WEBVTT - #205 - Lil Zay Osama

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<v Speaker 1>Rolling Boulet Cap Podcast special guests in here from Chicago.

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<v Speaker 1>Your new project is dropped. So trench Baby three, trench

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<v Speaker 1>Baby three little is in the building. Man, Well, so welcome, welcome?

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<v Speaker 1>Is this a new is this a relatively new chain?

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<v Speaker 1>The trench Baby chain? I probably got this like a

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<v Speaker 1>year ago. Not like it's a serious piece of ice

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<v Speaker 1>right there, the baby with the ski mask and the

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<v Speaker 1>miss and the matching ring. That's what's that. I've never

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<v Speaker 1>seen the ring chain or something. Oh, that's that's what

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<v Speaker 1>some have been lying, oh some at some Okay, how

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<v Speaker 1>did you get your name? Man? Let's get the mic

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<v Speaker 1>raight if you can move the mic in front of you. Perfect. Yeah.

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<v Speaker 1>First at first they was calling me like zays. You know, Lise,

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<v Speaker 1>you know me being in the streets for a long time,

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<v Speaker 1>you know it just start oh some oh something. I

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<v Speaker 1>guess it was off the street ship, you know. Yeah. Uh,

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<v Speaker 1>how long has it been since you decided to fully

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<v Speaker 1>focus on music and get out of the streets fully

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<v Speaker 1>because a lot of people do the one foot in,

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<v Speaker 1>one foot out shit real? Since I got out of jail,

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<v Speaker 1>because you know, I wouldn't did juvenile life. And then

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<v Speaker 1>when I got out, you feel me. It's just like, yeah,

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<v Speaker 1>I gotta focus on my craft, you know, I gotta

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<v Speaker 1>get my people out of the hood. I gotta get

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<v Speaker 1>myself together. And that's really the only lane I knew.

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<v Speaker 1>You know, I wouldn't I know how to adapt to

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<v Speaker 1>anything like hustling, fraud, whatever, you know what I'm saying.

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<v Speaker 1>But like, that wasn't what I wanted to do. You

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<v Speaker 1>know what I'm saying. The music what I wanted to do. So, Yop,

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<v Speaker 1>you can't open the door. You go in there. You

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<v Speaker 1>want a water boom, Gotta hydrate, gotta get the water man.

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<v Speaker 1>So you said that, Uh you obviously you did some

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<v Speaker 1>time in juvenile What time did you get locked up?

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<v Speaker 1>You're sixteen when I was fifteen? And then when did

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<v Speaker 1>you get out when I was? Oh I was I

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<v Speaker 1>was nineteen, So you did four years in between juvie.

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<v Speaker 1>So when you got arrested, did you go from juvenile

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<v Speaker 1>hall to like the adult shit? Nah? I went from

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<v Speaker 1>the AUDI Home, which is a juvenile correctional center, and

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<v Speaker 1>then I went from the AUDI Home and got sentenced,

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<v Speaker 1>and then I went to DC Department of Correction, Love DC.

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<v Speaker 1>You can't be over twenty one and no got you.

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<v Speaker 1>So you ended up doing time as a juvenile and

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<v Speaker 1>then all and then moving on to the actual like

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<v Speaker 1>being in jail with like people who are adults and shit.

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<v Speaker 1>So that was like something that kind of shook you up, obviously. No,

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<v Speaker 1>hell no, I was already used to it. You know.

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<v Speaker 1>I was in the streets. I was going to do

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<v Speaker 1>thirty days, then get out, Go do sixty days, then

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<v Speaker 1>get out, go do two months, three four months, get out.

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<v Speaker 1>You feel me. I was always back and forth, locked up.

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<v Speaker 1>When that real time came, it was like I was

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<v Speaker 1>already used to it for real. Damn, what was your charge?

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<v Speaker 1>I had aggravated discharge with a fight. I had an

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<v Speaker 1>arm robbery. I had a vehictor high jack. I had

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<v Speaker 1>a couple of a lot of ship, four years worth

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<v Speaker 1>of ship. Well you made it man out, you made

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<v Speaker 1>it out. You made it out from the other side.

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<v Speaker 1>I saw that. You said that back in the day,

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<v Speaker 1>used to rob all the cameraman in Chicago. Come on, man,

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<v Speaker 1>I don't do that. I had my little up. No,

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<v Speaker 1>I did my I did my little wrong ship. I

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<v Speaker 1>was gonna say, like, did you ever spend the block

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<v Speaker 1>on the cameraman where they ended up working with you

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<v Speaker 1>later on, because you know, there's there's only a few

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<v Speaker 1>cameramen I'm sure. I mean, I don't know. I don't

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<v Speaker 1>even for real, for real, I don't even remember all

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<v Speaker 1>the dumb ship I used to be on back when

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<v Speaker 1>I was on for Surety ship. But like I used

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<v Speaker 1>to be on some goofy ship like that. But I

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<v Speaker 1>don't remember exactly all the ones. You know, it probably

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<v Speaker 1>is because all the cameramans fucking me. You know, I

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<v Speaker 1>even I am today, you know, I overcame all that

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<v Speaker 1>just so a lot of the cameramens fuck with me.

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<v Speaker 1>It probably been one of the years I don't even

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<v Speaker 1>remember so long ago. It feels like a cameraman is

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<v Speaker 1>probably the easiest lit right I was, really I was.

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<v Speaker 1>It wasn't like I was doing it for the money.

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<v Speaker 1>I was really doing it to get my own camera

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<v Speaker 1>to shoot my own videos and have my my cameraman

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<v Speaker 1>shoot my videos. So you wouldjacked the nice camera, give

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<v Speaker 1>it to your cameraman, and it'd be like you got

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<v Speaker 1>new equipment, shoot my ship. That's not a bad I mean, listen,

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<v Speaker 1>that's not bad. At least you weren't like at least

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<v Speaker 1>there was some sort of purpose. You were doing it

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<v Speaker 1>to further your career thing I do. It's for a purpose, yeah,

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<v Speaker 1>and it ain't never for no reason. Trench Baby three,

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<v Speaker 1>you got some dope features on here. Icewarve was one

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<v Speaker 1>of my favorite artists is on there. I congrats to

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<v Speaker 1>him in the QC situation. Yeah, for obviously, Durk Herbo

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<v Speaker 1>for you, like this is technically is this your first project,

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<v Speaker 1>like as like under a major? No, hell no, I

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<v Speaker 1>did Hood Bible, I did Baby one, so this is okay?

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<v Speaker 1>So this this hood Bible. I did Hood Bible, I

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<v Speaker 1>did trench Baby one, Trench Baby two, and it's trench

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<v Speaker 1>Baby three. So folk mixtape since I've been under one?

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<v Speaker 1>So is this considered the tape for Ah's a mixtape? Okay?

