WEBVTT - A Deep Dive on Lord William Regal

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<v Speaker 1>M M. What's up, everybody. Welcome back to another episode

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<v Speaker 1>of Wrestling with Freddy, and I'm so glad to have

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<v Speaker 1>you here on another Wednesday or whatever day you got

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<v Speaker 1>to listen to this on. If you're in your car,

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<v Speaker 1>if you're at work, I won't tell your boss. If

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<v Speaker 1>you're in your car, I hope the traffic is not

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<v Speaker 1>too too horribly awful. If you're watching old wrestling matches

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<v Speaker 1>while you're listening to this, shout out to YouTube. And

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<v Speaker 1>if you're just tuning in for the first time, you

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<v Speaker 1>can catch all our previous episodes at the same spot

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<v Speaker 1>you're listening to this one right now. And uh, come

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<v Speaker 1>with us on the journey. Welcome to the Federation, and

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<v Speaker 1>welcome Wrestling with Freddy. Now stuffing up to the mic,

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<v Speaker 1>the host of Wrestling with Freddy, Freddie Prince tune. All right,

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<v Speaker 1>you guys, we're gonna do another deep dive. I really

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<v Speaker 1>enjoyed the Dolf Ziggler deep dive. I like going in

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<v Speaker 1>and re examining the careers of people I was lucky

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<v Speaker 1>enough to work with while I was there and see

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<v Speaker 1>them grow despite speed bumps, or see them grow even

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<v Speaker 1>with the greatest push of all time. It's just it's

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<v Speaker 1>fun to dive into that. So we're doing it again,

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<v Speaker 1>only this time we're doing it with an old school

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<v Speaker 1>legend Ziggler and old school he just old. Oh. Anyway,

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<v Speaker 1>today's episode, I'm gonna deep dive on someone who affected

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<v Speaker 1>me deeply while I worked there. And if you're familiar

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<v Speaker 1>with this show, we've talked about him a little bit

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<v Speaker 1>in some of the acting classes. Today's episode is all

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<v Speaker 1>about Mr William Regal. That's right, ladies and gentlemen, we're

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<v Speaker 1>going British today. We're going to be very proper. There

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<v Speaker 1>will be no cursing on this episode, although the Brits

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<v Speaker 1>can curse. Boy, But this was a guy I learned

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<v Speaker 1>a lot more from than he realized when I was there.

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<v Speaker 1>I think he's heard since then because I've I've told

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<v Speaker 1>enough people. But I love this guy and I want

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<v Speaker 1>to share a couple Well, first I want to share

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<v Speaker 1>the reasons why, and then as a kid, and then

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<v Speaker 1>why I learned to respect him as a rational. Oh

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<v Speaker 1>but we're side questing right away before we get into

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<v Speaker 1>any of this, so check this out. You guys know

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<v Speaker 1>that I love wrestling very much and I'm and I'm

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<v Speaker 1>not sensitive about it, but I'm very protective about it.

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<v Speaker 1>When I first took the job at w w E,

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<v Speaker 1>I said, look, I'm not trying to to change the business.

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<v Speaker 1>I'm not trying to do anything like that. This was

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<v Speaker 1>the second time I went there. I said, let me

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<v Speaker 1>just help build a wall and and help protect it.

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<v Speaker 1>So I get very protective of wrestling sometimes, and when

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<v Speaker 1>I see people aren't taking it seriously, it's bothersome to me.

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<v Speaker 1>I've been asked on social media, Hey, would you go

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<v Speaker 1>back and write for w w E, And the answer

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<v Speaker 1>is always no. But the reasoning and this is the

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<v Speaker 1>most honest I I can possibly be. It's a job

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<v Speaker 1>that requires one hundred percent and if you're not well,

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<v Speaker 1>and this is my opinion, this is what worked for

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<v Speaker 1>me when I was able to give ad and not

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<v Speaker 1>focus on family or friends or anything else. I was

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<v Speaker 1>really really good when I When I wasn't able to

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<v Speaker 1>do that, it just wasn't where it deserved to be.

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<v Speaker 1>There are other people. They're depending on your ideas and

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<v Speaker 1>your words sometimes if they're not able to come up

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<v Speaker 1>with their own. And if you're half assent, how we

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<v Speaker 1>already cursed you, shouldn't you shouldn't be working with them.

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<v Speaker 1>So it's I those are the things I get protective about.

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<v Speaker 1>And so I got this weird email from the friendly

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<v Speaker 1>people at Twitch. And for those who don't know what twitches,

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<v Speaker 1>it's a streaming service that started with I think it

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<v Speaker 1>was called justin TV, and it was kids playing video

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<v Speaker 1>games and you could watch them while they were playing

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<v Speaker 1>a game. And people like to watch for various reasons.

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<v Speaker 1>Maybe the person is just sick at the game and

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<v Speaker 1>getting headshots on everybody and never dined. They're getting like

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<v Speaker 1>forty kills and two deaths or sometimes even no deaths,

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<v Speaker 1>and if you're a kid or grown up that's into

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<v Speaker 1>video games, that might be exciting for you to watch.

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<v Speaker 1>Sometimes they were just great storytellers or trash talkers. They

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<v Speaker 1>would they're they're The way they would express themselves when

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<v Speaker 1>they would die or get kills really got them a

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<v Speaker 1>lot of popularity. Sometimes people just thought they look cool

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<v Speaker 1>or thought they were hot, and we're like, yeo, I'm

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<v Speaker 1>just gonna follow this first. I don't like video games,

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<v Speaker 1>but they're talking to me, so that's cool. I get

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<v Speaker 1>to interact, and that was a big thing. There was

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<v Speaker 1>an interaction there between the audience. You could read their chat,

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<v Speaker 1>and when it first came out, it blew people away.

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<v Speaker 1>So I attempted to work with which a long long

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<v Speaker 1>time ago, and we started a game channel there where

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<v Speaker 1>I would play video games and talk to to fans

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<v Speaker 1>and and uh and tell stories kind of like what

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<v Speaker 1>we're doing now. And it transitioned into what really my

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<v Speaker 1>love was, which was tabletop stuff. And I pitched him

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<v Speaker 1>a bunch of like tabletop stuff, video game stuff, all

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<v Speaker 1>kinds of things, and one of them was a wrestling podcast,

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<v Speaker 1>so to speak, a wrestling show. I think I called it.

