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Speaker 1: I am all in you, I am all in with

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Speaker 1: Scott Patterson and I Hurt Radio podcast. Part of the

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Speaker 1: reason I'm feeling all funky now because this episode slayed me.

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Speaker 1: I cried, Okay, well, we're doing the show about the show.

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Speaker 1: What's wrong? Hello? I never know anymore? Guys, I don't

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Speaker 1: know when we start slide right, We're slide right in. Scott, Yeah,

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Speaker 1: tell me how you felt. And then, because I want

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Speaker 1: to hear how you felt watching this, well, you know

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Speaker 1: I'm on location. I missed my family. They put me.

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Speaker 1: They watched this show. They do all of the incredibly

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Speaker 1: powerful things like flashbacks, and the reason that the flashbacks

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Speaker 1: in this episode were so powerful and worked so well

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Speaker 1: are because is because we are so invested in these

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Speaker 1: characters after two and a half seasons, we know them,

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Speaker 1: we love them, and then we get this flashback back

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Speaker 1: to when Laurel and Christopher was sixteen years old, and

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Speaker 1: it was powerful. It was as good an episode as

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Speaker 1: I've seen on television that I've been invested in in

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Speaker 1: this type of a family drama. I mean, this episode

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Speaker 1: shows us why Gilmore Girls at its best, there's nothing

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Speaker 1: more powerful than this show because it clearly says to

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Speaker 1: the audience, there doesn't matter how dysfunctional your family is.

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Speaker 1: Look at this example of a dysfunctional family. But there's

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Speaker 1: nothing more powerful than family. Yes, and we strive for it,

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Speaker 1: and we dreamed for it, and you know, we have

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Speaker 1: messed up relationships with cousins and mothers and whatever it is,

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Speaker 1: we still hope. So it was so it was written

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Speaker 1: large in this episode, and it was a powerful experience.

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Speaker 1: Had the same I'm I'm so happy you had the

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Speaker 1: same experience I had, And I can't wait to hear

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Speaker 1: how Danielle responded. I cried multiple times. Too gooded me

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Speaker 1: multiple times. Oh yeah, I loved it. I mean, this

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Speaker 1: was the first time I've ever seen a flashback like that.

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Speaker 1: It reminded me a lot of Um, This is US,

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Speaker 1: I know, like, con't just bring it to like current

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Speaker 1: TV shows. This is Us does that a lot. They

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Speaker 1: do flashbacks and it just makes you understand every character

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Speaker 1: so much more. And that's how I felt about this episode.

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Speaker 1: I was just like, oh my god, because you hear

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Speaker 1: you see them now talk about like, oh, when I

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Speaker 1: was sixteen, I had a baby, But to actually see

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Speaker 1: Lorela and Christopher sixteen years old and what they went through,

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Speaker 1: and also Emily and Richard and Christopher's parents on their

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Speaker 1: discussion that that one really I was like, oh, I

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Speaker 1: just wanted to jump through the screen, but oh my god, yeah,

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Speaker 1: it knows for as gutted as I was multiple times,

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Speaker 1: but one being I felt such heartache for Emily, like

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Speaker 1: I'll cry, I'm gonna cry in this podcast. Such heartache

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Speaker 1: for Emily when she realized they're gone, like I almost

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Speaker 1: can't say it, like they're gone. And then the beauty like,

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Speaker 1: oh my god, like when the DVD player, it's like

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Speaker 1: this just the most excruciating pain and the pain you

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Speaker 1: feel for Lord multiple times, the fact that Laura lie

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Speaker 1: like you guys, I cannot say it without checking up.

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Speaker 1: Went to the hospital to help Rory because Rory needed

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Speaker 1: her the pain she had to endure to be there

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Speaker 1: for the birth of Christopher's baby with someone else, but

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Speaker 1: she knows there's nothing more important than my own kid,

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Speaker 1: and saying to her mom, Rory needs me there, so

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Speaker 1: it doesn't matter. But that's the point, right, It's like,

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Speaker 1: if I'm with my kid, I can do anything. If

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Speaker 1: we're together, I can get through anything. You're gonna make

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Speaker 1: me cry, I know, was it not such an amazing episode?

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Speaker 1: But it killed me because anybody that's been in a

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Speaker 1: delivery room delivering their kid, you know, that's a that's

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Speaker 1: that you know, you walk into the hospital one person,

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Speaker 1: you leave that delivery room a completely different person. So

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Speaker 1: do you think experiencing this episode watching it now as

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Speaker 1: a father is completely different than how you felt shooting it?

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Speaker 1: Because your scenes in this episode are actually kind of fun,

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Speaker 1: right right? They were? They were fun. Uh, this, without

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Speaker 1: a doubt was the most powerful episode of television I've

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Speaker 1: probably ever seen. Uh, And you know, obviously because it

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Speaker 1: was such a deeply personal experience for me because I

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Speaker 1: was completely emotional and I don't even have children. For me,

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Speaker 1: it was I was feeling laurel I so much. But

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Speaker 1: that's but that's the strength of of motherhood, being a

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Speaker 1: parent is that there's no stronger love, there's no stronger bond.

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Speaker 1: There's nothing deeper in the human experience than that. Then

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Speaker 1: with parents and their child, nothing is stronger. Um. I mean,

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Speaker 1: whether it's your child, or whether it's your mother or

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Speaker 1: father or whatever, but it really when you have a child, Ah,

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Speaker 1: you understand. I understood for the first time what what

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Speaker 1: love really was. I didn't know I had I didn't know,

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Speaker 1: and then I found out. You find out one day,

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Speaker 1: it's just like there he is. And then because it's

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Speaker 1: like what are you willing to do for that child?

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Speaker 1: And yet the answer is anything and everything? Um man. Uh,

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Speaker 1: just just a wonderful, wonderful episode. This was my absolute

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Speaker 1: and it had a ton of laughs. Uh, had a

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Speaker 1: ton of great line Anyway, let's go through it. Yeah, Daniel,

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Speaker 1: do the do your thing. Okay, alright, guys, if you haven't,

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Speaker 1: If you guys haven't figured it out yet. This is

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Speaker 1: season three, episode thirteen, Dear Emily and Richard, Air date

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Speaker 1: February four, two thousand three. Um lor Lae is reminded

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Speaker 1: of when Rory was born, with flashbacks to her teenage years.

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Speaker 1: As Sherry, Chris's current girlfriend, goes into labor. Rory and

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Speaker 1: Lordly are the only ones to support Sherry until Christopher arrives.

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Speaker 1: Luke continues to day Taylor's lawyer, Nicole. Sherry is so

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Speaker 1: nuts in this down and I wrote it down and

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Speaker 1: her hair was so blonde. We had like a different

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Speaker 1: hair to Okay, so let's we'll start going through it.

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Speaker 1: And then obviously there's just so many significant things. So

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Speaker 1: we started dinner Friday night dinner, and we learned quickly

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Speaker 1: about Aunt Marine hiking up her skirt and that Lord

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Speaker 1: Lye and Rory are planning their trip to Europe and

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Speaker 1: it is not the trip that Richard and Emily would ever,

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Speaker 1: they laughed at them. You're not they didn't think they

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Speaker 1: were serious. They're laughing when looked at each other. Go,

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Speaker 1: I loved I've never the use of the word trapes

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Speaker 1: when Emily said, you're going to just drapes around Europe, Like, well,

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Speaker 1: you what are you going to sleep in the in

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Speaker 1: the park in Paris like a couple of squirrels? Which

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Speaker 1: version would you rather have? I'm not gonna lie rather

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Speaker 1: do the Richard Emily, Oh god, yes, kidding me. It's

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Speaker 1: so interesting because they would pay for it. But it's

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Speaker 1: like Rory and Lore like don't even want that trip. No,

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Speaker 1: they want to do the youth hostile route, you know. Yeah,

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Speaker 1: I mean, look, when you're a kid, that's romantic and

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Speaker 1: it's fun, and that's you want to connect with other kids.

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Speaker 1: That's how you meet kids from all over the world,

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Speaker 1: you know, and in those use hostels and it's great. Um, yeah,

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Speaker 1: those hostels are a party zone. Have you Yeah? I have?

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Speaker 1: Can I say it abroad? That's all we did. We

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Speaker 1: jumped around a different countries and stayed in hostles and

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Speaker 1: met other twenty something year old and just rage and

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Speaker 1: had a good time. Yes, yes, have you stayed in

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Speaker 1: the hostile Scott? Uh? I have? Danielle is not wrong.

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Speaker 1: You rage. Look when you're that young, you make friends easily. Uh,

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Speaker 1: You're you're an open spirit, You're on an open book

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Speaker 1: and the stories being written. I was not cut out

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Speaker 1: for that, even in my twenties. Oh no, no, no, no, no, no,

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Speaker 1: that was that's how I saw. I mean I didn't

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Speaker 1: see Europe all of Europe that way, and I did

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Speaker 1: backpack through Europe, but I did a little differently. But

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Speaker 1: I met so many people and we had so many

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Speaker 1: great experiences and there's just nothing better. And you have

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Speaker 1: to do it when you're young, you have to do

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Speaker 1: I liked the sound of the ritz. I was like, yeah,

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Speaker 1: now it sounds good. Yeah, I think I don't think

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Speaker 1: I could share the toilets at the youth hostels. Don't

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Speaker 1: you share bathrooms? It's like your sorority. Has you've done

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Speaker 1: that before? Where you do. I love mythrooms. Come on,

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Speaker 1: when you're eighteen nineteen, you can do anything. You can

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Speaker 1: go anywhere, it doesn't matter. You know. That was a

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Speaker 1: very funny scene. So we knew we were We knew

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Speaker 1: we were going strong right from the start. So then

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Speaker 1: it was interesting. We go to Tom, who's working on

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Speaker 1: the shop I like to still call the shoppy because

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Speaker 1: that's two peep, and Dean is working essentially for the

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Speaker 1: construction guys like Taylor has sort of recruited him, and

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Speaker 1: Miss Patty's there leering at all the fellas, which was,

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Speaker 1: Oh my god. Then we get to the scene I love,

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Speaker 1: which is Jess and Luke having their little conversation because

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Speaker 1: Luke is trying to figure out where to take in

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Speaker 1: a cold dinner, and it's just hilarious because Jess is

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Speaker 1: just relentlessly making fun of Luke. See you see how

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Speaker 1: good the comedy could be when things are super fast? Yes,

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Speaker 1: when you don't, when you when you don't indulge in

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Speaker 1: taking pauses or taking your moments or trying to be funny,

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Speaker 1: you just execute. You do the dialogue, you do the

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Speaker 1: actions and your speed and it and it really made

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Speaker 1: the humor pop. You know are so correct. That scene

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Speaker 1: was like a workout for my life because he had

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Speaker 1: to just jam with you right then you exit and

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Speaker 1: incomes Dean and that that almost hurt my brain. That

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Speaker 1: list of cheeseburgers in this and then and they're and

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Speaker 1: they are having to do that while they're firing off

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Speaker 1: their line. Oh my god, was that a sin? Also,

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Speaker 1: like just how they were portraying their personalities and that

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Speaker 1: like he was being like, you know, snarky, and but

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Speaker 1: also like trying to be like dude, like you're working

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Speaker 1: and you're taking my order, you know that five and

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Speaker 1: Jesse's just kind of just trying to hang in there

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Speaker 1: without saucess and your tailor's waitress. You're working for Taylor,

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Speaker 1: Taylor's waitress. That was It was Dean at his best.

