1 00:00:00,080 --> 00:00:03,400 Speaker 1: Hello the Internet, and welcome to season one thirty one, 2 00:00:03,400 --> 00:00:06,560 Speaker 1: Episode one of DIR Day. He's like guys, the production 3 00:00:06,600 --> 00:00:09,040 Speaker 1: of by Heart Radio. This is the podcast where we 4 00:00:09,039 --> 00:00:12,080 Speaker 1: take a deep drive into American's share consciousness and say, officially, 5 00:00:12,240 --> 00:00:17,280 Speaker 1: off the top, fuck the coach Robbers, fuck Fox News, 6 00:00:17,280 --> 00:00:22,880 Speaker 1: fuck the Open America movement. Uh it's Monday, April twenty seven. 7 00:00:24,239 --> 00:00:32,680 Speaker 1: My name is Jack O'Brien, a K time to stay inside. 8 00:00:33,280 --> 00:00:36,519 Speaker 1: Yes it is us courtesy Christy. I'm a Gucci man 9 00:00:36,920 --> 00:00:40,120 Speaker 1: and my pipes and I'm thrilled to be joined as 10 00:00:40,159 --> 00:00:47,640 Speaker 1: always by my co host Mr Miles. When the zoom 11 00:00:48,000 --> 00:00:51,879 Speaker 1: is online, mouse of great Jack o Brian, that's the 12 00:00:52,080 --> 00:00:56,800 Speaker 1: rhone when the sun seems to shine but we're all 13 00:00:56,920 --> 00:01:03,000 Speaker 1: stuck inside. You're inquory. Zooms will ring ding a link 14 00:01:03,080 --> 00:01:07,000 Speaker 1: ding ling ling, and they'll think you're at the mall 15 00:01:07,040 --> 00:01:09,039 Speaker 1: with your zoom virtual background. I just made up that 16 00:01:09,120 --> 00:01:13,840 Speaker 1: last part. Thank you to Lorcan R R. Rowley Lorcan. 17 00:01:14,480 --> 00:01:19,360 Speaker 1: It sounds like a fantastic experimental drug but also fantastic 18 00:01:19,400 --> 00:01:21,880 Speaker 1: a K submission. I don't know if you guys can 19 00:01:21,920 --> 00:01:24,319 Speaker 1: hear the sirens, but they're coming for you, Miles, because 20 00:01:24,360 --> 00:01:30,560 Speaker 1: you just killed that a k. Weird. There are literally 21 00:01:30,600 --> 00:01:34,000 Speaker 1: sirens going by outside. That wasn't just a long walk 22 00:01:34,080 --> 00:01:37,240 Speaker 1: for nothing, and you did actually murder that a K 23 00:01:37,880 --> 00:01:43,600 Speaker 1: and my mattress, we're sort of be joint and third 24 00:01:43,840 --> 00:01:48,160 Speaker 1: see by our co host, the hilarious, the talented Little 25 00:01:48,360 --> 00:01:52,000 Speaker 1: Zam or lil Zam, I like to pronounce the tease 26 00:01:52,440 --> 00:01:59,840 Speaker 1: Little Wayne litl Zam herself, Jamie laft us quality, Susan's 27 00:02:00,000 --> 00:02:07,000 Speaker 1: side where we belong, where my boyfriends high? And Sonny's 28 00:02:07,200 --> 00:02:13,399 Speaker 1: a knife? Who keeps us inside? Where we belong? From 29 00:02:13,520 --> 00:02:20,359 Speaker 1: the man's so hoes it wears and Bony's go oh 30 00:02:20,600 --> 00:02:26,760 Speaker 1: that was from official dickhead at ab Trussel, my boyfriend's 31 00:02:26,800 --> 00:02:35,919 Speaker 1: high and Sunny's a knife. That that's incredible. Ah, so good. Well, 32 00:02:36,000 --> 00:02:38,880 Speaker 1: we are thrilled to be joined in our fourth seat 33 00:02:39,880 --> 00:02:43,680 Speaker 1: by one of the great Uh. She's hilarious, she's talented, 34 00:02:43,800 --> 00:02:45,639 Speaker 1: one of our favorite guests here on the daily es. 35 00:02:45,680 --> 00:02:51,760 Speaker 1: Like guys, she is Brandy Posey. Hey, Brandy, you're a 36 00:02:51,880 --> 00:02:55,560 Speaker 1: fine girl. What good wife you would be if you 37 00:02:55,600 --> 00:02:58,960 Speaker 1: could have weddings, but you can't because we're in quarantine. 38 00:02:59,240 --> 00:03:06,120 Speaker 1: Posy Man shout out to all the canceled d journey. 39 00:03:07,240 --> 00:03:08,880 Speaker 1: It's like a weird thing. I have a few friends 40 00:03:08,919 --> 00:03:11,320 Speaker 1: getting married this year, and like I remember when I 41 00:03:11,440 --> 00:03:13,239 Speaker 1: had a friend who has had a wedding that was 42 00:03:13,240 --> 00:03:15,720 Speaker 1: supposed to be in April, and when it first hit 43 00:03:15,800 --> 00:03:18,880 Speaker 1: there like I think we're gonna have to cancel it. 44 00:03:19,040 --> 00:03:24,680 Speaker 1: I'm like yeah, yeah, I would say yes. I mean 45 00:03:24,800 --> 00:03:27,200 Speaker 1: you see, there was like a wedding that took place 46 00:03:27,360 --> 00:03:30,720 Speaker 1: where they put They still did it, but they socially 47 00:03:30,840 --> 00:03:34,480 Speaker 1: distanced and guests couldn't go, so they had like cardboard 48 00:03:34,560 --> 00:03:37,880 Speaker 1: people in the audience. It was real weird. Oh that 49 00:03:37,960 --> 00:03:40,320 Speaker 1: looks like you know demolition Man. There's a lot of 50 00:03:40,400 --> 00:03:43,920 Speaker 1: like uh like screens people that turn around and talk 51 00:03:43,960 --> 00:03:47,160 Speaker 1: to you and stuff talking about that. You know, it 52 00:03:47,200 --> 00:03:49,720 Speaker 1: would be fun because like you could will death do 53 00:03:49,800 --> 00:03:51,960 Speaker 1: you part? Thing? Would you know? If you actually have 54 00:03:52,080 --> 00:03:54,440 Speaker 1: the wedding, it's pretty quick. It's not really a lot 55 00:03:54,480 --> 00:03:56,960 Speaker 1: of commitment there. Oh and the headline for it even 56 00:03:57,000 --> 00:04:00,520 Speaker 1: says amid coronavirus. Why would you do the cutout? You're 57 00:04:00,560 --> 00:04:04,400 Speaker 1: not fooling anyone. Yeah, who are the cutouts for? I 58 00:04:04,440 --> 00:04:06,600 Speaker 1: mean I'm looking at this photo you just said, Jamie, 59 00:04:06,680 --> 00:04:09,880 Speaker 1: and it's truly like you were trying to pretend you 60 00:04:09,960 --> 00:04:12,600 Speaker 1: were trying to deceive burglars who were casing your house 61 00:04:12,720 --> 00:04:15,200 Speaker 1: that you are having a raucous party and it's not 62 00:04:15,320 --> 00:04:18,320 Speaker 1: just Michael Jordan's on a train track. And it's literally 63 00:04:18,440 --> 00:04:20,880 Speaker 1: like they would have had to have done that themselves. 64 00:04:20,960 --> 00:04:22,080 Speaker 1: I think, if you're going to do it, do it 65 00:04:22,120 --> 00:04:24,880 Speaker 1: all the way painting some faces, you know. Did they 66 00:04:24,960 --> 00:04:27,400 Speaker 1: then go into a shooting drill where they had to 67 00:04:27,480 --> 00:04:30,760 Speaker 1: like figure out which guests to shoot, like in like 68 00:04:30,920 --> 00:04:36,880 Speaker 1: in every movie. Oh, it's like the m ib shooting. Yeah, 69 00:04:37,200 --> 00:04:39,880 Speaker 1: tell us about this dime grouping in the center mass 70 00:04:39,960 --> 00:04:44,840 Speaker 1: of this cutout, Bradley, that guy was gonna actually oppose 71 00:04:44,960 --> 00:04:52,239 Speaker 1: this marriage? Yea, Yeah, It's like, what is this? Although 72 00:04:52,320 --> 00:04:54,520 Speaker 1: I would see someone who put in that much time 73 00:04:54,600 --> 00:04:57,560 Speaker 1: where they had cutouts and a whole narrative that was 74 00:04:57,560 --> 00:04:59,840 Speaker 1: going to play out between just the two of them 75 00:05:00,120 --> 00:05:04,200 Speaker 1: with no audience. I respect that. I hope. I hope 76 00:05:04,240 --> 00:05:08,200 Speaker 1: he's still punched his father in law's cut out after reception. 77 00:05:09,160 --> 00:05:15,680 Speaker 1: That's what I hope ended up. Yeah, plant ex boyfriend 78 00:05:16,120 --> 00:05:20,840 Speaker 1: like cardboard cutouts? How dare you just throwing wine glasses 79 00:05:20,920 --> 00:05:24,880 Speaker 1: at cardboard and then you like to tell your new 80 00:05:25,000 --> 00:05:27,839 Speaker 1: husband to be like, listen, he doesn't object, but he's 81 00:05:27,880 --> 00:05:33,960 Speaker 1: simmering the whole time in his face. A little extra, 82 00:05:34,279 --> 00:05:40,960 Speaker 1: little extra red like change the angle of those eyebrow lines. Okay, 83 00:05:41,040 --> 00:05:42,560 Speaker 1: you know what I've come all the way around. This 84 00:05:42,720 --> 00:05:45,280 Speaker 1: was a good idea. Yeah, I mean I might just 85 00:05:45,360 --> 00:05:49,359 Speaker 1: start doing this in my own house. I ordered another 86 00:05:49,440 --> 00:05:52,240 Speaker 1: doll online. Guys, it's over. I wonder if they made 87 00:05:52,360 --> 00:05:55,719 Speaker 1: like any of the uncles too drunk in the cutout, 88 00:05:55,920 --> 00:06:00,960 Speaker 1: like just like slaps over in their seat like Layer's 89 00:06:01,000 --> 00:06:05,440 Speaker 1: been going through it. Guys, this is normally the time 90 00:06:05,480 --> 00:06:07,840 Speaker 1: when we look forward at the news we're covering. But 91 00:06:08,040 --> 00:06:10,839 Speaker 1: for the most part we're just gonna be talking about 92 00:06:10,920 --> 00:06:13,440 Speaker 1: Men in Black, which is all the news you need. 93 00:06:14,279 --> 00:06:17,200 Speaker 1: That is the movie we watched over the weekend. You 94 00:06:17,320 --> 00:06:20,159 Speaker 1: watched over the weekend, so it's time to talk about 95 00:06:20,240 --> 00:06:23,840 Speaker 1: that eventually. Uh, if we have time, we might also 96 00:06:23,880 --> 00:06:29,359 Speaker 1: talk about Disney and a libertarian economists who is really 97 00:06:30,240 --> 00:06:34,760 Speaker 1: really stepped in it with with his predictions for the coronavirus. 98 00:06:35,560 --> 00:06:38,000 Speaker 1: But first, Brandy, we like to ask our guests, what 99 00:06:38,160 --> 00:06:41,000 Speaker 1: is something from your search history that is revealing about 100 00:06:41,040 --> 00:06:43,440 Speaker 1: who you are. I've been going down a real hole 101 00:06:43,640 --> 00:06:48,000 Speaker 1: on this artist from the seventies named Rowena Morrill m 102 00:06:48,040 --> 00:06:50,520 Speaker 1: O R R I l L. She did a lot 103 00:06:50,560 --> 00:06:52,960 Speaker 1: of like fantasy sci fi covers. She's like the only 104 00:06:53,320 --> 00:06:56,040 Speaker 1: I watched Mandy recently, and like the art from that 105 00:06:56,160 --> 00:06:57,960 Speaker 1: movie is based a lot on her work. So I've 106 00:06:58,000 --> 00:07:02,440 Speaker 1: just been like looking at a lot like babes fighting 107 00:07:02,560 --> 00:07:07,440 Speaker 1: dragons and that's how I'm getting through quarantine. Oh yeah, 108 00:07:07,520 --> 00:07:09,240 Speaker 1: I do. Now that I look at her work, I'm like, 109 00:07:09,560 --> 00:07:12,080 Speaker 1: this is like the cover of every fantasy book like 110 00:07:12,200 --> 00:07:15,400 Speaker 1: I ever like looked at in a library. Almost. Yeah, 111 00:07:15,680 --> 00:07:18,360 Speaker 1: She's she's so cool and like I would, I'll just 112 00:07:18,440 --> 00:07:21,120 Speaker 1: spend like I don't know, an hour or two to 113 00:07:21,160 --> 00:07:23,080 Speaker 1: be like, oh what if this was what the world 114 00:07:23,160 --> 00:07:28,360 Speaker 1: looked like? Okay, this is this is my break. You're like, 115 00:07:28,440 --> 00:07:32,720 Speaker 1: what if I threw this spear through the minotaurs? I? Yeah, exactly, 116 00:07:32,760 --> 00:07:36,280 Speaker 1: because this is beautiful. This is so cool. Yeah, her 117 00:07:36,280 --> 00:07:38,920 Speaker 1: stuff is really is really really fun. She's like, UM, 118 00:07:39,440 --> 00:07:40,840 Speaker 1: I don't know a ton about her because it just 119 00:07:40,880 --> 00:07:43,200 Speaker 1: isn't that much written about her. But I did find 120 00:07:43,200 --> 00:07:46,000 Speaker 1: out she was completely self taught and she's like one 121 00:07:46,040 --> 00:07:49,640 Speaker 1: of the only she was like the only woman in 122 00:07:49,720 --> 00:07:52,000 Speaker 1: this space in the seventies at all um and she 123 00:07:52,120 --> 00:07:57,000 Speaker 1: kind of like, Randy, I'm ready consider it done. I'm 124 00:07:57,000 --> 00:08:00,200 Speaker 1: gonna start. I'm starting fifteen podcast during this thing. I 125 00:08:00,320 --> 00:08:03,880 Speaker 1: am sick of a sound of my own voice. And 126 00:08:04,040 --> 00:08:07,600 Speaker 1: she did illustrate some like she illustrated the cover for 127 00:08:07,760 --> 00:08:11,720 Speaker 1: sand Kings, which I think we're all familiar with. I'd 128 00:08:11,760 --> 00:08:15,520 Speaker 1: actually never heard of it, but yeah, that is such 129 00:08:15,600 --> 00:08:20,280 Speaker 1: a like very specific aesthetic that like everybody is jacked 130 00:08:20,360 --> 00:08:25,000 Speaker 1: and all the women are in bikinis and uh yeah, 131 00:08:25,560 --> 00:08:30,320 Speaker 1: they're just like fighting. Metallica used it for their Power 132 00:08:30,400 --> 00:08:33,360 Speaker 1: Metal Demo tape. That the art is on the Power 133 00:08:33,440 --> 00:08:36,319 Speaker 1: Metal Demo is her. It feels like almost like I 134 00:08:36,760 --> 00:08:38,959 Speaker 1: hate that to hear that she's self taught, because I 135 00:08:39,080 --> 00:08:41,599 Speaker 1: love a story where her and Lisa Frank went to 136 00:08:41,679 --> 00:08:45,840 Speaker 1: the same art school where like where there they were 137 00:08:45,920 --> 00:08:48,600 Speaker 1: on the same trajectory and she's like, I'm going this way, 138 00:08:48,640 --> 00:08:50,880 Speaker 1: and she's like and I'm going that way. And Elisa 139 00:08:51,040 --> 00:08:54,600 Speaker 1: Frank's story is like one of the best like business 140 00:08:54,640 --> 00:08:58,199 Speaker 1: stories of all fucking time. I want Lisa Frank. She 141 00:08:58,640 --> 00:09:01,839 Speaker 1: Oh my god, there's a whole Jezebel expose about it, 142 00:09:01,920 --> 00:09:05,119 Speaker 1: like five or six years ago. It's like a cocaine 143 00:09:05,240 --> 00:09:09,199 Speaker 1: fueled company. She had this trash husband who like cheated 144 00:09:09,240 --> 00:09:12,480 Speaker 1: on her with her like second in command, and then 145 00:09:12,600 --> 00:09:14,839 Speaker 1: Lisa Frank was like, I'm out, I'm moving to like 146 00:09:15,000 --> 00:09:18,240 Speaker 1: my pink palace, like whatever I'm and then her husband 147 00:09:18,280 --> 00:09:22,160 Speaker 1: took over the company and just like always like turned 148 00:09:22,440 --> 00:09:25,560 Speaker 1: the like made it freezing in the building. It would 149 00:09:25,559 --> 00:09:28,599 Speaker 1: be like forty degrees in or however cold it was. 150 00:09:29,280 --> 00:09:32,720 Speaker 1: Be on cocaine, stomping around, screaming at people, drawing pandas 151 00:09:32,840 --> 00:09:38,080 Speaker 1: for like years in Arizona. Of course it's crazy in Arizona. 