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<v Speaker 1>I don't. I don't even think I knew what a

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<v Speaker 1>podcast was then. So I hit them with all these ideas.

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<v Speaker 1>They rejected everything categorically and then let me know that

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<v Speaker 1>I was not the talent that they were looking to

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<v Speaker 1>work with at Twitch. I guess I was too old, right,

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<v Speaker 1>I guess, or I don't know what it was. They

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<v Speaker 1>didn't give me a reason, but they let me know

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<v Speaker 1>that that, uh, I wouldn't be receiving the support that

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<v Speaker 1>that I was looking for. So I was like, all right,

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<v Speaker 1>I'm not the kind of guy who's gonna ask the

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<v Speaker 1>same girl out twice if she said no, So I

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<v Speaker 1>left started my own thing. Did my own thing well.

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<v Speaker 1>Twitch emailed me and get this, not only did did

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<v Speaker 1>they ask if I would be interested in doing a

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<v Speaker 1>podcast for them, as they called it, which clearly they

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<v Speaker 1>didn't know I was already doing one. But the offer

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<v Speaker 1>was hysterical. They're they're so not committed to the wrestling business.

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<v Speaker 1>They said, we would love to offer you affod to

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<v Speaker 1>eight or eight to ten weeks trial run of a

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<v Speaker 1>wrestling podcast, payment based off your numbers. Right, And I'm

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<v Speaker 1>sitting there reading this, I'm like, this is like a

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<v Speaker 1>record deal in two thousand five, where record companies forgot

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<v Speaker 1>how to build stars and or didn't have employees that

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<v Speaker 1>could build them anymore. So you had to have your

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<v Speaker 1>own following on social media and that was the only

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<v Speaker 1>way you could get signed, whether you were good or not.

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<v Speaker 1>So I emailed this this nice guy back and he

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<v Speaker 1>for sure did not work there when I was there,

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<v Speaker 1>and I started the message with that. I said, hey, man, um,

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<v Speaker 1>I'm definitely not the right guy for this. I said,

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<v Speaker 1>I already have a podcast and we're doing quite well.

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<v Speaker 1>Thank you very much to all of you who are

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<v Speaker 1>who listen and give us that love. That also made

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<v Speaker 1>it feel extra special, and that's because of you guys,

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<v Speaker 1>not me. Um, But I wrote, I said, I'm definitely

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<v Speaker 1>not the right guy for this. You know I tried

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<v Speaker 1>this once before with with you guys, and uh, I

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<v Speaker 1>didn't have much success. And to put in the offer

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<v Speaker 1>you're only gonna give it eight to ten weeks, let's

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<v Speaker 1>me know that you guys aren't committed, and for you

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<v Speaker 1>not to be fully committed and me to be as

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<v Speaker 1>committed as I if you guys suddenly don't like the

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<v Speaker 1>show because of expectations that you didn't inform me of

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<v Speaker 1>weren't met, or because you're simply not as big a fan,

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<v Speaker 1>which you clearly aren't. If it's eight to ten weeks

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<v Speaker 1>of wrestling as I am, then all of a sudden,

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<v Speaker 1>the show has gone. I can't take it with me,

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<v Speaker 1>and then you damage me in my brand. And then

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<v Speaker 1>I followed it, and I thought this was important, and

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<v Speaker 1>I know I'm putting them on blast, but this is

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<v Speaker 1>just called constructive criticism. This isn't hating on anyone. I said,

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<v Speaker 1>I'm sure, and I'm sure I don't know any of them,

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<v Speaker 1>but I'm sure they're out there. I wrote, I'm sure,

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<v Speaker 1>you have dozens of streamers right now for Twitch that

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<v Speaker 1>do this exact thing that you're looking for, and if

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<v Speaker 1>you just gave them a little bit of direction, because

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<v Speaker 1>all shows need a little direction, or we can get

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<v Speaker 1>carried away with ourselves like my side quists. They need

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<v Speaker 1>a little direction, a little support, and some financing. And

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<v Speaker 1>I think you guys could get a great show with

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<v Speaker 1>great numbers. But you should look internally before you start

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<v Speaker 1>looking externally for talent. That's just a cool way to

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<v Speaker 1>run a company. I said. I know you're not in

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<v Speaker 1>charge of the business model and the business structure over there,

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<v Speaker 1>but always look internally first. Otherwise the person that comes

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<v Speaker 1>in is gonna be hated by all the people that

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<v Speaker 1>already exist there, and they'll start campaigning to for you

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<v Speaker 1>not to listen to that show. That's not the way

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<v Speaker 1>you want to do things when your business depends on

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<v Speaker 1>the artist. It was awesome to get to tell them no.

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<v Speaker 1>The reason I get to tell them no is because

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<v Speaker 1>of y'all listening. So this is more just an ode

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<v Speaker 1>to to the federation. I appreciate you guys very much.

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<v Speaker 1>You guys and gals, thank you for tuning in each week.

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<v Speaker 1>So I'm working at w w E, I'm writing, and

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<v Speaker 1>I meet William Regal, and I'm so impressed to meet

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<v Speaker 1>this man, because when I was a kid, I was

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<v Speaker 1>not the Goldberg guy. I did not like Goldberg. I

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<v Speaker 1>didn't like the fact that he was running through everybody.

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<v Speaker 1>I didn't like the fact that legends, and not maybe

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<v Speaker 1>not legends, but people who I grew up loving to watch,

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<v Speaker 1>we're just getting mowed down. And it just seemed like

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<v Speaker 1>everything they had done in the past didn't matter. And

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<v Speaker 1>for those of you who don't know, Goldberg was like

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<v Speaker 1>an x NFL guy who came in and got the

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<v Speaker 1>single greatest push of all time. He literally, I think

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<v Speaker 1>it was like a hundred and thirty seven and oh

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<v Speaker 1>or a hundred thirty two, some crazy number of victories,

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<v Speaker 1>and no matter who it was, you just knew they

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<v Speaker 1>were getting smashed. So the matches to me, weren't exciting,

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<v Speaker 1>and a lot of guys that I felt were better

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<v Speaker 1>wrestlers and who deserved a good run and opportunity, we're

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<v Speaker 1>just getting owned and smashed. Enter William Regal. Behind the scenes,

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<v Speaker 1>there were a lot of wrestlers who did not like

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<v Speaker 1>the way Bill Goldberg were protecting his partner in there

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<v Speaker 1>was not always his first priority, and I believe it

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<v Speaker 1>was simply because he was new and didn't necessarily know how.

