1 00:00:00,240 --> 00:00:04,360 Speaker 1: How many years has it been since we were we 2 00:00:04,360 --> 00:00:08,160 Speaker 1: were given the honor to be the godparents of Bliss, 3 00:00:08,200 --> 00:00:09,360 Speaker 1: Norwegian Cruise Line Bliss. 4 00:00:09,840 --> 00:00:11,560 Speaker 2: How many? How many? 5 00:00:11,600 --> 00:00:15,040 Speaker 1: Seven? Oh, my god, it seems like much longer. I mean, look, 6 00:00:15,080 --> 00:00:16,720 Speaker 1: it takes a lot of work to be a godparent 7 00:00:16,800 --> 00:00:19,920 Speaker 1: of a ship. And ever since then we've had this incredible, 8 00:00:19,920 --> 00:00:24,479 Speaker 1: incredible relationship with Norwegian Cruise Line and watching them grow 9 00:00:24,720 --> 00:00:30,440 Speaker 1: and watching them venture into new waters I guess literally literally. 10 00:00:30,680 --> 00:00:34,000 Speaker 1: But now with a new ship, Aqua, it's sitting three 11 00:00:34,040 --> 00:00:35,800 Speaker 1: blocks away from here. We're gonna go have lunch over 12 00:00:35,840 --> 00:00:37,760 Speaker 1: there and check it out. But we had to bring 13 00:00:37,840 --> 00:00:40,400 Speaker 1: on one of the most important people involved with Aqua, 14 00:00:41,320 --> 00:00:44,360 Speaker 1: and of course that is Brian White, the vice president 15 00:00:44,360 --> 00:00:47,400 Speaker 1: of Entertainment Production for Norwegian Cruise Line. That is a lofty, 16 00:00:47,680 --> 00:00:52,879 Speaker 1: lofty position you have, that's me mean, yeah, it is. 17 00:00:53,920 --> 00:00:55,920 Speaker 1: I mean we're not just talking about Aqua, which is 18 00:00:55,960 --> 00:00:59,360 Speaker 1: of course the new Crown jewel, but you're the guy 19 00:00:59,480 --> 00:01:01,920 Speaker 1: that is a charge of figuring out the shows for 20 00:01:02,040 --> 00:01:02,760 Speaker 1: all these ships. 21 00:01:02,840 --> 00:01:04,920 Speaker 2: Yeah, there's a lot of work. It's a lot of work, 22 00:01:04,959 --> 00:01:07,440 Speaker 2: but it's we make people happy. That's our job. You know, 23 00:01:07,520 --> 00:01:10,160 Speaker 2: people go on ships they expect good entertainment. We listen 24 00:01:10,200 --> 00:01:12,279 Speaker 2: to our guests, we give them great entertainment. There shows. 25 00:01:12,360 --> 00:01:16,119 Speaker 1: Yeah, I mean we went on Bliss for the first time. 26 00:01:17,640 --> 00:01:19,720 Speaker 1: I didn't want to do anything, but let's watch these shows. 27 00:01:20,319 --> 00:01:22,840 Speaker 1: And I was thinking, what does it take to be 28 00:01:23,120 --> 00:01:28,360 Speaker 1: the person who has to conceptualize and strategize? It's you, 29 00:01:28,520 --> 00:01:31,039 Speaker 1: I mean, what is this job? I mean, where are 30 00:01:31,080 --> 00:01:32,600 Speaker 1: you from? And how do you get that job? Because 31 00:01:32,600 --> 00:01:33,880 Speaker 1: this seems like a cool thing you're doing. 32 00:01:34,080 --> 00:01:38,320 Speaker 2: Yeah, so what it takes is a long time of planning. Right, 33 00:01:38,440 --> 00:01:40,680 Speaker 2: people think, oh, we have an idea on a Friday, 34 00:01:40,760 --> 00:01:42,920 Speaker 2: the show shows up on a Monday. Right. It's actually 35 00:01:42,959 --> 00:01:46,480 Speaker 2: for us about an eighteen month process. The big new 36 00:01:46,560 --> 00:01:49,760 Speaker 2: show on the Aqua Revolution, which is our tribute to Prince, 37 00:01:49,960 --> 00:01:52,600 Speaker 2: It's actually a seven year process right where we are 38 00:01:52,680 --> 00:01:56,280 Speaker 2: really in the weeds with the estate, with Universal Music, 39 