1 00:00:00,240 --> 00:00:27,240 Speaker 1: Ridiculous History is a production of I Heart Radio. Welcome 2 00:00:27,280 --> 00:00:29,960 Speaker 1: back to the show, Ridiculous Historians. Thank you all so 3 00:00:30,040 --> 00:00:35,240 Speaker 1: much as always for tuning in. Jay Paul Getty, John 4 00:00:35,280 --> 00:00:42,040 Speaker 1: Paul Getty jpg so cartoonishly jpeg, incredibly incredibly cheap jpeg. 5 00:00:42,200 --> 00:00:46,400 Speaker 1: Was he's a miser, He's a skin flint. He never 6 00:00:46,479 --> 00:00:50,080 Speaker 1: met a penny he didn't think should be his. Where 7 00:00:50,159 --> 00:00:52,559 Speaker 1: is the origin of skin flint? It makes me, I mean, 8 00:00:52,760 --> 00:00:54,320 Speaker 1: I know we're a family show, but it makes me 9 00:00:54,360 --> 00:00:58,600 Speaker 1: think of skin flute. You can, you can, you can 10 00:00:58,680 --> 00:01:01,080 Speaker 1: put together what you all with that one. But that's 11 00:01:01,080 --> 00:01:03,040 Speaker 1: what I always think of when I hear skin flint. 12 00:01:03,440 --> 00:01:06,240 Speaker 1: What is the origin? I must know it comes from 13 00:01:06,640 --> 00:01:11,320 Speaker 1: the fact that flint, as like flint, is such a 14 00:01:11,360 --> 00:01:15,959 Speaker 1: brittle and hard material that you can't remove the skin 15 00:01:16,240 --> 00:01:19,479 Speaker 1: of a flint without shattering it. So people who try 16 00:01:19,560 --> 00:01:22,200 Speaker 1: to do that are so cheap that they just won't 17 00:01:22,200 --> 00:01:24,320 Speaker 1: buy more flint. This was back when flint was a 18 00:01:24,400 --> 00:01:32,880 Speaker 1: much more active part of most people's lives. For fire Man, 19 00:01:29,800 --> 00:01:36,640 Speaker 1: you know whatever music yeah jpeg, Oh man, I can't 20 00:01:36,640 --> 00:01:39,160 Speaker 1: believe we went through a whole episode without making that connection. 21 00:01:39,240 --> 00:01:42,160 Speaker 1: I have another there's another coworker of hours that I 22 00:01:42,240 --> 00:01:44,800 Speaker 1: call Jpeg. I used to call Casey Pegram see peg 23 00:01:44,840 --> 00:01:49,200 Speaker 1: and he didn't like don't like that, didn't like it, 24 00:01:49,920 --> 00:01:52,680 Speaker 1: didn't like it. He's a very particular dude. That's fair. 25 00:01:52,800 --> 00:01:55,560 Speaker 1: That's fair. Lovely dude. I got to see uh Casey 26 00:01:55,560 --> 00:01:59,360 Speaker 1: Pegram in in Corporeal a week or so ago, right, yeah, 27 00:01:59,520 --> 00:02:01,760 Speaker 1: I like it, did a training session at the at 28 00:02:01,800 --> 00:02:05,000 Speaker 1: the new office and there he was the same as 29 00:02:05,000 --> 00:02:06,680 Speaker 1: he ever was. It's been almost it's been over a 30 00:02:06,760 --> 00:02:08,880 Speaker 1: year since we've seen each othern person. It was really lovely. 31 00:02:09,880 --> 00:02:17,040 Speaker 1: Oh that's super producer Max. Yeah, and you're an OL 32 00:02:17,160 --> 00:02:20,079 Speaker 1: and I'm Ben no Bro. You can call me no Bro. 33 00:02:20,400 --> 00:02:21,720 Speaker 1: And I want to point out that I'll let you 34 00:02:21,720 --> 00:02:25,639 Speaker 1: guys call me a million different nicknames. Yeah, yeah, I 35 00:02:25,720 --> 00:02:31,680 Speaker 1: I think um, y'all should just remember that. Okay. Well, 36 00:02:31,680 --> 00:02:35,519 Speaker 1: when it comes time to to deed our states to someone, yes, 37 00:02:36,560 --> 00:02:39,640 Speaker 1: you'll you'll ruin this this mbio. Well, first we have 38 00:02:39,720 --> 00:02:42,360 Speaker 1: to make it an empire. And what better way than 39 00:02:42,480 --> 00:02:45,840 Speaker 1: starting with part two of this two part series on 40 00:02:45,880 --> 00:02:48,400 Speaker 1: the saga of the Getty Family. With thanks our research 41 00:02:48,440 --> 00:02:51,880 Speaker 1: associate Dr Zach We saved this because we thought it 42 00:02:51,919 --> 00:02:54,720 Speaker 1: was a natural break in the story. I don't know 43 00:02:55,080 --> 00:02:58,560 Speaker 1: what kind of sound cues this results in, but we 44 00:02:58,800 --> 00:03:02,000 Speaker 1: need to all right, we'll we previously left you without 45 00:03:02,000 --> 00:03:06,920 Speaker 1: a dope beat the step two we were talking about 46 00:03:07,040 --> 00:03:11,440 Speaker 1: the beginning of this kidnapping the golden Hippie of Rome, 47 00:03:12,080 --> 00:03:16,280 Speaker 1: John Paul Getty the third had been kidnapped. A ransom 48 00:03:16,320 --> 00:03:19,480 Speaker 1: note had been sent. The mob was after some of 49 00:03:19,480 --> 00:03:23,320 Speaker 1: that sweet, sweet Getty money. Now, kidnapping rich folks is 50 00:03:23,360 --> 00:03:28,720 Speaker 1: an age old enterprise. It continues here today. Be careful, 51 00:03:29,120 --> 00:03:32,040 Speaker 1: but or even just like kidnapping Americans of of of 52 00:03:32,120 --> 00:03:37,000 Speaker 1: moderate means, because the currency is often so much more valuable. Right, 53 00:03:37,240 --> 00:03:43,680 Speaker 1: but we have uh, we've introduced some of our characters here. 54 00:03:44,120 --> 00:03:46,920 Speaker 1: We talked about Gail, We talked about the leader of 55 00:03:46,960 --> 00:03:51,840 Speaker 1: the at the time, sin Quanta. But as smart as 56 00:03:51,880 --> 00:03:55,840 Speaker 1: the mafio, so were they, Bush would say, they miss 57 00:03:55,920 --> 00:04:04,280 Speaker 1: underestimated how Getty Senior looked at the world. The old man, Uh, 58 00:04:04,400 --> 00:04:07,640 Speaker 1: the old Man did not take kindly to threats, and 59 00:04:07,720 --> 00:04:12,680 Speaker 1: he certainly didn't like anybody touching money. That what like 60 00:04:12,840 --> 00:04:16,000 Speaker 1: money in general. The thing about billionaires, you know, there's 61 00:04:16,120 --> 00:04:18,000 Speaker 1: there's a good case to be made. This might be 62 00:04:18,040 --> 00:04:21,440 Speaker 1: a hot take. There's a good case to be made that, uh, 63 00:04:21,800 --> 00:04:28,000 Speaker 1: being a billionaire might qualify you for certain mental conditions, 64 00:04:28,080 --> 00:04:33,400 Speaker 1: like I have nomania right right right? Well like the 65 00:04:33,440 --> 00:04:35,760 Speaker 1: ideas um oh, I think it was John Kleee for 66 00:04:35,800 --> 00:04:38,599 Speaker 1: money Python. He had this great example about it. He said, 67 00:04:38,839 --> 00:04:42,080 Speaker 1: let's think of chocolate. A lot of people like chocolate. 