WEBVTT - Not Quite as I Remember (“Hairography” S.1 E.11)

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<v Speaker 1>And that's what you really missed with Jenna and Kevin

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<v Speaker 1>and I heart radio podcast. Welcome, Welcome back, We're back.

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<v Speaker 1>We're backtally exclusively too, and that's what you really miss podcast. Hello,

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<v Speaker 1>that's Jenna. I'm Jenna, and I'm Kevin. That's Kevin. Today

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<v Speaker 1>we're gonna be talking about hiography, haterography and this is

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<v Speaker 1>all Ryan Murphy. What all right? An interesting episode? That's

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<v Speaker 1>you know, Ryan loves terography though, like actually loves hiography.

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<v Speaker 1>Every time Ryan would direct an episode and be like,

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<v Speaker 1>flip your hair more yes, the act of actual literally

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<v Speaker 1>doing hiography. He's a big fan of so Jenna. The

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<v Speaker 1>number one song on November Empire state of Mind, jay

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<v Speaker 1>Z and Relisha Keys and the last episode it was

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<v Speaker 1>what You Say by Jason Derulo. This song Empire state

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<v Speaker 1>of Mind. We were obsessed with obsessed, on set, obsessed everybody.

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<v Speaker 1>I mean, it ended up and I'm so glad we

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<v Speaker 1>did it ended up on tour and on tours are Encore.

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<v Speaker 1>That's my favorite Encore song. Um okay, so wait you

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<v Speaker 1>didn't like originally aired you want to Fight? I love

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<v Speaker 1>Safety Dance? Would you like True Colors? I love True Colors? Okay,

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<v Speaker 1>we when did this original air? Originally aired November, so

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<v Speaker 1>Empire State of Mind was the number one song. The

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<v Speaker 1>number one movie was the Twilight saga New Moon. Hm,

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<v Speaker 1>oh my gosh. Do you remember when we went to

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<v Speaker 1>this premiere? I feel like that was the biggest premiere

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<v Speaker 1>I had been to at that point. Yes, and fun fact, yes,

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<v Speaker 1>where this premiere was was at the same theater where

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<v Speaker 1>we had the Glee three D movie premiere, and so

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<v Speaker 1>that's right. A couple years later, that gigantic, crazy, frenzied

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<v Speaker 1>red carpet was for us. It was very Yeah, that

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<v Speaker 1>was wild too, that's right. The craziest thing was that

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<v Speaker 1>red carpet for Twilight. Those fans are so dedicated and

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<v Speaker 1>so obsessed, obsessed. I've never liked any climb that much.

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<v Speaker 1>They truly they. I remember they were saying that they

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<v Speaker 1>slept there for like a week to line up to

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<v Speaker 1>get to the front of that carpet, and it was

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<v Speaker 1>one of the biggest carpets we had ever done. But

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<v Speaker 1>they were like, get there early because as soon as

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<v Speaker 1>the stars started to arrive, it's going to get wild,

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<v Speaker 1>so get there early. So I remember getting there early.

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<v Speaker 1>We got there like five o'clock in the movie screening

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<v Speaker 1>wasn't until like eight, and we waited. We were just

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<v Speaker 1>like standing around watching things. Did anyone know who we

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<v Speaker 1>were on the carpet? No? Not really. But then also

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<v Speaker 1>more importantly, do you remember that there were two different

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<v Speaker 1>screenings of the movie, two different rooms. We weren't even

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<v Speaker 1>with the cast. We were actually in a separate screening room.

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<v Speaker 1>That's absolutely correct. You're like, oh, cool, cool. Half of

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<v Speaker 1>the people going that way and we're going this way.

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<v Speaker 1>I remember too, this is one of the first times

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<v Speaker 1>I had got gotten like free clothes or something like

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<v Speaker 1>man like sent me some suits and it didn't properly fit,

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<v Speaker 1>and it was like this red, shiny suit and I

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<v Speaker 1>thought it was so cool. And wait a second, no,

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<v Speaker 1>don't google it. Um. So the second, the number two

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<v Speaker 1>movie of this UM this week was The Blindside with

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<v Speaker 1>Sandra Bullock, which I still love that movie. Oscar winning

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<v Speaker 1>Mormons excellent, excellent, excellent paragraphy. This episode, there's a lot

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<v Speaker 1>of music UM that sort of runs the gamut of genre.

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<v Speaker 1>We get a call back to Grace the Grease number,

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<v Speaker 1>and we have a new director, rum Bill Jeliah, who

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<v Speaker 1>was a man of many, many shows, directed many many

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<v Speaker 1>shows before us. UM. He also showed up in the suits.

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<v Speaker 1>We talked about Eric Stolt's showing up in seats. Um.

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<v Speaker 1>Bill Delia showed up in a suit, always very professional,

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<v Speaker 1>and I was kind of scared of Bill. I was

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<v Speaker 1>definitely scared of Bill, and he was so sweet, but

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<v Speaker 1>it was like the sweetest big air. He was very tall,

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<v Speaker 1>he had like the big stature and serious shows and

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<v Speaker 1>a lot of grays anatomy. Okay, um this aired. This

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<v Speaker 1>episode aired the night before Thanksgiving, and I I feel

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<v Speaker 1>like I watched this with my family. I probably did too,

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<v Speaker 1>I don't remember. I think I did. Remember. We must have, right,

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<v Speaker 1>this is it was new, it was you know, fresh,

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<v Speaker 1>everybody we would have been flying in that day probably.

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<v Speaker 1>I mean my family always watched the show every single week,

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<v Speaker 1>so I feel like getting full. They could have done

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<v Speaker 1>a podcast. My parents still have their ringtones as some

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<v Speaker 1>of my songs from Glee. Still. Yes, we'll be out

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<v Speaker 1>in public, like over this past Christmas holiday break. It's embarrassing. Yes,

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<v Speaker 1>it's really. One of them has let it be and

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<v Speaker 1>the other one has p y T and they you know,

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<v Speaker 1>they are a little older, and so they have those

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<v Speaker 1>Ringers on full blast loud. That's right, it's I go

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<v Speaker 1>back to being sixteen and so embarrassed by my parents.

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<v Speaker 1>It's not great. Let me they're still hanging onto that,

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<v Speaker 1>my parents still hanging That was likely stuff too'm my gleat,

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<v Speaker 1>I go, um, we have a shoutout to what so

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<v Speaker 1>tell me serious thing. Dad ended up in a hospital

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<v Speaker 1>with COVID pneumonius now currently but yeah, he's doing all right.

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<v Speaker 1>But he brought up he asked the nurses if they

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<v Speaker 1>watched Glee. You know my parents do that everywhere too.

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<v Speaker 1>This is so long ago. My mom had uh paramedics

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<v Speaker 1>come to the house recently. She's okay, and um, they

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<v Speaker 1>saw the plaques that I've given them. I've gifted them

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<v Speaker 1>some of our Glee music plaques because there's just too many.

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<v Speaker 1>I honestly cant have them on all my walls either,

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<v Speaker 1>So I gave one to my parents and the the

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<v Speaker 1>guy from the fire house was like, yeah, you guys

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<v Speaker 1>just like pick fans of Glee. But see, at least

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<v Speaker 1>they were asked no, no, they asked yeah, that's fright.

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<v Speaker 1>But my mom's like, no, my daughter was on the show.

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<v Speaker 1>And they're like, oh my God, can I tell my

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<v Speaker 1>mom my daughter, this is very cute you I thought

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<v Speaker 1>it was a star. Um. Wait, that's really funny though

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<v Speaker 1>that your dad asked if he just volunteers, he's like

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<v Speaker 1>in the middle. He does he think he's going to

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<v Speaker 1>get special treatment. No, he just as my mom said,

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<v Speaker 1>he would talk to the wall. He just talks to

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<v Speaker 1>everyone and tries to find some common ground and likes

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<v Speaker 1>to talk to him, you know. Um back on track.

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<v Speaker 1>Shout out to East Middo Fire Department. By the way,

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<v Speaker 1>So our hair department was nominated for this episode for

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<v Speaker 1>the sixty second Emmy Awards. With all these wis Oh

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<v Speaker 1>that's right, Oh my gosh, so many wigs and like

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<v Speaker 1>bumping and things. Um okay, So one of our dear

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<v Speaker 1>dear friends is in this episode and who is a

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<v Speaker 1>Glee writer and still our dear friend, Michaeldgecock who that

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<v Speaker 1>scene is probably the highlight of this episode for me,

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<v Speaker 1>and he and Jane Lyncher were united after they've been

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<v Speaker 1>in a billion movies together, and that was great to say. Um.