152 00:09:38,640 --> 00:09:43,960 Speaker 1: Feel the Arizona dripping off that. Yeah, cocaine fueled warehouse 153 00:09:44,040 --> 00:09:48,000 Speaker 1: drawing pandas, that's Arizona. Where is that docuseries? I know 154 00:09:48,480 --> 00:09:50,880 Speaker 1: I want to see that. It's an It was like 155 00:09:50,920 --> 00:09:54,400 Speaker 1: an incredible one off piece that is like it's fucking time. 156 00:09:54,440 --> 00:09:57,599 Speaker 1: It's called Inside the Rainbow Goolag. It came out in 157 00:10:00,200 --> 00:10:03,559 Speaker 1: so she hasn't really been involved with her Like she 158 00:10:03,720 --> 00:10:07,880 Speaker 1: created the aesthetic and then her husband and cocaine have 159 00:10:08,120 --> 00:10:11,760 Speaker 1: been just recreating it ever since. No, she has since 160 00:10:11,800 --> 00:10:15,079 Speaker 1: gotten divorced from the husband, and the husband has started 161 00:10:15,200 --> 00:10:17,600 Speaker 1: some like T shirt company, so I think she might 162 00:10:17,679 --> 00:10:20,320 Speaker 1: be back involved. And that's why there's like Lisa Frank 163 00:10:20,360 --> 00:10:26,480 Speaker 1: stuff in like Urban Outfitters. Now what, I'm like, what's 164 00:10:26,520 --> 00:10:30,559 Speaker 1: going on? She has two sons, Okay, Hunter Green and 165 00:10:30,760 --> 00:10:37,719 Speaker 1: Forest Green. Yeah, her son Forest Green, who is the 166 00:10:37,840 --> 00:10:41,880 Speaker 1: one who's like running her Instagram account. Really that's why 167 00:10:41,960 --> 00:10:44,280 Speaker 1: the Lisa Frank this is like an article from l 168 00:10:44,400 --> 00:10:47,240 Speaker 1: dot com from last summer. But yeah, her her twenty 169 00:10:47,320 --> 00:10:49,079 Speaker 1: year old son at the time, who goes to u 170 00:10:49,120 --> 00:10:51,839 Speaker 1: c l A has basically been like talking like Miley 171 00:10:51,960 --> 00:10:54,840 Speaker 1: Cyrus diplow through the Lisa Frank account and just basically 172 00:10:54,880 --> 00:10:57,200 Speaker 1: being like, yo, the brand's relevant. Mom, Like just let 173 00:10:57,240 --> 00:11:00,959 Speaker 1: me fucking like talk on behalf of it. Yeah, so 174 00:11:01,080 --> 00:11:04,120 Speaker 1: many sons, so many sons getting involved with these brands. 175 00:11:04,160 --> 00:11:06,240 Speaker 1: You know, I'm glad her sons aren't because like her 176 00:11:06,320 --> 00:11:09,120 Speaker 1: husband sucked, but I'm glad that the sons are like 177 00:11:09,559 --> 00:11:11,679 Speaker 1: carrying the tradition line. But then also if you look 178 00:11:11,760 --> 00:11:14,480 Speaker 1: her like her whole like she got her business started 179 00:11:14,520 --> 00:11:18,640 Speaker 1: by stealing art from indigenous artists, so she's also trash. 180 00:11:19,200 --> 00:11:21,600 Speaker 1: Wait what what culture is the Happy Killer Whale from 181 00:11:21,760 --> 00:11:27,520 Speaker 1: I Want to Know would Yeah, who should I be 182 00:11:27,679 --> 00:11:30,280 Speaker 1: crediting instead? She and I think it was like her 183 00:11:30,360 --> 00:11:32,679 Speaker 1: early work was all stolen and then she made all 184 00:11:32,679 --> 00:11:35,240 Speaker 1: the money that she launched. Her company is a whole thing. 185 00:11:35,400 --> 00:11:37,920 Speaker 1: It's like how Barefoot contest is built on dark money. 186 00:11:37,960 --> 00:11:39,800 Speaker 1: But you're like, you can't think too hard about it. 187 00:11:42,120 --> 00:11:45,400 Speaker 1: What if something you think is underrated? Brandy? Uh, well, 188 00:11:45,559 --> 00:11:50,559 Speaker 1: I put my overrated to my underrated together here underrated amphibians, 189 00:11:50,960 --> 00:11:55,960 Speaker 1: overrated reptiles. I think, like, I don't think we think 190 00:11:55,960 --> 00:11:59,280 Speaker 1: about amphibians enough because they're like between a fish and 191 00:11:59,320 --> 00:12:02,160 Speaker 1: a reptile. I think we like give snakes and ship 192 00:12:02,360 --> 00:12:06,760 Speaker 1: like they're too popular. Give me an example of a 193 00:12:06,840 --> 00:12:11,000 Speaker 1: namphibian that should be more popular. Um, like that little 194 00:12:11,440 --> 00:12:18,200 Speaker 1: salamander guy that's got it looks like he's smiling. Yeah, 195 00:12:18,360 --> 00:12:22,760 Speaker 1: like those those little guys, they're like less scaly, they're fun. 196 00:12:22,840 --> 00:12:25,040 Speaker 1: I'm just gonna look up. I came up with this 197 00:12:25,160 --> 00:12:29,120 Speaker 1: right before we did this, so yeah, like little just 198 00:12:29,240 --> 00:12:32,640 Speaker 1: like there are so many crazy ass frogs and like 199 00:12:33,920 --> 00:12:39,559 Speaker 1: like crazy frog for instance, Yeah, Pepe the frog. They 200 00:12:39,640 --> 00:12:42,480 Speaker 1: all come from this common lineage I think that frogs. 201 00:12:42,520 --> 00:12:45,199 Speaker 1: Oh yeah, Like when you bring that up, I'm like, 202 00:12:45,280 --> 00:12:47,559 Speaker 1: that's right. They can bang under like they can breathe 203 00:12:47,640 --> 00:12:51,240 Speaker 1: underwater too, Like they're they're not limited, and I think 204 00:12:51,320 --> 00:12:53,080 Speaker 1: maybe we have to look at that as a true 205 00:12:53,160 --> 00:13:03,959 Speaker 1: superpower in nature. They're limitless. Yea, they can. Yeah, But like, 206 00:13:04,000 --> 00:13:06,800 Speaker 1: where's the conspiracy theory that all the rich people in 207 00:13:06,880 --> 00:13:12,480 Speaker 1: the world are amphibians your reptiles? Nah, they got it 208 00:13:12,520 --> 00:13:17,120 Speaker 1: all wrong. They got the real powerful ones are amphibious man. Absolutely, 209 00:13:17,320 --> 00:13:19,920 Speaker 1: from the shape of water, he's that was amphibious. That 210 00:13:20,040 --> 00:13:22,080 Speaker 1: wasn't really a fish man. He's more of an amphibian man. 211 00:13:22,480 --> 00:13:26,959 Speaker 1: That's amphibian fuck monster exactly what would you rather have that? 212 00:13:27,160 --> 00:13:29,960 Speaker 1: Or like Jeffrey Epstein like those are the two, that's 213 00:13:30,000 --> 00:13:36,880 Speaker 1: the scale. I think it's amphibians. Yeah. Yeah. And finally, 214 00:13:36,960 --> 00:13:39,160 Speaker 1: what is a myth? What's something people think is true? 215 00:13:39,320 --> 00:13:43,760 Speaker 1: You know to be false? Uh? Inflatable dinosaurs suits do 216 00:13:43,960 --> 00:13:51,200 Speaker 1: not count as ppe. I'm gonna just all the famous 217 00:13:51,240 --> 00:13:53,839 Speaker 1: suit we see people doing skateboard tricks and the like. 218 00:13:54,080 --> 00:13:58,200 Speaker 1: That's not medically suitable to protect you from h How 219 00:13:58,679 --> 00:14:00,600 Speaker 1: you guys, I gotta call my wife at the hospital 220 00:14:00,640 --> 00:14:05,560 Speaker 1: real quick. Sorry, sent your off with some bad info. Look, 221 00:14:06,440 --> 00:14:08,800 Speaker 1: when this all started, I bought a couple of costumes 222 00:14:08,840 --> 00:14:11,120 Speaker 1: because I was like, just in case, I just want 223 00:14:11,160 --> 00:14:13,400 Speaker 1: to make sure I'm good to go. Honey, I gotta 224 00:14:13,440 --> 00:14:15,280 Speaker 1: tell you something. I gotta tell you something. But please 225 00:14:15,400 --> 00:14:18,360 Speaker 1: don't let the first words you say I told you so, Okay, 226 00:14:18,440 --> 00:14:20,520 Speaker 1: I guess, but I have to tell you something. But 227 00:14:21,080 --> 00:14:23,280 Speaker 1: don't let that be the first thing you say. That 228 00:14:23,440 --> 00:14:27,160 Speaker 1: dinosaur suit might not actually protect you. So I'm sorry. Look, 229 00:14:27,200 --> 00:14:30,040 Speaker 1: I just look, I just want I want it to 230 00:14:30,120 --> 00:14:34,120 Speaker 1: be true that they work, but they don't. And I 231 00:14:34,280 --> 00:14:36,440 Speaker 1: realized now it may actually you're right, it may have 232 00:14:36,480 --> 00:14:38,320 Speaker 1: been the reason for your light fender bender. It is 233 00:14:38,400 --> 00:14:42,360 Speaker 1: hard to drive in that thing. It's a little bit difficult. Yeah, 234 00:14:42,520 --> 00:14:44,080 Speaker 1: but you are in your own air bag at the 235 00:14:44,160 --> 00:14:50,680 Speaker 1: same time, so double double bag it. Yeah, exactly. I 236 00:14:50,720 --> 00:14:52,840 Speaker 1: just want to show up to the hospital with COVID 237 00:14:52,960 --> 00:14:56,000 Speaker 1: nineteen in a t rex so just like I'm not contagious, 238 00:14:56,080 --> 00:15:00,040 Speaker 1: I'm containing it. I'm containing Why is everybody so of 239 00:15:00,160 --> 00:15:05,040 Speaker 1: that suit? Though? I mean, it's hilarious, it's really really yeah, 240 00:15:05,560 --> 00:15:09,000 Speaker 1: way it moves, it's really good. And if you're at 241 00:15:09,080 --> 00:15:11,640 Speaker 1: the hospital. I feel like everyone gets a patch Adams 242 00:15:11,760 --> 00:15:14,320 Speaker 1: vibe from It makes me move. They're like, this is fun. 243 00:15:15,160 --> 00:15:17,760 Speaker 1: It's like a new It's so fun. I remember on 244 00:15:17,920 --> 00:15:21,400 Speaker 1: Halloween this year, like they were roving dino gangs in 245 00:15:21,440 --> 00:15:24,880 Speaker 1: the neighborhoods like kids or treating. Yeah. Yeah, like it 246 00:15:25,040 --> 00:15:26,800 Speaker 1: was wild to the part. I'm like, are you all 247 00:15:26,960 --> 00:15:29,560 Speaker 1: this unoriginal? Like this is the fat? The fat is 248 00:15:29,640 --> 00:15:32,560 Speaker 1: so strong? All y'all just said, Okay, I guess we're 249 00:15:32,560 --> 00:15:34,680 Speaker 1: all dinosaurs. But the sad thing is when you see 250 00:15:34,720 --> 00:15:37,440 Speaker 1: a group of dinosaurs and one kid has like the 251 00:15:37,560 --> 00:15:40,200 Speaker 1: defective suit that clearly doesn't hold the air in, so 252 00:15:40,400 --> 00:15:42,800 Speaker 1: like the heads all drooping and ship and it looks 253 00:15:42,800 --> 00:15:45,480 Speaker 1: like they dude like like having like passing out midway 254 00:15:45,480 --> 00:15:48,560 Speaker 1: on a walk while his friends got the red suit on. 255 00:15:48,640 --> 00:15:52,920 Speaker 1: It's a sad he's showing signs of a stroke. It's 256 00:15:52,960 --> 00:15:56,840 Speaker 1: like the right side is failing a bit. Yeah. I mean, 257 00:15:56,960 --> 00:16:00,600 Speaker 1: I can't be too hard on them because, like I say, 258 00:16:01,280 --> 00:16:04,960 Speaker 1: the same Halloween costume as everybody when I was their age, 259 00:16:05,000 --> 00:16:09,400 Speaker 1: except mine was like fucking Superman mask with like the 260 00:16:09,720 --> 00:16:14,200 Speaker 1: store bought like Superman crappy. Why why do we even 261 00:16:14,280 --> 00:16:19,040 Speaker 1: need a Superman mask. That's that's my question. They're scary there, 262 00:16:19,120 --> 00:16:22,200 Speaker 1: they're really so yeah, so black and brown children co 263 00:16:22,400 --> 00:16:27,560 Speaker 1: where they're internalized white supremacy on the side. Yeah, yeah, exactly. 264 00:16:27,840 --> 00:16:29,440 Speaker 1: For Halloween this year, I think I'm going to wear 265 00:16:29,480 --> 00:16:31,320 Speaker 1: one of the inflatable t Rex suits, but with a 266 00:16:31,440 --> 00:16:36,800 Speaker 1: Borat costume over it. That's my plan this year. And 267 00:16:36,960 --> 00:16:39,960 Speaker 1: a pimp and from a problematic pimp bad costume like 268 00:16:40,040 --> 00:16:45,960 Speaker 1: the fur hat. Now you've hit the trifecta gut dinosaur 269 00:16:46,840 --> 00:16:50,960 Speaker 1: st I think I think that recognizable Halloween costumes are 270 00:16:51,040 --> 00:16:54,040 Speaker 1: kind of underrated because there's nothing worse than someone explaining 271 00:16:54,120 --> 00:16:57,560 Speaker 1: to you what they are like at a party. It's 272 00:16:57,800 --> 00:17:01,480 Speaker 1: you're like, I don't know what that is? Yeah, right there, 273 00:17:01,480 --> 00:17:06,280 Speaker 1: Like do you like experimental German cinema? And actually, forget it, dude, 274 00:17:06,320 --> 00:17:08,960 Speaker 1: I get it, you're some kind of clown or whatever. Fine. 275 00:17:09,160 --> 00:17:11,879 Speaker 1: I've been digitizing my home videos and there's like a 276 00:17:12,160 --> 00:17:14,800 Speaker 1: long as video of my brother when he's three, trying 277 00:17:14,840 --> 00:17:18,200 Speaker 1: to explain which NASCAR race car driver he said, like 278 00:17:18,440 --> 00:17:20,639 Speaker 1: he's dressed as to other kids, and they just like 279 00:17:20,800 --> 00:17:24,920 Speaker 1: he loses them. He's like, yeah, I'm Bill Elliott. He 280 00:17:25,000 --> 00:17:28,320 Speaker 1: has McDonald's on his back and they're like we're we're ghosts, 281 00:17:28,520 --> 00:17:32,679 Speaker 1: like sorry, sorry, and it's it's the same energy as 282 00:17:32,720 --> 00:17:35,280 Speaker 1: having someone explain a dream to you. It's like that 283 00:17:36,080 --> 00:17:38,520 Speaker 1: kind of thing. We're like, uh huh, I don't I 284 00:17:38,560 --> 00:17:42,240 Speaker 1: don't care. I never wanted. But like, wasn't Bill Elliott 285 00:17:42,280 --> 00:17:44,960 Speaker 1: probably about to like was he going to retire? Maybe 286 00:17:45,080 --> 00:17:46,520 Speaker 1: by the time, I don't know. I'm thinking of, like 287 00:17:48,119 --> 00:17:51,080 Speaker 1: this was two thousand. I think he might have still 288 00:17:51,119 --> 00:17:52,399 Speaker 1: been in the mix. I don't know they were, it 289 00:17:52,480 --> 00:17:55,159 Speaker 1: was at the part where as I'm also thinking of 290 00:17:55,240 --> 00:17:57,800 Speaker 1: like my early memories of Bill Elliott as a race 291 00:17:57,840 --> 00:17:59,640 Speaker 1: car driver, and like that's way back. And then I'm 292 00:17:59,680 --> 00:18:03,400 Speaker 1: also remembering to be a NASCAR driver, your eyes, hands 293 00:18:03,440 --> 00:18:07,000 Speaker 1: and feet just need to work like a nine point 294 00:18:07,040 --> 00:18:10,080 Speaker 1: five second dash. It's not a game of skill. It's 295 00:18:10,080 --> 00:18:12,960 Speaker 1: not a game of skill. I mean, sure, you try 296 00:18:13,000 --> 00:18:15,240 Speaker 1: and you try and take that thing you try and taken, 297 00:18:17,240 --> 00:18:20,080 Speaker 1: but I'll say it's not you know, I would love 298 00:18:20,160 --> 00:18:23,320 Speaker 1: to see that Best News show someone now driver's license. 299 00:18:23,359 --> 00:18:26,040 Speaker 1: All right, now you're in a NASCAR race. That's fun. 300 00:18:27,040 --> 00:18:31,400 Speaker 1: I would pay al right, guys, real quick let's check 301 00:18:31,440 --> 00:18:34,840 Speaker 1: in with Richard Epstein. I think everybody was thinking it. Uh, 302 00:18:34,960 --> 00:18:37,080 Speaker 1: so let's just go ahead and do it. He's a 303 00:18:37,240 --> 00:18:43,080 Speaker 1: libertarian economists who I reference like three weeks ago because 304 00:18:43,160 --> 00:18:47,360 Speaker 1: he uh he writes for the Hoover Institute at Stanford. 