00:01:56,400 --> 00:01:58,600 Speaker 2: with you know, all of these different players that are 40 00:01:58,640 --> 00:02:02,360 Speaker 2: involved conceptual saying. We have our one hundred thousand square 41 00:02:02,400 --> 00:02:06,320 Speaker 2: foot rehearsal studio in Florida. We're actually physically creating all 42 00:02:06,360 --> 00:02:08,720 Speaker 2: of these productions. Right. We have hundreds of cast members 43 00:02:08,720 --> 00:02:11,200 Speaker 2: who are coming in. We have costume shop that were 44 00:02:11,200 --> 00:02:14,359 Speaker 2: building all the costumes fun. It is something you want 45 00:02:14,400 --> 00:02:16,360 Speaker 2: to do when you're a kid. No, you mean, we 46 00:02:16,360 --> 00:02:19,280 Speaker 2: probably wouldn't apply to ships at that point. But have 47 00:02:19,360 --> 00:02:22,520 Speaker 2: you always been a show guy? I think you know. 48 00:02:22,560 --> 00:02:24,840 Speaker 2: I started I was a sort of singer actor dancer, 49 00:02:24,960 --> 00:02:27,120 Speaker 2: and then I started working professionally as a singer actor 50 00:02:27,200 --> 00:02:30,799 Speaker 2: dancer and said I'm not a singer actor dancer and 51 00:02:31,000 --> 00:02:34,320 Speaker 2: started working in stage management here in New York and 52 00:02:34,520 --> 00:02:38,320 Speaker 2: sort of worked my way up through stage management, production management, producing. 53 00:02:39,080 --> 00:02:41,920 Speaker 2: I actually worked on ships if The first ship I 54 00:02:41,960 --> 00:02:45,120 Speaker 2: ever worked on was a Norwegian ship. I was on 55 00:02:45,240 --> 00:02:48,160 Speaker 2: the Norwegian Epic, which at the time was the I 56 00:02:48,160 --> 00:02:51,400 Speaker 2: think third largest ship in the world as a production 57 00:02:51,480 --> 00:02:54,920 Speaker 2: stage manager. Loved the company, love the industry. I've worked 58 00:02:54,919 --> 00:02:58,720 Speaker 2: throughout the industry in various entertainment roles, leadership roles, and 59 00:02:59,240 --> 00:03:02,120 Speaker 2: came back to n CL in twenty twenty two, so 60 00:03:02,120 --> 00:03:04,320 Speaker 2: I've been here three years, right in time for the 61 00:03:04,400 --> 00:03:07,480 Speaker 2: launch of the brand new Prima class ships. And now 62 00:03:07,520 --> 00:03:10,600 Speaker 2: we have rolled out the first Prima Plus class ship, 63 00:03:10,639 --> 00:03:14,400 Speaker 2: Norwegian Aqua. We've got Norwegian Luna coming next year. It's 64 00:03:14,520 --> 00:03:17,640 Speaker 2: the future is bright. Cruising is cruising is back, baby, do. 65 00:03:17,560 --> 00:03:19,639 Speaker 1: You know what show is going to be on Luna already? 66 00:03:19,760 --> 00:03:20,480 Speaker 2: I know what shows? 67 00:03:21,000 --> 00:03:21,360 Speaker 1: Tell us? 68 00:03:21,800 --> 00:03:24,440 Speaker 2: Oh you're hilarious, Oh so cute? 69 00:03:24,639 --> 00:03:26,560 Speaker 1: Okay, welcome, that was just awful. 70 00:03:27,520 --> 00:03:28,640 Speaker 2: Give that an answer. 71 00:03:29,120 --> 00:03:34,760 Speaker 1: Okay, well well. 72 00:03:32,320 --> 00:03:34,359 Speaker 2: Here's hey, here's what I'll say. So if you look 73 00:03:34,400 --> 00:03:36,560 Speaker 2: at what we're doing on Norwegian Aqua, you look at 74 00:03:36,680 --> 00:03:40,920 Speaker 2: at Prince, you look at big global artists that we're 75 00:03:40,920 --> 00:03:44,840 Speaker 2: paying tribute to their music and celebrating their artistry. Do 76 00:03:44,880 --> 00:03:47,240 Speaker 2: they have to be dead? They do not have to 77 00:03:47,280 --> 00:03:49,920 Speaker 2: be dead? What they gotta be big? What about close 78 00:03:49,960 --> 00:03:50,280 Speaker 2: to dead? 79 00:03:51,680 --> 00:03:54,040 Speaker 1: Because I'm taking share would be fabulous. 