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Speaker 1: So I'm there.

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Speaker 2: It's me, Mike Tomlin, and Janet Ivanovich and uh, we're

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Speaker 2: peach picking at the peach orchard and collecting all the

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Speaker 2: big peaches. And I got the biggest one, and then

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Speaker 2: Mike gets an even bigger one and he's on the

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Speaker 2: leader board, and then Janet Ivanovitch finds even a bigger

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Speaker 2: peach itself. I'm hunting around at the top of the tree. No,

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Speaker 2: and uh, it would be like peach for the money

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Speaker 2: or something. So it's a number. Yeah, that's what I'm saying.

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Speaker 3: Yeah.

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Speaker 1: So uh, and so I'm hunting.

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Speaker 2: At the top of the tree and sea big condor

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Speaker 2: giant birds, strong means start attacking us, eating all the peaches,

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Speaker 2: and not even because he likes the peaches, but just

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Speaker 2: to steal and just so we can't have it. And

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Speaker 2: you can tell that he's cruel in his soul and

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Speaker 2: that's why and and the greed that he exhibits remind

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Speaker 2: me of some of these politicians we have who they

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Speaker 2: don't want it because they want it. They want it

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Speaker 2: so you don't have it. And that's how he's being

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Speaker 2: with the peach that should be their favorite bird, which

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Speaker 2: do look like a rumpus. The peach has been observed.

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Speaker 2: Even the peach emoji. You remind me a little bit

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Speaker 2: of having sex. So as I'm thinking about these things

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Speaker 2: and fighting the bird, of course, I have a umbrella

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Speaker 2: and I'm whacking away and keep popping it open and

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Speaker 2: trying to look bigger than I am.

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Speaker 4: Yeah, which I believe was Was it one of the Avengers?

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Speaker 4: Wasn't that the old Avengers not the new ones original?

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Speaker 5: Yeah?

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Speaker 4: Yes, Eddie Hazard, Yes, weren't they sort of umbrelling people?

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Speaker 6: Yeah?

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Speaker 1: They did have to use the umbrella.

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Speaker 2: And uh so I'm hitting with the umbrella, and uh, Mike,

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Speaker 2: you know who I always count on for a game plan, Yeah,

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Speaker 2: says let's just get out of here, like.

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Speaker 6: Let's not do this at all, any of this.

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Speaker 1: We all got a ton of dough.

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Speaker 2: What brought us together? Was it about the peaches? Or

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Speaker 2: was it about our friendship? And so?

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Speaker 1: Uh that actually made a lot of sense to me.

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Speaker 6: It's peaches. It's like, it's like, whatever, let's.

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Speaker 1: Buy them at the store. We wound up going to

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Speaker 1: the grocery store and.

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Speaker 6: Buying I have so many there.

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Speaker 1: Yeah, and they.

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Speaker 2: Don't allow birds in the grocery store, which is so nice,

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Speaker 2: except in the freaking turkey section. Oh yeah, no, those

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Speaker 2: birds are yeah, in the same condition. I'd like to

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Speaker 2: see that condor in which is dead, plucked, skinned and seasoned.

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Speaker 4: And he didn't say cooked, because it's eat it raw.

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Speaker 6: You're supposed to eat birds raw.

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Speaker 2: Well, think about in nature, yes, think about when some

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Speaker 2: of these strong animals eat a bird.

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Speaker 1: You see it over nearby?

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Speaker 2: Yeah, you see them with a microwave, or are they

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Speaker 2: in fact just chomping and munching?

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Speaker 4: Hey, welcome to Hollywood Handbook, an Insider's guid to kicking

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Speaker 4: button dropping names on the red carpet lineback hallways of

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Speaker 4: this industry we call show Biz.

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Speaker 1: It is our annual music episode.

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Speaker 6: We love.

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Speaker 4: This is like one of my favorite episodes of the year.

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Speaker 4: I'm obsessed with music. I love thinking about different kinds

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Speaker 4: of music. I know Sean that you're really into it

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Speaker 4: as well. And we had a lot of music that

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Speaker 4: we wanted to talk about and play on the show

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Speaker 4: today because often we will spin some things on this episode,

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Speaker 4: just some stuff that we've been like getting up on lately.

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Speaker 2: Yeah, So we're always like, uh, you know, we're basically

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Speaker 2: human spotified discovers and uh, we are able to isolate, like,

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Speaker 2: this is the hotness, this is the new track that's

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Speaker 2: going to be popping off. This is the ship you

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Speaker 2: didn't even know came out. Sometimes it came out a

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Speaker 2: year or two ago.

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Speaker 4: Yes, and maybe it's if people miss yes, and maybe

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Speaker 4: it's not this, but this sample. I can take this track,

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Speaker 4: I can take this track of it. I can isolate

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Speaker 4: that and now that could be part. That could be

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Speaker 4: just one part of the new hotness.

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Speaker 2: Yeah, and so and so, as you know, as your

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Speaker 2: human Spotified Discoverment, we are able to sort of make

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Speaker 2: you aware of things you wouldn't know, so that your

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Speaker 2: life has.

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Speaker 1: Grooves hot grooves yeah, that.

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Speaker 4: You jam to and everyone's listening, getting so excited to

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Speaker 4: listening to it.

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Speaker 6: We get letters of their own Spotify discover.

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Speaker 4: And I'm so sad to talk about, Wow, we can't

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Speaker 4: do that this year because we can never do it

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Speaker 4: again because of business and corporations.

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Speaker 1: Because big business in corporate which we hate.

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Speaker 4: We we have always hated corporations, probably our biggest enemy.

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Speaker 4: And now that maybe that's why this is happening to us,

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Speaker 4: because we have always been speaking out against so many

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Speaker 4: of these corporations.

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Speaker 2: My biggest enemies in order are mediocrity, the bird I

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Speaker 2: mentioned earlier, yeah, and big business.

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Speaker 1: I would have to say mine is the status quo.

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Speaker 3: Yeah, that's a big one too, So okay, so mediocrity, okay,

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Speaker 3: status quo.

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Speaker 2: Let's agree number one status quo, yes, bush, mediocrity, that bird, yeah,

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Speaker 2: I'd love to eat raw and then uh and then

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Speaker 2: big business corporation.

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Speaker 1: So this is why I so I don't think.

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Speaker 2: They don't know we're gunning for him, because they're now

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Speaker 2: swatting back at us with their team of lawyers and

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Speaker 2: what do you call billion lawyers at the bottom of

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Speaker 2: the ocean on fire?

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Speaker 6: The best day of my whole life.

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Speaker 1: Yeah, she's called freaking Christmas morning.

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Speaker 4: So we get called into I don't know, you know

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Speaker 4: that this guy calling there's this guy Colin who runs

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Speaker 4: the show.

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Speaker 6: Now it's a.

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Speaker 4: Revolving door of suits right here. I can hardly keep

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Speaker 4: track of these guys. Oh god, but Colin is in

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Speaker 4: charge now, probably ruining our land because he's freaking calling

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Speaker 4: everyone at his office all day long. Yeah, and so

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Speaker 4: he's he calls us in there, she like, maybe we

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Speaker 4: should just play the clip of it, because we are

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Speaker 4: always openly recording these things.

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Speaker 2: We have We have a I wear a T shirt

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Speaker 2: that says you are currently being recorded. It's a smile,

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Speaker 2: you're on microphone and uh. And then we have like, uh,

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Speaker 2: you know, our phone staying out of our pocket with

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Speaker 2: a big speaker attached.

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Speaker 1: So that and I go talking to the verringan thing.

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Speaker 4: Yes, and I have a boom. I'm sort of holding

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Speaker 4: a boom, so I like, I don't talk much in

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Speaker 4: these things, but this, this is like the conversation that

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Speaker 4: we had with with with Colin when he called us

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Speaker 4: into his office.

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Speaker 5: Oh right, might why don't you Why don't you have

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Speaker 5: a sight? Then we'll have a won't we have a

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Speaker 5: little chat then? And I prefer to stay. I'll stay

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Speaker 5: a bitch. All right. Well, I'm just I've been asked

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Speaker 5: to tell you that.

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Speaker 7: Uh, spit it out, man. Well the truth is this

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Speaker 7: music you all, you all have been playing on the show.

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Speaker 7: It's all going a bit tits up, isn't it?

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Speaker 8: Uh?

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Speaker 5: You put do it in English? Man. You're in America.

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Speaker 8: Man, we saved your ass in World War Two. Why

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Speaker 8: don't you show a little respect?

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Speaker 7: Well in some of this music. Then I'm getting all

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Speaker 7: these cold from the different lawyers and the record company

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Speaker 7: of babag sor about that.

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Speaker 8: Lawyers huh s. The difference between a lawyer and a

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Speaker 8: catfish brother.

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Speaker 2: Ones that's scum sucking creature, bottom feeder, uh, covered in slime,

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Speaker 2: and the other one is just as bad.

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Speaker 5: All right, Well, I suppose I follow I followed that logic.

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Speaker 7: Unfortunately, they've asked you to stop playing music on on

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Speaker 7: on the show, no moldor samples.

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Speaker 1: Why is your name that man?

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Speaker 4: Is it?

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Speaker 2: Because you're always calling everybody in your office to frigging

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Speaker 2: chafe their butts.

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Speaker 5: Well, it's uh, it's like my dad is calling fifth mmmmm.

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Speaker 8: I love the railroad man or whatever the fuck you

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Speaker 8: see that.

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Speaker 5: One, the railway man. It's crazy.

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Speaker 8: But so anyway, you're talking about music.

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Speaker 5: Hey, the boom is in my Yes, sorry, I'm just

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Speaker 5: so I'm mad. Yeah, we can't play it, can't play

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Speaker 5: music on the show anymore.

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Speaker 8: But you're putting the boom right, I'm afraid it's so.

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Speaker 5: I'm afraid it is. And we've all stepped out along

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Speaker 5: against the law.

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Speaker 7: Ever now and then, uh oh, I am an illegal

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Speaker 7: immigrant at this country. For example, I flew over under

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Speaker 7: the heart and under the Queen's dress.

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Speaker 5: Got a bit of a little pixy there.

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Speaker 7: They are so cheeky, a bit of a lookie.

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Speaker 5: Lou didn't know while I was down there. That is

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Speaker 5: too cheeky. Now I am an illegal resident of the

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Speaker 5: United States.