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<v Speaker 1>And this is the part that I guess Ryan had

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<v Speaker 1>thought about Whitney Houston for that he mentioned before. Um, yeah,

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<v Speaker 1>good connect. Kevin, good, connect Jennifer aspen is back. It's great.

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<v Speaker 1>There's a lot happening, Okay, alright, so we gotta we

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<v Speaker 1>had a little a little Fox teaser here. Um the

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<v Speaker 1>Glee Club learns how to move in a whole new

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<v Speaker 1>way doing um. Will meets the sectionals competition, including Eve Hitchcock,

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<v Speaker 1>Um Quinn test test drives a baby, Daddy takes it

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<v Speaker 1>for a spin, and Rachel makes her a big play

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<v Speaker 1>for Finn, you know, all the cats away and some

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<v Speaker 1>other motives behind helping her get Finn. Hum. And then

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<v Speaker 1>there's this really fun fact from from the gleewick key

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<v Speaker 1>Kevin that the word distract, distracted, distraction is said twenty

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<v Speaker 1>times throughout this episode. Who did this? Who found this?

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<v Speaker 1>Who counted? And also, I'm worrying for you, surely. But

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<v Speaker 1>that's good, it is very good. That is weird? Why

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<v Speaker 1>who don't know? Who do we even ask about that?

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<v Speaker 1>What is what? I don't know? How does that happen?

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<v Speaker 1>I really don't know. That's strange. There's a quote from

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<v Speaker 1>The Entertainment Weekly about this episode, like their recap article,

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<v Speaker 1>this episode opened in a familiar place, suspicion, veil, population will,

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<v Speaker 1>but he's but they're not wrong. Yeah, they're not wrong,

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<v Speaker 1>because weird things are happening. Britney gets caught taking a

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<v Speaker 1>video rehearsal and it says Sylvester didn't tell me to

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<v Speaker 1>do this, and Mr she was sure that Sue is

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<v Speaker 1>linking this that list for sectionals. Um, she was asking

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<v Speaker 1>for the names and zip codes of the other schools,

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<v Speaker 1>the Jane Adams Academy and the Haverbrook School. For I

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<v Speaker 1>was thinking about the pre Google maps where you could

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<v Speaker 1>just punch in the name and I'll give you the

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<v Speaker 1>zip code and all the information. You know. Now, we're

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<v Speaker 1>still in the time, I ask Jeeves. Um. So then

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<v Speaker 1>Emma suggests that Will actually goes to Jane Adams Academy

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<v Speaker 1>and asked the director point blank, what's up? M h.

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<v Speaker 1>And so so we see Eve when we need eat um,

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<v Speaker 1>and she's like, look, I'm trying to raise these kids

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<v Speaker 1>right or like teach these kids did do right. I'm

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<v Speaker 1>not going to like be cheating and like doing all

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<v Speaker 1>this crazy stuff. But um, Mr, she was like, let

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<v Speaker 1>me make this up to you. Sorry, I didn't mean

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<v Speaker 1>to insult you. Um, why don't I invite you to

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<v Speaker 1>calm and scrimmage at McKinley since um Eve Missigan says

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<v Speaker 1>revealed to Will that they can't even they don't even

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<v Speaker 1>have a place to rehearse. The rehearse out in the yard,

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<v Speaker 1>the reck yard, so talk about it was it was smart.

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<v Speaker 1>I sort of had to like close one eye. I

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<v Speaker 1>kind of just like moved past it because I was like, Okay,

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<v Speaker 1>but we have to acknowledge it and learn from our

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<v Speaker 1>mistakes because this is just we don't want it. Um,

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<v Speaker 1>that is true. We didn't write it. So they say yes,

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<v Speaker 1>and the Jane Dam's girls come, which a lot of

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<v Speaker 1>our friends are those dancers. And I also forgot that

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<v Speaker 1>Chelsea from So You Think You Can danced? Um, she's

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<v Speaker 1>in this and I remember being like, it's so um

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<v Speaker 1>star struck by those dancers because I watched you were up.

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<v Speaker 1>I was it was a couple, didn't we Yes? I

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<v Speaker 1>love that show. Yes we did, um and it was

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<v Speaker 1>on Fox. It was like easy to get into. This

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<v Speaker 1>is also been a lot of the dancers game this performance.

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<v Speaker 1>I was just it's so it makes you so happy

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<v Speaker 1>to watch because when you actually have professional dancers who

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<v Speaker 1>can do all the things that you know, the professional

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<v Speaker 1>choreographers each William Brook Clifton wanted them to do unlike us,

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<v Speaker 1>and you have a bunch of people jumping into splits

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<v Speaker 1>and like you're like, oh, that's what you would. And

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<v Speaker 1>also the same point, the Tim Davig Adam Anders making

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<v Speaker 1>this incredible arrangement of the song where they can use

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<v Speaker 1>a billion voices and you actually get to hear sort

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<v Speaker 1>of the people who would normally sing our demos sing

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<v Speaker 1>the leads of these. It it's like it's just a

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<v Speaker 1>dream come true. Because this number was so good. I

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<v Speaker 1>loved watching this. I mean, this number was great and

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<v Speaker 1>it's just so funny. I can imagine Rying being like

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<v Speaker 1>I need this to be all hair flipping, all hierography. Um.

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<v Speaker 1>Those girls were abasing Um. So Mr Sho was freaking

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<v Speaker 1>because Gane Adams is really good and he's like, oh crap,

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<v Speaker 1>we're we're not going to win and Rachel being this

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<v Speaker 1>like weird voice of reason to Mr. Shoot but also

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<v Speaker 1>which I thought was funny. I also was just like,

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<v Speaker 1>what level of delusion is she on that? She was

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<v Speaker 1>like it's all smoking mirrors? Like no, that was pretty

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<v Speaker 1>damn good. That was incredible. Yeah, it wasn't distraction but

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<v Speaker 1>I did do hiography. Look distraction, I said it. I

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<v Speaker 1>see why. It's the hierography. It's the distraction. That's why. Okay,

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<v Speaker 1>I'm getting it. I see. I think right. It wasn't

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<v Speaker 1>smoking mirrors. It was actually really good. But it's called

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<v Speaker 1>hair agraphy um. And this is the whizzing of the hair.

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<v Speaker 1>So Mr Shoe is still freaking outside and he's like, yeah,

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<v Speaker 1>ashure or whatever. But um, it gives him the idea

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<v Speaker 1>that we're going to now do a mashup of crazy

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<v Speaker 1>and love and hair um. The theme song from the musical,

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<v Speaker 1>which is it a theme song then brings our Beyonce

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<v Speaker 1>song title song, title song count up to three single Ladies,

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<v Speaker 1>Bootylicious and Crazy in Love who who Um? I remember

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<v Speaker 1>recording this. We wanted to record this Crazy and Love

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<v Speaker 1>together where I was there really because I remember you

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<v Speaker 1>doing the rap yes, and I remember hearing you chinchilla.

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<v Speaker 1>Wait which studio was this thing go on? On Highland?

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<v Speaker 1>I believe, But see, I think I went in twice

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<v Speaker 1>for this because I think I had to go in

0:15:02.920 --> 0:15:08.120
<v Speaker 1>and do that with like the intro um and then

0:15:08.400 --> 0:15:11.240
<v Speaker 1>on the other side of the recording studio they brought

0:15:11.320 --> 0:15:14.320
<v Speaker 1>in Mark and Corey to do this, and then they

0:15:14.320 --> 0:15:16.400
<v Speaker 1>had me go in to do it, and then they

0:15:16.560 --> 0:15:20.200
<v Speaker 1>ended up I think, and then they ended up just

0:15:21.360 --> 0:15:25.720
<v Speaker 1>and then I remember Corey's looking dejected in the rehearsal

0:15:25.800 --> 0:15:30.240
<v Speaker 1>room like it was just like a tryout. This was

0:15:30.400 --> 0:15:40.800
<v Speaker 1>the tryout from all three of Um, that's really funny.

