speaker 2>skip around a little bit. We spoke about Jimmy I Bean,

1:30:27.479 --> 1:30:31.400
<v Speaker 2>so let's talk about working with doctor Dre oh Man.

1:30:31.479 --> 1:30:34.120
<v Speaker 2>Working with Dre was like, well, let me give you

1:30:34.120 --> 1:30:36.680
<v Speaker 2>a two part question. Yeah, because is that is that

1:30:37.000 --> 1:30:39.400
<v Speaker 2>Nate Dogg on that record? On which one on the

1:30:39.439 --> 1:30:44.320
<v Speaker 2>record with you guys with Dre at the hold up? Yeah?

1:30:44.479 --> 1:30:44.640
<v Speaker 4>Is that?

1:30:45.640 --> 1:30:49.320
<v Speaker 1>You know? I never asked Dre, who that was. I

1:30:49.400 --> 1:30:50.519
<v Speaker 1>never asked what that was.

1:30:52.240 --> 1:30:53.280
<v Speaker 2>You looked at the credits.

1:30:53.800 --> 1:30:56.920
<v Speaker 1>I never looked at the credit. You that rich, you

1:30:57.000 --> 1:31:01.680
<v Speaker 1>were credit. It's just, you know, like like when you

1:31:01.760 --> 1:31:02.040
<v Speaker 1>work with.

1:31:02.080 --> 1:31:04.479
<v Speaker 3>Certain people like that, you kind of already know what

1:31:04.560 --> 1:31:06.439
<v Speaker 3>the split is gonna before you get in, regardless of

1:31:06.479 --> 1:31:07.200
<v Speaker 3>who you add to it.

1:31:07.760 --> 1:31:09.280
<v Speaker 1>Dre, already know what you're gonna get, already know what

1:31:09.280 --> 1:31:11.080
<v Speaker 1>I'm gonna get. You know what you're gonna get, and.

1:31:11.120 --> 1:31:13.439
<v Speaker 3>Whoever else is involved, y'all split that amongst y'all type

1:31:13.439 --> 1:31:14.160
<v Speaker 3>of thing, you know what I'm saying.

1:31:14.200 --> 1:31:17.200
<v Speaker 2>So, but overall, was y'all in this studio together making

1:31:17.240 --> 1:31:17.639
<v Speaker 2>that record.

1:31:18.040 --> 1:31:20.320
<v Speaker 1>We was in the studio together making records, but that

1:31:20.439 --> 1:31:23.320
<v Speaker 1>one specifically was I was. I was traveling.

1:31:23.720 --> 1:31:25.600
<v Speaker 3>That's when I did my I did everything for it,

1:31:25.920 --> 1:31:27.559
<v Speaker 3>and then I sent it to them, And then when

1:31:27.800 --> 1:31:29.719
<v Speaker 3>Dre sent it back to me, he had the snoop

1:31:29.760 --> 1:31:31.759
<v Speaker 3>on his verse on there and the hold up voices.

1:31:31.920 --> 1:31:34.760
<v Speaker 3>So I wasn't sure if that was actual Nate or

1:31:34.840 --> 1:31:37.559
<v Speaker 3>someone else that sounded like him, or maybe something sampled

1:31:37.560 --> 1:31:39.479
<v Speaker 3>from an older song added you know what I'm saying.

1:31:39.680 --> 1:31:41.960
<v Speaker 2>Okay, but you know, Dre, you don't really.

1:31:42.080 --> 1:31:43.760
<v Speaker 1>You just let him do what you ask, no question,

1:31:45.160 --> 1:31:48.120
<v Speaker 1>like you know what I'm saying, Like, came back and

1:31:48.160 --> 1:31:55.479
<v Speaker 1>fucking smashed, That's all I know. Yeah, right, yeah, beautiful,

1:31:55.960 --> 1:31:56.880
<v Speaker 1>beautiful was amazing.

1:31:57.439 --> 1:31:58.760
<v Speaker 2>How did you make that that one?

1:31:59.720 --> 1:32:02.200
<v Speaker 1>I think that was around the time when I hold

1:32:02.240 --> 1:32:04.160
<v Speaker 1>it before good and beautiful my back. Did you you

1:32:04.200 --> 1:32:06.200
<v Speaker 1>say where you was at when you recorded the drake?

1:32:07.200 --> 1:32:07.840
<v Speaker 2>What did you say?

1:32:07.840 --> 1:32:08.000
<v Speaker 7>Where?

1:32:08.120 --> 1:32:09.439
<v Speaker 1>Where were your traveling dre?

1:32:09.560 --> 1:32:18.160
<v Speaker 9>I was on I was on tour actual, so tourte

1:32:18.520 --> 1:32:20.160
<v Speaker 9>that normal, normal.

1:32:20.560 --> 1:32:21.880
<v Speaker 3>So I went in the studio though, but I had

1:32:21.920 --> 1:32:24.360
<v Speaker 3>I had, I had a studio in my bus. So

1:32:24.439 --> 1:32:25.800
<v Speaker 3>that's how I was able to get the records out

1:32:25.840 --> 1:32:28.600
<v Speaker 3>at the same time. And that's how I actually I

1:32:28.760 --> 1:32:31.280
<v Speaker 3>was able to get sorry blame me response so quick

1:32:31.560 --> 1:32:35.400
<v Speaker 3>because when that whole controversy hit, I was actually on

1:32:35.479 --> 1:32:36.200
<v Speaker 3>the road with Gwen.

1:32:36.080 --> 1:32:39.000
<v Speaker 2>Stefani when when you made the record.

1:32:38.800 --> 1:32:40.680
<v Speaker 1>Sorry, sorry, blame me. I made that on the bus.

1:32:41.080 --> 1:32:41.880
<v Speaker 2>Did Why did you make that?

1:32:42.000 --> 1:32:43.840
<v Speaker 3>Because it was no, it was you know because at

1:32:43.840 --> 1:32:46.120
<v Speaker 3>the time it was it was a huge controversy about uh,

1:32:46.840 --> 1:32:49.600
<v Speaker 3>the club appearance that I made and intrider Dad and

1:32:49.640 --> 1:32:52.320
<v Speaker 3>the underage girl snugging and was part of this dance

1:32:52.400 --> 1:32:55.240
<v Speaker 3>whining contest and unfortunately she snug out the house.

1:32:55.280 --> 1:32:58.320
<v Speaker 1>Her dad was a preacher and he woke up and saw.

1:32:58.479 --> 1:33:00.759
<v Speaker 2>That she won on the first on the front page,

1:33:00.800 --> 1:33:02.280
<v Speaker 2>like it was a big thing, right, you know what

1:33:02.320 --> 1:33:03.479
<v Speaker 2>I mean there?

1:33:03.520 --> 1:33:05.719
<v Speaker 1>Yeah, he flipped out, like you know Literada.

1:33:06.160 --> 1:33:10.880
<v Speaker 3>So at that point her age was revealed because the

1:33:11.000 --> 1:33:13.679
<v Speaker 3>daddy was like, she's underage, how do you guys allow

1:33:13.720 --> 1:33:15.080
<v Speaker 3>her to go into the club of the Da Dada

1:33:15.439 --> 1:33:17.400
<v Speaker 3>And everybody was shocked because they was like, wait a minute,

1:33:17.439 --> 1:33:19.280
<v Speaker 3>this is twenty one and older club, Like how was

1:33:19.360 --> 1:33:21.240
<v Speaker 3>she fifteen in there?

1:33:21.320 --> 1:33:21.920
<v Speaker 2>You know what I'm saying.

1:33:22.240 --> 1:33:24.160
<v Speaker 3>But the pop was just so hype about it, and

1:33:24.280 --> 1:33:26.200
<v Speaker 3>of course me being a celebrity being attached, it just

1:33:26.240 --> 1:33:29.440
<v Speaker 3>made a huge thing. And then Verizon pulled my sponsorships

1:33:29.479 --> 1:33:29.880
<v Speaker 3>and all of this.

1:33:30.520 --> 1:33:30.640
<v Speaker 2>Yo.

1:33:31.080 --> 1:33:35.760
<v Speaker 1>Whenst Fani though, rode with me because that Verizon sponsorship

1:33:36.000 --> 1:33:37.600
<v Speaker 1>sponsored the whole tour and.

1:33:37.680 --> 1:33:38.240
<v Speaker 6>I was on it.

1:33:38.960 --> 1:33:41.599
<v Speaker 3>So they came to home it was like, listen, con

1:33:42.400 --> 1:33:44.680
<v Speaker 3>if you want us to continue sponsoring this tour, you

1:33:44.800 --> 1:33:45.960
<v Speaker 3>need to pull him off your tour.

1:33:47.200 --> 1:33:49.720
<v Speaker 1>And she was like, I'm not doing that, going to

1:33:49.720 --> 1:33:52.080
<v Speaker 1>start finding against the nigga. She rocked with me though,

1:33:52.560 --> 1:34:02.400
<v Speaker 1>ah no, no, yep, yeah, let's talk about that the

1:34:02.439 --> 1:34:04.280
<v Speaker 1>Sweetest Scape as well, while we're on the right, y yeah,

1:34:04.280 --> 1:34:04.840
<v Speaker 1>sweet es scpe.

1:34:04.920 --> 1:34:07.000
<v Speaker 3>Yeah, so sweet Eskatee was crazy. So Jimmy I Bean

1:34:07.080 --> 1:34:08.800
<v Speaker 3>called me and was like, listen, I want you to

1:34:08.880 --> 1:34:12.880
<v Speaker 3>go in with Gwyn. I was like, absolutely, I love Gwyn.

1:34:12.920 --> 1:34:14.840
<v Speaker 3>This is before the tour, obvious, this is before the tour.

1:34:15.120 --> 1:34:15.920
<v Speaker 1>This was before the tour.

1:34:16.479 --> 1:34:19.040
<v Speaker 3>She had just finished her album, but they needed that

1:34:19.240 --> 1:34:22.000
<v Speaker 3>one record like they would need it one record.

1:34:22.160 --> 1:34:22.320
<v Speaker 7>You know.

1:34:22.560 --> 1:34:23.960
<v Speaker 3>And I was like, well, let me hear the album

1:34:23.960 --> 1:34:25.320
<v Speaker 3>and see what she got, and then I see, you

1:34:25.400 --> 1:34:27.679
<v Speaker 3>know what I can put for. When I heard the album,

1:34:28.200 --> 1:34:30.240
<v Speaker 3>it was a little different from what I would have

1:34:30.640 --> 1:34:33.640
<v Speaker 3>wanted for her on the album, being who she was

1:34:33.760 --> 1:34:36.280
<v Speaker 3>in the timeline in which she was recording those records,

1:34:36.479 --> 1:34:38.080
<v Speaker 3>I felt there was a certain direction that I felt

1:34:38.120 --> 1:34:40.800
<v Speaker 3>like she needed to go. So I just did that

1:34:40.960 --> 1:34:44.200
<v Speaker 3>direction for the single that they wanted for, and while

1:34:44.240 --> 1:34:47.360
<v Speaker 3>we were in the studio, that's when we wrote sweet Escape, right.

1:34:47.520 --> 1:34:49.599
<v Speaker 3>So when we sent that over to Jimmy, he was like, man,

1:34:49.640 --> 1:34:52.679
<v Speaker 3>this record is fucking amazing. But there wasn't enough time

1:34:53.200 --> 1:34:56.200
<v Speaker 3>to do more records because she was literally like dropping

1:34:56.280 --> 1:34:59.800
<v Speaker 3>that week. So we said, let's maximize this actual song

1:35:00.000 --> 1:35:01.800
<v Speaker 3>because this could be the first record out. So they

1:35:01.920 --> 1:35:04.679
<v Speaker 3>end up taking the song. It became in the first single.

1:35:05.400 --> 1:35:08.240
<v Speaker 3>Then it became the song became the name of the album,

1:35:08.320 --> 1:35:11.080
<v Speaker 3>Sweet Escape. Then they set up a whole tour around

1:35:11.160 --> 1:35:14.360
<v Speaker 3>that song called Sweet Escape Tour, so that song became

1:35:14.760 --> 1:35:18.520
<v Speaker 3>her whole marketing, imaging the whole like movement.

1:35:18.240 --> 1:35:21.880
<v Speaker 1>For that whole album. Wow, you orchestrated that far. I

1:35:22.040 --> 1:35:24.920
<v Speaker 1>made the record Jimmy Orchestra.

1:35:26.360 --> 1:35:28.280
<v Speaker 6>But everything you're saying goes in line with you're saying

1:35:28.280 --> 1:35:31.599
<v Speaker 6>that Jimmy is a kingmaker, because here you are blessing

1:35:31.680 --> 1:35:34.680
<v Speaker 6>all these artists and helping and making their careers as well, right,

1:35:35.000 --> 1:35:36.080
<v Speaker 6>which is crazy.

1:35:36.200 --> 1:35:37.880
<v Speaker 3>You know, because I think sometimes it helps to have

1:35:38.080 --> 1:35:40.840
<v Speaker 3>just new blood around that see things differently from how

1:35:41.880 --> 1:35:44.759
<v Speaker 3>you know your core see it because oftentimes, like primise

1:35:44.760 --> 1:35:48.240
<v Speaker 3>app let's say a building like Universe of for instance,

1:35:48.280 --> 1:35:50.320
<v Speaker 3>they got to set group of producers that they go

1:35:50.439 --> 1:35:51.040
<v Speaker 3>to every time.

1:35:50.960 --> 1:35:52.680
<v Speaker 1>They sound acts. You know what I'm talking abo right now?

1:35:52.800 --> 1:35:54.400
<v Speaker 3>Of course, set group of writers that they go to

1:35:54.479 --> 1:35:56.320
<v Speaker 3>every time they sign to act, they all start to

1:35:56.360 --> 1:35:58.680
<v Speaker 3>sound like they all start to feeling like there's nothing

1:35:58.720 --> 1:36:01.639
<v Speaker 3>different because they's using the same producers that's been proven

1:36:01.680 --> 1:36:03.439
<v Speaker 3>to have hit records. It becomes like a cookie cutter

1:36:03.520 --> 1:36:06.280
<v Speaker 3>thing exactly. And I think that's what Jimmy was trying

1:36:06.280 --> 1:36:08.400
<v Speaker 3>to cut away from. So that's why he started bringing

1:36:08.400 --> 1:36:10.720
<v Speaker 3>in people that looked at the projects differently. Because even

1:36:10.760 --> 1:36:13.160
<v Speaker 3>when you started, when you heard the first album versus

1:36:13.200 --> 1:36:15.760
<v Speaker 3>the album that I was working on, there wasn't that

1:36:15.880 --> 1:36:18.439
<v Speaker 3>much of a growth change. But when you hear that

1:36:18.560 --> 1:36:20.360
<v Speaker 3>record on that album, you can hear the difference from

1:36:20.400 --> 1:36:23.200
<v Speaker 3>that record versus everything else that was on there, you

1:36:23.240 --> 1:36:24.920
<v Speaker 3>know what I'm saying, And.

1:36:25.040 --> 1:36:26.360
<v Speaker 1>That means he's willing to take chances.

1:36:26.520 --> 1:36:26.680
<v Speaker 4>Yeah.

1:36:26.760 --> 1:36:27.920
<v Speaker 1>Me, I want to give you what you ain't got.

1:36:27.960 --> 1:36:29.840
<v Speaker 3>I want to give you something that the audience can

1:36:29.920 --> 1:36:32.080
<v Speaker 3>listen to it and say, oh, they stepping it up

1:36:32.160 --> 1:36:34.000
<v Speaker 3>or they've grown from where it used to be, you

1:36:34.040 --> 1:36:35.400
<v Speaker 3>know what I mean. But at the same time keeping

1:36:35.439 --> 1:36:37.759
<v Speaker 3>integrity and what it is you bring to the table,

1:36:38.040 --> 1:36:39.840
<v Speaker 3>but you also taking it to a level to where

1:36:40.240 --> 1:36:42.240
<v Speaker 3>you look like you're becoming bigger than what you was

1:36:42.320 --> 1:36:42.760
<v Speaker 3>before they.

1:36:43.000 --> 1:36:44.120
<v Speaker 1>Experienced you you know what I'm saying.

1:36:45.160 --> 1:36:48.240
<v Speaker 2>It's crazyd damn it, Man, this is this is crazy.

1:36:48.960 --> 1:36:51.000
<v Speaker 2>What are some of the producers that you haven't worked

1:36:51.000 --> 1:36:52.040
<v Speaker 2>with that you would like to work with?

1:36:53.400 --> 1:36:56.640
<v Speaker 1>Interestingly enough, I haven't worked with.

1:37:00.320 --> 1:37:00.519
<v Speaker 2>Man.

1:37:01.600 --> 1:37:04.760
<v Speaker 1>The only producers that I actually ever worked with on collaboration.

1:37:05.320 --> 1:37:07.280
<v Speaker 1>Remember he's producing, Yeah, it's.

1:37:07.240 --> 1:37:10.080
<v Speaker 3>Polo Polo and don I work. I worked with him

1:37:10.120 --> 1:37:18.559
<v Speaker 3>on some collaboration stuff. Who nah me and Kanye hasn't

1:37:18.600 --> 1:37:23.519
<v Speaker 3>We never worked on anything collaborative That could be crazy, yo,

1:37:23.880 --> 1:37:26.000
<v Speaker 3>now that I think about it, he's the only no

1:37:27.000 --> 1:37:30.400
<v Speaker 3>metro booming. Metro Booman worked on some stuff together and

1:37:31.320 --> 1:37:33.920
<v Speaker 3>nothing on the track Man worked on. But that's all

1:37:34.080 --> 1:37:37.840
<v Speaker 3>after my time. But during my time was I actually

1:37:37.880 --> 1:37:39.200
<v Speaker 3>wasn't working with any producers?

1:37:39.439 --> 1:37:40.599
<v Speaker 1>Were doing a work myself?

1:37:41.040 --> 1:37:44.040
<v Speaker 3>Absolutely? Hell yeah, some of the people will tymbling. I

1:37:44.080 --> 1:37:46.599
<v Speaker 3>would love to do it. I think me and Tim

1:37:46.640 --> 1:37:47.559
<v Speaker 3>together will come up with some.

1:37:48.200 --> 1:37:52.160
<v Speaker 2>Because ain't you we're taking over right well? College, Ye,

1:37:52.920 --> 1:37:53.200
<v Speaker 2>isn't it?

1:37:53.439 --> 1:37:53.799
<v Speaker 1>Danger?

1:37:54.240 --> 1:37:56.880
<v Speaker 3>I did some stuff with Runners as well too, Yeah,

1:37:57.040 --> 1:37:59.760
<v Speaker 3>and Danger was on Yeah, Danger was we.

1:37:59.800 --> 1:38:00.479
<v Speaker 1>Take production on.

1:38:01.120 --> 1:38:02.920
<v Speaker 2>I mean when we did the first interview with him,

1:38:02.920 --> 1:38:04.519
<v Speaker 2>it was that callin studio. I think they were.

1:38:05.840 --> 1:38:06.240
<v Speaker 1>That's right.

1:38:06.400 --> 1:38:07.599
<v Speaker 2>It was that college studio.

1:38:07.720 --> 1:38:10.360
<v Speaker 1>Yeah it was yeah, yeah, that was my home. Like

1:38:11.320 --> 1:38:12.200
<v Speaker 1>that was my home bro.

1:38:12.360 --> 1:38:14.920
<v Speaker 3>Like even till this day when I record in Miami,

1:38:15.000 --> 1:38:17.120
<v Speaker 3>I go right back there, call it never.

1:38:17.080 --> 1:38:18.360
<v Speaker 2>There playing golf.

1:38:18.439 --> 1:38:19.280
<v Speaker 1>No, the ship got.

1:38:22.600 --> 1:38:24.200
<v Speaker 2>Couple of golf digest.

1:38:25.439 --> 1:38:27.560
<v Speaker 1>I don't know what kind of you got college, but

1:38:28.320 --> 1:38:28.960
<v Speaker 1>is working.

1:38:28.760 --> 1:38:32.240
<v Speaker 3>Keep going like yeah, that's that's like my studio now.

1:38:32.840 --> 1:38:34.840
<v Speaker 3>Like I'd be like, okay, I'm in Miami. He said, well,

1:38:34.880 --> 1:38:37.000
<v Speaker 3>you know what, the dude, I ain't there, Like he

1:38:37.320 --> 1:38:39.400
<v Speaker 3>gave me somebody to talk to, the open up, close.

1:38:39.280 --> 1:38:42.280
<v Speaker 2>Up everything like that. Yeah, that's exactly what it was.

1:38:42.439 --> 1:38:43.479
<v Speaker 2>That's exactly what it was.

1:38:43.880 --> 1:38:46.280
<v Speaker 1>That's like my home in Miami. You played golf.

1:38:46.880 --> 1:38:50.000
<v Speaker 3>Actually I just started playing golf a year ago. I

1:38:50.080 --> 1:38:53.120
<v Speaker 3>started my first golf tournament with Steve Harvey in Dubai,

1:38:53.320 --> 1:38:54.000
<v Speaker 3>oh Shire.

1:38:54.880 --> 1:38:57.400
<v Speaker 1>And and it was crazy. What's crazy?

1:38:57.600 --> 1:38:57.880
<v Speaker 6>Was right?

1:38:58.640 --> 1:39:01.240
<v Speaker 1>I cast some less before I started.

1:39:01.560 --> 1:39:03.479
<v Speaker 2>Top golf, no actual golf.

1:39:04.640 --> 1:39:06.280
<v Speaker 1>I was playing top golf before I got there, so

1:39:06.400 --> 1:39:09.200
<v Speaker 1>I got the basic. My drive was already crazy because

1:39:09.240 --> 1:39:09.960
<v Speaker 1>of top golf. Couple.

1:39:10.400 --> 1:39:13.439
<v Speaker 2>That's my friends telling me right, tone bask myself don't

1:39:13.439 --> 1:39:15.760
<v Speaker 2>get on the field first to the top golf telling you.

1:39:18.360 --> 1:39:18.960
<v Speaker 1>The mini golf.

1:39:19.200 --> 1:39:21.439
<v Speaker 3>Yeah, for the putty. I was tling on the putts though.

1:39:21.880 --> 1:39:24.240
<v Speaker 3>What saved me was we was playing by teams, So

1:39:24.360 --> 1:39:29.240
<v Speaker 3>I do the drives boom twenty five on my first drives, bro,

1:39:29.400 --> 1:39:31.519
<v Speaker 3>like killing it. But then when it's time to putt,

1:39:31.800 --> 1:39:33.280
<v Speaker 3>you know, somebody the team that was good at putting

1:39:33.360 --> 1:39:37.280
<v Speaker 3>gets So the first UH Golf tournament, we actually came

1:39:37.360 --> 1:39:40.519
<v Speaker 3>number one. We were in first place. But then the

1:39:40.600 --> 1:39:43.320
<v Speaker 3>second year when we came then they started bringing professionals out,

1:39:44.040 --> 1:39:49.479
<v Speaker 3>so then we was last place. Oh no, we was

1:39:49.479 --> 1:39:52.280
<v Speaker 3>playing some real top people. It's just the second time,

1:39:52.479 --> 1:39:55.040
<v Speaker 3>you know, they they they're.

1:39:54.920 --> 1:39:55.720
<v Speaker 1>Up, Danny.

1:39:58.320 --> 1:39:58.840
<v Speaker 2>Play golf.

1:39:58.920 --> 1:39:59.920
<v Speaker 1>No, but it's fun.

1:40:00.040 --> 1:40:02.839
<v Speaker 2>Know it's addictive, bro, once you start. Yeah, it's addictive.

1:40:02.880 --> 1:40:05.840
<v Speaker 1>It seems like it's addictive. It's addictive. Is it expensive? No,

1:40:06.160 --> 1:40:10.519
<v Speaker 1>not at all, not at all. Yeah. If you go

1:40:10.840 --> 1:40:13.479
<v Speaker 1>on the average day you go to play golf, you're gonna.

1:40:13.280 --> 1:40:15.760
<v Speaker 2>Be spending party a little bit und the final really,

1:40:16.640 --> 1:40:18.800
<v Speaker 2>but and they smoked cigars and I see I see

1:40:18.800 --> 1:40:20.840
<v Speaker 2>a lot of motherfuckers getting drunk out of there. Deals

1:40:21.080 --> 1:40:22.479
<v Speaker 2>people make deals on the golf course.

1:40:22.840 --> 1:40:25.280
<v Speaker 3>I mean, that's that's what used to happen. How you

1:40:25.360 --> 1:40:29.479
<v Speaker 3>take that they just tell secrets? Is that how you

1:40:29.600 --> 1:40:30.720
<v Speaker 3>take being made?

1:40:31.360 --> 1:40:33.840
<v Speaker 2>Let them get drunk and then you got a peanut

1:40:33.880 --> 1:40:40.320
<v Speaker 2>klada and let's take a sip first, let's go.

1:40:42.120 --> 1:40:42.160
<v Speaker 7>Y.

1:40:42.360 --> 1:40:43.439
<v Speaker 1>So what is this?

1:40:43.560 --> 1:40:45.360
<v Speaker 2>Is something we didn't ask you in a quick time

1:40:45.400 --> 1:40:50.720
<v Speaker 2>and slive very famous? Uh on this show? Major or independent?

1:40:50.800 --> 1:40:51.000
<v Speaker 7>What do?

1:40:51.120 --> 1:40:51.800
<v Speaker 2>What do you prefer?

1:40:52.640 --> 1:40:56.519
<v Speaker 1>All Right? So when I was major, I was screaming independent.

1:40:57.400 --> 1:40:58.800
<v Speaker 2>Right you got independent?

1:40:59.360 --> 1:41:02.200
<v Speaker 1>A you're gonna look it's interesting.

1:41:02.240 --> 1:41:03.080
<v Speaker 2>It's interesting.

1:41:03.439 --> 1:41:05.519
<v Speaker 3>When I was major, I was screaming independent all day.

1:41:05.920 --> 1:41:09.479
<v Speaker 3>I was convincing everybody to go independent, independent, dependent. But

1:41:09.560 --> 1:41:12.600
<v Speaker 3>that's because that was before I realized who I was.

1:41:13.320 --> 1:41:16.439
<v Speaker 3>Because I never felt famous like I always felt like

1:41:16.920 --> 1:41:19.719
<v Speaker 3>you know, see me now, like by myself, I always

1:41:19.720 --> 1:41:23.240
<v Speaker 3>feel normal. But then when I got off the major

1:41:23.760 --> 1:41:27.720
<v Speaker 3>and went independent, I said, independent ain't really for me.

1:41:29.600 --> 1:41:31.200
<v Speaker 1>Because I'm too big to be independent.

1:41:31.840 --> 1:41:34.360
<v Speaker 3>I need to be structured and managed by a major

1:41:34.439 --> 1:41:37.720
<v Speaker 3>label because of who I'm who I am already. Now,

1:41:37.800 --> 1:41:41.720
<v Speaker 3>if you're an artist that are beginning, or you got

1:41:41.800 --> 1:41:45.400
<v Speaker 3>a nice little bubble within your your area or territory.

1:41:46.240 --> 1:41:48.639
<v Speaker 3>Independence for you because you can grow independent and build

1:41:48.640 --> 1:41:52.479
<v Speaker 3>your structure to become what you know, like manages your

1:41:52.720 --> 1:41:57.000
<v Speaker 3>career self, you know what I'm saying, and grow to

1:41:57.120 --> 1:41:59.240
<v Speaker 3>that level. But it's it's in steps, it's all the stages.

1:41:59.479 --> 1:42:01.320
<v Speaker 3>But the artist that just comes from a major label

1:42:01.520 --> 1:42:04.960
<v Speaker 3>and just goes deep diving independent, it's a bad idea,

1:42:05.000 --> 1:42:05.160
<v Speaker 3>that's what.

1:42:05.640 --> 1:42:08.240
<v Speaker 6>And that's why you always say that's because because I'm

1:42:08.240 --> 1:42:10.720
<v Speaker 6>always advocating for independence, he's always advocate FA.

1:42:11.479 --> 1:42:14.080
<v Speaker 2>But this is the thing when you're in a situation

1:42:14.280 --> 1:42:14.880
<v Speaker 2>in the era that.

1:42:15.880 --> 1:42:18.200
<v Speaker 3>Sinse because you're looking at the numbers that you're making

1:42:18.240 --> 1:42:20.400
<v Speaker 3>these niggas and you're like, man if I could make

1:42:20.479 --> 1:42:22.920
<v Speaker 3>that for me, but we don't also realize all the

1:42:23.000 --> 1:42:26.240
<v Speaker 3>resources that have taken the machine, the machine that's the supportist,

1:42:26.800 --> 1:42:27.360
<v Speaker 3>you know what I'm saying.

1:42:27.479 --> 1:42:31.160
<v Speaker 2>You gotta realize, like you have to really grind.

1:42:31.439 --> 1:42:31.639
<v Speaker 7>Yeah.

1:42:32.000 --> 1:42:34.320
<v Speaker 2>And by the way, depending on your label, you gotta grind.

1:42:34.360 --> 1:42:39.680
<v Speaker 2>When you're on a major with no dispec major, there's

1:42:39.720 --> 1:42:43.439
<v Speaker 2>not The major labels are sometimes incompetent it sometimes their

1:42:43.520 --> 1:42:46.320
<v Speaker 2>workers are just people that's lucky to be there. And

1:42:46.400 --> 1:42:48.479
<v Speaker 2>it's also a lot of hookups. It's a lot. It's

1:42:48.479 --> 1:42:51.720
<v Speaker 2>a lot of like like, this guy doesn't deserve that

1:42:51.880 --> 1:42:55.680
<v Speaker 2>job that he has. His uncle hooked him up, so

1:42:55.720 --> 1:42:58.519
<v Speaker 2>he's fucking up. So you gotta you gotta grind hard

1:42:58.720 --> 1:43:01.559
<v Speaker 2>enough on the major. But if you for major spends

1:43:02.600 --> 1:43:05.760
<v Speaker 2>three to ten million dollars on you, they can't take

1:43:05.840 --> 1:43:08.320
<v Speaker 2>that back, right, So you need to get that back,

1:43:08.439 --> 1:43:10.960
<v Speaker 2>and then you need to be as much independent within

1:43:11.040 --> 1:43:13.120
<v Speaker 2>that major as possible. You know what I mean for

1:43:13.200 --> 1:43:14.920
<v Speaker 2>you to make it work. That's what you owe it.

1:43:15.000 --> 1:43:15.320
<v Speaker 2>You owe it.

1:43:15.400 --> 1:43:17.800
<v Speaker 6>Let's let's be clear. You owe it, and contractually you

1:43:17.880 --> 1:43:19.640
<v Speaker 6>got to get that money back and then you got to.

1:43:19.640 --> 1:43:19.960
<v Speaker 1>Go through it.