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Speaker 1: He's he's in a position now where you know, he

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Speaker 1: doesn't really he's over it. He can be friends with

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Speaker 1: Laura Lae. He knows that this this Milo is not

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Speaker 1: really um as cool as everybody saw. He was like

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Speaker 1: he can get his goat when he wants to, and

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Speaker 1: he did and been so confident. He's definitely sticking the

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Speaker 1: knife in a little that ain't just like are he

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Speaker 1: but he earned that, right, didn't he He earned that?

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Speaker 1: I don't. I don't think he was being a D word.

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Speaker 1: I think he was just being, you know, justifiably. They

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Speaker 1: both were being D words to each other. I think

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Speaker 1: I think I think Jess was being defensive and hostile,

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Speaker 1: and I think and I think Dean was being on

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Speaker 1: the offensive and hostile. Yeah, yeah, yeah, you're right. Yeah.

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Speaker 1: The list of the meal, Oh, my head was exploding,

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Speaker 1: and I'm thinking, is going to remember her? Jess? Is

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Speaker 1: Jess going to remember all this? Like that was overwhelming.

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Speaker 1: That whole scene was like a ping pong tournament. Yeah,

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Speaker 1: it's great, It's great, great moments. And they both had to,

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Speaker 1: you know, Jess had to buckle down, take the order

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Speaker 1: and and doing exactly what Jared said for him to do,

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Speaker 1: because you don't want those guys come back in. They're

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Speaker 1: gonna you're gonna, we're gonna be You're gonna be remaking

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Speaker 1: these orders all day and these guys work for Taylor.

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Speaker 1: Read it back to me, Jess, now you're my little

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Speaker 1: you know what? And then having was like pickles pickles

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Speaker 1: on the side of what like it was just the

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Speaker 1: whole thing. My god, I love it when the kids

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Speaker 1: go at it and didn't make me hungry that scenes like,

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Speaker 1: oh my god, I felt this. You know, it's amazing

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Speaker 1: about this episode. There's that scene and then there's another

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Speaker 1: scene coming up right now that really I had very

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Speaker 1: little to do with sort of the meat of what

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Speaker 1: we were emotionally feeling, but there's such awesome scenes. So

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Speaker 1: then we go to the inn and Loyalize on the

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Speaker 1: phone and we realize some dudes having a retirement party

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Speaker 1: that he keeps changing the theme, which really has no

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Speaker 1: significance in what this episode is about, but it was

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Speaker 1: such a great way to see Suki and she tosses

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Speaker 1: the golf ball cake suk on that they could have

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Speaker 1: eaten that cake. They could have served that. It agrees

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Speaker 1: you want to make a funny, humorous sight gags for

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Speaker 1: the camera, But like servant, I have a question about that.

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Speaker 1: Was that that had to have been a fake cake, right,

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Speaker 1: because otherwise it's just one and done. Like she flipped

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Speaker 1: that and it landed so well into the trash. Can

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Speaker 1: wait if she messed it up, they'd have to bring

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Speaker 1: out another used to nail that. And lanes they're working

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Speaker 1: and then Rory comes in with the flags and like

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Speaker 1: this guy suddenly takes his golf retirement party to a

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Speaker 1: beanie baby party. Yeah, oh yeah, waste tragic, waste of cake.

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Speaker 1: Just tragic. Yes, I actually thought the same. So then

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Speaker 1: we get back to law Leon Rory's and we get

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Speaker 1: the invitation to the C section, which was bizarre. I'm

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Speaker 1: supposed to hug a formal viewing gifts. Welcome the sushi, Yes, sushi,

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Speaker 1: which I wish. I'm all right, I'll give it to her.

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Speaker 1: When you're pregnant, you can have sushi, but you can't.

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Speaker 1: You can't, So you can have sushi. No, you can't, cannot.

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Speaker 1: So I think she's trying to say, I'm having this baby,

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Speaker 1: I want sushi. Oh that's what I That's what I gathered. Um.

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Speaker 1: But the one thing that really bothered me was was

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Speaker 1: that PS gifts are not necessary but always appreciated. My God,

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Speaker 1: that's like, you better give me a gift or else.

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Speaker 1: And I won't say it now, but there were two

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Speaker 1: pop culture references in this scene that I will say

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Speaker 1: for when we do pop culture were genius. So I

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Speaker 1: just I leave you with that. So then we see

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Speaker 1: the Amazon box, but it's not really an Amazon box.

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Speaker 1: It's Emily has sent over more travel books, and then

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Speaker 1: we get to our first flashback, which was Wow, it

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Speaker 1: was shocking. It was shocking, and my initial reaction was

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Speaker 1: not good so because I hadn't because I hadn't seen

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Speaker 1: it before. But then I watched the scene again. I

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Speaker 1: rewound it and I watched the scene. I said, well,

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Speaker 1: do I believe that that girl was sixteen year old

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Speaker 1: Laurel I do I believe that that guy was sixteen

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Speaker 1: year old Crystal. I'm going not say that girls. She's

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Speaker 1: she's built different, she looks different, she doesn't have laurelized height,

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Speaker 1: and they didn't have their they did not have the

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Speaker 1: you know what, But you know what didn't matter. I

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Speaker 1: totally agree with you, Scott. It didn't matter literally reading

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Speaker 1: my mind, because those two actors were really terrific and

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Speaker 1: they were really engaging. Um, I mean, she was terrific.

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Speaker 1: The mind that really made me not like have to

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Speaker 1: worry about who the actors were was when they started

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Speaker 1: talking about their plan to go to Europe and back

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Speaker 1: back and how is Christopher's plan. I was like mind blown, Like,

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Speaker 1: oh my gosh, that just totally took me back to

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Speaker 1: the beginning of the episode on how Rory wants to

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Speaker 1: do this right right right. I'm so glad you brought

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Speaker 1: this up, though, because my note, although I was completely

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Speaker 1: into the episode, said she isn't Laura Lits. It doesn't matter.

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Speaker 1: They didn't right, but she was. Yeah. I mean, I

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Speaker 1: guess at the end of the episode, I had completely

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Speaker 1: sort of changed my mind. They they both believe those actors,

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Speaker 1: both believed that those they were those characters sixteen. So

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Speaker 1: it made me buy it to it, and it was

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Speaker 1: all this great mom, Mom, I'm dropping my sweater. Mom,

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Speaker 1: I'm you know, gonna have a drink. You know, I'm here.

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Speaker 1: I guess she's not here. Whatever she had, she had

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Speaker 1: the attitude down, she had the cadence down. She had

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Speaker 1: she was she was expressing the physicality of what she

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Speaker 1: was doing. Was was perfect. The brilliance of the flashbacks

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Speaker 1: is that the adults were played by the characters the actors.

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Speaker 1: We know how they made them look slightly younger. I

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Speaker 1: don't know if it was like a fuzzy filter or

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Speaker 1: what they were doing, but Richard was phenomenal in every way.

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Speaker 1: I'm a question about this scene. Is it safe to

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Speaker 1: say that this is the day that Rory was conceived,

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Speaker 1: because that's what I That's what I said to Yeah,

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Speaker 1: I'm sure that it was. That was the day right

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Speaker 1: because they were like Emily's not home and they're drinking,

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Speaker 1: you know, the cherry in it. I had the same

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Speaker 1: thoughts called her lore? So did you notice that that

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Speaker 1: and not obviously was in the writing because Christopher is

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Speaker 1: really the one that calls lore Lae lore? And I

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Speaker 1: know from all the fans they're they're torn on it.

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Speaker 1: Some people hate it and some people like it. I

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Speaker 1: personally love it that young Christopher called her lore? Did

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Speaker 1: you did you also think for a minute, as you

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Speaker 1: know the flashbacks kept coming, because I think there were

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Speaker 1: three or four or five of them. As they kept coming,

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Speaker 1: I had a fleeting thought of Wow, what the show

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Speaker 1: could have been. Say, I don't know if they could

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Speaker 1: have kept doing that, I don't know. It just seemed

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Speaker 1: to elevate the show. Uh, it deepened the experience for me,

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Speaker 1: and I think had they stayed, you know, I'm kind

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Speaker 1: of wondering how the show would have been received had

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Speaker 1: they continued to do these flashbacks. Interesting not in every episode,

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Speaker 1: but in every other you know what I mean. You've

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Speaker 1: talked about a prequel to Gilmore Girls. And that's what

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Speaker 1: this would be. It would be so right, that would

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Speaker 1: be really good. It really would be good. It really

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Speaker 1: would be yes. So then and and I also loved

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Speaker 1: how the you seamlessly went from the flashback to present day.

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Speaker 1: So immediately we come back and we see you know,

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Speaker 1: Lord Lye and Rory in their in their beanie and

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Speaker 1: their scarf, and we're back, and then we head to Chiltern,

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Speaker 1: which was a funny scene. We just see that Paris

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Speaker 1: and Rory are still really going at it. Mm hmm,

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Speaker 1: you know. And then and and Paris picks the bad

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Speaker 1: photo of Rory, and then we get the call. Right,

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Speaker 1: we're back to the pettiness that is Paris. Yeah, yeah,

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Speaker 1: like she has to have Rory looking like an idiot.