0:15:43.080 --> 0:15:46.000
<v Speaker 1>So we do that. We're starting to do this mash up,

0:15:46.720 --> 0:15:50.640
<v Speaker 1>which is when they're like, we're doing hierography and you

0:15:50.680 --> 0:15:55.440
<v Speaker 1>all get in these wigs. And before that, Hitchcock comes

0:15:55.440 --> 0:16:00.400
<v Speaker 1>in and Will has this conversations insane conversation with Mr

0:16:00.480 --> 0:16:06.600
<v Speaker 1>Rumba for the Death School, and I mean, it's hilarious

0:16:07.120 --> 0:16:11.840
<v Speaker 1>the Scarlet Favorite, but it's also again like it's not right,

0:16:11.920 --> 0:16:17.120
<v Speaker 1>but yeah, yeah, it's His performance is very funny. The

0:16:17.160 --> 0:16:24.200
<v Speaker 1>subject matter not so not so koshure um, but Hitchcock

0:16:24.360 --> 0:16:26.640
<v Speaker 1>is just good at and you give you putting Hitchcock

0:16:26.720 --> 0:16:29.600
<v Speaker 1>in a room with a pencil, and he make it funny,

0:16:29.640 --> 0:16:32.200
<v Speaker 1>you know what I mean. So he was doing his job,

0:16:32.440 --> 0:16:38.120
<v Speaker 1>but so he's very upset. Mr Rumba is very upset.

0:16:38.160 --> 0:16:40.640
<v Speaker 1>He's like, how dare you not invite us to come

0:16:40.640 --> 0:16:42.480
<v Speaker 1>and do this? I think you should invite us to

0:16:42.520 --> 0:16:46.720
<v Speaker 1>come do this, and um, Will to his uh you know,

0:16:46.920 --> 0:16:50.480
<v Speaker 1>very easily says sure, come on over. So Will is

0:16:50.520 --> 0:16:53.520
<v Speaker 1>pulling out all the stops for this mash up that

0:16:53.560 --> 0:16:56.400
<v Speaker 1>he's now convinced that, like the hair is going to

0:16:56.480 --> 0:17:01.120
<v Speaker 1>do it. Um, and you is. I'll put these things on.

0:17:01.840 --> 0:17:05.280
<v Speaker 1>And yes, I was wearing dreads. It's funny, it's funny,

0:17:05.359 --> 0:17:13.280
<v Speaker 1>but your way is not funny anymore. No, it's no,

0:17:13.560 --> 0:17:18.919
<v Speaker 1>it's all wrong. It's wrong. We know what's wrong. We

0:17:18.960 --> 0:17:23.680
<v Speaker 1>know it's wrong, and we wouldn't have done it. We

0:17:23.720 --> 0:17:25.560
<v Speaker 1>wouldn't have done You have like a sound effect that

0:17:25.600 --> 0:17:27.840
<v Speaker 1>we can play. That's just being saying. It was a

0:17:27.840 --> 0:17:32.480
<v Speaker 1>different time. It was a different time. The big red button.

0:17:32.840 --> 0:17:37.119
<v Speaker 1>It's a different time. Um. So okay, so they we

0:17:37.240 --> 0:17:41.400
<v Speaker 1>do crazy and lemon hair in the choir room and

0:17:42.160 --> 0:17:50.000
<v Speaker 1>this number Um also injured me because so much hair

0:17:50.320 --> 0:17:53.840
<v Speaker 1>and you just wanted to make Ryan happy and whiplash

0:17:53.920 --> 0:17:58.400
<v Speaker 1>your head so you could get your hair moving. And um,

0:17:58.440 --> 0:18:02.320
<v Speaker 1>there's this one dance move that we had that Zach

0:18:02.400 --> 0:18:08.240
<v Speaker 1>would call heads and holes and holes, heads and holes.

0:18:08.240 --> 0:18:10.000
<v Speaker 1>And every time I watched this number, that's all I

0:18:10.000 --> 0:18:13.080
<v Speaker 1>think about, because um, we start up and then we

0:18:13.160 --> 0:18:14.800
<v Speaker 1>go all the way down down, and then we go

0:18:14.880 --> 0:18:20.719
<v Speaker 1>all the way up. So heads and holes was the number. UM,

0:18:20.760 --> 0:18:28.160
<v Speaker 1>I have fond members. The dance moves. There was one

0:18:28.200 --> 0:18:31.359
<v Speaker 1>coming up for the journey mashed up and it was

0:18:31.480 --> 0:18:36.360
<v Speaker 1>you get what you need and he was like, Doney needs,

0:18:38.760 --> 0:18:41.400
<v Speaker 1>Like I don't think that's the lyrics, Zack, but you

0:18:41.400 --> 0:18:45.240
<v Speaker 1>you don't need to not worry about that. Um. And

0:18:45.800 --> 0:18:52.400
<v Speaker 1>the very sweet um Prorbrook Deaf choir is Um, they're

0:18:52.400 --> 0:18:57.679
<v Speaker 1>signing like they look absolutely crazy. Um. These actors were

0:18:57.760 --> 0:19:01.040
<v Speaker 1>amazing and I loved working. I remember all of us

0:19:01.119 --> 0:19:05.880
<v Speaker 1>fighting over who we had crushes on. Yeah, we were

0:19:05.920 --> 0:19:10.720
<v Speaker 1>all very smart, and they were all very cute. Yes

0:19:10.760 --> 0:19:16.160
<v Speaker 1>they weren't very cute. And they did a very simple,

0:19:16.600 --> 0:19:22.040
<v Speaker 1>beautiful number of Lennon's and imagine, which I'm sure I

0:19:22.080 --> 0:19:28.640
<v Speaker 1>might tattoo imagine tattoos imagines ankle ankle. So when we

0:19:28.640 --> 0:19:30.639
<v Speaker 1>were in we always ended up in Chicago for some

0:19:30.680 --> 0:19:35.360
<v Speaker 1>reason for press things and I don't know why. Months

0:19:35.880 --> 0:19:38.800
<v Speaker 1>and months after this, and this had always been my

0:19:38.880 --> 0:19:45.399
<v Speaker 1>favorite song of all time. Um. Months after this, Jenna

0:19:45.840 --> 0:19:48.480
<v Speaker 1>and Leah and I we're all at dinner and then

0:19:48.560 --> 0:19:52.000
<v Speaker 1>Leah's like, we should go get tattoos, and you two

0:19:52.000 --> 0:19:55.360
<v Speaker 1>already had some time and so it didn't take much

0:19:55.640 --> 0:19:58.680
<v Speaker 1>arm twisting. And I was like, Okay, let's go do it,

0:19:59.359 --> 0:20:05.199
<v Speaker 1>and Chris came it does and um, I decided to

0:20:05.200 --> 0:20:07.119
<v Speaker 1>get mine, sort of like on My Achilles, and Chris

0:20:07.200 --> 0:20:10.520
<v Speaker 1>was with me as I was getting mine, and I

0:20:11.160 --> 0:20:13.160
<v Speaker 1>told the story a billion times, but I'll never forget

0:20:13.240 --> 0:20:15.119
<v Speaker 1>him just sitting there and being like, so, what do

0:20:15.119 --> 0:20:20.520
<v Speaker 1>you think your parents will think of this? As damn it, Chris,

0:20:21.480 --> 0:20:25.760
<v Speaker 1>stop it, but we all got imagine. I really I

0:20:25.800 --> 0:20:27.760
<v Speaker 1>wish I had done it in a different inc. Mine

0:20:27.840 --> 0:20:33.119
<v Speaker 1>is like bleeding now and it's very visible. Yeah, mine,

0:20:33.800 --> 0:20:37.400
<v Speaker 1>Mine doesn't look great, but we haven't. It's matching. It's fine.

