1 00:00:01,800 --> 00:00:05,200 Speaker 1: And that's what you really missed with Jenna and Kevin 2 00:00:05,559 --> 00:00:12,160 Speaker 1: and I heart radio podcast. Welcome, Welcome back, We're back. 3 00:00:12,160 --> 00:00:18,599 Speaker 1: We're backtally exclusively too, and that's what you really miss podcast. Hello, 4 00:00:20,360 --> 00:00:27,000 Speaker 1: that's Jenna. I'm Jenna, and I'm Kevin. That's Kevin. Today 5 00:00:27,440 --> 00:00:32,159 Speaker 1: we're gonna be talking about hiography, haterography and this is 6 00:00:32,400 --> 00:00:39,560 Speaker 1: all Ryan Murphy. What all right? An interesting episode? That's 7 00:00:39,760 --> 00:00:43,480 Speaker 1: you know, Ryan loves terography though, like actually loves hiography. 8 00:00:43,600 --> 00:00:46,080 Speaker 1: Every time Ryan would direct an episode and be like, 9 00:00:46,240 --> 00:00:51,680 Speaker 1: flip your hair more yes, the act of actual literally 10 00:00:51,720 --> 00:00:56,000 Speaker 1: doing hiography. He's a big fan of so Jenna. The 11 00:00:56,080 --> 00:01:01,520 Speaker 1: number one song on November Empire state of Mind, jay 12 00:01:01,600 --> 00:01:05,200 Speaker 1: Z and Relisha Keys and the last episode it was 13 00:01:05,240 --> 00:01:08,440 Speaker 1: what You Say by Jason Derulo. This song Empire state 14 00:01:08,480 --> 00:01:15,640 Speaker 1: of Mind. We were obsessed with obsessed, on set, obsessed everybody. 15 00:01:16,120 --> 00:01:17,600 Speaker 1: I mean, it ended up and I'm so glad we 16 00:01:17,640 --> 00:01:20,360 Speaker 1: did it ended up on tour and on tours are Encore. 17 00:01:20,840 --> 00:01:25,480 Speaker 1: That's my favorite Encore song. Um okay, so wait you 18 00:01:25,480 --> 00:01:30,240 Speaker 1: didn't like originally aired you want to Fight? I love 19 00:01:30,280 --> 00:01:36,199 Speaker 1: Safety Dance? Would you like True Colors? I love True Colors? Okay, 20 00:01:36,200 --> 00:01:40,720 Speaker 1: we when did this original air? Originally aired November, so 21 00:01:40,760 --> 00:01:43,720 Speaker 1: Empire State of Mind was the number one song. The 22 00:01:43,800 --> 00:01:49,560 Speaker 1: number one movie was the Twilight saga New Moon. Hm, 23 00:01:50,600 --> 00:01:52,960 Speaker 1: oh my gosh. Do you remember when we went to 24 00:01:53,040 --> 00:01:57,440 Speaker 1: this premiere? I feel like that was the biggest premiere 25 00:01:57,880 --> 00:02:02,440 Speaker 1: I had been to at that point. Yes, and fun fact, yes, 26 00:02:02,720 --> 00:02:06,320 Speaker 1: where this premiere was was at the same theater where 27 00:02:06,360 --> 00:02:10,200 Speaker 1: we had the Glee three D movie premiere, and so 28 00:02:10,400 --> 00:02:14,960 Speaker 1: that's right. A couple years later, that gigantic, crazy, frenzied 29 00:02:14,960 --> 00:02:18,840 Speaker 1: red carpet was for us. It was very Yeah, that 30 00:02:19,000 --> 00:02:24,239 Speaker 1: was wild too, that's right. The craziest thing was that 31 00:02:24,320 --> 00:02:31,000 Speaker 1: red carpet for Twilight. Those fans are so dedicated and 32 00:02:32,360 --> 00:02:37,280 Speaker 1: so obsessed, obsessed. I've never liked any climb that much. 33 00:02:39,240 --> 00:02:43,440 Speaker 1: They truly they. I remember they were saying that they 34 00:02:43,480 --> 00:02:46,400 Speaker 1: slept there for like a week to line up to 35 00:02:46,480 --> 00:02:49,320 Speaker 1: get to the front of that carpet, and it was 36 00:02:49,320 --> 00:02:51,600 Speaker 1: one of the biggest carpets we had ever done. But 37 00:02:51,639 --> 00:02:54,560 Speaker 1: they were like, get there early because as soon as 38 00:02:54,600 --> 00:02:56,760 Speaker 1: the stars started to arrive, it's going to get wild, 39 00:02:56,880 --> 00:02:59,000 Speaker 1: so get there early. So I remember getting there early. 40 00:02:59,360 --> 00:03:01,560 Speaker 1: We got there like five o'clock in the movie screening 41 00:03:01,600 --> 00:03:07,960 Speaker 1: wasn't until like eight, and we waited. We were just 42 00:03:07,960 --> 00:03:10,120 Speaker 1: like standing around watching things. Did anyone know who we 43 00:03:10,120 --> 00:03:13,880 Speaker 1: were on the carpet? No? Not really. But then also 44 00:03:14,360 --> 00:03:16,800 Speaker 1: more importantly, do you remember that there were two different 45 00:03:16,800 --> 00:03:20,400 Speaker 1: screenings of the movie, two different rooms. We weren't even 46 00:03:20,520 --> 00:03:23,679 Speaker 1: with the cast. We were actually in a separate screening room. 47 00:03:24,040 --> 00:03:28,120 Speaker 1: That's absolutely correct. You're like, oh, cool, cool. Half of 48 00:03:28,160 --> 00:03:30,399 Speaker 1: the people going that way and we're going this way. 49 00:03:31,000 --> 00:03:32,680 Speaker 1: I remember too, this is one of the first times 50 00:03:32,680 --> 00:03:36,640 Speaker 1: I had got gotten like free clothes or something like 51 00:03:37,600 --> 00:03:42,040 Speaker 1: man like sent me some suits and it didn't properly fit, 52 00:03:42,200 --> 00:03:44,240 Speaker 1: and it was like this red, shiny suit and I 53 00:03:44,240 --> 00:03:48,320 Speaker 1: thought it was so cool. And wait a second, no, 54 00:03:48,440 --> 00:03:52,120 Speaker 1: don't google it. Um. So the second, the number two 55 00:03:52,160 --> 00:03:56,400 Speaker 1: movie of this UM this week was The Blindside with 56 00:03:56,440 --> 00:03:59,880 Speaker 1: Sandra Bullock, which I still love that movie. Oscar winning 57 00:04:00,000 --> 00:04:07,920 Speaker 1: Mormons excellent, excellent, excellent paragraphy. This episode, there's a lot 58 00:04:07,960 --> 00:04:12,640 Speaker 1: of music UM that sort of runs the gamut of genre. 59 00:04:14,400 --> 00:04:17,440 Speaker 1: We get a call back to Grace the Grease number, 60 00:04:18,480 --> 00:04:22,600 Speaker 1: and we have a new director, rum Bill Jeliah, who 61 00:04:23,320 --> 00:04:27,680 Speaker 1: was a man of many, many shows, directed many many 62 00:04:27,720 --> 00:04:30,640 Speaker 1: shows before us. UM. He also showed up in the suits. 63 00:04:31,320 --> 00:04:33,719 Speaker 1: We talked about Eric Stolt's showing up in seats. Um. 64 00:04:34,000 --> 00:04:37,680 Speaker 1: Bill Delia showed up in a suit, always very professional, 65 00:04:38,000 --> 00:04:40,200 Speaker 1: and I was kind of scared of Bill. I was 66 00:04:40,240 --> 00:04:44,080 Speaker 1: definitely scared of Bill, and he was so sweet, but 67 00:04:44,080 --> 00:04:47,320 Speaker 1: it was like the sweetest big air. He was very tall, 68 00:04:47,400 --> 00:04:51,760 Speaker 1: he had like the big stature and serious shows and 69 00:04:52,360 --> 00:04:57,880 Speaker 1: a lot of grays anatomy. Okay, um this aired. This 70 00:04:57,960 --> 00:05:05,320 Speaker 1: episode aired the night before Thanksgiving, and I I feel 71 00:05:05,320 --> 00:05:09,880 Speaker 1: like I watched this with my family. I probably did too, 72 00:05:09,880 --> 00:05:14,240 Speaker 1: I don't remember. I think I did. Remember. We must have, right, 73 00:05:14,320 --> 00:05:17,480 Speaker 1: this is it was new, it was you know, fresh, 74 00:05:17,600 --> 00:05:20,400 Speaker 1: everybody we would have been flying in that day probably. 75 00:05:23,760 --> 00:05:26,560 Speaker 1: I mean my family always watched the show every single week, 76 00:05:26,839 --> 00:05:32,080 Speaker 1: so I feel like getting full. They could have done 77 00:05:32,080 --> 00:05:36,600 Speaker 1: a podcast. My parents still have their ringtones as some 78 00:05:36,680 --> 00:05:40,520 Speaker 1: of my songs from Glee. Still. Yes, we'll be out 79 00:05:40,520 --> 00:05:45,000 Speaker 1: in public, like over this past Christmas holiday break. It's embarrassing. Yes, 80 00:05:45,040 --> 00:05:47,640 Speaker 1: it's really. One of them has let it be and 81 00:05:47,680 --> 00:05:52,359 Speaker 1: the other one has p y T and they you know, 82 00:05:52,600 --> 00:05:56,320 Speaker 1: they are a little older, and so they have those 83 00:05:56,680 --> 00:06:01,839 Speaker 1: Ringers on full blast loud. That's right, it's I go 84 00:06:01,880 --> 00:06:04,200 Speaker 1: back to being sixteen and so embarrassed by my parents. 