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Speaker 1: And then we get the call and it's Maureen, Sherry's

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Speaker 1: friend saying Sherry screwed up. Sherry screwed up first of all,

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Speaker 1: which she said so many times. It was like a

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Speaker 1: little bit annoying. But off Rory goes to the hospital.

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Speaker 1: But isn't it you know, if we compare Paris's life

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Speaker 1: to Rory's life, I mean, doesn't this little Paris in

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Speaker 1: a snit all the time in the show. Just look,

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Speaker 1: it just pales in comparison to Rory's life, which is

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Speaker 1: incredibly full, even though it's it's you know, not everybody's

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Speaker 1: together on the same page. You've got a long you know,

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Speaker 1: she's got her dad, it's in a relationship, she's gonna

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Speaker 1: have a half sister, and you know, it's a family.

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Speaker 1: She's in a family that's trying to, you know, weave

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Speaker 1: it all together again, stay together. The tension of the

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Speaker 1: show is like they're doing all they can to to

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Speaker 1: summon the better rangers, angels of their natures, to stay

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Speaker 1: together as the guilmost as a family. It's messy, but

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Speaker 1: it's love right right. It doesn't have to be perfect.

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Speaker 1: But just just watching people, watching people try to clean

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Speaker 1: it up and make it good and and make the

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Speaker 1: commitments is great. It's compelling television. It really truly is.

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Speaker 1: And I like the Paris better that gets along with Rory.

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Speaker 1: I enjoy that Paris so much more. This Paris is

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Speaker 1: kind of back to remember when Paris would have annoyed you.

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Speaker 1: This is that annoying One's love her, but I like

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Speaker 1: her better when they're friends. Yeah, I think I think

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Speaker 1: that Amy and Dan like that character so much they

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Speaker 1: wanted to keep her around because she's really outlived her usefulness.

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Speaker 1: I think they milk that cow wile ago but came back.

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Speaker 1: So we do flashback to a scene that I thought

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Speaker 1: was interesting because it was necessary, but it didn't totally

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Speaker 1: age well. In the scene where she's trying on her dress,

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Speaker 1: it's really like her debutante dress. I think, yeah, so

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Speaker 1: it's her debutante ball, just like Rory was in the

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Speaker 1: debut Ball. And the dress doesn't fit and Emily's like,

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Speaker 1: did you gain weight? Like, what's going on? This was

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Speaker 1: just three months ago? We had the fitting and then

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Speaker 1: get in sweats and run around the block. Yeah, it

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00:24:38,440 --> 00:24:42,680
Speaker 1: was like And that was great acting by the young

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Speaker 1: lower Lie because you see she realizes it who is she?

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Speaker 1: Who is she? I didn't look it up and I

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Speaker 1: actually been trying to track her down. And the young Christopher,

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Speaker 1: which from it is that her name? She was great. Yeah.

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Speaker 1: She He's sort of known for a few other things too,

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Speaker 1: but so far I haven't had left tracking them down.

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Speaker 1: I'm gonna keep um. But that scene with the dress

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Speaker 1: and it didn't fit really drove home for me just

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Speaker 1: how the kind of wealth that Laurel I came from,

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Speaker 1: because that is you know, I mean, man, that's almost

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Speaker 1: American royalty, you know, it's it's it's right on their cusp. Yeah,

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Speaker 1: they're they're fancy people. Yeah, yeah, they're they're they're holding

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Speaker 1: some traditions there. And the fashion of the eighties was

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Speaker 1: really on point, especially with Emily and especially I'm jumping ahead,

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Speaker 1: but the scene where Emily realizes they're gone, she's wearing

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Speaker 1: just the ultimate eighties sort of dynasty gown. I was

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Speaker 1: like fashion. So yeah, that scene was brutal because you're like,

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Speaker 1: oh no, definitely brutal, but I think necessary. Like I like,

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Speaker 1: I liked seeing that moment where Laura la realizes, oh

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Speaker 1: my gosh, I'm pregnant. Yeah, It's just like light bulbs

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Speaker 1: going off in that scene. I'm like, oh my gosh.

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Speaker 1: So then we go back to the diner for what

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Speaker 1: I thought was one of the best Scott Lauren Luke

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Speaker 1: Laurely moments of the entire series. The physical comedy, I mean,

384
00:26:29,280 --> 00:26:32,720
Speaker 1: because you're really not talking like you're you're We're focused

385
00:26:32,720 --> 00:26:37,520
Speaker 1: on Nicole's call, and then we background basically to refresh her.

386
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Speaker 1: So Kirk's at the counter and Laura Lee walks in

387
00:26:39,960 --> 00:26:41,880
Speaker 1: and she's like, where's Luke? And then here comes Luke

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Speaker 1: all gussied up, wearing the sweater that Laura Lee got

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Speaker 1: him in, the leather jacket and the whole thing. And

390
00:26:48,280 --> 00:26:53,880
Speaker 1: then Laura Lee says, it's a girl. It's a girl,

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Speaker 1: And then you let her take the call on the

392
00:27:00,080 --> 00:27:07,320
Speaker 1: is losing her mind? So I assume that's all choreographed,

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00:27:07,480 --> 00:27:13,000
Speaker 1: like all the oh sure, oh yes, genius. That's the

394
00:27:13,040 --> 00:27:15,760
Speaker 1: most physical almost that we've seen, the two of you.

395
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Speaker 1: And I'm telling you, we we listen. We could have

396
00:27:18,800 --> 00:27:21,359
Speaker 1: gone our our chemistry was so good. We could have

397
00:27:21,400 --> 00:27:23,320
Speaker 1: gone on the road and done a stand up routine.

398
00:27:24,160 --> 00:27:26,879
Speaker 1: You know that I find crazy. And we maybe have

399
00:27:26,960 --> 00:27:29,400
Speaker 1: talked about this, but you know there's so many genius

400
00:27:29,480 --> 00:27:32,959
Speaker 1: Gilmo Girl TikTok's, and we probably have talked about this.

401
00:27:33,080 --> 00:27:38,240
Speaker 1: Is that Sherylyn Fenn was originally who they wanted as

402
00:27:38,400 --> 00:27:46,240
Speaker 1: Laura Lie. No one is Laura Lie but Lauren Graham right,

403
00:27:47,000 --> 00:27:49,840
Speaker 1: it's a whole different show. It's a whole different show

404
00:27:49,920 --> 00:27:57,080
Speaker 1: without her. Can I tell you, guys, a weird thing

405
00:27:57,119 --> 00:28:05,240
Speaker 1: that happened to me and they said, this is weird,

406
00:28:05,640 --> 00:28:08,320
Speaker 1: so and forgive me for this. I hope no one

407
00:28:08,400 --> 00:28:13,480
Speaker 1: takes this the wrong way. Ah. Obviously the magazines have

408
00:28:13,640 --> 00:28:18,679
Speaker 1: mentioned that it was a story recently that Lauren and

409
00:28:18,960 --> 00:28:23,560
Speaker 1: her boyfriend Peter Krausa broke up or whatever, which is

410
00:28:24,160 --> 00:28:26,000
Speaker 1: sad and I don't even who didn't care. It's not

411
00:28:26,040 --> 00:28:27,960
Speaker 1: the point of my story. No, but I mean no,

412
00:28:28,119 --> 00:28:31,280
Speaker 1: but but it is sad. And I but not to

413
00:28:31,359 --> 00:28:34,280
Speaker 1: interrupt you, but please, but I didn't know about it,

414
00:28:34,320 --> 00:28:36,600
Speaker 1: and then I did read about it, and there was

415
00:28:36,640 --> 00:28:43,520
Speaker 1: one article that went into the why well they said

416
00:28:43,920 --> 00:28:47,600
Speaker 1: that she said, they're quoting her and she went on

417
00:28:47,720 --> 00:28:53,160
Speaker 1: location too mighty duck to film for five months or

418
00:28:53,200 --> 00:28:57,800
Speaker 1: whatever it was. And when she returned, Uh, Peter and

419
00:28:57,960 --> 00:29:01,880
Speaker 1: his son, who I probably teenager late teenager at this point,

420
00:29:02,720 --> 00:29:06,680
Speaker 1: had bonded so deeply that she kind of felt like

421
00:29:06,760 --> 00:29:09,880
Speaker 1: a third wa Oh my god. And it just broke

422
00:29:09,960 --> 00:29:14,280
Speaker 1: my heart. Yeah, because they've been together a long time,

423
00:29:14,320 --> 00:29:16,560
Speaker 1: and she's been with that boy a long time, and

424
00:29:16,600 --> 00:29:19,640
Speaker 1: I'm sure she's been a great kind of a step

425
00:29:19,680 --> 00:29:21,920
Speaker 1: mom to him. Not that they're you know what I mean.

426
00:29:22,360 --> 00:29:25,480
Speaker 1: I mean, that's a big investment making a kid. So

427
00:29:25,520 --> 00:29:29,120
Speaker 1: it's very very sad, very sad. But what was real

428
00:29:29,200 --> 00:29:31,520
Speaker 1: weird for my brain? And I mean it was a

429
00:29:31,560 --> 00:29:35,000
Speaker 1: split second. I don't know, it was like, oh good,

430
00:29:35,080 --> 00:29:38,000
Speaker 1: Luke can be with her. And then I was like

431
00:29:39,000 --> 00:29:44,280
Speaker 1: what what? What? Like? I literally was like, first of all,

432
00:29:44,840 --> 00:29:49,640
Speaker 1: Scott is married. Number two, Scott isn't Luke and she's

433
00:29:49,680 --> 00:29:53,960
Speaker 1: not Laurel. I was literally like, I mean, it was

434
00:29:54,080 --> 00:29:58,600
Speaker 1: very fast in my head, but I was literally like, hey, head,

435
00:29:58,760 --> 00:30:03,480
Speaker 1: what the fudge? Like what did you have a clubhouse

436
00:30:03,520 --> 00:30:06,400
Speaker 1: meeting with your head? Literally like sure, there's tons of

437
00:30:06,440 --> 00:30:09,080
Speaker 1: people who are listening to those podcasts had the same

438
00:30:09,160 --> 00:30:12,640
Speaker 1: thought process too. I mean it was so it just

439
00:30:12,720 --> 00:30:17,520
Speaker 1: shows how much I blur, even though I love her

440
00:30:17,520 --> 00:30:23,040
Speaker 1: on Parenthood, I blur her Lauren with Laurea la so much.