80 00:03:54,600 --> 00:03:57,760 Speaker 2: She's gonna do five more comeback to us. Did you 81 00:03:57,840 --> 00:03:59,600 Speaker 2: hear her on the SNL the Please? 82 00:04:00,080 --> 00:04:01,960 Speaker 1: I love her. She's amazing. I love share. 83 00:04:02,040 --> 00:04:02,400 Speaker 2: She says. 84 00:04:02,400 --> 00:04:04,160 Speaker 1: She's been doing her going out of business sale for 85 00:04:04,200 --> 00:04:05,560 Speaker 1: many years now. She's awesome. 86 00:04:06,600 --> 00:04:10,160 Speaker 2: Yes, aside from being a famous artist. Yes, what is 87 00:04:10,200 --> 00:04:11,960 Speaker 2: the criteria that you guys look at to pick a 88 00:04:12,000 --> 00:04:17,160 Speaker 2: show for everybody? There's three things. Music that people recognize, 89 00:04:18,080 --> 00:04:20,360 Speaker 2: Visual spectacle. We gotta have shows that are going to 90 00:04:20,400 --> 00:04:23,800 Speaker 2: have big visual spectacle, easy to follow narrative. So one 91 00:04:23,839 --> 00:04:26,159 Speaker 2: of the things that's great about Prince is we're not 92 00:04:26,320 --> 00:04:29,960 Speaker 2: doing this isn't like an impersonation show. This isn't like 93 00:04:30,040 --> 00:04:33,200 Speaker 2: a narrative. Prince was born here and then we went here, 94 00:04:33,240 --> 00:04:36,520 Speaker 2: and then we went No, we're taking sections of music right. 95 00:04:36,600 --> 00:04:39,599 Speaker 2: One section of the show is relationships. We're taking all 96 00:04:39,680 --> 00:04:42,600 Speaker 2: of these great songs that Prince did about relationships and 97 00:04:42,680 --> 00:04:44,400 Speaker 2: doing that as a section of the show. So the 98 00:04:44,520 --> 00:04:46,880 Speaker 2: narrative is really easy to follow. You don't really have 99 00:04:46,960 --> 00:04:48,560 Speaker 2: to think. You go in and you're gonna have great 100 00:04:48,640 --> 00:04:51,440 Speaker 2: music on this ship. You're gonna be able to sit 101 00:04:51,520 --> 00:04:54,080 Speaker 2: and watch the show. We actually let you stand and 102 00:04:54,120 --> 00:04:57,760 Speaker 2: watch the show. We've actually because the theater is no 103 00:04:57,839 --> 00:05:00,520 Speaker 2: you get, you can get up front, you get, you 104 00:05:00,520 --> 00:05:03,320 Speaker 2: can get close, have a true concert experience. 105 00:05:04,120 --> 00:05:08,520 Speaker 1: So of course Aqua Revolution of Celebration of Princes one 106 00:05:08,800 --> 00:05:10,560 Speaker 1: just one show, Justice going on. What else you got 107 00:05:10,560 --> 00:05:11,040 Speaker 1: on Aqua? 108 00:05:11,240 --> 00:05:14,279 Speaker 2: So we've got Elements the World Expanded, which is taking 109 00:05:14,480 --> 00:05:18,719 Speaker 2: one of our longest running, most popular shows and blowing 110 00:05:18,760 --> 00:05:21,599 Speaker 2: it up. The theater on board the Aqua is this 111 00:05:21,760 --> 00:05:25,320 Speaker 2: amazing immersive theater with video. We have these really cool 112 00:05:25,400 --> 00:05:28,120 Speaker 2: chandeliers that tell us scope in and out. And so 113 00:05:28,200 --> 00:05:30,240 Speaker 2: we said, let's take the show that our guests love, 114 00:05:30,640 --> 00:05:32,560 Speaker 2: and let's just blow it up. Let's do the biggest 115 00:05:32,600 --> 00:05:35,440 Speaker 2: possible version of it possible. One of the other shows 116 00:05:35,480 --> 00:05:38,120 Speaker 2: I'm really excited about is have you have you been 117 00:05:38,200 --> 00:05:40,680 Speaker 2: to Sid Norman's Poor House on any of our ships? 