85 00:06:04,880 --> 00:06:09,919 Speaker 1: It's not great. Let me they're still hanging onto that, 86 00:06:09,960 --> 00:06:12,640 Speaker 1: my parents still hanging That was likely stuff too'm my gleat, 87 00:06:12,640 --> 00:06:19,360 Speaker 1: I go, um, we have a shoutout to what so 88 00:06:19,560 --> 00:06:21,719 Speaker 1: tell me serious thing. Dad ended up in a hospital 89 00:06:21,760 --> 00:06:27,480 Speaker 1: with COVID pneumonius now currently but yeah, he's doing all right. 90 00:06:28,480 --> 00:06:30,560 Speaker 1: But he brought up he asked the nurses if they 91 00:06:30,600 --> 00:06:34,760 Speaker 1: watched Glee. You know my parents do that everywhere too. 92 00:06:35,800 --> 00:06:40,520 Speaker 1: This is so long ago. My mom had uh paramedics 93 00:06:40,520 --> 00:06:43,120 Speaker 1: come to the house recently. She's okay, and um, they 94 00:06:43,160 --> 00:06:45,680 Speaker 1: saw the plaques that I've given them. I've gifted them 95 00:06:45,720 --> 00:06:48,960 Speaker 1: some of our Glee music plaques because there's just too many. 96 00:06:49,000 --> 00:06:51,480 Speaker 1: I honestly cant have them on all my walls either, 97 00:06:51,760 --> 00:06:55,479 Speaker 1: So I gave one to my parents and the the 98 00:06:55,520 --> 00:06:59,680 Speaker 1: guy from the fire house was like, yeah, you guys 99 00:06:59,720 --> 00:07:04,640 Speaker 1: just like pick fans of Glee. But see, at least 100 00:07:04,680 --> 00:07:08,200 Speaker 1: they were asked no, no, they asked yeah, that's fright. 101 00:07:08,279 --> 00:07:10,880 Speaker 1: But my mom's like, no, my daughter was on the show. 102 00:07:10,880 --> 00:07:13,280 Speaker 1: And they're like, oh my God, can I tell my 103 00:07:13,320 --> 00:07:18,840 Speaker 1: mom my daughter, this is very cute you I thought 104 00:07:18,880 --> 00:07:23,440 Speaker 1: it was a star. Um. Wait, that's really funny though 105 00:07:23,600 --> 00:07:27,080 Speaker 1: that your dad asked if he just volunteers, he's like 106 00:07:27,120 --> 00:07:28,480 Speaker 1: in the middle. He does he think he's going to 107 00:07:28,520 --> 00:07:31,920 Speaker 1: get special treatment. No, he just as my mom said, 108 00:07:32,240 --> 00:07:34,640 Speaker 1: he would talk to the wall. He just talks to 109 00:07:34,720 --> 00:07:38,120 Speaker 1: everyone and tries to find some common ground and likes 110 00:07:38,120 --> 00:07:43,080 Speaker 1: to talk to him, you know. Um back on track. 111 00:07:44,680 --> 00:07:47,080 Speaker 1: Shout out to East Middo Fire Department. By the way, 112 00:07:47,480 --> 00:07:50,200 Speaker 1: So our hair department was nominated for this episode for 113 00:07:50,240 --> 00:07:56,920 Speaker 1: the sixty second Emmy Awards. With all these wis Oh 114 00:07:57,000 --> 00:07:59,360 Speaker 1: that's right, Oh my gosh, so many wigs and like 115 00:07:59,560 --> 00:08:05,440 Speaker 1: bumping and things. Um okay, So one of our dear 116 00:08:05,480 --> 00:08:08,360 Speaker 1: dear friends is in this episode and who is a 117 00:08:08,400 --> 00:08:13,320 Speaker 1: Glee writer and still our dear friend, Michaeldgecock who that 118 00:08:13,480 --> 00:08:16,960 Speaker 1: scene is probably the highlight of this episode for me, 119 00:08:17,080 --> 00:08:19,560 Speaker 1: and he and Jane Lyncher were united after they've been 120 00:08:19,560 --> 00:08:24,440 Speaker 1: in a billion movies together, and that was great to say. Um. 121 00:08:24,520 --> 00:08:27,280 Speaker 1: And this is the part that I guess Ryan had 122 00:08:27,320 --> 00:08:33,480 Speaker 1: thought about Whitney Houston for that he mentioned before. Um, yeah, 123 00:08:35,160 --> 00:08:40,480 Speaker 1: good connect. Kevin, good, connect Jennifer aspen is back. It's great. 124 00:08:41,200 --> 00:08:44,640 Speaker 1: There's a lot happening, Okay, alright, so we gotta we 125 00:08:44,640 --> 00:08:47,880 Speaker 1: had a little a little Fox teaser here. Um the 126 00:08:47,880 --> 00:08:50,560 Speaker 1: Glee Club learns how to move in a whole new 127 00:08:50,640 --> 00:09:00,439 Speaker 1: way doing um. Will meets the sectionals competition, including Eve Hitchcock, 128 00:09:01,360 --> 00:09:05,679 Speaker 1: Um Quinn test test drives a baby, Daddy takes it 129 00:09:05,720 --> 00:09:09,040 Speaker 1: for a spin, and Rachel makes her a big play 130 00:09:09,080 --> 00:09:14,920 Speaker 1: for Finn, you know, all the cats away and some 131 00:09:15,000 --> 00:09:20,000 Speaker 1: other motives behind helping her get Finn. Hum. And then 132 00:09:20,000 --> 00:09:22,200 Speaker 1: there's this really fun fact from from the gleewick key 133 00:09:22,320 --> 00:09:27,840 Speaker 1: Kevin that the word distract, distracted, distraction is said twenty 134 00:09:27,960 --> 00:09:33,439 Speaker 1: times throughout this episode. Who did this? Who found this? 135 00:09:34,160 --> 00:09:40,800 Speaker 1: Who counted? And also, I'm worrying for you, surely. But 136 00:09:40,880 --> 00:09:47,160 Speaker 1: that's good, it is very good. That is weird? Why 137 00:09:47,840 --> 00:09:50,280 Speaker 1: who don't know? Who do we even ask about that? 138 00:09:50,640 --> 00:09:53,520 Speaker 1: What is what? I don't know? How does that happen? 139 00:09:53,559 --> 00:09:57,720 Speaker 1: I really don't know. That's strange. There's a quote from 140 00:09:57,760 --> 00:10:01,840 Speaker 1: The Entertainment Weekly about this episode, like their recap article, 141 00:10:02,720 --> 00:10:09,400 Speaker 1: this episode opened in a familiar place, suspicion, veil, population will, 142 00:10:11,120 --> 00:10:13,880 Speaker 1: but he's but they're not wrong. Yeah, they're not wrong, 143 00:10:13,960 --> 00:10:16,599 Speaker 1: because weird things are happening. Britney gets caught taking a 144 00:10:16,720 --> 00:10:20,440 Speaker 1: video rehearsal and it says Sylvester didn't tell me to 145 00:10:20,480 --> 00:10:25,280 Speaker 1: do this, and Mr she was sure that Sue is 146 00:10:25,360 --> 00:10:29,360 Speaker 1: linking this that list for sectionals. Um, she was asking 147 00:10:29,400 --> 00:10:31,920 Speaker 1: for the names and zip codes of the other schools, 148 00:10:31,920 --> 00:10:34,480 Speaker 1: the Jane Adams Academy and the Haverbrook School. For I 149 00:10:34,520 --> 00:10:36,560 Speaker 1: was thinking about the pre Google maps where you could 150 00:10:36,600 --> 00:10:38,079 Speaker 1: just punch in the name and I'll give you the 151 00:10:38,160 --> 00:10:41,120 Speaker 1: zip code and all the information. You know. Now, we're 152 00:10:41,120 --> 00:10:45,000 Speaker 1: still in the time, I ask Jeeves. Um. So then 153 00:10:45,000 --> 00:10:49,120 Speaker 1: Emma suggests that Will actually goes to Jane Adams Academy 154 00:10:49,160 --> 00:10:53,079 Speaker 1: and asked the director point blank, what's up? M h. 155 00:10:53,400 --> 00:10:59,240 Speaker 1: And so so we see Eve when we need eat um, 156 00:10:59,360 --> 00:11:02,880 Speaker 1: and she's like, look, I'm trying to raise these kids 157 00:11:02,960 --> 00:11:05,319 Speaker 1: right or like teach these kids did do right. I'm 158 00:11:05,320 --> 00:11:08,360 Speaker 1: not going to like be cheating and like doing all 159 00:11:08,360 --> 00:11:13,360 Speaker 1: this crazy stuff. But um, Mr, she was like, let 160 00:11:13,360 --> 00:11:15,440 Speaker 1: me make this up to you. Sorry, I didn't mean 161 00:11:15,480 --> 00:11:20,880 Speaker 1: to insult you. Um, why don't I invite you to 162 00:11:20,920 --> 00:11:26,360 Speaker 1: calm and scrimmage at McKinley since um Eve Missigan says 163 00:11:26,400 --> 00:11:29,520 Speaker 1: revealed to Will that they can't even they don't even 164 00:11:29,559 --> 00:11:33,400 Speaker 1: have a place to rehearse. The rehearse out in the yard, 165 00:11:33,960 --> 00:11:42,600 Speaker 1: the reck yard, so talk about it was it was smart. 