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<v Speaker 1>These days I hate I hate the mixtape differentiate feel

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<v Speaker 1>like a bootleg. You know what I'm saying. But how

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<v Speaker 1>do you what's the album to the mixtape difference? Like

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<v Speaker 1>it feels like it's all the same nowadays. I don't

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<v Speaker 1>know that it is kind of the same. But I

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<v Speaker 1>don't like calling the mixtape because you feel like I'm

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<v Speaker 1>saying my ship bootleg or some ship. You know why.

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<v Speaker 1>I like the call it of the project or album.

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<v Speaker 1>You know why the label, like because the label doesn't

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<v Speaker 1>count against your contract, so they love it when it's

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<v Speaker 1>called a mixtape. No, not necessarily. Most if you recoup,

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<v Speaker 1>you know, then that bitch go go or some ship,

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<v Speaker 1>and they gonna count that bitch as an album. They

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<v Speaker 1>have to. Yeah, yeah, they're gonna count that mo fuckers.

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<v Speaker 1>So uh do you? Because I feel like your buzz

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<v Speaker 1>is like really catching fire. What do you think like

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<v Speaker 1>has been the difference in the last like twelve months

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<v Speaker 1>or so some sh it's really catching fire for you

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<v Speaker 1>in terms of just like was it things you were

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<v Speaker 1>doing differently? Was it a certain record that went crazy?

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<v Speaker 1>Like why do you think like you got the most

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<v Speaker 1>eyes on your light right now? I feel like the

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<v Speaker 1>momentum going crazy right now, you know what I'm saying.

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<v Speaker 1>Because my brother Smirk hopped up on the Fuck my Cubs, Yeah,

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<v Speaker 1>he hopped on that record, So a lot of more

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<v Speaker 1>people reaching out, you know what I'm saying, niggas I

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<v Speaker 1>hit seeing the message like hey, oh I ain't even

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<v Speaker 1>see this? What up? Like you know, like, eh, body, Yeah,

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<v Speaker 1>things falling in place since Bro hopped on the record. Yeah,

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<v Speaker 1>I feel like we always talk about how people get

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<v Speaker 1>the Drake stimulus package. There's like a such thing as

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<v Speaker 1>a Dirk stimulus package. Yea, so nowadays, bro my daughter,

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<v Speaker 1>But Dirk gang like turning niggas could real round like

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<v Speaker 1>folks hop on the record. I mean, we talked about

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<v Speaker 1>that he had up the skull, which I feel like

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<v Speaker 1>really put him in a different space. Dirk hopped on

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<v Speaker 1>that motherfucker took him out of the Boston Richie. Dirk

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<v Speaker 1>hop on that blood golden and this ship He's stamp

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<v Speaker 1>ship for sure. For people who have never heard Fuck

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<v Speaker 1>my Cousin, Yeah, the song titles wild explain fuck my Cousin.

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<v Speaker 1>It was like I just couldn't sugarcoat it, you know,

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<v Speaker 1>that's what it was. You know, I got a lot

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<v Speaker 1>of cousins that's on the other side with the ops.

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<v Speaker 1>So if you have a family member who's on the

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<v Speaker 1>other side with the ops, fuck them. Hell yeah, fuck

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<v Speaker 1>them because they don't think they're saying about you. Fuck

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<v Speaker 1>you you op. You know, like of course it won't

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<v Speaker 1>like I ain't seen these niggas since I was a kid,

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<v Speaker 1>you know what I'm saying. But then my cousins, though

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<v Speaker 1>you feel me, So it really ain't no relationship that anyway.

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<v Speaker 1>You feel what I'm saying. It's just that we know

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<v Speaker 1>we cousins, you know, and it's up he on that side.

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<v Speaker 1>I'm on this side and have been times out of

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<v Speaker 1>gave my cousin and passes like noah, folks, don't do that,

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<v Speaker 1>or I was gonna keep it moving or catch him.

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<v Speaker 1>He's so goofied out. He's such a fucking clown. Catch him,

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<v Speaker 1>smack him up, punch him up, put it on camera,

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<v Speaker 1>uploaded on the ground or something like. Just treat him

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<v Speaker 1>like a flat yeah, like ship like that. Like but here, Yeah,

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<v Speaker 1>my homie shot my cousin and miss up, I see

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<v Speaker 1>my cousin, Miss Up. Is there is there like a

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<v Speaker 1>family like okay, because you could be you could be

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<v Speaker 1>cousins with somebody and barely know them. Yeah for sure, Right,

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<v Speaker 1>that's that's that's normal. That's what it really is. Like

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<v Speaker 1>with the cousins that I'm in too with. You feel

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<v Speaker 1>what I'm saying, Like I norm I grew up with them,

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<v Speaker 1>But it's like, ain't no bond or no relationship. Yeah,

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<v Speaker 1>you know what I'm saying. For me to feel some

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<v Speaker 1>type of way you have a stronger bond with your

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<v Speaker 1>brothers that are yeah, my brothers and my sisters, Like

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<v Speaker 1>I got real actual cousin is that I know that

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<v Speaker 1>will never turn on me, never go fuck with the ops,

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<v Speaker 1>never do no out of order ship or cross me.

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<v Speaker 1>You know, I got cousins like that. That's my real family,

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<v Speaker 1>right that you grew up with that you're super close

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<v Speaker 1>and I'm super super close with for sure. Damn does

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<v Speaker 1>the auntie ever call like your mom and be like hey, yeah,

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<v Speaker 1>And there been times like that in the past, Like

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<v Speaker 1>even one of my ops that's dead, like his daddy

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<v Speaker 1>is from well, my mama and my daddy and then

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<v Speaker 1>from where I grew up as a kid though right

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<v Speaker 1>then I moved from over there, but my mom and

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<v Speaker 1>them from over there. That's where they grew up at

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<v Speaker 1>all they life forty third state speaking, you know, Like

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<v Speaker 1>he came and talked to me like, yeah, y'all leave

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<v Speaker 1>that shit alone, y'all family woo, you know, but this

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<v Speaker 1>shit too deep, like bloodshit behind this shit already, so

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<v Speaker 1>motherfucker really can't take that shit back. I think that's

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<v Speaker 1>what civilians have a hard time wrapping their head around.

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<v Speaker 1>Why the psych who doesn't stop. And I think what

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<v Speaker 1>they don't understand is once blood is shed, it's like

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<v Speaker 1>almost like I'm not talking about your I'm not talking

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<v Speaker 1>about it. For the record, though, I won't make it clear.

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<v Speaker 1>I'm not talking about you or any situation you're I

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<v Speaker 1>just mean in terms of gang violence in general. Yeah,

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<v Speaker 1>it's just like, boy, you gotta understand, bro, if if

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<v Speaker 1>you kill me, I got kids, I got brothers, I

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<v Speaker 1>got cousins that I don't want to get to get back. Boy,

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<v Speaker 1>they ain't gonna play about me. They ain't gonna forget

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<v Speaker 1>about me. Boy, Right, It's gonna be generations and generations

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<v Speaker 1>of this ship. You feel me, This shit go on

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<v Speaker 1>and go on like generations for real, for real, It's

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<v Speaker 1>not possible. You took my fucker love one out this ship.