118 00:05:40,720 --> 00:05:41,600 Speaker 1: No, you have not. 119 00:05:41,720 --> 00:05:43,359 Speaker 2: I've heard about it. I'm getting a lot of nodding 120 00:05:43,360 --> 00:05:46,400 Speaker 2: around all that. Yeah, so sid Norman's poor House. It's 121 00:05:46,400 --> 00:05:49,480 Speaker 2: this authentic kind of pub venue that we intentionally designed 122 00:05:49,480 --> 00:05:50,680 Speaker 2: to be small and intimate. 123 00:05:50,800 --> 00:05:53,680 Speaker 1: Oh waity, I have yeah, okay, so yeah, yeah, back 124 00:05:53,680 --> 00:05:53,880 Speaker 1: to you. 125 00:05:54,000 --> 00:05:56,680 Speaker 2: So a little bit of a victim of our own success, right, 126 00:05:56,760 --> 00:06:00,000 Speaker 2: This venue was meant to be intimate. It's so popular 127 00:06:00,160 --> 00:06:02,520 Speaker 2: or no one can get in. And for years guests 128 00:06:02,560 --> 00:06:05,080 Speaker 2: have been saying, can you please take Rumors, which is 129 00:06:05,120 --> 00:06:07,320 Speaker 2: this great front to back cover of the Fleetwood Mac 130 00:06:07,400 --> 00:06:09,400 Speaker 2: album that we do as a show, Can you please 131 00:06:09,480 --> 00:06:11,120 Speaker 2: put it in the theater? Can you please put it 132 00:06:11,120 --> 00:06:14,520 Speaker 2: in the theater? And we said, no, our artistry, we cannot. 133 00:06:14,640 --> 00:06:18,440 Speaker 2: We must protect our artistry. And this year we said, fine, 134 00:06:18,520 --> 00:06:20,200 Speaker 2: let's put it in the theater, Let's get the best 135 00:06:20,200 --> 00:06:22,599 Speaker 2: designers to do it, let's really blow it out. And 136 00:06:22,640 --> 00:06:24,479 Speaker 2: I have to tell you. You know, in the past few 137 00:06:24,480 --> 00:06:26,839 Speaker 2: inaugural cruises we've done a few weeks, it's one of 138 00:06:26,880 --> 00:06:30,120 Speaker 2: the most popular things, the what is phenomenal concert experience? 139 00:06:30,240 --> 00:06:32,359 Speaker 1: You know what I love about this conversation of Brian 140 00:06:32,520 --> 00:06:34,320 Speaker 1: is here we are in New York City, just several 141 00:06:34,360 --> 00:06:40,799 Speaker 1: blocks away from arguably the most entertaining blocks of available 142 00:06:41,000 --> 00:06:44,640 Speaker 1: as far as theater and and then you know, just 143 00:06:44,720 --> 00:06:47,520 Speaker 1: four blocks that way is Awkwat, which is going to 144 00:06:47,680 --> 00:06:52,120 Speaker 1: just travel the world. People will be celebrating life events 145 00:06:52,160 --> 00:06:54,400 Speaker 1: on that ship. And while they're doing it, eating a 146 00:06:54,440 --> 00:07:00,000 Speaker 1: lot of great food, doing some shots. Sorry, but seeing 147 00:07:00,080 --> 00:07:04,599 Speaker 1: this entertainment which you are beautifully showcasing it as you describe. 148 00:07:04,720 --> 00:07:06,520 Speaker 1: I just want to say thank you for coming in. 149 00:07:06,560 --> 00:07:09,040 Speaker 1: And I heard that you've invited us to come aboard today. 150 00:07:09,600 --> 00:07:10,080 Speaker 1: Is this true? 151 00:07:10,160 --> 00:07:11,280 Speaker 2: I've heard that as well. 152 00:07:11,360 --> 00:07:13,920 Speaker 1: Okay, wait are we even are we really invited? 153 00:07:14,000 --> 00:07:14,200 Speaker 2: Yes? 154 00:07:14,200 --> 00:07:15,920 Speaker 1: Do we just invite ourselves? We just invited ourselves? 