1:43:20.000 --> 1:43:22.240
<v Speaker 3>Well, actually, it's not even about contracts and moneys and

1:43:22.320 --> 1:43:26.960
<v Speaker 3>recoups at that stage. It's about visibility, right because guess what,

1:43:27.120 --> 1:43:29.200
<v Speaker 3>when you're out there and you're visible, the money gonna come.

1:43:29.400 --> 1:43:31.439
<v Speaker 3>You can work, especially when you're bring out great product, right,

1:43:31.800 --> 1:43:34.360
<v Speaker 3>But if you don't have the push and you're not visible,

1:43:34.600 --> 1:43:35.880
<v Speaker 3>I don't care how dope you shit is.

1:43:36.040 --> 1:43:38.760
<v Speaker 1>Nobody If nobody hears that, nobody can react to it. Right.

1:43:38.880 --> 1:43:41.640
<v Speaker 1>So this the money that they're putting in you that

1:43:41.760 --> 1:43:43.960
<v Speaker 1>gives you the exposure that you need to make money.

1:43:44.520 --> 1:43:47.080
<v Speaker 1>So yeah, they're recouping, but you also have an avenue

1:43:47.120 --> 1:43:49.880
<v Speaker 1>to make more money like music should. Also, your brand

1:43:50.000 --> 1:43:50.760
<v Speaker 1>is larger.

1:43:50.720 --> 1:43:52.080
<v Speaker 2>Right, your brand is larger.

1:43:52.280 --> 1:43:53.160
<v Speaker 1>Opportunities come.

1:43:53.400 --> 1:43:56.400
<v Speaker 3>There's revenue and the opportunities from a ubstantial of making

1:43:56.479 --> 1:43:58.960
<v Speaker 3>money that comes to you that the label don't share in.

1:43:59.640 --> 1:44:01.920
<v Speaker 6>So that's really the bad. But this is the thing,

1:44:02.000 --> 1:44:03.880
<v Speaker 6>this is what I'm always telling them. The percentage of

1:44:03.960 --> 1:44:06.639
<v Speaker 6>the people that are successful in that system are smaller.

1:44:06.960 --> 1:44:10.320
<v Speaker 6>So what I always advocate is be independent, to go

1:44:10.479 --> 1:44:12.360
<v Speaker 6>to a major and take advantage of a deal that

1:44:12.400 --> 1:44:15.560
<v Speaker 6>you could do with major because you're already independent, versus.

1:44:15.479 --> 1:44:18.479
<v Speaker 1>You go in the fresh. You're gonna be taking advantage

1:44:18.479 --> 1:44:20.280
<v Speaker 1>of fresh. You're gonna be on the shelf, right listen,

1:44:20.640 --> 1:44:23.120
<v Speaker 1>that's successful. It's small.

1:44:23.280 --> 1:44:28.600
<v Speaker 2>Absolutely. The greatest example the other day because you know,

1:44:28.880 --> 1:44:30.400
<v Speaker 2>like I said, I would going to Paris for my

1:44:30.560 --> 1:44:34.640
<v Speaker 2>wife's birthday, and I remember me going to Europe and

1:44:34.760 --> 1:44:38.479
<v Speaker 2>me being able to do a component Noriega show, a

1:44:38.720 --> 1:44:43.000
<v Speaker 2>Nori hosting, and then the Nori Latin show like all

1:44:43.080 --> 1:44:45.599
<v Speaker 2>in one day because I was I was three different

1:44:45.680 --> 1:44:47.439
<v Speaker 2>artists to these guys and they didn't see me but

1:44:47.560 --> 1:44:49.280
<v Speaker 2>I wouldn't been able to pull that off as an

1:44:49.280 --> 1:44:49.920
<v Speaker 2>independent art.

1:44:49.920 --> 1:44:51.680
<v Speaker 6>But you were in the heyday of the labels, of

1:44:51.760 --> 1:44:54.320
<v Speaker 6>the heyday of the industry, and you were you were

1:44:54.920 --> 1:44:55.760
<v Speaker 6>reggae Thrombow.

1:44:55.920 --> 1:44:58.120
<v Speaker 1>I know, but you that was what they came through,

1:44:58.160 --> 1:44:59.960
<v Speaker 1>the reggae thone hey day, but it wasn't hip hop.

1:45:00.479 --> 1:45:02.200
<v Speaker 6>No, but you still had what you were doing already

1:45:02.240 --> 1:45:05.240
<v Speaker 6>from the past. Yes, you had past hit single on

1:45:05.320 --> 1:45:06.960
<v Speaker 6>a major lader. I was trying to say, I'm just

1:45:07.000 --> 1:45:08.479
<v Speaker 6>saying that. It's what I'm trying to say, is you

1:45:08.600 --> 1:45:11.680
<v Speaker 6>are that percentage, that top percentage that did get through

1:45:12.160 --> 1:45:13.920
<v Speaker 6>and could take advantage of that major deal.

1:45:14.479 --> 1:45:16.320
<v Speaker 2>No, I think I took risk to be a part

1:45:16.360 --> 1:45:18.519
<v Speaker 2>of that Percentagecause you gotta remember, like even like when

1:45:18.560 --> 1:45:21.080
<v Speaker 2>I did, everyone laughed at me, included him, you know,

1:45:21.400 --> 1:45:26.519
<v Speaker 2>everyone was everyone laughed at as a Latino hip hop

1:45:26.600 --> 1:45:32.479
<v Speaker 2>headsprints and hip hop is him and Fat Joe and

1:45:32.520 --> 1:45:33.600
<v Speaker 2>they both was like, don't do that.

1:45:33.720 --> 1:45:33.960
<v Speaker 1>Ship.

1:45:34.640 --> 1:45:37.439
<v Speaker 2>I'm like, yo, what But at least years later they

1:45:37.520 --> 1:45:41.160
<v Speaker 2>was like, we were wrong. But you know, we got

1:45:41.280 --> 1:45:43.600
<v Speaker 2>to realize I had to go against the machine that

1:45:43.720 --> 1:45:45.840
<v Speaker 2>was actually going against the machine. When I brung the

1:45:45.920 --> 1:45:47.519
<v Speaker 2>record to depth. Jam I kid you not, this is

1:45:47.560 --> 1:45:49.639
<v Speaker 2>a real story. I burned the record to death.

1:45:49.720 --> 1:45:49.880
<v Speaker 7>Jam.

1:45:49.920 --> 1:45:54.120
<v Speaker 2>I was like, yo, I want to put this out.

1:45:54.680 --> 1:45:56.559
<v Speaker 2>And then they looked at they they laughed at me too.

1:45:56.600 --> 1:45:59.479
<v Speaker 2>They was like, you wonder what I was like, I

1:45:59.560 --> 1:46:05.840
<v Speaker 2>want to body and they looking at me like you're

1:46:06.000 --> 1:46:08.680
<v Speaker 2>a hip hop artist. They didn't know what reggae throne was.

1:46:09.120 --> 1:46:11.280
<v Speaker 2>I was like, yo, this is music in Puerto Rico.

1:46:11.720 --> 1:46:12.479
<v Speaker 1>I love that ship.

1:46:13.400 --> 1:46:15.200
<v Speaker 2>I love this ship. And they were like, they were

1:46:15.280 --> 1:46:20.120
<v Speaker 2>looking at me like this this is your Remember how

1:46:20.479 --> 1:46:23.720
<v Speaker 2>game gang Star? Gang Star did the jazz album, and

1:46:23.800 --> 1:46:28.480
<v Speaker 2>I remember good to the Jazz album. I could imagine

1:46:28.960 --> 1:46:32.640
<v Speaker 2>you know, you know it's it's Beyonce later on the

1:46:32.760 --> 1:46:37.519
<v Speaker 2>Spanish album so Many, But I was the first and

1:46:37.600 --> 1:46:40.280
<v Speaker 2>I'm looking at that and they like, because you know,

1:46:40.360 --> 1:46:42.360
<v Speaker 2>I got the war report. I made the war report.

1:46:42.720 --> 1:46:44.839
<v Speaker 2>And They're looking at me like this is the exact

1:46:46.000 --> 1:46:48.800
<v Speaker 2>But I'm like, I'm like, but I'm Puerto Rican, Like

1:46:48.920 --> 1:46:51.120
<v Speaker 2>why can should I be held to it? So I did,

1:46:51.240 --> 1:46:53.600
<v Speaker 2>like I said, I went against the masters. And it

1:46:53.680 --> 1:46:57.320
<v Speaker 2>went from this is this is a real story. Kevin

1:46:57.479 --> 1:47:01.000
<v Speaker 2>Laws is my boy, Kevin Lowles said, I said I'm

1:47:01.000 --> 1:47:03.640
<v Speaker 2>gonna take this record and I'm gonna give it to uh.

1:47:04.439 --> 1:47:06.760
<v Speaker 2>I will give it to just the Spanish DJs. So

1:47:06.920 --> 1:47:08.880
<v Speaker 2>I didn't even give it to no black DJs, no

1:47:09.000 --> 1:47:11.919
<v Speaker 2>white DJs. I gave it the DJ enough DJ Camillo,

1:47:12.760 --> 1:47:18.120
<v Speaker 2>Felly fat foun what's my other man, Julio g uh.

1:47:20.439 --> 1:47:22.000
<v Speaker 2>If it was just lat and I gave it to you,

1:47:22.000 --> 1:47:23.360
<v Speaker 2>I gave it to him. He ain't play that ship,

1:47:28.240 --> 1:47:32.920
<v Speaker 2>say I joking. He shouted on me in my face

1:47:32.960 --> 1:47:35.160
<v Speaker 2>though at least he too wave me though he said

1:47:35.200 --> 1:47:38.040
<v Speaker 2>in my face that Joe laughed in my face. So

1:47:38.240 --> 1:47:40.880
<v Speaker 2>then so the record, the record, I make it just

1:47:40.960 --> 1:47:43.760
<v Speaker 2>for a Porto parade. So this is three weeks before

1:47:43.800 --> 1:47:47.519
<v Speaker 2>the reporter parade and get five hundred spins. Didn't get

1:47:47.600 --> 1:47:51.840
<v Speaker 2>fifteen hundred spins, didn't get thirty five hundred spence did

1:47:51.920 --> 1:47:53.800
<v Speaker 2>they get? Wow, this is on his own.

1:47:53.920 --> 1:47:54.400
<v Speaker 1>That's a lot.

1:47:55.479 --> 1:47:57.680
<v Speaker 2>If you're a huge I ain't gonna lie one thing.

1:47:57.760 --> 1:48:01.760
<v Speaker 2>You gotta depend on lat thing you know is they Yeah,

1:48:02.200 --> 1:48:05.160
<v Speaker 2>that's what listen that record? You see that record, That's

1:48:05.240 --> 1:48:07.559
<v Speaker 2>all I was doing. I was catering to the Latin audience.

1:48:07.560 --> 1:48:09.120
<v Speaker 2>I was like, you want to fuck must support me.

1:48:09.200 --> 1:48:11.080
<v Speaker 2>They kicked me out of hip hop right now. They

1:48:11.200 --> 1:48:13.200
<v Speaker 2>kicking me out of hip hop for fucking with y'all.

1:48:13.680 --> 1:48:16.080
<v Speaker 2>Fucking with y'all, and the record became number one. I

1:48:16.120 --> 1:48:19.000
<v Speaker 2>had one hundred and forty million audience. I remember. I

1:48:19.160 --> 1:48:21.080
<v Speaker 2>remember l A Reed coming to me. It was like

1:48:22.280 --> 1:48:25.240
<v Speaker 2>you you you beat Mariah Carry this month. And I

1:48:25.240 --> 1:48:28.080
<v Speaker 2>didn't know what that meant, but I know what it meant. Yes,

1:48:28.120 --> 1:48:29.479
<v Speaker 2>I said that was shoot.

1:48:29.560 --> 1:48:33.240
<v Speaker 1>I said, holy mor biggest female artists on a planet.

1:48:33.720 --> 1:48:35.120
<v Speaker 2>And I'm gonna tell you something. This is the first

1:48:35.200 --> 1:48:38.000
<v Speaker 2>time I knew that New York had seven radio stations.

1:48:38.200 --> 1:48:40.760
<v Speaker 2>I had only knew about Hot ninety seven. I only

1:48:40.840 --> 1:48:43.120
<v Speaker 2>knew about Power one on five. I had nothing to

1:48:43.240 --> 1:48:45.599
<v Speaker 2>know about k T You. I never knew about mag

1:48:45.960 --> 1:48:49.880
<v Speaker 2>Bad GUYE I never I never knew about I never

1:48:49.960 --> 1:48:55.160
<v Speaker 2>knew about I'm doing radio now different, different, I'm on

1:48:55.439 --> 1:48:58.160
<v Speaker 2>pop like I'm on pop. The record was so big.

1:48:58.240 --> 1:49:01.400
<v Speaker 2>I remember me. The record was so big one time.

1:49:01.439 --> 1:49:03.400
<v Speaker 2>I remember me being the club and the dude just

1:49:03.439 --> 1:49:04.799
<v Speaker 2>bumping into me and gone.

1:49:07.280 --> 1:49:09.720
<v Speaker 1>Just looking at He's ice frilling me, singing me.

1:49:11.880 --> 1:49:17.519
<v Speaker 2>I just say, you a legend. No, but so I

1:49:17.600 --> 1:49:20.720
<v Speaker 2>say that to say, I said, to say, now, look

1:49:20.720 --> 1:49:24.040
<v Speaker 2>at the trifecta of that they go got the wrong

1:49:24.160 --> 1:49:28.479
<v Speaker 2>was originally on that record. They got it on and

1:49:28.600 --> 1:49:32.000
<v Speaker 2>Daddy Yankee took two different approaches. When Dago was on

1:49:32.120 --> 1:49:36.000
<v Speaker 2>the record, the record was spiked in just Latino community.

1:49:36.200 --> 1:49:39.880
<v Speaker 2>Daddy Yankee made a deal with Interschool Intersco said it's

1:49:39.920 --> 1:49:42.439
<v Speaker 2>in their best interest to help depth Caam blow him

1:49:42.520 --> 1:49:47.599
<v Speaker 2>up on my condo. And then and then and then

1:49:47.760 --> 1:49:51.479
<v Speaker 2>we helped them on Gasolina remakes and look how look

1:49:51.560 --> 1:49:54.360
<v Speaker 2>how because a two major. I'm not trying to get

1:49:54.400 --> 1:49:56.280
<v Speaker 2>you the course over your major side, but I'm just

1:49:57.439 --> 1:49:59.240
<v Speaker 2>I'm just give you a sam. No, I'm sorry, cause

1:49:59.240 --> 1:50:00.680
<v Speaker 2>I keep looking at you. I want you to think like,

1:50:00.840 --> 1:50:02.360
<v Speaker 2>but what I'm saying is, look, look look at that

1:50:03.160 --> 1:50:06.840
<v Speaker 2>had had had those because if you look at the two,

1:50:07.560 --> 1:50:10.479
<v Speaker 2>it's five of the major records that hit reggae throne. Right,

1:50:11.040 --> 1:50:14.520
<v Speaker 2>I believe it's reggae thro Latino. I believe it's Gasolina

1:50:15.200 --> 1:50:18.720
<v Speaker 2>And but you know you actually make it My point. No, No,

1:50:18.920 --> 1:50:21.840
<v Speaker 2>what I'm saying is if you do something independently improve it,

1:50:22.439 --> 1:50:24.759
<v Speaker 2>then it gives you more leverage and not in the machine.

1:50:24.760 --> 1:50:25.120
<v Speaker 1>I got you.

1:50:25.200 --> 1:50:27.240
<v Speaker 2>But what I'm saying for this, for this being like

1:50:27.400 --> 1:50:30.200
<v Speaker 2>so new, for it to be commercialized, for it to

1:50:30.240 --> 1:50:31.280
<v Speaker 2>get on MTV.

1:50:31.439 --> 1:50:32.920
<v Speaker 1>You couldn't have been independent for.

1:50:33.000 --> 1:50:35.000
<v Speaker 2>It to get on exactly but you.

1:50:35.120 --> 1:50:37.760
<v Speaker 1>But you started the buzz independently. Nobody believed in it,

1:50:37.840 --> 1:50:40.120
<v Speaker 1>right absolutely, that was my point.

1:50:40.320 --> 1:50:42.120
<v Speaker 2>Yeah, yeah, that's yeah, that's I'm trying to say.

1:50:42.120 --> 1:50:44.639
<v Speaker 3>It's like, but yeah, y'all, do know y'all both for right, yes, yes,

1:50:45.439 --> 1:50:50.440
<v Speaker 3>but at the time and when you was active, independent

1:50:50.600 --> 1:50:51.200
<v Speaker 3>was unheard of.

1:50:52.880 --> 1:50:53.040
<v Speaker 1>Work.

1:50:53.400 --> 1:50:54.720
<v Speaker 2>Yes, trust it would work.

1:50:54.720 --> 1:50:54.880
<v Speaker 1>It was.

1:50:55.320 --> 1:50:59.519
<v Speaker 3>But today independents are actually more effective than the majors

1:51:00.320 --> 1:51:03.519
<v Speaker 3>because of the new technologies and all the other you know, yeah,

1:51:03.880 --> 1:51:05.840
<v Speaker 3>and because of streaming, but all the resource that's been

1:51:05.920 --> 1:51:07.960
<v Speaker 3>created for the user.

1:51:08.200 --> 1:51:10.640
<v Speaker 6>Well, the thing is independent works depending on what you

1:51:10.760 --> 1:51:12.160
<v Speaker 6>want out of being independent.

1:51:12.360 --> 1:51:12.479
<v Speaker 1>Right.

1:51:12.640 --> 1:51:15.200
<v Speaker 6>If if someone's trying to be big and they want

1:51:15.240 --> 1:51:17.840
<v Speaker 6>to make certain kind of bread, maybe it wouldn't work.

1:51:17.920 --> 1:51:20.920
<v Speaker 6>But maybe someone wants more creative you know, luxuries to

1:51:20.920 --> 1:51:22.160
<v Speaker 6>be able to do whatever the fuck they want.

1:51:22.240 --> 1:51:23.760
<v Speaker 1>I mean, you give you that with a major as well.

1:51:24.080 --> 1:51:27.120
<v Speaker 3>The only difference is the audience knows the difference between

1:51:27.880 --> 1:51:31.120
<v Speaker 3>a major push and an independent push and it's just

1:51:31.280 --> 1:51:34.960
<v Speaker 3>unfortunate that today's audience now they rather support the underdog,

1:51:35.360 --> 1:51:38.240
<v Speaker 3>right well, they don't even know anymore because they know

1:51:38.680 --> 1:51:45.080
<v Speaker 3>they knew is when SoundCloud became what it was, because

1:51:45.120 --> 1:51:48.679
<v Speaker 3>that was the home of the underdogs. SoundCloud became where

1:51:48.680 --> 1:51:52.240
<v Speaker 3>all the majors started picking from, like all of.

1:51:52.320 --> 1:51:54.840
<v Speaker 1>Them, you know what I'm saying. And that's what they

1:51:54.880 --> 1:51:59.600
<v Speaker 1>stopped artists development. Now it's TikTok. I can't stand TikTok. Now, tiktoki.

1:52:00.360 --> 1:52:04.479
<v Speaker 2>I can't even I can't stand. I can't stand it, yo.

1:52:04.600 --> 1:52:09.120
<v Speaker 2>But let's talk about ring tones. Was that something that

1:52:09.240 --> 1:52:09.479
<v Speaker 2>that that?

1:52:09.680 --> 1:52:13.439
<v Speaker 6>Because that's crazy that that's like non existent really how

1:52:13.479 --> 1:52:14.000
<v Speaker 6>big it was.

1:52:14.479 --> 1:52:16.720
<v Speaker 2>But that was the first time. I don't know if

1:52:16.720 --> 1:52:19.439
<v Speaker 2>you've seen Snoop recently, Snoopers like, man, he was talking

1:52:19.479 --> 1:52:21.920
<v Speaker 2>to Larry Jackson. He's like, Larry Jackson's talking all this

1:52:22.000 --> 1:52:25.080
<v Speaker 2>crazy ship. But I'm priatephras and obviously, and he's like,

1:52:25.200 --> 1:52:27.639
<v Speaker 2>but us as artists, we don't even know how much

1:52:27.680 --> 1:52:31.120
<v Speaker 2>we get a stream. We don't really tell, you know,

1:52:31.320 --> 1:52:36.240
<v Speaker 2>but uh, how do you what?

1:52:37.320 --> 1:52:37.799
<v Speaker 1>Ringtones?

1:52:38.840 --> 1:52:41.920
<v Speaker 2>So Ringtones the first time I complain because I was

1:52:42.000 --> 1:52:43.960
<v Speaker 2>just like what the fuck is this ship? Like, why

1:52:44.040 --> 1:52:46.960
<v Speaker 2>is my ship platinum? And I'm not receiving nothing for it?

1:52:47.040 --> 1:52:50.519
<v Speaker 2>What I understood was it was going under electronical rights. Yeah,

1:52:51.160 --> 1:52:53.479
<v Speaker 2>you you you signed over your digital rights digital rights.

1:52:53.520 --> 1:52:55.280
<v Speaker 2>I didn't. I didn't know about that. That's what I

1:52:55.280 --> 1:52:55.799
<v Speaker 2>don't think.

1:52:57.640 --> 1:53:00.280
<v Speaker 1>It wasn't You heard it too to it.

1:53:00.560 --> 1:53:02.040
<v Speaker 2>But it wasn't there that the word.

1:53:01.920 --> 1:53:04.160
<v Speaker 3>Digital wasn't it At the time when when you signed

1:53:04.200 --> 1:53:07.519
<v Speaker 3>your original contract, it was that language wasn't there. But

1:53:07.640 --> 1:53:10.960
<v Speaker 3>at the second time, when they renegotiated a little bit

1:53:11.000 --> 1:53:11.639
<v Speaker 3>more money.

1:53:11.960 --> 1:53:13.679
<v Speaker 2>You ain't even care what that was. You just wanted

1:53:13.720 --> 1:53:19.280
<v Speaker 2>that money. Yeah, I got a I got this clearly

1:53:19.360 --> 1:53:22.080
<v Speaker 2>said digital right. No, I got disagree. I don't think

1:53:22.120 --> 1:53:23.000
<v Speaker 2>it was dead. I don't think it was.

1:53:23.320 --> 1:53:26.800
<v Speaker 3>I promise you where year was that this was? Well, well,

1:53:27.920 --> 1:53:30.479
<v Speaker 3>any year, any year after two thousand and six.

1:53:31.000 --> 1:53:35.200
<v Speaker 1>Yeah no, no, no, no, wait, because they changed they

1:53:35.320 --> 1:53:38.320
<v Speaker 1>changed the language in two thousand and four. Okay, okay,

1:53:39.040 --> 1:53:40.960
<v Speaker 1>most people ain't start catching to two thousand and six.

1:53:41.360 --> 1:53:42.439
<v Speaker 2>That's probably when I caught it.

1:53:43.320 --> 1:53:46.280
<v Speaker 3>You caught chosen you're on the renegotiation. That's where a

1:53:46.360 --> 1:53:48.559
<v Speaker 3>lot of people got hit. Okay, that's where a lot

1:53:48.560 --> 1:53:51.040
<v Speaker 3>of people got hit. See what what made me a

1:53:51.080 --> 1:53:54.599
<v Speaker 3>little bit different was I was a businessman first, right,

1:53:55.160 --> 1:53:57.960
<v Speaker 3>and then when we and it started because s r

1:53:58.080 --> 1:54:00.800
<v Speaker 3>C was a little bit slow on so in situations too,

1:54:00.840 --> 1:54:02.280
<v Speaker 3>because they had a boutique label.

1:54:02.720 --> 1:54:04.600
<v Speaker 1>They were just distributed by major.

1:54:04.720 --> 1:54:07.200
<v Speaker 3>So it gave me more time to understand what was

1:54:07.240 --> 1:54:09.280
<v Speaker 3>going on, understand the business a little bit more because

1:54:09.280 --> 1:54:10.439
<v Speaker 3>Steve Riffins was wide open.

1:54:10.520 --> 1:54:13.040
<v Speaker 1>He was very transparent about it's work, right.

1:54:13.200 --> 1:54:17.160
<v Speaker 3>So God, So I'm looking at how much singles were selling,

1:54:17.600 --> 1:54:20.840
<v Speaker 3>but then the ring tones everywhere I go. I would

1:54:20.880 --> 1:54:25.720
<v Speaker 3>hear songs on people's phones and I say, yo, how much?

1:54:25.920 --> 1:54:27.880
<v Speaker 3>Like how much is that that you're paying for? They

1:54:27.920 --> 1:54:33.080
<v Speaker 3>said fort ninety nine. I said, damn, that's for like

1:54:33.120 --> 1:54:36.200
<v Speaker 3>a couple of seconds fort ninety nine and were selling

1:54:36.240 --> 1:54:38.320
<v Speaker 3>singles for one ninety nine for four minutes.

1:54:39.440 --> 1:54:41.520
<v Speaker 1>I said, wait, hold on, this is different. How much?

1:54:41.600 --> 1:54:42.760
<v Speaker 1>Let me find out how much I'm getting.

1:54:42.800 --> 1:54:45.200
<v Speaker 3>So I call my turn I say, yo, how much

1:54:45.240 --> 1:54:47.760
<v Speaker 3>do I make from those ringtones if somebody use my phone?

1:54:48.000 --> 1:54:50.960
<v Speaker 3>He said, well, let me check your contract. He said, oh, well,

1:54:51.240 --> 1:54:52.920
<v Speaker 3>I don't know, it's not in your contract. I said,

1:54:53.000 --> 1:54:54.720
<v Speaker 3>what do you mean, it's not in my contract. He said,

1:54:54.760 --> 1:54:57.320
<v Speaker 3>it's not in here. It says nothing about ringtone sells

1:54:57.360 --> 1:55:01.200
<v Speaker 3>anything digital. So that that stuff with me. So then

1:55:01.720 --> 1:55:05.800
<v Speaker 3>I started making music. Specifically, put the phone because it's

1:55:05.880 --> 1:55:09.960
<v Speaker 3>four ninety nine for a few seconds. Any basic businessman,

1:55:10.000 --> 1:55:11.320
<v Speaker 3>I tell you that's where the money is.

1:55:12.560 --> 1:55:15.720
<v Speaker 1>So every song that we was releasing was very ring

1:55:15.840 --> 1:55:19.280
<v Speaker 1>tone friendly, especially mister Lonely Right.

1:55:19.560 --> 1:55:22.280
<v Speaker 2>So then we put that thing original TikTok boom.

1:55:22.400 --> 1:55:23.440
<v Speaker 1>It is definitely good.

1:55:24.040 --> 1:55:27.920
<v Speaker 2>Describe it, yes, right now, you know what I'm saying.

1:55:28.080 --> 1:55:30.040
<v Speaker 3>So then we put the records out, but we would

1:55:30.040 --> 1:55:32.200
<v Speaker 3>always make ring tone versions, chop them up into the

1:55:32.640 --> 1:55:33.920
<v Speaker 3>different parts of the song we chopped.

1:55:33.960 --> 1:55:35.880
<v Speaker 1>That was like my main focus. I didn't care about

1:55:35.920 --> 1:55:37.920
<v Speaker 1>the singles and we just focused on the folks.

1:55:37.920 --> 1:55:40.200
<v Speaker 3>Every record I produced, I made sure it's ringtone friendly,

1:55:40.200 --> 1:55:43.480
<v Speaker 3>pup and before you know it, bro we was making

1:55:43.600 --> 1:55:45.040
<v Speaker 3>so much on ring tones.

1:55:45.320 --> 1:55:47.240
<v Speaker 1>But it was money sitting in the pipeline.

1:55:47.640 --> 1:55:48.520
<v Speaker 2>You had to go claim it.

1:55:49.200 --> 1:55:52.400
<v Speaker 1>Yes, And they think I ain't know, but I knew

1:55:53.480 --> 1:55:56.120
<v Speaker 1>because they don't know that I knew. So I'm just

1:55:56.240 --> 1:55:59.400
<v Speaker 1>letting the pile up. Letting the pile up. Renegotiation came.

1:56:01.680 --> 1:56:05.959
<v Speaker 2>Nigga, I gotta put it down female a city.

1:56:09.720 --> 1:56:13.080
<v Speaker 1>Boy. They tried to split that digital language, and I said,

1:56:16.160 --> 1:56:19.320
<v Speaker 1>that's a separate deal all together. I advanced for the

1:56:19.400 --> 1:56:22.000
<v Speaker 1>digital side because I bro At that time, I was

1:56:22.040 --> 1:56:23.760
<v Speaker 1>in a Guinness Book of World Records for the most

1:56:23.840 --> 1:56:28.720
<v Speaker 1>ring tone sold ever, I mean, above Elvis Presley, Michael Jackson,

1:56:29.040 --> 1:56:33.760
<v Speaker 1>any catalog beetles. It didn't matter. We trumped everybody. So

1:56:33.880 --> 1:56:37.200
<v Speaker 1>we just waited and you made a separate deal. First,

1:56:38.000 --> 1:56:39.480
<v Speaker 1>digital was a whole nother deal. They had nothing to

1:56:39.480 --> 1:56:42.600
<v Speaker 1>do it and lot sales and tapes and CDs. This

1:56:42.760 --> 1:56:44.480
<v Speaker 1>is digital's hold us something. We don't even know what

1:56:44.560 --> 1:56:46.640
<v Speaker 1>this is yet, you know what I'm saying. And that's

1:56:46.680 --> 1:56:50.680
<v Speaker 1>where ringtos first fell on the exactly anything.

1:56:50.720 --> 1:56:52.400
<v Speaker 2>I'm like, digital's too broad.

1:56:52.920 --> 1:56:56.280
<v Speaker 1>Let's break that down, like what you meant?

1:56:56.680 --> 1:56:59.000
<v Speaker 2>You know, Yeah, it's too broad.

1:56:59.360 --> 1:57:01.080
<v Speaker 1>And these contras do that to you because they can,

1:57:01.160 --> 1:57:03.520
<v Speaker 1>they can actually win because it actually literally is and

1:57:03.600 --> 1:57:06.440
<v Speaker 1>they counting on you not really reading the contract, they

1:57:06.560 --> 1:57:08.040
<v Speaker 1>counting on you not understanding it.

1:57:08.520 --> 1:57:11.320
<v Speaker 3>But what's interesting is even the attorneys at that time

1:57:11.720 --> 1:57:14.640
<v Speaker 3>didn't really understand it because those guys are just guys

1:57:14.720 --> 1:57:17.920
<v Speaker 3>sitting in the office. But I was always a tech tech.

1:57:18.040 --> 1:57:19.960
<v Speaker 3>I was just always tech. I was always ahead of text.