166 00:11:42,880 --> 00:11:46,800 Speaker 1: I sort of had to like close one eye. I 167 00:11:46,880 --> 00:11:49,760 Speaker 1: kind of just like moved past it because I was like, Okay, 168 00:11:49,840 --> 00:11:51,800 Speaker 1: but we have to acknowledge it and learn from our 169 00:11:51,800 --> 00:11:56,400 Speaker 1: mistakes because this is just we don't want it. Um, 170 00:11:56,520 --> 00:11:59,319 Speaker 1: that is true. We didn't write it. So they say yes, 171 00:11:59,360 --> 00:12:02,160 Speaker 1: and the Jane Dam's girls come, which a lot of 172 00:12:02,160 --> 00:12:04,800 Speaker 1: our friends are those dancers. And I also forgot that 173 00:12:05,559 --> 00:12:08,959 Speaker 1: Chelsea from So You Think You Can danced? Um, she's 174 00:12:08,960 --> 00:12:13,400 Speaker 1: in this and I remember being like, it's so um 175 00:12:13,600 --> 00:12:18,199 Speaker 1: star struck by those dancers because I watched you were up. 176 00:12:18,880 --> 00:12:24,520 Speaker 1: I was it was a couple, didn't we Yes? I 177 00:12:24,679 --> 00:12:27,719 Speaker 1: love that show. Yes we did, um and it was 178 00:12:27,760 --> 00:12:29,640 Speaker 1: on Fox. It was like easy to get into. This 179 00:12:29,720 --> 00:12:32,360 Speaker 1: is also been a lot of the dancers game this performance. 180 00:12:32,920 --> 00:12:35,440 Speaker 1: I was just it's so it makes you so happy 181 00:12:35,480 --> 00:12:39,400 Speaker 1: to watch because when you actually have professional dancers who 182 00:12:39,400 --> 00:12:42,240 Speaker 1: can do all the things that you know, the professional 183 00:12:42,280 --> 00:12:46,120 Speaker 1: choreographers each William Brook Clifton wanted them to do unlike us, 184 00:12:46,200 --> 00:12:49,559 Speaker 1: and you have a bunch of people jumping into splits 185 00:12:49,679 --> 00:12:54,080 Speaker 1: and like you're like, oh, that's what you would. And 186 00:12:54,080 --> 00:12:57,960 Speaker 1: also the same point, the Tim Davig Adam Anders making 187 00:12:57,960 --> 00:13:01,640 Speaker 1: this incredible arrangement of the song where they can use 188 00:13:01,679 --> 00:13:03,600 Speaker 1: a billion voices and you actually get to hear sort 189 00:13:03,640 --> 00:13:06,280 Speaker 1: of the people who would normally sing our demos sing 190 00:13:06,320 --> 00:13:09,559 Speaker 1: the leads of these. It it's like it's just a 191 00:13:09,640 --> 00:13:12,480 Speaker 1: dream come true. Because this number was so good. I 192 00:13:12,559 --> 00:13:16,400 Speaker 1: loved watching this. I mean, this number was great and 193 00:13:16,559 --> 00:13:19,040 Speaker 1: it's just so funny. I can imagine Rying being like 194 00:13:19,120 --> 00:13:23,640 Speaker 1: I need this to be all hair flipping, all hierography. Um. 195 00:13:23,679 --> 00:13:27,840 Speaker 1: Those girls were abasing Um. So Mr Sho was freaking 196 00:13:27,880 --> 00:13:30,480 Speaker 1: because Gane Adams is really good and he's like, oh crap, 197 00:13:30,800 --> 00:13:35,000 Speaker 1: we're we're not going to win and Rachel being this 198 00:13:35,080 --> 00:13:38,240 Speaker 1: like weird voice of reason to Mr. Shoot but also 199 00:13:38,280 --> 00:13:40,240 Speaker 1: which I thought was funny. I also was just like, 200 00:13:40,320 --> 00:13:42,439 Speaker 1: what level of delusion is she on that? She was 201 00:13:42,480 --> 00:13:44,760 Speaker 1: like it's all smoking mirrors? Like no, that was pretty 202 00:13:44,880 --> 00:13:49,440 Speaker 1: damn good. That was incredible. Yeah, it wasn't distraction but 203 00:13:49,480 --> 00:13:54,520 Speaker 1: I did do hiography. Look distraction, I said it. I 204 00:13:54,600 --> 00:13:59,040 Speaker 1: see why. It's the hierography. It's the distraction. That's why. Okay, 205 00:13:59,080 --> 00:14:01,760 Speaker 1: I'm getting it. I see. I think right. It wasn't 206 00:14:01,760 --> 00:14:04,040 Speaker 1: smoking mirrors. It was actually really good. But it's called 207 00:14:04,240 --> 00:14:07,760 Speaker 1: hair agraphy um. And this is the whizzing of the hair. 208 00:14:09,040 --> 00:14:12,520 Speaker 1: So Mr Shoe is still freaking outside and he's like, yeah, 209 00:14:12,520 --> 00:14:16,480 Speaker 1: ashure or whatever. But um, it gives him the idea 210 00:14:16,520 --> 00:14:20,400 Speaker 1: that we're going to now do a mashup of crazy 211 00:14:20,440 --> 00:14:24,880 Speaker 1: and love and hair um. The theme song from the musical, 212 00:14:25,240 --> 00:14:27,840 Speaker 1: which is it a theme song then brings our Beyonce 213 00:14:28,280 --> 00:14:31,960 Speaker 1: song title song, title song count up to three single Ladies, 214 00:14:31,960 --> 00:14:37,520 Speaker 1: Bootylicious and Crazy in Love who who Um? I remember 215 00:14:37,560 --> 00:14:40,480 Speaker 1: recording this. We wanted to record this Crazy and Love 216 00:14:40,520 --> 00:14:44,960 Speaker 1: together where I was there really because I remember you 217 00:14:45,080 --> 00:14:50,880 Speaker 1: doing the rap yes, and I remember hearing you chinchilla. 218 00:14:52,800 --> 00:14:57,720 Speaker 1: Wait which studio was this thing go on? On Highland? 219 00:14:57,960 --> 00:15:01,040 Speaker 1: I believe, But see, I think I went in twice 220 00:15:01,080 --> 00:15:02,760 Speaker 1: for this because I think I had to go in 221 00:15:02,920 --> 00:15:08,120 Speaker 1: and do that with like the intro um and then 222 00:15:08,400 --> 00:15:11,240 Speaker 1: on the other side of the recording studio they brought 223 00:15:11,320 --> 00:15:14,320 Speaker 1: in Mark and Corey to do this, and then they 224 00:15:14,320 --> 00:15:16,400 Speaker 1: had me go in to do it, and then they 225 00:15:16,560 --> 00:15:20,200 Speaker 1: ended up I think, and then they ended up just 226 00:15:21,360 --> 00:15:25,720 Speaker 1: and then I remember Corey's looking dejected in the rehearsal 227 00:15:25,800 --> 00:15:30,240 Speaker 1: room like it was just like a tryout. This was 228 00:15:30,400 --> 00:15:40,800 Speaker 1: the tryout from all three of Um, that's really funny. 229 00:15:43,080 --> 00:15:46,000 Speaker 1: So we do that. We're starting to do this mash up, 230 00:15:46,720 --> 00:15:50,640 Speaker 1: which is when they're like, we're doing hierography and you 231 00:15:50,680 --> 00:15:55,440 Speaker 1: all get in these wigs. And before that, Hitchcock comes 232 00:15:55,440 --> 00:16:00,400 Speaker 1: in and Will has this conversations insane conversation with Mr 233 00:16:00,480 --> 00:16:06,600 Speaker 1: Rumba for the Death School, and I mean, it's hilarious 234 00:16:07,120 --> 00:16:11,840 Speaker 1: the Scarlet Favorite, but it's also again like it's not right, 235 00:16:11,920 --> 00:16:17,120 Speaker 1: but yeah, yeah, it's His performance is very funny. The 236 00:16:17,160 --> 00:16:24,200 Speaker 1: subject matter not so not so koshure um, but Hitchcock 237 00:16:24,360 --> 00:16:26,640 Speaker 1: is just good at and you give you putting Hitchcock 238 00:16:26,720 --> 00:16:29,600 Speaker 1: in a room with a pencil, and he make it funny, 239 00:16:29,640 --> 00:16:32,200 Speaker 1: you know what I mean. So he was doing his job, 240 00:16:32,440 --> 00:16:38,120 Speaker 1: but so he's very upset. Mr Rumba is very upset. 241 00:16:38,160 --> 00:16:40,640 Speaker 1: He's like, how dare you not invite us to come 242 00:16:40,640 --> 00:16:42,480 Speaker 1: and do this? I think you should invite us to 243 00:16:42,520 --> 00:16:46,720 Speaker 1: come do this, and um, Will to his uh you know, 244 00:16:46,920 --> 00:16:50,480 Speaker 1: very easily says sure, come on over. So Will is 245 00:16:50,520 --> 00:16:53,520 Speaker 1: pulling out all the stops for this mash up that 246 00:16:53,560 --> 00:16:56,400 Speaker 1: he's now convinced that, like the hair is going to 247 00:16:56,480 --> 00:17:01,120 Speaker 1: do it. Um, and you is. I'll put these things on. 248 00:17:01,840 --> 00:17:05,280 Speaker 1: And yes, I was wearing dreads. It's funny, it's funny, 249 00:17:05,359 --> 00:17:13,280 Speaker 1: but your way is not funny anymore. No, it's no, 250 00:17:13,560 --> 00:17:18,919 Speaker 1: it's all wrong. It's wrong. We know what's wrong. We 251 00:17:18,960 --> 00:17:23,680 Speaker 1: know it's wrong, and we wouldn't have done it. We 252 00:17:23,720 --> 00:17:25,560 Speaker 1: wouldn't have done You have like a sound effect that 253 00:17:25,600 --> 00:17:27,840 Speaker 1: we can play. That's just being saying. It was a 254 00:17:27,840 --> 00:17:32,480 Speaker 1: different time. It was a different time. The big red button. 