WEBVTT - QLS Classic: Scarface

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<v Speaker 1>Questlove Supreme is a production of iHeartRadio. This classic episode

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<v Speaker 1>was produced by the team at Pandora.

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<v Speaker 2>What's Up, Everybody? It's Sugasteau from Team Supreme. June marks

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<v Speaker 2>Black Music Month. We often speak about it on Questlove

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<v Speaker 2>Supreme and we've had some of the legends responsible for

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<v Speaker 2>the recognition on the show. Every day this June, we

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<v Speaker 2>are running a different episode from the QLs archives to

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<v Speaker 2>honor the tradition and attendant of Black Music Month. This

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<v Speaker 2>week we are focusing on some of the great hip.

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<v Speaker 3>Hop conversations in the QLs catalog.

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<v Speaker 2>Our leader Questlove has a new book out called hip

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<v Speaker 2>Hop's History. Check it out at questlove dot com. Today,

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<v Speaker 2>we look back at a twenty eighteen interview with the

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<v Speaker 2>one and Only Scarface. Earlier this month, the Houston legend

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<v Speaker 2>performed at the Ruse Picnic.

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<v Speaker 4>Listen back as he talks ghetto boys, solo career, and

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<v Speaker 4>much more.

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<v Speaker 5>Four Boys of what You'll see a genius We go.

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<v Speaker 6>Supremo, Supremo, Supremo, Role, Supremo, Supremo, Supremo, Supremo Role.

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<v Speaker 5>Yeah, my words in my bass, Yeah, I called you

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<v Speaker 5>don't fuck it. That's all.

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<v Speaker 6>Supremo Supremo Role Supremo Supremo.

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<v Speaker 3>Rod My name is Fante Yeah, Pure Satisfaction. Yeah, with

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<v Speaker 3>the King of the South. Yeah, DJ Action Supremo Supremo,

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<v Speaker 3>Role called Supremo.

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<v Speaker 4>Roll call.

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<v Speaker 5>My name is Sugar Yo.

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<v Speaker 7>Yeah.

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<v Speaker 2>I'm disappointed though I thought I was gonna meet Al Pacino.

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<v Speaker 6>Supreval roll Suprema Son Son Supremo.

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<v Speaker 4>Roll call.

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<v Speaker 5>I'm on pay Bill. Yeah, not feeling mad. Yeah, welcome

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<v Speaker 5>Scarface Yeah, real name Brad.

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<v Speaker 6>Suprema Supremo. Roll called Suprema Son Supremo.

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<v Speaker 7>Roll call best like em Yeah with scarfre is in

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<v Speaker 7>the place. Yeah, and it feels real weird. Yeah, but

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<v Speaker 7>I love Faces Rome.

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<v Speaker 6>Supremo. Roll cueing up right now, sure, roll call.

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<v Speaker 3>My name is Space Yeah at X Yeah, talk that ship. Yeah,

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<v Speaker 3>I'm the best. Roll call.

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<v Speaker 6>Suppreval roll call Brema Sun Sun, roll call Suprema Son

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<v Speaker 6>Sun Supremo.

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<v Speaker 3>Roll called Suprema.

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<v Speaker 5>Yes Sun Supremo roll call. Wait before I start the

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<v Speaker 5>introduction for Layah.

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<v Speaker 3>Anyway, ladies and gentlemen, welcome to a special South by

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<v Speaker 3>Southwest edition of Course Left Supreme, brought to you by

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<v Speaker 3>the fine folks of Pandora.

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<v Speaker 5>Thank you all for coming out.

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<v Speaker 3>Thank you for Ben.

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<v Speaker 5>We are live outside behind a gas station. Tattoo Polo.

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<v Speaker 3>Actually, I'm trying to go to that tattoo, Paula. Yeah,

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<v Speaker 3>I'm going to get ink up.

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<v Speaker 5>We'll join you.

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<v Speaker 3>We'll all get the same collectively, all do that together.

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<v Speaker 3>To my far right, I will say this is the

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<v Speaker 3>god of blue collar grown man music. Make yes, yes,

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<v Speaker 3>please support. No news is good news by our very

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<v Speaker 3>own Finn Tiglo. What I gotta see your last name

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<v Speaker 3>with this foma uh. And to his left is uh

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<v Speaker 3>the super Uh when I say the super engineer for

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<v Speaker 3>all those soul quarying classics you love by the Roots

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<v Speaker 3>and Eric Abaudu and di'angelo and wowl blah.

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<v Speaker 5>Blah, this man is the roots I forgot. Yeah us too.

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<v Speaker 3>Uh. This is an also a host of chatting with

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<v Speaker 3>Sugar on Instagram. Follow this man, we we need him

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<v Speaker 3>to have more followers.

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<v Speaker 5>S U g A.

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<v Speaker 3>Sugar, Steve s t E v E. Sugar Steve uh

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<v Speaker 3>mandel right here to uh police clap.

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<v Speaker 5>And uh, my far life is my my fellow Hamiltonian.

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<v Speaker 5>That sounds regal as fuck.

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<v Speaker 3>I don't think yeah or hamilt Yeah, this is my

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<v Speaker 3>my Hamilton brother right here. And also the the only

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<v Speaker 3>member of q O l S. It's one step away

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<v Speaker 3>from an egot or ghetto. We called it ghetto that

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<v Speaker 3>g d E and the T. He's just waiting on

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<v Speaker 3>the O day. Hope to be ghetto one day. You

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<v Speaker 3>want to be ghetto, man, I'm telling you. And also

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<v Speaker 3>the God of the children is children's television workshops still

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<v Speaker 3>a thing?

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<v Speaker 5>Or now sesame streets on HB.

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<v Speaker 3>My boss is here, boss television works out still think no,

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<v Speaker 3>it's not works Okay, I'll just took it over. Okay,

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<v Speaker 3>I see anyway, give it up for unpaid bill.

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<v Speaker 5>Two of my far left, please.

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<v Speaker 3>They're not it hurts yes. And the the first lady

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<v Speaker 3>of q l S. She organizes our lives and disrupts it.

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<v Speaker 3>We haven't called her that in a second. I forgot

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<v Speaker 3>I've been here in a minute. Well now now we

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<v Speaker 3>we we dubbed her. It's like you so ladies and gentlemen,

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<v Speaker 3>please give it up for it.

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<v Speaker 5>It's like.

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<v Speaker 7>Thank you'll all right?

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<v Speaker 5>And uh, what can I say?

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<v Speaker 3>You know, our guess is practically on every top five

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<v Speaker 3>list of your favorite MC's MC ever compiled.

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<v Speaker 5>If you ask any MC that you respect.

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<v Speaker 3>That from anywhere from respect, Yeah, this man is in

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<v Speaker 3>easily in their top five or their top three.

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<v Speaker 5>Most of the times he's number one. You know what

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<v Speaker 5>I'm saying.

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<v Speaker 3>Uh. From his days of being the the the PM,

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<v Speaker 3>mar C's Nightmare posted War as one third of the

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<v Speaker 3>highly influential UH Boy. Yeah, from his jaw dropping sol

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<v Speaker 3>outputs as as uh as a solo artist classics as

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<v Speaker 3>uh missus Scarface's back, the world is yours, the fixed

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<v Speaker 3>last of the dying breed, especially the Diary.

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<v Speaker 5>And let's not forget his appearance as Upgrade. Yes, yes,

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<v Speaker 5>shot right here in at XO.

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<v Speaker 3>Did not to mention you. You've appeared with every hip

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<v Speaker 3>hop god You've you've been on, from Big to jay

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<v Speaker 3>Z Too Too Short to to Tupac to Devin the

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<v Speaker 3>Dude Too. I can name them all, but we'll be

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<v Speaker 3>here all day. Ladies and gentlemen, please give it up

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<v Speaker 3>for God himself. Scarface. Yes, yes, I appreciate that introduction.

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<v Speaker 5>How you doing, man? I'm doing good? How y'all doing so?

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<v Speaker 5>Am I allowed to call you?

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<v Speaker 3>I know?

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<v Speaker 5>Rappers or are no? Man? We're friends for real, don't Yeah.

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<v Speaker 3>I know what I'm saying When I see you what, Brad,

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<v Speaker 3>But exactly, I know that you know we're in a

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<v Speaker 3>professional settings and you know I'm still I'm still be red, Okay,

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<v Speaker 3>and then.

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<v Speaker 5>That's be ill. That's right, don't forget to forget it tomorrow.

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<v Speaker 5>Be ill.

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<v Speaker 3>How you doing today, bro? I can't complain about it, man,

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<v Speaker 3>I'm enjoying it. It looking good, man, I feel pretty good.

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<v Speaker 3>I mean, I'll say, in the last two years when

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<v Speaker 3>I've seen you, are you used to people doing double

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<v Speaker 3>takes and still like not knowing it?

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<v Speaker 5>That that you when you come up and say, how

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<v Speaker 5>doing no like it's the fifteen year old bread? Yeah?

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<v Speaker 3>I want to see I want the secret of age regression.

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<v Speaker 3>We were talking back stage earlier. You said you don't

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<v Speaker 3>do no bread now like I'm not doing no bread. Wow,

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<v Speaker 3>A chill on the bread, and I'm getting ready to

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<v Speaker 3>do this this this uh uh intestinal cleanse. Okay, No,

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<v Speaker 3>I don't know. The dude was talking about some testing

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<v Speaker 3>ship and it says that that it's just gonna bust

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<v Speaker 3>your ass wide open, stay.

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<v Speaker 5>In the house for like two weeks.

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<v Speaker 3>What right?

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<v Speaker 4>That doesn't start today?

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<v Speaker 5>Though?

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<v Speaker 3>I took my first shot today, so we got I

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<v Speaker 3>was kidding, but yeah, if you smell something found less

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<v Speaker 3>mean you dropped like you dropped like one hundred over

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<v Speaker 3>the past coup of years.

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<v Speaker 5>Right, how long it was? Five years?

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<v Speaker 3>Oh?

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<v Speaker 5>Wow? Yeah?

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<v Speaker 3>What was it? What did you do?

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<v Speaker 5>Like cleanses and eating right and running and.

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<v Speaker 7>Uh and having a five year old?

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<v Speaker 5>No that came later.

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<v Speaker 3>Can I can I ask though? Can one fully commit?

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<v Speaker 3>I mean, I know we're in Austin, where Austin is

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<v Speaker 3>quote weird, but can one fully commit to a healthy

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<v Speaker 3>lifestyle below the Mason Dixon line?

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<v Speaker 5>Hard?

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<v Speaker 3>If you want to south, if your life is on

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<v Speaker 3>the line, you gotta do with what what what they say?

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<v Speaker 7>Do?

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<v Speaker 5>Oh that's your yo.

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<v Speaker 7>But I was in the fifth Ward last year and

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<v Speaker 7>I was trying to find greens. It was really hard.

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<v Speaker 5>Well, you didn't go to the right spot in the ghetto.

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<v Speaker 5>They ain't got no healthy story.

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<v Speaker 7>This is what I'm saying.

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<v Speaker 5>They got they got fucking uh.

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<v Speaker 3>The little uh Chinese little spots that they that the

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<v Speaker 3>soul food, that's the new soul food. Yeah, so you

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<v Speaker 3>got to go to a TV shout out to a

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<v Speaker 3>g B B because my buddy was like a higher

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<v Speaker 3>up at hg BE and he passed away.

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<v Speaker 4>Are you shouting out heaps of them on the stage.

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<v Speaker 4>I don't know what's going on here?

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<v Speaker 5>What is a GV? Never mind.

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<v Speaker 3>Outside Joe, but they really really take care of the people, man.

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<v Speaker 3>So I got a lot of respect for those guys.

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<v Speaker 3>And I don't spend no money nowhere else but there.

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<v Speaker 3>That's what's up. So you were born in the fifth Ward,

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<v Speaker 3>correct sir, yo every every time, like, oh for one

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<v Speaker 3>hundred on that from the south side.

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<v Speaker 7>Man.

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<v Speaker 5>Okay, but you were born in Houston. Correct? Pretty much

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<v Speaker 5>you're going outside of Houston. Still wrong? May close enough Houston.

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<v Speaker 5>I guess I'm a Houstonian. Okay, I'm a native Houstonian.

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<v Speaker 3>Cool, Okay, Well yeah, I actually I don't know much

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<v Speaker 3>about your your your early beginnings, like what was your

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<v Speaker 3>childhood like as far as before you got into hip hop,

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<v Speaker 3>Like it was a lot of funk and rock and roll. Really,

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<v Speaker 3>I'm I'm a walking encyclopedia. When it comes to funk

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<v Speaker 3>and rock and roll, it's you know, soul, not R

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<v Speaker 3>and B.

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<v Speaker 5>Yes, soul. Okay, we'll explain to me, Like what was

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<v Speaker 5>your what was your household?

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<v Speaker 3>Like, like, how did you so when my mom went

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<v Speaker 3>to work, I went to my grandmother's house, and all

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<v Speaker 3>my uncles were in the rock and roll, so we

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<v Speaker 3>played you know, uh thin Lizzy, Ted Nugent, Uh fucking.

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<v Speaker 5>You're a big Pink Floyd fan, right Pink Floyd Rush.

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<v Speaker 3>But when we got home, we listened to Marvin Gaye

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<v Speaker 3>and Prince you know Osley Brothers.

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<v Speaker 5>That was at my mom's house. At my grandmother's house

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<v Speaker 5>was rocked out.

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<v Speaker 3>Oh wow, was that unusual though for your Like why

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<v Speaker 3>were your uncles into that particular?

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<v Speaker 5>I don't know. I just that's hot.

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<v Speaker 3>That's what I grew up here, So I don't I

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<v Speaker 3>didn't know it was anything. It's supposed to be different

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<v Speaker 3>about it. You feel me like, I didn't know even.

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<v Speaker 7>When you talk to your friends about music.

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<v Speaker 5>I grew up around all my uncle so I could

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<v Speaker 5>fight real good.

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<v Speaker 3>So no one tests a year. My grandma think me, man,

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<v Speaker 3>we fight like okay, okay, fight with my uncles. I

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<v Speaker 3>was a little dude fighting the big dudes. So ano

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<v Speaker 3>that you're a guitarist, so like, how still I'm pretty good?

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<v Speaker 3>I don't remember that you Are you related to Johnny Nash? Yes,

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<v Speaker 3>I can see clearly now, Wow, he's your cousin. Does

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<v Speaker 3>your family come from Jamaica or is he just know

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<v Speaker 3>what happened?

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<v Speaker 5>Is Johnny from Houston? What about that accent? Though?

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<v Speaker 3>He don't got no accent? Your faking accent? Johnny don't

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<v Speaker 3>got no Jamaican accent? You serious?

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<v Speaker 5>Oh god?

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<v Speaker 7>People just affiliate that song with like no, he wrote

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<v Speaker 7>a lot of records for ball Mally too.

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<v Speaker 5>Did you know that?

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<v Speaker 4>Yes?

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<v Speaker 5>Okay, I would assume that he came from Jamaica.

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<v Speaker 3>So he's from Houston, Texas South Park, Damn man, John

0:13:05.080 --> 0:13:08.319
<v Speaker 3>Andy Coole as hell too. He got a song that's

0:13:08.360 --> 0:13:11.800
<v Speaker 3>gonna last forever, man, like you know, your kids, kids,

0:13:11.960 --> 0:13:12.480
<v Speaker 3>kids don't know.

0:13:12.520 --> 0:13:15.199
<v Speaker 5>I can see everybody knows the way. I got a

0:13:15.240 --> 0:13:20.040
<v Speaker 5>better one than that. What he wrote? Hercules Brothers the cartoon?

0:13:21.400 --> 0:13:22.000
<v Speaker 5>What wait?

0:13:22.080 --> 0:13:27.200
<v Speaker 3>What what's going on? They had a cartoon called Hercules.

0:13:27.320 --> 0:13:33.560
<v Speaker 3>Y'all remember he wrote the fucking ship for it. Sorry

0:13:35.280 --> 0:13:38.800
<v Speaker 3>we should I didn't know that. I didn't wow Hercules

0:13:39.280 --> 0:13:46.040
<v Speaker 3>that's him? Oh wow, yeah wow. So he just left Hercules.

0:13:46.200 --> 0:13:51.320
<v Speaker 3>He left the music, went to Jamaica, really left Hercules went.

0:13:51.240 --> 0:13:52.160
<v Speaker 5>To Bob as you do.

0:13:53.280 --> 0:13:55.920
<v Speaker 3>Yeah, that's then I know that.

0:13:56.120 --> 0:13:58.600
<v Speaker 5>Is he a first cousin or second cousin or first cousin.

0:13:58.760 --> 0:14:02.760
<v Speaker 3>Okay, yeah, I think that his grandfather and my grandfather

0:14:02.960 --> 0:14:04.960
<v Speaker 3>was brothers and some ship.

0:14:05.000 --> 0:14:08.920
<v Speaker 5>I don't know. It was old folks. I annoyed.

0:14:09.040 --> 0:14:12.480
<v Speaker 3>We cousins and we be hanging out and I haven't

0:14:12.520 --> 0:14:15.240
<v Speaker 3>seen him in the about eight months though.

0:14:15.559 --> 0:14:18.679
<v Speaker 5>Okay, oh, so you're still live and yeah, you're alive,

0:14:18.760 --> 0:14:21.280
<v Speaker 5>and well he lives in Houston, very rich.

0:14:21.760 --> 0:14:23.080
<v Speaker 4>Can he still see clearly?

0:14:23.840 --> 0:14:25.640
<v Speaker 5>You know what that may be? That's a good question.

0:14:26.240 --> 0:14:29.360
<v Speaker 5>That's a good question. I don't know. That was. That

0:14:29.520 --> 0:14:33.480
<v Speaker 5>was a good one seen him? Do I get a yes? Sorry,

0:14:39.440 --> 0:14:49.160
<v Speaker 5>it already happened a Q. Yes, don't do that, Steve.

0:14:50.400 --> 0:14:50.960
<v Speaker 5>I won't say.

0:14:53.720 --> 0:14:54.800
<v Speaker 4>I'm not going to do better than that.

0:14:56.640 --> 0:15:00.120
<v Speaker 5>That was. That was the best one. So what what

0:15:00.400 --> 0:15:03.080
<v Speaker 5>was the The only Houston resident that we've had on

0:15:03.200 --> 0:15:07.120
<v Speaker 5>the show is Premiere. So how premiere not from Houston?

0:15:07.200 --> 0:15:07.320
<v Speaker 3>Man?

0:15:08.920 --> 0:15:11.440
<v Speaker 4>We got a map and like that ancestry dot com

0:15:11.520 --> 0:15:11.760
<v Speaker 4>up here.

0:15:12.960 --> 0:15:14.760
<v Speaker 5>I think Premiere from prayv you and some ship.

0:15:15.680 --> 0:15:19.200
<v Speaker 3>Yet it's not Houston man. Okay, all right, so whostone

0:15:19.240 --> 0:15:20.720
<v Speaker 3>anybody from Houston?

0:15:21.440 --> 0:15:22.240
<v Speaker 7>So break down.

0:15:23.720 --> 0:15:26.720
<v Speaker 3>If you have heard him say that he had Houston roots,

0:15:26.760 --> 0:15:30.200
<v Speaker 3>but it might be BV roots, Okay, but we love Premier.

0:15:30.240 --> 0:15:31.160
<v Speaker 5>He's dope and he's dope.

0:15:31.240 --> 0:15:35.200
<v Speaker 3>Right yeah, all right, you set me straight, and my

0:15:35.400 --> 0:15:40.360
<v Speaker 3>ongoing uh ignorance of geography continues.

0:15:39.920 --> 0:15:42.440
<v Speaker 5>On the show. It's really you can be I don't know, well, no,

0:15:42.680 --> 0:15:42.920
<v Speaker 5>not really.

0:15:42.960 --> 0:15:45.360
<v Speaker 3>You can't really get prav confused with Houston because it's

0:15:45.400 --> 0:15:46.120
<v Speaker 3>not really that close.

0:15:46.840 --> 0:15:49.160
<v Speaker 5>Okay, that ship is like an hour away or something.

0:15:49.720 --> 0:15:51.800
<v Speaker 7>I mean, Textas is big as ship outside. We're just

0:15:51.840 --> 0:15:54.480
<v Speaker 7>trying to learn it's big, you know, man. But because

0:15:54.480 --> 0:15:58.280
<v Speaker 7>you don't even know the different personalities between you know, Austin, Texas, Dallas.

0:15:58.320 --> 0:16:00.160
<v Speaker 7>Everybody got different personalities.

0:15:59.680 --> 0:16:02.080
<v Speaker 5>Right, let me break down the pres here we go.

0:16:03.920 --> 0:16:06.240
<v Speaker 3>Okay, me being from Houston, like I love Houston, right,

0:16:07.040 --> 0:16:09.240
<v Speaker 3>but I also know that that that Houston is like

0:16:10.920 --> 0:16:14.560
<v Speaker 3>it's a SYRP town, so it's cool and laid back

0:16:14.600 --> 0:16:22.880
<v Speaker 3>and slow, all right. Dallas it's like like fucking Mars.

0:16:23.000 --> 0:16:26.160
<v Speaker 3>Like it's a totally different world in Dallas than it

0:16:26.280 --> 0:16:29.160
<v Speaker 3>is in Houston and Austin.

0:16:30.360 --> 0:16:34.640
<v Speaker 5>It's like a small like Humbo County.

0:16:34.800 --> 0:16:39.400
<v Speaker 3>Like it's like it's like everybody's doing their own ship

0:16:39.520 --> 0:16:40.840
<v Speaker 3>and enjoying it.

0:16:40.960 --> 0:16:43.360
<v Speaker 5>You know what I mean, nobody's mad. They go out,

0:16:43.440 --> 0:16:45.920
<v Speaker 5>they they jam, they party.

0:16:45.960 --> 0:16:49.040
<v Speaker 3>They have south By Southwest, they have Austin City limits

0:16:49.120 --> 0:16:49.960
<v Speaker 3>or whatever that ship is.

0:16:50.040 --> 0:16:52.640
<v Speaker 5>For the record, Austin is my second favorite city on

0:16:52.720 --> 0:16:55.239
<v Speaker 5>the earth. This is the ship, Like, this is badass.

0:16:55.640 --> 0:16:58.480
<v Speaker 3>If I were to retired, this is the second this

0:16:58.560 --> 0:17:01.920
<v Speaker 3>is the second city on my time. This is like

0:17:02.600 --> 0:17:04.920
<v Speaker 3>Austin is in the class by itself. I wish that

0:17:05.040 --> 0:17:06.840
<v Speaker 3>they would legalize marijuana here.

0:17:08.680 --> 0:17:10.240
<v Speaker 7>South in the Texas were all that with that?

0:17:10.359 --> 0:17:10.720
<v Speaker 5>Not y'all?

0:17:10.960 --> 0:17:11.879
<v Speaker 7>Damn it got quiet.

0:17:14.080 --> 0:17:17.639
<v Speaker 3>I don't give I think I think Austin's with you.

0:17:17.760 --> 0:17:20.080
<v Speaker 3>I think it's the rest of Texas coming to board.

0:17:20.440 --> 0:17:23.119
<v Speaker 3>I think all of the fucking old people need to

0:17:23.240 --> 0:17:28.160
<v Speaker 3>die and let us have it. I don't give what funk.

0:17:30.680 --> 0:17:34.639
<v Speaker 3>So how did how did hip hop culture reach you

0:17:35.000 --> 0:17:40.760
<v Speaker 3>in in Houston? It started with music, you know, it

0:17:40.840 --> 0:17:42.840
<v Speaker 3>started with music. It started it started with growing up

0:17:42.880 --> 0:17:45.240
<v Speaker 3>in a band. I started to learned how to play ship.

0:17:46.000 --> 0:17:47.760
<v Speaker 3>You know. So you were in high school bands and

0:17:47.800 --> 0:17:52.720
<v Speaker 3>then I was in elementary school, junior high school bands.

0:17:52.760 --> 0:17:55.440
<v Speaker 3>I'm talking about bands like everybody when I when I

0:17:55.480 --> 0:17:58.320
<v Speaker 3>was growing up, everybody played something, you know, everybody had

0:17:58.359 --> 0:18:00.119
<v Speaker 3>a bass, so somebody had some drums in their so

0:18:00.200 --> 0:18:02.400
<v Speaker 3>somebody had to guitar, somebody blew the horn, and some ship.

0:18:02.960 --> 0:18:06.760
<v Speaker 3>Now that they've taken the the music out of the

0:18:06.800 --> 0:18:09.359
<v Speaker 3>schools and then we're suffering. You know, music was like

0:18:09.440 --> 0:18:12.080
<v Speaker 3>a universal language. Man, we all love that shit so

0:18:12.280 --> 0:18:13.320
<v Speaker 3>now and now it's gone.