441
00:30:23,760 --> 00:30:28,360
Speaker 1: Oh yeah, yeah, it was. It was an acting towards

442
00:30:28,400 --> 00:30:32,240
Speaker 1: to force and define. It will always define her career

443
00:30:32,400 --> 00:30:35,640
Speaker 1: no matter what great things she goes, continues to do

444
00:30:36,000 --> 00:30:39,040
Speaker 1: right and and it kind of shows like with acting

445
00:30:39,640 --> 00:30:45,760
Speaker 1: or roles, Sherilyn Fenn did not become Laura Lie because

446
00:30:45,760 --> 00:30:48,760
Speaker 1: she was never meant to be Laura Lie. Do you

447
00:30:48,800 --> 00:30:50,560
Speaker 1: know what I mean? Like I would assume you get

448
00:30:50,600 --> 00:30:55,960
Speaker 1: the parts that you're really meant to play only if

449
00:30:56,000 --> 00:31:00,320
Speaker 1: they're good and they last as long as this one has.

450
00:31:00,520 --> 00:31:04,040
Speaker 1: And I think that's a requirement, right, that's a that's

451
00:31:04,040 --> 00:31:07,480
Speaker 1: a requirement destined to be that guy in Saul Scott.

452
00:31:11,440 --> 00:31:13,720
Speaker 1: You know, I'm like the biggest Saw th time. It's

453
00:31:13,760 --> 00:31:17,000
Speaker 1: so weird. I literally think Saw it are the best

454
00:31:17,000 --> 00:31:24,040
Speaker 1: horror movies except poor Chris Rock one that wasn't as good. Okay,

455
00:31:24,440 --> 00:31:28,880
Speaker 1: getting myself back? Sorry, Oh all right. Can we give

456
00:31:29,480 --> 00:31:34,600
Speaker 1: Luke's outfit honorable mention? Totally? You were an all black

457
00:31:34,920 --> 00:31:39,160
Speaker 1: a leather jacket, and I was like, he literally owned it.

458
00:31:39,440 --> 00:31:42,640
Speaker 1: I was so proud of Luke. Fee looks so spiffy,

459
00:31:42,920 --> 00:31:47,360
Speaker 1: and she's likable. Nicole like, I don't like her that much,

460
00:31:47,440 --> 00:31:52,520
Speaker 1: but I do like her. Yeah, me too. Yeah, it

461
00:31:52,600 --> 00:31:55,360
Speaker 1: was nice to say. I I had hair at one point,

462
00:31:55,400 --> 00:31:58,840
Speaker 1: so it was nice to see the hair. It's like, wow,

463
00:31:58,880 --> 00:32:01,880
Speaker 1: look at that, Oh god, a little bit of a head.

464
00:32:01,920 --> 00:32:04,760
Speaker 1: Do you were baseball cap in this new show or

465
00:32:04,760 --> 00:32:08,640
Speaker 1: can you not tell us? Uh? You know, it's interesting,

466
00:32:08,680 --> 00:32:16,720
Speaker 1: it's interesting. I probably will be. Oh yeah, yeah. And

467
00:32:17,240 --> 00:32:20,040
Speaker 1: today we had a fitting today Wardrop fitting today in

468
00:32:20,080 --> 00:32:23,240
Speaker 1: the second one, and we haven't been able to find

469
00:32:23,560 --> 00:32:26,000
Speaker 1: the right hat. I don't know. I don't know if

470
00:32:26,000 --> 00:32:29,360
Speaker 1: it's going to be a permanent picture like in every scene, right,

471
00:32:29,560 --> 00:32:32,400
Speaker 1: but I mean just in nature what my character does,

472
00:32:32,480 --> 00:32:35,240
Speaker 1: it's going to call for that. So we found, you know,

473
00:32:35,320 --> 00:32:41,200
Speaker 1: I found the hat today. So so Sherry's totally crazy.

474
00:32:41,440 --> 00:32:47,640
Speaker 1: Did you guys all feel that she has lost her mind? Um? Yes,

475
00:32:47,840 --> 00:32:52,200
Speaker 1: well poor thing right? Yeah, and her friend Marin is

476
00:32:52,240 --> 00:32:56,640
Speaker 1: totally nuts. And nothing was funnier than when Rory says, boy,

477
00:32:56,680 --> 00:33:03,440
Speaker 1: do you look them? Yes? Yes, Laura Rory stole this episode.

478
00:33:03,840 --> 00:33:07,440
Speaker 1: She took the Comedy Award for this episode. She had

479
00:33:07,760 --> 00:33:12,080
Speaker 1: four or five major laugh out loud lines, just fantastic.

480
00:33:12,440 --> 00:33:17,680
Speaker 1: I need my mommy and I don't care who knows it, brilliant.

481
00:33:18,120 --> 00:33:20,960
Speaker 1: It was brilliant. You know the whole episode. It's such

482
00:33:21,160 --> 00:33:25,800
Speaker 1: great mother daughter because then the scenes with Laura Lae

483
00:33:26,040 --> 00:33:30,280
Speaker 1: and Emily are amazing. She goes over Leilanie has the

484
00:33:30,440 --> 00:33:34,480
Speaker 1: night off, Emily's heating up the roast and and Laura

485
00:33:34,560 --> 00:33:38,080
Speaker 1: la genuinely says like when Dad's gone, what do you do?

486
00:33:39,440 --> 00:33:43,720
Speaker 1: And it was sweet and sad and happy and all

487
00:33:43,760 --> 00:33:49,720
Speaker 1: of the things. Yeah, when it's when when when, when

488
00:33:49,760 --> 00:33:56,320
Speaker 1: it's this well written, right, then the comedy really really pops.

489
00:33:56,600 --> 00:33:59,960
Speaker 1: Then then then it's just like, this is the type

490
00:34:00,040 --> 00:34:03,840
Speaker 1: of comedy that comes from great stress. Yeah, you know,

491
00:34:04,280 --> 00:34:06,840
Speaker 1: you know, and all of the comedy came out of

492
00:34:06,920 --> 00:34:10,879
Speaker 1: great stress. And it was just hilarious, just absolutely. It

493
00:34:10,920 --> 00:34:14,240
Speaker 1: was the funniest of the episodes. And it was also

494
00:34:14,400 --> 00:34:18,040
Speaker 1: the most uh it was the deepest and most heartfelt. Yeah,

495
00:34:18,400 --> 00:34:22,520
Speaker 1: and most powerful. I mean, good god powerful and it's God.

496
00:34:22,680 --> 00:34:25,239
Speaker 1: I mean, I hope they submitted this for for for

497
00:34:25,280 --> 00:34:27,279
Speaker 1: an Emmy Award. You know, I think this is the

498
00:34:27,320 --> 00:34:29,719
Speaker 1: type of episode that you submit and you go, look

499
00:34:29,760 --> 00:34:34,000
Speaker 1: there it is, you know, yeah, because yeah, we get

500
00:34:34,040 --> 00:34:35,680
Speaker 1: to the scene that I thought was one of the

501
00:34:35,719 --> 00:34:40,759
Speaker 1: most hurt breaking, heart wrenching. So it's the four adults

502
00:34:40,880 --> 00:34:44,680
Speaker 1: played by the people that play the four adults discussing

503
00:34:45,320 --> 00:34:50,680
Speaker 1: this situation while Christopher and Laura Lie are upstairs sitting

504
00:34:50,719 --> 00:34:55,400
Speaker 1: in the floor on the corner and I mean, what's

505
00:34:55,440 --> 00:34:58,399
Speaker 1: his Doozy says get rid of it? Like and then

506
00:34:59,600 --> 00:35:03,719
Speaker 1: friends Francine said send her away, and you know, like,

507
00:35:03,960 --> 00:35:07,719
Speaker 1: oh my gosh, I literally that that scene was a

508
00:35:07,760 --> 00:35:13,080
Speaker 1: lot that was that was a lot. Well, it was.

509
00:35:12,840 --> 00:35:16,880
Speaker 1: It just showed you what what the stakes were for

510
00:35:16,960 --> 00:35:21,359
Speaker 1: those families, you know, and how rare this is, uh,

511
00:35:22,560 --> 00:35:24,920
Speaker 1: you know, for for families like this to have to

512
00:35:24,960 --> 00:35:27,520
Speaker 1: deal with. I thought Emily was being a good mom

513
00:35:27,600 --> 00:35:32,680
Speaker 1: in this in this yeah, yeah, she was defending her

514
00:35:32,760 --> 00:35:36,080
Speaker 1: daughter because they were basically being like, Christopher so young

515
00:35:36,280 --> 00:35:39,120
Speaker 1: and he has a bright future, and she's like, so

516
00:35:39,239 --> 00:35:43,479
Speaker 1: does my daughter, you know. And when um, Christopher's dad

517
00:35:43,520 --> 00:35:46,239
Speaker 1: was like, just have her get rid of it, She's like, no,

518
00:35:47,520 --> 00:35:49,239
Speaker 1: I don't know. I just I felt a lot for

519
00:35:49,280 --> 00:35:52,080
Speaker 1: Emily in that situation, like she was well. And then

520
00:35:52,440 --> 00:35:56,719
Speaker 1: Richard Richard says they will get married, they will live

521
00:35:56,760 --> 00:35:59,799
Speaker 1: here Christopher, Christopher will work for my company, and you're

522
00:35:59,840 --> 00:36:03,319
Speaker 1: just like, oh, wow, well, how do you feel. Let's

523
00:36:03,400 --> 00:36:08,640
Speaker 1: let's take a poll here amongst the upper crusty types. Right,

524
00:36:10,520 --> 00:36:14,520
Speaker 1: this probably doesn't happen very often, but it probably happens

525
00:36:14,520 --> 00:36:19,680
Speaker 1: more often than people realize. What percentage do you think

526
00:36:22,320 --> 00:36:26,880
Speaker 1: terminate the pregnancy versus having the child? Mhm, Such a

527
00:36:26,920 --> 00:36:31,040
Speaker 1: tough conversation, but probably most do not have the child.