0:20:37.840 --> 0:20:41.600
<v Speaker 1>Um And I don't think my parents care for the record. Chris,

0:20:42.880 --> 0:20:47.040
<v Speaker 1>I don't know. Actually, I also had to fight for

0:20:47.080 --> 0:20:48.919
<v Speaker 1>the to get on this song because I love the

0:20:48.960 --> 0:20:53.399
<v Speaker 1>song so much. I had to I wasn't originally singing

0:20:53.440 --> 0:20:57.639
<v Speaker 1>in it, and I texted this, I think this was

0:20:57.680 --> 0:21:00.040
<v Speaker 1>the first time I did this, because I'll do it

0:21:00.080 --> 0:21:03.679
<v Speaker 1>a couple more times throughout the series. Yeah, but the

0:21:03.720 --> 0:21:05.760
<v Speaker 1>songs have been a lot to me. I was like, please,

0:21:05.840 --> 0:21:09.359
<v Speaker 1>just even if it's a line, And so they split

0:21:09.359 --> 0:21:12.560
<v Speaker 1>it up and they think originally it was just Corey

0:21:12.560 --> 0:21:17.480
<v Speaker 1>and Leah maybe and then they added Amber Amber yeah,

0:21:17.600 --> 0:21:19.000
<v Speaker 1>or maybe it's just three of them. They added me.

0:21:19.040 --> 0:21:24.120
<v Speaker 1>I'm not sure, but I've elbowed my way in there. Hey,

0:21:24.359 --> 0:21:27.200
<v Speaker 1>I gotta do what you gotta do. Um, and miss

0:21:27.240 --> 0:21:31.240
<v Speaker 1>number is really beautiful. I remember shooting this and um,

0:21:31.280 --> 0:21:37.040
<v Speaker 1>it was a really moving day and watching them, yeah,

0:21:37.160 --> 0:21:40.760
<v Speaker 1>special and they were all so nice and so talented,

0:21:40.880 --> 0:21:45.040
<v Speaker 1>and UM, I think it just puts things in perspective

0:21:45.160 --> 0:21:48.359
<v Speaker 1>right for the show, in the storyline, but also just

0:21:48.440 --> 0:21:52.119
<v Speaker 1>in life. Right. It's like everybody's storytellers. Everybody can be

0:21:52.160 --> 0:21:55.320
<v Speaker 1>an artist. Um, you know we have all these like

0:21:55.359 --> 0:21:58.960
<v Speaker 1>we are the story of underdogs and in our own ways,

0:21:59.000 --> 0:22:01.880
<v Speaker 1>but um, just really puts you in part, puts things

0:22:01.880 --> 0:22:06.520
<v Speaker 1>in perspective, really makes grateful for um the little things

0:22:06.560 --> 0:22:08.520
<v Speaker 1>and not the little things, but the big things, you know.

0:22:08.600 --> 0:22:13.199
<v Speaker 1>So um, really we had a lot of time with them.

0:22:13.240 --> 0:22:15.280
<v Speaker 1>I felt like it was almost the entire day where

0:22:15.280 --> 0:22:19.280
<v Speaker 1>we actually got to like hang out with them and yes,

0:22:20.440 --> 0:22:22.640
<v Speaker 1>get to know them. We didn't always happen because things

0:22:22.640 --> 0:22:26.719
<v Speaker 1>were so crazy. We're always rehearsing and recording, and for

0:22:26.760 --> 0:22:30.920
<v Speaker 1>some reason we were just spending so much time with him. Well,

0:22:30.920 --> 0:22:34.159
<v Speaker 1>it's two musical numbers in one day that we are shooting,

0:22:34.160 --> 0:22:36.080
<v Speaker 1>which we didn't normally do, like back to back in

0:22:36.080 --> 0:22:39.680
<v Speaker 1>the same room. So I think because it was one

0:22:40.040 --> 0:22:43.359
<v Speaker 1>continuous number, we shot it like that kind of kind

0:22:43.400 --> 0:22:48.120
<v Speaker 1>of um. But yeah, no, yeah, totally. I remember hanging

0:22:48.119 --> 0:22:52.399
<v Speaker 1>out them as well. Um, okay, so we do imagine

0:22:52.280 --> 0:22:54.280
<v Speaker 1>what they do, imagine we all do imagine as a

0:22:54.280 --> 0:22:59.680
<v Speaker 1>collective number, and um shoot, then admits he's like, yeah,

0:23:00.040 --> 0:23:04.600
<v Speaker 1>hair gerography was totally bad. Idea, here's my new cell list, um,

0:23:04.720 --> 0:23:10.439
<v Speaker 1>and it's and and and it's the whole thing of

0:23:10.480 --> 0:23:13.800
<v Speaker 1>like the you know, Sue kind of Um. Linking the

0:23:13.880 --> 0:23:17.000
<v Speaker 1>cells is kind of often the back no longer in

0:23:17.040 --> 0:23:20.399
<v Speaker 1>the forefront of his mind. Um, I forgot this was

0:23:20.480 --> 0:23:23.520
<v Speaker 1>your colors, and I texted you last night. I was like,

0:23:23.880 --> 0:23:29.200
<v Speaker 1>I totally forgot. This is the episode I venus first

0:23:29.840 --> 0:23:31.560
<v Speaker 1>sort of comes out of nowhere, and then you're just

0:23:31.640 --> 0:23:37.800
<v Speaker 1>saying it right, and that's right, Oh thanks, You know

0:23:38.080 --> 0:23:40.680
<v Speaker 1>it was honestly, it's because it wasn't really like part

0:23:40.720 --> 0:23:43.120
<v Speaker 1>of my storyline. It's just like I happened to get

0:23:43.240 --> 0:23:47.399
<v Speaker 1>the lead vocal on the final number, right, um. But

0:23:47.440 --> 0:23:49.679
<v Speaker 1>it was yeah, it was really fun. I was the

0:23:50.680 --> 0:23:53.760
<v Speaker 1>I remember being nervous to record my first big number

0:23:53.800 --> 0:23:56.439
<v Speaker 1>because like I had gone in and done like, you know,

0:23:56.680 --> 0:23:59.520
<v Speaker 1>a line or two here or there or whatever tonight,

0:23:59.640 --> 0:24:02.120
<v Speaker 1>and you know, this is the first big one, especially

0:24:02.119 --> 0:24:05.400
<v Speaker 1>with adam Anders, who like was amazing. But I don't

0:24:05.440 --> 0:24:09.320
<v Speaker 1>know why I was scared. Um, you had said to

0:24:09.440 --> 0:24:12.120
<v Speaker 1>me you should. I said, I don't know, why would

0:24:12.119 --> 0:24:13.719
<v Speaker 1>I do with these ad lips, Like I've never had

0:24:13.720 --> 0:24:17.240
<v Speaker 1>an ad lib before like this, and you're like you should,

0:24:17.240 --> 0:24:21.880
<v Speaker 1>just as Scamber of course. And I was like that's

0:24:21.880 --> 0:24:24.360
<v Speaker 1>a great idea. And Amber at the time was still

0:24:24.400 --> 0:24:26.880
<v Speaker 1>living in Long Beach and so she would stay over

0:24:26.920 --> 0:24:30.239
<v Speaker 1>at my um my apartment sometimes, like when we had

0:24:30.240 --> 0:24:32.439
<v Speaker 1>a late night and they're like morning, so An slepped

0:24:32.480 --> 0:24:33.680
<v Speaker 1>over and it was the day I was going to

0:24:33.720 --> 0:24:35.199
<v Speaker 1>the recordings and I said, hey, can you listen to

0:24:35.200 --> 0:24:39.960
<v Speaker 1>this demo and just like give me some um, some

0:24:40.040 --> 0:24:43.160
<v Speaker 1>ad lips. She's like yeah, she's like and then she's

0:24:43.200 --> 0:24:46.160
<v Speaker 1>like You're like yeah, And I was like, I can't

0:24:46.160 --> 0:24:49.240
<v Speaker 1>do that. She's like, we're like yeah, yeah, and I

0:24:49.280 --> 0:24:51.439
<v Speaker 1>was like, okay, I could do that. UM. So I

0:24:51.480 --> 0:24:53.479
<v Speaker 1>had come in with like three things that I had,

0:24:53.480 --> 0:24:55.199
<v Speaker 1>like voice memode I think on my phone that I

0:24:55.240 --> 0:24:59.119
<v Speaker 1>was like, okay, don't forget these. And I remember I

0:24:59.160 --> 0:25:01.240
<v Speaker 1>walked in and at Manders was looking on the TV

0:25:01.440 --> 0:25:03.560
<v Speaker 1>because sometimes they had they had a TV going and

0:25:03.600 --> 0:25:06.840
<v Speaker 1>when they were doing the control panel, and it was

0:25:06.960 --> 0:25:11.679
<v Speaker 1>the day that Michael Jackson UM was being there was

0:25:11.720 --> 0:25:14.040
<v Speaker 1>like an emergency call to his house and obviously he