1:57:20.000 --> 1:57:21.600
<v Speaker 3>This is some of our tech that I just I was.

1:57:21.640 --> 1:57:23.400
<v Speaker 3>I just always loved you know what I'm saying. So

1:57:23.760 --> 1:57:26.240
<v Speaker 3>the word digital mad, I knew exactly what that meant.

1:57:26.320 --> 1:57:28.880
<v Speaker 3>But I also knew where the world was going. And

1:57:28.960 --> 1:57:30.760
<v Speaker 3>I just ain't want nothing to come and you know,

1:57:31.000 --> 1:57:32.760
<v Speaker 3>and I want to be a part of everything. So

1:57:32.840 --> 1:57:35.400
<v Speaker 3>I said, no, let's let's define what this is specifically,

1:57:35.680 --> 1:57:38.560
<v Speaker 3>so if some a new technology come, we can define

1:57:38.640 --> 1:57:39.840
<v Speaker 3>that as it comes.

1:57:39.560 --> 1:57:40.080
<v Speaker 1>You know what I'm saying.

1:57:40.240 --> 1:57:42.200
<v Speaker 2>So was iTunes back then?

1:57:42.400 --> 1:57:42.440
<v Speaker 4>No?

1:57:42.600 --> 1:57:47.120
<v Speaker 3>iTunes At that time they was fighting against Napster least

1:57:47.120 --> 1:57:47.800
<v Speaker 3>the ship for free.

1:57:50.520 --> 1:57:54.720
<v Speaker 1>Yeah, Nash is the beginning of streaming. Honestly, they the

1:57:54.800 --> 1:57:57.400
<v Speaker 1>godfather in the stream. I put that and they said

1:57:57.440 --> 1:57:59.720
<v Speaker 1>that music was going to be free for all. They

1:57:59.760 --> 1:58:04.160
<v Speaker 1>could not understanding. Look at today. I remember when I

1:58:04.200 --> 1:58:06.360
<v Speaker 1>went on down Stock, I cried. They had all my

1:58:06.440 --> 1:58:07.040
<v Speaker 1>shit on there.

1:58:07.080 --> 1:58:10.880
<v Speaker 2>I was like, oh, it's like, oh my god, what

1:58:10.960 --> 1:58:12.640
<v Speaker 2>do you do? What do you playing to?

1:58:12.960 --> 1:58:13.080
<v Speaker 7>Right?

1:58:13.240 --> 1:58:13.280
<v Speaker 4>Like?

1:58:13.400 --> 1:58:15.560
<v Speaker 2>Because I don't be one people who listen to myself

1:58:15.640 --> 1:58:16.640
<v Speaker 2>for free? Fuck that.

1:58:16.960 --> 1:58:21.000
<v Speaker 6>Fuck them fighting the bootleggings. You're beating up the poor bootlegs.

1:58:24.640 --> 1:58:28.000
<v Speaker 6>Let's go on, what are you doing here? Okay, So

1:58:28.200 --> 1:58:30.680
<v Speaker 6>in the vein of seeing the future and the technology,

1:58:30.720 --> 1:58:31.960
<v Speaker 6>what are you thinking now about AI?

1:58:32.280 --> 1:58:34.560
<v Speaker 1>What's that? Where is that going for? It is dangerous? Yes,

1:58:35.160 --> 1:58:37.520
<v Speaker 1>it's dangerous. Can do a whole album with you. You

1:58:37.560 --> 1:58:40.600
<v Speaker 1>ain't even gotta be there. I mean there's a lot

1:58:40.640 --> 1:58:41.680
<v Speaker 1>of different aspects to it.

1:58:41.800 --> 1:58:43.680
<v Speaker 3>Yeah, that's not Yeah, that's not the part of scares

1:58:43.680 --> 1:58:45.200
<v Speaker 3>me because, like I told you, when I look at

1:58:45.480 --> 1:58:49.120
<v Speaker 3>I'm thinking about twenty five years from now, AI has

1:58:49.240 --> 1:58:51.480
<v Speaker 3>created It's almost like you know how they got the

1:58:51.520 --> 1:58:54.600
<v Speaker 3>saying that everything you see in the movies eventually happens.

1:58:55.560 --> 1:59:00.160
<v Speaker 1>It's actually very true. Robot everything very matrix terminated. Let

1:59:00.200 --> 1:59:02.920
<v Speaker 1>me play how let me play how I robot?

1:59:03.160 --> 1:59:06.600
<v Speaker 3>And this actually relates. Okay, we're talking about AI. This

1:59:06.720 --> 1:59:07.680
<v Speaker 3>is machine learning.

1:59:07.960 --> 1:59:08.120
<v Speaker 1>Yep.

1:59:08.640 --> 1:59:10.839
<v Speaker 3>The problem with about the problem with us is humans.

1:59:11.880 --> 1:59:15.880
<v Speaker 3>We are just very arrogant and we're super greedy. It's

1:59:15.960 --> 1:59:18.040
<v Speaker 3>never enough for us. It always got to be more.

1:59:18.560 --> 1:59:20.919
<v Speaker 3>We always want more. Right as if right now world.

1:59:20.840 --> 1:59:22.440
<v Speaker 1>Amazing that we just ain't satisfied.

1:59:22.720 --> 1:59:25.920
<v Speaker 2>We just got to build better, right, Why let me

1:59:26.000 --> 1:59:26.720
<v Speaker 2>play with with with.

1:59:26.880 --> 1:59:29.360
<v Speaker 1>With machines or computers.

1:59:29.400 --> 1:59:33.880
<v Speaker 3>For instance, when you build a computer that can teach

1:59:33.920 --> 1:59:38.560
<v Speaker 3>itself to teach yourself, computers already smarter than we are.

1:59:38.760 --> 1:59:41.560
<v Speaker 1>Right, right, because of the computing power, how fast they

1:59:41.600 --> 1:59:44.280
<v Speaker 1>can right, computer is already smarter than us.

1:59:44.320 --> 1:59:46.400
<v Speaker 3>This is the process, right, So now imagine when the

1:59:46.560 --> 1:59:48.160
<v Speaker 3>when the when the computer.

1:59:47.960 --> 1:59:49.480
<v Speaker 1>Itself can teach itself.

1:59:50.480 --> 1:59:52.920
<v Speaker 3>What happens is it'll start teaching itself things that we

1:59:53.080 --> 1:59:54.120
<v Speaker 3>can't uncold.

1:59:55.360 --> 1:59:58.440
<v Speaker 1>Could we code itself. It's thank you, it'll code itself.

1:59:58.600 --> 2:00:00.920
<v Speaker 1>You can't control with the coldes because depending on the

2:00:01.040 --> 2:00:05.320
<v Speaker 1>original programmer, whether he's thinking positive or negative, whether it's

2:00:05.320 --> 2:00:07.840
<v Speaker 1>someone that want to change the world or destroy the world.

2:00:08.240 --> 2:00:10.600
<v Speaker 3>That's where it becomes complicated, because if you find somebody

2:00:10.680 --> 2:00:13.880
<v Speaker 3>that's creating situations that's in his best interest, and he

2:00:14.000 --> 2:00:15.160
<v Speaker 3>may just be smart.

2:00:14.960 --> 2:00:17.720
<v Speaker 1>Enough to crowd something that's gonna continue to you know,

2:00:18.200 --> 2:00:23.160
<v Speaker 1>like teach yourself to a certain level. Then computers become

2:00:23.400 --> 2:00:23.800
<v Speaker 1>a threat.

2:00:23.880 --> 2:00:28.800
<v Speaker 3>Let's say hypothetically, computers in the security sector. Everything is

2:00:28.840 --> 2:00:31.600
<v Speaker 3>a threat to the computer. It doesn't know that you're

2:00:31.600 --> 2:00:35.640
<v Speaker 3>approaching me with good intentions. It just knows that you're

2:00:35.680 --> 2:00:38.360
<v Speaker 3>walking up on me with a gun on your you know,

2:00:38.480 --> 2:00:41.400
<v Speaker 3>on your waist, and your hot and your blood pressure

2:00:41.680 --> 2:00:44.440
<v Speaker 3>is spiked up, maybe just because you just take blood

2:00:44.440 --> 2:00:45.200
<v Speaker 3>pressure medicine.

2:00:46.440 --> 2:00:46.560
<v Speaker 1>Right.

2:00:46.840 --> 2:00:48.520
<v Speaker 3>The first thing is going to happen is and that's

2:00:48.560 --> 2:00:52.000
<v Speaker 3>what's happening. They're using machines for weapon. But in order

2:00:52.080 --> 2:00:53.520
<v Speaker 3>to make a weapon, you also got to make something

2:00:53.560 --> 2:00:57.000
<v Speaker 3>that's gonna protect. Right, So what's gonna happen is everybody

2:00:57.080 --> 2:01:02.200
<v Speaker 3>that's actually against AI comes a threat now, so guess

2:01:02.240 --> 2:01:04.960
<v Speaker 3>what they have to create machines to protect us from

2:01:05.080 --> 2:01:11.280
<v Speaker 3>those who are against it, right, imagine that. Right, let's

2:01:11.280 --> 2:01:13.400
<v Speaker 3>just say we don't want man, we're not for that. Okay,

2:01:13.440 --> 2:01:16.440
<v Speaker 3>we're already on record. They know where we live, they

2:01:16.520 --> 2:01:18.879
<v Speaker 3>know where we at all times. They have all our information,

2:01:19.080 --> 2:01:21.440
<v Speaker 3>all our data, meta data, everything about us. They know,

2:01:21.600 --> 2:01:23.920
<v Speaker 3>bro all just trying to figure out if you getting tapped. Yes, nigga,

2:01:23.960 --> 2:01:27.080
<v Speaker 3>you are, bottom line, they know everything. That's how AI

2:01:27.200 --> 2:01:29.640
<v Speaker 3>is even existing the day with all this information. Right,

2:01:29.800 --> 2:01:32.200
<v Speaker 3>so now they know that we're against AI, so called

2:01:32.240 --> 2:01:35.040
<v Speaker 3>against AI, we're already a threat to the system. So

2:01:35.200 --> 2:01:38.840
<v Speaker 3>now those machines are watching us, checking for us. The

2:01:38.960 --> 2:01:41.080
<v Speaker 3>moment we make a move that feels that it's a

2:01:41.120 --> 2:01:43.520
<v Speaker 3>threat to the whole situation, we are terminated.

2:01:43.840 --> 2:01:46.600
<v Speaker 6>And it can calculate your moves because they get and say, okay,

2:01:46.640 --> 2:01:46.800
<v Speaker 6>this is.

2:01:46.800 --> 2:01:51.240
<v Speaker 3>Probably thing, So now let's take it further. Right, they

2:01:51.280 --> 2:01:54.640
<v Speaker 3>didn't already dealt with the ones that's against it. Now

2:01:54.720 --> 2:01:56.440
<v Speaker 3>the ones that's against it got families.

2:01:56.920 --> 2:01:58.200
<v Speaker 2>They go against them too.

2:01:58.640 --> 2:02:00.520
<v Speaker 1>Now they're against it. It's just a matter of time

2:02:00.560 --> 2:02:03.000
<v Speaker 1>before those machines turn from protecting.

2:02:02.640 --> 2:02:03.920
<v Speaker 2>Us to go in after us.

2:02:05.360 --> 2:02:07.920
<v Speaker 1>I mean, it may not happen like this, but it's

2:02:08.000 --> 2:02:10.160
<v Speaker 1>just a matter of time because the more the machines

2:02:10.200 --> 2:02:13.640
<v Speaker 1>get smarter they become, they become what takes control of everything.

2:02:13.920 --> 2:02:16.839
<v Speaker 1>Guess how many jobs are gonna get lost? Yep, millions

2:02:16.880 --> 2:02:17.240
<v Speaker 1>of jobs.

2:02:17.280 --> 2:02:19.520
<v Speaker 2>I already seen the garbage truck with no garbage men.

2:02:19.640 --> 2:02:21.440
<v Speaker 1>Now we take it even a step further. So the

2:02:21.520 --> 2:02:24.080
<v Speaker 1>people that lost millions of jobs right, ain't got no

2:02:24.160 --> 2:02:25.520
<v Speaker 1>way to feed their family. What they're gonna do.

2:02:25.560 --> 2:02:26.960
<v Speaker 3>They're gonna turn to the street to turn it some

2:02:28.000 --> 2:02:30.440
<v Speaker 3>against their own nature to feed their families.

2:02:30.800 --> 2:02:32.360
<v Speaker 1>So now they've become the outlaw.

2:02:32.960 --> 2:02:35.000
<v Speaker 3>And guess why I got to get protected from the machines,

2:02:35.040 --> 2:02:37.320
<v Speaker 3>not have to protect those outlaws that lost all their

2:02:37.400 --> 2:02:40.000
<v Speaker 3>jobs because of the machines to feed their families, and

2:02:40.080 --> 2:02:42.000
<v Speaker 3>they become a threat and before you know it, some

2:02:42.160 --> 2:02:43.040
<v Speaker 3>tragic's gonna happen.

2:02:43.080 --> 2:02:45.720
<v Speaker 1>It's just a matter of time before we kill ourselves. Yeah,

2:02:45.720 --> 2:02:47.480
<v Speaker 1>I mean, it's not really far and that's just going

2:02:47.600 --> 2:02:48.280
<v Speaker 1>that way. What it could do.

2:02:48.320 --> 2:02:50.280
<v Speaker 6>I mean it could be as simple as AI is

2:02:50.320 --> 2:02:54.000
<v Speaker 6>created to protect the environment. Who's the worst person against

2:02:54.000 --> 2:02:54.560
<v Speaker 6>the environment.

2:02:54.720 --> 2:02:55.600
<v Speaker 1>It's the human things.

2:02:55.680 --> 2:02:58.200
<v Speaker 2>And then the says the humans the problem because we

2:02:58.320 --> 2:03:01.200
<v Speaker 2>are humans controlling the a I don't know, we.

2:03:03.320 --> 2:03:06.360
<v Speaker 1>Are always doing so. It's this is why it is dangerous.

2:03:06.600 --> 2:03:09.720
<v Speaker 1>One like this is why is dangerous? Wizard behind this

2:03:10.040 --> 2:03:13.840
<v Speaker 1>was dangerous? Nobody who controlling this is? We created it

2:03:14.800 --> 2:03:20.240
<v Speaker 1>to teach and control itself. It's intelligence, artificial intelligence. It

2:03:20.360 --> 2:03:20.720
<v Speaker 1>teaches it.

2:03:21.160 --> 2:03:24.120
<v Speaker 3>There's there's no there's no senses of it. It doesn't

2:03:24.120 --> 2:03:25.879
<v Speaker 3>have feeling, it doesn't have emotion.

2:03:26.480 --> 2:03:29.160
<v Speaker 2>It does a big like place somewhere where we like,

2:03:29.320 --> 2:03:30.160
<v Speaker 2>as did.

2:03:31.760 --> 2:03:35.640
<v Speaker 6>Multiple companies and governments, like he said, there's multiple entities

2:03:36.040 --> 2:03:38.680
<v Speaker 6>doing it in their own way however they want, right,

2:03:38.760 --> 2:03:40.440
<v Speaker 6>But there's there was an AI that taught itself in

2:03:40.520 --> 2:03:43.839
<v Speaker 6>a language that was never programmed to even learn a language,

2:03:45.480 --> 2:03:47.720
<v Speaker 6>tought itself banglades Bangladeshi or whatever.

2:03:47.640 --> 2:03:56.840
<v Speaker 1>The name of the languages, but you know, Banglo, Banglanese, whatever, but.

2:03:56.880 --> 2:03:58.120
<v Speaker 2>I thought itself a language.

2:03:58.160 --> 2:04:01.520
<v Speaker 6>But that's wild that a computer taught itself a language

2:04:01.640 --> 2:04:03.600
<v Speaker 6>without being programmed to do that, right.

2:04:04.040 --> 2:04:06.040
<v Speaker 3>The problem is we can't control it once it gets

2:04:06.040 --> 2:04:08.200
<v Speaker 3>to the point of teaching itself, right, because when it

2:04:08.240 --> 2:04:09.480
<v Speaker 3>starts to teach yourself, it acts on.

2:04:09.520 --> 2:04:10.320
<v Speaker 1>What it teaches itself.

2:04:11.280 --> 2:04:13.880
<v Speaker 3>So yeah, you can turn it off, all right, cool,

2:04:13.920 --> 2:04:15.560
<v Speaker 3>But there's a million other ones that's open right now

2:04:15.600 --> 2:04:17.840
<v Speaker 3>that's still plugged in then when they are But you

2:04:17.880 --> 2:04:20.000
<v Speaker 3>used to have a big database in every part of

2:04:20.040 --> 2:04:22.440
<v Speaker 3>the world because they always got separate database in case

2:04:22.480 --> 2:04:24.440
<v Speaker 3>one go wrong and one get bombed or whatever. But

2:04:24.560 --> 2:04:28.480
<v Speaker 3>we're just talking just basic analogies' hypotheticals. But now we're

2:04:28.480 --> 2:04:31.000
<v Speaker 3>talking about war because really AI is really to gain

2:04:31.080 --> 2:04:33.400
<v Speaker 3>knowledge and be able to gain positioning when it comes

2:04:33.400 --> 2:04:36.560
<v Speaker 3>to war, threat from other countries and other foreign nations

2:04:36.600 --> 2:04:37.600
<v Speaker 3>and whatever the case may be.

2:04:38.040 --> 2:04:40.240
<v Speaker 1>But the problem is the world is living on fear.

2:04:40.840 --> 2:04:41.720
<v Speaker 1>Right as long as we.

2:04:41.800 --> 2:04:42.280
<v Speaker 2>Living on fear.

2:04:42.320 --> 2:04:44.400
<v Speaker 1>Everything is a threat. So as long as everything's a threat,

2:04:44.480 --> 2:04:46.720
<v Speaker 1>nobody's safe. That's the problem.

2:04:46.880 --> 2:04:49.800
<v Speaker 2>There's an arm race, arms race to create app Every

2:04:49.840 --> 2:04:50.560
<v Speaker 2>government is doing it.

2:04:50.600 --> 2:04:52.840
<v Speaker 3>Everybody's doing it just but they're doing it to use

2:04:52.880 --> 2:04:55.080
<v Speaker 3>it as a weapon though. That's what's dangerous. That's the

2:04:55.080 --> 2:04:55.720
<v Speaker 3>scarier part.

2:04:56.200 --> 2:04:58.400
<v Speaker 2>I thought they was doing it just to use Biggie and.

2:04:58.400 --> 2:05:03.360
<v Speaker 6>Prodigy versus you ain't hear Ice Cube Ice said, he said,

2:05:03.760 --> 2:05:06.320
<v Speaker 6>is the mark? He said, you used my voice. I'm

2:05:06.320 --> 2:05:07.680
<v Speaker 6>showing you in any platform.

2:05:07.360 --> 2:05:12.840
<v Speaker 2>To post it. And I and I agree, that's music

2:05:13.000 --> 2:05:15.560
<v Speaker 2>is actually was the biggest threat. I'm like, you got

2:05:16.000 --> 2:05:17.920
<v Speaker 2>your own Biggie boy. I mean, if you're talking about

2:05:18.680 --> 2:05:23.000
<v Speaker 2>that's you're thinking for music, for musical, You're right, it's

2:05:23.080 --> 2:05:25.520
<v Speaker 2>endless things. I heard. I heard Biggie spit in New

2:05:25.600 --> 2:05:27.480
<v Speaker 2>York state of mind. I said, wait a minute, that's

2:05:27.560 --> 2:05:28.480
<v Speaker 2>not But what you.

2:05:28.520 --> 2:05:30.520
<v Speaker 6>Got to worry about is when Nori is calling the

2:05:30.560 --> 2:05:32.680
<v Speaker 6>police and say I admit to this crime. That's what

2:05:32.760 --> 2:05:37.120
<v Speaker 6>you gotta worry about. That's what the everyday person's voice being.

2:05:37.120 --> 2:05:39.800
<v Speaker 1>Used, right, and that could be done by your baby mama.

2:05:39.840 --> 2:05:40.320
<v Speaker 2>I don't like you.

2:05:41.680 --> 2:05:49.320
<v Speaker 1>I'm glad that one knows me because you got like

2:05:49.400 --> 2:05:53.440
<v Speaker 1>nine wives. Right, no comments, you said it last time,

2:05:53.960 --> 2:05:58.760
<v Speaker 1>no comment, you wind that back. I learned my lesson.

2:06:13.320 --> 2:06:16.880
<v Speaker 2>That's like more making the record or performing it.

2:06:17.920 --> 2:06:18.640
<v Speaker 1>That's yeah, me.

2:06:18.800 --> 2:06:21.840
<v Speaker 3>I like both, man, Yeah, I like both because it's

2:06:21.920 --> 2:06:25.040
<v Speaker 3>nothing like making the record and creating something and you're like, Dann,

2:06:25.080 --> 2:06:26.960
<v Speaker 3>this is crazy. But then when you see how other

2:06:27.000 --> 2:06:30.880
<v Speaker 3>people are reacting to it, that that's that's the only

2:06:30.960 --> 2:06:31.840
<v Speaker 3>high experience really.

2:06:32.560 --> 2:06:38.240
<v Speaker 1>Yeah, so both, Yeah, definitely place to perform Africa, Africa,

2:06:38.440 --> 2:06:43.040
<v Speaker 1>Yeah or Africa, it don't matter. Africa is always crazy. Wow,

2:06:43.400 --> 2:06:47.840
<v Speaker 1>always crazy. India always crazy India. India is always crazy.

2:06:47.920 --> 2:06:52.960
<v Speaker 2>Mumbai, Mumbai, mum by m bye. You don't have to

2:06:53.080 --> 2:07:02.400
<v Speaker 2>use your your eyebrows to say about man.

2:07:03.000 --> 2:07:05.560
<v Speaker 1>Man what riga again?

2:07:09.680 --> 2:07:10.800
<v Speaker 2>Yeah?

2:07:11.360 --> 2:07:13.040
<v Speaker 7>Rather loud you go.

2:07:13.200 --> 2:07:25.800
<v Speaker 3>Viral and Mumbai Now so what that's the nucleus boy?

2:07:25.920 --> 2:07:28.760
<v Speaker 3>Without that man, that'd be no acon by. So let

2:07:28.800 --> 2:07:32.200
<v Speaker 3>me ask you, he's a slap Steve be like, YO,

2:07:32.480 --> 2:07:34.080
<v Speaker 3>treat him good. That's my African.

2:07:40.360 --> 2:07:42.760
<v Speaker 2>Let me ask you right, like, are you in the

2:07:42.880 --> 2:07:45.360
<v Speaker 2>cars like I used to be? Because I used to be.

2:07:45.440 --> 2:07:47.360
<v Speaker 2>I nearly told he was in the cars I used

2:07:47.360 --> 2:07:49.320
<v Speaker 2>to have like twenty cars at one time.

2:07:49.320 --> 2:07:52.600
<v Speaker 1>Thirty five cars. That's the legit side, though, is the

2:07:52.680 --> 2:07:53.400
<v Speaker 1>ones that you get.

2:07:55.800 --> 2:07:56.880
<v Speaker 2>I'm talking about legal.

2:07:57.760 --> 2:08:02.160
<v Speaker 1>Yeah, I was thirty All was white, white interior, every

2:08:02.240 --> 2:08:07.000
<v Speaker 1>last huh. I mean it does comes from the mother

2:08:07.160 --> 2:08:15.200
<v Speaker 1>lamb bro he was, he was, so they all was white,

2:08:15.520 --> 2:08:17.600
<v Speaker 1>white interior, white interia, white exterior.

2:08:17.680 --> 2:08:20.160
<v Speaker 2>So you never smoked the ship. They trying to get

2:08:20.200 --> 2:08:27.280
<v Speaker 2>me up out of here. Wrap it up, independent, puppy.

2:08:27.600 --> 2:08:30.720
<v Speaker 2>You know you want to come over here, party, be

2:08:30.800 --> 2:08:31.160
<v Speaker 2>over here.

2:08:31.280 --> 2:08:33.440
<v Speaker 1>Party. You're just talking about this record?

2:08:34.440 --> 2:08:36.680
<v Speaker 2>So so damn And what are you in the muscle

2:08:36.760 --> 2:08:37.640
<v Speaker 2>cars now?

2:08:37.920 --> 2:08:41.600
<v Speaker 1>At the time, I was into more sports cars, Supercarsmborghini.

2:08:42.800 --> 2:08:47.040
<v Speaker 1>Bugattis all that pung ganis.

2:08:47.640 --> 2:08:51.400
<v Speaker 2>It's not it's not called Bugti. That's all he was

2:08:51.400 --> 2:08:51.960
<v Speaker 2>pronounceing with it.

2:08:52.360 --> 2:08:54.400
<v Speaker 1>You got a Bugatti and then you have a pool

2:08:54.720 --> 2:08:59.000
<v Speaker 1>no Bugatti, and it was a what was it again?

2:09:00.200 --> 2:09:02.360
<v Speaker 1>It's a Bugatti and a pughanikay, I don't know what

2:09:02.960 --> 2:09:05.240
<v Speaker 1>is sot.

2:09:06.600 --> 2:09:08.880
<v Speaker 3>Pugani at that time was more expensive than the Bugti.

2:09:08.880 --> 2:09:11.080
<v Speaker 3>It's called puganis under and.

2:09:11.120 --> 2:09:11.920
<v Speaker 2>Where that should come from?

2:09:12.000 --> 2:09:12.480
<v Speaker 1>That's come from.

2:09:12.640 --> 2:09:16.080
<v Speaker 3>It's an Italian cars.

2:09:17.080 --> 2:09:25.600
<v Speaker 1>Muti pu Ghani, pum Ghani, Pugani do soth Indian. It's

2:09:25.640 --> 2:09:30.160
<v Speaker 1>called look it up crazy, look like Bollywood at the time.

2:09:30.240 --> 2:09:32.920
<v Speaker 1>That's that's yeah, that car. That car was more expensive

2:09:33.000 --> 2:09:36.800
<v Speaker 1>than a Bugatti at that time. But you couldn't even

2:09:36.840 --> 2:09:38.760
<v Speaker 1>get that in the United States because the specs didn't

2:09:38.760 --> 2:09:41.320
<v Speaker 1>match the US standards. So I bought it fluid to

2:09:41.440 --> 2:09:43.200
<v Speaker 1>Canada and then drove it into the States. That's how

2:09:43.200 --> 2:09:43.560
<v Speaker 1>I got it in.

2:09:45.360 --> 2:09:47.720
<v Speaker 2>Yeah, And the troopers from Canada let you in. They said,

2:09:47.720 --> 2:09:48.200
<v Speaker 2>that's a car.

2:09:48.320 --> 2:09:51.960
<v Speaker 1>Let to them now, don't care papers to get in.

2:09:52.560 --> 2:09:55.400
<v Speaker 1>They like, that's a nice cars.

2:09:55.440 --> 2:09:59.680
<v Speaker 2>A lot of criminals. Canada is like so far away, right,

2:10:00.000 --> 2:10:02.560
<v Speaker 2>I know, Drake you yeah, Drake, Drake got the pull.

2:10:02.720 --> 2:10:05.000
<v Speaker 1>Yeah, because even now today, when I go into Canada,

2:10:05.200 --> 2:10:08.000
<v Speaker 1>I have to fill out the whole I gotta leave

2:10:08.040 --> 2:10:09.680
<v Speaker 1>a bond, all that craziness.

2:10:09.960 --> 2:10:11.160
<v Speaker 2>Wait, a bond, a fifty.

2:10:11.000 --> 2:10:13.560
<v Speaker 3>Thousand dollars bond to make sure I don't start no trouble.

2:10:14.000 --> 2:10:15.440
<v Speaker 3>And if I come in with no problems and they

2:10:15.480 --> 2:10:17.720
<v Speaker 3>give me the money back and it's all from my

2:10:18.120 --> 2:10:21.400
<v Speaker 3>like twenty twenty four, twenty five year old record from

2:10:21.440 --> 2:10:23.360
<v Speaker 3>a record, yeah from twenty years ago.

2:10:23.440 --> 2:10:26.560
<v Speaker 1>Bro like, but not a music record. No, like, like

2:10:26.600 --> 2:10:30.480
<v Speaker 1>you're right right, oh your record. Yeah, they go back

2:10:30.480 --> 2:10:33.800
<v Speaker 1>into your priors, just your arrest record, and they're using

2:10:33.840 --> 2:10:36.000
<v Speaker 1>that against you now. Oh yeah yeah, but you get

2:10:36.040 --> 2:10:36.600
<v Speaker 1>in all the time.

2:10:36.680 --> 2:10:38.440
<v Speaker 3>So yeah, but you got to go through the whole process,

2:10:38.480 --> 2:10:40.520
<v Speaker 3>getting lawyer, do the paperwork.

2:10:41.240 --> 2:10:43.160
<v Speaker 1>Really, that's fuck no, yeah, Canada don't play.

2:10:43.600 --> 2:10:45.880
<v Speaker 2>That's fucked up. Yeah, and they make you leave a

2:10:46.000 --> 2:10:47.160
<v Speaker 2>fifty thousand dollars deposit.

2:10:47.240 --> 2:10:48.440
<v Speaker 1>Ye'll leave fift thousand dollars bar.

2:10:48.680 --> 2:10:50.880
<v Speaker 2>You don't smoke or get get drunk, you forget your

2:10:50.920 --> 2:10:51.480
<v Speaker 2>fifty thousands.

2:10:51.520 --> 2:10:55.640
<v Speaker 1>I just make the promoter pay for it. Yeah, that's that's.

2:10:58.640 --> 2:11:00.320
<v Speaker 2>That means I'm sorry.

2:11:01.200 --> 2:11:04.600
<v Speaker 1>Oh yeah, you never your boys is never around. It's like, hey,

2:11:04.720 --> 2:11:05.760
<v Speaker 1>hey car, here's some blood.

2:11:06.040 --> 2:11:09.080
<v Speaker 3>No, of course, everybody hung around with smoke weed. Everybody

2:11:09.200 --> 2:11:11.040
<v Speaker 3>you never smoke. I used to love the smell of it.

2:11:11.080 --> 2:11:11.920
<v Speaker 3>I just couldn't smoke it.

2:11:12.200 --> 2:11:12.720
<v Speaker 2>Never smoked.

2:11:12.720 --> 2:11:15.520
<v Speaker 3>It was for religious purposes though, Okay, yeah, that's why

2:11:15.560 --> 2:11:16.160
<v Speaker 3>I never smoked.

2:11:16.200 --> 2:11:18.320
<v Speaker 1>Drinking religious purposes.

2:11:18.400 --> 2:11:19.800
<v Speaker 3>Well, but even if I had a chance to drink

2:11:19.840 --> 2:11:21.840
<v Speaker 3>after that accidental shot, I would never do it.