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<v Speaker 1>My fucker ready to man fuck ready to go all out.

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<v Speaker 1>You know. Did you see, uh, recently twenty one Savage

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<v Speaker 1>spoke about like in Atlanta, obviously there's a lot of

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<v Speaker 1>gang or a lot of gun violence happening. Did you

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<v Speaker 1>see the twenty one Savage had said he just kind

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<v Speaker 1>of was trying to put a message out there to

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<v Speaker 1>everybody to like kind of, you know, try I think

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<v Speaker 1>I saw a postal. He was like, we we need

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<v Speaker 1>to do better, Yeah, do better, try to keep the peace.

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<v Speaker 1>Like do you think like it would take somebody like

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<v Speaker 1>in that position to kind of like do the same

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<v Speaker 1>thing in Chicago? It doesn't matter, Like I mean, I

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<v Speaker 1>feel like, like I told you, it's like we I

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<v Speaker 1>know me personally, bro, we was in walls from generations

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<v Speaker 1>to go to my big homy and my old than

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<v Speaker 1>them homing and on was in you feel what I'm saying,

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<v Speaker 1>and the end it just it just kind of gets

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<v Speaker 1>passed on. So like that's that ship will never be

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<v Speaker 1>over with. I don't care who you is, bro, Like

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<v Speaker 1>that should never be over with. Niggas can't come to

0:11:41.880 --> 0:11:44.040
<v Speaker 1>agreement and come to each other and talk and be like,

0:11:44.559 --> 0:11:47.679
<v Speaker 1>let's squash this shit or leave it alone, or he

0:11:47.800 --> 0:11:49.920
<v Speaker 1>gonna be considered a whole He's gonna be considered a

0:11:50.000 --> 0:11:52.599
<v Speaker 1>bitch as nigga pussy a nigga. Niggas proud in the

0:11:52.640 --> 0:11:55.240
<v Speaker 1>way that it ain't gonna never It feels like pride

0:11:55.360 --> 0:11:58.400
<v Speaker 1>is probably the biggest thing standing in the way and

0:11:58.480 --> 0:12:00.839
<v Speaker 1>a lot of that shit right, yeah for sure. But

0:12:01.080 --> 0:12:04.240
<v Speaker 1>you know, like I told you, death too pride and death.

0:12:04.920 --> 0:12:07.600
<v Speaker 1>Niggas got locked up since the eighty years he told

0:12:07.840 --> 0:12:10.520
<v Speaker 1>and he's still out of jail. Niggas trying to kill

0:12:10.640 --> 0:12:15.160
<v Speaker 1>him like this. It's all types of situations, do you think, Like,

0:12:15.720 --> 0:12:19.000
<v Speaker 1>for someone like yourself that has found a way to

0:12:20.120 --> 0:12:24.640
<v Speaker 1>get out of that environment, it's like the only right

0:12:24.720 --> 0:12:26.280
<v Speaker 1>thing to do is to kind of get out of

0:12:26.440 --> 0:12:29.199
<v Speaker 1>Chicago and and and try like I told him in

0:12:29.360 --> 0:12:31.319
<v Speaker 1>La now, so you feel you think of someone like

0:12:31.400 --> 0:12:33.000
<v Speaker 1>Chief Keith. I don't think Chief Keep's been back for

0:12:33.040 --> 0:12:34.439
<v Speaker 1>I don't know how long, but you know, it feels

0:12:34.440 --> 0:12:36.920
<v Speaker 1>like he got about the way someone like God damn

0:12:37.160 --> 0:12:41.480
<v Speaker 1>snuck and never told nobody just out now. But for

0:12:41.520 --> 0:12:43.320
<v Speaker 1>the most part, I don't think you've been out there.

0:12:43.360 --> 0:12:46.800
<v Speaker 1>But hell yeah, Like it's better to just get away,

0:12:47.160 --> 0:12:48.800
<v Speaker 1>you know, it's better just get the fuck out the

0:12:48.840 --> 0:12:52.240
<v Speaker 1>city you already got, Like I'm just saying me, I

0:12:52.360 --> 0:12:55.960
<v Speaker 1>already got ops, hella ops. You feel what I'm saying.

0:12:56.520 --> 0:13:00.240
<v Speaker 1>And there's money and there's motherfucking fame. This ship bring

0:13:00.600 --> 0:13:03.480
<v Speaker 1>mot enemies and mold problems and bullshit. You feel what

0:13:03.480 --> 0:13:05.960
<v Speaker 1>I'm saying, So they just add on. So it's best

0:13:06.000 --> 0:13:07.920
<v Speaker 1>to just get the fuck away, get out of those city,

0:13:08.000 --> 0:13:10.560
<v Speaker 1>tuck off and run that ship up and take care

0:13:10.559 --> 0:13:12.760
<v Speaker 1>of your people for real, for real, this shit really

0:13:12.840 --> 0:13:15.080
<v Speaker 1>dried up in the streets. This shit over with. Yeah,

0:13:15.559 --> 0:13:18.839
<v Speaker 1>I think that's smart. Man, Help me understand, because you know,

0:13:19.400 --> 0:13:23.040
<v Speaker 1>sometimes I get frustrated from the outside looking in when

0:13:23.080 --> 0:13:26.080
<v Speaker 1>I see people who have real beef with like real

0:13:26.160 --> 0:13:29.040
<v Speaker 1>people who are from their city, like situations that you

0:13:29.080 --> 0:13:32.560
<v Speaker 1>were just talking about. But then we'll beef with rappers

0:13:32.840 --> 0:13:35.560
<v Speaker 1>that aren't from their city, and then that equals ship

0:13:35.800 --> 0:13:38.920
<v Speaker 1>and it's like almost like yo, like rap beef is

0:13:39.040 --> 0:13:42.160
<v Speaker 1>so it's turning into something very serious. Obviously, people have

0:13:42.240 --> 0:13:44.240
<v Speaker 1>lost their lives in some of these beefs. But because

0:13:44.240 --> 0:13:47.360
<v Speaker 1>this ain't this shit ain't back then like how you

0:13:47.400 --> 0:13:56.400
<v Speaker 1>will see like you'll see like or something or p Diddy,

0:13:56.520 --> 0:13:59.439
<v Speaker 1>Like they'll be like on the internet going back and

0:13:59.559 --> 0:14:04.319
<v Speaker 1>forth arguing like real, but it's like you don't never

0:14:04.400 --> 0:14:06.960
<v Speaker 1>see nobody dead behind it or you don't never see

0:14:07.000 --> 0:14:09.960
<v Speaker 1>it like go up for real for real. So motherfucker's

0:14:10.000 --> 0:14:12.719
<v Speaker 1>on the outside from the street street standpoint, like, man,

0:14:12.800 --> 0:14:15.480
<v Speaker 1>that'sh it fake the niggas doing that, that's a publicity stunner.