0:25:14.160 --> 0:25:17.439
<v Speaker 1>died later that day, but um, I was in the

0:25:17.440 --> 0:25:21.959
<v Speaker 1>recording studio during that whole uh, that whole time, so

0:25:22.000 --> 0:25:23.640
<v Speaker 1>he was like telling me what was going on while

0:25:23.680 --> 0:25:25.479
<v Speaker 1>I was in the booth, and he's like, let's do

0:25:25.520 --> 0:25:29.199
<v Speaker 1>this for Michael. So it was a very memorable day

0:25:29.280 --> 0:25:34.359
<v Speaker 1>for many reasons, um. And I was so nervous about

0:25:34.400 --> 0:25:41.800
<v Speaker 1>what this was going to sound like. And you're like

0:25:41.880 --> 0:25:44.320
<v Speaker 1>these Dad, you texted me earlier and you're like these

0:25:44.359 --> 0:25:46.639
<v Speaker 1>headlives are so right, and I was like, well that

0:25:46.720 --> 0:25:48.520
<v Speaker 1>was ambling, and I do not remember telling you to

0:25:48.560 --> 0:25:52.720
<v Speaker 1>go ask Amber. It's also the way seeing it because

0:25:53.320 --> 0:25:58.920
<v Speaker 1>you have such a powerful high voice that you always

0:25:58.920 --> 0:26:01.760
<v Speaker 1>said that you do your this is very high and

0:26:01.760 --> 0:26:05.280
<v Speaker 1>like when you get up there, yeah, it's so good,

0:26:07.800 --> 0:26:11.560
<v Speaker 1>so funny. Um. Thanks, And then I do remember when

0:26:11.560 --> 0:26:16.000
<v Speaker 1>we shot this, Tim Davis wasn't there that day, and

0:26:16.040 --> 0:26:18.679
<v Speaker 1>we didn't have anybody to teach us the backgrounds, and

0:26:18.840 --> 0:26:23.160
<v Speaker 1>nobody had heard the backgrounds before, so it was very

0:26:23.240 --> 0:26:25.480
<v Speaker 1>weird because I remember being like, oh my god, people

0:26:25.480 --> 0:26:28.040
<v Speaker 1>are stressed, and I was like, I just gotta get

0:26:28.040 --> 0:26:31.800
<v Speaker 1>this my performance in and like whatever. And I remember

0:26:32.400 --> 0:26:34.440
<v Speaker 1>I think brad Ellis was trying to teach everybody in

0:26:34.440 --> 0:26:36.800
<v Speaker 1>the backgrounds, but he didn't know that. He was just

0:26:36.880 --> 0:26:38.760
<v Speaker 1>kind of like off the cuff trying to teach people.

0:26:38.880 --> 0:26:42.760
<v Speaker 1>So I think there's like some shots of like people

0:26:42.760 --> 0:26:45.320
<v Speaker 1>because there's a lot of like looks in this number.

0:26:45.480 --> 0:26:48.400
<v Speaker 1>There's a lot of storyline going on Quinn and Buck

0:26:48.480 --> 0:26:51.520
<v Speaker 1>and Kurt looking at Finn and people aren't singing, and

0:26:51.560 --> 0:26:53.680
<v Speaker 1>I'm like, I think this is because like we didn't

0:26:53.720 --> 0:26:57.800
<v Speaker 1>know the background vocal. I just remember us like playing

0:26:57.880 --> 0:27:04.360
<v Speaker 1>behind those like scrims of like the lighting behind the shadows,

0:27:04.359 --> 0:27:07.200
<v Speaker 1>because they were like it was like the apple dancing

0:27:07.320 --> 0:27:11.960
<v Speaker 1>like Harry. Um okay, So moving on, and then it

0:27:12.000 --> 0:27:14.680
<v Speaker 1>turns out that she was right. We have the last

0:27:14.680 --> 0:27:19.000
<v Speaker 1>scene of this storyline is Sue sitting across from Eve

0:27:19.080 --> 0:27:22.080
<v Speaker 1>and Hitchcock giving him to set list and they're like,

0:27:22.160 --> 0:27:24.960
<v Speaker 1>we don't want it. No, who do you think we are?

0:27:25.560 --> 0:27:29.040
<v Speaker 1>But we'll see how that plays out later on exactly.

0:27:29.119 --> 0:27:33.919
<v Speaker 1>So then we have this whole baby daddy storyline, I

0:27:33.960 --> 0:27:40.760
<v Speaker 1>mean it's baby part eighteen, and gives Quinn a baby

0:27:40.760 --> 0:27:43.240
<v Speaker 1>book he stole How to Raise a Baby on five

0:27:43.280 --> 0:27:45.600
<v Speaker 1>dollars a day, and Quinn starts to wonder if she

0:27:45.640 --> 0:27:48.320
<v Speaker 1>made the right choice to give up the baby. Things

0:27:48.359 --> 0:27:53.280
<v Speaker 1>are happening a young team mind moves quickly, so then Quinn, Kendra,

0:27:53.520 --> 0:27:56.520
<v Speaker 1>and Terry are in the car and there's just this

0:27:56.600 --> 0:28:03.280
<v Speaker 1>insane episode of like, you don't because the phosphoric acid

0:28:03.320 --> 0:28:07.640
<v Speaker 1>causes male baldness, and Quinn's like, that's the baby's a girl.

0:28:08.680 --> 0:28:13.720
<v Speaker 1>The wind window ball too, and Kindra says, you worried

0:28:13.720 --> 0:28:16.159
<v Speaker 1>too much. Terry mom smoked and drank a bottle of

0:28:16.280 --> 0:28:18.240
<v Speaker 1>vodka on ice every night when she was pregnant with us,

0:28:18.240 --> 0:28:25.360
<v Speaker 1>and we're totally normal. Um. It's but so good, three

0:28:25.359 --> 0:28:30.120
<v Speaker 1>of them together as incredible. Um wants to see if

0:28:30.200 --> 0:28:34.280
<v Speaker 1>Puck will she's auditioning him to be the baby daddy

0:28:34.320 --> 0:28:36.280
<v Speaker 1>basically because she's like, do I want to keep it?

0:28:36.560 --> 0:28:37.879
<v Speaker 1>And if I do, do I want it to be

0:28:37.960 --> 0:28:45.120
<v Speaker 1>with Puck as the dad as the dad? And um,

0:28:45.160 --> 0:28:50.000
<v Speaker 1>so yeah, so she she skins. Um, She's like, okay,

0:28:50.040 --> 0:28:52.160
<v Speaker 1>so how do I distract Finn during this so I

0:28:52.160 --> 0:28:53.880
<v Speaker 1>can get to Puck and kind of see Puck for

0:28:53.920 --> 0:28:57.320
<v Speaker 1>a while. And so she gets an idea with her

0:28:57.320 --> 0:29:01.240
<v Speaker 1>and Kurt which you don't see quinning Kurt a lot together, um,

0:29:01.360 --> 0:29:06.800
<v Speaker 1>and to get Rachel a makeover so it can distract Fin,

0:29:07.640 --> 0:29:13.200
<v Speaker 1>which we will get to that scene later. Um. But

0:29:14.600 --> 0:29:16.800
<v Speaker 1>meanwhile we're we have We're back to Terry and Will,

0:29:17.000 --> 0:29:19.560
<v Speaker 1>and Will is trying to get into it with Terry,

0:29:19.720 --> 0:29:23.880
<v Speaker 1>and um, Terry is like, please don't touch me, Please

0:29:23.880 --> 0:29:27.000
<v Speaker 1>don't touch they are always't it um, and he's trying

0:29:27.040 --> 0:29:28.520
<v Speaker 1>to get into it with her, and she's like, oh

0:29:28.560 --> 0:29:33.120
<v Speaker 1>my gosh, I need a distraction again. Distraction yep. Um.

0:29:33.280 --> 0:29:35.280
<v Speaker 1>So she comes up with a plan. She's like, oh

0:29:35.280 --> 0:29:37.320
<v Speaker 1>my gosh, let me get him the Blue bomber too.