0:18:13.520 --> 0:18:16.800
<v Speaker 5>But excuse me. I grew up in that. I grew

0:18:16.840 --> 0:18:18.879
<v Speaker 5>up in music, and when.

0:18:18.800 --> 0:18:23.200
<v Speaker 3>Hip hop came, you know, it was mind blowing because

0:18:23.280 --> 0:18:25.879
<v Speaker 3>I've seen some people that was like me. They was

0:18:26.000 --> 0:18:31.960
<v Speaker 3>kids and they was jamming. You know, Uh, what's the ship?

0:18:32.240 --> 0:18:34.840
<v Speaker 3>Rappers Delight was one of the first hip hop songs

0:18:34.880 --> 0:18:40.440
<v Speaker 3>I had heard. My cousin is from New York, so

0:18:40.560 --> 0:18:42.240
<v Speaker 3>I spent a lot of time up there and I

0:18:42.359 --> 0:18:44.399
<v Speaker 3>heard a lot of shit. So it was kind of

0:18:44.440 --> 0:18:47.200
<v Speaker 3>like cheating a little bit because them they could really

0:18:47.240 --> 0:18:50.680
<v Speaker 3>really rap and I can really really rap too, So

0:18:50.800 --> 0:18:51.760
<v Speaker 3>we had a lot a lot of.

0:18:51.760 --> 0:18:54.119
<v Speaker 5>Fun, you know what I mean. So you guys, and

0:18:54.160 --> 0:18:56.360
<v Speaker 5>that's how you got a lot of your education. I did. Well.

0:18:56.400 --> 0:18:59.600
<v Speaker 3>See that that shows why you're a cut above the

0:18:59.680 --> 0:19:03.000
<v Speaker 3>rest because you have you have that early education.

0:19:02.760 --> 0:19:05.159
<v Speaker 5>With I was. I was, I was way in the

0:19:05.240 --> 0:19:08.200
<v Speaker 5>hip hop like way ahead in hip hop.

0:19:08.320 --> 0:19:10.159
<v Speaker 3>Do you remember how old you were? How old you

0:19:10.200 --> 0:19:17.560
<v Speaker 3>were when you wrote your first round? Probably was about

0:19:17.600 --> 0:19:22.920
<v Speaker 3>fourteen fifteen. But what was the moment where you were like, Okay,

0:19:24.119 --> 0:19:28.560
<v Speaker 3>I seen a man die. Wow, That's when I knew, like,

0:19:28.720 --> 0:19:32.480
<v Speaker 3>oh shit, oh you mean literally not the song the

0:19:32.640 --> 0:19:34.320
<v Speaker 3>song I song.

0:19:36.359 --> 0:19:38.720
<v Speaker 5>If you ain't him to my in my catalog. That

0:19:38.840 --> 0:19:40.800
<v Speaker 5>was when I really knew that. Oh ship you guys,

0:19:41.200 --> 0:19:43.320
<v Speaker 5>when you broke that song, it took that long.

0:19:44.160 --> 0:19:46.720
<v Speaker 3>Yeah, yeah, yeah, it was all fun and games in

0:19:46.800 --> 0:19:48.960
<v Speaker 3>the beginning, right, You make a song and you go

0:19:49.080 --> 0:19:52.680
<v Speaker 3>home and ship and listen to it. Bro I broke

0:19:52.760 --> 0:19:57.480
<v Speaker 3>my fucking hand. I broke my hand, and I had

0:19:57.560 --> 0:20:00.359
<v Speaker 3>some painkillers, and I was I drink. I used to

0:20:00.400 --> 0:20:02.840
<v Speaker 3>drink a lot of Miller lights, and I smoked weed,

0:20:03.359 --> 0:20:06.800
<v Speaker 3>and I was so high, like I had never been

0:20:07.000 --> 0:20:07.760
<v Speaker 3>high in my life.

0:20:08.480 --> 0:20:13.240
<v Speaker 5>And I remember, Yo, can we hang out as we should?

0:20:14.960 --> 0:20:18.000
<v Speaker 5>Let me remind you awesome You called smoking going to

0:20:18.160 --> 0:20:26.360
<v Speaker 5>jail right? So quiet? No, it's quiet because.

0:20:28.400 --> 0:20:34.520
<v Speaker 2>Events staff, they're not they're not cops. No, sorry, So

0:20:34.720 --> 0:20:36.480
<v Speaker 2>you were saying you were high as fuck.

0:20:36.680 --> 0:20:40.960
<v Speaker 5>I was super high, super high, And then.

0:20:42.800 --> 0:20:46.000
<v Speaker 3>I remember being in the studio and the lights was off,

0:20:46.119 --> 0:20:49.120
<v Speaker 3>like like my it was dark, dark, dark, and all

0:20:49.160 --> 0:20:52.560
<v Speaker 3>you can see was the the glass. The engineer in

0:20:52.600 --> 0:20:55.680
<v Speaker 3>the glass was Mike Dean. It was just me and

0:20:55.840 --> 0:20:58.600
<v Speaker 3>Mike Dean in that studio, so was the engineer. That's

0:20:58.640 --> 0:21:03.320
<v Speaker 3>the inspiration for all the great song. No don't play

0:21:03.480 --> 0:21:03.960
<v Speaker 3>ship either.

0:21:06.600 --> 0:21:09.800
<v Speaker 5>I don't play that. So when.

0:21:12.920 --> 0:21:15.080
<v Speaker 3>The first words and the way that it was dark

0:21:15.160 --> 0:21:17.040
<v Speaker 3>and it was cold in there, and I don't like cold,

0:21:17.880 --> 0:21:21.040
<v Speaker 3>all right, So when those first words came.

0:21:20.920 --> 0:21:27.480
<v Speaker 5>Out right shot seal something my fucking body, I was like, oh.

0:21:29.200 --> 0:21:29.600
<v Speaker 3>You too.

0:21:30.400 --> 0:21:30.840
<v Speaker 5>It hit me.

0:21:31.320 --> 0:21:33.600
<v Speaker 3>It's kind of where I was. And it was at

0:21:33.720 --> 0:21:41.440
<v Speaker 3>that moment Brad and new he had sucked up. Right then,

0:21:41.920 --> 0:21:44.359
<v Speaker 3>it's right right then, hit. It's weird to hear you

0:21:44.440 --> 0:21:49.240
<v Speaker 3>have a spiritual experience about yourself, like you're also you're

0:21:49.320 --> 0:21:51.320
<v Speaker 3>also one of your your favorite rappers.

0:21:52.200 --> 0:21:54.359
<v Speaker 5>That's kind of cool. You don't really like me? No

0:21:55.119 --> 0:21:55.800
<v Speaker 5>really No.

0:21:57.000 --> 0:22:00.480
<v Speaker 3>It was that moment that I knew I have fucked up.

0:22:02.040 --> 0:22:05.200
<v Speaker 3>I hit that he greeted his father with this that ship.

0:22:05.560 --> 0:22:08.480
<v Speaker 5>I was like, tell us the line, the full line.

0:22:09.000 --> 0:22:12.439
<v Speaker 3>He greeted his father with his hands out rehabilitated, slightly,

0:22:13.119 --> 0:22:15.120
<v Speaker 3>glad to be the man's child. He glad to see

0:22:15.160 --> 0:22:17.320
<v Speaker 3>his old man when he walked out that bag. Shots

0:22:17.680 --> 0:22:20.640
<v Speaker 3>just shot that ship up your spine. Well, I don't

0:22:20.680 --> 0:22:22.560
<v Speaker 3>know if y'all ever had a really, really good nut,

0:22:23.080 --> 0:22:24.080
<v Speaker 3>but that's how it felt.

0:22:25.880 --> 0:22:27.480
<v Speaker 7>You'll learn maybe when your thirties.

0:22:30.200 --> 0:22:36.560
<v Speaker 5>I ain't am out of that, my bad man. I

0:22:36.760 --> 0:22:38.560
<v Speaker 5>want to apologize to Sesame Street.

0:22:43.240 --> 0:22:47.920
<v Speaker 3>So wait, what what I'm saying is you're saying that

0:22:48.040 --> 0:22:49.720
<v Speaker 3>when you wrote that, then you felt like you were

0:22:50.200 --> 0:22:54.960
<v Speaker 3>when I wrote it when you heard it back. Okay,

0:22:55.080 --> 0:22:57.960
<v Speaker 3>But I'm just saying, when in your teens did you

0:22:58.080 --> 0:23:00.800
<v Speaker 3>feel like Okay, I'm just gonna prosue.

0:23:00.920 --> 0:23:03.040
<v Speaker 5>You just mean you were just messing around that whole time?

0:23:03.800 --> 0:23:06.680
<v Speaker 5>Oh fucking right. I didn't even expect to get paid.

0:23:06.480 --> 0:23:09.040
<v Speaker 3>For it, even during my mind's playing tricks on hand

0:23:09.280 --> 0:23:11.040
<v Speaker 3>before I knew I wasn't get paid for that one.

0:23:11.080 --> 0:23:14.080
<v Speaker 3>But you know, I had no fucking idea that this

0:23:14.160 --> 0:23:18.719
<v Speaker 3>ship paid. Man, So like, huh yeah, he wait wait

0:23:18.760 --> 0:23:20.119
<v Speaker 3>wait wait wait wait wait wait wait wait wait you

0:23:20.200 --> 0:23:25.040
<v Speaker 3>mean you're trying to pay me yeah to rap? Yeah,

0:23:25.160 --> 0:23:29.520
<v Speaker 3>but I what but not the monetary reward of it.

0:23:29.880 --> 0:23:33.960
<v Speaker 3>I mean in terms of no fuck that a quest.

0:23:34.400 --> 0:23:35.840
<v Speaker 3>It was about the money when we was growing up,

0:23:35.840 --> 0:23:38.520
<v Speaker 3>because we ain't have none, right like that. She was

0:23:38.520 --> 0:23:41.399
<v Speaker 3>about the money, like we we did some ship that

0:23:41.600 --> 0:23:46.120
<v Speaker 3>was strictly for the money before a rap started. All right,

0:23:46.840 --> 0:23:48.520
<v Speaker 3>So when you said that you was gonna pay me

0:23:49.680 --> 0:23:52.240
<v Speaker 3>to rap and I had to do this no more,

0:23:53.520 --> 0:23:54.240
<v Speaker 3>A no brainer.

0:23:59.280 --> 0:24:01.639
<v Speaker 5>So when did when did y'all form Ghetto Boys? How

0:24:01.680 --> 0:24:02.280
<v Speaker 5>did that come about?

0:24:02.280 --> 0:24:08.879
<v Speaker 3>I wasn't there, So the original information was Johnny? So

0:24:09.080 --> 0:24:11.960
<v Speaker 3>why did how did they just? Or I guess asked

0:24:11.960 --> 0:24:15.560
<v Speaker 3>about J Prince? Like what is I've heard a lot

0:24:15.600 --> 0:24:21.160
<v Speaker 3>about the legend of J Prince, but can't I don't

0:24:21.200 --> 0:24:23.359
<v Speaker 3>know anything about him, but I know.

0:24:23.560 --> 0:24:26.320
<v Speaker 5>That it's it's a legend.

0:24:27.440 --> 0:24:28.520
<v Speaker 3>Who is JA what?

0:24:28.800 --> 0:24:31.520
<v Speaker 5>And who is J Prince? And how did he bring

0:24:31.600 --> 0:24:33.280
<v Speaker 5>you into the fold of the Ghetto Boys?

0:24:33.600 --> 0:24:37.479
<v Speaker 3>And in my opinion, Jay is a masterful thinker m hm.

0:24:38.240 --> 0:24:42.919
<v Speaker 3>He's probably up in the top tier of thinkers chess players.

0:24:42.960 --> 0:24:45.800
<v Speaker 3>If you know, like an Einstein type of motherfucker, that's him.

0:24:46.960 --> 0:24:48.600
<v Speaker 3>He has to be, because when you google him, you

0:24:48.680 --> 0:24:51.639
<v Speaker 3>can't find nothing about him. And that's the most amazing

0:24:51.720 --> 0:24:56.119
<v Speaker 3>he's I don't know, I would be more afraid of

0:24:56.840 --> 0:25:02.000
<v Speaker 3>James than Trump. Wow for real, yeah for real, Like

0:25:02.119 --> 0:25:07.080
<v Speaker 3>he's a masterful fucking thing. Yeah, he's a master strategist.

0:25:07.760 --> 0:25:10.119
<v Speaker 3>So how did you guys meet and how he did

0:25:10.200 --> 0:25:12.840
<v Speaker 3>he bring you into? Nah, it was like he heard

0:25:12.880 --> 0:25:16.159
<v Speaker 3>the song and he was like, Hey, we're gonna put

0:25:16.200 --> 0:25:17.080
<v Speaker 3>that guy in this group.

0:25:18.560 --> 0:25:19.359
<v Speaker 5>And that's what it was.

0:25:19.480 --> 0:25:22.280
<v Speaker 3>But that's not that's not an average thing. Like you know,

0:25:22.359 --> 0:25:25.159
<v Speaker 3>I got a group. Hey, I'm like, but you it

0:25:25.320 --> 0:25:28.359
<v Speaker 3>was like I got a group and Ghetto Boys cool,

0:25:28.840 --> 0:25:33.200
<v Speaker 3>You're gone, You're gone, You're in, You're cool.

0:25:34.520 --> 0:25:35.200
<v Speaker 5>My face is in.

0:25:35.880 --> 0:25:36.160
<v Speaker 3>Wow.

0:25:36.640 --> 0:25:38.520
<v Speaker 5>What you remember what record was it of yours that

0:25:38.600 --> 0:25:41.400
<v Speaker 5>he heard that makes the the original?

0:25:41.840 --> 0:25:42.080
<v Speaker 3>Wow?

0:25:42.440 --> 0:25:49.640
<v Speaker 5>Yeah fucked him up, Like, oh hell no, I don't

0:25:49.640 --> 0:25:52.560
<v Speaker 5>want no competition that. Yeah.

0:25:52.720 --> 0:25:56.600
<v Speaker 3>So was he the mastermind behind you guys just being

0:25:57.400 --> 0:25:59.600
<v Speaker 3>because when I when I first heard of y'all, I guess.

0:26:00.920 --> 0:26:01.720
<v Speaker 5>When Chuck G.

0:26:02.240 --> 0:26:04.720
<v Speaker 3>Chuck D shouted you guys out on Fear of a

0:26:04.800 --> 0:26:06.920
<v Speaker 3>Black Planet, That's the first time I heard of the

0:26:06.960 --> 0:26:07.600
<v Speaker 3>Ghetto Boys.

0:26:08.440 --> 0:26:09.760
<v Speaker 5>And then I'll say, like.

0:26:11.480 --> 0:26:14.639
<v Speaker 3>Maybe two months later, then suddenly you guys were just

0:26:14.760 --> 0:26:16.919
<v Speaker 3>I heard like I saw more of your press than

0:26:16.920 --> 0:26:21.359
<v Speaker 3>I heard the music because the controversy with the with

0:26:21.480 --> 0:26:24.560
<v Speaker 3>the pm r C and I guess, uh, I forget

0:26:24.640 --> 0:26:25.600
<v Speaker 3>who the head editor?

0:26:26.840 --> 0:26:29.760
<v Speaker 5>Well, no, no, the head editor of Billboard was Ted.

0:26:30.080 --> 0:26:30.199
<v Speaker 3>Uh.

0:26:31.359 --> 0:26:35.520
<v Speaker 5>I forget his name, Like it's is like, no, no,

0:26:35.680 --> 0:26:38.720
<v Speaker 5>he's going, He's gone. But is he dead? Oh?

0:26:39.080 --> 0:26:39.600
<v Speaker 7>You got something?

0:26:40.119 --> 0:26:42.560
<v Speaker 3>I'm just asking Like usually like people don't just step down.

0:26:42.680 --> 0:26:46.879
<v Speaker 3>People don't relinquish that. People that don't just relinquish their power.

0:26:46.960 --> 0:26:50.120
<v Speaker 3>So if Ted, either either Ted is dead or Ted

0:26:50.320 --> 0:26:50.600
<v Speaker 3>is rich.

0:26:50.840 --> 0:26:51.200
<v Speaker 5>I forget.

0:26:54.400 --> 0:26:58.879
<v Speaker 3>I forget his name, but I remember reading his his

0:26:59.119 --> 0:27:05.200
<v Speaker 3>uh editor about the shock of this album, and instantly

0:27:05.359 --> 0:27:07.320
<v Speaker 3>I was like, I gotta get this and the album

0:27:07.400 --> 0:27:12.320
<v Speaker 3>that was was gripping on the other level. Okay, they're

0:27:12.320 --> 0:27:16.200
<v Speaker 3>just when we did like three hundred thousand records independently

0:27:16.359 --> 0:27:18.679
<v Speaker 3>on the first one before Rick even picked the ship up.

0:27:19.760 --> 0:27:22.280
<v Speaker 3>So how did Rick even get Uh? He probably heard

0:27:22.280 --> 0:27:26.480
<v Speaker 3>of ship somewhere, you know, Like so it wasn't like

0:27:26.520 --> 0:27:27.399
<v Speaker 3>you guys were looking for me.

0:27:27.520 --> 0:27:29.800
<v Speaker 5>Now, we're not looking for a deal at all.

0:27:29.880 --> 0:27:31.639
<v Speaker 3>But when you make somebody on an offer that they

0:27:31.680 --> 0:27:33.720
<v Speaker 3>can't refuse, you kind of got to make that move.

0:27:33.840 --> 0:27:36.280
<v Speaker 7>You feel Me and were y'all the first like Southern

0:27:36.320 --> 0:27:38.160
<v Speaker 7>group on at the time.

0:27:38.160 --> 0:27:42.879
<v Speaker 5>It was American So Rick had left Death Jam and

0:27:42.920 --> 0:27:43.400
<v Speaker 5>started Deaf.

0:27:43.720 --> 0:27:47.000
<v Speaker 3>But you know what, I'm gonna go out on the

0:27:47.080 --> 0:27:48.879
<v Speaker 3>limb and say I might have been the first Southern

0:27:49.000 --> 0:27:50.040
<v Speaker 3>act on Death Jam.

0:27:50.680 --> 0:27:53.080
<v Speaker 5>Yeah you were, because who else?

0:27:53.400 --> 0:27:56.520
<v Speaker 3>Because you were before Loot right No no, no, no,

0:27:56.640 --> 0:27:58.960
<v Speaker 3>no no no Luther came out on Death Jam South

0:27:59.080 --> 0:28:00.600
<v Speaker 3>Oh you mean yeah, just jam proper.

0:28:00.720 --> 0:28:02.440
<v Speaker 5>Yeah, I was Deaf Jam with the with the with

0:28:02.560 --> 0:28:06.960
<v Speaker 5>the turntable. That was super important.

0:28:07.200 --> 0:28:11.840
<v Speaker 3>That's a that's a bucket list playing right there, Like

0:28:12.000 --> 0:28:14.320
<v Speaker 3>to be on death Jam, that was a dream.

0:28:14.400 --> 0:28:15.520
<v Speaker 5>That's a childhood dream.

0:28:15.560 --> 0:28:19.399
<v Speaker 3>To be on Death Jam from Houston, Texas, like not

0:28:19.800 --> 0:28:22.600
<v Speaker 3>like a small little neighborhood in Houston, Texas called South

0:28:22.680 --> 0:28:24.600
<v Speaker 3>Akers And I'm on fucking death Jam.

0:28:25.840 --> 0:28:28.639
<v Speaker 5>That's real supposed to be easy to never ever.

0:28:28.640 --> 0:28:34.280
<v Speaker 3>Take my my travel, you know, my journey for granted, bro,

0:28:35.000 --> 0:28:36.840
<v Speaker 3>Like I'm from right there and I'm sitting here with

0:28:37.280 --> 0:28:40.000
<v Speaker 3>one of my favorite, my favorite drummer.

0:28:40.720 --> 0:28:46.840
<v Speaker 5>I call him what I call you, the human NBC

0:28:47.560 --> 0:28:48.120
<v Speaker 5>you told.

0:28:49.600 --> 0:28:53.320
<v Speaker 3>PC like he doesn't. That's my favorite compliment. That's my

0:28:53.400 --> 0:28:55.960
<v Speaker 3>favorite compliment. He's the human in PC. I used to

0:28:55.960 --> 0:28:57.640
<v Speaker 3>think he got mad. I used to I was like, man,

0:28:57.680 --> 0:28:59.560
<v Speaker 3>he got man. I call him a drum machine. No,

0:29:00.040 --> 0:29:02.680
<v Speaker 3>that that's what that was always my life cold to

0:29:02.760 --> 0:29:05.520
<v Speaker 3>be like a drum to be that, Yeah, you're in

0:29:05.600 --> 0:29:07.360
<v Speaker 3>that pocket, bro, I gotta bit man.

0:29:07.400 --> 0:29:08.880
<v Speaker 5>Y'all give it a one time a quest because he's

0:29:08.880 --> 0:29:10.520
<v Speaker 5>a bad motherfucker. I love that.

0:29:11.320 --> 0:29:12.440
<v Speaker 7>This is the first is a question.

0:29:13.840 --> 0:29:19.040
<v Speaker 5>He actually took a compliment. Everyone hit me with the thing.

0:29:19.360 --> 0:29:27.080
<v Speaker 5>I don't That's all I got. I was like, wait,

0:29:27.200 --> 0:29:29.360
<v Speaker 5>can I take over my show? Please? Go right ahead?

0:29:29.720 --> 0:29:31.040
<v Speaker 5>All right. So when you're.

0:29:32.480 --> 0:29:36.440
<v Speaker 3>When you're most most group situations are you know, usually

0:29:36.560 --> 0:29:40.040
<v Speaker 3>childhood friends that jail with each other and and and

0:29:40.120 --> 0:29:46.640
<v Speaker 3>then become a group. You guys were sort of just similar,

0:29:46.840 --> 0:29:49.240
<v Speaker 3>like it's almost like a boy band almost like like

0:29:49.360 --> 0:29:50.400
<v Speaker 3>this is how the ship happened.

0:29:52.320 --> 0:29:56.719
<v Speaker 5>You knew him and him and me, and we had

0:29:56.800 --> 0:29:58.040
<v Speaker 5>no idea who the fuck we were.

0:29:58.280 --> 0:30:01.560
<v Speaker 3>We know, we didn't know. We just got in the

0:30:01.640 --> 0:30:03.720
<v Speaker 3>vand one day and rolled out somewhere and wrapped. It

0:30:03.760 --> 0:30:07.680
<v Speaker 3>seemed like a super group though, because it's a supergroup.

0:30:08.760 --> 0:30:11.240
<v Speaker 3>So how did you guys? Was it easy to gel

0:30:11.960 --> 0:30:16.840
<v Speaker 3>as a group. I mean, you're strangers and suddenly you're

0:30:16.840 --> 0:30:19.080
<v Speaker 3>gonna enter this this business venture.

0:30:19.280 --> 0:30:21.600
<v Speaker 5>I had no idea that it would turn into a business.

0:30:21.640 --> 0:30:23.720
<v Speaker 3>I thought it was just I thought it was just

0:30:23.800 --> 0:30:26.240
<v Speaker 3>having fun rapping and recording the ship, you know, like

0:30:26.320 --> 0:30:28.480
<v Speaker 3>this was my first time. I had no idea about

0:30:28.560 --> 0:30:31.760
<v Speaker 3>nothing in the music industry, nothing about the music business period.

0:30:32.160 --> 0:30:36.480
<v Speaker 3>So I just wrote my ship and I left. Wow,

0:30:36.720 --> 0:30:38.640
<v Speaker 3>you know, we're not friends, we don't hang out, were

0:30:38.680 --> 0:30:42.440
<v Speaker 3>not cool. I don't know, y'all, So what what made

0:30:43.040 --> 0:30:45.640
<v Speaker 3>here for? So y'all weren't friends?

0:30:45.720 --> 0:30:49.080
<v Speaker 5>Y'all? You just kill We're not friends now?

0:30:50.440 --> 0:30:53.040
<v Speaker 7>Wore no way? But are you family now?

0:30:53.240 --> 0:30:53.800
<v Speaker 3>Like? Is it like that?

0:30:54.080 --> 0:30:56.480
<v Speaker 7>Like you know, don't like them?

0:30:56.520 --> 0:30:56.680
<v Speaker 3>You know?

0:30:56.960 --> 0:30:57.200
<v Speaker 7>Okay?

0:30:57.280 --> 0:31:00.800
<v Speaker 3>Well, I mean, and don't say Bill his name too long,

0:31:01.000 --> 0:31:03.280
<v Speaker 3>too too loud. He'll pop his little lass up in here.