68 00:04:42,320 --> 00:04:44,440 Speaker 1: If you come to my house and you open the fridge, 69 00:04:44,720 --> 00:04:47,000 Speaker 1: you might see a bit of chocolate, and you think, oh, 70 00:04:47,080 --> 00:04:49,880 Speaker 1: he's a nice guy. He's like me. He likes chocolate. 71 00:04:50,080 --> 00:04:51,919 Speaker 1: But if you walked into my house and it was 72 00:04:51,960 --> 00:04:54,640 Speaker 1: filled to the ceiling with chocolate, and I asked if 73 00:04:54,680 --> 00:04:57,239 Speaker 1: you had any chocolate in your pocket, and you did, 74 00:04:57,400 --> 00:05:00,159 Speaker 1: and I got angry at you, then that is what 75 00:05:00,279 --> 00:05:03,839 Speaker 1: being a billionaires like. You're angry that other people have 76 00:05:04,080 --> 00:05:08,040 Speaker 1: a thing, right, and uh you know jpeg John Paul 77 00:05:08,040 --> 00:05:16,000 Speaker 1: Ghetti the main he was incredibly thrifty because he did 78 00:05:16,000 --> 00:05:20,000 Speaker 1: not get his thrills from spending money. He got his 79 00:05:20,080 --> 00:05:24,640 Speaker 1: thrills from making money, from amassing money from stacking that chocolate. 80 00:05:25,200 --> 00:05:29,200 Speaker 1: And that is is usually oftentimes the case for folks 81 00:05:29,560 --> 00:05:33,440 Speaker 1: that come from this kind of generational well, especially if 82 00:05:34,120 --> 00:05:37,480 Speaker 1: something you did, lad to it ballooning, you know, which 83 00:05:37,520 --> 00:05:41,360 Speaker 1: we know that the John Paulghetti he did have some 84 00:05:41,440 --> 00:05:44,120 Speaker 1: business acumen, and he did. He was a good steward 85 00:05:44,440 --> 00:05:48,080 Speaker 1: of that more modest family fortune that that that that 86 00:05:48,240 --> 00:05:50,719 Speaker 1: came before him, and then he turned it into an 87 00:05:50,760 --> 00:05:55,920 Speaker 1: outright empire. And you don't build empires by giving handouts, right, yeah, 88 00:05:55,920 --> 00:05:58,960 Speaker 1: at least not not a getty style of fortune. So 89 00:05:59,720 --> 00:06:05,560 Speaker 1: this guy was so cheap folks, so very like beyond thrifty. Okay, 90 00:06:05,600 --> 00:06:07,800 Speaker 1: I'm an eagle scout. I get it. Thrifty, brave, clean 91 00:06:07,839 --> 00:06:10,760 Speaker 1: and reverend. Those are all good things. But he took 92 00:06:10,800 --> 00:06:13,760 Speaker 1: it too far, you could say. And you could also say, 93 00:06:13,880 --> 00:06:16,400 Speaker 1: had to be this, have to have this sort of 94 00:06:16,440 --> 00:06:21,000 Speaker 1: mindset to reach his financial position. But he was known 95 00:06:21,279 --> 00:06:24,839 Speaker 1: as a skin flint domizer in his day. He was 96 00:06:24,880 --> 00:06:28,480 Speaker 1: always looking for a loophole at tax deduction. He was 97 00:06:28,520 --> 00:06:30,520 Speaker 1: the kind of he was the type of dude who 98 00:06:30,560 --> 00:06:33,200 Speaker 1: if he ever went into a civilian grocery store, you 99 00:06:33,200 --> 00:06:36,840 Speaker 1: can be dang sure he was looking for manager specials. 100 00:06:37,120 --> 00:06:40,159 Speaker 1: He got coupons. He might have been the type of 101 00:06:40,160 --> 00:06:42,560 Speaker 1: guy to poke a hole in something and demand a 102 00:06:42,600 --> 00:06:45,719 Speaker 1: discount because he quote unquote found it that way. That's 103 00:06:45,720 --> 00:06:49,599 Speaker 1: how cheap this guy is, crazy town. Yeah, manipulatively cheap. 104 00:06:49,960 --> 00:06:53,520 Speaker 1: I like that. Yeah. The Time magazine article on the 105 00:06:53,560 --> 00:06:57,359 Speaker 1: history of the Getty kidnapping by Olivia B. Waxman summed 106 00:06:57,520 --> 00:07:02,200 Speaker 1: up beautifully his penny pinching had become legend. He eats simply, 107 00:07:02,360 --> 00:07:05,599 Speaker 1: dress as well, but inexpensively spends about two eight hours 108 00:07:05,600 --> 00:07:07,839 Speaker 1: a week for personal needs. He once took a party 109 00:07:07,880 --> 00:07:10,360 Speaker 1: of friends to a dog show in London. The admission 110 00:07:10,360 --> 00:07:13,760 Speaker 1: fuse five shillings about seventy cents American, but a sign 111 00:07:13,840 --> 00:07:16,600 Speaker 1: over the entrance at half price after five pm. It 112 00:07:16,680 --> 00:07:21,880 Speaker 1: was then twelve minutes to five, said billionaire Getty. Let 113 00:07:21,920 --> 00:07:24,440 Speaker 1: us take a walk around the block for a few minutes, 114 00:07:24,520 --> 00:07:26,440 Speaker 1: like like it was just planning it all along a 115 00:07:26,480 --> 00:07:31,640 Speaker 1: lovely stroll. The Time magazine article goes on yees long quotes. 116 00:07:31,640 --> 00:07:34,560 Speaker 1: We're gonna split it up. So. On another occasion, he 117 00:07:34,640 --> 00:07:38,240 Speaker 1: was persuaded by British born author and actress ethel Leven 118 00:07:38,440 --> 00:07:42,600 Speaker 1: to send some silk ties to famed art critic Bernard Berenson, 119 00:07:42,840 --> 00:07:45,720 Speaker 1: whom she and Getty had just visited while preparing for 120 00:07:45,760 --> 00:07:49,360 Speaker 1: their book Collector's Choice, which is a well reviewed narrative 121 00:07:49,360 --> 00:07:54,880 Speaker 1: of their hunt for Our Treasures. Getty caught Levan writing 122 00:07:55,040 --> 00:07:58,920 Speaker 1: from Paul and Ethel on the accompanying card. He immediately 123 00:07:59,000 --> 00:08:01,880 Speaker 1: demanded she paid half the cost of the ties on 124 00:08:01,920 --> 00:08:04,280 Speaker 1: the ground that she was getting half the credit for 125 00:08:04,360 --> 00:08:11,480 Speaker 1: the gift. That's unnecessarily aggressive. It's rough. Yeah, there's there's 126 00:08:11,480 --> 00:08:13,960 Speaker 1: there are other stories the stuff is like, is honestly 127 00:08:14,480 --> 00:08:18,320 Speaker 1: legend um? Like he I think it's something to do 128 00:08:18,320 --> 00:08:23,680 Speaker 1: with the phone book. Yeah, yeah, he was so. The 129 00:08:23,720 --> 00:08:27,920 Speaker 1: way this story goes, he was getting a renovation done 130 00:08:27,960 --> 00:08:31,680 Speaker 1: on a British estate and he installed a pay phone 131 00:08:32,679 --> 