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Speaker 1: He is drinks Chests, motherfucking podcast.

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Speaker 2: Mai.

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Speaker 1: He's a Legends every Queens rapper. He ain't agreed as

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Speaker 1: your boy in O r E. He's a Miami hip

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Speaker 1: hop mayonneer put up as d j e f N.

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Speaker 2: Together they drink it up with some.

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Speaker 1: Of the biggest players, you know what I mean. And

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Speaker 1: the most professional unprofessional podcast and your number one source

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Speaker 1: for drunk drink chants, mother fucking post for every day

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Speaker 1: is New year.

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Speaker 2: Ce Listen, It's time for Drink Champions. Drink up, motherfucking mother.

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Speaker 2: Would it good? Be hoping he's gonna super This.

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Speaker 1: Is your boy in O r E as good as

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Speaker 1: dj e f N. This Drink Champs hour, make some NU.

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Speaker 2: I want to listen with this guest that we're about

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Speaker 2: to introduce. The last time he came on our show,

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Speaker 2: he said, brothers, we gotta go back to Africa. And

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Speaker 2: it seems like since then, people are going back to Africa.

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Speaker 2: They going back to Nigeria, Ghana. It's so many different

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Speaker 2: places that we gotta go. I know you've been to

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Speaker 2: South Africa. Well, uh, this man, we just went through

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Speaker 2: his disciography and when I tell you he got hits

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Speaker 2: upon his like, he almost reminds me of the Seal

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Speaker 2: of this generation. You know how Seal no one, no

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Speaker 2: one gave a fuck with what race Seal was. He

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Speaker 2: just made the best music and everybody said, Pucket, you

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Speaker 2: roll with Seal. Goddamn it. He is the Seal and

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Speaker 2: this generation. He got the illes hair cut in the

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Speaker 2: world right now, hit after hit, when my first time

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Speaker 2: going to Africa, I'm going with him? I see he

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Speaker 2: just went with Earn your lesions.

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Speaker 1: Did y'all go to Africa?

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Speaker 2: Actually Africa? Oh wow, we're gonna get into that. We're

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Speaker 2: gonna get into everything. But Casey, I don't know who

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Speaker 2: we told about. We talking about the one, the only

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Speaker 2: motherfucker car, the eight car. It's you know, it was

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Speaker 2: very interesting going through the discography and I'm listening to

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Speaker 2: Locked Up right because when I googled you, one of

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Speaker 2: the things that popped up was they said you was

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Speaker 2: a professional card and you kind of set it on

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Speaker 2: Locked Up just now said you said my car is.

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Speaker 1: Ain't gonna registration. You know you were.

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Speaker 2: But because when when you google you, that's actually something

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Speaker 2: that comes up that says that, yeah, I believe you

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Speaker 2: said it on a different platform. So you used to

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Speaker 2: this is a new Jersey imagine.

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Speaker 1: New Jersey drive drive.

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Speaker 2: So what happened? Someone come up to you and say,

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Speaker 2: let's just because because you're a sophisticated car still like

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Speaker 2: you wasn't like popping ship. You was changing the serial numbers.

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Speaker 2: And she's like that is that true?

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Speaker 1: It was a.

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Speaker 2: Just expect that every time.

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Speaker 1: How did that happen?

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Speaker 3: Well, getting back to the past, it was like I

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Speaker 3: was never the kind of person when it came to

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Speaker 3: some you know what's interesting, Like I think I say

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Speaker 3: the word that I was. I kind of used the

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Speaker 3: excuse that I was surviving because it made me feel

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Speaker 3: better about it.

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Speaker 1: But that was nothing for me to about.

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Speaker 3: It was nothing really for me to survive because my

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Speaker 3: parents was actually really wealthy. You know, we lived like

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Speaker 3: I was, and I was living in Jersey. We lived

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Speaker 3: in a three story house, just me and my older brother,

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Speaker 3: you know what I'm saying, So we have a house

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Speaker 3: to ourselves now when I think about it, we were

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Speaker 3: just bored as hell looking at something, you know what

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Speaker 3: I'm saying. But what was interesting was as I started

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Speaker 3: watching a lot of my homies, you know, they selling

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Speaker 3: drugs and I didn't understand, like, why such hard labor

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Speaker 3: for no money? These niggas would be like on a

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Speaker 3: corner rain seat, sleek hell Snow. I was born in

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Speaker 3: Senegue in St. Louis Louis, Saint Louis, but then I

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Speaker 3: was raising Senegal.

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Speaker 2: Raised, Yeah, I was.

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Speaker 1: I was.

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Speaker 3: Were you there when I was a Senegalgue from birth?

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Speaker 3: What was borron in Senegalue? I mean Saint Louis shipped Senegal.

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Speaker 3: Then when I was about seven and eight, that's when

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Speaker 3: my mom and pop brought us back to the States

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Speaker 3: to go to school, and every summer we would go

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Speaker 3: back to Senegalue.

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Speaker 1: Wow, So he wanted to pretty much, my dad just

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Speaker 1: wanted to make sure he was all born in the US.

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Speaker 4: You know.

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Speaker 1: He's always fought with thinking since then.

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Speaker 2: He wanted to have a US pastor.

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Speaker 3: Yeah, he wanted us to be a citizen so we

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Speaker 3: would never have immigration issues. So he was always thinking

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Speaker 3: about the future, you.

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Speaker 1: Know what I mean.

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Speaker 3: So when I came here, just it was just a

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Speaker 3: matter of adopting. And I think a lot of my

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Speaker 3: choices came from just wanting to be a you know,

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Speaker 3: accepted amongst the crowd. So that's how I got caught into,

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Speaker 3: you know, all the things that I got caught into,

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Speaker 3: including cars, because cars made me feel special.

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Speaker 1: You know, I was young. I can drive into the

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Speaker 1: most elite vehicles.

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Speaker 3: And then I read with the you know, the scenarrative

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Speaker 3: that I was an African prince, you know what I'm saying.

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Speaker 2: So he was using that back then.

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Speaker 5: Yeah, after coming to America, Yeah, you know what I'm saying,

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Speaker 5: that's a motivator.

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Speaker 3: Yeah, I was working at this barber shop man, and

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Speaker 3: you know, I met this Jamaican dude that was like yo,

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Speaker 3: you know, you know, he was in the cars and

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Speaker 3: I was like, man, every time I see you in

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Speaker 3: a different car. And one day he's like a rude boy,

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Speaker 3: let me show you something, you know. He took me

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Speaker 3: to the spot, took me.

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Speaker 1: I was like wow.

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Speaker 3: I was mesmerized, and I was like how much of these?

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Speaker 3: He was like twenty five hundred dollars apiece? I said

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Speaker 3: what how is that? And he showed me the whole layout,

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Speaker 3: and before you know it, I just copied and paste and.

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Speaker 2: You know what I'm saying.

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Speaker 3: So now, yeah, well, now like literally every other month

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Speaker 3: now I would come to school in a different car

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Speaker 3: and they was like yo where you know. I was like, heah,

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Speaker 3: I'm an African print and they believe it because of

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Speaker 3: the weapon I was driving. And so then I said,

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Speaker 3: this could be something, you know, that I can actually

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Speaker 3: make a career out of. Now that's how I'm thinking

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Speaker 3: back then. So I was just trying to figure out

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Speaker 3: the best way to do it. Then that's when Atlanta

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Speaker 3: hit me because I was getting out of high school, graduating.

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Speaker 3: My mops and my mom's in Atlanta because my dad

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Speaker 3: was a professor doing culture exchange at Clark Atlanta University.

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Speaker 3: And that's when they just had the Olympics going over

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Speaker 3: there with Freaknick and everything, you know what I'm saying.

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Speaker 3: So when I went out there, I saw all these

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Speaker 3: just young black just really successful black people. I ain't

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Speaker 3: seen that many black people successful in one city since New.

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Speaker 2: York, you know what I'm saying. It was even Africa.

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Speaker 3: Well nah, because I wasn't there long enough to understand

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Speaker 3: what that was at that time, you know. So, but

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Speaker 3: so that was just different. But I saw a lot

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Speaker 3: of new athletes coming out, a lot of artists out there,

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Speaker 3: and then everybody was driving. So I was like, this

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Speaker 3: could be the spot you know. So that's where I

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Speaker 3: just set up shop in Atlanta.

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Speaker 2: Driving it was looking for it.

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Speaker 3: I'm like, y'all paying three Well, at that time, one

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Speaker 3: hundred one hundred fifty thousand was probably the emotional pay

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Speaker 3: for a car, but those was even the super high

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Speaker 3: line because at that time even ninety thousand dollars was

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Speaker 3: a lot for a Porsche.

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Speaker 1: You know what I'm saying.

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Speaker 3: So if I can get it to you for like

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Speaker 3: ten grand, you know you.

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Speaker 1: Was legit into that? Oh no, I was.

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Speaker 2: It wasn't like a past sign for a teenager to day,

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Speaker 2: it was.

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Speaker 1: No.

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Speaker 3: It became a real It became a real occupation for

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Speaker 3: me because I started finding ins and outs, like most

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Speaker 3: people will go out jack people for cars, and then

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Speaker 3: of course me, it was always the biggest profit for

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Speaker 3: the less jail time. So I started studying the law

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Speaker 3: and I realized, man, joy riding charge is a misdemeanor.

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Speaker 1: You get out the same day.

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Speaker 2: Wow.

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Speaker 3: But the only way you can get hit for a

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Speaker 3: joy riding charge you actually have to have the key.

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Speaker 3: So if you actually have the key in the car,

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Speaker 3: it's considered.

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Speaker 1: The joy riding. So I was like, if I can

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Speaker 1: just get for kees a car exactly secrets other people

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Speaker 1: still tell you.

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Speaker 3: Now the stuff back then you can't even do it today.

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Speaker 3: Now you got a navigation, you got on all you

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Speaker 3: got cars on your phone, you could track your vehicle.

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Speaker 3: So it's like, you know, so the so the crazy part.

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Speaker 3: So what I ended up doing was I started going

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Speaker 3: to the dealership and start peeling keys and pretty much

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Speaker 3: what that means, like, you know, you're just going if

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Speaker 3: you see a key on the table, you just grab that,

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Speaker 3: bad boy, go to the bathroom, hit the click, see

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Speaker 3: which one opens up, and if the car light up,

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Speaker 3: jump in and.

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Speaker 1: Pull out right at the dealer.

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Speaker 3: At the dealership, because you understand, car dealerships is mad

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Speaker 3: busy all the time.

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Speaker 2: They're not even thinking about it.

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Speaker 1: They see you in a car pull out, I think,

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Speaker 1: do you think you test driving or something? Well, you

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Speaker 1: might have just purchasedtomer.

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Speaker 2: So after a.

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Speaker 1: While they start seeing my face come through all the time,

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Speaker 1: they said, well who So every time my face got

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Speaker 1: burnt out. Then I had to get another car dealership

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Speaker 1: to go to.

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Speaker 3: But then after while it was only but so many

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Speaker 3: car dealerships, and I had to find a whole new method.

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Speaker 3: Then I start hitting the valet parking. That's what the

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Speaker 3: business was because.

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Speaker 2: He was putting the valet jacket on. No, okay, that

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Speaker 2: was a great hold.

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Speaker 1: That's a great idea. It actually ain't.

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Speaker 3: Yeah, it really ain't because what happens is clearly like,

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Speaker 3: first of all, it's not it's not easy to get

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Speaker 3: up valet.

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Speaker 1: Jacket that matches the car that you're doing. That's the one.

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Speaker 1: They know each other and they all know, so they'd

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Speaker 1: be like, Yo, who are you the cabinet right now.

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Speaker 2: With your jacket? All right?

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Speaker 3: So I took the I took the diplomat diplomatic approach.

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Speaker 3: I said, you know, let me just negotiate with these days, yo,

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Speaker 3: how much, like do you actually make? How much are

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Speaker 3: they paying you? They was making like, you know, fifty

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Speaker 3: dollars a week plus tips.

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Speaker 1: Wow.

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Speaker 3: And I'm like, well, even with tips, how much you

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Speaker 3: actually make? They said, well, pulling off maybe two hundred.

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Speaker 1: Dollars a week.

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Speaker 3: I said, all right, cool, if I give you one

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Speaker 3: thousand dollars a week, one thousand dollars a week guaranteed,

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Speaker 3: you just give me the spare key of any car

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Speaker 3: that got a spare in it.

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Speaker 2: Wow, And you don't take it there you take it

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Speaker 2: where they go away.

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Speaker 1: Boom. If you can do that for me every time

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Speaker 1: you get just give me.

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Speaker 2: A call and all I.

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Speaker 3: Need is the key and a piece of male out

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Speaker 3: there with an address. Wow, that's all I needed, so boom,

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Speaker 3: they would get that to me.

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Speaker 1: I just wait, maybe a week two weeks later, pull

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Speaker 1: up late night, carby park right.

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Speaker 3: There in the front, jump in out and that was it,

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Speaker 3: like it was a real business. But then don't forget.

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Speaker 3: You still have to get the paperwork done for you

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Speaker 3: gotta get vend numbers and all that. But so the beginning,

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Speaker 3: you're just selling hot cars. You get caught, bros. Drive

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Speaker 3: your own risk, all right, the car's only five hundred

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Speaker 3: dollars though, like just these are squatters, right, But then

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Speaker 3: once you build a bit of money, create them pawn shop.

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Speaker 3: I mean, I'm the what do you call it?

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Speaker 2: Chop shot.

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Speaker 3: So then I had a chop shot where I had

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Speaker 3: some Mexicans over there that was super dope cars. Mexicans,

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Speaker 3: you know, big up to the Mexicans. They would chop

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Speaker 3: it up for me. Change the serious numbers. Then I

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Speaker 3: had to get it registered.

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Speaker 1: This where the finesse has to it has to come back.

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Speaker 3: So I would go to DMV and I would just

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Speaker 3: look for the most vulnerable, insecure, overweight check.

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Speaker 2: I about to go to hell.

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Speaker 3: So you know, but you know, you know, you just vancessar.

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Speaker 3: You know, take out to eat set the dream. You know,

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Speaker 3: you just dangled the carrot dough. You never beat, you

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Speaker 3: never hit it.

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Speaker 1: You just always make her believe that one day it's

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Speaker 1: gonna go down.

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Speaker 3: And she is just doing anything for you. So I

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Speaker 3: was like, look, baby, you know right now I'm going

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Speaker 3: through some things. You know, I got a few vehicles

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Speaker 3: that I got, but you know, they ain't paid me

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Speaker 3: for it just came off the truck. She was completely

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Speaker 3: dreamed like Green didn't have no clue. I just need

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Speaker 3: you to get these registered for you man. You know,

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Speaker 3: every time I sell one, I just give you some

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Speaker 3: money out of it. And that's all it took.

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Speaker 1: And before you know what, every.

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Speaker 3: Call we got shopped it, got it registered. Then now

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Speaker 3: we're in business. By the time we started selling Atlanta,

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Speaker 3: it wasn't not nobody that was coming through Atlanta wouldn't

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Speaker 3: getting cast from us.

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Speaker 2: But let me ask you, how if you ever got caught,

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Speaker 2: how would you get caught? How would the police.

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Speaker 3: Well, that's the thing, like, I okay, and that was

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Speaker 3: a mistake that I made, Okay, but normally I wouldn't.

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Speaker 3: I never really get caught because I always went through middleman,

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Speaker 3: so I was just a supplier and I would give

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Speaker 3: it to the purpose that would go out and sell

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Speaker 3: it out. My only rule was don't sell squadners to

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Speaker 3: dope boys because that's how you get fucked up. Like,

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Speaker 3: don't whatever you do, don't sell us no drug dealers

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Speaker 3: because the problem with them is they drive in any conditions.

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Speaker 3: They moved, they dried and dirty, like, they give you

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Speaker 3: all the reasons for them to start investigating. So after

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Speaker 3: so many dope boys get caught, then now they're like, okay,

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Speaker 3: well all these cars are kind of they can start

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Speaker 3: following situations before you know it leads all back down

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Speaker 3: to them and then they don't rat you out in time.

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Speaker 1: That's exactly what ended up happening.

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Speaker 2: Oh yeah, so dope boy got caught in the car

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Speaker 2: and said I got it from the Prinson's of Munda.

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Speaker 3: Well to see what saying me was the fact that

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Speaker 3: I never really met the customer. So when we so

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Speaker 3: when we went to trial, because I ended up getting

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Speaker 3: to trial. Nobody recognized me, so my attorney was just

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Speaker 3: super amazing. He was like, look, man, you know he's

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Speaker 3: he's a customer like they are.

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Speaker 1: I didn't even.

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Speaker 3: Honestly, I didn't know what my car was even stolen.

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Speaker 3: I was just driving. I thought I thought it was legit.

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Speaker 3: Way over it happened again. That was once in a

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Speaker 3: lifetime opportunity.

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Speaker 2: Do you see, like, uh, let's get straight to it.

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Speaker 1: Man. You always getting straight to.

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Speaker 2: What's beautiful music that you've made. I'm trying to think,

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Speaker 2: who the hell about you at Versus?

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Speaker 3: I know they've been you know what, actually Swiss talking

307
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Speaker 3: to my little brother about it. We talked to about it,

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Speaker 3: and Boo kind of hinted it to me, but I

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Speaker 3: was just never I don't know. I think I think

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Speaker 3: the I love Versus to watch it, but I think

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Speaker 3: some legends and they're right. I thought it was a

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Speaker 3: mistake for them to get on it, because I think

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Speaker 3: sometimes when you contribute to a culture this big, your music.

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Speaker 1: Should never be compared.

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00:14:07,480 --> 00:14:12,000
Speaker 3: It should be more celebrated than, you know, competed to

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Speaker 3: an extent. I know maybe in the beginning it partly

317
00:14:14,440 --> 00:14:17,679
Speaker 3: wasn't meant to be competition, but it's now turned into

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Speaker 3: a battle, and I don't want to put myself in

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Speaker 3: a position where I'm kind of relinquishing someone else's legacy

320
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Speaker 3: because I really don't believe there's too many people that

321
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Speaker 3: can go against.

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Speaker 2: Me, so basically, you're going against yourself. That was the

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00:14:37,840 --> 00:14:41,720
Speaker 2: most humblest I've heard. It was at the same time,

324
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Speaker 2: but off top, which would be dope. A lot of

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Speaker 2: people always compare Little Wayne's Drake, and they said if

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Speaker 2: they would do it together.

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Speaker 1: But it wouldn't work because Bill Rain found Drake.

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Speaker 2: That's like pain. I gave him all my secrets. I

329
00:14:59,120 --> 00:15:03,200
Speaker 2: gave them all my resources I created. That's don't come

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Speaker 2: against me.

331
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Speaker 1: If anything, I'm a sick T paint on everybody else

332
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Speaker 1: past him.

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00:15:08,480 --> 00:15:11,040
Speaker 2: Then you get to me, You and T paying double teams.

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Speaker 2: I like that.

335
00:15:11,600 --> 00:15:14,400
Speaker 3: Now that'll work me and T paining together against somebody

336
00:15:14,400 --> 00:15:16,600
Speaker 3: else all day because he paint love that kind of smoke.

337
00:15:18,960 --> 00:15:23,760
Speaker 1: I got goose bumps. You know what I'm saying, Double team.

338
00:15:24,200 --> 00:15:26,600
Speaker 2: I don't know about that man, because that's too gosket

339
00:15:26,600 --> 00:15:30,320
Speaker 2: agast lights again. No no, no, you ain't his dosk

340
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Speaker 2: okay hold on because no should be r and B singers.

341
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Speaker 2: I mean, you can't be Chris Brown. This is the

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00:15:37,560 --> 00:15:39,880
Speaker 2: thing Chris Brown Usher that's.

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Speaker 3: That honestly would be I would love to watch that myself.

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Speaker 3: I would not, That's what I'm saying, Like I love

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00:15:46,880 --> 00:15:50,800
Speaker 3: to be entertained by. But it's also that fear right

346
00:15:51,240 --> 00:15:55,720
Speaker 3: because what Usher built, Like sometimes what the scariest.

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Speaker 1: Part he might come out with rod That's cool, he

348
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Speaker 1: was on. But see this, this is the thing, right

349
00:16:02,320 --> 00:16:05,120
Speaker 1: this generation don't appreciate music the way our generation did,

350
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Speaker 1: so the way we value what Usher brought to the table.

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Speaker 3: This generation may not see that. It may lean more

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Speaker 3: towards Chris and vice versa. The eldest might not, you know,

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00:16:15,520 --> 00:16:17,760
Speaker 3: you know, appreciate what Chris brought to the you know,

354
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Speaker 3: to this industry. You know what I'm saying, because even

355
00:16:19,760 --> 00:16:22,360
Speaker 3: now when I look at Chris Brown, always believed that

356
00:16:22,440 --> 00:16:26,040
Speaker 3: he could have been the only person that can come

357
00:16:26,080 --> 00:16:27,200
Speaker 3: behind Michael Jackson.

358
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Speaker 1: Chris is that talented, Like he is fucking genius.

359
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Speaker 3: I mean from an artist's downpoint, from a performance standpoint, imaging.

360
00:16:35,520 --> 00:16:38,440
Speaker 1: Like he's a global superstar, you know what I'm saying.

361
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Speaker 3: But I think sometimes it's a matter of how we

362
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Speaker 3: harness and how we you know, package our talent that

363
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Speaker 3: we can claim and take it to that next level.

364
00:16:47,360 --> 00:16:51,240
Speaker 3: It's almost like, okay, let's say if we introduce the

365
00:16:51,360 --> 00:16:55,480
Speaker 3: versus concept to the pop community. I want to see that,

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00:16:55,840 --> 00:16:56,840
Speaker 3: they gonna turn it down.

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Speaker 2: I want to see Chris, but they're not gonna do it.

368
00:17:00,040 --> 00:17:00,600
Speaker 1: You want to do it?

369
00:17:01,280 --> 00:17:07,560
Speaker 2: Listen? Listen is Backstreet noise?

370
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Speaker 1: No, we would all be here, but that day will

371
00:17:11,280 --> 00:17:15,120
Speaker 1: never come. You know why, because they see things differently.

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00:17:15,160 --> 00:17:18,760
Speaker 3: They preserve culture, they preserve legacy. We compete against it.

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00:17:19,600 --> 00:17:21,920
Speaker 3: Like blacks and whites are two different mentalities.

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Speaker 1: We're combative, like we're African white regular no white period Africa.

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Speaker 3: Let's let's get back to South calf Africa. I'm kind

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00:17:30,920 --> 00:17:32,960
Speaker 3: of the intro was just so amazing, so I couldn't

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Speaker 3: cut you off.

378
00:17:34,760 --> 00:17:38,640
Speaker 1: I couldn't cut you off. Let's be very very very

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Speaker 1: very very very clear. South Africa is the real Africa.

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Speaker 1: See this is what happens.

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Speaker 3: Right, Any amazing part of Africa that's beautiful, that attracts tourism,

382
00:17:48,000 --> 00:17:50,280
Speaker 3: they say it ain't really the real Africa. But if

383
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Speaker 3: it's poor, poverished, and and and you know, full of

384
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Speaker 3: diseases or plagues. Oh yeah, be careful us you want

385
00:17:57,520 --> 00:17:59,440
Speaker 3: to be in that part of Africa. So they claim

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Speaker 3: the poor for Africa to say, okay, that's Africa. But

387
00:18:01,920 --> 00:18:04,879
Speaker 3: then if there's anything that's enticing or inviting about Africa,

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00:18:04,920 --> 00:18:07,119
Speaker 3: they say, well, that's not really the real Africa. And

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00:18:07,160 --> 00:18:10,560
Speaker 3: that's what we got to break because you know, South

390
00:18:10,600 --> 00:18:14,119
Speaker 3: Africa's credit they had helped by the British to actually help.

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Speaker 2: To develop right right, which was the.

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Speaker 1: Smallest population period. But those are real Africans, like the

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Speaker 1: white boys over there, African the actual Africans.

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Speaker 2: That's why they call Afrikaans.

395
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Speaker 1: Biggas. It's ghetto.

396
00:18:30,240 --> 00:18:30,840
Speaker 2: That's crazy.

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Speaker 3: Some certain parts of Africa, of South Africa, the white

398
00:18:34,000 --> 00:18:36,639
Speaker 3: folks are the ones in the ghettos. If you go

399
00:18:36,680 --> 00:18:39,040
Speaker 3: to South Africa, the richest people in South Africa are

400
00:18:39,240 --> 00:18:47,679
Speaker 3: the black ones. Netflix in the in the flat Brohannesburg

401
00:18:48,080 --> 00:18:51,640
Speaker 3: like they're like everywhere you go, there's areas where there's

402
00:18:51,800 --> 00:18:54,440
Speaker 3: poor people, but the poorest areas are the poor parts

403
00:18:54,440 --> 00:18:57,800
Speaker 3: where the white folks are. Yeah, it's a matter of fact,

404
00:18:57,960 --> 00:19:01,199
Speaker 3: it's a Netflix special on It's a Netflix special on that.

405
00:19:01,320 --> 00:19:03,239
Speaker 3: I got to remember the name though, but if you

406
00:19:03,280 --> 00:19:05,120
Speaker 3: if you, if you Google, I mean, if you serve

407
00:19:05,200 --> 00:19:07,480
Speaker 3: South Africa on there, it'll pop up on.

408
00:19:07,760 --> 00:19:10,960
Speaker 6: Watch my documentary Coming Home South Africa. And I'm telling you,

409
00:19:11,000 --> 00:19:13,000
Speaker 6: And they have an amazing hip hop scene. And I

410
00:19:13,040 --> 00:19:15,040
Speaker 6: went into Johannesburg and they got a spot called the

411
00:19:15,920 --> 00:19:20,000
Speaker 6: what is it called the Cool oh Man Slaughterhouse and

412
00:19:20,040 --> 00:19:22,200
Speaker 6: it's in there, it's in their language. But and it's

413
00:19:22,200 --> 00:19:25,840
Speaker 6: like a crazy MC battle place is dope, dope see

414
00:19:25,920 --> 00:19:26,240
Speaker 6: out there?

415
00:19:26,240 --> 00:19:28,520
Speaker 2: Man, I'm not.

416
00:19:28,480 --> 00:19:32,080
Speaker 1: Sure what should I just want to go to if I.

417
00:19:32,040 --> 00:19:34,679
Speaker 2: Go first, But hear me, I want to buy a

418
00:19:34,680 --> 00:19:36,600
Speaker 2: fake credit card or something. You know what I'm saying, Like,

419
00:19:36,640 --> 00:19:39,520
Speaker 2: I want to see you got stereo top on it.

420
00:19:39,560 --> 00:19:41,520
Speaker 1: I want to get scammed like.

421
00:19:49,600 --> 00:19:50,120
Speaker 2: In your life.

422
00:19:50,119 --> 00:19:53,560
Speaker 1: Man, I want to get scared.

423
00:19:57,280 --> 00:20:00,000
Speaker 2: But what is the first It never been to Africa?

424
00:20:00,080 --> 00:20:00,399
Speaker 1: Uh?

425
00:20:00,600 --> 00:20:04,240
Speaker 2: If they want to go for party purposes, to party purposes,

426
00:20:04,280 --> 00:20:08,400
Speaker 2: like what were you? Compare it to what place? All right?

427
00:20:08,440 --> 00:20:12,640
Speaker 3: So I would say Nigeria is compared to New York

428
00:20:12,680 --> 00:20:14,440
Speaker 3: City if I had to compare.

429
00:20:14,200 --> 00:20:15,600
Speaker 2: Something, that's definitely scammers.

430
00:20:16,000 --> 00:20:19,440
Speaker 1: The scammers are everywhere. I'm being.

431
00:20:21,320 --> 00:20:22,600
Speaker 2: That Nigeria princes.

432
00:20:22,280 --> 00:20:25,760
Speaker 1: Probably a more holy one they got the females.

433
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Speaker 2: Goddamn Nigerian prince got something.

434
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Speaker 4: Yo.

435
00:20:39,160 --> 00:20:43,400
Speaker 3: This could be debatable, but the Nigerians are the most

436
00:20:43,520 --> 00:20:45,199
Speaker 3: smartest people on the planet.

437
00:20:46,000 --> 00:20:46,600
Speaker 1: Yeah, I believe.

438
00:20:47,160 --> 00:20:51,399
Speaker 3: I promise you there's nobody more smarter than the Nigerian. Now,

439
00:20:51,440 --> 00:20:54,000
Speaker 3: of course there's there's a few bad apples that came out,

440
00:20:54,400 --> 00:20:54,920
Speaker 3: you know what I'm saying.

441
00:20:55,520 --> 00:20:56,560
Speaker 1: No, they extremely smart.

442
00:20:56,640 --> 00:20:58,600
Speaker 3: They put they just put their intelligence all in the

443
00:20:58,640 --> 00:21:02,080
Speaker 3: wrong place. They're geared, dess or something more, you know,

444
00:21:02,160 --> 00:21:06,440
Speaker 3: positive productive because the ones that did there's more. There's

445
00:21:06,520 --> 00:21:08,720
Speaker 3: more billionaires being made in Nigeria than anywhere in the

446
00:21:08,800 --> 00:21:10,480
Speaker 3: world on the annual basis.

447
00:21:10,800 --> 00:21:18,360
Speaker 2: Took that email. Listen to the credit of them though.

448
00:21:19,359 --> 00:21:23,920
Speaker 1: You only get caught if you get greedy. They don't

449
00:21:23,960 --> 00:21:26,280
Speaker 1: ask you to do anything, They just present it to

450
00:21:26,400 --> 00:21:28,360
Speaker 1: you and then your greed get caught in that way

451
00:21:28,480 --> 00:21:35,119
Speaker 1: because I'm giving fifty they're not, They're just giving you

452
00:21:35,160 --> 00:21:36,639
Speaker 1: a positions.

453
00:21:37,840 --> 00:21:40,920
Speaker 2: Greedy took it was.

454
00:21:41,080 --> 00:21:44,080
Speaker 1: What's crazier is that after you get got, there's nobody

455
00:21:44,119 --> 00:21:47,560
Speaker 1: else to blame but yourself, because you know better. Honest,

456
00:21:47,640 --> 00:21:49,680
Speaker 1: anything that's too good to be true, you know, it's

457
00:21:49,720 --> 00:21:50,840
Speaker 1: always too good to be true.

458
00:21:50,880 --> 00:21:53,199
Speaker 2: What's the nigga that they was hunt him down? They

459
00:21:53,240 --> 00:22:02,800
Speaker 2: made you puppy Cony right, Coney Coney, I donated that

460
00:22:02,960 --> 00:22:06,760
Speaker 2: was that was the Africans that was doing that. Somebody.

461
00:22:07,920 --> 00:22:12,320
Speaker 1: Yeah, I still don't got my shirt, Like is he

462
00:22:12,400 --> 00:22:13,359
Speaker 1: comparing that Africa?

463
00:22:15,480 --> 00:22:17,080
Speaker 2: It was Cony. He was doing someth bad.

464
00:22:17,560 --> 00:22:19,840
Speaker 1: Yeah, And it wasn't that he was like, donate to

465
00:22:19,960 --> 00:22:21,080
Speaker 1: him and we're going to get I like.

466
00:22:21,200 --> 00:22:27,960
Speaker 2: Word, it's like dude in San Francisco doing that. I

467
00:22:28,000 --> 00:22:30,560
Speaker 2: want it was my T shirt shirt. And that's when

468
00:22:30,600 --> 00:22:36,200
Speaker 2: I started to complain, that is ting right about this shirt.

469
00:22:36,560 --> 00:22:40,840
Speaker 2: It's too funny. So you say Nigeria is the first, Well.

470
00:22:40,920 --> 00:22:42,359
Speaker 3: That mean it depends on what you're going there for.

471
00:22:42,600 --> 00:22:45,560
Speaker 3: Like every place has his destination and has especialty for

472
00:22:45,680 --> 00:22:46,560
Speaker 3: what you want to do.

473
00:22:46,640 --> 00:22:49,639
Speaker 1: A huge continent, it's no North Africa.

474
00:22:50,400 --> 00:22:53,000
Speaker 3: How big Africa is, right? You see how big United

475
00:22:53,000 --> 00:22:55,760
Speaker 3: States is. You could take five United States and fit

476
00:22:55,880 --> 00:23:00,520
Speaker 3: it inside it. Five of US, I mean all fifty two,

477
00:23:00,760 --> 00:23:03,159
Speaker 3: three faux states whatever, you can take them all, put

478
00:23:03,240 --> 00:23:04,560
Speaker 3: him inside Africa five times.

479
00:23:04,600 --> 00:23:07,480
Speaker 1: That's how big the continent is. That's how big it is.

480
00:23:07,560 --> 00:23:09,280
Speaker 1: So it's a matter of like it's any and everything

481
00:23:09,320 --> 00:23:09,680
Speaker 1: you want to do.

482
00:23:09,840 --> 00:23:12,159
Speaker 3: Like you got East Africa, you got South Africa, you

483
00:23:12,200 --> 00:23:15,280
Speaker 3: got West Africa, North Africa. Everywhere you go, there's destination

484
00:23:15,400 --> 00:23:16,840
Speaker 3: for what it is you want. So it depends on

485
00:23:16,880 --> 00:23:17,520
Speaker 3: what you're going there for.

486
00:23:18,400 --> 00:23:21,119
Speaker 2: You know, no I said anybody got questions for Akon.

487
00:23:22,840 --> 00:23:25,040
Speaker 1: It was like Yo, man in the US mad at

488
00:23:25,080 --> 00:23:27,280
Speaker 1: him for messing with China. Man, listen honestly.

489
00:23:27,320 --> 00:23:30,960
Speaker 3: First, to be honest, bro Me, I would want the

490
00:23:31,119 --> 00:23:33,840
Speaker 3: US to take more initiative in Africa.

491
00:23:34,000 --> 00:23:35,840
Speaker 1: They have done it this year though.

492
00:23:36,359 --> 00:23:39,240
Speaker 3: Really Yeah, they flew in a lot of African presidents,

493
00:23:40,080 --> 00:23:44,280
Speaker 3: created this huge you knows, the initiative in DC, you know,

494
00:23:44,400 --> 00:23:45,600
Speaker 3: but it was a great conversation.

495
00:23:45,720 --> 00:23:46,440
Speaker 1: It was a great start.

496
00:23:46,840 --> 00:23:50,159
Speaker 3: But I just think they're a little bit ten twelve

497
00:23:50,240 --> 00:23:54,800
Speaker 3: steps behind the Chinese. The area where the Chinese got

498
00:23:55,320 --> 00:23:59,120
Speaker 3: smart was they realized, okay, are they're already done created

499
00:23:59,200 --> 00:24:01,400
Speaker 3: enough manufacturing plans to supply the whole world?

500
00:24:02,160 --> 00:24:02,280
Speaker 6: Right?

501
00:24:02,520 --> 00:24:07,240
Speaker 3: Yes, Americas are their biggest suppliers, America then Europe. This

502
00:24:07,359 --> 00:24:08,920
Speaker 3: is why the US is in debt to the Chinese.

503
00:24:08,960 --> 00:24:12,000
Speaker 3: Already they supplied the US was so much. But after

504
00:24:12,040 --> 00:24:14,400
Speaker 3: a while you can only supply for so much because

505
00:24:14,400 --> 00:24:16,960
Speaker 3: that's only a certain amount of population. They're the reason

506
00:24:17,000 --> 00:24:18,600
Speaker 3: why Chinese is so powerful because they got over a

507
00:24:18,640 --> 00:24:21,399
Speaker 3: billion people over there within China in itself. But for

508
00:24:21,480 --> 00:24:23,720
Speaker 3: the most part, they start a value in Africa though

509
00:24:24,119 --> 00:24:26,880
Speaker 3: they said, okay, cool, Africa got close to two billion people.

510
00:24:27,440 --> 00:24:29,200
Speaker 1: Right, it's underdeveloped.

511
00:24:29,960 --> 00:24:32,359
Speaker 3: So human resource to them is more important than actual

512
00:24:32,400 --> 00:24:35,480
Speaker 3: resources itself because they've seen what have done for them themselves.

513
00:24:35,800 --> 00:24:35,919
Speaker 7: Right.

514
00:24:35,960 --> 00:24:38,440
Speaker 1: So now I imagine if you combine two billion people

515
00:24:38,480 --> 00:24:41,760
Speaker 1: of China in partnership with two billion people in Africa,

516
00:24:42,359 --> 00:24:44,240
Speaker 1: and then you have all the resources and all the

517
00:24:44,320 --> 00:24:46,240
Speaker 1: factories for distribution to the globe.

518
00:24:46,600 --> 00:24:50,200
Speaker 2: Is that why the currency is the currency is China.

519
00:24:51,600 --> 00:24:56,520
Speaker 6: The bricks I'm talking about bricks, which is China, China, Russia, Brazil.

520
00:24:57,280 --> 00:25:01,160
Speaker 1: They trying to create their Oh well, I mean break

521
00:25:01,600 --> 00:25:02,760
Speaker 1: they call that school ring.

522
00:25:03,119 --> 00:25:09,040
Speaker 2: I either heard that ringusin is eighty eight, but you

523
00:25:09,200 --> 00:25:11,160
Speaker 2: hear that, Yeah, it's bridge.

524
00:25:11,400 --> 00:25:14,040
Speaker 1: They haven't done it yet. They're trying to. They're trying

525
00:25:14,080 --> 00:25:14,399
Speaker 1: to do it.

526
00:25:14,480 --> 00:25:17,400
Speaker 3: It's a conversation that's being had. Of course it's gonna

527
00:25:17,560 --> 00:25:19,320
Speaker 3: and Saudi Arabia is kind of like top of the

528
00:25:19,600 --> 00:25:22,000
Speaker 3: US dollar if that happens. So I don't think it's

529
00:25:22,000 --> 00:25:24,359
Speaker 3: gonna be something that's gonna be easy to accomplish because

530
00:25:24,359 --> 00:25:27,040
Speaker 3: it's just too many interesting at play. But if it

531
00:25:27,119 --> 00:25:28,720
Speaker 3: does happen, it's gonna be a it's gonna be a

532
00:25:29,359 --> 00:25:30,919
Speaker 3: US is gonna have a huge problem.

533
00:25:31,400 --> 00:25:33,680
Speaker 6: Right, And China's been involved in Latin America too. They're

534
00:25:33,680 --> 00:25:35,840
Speaker 6: doing the same thing all that everywhere. You know, understanding,

535
00:25:36,280 --> 00:25:37,680
Speaker 6: they have been quiet.

536
00:25:38,359 --> 00:25:40,639
Speaker 1: Right, you can go to any hood anywhere in the

537
00:25:40,720 --> 00:25:43,240
Speaker 1: world and you're gonna find them. That's what they're doing.

538
00:25:43,440 --> 00:25:44,960
Speaker 3: And then you can go to any place in the

539
00:25:45,000 --> 00:25:48,879
Speaker 3: world and they will be a China town. Always they've been.

540
00:25:49,000 --> 00:25:50,600
Speaker 3: They've always been non controversial.

541
00:25:51,440 --> 00:25:52,680
Speaker 2: Right, you've been to China.

542
00:25:52,960 --> 00:25:55,239
Speaker 3: I love China, you really, I love it out there.

543
00:25:55,280 --> 00:25:58,280
Speaker 3: I just can't say that too long ago. Why I

544
00:25:58,400 --> 00:26:01,320
Speaker 3: need the food, the food, it's just it's not my

545
00:26:01,680 --> 00:26:08,960
Speaker 3: my type. The food small, it's just the portions are

546
00:26:09,000 --> 00:26:13,360
Speaker 3: pretty small. But it's it's just too healthy. Really, it's

547
00:26:13,440 --> 00:26:13,920
Speaker 3: too healthy.

548
00:26:13,960 --> 00:26:17,320
Speaker 1: You need some glue, I need yeah, iy, fat, honey, cholesterol,

549
00:26:18,240 --> 00:26:23,439
Speaker 1: I need all that, like I can't American. It's too healthy, Okay,

550
00:26:23,840 --> 00:26:24,520
Speaker 1: it's too healthy.

551
00:26:24,640 --> 00:26:28,000
Speaker 2: One of the things that Michael Blacksman, who is my friend,

552
00:26:28,720 --> 00:26:32,439
Speaker 2: but he turns me off every time I see him

553
00:26:32,520 --> 00:26:36,119
Speaker 2: eat it. The way he eats foodful is hard. Have

554
00:26:36,240 --> 00:26:39,960
Speaker 2: you ever seen him eat fool? Did he put on

555
00:26:40,040 --> 00:26:41,920
Speaker 2: the tracks? He's like, I'm like, how can you tell

556
00:26:41,960 --> 00:26:42,960
Speaker 2: me this is good? And you're going to.

557
00:26:45,480 --> 00:26:47,120
Speaker 1: I'm the only one who followed Michael Blacksmith.

558
00:26:47,920 --> 00:26:51,960
Speaker 2: Listen, I mean, I swear, and he'd be like after

559
00:26:52,080 --> 00:26:55,000
Speaker 2: he he puts pause, pulls his mouth with his hand

560
00:26:55,040 --> 00:26:57,520
Speaker 2: away from his mouth. He acts like he's enjoying it,

561
00:26:57,760 --> 00:26:58,640
Speaker 2: but as he's.

562
00:26:58,560 --> 00:27:02,359
Speaker 1: Chewing it, he puts on the pit bull face, like

563
00:27:02,600 --> 00:27:04,080
Speaker 1: a pit bull is a tackle the.

564
00:27:04,119 --> 00:27:07,440
Speaker 2: Tea and I like it. So, but are you a

565
00:27:07,520 --> 00:27:09,080
Speaker 2: fan of fool fool me?

566
00:27:09,240 --> 00:27:11,680
Speaker 1: I'm not really a fan of food food specifically, I don't.

567
00:27:11,760 --> 00:27:12,160
Speaker 2: Yeah, I don't.

568
00:27:12,200 --> 00:27:13,680
Speaker 1: I don't like food food as much, but I like

569
00:27:13,760 --> 00:27:14,280
Speaker 1: everything else.

570
00:27:14,320 --> 00:27:14,560
Speaker 2: Food.

571
00:27:14,560 --> 00:27:15,800
Speaker 1: Food is the only thing I don't like as much.

572
00:27:15,840 --> 00:27:18,239
Speaker 1: Food is like my fungal right, it's a plantain, that's

573
00:27:18,280 --> 00:27:19,360
Speaker 1: the thing you Yeah.

574
00:27:19,960 --> 00:27:23,280
Speaker 3: Well, myself, I like, but this is the okra sauce

575
00:27:23,320 --> 00:27:25,320
Speaker 3: that comes from and I don't like the texture of okra.

576
00:27:25,880 --> 00:27:28,080
Speaker 3: You know what I'm saying, but because it got food

577
00:27:28,280 --> 00:27:30,119
Speaker 3: and some other sauce like the peanut butter sauce. It

578
00:27:30,200 --> 00:27:32,639
Speaker 3: comes with different sauces. But the reason why they call

579
00:27:32,640 --> 00:27:36,359
Speaker 3: it food food is because of the okrat, the bread bread.

580
00:27:36,440 --> 00:27:40,200
Speaker 1: Well, I mean it's yeah, yeah, yeah, it's a combination.

581
00:27:40,400 --> 00:27:43,280
Speaker 3: So yeah, but it's it's a it's a team effort,

582
00:27:43,359 --> 00:27:44,920
Speaker 3: like one don't work without the other, you know what

583
00:27:44,920 --> 00:27:45,240
Speaker 3: I'm saying.

584
00:27:45,560 --> 00:27:47,200
Speaker 2: So, what's your favorite African dish?

585
00:27:47,720 --> 00:27:52,600
Speaker 1: It's jelly rice for sure? What je rice? J Yeah.

586
00:27:54,119 --> 00:27:55,879
Speaker 2: Sounds I don't know how it sounds.

587
00:27:55,920 --> 00:27:57,840
Speaker 1: Sounds delicious, is it?

588
00:27:59,440 --> 00:27:59,480
Speaker 7: So?

589
00:28:00,240 --> 00:28:02,879
Speaker 3: Rice is originally from Senegal with Stafford that'shere, I'm from.

590
00:28:04,400 --> 00:28:07,400
Speaker 1: Ghana's. Ghana has adapted it very well.

591
00:28:07,960 --> 00:28:10,720
Speaker 3: Nigeria is always in competition with Ghana on who makes

592
00:28:10,720 --> 00:28:13,560
Speaker 3: the best jelly of rice. And then you have Liberia

593
00:28:13,640 --> 00:28:17,720
Speaker 3: also that makes it really really good, right. But it's

594
00:28:17,840 --> 00:28:21,800
Speaker 3: it's an old traditional uh recipe that's made with rice

595
00:28:22,440 --> 00:28:25,400
Speaker 3: and tomato paste. So the tomato paste is what makes

596
00:28:25,440 --> 00:28:28,879
Speaker 3: it red. But in Senegal you have two types of jelloff.

597
00:28:28,920 --> 00:28:30,600
Speaker 3: You have the red jelloff and then you have the

598
00:28:30,680 --> 00:28:34,480
Speaker 3: white jellaf. The white jellaf is made with like onions

599
00:28:34,960 --> 00:28:37,240
Speaker 3: and you know, more broth, you know what I'm saying.

600
00:28:37,320 --> 00:28:39,480
Speaker 3: But the taste of it is just it's it's like

601
00:28:39,640 --> 00:28:42,440
Speaker 3: an African version of fried rice to an extent, that's

602
00:28:42,440 --> 00:28:44,440
Speaker 3: probably the best way to kind of explain it. Because

603
00:28:44,800 --> 00:28:46,760
Speaker 3: after the rice is done, they let the bottom of

604
00:28:46,800 --> 00:28:49,320
Speaker 3: the rice burn, so it's like you get that that

605
00:28:49,520 --> 00:28:51,960
Speaker 3: that burned smoky and then that smoke goes through the

606
00:28:52,040 --> 00:28:53,720
Speaker 3: rice and you could taste that smokiness in it.

607
00:28:53,920 --> 00:28:54,880
Speaker 1: It's it's delicious.

608
00:29:00,120 --> 00:29:02,840
Speaker 3: The bird part is this, This is why I've been

609
00:29:02,880 --> 00:29:05,320
Speaker 3: a deal lot. When I eat that boy, it reminds

610
00:29:05,360 --> 00:29:07,040
Speaker 3: me of Jeff, you know what I'm saying.

611
00:29:07,400 --> 00:29:10,640
Speaker 2: So so we all know that music, we all know

612
00:29:10,680 --> 00:29:14,479
Speaker 2: the original man comes from Africa, right right. I remember,

613
00:29:14,600 --> 00:29:19,360
Speaker 2: you know reggae music coming making its mark, you know.

614
00:29:19,640 --> 00:29:22,200
Speaker 2: Then you know, you know Spanish music, all that song

615
00:29:22,200 --> 00:29:24,280
Speaker 2: and so forth. But it just kind of like seemed

616
00:29:24,320 --> 00:29:28,840
Speaker 2: like it's three sixty and now it's like Afro Beasts

617
00:29:28,920 --> 00:29:29,440
Speaker 2: is like so.

618
00:29:29,720 --> 00:29:31,320
Speaker 1: Fucking popular, right, It's huge.

619
00:29:31,840 --> 00:29:34,760
Speaker 2: I never saw this coming, like I never saw obviously,

620
00:29:35,440 --> 00:29:37,680
Speaker 2: you know that music originates in Africa, so for it

621
00:29:37,800 --> 00:29:40,400
Speaker 2: to come back, it's something that's very very beautiful, but

622
00:29:40,480 --> 00:29:42,600
Speaker 2: I obviously didn't see this. Is this something that you've

623
00:29:42,640 --> 00:29:43,960
Speaker 2: been saw that you knew that.

624
00:29:44,080 --> 00:29:47,080
Speaker 3: Bro since two thousand and seven. Wow, I was in

625
00:29:47,160 --> 00:29:50,280
Speaker 3: labels trying to get this going. Like you, man, you'd

626
00:29:50,280 --> 00:29:52,600
Speaker 3: be surprised how good it makes somebody feel when you've

627
00:29:52,600 --> 00:29:54,840
Speaker 3: been saying you want to say, like I told you

628
00:29:54,960 --> 00:29:55,920
Speaker 3: so so loud.

629
00:29:57,080 --> 00:29:57,760
Speaker 2: You know what I'm saying.

630
00:29:58,400 --> 00:30:02,160
Speaker 3: But it's I kind of Latin music kind of came

631
00:30:02,200 --> 00:30:04,920
Speaker 3: through the same tunnel because with reggae thong, it was

632
00:30:04,960 --> 00:30:06,880
Speaker 3: the same thing. Nobody expected it to be this big

633
00:30:07,000 --> 00:30:19,840
Speaker 3: and dominate, like you know what I'm saying on everything, right,

634
00:30:22,280 --> 00:30:23,760
Speaker 3: you know what I'm saying. So it's I think it's

635
00:30:23,760 --> 00:30:25,720
Speaker 3: the same thing. And I think now people are getting

636
00:30:25,760 --> 00:30:29,000
Speaker 3: more you know, open to different sounds and different music

637
00:30:29,080 --> 00:30:31,440
Speaker 3: now actually start you know, you can now see melodies

638
00:30:31,920 --> 00:30:35,200
Speaker 3: change into something that sounds familiar to you that back

639
00:30:35,280 --> 00:30:36,959
Speaker 3: then was foreign, you know what I'm saying. So when

640
00:30:37,000 --> 00:30:39,480
Speaker 3: you listen to a lot of the afrobat music today,

641
00:30:39,480 --> 00:30:41,680
Speaker 3: you'd be like, wow, it actually makes sense because when

642
00:30:41,680 --> 00:30:44,600
Speaker 3: you go from reggae music to reggae thong and now

643
00:30:44,680 --> 00:30:48,120
Speaker 3: afrobeat within all in the span of ten fifteen years

644
00:30:48,160 --> 00:30:50,720
Speaker 3: in America's like it's it's all the same, you know

645
00:30:50,760 --> 00:30:52,560
Speaker 3: what I'm saying. It was just a matter of who

646
00:30:52,640 --> 00:30:54,520
Speaker 3: was the gatekeepers that would allow that music to come in,

647
00:30:55,000 --> 00:30:56,640
Speaker 3: And that was the challenging part, trying to get them

648
00:30:56,640 --> 00:30:58,560
Speaker 3: to understand that, Yo, this is bigger than you think

649
00:30:58,600 --> 00:30:58,800
Speaker 3: it is.

650
00:30:59,520 --> 00:31:02,040
Speaker 1: Yeah, you know, like internationally this is huge already.

651
00:31:02,760 --> 00:31:04,920
Speaker 3: If it breaks in America, this could be the biggest

652
00:31:04,960 --> 00:31:07,600
Speaker 3: turnover for y'all from a financial standpoint that you've ever seen.

653
00:31:07,640 --> 00:31:09,920
Speaker 3: But it's just a matter of just now Digital actually

654
00:31:09,960 --> 00:31:11,160
Speaker 3: allowed that because of YouTube.

655
00:31:11,960 --> 00:31:14,120
Speaker 6: You think they were trying to keep people from working

656
00:31:14,120 --> 00:31:16,920
Speaker 6: internationally that closely because it might change the way that

657
00:31:16,960 --> 00:31:18,160
Speaker 6: business has done domestically.

658
00:31:19,320 --> 00:31:21,200
Speaker 3: Actually, I wouldn't go that far, but I would say

659
00:31:21,240 --> 00:31:23,600
Speaker 3: that they didn't understand the music well enough to know

660
00:31:23,720 --> 00:31:25,880
Speaker 3: how to move it around. And I think a lot

661
00:31:25,920 --> 00:31:30,000
Speaker 3: of the times when you look at executives, they kind

662
00:31:30,000 --> 00:31:33,120
Speaker 3: of move on either excitement because they know what they got,

663
00:31:33,720 --> 00:31:35,480
Speaker 3: or on fear because they don't know what to do

664
00:31:35,560 --> 00:31:37,680
Speaker 3: with it, you know what I mean. Instead of just

665
00:31:37,720 --> 00:31:39,560
Speaker 3: putting it out and let it find his own audience,

666
00:31:40,080 --> 00:31:42,400
Speaker 3: they want to be the A and R to decide

667
00:31:42,560 --> 00:31:43,760
Speaker 3: what goes out and what's.

668
00:31:43,640 --> 00:31:44,520
Speaker 1: Going to be a hit and what's not.

669
00:31:44,640 --> 00:31:47,240
Speaker 2: And I think that's a mistake, is right, because they

670
00:31:47,280 --> 00:31:47,960
Speaker 2: only you know, they make.

671
00:31:47,880 --> 00:31:49,760
Speaker 3: The decision called to what they see, and most of

672
00:31:49,800 --> 00:31:51,480
Speaker 3: them never even left America, so they wouldn't even know

673
00:31:51,480 --> 00:31:51,920
Speaker 3: where to start.

674
00:31:53,200 --> 00:31:55,520
Speaker 2: I remember, like I was saying this to da veto

675
00:31:57,280 --> 00:31:59,960
Speaker 2: a friend of mine who's Fump Senegal. He lives in Paris,

676
00:32:00,560 --> 00:32:02,800
Speaker 2: and he kept he kept telling me about afrobeasts, but

677
00:32:02,880 --> 00:32:04,680
Speaker 2: he didn't have he didn't have. It wasn't a word

678
00:32:04,840 --> 00:32:07,440
Speaker 2: at the time. We kept saying, listen, man, we have

679
00:32:07,560 --> 00:32:12,080
Speaker 2: African ricked doone. And I was like, because I'm assuming,

680
00:32:12,080 --> 00:32:14,480
Speaker 2: I'm assuming reggae don't can only be Spanish. I'm not.

681
00:32:14,880 --> 00:32:17,200
Speaker 2: I'm not smart enough to understand that this is a

682
00:32:17,240 --> 00:32:19,920
Speaker 2: global thing. And then he was he was playing me

683
00:32:20,000 --> 00:32:22,680
Speaker 2: this and I was just like wow. And then when

684
00:32:22,800 --> 00:32:25,560
Speaker 2: afrobeas blew up, like I said, my boy at and

685
00:32:26,080 --> 00:32:27,720
Speaker 2: he's from Sitaguar, he just lives in Paris.