155 00:07:15,960 --> 00:07:17,760 Speaker 2: Cool? Yeah, it'll be great. What are you going to eat? 156 00:07:18,160 --> 00:07:19,000 Speaker 1: I'm gonna eat everything. 157 00:07:19,000 --> 00:07:19,840 Speaker 2: Do you know where you're gonna eat? 158 00:07:20,040 --> 00:07:20,360 Speaker 1: No? No? 159 00:07:20,360 --> 00:07:22,640 Speaker 2: No, okay, let me Can I give you food recommend Yeah? Yeah, 160 00:07:23,120 --> 00:07:27,800 Speaker 2: So my favorite restaurant on board is Indulged Food Hall. 161 00:07:27,840 --> 00:07:29,360 Speaker 2: Have you been to Indulged Food Hall before? 162 00:07:29,560 --> 00:07:29,760 Speaker 1: Yes? 163 00:07:29,880 --> 00:07:32,240 Speaker 2: Yes, If you go to Indulged Food Hall, my favorite 164 00:07:32,280 --> 00:07:34,920 Speaker 2: item on the menu is it's a dinner item, unfortunately, 165 00:07:34,920 --> 00:07:36,200 Speaker 2: so you won't get to eat it. It's the chicken 166 00:07:36,200 --> 00:07:39,880 Speaker 2: tiki masala. My new That was my old favorite. My 167 00:07:40,040 --> 00:07:44,040 Speaker 2: new favorite is now our lemon lentil soup at our 168 00:07:44,080 --> 00:07:47,640 Speaker 2: new plant based restaurant. I I eat every time I 169 00:07:47,680 --> 00:07:50,880 Speaker 2: walk past Indulge. I like inhale a va of the 170 00:07:50,920 --> 00:07:54,160 Speaker 2: stuff you can get at for lunch today. Okay, I'll 171 00:07:54,160 --> 00:07:55,760 Speaker 2: see you there. Wait, do we have a choice of 172 00:07:55,760 --> 00:07:56,440 Speaker 2: where we eat? Like? 173 00:07:56,440 --> 00:07:57,840 Speaker 1: Can we all eat different? 174 00:07:59,600 --> 00:08:01,320 Speaker 2: Differ That's what I'm saying, so we. 175 00:08:01,320 --> 00:08:02,920 Speaker 1: Can get a little this little bit bad party. 176 00:08:03,120 --> 00:08:03,480 Speaker 2: Yeah. 177 00:08:03,680 --> 00:08:05,640 Speaker 1: I love a good plant based restaurant. 178 00:08:05,840 --> 00:08:07,320 Speaker 2: It's good and it's good for you. 179 00:08:07,760 --> 00:08:09,760 Speaker 1: I know I need meat. 180 00:08:10,440 --> 00:08:12,920 Speaker 2: Promise me there's meat on Oh there is so much 181 00:08:13,080 --> 00:08:16,760 Speaker 2: meat ship, the meat, the meat. I was walking down 182 00:08:16,800 --> 00:08:18,440 Speaker 2: the hall last night and I was saying, there's a 183 00:08:18,520 --> 00:08:19,760 Speaker 2: meat everywhere on this ship. 184 00:08:20,360 --> 00:08:20,560 Speaker 1: Meat. 185 00:08:20,680 --> 00:08:27,600 Speaker 2: I mean, it's a meatful ship. What's thee of this ship? Hasuki? Yes, 186 00:08:27,680 --> 00:08:32,440 Speaker 2: and we've it's and we've we've added more tables than 187 00:08:32,520 --> 00:08:34,360 Speaker 2: any of our other Yeah, so it's huge. 188 00:08:34,679 --> 00:08:38,360 Speaker 1: Aqua is really just breaking all the rules. And that's 189 00:08:38,360 --> 00:08:40,360 Speaker 1: what we love about how every time a new ship 190 00:08:40,400 --> 00:08:43,600 Speaker 1: comes out with Norwegian, it's it's even though they're in 191 00:08:43,640 --> 00:08:44,920 Speaker 1: the same line of ships. 192 00:08:44,600 --> 00:08:46,679 Speaker 2: They're all different. Well, and this one's bigger, right, So 193 00:08:46,760 --> 00:08:49,280 Speaker 2: we had Prima and Viva, which were sister ships. Norwegian 194 00:08:49,320 --> 00:08:52,320 Speaker 2: Aqua and her sister ship are actually ten percent larger, 195 00:08:52,440 --> 00:08:56,360 Speaker 2: feels like fifty percent larger, huge, huge change. The space 196 00:08:56,440 --> 00:08:58,679 Speaker 2: is so much more open, the venues are laid out 197 00:08:58,720 --> 00:09:00,840 Speaker 2: so much better. So if anyone's crew on those ships, 198 00:09:00,960 --> 00:09:03,160 Speaker 2: you're gonna come on board and say, Wow, this seems 199 00:09:03,160 --> 00:09:03,800 Speaker 2: so much bigger. 