2:11:21.880 --> 2:11:24.040
<v Speaker 2>Again, never ever.

2:11:27.640 --> 2:11:29.440
<v Speaker 6>Absolutely, So, if you had one thing you would say

2:11:29.440 --> 2:11:32.560
<v Speaker 6>that you regret doing that you would have done differently.

2:11:32.240 --> 2:11:34.920
<v Speaker 1>In the industry, what would it be? Oh? Nothing, actually,

2:11:35.240 --> 2:11:35.840
<v Speaker 1>nothing at all.

2:11:36.200 --> 2:11:37.800
<v Speaker 3>I feel like everything that you go through is for

2:11:37.920 --> 2:11:39.960
<v Speaker 3>a purpose of like, I don't believe, I don't believe

2:11:40.000 --> 2:11:40.880
<v Speaker 3>in mistakes.

2:11:41.160 --> 2:11:42.880
<v Speaker 6>All right, Okay, so let me rephrase it so someone

2:11:42.920 --> 2:11:46.040
<v Speaker 6>could learn from it. What did you do that seemed

2:11:46.080 --> 2:11:48.640
<v Speaker 6>like a mistake, but that you learned the biggest lesson from.

2:11:51.280 --> 2:11:59.360
<v Speaker 1>Let me think that seemed like a mistake, but I

2:11:59.440 --> 2:12:00.920
<v Speaker 1>learned the biggest lesson from.

2:12:04.960 --> 2:12:10.440
<v Speaker 3>Getting arrested thousand absolutely, Because you know what's interesting was

2:12:10.840 --> 2:12:13.160
<v Speaker 3>that was my turning point. That was honestly the turning

2:12:13.240 --> 2:12:16.320
<v Speaker 3>point for my life because just sitting in the box

2:12:16.440 --> 2:12:19.080
<v Speaker 3>that long, I was able to see my future. I

2:12:19.200 --> 2:12:21.200
<v Speaker 3>was able to say, Okay, damn, is this what I

2:12:21.240 --> 2:12:23.280
<v Speaker 3>want for myself for the rest of my life. This

2:12:23.480 --> 2:12:25.840
<v Speaker 3>cannot be out this this, this can't be my life

2:12:25.960 --> 2:12:28.320
<v Speaker 3>like he just can't. And that's when I created my

2:12:28.480 --> 2:12:30.080
<v Speaker 3>tenure plan on what I was gonna do when I

2:12:30.120 --> 2:12:32.000
<v Speaker 3>get out to make sure I never come back in here.

2:12:33.600 --> 2:12:33.800
<v Speaker 2>Yep.

2:12:33.840 --> 2:12:35.880
<v Speaker 3>So convey music was started while I was in jail.

2:12:36.440 --> 2:12:38.520
<v Speaker 3>You know, I had an older old g ain't boonie.

2:12:38.760 --> 2:12:40.920
<v Speaker 3>He was actually older. He was on his way to

2:12:42.080 --> 2:12:51.000
<v Speaker 3>death row. He had killed his wife. Yeah, yeah, he

2:12:51.080 --> 2:12:54.480
<v Speaker 3>was the real He was just connecting through, like passing through,

2:12:54.680 --> 2:12:58.680
<v Speaker 3>you know, and he was like, man, with all this talent, Like,

2:12:59.360 --> 2:13:02.080
<v Speaker 3>just imagine if you harness all that energy towards something positive.

2:13:02.720 --> 2:13:04.440
<v Speaker 3>Just think about it, because half the people in here

2:13:04.680 --> 2:13:08.520
<v Speaker 3>they were successful at doing dumb shit, like really, but

2:13:08.720 --> 2:13:10.000
<v Speaker 3>then once you get.

2:13:09.880 --> 2:13:11.640
<v Speaker 1>Popped, all of it is over all that time, all

2:13:11.680 --> 2:13:12.360
<v Speaker 1>that thought, all.

2:13:12.280 --> 2:13:15.280
<v Speaker 3>That process, all that energy putting into something that you're

2:13:15.320 --> 2:13:15.640
<v Speaker 3>growing in.

2:13:15.760 --> 2:13:17.360
<v Speaker 1>You can't even keep it. You gotta watch it back,

2:13:17.640 --> 2:13:18.640
<v Speaker 1>like what's what's like?

2:13:18.720 --> 2:13:18.880
<v Speaker 6>Why?

2:13:19.680 --> 2:13:21.800
<v Speaker 3>But imagine not finding something that you good at and

2:13:21.840 --> 2:13:26.000
<v Speaker 3>it's putting all that energy into that. Everything goes good

2:13:26.040 --> 2:13:27.760
<v Speaker 3>for you after that. When I thought about that, I said, man,

2:13:27.760 --> 2:13:29.520
<v Speaker 3>you know what, You're right? I said, the only thing

2:13:29.560 --> 2:13:30.960
<v Speaker 3>I could do now is music.

2:13:31.720 --> 2:13:33.400
<v Speaker 2>That's why you don't believe in no mistakes.

2:13:33.720 --> 2:13:35.760
<v Speaker 1>I don't believe in no mistakes. I believe that everything

2:13:35.800 --> 2:13:36.600
<v Speaker 1>happens for a purpose.

2:13:36.680 --> 2:13:39.120
<v Speaker 3>Yeah, that's some everything happens for you to learn from it,

2:13:39.320 --> 2:13:41.920
<v Speaker 3>or it's a process or an obstacle you have to

2:13:41.960 --> 2:13:44.120
<v Speaker 3>pass through to get to what your final destination is

2:13:44.520 --> 2:13:46.400
<v Speaker 3>or to get to your purpose. But I feel like

2:13:46.480 --> 2:13:48.760
<v Speaker 3>everything is set up for you to deal with that

2:13:48.880 --> 2:13:51.280
<v Speaker 3>and you if you ain't at your purpose and the

2:13:51.360 --> 2:13:52.200
<v Speaker 3>obstacles you're dealing with.

2:13:52.320 --> 2:13:54.400
<v Speaker 1>Is to prepare you for that moment. So I don't

2:13:54.400 --> 2:13:57.400
<v Speaker 1>believe there's no mistakes. You know that exists. Do you

2:13:57.480 --> 2:14:00.000
<v Speaker 1>feel your the Acon City is your ultimate purpose?

2:14:00.440 --> 2:14:03.280
<v Speaker 3>I think developing Africa is my ultimate purpose, but I

2:14:03.360 --> 2:14:04.880
<v Speaker 3>think Acon City is the beginning of it.

2:14:05.640 --> 2:14:08.320
<v Speaker 1>Yeah, all of Africa, all of Africa as much as

2:14:08.320 --> 2:14:11.040
<v Speaker 1>I possibly can. Right, that's just you putting the example

2:14:11.120 --> 2:14:12.840
<v Speaker 1>for the for the rest of the movie.

2:14:12.960 --> 2:14:16.880
<v Speaker 2>Absolutely, I'm abound around a little bit because like the

2:14:17.000 --> 2:14:19.680
<v Speaker 2>one thing I was loving going through your disography is

2:14:19.760 --> 2:14:21.960
<v Speaker 2>just like it's just a global music. Like when you

2:14:22.040 --> 2:14:24.160
<v Speaker 2>go in the studio, is you trying to please everybody?

2:14:24.200 --> 2:14:27.560
<v Speaker 2>Because you have those records that actually please every race,

2:14:28.160 --> 2:14:31.440
<v Speaker 2>every color, creed, whatever, Like you you have like a

2:14:31.760 --> 2:14:35.160
<v Speaker 2>universal music. If I you know cancer, is that something

2:14:35.200 --> 2:14:37.480
<v Speaker 2>that you do on purpose or it's just it depends

2:14:37.560 --> 2:14:40.040
<v Speaker 2>on how you make the beat, like describe.

2:14:40.000 --> 2:14:41.600
<v Speaker 3>It depends on how I feel that day, like I

2:14:41.720 --> 2:14:43.560
<v Speaker 3>make music according to how I feel, but I don't.

2:14:43.680 --> 2:14:47.720
<v Speaker 3>I don't stagnate my music relating or box it up

2:14:47.800 --> 2:14:50.480
<v Speaker 3>within genres, like I just know what I just if

2:14:50.480 --> 2:14:51.840
<v Speaker 3>it feels good to me, I know it's gonna feel

2:14:51.840 --> 2:14:53.720
<v Speaker 3>good to millions of other people. So I never put

2:14:53.760 --> 2:14:55.840
<v Speaker 3>myself in a position where, Okay, if I feel good,

2:14:55.840 --> 2:14:57.840
<v Speaker 3>I gotta make a feel good hip hop record or

2:14:57.920 --> 2:14:59.920
<v Speaker 3>feel good country record or feel good R and B record.

2:15:00.200 --> 2:15:01.360
<v Speaker 1>I just make what feels good.

2:15:01.240 --> 2:15:03.720
<v Speaker 3>To me at that moment, and I just allow it

2:15:03.800 --> 2:15:05.880
<v Speaker 3>to be what it is, like I don't try to

2:15:06.200 --> 2:15:07.960
<v Speaker 3>manage your change it to be what I think it

2:15:08.000 --> 2:15:08.360
<v Speaker 3>should be.

2:15:08.840 --> 2:15:09.720
<v Speaker 1>I just allowed it to be.

2:15:10.440 --> 2:15:12.480
<v Speaker 3>And then, like I said, records is always gonna find

2:15:12.520 --> 2:15:14.200
<v Speaker 3>his own audience. Just put it out in the audience

2:15:14.200 --> 2:15:14.600
<v Speaker 3>will find it.

2:15:15.720 --> 2:15:19.480
<v Speaker 2>Let me ask you, because I remember being the studio

2:15:19.800 --> 2:15:22.760
<v Speaker 2>for a ral for so long and me like working

2:15:22.800 --> 2:15:24.840
<v Speaker 2>on my records and him other artists coming to see him,

2:15:25.360 --> 2:15:26.920
<v Speaker 2>and other artists will be like, yo, man, I want

2:15:26.960 --> 2:15:29.040
<v Speaker 2>to beat like this right, and I want a song

2:15:29.200 --> 2:15:30.800
<v Speaker 2>like this, And I remember he would.

2:15:31.640 --> 2:15:34.640
<v Speaker 1>I don't blame him, I'm just like him, So I just.

2:15:34.640 --> 2:15:38.800
<v Speaker 3>Say okay, I just say okay by the time the

2:15:38.880 --> 2:15:44.400
<v Speaker 3>song is done, but they still loving because one thing

2:15:44.400 --> 2:15:45.960
<v Speaker 3>I realized about artists, as long as they are a

2:15:46.000 --> 2:15:49.240
<v Speaker 3>part of the process making, they're gonna love it because

2:15:49.320 --> 2:15:52.320
<v Speaker 3>it's really them just expressing. So when they come and say, well,

2:15:52.440 --> 2:15:54.040
<v Speaker 3>I want to record, I want. I want the record

2:15:54.240 --> 2:15:56.640
<v Speaker 3>like R Kelly record I want, I'm like, but yeah,

2:15:56.680 --> 2:15:59.800
<v Speaker 3>but you're not R Kelly. Number one that R Kelly

2:16:00.200 --> 2:16:03.800
<v Speaker 3>came because R Kelly wrote that record according to his experience.

2:16:04.160 --> 2:16:06.480
<v Speaker 3>What is your experience that can make R Kelly say

2:16:06.480 --> 2:16:08.040
<v Speaker 3>I want a nory type of record.

2:16:08.200 --> 2:16:10.480
<v Speaker 1>That's what we want to find today. Man, you know what,

2:16:10.560 --> 2:16:12.440
<v Speaker 1>You're right bro? All right, well let's get to it, nigga,

2:16:12.440 --> 2:16:13.960
<v Speaker 1>what it is, what we're doing. What's the topic?

2:16:14.080 --> 2:16:14.400
<v Speaker 2>Girls?

2:16:14.600 --> 2:16:17.160
<v Speaker 3>Love, hatred? What Let's figure it out. Then from now,

2:16:17.200 --> 2:16:19.560
<v Speaker 3>it's a conversation, you know what I'm saying. The conversation

2:16:19.600 --> 2:16:21.600
<v Speaker 3>will always dictate the title of the song. Once you

2:16:21.680 --> 2:16:23.680
<v Speaker 3>got the title, everything else is easy.

2:16:24.200 --> 2:16:25.680
<v Speaker 2>To Let me ask you, if you're writing a record

2:16:25.720 --> 2:16:28.000
<v Speaker 2>for somebody, is it a process that you happen to

2:16:28.040 --> 2:16:29.920
<v Speaker 2>hang with them? Can you write a record for somebody

2:16:29.960 --> 2:16:30.480
<v Speaker 2>that you don't know?

2:16:30.840 --> 2:16:31.600
<v Speaker 1>Yeah, you can.

2:16:31.760 --> 2:16:33.640
<v Speaker 3>I do it all the time, but I'm just shooting

2:16:33.640 --> 2:16:35.880
<v Speaker 3>in the dark, okay, And is it better when you

2:16:35.959 --> 2:16:37.800
<v Speaker 3>do know them? It's a lot better when you know

2:16:37.920 --> 2:16:40.480
<v Speaker 3>them or y'all had communication, because then I can better understand.

2:16:41.000 --> 2:16:41.200
<v Speaker 2>Damn.

2:16:41.240 --> 2:16:43.240
<v Speaker 3>I like to make reality records, records that fit the

2:16:43.280 --> 2:16:46.000
<v Speaker 3>person that's singing it, or records that they can relate

2:16:46.040 --> 2:16:49.120
<v Speaker 3>to themselves, because it makes them want comfortable exactly and

2:16:49.600 --> 2:16:52.040
<v Speaker 3>love the record, and they'll perform it better, they'll push

2:16:52.120 --> 2:16:54.320
<v Speaker 3>it better. Like you know, when you got something that

2:16:54.360 --> 2:16:56.880
<v Speaker 3>you love, you actually engage, right, So the idea is

2:16:56.920 --> 2:16:58.720
<v Speaker 3>give them something that they I think that they would,

2:16:59.200 --> 2:17:01.440
<v Speaker 3>that fits something within their life that they can attach

2:17:01.480 --> 2:17:04.080
<v Speaker 3>themselves to. So the conversation always works. But if not,

2:17:04.240 --> 2:17:06.680
<v Speaker 3>it'd be like, okay, cool, well you know what kind

2:17:06.720 --> 2:17:09.080
<v Speaker 3>of feel are you looking for? Just get basic information.

2:17:09.200 --> 2:17:11.560
<v Speaker 3>Once I got it, then I know. Because most people look,

2:17:11.800 --> 2:17:14.400
<v Speaker 3>you gotta worry about what they're not telling you. Like,

2:17:14.520 --> 2:17:16.920
<v Speaker 3>one thing about the music business is that everybody's going

2:17:16.959 --> 2:17:19.320
<v Speaker 3>through something. The problem is nobody will tell you what

2:17:19.360 --> 2:17:21.400
<v Speaker 3>they're going through because they have this image that they

2:17:21.480 --> 2:17:24.360
<v Speaker 3>have to always portray to be bigger than the average. Right,

2:17:24.400 --> 2:17:27.280
<v Speaker 3>they pretend they have no problems. Everything is all good.

2:17:27.760 --> 2:17:29.800
<v Speaker 3>But those are the ones I know going through some shit.

2:17:30.720 --> 2:17:32.800
<v Speaker 3>But if they come and they spill it out, oh man,

2:17:32.879 --> 2:17:35.640
<v Speaker 3>she just fucked up. That's an easy one because I

2:17:35.720 --> 2:17:37.280
<v Speaker 3>know I just got to I know what that is.

2:17:37.360 --> 2:17:39.520
<v Speaker 3>I just gotta to give them something the lift, right.

2:17:39.680 --> 2:17:42.040
<v Speaker 3>But the ones that come, man, everything all good, a

2:17:42.120 --> 2:17:44.439
<v Speaker 3>million chains billy ourselves.

2:17:44.600 --> 2:17:47.720
<v Speaker 1>Man, life is good. I give them a struggle record.

2:17:47.760 --> 2:17:52.200
<v Speaker 1>The niggas be in there like crime. I know. All

2:17:52.320 --> 2:17:54.480
<v Speaker 1>these bells and whistles is to distract me from what

2:17:54.560 --> 2:17:55.280
<v Speaker 1>you're really dealing with.

2:17:56.320 --> 2:17:58.760
<v Speaker 2>You know what I'm saying. That's what it is. Everybody.

2:17:58.879 --> 2:17:59.000
<v Speaker 7>Bro.

2:17:59.560 --> 2:18:02.840
<v Speaker 1>You how many niggas that you see?

2:18:03.240 --> 2:18:07.560
<v Speaker 3>They just look rich as fuck going through and you man, man, man,

2:18:07.560 --> 2:18:09.560
<v Speaker 3>I want to God to tell me how you're doing this. Man, Like,

2:18:09.760 --> 2:18:12.000
<v Speaker 3>give me some advice, man, some success. They give you

2:18:12.080 --> 2:18:14.440
<v Speaker 3>all the advice and you'll listen and be like, man,

2:18:14.480 --> 2:18:14.960
<v Speaker 3>that's what's up.

2:18:15.600 --> 2:18:18.480
<v Speaker 1>A week later they calling you for a loan, but

2:18:18.560 --> 2:18:21.600
<v Speaker 1>it's gonna be behind an excuse. Well, you know, man,

2:18:22.120 --> 2:18:24.560
<v Speaker 1>my fucking business magic fucked on my taxes and ship man,

2:18:24.600 --> 2:18:26.640
<v Speaker 1>I got the bro, don't worry about its all good.

2:18:26.640 --> 2:18:29.720
<v Speaker 1>Here you go you understand what I'm saying, Like they

2:18:29.800 --> 2:18:33.160
<v Speaker 1>still even at the point of their bottom low, they

2:18:33.240 --> 2:18:35.480
<v Speaker 1>still want to make it seem like they're still big.

2:18:35.640 --> 2:18:37.760
<v Speaker 3>And it was a big obstacle that made them have

2:18:37.879 --> 2:18:40.400
<v Speaker 3>to come to you. No one can just open their

2:18:40.440 --> 2:18:43.040
<v Speaker 3>mind and be honest and transparent. Say yo, bro, this

2:18:43.200 --> 2:18:45.280
<v Speaker 3>is wrong. This is wrong man, from your experience, how

2:18:45.320 --> 2:18:48.000
<v Speaker 3>can I fix That's how you do it? Because guess

2:18:48.040 --> 2:18:49.960
<v Speaker 3>what now, I might give you some information that never

2:18:50.040 --> 2:18:52.280
<v Speaker 3>puts you there again, but you gotta be real with.

2:18:52.320 --> 2:18:55.720
<v Speaker 1>Yourself, real talk. But we just it's hard for us,

2:18:55.760 --> 2:18:55.879
<v Speaker 1>you know.

2:18:55.879 --> 2:18:58.240
<v Speaker 2>What I'm saying. How about writing for a female.

2:18:58.720 --> 2:18:59.920
<v Speaker 1>Females are very easy.

2:19:01.280 --> 2:19:03.200
<v Speaker 3>Females to me, are easier to write for it than

2:19:03.280 --> 2:19:05.600
<v Speaker 3>men because females are transparent.

2:19:06.360 --> 2:19:08.119
<v Speaker 1>Okay, they super transparent.

2:19:09.480 --> 2:19:09.640
<v Speaker 2>Man.

2:19:09.680 --> 2:19:11.680
<v Speaker 3>They don't even think about it when they say especial

2:19:11.720 --> 2:19:12.560
<v Speaker 3>when they feel some kind of.

2:19:12.520 --> 2:19:14.600
<v Speaker 2>Way, and when you write records for them that that

2:19:14.680 --> 2:19:15.560
<v Speaker 2>they feeling.

2:19:15.280 --> 2:19:17.240
<v Speaker 1>Oh yeah, you're gonna sell it because they know emotion

2:19:17.360 --> 2:19:19.720
<v Speaker 1>and record right. Emotional records always go good with females,

2:19:19.760 --> 2:19:22.440
<v Speaker 1>okay always. And if it's gonna be an upbeat record,

2:19:22.560 --> 2:19:24.560
<v Speaker 1>it got to be an upbeat record. That another female

2:19:24.600 --> 2:19:26.720
<v Speaker 1>will be like, well, they'll be like, oh wait, does

2:19:27.040 --> 2:19:31.199
<v Speaker 1>she hear this? That record has to make another woman jealous?

2:19:32.200 --> 2:19:32.800
<v Speaker 1>You know what I'm saying.

2:19:33.040 --> 2:19:36.320
<v Speaker 3>But the records that tap into their feelings and emotions, yeah,

2:19:36.360 --> 2:19:38.879
<v Speaker 3>those always go. That's why ballasts really work really well

2:19:38.920 --> 2:19:40.720
<v Speaker 3>with women a lot. But if you're gonna do up

2:19:40.760 --> 2:19:43.480
<v Speaker 3>tempo records, it should be something that has a ballody

2:19:43.920 --> 2:19:46.400
<v Speaker 3>a topic, but yet an uptempo record that they can

2:19:46.520 --> 2:19:48.199
<v Speaker 3>find themselves in a more happiest space.

2:19:48.320 --> 2:19:51.160
<v Speaker 2>Could you write for Rihanna all Day one thousand?

2:19:51.680 --> 2:19:56.600
<v Speaker 1>How about Beyonce? Super easy? And they said super easy?

2:19:56.680 --> 2:19:59.240
<v Speaker 3>Yeah, super easy because Beyonce got the like right now

2:19:59.440 --> 2:20:02.320
<v Speaker 3>would be when you look at the music that she's getting, Like,

2:20:02.400 --> 2:20:04.480
<v Speaker 3>even with her, like when I listen to her music,

2:20:05.000 --> 2:20:07.760
<v Speaker 3>I still feel like there's a lot more of her

2:20:07.840 --> 2:20:10.840
<v Speaker 3>that we ain't tapping. As a writer, as a producer myself,

2:20:11.280 --> 2:20:13.600
<v Speaker 3>and how I read people, I believe that there's so

2:20:13.760 --> 2:20:15.680
<v Speaker 3>much that she wants to talk about on her records

2:20:15.720 --> 2:20:17.840
<v Speaker 3>that she doesn't do it because of who she is

2:20:17.920 --> 2:20:19.600
<v Speaker 3>and what she thinks people may think about her.

2:20:20.240 --> 2:20:21.600
<v Speaker 1>That's just me personal speaking, right.

2:20:21.920 --> 2:20:24.320
<v Speaker 3>I think the records that she's making today are records

2:20:24.360 --> 2:20:26.440
<v Speaker 3>that she just feel the younger generation will gravitate to.

2:20:27.200 --> 2:20:30.240
<v Speaker 1>But I don't think it's the essence of what that is.

2:20:30.360 --> 2:20:32.840
<v Speaker 1>And you're saying that lyrically and vocally, But what about production?

2:20:33.200 --> 2:20:34.840
<v Speaker 1>Was production is following the lyrics.

2:20:34.879 --> 2:20:36.600
<v Speaker 3>It's just following the person that's hot at the moment,

2:20:37.040 --> 2:20:38.400
<v Speaker 3>a person that submits a great song.

2:20:39.160 --> 2:20:41.640
<v Speaker 1>But it's so like I see her bigger.

2:20:41.920 --> 2:20:43.560
<v Speaker 3>Honestly, I feel I see her as almost like a

2:20:44.720 --> 2:20:47.600
<v Speaker 3>musical or artistry, like because you know, prophets come in

2:20:47.640 --> 2:20:52.080
<v Speaker 3>different forms, yes, like for feminine and other. She's their

2:20:52.200 --> 2:20:56.480
<v Speaker 3>profit to me, to them because she speaks into their minds,

2:20:56.520 --> 2:21:00.400
<v Speaker 3>into their hearts. Like you can't say anything wrong about

2:21:00.440 --> 2:21:04.679
<v Speaker 3>Beyonce to a Beyonce fan, No, that gives you a responsibility.

2:21:05.800 --> 2:21:10.320
<v Speaker 3>You understand what I'm saying, Like, there's certain Beyonce records

2:21:10.480 --> 2:21:14.000
<v Speaker 3>that changes people's outlook in life, and she has the

2:21:14.040 --> 2:21:16.000
<v Speaker 3>potential to do that if she goes there, if she

2:21:16.160 --> 2:21:18.920
<v Speaker 3>decides to go there, because I personal believe that she

2:21:18.959 --> 2:21:21.080
<v Speaker 3>will eventually go there. Right now, she's bigger than life.

2:21:21.080 --> 2:21:23.120
<v Speaker 3>She can't get no bigger. But there's nowhere else left to.

2:21:23.120 --> 2:21:23.720
<v Speaker 2>Go with her.

2:21:23.760 --> 2:21:24.840
<v Speaker 1>She's the top of the top.

2:21:25.240 --> 2:21:27.040
<v Speaker 3>Yeah, I believe so, you know what I'm saying, and

2:21:27.160 --> 2:21:29.560
<v Speaker 3>rightly so, because she's a hard fucking worker. From what

2:21:29.680 --> 2:21:32.440
<v Speaker 3>I know and what I've seen from the district, you

2:21:32.520 --> 2:21:34.600
<v Speaker 3>understand what I'm saying. Like nobody, she's the best that

2:21:34.640 --> 2:21:36.960
<v Speaker 3>ever did it. But me personally as a fan, I

2:21:36.959 --> 2:21:40.199
<v Speaker 3>would want to see her get deeper, like challenge herself

2:21:41.400 --> 2:21:44.840
<v Speaker 3>more from a musical standpoint, like go in places where

2:21:45.600 --> 2:21:47.440
<v Speaker 3>even she ain't there to go, just do it because

2:21:47.440 --> 2:21:48.920
<v Speaker 3>I believe she has the capability to do that.

2:21:49.840 --> 2:21:52.280
<v Speaker 1>Who else somebody do you think there has capabilities to

2:21:52.360 --> 2:21:54.800
<v Speaker 1>do that and hasn't reached it, that hasn't reached it.

2:21:56.080 --> 2:21:58.760
<v Speaker 1>I think Chris Brown has that. Oh wow, I think

2:21:58.800 --> 2:21:59.840
<v Speaker 1>Chris Brown has it all day.

2:22:00.360 --> 2:22:02.240
<v Speaker 2>But you think that he does not getting He's not

2:22:02.320 --> 2:22:04.640
<v Speaker 2>tapping into hiss.

2:22:04.280 --> 2:22:06.480
<v Speaker 3>No, he's tapping into his emotions. I just think he's

2:22:06.520 --> 2:22:07.800
<v Speaker 3>tapped into the wrong frequency.

2:22:09.480 --> 2:22:09.640
<v Speaker 1>You know.

2:22:10.040 --> 2:22:12.400
<v Speaker 3>I think the frequency that he's tapped into won't allow

2:22:12.520 --> 2:22:15.680
<v Speaker 3>him to grow beyond who he is because he's surrounded

2:22:15.680 --> 2:22:18.880
<v Speaker 3>by so many distractions, you know what I mean. But

2:22:19.000 --> 2:22:21.400
<v Speaker 3>I think for what he does and what he represents

2:22:21.480 --> 2:22:25.000
<v Speaker 3>to the this culture. From a performer from an artist

2:22:25.320 --> 2:22:26.080
<v Speaker 3>from a vocalist.

2:22:26.640 --> 2:22:29.040
<v Speaker 1>He got what it takes. He just got to be

2:22:29.600 --> 2:22:30.640
<v Speaker 1>He's fearless already.

2:22:30.959 --> 2:22:35.560
<v Speaker 2>We've seen him on Lovers and Friends. This month, I

2:22:35.600 --> 2:22:37.200
<v Speaker 2>had to show and he had to show. I saw.

2:22:37.520 --> 2:22:39.400
<v Speaker 2>I got to see him on the stage. Boy, he

2:22:39.640 --> 2:22:46.520
<v Speaker 2>told because the problem, Yeah he goes and like I

2:22:46.600 --> 2:22:49.800
<v Speaker 2>knew he went in, but actually that's my first time

2:22:49.920 --> 2:22:51.279
<v Speaker 2>kind of like got to see.

2:22:51.120 --> 2:22:53.400
<v Speaker 3>It, right, Like he's a problem. But the good thing

2:22:53.440 --> 2:22:55.400
<v Speaker 3>about Chris that he got plenty of time because he's young.

2:22:56.240 --> 2:22:59.880
<v Speaker 3>So this is also gathering all those voices, all the

2:23:00.360 --> 2:23:02.840
<v Speaker 3>you know, souls that he needs to be able, you know,

2:23:03.080 --> 2:23:04.280
<v Speaker 3>influence in a certain kind of way.

2:23:04.280 --> 2:23:06.000
<v Speaker 1>I just feel like when God gives you that much

2:23:06.040 --> 2:23:06.800
<v Speaker 1>power to.

2:23:06.879 --> 2:23:10.160
<v Speaker 3>Influence or be influenced by so many different people, that

2:23:10.720 --> 2:23:15.120
<v Speaker 3>that that that is always like a responsibility to find

2:23:15.240 --> 2:23:19.039
<v Speaker 3>somewhere to to define all the challenges that's in society.

2:23:19.160 --> 2:23:20.800
<v Speaker 3>You understand what I'm saying, Like, I just don't believe

2:23:20.840 --> 2:23:22.640
<v Speaker 3>that we who we are.

2:23:22.720 --> 2:23:24.280
<v Speaker 1>For just the sake of just being who we are.

2:23:24.320 --> 2:23:25.800
<v Speaker 3>I believe that we're chosen to be who we are

2:23:26.240 --> 2:23:28.920
<v Speaker 3>right until we understand what our purpose is. That's when

2:23:28.959 --> 2:23:31.280
<v Speaker 3>we that's when we become impactful.

2:23:30.720 --> 2:23:31.800
<v Speaker 1>You know what I mean? Right?

2:23:32.600 --> 2:23:35.200
<v Speaker 2>So that's talking about I still kill with fifty real quick? Right,

2:23:35.320 --> 2:23:36.600
<v Speaker 2>how did that come about? Oh?

2:23:36.720 --> 2:23:39.240
<v Speaker 1>Man, fifty that called me with that one? Fifty called

2:23:39.240 --> 2:23:40.480
<v Speaker 1>me with that and say, yokn.

2:23:40.360 --> 2:23:41.520
<v Speaker 2>So he produced that one.

2:23:41.720 --> 2:23:43.640
<v Speaker 3>No, no, he got it was another producer on it

2:23:43.760 --> 2:23:46.760
<v Speaker 3>under his camp that actually did that one, ok, And

2:23:46.879 --> 2:23:49.400
<v Speaker 3>he was like, Yo, kN listen, I got this record, bro,

2:23:51.800 --> 2:23:53.560
<v Speaker 3>you know what, just call me back after you hear it.