686
00:32:28,200 --> 00:32:33,120
Speaker 1: He called me every day I told you, I was like, damn,

687
00:32:33,360 --> 00:32:33,640
Speaker 1: he was.

688
00:32:33,680 --> 00:32:35,640
Speaker 2: Right, and he was right. We listen to Acon. Our

689
00:32:35,680 --> 00:32:38,160
Speaker 2: show was about giving people their flowers while they're alive.

690
00:32:38,680 --> 00:32:40,360
Speaker 2: We want to give you a flowers face to face.

691
00:32:43,920 --> 00:32:47,720
Speaker 2: You an icon. You're a pioneer. You single handed and

692
00:32:47,960 --> 00:32:49,760
Speaker 2: changed the face of how music is played.

693
00:32:50,280 --> 00:32:51,280
Speaker 1: You you did it.

694
00:32:52,160 --> 00:32:55,880
Speaker 2: Are you like the first African artists or first African?

695
00:32:56,440 --> 00:33:00,400
Speaker 2: Nos African because you wasn't born said he was born

696
00:33:00,440 --> 00:33:05,320
Speaker 2: in Saint Louis, but obviously you still considered well.

697
00:33:05,160 --> 00:33:06,800
Speaker 3: I mean, this is the thing, like, I don't think

698
00:33:06,880 --> 00:33:10,440
Speaker 3: where you're born decides who you are, right because in

699
00:33:10,560 --> 00:33:14,200
Speaker 3: our case, my mom and father was born raised, full

700
00:33:14,240 --> 00:33:17,280
Speaker 3: blooded Senegalese, but Pops decided to make sure we was

701
00:33:17,360 --> 00:33:19,560
Speaker 3: born here just to ship us back.

702
00:33:20,000 --> 00:33:22,920
Speaker 1: Yeah, it was a transactional reason. You understand what I'm saying.

703
00:33:22,960 --> 00:33:25,320
Speaker 3: So that's why when I identify with Africa, it's just

704
00:33:25,400 --> 00:33:26,680
Speaker 3: a little bit different because.

705
00:33:26,480 --> 00:33:28,280
Speaker 1: That's where my childhood began.

706
00:33:28,480 --> 00:33:30,240
Speaker 3: And then when I came to the States, I was

707
00:33:30,320 --> 00:33:32,880
Speaker 3: here just more to go to school because every summer

708
00:33:32,920 --> 00:33:33,760
Speaker 3: we would go back home.

709
00:33:34,240 --> 00:33:36,400
Speaker 1: Until I graduated high school. I decided to stay.

710
00:33:36,680 --> 00:33:38,440
Speaker 2: Let me ask you the whole thing with New York

711
00:33:38,520 --> 00:33:41,160
Speaker 2: Puerto Ricans, right, and then Puerto Ricans from the islands

712
00:33:41,320 --> 00:33:44,280
Speaker 2: right right, and for years, Puerto Weecans from the Island

713
00:33:44,320 --> 00:33:45,880
Speaker 2: just thought they was better than us. I'm sorry, that's

714
00:33:45,920 --> 00:33:50,000
Speaker 2: how we felt about y'all. Like we felt like they

715
00:33:50,400 --> 00:33:52,760
Speaker 2: felt like they were like the real Puerto Ricans, and like,

716
00:33:53,080 --> 00:33:55,200
Speaker 2: I mean, actually, at certain.

717
00:33:54,960 --> 00:34:01,080
Speaker 3: Times, technically, technically they are the real Puerto Ricans because

718
00:34:01,240 --> 00:34:02,960
Speaker 3: y'all are more Americanized.

719
00:34:03,960 --> 00:34:07,160
Speaker 2: Yeah, but they we watched us on TV. Yeah, they

720
00:34:07,240 --> 00:34:09,040
Speaker 2: just say technically a little bit different. You know, I

721
00:34:09,400 --> 00:34:11,279
Speaker 2: grew up with chickens in our backyard. Why are you

722
00:34:11,360 --> 00:34:12,200
Speaker 2: going at your people?

723
00:34:12,239 --> 00:34:12,319
Speaker 7: Bro?

724
00:34:22,080 --> 00:34:24,359
Speaker 3: They just a little the Puerto Ricans in Puerto Rico

725
00:34:24,400 --> 00:34:27,000
Speaker 3: a little bit closer to the culture. And I think

726
00:34:27,480 --> 00:34:29,200
Speaker 3: that's what they're trying to say. They're not saying that

727
00:34:29,239 --> 00:34:32,080
Speaker 3: you ain't Puerto Rican. They're saying, well, we're actually here.

728
00:34:33,040 --> 00:34:35,320
Speaker 2: You know, it's a place in Porto Rico called Louisa.

729
00:34:35,840 --> 00:34:39,040
Speaker 2: You know, that's the where the slaves got dropped off. Right,

730
00:34:39,239 --> 00:34:41,000
Speaker 2: you are light skinned out there compared to them.

731
00:34:42,440 --> 00:34:45,600
Speaker 3: But all of those niggas came from Senegalgue. I'm not

732
00:34:45,640 --> 00:34:46,480
Speaker 3: even joking.

733
00:34:49,080 --> 00:34:50,399
Speaker 2: That last spot they.

734
00:34:50,400 --> 00:34:51,520
Speaker 1: Dropped off in Puerto Rico.

735
00:34:51,600 --> 00:34:54,480
Speaker 3: They dropped off in Haiti, and the Haiti became Dominican

736
00:34:54,520 --> 00:34:58,000
Speaker 3: Republic because of the Spaniards came and mixed up with Haitians. Yeah,

737
00:34:58,040 --> 00:35:01,440
Speaker 3: the all Portuguese, mister Lee, So Portuguese, y'all niggas is.

738
00:35:01,440 --> 00:35:02,239
Speaker 1: More African than we are.

739
00:35:02,400 --> 00:35:04,200
Speaker 2: Why do you think y'all moved away? Y'all move goddamn?

740
00:35:04,320 --> 00:35:04,640
Speaker 4: Do you think?

741
00:35:06,080 --> 00:35:09,719
Speaker 1: Seriously think about it, Think about how we like, how

742
00:35:09,800 --> 00:35:12,560
Speaker 1: we communicate with Puerto Ricans, Couerto Rican We call each

743
00:35:12,560 --> 00:35:16,600
Speaker 1: other's niggas, y'all niggas. Ain't y'all far from niggas? Perto

744
00:35:16,640 --> 00:35:21,040
Speaker 1: Ricans say the ship and we're like you think about it,

745
00:35:21,160 --> 00:35:24,520
Speaker 1: like like we look at each other as one. You

746
00:35:24,600 --> 00:35:27,560
Speaker 1: find what I'm saying, like, so we like our history

747
00:35:27,680 --> 00:35:30,520
Speaker 1: is intertwined. It's not even a it's not even a question.

748
00:35:31,160 --> 00:35:32,000
Speaker 2: That's a beautiful thing.

749
00:35:32,040 --> 00:35:32,320
Speaker 1: You know what.

750
00:35:32,480 --> 00:35:34,680
Speaker 2: Also was something beautiful I've seen on the internet the

751
00:35:34,719 --> 00:35:37,520
Speaker 2: other day. They said something that could and you said

752
00:35:37,560 --> 00:35:40,400
Speaker 2: this on our show years ago. It says something that

753
00:35:40,560 --> 00:35:44,960
Speaker 2: was going to help boost Africa's economy is is if

754
00:35:45,080 --> 00:35:48,000
Speaker 2: African Americans going over back and start going back. And

755
00:35:48,040 --> 00:35:50,120
Speaker 2: I see somebody like I think this was like a

756
00:35:50,200 --> 00:35:52,360
Speaker 2: preacher or something like he was just and I was like,

757
00:35:52,520 --> 00:35:54,640
Speaker 2: damn a concept. That shit like seven years ago on

758
00:35:54,760 --> 00:35:57,600
Speaker 2: our show. You you think that's it that's still choose

759
00:35:57,640 --> 00:35:58,040
Speaker 2: you this day?

760
00:35:58,080 --> 00:36:01,719
Speaker 3: It's I think Africa will start to become it's to

761
00:36:01,800 --> 00:36:04,759
Speaker 3: its fullest potential when y'all all go back home, right

762
00:36:05,400 --> 00:36:09,000
Speaker 3: like and even y'all, what's interesting is that everything that

763
00:36:09,120 --> 00:36:14,200
Speaker 3: y'all fighting for over here, you actually you get on

764
00:36:14,320 --> 00:36:16,879
Speaker 3: a silver platter over there. Like it's like you, It's

765
00:36:16,920 --> 00:36:20,000
Speaker 3: like you guys want to suffer, Like y'all motherfuckers just

766
00:36:20,120 --> 00:36:20,719
Speaker 3: want to just be.

767
00:36:23,800 --> 00:36:24,680
Speaker 2: Because you don't have to be.

768
00:36:24,760 --> 00:36:27,080
Speaker 3: It's like it's it's like, believe me, they wouldn't want

769
00:36:27,160 --> 00:36:30,080
Speaker 3: nothing better than to shift all y'all niggas back to Africa,

770
00:36:30,120 --> 00:36:31,880
Speaker 3: but they're not even knowing this for your best.

771
00:36:31,760 --> 00:36:33,719
Speaker 1: Interest, y'all would actually be better off.

772
00:36:34,320 --> 00:36:37,080
Speaker 3: Wow, you know what I'm saying, No more crying, no

773
00:36:37,200 --> 00:36:41,800
Speaker 3: more like marching, no more getting killed by cops, no

774
00:36:41,960 --> 00:36:44,520
Speaker 3: more crying racism because y'all are the majority over there.

775
00:36:44,680 --> 00:36:47,840
Speaker 6: You know what I'm saying. Supposed to be that originally

776
00:36:48,560 --> 00:36:51,880
Speaker 6: wasn't a return. A lot of the free slaves helped

777
00:36:52,480 --> 00:36:54,520
Speaker 6: begin help create Liberia.

778
00:36:56,360 --> 00:36:57,760
Speaker 1: I can't give you too much story.

779
00:36:59,239 --> 00:36:59,600
Speaker 2: A little bit.

780
00:37:00,120 --> 00:37:02,279
Speaker 3: That's all the flags if you notice, every flag got

781
00:37:02,320 --> 00:37:04,319
Speaker 3: a meaning, right, but it's always got the meaning that's

782
00:37:04,360 --> 00:37:05,839
Speaker 3: attached to whoever colonized them.

783
00:37:06,400 --> 00:37:08,880
Speaker 1: But history nowadays, I don't know what to believe in anymore.

784
00:37:08,880 --> 00:37:10,800
Speaker 1: It's all convoluted.

785
00:37:10,840 --> 00:37:13,480
Speaker 3: Everybody has a different story of what took place around

786
00:37:13,560 --> 00:37:15,920
Speaker 3: that time, so the accuracy is very slim. But when

787
00:37:15,920 --> 00:37:18,920
Speaker 3: you stop and you think about just basic common sense,

788
00:37:19,440 --> 00:37:23,080
Speaker 3: some of the things that happen can easily be like

789
00:37:23,200 --> 00:37:26,960
Speaker 3: returned and redone like. But it's on in the mind state,

790
00:37:27,000 --> 00:37:29,080
Speaker 3: you know, once you got your mindset on something, that's

791
00:37:29,120 --> 00:37:31,200
Speaker 3: what it is. It's like Norri, he just want to

792
00:37:31,239 --> 00:37:34,080
Speaker 3: go to Africa to get fucking like. He gotta get

793
00:37:34,120 --> 00:37:39,840
Speaker 3: scammed otherwise Costomer, that's the experience.

794
00:37:40,160 --> 00:37:42,000
Speaker 1: He got to go through that first, and they say,

795
00:37:42,239 --> 00:37:44,560
Speaker 1: all right, cool now, who don't have to talk about

796
00:37:44,600 --> 00:37:45,799
Speaker 1: to give you a history on how I can get

797
00:37:45,800 --> 00:37:46,040
Speaker 1: it back?

798
00:37:46,719 --> 00:37:50,560
Speaker 2: So I gotta scam him to educate. You don't want

799
00:37:50,560 --> 00:37:53,319
Speaker 2: to go see a start resort. This is Africa. Yeah,

800
00:37:53,360 --> 00:37:55,600
Speaker 2: I want to do that. That's not too nice, it's

801
00:37:55,640 --> 00:37:56,520
Speaker 2: too clean. Take me.

802
00:37:57,480 --> 00:37:59,240
Speaker 1: I want to hunt straw.

803
00:37:59,360 --> 00:38:06,520
Speaker 2: You know, you know that's real man, because like a

804
00:38:06,600 --> 00:38:10,439
Speaker 2: lot of us, I remember me being scared. I send

805
00:38:10,520 --> 00:38:13,839
Speaker 2: in my twenty what is that twenty three and all

806
00:38:13,880 --> 00:38:15,799
Speaker 2: that where you where you get your thing twenty three

807
00:38:15,840 --> 00:38:18,719
Speaker 2: and me, Yeah, for the DNA, Yeah, the DNA. And

808
00:38:18,800 --> 00:38:24,360
Speaker 2: I remember my wife doing it and I'm being like, like,

809
00:38:24,440 --> 00:38:25,960
Speaker 2: you don't want to know where you're really from?

810
00:38:26,040 --> 00:38:27,400
Speaker 1: And I was like not really.

811
00:38:30,040 --> 00:38:32,440
Speaker 2: Actually, I actually think I swabbed or whatever it was.

812
00:38:32,600 --> 00:38:34,040
Speaker 2: I just never gave it to I was like, I

813
00:38:34,080 --> 00:38:36,759
Speaker 2: don't know, man. I was just like, man, I don't

814
00:38:36,800 --> 00:38:38,040
Speaker 2: know what I did with it, but I'm I don't

815
00:38:38,080 --> 00:38:41,440
Speaker 2: do it this time. You know where I'm at because

816
00:38:41,800 --> 00:38:44,200
Speaker 2: obviously when you when you're Puerto Rican, which I'm half

817
00:38:44,239 --> 00:38:51,319
Speaker 2: put a week and half black, part of you goes

818
00:38:51,400 --> 00:38:54,520
Speaker 2: to Spade, But that's not where it ends. That's where like,

819
00:38:54,880 --> 00:38:58,400
Speaker 2: that's just one little small it's Puerto Rican because we

820
00:38:58,400 --> 00:39:00,760
Speaker 2: don't come from Portibo, don't come from port Cuba.

821
00:39:00,880 --> 00:39:04,239
Speaker 3: Yeah, most Caribbean, Puerto Rican. Your DNA is gonna trace

822
00:39:04,320 --> 00:39:05,200
Speaker 3: back to Portugal.

823
00:39:05,000 --> 00:39:08,720
Speaker 1: Cuban port because ain't like the same birds, different president.

824
00:39:08,920 --> 00:39:10,600
Speaker 2: I'm just waiting for whatever they.

825
00:39:12,800 --> 00:39:17,000
Speaker 4: For the Cuban, the Cubans, Yeah, the black coming back Africa,

826
00:39:18,360 --> 00:39:19,600
Speaker 4: Cuban Cuban.

827
00:39:19,840 --> 00:39:22,239
Speaker 3: Cubans are the most African when it comes to the

828
00:39:22,400 --> 00:39:23,680
Speaker 3: Latin side of the world.

829
00:39:25,640 --> 00:39:26,080
Speaker 1: In Africa.

830
00:39:26,360 --> 00:39:32,120
Speaker 2: Yeah, niggas in the Latin country without as Jesus the

831
00:39:32,160 --> 00:39:39,160
Speaker 2: Latin just just making.

832
00:39:45,640 --> 00:39:48,280
Speaker 1: That my friend hates right there, sound.

833
00:39:56,360 --> 00:40:04,759
Speaker 2: Because all right you want to do ye oh man,

834
00:40:04,880 --> 00:40:07,759
Speaker 2: but he's not drinking. So Sunday drinking from drinking from

835
00:40:07,880 --> 00:40:11,040
Speaker 2: Sunday shot from me, my Haitian brother, that's what you're

836
00:40:11,040 --> 00:40:11,439
Speaker 2: talking about.

837
00:40:11,520 --> 00:40:11,719
Speaker 8: Drink.

838
00:40:14,480 --> 00:40:17,200
Speaker 6: I'm we go like today we were like, man, we're healthy,

839
00:40:17,280 --> 00:40:21,000
Speaker 6: were healthy hoods right now, water champs today.

840
00:40:22,000 --> 00:40:23,799
Speaker 2: I don't think you know what we love this last time.

841
00:40:24,560 --> 00:40:26,600
Speaker 6: We didn't do this last time with you, right, all right,

842
00:40:26,640 --> 00:40:28,799
Speaker 6: So we're gonna give you two choices. You pick one.

843
00:40:29,320 --> 00:40:31,800
Speaker 6: We're good if you say both or neither. We drinking,

844
00:40:32,280 --> 00:40:34,919
Speaker 6: got it, all right? So the first one is Chris

845
00:40:35,000 --> 00:40:36,719
Speaker 6: Brown or Usher you get my drink?

846
00:40:36,880 --> 00:40:37,120
Speaker 2: Wow?

847
00:40:37,719 --> 00:40:40,600
Speaker 1: Both okay? So see he gonna say this free. No, no,

848
00:40:41,080 --> 00:40:43,680
Speaker 1: that that one. Listen, They both to me are equal

849
00:40:43,719 --> 00:40:45,640
Speaker 1: when it comes to generations, right in the generation.

850
00:40:45,760 --> 00:40:48,600
Speaker 3: No, I never drink, never drink, but I did have.

851
00:40:48,880 --> 00:40:51,200
Speaker 3: I did sip it by accident one time and thought

852
00:40:51,239 --> 00:40:55,960
Speaker 3: it was water. Bro my chest got sold. It was

853
00:40:56,080 --> 00:41:02,000
Speaker 3: like what brook? It was a nasty ship I ever

854
00:41:02,160 --> 00:41:03,680
Speaker 3: tasted and know the taste.

855
00:41:03,520 --> 00:41:06,360
Speaker 1: Was lingering in my mouthful. A week I was like,

856
00:41:06,400 --> 00:41:09,680
Speaker 1: how did y'all drink? Even if I thought about drinking

857
00:41:09,760 --> 00:41:14,800
Speaker 1: after that, I would never drink rushing, But I was

858
00:41:14,840 --> 00:41:17,359
Speaker 1: in Dubai. Dubai That's why I thought it was wide

859
00:41:17,760 --> 00:41:22,279
Speaker 1: doesn't drink, drink. But unfortunately the person no, no. But

860
00:41:22,320 --> 00:41:24,439
Speaker 1: I'm saying as a country, they don't. They don't drink.

861
00:41:24,640 --> 00:41:25,560
Speaker 1: The people there like that.

862
00:41:25,800 --> 00:41:26,000
Speaker 4: You know.

863
00:41:27,640 --> 00:41:31,440
Speaker 7: You've been to the was you could drinking. Oh yeah, yeah,

864
00:41:31,440 --> 00:41:39,320
Speaker 7: don't leaves. Yeah, trust me, they drink.

865
00:41:42,200 --> 00:41:45,239
Speaker 1: Off of the drinkers and they do anything else to

866
00:41:45,520 --> 00:41:46,000
Speaker 1: trugt me.

867
00:41:46,360 --> 00:41:49,239
Speaker 2: Gotta be they got underground shoes, gotta be underground.

868
00:41:49,320 --> 00:41:51,239
Speaker 1: So you drank, because what did you drink?

869
00:41:52,239 --> 00:41:52,439
Speaker 6: Drink?

870
00:41:52,480 --> 00:41:55,560
Speaker 2: Anotherhing bigger, bigger than my boy guy. We just came home.

871
00:41:55,640 --> 00:41:58,320
Speaker 2: He had to hear a life sentence in for cocaine

872
00:41:58,880 --> 00:42:02,120
Speaker 2: and marijuana, and the life sentence he did four years

873
00:42:02,160 --> 00:42:03,239
Speaker 2: and he got his ask about of.

874
00:42:03,239 --> 00:42:04,640
Speaker 1: There, you gotta be careful when we go to the

875
00:42:04,680 --> 00:42:06,640
Speaker 1: other con. They don't play, they don't play with that

876
00:42:06,880 --> 00:42:09,440
Speaker 1: learned the coach by.

877
00:42:08,719 --> 00:42:10,400
Speaker 2: I play songs of Jeremiah.

878
00:42:15,520 --> 00:42:17,879
Speaker 1: That's a good one too, But I was I'll probably

879
00:42:17,920 --> 00:42:23,320
Speaker 1: go with Jeremiah Jeremiah, okay, Tupac or d m X Wow,

880
00:42:23,560 --> 00:42:32,040
Speaker 1: another good one. I probably go with Pop. I met

881
00:42:32,120 --> 00:42:35,480
Speaker 1: him one time, met Pox this one time. I never

882
00:42:35,560 --> 00:42:38,439
Speaker 1: met that one time? What was that a meaning?

883
00:42:38,600 --> 00:42:38,640
Speaker 4: Like?

884
00:42:39,160 --> 00:42:40,640
Speaker 1: It was like, oh, yo, this is my man, pot

885
00:42:40,800 --> 00:42:41,239
Speaker 1: yo Pop.

886
00:42:41,960 --> 00:42:42,560
Speaker 7: That kind.

887
00:42:44,520 --> 00:42:47,160
Speaker 1: Cool, we got to get in cool and it never

888
00:42:47,160 --> 00:42:49,080
Speaker 1: seen him again. His knew the new series on FX,

889
00:42:49,160 --> 00:42:52,799
Speaker 1: The Dear Mama. I saw it the first episode. It's crazy. Yeah,

890
00:42:52,840 --> 00:42:57,759
Speaker 1: it's real good, real good. Wow, it's on FXX. I

891
00:42:57,840 --> 00:43:00,200
Speaker 1: know you worked one of them. I don't know if

892
00:43:00,200 --> 00:43:03,960
Speaker 1: he worked with both, but Michael Jackson or Prince. Oh,

893
00:43:04,160 --> 00:43:05,760
Speaker 1: that's easy. Michael Jackson.

894
00:43:06,080 --> 00:43:07,000
Speaker 2: You worked with m J.

895
00:43:07,520 --> 00:43:07,719
Speaker 1: Yeah.

896
00:43:08,880 --> 00:43:10,319
Speaker 3: I didn't get a chance to work with Prince though,

897
00:43:10,640 --> 00:43:12,120
Speaker 3: but it was on the schedule to work with him

898
00:43:12,120 --> 00:43:12,720
Speaker 3: before he passed.

899
00:43:13,239 --> 00:43:14,799
Speaker 1: Was on the schedule. It was, yeah, I was gonna

900
00:43:14,800 --> 00:43:15,480
Speaker 1: get in with him before.

901
00:43:16,080 --> 00:43:17,160
Speaker 2: In the same room with Prince.

902
00:43:17,360 --> 00:43:20,480
Speaker 1: Yeah, you met Actually Jimmy Ivan was want to introduce

903
00:43:20,560 --> 00:43:23,279
Speaker 1: me to him, have his ass out.

904
00:43:27,120 --> 00:43:29,440
Speaker 6: I'm saying, you know this different versions really wants to

905
00:43:29,480 --> 00:43:30,920
Speaker 6: know because he has everybody.

906
00:43:32,560 --> 00:43:35,120
Speaker 2: Different versions. Because I wanted to I wanted to know myself,

907
00:43:35,560 --> 00:43:36,440
Speaker 2: say you wanted those pants.

908
00:43:38,640 --> 00:43:41,560
Speaker 3: He was an interesting character though, because even when I

909
00:43:41,640 --> 00:43:44,399
Speaker 3: met him through Jimmy, I would ask him a question

910
00:43:44,880 --> 00:43:47,200
Speaker 3: and then the assistant or the one that was standing

911
00:43:47,239 --> 00:43:48,520
Speaker 3: next to him would be the one to tell him,

912
00:43:49,239 --> 00:43:51,080
Speaker 3: so it was one of those, and then he would

913
00:43:51,080 --> 00:43:52,400
Speaker 3: whisper in her ear and then she would tell me

914
00:43:52,480 --> 00:43:54,360
Speaker 3: what he said it was.

915
00:43:54,440 --> 00:44:01,200
Speaker 1: It was, that's awkward, it was interesting, that's interesting. I

916
00:44:01,360 --> 00:44:01,839
Speaker 1: like this one.

917
00:44:02,400 --> 00:44:06,440
Speaker 2: You got eminem or Boston rhymes and what way?

918
00:44:06,520 --> 00:44:09,000
Speaker 1: Though, it's up to you. No, hold on. It's a

919
00:44:09,040 --> 00:44:14,680
Speaker 1: difference because if it's versus in versus, oh, in versus,

920
00:44:14,960 --> 00:44:18,600
Speaker 1: I mean just I just made in versus yeah versus.

921
00:44:19,680 --> 00:44:23,680
Speaker 2: That depends too, though, just just makes shinny take a shot. Yeah,

922
00:44:23,880 --> 00:44:25,080
Speaker 2: it depends. It depends.

923
00:44:25,560 --> 00:44:29,960
Speaker 3: It's no because these are two different lanes, like not even. Yeah,

924
00:44:30,040 --> 00:44:32,200
Speaker 3: but it's not even. It's like you can't even compare those.

925
00:44:32,520 --> 00:44:34,680
Speaker 3: I gotta go with both because you can't really compare.

926
00:44:35,160 --> 00:44:37,640
Speaker 6: That's fair taking a shot. You took a shot, Sonny.

927
00:44:38,560 --> 00:44:40,000
Speaker 6: You can't just drink out of your cup. You gotta

928
00:44:40,000 --> 00:44:44,160
Speaker 6: take a shot no because of what.

929
00:44:46,680 --> 00:44:49,000
Speaker 1: Okay, like this no, no, you make no sense?

930
00:44:49,239 --> 00:44:51,440
Speaker 2: And I did the next one after that, this.

931
00:44:51,520 --> 00:44:55,440
Speaker 6: One, yeah, justin Timberlake skip one. Oh yeah, Snooper jay

932
00:44:55,520 --> 00:45:01,719
Speaker 6: Z Snooper jay Z in the versus anyway, whatever the

933
00:45:01,800 --> 00:45:04,239
Speaker 6: criteria in your mind is the criteria in mind, I

934
00:45:04,239 --> 00:45:05,200
Speaker 6: will probably say.

935
00:45:08,400 --> 00:45:13,000
Speaker 1: That's that's also two different types, you know what I'm saying?

936
00:45:13,120 --> 00:45:18,279
Speaker 1: Like two icons? Thanks Lee?

937
00:45:23,400 --> 00:45:24,440
Speaker 2: This this this might be.

938
00:45:26,120 --> 00:45:30,440
Speaker 1: Debatable, but I'll probably go with Snoop. Okay, And and

939
00:45:30,560 --> 00:45:32,680
Speaker 1: y'all worked early on in your career and your career

940
00:45:32,760 --> 00:45:36,440
Speaker 1: too with Snoop, right yeah? And then I like, as

941
00:45:36,480 --> 00:45:38,040
Speaker 1: I travel, I see.

942
00:45:40,120 --> 00:45:43,359
Speaker 3: The personality and the effect that Snoop has on people

943
00:45:43,400 --> 00:45:45,279
Speaker 3: globally and through his music.

944
00:45:45,400 --> 00:45:49,320
Speaker 2: So Snooper's hands down the most famous rat that you

945
00:45:49,360 --> 00:45:51,400
Speaker 2: know what I'm there's not one person on earth that

946
00:45:51,920 --> 00:45:52,560
Speaker 2: I don't think I.

947
00:45:52,640 --> 00:45:56,040
Speaker 1: Don't know who Snoop thats recognized? Right, absolutely, kid you

948
00:45:56,160 --> 00:46:04,520
Speaker 1: not justin Timberlake or justin Bieber. I probably go with Biber, Okay,

949
00:46:05,520 --> 00:46:06,120
Speaker 1: how about.

950
00:46:05,920 --> 00:46:10,360
Speaker 2: Him versus still go with Biber? Still going with Okay, Okay.

951
00:46:10,480 --> 00:46:13,279
Speaker 1: People got records, bro, People records are on a different

952
00:46:13,360 --> 00:46:15,759
Speaker 1: level and he spoke, we you too, now my mom?

953
00:46:17,760 --> 00:46:23,160
Speaker 1: For fact, what else does he do? He styles p

954
00:46:23,360 --> 00:46:28,880
Speaker 1: or ross. I gotta go both on that one, Okay, Sonny?

955
00:46:29,120 --> 00:46:32,000
Speaker 1: Yeah can they both represent two different things too? But

956
00:46:32,080 --> 00:46:33,719
Speaker 1: style is like my brother. I couldn't go against him

957
00:46:33,719 --> 00:46:34,239
Speaker 1: if I wanted to.

958
00:46:34,840 --> 00:46:37,239
Speaker 2: Okay, I'm gonna let you Finn take this one.

959
00:46:37,640 --> 00:46:40,120
Speaker 1: These last two, I mean the next two French or

960
00:46:40,160 --> 00:46:43,480
Speaker 1: fifty French or fifty that would be a good one.

961
00:46:43,880 --> 00:46:46,480
Speaker 1: I would have known what, dude, But yeah, fifty will

962
00:46:46,480 --> 00:46:49,160
Speaker 1: get it. Oh and your mind saying versus? Is you

963
00:46:49,200 --> 00:46:53,360
Speaker 1: get my mind? I'm saying versus? Okay, atl or Miami

964
00:46:54,480 --> 00:46:57,920
Speaker 1: at L of Miami, definitely a t L. Still live

965
00:46:57,960 --> 00:47:00,520
Speaker 1: in atl Huh, still live in atl. I still got

966
00:47:00,560 --> 00:47:03,160
Speaker 1: a gas station, same house.

967
00:47:04,400 --> 00:47:08,920
Speaker 2: They got to know who got a gas station? That's

968
00:47:08,960 --> 00:47:09,479
Speaker 2: how you flow.

969
00:47:10,400 --> 00:47:11,879
Speaker 1: I got it, I got a gas station.

970
00:47:13,640 --> 00:47:16,520
Speaker 2: Whatever. Yeah, yeah, yeah, I gotta patack. I gotta have

971
00:47:16,600 --> 00:47:21,160
Speaker 2: a gas station. Shut everyone down, Everyone shut up? Like word,

972
00:47:21,239 --> 00:47:26,520
Speaker 2: he just said, you got a gas Okay. Naughty by

973
00:47:26,640 --> 00:47:27,920
Speaker 2: nature or laws are underground.

974
00:47:30,280 --> 00:47:32,880
Speaker 3: That's a jersey. That one was a good one too,

975
00:47:33,719 --> 00:47:36,400
Speaker 3: both legends, Yeah they are. But I think Naughty went

976
00:47:36,400 --> 00:47:37,200
Speaker 3: a little bit further.

977
00:47:39,000 --> 00:47:40,200
Speaker 2: Jada kiss or Nas.

978
00:47:42,040 --> 00:47:52,239
Speaker 1: Oh, oh, that one is interesting. That's a tough one too.

979
00:47:52,680 --> 00:47:55,520
Speaker 3: Why I say that is because Jade is probably the

980
00:47:55,640 --> 00:47:59,759
Speaker 3: most underrated. I don't think he ever got the credit

981
00:47:59,840 --> 00:48:01,160
Speaker 3: that he needed to get.

982
00:48:01,880 --> 00:48:03,680
Speaker 1: He getting it now. I believe you think you get

983
00:48:03,719 --> 00:48:06,640
Speaker 1: it now. I think he's getting it now because Nas,

984
00:48:07,040 --> 00:48:07,720
Speaker 1: it took time.

985
00:48:07,640 --> 00:48:10,000
Speaker 3: For people to give him that right, not as well,

986
00:48:10,160 --> 00:48:14,000
Speaker 3: it took some time. Yeah, And I think Jada he

987
00:48:14,160 --> 00:48:17,399
Speaker 3: never got it, right, you think he got it after

988
00:48:17,480 --> 00:48:18,520
Speaker 3: versus Yeah, I.

989
00:48:18,520 --> 00:48:19,840
Speaker 1: Think he's getting it. I think he's still in the

990
00:48:19,920 --> 00:48:20,800
Speaker 1: process of getting it.

991
00:48:21,040 --> 00:48:21,600
Speaker 2: That's what I think.

992
00:48:21,640 --> 00:48:22,600
Speaker 1: I think he's in the process.

993
00:48:23,680 --> 00:48:25,640
Speaker 3: I will say Jada, just to help him get that process,

994
00:48:25,760 --> 00:48:27,120
Speaker 3: because I think Nas is already given.

995
00:48:27,480 --> 00:48:35,600
Speaker 2: Okay, it's fair enough. Coming to America call Hall ofm Knights. Yeah,

996
00:48:38,800 --> 00:48:41,320
Speaker 2: I know both of them. I would definitely go with

997
00:48:41,440 --> 00:48:45,720
Speaker 2: coming to America Lady Gaga or Katy Perry.

998
00:48:45,920 --> 00:48:47,080
Speaker 1: Definitely Lady Goga.

999
00:48:49,960 --> 00:48:54,200
Speaker 2: With Lady Gaga, Gwen Stephani. But all right, these are

1000
00:48:54,239 --> 00:48:56,200
Speaker 2: the guys who make it up, the Colombians and the Dominicans.

1001
00:48:58,280 --> 00:49:00,439
Speaker 2: Red Man or Method Man both.

1002
00:49:00,840 --> 00:49:02,759
Speaker 3: Yeah, those are twins right there. You can't separate them too,

1003
00:49:04,200 --> 00:49:05,479
Speaker 3: and you can't separate them too.

1004
00:49:08,160 --> 00:49:09,319
Speaker 2: Big pun or big al.

1005
00:49:10,719 --> 00:49:11,560
Speaker 1: I go a pun.

1006
00:49:13,880 --> 00:49:20,719
Speaker 2: Amy Winehouse or Whitney Houston. Oh rest a piece of both. Yeah, she.

1007
00:49:23,400 --> 00:49:27,240
Speaker 1: That's a tough one too, but I go with Whitney.

1008
00:49:28,880 --> 00:49:30,240
Speaker 2: You gotta see a movie on Netflix.

1009
00:49:30,560 --> 00:49:31,200
Speaker 1: No, I haven't seen you.

1010
00:49:31,280 --> 00:49:32,680
Speaker 2: I haven't seen it yet, neither I heard his good

1011
00:49:32,840 --> 00:49:33,400
Speaker 2: Yea'm gonna take it.

1012
00:49:33,400 --> 00:49:33,920
Speaker 1: Look at it now?

1013
00:49:34,320 --> 00:49:38,479
Speaker 2: T Pain or floor Rider, t Pain, Wayne or Drake.

1014
00:49:46,840 --> 00:49:48,719
Speaker 1: I would want to say Wayne.

1015
00:49:50,480 --> 00:49:54,120
Speaker 3: Because he discovered him and recognize the talent that Drake got.

1016
00:49:55,160 --> 00:49:57,600
Speaker 3: But in this case, I would choose Drake because Drake,

1017
00:49:58,480 --> 00:50:03,000
Speaker 3: to me, it's more versati how and he he. I

1018
00:50:03,120 --> 00:50:05,720
Speaker 3: think he maximized the opportunity better than anybody in the business.

1019
00:50:07,320 --> 00:50:11,920
Speaker 1: That's fair, USA or Africa. Africa hesitates for that, not

1020
00:50:12,000 --> 00:50:12,640
Speaker 1: even question.

1021
00:50:12,760 --> 00:50:14,440
Speaker 2: Your old hairline or your new hairline.

1022
00:50:15,440 --> 00:50:25,200
Speaker 1: The new hairlines look good.

1023
00:50:25,239 --> 00:50:31,200
Speaker 2: A lie, I'm looking at me, get this, start me

1024
00:50:31,440 --> 00:50:33,960
Speaker 2: say something somebody to pumped up bitch of you. But

1025
00:50:34,040 --> 00:50:35,960
Speaker 2: because in person, it shod looks good. You look you

1026
00:50:36,040 --> 00:50:37,480
Speaker 2: look Dominican, you look like.

1027
00:50:40,760 --> 00:50:45,800
Speaker 1: It looked good. They actually I started that campaign.

1028
00:50:45,880 --> 00:50:47,560
Speaker 2: He started it. I did that on purpose because you said,

1029
00:50:47,600 --> 00:50:49,280
Speaker 2: you went to Turkey, and Nigga said, Nigga, don't.

1030
00:50:49,120 --> 00:50:50,680
Speaker 1: Go to Turkey, right. So then so then I have

1031
00:50:50,760 --> 00:50:52,120
Speaker 1: to look where I can kind of play with it.

1032
00:50:52,120 --> 00:50:52,399
Speaker 2: I said.

1033
00:50:52,480 --> 00:50:54,759
Speaker 1: I was just interested because, Bro, I ain't laughed at

1034
00:50:55,000 --> 00:50:56,080
Speaker 1: I ain't laughed that much.

1035
00:50:56,560 --> 00:51:00,200
Speaker 2: It's so long. This ship was so funny. Do you

1036
00:51:00,239 --> 00:51:00,560
Speaker 2: want to do?

1037
00:51:02,320 --> 00:51:04,640
Speaker 1: I was literally I was literally on the plane just

1038
00:51:04,760 --> 00:51:06,680
Speaker 1: creating just I was like, oh, this is gonna look real.

1039
00:51:07,000 --> 00:51:10,400
Speaker 1: What you think, baby? We just push it out there. Boy, Yo,

1040
00:51:10,520 --> 00:51:13,600
Speaker 1: the memes that came means when I tell you that

1041
00:51:13,760 --> 00:51:15,000
Speaker 1: was the funnies sh I heard?

1042
00:51:15,080 --> 00:51:18,200
Speaker 2: Man, I love that ship? Did you start it on Twitter?

1043
00:51:18,239 --> 00:51:19,399
Speaker 1: Would you on Twitter?

1044
00:51:20,640 --> 00:51:24,120
Speaker 2: Negative place on the planet? You want to be in

1045
00:51:24,160 --> 00:51:27,040
Speaker 2: place on the baby place? Wanted to be negative. But

1046
00:51:27,400 --> 00:51:29,480
Speaker 2: you can go on Twitter and be like peace, good

1047
00:51:29,520 --> 00:51:36,640
Speaker 2: morning everybody. Somebody gonna say, shut the fuck youposed a

1048
00:51:36,680 --> 00:51:38,600
Speaker 2: baby picture. They're like that baby ugly?

1049
00:51:39,040 --> 00:51:41,040
Speaker 1: Like what you could do anything?

1050
00:51:41,120 --> 00:51:43,600
Speaker 2: Twitter is the horrible place, bro, But it'll also tell

1051
00:51:43,600 --> 00:51:48,160
Speaker 2: you some foul ship. Okay, where we're at the burner?

1052
00:51:48,239 --> 00:51:52,040
Speaker 1: Boy, Oh that's good. Oh I probably go with David though,

1053
00:51:52,680 --> 00:51:53,160
Speaker 1: David Dough.

1054
00:51:53,360 --> 00:51:55,680
Speaker 2: Yeah, we just had them on pick up to Dabba.

1055
00:51:55,480 --> 00:51:58,200
Speaker 1: Door oh Davy. Yeah that kid, right, there's a beast. Yeah,

1056
00:51:59,040 --> 00:52:00,920
Speaker 1: he's the beast. He's another And I think that deserves

1057
00:52:00,960 --> 00:52:02,560
Speaker 1: more flowers than he's received.

1058
00:52:02,719 --> 00:52:03,880
Speaker 2: We gave him flowers.

1059
00:52:04,560 --> 00:52:05,239
Speaker 1: I appreciate that.

1060
00:52:06,120 --> 00:52:11,000
Speaker 2: Uh n w A or Wu Tang Klan, which I.

1061
00:52:11,000 --> 00:52:12,120
Speaker 1: Don't think is a good match up.

1062
00:52:12,160 --> 00:52:12,319
Speaker 7: Man.

1063
00:52:12,480 --> 00:52:14,759
Speaker 1: I do think it's it's just generationals.

1064
00:52:14,880 --> 00:52:20,879
Speaker 3: It's definitely a generational match. But I want to say both,

1065
00:52:20,920 --> 00:52:24,440
Speaker 3: and let me tell you why. First of all, n

1066
00:52:24,600 --> 00:52:27,680
Speaker 3: w A created gangster rap. Regardless what anybody tell you,

1067
00:52:28,000 --> 00:52:31,400
Speaker 3: school d did, but n w A, regardless of what anybody.

1068
00:52:31,760 --> 00:52:34,920
Speaker 1: On there's a difference. Schoolie was just a gangster period.

1069
00:52:35,320 --> 00:52:37,160
Speaker 2: Yeah, but he would made against the music though he

1070
00:52:37,239 --> 00:52:37,640
Speaker 2: did happen.

1071
00:52:37,640 --> 00:52:39,560
Speaker 6: And I see it was around but around the same

1072
00:52:39,600 --> 00:52:41,560
Speaker 6: time in w A and maybe before, to be honest

1073
00:52:41,600 --> 00:52:42,440
Speaker 6: with you, Yeah, so.

1074
00:52:42,680 --> 00:52:43,840
Speaker 1: You're right, it could be debatable.

1075
00:52:44,600 --> 00:52:48,960
Speaker 2: But n w A made it popular, the most popular.

1076
00:52:49,239 --> 00:52:51,280
Speaker 2: That's what you gotta get credit to, absolutely.

1077
00:52:51,000 --> 00:52:53,080
Speaker 3: Because I think sometimes we kind of make the mistake

1078
00:52:53,120 --> 00:52:54,600
Speaker 3: of the person that invented it versus the person that

1079
00:52:54,680 --> 00:52:55,560
Speaker 3: actually made it famous.

1080
00:52:56,760 --> 00:52:57,680
Speaker 1: You understand what I'm saying.

1081
00:52:57,920 --> 00:53:00,600
Speaker 2: So there's two parts the person that invented it.

1082
00:53:00,800 --> 00:53:02,400
Speaker 3: Yeah, we have to give him the flowers because he

1083
00:53:02,440 --> 00:53:06,319
Speaker 3: and he actually created the this is what got us.

1084
00:53:06,239 --> 00:53:07,239
Speaker 2: Inspired to do it.

1085
00:53:07,880 --> 00:53:11,719
Speaker 1: But the person that made it famous, it is really

1086
00:53:11,760 --> 00:53:14,399
Speaker 1: the person you give the credit to. And that could

1087
00:53:14,400 --> 00:53:15,279
Speaker 1: be debatable as well.

1088
00:53:15,480 --> 00:53:16,200
Speaker 2: It's like everybody.

1089
00:53:16,200 --> 00:53:17,920
Speaker 1: But I also believe that the person that made it

1090
00:53:18,000 --> 00:53:20,480
Speaker 1: famous should also always go back and take care of

1091
00:53:20,520 --> 00:53:23,759
Speaker 1: the person that invented it. That's what makes it even.

1092
00:53:24,560 --> 00:53:26,480
Speaker 1: But when you ignore the person that made it even.

1093
00:53:26,680 --> 00:53:28,239
Speaker 3: Or you you know, look at him on a certain

1094
00:53:28,239 --> 00:53:30,799
Speaker 3: way and you know, kind of decrease its value, then

1095
00:53:30,880 --> 00:53:31,719
Speaker 3: I think that's fucked up.

1096
00:53:31,880 --> 00:53:34,919
Speaker 6: All right, There's there's one more debatable thing. Who called

1097
00:53:34,960 --> 00:53:36,840
Speaker 6: it gangster act? Because a lot of people debate.

1098
00:53:36,880 --> 00:53:37,279
Speaker 4: But I was.

1099
00:53:38,880 --> 00:53:39,120
Speaker 6: Next.

1100
00:53:39,280 --> 00:53:42,320
Speaker 1: You ain't all music, but you saw nigga.

1101
00:53:42,160 --> 00:53:44,719
Speaker 2: Like n w A them niggas start they show off

1102
00:53:45,000 --> 00:53:46,440
Speaker 2: with easy Goddamn with.

1103
00:53:46,520 --> 00:53:48,720
Speaker 1: A twenty two popular in the side of the areada.

1104
00:53:49,400 --> 00:53:52,400
Speaker 2: I was scared to dath How was I was terrified?

1105
00:53:52,440 --> 00:53:54,879
Speaker 3: Listen to you never wanted to go to Compton, Right,

1106
00:53:55,040 --> 00:53:57,000
Speaker 3: and then now let's talk about Wu Tang Clan.

1107
00:53:58,120 --> 00:53:58,959
Speaker 2: Wu Tang Clan.

1108
00:53:59,760 --> 00:54:03,680
Speaker 1: They took New York culture and made it global facts

1109
00:54:04,360 --> 00:54:08,520
Speaker 1: even more. Staten islandro to the point where you go

1110
00:54:08,640 --> 00:54:11,520
Speaker 1: to Japan, is you Wu Tang is like a religion.

1111
00:54:12,280 --> 00:54:12,839
Speaker 1: It's a fact.

1112
00:54:13,320 --> 00:54:16,040
Speaker 2: You understand what I'm saying now, Nwa.

1113
00:54:15,600 --> 00:54:18,759
Speaker 1: Ain't going that far. They were more domestic, right, So

1114
00:54:19,239 --> 00:54:20,960
Speaker 1: that's why I said, you got to give them both.

1115
00:54:21,800 --> 00:54:22,960
Speaker 1: You gotta choose both on that one.

1116
00:54:23,000 --> 00:54:24,879
Speaker 2: I love how you broke that down, mad hip hop.

1117
00:54:25,160 --> 00:54:26,600
Speaker 2: That was a mad I break that.

1118
00:54:27,360 --> 00:54:27,880
Speaker 1: I love that.

1119
00:54:28,960 --> 00:54:31,080
Speaker 6: Look at those recent shows. Wu Tang's been posting in

1120
00:54:31,280 --> 00:54:33,440
Speaker 6: Argentina and Colombia Like.

1121
00:54:35,360 --> 00:54:37,480
Speaker 2: I'm Wu tangans in Paris right now?

1122
00:54:37,640 --> 00:54:39,880
Speaker 1: Oh dope, whutang made New York famous?

1123
00:54:40,840 --> 00:54:41,080
Speaker 2: Damn.

1124
00:54:41,239 --> 00:54:42,040
Speaker 1: That's debatable too.

1125
00:54:42,120 --> 00:54:46,840
Speaker 2: That's debatable too. Jackson five or new audition, Oh.

1126
00:54:47,239 --> 00:54:50,719
Speaker 1: Jackson five, Mike's voice, Boy, ain't nobody can touch that

1127
00:54:51,080 --> 00:54:54,120
Speaker 1: at that age. And it's before too. It's like the

1128
00:54:54,160 --> 00:54:55,399
Speaker 1: audition would say Jackson five.

1129
00:54:55,520 --> 00:54:58,879
Speaker 2: They would even say if they don't, then I don't

1130
00:54:58,880 --> 00:55:01,120
Speaker 2: know what you're gonna say on this one. DJ College

1131
00:55:01,200 --> 00:55:05,160
Speaker 2: or DJ Drama. Oh that's a good one too, big

1132
00:55:05,239 --> 00:55:06,239
Speaker 2: lightskin beef right there.

1133
00:55:10,320 --> 00:55:12,720
Speaker 1: I don't know get in the mix of that lights ginness.

1134
00:55:12,800 --> 00:55:13,040
Speaker 1: Right now?

1135
00:55:14,040 --> 00:55:16,719
Speaker 3: They both abandons. Yes, I think I'm gonna choose both,

1136
00:55:16,800 --> 00:55:17,520
Speaker 3: just for the polic.

1137
00:55:17,600 --> 00:55:23,640
Speaker 2: Okay, both my niggas or push your teeth.

1138
00:55:24,480 --> 00:55:27,239
Speaker 1: That's a good one. That's a real good one. That's

1139
00:55:27,280 --> 00:55:35,080
Speaker 1: a good one. Mm hmmm. I think I'm it's a

1140
00:55:35,160 --> 00:55:37,279
Speaker 1: hard lean, but I think I'm gonna go with fab

1141
00:55:37,360 --> 00:55:41,919
Speaker 1: on this one. Okay, wow, Okay, Juice or New Jersey Drive.

1142
00:55:43,520 --> 00:55:48,160
Speaker 3: Juice or New Jersey Drive both good ones too. Yeah,

1143
00:55:48,200 --> 00:55:49,280
Speaker 3: but Juice is just different.

1144
00:55:50,040 --> 00:55:52,520
Speaker 1: That's that's yea. They gotta go with Juice on that one.

1145
00:55:53,520 --> 00:55:55,360
Speaker 2: And it's just something I want to see in versus

1146
00:55:55,719 --> 00:55:59,840
Speaker 2: Christina Aguileva versus Btney Spears. Who you've got, Oh, I

1147
00:56:00,040 --> 00:56:00,480
Speaker 2: want to see you.

1148
00:56:00,800 --> 00:56:06,040
Speaker 1: I got Brittany. I think Brittany. I think Brittany, I

1149
00:56:06,200 --> 00:56:06,560
Speaker 1: promise you.

1150
00:56:06,600 --> 00:56:08,520
Speaker 3: I think Brittany gonna take it because Brittany got the

1151
00:56:08,560 --> 00:56:11,400
Speaker 3: attitude for the audience, you know, versus Actually.

1152
00:56:11,280 --> 00:56:13,320
Speaker 2: You know why this is great and it's debatable. I

1153
00:56:13,400 --> 00:56:17,000
Speaker 2: think Brittany has probably it's just a little bit more records,

1154
00:56:17,120 --> 00:56:18,239
Speaker 2: But I think Christine.

1155
00:56:18,120 --> 00:56:24,040
Speaker 1: Is a vocalist, better vocalist. Live what I'm saying. That's why,

1156
00:56:25,880 --> 00:56:29,040
Speaker 1: let's be very clear. Okay, yes, yes, please the versus audience.

1157
00:56:29,680 --> 00:56:34,080
Speaker 1: It's niggas. Let's not fool ourselves.

1158
00:56:34,160 --> 00:56:35,440
Speaker 2: So we're gonna do this in malible.

1159
00:56:35,560 --> 00:56:39,600
Speaker 1: So trust me, bro, you can do this in the

1160
00:56:39,680 --> 00:56:45,440
Speaker 1: White House. The people that will be streaming is a

1161
00:56:45,480 --> 00:56:48,959
Speaker 1: streaming platform, ain't They can do it right here.

1162
00:56:48,880 --> 00:56:49,280
Speaker 6: And here.

1163
00:56:51,440 --> 00:56:56,640
Speaker 3: Between Christina and Learra and Britney Spears. You gotta ask

1164
00:56:56,719 --> 00:56:59,040
Speaker 3: yourself who gonna lean more to the black audience.

1165
00:57:00,600 --> 00:57:01,200
Speaker 1: Damn, I don't know.

1166
00:57:01,520 --> 00:57:06,040
Speaker 2: It's Brittany, Britney, Britney Pitch. I'm telling you it's Brittany Man.

1167
00:57:06,160 --> 00:57:07,040
Speaker 2: Christina's Latina.

1168
00:57:07,160 --> 00:57:07,239
Speaker 4: Bro.

1169
00:57:07,920 --> 00:57:09,560
Speaker 1: Yeah, but Christina don't act Latina.

1170
00:57:09,640 --> 00:57:12,480
Speaker 2: She don't even claim you did right. I'm confused with

1171
00:57:12,560 --> 00:57:14,200
Speaker 2: this one. I'm telling you.

1172
00:57:15,440 --> 00:57:18,800
Speaker 1: Holy ship Brittany and Brittany's Instagram, my girl just put

1173
00:57:18,840 --> 00:57:22,600
Speaker 1: me on. She's like, she's yeah, I'm telling you I've

1174
00:57:22,640 --> 00:57:26,640
Speaker 1: been down by Brittany a fucking around and take off

1175
00:57:26,680 --> 00:57:28,160
Speaker 1: on Christy. We need to do the way in right here,

1176
00:57:28,440 --> 00:57:35,960
Speaker 1: drink chances the way Holy sh Okay, it's a good one.

1177
00:57:36,680 --> 00:57:43,040
Speaker 1: Fuck Master flex or DJ Clue in what way whatever

1178
00:57:43,320 --> 00:57:46,720
Speaker 1: that's you, because there's an animation that comes with flex.

1179
00:57:47,280 --> 00:57:49,600
Speaker 2: Nobody cared to me, No one's out.

1180
00:57:50,000 --> 00:57:53,200
Speaker 1: Nobody has out animated rhymes, and the only way to

1181
00:57:53,280 --> 00:57:59,280
Speaker 1: be an exceptional DJ is to capture the attention of

1182
00:57:59,320 --> 00:58:01,360
Speaker 1: the audience, and I'm think nobody does that better than Flex.

1183
00:58:02,240 --> 00:58:04,040
Speaker 1: So in that note, I gotta go with Flex.

1184
00:58:04,360 --> 00:58:08,040
Speaker 2: I ain't gonna lie to you Like I used to

1185
00:58:08,080 --> 00:58:10,560
Speaker 2: have to catch myself because I would listen to Flex,

1186
00:58:10,760 --> 00:58:12,920
Speaker 2: and Flex like pull over and I pulled over, Like

1187
00:58:13,400 --> 00:58:14,840
Speaker 2: what the fuck am I pulled over for.

1188
00:58:16,680 --> 00:58:24,000
Speaker 1: New York City? Pull? I'm listen.

1189
00:58:25,960 --> 00:58:27,880
Speaker 2: New York City with Flex.

1190
00:58:27,680 --> 00:58:31,520
Speaker 1: Player record that you like, artist that you love, and

1191
00:58:31,640 --> 00:58:34,920
Speaker 1: he's dropping them ball is like.

1192
00:58:36,800 --> 00:58:41,640
Speaker 2: From here. Yes, he comes from an experience like some records.