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<v Speaker 1>It wasn't like I don't leave. I've never heard anyway

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<v Speaker 1>that he was maliciously trying to hurt people. It's just

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<v Speaker 1>he didn't have a lot of experience, and he wrestled stiff,

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<v Speaker 1>which is the term they use, which means harder than

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<v Speaker 1>you should, although some guys prefer that nowadays, especially in Japan.

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<v Speaker 1>William Regal supposed to come in and he's supposed to

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<v Speaker 1>lose to this man. For whatever reason, he decides not today.

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<v Speaker 1>Not today. I'm gonna I'm gonna do the work I'm

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<v Speaker 1>supposed to do, and the person who's supposed to win

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<v Speaker 1>this match is going to win the match. But there

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<v Speaker 1>will be a lesson before I go down for a

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<v Speaker 1>one to three, and damn was there. I would like

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<v Speaker 1>all of you go on to YouTube and type William Regal,

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<v Speaker 1>although it might have been Steven Regal back then, but

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<v Speaker 1>either way, William Regal versus Goldberg w c W and

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<v Speaker 1>you will see what I saw when it actually happened.

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<v Speaker 1>And my mind is just getting blown because not only

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<v Speaker 1>is he giving this man a lesson? He is winning

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<v Speaker 1>the match. He is he is working Goldberg all around

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<v Speaker 1>the ring, tossing him, throwing him, swinging him, walking and

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<v Speaker 1>running him, just schooling this man until the time is up.

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<v Speaker 1>I don't know. Maybe the ref was like, what are

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<v Speaker 1>you doing? Bro? Are you crazy? What the you gotta

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<v Speaker 1>take the fall? I don't know what happened. Again. I

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<v Speaker 1>would love to have him on and hear this story,

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<v Speaker 1>if he could break it down. It's it's it's long

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<v Speaker 1>enough now that I feel like it's okay to talk about. Eventually,

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<v Speaker 1>he does the work he's supposed to do, and Bill

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<v Speaker 1>Goldberg goes over one to three and all my friends

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<v Speaker 1>get together that night at Dion's Pizza in Albuquerque, New Mexico,

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<v Speaker 1>and it's all we're talking about. And my friends that

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<v Speaker 1>were hip to the internet were like, Oh, you don't

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<v Speaker 1>even know, dude. Oh my gosh. People are freaking out.

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<v Speaker 1>People are tripping out of there. William, he might get fired.

0:11:57.920 --> 0:12:01.920
<v Speaker 1>What's gonna Everybody was like, you know, speculating and gossiping

0:12:01.960 --> 0:12:04.400
<v Speaker 1>the way little old ladies at the grocery store or

0:12:04.440 --> 0:12:07.760
<v Speaker 1>at the beauty salon in the eighties would right it was.

0:12:08.240 --> 0:12:11.280
<v Speaker 1>It was this magical moment for all of us. So

0:12:12.480 --> 0:12:15.400
<v Speaker 1>here I am getting to meet him and he knows

0:12:15.440 --> 0:12:18.640
<v Speaker 1>I'm a writer there and he's wanting to talk to

0:12:18.679 --> 0:12:22.640
<v Speaker 1>me about story, something that we could get him on

0:12:22.640 --> 0:12:29.400
<v Speaker 1>on TV. And he was so self aware, humble and

0:12:29.480 --> 0:12:34.439
<v Speaker 1>confident all at the same time. And I remember him saying,

0:12:35.160 --> 0:12:37.960
<v Speaker 1>I'm not looking for a for a you know, a

0:12:38.000 --> 0:12:41.480
<v Speaker 1>massive investment of time on television. But I believe there's

0:12:41.520 --> 0:12:43.480
<v Speaker 1>some young men that I can help and we can

0:12:43.480 --> 0:12:45.960
<v Speaker 1>put a story behind it and make the match means

0:12:46.000 --> 0:12:48.840
<v Speaker 1>something as opposed to just a match where I lose

0:12:49.240 --> 0:12:53.720
<v Speaker 1>that doesn't help me or him. And no one had

0:12:53.760 --> 0:12:56.520
<v Speaker 1>said that to me before, no one, no no one

0:12:57.240 --> 0:12:59.880
<v Speaker 1>in the in the brass had said it. No one.

0:13:00.240 --> 0:13:02.440
<v Speaker 1>And I don't just mean about Regal, I just meant

0:13:02.480 --> 0:13:05.880
<v Speaker 1>the way he broke this down. And so I worked hard.

0:13:06.440 --> 0:13:09.960
<v Speaker 1>It was it was inspiring to me, and I I

0:13:10.000 --> 0:13:13.920
<v Speaker 1>remember I was writing stories and this was when like

0:13:14.120 --> 0:13:17.360
<v Speaker 1>n X t IF, it was like a show on

0:13:17.480 --> 0:13:22.000
<v Speaker 1>sci Fi and they had mentors and and such, and

0:13:22.040 --> 0:13:24.920
<v Speaker 1>we were trying to work stories into there. And I

0:13:25.000 --> 0:13:28.360
<v Speaker 1>just kept hitting brick wall after brick wall, and I

0:13:28.480 --> 0:13:30.440
<v Speaker 1>and I didn't know. I didn't know why. I still

0:13:30.480 --> 0:13:32.520
<v Speaker 1>don't know to this day. And I would talk to

0:13:32.600 --> 0:13:35.080
<v Speaker 1>him and said, hey, man, my story didn't make TV

0:13:35.240 --> 0:13:38.200
<v Speaker 1>for you. I'm sorry. Can we you know, can we

0:13:38.240 --> 0:13:40.920
<v Speaker 1>talk about something else next week? And so every three

0:13:40.960 --> 0:13:43.960
<v Speaker 1>weeks or so we I would listen to his ideas.