00:08:35,360 Speaker 1: during the construction, and so if you were his guest 132 00:08:35,400 --> 00:08:37,920 Speaker 1: and you came over, you had to pay for your 133 00:08:37,960 --> 00:08:42,880 Speaker 1: own phone calls. Later after, after construction was complete, he 134 00:08:42,960 --> 00:08:45,800 Speaker 1: did apparently remove it, but during that time he was like, 135 00:08:45,880 --> 00:08:49,160 Speaker 1: if that call is important, that's on you. You know. 136 00:08:49,679 --> 00:08:51,440 Speaker 1: There was I can't remember who it was. It might 137 00:08:51,480 --> 00:08:56,400 Speaker 1: have been Iced Tea who had a vending machine installed 138 00:08:56,559 --> 00:08:59,320 Speaker 1: in his mansion and when his friends came over and 139 00:08:59,360 --> 00:09:01,600 Speaker 1: wanted to snap X, he just told them to go 140 00:09:01,640 --> 00:09:06,480 Speaker 1: to the vending machine. Wow, it's not very aspitable, is 141 00:09:06,520 --> 00:09:11,520 Speaker 1: it iced Tea. I can't remember specifically him, but yeah, 142 00:09:11,559 --> 00:09:15,960 Speaker 1: that's that's brand for iced Tea. Seems pretty generous. Hope 143 00:09:16,040 --> 00:09:17,880 Speaker 1: that's not true. I hope so too. I hope I'm 144 00:09:17,960 --> 00:09:21,040 Speaker 1: I'm remembering a different person. But there's definitely a person 145 00:09:21,040 --> 00:09:24,440 Speaker 1: who's done that. So this is what the Mafia was 146 00:09:24,480 --> 00:09:29,240 Speaker 1: not aware of. They weren't aware of the mindset of 147 00:09:29,400 --> 00:09:35,400 Speaker 1: this guy of John Paul Getty. And he also seemed 148 00:09:35,400 --> 00:09:39,000 Speaker 1: to be very cold to people who were family members, 149 00:09:39,040 --> 00:09:43,760 Speaker 1: even if they weren't useful to the business enterprise. He 150 00:09:43,840 --> 00:09:47,280 Speaker 1: might be at best indifferent to them, but he also 151 00:09:47,640 --> 00:09:51,400 Speaker 1: would as sad as is to say, he seemed to 152 00:09:51,480 --> 00:09:56,280 Speaker 1: consider some of them irrelevant, including his youngest son, Timothy 153 00:09:56,559 --> 00:10:00,360 Speaker 1: where Getty. Timothy had a lot of health problem from 154 00:10:00,480 --> 00:10:03,520 Speaker 1: very young age. He had a brain to her that 155 00:10:03,559 --> 00:10:05,920 Speaker 1: caused him to go blind at age six, and he 156 00:10:06,000 --> 00:10:08,640 Speaker 1: passed away when he was twelve years old, and his 157 00:10:08,880 --> 00:10:13,320 Speaker 1: father did not go to the funeral. Can you imagine. Yeah, 158 00:10:13,320 --> 00:10:16,400 Speaker 1: apparently has an aversion to weddings and funerals, and I 159 00:10:16,400 --> 00:10:18,959 Speaker 1: don't know, maybe maybe just an aversion to life. To 160 00:10:19,080 --> 00:10:21,280 Speaker 1: other people, you know, it seems like one of those 161 00:10:21,280 --> 00:10:25,120 Speaker 1: guys that would just prefer to again swimming his see 162 00:10:25,120 --> 00:10:27,320 Speaker 1: of coins. Do you think he talks to money like 163 00:10:27,480 --> 00:10:31,040 Speaker 1: is his best friend his first dollar bill or something? Yeah, 164 00:10:31,080 --> 00:10:33,319 Speaker 1: I just you know, it just strikes me then, like 165 00:10:33,640 --> 00:10:38,080 Speaker 1: people like this they can't have very happy lives. You know, 166 00:10:38,120 --> 00:10:40,240 Speaker 1: they've got all the money in the world. Throw that 167 00:10:40,320 --> 00:10:44,839 Speaker 1: catchphrase around again because it's appropriate here. But what kind 168 00:10:44,840 --> 00:10:50,600 Speaker 1: of fulfillment you know, five wives, seemingly you know, no 169 00:10:51,280 --> 00:10:55,840 Speaker 1: meaningful relationship with family. What's the point of it all? 170 00:10:55,960 --> 00:10:59,320 Speaker 1: You know, if if not to to have a happy life, 171 00:10:59,360 --> 00:11:02,080 Speaker 1: you know, I mean, I it's about legacy again, back 172 00:11:02,120 --> 00:11:05,480 Speaker 1: to succession. It does seem like legacy and this idea 173 00:11:05,600 --> 00:11:09,520 Speaker 1: of being larger than life and having your you know, 174 00:11:09,559 --> 00:11:12,400 Speaker 1: your name carry on, you know, well passed your death. 175 00:11:12,559 --> 00:11:15,880 Speaker 1: And obviously we know any think about Baghetti foundation, all 176 00:11:15,880 --> 00:11:18,480 Speaker 1: of the things associated with Getty. He certainly did. That 177 00:11:18,559 --> 00:11:21,200 Speaker 1: certainly did happen. So if that's what he was, you know, 178 00:11:21,400 --> 00:11:24,120 Speaker 1: banking on, then I guess good on you. But he 179 00:11:24,160 --> 00:11:28,400 Speaker 1: just didn't seem to be a particularly jolly fellow. Yeah, agreed, 180 00:11:28,720 --> 00:11:30,800 Speaker 1: And this is you know, it can be tough to 181 00:11:30,880 --> 00:11:34,280 Speaker 1: understand the inner workings of another person's mind. It's always 182 00:11:34,320 --> 00:11:37,480 Speaker 1: a little bit of a black box. But we can 183 00:11:37,559 --> 00:11:41,160 Speaker 1: measure people by their actions, right, and his actions seem 184 00:11:41,880 --> 00:11:47,400 Speaker 1: to consistently prize growth of his financial empire over the 185 00:11:47,440 --> 00:11:51,679 Speaker 1: well being of his social relationships and his family. He 186 00:11:51,800 --> 00:11:55,760 Speaker 1: even this from a great Rolling Stone article by Amelia 187 00:11:55,840 --> 00:12:00,320 Speaker 1: McDonald Perry. Apparently, during the time his fifth saw was 188 00:12:00,400 --> 00:12:04,760 Speaker 1: going through all these medical problems, J Paul Getty told 189 00:12:04,840 --> 00:12:07,560 Speaker 1: his wife that she was spending too much money on 190 00:12:07,600 --> 00:12:13,440 Speaker 1: his son's medical care. Like that's also again, that's arctic 191 00:12:13,520 --> 00:12:23,040 Speaker 1: level cold. So we were we know that the mob 192 00:12:23,160 --> 00:12:26,960 Speaker 1: was not aware really of the guy they were messing with. 193 00:12:27,040 --> 00:12:29,480 Speaker 1: They didn't know the nature the bear they were poking, 194 00:12:30,120 --> 00:12:33,960 Speaker 1: and they were thinking, all right, we'll set this ransom 195 00:12:33,960 --> 00:12:38,160 Speaker 1: at seventy