1193
00:58:42,000 --> 00:58:44,000
Speaker 3: I ain't gonna lie to you some things I might

1194
00:58:44,040 --> 00:58:46,800
Speaker 3: have thought was trash before Flex actually presented it on

1195
00:58:46,920 --> 00:58:47,200
Speaker 3: the show.

1196
00:58:48,280 --> 00:58:50,400
Speaker 2: After they presented it, I was like, Yo, that ship

1197
00:58:50,600 --> 00:58:53,800
Speaker 2: was kind of dope. So it was all in the presentation,

1198
00:58:55,120 --> 00:58:55,840
Speaker 2: and you know what I'm saying.

1199
00:58:55,840 --> 00:58:56,240
Speaker 1: I tell you that.

1200
00:58:56,280 --> 00:58:57,840
Speaker 2: I tell you that's what I like about Flex. If

1201
00:58:57,840 --> 00:59:00,280
Speaker 2: he's laid on the record, he'll come back on station

1202
00:59:00,440 --> 00:59:01,800
Speaker 2: just be like yo, I'm.

1203
00:59:01,680 --> 00:59:04,600
Speaker 1: Sorry, New York City. I was late on this record,

1204
00:59:04,880 --> 00:59:05,480
Speaker 1: Like I liked it.

1205
00:59:06,240 --> 00:59:09,360
Speaker 2: I like that, like I remember I said this on

1206
00:59:09,480 --> 00:59:15,240
Speaker 2: this on before well with Meek and and Drake was

1207
00:59:15,280 --> 00:59:18,160
Speaker 2: going at it. Flex hyped it up so bad. He

1208
00:59:18,360 --> 00:59:20,920
Speaker 2: was like, I got the response from Drake, and I

1209
00:59:21,040 --> 00:59:25,400
Speaker 2: got Meek Mill's response. I called my wife not coming home, bag,

1210
00:59:26,360 --> 00:59:29,120
Speaker 2: not tonight. I have to stay in New York City.

1211
00:59:29,600 --> 00:59:33,120
Speaker 2: Here funk Flex talk this ship about Drake and Meek's record.

1212
00:59:33,160 --> 00:59:35,480
Speaker 2: I couldn't have been nowhere else. I didn't want to

1213
00:59:35,520 --> 00:59:37,280
Speaker 2: be on a plane. I didn't want to listen to

1214
00:59:37,320 --> 00:59:39,320
Speaker 2: it on the headphones. I wanted to sit in the

1215
00:59:39,440 --> 00:59:43,240
Speaker 2: car and just let Flex just played Drake's and Meek's

1216
00:59:43,280 --> 00:59:45,640
Speaker 2: mile record and he didn't have neither one that day,

1217
00:59:47,960 --> 00:59:51,160
Speaker 2: breaking the whole flight. Wife bad at me, But that's how.

1218
00:59:51,320 --> 00:59:56,280
Speaker 2: That's how, But that's how. That's some showmanship.

1219
00:59:56,600 --> 00:59:56,880
Speaker 1: That's how.

1220
00:59:58,400 --> 00:59:59,800
Speaker 2: The next day I called him this why I love.

1221
01:00:00,440 --> 01:00:02,240
Speaker 2: The next day I called him, I'm like, yo, man,

1222
01:00:03,320 --> 01:00:04,480
Speaker 2: I want to give you a record because you know

1223
01:00:04,560 --> 01:00:08,360
Speaker 2: everyone's too. Then he was like, Yo, Norri, that was

1224
01:00:08,400 --> 01:00:10,720
Speaker 2: a rough night for me today, right because I'm trying

1225
01:00:10,720 --> 01:00:13,480
Speaker 2: to avoid that yo. You know, like he looked crazy.

1226
01:00:13,560 --> 01:00:16,200
Speaker 2: He had neither record at this time, so he's promoting

1227
01:00:16,240 --> 01:00:18,640
Speaker 2: all this ship and so I'm trying to avoid it.

1228
01:00:18,680 --> 01:00:20,800
Speaker 2: And he's like, but he wants because you know, I'm

1229
01:00:20,800 --> 01:00:23,440
Speaker 2: gonna keep it real. So he's like, yo, it was.

1230
01:00:23,520 --> 01:00:25,240
Speaker 2: It was a rough night for me last night, right,

1231
01:00:25,480 --> 01:00:26,360
Speaker 2: I said, Flex.

1232
01:00:26,080 --> 01:00:30,040
Speaker 1: I can't lie. He was baking like a biscuit. He goes,

1233
01:00:30,400 --> 01:00:32,000
Speaker 1: He goes, this is how no nor I had to

1234
01:00:32,000 --> 01:00:32,440
Speaker 1: stay home.

1235
01:00:32,480 --> 01:00:34,560
Speaker 2: The next day he said, it was one person that

1236
01:00:34,640 --> 01:00:36,680
Speaker 2: came to my house, and he said, he opened the

1237
01:00:36,720 --> 01:00:39,000
Speaker 2: door and it was the FedEx man. The FedEx man

1238
01:00:39,040 --> 01:00:46,480
Speaker 2: looked at him like he took his loss the same

1239
01:00:46,600 --> 01:00:48,840
Speaker 2: way he took his like he took his w And

1240
01:00:48,960 --> 01:00:51,560
Speaker 2: Flex told me something that day. It was like, alright, cool,

1241
01:00:52,040 --> 01:00:55,000
Speaker 2: you lose for momentarily, come your ass out the next

1242
01:00:55,080 --> 01:00:57,080
Speaker 2: day and get back to the way. But he took it.

1243
01:00:57,280 --> 01:00:58,880
Speaker 2: He took out that that was remarkable to be he

1244
01:00:58,920 --> 01:00:59,680
Speaker 2: could do the last two.

1245
01:01:00,800 --> 01:01:06,120
Speaker 1: Sorry, Nipsy are easy. Oh that's a good one too. Yeah,

1246
01:01:06,120 --> 01:01:08,920
Speaker 1: but Nipsey just I don't know. I would go with

1247
01:01:09,000 --> 01:01:12,640
Speaker 1: Nipsey on this one. Yeah. And the last one, loyalty

1248
01:01:12,720 --> 01:01:17,080
Speaker 1: or respect. Loyalty all day. You can't respect somebody that

1249
01:01:17,120 --> 01:01:17,920
Speaker 1: you're not loyal to him.

1250
01:01:20,920 --> 01:01:28,040
Speaker 2: Yeah, Now you said you spoke earlier about Jimmy Ivan.

1251
01:01:28,120 --> 01:01:30,120
Speaker 2: Everyone knows that Jimmy Ivan is like one of the

1252
01:01:30,280 --> 01:01:35,360
Speaker 2: illest UH artists and artist like, he's an artist based artist.

1253
01:01:35,400 --> 01:01:39,640
Speaker 1: I called Jimmy Ivan the king Maker. Damn, that's the king,

1254
01:01:39,800 --> 01:01:42,480
Speaker 1: the king Maker. That's what he does. If he comes

1255
01:01:42,480 --> 01:01:44,040
Speaker 1: into your life, he's gonna change it.

1256
01:01:44,320 --> 01:01:45,680
Speaker 2: Now. He came into your life.

1257
01:01:45,520 --> 01:01:48,479
Speaker 1: After loud right, No, he came into my life during

1258
01:01:48,560 --> 01:01:50,920
Speaker 1: my peak, at the point when I thought I couldn't

1259
01:01:50,960 --> 01:01:53,760
Speaker 1: get bigger. Wow, he made me bigger.

1260
01:01:55,520 --> 01:01:56,160
Speaker 2: That shows you.

1261
01:01:57,080 --> 01:01:59,680
Speaker 3: And what I love about Jimmy is that he allows

1262
01:01:59,720 --> 01:02:02,640
Speaker 3: you to yourself. Like he doesn't dictate what you need

1263
01:02:02,760 --> 01:02:05,600
Speaker 3: to be doing or tell you what he thinks you

1264
01:02:05,720 --> 01:02:08,440
Speaker 3: should do. He'll hear you out and then give you

1265
01:02:08,520 --> 01:02:09,480
Speaker 3: the tools to make it work.

1266
01:02:10,320 --> 01:02:11,440
Speaker 2: Let me because I want to get back to that.

1267
01:02:11,520 --> 01:02:13,440
Speaker 2: But in the beginning, wasn't you all loud.

1268
01:02:13,760 --> 01:02:19,280
Speaker 1: No, I was on s r C. You want to

1269
01:02:19,280 --> 01:02:27,880
Speaker 1: make sure that you understand. Yeah, Partner Rich Corporation, that's

1270
01:02:27,960 --> 01:02:28,640
Speaker 1: all him, right.

1271
01:02:28,640 --> 01:02:37,160
Speaker 2: Right, right right, Yeah, that's was by himself, but was

1272
01:02:37,320 --> 01:02:42,640
Speaker 2: was his partners with just right? Oh sr C as well? Okay,

1273
01:02:42,640 --> 01:02:47,200
Speaker 2: I didn't know, Okay, So at what point, did you

1274
01:02:47,600 --> 01:02:49,760
Speaker 2: did you and Steve part ways?

1275
01:02:50,240 --> 01:02:52,920
Speaker 1: We never part ways? Still you still this day we

1276
01:02:53,040 --> 01:02:56,160
Speaker 1: contact each other. Oh wow, yeah we never literally like

1277
01:02:56,200 --> 01:02:57,600
Speaker 1: we never parted ways. Wow.

1278
01:02:58,160 --> 01:03:00,160
Speaker 3: All my records was always ran through Steve rip Can

1279
01:03:00,280 --> 01:03:03,000
Speaker 3: until my contract was ran out. And that's when you

1280
01:03:03,080 --> 01:03:05,960
Speaker 3: went to Now, when I went to Interscope, I wasn't

1281
01:03:06,000 --> 01:03:08,840
Speaker 3: signed there. My label deal was at Interscope. I was

1282
01:03:08,920 --> 01:03:09,720
Speaker 3: still at SRC.

1283
01:03:11,760 --> 01:03:12,400
Speaker 1: You see what I'm saying.

1284
01:03:12,440 --> 01:03:17,480
Speaker 2: You're getting both goddamn ship And that's where T Paine

1285
01:03:17,600 --> 01:03:17,800
Speaker 2: was at.

1286
01:03:17,920 --> 01:03:20,000
Speaker 3: No, t Pain was my well, he was at my

1287
01:03:20,120 --> 01:03:22,760
Speaker 3: other label deal over So that's that's so. I had

1288
01:03:22,800 --> 01:03:25,440
Speaker 3: a label deal a Sony, a joint venture label deal

1289
01:03:25,440 --> 01:03:27,560
Speaker 3: at University with s r C. And then I had

1290
01:03:27,600 --> 01:03:32,880
Speaker 3: my con life over at UH Interscope. So Commic music

1291
01:03:33,000 --> 01:03:37,520
Speaker 3: was at Sony M. Yeah, it was Joe first before

1292
01:03:37,600 --> 01:03:38,440
Speaker 3: Sony acquired them.

1293
01:03:40,840 --> 01:03:42,320
Speaker 2: Yeah, he got.

1294
01:03:43,880 --> 01:03:49,040
Speaker 1: Holy Ship. Yeah, but Jimmy, Jimmy was And you said,

1295
01:03:49,200 --> 01:03:50,560
Speaker 1: when does Jimmy come into the picture.

1296
01:03:50,840 --> 01:03:52,680
Speaker 3: Jimmy came into the picture when I was shopping my

1297
01:03:52,760 --> 01:03:56,120
Speaker 3: label deal because I went to Universal first because I

1298
01:03:56,200 --> 01:03:58,000
Speaker 3: was already there and I presented.

1299
01:03:57,720 --> 01:03:59,200
Speaker 1: Them my list. I want to start a labeled as

1300
01:03:59,200 --> 01:04:01,480
Speaker 1: what I'm Wanna do, and I brought in T Pain.

1301
01:04:03,080 --> 01:04:04,600
Speaker 1: I was there. They laughed me out the building. You

1302
01:04:04,600 --> 01:04:09,400
Speaker 1: remember that, man, They was Joe and you know how

1303
01:04:09,440 --> 01:04:12,080
Speaker 1: they jone over s I s especially oh man.

1304
01:04:11,960 --> 01:04:20,920
Speaker 2: Godby, oh my goodness. Yeah, it's big Gapy at the time. Yeah,

1305
01:04:22,120 --> 01:04:24,880
Speaker 2: math he got slim and stop.

1306
01:04:24,680 --> 01:04:27,520
Speaker 1: Being funny, like yo, the records and he was saying,

1307
01:04:27,560 --> 01:04:29,360
Speaker 1: all clear, Yo, the records are amazing.

1308
01:04:29,840 --> 01:04:31,400
Speaker 2: But bro his face.

1309
01:04:33,480 --> 01:04:36,040
Speaker 3: He would say stuff like that, you know what I'm saying. Like,

1310
01:04:36,680 --> 01:04:39,560
Speaker 3: so they leaders say they passed. So I went to

1311
01:04:39,640 --> 01:04:41,560
Speaker 3: the top and tried to go through the big building

1312
01:04:41,840 --> 01:04:44,560
Speaker 3: and then they passed. So that's when I went to

1313
01:04:44,680 --> 01:04:47,320
Speaker 3: job and job took T Pain. But then when the

1314
01:04:47,360 --> 01:04:48,000
Speaker 3: success of TE.

1315
01:04:48,040 --> 01:04:50,640
Speaker 2: Pain, that's when I came back to doing another time

1316
01:04:52,600 --> 01:04:53,480
Speaker 2: ll at job.

1317
01:04:53,720 --> 01:05:01,520
Speaker 1: At Job, it was U It'll come to me in

1318
01:05:01,560 --> 01:05:01,880
Speaker 1: a minute.

1319
01:05:01,880 --> 01:05:03,560
Speaker 2: It's damn, I'm not faith.

1320
01:05:08,120 --> 01:05:10,479
Speaker 1: It was Barry White. It was Barry White.

1321
01:05:10,640 --> 01:05:13,880
Speaker 3: Another brilliant, brilliant, brilliant motherfucker right, So it's Barry White

1322
01:05:13,920 --> 01:05:14,360
Speaker 3: at the time.

1323
01:05:14,520 --> 01:05:15,720
Speaker 1: So then with the success Ty.

1324
01:05:15,800 --> 01:05:18,840
Speaker 3: Pain, that's when I doubled back to try to do

1325
01:05:19,200 --> 01:05:23,000
Speaker 3: a direct label deal with Universal again. And then that's

1326
01:05:23,000 --> 01:05:24,880
Speaker 3: when Melon Winter told me that what I'm asking for,

1327
01:05:25,000 --> 01:05:27,920
Speaker 3: nobody would give it to me. You know, this is like, no,

1328
01:05:28,040 --> 01:05:31,120
Speaker 3: it was it was well, it was a label distribution deal,

1329
01:05:31,160 --> 01:05:32,800
Speaker 3: but then it was the amount of money that I

1330
01:05:32,920 --> 01:05:36,240
Speaker 3: wanted up front, and he was like, you know, kind

1331
01:05:36,280 --> 01:05:37,720
Speaker 3: of unfortunately, we're not going to be a get that

1332
01:05:37,800 --> 01:05:39,439
Speaker 3: kind of money. And if you go anywhere, they won't.

1333
01:05:39,720 --> 01:05:41,000
Speaker 3: I don't think they'll do it anywhere. But if you

1334
01:05:41,040 --> 01:05:43,600
Speaker 3: can find somebody to do it, then feel free to

1335
01:05:43,720 --> 01:05:46,080
Speaker 3: just take the deal. I said, okay, no problem, and

1336
01:05:46,160 --> 01:05:48,480
Speaker 3: that's what I called Tubby, and Tubby brought me in

1337
01:05:48,560 --> 01:05:50,840
Speaker 3: Divine over the in the sculle, and that's when I

1338
01:05:50,920 --> 01:05:55,160
Speaker 3: met with Jimmy, and Jimmy already had my full portfolio

1339
01:05:55,240 --> 01:05:57,520
Speaker 3: already out. He already knew what it was. He said, listen,

1340
01:05:57,600 --> 01:05:59,560
Speaker 3: this is what you're worth. This is what we want

1341
01:05:59,600 --> 01:06:01,120
Speaker 3: to give you. I wanted to do the deal here

1342
01:06:01,560 --> 01:06:03,880
Speaker 3: and it was what you expected. It was double what

1343
01:06:03,960 --> 01:06:06,440
Speaker 3: I wanted. It was do you just asked for double

1344
01:06:06,440 --> 01:06:07,120
Speaker 3: what I just asked for?

1345
01:06:07,560 --> 01:06:08,360
Speaker 2: Fuck, that's dope.

1346
01:06:08,560 --> 01:06:09,760
Speaker 1: And that's when it all worked out.

1347
01:06:10,320 --> 01:06:10,520
Speaker 7: Wow.

1348
01:06:11,600 --> 01:06:13,360
Speaker 2: And then where does Lady Gaga come in?

1349
01:06:13,600 --> 01:06:16,080
Speaker 1: So Lady Goga was already at inter Scope when I

1350
01:06:16,160 --> 01:06:16,560
Speaker 1: got there.

1351
01:06:17,880 --> 01:06:19,479
Speaker 2: She was an artist artist.

1352
01:06:19,760 --> 01:06:22,680
Speaker 3: Yeah, she was actually an artist there, but at the time,

1353
01:06:23,080 --> 01:06:25,040
Speaker 3: I don't know what Inner Score was gonna do with

1354
01:06:25,080 --> 01:06:26,880
Speaker 3: hercause she was there for a minute, right, she was

1355
01:06:26,960 --> 01:06:31,560
Speaker 3: under Troy and Vince under management there. So we was

1356
01:06:31,560 --> 01:06:33,600
Speaker 3: writing for the Pussycat Dolls at the time, and then

1357
01:06:34,360 --> 01:06:36,680
Speaker 3: that's when I got I was just excited about this deal.

1358
01:06:37,320 --> 01:06:39,640
Speaker 1: I was happy. I called it complete block. I needed

1359
01:06:39,680 --> 01:06:40,200
Speaker 1: some inspiration.

1360
01:06:40,320 --> 01:06:41,760
Speaker 3: So I was like Red One, which is an artist,

1361
01:06:41,800 --> 01:06:43,160
Speaker 3: I mean a producer that I had just signed from

1362
01:06:43,200 --> 01:06:45,440
Speaker 3: Morocco man was working. I was like, you know, anybody

1363
01:06:45,520 --> 01:06:46,960
Speaker 3: can just come back and forth with He's like, well,

1364
01:06:47,000 --> 01:06:48,800
Speaker 3: I was in the studio with you know this check

1365
01:06:48,880 --> 01:06:52,320
Speaker 3: that Fa brought in. You know, like she's pretty dope.

1366
01:06:52,440 --> 01:06:54,360
Speaker 3: I mean, if anything, you can get some inspiration, trust me.

1367
01:06:54,400 --> 01:06:56,240
Speaker 3: When you see her and she walks in with these

1368
01:06:56,240 --> 01:06:58,160
Speaker 3: all gold le guitars and stuff and looking like she's

1369
01:06:58,160 --> 01:06:58,680
Speaker 3: from the eighties.

1370
01:06:58,720 --> 01:07:03,280
Speaker 1: And I was like, but she looked like a real artist.

1371
01:07:03,360 --> 01:07:05,479
Speaker 4: But was that a good damn or a bad damn?

1372
01:07:05,640 --> 01:07:08,920
Speaker 4: You know, it was like a or a different dare different.

1373
01:07:08,960 --> 01:07:11,920
Speaker 4: I didn't know what that damn meant yet she was

1374
01:07:11,960 --> 01:07:15,440
Speaker 4: already she was already different, like she was already different.

1375
01:07:15,560 --> 01:07:17,400
Speaker 3: But then after, you know, after speaking with her, talking

1376
01:07:17,440 --> 01:07:19,360
Speaker 3: to out like this bitch is mad talented. So we

1377
01:07:19,440 --> 01:07:21,920
Speaker 3: write the record. She goes into demo the song album.

1378
01:07:22,360 --> 01:07:23,960
Speaker 3: So as she's going in the demo the song for

1379
01:07:24,000 --> 01:07:26,080
Speaker 3: the girls to hear it, I'm looking like, man, yo.

1380
01:07:26,120 --> 01:07:27,120
Speaker 2: This bitch is a star.

1381
01:07:27,600 --> 01:07:29,960
Speaker 1: I said, oh, ready she signed. He's like, I don't know,

1382
01:07:30,040 --> 01:07:31,400
Speaker 1: ask her when she get out. So she comes out.

1383
01:07:31,400 --> 01:07:32,440
Speaker 1: I was like, it was a situation.

1384
01:07:32,840 --> 01:07:34,760
Speaker 3: She's like, well, you know I met an innerscope. I said, really,

1385
01:07:35,200 --> 01:07:37,120
Speaker 3: I said, sohole situation. She said, well, you know, I'm

1386
01:07:37,160 --> 01:07:39,120
Speaker 3: not quite sure. I said, okay, give me a second.

1387
01:07:39,160 --> 01:07:39,720
Speaker 3: I called Jimmy.

1388
01:07:39,720 --> 01:07:42,439
Speaker 1: I said, Jimmy, what's up with this lady? Guy got chick?

1389
01:07:43,000 --> 01:07:45,520
Speaker 1: And he's like why, I said, I think I want

1390
01:07:45,520 --> 01:07:48,240
Speaker 1: to sign her. He said take her? I said I have.

1391
01:07:48,400 --> 01:07:51,160
Speaker 1: He said, yeah, she's all yours. It's crazy, like he

1392
01:07:51,240 --> 01:07:54,040
Speaker 1: threw me that bone, like literally like take her. Almost

1393
01:07:54,360 --> 01:07:55,960
Speaker 1: if he didn't know what to do with her. I

1394
01:07:56,000 --> 01:07:59,920
Speaker 1: wouldn't say that because Jimmy. Yeah, you can't never count

1395
01:08:00,040 --> 01:08:01,800
Speaker 1: Jimmy out. He hold it down ntil he knows what

1396
01:08:01,880 --> 01:08:04,720
Speaker 1: to do with it. But I guess it's gave me

1397
01:08:04,960 --> 01:08:09,440
Speaker 1: doctor exactly. Jimmy was great for preparing producers with writers

1398
01:08:09,560 --> 01:08:12,880
Speaker 1: or producers and artists, and artists writing me, you understep

1399
01:08:14,560 --> 01:08:16,120
Speaker 1: he knew, right. So when he saw that I had

1400
01:08:16,200 --> 01:08:20,000
Speaker 1: interest in it, he was like, that can work. So

1401
01:08:20,080 --> 01:08:22,439
Speaker 1: he's like, yeah, take it. So then mind you, we

1402
01:08:22,479 --> 01:08:25,360
Speaker 1: got to smash hit record. I said, you, Jimmy, we

1403
01:08:25,439 --> 01:08:28,360
Speaker 1: got the record. I'm going back in. He's thinking, we're

1404
01:08:28,360 --> 01:08:30,960
Speaker 1: playing the record for the pussy Cat Dolls. But at

1405
01:08:31,000 --> 01:08:32,280
Speaker 1: that point when he told me I can have gag,

1406
01:08:32,400 --> 01:08:33,519
Speaker 1: I'm like, we're working on her album.

1407
01:08:36,160 --> 01:08:38,760
Speaker 2: How I forgot all right? So now we put it.

1408
01:08:41,200 --> 01:08:41,720
Speaker 1: We going there.

1409
01:08:41,760 --> 01:08:45,360
Speaker 2: We're playing this record just damn okay.

1410
01:08:45,720 --> 01:08:47,800
Speaker 1: Oh he going crazyness. I'm like, God, this is that.

1411
01:08:48,080 --> 01:08:49,880
Speaker 2: We got fucking one. We got it, we got it.

1412
01:08:50,400 --> 01:08:52,960
Speaker 3: So now the whole time, he's thinking this record is

1413
01:08:53,000 --> 01:08:56,599
Speaker 3: the perfect record for the pussy cat So the music stops.

1414
01:08:56,920 --> 01:08:58,920
Speaker 3: So jim what are we doing? He said, man, thank

1415
01:08:58,920 --> 01:09:00,280
Speaker 3: you man. The pussy Cat Dolls is going I love

1416
01:09:00,320 --> 01:09:00,759
Speaker 3: this record.

1417
01:09:00,960 --> 01:09:01,240
Speaker 1: I said.

1418
01:09:01,400 --> 01:09:03,000
Speaker 2: He's dating one of them at the time, isn't he

1419
01:09:05,040 --> 01:09:07,000
Speaker 2: No comment no comment.

1420
01:09:08,000 --> 01:09:08,320
Speaker 6: I don't know.

1421
01:09:08,439 --> 01:09:09,639
Speaker 1: I don't I don't have the information.

1422
01:09:10,520 --> 01:09:13,000
Speaker 2: I have no idea what we're doing. On all I

1423
01:09:13,040 --> 01:09:16,720
Speaker 2: can tell you, I tell you Jimmy was a very

1424
01:09:16,760 --> 01:09:19,000
Speaker 2: handsome guy and all the girls wanted them.

1425
01:09:19,000 --> 01:09:19,680
Speaker 1: That's all I can tell you.

1426
01:09:20,080 --> 01:09:22,640
Speaker 3: So the worst. So so then he's like, you know, so,

1427
01:09:23,000 --> 01:09:25,519
Speaker 3: uh what are you doing? I said, well, can we,

1428
01:09:25,600 --> 01:09:27,560
Speaker 3: you know, put this record out. He's like yeah, but

1429
01:09:27,720 --> 01:09:29,200
Speaker 3: at the time he wanted to put on pussy Cat

1430
01:09:29,240 --> 01:09:33,120
Speaker 3: Dolls and me and Martin was like, he's looking at

1431
01:09:33,160 --> 01:09:35,560
Speaker 3: me like con don't, don't say nothing, because you know me,

1432
01:09:35,560 --> 01:09:38,400
Speaker 3: I'm so outspoken. I say, oh, Jimmy's.

1433
01:09:37,640 --> 01:09:42,920
Speaker 1: RECORDSS for ga GA. He's like no. Jimmy was like yeah,

1434
01:09:42,920 --> 01:09:44,759
Speaker 1: I said, I said, Jimmy, this is regular for gay.

1435
01:09:45,120 --> 01:09:49,160
Speaker 1: He said what I said, Yes, it's forgot. He said, Okay,

1436
01:09:49,360 --> 01:09:50,200
Speaker 1: make me understand this.

1437
01:09:51,160 --> 01:09:54,040
Speaker 3: I said, Jimmy, listen, the pussy Cat Dolls are already

1438
01:09:54,040 --> 01:09:58,920
Speaker 3: a global smash art, like their piece of art. All

1439
01:09:58,960 --> 01:10:01,240
Speaker 3: they need is one record. I make a million of mess.

1440
01:10:01,240 --> 01:10:02,840
Speaker 3: You can see I just did this last night. I'll

1441
01:10:02,880 --> 01:10:04,880
Speaker 3: make another one for them. He said that's not good enough.

1442
01:10:05,560 --> 01:10:07,720
Speaker 3: I said, okay, listen to this. Record again, one more

1443
01:10:07,800 --> 01:10:10,960
Speaker 3: time we've played the record. I said, this record will

1444
01:10:11,000 --> 01:10:13,840
Speaker 3: make you another pussy Cat Dog or possibly even bigger.

1445
01:10:14,120 --> 01:10:16,560
Speaker 3: This is a record that break a new artist, not

1446
01:10:16,720 --> 01:10:17,759
Speaker 3: keep a new artist popping.

1447
01:10:19,400 --> 01:10:22,680
Speaker 1: And he thought about it. He said, would you put

1448
01:10:22,680 --> 01:10:23,320
Speaker 1: your label on that?

1449
01:10:24,640 --> 01:10:28,240
Speaker 3: I said yeah, I said this record don't work, you

1450
01:10:28,280 --> 01:10:30,760
Speaker 3: could drop me, and he let me go with it,

1451
01:10:32,439 --> 01:10:35,200
Speaker 3: and that probably been the best decision collectively we made

1452
01:10:35,720 --> 01:10:36,559
Speaker 3: together together.

1453
01:10:41,000 --> 01:10:43,519
Speaker 6: Wait, wait, would you were you not worried that the

1454
01:10:43,720 --> 01:10:45,799
Speaker 6: machine would have not got behind the record?

1455
01:10:46,120 --> 01:10:47,680
Speaker 1: Listen stuff like that sabotage.

1456
01:10:48,200 --> 01:10:48,920
Speaker 2: I don't you know why?

1457
01:10:49,040 --> 01:10:50,760
Speaker 3: Because one thing I do know, and I believe this

1458
01:10:50,880 --> 01:10:53,120
Speaker 3: in my soul, A hit record is always gonna find

1459
01:10:53,160 --> 01:10:56,640
Speaker 3: this artist always, even if it ain't got pushed. It

1460
01:10:56,760 --> 01:10:59,320
Speaker 3: might take a lot, it may take time. And prime

1461
01:10:59,400 --> 01:11:03,920
Speaker 3: example Bonanza belly Dancer. A lot of people don't know

1462
01:11:04,040 --> 01:11:08,280
Speaker 3: that was my first single before Locked Up. Right wrong,

1463
01:11:08,439 --> 01:11:11,599
Speaker 3: I didn't know that that was my first single, first

1464
01:11:11,640 --> 01:11:15,960
Speaker 3: thing heard university dropped that first. When that didn't work,

1465
01:11:17,040 --> 01:11:19,400
Speaker 3: that's when locked because while they was moving and working

1466
01:11:19,560 --> 01:11:22,680
Speaker 3: Belly Dancer, me Gody Cleve and I, we was.

1467
01:11:22,760 --> 01:11:24,200
Speaker 2: On the road pushing Locked Up.

1468
01:11:24,640 --> 01:11:27,120
Speaker 3: Wow, So Locked up gaining some the momentum on the

1469
01:11:27,160 --> 01:11:29,920
Speaker 3: streets became on everybody's mixtape. Then we did that little

1470
01:11:29,960 --> 01:11:32,479
Speaker 3: Penitentiary towards starting off in royck Iss Island, did that

1471
01:11:32,520 --> 01:11:33,680
Speaker 3: little you know what's the name?

1472
01:11:33,720 --> 01:11:33,960
Speaker 1: People?

1473
01:11:34,040 --> 01:11:36,760
Speaker 3: I mean yeah, styles P came on when stops P

1474
01:11:36,880 --> 01:11:39,599
Speaker 3: came home. It actually changed everything because its verse made

1475
01:11:39,640 --> 01:11:40,799
Speaker 3: it actually an urban.

1476
01:11:40,640 --> 01:11:43,240
Speaker 2: Record, because I so was it locked up out without

1477
01:11:43,280 --> 01:11:45,400
Speaker 2: styles being Yeah, it was, it was.

1478
01:11:45,720 --> 01:11:46,679
Speaker 1: It was crazy.

1479
01:11:46,720 --> 01:11:48,320
Speaker 2: The first time I heard locked up I believe it

1480
01:11:48,439 --> 01:11:49,680
Speaker 2: was with styles Peers.

1481
01:11:49,760 --> 01:11:51,680
Speaker 3: Record before styles P got on. We was working that

1482
01:11:51,760 --> 01:11:55,519
Speaker 3: record about seven maybe eight months. When Stiles got on.

1483
01:11:55,520 --> 01:12:00,760
Speaker 1: That record took off. Why took off? Yeah? Oh and

1484
01:12:00,840 --> 01:12:02,960
Speaker 1: then we did another remix with Beanie siegell on there.

1485
01:12:03,200 --> 01:12:06,080
Speaker 1: I never heard that that came out, Yeah, it came.

1486
01:12:06,160 --> 01:12:07,080
Speaker 2: It was on the B side.

1487
01:12:07,160 --> 01:12:09,880
Speaker 3: Oh, but what happened was the styles P version just

1488
01:12:09,920 --> 01:12:14,680
Speaker 3: trumped it. But Beanie Siaguals versus stupid. Wow, it was stupid.

1489
01:12:15,960 --> 01:12:16,240
Speaker 6: Know that?

1490
01:12:16,640 --> 01:12:19,160
Speaker 2: Yeah? Man, let me let another.

1491
01:12:19,479 --> 01:12:22,320
Speaker 6: So do you think you think you get credit for

1492
01:12:22,960 --> 01:12:25,080
Speaker 6: enough credit for Lady Gogo's career?

1493
01:12:25,520 --> 01:12:25,640
Speaker 1: Oh?

1494
01:12:25,760 --> 01:12:28,360
Speaker 3: Yeah, for your pardon it, I got plenty of credit.

1495
01:12:28,479 --> 01:12:30,519
Speaker 3: I got enough credit that I can maximize to build

1496
01:12:30,520 --> 01:12:32,559
Speaker 3: my city. That's all the credit I need.

1497
01:12:33,600 --> 01:12:37,960
Speaker 2: Maximize to build your city, bro, Yes, build your city,

1498
01:12:38,600 --> 01:12:42,320
Speaker 2: build our city. Okay, okay, let's take that.

1499
01:12:43,360 --> 01:12:44,320
Speaker 1: Yeah, right, I think that.

1500
01:12:46,120 --> 01:12:46,559
Speaker 2: Coming back.

1501
01:12:49,560 --> 01:12:52,920
Speaker 1: Hell yeah, what's the name of Acon city as of

1502
01:12:53,000 --> 01:12:54,920
Speaker 1: right now? Right now?

1503
01:12:55,120 --> 01:12:57,519
Speaker 2: Because I remember? All right, so what is the city

1504
01:12:58,280 --> 01:12:58,800
Speaker 2: consist of?

1505
01:12:59,600 --> 01:13:03,400
Speaker 3: I mean just think of just think of what dubaias today, yes,

1506
01:13:03,960 --> 01:13:07,320
Speaker 3: and what it used to be fifteen years ago. Remember

1507
01:13:07,479 --> 01:13:09,840
Speaker 3: that's what we we want to become.

1508
01:13:10,520 --> 01:13:11,320
Speaker 2: Gonna it's gonna start.

1509
01:13:11,360 --> 01:13:14,720
Speaker 3: It's gonna start small, right, It's gonna start small. Two

1510
01:13:14,760 --> 01:13:18,040
Speaker 3: thousand acres in synagogue, yes, in Senegal, right off the waters,

1511
01:13:18,080 --> 01:13:18,880
Speaker 3: all on the beach front.

1512
01:13:19,160 --> 01:13:20,240
Speaker 1: So you're gonna have to have resorts.

1513
01:13:20,520 --> 01:13:24,599
Speaker 3: You're gonna have entertainment complexes, you know, hotels, boating docks,

1514
01:13:25,040 --> 01:13:30,800
Speaker 3: you know, amphitheaters for concerts, film studios, music studios, restaurants.

1515
01:13:31,120 --> 01:13:33,360
Speaker 3: Like it's gonna be it's gonna be a master How

1516
01:13:33,439 --> 01:13:35,719
Speaker 3: far you think this is a way? Well, the first

1517
01:13:35,760 --> 01:13:37,800
Speaker 3: stage is three and a half years. We are we

1518
01:13:37,960 --> 01:13:42,920
Speaker 3: just literally started building last last week actually, when we

1519
01:13:42,960 --> 01:13:45,160
Speaker 3: talked about the first time, we had just started doing

1520
01:13:45,560 --> 01:13:49,040
Speaker 3: you know, environmental studies, soil studies, all that stuff, you know,

1521
01:13:49,120 --> 01:13:51,040
Speaker 3: doing all the paper, all the studies, and then KOVID

1522
01:13:51,080 --> 01:13:53,000
Speaker 3: hit four minutes slowed us up, but then we got

1523
01:13:53,080 --> 01:13:55,679
Speaker 3: back into it. But now everything is official. Construction actually

1524
01:13:55,720 --> 01:13:56,840
Speaker 3: literally started last week.

1525
01:13:57,000 --> 01:13:57,120
Speaker 1: Right.

1526
01:14:02,240 --> 01:14:07,120
Speaker 2: That's beautiful man, that's beautiful man. And is that where

1527
01:14:07,200 --> 01:14:09,480
Speaker 2: we were talking about the Chinese helping out with the electricity.

1528
01:14:09,720 --> 01:14:11,400
Speaker 1: No, that's no, that has nothing to do with has

1529
01:14:11,439 --> 01:14:12,599
Speaker 1: nothing to do nothing at all.

1530
01:14:12,720 --> 01:14:16,120
Speaker 3: The Chinese side was acon lighting and that's when we

1531
01:14:16,200 --> 01:14:20,559
Speaker 3: were providing solar lights to you know, it started with villages.

1532
01:14:20,920 --> 01:14:24,080
Speaker 3: Then we got then we expanded and got into government

1533
01:14:24,120 --> 01:14:26,880
Speaker 3: contracts to do utility work, scale work, so we would

1534
01:14:26,960 --> 01:14:29,120
Speaker 3: kind of just take a specific side of the city

1535
01:14:29,360 --> 01:14:32,120
Speaker 3: and electrify that whole area and then connect to the

1536
01:14:32,520 --> 01:14:34,160
Speaker 3: city above or whatever the case, till we got the

1537
01:14:34,160 --> 01:14:36,320
Speaker 3: whole country. But then, I mean, when we got the

1538
01:14:36,320 --> 01:14:38,519
Speaker 3: support from the Chinese with that billion dollar credit line,

1539
01:14:38,640 --> 01:14:40,920
Speaker 3: we was able to expand into sixteen different countries.

1540
01:14:40,680 --> 01:14:43,000
Speaker 2: In Africa because there was there was there's still places

1541
01:14:43,040 --> 01:14:46,839
Speaker 2: in Africa without electricity. Yeah really, oh yeah, like villages.

1542
01:14:47,200 --> 01:14:48,880
Speaker 1: Yeah, real, Africa's huge.

1543
01:14:49,360 --> 01:14:52,000
Speaker 3: It's gonna take another forty fifty years to light the

1544
01:14:52,000 --> 01:14:52,760
Speaker 3: whole continent up.

1545
01:14:53,320 --> 01:14:54,120
Speaker 1: It's gonna take time.

1546
01:14:54,200 --> 01:14:58,800
Speaker 2: Yeah wow, ye, like because we see like places like indigitous.

1547
01:14:58,600 --> 01:15:02,479
Speaker 3: Right, there's still some area indigenous areas in Africa, and

1548
01:15:02,920 --> 01:15:03,400
Speaker 3: I heard.

1549
01:15:03,280 --> 01:15:05,800
Speaker 2: There's even places. I know Africa is huge. I heard

1550
01:15:05,800 --> 01:15:08,559
Speaker 2: there's one place in Africa where there's like no outside

1551
01:15:08,600 --> 01:15:10,120
Speaker 2: people is allowed.

1552
01:15:10,960 --> 01:15:13,120
Speaker 1: Like it's like, I mean ship. There's place like that

1553
01:15:13,240 --> 01:15:16,680
Speaker 1: in California and in New York, a certain place you

1554
01:15:16,720 --> 01:15:22,679
Speaker 1: can't want even the cops can't come in Africa.

1555
01:15:23,200 --> 01:15:25,280
Speaker 3: Mean, personally, I haven't never experienced no areas like that,

1556
01:15:25,439 --> 01:15:28,559
Speaker 3: but I'm sure there's areas out there that they've never

1557
01:15:28,680 --> 01:15:32,160
Speaker 3: seen white people or they've never seen foreigners come and

1558
01:15:32,280 --> 01:15:34,360
Speaker 3: dressed a certain kind of way. Because if you go

1559
01:15:34,479 --> 01:15:35,640
Speaker 3: deep in Africa where there's no.

1560
01:15:35,720 --> 01:15:39,240
Speaker 1: Airports in the countryside, like the rural areas, there's areas

1561
01:15:39,240 --> 01:15:41,280
Speaker 1: where there's not even no cars. Maybe you know what

1562
01:15:41,280 --> 01:15:41,920
Speaker 1: I'm saying, that's.

1563
01:15:41,760 --> 01:15:44,760
Speaker 2: How big this place is. Riding horses, you think, or.

1564
01:15:45,040 --> 01:15:48,120
Speaker 1: Yeah, they're still riding horse. I mean beautiful horses too,

1565
01:15:48,720 --> 01:15:53,160
Speaker 1: beautiful horses. Holy, you don't fuck with lions and ship

1566
01:15:53,240 --> 01:15:53,400
Speaker 1: like that.

1567
01:15:55,800 --> 01:15:59,160
Speaker 2: That's a different kind of questions because you see rich

1568
01:15:59,200 --> 01:16:00,840
Speaker 2: people have lions, knowice in the house.

1569
01:16:00,880 --> 01:16:02,719
Speaker 3: Don't forget you must have forgot. I had two tigers

1570
01:16:02,760 --> 01:16:06,559
Speaker 3: in my house in Atlanta. Like, those are my real pets.

1571
01:16:06,720 --> 01:16:07,760
Speaker 3: Like that, those are pest.

1572
01:16:07,960 --> 01:16:08,600
Speaker 1: Those are the.

1573
01:16:08,960 --> 01:16:17,240
Speaker 3: Shoes cats all day, black panthers, tigers one thousand percent. Bro,

1574
01:16:17,439 --> 01:16:19,479
Speaker 3: put your dog up against my lion, and see what happened.

1575
01:16:20,640 --> 01:16:23,440
Speaker 2: Just imagine you ever walked your dog around the neighborhood

1576
01:16:23,439 --> 01:16:24,920
Speaker 2: and I don't like them? I mean, you're lying. You

1577
01:16:25,080 --> 01:16:28,920
Speaker 2: ever walked into the like Tyson said?

1578
01:16:28,960 --> 01:16:30,000
Speaker 1: He what is what?

1579
01:16:30,080 --> 01:16:30,439
Speaker 2: He said?

1580
01:16:30,560 --> 01:16:30,760
Speaker 1: Yeah?

1581
01:16:31,120 --> 01:16:34,240
Speaker 2: He slept with his lions. Yeah, yeah, yeah.

1582
01:16:34,320 --> 01:16:35,680
Speaker 1: He was like, how does that work? He said, it

1583
01:16:35,680 --> 01:16:36,120
Speaker 1: doesn't work.

1584
01:16:38,800 --> 01:16:41,880
Speaker 3: But the kids you gotta raise them from from cubs though,

1585
01:16:42,120 --> 01:16:44,680
Speaker 3: right right, once you get up a baby, you got

1586
01:16:44,800 --> 01:16:45,479
Speaker 3: to declare them.

1587
01:16:45,520 --> 01:16:48,160
Speaker 2: Yeah, you might want to declare them and defang them,

1588
01:16:48,200 --> 01:16:49,519
Speaker 2: I think or whatever.

1589
01:16:49,760 --> 01:16:49,960
Speaker 6: I mean.

1590
01:16:49,960 --> 01:16:52,559
Speaker 1: The defanging ain't gonna really do much because they still

1591
01:16:52,560 --> 01:16:53,280
Speaker 1: got a hard bite.

1592
01:16:53,360 --> 01:16:54,040
Speaker 7: Like, Bro, that.

1593
01:16:54,320 --> 01:16:55,519
Speaker 1: Defanging means nothing.

1594
01:16:56,160 --> 01:16:57,040
Speaker 2: I really don't.

1595
01:16:59,120 --> 01:17:01,160
Speaker 1: If they come at you is done because these teeth

1596
01:17:01,160 --> 01:17:03,679
Speaker 1: are still existing. It's just the things that you can't

1597
01:17:03,720 --> 01:17:05,160
Speaker 1: take those teeth because I got to eat.

1598
01:17:05,240 --> 01:17:05,880
Speaker 2: Yeah, that's right.

1599
01:17:06,040 --> 01:17:11,400
Speaker 1: That's right. Yeah, listen, you mistreated, It's gonna come for you. What.

1600
01:17:13,439 --> 01:17:15,360
Speaker 2: Oh yeah, I don't want to no pet like that.

1601
01:17:15,840 --> 01:17:19,280
Speaker 1: I mean, that's any pant though. That's truth, that's the truth. Yes,

1602
01:17:19,520 --> 01:17:20,960
Speaker 1: he said, I see the street is donna come for you.

1603
01:17:21,040 --> 01:17:22,599
Speaker 1: I've seen the story the other day that I think.

1604
01:17:22,800 --> 01:17:26,640
Speaker 1: What's his name, Joe Rogan. He said, this is how

1605
01:17:26,720 --> 01:17:27,680
Speaker 1: ill pip is.

1606
01:17:28,280 --> 01:17:32,400
Speaker 2: That he came home. His piple was cut all up, wow,

1607
01:17:32,680 --> 01:17:35,559
Speaker 2: like cut all up all over his face. His piple

1608
01:17:35,720 --> 01:17:39,040
Speaker 2: was cut up. So he in his back and everything.

1609
01:17:39,120 --> 01:17:41,320
Speaker 2: So he took the dog and he brung the dog

1610
01:17:41,520 --> 01:17:44,680
Speaker 2: to the hospital hospital system up. But then when he

1611
01:17:44,760 --> 01:17:46,720
Speaker 2: brung him back, he wanted to understand no one knows

1612
01:17:46,760 --> 01:17:49,639
Speaker 2: the story. He wanted to. He wanted to to see

1613
01:17:49,720 --> 01:17:54,080
Speaker 2: what exactly happens. So he followed the the trail of

1614
01:17:54,200 --> 01:17:59,960
Speaker 2: his dog and he saw ten coyotes. Ten dead coyotes,

1615
01:18:00,160 --> 01:18:03,639
Speaker 2: nine dead coyotes. So the coyotes was coming in trying

1616
01:18:03,640 --> 01:18:07,120
Speaker 2: to kill him, and the dog held it down against nine.

1617
01:18:07,400 --> 01:18:12,719
Speaker 2: He killed nine coyotes. Bro, that's that's kind of hard,

1618
01:18:13,200 --> 01:18:17,960
Speaker 2: and that's hard, like that's that's a lawyer asked, I said,

1619
01:18:18,000 --> 01:18:20,240
Speaker 2: maybe every time I see it, put bull down like this.

1620
01:18:22,560 --> 01:18:22,760
Speaker 1: Like this.

1621
01:18:22,960 --> 01:18:24,360
Speaker 2: Make sure me and you're on a good level.

1622
01:18:24,400 --> 01:18:24,559
Speaker 6: Man.

1623
01:18:24,880 --> 01:18:26,600
Speaker 1: All right, So we're gonna go into some.

1624
01:18:26,640 --> 01:18:27,160
Speaker 2: Of these hits.

1625
01:18:27,240 --> 01:18:29,439
Speaker 1: Man, We're gonna go into some of these hits. Man,

1626
01:18:37,720 --> 01:18:38,559
Speaker 1: where did we start?

1627
01:18:39,160 --> 01:18:43,400
Speaker 2: Let's start with the two Like I said earlier, Uh,

1628
01:18:45,439 --> 01:18:47,040
Speaker 2: if you're in the club and you don't hear these

1629
01:18:47,080 --> 01:18:51,880
Speaker 2: two records, that means you're in the worst club there

1630
01:18:52,000 --> 01:18:55,320
Speaker 2: ever is. If they won't play I want to Walk

1631
01:18:55,400 --> 01:18:58,160
Speaker 2: You Sweet and Snoop Dogg and if they don't play

1632
01:18:58,200 --> 01:19:00,080
Speaker 2: Smack that I suggest.

1633
01:18:59,760 --> 01:19:02,360
Speaker 1: You immediate.

1634
01:19:03,400 --> 01:19:04,080
Speaker 2: Immediately.

1635
01:19:04,479 --> 01:19:06,200
Speaker 1: But what was it?

1636
01:19:06,240 --> 01:19:08,519
Speaker 2: What was Let's let's start with one. I want to

1637
01:19:08,560 --> 01:19:11,200
Speaker 2: fuck you obviously? What what what made you make that?

1638
01:19:12,160 --> 01:19:14,679
Speaker 2: Because girls say that too. It's not like only guys.

1639
01:19:15,000 --> 01:19:19,320
Speaker 2: The club is going on. You're like, okay, yeah.

1640
01:19:19,520 --> 01:19:19,920
Speaker 1: You know what I mean.

1641
01:19:24,080 --> 01:19:27,200
Speaker 2: You know what I'm trying to say, mean literally, but

1642
01:19:29,280 --> 01:19:32,280
Speaker 2: it's a unisex, it's a university. Did you did you

1643
01:19:32,320 --> 01:19:33,800
Speaker 2: think that was gonna be a unit set? And then

1644
01:19:33,880 --> 01:19:35,200
Speaker 2: where was your mind for listen to take?

1645
01:19:35,520 --> 01:19:37,479
Speaker 3: Yeah, at the time I was in Magic City when

1646
01:19:37,479 --> 01:19:39,599
Speaker 3: I break there, goddamn them pepper Wings.

1647
01:19:41,040 --> 01:19:43,840
Speaker 2: Actually, you know what's interesting? Day limit pepper wasn't popular there.

1648
01:19:44,800 --> 01:19:45,599
Speaker 2: That's a travesty.

1649
01:19:45,800 --> 01:19:48,400
Speaker 1: Yeah, it wasn't. It wasn't popular in two thousand and eight.

1650
01:19:48,479 --> 01:19:51,240
Speaker 1: You gotta was y'all chopping on wings in two thousand

1651
01:19:51,240 --> 01:19:52,000
Speaker 1: and eight in Miami.

1652
01:19:52,520 --> 01:19:55,560
Speaker 3: There wasn't miamise either that or I wasn't up on it.

1653
01:19:56,960 --> 01:19:58,439
Speaker 2: Make sure we go back to I want to fuck

1654
01:19:58,479 --> 01:20:00,880
Speaker 2: you in and and Magic City. You keep saying that

1655
01:20:01,680 --> 01:20:03,120
Speaker 2: I'm gonna get back to what I want to try that.

1656
01:20:03,439 --> 01:20:08,080
Speaker 2: Hold hold on in your humble opinion. The first time

1657
01:20:08,160 --> 01:20:11,680
Speaker 2: you had limit pepper? Where was it that?

1658
01:20:11,800 --> 01:20:14,839
Speaker 1: Because this is this is is a big Miami, more Miami.

1659
01:20:16,560 --> 01:20:18,479
Speaker 1: But what's interesting is the first time I ever had

1660
01:20:18,520 --> 01:20:22,280
Speaker 1: it was here in Miami. Okay. Yeah, I ain't knowing

1661
01:20:22,280 --> 01:20:25,040
Speaker 1: about it until I in Miami, Okay, Because I told.

1662
01:20:24,920 --> 01:20:28,200
Speaker 3: You about that time, I didn't know what That's why

1663
01:20:28,240 --> 01:20:31,639
Speaker 3: it was like living pepper wings didn't exist at least

1664
01:20:31,680 --> 01:20:33,519
Speaker 3: for me. But I know when I came here, that's

1665
01:20:33,560 --> 01:20:34,600
Speaker 3: when I got put up on it.

1666
01:20:34,920 --> 01:20:36,880
Speaker 2: Then when I got home, would you had your first

1667
01:20:36,920 --> 01:20:40,800
Speaker 2: living pepper? You got birthday? Damn it. That's to me,

1668
01:20:40,920 --> 01:20:43,479
Speaker 2: that's what I heard. Living pepper is invented. That's what

1669
01:20:43,640 --> 01:20:45,560
Speaker 2: I don't know about that. I can't tell that to

1670
01:20:45,600 --> 01:20:46,320
Speaker 2: Atlanta nigga.

1671
01:20:46,479 --> 01:20:47,960
Speaker 1: He what.

1672
01:20:49,720 --> 01:20:53,120
Speaker 2: I realized more Miami than Listen. I realized, I gotta

1673
01:20:53,160 --> 01:20:56,160
Speaker 2: leave that set up to y'all. That's what you Miami.

1674
01:20:58,080 --> 01:21:00,040
Speaker 1: She's got a broader selection, Yeah.

1675
01:21:00,280 --> 01:21:02,600
Speaker 2: Because I had it first in Cities, but then I

1676
01:21:02,640 --> 01:21:04,639
Speaker 2: had it very close in ONX as well.

1677
01:21:04,760 --> 01:21:05,479
Speaker 1: Didn't that take one?

1678
01:21:07,080 --> 01:21:07,240
Speaker 6: Man?

1679
01:21:07,800 --> 01:21:11,240
Speaker 2: Maybe very soon, very soon? Okay, So you're in Magic

1680
01:21:11,320 --> 01:21:14,639
Speaker 2: City and you just said, man, I want to suck

1681
01:21:14,680 --> 01:21:25,720
Speaker 2: this bitch. Yeah, pretty much pretty much? So what the

1682
01:21:25,800 --> 01:21:27,760
Speaker 2: rhythm comes to you? Just looking at it? She's there?

1683
01:21:27,880 --> 01:21:30,760
Speaker 3: No, it was a thought, oh okay, like whatever song

1684
01:21:30,880 --> 01:21:32,479
Speaker 3: was playing, I was in the mood of that song,

1685
01:21:32,560 --> 01:21:33,880
Speaker 3: but it was really about her and what she was

1686
01:21:33,920 --> 01:21:35,960
Speaker 3: doing on that Okay. Then when I got to I

1687
01:21:36,000 --> 01:21:38,400
Speaker 3: mean it just, I mean literally left the studio, I

1688
01:21:38,479 --> 01:21:40,519
Speaker 3: mean left Magic went straight to the studio.

1689
01:21:41,280 --> 01:21:44,479
Speaker 1: He was writing, huh was you already writing in your mind?

1690
01:21:44,520 --> 01:21:46,680
Speaker 3: And I knew what I wanted to say, but I

1691
01:21:46,680 --> 01:21:48,840
Speaker 3: didn't know how I was gonna say it until after

1692
01:21:48,840 --> 01:21:49,400
Speaker 3: I made the beat.

1693
01:21:49,439 --> 01:21:51,320
Speaker 1: Then it just hit me. I knew exactly where I

1694
01:21:51,360 --> 01:21:52,000
Speaker 1: was gonna go with him.

1695
01:21:52,000 --> 01:21:52,200
Speaker 7: You know what?

1696
01:21:52,200 --> 01:21:55,720
Speaker 1: I'm saying you made the beat, but she didn't. I

1697
01:21:55,760 --> 01:21:57,560
Speaker 1: was a producer, know you produced that.