0:13:44.240 --> 0:13:46.520
<v Speaker 1>I would try to process some stuff, put some stuff

0:13:46.559 --> 0:13:48.880
<v Speaker 1>on the table, and I could never add. Like most writers,

0:13:48.880 --> 0:13:51.680
<v Speaker 1>this wasn't just with with Regal. This was with most talent,

0:13:52.040 --> 0:13:55.160
<v Speaker 1>and with most writers, it was very difficult not to

0:13:55.200 --> 0:13:58.120
<v Speaker 1>write a long term story to get one on TV,

0:13:58.400 --> 0:14:00.880
<v Speaker 1>and then to maintain it less it was a top

0:14:00.960 --> 0:14:04.720
<v Speaker 1>dog right. It was easy to write edge Dolf stuff

0:14:04.960 --> 0:14:08.120
<v Speaker 1>because that was over the World Heavyweight Championship. It was

0:14:08.200 --> 0:14:12.280
<v Speaker 1>much more difficult to write a low key storyline, even

0:14:12.320 --> 0:14:14.439
<v Speaker 1>one n x T and oh my gosh, I was there.

0:14:14.640 --> 0:14:17.480
<v Speaker 1>Here's another side quest. I was there when Loki one.

0:14:17.600 --> 0:14:21.880
<v Speaker 1>I went back because I wanted to write specifically for him,

0:14:21.920 --> 0:14:25.320
<v Speaker 1>and they knew that, and then they debted his whole story,

0:14:25.800 --> 0:14:28.120
<v Speaker 1>his whole storyline. It was a storyline that I wrote

0:14:28.680 --> 0:14:31.240
<v Speaker 1>and changed it to him challenging instead of for the

0:14:31.280 --> 0:14:33.760
<v Speaker 1>world title for the Inner Continental, which made no sense.

0:14:33.800 --> 0:14:36.960
<v Speaker 1>If you have a golden ticket to cash in for

0:14:37.000 --> 0:14:40.200
<v Speaker 1>any title you choose, why would why wouldn't you choose

0:14:40.240 --> 0:14:42.920
<v Speaker 1>the main one? To quote the late great Scott Hall,

0:14:43.200 --> 0:14:45.400
<v Speaker 1>nobody gets in that business to aim for the middle.

0:14:45.760 --> 0:14:48.000
<v Speaker 1>And that literally was the reason I walked away the

0:14:48.040 --> 0:14:50.840
<v Speaker 1>second time, because I thought that storyline was so ridiculous.

0:14:50.880 --> 0:14:55.120
<v Speaker 1>But back on track, it was difficult to maintain consistency

0:14:55.160 --> 0:14:59.480
<v Speaker 1>and even to get the lesser characters if there wasn't

0:14:59.480 --> 0:15:02.520
<v Speaker 1>a title in both. It was just so so difficult.

0:15:02.560 --> 0:15:07.440
<v Speaker 1>It was so so difficult. So as sort of a

0:15:07.800 --> 0:15:12.560
<v Speaker 1>way for him to meet me halfway, he started putting

0:15:12.600 --> 0:15:15.800
<v Speaker 1>over my promo class that the acting class that we've

0:15:15.800 --> 0:15:19.960
<v Speaker 1>talked about a bunch and I mentioned in I mentioned

0:15:19.960 --> 0:15:21.960
<v Speaker 1>in there in in one episode and if you haven't

0:15:22.000 --> 0:15:25.040
<v Speaker 1>heard it, please go back and jump in. He had

0:15:25.120 --> 0:15:29.320
<v Speaker 1>this promo where we did repetition back and forth. You're

0:15:29.360 --> 0:15:32.880
<v Speaker 1>locked into the dialogue that one other person says. And

0:15:33.160 --> 0:15:35.720
<v Speaker 1>Fred Rosser was there, who was wrestling either in Japan

0:15:35.800 --> 0:15:39.240
<v Speaker 1>or on the indies somewhere right now, and he's he's

0:15:39.240 --> 0:15:42.520
<v Speaker 1>an openly gay wrestler, and William Regal is explaining to

0:15:42.600 --> 0:15:46.840
<v Speaker 1>him why he doesn't belong in the w w E.

0:15:47.360 --> 0:15:53.640
<v Speaker 1>And I remember this so specifically now doing this podcast.

0:15:53.680 --> 0:15:56.560
<v Speaker 1>It's so this part is so ingrained in my brain.

0:15:57.480 --> 0:16:02.560
<v Speaker 1>Rosser at the end of of William Regals promo, which

0:16:02.600 --> 0:16:06.680
<v Speaker 1>was challenging Fred, which he was supposed to do. Fred

0:16:06.800 --> 0:16:13.240
<v Speaker 1>explodes and I mean explodes, and he screams out I

0:16:13.640 --> 0:16:18.920
<v Speaker 1>belong and there's tears in his eyes. And I remember

0:16:20.040 --> 0:16:22.680
<v Speaker 1>looking at this dude and being like, where is that

0:16:22.720 --> 0:16:25.560
<v Speaker 1>coming from. This is a guy, I mean looks like

0:16:25.600 --> 0:16:27.800
<v Speaker 1>black John Cena. He's a good looking I mean, we

0:16:27.920 --> 0:16:30.200
<v Speaker 1>joked that he was the black John Cena. John even

0:16:30.200 --> 0:16:32.160
<v Speaker 1>cracked a joke on Raw that his dad might have

0:16:32.200 --> 0:16:35.080
<v Speaker 1>stepped out because this dude looks so much like him.

0:16:35.160 --> 0:16:37.760
<v Speaker 1>He was a good looking dude, he had the body,

0:16:38.320 --> 0:16:41.080
<v Speaker 1>he could he could work at least to the to

0:16:41.200 --> 0:16:44.520
<v Speaker 1>the to the lame person's eye. So I'm sitting there

0:16:44.560 --> 0:16:47.520
<v Speaker 1>in that like what what where is that? Because it

0:16:47.560 --> 0:16:51.960
<v Speaker 1>was not active, something came out, something came out, and

0:16:53.560 --> 0:16:56.400
<v Speaker 1>that was the real moment that he came out. He

0:16:56.600 --> 0:17:00.280
<v Speaker 1>just didn't say the words. I've worked in Hollywood long enough,

0:17:00.720 --> 0:17:04.119
<v Speaker 1>I've seen enough people who are afraid to come out

0:17:04.640 --> 0:17:08.640
<v Speaker 1>because they're afraid men won't believe them as a leading

0:17:08.680 --> 0:17:11.920
<v Speaker 1>man in a movie anymore, and they fear more the

0:17:12.080 --> 0:17:16.520
<v Speaker 1>studios won't believe that, so they keep their stuff private.