0:14:15.559 --> 0:14:19.640
<v Speaker 1>Some shit, you know what I'm saying, Like like us nowadays,

0:14:20.320 --> 0:14:24.480
<v Speaker 1>like it ain't no faking, like we don't know how

0:14:24.520 --> 0:14:26.520
<v Speaker 1>to fake. Were too real for this shit, Like we

0:14:26.600 --> 0:14:28.680
<v Speaker 1>don't know how to fake. Like if it's up, it's up.

0:14:29.080 --> 0:14:31.960
<v Speaker 1>We ain't finela, We ain't finna do no shit. I'm

0:14:32.000 --> 0:14:34.520
<v Speaker 1>gonna stop saying we me, I ain't finna do no shit.

0:14:34.560 --> 0:14:37.480
<v Speaker 1>To hop on the internet and be like always up

0:14:37.520 --> 0:14:39.120
<v Speaker 1>with him or it is cracking with him and da

0:14:39.200 --> 0:14:41.320
<v Speaker 1>da da da da da, and then we see each other,

0:14:41.400 --> 0:14:43.840
<v Speaker 1>we shaking hands or we taking a picture or a photo.

0:14:44.240 --> 0:14:46.480
<v Speaker 1>If I say it's up, it's really that you feel me.

0:14:47.000 --> 0:14:48.720
<v Speaker 1>But I got that side of me. I'll come to

0:14:48.800 --> 0:14:51.440
<v Speaker 1>you and talk like a man and get an understanding,

0:14:51.480 --> 0:14:54.480
<v Speaker 1>you know what I'm saying. If it ain't no bloodshed behind,

0:14:54.640 --> 0:14:56.520
<v Speaker 1>or if it ain't nothing seious, you know what I'm saying. Yeah,

0:14:56.520 --> 0:14:58.800
<v Speaker 1>I feel like the rap shit sometimes like it turns.

0:14:58.960 --> 0:15:02.200
<v Speaker 1>It starts with something like extremely weird and petty, and

0:15:02.320 --> 0:15:05.520
<v Speaker 1>then sometimes it just gets serious quick like it's like

0:15:05.640 --> 0:15:07.600
<v Speaker 1>it goes from like some weird internet ship someone's on

0:15:07.680 --> 0:15:11.920
<v Speaker 1>Instagram live saying some passive aggressive generation and different. Yeah,

0:15:12.760 --> 0:15:16.680
<v Speaker 1>it's generations different. Trump is bad. The fucker just ready

0:15:16.760 --> 0:15:19.200
<v Speaker 1>to go off the bridge that didn't give him on. Yeah,

0:15:20.240 --> 0:15:22.880
<v Speaker 1>it's it's it's like it's unfortunate too, man, because it's

0:15:22.960 --> 0:15:25.680
<v Speaker 1>like I just see this ship too much. I'm like,

0:15:25.720 --> 0:15:28.240
<v Speaker 1>gotta be a nigga like me. You gotta have this

0:15:28.480 --> 0:15:31.520
<v Speaker 1>head in his head. Yeah, I got two heads on myselves.

0:15:31.840 --> 0:15:34.800
<v Speaker 1>What do you mean by that? Two heads on myselves? Yeah,

0:15:35.640 --> 0:15:37.720
<v Speaker 1>this right here, I could be this way right here.

0:15:38.120 --> 0:15:40.120
<v Speaker 1>I can be this way right here because I've heard

0:15:40.160 --> 0:15:42.200
<v Speaker 1>the music. It feels like, you know, you got you

0:15:42.320 --> 0:15:48.400
<v Speaker 1>got some pretty aggressives. Yeah, how was your Did you

0:15:48.480 --> 0:15:51.600
<v Speaker 1>have a relationship with Vonn before he passed? Yeah? Yeah, n.

0:15:51.760 --> 0:15:53.640
<v Speaker 1>Me and Vonn used to always be in the inbox,

0:15:53.720 --> 0:15:56.320
<v Speaker 1>tweaking with each other, kicking any shit like that. Me

0:15:56.320 --> 0:15:58.840
<v Speaker 1>and Bro supposed to get the record together, but blood

0:15:58.920 --> 0:16:01.360
<v Speaker 1>was getting hot. He was doing that, he for sure

0:16:01.520 --> 0:16:03.120
<v Speaker 1>needed to do it, and I was doing what the

0:16:03.160 --> 0:16:04.880
<v Speaker 1>fuck I needed to do, you know, trying to figure

0:16:04.920 --> 0:16:07.840
<v Speaker 1>my shit out. But yeah, hell yeah, blow. It was

0:16:07.880 --> 0:16:10.400
<v Speaker 1>a cool last Dawn nigga for sure. For people who

0:16:10.400 --> 0:16:13.160
<v Speaker 1>don't know what what part of Chicago are you from,

0:16:13.680 --> 0:16:17.080
<v Speaker 1>I'm from like the southwest side, sixty third California. The kids,

0:16:17.600 --> 0:16:21.240
<v Speaker 1>that's across the western How far is that from? Because

0:16:21.240 --> 0:16:23.480
<v Speaker 1>everyone knows Old Block they got to it's on that

0:16:23.640 --> 0:16:27.120
<v Speaker 1>GTA now, So like like I'm on my hood is

0:16:27.200 --> 0:16:31.120
<v Speaker 1>from sixty first to sixty seven California, the kids. So

0:16:32.800 --> 0:16:35.240
<v Speaker 1>like you be seeing the fans tweaking under my shat, like, ah,

0:16:35.440 --> 0:16:37.480
<v Speaker 1>is they from sixty third? How he doing the song

0:16:37.600 --> 0:16:41.720
<v Speaker 1>with with dirt? Like I'm from sixty third, but I'm

0:16:41.720 --> 0:16:45.160
<v Speaker 1>from sixty third off the other side of Chicago. They

0:16:45.320 --> 0:16:47.840
<v Speaker 1>on the east side. I'm on the southwest side. Gotcha

0:16:48.080 --> 0:16:50.920
<v Speaker 1>you feel what I'm saying. So all I gotta do

0:16:51.080 --> 0:16:54.640
<v Speaker 1>is get on sixty third in California and ride straight

0:16:54.720 --> 0:16:59.560
<v Speaker 1>down to the east side and being Old Block, you

0:16:59.600 --> 0:17:02.200
<v Speaker 1>feel me, It's just like a straight shot down, straight shot,

0:17:02.440 --> 0:17:08.119
<v Speaker 1>like fifteen minutes, twenty minutes. Do you feel like for

0:17:08.320 --> 0:17:13.680
<v Speaker 1>you obviously you know having because I saw the OTF

0:17:14.200 --> 0:17:16.199
<v Speaker 1>logo on the back of your track track Listen, are