1698
01:21:58,200 --> 01:22:00,519
Speaker 3: Everything that you heard me on the chorus, ninety five

1699
01:22:00,560 --> 01:22:02,120
Speaker 3: percent of stuff you heard me on the chorus beats

1700
01:22:02,120 --> 01:22:06,400
Speaker 3: that I mean, Yeah, that's how I used to deliver

1701
01:22:06,479 --> 01:22:07,720
Speaker 3: my songs with the chorus already on it.

1702
01:22:09,160 --> 01:22:10,280
Speaker 2: That's how you used to make placements.

1703
01:22:10,400 --> 01:22:21,719
Speaker 1: Yeah, yep, your publishing game is crazy and smart.

1704
01:22:21,840 --> 01:22:24,120
Speaker 8: It was easy to sell. The song was already done.

1705
01:22:24,160 --> 01:22:26,240
Speaker 8: I got to drop the verses, and then you get

1706
01:22:26,280 --> 01:22:27,800
Speaker 8: a block. I just write the verses for you too.

1707
01:22:29,000 --> 01:22:30,880
Speaker 8: It was literally that simple, Like, don't tell me. That's

1708
01:22:30,880 --> 01:22:32,000
Speaker 8: how Soul Survivor happened.

1709
01:22:32,760 --> 01:22:34,840
Speaker 1: Already chorus on it, beat, ready to go. It was

1710
01:22:34,920 --> 01:22:37,800
Speaker 1: actually gonna No, I'm not gonna tell that story, but yeah, that's.

1711
01:22:37,680 --> 01:22:39,720
Speaker 2: How I don't tell me beody no no, no, no,

1712
01:22:40,000 --> 01:22:40,560
Speaker 2: it was gonna be.

1713
01:22:40,840 --> 01:22:42,160
Speaker 1: If it would have been for anybody, it would have

1714
01:22:42,200 --> 01:22:43,920
Speaker 1: been for me. Put it so.

1715
01:22:44,400 --> 01:22:48,840
Speaker 3: But what's crazy was you had a song and you

1716
01:22:48,920 --> 01:22:52,000
Speaker 3: probably experiences where before you.

1717
01:22:52,400 --> 01:22:54,240
Speaker 1: He's a feature that shared somebody on it.

1718
01:22:54,360 --> 01:22:56,240
Speaker 3: He was like, man, think I'm gonna keep this with myself,

1719
01:22:57,120 --> 01:23:00,160
Speaker 3: Like as a producer, songwriter, right, it's some songs you

1720
01:23:00,280 --> 01:23:04,160
Speaker 3: just want to hold on to. That's the feeling I

1721
01:23:04,280 --> 01:23:07,960
Speaker 3: had after I did Soul Survivor. But then when I

1722
01:23:08,120 --> 01:23:15,560
Speaker 3: met with Jeezi and I heard his mixtape, Bruh you

1723
01:23:15,680 --> 01:23:20,439
Speaker 3: need this, I just jumped out the window. I was like,

1724
01:23:20,720 --> 01:23:23,600
Speaker 3: it's no way this nigga on this record is not

1725
01:23:23,680 --> 01:23:26,800
Speaker 3: going to be a bigger record. It was impossible. It

1726
01:23:26,920 --> 01:23:29,200
Speaker 3: was just impossible. So when I sent it to him,

1727
01:23:29,960 --> 01:23:31,720
Speaker 3: I wasn't sure if he liked it or how he

1728
01:23:31,760 --> 01:23:33,360
Speaker 3: felt about it, because it took about.

1729
01:23:35,040 --> 01:23:37,519
Speaker 1: Almost to the end of the day before I got

1730
01:23:37,560 --> 01:23:37,880
Speaker 1: it back.

1731
01:23:38,880 --> 01:23:40,240
Speaker 3: But the fact that I got it back the same

1732
01:23:40,360 --> 01:23:42,519
Speaker 3: day was kind of common because a lot of people

1733
01:23:42,520 --> 01:23:44,080
Speaker 3: at that time was always excited to get a con

1734
01:23:44,360 --> 01:23:46,280
Speaker 3: convict track, so they would do it real quick and

1735
01:23:46,320 --> 01:23:48,439
Speaker 3: sind the back. But Jez took a little bit longer

1736
01:23:48,479 --> 01:23:51,000
Speaker 3: than normal, and I was like, damn, sh ain't back yet.

1737
01:23:52,439 --> 01:23:55,360
Speaker 3: But when it came back, though, I was like, oh

1738
01:23:55,520 --> 01:23:58,640
Speaker 3: my god, I sent that shit over to Meach He

1739
01:23:58,840 --> 01:24:03,519
Speaker 3: was like, Nigga, so this ship we own like, because

1740
01:24:03,520 --> 01:24:05,720
Speaker 3: you got to stand around that time, BMF had the

1741
01:24:05,760 --> 01:24:09,160
Speaker 3: biggest brand, but no really no songs out there. They

1742
01:24:09,280 --> 01:24:11,160
Speaker 3: just them niggas will be on maybe out the Source

1743
01:24:11,280 --> 01:24:12,880
Speaker 3: magazine getting awards.

1744
01:24:12,600 --> 01:24:12,880
Speaker 1: And all that.

1745
01:24:16,680 --> 01:24:17,880
Speaker 2: Nigga, you're the best that I ever did.

1746
01:24:18,760 --> 01:24:23,040
Speaker 1: Niggas getting awards and everything with no ax out, no records,

1747
01:24:24,320 --> 01:24:26,920
Speaker 1: huh no, But they was the cultry man, it was,

1748
01:24:27,040 --> 01:24:29,640
Speaker 1: it was, it was, it was something. But Jeeze I

1749
01:24:29,880 --> 01:24:30,400
Speaker 1: just knew he was.

1750
01:24:30,400 --> 01:24:33,519
Speaker 2: Destined for it, you know. So let me ask you.

1751
01:24:33,840 --> 01:24:35,600
Speaker 2: Have you ever gave up a record and you was

1752
01:24:35,720 --> 01:24:37,400
Speaker 2: mad as ship for giving up a record?

1753
01:24:37,479 --> 01:24:39,160
Speaker 3: No, no, no, no, I was never mad at giving

1754
01:24:39,200 --> 01:24:43,000
Speaker 3: up a record. But there are records that I gave

1755
01:24:43,120 --> 01:24:46,280
Speaker 3: up that I that I thought would be huge and

1756
01:24:46,360 --> 01:24:49,920
Speaker 3: it didn't. You thought that right, like I thought, and

1757
01:24:50,200 --> 01:24:52,200
Speaker 3: you know those records. It's kind of hard to kind

1758
01:24:52,200 --> 01:24:53,720
Speaker 3: of take him back to give him somebody else.

1759
01:24:53,960 --> 01:24:55,840
Speaker 1: So you just got to eat that, you know. Yea.

1760
01:24:56,560 --> 01:24:58,439
Speaker 2: You ever heard that track, jigga?

1761
01:24:59,800 --> 01:25:02,000
Speaker 1: Yeah, I remember that I gave that up that it

1762
01:25:02,120 --> 01:25:03,120
Speaker 1: was that.

1763
01:25:05,160 --> 01:25:07,120
Speaker 2: When I heard they gave it the jay Z, I was,

1764
01:25:08,920 --> 01:25:11,400
Speaker 2: I was like, what they said, nor when we gave

1765
01:25:11,479 --> 01:25:13,160
Speaker 2: it to you? And I was like, but you could

1766
01:25:13,200 --> 01:25:21,120
Speaker 2: have told me I had no excuse track masters, I was.

1767
01:25:21,760 --> 01:25:24,640
Speaker 1: I was, yeah, but you're not. You know something you're

1768
01:25:24,640 --> 01:25:27,519
Speaker 1: gonna miss some You're gonna miss something and meant for you. Yeah,

1769
01:25:27,560 --> 01:25:28,599
Speaker 1: it just wasn't meant for him.

1770
01:25:28,920 --> 01:25:31,040
Speaker 3: He probably would have got too famous, and at that

1771
01:25:31,160 --> 01:25:32,280
Speaker 3: time it probably wasn't a good thing.

1772
01:25:33,680 --> 01:25:36,559
Speaker 2: It was wild as hell, Yes, it was wild.

1773
01:25:37,040 --> 01:25:39,120
Speaker 1: We finished I want to you? Then how did you

1774
01:25:39,240 --> 01:25:43,360
Speaker 1: ask the dog? I'm trying to say this, so I'm

1775
01:25:43,360 --> 01:25:45,000
Speaker 1: trying to we're trying to avoid that.

1776
01:25:45,680 --> 01:25:49,280
Speaker 2: But what made you want to ask now dog? Oh man?

1777
01:25:50,200 --> 01:25:52,040
Speaker 3: That was just it was I think that was all

1778
01:25:52,120 --> 01:25:55,800
Speaker 3: perfect timing because at that time Snoop was always he was.

1779
01:25:55,840 --> 01:25:58,000
Speaker 3: He was hitting me up for songs and I always

1780
01:25:58,040 --> 01:25:59,920
Speaker 3: wanted to work with him, but I just didn't have

1781
01:26:00,080 --> 01:26:02,760
Speaker 3: the right record that I felt I could put him on.

1782
01:26:03,360 --> 01:26:07,360
Speaker 3: And then the record got leaked, and when they got

1783
01:26:07,439 --> 01:26:10,120
Speaker 3: leaked in Miami, Pliz was on the record.

1784
01:26:11,479 --> 01:26:15,400
Speaker 1: So Pliz had the record first. Because what's interesting enough

1785
01:26:15,600 --> 01:26:17,400
Speaker 1: was what I originally did the record. I did it

1786
01:26:17,439 --> 01:26:18,360
Speaker 1: for Trick Daddy.

1787
01:26:19,600 --> 01:26:19,760
Speaker 6: Right.

1788
01:26:20,040 --> 01:26:23,439
Speaker 3: Originally, I was like, because I didn't see myself doing

1789
01:26:23,520 --> 01:26:25,400
Speaker 3: that kind of record, even though it was a spa

1790
01:26:25,520 --> 01:26:26,160
Speaker 3: by the whole things.

1791
01:26:26,200 --> 01:26:27,519
Speaker 1: All my songs were aspired by something.

1792
01:26:27,520 --> 01:26:30,120
Speaker 3: But I would always handpick which I asked what I

1793
01:26:30,120 --> 01:26:31,720
Speaker 3: think will be able to take the record off. So

1794
01:26:31,840 --> 01:26:33,280
Speaker 3: at that time, I'm thinking it was gonna be trick

1795
01:26:33,360 --> 01:26:36,400
Speaker 3: daddy Wow. When I sent the record to Slip and

1796
01:26:36,439 --> 01:26:39,920
Speaker 3: Slide till his day till this day, I'm guessing I

1797
01:26:40,040 --> 01:26:40,559
Speaker 3: never knew.

1798
01:26:40,439 --> 01:26:41,880
Speaker 1: How Plies actually got the record.

1799
01:26:42,160 --> 01:26:45,360
Speaker 3: All I know is that one week Steve got a

1800
01:26:45,439 --> 01:26:48,599
Speaker 3: call that's nigga, we gotta fucking smash in Miami. That's

1801
01:26:48,640 --> 01:26:51,639
Speaker 3: all all over satellite radio and every fucking strip club,

1802
01:26:51,760 --> 01:26:54,040
Speaker 3: every club. The record is so big, we gotta do

1803
01:26:54,120 --> 01:26:55,880
Speaker 3: something about it. And I was like, well, let me

1804
01:26:55,920 --> 01:26:58,320
Speaker 3: hear the record, nigga. When I heard that shit, I

1805
01:26:58,360 --> 01:26:59,920
Speaker 3: was like, God, damn, who is this little nigga?

1806
01:27:01,000 --> 01:27:01,120
Speaker 6: Right?

1807
01:27:01,240 --> 01:27:02,479
Speaker 1: So it was one of them things.

1808
01:27:02,520 --> 01:27:04,960
Speaker 2: And then oh he wasn't out yet, No, he was

1809
01:27:05,000 --> 01:27:08,519
Speaker 2: a new artist. Oh okay, okay, he's already out.

1810
01:27:09,840 --> 01:27:12,320
Speaker 1: But everybody agreed that this was a smashit record.

1811
01:27:12,520 --> 01:27:14,800
Speaker 3: But universe was going crazy because first of all the

1812
01:27:14,840 --> 01:27:15,880
Speaker 3: records out, I'm not clear.

1813
01:27:16,200 --> 01:27:18,040
Speaker 1: The ship is like, it's already a potential hit. What

1814
01:27:18,160 --> 01:27:18,439
Speaker 1: do we do?

1815
01:27:18,520 --> 01:27:21,120
Speaker 3: We gotta we gotta recover this record. So we're like, okay, well,

1816
01:27:21,160 --> 01:27:22,960
Speaker 3: we need to just snatch him off of and put

1817
01:27:23,000 --> 01:27:23,920
Speaker 3: somebody on the record.

1818
01:27:24,600 --> 01:27:26,000
Speaker 1: And then that's when I was like, well, shit, let's

1819
01:27:26,000 --> 01:27:26,880
Speaker 1: put Snoop on the record.

1820
01:27:26,920 --> 01:27:29,200
Speaker 3: He's been calling me for records and he's he'd be

1821
01:27:29,240 --> 01:27:31,240
Speaker 3: a perfect nigga on here. So I sent him to

1822
01:27:31,280 --> 01:27:33,759
Speaker 3: Snoop Literally the same day he came back with the record,

1823
01:27:34,120 --> 01:27:37,320
Speaker 3: bodied it, and these niggas have the record mastered, mixed,

1824
01:27:37,520 --> 01:27:40,360
Speaker 3: and put out the same week. S like literally that's

1825
01:27:40,360 --> 01:27:42,160
Speaker 3: saying cause we had to catch it. The record was

1826
01:27:42,200 --> 01:27:45,240
Speaker 3: moving too fast that plaus version was gone. But then

1827
01:27:45,280 --> 01:27:47,880
Speaker 3: I felt bad. I was like, damn, you know, he's

1828
01:27:47,880 --> 01:27:50,160
Speaker 3: a new artist. This would have been his big break.

1829
01:27:51,200 --> 01:27:53,000
Speaker 1: Like I felt fucked up because I knew how hard

1830
01:27:53,000 --> 01:27:54,720
Speaker 1: it was to get a record and go because I

1831
01:27:54,840 --> 01:27:55,920
Speaker 1: know what I went through and locked up.

1832
01:27:55,960 --> 01:27:57,280
Speaker 2: But do you think he leaked it?

1833
01:27:58,400 --> 01:27:59,040
Speaker 1: Without a doubt?

1834
01:28:00,360 --> 01:28:01,000
Speaker 2: De board the funk?

1835
01:28:01,040 --> 01:28:08,720
Speaker 1: I supposed to do that, but honestly, believe it or not,

1836
01:28:08,920 --> 01:28:12,120
Speaker 1: had he reached out before he did it, believe me,

1837
01:28:12,160 --> 01:28:14,840
Speaker 1: I know for sure, but no, because guess what, had

1838
01:28:14,920 --> 01:28:16,719
Speaker 1: he not leaked it, we wouldn't have known the record.

1839
01:28:16,560 --> 01:28:19,280
Speaker 3: Was that big, So who probably would have worked it out?

1840
01:28:19,840 --> 01:28:20,920
Speaker 3: It could have been right, It could have been a

1841
01:28:20,960 --> 01:28:22,720
Speaker 3: record him anyway if it had we known him before

1842
01:28:22,760 --> 01:28:26,200
Speaker 3: that ship took off. But it just, I mean, God

1843
01:28:26,280 --> 01:28:27,960
Speaker 3: has his own way of how things happen, right, So

1844
01:28:28,320 --> 01:28:29,439
Speaker 3: at that point I felt bad.

1845
01:28:29,520 --> 01:28:29,640
Speaker 1: Man.

1846
01:28:29,720 --> 01:28:32,120
Speaker 3: So we got on the phone and I was like, look, man,

1847
01:28:32,160 --> 01:28:33,680
Speaker 3: you know it's business. Some of it is beyond what

1848
01:28:33,760 --> 01:28:34,080
Speaker 3: I can do.

1849
01:28:34,479 --> 01:28:35,720
Speaker 1: But don't worry. I'm gonna make it up to you.

1850
01:28:35,760 --> 01:28:37,040
Speaker 2: You know what I'm saying, saying that's applies.

1851
01:28:37,439 --> 01:28:40,040
Speaker 3: Said it applies because I just felt bad because that

1852
01:28:40,160 --> 01:28:41,559
Speaker 3: was a smash, right, So I was like, all right,

1853
01:28:41,640 --> 01:28:43,200
Speaker 3: let me figure this out. So that's when I went

1854
01:28:43,200 --> 01:28:46,400
Speaker 3: into the studio and then I made hypnotize and I

1855
01:28:46,439 --> 01:28:47,400
Speaker 3: gave him hypnotized.

1856
01:28:48,760 --> 01:28:52,200
Speaker 1: Yep, that's so you.

1857
01:28:54,560 --> 01:29:00,280
Speaker 2: Take your talk for that's yeah, you was there all

1858
01:29:03,240 --> 01:29:13,000
Speaker 2: I got, Yo, that's crazy. I got all that in

1859
01:29:13,080 --> 01:29:18,479
Speaker 2: my notes. Okay, now, don't matter. Was that a sample?

1860
01:29:20,000 --> 01:29:20,920
Speaker 2: That was not a sample?

1861
01:29:21,640 --> 01:29:25,960
Speaker 3: It was all played all original. Yeah, but that was

1862
01:29:26,000 --> 01:29:32,120
Speaker 3: a melody part that I did take from Uh Bob.

1863
01:29:31,960 --> 01:29:35,240
Speaker 1: Marley we Gotta Fight for all right, Okay. I took

1864
01:29:35,280 --> 01:29:38,120
Speaker 1: a piece of that and added to the to the chorus. Okay,

1865
01:29:38,120 --> 01:29:39,720
Speaker 1: that's the only part of that sample not the beat.

1866
01:29:39,960 --> 01:29:44,759
Speaker 2: That's that was a rendition part Okay, okay, so Survival

1867
01:29:44,800 --> 01:29:48,280
Speaker 2: you just answered that question. So how about Lonely. Let's

1868
01:29:48,400 --> 01:29:49,040
Speaker 2: let's get into that.

1869
01:29:49,120 --> 01:29:50,720
Speaker 1: Yeah, Lonely, I wrote that when I was locked up.

1870
01:29:51,479 --> 01:29:52,920
Speaker 3: Yeah, that record was I wrote that when I was

1871
01:29:52,960 --> 01:29:54,760
Speaker 3: locked up, and then I recorded it when I got out.

1872
01:29:55,240 --> 01:29:58,599
Speaker 2: Oh really, the whole the whole thing, whole record.

1873
01:29:58,800 --> 01:30:01,080
Speaker 3: And yeah, the song was written, but then the beat

1874
01:30:01,120 --> 01:30:03,040
Speaker 3: at the time wouldn't create it until I got out.

1875
01:30:03,360 --> 01:30:04,920
Speaker 3: And that's when I was going through my crates and

1876
01:30:05,479 --> 01:30:08,720
Speaker 3: and heard the Bobby Venting sample and I spared that

1877
01:30:08,880 --> 01:30:10,800
Speaker 3: up and we did the beat around the voice.

1878
01:30:11,840 --> 01:30:15,080
Speaker 1: Hell of a producer. Motherfucker is just hitting us with genius.

1879
01:30:15,160 --> 01:30:20,360
Speaker 2: Ship Hold up, I'm not even ready for some of

1880
01:30:20,439 --> 01:30:23,439
Speaker 2: this ship Hold on, man, and you know what, let's

1881
01:30:23,439 --> 01:30:27,439
Speaker 2: skip around a little bit. We spoke about Jimmy I Bean,

1882
01:30:27,479 --> 01:30:31,400
Speaker 2: so let's talk about working with doctor Dre oh Man.

1883
01:30:31,479 --> 01:30:34,120
Speaker 2: Working with Dre was like, well, let me give you

1884
01:30:34,120 --> 01:30:36,680
Speaker 2: a two part question. Yeah, because is that is that

1885
01:30:37,000 --> 01:30:39,400
Speaker 2: Nate Dogg on that record? On which one on the

1886
01:30:39,439 --> 01:30:44,320
Speaker 2: record with you guys with Dre at the hold up? Yeah?

1887
01:30:44,479 --> 01:30:44,640
Speaker 4: Is that?

1888
01:30:45,640 --> 01:30:49,320
Speaker 1: You know? I never asked Dre, who that was. I

1889
01:30:49,400 --> 01:30:50,519
Speaker 1: never asked what that was.

1890
01:30:52,240 --> 01:30:53,280
Speaker 2: You looked at the credits.

1891
01:30:53,800 --> 01:30:56,920
Speaker 1: I never looked at the credit. You that rich, you

1892
01:30:57,000 --> 01:31:01,680
Speaker 1: were credit. It's just, you know, like like when you

1893
01:31:01,760 --> 01:31:02,040
Speaker 1: work with.

1894
01:31:02,080 --> 01:31:04,479
Speaker 3: Certain people like that, you kind of already know what

1895
01:31:04,560 --> 01:31:06,439
Speaker 3: the split is gonna before you get in, regardless of

1896
01:31:06,479 --> 01:31:07,200
Speaker 3: who you add to it.

1897
01:31:07,760 --> 01:31:09,280
Speaker 1: Dre, already know what you're gonna get, already know what

1898
01:31:09,280 --> 01:31:11,080
Speaker 1: I'm gonna get. You know what you're gonna get, and.

1899
01:31:11,120 --> 01:31:13,439
Speaker 3: Whoever else is involved, y'all split that amongst y'all type

1900
01:31:13,439 --> 01:31:14,160
Speaker 3: of thing, you know what I'm saying.

1901
01:31:14,200 --> 01:31:17,200
Speaker 2: So, but overall, was y'all in this studio together making

1902
01:31:17,240 --> 01:31:17,639
Speaker 2: that record.

1903
01:31:18,040 --> 01:31:20,320
Speaker 1: We was in the studio together making records, but that

1904
01:31:20,439 --> 01:31:23,320
Speaker 1: one specifically was I was. I was traveling.

1905
01:31:23,720 --> 01:31:25,600
Speaker 3: That's when I did my I did everything for it,

1906
01:31:25,920 --> 01:31:27,559
Speaker 3: and then I sent it to them, And then when

1907
01:31:27,800 --> 01:31:29,719
Speaker 3: Dre sent it back to me, he had the snoop

1908
01:31:29,760 --> 01:31:31,759
Speaker 3: on his verse on there and the hold up voices.

1909
01:31:31,920 --> 01:31:34,760
Speaker 3: So I wasn't sure if that was actual Nate or

1910
01:31:34,840 --> 01:31:37,559
Speaker 3: someone else that sounded like him, or maybe something sampled

1911
01:31:37,560 --> 01:31:39,479
Speaker 3: from an older song added you know what I'm saying.

1912
01:31:39,680 --> 01:31:41,960
Speaker 2: Okay, but you know, Dre, you don't really.

1913
01:31:42,080 --> 01:31:43,760
Speaker 1: You just let him do what you ask, no question,

1914
01:31:45,160 --> 01:31:48,120
Speaker 1: like you know what I'm saying, Like, came back and

1915
01:31:48,160 --> 01:31:55,479
Speaker 1: fucking smashed, That's all I know. Yeah, right, yeah, beautiful,

1916
01:31:55,960 --> 01:31:56,880
Speaker 1: beautiful was amazing.

1917
01:31:57,439 --> 01:31:58,760
Speaker 2: How did you make that that one?

1918
01:31:59,720 --> 01:32:02,200
Speaker 1: I think that was around the time when I hold

1919
01:32:02,240 --> 01:32:04,160
Speaker 1: it before good and beautiful my back. Did you you

1920
01:32:04,200 --> 01:32:06,200
Speaker 1: say where you was at when you recorded the drake?

1921
01:32:07,200 --> 01:32:07,840
Speaker 2: What did you say?

1922
01:32:07,840 --> 01:32:08,000
Speaker 7: Where?

1923
01:32:08,120 --> 01:32:09,439
Speaker 1: Where were your traveling dre?

1924
01:32:09,560 --> 01:32:18,160
Speaker 9: I was on I was on tour actual, so tourte

1925
01:32:18,520 --> 01:32:20,160
Speaker 9: that normal, normal.

1926
01:32:20,560 --> 01:32:21,880
Speaker 3: So I went in the studio though, but I had

1927
01:32:21,920 --> 01:32:24,360
Speaker 3: I had, I had a studio in my bus. So

1928
01:32:24,439 --> 01:32:25,800
Speaker 3: that's how I was able to get the records out

1929
01:32:25,840 --> 01:32:28,600
Speaker 3: at the same time. And that's how I actually I

1930
01:32:28,760 --> 01:32:31,280
Speaker 3: was able to get sorry blame me response so quick

1931
01:32:31,560 --> 01:32:35,400
Speaker 3: because when that whole controversy hit, I was actually on

1932
01:32:35,479 --> 01:32:36,200
Speaker 3: the road with Gwen.

1933
01:32:36,080 --> 01:32:39,000
Speaker 2: Stefani when when you made the record.

1934
01:32:38,800 --> 01:32:40,680
Speaker 1: Sorry, sorry, blame me. I made that on the bus.

1935
01:32:41,080 --> 01:32:41,880
Speaker 2: Did Why did you make that?

1936
01:32:42,000 --> 01:32:43,840
Speaker 3: Because it was no, it was you know because at

1937
01:32:43,840 --> 01:32:46,120
Speaker 3: the time it was it was a huge controversy about uh,

1938
01:32:46,840 --> 01:32:49,600
Speaker 3: the club appearance that I made and intrider Dad and

1939
01:32:49,640 --> 01:32:52,320
Speaker 3: the underage girl snugging and was part of this dance

1940
01:32:52,400 --> 01:32:55,240
Speaker 3: whining contest and unfortunately she snug out the house.

1941
01:32:55,280 --> 01:32:58,320
Speaker 1: Her dad was a preacher and he woke up and saw.

1942
01:32:58,479 --> 01:33:00,759
Speaker 2: That she won on the first on the front page,

1943
01:33:00,800 --> 01:33:02,280
Speaker 2: like it was a big thing, right, you know what

1944
01:33:02,320 --> 01:33:03,479
Speaker 2: I mean there?

1945
01:33:03,520 --> 01:33:05,719
Speaker 1: Yeah, he flipped out, like you know Literada.

1946
01:33:06,160 --> 01:33:10,880
Speaker 3: So at that point her age was revealed because the

1947
01:33:11,000 --> 01:33:13,679
Speaker 3: daddy was like, she's underage, how do you guys allow

1948
01:33:13,720 --> 01:33:15,080
Speaker 3: her to go into the club of the Da Dada

1949
01:33:15,439 --> 01:33:17,400
Speaker 3: And everybody was shocked because they was like, wait a minute,

1950
01:33:17,439 --> 01:33:19,280
Speaker 3: this is twenty one and older club, Like how was

1951
01:33:19,360 --> 01:33:21,240
Speaker 3: she fifteen in there?

1952
01:33:21,320 --> 01:33:21,920
Speaker 2: You know what I'm saying.

1953
01:33:22,240 --> 01:33:24,160
Speaker 3: But the pop was just so hype about it, and

1954
01:33:24,280 --> 01:33:26,200
Speaker 3: of course me being a celebrity being attached, it just

1955
01:33:26,240 --> 01:33:29,440
Speaker 3: made a huge thing. And then Verizon pulled my sponsorships

1956
01:33:29,479 --> 01:33:29,880
Speaker 3: and all of this.

1957
01:33:30,520 --> 01:33:30,640
Speaker 2: Yo.

1958
01:33:31,080 --> 01:33:35,760
Speaker 1: Whenst Fani though, rode with me because that Verizon sponsorship

1959
01:33:36,000 --> 01:33:37,600
Speaker 1: sponsored the whole tour and.

1960
01:33:37,680 --> 01:33:38,240
Speaker 6: I was on it.

1961
01:33:38,960 --> 01:33:41,599
Speaker 3: So they came to home it was like, listen, con

1962
01:33:42,400 --> 01:33:44,680
Speaker 3: if you want us to continue sponsoring this tour, you

1963
01:33:44,800 --> 01:33:45,960
Speaker 3: need to pull him off your tour.

1964
01:33:47,200 --> 01:33:49,720
Speaker 1: And she was like, I'm not doing that, going to

1965
01:33:49,720 --> 01:33:52,080
Speaker 1: start finding against the nigga. She rocked with me though,

1966
01:33:52,560 --> 01:34:02,400
Speaker 1: ah no, no, yep, yeah, let's talk about that the

1967
01:34:02,439 --> 01:34:04,280
Speaker 1: Sweetest Scape as well, while we're on the right, y yeah,

1968
01:34:04,280 --> 01:34:04,840
Speaker 1: sweet es scpe.

1969
01:34:04,920 --> 01:34:07,000
Speaker 3: Yeah, so sweet Eskatee was crazy. So Jimmy I Bean

1970
01:34:07,080 --> 01:34:08,800
Speaker 3: called me and was like, listen, I want you to

1971
01:34:08,880 --> 01:34:12,880
Speaker 3: go in with Gwyn. I was like, absolutely, I love Gwyn.

1972
01:34:12,920 --> 01:34:14,840
Speaker 3: This is before the tour, obvious, this is before the tour.

1973
01:34:15,120 --> 01:34:15,920
Speaker 1: This was before the tour.

1974
01:34:16,479 --> 01:34:19,040
Speaker 3: She had just finished her album, but they needed that

1975
01:34:19,240 --> 01:34:22,000
Speaker 3: one record like they would need it one record.

1976
01:34:22,160 --> 01:34:22,320
Speaker 7: You know.

1977
01:34:22,560 --> 01:34:23,960
Speaker 3: And I was like, well, let me hear the album

1978
01:34:23,960 --> 01:34:25,320
Speaker 3: and see what she got, and then I see, you

1979
01:34:25,400 --> 01:34:27,679
Speaker 3: know what I can put for. When I heard the album,

1980
01:34:28,200 --> 01:34:30,240
Speaker 3: it was a little different from what I would have

1981
01:34:30,640 --> 01:34:33,640
Speaker 3: wanted for her on the album, being who she was

1982
01:34:33,760 --> 01:34:36,280
Speaker 3: in the timeline in which she was recording those records,

1983
01:34:36,479 --> 01:34:38,080
Speaker 3: I felt there was a certain direction that I felt

1984
01:34:38,120 --> 01:34:40,800
Speaker 3: like she needed to go. So I just did that

1985
01:34:40,960 --> 01:34:44,200
Speaker 3: direction for the single that they wanted for, and while

1986
01:34:44,240 --> 01:34:47,360
Speaker 3: we were in the studio, that's when we wrote sweet Escape, right.

1987
01:34:47,520 --> 01:34:49,599
Speaker 3: So when we sent that over to Jimmy, he was like, man,

1988
01:34:49,640 --> 01:34:52,679
Speaker 3: this record is fucking amazing. But there wasn't enough time

1989
01:34:53,200 --> 01:34:56,200
Speaker 3: to do more records because she was literally like dropping

1990
01:34:56,280 --> 01:34:59,800
Speaker 3: that week. So we said, let's maximize this actual song

1991
01:35:00,000 --> 01:35:01,800
Speaker 3: because this could be the first record out. So they

1992
01:35:01,920 --> 01:35:04,679
Speaker 3: end up taking the song. It became in the first single.

1993
01:35:05,400 --> 01:35:08,240
Speaker 3: Then it became the song became the name of the album,

1994
01:35:08,320 --> 01:35:11,080
Speaker 3: Sweet Escape. Then they set up a whole tour around

1995
01:35:11,160 --> 01:35:14,360
Speaker 3: that song called Sweet Escape Tour, so that song became

1996
01:35:14,760 --> 01:35:18,520
Speaker 3: her whole marketing, imaging the whole like movement.

1997
01:35:18,240 --> 01:35:21,880
Speaker 1: For that whole album. Wow, you orchestrated that far. I

1998
01:35:22,040 --> 01:35:24,920
Speaker 1: made the record Jimmy Orchestra.

1999
01:35:26,360 --> 01:35:28,280
Speaker 6: But everything you're saying goes in line with you're saying

2000
01:35:28,280 --> 01:35:31,599
Speaker 6: that Jimmy is a kingmaker, because here you are blessing

2001
01:35:31,680 --> 01:35:34,680
Speaker 6: all these artists and helping and making their careers as well, right,

2002
01:35:35,000 --> 01:35:36,080
Speaker 6: which is crazy.

2003
01:35:36,200 --> 01:35:37,880
Speaker 3: You know, because I think sometimes it helps to have

2004
01:35:38,080 --> 01:35:40,840
Speaker 3: just new blood around that see things differently from how

2005
01:35:41,880 --> 01:35:44,759
Speaker 3: you know your core see it because oftentimes, like primise

2006
01:35:44,760 --> 01:35:48,240
Speaker 3: app let's say a building like Universe of for instance,

2007
01:35:48,280 --> 01:35:50,320
Speaker 3: they got to set group of producers that they go

2008
01:35:50,439 --> 01:35:51,040
Speaker 3: to every time.

2009
01:35:50,960 --> 01:35:52,680
Speaker 1: They sound acts. You know what I'm talking abo right now?

2010
01:35:52,800 --> 01:35:54,400
Speaker 3: Of course, set group of writers that they go to

2011
01:35:54,479 --> 01:35:56,320
Speaker 3: every time they sign to act, they all start to

2012
01:35:56,360 --> 01:35:58,680
Speaker 3: sound like they all start to feeling like there's nothing

2013
01:35:58,720 --> 01:36:01,639
Speaker 3: different because they's using the same producers that's been proven

2014
01:36:01,680 --> 01:36:03,439
Speaker 3: to have hit records. It becomes like a cookie cutter

2015
01:36:03,520 --> 01:36:06,280
Speaker 3: thing exactly. And I think that's what Jimmy was trying

2016
01:36:06,280 --> 01:36:08,400
Speaker 3: to cut away from. So that's why he started bringing

2017
01:36:08,400 --> 01:36:10,720
Speaker 3: in people that looked at the projects differently. Because even

2018
01:36:10,760 --> 01:36:13,160
Speaker 3: when you started, when you heard the first album versus

2019
01:36:13,200 --> 01:36:15,760
Speaker 3: the album that I was working on, there wasn't that

2020
01:36:15,880 --> 01:36:18,439
Speaker 3: much of a growth change. But when you hear that

2021
01:36:18,560 --> 01:36:20,360
Speaker 3: record on that album, you can hear the difference from

2022
01:36:20,400 --> 01:36:23,200
Speaker 3: that record versus everything else that was on there, you

2023
01:36:23,240 --> 01:36:24,920
Speaker 3: know what I'm saying, And.

2024
01:36:25,040 --> 01:36:26,360
Speaker 1: That means he's willing to take chances.

2025
01:36:26,520 --> 01:36:26,680
Speaker 4: Yeah.

2026
01:36:26,760 --> 01:36:27,920
Speaker 1: Me, I want to give you what you ain't got.

2027
01:36:27,960 --> 01:36:29,840
Speaker 3: I want to give you something that the audience can

2028
01:36:29,920 --> 01:36:32,080
Speaker 3: listen to it and say, oh, they stepping it up

2029
01:36:32,160 --> 01:36:34,000
Speaker 3: or they've grown from where it used to be, you

2030
01:36:34,040 --> 01:36:35,400
Speaker 3: know what I mean. But at the same time keeping

2031
01:36:35,439 --> 01:36:37,759
Speaker 3: integrity and what it is you bring to the table,

2032
01:36:38,040 --> 01:36:39,840
Speaker 3: but you also taking it to a level to where

2033
01:36:40,240 --> 01:36:42,240
Speaker 3: you look like you're becoming bigger than what you was

2034
01:36:42,320 --> 01:36:42,760
Speaker 3: before they.

2035
01:36:43,000 --> 01:36:44,120
Speaker 1: Experienced you you know what I'm saying.

2036
01:36:45,160 --> 01:36:48,240
Speaker 2: It's crazyd damn it, Man, this is this is crazy.

2037
01:36:48,960 --> 01:36:51,000
Speaker 2: What are some of the producers that you haven't worked

2038
01:36:51,000 --> 01:36:52,040
Speaker 2: with that you would like to work with?

2039
01:36:53,400 --> 01:36:56,640
Speaker 1: Interestingly enough, I haven't worked with.

2040
01:37:00,320 --> 01:37:00,519
Speaker 2: Man.

2041
01:37:01,600 --> 01:37:04,760
Speaker 1: The only producers that I actually ever worked with on collaboration.

2042
01:37:05,320 --> 01:37:07,280
Speaker 1: Remember he's producing, Yeah, it's.

2043
01:37:07,240 --> 01:37:10,080
Speaker 3: Polo Polo and don I work. I worked with him

2044
01:37:10,120 --> 01:37:18,559
Speaker 3: on some collaboration stuff. Who nah me and Kanye hasn't

2045
01:37:18,600 --> 01:37:23,519
Speaker 3: We never worked on anything collaborative That could be crazy, yo,

2046
01:37:23,880 --> 01:37:26,000
Speaker 3: now that I think about it, he's the only no

2047
01:37:27,000 --> 01:37:30,400
Speaker 3: metro booming. Metro Booman worked on some stuff together and

2048
01:37:31,320 --> 01:37:33,920
Speaker 3: nothing on the track Man worked on. But that's all

2049
01:37:34,080 --> 01:37:37,840
Speaker 3: after my time. But during my time was I actually

2050
01:37:37,880 --> 01:37:39,200
Speaker 3: wasn't working with any producers?

2051
01:37:39,439 --> 01:37:40,599
Speaker 1: Were doing a work myself?

2052
01:37:41,040 --> 01:37:44,040
Speaker 3: Absolutely? Hell yeah, some of the people will tymbling. I

2053
01:37:44,080 --> 01:37:46,599
Speaker 3: would love to do it. I think me and Tim

2054
01:37:46,640 --> 01:37:47,559
Speaker 3: together will come up with some.

2055
01:37:48,200 --> 01:37:52,160
Speaker 2: Because ain't you we're taking over right well? College, Ye,

2056
01:37:52,920 --> 01:37:53,200
Speaker 2: isn't it?

2057
01:37:53,439 --> 01:37:53,799
Speaker 1: Danger?

2058
01:37:54,240 --> 01:37:56,880
Speaker 3: I did some stuff with Runners as well too, Yeah,

2059
01:37:57,040 --> 01:37:59,760
Speaker 3: and Danger was on Yeah, Danger was we.

2060
01:37:59,800 --> 01:38:00,479
Speaker 1: Take production on.

2061
01:38:01,120 --> 01:38:02,920
Speaker 2: I mean when we did the first interview with him,

2062
01:38:02,920 --> 01:38:04,519
Speaker 2: it was that callin studio. I think they were.

2063
01:38:05,840 --> 01:38:06,240
Speaker 1: That's right.

2064
01:38:06,400 --> 01:38:07,599
Speaker 2: It was that college studio.

2065
01:38:07,720 --> 01:38:10,360
Speaker 1: Yeah it was yeah, yeah, that was my home. Like

2066
01:38:11,320 --> 01:38:12,200
Speaker 1: that was my home bro.

2067
01:38:12,360 --> 01:38:14,920
Speaker 3: Like even till this day when I record in Miami,

2068
01:38:15,000 --> 01:38:17,120
Speaker 3: I go right back there, call it never.

2069
01:38:17,080 --> 01:38:18,360
Speaker 2: There playing golf.

2070
01:38:18,439 --> 01:38:19,280
Speaker 1: No, the ship got.

2071
01:38:22,600 --> 01:38:24,200
Speaker 2: Couple of golf digest.

2072
01:38:25,439 --> 01:38:27,560
Speaker 1: I don't know what kind of you got college, but

2073
01:38:28,320 --> 01:38:28,960
Speaker 1: is working.

2074
01:38:28,760 --> 01:38:32,240
Speaker 3: Keep going like yeah, that's that's like my studio now.

2075
01:38:32,840 --> 01:38:34,840
Speaker 3: Like I'd be like, okay, I'm in Miami. He said, well,

2076
01:38:34,880 --> 01:38:37,000
Speaker 3: you know what, the dude, I ain't there, Like he

2077
01:38:37,320 --> 01:38:39,400
Speaker 3: gave me somebody to talk to, the open up, close.

2078
01:38:39,280 --> 01:38:42,280
Speaker 2: Up everything like that. Yeah, that's exactly what it was.

2079
01:38:42,439 --> 01:38:43,479
Speaker 2: That's exactly what it was.

2080
01:38:43,880 --> 01:38:46,280
Speaker 1: That's like my home in Miami. You played golf.

2081
01:38:46,880 --> 01:38:50,000
Speaker 3: Actually I just started playing golf a year ago. I

2082
01:38:50,080 --> 01:38:53,120
Speaker 3: started my first golf tournament with Steve Harvey in Dubai,

2083
01:38:53,320 --> 01:38:54,000
Speaker 3: oh Shire.

2084
01:38:54,880 --> 01:38:57,400
Speaker 1: And and it was crazy. What's crazy?

2085
01:38:57,600 --> 01:38:57,880
Speaker 6: Was right?

2086
01:38:58,640 --> 01:39:01,240
Speaker 1: I cast some less before I started.

2087
01:39:01,560 --> 01:39:03,479
Speaker 2: Top golf, no actual golf.

2088
01:39:04,640 --> 01:39:06,280
Speaker 1: I was playing top golf before I got there, so

2089
01:39:06,400 --> 01:39:09,200
Speaker 1: I got the basic. My drive was already crazy because

2090
01:39:09,240 --> 01:39:09,960
Speaker 1: of top golf. Couple.

2091
01:39:10,400 --> 01:39:13,439
Speaker 2: That's my friends telling me right, tone bask myself don't

2092
01:39:13,439 --> 01:39:15,760
Speaker 2: get on the field first to the top golf telling you.

2093
01:39:18,360 --> 01:39:18,960
Speaker 1: The mini golf.

2094
01:39:19,200 --> 01:39:21,439
Speaker 3: Yeah, for the putty. I was tling on the putts though.

2095
01:39:21,880 --> 01:39:24,240
Speaker 3: What saved me was we was playing by teams, So

2096
01:39:24,360 --> 01:39:29,240
Speaker 3: I do the drives boom twenty five on my first drives, bro,

2097
01:39:29,400 --> 01:39:31,519
Speaker 3: like killing it. But then when it's time to putt,

2098
01:39:31,800 --> 01:39:33,280
Speaker 3: you know, somebody the team that was good at putting

2099
01:39:33,360 --> 01:39:37,280
Speaker 3: gets So the first UH Golf tournament, we actually came

2100
01:39:37,360 --> 01:39:40,519
Speaker 3: number one. We were in first place. But then the

2101
01:39:40,600 --> 01:39:43,320
Speaker 3: second year when we came then they started bringing professionals out,

2102
01:39:44,040 --> 01:39:49,479
Speaker 3: so then we was last place. Oh no, we was

2103
01:39:49,479 --> 01:39:52,280
Speaker 3: playing some real top people. It's just the second time,

2104
01:39:52,479 --> 01:39:55,040
Speaker 3: you know, they they they're.

2105
01:39:54,920 --> 01:39:55,720
Speaker 1: Up, Danny.

2106
01:39:58,320 --> 01:39:58,840
Speaker 2: Play golf.

2107
01:39:58,920 --> 01:39:59,920
Speaker 1: No, but it's fun.

2108
01:40:00,040 --> 01:40:02,839
Speaker 2: Know it's addictive, bro, once you start. Yeah, it's addictive.

2109
01:40:02,880 --> 01:40:05,840
Speaker 1: It seems like it's addictive. It's addictive. Is it expensive? No,

2110
01:40:06,160 --> 01:40:10,519
Speaker 1: not at all, not at all. Yeah. If you go

2111
01:40:10,840 --> 01:40:13,479
Speaker 1: on the average day you go to play golf, you're gonna.

2112
01:40:13,280 --> 01:40:15,760
Speaker 2: Be spending party a little bit und the final really,

2113
01:40:16,640 --> 01:40:18,800
Speaker 2: but and they smoked cigars and I see I see

2114
01:40:18,800 --> 01:40:20,840
Speaker 2: a lot of motherfuckers getting drunk out of there. Deals

2115
01:40:21,080 --> 01:40:22,479
Speaker 2: people make deals on the golf course.

2116
01:40:22,840 --> 01:40:25,280
Speaker 3: I mean, that's that's what used to happen. How you

2117
01:40:25,360 --> 01:40:29,479
Speaker 3: take that they just tell secrets? Is that how you

2118
01:40:29,600 --> 01:40:30,720
Speaker 3: take being made?

2119
01:40:31,360 --> 01:40:33,840
Speaker 2: Let them get drunk and then you got a peanut

2120
01:40:33,880 --> 01:40:40,320
Speaker 2: klada and let's take a sip first, let's go.

2121
01:40:42,120 --> 01:40:42,160
Speaker 7: Y.

2122
01:40:42,360 --> 01:40:43,439
Speaker 1: So what is this?

2123
01:40:43,560 --> 01:40:45,360
Speaker 2: Is something we didn't ask you in a quick time

2124
01:40:45,400 --> 01:40:50,720
Speaker 2: and slive very famous? Uh on this show? Major or independent?

2125
01:40:50,800 --> 01:40:51,000
Speaker 7: What do?

2126
01:40:51,120 --> 01:40:51,800
Speaker 2: What do you prefer?

2127
01:40:52,640 --> 01:40:56,519
Speaker 1: All Right? So when I was major, I was screaming independent.

2128
01:40:57,400 --> 01:40:58,800
Speaker 2: Right you got independent?

2129
01:40:59,360 --> 01:41:02,200
Speaker 1: A you're gonna look it's interesting.

2130
01:41:02,240 --> 01:41:03,080
Speaker 2: It's interesting.

2131
01:41:03,439 --> 01:41:05,519
Speaker 3: When I was major, I was screaming independent all day.

2132
01:41:05,920 --> 01:41:09,479
Speaker 3: I was convincing everybody to go independent, independent, dependent. But

2133
01:41:09,560 --> 01:41:12,600
Speaker 3: that's because that was before I realized who I was.

2134
01:41:13,320 --> 01:41:16,439
Speaker 3: Because I never felt famous like I always felt like

2135
01:41:16,920 --> 01:41:19,719
Speaker 3: you know, see me now, like by myself, I always

2136
01:41:19,720 --> 01:41:23,240
Speaker 3: feel normal. But then when I got off the major

2137
01:41:23,760 --> 01:41:27,720
Speaker 3: and went independent, I said, independent ain't really for me.

2138
01:41:29,600 --> 01:41:31,200
Speaker 1: Because I'm too big to be independent.

2139
01:41:31,840 --> 01:41:34,360
Speaker 3: I need to be structured and managed by a major

2140
01:41:34,439 --> 01:41:37,720
Speaker 3: label because of who I'm who I am already. Now,

2141
01:41:37,800 --> 01:41:41,720
Speaker 3: if you're an artist that are beginning, or you got

2142
01:41:41,800 --> 01:41:45,400
Speaker 3: a nice little bubble within your your area or territory.

2143
01:41:46,240 --> 01:41:48,639
Speaker 3: Independence for you because you can grow independent and build

2144
01:41:48,640 --> 01:41:52,479
Speaker 3: your structure to become what you know, like manages your

2145
01:41:52,720 --> 01:41:57,000
Speaker 3: career self, you know what I'm saying, and grow to

2146
01:41:57,120 --> 01:41:59,240
Speaker 3: that level. But it's it's in steps, it's all the stages.

2147
01:41:59,479 --> 01:42:01,320
Speaker 3: But the artist that just comes from a major label

2148
01:42:01,520 --> 01:42:04,960
Speaker 3: and just goes deep diving independent, it's a bad idea,

2149
01:42:05,000 --> 01:42:05,160
Speaker 3: that's what.

2150
01:42:05,640 --> 01:42:08,240
Speaker 6: And that's why you always say that's because because I'm

2151
01:42:08,240 --> 01:42:10,720
Speaker 6: always advocating for independence, he's always advocate FA.

2152
01:42:11,479 --> 01:42:14,080
Speaker 2: But this is the thing when you're in a situation

2153
01:42:14,280 --> 01:42:14,880
Speaker 2: in the era that.

2154
01:42:15,880 --> 01:42:18,200
Speaker 3: Sinse because you're looking at the numbers that you're making

2155
01:42:18,240 --> 01:42:20,400
Speaker 3: these niggas and you're like, man if I could make

2156
01:42:20,479 --> 01:42:22,920
Speaker 3: that for me, but we don't also realize all the

2157
01:42:23,000 --> 01:42:26,240
Speaker 3: resources that have taken the machine, the machine that's the supportist,

2158
01:42:26,800 --> 01:42:27,360
Speaker 3: you know what I'm saying.

2159
01:42:27,479 --> 01:42:31,160
Speaker 2: You gotta realize, like you have to really grind.

2160
01:42:31,439 --> 01:42:31,639
Speaker 7: Yeah.

2161
01:42:32,000 --> 01:42:34,320
Speaker 2: And by the way, depending on your label, you gotta grind.

2162
01:42:34,360 --> 01:42:39,680
Speaker 2: When you're on a major with no dispec major, there's

2163
01:42:39,720 --> 01:42:43,439
Speaker 2: not The major labels are sometimes incompetent it sometimes their

2164
01:42:43,520 --> 01:42:46,320
Speaker 2: workers are just people that's lucky to be there. And

2165
01:42:46,400 --> 01:42:48,479
Speaker 2: it's also a lot of hookups. It's a lot. It's

2166
01:42:48,479 --> 01:42:51,720
Speaker 2: a lot of like like, this guy doesn't deserve that

2167
01:42:51,880 --> 01:42:55,680
Speaker 2: job that he has. His uncle hooked him up, so

2168
01:42:55,720 --> 01:42:58,519
Speaker 2: he's fucking up. So you gotta you gotta grind hard

2169
01:42:58,720 --> 01:43:01,559
Speaker 2: enough on the major. But if you for major spends

2170
01:43:02,600 --> 01:43:05,760
Speaker 2: three to ten million dollars on you, they can't take

2171
01:43:05,840 --> 01:43:08,320
Speaker 2: that back, right, So you need to get that back,

2172
01:43:08,439 --> 01:43:10,960
Speaker 2: and then you need to be as much independent within

2173
01:43:11,040 --> 01:43:13,120
Speaker 2: that major as possible. You know what I mean for

2174
01:43:13,200 --> 01:43:14,920
Speaker 2: you to make it work. That's what you owe it.

2175
01:43:15,000 --> 01:43:15,320
Speaker 2: You owe it.

2176
01:43:15,400 --> 01:43:17,800
Speaker 6: Let's let's be clear. You owe it, and contractually you

2177
01:43:17,880 --> 01:43:19,640
Speaker 6: got to get that money back and then you got to.

2178
01:43:19,640 --> 01:43:19,960
Speaker 1: Go through it.

2179
01:43:20,000 --> 01:43:22,240
Speaker 3: Well, actually, it's not even about contracts and moneys and

2180
01:43:22,320 --> 01:43:26,960
Speaker 3: recoups at that stage. It's about visibility, right because guess what,

2181
01:43:27,120 --> 01:43:29,200
Speaker 3: when you're out there and you're visible, the money gonna come.

2182
01:43:29,400 --> 01:43:31,439
Speaker 3: You can work, especially when you're bring out great product, right,

2183
01:43:31,800 --> 01:43:34,360
Speaker 3: But if you don't have the push and you're not visible,

2184
01:43:34,600 --> 01:43:35,880
Speaker 3: I don't care how dope you shit is.

2185
01:43:36,040 --> 01:43:38,760
Speaker 1: Nobody If nobody hears that, nobody can react to it. Right.

2186
01:43:38,880 --> 01:43:41,640
Speaker 1: So this the money that they're putting in you that

2187
01:43:41,760 --> 01:43:43,960
Speaker 1: gives you the exposure that you need to make money.

2188
01:43:44,520 --> 01:43:47,080
Speaker 1: So yeah, they're recouping, but you also have an avenue

2189
01:43:47,120 --> 01:43:49,880
Speaker 1: to make more money like music should. Also, your brand

2190
01:43:50,000 --> 01:43:50,760
Speaker 1: is larger.

2191
01:43:50,720 --> 01:43:52,080
Speaker 2: Right, your brand is larger.

2192
01:43:52,280 --> 01:43:53,160
Speaker 1: Opportunities come.

2193
01:43:53,400 --> 01:43:56,400
Speaker 3: There's revenue and the opportunities from a ubstantial of making

2194
01:43:56,479 --> 01:43:58,960
Speaker 3: money that comes to you that the label don't share in.

2195
01:43:59,640 --> 01:44:01,920
Speaker 6: So that's really the bad. But this is the thing,

2196
01:44:02,000 --> 01:44:03,880
Speaker 6: this is what I'm always telling them. The percentage of

2197
01:44:03,960 --> 01:44:06,639
Speaker 6: the people that are successful in that system are smaller.

2198
01:44:06,960 --> 01:44:10,320
Speaker 6: So what I always advocate is be independent, to go

2199
01:44:10,479 --> 01:44:12,360
Speaker 6: to a major and take advantage of a deal that

2200
01:44:12,400 --> 01:44:15,560
Speaker 6: you could do with major because you're already independent, versus.

2201
01:44:15,479 --> 01:44:18,479
Speaker 1: You go in the fresh. You're gonna be taking advantage

2202
01:44:18,479 --> 01:44:20,280
Speaker 1: of fresh. You're gonna be on the shelf, right listen,

2203
01:44:20,640 --> 01:44:23,120
Speaker 1: that's successful. It's small.