million dollars to us, that is an ungodly 196 00:12:38,200 --> 00:12:44,720 Speaker 1: amount of money for most people. But John Paul Getty 197 00:12:44,760 --> 00:12:48,960 Speaker 1: is a billionaire, and so it's not going to hurt 198 00:12:49,080 --> 00:12:52,280 Speaker 1: him at all, especially if we're saying, you do this 199 00:12:52,360 --> 00:12:55,760 Speaker 1: to save your grandson. But what they didn't know is J. 200 00:12:55,920 --> 00:13:00,880 Speaker 1: Paul Getty liked his grandson's mom. He liked Gail, he 201 00:13:00,920 --> 00:13:05,280 Speaker 1: thought she was cool, but he didn't like this grandson 202 00:13:05,760 --> 00:13:09,200 Speaker 1: he considered him effectless. And then we're talking about this 203 00:13:09,280 --> 00:13:13,160 Speaker 1: off air. Uh. One of the things that stayed with 204 00:13:13,200 --> 00:13:15,760 Speaker 1: this guy who held onto grudges as tightly as he 205 00:13:15,760 --> 00:13:18,240 Speaker 1: held on the money. By the way, he was still 206 00:13:18,320 --> 00:13:22,320 Speaker 1: mad at his grandson because one one time his grandson 207 00:13:22,440 --> 00:13:27,600 Speaker 1: showed up wearing trainers sneakers basically to visit him at 208 00:13:27,640 --> 00:13:32,880 Speaker 1: this two door manor house, Sutton place. Oh the goal exactly, 209 00:13:33,000 --> 00:13:37,400 Speaker 1: that's unwashed with a snapper welp turning up to the 210 00:13:37,520 --> 00:13:45,800 Speaker 1: manda and and trainers. I know, effectless means irresponsible, lacking 211 00:13:45,960 --> 00:13:52,160 Speaker 1: strength of character. Yeah yeah, shiftless lab exactly. But he 212 00:13:52,280 --> 00:13:55,120 Speaker 1: did he committed a worst offense. He was a hippie 213 00:13:55,679 --> 00:13:59,760 Speaker 1: and the golden hippie of golden hippie and uh jpg 214 00:14:02,120 --> 00:14:06,920 Speaker 1: old jpeg. Also, you know, didn't like the fact that 215 00:14:06,960 --> 00:14:10,360 Speaker 1: he seemed to be following in his father's footsteps. Um, 216 00:14:10,480 --> 00:14:12,400 Speaker 1: you know, who had moved to Rome and and and 217 00:14:12,559 --> 00:14:15,080 Speaker 1: got on the horse and all that stuff and uh 218 00:14:15,120 --> 00:14:17,240 Speaker 1: and and made a bit of a you know, dragged 219 00:14:17,240 --> 00:14:18,960 Speaker 1: the family name through the mud a little bit in 220 00:14:19,040 --> 00:14:22,120 Speaker 1: his eyes. So he said he wanted nothing to do 221 00:14:22,680 --> 00:14:27,480 Speaker 1: with either of them until they quote changed their ways. 222 00:14:28,120 --> 00:14:32,080 Speaker 1: So he was definitely passing down some moral authority kind 223 00:14:32,120 --> 00:14:37,080 Speaker 1: of judgment from on high. So he alleges a conspiracy 224 00:14:37,120 --> 00:14:41,680 Speaker 1: and he says, my grand Saunders staged this crisis because 225 00:14:41,680 --> 00:14:45,400 Speaker 1: he's after money. And then later when he realizes, no, 226 00:14:45,480 --> 00:14:48,560 Speaker 1: he didn't stage the crisis. The Golden Hippie that's his 227 00:14:48,600 --> 00:14:51,560 Speaker 1: most famous nickname, had in fact been kidnapped by the mob, 228 00:14:52,000 --> 00:14:55,840 Speaker 1: he doubled down. He still blamed his grandson, the Golden Hippie, 229 00:14:56,080 --> 00:14:59,560 Speaker 1: for quote getting kidnapped in the first place, and thereby 230 00:14:59,560 --> 00:15:03,360 Speaker 1: involved him and his grandfather with the dreaded mafia. This 231 00:15:03,440 --> 00:15:05,960 Speaker 1: is all according to a guy named John Pearson, the 232 00:15:06,000 --> 00:15:09,280 Speaker 1: author of a great book called Painfully Rich, The Outrageous 233 00:15:09,320 --> 00:15:14,920 Speaker 1: Fortune and Misfortune of the Heirs of J. Paul Getty. Yeah, 234 00:15:15,160 --> 00:15:19,800 Speaker 1: talk about victim blaming right right. And the truth seems 235 00:15:19,840 --> 00:15:22,440 Speaker 1: to be that the old man has been well aware 236 00:15:22,440 --> 00:15:26,760 Speaker 1: of the possibility of kidnapping and extortion well before the grandson, 237 00:15:26,800 --> 00:15:33,360 Speaker 1: the Golden Hippie disappeared, And because John Paul Jr. Had 238 00:15:33,440 --> 00:15:38,040 Speaker 1: kind of fallen out of contact with his dad, it 239 00:15:38,440 --> 00:15:41,440 Speaker 1: felt a gale to go to the old man Getty 240 00:15:41,520 --> 00:15:49,240 Speaker 1: Senior herself, and he initially said now I have fourteen 241 00:15:49,400 --> 00:15:53,200 Speaker 1: other grandchildren. If I pay one penny now, then I 242 00:15:53,240 --> 00:15:58,840 Speaker 1: will have fourteen kidnapped grandchildren. We do not negotiate with terrorists. 243 00:15:59,360 --> 00:16:03,720 Speaker 1: I added that last part. But that's I mean, it's 244 00:16:03,880 --> 00:16:06,920 Speaker 1: very much a like, well I have He doesn't come 245 00:16:06,920 --> 00:16:08,840 Speaker 1: out and say it. It's like I have thirteen other 246 00:16:08,880 --> 00:16:12,720 Speaker 1: ones I can lose one. Yeah, it's it's uh, you know, 247 00:16:12,840 --> 00:16:15,880 Speaker 1: you see that Scotch Irish background come into play. But 248 00:16:16,040 --> 00:16:20,880 Speaker 1: also also there's this, uh, there's this implication that he's 249 00:16:20,920 --> 00:16:24,160 Speaker 1: doing the math and he's saying it's not seventeen million once, 250 00:16:24,560 --> 00:16:28,680 Speaker 1: it's at minimum seventeen million times thirteen, knowing that the 251 00:16:28,720 --> 00:16:34,680 Speaker 1: price might get higher each time. He's doing a risk assessment. Yeah, 252 00:16:34,920 --> 00:16:39,600 Speaker 1: with with human capital family, you know, I mean even 253 00:16:39,600 --> 00:16:44,200 Speaker 1: the mom is confused. Even they didn't realize they've inserted 254 00:16:44,240 --> 00:16:48,560 Speaker 1: themselves in the middle of the most dysfunctional family. Uh ever, 255 00:16:49,160 --> 00:16:52,440 Speaker 1: and they're just like wait what uh and man, it 256 00:16:52,480 --> 00:16:56,920 Speaker 1: gets weirder, worser better. I don't know how to even 257 00:16:56,920 --> 00:17:01,320 Speaker 1: say it. Yeah, it's Czarre. It's so surreal. It's like, um, 258 00:17:01,360 --> 00:17:03,600 Speaker 1: you know, this is not a funny situation, but you 259 00:17:03,640 --> 00:17:06,880 Speaker 1: could make a dark comedy out of the conversations they're 260 00:17:06,880 --> 00:17:11,000 Speaker 1: having because our guys sin Quanta from the Italian mob there, 261 00:17:11,400 --> 00:17:14,520 Speaker 1: he is the point person to be on the phone 262 00:17:14,720 --> 00:17:18,520 Speaker 1: with Gail, and he just doesn't get it. He's like, 263 00:17:18,600 --> 00:17:20,879 Speaker 1: this guy is that rich and he's not gonna save 264 00:17:20,920 --> 00:17:23,320 Speaker 1: his own grandson. And he goes, who is this so 265 00:17:23,520 --> 00:17:26,200 Speaker 1: called grandfather? You know, how can he leave his own 266 00:17:26,240 --> 00:17:28,240 Speaker 1: flesh and blood and the plight that your poor son 267 00:17:28,359 --> 00:17:30,679 Speaker 1: is in. Here is the richest man in America and 268 00:17:30,720 --> 00:17:33,879 Speaker 1: you tell me he refuses to find just ten milliardi 269 00:17:34,040 --> 00:17:38,840 Speaker 1: for his grandson's safety, Senora, you take me for a fool. Yeah, 270 00:17:38,920 --> 00:17:42,720 Speaker 1: And that's the thing he's he's literally by refusing to 271 00:17:42,800 --> 00:17:45,320 Speaker 1: pay or to even help or even entertain the idea 272 00:17:45,359 --> 00:17:49,640 Speaker 1: of this could be real. He's putting his his family 273 00:17:49,800 --> 00:17:53,200 Speaker 1: in worse in a worse situation where now they're potentially 274 00:17:53,240 --> 00:17:56,240 Speaker 1: at risk because the mob thinks that they're jerking them around. 275 00:17:56,359 --> 00:17:59,280 Speaker 1: Oh yeah, they don't believe it because family is so 276 00:17:59,320 --> 00:18:02,720 Speaker 1: important to them. Job right, this does not compute. And 277 00:18:02,840 --> 00:18:07,960 Speaker 1: uh yeah, so we might be we might be bloodthirsty criminals, 278 00:18:08,040 --> 00:18:10,600 Speaker 1: but damn it if we miss family dinner, right, we 279 00:18:10,760 --> 00:18:14,000 Speaker 1: like our kids what is wrong with you Americans? Uh 280 00:18:14,080 --> 00:18:18,520 Speaker 1: So he ends up pleading with her. You know, it's 281 00:18:18,520 --> 00:18:21,719 Speaker 1: almost like a negot It is a negotiating help me, 282 00:18:21,760 --> 00:18:25,080 Speaker 1: help you exactly exactly he's saying, you know, because he 283 00:18:25,119 --> 00:18:27,200 Speaker 1: doesn't see himself as a bad guy. He sees himself 284 00:18:27,240 --> 00:18:30,320 Speaker 1: as doing his job. And so he says, look, please 285 00:18:30,600 --> 00:18:33,880 Speaker 1: find some way to get the money. We're too far 286 00:18:33,960 --> 00:18:37,280 Speaker 1: down this road, and I have to tell you the 287 00:18:37,440 --> 00:18:40,280 Speaker 1: people who are holding your son are going to harm 288 00:18:40,440 --> 00:18:44,600 Speaker 1: him if we don't get this cash, this ransom. And 289 00:18:44,640 --> 00:18:47,120 Speaker 1: then Gail does the next natural thing and says, prove 290 00:18:47,240 --> 00:18:52,679 Speaker 1: to me that my son is alive. He says, okay, 291 00:18:52,720 --> 00:18:54,960 Speaker 1: tell me questions only the golden hippie would know the 292 00:18:54,960 --> 00:18:58,000 Speaker 1: answers to. I'll get those answers and I'll call you back, 293 00:18:58,520 --> 00:19:02,240 Speaker 1: and he does so he roofs that this kid's alive. 294 00:19:03,040 --> 00:19:07,040 Speaker 1: And this kidnapping goes on for months and months. Paul 295 00:19:07,119 --> 00:19:11,280 Speaker 1: gets very sick. Uh set Quanta even calls Gail when 296 00:19:11,359 --> 00:19:15,560 Speaker 1: when the boy falls ill and says, hey, your son 297 00:19:15,640 --> 00:19:17,960 Speaker 1: start doing well, what do I do to keep him healthy? 298 00:19:18,040 --> 00:19:20,520 Speaker 1: And it's not like a threat, He's like asking, how 299 00:19:20,520 --> 00:19:23,600 Speaker 1: do I meet the kid? Doesn't die. Yeah, this person, 300 00:19:23,720 --> 00:19:27,760 Speaker 1: this go between is a pretty sympathetic character in this 301 00:19:28,119 --> 00:19:31,960 Speaker 1: uh weird in some weirdly right she you know, she says, 302 00:19:32,040 --> 00:19:35,040 Speaker 1: keep keeping warm. He's always a bit of a sickly child. 303 00:19:35,600 --> 00:19:37,080 Speaker 1: So again, like you said, when this goes on for 304 00:19:37,200 --> 00:19:39,960 Speaker 1: months and months, so some of the kidnappers involved in 305 00:19:40,040 --> 00:19:43,480 Speaker 1: this lose the interests or they're just kind of like, 306 00:19:43,560 --> 00:19:46,280 Speaker 1: I'm ready to get paid. Um, so they actually sell 307 00:19:46,440 --> 00:19:49,760 Speaker 1: out their stakes in the whole deal, even though that 308 00:19:49,840 --> 00:19:53,040 Speaker 1: was possible. It's like it's like betting on futures, you 309 00:19:53,080 --> 00:19:57,119 Speaker 1: know something. Yeah, you're selling their positions, right, And this 310 00:19:57,200 --> 00:20:00,919 Speaker 1: is a problem because it seems as though maybe some 311 00:20:01,040 --> 00:20:04,680 Speaker 1: of these folks were more loosely connected to the mafia, 312 00:20:05,040 --> 00:20:07,760 Speaker 1: uh and a little less hardcore, and they were kind 313 00:20:07,760 --> 00:20:10,560 Speaker 1: of trying to play it out without doing any serious 314 00:20:10,600 --> 00:20:13,400 Speaker 1: harm to the boy. But at this point they sell 315 00:20:13,440 --> 00:20:16,480 Speaker 1: their positions to folks that are a little more connected 316 00:20:16,880 --> 00:20:23,600 Speaker 1: to the mob and also little less friendly. Let's just say. Yeah, 317 00:20:23,680 --> 00:20:26,400 Speaker 1: it's it's like, um, with debts, a lot of times 318 00:20:26,400 --> 00:20:28,960 Speaker 1: you'll see this happen where it's like, you know, especially 319 00:20:29,000 --> 00:20:31,680 Speaker 1: if someone goes in bankruptcy, they'll sell that the person's 320 00:20:31,720 --> 00:20:34,080 Speaker 1: dead off and the other people will get like, you know, 321 00:20:34,160 --> 00:20:36,879 Speaker 1: fifteen cents off the dollar. But that's what I'm seeing 322 00:20:36,880 --> 00:20:40,360 Speaker 1: here and said, wow, that's a I didn't know that happened. 