0:31:03.760 --> 0:31:04.320
<v Speaker 7>Oh ship.

0:31:04.560 --> 0:31:05.160
<v Speaker 5>I swear.

0:31:09.000 --> 0:31:11.440
<v Speaker 3>I had a crazy I had a crazy uh uh

0:31:12.200 --> 0:31:14.560
<v Speaker 3>Bushwick Bill story where I.

0:31:14.640 --> 0:31:18.560
<v Speaker 5>Didn't realize that he had gotten on stage.

0:31:19.040 --> 0:31:21.920
<v Speaker 3>This one there was it's like ninety seven, ninety eight,

0:31:22.680 --> 0:31:25.480
<v Speaker 3>and I was playing with a very unusual kick drum.

0:31:26.160 --> 0:31:28.640
<v Speaker 3>Maybe it was a twenty eight inch kick drum.

0:31:28.680 --> 0:31:31.600
<v Speaker 5>It was like the part of the size. He was

0:31:31.640 --> 0:31:35.000
<v Speaker 5>standing up in front of him inside my kick drum?

0:31:35.360 --> 0:31:36.600
<v Speaker 1>Whoa what?

0:31:37.160 --> 0:31:37.720
<v Speaker 5>Please tell me?

0:31:38.400 --> 0:31:38.880
<v Speaker 7>Please tell me.

0:31:39.560 --> 0:31:41.400
<v Speaker 3>It was like he was like laying and there was

0:31:41.440 --> 0:31:44.280
<v Speaker 3>a pillow. There was a bunch of pillows, drum. He

0:31:44.360 --> 0:31:46.920
<v Speaker 3>sat on the drum riser, and then he just took

0:31:46.960 --> 0:31:50.200
<v Speaker 3>a nap inside of the kid. I've heard more crazy

0:31:50.280 --> 0:31:52.640
<v Speaker 3>stories about Bill, like that's the one thing we never

0:31:52.760 --> 0:31:55.600
<v Speaker 3>asked MC search for story.

0:31:55.760 --> 0:31:57.800
<v Speaker 5>But hey, I was in the group with him.

0:32:02.480 --> 0:32:03.720
<v Speaker 7>Look like that Martin episode.

0:32:03.920 --> 0:32:05.200
<v Speaker 5>My favorite is face.

0:32:07.240 --> 0:32:08.480
<v Speaker 3>But what was that? What was that?

0:32:09.080 --> 0:32:09.360
<v Speaker 5>Face?

0:32:09.520 --> 0:32:17.280
<v Speaker 3>Nobody loves me, Nobody loves me face. Nobody loves his

0:32:17.360 --> 0:32:23.800
<v Speaker 3>short man. But boy, how a short man can love? Yeah,

0:32:23.840 --> 0:32:25.760
<v Speaker 3>I got some real stories, man, But I let him

0:32:25.760 --> 0:32:28.520
<v Speaker 3>tell his own man. So the cover of We Can't

0:32:28.560 --> 0:32:29.600
<v Speaker 3>be Stopped, that's real.

0:32:29.760 --> 0:32:33.960
<v Speaker 5>I was pissed. You can tell it by the I'm looking. Yeah.

0:32:34.200 --> 0:32:38.520
<v Speaker 3>I was like, man, that's so fucking disrespectful. So tell

0:32:38.600 --> 0:32:41.760
<v Speaker 3>me the call that you got. Obviously, Jay Prince, get

0:32:41.800 --> 0:32:42.720
<v Speaker 3>to the hospital right now.

0:32:42.800 --> 0:32:45.200
<v Speaker 5>No, he didn't say that. Hey don't Jay, don't get

0:32:45.240 --> 0:32:46.640
<v Speaker 5>on the phone. Man Chief called us.

0:32:47.560 --> 0:32:49.600
<v Speaker 7>Uh oh, this is the infamous cover.

0:32:50.200 --> 0:32:54.160
<v Speaker 3>Yees where he's in the hospital, just set it up

0:32:54.200 --> 0:32:58.800
<v Speaker 3>for our listeners. So I guess the legend was that

0:32:59.040 --> 0:33:03.080
<v Speaker 3>he mixed but clear with something that was so clear

0:33:03.120 --> 0:33:04.800
<v Speaker 3>we tried to shoot his eye out. He made the

0:33:04.840 --> 0:33:07.640
<v Speaker 3>song about ever so clear joints. He shot a bushwick.

0:33:07.720 --> 0:33:15.040
<v Speaker 3>Bill shot his eye out, and I can see the look.

0:33:15.160 --> 0:33:20.440
<v Speaker 3>Did I fall marketing? Tell me the story. Let I'm

0:33:20.440 --> 0:33:22.080
<v Speaker 3>gonna let him tell his own sto. No, no, no,

0:33:23.360 --> 0:33:25.920
<v Speaker 3>you were one of the covers, So explain to me

0:33:26.040 --> 0:33:28.560
<v Speaker 3>how that cover came to be. So we had heard

0:33:28.640 --> 0:33:31.800
<v Speaker 3>like at five o'clock in the morning, Bill got shot

0:33:32.840 --> 0:33:35.200
<v Speaker 3>and he got shot in the eye, and I was like, funk,

0:33:35.240 --> 0:33:40.760
<v Speaker 3>it's over. Yeah, like he's fucking dead. But some kind

0:33:40.800 --> 0:33:43.160
<v Speaker 3>of way that little motherfucker was rose up.

0:33:43.200 --> 0:33:44.560
<v Speaker 5>Like I was ship.

0:33:49.320 --> 0:33:51.400
<v Speaker 7>Did he go through or where does it go?

0:33:51.680 --> 0:33:53.600
<v Speaker 3>Yeah, the way it went, But I know that motherfucker

0:33:53.640 --> 0:34:00.680
<v Speaker 3>ain't dead. He went to the hospital. They were like, yeah, man,

0:34:00.760 --> 0:34:02.480
<v Speaker 3>y'all might want to come up here and get this albucol.

0:34:02.520 --> 0:34:05.480
<v Speaker 3>Because Jake so fucking smart he thought Bill was gonna

0:34:05.520 --> 0:34:09.600
<v Speaker 3>die too, so so he wanted y'all to post next

0:34:10.040 --> 0:34:17.160
<v Speaker 3>the body. Oh my god, hey, bro, I can't make

0:34:17.200 --> 0:34:19.080
<v Speaker 3>that up. Man. We thought Bill was gonna die and

0:34:19.160 --> 0:34:22.200
<v Speaker 3>he was gonna take a picture on Bill's deathbed, and

0:34:22.560 --> 0:34:24.760
<v Speaker 3>that she was gonna sell a million records, and he did.

0:34:27.480 --> 0:34:29.600
<v Speaker 5>Fuck it, did it? So?

0:34:31.080 --> 0:34:32.759
<v Speaker 3>I mean, first, you know, if Bill would had his

0:34:32.880 --> 0:34:35.040
<v Speaker 3>eyes closing, ship, I would have been cool with it.

0:34:35.920 --> 0:34:39.719
<v Speaker 5>But but he had a fucking phone on his head,

0:34:39.880 --> 0:34:41.160
<v Speaker 5>the old brick phone.

0:34:41.680 --> 0:34:44.320
<v Speaker 3>That ship was like this big He's sitting up on

0:34:44.400 --> 0:34:47.360
<v Speaker 3>the gurney like you see his legs and shp like

0:34:47.400 --> 0:34:48.800
<v Speaker 3>he was sitting up on that bitch like this.

0:34:52.760 --> 0:34:53.480
<v Speaker 5>You can see.

0:34:54.840 --> 0:34:57.279
<v Speaker 3>Like a big ass man with some little short little

0:34:57.360 --> 0:35:02.319
<v Speaker 3>legs and ship. Right, he's got his fucking band aid off,

0:35:02.360 --> 0:35:05.359
<v Speaker 3>his eye hanging down. His eye is fucking sticking out

0:35:05.440 --> 0:35:09.680
<v Speaker 3>like a Halloween man. And I'm like, shit, you serious?

0:35:09.680 --> 0:35:13.000
<v Speaker 3>You want taking picture with this this fucking Halloween costume?

0:35:13.080 --> 0:35:16.480
<v Speaker 5>Bro? No man.

0:35:16.600 --> 0:35:18.600
<v Speaker 3>And from that point on, Bill has been like a

0:35:18.680 --> 0:35:24.120
<v Speaker 3>Halloween like a walking like a twenty four seven, three

0:35:24.239 --> 0:35:28.360
<v Speaker 3>sixty five fucking Halloween costume. Bro. He became chucky. He

0:35:28.480 --> 0:35:31.560
<v Speaker 3>became a Halloween costume because he was a joker too.

0:35:32.800 --> 0:35:37.040
<v Speaker 3>You're right, and now he's now when's the last time

0:35:37.080 --> 0:35:42.440
<v Speaker 3>you talked to him. He damn that long now, bro decade,

0:35:42.719 --> 0:35:44.520
<v Speaker 3>I don't never talk to Bill no more work.

0:35:44.600 --> 0:35:51.439
<v Speaker 5>I'm good like wow, No, I'm fine, like it's good

0:35:51.719 --> 0:35:53.400
<v Speaker 5>like we left in a great place.

0:35:53.800 --> 0:35:55.880
<v Speaker 3>What about you and Willie Deed, y'all have any We

0:35:56.040 --> 0:35:57.600
<v Speaker 3>just talk sometimes, Okay, okay?

0:35:58.880 --> 0:36:01.960
<v Speaker 5>But will he ain't come out on stage man one time. Man,

0:36:02.080 --> 0:36:04.239
<v Speaker 5>I still kind of feel fucked up about that. When

0:36:04.360 --> 0:36:07.959
<v Speaker 5>was this We had a concert in Houston and ship

0:36:08.080 --> 0:36:12.520
<v Speaker 5>and it was DJ Quick and.

0:36:14.160 --> 0:36:16.120
<v Speaker 3>A few other you know, e Ford like some great

0:36:16.160 --> 0:36:19.040
<v Speaker 3>ship going on, right, And I was a co headliner

0:36:19.080 --> 0:36:22.200
<v Speaker 3>with ice Cube all right. Now, a couple of weeks

0:36:22.239 --> 0:36:24.799
<v Speaker 3>before WILLI came out with Trench, Willie Ambial came out

0:36:24.840 --> 0:36:27.520
<v Speaker 3>with Trench to do this do the mind playing tracks record, right,

0:36:28.200 --> 0:36:31.279
<v Speaker 3>And I wrote the fucking record, So I do this

0:36:31.360 --> 0:36:33.840
<v Speaker 3>ship man, And I'm thinking, Willy gonna come out and

0:36:33.920 --> 0:36:36.520
<v Speaker 3>do the ship on the strip because you know you're

0:36:36.520 --> 0:36:38.240
<v Speaker 3>probably gonna go on to it one of these days.

0:36:39.600 --> 0:36:41.040
<v Speaker 5>And then he didn't go out on my set and

0:36:41.080 --> 0:36:42.040
<v Speaker 5>went out on ice Cube. Shit.

0:36:42.040 --> 0:36:44.279
<v Speaker 3>I was like, you know what, man, I ain't never

0:36:44.360 --> 0:36:47.040
<v Speaker 3>going towards you no more. We ain't gonna never do

0:36:47.120 --> 0:36:47.720
<v Speaker 3>no more songs.

0:36:47.760 --> 0:36:51.560
<v Speaker 7>No motherfucking none of that a tribute to hip hop

0:36:51.600 --> 0:36:53.439
<v Speaker 7>honors NBA.

0:36:55.800 --> 0:36:59.160
<v Speaker 5>You know I don't believe that, right o? God? Yeah,

0:36:59.440 --> 0:37:00.879
<v Speaker 5>come on, man, it has to happen.

0:37:01.200 --> 0:37:03.640
<v Speaker 7>You know you said something though you wrote all of

0:37:03.719 --> 0:37:05.080
<v Speaker 7>your minds land tricks on you, the.

0:37:05.040 --> 0:37:11.080
<v Speaker 3>Whole song except for Willie's verse. And I did the beat, okay,

0:37:11.360 --> 0:37:18.759
<v Speaker 3>how okay? The the splash, the splash symbol at the

0:37:18.880 --> 0:37:19.600
<v Speaker 3>end of each verse.

0:37:21.480 --> 0:37:22.399
<v Speaker 5>How okay.

0:37:22.480 --> 0:37:24.879
<v Speaker 3>This is only a nerd question that a mirror would ask,

0:37:25.880 --> 0:37:28.080
<v Speaker 3>what was the ideology I have No.

0:37:30.640 --> 0:37:33.040
<v Speaker 5>You knew that was the Yeah, I knew. But here's

0:37:33.080 --> 0:37:33.319
<v Speaker 5>the thing.

0:37:33.440 --> 0:37:35.600
<v Speaker 3>You know, how you run your you program your your

0:37:36.000 --> 0:37:38.759
<v Speaker 3>NBC sixty right, and you gotta do the change up

0:37:39.400 --> 0:37:43.600
<v Speaker 3>in the last two. Yes, And that's that's one of

0:37:43.680 --> 0:37:47.400
<v Speaker 3>my favorite when I'm when I'm hitting a crash symbol.

0:37:48.239 --> 0:37:52.080
<v Speaker 3>That's that's my crash symbol that I always hear. It's

0:37:52.120 --> 0:37:56.480
<v Speaker 3>one of the loudest. It could have been poorly mixed too, though,

0:37:56.560 --> 0:38:00.279
<v Speaker 3>so it probably was. But it you know it, if

0:38:00.280 --> 0:38:02.120
<v Speaker 3>I mixed that record or map, it has made my

0:38:02.360 --> 0:38:04.560
<v Speaker 3>arm coming down with the force of hercules on every

0:38:04.600 --> 0:38:05.520
<v Speaker 3>symbol I've ever hit.

0:38:05.760 --> 0:38:07.160
<v Speaker 5>Is that what you did mind playing tracks on you

0:38:07.200 --> 0:38:08.400
<v Speaker 5>did on the NPC, I did it.

0:38:08.400 --> 0:38:14.960
<v Speaker 3>On the NPC sixty and U and EPs the Sonic Wow,

0:38:15.480 --> 0:38:17.200
<v Speaker 3>EPs Wow.

0:38:18.200 --> 0:38:20.480
<v Speaker 7>Can you not? I'm not. I'm just my first nerd

0:38:20.520 --> 0:38:22.120
<v Speaker 7>out moment. But can you walk us through that that

0:38:22.200 --> 0:38:24.480
<v Speaker 7>beat process just like where it started from?

0:38:24.520 --> 0:38:25.960
<v Speaker 4>And how you a room?

0:38:26.040 --> 0:38:29.839
<v Speaker 7>Now? I mean that song, I mean that particular song,

0:38:29.960 --> 0:38:30.719
<v Speaker 7>that particular song.

0:38:32.120 --> 0:38:33.160
<v Speaker 5>So when.

0:38:35.040 --> 0:38:38.279
<v Speaker 3>Willy left the group after the ice Cube disc the

0:38:39.080 --> 0:38:41.719
<v Speaker 3>ice Cube with No Basiline, Oh yeah, yeah. When ice

0:38:41.800 --> 0:38:43.759
<v Speaker 3>Cube said WILLI d told me to let a whole

0:38:43.800 --> 0:38:45.080
<v Speaker 3>be a hole, that was the end of the Ghetto

0:38:45.120 --> 0:38:45.759
<v Speaker 3>Boys for good.

0:38:46.400 --> 0:38:47.520
<v Speaker 5>That was it. Woow.

0:38:48.520 --> 0:38:49.719
<v Speaker 3>He thought he's bigger than the group.

0:38:49.800 --> 0:38:50.080
<v Speaker 5>You know.

0:38:50.200 --> 0:38:51.719
<v Speaker 3>I don't know that's between y'all to talk about, but

0:38:51.760 --> 0:38:53.120
<v Speaker 3>I know that after that shit happened, it was no

0:38:53.200 --> 0:38:55.640
<v Speaker 3>more will he left wow, because that's what I was

0:38:55.680 --> 0:38:56.879
<v Speaker 3>going out like a soldier record.

0:38:56.960 --> 0:38:57.640
<v Speaker 5>That was next.

0:38:57.760 --> 0:38:59.560
<v Speaker 3>I have no idea, I don't know, but that's what happened.

0:38:59.560 --> 0:39:01.719
<v Speaker 3>I was working want to, I was forced to work

0:39:01.760 --> 0:39:07.160
<v Speaker 3>on solo album, your first album. Oh just the missis

0:39:07.200 --> 0:39:10.080
<v Speaker 3>Scarface's back. Yeah, and this is all in my book too.

0:39:10.200 --> 0:39:12.719
<v Speaker 3>By the way, you're saying you didn't want to make

0:39:12.719 --> 0:39:14.680
<v Speaker 3>that first solo record. I wasn't even trying to be

0:39:14.800 --> 0:39:16.640
<v Speaker 3>no fucking rapper. That shit was too much, It took

0:39:16.680 --> 0:39:18.560
<v Speaker 3>too much time, and it wasn't paying the fucking money.

0:39:20.239 --> 0:39:22.719
<v Speaker 5>The fuck. I want to be a rapper. Form. Just

0:39:22.840 --> 0:39:25.400
<v Speaker 5>give me enough money to buy this so I can

0:39:25.480 --> 0:39:28.320
<v Speaker 5>flip that and do this. That's what I want to do.

0:39:28.360 --> 0:39:31.719
<v Speaker 5>I want to do that that rap shit. Okay, wait,

0:39:31.880 --> 0:39:33.160
<v Speaker 5>let me enter retire one second.

0:39:33.480 --> 0:39:38.040
<v Speaker 3>This also is the ongoing continuation of our discovery that

0:39:38.280 --> 0:39:41.080
<v Speaker 3>all classics and all great moments are done in that

0:39:41.200 --> 0:39:45.440
<v Speaker 3>alpha state. Oh yeah, where if you plan, if you

0:39:45.640 --> 0:39:47.799
<v Speaker 3>plan a great moment or if you plan to make

0:39:47.840 --> 0:39:50.040
<v Speaker 3>a classic, whatever, it never works.

0:39:50.640 --> 0:39:52.160
<v Speaker 5>But when it's just an afterthought, like.

0:39:52.200 --> 0:39:54.040
<v Speaker 3>Whatever, that's what the magic is.

0:39:54.520 --> 0:39:55.080
<v Speaker 5>That's crazy.

0:39:55.560 --> 0:39:59.399
<v Speaker 3>So all this time I'm thinking that that first solo

0:39:59.480 --> 0:40:03.520
<v Speaker 3>record was like this plan for you, like to pull

0:40:03.560 --> 0:40:04.640
<v Speaker 3>a Michael Jackson off the.

0:40:04.680 --> 0:40:06.120
<v Speaker 5>Wall, and not that I can recall.

0:40:06.239 --> 0:40:08.880
<v Speaker 3>Man, I could be wrong, but I if I if

0:40:08.960 --> 0:40:11.800
<v Speaker 3>I if I recall correctly, I was. I was making

0:40:11.920 --> 0:40:17.120
<v Speaker 3>songs for UH for my solo album, and I had

0:40:17.120 --> 0:40:20.440
<v Speaker 3>a song called my mind playing tricks on Me. I

0:40:20.520 --> 0:40:23.839
<v Speaker 3>had three verses, my first two verses, and this year

0:40:23.920 --> 0:40:27.560
<v Speaker 3>Halloween fell on the weekend verse. All right, well some

0:40:27.760 --> 0:40:31.920
<v Speaker 3>kind of way priority Uh had a meeting with James

0:40:31.960 --> 0:40:34.360
<v Speaker 3>and I. That record ended up on the Ghetto Boys record.

0:40:35.040 --> 0:40:37.920
<v Speaker 3>Oh yeah, that was my solo. So I was on

0:40:38.000 --> 0:40:42.440
<v Speaker 3>my solo album. Okay, but it helped us set up

0:40:42.440 --> 0:40:46.400
<v Speaker 3>your solo though, Like, that's that's the that's the biggest

0:40:46.400 --> 0:40:48.960
<v Speaker 3>fucking move that we could have made. You know, it

0:40:49.040 --> 0:40:52.240
<v Speaker 3>set up everybody's solo. If everybody got it, if everybody

0:40:52.280 --> 0:40:54.399
<v Speaker 3>got if everybody coming off the success of a great

0:40:54.560 --> 0:40:57.840
<v Speaker 3>fucking group album, then everybody has the opportunity to break solo.

0:40:59.280 --> 0:41:04.399
<v Speaker 3>I mean it also, well good, it's your talk show,

0:41:04.600 --> 0:41:07.759
<v Speaker 3>no no, no podcast continue.

0:41:08.960 --> 0:41:10.800
<v Speaker 5>I I took.

0:41:12.200 --> 0:41:14.279
<v Speaker 3>And once I tasted the blood, like, I was like

0:41:14.440 --> 0:41:18.279
<v Speaker 3>fuck that. Like I can argue with myself. I can

0:41:18.360 --> 0:41:20.239
<v Speaker 3>be at odds with me by myself. I don't have

0:41:20.360 --> 0:41:23.480
<v Speaker 3>to have three other motherfuckers to argue with. I can

0:41:23.560 --> 0:41:26.520
<v Speaker 3>just go in this motherfucker and fight with me. You know,

0:41:26.640 --> 0:41:29.239
<v Speaker 3>I could deal with my own ego. That's the most

0:41:29.280 --> 0:41:29.880
<v Speaker 3>fun anyway.

0:41:30.000 --> 0:41:31.799
<v Speaker 5>Yeah, I like, man ain't right.

0:41:31.880 --> 0:41:33.560
<v Speaker 7>So wait, so since that song is your baby, what

0:41:33.600 --> 0:41:35.080
<v Speaker 7>does it feel like, all these years later to have

0:41:35.160 --> 0:41:37.919
<v Speaker 7>a song that's like like every Halloween it is a time.

0:41:38.560 --> 0:41:40.120
<v Speaker 3>And you know what the greatest part about that is,

0:41:42.080 --> 0:41:45.360
<v Speaker 3>I'm right there in the same light as my cousin

0:41:45.800 --> 0:41:46.239
<v Speaker 3>because his.

0:41:46.360 --> 0:41:47.480
<v Speaker 5>Song's gonna play forever.

0:41:48.440 --> 0:41:51.560
<v Speaker 3>Mind playing tricks, that song is gonna play forever. Like

0:41:51.680 --> 0:41:53.200
<v Speaker 3>all the rest of that ship that I did in

0:41:53.280 --> 0:41:55.120
<v Speaker 3>my life may not play for it made it. That

0:41:55.200 --> 0:41:58.359
<v Speaker 3>shit made end pretty soon, but I know that every time.

0:41:58.640 --> 0:42:04.120
<v Speaker 3>If they don't take away Halloween, I'm good. Yea, So

0:42:04.320 --> 0:42:07.279
<v Speaker 3>how did you tread it? Oh? Wait, I kind of

0:42:07.320 --> 0:42:09.920
<v Speaker 3>want to go back to the first record. What I

0:42:10.000 --> 0:42:12.560
<v Speaker 3>want to know is is that you know, for those

0:42:12.680 --> 0:42:18.480
<v Speaker 3>that aren't steeped and and and and and baptized in

0:42:18.560 --> 0:42:22.840
<v Speaker 3>hip hop culture, you know a lot of the ideas

0:42:22.960 --> 0:42:27.720
<v Speaker 3>of what, especially in the political world, that were against

0:42:27.880 --> 0:42:30.799
<v Speaker 3>rap music at the time. I mean, you guys were

0:42:30.960 --> 0:42:40.040
<v Speaker 3>basically that, you know, the most shocking, the most disgusting, whatever,

0:42:40.239 --> 0:42:44.040
<v Speaker 3>like you could whatever, it's superlative you could use. Was

0:42:44.120 --> 0:42:45.920
<v Speaker 3>it was the plan for that in the studio, like

0:42:46.040 --> 0:42:49.080
<v Speaker 3>We're just going to be the most offensive group of

0:42:49.120 --> 0:42:51.040
<v Speaker 3>all time. I don't, I don't. I don't think you

0:42:51.080 --> 0:42:53.560
<v Speaker 3>could plan that. You know, I think that you look

0:42:53.560 --> 0:42:56.200
<v Speaker 3>at what's happening around you, like, and this was. You know,

0:42:56.400 --> 0:43:01.080
<v Speaker 3>I remember going to Milwaukee and going to Jeffrey Dahmer's

0:43:01.160 --> 0:43:02.680
<v Speaker 3>house and ship where he did that ship.

0:43:02.560 --> 0:43:07.960
<v Speaker 5>At Wait you went there? Why? I mean you you

0:43:08.080 --> 0:43:08.839
<v Speaker 5>hear about the ship?