2204
01:44:23,280 --> 01:44:28,600
Speaker 2: Absolutely. The greatest example the other day because you know,

2205
01:44:28,880 --> 01:44:30,400
Speaker 2: like I said, I would going to Paris for my

2206
01:44:30,560 --> 01:44:34,640
Speaker 2: wife's birthday, and I remember me going to Europe and

2207
01:44:34,760 --> 01:44:38,479
Speaker 2: me being able to do a component Noriega show, a

2208
01:44:38,720 --> 01:44:43,000
Speaker 2: Nori hosting, and then the Nori Latin show like all

2209
01:44:43,080 --> 01:44:45,599
Speaker 2: in one day because I was I was three different

2210
01:44:45,680 --> 01:44:47,439
Speaker 2: artists to these guys and they didn't see me but

2211
01:44:47,560 --> 01:44:49,280
Speaker 2: I wouldn't been able to pull that off as an

2212
01:44:49,280 --> 01:44:49,920
Speaker 2: independent art.

2213
01:44:49,920 --> 01:44:51,680
Speaker 6: But you were in the heyday of the labels, of

2214
01:44:51,760 --> 01:44:54,320
Speaker 6: the heyday of the industry, and you were you were

2215
01:44:54,920 --> 01:44:55,760
Speaker 6: reggae Thrombow.

2216
01:44:55,920 --> 01:44:58,120
Speaker 1: I know, but you that was what they came through,

2217
01:44:58,160 --> 01:44:59,960
Speaker 1: the reggae thone hey day, but it wasn't hip hop.

2218
01:45:00,479 --> 01:45:02,200
Speaker 6: No, but you still had what you were doing already

2219
01:45:02,240 --> 01:45:05,240
Speaker 6: from the past. Yes, you had past hit single on

2220
01:45:05,320 --> 01:45:06,960
Speaker 6: a major lader. I was trying to say, I'm just

2221
01:45:07,000 --> 01:45:08,479
Speaker 6: saying that. It's what I'm trying to say, is you

2222
01:45:08,600 --> 01:45:11,680
Speaker 6: are that percentage, that top percentage that did get through

2223
01:45:12,160 --> 01:45:13,920
Speaker 6: and could take advantage of that major deal.

2224
01:45:14,479 --> 01:45:16,320
Speaker 2: No, I think I took risk to be a part

2225
01:45:16,360 --> 01:45:18,519
Speaker 2: of that Percentagecause you gotta remember, like even like when

2226
01:45:18,560 --> 01:45:21,080
Speaker 2: I did, everyone laughed at me, included him, you know,

2227
01:45:21,400 --> 01:45:26,519
Speaker 2: everyone was everyone laughed at as a Latino hip hop

2228
01:45:26,600 --> 01:45:32,479
Speaker 2: headsprints and hip hop is him and Fat Joe and

2229
01:45:32,520 --> 01:45:33,600
Speaker 2: they both was like, don't do that.

2230
01:45:33,720 --> 01:45:33,960
Speaker 1: Ship.

2231
01:45:34,640 --> 01:45:37,439
Speaker 2: I'm like, yo, what But at least years later they

2232
01:45:37,520 --> 01:45:41,160
Speaker 2: was like, we were wrong. But you know, we got

2233
01:45:41,280 --> 01:45:43,600
Speaker 2: to realize I had to go against the machine that

2234
01:45:43,720 --> 01:45:45,840
Speaker 2: was actually going against the machine. When I brung the

2235
01:45:45,920 --> 01:45:47,519
Speaker 2: record to depth. Jam I kid you not, this is

2236
01:45:47,560 --> 01:45:49,639
Speaker 2: a real story. I burned the record to death.

2237
01:45:49,720 --> 01:45:49,880
Speaker 7: Jam.

2238
01:45:49,920 --> 01:45:54,120
Speaker 2: I was like, yo, I want to put this out.

2239
01:45:54,680 --> 01:45:56,559
Speaker 2: And then they looked at they they laughed at me too.

2240
01:45:56,600 --> 01:45:59,479
Speaker 2: They was like, you wonder what I was like, I

2241
01:45:59,560 --> 01:46:05,840
Speaker 2: want to body and they looking at me like you're

2242
01:46:06,000 --> 01:46:08,680
Speaker 2: a hip hop artist. They didn't know what reggae throne was.

2243
01:46:09,120 --> 01:46:11,280
Speaker 2: I was like, yo, this is music in Puerto Rico.

2244
01:46:11,720 --> 01:46:12,479
Speaker 1: I love that ship.

2245
01:46:13,400 --> 01:46:15,200
Speaker 2: I love this ship. And they were like, they were

2246
01:46:15,280 --> 01:46:20,120
Speaker 2: looking at me like this this is your Remember how

2247
01:46:20,479 --> 01:46:23,720
Speaker 2: game gang Star? Gang Star did the jazz album, and

2248
01:46:23,800 --> 01:46:28,480
Speaker 2: I remember good to the Jazz album. I could imagine

2249
01:46:28,960 --> 01:46:32,640
Speaker 2: you know, you know it's it's Beyonce later on the

2250
01:46:32,760 --> 01:46:37,519
Speaker 2: Spanish album so Many, But I was the first and

2251
01:46:37,600 --> 01:46:40,280
Speaker 2: I'm looking at that and they like, because you know,

2252
01:46:40,360 --> 01:46:42,360
Speaker 2: I got the war report. I made the war report.

2253
01:46:42,720 --> 01:46:44,839
Speaker 2: And They're looking at me like this is the exact

2254
01:46:46,000 --> 01:46:48,800
Speaker 2: But I'm like, I'm like, but I'm Puerto Rican, Like

2255
01:46:48,920 --> 01:46:51,120
Speaker 2: why can should I be held to it? So I did,

2256
01:46:51,240 --> 01:46:53,600
Speaker 2: like I said, I went against the masters. And it

2257
01:46:53,680 --> 01:46:57,320
Speaker 2: went from this is this is a real story. Kevin

2258
01:46:57,479 --> 01:47:01,000
Speaker 2: Laws is my boy, Kevin Lowles said, I said I'm

2259
01:47:01,000 --> 01:47:03,640
Speaker 2: gonna take this record and I'm gonna give it to uh.

2260
01:47:04,439 --> 01:47:06,760
Speaker 2: I will give it to just the Spanish DJs. So

2261
01:47:06,920 --> 01:47:08,880
Speaker 2: I didn't even give it to no black DJs, no

2262
01:47:09,000 --> 01:47:11,919
Speaker 2: white DJs. I gave it the DJ enough DJ Camillo,

2263
01:47:12,760 --> 01:47:18,120
Speaker 2: Felly fat foun what's my other man, Julio g uh.

2264
01:47:20,439 --> 01:47:22,000
Speaker 2: If it was just lat and I gave it to you,

2265
01:47:22,000 --> 01:47:23,360
Speaker 2: I gave it to him. He ain't play that ship,

2266
01:47:28,240 --> 01:47:32,920
Speaker 2: say I joking. He shouted on me in my face

2267
01:47:32,960 --> 01:47:35,160
Speaker 2: though at least he too wave me though he said

2268
01:47:35,200 --> 01:47:38,040
Speaker 2: in my face that Joe laughed in my face. So

2269
01:47:38,240 --> 01:47:40,880
Speaker 2: then so the record, the record, I make it just

2270
01:47:40,960 --> 01:47:43,760
Speaker 2: for a Porto parade. So this is three weeks before

2271
01:47:43,800 --> 01:47:47,519
Speaker 2: the reporter parade and get five hundred spins. Didn't get

2272
01:47:47,600 --> 01:47:51,840
Speaker 2: fifteen hundred spins, didn't get thirty five hundred spence did

2273
01:47:51,920 --> 01:47:53,800
Speaker 2: they get? Wow, this is on his own.

2274
01:47:53,920 --> 01:47:54,400
Speaker 1: That's a lot.

2275
01:47:55,479 --> 01:47:57,680
Speaker 2: If you're a huge I ain't gonna lie one thing.

2276
01:47:57,760 --> 01:48:01,760
Speaker 2: You gotta depend on lat thing you know is they Yeah,

2277
01:48:02,200 --> 01:48:05,160
Speaker 2: that's what listen that record? You see that record, That's

2278
01:48:05,240 --> 01:48:07,559
Speaker 2: all I was doing. I was catering to the Latin audience.

2279
01:48:07,560 --> 01:48:09,120
Speaker 2: I was like, you want to fuck must support me.

2280
01:48:09,200 --> 01:48:11,080
Speaker 2: They kicked me out of hip hop right now. They

2281
01:48:11,200 --> 01:48:13,200
Speaker 2: kicking me out of hip hop for fucking with y'all.

2282
01:48:13,680 --> 01:48:16,080
Speaker 2: Fucking with y'all, and the record became number one. I

2283
01:48:16,120 --> 01:48:19,000
Speaker 2: had one hundred and forty million audience. I remember. I

2284
01:48:19,160 --> 01:48:21,080
Speaker 2: remember l A Reed coming to me. It was like

2285
01:48:22,280 --> 01:48:25,240
Speaker 2: you you you beat Mariah Carry this month. And I

2286
01:48:25,240 --> 01:48:28,080
Speaker 2: didn't know what that meant, but I know what it meant. Yes,

2287
01:48:28,120 --> 01:48:29,479
Speaker 2: I said that was shoot.

2288
01:48:29,560 --> 01:48:33,240
Speaker 1: I said, holy mor biggest female artists on a planet.

2289
01:48:33,720 --> 01:48:35,120
Speaker 2: And I'm gonna tell you something. This is the first

2290
01:48:35,200 --> 01:48:38,000
Speaker 2: time I knew that New York had seven radio stations.

2291
01:48:38,200 --> 01:48:40,760
Speaker 2: I had only knew about Hot ninety seven. I only

2292
01:48:40,840 --> 01:48:43,120
Speaker 2: knew about Power one on five. I had nothing to

2293
01:48:43,240 --> 01:48:45,599
Speaker 2: know about k T You. I never knew about mag

2294
01:48:45,960 --> 01:48:49,880
Speaker 2: Bad GUYE I never I never knew about I never

2295
01:48:49,960 --> 01:48:55,160
Speaker 2: knew about I'm doing radio now different, different, I'm on

2296
01:48:55,439 --> 01:48:58,160
Speaker 2: pop like I'm on pop. The record was so big.

2297
01:48:58,240 --> 01:49:01,400
Speaker 2: I remember me. The record was so big one time.

2298
01:49:01,439 --> 01:49:03,400
Speaker 2: I remember me being the club and the dude just

2299
01:49:03,439 --> 01:49:04,799
Speaker 2: bumping into me and gone.

2300
01:49:07,280 --> 01:49:09,720
Speaker 1: Just looking at He's ice frilling me, singing me.

2301
01:49:11,880 --> 01:49:17,519
Speaker 2: I just say, you a legend. No, but so I

2302
01:49:17,600 --> 01:49:20,720
Speaker 2: say that to say, I said, to say, now, look

2303
01:49:20,720 --> 01:49:24,040
Speaker 2: at the trifecta of that they go got the wrong

2304
01:49:24,160 --> 01:49:28,479
Speaker 2: was originally on that record. They got it on and

2305
01:49:28,600 --> 01:49:32,000
Speaker 2: Daddy Yankee took two different approaches. When Dago was on

2306
01:49:32,120 --> 01:49:36,000
Speaker 2: the record, the record was spiked in just Latino community.

2307
01:49:36,200 --> 01:49:39,880
Speaker 2: Daddy Yankee made a deal with Interschool Intersco said it's

2308
01:49:39,920 --> 01:49:42,439
Speaker 2: in their best interest to help depth Caam blow him

2309
01:49:42,520 --> 01:49:47,599
Speaker 2: up on my condo. And then and then and then

2310
01:49:47,760 --> 01:49:51,479
Speaker 2: we helped them on Gasolina remakes and look how look

2311
01:49:51,560 --> 01:49:54,360
Speaker 2: how because a two major. I'm not trying to get

2312
01:49:54,400 --> 01:49:56,280
Speaker 2: you the course over your major side, but I'm just

2313
01:49:57,439 --> 01:49:59,240
Speaker 2: I'm just give you a sam. No, I'm sorry, cause

2314
01:49:59,240 --> 01:50:00,680
Speaker 2: I keep looking at you. I want you to think like,

2315
01:50:00,840 --> 01:50:02,360
Speaker 2: but what I'm saying is, look, look look at that

2316
01:50:03,160 --> 01:50:06,840
Speaker 2: had had had those because if you look at the two,

2317
01:50:07,560 --> 01:50:10,479
Speaker 2: it's five of the major records that hit reggae throne. Right,

2318
01:50:11,040 --> 01:50:14,520
Speaker 2: I believe it's reggae thro Latino. I believe it's Gasolina

2319
01:50:15,200 --> 01:50:18,720
Speaker 2: And but you know you actually make it My point. No, No,

2320
01:50:18,920 --> 01:50:21,840
Speaker 2: what I'm saying is if you do something independently improve it,

2321
01:50:22,439 --> 01:50:24,759
Speaker 2: then it gives you more leverage and not in the machine.

2322
01:50:24,760 --> 01:50:25,120
Speaker 1: I got you.

2323
01:50:25,200 --> 01:50:27,240
Speaker 2: But what I'm saying for this, for this being like

2324
01:50:27,400 --> 01:50:30,200
Speaker 2: so new, for it to be commercialized, for it to

2325
01:50:30,240 --> 01:50:31,280
Speaker 2: get on MTV.

2326
01:50:31,439 --> 01:50:32,920
Speaker 1: You couldn't have been independent for.

2327
01:50:33,000 --> 01:50:35,000
Speaker 2: It to get on exactly but you.

2328
01:50:35,120 --> 01:50:37,760
Speaker 1: But you started the buzz independently. Nobody believed in it,

2329
01:50:37,840 --> 01:50:40,120
Speaker 1: right absolutely, that was my point.

2330
01:50:40,320 --> 01:50:42,120
Speaker 2: Yeah, yeah, that's yeah, that's I'm trying to say.

2331
01:50:42,120 --> 01:50:44,639
Speaker 3: It's like, but yeah, y'all, do know y'all both for right, yes, yes,

2332
01:50:45,439 --> 01:50:50,440
Speaker 3: but at the time and when you was active, independent

2333
01:50:50,600 --> 01:50:51,200
Speaker 3: was unheard of.

2334
01:50:52,880 --> 01:50:53,040
Speaker 1: Work.

2335
01:50:53,400 --> 01:50:54,720
Speaker 2: Yes, trust it would work.

2336
01:50:54,720 --> 01:50:54,880
Speaker 1: It was.

2337
01:50:55,320 --> 01:50:59,519
Speaker 3: But today independents are actually more effective than the majors

2338
01:51:00,320 --> 01:51:03,519
Speaker 3: because of the new technologies and all the other you know, yeah,

2339
01:51:03,880 --> 01:51:05,840
Speaker 3: and because of streaming, but all the resource that's been

2340
01:51:05,920 --> 01:51:07,960
Speaker 3: created for the user.

2341
01:51:08,200 --> 01:51:10,640
Speaker 6: Well, the thing is independent works depending on what you

2342
01:51:10,760 --> 01:51:12,160
Speaker 6: want out of being independent.

2343
01:51:12,360 --> 01:51:12,479
Speaker 1: Right.

2344
01:51:12,640 --> 01:51:15,200
Speaker 6: If if someone's trying to be big and they want

2345
01:51:15,240 --> 01:51:17,840
Speaker 6: to make certain kind of bread, maybe it wouldn't work.

2346
01:51:17,920 --> 01:51:20,920
Speaker 6: But maybe someone wants more creative you know, luxuries to

2347
01:51:20,920 --> 01:51:22,160
Speaker 6: be able to do whatever the fuck they want.

2348
01:51:22,240 --> 01:51:23,760
Speaker 1: I mean, you give you that with a major as well.

2349
01:51:24,080 --> 01:51:27,120
Speaker 3: The only difference is the audience knows the difference between

2350
01:51:27,880 --> 01:51:31,120
Speaker 3: a major push and an independent push and it's just

2351
01:51:31,280 --> 01:51:34,960
Speaker 3: unfortunate that today's audience now they rather support the underdog,

2352
01:51:35,360 --> 01:51:38,240
Speaker 3: right well, they don't even know anymore because they know

2353
01:51:38,680 --> 01:51:45,080
Speaker 3: they knew is when SoundCloud became what it was, because

2354
01:51:45,120 --> 01:51:48,679
Speaker 3: that was the home of the underdogs. SoundCloud became where

2355
01:51:48,680 --> 01:51:52,240
Speaker 3: all the majors started picking from, like all of.

2356
01:51:52,320 --> 01:51:54,840
Speaker 1: Them, you know what I'm saying. And that's what they

2357
01:51:54,880 --> 01:51:59,600
Speaker 1: stopped artists development. Now it's TikTok. I can't stand TikTok. Now, tiktoki.

2358
01:52:00,360 --> 01:52:04,479
Speaker 2: I can't even I can't stand. I can't stand it, yo.

2359
01:52:04,600 --> 01:52:09,120
Speaker 2: But let's talk about ring tones. Was that something that

2360
01:52:09,240 --> 01:52:09,479
Speaker 2: that that?

2361
01:52:09,680 --> 01:52:13,439
Speaker 6: Because that's crazy that that's like non existent really how

2362
01:52:13,479 --> 01:52:14,000
Speaker 6: big it was.

2363
01:52:14,479 --> 01:52:16,720
Speaker 2: But that was the first time. I don't know if

2364
01:52:16,720 --> 01:52:19,439
Speaker 2: you've seen Snoop recently, Snoopers like, man, he was talking

2365
01:52:19,479 --> 01:52:21,920
Speaker 2: to Larry Jackson. He's like, Larry Jackson's talking all this

2366
01:52:22,000 --> 01:52:25,080
Speaker 2: crazy ship. But I'm priatephras and obviously, and he's like,

2367
01:52:25,200 --> 01:52:27,639
Speaker 2: but us as artists, we don't even know how much

2368
01:52:27,680 --> 01:52:31,120
Speaker 2: we get a stream. We don't really tell, you know,

2369
01:52:31,320 --> 01:52:36,240
Speaker 2: but uh, how do you what?

2370
01:52:37,320 --> 01:52:37,799
Speaker 1: Ringtones?

2371
01:52:38,840 --> 01:52:41,920
Speaker 2: So Ringtones the first time I complain because I was

2372
01:52:42,000 --> 01:52:43,960
Speaker 2: just like what the fuck is this ship? Like, why

2373
01:52:44,040 --> 01:52:46,960
Speaker 2: is my ship platinum? And I'm not receiving nothing for it?

2374
01:52:47,040 --> 01:52:50,519
Speaker 2: What I understood was it was going under electronical rights. Yeah,

2375
01:52:51,160 --> 01:52:53,479
Speaker 2: you you you signed over your digital rights digital rights.

2376
01:52:53,520 --> 01:52:55,280
Speaker 2: I didn't. I didn't know about that. That's what I

2377
01:52:55,280 --> 01:52:55,799
Speaker 2: don't think.

2378
01:52:57,640 --> 01:53:00,280
Speaker 1: It wasn't You heard it too to it.

2379
01:53:00,560 --> 01:53:02,040
Speaker 2: But it wasn't there that the word.

2380
01:53:01,920 --> 01:53:04,160
Speaker 3: Digital wasn't it At the time when when you signed

2381
01:53:04,200 --> 01:53:07,519
Speaker 3: your original contract, it was that language wasn't there. But

2382
01:53:07,640 --> 01:53:10,960
Speaker 3: at the second time, when they renegotiated a little bit

2383
01:53:11,000 --> 01:53:11,639
Speaker 3: more money.

2384
01:53:11,960 --> 01:53:13,679
Speaker 2: You ain't even care what that was. You just wanted

2385
01:53:13,720 --> 01:53:19,280
Speaker 2: that money. Yeah, I got a I got this clearly

2386
01:53:19,360 --> 01:53:22,080
Speaker 2: said digital right. No, I got disagree. I don't think

2387
01:53:22,120 --> 01:53:23,000
Speaker 2: it was dead. I don't think it was.

2388
01:53:23,320 --> 01:53:26,800
Speaker 3: I promise you where year was that this was? Well, well,

2389
01:53:27,920 --> 01:53:30,479
Speaker 3: any year, any year after two thousand and six.

2390
01:53:31,000 --> 01:53:35,200
Speaker 1: Yeah no, no, no, no, wait, because they changed they

2391
01:53:35,320 --> 01:53:38,320
Speaker 1: changed the language in two thousand and four. Okay, okay,

2392
01:53:39,040 --> 01:53:40,960
Speaker 1: most people ain't start catching to two thousand and six.

2393
01:53:41,360 --> 01:53:42,439
Speaker 2: That's probably when I caught it.

2394
01:53:43,320 --> 01:53:46,280
Speaker 3: You caught chosen you're on the renegotiation. That's where a

2395
01:53:46,360 --> 01:53:48,559
Speaker 3: lot of people got hit. Okay, that's where a lot

2396
01:53:48,560 --> 01:53:51,040
Speaker 3: of people got hit. See what what made me a

2397
01:53:51,080 --> 01:53:54,599
Speaker 3: little bit different was I was a businessman first, right,

2398
01:53:55,160 --> 01:53:57,960
Speaker 3: and then when we and it started because s r

2399
01:53:58,080 --> 01:54:00,800
Speaker 3: C was a little bit slow on so in situations too,

2400
01:54:00,840 --> 01:54:02,280
Speaker 3: because they had a boutique label.

2401
01:54:02,720 --> 01:54:04,600
Speaker 1: They were just distributed by major.

2402
01:54:04,720 --> 01:54:07,200
Speaker 3: So it gave me more time to understand what was

2403
01:54:07,240 --> 01:54:09,280
Speaker 3: going on, understand the business a little bit more because

2404
01:54:09,280 --> 01:54:10,439
Speaker 3: Steve Riffins was wide open.

2405
01:54:10,520 --> 01:54:13,040
Speaker 1: He was very transparent about it's work, right.

2406
01:54:13,200 --> 01:54:17,160
Speaker 3: So God, So I'm looking at how much singles were selling,

2407
01:54:17,600 --> 01:54:20,840
Speaker 3: but then the ring tones everywhere I go. I would

2408
01:54:20,880 --> 01:54:25,720
Speaker 3: hear songs on people's phones and I say, yo, how much?

2409
01:54:25,920 --> 01:54:27,880
Speaker 3: Like how much is that that you're paying for? They

2410
01:54:27,920 --> 01:54:33,080
Speaker 3: said fort ninety nine. I said, damn, that's for like

2411
01:54:33,120 --> 01:54:36,200
Speaker 3: a couple of seconds fort ninety nine and were selling

2412
01:54:36,240 --> 01:54:38,320
Speaker 3: singles for one ninety nine for four minutes.

2413
01:54:39,440 --> 01:54:41,520
Speaker 1: I said, wait, hold on, this is different. How much?

2414
01:54:41,600 --> 01:54:42,760
Speaker 1: Let me find out how much I'm getting.

2415
01:54:42,800 --> 01:54:45,200
Speaker 3: So I call my turn I say, yo, how much

2416
01:54:45,240 --> 01:54:47,760
Speaker 3: do I make from those ringtones if somebody use my phone?

2417
01:54:48,000 --> 01:54:50,960
Speaker 3: He said, well, let me check your contract. He said, oh, well,

2418
01:54:51,240 --> 01:54:52,920
Speaker 3: I don't know, it's not in your contract. I said,

2419
01:54:53,000 --> 01:54:54,720
Speaker 3: what do you mean, it's not in my contract. He said,

2420
01:54:54,760 --> 01:54:57,320
Speaker 3: it's not in here. It says nothing about ringtone sells

2421
01:54:57,360 --> 01:55:01,200
Speaker 3: anything digital. So that that stuff with me. So then

2422
01:55:01,720 --> 01:55:05,800
Speaker 3: I started making music. Specifically, put the phone because it's

2423
01:55:05,880 --> 01:55:09,960
Speaker 3: four ninety nine for a few seconds. Any basic businessman,

2424
01:55:10,000 --> 01:55:11,320
Speaker 3: I tell you that's where the money is.

2425
01:55:12,560 --> 01:55:15,720
Speaker 1: So every song that we was releasing was very ring

2426
01:55:15,840 --> 01:55:19,280
Speaker 1: tone friendly, especially mister Lonely Right.

2427
01:55:19,560 --> 01:55:22,280
Speaker 2: So then we put that thing original TikTok boom.

2428
01:55:22,400 --> 01:55:23,440
Speaker 1: It is definitely good.

2429
01:55:24,040 --> 01:55:27,920
Speaker 2: Describe it, yes, right now, you know what I'm saying.

2430
01:55:28,080 --> 01:55:30,040
Speaker 3: So then we put the records out, but we would

2431
01:55:30,040 --> 01:55:32,200
Speaker 3: always make ring tone versions, chop them up into the

2432
01:55:32,640 --> 01:55:33,920
Speaker 3: different parts of the song we chopped.

2433
01:55:33,960 --> 01:55:35,880
Speaker 1: That was like my main focus. I didn't care about

2434
01:55:35,920 --> 01:55:37,920
Speaker 1: the singles and we just focused on the folks.

2435
01:55:37,920 --> 01:55:40,200
Speaker 3: Every record I produced, I made sure it's ringtone friendly,

2436
01:55:40,200 --> 01:55:43,480
Speaker 3: pup and before you know it, bro we was making

2437
01:55:43,600 --> 01:55:45,040
Speaker 3: so much on ring tones.

2438
01:55:45,320 --> 01:55:47,240
Speaker 1: But it was money sitting in the pipeline.

2439
01:55:47,640 --> 01:55:48,520
Speaker 2: You had to go claim it.

2440
01:55:49,200 --> 01:55:52,400
Speaker 1: Yes, And they think I ain't know, but I knew

2441
01:55:53,480 --> 01:55:56,120
Speaker 1: because they don't know that I knew. So I'm just

2442
01:55:56,240 --> 01:55:59,400
Speaker 1: letting the pile up. Letting the pile up. Renegotiation came.

2443
01:56:01,680 --> 01:56:05,959
Speaker 2: Nigga, I gotta put it down female a city.

2444
01:56:09,720 --> 01:56:13,080
Speaker 1: Boy. They tried to split that digital language, and I said,

2445
01:56:16,160 --> 01:56:19,320
Speaker 1: that's a separate deal all together. I advanced for the

2446
01:56:19,400 --> 01:56:22,000
Speaker 1: digital side because I bro At that time, I was

2447
01:56:22,040 --> 01:56:23,760
Speaker 1: in a Guinness Book of World Records for the most

2448
01:56:23,840 --> 01:56:28,720
Speaker 1: ring tone sold ever, I mean, above Elvis Presley, Michael Jackson,

2449
01:56:29,040 --> 01:56:33,760
Speaker 1: any catalog beetles. It didn't matter. We trumped everybody. So

2450
01:56:33,880 --> 01:56:37,200
Speaker 1: we just waited and you made a separate deal. First,

2451
01:56:38,000 --> 01:56:39,480
Speaker 1: digital was a whole nother deal. They had nothing to

2452
01:56:39,480 --> 01:56:42,600
Speaker 1: do it and lot sales and tapes and CDs. This

2453
01:56:42,760 --> 01:56:44,480
Speaker 1: is digital's hold us something. We don't even know what

2454
01:56:44,560 --> 01:56:46,640
Speaker 1: this is yet, you know what I'm saying. And that's

2455
01:56:46,680 --> 01:56:50,680
Speaker 1: where ringtos first fell on the exactly anything.

2456
01:56:50,720 --> 01:56:52,400
Speaker 2: I'm like, digital's too broad.

2457
01:56:52,920 --> 01:56:56,280
Speaker 1: Let's break that down, like what you meant?

2458
01:56:56,680 --> 01:56:59,000
Speaker 2: You know, Yeah, it's too broad.

2459
01:56:59,360 --> 01:57:01,080
Speaker 1: And these contras do that to you because they can,

2460
01:57:01,160 --> 01:57:03,520
Speaker 1: they can actually win because it actually literally is and

2461
01:57:03,600 --> 01:57:06,440
Speaker 1: they counting on you not really reading the contract, they

2462
01:57:06,560 --> 01:57:08,040
Speaker 1: counting on you not understanding it.

2463
01:57:08,520 --> 01:57:11,320
Speaker 3: But what's interesting is even the attorneys at that time

2464
01:57:11,720 --> 01:57:14,640
Speaker 3: didn't really understand it because those guys are just guys

2465
01:57:14,720 --> 01:57:17,920
Speaker 3: sitting in the office. But I was always a tech tech.

2466
01:57:18,040 --> 01:57:19,960
Speaker 3: I was just always tech. I was always ahead of text.

2467
01:57:20,000 --> 01:57:21,600
Speaker 3: This is some of our tech that I just I was.

2468
01:57:21,640 --> 01:57:23,400
Speaker 3: I just always loved you know what I'm saying. So

2469
01:57:23,760 --> 01:57:26,240
Speaker 3: the word digital mad, I knew exactly what that meant.

2470
01:57:26,320 --> 01:57:28,880
Speaker 3: But I also knew where the world was going. And

2471
01:57:28,960 --> 01:57:30,760
Speaker 3: I just ain't want nothing to come and you know,

2472
01:57:31,000 --> 01:57:32,760
Speaker 3: and I want to be a part of everything. So

2473
01:57:32,840 --> 01:57:35,400
Speaker 3: I said, no, let's let's define what this is specifically,

2474
01:57:35,680 --> 01:57:38,560
Speaker 3: so if some a new technology come, we can define

2475
01:57:38,640 --> 01:57:39,840
Speaker 3: that as it comes.

2476
01:57:39,560 --> 01:57:40,080
Speaker 1: You know what I'm saying.

2477
01:57:40,240 --> 01:57:42,200
Speaker 2: So was iTunes back then?

2478
01:57:42,400 --> 01:57:42,440
Speaker 4: No?

2479
01:57:42,600 --> 01:57:47,120
Speaker 3: iTunes At that time they was fighting against Napster least

2480
01:57:47,120 --> 01:57:47,800
Speaker 3: the ship for free.

2481
01:57:50,520 --> 01:57:54,720
Speaker 1: Yeah, Nash is the beginning of streaming. Honestly, they the

2482
01:57:54,800 --> 01:57:57,400
Speaker 1: godfather in the stream. I put that and they said

2483
01:57:57,440 --> 01:57:59,720
Speaker 1: that music was going to be free for all. They

2484
01:57:59,760 --> 01:58:04,160
Speaker 1: could not understanding. Look at today. I remember when I

2485
01:58:04,200 --> 01:58:06,360
Speaker 1: went on down Stock, I cried. They had all my

2486
01:58:06,440 --> 01:58:07,040
Speaker 1: shit on there.

2487
01:58:07,080 --> 01:58:10,880
Speaker 2: I was like, oh, it's like, oh my god, what

2488
01:58:10,960 --> 01:58:12,640
Speaker 2: do you do? What do you playing to?

2489
01:58:12,960 --> 01:58:13,080
Speaker 7: Right?

2490
01:58:13,240 --> 01:58:13,280
Speaker 4: Like?

2491
01:58:13,400 --> 01:58:15,560
Speaker 2: Because I don't be one people who listen to myself

2492
01:58:15,640 --> 01:58:16,640
Speaker 2: for free? Fuck that.

2493
01:58:16,960 --> 01:58:21,000
Speaker 6: Fuck them fighting the bootleggings. You're beating up the poor bootlegs.

2494
01:58:24,640 --> 01:58:28,000
Speaker 6: Let's go on, what are you doing here? Okay, So

2495
01:58:28,200 --> 01:58:30,680
Speaker 6: in the vein of seeing the future and the technology,

2496
01:58:30,720 --> 01:58:31,960
Speaker 6: what are you thinking now about AI?

2497
01:58:32,280 --> 01:58:34,560
Speaker 1: What's that? Where is that going for? It is dangerous? Yes,

2498
01:58:35,160 --> 01:58:37,520
Speaker 1: it's dangerous. Can do a whole album with you. You

2499
01:58:37,560 --> 01:58:40,600
Speaker 1: ain't even gotta be there. I mean there's a lot

2500
01:58:40,640 --> 01:58:41,680
Speaker 1: of different aspects to it.

2501
01:58:41,800 --> 01:58:43,680
Speaker 3: Yeah, that's not Yeah, that's not the part of scares

2502
01:58:43,680 --> 01:58:45,200
Speaker 3: me because, like I told you, when I look at

2503
01:58:45,480 --> 01:58:49,120
Speaker 3: I'm thinking about twenty five years from now, AI has

2504
01:58:49,240 --> 01:58:51,480
Speaker 3: created It's almost like you know how they got the

2505
01:58:51,520 --> 01:58:54,600
Speaker 3: saying that everything you see in the movies eventually happens.

2506
01:58:55,560 --> 01:59:00,160
Speaker 1: It's actually very true. Robot everything very matrix terminated. Let

2507
01:59:00,200 --> 01:59:02,920
Speaker 1: me play how let me play how I robot?

2508
01:59:03,160 --> 01:59:06,600
Speaker 3: And this actually relates. Okay, we're talking about AI. This

2509
01:59:06,720 --> 01:59:07,680
Speaker 3: is machine learning.

2510
01:59:07,960 --> 01:59:08,120
Speaker 1: Yep.

2511
01:59:08,640 --> 01:59:10,839
Speaker 3: The problem with about the problem with us is humans.

2512
01:59:11,880 --> 01:59:15,880
Speaker 3: We are just very arrogant and we're super greedy. It's

2513
01:59:15,960 --> 01:59:18,040
Speaker 3: never enough for us. It always got to be more.

2514
01:59:18,560 --> 01:59:20,919
Speaker 3: We always want more. Right as if right now world.

2515
01:59:20,840 --> 01:59:22,440
Speaker 1: Amazing that we just ain't satisfied.

2516
01:59:22,720 --> 01:59:25,920
Speaker 2: We just got to build better, right, Why let me

2517
01:59:26,000 --> 01:59:26,720
Speaker 2: play with with with.

2518
01:59:26,880 --> 01:59:29,360
Speaker 1: With machines or computers.

2519
01:59:29,400 --> 01:59:33,880
Speaker 3: For instance, when you build a computer that can teach

2520
01:59:33,920 --> 01:59:38,560
Speaker 3: itself to teach yourself, computers already smarter than we are.

2521
01:59:38,760 --> 01:59:41,560
Speaker 1: Right, right, because of the computing power, how fast they

2522
01:59:41,600 --> 01:59:44,280
Speaker 1: can right, computer is already smarter than us.

2523
01:59:44,320 --> 01:59:46,400
Speaker 3: This is the process, right, So now imagine when the

2524
01:59:46,560 --> 01:59:48,160
Speaker 3: when the when the computer.

2525
01:59:47,960 --> 01:59:49,480
Speaker 1: Itself can teach itself.

2526
01:59:50,480 --> 01:59:52,920
Speaker 3: What happens is it'll start teaching itself things that we

2527
01:59:53,080 --> 01:59:54,120
Speaker 3: can't uncold.

2528
01:59:55,360 --> 01:59:58,440
Speaker 1: Could we code itself. It's thank you, it'll code itself.

2529
01:59:58,600 --> 02:00:00,920
Speaker 1: You can't control with the coldes because depending on the

2530
02:00:01,040 --> 02:00:05,320
Speaker 1: original programmer, whether he's thinking positive or negative, whether it's

2531
02:00:05,320 --> 02:00:07,840
Speaker 1: someone that want to change the world or destroy the world.

2532
02:00:08,240 --> 02:00:10,600
Speaker 3: That's where it becomes complicated, because if you find somebody

2533
02:00:10,680 --> 02:00:13,880
Speaker 3: that's creating situations that's in his best interest, and he

2534
02:00:14,000 --> 02:00:15,160
Speaker 3: may just be smart.

2535
02:00:14,960 --> 02:00:17,720
Speaker 1: Enough to crowd something that's gonna continue to you know,

2536
02:00:18,200 --> 02:00:23,160
Speaker 1: like teach yourself to a certain level. Then computers become

2537
02:00:23,400 --> 02:00:23,800
Speaker 1: a threat.

2538
02:00:23,880 --> 02:00:28,800
Speaker 3: Let's say hypothetically, computers in the security sector. Everything is

2539
02:00:28,840 --> 02:00:31,600
Speaker 3: a threat to the computer. It doesn't know that you're

2540
02:00:31,600 --> 02:00:35,640
Speaker 3: approaching me with good intentions. It just knows that you're

2541
02:00:35,680 --> 02:00:38,360
Speaker 3: walking up on me with a gun on your you know,

2542
02:00:38,480 --> 02:00:41,400
Speaker 3: on your waist, and your hot and your blood pressure

2543
02:00:41,680 --> 02:00:44,440
Speaker 3: is spiked up, maybe just because you just take blood

2544
02:00:44,440 --> 02:00:45,200
Speaker 3: pressure medicine.

2545
02:00:46,440 --> 02:00:46,560
Speaker 1: Right.

2546
02:00:46,840 --> 02:00:48,520
Speaker 3: The first thing is going to happen is and that's

2547
02:00:48,560 --> 02:00:52,000
Speaker 3: what's happening. They're using machines for weapon. But in order

2548
02:00:52,080 --> 02:00:53,520
Speaker 3: to make a weapon, you also got to make something

2549
02:00:53,560 --> 02:00:57,000
Speaker 3: that's gonna protect. Right, So what's gonna happen is everybody

2550
02:00:57,080 --> 02:01:02,200
Speaker 3: that's actually against AI comes a threat now, so guess

2551
02:01:02,240 --> 02:01:04,960
Speaker 3: what they have to create machines to protect us from

2552
02:01:05,080 --> 02:01:11,280
Speaker 3: those who are against it, right, imagine that. Right, let's

2553
02:01:11,280 --> 02:01:13,400
Speaker 3: just say we don't want man, we're not for that. Okay,

2554
02:01:13,440 --> 02:01:16,440
Speaker 3: we're already on record. They know where we live, they

2555
02:01:16,520 --> 02:01:18,879
Speaker 3: know where we at all times. They have all our information,

2556
02:01:19,080 --> 02:01:21,440
Speaker 3: all our data, meta data, everything about us. They know,

2557
02:01:21,600 --> 02:01:23,920
Speaker 3: bro all just trying to figure out if you getting tapped. Yes, nigga,

2558
02:01:23,960 --> 02:01:27,080
Speaker 3: you are, bottom line, they know everything. That's how AI

2559
02:01:27,200 --> 02:01:29,640
Speaker 3: is even existing the day with all this information. Right,

2560
02:01:29,800 --> 02:01:32,200
Speaker 3: so now they know that we're against AI, so called

2561
02:01:32,240 --> 02:01:35,040
Speaker 3: against AI, we're already a threat to the system. So

2562
02:01:35,200 --> 02:01:38,840
Speaker 3: now those machines are watching us, checking for us. The

2563
02:01:38,960 --> 02:01:41,080
Speaker 3: moment we make a move that feels that it's a

2564
02:01:41,120 --> 02:01:43,520
Speaker 3: threat to the whole situation, we are terminated.

2565
02:01:43,840 --> 02:01:46,600
Speaker 6: And it can calculate your moves because they get and say, okay,

2566
02:01:46,640 --> 02:01:46,800
Speaker 6: this is.

2567
02:01:46,800 --> 02:01:51,240
Speaker 3: Probably thing, So now let's take it further. Right, they

2568
02:01:51,280 --> 02:01:54,640
Speaker 3: didn't already dealt with the ones that's against it. Now

2569
02:01:54,720 --> 02:01:56,440
Speaker 3: the ones that's against it got families.

2570
02:01:56,920 --> 02:01:58,200
Speaker 2: They go against them too.

2571
02:01:58,640 --> 02:02:00,520
Speaker 1: Now they're against it. It's just a matter of time

2572
02:02:00,560 --> 02:02:03,000
Speaker 1: before those machines turn from protecting.

2573
02:02:02,640 --> 02:02:03,920
Speaker 2: Us to go in after us.

2574
02:02:05,360 --> 02:02:07,920
Speaker 1: I mean, it may not happen like this, but it's

2575
02:02:08,000 --> 02:02:10,160
Speaker 1: just a matter of time because the more the machines

2576
02:02:10,200 --> 02:02:13,640
Speaker 1: get smarter they become, they become what takes control of everything.

2577
02:02:13,920 --> 02:02:16,839
Speaker 1: Guess how many jobs are gonna get lost? Yep, millions

2578
02:02:16,880 --> 02:02:17,240
Speaker 1: of jobs.

2579
02:02:17,280 --> 02:02:19,520
Speaker 2: I already seen the garbage truck with no garbage men.

2580
02:02:19,640 --> 02:02:21,440
Speaker 1: Now we take it even a step further. So the

2581
02:02:21,520 --> 02:02:24,080
Speaker 1: people that lost millions of jobs right, ain't got no

2582
02:02:24,160 --> 02:02:25,520
Speaker 1: way to feed their family. What they're gonna do.

2583
02:02:25,560 --> 02:02:26,960
Speaker 3: They're gonna turn to the street to turn it some

2584
02:02:28,000 --> 02:02:30,440
Speaker 3: against their own nature to feed their families.

2585
02:02:30,800 --> 02:02:32,360
Speaker 1: So now they've become the outlaw.

2586
02:02:32,960 --> 02:02:35,000
Speaker 3: And guess why I got to get protected from the machines,

2587
02:02:35,040 --> 02:02:37,320
Speaker 3: not have to protect those outlaws that lost all their

2588
02:02:37,400 --> 02:02:40,000
Speaker 3: jobs because of the machines to feed their families, and

2589
02:02:40,080 --> 02:02:42,000
Speaker 3: they become a threat and before you know it, some

2590
02:02:42,160 --> 02:02:43,040
Speaker 3: tragic's gonna happen.

2591
02:02:43,080 --> 02:02:45,720
Speaker 1: It's just a matter of time before we kill ourselves. Yeah,

2592
02:02:45,720 --> 02:02:47,480
Speaker 1: I mean, it's not really far and that's just going

2593
02:02:47,600 --> 02:02:48,280
Speaker 1: that way. What it could do.

2594
02:02:48,320 --> 02:02:50,280
Speaker 6: I mean it could be as simple as AI is

2595
02:02:50,320 --> 02:02:54,000
Speaker 6: created to protect the environment. Who's the worst person against

2596
02:02:54,000 --> 02:02:54,560
Speaker 6: the environment.

2597
02:02:54,720 --> 02:02:55,600
Speaker 1: It's the human things.

2598
02:02:55,680 --> 02:02:58,200
Speaker 2: And then the says the humans the problem because we

2599
02:02:58,320 --> 02:03:01,200
Speaker 2: are humans controlling the a I don't know, we.

2600
02:03:03,320 --> 02:03:06,360
Speaker 1: Are always doing so. It's this is why it is dangerous.

2601
02:03:06,600 --> 02:03:09,720
Speaker 1: One like this is why is dangerous? Wizard behind this

2602
02:03:10,040 --> 02:03:13,840
Speaker 1: was dangerous? Nobody who controlling this is? We created it

2603
02:03:14,800 --> 02:03:20,240
Speaker 1: to teach and control itself. It's intelligence, artificial intelligence. It

2604
02:03:20,360 --> 02:03:20,720
Speaker 1: teaches it.

2605
02:03:21,160 --> 02:03:24,120
Speaker 3: There's there's no there's no senses of it. It doesn't

2606
02:03:24,120 --> 02:03:25,879
Speaker 3: have feeling, it doesn't have emotion.

2607
02:03:26,480 --> 02:03:29,160
Speaker 2: It does a big like place somewhere where we like,

2608
02:03:29,320 --> 02:03:30,160
Speaker 2: as did.

2609
02:03:31,760 --> 02:03:35,640
Speaker 6: Multiple companies and governments, like he said, there's multiple entities

2610
02:03:36,040 --> 02:03:38,680
Speaker 6: doing it in their own way however they want, right,

2611
02:03:38,760 --> 02:03:40,440
Speaker 6: But there's there was an AI that taught itself in

2612
02:03:40,520 --> 02:03:43,839
Speaker 6: a language that was never programmed to even learn a language,

2613
02:03:45,480 --> 02:03:47,720
Speaker 6: tought itself banglades Bangladeshi or whatever.

2614
02:03:47,640 --> 02:03:56,840
Speaker 1: The name of the languages, but you know, Banglo, Banglanese, whatever, but.

2615
02:03:56,880 --> 02:03:58,120
Speaker 2: I thought itself a language.

2616
02:03:58,160 --> 02:04:01,520
Speaker 6: But that's wild that a computer taught itself a language

2617
02:04:01,640 --> 02:04:03,600
Speaker 6: without being programmed to do that, right.

2618
02:04:04,040 --> 02:04:06,040
Speaker 3: The problem is we can't control it once it gets

2619
02:04:06,040 --> 02:04:08,200
Speaker 3: to the point of teaching itself, right, because when it

2620
02:04:08,240 --> 02:04:09,480
Speaker 3: starts to teach yourself, it acts on.

2621
02:04:09,520 --> 02:04:10,320
Speaker 1: What it teaches itself.

2622
02:04:11,280 --> 02:04:13,880
Speaker 3: So yeah, you can turn it off, all right, cool,

2623
02:04:13,920 --> 02:04:15,560
Speaker 3: But there's a million other ones that's open right now

2624
02:04:15,600 --> 02:04:17,840
Speaker 3: that's still plugged in then when they are But you

2625
02:04:17,880 --> 02:04:20,000
Speaker 3: used to have a big database in every part of

2626
02:04:20,040 --> 02:04:22,440
Speaker 3: the world because they always got separate database in case

2627
02:04:22,480 --> 02:04:24,440
Speaker 3: one go wrong and one get bombed or whatever. But

2628
02:04:24,560 --> 02:04:28,480
Speaker 3: we're just talking just basic analogies' hypotheticals. But now we're

2629
02:04:28,480 --> 02:04:31,000
Speaker 3: talking about war because really AI is really to gain

2630
02:04:31,080 --> 02:04:33,400
Speaker 3: knowledge and be able to gain positioning when it comes

2631
02:04:33,400 --> 02:04:36,560
Speaker 3: to war, threat from other countries and other foreign nations

2632
02:04:36,600 --> 02:04:37,600
Speaker 3: and whatever the case may be.

2633
02:04:38,040 --> 02:04:40,240
Speaker 1: But the problem is the world is living on fear.

2634
02:04:40,840 --> 02:04:41,720
Speaker 1: Right as long as we.

2635
02:04:41,800 --> 02:04:42,280
Speaker 2: Living on fear.

2636
02:04:42,320 --> 02:04:44,400
Speaker 1: Everything is a threat. So as long as everything's a threat,

2637
02:04:44,480 --> 02:04:46,720
Speaker 1: nobody's safe. That's the problem.

2638
02:04:46,880 --> 02:04:49,800
Speaker 2: There's an arm race, arms race to create app Every

2639
02:04:49,840 --> 02:04:50,560
Speaker 2: government is doing it.

2640
02:04:50,600 --> 02:04:52,840
Speaker 3: Everybody's doing it just but they're doing it to use

2641
02:04:52,880 --> 02:04:55,080
Speaker 3: it as a weapon though. That's what's dangerous. That's the

2642
02:04:55,080 --> 02:04:55,720
Speaker 3: scarier part.

2643
02:04:56,200 --> 02:04:58,400
Speaker 2: I thought they was doing it just to use Biggie and.

2644
02:04:58,400 --> 02:05:03,360
Speaker 6: Prodigy versus you ain't hear Ice Cube Ice said, he said,

2645
02:05:03,760 --> 02:05:06,320
Speaker 6: is the mark? He said, you used my voice. I'm

2646
02:05:06,320 --> 02:05:07,680
Speaker 6: showing you in any platform.

2647
02:05:07,360 --> 02:05:12,840
Speaker 2: To post it. And I and I agree, that's music

2648
02:05:13,000 --> 02:05:15,560
Speaker 2: is actually was the biggest threat. I'm like, you got

2649
02:05:16,000 --> 02:05:17,920
Speaker 2: your own Biggie boy. I mean, if you're talking about

2650
02:05:18,680 --> 02:05:23,000
Speaker 2: that's you're thinking for music, for musical, You're right, it's

2651
02:05:23,080 --> 02:05:25,520
Speaker 2: endless things. I heard. I heard Biggie spit in New

2652
02:05:25,600 --> 02:05:27,480
Speaker 2: York state of mind. I said, wait a minute, that's

2653
02:05:27,560 --> 02:05:28,480
Speaker 2: not But what you.

2654
02:05:28,520 --> 02:05:30,520
Speaker 6: Got to worry about is when Nori is calling the

2655
02:05:30,560 --> 02:05:32,680
Speaker 6: police and say I admit to this crime. That's what

2656
02:05:32,760 --> 02:05:37,120
Speaker 6: you gotta worry about. That's what the everyday person's voice being.

2657
02:05:37,120 --> 02:05:39,800
Speaker 1: Used, right, and that could be done by your baby mama.

2658
02:05:39,840 --> 02:05:40,320
Speaker 2: I don't like you.

2659
02:05:41,680 --> 02:05:49,320
Speaker 1: I'm glad that one knows me because you got like

2660
02:05:49,400 --> 02:05:53,440
Speaker 1: nine wives. Right, no comments, you said it last time,

2661
02:05:53,960 --> 02:05:58,760
Speaker 1: no comment, you wind that back. I learned my lesson.

2662
02:06:13,320 --> 02:06:16,880
Speaker 2: That's like more making the record or performing it.

2663
02:06:17,920 --> 02:06:18,640
Speaker 1: That's yeah, me.

2664
02:06:18,800 --> 02:06:21,840
Speaker 3: I like both, man, Yeah, I like both because it's

2665
02:06:21,920 --> 02:06:25,040
Speaker 3: nothing like making the record and creating something and you're like, Dann,

2666
02:06:25,080 --> 02:06:26,960
Speaker 3: this is crazy. But then when you see how other

2667
02:06:27,000 --> 02:06:30,880
Speaker 3: people are reacting to it, that that's that's the only

2668
02:06:30,960 --> 02:06:31,840
Speaker 3: high experience really.

2669
02:06:32,560 --> 02:06:38,240
Speaker 1: Yeah, so both, Yeah, definitely place to perform Africa, Africa,

2670
02:06:38,440 --> 02:06:43,040
Speaker 1: Yeah or Africa, it don't matter. Africa is always crazy. Wow,

2671
02:06:43,400 --> 02:06:47,840
Speaker 1: always crazy. India always crazy India. India is always crazy.

2672
02:06:47,920 --> 02:06:52,960
Speaker 2: Mumbai, Mumbai, mum by m bye. You don't have to

2673
02:06:53,080 --> 02:07:02,400
Speaker 2: use your your eyebrows to say about man.

2674
02:07:03,000 --> 02:07:05,560
Speaker 1: Man what riga again?

2675
02:07:09,680 --> 02:07:10,800
Speaker 2: Yeah?

2676
02:07:11,360 --> 02:07:13,040
Speaker 7: Rather loud you go.

2677
02:07:13,200 --> 02:07:25,800
Speaker 3: Viral and Mumbai Now so what that's the nucleus boy?

2678
02:07:25,920 --> 02:07:28,760
Speaker 3: Without that man, that'd be no acon by. So let

2679
02:07:28,800 --> 02:07:32,200
Speaker 3: me ask you, he's a slap Steve be like, YO,

2680
02:07:32,480 --> 02:07:34,080
Speaker 3: treat him good. That's my African.

2681
02:07:40,360 --> 02:07:42,760
Speaker 2: Let me ask you right, like, are you in the

2682
02:07:42,880 --> 02:07:45,360
Speaker 2: cars like I used to be? Because I used to be.

2683
02:07:45,440 --> 02:07:47,360
Speaker 2: I nearly told he was in the cars I used

2684
02:07:47,360 --> 02:07:49,320
Speaker 2: to have like twenty cars at one time.

2685
02:07:49,320 --> 02:07:52,600
Speaker 1: Thirty five cars. That's the legit side, though, is the

2686
02:07:52,680 --> 02:07:53,400
Speaker 1: ones that you get.

2687
02:07:55,800 --> 02:07:56,880
Speaker 2: I'm talking about legal.

2688
02:07:57,760 --> 02:08:02,160
Speaker 1: Yeah, I was thirty All was white, white interior, every

2689
02:08:02,240 --> 02:08:07,000
Speaker 1: last huh. I mean it does comes from the mother

2690
02:08:07,160 --> 02:08:15,200
Speaker 1: lamb bro he was, he was, so they all was white,

2691
02:08:15,520 --> 02:08:17,600
Speaker 1: white interior, white interia, white exterior.

2692
02:08:17,680 --> 02:08:20,160
Speaker 2: So you never smoked the ship. They trying to get

2693
02:08:20,200 --> 02:08:27,280
Speaker 2: me up out of here. Wrap it up, independent, puppy.

2694
02:08:27,600 --> 02:08:30,720
Speaker 2: You know you want to come over here, party, be

2695
02:08:30,800 --> 02:08:31,160
Speaker 2: over here.

2696
02:08:31,280 --> 02:08:33,440
Speaker 1: Party. You're just talking about this record?

2697
02:08:34,440 --> 02:08:36,680
Speaker 2: So so damn And what are you in the muscle

2698
02:08:36,760 --> 02:08:37,640
Speaker 2: cars now?

2699
02:08:37,920 --> 02:08:41,600
Speaker 1: At the time, I was into more sports cars, Supercarsmborghini.

2700
02:08:42,800 --> 02:08:47,040
Speaker 1: Bugattis all that pung ganis.

2701
02:08:47,640 --> 02:08:51,400
Speaker 2: It's not it's not called Bugti. That's all he was

2702
02:08:51,400 --> 02:08:51,960
Speaker 2: pronounceing with it.

2703
02:08:52,360 --> 02:08:54,400
Speaker 1: You got a Bugatti and then you have a pool

2704
02:08:54,720 --> 02:08:59,000
Speaker 1: no Bugatti, and it was a what was it again?

2705
02:09:00,200 --> 02:09:02,360
Speaker 1: It's a Bugatti and a pughanikay, I don't know what

2706
02:09:02,960 --> 02:09:05,240
Speaker 1: is sot.

2707
02:09:06,600 --> 02:09:08,880
Speaker 3: Pugani at that time was more expensive than the Bugti.

2708
02:09:08,880 --> 02:09:11,080
Speaker 3: It's called puganis under and.

2709
02:09:11,120 --> 02:09:11,920
Speaker 2: Where that should come from?