323 00:20:40,440 --> 00:20:43,399 Speaker 1: It's kind of morbid to think about. Morbid. Yeah, they 324 00:20:43,520 --> 00:20:46,920 Speaker 1: imagine a few of the original guys were saying, hey, look, 325 00:20:47,000 --> 00:20:50,000 Speaker 1: this has taken a while. We sell loose cigarettes to 326 00:20:50,080 --> 00:20:54,480 Speaker 1: get around taxes. That's our level of crime, guys. And usually, 327 00:20:54,960 --> 00:20:57,640 Speaker 1: you know, our street hustles are done like that week 328 00:20:57,720 --> 00:21:01,160 Speaker 1: or that month. This has been a journey. All the best, 329 00:21:01,280 --> 00:21:04,280 Speaker 1: good luck. The new team, as you mentioned, are much 330 00:21:04,359 --> 00:21:07,600 Speaker 1: more brutal, and they say, okay, we're gonna make good 331 00:21:07,600 --> 00:21:10,320 Speaker 1: on these threats. They must the Getti's must be bluffing 332 00:21:10,400 --> 00:21:15,760 Speaker 1: because they don't know we're serious. So Paul is still 333 00:21:16,080 --> 00:21:19,040 Speaker 1: tied up, he's still being held hostage. It is a 334 00:21:19,240 --> 00:21:23,120 Speaker 1: chilly October morning. They wake him up, they give him 335 00:21:23,160 --> 00:21:25,040 Speaker 1: a ton of brandy, I think it was. They get 336 00:21:25,119 --> 00:21:28,480 Speaker 1: him day drunk, They give him a haircut, and he 337 00:21:28,560 --> 00:21:31,639 Speaker 1: doesn't know what's happening. I imagine he's bonded a little 338 00:21:31,720 --> 00:21:34,879 Speaker 1: with some of these guys, and maybe even the original 339 00:21:34,920 --> 00:21:38,040 Speaker 1: kidnappers left because we're getting too close. But Paul gets 340 00:21:38,040 --> 00:21:41,720 Speaker 1: a bad vibe even though he's drunk, when people start 341 00:21:41,800 --> 00:21:45,640 Speaker 1: rubbing alcohol behind his right ear, and they gave him 342 00:21:45,640 --> 00:21:47,960 Speaker 1: a towel to bite on and with a razor, no 343 00:21:48,119 --> 00:21:51,200 Speaker 1: an aesthetic, they cut off his ear. Staunch the wound 344 00:21:51,359 --> 00:22:02,160 Speaker 1: and mail the ear to a newspaper. Some reservoir dogs 345 00:22:02,960 --> 00:22:07,960 Speaker 1: stuff right there. Yeah, mail mail the ear to the newspaper. 346 00:22:08,200 --> 00:22:10,880 Speaker 1: Maybe that'll get him to finally pay, because again that's 347 00:22:10,920 --> 00:22:15,040 Speaker 1: that's these these more roughneck uh folks that are that 348 00:22:15,080 --> 00:22:19,160 Speaker 1: have entered the chat and they're now slicing off ears. Yeah, 349 00:22:19,280 --> 00:22:22,840 Speaker 1: and the family didn't learn about this for quite a 350 00:22:22,920 --> 00:22:28,440 Speaker 1: while because the Italian post service was on strike, so 351 00:22:28,640 --> 00:22:30,800 Speaker 1: the ear didn't get to him for quite some time. 352 00:22:31,119 --> 00:22:34,680 Speaker 1: When it did arrive, Getty Senior, the old man himself 353 00:22:36,359 --> 00:22:40,280 Speaker 1: calls a family counsel and he strikes a unique deal 354 00:22:40,440 --> 00:22:42,919 Speaker 1: one uh he strikes to deal with the kidnappers, but 355 00:22:43,000 --> 00:22:48,240 Speaker 1: then also with his own a strange son, Junior. They haggle. 356 00:22:48,400 --> 00:22:52,240 Speaker 1: They negotiate the ransom down to three million from seventeen million. 357 00:22:52,760 --> 00:22:56,320 Speaker 1: The old man says, I'll pay two million, and his 358 00:22:56,400 --> 00:23:00,960 Speaker 1: lawyers told him that number because it was the maximum 359 00:23:01,000 --> 00:23:03,600 Speaker 1: amount he was allowed to write off on his taxes. 360 00:23:04,359 --> 00:23:08,680 Speaker 1: She's like, not a pennymore deeper and deeper this guy. 361 00:23:09,240 --> 00:23:12,160 Speaker 1: That's not the worst part. No, it's not the worst part. 362 00:23:12,200 --> 00:23:17,520 Speaker 1: And then he makes his son uh JP three's father 363 00:23:18,320 --> 00:23:22,399 Speaker 1: pay the remaining a million, which he doesn't have because 364 00:23:22,520 --> 00:23:32,000 Speaker 1: reasons that we've discussed, but in his benevolence, JPG decides 365 00:23:32,040 --> 00:23:36,119 Speaker 1: he'll loan it to his son at a very reasonable 366 00:23:36,200 --> 00:23:40,679 Speaker 1: four percent interest rate. He's turning this into a an 367 00:23:40,720 --> 00:23:44,440 Speaker 1: opportunity to get a little juice out of his son 368 00:23:44,920 --> 00:23:48,280 Speaker 1: really quick. But if I may ask, it's a trope 369 00:23:48,359 --> 00:23:52,000 Speaker 1: you know, in in in crime fiction drama, to send 370 00:23:52,000 --> 00:23:55,119 Speaker 1: a toe or an ear or whatever, you know, and 371 00:23:55,280 --> 00:23:58,200 Speaker 1: like in uh, um, what is it the big Lebowski? 372 00:23:58,280 --> 00:23:59,840 Speaker 1: You know you want to toe? I can get you 373 00:23:59,880 --> 00:24:03,640 Speaker 1: a toe. How do you know it's his ear? How 374 00:24:03,680 --> 00:24:06,880 Speaker 1: are they like? How is that such a such an 375 00:24:06,920 --> 00:24:10,000 Speaker 1: important proof of life? Well maybe it would have been 376 00:24:10,040 --> 00:24:13,000 Speaker 1: combined with a picture of the Severn. It's just I 377 00:24:13,000 --> 00:24:15,080 Speaker 1: don't know. It's a weird flex. I get that it's 378 00:24:15,080 --> 00:24:19,560 Speaker 1: an intimidation method, but you know, yeah, it's not an 379 00:24:19,640 --> 00:24:23,520 Speaker 1: especially unique ear, you could say, right, other than skin 380 00:24:23,640 --> 00:24:26,360 Speaker 1: color and maybe age of the skin unless there were 381 00:24:26,440 --> 00:24:31,320 Speaker 1: some notable disfigurations or abnormalities. But maybe it was an 382 00:24:31,320 --> 00:24:34,200 Speaker 1: honor among thieves situation. We do know that the plan 383 00:24:34,320 --> 00:24:38,520 Speaker 1: was a success. The Golden Hippies five months captivity ended 384 00:24:38,600 --> 00:24:42,439 Speaker 1: in the pre dawn hours of December ninety three. A 385 00:24:42,600 --> 00:24:45,960 Speaker 1: truck driver found him and he was just by the 386 00:24:46,000 --> 00:24:48,919 Speaker 1: side of the road, waving his arms in the universal 387 00:24:49,000 --> 00:24:52,159 Speaker 1: distress sign, and he said, I need to get to 388 00:24:52,240 --> 00:24:55,640 Speaker 1: a telephone to call my mom. I'm Paul Getty. Can 389 00:24:55,720 --> 00:24:59,240 Speaker 1: I have a cigarette? Pouring rain by the way. Very dramatic. 