0:17:16.920 --> 0:17:19.800
<v Speaker 1>And it's only in certain moments where that insecurity, that

0:17:19.960 --> 0:17:22.920
<v Speaker 1>fear comes out. Because we can't just live a lie

0:17:22.960 --> 0:17:25.800
<v Speaker 1>our whole life, right like, it has to escape sometimes.

0:17:25.880 --> 0:17:28.720
<v Speaker 1>That's why I always say, just get it all out there.

0:17:28.760 --> 0:17:30.439
<v Speaker 1>My mom used to say, people are gonna find a

0:17:30.440 --> 0:17:32.920
<v Speaker 1>reason reason to hate you for something, whether it's your

0:17:32.920 --> 0:17:35.359
<v Speaker 1>fault or not. So just like what you like and

0:17:35.400 --> 0:17:47.439
<v Speaker 1>don't worry about all that other stuff. So I'm seeing

0:17:47.440 --> 0:17:50.320
<v Speaker 1>this huge moment, and I don't even think Regal knows

0:17:50.359 --> 0:17:53.800
<v Speaker 1>that he's partially responsible for that, that sort of release

0:17:53.840 --> 0:17:58.119
<v Speaker 1>of pain and fear. And I remember Fred held his

0:17:58.200 --> 0:18:01.480
<v Speaker 1>head so high in his check was out, and he

0:18:01.600 --> 0:18:04.880
<v Speaker 1>just looked so proud, you know, like say one more,

0:18:05.040 --> 0:18:07.359
<v Speaker 1>say I don't belong here, sad, I wish you would,

0:18:07.880 --> 0:18:10.320
<v Speaker 1>And Rigo just looked at him and smiled and nodded.

0:18:10.440 --> 0:18:14.280
<v Speaker 1>He said, well, perhaps I'm wrong, and everyone just it

0:18:14.400 --> 0:18:19.159
<v Speaker 1>was dead silent, and they just erupted, erupted right, and

0:18:19.200 --> 0:18:21.600
<v Speaker 1>I went up and I thanked him afterwards, and I

0:18:21.680 --> 0:18:25.080
<v Speaker 1>just remember being like, man, that was like the most honesty,

0:18:25.160 --> 0:18:28.680
<v Speaker 1>the most truth that anybody's thrown out there since his

0:18:28.880 --> 0:18:33.040
<v Speaker 1>since his class started. And he asked me, this is

0:18:33.040 --> 0:18:35.399
<v Speaker 1>so crazy. He didn't have to ask. He's William Regal.

0:18:36.119 --> 0:18:38.000
<v Speaker 1>Would you mind? Would you mind? He has this great

0:18:38.080 --> 0:18:41.440
<v Speaker 1>British accent? Would you mind terribly if if next week

0:18:41.480 --> 0:18:44.240
<v Speaker 1>I came in and Pops did a monologue from Shakespeare?

0:18:45.160 --> 0:18:49.800
<v Speaker 1>And I'm like, wait, what you know? You know Shakespeare?

0:18:49.920 --> 0:18:53.960
<v Speaker 1>You're you're supposed to be the villain, like you punch

0:18:54.040 --> 0:18:56.920
<v Speaker 1>guys when they're not looking you. What do you mean

0:18:56.960 --> 0:18:59.399
<v Speaker 1>you know? Shaky? He's like, oh yeah, and he starts

0:18:59.400 --> 0:19:02.240
<v Speaker 1>talking to me about various monologues from Shakespeare. When I

0:19:02.280 --> 0:19:05.080
<v Speaker 1>was in acting class and auditioning to get agents, you know,

0:19:05.119 --> 0:19:09.119
<v Speaker 1>we would pick monologues and I didn't know anything about

0:19:09.160 --> 0:19:13.840
<v Speaker 1>Broadway or off Broadway or anything. I knew zero theater,

0:19:14.280 --> 0:19:16.920
<v Speaker 1>so I thought all the monologues just came from Shakespeare. Right.

0:19:17.160 --> 0:19:21.119
<v Speaker 1>So that's all I worked on from age eighteen to

0:19:21.200 --> 0:19:23.800
<v Speaker 1>like nineteen and a half, and I had a good

0:19:23.880 --> 0:19:27.280
<v Speaker 1>six or seven of them on the lock. Right. So

0:19:27.400 --> 0:19:31.399
<v Speaker 1>this dude comes in the very next week and I

0:19:31.440 --> 0:19:36.320
<v Speaker 1>haven't said anything. There's probably eighteen to twenty young wrestlers

0:19:36.359 --> 0:19:40.280
<v Speaker 1>in there. Natty nine Heart's in there, Um, Harry Smith,

0:19:41.240 --> 0:19:44.160
<v Speaker 1>that's a bulldogs boy, the whole t J was there,

0:19:44.720 --> 0:19:48.680
<v Speaker 1>Eve Torres, Gracie was there, Molina was there, Beth Phoenix,

0:19:48.880 --> 0:19:51.639
<v Speaker 1>like we we were squad squad deep at that point.

0:19:52.680 --> 0:19:55.200
<v Speaker 1>He comes in there and he kind of looks at

0:19:55.200 --> 0:19:57.359
<v Speaker 1>me and I said, hey, RIEGO wants to go up.

0:19:57.359 --> 0:19:59.920
<v Speaker 1>He's gonna he's gonna cut of promo and my man

0:20:00.040 --> 0:20:03.000
<v Speaker 1>and stands up there and he's dressed night. You know,

0:20:03.040 --> 0:20:06.040
<v Speaker 1>he's dressed well. And he looks out at everyone and

0:20:06.119 --> 0:20:11.240
<v Speaker 1>before he even speaks, he just takes in the room

0:20:11.320 --> 0:20:15.920
<v Speaker 1>and he gives eye contact to every single wrestler in there,

0:20:17.000 --> 0:20:19.760
<v Speaker 1>and it's just he's taking his time and he's showing

0:20:19.800 --> 0:20:22.199
<v Speaker 1>them like when you're in the ring. Take it in.