2710
02:09:12,000 --> 02:09:12,480
Speaker 1: That's come from.

2711
02:09:12,640 --> 02:09:16,080
Speaker 3: It's an Italian cars.

2712
02:09:17,080 --> 02:09:25,600
Speaker 1: Muti pu Ghani, pum Ghani, Pugani do soth Indian. It's

2713
02:09:25,640 --> 02:09:30,160
Speaker 1: called look it up crazy, look like Bollywood at the time.

2714
02:09:30,240 --> 02:09:32,920
Speaker 1: That's that's yeah, that car. That car was more expensive

2715
02:09:33,000 --> 02:09:36,800
Speaker 1: than a Bugatti at that time. But you couldn't even

2716
02:09:36,840 --> 02:09:38,760
Speaker 1: get that in the United States because the specs didn't

2717
02:09:38,760 --> 02:09:41,320
Speaker 1: match the US standards. So I bought it fluid to

2718
02:09:41,440 --> 02:09:43,200
Speaker 1: Canada and then drove it into the States. That's how

2719
02:09:43,200 --> 02:09:43,560
Speaker 1: I got it in.

2720
02:09:45,360 --> 02:09:47,720
Speaker 2: Yeah, And the troopers from Canada let you in. They said,

2721
02:09:47,720 --> 02:09:48,200
Speaker 2: that's a car.

2722
02:09:48,320 --> 02:09:51,960
Speaker 1: Let to them now, don't care papers to get in.

2723
02:09:52,560 --> 02:09:55,400
Speaker 1: They like, that's a nice cars.

2724
02:09:55,440 --> 02:09:59,680
Speaker 2: A lot of criminals. Canada is like so far away, right,

2725
02:10:00,000 --> 02:10:02,560
Speaker 2: I know, Drake you yeah, Drake, Drake got the pull.

2726
02:10:02,720 --> 02:10:05,000
Speaker 1: Yeah, because even now today, when I go into Canada,

2727
02:10:05,200 --> 02:10:08,000
Speaker 1: I have to fill out the whole I gotta leave

2728
02:10:08,040 --> 02:10:09,680
Speaker 1: a bond, all that craziness.

2729
02:10:09,960 --> 02:10:11,160
Speaker 2: Wait, a bond, a fifty.

2730
02:10:11,000 --> 02:10:13,560
Speaker 3: Thousand dollars bond to make sure I don't start no trouble.

2731
02:10:14,000 --> 02:10:15,440
Speaker 3: And if I come in with no problems and they

2732
02:10:15,480 --> 02:10:17,720
Speaker 3: give me the money back and it's all from my

2733
02:10:18,120 --> 02:10:21,400
Speaker 3: like twenty twenty four, twenty five year old record from

2734
02:10:21,440 --> 02:10:23,360
Speaker 3: a record, yeah from twenty years ago.

2735
02:10:23,440 --> 02:10:26,560
Speaker 1: Bro like, but not a music record. No, like, like

2736
02:10:26,600 --> 02:10:30,480
Speaker 1: you're right right, oh your record. Yeah, they go back

2737
02:10:30,480 --> 02:10:33,800
Speaker 1: into your priors, just your arrest record, and they're using

2738
02:10:33,840 --> 02:10:36,000
Speaker 1: that against you now. Oh yeah yeah, but you get

2739
02:10:36,040 --> 02:10:36,600
Speaker 1: in all the time.

2740
02:10:36,680 --> 02:10:38,440
Speaker 3: So yeah, but you got to go through the whole process,

2741
02:10:38,480 --> 02:10:40,520
Speaker 3: getting lawyer, do the paperwork.

2742
02:10:41,240 --> 02:10:43,160
Speaker 1: Really, that's fuck no, yeah, Canada don't play.

2743
02:10:43,600 --> 02:10:45,880
Speaker 2: That's fucked up. Yeah, and they make you leave a

2744
02:10:46,000 --> 02:10:47,160
Speaker 2: fifty thousand dollars deposit.

2745
02:10:47,240 --> 02:10:48,440
Speaker 1: Ye'll leave fift thousand dollars bar.

2746
02:10:48,680 --> 02:10:50,880
Speaker 2: You don't smoke or get get drunk, you forget your

2747
02:10:50,920 --> 02:10:51,480
Speaker 2: fifty thousands.

2748
02:10:51,520 --> 02:10:55,640
Speaker 1: I just make the promoter pay for it. Yeah, that's that's.

2749
02:10:58,640 --> 02:11:00,320
Speaker 2: That means I'm sorry.

2750
02:11:01,200 --> 02:11:04,600
Speaker 1: Oh yeah, you never your boys is never around. It's like, hey,

2751
02:11:04,720 --> 02:11:05,760
Speaker 1: hey car, here's some blood.

2752
02:11:06,040 --> 02:11:09,080
Speaker 3: No, of course, everybody hung around with smoke weed. Everybody

2753
02:11:09,200 --> 02:11:11,040
Speaker 3: you never smoke. I used to love the smell of it.

2754
02:11:11,080 --> 02:11:11,920
Speaker 3: I just couldn't smoke it.

2755
02:11:12,200 --> 02:11:12,720
Speaker 2: Never smoked.

2756
02:11:12,720 --> 02:11:15,520
Speaker 3: It was for religious purposes though, Okay, yeah, that's why

2757
02:11:15,560 --> 02:11:16,160
Speaker 3: I never smoked.

2758
02:11:16,200 --> 02:11:18,320
Speaker 1: Drinking religious purposes.

2759
02:11:18,400 --> 02:11:19,800
Speaker 3: Well, but even if I had a chance to drink

2760
02:11:19,840 --> 02:11:21,840
Speaker 3: after that accidental shot, I would never do it.

2761
02:11:21,880 --> 02:11:24,040
Speaker 2: Again, never ever.

2762
02:11:27,640 --> 02:11:29,440
Speaker 6: Absolutely, So, if you had one thing you would say

2763
02:11:29,440 --> 02:11:32,560
Speaker 6: that you regret doing that you would have done differently.

2764
02:11:32,240 --> 02:11:34,920
Speaker 1: In the industry, what would it be? Oh? Nothing, actually,

2765
02:11:35,240 --> 02:11:35,840
Speaker 1: nothing at all.

2766
02:11:36,200 --> 02:11:37,800
Speaker 3: I feel like everything that you go through is for

2767
02:11:37,920 --> 02:11:39,960
Speaker 3: a purpose of like, I don't believe, I don't believe

2768
02:11:40,000 --> 02:11:40,880
Speaker 3: in mistakes.

2769
02:11:41,160 --> 02:11:42,880
Speaker 6: All right, Okay, so let me rephrase it so someone

2770
02:11:42,920 --> 02:11:46,040
Speaker 6: could learn from it. What did you do that seemed

2771
02:11:46,080 --> 02:11:48,640
Speaker 6: like a mistake, but that you learned the biggest lesson from.

2772
02:11:51,280 --> 02:11:59,360
Speaker 1: Let me think that seemed like a mistake, but I

2773
02:11:59,440 --> 02:12:00,920
Speaker 1: learned the biggest lesson from.

2774
02:12:04,960 --> 02:12:10,440
Speaker 3: Getting arrested thousand absolutely, Because you know what's interesting was

2775
02:12:10,840 --> 02:12:13,160
Speaker 3: that was my turning point. That was honestly the turning

2776
02:12:13,240 --> 02:12:16,320
Speaker 3: point for my life because just sitting in the box

2777
02:12:16,440 --> 02:12:19,080
Speaker 3: that long, I was able to see my future. I

2778
02:12:19,200 --> 02:12:21,200
Speaker 3: was able to say, Okay, damn, is this what I

2779
02:12:21,240 --> 02:12:23,280
Speaker 3: want for myself for the rest of my life. This

2780
02:12:23,480 --> 02:12:25,840
Speaker 3: cannot be out this this, this can't be my life

2781
02:12:25,960 --> 02:12:28,320
Speaker 3: like he just can't. And that's when I created my

2782
02:12:28,480 --> 02:12:30,080
Speaker 3: tenure plan on what I was gonna do when I

2783
02:12:30,120 --> 02:12:32,000
Speaker 3: get out to make sure I never come back in here.

2784
02:12:33,600 --> 02:12:33,800
Speaker 2: Yep.

2785
02:12:33,840 --> 02:12:35,880
Speaker 3: So convey music was started while I was in jail.

2786
02:12:36,440 --> 02:12:38,520
Speaker 3: You know, I had an older old g ain't boonie.

2787
02:12:38,760 --> 02:12:40,920
Speaker 3: He was actually older. He was on his way to

2788
02:12:42,080 --> 02:12:51,000
Speaker 3: death row. He had killed his wife. Yeah, yeah, he

2789
02:12:51,080 --> 02:12:54,480
Speaker 3: was the real He was just connecting through, like passing through,

2790
02:12:54,680 --> 02:12:58,680
Speaker 3: you know, and he was like, man, with all this talent, Like,

2791
02:12:59,360 --> 02:13:02,080
Speaker 3: just imagine if you harness all that energy towards something positive.

2792
02:13:02,720 --> 02:13:04,440
Speaker 3: Just think about it, because half the people in here

2793
02:13:04,680 --> 02:13:08,520
Speaker 3: they were successful at doing dumb shit, like really, but

2794
02:13:08,720 --> 02:13:10,000
Speaker 3: then once you get.

2795
02:13:09,880 --> 02:13:11,640
Speaker 1: Popped, all of it is over all that time, all

2796
02:13:11,680 --> 02:13:12,360
Speaker 1: that thought, all.

2797
02:13:12,280 --> 02:13:15,280
Speaker 3: That process, all that energy putting into something that you're

2798
02:13:15,320 --> 02:13:15,640
Speaker 3: growing in.

2799
02:13:15,760 --> 02:13:17,360
Speaker 1: You can't even keep it. You gotta watch it back,

2800
02:13:17,640 --> 02:13:18,640
Speaker 1: like what's what's like?

2801
02:13:18,720 --> 02:13:18,880
Speaker 6: Why?

2802
02:13:19,680 --> 02:13:21,800
Speaker 3: But imagine not finding something that you good at and

2803
02:13:21,840 --> 02:13:26,000
Speaker 3: it's putting all that energy into that. Everything goes good

2804
02:13:26,040 --> 02:13:27,760
Speaker 3: for you after that. When I thought about that, I said, man,

2805
02:13:27,760 --> 02:13:29,520
Speaker 3: you know what, You're right? I said, the only thing

2806
02:13:29,560 --> 02:13:30,960
Speaker 3: I could do now is music.

2807
02:13:31,720 --> 02:13:33,400
Speaker 2: That's why you don't believe in no mistakes.

2808
02:13:33,720 --> 02:13:35,760
Speaker 1: I don't believe in no mistakes. I believe that everything

2809
02:13:35,800 --> 02:13:36,600
Speaker 1: happens for a purpose.

2810
02:13:36,680 --> 02:13:39,120
Speaker 3: Yeah, that's some everything happens for you to learn from it,

2811
02:13:39,320 --> 02:13:41,920
Speaker 3: or it's a process or an obstacle you have to

2812
02:13:41,960 --> 02:13:44,120
Speaker 3: pass through to get to what your final destination is

2813
02:13:44,520 --> 02:13:46,400
Speaker 3: or to get to your purpose. But I feel like

2814
02:13:46,480 --> 02:13:48,760
Speaker 3: everything is set up for you to deal with that

2815
02:13:48,880 --> 02:13:51,280
Speaker 3: and you if you ain't at your purpose and the

2816
02:13:51,360 --> 02:13:52,200
Speaker 3: obstacles you're dealing with.

2817
02:13:52,320 --> 02:13:54,400
Speaker 1: Is to prepare you for that moment. So I don't

2818
02:13:54,400 --> 02:13:57,400
Speaker 1: believe there's no mistakes. You know that exists. Do you

2819
02:13:57,480 --> 02:14:00,000
Speaker 1: feel your the Acon City is your ultimate purpose?

2820
02:14:00,440 --> 02:14:03,280
Speaker 3: I think developing Africa is my ultimate purpose, but I

2821
02:14:03,360 --> 02:14:04,880
Speaker 3: think Acon City is the beginning of it.

2822
02:14:05,640 --> 02:14:08,320
Speaker 1: Yeah, all of Africa, all of Africa as much as

2823
02:14:08,320 --> 02:14:11,040
Speaker 1: I possibly can. Right, that's just you putting the example

2824
02:14:11,120 --> 02:14:12,840
Speaker 1: for the for the rest of the movie.

2825
02:14:12,960 --> 02:14:16,880
Speaker 2: Absolutely, I'm abound around a little bit because like the

2826
02:14:17,000 --> 02:14:19,680
Speaker 2: one thing I was loving going through your disography is

2827
02:14:19,760 --> 02:14:21,960
Speaker 2: just like it's just a global music. Like when you

2828
02:14:22,040 --> 02:14:24,160
Speaker 2: go in the studio, is you trying to please everybody?

2829
02:14:24,200 --> 02:14:27,560
Speaker 2: Because you have those records that actually please every race,

2830
02:14:28,160 --> 02:14:31,440
Speaker 2: every color, creed, whatever, Like you you have like a

2831
02:14:31,760 --> 02:14:35,160
Speaker 2: universal music. If I you know cancer, is that something

2832
02:14:35,200 --> 02:14:37,480
Speaker 2: that you do on purpose or it's just it depends

2833
02:14:37,560 --> 02:14:40,040
Speaker 2: on how you make the beat, like describe.

2834
02:14:40,000 --> 02:14:41,600
Speaker 3: It depends on how I feel that day, like I

2835
02:14:41,720 --> 02:14:43,560
Speaker 3: make music according to how I feel, but I don't.

2836
02:14:43,680 --> 02:14:47,720
Speaker 3: I don't stagnate my music relating or box it up

2837
02:14:47,800 --> 02:14:50,480
Speaker 3: within genres, like I just know what I just if

2838
02:14:50,480 --> 02:14:51,840
Speaker 3: it feels good to me, I know it's gonna feel

2839
02:14:51,840 --> 02:14:53,720
Speaker 3: good to millions of other people. So I never put

2840
02:14:53,760 --> 02:14:55,840
Speaker 3: myself in a position where, Okay, if I feel good,

2841
02:14:55,840 --> 02:14:57,840
Speaker 3: I gotta make a feel good hip hop record or

2842
02:14:57,920 --> 02:14:59,920
Speaker 3: feel good country record or feel good R and B record.

2843
02:15:00,200 --> 02:15:01,360
Speaker 1: I just make what feels good.

2844
02:15:01,240 --> 02:15:03,720
Speaker 3: To me at that moment, and I just allow it

2845
02:15:03,800 --> 02:15:05,880
Speaker 3: to be what it is, like I don't try to

2846
02:15:06,200 --> 02:15:07,960
Speaker 3: manage your change it to be what I think it

2847
02:15:08,000 --> 02:15:08,360
Speaker 3: should be.

2848
02:15:08,840 --> 02:15:09,720
Speaker 1: I just allowed it to be.

2849
02:15:10,440 --> 02:15:12,480
Speaker 3: And then, like I said, records is always gonna find

2850
02:15:12,520 --> 02:15:14,200
Speaker 3: his own audience. Just put it out in the audience

2851
02:15:14,200 --> 02:15:14,600
Speaker 3: will find it.

2852
02:15:15,720 --> 02:15:19,480
Speaker 2: Let me ask you, because I remember being the studio

2853
02:15:19,800 --> 02:15:22,760
Speaker 2: for a ral for so long and me like working

2854
02:15:22,800 --> 02:15:24,840
Speaker 2: on my records and him other artists coming to see him,

2855
02:15:25,360 --> 02:15:26,920
Speaker 2: and other artists will be like, yo, man, I want

2856
02:15:26,960 --> 02:15:29,040
Speaker 2: to beat like this right, and I want a song

2857
02:15:29,200 --> 02:15:30,800
Speaker 2: like this, And I remember he would.

2858
02:15:31,640 --> 02:15:34,640
Speaker 1: I don't blame him, I'm just like him, So I just.

2859
02:15:34,640 --> 02:15:38,800
Speaker 3: Say okay, I just say okay by the time the

2860
02:15:38,880 --> 02:15:44,400
Speaker 3: song is done, but they still loving because one thing

2861
02:15:44,400 --> 02:15:45,960
Speaker 3: I realized about artists, as long as they are a

2862
02:15:46,000 --> 02:15:49,240
Speaker 3: part of the process making, they're gonna love it because

2863
02:15:49,320 --> 02:15:52,320
Speaker 3: it's really them just expressing. So when they come and say, well,

2864
02:15:52,440 --> 02:15:54,040
Speaker 3: I want to record, I want. I want the record

2865
02:15:54,240 --> 02:15:56,640
Speaker 3: like R Kelly record I want, I'm like, but yeah,

2866
02:15:56,680 --> 02:15:59,800
Speaker 3: but you're not R Kelly. Number one that R Kelly

2867
02:16:00,200 --> 02:16:03,800
Speaker 3: came because R Kelly wrote that record according to his experience.

2868
02:16:04,160 --> 02:16:06,480
Speaker 3: What is your experience that can make R Kelly say

2869
02:16:06,480 --> 02:16:08,040
Speaker 3: I want a nory type of record.

2870
02:16:08,200 --> 02:16:10,480
Speaker 1: That's what we want to find today. Man, you know what,

2871
02:16:10,560 --> 02:16:12,440
Speaker 1: You're right bro? All right, well let's get to it, nigga,

2872
02:16:12,440 --> 02:16:13,960
Speaker 1: what it is, what we're doing. What's the topic?

2873
02:16:14,080 --> 02:16:14,400
Speaker 2: Girls?

2874
02:16:14,600 --> 02:16:17,160
Speaker 3: Love, hatred? What Let's figure it out. Then from now,

2875
02:16:17,200 --> 02:16:19,560
Speaker 3: it's a conversation, you know what I'm saying. The conversation

2876
02:16:19,600 --> 02:16:21,600
Speaker 3: will always dictate the title of the song. Once you

2877
02:16:21,680 --> 02:16:23,680
Speaker 3: got the title, everything else is easy.

2878
02:16:24,200 --> 02:16:25,680
Speaker 2: To Let me ask you, if you're writing a record

2879
02:16:25,720 --> 02:16:28,000
Speaker 2: for somebody, is it a process that you happen to

2880
02:16:28,040 --> 02:16:29,920
Speaker 2: hang with them? Can you write a record for somebody

2881
02:16:29,960 --> 02:16:30,480
Speaker 2: that you don't know?

2882
02:16:30,840 --> 02:16:31,600
Speaker 1: Yeah, you can.

2883
02:16:31,760 --> 02:16:33,640
Speaker 3: I do it all the time, but I'm just shooting

2884
02:16:33,640 --> 02:16:35,880
Speaker 3: in the dark, okay, And is it better when you

2885
02:16:35,959 --> 02:16:37,800
Speaker 3: do know them? It's a lot better when you know

2886
02:16:37,920 --> 02:16:40,480
Speaker 3: them or y'all had communication, because then I can better understand.

2887
02:16:41,000 --> 02:16:41,200
Speaker 2: Damn.

2888
02:16:41,240 --> 02:16:43,240
Speaker 3: I like to make reality records, records that fit the

2889
02:16:43,280 --> 02:16:46,000
Speaker 3: person that's singing it, or records that they can relate

2890
02:16:46,040 --> 02:16:49,120
Speaker 3: to themselves, because it makes them want comfortable exactly and

2891
02:16:49,600 --> 02:16:52,040
Speaker 3: love the record, and they'll perform it better, they'll push

2892
02:16:52,120 --> 02:16:54,320
Speaker 3: it better. Like you know, when you got something that

2893
02:16:54,360 --> 02:16:56,880
Speaker 3: you love, you actually engage, right, So the idea is

2894
02:16:56,920 --> 02:16:58,720
Speaker 3: give them something that they I think that they would,

2895
02:16:59,200 --> 02:17:01,440
Speaker 3: that fits something within their life that they can attach

2896
02:17:01,480 --> 02:17:04,080
Speaker 3: themselves to. So the conversation always works. But if not,

2897
02:17:04,240 --> 02:17:06,680
Speaker 3: it'd be like, okay, cool, well you know what kind

2898
02:17:06,720 --> 02:17:09,080
Speaker 3: of feel are you looking for? Just get basic information.

2899
02:17:09,200 --> 02:17:11,560
Speaker 3: Once I got it, then I know. Because most people look,

2900
02:17:11,800 --> 02:17:14,400
Speaker 3: you gotta worry about what they're not telling you. Like,

2901
02:17:14,520 --> 02:17:16,920
Speaker 3: one thing about the music business is that everybody's going

2902
02:17:16,959 --> 02:17:19,320
Speaker 3: through something. The problem is nobody will tell you what

2903
02:17:19,360 --> 02:17:21,400
Speaker 3: they're going through because they have this image that they

2904
02:17:21,480 --> 02:17:24,360
Speaker 3: have to always portray to be bigger than the average. Right,

2905
02:17:24,400 --> 02:17:27,280
Speaker 3: they pretend they have no problems. Everything is all good.

2906
02:17:27,760 --> 02:17:29,800
Speaker 3: But those are the ones I know going through some shit.

2907
02:17:30,720 --> 02:17:32,800
Speaker 3: But if they come and they spill it out, oh man,

2908
02:17:32,879 --> 02:17:35,640
Speaker 3: she just fucked up. That's an easy one because I

2909
02:17:35,720 --> 02:17:37,280
Speaker 3: know I just got to I know what that is.

2910
02:17:37,360 --> 02:17:39,520
Speaker 3: I just gotta to give them something the lift, right.

2911
02:17:39,680 --> 02:17:42,040
Speaker 3: But the ones that come, man, everything all good, a

2912
02:17:42,120 --> 02:17:44,439
Speaker 3: million chains billy ourselves.

2913
02:17:44,600 --> 02:17:47,720
Speaker 1: Man, life is good. I give them a struggle record.

2914
02:17:47,760 --> 02:17:52,200
Speaker 1: The niggas be in there like crime. I know. All

2915
02:17:52,320 --> 02:17:54,480
Speaker 1: these bells and whistles is to distract me from what

2916
02:17:54,560 --> 02:17:55,280
Speaker 1: you're really dealing with.

2917
02:17:56,320 --> 02:17:58,760
Speaker 2: You know what I'm saying. That's what it is. Everybody.

2918
02:17:58,879 --> 02:17:59,000
Speaker 7: Bro.

2919
02:17:59,560 --> 02:18:02,840
Speaker 1: You how many niggas that you see?

2920
02:18:03,240 --> 02:18:07,560
Speaker 3: They just look rich as fuck going through and you man, man, man,

2921
02:18:07,560 --> 02:18:09,560
Speaker 3: I want to God to tell me how you're doing this. Man, Like,

2922
02:18:09,760 --> 02:18:12,000
Speaker 3: give me some advice, man, some success. They give you

2923
02:18:12,080 --> 02:18:14,440
Speaker 3: all the advice and you'll listen and be like, man,

2924
02:18:14,480 --> 02:18:14,960
Speaker 3: that's what's up.

2925
02:18:15,600 --> 02:18:18,480
Speaker 1: A week later they calling you for a loan, but

2926
02:18:18,560 --> 02:18:21,600
Speaker 1: it's gonna be behind an excuse. Well, you know, man,

2927
02:18:22,120 --> 02:18:24,560
Speaker 1: my fucking business magic fucked on my taxes and ship man,

2928
02:18:24,600 --> 02:18:26,640
Speaker 1: I got the bro, don't worry about its all good.

2929
02:18:26,640 --> 02:18:29,720
Speaker 1: Here you go you understand what I'm saying, Like they

2930
02:18:29,800 --> 02:18:33,160
Speaker 1: still even at the point of their bottom low, they

2931
02:18:33,240 --> 02:18:35,480
Speaker 1: still want to make it seem like they're still big.

2932
02:18:35,640 --> 02:18:37,760
Speaker 3: And it was a big obstacle that made them have

2933
02:18:37,879 --> 02:18:40,400
Speaker 3: to come to you. No one can just open their

2934
02:18:40,440 --> 02:18:43,040
Speaker 3: mind and be honest and transparent. Say yo, bro, this

2935
02:18:43,200 --> 02:18:45,280
Speaker 3: is wrong. This is wrong man, from your experience, how

2936
02:18:45,320 --> 02:18:48,000
Speaker 3: can I fix That's how you do it? Because guess

2937
02:18:48,040 --> 02:18:49,960
Speaker 3: what now, I might give you some information that never

2938
02:18:50,040 --> 02:18:52,280
Speaker 3: puts you there again, but you gotta be real with.

2939
02:18:52,320 --> 02:18:55,720
Speaker 1: Yourself, real talk. But we just it's hard for us,

2940
02:18:55,760 --> 02:18:55,879
Speaker 1: you know.

2941
02:18:55,879 --> 02:18:58,240
Speaker 2: What I'm saying. How about writing for a female.

2942
02:18:58,720 --> 02:18:59,920
Speaker 1: Females are very easy.

2943
02:19:01,280 --> 02:19:03,200
Speaker 3: Females to me, are easier to write for it than

2944
02:19:03,280 --> 02:19:05,600
Speaker 3: men because females are transparent.

2945
02:19:06,360 --> 02:19:08,119
Speaker 1: Okay, they super transparent.

2946
02:19:09,480 --> 02:19:09,640
Speaker 2: Man.

2947
02:19:09,680 --> 02:19:11,680
Speaker 3: They don't even think about it when they say especial

2948
02:19:11,720 --> 02:19:12,560
Speaker 3: when they feel some kind of.

2949
02:19:12,520 --> 02:19:14,600
Speaker 2: Way, and when you write records for them that that

2950
02:19:14,680 --> 02:19:15,560
Speaker 2: they feeling.

2951
02:19:15,280 --> 02:19:17,240
Speaker 1: Oh yeah, you're gonna sell it because they know emotion

2952
02:19:17,360 --> 02:19:19,720
Speaker 1: and record right. Emotional records always go good with females,

2953
02:19:19,760 --> 02:19:22,440
Speaker 1: okay always. And if it's gonna be an upbeat record,

2954
02:19:22,560 --> 02:19:24,560
Speaker 1: it got to be an upbeat record. That another female

2955
02:19:24,600 --> 02:19:26,720
Speaker 1: will be like, well, they'll be like, oh wait, does

2956
02:19:27,040 --> 02:19:31,199
Speaker 1: she hear this? That record has to make another woman jealous?

2957
02:19:32,200 --> 02:19:32,800
Speaker 1: You know what I'm saying.

2958
02:19:33,040 --> 02:19:36,320
Speaker 3: But the records that tap into their feelings and emotions, yeah,

2959
02:19:36,360 --> 02:19:38,879
Speaker 3: those always go. That's why ballasts really work really well

2960
02:19:38,920 --> 02:19:40,720
Speaker 3: with women a lot. But if you're gonna do up

2961
02:19:40,760 --> 02:19:43,480
Speaker 3: tempo records, it should be something that has a ballody

2962
02:19:43,920 --> 02:19:46,400
Speaker 3: a topic, but yet an uptempo record that they can

2963
02:19:46,520 --> 02:19:48,199
Speaker 3: find themselves in a more happiest space.

2964
02:19:48,320 --> 02:19:51,160
Speaker 2: Could you write for Rihanna all Day one thousand?

2965
02:19:51,680 --> 02:19:56,600
Speaker 1: How about Beyonce? Super easy? And they said super easy?

2966
02:19:56,680 --> 02:19:59,240
Speaker 3: Yeah, super easy because Beyonce got the like right now

2967
02:19:59,440 --> 02:20:02,320
Speaker 3: would be when you look at the music that she's getting, Like,

2968
02:20:02,400 --> 02:20:04,480
Speaker 3: even with her, like when I listen to her music,

2969
02:20:05,000 --> 02:20:07,760
Speaker 3: I still feel like there's a lot more of her

2970
02:20:07,840 --> 02:20:10,840
Speaker 3: that we ain't tapping. As a writer, as a producer myself,

2971
02:20:11,280 --> 02:20:13,600
Speaker 3: and how I read people, I believe that there's so

2972
02:20:13,760 --> 02:20:15,680
Speaker 3: much that she wants to talk about on her records

2973
02:20:15,720 --> 02:20:17,840
Speaker 3: that she doesn't do it because of who she is

2974
02:20:17,920 --> 02:20:19,600
Speaker 3: and what she thinks people may think about her.

2975
02:20:20,240 --> 02:20:21,600
Speaker 1: That's just me personal speaking, right.

2976
02:20:21,920 --> 02:20:24,320
Speaker 3: I think the records that she's making today are records

2977
02:20:24,360 --> 02:20:26,440
Speaker 3: that she just feel the younger generation will gravitate to.

2978
02:20:27,200 --> 02:20:30,240
Speaker 1: But I don't think it's the essence of what that is.

2979
02:20:30,360 --> 02:20:32,840
Speaker 1: And you're saying that lyrically and vocally, But what about production?

2980
02:20:33,200 --> 02:20:34,840
Speaker 1: Was production is following the lyrics.

2981
02:20:34,879 --> 02:20:36,600
Speaker 3: It's just following the person that's hot at the moment,

2982
02:20:37,040 --> 02:20:38,400
Speaker 3: a person that submits a great song.

2983
02:20:39,160 --> 02:20:41,640
Speaker 1: But it's so like I see her bigger.

2984
02:20:41,920 --> 02:20:43,560
Speaker 3: Honestly, I feel I see her as almost like a

2985
02:20:44,720 --> 02:20:47,600
Speaker 3: musical or artistry, like because you know, prophets come in

2986
02:20:47,640 --> 02:20:52,080
Speaker 3: different forms, yes, like for feminine and other. She's their

2987
02:20:52,200 --> 02:20:56,480
Speaker 3: profit to me, to them because she speaks into their minds,

2988
02:20:56,520 --> 02:21:00,400
Speaker 3: into their hearts. Like you can't say anything wrong about

2989
02:21:00,440 --> 02:21:04,679
Speaker 3: Beyonce to a Beyonce fan, No, that gives you a responsibility.

2990
02:21:05,800 --> 02:21:10,320
Speaker 3: You understand what I'm saying, Like, there's certain Beyonce records

2991
02:21:10,480 --> 02:21:14,000
Speaker 3: that changes people's outlook in life, and she has the

2992
02:21:14,040 --> 02:21:16,000
Speaker 3: potential to do that if she goes there, if she

2993
02:21:16,160 --> 02:21:18,920
Speaker 3: decides to go there, because I personal believe that she

2994
02:21:18,959 --> 02:21:21,080
Speaker 3: will eventually go there. Right now, she's bigger than life.

2995
02:21:21,080 --> 02:21:23,120
Speaker 3: She can't get no bigger. But there's nowhere else left to.

2996
02:21:23,120 --> 02:21:23,720
Speaker 2: Go with her.

2997
02:21:23,760 --> 02:21:24,840
Speaker 1: She's the top of the top.

2998
02:21:25,240 --> 02:21:27,040
Speaker 3: Yeah, I believe so, you know what I'm saying, and

2999
02:21:27,160 --> 02:21:29,560
Speaker 3: rightly so, because she's a hard fucking worker. From what

3000
02:21:29,680 --> 02:21:32,440
Speaker 3: I know and what I've seen from the district, you

3001
02:21:32,520 --> 02:21:34,600
Speaker 3: understand what I'm saying. Like nobody, she's the best that

3002
02:21:34,640 --> 02:21:36,960
Speaker 3: ever did it. But me personally as a fan, I

3003
02:21:36,959 --> 02:21:40,199
Speaker 3: would want to see her get deeper, like challenge herself

3004
02:21:41,400 --> 02:21:44,840
Speaker 3: more from a musical standpoint, like go in places where

3005
02:21:45,600 --> 02:21:47,440
Speaker 3: even she ain't there to go, just do it because

3006
02:21:47,440 --> 02:21:48,920
Speaker 3: I believe she has the capability to do that.

3007
02:21:49,840 --> 02:21:52,280
Speaker 1: Who else somebody do you think there has capabilities to

3008
02:21:52,360 --> 02:21:54,800
Speaker 1: do that and hasn't reached it, that hasn't reached it.

3009
02:21:56,080 --> 02:21:58,760
Speaker 1: I think Chris Brown has that. Oh wow, I think

3010
02:21:58,800 --> 02:21:59,840
Speaker 1: Chris Brown has it all day.

3011
02:22:00,360 --> 02:22:02,240
Speaker 2: But you think that he does not getting He's not

3012
02:22:02,320 --> 02:22:04,640
Speaker 2: tapping into hiss.

3013
02:22:04,280 --> 02:22:06,480
Speaker 3: No, he's tapping into his emotions. I just think he's

3014
02:22:06,520 --> 02:22:07,800
Speaker 3: tapped into the wrong frequency.

3015
02:22:09,480 --> 02:22:09,640
Speaker 1: You know.

3016
02:22:10,040 --> 02:22:12,400
Speaker 3: I think the frequency that he's tapped into won't allow

3017
02:22:12,520 --> 02:22:15,680
Speaker 3: him to grow beyond who he is because he's surrounded

3018
02:22:15,680 --> 02:22:18,880
Speaker 3: by so many distractions, you know what I mean. But

3019
02:22:19,000 --> 02:22:21,400
Speaker 3: I think for what he does and what he represents

3020
02:22:21,480 --> 02:22:25,000
Speaker 3: to the this culture. From a performer from an artist

3021
02:22:25,320 --> 02:22:26,080
Speaker 3: from a vocalist.

3022
02:22:26,640 --> 02:22:29,040
Speaker 1: He got what it takes. He just got to be

3023
02:22:29,600 --> 02:22:30,640
Speaker 1: He's fearless already.

3024
02:22:30,959 --> 02:22:35,560
Speaker 2: We've seen him on Lovers and Friends. This month, I

3025
02:22:35,600 --> 02:22:37,200
Speaker 2: had to show and he had to show. I saw.

3026
02:22:37,520 --> 02:22:39,400
Speaker 2: I got to see him on the stage. Boy, he

3027
02:22:39,640 --> 02:22:46,520
Speaker 2: told because the problem, Yeah he goes and like I

3028
02:22:46,600 --> 02:22:49,800
Speaker 2: knew he went in, but actually that's my first time

3029
02:22:49,920 --> 02:22:51,279
Speaker 2: kind of like got to see.

3030
02:22:51,120 --> 02:22:53,400
Speaker 3: It, right, Like he's a problem. But the good thing

3031
02:22:53,440 --> 02:22:55,400
Speaker 3: about Chris that he got plenty of time because he's young.

3032
02:22:56,240 --> 02:22:59,880
Speaker 3: So this is also gathering all those voices, all the

3033
02:23:00,360 --> 02:23:02,840
Speaker 3: you know, souls that he needs to be able, you know,

3034
02:23:03,080 --> 02:23:04,280
Speaker 3: influence in a certain kind of way.

3035
02:23:04,280 --> 02:23:06,000
Speaker 1: I just feel like when God gives you that much

3036
02:23:06,040 --> 02:23:06,800
Speaker 1: power to.

3037
02:23:06,879 --> 02:23:10,160
Speaker 3: Influence or be influenced by so many different people, that

3038
02:23:10,720 --> 02:23:15,120
Speaker 3: that that that is always like a responsibility to find

3039
02:23:15,240 --> 02:23:19,039
Speaker 3: somewhere to to define all the challenges that's in society.

3040
02:23:19,160 --> 02:23:20,800
Speaker 3: You understand what I'm saying, Like, I just don't believe

3041
02:23:20,840 --> 02:23:22,640
Speaker 3: that we who we are.

3042
02:23:22,720 --> 02:23:24,280
Speaker 1: For just the sake of just being who we are.

3043
02:23:24,320 --> 02:23:25,800
Speaker 3: I believe that we're chosen to be who we are

3044
02:23:26,240 --> 02:23:28,920
Speaker 3: right until we understand what our purpose is. That's when

3045
02:23:28,959 --> 02:23:31,280
Speaker 3: we that's when we become impactful.

3046
02:23:30,720 --> 02:23:31,800
Speaker 1: You know what I mean? Right?

3047
02:23:32,600 --> 02:23:35,200
Speaker 2: So that's talking about I still kill with fifty real quick? Right,

3048
02:23:35,320 --> 02:23:36,600
Speaker 2: how did that come about? Oh?

3049
02:23:36,720 --> 02:23:39,240
Speaker 1: Man, fifty that called me with that one? Fifty called

3050
02:23:39,240 --> 02:23:40,480
Speaker 1: me with that and say, yokn.

3051
02:23:40,360 --> 02:23:41,520
Speaker 2: So he produced that one.

3052
02:23:41,720 --> 02:23:43,640
Speaker 3: No, no, he got it was another producer on it

3053
02:23:43,760 --> 02:23:46,760
Speaker 3: under his camp that actually did that one, ok, And

3054
02:23:46,879 --> 02:23:49,400
Speaker 3: he was like, Yo, kN listen, I got this record, bro,

3055
02:23:51,800 --> 02:23:53,560
Speaker 3: you know what, just call me back after you hear it.

3056
02:23:54,840 --> 02:23:57,160
Speaker 1: He sent me. I heard the verses her to beat.

3057
02:23:57,720 --> 02:24:00,640
Speaker 2: I was like, oh, this is crazy, and I'm listening

3058
02:24:00,720 --> 02:24:01,160
Speaker 2: to the lyrics.

3059
02:24:01,200 --> 02:24:04,680
Speaker 3: I'm already knowing what he's saying without saying it because

3060
02:24:04,840 --> 02:24:08,160
Speaker 3: at this point the niggas he just sold vitamin water.

3061
02:24:09,000 --> 02:24:12,240
Speaker 1: This nigga two hundred and fifty million dollar niggas like, Nigga,

3062
02:24:12,240 --> 02:24:16,600
Speaker 1: don't get it fucked, you know what It's like that,

3063
02:24:16,959 --> 02:24:18,920
Speaker 1: It's like, how do we say that when niggas know

3064
02:24:18,959 --> 02:24:21,480
Speaker 1: I'm not playing with him perform too? Right?

3065
02:24:21,520 --> 02:24:22,080
Speaker 2: You know what I'm saying.

3066
02:24:22,560 --> 02:24:24,120
Speaker 3: So I sent it back with the chorus on it,

3067
02:24:24,800 --> 02:24:26,520
Speaker 3: and he was like, Nigga, this is it, Oh, this

3068
02:24:26,640 --> 02:24:29,640
Speaker 3: is it. But at the time I was kind of

3069
02:24:29,720 --> 02:24:32,360
Speaker 3: worried about where we would go because even me, my, my,

3070
02:24:32,959 --> 02:24:36,640
Speaker 3: I was so pop at that time. The question was like, Okay,

3071
02:24:36,640 --> 02:24:37,760
Speaker 3: we'll still be believable.

3072
02:24:37,800 --> 02:24:37,959
Speaker 1: Though.

3073
02:24:38,879 --> 02:24:40,560
Speaker 3: No, that's one thing I do question myself a lot,

3074
02:24:40,840 --> 02:24:43,680
Speaker 3: what like when to go back to the street or

3075
02:24:43,840 --> 02:24:45,600
Speaker 3: if ever do I even need to go back to

3076
02:24:45,680 --> 02:24:46,040
Speaker 3: the street?

3077
02:24:46,840 --> 02:24:52,240
Speaker 1: Right, that's ever? No, no, no hold on, listen, no, no, listen.

3078
02:24:52,480 --> 02:24:55,160
Speaker 1: I'm not talking about physically, no reason for me being

3079
02:24:55,160 --> 02:24:57,600
Speaker 1: the hood. All my hood niggas know they got to

3080
02:24:57,600 --> 02:24:59,080
Speaker 1: come see me. I'm not going there, bro, I'm not

3081
02:24:59,240 --> 02:25:00,480
Speaker 1: doing that this already.

3082
02:25:00,840 --> 02:25:04,600
Speaker 3: But from a musical standpoint, the question is because I

3083
02:25:04,640 --> 02:25:07,800
Speaker 3: always believe that my role plays a responsibility to them.

3084
02:25:07,840 --> 02:25:10,080
Speaker 3: That was why I was raising that environment to make

3085
02:25:10,120 --> 02:25:12,680
Speaker 3: a difference. Right, So the only way to actually make

3086
02:25:12,720 --> 02:25:15,320
Speaker 3: an impact is to find a way to still tap in.

3087
02:25:15,760 --> 02:25:18,080
Speaker 1: But you can't just go and forget about it, Like

3088
02:25:18,200 --> 02:25:20,480
Speaker 1: is if you don't give a fuck, you understand I'm saying,

3089
02:25:20,560 --> 02:25:23,039
Speaker 1: like there has to be a sense of knowing, Okay,

3090
02:25:23,720 --> 02:25:25,320
Speaker 1: there's a role that they're still there for me to

3091
02:25:25,400 --> 02:25:27,520
Speaker 1: play that they won't take for granted.

3092
02:25:28,720 --> 02:25:30,680
Speaker 3: Now they take it for granted, then you can't really

3093
02:25:30,720 --> 02:25:33,080
Speaker 3: control what other people's decisions decided to make. But for

3094
02:25:33,160 --> 02:25:35,400
Speaker 3: the most part, you know you did your part right.

3095
02:25:35,560 --> 02:25:37,520
Speaker 3: So when I say go back to the streets, I'm

3096
02:25:37,520 --> 02:25:43,400
Speaker 3: always talking music. You know what I'm saying. Musically, you can,

3097
02:25:43,520 --> 02:25:45,240
Speaker 3: but I think my topic matter ain't gonna be what

3098
02:25:45,320 --> 02:25:47,280
Speaker 3: they want to hear, So you gotta wait for the

3099
02:25:47,360 --> 02:25:49,400
Speaker 3: right time to give it to them. Because I feel

3100
02:25:49,440 --> 02:25:52,959
Speaker 3: like the music an urban rap is lacking the message

3101
02:25:53,959 --> 02:25:56,240
Speaker 3: everybody scared. Like to me, when I listen to music,

3102
02:25:56,280 --> 02:25:58,880
Speaker 3: it sound like everybody scared to death because it's like

3103
02:25:58,959 --> 02:26:04,120
Speaker 3: this conc cansel culture comes from just being indecisive and

3104
02:26:04,240 --> 02:26:06,080
Speaker 3: not making up your own mind. You're letting somebody else

3105
02:26:06,120 --> 02:26:07,920
Speaker 3: tell you what you think should be relevant and what's not.

3106
02:26:08,760 --> 02:26:11,840
Speaker 1: That just tells me that the world at this specific thing,

3107
02:26:12,440 --> 02:26:13,080
Speaker 1: this specific thing.

3108
02:26:13,120 --> 02:26:16,520
Speaker 3: When the music, it sounds like everybody's scared to death,

3109
02:26:16,800 --> 02:26:19,320
Speaker 3: because what I know from the street is that when

3110
02:26:19,440 --> 02:26:22,920
Speaker 3: somebody's afraid, they're gonna do something to distract you from

3111
02:26:22,959 --> 02:26:26,320
Speaker 3: you thinking that they're afraid. Right, And when somebody feel

3112
02:26:26,400 --> 02:26:30,600
Speaker 3: like that you may be a threat, it's like it's

3113
02:26:30,680 --> 02:26:33,320
Speaker 3: like a possum when you pull up on it, a

3114
02:26:33,440 --> 02:26:35,280
Speaker 3: porcupine when you pull up on it and all this

3115
02:26:35,560 --> 02:26:39,400
Speaker 3: what's the name is pop? You don't want to tap

3116
02:26:39,440 --> 02:26:41,280
Speaker 3: into it because you might get stung. So gets over

3117
02:26:41,480 --> 02:26:43,120
Speaker 3: when the niggas the first thing they do when they

3118
02:26:43,200 --> 02:26:47,680
Speaker 3: get scared. Oh, nigga, you'a got that for real, But

3119
02:26:47,760 --> 02:26:50,119
Speaker 3: you're not realizing that his chest is being way harder

3120
02:26:50,200 --> 02:26:50,640
Speaker 3: than yours.

3121
02:26:51,920 --> 02:26:53,320
Speaker 1: You understand what I'm saying. So when I listen to

3122
02:26:53,400 --> 02:26:55,200
Speaker 1: the music, that's what it's getting from me.

3123
02:26:55,640 --> 02:26:59,560
Speaker 3: You got a whole bunch of young guys, super well

3124
02:26:59,640 --> 02:27:02,560
Speaker 3: POTENTI like the future in front of them, all of them,

3125
02:27:02,959 --> 02:27:05,640
Speaker 3: but they all scared to death because of Unfortunately, it's

3126
02:27:05,640 --> 02:27:08,440
Speaker 3: it's our fault because we introduced that kind of music

3127
02:27:08,560 --> 02:27:11,119
Speaker 3: that made it cool, right, So now when they see

3128
02:27:11,160 --> 02:27:13,360
Speaker 3: themselves in real life, they have to live up to

3129
02:27:13,440 --> 02:27:18,600
Speaker 3: that because if they don't and social media, so what

3130
02:27:18,720 --> 02:27:20,640
Speaker 3: happens is now they're active in the life that they

3131
02:27:20,640 --> 02:27:23,520
Speaker 3: don't really understand outside of the music side of that world.

3132
02:27:23,840 --> 02:27:25,880
Speaker 3: And this is why you got so many young rappers

3133
02:27:26,040 --> 02:27:28,560
Speaker 3: dying because they're making so many mistakes out.

3134
02:27:28,400 --> 02:27:28,920
Speaker 1: Of fear.

3135
02:27:30,600 --> 02:27:34,120
Speaker 2: To what you said you was on when and they

3136
02:27:34,160 --> 02:27:34,560
Speaker 2: said that the.

3137
02:27:34,600 --> 02:27:35,920
Speaker 1: Sweet escape, Sweet escape to us.

3138
02:27:36,480 --> 02:27:40,360
Speaker 2: Gwen Stefani. Yeah, and you said, who try to horizon?

3139
02:27:41,400 --> 02:27:42,880
Speaker 2: Do you feel like that was the first kind of

3140
02:27:42,920 --> 02:27:46,440
Speaker 2: step of people get into this castle coach of things?

3141
02:27:46,480 --> 02:27:50,080
Speaker 3: Do you think not really, because there's been many companies

3142
02:27:50,120 --> 02:27:53,960
Speaker 3: I've always done. Companies always pull out their sponsorship.

3143
02:27:55,000 --> 02:27:55,600
Speaker 1: Controversy.

3144
02:27:55,720 --> 02:27:57,920
Speaker 3: You know, you make an action, but they don't realize

3145
02:27:58,080 --> 02:28:00,560
Speaker 3: if it doesn't have anything to do with what they're

3146
02:28:00,560 --> 02:28:03,880
Speaker 3: sponsoring you for, they should just leave it alone. What

3147
02:28:04,080 --> 02:28:06,960
Speaker 3: human do you know ain't gonna make a mistake, especially

3148
02:28:07,280 --> 02:28:11,040
Speaker 3: that has nothing to do with their occupation, Like, this

3149
02:28:11,200 --> 02:28:13,360
Speaker 3: is their job, this is what they do. Great, they

3150
02:28:13,560 --> 02:28:15,800
Speaker 3: did some of the personal life that has nothing to

3151
02:28:15,879 --> 02:28:17,560
Speaker 3: do with this, But yeah, you want to cancel them

3152
02:28:17,600 --> 02:28:19,320
Speaker 3: because you were afraid of what other people are saying

3153
02:28:19,560 --> 02:28:21,920
Speaker 3: of his personal action, and I think that's unfair.

3154
02:28:22,560 --> 02:28:25,520
Speaker 2: Or even Adidas taking Kanye back they have no choice.

3155
02:28:27,959 --> 02:28:32,560
Speaker 2: Do he make no noise for that? You spoke about

3156
02:28:32,560 --> 02:28:34,480
Speaker 2: Beautiful earlier in the HAGH cut you off right, So

3157
02:28:35,800 --> 02:28:37,400
Speaker 2: where was you at? What was the process of making

3158
02:28:37,440 --> 02:28:39,640
Speaker 2: this record? Yeah, Beautiful was a process, honestly, that was

3159
02:28:39,760 --> 02:28:40,360
Speaker 2: that was what my.

3160
02:28:42,480 --> 02:28:45,920
Speaker 1: With my wife, you know, she she always you know,

3161
02:28:45,959 --> 02:28:47,879
Speaker 1: that's that was around the time when I was peaking,

3162
02:28:48,040 --> 02:28:48,240
Speaker 1: you know.

3163
02:28:48,840 --> 02:28:50,920
Speaker 3: And everywhere I go, you know, this is your career. Yeah,

3164
02:28:51,000 --> 02:28:54,400
Speaker 3: my career video shoots is always beautiful women. Every event

3165
02:28:54,520 --> 02:28:57,480
Speaker 3: is always beautiful women. So there's always that insecurity that

3166
02:28:57,600 --> 02:28:59,760
Speaker 3: comes within women when you when they.

3167
02:28:59,680 --> 02:29:02,640
Speaker 1: See that and everybody see it either.

3168
02:29:02,480 --> 02:29:03,920
Speaker 2: Way, she sees you, you know what I'm saying.

3169
02:29:04,280 --> 02:29:07,480
Speaker 3: So that song was inspired by just you know, my

3170
02:29:07,600 --> 02:29:10,840
Speaker 3: conversations to her, like you me like you mine number one,

3171
02:29:10,959 --> 02:29:14,360
Speaker 3: without doubt, don't ever in your life think that anything

3172
02:29:14,480 --> 02:29:17,640
Speaker 3: is better than you, like the most beautiful thing in

3173
02:29:17,760 --> 02:29:21,760
Speaker 3: the world, period.

3174
02:29:22,200 --> 02:29:24,720
Speaker 1: So that record was her she needs to know that.

3175
02:29:28,200 --> 02:29:33,920
Speaker 1: Let's ticket to Who That Girl? I think I got

3176
02:29:33,959 --> 02:29:35,480
Speaker 1: a few titles with Who That Girl? Which one was

3177
02:29:35,640 --> 02:29:37,240
Speaker 1: with the one you want?

3178
02:29:41,360 --> 02:29:43,680
Speaker 3: Was that the one Flow Riders? That's right, that's wont Flo.

3179
02:29:44,640 --> 02:29:46,480
Speaker 3: Yeah that was the biggest one. Yeah, yeah, that's so

3180
02:29:46,560 --> 02:29:48,040
Speaker 3: that one Me and Flow, which is waiting for the

3181
02:29:48,120 --> 02:29:48,800
Speaker 3: right time to work.

3182
02:29:49,680 --> 02:29:51,040
Speaker 1: Man, for sure.

3183
02:29:51,160 --> 02:29:53,920
Speaker 3: Like and Flow is like my brother from another mother.

3184
02:29:54,080 --> 02:29:56,160
Speaker 3: Like we super super super tight, and we had never

3185
02:29:56,240 --> 02:29:59,200
Speaker 3: worked together because of our schedules, but we was always

3186
02:29:59,240 --> 02:30:00,800
Speaker 3: bumping to each other and one day he was like, man,

3187
02:30:00,840 --> 02:30:03,240
Speaker 3: look everything you're doing cancel what you got going. We

3188
02:30:03,280 --> 02:30:05,440
Speaker 3: saw each other in Miami, I mean in l A,

3189
02:30:05,760 --> 02:30:07,240
Speaker 3: and I was like, let's let's just go do it,

3190
02:30:07,240 --> 02:30:08,840
Speaker 3: because if we don't take make the time, it's not

3191
02:30:08,920 --> 02:30:09,360
Speaker 3: gonna happen.

3192
02:30:09,680 --> 02:30:12,040
Speaker 1: And sure enough we cut the record in Miami and

3193
02:30:12,080 --> 02:30:15,600
Speaker 1: shot the video in l A. Goddamn, how was the video?

3194
02:30:16,920 --> 02:30:19,800
Speaker 1: Vibes vibes, big big record, big big record? You know?

3195
02:30:19,920 --> 02:30:22,400
Speaker 2: Smoking ukah, Where we get where we get this.

3196
02:30:22,440 --> 02:30:28,640
Speaker 1: A get dot com? Get uka? Oh, okay, get interesting

3197
02:30:30,040 --> 02:30:31,160
Speaker 1: now very smart?

3198
02:30:31,160 --> 02:30:34,119
Speaker 2: Actually smoke you smokes show no, no, no, you don't smoke.

3199
02:30:34,160 --> 02:30:36,800
Speaker 1: Ship. My voice is my investment.

3200
02:30:37,000 --> 02:30:37,840
Speaker 2: That's right, that's right.

3201
02:30:38,600 --> 02:30:39,920
Speaker 1: Yes, you don't destroy and.

3202
02:30:39,959 --> 02:30:41,680
Speaker 2: Drink a lot of tea. You gotta drink a lot

3203
02:30:41,720 --> 02:30:44,119
Speaker 2: of tea. Yeah, what's on your rider?

3204
02:30:44,959 --> 02:30:47,320
Speaker 1: My ride is very simple. Actually, I got black towels,

3205
02:30:48,160 --> 02:30:50,039
Speaker 1: only black towers. Yeah, black towns.

3206
02:30:50,200 --> 02:30:53,400
Speaker 2: You said towns. I said they got they gotta they

3207
02:30:53,400 --> 02:30:54,880
Speaker 2: gotta gotta construction.

3208
02:30:55,959 --> 02:30:56,879
Speaker 1: You said black towns.

3209
02:30:57,160 --> 02:30:59,480
Speaker 2: You gotta reconstruct your whole ship to make the oilers

3210
02:30:59,560 --> 02:31:02,959
Speaker 2: black ty. It's very simple. You have black towns.

3211
02:31:03,680 --> 02:31:07,720
Speaker 1: That's what I thought. You said, black towels, okayas.

3212
02:31:06,800 --> 02:31:08,280
Speaker 3: And the reason it is because the normal time. When

3213
02:31:08,320 --> 02:31:10,120
Speaker 3: you get off the stage, you're always super sweaty. And

3214
02:31:10,240 --> 02:31:11,600
Speaker 3: I used to have these white towels and I'll be

3215
02:31:11,600 --> 02:31:12,640
Speaker 3: white white.