0:43:09.480 --> 0:43:12.160
<v Speaker 3>Yeah, I know a venue you all play too, because

0:43:12.200 --> 0:43:14.160
<v Speaker 3>it was His house was right across the street from

0:43:14.320 --> 0:43:20.520
<v Speaker 3>this big giant Milwaukee venue, only it's like a Masonic

0:43:20.640 --> 0:43:21.239
<v Speaker 3>temple hall.

0:43:21.440 --> 0:43:22.880
<v Speaker 7>Did he performed.

0:43:24.080 --> 0:43:27.600
<v Speaker 5>Dahmer's house? We didn't stop. I've been curious about what

0:43:27.840 --> 0:43:30.200
<v Speaker 5>was on the inside of that apartment. Yeah, I didn't

0:43:30.239 --> 0:43:33.760
<v Speaker 5>go in. There wasn't anything.

0:43:33.880 --> 0:43:36.840
<v Speaker 3>I remember passing by that motherfucker stopping and getting scared.

0:43:38.040 --> 0:43:40.640
<v Speaker 3>Oh god, yeah, the house was empty.

0:43:40.800 --> 0:43:42.880
<v Speaker 5>Everything was. I don't know if that motherfucker was in

0:43:43.000 --> 0:43:44.880
<v Speaker 5>jail yet now he ate.

0:43:44.960 --> 0:43:48.160
<v Speaker 4>Everything in the house. Missing that point, you're missing the

0:43:48.200 --> 0:43:48.640
<v Speaker 4>whole point.

0:43:51.520 --> 0:44:04.960
<v Speaker 5>I'm sorry, excuse me. That is Yes, that was a

0:44:05.000 --> 0:44:06.120
<v Speaker 5>great one. You can get one for that.

0:44:07.640 --> 0:44:11.560
<v Speaker 3>So with all of that ship going on, Uh, guys,

0:44:12.400 --> 0:44:15.320
<v Speaker 3>we just kind of rapped about it, you know, but

0:44:15.480 --> 0:44:17.840
<v Speaker 3>you y'all realized y'all were the first to really cross

0:44:17.880 --> 0:44:21.000
<v Speaker 3>that line. Like at that point n w A was

0:44:21.120 --> 0:44:25.040
<v Speaker 3>the was the high mark of offense, and even their

0:44:25.040 --> 0:44:28.200
<v Speaker 3>stuff was more politically offensive, right, not like to the

0:44:28.280 --> 0:44:36.239
<v Speaker 3>level y'all Like that boy said, uh like having sex

0:44:36.280 --> 0:44:39.600
<v Speaker 3>with corpses and ship? Yeah, like what like I think

0:44:39.680 --> 0:44:39.960
<v Speaker 3>that was?

0:44:40.680 --> 0:44:42.040
<v Speaker 5>I would I didn't write that, by the way.

0:44:45.719 --> 0:44:48.520
<v Speaker 3>It would take a little bitty spooky looking motherfucker the

0:44:48.520 --> 0:44:50.480
<v Speaker 3>sat ship like that, But he.

0:44:50.480 --> 0:44:51.200
<v Speaker 5>Didn't write it either.

0:44:51.920 --> 0:44:54.839
<v Speaker 3>Willie wrote that verse was really right that a guy

0:44:54.960 --> 0:45:00.279
<v Speaker 3>named Jukebox wrote that, and Jukebox later went to jail

0:45:00.400 --> 0:45:02.040
<v Speaker 3>for like a murder or something.

0:45:01.880 --> 0:45:04.920
<v Speaker 7>Of course because he was having of course.

0:45:04.960 --> 0:45:07.759
<v Speaker 3>No, I'm nah, it was just it was just one

0:45:07.760 --> 0:45:11.279
<v Speaker 3>of those men. We we really weathered a storm that

0:45:11.440 --> 0:45:14.279
<v Speaker 3>we wasn't supposed to get out of, you know what

0:45:14.320 --> 0:45:16.719
<v Speaker 3>I'm saying, Like, it was a lot of shit that

0:45:16.840 --> 0:45:18.760
<v Speaker 3>went on in those years.

0:45:19.480 --> 0:45:19.640
<v Speaker 5>You know.

0:45:20.400 --> 0:45:26.200
<v Speaker 3>It was a lot of uh uh uh people getting killed.

0:45:26.239 --> 0:45:28.040
<v Speaker 3>There was a lot of people going to jail. There

0:45:28.160 --> 0:45:30.320
<v Speaker 3>was a lot of people being indicted. There was a

0:45:30.400 --> 0:45:34.520
<v Speaker 3>lot of motherfucking friends falling out and not speaking no more. Like,

0:45:34.600 --> 0:45:37.920
<v Speaker 3>it was a lot of penitentiary chances that went on

0:45:38.800 --> 0:45:40.520
<v Speaker 3>doing that shit during that time.

0:45:40.640 --> 0:45:42.040
<v Speaker 5>Man and we weathered that storm.

0:45:42.160 --> 0:45:46.279
<v Speaker 3>Man, And from from seventeen years old to right now, man,

0:45:46.320 --> 0:45:47.360
<v Speaker 3>I'm I'm.

0:45:47.280 --> 0:45:51.879
<v Speaker 5>Happy, bro, I'm coming up on my thirty and hip

0:45:51.920 --> 0:45:55.200
<v Speaker 5>hop yeah nice and in actual years too.

0:45:56.280 --> 0:45:57.759
<v Speaker 7>I mean, you could you could do that? You could

0:45:57.800 --> 0:45:58.279
<v Speaker 7>you could do that.

0:45:58.640 --> 0:46:06.560
<v Speaker 3>I signed my contract August seventeenth, nineteen eighty seven. No

0:46:06.680 --> 0:46:10.719
<v Speaker 3>eighty eight, I'm lying eighty eight. I was seventeen years

0:46:10.760 --> 0:46:16.560
<v Speaker 3>old and now forty seven. That's amazing, man, Ain't shit

0:46:16.640 --> 0:46:19.200
<v Speaker 3>amazing by being forty seven? Man, you just gotta keep

0:46:19.280 --> 0:46:22.320
<v Speaker 3>waking up. This shit hurts.

0:46:23.440 --> 0:46:24.879
<v Speaker 5>I want to get to the I want to get

0:46:24.880 --> 0:46:27.320
<v Speaker 5>to the diary that was.

0:46:27.480 --> 0:46:31.359
<v Speaker 3>I feel I'm gonna skip skip over the world one,

0:46:31.400 --> 0:46:33.239
<v Speaker 3>but we can get no, no, no, no, go to it.

0:46:33.520 --> 0:46:35.200
<v Speaker 3>No no no, that's talking about I got some cool

0:46:35.200 --> 0:46:39.160
<v Speaker 3>shit that happened there, yea, So let me roll all right?

0:46:39.800 --> 0:46:41.480
<v Speaker 3>Is that you planning based on.

0:46:41.680 --> 0:46:43.160
<v Speaker 5>My uncle playing the base? Man?

0:46:43.200 --> 0:46:45.719
<v Speaker 3>I got one of the coldest uncles at like my

0:46:45.880 --> 0:46:47.280
<v Speaker 3>uncle Eddie, and we're not friends.

0:46:47.320 --> 0:46:48.279
<v Speaker 5>We don't get along at all.

0:46:48.520 --> 0:46:51.640
<v Speaker 4>So can I interrupt here because I'm confused.

0:46:51.680 --> 0:46:54.280
<v Speaker 2>You seem like a super friendly guy who has no friends,

0:46:55.280 --> 0:46:57.560
<v Speaker 2>So why aren't your friends with even your uncle.

0:46:58.640 --> 0:47:00.960
<v Speaker 3>Also, that's say, yo, we should play one, but not

0:47:01.080 --> 0:47:04.319
<v Speaker 3>right now, but that he's right playing now though I'll

0:47:04.360 --> 0:47:08.480
<v Speaker 3>save it for later. Yeah, Like, I'm really cool as fun,

0:47:08.560 --> 0:47:10.080
<v Speaker 3>but I don't got no friends. I don't really want

0:47:10.120 --> 0:47:10.560
<v Speaker 3>no friends.

0:47:10.719 --> 0:47:12.040
<v Speaker 5>What about us? Can we be?

0:47:12.200 --> 0:47:13.640
<v Speaker 4>Can we can quest love?

0:47:13.800 --> 0:47:16.239
<v Speaker 5>Now? That's that's the second time you asked to be

0:47:16.320 --> 0:47:16.640
<v Speaker 5>his friend.

0:47:16.719 --> 0:47:17.399
<v Speaker 7>I knew that before.

0:47:17.400 --> 0:47:23.200
<v Speaker 5>You as actually uh cool, it me and cool, but

0:47:23.320 --> 0:47:29.560
<v Speaker 5>the rest of y'all wasn't really you know, I'm gonna

0:47:29.680 --> 0:47:30.560
<v Speaker 5>I'm gonna get him.

0:47:30.480 --> 0:47:36.759
<v Speaker 3>On chatting with that's so listen, first of all, Mike Dean,

0:47:38.200 --> 0:47:42.080
<v Speaker 3>how did he enter into the to the conversation? Because

0:47:43.880 --> 0:47:48.880
<v Speaker 3>so Mike Dean was an engineer, Uh okay, okay, but

0:47:49.080 --> 0:47:55.040
<v Speaker 3>Mike Dean playing for Selena? Ah wow, Okay, Mike Dean

0:47:55.200 --> 0:47:56.000
<v Speaker 3>was Mike Dean.

0:47:56.000 --> 0:47:58.640
<v Speaker 5>Was a keyboard player of Saxophone player some ship for Selena.

0:47:59.480 --> 0:48:03.040
<v Speaker 3>Okay, so, but but listen though, like Mike Dean is

0:48:03.080 --> 0:48:06.000
<v Speaker 3>a bad motherfuckers he's cold. You ever heard the intro

0:48:06.120 --> 0:48:09.960
<v Speaker 3>to Jesse James. Yes, Mike Dean and Mike Dean a

0:48:10.000 --> 0:48:16.000
<v Speaker 3>bad motherfucker straight up. We would bring ship to the

0:48:16.080 --> 0:48:20.080
<v Speaker 3>studio and start making, you know, making making songs or whatever.

0:48:20.600 --> 0:48:23.520
<v Speaker 3>And Mike Dean would play on that ship. Yeah, and

0:48:24.120 --> 0:48:28.200
<v Speaker 3>he's a masterful mixer for those that don't know, I

0:48:28.320 --> 0:48:30.719
<v Speaker 3>mean right now, I mean, Mike Dean's really getting this

0:48:30.840 --> 0:48:37.320
<v Speaker 3>moment in the sun. Kanye as Kanye's Travis Scott. Everything

0:48:37.360 --> 0:48:40.279
<v Speaker 3>he did Panda right, did he do well? He did

0:48:40.320 --> 0:48:42.520
<v Speaker 3>stuff on Designer's record. Okay, Okay, I don't know what

0:48:42.719 --> 0:48:46.480
<v Speaker 3>I mean, it's name it like from two chains to

0:48:46.640 --> 0:48:49.319
<v Speaker 3>I mean, he's popping more now.

0:48:49.440 --> 0:48:53.919
<v Speaker 5>But I didn't realize that he worked on your records first.

0:48:53.960 --> 0:48:56.640
<v Speaker 3>So I wanted to ask you about the rap a

0:48:56.680 --> 0:49:00.200
<v Speaker 3>Lot production squad. So n O, Joe Beato all, what

0:49:00.360 --> 0:49:02.440
<v Speaker 3>was the deal with those cats? How involvedre you in that?

0:49:02.560 --> 0:49:05.200
<v Speaker 3>You're forgetting me right, I'm saying you. I had you

0:49:05.280 --> 0:49:08.160
<v Speaker 3>in the credit read them fucking credits. I read them,

0:49:08.160 --> 0:49:10.400
<v Speaker 3>trust me. How did What was it like when you

0:49:10.480 --> 0:49:14.160
<v Speaker 3>collaborating with them? I think that you know, Joe has

0:49:14.239 --> 0:49:17.520
<v Speaker 3>his own style and SODA's Beato. You know we forgot

0:49:17.520 --> 0:49:24.960
<v Speaker 3>about tongue tongue. He's fucking awesome too. Like I started

0:49:25.000 --> 0:49:28.120
<v Speaker 3>the production deal, I mean, I started that production movement off,

0:49:28.120 --> 0:49:30.640
<v Speaker 3>you know, what I mean, Like from from I've Seen

0:49:30.680 --> 0:49:32.520
<v Speaker 3>a Man Die to My Mind playing, I did my

0:49:32.560 --> 0:49:34.399
<v Speaker 3>mind playing tricks by my I did my whole first

0:49:34.440 --> 0:49:35.640
<v Speaker 3>solo album by myself.

0:49:37.280 --> 0:49:39.080
<v Speaker 5>I did all of those beats except for maybe like.

0:49:39.239 --> 0:49:43.399
<v Speaker 3>Uh Bornier and I didn't do money in the Power,

0:49:43.520 --> 0:49:44.680
<v Speaker 3>and I didn't do He's Dead.

0:49:47.400 --> 0:49:50.319
<v Speaker 5>That was I think Simon did that. But I did

0:49:50.360 --> 0:49:52.560
<v Speaker 5>the rest of that ship. Okay, all right?

0:49:54.480 --> 0:50:00.319
<v Speaker 3>Listening to uh the ninety six Ghetto Boys the album

0:50:00.320 --> 0:50:02.920
<v Speaker 3>to Death do his part part? Yeah, read the credits.

0:50:03.080 --> 0:50:06.200
<v Speaker 3>I probably did all that ship, but about one and

0:50:06.239 --> 0:50:12.040
<v Speaker 3>two songs too. Man, putting together that production team, just

0:50:12.120 --> 0:50:14.799
<v Speaker 3>everybody collabing and making great music. I think that's how

0:50:14.800 --> 0:50:17.760
<v Speaker 3>you make great music. Yeah, you know, everybody's gotta gotta

0:50:17.800 --> 0:50:20.240
<v Speaker 3>want a jam. You know, everybody gotta have an input.

0:50:20.640 --> 0:50:22.480
<v Speaker 3>It can't be no fucking egos, you know what I mean,

0:50:22.560 --> 0:50:25.319
<v Speaker 3>Like I don't have an ego. Like, let's just let's

0:50:25.360 --> 0:50:28.640
<v Speaker 3>just cham, let's make the best record that we can make,

0:50:29.440 --> 0:50:31.040
<v Speaker 3>and then we'll argue about who did this ship.

0:50:31.080 --> 0:50:33.520
<v Speaker 5>The best win is over with the will let the

0:50:33.560 --> 0:50:35.040
<v Speaker 5>fans aside. I'm jumping around.

0:50:35.120 --> 0:50:40.400
<v Speaker 3>So the diary, what made you take ninety nine left balloons,

0:50:40.640 --> 0:50:50.680
<v Speaker 3>Yes for going down Drugs mixed total six. I love

0:50:50.800 --> 0:50:51.960
<v Speaker 3>that fucking song man.

0:50:52.239 --> 0:50:54.359
<v Speaker 5>The first Oh we all My uncle played the bass

0:50:54.400 --> 0:50:54.919
<v Speaker 5>on that ship.

0:50:55.000 --> 0:50:58.520
<v Speaker 3>So, like I'm telling you, my uncle Eddie is probably

0:50:58.680 --> 0:51:01.239
<v Speaker 3>the best musician that I've ever heard in my life.

0:51:02.360 --> 0:51:05.719
<v Speaker 5>And I don't like that motherfucker. Just do not get along?

0:51:05.840 --> 0:51:10.240
<v Speaker 5>Is that him playing based on join everything? Everything? Everything?

0:51:10.600 --> 0:51:12.640
<v Speaker 3>What's his full name so we can look him up,

0:51:12.880 --> 0:51:18.200
<v Speaker 3>Eddie Wilson. He's a bad motherfucker. He bad like Prince though,

0:51:19.880 --> 0:51:25.720
<v Speaker 3>but anything. He can play cheers and jam, but he blind,

0:51:26.840 --> 0:51:30.239
<v Speaker 3>he's bind and he's a fucking asshole, bro, not like

0:51:30.320 --> 0:51:30.960
<v Speaker 3>a blind man.

0:51:31.080 --> 0:51:33.479
<v Speaker 5>Like that's I'm fucked up too.

0:51:33.560 --> 0:51:33.640
<v Speaker 3>Like.

0:51:36.280 --> 0:51:38.759
<v Speaker 5>I don't like that motherfucker. That motherfucker don't like me,

0:51:38.960 --> 0:51:43.520
<v Speaker 5>so believe it at that. Sometimes the best collaborations are tension,

0:51:43.760 --> 0:51:46.920
<v Speaker 5>you know what I mean. He's fucking awesome, man, He's awesome.

0:51:47.320 --> 0:51:51.560
<v Speaker 5>He's to hear him compliment the same thing.

0:51:52.400 --> 0:51:54.440
<v Speaker 2>Remember that that show This Is Your Life where they

0:51:54.440 --> 0:51:56.160
<v Speaker 2>would bring on different people from your past.

0:51:56.280 --> 0:51:59.319
<v Speaker 4>Yes, like he should be a contestant exactly, just bring

0:51:59.800 --> 0:52:01.439
<v Speaker 4>keep bringing on all the people you hate.

0:52:02.080 --> 0:52:09.000
<v Speaker 5>Sure now will fly you out now we'll bring you out.

0:52:09.040 --> 0:52:15.720
<v Speaker 3>Bro. So did you, I mean, at least with the Diary,

0:52:17.560 --> 0:52:21.600
<v Speaker 3>did you feel as though like that was your that

0:52:21.800 --> 0:52:23.360
<v Speaker 3>let me tell you what happened with the between the

0:52:23.440 --> 0:52:26.520
<v Speaker 3>Diary and the world is yours?

0:52:26.719 --> 0:52:27.200
<v Speaker 5>Okay, so.

0:52:29.080 --> 0:52:32.359
<v Speaker 3>The world is George? Were smoking like regular dirt ass weed.

0:52:34.640 --> 0:52:39.040
<v Speaker 3>I heard the story before when we got to fucking California,

0:52:40.120 --> 0:52:40.719
<v Speaker 3>talk about it.

0:52:40.880 --> 0:52:42.360
<v Speaker 5>Who was smoking? That ship? That has you?

0:52:42.520 --> 0:52:52.800
<v Speaker 3>Like? So that that was that was not going balloons?

0:52:53.560 --> 0:52:56.880
<v Speaker 7>Wow, that's called the chronic that ship.

0:52:58.719 --> 0:53:03.280
<v Speaker 5>That's what that ship was mean. It made you feel different,

0:53:03.360 --> 0:53:05.360
<v Speaker 5>so it made you think different.

0:53:05.440 --> 0:53:08.440
<v Speaker 3>So when you felt different and you it made you

0:53:08.760 --> 0:53:13.000
<v Speaker 3>think and it played different, it was like, Wow, that's

0:53:13.040 --> 0:53:14.200
<v Speaker 3>when ship started jamming.

0:53:14.280 --> 0:53:17.239
<v Speaker 5>I think I think it was the weeds Man. Yeah.

0:53:17.960 --> 0:53:21.560
<v Speaker 3>What question I always had for you with going from

0:53:21.640 --> 0:53:25.359
<v Speaker 3>the Diary to the Untouchable, Like it seemed like your

0:53:25.400 --> 0:53:28.040
<v Speaker 3>production just stepped up level.

0:53:29.600 --> 0:53:36.440
<v Speaker 5>Yeah, Taller bad Man Man, south Side south Side that

0:53:36.520 --> 0:53:41.400
<v Speaker 5>was my record on that. Wow. Yeah. But Mike mixed.

0:53:42.680 --> 0:53:45.400
<v Speaker 3>Mike was he He mixed, and he mixed a lot

0:53:45.440 --> 0:53:47.160
<v Speaker 3>of those albums, and he played on a lot of

0:53:47.239 --> 0:53:53.040
<v Speaker 3>those albums. But the production and the the mixing and

0:53:53.160 --> 0:53:57.920
<v Speaker 3>the mastering of those albums right there for second and nothing. Nah, yeah,

0:53:58.000 --> 0:54:01.760
<v Speaker 3>you could hear it it whatever it was, Like, Wow,

0:54:04.560 --> 0:54:07.200
<v Speaker 3>do you I mean, do you as far as you

0:54:07.440 --> 0:54:11.040
<v Speaker 3>being on everyone's like top ten list and and.

0:54:13.239 --> 0:54:15.200
<v Speaker 5>You know this level of respect that you get, do

0:54:15.360 --> 0:54:16.160
<v Speaker 5>you feel.

0:54:17.920 --> 0:54:20.440
<v Speaker 3>Do you feel valued or like, I mean, I've never

0:54:20.520 --> 0:54:23.200
<v Speaker 3>read about you like getting to beef with other rappers,

0:54:23.360 --> 0:54:27.560
<v Speaker 3>and I'm into the level that it was with during

0:54:27.600 --> 0:54:30.120
<v Speaker 3>that period of the East Coast, West Coast and this

0:54:30.280 --> 0:54:32.960
<v Speaker 3>and that you were sort of like the you were

0:54:33.920 --> 0:54:38.239
<v Speaker 3>Switzerland almost like you were the happy medium. Like, but

0:54:38.440 --> 0:54:41.200
<v Speaker 3>did you feel as though like I should be getting

0:54:41.200 --> 0:54:42.600
<v Speaker 3>more of respect like I pioneered?

0:54:43.600 --> 0:54:45.960
<v Speaker 5>Nah? Man, I'm cool. Man. I like this. I like

0:54:46.040 --> 0:54:47.479
<v Speaker 5>being down here on ground level.

0:54:48.160 --> 0:54:50.080
<v Speaker 3>I like being able to come out to Austin and

0:54:50.200 --> 0:54:52.440
<v Speaker 3>walk back out through the crowd, take a few pictures,

0:54:52.480 --> 0:54:55.080
<v Speaker 3>and take my ass on back to my room. You know,

0:54:55.200 --> 0:54:57.240
<v Speaker 3>I don't I don't want a whole bunch of fucking

0:54:57.280 --> 0:55:02.239
<v Speaker 3>people around me. You know, I don't need an entourage.

0:55:02.719 --> 0:55:05.359
<v Speaker 3>I like being down here on ground level with everybody else,

0:55:05.480 --> 0:55:08.160
<v Speaker 3>like treat me like regular people. All Right, I'm gonna

0:55:08.160 --> 0:55:12.200
<v Speaker 3>ask you the cliche question that I hate journalists asking me,

0:55:13.239 --> 0:55:17.120
<v Speaker 3>but because you're such a pioneer of the South, Uh,

0:55:18.719 --> 0:55:24.160
<v Speaker 3>how do you feel now today that Southern culture is

0:55:24.280 --> 0:55:27.759
<v Speaker 3>so ubiquitous now in hip hop where it's now well, no, no,

0:55:27.920 --> 0:55:31.600
<v Speaker 3>I'm just saying that it's it's the it's the gold standard,

0:55:31.719 --> 0:55:35.320
<v Speaker 3>it's you know what. You know what run DMC's version

0:55:35.400 --> 0:55:37.440
<v Speaker 3>of New York was for hip hop where everyone had

0:55:37.480 --> 0:55:42.960
<v Speaker 3>to follow that template. Now Southern rap, especially with as

0:55:43.040 --> 0:55:47.560
<v Speaker 3>far as Houston is concerned, Like, how do you do

0:55:47.640 --> 0:55:49.480
<v Speaker 3>you feel some sort of way about it now or

0:55:49.719 --> 0:55:53.880
<v Speaker 3>the way that the culture has reinterpret or evolved?

0:55:55.200 --> 0:55:56.640
<v Speaker 5>Is it evolved or has it regressed?

0:55:57.520 --> 0:56:01.080
<v Speaker 3>That's kind of what I'm asking Let me let me

0:56:01.160 --> 0:56:03.000
<v Speaker 3>let me finish though, Let me finish, because I feel

0:56:03.040 --> 0:56:05.360
<v Speaker 3>like like when when when we first got started, it

0:56:05.480 --> 0:56:09.200
<v Speaker 3>was impossible to break in New York. It was nobody

0:56:09.280 --> 0:56:13.960
<v Speaker 3>in Peelly fucked with us, you know, but Scarfaces back

0:56:14.239 --> 0:56:16.520
<v Speaker 3>was then I got Then I got love? Yeah, then

0:56:16.560 --> 0:56:19.920
<v Speaker 3>I got love. But everything sounds everybody had their own identity,

0:56:20.000 --> 0:56:24.240
<v Speaker 3>though everybody now sounds like one big long a record,

0:56:24.680 --> 0:56:27.759
<v Speaker 3>like everything sounds exactly the Internet. We can probably blame

0:56:27.800 --> 0:56:31.160
<v Speaker 3>the Internet for the inter neutralized undefeated. Yeah, it's it's

0:56:31.239 --> 0:56:33.800
<v Speaker 3>killed in regionalism. You can't tell who's from where. Everyone

0:56:33.880 --> 0:56:34.399
<v Speaker 3>sounds the same.