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Speaker 2: What was the queen coming for? That doesn't matter. It's

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Speaker 2: gonna be some cheeky answer.

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Speaker 8: All right, bitch.

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Speaker 2: So basically you're saying, if we want to play any

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Speaker 2: more music, we gotta fight you or something.

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Speaker 5: Is that right?

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Speaker 9: Well you have to My real purpose is to recruit

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Speaker 9: uh foreign eight for me gang of young pick bull gets.

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Speaker 9: Oh no, we're for a terrorist cell run by the

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Speaker 9: under Lord Fagin.

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Speaker 2: So it's an entire city of your little foot soldiers

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Speaker 2: running around pickpocketing.

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Speaker 8: It's a city of thieves.

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Speaker 2: And in fact, this is like lies of Lochleamora, isn't it.

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Speaker 8: I suppose this is like lies of Lochlomora.

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Speaker 5: I suppose it is a little bit locked lows of

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Speaker 5: local Bora.

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Speaker 2: Oh no, Colin, Well, I don't want to be a

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Speaker 2: part of that.

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Speaker 8: That's insane. So all right, well, I'm not going to

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Speaker 8: join your little team.

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Speaker 5: Of thieves basically me either.

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Speaker 8: You're in bed with.

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Speaker 2: These corporate lawyer catfish, bottom of the ocean scum, and.

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Speaker 5: I'll do love corporations, and I'll love me a bit

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Speaker 5: of business.

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Speaker 2: Now none, And that's one of our biggest enemies. And

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Speaker 2: so you now want us to fall in line with

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Speaker 2: the business. And if not, you're gonna shut down the

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Speaker 2: show and burn all the tapes.

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Speaker 5: That I hadn't did that yet, but I was about

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Speaker 5: to do.

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Speaker 2: That is what I intend to do the master recordings,

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Speaker 2: so they're not even on the internet anymore. Well, we

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Speaker 2: can't have that. We care too much about our fans.

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Speaker 2: Here's what I'm gonna do.

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Speaker 7: I don't have any respect for your friends, and I

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Speaker 7: don't want them to have a good tong listening to

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Speaker 7: your show.

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Speaker 1: Do what, Colin.

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Speaker 5: I don't want to want you one.

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Speaker 2: I don't want to do it because I don't want

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Speaker 2: to go to jail for murder after one punch.

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Speaker 8: So here's what we're gonna do.

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Speaker 10: Bitch, you stay behind that desk and you're being recorded.

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Speaker 5: By the way.

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Speaker 2: You stay behind that desk, I'm gonna walk out of here.

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Speaker 2: We're gonna call one of our rock and roll friends.

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Speaker 2: We'll do all new music even better than the music

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Speaker 2: we found anyway, and that because we're actually gonna be

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Speaker 2: involved from the ground floor.

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Speaker 8: And we won't play it and you and your corporate

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Speaker 8: cronies can just keep your myths out of our good show.

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Speaker 4: And so that actually works as a great intro for

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Speaker 4: what we are doing this episode.

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Speaker 1: Oh, I didn't think of it that way, but yeah,

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Speaker 1: I guess it was aus.

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Speaker 4: Michael Cronin this year. He comes by for our annual

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Speaker 4: music episode every year, and he was already going to

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Speaker 4: be here to talk about it and spend some music.

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Speaker 4: But now we're going to play our own new music

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Speaker 4: for the show because we're not allowed to play songs.

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Speaker 1: And I hope it sticks in the corporate crawl on

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Speaker 1: Hollywood Handbook.

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Speaker 7: Hollywood Hambo.

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Speaker 11: Magbrian Britchok, Michelle f Bok Ruber grin.

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Speaker 12: Small small, small, small, small small.

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Speaker 1: Here comes case and hum, oh wow, even way better.

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Speaker 4: Looks like we can't even do music after all, even

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Speaker 4: the ones that we are allowed to.

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Speaker 1: So much better. Yeah, even though we can't use that one.

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Speaker 4: You will hear from Welcome to Hollywood Handbook and insires

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Speaker 4: guy to kicking button, dropping names of the red car,

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Speaker 4: but live back callways of this industry we call showbiz.

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Speaker 4: We are doing the music episode again, even against Colin

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Speaker 4: the boss, who hates music. I think is another secret

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Speaker 4: fact about it.

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Speaker 1: Oh yeah, no, he uh.

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Speaker 2: Because even when we tried to play some songs and

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Speaker 2: this wasn't on the recording, or it was, but we

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Speaker 2: obviously can't use it because we can't play music. But

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Speaker 2: we'd play songs go we can't even use this one

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Speaker 2: Colin and it looked like it was hurting him.

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Speaker 4: He was like, oh my, Meanwhile, I'm listening to it

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Speaker 4: and loving it and I'm liking it even it's Honestly,

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Speaker 4: when there isn't music playing, that's when my ears hurt.

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Speaker 1: I get depressed. Yes, I get depressed.

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Speaker 2: And when there's no music, And in a world with

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Speaker 2: no music, I would be everything's gray and cloudy and nasty,

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Speaker 2: and it's raining and I'm sad and I'm sleeping. There's

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Speaker 2: no colors, still tired, there's no color, there's no rainbows,

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Speaker 2: there's no double rainbows, I mean everything, and no flowers

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Speaker 2: or anything. Because music is the life of the ears.

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Speaker 1: And the soul.

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Speaker 4: So we have our guest, Michael Cronin who's here. He

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Speaker 4: is part of our record label go Jira Records. Lookout

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Speaker 4: at as go Jira. He was the first person that

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Speaker 4: we signed to our label. We found him living in

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Speaker 4: a mound of garbage, playing a homemade guitar made out

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Speaker 4: of a tissue box and some some rubber bands are

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Speaker 4: hair elastic and a pencil And now look at you.

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Speaker 1: Has go Jira been very very good to you, so great,

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Speaker 1: so honored. We've been doing a lot of a lot

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Speaker 1: of good work, I think.

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Speaker 4: And you did do some records and I saw you

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Speaker 4: doing a show last night and I was so proud.

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Speaker 4: I'm standing in the audience looking around being like can

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Speaker 4: you believe this?

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Speaker 6: Wow? And I'm just watching thinking like why did you

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Speaker 6: want to do it like that?

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Speaker 1: I heard you were coming, and uh, you know you

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Speaker 1: want to the label.

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Speaker 2: The label boss called me from the show and it

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Speaker 2: really sounded quite loud.

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Speaker 4: Oh yeah, and it is not Sean's kind of music necessarily.

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Speaker 4: I have been saying, well, you know, Michael's been going

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Speaker 4: to do this show, maybe like you should really come

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Speaker 4: out as well.

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Speaker 2: Well.

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Speaker 1: I know that, but I also am the loudness of it. Yeah,

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Speaker 1: And I don't need it to be that loud to

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Speaker 1: have a good time.

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Speaker 2: Yeah.

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Speaker 6: I don't. I don't.

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Speaker 1: I don't blame you.

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Speaker 4: Yeah, it's you don't like the loudness either. It hurts

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Speaker 4: selfish of you a little bit. Maybe more of the

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Speaker 4: speakers should be pointed at you instead.

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Speaker 6: Of just at me.

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Speaker 1: Oh that's interesting, because not so wowed for you.

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Speaker 6: It's blasting on me.

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Speaker 1: Yeah, that's that's something to keep in mind for the speakers.

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Speaker 1: A little bit of a sound shower.

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Speaker 2: And if you think of the music you're playing as water,

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Speaker 2: maybe not fair for Hayes to get soaked while you're

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Speaker 2: just maybe getting your feet splashed.

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Speaker 1: Does that make sense? Can you picture this?

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Speaker 10: Yeah?

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Speaker 1: Yeah, that's fair. I get spit it out all bray,

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Speaker 1: that's fair.

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Speaker 3: Yeah.

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Speaker 1: I do feel kind of bad, I intentionally sokays.

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Speaker 6: Yeah, well I am just thinking why does he why

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Speaker 6: does he want to do.

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Speaker 13: It like this?

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Speaker 1: I have to be fair. If you're in the splash zone,

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Speaker 1: you're gonna get a wet okay. And it's sort of

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Speaker 1: a Gallagher mentality.

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Speaker 2: That you're when you're playing guitar, you're imagining that you're

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Speaker 2: almost smashing a watermelon with the music.

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Speaker 1: Really adds like a visceral wetness to.

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Speaker 2: It and seeds seeds pulp Yeah, rind Yeah, you know.

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Speaker 6: Michael, I know you love music and you know all

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Speaker 6: about it.

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Speaker 4: Sure Brett is sitting here listening to this being like,

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Speaker 4: I know, I gotta be a part of this in

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Speaker 4: one way or another to like force my like my

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Speaker 4: personality in here, because I have chosen music as like

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Speaker 4: the thing that I that's his main personality.

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Speaker 14: You don't choose it, it chooses you.

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Speaker 2: Yeah, and that's something that he's decided to choose to

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Speaker 2: say as one of the things. So please let's embrace

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Speaker 2: Brett's adopted persona.

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Speaker 1: Where better that he liked music.

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Speaker 4: Yes, it's better for us to let it. I feel

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Speaker 4: like it will be less obtruse of if we just say, okay, Brett,

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Speaker 4: you can be involved in this in some way.

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Speaker 2: It's of a vampire in a way where vampire if

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Speaker 2: you invite them in, that's trouble with Brett's personality. If

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Speaker 2: you don't invite it in, yeah, that's when it can

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Speaker 2: be an ugly monster. But if you sort of give

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Speaker 2: it some space to exist, it will kind of stay

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Speaker 2: where it's supposed to.

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Speaker 4: And the more you kind of like feature it and

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Speaker 4: showcase it, the more he's like okay, well, actually I

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Speaker 4: don't really necessarily have the goods it terms like knowing

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Speaker 4: about music, and that's.

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Speaker 2: The same as a dracular vampire because if you put

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Speaker 2: it in the sunlight, it will it'll explodes.

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Speaker 4: Yes, and that's what we're hoping will happen to Brett.

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Speaker 4: And you brought a lot of little toys.

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Speaker 14: Yeah, I brought a few things.

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Speaker 1: Yeah.

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Speaker 6: What were some of the toys that you have?

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Speaker 14: Well, I have those drumsticks that you you took.

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Speaker 2: Okay, Brett, was I on time with the music singing

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Speaker 2: for the team song?

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Speaker 6: And did you think I was in the pocket?