0:17:16.240 --> 0:17:19.240
<v Speaker 1>you like officially an OTF artist? You know? You know,

0:17:19.440 --> 0:17:24.000
<v Speaker 1>you know, Dirk, that's my mentor you feel So it's

0:17:24.119 --> 0:17:26.440
<v Speaker 1>just like, really, blood was just trying to get behind

0:17:26.520 --> 0:17:29.000
<v Speaker 1>me on some anything I can do to help anything

0:17:29.040 --> 0:17:31.000
<v Speaker 1>I could do to help whatever you need you need

0:17:31.080 --> 0:17:34.159
<v Speaker 1>to do, like, I'm behind you one hundred percent. You

0:17:34.320 --> 0:17:37.119
<v Speaker 1>know what I'm saying. So we partner it up a

0:17:37.200 --> 0:17:39.200
<v Speaker 1>lot of you know, what is some of the game

0:17:39.280 --> 0:17:41.400
<v Speaker 1>that you know? You know, I think some people forget

0:17:41.480 --> 0:17:44.520
<v Speaker 1>how long Dirk's been at this blood. I always tell me,

0:17:44.680 --> 0:17:48.280
<v Speaker 1>like Steak consistent, like stay in the studio, whatever you

0:17:48.440 --> 0:17:50.920
<v Speaker 1>gotta do, go do that ship and then come back

0:17:50.960 --> 0:17:54.000
<v Speaker 1>to the studio. Steak assisted, it's a new artist here

0:17:54.000 --> 0:17:56.120
<v Speaker 1>a day out. You feel what I'm saying. I can't

0:17:56.200 --> 0:18:00.439
<v Speaker 1>let them forget about you, you know, Yeah, always be different.

0:18:00.760 --> 0:18:05.400
<v Speaker 1>Don't never do these niggas doing? Do you be different? Yeah?

0:18:05.480 --> 0:18:07.719
<v Speaker 1>That's crazy? You know. I feel like he's right. I mean,

0:18:08.080 --> 0:18:11.080
<v Speaker 1>I think Dirk's you went through a couple of eras

0:18:11.119 --> 0:18:13.560
<v Speaker 1>of music and a couple of eras in his career

0:18:13.640 --> 0:18:15.360
<v Speaker 1>where he was like on Deft Jam, they were trying,

0:18:15.359 --> 0:18:19.080
<v Speaker 1>took real live years of experiencing this ship on a

0:18:19.160 --> 0:18:23.480
<v Speaker 1>lot of levels. For sure. Let's talk about Chicago hip hop.

0:18:24.040 --> 0:18:28.440
<v Speaker 1>Who would you put on the Mount Rushmore of Chicago rap?

0:18:29.720 --> 0:18:31.840
<v Speaker 1>That's four people we gotta put four people, gotta put

0:18:31.880 --> 0:18:35.920
<v Speaker 1>myself though, No, you gotta excluding yourself. Exclude myself. Okay,

0:18:36.840 --> 0:18:44.399
<v Speaker 1>we're gonna put Keith. Okay, we're gonna put Juice, Chance

0:18:44.480 --> 0:18:53.000
<v Speaker 1>to rapper, Smart and Dirk. No, Kanye Kanye cool, but

0:18:53.119 --> 0:18:55.800
<v Speaker 1>I can't put Kanye up there. You put Kanye over

0:18:56.040 --> 0:18:58.520
<v Speaker 1>like that's that's that you put Chance over Kanye? Yeah,

0:18:58.640 --> 0:19:04.280
<v Speaker 1>like Chance. I feel like it's our era Kanye. That's fair,

0:19:04.359 --> 0:19:07.400
<v Speaker 1>you know what I'm saying, Kanye West, that's y'all era

0:19:07.600 --> 0:19:09.800
<v Speaker 1>my mama. And did you them You ain't finna catch

0:19:09.840 --> 0:19:12.359
<v Speaker 1>me riding through the city off. No, Yeah, that's feeling

0:19:12.400 --> 0:19:15.200
<v Speaker 1>gonna lot. But I funck with yr music as a person.

0:19:15.280 --> 0:19:17.800
<v Speaker 1>We both them and the most shit, like you know

0:19:17.840 --> 0:19:19.639
<v Speaker 1>what I'm saying, But like, what do you think that is?

0:19:19.760 --> 0:19:23.760
<v Speaker 1>Like in Chicago, there's such a dynamic range of artists

0:19:23.880 --> 0:19:26.000
<v Speaker 1>that are like you got the chances, you got like

0:19:26.080 --> 0:19:29.399
<v Speaker 1>the vic Menses, the Kanye's, the Commons, and then on

0:19:29.440 --> 0:19:31.560
<v Speaker 1>the other side you got the Chief Keeps, the Dirks,

0:19:31.600 --> 0:19:35.000
<v Speaker 1>guys like yourself. Like it's like either like super artsy

0:19:35.400 --> 0:19:40.240
<v Speaker 1>very like you know, heavily like art involved rap, and

0:19:40.320 --> 0:19:43.480
<v Speaker 1>then there's like the hardcore gangster ship like but but

0:19:44.280 --> 0:19:46.119
<v Speaker 1>is it because they grew up in different areas or

0:19:47.160 --> 0:19:51.840
<v Speaker 1>I don't really know the history behind like all those

0:19:52.359 --> 0:19:55.560
<v Speaker 1>all those people like cuts them in and like all them,

0:19:55.720 --> 0:19:57.520
<v Speaker 1>Like I don't I can't even tell you the street

0:19:57.560 --> 0:20:00.119
<v Speaker 1>common grew up on for real, Like I don't really know.

0:20:00.240 --> 0:20:03.560
<v Speaker 1>You ever listen to Coming probably when Pops with somebody

0:20:03.720 --> 0:20:07.440
<v Speaker 1>was listening to him Chicago Legends. Twister too, Yeah, Twister

0:20:07.560 --> 0:20:09.360
<v Speaker 1>for so I went to the gun range with Twisted

0:20:09.400 --> 0:20:11.640
<v Speaker 1>and ship. Twist took you to the gun range. Yeah,

0:20:11.960 --> 0:20:13.680
<v Speaker 1>Twist took me to the gun range. Me and a

0:20:13.720 --> 0:20:15.680
<v Speaker 1>lot of my homies. We were shooting guns and ship

0:20:16.080 --> 0:20:18.600
<v Speaker 1>he was showing us all exclusive as gun he got

0:20:19.080 --> 0:20:23.359
<v Speaker 1>all type of big crazy Yes, he's like training people

0:20:23.400 --> 0:20:25.640
<v Speaker 1>like how to get their gun perman, and yeah that's

0:20:25.640 --> 0:20:27.159
<v Speaker 1>what he that's he that's what he gonna do with me.