3216
02:31:13,400 --> 02:31:15,560
Speaker 2: I learned that from girls. Girls, the girls when they

3217
02:31:15,640 --> 02:31:17,240
Speaker 2: go to like my wife and them when they go

3218
02:31:17,320 --> 02:31:19,080
Speaker 2: to restaurant, that's actually black.

3219
02:31:19,160 --> 02:31:19,360
Speaker 1: Yeah.

3220
02:31:19,560 --> 02:31:21,760
Speaker 2: What else is on your rider? Juicer?

3221
02:31:22,360 --> 02:31:24,760
Speaker 1: A juicer, A juicer with a little bunch of different fruits,

3222
02:31:24,760 --> 02:31:26,040
Speaker 1: because I like to make juices and all that.

3223
02:31:26,320 --> 02:31:27,840
Speaker 2: My wife holds the juice bar I could have. Bring.

3224
02:31:29,560 --> 02:31:31,119
Speaker 2: I ain't gonna live the next one. I need when

3225
02:31:31,160 --> 02:31:33,160
Speaker 2: when when you when they said that you wanted a candle,

3226
02:31:33,160 --> 02:31:34,279
Speaker 2: I said, this nigga different?

3227
02:31:35,440 --> 02:31:44,600
Speaker 1: Who told you I want to get many? No?

3228
02:31:44,800 --> 02:31:46,640
Speaker 2: No, that was that was so fly. I said, make

3229
02:31:46,680 --> 02:31:50,000
Speaker 2: sure you're gonna get that. Get that like I sit

3230
02:31:50,040 --> 02:31:51,880
Speaker 2: in candle. That's some flysh What else is on yours?

3231
02:31:52,000 --> 02:31:54,959
Speaker 3: To burn off the spirits? Okay, no for the most part.

3232
02:31:55,040 --> 02:31:56,520
Speaker 3: So you got you got the juicer, You got the

3233
02:31:56,560 --> 02:31:57,080
Speaker 3: white towel.

3234
02:31:57,680 --> 02:32:01,680
Speaker 2: I love candy, all right, so different to a balance,

3235
02:32:01,720 --> 02:32:02,680
Speaker 2: hold hold on juice.

3236
02:32:03,520 --> 02:32:05,880
Speaker 6: He just said that je give me the healthy ship

3237
02:32:05,879 --> 02:32:06,400
Speaker 6: and give.

3238
02:32:06,240 --> 02:32:06,720
Speaker 1: Me the sugar.

3239
02:32:06,840 --> 02:32:10,400
Speaker 2: What do the vegetables? That's why I still what are

3240
02:32:10,440 --> 02:32:11,840
Speaker 2: you putting the juice? What kind of fruit?

3241
02:32:11,959 --> 02:32:12,240
Speaker 1: Fruits?

3242
02:32:12,840 --> 02:32:15,520
Speaker 3: It depends on what fruits. I'm like, every territory has

3243
02:32:15,560 --> 02:32:16,160
Speaker 3: their fruit.

3244
02:32:17,879 --> 02:32:17,920
Speaker 6: Y.

3245
02:32:18,280 --> 02:32:21,680
Speaker 2: Yeah, you know, you're traveling the world sometimes exact whatever.

3246
02:32:22,360 --> 02:32:25,600
Speaker 2: That's kind of smart. That's kind of smart. Whatever the season,

3247
02:32:25,680 --> 02:32:29,680
Speaker 2: you know, season, sparing season, you know, things like that.

3248
02:32:29,800 --> 02:32:31,840
Speaker 3: So that's that's like the best way to go. And

3249
02:32:31,920 --> 02:32:34,360
Speaker 3: then last but not least, if can kind of candy

3250
02:32:34,440 --> 02:32:37,359
Speaker 3: dog just different sort of candies like Skittles, Gummy.

3251
02:32:37,120 --> 02:32:39,840
Speaker 2: Bess, Twitter and make him put out just the rad Skittles.

3252
02:32:40,320 --> 02:32:43,480
Speaker 1: No, I've heard stories like that, they like I want

3253
02:32:43,600 --> 02:32:46,360
Speaker 1: already Eminem's and ship Yeah, who was that?

3254
02:32:48,280 --> 02:32:48,720
Speaker 2: I heard that.

3255
02:32:49,240 --> 02:32:52,039
Speaker 1: I've been heard a lot of those kind of artists

3256
02:32:52,080 --> 02:32:52,600
Speaker 1: do exist, though.

3257
02:32:54,720 --> 02:32:56,840
Speaker 2: Listen, that's the part of the show. We're going to

3258
02:32:57,160 --> 02:33:00,000
Speaker 2: ask people they ride like they ride because.

3259
02:32:59,760 --> 02:33:01,280
Speaker 1: You actually have listen.

3260
02:33:01,360 --> 02:33:05,160
Speaker 2: Listen listen by the way for the show. No no, no, no,

3261
02:33:05,200 --> 02:33:08,039
Speaker 2: no no no, for this your regular Because I always

3262
02:33:08,120 --> 02:33:10,440
Speaker 2: love like when I we interview. We've been doing it

3263
02:33:10,520 --> 02:33:13,520
Speaker 2: seven years seven plus. I always love. My favorite part

3264
02:33:13,680 --> 02:33:16,240
Speaker 2: is me asking them what they're gonna drink, because like

3265
02:33:16,360 --> 02:33:18,840
Speaker 2: I'm straight up judge you from what you're gonna drink.

3266
02:33:19,280 --> 02:33:23,119
Speaker 2: If a person order old English, I know what kind

3267
02:33:23,160 --> 02:33:25,240
Speaker 2: of show this is going to be if they.

3268
02:33:25,240 --> 02:33:27,840
Speaker 1: Order it depends on if they order back bar zonals.

3269
02:33:27,840 --> 02:33:29,320
Speaker 1: When we ask someone and they give us a.

3270
02:33:29,320 --> 02:33:33,520
Speaker 2: Whole writer of liquor, oh yeah, yeah, did That's.

3271
02:33:32,959 --> 02:33:35,119
Speaker 6: Been a couple of people they order like the four

3272
02:33:35,160 --> 02:33:38,680
Speaker 6: thousand dollars bottle of this, We're like, sorry, really.

3273
02:33:38,520 --> 02:33:44,480
Speaker 1: Got the rocketing. No.

3274
02:33:44,600 --> 02:33:46,760
Speaker 2: But even though even though like like if a person

3275
02:33:47,040 --> 02:33:50,480
Speaker 2: order a tequila or whatever, we don't tell them. We

3276
02:33:50,520 --> 02:33:52,400
Speaker 2: ain't giving them that. We just gonna get here. We

3277
02:33:52,480 --> 02:33:57,760
Speaker 2: give them same. But I always always like, uh, and

3278
02:33:58,120 --> 02:34:01,440
Speaker 2: Riders is the same exact thing, because I remember me

3279
02:34:01,560 --> 02:34:06,520
Speaker 2: being in I remember me being in Japan and I

3280
02:34:06,640 --> 02:34:10,280
Speaker 2: came after l L so l L must have been

3281
02:34:11,200 --> 02:34:14,119
Speaker 2: he must have been he the word is he had

3282
02:34:14,160 --> 02:34:15,720
Speaker 2: them looking for green apples.

3283
02:34:17,240 --> 02:34:20,760
Speaker 1: I guess in that part of Japan that didn't exist.

3284
02:34:21,400 --> 02:34:23,120
Speaker 2: But they didn't want to tell No.

3285
02:34:24,720 --> 02:34:28,160
Speaker 1: I don't know, I don't know, but I remember the promoter.

3286
02:34:28,000 --> 02:34:31,640
Speaker 2: Like would get created. I was with Edible pain on

3287
02:34:31,760 --> 02:34:36,640
Speaker 2: my rider was fucking larch. It was wack back then.

3288
02:34:36,680 --> 02:34:39,520
Speaker 2: I booked you through Violet the first time I violated.

3289
02:34:39,600 --> 02:34:41,240
Speaker 2: We were putting all that ship on my rider.

3290
02:34:52,760 --> 02:34:54,560
Speaker 1: You know, some of them. You got to consolidate them.

3291
02:34:56,800 --> 02:34:58,920
Speaker 1: What is on your right? What's your wildest thing on

3292
02:34:58,959 --> 02:35:02,840
Speaker 1: your right? Like KFC KFC, but you was gonna have

3293
02:35:02,879 --> 02:35:06,600
Speaker 1: a leopard or something. I don't have nothing. Person, I

3294
02:35:07,000 --> 02:35:08,560
Speaker 1: can't see you. Gotta drink some waters.

3295
02:35:08,560 --> 02:35:08,800
Speaker 6: That's it.

3296
02:35:09,000 --> 02:35:10,360
Speaker 1: That's it. That's because I'm being along.

3297
02:35:11,000 --> 02:35:14,200
Speaker 2: I can't see candy. You gotta you all over the place.

3298
02:35:14,280 --> 02:35:15,920
Speaker 2: I gotta get with your homies. I gotta get with

3299
02:35:15,959 --> 02:35:18,720
Speaker 2: your homie. Gonna see Fat Joe don't don't drink none

3300
02:35:18,760 --> 02:35:21,360
Speaker 2: of that, right, So let me tell you something. If

3301
02:35:21,400 --> 02:35:23,440
Speaker 2: you ever were on a Fat Joe show and you

3302
02:35:23,560 --> 02:35:25,959
Speaker 2: drink alcohol, just go in his room and take it off.

3303
02:35:26,879 --> 02:35:29,200
Speaker 2: He ain't gonna drink none of when he drinks, he

3304
02:35:29,560 --> 02:35:32,680
Speaker 2: orders it all. I'm like, we was in Vegas with

3305
02:35:32,959 --> 02:35:37,600
Speaker 2: the other day. I was like, my brother, I'm gonna

3306
02:35:37,640 --> 02:35:39,320
Speaker 2: take it off. I'm going to a club. This is

3307
02:35:39,400 --> 02:35:42,280
Speaker 2: my first time in like fifteen years I went to

3308
02:35:42,400 --> 02:35:45,880
Speaker 2: a club and I spent a dollar like not even

3309
02:35:46,160 --> 02:35:48,600
Speaker 2: not even like I had to tip the waitress.

3310
02:35:48,680 --> 02:35:49,760
Speaker 1: It's all there already.

3311
02:35:50,040 --> 02:35:52,240
Speaker 2: We just grabbed the sit and was like, is it okay?

3312
02:35:52,320 --> 02:35:53,120
Speaker 1: We go to our room.

3313
02:35:53,560 --> 02:35:54,199
Speaker 2: He's like ahead.

3314
02:35:54,320 --> 02:35:59,760
Speaker 1: We literally took his whole bar his home and guess

3315
02:35:59,800 --> 02:36:06,560
Speaker 1: what drinking all that is?

3316
02:36:06,640 --> 02:36:07,880
Speaker 2: Wild on your ride?

3317
02:36:08,000 --> 02:36:10,879
Speaker 1: No? No, not like okay? Cool?

3318
02:36:11,160 --> 02:36:12,080
Speaker 2: What's on your rider?

3319
02:36:12,240 --> 02:36:15,040
Speaker 1: Yeah? Man, rider, you ain't gotta I got anything?

3320
02:36:15,280 --> 02:36:15,320
Speaker 2: No?

3321
02:36:15,440 --> 02:36:15,640
Speaker 6: Yeah?

3322
02:36:16,800 --> 02:36:18,199
Speaker 1: For our Vegas show, did.

3323
02:36:21,320 --> 02:36:25,119
Speaker 2: You like large brow Bacardi fireball?

3324
02:36:25,840 --> 02:36:27,880
Speaker 1: What do we eat that with me? And something that

3325
02:36:27,920 --> 02:36:32,560
Speaker 1: you gotta have your Yeah, I'm pescatarian yea and him prescotarian.

3326
02:36:32,600 --> 02:36:33,000
Speaker 6: I can do that.

3327
02:36:33,040 --> 02:36:39,680
Speaker 2: All pescantarian do that. That's that's Sunday joke. That's Sundays joke, Joe, Yeah,

3328
02:36:39,959 --> 02:36:45,160
Speaker 2: for both day baby. And you said your favorite part

3329
02:36:45,760 --> 02:36:48,560
Speaker 2: is Africa to perform. What is your favorite state in

3330
02:36:48,680 --> 02:36:49,640
Speaker 2: America to perform?

3331
02:36:50,680 --> 02:36:56,880
Speaker 1: Uh? Probably city? Favorite city probably Jersey.

3332
02:36:57,320 --> 02:36:59,480
Speaker 2: I was hoping you said Jersey. I was hoping you

3333
02:36:59,520 --> 02:37:08,120
Speaker 2: said Jersey. Got Now we gotta address this. French Montana

3334
02:37:08,200 --> 02:37:12,560
Speaker 2: has not let this go. We see you walk in

3335
02:37:12,680 --> 02:37:17,320
Speaker 2: with the that's the panther cardier them bracelets them trust

3336
02:37:17,440 --> 02:37:20,920
Speaker 2: me guys out of this roof and you can't even

3337
02:37:20,959 --> 02:37:23,520
Speaker 2: get these you got it on. You have to protect

3338
02:37:24,560 --> 02:37:26,640
Speaker 2: Are you ever gonna give French a watch so he

3339
02:37:26,680 --> 02:37:29,440
Speaker 2: could stop telling this story until you eating it out.

3340
02:37:29,560 --> 02:37:36,000
Speaker 1: Listen, me and French got got that day that lost money.

3341
02:37:37,920 --> 02:37:47,440
Speaker 2: I walked to the watch for me because he case it.

3342
02:37:47,480 --> 02:37:49,040
Speaker 1: Man, that's a nice watch, I said, Nigga, I got

3343
02:37:49,120 --> 02:37:51,520
Speaker 1: on for you too, because at the time.

3344
02:37:53,400 --> 02:37:54,000
Speaker 2: You had yours.

3345
02:37:54,040 --> 02:37:56,400
Speaker 3: See, this is the thing. I didn't know what a

3346
02:37:56,480 --> 02:37:59,760
Speaker 3: huge blow was. I just knew that I liked that.

3347
02:38:00,080 --> 02:38:02,880
Speaker 3: That was just a nice watch. So the dude was,

3348
02:38:03,080 --> 02:38:05,160
Speaker 3: you know, selling watches, and I said, how much is

3349
02:38:05,200 --> 02:38:07,200
Speaker 3: that watch? And he's like, you don't normally like fifteen

3350
02:38:07,240 --> 02:38:09,440
Speaker 3: twenty thousand, he said, but I got a guy that

3351
02:38:09,520 --> 02:38:12,520
Speaker 3: can get his Swiss for five. I was like, okay, cool,

3352
02:38:12,640 --> 02:38:14,480
Speaker 3: give me three of them. So he met me at

3353
02:38:14,520 --> 02:38:16,360
Speaker 3: the W Hotel with.

3354
02:38:16,480 --> 02:38:19,160
Speaker 1: To of the watches, the exact Time Square hotel, Time

3355
02:38:19,160 --> 02:38:20,279
Speaker 1: Square w Hotel.

3356
02:38:20,040 --> 02:38:22,680
Speaker 3: With the same exact type watches. Now mind you, I'm

3357
02:38:22,720 --> 02:38:25,040
Speaker 3: not knowing the details. I just know that watch looked

3358
02:38:25,040 --> 02:38:25,480
Speaker 3: like the one that.

3359
02:38:25,520 --> 02:38:27,480
Speaker 1: I liked in the jewelry store. That's all I know.

3360
02:38:28,000 --> 02:38:29,840
Speaker 1: I'm not into watches at the time. I wasn't.

3361
02:38:30,120 --> 02:38:32,600
Speaker 2: Okay, so you in the jewelry store, you see the watches,

3362
02:38:32,680 --> 02:38:34,080
Speaker 2: this guy says you a I could give you.

3363
02:38:34,360 --> 02:38:36,440
Speaker 1: Yeah, don't spend that money. I got you.

3364
02:38:36,520 --> 02:38:37,560
Speaker 2: This is not Canal Street.

3365
02:38:38,240 --> 02:38:39,119
Speaker 1: It was Canal Street.

3366
02:38:41,720 --> 02:38:48,119
Speaker 2: No, but listen, listen, listen, listen. I was on your side.

3367
02:38:49,560 --> 02:38:50,920
Speaker 6: Hold on, hold on, hold on.

3368
02:38:53,920 --> 02:38:57,360
Speaker 2: No, that's the thing. This is the thing. The watch.

3369
02:38:57,600 --> 02:38:59,520
Speaker 1: The watch wasn't street.

3370
02:39:00,120 --> 02:39:02,560
Speaker 3: I spotted the one that I liked on Canal Street

3371
02:39:03,200 --> 02:39:05,240
Speaker 3: and it was on the Chinese side with the good ship.

3372
02:39:05,760 --> 02:39:07,840
Speaker 1: No, the good ship, you know, can I got two sids. Ok,

3373
02:39:08,200 --> 02:39:09,440
Speaker 1: and you're not the one that goes through the back

3374
02:39:09,480 --> 02:39:10,320
Speaker 1: room and do all that, right.

3375
02:39:10,320 --> 02:39:13,200
Speaker 3: Okay, this is a good side. So Danny said, no,

3376
02:39:13,240 --> 02:39:14,520
Speaker 3: I'm gonna meet your the hotel. So he got me

3377
02:39:14,560 --> 02:39:16,520
Speaker 3: to the hotel and he showed me like, oh he's beautiful.

3378
02:39:16,800 --> 02:39:17,280
Speaker 2: Now, mind you.

3379
02:39:17,600 --> 02:39:19,720
Speaker 1: I'm I don't have no knowledge of time pieces at

3380
02:39:19,760 --> 02:39:21,880
Speaker 1: the time. I'm just African. I just know what I

3381
02:39:22,000 --> 02:39:22,880
Speaker 1: like and I buy what I like.

3382
02:39:23,320 --> 02:39:27,080
Speaker 2: I'm I don't know. H blow is very difficult to tell.

3383
02:39:27,000 --> 02:39:29,680
Speaker 1: Though, But at that time I didn't even know even

3384
02:39:29,680 --> 02:39:30,520
Speaker 1: know what it was like.

3385
02:39:30,760 --> 02:39:34,400
Speaker 2: I just know I liked the shame of it looked nice.

3386
02:39:34,520 --> 02:39:37,320
Speaker 1: And he goes shaving ten thousand dollars off. Why not

3387
02:39:38,280 --> 02:39:38,760
Speaker 1: think about it?

3388
02:39:38,879 --> 02:39:38,959
Speaker 4: Right?

3389
02:39:39,600 --> 02:39:41,720
Speaker 2: So Mane, you didn't even say who blow on it?

3390
02:39:43,120 --> 02:39:43,240
Speaker 1: Now?

3391
02:39:43,400 --> 02:39:46,000
Speaker 2: I think about it. Ain't going on it.

3392
02:39:49,480 --> 02:39:59,680
Speaker 1: Before said blowing that mother? Right now I'm thinking I'm

3393
02:39:59,680 --> 02:40:04,000
Speaker 1: doing a Indeed, it's my nigga. I said, I'll fuck

3394
02:40:04,040 --> 02:40:07,000
Speaker 1: with you, nigga, don't I'm a nigga. I'm I look

3395
02:40:07,160 --> 02:40:09,120
Speaker 1: ye get for another nigga, right, I'm just this show you.

3396
02:40:09,200 --> 02:40:10,880
Speaker 3: I don't really fuck with you, right, So I got one.

3397
02:40:10,879 --> 02:40:13,119
Speaker 3: I said, I'm get my man one. So he comes

3398
02:40:13,160 --> 02:40:13,640
Speaker 3: to the hotel.

3399
02:40:13,840 --> 02:40:14,680
Speaker 2: Man, I watch is dope?

3400
02:40:14,720 --> 02:40:16,959
Speaker 1: Mank man, Nigga, I got one for you. He's happy.

3401
02:40:17,200 --> 02:40:18,840
Speaker 1: We both walking out like we nigga.

3402
02:40:18,879 --> 02:40:20,039
Speaker 2: We chilling the whole day.

3403
02:40:20,040 --> 02:40:24,400
Speaker 1: Nigga and be like this, we're looking for Rick, We're

3404
02:40:24,440 --> 02:40:25,760
Speaker 1: looking for Dan. Show the walk.

3405
02:40:25,760 --> 02:40:32,440
Speaker 2: We're fixing the niggas can see what he got.

3406
02:40:33,920 --> 02:40:34,600
Speaker 1: So we go off.

3407
02:40:34,640 --> 02:40:37,760
Speaker 2: Everything is good. Nigga called me a week later, Yo, Bro,

3408
02:40:38,720 --> 02:40:39,360
Speaker 2: I said, what's up?

3409
02:40:40,440 --> 02:40:40,520
Speaker 1: Yo?

3410
02:40:40,760 --> 02:40:43,360
Speaker 2: The watch me? I said what he said?

3411
02:40:43,400 --> 02:40:46,960
Speaker 1: Man, that shit ain't real? I said, yes it is?

3412
02:40:47,720 --> 02:40:51,200
Speaker 1: He said, I said, what's wrong? The what does this

3413
02:40:51,280 --> 02:40:51,840
Speaker 1: stop working?

3414
02:40:51,959 --> 02:40:52,000
Speaker 6: Like?

3415
02:40:53,120 --> 02:40:55,360
Speaker 2: Did the hair stopped taking or something? He said, Nah,

3416
02:40:55,400 --> 02:40:55,879
Speaker 2: the ship.

3417
02:40:55,760 --> 02:40:56,320
Speaker 1: Taking is working.

3418
02:40:56,360 --> 02:40:58,600
Speaker 2: I said, nigga, this is it's real. He said no,

3419
02:40:59,200 --> 02:41:01,160
Speaker 2: he said, Nigga, I thought this was h blow. I said,

3420
02:41:01,160 --> 02:41:04,640
Speaker 2: what's that? He said, Nigga, you ain't know this is

3421
02:41:04,720 --> 02:41:05,480
Speaker 2: a fake. He blow.

3422
02:41:05,520 --> 02:41:06,600
Speaker 1: I said, what is it?

3423
02:41:06,680 --> 02:41:07,080
Speaker 2: Hue blow?

3424
02:41:07,160 --> 02:41:08,720
Speaker 1: So then I said, let me start looking around.

3425
02:41:09,000 --> 02:41:09,600
Speaker 2: Then I saw it.

3426
02:41:09,640 --> 02:41:11,040
Speaker 1: I was like, oh, ship, this is the watch that

3427
02:41:11,160 --> 02:41:14,880
Speaker 1: I saw at the store. This ship costs this much.

3428
02:41:15,560 --> 02:41:19,400
Speaker 1: Then I was like, damn, bro, he said, ship, my

3429
02:41:19,560 --> 02:41:23,040
Speaker 1: bad man. Look, just just just keep it as a

3430
02:41:23,120 --> 02:41:24,119
Speaker 1: token of my appreciation.

3431
02:41:24,240 --> 02:41:27,360
Speaker 2: Bro. It has been. It hasn't been subliminal.

3432
02:41:32,080 --> 02:41:32,320
Speaker 1: Ship.

3433
02:41:32,400 --> 02:41:39,720
Speaker 2: I kept wearing mine, nig I can't wear I got something.

3434
02:41:39,879 --> 02:41:41,200
Speaker 1: Compliments come here.

3435
02:41:42,720 --> 02:41:45,800
Speaker 3: I got so many compliments on that thing. Oh man,

3436
02:41:46,520 --> 02:41:48,240
Speaker 3: not but me and you know, me and French laughing

3437
02:41:48,240 --> 02:41:50,520
Speaker 3: about that ship every day. So now he's like, you

3438
02:41:50,520 --> 02:41:51,800
Speaker 3: know what I'm saying, when youre gonna go, you're gonna

3439
02:41:51,800 --> 02:41:52,400
Speaker 3: get me a new watch.

3440
02:41:52,680 --> 02:41:53,680
Speaker 1: I said, nigga, what I gave you.

3441
02:41:53,680 --> 02:41:55,160
Speaker 2: You need to be watching. You need to be buying

3442
02:41:55,240 --> 02:42:03,880
Speaker 2: meal washing ship. So so was he actually signed to you? Yeah?

3443
02:42:04,160 --> 02:42:06,200
Speaker 1: So so he was. So French was signed to me.

3444
02:42:07,000 --> 02:42:09,240
Speaker 1: And my thing was I wanted to go international. With

3445
02:42:09,360 --> 02:42:13,160
Speaker 1: him right. So at that time, French was just making

3446
02:42:13,320 --> 02:42:16,120
Speaker 1: afro beats back then, not afrobeats.

3447
02:42:15,600 --> 02:42:19,120
Speaker 3: But just more commercial acrossover and eventually take him to

3448
02:42:19,160 --> 02:42:20,360
Speaker 3: Africa because my whole thing.

3449
02:42:20,400 --> 02:42:23,400
Speaker 1: The French was like, bro, you African, nigga, you're from Morocco,

3450
02:42:24,360 --> 02:42:26,480
Speaker 1: Like do you know? Yeah, so when you leave America,

3451
02:42:26,520 --> 02:42:30,960
Speaker 1: everybody without a doubt. I don't know about that part.

3452
02:42:31,040 --> 02:42:34,080
Speaker 2: I apologize. You know what I'm saying. I said, nigga,

3453
02:42:34,080 --> 02:42:34,200
Speaker 2: this is.

3454
02:42:34,400 --> 02:42:34,760
Speaker 7: This is it.

3455
02:42:35,280 --> 02:42:37,279
Speaker 3: So as we start going on, he's still making records,

3456
02:42:37,280 --> 02:42:38,000
Speaker 3: but more.

3457
02:42:38,440 --> 02:42:39,040
Speaker 1: For New York.

3458
02:42:39,600 --> 02:42:42,200
Speaker 3: So they came to me say, Yo, man, mean I

3459
02:42:42,240 --> 02:42:43,680
Speaker 3: think I want to just do I want to? I

3460
02:42:43,760 --> 02:42:45,720
Speaker 3: really want to base and make sure my my my

3461
02:42:45,920 --> 02:42:48,000
Speaker 3: my ship in New York is really cemented properly. So

3462
02:42:48,280 --> 02:42:49,840
Speaker 3: I think we should find a party that could work

3463
02:42:49,879 --> 02:42:52,240
Speaker 3: with us for New York. I said it was ship,

3464
02:42:53,040 --> 02:42:55,600
Speaker 3: think about somebody, let me know. And he's like, when

3465
02:42:55,640 --> 02:42:56,360
Speaker 3: you think about Diddy?

3466
02:42:57,000 --> 02:42:59,039
Speaker 1: I said, ship is that's the king of New York?

3467
02:42:59,080 --> 02:43:02,040
Speaker 1: Of course, why not? You know what I'm saying.

3468
02:43:02,320 --> 02:43:03,680
Speaker 2: So he was flying to.

3469
02:43:03,720 --> 02:43:06,040
Speaker 3: Vegas to go meet with Diddy and then when he

3470
02:43:06,080 --> 02:43:07,240
Speaker 3: got there, he put Diddy on the phone.

3471
02:43:07,240 --> 02:43:08,640
Speaker 1: Did He was like, Nigga, brown sugar. Will we be

3472
02:43:08,680 --> 02:43:09,280
Speaker 1: doing brown sugar?

3473
02:43:09,360 --> 02:43:11,560
Speaker 3: And he be calling me brown sugar, Niggo we doing, Nigga,

3474
02:43:11,560 --> 02:43:13,520
Speaker 3: we be doing. I said, man, listen, this kid right

3475
02:43:13,560 --> 02:43:15,040
Speaker 3: here to me is the biggest thing for me in

3476
02:43:15,120 --> 02:43:17,440
Speaker 3: New York. And I can't take him where he's trying

3477
02:43:17,440 --> 02:43:18,840
Speaker 3: to go in New York. The only thing I could

3478
02:43:18,840 --> 02:43:20,400
Speaker 3: see is a partnership with you to put it off

3479
02:43:20,879 --> 02:43:23,000
Speaker 3: and pull that off. And he was like, man, listen,

3480
02:43:23,280 --> 02:43:24,800
Speaker 3: with your blessing, if you let me take this on,

3481
02:43:24,879 --> 02:43:26,119
Speaker 3: I got it. I said, man, let we go ahead,

3482
02:43:26,160 --> 02:43:26,320
Speaker 3: take it.

3483
02:43:26,600 --> 02:43:26,760
Speaker 7: Wow.

3484
02:43:26,800 --> 02:43:28,960
Speaker 1: And that's how we ended up moving. So how you

3485
02:43:29,200 --> 02:43:31,120
Speaker 1: started doing stuff with Diddy? Wow?

3486
02:43:31,120 --> 02:43:33,200
Speaker 3: Because I was always the kind of artist like, even

3487
02:43:33,240 --> 02:43:35,880
Speaker 3: though when I sign acts, I'm not the kind of

3488
02:43:36,080 --> 02:43:37,640
Speaker 3: artist that I want to find.

3489
02:43:37,480 --> 02:43:41,160
Speaker 1: The best way for you to go. Cause me, my

3490
02:43:41,280 --> 02:43:42,800
Speaker 1: goal is to make you bigger than me if I

3491
02:43:42,840 --> 02:43:43,240
Speaker 1: can do that.

3492
02:43:43,720 --> 02:43:45,440
Speaker 6: Was that something you learned off of Jimmy and Ivan

3493
02:43:45,760 --> 02:43:48,160
Speaker 6: saying this was before Jimmy, Oh, this before this was

3494
02:43:48,240 --> 02:43:52,480
Speaker 6: just me seeing how like executives look.

3495
02:43:52,840 --> 02:43:56,240
Speaker 1: When one of theirs is huge, it makes you look

3496
02:43:56,320 --> 02:43:56,880
Speaker 1: like a genius.

3497
02:43:57,200 --> 02:44:00,160
Speaker 3: Sometimes the artist could be humongous but I even all

3498
02:44:00,200 --> 02:44:02,240
Speaker 3: your involvement, but you're still going to get the credit

3499
02:44:02,760 --> 02:44:04,640
Speaker 3: because of the fact that you put the person out

3500
02:44:04,680 --> 02:44:05,480
Speaker 3: into the marketplace.

3501
02:44:05,760 --> 02:44:06,320
Speaker 1: You know what I'm saying.

3502
02:44:06,760 --> 02:44:08,800
Speaker 3: So I always looked at as I always looked at

3503
02:44:08,840 --> 02:44:11,120
Speaker 3: it from a leveraging standpoint, because I always saw music

3504
02:44:11,160 --> 02:44:13,320
Speaker 3: as a stepping stone or a bridge to get to

3505
02:44:13,400 --> 02:44:14,160
Speaker 3: the real business.

3506
02:44:14,720 --> 02:44:17,480
Speaker 1: So people that's around me have to be attached.

3507
02:44:17,280 --> 02:44:19,480
Speaker 3: That they have to be successful for me to have

3508
02:44:19,840 --> 02:44:22,920
Speaker 3: these pitches taken seriously, you know, because now they're looking

3509
02:44:22,920 --> 02:44:24,720
Speaker 3: at my track record in the in the in the

3510
02:44:24,760 --> 02:44:26,360
Speaker 3: sector at which I'm actually active in.

3511
02:44:26,680 --> 02:44:29,760
Speaker 1: Ok Is he successful there? Okay? Cool? So clearly he

3512
02:44:29,879 --> 02:44:30,560
Speaker 1: knows what he's doing.

3513
02:44:30,800 --> 02:44:32,920
Speaker 3: Okay, Now, how can we use that to break this

3514
02:44:33,080 --> 02:44:35,280
Speaker 3: brand or partner with this brand, or take this piece

3515
02:44:35,320 --> 02:44:36,320
Speaker 3: of label to the next level?

3516
02:44:36,360 --> 02:44:38,080
Speaker 1: You know what I'm saying? Right right?

3517
02:44:38,400 --> 02:44:41,120
Speaker 2: If right now, right? I know you told me the

3518
02:44:41,160 --> 02:44:43,000
Speaker 2: places to go on Africa, But if I wanted to

3519
02:44:43,120 --> 02:44:45,960
Speaker 2: invest in the Africa, right, what's what are some of

3520
02:44:46,040 --> 02:44:47,360
Speaker 2: the things that I should look to.

3521
02:44:48,200 --> 02:44:49,879
Speaker 3: The first thing you should invest in, and I think

3522
02:44:49,920 --> 02:44:53,560
Speaker 3: that should be everybody's focus is real estate. Real estate,

3523
02:44:53,640 --> 02:44:57,879
Speaker 3: How super easy, super super easy but you don't want

3524
02:44:57,879 --> 02:45:00,120
Speaker 3: to invest from here. You want to go there, so

3525
02:45:00,240 --> 02:45:03,120
Speaker 3: you physically go there, physically go there like that's like

3526
02:45:03,840 --> 02:45:05,640
Speaker 3: if you're gonna just do it by sitting here, you

3527
02:45:05,760 --> 02:45:08,200
Speaker 3: might just go to Vegas and just toss your money

3528
02:45:08,240 --> 02:45:08,680
Speaker 3: in the casino.

3529
02:45:08,840 --> 02:45:11,440
Speaker 1: Got Because the thing is with investment, you got to

3530
02:45:11,480 --> 02:45:12,200
Speaker 1: know what you're investing in.

3531
02:45:12,280 --> 02:45:13,920
Speaker 3: You gotta be able to see the land, see the potential,

3532
02:45:13,959 --> 02:45:16,280
Speaker 3: see the areas that's growing, that's moving in that direction.

3533
02:45:16,360 --> 02:45:19,360
Speaker 3: Real estate is very it's mathematical, but you also have

3534
02:45:19,480 --> 02:45:22,080
Speaker 3: to have information through certain people to know which direction

3535
02:45:22,160 --> 02:45:23,720
Speaker 3: the development is headed, and that's the.

3536
02:45:23,760 --> 02:45:25,560
Speaker 1: Area where you want to be. You know, you don't

3537
02:45:25,600 --> 02:45:26,840
Speaker 1: want to go right where the.

3538
02:45:27,440 --> 02:45:30,680
Speaker 3: Investment is actually building now, but the development is going

3539
02:45:30,720 --> 02:45:32,760
Speaker 3: in that direction in the next two three years you

3540
02:45:32,800 --> 02:45:35,039
Speaker 3: can get that's what you get it at that level.

3541
02:45:35,280 --> 02:45:36,680
Speaker 1: So by the time it get there, they have to

3542
02:45:36,760 --> 02:45:38,320
Speaker 1: come see you. You know what I'm saying.

3543
02:45:38,320 --> 02:45:39,840
Speaker 3: You can either be a part of in the development

3544
02:45:40,160 --> 02:45:41,760
Speaker 3: or you can sell it out for five six times

3545
02:45:41,879 --> 02:45:44,280
Speaker 3: multiple on what you purchase it for, you know what

3546
02:45:44,320 --> 02:45:46,880
Speaker 3: I mean. But land right now is the best place

3547
02:45:46,959 --> 02:45:49,920
Speaker 3: to start in Africa because everybody in the globe is

3548
02:45:50,040 --> 02:45:52,800
Speaker 3: investing in Africa and it's all coming into development. So

3549
02:45:53,040 --> 02:45:55,800
Speaker 3: if you can acquire the land before they get to it, man,

3550
02:45:55,840 --> 02:45:57,120
Speaker 3: you're golden for the rest of your life.

3551
02:45:57,280 --> 02:45:59,520
Speaker 6: Does that help Africans for people from outside to.

3552
02:45:59,560 --> 02:46:00,879
Speaker 1: Invest it and buying land.

3553
02:46:01,040 --> 02:46:03,480
Speaker 3: Absolutely, because it creates an economy, It creates jobs, It

3554
02:46:03,560 --> 02:46:05,760
Speaker 3: creates more opportunities for even them to be able to

3555
02:46:05,760 --> 02:46:08,240
Speaker 3: do things. Because we gotta think Africa in a big

3556
02:46:08,320 --> 02:46:12,199
Speaker 3: way is lacking resources. So if people don't come creating

3557
02:46:12,360 --> 02:46:15,240
Speaker 3: or bringing resources there, it's gonna be on standstill. Right,

3558
02:46:15,440 --> 02:46:18,600
Speaker 3: So it benefits, it's Africa's Yes, it benefits. Then when

3559
02:46:18,640 --> 02:46:20,920
Speaker 3: people come and invest and create opportunity.

3560
02:46:21,480 --> 02:46:23,480
Speaker 2: How about it be like I'm a condo guy, I

3561
02:46:23,480 --> 02:46:24,039
Speaker 2: don't really.

3562
02:46:23,879 --> 02:46:26,760
Speaker 1: Like how right? Which is even better? Actually condos go

3563
02:46:26,879 --> 02:46:27,440
Speaker 1: even quicker.

3564
02:46:27,680 --> 02:46:31,200
Speaker 3: Oh wow, man, listen in Senegal right now, you can't

3565
02:46:31,280 --> 02:46:35,200
Speaker 3: find just the land to build a condo in the

3566
02:46:35,240 --> 02:46:36,000
Speaker 3: city for seven.

3567
02:46:35,920 --> 02:46:37,920
Speaker 1: Hundred and fifty thousand acre. Wow.

3568
02:46:38,120 --> 02:46:38,720
Speaker 2: That's an acre.

3569
02:46:39,520 --> 02:46:42,720
Speaker 3: Wow, seven hundred and fifty thousand dollars per acre. And

3570
02:46:42,840 --> 02:46:44,879
Speaker 3: that's just the land by self before the condo's up.

3571
02:46:45,200 --> 02:46:47,600
Speaker 3: Once the condo's up, they starting at a million dollars

3572
02:46:47,640 --> 02:46:52,000
Speaker 3: each wow. And that's the person that was buying land

3573
02:46:52,840 --> 02:46:54,280
Speaker 3: at the time when we was buying land. Now look

3574
02:46:54,280 --> 02:46:54,920
Speaker 3: where they're at with it.

3575
02:46:55,640 --> 02:46:59,280
Speaker 2: Like everyone is moving to Puerto Rico right now because

3576
02:46:59,600 --> 02:47:02,600
Speaker 2: the tax break. Is there a place in Africa where

3577
02:47:02,600 --> 02:47:04,600
Speaker 2: there's a tax bak like people have that, do bay?

3578
02:47:04,680 --> 02:47:05,480
Speaker 2: I believe too as.

3579
02:47:05,440 --> 02:47:07,600
Speaker 1: We listen, everywhere in Africa is a tax break. Ain't

3580
02:47:07,640 --> 02:47:08,240
Speaker 1: no tax.

3581
02:47:12,080 --> 02:47:13,440
Speaker 2: To keep your money there because if you bring it

3582
02:47:13,520 --> 02:47:14,240
Speaker 2: over here then you're.

3583
02:47:14,160 --> 02:47:14,800
Speaker 1: Gonna have to pay.

3584
02:47:15,040 --> 02:47:17,320
Speaker 3: But that's I mean, that's I mean, that's just you know,

3585
02:47:17,720 --> 02:47:20,360
Speaker 3: whoever is your CFO, they'll tell you exactly how to

3586
02:47:20,400 --> 02:47:22,879
Speaker 3: move your money around. But I think the continent product

3587
02:47:22,959 --> 02:47:25,560
Speaker 3: right now, in the near future, it's the most safest

3588
02:47:25,560 --> 02:47:28,000
Speaker 3: way to park your money. And it's gonna be I mean,

3589
02:47:28,160 --> 02:47:31,200
Speaker 3: that's where everybody's going. Everywhere else, everybody's afraid trying to

3590
02:47:31,200 --> 02:47:32,400
Speaker 3: pull their money out so they can be a.

3591
02:47:32,640 --> 02:47:38,039
Speaker 1: Freely spend it, right you know. Yeah, this is crazy, man. Yeah,

3592
02:47:38,120 --> 02:47:38,680
Speaker 1: So get to it.

3593
02:47:38,920 --> 02:47:43,320
Speaker 2: Yeah, I'm getting to it. So this the hottest spots again, Ghana,

3594
02:47:43,680 --> 02:47:44,600
Speaker 2: Nigeria right now.

3595
02:47:44,840 --> 02:47:52,520
Speaker 3: Ghana, Nigeria, Senegal, Rwanda, uh Kenya, Kenya is very hot

3596
02:47:52,600 --> 02:47:56,360
Speaker 3: right now. Cape verd beautiful islands. It's almost like the

3597
02:47:56,800 --> 02:48:00,320
Speaker 3: like the like the West, you know, Rhode Island, yep.

3598
02:48:04,120 --> 02:48:10,840
Speaker 2: So the caver is Africa like Tanzania, Tanzania.

3599
02:48:11,040 --> 02:48:14,240
Speaker 3: Super opportunities over there, without a doubt when it comes

3600
02:48:14,280 --> 02:48:20,160
Speaker 3: to real estate, housing, affordable living and amazing South Africa. Beautiful,

3601
02:48:20,879 --> 02:48:25,440
Speaker 3: beautiful bro beautiful houses, beautiful beaches and it's cheap. It's

3602
02:48:25,480 --> 02:48:29,240
Speaker 3: not even expensive to Cape Town is amazing and it's

3603
02:48:29,560 --> 02:48:32,960
Speaker 3: I mean the price point, bro man, whatever you spend

3604
02:48:33,000 --> 02:48:34,920
Speaker 3: in the Miami, if you see the house that you

3605
02:48:34,959 --> 02:48:38,000
Speaker 3: could buy with that sound beautiful bro on the water

3606
02:48:38,520 --> 02:48:40,720
Speaker 3: with the splashes of that water every morning.

3607
02:48:41,600 --> 02:48:44,280
Speaker 6: And Johanna's to me, it reminded me of like New

3608
02:48:44,360 --> 02:48:46,840
Speaker 6: York and the eighties, like the way that the metropolitan

3609
02:48:47,440 --> 02:48:51,240
Speaker 6: view of it is dope, beautiful, get staffed. No, no, no,

3610
02:48:51,360 --> 02:48:55,640
Speaker 6: I'm just saying no, you're right, You're right. I'm just saying,

3611
02:48:55,680 --> 02:48:56,160
Speaker 6: like the way that.

3612
02:48:59,080 --> 02:49:01,640
Speaker 3: I would give it more of a like Johannesburg is

3613
02:49:01,720 --> 02:49:06,160
Speaker 3: more like what is describing Cape Town is more like Venice, right,

3614
02:49:06,240 --> 02:49:06,760
Speaker 3: you know what I'm.

3615
02:49:06,600 --> 02:49:12,320
Speaker 1: Saying, It's more of Italy in l a Venison, probably

3616
02:49:12,400 --> 02:49:15,320
Speaker 1: Venice in La Okay Venice in La Yeah, I mean,

3617
02:49:15,400 --> 02:49:17,520
Speaker 1: but they got the political needs. They got to deal

3618
02:49:17,560 --> 02:49:17,680
Speaker 1: with that.

3619
02:49:18,120 --> 02:49:20,800
Speaker 3: And I think that's everywhere. But I think as once

3620
02:49:20,800 --> 02:49:25,160
Speaker 3: should become a notable you know, like entrepreneur. Over those

3621
02:49:25,200 --> 02:49:28,640
Speaker 3: areas you get influenced, so politics don't really affect you,

3622
02:49:29,160 --> 02:49:30,880
Speaker 3: right because you get in bed with those guys to

3623
02:49:30,920 --> 02:49:33,879
Speaker 3: get to do business, you know, to help move policy

3624
02:49:33,920 --> 02:49:36,600
Speaker 3: forward for your agenda, their agendas, like it's all about

3625
02:49:36,680 --> 02:49:37,959
Speaker 3: you know, it's just business.

3626
02:49:37,800 --> 02:49:40,200
Speaker 6: Politicals And the people are amazing out there. Yeah, I

3627
02:49:40,240 --> 02:49:41,680
Speaker 6: mean I only been to South Africa, but the people

3628
02:49:41,720 --> 02:49:42,119
Speaker 6: were amazing.

3629
02:49:42,160 --> 02:49:44,680
Speaker 2: Yeah, as you opened a Drake Champs bar after that

3630
02:49:44,680 --> 02:49:45,600
Speaker 2: would be easy.

3631
02:49:45,959 --> 02:49:48,160
Speaker 3: That would be crazy only in South Africa though, because

3632
02:49:48,160 --> 02:49:51,280
Speaker 3: a lot of countries in Africa are Muslim, so those

3633
02:49:51,280 --> 02:49:53,959
Speaker 3: populations don't drink or smoke, right, they're doing in quiet

3634
02:49:54,160 --> 02:49:57,680
Speaker 3: or after our spots like that. But like any any

3635
02:49:57,760 --> 02:50:00,800
Speaker 3: areas like Uganda would be good for that, anywhere in

3636
02:50:00,879 --> 02:50:03,640
Speaker 3: South as Nigeria they drink out there, right, Nigeria would

3637
02:50:03,640 --> 02:50:05,800
Speaker 3: be good for that because Nigeria's split half.

3638
02:50:06,280 --> 02:50:08,080
Speaker 2: What's the place that they say, like they stay open

3639
02:50:08,240 --> 02:50:10,720
Speaker 2: almost twenty four hours and just keep partying, keeping Nigeria.

3640
02:50:11,480 --> 02:50:12,240
Speaker 1: Nigerian parties.

3641
02:50:12,360 --> 02:50:12,920
Speaker 2: That's Nigeria.

3642
02:50:13,480 --> 02:50:16,720
Speaker 3: Does it when it's time, like during festive festive.

3643
02:50:16,440 --> 02:50:18,560
Speaker 1: Moments and months. Okay, you know when people come from

3644
02:50:18,560 --> 02:50:20,360
Speaker 1: all over the world, they just be partying all night.

3645
02:50:20,720 --> 02:50:24,199
Speaker 2: Right yeah, oh man, I'm convinced.

3646
02:50:24,240 --> 02:50:25,960
Speaker 1: Hey man, you can watch my documentary Coming Home, so

3647
02:50:26,080 --> 02:50:28,760
Speaker 1: that I'm just saying, shame. I remember, I gotta watch

3648
02:50:28,800 --> 02:50:30,880
Speaker 1: that right now, I gotta watch that.

3649
02:50:30,959 --> 02:50:33,280
Speaker 2: I think I said this to you on the last episode.

3650
02:50:33,280 --> 02:50:36,480
Speaker 2: But I remember all the time getting shows in Africa

3651
02:50:37,160 --> 02:50:37,400
Speaker 2: and you.

3652
02:50:37,720 --> 02:50:38,200
Speaker 1: Turn them down.

3653
02:50:38,760 --> 02:50:41,480
Speaker 2: I'm saying, you need you need this is way before that.

3654
02:50:41,520 --> 02:50:44,720
Speaker 2: You don't need it from Yeah, And that's how they

3655
02:50:44,760 --> 02:50:45,680
Speaker 2: always use to say that.

3656
02:50:45,760 --> 02:50:46,520
Speaker 1: I think it's a choice.

3657
02:50:46,520 --> 02:50:48,320
Speaker 3: Now I'm want to say something without signing of racist,

3658
02:50:48,360 --> 02:50:51,720
Speaker 3: but Blacks and Latinos don't need shots for Africa a right, really, yes,

3659
02:50:51,760 --> 02:50:53,800
Speaker 3: they already got DNA. White people is a little bit

3660
02:50:53,800 --> 02:50:57,400
Speaker 3: different because they more the temperature and the kind of

3661
02:50:57,480 --> 02:51:00,520
Speaker 3: things that their their skin and body can withstand. A

3662
02:51:00,600 --> 02:51:02,240
Speaker 3: lot of it won't survive in Africa, so they need

3663
02:51:02,280 --> 02:51:04,279
Speaker 3: shots to, you know, to kind of boost their immunes

3664
02:51:04,280 --> 02:51:04,600
Speaker 3: and stuff.

3665
02:51:04,640 --> 02:51:06,720
Speaker 6: But y'all straight, I mean, I definitely didn't take a

3666
02:51:06,720 --> 02:51:07,760
Speaker 6: shot when I went to South Africa.

3667
02:51:07,840 --> 02:51:08,720
Speaker 1: Yeah, you won't need it.

3668
02:51:09,240 --> 02:51:12,280
Speaker 2: It was good, we ate good, we drank good. Yeah,

3669
02:51:12,280 --> 02:51:12,640
Speaker 2: it's true.

3670
02:51:13,760 --> 02:51:16,280
Speaker 1: Well, it's like it's like it's like when I go,

3671
02:51:16,440 --> 02:51:17,360
Speaker 1: like to the North Pole.

3672
02:51:18,240 --> 02:51:19,720
Speaker 3: Like when I go to the North Pole, I gotta

3673
02:51:19,720 --> 02:51:22,200
Speaker 3: take shots. I can't be around places too cold, I

3674
02:51:22,240 --> 02:51:22,520
Speaker 3: get sick.

3675
02:51:22,800 --> 02:51:24,160
Speaker 2: You've been North Pole once?

3676
02:51:25,440 --> 02:51:28,440
Speaker 1: I took shots? Take shots?

3677
02:51:29,640 --> 02:51:34,320
Speaker 2: Huh No, I don't know.

3678
02:51:34,800 --> 02:51:37,560
Speaker 3: It was a private it was a private wedding by

3679
02:51:38,000 --> 02:51:40,920
Speaker 3: a wealthy Russian family. Had to be bro I froze

3680
02:51:40,959 --> 02:51:44,360
Speaker 3: my balls off. I said, I'm never going back there ever.

3681
02:51:45,800 --> 02:51:47,720
Speaker 3: But I remember I remember having to take shots before

3682
02:51:47,720 --> 02:51:47,959
Speaker 3: I went.

3683
02:51:48,560 --> 02:51:49,920
Speaker 2: And what was your shots?

3684
02:51:50,040 --> 02:51:51,920
Speaker 1: Like, I don't even know what it was. I don't

3685
02:51:51,920 --> 02:51:52,560
Speaker 1: even know what it was.

3686
02:51:52,640 --> 02:51:54,320
Speaker 2: It was like the opposite of all I know that

3687
02:51:54,440 --> 02:51:54,640
Speaker 2: it was.

3688
02:51:54,840 --> 02:51:56,760
Speaker 3: They said, you might want to take the shot before

3689
02:51:56,800 --> 02:51:59,560
Speaker 3: you go. I said, I'm good. He said, no, trust me,

3690
02:52:00,040 --> 02:52:01,240
Speaker 3: you're black. You gotta take a shot.

3691
02:52:01,840 --> 02:52:02,120
Speaker 2: Ship.

3692
02:52:02,680 --> 02:52:05,920
Speaker 3: That's when I realized, oh, Ship, certain people just survived

3693
02:52:05,959 --> 02:52:08,119
Speaker 3: better than certain parts of the world because of our DNA.

3694
02:52:10,200 --> 02:52:10,600
Speaker 2: That's it.

3695
02:52:10,840 --> 02:52:11,240
Speaker 1: That's ill.

3696
02:52:11,400 --> 02:52:13,520
Speaker 2: That's I got to make some lawyers that I never

3697
02:52:13,600 --> 02:52:18,880
Speaker 2: knew not it like that. Yeah, besides Africa, where's the

3698
02:52:18,920 --> 02:52:21,280
Speaker 2: illest part in the world that two like alum are

3699
02:52:21,360 --> 02:52:23,640
Speaker 2: performed and we were like freaked out.

3700
02:52:23,959 --> 02:52:25,920
Speaker 1: The illest part, you know what.

3701
02:52:26,120 --> 02:52:29,080
Speaker 3: I think probably the one place that I did perform

3702
02:52:29,160 --> 02:52:32,879
Speaker 3: and I didn't expect it to be I didn't expect

3703
02:52:32,920 --> 02:52:35,320
Speaker 3: it to be as crazy as it was was Lebanon.

3704
02:52:35,840 --> 02:52:37,520
Speaker 2: Lebanon, Yo, Lebanon.

3705
02:52:37,560 --> 02:52:37,920
Speaker 1: I don't know.

3706
02:52:38,160 --> 02:52:39,840
Speaker 6: They call it the Vegas of the Middle East something

3707
02:52:39,879 --> 02:52:44,920
Speaker 6: like that, or the parents of the Middle I don't

3708
02:52:44,959 --> 02:52:46,400
Speaker 6: realize how crazy.

3709
02:52:47,080 --> 02:52:47,200
Speaker 1: Yo.

3710
02:52:47,320 --> 02:52:50,320
Speaker 3: Those probably got easiest wireless fans I ever was in

3711
02:52:50,360 --> 02:52:51,720
Speaker 3: front of Lebanon.

3712
02:52:52,720 --> 02:52:55,320
Speaker 1: Oh my god. They just had some crazy civil wars.

3713
02:52:55,240 --> 02:52:59,640
Speaker 3: Lebanon and Pakistan. Pakistan was crazy too, really, Pakistan was crazy.

3714
02:53:00,000 --> 02:53:01,280
Speaker 3: Audience as religious as they are.

3715
02:53:01,640 --> 02:53:04,720
Speaker 2: Yeah, it was packed.

3716
02:53:05,280 --> 02:53:08,600
Speaker 1: And that audience, when I tell you, I can't imagine

3717
02:53:08,640 --> 02:53:10,560
Speaker 1: if y'all to perform out that with your type of music.

3718
02:53:11,000 --> 02:53:21,160
Speaker 1: Oh my goodness. What did you see in college? And

3719
02:53:21,480 --> 02:53:22,959
Speaker 1: Rick Ross and then went to Saudi?

3720
02:53:23,360 --> 02:53:26,560
Speaker 2: Yeah, where they go? They went to Saudi, They went

3721
02:53:26,600 --> 02:53:31,240
Speaker 2: to college. Then they they did the thing.

3722
02:53:31,640 --> 02:53:34,280
Speaker 1: It was the festival. It was a festival.

3723
02:53:34,320 --> 02:53:36,840
Speaker 2: It was like the second or third year doing it,

3724
02:53:37,320 --> 02:53:40,080
Speaker 2: like but like the first time like in years they

3725
02:53:40,120 --> 02:53:42,920
Speaker 2: could actually listen to music. So you actually hear their

3726
02:53:42,959 --> 02:53:45,320
Speaker 2: response being late, like you know when you go like

3727
02:53:45,360 --> 02:53:48,360
Speaker 2: this and let the crowd because they're like so not

3728
02:53:48,600 --> 02:53:50,879
Speaker 2: used to like hearing music. They was a little late.