305 00:18:48,000 --> 00:18:53,280 Speaker 1: He's very well respected law professor and economist. And he 306 00:18:53,560 --> 00:18:57,200 Speaker 1: was just out here being like, guys, it's not that bad. 307 00:18:57,560 --> 00:18:59,879 Speaker 1: The deaths are going to top out at five hundred, 308 00:19:00,600 --> 00:19:03,879 Speaker 1: and like, this is all just a way for the 309 00:19:04,000 --> 00:19:08,720 Speaker 1: government to seize power. But he thought his first death 310 00:19:08,920 --> 00:19:15,400 Speaker 1: estimate was only five in the United States total total. Yes, 311 00:19:15,920 --> 00:19:20,200 Speaker 1: And then people pointed out like how his thing was 312 00:19:20,280 --> 00:19:23,960 Speaker 1: already wrong, like two days later that people have died, 313 00:19:24,320 --> 00:19:27,679 Speaker 1: and he upped it, like he went back and edited 314 00:19:27,760 --> 00:19:32,560 Speaker 1: the article so that it said five thousand. Uh Like, 315 00:19:33,040 --> 00:19:35,880 Speaker 1: so now he's good. Now he's got it. But now 316 00:19:36,000 --> 00:19:42,600 Speaker 1: he's still publishing things where he argues like that this 317 00:19:42,920 --> 00:19:46,840 Speaker 1: is all bullshit, that uh, it's not like conspiracy theory ship, 318 00:19:47,000 --> 00:19:52,520 Speaker 1: but it's it is like still obstinately insists that the 319 00:19:52,640 --> 00:19:57,639 Speaker 1: government doesn't need to like do lockdowns and they should 320 00:19:57,680 --> 00:20:01,919 Speaker 1: be just letting people who are at risk just social 321 00:20:02,040 --> 00:20:06,159 Speaker 1: distance themselves or like lock themselves away, and it's just 322 00:20:06,600 --> 00:20:10,240 Speaker 1: it's truly, it reminds me of that thing where like 323 00:20:10,840 --> 00:20:15,280 Speaker 1: people in cults are above average intelligence because you can 324 00:20:15,400 --> 00:20:20,160 Speaker 1: just like convince yourself of any anything when you're smart enough, 325 00:20:20,240 --> 00:20:22,320 Speaker 1: like you're good enough at arguing, so you can argue 326 00:20:22,359 --> 00:20:25,800 Speaker 1: whatever truth is convenient for you. It really is like 327 00:20:26,040 --> 00:20:29,320 Speaker 1: he is still out here, still finding a way to 328 00:20:29,440 --> 00:20:32,239 Speaker 1: just have his head so far up his ass. Uh. 329 00:20:32,400 --> 00:20:35,159 Speaker 1: It's pretty fun though, to kind of follow him on 330 00:20:35,240 --> 00:20:37,840 Speaker 1: Twitter because every time he posts an article, there's just 331 00:20:38,040 --> 00:20:43,679 Speaker 1: like twelve likes and like twelve thousand people just being like, Yo, 332 00:20:44,560 --> 00:20:47,600 Speaker 1: shut the funk up. How can you still be talking 333 00:20:47,760 --> 00:20:50,160 Speaker 1: right now? I mean yeah, the people like this who 334 00:20:50,200 --> 00:20:52,960 Speaker 1: have gone out, I mean everything you boiled these assholes 335 00:20:53,080 --> 00:20:55,840 Speaker 1: arguments down, they always boiled down to money is more 336 00:20:55,880 --> 00:20:58,760 Speaker 1: important than human life. That's essentially because the thrust of 337 00:20:58,800 --> 00:21:01,080 Speaker 1: the articles, like I don't know, based on the death toll, 338 00:21:01,080 --> 00:21:03,760 Speaker 1: if this is worth the damage to the economy, fuck that. 339 00:21:04,359 --> 00:21:07,360 Speaker 1: Not enough people give a funk about how the economy 340 00:21:07,400 --> 00:21:10,080 Speaker 1: works in that sense, like we're not business owners were 341 00:21:10,119 --> 00:21:12,920 Speaker 1: not the we're not the owner ownership class were the 342 00:21:13,040 --> 00:21:16,000 Speaker 1: worker class. That does not mean anything to me. So 343 00:21:16,080 --> 00:21:18,280 Speaker 1: what I need to hear is my life is worth something. 344 00:21:18,640 --> 00:21:21,160 Speaker 1: So people should just be like, sorry, sir, your take 345 00:21:21,280 --> 00:21:23,720 Speaker 1: is actually completely fucked up because your bottom line is 346 00:21:23,800 --> 00:21:26,080 Speaker 1: money is more important than human life. And like that's 347 00:21:26,119 --> 00:21:28,359 Speaker 1: just not how we're going to bang as a species 348 00:21:28,400 --> 00:21:30,360 Speaker 1: into the future. But hey, I don't know that could 349 00:21:30,359 --> 00:21:33,160 Speaker 1: be the way we're going well, and it's like God 350 00:21:33,240 --> 00:21:35,840 Speaker 1: forbids somebody close to him actually gets it, and then 351 00:21:35,960 --> 00:21:37,920 Speaker 1: he is forced to have some sort of empathy at all. 352 00:21:38,000 --> 00:21:39,560 Speaker 1: Like that's like literally what it would take for him 353 00:21:39,560 --> 00:21:44,359 Speaker 1: to be like, like, you just can't extend that that 354 00:21:44,600 --> 00:21:49,159 Speaker 1: thought to somebody that you don't know. It's just horrific. Yeah, 355 00:21:49,440 --> 00:21:53,560 Speaker 1: it's it's it's a convenient mental space to be in 356 00:21:53,680 --> 00:21:58,200 Speaker 1: where you absolutely deny that anything bad could happen to you. 357 00:21:58,640 --> 00:22:01,280 Speaker 1: And that's where every that's the only place you can 358 00:22:01,320 --> 00:22:03,200 Speaker 1: operate in to be able to go out here and 359 00:22:03,359 --> 00:22:05,119 Speaker 1: scream your head off, like we need to open these 360 00:22:05,200 --> 00:22:08,399 Speaker 1: nail salons up, because I mean, my goodness, if it 361 00:22:08,680 --> 00:22:11,160 Speaker 1: if it's even one degree closer to you, you begin 362 00:22:11,280 --> 00:22:15,960 Speaker 1: looking at it completely different, completely different. I'm excited for 363 00:22:16,040 --> 00:22:19,119 Speaker 1: the Bowling Alleys though, Guys, let's let's hit up those 364 00:22:19,160 --> 00:22:21,920 Speaker 1: bowling alleys. That's what. That's one of the first things 365 00:22:22,000 --> 00:22:26,480 Speaker 1: they're opening up. And thank god I've missed bowling's And 366 00:22:26,600 --> 00:22:29,560 Speaker 1: also like one of the most I mean, every environment 367 00:22:29,600 --> 00:22:32,200 Speaker 1: you think of is the germyst environment, but like bowling 368 00:22:32,280 --> 00:22:37,760 Speaker 1: alleys are jermy as hell. There's the shoes, the ball, 369 00:22:37,920 --> 00:22:40,600 Speaker 1: like gause, don't switch shoes and share shoes with strangers 370 00:22:40,680 --> 00:22:44,040 Speaker 1: when you're just like going about your everyday life shoving 371 00:22:44,080 --> 00:22:48,159 Speaker 1: my fingers into a ball. Oh yeah, you guys never 372 00:22:48,320 --> 00:22:50,920 Speaker 1: just roll a roll a spit ball down the lane 373 00:22:50,960 --> 00:22:58,240 Speaker 1: is and then fucking roll Seriously. Yeah, it's sort of 374 00:22:58,480 --> 00:23:01,320 Speaker 1: who needs I mean again, that's what's so it's so clear, 375 00:23:01,440 --> 00:23:04,440 Speaker 1: like if that's a thing that's being prioritized, the bowling 376 00:23:04,480 --> 00:23:06,199 Speaker 1: alley or people are saying, like, I mean, you've got 377 00:23:06,240 --> 00:23:08,440 Speaker 1: to be able to open the bowling alleys, Like who 378 00:23:08,880 --> 00:23:12,800 Speaker 1: that's a very clear recreational activity for a specific group 379 00:23:12,840 --> 00:23:17,640 Speaker 1: of Americans because that's the dude lobby. Yeah, big dude, 380 00:23:18,080 --> 00:23:23,040 Speaker 1: big big bowling shirts out here on these streets. These 381 00:23:23,080 --> 00:23:25,440 Speaker 1: guys are like at the bowling the bowling alley isn't 382 00:23:25,440 --> 00:23:27,280 Speaker 1: open that I can't wear the shirt that covers my 383 00:23:27,359 --> 00:23:30,160 Speaker 1: paunch that seems that I have a hobby of some kind, 384 00:23:30,520 --> 00:23:33,639 Speaker 1: like and I can't wear that with the fedora, not 385 00:23:33,840 --> 00:23:36,760 Speaker 1: at the bowling alley exactly. Well, it's also these idiots, 386 00:23:36,800 --> 00:23:39,920 Speaker 1: so it's like they can't like just be friends of 387 00:23:39,960 --> 00:23:42,080 Speaker 1: the guy without an activity or some kind They're like 388 00:23:42,080 --> 00:23:44,480 Speaker 1: when you do something to talk about separately from actually 389 00:23:44,520 --> 00:23:46,200 Speaker 1: just like communicating with a friend of mine that I 390 00:23:46,240 --> 00:23:48,080 Speaker 1: care about. I can't tell them my hair because then 391 00:23:48,119 --> 00:23:53,320 Speaker 1: I'd be Yeah, it's so toxic that you're like must 392 00:23:53,520 --> 00:23:57,960 Speaker 1: inject some activity, so it's not meaningful commument communication, which 393 00:23:58,000 --> 00:24:02,240 Speaker 1: I have mistaken for weakness exactly. So I show my 394 00:24:02,720 --> 00:24:05,760 Speaker 1: fingers into a ball repeatedly talking to my guy friends 395 00:24:05,800 --> 00:24:08,160 Speaker 1: about nothing that I actually want to talk about, when 396 00:24:08,200 --> 00:24:10,640 Speaker 1: all I want to tell them is how scared I am. 397 00:24:12,920 --> 00:24:14,720 Speaker 1: I mean, I think about it. A bowling ball is 398 00:24:14,760 --> 00:24:19,919 Speaker 1: just a platonic glory hole. Wow facts, But I mean, 399 00:24:20,000 --> 00:24:22,200 Speaker 1: that's the thing. It's like I have I find myself 400 00:24:22,280 --> 00:24:23,720 Speaker 1: doing this. I don't know, Jack, if it's the same 401 00:24:23,760 --> 00:24:27,920 Speaker 1: way like men in generalists not news, Like we're not 402 00:24:28,000 --> 00:24:30,040 Speaker 1: we don't have the same kind of communication skills to 403 00:24:30,119 --> 00:24:32,560 Speaker 1: be like honest with each other. Like I'm having find 404 00:24:32,600 --> 00:24:36,920 Speaker 1: myself being like, yo, what's going on with you right now? 405 00:24:37,359 --> 00:24:41,399 Speaker 1: Tell me that please, And it's it's weird because in 406 00:24:41,520 --> 00:24:45,000 Speaker 1: the quarantine, like I'm also kind of developing better skills 407 00:24:45,080 --> 00:24:48,679 Speaker 1: of like trying to actually communicate in that way as well, 408 00:24:49,440 --> 00:24:51,960 Speaker 1: like with other guys. Yeah, I mean I'm not like 409 00:24:52,119 --> 00:24:54,479 Speaker 1: I was always. I'm a very sensitive person, so I'm 410 00:24:54,520 --> 00:24:57,040 Speaker 1: always talking my ship though too, but also like being 411 00:24:57,080 --> 00:24:59,879 Speaker 1: aware of like creating the space to do that for 412 00:25:00,240 --> 00:25:02,440 Speaker 1: like your friends too, because yeah, I can go on 413 00:25:02,480 --> 00:25:04,200 Speaker 1: a zoom call and I can rent for one hour 414 00:25:04,280 --> 00:25:07,639 Speaker 1: straight with the homies about absolutely nothing, but at the 415 00:25:07,680 --> 00:25:11,080 Speaker 1: same time knowing their parents, their small business owners, they 416 00:25:11,160 --> 00:25:13,760 Speaker 1: have dreams themselves. All of this ship is in flux. Now. 417 00:25:13,800 --> 00:25:17,560 Speaker 1: I'm like, let's also like allow each other to like 418 00:25:17,760 --> 00:25:20,000 Speaker 1: air anything and have that be a place because I 419 00:25:20,080 --> 00:25:22,359 Speaker 1: feel like at times like they're like two ways a 420 00:25:22,440 --> 00:25:25,200 Speaker 1: zoom call can go. With men, it's like dude, COVID 421 00:25:25,320 --> 00:25:28,560 Speaker 1: nineteen doesn't exist, or like we're gonna be a little 422 00:25:28,600 --> 00:25:30,760 Speaker 1: more vulnerable and begin to be like damn man, Like 423 00:25:30,880 --> 00:25:32,440 Speaker 1: it sucks like I had the ship at work, I 424 00:25:32,440 --> 00:25:34,639 Speaker 1: don't have anybody to talk to, like I missed this thing, 425 00:25:35,119 --> 00:25:37,480 Speaker 1: and you know, I think it's important that everybody pull 426 00:25:37,560 --> 00:25:39,920 Speaker 1: it out, you know, take use the awkward silences, like 427 00:25:40,000 --> 00:25:43,080 Speaker 1: the p s A says, just like fucking just sure. Well. 428 00:25:43,160 --> 00:25:46,680 Speaker 1: I do like that this has made socializing more mindful, 429 00:25:46,880 --> 00:25:48,680 Speaker 1: I think, because you have to be like, oh, this 430 00:25:48,840 --> 00:25:51,159 Speaker 1: is the person I will communicate with right now, in 431 00:25:51,240 --> 00:25:53,680 Speaker 1: this moment or whatever, versus just like oh, I could 432 00:25:53,680 --> 00:25:55,000 Speaker 1: just go to a bar and just feel like I'm 433 00:25:55,040 --> 00:25:57,520 Speaker 1: being social being around people and not saying anything run 434 00:25:57,600 --> 00:25:59,840 Speaker 1: into whoever run into, versus being like, oh, I would 435 00:26:00,000 --> 00:26:02,119 Speaker 1: like to talk to this person and vaguely this is 436 00:26:02,160 --> 00:26:04,320 Speaker 1: what I would like to talk about, want with them 437 00:26:04,320 --> 00:26:06,600 Speaker 1: about or whatever, which is kind of that is kind 438 00:26:06,640 --> 00:26:11,240 Speaker 1: of nice, I think, you know, definitely. Alright, guys, let's 439 00:26:11,320 --> 00:26:14,480 Speaker 1: take a quick break and when we come back, it's 440 00:26:14,560 --> 00:26:20,359 Speaker 1: movie time. We're talking men. We're talking men in black. Uh, 441 00:26:20,960 --> 00:26:26,560 Speaker 1: we're talking men. We're talking black, We're talking in We'll 442 00:26:26,600 --> 00:26:39,879 Speaker 1: be right back and we're back, and let me just 443 00:26:40,280 --> 00:26:48,280 Speaker 1: crack my mountain dew zero baha blast that's right. Wait wait, wait, 444 00:26:48,400 --> 00:26:52,320 Speaker 1: what what did you say? What combination of words? Zero 445 00:26:52,640 --> 00:27:00,840 Speaker 1: bahja blast m cans, cans that this is a little 446 00:27:00,920 --> 00:27:03,440 Speaker 1: Taco bell logo up in the corner. It does not. 447 00:27:05,480 --> 00:27:12,000 Speaker 1: That's amazing. Oh my god, there was only a twelve pack. 448 00:27:12,240 --> 00:27:16,080 Speaker 1: A twelve pack at Ralph's when I was buying food 449 00:27:16,160 --> 00:27:19,920 Speaker 1: coloring for my son's school project. There's a twelve pack 450 00:27:19,960 --> 00:27:26,840 Speaker 1: when I was coloring from my Baja Blasted more the 451 00:27:27,000 --> 00:27:34,760 Speaker 1: response to COVID that we needed. I'm wondering if this 452 00:27:35,080 --> 