0:20:27.440 --> 0:20:30.160
<v Speaker 1>That's firing to give my shout out to Twister. Twist

0:20:30.240 --> 0:20:31.560
<v Speaker 1>is a great guy. How did he just reach out

0:20:31.600 --> 0:20:33.040
<v Speaker 1>to you? How do that? How did that end up happened?

0:20:33.320 --> 0:20:35.040
<v Speaker 1>I think we supposed to been doing the song or

0:20:35.080 --> 0:20:37.080
<v Speaker 1>some ship and then you know he was just on

0:20:37.200 --> 0:20:40.320
<v Speaker 1>some regular ship. Like it's beyond the song type ship

0:20:40.400 --> 0:20:43.040
<v Speaker 1>like this is beial you know on some big broler

0:20:43.119 --> 0:20:46.080
<v Speaker 1>bro shit. You know he's a good dude for sure.

0:20:46.119 --> 0:20:48.560
<v Speaker 1>Shout out to say he's a fucking legend. Shout out

0:20:48.600 --> 0:20:53.040
<v Speaker 1>to Chicago man on Fuck my Cousin. You were saying,

0:20:53.160 --> 0:20:57.479
<v Speaker 1>if you don't like the fucking OPS posts? Uh, if

0:20:57.520 --> 0:21:01.280
<v Speaker 1>you like if you like the OPS post, So, let

0:21:01.320 --> 0:21:05.639
<v Speaker 1>me ask you this, right hypothetically speaking, you have like

0:21:06.160 --> 0:21:11.000
<v Speaker 1>a relative that's close to you and we're talking like

0:21:11.200 --> 0:21:13.880
<v Speaker 1>in this song from what I gathered, if you're cool

0:21:13.920 --> 0:21:16.800
<v Speaker 1>with my ops or if I'm cool with you, that

0:21:16.920 --> 0:21:19.080
<v Speaker 1>means that you can't you can't be fucking with the ops.

0:21:20.080 --> 0:21:23.840
<v Speaker 1>Is that fair? Yeah? Yeah, Like if I'm fucking with

0:21:24.000 --> 0:21:28.080
<v Speaker 1>too and you fucking with my OPS shit, you might

0:21:28.240 --> 0:21:31.120
<v Speaker 1>backdope me. You might get me smoked, you might set

0:21:31.240 --> 0:21:33.520
<v Speaker 1>me up rob me. I don't know. So if you're

0:21:33.600 --> 0:21:36.120
<v Speaker 1>cool with somebody, if you cool with somebody that's trying

0:21:36.119 --> 0:21:38.040
<v Speaker 1>to kill me or so, let me ask you this, right, So,

0:21:38.160 --> 0:21:41.800
<v Speaker 1>like hypothetically speaking, like you will you inherit someone's beef

0:21:41.880 --> 0:21:43.359
<v Speaker 1>that you're fucking with or would you just kind of

0:21:43.400 --> 0:21:45.720
<v Speaker 1>be like, I ain't beefing with him, but I'm not

0:21:45.840 --> 0:21:49.360
<v Speaker 1>fucking with him. No, that's the type of thing I am.

0:21:49.520 --> 0:21:51.959
<v Speaker 1>I ain't beefing with him, but I'm not fucking with him.

0:21:52.040 --> 0:21:56.720
<v Speaker 1>That's fair what I'm saying. I play both sides or

0:21:57.480 --> 0:21:59.720
<v Speaker 1>be in the middle, because I know being in the

0:21:59.760 --> 0:22:02.959
<v Speaker 1>middle to lead to a lot of other shit. Niggas.

0:22:03.000 --> 0:22:06.320
<v Speaker 1>Don't be righteous, nigga, really be like I'm in the middle,

0:22:06.440 --> 0:22:09.200
<v Speaker 1>or really be over there plotting to come get your ass.

0:22:09.359 --> 0:22:11.600
<v Speaker 1>Feel myself, I don't trust none of that shit. If

0:22:11.600 --> 0:22:14.159
<v Speaker 1>you fuck with them, fuck with them't fuck with you.

0:22:14.359 --> 0:22:17.680
<v Speaker 1>Because I think some people saw I think Richard the

0:22:17.720 --> 0:22:23.560
<v Speaker 1>Kid had dinner with uh with Dirk, But Richard Kid

0:22:23.600 --> 0:22:25.159
<v Speaker 1>has an album with a young boy, so a lot

0:22:25.200 --> 0:22:26.959
<v Speaker 1>of people are like, what the fuck is going on here?

0:22:27.119 --> 0:22:30.800
<v Speaker 1>Right right? I feel like like the young boy smirk

0:22:30.880 --> 0:22:34.080
<v Speaker 1>shit like this, it's it's happening. But I feel like

0:22:34.840 --> 0:22:39.600
<v Speaker 1>a lot of artists on real time and if things

0:22:39.720 --> 0:22:42.920
<v Speaker 1>just throwing theyself, you a bitch ass goofy as the

0:22:43.000 --> 0:22:45.000
<v Speaker 1>lame ass nigga. If you just hop out that throwing

0:22:45.040 --> 0:22:47.200
<v Speaker 1>yourself with somebody beef, you don't really got in a

0:22:47.280 --> 0:22:50.320
<v Speaker 1>relationship with the nigga. You ain't really nothing. You just

0:22:50.440 --> 0:22:54.080
<v Speaker 1>Dick ride. It's almost like it's like some clop chasing

0:22:54.119 --> 0:22:58.360
<v Speaker 1>ship low key here, like like that's just Dick riding game.

0:22:58.440 --> 0:23:01.960
<v Speaker 1>If you hop, then another motherfucker beef down. Got nothing

0:23:01.960 --> 0:23:04.760
<v Speaker 1>to do with you. I agree, I just I agree.

0:23:04.800 --> 0:23:06.720
<v Speaker 1>I agree with you. Yeah for sure. I think like

0:23:06.800 --> 0:23:08.600
<v Speaker 1>at the end of the day, like it's like I

0:23:08.720 --> 0:23:11.480
<v Speaker 1>think that that Dirk uh young boy thing is like

0:23:11.520 --> 0:23:13.359
<v Speaker 1>one of those things that like to me, felt like

0:23:13.440 --> 0:23:17.119
<v Speaker 1>some rap shit and it was like, okay, yeah, obviously no,

0:23:17.359 --> 0:23:19.600
<v Speaker 1>see I knew it want no rap shit. Folks like

0:23:20.320 --> 0:23:22.960
<v Speaker 1>you gotta understand, like I know niggas around Dirk, I

0:23:23.080 --> 0:23:26.080
<v Speaker 1>know personally, like we've been locked in for years since

0:23:26.160 --> 0:23:28.720
<v Speaker 1>way before this ship. You feel what I'm saying, Like

0:23:28.920 --> 0:23:32.000
<v Speaker 1>I was even fucking with a fewer NBA and all

0:23:32.080 --> 0:23:34.879
<v Speaker 1>lay homies over there. I feel what I'm saying, like,

0:23:35.600 --> 0:23:38.800
<v Speaker 1>but smirking them is from my city. I've been locked

0:23:38.840 --> 0:23:41.360
<v Speaker 1>in with them for a long long time, like it's

0:23:41.440 --> 0:23:44.560
<v Speaker 1>real live love with them like that. You feel what

0:23:44.600 --> 0:23:47.960
<v Speaker 1>I'm saying, But I'm not out here. Oh fuck, young boy.