0:56:35.080 --> 0:56:37.239
<v Speaker 7>It's funny you say about regionalism because literally I was

0:56:37.280 --> 0:56:39.160
<v Speaker 7>talking to a good friend of mine from I'm from DC,

0:56:39.280 --> 0:56:41.360
<v Speaker 7>but we were talking about him, I know, and we

0:56:41.440 --> 0:56:44.000
<v Speaker 7>were talking about your relationship with DC because he was like,

0:56:44.080 --> 0:56:47.400
<v Speaker 7>you know, in light of the anniversary of celebrating of

0:56:47.440 --> 0:56:50.040
<v Speaker 7>Biggi's death, He's like, for DC, dudes, we weren't really

0:56:50.080 --> 0:56:52.640
<v Speaker 7>in that pop versus Biggie thing. For us, it was

0:56:52.680 --> 0:56:55.560
<v Speaker 7>Scarface then number one because he came to d C

0:56:55.760 --> 0:56:57.719
<v Speaker 7>and he performed with go go bands that you still

0:56:57.800 --> 0:56:59.759
<v Speaker 7>do to this day to day. Yeah, but can you

0:57:00.120 --> 0:57:01.879
<v Speaker 7>to speak to that in that relationship, and it goes

0:57:01.880 --> 0:57:04.279
<v Speaker 7>to the regionalism and relationships with different markets like that.

0:57:04.520 --> 0:57:06.680
<v Speaker 3>I like. I like the idea of d C having

0:57:06.760 --> 0:57:09.399
<v Speaker 3>his own identity man like d C never swapped out

0:57:09.400 --> 0:57:10.319
<v Speaker 3>and went nowhere else.

0:57:10.400 --> 0:57:12.680
<v Speaker 5>There was always Go Go you know, you had some

0:57:12.840 --> 0:57:15.080
<v Speaker 5>you have some dope ass rappers out of there, you know.

0:57:15.840 --> 0:57:19.320
<v Speaker 3>But but mainly the music in d C, like Backyard

0:57:19.720 --> 0:57:23.360
<v Speaker 3>can have an r E can have a show in

0:57:23.480 --> 0:57:26.120
<v Speaker 3>d C and sell the fucking place out. They don't

0:57:26.160 --> 0:57:28.680
<v Speaker 3>need no rapper in it. They don't need no big names.

0:57:28.760 --> 0:57:31.640
<v Speaker 3>They are the big name. And the whole fucking play

0:57:31.720 --> 0:57:33.720
<v Speaker 3>is from from wall to wall and singing the song.

0:57:33.800 --> 0:57:37.680
<v Speaker 5>I'm like, damn ship, I'm glad I didn't close.

0:57:40.920 --> 0:57:44.280
<v Speaker 3>Yeah nah, it's d C is like me in d

0:57:44.440 --> 0:57:47.800
<v Speaker 3>C is like Frankie Beverly in New Orleans, like he

0:57:47.880 --> 0:57:49.560
<v Speaker 3>can always go there and get a check, right.

0:57:50.040 --> 0:57:52.480
<v Speaker 7>DC just said it's like bevery Frankie Beverly in d C,

0:57:52.600 --> 0:57:54.120
<v Speaker 7>because you know we claim him too, just like we

0:57:54.200 --> 0:57:54.680
<v Speaker 7>claim y'all.

0:57:54.760 --> 0:57:56.680
<v Speaker 5>Yeah he is he is. Yeah, you're sure, right, but

0:57:56.840 --> 0:58:00.800
<v Speaker 5>man like yeah, no, no, no, no, no, no, no

0:58:00.880 --> 0:58:04.800
<v Speaker 5>no no, you're phelly.

0:58:04.960 --> 0:58:07.560
<v Speaker 7>So why you I was born and raised in DC.

0:58:07.640 --> 0:58:10.440
<v Speaker 7>I got a rep and that's what it is. O.

0:58:10.640 --> 0:58:16.640
<v Speaker 5>Mother, Yeah, I see so, mother. As far as it

0:58:16.760 --> 0:58:19.000
<v Speaker 5>progressing or progressing.

0:58:21.520 --> 0:58:21.600
<v Speaker 3>Just.

0:58:25.600 --> 0:58:29.080
<v Speaker 5>Do you feel some sort of way about I do?

0:58:29.640 --> 0:58:32.400
<v Speaker 5>Or are you indifferent? Now? Like okay, well no, it's

0:58:32.480 --> 0:58:33.880
<v Speaker 5>not my turn turn anymore.

0:58:34.000 --> 0:58:35.360
<v Speaker 3>Oh I don't care about it be in my turn,

0:58:35.760 --> 0:58:37.600
<v Speaker 3>But I still want to hear dope music though.

0:58:37.800 --> 0:58:40.400
<v Speaker 7>All right, what's the last dope new thing you heard?

0:58:40.480 --> 0:58:44.800
<v Speaker 3>And you was like, all right, fucking Kendrick Lamar, love Me,

0:58:49.480 --> 0:58:52.920
<v Speaker 3>Love Me, Like, yeah, Like that's dope to me, man.

0:58:53.080 --> 0:58:54.840
<v Speaker 7>What did you think about that? The soundtrack? Just not

0:58:55.040 --> 0:58:58.400
<v Speaker 7>just to you know, I'm just curious soundtrack have you

0:58:58.480 --> 0:59:00.760
<v Speaker 7>heard that? Since you said Kendrin Lamar, you know, it's

0:59:00.840 --> 0:59:03.720
<v Speaker 7>kind of revolutionary in nature in a way. I mean

0:59:04.000 --> 0:59:06.280
<v Speaker 7>for what he's saying and it being such a Marvel film,

0:59:06.360 --> 0:59:07.640
<v Speaker 7>and you know, some people would feel like that.

0:59:08.360 --> 0:59:09.720
<v Speaker 5>I'm proud of that that film too.

0:59:09.800 --> 0:59:12.960
<v Speaker 3>By the way, I like the Black Panther film and

0:59:13.080 --> 0:59:16.760
<v Speaker 3>I like the performance of it too. Back on on

0:59:16.880 --> 0:59:18.640
<v Speaker 3>the do I feel like fucked up?

0:59:19.000 --> 0:59:19.120
<v Speaker 5>Uh?

0:59:21.640 --> 0:59:23.880
<v Speaker 3>I mean I wish that everybody had their own identity, bro,

0:59:24.560 --> 0:59:27.520
<v Speaker 3>you know, I wish that people would just if if

0:59:27.760 --> 0:59:30.520
<v Speaker 3>see his it went like this, If quest Love did

0:59:30.600 --> 0:59:33.360
<v Speaker 3>your ship, then you knew his production. If Dray did

0:59:33.440 --> 0:59:35.640
<v Speaker 3>your shit, you knew his production because they didn't sound alike.

0:59:35.920 --> 0:59:38.760
<v Speaker 3>If Timberland digit shit, you knew you know, timbling, Oh man,

0:59:38.800 --> 0:59:39.680
<v Speaker 3>that's timbling right there.

0:59:40.000 --> 0:59:40.720
<v Speaker 5>You know what it was?

0:59:41.720 --> 0:59:42.880
<v Speaker 7>Rock wild? Did you know y'all?

0:59:43.040 --> 0:59:43.080
<v Speaker 3>No?

0:59:43.240 --> 0:59:43.439
<v Speaker 5>Yeah?

0:59:45.160 --> 0:59:46.960
<v Speaker 3>And now it's like if Premiere digit shit, you know

0:59:47.080 --> 0:59:52.919
<v Speaker 3>you know right now everything's so not like God Damn

0:59:53.000 --> 0:59:54.680
<v Speaker 3>that gotta be so and so, so and so.

0:59:54.840 --> 0:59:55.520
<v Speaker 5>No that so and so.

0:59:55.840 --> 0:59:59.080
<v Speaker 3>Boys, shit, that sounded like so and so so because

0:59:59.120 --> 1:00:04.520
<v Speaker 3>everybody sound like yeah, you know, and and it focks

1:00:04.560 --> 1:00:09.000
<v Speaker 3>me up because it's no the beat's reality in music

1:00:09.080 --> 1:00:13.280
<v Speaker 3>no more. Ain't nobody got there. They just fucked you know.

1:00:13.440 --> 1:00:16.240
<v Speaker 3>Get you some strings, bro, But at the same time,

1:00:16.360 --> 1:00:19.040
<v Speaker 3>get you an identity, man, because that ship you're doing

1:00:19.160 --> 1:00:22.320
<v Speaker 3>is gonna last all of three or four years at best.

1:00:23.800 --> 1:00:26.120
<v Speaker 3>All right, speak the truth. I do speak the truth.

1:00:26.440 --> 1:00:31.400
<v Speaker 3>You have records that you heard two years ago that

1:00:31.560 --> 1:00:34.360
<v Speaker 3>are irrelevant now and the artist is like, ship.

1:00:36.240 --> 1:00:41.640
<v Speaker 7>Were going right, right, all said designer. I thought about

1:00:41.640 --> 1:00:42.040
<v Speaker 7>it was.

1:00:42.040 --> 1:00:45.240
<v Speaker 5>Funny the beast was pumping. Ain't that something?

1:00:45.440 --> 1:00:46.320
<v Speaker 3>What ll say with that?

1:00:46.360 --> 1:00:47.240
<v Speaker 5>See what it was over.

1:00:48.720 --> 1:00:48.840
<v Speaker 7>Or on?

1:00:48.960 --> 1:00:53.120
<v Speaker 5>Cheesy? No, No, what's something? He said the beasts? Ain't

1:00:53.160 --> 1:00:54.040
<v Speaker 5>that something? Anyway?

1:00:55.480 --> 1:00:57.280
<v Speaker 3>That ship is you know, I want to I want

1:00:57.320 --> 1:00:59.840
<v Speaker 3>to have a career, man, and I want I want

1:00:59.880 --> 1:01:05.320
<v Speaker 3>to build careers man. So one thing I was going

1:01:05.360 --> 1:01:09.680
<v Speaker 3>to ask you, what is the what is the process

1:01:09.760 --> 1:01:12.280
<v Speaker 3>of you putting your albums together? Because I'll go on

1:01:12.360 --> 1:01:17.120
<v Speaker 3>record as saying you are the most consistent rapper in

1:01:17.280 --> 1:01:20.560
<v Speaker 3>terms of your albums, like you are the most consistent

1:01:20.680 --> 1:01:24.560
<v Speaker 3>album making cat like ever, like all your records.

1:01:24.320 --> 1:01:27.040
<v Speaker 5>And I mean straight up like all your records. It's

1:01:27.200 --> 1:01:28.040
<v Speaker 5>I mean, it's a ride.

1:01:28.080 --> 1:01:30.439
<v Speaker 3>You just put it on. You ain't about skipping nothing. Yeah,

1:01:30.640 --> 1:01:33.440
<v Speaker 3>I try to do that. That's intentional. Okay, So what's

1:01:33.480 --> 1:01:34.440
<v Speaker 3>that that's intentional?

1:01:34.520 --> 1:01:39.040
<v Speaker 5>Cue? So what's that process? I don't decide what makes it?

1:01:39.120 --> 1:01:41.560
<v Speaker 3>What doesn't that feel?

1:01:41.760 --> 1:01:45.120
<v Speaker 5>Man? That vibe? You know? I mean, do you work

1:01:45.200 --> 1:01:47.320
<v Speaker 5>on twenty five songs and then say like here's my.

1:01:47.360 --> 1:01:52.000
<v Speaker 3>Final Every every every every every punches is calculated to kill.

1:01:53.440 --> 1:01:56.160
<v Speaker 3>Every bullet is a shot, it's gonna it's there to

1:01:56.240 --> 1:01:58.560
<v Speaker 3>do damage. So if I'm gonna start on the record

1:01:58.800 --> 1:02:02.280
<v Speaker 3>and I'm gonna finish that record, the I can spend

1:02:02.320 --> 1:02:05.080
<v Speaker 3>a week on the record. I have a question about

1:02:05.120 --> 1:02:11.720
<v Speaker 3>your just your your your style of m seeing. I'll

1:02:11.760 --> 1:02:15.000
<v Speaker 3>say that you're probably also one of them. I mean

1:02:15.120 --> 1:02:17.800
<v Speaker 3>not to say that most of the figures in hip

1:02:17.840 --> 1:02:25.120
<v Speaker 3>hop are caricatures, but but curricatures a curricature.

1:02:26.240 --> 1:02:29.240
<v Speaker 5>Who was right?

1:02:29.400 --> 1:02:36.040
<v Speaker 3>But I will say that you, I mean on surface,

1:02:36.120 --> 1:02:40.440
<v Speaker 3>you'll you know again someone that that's not baptized and

1:02:40.520 --> 1:02:43.720
<v Speaker 3>hip hop will just take agander and just say like whatever,

1:02:43.840 --> 1:02:48.160
<v Speaker 3>they're just spinning gangster ship. But you know, you a

1:02:48.240 --> 1:02:51.200
<v Speaker 3>lot of your approach to your your your your song

1:02:51.280 --> 1:02:58.240
<v Speaker 3>structure and your lyrics deal with like you having a conscience,

1:02:58.520 --> 1:03:06.560
<v Speaker 3>you you uh expressing regret, you really having three dimensional

1:03:06.640 --> 1:03:10.440
<v Speaker 3>thoughts of these things. And it's it's almost like therapeutic.

1:03:10.880 --> 1:03:14.400
<v Speaker 3>I know that you've gone on public record about dealing

1:03:14.440 --> 1:03:19.360
<v Speaker 3>with depression and and and that in your life. How

1:03:19.600 --> 1:03:23.560
<v Speaker 3>and especially I guess with the black people, we never

1:03:25.440 --> 1:03:29.600
<v Speaker 3>we were never too vulnerability. Yeah, like we were always

1:03:29.640 --> 1:03:32.520
<v Speaker 3>guarded about the idea of therapy or or that sort

1:03:32.600 --> 1:03:37.200
<v Speaker 3>of thing, and and and dealing with depression. But you're

1:03:37.240 --> 1:03:39.880
<v Speaker 3>going to can you speak on how like is writing?

1:03:40.280 --> 1:03:42.760
<v Speaker 3>Are writing these songs your way of doing that when you're.

1:03:46.880 --> 1:03:51.000
<v Speaker 5>Because you've been mad vulnerable on your stuff. So it's it's.

1:03:52.760 --> 1:03:54.720
<v Speaker 3>You know, we're praising Jay Z right now for for

1:03:55.120 --> 1:03:59.200
<v Speaker 3>four like at the end of his career, but you

1:03:59.360 --> 1:04:06.200
<v Speaker 3>were always want that. I want to give a shout

1:04:06.240 --> 1:04:09.400
<v Speaker 3>out to my teacher that taught me how to write,

1:04:11.400 --> 1:04:13.840
<v Speaker 3>you know, Ms McClusky. She taught me how to write,

1:04:15.440 --> 1:04:18.080
<v Speaker 3>and she she always said that your story had to

1:04:18.160 --> 1:04:19.320
<v Speaker 3>have Uh.

1:04:21.480 --> 1:04:22.080
<v Speaker 5>The beginning.

1:04:24.160 --> 1:04:27.400
<v Speaker 3>Uh was it a climax?

1:04:27.520 --> 1:04:28.440
<v Speaker 5>You know the topic?

1:04:29.400 --> 1:04:36.120
<v Speaker 3>It was a piece of statement, She'll kill me if

1:04:36.160 --> 1:04:38.400
<v Speaker 3>I didn't know this ship. It was.

1:04:40.440 --> 1:04:51.880
<v Speaker 5>She listened, She's dead Like he didn't either rich or

1:04:54.320 --> 1:04:54.680
<v Speaker 5>she did?

1:04:55.520 --> 1:04:57.880
<v Speaker 3>Yeah, because I was like in the third or fourth grade.

1:04:57.920 --> 1:05:02.840
<v Speaker 3>But it had to have a a beginning, a body

1:05:02.920 --> 1:05:06.800
<v Speaker 3>of climax, and an ending. So that's how I wanted

1:05:06.880 --> 1:05:10.000
<v Speaker 3>to always address, you know, a step to my right,

1:05:10.000 --> 1:05:11.240
<v Speaker 3>And that's how I wanted to do my right.

1:05:11.280 --> 1:05:13.080
<v Speaker 5>And I always wanted to write about something.

1:05:13.360 --> 1:05:15.360
<v Speaker 3>I always wanted you to feel that shit and oh

1:05:15.480 --> 1:05:17.960
<v Speaker 3>my god, and then I always wanted to end it right.

1:05:18.640 --> 1:05:21.120
<v Speaker 3>But most of them sees like Biggie himself will say

1:05:21.160 --> 1:05:23.200
<v Speaker 3>that a lot of his narrative was based on what

1:05:23.360 --> 1:05:25.480
<v Speaker 3>his friend said. Okay, well it didn't happen to me,

1:05:26.080 --> 1:05:29.440
<v Speaker 3>but I'm gonna tell a story about you know what,

1:05:29.640 --> 1:05:30.920
<v Speaker 3>what my friends talk about.

1:05:30.960 --> 1:05:32.960
<v Speaker 5>And I put in the story for him. But you're like,

1:05:33.120 --> 1:05:36.920
<v Speaker 5>I believes that all of your narrative was I was

1:05:37.000 --> 1:05:39.760
<v Speaker 5>there in that motherfucking room. Huh yeah, but what is

1:05:39.800 --> 1:05:40.120
<v Speaker 5>it true?

1:05:40.240 --> 1:05:48.720
<v Speaker 7>Is that true? I? And maybe because sometimes you you

1:05:48.800 --> 1:05:49.840
<v Speaker 7>have to look at it like art.

1:05:49.920 --> 1:05:53.080
<v Speaker 5>So I just figured, don't recall. Yeah, you can't claim

1:05:53.120 --> 1:05:56.640
<v Speaker 5>all the stuff that he's Let's just say that I

1:05:56.760 --> 1:05:59.800
<v Speaker 5>have witnessed a lot of ship in my time of dying.

1:06:01.680 --> 1:06:03.919
<v Speaker 5>How do you process that without getting numb?

1:06:04.280 --> 1:06:09.440
<v Speaker 3>Because that's it's not normal to see, like, it's not

1:06:09.760 --> 1:06:14.640
<v Speaker 3>normal to see that much tragedy occur. I'm numb to

1:06:14.720 --> 1:06:17.439
<v Speaker 3>the point until I only feel fucked up when something

1:06:17.520 --> 1:06:20.600
<v Speaker 3>bad happens to kids now, I mean like babies and ship,

1:06:22.000 --> 1:06:24.400
<v Speaker 3>Like when when old people dying ship, I don't even

1:06:24.440 --> 1:06:29.320
<v Speaker 3>give a fuck no more. If old people died, then

1:06:29.400 --> 1:06:34.720
<v Speaker 3>they made it like I'm talking about over fucking you mean, yeah, oh.

1:06:37.320 --> 1:06:40.720
<v Speaker 5>I'm just I'm just playing. I'm not serious. I'm not serious.

1:06:41.920 --> 1:06:44.280
<v Speaker 3>Well, yeah, black, if you're old as fuck man and

1:06:44.320 --> 1:06:46.760
<v Speaker 3>you're a mean bastard, then fuck you goodbye.

1:06:47.200 --> 1:06:48.440
<v Speaker 5>I can't wait for you to die.

1:06:49.240 --> 1:06:50.720
<v Speaker 3>You why are you looking at me?

1:06:53.000 --> 1:06:54.600
<v Speaker 4>I mean I feel the same way as somebody you

1:06:54.680 --> 1:06:56.120
<v Speaker 4>were looking at me like I'm mad.

1:06:56.840 --> 1:07:00.920
<v Speaker 3>Well, you've always been very open about your struggle with

1:07:01.040 --> 1:07:04.240
<v Speaker 3>like depression and like bipolar disorder. How do you cope

1:07:04.280 --> 1:07:04.440
<v Speaker 3>with that?

1:07:04.560 --> 1:07:04.680
<v Speaker 5>Now?

1:07:05.680 --> 1:07:08.080
<v Speaker 3>Shit, I know how to get in the box, I

1:07:08.160 --> 1:07:10.320
<v Speaker 3>know how to get out the way. Man, go in

1:07:10.400 --> 1:07:14.800
<v Speaker 3>my room, you know, go to my I can stay

1:07:14.840 --> 1:07:16.240
<v Speaker 3>in the house for weeks.

1:07:16.120 --> 1:07:17.880
<v Speaker 5>Man, you stay.

1:07:18.560 --> 1:07:20.520
<v Speaker 7>Do you think we're in a new era with mental health?

1:07:20.680 --> 1:07:22.320
<v Speaker 7>We can really have these conversations because I feel like

1:07:22.360 --> 1:07:24.960
<v Speaker 7>now like we weren't having these like ten to fifteen

1:07:25.040 --> 1:07:27.160
<v Speaker 7>years ago, we weren't talking about bipolar. It was crazy

1:07:27.320 --> 1:07:29.080
<v Speaker 7>Uncle did so, we weren't really dominating.

1:07:29.360 --> 1:07:30.840
<v Speaker 5>And they gave that shit a name, and they gave

1:07:30.880 --> 1:07:31.680
<v Speaker 5>it some dope.

1:07:31.480 --> 1:07:35.320
<v Speaker 7>Too different, all kinds of guess sir, to.

1:07:35.400 --> 1:07:36.520
<v Speaker 5>Prescribe you some drugs.

1:07:36.600 --> 1:07:40.160
<v Speaker 7>Fucking it's true, but it is something to it. Correct.

1:07:40.560 --> 1:07:41.400
<v Speaker 5>There's nothing to it.

1:07:41.520 --> 1:07:41.680
<v Speaker 7>Man.

1:07:41.800 --> 1:07:44.200
<v Speaker 3>Either you want to fucking die or you don't like

1:07:44.400 --> 1:07:47.800
<v Speaker 3>you know what I mean? You're fucking happier, you're sad?

1:07:47.920 --> 1:07:50.440
<v Speaker 5>Bro. Have you gone to therapy? Yeah?

1:07:50.480 --> 1:07:53.520
<v Speaker 3>I did two years in the fucking hospital when I

1:07:53.640 --> 1:07:56.200
<v Speaker 3>was a kid. You know, just back and forth. You

1:07:56.240 --> 1:07:58.120
<v Speaker 3>get to the level four and then they let you

1:07:58.240 --> 1:08:01.160
<v Speaker 3>out and then you back down at the fucking uh

1:08:01.640 --> 1:08:03.760
<v Speaker 3>pre pre level one or some ship you know that

1:08:03.840 --> 1:08:07.160
<v Speaker 3>ain't ship. Can't nobody make you feel don't feel know

1:08:07.280 --> 1:08:10.120
<v Speaker 3>they had uh I had meloyal and lithium.

1:08:10.360 --> 1:08:12.640
<v Speaker 7>See, I know something about giving young kids back in

1:08:12.640 --> 1:08:13.400
<v Speaker 7>the days lithium.

1:08:13.440 --> 1:08:16.360
<v Speaker 3>And but but the thing is anything for me to

1:08:16.439 --> 1:08:19.160
<v Speaker 3>write you a prescription. Man, I'm down all this motherfucker's crazy.

1:08:19.240 --> 1:08:22.639
<v Speaker 3>Let's give him some dope. And I don't think that's

1:08:22.680 --> 1:08:26.240
<v Speaker 3>the best I don't think that's the best uh antidote

1:08:26.439 --> 1:08:28.400
<v Speaker 3>for that. I don't think that's the best fix, you

1:08:28.479 --> 1:08:30.120
<v Speaker 3>know what I mean? Like, I think that a good

1:08:30.360 --> 1:08:33.040
<v Speaker 3>ass ass whooping will straightened all of that ship.

1:08:34.600 --> 1:08:35.519
<v Speaker 5>I expected.

1:08:36.000 --> 1:08:37.920
<v Speaker 7>I thought you was going to say, like a lifestyle change,

1:08:39.280 --> 1:08:39.960
<v Speaker 7>like you got a.

1:08:40.040 --> 1:08:41.479
<v Speaker 5>Kid that time out, man.

1:08:41.520 --> 1:08:44.800
<v Speaker 3>And if your kid is is like, uh, your kid

1:08:44.880 --> 1:08:47.080
<v Speaker 3>has artistm then I understand, but don't let them dope

1:08:47.120 --> 1:08:47.439
<v Speaker 3>them up.