255 00:17:32,840 --> 00:17:37,119 Speaker 1: It's a different time. Um. So okay, so they we 256 00:17:37,240 --> 00:17:41,400 Speaker 1: do crazy and lemon hair in the choir room and 257 00:17:42,160 --> 00:17:50,000 Speaker 1: this number Um also injured me because so much hair 258 00:17:50,320 --> 00:17:53,840 Speaker 1: and you just wanted to make Ryan happy and whiplash 259 00:17:53,920 --> 00:17:58,400 Speaker 1: your head so you could get your hair moving. And um, 260 00:17:58,440 --> 00:18:02,320 Speaker 1: there's this one dance move that we had that Zach 261 00:18:02,400 --> 00:18:08,240 Speaker 1: would call heads and holes and holes, heads and holes. 262 00:18:08,240 --> 00:18:10,000 Speaker 1: And every time I watched this number, that's all I 263 00:18:10,000 --> 00:18:13,080 Speaker 1: think about, because um, we start up and then we 264 00:18:13,160 --> 00:18:14,800 Speaker 1: go all the way down down, and then we go 265 00:18:14,880 --> 00:18:20,719 Speaker 1: all the way up. So heads and holes was the number. UM, 266 00:18:20,760 --> 00:18:28,160 Speaker 1: I have fond members. The dance moves. There was one 267 00:18:28,200 --> 00:18:31,359 Speaker 1: coming up for the journey mashed up and it was 268 00:18:31,480 --> 00:18:36,360 Speaker 1: you get what you need and he was like, Doney needs, 269 00:18:38,760 --> 00:18:41,400 Speaker 1: Like I don't think that's the lyrics, Zack, but you 270 00:18:41,400 --> 00:18:45,240 Speaker 1: you don't need to not worry about that. Um. And 271 00:18:45,800 --> 00:18:52,400 Speaker 1: the very sweet um Prorbrook Deaf choir is Um, they're 272 00:18:52,400 --> 00:18:57,679 Speaker 1: signing like they look absolutely crazy. Um. These actors were 273 00:18:57,760 --> 00:19:01,040 Speaker 1: amazing and I loved working. I remember all of us 274 00:19:01,119 --> 00:19:05,880 Speaker 1: fighting over who we had crushes on. Yeah, we were 275 00:19:05,920 --> 00:19:10,720 Speaker 1: all very smart, and they were all very cute. Yes 276 00:19:10,760 --> 00:19:16,160 Speaker 1: they weren't very cute. And they did a very simple, 277 00:19:16,600 --> 00:19:22,040 Speaker 1: beautiful number of Lennon's and imagine, which I'm sure I 278 00:19:22,080 --> 00:19:28,640 Speaker 1: might tattoo imagine tattoos imagines ankle ankle. So when we 279 00:19:28,640 --> 00:19:30,639 Speaker 1: were in we always ended up in Chicago for some 280 00:19:30,680 --> 00:19:35,360 Speaker 1: reason for press things and I don't know why. Months 281 00:19:35,880 --> 00:19:38,800 Speaker 1: and months after this, and this had always been my 282 00:19:38,880 --> 00:19:45,399 Speaker 1: favorite song of all time. Um. Months after this, Jenna 283 00:19:45,840 --> 00:19:48,480 Speaker 1: and Leah and I we're all at dinner and then 284 00:19:48,560 --> 00:19:52,000 Speaker 1: Leah's like, we should go get tattoos, and you two 285 00:19:52,000 --> 00:19:55,360 Speaker 1: already had some time and so it didn't take much 286 00:19:55,640 --> 00:19:58,680 Speaker 1: arm twisting. And I was like, Okay, let's go do it, 287 00:19:59,359 --> 00:20:05,199 Speaker 1: and Chris came it does and um, I decided to 288 00:20:05,200 --> 00:20:07,119 Speaker 1: get mine, sort of like on My Achilles, and Chris 289 00:20:07,200 --> 00:20:10,520 Speaker 1: was with me as I was getting mine, and I 290 00:20:11,160 --> 00:20:13,160 Speaker 1: told the story a billion times, but I'll never forget 291 00:20:13,240 --> 00:20:15,119 Speaker 1: him just sitting there and being like, so, what do 292 00:20:15,119 --> 00:20:20,520 Speaker 1: you think your parents will think of this? As damn it, Chris, 293 00:20:21,480 --> 00:20:25,760 Speaker 1: stop it, but we all got imagine. I really I 294 00:20:25,800 --> 00:20:27,760 Speaker 1: wish I had done it in a different inc. Mine 295 00:20:27,840 --> 00:20:33,119 Speaker 1: is like bleeding now and it's very visible. Yeah, mine, 296 00:20:33,800 --> 00:20:37,400 Speaker 1: Mine doesn't look great, but we haven't. It's matching. It's fine. 297 00:20:37,840 --> 00:20:41,600 Speaker 1: Um And I don't think my parents care for the record. Chris, 298 00:20:42,880 --> 00:20:47,040 Speaker 1: I don't know. Actually, I also had to fight for 299 00:20:47,080 --> 00:20:48,919 Speaker 1: the to get on this song because I love the 300 00:20:48,960 --> 00:20:53,399 Speaker 1: song so much. I had to I wasn't originally singing 301 00:20:53,440 --> 00:20:57,639 Speaker 1: in it, and I texted this, I think this was 302 00:20:57,680 --> 00:21:00,040 Speaker 1: the first time I did this, because I'll do it 303 00:21:00,080 --> 00:21:03,679 Speaker 1: a couple more times throughout the series. Yeah, but the 304 00:21:03,720 --> 00:21:05,760 Speaker 1: songs have been a lot to me. I was like, please, 305 00:21:05,840 --> 00:21:09,359 Speaker 1: just even if it's a line, And so they split 306 00:21:09,359 --> 00:21:12,560 Speaker 1: it up and they think originally it was just Corey 307 00:21:12,560 --> 00:21:17,480 Speaker 1: and Leah maybe and then they added Amber Amber yeah, 308 00:21:17,600 --> 00:21:19,000 Speaker 1: or maybe it's just three of them. They added me. 309 00:21:19,040 --> 00:21:24,120 Speaker 1: I'm not sure, but I've elbowed my way in there. Hey, 310 00:21:24,359 --> 00:21:27,200 Speaker 1: I gotta do what you gotta do. Um, and miss 311 00:21:27,240 --> 00:21:31,240 Speaker 1: number is really beautiful. I remember shooting this and um, 312 00:21:31,280 --> 00:21:37,040 Speaker 1: it was a really moving day and watching them, yeah, 313 00:21:37,160 --> 00:21:40,760 Speaker 1: special and they were all so nice and so talented, 314 00:21:40,880 --> 00:21:45,040 Speaker 1: and UM, I think it just puts things in perspective 315 00:21:45,160 --> 00:21:48,359 Speaker 1: right for the show, in the storyline, but also just 316 00:21:48,440 --> 00:21:52,119 Speaker 1: in life. Right. It's like everybody's storytellers. Everybody can be 317 00:21:52,160 --> 00:21:55,320 Speaker 1: an artist. Um, you know we have all these like 318 00:21:55,359 --> 00:21:58,960 Speaker 1: we are the story of underdogs and in our own ways, 319 00:21:59,000 --> 00:22:01,880 Speaker 1: but um, just really puts you in part, puts things 320 00:22:01,880 --> 00:22:06,520 Speaker 1: in perspective, really makes grateful for um the little things 321 00:22:06,560 --> 00:22:08,520 Speaker 1: and not the little things, but the big things, you know. 322 00:22:08,600 --> 00:22:13,199 Speaker 1: So um, really we had a lot of time with them. 323 00:22:13,240 --> 00:22:15,280 Speaker 1: I felt like it was almost the entire day where 324 00:22:15,280 --> 00:22:19,280 Speaker 1: we actually got to like hang out with them and yes, 325 00:22:20,440 --> 00:22:22,640 Speaker 1: get to know them. We didn't always happen because things 326 00:22:22,640 --> 00:22:26,719 Speaker 1: were so crazy. We're always rehearsing and recording, and for 327 00:22:26,760 --> 00:22:30,920 Speaker 1: some reason we were just spending so much time with him. Well, 328 00:22:30,920 --> 00:22:34,159 Speaker 1: it's two musical numbers in one day that we are shooting, 329 00:22:34,160 --> 00:22:36,080 Speaker 1: which we didn't normally do, like back to back in 330 00:22:36,080 --> 00:22:39,680 Speaker 1: the same room. So I think because it was one 331 00:22:40,040 --> 00:22:43,359 Speaker 1: continuous number, we shot it like that kind of kind 332 00:22:43,400 --> 00:22:48,120 Speaker 1: of um. But yeah, no, yeah, totally. I remember