200 00:09:03,840 --> 00:09:06,480 Speaker 1: It may I just say and I'm I'm I love 201 00:09:06,520 --> 00:09:08,520 Speaker 1: telling the story. I never ever wanted to go on 202 00:09:08,559 --> 00:09:11,000 Speaker 1: a cruise ever. I never I wanted, didn't want to 203 00:09:11,040 --> 00:09:13,240 Speaker 1: do it, and they said, you really need to understand 204 00:09:13,240 --> 00:09:15,400 Speaker 1: what it's like to go on a cruise. Okay, Norwegian, 205 00:09:15,400 --> 00:09:18,079 Speaker 1: this is where we go. And then I became addicted 206 00:09:18,080 --> 00:09:21,120 Speaker 1: to it. I love it now and so I'm I'm 207 00:09:21,600 --> 00:09:23,640 Speaker 1: telling you right now, if you had no desire to 208 00:09:23,640 --> 00:09:25,959 Speaker 1: go on a cruise, I want you to change that philosophy. 209 00:09:26,000 --> 00:09:27,360 Speaker 1: I want you to go to mcl dot com and 210 00:09:27,400 --> 00:09:29,040 Speaker 1: look at what's waiting for you, because they really do 211 00:09:29,080 --> 00:09:32,960 Speaker 1: a great job. It will totally change the way you 212 00:09:32,960 --> 00:09:35,880 Speaker 1: you view cruising. I love it now and I thought 213 00:09:35,880 --> 00:09:36,439 Speaker 1: I never would. 214 00:09:36,520 --> 00:09:39,200 Speaker 2: Yeah, yeah, it's and there's there's there's more, there's there's 215 00:09:39,280 --> 00:09:41,800 Speaker 2: there's more to offer, there's more to see. We're constantly 216 00:09:41,840 --> 00:09:44,240 Speaker 2: listening to guests, and guests give us feedback. They say 217 00:09:44,320 --> 00:09:47,080 Speaker 2: we want this, we go away. We have a test 218 00:09:47,160 --> 00:09:49,600 Speaker 2: kitchen in Miami. The culinary team comes up with it. 219 00:09:49,640 --> 00:09:51,720 Speaker 2: I have a studio in Tampa. You want this type 220 00:09:51,760 --> 00:09:53,680 Speaker 2: of entertainment, We come up with it. We're here to 221 00:09:53,679 --> 00:09:54,200 Speaker 2: give our guests. 222 00:09:54,360 --> 00:09:55,640 Speaker 1: Come on a cruise version. Let's go. 223 00:09:56,000 --> 00:09:58,120 Speaker 2: Are you allowed back on the ships after your last cruise? 224 00:09:58,480 --> 00:10:01,360 Speaker 1: The incident, Let's not talk about that. 225 00:10:01,880 --> 00:10:02,280 Speaker 2: It's okay. 226 00:10:03,160 --> 00:10:05,839 Speaker 1: The troubles trouble. 227 00:10:05,960 --> 00:10:07,360 Speaker 2: Maybe there were troubles with truffles. 228 00:10:10,200 --> 00:10:13,520 Speaker 1: So aqua Revolution Celebration of Prince is, of course where 229 00:10:13,559 --> 00:10:15,160 Speaker 1: we want to start. If if if they could just 230 00:10:15,200 --> 00:10:18,160 Speaker 1: get the performers on stage just for just a show 231 00:10:18,160 --> 00:10:19,760 Speaker 1: for us privately today, that would be nice. 232 00:10:19,800 --> 00:10:20,360 Speaker 2: I'll work on it. 233 00:10:20,440 --> 00:10:23,520 Speaker 1: You can you please NCL dot com go ahead, think 234 00:10:23,520 --> 00:10:25,960 Speaker 1: about where you're gonna go, and uh, of course Aqua 235 00:10:26,040 --> 00:10:29,240 Speaker 1: is a way to go. When when is the christening? 