0:29:37.960 --> 0:29:43.120
<v Speaker 1>And um. She's starting to feel bad about this whole situation,

0:29:43.200 --> 0:29:45.080
<v Speaker 1>but she's like, I still got it distract him, so

0:29:45.200 --> 0:29:48.040
<v Speaker 1>let me get him the blue Bomber and to like

0:29:48.160 --> 0:29:52.440
<v Speaker 1>work on and you know, update and whatever. And then

0:29:52.720 --> 0:29:57.560
<v Speaker 1>Kendra sneaking Quinn and at the same time like a

0:29:57.560 --> 0:30:04.440
<v Speaker 1>little like tinkydinky um looney jeans moment, and Quinn decides

0:30:04.520 --> 0:30:09.880
<v Speaker 1>that she is going to keep the baby. And now

0:30:10.120 --> 0:30:14.360
<v Speaker 1>Terry's like okay. She starts unrough. Yeah, Terry is starting

0:30:14.360 --> 0:30:16.880
<v Speaker 1>to go and Kendra's like, okay, I got a plan.

0:30:17.040 --> 0:30:20.760
<v Speaker 1>Another plan. Kender's always got a plan. Um. She's like,

0:30:20.840 --> 0:30:25.080
<v Speaker 1>I'm gonna get Quinn to babysit my little three monsters

0:30:25.880 --> 0:30:29.240
<v Speaker 1>and she'll never want to have a baby ever again.

0:30:30.120 --> 0:30:35.520
<v Speaker 1>And so we get to Quinn and Puck. Quinn's like,

0:30:35.600 --> 0:30:37.680
<v Speaker 1>what are you doing on Friday? And books like no,

0:30:38.600 --> 0:30:41.800
<v Speaker 1>and then she's like, your baby sitting with me, and

0:30:41.840 --> 0:30:46.800
<v Speaker 1>so they baby said, uh, Kendra's triplets, the Gin, the

0:30:46.880 --> 0:30:51.000
<v Speaker 1>Gingi Lloyds, and um. Puck actually comes up with the

0:30:51.040 --> 0:30:55.520
<v Speaker 1>idea that he's going to play them a song, and

0:30:56.080 --> 0:30:59.720
<v Speaker 1>Quinna's Papa don't preach, yeah, which sounds great, which I

0:30:59.800 --> 0:31:03.280
<v Speaker 1>love this cover. She sounds great. It's just that she

0:31:03.320 --> 0:31:05.760
<v Speaker 1>has to sting to three small children. Yeah, it's definitely

0:31:05.800 --> 0:31:09.840
<v Speaker 1>a weird scene and isn't there God bless her for

0:31:09.880 --> 0:31:12.520
<v Speaker 1>doing that, because I would not want to be shooting.

0:31:13.120 --> 0:31:16.280
<v Speaker 1>She sold that they were great together. It's definitely weird,

0:31:16.360 --> 0:31:22.120
<v Speaker 1>Like Pucks when I can tell anything, she can Um

0:31:22.360 --> 0:31:24.840
<v Speaker 1>isn't like Puck hit one of the kids or something.

0:31:24.880 --> 0:31:28.000
<v Speaker 1>And I think there's an edit also where the kids

0:31:28.040 --> 0:31:31.280
<v Speaker 1>aren't even in it. It's some weird. The scene is

0:31:31.400 --> 0:31:36.080
<v Speaker 1>a bit strange. But when Kendra and Terry come home, um,

0:31:36.120 --> 0:31:39.160
<v Speaker 1>they find all the they find the triplets asleep in

0:31:39.240 --> 0:31:44.479
<v Speaker 1>bed and notice that they've been bathed, and Kendrew and

0:31:44.560 --> 0:31:48.920
<v Speaker 1>kid just like, what are you an exorcist? It's very good.

0:31:48.960 --> 0:31:52.240
<v Speaker 1>So she so, you know, Quentin Puck sort of nail

0:31:52.320 --> 0:31:58.080
<v Speaker 1>it and it's like can we do this together? But simultaneously, meanwhile,

0:31:59.160 --> 0:32:03.080
<v Speaker 1>that's right, that's right. We've got um Phil Kendraw's husband,

0:32:03.120 --> 0:32:06.200
<v Speaker 1>poor husband, Um saying that the Blue Bomber can't have

0:32:06.240 --> 0:32:09.120
<v Speaker 1>a car seat. It doesn't have the adjustable straps or whatever,

0:32:09.640 --> 0:32:13.120
<v Speaker 1>um or the attachments. And it's Scott Will thinking and

0:32:13.160 --> 0:32:16.800
<v Speaker 1>he's like, oh my god, Um. And now Quentin Pucker

0:32:16.880 --> 0:32:21.240
<v Speaker 1>thinking like, okay, we can do this right here comes

0:32:21.240 --> 0:32:29.720
<v Speaker 1>Santana Nia has like snakes Yeah it happened and it

0:32:30.280 --> 0:32:37.600
<v Speaker 1>oh good. Um. So during the babysitting, they're trying to

0:32:37.640 --> 0:32:41.640
<v Speaker 1>get out of their little like uh, you know, jump rope,

0:32:41.640 --> 0:32:44.720
<v Speaker 1>handcuffs and um. Quinn's like what are you doing? And

0:32:44.840 --> 0:32:49.080
<v Speaker 1>Pucks like, oh, I'm I'm texting with Mike Chang and

0:32:49.960 --> 0:32:53.840
<v Speaker 1>little do we know that, uh he's actually sexty with

0:32:53.920 --> 0:32:58.800
<v Speaker 1>Santana and Snakesy comes out and she's like, guess what

0:32:58.960 --> 0:33:03.000
<v Speaker 1>I was sexting? Check her, check his phone. All the

0:33:03.000 --> 0:33:09.160
<v Speaker 1>references like the nineties, this is great, great monologue she's

0:33:09.360 --> 0:33:11.320
<v Speaker 1>and she and I think this is when they were like,

0:33:11.360 --> 0:33:14.760
<v Speaker 1>oh we've got something here, like oh, we gave her

0:33:14.840 --> 0:33:18.720
<v Speaker 1>one scene and she just smashed it, nailed it. Yeah exactly.

0:33:20.400 --> 0:33:23.000
<v Speaker 1>So we get to Quinn and she confronts Puck and

0:33:23.040 --> 0:33:27.200
<v Speaker 1>she's like, Okay, I'm like I knew you're you lied

0:33:27.240 --> 0:33:30.720
<v Speaker 1>to me, and now like you know, you think you're gonna,

0:33:31.280 --> 0:33:33.560
<v Speaker 1>you know, raise this baby together when you can't even

0:33:33.720 --> 0:33:36.400
<v Speaker 1>you know, be honest with me and not sext all

0:33:36.480 --> 0:33:40.040
<v Speaker 1>these different girls. And I want to be the dad,

0:33:40.040 --> 0:33:42.880
<v Speaker 1>but I'm not going to change who I am. When

0:33:42.920 --> 0:33:44.960
<v Speaker 1>also it was like you've only given it to me once,

0:33:46.280 --> 0:33:49.800
<v Speaker 1>which I was like, okay, added to the list of

0:33:50.000 --> 0:33:55.600
<v Speaker 1>things for this episode the list, um. And so then

0:33:55.960 --> 0:33:57.720
<v Speaker 1>cut to Quinn being like, I changed my mind, you

0:33:57.720 --> 0:34:01.280
<v Speaker 1>can have a baby, and surprised Harry that he sells

0:34:01.280 --> 0:34:05.000
<v Speaker 1>the Blue Bomber, gets a minivan. Wish. That minivan is

0:34:05.040 --> 0:34:07.080
<v Speaker 1>like the minivan that you used to have in that

0:34:07.240 --> 0:34:11.439
<v Speaker 1>house set. Um, those like the play school house set.