hanging 333 00:22:48,119 --> 00:22:52,399 Speaker 1: out them as well. Um, okay, so we do imagine 334 00:22:52,280 --> 00:22:54,280 Speaker 1: what they do, imagine we all do imagine as a 335 00:22:54,280 --> 00:22:59,680 Speaker 1: collective number, and um shoot, then admits he's like, yeah, 336 00:23:00,040 --> 00:23:04,600 Speaker 1: hair gerography was totally bad. Idea, here's my new cell list, um, 337 00:23:04,720 --> 00:23:10,439 Speaker 1: and it's and and and it's the whole thing of 338 00:23:10,480 --> 00:23:13,800 Speaker 1: like the you know, Sue kind of Um. Linking the 339 00:23:13,880 --> 00:23:17,000 Speaker 1: cells is kind of often the back no longer in 340 00:23:17,040 --> 00:23:20,399 Speaker 1: the forefront of his mind. Um, I forgot this was 341 00:23:20,480 --> 00:23:23,520 Speaker 1: your colors, and I texted you last night. I was like, 342 00:23:23,880 --> 00:23:29,200 Speaker 1: I totally forgot. This is the episode I venus first 343 00:23:29,840 --> 00:23:31,560 Speaker 1: sort of comes out of nowhere, and then you're just 344 00:23:31,640 --> 00:23:37,800 Speaker 1: saying it right, and that's right, Oh thanks, You know 345 00:23:38,080 --> 00:23:40,680 Speaker 1: it was honestly, it's because it wasn't really like part 346 00:23:40,720 --> 00:23:43,120 Speaker 1: of my storyline. It's just like I happened to get 347 00:23:43,240 --> 00:23:47,399 Speaker 1: the lead vocal on the final number, right, um. But 348 00:23:47,440 --> 00:23:49,679 Speaker 1: it was yeah, it was really fun. I was the 349 00:23:50,680 --> 00:23:53,760 Speaker 1: I remember being nervous to record my first big number 350 00:23:53,800 --> 00:23:56,439 Speaker 1: because like I had gone in and done like, you know, 351 00:23:56,680 --> 00:23:59,520 Speaker 1: a line or two here or there or whatever tonight, 352 00:23:59,640 --> 00:24:02,120 Speaker 1: and you know, this is the first big one, especially 353 00:24:02,119 --> 00:24:05,400 Speaker 1: with adam Anders, who like was amazing. But I don't 354 00:24:05,440 --> 00:24:09,320 Speaker 1: know why I was scared. Um, you had said to 355 00:24:09,440 --> 00:24:12,120 Speaker 1: me you should. I said, I don't know, why would 356 00:24:12,119 --> 00:24:13,719 Speaker 1: I do with these ad lips, Like I've never had 357 00:24:13,720 --> 00:24:17,240 Speaker 1: an ad lib before like this, and you're like you should, 358 00:24:17,240 --> 00:24:21,880 Speaker 1: just as Scamber of course. And I was like that's 359 00:24:21,880 --> 00:24:24,360 Speaker 1: a great idea. And Amber at the time was still 360 00:24:24,400 --> 00:24:26,880 Speaker 1: living in Long Beach and so she would stay over 361 00:24:26,920 --> 00:24:30,239 Speaker 1: at my um my apartment sometimes, like when we had 362 00:24:30,240 --> 00:24:32,439 Speaker 1: a late night and they're like morning, so An slepped 363 00:24:32,480 --> 00:24:33,680 Speaker 1: over and it was the day I was going to 364 00:24:33,720 --> 00:24:35,199 Speaker 1: the recordings and I said, hey, can you listen to 365 00:24:35,200 --> 00:24:39,960 Speaker 1: this demo and just like give me some um, some 366 00:24:40,040 --> 00:24:43,160 Speaker 1: ad lips. She's like yeah, she's like and then she's 367 00:24:43,200 --> 00:24:46,160 Speaker 1: like You're like yeah, And I was like, I can't 368 00:24:46,160 --> 00:24:49,240 Speaker 1: do that. She's like, we're like yeah, yeah, and I 369 00:24:49,280 --> 00:24:51,439 Speaker 1: was like, okay, I could do that. UM. So I 370 00:24:51,480 --> 00:24:53,479 Speaker 1: had come in with like three things that I had, 371 00:24:53,480 --> 00:24:55,199 Speaker 1: like voice memode I think on my phone that I 372 00:24:55,240 --> 00:24:59,119 Speaker 1: was like, okay, don't forget these. And I remember I 373 00:24:59,160 --> 00:25:01,240 Speaker 1: walked in and at Manders was looking on the TV 374 00:25:01,440 --> 00:25:03,560 Speaker 1: because sometimes they had they had a TV going and 375 00:25:03,600 --> 00:25:06,840 Speaker 1: when they were doing the control panel, and it was 376 00:25:06,960 --> 00:25:11,679 Speaker 1: the day that Michael Jackson UM was being there was 377 00:25:11,720 --> 00:25:14,040 Speaker 1: like an emergency call to his house and obviously he 378 00:25:14,160 --> 00:25:17,439 Speaker 1: died later that day, but um, I was in the 379 00:25:17,440 --> 00:25:21,959 Speaker 1: recording studio during that whole uh, that whole time, so 380 00:25:22,000 --> 00:25:23,640 Speaker 1: he was like telling me what was going on while 381 00:25:23,680 --> 00:25:25,479 Speaker 1: I was in the booth, and he's like, let's do 382 00:25:25,520 --> 00:25:29,199 Speaker 1: this for Michael. So it was a very memorable day 383 00:25:29,280 --> 00:25:34,359 Speaker 1: for many reasons, um. And I was so nervous about 384 00:25:34,400 --> 00:25:41,800 Speaker 1: what this was going to sound like. And you're like 385 00:25:41,880 --> 00:25:44,320 Speaker 1: these Dad, you texted me earlier and you're like these 386 00:25:44,359 --> 00:25:46,639 Speaker 1: headlives are so right, and I was like, well that 387 00:25:46,720 --> 00:25:48,520 Speaker 1: was ambling, and I do not remember telling you to 388 00:25:48,560 --> 00:25:52,720 Speaker 1: go ask Amber. It's also the way seeing it because 389 00:25:53,320 --> 00:25:58,920 Speaker 1: you have such a powerful high voice that you always 390 00:25:58,920 --> 00:26:01,760 Speaker 1: said that you do your this is very high and 391 00:26:01,760 --> 00:26:05,280 Speaker 1: like when you get up there, yeah, it's so good, 392 00:26:07,800 --> 00:26:11,560 Speaker 1: so funny. Um. Thanks, And then I do remember when 393 00:26:11,560 --> 00:26:16,000 Speaker 1: we shot this, Tim Davis wasn't there that day, and 394 00:26:16,040 --> 00:26:18,679 Speaker 1: we didn't have anybody to teach us the backgrounds, and 395 00:26:18,840 --> 00:26:23,160 Speaker 1: nobody had heard the backgrounds before, so it was very 396 00:26:23,240 --> 00:26:25,480 Speaker 1: weird because I remember being like, oh my god, people 397 00:26:25,480 --> 00:26:28,040 Speaker 1: are stressed, and I was like, I just gotta get 398 00:26:28,040 --> 00:26:31,800 Speaker 1: this my performance in and like whatever. And I remember 399 00:26:32,400 --> 00:26:34,440 Speaker 1: I think brad Ellis was trying to teach everybody in 400 00:26:34,440 --> 00:26:36,800 Speaker 1: the backgrounds, but he didn't know that. He was just 401 00:26:36,880 --> 00:26:38,760 Speaker 1: kind of like off the cuff trying to teach people. 402 00:26:38,880 --> 00:26:42,760 Speaker 1: So I think there's like some shots of like people 403 00:26:42,760 --> 00:26:45,320 Speaker 1: because there's a lot of like looks in this number. 404 00:26:45,480 --> 00:26:48,400 Speaker 1: There's a lot of storyline going on Quinn and Buck 405 00:26:48,480 --> 00:26:51,520 Speaker 1: and Kurt looking at Finn and people aren't singing, and 406 00:26:51,560 --> 00:26:53,680 Speaker 1: I'm like, I think this is because like we didn't 407 00:26:53,720 --> 00:26:57,800 Speaker 1: know the background vocal. I just remember us like playing 408 00:26:57,880 --> 00:27:04,360 Speaker 1: behind those like scrims of like the lighting behind the shadows, 409 00:27:04,359 --> 00:27:07,200 Speaker 1: because they were like it was like the apple dancing 410 00:27:07,320 --> 00:27:11,960 Speaker 1: like Harry. Um okay, So moving on, and then it 411 00:27:12,000 --> 00:27:14,680 Speaker 1: turns out that she was right. We have the last 412 00:27:14,680 --> 00:27:19,000 Speaker 1: scene of this storyline is Sue sitting across from Eve 413 00:27:19,080 --> 00:27:22,080 Speaker 1: and Hitchcock giving him to set list and they're like, 414 00:27:22,160 --> 00:27:24,960 Speaker 1: we don't want it. No, who do you think we are? 415 00:27:25,560 --> 00:27:29,040 Speaker 1: But we'll see how that plays out later on exactly. 