0:20:22.560 --> 0:20:28.600
<v Speaker 1>Allow your confidence to make silence a comfortable place that something.

0:20:28.640 --> 0:20:32.240
<v Speaker 1>Actors here a lot right silence, Allow that to be

0:20:32.359 --> 0:20:35.840
<v Speaker 1>comfortable with silence, or like Uma Thurman says in Pulp Fiction,

0:20:36.600 --> 0:20:39.400
<v Speaker 1>I'll cuss, but you know what she said. Everybody's seen

0:20:39.440 --> 0:20:42.480
<v Speaker 1>the movie. So he takes it all in and he's

0:20:42.520 --> 0:20:45.359
<v Speaker 1>like smiling at them, right, so it's a pleasant moment.

0:20:45.440 --> 0:20:48.679
<v Speaker 1>And then he hits him and he says, this is

0:20:48.720 --> 0:20:51.720
<v Speaker 1>from I think the Tempest. He hits him with you fools,

0:20:52.640 --> 0:20:56.680
<v Speaker 1>I and my fellows are ministers of fate. The elements

0:20:56.720 --> 0:20:59.639
<v Speaker 1>of whom your swords are tempered may as well wound

0:20:59.760 --> 0:21:04.040
<v Speaker 1>the ould winds or with bemock that stabs kill, the

0:21:04.160 --> 0:21:09.840
<v Speaker 1>still closing waters as diminished one down. That's in my plume,

0:21:10.720 --> 0:21:14.639
<v Speaker 1>and it's this ill he doesn't better than me. I'm

0:21:14.680 --> 0:21:18.520
<v Speaker 1>not kid of the Brander, but yeah, that's Arials. That's

0:21:18.560 --> 0:21:21.280
<v Speaker 1>Arials monologue from the Tempest. And he's talking smack to

0:21:21.400 --> 0:21:25.160
<v Speaker 1>these guys that come at him right and basically saying, like, yo,

0:21:25.240 --> 0:21:28.960
<v Speaker 1>those swords that are that you have are are are

0:21:29.000 --> 0:21:32.280
<v Speaker 1>built from the things I control. You can't. You can't

0:21:32.359 --> 0:21:35.600
<v Speaker 1>touch me. Like swinging that is like swinging your sword

0:21:35.680 --> 0:21:39.080
<v Speaker 1>in water. It'll hurt the water long before it takes

0:21:39.119 --> 0:21:43.200
<v Speaker 1>one feather off my hat is like the American translation basically,

0:21:43.640 --> 0:21:45.200
<v Speaker 1>and it goes on and on and on. I don't

0:21:45.240 --> 0:21:47.760
<v Speaker 1>remember the whole thing I got. I got the first

0:21:47.800 --> 0:21:52.520
<v Speaker 1>deadlines of every monologue. That's it, and everyone is I

0:21:52.560 --> 0:21:58.959
<v Speaker 1>mean Stone sober as a judge, dead silent. It's like

0:21:59.160 --> 0:22:03.000
<v Speaker 1>listening to the greatest closing argument in a courtroom ever.

0:22:03.520 --> 0:22:08.359
<v Speaker 1>He has captivated me and every single man and woman

0:22:08.400 --> 0:22:12.199
<v Speaker 1>in that room. Nobody's breathing. And then he stops and

0:22:12.240 --> 0:22:14.280
<v Speaker 1>he nods us in and he says thank you very much,

0:22:15.200 --> 0:22:19.040
<v Speaker 1>so quietly and humbly, and he sits down. He sits

0:22:19.080 --> 0:22:22.879
<v Speaker 1>down like a student. Then in amongst the other students

0:22:23.320 --> 0:22:26.439
<v Speaker 1>and everybody's like, no, screw that, and they all stand

0:22:26.520 --> 0:22:28.560
<v Speaker 1>up there clapping and they're like, oh my god. And

0:22:28.680 --> 0:22:31.720
<v Speaker 1>I'm like, the first one up. I'm blown away. I

0:22:31.800 --> 0:22:38.120
<v Speaker 1>love when people can communicate a language I don't understand

0:22:38.320 --> 0:22:41.840
<v Speaker 1>and make me understand it. Does that make sense? Shakespeare

0:22:41.880 --> 0:22:45.960
<v Speaker 1>can be very complex. It's such an old, beautiful way

0:22:45.960 --> 0:22:49.119
<v Speaker 1>of speaking, and we've butchered the English language with words

0:22:49.200 --> 0:22:52.800
<v Speaker 1>like dude, gnarly, sick and I'm guilty of these things.

0:22:53.440 --> 0:22:56.439
<v Speaker 1>But it can be hard to understand if you're just

0:22:56.520 --> 0:23:00.480
<v Speaker 1>reading it off a page. But when somebody who it

0:23:00.640 --> 0:23:04.280
<v Speaker 1>connects with starts to execute those lines for you. It

0:23:04.320 --> 0:23:06.199
<v Speaker 1>was sort of, I said Kenneth Brown earlier, sort of

0:23:06.359 --> 0:23:09.560
<v Speaker 1>when Kenneth Branna played Gilderoy Lockhart in Harry Potter. Right,

0:23:09.720 --> 0:23:13.880
<v Speaker 1>you're sitting there and you're like, uh yeah, no one

0:23:13.920 --> 0:23:16.960
<v Speaker 1>else should be doing that ever again. And if it's

0:23:16.960 --> 0:23:19.679
<v Speaker 1>in a play, the guy who has to follow that

0:23:19.920 --> 0:23:23.080
<v Speaker 1>is gonna suck. And when he executed this promo, like

0:23:23.160 --> 0:23:25.359
<v Speaker 1>I legit said, don't worry, no one else has to

0:23:25.400 --> 0:23:28.320
<v Speaker 1>do a promo today. We'll just do scene work. And

0:23:28.359 --> 0:23:30.840
<v Speaker 1>I just had stuff from like previous weeks that maybe

0:23:30.880 --> 0:23:33.960
<v Speaker 1>didn't work, and we would work on those segments and