00:27:39,040 Speaker 1: is like it's like a Zoltar and big and like 453 00:27:39,160 --> 00:27:42,639 Speaker 1: I just found the one like mystical example of this, 454 00:27:42,880 --> 00:27:45,679 Speaker 1: or if they're actually like rolling this out. I mean, 455 00:27:45,760 --> 00:27:48,119 Speaker 1: it's funny. It shows up on the Walmart website and 456 00:27:48,320 --> 00:27:50,560 Speaker 1: there's even an option to add it to your wedding registry, 457 00:27:50,640 --> 00:27:53,080 Speaker 1: so you know, all respect, maybe I do want to 458 00:27:53,119 --> 00:27:57,480 Speaker 1: get married. Holy sh it, Jack, are you like rashing 459 00:27:57,560 --> 00:28:00,720 Speaker 1: it out? Are you rationing it out like saying second 460 00:28:00,800 --> 00:28:06,280 Speaker 1: one today? Wow? Okay, I just the levels of the 461 00:28:06,440 --> 00:28:10,760 Speaker 1: levels the name of this put me through because Mountain 462 00:28:10,800 --> 00:28:12,760 Speaker 1: doing a can just like feels good. Anyway, I did 463 00:28:12,800 --> 00:28:15,960 Speaker 1: not know that Baja Blast in general was available in cans, 464 00:28:16,240 --> 00:28:18,159 Speaker 1: because I don't. I don't. I honestly don't even know 465 00:28:18,240 --> 00:28:22,119 Speaker 1: if I want that information because that is dangerous because 466 00:28:22,240 --> 00:28:24,080 Speaker 1: right now it's been like, oh, that's my treat when 467 00:28:24,119 --> 00:28:26,160 Speaker 1: I go through a taco bell. But then you add 468 00:28:26,160 --> 00:28:28,200 Speaker 1: the word zero to the end of it. Yes, the 469 00:28:28,359 --> 00:28:30,879 Speaker 1: sugar free Baha does it? How does it stack up? 470 00:28:30,920 --> 00:28:33,320 Speaker 1: Does it taste like it? It tastes like it. Yeah, 471 00:28:33,440 --> 00:28:36,400 Speaker 1: the Mountain Do zero is very good. Din Soda high 472 00:28:37,600 --> 00:28:42,320 Speaker 1: we have as exciting. I'm so excited about this is 473 00:28:42,520 --> 00:28:44,160 Speaker 1: this is the hope that I've needed to get me 474 00:28:44,240 --> 00:28:46,320 Speaker 1: through the court. Okay, yeah, I mean Men in Black 475 00:28:46,480 --> 00:28:48,120 Speaker 1: was cool and all, but let's just kind of really 476 00:28:48,160 --> 00:28:52,400 Speaker 1: get our heads. I mean, based on I'm doing searches 477 00:28:52,520 --> 00:28:54,840 Speaker 1: right now, it's popping up everywhere. So in a way, 478 00:28:54,920 --> 00:28:58,200 Speaker 1: I feel like I'm in denial that something like I 479 00:28:58,280 --> 00:29:00,560 Speaker 1: could be ignorant to the existence of this product, and 480 00:29:00,760 --> 00:29:01,920 Speaker 1: I'm like, I don't know, it's got to be. Then 481 00:29:01,960 --> 00:29:03,600 Speaker 1: I'm like, as I look, I'm like, no, I just 482 00:29:03,720 --> 00:29:05,920 Speaker 1: missed that. I think they're doing it just with the 483 00:29:06,040 --> 00:29:09,560 Speaker 1: zero to expose people to the Mountain Dew zero because 484 00:29:09,920 --> 00:29:12,880 Speaker 1: they are having like that was clearly a priority for 485 00:29:12,960 --> 00:29:15,920 Speaker 1: them because they had that weird Brian Cranston add where 486 00:29:16,000 --> 00:29:20,360 Speaker 1: he plays Jack Nicholson from the Shining, but there's Mountain 487 00:29:20,360 --> 00:29:23,040 Speaker 1: Do zero. For some reason, the mom from blackishes in it. 488 00:29:23,640 --> 00:29:26,760 Speaker 1: And then but like maybe I wasn't catching on, so 489 00:29:26,880 --> 00:29:29,360 Speaker 1: they were like, all right, let's let's put a no 490 00:29:29,560 --> 00:29:33,120 Speaker 1: brain or great product out there that everybody's gonna clamor for. 491 00:29:33,960 --> 00:29:37,840 Speaker 1: That would be my guy again. This Baja Blast whole 492 00:29:37,920 --> 00:29:41,080 Speaker 1: thing is a treasure trove of content because even when 493 00:29:41,080 --> 00:29:44,959 Speaker 1: I searched Mountain Do Baja Blast, I can find reviews 494 00:29:45,240 --> 00:29:48,680 Speaker 1: of the product, just just very narrowly of what it's like. 495 00:29:49,120 --> 00:29:51,800 Speaker 1: This is one review I've read. Great flavor. I first 496 00:29:51,880 --> 00:29:54,480 Speaker 1: encountered this flavor of Mountain dew in a slush at 497 00:29:54,520 --> 00:29:57,720 Speaker 1: Taco Bell. That was the beginning of forever. It was 498 00:29:57,800 --> 00:30:00,360 Speaker 1: a must that I tried the regular soda and it's 499 00:30:00,400 --> 00:30:03,120 Speaker 1: a tent for me. I would definitely recommend this soda 500 00:30:03,240 --> 00:30:06,560 Speaker 1: for others to try. I absolutely love it one more 501 00:30:07,040 --> 00:30:09,760 Speaker 1: great taste, but still taste a bit different than getting 502 00:30:09,800 --> 00:30:12,280 Speaker 1: it from the fountain machine. Drink it cold from the 503 00:30:12,320 --> 00:30:14,800 Speaker 1: bottle because it doesn't taste the same over a glass 504 00:30:14,920 --> 00:30:18,360 Speaker 1: with ice, great color. Blend it with some ice for 505 00:30:18,440 --> 00:30:22,800 Speaker 1: a yummy smoothie. I would forget. Smoothie is not the word. 506 00:30:22,880 --> 00:30:28,400 Speaker 1: That's not smoothie milk that I'm sorry man, Samantha gy 507 00:30:28,520 --> 00:30:31,480 Speaker 1: That was Samantha Gye from a review on influence stir 508 00:30:31,600 --> 00:30:36,880 Speaker 1: dot com. Samantha G's notice, dude. There's being a Mountain 509 00:30:36,920 --> 00:30:39,040 Speaker 1: dude drinker for twelve to thirteen years. I can say 510 00:30:39,080 --> 00:30:41,400 Speaker 1: that Baja Blast is hands down the most enjoyable flavor 511 00:30:41,440 --> 00:30:43,560 Speaker 1: I've experienced. I'm always on the hunt to buy this 512 00:30:43,640 --> 00:30:46,160 Speaker 1: stuff during the warmer months. To me, it's well worth 513 00:30:46,240 --> 00:30:48,320 Speaker 1: the money if you like a fruity live flavor. My 514 00:30:48,440 --> 00:30:50,440 Speaker 1: only complaint is that they don't sell it here during 515 00:30:50,480 --> 00:30:55,280 Speaker 1: the cold months. This is I think we've we're in 516 00:30:55,360 --> 00:30:58,480 Speaker 1: a We're dealing with a whole another country. I feel 517 00:30:58,520 --> 00:31:01,240 Speaker 1: like of our mounta duke Baha Baha Blast. It's real, 518 00:31:01,840 --> 00:31:07,040 Speaker 1: It's real. I'm very excited. I can't I'm going to 519 00:31:07,120 --> 00:31:08,840 Speaker 1: go to a Ralph for the first time and forever. 520 00:31:11,800 --> 00:31:14,960 Speaker 1: It's wild. Like I this is also not men and 521 00:31:15,000 --> 00:31:18,360 Speaker 1: black related, but I did notice, like as I was 522 00:31:18,480 --> 00:31:20,720 Speaker 1: driving to the store with my mask and gloves on, 523 00:31:21,360 --> 00:31:23,640 Speaker 1: like they were just people walking all over the place. 524 00:31:23,720 --> 00:31:27,000 Speaker 1: I mean, the weather in l A past couple of 525 00:31:27,080 --> 00:31:29,360 Speaker 1: days has been really nice, but people were just it 526 00:31:29,520 --> 00:31:32,480 Speaker 1: was like, all right, enough with this social distancing stuff. 527 00:31:32,520 --> 00:31:36,480 Speaker 1: The weather is too nice for that, so um not 528 00:31:36,560 --> 00:31:38,560 Speaker 1: great to keep doing it. You gotta keep doing it. 529 00:31:39,120 --> 00:31:41,440 Speaker 1: I I honestly just check out the mound do Baha 530 00:31:41,520 --> 00:31:46,360 Speaker 1: Blast reviews. They're the people are so like, sincerely enthusiastic 531 00:31:46,480 --> 00:31:51,040 Speaker 1: about it. One just starts off, Baja Blast runs through 532 00:31:51,120 --> 00:31:54,000 Speaker 1: my veins. It makes all of my stress and worries 533 00:31:54,080 --> 00:32:01,280 Speaker 1: disappear when it is. My heartbreaks that one. However, the 534 00:32:01,400 --> 00:32:05,360 Speaker 1: user name on that it says the family j O B. 535 00:32:08,000 --> 00:32:11,240 Speaker 1: Have we thought about injecting mountain dew Baja Blast zero 536 00:32:11,360 --> 00:32:18,800 Speaker 1: into our veins? And yeah, says the poor poor You 537 00:32:18,800 --> 00:32:25,240 Speaker 1: didn't say you should drink it. You just said like 538 00:32:25,320 --> 00:32:28,800 Speaker 1: maybe it'll clean out your blood like it's germs. Oh 539 00:32:28,920 --> 00:32:32,280 Speaker 1: my god, please. The Dr Burke's face was so painful 540 00:32:32,360 --> 00:32:36,360 Speaker 1: to see during that moment. I lost five years of 541 00:32:36,440 --> 00:32:40,440 Speaker 1: my life from fringing so hard that I do love 542 00:32:40,480 --> 00:32:43,000 Speaker 1: the human reflex of when you're hearing something that's like 543 00:32:43,160 --> 00:32:48,680 Speaker 1: impossible to mentally comprehend or just begin blinking incessantly like 544 00:32:50,640 --> 00:32:53,400 Speaker 1: it was pretty awesome. Sure, but this is all going 545 00:32:53,440 --> 00:32:55,720 Speaker 1: to be old news by the time we get to Monday, 546 00:32:55,800 --> 00:32:58,640 Speaker 1: which is why we're talking Men in Black, which is 547 00:32:59,400 --> 00:33:03,640 Speaker 1: a little philm seven. It came out in time. Yeah, 548 00:33:03,800 --> 00:33:06,400 Speaker 1: I remember seeing this in theaters. I did not realize 549 00:33:06,400 --> 00:33:08,000 Speaker 1: it was as old as it is. I was like, oh, 550 00:33:08,120 --> 00:33:13,400 Speaker 1: I know old. Yeah. So this is sort of near 551 00:33:13,480 --> 00:33:17,719 Speaker 1: the beginning of Will Smith's career Bad Boys in Independence 552 00:33:17,840 --> 00:33:20,240 Speaker 1: Day in ninety six and then this in ninety seven, 553 00:33:21,040 --> 00:33:25,000 Speaker 1: Enemy of the State, and he would have had the Matrix, 554 00:33:25,840 --> 00:33:30,680 Speaker 1: but instead he did Wild Wold West. Wow. Wow. I 555 00:33:30,800 --> 00:33:34,480 Speaker 1: think the thing that this has, it's got like funny 556 00:33:34,680 --> 00:33:37,800 Speaker 1: aliens that aren't like, yeah, they're scary, but they're also 557 00:33:37,880 --> 00:33:41,840 Speaker 1: like cartoon characters are like it almost helps you feel like, yeah, man, 558 00:33:41,960 --> 00:33:44,160 Speaker 1: like aliens and we lived together because they're like they 559 00:33:44,200 --> 00:33:46,959 Speaker 1: smoke cigarettes and drink coffee and are toxic. And then 560 00:33:47,000 --> 00:33:50,120 Speaker 1: there are other people. Yeah, and then there's like also 561 00:33:50,280 --> 00:33:52,720 Speaker 1: like great gadgets, Like we don't have gadgets like we 562 00:33:52,880 --> 00:33:54,640 Speaker 1: used to in movies like we did in the nineties. 563 00:33:54,720 --> 00:33:57,200 Speaker 1: And that was one thing I remember being a child 564 00:33:57,320 --> 00:34:00,640 Speaker 1: and after seeing nearly every like action film, there was 565 00:34:00,800 --> 00:34:03,600 Speaker 1: some fucking gadget I wanted to have like I'm like, 566 00:34:03,760 --> 00:34:06,000 Speaker 1: I need a Turtle calm, or I need a Dick 567 00:34:06,040 --> 00:34:10,600 Speaker 1: Tracy watch, or I need a fucking neuralizer. Yeah. This this, 568 00:34:10,960 --> 00:34:13,920 Speaker 1: like this era is like my favorite balance of like 569 00:34:14,040 --> 00:34:17,480 Speaker 1: practical effects and computer effects where it feels like they 570 00:34:17,680 --> 00:34:20,680 Speaker 1: they're not totally because now like there's no practical effects ever, 571 00:34:20,840 --> 00:34:23,720 Speaker 1: but seeing like this stuff like that guy's face open 572 00:34:24,520 --> 00:34:27,160 Speaker 1: and having that be a practical effect, and then and 573 00:34:27,239 --> 00:34:31,680 Speaker 1: then the little babu freak inside, you're like ship freak. Yeah. 574 00:34:31,840 --> 00:34:34,760 Speaker 1: It was Rick Baker, who's like one of his a legend, 575 00:34:34,880 --> 00:34:38,560 Speaker 1: and when it comes to practical effects, it's amazing. But 576 00:34:38,680 --> 00:34:42,439 Speaker 1: it reminds me of like Jurassic Park. Everybody talked about 577 00:34:42,480 --> 00:34:45,160 Speaker 1: the c g U, the c g I being like 578 00:34:45,360 --> 00:34:47,440 Speaker 1: the thing that made that great, but it was actually 579 00:34:47,520 --> 00:34:50,320 Speaker 1: like a mixture of c g I and practical effects, 580 00:34:50,360 --> 00:34:52,120 Speaker 1: and like most of the things we think our c 581 00:34:52,320 --> 00:34:55,200 Speaker 1: g I are actually practical effects that they just like 582 00:34:55,320 --> 00:34:57,520 Speaker 1: touched up with c g A, and I feel like 583 00:34:57,600 --> 00:35:00,279 Speaker 1: that's what they do. The movie still looks so good, yeah, 584 00:35:00,400 --> 00:35:03,640 Speaker 1: and this this still looks pretty good. Yeah. Yeah. There 585 00:35:03,719 --> 00:35:06,880 Speaker 1: weren't that many times when I was like, really, this 586 00:35:07,120 --> 00:35:10,879 Speaker 1: is fucking painful, like they even the fucking talking pug. 587 00:35:11,120 --> 00:35:13,680 Speaker 1: I was like I watched that scene like twice because 588 00:35:13,719 --> 00:35:17,200 Speaker 1: I'm like, yeah, this looks fucking on point for now. 589 00:35:19,200 --> 00:35:21,759 Speaker 1: I have a real thing with like that. I think 590 00:35:21,800 --> 00:35:23,560 Speaker 1: we've even talked about before, but I have a real 591 00:35:23,640 --> 00:35:26,919 Speaker 1: thing with that kind of animal, Like this are okay. 592 00:35:26,920 --> 00:35:30,239 Speaker 1: I don't The pug is very funny, but I used 593 00:35:30,280 --> 00:35:33,040 Speaker 1: to have nightmares about those dead eyed animals that they're 594 00:35:33,160 --> 00:35:36,560 Speaker 1: just jaw flaps and they're like there's just like a 595 00:35:36,680 --> 00:35:40,840 Speaker 1: dog's like forty yards stare is like to still the 596 00:35:40,920 --> 00:35:45,919 Speaker 1: scariest ship in the entire world to me. Yeah, especially Yeah, 597 00:35:46,680 --> 00:35:51,280 Speaker 1: dogs are dead eyed, they're they're okay when when paired 598 00:35:51,360 --> 00:35:55,279 Speaker 1: with a human mouth, it's yeah scared. I don't know. 599 00:35:55,360 --> 00:35:57,520 Speaker 1: I do remember that movie Cats and Dogs. I think 600 00:35:57,560 --> 00:36:00,880 Speaker 1: it came out in ye. I saw that movie theater. 601 00:36:01,040 --> 00:36:02,600 Speaker 1: I saw that in theaters when I was a kid, 602 00:36:02,719 --> 00:36:04,760 Speaker 1: and like we had to leave the theater it's too scary. 