2:23:54.840 --> 2:23:57.160
<v Speaker 1>He sent me. I heard the verses her to beat.

2:23:57.720 --> 2:24:00.640
<v Speaker 2>I was like, oh, this is crazy, and I'm listening

2:24:00.720 --> 2:24:01.160
<v Speaker 2>to the lyrics.

2:24:01.200 --> 2:24:04.680
<v Speaker 3>I'm already knowing what he's saying without saying it because

2:24:04.840 --> 2:24:08.160
<v Speaker 3>at this point the niggas he just sold vitamin water.

2:24:09.000 --> 2:24:12.240
<v Speaker 1>This nigga two hundred and fifty million dollar niggas like, Nigga,

2:24:12.240 --> 2:24:16.600
<v Speaker 1>don't get it fucked, you know what It's like that,

2:24:16.959 --> 2:24:18.920
<v Speaker 1>It's like, how do we say that when niggas know

2:24:18.959 --> 2:24:21.480
<v Speaker 1>I'm not playing with him perform too? Right?

2:24:21.520 --> 2:24:22.080
<v Speaker 2>You know what I'm saying.

2:24:22.560 --> 2:24:24.120
<v Speaker 3>So I sent it back with the chorus on it,

2:24:24.800 --> 2:24:26.520
<v Speaker 3>and he was like, Nigga, this is it, Oh, this

2:24:26.640 --> 2:24:29.640
<v Speaker 3>is it. But at the time I was kind of

2:24:29.720 --> 2:24:32.360
<v Speaker 3>worried about where we would go because even me, my, my,

2:24:32.959 --> 2:24:36.640
<v Speaker 3>I was so pop at that time. The question was like, Okay,

2:24:36.640 --> 2:24:37.760
<v Speaker 3>we'll still be believable.

2:24:37.800 --> 2:24:37.959
<v Speaker 1>Though.

2:24:38.879 --> 2:24:40.560
<v Speaker 3>No, that's one thing I do question myself a lot,

2:24:40.840 --> 2:24:43.680
<v Speaker 3>what like when to go back to the street or

2:24:43.840 --> 2:24:45.600
<v Speaker 3>if ever do I even need to go back to

2:24:45.680 --> 2:24:46.040
<v Speaker 3>the street?

2:24:46.840 --> 2:24:52.240
<v Speaker 1>Right, that's ever? No, no, no hold on, listen, no, no, listen.

2:24:52.480 --> 2:24:55.160
<v Speaker 1>I'm not talking about physically, no reason for me being

2:24:55.160 --> 2:24:57.600
<v Speaker 1>the hood. All my hood niggas know they got to

2:24:57.600 --> 2:24:59.080
<v Speaker 1>come see me. I'm not going there, bro, I'm not

2:24:59.240 --> 2:25:00.480
<v Speaker 1>doing that this already.

2:25:00.840 --> 2:25:04.600
<v Speaker 3>But from a musical standpoint, the question is because I

2:25:04.640 --> 2:25:07.800
<v Speaker 3>always believe that my role plays a responsibility to them.

2:25:07.840 --> 2:25:10.080
<v Speaker 3>That was why I was raising that environment to make

2:25:10.120 --> 2:25:12.680
<v Speaker 3>a difference. Right, So the only way to actually make

2:25:12.720 --> 2:25:15.320
<v Speaker 3>an impact is to find a way to still tap in.

2:25:15.760 --> 2:25:18.080
<v Speaker 1>But you can't just go and forget about it, Like

2:25:18.200 --> 2:25:20.480
<v Speaker 1>is if you don't give a fuck, you understand I'm saying,

2:25:20.560 --> 2:25:23.039
<v Speaker 1>like there has to be a sense of knowing, Okay,

2:25:23.720 --> 2:25:25.320
<v Speaker 1>there's a role that they're still there for me to

2:25:25.400 --> 2:25:27.520
<v Speaker 1>play that they won't take for granted.

2:25:28.720 --> 2:25:30.680
<v Speaker 3>Now they take it for granted, then you can't really

2:25:30.720 --> 2:25:33.080
<v Speaker 3>control what other people's decisions decided to make. But for

2:25:33.160 --> 2:25:35.400
<v Speaker 3>the most part, you know you did your part right.

2:25:35.560 --> 2:25:37.520
<v Speaker 3>So when I say go back to the streets, I'm

2:25:37.520 --> 2:25:43.400
<v Speaker 3>always talking music. You know what I'm saying. Musically, you can,

2:25:43.520 --> 2:25:45.240
<v Speaker 3>but I think my topic matter ain't gonna be what

2:25:45.320 --> 2:25:47.280
<v Speaker 3>they want to hear, So you gotta wait for the

2:25:47.360 --> 2:25:49.400
<v Speaker 3>right time to give it to them. Because I feel

2:25:49.440 --> 2:25:52.959
<v Speaker 3>like the music an urban rap is lacking the message

2:25:53.959 --> 2:25:56.240
<v Speaker 3>everybody scared. Like to me, when I listen to music,

2:25:56.280 --> 2:25:58.880
<v Speaker 3>it sound like everybody scared to death because it's like

2:25:58.959 --> 2:26:04.120
<v Speaker 3>this conc cansel culture comes from just being indecisive and

2:26:04.240 --> 2:26:06.080
<v Speaker 3>not making up your own mind. You're letting somebody else

2:26:06.120 --> 2:26:07.920
<v Speaker 3>tell you what you think should be relevant and what's not.

2:26:08.760 --> 2:26:11.840
<v Speaker 1>That just tells me that the world at this specific thing,

2:26:12.440 --> 2:26:13.080
<v Speaker 1>this specific thing.

2:26:13.120 --> 2:26:16.520
<v Speaker 3>When the music, it sounds like everybody's scared to death,

2:26:16.800 --> 2:26:19.320
<v Speaker 3>because what I know from the street is that when

2:26:19.440 --> 2:26:22.920
<v Speaker 3>somebody's afraid, they're gonna do something to distract you from

2:26:22.959 --> 2:26:26.320
<v Speaker 3>you thinking that they're afraid. Right, And when somebody feel

2:26:26.400 --> 2:26:30.600
<v Speaker 3>like that you may be a threat, it's like it's

2:26:30.680 --> 2:26:33.320
<v Speaker 3>like a possum when you pull up on it, a

2:26:33.440 --> 2:26:35.280
<v Speaker 3>porcupine when you pull up on it and all this

2:26:35.560 --> 2:26:39.400
<v Speaker 3>what's the name is pop? You don't want to tap

2:26:39.440 --> 2:26:41.280
<v Speaker 3>into it because you might get stung. So gets over

2:26:41.480 --> 2:26:43.120
<v Speaker 3>when the niggas the first thing they do when they

2:26:43.200 --> 2:26:47.680
<v Speaker 3>get scared. Oh, nigga, you'a got that for real, But

2:26:47.760 --> 2:26:50.119
<v Speaker 3>you're not realizing that his chest is being way harder

2:26:50.200 --> 2:26:50.640
<v Speaker 3>than yours.

2:26:51.920 --> 2:26:53.320
<v Speaker 1>You understand what I'm saying. So when I listen to

2:26:53.400 --> 2:26:55.200
<v Speaker 1>the music, that's what it's getting from me.

2:26:55.640 --> 2:26:59.560
<v Speaker 3>You got a whole bunch of young guys, super well

2:26:59.640 --> 2:27:02.560
<v Speaker 3>POTENTI like the future in front of them, all of them,

2:27:02.959 --> 2:27:05.640
<v Speaker 3>but they all scared to death because of Unfortunately, it's

2:27:05.640 --> 2:27:08.440
<v Speaker 3>it's our fault because we introduced that kind of music

2:27:08.560 --> 2:27:11.119
<v Speaker 3>that made it cool, right, So now when they see

2:27:11.160 --> 2:27:13.360
<v Speaker 3>themselves in real life, they have to live up to

2:27:13.440 --> 2:27:18.600
<v Speaker 3>that because if they don't and social media, so what

2:27:18.720 --> 2:27:20.640
<v Speaker 3>happens is now they're active in the life that they

2:27:20.640 --> 2:27:23.520
<v Speaker 3>don't really understand outside of the music side of that world.

2:27:23.840 --> 2:27:25.880
<v Speaker 3>And this is why you got so many young rappers

2:27:26.040 --> 2:27:28.560
<v Speaker 3>dying because they're making so many mistakes out.

2:27:28.400 --> 2:27:28.920
<v Speaker 1>Of fear.

2:27:30.600 --> 2:27:34.120
<v Speaker 2>To what you said you was on when and they

2:27:34.160 --> 2:27:34.560
<v Speaker 2>said that the.

2:27:34.600 --> 2:27:35.920
<v Speaker 1>Sweet escape, Sweet escape to us.

2:27:36.480 --> 2:27:40.360
<v Speaker 2>Gwen Stefani. Yeah, and you said, who try to horizon?

2:27:41.400 --> 2:27:42.880
<v Speaker 2>Do you feel like that was the first kind of

2:27:42.920 --> 2:27:46.440
<v Speaker 2>step of people get into this castle coach of things?

2:27:46.480 --> 2:27:50.080
<v Speaker 3>Do you think not really, because there's been many companies

2:27:50.120 --> 2:27:53.960
<v Speaker 3>I've always done. Companies always pull out their sponsorship.

2:27:55.000 --> 2:27:55.600
<v Speaker 1>Controversy.

2:27:55.720 --> 2:27:57.920
<v Speaker 3>You know, you make an action, but they don't realize

2:27:58.080 --> 2:28:00.560
<v Speaker 3>if it doesn't have anything to do with what they're

2:28:00.560 --> 2:28:03.880
<v Speaker 3>sponsoring you for, they should just leave it alone. What

2:28:04.080 --> 2:28:06.960
<v Speaker 3>human do you know ain't gonna make a mistake, especially

2:28:07.280 --> 2:28:11.040
<v Speaker 3>that has nothing to do with their occupation, Like, this

2:28:11.200 --> 2:28:13.360
<v Speaker 3>is their job, this is what they do. Great, they

2:28:13.560 --> 2:28:15.800
<v Speaker 3>did some of the personal life that has nothing to

2:28:15.879 --> 2:28:17.560
<v Speaker 3>do with this, But yeah, you want to cancel them

2:28:17.600 --> 2:28:19.320
<v Speaker 3>because you were afraid of what other people are saying

2:28:19.560 --> 2:28:21.920
<v Speaker 3>of his personal action, and I think that's unfair.

2:28:22.560 --> 2:28:25.520
<v Speaker 2>Or even Adidas taking Kanye back they have no choice.

2:28:27.959 --> 2:28:32.560
<v Speaker 2>Do he make no noise for that? You spoke about

2:28:32.560 --> 2:28:34.480
<v Speaker 2>Beautiful earlier in the HAGH cut you off right, So

2:28:35.800 --> 2:28:37.400
<v Speaker 2>where was you at? What was the process of making

2:28:37.440 --> 2:28:39.640
<v Speaker 2>this record? Yeah, Beautiful was a process, honestly, that was

2:28:39.760 --> 2:28:40.360
<v Speaker 2>that was what my.

2:28:42.480 --> 2:28:45.920
<v Speaker 1>With my wife, you know, she she always you know,

2:28:45.959 --> 2:28:47.879
<v Speaker 1>that's that was around the time when I was peaking,

2:28:48.040 --> 2:28:48.240
<v Speaker 1>you know.

2:28:48.840 --> 2:28:50.920
<v Speaker 3>And everywhere I go, you know, this is your career. Yeah,

2:28:51.000 --> 2:28:54.400
<v Speaker 3>my career video shoots is always beautiful women. Every event

2:28:54.520 --> 2:28:57.480
<v Speaker 3>is always beautiful women. So there's always that insecurity that

2:28:57.600 --> 2:28:59.760
<v Speaker 3>comes within women when you when they.

2:28:59.680 --> 2:29:02.640
<v Speaker 1>See that and everybody see it either.

2:29:02.480 --> 2:29:03.920
<v Speaker 2>Way, she sees you, you know what I'm saying.

2:29:04.280 --> 2:29:07.480
<v Speaker 3>So that song was inspired by just you know, my

2:29:07.600 --> 2:29:10.840
<v Speaker 3>conversations to her, like you me like you mine number one,

2:29:10.959 --> 2:29:14.360
<v Speaker 3>without doubt, don't ever in your life think that anything

2:29:14.480 --> 2:29:17.640
<v Speaker 3>is better than you, like the most beautiful thing in

2:29:17.760 --> 2:29:21.760
<v Speaker 3>the world, period.

2:29:22.200 --> 2:29:24.720
<v Speaker 1>So that record was her she needs to know that.

2:29:28.200 --> 2:29:33.920
<v Speaker 1>Let's ticket to Who That Girl? I think I got

2:29:33.959 --> 2:29:35.480
<v Speaker 1>a few titles with Who That Girl? Which one was

2:29:35.640 --> 2:29:37.240
<v Speaker 1>with the one you want?

2:29:41.360 --> 2:29:43.680
<v Speaker 3>Was that the one Flow Riders? That's right, that's wont Flo.

2:29:44.640 --> 2:29:46.480
<v Speaker 3>Yeah that was the biggest one. Yeah, yeah, that's so

2:29:46.560 --> 2:29:48.040
<v Speaker 3>that one Me and Flow, which is waiting for the

2:29:48.120 --> 2:29:48.800
<v Speaker 3>right time to work.

2:29:49.680 --> 2:29:51.040
<v Speaker 1>Man, for sure.

2:29:51.160 --> 2:29:53.920
<v Speaker 3>Like and Flow is like my brother from another mother.

2:29:54.080 --> 2:29:56.160
<v Speaker 3>Like we super super super tight, and we had never

2:29:56.240 --> 2:29:59.200
<v Speaker 3>worked together because of our schedules, but we was always

2:29:59.240 --> 2:30:00.800
<v Speaker 3>bumping to each other and one day he was like, man,

2:30:00.840 --> 2:30:03.240
<v Speaker 3>look everything you're doing cancel what you got going. We

2:30:03.280 --> 2:30:05.440
<v Speaker 3>saw each other in Miami, I mean in l A,

2:30:05.760 --> 2:30:07.240
<v Speaker 3>and I was like, let's let's just go do it,

2:30:07.240 --> 2:30:08.840
<v Speaker 3>because if we don't take make the time, it's not

2:30:08.920 --> 2:30:09.360
<v Speaker 3>gonna happen.

2:30:09.680 --> 2:30:12.040
<v Speaker 1>And sure enough we cut the record in Miami and

2:30:12.080 --> 2:30:15.600
<v Speaker 1>shot the video in l A. Goddamn, how was the video?

2:30:16.920 --> 2:30:19.800
<v Speaker 1>Vibes vibes, big big record, big big record? You know?

2:30:19.920 --> 2:30:22.400
<v Speaker 2>Smoking ukah, Where we get where we get this.

2:30:22.440 --> 2:30:28.640
<v Speaker 1>A get dot com? Get uka? Oh, okay, get interesting

2:30:30.040 --> 2:30:31.160
<v Speaker 1>now very smart?

2:30:31.160 --> 2:30:34.119
<v Speaker 2>Actually smoke you smokes show no, no, no, you don't smoke.

2:30:34.160 --> 2:30:36.800
<v Speaker 1>Ship. My voice is my investment.

2:30:37.000 --> 2:30:37.840
<v Speaker 2>That's right, that's right.

2:30:38.600 --> 2:30:39.920
<v Speaker 1>Yes, you don't destroy and.

2:30:39.959 --> 2:30:41.680
<v Speaker 2>Drink a lot of tea. You gotta drink a lot

2:30:41.720 --> 2:30:44.119
<v Speaker 2>of tea. Yeah, what's on your rider?

2:30:44.959 --> 2:30:47.320
<v Speaker 1>My ride is very simple. Actually, I got black towels,

2:30:48.160 --> 2:30:50.039
<v Speaker 1>only black towers. Yeah, black towns.

2:30:50.200 --> 2:30:53.400
<v Speaker 2>You said towns. I said they got they gotta they

2:30:53.400 --> 2:30:54.880
<v Speaker 2>gotta gotta construction.

2:30:55.959 --> 2:30:56.879
<v Speaker 1>You said black towns.

2:30:57.160 --> 2:30:59.480
<v Speaker 2>You gotta reconstruct your whole ship to make the oilers

2:30:59.560 --> 2:31:02.959
<v Speaker 2>black ty. It's very simple. You have black towns.

2:31:03.680 --> 2:31:07.720
<v Speaker 1>That's what I thought. You said, black towels, okayas.

2:31:06.800 --> 2:31:08.280
<v Speaker 3>And the reason it is because the normal time. When

2:31:08.320 --> 2:31:10.120
<v Speaker 3>you get off the stage, you're always super sweaty. And

2:31:10.240 --> 2:31:11.600
<v Speaker 3>I used to have these white towels and I'll be

2:31:11.600 --> 2:31:12.640
<v Speaker 3>white white.

2:31:13.400 --> 2:31:15.560
<v Speaker 2>I learned that from girls. Girls, the girls when they

2:31:15.640 --> 2:31:17.240
<v Speaker 2>go to like my wife and them when they go

2:31:17.320 --> 2:31:19.080
<v Speaker 2>to restaurant, that's actually black.

2:31:19.160 --> 2:31:19.360
<v Speaker 1>Yeah.

2:31:19.560 --> 2:31:21.760
<v Speaker 2>What else is on your rider? Juicer?

2:31:22.360 --> 2:31:24.760
<v Speaker 1>A juicer, A juicer with a little bunch of different fruits,

2:31:24.760 --> 2:31:26.040
<v Speaker 1>because I like to make juices and all that.

2:31:26.320 --> 2:31:27.840
<v Speaker 2>My wife holds the juice bar I could have. Bring.

2:31:29.560 --> 2:31:31.119
<v Speaker 2>I ain't gonna live the next one. I need when

2:31:31.160 --> 2:31:33.160
<v Speaker 2>when when you when they said that you wanted a candle,

2:31:33.160 --> 2:31:34.279
<v Speaker 2>I said, this nigga different?

2:31:35.440 --> 2:31:44.600
<v Speaker 1>Who told you I want to get many? No?

2:31:44.800 --> 2:31:46.640
<v Speaker 2>No, that was that was so fly. I said, make

2:31:46.680 --> 2:31:50.000
<v Speaker 2>sure you're gonna get that. Get that like I sit

2:31:50.040 --> 2:31:51.880
<v Speaker 2>in candle. That's some flysh What else is on yours?

2:31:52.000 --> 2:31:54.959
<v Speaker 3>To burn off the spirits? Okay, no for the most part.

2:31:55.040 --> 2:31:56.520
<v Speaker 3>So you got you got the juicer, You got the

2:31:56.560 --> 2:31:57.080
<v Speaker 3>white towel.

2:31:57.680 --> 2:32:01.680
<v Speaker 2>I love candy, all right, so different to a balance,

2:32:01.720 --> 2:32:02.680
<v Speaker 2>hold hold on juice.

2:32:03.520 --> 2:32:05.880
<v Speaker 6>He just said that je give me the healthy ship

2:32:05.879 --> 2:32:06.400
<v Speaker 6>and give.

2:32:06.240 --> 2:32:06.720
<v Speaker 1>Me the sugar.

2:32:06.840 --> 2:32:10.400
<v Speaker 2>What do the vegetables? That's why I still what are

2:32:10.440 --> 2:32:11.840
<v Speaker 2>you putting the juice? What kind of fruit?

2:32:11.959 --> 2:32:12.240
<v Speaker 1>Fruits?

2:32:12.840 --> 2:32:15.520
<v Speaker 3>It depends on what fruits. I'm like, every territory has

2:32:15.560 --> 2:32:16.160
<v Speaker 3>their fruit.

2:32:17.879 --> 2:32:17.920
<v Speaker 6>Y.

2:32:18.280 --> 2:32:21.680
<v Speaker 2>Yeah, you know, you're traveling the world sometimes exact whatever.

2:32:22.360 --> 2:32:25.600
<v Speaker 2>That's kind of smart. That's kind of smart. Whatever the season,

2:32:25.680 --> 2:32:29.680
<v Speaker 2>you know, season, sparing season, you know, things like that.

2:32:29.800 --> 2:32:31.840
<v Speaker 3>So that's that's like the best way to go. And

2:32:31.920 --> 2:32:34.360
<v Speaker 3>then last but not least, if can kind of candy

2:32:34.440 --> 2:32:37.359
<v Speaker 3>dog just different sort of candies like Skittles, Gummy.

2:32:37.120 --> 2:32:39.840
<v Speaker 2>Bess, Twitter and make him put out just the rad Skittles.

2:32:40.320 --> 2:32:43.480
<v Speaker 1>No, I've heard stories like that, they like I want

2:32:43.600 --> 2:32:46.360
<v Speaker 1>already Eminem's and ship Yeah, who was that?

2:32:48.280 --> 2:32:48.720
<v Speaker 2>I heard that.

2:32:49.240 --> 2:32:52.039
<v Speaker 1>I've been heard a lot of those kind of artists

2:32:52.080 --> 2:32:52.600
<v Speaker 1>do exist, though.

2:32:54.720 --> 2:32:56.840
<v Speaker 2>Listen, that's the part of the show. We're going to

2:32:57.160 --> 2:33:00.000
<v Speaker 2>ask people they ride like they ride because.

2:32:59.760 --> 2:33:01.280
<v Speaker 1>You actually have listen.

2:33:01.360 --> 2:33:05.160
<v Speaker 2>Listen listen by the way for the show. No no, no, no,

2:33:05.200 --> 2:33:08.039
<v Speaker 2>no no no, for this your regular Because I always

2:33:08.120 --> 2:33:10.440
<v Speaker 2>love like when I we interview. We've been doing it

2:33:10.520 --> 2:33:13.520
<v Speaker 2>seven years seven plus. I always love. My favorite part

2:33:13.680 --> 2:33:16.240
<v Speaker 2>is me asking them what they're gonna drink, because like

2:33:16.360 --> 2:33:18.840
<v Speaker 2>I'm straight up judge you from what you're gonna drink.

2:33:19.280 --> 2:33:23.119
<v Speaker 2>If a person order old English, I know what kind

2:33:23.160 --> 2:33:25.240
<v Speaker 2>of show this is going to be if they.

2:33:25.240 --> 2:33:27.840
<v Speaker 1>Order it depends on if they order back bar zonals.

2:33:27.840 --> 2:33:29.320
<v Speaker 1>When we ask someone and they give us a.

2:33:29.320 --> 2:33:33.520
<v Speaker 2>Whole writer of liquor, oh yeah, yeah, did That's.

2:33:32.959 --> 2:33:35.119
<v Speaker 6>Been a couple of people they order like the four

2:33:35.160 --> 2:33:38.680
<v Speaker 6>thousand dollars bottle of this, We're like, sorry, really.

2:33:38.520 --> 2:33:44.480
<v Speaker 1>Got the rocketing. No.

2:33:44.600 --> 2:33:46.760
<v Speaker 2>But even though even though like like if a person

2:33:47.040 --> 2:33:50.480
<v Speaker 2>order a tequila or whatever, we don't tell them. We

2:33:50.520 --> 2:33:52.400
<v Speaker 2>ain't giving them that. We just gonna get here. We

2:33:52.480 --> 2:33:57.760
<v Speaker 2>give them same. But I always always like, uh, and

2:33:58.120 --> 2:34:01.440
<v Speaker 2>Riders is the same exact thing, because I remember me

2:34:01.560 --> 2:34:06.520
<v Speaker 2>being in I remember me being in Japan and I

2:34:06.640 --> 2:34:10.280
<v Speaker 2>came after l L so l L must have been

2:34:11.200 --> 2:34:14.119
<v Speaker 2>he must have been he the word is he had

2:34:14.160 --> 2:34:15.720
<v Speaker 2>them looking for green apples.

2:34:17.240 --> 2:34:20.760
<v Speaker 1>I guess in that part of Japan that didn't exist.

2:34:21.400 --> 2:34:23.120
<v Speaker 2>But they didn't want to tell No.

2:34:24.720 --> 2:34:28.160
<v Speaker 1>I don't know, I don't know, but I remember the promoter.

2:34:28.000 --> 2:34:31.640
<v Speaker 2>Like would get created. I was with Edible pain on

2:34:31.760 --> 2:34:36.640
<v Speaker 2>my rider was fucking larch. It was wack back then.

2:34:36.680 --> 2:34:39.520
<v Speaker 2>I booked you through Violet the first time I violated.

2:34:39.600 --> 2:34:41.240
<v Speaker 2>We were putting all that ship on my rider.

2:34:52.760 --> 2:34:54.560
<v Speaker 1>You know, some of them. You got to consolidate them.

2:34:56.800 --> 2:34:58.920
<v Speaker 1>What is on your right? What's your wildest thing on

2:34:58.959 --> 2:35:02.840
<v Speaker 1>your right? Like KFC KFC, but you was gonna have

2:35:02.879 --> 2:35:06.600
<v Speaker 1>a leopard or something. I don't have nothing. Person, I

2:35:07.000 --> 2:35:08.560
<v Speaker 1>can't see you. Gotta drink some waters.

2:35:08.560 --> 2:35:08.800
<v Speaker 6>That's it.

2:35:09.000 --> 2:35:10.360
<v Speaker 1>That's it. That's because I'm being along.

2:35:11.000 --> 2:35:14.200
<v Speaker 2>I can't see candy. You gotta you all over the place.

2:35:14.280 --> 2:35:15.920
<v Speaker 2>I gotta get with your homies. I gotta get with

2:35:15.959 --> 2:35:18.720
<v Speaker 2>your homie. Gonna see Fat Joe don't don't drink none

2:35:18.760 --> 2:35:21.360
<v Speaker 2>of that, right, So let me tell you something. If

2:35:21.400 --> 2:35:23.440
<v Speaker 2>you ever were on a Fat Joe show and you

2:35:23.560 --> 2:35:25.959
<v Speaker 2>drink alcohol, just go in his room and take it off.

2:35:26.879 --> 2:35:29.200
<v Speaker 2>He ain't gonna drink none of when he drinks, he

2:35:29.560 --> 2:35:32.680
<v Speaker 2>orders it all. I'm like, we was in Vegas with

2:35:32.959 --> 2:35:37.600
<v Speaker 2>the other day. I was like, my brother, I'm gonna

2:35:37.640 --> 2:35:39.320
<v Speaker 2>take it off. I'm going to a club. This is

2:35:39.400 --> 2:35:42.280
<v Speaker 2>my first time in like fifteen years I went to

2:35:42.400 --> 2:35:45.880
<v Speaker 2>a club and I spent a dollar like not even

2:35:46.160 --> 2:35:48.600
<v Speaker 2>not even like I had to tip the waitress.

2:35:48.680 --> 2:35:49.760
<v Speaker 1>It's all there already.

2:35:50.040 --> 2:35:52.240
<v Speaker 2>We just grabbed the sit and was like, is it okay?

2:35:52.320 --> 2:35:53.120
<v Speaker 1>We go to our room.

2:35:53.560 --> 2:35:54.199
<v Speaker 2>He's like ahead.

2:35:54.320 --> 2:35:59.760
<v Speaker 1>We literally took his whole bar his home and guess

2:35:59.800 --> 2:36:06.560
<v Speaker 1>what drinking all that is?

2:36:06.640 --> 2:36:07.880
<v Speaker 2>Wild on your ride?

2:36:08.000 --> 2:36:10.879
<v Speaker 1>No? No, not like okay? Cool?

2:36:11.160 --> 2:36:12.080
<v Speaker 2>What's on your rider?

2:36:12.240 --> 2:36:15.040
<v Speaker 1>Yeah? Man, rider, you ain't gotta I got anything?

2:36:15.280 --> 2:36:15.320
<v Speaker 2>No?

2:36:15.440 --> 2:36:15.640
<v Speaker 6>Yeah?

2:36:16.800 --> 2:36:18.199
<v Speaker 1>For our Vegas show, did.

2:36:21.320 --> 2:36:25.119
<v Speaker 2>You like large brow Bacardi fireball?

2:36:25.840 --> 2:36:27.880
<v Speaker 1>What do we eat that with me? And something that

2:36:27.920 --> 2:36:32.560
<v Speaker 1>you gotta have your Yeah, I'm pescatarian yea and him prescotarian.

2:36:32.600 --> 2:36:33.000
<v Speaker 6>I can do that.

2:36:33.040 --> 2:36:39.680
<v Speaker 2>All pescantarian do that. That's that's Sunday joke. That's Sundays joke, Joe, Yeah,

2:36:39.959 --> 2:36:45.160
<v Speaker 2>for both day baby. And you said your favorite part

2:36:45.760 --> 2:36:48.560
<v Speaker 2>is Africa to perform. What is your favorite state in

2:36:48.680 --> 2:36:49.640
<v Speaker 2>America to perform?

2:36:50.680 --> 2:36:56.880
<v Speaker 1>Uh? Probably city? Favorite city probably Jersey.

2:36:57.320 --> 2:36:59.480
<v Speaker 2>I was hoping you said Jersey. I was hoping you

2:36:59.520 --> 2:37:08.120
<v Speaker 2>said Jersey. Got Now we gotta address this. French Montana

2:37:08.200 --> 2:37:12.560
<v Speaker 2>has not let this go. We see you walk in

2:37:12.680 --> 2:37:17.320
<v Speaker 2>with the that's the panther cardier them bracelets them trust

2:37:17.440 --> 2:37:20.920
<v Speaker 2>me guys out of this roof and you can't even

2:37:20.959 --> 2:37:23.520
<v Speaker 2>get these you got it on. You have to protect

2:37:24.560 --> 2:37:26.640
<v Speaker 2>Are you ever gonna give French a watch so he

2:37:26.680 --> 2:37:29.440
<v Speaker 2>could stop telling this story until you eating it out.

2:37:29.560 --> 2:37:36.000
<v Speaker 1>Listen, me and French got got that day that lost money.

2:37:37.920 --> 2:37:47.440
<v Speaker 2>I walked to the watch for me because he case it.

2:37:47.480 --> 2:37:49.040
<v Speaker 1>Man, that's a nice watch, I said, Nigga, I got

2:37:49.120 --> 2:37:51.520
<v Speaker 1>on for you too, because at the time.

2:37:53.400 --> 2:37:54.000
<v Speaker 2>You had yours.

2:37:54.040 --> 2:37:56.400
<v Speaker 3>See, this is the thing. I didn't know what a

2:37:56.480 --> 2:37:59.760
<v Speaker 3>huge blow was. I just knew that I liked that.