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Speaker 14: Yeah? Yeah, see you were pretty good. Oh okay, it

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00:18:57,840 --> 00:18:58,480
Speaker 14: wasn't bad.

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Speaker 6: Because I do this again, like oh I know what's good?

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Speaker 5: Yeah?

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Speaker 9: You know.

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Speaker 2: Yeah, I remember feeling like I have no idea where it.

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Speaker 1: Here's Michael now, like.

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Speaker 14: Well, I think, like you knew, it's always good to

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Speaker 14: play with people above your skill because then you kind

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Speaker 14: of step it up.

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Speaker 1: Yeah. I played at a level of my competition.

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Speaker 14: You kind of kept like darting your eyes.

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Speaker 6: This is insane, this is crazy.

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Speaker 1: That's pretty good. Yeah, I mean.

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Speaker 4: Yeah, see, now here's Michael. He did a whole show

382
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Speaker 4: last night. And he's like, like, maybe I could die

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Speaker 4: for value.

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Speaker 1: Yeah, that might help, that might help. I thought it

385
00:19:34,640 --> 00:19:39,320
Speaker 1: was like you said, in the pocket, yeah, yeah, yeah, And.

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Speaker 2: Then it was a little maybe delayed. Some of the

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00:19:41,440 --> 00:19:44,720
Speaker 2: lyrics maybe helped give it a little flavor. I was, no,

388
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Speaker 2: it's it's you really want to put your own spin on.

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Speaker 6: I was deep in the pocket and there's a hole

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Speaker 6: in there.

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Speaker 2: Yes, you were so far in the pocket that you

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Speaker 2: were able to find the hole and get in and

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Speaker 2: start doing some.

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Speaker 6: Business of rattage. Mm hmm, so musical.

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Speaker 14: That's a cool guitar.

396
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Speaker 6: Thank you?

397
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Speaker 14: Can I have it?

398
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Speaker 6: I knew this was gonna happen.

399
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Speaker 4: I knew Sean was gonna say license forage therapist, and

400
00:20:14,320 --> 00:20:16,040
Speaker 4: I knew Brett was great to ask if you could

401
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Speaker 4: have your guitar. Don't You don't have to say yet.

402
00:20:19,320 --> 00:20:20,560
Speaker 4: It would be nice.

403
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Speaker 1: Took about it's really cool.

404
00:20:23,000 --> 00:20:23,960
Speaker 14: I'm looking for one.

405
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Speaker 1: Two hundred, three hundred shows to step up from the

406
00:20:28,440 --> 00:20:31,920
Speaker 1: uh the homemade guitar that you guys found me with.

407
00:20:32,880 --> 00:20:33,800
Speaker 1: You lent me a guitar.

408
00:20:34,320 --> 00:20:35,560
Speaker 6: Yeah, so years.

409
00:20:35,280 --> 00:20:38,119
Speaker 2: Ago just gotten like a real guitar, a real guitar,

410
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Speaker 2: And now Brett's asking to take it.

411
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Speaker 1: I mean, I mean, I didn't hear him say borrow right,

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Speaker 1: he wants to have it?

413
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Speaker 14: What the good is borrowing it?

414
00:20:47,720 --> 00:20:48,240
Speaker 6: That is true?

415
00:20:48,240 --> 00:20:51,240
Speaker 4: Then he would have to mm hmmm, I take it

416
00:20:51,400 --> 00:20:52,960
Speaker 4: he does want all the guitars.

417
00:20:54,280 --> 00:20:55,560
Speaker 1: Brett is a man of action.

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Speaker 4: So look again, you do not have to give it

419
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Speaker 4: like and this and be sort of an ongoing conversation.

420
00:21:02,040 --> 00:21:04,600
Speaker 4: But obviously it would be a nice thing to do.

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Speaker 14: I'll make a deal.

422
00:21:08,080 --> 00:21:12,080
Speaker 2: So maybe you you could get something of Brett's Maybe

423
00:21:12,640 --> 00:21:15,480
Speaker 2: is Beard Trimmer or maybe.

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Speaker 6: I don't know, certainly not using that the.

425
00:21:20,160 --> 00:21:25,879
Speaker 2: Yeah, maybe like brand new one the one of his

426
00:21:25,960 --> 00:21:27,160
Speaker 2: copies of Rubber Soul.

427
00:21:28,200 --> 00:21:33,000
Speaker 1: M I heard, right, what is that?

428
00:21:33,000 --> 00:21:34,199
Speaker 6: I'm supposed to what that is?

429
00:21:34,359 --> 00:21:34,560
Speaker 13: Yeah?

430
00:21:37,200 --> 00:21:39,720
Speaker 2: So, uh, you know what the reason we have you

431
00:21:39,760 --> 00:21:43,240
Speaker 2: in here really is because since Colin wants to try

432
00:21:43,280 --> 00:21:48,399
Speaker 2: to stop music, music prevails. Music always wins, and uh,

433
00:21:48,480 --> 00:21:50,879
Speaker 2: we are going to make new music. We can use that.

434
00:21:51,000 --> 00:21:53,080
Speaker 2: No lawyers can tell us not to because it's our label.

435
00:21:53,440 --> 00:21:54,240
Speaker 6: Yeah.

436
00:21:54,280 --> 00:21:58,600
Speaker 2: So to start off with, let's just get an overall general.

437
00:21:59,040 --> 00:22:01,240
Speaker 2: We need some music we this moment to have some energy.

438
00:22:01,280 --> 00:22:03,760
Speaker 2: A lot of times we get in they edit with

439
00:22:03,880 --> 00:22:07,280
Speaker 2: our U podcast and we go I don't know what

440
00:22:07,359 --> 00:22:10,600
Speaker 2: we're talking about and it sounds boring, Yes, and we

441
00:22:10,680 --> 00:22:16,159
Speaker 2: will we will just music. Yeah, so yeah, give us

442
00:22:16,160 --> 00:22:18,480
Speaker 2: something tasty and.

443
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Speaker 1: High energy, high energy.

444
00:22:22,080 --> 00:22:28,920
Speaker 2: No, no, medium energy. Yeah, okay, okay for sitting down.

445
00:22:29,280 --> 00:22:32,760
Speaker 2: Just it's for sitting and listening. You're still listening at

446
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Speaker 2: a cubicle or in your.

447
00:22:33,640 --> 00:22:36,639
Speaker 4: Music to listen to while you're sitting down, okay, okay, And.

448
00:22:36,680 --> 00:22:39,640
Speaker 14: You want to hold the pick like this, hold it like.

449
00:22:39,600 --> 00:22:44,080
Speaker 2: That, and Brett's got it in his sop and I

450
00:22:44,119 --> 00:22:46,199
Speaker 2: think it's some joke about picking his nose.

451
00:23:00,560 --> 00:23:02,480
Speaker 1: Good part of the podcast.

452
00:23:06,320 --> 00:23:11,760
Speaker 6: This is a good.

453
00:23:11,960 --> 00:23:18,520
Speaker 11: You know, all the the stuff you're hearing, what the fuck.

454
00:23:26,119 --> 00:23:30,080
Speaker 1: Do your work?

455
00:23:31,600 --> 00:23:34,280
Speaker 2: So that would be helpful because a lot of if

456
00:23:34,320 --> 00:23:37,160
Speaker 2: there's part of the podcast that's not good, we want

457
00:23:37,160 --> 00:23:39,480
Speaker 2: to tell people this actually is a good part of

458
00:23:39,520 --> 00:23:40,200
Speaker 2: the podcast.

459
00:23:40,320 --> 00:23:47,639
Speaker 1: And I feel like that music will really do that. Okay, yeah,

460
00:23:47,680 --> 00:23:49,720
Speaker 1: so that was helpful. I mean you kind of knaed it.

461
00:23:49,800 --> 00:23:51,280
Speaker 1: Hayes was way in the pocket.

462
00:23:51,760 --> 00:23:54,840
Speaker 6: I myself going really deep in those that time.

463
00:23:54,840 --> 00:23:56,520
Speaker 2: I feel like you were in the back pocket and

464
00:23:56,560 --> 00:23:58,840
Speaker 2: then you got through and actually crawled up my button

465
00:23:58,840 --> 00:24:02,960
Speaker 2: around the corner. That's how nice it was. Hey, is

466
00:24:03,000 --> 00:24:05,560
Speaker 2: there any situation that you'd like to have a song for?

467
00:24:05,760 --> 00:24:09,600
Speaker 4: I think guests, like a certain kind of guest introduction song.

468
00:24:09,720 --> 00:24:10,679
Speaker 6: Yeah, could be really.

469
00:24:10,720 --> 00:24:12,119
Speaker 1: When it's a quirker or when it's not.

470
00:24:12,560 --> 00:24:17,080
Speaker 4: I think, well, corkers honestly sort of provide their own music.

471
00:24:18,040 --> 00:24:20,640
Speaker 2: Does that make sense? Does that make sense you're picturing

472
00:24:20,800 --> 00:24:21,639
Speaker 2: like Nick Kroll?

473
00:24:22,200 --> 00:24:26,159
Speaker 4: Yes, yes, yes, they come in with a sort of

474
00:24:26,200 --> 00:24:30,080
Speaker 4: like musical energy, where like people, honestly additional music could

475
00:24:30,119 --> 00:24:32,480
Speaker 4: be very fucked up to listen to.

476
00:24:32,760 --> 00:24:37,360
Speaker 2: Yeah, that would create some sort of dissonance. Yes, that

477
00:24:37,400 --> 00:24:39,760
Speaker 2: would maybe make people have a seizure in their car,

478
00:24:40,040 --> 00:24:42,800
Speaker 2: crash into the side of a bridge, go over into

479
00:24:42,880 --> 00:24:46,480
Speaker 2: the water, drown. Their mom's crying, she's like, why what

480
00:24:46,720 --> 00:24:47,320
Speaker 2: even happened?

481
00:24:47,320 --> 00:24:49,320
Speaker 1: And why are you listening to such a good podcast?

482
00:24:49,920 --> 00:24:53,119
Speaker 2: And we go to jail and Colin nothing would make

483
00:24:53,200 --> 00:24:57,119
Speaker 2: him happier, so let's not give him that satisfaction.

484
00:24:57,520 --> 00:24:59,040
Speaker 1: Yeah.