603 00:36:05,719 --> 00:36:07,120 Speaker 1: Is that the one that was like that said like 604 00:36:07,200 --> 00:36:10,680 Speaker 1: cats rule, Dogs drule was like the subtitle, yeah, and 605 00:36:10,719 --> 00:36:15,520 Speaker 1: it was like all celebrity voice, Yeah, Like, how do 606 00:36:15,560 --> 00:36:18,759 Speaker 1: you feel about that tumbler about sharks? Being replaced with 607 00:36:18,840 --> 00:36:25,200 Speaker 1: human teeth. I like it. Okay, there's an actual fish. 608 00:36:25,480 --> 00:36:27,440 Speaker 1: It looks like it has human teeth and it really 609 00:36:27,480 --> 00:36:31,200 Speaker 1: freaks me out. All right, guys, let's go through Men 610 00:36:31,280 --> 00:36:33,719 Speaker 1: in Black real quick though. Let's just kind of I 611 00:36:34,120 --> 00:36:36,920 Speaker 1: did a running diary and you guys can jump in 612 00:36:37,080 --> 00:36:41,759 Speaker 1: any anywhere. Are we going chronologically here? Yeah, let's go 613 00:36:41,880 --> 00:36:49,240 Speaker 1: kron Let's go Krowna. Alright, So first scene, Uh, they're 614 00:36:49,560 --> 00:36:53,040 Speaker 1: they're illegal aliens. There's a lot of illegal alien jokes. 615 00:36:53,400 --> 00:36:56,239 Speaker 1: There's like a human trafficker, but he's like a fun 616 00:36:56,520 --> 00:37:00,719 Speaker 1: human trafficker. He gets pulled over. John Greese plays Uncle 617 00:37:00,840 --> 00:37:08,880 Speaker 1: Rico in Napoleon Dynamite. Yeah, I will pop in and 618 00:37:08,960 --> 00:37:12,480 Speaker 1: then T and then the Men in Black are like, Okay, 619 00:37:12,560 --> 00:37:15,680 Speaker 1: you can go back to your human trafficking. Go ahead, 620 00:37:15,760 --> 00:37:18,120 Speaker 1: we just needed to get this alien dude. I like 621 00:37:18,200 --> 00:37:22,759 Speaker 1: the border patrols just as stupid as it is now. Yeah, 622 00:37:22,800 --> 00:37:24,520 Speaker 1: well back then it was. It was. It reminds us 623 00:37:24,560 --> 00:37:26,920 Speaker 1: of a pre Ice world when it just needs to 624 00:37:26,960 --> 00:37:29,920 Speaker 1: be I and S and so. I and S are 625 00:37:30,000 --> 00:37:33,000 Speaker 1: the guys who are the you know, rowdy cowboy slack 626 00:37:33,080 --> 00:37:35,480 Speaker 1: jaw yokol cowboys are trying to portray them as but 627 00:37:35,600 --> 00:37:38,520 Speaker 1: it was it's interesting to see them like in that 628 00:37:38,719 --> 00:37:41,640 Speaker 1: scene right clearly when Tommy Lee Jones pulls up with 629 00:37:41,800 --> 00:37:45,040 Speaker 1: his old man partner there, like he has like a 630 00:37:45,200 --> 00:37:48,200 Speaker 1: very humane approach to the migrants that he's like, he's like, yeah, 631 00:37:48,239 --> 00:37:49,440 Speaker 1: get the funk out. He's like, hey, how are you doing? 632 00:37:49,480 --> 00:37:52,120 Speaker 1: All right? But then it gets really dark if you 633 00:37:52,200 --> 00:37:54,239 Speaker 1: just look at it, like very on its surface, it's 634 00:37:54,280 --> 00:37:56,920 Speaker 1: like these guys came, were nice to this group, but 635 00:37:57,040 --> 00:37:59,680 Speaker 1: then singled out one guy and took him into the 636 00:37:59,760 --> 00:38:03,640 Speaker 1: dark of the desert night by themselves, and like what 637 00:38:03,800 --> 00:38:05,640 Speaker 1: is that? What message does that even sending to people 638 00:38:05,640 --> 00:38:07,640 Speaker 1: who were like, hey, let us go, but he took 639 00:38:07,719 --> 00:38:12,560 Speaker 1: that one guy who was non verable the whole time. Yeah, yeah, yeah, 640 00:38:12,600 --> 00:38:16,479 Speaker 1: a lot of mixed, mixed messages in that scene. Yeah. 641 00:38:17,160 --> 00:38:20,600 Speaker 1: But also that alien when Tommy Lee Jones like, let 642 00:38:20,640 --> 00:38:22,680 Speaker 1: me get a look at this guy, he cuts the 643 00:38:22,760 --> 00:38:25,560 Speaker 1: dudes poncho open and it's just the alien holding a 644 00:38:25,719 --> 00:38:29,520 Speaker 1: rod with I'm like, my man, you got all this 645 00:38:29,640 --> 00:38:32,200 Speaker 1: technology to put this fucking human head on a stick, 646 00:38:32,280 --> 00:38:34,640 Speaker 1: but your other plan is okay, just drink the poncho 647 00:38:34,760 --> 00:38:38,560 Speaker 1: on me. Stick and then I will open doors and 648 00:38:38,640 --> 00:38:42,239 Speaker 1: ship somehow again. I found myself watching this film and 649 00:38:42,320 --> 00:38:44,680 Speaker 1: going through all the weird holes of the alien logic. 650 00:38:44,719 --> 00:38:47,439 Speaker 1: I'm glad you're watching this movie very critically. It is good. 651 00:38:48,840 --> 00:38:51,880 Speaker 1: All right, So this is my big question. We're then 652 00:38:51,960 --> 00:38:56,239 Speaker 1: introduced to Will Smith mid chase. He's chasing a purp 653 00:38:56,360 --> 00:39:02,719 Speaker 1: down on foot. He's in like orange pants that like, 654 00:39:03,520 --> 00:39:08,320 Speaker 1: are they part of an intentional outfit? Was he undercover 655 00:39:08,560 --> 00:39:11,320 Speaker 1: as a clown or like a prison inmate? Like it 656 00:39:11,440 --> 00:39:14,320 Speaker 1: seems like there's gonna be a reason that he's wearing that, 657 00:39:15,200 --> 00:39:19,320 Speaker 1: but then he's there's not. He's just like that that 658 00:39:19,560 --> 00:39:22,759 Speaker 1: was his outfit. I mean, he's just a play He's 659 00:39:22,760 --> 00:39:29,920 Speaker 1: just a plain clothes DT. Yeah, you know the jacket Okay, 660 00:39:30,200 --> 00:39:33,120 Speaker 1: all right, Is the jacket those tied around his waist 661 00:39:33,239 --> 00:39:36,400 Speaker 1: part of the pants or is it? Like, is this 662 00:39:36,600 --> 00:39:39,960 Speaker 1: question about what rolled Will Smith plays within the New 663 00:39:40,040 --> 00:39:43,320 Speaker 1: York Police Department in his uniform or the actual mechanics 664 00:39:43,400 --> 00:39:49,160 Speaker 1: of the outfit he's wearing. Like, so he has like 665 00:39:49,320 --> 00:39:54,200 Speaker 1: big orange pants, but then he has like a a 666 00:39:54,400 --> 00:39:59,520 Speaker 1: matching orange shirt tied around his waist. Yeah, so he 667 00:39:59,640 --> 00:40:02,759 Speaker 1: just had nice track suit yeah, take an easy tim gun. 668 00:40:05,000 --> 00:40:07,320 Speaker 1: It wasn't working for you. It just feels very chunky 669 00:40:07,440 --> 00:40:11,280 Speaker 1: and not well thought. I love I love the suits 670 00:40:11,320 --> 00:40:14,000 Speaker 1: and it, but like I think Will Smith's playing clothes 671 00:40:14,239 --> 00:40:17,200 Speaker 1: in this movie are very underrated. I always forget how 672 00:40:17,280 --> 00:40:20,799 Speaker 1: good yeah he has. He still like manages to wear 673 00:40:20,880 --> 00:40:23,400 Speaker 1: like three or four amazing outfits before you get to 674 00:40:23,480 --> 00:40:27,520 Speaker 1: the suit. I realized that there were moments like in 675 00:40:27,680 --> 00:40:30,759 Speaker 1: this As I watched it, I realized how many things 676 00:40:30,880 --> 00:40:34,120 Speaker 1: I actually modeled for myself from this film. I have 677 00:40:34,400 --> 00:40:37,200 Speaker 1: the I had the running shoes that Will Smith is 678 00:40:37,239 --> 00:40:40,319 Speaker 1: wearing with that outfit. The outfit in question that Jack 679 00:40:40,440 --> 00:40:42,759 Speaker 1: is talking about. Their their running shoes from the night 680 00:40:42,880 --> 00:40:45,400 Speaker 1: is called the air Max try As. I had them 681 00:40:45,400 --> 00:40:47,680 Speaker 1: ships because I remember seeing Will Smith wear them, I 682 00:40:47,840 --> 00:40:51,080 Speaker 1: also wore them. I also he also wears the Reebox 683 00:40:51,160 --> 00:40:54,640 Speaker 1: Shack Nosis basketball sneaker in a later scene when he 684 00:40:54,719 --> 00:40:57,800 Speaker 1: first gets to the headquarters, another shoe I tried to 685 00:40:57,920 --> 00:41:00,279 Speaker 1: buy they did not have in my size, but that 686 00:41:00,440 --> 00:41:02,920 Speaker 1: was also due to Will Smith. One other moment, I 687 00:41:03,040 --> 00:41:06,239 Speaker 1: also wanted to drive a Ford lt D. Like the 688 00:41:06,360 --> 00:41:08,799 Speaker 1: car they drove. I would say how much I want 689 00:41:08,800 --> 00:41:11,360 Speaker 1: to drive a Ford lt D up until maybe about 690 00:41:11,400 --> 00:41:14,400 Speaker 1: fifteen when I realized that that's just not anyway. I 691 00:41:14,480 --> 00:41:17,120 Speaker 1: realized how much consumer ship, this ship, this film did 692 00:41:17,160 --> 00:41:19,360 Speaker 1: to me. So will I will? I will cape for 693 00:41:19,440 --> 00:41:25,359 Speaker 1: the outfits? Yeah, um yeah. His second outfit, the one 694 00:41:25,440 --> 00:41:30,040 Speaker 1: that's like yellow and like has like a bright yellow 695 00:41:30,200 --> 00:41:33,720 Speaker 1: cod peace striped down the middle, looks like a store 696 00:41:33,800 --> 00:41:38,719 Speaker 1: bought children's bumblebee Transformers Halloween costume. Like the body part 697 00:41:38,880 --> 00:41:43,160 Speaker 1: of it. I thought he was wearing a Nietzsche from 698 00:41:43,200 --> 00:41:45,840 Speaker 1: the Night late nineties, is what I said in that piece. 699 00:41:46,200 --> 00:41:49,240 Speaker 1: But he's also he didn't even mention his really dope outfit. 700 00:41:49,680 --> 00:41:51,640 Speaker 1: That's the outfit he wears when he comes back when 701 00:41:51,680 --> 00:41:53,680 Speaker 1: he realizes he wants to join, when he goes up 702 00:41:53,680 --> 00:41:57,080 Speaker 1: for the audition. My favorite one. He has the fantastic 703 00:41:57,200 --> 00:42:01,120 Speaker 1: baggy jeans with the New York Timberland's on that shimmery 704 00:42:01,320 --> 00:42:04,319 Speaker 1: red like kind of in between supposed to like looks 705 00:42:04,360 --> 00:42:08,839 Speaker 1: like it's cut like a denim jacket. But yeah, I'll 706 00:42:08,920 --> 00:42:13,800 Speaker 1: rock that ship now. Oh yeah, there's a there's a 707 00:42:13,840 --> 00:42:16,960 Speaker 1: great example of a trope that I feel like was 708 00:42:17,239 --> 00:42:20,160 Speaker 1: huge and nineties movies where they cut into a scene 709 00:42:20,800 --> 00:42:24,120 Speaker 1: of Tommy Lee Jones and Will Smith and he's like, 710 00:42:24,400 --> 00:42:28,239 Speaker 1: and I said, honey, why you eating my popcorn? And 711 00:42:28,360 --> 00:42:32,600 Speaker 1: then like he starts laughing really hard. It's a good laugh, Yeah, 712 00:42:33,000 --> 00:42:36,480 Speaker 1: Tommy Jones laugh is good, like yeah, because it's got 713 00:42:36,560 --> 00:42:42,239 Speaker 1: that like emphysema, like tinge. It's it's heasy, weezy, a 714 00:42:42,280 --> 00:42:46,160 Speaker 1: little bit like oh that laugh lived through numb. Holyh Yeah. 715 00:42:46,320 --> 00:42:48,400 Speaker 1: You're like, you're like he's actually putting himself at risk 716 00:42:48,520 --> 00:42:54,719 Speaker 1: enjoying himself much. Absolutely. Trop was that trope just was 717 00:42:55,000 --> 00:42:58,799 Speaker 1: used constantly the whole like cut in and like here 718 00:42:58,880 --> 00:43:02,160 Speaker 1: the punchline to the yoke like the rectum damn near 719 00:43:02,239 --> 00:43:04,880 Speaker 1: killed him. I thinking black sheep, dumb and dumber? Is 720 00:43:04,920 --> 00:43:10,719 Speaker 1: that black sheep? Black sheep? Ye feel like it has 721 00:43:11,040 --> 00:43:13,279 Speaker 1: it shouldn't be used otherwise. I did not like it 722 00:43:13,440 --> 00:43:16,000 Speaker 1: in this part. Another bit of trivia. This was a 723 00:43:16,120 --> 00:43:18,680 Speaker 1: line my friend group when we saw this as twelve 724 00:43:18,800 --> 00:43:22,040 Speaker 1: thirteen year olds, we latched onto constantly do as go hendy, 725 00:43:22,440 --> 00:43:27,600 Speaker 1: this one's eating my popcorn. That's the line. And it 726 00:43:27,719 --> 00:43:30,839 Speaker 1: turns out like that actual punch line. I think it's 727 00:43:31,000 --> 00:43:33,960 Speaker 1: in It's in a few films actually, Like people are 728 00:43:33,960 --> 00:43:35,840 Speaker 1: pointing out that it was like almost a trope like 729 00:43:35,920 --> 00:43:38,200 Speaker 1: it's been in a Daredevil issue. It was in another 730 00:43:38,239 --> 00:43:41,200 Speaker 1: film in the sixties that that specifit honey, this one's 731 00:43:41,200 --> 00:43:43,399 Speaker 1: eating my popcorn. And I was like, what the funk 732 00:43:43,520 --> 00:43:47,040 Speaker 1: is this setup? And the setup is a fucking gross 733 00:43:47,480 --> 00:43:51,040 Speaker 1: like it's not yo, okay you want me to This 734 00:43:51,120 --> 00:43:52,320 Speaker 1: is what I found when I was like, what is 735 00:43:52,400 --> 00:43:54,600 Speaker 1: the setup for the honey, this one's eating my popcorn? One? 736 00:43:54,680 --> 00:43:56,200 Speaker 1: It's this. This is what the joke is. So a 737 00:43:56,239 --> 00:43:58,200 Speaker 1: man and a woman decided to take a movie in 738 00:43:58,280 --> 00:44:00,320 Speaker 1: one night, and it just so happens that one on 739 00:44:00,400 --> 00:44:02,560 Speaker 1: that same night, a farmer has decided to sneak in 740 00:44:02,640 --> 00:44:05,280 Speaker 1: one of his roosters from his farm. After getting their snacks, 741 00:44:05,360 --> 00:44:07,839 Speaker 1: the couple head into the darkened auditorium, which is nearly full. 742 00:44:07,880 --> 00:44:09,560 Speaker 1: They are only two seats left, and they happen to 743 00:44:09,600 --> 00:44:11,440 Speaker 1: be next to the farmer and the rooster, which he 744 00:44:11,560 --> 00:44:14,239 Speaker 1: is concealed in his pants. Midway through the movie, the 745 00:44:14,320 --> 00:44:16,680 Speaker 1: rooster pokes his head out of the farmer's zipper and 746 00:44:16,719 --> 00:44:19,920 Speaker 1: begins to peck and eat the woman's popcorn. She notices 747 00:44:19,920 --> 00:44:22,640 Speaker 1: and nudges her husband, saying honey, look at what this 748 00:44:22,760 --> 00:44:25,799 Speaker 1: guy's cock is doing. Her husband replies, I don't pay 749 00:44:25,840 --> 00:44:28,319 Speaker 1: it no mind. If you've seen one, you've seen them all. 750 00:44:28,640 --> 00:44:31,000 Speaker 1: So she looks over at her husband and says, yeah, 751 00:44:31,160 --> 00:44:36,920 Speaker 1: but honey, this one's eating my popcorn. Imagine how long 752 00:44:37,000 --> 00:44:39,320 Speaker 1: it took to write that joke. Now, this is what 753 00:44:39,480 --> 00:44:42,320 Speaker 1: I suspect. I have a feeling that there might not 754 00:44:42,560 --> 00:44:46,080 Speaker 1: actually be a real setup, and this was someone doing 755 00:44:46,160 --> 00:44:51,680 Speaker 1: their darndest yea engineer, for sure. My new favorite thing 756 00:44:51,719 --> 00:44:54,080 Speaker 1: when you hear like a long wooded, stupid ass joke 757 00:44:54,160 --> 00:44:56,360 Speaker 1: like that is to picture that scene from Little Women 758 00:44:56,400 --> 00:45:02,160 Speaker 1: where Sarsharonin is writing by candlelight for five days. I 759 00:45:02,320 --> 00:45:09,000 Speaker 1: did it. Yeah, and then by this page six d 760 00:45:09,200 --> 00:45:16,920 Speaker 1: and one, you say, honey, this one's eating There's the 761 00:45:17,040 --> 00:45:20,719 Speaker 1: part the scene where Tommy Lee Jones like explains everything 762 00:45:20,920 --> 00:45:23,319 Speaker 1: to him and he's like, humans for the most part 763 00:45:23,440 --> 00:45:25,800 Speaker 1: don't have a clue and they don't want one. And 764 00:45:25,920 --> 00:45:28,640 Speaker 1: it's them like sitting on a bench looking at the 765 00:45:28,719 --> 00:45:35,080 Speaker 1: twin towers, which is weird um prescient moment, what do 766 00:45:35,200 --> 00:45:40,600 Speaker 1: they know? And then there's the there's a couple like 767 00:45:41,000 --> 00:45:46,719 Speaker 1: ominous twin tower scenes for sure, there's also I love 768 00:45:46,800 --> 00:45:49,800 Speaker 1: how they use this to like use aliens as like 769 00:45:50,080 --> 00:45:54,120 Speaker 1: a cultural touching point, to like spin off a ton 770 00:45:54,200 --> 00:45:56,520 Speaker 1: of other bits, like what happened to Elvis, like what 771 00:45:56,640 --> 00:45:59,440 Speaker 1: the origin of liposuction is, even though Timmy Jones says 772 00:45:59,480 --> 00:46:02,600 Speaker 1: liposuck and I'm always like it's I was raised hearing 773 00:46:02,760 --> 00:46:05,360 Speaker 1: light bow to this day still bothers me here and 774 00:46:05,440 --> 00:46:08,080 Speaker 1: say lippo suction and it probably is right, but whatever. 