528
00:36:31,719 --> 00:36:34,680
Speaker 1: I would say I would agree, right, it was it

529
00:36:34,760 --> 00:36:37,840
Speaker 1: was inappropriate the way she said it, and it was

530
00:36:37,880 --> 00:36:41,600
Speaker 1: inappropriate of the mother in law, for lack of a

531
00:36:41,640 --> 00:36:46,600
Speaker 1: better word, to suggest it to me, that's something that

532
00:36:46,719 --> 00:36:51,680
Speaker 1: Laureli decides for herself with her parents, nobody else is involved.

533
00:36:52,840 --> 00:36:56,640
Speaker 1: What a dilemma, My god, what a what a what

534
00:36:56,719 --> 00:37:00,760
Speaker 1: a what a great premise to to to jump started

535
00:37:00,800 --> 00:37:06,160
Speaker 1: show from what a launch. Christopher really was siding with

536
00:37:06,239 --> 00:37:11,719
Speaker 1: the adults. I'm using, was like, right, I'm going to

537
00:37:11,800 --> 00:37:16,400
Speaker 1: do what? So this show really framed it up for

538
00:37:16,480 --> 00:37:19,000
Speaker 1: us that this was lauralized decision not to marry him

539
00:37:19,760 --> 00:37:22,279
Speaker 1: and not to be and to escape that life. This

540
00:37:22,360 --> 00:37:25,880
Speaker 1: was her This was her ticket at a dodge, she

541
00:37:25,920 --> 00:37:28,280
Speaker 1: could go start in new life somewhere else with her baby,

542
00:37:28,440 --> 00:37:31,319
Speaker 1: and she made that decision and all and in those

543
00:37:31,400 --> 00:37:33,960
Speaker 1: moments with the nurse and looking into the nursery at

544
00:37:34,000 --> 00:37:39,200
Speaker 1: that child, the flashbacks look at you know, looking at Rory. Yeah,

545
00:37:38,840 --> 00:37:40,640
Speaker 1: I mean, and I will say, after watching this, it

546
00:37:40,680 --> 00:37:44,880
Speaker 1: made me feel like like better towards Emily and Richard

547
00:37:44,880 --> 00:37:48,600
Speaker 1: because I think prior to this, I was constantly thinking like,

548
00:37:48,760 --> 00:37:51,120
Speaker 1: how could they just tell her daughter she needs to

549
00:37:51,120 --> 00:37:53,680
Speaker 1: get married at sixteen? Like how can they just you know,

550
00:37:53,840 --> 00:37:57,960
Speaker 1: be so ruthless like that. But then after watching this episode,

551
00:37:59,760 --> 00:38:02,520
Speaker 1: I and I'm not saying it's right, but I can

552
00:38:02,680 --> 00:38:05,640
Speaker 1: see Richard's like the wheels turning in his brain, like,

553
00:38:06,239 --> 00:38:08,000
Speaker 1: you know, I want to help my daughter. I want

554
00:38:08,000 --> 00:38:10,120
Speaker 1: to set them up for success. I want, you know,

555
00:38:10,239 --> 00:38:14,560
Speaker 1: like to have my granddaughter. This is the plan, because

556
00:38:14,640 --> 00:38:17,680
Speaker 1: this will help them. No, but this is okay. So

557
00:38:17,760 --> 00:38:21,160
Speaker 1: that's one part of it. The other part of it

558
00:38:21,239 --> 00:38:25,280
Speaker 1: is Emily and Richard desperately trying to save their reputations

559
00:38:25,680 --> 00:38:30,040
Speaker 1: and the reputation of their daughter. That is a huge event,

560
00:38:30,480 --> 00:38:34,919
Speaker 1: totally on the social scene. Everybody talking about it because

561
00:38:34,920 --> 00:38:39,439
Speaker 1: they're going to be judging Richard and Emily. How did

562
00:38:39,800 --> 00:38:43,600
Speaker 1: this happen? What bad parents they must have. Emily is

563
00:38:43,640 --> 00:38:46,759
Speaker 1: a shrew. Of course her daughter is going to end

564
00:38:46,840 --> 00:38:49,520
Speaker 1: up like this and this, and then they're just out

565
00:38:49,560 --> 00:38:54,640
Speaker 1: there parios, right, maybe so they're just fighting, fighting for

566
00:38:54,719 --> 00:38:57,120
Speaker 1: their lives. Here, their whole lives are at stake, here,

567
00:38:57,320 --> 00:39:01,080
Speaker 1: their social lives. We're jumping around the flashback. I thought

568
00:39:01,080 --> 00:39:05,040
Speaker 1: also that was so interesting is she's watching Quincy eating

569
00:39:05,040 --> 00:39:08,000
Speaker 1: a sandwich, goes into labor and just gets herself to

570
00:39:08,000 --> 00:39:10,759
Speaker 1: the hospital, and then you see you know, Emily and

571
00:39:10,840 --> 00:39:12,960
Speaker 1: Richard come in sort of like we'll freaking out, Like

572
00:39:13,000 --> 00:39:15,040
Speaker 1: you don't go have a baby without telling your mom

573
00:39:15,080 --> 00:39:18,080
Speaker 1: and dad, you know. Like, but you're like, oh, wow,

574
00:39:18,200 --> 00:39:23,879
Speaker 1: Lorala is really starting to show she is doing this

575
00:39:24,160 --> 00:39:28,920
Speaker 1: her way, that that she's leaving, that this is her

576
00:39:28,920 --> 00:39:32,760
Speaker 1: ticket out. I mean, I know we're jumping ahead, but

577
00:39:32,760 --> 00:39:35,400
Speaker 1: but it poses more questions than it answers, even with

578
00:39:35,480 --> 00:39:37,919
Speaker 1: the flashbacks. And that's what's so brilliant about it, because

579
00:39:38,000 --> 00:39:42,239
Speaker 1: now I want to see deeper back into floralized past

580
00:39:42,320 --> 00:39:45,719
Speaker 1: with Emily and Richard and what led her to this

581
00:39:45,840 --> 00:39:49,000
Speaker 1: point where she's pregnant and she's leaving a note and

582
00:39:49,040 --> 00:39:56,360
Speaker 1: she's like, I'm gone, and it was painful. I felt

583
00:39:56,680 --> 00:40:02,400
Speaker 1: for Emily who was devasting needed that her daughter and

584
00:40:02,480 --> 00:40:07,560
Speaker 1: her granddaughter are gone. Gone, And just such brilliant acting

585
00:40:07,680 --> 00:40:10,480
Speaker 1: because we don't even know what the notes said, and

586
00:40:10,560 --> 00:40:16,200
Speaker 1: we knew immediately, oh, this is so painful and they're gone.

587
00:40:17,120 --> 00:40:19,600
Speaker 1: They make that subtle reference to oh, she put the

588
00:40:19,640 --> 00:40:23,600
Speaker 1: stroller away, and then you're like, oh, they are out.

589
00:40:26,120 --> 00:40:28,879
Speaker 1: It's just there's just so many questions to answer here.

590
00:40:29,760 --> 00:40:34,440
Speaker 1: You know, why how did Laurela become this How did

591
00:40:34,520 --> 00:40:37,960
Speaker 1: she become so rebellious sixteen years old? How did she

592
00:40:38,160 --> 00:40:43,560
Speaker 1: become so brave? That's sixteen years old? I mean sure

593
00:40:43,719 --> 00:40:47,160
Speaker 1: never was a prequel. You would want it to start

594
00:40:47,480 --> 00:40:50,920
Speaker 1: when she's thirteen or you know what I mean, Like,

595
00:40:50,960 --> 00:40:52,600
Speaker 1: you wouldn't want it to just start the day they

596
00:40:52,600 --> 00:40:56,360
Speaker 1: get pregnant, because there's so much more to learn from

597
00:40:56,560 --> 00:41:00,719
Speaker 1: before that. Right, You've got to examine that relationship with

598
00:41:00,800 --> 00:41:04,560
Speaker 1: Laurela and her parents and what happened to her at school?

599
00:41:04,560 --> 00:41:07,799
Speaker 1: What her you know, what did she go? Where where

600
00:41:07,800 --> 00:41:10,520
Speaker 1: did Laurela go to? You would assume she was at

601
00:41:10,560 --> 00:41:14,080
Speaker 1: some Chiltern type school. Obviously she wasn't at Chiltern because

602
00:41:14,080 --> 00:41:16,840
Speaker 1: I think we would have known that, right, but something

603
00:41:16,960 --> 00:41:21,480
Speaker 1: like that she was, so yeah, that's your prequel. That's

604
00:41:21,480 --> 00:41:25,319
Speaker 1: where it starts, Okay, So we then flash I love

605
00:41:25,360 --> 00:41:28,120
Speaker 1: the going back. It's a big wedding between Luke and Laurela,

606
00:41:28,239 --> 00:41:32,400
Speaker 1: and then they keep flashing back to that exactly. And

607
00:41:32,440 --> 00:41:36,200
Speaker 1: I would love to know Luke's story the prequels, they're

608
00:41:36,239 --> 00:41:39,239
Speaker 1: both their stories, because I'd love to see Luke with

609
00:41:39,400 --> 00:41:42,319
Speaker 1: his father growing up in the town, and the young

610
00:41:42,440 --> 00:41:46,560
Speaker 1: babette and the young miss Patty and the young maybe

611
00:41:46,600 --> 00:41:50,240
Speaker 1: even Kirk. Okay, So we then go back to Boston Memorial.

612
00:41:51,280 --> 00:41:53,640
Speaker 1: A young Taylor would be good. I want to see

613
00:41:53,680 --> 00:41:55,960
Speaker 1: Taylor in college, right, because you get the vibe that

614
00:41:56,000 --> 00:42:01,320
Speaker 1: Taylor was probably friendly with Luke's dad. Yeah, they definitely

615
00:42:01,360 --> 00:42:04,640
Speaker 1: had a relationship. Hey, let's don't don't give Warner brothers.