416 00:27:29,119 --> 00:27:33,919 Speaker 1: So then we have this whole baby daddy storyline, I 417 00:27:33,960 --> 00:27:40,760 Speaker 1: mean it's baby part eighteen, and gives Quinn a baby 418 00:27:40,760 --> 00:27:43,240 Speaker 1: book he stole How to Raise a Baby on five 419 00:27:43,280 --> 00:27:45,600 Speaker 1: dollars a day, and Quinn starts to wonder if she 420 00:27:45,640 --> 00:27:48,320 Speaker 1: made the right choice to give up the baby. Things 421 00:27:48,359 --> 00:27:53,280 Speaker 1: are happening a young team mind moves quickly, so then Quinn, Kendra, 422 00:27:53,520 --> 00:27:56,520 Speaker 1: and Terry are in the car and there's just this 423 00:27:56,600 --> 00:28:03,280 Speaker 1: insane episode of like, you don't because the phosphoric acid 424 00:28:03,320 --> 00:28:07,640 Speaker 1: causes male baldness, and Quinn's like, that's the baby's a girl. 425 00:28:08,680 --> 00:28:13,720 Speaker 1: The wind window ball too, and Kindra says, you worried 426 00:28:13,720 --> 00:28:16,159 Speaker 1: too much. Terry mom smoked and drank a bottle of 427 00:28:16,280 --> 00:28:18,240 Speaker 1: vodka on ice every night when she was pregnant with us, 428 00:28:18,240 --> 00:28:25,360 Speaker 1: and we're totally normal. Um. It's but so good, three 429 00:28:25,359 --> 00:28:30,120 Speaker 1: of them together as incredible. Um wants to see if 430 00:28:30,200 --> 00:28:34,280 Speaker 1: Puck will she's auditioning him to be the baby daddy 431 00:28:34,320 --> 00:28:36,280 Speaker 1: basically because she's like, do I want to keep it? 432 00:28:36,560 --> 00:28:37,879 Speaker 1: And if I do, do I want it to be 433 00:28:37,960 --> 00:28:45,120 Speaker 1: with Puck as the dad as the dad? And um, 434 00:28:45,160 --> 00:28:50,000 Speaker 1: so yeah, so she she skins. Um, She's like, okay, 435 00:28:50,040 --> 00:28:52,160 Speaker 1: so how do I distract Finn during this so I 436 00:28:52,160 --> 00:28:53,880 Speaker 1: can get to Puck and kind of see Puck for 437 00:28:53,920 --> 00:28:57,320 Speaker 1: a while. And so she gets an idea with her 438 00:28:57,320 --> 00:29:01,240 Speaker 1: and Kurt which you don't see quinning Kurt a lot together, um, 439 00:29:01,360 --> 00:29:06,800 Speaker 1: and to get Rachel a makeover so it can distract Fin, 440 00:29:07,640 --> 00:29:13,200 Speaker 1: which we will get to that scene later. Um. But 441 00:29:14,600 --> 00:29:16,800 Speaker 1: meanwhile we're we have We're back to Terry and Will, 442 00:29:17,000 --> 00:29:19,560 Speaker 1: and Will is trying to get into it with Terry, 443 00:29:19,720 --> 00:29:23,880 Speaker 1: and um, Terry is like, please don't touch me, Please 444 00:29:23,880 --> 00:29:27,000 Speaker 1: don't touch they are always't it um, and he's trying 445 00:29:27,040 --> 00:29:28,520 Speaker 1: to get into it with her, and she's like, oh 446 00:29:28,560 --> 00:29:33,120 Speaker 1: my gosh, I need a distraction again. Distraction yep. Um. 447 00:29:33,280 --> 00:29:35,280 Speaker 1: So she comes up with a plan. She's like, oh 448 00:29:35,280 --> 00:29:37,320 Speaker 1: my gosh, let me get him the Blue bomber too. 449 00:29:37,960 --> 00:29:43,120 Speaker 1: And um. She's starting to feel bad about this whole situation, 450 00:29:43,200 --> 00:29:45,080 Speaker 1: but she's like, I still got it distract him, so 451 00:29:45,200 --> 00:29:48,040 Speaker 1: let me get him the blue Bomber and to like 452 00:29:48,160 --> 00:29:52,440 Speaker 1: work on and you know, update and whatever. And then 453 00:29:52,720 --> 00:29:57,560 Speaker 1: Kendra sneaking Quinn and at the same time like a 454 00:29:57,560 --> 00:30:04,440 Speaker 1: little like tinkydinky um looney jeans moment, and Quinn decides 455 00:30:04,520 --> 00:30:09,880 Speaker 1: that she is going to keep the baby. And now 456 00:30:10,120 --> 00:30:14,360 Speaker 1: Terry's like okay. She starts unrough. Yeah, Terry is starting 457 00:30:14,360 --> 00:30:16,880 Speaker 1: to go and Kendra's like, okay, I got a plan. 458 00:30:17,040 --> 00:30:20,760 Speaker 1: Another plan. Kender's always got a plan. Um. She's like, 459 00:30:20,840 --> 00:30:25,080 Speaker 1: I'm gonna get Quinn to babysit my little three monsters 460 00:30:25,880 --> 00:30:29,240 Speaker 1: and she'll never want to have a baby ever again. 461 00:30:30,120 --> 00:30:35,520 Speaker 1: And so we get to Quinn and Puck. Quinn's like, 462 00:30:35,600 --> 00:30:37,680 Speaker 1: what are you doing on Friday? And books like no, 463 00:30:38,600 --> 00:30:41,800 Speaker 1: and then she's like, your baby sitting with me, and 464 00:30:41,840 --> 00:30:46,800 Speaker 1: so they baby said, uh, Kendra's triplets, the Gin, the 465 00:30:46,880 --> 00:30:51,000 Speaker 1: Gingi Lloyds, and um. Puck actually comes up with the 466 00:30:51,040 --> 00:30:55,520 Speaker 1: idea that he's going to play them a song, and 467 00:30:56,080 --> 00:30:59,720 Speaker 1: Quinna's Papa don't preach, yeah, which sounds great, which I 468 00:30:59,800 --> 00:31:03,280 Speaker 1: love this cover. She sounds great. It's just that she 469 00:31:03,320 --> 00:31:05,760 Speaker 1: has to sting to three small children. Yeah, it's definitely 470 00:31:05,800 --> 00:31:09,840 Speaker 1: a weird scene and isn't there God bless her for 471 00:31:09,880 --> 00:31:12,520 Speaker 1: doing that, because I would not want to be shooting. 472 00:31:13,120 --> 00:31:16,280 Speaker 1: She sold that they were great together. It's definitely weird, 473 00:31:16,360 --> 00:31:22,120 Speaker 1: Like Pucks when I can tell anything, she can Um 474 00:31:22,360 --> 00:31:24,840 Speaker 1: isn't like Puck hit one of the kids or something. 475 00:31:24,880 --> 00:31:28,000 Speaker 1: And I think there's an edit also where the kids 476 00:31:28,040 --> 00:31:31,280 Speaker 1: aren't even in it. It's some weird. The scene is 477 00:31:31,400 --> 00:31:36,080 Speaker 1: a bit strange. But when Kendra and Terry come home, um, 478 00:31:36,120 --> 00:31:39,160 Speaker 1: they find all the they find the triplets asleep in 479 00:31:39,240 --> 00:31:44,479 Speaker 1: bed and notice that they've been bathed, and Kendrew and 480 00:31:44,560 --> 00:31:48,920 Speaker 1: kid just like, what are you an exorcist? It's very good. 481 00:31:48,960 --> 00:31:52,240 Speaker 1: So she so, you know, Quentin Puck sort of nail 482 00:31:52,320 --> 00:31:58,080 Speaker 1: it and it's like can we do this together? But simultaneously, meanwhile, 483 00:31:59,160 --> 00:32:03,080 Speaker 1: that's right, that's right. We've got um Phil Kendraw's husband, 484 00:32:03,120 --> 00:32:06,200 Speaker 1: poor husband, Um saying that the Blue Bomber can't have 485 00:32:06,240 --> 00:32:09,120 Speaker 1: a car seat. It doesn't have the adjustable straps or whatever, 486 00:32:09,640 --> 00:32:13,120 Speaker 1: um or the attachments. And it's Scott Will thinking and 487 00:32:13,160 --> 00:32:16,800 Speaker 1: he's like, oh my god, Um. And now Quentin Pucker 488 00:32:16,880 --> 00:32:21,240 Speaker 1: thinking like, okay, we can do this right here comes 489 00:32:21,240 --> 00:32:29,720 Speaker 1: Santana Nia has like snakes Yeah it happened and it 490 00:32:30,280 --> 00:32:37,600 Speaker 1: oh good. Um. So during the babysitting, they're trying to 491 00:32:37,640 --> 00:32:41,640 Speaker 1: get out of their little like uh, you know, jump rope, 492 00:32:41,640 --> 00:32:44,720 Speaker 1: handcuffs and um. Quinn's like what are you doing? And 493 00:32:44,840 --> 00:32:49,080 Speaker 1: Pucks like, oh, I'm I'm texting with Mike Chang and 494 00:32:49,960 --> 00:32:53,840 Speaker 1: little do we know that, uh he's actually sexty with 495 00:32:53,920 --> 00:32:58,800 Speaker 1: Santana and Snakesy comes out and she's like, guess what 496 00:32:58,960 --> 00:33:03,000 Speaker 1: I was sexting? Check her, check his phone. All the 497 00:33:03,000 --> 00:33:09,160 Speaker 1: references like the nineties, this is great, great monologue she's 498 00:33:09,360 --> 00:33:11,320 Speaker 1: and she and I think this is when they were like, 499 00:33:11,360 --> 00:33:14,760 Speaker 1: oh we've got something here, like oh, we gave her 500 00:33:14,840 --> 00:33:18,720 Speaker 1: one scene and she just smashed it, nailed it. Yeah exactly. 