2:38:00.080 --> 2:38:02.880
<v Speaker 3>That was just a nice watch. So the dude was,

2:38:03.080 --> 2:38:05.160
<v Speaker 3>you know, selling watches, and I said, how much is

2:38:05.200 --> 2:38:07.200
<v Speaker 3>that watch? And he's like, you don't normally like fifteen

2:38:07.240 --> 2:38:09.440
<v Speaker 3>twenty thousand, he said, but I got a guy that

2:38:09.520 --> 2:38:12.520
<v Speaker 3>can get his Swiss for five. I was like, okay, cool,

2:38:12.640 --> 2:38:14.480
<v Speaker 3>give me three of them. So he met me at

2:38:14.520 --> 2:38:16.360
<v Speaker 3>the W Hotel with.

2:38:16.480 --> 2:38:19.160
<v Speaker 1>To of the watches, the exact Time Square hotel, Time

2:38:19.160 --> 2:38:20.279
<v Speaker 1>Square w Hotel.

2:38:20.040 --> 2:38:22.680
<v Speaker 3>With the same exact type watches. Now mind you, I'm

2:38:22.720 --> 2:38:25.040
<v Speaker 3>not knowing the details. I just know that watch looked

2:38:25.040 --> 2:38:25.480
<v Speaker 3>like the one that.

2:38:25.520 --> 2:38:27.480
<v Speaker 1>I liked in the jewelry store. That's all I know.

2:38:28.000 --> 2:38:29.840
<v Speaker 1>I'm not into watches at the time. I wasn't.

2:38:30.120 --> 2:38:32.600
<v Speaker 2>Okay, so you in the jewelry store, you see the watches,

2:38:32.680 --> 2:38:34.080
<v Speaker 2>this guy says you a I could give you.

2:38:34.360 --> 2:38:36.440
<v Speaker 1>Yeah, don't spend that money. I got you.

2:38:36.520 --> 2:38:37.560
<v Speaker 2>This is not Canal Street.

2:38:38.240 --> 2:38:39.119
<v Speaker 1>It was Canal Street.

2:38:41.720 --> 2:38:48.119
<v Speaker 2>No, but listen, listen, listen, listen. I was on your side.

2:38:49.560 --> 2:38:50.920
<v Speaker 6>Hold on, hold on, hold on.

2:38:53.920 --> 2:38:57.360
<v Speaker 2>No, that's the thing. This is the thing. The watch.

2:38:57.600 --> 2:38:59.520
<v Speaker 1>The watch wasn't street.

2:39:00.120 --> 2:39:02.560
<v Speaker 3>I spotted the one that I liked on Canal Street

2:39:03.200 --> 2:39:05.240
<v Speaker 3>and it was on the Chinese side with the good ship.

2:39:05.760 --> 2:39:07.840
<v Speaker 1>No, the good ship, you know, can I got two sids. Ok,

2:39:08.200 --> 2:39:09.440
<v Speaker 1>and you're not the one that goes through the back

2:39:09.480 --> 2:39:10.320
<v Speaker 1>room and do all that, right.

2:39:10.320 --> 2:39:13.200
<v Speaker 3>Okay, this is a good side. So Danny said, no,

2:39:13.240 --> 2:39:14.520
<v Speaker 3>I'm gonna meet your the hotel. So he got me

2:39:14.560 --> 2:39:16.520
<v Speaker 3>to the hotel and he showed me like, oh he's beautiful.

2:39:16.800 --> 2:39:17.280
<v Speaker 2>Now, mind you.

2:39:17.600 --> 2:39:19.720
<v Speaker 1>I'm I don't have no knowledge of time pieces at

2:39:19.760 --> 2:39:21.880
<v Speaker 1>the time. I'm just African. I just know what I

2:39:22.000 --> 2:39:22.880
<v Speaker 1>like and I buy what I like.

2:39:23.320 --> 2:39:27.080
<v Speaker 2>I'm I don't know. H blow is very difficult to tell.

2:39:27.000 --> 2:39:29.680
<v Speaker 1>Though, But at that time I didn't even know even

2:39:29.680 --> 2:39:30.520
<v Speaker 1>know what it was like.

2:39:30.760 --> 2:39:34.400
<v Speaker 2>I just know I liked the shame of it looked nice.

2:39:34.520 --> 2:39:37.320
<v Speaker 1>And he goes shaving ten thousand dollars off. Why not

2:39:38.280 --> 2:39:38.760
<v Speaker 1>think about it?

2:39:38.879 --> 2:39:38.959
<v Speaker 4>Right?

2:39:39.600 --> 2:39:41.720
<v Speaker 2>So Mane, you didn't even say who blow on it?

2:39:43.120 --> 2:39:43.240
<v Speaker 1>Now?

2:39:43.400 --> 2:39:46.000
<v Speaker 2>I think about it. Ain't going on it.

2:39:49.480 --> 2:39:59.680
<v Speaker 1>Before said blowing that mother? Right now I'm thinking I'm

2:39:59.680 --> 2:40:04.000
<v Speaker 1>doing a Indeed, it's my nigga. I said, I'll fuck

2:40:04.040 --> 2:40:07.000
<v Speaker 1>with you, nigga, don't I'm a nigga. I'm I look

2:40:07.160 --> 2:40:09.120
<v Speaker 1>ye get for another nigga, right, I'm just this show you.

2:40:09.200 --> 2:40:10.880
<v Speaker 3>I don't really fuck with you, right, So I got one.

2:40:10.879 --> 2:40:13.119
<v Speaker 3>I said, I'm get my man one. So he comes

2:40:13.160 --> 2:40:13.640
<v Speaker 3>to the hotel.

2:40:13.840 --> 2:40:14.680
<v Speaker 2>Man, I watch is dope?

2:40:14.720 --> 2:40:16.959
<v Speaker 1>Mank man, Nigga, I got one for you. He's happy.

2:40:17.200 --> 2:40:18.840
<v Speaker 1>We both walking out like we nigga.

2:40:18.879 --> 2:40:20.039
<v Speaker 2>We chilling the whole day.

2:40:20.040 --> 2:40:24.400
<v Speaker 1>Nigga and be like this, we're looking for Rick, We're

2:40:24.440 --> 2:40:25.760
<v Speaker 1>looking for Dan. Show the walk.

2:40:25.760 --> 2:40:32.440
<v Speaker 2>We're fixing the niggas can see what he got.

2:40:33.920 --> 2:40:34.600
<v Speaker 1>So we go off.

2:40:34.640 --> 2:40:37.760
<v Speaker 2>Everything is good. Nigga called me a week later, Yo, Bro,

2:40:38.720 --> 2:40:39.360
<v Speaker 2>I said, what's up?

2:40:40.440 --> 2:40:40.520
<v Speaker 1>Yo?

2:40:40.760 --> 2:40:43.360
<v Speaker 2>The watch me? I said what he said?

2:40:43.400 --> 2:40:46.960
<v Speaker 1>Man, that shit ain't real? I said, yes it is?

2:40:47.720 --> 2:40:51.200
<v Speaker 1>He said, I said, what's wrong? The what does this

2:40:51.280 --> 2:40:51.840
<v Speaker 1>stop working?

2:40:51.959 --> 2:40:52.000
<v Speaker 6>Like?

2:40:53.120 --> 2:40:55.360
<v Speaker 2>Did the hair stopped taking or something? He said, Nah,

2:40:55.400 --> 2:40:55.879
<v Speaker 2>the ship.

2:40:55.760 --> 2:40:56.320
<v Speaker 1>Taking is working.

2:40:56.360 --> 2:40:58.600
<v Speaker 2>I said, nigga, this is it's real. He said no,

2:40:59.200 --> 2:41:01.160
<v Speaker 2>he said, Nigga, I thought this was h blow. I said,

2:41:01.160 --> 2:41:04.640
<v Speaker 2>what's that? He said, Nigga, you ain't know this is

2:41:04.720 --> 2:41:05.480
<v Speaker 2>a fake. He blow.

2:41:05.520 --> 2:41:06.600
<v Speaker 1>I said, what is it?

2:41:06.680 --> 2:41:07.080
<v Speaker 2>Hue blow?

2:41:07.160 --> 2:41:08.720
<v Speaker 1>So then I said, let me start looking around.

2:41:09.000 --> 2:41:09.600
<v Speaker 2>Then I saw it.

2:41:09.640 --> 2:41:11.040
<v Speaker 1>I was like, oh, ship, this is the watch that

2:41:11.160 --> 2:41:14.880
<v Speaker 1>I saw at the store. This ship costs this much.

2:41:15.560 --> 2:41:19.400
<v Speaker 1>Then I was like, damn, bro, he said, ship, my

2:41:19.560 --> 2:41:23.040
<v Speaker 1>bad man. Look, just just just keep it as a

2:41:23.120 --> 2:41:24.119
<v Speaker 1>token of my appreciation.

2:41:24.240 --> 2:41:27.360
<v Speaker 2>Bro. It has been. It hasn't been subliminal.

2:41:32.080 --> 2:41:32.320
<v Speaker 1>Ship.

2:41:32.400 --> 2:41:39.720
<v Speaker 2>I kept wearing mine, nig I can't wear I got something.

2:41:39.879 --> 2:41:41.200
<v Speaker 1>Compliments come here.

2:41:42.720 --> 2:41:45.800
<v Speaker 3>I got so many compliments on that thing. Oh man,

2:41:46.520 --> 2:41:48.240
<v Speaker 3>not but me and you know, me and French laughing

2:41:48.240 --> 2:41:50.520
<v Speaker 3>about that ship every day. So now he's like, you

2:41:50.520 --> 2:41:51.800
<v Speaker 3>know what I'm saying, when youre gonna go, you're gonna

2:41:51.800 --> 2:41:52.400
<v Speaker 3>get me a new watch.

2:41:52.680 --> 2:41:53.680
<v Speaker 1>I said, nigga, what I gave you.

2:41:53.680 --> 2:41:55.160
<v Speaker 2>You need to be watching. You need to be buying

2:41:55.240 --> 2:42:03.880
<v Speaker 2>meal washing ship. So so was he actually signed to you? Yeah?

2:42:04.160 --> 2:42:06.200
<v Speaker 1>So so he was. So French was signed to me.

2:42:07.000 --> 2:42:09.240
<v Speaker 1>And my thing was I wanted to go international. With

2:42:09.360 --> 2:42:13.160
<v Speaker 1>him right. So at that time, French was just making

2:42:13.320 --> 2:42:16.120
<v Speaker 1>afro beats back then, not afrobeats.

2:42:15.600 --> 2:42:19.120
<v Speaker 3>But just more commercial acrossover and eventually take him to

2:42:19.160 --> 2:42:20.360
<v Speaker 3>Africa because my whole thing.

2:42:20.400 --> 2:42:23.400
<v Speaker 1>The French was like, bro, you African, nigga, you're from Morocco,

2:42:24.360 --> 2:42:26.480
<v Speaker 1>Like do you know? Yeah, so when you leave America,

2:42:26.520 --> 2:42:30.960
<v Speaker 1>everybody without a doubt. I don't know about that part.

2:42:31.040 --> 2:42:34.080
<v Speaker 2>I apologize. You know what I'm saying. I said, nigga,

2:42:34.080 --> 2:42:34.200
<v Speaker 2>this is.

2:42:34.400 --> 2:42:34.760
<v Speaker 7>This is it.

2:42:35.280 --> 2:42:37.279
<v Speaker 3>So as we start going on, he's still making records,

2:42:37.280 --> 2:42:38.000
<v Speaker 3>but more.

2:42:38.440 --> 2:42:39.040
<v Speaker 1>For New York.

2:42:39.600 --> 2:42:42.200
<v Speaker 3>So they came to me say, Yo, man, mean I

2:42:42.240 --> 2:42:43.680
<v Speaker 3>think I want to just do I want to? I

2:42:43.760 --> 2:42:45.720
<v Speaker 3>really want to base and make sure my my my

2:42:45.920 --> 2:42:48.000
<v Speaker 3>my ship in New York is really cemented properly. So

2:42:48.280 --> 2:42:49.840
<v Speaker 3>I think we should find a party that could work

2:42:49.879 --> 2:42:52.240
<v Speaker 3>with us for New York. I said it was ship,

2:42:53.040 --> 2:42:55.600
<v Speaker 3>think about somebody, let me know. And he's like, when

2:42:55.640 --> 2:42:56.360
<v Speaker 3>you think about Diddy?

2:42:57.000 --> 2:42:59.039
<v Speaker 1>I said, ship is that's the king of New York?

2:42:59.080 --> 2:43:02.040
<v Speaker 1>Of course, why not? You know what I'm saying.

2:43:02.320 --> 2:43:03.680
<v Speaker 2>So he was flying to.

2:43:03.720 --> 2:43:06.040
<v Speaker 3>Vegas to go meet with Diddy and then when he

2:43:06.080 --> 2:43:07.240
<v Speaker 3>got there, he put Diddy on the phone.

2:43:07.240 --> 2:43:08.640
<v Speaker 1>Did He was like, Nigga, brown sugar. Will we be

2:43:08.680 --> 2:43:09.280
<v Speaker 1>doing brown sugar?

2:43:09.360 --> 2:43:11.560
<v Speaker 3>And he be calling me brown sugar, Niggo we doing, Nigga,

2:43:11.560 --> 2:43:13.520
<v Speaker 3>we be doing. I said, man, listen, this kid right

2:43:13.560 --> 2:43:15.040
<v Speaker 3>here to me is the biggest thing for me in

2:43:15.120 --> 2:43:17.440
<v Speaker 3>New York. And I can't take him where he's trying

2:43:17.440 --> 2:43:18.840
<v Speaker 3>to go in New York. The only thing I could

2:43:18.840 --> 2:43:20.400
<v Speaker 3>see is a partnership with you to put it off

2:43:20.879 --> 2:43:23.000
<v Speaker 3>and pull that off. And he was like, man, listen,

2:43:23.280 --> 2:43:24.800
<v Speaker 3>with your blessing, if you let me take this on,

2:43:24.879 --> 2:43:26.119
<v Speaker 3>I got it. I said, man, let we go ahead,

2:43:26.160 --> 2:43:26.320
<v Speaker 3>take it.

2:43:26.600 --> 2:43:26.760
<v Speaker 7>Wow.

2:43:26.800 --> 2:43:28.960
<v Speaker 1>And that's how we ended up moving. So how you

2:43:29.200 --> 2:43:31.120
<v Speaker 1>started doing stuff with Diddy? Wow?

2:43:31.120 --> 2:43:33.200
<v Speaker 3>Because I was always the kind of artist like, even

2:43:33.240 --> 2:43:35.880
<v Speaker 3>though when I sign acts, I'm not the kind of

2:43:36.080 --> 2:43:37.640
<v Speaker 3>artist that I want to find.

2:43:37.480 --> 2:43:41.160
<v Speaker 1>The best way for you to go. Cause me, my

2:43:41.280 --> 2:43:42.800
<v Speaker 1>goal is to make you bigger than me if I

2:43:42.840 --> 2:43:43.240
<v Speaker 1>can do that.

2:43:43.720 --> 2:43:45.440
<v Speaker 6>Was that something you learned off of Jimmy and Ivan

2:43:45.760 --> 2:43:48.160
<v Speaker 6>saying this was before Jimmy, Oh, this before this was

2:43:48.240 --> 2:43:52.480
<v Speaker 6>just me seeing how like executives look.

2:43:52.840 --> 2:43:56.240
<v Speaker 1>When one of theirs is huge, it makes you look

2:43:56.320 --> 2:43:56.880
<v Speaker 1>like a genius.

2:43:57.200 --> 2:44:00.160
<v Speaker 3>Sometimes the artist could be humongous but I even all

2:44:00.200 --> 2:44:02.240
<v Speaker 3>your involvement, but you're still going to get the credit

2:44:02.760 --> 2:44:04.640
<v Speaker 3>because of the fact that you put the person out

2:44:04.680 --> 2:44:05.480
<v Speaker 3>into the marketplace.

2:44:05.760 --> 2:44:06.320
<v Speaker 1>You know what I'm saying.

2:44:06.760 --> 2:44:08.800
<v Speaker 3>So I always looked at as I always looked at

2:44:08.840 --> 2:44:11.120
<v Speaker 3>it from a leveraging standpoint, because I always saw music

2:44:11.160 --> 2:44:13.320
<v Speaker 3>as a stepping stone or a bridge to get to

2:44:13.400 --> 2:44:14.160
<v Speaker 3>the real business.

2:44:14.720 --> 2:44:17.480
<v Speaker 1>So people that's around me have to be attached.

2:44:17.280 --> 2:44:19.480
<v Speaker 3>That they have to be successful for me to have

2:44:19.840 --> 2:44:22.920
<v Speaker 3>these pitches taken seriously, you know, because now they're looking

2:44:22.920 --> 2:44:24.720
<v Speaker 3>at my track record in the in the in the

2:44:24.760 --> 2:44:26.360
<v Speaker 3>sector at which I'm actually active in.

2:44:26.680 --> 2:44:29.760
<v Speaker 1>Ok Is he successful there? Okay? Cool? So clearly he

2:44:29.879 --> 2:44:30.560
<v Speaker 1>knows what he's doing.

2:44:30.800 --> 2:44:32.920
<v Speaker 3>Okay, Now, how can we use that to break this

2:44:33.080 --> 2:44:35.280
<v Speaker 3>brand or partner with this brand, or take this piece

2:44:35.320 --> 2:44:36.320
<v Speaker 3>of label to the next level?

2:44:36.360 --> 2:44:38.080
<v Speaker 1>You know what I'm saying? Right right?

2:44:38.400 --> 2:44:41.120
<v Speaker 2>If right now, right? I know you told me the

2:44:41.160 --> 2:44:43.000
<v Speaker 2>places to go on Africa, But if I wanted to

2:44:43.120 --> 2:44:45.960
<v Speaker 2>invest in the Africa, right, what's what are some of

2:44:46.040 --> 2:44:47.360
<v Speaker 2>the things that I should look to.

2:44:48.200 --> 2:44:49.879
<v Speaker 3>The first thing you should invest in, and I think

2:44:49.920 --> 2:44:53.560
<v Speaker 3>that should be everybody's focus is real estate. Real estate,

2:44:53.640 --> 2:44:57.879
<v Speaker 3>How super easy, super super easy but you don't want

2:44:57.879 --> 2:45:00.120
<v Speaker 3>to invest from here. You want to go there, so

2:45:00.240 --> 2:45:03.120
<v Speaker 3>you physically go there, physically go there like that's like

2:45:03.840 --> 2:45:05.640
<v Speaker 3>if you're gonna just do it by sitting here, you

2:45:05.760 --> 2:45:08.200
<v Speaker 3>might just go to Vegas and just toss your money

2:45:08.240 --> 2:45:08.680
<v Speaker 3>in the casino.

2:45:08.840 --> 2:45:11.440
<v Speaker 1>Got Because the thing is with investment, you got to

2:45:11.480 --> 2:45:12.200
<v Speaker 1>know what you're investing in.

2:45:12.280 --> 2:45:13.920
<v Speaker 3>You gotta be able to see the land, see the potential,

2:45:13.959 --> 2:45:16.280
<v Speaker 3>see the areas that's growing, that's moving in that direction.

2:45:16.360 --> 2:45:19.360
<v Speaker 3>Real estate is very it's mathematical, but you also have

2:45:19.480 --> 2:45:22.080
<v Speaker 3>to have information through certain people to know which direction

2:45:22.160 --> 2:45:23.720
<v Speaker 3>the development is headed, and that's the.

2:45:23.760 --> 2:45:25.560
<v Speaker 1>Area where you want to be. You know, you don't

2:45:25.600 --> 2:45:26.840
<v Speaker 1>want to go right where the.

2:45:27.440 --> 2:45:30.680
<v Speaker 3>Investment is actually building now, but the development is going

2:45:30.720 --> 2:45:32.760
<v Speaker 3>in that direction in the next two three years you

2:45:32.800 --> 2:45:35.039
<v Speaker 3>can get that's what you get it at that level.

2:45:35.280 --> 2:45:36.680
<v Speaker 1>So by the time it get there, they have to

2:45:36.760 --> 2:45:38.320
<v Speaker 1>come see you. You know what I'm saying.

2:45:38.320 --> 2:45:39.840
<v Speaker 3>You can either be a part of in the development

2:45:40.160 --> 2:45:41.760
<v Speaker 3>or you can sell it out for five six times

2:45:41.879 --> 2:45:44.280
<v Speaker 3>multiple on what you purchase it for, you know what

2:45:44.320 --> 2:45:46.880
<v Speaker 3>I mean. But land right now is the best place

2:45:46.959 --> 2:45:49.920
<v Speaker 3>to start in Africa because everybody in the globe is

2:45:50.040 --> 2:45:52.800
<v Speaker 3>investing in Africa and it's all coming into development. So

2:45:53.040 --> 2:45:55.800
<v Speaker 3>if you can acquire the land before they get to it, man,

2:45:55.840 --> 2:45:57.120
<v Speaker 3>you're golden for the rest of your life.

2:45:57.280 --> 2:45:59.520
<v Speaker 6>Does that help Africans for people from outside to.

2:45:59.560 --> 2:46:00.879
<v Speaker 1>Invest it and buying land.

2:46:01.040 --> 2:46:03.480
<v Speaker 3>Absolutely, because it creates an economy, It creates jobs, It

2:46:03.560 --> 2:46:05.760
<v Speaker 3>creates more opportunities for even them to be able to

2:46:05.760 --> 2:46:08.240
<v Speaker 3>do things. Because we gotta think Africa in a big

2:46:08.320 --> 2:46:12.199
<v Speaker 3>way is lacking resources. So if people don't come creating

2:46:12.360 --> 2:46:15.240
<v Speaker 3>or bringing resources there, it's gonna be on standstill. Right,

2:46:15.440 --> 2:46:18.600
<v Speaker 3>So it benefits, it's Africa's Yes, it benefits. Then when

2:46:18.640 --> 2:46:20.920
<v Speaker 3>people come and invest and create opportunity.

2:46:21.480 --> 2:46:23.480
<v Speaker 2>How about it be like I'm a condo guy, I

2:46:23.480 --> 2:46:24.039
<v Speaker 2>don't really.

2:46:23.879 --> 2:46:26.760
<v Speaker 1>Like how right? Which is even better? Actually condos go

2:46:26.879 --> 2:46:27.440
<v Speaker 1>even quicker.

2:46:27.680 --> 2:46:31.200
<v Speaker 3>Oh wow, man, listen in Senegal right now, you can't

2:46:31.280 --> 2:46:35.200
<v Speaker 3>find just the land to build a condo in the

2:46:35.240 --> 2:46:36.000
<v Speaker 3>city for seven.

2:46:35.920 --> 2:46:37.920
<v Speaker 1>Hundred and fifty thousand acre. Wow.

2:46:38.120 --> 2:46:38.720
<v Speaker 2>That's an acre.

2:46:39.520 --> 2:46:42.720
<v Speaker 3>Wow, seven hundred and fifty thousand dollars per acre. And

2:46:42.840 --> 2:46:44.879
<v Speaker 3>that's just the land by self before the condo's up.

2:46:45.200 --> 2:46:47.600
<v Speaker 3>Once the condo's up, they starting at a million dollars

2:46:47.640 --> 2:46:52.000
<v Speaker 3>each wow. And that's the person that was buying land

2:46:52.840 --> 2:46:54.280
<v Speaker 3>at the time when we was buying land. Now look

2:46:54.280 --> 2:46:54.920
<v Speaker 3>where they're at with it.

2:46:55.640 --> 2:46:59.280
<v Speaker 2>Like everyone is moving to Puerto Rico right now because

2:46:59.600 --> 2:47:02.600
<v Speaker 2>the tax break. Is there a place in Africa where

2:47:02.600 --> 2:47:04.600
<v Speaker 2>there's a tax bak like people have that, do bay?

2:47:04.680 --> 2:47:05.480
<v Speaker 2>I believe too as.

2:47:05.440 --> 2:47:07.600
<v Speaker 1>We listen, everywhere in Africa is a tax break. Ain't

2:47:07.640 --> 2:47:08.240
<v Speaker 1>no tax.

2:47:12.080 --> 2:47:13.440
<v Speaker 2>To keep your money there because if you bring it

2:47:13.520 --> 2:47:14.240
<v Speaker 2>over here then you're.

2:47:14.160 --> 2:47:14.800
<v Speaker 1>Gonna have to pay.

2:47:15.040 --> 2:47:17.320
<v Speaker 3>But that's I mean, that's I mean, that's just you know,

2:47:17.720 --> 2:47:20.360
<v Speaker 3>whoever is your CFO, they'll tell you exactly how to

2:47:20.400 --> 2:47:22.879
<v Speaker 3>move your money around. But I think the continent product

2:47:22.959 --> 2:47:25.560
<v Speaker 3>right now, in the near future, it's the most safest

2:47:25.560 --> 2:47:28.000
<v Speaker 3>way to park your money. And it's gonna be I mean,

2:47:28.160 --> 2:47:31.200
<v Speaker 3>that's where everybody's going. Everywhere else, everybody's afraid trying to

2:47:31.200 --> 2:47:32.400
<v Speaker 3>pull their money out so they can be a.

2:47:32.640 --> 2:47:38.039
<v Speaker 1>Freely spend it, right you know. Yeah, this is crazy, man. Yeah,

2:47:38.120 --> 2:47:38.680
<v Speaker 1>So get to it.

2:47:38.920 --> 2:47:43.320
<v Speaker 2>Yeah, I'm getting to it. So this the hottest spots again, Ghana,

2:47:43.680 --> 2:47:44.600
<v Speaker 2>Nigeria right now.

2:47:44.840 --> 2:47:52.520
<v Speaker 3>Ghana, Nigeria, Senegal, Rwanda, uh Kenya, Kenya is very hot

2:47:52.600 --> 2:47:56.360
<v Speaker 3>right now. Cape verd beautiful islands. It's almost like the

2:47:56.800 --> 2:48:00.320
<v Speaker 3>like the like the West, you know, Rhode Island, yep.

2:48:04.120 --> 2:48:10.840
<v Speaker 2>So the caver is Africa like Tanzania, Tanzania.

2:48:11.040 --> 2:48:14.240
<v Speaker 3>Super opportunities over there, without a doubt when it comes

2:48:14.280 --> 2:48:20.160
<v Speaker 3>to real estate, housing, affordable living and amazing South Africa. Beautiful,

2:48:20.879 --> 2:48:25.440
<v Speaker 3>beautiful bro beautiful houses, beautiful beaches and it's cheap. It's

2:48:25.480 --> 2:48:29.240
<v Speaker 3>not even expensive to Cape Town is amazing and it's

2:48:29.560 --> 2:48:32.960
<v Speaker 3>I mean the price point, bro man, whatever you spend

2:48:33.000 --> 2:48:34.920
<v Speaker 3>in the Miami, if you see the house that you

2:48:34.959 --> 2:48:38.000
<v Speaker 3>could buy with that sound beautiful bro on the water

2:48:38.520 --> 2:48:40.720
<v Speaker 3>with the splashes of that water every morning.

2:48:41.600 --> 2:48:44.280
<v Speaker 6>And Johanna's to me, it reminded me of like New

2:48:44.360 --> 2:48:46.840
<v Speaker 6>York and the eighties, like the way that the metropolitan

2:48:47.440 --> 2:48:51.240
<v Speaker 6>view of it is dope, beautiful, get staffed. No, no, no,

2:48:51.360 --> 2:48:55.640
<v Speaker 6>I'm just saying no, you're right, You're right. I'm just saying,

2:48:55.680 --> 2:48:56.160
<v Speaker 6>like the way that.

2:48:59.080 --> 2:49:01.640
<v Speaker 3>I would give it more of a like Johannesburg is

2:49:01.720 --> 2:49:06.160
<v Speaker 3>more like what is describing Cape Town is more like Venice, right,

2:49:06.240 --> 2:49:06.760
<v Speaker 3>you know what I'm.

2:49:06.600 --> 2:49:12.320
<v Speaker 1>Saying, It's more of Italy in l a Venison, probably

2:49:12.400 --> 2:49:15.320
<v Speaker 1>Venice in La Okay Venice in La Yeah, I mean,

2:49:15.400 --> 2:49:17.520
<v Speaker 1>but they got the political needs. They got to deal

2:49:17.560 --> 2:49:17.680
<v Speaker 1>with that.

2:49:18.120 --> 2:49:20.800
<v Speaker 3>And I think that's everywhere. But I think as once

2:49:20.800 --> 2:49:25.160
<v Speaker 3>should become a notable you know, like entrepreneur. Over those

2:49:25.200 --> 2:49:28.640
<v Speaker 3>areas you get influenced, so politics don't really affect you,

2:49:29.160 --> 2:49:30.880
<v Speaker 3>right because you get in bed with those guys to

2:49:30.920 --> 2:49:33.879
<v Speaker 3>get to do business, you know, to help move policy

2:49:33.920 --> 2:49:36.600
<v Speaker 3>forward for your agenda, their agendas, like it's all about

2:49:36.680 --> 2:49:37.959
<v Speaker 3>you know, it's just business.

2:49:37.800 --> 2:49:40.200
<v Speaker 6>Politicals And the people are amazing out there. Yeah, I

2:49:40.240 --> 2:49:41.680
<v Speaker 6>mean I only been to South Africa, but the people

2:49:41.720 --> 2:49:42.119
<v Speaker 6>were amazing.

2:49:42.160 --> 2:49:44.680
<v Speaker 2>Yeah, as you opened a Drake Champs bar after that

2:49:44.680 --> 2:49:45.600
<v Speaker 2>would be easy.

2:49:45.959 --> 2:49:48.160
<v Speaker 3>That would be crazy only in South Africa though, because

2:49:48.160 --> 2:49:51.280
<v Speaker 3>a lot of countries in Africa are Muslim, so those

2:49:51.280 --> 2:49:53.959
<v Speaker 3>populations don't drink or smoke, right, they're doing in quiet

2:49:54.160 --> 2:49:57.680
<v Speaker 3>or after our spots like that. But like any any

2:49:57.760 --> 2:50:00.800
<v Speaker 3>areas like Uganda would be good for that, anywhere in

2:50:00.879 --> 2:50:03.640
<v Speaker 3>South as Nigeria they drink out there, right, Nigeria would

2:50:03.640 --> 2:50:05.800
<v Speaker 3>be good for that because Nigeria's split half.

2:50:06.280 --> 2:50:08.080
<v Speaker 2>What's the place that they say, like they stay open

2:50:08.240 --> 2:50:10.720
<v Speaker 2>almost twenty four hours and just keep partying, keeping Nigeria.

2:50:11.480 --> 2:50:12.240
<v Speaker 1>Nigerian parties.

2:50:12.360 --> 2:50:12.920
<v Speaker 2>That's Nigeria.

2:50:13.480 --> 2:50:16.720
<v Speaker 3>Does it when it's time, like during festive festive.