3729
02:53:50,920 --> 02:53:53,680
Speaker 2: I was listening, was like, oh they knew the words,

3730
02:53:54,120 --> 02:53:55,160
Speaker 2: but they were just a little late.

3731
02:53:55,240 --> 02:53:56,520
Speaker 1: It's like it was against the religion.

3732
02:53:57,200 --> 02:53:57,360
Speaker 4: It was.

3733
02:53:57,680 --> 02:54:00,280
Speaker 2: It's still to see like the world get modernized. Yeah

3734
02:54:00,280 --> 02:54:03,640
Speaker 2: it is again like I said, so many times they

3735
02:54:03,640 --> 02:54:06,080
Speaker 2: would subscribed Africa and they would described the jungles and

3736
02:54:06,200 --> 02:54:09,000
Speaker 2: like laying with a spear, you know what I mean,

3737
02:54:09,120 --> 02:54:14,039
Speaker 2: like like where like a stereotypical ship. And I believe

3738
02:54:14,840 --> 02:54:16,200
Speaker 2: was the first person that he was like, man, they

3739
02:54:16,240 --> 02:54:19,560
Speaker 2: got ws in Africa and you know, the most.

3740
02:54:19,400 --> 02:54:21,640
Speaker 1: Depth still out there. He lives in South Africa, been

3741
02:54:21,680 --> 02:54:23,840
Speaker 1: there for almost but we've been we saw him. He's

3742
02:54:23,840 --> 02:54:24,880
Speaker 1: been out here a lot of doing it.

3743
02:54:24,959 --> 02:54:26,560
Speaker 2: But his name is seen.

3744
02:54:26,959 --> 02:54:28,520
Speaker 1: Yeah I still call him.

3745
02:54:30,320 --> 02:54:34,560
Speaker 2: I wants not disrespect. I love but you know, yeah, yeah.

3746
02:54:34,600 --> 02:54:35,840
Speaker 1: He can call me Ali. I'm cool.

3747
02:54:36,080 --> 02:54:37,279
Speaker 2: That's that's your Muslim.

3748
02:54:37,440 --> 02:54:38,640
Speaker 1: That's that's my first name.

3749
02:54:38,720 --> 02:54:39,440
Speaker 2: It's your first name.

3750
02:54:39,520 --> 02:54:42,040
Speaker 1: Yeah, Okay, goddamn, that's why your whole name.

3751
02:54:42,160 --> 02:54:43,560
Speaker 2: Don't you got an ill long name?

3752
02:54:43,680 --> 02:54:46,280
Speaker 1: Yeah, you gotta look that one up so long.

3753
02:54:46,360 --> 02:54:49,280
Speaker 2: He don't want to say. I feel like I'm writing

3754
02:54:49,320 --> 02:54:54,080
Speaker 2: the parad Was that something that kids joked on you

3755
02:54:54,200 --> 02:54:54,600
Speaker 2: in school?

3756
02:54:55,080 --> 02:54:55,720
Speaker 1: They never knew?

3757
02:54:55,920 --> 02:54:56,160
Speaker 2: Okay?

3758
02:54:58,560 --> 02:55:01,080
Speaker 3: Yeah, the teacher would just be like Ali charm I

3759
02:55:01,280 --> 02:55:04,160
Speaker 3: like she didn't want to embarrass me.

3760
02:55:04,320 --> 02:55:07,000
Speaker 2: Because back because back in the days, we used to

3761
02:55:07,040 --> 02:55:09,200
Speaker 2: have the Haitians, right, and they used to wear the

3762
02:55:09,320 --> 02:55:11,640
Speaker 2: Jamaican belts like they.

3763
02:55:11,920 --> 02:55:13,879
Speaker 1: Used to want to be the Jamaican. I didn't want

3764
02:55:13,920 --> 02:55:19,800
Speaker 1: to be a Jamaican. I see my own eyes. Maybe

3765
02:55:20,040 --> 02:55:20,600
Speaker 1: this will happen.

3766
02:55:21,959 --> 02:55:24,840
Speaker 3: The Haitians was just being Haitianus and everybody thought they

3767
02:55:24,879 --> 02:55:27,760
Speaker 3: was Jamaican because they want the same colors.

3768
02:55:27,640 --> 02:55:28,160
Speaker 1: Right right?

3769
02:55:28,640 --> 02:55:30,280
Speaker 2: Did you ever wear the Jamaican belt?

3770
02:55:30,360 --> 02:55:30,480
Speaker 1: Oh?

3771
02:55:30,560 --> 02:55:35,800
Speaker 3: Yeah, absolutely, I wanted Jamaican belt. I wanted the holy

3772
02:55:36,640 --> 02:55:38,320
Speaker 3: What what the hose?

3773
02:55:44,200 --> 02:55:44,480
Speaker 1: Those are?

3774
02:55:44,480 --> 02:55:45,200
Speaker 2: The summertime?

3775
02:55:46,400 --> 02:55:46,440
Speaker 4: What?

3776
02:55:47,800 --> 02:55:48,160
Speaker 1: There you go?

3777
02:55:48,360 --> 02:55:51,120
Speaker 2: What they call holy? You ain't gonta jump out the

3778
02:55:58,879 --> 02:56:01,800
Speaker 2: the balleys bro to who the ballet? The ballant? You

3779
02:56:01,879 --> 02:56:04,040
Speaker 2: know about the ballant? The clocks, I don't say the clocks.

3780
02:56:04,160 --> 02:56:07,680
Speaker 1: Well, my generation, my generation more ballet's. Okay, clock clocks

3781
02:56:07,760 --> 02:56:10,840
Speaker 1: was a little bit before me. But bb d's used

3782
02:56:10,840 --> 02:56:11,800
Speaker 1: to bb ds.

3783
02:56:11,840 --> 02:56:12,560
Speaker 2: You don't know about those.

3784
02:56:13,400 --> 02:56:17,360
Speaker 3: I couldn't do the silk, okay, Yeah, he was a

3785
02:56:17,400 --> 02:56:20,200
Speaker 3: silky boy. That the silk was more Latin. That was

3786
02:56:20,240 --> 02:56:21,200
Speaker 3: more Latin, My bad.

3787
02:56:21,320 --> 02:56:25,919
Speaker 2: He went up. Yeah, hit the Puerto Rican Quai.

3788
02:56:29,760 --> 02:56:29,960
Speaker 1: Yeah.

3789
02:56:31,560 --> 02:56:36,040
Speaker 2: Cheese, Paco jeans, Yeah, I used to work Theodora y Rock.

3790
02:56:37,440 --> 02:56:39,039
Speaker 2: You know it was the ship lottos. You could take

3791
02:56:39,040 --> 02:56:39,640
Speaker 2: the patch off.

3792
02:56:41,000 --> 02:56:41,200
Speaker 6: You know.

3793
02:56:43,560 --> 02:56:46,680
Speaker 2: About Paco jeans, he has to be a little hickeys,

3794
02:56:47,000 --> 02:56:48,360
Speaker 2: a little paco though.

3795
02:56:49,840 --> 02:56:52,720
Speaker 1: Jeans are here edwins, we don't. So we had we

3796
02:56:52,800 --> 02:56:54,000
Speaker 1: never walked those. That's what we had.

3797
02:56:54,560 --> 02:56:59,240
Speaker 3: Really, What about them? Cross colors though, cross colors, yeah, colors.

3798
02:57:00,000 --> 02:57:02,160
Speaker 3: And that's when Karl Kaik came out. He was your

3799
02:57:02,240 --> 02:57:04,480
Speaker 3: car was just too high. He was so expensive.

3800
02:57:05,640 --> 02:57:09,800
Speaker 2: Damage you said, damage used used guests is still lit

3801
02:57:09,879 --> 02:57:13,760
Speaker 2: out here. Your your bowls over, yo. But you know

3802
02:57:13,840 --> 02:57:16,720
Speaker 2: who you know who made an amazing comeback though.

3803
02:57:17,080 --> 02:57:17,920
Speaker 1: M C M YO.

3804
02:57:21,680 --> 02:57:25,200
Speaker 2: Technically didn't go away. They just just really did really

3805
02:57:25,280 --> 02:57:28,520
Speaker 2: light in our community. But it didn't go away period.

3806
02:57:28,800 --> 02:57:30,480
Speaker 2: It stayed in the malls, though it stayed in the

3807
02:57:30,520 --> 02:57:32,840
Speaker 2: mall like Beniton is over. You don't see Beniton no

3808
02:57:32,920 --> 02:57:34,199
Speaker 2: more in the malls.

3809
02:57:34,360 --> 02:57:34,800
Speaker 1: Ye it did.

3810
02:57:35,040 --> 02:57:37,600
Speaker 2: M CM stayed in the malls. It just didn't Our

3811
02:57:37,680 --> 02:57:40,080
Speaker 2: coach wasn't sucking with it because you know, our coachre

3812
02:57:40,080 --> 02:57:42,800
Speaker 2: fucked with it when Dapper Dan took it and made

3813
02:57:42,840 --> 02:57:45,720
Speaker 2: that chopped that ship up, and then with m CM

3814
02:57:45,800 --> 02:57:51,840
Speaker 2: didn't accept him. Remember that's what happened. Yeah, Tim said

3815
02:57:51,959 --> 02:57:54,280
Speaker 2: fuck us at first, and then we said fuck you back,

3816
02:57:54,280 --> 02:57:57,959
Speaker 2: and Tim said, let's make it right. Tim said let's

3817
02:57:58,000 --> 02:58:00,680
Speaker 2: make it right, and we made it right. Crystal did

3818
02:58:00,760 --> 02:58:02,240
Speaker 2: not say let's make it right. That's the reason why

3819
02:58:02,520 --> 02:58:05,040
Speaker 2: Spade is here, you know, one of the sampage in

3820
02:58:05,040 --> 02:58:09,960
Speaker 2: the world. But I like talking about this. Who else

3821
02:58:10,000 --> 02:58:10,400
Speaker 2: who else?

3822
02:58:11,320 --> 02:58:11,800
Speaker 1: Friends back?

3823
02:58:12,080 --> 02:58:17,960
Speaker 2: But at least yeah, absolutely flaid the man.

3824
02:58:18,600 --> 02:58:24,200
Speaker 1: I said that, Okay, my bad. You know I ain't drinking. Yeah,

3825
02:58:24,360 --> 02:58:26,760
Speaker 1: you know, should be should commute wrong. I would have

3826
02:58:26,760 --> 02:58:27,920
Speaker 1: been a point if I was drinking.

3827
02:58:28,520 --> 02:58:31,360
Speaker 2: Oh man, damn what other round? But man, yo a

3828
02:58:31,560 --> 02:58:34,440
Speaker 2: car man. We really appreciate you stopping vibe man as

3829
02:58:35,120 --> 02:58:37,920
Speaker 2: Oh man, it was funny as hell, beautiful. Man did

3830
02:58:38,000 --> 02:58:43,960
Speaker 2: everything right, Man, your flowers, man, I love I like it.

3831
02:58:44,840 --> 02:58:47,440
Speaker 2: Fly ship man, he said, give me a scented candle. Man,

3832
02:58:47,680 --> 02:58:49,280
Speaker 2: that's what I'm gonna do. I'm gonna start doing that

3833
02:58:49,360 --> 02:58:54,360
Speaker 2: in my riders, a scented candle. You think sage works? No,

3834
02:58:55,640 --> 02:58:59,400
Speaker 2: what's the other ship? I think that one works.

3835
02:59:00,040 --> 02:59:01,560
Speaker 3: I guess it depends on who's like it. Because a

3836
02:59:01,600 --> 02:59:03,760
Speaker 3: mine is a like a mine is a powerful thing.

3837
02:59:04,040 --> 02:59:05,640
Speaker 3: If you believe it, it works. Well, that's that's the

3838
02:59:05,680 --> 02:59:08,280
Speaker 3: thing with all that stuff. If you believe me, why

3839
02:59:08,320 --> 02:59:10,199
Speaker 3: you don't do sage work. It's just smoke.

3840
02:59:10,840 --> 02:59:11,560
Speaker 1: It's just smoke.

3841
02:59:13,720 --> 02:59:17,720
Speaker 2: And then the ship fell, and then see Saves got mad.

3842
02:59:18,040 --> 02:59:22,320
Speaker 1: Saves got mad. That was confirmation confirmation depending on the

3843
02:59:22,360 --> 02:59:23,800
Speaker 1: second information. Guys say, you're right.

3844
02:59:24,000 --> 02:59:24,760
Speaker 2: And what's the other thing?

3845
02:59:25,920 --> 02:59:26,880
Speaker 1: That's the other name of it.

3846
02:59:28,440 --> 02:59:30,880
Speaker 2: I like that better because the smoke doesn't come out dark,

3847
02:59:31,120 --> 02:59:33,920
Speaker 2: it's like it smells so so okay.

3848
02:59:34,160 --> 02:59:37,600
Speaker 3: So sage is supposed to delete all the evil spirits

3849
02:59:37,640 --> 02:59:40,880
Speaker 3: from the room, drive them away, drive away. At least,

3850
02:59:41,560 --> 02:59:43,360
Speaker 3: which one you think is more powerful, the sage or

3851
02:59:43,400 --> 02:59:43,720
Speaker 3: the prayer?

3852
02:59:45,840 --> 02:59:47,440
Speaker 1: Prayer? So I waste your money.

3853
02:59:51,200 --> 02:59:59,680
Speaker 2: I do sage and prayer, yes, because you know you

3854
02:59:59,800 --> 03:00:06,320
Speaker 2: must them right. Every year during Ramadan, it felt it

3855
03:00:06,360 --> 03:00:10,080
Speaker 2: feels pure. This is the only year during Ramadan. I

3856
03:00:10,240 --> 03:00:13,440
Speaker 2: just felt nothing but evil, really like I mean. And

3857
03:00:13,560 --> 03:00:16,800
Speaker 2: then I asked one I'm out high. I asked one

3858
03:00:16,840 --> 03:00:20,720
Speaker 2: of my Muslim friends, I'm sick, and I said, yo,

3859
03:00:20,840 --> 03:00:23,520
Speaker 2: this is the first Ramadan like every every every time

3860
03:00:23,800 --> 03:00:27,800
Speaker 2: Ramadan comes around, like me, as a non Muslim, I participate,

3861
03:00:28,240 --> 03:00:31,360
Speaker 2: but I feel just pure positive energies the first time

3862
03:00:31,480 --> 03:00:34,199
Speaker 2: in the years I've been practicing. And then my friend

3863
03:00:34,320 --> 03:00:38,439
Speaker 2: Sick says to me, he said, because they're the of Ramadan.

3864
03:00:38,160 --> 03:00:41,400
Speaker 1: Is when people reveal themselves. And I was just like,

3865
03:00:41,760 --> 03:00:45,800
Speaker 1: oh it was He wasn't saying it wasn't like the people.

3866
03:00:45,600 --> 03:00:48,440
Speaker 2: Were being evil. They was just kind of just revealing myself.

3867
03:00:48,600 --> 03:00:49,640
Speaker 2: Did you feel that this is?

3868
03:00:50,080 --> 03:00:51,880
Speaker 3: But I spent this whole Ramadan in Africa. I was

3869
03:00:51,920 --> 03:00:54,680
Speaker 3: in Africa the whole month of Ramadan. We're in segg

3870
03:00:54,840 --> 03:00:56,039
Speaker 3: in Segogue, that.

3871
03:00:56,120 --> 03:00:58,360
Speaker 1: Was there the whole month. So I didn't feel anything

3872
03:00:58,520 --> 03:00:59,000
Speaker 1: you feel.

3873
03:00:59,160 --> 03:01:00,840
Speaker 3: But boy, I could tell you the cause I would

3874
03:01:00,840 --> 03:01:04,160
Speaker 3: get after I broke fast number drama on this side.

3875
03:01:04,520 --> 03:01:07,480
Speaker 2: What you mean on broke fast at night period.

3876
03:01:07,720 --> 03:01:10,000
Speaker 3: Fast in the evening because you know when after breakfast

3877
03:01:10,040 --> 03:01:11,760
Speaker 3: you go back to your normal activities because I know,

3878
03:01:11,879 --> 03:01:13,480
Speaker 3: we don't use a phone when I'm faster because it

3879
03:01:13,680 --> 03:01:16,440
Speaker 3: distracts me. Right, But for the most part, you know,

3880
03:01:16,480 --> 03:01:18,640
Speaker 3: when you call back home or you call back to

3881
03:01:18,800 --> 03:01:20,760
Speaker 3: some of your homies or people that you mess with

3882
03:01:20,879 --> 03:01:23,360
Speaker 3: on this side. Yeah, it was like and you you

3883
03:01:23,480 --> 03:01:25,920
Speaker 3: actually more woke during the during during the month, you know,

3884
03:01:25,959 --> 03:01:28,680
Speaker 3: the month with the mind, because you actually notice things

3885
03:01:28,720 --> 03:01:31,480
Speaker 3: that you're not really noticing because you're more spiritually awoke, you.

3886
03:01:31,480 --> 03:01:32,040
Speaker 2: Know what I'm saying.

3887
03:01:32,120 --> 03:01:35,680
Speaker 3: So you clearly can see the difference in people's attitudes,

3888
03:01:36,160 --> 03:01:39,160
Speaker 3: people's actions, emotions, and then it kind of makes you

3889
03:01:39,200 --> 03:01:41,360
Speaker 3: ask yourself wat to a lot of things, you know

3890
03:01:41,400 --> 03:01:41,640
Speaker 3: what I mean.

3891
03:01:41,720 --> 03:01:43,640
Speaker 1: So then after that month is about figuring it out

3892
03:01:43,640 --> 03:01:45,480
Speaker 1: at that point, yes, you.

3893
03:01:45,520 --> 03:01:47,600
Speaker 2: Know, if it was finished.

3894
03:01:47,959 --> 03:01:48,840
Speaker 1: Yeah, okay, so.

3895
03:01:53,440 --> 03:01:55,800
Speaker 6: Maybe y'all know drink Chance wants to give flowers while

3896
03:01:55,800 --> 03:01:58,640
Speaker 6: people are here to receive them given flowers and celebrating

3897
03:01:58,720 --> 03:02:01,000
Speaker 6: or legends while they can still smell of We have

3898
03:02:01,120 --> 03:02:03,840
Speaker 6: partnered with what the Flower to create this movement where

3899
03:02:03,879 --> 03:02:06,280
Speaker 6: everyone can give flowers to the legends in their lives.

3900
03:02:06,720 --> 03:02:09,040
Speaker 6: You can now order a custom flower box for the

3901
03:02:09,160 --> 03:02:12,800
Speaker 6: someone you want to show appreciation to by visiting www

3902
03:02:13,000 --> 03:02:16,280
Speaker 6: dot wt flower dot com and place your orders.

3903
03:02:16,600 --> 03:02:16,800
Speaker 7: Now.

3904
03:02:19,080 --> 03:02:20,400
Speaker 2: I love the baby righting.

3905
03:02:20,440 --> 03:02:22,320
Speaker 1: Man, I appreciate it. You know, this mean more than

3906
03:02:22,360 --> 03:02:24,720
Speaker 1: any award that you can get on some real ship,

3907
03:02:24,760 --> 03:02:26,760
Speaker 1: because it means that you appreciated by your peers. You

3908
03:02:26,840 --> 03:02:28,160
Speaker 1: appreciated by the people.

3909
03:02:28,320 --> 03:02:29,040
Speaker 4: That you do it for.

3910
03:02:29,280 --> 03:02:40,480
Speaker 2: And not accept my flowers because you homeboy who made

3911
03:02:40,480 --> 03:02:45,320
Speaker 2: it the record, Joanna? That was AfroB AfroB AfroB you

3912
03:02:45,480 --> 03:02:46,879
Speaker 2: jack this whole ship with Wakanda.

3913
03:02:47,840 --> 03:02:51,800
Speaker 1: Actually it was a rendition. I was like this, it

3914
03:02:51,879 --> 03:02:55,320
Speaker 1: was a rendition. Yeah, I love the song so much

3915
03:02:55,400 --> 03:02:57,760
Speaker 1: I had to redo it. So I made a response

3916
03:02:57,840 --> 03:02:58,000
Speaker 1: to it.

3917
03:02:58,160 --> 03:03:02,720
Speaker 2: Okay, So because you know, sometimes when because you're a bigger,

3918
03:03:02,959 --> 03:03:07,080
Speaker 2: bigger artist does does that that that newer artist get

3919
03:03:07,160 --> 03:03:07,840
Speaker 2: mad at No?

3920
03:03:07,959 --> 03:03:09,360
Speaker 1: No, no, because I actually called it.

3921
03:03:11,520 --> 03:03:13,480
Speaker 3: I say, your afro beat this record, this is my

3922
03:03:13,680 --> 03:03:16,200
Speaker 3: favorite record. Man, I said, do you mind if I

3923
03:03:16,280 --> 03:03:18,080
Speaker 3: do a re edition? He said, hell no, I man,

3924
03:03:18,080 --> 03:03:20,080
Speaker 3: I be my blood. You know this much like that's

3925
03:03:20,160 --> 03:03:20,640
Speaker 3: my pleasure.

3926
03:03:20,680 --> 03:03:22,200
Speaker 1: So I did it. Sent it to him.

3927
03:03:22,240 --> 03:03:24,480
Speaker 3: He flipped he actually was gonna get on it with me.

3928
03:03:24,920 --> 03:03:26,880
Speaker 3: But then I said, man, if you do that, it

3929
03:03:26,959 --> 03:03:28,640
Speaker 3: won't be like the re edition that I want.

3930
03:03:29,120 --> 03:03:29,720
Speaker 2: You know what I'm saying.

3931
03:03:30,040 --> 03:03:32,040
Speaker 3: I said, let's me and you do a fresh record together,

3932
03:03:32,120 --> 03:03:34,280
Speaker 3: so it's just like fresh. And then ever since then,

3933
03:03:34,320 --> 03:03:36,400
Speaker 3: I've been just advised to see him on this international stuff.

3934
03:03:36,560 --> 03:03:38,600
Speaker 3: So it went from me loving the record getting the

3935
03:03:38,640 --> 03:03:40,840
Speaker 3: permission to me working with him as an advisor to

3936
03:03:40,920 --> 03:03:42,039
Speaker 3: do is international stuff.

3937
03:03:42,320 --> 03:03:42,920
Speaker 1: And what's that?

3938
03:03:43,840 --> 03:03:45,440
Speaker 2: Did you do as a freestyle at first? Or you

3939
03:03:45,520 --> 03:03:46,800
Speaker 2: did it like to remake the record?

3940
03:03:46,879 --> 03:03:48,120
Speaker 3: No, I did it just for fun. It was it

3941
03:03:48,160 --> 03:03:49,920
Speaker 3: was a parody for me. Have you seen the video

3942
03:03:50,000 --> 03:03:53,440
Speaker 3: with me and Michael Blaxton. Oh, you gotta see the video. Man,

3943
03:03:53,520 --> 03:03:55,680
Speaker 3: that ship is hilarious. It's almost like I just had

3944
03:03:55,720 --> 03:03:59,959
Speaker 3: sex type of It's a monster. Yeah, so you gotta

3945
03:04:00,040 --> 03:04:00,240
Speaker 3: see it.

3946
03:04:00,680 --> 03:04:01,080
Speaker 1: It's up there.

3947
03:04:01,160 --> 03:04:01,400
Speaker 2: Okay.

3948
03:04:01,800 --> 03:04:04,160
Speaker 1: So for the record, he did not get mad. He

3949
03:04:04,240 --> 03:04:06,640
Speaker 1: supported artist artist and I hope you heard what he

3950
03:04:06,720 --> 03:04:07,040
Speaker 1: just said.

3951
03:04:07,120 --> 03:04:09,560
Speaker 2: If you want to remake someone's record, call him up.

3952
03:04:09,959 --> 03:04:11,560
Speaker 3: I mean he might have been flattered by it. At me,

3953
03:04:11,879 --> 03:04:13,640
Speaker 3: it was like prime is Apple, Like there was times

3954
03:04:13,720 --> 03:04:16,480
Speaker 3: we were in the same city. I would perform my version.

3955
03:04:16,920 --> 03:04:19,080
Speaker 3: Then asked mine's about then he come out with the

3956
03:04:19,160 --> 03:04:22,200
Speaker 3: actual version of crazy. You know what I'm saying, So

3957
03:04:22,360 --> 03:04:24,040
Speaker 3: like we actually did we teamed up on that like

3958
03:04:24,120 --> 03:04:26,480
Speaker 3: that or the other way around. I pop up from

3959
03:04:26,520 --> 03:04:28,280
Speaker 3: the back, you know what I'm saying. You go from

3960
03:04:28,400 --> 03:04:29,720
Speaker 3: Joanna to what KM done?

3961
03:04:29,720 --> 03:04:30,200
Speaker 2: You know what I'm saying.

3962
03:04:31,480 --> 03:04:33,760
Speaker 1: Because Noori's worried about people doing his records over No,

3963
03:04:34,760 --> 03:04:35,160
Speaker 1: let them do it.

3964
03:04:35,840 --> 03:04:36,280
Speaker 2: Let them do it.

3965
03:04:36,400 --> 03:04:40,440
Speaker 1: I like, let them do it. He's weird about it.

3966
03:04:40,560 --> 03:04:40,680
Speaker 7: Man.

3967
03:04:41,400 --> 03:04:43,720
Speaker 2: That preserves you, you know what I mean.

3968
03:04:43,959 --> 03:04:46,520
Speaker 3: You know how many times my record's been re sampled, redone.

3969
03:04:47,040 --> 03:04:49,680
Speaker 3: I haven't dropped the records since two thousand and eight, nigga,

3970
03:04:49,720 --> 03:04:52,800
Speaker 3: that's fifteen years. Yeah, you would have thought it was

3971
03:04:52,840 --> 03:04:55,520
Speaker 3: just yesterday because these little niggas keeping me preserved until

3972
03:04:55,520 --> 03:04:57,760
Speaker 3: I'm ready to drop another record, which will be dropping

3973
03:04:57,800 --> 03:04:58,440
Speaker 3: by the end of the year.

3974
03:04:58,680 --> 03:05:03,720
Speaker 1: All right, But then you drop like that plug d

3975
03:05:03,959 --> 03:05:06,039
Speaker 1: then you dropped like an Afro beat type of Yeah.

3976
03:05:06,080 --> 03:05:07,960
Speaker 1: But that was just for African territory. That was just

3977
03:05:08,040 --> 03:05:09,160
Speaker 1: for that was just for Africa.

3978
03:05:09,200 --> 03:05:10,440
Speaker 2: And what's the name of that that was?

3979
03:05:11,680 --> 03:05:13,640
Speaker 1: Uh, what was the time named that one? That was

3980
03:05:15,120 --> 03:05:18,240
Speaker 1: that was Akandada?

3981
03:05:18,640 --> 03:05:21,320
Speaker 2: So so so you're saying you're making.

3982
03:05:21,160 --> 03:05:25,640
Speaker 3: A global Oh no, like the basic, the original traditional

3983
03:05:25,720 --> 03:05:28,959
Speaker 3: a cop records. Yeah, that was a lot of experiments,

3984
03:05:29,040 --> 03:05:31,760
Speaker 3: just having fun with it. I did an afrobeat album.

3985
03:05:31,959 --> 03:05:35,640
Speaker 3: I did a Latin album like I did. I did

3986
03:05:35,680 --> 03:05:40,720
Speaker 3: an Indian like Hindi album. You did Bollywood music, Yeah, bro,

3987
03:05:40,879 --> 03:05:43,800
Speaker 3: I got Bollywood songs all through. These movies are killing

3988
03:05:44,320 --> 03:05:47,080
Speaker 3: having fun. I did some K pop records like I

3989
03:05:47,200 --> 03:05:50,800
Speaker 3: was everywhere. Absolutely, if you even if you go to

3990
03:05:50,840 --> 03:05:53,320
Speaker 3: do Bay, you hear me speaking, I mean records doing

3991
03:05:53,480 --> 03:05:56,040
Speaker 3: Arabic music like I'm doing it.

3992
03:05:57,000 --> 03:05:57,320
Speaker 2: It's me.

3993
03:06:01,400 --> 03:06:01,680
Speaker 1: Right now.

3994
03:06:03,640 --> 03:06:05,520
Speaker 2: I'm going to speak for me.

3995
03:06:06,920 --> 03:06:07,440
Speaker 1: No comment.

3996
03:06:08,879 --> 03:06:10,240
Speaker 2: That's sangerous man, right there.

3997
03:06:10,400 --> 03:06:12,280
Speaker 1: No, only because I be in rooms where I need

3998
03:06:12,320 --> 03:06:15,240
Speaker 1: to know what they're They don't even know what. I

3999
03:06:15,360 --> 03:06:16,280
Speaker 1: promise you, I hear it all.

4000
03:06:16,760 --> 03:06:19,200
Speaker 2: It'd be hilarious though, it'd be so funny.

4001
03:06:21,680 --> 03:06:23,920
Speaker 1: That's the right, No coming, that's right.

4002
03:06:25,080 --> 03:06:28,640
Speaker 2: You gotta do anything else you want to talk about.

4003
03:06:29,800 --> 03:06:32,000
Speaker 3: Yeah, but so I am excited about this new record

4004
03:06:32,040 --> 03:06:32,760
Speaker 3: I'm about to drop.

4005
03:06:32,800 --> 03:06:34,000
Speaker 2: It's done already.

4006
03:06:34,200 --> 03:06:35,320
Speaker 1: Yeah, Alum's finished.

4007
03:06:35,400 --> 03:06:36,600
Speaker 2: Oh wow, we're.

4008
03:06:36,480 --> 03:06:39,720
Speaker 3: Dropping at the top of the year Traditional Acon So

4009
03:06:40,320 --> 03:06:44,800
Speaker 3: Universe is dropping the best of Acon around. We're thinking

4010
03:06:44,800 --> 03:06:48,440
Speaker 3: of like around November, October November time, and then shortly

4011
03:06:48,480 --> 03:06:50,600
Speaker 3: after that I'll be introducing the brand new album.

4012
03:06:50,720 --> 03:06:57,280
Speaker 1: So the simple January. Yeah, it's the timeline is October November. Okay,

4013
03:06:57,640 --> 03:06:59,680
Speaker 1: if everything works as planned, you said the best of

4014
03:06:59,800 --> 03:07:01,440
Speaker 1: us too, Yeah, the.

4015
03:07:01,480 --> 03:07:05,160
Speaker 3: Best of and then the albums dropping right after yeah okay,

4016
03:07:06,000 --> 03:07:08,560
Speaker 3: so yeah, so be be prepared for the new holidays

4017
03:07:08,600 --> 03:07:09,680
Speaker 3: to be hearing some new music.

4018
03:07:09,760 --> 03:07:13,800
Speaker 2: Now now, alight. You know, back then we should drop singles,

4019
03:07:14,160 --> 03:07:17,600
Speaker 2: right like nowadays they're like there's no singles, it's just

4020
03:07:17,720 --> 03:07:18,480
Speaker 2: dropped the album.

4021
03:07:18,879 --> 03:07:23,080
Speaker 1: Everyone that's biting off invented that, like just drop the album.

4022
03:07:23,600 --> 03:07:26,120
Speaker 1: You're gonna just drop the album or you know, it's

4023
03:07:26,160 --> 03:07:27,720
Speaker 1: gonna be a lead up. It's gonna be a lead up.

4024
03:07:27,760 --> 03:07:30,160
Speaker 3: And that's that's why we're doing the Best of Acon

4025
03:07:30,320 --> 03:07:33,040
Speaker 3: releases first, you know, team up universe to activate my

4026
03:07:33,120 --> 03:07:35,320
Speaker 3: old fans and people. It just kind of remind them,

4027
03:07:35,959 --> 03:07:37,640
Speaker 3: remind them, you know, remind them, get them back into

4028
03:07:37,680 --> 03:07:40,000
Speaker 3: the Acons you know energy, and then just come with

4029
03:07:40,080 --> 03:07:40,600
Speaker 3: a new album.

4030
03:07:40,879 --> 03:07:42,760
Speaker 1: Right, so we're gonna lead it up.

4031
03:07:43,400 --> 03:07:46,599
Speaker 2: You're gonna ad it up. Yeah, two singles probably.

4032
03:07:47,160 --> 03:07:50,200
Speaker 3: Oh no, we everything is a single. Ain't no such

4033
03:07:50,280 --> 03:07:53,400
Speaker 3: thing as a no albums man. Listen the whole album

4034
03:07:53,520 --> 03:07:56,840
Speaker 3: dropping the same day video for everything, man, video for

4035
03:07:56,920 --> 03:07:58,720
Speaker 3: every single song. That's right, We're going to.

4036
03:07:59,080 --> 03:08:06,200
Speaker 2: Be speak absolutely and again. The dream artist to work with.

4037
03:08:07,200 --> 03:08:12,120
Speaker 3: The dream artist to work with is Shady. That's It's

4038
03:08:12,160 --> 03:08:17,039
Speaker 3: a great It's left in my list.

4039
03:08:16,959 --> 03:08:18,320
Speaker 2: Of artists that I wanted to work with that I

4040
03:08:18,320 --> 03:08:21,080
Speaker 2: haven't worked with yet. She seems untouchable, like you can't

4041
03:08:21,120 --> 03:08:21,560
Speaker 2: get to her.

4042
03:08:22,160 --> 03:08:26,600
Speaker 1: I don't have a connection to her. She's like invisible.

4043
03:08:27,720 --> 03:08:30,400
Speaker 2: What you said, invisible man, like a wizard.

4044
03:08:30,720 --> 03:08:32,520
Speaker 3: As many people as I know, I still haven't found

4045
03:08:32,600 --> 03:08:33,760
Speaker 3: one person that can get me to her.

4046
03:08:36,480 --> 03:08:37,120
Speaker 2: How about Drake?

4047
03:08:38,520 --> 03:08:41,200
Speaker 1: I love Drake. He's my favorite artist today. You guys

4048
03:08:41,240 --> 03:08:43,680
Speaker 1: are making incredible music. I think we definitely would. Yeah,

4049
03:08:44,200 --> 03:08:46,320
Speaker 1: I think we definitely would. Yeah.

4050
03:08:46,320 --> 03:08:47,920
Speaker 3: The only thing I think that stocked was I just

4051
03:08:48,040 --> 03:08:50,320
Speaker 3: wasn't in the music space at the time. But I

4052
03:08:50,360 --> 03:08:51,600
Speaker 3: think when I get back in, I think there's some

4053
03:08:51,640 --> 03:08:53,720
Speaker 3: great opportunities for me and Drake to do something crazy together.

4054
03:08:55,480 --> 03:08:57,960
Speaker 2: Drake, who else before we get up out of here

4055
03:09:00,160 --> 03:09:01,280
Speaker 2: and you work with everybody?

4056
03:09:01,360 --> 03:09:03,680
Speaker 3: Bro I have It's only one rapper that I haven't

4057
03:09:03,720 --> 03:09:05,400
Speaker 3: worked with yet, and I still to this day can't

4058
03:09:05,440 --> 03:09:06,000
Speaker 3: figure out why.

4059
03:09:06,280 --> 03:09:06,800
Speaker 1: It's jay Z.

4060
03:09:08,360 --> 03:09:10,680
Speaker 3: He's the only one I haven't worked with at and

4061
03:09:10,920 --> 03:09:12,560
Speaker 3: I always thought that maybe it's because.

4062
03:09:12,280 --> 03:09:15,080
Speaker 1: Of the timing of our career is going. There probably

4063
03:09:15,280 --> 03:09:16,440
Speaker 1: was the time all I.

4064
03:09:16,440 --> 03:09:18,520
Speaker 3: Mean, because Bro, I'm I'm I'm a huge fan. I

4065
03:09:18,560 --> 03:09:20,040
Speaker 3: don't know how you feel about me, but I always

4066
03:09:20,040 --> 03:09:22,320
Speaker 3: felt like that could be something that would be crazy.

4067
03:09:22,440 --> 03:09:24,600
Speaker 3: I think that would complete complete me from an urban

4068
03:09:24,680 --> 03:09:26,879
Speaker 3: music standpoint, making that making.

4069
03:09:26,720 --> 03:09:27,680
Speaker 2: That happen, Yeah, I think that.

4070
03:09:27,920 --> 03:09:30,400
Speaker 1: I think that would just be sound. I think that

4071
03:09:31,600 --> 03:09:32,360
Speaker 1: that would be crazy.

4072
03:09:32,520 --> 03:09:36,080
Speaker 2: Well, who would you prefer you on his album or

4073
03:09:36,200 --> 03:09:36,840
Speaker 2: him on yours?

4074
03:09:37,280 --> 03:09:38,040
Speaker 1: I think it wouldn't make it.

4075
03:09:38,720 --> 03:09:39,080
Speaker 2: I don't think.

4076
03:09:39,480 --> 03:09:40,520
Speaker 1: I don't think it'll make a difference.

4077
03:09:41,160 --> 03:09:43,800
Speaker 3: Yeah, honestly, I prefer it on his album because I

4078
03:09:43,879 --> 03:09:45,640
Speaker 3: know it guaranteed to be pushed.

4079
03:09:48,040 --> 03:09:50,640
Speaker 2: You know what I'm saying. How about it's guaranteed to.

4080
03:09:50,640 --> 03:09:51,200
Speaker 1: Go number one?

4081
03:09:52,080 --> 03:09:53,320
Speaker 2: How about nas.

4082
03:09:55,440 --> 03:09:55,560
Speaker 1: Yo?

4083
03:09:55,720 --> 03:09:59,279
Speaker 3: You know how long me and Na's been trying to connect. Jesus,

4084
03:09:59,400 --> 03:10:02,560
Speaker 3: It's it's just been fake. I promise you believe me.

4085
03:10:02,640 --> 03:10:05,040
Speaker 3: That was supposed to have been happen. Me and I

4086
03:10:05,280 --> 03:10:07,800
Speaker 3: is always trying to get together, but it's just he's

4087
03:10:07,840 --> 03:10:09,440
Speaker 3: so international, I'm so international.

4088
03:10:09,520 --> 03:10:11,240
Speaker 1: It's just like it's just being in the.

4089
03:10:11,240 --> 03:10:13,600
Speaker 3: Same place at the same time, and artists like me

4090
03:10:13,600 --> 03:10:16,879
Speaker 3: and him, we just don't see us working over the internet.

4091
03:10:17,040 --> 03:10:18,400
Speaker 1: We just got to be in a room together.

4092
03:10:18,800 --> 03:10:21,760
Speaker 3: And I think that's why that's the only reason why

4093
03:10:22,000 --> 03:10:24,640
Speaker 3: it didn't happen earlier, because I think it'd just be

4094
03:10:24,720 --> 03:10:26,160
Speaker 3: bigger if me and him was in the same room.

4095
03:10:26,760 --> 03:10:28,680
Speaker 2: That's what me and Fenn say all the time. Like

4096
03:10:29,200 --> 03:10:32,400
Speaker 2: sometimes we do the say say analog are digital, right,

4097
03:10:32,520 --> 03:10:34,880
Speaker 2: and we always kind of like pick analogue. And the

4098
03:10:35,000 --> 03:10:37,320
Speaker 2: reason why is because I feel like the music that

4099
03:10:37,440 --> 03:10:39,360
Speaker 2: was made in the nineties early two thousands, you can

4100
03:10:39,800 --> 03:10:42,280
Speaker 2: it's better because we can't real you had to actually

4101
03:10:42,320 --> 03:10:42,760
Speaker 2: come to my.

4102
03:10:42,800 --> 03:10:46,320
Speaker 1: Studio culture record for the energy you can't even came

4103
03:10:46,360 --> 03:10:46,800
Speaker 1: at to.

4104
03:10:46,840 --> 03:10:48,920
Speaker 2: Get on had to be in the same room, right,

4105
03:10:49,000 --> 03:10:51,000
Speaker 2: So you do you think that's that's true?

4106
03:10:51,080 --> 03:10:54,560
Speaker 3: Like, I think it depends on the artists, right. I

4107
03:10:54,640 --> 03:10:57,800
Speaker 3: think some chemistries are better when they separated. Yes, some

4108
03:10:57,840 --> 03:11:00,680
Speaker 3: people that just make great music, but then when they

4109
03:11:00,720 --> 03:11:02,640
Speaker 3: get in the same room, the energy may.

4110
03:11:02,560 --> 03:11:05,640
Speaker 1: Be different because one may be shy, you just never

4111
03:11:05,720 --> 03:11:06,000
Speaker 1: really know.

4112
03:11:06,360 --> 03:11:09,640
Speaker 3: So in this generation that works out better because a

4113
03:11:09,720 --> 03:11:13,080
Speaker 3: lot of these artists are very like anti social.

4114
03:11:13,560 --> 03:11:14,760
Speaker 1: They low key super weird.

4115
03:11:14,920 --> 03:11:17,120
Speaker 3: Like you get close to them, they just start you

4116
03:11:17,360 --> 03:11:19,200
Speaker 3: know what I'm talking about, Like, don't they quiet?

4117
03:11:19,240 --> 03:11:21,640
Speaker 1: They just mute, they don't say nothing. Damn, I've been

4118
03:11:21,680 --> 03:11:25,200
Speaker 1: here thirty minutes. You want to ask me nothing? You know,

4119
03:11:25,680 --> 03:11:29,760
Speaker 1: but come on, this was weird back then too, but

4120
03:11:29,879 --> 03:11:32,320
Speaker 1: not like this though. Yeah, damn, you're kind of right down. Yeah,

4121
03:11:32,360 --> 03:11:34,600
Speaker 1: but back then they were forced to be together. So yeah,

4122
03:11:34,680 --> 03:11:36,720
Speaker 1: but you can only be here so long. Yeah, for

4123
03:11:36,840 --> 03:11:39,000
Speaker 1: you're like damn. But the crazy part about it is

4124
03:11:39,280 --> 03:11:42,840
Speaker 1: when you DM them, they can't shut up. They hit

4125
03:11:42,879 --> 03:11:46,199
Speaker 1: you with eighteen paragraphs like, bro, I just answered simple

4126
03:11:46,280 --> 03:11:47,000
Speaker 1: yes and no question.

4127
03:11:47,080 --> 03:11:47,600
Speaker 2: You know what I'm saying.

4128
03:11:49,000 --> 03:11:51,240
Speaker 1: But that's that's all in you know, that's a generational

4129
03:11:51,320 --> 03:11:52,560
Speaker 1: for sure. Generational for sure.

4130
03:11:54,640 --> 03:12:00,160
Speaker 2: The other day, right, I see, I seen the a

4131
03:12:00,280 --> 03:12:02,600
Speaker 2: kid I don't want to say his name, but we

4132
03:12:02,720 --> 03:12:06,920
Speaker 2: were sitting there and he knew Dominique Wilkins was, he

4133
03:12:06,959 --> 03:12:09,560
Speaker 2: knew Chris Webber was. He knew all these people who

4134
03:12:09,640 --> 03:12:12,800
Speaker 2: don't play for him, as a as a kid. But

4135
03:12:12,920 --> 03:12:16,480
Speaker 2: then someone asked him and he's he's a rapper. Someone

4136
03:12:16,560 --> 03:12:20,080
Speaker 2: asked him who cares one was? He had no clue?

4137
03:12:20,520 --> 03:12:23,360
Speaker 2: Someone asked him who rock him was? He had no clue.

4138
03:12:23,680 --> 03:12:26,840
Speaker 2: Someone asked him who Biggie Smalls was. He had a clue,

4139
03:12:26,879 --> 03:12:30,120
Speaker 2: but he wasn't. Do you think that's something that in

4140
03:12:30,160 --> 03:12:34,760
Speaker 2: the hip hop and our genre that we it's something

4141
03:12:34,800 --> 03:12:37,720
Speaker 2: that we should actually learn, like learn about our culture

4142
03:12:37,760 --> 03:12:40,200
Speaker 2: like he was learned about the same way you learn

4143
03:12:40,240 --> 03:12:42,560
Speaker 2: about basketball and you learn about He's a pattrick of

4144
03:12:42,600 --> 03:12:45,640
Speaker 2: you and sneakers. Shouldn't you learn about Big Pun and

4145
03:12:45,640 --> 03:12:47,680
Speaker 2: shouldn't you learn about Belly mal.

4146
03:12:47,840 --> 03:12:50,440
Speaker 1: I agree we should learn, but we just we don't

4147
03:12:50,520 --> 03:12:55,240
Speaker 1: learn because like learning has to be motivated. The reason

4148
03:12:55,280 --> 03:12:57,480
Speaker 1: why you know about a lot of these you know,

4149
03:12:58,040 --> 03:13:03,160
Speaker 1: basketball players and football players for that matter, they have

4150
03:13:03,320 --> 03:13:06,199
Speaker 1: these hall of fames that recognize them and their abilities

4151
03:13:06,640 --> 03:13:10,600
Speaker 1: and also you know, give them the just of their

4152
03:13:10,680 --> 03:13:13,160
Speaker 1: creation and present it to the people that might have

4153
03:13:13,240 --> 03:13:16,640
Speaker 1: not known what they're responsible for. Hip Hop is the

4154
03:13:16,720 --> 03:13:22,040
Speaker 1: only music that we don't celebrate the founding fathers. We

4155
03:13:22,120 --> 03:13:25,720
Speaker 1: don't have a foundation to help them because most of

4156
03:13:25,760 --> 03:13:26,760
Speaker 1: them in bad situations.

4157
03:13:26,800 --> 03:13:28,920
Speaker 3: They paved the way for us. Like this is stuff

4158
03:13:28,920 --> 03:13:31,800
Speaker 3: that we as a culture just naturally, just do they

4159
03:13:31,879 --> 03:13:34,080
Speaker 3: do it as a natural culture. They hold museums, teach

4160
03:13:34,080 --> 03:13:36,680
Speaker 3: each other's history to the point where their history is

4161
03:13:36,720 --> 03:13:38,920
Speaker 3: being taught to us because we don't even have or

4162
03:13:39,280 --> 03:13:40,320
Speaker 3: preserve our own history.

4163
03:13:40,640 --> 03:13:43,440
Speaker 2: You can't blame them. That's the only history that exists

4164
03:13:43,440 --> 03:13:44,320
Speaker 2: because they preserved it.

4165
03:13:44,959 --> 03:13:48,119
Speaker 3: When did we have a preserve African history or Black

4166
03:13:48,240 --> 03:13:51,120
Speaker 3: history outside of the parts that just hurt us so

4167
03:13:51,240 --> 03:13:53,480
Speaker 3: bad that every time we do something and we fail,

4168
03:13:53,520 --> 03:13:54,480
Speaker 3: we use it as an excuse.

4169
03:13:55,240 --> 03:13:57,120
Speaker 1: You feel what I'm saying. So as a culture, we

4170
03:13:57,200 --> 03:13:57,800
Speaker 1: got to be better.

4171
03:13:58,480 --> 03:14:01,400
Speaker 3: We have to and to be with people that understand

4172
03:14:01,560 --> 03:14:04,040
Speaker 3: that that you know, actually exists and the people that

4173
03:14:04,120 --> 03:14:06,720
Speaker 3: actually has the power and the resources to actually make

4174
03:14:06,760 --> 03:14:09,320
Speaker 3: it happen. Like that's something that would help us, believe

4175
03:14:09,320 --> 03:14:12,120
Speaker 3: it or not, because it keeps us in powered longer.

4176
03:14:12,600 --> 03:14:15,080
Speaker 1: Because this culture is not something it's really up for grabs.

4177
03:14:15,720 --> 03:14:17,320
Speaker 1: I don't care where you go in the world, Like

4178
03:14:18,600 --> 03:14:21,000
Speaker 1: everywhere you go in the world, hip hop exists, but

4179
03:14:21,080 --> 03:14:23,800
Speaker 1: it exists in their language and they're talking about their

4180
03:14:23,879 --> 03:14:26,280
Speaker 1: culture to the point where new York can't even claim

4181
03:14:26,320 --> 03:14:28,000
Speaker 1: it no more. That's right. I've been saying that.

4182
03:14:28,600 --> 03:14:29,360
Speaker 2: You feel what I'm saying.

4183
03:14:29,840 --> 03:14:33,280
Speaker 1: But had New York created the museum which right now

4184
03:14:33,360 --> 03:14:37,080
Speaker 1: the Universal Hip Hop Museum, use all the.

4185
03:14:37,120 --> 03:14:40,360
Speaker 3: Hip hop artists as a way of pushing people to

4186
03:14:40,520 --> 03:14:42,760
Speaker 3: it though it's okay to have it, but who's there?

4187
03:14:42,920 --> 03:14:45,480
Speaker 1: No, they just they just they're creating it now.

4188
03:14:46,879 --> 03:14:48,880
Speaker 6: Like we need to support it though they got a

4189
03:14:48,879 --> 03:14:52,760
Speaker 6: lot of support, though they're not behind it, you know

4190
03:14:52,840 --> 03:14:58,080
Speaker 6: what I'm saying. And Curtis Blow and Carris One that history, man,

4191
03:14:58,560 --> 03:14:59,920
Speaker 6: we cannot all late.

4192
03:15:00,120 --> 03:15:01,959
Speaker 2: That's the thing. We're all laid to it. It's all late.

4193
03:15:02,080 --> 03:15:03,920
Speaker 2: Like it's even why we created the show.

4194
03:15:04,360 --> 03:15:06,720
Speaker 6: Because there wasn't there wasn't a platform that was given

4195
03:15:07,120 --> 03:15:10,119
Speaker 6: a voice to artists that necessarily weren't on a pressure

4196
03:15:10,160 --> 03:15:12,480
Speaker 6: run anymore, right, right, right, And that's why we did

4197
03:15:12,560 --> 03:15:15,240
Speaker 6: it because nobody was giving us a voice DJ and

4198
03:15:15,440 --> 03:15:18,400
Speaker 6: MC that they felt was washed up and old, like now, okay,

4199
03:15:18,440 --> 03:15:19,600
Speaker 6: we don't create our own platform.

4200
03:15:19,680 --> 03:15:27,440
Speaker 2: There you go, and we did, motherfucker. I want to

4201
03:15:27,440 --> 03:15:29,720
Speaker 2: I want to big you up your staff man, you

4202
03:15:29,800 --> 03:15:32,200
Speaker 2: know for coming through man, thank you exactly who you

4203
03:15:32,320 --> 03:15:35,160
Speaker 2: are man, continue your success. We want to support you.

4204
03:15:35,480 --> 03:15:37,520
Speaker 2: If I don't know, we don't care. If you want

4205
03:15:37,520 --> 03:15:40,480
Speaker 2: to promote pink toenails, we don't. We can come on

4206
03:15:40,560 --> 03:15:41,199
Speaker 2: here anytime.

4207
03:15:41,280 --> 03:15:42,240
Speaker 1: You appreciate that.

4208
03:15:43,000 --> 03:15:45,680
Speaker 2: So last time I got drunk and but this time

4209
03:15:45,760 --> 03:15:48,960
Speaker 2: I stayed sober because I wanted you respect. That's I

4210
03:15:49,000 --> 03:15:51,640
Speaker 2: wanted to get you respects don't want to do. I

4211
03:15:53,000 --> 03:15:56,440
Speaker 2: thank you. Let me, let me, let me stay shocked.

4212
03:15:56,480 --> 03:15:58,200
Speaker 1: You know what I'm saying. He just me last to myself.

4213
03:15:58,200 --> 03:15:58,880
Speaker 1: I wanted to be sober.

4214
03:15:59,680 --> 03:16:04,360
Speaker 2: No, no, no, that's because the person that's never been

4215
03:16:04,400 --> 03:16:07,400
Speaker 2: on the show before, he's been on the show. Come on.

4216
03:16:08,520 --> 03:16:10,280
Speaker 2: You can't let a person who's never been on the show.

4217
03:16:11,040 --> 03:16:16,840
Speaker 2: We need the real e f A. We need you

4218
03:16:16,920 --> 03:16:19,800
Speaker 2: to DJ, need you to DJ. Come out of DJ man.

4219
03:16:21,720 --> 03:16:22,199
Speaker 1: Some drops.

4220
03:16:22,320 --> 03:16:22,879
Speaker 2: Thanks so us.

4221
03:16:28,600 --> 03:16:31,680
Speaker 6: Drink Champs is a Drink Champs ll C production in

4222
03:16:31,800 --> 03:16:36,680
Speaker 6: association with Interval Presents. Hosts and executive producers n O

4223
03:16:36,840 --> 03:16:41,400
Speaker 6: r E and DJ e FN from Interval Presents executive

4224
03:16:41,440 --> 03:16:44,040
Speaker 6: producers Alan Coy and Jake Kleinberg.

4225
03:16:44,720 --> 03:16:45,560
Speaker 1: Listen to Drink.

4226
03:16:45,440 --> 03:16:50,560
Speaker 6: Champs on Apple Podcast, Amazon Music, Spotify, Stitcher, or wherever

4227
03:16:50,640 --> 03:16:54,160
Speaker 6: you get your podcasts. Thanks for joining us for another

4228
03:16:54,240 --> 03:16:57,040
Speaker 6: episode of Drink Champs, hosted by Yours truly, dj E

4229
03:16:57,240 --> 03:16:59,480
Speaker 6: f N and n O r E. Please make sure

4230
03:16:59,480 --> 03:17:01,800
Speaker 6: to follow us on all our socials That's at drink

4231
03:17:01,879 --> 03:17:06,200
Speaker 6: Champs across all platforms at the Real noriegon ig at

4232
03:17:06,280 --> 03:17:08,119
Speaker 6: Noriega on Twitter, mine.

4233
03:17:08,040 --> 03:17:11,360
Speaker 1: Is at Who's Crazy on ig at dj E f

4234
03:17:11,440 --> 03:17:12,440
Speaker 1: N on Twitter, and

4235
03:17:12,560 --> 03:17:14,960
Speaker 6: Most importantly, stay up to date with the latest releases,

4236
03:17:15,400 --> 03:17:18,560
Speaker 6: news and merch by going to drink champs dot com