0:34:12.239 --> 0:34:13.880
<v Speaker 1>I don't know if you had this, but it's like

0:34:13.920 --> 0:34:16.840
<v Speaker 1>the little toys. And there was the van. I was like,

0:34:16.840 --> 0:34:25.840
<v Speaker 1>I know that van exactly, um. And she's like you think, well,

0:34:25.840 --> 0:34:28.160
<v Speaker 1>it's going to make a good dad, and Terry's like, yeah,

0:34:28.200 --> 0:34:31.520
<v Speaker 1>I do. And then Quinn hugs Will on the way out,

0:34:31.560 --> 0:34:33.520
<v Speaker 1>which is very sweet. I thought that was a really

0:34:33.520 --> 0:34:37.680
<v Speaker 1>sweet moment, inappropriate but sweet, but didn't It didn't feel

0:34:37.719 --> 0:34:43.080
<v Speaker 1>creepy or inappropriate, like she knows exactly. So then we

0:34:43.120 --> 0:34:46.640
<v Speaker 1>came to this other business. Um. As you said earlier,

0:34:46.719 --> 0:34:51.279
<v Speaker 1>Quinn gets Kurt to give Rachel a makeover and he's like,

0:34:51.360 --> 0:34:57.439
<v Speaker 1>my men makeovers are like cracked to me, and um Rachel,

0:34:57.480 --> 0:35:00.160
<v Speaker 1>who last week was obsessed with Mr Shoot and it's

0:35:00.160 --> 0:35:04.200
<v Speaker 1>to Kurt that she loves Finn, and then Kurt is like,

0:35:04.480 --> 0:35:10.040
<v Speaker 1>hm hmm, that's not great. So he decides like, well,

0:35:10.080 --> 0:35:18.239
<v Speaker 1>you know who Finn likes. He likes um sexy looking girls, um,

0:35:18.280 --> 0:35:21.400
<v Speaker 1>and so he gets her made up like really sexy,

0:35:21.520 --> 0:35:24.319
<v Speaker 1>saying this exactly Finn's gonna want. And then the next

0:35:24.360 --> 0:35:26.600
<v Speaker 1>day this sort of reminded me of the last season

0:35:26.600 --> 0:35:33.680
<v Speaker 1>of Euphoria, very different, but she walks down um dressed

0:35:33.840 --> 0:35:37.840
<v Speaker 1>like she's sort of in grease. It walks past Finn,

0:35:37.880 --> 0:35:40.160
<v Speaker 1>and finns like staring at her and staring at her

0:35:40.200 --> 0:35:44.759
<v Speaker 1>boobs and mm hmm. Then makes fans with him to

0:35:45.160 --> 0:35:48.040
<v Speaker 1>work on a song on Friday with him to help

0:35:48.040 --> 0:35:51.480
<v Speaker 1>with the wig. She's like, how about the one from

0:35:51.520 --> 0:35:54.839
<v Speaker 1>Greece that we did in the pilot and then Finn

0:35:54.920 --> 0:35:58.240
<v Speaker 1>tells us the same recording. And then Finn tells Quinn

0:35:58.800 --> 0:36:01.600
<v Speaker 1>he's busy Friday, which she's fine with because she has

0:36:01.640 --> 0:36:07.560
<v Speaker 1>been a babysit with Puck Messy. Mm hmmm another distraction. Yeah,

0:36:07.600 --> 0:36:09.879
<v Speaker 1>Finn and Rachel are in the bedroom working on the song.

0:36:10.280 --> 0:36:12.840
<v Speaker 1>She comes out and she looks like Sandy from Greece,

0:36:13.040 --> 0:36:17.479
<v Speaker 1>like it's the curly hair. She's so over the top.

0:36:18.600 --> 0:36:22.759
<v Speaker 1>They start It's all there, and she starts singing it

0:36:23.120 --> 0:36:27.080
<v Speaker 1>in her little boom box, which I love a little.

0:36:27.840 --> 0:36:29.840
<v Speaker 1>Finn stops and goes, I'm going to say this as

0:36:29.920 --> 0:36:31.640
<v Speaker 1>nice as I possibly can, but you look like a

0:36:31.640 --> 0:36:38.760
<v Speaker 1>sad clown hooker, which is great, and it's what a line.

0:36:39.120 --> 0:36:42.239
<v Speaker 1>And as she's as he's rejecting her, she's like, I

0:36:42.320 --> 0:36:43.919
<v Speaker 1>thought you liked this, and he's like, no, I don't.

0:36:43.960 --> 0:36:46.080
<v Speaker 1>I was actually just having this conversation with Kurt the

0:36:46.080 --> 0:36:52.440
<v Speaker 1>other day and light bulb like oh okay. So then

0:36:53.000 --> 0:36:56.399
<v Speaker 1>the next day she confronts Kurt and it's like, you

0:36:56.440 --> 0:36:58.480
<v Speaker 1>like Finn too, that's why you set me up like this,

0:36:58.840 --> 0:37:02.640
<v Speaker 1>and Kurt's like, let me tell you something. Neither of

0:37:02.719 --> 0:37:04.680
<v Speaker 1>us have a chance. Finn loves Quinn and they're having

0:37:04.719 --> 0:37:09.280
<v Speaker 1>a baby, and then Rachel goes, I thought. Rachel says

0:37:10.880 --> 0:37:13.439
<v Speaker 1>I thought we were friends, and Kurt says, what made

0:37:13.440 --> 0:37:20.120
<v Speaker 1>you think that, which is funny um, and then Finn

0:37:20.120 --> 0:37:24.240
<v Speaker 1>admits that yeah, he was like uh. Quinn and Finn

0:37:24.320 --> 0:37:26.560
<v Speaker 1>have this nice scene where they apologize to each other

0:37:27.280 --> 0:37:30.160
<v Speaker 1>and they're gonna, you know, they're gonna do this together, right,

0:37:30.200 --> 0:37:33.120
<v Speaker 1>They're gonna have the baby, and um, she's like, can

0:37:33.160 --> 0:37:35.400
<v Speaker 1>we be in love again? And he's like, look, if

0:37:35.440 --> 0:37:37.160
<v Speaker 1>we're going to do this, I'm gonna be completely honest

0:37:37.160 --> 0:37:39.239
<v Speaker 1>with you, even though nothing really happened at all, but

0:37:39.360 --> 0:37:44.080
<v Speaker 1>that I was with Rachel on Friday and uh, and

0:37:44.120 --> 0:37:47.000
<v Speaker 1>then Quentin Finn walked on the hallway together. They're back together.

0:37:47.560 --> 0:37:50.200
<v Speaker 1>They passed Rachel and Kurt, who are everybody's in love

0:37:50.239 --> 0:37:53.879
<v Speaker 1>with Fin? I guess and um we get sad looking

0:37:53.920 --> 0:38:00.520
<v Speaker 1>waves from curtain Rachel and that's um pretty much. Yeah,

0:38:00.719 --> 0:38:13.360
<v Speaker 1>hiography is right, it is. Should we do some party takes,

0:38:13.640 --> 0:38:20.280
<v Speaker 1>tarty takes? Yeah, let's do it. Okay, cringe a cheese

0:38:20.640 --> 0:38:25.560
<v Speaker 1>cheese out cheese. Um. I have to say, as much

0:38:25.600 --> 0:38:29.280
<v Speaker 1>as I bought it, the Papa, don't preach to the triple,

0:38:29.320 --> 0:38:34.439
<v Speaker 1>it's made me really cringe. E. I mean I thought

0:38:34.480 --> 0:38:38.320
<v Speaker 1>there was quite a bit. There was the whole portrayal

0:38:38.400 --> 0:38:45.720
<v Speaker 1>of Jane Adams Academy, some of the um death school

0:38:46.400 --> 0:38:53.040
<v Speaker 1>things that my dread, my dreads, Um, the hierography thing,

0:38:53.200 --> 0:38:57.359
<v Speaker 1>it's like cool epilepsy. There's you know, there's a lot

0:38:58.320 --> 0:39:03.920
<v Speaker 1>um worst dance move. I mean we were like humping

0:39:04.320 --> 0:39:10.319
<v Speaker 1>in crazy in love and hair like it was wild. Well,

0:39:10.360 --> 0:39:12.399
<v Speaker 1>the inappropriate, which I think was the point. I think

0:39:12.440 --> 0:39:15.160
<v Speaker 1>it was the point was it supposed to be inappropriate? Um?

0:39:15.360 --> 0:39:17.560
<v Speaker 1>And I think we talked about best dance move, which

0:39:17.560 --> 0:39:20.320
<v Speaker 1>obviously would have been Jane Adams Academy jumping into the splits.

0:39:22.000 --> 0:39:25.640
<v Speaker 1>Yeah yeah, yeah, jump splits, mlits, booty jump splits. And

0:39:25.680 --> 0:39:31.359
<v Speaker 1>then best song the song, the song. Oh that's all nice.