1:08:48.320 --> 1:08:50.160
<v Speaker 5>But and if your kid is like like my uncle.

1:08:50.240 --> 1:08:52.080
<v Speaker 3>I got an uncle, right, and they don't give him

1:08:52.120 --> 1:08:54.519
<v Speaker 3>no medicine and he's the coolest fuck laughing.

1:08:57.400 --> 1:08:58.160
<v Speaker 7>Don't look over here.

1:08:58.240 --> 1:08:58.519
<v Speaker 5>I don't know.

1:08:59.560 --> 1:09:01.200
<v Speaker 3>Go ahead, I don't laugh you man.

1:09:01.240 --> 1:09:02.280
<v Speaker 5>That fucking makes me mad.

1:09:02.360 --> 1:09:03.760
<v Speaker 3>Bro, I don't want to make you bad.

1:09:04.160 --> 1:09:06.120
<v Speaker 7>But when you said I was trying to understand what

1:09:06.160 --> 1:09:07.559
<v Speaker 7>you said when you got the BB.

1:09:13.880 --> 1:09:17.439
<v Speaker 3>But you just need a fucking ass whipping man, Like

1:09:17.560 --> 1:09:20.360
<v Speaker 3>if you're fucking sucking up in school, man.

1:09:20.320 --> 1:09:22.599
<v Speaker 5>Kicked that kid in his ass. They took corporal punishment

1:09:22.640 --> 1:09:24.320
<v Speaker 5>out of school, so you fucked your kids up.

1:09:25.360 --> 1:09:28.320
<v Speaker 7>Now, see, we just had this whole conversation where Bazzario

1:09:28.439 --> 1:09:30.439
<v Speaker 7>Dawson about beating your kids and seeing.

1:09:30.240 --> 1:09:35.320
<v Speaker 3>That his mother fucking ass. Listen, look at me, look

1:09:35.360 --> 1:09:37.879
<v Speaker 3>at me, do it. I got my ass beat.

1:09:41.240 --> 1:09:41.439
<v Speaker 5>Kid.

1:09:43.200 --> 1:09:44.120
<v Speaker 7>No, don't do that.

1:09:44.720 --> 1:09:46.800
<v Speaker 3>You look at the average sixteen year old now, and

1:09:46.880 --> 1:09:51.560
<v Speaker 3>he's way worse than I ever will. Yeah, I was

1:09:51.680 --> 1:09:53.680
<v Speaker 3>bad as fuck, but I never told my mom to

1:09:53.720 --> 1:09:54.200
<v Speaker 3>fuck off.

1:09:54.880 --> 1:09:55.479
<v Speaker 7>How about that?

1:09:55.840 --> 1:09:57.519
<v Speaker 5>I never I never fought my dad.

1:09:57.800 --> 1:09:58.400
<v Speaker 7>How about that?

1:09:59.000 --> 1:09:59.519
<v Speaker 5>Calm down.

1:09:59.640 --> 1:10:05.680
<v Speaker 3>I never crush my grandma out, Like, definitely, connect man,

1:10:06.000 --> 1:10:08.160
<v Speaker 3>you got to take that fucking board.

1:10:09.360 --> 1:10:12.000
<v Speaker 7>But I also been communication opinions.

1:10:12.040 --> 1:10:19.080
<v Speaker 5>Now, okay, I'm the guy. Why you why do you

1:10:19.080 --> 1:10:21.000
<v Speaker 5>give me the side out before I give the opinion?

1:10:21.120 --> 1:10:23.000
<v Speaker 7>Like because you got beatens? But go ahead, I know

1:10:23.040 --> 1:10:23.679
<v Speaker 7>you got the whooping.

1:10:23.880 --> 1:10:25.160
<v Speaker 3>Yeah, we all got.

1:10:25.200 --> 1:10:26.960
<v Speaker 5>I was ready would be a great guy.

1:10:27.760 --> 1:10:30.559
<v Speaker 3>Yeah, but there's also a downside to that as well,

1:10:30.920 --> 1:10:33.519
<v Speaker 3>you know, don side to getting your ass whooped.

1:10:34.080 --> 1:10:36.280
<v Speaker 5>I mean, I did the right thing, but I also

1:10:36.360 --> 1:10:39.240
<v Speaker 5>had a very strange relationship with my dad. You know,

1:10:39.640 --> 1:10:41.680
<v Speaker 5>so he was trying to take something out on you.

1:10:41.720 --> 1:10:43.040
<v Speaker 5>You should let your mama whoop your.

1:10:47.840 --> 1:10:50.200
<v Speaker 3>Like back then, like back then in the seventies and

1:10:50.200 --> 1:10:51.519
<v Speaker 3>the eighties when we were growing up. You grew up

1:10:51.600 --> 1:10:54.360
<v Speaker 3>in the seventies, Yes, seventies, al right, cool, So back

1:10:54.439 --> 1:10:56.679
<v Speaker 3>then it was like our dad had like some real

1:10:56.800 --> 1:10:58.600
<v Speaker 3>pressure that was undermand If it wasn't, it was like

1:10:58.680 --> 1:10:59.639
<v Speaker 3>Bill's mama tripping.

1:10:59.640 --> 1:11:03.240
<v Speaker 5>I'm a be this nigga asked me. That's how you're right,

1:11:03.760 --> 1:11:05.120
<v Speaker 5>beat your motherfucking ass.

1:11:05.439 --> 1:11:07.280
<v Speaker 3>As soon as I get home and hang up, you

1:11:07.320 --> 1:11:09.479
<v Speaker 3>can't beep him call him back because he ain't got

1:11:09.560 --> 1:11:09.920
<v Speaker 3>no self.

1:11:10.120 --> 1:11:12.400
<v Speaker 5>It's like some different ship, like you gotta.

1:11:12.200 --> 1:11:15.600
<v Speaker 3>Wait on the right and you don't even know that

1:11:16.200 --> 1:11:20.040
<v Speaker 3>gonna come. You hear the door closing, ship and they

1:11:20.160 --> 1:11:22.719
<v Speaker 3>talking and in the room and ship.

1:11:23.600 --> 1:11:24.200
<v Speaker 5>Go to sleep.

1:11:25.280 --> 1:11:27.960
<v Speaker 3>You're like, pretty god, you're get in the bathtub and

1:11:28.040 --> 1:11:30.439
<v Speaker 3>ship as soon as you walking out that bath to

1:11:30.640 --> 1:11:35.960
<v Speaker 3>hit his motherfucker come wow, right, you're laughing. But that

1:11:36.120 --> 1:11:40.679
<v Speaker 3>that was basically like, I know, put that ass whopping

1:11:40.840 --> 1:11:42.200
<v Speaker 3>and listen, man, the ass whooping.

1:11:42.280 --> 1:11:42.640
<v Speaker 5>Help man.

1:11:42.680 --> 1:11:46.040
<v Speaker 3>And now that I'm older and I realize how important

1:11:46.080 --> 1:11:49.240
<v Speaker 3>those ass whoopings were I'm cool with it, and I

1:11:49.360 --> 1:11:51.880
<v Speaker 3>know that. Can't nobody make me feel how I don't.

1:11:53.120 --> 1:11:55.519
<v Speaker 3>If I'm not happy, then fucking I'm not happy. Who

1:11:55.720 --> 1:11:59.479
<v Speaker 3>the mean ship? Get out my fucking room. Mom not

1:11:59.680 --> 1:12:01.920
<v Speaker 3>knows words, but I don't want to.

1:12:01.960 --> 1:12:05.600
<v Speaker 5>I don't. I don't. So no more drug prescriptions for

1:12:07.320 --> 1:12:09.200
<v Speaker 5>no more lithium at the age except.

1:12:10.080 --> 1:12:12.200
<v Speaker 2>And this episode of Quest Love Supreme is brought to

1:12:12.240 --> 1:12:13.480
<v Speaker 2>you by ass Whoopings.

1:12:14.120 --> 1:12:15.599
<v Speaker 7>Yeah, we've got a couple of episodes.

1:12:15.840 --> 1:12:16.519
<v Speaker 3>We had a couple of.

1:12:19.240 --> 1:12:24.000
<v Speaker 5>Anyway, get there. You got half a jam, that's all

1:12:24.080 --> 1:12:24.720
<v Speaker 5>fun take man?

1:12:25.000 --> 1:12:31.240
<v Speaker 3>Yeah, yo, all right, so I got some like rap

1:12:31.320 --> 1:12:33.760
<v Speaker 3>nerd rap up questions. Yes, what happened to too Low,

1:12:35.439 --> 1:12:36.280
<v Speaker 3>funky little nigga?

1:12:36.320 --> 1:12:38.080
<v Speaker 5>The fucking system got him?

1:12:38.439 --> 1:12:38.960
<v Speaker 3>Oh really?

1:12:39.280 --> 1:12:39.479
<v Speaker 5>Yeah?

1:12:40.360 --> 1:12:43.280
<v Speaker 3>I think that he would introduced to a to a

1:12:43.360 --> 1:12:46.160
<v Speaker 3>lot of grown people ship at such an early age.

1:12:46.240 --> 1:12:48.639
<v Speaker 3>Until the ship that he thought that he could get

1:12:48.640 --> 1:12:51.720
<v Speaker 3>away with, he wasn't smart enough to, you know, get

1:12:51.760 --> 1:12:54.320
<v Speaker 3>away with You know, we were smart enough to get

1:12:54.320 --> 1:12:56.000
<v Speaker 3>away with that shit because we were grown.

1:12:56.920 --> 1:12:58.280
<v Speaker 5>But you can't be fucking.

1:12:58.080 --> 1:13:03.479
<v Speaker 3>Fourteen years old and smoking, eating, uh, stealing police cars

1:13:03.520 --> 1:13:08.200
<v Speaker 3>and go to jail like shit. Okay, to too Much Trouble.

1:13:08.840 --> 1:13:11.280
<v Speaker 3>It's a lot of twos. That's a lot of twos.

1:13:12.240 --> 1:13:14.920
<v Speaker 3>I think one of the brothers in Too Much Trouble passed.

1:13:16.600 --> 1:13:18.680
<v Speaker 3>I don't know what Drunk is doing right now.

1:13:19.600 --> 1:13:20.280
<v Speaker 5>I do know that.

1:13:20.600 --> 1:13:28.240
<v Speaker 3>Uh, what's the little dude's name? Yeah, he's a maintenance

1:13:28.320 --> 1:13:32.200
<v Speaker 3>man now, but he was a maintenance man choice.

1:13:33.920 --> 1:13:36.000
<v Speaker 5>I don't know. I haven't seen her in a long

1:13:36.080 --> 1:13:37.360
<v Speaker 5>ass time. I mean.

1:13:39.920 --> 1:13:42.960
<v Speaker 3>We didn't. We spoke on it briefly. How did you

1:13:43.680 --> 1:13:46.280
<v Speaker 3>get in touch or how did you bring Devin the dude?

1:13:46.680 --> 1:13:48.920
<v Speaker 3>What was y'all's history, Like Devin dude in the Odd Squad?

1:13:50.800 --> 1:13:53.320
<v Speaker 3>So Devin So the Ods Squad had an album on

1:13:53.439 --> 1:13:56.160
<v Speaker 3>Rap a Lot, Fat Enough Everybody, Fat Enough Everybody, and

1:13:56.280 --> 1:13:59.040
<v Speaker 3>that was the best fucking album I had ever heard,

1:14:00.120 --> 1:14:02.840
<v Speaker 3>and I don't think that it did what they wanted

1:14:02.880 --> 1:14:03.200
<v Speaker 3>it to do.

1:14:03.439 --> 1:14:06.040
<v Speaker 5>So the Odd Squad was kind of on the back burner.

1:14:07.520 --> 1:14:09.760
<v Speaker 3>I took Devin out of the Odd Squad and put

1:14:09.840 --> 1:14:12.880
<v Speaker 3>him in Face Mob, remember the group I had, Face Mob.

1:14:13.760 --> 1:14:16.400
<v Speaker 3>I produced an album on Face Mob and then that

1:14:16.560 --> 1:14:18.920
<v Speaker 3>did great, and we doubled back and I wanted to

1:14:19.000 --> 1:14:21.519
<v Speaker 3>do a solo album on Devin. I did Devon's first

1:14:21.560 --> 1:14:24.559
<v Speaker 3>sold alb you know that you did. Yeah, I did

1:14:24.640 --> 1:14:25.080
<v Speaker 3>not know that.

1:14:25.439 --> 1:14:29.120
<v Speaker 5>I did that album and it was it was Devon

1:14:29.760 --> 1:14:31.200
<v Speaker 5>and the name of the album was.

1:14:32.800 --> 1:14:37.719
<v Speaker 3>But they started. Yeah, y'all, I fucking pioneered that whole

1:14:39.200 --> 1:14:41.639
<v Speaker 3>picture in the bathroom booble and and all that shit

1:14:42.400 --> 1:14:44.920
<v Speaker 3>we did. We even did a commercial, bro. If you

1:14:44.960 --> 1:14:46.759
<v Speaker 3>get a chance to look up the fucking commercial.

1:14:46.840 --> 1:14:47.200
<v Speaker 5>It is the.

1:14:47.320 --> 1:14:51.479
<v Speaker 3>Funniest ship in the world of him in the bathroom. Yes,

1:14:51.800 --> 1:14:56.479
<v Speaker 3>Lord is Ellie Jackson. Yeah, it's an actual video of

1:14:56.600 --> 1:14:58.639
<v Speaker 3>him getting out of the truck and it's just funny

1:14:58.640 --> 1:14:59.000
<v Speaker 3>as hell.

1:15:00.800 --> 1:15:01.680
<v Speaker 5>That was dope, man.

1:15:01.760 --> 1:15:04.400
<v Speaker 3>We we we sat down and we did an album

1:15:04.439 --> 1:15:07.120
<v Speaker 3>on Devin the Dude, and the rest was history. He's

1:15:07.160 --> 1:15:08.240
<v Speaker 3>the funniest kid I know.

1:15:08.880 --> 1:15:11.160
<v Speaker 7>Like, he's funny as Funds.

1:15:11.479 --> 1:15:20.480
<v Speaker 5>Still is great man, and he smokes so much weed.

1:15:21.800 --> 1:15:25.760
<v Speaker 7>That's awesome. And he's still productive. I I herald people

1:15:25.840 --> 1:15:26.000
<v Speaker 7>like that.

1:15:26.479 --> 1:15:33.280
<v Speaker 5>Look at Steve picture of productivity of it.

1:15:33.560 --> 1:15:37.360
<v Speaker 3>For sure. I like him. I had a question about

1:15:38.200 --> 1:15:40.160
<v Speaker 3>Lord j. He speaks on it. It's on the intro

1:15:40.439 --> 1:15:44.280
<v Speaker 3>of I think it's Emeritus the Mayor's album. He speaks

1:15:44.320 --> 1:15:47.000
<v Speaker 3>on the Little Troy situation. What exactly is that?

1:15:48.880 --> 1:15:49.599
<v Speaker 5>I don't know, man.

1:15:49.800 --> 1:15:52.960
<v Speaker 3>You know, me and Troy record sound our differences? Man, Okay,

1:15:53.200 --> 1:15:56.080
<v Speaker 3>he said some things about me that weren't true, and

1:15:57.760 --> 1:16:00.840
<v Speaker 3>you know he had to fix that. So you know,

1:16:00.960 --> 1:16:02.120
<v Speaker 3>me and Troy cool? Y'all good?

1:16:02.200 --> 1:16:02.920
<v Speaker 5>Now? Yeah? We all right?

1:16:02.960 --> 1:16:03.559
<v Speaker 3>Okay, word up.

1:16:04.200 --> 1:16:07.520
<v Speaker 5>I don't I don't know what him and Jay's relationship

1:16:07.720 --> 1:16:09.760
<v Speaker 5>is with me and Troy? All right? Okay, yop.

1:16:09.840 --> 1:16:11.840
<v Speaker 7>What's it required in the twenty eighteen to get a

1:16:12.080 --> 1:16:13.040
<v Speaker 7>scarface feature?

1:16:15.640 --> 1:16:21.120
<v Speaker 5>I don't feel like it really. The last record I

1:16:21.200 --> 1:16:23.439
<v Speaker 5>heard joint, well, the up front.

1:16:23.439 --> 1:16:25.519
<v Speaker 3>In terms of newcasts, you on the Freddy Gibbs record,

1:16:25.680 --> 1:16:28.000
<v Speaker 3>the uh Freddy Gibson mad Lip Joint.

1:16:28.479 --> 1:16:29.400
<v Speaker 5>Yeah, I was on that one.

1:16:29.560 --> 1:16:31.479
<v Speaker 7>Yeah, cal you did a cal And record?

1:16:31.560 --> 1:16:33.160
<v Speaker 5>Right, yeah, but now I'm tired, man.

1:16:34.240 --> 1:16:36.080
<v Speaker 7>So whoever got that got in this is a wrap?

1:16:36.720 --> 1:16:42.240
<v Speaker 5>Yeah? And then uh fucking thought, wait hold on, he said.

1:16:43.280 --> 1:16:46.599
<v Speaker 5>He said a lot of people retired that day. Man, wait,

1:16:46.880 --> 1:16:47.760
<v Speaker 5>wait all right.

1:16:47.920 --> 1:16:50.640
<v Speaker 3>So to told me when I told him I was

1:16:50.680 --> 1:16:57.160
<v Speaker 3>coming down, he said, ask no, sir, what happened in

1:16:57.240 --> 1:17:00.960
<v Speaker 3>the studio? He said, you walked away like left, he said,

1:17:01.280 --> 1:17:03.160
<v Speaker 3>and quote he said, Brad come on.

1:17:03.520 --> 1:17:05.800
<v Speaker 5>He grabbed his sons, like get out of here. Like

1:17:06.280 --> 1:17:07.679
<v Speaker 5>he just walked out the studio.

1:17:07.880 --> 1:17:10.880
<v Speaker 3>I heard his new ship.

1:17:11.479 --> 1:17:15.000
<v Speaker 7>Oh yeah, oh my god, which one to join us?

1:17:15.120 --> 1:17:18.120
<v Speaker 3>All of the streams of thought, Oh my god. I'm

1:17:18.200 --> 1:17:20.880
<v Speaker 3>purposely not letting people know what's happened with the roots.

1:17:20.880 --> 1:17:22.519
<v Speaker 3>But a lot of things, a lot of things are

1:17:22.520 --> 1:17:26.160
<v Speaker 3>about to happen in twenty eighteen. Boy, But whatever he

1:17:26.360 --> 1:17:28.040
<v Speaker 3>heard just made him walk out.

1:17:28.720 --> 1:17:30.439
<v Speaker 7>But you was supposed to bless it. He supposed blessing,

1:17:30.640 --> 1:17:31.960
<v Speaker 7>but supposed blessed.

1:17:32.280 --> 1:17:36.479
<v Speaker 5>He was just what he does. One of you're one

1:17:36.520 --> 1:17:43.960
<v Speaker 5>of his heroes. He's my hero, but you're his hero. Like, no, no,

1:17:44.120 --> 1:17:44.840
<v Speaker 5>he's my hero.

1:17:45.040 --> 1:17:48.520
<v Speaker 3>Okay, we'll just sit here all day and say you're

1:17:48.600 --> 1:17:50.160
<v Speaker 3>cool with that, But I'm not going to go in

1:17:50.200 --> 1:17:56.519
<v Speaker 3>there fucking with that, going there fucking with him. And

1:17:56.640 --> 1:18:00.519
<v Speaker 3>I'm telling you, I'm warning every rapper no, no, no, no, no.

1:18:02.560 --> 1:18:07.960
<v Speaker 5>No, because the thing is is that what isolated, this

1:18:08.160 --> 1:18:11.479
<v Speaker 5>is what isolated his first twenty years. We're trying to

1:18:12.240 --> 1:18:12.840
<v Speaker 5>we're trying to.

1:18:12.920 --> 1:18:15.120
<v Speaker 3>I'm probably the only one that kind of like was

1:18:15.160 --> 1:18:18.559
<v Speaker 3>scared of that ten minute freestyle because I was like, no, man,

1:18:18.600 --> 1:18:24.519
<v Speaker 3>because then everybody going there, like, wasn't I wouldn't give

1:18:24.640 --> 1:18:27.240
<v Speaker 3>them they were doing that? Was that was their excuse,

1:18:27.320 --> 1:18:32.439
<v Speaker 3>like that man said, because like because Jay kind of said.

1:18:33.960 --> 1:18:36.200
<v Speaker 7>Yeah, he's scary, you're scared.

1:18:37.520 --> 1:18:38.439
<v Speaker 5>I mean, it's one thing.

1:18:39.040 --> 1:18:41.599
<v Speaker 3>It's one thing, like the whole I mean, first of all,

1:18:41.840 --> 1:18:48.400
<v Speaker 3>na Is ruined everything with that, so that that line

1:18:48.439 --> 1:18:52.800
<v Speaker 3>alone made people paranoid about getting killed on their own ship.

1:18:53.280 --> 1:18:55.240
<v Speaker 3>And it's like the only time you're really going to

1:18:55.320 --> 1:18:58.479
<v Speaker 3>stand next to someone is if they can do something

1:18:58.560 --> 1:19:01.759
<v Speaker 3>for you, as far as help you raise your profile,

1:19:02.360 --> 1:19:04.400
<v Speaker 3>if you get if you get like out run by

1:19:04.479 --> 1:19:07.840
<v Speaker 3>somebody that has nobody or nobody, don't really do nothing

1:19:07.880 --> 1:19:11.120
<v Speaker 3>for you. But and even though he's every rapper's favorite rappers,

1:19:11.240 --> 1:19:14.439
<v Speaker 3>technically like he's in every man nobody category.

1:19:15.720 --> 1:19:18.760
<v Speaker 5>And it's like I can't afford to take an L

1:19:18.960 --> 1:19:19.960
<v Speaker 5>from someone that.

1:19:20.400 --> 1:19:23.960
<v Speaker 7>I'm more famous, more famous than right.

1:19:23.960 --> 1:19:28.200
<v Speaker 5>It ain't even about the L with me. It's like, no,

1:19:28.439 --> 1:19:31.679
<v Speaker 5>but he wants he wants to play and reindeer games.

1:19:31.840 --> 1:19:34.240
<v Speaker 3>And it's like a lot of the times cats will

1:19:34.320 --> 1:19:38.840
<v Speaker 3>just say, like, I mean, the reason why it's a big.

1:19:41.800 --> 1:19:44.240
<v Speaker 5>I don't feel like here's the thing, you know, how

1:19:44.280 --> 1:19:44.680
<v Speaker 5>you got it.

1:19:45.040 --> 1:19:48.160
<v Speaker 3>The motherfucker's the champ and then you got the number

1:19:48.160 --> 1:19:51.320
<v Speaker 3>one contender and the tamp don't want to fight him.

1:19:52.120 --> 1:19:53.519
<v Speaker 5>That's what to reach.

1:19:54.120 --> 1:19:56.559
<v Speaker 3>That's what he faced with right now because the motherfucker

1:19:56.600 --> 1:19:59.559
<v Speaker 3>that's on top, whoever he is, whoever he may be.

1:20:00.040 --> 1:20:04.080
<v Speaker 7>Want to get a ring, want to king the situation.

1:20:04.320 --> 1:20:06.519
<v Speaker 3>What that boy said about that bulling side, the China

1:20:06.800 --> 1:20:08.280
<v Speaker 3>China bulling China shop.

1:20:11.040 --> 1:20:17.880
<v Speaker 5>Yeah, so it's I want I want to be I

1:20:17.960 --> 1:20:19.120
<v Speaker 5>want him to play rain there game.

1:20:19.160 --> 1:20:22.080
<v Speaker 3>I don't think it's gonna happen, and it's not on him,

1:20:22.160 --> 1:20:23.400
<v Speaker 3>it's on I'm.

1:20:23.240 --> 1:20:26.160
<v Speaker 5>Gonna do a record with him. Oh god, I'm gonna

1:20:26.160 --> 1:20:28.560
<v Speaker 5>do a record with him. Yeah, for sure. He I

1:20:28.720 --> 1:20:30.720
<v Speaker 5>want that, I want definitely all right.

1:20:30.840 --> 1:20:32.840
<v Speaker 7>Oh damn, I should have take that send so.

1:20:32.840 --> 1:20:37.400
<v Speaker 5>He can make sure we're taping an episode right now. Yeah,

1:20:37.439 --> 1:20:37.960
<v Speaker 5>I'm definitely.

1:20:38.880 --> 1:20:41.600
<v Speaker 3>He's so fucking dope man, until you know, well, he

1:20:41.680 --> 1:20:44.559
<v Speaker 3>appreciates that because you're definitely one of his his rhyming heroes.