616
00:42:06,239 --> 00:42:09,120
Speaker 1: They're going to figure No, no no, no, they're gonna they're

617
00:42:09,120 --> 00:42:11,520
Speaker 1: gonna they're gonna figure out a way to prequel without

618
00:42:11,560 --> 00:42:14,359
Speaker 1: any of us, you know. Okay, So we go back

619
00:42:14,400 --> 00:42:17,040
Speaker 1: to Boston Memorial and this is where Rory's just rolling

620
00:42:17,120 --> 00:42:20,400
Speaker 1: calls for Sherry, and then we find out that Sherry

621
00:42:20,400 --> 00:42:22,120
Speaker 1: says Rory is going to go in the delivery room

622
00:42:22,200 --> 00:42:25,839
Speaker 1: and she delivers. She calls Laurel, I like, I need

623
00:42:25,880 --> 00:42:29,080
Speaker 1: my mommy. I mean, can you imagine if poor Rory

624
00:42:29,120 --> 00:42:32,279
Speaker 1: had to go the delivery room. You guys, I've been

625
00:42:32,320 --> 00:42:35,080
Speaker 1: in the delivery room once and I was I was

626
00:42:35,280 --> 00:42:37,560
Speaker 1: twenty nine years old, and I felt I was too

627
00:42:37,560 --> 00:42:42,080
Speaker 1: young to be kids. My god daughter, she and my

628
00:42:42,200 --> 00:42:44,719
Speaker 1: cousin asked me to be in the delivery room. It's

629
00:42:44,719 --> 00:42:48,919
Speaker 1: a big job, a very very big job. So when

630
00:42:49,320 --> 00:42:52,400
Speaker 1: Sherry asked out of Roy was like, oh, Rory is

631
00:42:52,440 --> 00:42:55,800
Speaker 1: gonna be in for a treat. This is a big ride.

632
00:42:56,600 --> 00:42:59,520
Speaker 1: It's an intense experience. Yeah for me. One of the

633
00:42:59,520 --> 00:43:03,359
Speaker 1: most minificant things is that Rory asked Laura La to come,

634
00:43:03,920 --> 00:43:08,799
Speaker 1: and Laura like it dropped, goes yeah, of course, I

635
00:43:08,800 --> 00:43:14,359
Speaker 1: mean freaking out, tears just rolling. Emily points out like

636
00:43:14,400 --> 00:43:16,480
Speaker 1: this is how can you go to the birth of

637
00:43:16,560 --> 00:43:21,200
Speaker 1: Christopher's child? This must be so terrible for you, and

638
00:43:21,440 --> 00:43:23,600
Speaker 1: Laura La just sums it up like it doesn't matter

639
00:43:23,760 --> 00:43:26,840
Speaker 1: because Rory asked me to come, Laura, does Laura La

640
00:43:27,080 --> 00:43:32,000
Speaker 1: leave the dinner table that she's sitting out with Rory

641
00:43:32,160 --> 00:43:34,480
Speaker 1: if Emily calls her is freaking out, says you have

642
00:43:34,520 --> 00:43:38,040
Speaker 1: to come to the hospital. Wow, I think I would

643
00:43:38,120 --> 00:43:41,600
Speaker 1: say she does. I think she would too. Yeah, I

644
00:43:41,640 --> 00:43:44,360
Speaker 1: think she would. I mean she dropped everything when Richard

645
00:43:44,440 --> 00:43:47,399
Speaker 1: was in the hospital. She's all she's all grown up,

646
00:43:47,480 --> 00:43:50,960
Speaker 1: and she's forgiven everybody, and she's tolerating everybody, and she's

647
00:43:50,960 --> 00:43:54,719
Speaker 1: still you know, her own woman, still snarky, is hack

648
00:43:54,800 --> 00:44:00,440
Speaker 1: and does that. So Christopher shows up and you know,

649
00:44:00,600 --> 00:44:03,879
Speaker 1: you see just the bond between them, but then they're

650
00:44:04,000 --> 00:44:12,840
Speaker 1: really Sharry out and more legoes have fun? Boy, that

651
00:44:13,040 --> 00:44:17,080
Speaker 1: that's right, that's funny. And then and she goes, well,

652
00:44:17,520 --> 00:44:20,759
Speaker 1: you know best i'd come up with, have fun? And

653
00:44:20,960 --> 00:44:23,200
Speaker 1: Laura I trying to talk Sharry up the ledge. She's like,

654
00:44:23,239 --> 00:44:25,080
Speaker 1: at first, you're gonna think you gave birth to Flynn,

655
00:44:25,080 --> 00:44:34,360
Speaker 1: but they'll give that kid a good scrub, right right, right, Danielle,

656
00:44:34,360 --> 00:44:35,680
Speaker 1: I don't want to lead the witness. But how are

657
00:44:35,680 --> 00:44:41,600
Speaker 1: you feeling about Sherry and Christopher's chances? Not high? Sorry,

658
00:44:42,600 --> 00:44:53,160
Speaker 1: not high? And remember, Danielle, you're under oath not hi.

659
00:44:53,840 --> 00:44:57,560
Speaker 1: Why why could possibly what could possibly break these two up?

660
00:44:57,600 --> 00:45:00,160
Speaker 1: At this point? I don't know. Is he gonna get

661
00:45:00,200 --> 00:45:03,799
Speaker 1: on his motorcycle and go to California again? Uh? Huh?

662
00:45:05,400 --> 00:45:07,239
Speaker 1: What's he gonna do? Is he gonna take off? Is

663
00:45:07,239 --> 00:45:14,439
Speaker 1: he gonna take off? Well we'll see. Hey, lord God,

664
00:45:14,520 --> 00:45:18,080
Speaker 1: I'm in Wisconsin. What are you doing there? When I

665
00:45:18,120 --> 00:45:22,359
Speaker 1: got my motorcycle? You know? And well, you know, it's

666
00:45:22,400 --> 00:45:25,680
Speaker 1: like Jesus God, this episode is so dense. I mean,

667
00:45:25,680 --> 00:45:26,920
Speaker 1: I know I say that all the time. But so

668
00:45:26,960 --> 00:45:28,839
Speaker 1: then we go back to the diner and we see

669
00:45:28,880 --> 00:45:31,239
Speaker 1: the funny scene between Jess and Kirk, like Kirk's like,

670
00:45:31,239 --> 00:45:33,000
Speaker 1: I don't want to go home. It's boring there, like

671
00:45:33,280 --> 00:45:36,440
Speaker 1: my chev is broken. And then incomes Luke and Nicole,

672
00:45:36,600 --> 00:45:40,160
Speaker 1: which I saw him perfectly pull out her chair, which

673
00:45:40,160 --> 00:45:43,000
Speaker 1: I thought was so charming. And then you know they're

674
00:45:43,040 --> 00:45:45,040
Speaker 1: having their coffee and Jess was like, I'm going out

675
00:45:45,040 --> 00:45:52,440
Speaker 1: for about an hour just being guy code right Luke Luke,

676
00:45:52,560 --> 00:45:57,200
Speaker 1: He's like, huh what and then Luke takes him outside

677
00:45:57,239 --> 00:46:02,799
Speaker 1: to like give Kirk unless you need lunder over having

678
00:46:02,920 --> 00:46:14,840
Speaker 1: Kurt leans over Nicole. They have amazing communication. So what

679
00:46:14,880 --> 00:46:16,360
Speaker 1: do you think of What do you think of Nicole

680
00:46:16,600 --> 00:46:21,600
Speaker 1: and Luke? I think he likes her and he's excited,

681
00:46:21,760 --> 00:46:24,600
Speaker 1: and you know they're they're having a good time there.

682
00:46:25,480 --> 00:46:30,600
Speaker 1: They're conversing well, you know, he's, uh, he's keeping up

683
00:46:30,600 --> 00:46:34,400
Speaker 1: with a lawyer. You know, she's a smart, smarty smart

684
00:46:35,080 --> 00:46:37,720
Speaker 1: So he's feeling pretty good about himself because he's able

685
00:46:37,719 --> 00:46:41,360
Speaker 1: to keep up and keep her interesting. Yeah, she's a

686
00:46:41,360 --> 00:46:44,480
Speaker 1: little fancy for him, so he's he's all jazzed up. Man.

687
00:46:44,560 --> 00:46:48,759
Speaker 1: That's a that's a step up right for it. I

688
00:46:48,800 --> 00:46:52,600
Speaker 1: like it. It's cute, that's cute. She's a city gal.

689
00:46:53,280 --> 00:46:56,960
Speaker 1: She's coming on, So everybody stay tuned because Scott's going

690
00:46:57,000 --> 00:47:01,799
Speaker 1: to be interviewing and spending some time this week. I

691
00:47:01,840 --> 00:47:06,960
Speaker 1: think with Nicole, lahy Nicole, Okay. So then Chris, So

692
00:47:07,000 --> 00:47:09,319
Speaker 1: we go back to the hospital and Christopher comes out

693
00:47:09,360 --> 00:47:12,640
Speaker 1: and Rory's sleeping and he says to Laurel, I like,

694
00:47:12,719 --> 00:47:15,359
Speaker 1: do you want to come see the baby? And I

695
00:47:15,440 --> 00:47:19,839
Speaker 1: just wrote of my notes, wow, wow, wow, like this

696
00:47:19,880 --> 00:47:25,320
Speaker 1: is so messy, but wow, like it was just how

697
00:47:25,360 --> 00:47:33,000
Speaker 1: do you describe heaviness, happiness, sadness all at the same time.

698
00:47:34,719 --> 00:47:40,279
Speaker 1: I don't know that I read happiness and Laureli was

699
00:47:40,400 --> 00:47:43,480
Speaker 1: reaction to all of that. What I read. What I

700
00:47:43,560 --> 00:47:48,000
Speaker 1: read was that definitely the heaviness and the complications and

701
00:47:48,080 --> 00:47:51,120
Speaker 1: neon we and what could have been with this guy,

702
00:47:51,160 --> 00:47:54,759
Speaker 1: and what could have been with her life had this

703
00:47:54,800 --> 00:48:00,200
Speaker 1: guy not, you know, had a little more control, Because

704
00:48:00,239 --> 00:48:02,200
Speaker 1: I do think there's a part of lord line that's

705
00:48:02,239 --> 00:48:07,319
Speaker 1: happy that Rory has a sister. Yeah, but yeah, probably,

706
00:48:07,440 --> 00:48:10,040
Speaker 1: But I think it really that moment was about her

707
00:48:10,239 --> 00:48:13,719
Speaker 1: and taking stock in her life and how complicated things

708
00:48:13,800 --> 00:48:17,840
Speaker 1: get and how unpredictable things are, all the conflicting feelings

709
00:48:17,840 --> 00:48:20,560
Speaker 1: she's having. I mean, this did I make the right

710
00:48:20,640 --> 00:48:24,200
Speaker 1: decision because because it ultimately comes down to one woman,

711
00:48:24,480 --> 00:48:27,640
Speaker 1: one girl making a decision that's going to affect the

712
00:48:27,680 --> 00:48:30,840
Speaker 1: rest of her life, or two decisions, one having the

713
00:48:30,920 --> 00:48:37,120
Speaker 1: baby to leaving her family. So two huge decisions that

714
00:48:37,239 --> 00:48:39,480
Speaker 1: she made, and the you know, the ripple effect of

715
00:48:40,120 --> 00:48:43,520
Speaker 1: this decision is continuing. You know, the waves are coming

716
00:48:43,560 --> 00:48:46,960
Speaker 1: back at her now, so you know, and they're hitting

717
00:48:47,040 --> 00:48:51,040
Speaker 1: or they're lapping up against her shore line. Yeah, it

718
00:48:51,120 --> 00:48:56,480
Speaker 1: was excruciating to watch, like the hearts broke for her.