485
00:24:59,240 --> 00:25:02,680
Speaker 4: I so the music I think would be good for

486
00:25:03,080 --> 00:25:08,440
Speaker 4: non corkers, non corkers people like John Cochran, John Cochrane,

487
00:25:09,240 --> 00:25:12,400
Speaker 4: Will Hines, you know what I mean, some of these

488
00:25:12,440 --> 00:25:16,560
Speaker 4: guys that what are they doing here, you know that

489
00:25:16,600 --> 00:25:20,880
Speaker 4: we really need to replace, like give them an additional boost.

490
00:25:21,200 --> 00:25:25,200
Speaker 2: We need a yes, we need a hot beat injection.

491
00:25:26,640 --> 00:25:29,359
Speaker 2: So if you could play a hot beat, that would

492
00:25:29,400 --> 00:25:32,080
Speaker 2: kind of be telling people, hey, this guest actually does

493
00:25:32,200 --> 00:25:32,879
Speaker 2: have energy.

494
00:25:33,119 --> 00:25:35,399
Speaker 1: Okay, that would help us.

495
00:25:35,280 --> 00:25:38,560
Speaker 4: Because we are almost certainly going to be having Cochrane

496
00:25:38,560 --> 00:25:41,320
Speaker 4: on the show again. It feels like it's coming around

497
00:25:41,359 --> 00:25:46,879
Speaker 4: to that point again. It's okay, Michael, and so it

498
00:25:46,920 --> 00:25:50,760
Speaker 4: would be good to yeah, just have something for hot.

499
00:25:50,600 --> 00:26:02,960
Speaker 1: Beat for the stinkers, Okay.

500
00:25:59,480 --> 00:26:00,880
Speaker 6: Avan on with coch.

501
00:26:02,640 --> 00:26:07,000
Speaker 4: The podcast listening to a conversation with Dust and a

502
00:26:07,080 --> 00:26:08,119
Speaker 4: non favous person.

503
00:26:11,320 --> 00:26:16,160
Speaker 11: It's okay that this episode has, Will Hines, you could

504
00:26:16,200 --> 00:26:22,560
Speaker 11: still find parts statue like, even though on the whole

505
00:26:22,680 --> 00:26:32,760
Speaker 11: it won't be a favorite episode.

506
00:26:38,200 --> 00:26:38,760
Speaker 6: That's great.

507
00:26:38,800 --> 00:26:44,080
Speaker 1: That'd be great, really helpful, well upbeat, Yeah, keep keep

508
00:26:44,119 --> 00:26:45,480
Speaker 1: it moving. It was nice.

509
00:26:45,560 --> 00:26:47,639
Speaker 2: Yeah, And I do think some of those episodes do

510
00:26:47,840 --> 00:26:49,719
Speaker 2: have moment if you listen to the whole thing, there

511
00:26:49,760 --> 00:26:50,680
Speaker 2: are moments.

512
00:26:50,359 --> 00:26:51,080
Speaker 1: That really work.

513
00:26:51,520 --> 00:26:53,800
Speaker 6: Yes, what else?

514
00:26:53,840 --> 00:26:57,320
Speaker 4: What are some other situations an engineer theme could be good?

515
00:26:58,000 --> 00:26:58,720
Speaker 5: M Yeah.

516
00:26:59,119 --> 00:27:03,719
Speaker 1: Yeah, I feel like Brett should should take that one.

517
00:27:03,800 --> 00:27:10,919
Speaker 14: Yeah, I mean you should start already.

518
00:27:11,080 --> 00:27:18,399
Speaker 1: I've never seen this is the draculas like and he

519
00:27:18,560 --> 00:27:22,320
Speaker 1: covers his face. Yeah, I don't mean to put you

520
00:27:22,359 --> 00:27:26,640
Speaker 1: on the spots. Just yeah, well, Michael has no reason

521
00:27:26,640 --> 00:27:27,119
Speaker 1: to understand.

522
00:27:27,119 --> 00:27:29,320
Speaker 4: You'll probably be about I have no idea, you know,

523
00:27:30,560 --> 00:27:32,120
Speaker 4: maybe we do a Cody one.

524
00:27:32,720 --> 00:27:35,359
Speaker 1: Oh that could be everywhere and like too.

525
00:27:35,320 --> 00:27:41,760
Speaker 4: Much attention for Brett could be even worse. Okay, so

526
00:27:41,920 --> 00:27:45,159
Speaker 4: just something what like situation I guess would this would

527
00:27:45,480 --> 00:27:46,399
Speaker 4: we be using this?

528
00:27:46,800 --> 00:27:52,480
Speaker 2: Well, I guess what would happen is Cody's ruining the episode.

529
00:27:52,880 --> 00:27:55,480
Speaker 2: We've just found out that we haven't been recording at all.

530
00:27:55,920 --> 00:27:59,800
Speaker 2: We're now tuning back in. There is a stitch inside

531
00:27:59,800 --> 00:28:03,919
Speaker 2: the studio that make you want to pass out, you

532
00:28:03,920 --> 00:28:07,000
Speaker 2: could barely breathe, and now you're finding out we just

533
00:28:07,040 --> 00:28:09,600
Speaker 2: didn't record that whole last hour and we have to

534
00:28:09,640 --> 00:28:11,480
Speaker 2: start over with a new episode.

535
00:28:12,760 --> 00:28:17,280
Speaker 1: Living in this stench pit Yeah, with the stink.

536
00:28:17,600 --> 00:28:20,520
Speaker 4: So maybe like a song to kind of cancel out

537
00:28:21,119 --> 00:28:22,040
Speaker 4: the smell.

538
00:28:22,640 --> 00:28:28,200
Speaker 2: Yes, a song that makes it smell good and then also.

539
00:28:29,520 --> 00:28:31,639
Speaker 1: That kind of puts the blame on Cody a little bit.

540
00:28:32,080 --> 00:28:34,280
Speaker 6: Okay, Okay, does that make sense?

541
00:28:34,440 --> 00:28:34,640
Speaker 7: Yeah?

542
00:28:34,720 --> 00:28:40,560
Speaker 1: Yeah, yeah, trying to get into the headspace of its frustrated.

543
00:28:40,760 --> 00:28:43,160
Speaker 2: You want to be a piece of Cody's clothing around

544
00:28:43,240 --> 00:28:45,000
Speaker 2: if you want to kind of get the scent like

545
00:28:45,040 --> 00:28:46,640
Speaker 2: a bloodhound.

546
00:28:47,760 --> 00:28:50,200
Speaker 6: Skin, like a scatter.

547
00:28:50,200 --> 00:28:54,120
Speaker 1: There's probably one of his band aids here. Yeah.

548
00:28:54,320 --> 00:28:56,600
Speaker 2: He puts him on real loose and they fall off

549
00:28:56,640 --> 00:28:59,120
Speaker 2: whenever he walks non musicians.

550
00:28:59,520 --> 00:29:02,480
Speaker 1: The lick him first like an ovelope before they go on.

551
00:29:03,000 --> 00:29:07,760
Speaker 1: Oh yeah, and after they go on. I think I'm

552
00:29:07,800 --> 00:29:10,040
Speaker 1: getting a pretty good sense of that.

553
00:29:10,320 --> 00:29:12,400
Speaker 4: But you don't necessarily have to be in his head

554
00:29:12,440 --> 00:29:15,160
Speaker 4: as much of like a defeater Cody defeat, although it

555
00:29:15,240 --> 00:29:17,400
Speaker 4: is a little bit like a Batman Joker relationship that

556
00:29:17,720 --> 00:29:18,760
Speaker 4: they are kind of the same.

557
00:29:19,080 --> 00:29:29,800
Speaker 15: M Yeah, okay, let's try this out.

558
00:29:33,400 --> 00:29:41,680
Speaker 1: Be you. Cody is always injured, you from.

559
00:29:41,400 --> 00:29:44,280
Speaker 16: Being bad at his hobbies.

560
00:29:45,880 --> 00:29:48,200
Speaker 1: But don't worry.

561
00:29:48,720 --> 00:30:13,680
Speaker 17: He's bad bad his job to Cody, coding, coading, move away, move.

562
00:30:13,520 --> 00:30:21,120
Speaker 2: Away, move to the mountain his Cody, and that might

563
00:30:21,160 --> 00:30:23,080
Speaker 2: be effective in getting him to move into a shack

564
00:30:23,160 --> 00:30:24,080
Speaker 2: on a mountain.

565
00:30:25,040 --> 00:30:27,000
Speaker 4: Where he seems to want to spend all of his time.

566
00:30:27,040 --> 00:30:29,120
Speaker 4: And he really feels that way every time I come in.

567
00:30:29,160 --> 00:30:30,360
Speaker 6: Here's like, oh yeah, you know.

568
00:30:30,320 --> 00:30:34,560
Speaker 4: He's like he's in like a full body cast and

569
00:30:34,600 --> 00:30:36,320
Speaker 4: he's like, oh, I went out like a hike this

570
00:30:36,400 --> 00:30:37,760
Speaker 4: weekend to the mountains.

571
00:30:37,800 --> 00:30:41,400
Speaker 1: I rolled all the way down as truly distressing.

572
00:30:42,680 --> 00:30:47,520
Speaker 2: Just to see someone with that level of injury that consistently,

573
00:30:47,640 --> 00:30:50,040
Speaker 2: you just go like the human body isn't meant to

574
00:30:50,080 --> 00:30:51,000
Speaker 2: exist this way.

575
00:30:51,160 --> 00:30:54,440
Speaker 4: He's a bit like a logan because just to be

576
00:30:55,040 --> 00:30:57,680
Speaker 4: like still intact now, he must be have some sort

577
00:30:57,720 --> 00:30:58,160
Speaker 4: of logan.

578
00:30:58,240 --> 00:31:00,840
Speaker 2: He must to be curious about whether he can die,

579
00:31:03,000 --> 00:31:06,200
Speaker 2: and he's kind of attempting to snuff himself out but

580
00:31:06,440 --> 00:31:08,760
Speaker 2: knowing none of this stuff is really gonna work.

581
00:31:08,840 --> 00:31:10,959
Speaker 4: We should do a song about when Colin tries to

582
00:31:11,280 --> 00:31:13,360
Speaker 4: come and stop us from doing more music.

583
00:31:13,720 --> 00:31:18,560
Speaker 2: Something you can play him that is like something very aggressive, yes,

584
00:31:19,040 --> 00:31:21,680
Speaker 2: to just let him know, like you come at us,

585
00:31:22,320 --> 00:31:24,120
Speaker 2: We're gonna smash your brother.