0:23:34.000 --> 0:23:36.400
<v Speaker 1>either rewrite them or if I felt they were well

0:23:36.400 --> 0:23:38.760
<v Speaker 1>written by some of the other people, sometimes even Vince,

0:23:39.520 --> 0:23:41.520
<v Speaker 1>we would get another shot at it. Right, so the

0:23:41.560 --> 0:23:43.919
<v Speaker 1>next time they got something that was phrased and worded

0:23:43.960 --> 0:23:46.880
<v Speaker 1>that way, they would have more experience executing it, feel

0:23:46.880 --> 0:23:49.440
<v Speaker 1>a little bit more confident about it. It was all

0:23:49.520 --> 0:23:52.760
<v Speaker 1>about confidence for that. So now let's talk about the

0:23:52.800 --> 0:23:57.000
<v Speaker 1>present day. William Regal he's left w W E or

0:23:57.080 --> 0:24:01.720
<v Speaker 1>was let go? He was basically the character that was

0:24:01.840 --> 0:24:04.840
<v Speaker 1>running an XT when it was the Black and Gold brand,

0:24:05.280 --> 0:24:07.320
<v Speaker 1>and it had a lot of love and respect and

0:24:07.359 --> 0:24:08.960
<v Speaker 1>then behind the scenes, I don't know if he was

0:24:09.040 --> 0:24:10.719
<v Speaker 1>running it. A lot of people say that that was

0:24:10.800 --> 0:24:13.119
<v Speaker 1>that was triple h and I don't I don't know

0:24:13.240 --> 0:24:15.920
<v Speaker 1>like the inside stuff or anything like that, but I'm

0:24:15.920 --> 0:24:19.479
<v Speaker 1>sure his his opinion was respected and listened to. So

0:24:19.560 --> 0:24:22.680
<v Speaker 1>he debuts in a e W a few months later

0:24:23.400 --> 0:24:27.800
<v Speaker 1>in the middle of this conflict between John Moxley and

0:24:27.920 --> 0:24:32.760
<v Speaker 1>Daniel Bryant, and I love Daniel Bryant. He can somehow

0:24:34.240 --> 0:24:39.600
<v Speaker 1>pull off this smirky heel character without being the typical here.

0:24:39.680 --> 0:24:42.679
<v Speaker 1>It's it's just unique. There's something special about him when

0:24:42.720 --> 0:24:46.000
<v Speaker 1>he goes hell. Everybody loves him as a baby face. Yes, yes, yes,

0:24:46.080 --> 0:24:48.520
<v Speaker 1>that's what got on the championship, but I always preferred

0:24:48.560 --> 0:24:51.399
<v Speaker 1>him as this sort of I don't even know how

0:24:51.400 --> 0:24:53.440
<v Speaker 1>to describe the type of heel he is. It's just

0:24:53.520 --> 0:24:59.560
<v Speaker 1>this confident screw you No, it's I don't even know

0:24:59.640 --> 0:25:01.280
<v Speaker 1>he could. I'm not as good as him, so I

0:25:01.320 --> 0:25:05.119
<v Speaker 1>can't explain it. But he had this great conflict with Moxley,

0:25:05.160 --> 0:25:09.000
<v Speaker 1>and they both have connections to William Regal from when

0:25:09.000 --> 0:25:12.119
<v Speaker 1>they were young wrestlers coming up and training and learning

0:25:12.160 --> 0:25:14.560
<v Speaker 1>the ropes. He had an influence in both their lives.

0:25:15.920 --> 0:25:19.200
<v Speaker 1>All the smart fans in the audience know this. All

0:25:19.320 --> 0:25:21.639
<v Speaker 1>the fans in the audience at this a e W

0:25:21.800 --> 0:25:25.719
<v Speaker 1>show love William Regal the way I love William Regal,

0:25:25.960 --> 0:25:31.679
<v Speaker 1>because everyone except Bill Goldberg loves William Regal. This man

0:25:31.880 --> 0:25:35.520
<v Speaker 1>comes out, the crowd goes crazy. He gets in the

0:25:35.520 --> 0:25:38.480
<v Speaker 1>middle of the ring and he's basically berating both men,

0:25:38.640 --> 0:25:41.359
<v Speaker 1>why are you fighting each other when you if you

0:25:41.440 --> 0:25:44.600
<v Speaker 1>work together, you could take over this entire company. And

0:25:44.640 --> 0:25:47.000
<v Speaker 1>they both kind of get in his face, or Moxley does,

0:25:47.280 --> 0:25:49.920
<v Speaker 1>and Regal slaps him right across it like the way

0:25:49.920 --> 0:25:54.280
<v Speaker 1>a father in the sixties slaps his son, and Moxley

0:25:54.320 --> 0:25:57.320
<v Speaker 1>takes it because it's like a relationship of father in

0:25:57.359 --> 0:26:01.199
<v Speaker 1>the sixties. And now Daniel Bryant's smirking and laughing like

0:26:02.359 --> 0:26:06.040
<v Speaker 1>you don't talk snack to the boss, bro Bow. Regal

0:26:06.119 --> 0:26:10.639
<v Speaker 1>smacks in and his reaction is twice as good as Moxley's,

0:26:11.160 --> 0:26:13.680
<v Speaker 1>and all of a sudden, the crowd is just they

0:26:13.800 --> 0:26:17.359
<v Speaker 1>love They love this because he's a real dude, a

0:26:17.560 --> 0:26:20.840
<v Speaker 1>credible dude, a e W still growing it and it

0:26:21.119 --> 0:26:25.080
<v Speaker 1>to have his face there is just this feel good, yes,

0:26:25.320 --> 0:26:28.080
<v Speaker 1>we're moving in the right direction kind of thing. No

0:26:28.119 --> 0:26:31.400
<v Speaker 1>one's ever said a bad thing about Regal, and if

0:26:31.400 --> 0:26:35.960
<v Speaker 1>they have it's time. It's them issue, not a Hymn issue,

0:26:36.960 --> 0:26:40.080
<v Speaker 1>or it was early in his career as as a

0:26:40.200 --> 0:26:46.560
<v Speaker 1>veteran and behind the scenes producer. He is a gem

0:26:46.920 --> 0:26:48.800
<v Speaker 1>of a human being. And I know people who know

0:26:48.880 --> 0:26:50.440
<v Speaker 1>him to this day, who have worked with him to

0:26:50.480 --> 0:26:54.120
<v Speaker 1>this day, and he is a gem of a human beings.