501 00:33:20,400 --> 00:33:23,000 Speaker 1: So we get to Quinn and she confronts Puck and 502 00:33:23,040 --> 00:33:27,200 Speaker 1: she's like, Okay, I'm like I knew you're you lied 503 00:33:27,240 --> 00:33:30,720 Speaker 1: to me, and now like you know, you think you're gonna, 504 00:33:31,280 --> 00:33:33,560 Speaker 1: you know, raise this baby together when you can't even 505 00:33:33,720 --> 00:33:36,400 Speaker 1: you know, be honest with me and not sext all 506 00:33:36,480 --> 00:33:40,040 Speaker 1: these different girls. And I want to be the dad, 507 00:33:40,040 --> 00:33:42,880 Speaker 1: but I'm not going to change who I am. When 508 00:33:42,920 --> 00:33:44,960 Speaker 1: also it was like you've only given it to me once, 509 00:33:46,280 --> 00:33:49,800 Speaker 1: which I was like, okay, added to the list of 510 00:33:50,000 --> 00:33:55,600 Speaker 1: things for this episode the list, um. And so then 511 00:33:55,960 --> 00:33:57,720 Speaker 1: cut to Quinn being like, I changed my mind, you 512 00:33:57,720 --> 00:34:01,280 Speaker 1: can have a baby, and surprised Harry that he sells 513 00:34:01,280 --> 00:34:05,000 Speaker 1: the Blue Bomber, gets a minivan. Wish. That minivan is 514 00:34:05,040 --> 00:34:07,080 Speaker 1: like the minivan that you used to have in that 515 00:34:07,240 --> 00:34:11,439 Speaker 1: house set. Um, those like the play school house set. 516 00:34:12,239 --> 00:34:13,880 Speaker 1: I don't know if you had this, but it's like 517 00:34:13,920 --> 00:34:16,840 Speaker 1: the little toys. And there was the van. I was like, 518 00:34:16,840 --> 00:34:25,840 Speaker 1: I know that van exactly, um. And she's like you think, well, 519 00:34:25,840 --> 00:34:28,160 Speaker 1: it's going to make a good dad, and Terry's like, yeah, 520 00:34:28,200 --> 00:34:31,520 Speaker 1: I do. And then Quinn hugs Will on the way out, 521 00:34:31,560 --> 00:34:33,520 Speaker 1: which is very sweet. I thought that was a really 522 00:34:33,520 --> 00:34:37,680 Speaker 1: sweet moment, inappropriate but sweet, but didn't It didn't feel 523 00:34:37,719 --> 00:34:43,080 Speaker 1: creepy or inappropriate, like she knows exactly. So then we 524 00:34:43,120 --> 00:34:46,640 Speaker 1: came to this other business. Um. As you said earlier, 525 00:34:46,719 --> 00:34:51,279 Speaker 1: Quinn gets Kurt to give Rachel a makeover and he's like, 526 00:34:51,360 --> 00:34:57,439 Speaker 1: my men makeovers are like cracked to me, and um Rachel, 527 00:34:57,480 --> 00:35:00,160 Speaker 1: who last week was obsessed with Mr Shoot and it's 528 00:35:00,160 --> 00:35:04,200 Speaker 1: to Kurt that she loves Finn, and then Kurt is like, 529 00:35:04,480 --> 00:35:10,040 Speaker 1: hm hmm, that's not great. So he decides like, well, 530 00:35:10,080 --> 00:35:18,239 Speaker 1: you know who Finn likes. He likes um sexy looking girls, um, 531 00:35:18,280 --> 00:35:21,400 Speaker 1: and so he gets her made up like really sexy, 532 00:35:21,520 --> 00:35:24,319 Speaker 1: saying this exactly Finn's gonna want. And then the next 533 00:35:24,360 --> 00:35:26,600 Speaker 1: day this sort of reminded me of the last season 534 00:35:26,600 --> 00:35:33,680 Speaker 1: of Euphoria, very different, but she walks down um dressed 535 00:35:33,840 --> 00:35:37,840 Speaker 1: like she's sort of in grease. It walks past Finn, 536 00:35:37,880 --> 00:35:40,160 Speaker 1: and finns like staring at her and staring at her 537 00:35:40,200 --> 00:35:44,759 Speaker 1: boobs and mm hmm. Then makes fans with him to 538 00:35:45,160 --> 00:35:48,040 Speaker 1: work on a song on Friday with him to help 539 00:35:48,040 --> 00:35:51,480 Speaker 1: with the wig. She's like, how about the one from 540 00:35:51,520 --> 00:35:54,839 Speaker 1: Greece that we did in the pilot and then Finn 541 00:35:54,920 --> 00:35:58,240 Speaker 1: tells us the same recording. And then Finn tells Quinn 542 00:35:58,800 --> 00:36:01,600 Speaker 1: he's busy Friday, which she's fine with because she has 543 00:36:01,640 --> 00:36:07,560 Speaker 1: been a babysit with Puck Messy. Mm hmmm another distraction. Yeah, 544 00:36:07,600 --> 00:36:09,879 Speaker 1: Finn and Rachel are in the bedroom working on the song. 545 00:36:10,280 --> 00:36:12,840 Speaker 1: She comes out and she looks like Sandy from Greece, 546 00:36:13,040 --> 00:36:17,479 Speaker 1: like it's the curly hair. She's so over the top. 547 00:36:18,600 --> 00:36:22,759 Speaker 1: They start It's all there, and she starts singing it 548 00:36:23,120 --> 00:36:27,080 Speaker 1: in her little boom box, which I love a little. 549 00:36:27,840 --> 00:36:29,840 Speaker 1: Finn stops and goes, I'm going to say this as 550 00:36:29,920 --> 00:36:31,640 Speaker 1: nice as I possibly can, but you look like a 551 00:36:31,640 --> 00:36:38,760 Speaker 1: sad clown hooker, which is great, and it's what a line. 552 00:36:39,120 --> 00:36:42,239 Speaker 1: And as she's as he's rejecting her, she's like, I 553 00:36:42,320 --> 00:36:43,919 Speaker 1: thought you liked this, and he's like, no, I don't. 554 00:36:43,960 --> 00:36:46,080 Speaker 1: I was actually just having this conversation with Kurt the 555 00:36:46,080 --> 00:36:52,440 Speaker 1: other day and light bulb like oh okay. So then 556 00:36:53,000 --> 00:36:56,399 Speaker 1: the next day she confronts Kurt and it's like, you 557 00:36:56,440 --> 00:36:58,480 Speaker 1: like Finn too, that's why you set me up like this, 558 00:36:58,840 --> 00:37:02,640 Speaker 1: and Kurt's like, let me tell you something. Neither of 559 00:37:02,719 --> 00:37:04,680 Speaker 1: us have a chance. Finn loves Quinn and they're having 560 00:37:04,719 --> 00:37:09,280 Speaker 1: a baby, and then Rachel goes, I thought. Rachel says 561 00:37:10,880 --> 00:37:13,439 Speaker 1: I thought we were friends, and Kurt says, what made 562 00:37:13,440 --> 00:37:20,120 Speaker 1: you think that, which is funny um, and then Finn 563 00:37:20,120 --> 00:37:24,240 Speaker 1: admits that yeah, he was like uh. Quinn and Finn 564 00:37:24,320 --> 00:37:26,560 Speaker 1: have this nice scene where they apologize to each other 565 00:37:27,280 --> 00:37:30,160 Speaker 1: and they're gonna, you know, they're gonna do this together, right, 566 00:37:30,200 --> 00:37:33,120 Speaker 1: They're gonna have the baby, and um, she's like, can 567 00:37:33,160 --> 00:37:35,400 Speaker 1: we be in love again? And he's like, look, if 568 00:37:35,440 --> 00:37:37,160 Speaker 1: we're going to do this, I'm gonna be completely honest 569 00:37:37,160 --> 00:37:39,239 Speaker 1: with you, even though nothing really happened at all, but 570 00:37:39,360 --> 00:37:44,080 Speaker 1: that I was with Rachel on Friday and uh, and 571 00:37:44,120 --> 00:37:47,000 Speaker 1: then Quentin Finn walked on the hallway together. They're back together. 572 00:37:47,560 --> 00:37:50,200 Speaker 1: They passed Rachel and Kurt, who are everybody's in love 573 00:37:50,239 --> 00:37:53,879 Speaker 1: with Fin? I guess and um we get sad looking 574 00:37:53,920 --> 00:38:00,520 Speaker 1: waves from curtain Rachel and that's um pretty much. Yeah, 575 00:38:00,719 --> 00:38:13,360 Speaker 1: hiography is right, it is. Should we do some party takes, 576 00:38:13,640 --> 00:38:20,280 Speaker 1: tarty takes? Yeah, let's do it. Okay, cringe a cheese 577 00:38:20,640 --> 00:38:25,560 Speaker 1: cheese out cheese. Um. I have to say, as much 578 00:38:25,600 --> 00:38:29,280 Speaker 1: as I bought it, the Papa, don't preach to the triple, 579 00:38:29,320 --> 00:38:34,439 Speaker 1: it's made me really cringe. E. I mean I thought 580 00:38:34,480 --> 00:38:38,320 Speaker 1: there was quite a bit. There was the whole portrayal 581 00:38:38,400 --> 00:38:45,720 Speaker 1: of Jane Adams Academy, some of the um death school 582 00:38:46,400 --> 00:38:53,040 Speaker 1: things that my dread, my dreads, Um, the hierography thing, 583 00:38:53,200 --> 00:38:57,359 Speaker 1: it's like cool epilepsy. There's you know, there's a lot 584 00:38:58,320 --> 00:39:03,920 Speaker 1: um worst dance move. I mean we were like humping 585 00:39:04,320 --> 00:39:10,319 Speaker 1: in crazy in love and hair like it was wild. Well, 586 00:39:10,360 --> 00:39:12,399 Speaker 1: the inappropriate, which I think was the point. I think 587 00:39:12,440 --> 00:39:15,160 Speaker 1: it was the point was it supposed to be inappropriate? Um? 588 00:39:15,360 --> 00:39:17,560 Speaker 1: And I think we talked about best dance move, which 589 00:39:17,560 --> 00:39:20,320 Speaker 1: obviously would have been Jane Adams Academy jumping into the splits. 