586
00:31:24,600 --> 00:31:30,320
Speaker 1: We're gonna Shelley my brother. Oppressive.

587
00:31:33,000 --> 00:31:36,600
Speaker 6: Okay, what was that noise? Sounds like church?

588
00:31:37,120 --> 00:31:58,640
Speaker 16: Yeah, Colin, Colin, Yeah, girl, welcome here.

589
00:31:58,840 --> 00:32:00,880
Speaker 1: We are going on listen to you.

590
00:32:01,600 --> 00:32:07,800
Speaker 16: Yeah right, nice dry screw brother job.

591
00:32:07,680 --> 00:32:08,400
Speaker 6: Out the window.

592
00:32:08,720 --> 00:32:14,480
Speaker 4: Colin never comes back to earwalk bum smash on the ground.

593
00:32:15,360 --> 00:32:16,280
Speaker 6: Colin is a.

594
00:32:16,160 --> 00:32:24,800
Speaker 16: Meat mess on the ground.

595
00:32:26,080 --> 00:32:29,920
Speaker 1: Wow, dude, he'll stop come on, man bred.

596
00:32:34,120 --> 00:32:36,080
Speaker 2: Clearly, once he's a meat mess on the ground, we

597
00:32:36,120 --> 00:32:37,400
Speaker 2: don't need the song anymore.

598
00:32:37,520 --> 00:32:40,760
Speaker 4: Yeah, we don't have to celebrate it was. It's it's

599
00:32:40,960 --> 00:32:42,160
Speaker 4: unfortunate that we had to.

600
00:32:42,360 --> 00:32:43,720
Speaker 1: I didn't want it to go that way.

601
00:32:43,760 --> 00:32:45,640
Speaker 2: I was hoping when he came in that his name

602
00:32:45,720 --> 00:32:48,080
Speaker 2: was Colin, because he'd be calling us up all the

603
00:32:48,120 --> 00:32:50,120
Speaker 2: time to say good job. But instead it's because he's

604
00:32:50,120 --> 00:32:52,440
Speaker 2: calling us into his office to be like, hey, you're

605
00:32:52,480 --> 00:32:54,479
Speaker 2: in trouble, and it's like, well, you're in trouble, you're

606
00:32:54,520 --> 00:32:55,080
Speaker 2: a meat mess.

607
00:32:55,080 --> 00:32:58,880
Speaker 6: It's not fair. He did end up being a meat mess.

608
00:32:58,960 --> 00:33:03,360
Speaker 2: Which sucks. Dude, sucks for him. Man, I was hoping,

609
00:33:03,440 --> 00:33:06,600
Speaker 2: you know, this guy's not a meat mess. He's just

610
00:33:06,600 --> 00:33:08,960
Speaker 2: just got all of his I thought it stays in

611
00:33:09,000 --> 00:33:10,920
Speaker 2: his skin, you know.

612
00:33:11,120 --> 00:33:12,240
Speaker 1: Instead it's on that side.

613
00:33:12,080 --> 00:33:14,160
Speaker 4: Of Okay, we need a song for this, hang on,

614
00:33:14,360 --> 00:33:18,560
Speaker 4: get out, get out, We need a song for Kevin.

615
00:33:18,760 --> 00:33:21,720
Speaker 4: Kevin is gone okay, and now so when you hear

616
00:33:21,800 --> 00:33:26,360
Speaker 4: your song, you can you could come in. So the

617
00:33:26,400 --> 00:33:32,920
Speaker 4: tone of this is like very gross and.

618
00:33:32,920 --> 00:33:35,720
Speaker 6: Like it's like.

619
00:33:37,280 --> 00:33:40,760
Speaker 2: Larry Lounge Lizard, remember those video games about the pervert.

620
00:33:40,920 --> 00:33:42,920
Speaker 1: Leisure leisure suit Larry Yes.

621
00:33:43,040 --> 00:33:44,480
Speaker 6: Right, leisure suit Larry Yes.

622
00:33:44,520 --> 00:33:46,320
Speaker 1: Remember the video game about the pervert?

623
00:33:46,400 --> 00:33:49,880
Speaker 2: And he was a creep and he like got off

624
00:33:49,960 --> 00:33:54,080
Speaker 2: on you not knowing he was looking at you. Yeah,

625
00:33:54,120 --> 00:33:57,240
Speaker 2: Like the part of the excitement for him is that

626
00:33:58,560 --> 00:34:01,600
Speaker 2: you know you are nore that you're being recorded.

627
00:34:01,880 --> 00:34:05,480
Speaker 1: Peper mentality, Yes, and good peeper song would be great.

628
00:34:05,600 --> 00:34:08,719
Speaker 1: Do you know any good just sort of peeper themes?

629
00:34:08,840 --> 00:34:15,520
Speaker 1: Peper themes, Yes, a little sleezy, yes, leezy yes.

630
00:34:15,400 --> 00:34:20,120
Speaker 4: Yes, yes, bring out Yes, a little bit of disgrasteful funk,

631
00:34:20,280 --> 00:34:23,200
Speaker 4: some funk that makes you uncomfortable with, Like, why does

632
00:34:23,239 --> 00:34:25,800
Speaker 4: he like it so much that he feels this funky

633
00:34:25,840 --> 00:34:26,600
Speaker 4: about himself?

634
00:34:26,800 --> 00:34:31,200
Speaker 6: You know? Okay? Okay, Kenvin, wait, are you ready?

635
00:34:32,640 --> 00:34:33,000
Speaker 5: Okay?

636
00:34:40,600 --> 00:34:41,600
Speaker 12: Here I come.

637
00:34:43,160 --> 00:34:48,200
Speaker 1: I'm a creepy little pulby weasel. Click click, Here comes

638
00:34:48,239 --> 00:34:53,000
Speaker 1: the snapshots. Click click. Take on your pants now, click click.

639
00:34:53,360 --> 00:34:57,480
Speaker 2: I'm in the rest room recording you without your knowledge.

640
00:34:58,440 --> 00:35:02,360
Speaker 1: Spread for Ken, Spread them for Kevin.

641
00:35:04,880 --> 00:35:09,600
Speaker 6: Sh don't mind me. Just spread them when.

642
00:35:09,400 --> 00:35:12,200
Speaker 1: I get back to my dungeon, and I will look

643
00:35:12,239 --> 00:35:12,880
Speaker 1: at these.

644
00:35:12,680 --> 00:35:16,239
Speaker 12: Snapshots of all alone, and I'll touch myself in a

645
00:35:16,400 --> 00:35:17,360
Speaker 12: nasty way.

646
00:35:17,440 --> 00:35:20,520
Speaker 2: But I won't get off because that's not how I play.

647
00:35:20,800 --> 00:35:24,040
Speaker 1: I just like to bring myself to the end.

648
00:35:24,800 --> 00:35:28,640
Speaker 18: It really lifts back in.

649
00:35:30,360 --> 00:35:37,480
Speaker 2: It's denying the pleasure that I enjoy.

650
00:35:39,920 --> 00:35:42,200
Speaker 1: Wow, Kevin, that that is gross.

651
00:35:42,239 --> 00:35:44,920
Speaker 2: Well, I can't believe you saying those lyrics about yourself.

652
00:35:45,040 --> 00:35:47,719
Speaker 6: What a disgusting new dimension to you.

653
00:35:48,120 --> 00:35:51,759
Speaker 1: I wish that you would allow yourself to release. I

654
00:35:51,760 --> 00:35:54,320
Speaker 1: feel like we wouldn't be dealing with us every episode.

655
00:35:54,440 --> 00:35:56,720
Speaker 1: I think what makes it so strong.

656
00:35:57,840 --> 00:36:04,000
Speaker 3: Is that you don't ever really give it, like like.

657
00:36:04,080 --> 00:36:05,239
Speaker 1: That's upset it.

658
00:36:07,680 --> 00:36:10,439
Speaker 4: And he's got a freaking Spotify sweatshirt on as if

659
00:36:11,000 --> 00:36:14,239
Speaker 4: like make it even nastier for us? Who are who

660
00:36:14,320 --> 00:36:18,520
Speaker 4: were actually the new Spotify Discover that's pointed at us

661
00:36:18,800 --> 00:36:23,600
Speaker 4: until what it's gonna say, part of the pleasure is

662
00:36:23,640 --> 00:36:27,600
Speaker 4: knowing that there's never full pleasure. Yeah, we heard, we

663
00:36:27,680 --> 00:36:31,640
Speaker 4: heard about it, man, there was just an entire song

664
00:36:31,719 --> 00:36:32,000
Speaker 4: about it.

665
00:36:32,200 --> 00:36:38,960
Speaker 1: Sounded sort of British. I have to say, you were

666
00:36:39,120 --> 00:36:41,000
Speaker 1: definitely in the pocket speaking of pocket.

667
00:36:41,239 --> 00:36:45,200
Speaker 3: Oh yeah, I hate to acknowledge it, but yeah, he

668
00:36:45,360 --> 00:36:46,520
Speaker 3: was way in the pocket.

669
00:36:46,640 --> 00:36:48,440
Speaker 1: Can't deny the flow pocket pool.

670
00:36:50,280 --> 00:36:52,160
Speaker 4: What are we gonna do the pictures or what you

671
00:36:52,200 --> 00:36:54,840
Speaker 4: have taken a song that you we just heard that

672
00:36:54,880 --> 00:36:58,840
Speaker 4: you want to describe to us and the Queen's of

673
00:36:58,880 --> 00:37:01,040
Speaker 4: the Stone Age shirt, which I think is also some

674
00:37:01,160 --> 00:37:04,040
Speaker 4: kind of musically related thing.

675
00:37:04,800 --> 00:37:05,839
Speaker 6: What the fucking.

676
00:37:07,640 --> 00:37:11,799
Speaker 2: Yeah, that's not really If Michael doesn't know it, I

677
00:37:11,840 --> 00:37:13,000
Speaker 2: don't want to know about it.

678
00:37:13,360 --> 00:37:14,480
Speaker 1: Ever heard of it? Yeah?

679
00:37:14,560 --> 00:37:14,840
Speaker 5: Yes.

680
00:37:15,320 --> 00:37:17,839
Speaker 2: The only thing, the one thing that Michael and I

681
00:37:18,000 --> 00:37:20,680
Speaker 2: disagree on musically, one how loud it could be.