2:50:16.440 --> 2:50:18.560
<v Speaker 1>Moments and months. Okay, you know when people come from

2:50:18.560 --> 2:50:20.360
<v Speaker 1>all over the world, they just be partying all night.

2:50:20.720 --> 2:50:24.199
<v Speaker 2>Right yeah, oh man, I'm convinced.

2:50:24.240 --> 2:50:25.960
<v Speaker 1>Hey man, you can watch my documentary Coming Home, so

2:50:26.080 --> 2:50:28.760
<v Speaker 1>that I'm just saying, shame. I remember, I gotta watch

2:50:28.800 --> 2:50:30.880
<v Speaker 1>that right now, I gotta watch that.

2:50:30.959 --> 2:50:33.280
<v Speaker 2>I think I said this to you on the last episode.

2:50:33.280 --> 2:50:36.480
<v Speaker 2>But I remember all the time getting shows in Africa

2:50:37.160 --> 2:50:37.400
<v Speaker 2>and you.

2:50:37.720 --> 2:50:38.200
<v Speaker 1>Turn them down.

2:50:38.760 --> 2:50:41.480
<v Speaker 2>I'm saying, you need you need this is way before that.

2:50:41.520 --> 2:50:44.720
<v Speaker 2>You don't need it from Yeah, And that's how they

2:50:44.760 --> 2:50:45.680
<v Speaker 2>always use to say that.

2:50:45.760 --> 2:50:46.520
<v Speaker 1>I think it's a choice.

2:50:46.520 --> 2:50:48.320
<v Speaker 3>Now I'm want to say something without signing of racist,

2:50:48.360 --> 2:50:51.720
<v Speaker 3>but Blacks and Latinos don't need shots for Africa a right, really, yes,

2:50:51.760 --> 2:50:53.800
<v Speaker 3>they already got DNA. White people is a little bit

2:50:53.800 --> 2:50:57.400
<v Speaker 3>different because they more the temperature and the kind of

2:50:57.480 --> 2:51:00.520
<v Speaker 3>things that their their skin and body can withstand. A

2:51:00.600 --> 2:51:02.240
<v Speaker 3>lot of it won't survive in Africa, so they need

2:51:02.280 --> 2:51:04.279
<v Speaker 3>shots to, you know, to kind of boost their immunes

2:51:04.280 --> 2:51:04.600
<v Speaker 3>and stuff.

2:51:04.640 --> 2:51:06.720
<v Speaker 6>But y'all straight, I mean, I definitely didn't take a

2:51:06.720 --> 2:51:07.760
<v Speaker 6>shot when I went to South Africa.

2:51:07.840 --> 2:51:08.720
<v Speaker 1>Yeah, you won't need it.

2:51:09.240 --> 2:51:12.280
<v Speaker 2>It was good, we ate good, we drank good. Yeah,

2:51:12.280 --> 2:51:12.640
<v Speaker 2>it's true.

2:51:13.760 --> 2:51:16.280
<v Speaker 1>Well, it's like it's like it's like when I go,

2:51:16.440 --> 2:51:17.360
<v Speaker 1>like to the North Pole.

2:51:18.240 --> 2:51:19.720
<v Speaker 3>Like when I go to the North Pole, I gotta

2:51:19.720 --> 2:51:22.200
<v Speaker 3>take shots. I can't be around places too cold, I

2:51:22.240 --> 2:51:22.520
<v Speaker 3>get sick.

2:51:22.800 --> 2:51:24.160
<v Speaker 2>You've been North Pole once?

2:51:25.440 --> 2:51:28.440
<v Speaker 1>I took shots? Take shots?

2:51:29.640 --> 2:51:34.320
<v Speaker 2>Huh No, I don't know.

2:51:34.800 --> 2:51:37.560
<v Speaker 3>It was a private it was a private wedding by

2:51:38.000 --> 2:51:40.920
<v Speaker 3>a wealthy Russian family. Had to be bro I froze

2:51:40.959 --> 2:51:44.360
<v Speaker 3>my balls off. I said, I'm never going back there ever.

2:51:45.800 --> 2:51:47.720
<v Speaker 3>But I remember I remember having to take shots before

2:51:47.720 --> 2:51:47.959
<v Speaker 3>I went.

2:51:48.560 --> 2:51:49.920
<v Speaker 2>And what was your shots?

2:51:50.040 --> 2:51:51.920
<v Speaker 1>Like, I don't even know what it was. I don't

2:51:51.920 --> 2:51:52.560
<v Speaker 1>even know what it was.

2:51:52.640 --> 2:51:54.320
<v Speaker 2>It was like the opposite of all I know that

2:51:54.440 --> 2:51:54.640
<v Speaker 2>it was.

2:51:54.840 --> 2:51:56.760
<v Speaker 3>They said, you might want to take the shot before

2:51:56.800 --> 2:51:59.560
<v Speaker 3>you go. I said, I'm good. He said, no, trust me,

2:52:00.040 --> 2:52:01.240
<v Speaker 3>you're black. You gotta take a shot.

2:52:01.840 --> 2:52:02.120
<v Speaker 2>Ship.

2:52:02.680 --> 2:52:05.920
<v Speaker 3>That's when I realized, oh, Ship, certain people just survived

2:52:05.959 --> 2:52:08.119
<v Speaker 3>better than certain parts of the world because of our DNA.

2:52:10.200 --> 2:52:10.600
<v Speaker 2>That's it.

2:52:10.840 --> 2:52:11.240
<v Speaker 1>That's ill.

2:52:11.400 --> 2:52:13.520
<v Speaker 2>That's I got to make some lawyers that I never

2:52:13.600 --> 2:52:18.880
<v Speaker 2>knew not it like that. Yeah, besides Africa, where's the

2:52:18.920 --> 2:52:21.280
<v Speaker 2>illest part in the world that two like alum are

2:52:21.360 --> 2:52:23.640
<v Speaker 2>performed and we were like freaked out.

2:52:23.959 --> 2:52:25.920
<v Speaker 1>The illest part, you know what.

2:52:26.120 --> 2:52:29.080
<v Speaker 3>I think probably the one place that I did perform

2:52:29.160 --> 2:52:32.879
<v Speaker 3>and I didn't expect it to be I didn't expect

2:52:32.920 --> 2:52:35.320
<v Speaker 3>it to be as crazy as it was was Lebanon.

2:52:35.840 --> 2:52:37.520
<v Speaker 2>Lebanon, Yo, Lebanon.

2:52:37.560 --> 2:52:37.920
<v Speaker 1>I don't know.

2:52:38.160 --> 2:52:39.840
<v Speaker 6>They call it the Vegas of the Middle East something

2:52:39.879 --> 2:52:44.920
<v Speaker 6>like that, or the parents of the Middle I don't

2:52:44.959 --> 2:52:46.400
<v Speaker 6>realize how crazy.

2:52:47.080 --> 2:52:47.200
<v Speaker 1>Yo.

2:52:47.320 --> 2:52:50.320
<v Speaker 3>Those probably got easiest wireless fans I ever was in

2:52:50.360 --> 2:52:51.720
<v Speaker 3>front of Lebanon.

2:52:52.720 --> 2:52:55.320
<v Speaker 1>Oh my god. They just had some crazy civil wars.

2:52:55.240 --> 2:52:59.640
<v Speaker 3>Lebanon and Pakistan. Pakistan was crazy too, really, Pakistan was crazy.

2:53:00.000 --> 2:53:01.280
<v Speaker 3>Audience as religious as they are.

2:53:01.640 --> 2:53:04.720
<v Speaker 2>Yeah, it was packed.

2:53:05.280 --> 2:53:08.600
<v Speaker 1>And that audience, when I tell you, I can't imagine

2:53:08.640 --> 2:53:10.560
<v Speaker 1>if y'all to perform out that with your type of music.

2:53:11.000 --> 2:53:21.160
<v Speaker 1>Oh my goodness. What did you see in college? And

2:53:21.480 --> 2:53:22.959
<v Speaker 1>Rick Ross and then went to Saudi?

2:53:23.360 --> 2:53:26.560
<v Speaker 2>Yeah, where they go? They went to Saudi, They went

2:53:26.600 --> 2:53:31.240
<v Speaker 2>to college. Then they they did the thing.

2:53:31.640 --> 2:53:34.280
<v Speaker 1>It was the festival. It was a festival.

2:53:34.320 --> 2:53:36.840
<v Speaker 2>It was like the second or third year doing it,

2:53:37.320 --> 2:53:40.080
<v Speaker 2>like but like the first time like in years they

2:53:40.120 --> 2:53:42.920
<v Speaker 2>could actually listen to music. So you actually hear their

2:53:42.959 --> 2:53:45.320
<v Speaker 2>response being late, like you know when you go like

2:53:45.360 --> 2:53:48.360
<v Speaker 2>this and let the crowd because they're like so not

2:53:48.600 --> 2:53:50.879
<v Speaker 2>used to like hearing music. They was a little late.

2:53:50.920 --> 2:53:53.680
<v Speaker 2>I was listening, was like, oh they knew the words,

2:53:54.120 --> 2:53:55.160
<v Speaker 2>but they were just a little late.

2:53:55.240 --> 2:53:56.520
<v Speaker 1>It's like it was against the religion.

2:53:57.200 --> 2:53:57.360
<v Speaker 4>It was.

2:53:57.680 --> 2:54:00.280
<v Speaker 2>It's still to see like the world get modernized. Yeah

2:54:00.280 --> 2:54:03.640
<v Speaker 2>it is again like I said, so many times they

2:54:03.640 --> 2:54:06.080
<v Speaker 2>would subscribed Africa and they would described the jungles and

2:54:06.200 --> 2:54:09.000
<v Speaker 2>like laying with a spear, you know what I mean,

2:54:09.120 --> 2:54:14.039
<v Speaker 2>like like where like a stereotypical ship. And I believe

2:54:14.840 --> 2:54:16.200
<v Speaker 2>was the first person that he was like, man, they

2:54:16.240 --> 2:54:19.560
<v Speaker 2>got ws in Africa and you know, the most.

2:54:19.400 --> 2:54:21.640
<v Speaker 1>Depth still out there. He lives in South Africa, been

2:54:21.680 --> 2:54:23.840
<v Speaker 1>there for almost but we've been we saw him. He's

2:54:23.840 --> 2:54:24.880
<v Speaker 1>been out here a lot of doing it.

2:54:24.959 --> 2:54:26.560
<v Speaker 2>But his name is seen.

2:54:26.959 --> 2:54:28.520
<v Speaker 1>Yeah I still call him.

2:54:30.320 --> 2:54:34.560
<v Speaker 2>I wants not disrespect. I love but you know, yeah, yeah.

2:54:34.600 --> 2:54:35.840
<v Speaker 1>He can call me Ali. I'm cool.

2:54:36.080 --> 2:54:37.279
<v Speaker 2>That's that's your Muslim.

2:54:37.440 --> 2:54:38.640
<v Speaker 1>That's that's my first name.

2:54:38.720 --> 2:54:39.440
<v Speaker 2>It's your first name.

2:54:39.520 --> 2:54:42.040
<v Speaker 1>Yeah, Okay, goddamn, that's why your whole name.

2:54:42.160 --> 2:54:43.560
<v Speaker 2>Don't you got an ill long name?

2:54:43.680 --> 2:54:46.280
<v Speaker 1>Yeah, you gotta look that one up so long.

2:54:46.360 --> 2:54:49.280
<v Speaker 2>He don't want to say. I feel like I'm writing

2:54:49.320 --> 2:54:54.080
<v Speaker 2>the parad Was that something that kids joked on you

2:54:54.200 --> 2:54:54.600
<v Speaker 2>in school?

2:54:55.080 --> 2:54:55.720
<v Speaker 1>They never knew?

2:54:55.920 --> 2:54:56.160
<v Speaker 2>Okay?

2:54:58.560 --> 2:55:01.080
<v Speaker 3>Yeah, the teacher would just be like Ali charm I

2:55:01.280 --> 2:55:04.160
<v Speaker 3>like she didn't want to embarrass me.

2:55:04.320 --> 2:55:07.000
<v Speaker 2>Because back because back in the days, we used to

2:55:07.040 --> 2:55:09.200
<v Speaker 2>have the Haitians, right, and they used to wear the

2:55:09.320 --> 2:55:11.640
<v Speaker 2>Jamaican belts like they.

2:55:11.920 --> 2:55:13.879
<v Speaker 1>Used to want to be the Jamaican. I didn't want

2:55:13.920 --> 2:55:19.800
<v Speaker 1>to be a Jamaican. I see my own eyes. Maybe

2:55:20.040 --> 2:55:20.600
<v Speaker 1>this will happen.

2:55:21.959 --> 2:55:24.840
<v Speaker 3>The Haitians was just being Haitianus and everybody thought they

2:55:24.879 --> 2:55:27.760
<v Speaker 3>was Jamaican because they want the same colors.

2:55:27.640 --> 2:55:28.160
<v Speaker 1>Right right?

2:55:28.640 --> 2:55:30.280
<v Speaker 2>Did you ever wear the Jamaican belt?

2:55:30.360 --> 2:55:30.480
<v Speaker 1>Oh?

2:55:30.560 --> 2:55:35.800
<v Speaker 3>Yeah, absolutely, I wanted Jamaican belt. I wanted the holy

2:55:36.640 --> 2:55:38.320
<v Speaker 3>What what the hose?

2:55:44.200 --> 2:55:44.480
<v Speaker 1>Those are?

2:55:44.480 --> 2:55:45.200
<v Speaker 2>The summertime?

2:55:46.400 --> 2:55:46.440
<v Speaker 4>What?

2:55:47.800 --> 2:55:48.160
<v Speaker 1>There you go?

2:55:48.360 --> 2:55:51.120
<v Speaker 2>What they call holy? You ain't gonta jump out the

2:55:58.879 --> 2:56:01.800
<v Speaker 2>the balleys bro to who the ballet? The ballant? You

2:56:01.879 --> 2:56:04.040
<v Speaker 2>know about the ballant? The clocks, I don't say the clocks.

2:56:04.160 --> 2:56:07.680
<v Speaker 1>Well, my generation, my generation more ballet's. Okay, clock clocks

2:56:07.760 --> 2:56:10.840
<v Speaker 1>was a little bit before me. But bb d's used

2:56:10.840 --> 2:56:11.800
<v Speaker 1>to bb ds.

2:56:11.840 --> 2:56:12.560
<v Speaker 2>You don't know about those.

2:56:13.400 --> 2:56:17.360
<v Speaker 3>I couldn't do the silk, okay, Yeah, he was a

2:56:17.400 --> 2:56:20.200
<v Speaker 3>silky boy. That the silk was more Latin. That was

2:56:20.240 --> 2:56:21.200
<v Speaker 3>more Latin, My bad.

2:56:21.320 --> 2:56:25.919
<v Speaker 2>He went up. Yeah, hit the Puerto Rican Quai.

2:56:29.760 --> 2:56:29.960
<v Speaker 1>Yeah.

2:56:31.560 --> 2:56:36.040
<v Speaker 2>Cheese, Paco jeans, Yeah, I used to work Theodora y Rock.

2:56:37.440 --> 2:56:39.039
<v Speaker 2>You know it was the ship lottos. You could take

2:56:39.040 --> 2:56:39.640
<v Speaker 2>the patch off.

2:56:41.000 --> 2:56:41.200
<v Speaker 6>You know.

2:56:43.560 --> 2:56:46.680
<v Speaker 2>About Paco jeans, he has to be a little hickeys,

2:56:47.000 --> 2:56:48.360
<v Speaker 2>a little paco though.

2:56:49.840 --> 2:56:52.720
<v Speaker 1>Jeans are here edwins, we don't. So we had we

2:56:52.800 --> 2:56:54.000
<v Speaker 1>never walked those. That's what we had.

2:56:54.560 --> 2:56:59.240
<v Speaker 3>Really, What about them? Cross colors though, cross colors, yeah, colors.

2:57:00.000 --> 2:57:02.160
<v Speaker 3>And that's when Karl Kaik came out. He was your

2:57:02.240 --> 2:57:04.480
<v Speaker 3>car was just too high. He was so expensive.

2:57:05.640 --> 2:57:09.800
<v Speaker 2>Damage you said, damage used used guests is still lit

2:57:09.879 --> 2:57:13.760
<v Speaker 2>out here. Your your bowls over, yo. But you know

2:57:13.840 --> 2:57:16.720
<v Speaker 2>who you know who made an amazing comeback though.

2:57:17.080 --> 2:57:17.920
<v Speaker 1>M C M YO.

2:57:21.680 --> 2:57:25.200
<v Speaker 2>Technically didn't go away. They just just really did really

2:57:25.280 --> 2:57:28.520
<v Speaker 2>light in our community. But it didn't go away period.

2:57:28.800 --> 2:57:30.480
<v Speaker 2>It stayed in the malls, though it stayed in the

2:57:30.520 --> 2:57:32.840
<v Speaker 2>mall like Beniton is over. You don't see Beniton no

2:57:32.920 --> 2:57:34.199
<v Speaker 2>more in the malls.

2:57:34.360 --> 2:57:34.800
<v Speaker 1>Ye it did.

2:57:35.040 --> 2:57:37.600
<v Speaker 2>M CM stayed in the malls. It just didn't Our

2:57:37.680 --> 2:57:40.080
<v Speaker 2>coach wasn't sucking with it because you know, our coachre

2:57:40.080 --> 2:57:42.800
<v Speaker 2>fucked with it when Dapper Dan took it and made

2:57:42.840 --> 2:57:45.720
<v Speaker 2>that chopped that ship up, and then with m CM

2:57:45.800 --> 2:57:51.840
<v Speaker 2>didn't accept him. Remember that's what happened. Yeah, Tim said

2:57:51.959 --> 2:57:54.280
<v Speaker 2>fuck us at first, and then we said fuck you back,

2:57:54.280 --> 2:57:57.959
<v Speaker 2>and Tim said, let's make it right. Tim said let's

2:57:58.000 --> 2:58:00.680
<v Speaker 2>make it right, and we made it right. Crystal did

2:58:00.760 --> 2:58:02.240
<v Speaker 2>not say let's make it right. That's the reason why

2:58:02.520 --> 2:58:05.040
<v Speaker 2>Spade is here, you know, one of the sampage in

2:58:05.040 --> 2:58:09.960
<v Speaker 2>the world. But I like talking about this. Who else

2:58:10.000 --> 2:58:10.400
<v Speaker 2>who else?

2:58:11.320 --> 2:58:11.800
<v Speaker 1>Friends back?

2:58:12.080 --> 2:58:17.960
<v Speaker 2>But at least yeah, absolutely flaid the man.

2:58:18.600 --> 2:58:24.200
<v Speaker 1>I said that, Okay, my bad. You know I ain't drinking. Yeah,

2:58:24.360 --> 2:58:26.760
<v Speaker 1>you know, should be should commute wrong. I would have

2:58:26.760 --> 2:58:27.920
<v Speaker 1>been a point if I was drinking.

2:58:28.520 --> 2:58:31.360
<v Speaker 2>Oh man, damn what other round? But man, yo a

2:58:31.560 --> 2:58:34.440
<v Speaker 2>car man. We really appreciate you stopping vibe man as

2:58:35.120 --> 2:58:37.920
<v Speaker 2>Oh man, it was funny as hell, beautiful. Man did

2:58:38.000 --> 2:58:43.960
<v Speaker 2>everything right, Man, your flowers, man, I love I like it.

2:58:44.840 --> 2:58:47.440
<v Speaker 2>Fly ship man, he said, give me a scented candle. Man,

2:58:47.680 --> 2:58:49.280
<v Speaker 2>that's what I'm gonna do. I'm gonna start doing that

2:58:49.360 --> 2:58:54.360
<v Speaker 2>in my riders, a scented candle. You think sage works? No,

2:58:55.640 --> 2:58:59.400
<v Speaker 2>what's the other ship? I think that one works.

2:59:00.040 --> 2:59:01.560
<v Speaker 3>I guess it depends on who's like it. Because a

2:59:01.600 --> 2:59:03.760
<v Speaker 3>mine is a like a mine is a powerful thing.

2:59:04.040 --> 2:59:05.640
<v Speaker 3>If you believe it, it works. Well, that's that's the

2:59:05.680 --> 2:59:08.280
<v Speaker 3>thing with all that stuff. If you believe me, why

2:59:08.320 --> 2:59:10.199
<v Speaker 3>you don't do sage work. It's just smoke.

2:59:10.840 --> 2:59:11.560
<v Speaker 1>It's just smoke.

2:59:13.720 --> 2:59:17.720
<v Speaker 2>And then the ship fell, and then see Saves got mad.

2:59:18.040 --> 2:59:22.320
<v Speaker 1>Saves got mad. That was confirmation confirmation depending on the

2:59:22.360 --> 2:59:23.800
<v Speaker 1>second information. Guys say, you're right.

2:59:24.000 --> 2:59:24.760
<v Speaker 2>And what's the other thing?

2:59:25.920 --> 2:59:26.880
<v Speaker 1>That's the other name of it.

2:59:28.440 --> 2:59:30.880
<v Speaker 2>I like that better because the smoke doesn't come out dark,

2:59:31.120 --> 2:59:33.920
<v Speaker 2>it's like it smells so so okay.

2:59:34.160 --> 2:59:37.600
<v Speaker 3>So sage is supposed to delete all the evil spirits

2:59:37.640 --> 2:59:40.880
<v Speaker 3>from the room, drive them away, drive away. At least,

2:59:41.560 --> 2:59:43.360
<v Speaker 3>which one you think is more powerful, the sage or

2:59:43.400 --> 2:59:43.720
<v Speaker 3>the prayer?

2:59:45.840 --> 2:59:47.440
<v Speaker 1>Prayer? So I waste your money.

2:59:51.200 --> 2:59:59.680
<v Speaker 2>I do sage and prayer, yes, because you know you

2:59:59.800 --> 3:00:06.320
<v Speaker 2>must them right. Every year during Ramadan, it felt it

3:00:06.360 --> 3:00:10.080
<v Speaker 2>feels pure. This is the only year during Ramadan. I

3:00:10.240 --> 3:00:13.440
<v Speaker 2>just felt nothing but evil, really like I mean. And

3:00:13.560 --> 3:00:16.800
<v Speaker 2>then I asked one I'm out high. I asked one

3:00:16.840 --> 3:00:20.720
<v Speaker 2>of my Muslim friends, I'm sick, and I said, yo,

3:00:20.840 --> 3:00:23.520
<v Speaker 2>this is the first Ramadan like every every every time

3:00:23.800 --> 3:00:27.800
<v Speaker 2>Ramadan comes around, like me, as a non Muslim, I participate,

3:00:28.240 --> 3:00:31.360
<v Speaker 2>but I feel just pure positive energies the first time

3:00:31.480 --> 3:00:34.199
<v Speaker 2>in the years I've been practicing. And then my friend

3:00:34.320 --> 3:00:38.439
<v Speaker 2>Sick says to me, he said, because they're the of Ramadan.

3:00:38.160 --> 3:00:41.400
<v Speaker 1>Is when people reveal themselves. And I was just like,

3:00:41.760 --> 3:00:45.800
<v Speaker 1>oh it was He wasn't saying it wasn't like the people.

3:00:45.600 --> 3:00:48.440
<v Speaker 2>Were being evil. They was just kind of just revealing myself.

3:00:48.600 --> 3:00:49.640
<v Speaker 2>Did you feel that this is?

3:00:50.080 --> 3:00:51.880
<v Speaker 3>But I spent this whole Ramadan in Africa. I was

3:00:51.920 --> 3:00:54.680
<v Speaker 3>in Africa the whole month of Ramadan. We're in segg

3:00:54.840 --> 3:00:56.039
<v Speaker 3>in Segogue, that.

3:00:56.120 --> 3:00:58.360
<v Speaker 1>Was there the whole month. So I didn't feel anything

3:00:58.520 --> 3:00:59.000
<v Speaker 1>you feel.

3:00:59.160 --> 3:01:00.840
<v Speaker 3>But boy, I could tell you the cause I would

3:01:00.840 --> 3:01:04.160
<v Speaker 3>get after I broke fast number drama on this side.

3:01:04.520 --> 3:01:07.480
<v Speaker 2>What you mean on broke fast at night period.

3:01:07.720 --> 3:01:10.000
<v Speaker 3>Fast in the evening because you know when after breakfast

3:01:10.040 --> 3:01:11.760
<v Speaker 3>you go back to your normal activities because I know,

3:01:11.879 --> 3:01:13.480
<v Speaker 3>we don't use a phone when I'm faster because it

3:01:13.680 --> 3:01:16.440
<v Speaker 3>distracts me. Right, But for the most part, you know,

3:01:16.480 --> 3:01:18.640
<v Speaker 3>when you call back home or you call back to

3:01:18.800 --> 3:01:20.760
<v Speaker 3>some of your homies or people that you mess with

3:01:20.879 --> 3:01:23.360
<v Speaker 3>on this side. Yeah, it was like and you you

3:01:23.480 --> 3:01:25.920
<v Speaker 3>actually more woke during the during during the month, you know,

3:01:25.959 --> 3:01:28.680
<v Speaker 3>the month with the mind, because you actually notice things

3:01:28.720 --> 3:01:31.480
<v Speaker 3>that you're not really noticing because you're more spiritually awoke, you.

3:01:31.480 --> 3:01:32.040
<v Speaker 2>Know what I'm saying.

3:01:32.120 --> 3:01:35.680
<v Speaker 3>So you clearly can see the difference in people's attitudes,

3:01:36.160 --> 3:01:39.160
<v Speaker 3>people's actions, emotions, and then it kind of makes you

3:01:39.200 --> 3:01:41.360
<v Speaker 3>ask yourself wat to a lot of things, you know

3:01:41.400 --> 3:01:41.640
<v Speaker 3>what I mean.

3:01:41.720 --> 3:01:43.640
<v Speaker 1>So then after that month is about figuring it out

3:01:43.640 --> 3:01:45.480
<v Speaker 1>at that point, yes, you.

3:01:45.520 --> 3:01:47.600
<v Speaker 2>Know, if it was finished.

3:01:47.959 --> 3:01:48.840
<v Speaker 1>Yeah, okay, so.

3:01:53.440 --> 3:01:55.800
<v Speaker 6>Maybe y'all know drink Chance wants to give flowers while

3:01:55.800 --> 3:01:58.640
<v Speaker 6>people are here to receive them given flowers and celebrating

3:01:58.720 --> 3:02:01.000
<v Speaker 6>or legends while they can still smell of We have

3:02:01.120 --> 3:02:03.840
<v Speaker 6>partnered with what the Flower to create this movement where

3:02:03.879 --> 3:02:06.280
<v Speaker 6>everyone can give flowers to the legends in their lives.

3:02:06.720 --> 3:02:09.040
<v Speaker 6>You can now order a custom flower box for the

3:02:09.160 --> 3:02:12.800
<v Speaker 6>someone you want to show appreciation to by visiting www

3:02:13.000 --> 3:02:16.280
<v Speaker 6>dot wt flower dot com and place your orders.

3:02:16.600 --> 3:02:16.800
<v Speaker 7>Now.

3:02:19.080 --> 3:02:20.400
<v Speaker 2>I love the baby righting.

3:02:20.440 --> 3:02:22.320
<v Speaker 1>Man, I appreciate it. You know, this mean more than

3:02:22.360 --> 3:02:24.720
<v Speaker 1>any award that you can get on some real ship,

3:02:24.760 --> 3:02:26.760
<v Speaker 1>because it means that you appreciated by your peers. You

3:02:26.840 --> 3:02:28.160
<v Speaker 1>appreciated by the people.

3:02:28.320 --> 3:02:29.040
<v Speaker 4>That you do it for.

3:02:29.280 --> 3:02:40.480
<v Speaker 2>And not accept my flowers because you homeboy who made

3:02:40.480 --> 3:02:45.320
<v Speaker 2>it the record, Joanna? That was AfroB AfroB AfroB you

3:02:45.480 --> 3:02:46.879
<v Speaker 2>jack this whole ship with Wakanda.

3:02:47.840 --> 3:02:51.800
<v Speaker 1>Actually it was a rendition. I was like this, it

3:02:51.879 --> 3:02:55.320
<v Speaker 1>was a rendition. Yeah, I love the song so much

3:02:55.400 --> 3:02:57.760
<v Speaker 1>I had to redo it. So I made a response

3:02:57.840 --> 3:02:58.000
<v Speaker 1>to it.

3:02:58.160 --> 3:03:02.720
<v Speaker 2>Okay, So because you know, sometimes when because you're a bigger,

3:03:02.959 --> 3:03:07.080
<v Speaker 2>bigger artist does does that that that newer artist get

3:03:07.160 --> 3:03:07.840
<v Speaker 2>mad at No?

3:03:07.959 --> 3:03:09.360
<v Speaker 1>No, no, because I actually called it.

3:03:11.520 --> 3:03:13.480
<v Speaker 3>I say, your afro beat this record, this is my

3:03:13.680 --> 3:03:16.200
<v Speaker 3>favorite record. Man, I said, do you mind if I

3:03:16.280 --> 3:03:18.080
<v Speaker 3>do a re edition? He said, hell no, I man,

3:03:18.080 --> 3:03:20.080
<v Speaker 3>I be my blood. You know this much like that's

3:03:20.160 --> 3:03:20.640
<v Speaker 3>my pleasure.

3:03:20.680 --> 3:03:22.200
<v Speaker 1>So I did it. Sent it to him.

3:03:22.240 --> 3:03:24.480
<v Speaker 3>He flipped he actually was gonna get on it with me.

3:03:24.920 --> 3:03:26.880
<v Speaker 3>But then I said, man, if you do that, it

3:03:26.959 --> 3:03:28.640
<v Speaker 3>won't be like the re edition that I want.

3:03:29.120 --> 3:03:29.720
<v Speaker 2>You know what I'm saying.

3:03:30.040 --> 3:03:32.040
<v Speaker 3>I said, let's me and you do a fresh record together,

3:03:32.120 --> 3:03:34.280
<v Speaker 3>so it's just like fresh. And then ever since then,

3:03:34.320 --> 3:03:36.400
<v Speaker 3>I've been just advised to see him on this international stuff.

3:03:36.560 --> 3:03:38.600
<v Speaker 3>So it went from me loving the record getting the

3:03:38.640 --> 3:03:40.840
<v Speaker 3>permission to me working with him as an advisor to

3:03:40.920 --> 3:03:42.039
<v Speaker 3>do is international stuff.

3:03:42.320 --> 3:03:42.920
<v Speaker 1>And what's that?

3:03:43.840 --> 3:03:45.440
<v Speaker 2>Did you do as a freestyle at first? Or you

3:03:45.520 --> 3:03:46.800
<v Speaker 2>did it like to remake the record?