775 00:46:08,560 --> 00:46:11,080 Speaker 1: And then I was also looking. I took a second 776 00:46:11,120 --> 00:46:12,920 Speaker 1: to try and take stock when they said, we're actually 777 00:46:12,960 --> 00:46:15,640 Speaker 1: watching all the aliens around the world and the people 778 00:46:15,800 --> 00:46:23,200 Speaker 1: that are on there in the right uh, Isaac ms Rahi, 779 00:46:23,800 --> 00:46:28,800 Speaker 1: Danny de Vito, Al Roker, Barry san and Feld, Dion Warwick, 780 00:46:29,320 --> 00:46:34,680 Speaker 1: Anthony Robbins, George Lucas Spielberg, and Chloe Son and Felled 781 00:46:34,800 --> 00:46:36,840 Speaker 1: Barry's daughter. I had to do a little surgeon to 782 00:46:36,840 --> 00:46:38,399 Speaker 1: figure out who that was, and it was his daughter, 783 00:46:38,800 --> 00:46:42,799 Speaker 1: WHOA alright, alright, guys, let's take a quick break. We'll 784 00:46:42,840 --> 00:46:55,959 Speaker 1: be right back with more men in black, and we're back. 785 00:46:56,840 --> 00:46:59,640 Speaker 1: I always forget that there is a woman in this 786 00:46:59,800 --> 00:47:04,880 Speaker 1: movie of the Yeah, yeah, yeah, she is very like 787 00:47:05,080 --> 00:47:08,960 Speaker 1: it's it's it's she could be so easily removed from 788 00:47:09,000 --> 00:47:13,040 Speaker 1: the story and nothing would change. Well, you wouldn't get 789 00:47:13,120 --> 00:47:16,719 Speaker 1: those gratuitous shots of her, like hanging out of the 790 00:47:16,840 --> 00:47:21,680 Speaker 1: tree with her skirt being hiked up. There's such I 791 00:47:21,800 --> 00:47:28,760 Speaker 1: like that. I like, she does not try to extract herself. 792 00:47:28,880 --> 00:47:32,520 Speaker 1: She does not scream, she's just they're like, she gets it. 793 00:47:33,200 --> 00:47:34,920 Speaker 1: She Yeah, she's chill. She's not like the other girl. 794 00:47:35,000 --> 00:47:36,919 Speaker 1: She's not going to try to liberate herself from a tree. 795 00:47:37,320 --> 00:47:39,600 Speaker 1: There is a cool girl. I'm wearing heels in a 796 00:47:39,719 --> 00:47:46,680 Speaker 1: tree that an alien bug threw me into. I love queens. Yeah, 797 00:47:47,560 --> 00:47:51,840 Speaker 1: so the sexual chemistry with the like mortician, the attempt 798 00:47:52,000 --> 00:47:54,200 Speaker 1: to have like a sexual chemistry between her and will 799 00:47:54,239 --> 00:47:57,800 Speaker 1: Smith is weird. And then like they the next woman 800 00:47:57,920 --> 00:48:00,840 Speaker 1: we see is Tommy Lee Jones looking like the woman 801 00:48:00,960 --> 00:48:06,080 Speaker 1: he loves and she's just like a woman gardening outside 802 00:48:06,120 --> 00:48:08,279 Speaker 1: of a house. And then like looking off into the 803 00:48:08,360 --> 00:48:14,279 Speaker 1: middle distance like it's a plexoriasis medication like so like 804 00:48:14,800 --> 00:48:18,200 Speaker 1: it's just such stock footage. It like, Wow, you guys 805 00:48:18,320 --> 00:48:24,000 Speaker 1: really like don't think about women ever at all? An No, 806 00:48:24,160 --> 00:48:26,160 Speaker 1: to your point, Jamie, like I haven't seen this film 807 00:48:26,200 --> 00:48:32,320 Speaker 1: and maybe fifteen years at least, and I couldn't. I 808 00:48:33,560 --> 00:48:37,399 Speaker 1: was almost certain that Linda Fiorentino's character came in much 809 00:48:37,520 --> 00:48:40,200 Speaker 1: sooner than like, with thirty minutes left in the film, 810 00:48:40,320 --> 00:48:43,920 Speaker 1: I was like, yeah, and there's not even like a 811 00:48:44,840 --> 00:48:48,560 Speaker 1: female alien at any point, Like they it's such an 812 00:48:48,600 --> 00:48:51,400 Speaker 1: easy way just to like add one in. It's just 813 00:48:51,480 --> 00:48:54,160 Speaker 1: to have like one of the exposition aliens be a woman. 814 00:48:55,160 --> 00:48:57,839 Speaker 1: The only men aliens are all men. Come on, dude, 815 00:48:58,360 --> 00:49:00,640 Speaker 1: I like that they make her an age at the end, 816 00:49:00,680 --> 00:49:02,400 Speaker 1: But then don't they kind of undo that in the 817 00:49:02,520 --> 00:49:06,640 Speaker 1: next movie where they're like, actually, Tommy Lee Jones is back, Like, yeah, 818 00:49:06,680 --> 00:49:09,760 Speaker 1: I forget what happens in the next the whole logic 819 00:49:09,880 --> 00:49:12,000 Speaker 1: of how she went from being like working at the 820 00:49:12,040 --> 00:49:14,680 Speaker 1: City Morgue to then being like, well she did shoot 821 00:49:14,760 --> 00:49:18,160 Speaker 1: the bug in the back. I guess we'll like previously, 822 00:49:18,320 --> 00:49:20,759 Speaker 1: this is only open to like the best of the 823 00:49:20,840 --> 00:49:23,840 Speaker 1: best of the best, sir, with honors. But then it's like, 824 00:49:24,560 --> 00:49:27,040 Speaker 1: she's pretty chilled. Yeah, they keep They pick will Smith 825 00:49:27,120 --> 00:49:29,799 Speaker 1: because he has that chance encounter with an alien when 826 00:49:29,840 --> 00:49:32,120 Speaker 1: he like runs them down, and then they pick her 827 00:49:32,239 --> 00:49:35,200 Speaker 1: because she has a chance encounter because the cat like 828 00:49:35,320 --> 00:49:38,160 Speaker 1: having to follow the body to the morgue, which by 829 00:49:38,239 --> 00:49:40,960 Speaker 1: the way, has a front desk and a bell. Like 830 00:49:41,920 --> 00:49:44,280 Speaker 1: you're getting a lot of walk ins at the morgue 831 00:49:44,840 --> 00:49:48,080 Speaker 1: with David Cross running it. David Cross gives what a 832 00:49:48,239 --> 00:49:53,319 Speaker 1: literally great performance. Yeah, like, oh my god, the moment 833 00:49:53,400 --> 00:49:56,719 Speaker 1: when he actually great acting when he brings up the 834 00:49:56,800 --> 00:49:59,720 Speaker 1: bug spray from behind the counter and it's clearly pissing 835 00:50:00,040 --> 00:50:04,040 Speaker 1: her off and he does this crazy quivering lip thing 836 00:50:04,200 --> 00:50:07,839 Speaker 1: like me, and I was like, damn Cross, you got 837 00:50:07,960 --> 00:50:12,280 Speaker 1: sucking range. Huh. I don't give at the chipmunks, just anybody. 838 00:50:13,000 --> 00:50:17,440 Speaker 1: I also really like I also really like that scene 839 00:50:17,520 --> 00:50:22,840 Speaker 1: because Agent K at that point, like, uh, Will Smith 840 00:50:22,960 --> 00:50:25,680 Speaker 1: is in like not getting the hint he thinks that 841 00:50:25,880 --> 00:50:29,919 Speaker 1: she's talking. She wants to show him her vagina. I think, 842 00:50:30,719 --> 00:50:33,319 Speaker 1: is what is what we're meant to think? They're uh 843 00:50:33,760 --> 00:50:36,399 Speaker 1: it makes no humans that like I need to show 844 00:50:36,560 --> 00:50:40,400 Speaker 1: you something I hadn't like, I hadn't seen this. We 845 00:50:40,480 --> 00:50:43,080 Speaker 1: did this on the Bexel cast but like three years ago, 846 00:50:43,280 --> 00:50:48,160 Speaker 1: and I was like, oh right, But I love this 847 00:50:48,320 --> 00:50:53,320 Speaker 1: part because Tommy Lee Jones character just like just casually 848 00:50:53,400 --> 00:50:56,920 Speaker 1: like pulls out a cigarette because like he's just bored 849 00:50:57,280 --> 00:51:00,840 Speaker 1: and there's nothing for him to do. And so it 850 00:51:01,000 --> 00:51:03,680 Speaker 1: just reminds me of like the parting Ghostbusters, where like 851 00:51:03,800 --> 00:51:07,279 Speaker 1: suddenly Dan ackro is like has a cigarette dangling out 852 00:51:07,320 --> 00:51:10,279 Speaker 1: of his lips. That's just like such a different arrow, 853 00:51:10,400 --> 00:51:14,200 Speaker 1: and like smoking was something that like characters would do that, 854 00:51:14,400 --> 00:51:17,160 Speaker 1: Like it wasn't like they were a smoker, it was 855 00:51:17,280 --> 00:51:22,399 Speaker 1: just something they were standing around in a building. Yeah, hey, 856 00:51:22,480 --> 00:51:25,400 Speaker 1: our friends at Philip Morris paid good money for that advertising. 857 00:51:25,640 --> 00:51:29,640 Speaker 1: Get in there, stuck just a weird, inexplicable cigarette. There's 858 00:51:29,640 --> 00:51:35,279 Speaker 1: another thing with again, uh alien logic hole. When the 859 00:51:35,600 --> 00:51:38,560 Speaker 1: two are Killians are meeting up at the Parogi restaurant, 860 00:51:38,960 --> 00:51:41,160 Speaker 1: Rosenberg the jeweler, he meeting up with the other dude 861 00:51:41,160 --> 00:51:44,239 Speaker 1: who's like the big lurch looking guy. The they're just 862 00:51:44,400 --> 00:51:48,719 Speaker 1: speaking in their mother alien tongue in public. Yeah, bro, 863 00:51:49,520 --> 00:51:52,360 Speaker 1: I don't know, nobody's been noticed. I like languages, and 864 00:51:52,440 --> 00:51:54,600 Speaker 1: I'm like, I never heard this. What's this? What's going 865 00:51:54,640 --> 00:51:57,919 Speaker 1: on over here? Who are these guys? What's going on here? Something? 866 00:51:57,960 --> 00:52:01,439 Speaker 1: I thought a I in New York, you don't listen 867 00:52:01,520 --> 00:52:05,640 Speaker 1: to anybody's other table speaking in some over there is 868 00:52:05,719 --> 00:52:09,160 Speaker 1: their business I got a subway ride to catch Honestly, 869 00:52:09,280 --> 00:52:12,399 Speaker 1: I put microwave parogies on my grocery list after seeing 870 00:52:12,440 --> 00:52:15,759 Speaker 1: that scene. You're like, so, I would love real parogies, 871 00:52:15,800 --> 00:52:19,800 Speaker 1: but I'll take microwave paro from Von. Yeah. Always another 872 00:52:19,920 --> 00:52:22,560 Speaker 1: thing I never I didn't have paros for the first 873 00:52:22,640 --> 00:52:25,480 Speaker 1: time until I went to Toronto for our live show 874 00:52:25,560 --> 00:52:28,680 Speaker 1: back in February of this year. And I have been 875 00:52:28,800 --> 00:52:32,600 Speaker 1: lusting after the parogi because of this film, never having 876 00:52:32,640 --> 00:52:36,080 Speaker 1: the opportunity to have it until I had, really I 877 00:52:36,239 --> 00:52:38,480 Speaker 1: really polished parokee is like ten years ago, and I 878 00:52:38,560 --> 00:52:42,839 Speaker 1: think about it all the fucking time. Really, yeah, so good. 879 00:52:43,000 --> 00:52:45,680 Speaker 1: They're just I don't know, they're so fucking good. That'd 880 00:52:45,680 --> 00:52:47,759 Speaker 1: be a good Quarantine project. Like learned to make some 881 00:52:47,880 --> 00:52:52,320 Speaker 1: good as paroke Imagine it's pretty once you get the 882 00:52:52,360 --> 00:52:54,200 Speaker 1: hang of it. You gotta dial in those flavors. It's 883 00:52:54,239 --> 00:52:57,839 Speaker 1: something else um does there again. I love that they 884 00:52:57,920 --> 00:53:01,480 Speaker 1: call the tabloids. They respect the power of the bloy 885 00:53:03,239 --> 00:53:05,960 Speaker 1: bring back Bloyd watch. I think that's like one of 886 00:53:06,200 --> 00:53:09,239 Speaker 1: three things that I've like remembered from this movie. I 887 00:53:09,360 --> 00:53:11,480 Speaker 1: thought that was so cool that I used to I 888 00:53:11,600 --> 00:53:16,399 Speaker 1: used to I used to pay attention to. Yeah. Yeah, 889 00:53:16,440 --> 00:53:19,879 Speaker 1: after this, I was like that, I started smoking after 890 00:53:20,000 --> 00:53:25,600 Speaker 1: this and I just want to busted old Ford sedan 891 00:53:25,760 --> 00:53:29,480 Speaker 1: from the early eighties exactly. I just love being in 892 00:53:29,600 --> 00:53:34,000 Speaker 1: seventh grade just chain smoking bubblegum cigarettes, read about bat Boy. 893 00:53:34,239 --> 00:53:36,160 Speaker 1: It just felt in this movie. It was great with 894 00:53:36,239 --> 00:53:39,640 Speaker 1: a pair of wax lips on because I'm always like 895 00:53:39,960 --> 00:53:43,480 Speaker 1: what I'm like, I just want to know where Tommy 896 00:53:43,600 --> 00:53:46,919 Speaker 1: Lee Jones was at on understanding computers when this movie 897 00:53:47,040 --> 00:53:51,040 Speaker 1: was shot. You can feel the emotion as he's typing 898 00:53:51,120 --> 00:53:56,480 Speaker 1: on that keyboard, like he's really acting through his fingertips. 899 00:53:56,520 --> 00:53:59,319 Speaker 1: In that scene that just like resigned clicking the clock, 900 00:53:59,480 --> 00:54:02,160 Speaker 1: click clack clock. You see him on the keyboard, You're like, yeah, 901 00:54:02,239 --> 00:54:07,200 Speaker 1: that's an Academy Award winner. Yeah, let see how an 902 00:54:07,200 --> 00:54:12,960 Speaker 1: Academy Award winner types. Yeah, when he taps her away, 903 00:54:13,120 --> 00:54:19,759 Speaker 1: it's heartbreak of nest Cam. There are a couple of 904 00:54:19,840 --> 00:54:24,600 Speaker 1: great uh moments of like technological them not knowing how 905 00:54:24,719 --> 00:54:27,879 Speaker 1: technology works. There was like the pretty soon like we're 906 00:54:27,920 --> 00:54:32,200 Speaker 1: gonna be using even smaller CDs than the c ds 907 00:54:32,280 --> 00:54:35,919 Speaker 1: we have, which is true. You ever have those little 908 00:54:35,960 --> 00:54:38,919 Speaker 1: half guys little yeah, like a little little singles. Yeah, 909 00:54:38,960 --> 00:54:43,840 Speaker 1: they were popular in Asia for sure. Oh yeah. In 910 00:54:43,920 --> 00:54:45,880 Speaker 1: my middle school that was like a mix tape thing. 