236 00:10:29,679 --> 00:10:32,600 Speaker 2: We are christening the ship this coming Sunday. So we 237 00:10:32,640 --> 00:10:34,719 Speaker 2: are here in New York. We leave tomorrow. We'll be 238 00:10:34,760 --> 00:10:37,400 Speaker 2: sailing down to Miami. We're going to do two cruises 239 00:10:37,440 --> 00:10:39,600 Speaker 2: for all of our employees and their families are gonna 240 00:10:39,600 --> 00:10:41,840 Speaker 2: be able to come on board, and then this coming Sunday, 241 00:10:41,880 --> 00:10:45,679 Speaker 2: we will be christening the ship in Miami. It really 242 00:10:45,960 --> 00:10:48,079 Speaker 2: it's a waste of a great bottle of champagne. I mean, 243 00:10:48,280 --> 00:10:51,439 Speaker 2: can you let me drink that? Let's not waste the 244 00:10:51,440 --> 00:10:52,800 Speaker 2: ball underneath. 245 00:10:52,840 --> 00:10:57,320 Speaker 1: So Prince had a huge catalog of music, I mean 246 00:10:57,520 --> 00:11:00,160 Speaker 1: dozens of songs that were all hits. So you had 247 00:11:00,160 --> 00:11:02,320 Speaker 1: to whiel it down, whittle it down to what you 248 00:11:02,360 --> 00:11:05,760 Speaker 1: thought were the biggest Prince hits. Yeah, and what is 249 00:11:05,760 --> 00:11:07,840 Speaker 1: the one in your opinion, Brian, that is the one 250 00:11:07,840 --> 00:11:10,440 Speaker 1: that crystallizes everything. So yeah, we had to whittle it 251 00:11:10,480 --> 00:11:12,880 Speaker 1: down to about sixteen songs. One of the things that's 252 00:11:12,920 --> 00:11:14,920 Speaker 1: really cool about the show is there's about a thirty 253 00:11:14,960 --> 00:11:17,560 Speaker 1: minute pre show party, so we're able to feature some 254 00:11:17,640 --> 00:11:19,960 Speaker 1: songs that don't quite make it into the show, and 255 00:11:20,000 --> 00:11:22,760 Speaker 1: then after the second show we actually go into a 256 00:11:22,880 --> 00:11:25,880 Speaker 1: nightclub experience of print songs. So we're able to take 257 00:11:25,880 --> 00:11:27,319 Speaker 1: all the stuff that we couldn't get into the main 258 00:11:27,320 --> 00:11:29,600 Speaker 1: show and we're still able to do it. I think 259 00:11:29,640 --> 00:11:32,880 Speaker 1: in the show, I have to pick two. Let's Work, 260 00:11:32,960 --> 00:11:34,720 Speaker 1: which is a song that not a lot of people know. 261 00:11:34,880 --> 00:11:38,040 Speaker 1: It is probably the most fun number in the show. 262 00:11:38,160 --> 00:11:41,360 Speaker 1: The choreography, which was done by Patti Wilcox, who's a 263 00:11:41,440 --> 00:11:45,679 Speaker 1: longtime creator choreographer. It's just some of the best choreography 264 00:11:45,679 --> 00:11:47,920 Speaker 1: and best dance you've seen. But I think the number 265 00:11:47,960 --> 00:11:51,080 Speaker 1: that really ignites the show and takes us off and 266 00:11:51,360 --> 00:11:55,679 Speaker 1: really really really sells Prince is nineteen ninety nine. Oh Yeah, Okay, 267 00:11:56,200 --> 00:11:56,960 Speaker 1: I'm gonna play it. 268 00:11:57,200 --> 00:11:59,120 Speaker 2: You're gonna play it. Yeah, you can do that. I 269 00:11:59,160 --> 00:12:02,680 Speaker 2: have the power, Mike, I know can do anything. Scary 270 00:12:02,720 --> 00:12:04,840 Speaker 2: playing And Brian, thank you for coming in. 271 00:12:05,080 --> 00:12:08,920 Speaker 1: Brian White from Norwegian Cruise Line, the vice president of 272 00:12:09,000 --> 00:12:11,560 Speaker 1: Entertainment production. That's a fun job. 273 00:12:11,679 --> 00:12:12,800 Speaker 2: That's a fun job. Thank you. 274 00:12:12,880 --> 00:12:15,199 Speaker 1: Wait awkwa, we're gonna be having lunch in there a 275 00:12:15,240 --> 00:12:18,880 Speaker 1: little bit today. Mcl dot com book a trip right now, 276 00:12:19,000 --> 00:12:19,040 Speaker 1: go