682
00:37:21,239 --> 00:37:23,400
Speaker 4: And then the other thing is he doesn't know this

683
00:37:23,480 --> 00:37:25,000
Speaker 4: is the thing. I'm going to these things and he's

684
00:37:25,000 --> 00:37:26,480
Speaker 4: having such a good time up there. I'm going to

685
00:37:26,520 --> 00:37:28,640
Speaker 4: the show. He does not know the loudness and so

686
00:37:28,719 --> 00:37:31,080
Speaker 4: this is what I'm saying. It is blasting all over

687
00:37:31,120 --> 00:37:34,480
Speaker 4: me everywhere and even in here, like I'm putting on

688
00:37:34,560 --> 00:37:36,600
Speaker 4: a good face for the show.

689
00:37:36,400 --> 00:37:37,480
Speaker 1: But it's killing.

690
00:37:37,840 --> 00:37:39,040
Speaker 6: Yes, it kills.

691
00:37:39,440 --> 00:37:41,839
Speaker 1: Yeah, Oh that killed that last one.

692
00:37:42,080 --> 00:37:44,719
Speaker 6: Oh ow yeah it really kills.

693
00:37:44,880 --> 00:37:47,759
Speaker 1: I'm just like, like you're saying, I'm just ankle deep

694
00:37:49,200 --> 00:37:51,359
Speaker 1: and you're in splash song. Yeah you all you do

695
00:37:51,480 --> 00:37:53,399
Speaker 1: is just roll up your pant legs a little bit.

696
00:37:53,760 --> 00:37:55,280
Speaker 1: You're wading around in the swan.

697
00:37:55,440 --> 00:37:56,200
Speaker 6: Can you face it?

698
00:37:56,239 --> 00:38:00,960
Speaker 1: The other way, because because Mike that killed.

699
00:38:01,600 --> 00:38:04,799
Speaker 4: Is there a way to turn your the like this

700
00:38:05,080 --> 00:38:13,440
Speaker 4: music blaster, like to turn it towards you? Sure, then

701
00:38:13,480 --> 00:38:15,680
Speaker 4: I'm having the fun that you seem to be having,

702
00:38:16,560 --> 00:38:17,160
Speaker 4: you know what I.

703
00:38:17,080 --> 00:38:22,920
Speaker 1: Mean, You're just getting an echo of the the way

704
00:38:23,000 --> 00:38:28,000
Speaker 1: it's pointed out, it kills. It really is killing, and

705
00:38:28,200 --> 00:38:32,040
Speaker 1: I'm trying to figure it out. It's just I get

706
00:38:32,040 --> 00:38:36,080
Speaker 1: pretty selfish and yeah, because it's go. I'm just trying

707
00:38:36,080 --> 00:38:37,640
Speaker 1: to be trying to be real about it.

708
00:38:37,640 --> 00:38:39,560
Speaker 4: But I see you kind of up on stage, and I,

709
00:38:39,680 --> 00:38:41,120
Speaker 4: by the way, I had a great time of the show.

710
00:38:41,160 --> 00:38:42,560
Speaker 4: I am so proud of you. But I do see

711
00:38:42,560 --> 00:38:45,920
Speaker 4: you up there thinking only about yourself. Am I right

712
00:38:45,960 --> 00:38:46,680
Speaker 4: that that's happening?

713
00:38:46,840 --> 00:38:57,840
Speaker 1: I ah, I'm sorry. I mean it's still I get selfish,

714
00:38:57,880 --> 00:39:00,360
Speaker 1: I get locked in my head, I get I get

715
00:39:00,120 --> 00:39:01,440
Speaker 1: into it.

716
00:39:01,600 --> 00:39:06,080
Speaker 4: Yes, it's only thinking about yourself. Yeah, yeah it is.

717
00:39:06,320 --> 00:39:08,400
Speaker 2: Other people are having the experience too, I mean me

718
00:39:08,440 --> 00:39:11,520
Speaker 2: and Hayes. You know, we make sound too. Some people

719
00:39:11,600 --> 00:39:14,360
Speaker 2: would say podcasts our music even more than music is,

720
00:39:14,640 --> 00:39:17,800
Speaker 2: because we're reporting sound on a mic, and what we're

721
00:39:17,800 --> 00:39:20,880
Speaker 2: doing is never thinking about what we like or what

722
00:39:20,920 --> 00:39:23,840
Speaker 2: we want and only doing this for the audience and

723
00:39:23,840 --> 00:39:25,320
Speaker 2: the broadest audience possible.

724
00:39:25,360 --> 00:39:26,760
Speaker 6: It's really brave, because.

725
00:39:26,560 --> 00:39:29,359
Speaker 2: Why else make it other than to ease people's pain,

726
00:39:29,560 --> 00:39:31,520
Speaker 2: you know, to make it.

727
00:39:31,520 --> 00:39:34,879
Speaker 4: Kill and to do wrong, and to do songs about

728
00:39:34,920 --> 00:39:38,399
Speaker 4: like relatable stuff that people understand, like.

729
00:39:40,800 --> 00:39:42,680
Speaker 1: Killing our boss, killing our.

730
00:39:42,640 --> 00:39:46,240
Speaker 2: Boss, the creepy pervert doing creep shots.

731
00:39:46,600 --> 00:39:50,760
Speaker 4: Yes, a specific engineer who's not even here. Yeah, he's

732
00:39:50,800 --> 00:39:52,440
Speaker 4: not here, easy entry points.

733
00:39:52,719 --> 00:39:57,879
Speaker 2: A photographer who refuses himself climax. You know this kind

734
00:39:57,920 --> 00:40:01,800
Speaker 2: of stuff that we all encounter. Yes, that's you. I

735
00:40:01,800 --> 00:40:03,239
Speaker 2: don't care where you work. I don't care if you

736
00:40:03,239 --> 00:40:04,680
Speaker 2: work at McDonald's or.

737
00:40:06,320 --> 00:40:06,960
Speaker 1: Arby's.

738
00:40:07,160 --> 00:40:12,360
Speaker 4: Yes, the photographer at Arby's.

739
00:40:12,680 --> 00:40:16,960
Speaker 1: Well does not come, you know, unfortunately for all of

740
00:40:18,680 --> 00:40:24,560
Speaker 1: the age old saying it's true. No Horsey sauce for

741
00:40:24,680 --> 00:40:31,480
Speaker 1: him kind of looks like it. So are there any

742
00:40:31,520 --> 00:40:32,799
Speaker 1: were songs we gotta do?

743
00:40:32,960 --> 00:40:34,160
Speaker 6: Okay? So what else did we?

744
00:40:34,280 --> 00:40:34,480
Speaker 1: Yeah?

745
00:40:34,560 --> 00:40:37,239
Speaker 4: We did one for a good part of the podcast.

746
00:40:37,640 --> 00:40:41,719
Speaker 4: We did when Conchord's other show. Another relatable concept that

747
00:40:41,920 --> 00:40:43,360
Speaker 4: was is there a.

748
00:40:43,200 --> 00:40:48,560
Speaker 2: Song for when it's we're out of steam?

749
00:40:48,680 --> 00:40:51,880
Speaker 1: Yes, but we know we need like twenty more minutes.

750
00:40:52,200 --> 00:40:55,879
Speaker 2: That's show Okay, you know what I mean, something that's

751
00:40:56,000 --> 00:40:58,359
Speaker 2: just bridging the gap, just carrying us because a lot

752
00:40:58,360 --> 00:41:02,120
Speaker 2: of times the show's going pretty well yes, and you know,

753
00:41:02,400 --> 00:41:04,040
Speaker 2: and then we go like, all right, is it just

754
00:41:04,080 --> 00:41:05,560
Speaker 2: about done? And then we go no, it's only we

755
00:41:05,640 --> 00:41:08,360
Speaker 2: want to record for twenty minutes, and we go okay,

756
00:41:08,400 --> 00:41:09,400
Speaker 2: we need something.

757
00:41:09,680 --> 00:41:12,560
Speaker 4: Okay, yes, this is good for like that certain moment

758
00:41:12,600 --> 00:41:14,000
Speaker 4: in the show that's perfect.

759
00:41:14,120 --> 00:41:15,719
Speaker 6: This is when we could really use.

760
00:41:15,920 --> 00:41:20,799
Speaker 1: Yeah, you have like a a guest who's just not

761
00:41:21,080 --> 00:41:23,880
Speaker 1: participating much and not contributing.

762
00:41:23,760 --> 00:41:26,640
Speaker 2: Or a host or a host yeah, or we came

763
00:41:26,680 --> 00:41:29,320
Speaker 2: in with an idea. We have done the idea.

764
00:41:29,520 --> 00:41:29,960
Speaker 6: It is done.

765
00:41:30,000 --> 00:41:31,560
Speaker 1: There is nothing else to do with it.

766
00:41:31,600 --> 00:41:32,840
Speaker 6: And it didn't have the legs.

767
00:41:33,000 --> 00:41:34,640
Speaker 1: Yeah, and it just was like, oh, I guess that

768
00:41:34,760 --> 00:41:35,280
Speaker 1: was half.

769
00:41:35,120 --> 00:41:39,279
Speaker 2: An idea And now we're going, okay, what else anything else?

770
00:41:39,320 --> 00:41:41,640
Speaker 2: As we feel around in the dark, is there like

771
00:41:41,680 --> 00:41:44,799
Speaker 2: a bridge? You know, a sort of filler song?

772
00:41:49,600 --> 00:41:50,160
Speaker 6: What is that?

773
00:41:50,600 --> 00:41:54,440
Speaker 1: And it's not scary? Oh that's terrifying.

774
00:41:59,000 --> 00:42:02,360
Speaker 6: See, Bret, this seems perfect.

775
00:42:02,760 --> 00:42:06,400
Speaker 4: This is this is not what you're doing is not

776
00:42:06,520 --> 00:42:09,160
Speaker 4: playing a musical instrument. I know that that you have

777
00:42:09,200 --> 00:42:11,600
Speaker 4: this machine that has like five buttons on it that

778
00:42:11,640 --> 00:42:12,520
Speaker 4: play different.

779
00:42:12,200 --> 00:42:16,000
Speaker 1: Songs and you're like, I'm a bid. That's not a band.

780
00:42:16,880 --> 00:42:17,640
Speaker 14: Can you put it?