719
00:48:56,520 --> 00:48:58,520
Speaker 1: Oh god, she's got to see this baby. And then

720
00:48:58,560 --> 00:49:01,840
Speaker 1: he is so elated it like this is so amazing

721
00:49:01,960 --> 00:49:06,080
Speaker 1: And I wanted to be like, hey, ask you have

722
00:49:06,320 --> 00:49:11,880
Speaker 1: another kid. Yeah. I feel like in this part, I

723
00:49:12,080 --> 00:49:14,040
Speaker 1: was like loyal is looking at this being like this

724
00:49:14,120 --> 00:49:18,600
Speaker 1: could have been us, This should have been us. Heyes,

725
00:49:20,120 --> 00:49:24,000
Speaker 1: seriously I thought that. I was like, isn't she the

726
00:49:24,080 --> 00:49:32,920
Speaker 1: most beautiful ever? And it's like d word no. But

727
00:49:33,080 --> 00:49:35,640
Speaker 1: she played it perfectly. I mean she played it beautifully,

728
00:49:35,680 --> 00:49:39,880
Speaker 1: didn't she. I Mean, those that's that's the hard hardest

729
00:49:40,040 --> 00:49:42,600
Speaker 1: part of acting sometimes and she did it so well,

730
00:49:43,640 --> 00:49:46,040
Speaker 1: so well. So proud of her, you know, so proud

731
00:49:46,120 --> 00:49:48,880
Speaker 1: of her because that's a tough that's a tough situation

732
00:49:49,120 --> 00:49:51,680
Speaker 1: that for the character, that's a tough situation of being

733
00:49:52,920 --> 00:49:57,480
Speaker 1: got to play all those conflicting emotions. Speaking of conflicting,

734
00:49:58,040 --> 00:50:01,640
Speaker 1: then we end this episode with two of the most

735
00:50:01,840 --> 00:50:05,440
Speaker 1: powerful scenes at the same time, because it is the

736
00:50:05,520 --> 00:50:08,839
Speaker 1: DVD player. She just shows up with the DVD player

737
00:50:08,920 --> 00:50:10,960
Speaker 1: and all the movies her mom would want. We then

738
00:50:11,120 --> 00:50:13,839
Speaker 1: flash back to the scene we've talked about this whole

739
00:50:13,880 --> 00:50:19,280
Speaker 1: episode of Emily in her fancy eighties gown realizing they're gone,

740
00:50:19,760 --> 00:50:22,960
Speaker 1: her daughter, her baby, and her grand baby. And then

741
00:50:23,040 --> 00:50:28,319
Speaker 1: we flash back to Laura La saying I can figure

742
00:50:28,360 --> 00:50:31,000
Speaker 1: out how to set this up. Yeah, I'll go up

743
00:50:31,000 --> 00:50:34,560
Speaker 1: to the bedroom TV, you know, like and Emily giving

744
00:50:34,600 --> 00:50:36,919
Speaker 1: the classic line like you could ruin her TV set,

745
00:50:36,960 --> 00:50:38,719
Speaker 1: which is like what everyone says when you're like a

746
00:50:38,840 --> 00:50:41,359
Speaker 1: young person trying to like give them some new technology.

747
00:50:41,800 --> 00:50:45,280
Speaker 1: I just thought, god, wow, and I just wrote crying again.

748
00:50:45,400 --> 00:50:48,880
Speaker 1: I mean I cried through both those scenes and the

749
00:50:48,960 --> 00:50:51,960
Speaker 1: episode ended, and it was a good I was still

750
00:50:52,040 --> 00:50:54,440
Speaker 1: crying as I went to the bathroom, like brush my teeth.

751
00:50:55,440 --> 00:51:00,799
Speaker 1: Oh you know, yeah, I was at EP two. I mean,

752
00:51:01,000 --> 00:51:05,680
Speaker 1: it made me miss my my family so much, thirty

753
00:51:06,320 --> 00:51:10,239
Speaker 1: miles away from them. They're they're coming, They're coming. Yeah,

754
00:51:10,320 --> 00:51:13,040
Speaker 1: So for everyone listening. So Scott's working, which we've talked about,

755
00:51:13,080 --> 00:51:16,120
Speaker 1: and his family isn't with him, and this poor Scott,

756
00:51:16,280 --> 00:51:18,759
Speaker 1: Like I'm so of all the episodes, we couldn't just

757
00:51:18,840 --> 00:51:21,279
Speaker 1: throw Scott like a funny one. We have to throw

758
00:51:23,000 --> 00:51:28,880
Speaker 1: literally want not like something, and we just give him

759
00:51:28,920 --> 00:51:34,640
Speaker 1: the most right. It is the most powerful so far. Absolutely,

760
00:51:34,880 --> 00:51:39,280
Speaker 1: I mean, this was just you know, this was ground shocking.

761
00:51:39,920 --> 00:51:42,960
Speaker 1: This was shock and all. I was just like, wow,

762
00:51:44,160 --> 00:51:49,400
Speaker 1: um and so well done because I love I just

763
00:51:50,520 --> 00:51:53,920
Speaker 1: I had the same reaction at the young Lorra ly

764
00:51:54,120 --> 00:51:56,320
Speaker 1: and the young Christopher that first I was really like,

765
00:51:57,040 --> 00:51:59,920
Speaker 1: that's not Christopher, that's not Loria Lye. And then by

766
00:51:59,920 --> 00:52:02,320
Speaker 1: the end of the episode, I was literally like, Okay,

767
00:52:02,600 --> 00:52:09,520
Speaker 1: they were great. Yeah, yeah, they were great. Yeah. It

768
00:52:09,680 --> 00:52:12,040
Speaker 1: was great risk too, I mean a risk to do

769
00:52:12,239 --> 00:52:19,600
Speaker 1: the episode this way. Um, no, it's definitely paid off.

770
00:52:20,040 --> 00:52:23,759
Speaker 1: You think that's how I think they know exactly. I

771
00:52:23,880 --> 00:52:26,800
Speaker 1: think I think Amy and Dan know exactly when to

772
00:52:26,920 --> 00:52:30,200
Speaker 1: do something like this. This was the moment, This was

773
00:52:30,280 --> 00:52:33,560
Speaker 1: a perfect moment to do this. It was completely unexpected,

774
00:52:33,880 --> 00:52:37,680
Speaker 1: We've never seen it before. It was shocking. It was

775
00:52:37,760 --> 00:52:42,160
Speaker 1: shocking to me because I said, because I said to myself,

776
00:52:42,280 --> 00:52:46,200
Speaker 1: I said, no, they're not going to do this. Wow,

777
00:52:46,440 --> 00:52:49,200
Speaker 1: what I mean? That's like George Blenda going out there

778
00:52:49,239 --> 00:52:51,719
Speaker 1: on the tight rope, you know, with no net and

779
00:52:52,239 --> 00:52:54,360
Speaker 1: and it's like they're walking the tight rope, but this

780
00:52:54,480 --> 00:52:58,200
Speaker 1: one and they pulled it off beautifully. Say, season three

781
00:53:00,120 --> 00:53:05,080
Speaker 1: is quite the season. We've had many episodes that are

782
00:53:05,120 --> 00:53:07,800
Speaker 1: probably the best of the whole series. Like for a

783
00:53:07,920 --> 00:53:10,760
Speaker 1: show to just get better and better as the seasons

784
00:53:10,800 --> 00:53:15,200
Speaker 1: go on, you see how much easier it is. This

785
00:53:15,400 --> 00:53:20,040
Speaker 1: is also another example of why teen shows are so

786
00:53:20,640 --> 00:53:24,560
Speaker 1: popular with networks, because there's just so much easier to do.

787
00:53:25,040 --> 00:53:28,120
Speaker 1: I mean, teens don't even have to be doing very much.

788
00:53:28,760 --> 00:53:31,600
Speaker 1: It doesn't have to be that much going on. It's

789
00:53:31,640 --> 00:53:34,080
Speaker 1: just like, look good, their clothes are cool, they're saying

790
00:53:34,120 --> 00:53:37,719
Speaker 1: the right things. We're gonna watch it. Do you consider this?

791
00:53:38,719 --> 00:53:41,279
Speaker 1: But adults cannot get away with that. They have to

792
00:53:41,360 --> 00:53:44,239
Speaker 1: have this level of drama and Injurgue that we saw

793
00:53:44,360 --> 00:53:47,520
Speaker 1: today to keep it really engaging. Half a teen show,

794
00:53:47,840 --> 00:53:51,839
Speaker 1: A teen show? What do you consider this show? Yeah?

795
00:53:51,880 --> 00:53:54,799
Speaker 1: I think it's like half and half. I mean, I mean,

796
00:53:55,400 --> 00:53:59,800
Speaker 1: it's a young network, right, look, and I think a

797
00:54:00,000 --> 00:54:02,719
Speaker 1: me and Dan are smart enough to realize that the

798
00:54:02,800 --> 00:54:07,680
Speaker 1: teen stuff ain't gonna work as stand alone and an

799
00:54:07,719 --> 00:54:11,600
Speaker 1: adult stuff ain't gonna work as stand alone. They it's

800
00:54:11,719 --> 00:54:15,280
Speaker 1: it's it's a symbiotic relationship between the teen and the adults.