590 00:39:22,000 --> 00:39:25,640 Speaker 1: Yeah yeah, yeah, jump splits, mlits, booty jump splits. And 591 00:39:25,680 --> 00:39:31,359 Speaker 1: then best song the song, the song. Oh that's all nice. 592 00:39:31,400 --> 00:39:34,400 Speaker 1: I was going to say, imagine, you're just really you 593 00:39:34,800 --> 00:39:38,560 Speaker 1: deserve your moment, you know it in some time, and 594 00:39:38,640 --> 00:39:42,320 Speaker 1: you sound so good and it will be some time again, 595 00:39:42,400 --> 00:39:51,960 Speaker 1: so we'll take it best performance by a proper um. 596 00:39:52,080 --> 00:39:55,560 Speaker 1: I think about this first yeah you know, yeah, it 597 00:39:55,640 --> 00:39:59,640 Speaker 1: wasn't there, no no, And the women's hair is you 598 00:39:59,680 --> 00:40:04,879 Speaker 1: know that's appropriate? So um okay, I didn't edge well 599 00:40:04,920 --> 00:40:06,920 Speaker 1: in h well, I mean the same as cringe moments. 600 00:40:08,040 --> 00:40:11,440 Speaker 1: A lot of episodes not age well. I think I 601 00:40:11,480 --> 00:40:15,720 Speaker 1: think like the collective other, like the Scrimmages, like the group, 602 00:40:15,719 --> 00:40:18,200 Speaker 1: the other glee clubs, the whole thing was a little 603 00:40:18,360 --> 00:40:27,799 Speaker 1: off off the mark. Um okay. And best quote okay, 604 00:40:27,960 --> 00:40:32,839 Speaker 1: so one of them is for me Kurt who says 605 00:40:32,920 --> 00:40:35,440 Speaker 1: Rachel manages to dress like a grandmother and a toddler. 606 00:40:38,680 --> 00:40:41,640 Speaker 1: I love it. It's very funny. It's very funny. I 607 00:40:41,680 --> 00:40:44,080 Speaker 1: like when you have to see it with the prop. 608 00:40:44,239 --> 00:40:48,760 Speaker 1: But when Sue is talking to Will in the beginning 609 00:40:48,880 --> 00:40:50,959 Speaker 1: and she has the magazine on the table and she's like, Will, 610 00:40:51,880 --> 00:40:58,920 Speaker 1: I'd like a magazine back. I thought that was really good. Okay, 611 00:40:58,960 --> 00:41:05,360 Speaker 1: are you ready, Jenna, I'm ready. Okay, So this TikTok 612 00:41:06,560 --> 00:41:09,319 Speaker 1: is let me send it to you. Pull it up. 613 00:41:10,280 --> 00:41:15,959 Speaker 1: It is from Slackers Tragedy and they are showing off 614 00:41:16,840 --> 00:41:23,719 Speaker 1: all of the glee merch they have. It is crazy. 615 00:41:24,200 --> 00:41:27,319 Speaker 1: It is two and a half minutes long. Did you 616 00:41:27,360 --> 00:41:30,440 Speaker 1: know the stuff existed? Not? No, I'm looking at the 617 00:41:30,480 --> 00:41:34,120 Speaker 1: script right now. Okay, I get that. There's a tissue box, 618 00:41:34,320 --> 00:41:40,520 Speaker 1: the trivia box we were in, a magic eight ball. 619 00:41:40,719 --> 00:41:46,120 Speaker 1: I've never seen this magic before. It's really funny. Um. 620 00:41:46,239 --> 00:41:50,120 Speaker 1: I can't believe. I just want to know, like how 621 00:41:50,200 --> 00:41:55,759 Speaker 1: much money they spent on this? Oh my gosh, Like 622 00:41:55,920 --> 00:42:00,840 Speaker 1: it's really it's a little karaoke revolution and there's a 623 00:42:00,840 --> 00:42:06,439 Speaker 1: fake slushy Kevin, did you ever get Wow? We had 624 00:42:06,520 --> 00:42:09,360 Speaker 1: an award that was made for us from the O 625 00:42:09,560 --> 00:42:11,600 Speaker 1: two because we sold out the O two for two 626 00:42:11,640 --> 00:42:13,520 Speaker 1: weeks in a row. That was like a trophy. It 627 00:42:13,600 --> 00:42:16,839 Speaker 1: was a slushy. I never got mine. I never got 628 00:42:16,840 --> 00:42:20,399 Speaker 1: mine either. There was also a plaque we got for 629 00:42:20,680 --> 00:42:23,719 Speaker 1: selling a certain number of albums in the UK. We 630 00:42:23,760 --> 00:42:25,439 Speaker 1: took pictures with it, but I didn't get that either. 631 00:42:26,840 --> 00:42:30,960 Speaker 1: The comic book. I remember that plaque. There's a comic 632 00:42:30,960 --> 00:42:33,279 Speaker 1: book and we all look very scary in it. I 633 00:42:33,320 --> 00:42:38,600 Speaker 1: can't believe. Oh my gosh, this is crazy. That's amazing. Wow, 634 00:42:39,280 --> 00:42:42,279 Speaker 1: very cool, very very cool. So I was going through 635 00:42:42,280 --> 00:42:46,799 Speaker 1: some of my things yesterday and I realized that do 636 00:42:46,840 --> 00:42:50,840 Speaker 1: you remember when that Glee karaoke game came out on We? Yeah? 637 00:42:51,280 --> 00:42:55,680 Speaker 1: M hm. So I see that they have the WE game. 638 00:42:56,760 --> 00:43:01,719 Speaker 1: I have the actual physical that they gifted us with 639 00:43:01,800 --> 00:43:06,200 Speaker 1: our faces on it, and I feel like this person 640 00:43:06,480 --> 00:43:11,680 Speaker 1: needs that as part of their collection. So if there 641 00:43:11,760 --> 00:43:17,160 Speaker 1: is a way to send this Glee we to psycher strategy. 642 00:43:17,200 --> 00:43:20,439 Speaker 1: If you want, oh my god, there's a coloring book 643 00:43:20,440 --> 00:43:22,600 Speaker 1: to you guys, guys see this video. Um, we will 644 00:43:22,640 --> 00:43:27,799 Speaker 1: be posting these. Kevin, are you giving away your weed? 645 00:43:27,840 --> 00:43:31,839 Speaker 1: Is lack of strategy? Yes, I think that's really nice. 646 00:43:31,880 --> 00:43:34,960 Speaker 1: If anyone deserves it. It is this person. Are you 647 00:43:35,040 --> 00:43:39,440 Speaker 1: kidding me? Yeah, like they have things. This video is 648 00:43:39,440 --> 00:43:41,680 Speaker 1: still going on. I'm sorry I'm talking over this whole time, 649 00:43:41,719 --> 00:43:47,480 Speaker 1: but I don't know. That's amazing. UM. So I think 650 00:43:48,280 --> 00:43:51,440 Speaker 1: as a as a thank you to the dedication of collection, 651 00:43:52,200 --> 00:43:59,080 Speaker 1: here's one more thing, so we'll find a way to Kevin. Wow, 652 00:43:59,520 --> 00:44:04,840 Speaker 1: that's fine in um, thanks for sharing. That was a 653 00:44:04,920 --> 00:44:14,400 Speaker 1: fun one the ticnoks you mean yeah, Um, next week's 654 00:44:14,400 --> 00:44:17,080 Speaker 1: episode is actually really fun. We have a lot of 655 00:44:17,120 --> 00:44:25,760 Speaker 1: stories of about the Mattress store in the episode Mattress Um. 656 00:44:25,800 --> 00:44:29,560 Speaker 1: I believe this was Ian's first his directorial debut with 657 00:44:29,800 --> 00:44:33,200 Speaker 1: the show. Does he directed? I could be wrong, I 658 00:44:33,200 --> 00:44:37,319 Speaker 1: think so we'll know next week. It Yeah, We'll come 659 00:44:37,400 --> 00:44:39,040 Speaker 1: come back next week to find out if I'm right 660 00:44:39,120 --> 00:44:42,720 Speaker 1: or wrong and my memories um off or on um. 661 00:44:42,760 --> 00:44:46,879 Speaker 1: But thanks for recapping with us hierography and hanging out 662 00:44:46,920 --> 00:44:49,920 Speaker 1: with us again. Thanks for sending in those TikTok's for 663 00:44:50,040 --> 00:44:53,640 Speaker 1: Kevin and see you next week. That's what you really 664 00:44:53,640 --> 00:44:58,120 Speaker 1: missed many thanks for listening and follow us on Instagram 665 00:44:58,200 --> 00:45:00,560 Speaker 1: at and that's what you really miss pod. Make sure 666 00:45:00,600 --> 00:45:02,680 Speaker 1: to write us a review and leave us five stars. 667 00:45:02,880 --> 00:45:03,600 Speaker 1: See you next time.