390 00:24:59,320 --> 00:25:04,080 Speaker 1: I'm picturing the scene from this Time magazine article describing it. 391 00:25:04,080 --> 00:25:07,280 Speaker 1: It's it's it's very cinematic. I've imagine that it's played 392 00:25:07,320 --> 00:25:09,159 Speaker 1: out in the in the in the film, we were 393 00:25:09,160 --> 00:25:10,760 Speaker 1: talking about all the money in the world, which I 394 00:25:10,760 --> 00:25:13,840 Speaker 1: really am now super intrigued to see. Yeah, may I 395 00:25:13,880 --> 00:25:16,959 Speaker 1: have a say? He's very polite, Sure he hasn't. His 396 00:25:17,000 --> 00:25:20,000 Speaker 1: manners have not waned in this Time and captivity. He's 397 00:25:20,000 --> 00:25:23,520 Speaker 1: supposedly this quoted as saying, may I have a cigarette? Please? 398 00:25:23,840 --> 00:25:26,679 Speaker 1: He seemed like a nice like a nice guy. All told. 399 00:25:27,200 --> 00:25:30,240 Speaker 1: He does make it to a police station and they 400 00:25:30,320 --> 00:25:34,440 Speaker 1: see that his right ear is missing, and he answers 401 00:25:34,440 --> 00:25:37,840 Speaker 1: some questions. It's clearly him. He survives a kidnapping, which 402 00:25:37,880 --> 00:25:41,680 Speaker 1: not everybody does. He goes on to marry a friend 403 00:25:41,720 --> 00:25:46,760 Speaker 1: of his from before his ordeal, one Martin Zaker. And 404 00:25:46,840 --> 00:25:49,480 Speaker 1: this happens two years later. So he's eighteen years old. 405 00:25:49,640 --> 00:25:52,080 Speaker 1: Remember this kid's only sixteen. He's going through a lot. 406 00:25:52,160 --> 00:25:56,200 Speaker 1: He spends almost half of a year locked up by 407 00:25:56,200 --> 00:25:59,920 Speaker 1: the mob. And the problem is that when he married 408 00:26:00,080 --> 00:26:05,240 Speaker 1: at eighteen, he has automatically disqualified himself from a stake 409 00:26:05,320 --> 00:26:08,840 Speaker 1: in his grandfather's trust because he married too young. He 410 00:26:08,920 --> 00:26:11,879 Speaker 1: and his wife have one son, who many of us 411 00:26:11,920 --> 00:26:16,520 Speaker 1: may know as the actor Balthazar Getty. And then when 412 00:26:16,560 --> 00:26:24,359 Speaker 1: the grandfather, when old Man Getty does finally pass away, 413 00:26:24,600 --> 00:26:28,879 Speaker 1: he leaves his son John, that's the junior, right, He 414 00:26:28,960 --> 00:26:33,040 Speaker 1: leaves him five bucks at his grandson, who had been kidnapped, 415 00:26:34,080 --> 00:26:40,480 Speaker 1: gets nothing, nothing, get nothing good day. So exactly, just 416 00:26:40,560 --> 00:26:44,920 Speaker 1: like Jane Wilder and Willy Wonka and uh, things get rough, 417 00:26:45,280 --> 00:26:49,520 Speaker 1: things get rough for the Golden hippie. Uh. He tries 418 00:26:49,600 --> 00:26:53,840 Speaker 1: to adjust to life after this trauma. He drinks too heavily. 419 00:26:53,960 --> 00:26:58,240 Speaker 1: He becomes addicted to drugs. He eventually tries to reform. 420 00:26:58,320 --> 00:27:00,920 Speaker 1: He tries to make a career for himself as an actor, 421 00:27:01,440 --> 00:27:05,080 Speaker 1: but he gets liver failure and he and a stroke 422 00:27:05,200 --> 00:27:10,760 Speaker 1: leaves him pretty handicapped, partially blind and quadriplegic and unable 423 00:27:10,840 --> 00:27:15,520 Speaker 1: to speak, but mentally fit as a fiddle. And that 424 00:27:15,520 --> 00:27:18,440 Speaker 1: that is a certain level of hell, is it not? 425 00:27:19,040 --> 00:27:22,920 Speaker 1: You know that locked in he's imprisoned age, being a cage. 426 00:27:23,160 --> 00:27:26,800 Speaker 1: You know our kid fire, So yeah, it's it's insane. 427 00:27:27,280 --> 00:27:30,080 Speaker 1: I can't imagine I would just I don't think, I 428 00:27:30,359 --> 00:27:35,080 Speaker 1: don't know if I I'm sorry, I'm just I'm gonna 429 00:27:35,119 --> 00:27:38,080 Speaker 1: loss for words. Just it's it's it's it's one of us. 430 00:27:38,119 --> 00:27:41,200 Speaker 1: I think it's one of my my deepest fears. Let's 431 00:27:41,200 --> 00:27:44,520 Speaker 1: to end up in a situation like that. Yeah, and 432 00:27:44,640 --> 00:27:49,040 Speaker 1: his mom cares for him until he passes away. When 433 00:27:49,080 --> 00:27:52,680 Speaker 1: he dies, his son Balthazar says, he taught us how 434 00:27:52,680 --> 00:27:56,480 Speaker 1: to live our lives and overcome obstacles and extreme adversity, 435 00:27:56,600 --> 00:27:59,919 Speaker 1: and we shall miss him dearly. It's weird too, because 436 00:28:01,320 --> 00:28:08,840 Speaker 1: we know that the old man Getty Senior was a 437 00:28:09,000 --> 00:28:14,360 Speaker 1: known philanderer in addition to being a miser and parsimonious. Right, 438 00:28:14,400 --> 00:28:17,200 Speaker 1: that's another word that Max next and now we're looking 439 00:28:17,280 --> 00:28:21,760 Speaker 1: ut P synonyms for cheap skate. And he had a 440 00:28:21,760 --> 00:28:26,600 Speaker 1: lot of lovers in addition to his five wives, but 441 00:28:26,800 --> 00:28:31,320 Speaker 1: business always one out. One of the quotes that really 442 00:28:32,080 --> 00:28:34,560 Speaker 1: stood out to me. A former wife of his next 443 00:28:34,640 --> 00:28:37,320 Speaker 1: said business was his first love. But the quote that 444 00:28:37,440 --> 00:28:42,640 Speaker 1: really stands out as he said this, a lasting relationship 445 00:28:42,680 --> 00:28:44,760 Speaker 1: with a woman is only possible if you are a 446 00:28:44,880 --> 00:28:51,680 Speaker 1: business failure. Sir, I disrespectfully disagree. No joke. Priorities. Man. 447 00:28:52,160 --> 00:28:55,680 Speaker 1: You know, it's like what what what are you in 448 00:28:55,720 --> 00:28:57,920 Speaker 1: this for? You know? Is is I mean, we all 449 00:28:57,960 --> 00:29:00,360 Speaker 1: have we only have one life. He's just a weird 450 00:29:00,440 --> 00:29:03,000 Speaker 1: way of getting your head twisted up and like this 451 00:29:03,080 --> 00:29:05,800 Speaker 1: idea of legacy and this idea of you know, living 452 00:29:05,840 --> 00:29:09,000 Speaker 1: on in some sort of perpetual way. It's such a 453 00:29:09,920 --> 00:29:12,960 Speaker 1: kind of pompous way of thinking, you know. I mean, 454 00:29:13,000 --> 00:29:15,400 Speaker 1: it's