911 00:54:46,000 --> 00:54:48,080 Speaker 1: If you gave the little half c D to someone 912 00:54:48,360 --> 00:54:50,640 Speaker 1: with like five you could fit like five songs on it. 913 00:54:50,920 --> 00:54:53,840 Speaker 1: Good ship, there you go. Yeah. The thing that I 914 00:54:53,880 --> 00:54:57,000 Speaker 1: appreciate about the film on one level is like, if 915 00:54:57,040 --> 00:55:00,279 Speaker 1: you want to, you can see that there is The 916 00:55:00,360 --> 00:55:03,879 Speaker 1: whole film is sandwiched between these these images to show 917 00:55:03,960 --> 00:55:07,600 Speaker 1: you that everything that happens on this planet means fuck 918 00:55:07,760 --> 00:55:13,480 Speaker 1: all to anything. Yeah, and so stop treating yourself fucking seriously, 919 00:55:13,560 --> 00:55:15,800 Speaker 1: you moron. The first the first scene is like this 920 00:55:16,160 --> 00:55:20,440 Speaker 1: cool dragonfly animation. You're like, oh, lhot, it's it's dodging 921 00:55:20,520 --> 00:55:24,520 Speaker 1: the fucking trucks. Then splat, fuck you that ship. The 922 00:55:24,719 --> 00:55:26,800 Speaker 1: version of you getting hit by a car as a dragonfly, 923 00:55:26,960 --> 00:55:29,000 Speaker 1: the human equivalent happens all the time. And then at 924 00:55:29,040 --> 00:55:32,520 Speaker 1: the very end of the film cut to some fucking 925 00:55:32,600 --> 00:55:37,680 Speaker 1: alien is playing marbles with our goddamn galaxy and I'm 926 00:55:37,760 --> 00:55:40,719 Speaker 1: but I'm important, but I'm important. Meanwhile we're the toy 927 00:55:40,800 --> 00:55:42,759 Speaker 1: of something else. I thought it's very subtle, but as 928 00:55:42,840 --> 00:55:44,319 Speaker 1: I was watching it now, I was like, oh, man, 929 00:55:44,480 --> 00:55:47,719 Speaker 1: life is so impermanent and meaningless, like when you really 930 00:55:47,800 --> 00:55:51,440 Speaker 1: take in bring like bring the full context of the 931 00:55:51,560 --> 00:55:54,600 Speaker 1: universe into it. Oh yeah, I learned all my nihilism 932 00:55:54,680 --> 00:55:58,920 Speaker 1: from Men in Black. That's why I got that dragon 933 00:55:59,320 --> 00:56:03,400 Speaker 1: that dragonfly tattoo on your eye exactly, it's right there. 934 00:56:03,800 --> 00:56:08,320 Speaker 1: Remember splat and the fact that they're so casual about 935 00:56:08,320 --> 00:56:11,640 Speaker 1: the world being about to end and like kind of 936 00:56:11,840 --> 00:56:14,640 Speaker 1: filled me with dread. I remember, like when I was 937 00:56:14,680 --> 00:56:17,800 Speaker 1: a kid, I was like, it's I feel like shot 938 00:56:19,640 --> 00:56:22,839 Speaker 1: on this watch. I found it very comforting. I was like, oh, 939 00:56:23,000 --> 00:56:25,520 Speaker 1: you know what, you know what, that's true. We should 940 00:56:25,560 --> 00:56:27,839 Speaker 1: just be more chill about it. It's gonna happen. We're 941 00:56:27,880 --> 00:56:31,880 Speaker 1: just marbles in some fucking sick Aliens game. Yeah, fuck 942 00:56:31,920 --> 00:56:36,359 Speaker 1: it exactly. Except the alien that they that were all 943 00:56:36,480 --> 00:56:40,160 Speaker 1: marbles inside of looks like the computer animation for like 944 00:56:40,400 --> 00:56:44,880 Speaker 1: a educational video game from the early nineties. That was 945 00:56:45,000 --> 00:56:48,439 Speaker 1: probably like, sadly, the worst CG of the entire film 946 00:56:48,560 --> 00:56:53,840 Speaker 1: was by a lot that like weird three finger hand 947 00:56:54,000 --> 00:56:55,880 Speaker 1: that like lifted up the marble. Is like, yo, you 948 00:56:55,920 --> 00:56:58,920 Speaker 1: could have rendered that a little bit more. Get some texture, please? 949 00:57:00,440 --> 00:57:03,480 Speaker 1: Can I get some texture? All my aliens, please on 950 00:57:03,560 --> 00:57:07,200 Speaker 1: my alien hand please. Another fun fact, Verne Troyer is 951 00:57:07,239 --> 00:57:10,560 Speaker 1: also in this film, playing the role of alien son 952 00:57:11,560 --> 00:57:13,680 Speaker 1: just I just I Like, I went through all the 953 00:57:13,719 --> 00:57:15,480 Speaker 1: credits and like, look, hey, look at you over there. 954 00:57:15,480 --> 00:57:17,400 Speaker 1: I think it's when all those aliens were in line 955 00:57:17,960 --> 00:57:22,360 Speaker 1: at the office. He played it. Vincent and Afrio's performance 956 00:57:22,800 --> 00:57:27,320 Speaker 1: as the alien inhabiting a human body for the first 957 00:57:27,400 --> 00:57:30,200 Speaker 1: time and like it doesn't fit them is so good, 958 00:57:31,040 --> 00:57:35,560 Speaker 1: I mean nominated. We haven't talked about how yoh yeah, 959 00:57:35,760 --> 00:57:38,600 Speaker 1: I mean everybody like, let's Ripertor and rest in Peace. 960 00:57:40,240 --> 00:57:44,600 Speaker 1: I thought he was fantastic rip Intergalactic Gigger. I like 961 00:57:44,680 --> 00:57:47,240 Speaker 1: to say that in my head like once a week. 962 00:57:50,160 --> 00:57:51,760 Speaker 1: The two things that in this movie, like when I 963 00:57:51,800 --> 00:57:56,320 Speaker 1: hear men in black Intertiger and the wife saying yigger 964 00:57:56,480 --> 00:58:02,760 Speaker 1: suit like that that one great performance by Chawan Fallon Hogan, 965 00:58:02,800 --> 00:58:06,880 Speaker 1: who's the actress who plays Beatrice Seminal line when she says, 966 00:58:07,840 --> 00:58:12,560 Speaker 1: your skin is hanging off her bones. Fucking to this day, 967 00:58:12,720 --> 00:58:16,880 Speaker 1: I'll get that. Although although what's sad though it is 968 00:58:16,960 --> 00:58:19,520 Speaker 1: like our first glimpse of a male female relationship is 969 00:58:19,600 --> 00:58:23,200 Speaker 1: this abusive marriage where he's like berating her about how 970 00:58:23,360 --> 00:58:26,840 Speaker 1: useless she is, and then then he gets his Charlton 971 00:58:26,880 --> 00:58:31,480 Speaker 1: Heston style. But it was very interesting that again, watch 972 00:58:31,560 --> 00:58:35,160 Speaker 1: rewatch it like this, like it is like very disdainful 973 00:58:35,520 --> 00:58:39,680 Speaker 1: of like just general humans. Like it's just like everyone's 974 00:58:39,720 --> 00:58:43,520 Speaker 1: like real dumb and like, huh, girl, what's going on? 975 00:58:43,920 --> 00:58:47,920 Speaker 1: Like every everyone who's not a Man in Black is 976 00:58:48,000 --> 00:58:51,000 Speaker 1: kind of a dip shit. I do like the end 977 00:58:51,040 --> 00:58:54,240 Speaker 1: of the Beatrice scene where Will Smith is like, no, 978 00:58:54,400 --> 00:58:57,240 Speaker 1: you gotta go get a new outfit, redecorate your house. 979 00:58:57,360 --> 00:59:00,800 Speaker 1: This guy was trash. You're like, yeah, that's good. Yeah. 980 00:59:00,960 --> 00:59:04,120 Speaker 1: I wish that they had tried to make her an agent. 981 00:59:04,360 --> 00:59:11,480 Speaker 1: Actually that's what she irrelevant to the plot. Then Laurel like, yeah, well, 982 00:59:11,560 --> 00:59:13,080 Speaker 1: and then she would have just been like because she 983 00:59:13,200 --> 00:59:15,840 Speaker 1: was so nonplussed by everything, she actually probably has the 984 00:59:15,920 --> 00:59:18,120 Speaker 1: right temperament. She's like, I've seen some ship, Yeah, show 985 00:59:18,160 --> 00:59:21,280 Speaker 1: me an alien. That's fine. I think she'd be great 986 00:59:21,520 --> 00:59:25,720 Speaker 1: Men in Black and dealing with Edgar's dumbass that. There 987 00:59:25,800 --> 00:59:27,960 Speaker 1: are some great physical comedy bits, and then one of 988 00:59:28,000 --> 00:59:30,840 Speaker 1: them is from Vincent din Afrial when he's like walking 989 00:59:30,920 --> 00:59:33,400 Speaker 1: through the streets and his whole ships funked up because 990 00:59:33,400 --> 00:59:37,040 Speaker 1: he's inhabiting a rotting corpse. There's one where he like 991 00:59:37,440 --> 00:59:39,840 Speaker 1: he like gets in some guy's way and he gives 992 00:59:39,920 --> 00:59:43,040 Speaker 1: them like this like one moment please finger that to 993 00:59:43,200 --> 00:59:45,360 Speaker 1: this day again kills me every time I see it. 994 00:59:45,480 --> 00:59:49,000 Speaker 1: And also the test taking scene another great bit of 995 00:59:49,040 --> 00:59:52,600 Speaker 1: physical comedy sequence. That test taking scene, I like is 996 00:59:52,800 --> 00:59:55,400 Speaker 1: kind of a weird zen thing for me in my life. 997 00:59:55,440 --> 00:59:57,680 Speaker 1: Like if I'm like overwhelmed in a situation where I 998 00:59:57,720 --> 01:00:00,240 Speaker 1: don't know how to like solve a problem, I'll be like, wait, 999 01:00:00,600 --> 01:00:02,560 Speaker 1: is their table that should be pulling towards me right? 1000 01:00:05,200 --> 01:00:06,920 Speaker 1: It's straight? Is is like a thing that I will 1001 01:00:06,960 --> 01:00:08,760 Speaker 1: be like, is there something that I am not seeing 1002 01:00:08,880 --> 01:00:13,600 Speaker 1: right now? Like it's become a part of my life philosophy. Yeah, 1003 01:00:15,160 --> 01:00:18,800 Speaker 1: did a great thing for mid century modern Scandinavian furniture. 1004 01:00:19,080 --> 01:00:23,040 Speaker 1: A lot of the really allows Will Smith. First of all, 1005 01:00:23,120 --> 01:00:25,640 Speaker 1: he looks great, as you mentioned, his outfit is dopen. 1006 01:00:25,760 --> 01:00:28,960 Speaker 1: Second of all, it's just like him going off of 1007 01:00:29,120 --> 01:00:33,720 Speaker 1: that Carlton as West Point Grad is like so perfect. 1008 01:00:33,800 --> 01:00:41,000 Speaker 1: It just really lets Will Smith even the salute, just 1009 01:00:41,160 --> 01:00:45,360 Speaker 1: to fucking fun with him more. One thing is again 1010 01:00:45,400 --> 01:00:48,000 Speaker 1: another weird thing was bugging me as an adult and 1011 01:00:48,120 --> 01:00:49,960 Speaker 1: as I deal with ORG charts and things like this. 1012 01:00:50,320 --> 01:00:53,280 Speaker 1: When Tommy Lee Jones is reducing his identity to J, 1013 01:00:53,760 --> 01:00:57,760 Speaker 1: he's just merely going backspace, backspace, back space, leaving it 1014 01:00:57,920 --> 01:01:01,280 Speaker 1: to J. And then it's suddenly it's like, oh, like 1015 01:01:01,600 --> 01:01:06,440 Speaker 1: new identity confirmed J. And it literally said new identity J. 1016 01:01:06,920 --> 01:01:09,800 Speaker 1: And I'm like, there's only if everybody in this place 1017 01:01:09,840 --> 01:01:12,040 Speaker 1: basically has like a one letter name. This is the 1018 01:01:12,160 --> 01:01:14,840 Speaker 1: only fucking J in the place. You only have, however 1019 01:01:14,880 --> 01:01:19,160 Speaker 1: many people in this building, Yeah, they could only men 1020 01:01:19,240 --> 01:01:23,440 Speaker 1: in black at a time unless you're like, the right 1021 01:01:23,560 --> 01:01:26,480 Speaker 1: parentheses is your name? Like the expanded to the who 1022 01:01:28,400 --> 01:01:31,120 Speaker 1: and this is what It was weird because they, I 1023 01:01:31,240 --> 01:01:34,840 Speaker 1: think they do delete the J and then like it, yeah, 1024 01:01:35,080 --> 01:01:37,200 Speaker 1: the whole name. I was just I thought it was 1025 01:01:37,240 --> 01:01:40,280 Speaker 1: gonna just go to J and then that would be 1026 01:01:40,480 --> 01:01:43,360 Speaker 1: his name, but they just like cut and then there's 1027 01:01:43,400 --> 01:01:47,800 Speaker 1: a giant J. It's also weird that they like, rather 1028 01:01:47,920 --> 01:01:50,720 Speaker 1: than just you know, deleting the files, they like had 1029 01:01:50,760 --> 01:01:55,160 Speaker 1: to erase his footprints as a baby, and it's just like, yeah, 1030 01:01:56,080 --> 01:01:58,840 Speaker 1: the moments they choose to be thorough versus not. And 1031 01:01:58,960 --> 01:02:01,680 Speaker 1: this movie is all over the place where sometimes they're 1032 01:02:01,680 --> 01:02:03,760 Speaker 1: just very much like, well, I don't know, and then 1033 01:02:03,840 --> 01:02:06,520 Speaker 1: other times they go to like that, like they'll go 1034 01:02:06,680 --> 01:02:10,360 Speaker 1: into two minute sequence to do what. It's weird. Yeah. 1035 01:02:10,520 --> 01:02:13,480 Speaker 1: Also I love the assumption that I'm like, I was like, 1036 01:02:13,560 --> 01:02:16,800 Speaker 1: how many women did Will Smith just ghost? When he 1037 01:02:16,920 --> 01:02:19,800 Speaker 1: did this? I was thinking that I was like, were 1038 01:02:19,880 --> 01:02:22,880 Speaker 1: you because you like seein you're probably like how we're 1039 01:02:22,920 --> 01:02:27,040 Speaker 1: in several relationships. Did you have the implications that he's 1040 01:02:27,080 --> 01:02:29,880 Speaker 1: like an orphan with no siblings or family that would 1041 01:02:29,920 --> 01:02:32,560 Speaker 1: care about him even though he's third of his name, 1042 01:02:33,400 --> 01:02:38,280 Speaker 1: third third of his name, orphan who like even yeah, 1043 01:02:38,320 --> 01:02:40,240 Speaker 1: like you're like, this guy probably has a social life 1044 01:02:40,280 --> 01:02:42,360 Speaker 1: he doesn't see. And it's weird because to be a 1045 01:02:42,400 --> 01:02:45,600 Speaker 1: Man in Black, you'd have to be some like curmudgeon, isolated, 1046 01:02:45,680 --> 01:02:48,360 Speaker 1: lone wolf type figure. But this guy is like, this 1047 01:02:48,480 --> 01:02:50,840 Speaker 1: guy doesn't fit that. But I mean, hey, he's got 1048 01:02:51,040 --> 01:02:53,320 Speaker 1: he's got the looks, he's got the Well, have you 1049 01:02:53,360 --> 01:02:55,720 Speaker 1: guys seen Men in Black three? Do you know how 1050 01:02:55,800 --> 01:03:00,400 Speaker 1: they complete the circle? No? No? Should we watched the upright? 1051 01:03:00,640 --> 01:03:02,760 Speaker 1: Men in Black three is good, you guys check it out. 1052 01:03:02,880 --> 01:03:06,040 Speaker 1: But there's an origin story that's actually really sweet and 1053 01:03:06,120 --> 01:03:11,600 Speaker 1: heartbreaking too, Like, uh, Tommy Lee Jones is not just 1054 01:03:11,840 --> 01:03:14,920 Speaker 1: meeting Agent j for the first time in this movie. 