0:26:54.119 --> 0:26:56.320
<v Speaker 1>So if you ever hear anything bad about William Regal,

0:26:56.400 --> 0:26:58.800
<v Speaker 1>you let me know. You let me know, and I

0:26:58.840 --> 0:27:01.800
<v Speaker 1>will handle it and would love to. We've had Look,

0:27:01.880 --> 0:27:03.960
<v Speaker 1>we've had Tony conn on the show. We got to

0:27:04.000 --> 0:27:07.000
<v Speaker 1>reach out to Tony. We gotta get Regal on the show.

0:27:07.400 --> 0:27:09.919
<v Speaker 1>I would love to get his reaction to some of this.

0:27:10.600 --> 0:27:16.400
<v Speaker 1>Maybe he remembers it differently. I don't know. Oh, here's

0:27:16.920 --> 0:27:21.160
<v Speaker 1>here's the side quest. This is the stupidest side quest ever.

0:27:21.240 --> 0:27:24.159
<v Speaker 1>All right. I was telling you, I know wrestlers that

0:27:24.160 --> 0:27:26.239
<v Speaker 1>that no Regal and and they speak highly of him,

0:27:26.280 --> 0:27:30.440
<v Speaker 1>and I pitched this idea. So I want to preface

0:27:30.520 --> 0:27:32.720
<v Speaker 1>this by saying this was a joke. All right. I

0:27:32.840 --> 0:27:37.920
<v Speaker 1>texted my buddy, I said, A do you think if

0:27:37.960 --> 0:27:41.280
<v Speaker 1>I did a bunch of steroids and human growth hormone

0:27:41.840 --> 0:27:44.760
<v Speaker 1>and up my calorie intake to like forty five to

0:27:44.840 --> 0:27:50.359
<v Speaker 1>five thousand calories a day, but only did legs? Would

0:27:50.400 --> 0:27:55.040
<v Speaker 1>only my legs get huge? And follow up question, how

0:27:55.160 --> 0:27:59.080
<v Speaker 1>much would you pay to watch that guy wrestle? So

0:27:59.440 --> 0:28:01.640
<v Speaker 1>these are see serious. Even though it's a joke, there's

0:28:01.640 --> 0:28:05.679
<v Speaker 1>serious questions. Would my legs get super jacked like Wiley

0:28:05.760 --> 0:28:08.680
<v Speaker 1>Kyote in the road Runner cartoon when he takes the

0:28:08.760 --> 0:28:12.280
<v Speaker 1>leg vitamins vitamins just for your legs and his legs

0:28:12.280 --> 0:28:14.639
<v Speaker 1>got hella swolt And my finisher would just be a

0:28:14.720 --> 0:28:17.919
<v Speaker 1>drop kick, just a regular drop kick, but you have

0:28:18.040 --> 0:28:19.760
<v Speaker 1>but my legs are so buffed you would have to

0:28:19.800 --> 0:28:22.840
<v Speaker 1>sell it like it was the sickest wrestling move that's

0:28:22.880 --> 0:28:26.360
<v Speaker 1>ever been hit. Ever, you could call me King quads,

0:28:26.440 --> 0:28:28.920
<v Speaker 1>Baby King quads. So that's what I'm gonna do, you guys,

0:28:29.000 --> 0:28:33.080
<v Speaker 1>I'm not joking. I'm deadly serious. I'm gonna take everything,

0:28:33.400 --> 0:28:39.240
<v Speaker 1>the growths, the steroids, the guerrillas, sweats, the I'll rub

0:28:39.280 --> 0:28:41.880
<v Speaker 1>deer antlers all over my quads every night before I

0:28:41.920 --> 0:28:45.600
<v Speaker 1>go to sleep, and they'll grow exponentially at night, and

0:28:45.600 --> 0:28:49.479
<v Speaker 1>I'll become King Quads. Now, granted, there may not be

0:28:49.520 --> 0:28:52.240
<v Speaker 1>a brand out there promotion willing to hire me, but

0:28:52.280 --> 0:28:54.960
<v Speaker 1>I'll create my own damn brand and the drop Kick

0:28:55.040 --> 0:28:57.680
<v Speaker 1>is making a comeback people. That's the dumbest story I've

0:28:57.680 --> 0:29:00.880
<v Speaker 1>ever told. And I've never really into an episode on

0:29:00.920 --> 0:29:04.280
<v Speaker 1>sort of a huh kind of feeling, and I feel

0:29:04.320 --> 0:29:06.320
<v Speaker 1>like we've done a great job of that today. So

0:29:06.520 --> 0:29:08.720
<v Speaker 1>thank you for listening, and we're gonna do an episode

0:29:08.760 --> 0:29:12.800
<v Speaker 1>that's totally dedicated to y'all, which have made this podcast

0:29:12.880 --> 0:29:15.920
<v Speaker 1>so much fun and I'm so proud of it. I

0:29:15.960 --> 0:29:18.440
<v Speaker 1>really am. I'm so proud of it, and I know

0:29:18.480 --> 0:29:21.360
<v Speaker 1>we're doing good when weirdos out there who don't give

0:29:21.400 --> 0:29:23.360
<v Speaker 1>a crap about wrestling are like, hey, do you want

0:29:23.400 --> 0:29:25.920
<v Speaker 1>to do something about wrestling? Yes, I do. I'm already

0:29:25.920 --> 0:29:28.120
<v Speaker 1>doing it, and I'm doing it with you guys the Federation.

0:29:28.240 --> 0:29:31.960
<v Speaker 1>Thanks y'all. Peace. This has been a production of I

0:29:32.120 --> 0:29:35.800
<v Speaker 1>Hearts Michael podcast Network. For more podcasts for my Heart Radio,

0:29:35.920 --> 0:29:38.959
<v Speaker 1>visit the I Heart Radio app, Apple Podcasts, or wherever

0:29:39.000 --> 0:29:44.640
<v Speaker 1>you listen to your favorite shows. H