3:03:46.879 --> 3:03:48.120
<v Speaker 3>No, I did it just for fun. It was it

3:03:48.160 --> 3:03:49.920
<v Speaker 3>was a parody for me. Have you seen the video

3:03:50.000 --> 3:03:53.440
<v Speaker 3>with me and Michael Blaxton. Oh, you gotta see the video. Man,

3:03:53.520 --> 3:03:55.680
<v Speaker 3>that ship is hilarious. It's almost like I just had

3:03:55.720 --> 3:03:59.959
<v Speaker 3>sex type of It's a monster. Yeah, so you gotta

3:04:00.040 --> 3:04:00.240
<v Speaker 3>see it.

3:04:00.680 --> 3:04:01.080
<v Speaker 1>It's up there.

3:04:01.160 --> 3:04:01.400
<v Speaker 2>Okay.

3:04:01.800 --> 3:04:04.160
<v Speaker 1>So for the record, he did not get mad. He

3:04:04.240 --> 3:04:06.640
<v Speaker 1>supported artist artist and I hope you heard what he

3:04:06.720 --> 3:04:07.040
<v Speaker 1>just said.

3:04:07.120 --> 3:04:09.560
<v Speaker 2>If you want to remake someone's record, call him up.

3:04:09.959 --> 3:04:11.560
<v Speaker 3>I mean he might have been flattered by it. At me,

3:04:11.879 --> 3:04:13.640
<v Speaker 3>it was like prime is Apple, Like there was times

3:04:13.720 --> 3:04:16.480
<v Speaker 3>we were in the same city. I would perform my version.

3:04:16.920 --> 3:04:19.080
<v Speaker 3>Then asked mine's about then he come out with the

3:04:19.160 --> 3:04:22.200
<v Speaker 3>actual version of crazy. You know what I'm saying, So

3:04:22.360 --> 3:04:24.040
<v Speaker 3>like we actually did we teamed up on that like

3:04:24.120 --> 3:04:26.480
<v Speaker 3>that or the other way around. I pop up from

3:04:26.520 --> 3:04:28.280
<v Speaker 3>the back, you know what I'm saying. You go from

3:04:28.400 --> 3:04:29.720
<v Speaker 3>Joanna to what KM done?

3:04:29.720 --> 3:04:30.200
<v Speaker 2>You know what I'm saying.

3:04:31.480 --> 3:04:33.760
<v Speaker 1>Because Noori's worried about people doing his records over No,

3:04:34.760 --> 3:04:35.160
<v Speaker 1>let them do it.

3:04:35.840 --> 3:04:36.280
<v Speaker 2>Let them do it.

3:04:36.400 --> 3:04:40.440
<v Speaker 1>I like, let them do it. He's weird about it.

3:04:40.560 --> 3:04:40.680
<v Speaker 7>Man.

3:04:41.400 --> 3:04:43.720
<v Speaker 2>That preserves you, you know what I mean.

3:04:43.959 --> 3:04:46.520
<v Speaker 3>You know how many times my record's been re sampled, redone.

3:04:47.040 --> 3:04:49.680
<v Speaker 3>I haven't dropped the records since two thousand and eight, nigga,

3:04:49.720 --> 3:04:52.800
<v Speaker 3>that's fifteen years. Yeah, you would have thought it was

3:04:52.840 --> 3:04:55.520
<v Speaker 3>just yesterday because these little niggas keeping me preserved until

3:04:55.520 --> 3:04:57.760
<v Speaker 3>I'm ready to drop another record, which will be dropping

3:04:57.800 --> 3:04:58.440
<v Speaker 3>by the end of the year.

3:04:58.680 --> 3:05:03.720
<v Speaker 1>All right, But then you drop like that plug d

3:05:03.959 --> 3:05:06.039
<v Speaker 1>then you dropped like an Afro beat type of Yeah.

3:05:06.080 --> 3:05:07.960
<v Speaker 1>But that was just for African territory. That was just

3:05:08.040 --> 3:05:09.160
<v Speaker 1>for that was just for Africa.

3:05:09.200 --> 3:05:10.440
<v Speaker 2>And what's the name of that that was?

3:05:11.680 --> 3:05:13.640
<v Speaker 1>Uh, what was the time named that one? That was

3:05:15.120 --> 3:05:18.240
<v Speaker 1>that was Akandada?

3:05:18.640 --> 3:05:21.320
<v Speaker 2>So so so you're saying you're making.

3:05:21.160 --> 3:05:25.640
<v Speaker 3>A global Oh no, like the basic, the original traditional

3:05:25.720 --> 3:05:28.959
<v Speaker 3>a cop records. Yeah, that was a lot of experiments,

3:05:29.040 --> 3:05:31.760
<v Speaker 3>just having fun with it. I did an afrobeat album.

3:05:31.959 --> 3:05:35.640
<v Speaker 3>I did a Latin album like I did. I did

3:05:35.680 --> 3:05:40.720
<v Speaker 3>an Indian like Hindi album. You did Bollywood music, Yeah, bro,

3:05:40.879 --> 3:05:43.800
<v Speaker 3>I got Bollywood songs all through. These movies are killing

3:05:44.320 --> 3:05:47.080
<v Speaker 3>having fun. I did some K pop records like I

3:05:47.200 --> 3:05:50.800
<v Speaker 3>was everywhere. Absolutely, if you even if you go to

3:05:50.840 --> 3:05:53.320
<v Speaker 3>do Bay, you hear me speaking, I mean records doing

3:05:53.480 --> 3:05:56.040
<v Speaker 3>Arabic music like I'm doing it.

3:05:57.000 --> 3:05:57.320
<v Speaker 2>It's me.

3:06:01.400 --> 3:06:01.680
<v Speaker 1>Right now.

3:06:03.640 --> 3:06:05.520
<v Speaker 2>I'm going to speak for me.

3:06:06.920 --> 3:06:07.440
<v Speaker 1>No comment.

3:06:08.879 --> 3:06:10.240
<v Speaker 2>That's sangerous man, right there.

3:06:10.400 --> 3:06:12.280
<v Speaker 1>No, only because I be in rooms where I need

3:06:12.320 --> 3:06:15.240
<v Speaker 1>to know what they're They don't even know what. I

3:06:15.360 --> 3:06:16.280
<v Speaker 1>promise you, I hear it all.

3:06:16.760 --> 3:06:19.200
<v Speaker 2>It'd be hilarious though, it'd be so funny.

3:06:21.680 --> 3:06:23.920
<v Speaker 1>That's the right, No coming, that's right.

3:06:25.080 --> 3:06:28.640
<v Speaker 2>You gotta do anything else you want to talk about.

3:06:29.800 --> 3:06:32.000
<v Speaker 3>Yeah, but so I am excited about this new record

3:06:32.040 --> 3:06:32.760
<v Speaker 3>I'm about to drop.

3:06:32.800 --> 3:06:34.000
<v Speaker 2>It's done already.

3:06:34.200 --> 3:06:35.320
<v Speaker 1>Yeah, Alum's finished.

3:06:35.400 --> 3:06:36.600
<v Speaker 2>Oh wow, we're.

3:06:36.480 --> 3:06:39.720
<v Speaker 3>Dropping at the top of the year Traditional Acon So

3:06:40.320 --> 3:06:44.800
<v Speaker 3>Universe is dropping the best of Acon around. We're thinking

3:06:44.800 --> 3:06:48.440
<v Speaker 3>of like around November, October November time, and then shortly

3:06:48.480 --> 3:06:50.600
<v Speaker 3>after that I'll be introducing the brand new album.

3:06:50.720 --> 3:06:57.280
<v Speaker 1>So the simple January. Yeah, it's the timeline is October November. Okay,

3:06:57.640 --> 3:06:59.680
<v Speaker 1>if everything works as planned, you said the best of

3:06:59.800 --> 3:07:01.440
<v Speaker 1>us too, Yeah, the.

3:07:01.480 --> 3:07:05.160
<v Speaker 3>Best of and then the albums dropping right after yeah okay,

3:07:06.000 --> 3:07:08.560
<v Speaker 3>so yeah, so be be prepared for the new holidays

3:07:08.600 --> 3:07:09.680
<v Speaker 3>to be hearing some new music.

3:07:09.760 --> 3:07:13.800
<v Speaker 2>Now now, alight. You know, back then we should drop singles,

3:07:14.160 --> 3:07:17.600
<v Speaker 2>right like nowadays they're like there's no singles, it's just

3:07:17.720 --> 3:07:18.480
<v Speaker 2>dropped the album.

3:07:18.879 --> 3:07:23.080
<v Speaker 1>Everyone that's biting off invented that, like just drop the album.

3:07:23.600 --> 3:07:26.120
<v Speaker 1>You're gonna just drop the album or you know, it's

3:07:26.160 --> 3:07:27.720
<v Speaker 1>gonna be a lead up. It's gonna be a lead up.

3:07:27.760 --> 3:07:30.160
<v Speaker 3>And that's that's why we're doing the Best of Acon

3:07:30.320 --> 3:07:33.040
<v Speaker 3>releases first, you know, team up universe to activate my

3:07:33.120 --> 3:07:35.320
<v Speaker 3>old fans and people. It just kind of remind them,

3:07:35.959 --> 3:07:37.640
<v Speaker 3>remind them, you know, remind them, get them back into

3:07:37.680 --> 3:07:40.000
<v Speaker 3>the Acons you know energy, and then just come with

3:07:40.080 --> 3:07:40.600
<v Speaker 3>a new album.

3:07:40.879 --> 3:07:42.760
<v Speaker 1>Right, so we're gonna lead it up.

3:07:43.400 --> 3:07:46.599
<v Speaker 2>You're gonna ad it up. Yeah, two singles probably.

3:07:47.160 --> 3:07:50.200
<v Speaker 3>Oh no, we everything is a single. Ain't no such

3:07:50.280 --> 3:07:53.400
<v Speaker 3>thing as a no albums man. Listen the whole album

3:07:53.520 --> 3:07:56.840
<v Speaker 3>dropping the same day video for everything, man, video for

3:07:56.920 --> 3:07:58.720
<v Speaker 3>every single song. That's right, We're going to.

3:07:59.080 --> 3:08:06.200
<v Speaker 2>Be speak absolutely and again. The dream artist to work with.

3:08:07.200 --> 3:08:12.120
<v Speaker 3>The dream artist to work with is Shady. That's It's

3:08:12.160 --> 3:08:17.039
<v Speaker 3>a great It's left in my list.

3:08:16.959 --> 3:08:18.320
<v Speaker 2>Of artists that I wanted to work with that I

3:08:18.320 --> 3:08:21.080
<v Speaker 2>haven't worked with yet. She seems untouchable, like you can't

3:08:21.120 --> 3:08:21.560
<v Speaker 2>get to her.

3:08:22.160 --> 3:08:26.600
<v Speaker 1>I don't have a connection to her. She's like invisible.

3:08:27.720 --> 3:08:30.400
<v Speaker 2>What you said, invisible man, like a wizard.

3:08:30.720 --> 3:08:32.520
<v Speaker 3>As many people as I know, I still haven't found

3:08:32.600 --> 3:08:33.760
<v Speaker 3>one person that can get me to her.

3:08:36.480 --> 3:08:37.120
<v Speaker 2>How about Drake?

3:08:38.520 --> 3:08:41.200
<v Speaker 1>I love Drake. He's my favorite artist today. You guys

3:08:41.240 --> 3:08:43.680
<v Speaker 1>are making incredible music. I think we definitely would. Yeah,

3:08:44.200 --> 3:08:46.320
<v Speaker 1>I think we definitely would. Yeah.

3:08:46.320 --> 3:08:47.920
<v Speaker 3>The only thing I think that stocked was I just

3:08:48.040 --> 3:08:50.320
<v Speaker 3>wasn't in the music space at the time. But I

3:08:50.360 --> 3:08:51.600
<v Speaker 3>think when I get back in, I think there's some

3:08:51.640 --> 3:08:53.720
<v Speaker 3>great opportunities for me and Drake to do something crazy together.

3:08:55.480 --> 3:08:57.960
<v Speaker 2>Drake, who else before we get up out of here

3:09:00.160 --> 3:09:01.280
<v Speaker 2>and you work with everybody?

3:09:01.360 --> 3:09:03.680
<v Speaker 3>Bro I have It's only one rapper that I haven't

3:09:03.720 --> 3:09:05.400
<v Speaker 3>worked with yet, and I still to this day can't

3:09:05.440 --> 3:09:06.000
<v Speaker 3>figure out why.

3:09:06.280 --> 3:09:06.800
<v Speaker 1>It's jay Z.

3:09:08.360 --> 3:09:10.680
<v Speaker 3>He's the only one I haven't worked with at and

3:09:10.920 --> 3:09:12.560
<v Speaker 3>I always thought that maybe it's because.

3:09:12.280 --> 3:09:15.080
<v Speaker 1>Of the timing of our career is going. There probably

3:09:15.280 --> 3:09:16.440
<v Speaker 1>was the time all I.

3:09:16.440 --> 3:09:18.520
<v Speaker 3>Mean, because Bro, I'm I'm I'm a huge fan. I

3:09:18.560 --> 3:09:20.040
<v Speaker 3>don't know how you feel about me, but I always

3:09:20.040 --> 3:09:22.320
<v Speaker 3>felt like that could be something that would be crazy.

3:09:22.440 --> 3:09:24.600
<v Speaker 3>I think that would complete complete me from an urban

3:09:24.680 --> 3:09:26.879
<v Speaker 3>music standpoint, making that making.

3:09:26.720 --> 3:09:27.680
<v Speaker 2>That happen, Yeah, I think that.

3:09:27.920 --> 3:09:30.400
<v Speaker 1>I think that would just be sound. I think that

3:09:31.600 --> 3:09:32.360
<v Speaker 1>that would be crazy.

3:09:32.520 --> 3:09:36.080
<v Speaker 2>Well, who would you prefer you on his album or

3:09:36.200 --> 3:09:36.840
<v Speaker 2>him on yours?

3:09:37.280 --> 3:09:38.040
<v Speaker 1>I think it wouldn't make it.

3:09:38.720 --> 3:09:39.080
<v Speaker 2>I don't think.

3:09:39.480 --> 3:09:40.520
<v Speaker 1>I don't think it'll make a difference.

3:09:41.160 --> 3:09:43.800
<v Speaker 3>Yeah, honestly, I prefer it on his album because I

3:09:43.879 --> 3:09:45.640
<v Speaker 3>know it guaranteed to be pushed.

3:09:48.040 --> 3:09:50.640
<v Speaker 2>You know what I'm saying. How about it's guaranteed to.

3:09:50.640 --> 3:09:51.200
<v Speaker 1>Go number one?

3:09:52.080 --> 3:09:53.320
<v Speaker 2>How about nas.

3:09:55.440 --> 3:09:55.560
<v Speaker 1>Yo?

3:09:55.720 --> 3:09:59.279
<v Speaker 3>You know how long me and Na's been trying to connect. Jesus,

3:09:59.400 --> 3:10:02.560
<v Speaker 3>It's it's just been fake. I promise you believe me.

3:10:02.640 --> 3:10:05.040
<v Speaker 3>That was supposed to have been happen. Me and I

3:10:05.280 --> 3:10:07.800
<v Speaker 3>is always trying to get together, but it's just he's

3:10:07.840 --> 3:10:09.440
<v Speaker 3>so international, I'm so international.

3:10:09.520 --> 3:10:11.240
<v Speaker 1>It's just like it's just being in the.

3:10:11.240 --> 3:10:13.600
<v Speaker 3>Same place at the same time, and artists like me

3:10:13.600 --> 3:10:16.879
<v Speaker 3>and him, we just don't see us working over the internet.

3:10:17.040 --> 3:10:18.400
<v Speaker 1>We just got to be in a room together.

3:10:18.800 --> 3:10:21.760
<v Speaker 3>And I think that's why that's the only reason why

3:10:22.000 --> 3:10:24.640
<v Speaker 3>it didn't happen earlier, because I think it'd just be

3:10:24.720 --> 3:10:26.160
<v Speaker 3>bigger if me and him was in the same room.

3:10:26.760 --> 3:10:28.680
<v Speaker 2>That's what me and Fenn say all the time. Like

3:10:29.200 --> 3:10:32.400
<v Speaker 2>sometimes we do the say say analog are digital, right,

3:10:32.520 --> 3:10:34.880
<v Speaker 2>and we always kind of like pick analogue. And the

3:10:35.000 --> 3:10:37.320
<v Speaker 2>reason why is because I feel like the music that

3:10:37.440 --> 3:10:39.360
<v Speaker 2>was made in the nineties early two thousands, you can

3:10:39.800 --> 3:10:42.280
<v Speaker 2>it's better because we can't real you had to actually

3:10:42.320 --> 3:10:42.760
<v Speaker 2>come to my.

3:10:42.800 --> 3:10:46.320
<v Speaker 1>Studio culture record for the energy you can't even came

3:10:46.360 --> 3:10:46.800
<v Speaker 1>at to.

3:10:46.840 --> 3:10:48.920
<v Speaker 2>Get on had to be in the same room, right,

3:10:49.000 --> 3:10:51.000
<v Speaker 2>So you do you think that's that's true?

3:10:51.080 --> 3:10:54.560
<v Speaker 3>Like, I think it depends on the artists, right. I

3:10:54.640 --> 3:10:57.800
<v Speaker 3>think some chemistries are better when they separated. Yes, some

3:10:57.840 --> 3:11:00.680
<v Speaker 3>people that just make great music, but then when they

3:11:00.720 --> 3:11:02.640
<v Speaker 3>get in the same room, the energy may.

3:11:02.560 --> 3:11:05.640
<v Speaker 1>Be different because one may be shy, you just never

3:11:05.720 --> 3:11:06.000
<v Speaker 1>really know.

3:11:06.360 --> 3:11:09.640
<v Speaker 3>So in this generation that works out better because a

3:11:09.720 --> 3:11:13.080
<v Speaker 3>lot of these artists are very like anti social.

3:11:13.560 --> 3:11:14.760
<v Speaker 1>They low key super weird.

3:11:14.920 --> 3:11:17.120
<v Speaker 3>Like you get close to them, they just start you

3:11:17.360 --> 3:11:19.200
<v Speaker 3>know what I'm talking about, Like, don't they quiet?

3:11:19.240 --> 3:11:21.640
<v Speaker 1>They just mute, they don't say nothing. Damn, I've been

3:11:21.680 --> 3:11:25.200
<v Speaker 1>here thirty minutes. You want to ask me nothing? You know,

3:11:25.680 --> 3:11:29.760
<v Speaker 1>but come on, this was weird back then too, but

3:11:29.879 --> 3:11:32.320
<v Speaker 1>not like this though. Yeah, damn, you're kind of right down. Yeah,

3:11:32.360 --> 3:11:34.600
<v Speaker 1>but back then they were forced to be together. So yeah,

3:11:34.680 --> 3:11:36.720
<v Speaker 1>but you can only be here so long. Yeah, for

3:11:36.840 --> 3:11:39.000
<v Speaker 1>you're like damn. But the crazy part about it is

3:11:39.280 --> 3:11:42.840
<v Speaker 1>when you DM them, they can't shut up. They hit

3:11:42.879 --> 3:11:46.199
<v Speaker 1>you with eighteen paragraphs like, bro, I just answered simple

3:11:46.280 --> 3:11:47.000
<v Speaker 1>yes and no question.

3:11:47.080 --> 3:11:47.600
<v Speaker 2>You know what I'm saying.

3:11:49.000 --> 3:11:51.240
<v Speaker 1>But that's that's all in you know, that's a generational

3:11:51.320 --> 3:11:52.560
<v Speaker 1>for sure. Generational for sure.

3:11:54.640 --> 3:12:00.160
<v Speaker 2>The other day, right, I see, I seen the a

3:12:00.280 --> 3:12:02.600
<v Speaker 2>kid I don't want to say his name, but we

3:12:02.720 --> 3:12:06.920
<v Speaker 2>were sitting there and he knew Dominique Wilkins was, he

3:12:06.959 --> 3:12:09.560
<v Speaker 2>knew Chris Webber was. He knew all these people who

3:12:09.640 --> 3:12:12.800
<v Speaker 2>don't play for him, as a as a kid. But

3:12:12.920 --> 3:12:16.480
<v Speaker 2>then someone asked him and he's he's a rapper. Someone

3:12:16.560 --> 3:12:20.080
<v Speaker 2>asked him who cares one was? He had no clue?

3:12:20.520 --> 3:12:23.360
<v Speaker 2>Someone asked him who rock him was? He had no clue.

3:12:23.680 --> 3:12:26.840
<v Speaker 2>Someone asked him who Biggie Smalls was. He had a clue,

3:12:26.879 --> 3:12:30.120
<v Speaker 2>but he wasn't. Do you think that's something that in

3:12:30.160 --> 3:12:34.760
<v Speaker 2>the hip hop and our genre that we it's something

3:12:34.800 --> 3:12:37.720
<v Speaker 2>that we should actually learn, like learn about our culture

3:12:37.760 --> 3:12:40.200
<v Speaker 2>like he was learned about the same way you learn

3:12:40.240 --> 3:12:42.560
<v Speaker 2>about basketball and you learn about He's a pattrick of

3:12:42.600 --> 3:12:45.640
<v Speaker 2>you and sneakers. Shouldn't you learn about Big Pun and

3:12:45.640 --> 3:12:47.680
<v Speaker 2>shouldn't you learn about Belly mal.

3:12:47.840 --> 3:12:50.440
<v Speaker 1>I agree we should learn, but we just we don't

3:12:50.520 --> 3:12:55.240
<v Speaker 1>learn because like learning has to be motivated. The reason

3:12:55.280 --> 3:12:57.480
<v Speaker 1>why you know about a lot of these you know,

3:12:58.040 --> 3:13:03.160
<v Speaker 1>basketball players and football players for that matter, they have

3:13:03.320 --> 3:13:06.199
<v Speaker 1>these hall of fames that recognize them and their abilities

3:13:06.640 --> 3:13:10.600
<v Speaker 1>and also you know, give them the just of their

3:13:10.680 --> 3:13:13.160
<v Speaker 1>creation and present it to the people that might have

3:13:13.240 --> 3:13:16.640
<v Speaker 1>not known what they're responsible for. Hip Hop is the

3:13:16.720 --> 3:13:22.040
<v Speaker 1>only music that we don't celebrate the founding fathers. We

3:13:22.120 --> 3:13:25.720
<v Speaker 1>don't have a foundation to help them because most of

3:13:25.760 --> 3:13:26.760
<v Speaker 1>them in bad situations.

3:13:26.800 --> 3:13:28.920
<v Speaker 3>They paved the way for us. Like this is stuff

3:13:28.920 --> 3:13:31.800
<v Speaker 3>that we as a culture just naturally, just do they

3:13:31.879 --> 3:13:34.080
<v Speaker 3>do it as a natural culture. They hold museums, teach

3:13:34.080 --> 3:13:36.680
<v Speaker 3>each other's history to the point where their history is

3:13:36.720 --> 3:13:38.920
<v Speaker 3>being taught to us because we don't even have or

3:13:39.280 --> 3:13:40.320
<v Speaker 3>preserve our own history.

3:13:40.640 --> 3:13:43.440
<v Speaker 2>You can't blame them. That's the only history that exists

3:13:43.440 --> 3:13:44.320
<v Speaker 2>because they preserved it.

3:13:44.959 --> 3:13:48.119
<v Speaker 3>When did we have a preserve African history or Black

3:13:48.240 --> 3:13:51.120
<v Speaker 3>history outside of the parts that just hurt us so

3:13:51.240 --> 3:13:53.480
<v Speaker 3>bad that every time we do something and we fail,

3:13:53.520 --> 3:13:54.480
<v Speaker 3>we use it as an excuse.

3:13:55.240 --> 3:13:57.120
<v Speaker 1>You feel what I'm saying. So as a culture, we

3:13:57.200 --> 3:13:57.800
<v Speaker 1>got to be better.

3:13:58.480 --> 3:14:01.400
<v Speaker 3>We have to and to be with people that understand

3:14:01.560 --> 3:14:04.040
<v Speaker 3>that that you know, actually exists and the people that

3:14:04.120 --> 3:14:06.720
<v Speaker 3>actually has the power and the resources to actually make

3:14:06.760 --> 3:14:09.320
<v Speaker 3>it happen. Like that's something that would help us, believe

3:14:09.320 --> 3:14:12.120
<v Speaker 3>it or not, because it keeps us in powered longer.

3:14:12.600 --> 3:14:15.080
<v Speaker 1>Because this culture is not something it's really up for grabs.

3:14:15.720 --> 3:14:17.320
<v Speaker 1>I don't care where you go in the world, Like

3:14:18.600 --> 3:14:21.000
<v Speaker 1>everywhere you go in the world, hip hop exists, but

3:14:21.080 --> 3:14:23.800
<v Speaker 1>it exists in their language and they're talking about their

3:14:23.879 --> 3:14:26.280
<v Speaker 1>culture to the point where new York can't even claim

3:14:26.320 --> 3:14:28.000
<v Speaker 1>it no more. That's right. I've been saying that.

3:14:28.600 --> 3:14:29.360
<v Speaker 2>You feel what I'm saying.

3:14:29.840 --> 3:14:33.280
<v Speaker 1>But had New York created the museum which right now

3:14:33.360 --> 3:14:37.080
<v Speaker 1>the Universal Hip Hop Museum, use all the.

3:14:37.120 --> 3:14:40.360
<v Speaker 3>Hip hop artists as a way of pushing people to

3:14:40.520 --> 3:14:42.760
<v Speaker 3>it though it's okay to have it, but who's there?

3:14:42.920 --> 3:14:45.480
<v Speaker 1>No, they just they just they're creating it now.

3:14:46.879 --> 3:14:48.880
<v Speaker 6>Like we need to support it though they got a

3:14:48.879 --> 3:14:52.760
<v Speaker 6>lot of support, though they're not behind it, you know

3:14:52.840 --> 3:14:58.080
<v Speaker 6>what I'm saying. And Curtis Blow and Carris One that history, man,

3:14:58.560 --> 3:14:59.920
<v Speaker 6>we cannot all late.

3:15:00.120 --> 3:15:01.959
<v Speaker 2>That's the thing. We're all laid to it. It's all late.

3:15:02.080 --> 3:15:03.920
<v Speaker 2>Like it's even why we created the show.

3:15:04.360 --> 3:15:06.720
<v Speaker 6>Because there wasn't there wasn't a platform that was given

3:15:07.120 --> 3:15:10.119
<v Speaker 6>a voice to artists that necessarily weren't on a pressure

3:15:10.160 --> 3:15:12.480
<v Speaker 6>run anymore, right, right, right, And that's why we did

3:15:12.560 --> 3:15:15.240
<v Speaker 6>it because nobody was giving us a voice DJ and

3:15:15.440 --> 3:15:18.400
<v Speaker 6>MC that they felt was washed up and old, like now, okay,

3:15:18.440 --> 3:15:19.600
<v Speaker 6>we don't create our own platform.

3:15:19.680 --> 3:15:27.440
<v Speaker 2>There you go, and we did, motherfucker. I want to

3:15:27.440 --> 3:15:29.720
<v Speaker 2>I want to big you up your staff man, you

3:15:29.800 --> 3:15:32.200
<v Speaker 2>know for coming through man, thank you exactly who you

3:15:32.320 --> 3:15:35.160
<v Speaker 2>are man, continue your success. We want to support you.

3:15:35.480 --> 3:15:37.520
<v Speaker 2>If I don't know, we don't care. If you want

3:15:37.520 --> 3:15:40.480
<v Speaker 2>to promote pink toenails, we don't. We can come on

3:15:40.560 --> 3:15:41.199
<v Speaker 2>here anytime.

3:15:41.280 --> 3:15:42.240
<v Speaker 1>You appreciate that.

3:15:43.000 --> 3:15:45.680
<v Speaker 2>So last time I got drunk and but this time

3:15:45.760 --> 3:15:48.960
<v Speaker 2>I stayed sober because I wanted you respect. That's I

3:15:49.000 --> 3:15:51.640
<v Speaker 2>wanted to get you respects don't want to do. I

3:15:53.000 --> 3:15:56.440
<v Speaker 2>thank you. Let me, let me, let me stay shocked.

3:15:56.480 --> 3:15:58.200
<v Speaker 1>You know what I'm saying. He just me last to myself.

3:15:58.200 --> 3:15:58.880
<v Speaker 1>I wanted to be sober.

3:15:59.680 --> 3:16:04.360
<v Speaker 2>No, no, no, that's because the person that's never been

3:16:04.400 --> 3:16:07.400
<v Speaker 2>on the show before, he's been on the show. Come on.

3:16:08.520 --> 3:16:10.280
<v Speaker 2>You can't let a person who's never been on the show.

3:16:11.040 --> 3:16:16.840
<v Speaker 2>We need the real e f A. We need you

3:16:16.920 --> 3:16:19.800
<v Speaker 2>to DJ, need you to DJ. Come out of DJ man.

3:16:21.720 --> 3:16:22.199
<v Speaker 1>Some drops.

3:16:22.320 --> 3:16:22.879
<v Speaker 2>Thanks so us.

3:16:28.600 --> 3:16:31.680
<v Speaker 6>Drink Champs is a Drink Champs ll C production in

3:16:31.800 --> 3:16:36.680
<v Speaker 6>association with Interval Presents. Hosts and executive producers n O

3:16:36.840 --> 3:16:41.400
<v Speaker 6>r E and DJ e FN from Interval Presents executive

3:16:41.440 --> 3:16:44.040
<v Speaker 6>producers Alan Coy and Jake Kleinberg.

3:16:44.720 --> 3:16:45.560
<v Speaker 1>Listen to Drink.

3:16:45.440 --> 3:16:50.560
<v Speaker 6>Champs on Apple Podcast, Amazon Music, Spotify, Stitcher, or wherever

3:16:50.640 --> 3:16:54.160
<v Speaker 6>you get your podcasts. Thanks for joining us for another

3:16:54.240 --> 3:16:57.040
<v Speaker 6>episode of Drink Champs, hosted by Yours truly, dj E

3:16:57.240 --> 3:16:59.480
<v Speaker 6>f N and n O r E. Please make sure

3:16:59.480 --> 3:17:01.800
<v Speaker 6>to follow us on all our socials That's at drink

3:17:01.879 --> 3:17:06.200
<v Speaker 6>Champs across all platforms at the Real noriegon ig at

3:17:06.280 --> 3:17:08.119
<v Speaker 6>Noriega on Twitter, mine.

3:17:08.040 --> 3:17:11.360
<v Speaker 1>Is at Who's Crazy on ig at dj E f

3:17:11.440 --> 3:17:12.440
<v Speaker 1>N on Twitter, and

3:17:12.560 --> 3:17:14.960
<v Speaker 6>Most importantly, stay up to date with the latest releases,

3:17:15.400 --> 3:17:18.560
<v Speaker 6>news and merch by going to drink champs dot com