1055 01:03:15,240 --> 01:03:20,000 Speaker 1: He just he's just pretending to They go away very cute, 1056 01:03:20,720 --> 01:03:25,040 Speaker 1: very very I don't like that. Well, I'm skipping that one. 1057 01:03:25,080 --> 01:03:30,000 Speaker 1: I'm going straight to Men and Black International. Something I 1058 01:03:30,000 --> 01:03:33,400 Speaker 1: can sink my teeth into. Men in Black three is 1059 01:03:33,520 --> 01:03:37,200 Speaker 1: very is an underrated third film. Uh. I think that 1060 01:03:37,280 --> 01:03:40,200 Speaker 1: one came out like ten years ago, right, that was 1061 01:03:40,240 --> 01:03:43,960 Speaker 1: the kind of way after Okay, and then Hemsworth is 1062 01:03:44,000 --> 01:03:48,560 Speaker 1: the one that just came out last year. People were like, 1063 01:03:48,760 --> 01:03:51,560 Speaker 1: I remember searching just to see what kind of any 1064 01:03:51,680 --> 01:03:53,920 Speaker 1: interesting thing pieces about Men and Black there were. But 1065 01:03:54,000 --> 01:03:55,400 Speaker 1: when I searched Men in Black, one of the first 1066 01:03:55,400 --> 01:03:58,080 Speaker 1: things that came up was like Men in Black International review. 1067 01:03:58,240 --> 01:04:01,960 Speaker 1: I wish I could neuralize my self, And I was like, 1068 01:04:02,080 --> 01:04:07,320 Speaker 1: oh boy, I knew someone who worked on who worked 1069 01:04:07,360 --> 01:04:09,240 Speaker 1: on that movie. It was just like it was the 1070 01:04:09,280 --> 01:04:15,880 Speaker 1: most unhappy time of his life. Yeah, and that's someone 1071 01:04:16,000 --> 01:04:21,000 Speaker 1: it is Hemsworth, right, Chris Hemsworth. Whatever. Yeah, I hate 1072 01:04:21,000 --> 01:04:22,880 Speaker 1: to see that because tim Y Jones also one of 1073 01:04:22,920 --> 01:04:25,000 Speaker 1: my birthday twins. Also, he had the same birthday and 1074 01:04:25,120 --> 01:04:33,800 Speaker 1: at Harvard. Wait, whoa ties it all together. At the end, 1075 01:04:33,960 --> 01:04:38,760 Speaker 1: when we see him as like his future agent, he's 1076 01:04:38,840 --> 01:04:44,040 Speaker 1: dressed like Neo from the Matrix. Yeah, that little that 1077 01:04:44,200 --> 01:04:46,680 Speaker 1: standing caller. I was like, really that they had to show. 1078 01:04:46,760 --> 01:04:49,480 Speaker 1: It's like, nah, he's now he's top dog, baby, he 1079 01:04:49,760 --> 01:04:54,200 Speaker 1: can take liberties with the uniform and the other the 1080 01:04:54,480 --> 01:04:57,920 Speaker 1: woman agent looks like absolutely, like they did such a 1081 01:04:58,000 --> 01:05:00,920 Speaker 1: bad job of like styling her. I don't know, not 1082 01:05:01,040 --> 01:05:03,760 Speaker 1: to be a bitch, but the jacket was ill fitting. 1083 01:05:03,880 --> 01:05:05,920 Speaker 1: I will say that there could have been a bit 1084 01:05:05,960 --> 01:05:09,160 Speaker 1: more tailoring with that jacket. The buttons looked strained. Also, 1085 01:05:09,320 --> 01:05:13,360 Speaker 1: his suit at the end controversial opinion. Maybe was not good. No, 1086 01:05:13,520 --> 01:05:15,880 Speaker 1: it was not. It was it's a bad suit. He's 1087 01:05:15,880 --> 01:05:18,240 Speaker 1: got a bad suit. It's bad glasses. The original look 1088 01:05:18,320 --> 01:05:20,160 Speaker 1: is better, dude, what are you doing? Yeah? Yeah, I 1089 01:05:20,200 --> 01:05:24,560 Speaker 1: agree back when yeah, the that standing collar or Mandarin 1090 01:05:24,680 --> 01:05:26,800 Speaker 1: caller as they would call it at a prom shop, 1091 01:05:26,960 --> 01:05:29,840 Speaker 1: They're like, you know, the Mandarin caller is really popular now. 1092 01:05:30,720 --> 01:05:33,720 Speaker 1: Used to call it the oriental collar. The I mean, 1093 01:05:33,880 --> 01:05:36,360 Speaker 1: granted it did come from like a Chinese era fashion, 1094 01:05:36,440 --> 01:05:39,240 Speaker 1: but like, yeah, that that whole look it felt I 1095 01:05:39,280 --> 01:05:41,960 Speaker 1: think felt right for nineties seven because they're like, yo, 1096 01:05:43,760 --> 01:05:54,880 Speaker 1: that collar is not a collar. But yeah not um alright, Well, Brandy, 1097 01:05:55,120 --> 01:05:56,960 Speaker 1: it's been a pleasure talking man in black with you. 1098 01:05:57,040 --> 01:06:00,680 Speaker 1: Where can people find you? Follow you? Uh? Yeah, you 1099 01:06:00,720 --> 01:06:04,040 Speaker 1: can find me on Twitter, Instagram at brand Dazzle, b 1100 01:06:04,240 --> 01:06:07,160 Speaker 1: r A and d A z z Elle. Um. I've 1101 01:06:07,240 --> 01:06:10,760 Speaker 1: got a podcast called Lady to Lady with Barbara Gray 1102 01:06:10,800 --> 01:06:13,800 Speaker 1: and Test Barker. It's real, real, real fun time. Uh. 1103 01:06:13,880 --> 01:06:17,040 Speaker 1: And then, um, I whenever I can, I do tour 1104 01:06:17,200 --> 01:06:19,560 Speaker 1: quite a bit. So if you are on UM bands 1105 01:06:19,600 --> 01:06:21,800 Speaker 1: in town, you can follow me on their Brandy posey 1106 01:06:22,120 --> 01:06:25,000 Speaker 1: for whenever I come to your town. Uh in one 1107 01:06:25,040 --> 01:06:31,080 Speaker 1: because it's not happening this year. Um attitude. Well, I 1108 01:06:31,200 --> 01:06:37,000 Speaker 1: don't trust anyone. Reopened the comedy clubs Rex t Rex costume. 1109 01:06:37,080 --> 01:06:40,480 Speaker 1: That's my new things. We're on stage everywhere every Yes, 1110 01:06:41,800 --> 01:06:45,720 Speaker 1: bowling alleys. Do you ever I used to run a 1111 01:06:45,760 --> 01:06:47,920 Speaker 1: show with a bowling alley. I was like, yeah, I've 1112 01:06:47,960 --> 01:06:51,240 Speaker 1: done bowling alley shows. Don't knock them. They're fun. Yeah. 1113 01:06:51,760 --> 01:06:55,280 Speaker 1: What if the next logical extension is those essential businesses 1114 01:06:55,360 --> 01:06:58,640 Speaker 1: that do open like other communities that need open spaces 1115 01:06:58,720 --> 01:07:01,040 Speaker 1: to also, it's like, yeah, dude, we're starting to do 1116 01:07:01,480 --> 01:07:03,800 Speaker 1: a lot of like open mics at this hair salon, 1117 01:07:04,120 --> 01:07:06,680 Speaker 1: at this nail salon. It's pretty cool and it works 1118 01:07:06,720 --> 01:07:09,919 Speaker 1: for everyone. It's coming, it's all common. And then also 1119 01:07:10,000 --> 01:07:13,800 Speaker 1: real quickly, on my website, I have cassettes and sticker 1120 01:07:14,080 --> 01:07:17,120 Speaker 1: and like sticker pin packs and stuff for sale. Um, 1121 01:07:17,200 --> 01:07:19,280 Speaker 1: if you guys want to buy those, because I'm not 1122 01:07:19,360 --> 01:07:23,000 Speaker 1: on the road, I would appreciate it. Yeah. And is 1123 01:07:23,040 --> 01:07:26,520 Speaker 1: there a tweet or some other act of social media 1124 01:07:26,600 --> 01:07:31,040 Speaker 1: you've been enjoying? Uh? Yeah, Um, there's a tweet. It's 1125 01:07:31,040 --> 01:07:35,600 Speaker 1: a thread by Joseph Longo, So Joseph l O n 1126 01:07:35,680 --> 01:07:38,480 Speaker 1: g O. And then underscore, Uh, it's a thread of 1127 01:07:38,560 --> 01:07:45,400 Speaker 1: photos of RuPaul as fracking rigs. Um, it's different fracking 1128 01:07:45,480 --> 01:07:47,520 Speaker 1: rigs that are colored the same as some of RuPaul's 1129 01:07:47,840 --> 01:07:50,160 Speaker 1: most iconic outfits since the two of them put to 1130 01:07:50,200 --> 01:07:52,920 Speaker 1: get next to each other and it makes me laugh. Um, 1131 01:07:53,320 --> 01:07:57,840 Speaker 1: because rue was fabulous but also problematic. So yeah, yeah, 1132 01:07:58,000 --> 01:08:01,080 Speaker 1: I enjoyed that quite a bit. Jamie, where can people 1133 01:08:01,120 --> 01:08:03,919 Speaker 1: find you? What's tweet you've been enjoying? You can find 1134 01:08:04,000 --> 01:08:08,560 Speaker 1: me online at Jamie lofts help or Instagram, Jamie christ 1135 01:08:08,640 --> 01:08:13,120 Speaker 1: Superstar and tweets I've been enjoying. I'm just gonna recommend 1136 01:08:13,120 --> 01:08:17,400 Speaker 1: the Criss crofton Poetry Corner. It's really been giving me 1137 01:08:17,560 --> 01:08:19,760 Speaker 1: a lot, a lot has made me laugh and it's 1138 01:08:19,800 --> 01:08:23,000 Speaker 1: made me think. And it used to just be on Thursdays, 1139 01:08:23,040 --> 01:08:25,800 Speaker 1: but now Chriss Croft is just churning out poems by 1140 01:08:25,920 --> 01:08:30,040 Speaker 1: request all day. I'll read one about Pilates that he 1141 01:08:30,200 --> 01:08:35,240 Speaker 1: released truly five minutes ago. Pilates. One time I walked 1142 01:08:35,280 --> 01:08:38,200 Speaker 1: into a store that appeared to say plates on it, 1143 01:08:38,520 --> 01:08:41,320 Speaker 1: hoping to buy plates. But when I went in, a 1144 01:08:41,400 --> 01:08:47,880 Speaker 1: bunch of people in leotard's gave me major attitude. So 1145 01:08:48,160 --> 01:08:52,640 Speaker 1: Chris Crofton, that's at the Crofton show, Miles Where can 1146 01:08:52,680 --> 01:08:56,360 Speaker 1: people find you? On? What's tweet? You've been enjoying Twitter, Instagram, uh, 1147 01:08:56,600 --> 01:08:59,960 Speaker 1: PlayStation Network, Miles of Gray. Also other podcast four twin 1148 01:09:00,000 --> 01:09:03,599 Speaker 1: Need Day Fiance talking about ninety day Fiance. But Hi, 1149 01:09:04,080 --> 01:09:07,720 Speaker 1: that's the hook of that show. It's amazing. Also check 1150 01:09:07,760 --> 01:09:11,120 Speaker 1: out we got new merch in the store for Daily Zeitgeist, 1151 01:09:11,400 --> 01:09:14,320 Speaker 1: with all proceeds going to Feeding America to keep food 1152 01:09:14,360 --> 01:09:17,280 Speaker 1: pantries and food banks stocked UH and helping them with 1153 01:09:17,360 --> 01:09:19,240 Speaker 1: their work. So please check out our store on te 1154 01:09:19,439 --> 01:09:23,640 Speaker 1: public and get your pro Social Distancing Club shirt UH 1155 01:09:23,720 --> 01:09:26,920 Speaker 1: and help support Feeding America and our neighbors that are 1156 01:09:26,960 --> 01:09:30,360 Speaker 1: in need right now. A tweet that I like basically 1157 01:09:30,439 --> 01:09:32,599 Speaker 1: the gist. I can't find the original tweet, but really 1158 01:09:32,640 --> 01:09:35,439 Speaker 1: what they were doing was retweeting a video from at 1159 01:09:35,520 --> 01:09:38,960 Speaker 1: Clarence House, which is basically the official account of Prince 1160 01:09:39,080 --> 01:09:42,920 Speaker 1: Charles and Camilla on Twitter, and there's this video that 1161 01:09:43,560 --> 01:09:47,920 Speaker 1: the account posted that was them coming out. I'm just 1162 01:09:47,960 --> 01:09:50,599 Speaker 1: gonna give you what the tweet says, but just watch 1163 01:09:50,680 --> 01:09:54,400 Speaker 1: this video because it is uncomfortable. This is the video 1164 01:09:54,880 --> 01:09:57,360 Speaker 1: of them coming out, but the tweet was saying when 1165 01:09:57,479 --> 01:10:01,679 Speaker 1: my parents come backstage after I totally fuck bombed. Oh yes, 1166 01:10:01,960 --> 01:10:10,960 Speaker 1: I saw this tweet. It's the most awkward. So the 1167 01:10:11,120 --> 01:10:13,760 Speaker 1: video is just Camilla and Prince Charles coming out of 1168 01:10:13,800 --> 01:10:16,120 Speaker 1: a door and clearly not being on the same page 1169 01:10:16,160 --> 01:10:18,240 Speaker 1: as to what the choreography was for this video, and 1170 01:10:18,280 --> 01:10:22,960 Speaker 1: they just start awkwardly clapping, And anyone who's seen parents 1171 01:10:23,120 --> 01:10:25,360 Speaker 1: try and lie and encourage you even though it's a lie, 1172 01:10:25,640 --> 01:10:28,120 Speaker 1: this is exactly what's going on. My whole first five 1173 01:10:28,200 --> 01:10:31,599 Speaker 1: years of comedy. Yeah, but you at least you were 1174 01:10:31,720 --> 01:10:33,479 Speaker 1: you were self aware enough. He go, I did that. 1175 01:10:34,040 --> 01:10:40,280 Speaker 1: That was I get that. Sp Nation tweeted, what does 1176 01:10:40,360 --> 01:10:44,800 Speaker 1: Cardinals coach Cliff Kingsbury look like he does for a living? Uh? 1177 01:10:45,360 --> 01:10:50,640 Speaker 1: He has this like really weird modernist house. Uh and 1178 01:10:50,760 --> 01:10:54,360 Speaker 1: it's like a picture of him with like two flat 1179 01:10:54,439 --> 01:11:00,360 Speaker 1: screen TVs. And Bill hand Stuck replied cocaine. And then 1180 01:11:01,640 --> 01:11:05,439 Speaker 1: Olivia did tweeted R A. M had indicated I would 1181 01:11:05,520 --> 01:11:09,880 Speaker 1: feel better at this particular juncture in world history. You 1182 01:11:09,920 --> 01:11:12,400 Speaker 1: can find me on Twitter, Jack Undersquore O'Brien. You can 1183 01:11:12,479 --> 01:11:15,080 Speaker 1: find us on Twitter at Daily Zeitgeys. Were at the 1184 01:11:15,200 --> 01:11:17,840 Speaker 1: Daily Zey Geys on Instagram. We have a Facebook fan 1185 01:11:17,880 --> 01:11:21,240 Speaker 1: page on a website, Daily Zyguys dot com where we 1186 01:11:21,400 --> 01:11:25,040 Speaker 1: post our episodes and our footnotes were a link off 1187 01:11:25,120 --> 01:11:28,120 Speaker 1: to the information that we talked about in today's episode, 1188 01:11:28,200 --> 01:11:31,320 Speaker 1: as well as the song we ride out on miles 1189 01:11:31,400 --> 01:11:33,920 Speaker 1: What's that going to be? Let's go out big on 1190 01:11:34,040 --> 01:11:40,240 Speaker 1: a track from Spanish artist Flamentco fusion goddess rosalia Um. 1191 01:11:40,400 --> 01:11:44,439 Speaker 1: This track is called Jano Salgala Luna and it's man 1192 01:11:44,640 --> 01:11:47,360 Speaker 1: her voice. If you're not up on Rosalia. She's had 1193 01:11:47,439 --> 01:11:49,439 Speaker 1: like huge hits with like J Balvin other people, but 1194 01:11:49,479 --> 01:11:53,360 Speaker 1: her solo stuff is great because she's really infusing flamenco 1195 01:11:53,560 --> 01:11:56,400 Speaker 1: vocal styles and guitar with like more pop stuff and 1196 01:11:56,439 --> 01:11:59,400 Speaker 1: it's really really interesting music. So check out. This song 1197 01:11:59,479 --> 01:12:00,920 Speaker 1: is from her album that came out two years ago, 1198 01:12:00,960 --> 01:12:04,360 Speaker 1: but check this one out. Alright, well, we are going 1199 01:12:04,560 --> 01:12:07,720 Speaker 1: to ride out on that. We will be back this 1200 01:12:07,880 --> 01:12:10,720 Speaker 1: afternoon to tell you what's trending, and we'll talk to 1201 01:12:10,760 --> 01:12:22,400 Speaker 1: you then bye bye, come so high. Uncle Shoo's losson, guys, Joe, 1202 01:12:23,520 --> 01:12:30,880 Speaker 1: I'm gonna he's lost some guy loss Loso guys to 1203 01:12:31,360 --> 01:12:35,720 Speaker 1: Jo lost guy. You never guy, he can be each other. 1204 01:12:36,000 --> 01:12:48,520 Speaker 1: So Shucky cocky Bo can live until