0:23:48.040 --> 0:23:50.600
<v Speaker 1>He right, You're not jumping out and do that. That's

0:23:50.600 --> 0:23:52.880
<v Speaker 1>what I means. I think that's but I think that's important.

0:23:53.040 --> 0:23:54.920
<v Speaker 1>That ain't meause I think some people would do that,

0:23:55.400 --> 0:23:56.960
<v Speaker 1>and I know how they'll be there to see me

0:23:57.080 --> 0:23:59.360
<v Speaker 1>on the song with smirking all the fans like, oh

0:23:59.560 --> 0:24:03.080
<v Speaker 1>you you into a young Boy, Yeah, which is fucking

0:24:03.359 --> 0:24:04.800
<v Speaker 1>I think a lot of this ship too, is like

0:24:05.000 --> 0:24:08.680
<v Speaker 1>fans pushed that ship, dude, Yeah, they pushed that ship.

0:24:08.840 --> 0:24:10.280
<v Speaker 1>I think like if you think of what's going on

0:24:10.320 --> 0:24:12.280
<v Speaker 1>with Kodak and Young Boy right now, it feels like

0:24:12.440 --> 0:24:16.239
<v Speaker 1>it's all fans. The fans created some bullshit between two

0:24:16.359 --> 0:24:19.200
<v Speaker 1>artists that should have no problems. They're not from the

0:24:19.240 --> 0:24:22.240
<v Speaker 1>same section, they're from fucking the same state. It's just

0:24:22.320 --> 0:24:25.119
<v Speaker 1>some fan ship that turns into some real ship or

0:24:25.600 --> 0:24:27.399
<v Speaker 1>you know, some internet ship, I guess. But about some

0:24:27.600 --> 0:24:29.879
<v Speaker 1>questions about Rich, the kids sitting in the room and

0:24:29.920 --> 0:24:32.119
<v Speaker 1>ship like that, I don't really got no comment on

0:24:32.200 --> 0:24:34.119
<v Speaker 1>it if you want them niggas, that's just really in

0:24:34.200 --> 0:24:36.560
<v Speaker 1>the middle and don't got none. Yeah. I think like

0:24:36.760 --> 0:24:38.720
<v Speaker 1>Rich is obviously somebody who was It was like a

0:24:38.760 --> 0:24:40.359
<v Speaker 1>big dinner with a lot of people and it's like

0:24:40.480 --> 0:24:43.879
<v Speaker 1>he's he's a businessman. We don't get no fuck in

0:24:44.560 --> 0:24:49.440
<v Speaker 1>that environment. And you right here fucking with the ops

0:24:49.520 --> 0:24:52.359
<v Speaker 1>or you into a phone numb was that it's up

0:24:52.440 --> 0:24:55.440
<v Speaker 1>with you. You feel what I'm saying. So Phont was

0:24:55.480 --> 0:24:57.120
<v Speaker 1>in the denner with him, so I know they ain't

0:24:57.160 --> 0:25:00.240
<v Speaker 1>feeling no type of threat or he want he he

0:25:00.280 --> 0:25:03.080
<v Speaker 1>couldn't have been on shit to you know, to be

0:25:03.160 --> 0:25:08.040
<v Speaker 1>sitting there. So kid, you know when you think of

0:25:08.280 --> 0:25:13.760
<v Speaker 1>like some of your peers and like how they've evolved musically, right,

0:25:14.080 --> 0:25:16.920
<v Speaker 1>think of Dirk, Like Dirk's evolved musically and like a

0:25:17.000 --> 0:25:19.680
<v Speaker 1>level that's like crazy. Like you know, if you heard

0:25:19.720 --> 0:25:22.080
<v Speaker 1>some shit from nine years ago and you heard some

0:25:22.119 --> 0:25:24.840
<v Speaker 1>shit today, it's like it's like night and day. Like

0:25:24.880 --> 0:25:26.440
<v Speaker 1>you know what I mean, It's Pen's gone crazier, The

0:25:26.480 --> 0:25:29.520
<v Speaker 1>record's gone crazier. What are you doing, like just on

0:25:29.640 --> 0:25:31.800
<v Speaker 1>the artist's side to like push yourself when you're in

0:25:31.840 --> 0:25:35.200
<v Speaker 1>the studio, are you fucking working with new producers? Like

0:25:35.560 --> 0:25:37.920
<v Speaker 1>how's your writing process? Are you taking things you learn

0:25:37.960 --> 0:25:39.840
<v Speaker 1>from other artists and applying it to your craft, Like

0:25:39.960 --> 0:25:41.800
<v Speaker 1>just in terms of just improving the craft of like

0:25:42.280 --> 0:25:44.720
<v Speaker 1>your records and just as an artist as an MC,

0:25:44.960 --> 0:25:47.240
<v Speaker 1>like what are the things that you're trying to always improve?

0:25:50.440 --> 0:25:53.919
<v Speaker 1>I feel like I'm always trying to improve, like storytelling,

0:25:54.400 --> 0:25:58.359
<v Speaker 1>like getting my words out better, like putting it together.

0:25:59.160 --> 0:26:01.879
<v Speaker 1>This happened is and that happen? Why this happened? Like

0:26:02.359 --> 0:26:05.359
<v Speaker 1>I'm that creative trying to put the songs together like

0:26:05.480 --> 0:26:08.280
<v Speaker 1>that for people to really understand, you know what I'm

0:26:08.280 --> 0:26:11.000
<v Speaker 1>saying and not just in my rap, just like talking

0:26:11.040 --> 0:26:13.280
<v Speaker 1>about this thing and then go all the way to

0:26:13.359 --> 0:26:16.679
<v Speaker 1>this subject and that like niggas be jumping around and sure,

0:26:17.000 --> 0:26:19.720
<v Speaker 1>storytelling is important. Man. What's some of your favorite like

0:26:20.040 --> 0:26:22.760
<v Speaker 1>storytelling records as a fan? Because there were some great ones.

0:26:23.720 --> 0:26:33.320
<v Speaker 1>M crazy story about King one? Mm hmm. What else

0:26:33.480 --> 0:26:39.280
<v Speaker 1>I could say? One of my records called Survive M

0:26:40.000 --> 0:26:45.160
<v Speaker 1>who else? This is storytelling? Shit? Oh? I think speaking

0:26:45.400 --> 0:26:48.680
<v Speaker 1>because I think, Okay, what was that song he made

0:26:48.800 --> 0:26:50.440
<v Speaker 1>back then? I can't even remember the song, but I

0:26:50.520 --> 0:26:52.520
<v Speaker 1>think I sucked it on that storytelling. There's a lot

0:26:52.560 --> 0:26:54.280
<v Speaker 1>of more fuckers. I just can't really think of talking.