801
00:54:15,360 --> 00:54:18,000
Speaker 1: So they I mean, if you think about other other

802
00:54:18,080 --> 00:54:20,719
Speaker 1: shows at the time, it was, this isn't Friends, this

803
00:54:20,880 --> 00:54:25,640
Speaker 1: isn't the West Wing. It's a drama. Y m hmm.

804
00:54:25,960 --> 00:54:29,120
Speaker 1: It's got you know, but it is young. It is

805
00:54:29,719 --> 00:54:33,480
Speaker 1: teen in many ways. Yes, c WC always always a

806
00:54:33,560 --> 00:54:37,279
Speaker 1: younger demo, but you know, this show broke out into

807
00:54:37,400 --> 00:54:41,399
Speaker 1: other demos as well. I feel like the grandma's love

808
00:54:41,520 --> 00:54:46,200
Speaker 1: this show. They do. You know, I'm getting approached every

809
00:54:46,320 --> 00:54:53,040
Speaker 1: day all day up here whoever you can get with

810
00:54:53,160 --> 00:54:56,080
Speaker 1: your daughter and your mom, you know, like if you're

811
00:54:57,360 --> 00:55:02,760
Speaker 1: it's three generations can watch it together. It's no question

812
00:55:02,800 --> 00:55:07,400
Speaker 1: about it. It spans all generations. It's it's really amazing,

813
00:55:07,600 --> 00:55:09,759
Speaker 1: really really amazing, And we've talked about it so much

814
00:55:09,760 --> 00:55:13,319
Speaker 1: it will continue to. But the difference between the way

815
00:55:13,360 --> 00:55:15,239
Speaker 1: I see it now and the way I saw it

816
00:55:15,360 --> 00:55:19,960
Speaker 1: twenty years ago. Is I don't know that I cried

817
00:55:20,000 --> 00:55:23,640
Speaker 1: at this episode twenty years ago. M hmm, I don't know.

818
00:55:24,440 --> 00:55:32,759
Speaker 1: I know, I didn't. I didn't see it. I just

819
00:55:32,880 --> 00:55:34,920
Speaker 1: had to do my what couple of scenes and then

820
00:55:35,040 --> 00:55:37,839
Speaker 1: go to Colorado. She had great scenes in this show

821
00:55:37,920 --> 00:55:40,440
Speaker 1: that I did. I really enjoyed that. I enjoyed it.

822
00:55:40,880 --> 00:55:44,040
Speaker 1: So next week we're gonna do Swan Song its episode fourteen,

823
00:55:44,080 --> 00:55:47,680
Speaker 1: season three. Man, we're three course away through almost three

824
00:55:47,760 --> 00:55:50,520
Speaker 1: course away through season three. Yeah, it's Lucky off a job.

825
00:55:52,239 --> 00:55:57,080
Speaker 1: What what what? No, No, got a long way. We've

826
00:55:57,120 --> 00:55:59,520
Speaker 1: got a long way to go, and I'm doing now.

827
00:55:59,560 --> 00:56:01,960
Speaker 1: I have to do podcast and the commercials that appeared

828
00:56:02,080 --> 00:56:05,640
Speaker 1: on Gilmore Girls. You know, I'm telling you, bun heads,

829
00:56:05,800 --> 00:56:10,080
Speaker 1: we after we finished Gilmore. That doesn't matter, sense, it

830
00:56:10,160 --> 00:56:14,319
Speaker 1: doesn't matter, it doesn't matter. You're gonna you're gonna make

831
00:56:14,360 --> 00:56:18,840
Speaker 1: me watch Oh Love. We'll see at the time we

832
00:56:18,920 --> 00:56:23,359
Speaker 1: finished the movies, they'll be the pretty cool. Yeah, they've

833
00:56:23,440 --> 00:56:25,919
Speaker 1: got years. They've got a couple of years, so you're good.

834
00:56:26,600 --> 00:56:30,960
Speaker 1: Oh my goodness. Um, hey man, with you, with you

835
00:56:31,080 --> 00:56:34,160
Speaker 1: two knuckleheads, I'll talk about anything. And Scott I know

836
00:56:34,360 --> 00:56:37,160
Speaker 1: too much fun. We're thinking of you, like we're so sorry.

837
00:56:37,480 --> 00:56:39,359
Speaker 1: We're happy that you have this great job, but we're

838
00:56:39,680 --> 00:56:43,320
Speaker 1: we are sorry that you're there. Like the life of

839
00:56:43,360 --> 00:56:46,320
Speaker 1: an actor is not all unicorns and rainbows. For Scott's

840
00:56:46,440 --> 00:56:49,560
Speaker 1: just like a loan in a random city. I am.

841
00:56:50,640 --> 00:56:53,440
Speaker 1: I'm keeping busy though. You know what I did today.

842
00:56:53,520 --> 00:56:56,040
Speaker 1: I ran up There's a very steep hill here, and

843
00:56:56,120 --> 00:56:58,239
Speaker 1: I ran up that hill about ten times until I

844
00:56:58,360 --> 00:57:01,120
Speaker 1: was so exhausted. I wasn't feeling I couldn't even feel

845
00:57:01,200 --> 00:57:04,040
Speaker 1: my face, you know what I was just saying. But

846
00:57:04,160 --> 00:57:06,960
Speaker 1: it's but, but I like the weather. You know, it's

847
00:57:07,000 --> 00:57:10,239
Speaker 1: not hot, it's sixty degrees and cloudy, and your run

848
00:57:10,360 --> 00:57:13,040
Speaker 1: up the hills and then it's sunny. Right, It's great.

849
00:57:13,160 --> 00:57:16,280
Speaker 1: But we do. Yeah, especially after this episode, it's like

850
00:57:16,360 --> 00:57:18,400
Speaker 1: poor Scott came to see him alone in his like

851
00:57:18,800 --> 00:57:22,160
Speaker 1: place that they're just crying. Hopefully Swan Song isn't much

852
00:57:22,760 --> 00:57:28,240
Speaker 1: happier uplifting lifting episode. So I have I have all

853
00:57:28,280 --> 00:57:32,160
Speaker 1: these videos of my son, uh you know, doing his robotics,

854
00:57:32,240 --> 00:57:35,480
Speaker 1: doing his karate and karate class on my phone, and

855
00:57:36,040 --> 00:57:40,120
Speaker 1: I spend so much time watching these videos. Seriously, I know.

856
00:57:40,680 --> 00:57:43,960
Speaker 1: I mean, it's just like you know, and I'm laughing, laughing, laughing, laughing.

857
00:57:44,040 --> 00:57:46,040
Speaker 1: And then before I have to go to bed, I

858
00:57:46,160 --> 00:57:50,240
Speaker 1: cry because I missed my little guy. You know. Well,

859
00:57:50,280 --> 00:57:52,439
Speaker 1: and you've been with the NonStop. This is your first

860
00:57:52,480 --> 00:57:57,560
Speaker 1: time like being away from him. Huh um. Well, you

861
00:57:57,640 --> 00:57:59,800
Speaker 1: know when I do a convention, yeah, I'll go for

862
00:58:00,040 --> 00:58:03,000
Speaker 1: like three four days. I went to I went to

863
00:58:03,080 --> 00:58:06,440
Speaker 1: Europe a few times, two conventions. That's five days, and

864
00:58:06,520 --> 00:58:08,640
Speaker 1: that was tough. He was much younger, but it was

865
00:58:08,720 --> 00:58:11,720
Speaker 1: just still tough. But now it's been you know, it's

866
00:58:11,760 --> 00:58:16,280
Speaker 1: been like you know, I left. I left eight weeks. Yeah,

867
00:58:16,360 --> 00:58:20,640
Speaker 1: you're two weeks. It's it's hard, man. Yeah, I just

868
00:58:20,800 --> 00:58:23,000
Speaker 1: you know, before I came hold you guys, I texted

869
00:58:23,080 --> 00:58:26,640
Speaker 1: my wife. I said, you need to you need to

870
00:58:26,720 --> 00:58:30,040
Speaker 1: face time me. I am not doing well because I

871
00:58:30,160 --> 00:58:33,920
Speaker 1: just finished this episode. I'm all by myself in tears.

872
00:58:34,320 --> 00:58:42,000
Speaker 1: I need to talk to somebody. Okay, good, So let's

873
00:58:42,040 --> 00:58:47,440
Speaker 1: do Let's do this every day and suddenly every day. Yeah,

874
00:58:47,520 --> 00:58:52,520
Speaker 1: we'll put up about three we'll do fifteen episodes a week.

875
00:58:52,640 --> 00:58:54,919
Speaker 1: We'll release fifteen in a week. It's not too much work,

876
00:58:55,080 --> 00:58:58,760
Speaker 1: is it. Well, like we said later this week Nicole

877
00:58:58,880 --> 00:59:01,480
Speaker 1: Lady and pop culture, so you get to see us

878
00:59:01,520 --> 00:59:07,560
Speaker 1: two more times. All right, let's so anyway, gug great episode,

879
00:59:07,600 --> 00:59:10,920
Speaker 1: thanks for downloading. We're gonna wrap this puppy up in

880
00:59:11,040 --> 00:59:17,120
Speaker 1: a nice ribbon and bow, nice wrapping paper. Uh. Perfect episode,

881
00:59:17,480 --> 00:59:22,280
Speaker 1: my favorite. Um, the funniest, the most heartbreaking, the most

882
00:59:23,160 --> 00:59:30,720
Speaker 1: searing drama. Um, well done. Bravo. Thank you ladies, and uh,

883
00:59:31,120 --> 01:00:00,280
Speaker 1: thank you everybody. We'll see you next time. Stay safe. Yeah,

884
01:00:04,640 --> 01:00:07,640
Speaker 1: hey everybody, and don't forget follow us on Instagram at

885
01:00:07,960 --> 01:00:11,880
Speaker 1: I Am all In podcast and email us at Gilmore

886
01:00:12,160 --> 01:00:15,840
Speaker 1: at I heart radio dot com. Oh you Gilmore fans.

887
01:00:15,880 --> 01:00:17,560
Speaker 1: If you're looking for the best cup of coffee in

888
01:00:17,600 --> 01:00:21,040
Speaker 1: the world, go to my website for my company, scott

889
01:00:21,040 --> 01:00:23,200
Speaker 1: EP dot com, s C O T T y P

890
01:00:23,440 --> 01:00:35,160
Speaker 1: dot com, scott ep dot com Grade one Specialty Coffee. Yeah.