781
00:42:18,680 --> 00:42:21,600
Speaker 4: Yeah, well if you give it to me like I'm like,

782
00:42:21,719 --> 00:42:24,400
Speaker 4: if you just would let me hold it for one second,

783
00:42:24,640 --> 00:42:25,080
Speaker 4: then yes.

784
00:42:25,160 --> 00:42:25,200
Speaker 2: Like.

785
00:42:25,280 --> 00:42:27,400
Speaker 1: Good guys, guys, guys, I don't think you're good. Not

786
00:42:27,480 --> 00:42:27,840
Speaker 1: around it?

787
00:42:27,960 --> 00:42:30,800
Speaker 2: Good. Please don't don't play keep away around the equipment.

788
00:42:31,040 --> 00:42:33,960
Speaker 2: He's playing keep away around the equipment. Guys, you're getting

789
00:42:34,040 --> 00:42:38,000
Speaker 2: all tangled up into wires.

790
00:42:39,560 --> 00:42:40,680
Speaker 6: And that was me. I did head.

791
00:42:41,520 --> 00:42:45,480
Speaker 2: That was me and Hayes really like your band, Thank you,

792
00:42:46,960 --> 00:42:48,040
Speaker 2: so I could do it.

793
00:42:49,760 --> 00:42:54,080
Speaker 4: Let's let's do the thing for the that's that part

794
00:42:54,080 --> 00:42:56,080
Speaker 4: of the show that we can described just gonna happen

795
00:42:56,160 --> 00:42:59,680
Speaker 4: in every single episode. Yes, just some bad music to

796
00:43:00,680 --> 00:43:03,080
Speaker 4: just to give us a little time.

797
00:43:11,080 --> 00:43:11,239
Speaker 2: Huh.

798
00:43:14,480 --> 00:43:18,879
Speaker 4: Sean started to look at his phone.

799
00:43:20,520 --> 00:43:23,440
Speaker 1: Hey, how do I re engage my friends?

800
00:43:25,480 --> 00:43:29,600
Speaker 19: I don't have the tools to do this alone.

801
00:43:30,600 --> 00:43:33,480
Speaker 1: I wonder what I'm gonna have for lunch?

802
00:43:33,560 --> 00:43:34,759
Speaker 18: Chef to this.

803
00:43:36,520 --> 00:43:41,320
Speaker 1: Let me look at YELP, see what's around.

804
00:43:43,840 --> 00:43:44,040
Speaker 16: Here?

805
00:43:44,120 --> 00:43:44,399
Speaker 7: I go.

806
00:43:44,760 --> 00:43:45,760
Speaker 1: This is my shot.

807
00:43:46,560 --> 00:43:48,440
Speaker 6: I can do a big funny joke.

808
00:43:52,640 --> 00:43:54,560
Speaker 1: Oh no, buddy.

809
00:43:54,440 --> 00:43:55,280
Speaker 5: Like my joke?

810
00:43:57,160 --> 00:44:10,240
Speaker 6: Oh a text.

811
00:44:14,040 --> 00:44:18,360
Speaker 4: Good another universally apple that happens to everyone. You know,

812
00:44:18,480 --> 00:44:21,839
Speaker 4: people can share on it and a Facebook.

813
00:44:21,880 --> 00:44:24,560
Speaker 2: I don't care if you work at Staples or office space.

814
00:44:25,160 --> 00:44:28,759
Speaker 2: There's somebody at your work who's checking out a little bit. Yeah,

815
00:44:28,880 --> 00:44:30,600
Speaker 2: you're going to try to make a big funny joke

816
00:44:30,680 --> 00:44:33,759
Speaker 2: because they are starting to think about lunch.

817
00:44:35,800 --> 00:44:37,479
Speaker 1: And it's just not time yet.

818
00:44:38,480 --> 00:44:45,399
Speaker 6: So who was that for you? Your drive? Michael, It's

819
00:44:45,440 --> 00:44:46,160
Speaker 6: okay to say me.

820
00:44:48,000 --> 00:44:50,279
Speaker 1: Okay, I'm that person for most people. I mean, I

821
00:44:51,080 --> 00:44:52,120
Speaker 1: don't want to pilot on.

822
00:44:52,880 --> 00:44:56,240
Speaker 6: But when we are doing meetings at the Label, it's true,

823
00:44:56,719 --> 00:44:57,480
Speaker 6: near the end of the.

824
00:44:57,440 --> 00:45:01,080
Speaker 1: Meetings, a lot of lunch talk. And it doesn't matter

825
00:45:01,120 --> 00:45:02,160
Speaker 1: if I've had lunch.

826
00:45:02,239 --> 00:45:06,680
Speaker 2: It doesn't matter if it's it's nine pm, six am.

827
00:45:07,040 --> 00:45:10,960
Speaker 2: It's always for me, what am I gonna have for lunch?

828
00:45:11,120 --> 00:45:15,560
Speaker 1: It's always belts and like, oh is there a place

829
00:45:15,600 --> 00:45:16,560
Speaker 1: with a good blt r any?

830
00:45:16,800 --> 00:45:19,200
Speaker 4: And this is it is almost similar to the Kevin thing,

831
00:45:19,239 --> 00:45:22,000
Speaker 4: which is, as far as I know, he has ever

832
00:45:22,200 --> 00:45:27,759
Speaker 4: achieved lunch like a like a full release on lunch like.

833
00:45:28,040 --> 00:45:30,759
Speaker 4: It's as far as I know, it's just the it's

834
00:45:30,800 --> 00:45:33,920
Speaker 4: about the like the search for lunch.

835
00:45:34,680 --> 00:45:34,919
Speaker 1: Yeah.

836
00:45:35,200 --> 00:45:41,640
Speaker 2: No, Uh, I get freaked out by the size of

837
00:45:41,680 --> 00:45:42,600
Speaker 2: the menu.

838
00:45:43,000 --> 00:45:43,560
Speaker 6: Yeah.

839
00:45:43,600 --> 00:45:46,560
Speaker 2: And there's so many options. I'm so afraid of making

840
00:45:46,560 --> 00:45:52,920
Speaker 2: the wrong choice that I wind up just eating the

841
00:45:52,960 --> 00:45:53,760
Speaker 2: menu itself.

842
00:45:54,920 --> 00:46:02,640
Speaker 1: Huh. And I'm feeling pretty sick. Yeah, I was gonna say,

843
00:46:03,719 --> 00:46:06,560
Speaker 1: I don't think there's many nutrients. I think how do

844
00:46:06,640 --> 00:46:10,760
Speaker 1: you how's your stomach? Yeah it's not good. Yes, doctor,

845
00:46:11,000 --> 00:46:12,160
Speaker 1: I mean yeah, it's not.

846
00:46:12,680 --> 00:46:13,279
Speaker 6: I am a doctor.

847
00:46:13,320 --> 00:46:16,320
Speaker 1: I should say, yeah.

848
00:46:15,320 --> 00:46:22,920
Speaker 2: It's not feeling great. Speaking of doctor, American idiot. You

849
00:46:23,040 --> 00:46:23,720
Speaker 2: like that album?

850
00:46:24,840 --> 00:46:25,880
Speaker 1: Uh?

851
00:46:25,960 --> 00:46:26,799
Speaker 5: Yeah, I.

852
00:46:28,840 --> 00:46:30,279
Speaker 1: It's pretty Yeah, it's pretty good.

853
00:46:30,600 --> 00:46:33,839
Speaker 4: Do we do any of that? Do you know Boulevart?

854
00:46:35,880 --> 00:46:40,239
Speaker 4: Do we know twenty one Guns? Are we waking each

855
00:46:40,280 --> 00:46:40,759
Speaker 4: other up?

856
00:46:44,080 --> 00:46:44,840
Speaker 6: Let's do? Okay?

857
00:46:44,920 --> 00:46:45,759
Speaker 5: Oh wait, how does.

858
00:46:47,600 --> 00:46:48,959
Speaker 1: Boulevard Broken Dream?

859
00:46:49,120 --> 00:46:53,160
Speaker 4: There's Boulevard, There's twenty one? There's wake me up? Any

860
00:46:53,200 --> 00:46:55,839
Speaker 4: of those? But I think for our purposes, it would

861
00:46:55,880 --> 00:46:59,319
Speaker 4: be helpful for us to be telling PAULF. Tompkins to

862
00:46:59,360 --> 00:47:01,560
Speaker 4: have us back on spot, because it has been like

863
00:47:01,960 --> 00:47:02,640
Speaker 4: over a year.

864
00:47:02,760 --> 00:47:03,840
Speaker 1: We need some kind of fuck.

865
00:47:03,920 --> 00:47:07,160
Speaker 2: We really have leveled off as kind of the same

866
00:47:07,239 --> 00:47:10,359
Speaker 2: ten people going I like this podcast and no one

867
00:47:10,400 --> 00:47:11,640
Speaker 2: else getting into it.

868
00:47:11,760 --> 00:47:14,480
Speaker 4: And hopefully people being like, oh, I really like this show,

869
00:47:14,480 --> 00:47:17,160
Speaker 4: but I can't convince any of my friends to like it.

870
00:47:17,239 --> 00:47:21,440
Speaker 2: There's a bit like well you bow, big community of

871
00:47:21,880 --> 00:47:25,680
Speaker 2: people saying has anyone ever successfully convinced someone else to

872
00:47:25,800 --> 00:47:28,520
Speaker 2: like this show? Every time I try, people go what

873
00:47:28,560 --> 00:47:33,680
Speaker 2: the fuck is this? And it's discouraging, and maybe it's

874
00:47:33,719 --> 00:47:36,280
Speaker 2: like get us in, you know, get us into Spot

875
00:47:36,760 --> 00:47:37,600
Speaker 2: and then that could.

876
00:47:37,400 --> 00:47:42,440
Speaker 1: Be a nice easy bridge. Spot's pretty accessible people. I'm aware.

877
00:47:42,680 --> 00:47:44,600
Speaker 6: I love it. I love that show.

878
00:47:44,640 --> 00:47:45,640
Speaker 1: I know you do, Michael.

879
00:47:45,719 --> 00:47:49,239
Speaker 2: I know you always have it on when when we

880
00:47:49,280 --> 00:47:51,120
Speaker 2: come in your dressing room.

881
00:47:51,680 --> 00:47:54,560
Speaker 1: Yeah, it's good, it's good. I like, I like hearing it.

882
00:47:54,560 --> 00:47:59,160
Speaker 1: It's good changing right before Yeah, get on, just.