0:39:31.400 --> 0:39:34.400
<v Speaker 1>I was going to say, imagine, you're just really you

0:39:34.800 --> 0:39:38.560
<v Speaker 1>deserve your moment, you know it in some time, and

0:39:38.640 --> 0:39:42.320
<v Speaker 1>you sound so good and it will be some time again,

0:39:42.400 --> 0:39:51.960
<v Speaker 1>so we'll take it best performance by a proper um.

0:39:52.080 --> 0:39:55.560
<v Speaker 1>I think about this first yeah you know, yeah, it

0:39:55.640 --> 0:39:59.640
<v Speaker 1>wasn't there, no no, And the women's hair is you

0:39:59.680 --> 0:40:04.879
<v Speaker 1>know that's appropriate? So um okay, I didn't edge well

0:40:04.920 --> 0:40:06.920
<v Speaker 1>in h well, I mean the same as cringe moments.

0:40:08.040 --> 0:40:11.440
<v Speaker 1>A lot of episodes not age well. I think I

0:40:11.480 --> 0:40:15.720
<v Speaker 1>think like the collective other, like the Scrimmages, like the group,

0:40:15.719 --> 0:40:18.200
<v Speaker 1>the other glee clubs, the whole thing was a little

0:40:18.360 --> 0:40:27.799
<v Speaker 1>off off the mark. Um okay. And best quote okay,

0:40:27.960 --> 0:40:32.839
<v Speaker 1>so one of them is for me Kurt who says

0:40:32.920 --> 0:40:35.440
<v Speaker 1>Rachel manages to dress like a grandmother and a toddler.

0:40:38.680 --> 0:40:41.640
<v Speaker 1>I love it. It's very funny. It's very funny. I

0:40:41.680 --> 0:40:44.080
<v Speaker 1>like when you have to see it with the prop.

0:40:44.239 --> 0:40:48.760
<v Speaker 1>But when Sue is talking to Will in the beginning

0:40:48.880 --> 0:40:50.959
<v Speaker 1>and she has the magazine on the table and she's like, Will,

0:40:51.880 --> 0:40:58.920
<v Speaker 1>I'd like a magazine back. I thought that was really good. Okay,

0:40:58.960 --> 0:41:05.360
<v Speaker 1>are you ready, Jenna, I'm ready. Okay, So this TikTok

0:41:06.560 --> 0:41:09.319
<v Speaker 1>is let me send it to you. Pull it up.

0:41:10.280 --> 0:41:15.959
<v Speaker 1>It is from Slackers Tragedy and they are showing off

0:41:16.840 --> 0:41:23.719
<v Speaker 1>all of the glee merch they have. It is crazy.

0:41:24.200 --> 0:41:27.319
<v Speaker 1>It is two and a half minutes long. Did you

0:41:27.360 --> 0:41:30.440
<v Speaker 1>know the stuff existed? Not? No, I'm looking at the

0:41:30.480 --> 0:41:34.120
<v Speaker 1>script right now. Okay, I get that. There's a tissue box,

0:41:34.320 --> 0:41:40.520
<v Speaker 1>the trivia box we were in, a magic eight ball.

0:41:40.719 --> 0:41:46.120
<v Speaker 1>I've never seen this magic before. It's really funny. Um.

0:41:46.239 --> 0:41:50.120
<v Speaker 1>I can't believe. I just want to know, like how

0:41:50.200 --> 0:41:55.759
<v Speaker 1>much money they spent on this? Oh my gosh, Like

0:41:55.920 --> 0:42:00.840
<v Speaker 1>it's really it's a little karaoke revolution and there's a

0:42:00.840 --> 0:42:06.439
<v Speaker 1>fake slushy Kevin, did you ever get Wow? We had

0:42:06.520 --> 0:42:09.360
<v Speaker 1>an award that was made for us from the O

0:42:09.560 --> 0:42:11.600
<v Speaker 1>two because we sold out the O two for two

0:42:11.640 --> 0:42:13.520
<v Speaker 1>weeks in a row. That was like a trophy. It

0:42:13.600 --> 0:42:16.839
<v Speaker 1>was a slushy. I never got mine. I never got

0:42:16.840 --> 0:42:20.399
<v Speaker 1>mine either. There was also a plaque we got for

0:42:20.680 --> 0:42:23.719
<v Speaker 1>selling a certain number of albums in the UK. We

0:42:23.760 --> 0:42:25.439
<v Speaker 1>took pictures with it, but I didn't get that either.

0:42:26.840 --> 0:42:30.960
<v Speaker 1>The comic book. I remember that plaque. There's a comic

0:42:30.960 --> 0:42:33.279
<v Speaker 1>book and we all look very scary in it. I

0:42:33.320 --> 0:42:38.600
<v Speaker 1>can't believe. Oh my gosh, this is crazy. That's amazing. Wow,

0:42:39.280 --> 0:42:42.279
<v Speaker 1>very cool, very very cool. So I was going through

0:42:42.280 --> 0:42:46.799
<v Speaker 1>some of my things yesterday and I realized that do

0:42:46.840 --> 0:42:50.840
<v Speaker 1>you remember when that Glee karaoke game came out on We? Yeah?

0:42:51.280 --> 0:42:55.680
<v Speaker 1>M hm. So I see that they have the WE game.

0:42:56.760 --> 0:43:01.719
<v Speaker 1>I have the actual physical that they gifted us with

0:43:01.800 --> 0:43:06.200
<v Speaker 1>our faces on it, and I feel like this person

0:43:06.480 --> 0:43:11.680
<v Speaker 1>needs that as part of their collection. So if there

0:43:11.760 --> 0:43:17.160
<v Speaker 1>is a way to send this Glee we to psycher strategy.

0:43:17.200 --> 0:43:20.439
<v Speaker 1>If you want, oh my god, there's a coloring book

0:43:20.440 --> 0:43:22.600
<v Speaker 1>to you guys, guys see this video. Um, we will

0:43:22.640 --> 0:43:27.799
<v Speaker 1>be posting these. Kevin, are you giving away your weed?

0:43:27.840 --> 0:43:31.839
<v Speaker 1>Is lack of strategy? Yes, I think that's really nice.

0:43:31.880 --> 0:43:34.960
<v Speaker 1>If anyone deserves it. It is this person. Are you

0:43:35.040 --> 0:43:39.440
<v Speaker 1>kidding me? Yeah, like they have things. This video is

0:43:39.440 --> 0:43:41.680
<v Speaker 1>still going on. I'm sorry I'm talking over this whole time,

0:43:41.719 --> 0:43:47.480
<v Speaker 1>but I don't know. That's amazing. UM. So I think

0:43:48.280 --> 0:43:51.440
<v Speaker 1>as a as a thank you to the dedication of collection,

0:43:52.200 --> 0:43:59.080
<v Speaker 1>here's one more thing, so we'll find a way to Kevin. Wow,

0:43:59.520 --> 0:44:04.840
<v Speaker 1>that's fine in um, thanks for sharing. That was a

0:44:04.920 --> 0:44:14.400
<v Speaker 1>fun one the ticnoks you mean yeah, Um, next week's

0:44:14.400 --> 0:44:17.080
<v Speaker 1>episode is actually really fun. We have a lot of

0:44:17.120 --> 0:44:25.760
<v Speaker 1>stories of about the Mattress store in the episode Mattress Um.

0:44:25.800 --> 0:44:29.560
<v Speaker 1>I believe this was Ian's first his directorial debut with

0:44:29.800 --> 0:44:33.200
<v Speaker 1>the show. Does he directed? I could be wrong, I

0:44:33.200 --> 0:44:37.319
<v Speaker 1>think so we'll know next week. It Yeah, We'll come

0:44:37.400 --> 0:44:39.040
<v Speaker 1>come back next week to find out if I'm right

0:44:39.120 --> 0:44:42.720
<v Speaker 1>or wrong and my memories um off or on um.

0:44:42.760 --> 0:44:46.879
<v Speaker 1>But thanks for recapping with us hierography and hanging out

0:44:46.920 --> 0:44:49.920
<v Speaker 1>with us again. Thanks for sending in those TikTok's for

0:44:50.040 --> 0:44:53.640
<v Speaker 1>Kevin and see you next week. That's what you really

0:44:53.640 --> 0:44:58.120
<v Speaker 1>missed many thanks for listening and follow us on Instagram

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<v Speaker 1>at and that's what you really miss pod. Make sure

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<v Speaker 1>to write us a review and leave us five stars.

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<v Speaker 1>See you next time.