1:20:44.880 --> 1:20:47.840
<v Speaker 3>He's one of he is my rhyming hero. Is it

1:20:47.960 --> 1:20:50.479
<v Speaker 3>true that you and Sleepy Brown? At one point we're

1:20:50.520 --> 1:20:51.680
<v Speaker 3>gonna do a blues record.

1:20:53.000 --> 1:20:58.680
<v Speaker 5>Damn, wow ship. I don't know, but does I like

1:20:58.800 --> 1:21:02.080
<v Speaker 5>to How did you hear about that room?

1:21:02.200 --> 1:21:04.639
<v Speaker 3>It was if I read it somewhere. I can't remember,

1:21:05.040 --> 1:21:06.759
<v Speaker 3>but I remember. I think maybe it was an interview.

1:21:06.800 --> 1:21:09.120
<v Speaker 3>I think maybe it was a sleepy interview something. But

1:21:09.200 --> 1:21:12.519
<v Speaker 3>he bentioned something about you and him. You know who

1:21:12.560 --> 1:21:14.920
<v Speaker 3>sleepy daddy is? Oh yeah, Jimmy Brown from Brick from

1:21:14.920 --> 1:21:19.000
<v Speaker 3>Brick right, yeah, yeah, dope right, his daddy's so dope. Man, Like,

1:21:19.240 --> 1:21:23.600
<v Speaker 3>so Brick was my he wrote like like three is

1:21:23.680 --> 1:21:27.760
<v Speaker 3>my hero and I met them on the Time Joined

1:21:27.800 --> 1:21:28.600
<v Speaker 3>the Cruise.

1:21:28.320 --> 1:21:28.760
<v Speaker 5>Man, and.

1:21:30.680 --> 1:21:35.639
<v Speaker 7>Damn, I'm sorry, I'm black.

1:21:36.120 --> 1:21:37.920
<v Speaker 5>If you see it was.

1:21:40.439 --> 1:21:45.200
<v Speaker 3>Hey be ill Yeah, okay, wait man, that you're gonna

1:21:45.280 --> 1:21:50.160
<v Speaker 3>enjoy that ship, bro, you should. So Brick was on

1:21:50.360 --> 1:21:53.320
<v Speaker 3>the tom Joining the Cruise Show, not the Tom Join

1:21:53.400 --> 1:21:54.280
<v Speaker 3>the Cruise Show.

1:21:54.560 --> 1:21:58.320
<v Speaker 5>The Cruise Fantastic Boys. He was one of the fantastic voices.

1:21:58.400 --> 1:22:01.760
<v Speaker 3>Man. If I tell you that they jam like a month,

1:22:05.160 --> 1:22:10.880
<v Speaker 3>I gotta see it. No, it's like I have a

1:22:11.000 --> 1:22:14.000
<v Speaker 3>day job, Like I can't go on cruises the time.

1:22:14.160 --> 1:22:18.559
<v Speaker 3>Joining the Cruise is a party that lasts from six

1:22:18.680 --> 1:22:21.360
<v Speaker 3>in the morning to six in the morning to six

1:22:21.479 --> 1:22:24.000
<v Speaker 3>in the morning to six in the morning for seven

1:22:24.280 --> 1:22:25.600
<v Speaker 3>fucking days for.

1:22:25.640 --> 1:22:27.439
<v Speaker 7>All the white people. Time join is very popular. Black

1:22:27.520 --> 1:22:30.040
<v Speaker 7>radio personality was very rich and been doing radio for

1:22:30.040 --> 1:22:31.760
<v Speaker 7>about thirty years. And does this cruise and all the

1:22:31.800 --> 1:22:32.800
<v Speaker 7>black people know about it.

1:22:33.200 --> 1:22:33.840
<v Speaker 3>And when.

1:22:37.000 --> 1:22:37.240
<v Speaker 5>I do.

1:22:38.720 --> 1:22:41.840
<v Speaker 3>Sh when when you get off that cruise is when

1:22:41.840 --> 1:22:47.959
<v Speaker 3>your vacation starts. Because she fucking whipped it's crazy.

1:22:48.160 --> 1:22:48.800
<v Speaker 5>Du well you know that.

1:22:49.040 --> 1:22:51.120
<v Speaker 3>Who are you? Who? Do you have any like buddies

1:22:51.160 --> 1:22:52.720
<v Speaker 3>that you golf with? Now I read that you're into

1:22:53.040 --> 1:22:56.080
<v Speaker 3>like golfing pretty heavy, man.

1:22:56.520 --> 1:22:56.960
<v Speaker 5>I played.

1:22:57.080 --> 1:22:59.880
<v Speaker 3>I used to play golf a lot with a famous

1:23:00.120 --> 1:23:02.720
<v Speaker 3>NBA player man that is no longer with us with

1:23:02.960 --> 1:23:09.000
<v Speaker 3>us man, and uh much love to Moses Malone. Moses

1:23:09.080 --> 1:23:12.360
<v Speaker 3>Malone was a bad motherfucker. He couldn't golf work the ship,

1:23:12.439 --> 1:23:12.880
<v Speaker 3>but he was.

1:23:17.000 --> 1:23:17.479
<v Speaker 5>I played with.

1:23:17.680 --> 1:23:17.840
<v Speaker 7>Uh.

1:23:18.680 --> 1:23:21.880
<v Speaker 3>You know, Johnny Gill got a hell of a golf game, man,

1:23:22.000 --> 1:23:24.160
<v Speaker 3>fucking black sheep, uh.

1:23:26.960 --> 1:23:34.479
<v Speaker 5>Mean ass golf game. Arian Foster got a decent golf game. Ship.

1:23:34.520 --> 1:23:38.839
<v Speaker 3>I know I'm playing so dope sache the entertainer garbage,

1:23:43.400 --> 1:23:48.880
<v Speaker 3>all the clothes, none of the game. Joe Tory trash can.

1:23:52.200 --> 1:23:52.360
<v Speaker 5>Nah.

1:23:52.439 --> 1:23:54.559
<v Speaker 3>These them my partners man, they got a pretty decent game.

1:23:55.200 --> 1:23:56.400
<v Speaker 3>Who else do I play golf with?

1:23:58.000 --> 1:23:58.360
<v Speaker 5>I don't know.

1:23:58.439 --> 1:24:01.559
<v Speaker 3>I played golf with a lot of old men. Oh

1:24:01.640 --> 1:24:03.000
<v Speaker 3>you know who you know who can play the funk

1:24:03.040 --> 1:24:06.200
<v Speaker 3>out of some golf Clyde Drexler bro.

1:24:06.479 --> 1:24:08.599
<v Speaker 5>I can believe that. Yeah, yeah, don't funk with Clyde.

1:24:09.680 --> 1:24:11.760
<v Speaker 3>If you see Clyde on the golf course, don't even

1:24:11.840 --> 1:24:13.559
<v Speaker 3>don't even ask that mother fucking for a picture.

1:24:14.040 --> 1:24:14.960
<v Speaker 5>Just walk the other way.

1:24:15.439 --> 1:24:16.920
<v Speaker 7>You drink what you do when you go. You got

1:24:16.960 --> 1:24:18.799
<v Speaker 7>like a whole because I know some people like serious.

1:24:18.840 --> 1:24:20.240
<v Speaker 7>You just you don't even have a cocktail.

1:24:20.240 --> 1:24:23.720
<v Speaker 5>You know, I want to bet gambling. Don't fuck with me.

1:24:23.800 --> 1:24:26.960
<v Speaker 5>Don't talk. If you're gonna talk and play music, get

1:24:26.960 --> 1:24:28.439
<v Speaker 5>in your own card. Don't funk with me.

1:24:32.320 --> 1:24:33.759
<v Speaker 7>I want to go golfing.

1:24:34.800 --> 1:24:37.400
<v Speaker 3>What the gulls want to ask you about your relationship

1:24:37.439 --> 1:24:40.120
<v Speaker 3>with you? GK You did the Candy record on the

1:24:40.920 --> 1:24:43.519
<v Speaker 3>album Dude, I love that song.

1:24:43.680 --> 1:24:44.479
<v Speaker 5>I did that record?

1:24:44.560 --> 1:24:46.559
<v Speaker 3>Is that you playing guitar on that boom boom boom

1:24:46.760 --> 1:24:52.320
<v Speaker 3>boom boom boom boom that's actually a keyboard what boom

1:24:52.439 --> 1:24:54.320
<v Speaker 3>boom boom boom and play that ship?

1:24:55.280 --> 1:24:55.519
<v Speaker 5>Wow?

1:24:55.640 --> 1:25:01.599
<v Speaker 3>Oh and that's that's that sample is from the Newness

1:25:01.680 --> 1:25:07.080
<v Speaker 3>Is Gone Eddie Eddie Hendrick. Yeah, I didn't know that

1:25:07.200 --> 1:25:11.840
<v Speaker 3>it was as samble, but you see how fucking manipulated

1:25:11.920 --> 1:25:13.080
<v Speaker 3>flick flipped.

1:25:12.760 --> 1:25:14.320
<v Speaker 5>It and mansked and made it dope.

1:25:14.560 --> 1:25:17.280
<v Speaker 3>Yeah, I love that record. Man, have you? Are you

1:25:17.400 --> 1:25:19.439
<v Speaker 3>and Bunny y'all still like whatever?

1:25:19.520 --> 1:25:19.800
<v Speaker 5>Y'allo?

1:25:20.040 --> 1:25:22.560
<v Speaker 3>Yeah, we're not working right now. He's been calling me

1:25:22.640 --> 1:25:25.080
<v Speaker 3>about doing a record. But like I said, I'm retired, man,

1:25:25.600 --> 1:25:31.880
<v Speaker 3>I am read No, I was retired from rapple out

1:25:31.920 --> 1:25:32.680
<v Speaker 3>after emeritis.

1:25:33.160 --> 1:25:35.760
<v Speaker 5>Okay, Okay, Michael makes sense.

1:25:35.800 --> 1:25:37.919
<v Speaker 3>Okay, that was the wink.

1:25:40.400 --> 1:25:44.040
<v Speaker 5>I'm trying to translate to our radio audience. There was

1:25:44.080 --> 1:25:47.519
<v Speaker 5>a wink in there somewhere. It's like to retire and

1:25:47.720 --> 1:25:50.880
<v Speaker 5>and and still hold the position like it's scar facy mirror,

1:25:51.040 --> 1:25:55.439
<v Speaker 5>just like how would How was j Prince when you

1:25:55.560 --> 1:25:57.040
<v Speaker 5>did the one record when you did.

1:25:56.960 --> 1:25:59.519
<v Speaker 3>To Fix on Death Jam? How did he take that?

1:25:59.680 --> 1:26:03.080
<v Speaker 5>How did that happened? I wasn't signed a rapper up,

1:26:04.080 --> 1:26:07.519
<v Speaker 5>oh so I was. I was free to go.

1:26:09.720 --> 1:26:10.720
<v Speaker 3>And what made you come back?

1:26:11.880 --> 1:26:17.599
<v Speaker 5>Business decision? No I did.

1:26:18.320 --> 1:26:20.160
<v Speaker 3>I did an album and that album was successful, and

1:26:20.200 --> 1:26:22.479
<v Speaker 3>then I did another one and that album was successful too, So.

1:26:24.080 --> 1:26:28.639
<v Speaker 5>That was that. Now I'm enjoying my independence. I love

1:26:28.760 --> 1:26:34.240
<v Speaker 5>being I love being a partner with myself.

1:26:35.040 --> 1:26:38.360
<v Speaker 3>I'm gonna have what was what was the How serious

1:26:38.479 --> 1:26:41.320
<v Speaker 3>was the def Jam South and you being the president

1:26:41.439 --> 1:26:42.040
<v Speaker 3>of the label?

1:26:42.120 --> 1:26:43.000
<v Speaker 5>Like, how serious was it?

1:26:43.479 --> 1:26:43.639
<v Speaker 6>Well?

1:26:43.680 --> 1:26:45.640
<v Speaker 5>Every time I saw you were in business mode, So

1:26:45.760 --> 1:26:50.320
<v Speaker 5>I I had I had a hell of a staff man.

1:26:50.320 --> 1:26:51.320
<v Speaker 5>I didn't even have to do ship.

1:26:51.400 --> 1:26:58.200
<v Speaker 3>But uh, but mastermind, like, the best way to spend

1:26:58.280 --> 1:27:01.600
<v Speaker 3>this money, you know, the best way to roll some

1:27:01.720 --> 1:27:03.000
<v Speaker 3>ship out, the best way to.

1:27:05.120 --> 1:27:06.719
<v Speaker 5>What was it? To not spend a lot of money

1:27:06.800 --> 1:27:09.200
<v Speaker 5>doing ship? So you signed luted to Depth Jam?

1:27:09.280 --> 1:27:10.000
<v Speaker 3>Correct? I did?

1:27:10.840 --> 1:27:13.400
<v Speaker 5>What was it about him that you saw that? Hands?

1:27:13.560 --> 1:27:16.519
<v Speaker 5>Hands off? He did it.

1:27:17.000 --> 1:27:19.120
<v Speaker 3>He was already there, and that was a great way

1:27:19.200 --> 1:27:22.000
<v Speaker 3>to springboard what I was trying to do. You know,

1:27:22.120 --> 1:27:24.920
<v Speaker 3>he was already I think he was thirty forty thousand

1:27:25.000 --> 1:27:26.599
<v Speaker 3>records already.

1:27:26.680 --> 1:27:28.679
<v Speaker 5>The first was it one hundred? Yeah?

1:27:28.800 --> 1:27:32.240
<v Speaker 3>The Rabbit Nah? That was well, yeah, that was the first,

1:27:32.280 --> 1:27:35.760
<v Speaker 3>but the first album it was incog negro And that's

1:27:35.760 --> 1:27:39.160
<v Speaker 3>why he called the Depth Jam back for the first time. Yeah,

1:27:39.640 --> 1:27:42.680
<v Speaker 3>I was shooting the World War two, a World War

1:27:42.800 --> 1:27:48.920
<v Speaker 3>three video with Swiss and yeah, and we was way

1:27:49.520 --> 1:27:52.280
<v Speaker 3>out somewhere. I don't know, we were in Long Island

1:27:52.360 --> 1:27:56.799
<v Speaker 3>or something. We was way out, way out, and Shaka

1:27:56.880 --> 1:27:58.080
<v Speaker 3>was saying, yeah, we get ready to go to meet

1:27:58.120 --> 1:27:59.439
<v Speaker 3>with this label so and so so on, and so

1:27:59.479 --> 1:28:02.160
<v Speaker 3>I can't say, man, but I was like, man, before

1:28:02.160 --> 1:28:07.240
<v Speaker 3>you sign, man, please come see me bro. And we

1:28:07.439 --> 1:28:11.439
<v Speaker 3>talked and I relayed, you know, and conveyed to the

1:28:11.600 --> 1:28:13.960
<v Speaker 3>powers that beat it, that's what I wanted to do first,

1:28:14.600 --> 1:28:17.360
<v Speaker 3>and they made that happen. So the rest from there

1:28:17.479 --> 1:28:19.000
<v Speaker 3>is history. So Ludi is a star.

1:28:19.560 --> 1:28:21.200
<v Speaker 7>Was he kind of like the perfect artist since he

1:28:21.240 --> 1:28:23.439
<v Speaker 7>came from radio and he'd already had the other record,

1:28:23.479 --> 1:28:25.000
<v Speaker 7>Like you.

1:28:25.000 --> 1:28:27.360
<v Speaker 5>Gotta be a strategist to think like this, but somebody

1:28:27.479 --> 1:28:31.519
<v Speaker 5>was on the same page, you know. Yeah, but I

1:28:31.800 --> 1:28:32.559
<v Speaker 5>love Luda man.

1:28:32.840 --> 1:28:35.880
<v Speaker 3>He did his thing, and you know, it put me

1:28:35.920 --> 1:28:38.120
<v Speaker 3>in a different light in people's eyes, Like I'm not

1:28:38.280 --> 1:28:40.360
<v Speaker 3>only can I rap or make beats and ship, but

1:28:40.439 --> 1:28:43.000
<v Speaker 3>I'm I'm a masterfucking planner too.

1:28:44.240 --> 1:28:47.320
<v Speaker 5>I got a bucket list, wrap up questions, but.

1:28:49.000 --> 1:28:51.120
<v Speaker 3>I'm trying to think I got oh rap at question,

1:28:51.280 --> 1:28:53.040
<v Speaker 3>big mic, Where's what's still him?

1:28:53.200 --> 1:28:54.439
<v Speaker 5>I haven't seen Mike Man.

1:28:54.720 --> 1:28:58.360
<v Speaker 3>Uh. He was probably the dopest rapper on rap a

1:28:58.439 --> 1:29:00.760
<v Speaker 3>Out in my opinion, or yeah, I think he was

1:29:01.000 --> 1:29:01.600
<v Speaker 3>put him over you.

1:29:02.120 --> 1:29:03.760
<v Speaker 5>Yeah, I think he was dope man. Did you his

1:29:03.880 --> 1:29:04.439
<v Speaker 5>first Yeah?

1:29:04.520 --> 1:29:05.080
<v Speaker 3>Something serious?

1:29:05.120 --> 1:29:07.000
<v Speaker 5>I had that record? But you know who was singing

1:29:07.120 --> 1:29:12.720
<v Speaker 5>fly holes and Pimp? Yeah? You know who song?

1:29:12.800 --> 1:29:17.320
<v Speaker 3>Looked me in my eyes? Look on my song? Looked

1:29:17.320 --> 1:29:17.880
<v Speaker 3>me in my eyes?

1:29:18.520 --> 1:29:19.320
<v Speaker 5>Who was Pimp?

1:29:19.800 --> 1:29:20.080
<v Speaker 3>Wow?

1:29:20.360 --> 1:29:25.200
<v Speaker 5>Okay? Yeah? Man, Pim was called the spot. He really

1:29:25.400 --> 1:29:29.240
<v Speaker 5>was big. Mic was dope man to me. Yeah, he

1:29:29.320 --> 1:29:32.200
<v Speaker 5>had a voice. So when he came into Ghetto Boys

1:29:32.240 --> 1:29:33.800
<v Speaker 5>for the I think it was the Death was it

1:29:33.840 --> 1:29:34.120
<v Speaker 5>to Death?

1:29:34.160 --> 1:29:37.120
<v Speaker 3>To his part album? Was y'all? Y'all still cool at

1:29:37.120 --> 1:29:40.519
<v Speaker 3>that point? Like did you welcome him in? Like being

1:29:40.560 --> 1:29:44.360
<v Speaker 3>on that record? Is another stranger in the group, right, Yeah,

1:29:44.400 --> 1:29:50.080
<v Speaker 3>he's another stranger in the group. Man. Actually we were friends.

1:29:50.120 --> 1:29:53.320
<v Speaker 3>He was in the Convicts first and you know three

1:29:53.360 --> 1:29:54.479
<v Speaker 3>two three two it's dead.

1:29:55.360 --> 1:29:56.040
<v Speaker 5>When did he pass?

1:29:56.720 --> 1:29:59.200
<v Speaker 3>I won't say about a year ago. Man shot him

1:29:59.200 --> 1:30:02.360
<v Speaker 3>in the back of the head ship. Yeah, his friend.

1:30:02.479 --> 1:30:05.800
<v Speaker 3>He was walking out of the damn store and dude

1:30:08.160 --> 1:30:09.639
<v Speaker 3>knocked my part in the head off. Man.

1:30:09.920 --> 1:30:14.680
<v Speaker 5>Man. I then revel jenj Man.

1:30:14.840 --> 1:30:18.240
<v Speaker 3>I'm talking on a long ass time. I think you

1:30:18.280 --> 1:30:21.200
<v Speaker 3>might be shooting movies or something though, Okay, speaking.

1:30:20.880 --> 1:30:25.120
<v Speaker 5>Of which you're good. Yeah, can we get Judge. It's

1:30:25.160 --> 1:30:29.519
<v Speaker 5>like a double gun jump in a b ill. Feel

1:30:29.560 --> 1:30:32.240
<v Speaker 5>free to jump in, Okay, just like random names like

1:30:32.720 --> 1:30:36.280
<v Speaker 5>my mother. Yeah, I did a record with her back

1:30:36.320 --> 1:30:38.320
<v Speaker 5>in n Okay.

1:30:39.439 --> 1:30:46.559
<v Speaker 3>Yeah, So, Mike Judge, how did that relationship Mike Judge

1:30:46.600 --> 1:30:48.080
<v Speaker 3>the Ghetto Boys fan believe it or.

1:30:48.080 --> 1:30:51.120
<v Speaker 5>Not, I believe it or not. It was the first yeah,

1:30:51.160 --> 1:30:53.800
<v Speaker 5>all through offic space, huge Ghetto Boys fan man.

1:30:54.800 --> 1:30:59.880
<v Speaker 3>So we kind of met and hung out and I

1:31:00.160 --> 1:31:06.519
<v Speaker 3>got a partner of the Theocracyocracy as upgrade two days,

1:31:06.760 --> 1:31:11.880
<v Speaker 3>double dose in my Pamper. That's a funny, dude. Did

1:31:11.960 --> 1:31:14.799
<v Speaker 3>you ever think that that film would be so relevant

1:31:15.040 --> 1:31:19.160
<v Speaker 3>right now? It was made ten years old, right, yeah,

1:31:20.640 --> 1:31:24.160
<v Speaker 3>for him, like making Bamboozo for me? No, yeah, like

1:31:24.280 --> 1:31:27.679
<v Speaker 3>making Bamboozo back then, I was like, Spike's a little crazy.

1:31:27.760 --> 1:31:30.519
<v Speaker 3>But now it's like Mike was right.

1:31:30.760 --> 1:31:35.880
<v Speaker 5>Yeah. Have any of you have anyview, seen or heard

1:31:35.920 --> 1:31:39.720
<v Speaker 5>of Idiocracy? It was right here? How can you not

1:31:39.920 --> 1:31:40.240
<v Speaker 5>know about?

1:31:40.280 --> 1:31:43.400
<v Speaker 3>Idiot takes place in the not so distant future and

1:31:43.479 --> 1:31:46.280
<v Speaker 3>it's about now a wrestler becomes president.

1:31:48.080 --> 1:31:51.920
<v Speaker 5>Yeah, I'm close enough. Yeah, it's sort of the same thing.

1:31:52.920 --> 1:31:56.680
<v Speaker 3>Okay, So before we wrap the wrestler, before we wrap up,

1:31:56.760 --> 1:32:02.679
<v Speaker 3>I just want to know, Uh, you've made so many

1:32:02.920 --> 1:32:05.160
<v Speaker 3>appearances on everyone's what is your?

1:32:05.479 --> 1:32:08.439
<v Speaker 5>What is your? In your opinion? Your your your top three?

1:32:10.280 --> 1:32:14.080
<v Speaker 3>Cameos, well not cameos, even performance, but just good experiences

1:32:14.160 --> 1:32:16.160
<v Speaker 3>of making records.

1:32:16.240 --> 1:32:17.559
<v Speaker 5>Was it Park?

1:32:17.800 --> 1:32:17.920
<v Speaker 3>Was it?

1:32:18.040 --> 1:32:19.360
<v Speaker 5>Yeah? That was That was a bump.

1:32:19.479 --> 1:32:22.640
<v Speaker 3>That was a fucking blast because you know, if you

1:32:22.720 --> 1:32:25.599
<v Speaker 3>know too well, did you make Smile wild?

1:32:25.960 --> 1:32:27.160
<v Speaker 5>All right? So he was.

1:32:27.280 --> 1:32:30.040
<v Speaker 3>He was a damn fool in any setting, you know,

1:32:30.040 --> 1:32:33.000
<v Speaker 3>don't give a fuck. He was at a funeral on wedding. Well,

1:32:33.160 --> 1:32:36.080
<v Speaker 3>he was a damn nut. So we got a chance

1:32:36.160 --> 1:32:39.639
<v Speaker 3>to record Smile in l A at Larby, I believe.

1:32:40.400 --> 1:32:41.200
<v Speaker 5>So you went out there.

1:32:41.439 --> 1:32:41.600
<v Speaker 2>I was.

1:32:41.640 --> 1:32:44.400
<v Speaker 3>I was in l A recording the Untouchable album, okay,

1:32:45.040 --> 1:32:50.960
<v Speaker 3>and he came in a hummer. I was living at

1:32:50.960 --> 1:32:53.880
<v Speaker 3>the oak Wood in Burbank. Anybody from California you know

1:32:53.960 --> 1:32:56.080
<v Speaker 3>what that is, Barham?

1:32:56.439 --> 1:32:57.320
<v Speaker 5>Yeah, So.