883
00:47:59,120 --> 00:48:02,720
Speaker 6: Get before you get on stage. That's a great show.

884
00:48:03,680 --> 00:48:12,840
Speaker 2: Do they record here, Yeah, that's other studio.

885
00:48:09,160 --> 00:48:13,000
Speaker 14: Anyway around, show you around their studio? Really yeah?

886
00:48:13,080 --> 00:48:15,840
Speaker 4: Not now, I mean we're doing yes, and it's not free.

887
00:48:15,960 --> 00:48:18,439
Speaker 6: The tour is not free? What do you mean?

888
00:48:18,640 --> 00:48:21,279
Speaker 4: And it comes afterwards you find out how much it is.

889
00:48:21,520 --> 00:48:24,239
Speaker 4: He'll like You're like, so, like, how much is this

890
00:48:24,360 --> 00:48:25,759
Speaker 4: and he's like, oh, we'll figure it out. And then

891
00:48:25,800 --> 00:48:27,959
Speaker 4: when the tour is over, then you get.

892
00:48:27,920 --> 00:48:30,320
Speaker 2: Hit with them, and there are options other than money

893
00:48:30,640 --> 00:48:34,680
Speaker 2: to pay and happetizing.

894
00:48:35,960 --> 00:48:36,960
Speaker 14: Playing installments.

895
00:48:37,880 --> 00:48:43,760
Speaker 4: It's not Yes, there is a yeah, no one tours

896
00:48:43,800 --> 00:48:53,240
Speaker 4: for free. So let's do something off idiot dealer's choice

897
00:48:54,560 --> 00:48:57,040
Speaker 4: a Medley Gould act. It would be really nice.

898
00:48:57,120 --> 00:49:01,880
Speaker 1: It would be nice, sort of a juke box medley.

899
00:49:02,440 --> 00:49:04,560
Speaker 1: I'm trying to remember full of our Broken Dreams?

900
00:49:04,600 --> 00:49:05,200
Speaker 6: How it starts?

901
00:49:05,440 --> 00:49:10,920
Speaker 2: Uh walk a lonely run down the boulevarda broken dreams?

902
00:49:14,320 --> 00:49:22,120
Speaker 19: Yes, yes, Paul, have us back on Spot. We haven't

903
00:49:22,160 --> 00:49:24,759
Speaker 19: been on Spot in over a year.

904
00:49:25,239 --> 00:49:29,160
Speaker 1: Sorry, I ruined the improv. I promise to tone it.

905
00:49:29,200 --> 00:49:33,160
Speaker 18: Down up and this time Scott you had shown on

906
00:49:33,800 --> 00:49:39,120
Speaker 18: Comedy Bang Bang by himself is now it is cases

907
00:49:39,280 --> 00:49:42,759
Speaker 18: turned to bring me on the show because I want

908
00:49:42,760 --> 00:49:43,560
Speaker 18: to be alone.

909
00:49:45,680 --> 00:49:47,040
Speaker 1: Any show.

910
00:49:55,960 --> 00:50:00,400
Speaker 2: That's good, I don't Yeah, I don't know why I

911
00:50:00,400 --> 00:50:01,800
Speaker 2: said any show at the end.

912
00:50:02,080 --> 00:50:04,080
Speaker 6: Because there are some shows that we do not want

913
00:50:04,120 --> 00:50:05,360
Speaker 6: to do. You will not do.

914
00:50:05,840 --> 00:50:09,239
Speaker 1: Yeah, there's a couple I would do.

915
00:50:15,200 --> 00:50:15,960
Speaker 6: What song is this?

916
00:50:20,320 --> 00:50:21,120
Speaker 1: I think it's American?

917
00:50:21,120 --> 00:50:21,480
Speaker 6: Idiot.

918
00:50:21,680 --> 00:50:25,000
Speaker 1: Have you guys seen the documentary about the musical?

919
00:50:25,360 --> 00:50:33,560
Speaker 20: Oh no, it's about like well that musical is based

920
00:50:33,600 --> 00:50:35,600
Speaker 20: on a lot of real things that really did happen

921
00:50:35,600 --> 00:50:39,080
Speaker 20: to people, because like Jimmy is like one of the

922
00:50:39,080 --> 00:50:42,600
Speaker 20: main Yeah, and he's like one of these guys actually

923
00:50:42,600 --> 00:50:43,160
Speaker 20: goes off.

924
00:50:43,040 --> 00:50:49,600
Speaker 4: To war and steps on a frigging bomb unexplode. Yes,

925
00:50:50,360 --> 00:50:56,320
Speaker 4: and another guy ends up having to do drugs resident yeah.

926
00:50:56,440 --> 00:50:59,719
Speaker 1: Yes, And the American Idiot is revealed at the end.

927
00:50:59,800 --> 00:51:02,759
Speaker 4: They c I want people to actually be able to

928
00:51:02,800 --> 00:51:05,000
Speaker 4: go see this thing, but yes, it is revealed at

929
00:51:05,040 --> 00:51:09,840
Speaker 4: the end that the actual American Idiot is George Bush. Yeah,

930
00:51:09,880 --> 00:51:11,600
Speaker 4: but it is part of like part of it is

931
00:51:11,640 --> 00:51:14,120
Speaker 4: like being not just being told that at the beginning.

932
00:51:14,160 --> 00:51:17,000
Speaker 4: It's like you watch the thing and then yeah, yes.

933
00:51:17,000 --> 00:51:22,840
Speaker 1: All, like all the swift Boat stuff is in there. Okay,

934
00:51:22,840 --> 00:51:23,680
Speaker 1: that's a good song.

935
00:51:23,960 --> 00:51:25,480
Speaker 6: What do you what else do we need?

936
00:51:26,239 --> 00:51:27,920
Speaker 1: What do we get in? Is there like.

937
00:51:29,840 --> 00:51:34,320
Speaker 4: Like a song that you want to say about you

938
00:51:34,440 --> 00:51:37,480
Speaker 4: want to do you know, because it is like often yes,

939
00:51:37,520 --> 00:51:39,640
Speaker 4: well with my own we have said.

940
00:51:39,680 --> 00:51:41,040
Speaker 1: Your thing is kind of like.

941
00:51:41,000 --> 00:51:42,920
Speaker 2: Oh yeah, yeah, a lot of times give people an

942
00:51:42,920 --> 00:51:44,600
Speaker 2: opportunity to talk about what they have going on.

943
00:51:44,880 --> 00:51:47,799
Speaker 4: Yeah, okay, and your performance style is kind of like

944
00:51:48,960 --> 00:51:52,319
Speaker 4: this is about me. We're like thinking about me and

945
00:51:52,400 --> 00:51:56,920
Speaker 4: I am thinking only about myself? Yeah, so yeah, I

946
00:51:56,920 --> 00:51:58,160
Speaker 4: guess if you need to sort.

947
00:51:58,000 --> 00:51:58,799
Speaker 6: Of let that out.

948
00:51:58,960 --> 00:52:03,160
Speaker 1: So a plug theme song or not a plug theme.

949
00:52:04,440 --> 00:52:06,560
Speaker 6: Yeah, that's that's a great show too.

950
00:52:06,640 --> 00:52:12,080
Speaker 1: We love I mean a theme song, a personal theme song. Yeah,

951
00:52:12,280 --> 00:52:15,680
Speaker 1: my own plugs in it. Yes, that could be good. Yeah, okay,

952
00:52:19,560 --> 00:52:21,240
Speaker 1: and Brett maybe you could help.

953
00:52:22,920 --> 00:52:34,160
Speaker 14: You know, Okay, Yeah, I just played Hey, Hey, this

954
00:52:34,280 --> 00:52:35,279
Speaker 14: is my gol.

955
00:52:36,400 --> 00:52:40,520
Speaker 13: I'llow me playing around.

956
00:52:40,880 --> 00:52:42,040
Speaker 12: This is my girl.

957
00:52:43,280 --> 00:52:45,600
Speaker 13: I'llow me playing around.

958
00:52:47,520 --> 00:52:51,920
Speaker 1: Nothing soon. I don't have shows anymore.

959
00:52:53,320 --> 00:52:55,359
Speaker 13: I just played one last night.

960
00:52:56,920 --> 00:53:00,600
Speaker 1: A lot of time here as you missed it. I

961
00:53:00,760 --> 00:53:04,040
Speaker 1: got nothing else to say.

962
00:53:05,040 --> 00:53:41,879
Speaker 13: I just got this from myca.

963
00:53:27,080 --> 00:53:27,759
Speaker 4: Bye.

964
00:53:36,280 --> 00:53:39,000
Speaker 1: Yes, way, I had an idea.

965
00:53:39,239 --> 00:53:42,200
Speaker 2: Okay, Michael, play one of your songs and I'm going

966
00:53:42,239 --> 00:53:44,600
Speaker 2: to sing about how the show's over to your song.

967
00:53:45,960 --> 00:53:52,480
Speaker 1: Uh okay, Yeah, you're.

968
00:53:52,160 --> 00:53:53,520
Speaker 6: Didn't even know his own songs.

969
00:53:59,080 --> 00:54:04,640
Speaker 12: I haven't and park as far a long time. I

970
00:54:04,680 --> 00:54:07,759
Speaker 12: don't want to be on my no more and Hi

971
00:54:08,160 --> 00:54:15,560
Speaker 12: don't they come Bunny. I've been hanging out with Hayes

972
00:54:15,800 --> 00:54:18,760
Speaker 12: and Bread now I don't.

973
00:54:18,520 --> 00:54:19,640
Speaker 1: Want to do the show.

974
00:54:20,040 --> 00:54:24,960
Speaker 8: This is the episode.

975
00:54:25,960 --> 00:54:38,440
Speaker 4: No more shows on ear Wolf any word. We're done

976
00:54:38,440 --> 00:54:46,680
Speaker 4: with shows, and this.

977
00:54:46,760 --> 00:54:55,120
Speaker 2: Is a real by this time, Yes bye, Yes, I'm

978
00:54:55,120 --> 00:54:58,200
Speaker 2: a horny girl Wolf. This has been an Earwolf production,

979
00:54:58,560 --> 00:55:02,440
Speaker 2: executive produced by Scott Document, Colin Anderson, and Chris Bannon.

980
00:55:02,560 --> 00:55:05,640
Speaker 2: For more information and content, visit earwolf dot com.

981
00:55:06,200 --> 00:55:09,239
Speaker 16: Ow m HM