like, yeah, we we we know Getty. We know 455 00:29:15,440 --> 00:29:20,000 Speaker 1: the name. Do I think of John Paul Getty? Do 456 00:29:20,040 --> 00:29:22,600 Speaker 1: I even know what the guy looks like? You know? 457 00:29:22,640 --> 00:29:24,000 Speaker 1: All I know about him was that it was kind 458 00:29:24,000 --> 00:29:26,200 Speaker 1: of a jerk, and and was was was awful to 459 00:29:26,280 --> 00:29:29,400 Speaker 1: his family. So it's like, what what's in a name? 460 00:29:29,680 --> 00:29:31,640 Speaker 1: You know, and I don't know. I don't get him. 461 00:29:32,080 --> 00:29:35,080 Speaker 1: I'm also not a good jillionaire because I do understand 462 00:29:35,120 --> 00:29:39,680 Speaker 1: the concept of enough never being enough, you know, and 463 00:29:39,800 --> 00:29:44,160 Speaker 1: people that can't reconcile, that will never be happy because 464 00:29:44,240 --> 00:29:48,080 Speaker 1: all just about stacking and collecting and hoarding. And it's like, 465 00:29:48,120 --> 00:29:49,640 Speaker 1: you know, you get to a certain point where you 466 00:29:49,640 --> 00:29:52,360 Speaker 1: make a certain amount of money statistically, I think they 467 00:29:52,360 --> 00:29:59,520 Speaker 1: say it's like seventy dollars seventy like beyond that, everything's 468 00:29:59,560 --> 00:30:02,200 Speaker 1: just kind of extra, and then you start to create 469 00:30:02,240 --> 00:30:04,719 Speaker 1: new problems for yourself. And then you start to be like, oh, 470 00:30:04,760 --> 00:30:07,120 Speaker 1: well I need to keep up with this other person 471 00:30:07,160 --> 00:30:10,720 Speaker 1: that I'm comparing myself to, or you know, compete somehow, 472 00:30:11,160 --> 00:30:13,800 Speaker 1: um with with with whomever, you know, with this idea 473 00:30:13,800 --> 00:30:18,760 Speaker 1: of of of status and um, you know, opulence, it's 474 00:30:18,760 --> 00:30:20,600 Speaker 1: just it's a it's a slippery slope and it can 475 00:30:20,680 --> 00:30:24,760 Speaker 1: really wreck you. Well that's the thing too, I mean this, 476 00:30:24,760 --> 00:30:27,400 Speaker 1: this has always stood out to me. For a lot 477 00:30:27,440 --> 00:30:31,680 Speaker 1: of people, happiness is defined by external factors. There there 478 00:30:31,680 --> 00:30:34,600 Speaker 1: are studies that clearly indicate, you know, if you work 479 00:30:34,640 --> 00:30:37,160 Speaker 1: at a job and you make twelve thousand dollars a 480 00:30:37,240 --> 00:30:39,920 Speaker 1: year and all your co workers make twelve tho dollars 481 00:30:39,920 --> 00:30:43,560 Speaker 1: a year, You'll be all right. You'll think I'm doing okay, 482 00:30:43,600 --> 00:30:45,840 Speaker 1: I can do better. But if one of them starts 483 00:30:45,880 --> 00:30:48,720 Speaker 1: making twelve thousand, five hundred dollars a year, you'll be 484 00:30:48,800 --> 00:30:51,320 Speaker 1: incredibly unhappy. And the same thing if you work at 485 00:30:51,320 --> 00:30:55,120 Speaker 1: a place where everybody makes two hundred thousand dollars a 486 00:30:55,200 --> 00:30:58,840 Speaker 1: year and one person makes two hundred and one thousand 487 00:30:58,880 --> 00:31:02,960 Speaker 1: dollars a year, you will be incredibly unhappy unless you 488 00:31:02,960 --> 00:31:06,040 Speaker 1: You always will be unless you learn to define happiness 489 00:31:06,400 --> 00:31:10,480 Speaker 1: in terms of internal variables. Right, you are the main 490 00:31:10,600 --> 00:31:13,160 Speaker 1: character of your story and everybody else is the main 491 00:31:13,240 --> 00:31:16,720 Speaker 1: character of their own. But with that, unless we I'll 492 00:31:16,720 --> 00:31:19,239 Speaker 1: step off the soapbox. I just feel strongly about this. 493 00:31:19,480 --> 00:31:24,520 Speaker 1: Unless we start moralizing or over moralizing, maybe we end 494 00:31:24,560 --> 00:31:28,760 Speaker 1: it here. Money always doesn't always make people happy. There's 495 00:31:28,800 --> 00:31:31,680 Speaker 1: some great Ted talks about this as well. I'm also 496 00:31:31,760 --> 00:31:35,880 Speaker 1: thinking of r s A Animate the It's a great series. 497 00:31:35,920 --> 00:31:39,200 Speaker 1: Have you guys seen that. I'm gonna send it to 498 00:31:39,200 --> 00:31:42,160 Speaker 1: you along with that other Saturday Night Live sketch you 499 00:31:42,240 --> 00:31:45,400 Speaker 1: mentioned in part one. Didn't forget. I'll send that right 500 00:31:45,440 --> 00:31:48,120 Speaker 1: after we get out here. But I think this story 501 00:31:48,200 --> 00:31:53,320 Speaker 1: does tell us a lot about the dangers of success, 502 00:31:53,360 --> 00:31:57,120 Speaker 1: how success can be defined, and gosh, yeah, just what 503 00:31:57,160 --> 00:31:59,920 Speaker 1: a wild ride. Thanks to everybody for tuning in. Thank 504 00:32:00,080 --> 00:32:05,080 Speaker 1: to alleged Getty Descendants super producer Max Williams for letting 505 00:32:05,160 --> 00:32:11,040 Speaker 1: us tell your family story I think maybe allegedly, sure, allegedly. Yeah, 506 00:32:11,080 --> 00:32:12,920 Speaker 1: as long as we put enough alleged least in there, 507 00:32:12,920 --> 00:32:16,160 Speaker 1: we're good to go. Thanks also to Alex Williams who 508 00:32:16,240 --> 00:32:21,040 Speaker 1: composed this track. Thanks to research associate doctor Zach who 509 00:32:21,040 --> 00:32:24,280 Speaker 1: else no, and thanks to you, sir Oh. Thanks to 510 00:32:24,320 --> 00:32:28,360 Speaker 1: you as well, Chris Roscions here in spirit of course. Uh, clister, 511 00:32:28,840 --> 00:32:31,520 Speaker 1: did you say something about the clister? Not yet? Yeah? 512 00:32:31,560 --> 00:32:34,320 Speaker 1: There there he is? What is he coming by? We should? 513 00:32:34,360 --> 00:32:37,640 Speaker 1: We should? Uh? I don't know, burn some some sort 514 00:32:37,640 --> 00:32:43,080 Speaker 1: of demonic herb. Perhaps that will attract to attention, you know. 515 00:32:43,120 --> 00:32:46,640 Speaker 1: I hope he hasn't been kidnapped, sane. We'll see you 516 00:32:46,680 --> 00:32:56,120 Speaker 1: next books. For more podcasts for my Heart Radio, visit 517 00:32:56,120 --> 00:32:58,760 Speaker 1: the I Heart Radio app, Apple Podcasts, or wherever you 518 00:32:58,840 --> 00:33:00,200 Speaker 1: listen to your favorite show. I was