1:32:59.200 --> 1:33:01.120
<v Speaker 3>I heard we were and then this is the first time,

1:33:01.200 --> 1:33:05.080
<v Speaker 3>like I said, we were smoking that ship and I

1:33:05.200 --> 1:33:07.559
<v Speaker 3>heard somebody on the loudspeaker say, Brad.

1:33:07.479 --> 1:33:10.000
<v Speaker 5>Jordan, we know you're in there. Come out with your

1:33:10.080 --> 1:33:10.640
<v Speaker 5>hands up.

1:33:10.760 --> 1:33:16.519
<v Speaker 3>I was like, oh shit, I'm high. Motherfucking blew my high.

1:33:17.320 --> 1:33:20.160
<v Speaker 3>Like shit, my cousin we sitting in the house scared

1:33:20.240 --> 1:33:22.200
<v Speaker 3>and shitting my cousin. Pete got me and say, man,

1:33:22.240 --> 1:33:28.560
<v Speaker 3>that's pot we get dressed. Go downstairs, man, get my

1:33:28.640 --> 1:33:31.880
<v Speaker 3>manager and ship and Pop was like, yeah, let's go

1:33:31.880 --> 1:33:33.479
<v Speaker 3>to the studio make a song. I'm like, I'm cool

1:33:33.520 --> 1:33:38.280
<v Speaker 3>with that. Say come on, get in. I'm like, now, sir, no, no,

1:33:38.800 --> 1:33:41.000
<v Speaker 3>I'm not gonna ride nowhere with Tupac record.

1:33:41.120 --> 1:33:48.240
<v Speaker 5>Ever. For one, he didn't have a driver's license. For two,

1:33:48.920 --> 1:33:50.000
<v Speaker 5>I knew for a fact that.

1:33:50.040 --> 1:33:52.960
<v Speaker 3>He couldn't drive all right. So we followed him in

1:33:53.080 --> 1:33:56.559
<v Speaker 3>the In the van he had a black Hummer. Let

1:33:56.600 --> 1:33:59.200
<v Speaker 3>me tricked out her old school hummer, the old hum bees,

1:33:59.280 --> 1:33:59.800
<v Speaker 3>and this is him.

1:34:00.560 --> 1:34:03.240
<v Speaker 5>He's driving. Oh god. And if I'm not mistaken, he

1:34:03.320 --> 1:34:06.400
<v Speaker 5>was by himself too, I think.

1:34:06.479 --> 1:34:10.160
<v Speaker 3>So we went in there. Man, they laid it out.

1:34:10.200 --> 1:34:12.880
<v Speaker 3>They had the all the he went and got all

1:34:13.000 --> 1:34:15.160
<v Speaker 3>soul food and Henderson and shit. And now he I

1:34:15.200 --> 1:34:17.840
<v Speaker 3>mean he really laid that shit out nice man, and

1:34:17.960 --> 1:34:21.560
<v Speaker 3>we did the song, the Smile song. I laid a

1:34:21.640 --> 1:34:24.360
<v Speaker 3>verse on and I left h and a couple of

1:34:24.439 --> 1:34:26.240
<v Speaker 3>days later he came to the studio to play me

1:34:26.320 --> 1:34:29.479
<v Speaker 3>the Macavelly record, and then after I listened to it,

1:34:29.520 --> 1:34:32.840
<v Speaker 3>I was like, wow, this is great. And he was like,

1:34:32.880 --> 1:34:35.040
<v Speaker 3>come on, man, let's go and hit the Hollywood. They

1:34:35.040 --> 1:34:38.360
<v Speaker 3>had what was that shit called the Hollywood something that

1:34:39.120 --> 1:34:41.920
<v Speaker 3>I can't remember, but it was like a club. And

1:34:42.040 --> 1:34:43.639
<v Speaker 3>I was like, man, I gotta finish, man, I gotta

1:34:43.680 --> 1:34:44.800
<v Speaker 3>find a single park I can't.

1:34:45.120 --> 1:34:48.120
<v Speaker 5>Man. Man, that man got mad. That's fucking me.

1:34:50.000 --> 1:34:53.240
<v Speaker 3>He said, Man, you be sitting in here all motherfucking

1:34:53.320 --> 1:34:55.160
<v Speaker 3>day long, man, trying to find a single.

1:34:55.280 --> 1:34:58.960
<v Speaker 5>Man Like, that's stupid. Man, you're wasting your fucking time. Man.

1:34:59.120 --> 1:35:02.280
<v Speaker 3>Just just just write a record, man, and and and

1:35:02.680 --> 1:35:09.120
<v Speaker 3>get across to the bitches without offending them. Yeah.

1:35:09.560 --> 1:35:11.880
<v Speaker 5>But he was right though. And the last word that

1:35:11.960 --> 1:35:13.479
<v Speaker 5>you say, that's gonna be the name of the song.

1:35:15.760 --> 1:35:17.080
<v Speaker 5>But that's how came to be.

1:35:18.120 --> 1:35:21.920
<v Speaker 3>Well that's what. Yeah, that's how that's how I came

1:35:22.000 --> 1:35:25.280
<v Speaker 3>to be. Because I don't spend a whole lot of

1:35:25.360 --> 1:35:27.320
<v Speaker 3>time in the studio no more. I spend a whole

1:35:27.360 --> 1:35:30.360
<v Speaker 3>lot of time, you know, making the album better, making

1:35:30.400 --> 1:35:31.200
<v Speaker 3>the song better.

1:35:31.840 --> 1:35:32.000
<v Speaker 5>You know.

1:35:32.040 --> 1:35:34.320
<v Speaker 3>I don't waste my time trying to write a single

1:35:34.439 --> 1:35:37.439
<v Speaker 3>no more, because I know that that ship is not

1:35:37.520 --> 1:35:42.080
<v Speaker 3>gonna play no way. I'm just gonna jam. I think

1:35:42.160 --> 1:35:49.080
<v Speaker 3>my ride coming all right, so can you give us

1:35:49.120 --> 1:35:52.120
<v Speaker 3>a second one? Like what was Tupac was wanting? Okay,

1:35:58.520 --> 1:36:07.479
<v Speaker 3>I think that this song that I did with I

1:36:07.600 --> 1:36:09.760
<v Speaker 3>think that the guess whose back song was big for

1:36:09.880 --> 1:36:16.000
<v Speaker 3>me too. I let me tell you why. Because I

1:36:16.160 --> 1:36:18.400
<v Speaker 3>called Jay and I asked him to do a record

1:36:18.520 --> 1:36:22.479
<v Speaker 3>with me, and they said, meet me at Baseline line.

1:36:22.520 --> 1:36:25.519
<v Speaker 5>Come on. So we're playing the music that you know.

1:36:27.200 --> 1:36:31.160
<v Speaker 3>Guru was playing tracks and jay Z he sat back

1:36:31.240 --> 1:36:34.880
<v Speaker 3>in the corner and he listened to it, and so

1:36:35.160 --> 1:36:47.640
<v Speaker 3>the next one and then the bak I said, and

1:36:47.760 --> 1:36:49.639
<v Speaker 3>he be looking at you like, oh, like I better

1:36:49.800 --> 1:36:54.400
<v Speaker 3>kill you. And then he went to the studio and

1:36:54.720 --> 1:36:57.680
<v Speaker 3>he went in bocalboo and he took the ship right

1:36:58.320 --> 1:37:03.080
<v Speaker 3>and he left. Let me stuck at the board. I'm

1:37:03.120 --> 1:37:05.560
<v Speaker 3>sitting at the boy trying to write this ship and

1:37:07.479 --> 1:37:10.960
<v Speaker 3>ended up getting it done and Kanye got on the record.

1:37:11.000 --> 1:37:12.680
<v Speaker 3>But that was a Kanye beat believing it or not

1:37:12.840 --> 1:37:15.320
<v Speaker 3>to guess who was back? That was Kanye. Kanye did

1:37:15.400 --> 1:37:18.360
<v Speaker 3>the mast majority of the Fixed album too. If anybody

1:37:18.439 --> 1:37:20.080
<v Speaker 3>reads credit, that was Kanye West.

1:37:19.880 --> 1:37:21.680
<v Speaker 7>On that he did This can't be life too rate,

1:37:21.720 --> 1:37:23.559
<v Speaker 7>because I was like that, this can't be life.

1:37:23.600 --> 1:37:24.599
<v Speaker 5>He did that record too.

1:37:24.760 --> 1:37:26.559
<v Speaker 7>Was that in real time? Your verse? In real time?

1:37:26.800 --> 1:37:28.800
<v Speaker 3>Yeah, I was walking and I was getting out of

1:37:28.840 --> 1:37:34.040
<v Speaker 3>the car service and that shit happened, like, yeah, it's

1:37:34.120 --> 1:37:38.519
<v Speaker 3>it's my buddy. Son got a hold to some hairin

1:37:39.680 --> 1:37:44.400
<v Speaker 3>that his grandfather had in the car, and I don't

1:37:44.400 --> 1:37:45.400
<v Speaker 3>know if he drunk it or.

1:37:46.960 --> 1:37:51.320
<v Speaker 5>Swallowed in some kind of way, but that shit fucked

1:37:51.320 --> 1:37:52.120
<v Speaker 5>me up pretty bad.

1:37:53.520 --> 1:37:58.080
<v Speaker 3>And I said, I remember saying counting our blessings because

1:37:58.160 --> 1:38:02.560
<v Speaker 3>Brad's too well, Brad, it's twenty now, damn Yeah, I

1:38:02.640 --> 1:38:05.080
<v Speaker 3>know that shit flew, didn't it eighteen?

1:38:05.240 --> 1:38:10.080
<v Speaker 5>Yeah, Brad just turned twenty on the fifth, so yeah,

1:38:10.840 --> 1:38:14.720
<v Speaker 5>damn deep right. And the third one, man, I can't

1:38:14.760 --> 1:38:24.080
<v Speaker 5>really remember a great time in the studio. I don't know.

1:38:24.520 --> 1:38:26.080
<v Speaker 5>I think I saw I was.

1:38:26.520 --> 1:38:30.040
<v Speaker 3>I went to the studio with Chris Brown and Dave Chappelle,

1:38:30.120 --> 1:38:33.599
<v Speaker 3>and most death was in that motherfucker Wow.

1:38:33.680 --> 1:38:34.240
<v Speaker 5>Wait, that's the.

1:38:36.200 --> 1:38:39.320
<v Speaker 3>That's the oddest I ever heard. Yeah, and that was

1:38:39.400 --> 1:38:40.760
<v Speaker 3>before the Chapelle Show too.

1:38:41.920 --> 1:38:42.800
<v Speaker 7>What'd you doing the record?

1:38:43.400 --> 1:38:44.680
<v Speaker 5>I don't know what the fuck I was doing.

1:38:46.280 --> 1:38:48.280
<v Speaker 3>Were you and Cuban the studio together when y'all did

1:38:48.439 --> 1:38:49.519
<v Speaker 3>the Hand of the Dead Body record?

1:38:53.880 --> 1:38:54.000
<v Speaker 7>Uh?

1:38:56.400 --> 1:38:56.759
<v Speaker 5>Maybe?

1:38:57.560 --> 1:38:59.639
<v Speaker 3>But I know that Cube has to leave the studio,

1:39:01.320 --> 1:39:03.519
<v Speaker 3>like he'll take the beat with him, okay, and come

1:39:03.600 --> 1:39:05.679
<v Speaker 3>back to the next day and lay it. Okay, gotcha.

1:39:06.360 --> 1:39:09.479
<v Speaker 3>I don't think he was a spontaneous writer at that time.

1:39:11.280 --> 1:39:12.639
<v Speaker 3>I did a lot of records, but I was cue.

1:39:12.640 --> 1:39:16.360
<v Speaker 3>That's one of my phase. Man, I love Yeah, that's

1:39:16.400 --> 1:39:17.479
<v Speaker 3>my That's one of my phase.

1:39:17.640 --> 1:39:18.599
<v Speaker 5>Man. I love cute.

1:39:18.720 --> 1:39:21.360
<v Speaker 3>All right, I got one more, let's go ahead. Who

1:39:21.520 --> 1:39:23.439
<v Speaker 3>came up with the concept for the video of My Block?

1:39:24.240 --> 1:39:24.799
<v Speaker 3>My Block?

1:39:29.640 --> 1:39:31.479
<v Speaker 5>I don't even remember the guy's name, but I did

1:39:31.600 --> 1:39:33.360
<v Speaker 5>want a seamless video. Yeah.

1:39:33.520 --> 1:39:35.160
<v Speaker 3>I just wanted to go from one end of the

1:39:35.200 --> 1:39:37.719
<v Speaker 3>street to the I wanted to show the whole entire street.

1:39:37.760 --> 1:39:39.920
<v Speaker 3>I didn't want no cuts in the video. I just

1:39:39.960 --> 1:39:42.040
<v Speaker 3>wanted to Was there any trick used it? And I

1:39:42.160 --> 1:39:47.200
<v Speaker 3>used to watch It's no cuts? It was a railroad

1:39:47.240 --> 1:39:50.639
<v Speaker 3>track and different scenes were set up. How many takes

1:39:51.280 --> 1:39:51.479
<v Speaker 3>did it?

1:39:51.560 --> 1:39:53.120
<v Speaker 5>Say? No, we did that ship all day.

1:39:53.160 --> 1:39:58.719
<v Speaker 3>We went backwards and then forward, backward and then forward. Wow.

1:39:59.479 --> 1:40:00.719
<v Speaker 3>That's one of my favorite videos.

1:40:00.760 --> 1:40:03.000
<v Speaker 5>Man. Yeah. I think we shot that ship for like

1:40:03.080 --> 1:40:03.880
<v Speaker 5>two days.

1:40:05.439 --> 1:40:08.360
<v Speaker 3>Because we shot like the early part of it one day,

1:40:09.720 --> 1:40:12.559
<v Speaker 3>and then we shot again the next day, and then

1:40:12.600 --> 1:40:13.760
<v Speaker 3>we finished it that night.

1:40:13.960 --> 1:40:17.160
<v Speaker 5>Okay, okay, So we got everything out the way I

1:40:17.240 --> 1:40:17.760
<v Speaker 5>think we got it.

1:40:18.200 --> 1:40:20.479
<v Speaker 3>I got more wrapped, like we we're good. I just

1:40:20.520 --> 1:40:22.800
<v Speaker 3>want to say, man, just thank you for everything you've done.

1:40:22.880 --> 1:40:23.960
<v Speaker 3>Just want to give you your flowers.

1:40:25.080 --> 1:40:28.040
<v Speaker 7>Yeah, thank you, thank you for your honesty.

1:40:28.960 --> 1:40:30.840
<v Speaker 5>Well, I'm really honest. I can't help it.

1:40:31.240 --> 1:40:37.400
<v Speaker 3>Oh I did think so psp. Okay, So I told

1:40:37.479 --> 1:40:39.599
<v Speaker 3>really decent years ago, and you can confirm the story

1:40:39.600 --> 1:40:41.479
<v Speaker 3>if you were there. He said that at the intro

1:40:41.760 --> 1:40:44.040
<v Speaker 3>of we can't be stopped where they where. It's like

1:40:44.160 --> 1:40:45.880
<v Speaker 3>first we beat on the door, then we kicked them

1:40:45.960 --> 1:40:48.760
<v Speaker 3>up again where the door gets kicked down. He said

1:40:48.800 --> 1:40:51.479
<v Speaker 3>they actually kicked the door down in the studio to

1:40:51.600 --> 1:40:54.160
<v Speaker 3>make that sound effect. I don't remember that, okay, all right,

1:40:56.360 --> 1:40:58.240
<v Speaker 3>but I wasn't never in the studio with him though,

1:40:58.600 --> 1:41:01.479
<v Speaker 3>So y'all did sometimes. Okay, Yeah, we had verses. I

1:41:01.600 --> 1:41:04.280
<v Speaker 3>remember now if you listened to my uh the part

1:41:04.360 --> 1:41:08.400
<v Speaker 3>on murder my reasons of insanity, Okay, when it goes up,

1:41:10.280 --> 1:41:10.920
<v Speaker 3>that was a real.

1:41:13.120 --> 1:41:15.600
<v Speaker 5>Yeah. I was about to see y'all guns effects were like.

1:41:16.000 --> 1:41:18.200
<v Speaker 3>Real because we went out to the ranch and shotguns

1:41:18.200 --> 1:41:20.479
<v Speaker 3>and put them on Listen, man, we went out to

1:41:20.560 --> 1:41:23.160
<v Speaker 3>the ranch and shotguns and put them on debts.

1:41:23.520 --> 1:41:26.559
<v Speaker 5>Yes, ship, Yeah, I was gonna say that the sound of.

1:41:26.560 --> 1:41:29.800
<v Speaker 3>Your guns were real. Yeah, they were a little too real.

1:41:29.920 --> 1:41:34.280
<v Speaker 3>They were probably a little too real. Bro, Seriously, I'm

1:41:34.320 --> 1:41:37.760
<v Speaker 3>good man. Anything Steve, anything, just play it one more time,

1:41:38.000 --> 1:41:40.599
<v Speaker 3>just my well, No, I don't give him that ship.

1:41:40.600 --> 1:41:42.240
<v Speaker 5>I would't give him anything. It's the only way to

1:41:42.280 --> 1:41:43.200
<v Speaker 5>close the show. I would.

1:41:43.400 --> 1:41:45.160
<v Speaker 3>I would end that ship like this right now and

1:41:45.280 --> 1:41:51.040
<v Speaker 3>be done. I wouldn't give him anything. I told you

1:41:51.120 --> 1:41:52.040
<v Speaker 3>I was mean as fuck.

1:41:52.240 --> 1:41:55.640
<v Speaker 5>Yeah, No, your your recollection.

1:41:55.760 --> 1:41:57.240
<v Speaker 2>I just want to ask you about your actual not

1:41:57.360 --> 1:42:00.559
<v Speaker 2>what you're listening to. But you're like collect his records,

1:42:00.600 --> 1:42:02.720
<v Speaker 2>still on your uncle's records or anything. You have a

1:42:03.000 --> 1:42:08.960
<v Speaker 2>large record collection. That's my question. Seems he seems friendly.

1:42:09.800 --> 1:42:12.840
<v Speaker 3>Have I have some ship I got you know what

1:42:12.920 --> 1:42:14.680
<v Speaker 3>I do have that's like a great album to have.

1:42:14.800 --> 1:42:18.040
<v Speaker 3>I have the Marvin Gaye. Hear my dear double album.

1:42:18.240 --> 1:42:20.840
<v Speaker 3>I have that I can remember for sure. I got

1:42:20.920 --> 1:42:23.240
<v Speaker 3>Pink Floyd Dogs out of the Moonship. I got Kissed

1:42:23.240 --> 1:42:24.680
<v Speaker 3>double platinum, he scribbing that one.

1:42:25.320 --> 1:42:27.400
<v Speaker 7>Look at these Vinyl snobs, you are not impressing him.

1:42:27.400 --> 1:42:29.479
<v Speaker 4>They're like, yeah, well it sounds like he only has

1:42:29.560 --> 1:42:30.160
<v Speaker 4>three records.

1:42:32.080 --> 1:42:38.000
<v Speaker 5>Largers' hoping. But but you know what it's like, man,

1:42:38.080 --> 1:42:40.960
<v Speaker 5>what are you? What are your five question?

1:42:42.080 --> 1:42:44.840
<v Speaker 3>No? Because he seemed like a guy that top not

1:42:44.960 --> 1:42:47.439
<v Speaker 3>even not even does an island. Because I feel like

1:42:47.520 --> 1:42:49.760
<v Speaker 3>you need music to meditate in the calm you down

1:42:49.840 --> 1:42:53.360
<v Speaker 3>sometimes and to zone out. So what do you What

1:42:53.520 --> 1:42:55.400
<v Speaker 3>are the five records that you choose? What are your

1:42:55.439 --> 1:42:57.200
<v Speaker 3>go to when you're driving in the car, Like you

1:42:57.280 --> 1:43:02.920
<v Speaker 3>gotta hear this record? Uh? I like wrapped around your

1:43:02.960 --> 1:43:04.720
<v Speaker 3>fingers a boy, the Police. I mean I like the

1:43:04.880 --> 1:43:07.120
<v Speaker 3>synchronic of the album a lot. Yeah.

1:43:09.320 --> 1:43:10.920
<v Speaker 5>I like the Marvin Gaye.

1:43:11.439 --> 1:43:11.559
<v Speaker 3>Uh.

1:43:12.560 --> 1:43:13.960
<v Speaker 7>Yes, you're going to your Pandora.

1:43:14.000 --> 1:43:18.840
<v Speaker 3>I gotta go, Yeah, going to my ship. You know,

1:43:19.040 --> 1:43:21.560
<v Speaker 3>Peter Peter Gabriel had a bomb ass and you know

1:43:21.600 --> 1:43:25.160
<v Speaker 3>I go to that the sole album. But I think

1:43:25.240 --> 1:43:28.200
<v Speaker 3>that like when when I really want to really ride

1:43:28.240 --> 1:43:33.200
<v Speaker 3>and meditate, I turn on like Bob Marley's uh, I turned.

1:43:32.960 --> 1:43:35.120
<v Speaker 5>On his whole ship, you know, from uh.

1:43:37.680 --> 1:43:44.160
<v Speaker 3>Naturalistic to uh some man vibration of uh Peter Tosh,

1:43:45.960 --> 1:43:47.240
<v Speaker 3>I meant something on I am?

1:43:47.680 --> 1:43:51.920
<v Speaker 5>I am, I am, I have this sign up, mose ass.

1:43:52.040 --> 1:43:55.639
<v Speaker 5>You can not move by tall like he was? Awesome?

1:43:55.720 --> 1:43:55.880
<v Speaker 3>Man?

1:43:57.640 --> 1:44:00.519
<v Speaker 5>Can I meant something on my sholf? Was that yo?

1:44:00.680 --> 1:44:02.679
<v Speaker 3>As much as the music SNIW, but I am about

1:44:02.680 --> 1:44:07.840
<v Speaker 3>these hundred thousand records. My Marley i Q is like

1:44:08.200 --> 1:44:09.240
<v Speaker 3>devastatingly low.

1:44:09.800 --> 1:44:10.040
<v Speaker 5>Wow.

1:44:10.400 --> 1:44:13.120
<v Speaker 3>Well you two, Yeah, I know legend. That's like the

1:44:13.200 --> 1:44:17.959
<v Speaker 3>only one I know. Yes, I know legend, but that's about.

1:44:17.920 --> 1:44:20.160
<v Speaker 5>Your eighties college student or nineties college student.

1:44:20.240 --> 1:44:23.720
<v Speaker 3>Like that's the record. Yeah, no, all right, we're the

1:44:23.800 --> 1:44:35.639
<v Speaker 3>last two. So synchronicity maybe so uh Mary mar Oh,

1:44:35.760 --> 1:44:46.040
<v Speaker 3>then what's your last one? Hey man, midnight? All right,

1:44:46.760 --> 1:44:50.040
<v Speaker 3>I'm mess with you. All right, So ladies and gentlemen,

1:44:50.080 --> 1:44:51.599
<v Speaker 3>please give it up for the one and only scar

1:44:51.720 --> 1:44:56.760
<v Speaker 3>faced man. This is amazing. Thank you to the fine

1:44:56.800 --> 1:45:05.439
<v Speaker 3>folks at south By Southwest. Yeah, thank you, Yeah, thank you, Gatsby.

1:45:05.520 --> 1:45:07.960
<v Speaker 3>I've been up there before. That's cool as hell up

1:45:08.000 --> 1:45:08.879
<v Speaker 3>the top there.

1:45:08.840 --> 1:45:12.400
<v Speaker 5>We're all gonna get tattoos afterwards and walking again.

1:45:12.520 --> 1:45:16.320
<v Speaker 3>I think that, I think that, I think that fucking

1:45:16.360 --> 1:45:24.360
<v Speaker 3>cleansing pill is kicked in playing playing, playing, or we

1:45:24.560 --> 1:45:27.960
<v Speaker 3>have of unpaid Bill Fonticolo. It's like he is Sugar

1:45:28.040 --> 1:45:30.760
<v Speaker 3>Steve and the one only scar face. This is quest

1:45:30.840 --> 1:45:34.960
<v Speaker 3>Love signing off. We will see you on the Mexican.

1:45:36.840 --> 1:45:42.280
<v Speaker 5>Thank God West.

1:45:42.360 --> 1:45:46.240
<v Speaker 1>Love Supreme is a production of iHeartRadio. This classic episode

1:45:46.360 --> 1:45:48.560
<v Speaker 1>was produced by the team at Pandora.

1:45:52.200 --> 1:45:55.439
<v Speaker 5>For more podcasts from iHeart Radio, visit the iHeart Radio app,

1:45:55.720 --> 1:45:58.759
<v Speaker 5>Apple Podcasts, or wherever you listen to your favorite shows.