0:26:54.520 --> 0:26:59.840
<v Speaker 1>You gotta listen as a jay Zon which one? I think, Yeah,

0:27:00.040 --> 0:27:03.520
<v Speaker 1>where he got one? Bro and meet me one? Shout

0:27:03.560 --> 0:27:08.000
<v Speaker 1>out there's a jay Z song. The next time you

0:27:08.040 --> 0:27:12.040
<v Speaker 1>get a chance, there's a jay Z record. He want

0:27:12.080 --> 0:27:15.800
<v Speaker 1>to be Jay Z. It's called Meet the Parents. Just

0:27:15.920 --> 0:27:18.399
<v Speaker 1>listening to that record, But folks, I got a record

0:27:18.440 --> 0:27:21.080
<v Speaker 1>called Meet the Parents with another artist. So the song

0:27:21.240 --> 0:27:26.320
<v Speaker 1>is about jay Z's rapping, uh, from the perspective of

0:27:27.040 --> 0:27:30.320
<v Speaker 1>three different people. A kid dies, he gets shot, right,

0:27:31.000 --> 0:27:34.720
<v Speaker 1>so he's rapping from the perspective of that kid's he

0:27:34.800 --> 0:27:36.920
<v Speaker 1>gets killed by his dad. His dad doesn't know it's

0:27:36.920 --> 0:27:39.480
<v Speaker 1>his kid. He's rapping from the perspective of the dad,

0:27:39.560 --> 0:27:42.480
<v Speaker 1>and its rapping from the perspective of the mom. It's

0:27:42.520 --> 0:27:45.480
<v Speaker 1>fucking crazy. But like every time you listen to it,

0:27:45.880 --> 0:27:47.960
<v Speaker 1>you'll hear like a new Like it's almost like a

0:27:48.160 --> 0:27:51.280
<v Speaker 1>Quentin Tarantino movie. But on record. My favorite storytelling record ever.

0:27:51.480 --> 0:27:55.000
<v Speaker 1>My suggestion just a little you know, an old head suggestion,

0:27:55.600 --> 0:27:58.200
<v Speaker 1>jay Z meet the Parents. That a step of storyteller. Yeh,

0:27:58.280 --> 0:28:04.639
<v Speaker 1>smoke you got more weed? No, there's definitely that t shirts.

0:28:04.640 --> 0:28:05.960
<v Speaker 1>I can get you a pre roll though, grab a

0:28:06.000 --> 0:28:09.680
<v Speaker 1>pre roll out of there. No, no, don't smoke. Smoke. Oh,

0:28:09.800 --> 0:28:12.159
<v Speaker 1>I mean this is a this is a raw paper.

0:28:13.359 --> 0:28:17.120
<v Speaker 1>It's it's good for you. I mean, you only smoke

0:28:17.160 --> 0:28:20.080
<v Speaker 1>the grabble leaf. The thing about the leaf is like

0:28:20.320 --> 0:28:22.600
<v Speaker 1>it's such a process, like you pull this fucking thing

0:28:22.680 --> 0:28:27.240
<v Speaker 1>out of a bag of two seconds. Yeah. I was

0:28:27.280 --> 0:28:29.560
<v Speaker 1>in the studio the other day with the Tory Lanes

0:28:29.600 --> 0:28:32.080
<v Speaker 1>and every time he needed to roll something new and

0:28:32.160 --> 0:28:34.159
<v Speaker 1>just seeing him pull this fucking leaf out, and I'm

0:28:34.200 --> 0:28:36.879
<v Speaker 1>just like, they really stuff a whole ass leaf in

0:28:36.920 --> 0:28:39.480
<v Speaker 1>a bag and then you just find your the part

0:28:39.560 --> 0:28:43.040
<v Speaker 1>you like. And then I'm gonna tell you this, like,

0:28:43.720 --> 0:28:46.560
<v Speaker 1>I don't have any rolling uh talents, and I can

0:28:46.640 --> 0:28:49.120
<v Speaker 1>only imagine the grabble leaf looks like the hardest thing

0:28:49.160 --> 0:28:53.440
<v Speaker 1>to roll. Nay, that's absolutely easy. See, That's why I

0:28:53.520 --> 0:28:56.600
<v Speaker 1>like the bro to have amount of weeds you got,

0:28:56.760 --> 0:28:59.680
<v Speaker 1>you got some well, yeah, because it's a fucking leaf.

0:29:00.560 --> 0:29:02.240
<v Speaker 1>You could just cut what your needs, cut what you

0:29:02.880 --> 0:29:05.240
<v Speaker 1>did you have? You always smoked grabber leaves, Yeah, No,

0:29:05.320 --> 0:29:07.600
<v Speaker 1>I was. I hear my room with backwoods and I

0:29:07.680 --> 0:29:10.560
<v Speaker 1>was smoking hill the backwoods. I can't fuck with the backwards.

0:29:10.880 --> 0:29:13.360
<v Speaker 1>My rooms with the leafs, and I was smoking the leaves.

0:29:13.800 --> 0:29:17.600
<v Speaker 1>It's just you're never smoking papers though. No, I'll never

0:29:17.680 --> 0:29:19.880
<v Speaker 1>smoked peer. You know. If you ever, probably when I

0:29:20.000 --> 0:29:22.240
<v Speaker 1>was a young nigga, smoking leaves off the tree and

0:29:22.320 --> 0:29:25.600
<v Speaker 1>smoke goofy ship all the big like the big big smokers,

0:29:26.240 --> 0:29:30.800
<v Speaker 1>Wiz Burner. They only smoke papers, you fucking Burner. That's

0:29:30.800 --> 0:29:32.719
<v Speaker 1>because they probably getting old and shit, they don't want

0:29:32.760 --> 0:29:35.400
<v Speaker 1>to fuck up their body right now. It's an old

0:29:35.440 --> 0:29:38.560
<v Speaker 1>guys ship. Old guys. Shit, they getting old and they

0:29:38.560 --> 0:29:41.760
<v Speaker 1>ain't trying to be around his bit losing their breath.

0:29:41.840 --> 0:29:44.360
<v Speaker 1>All it's good for you, though, I mean, I don't

0:29:44.400 --> 0:29:46.120
<v Speaker 1>know if it's good for you. Let's say I get old.

0:29:46.160 --> 0:29:48.280
<v Speaker 1>Don't start smoking papers when I get older than the

0:29:48.360 --> 0:29:51.600
<v Speaker 1>thirty Do they do the uh splits in Chicago where

0:29:51.600 --> 0:29:54.360
<v Speaker 1>you get the tobacco and you put everybody smoked backwoods.

0:29:54.480 --> 0:30:01.160
<v Speaker 1>Everyone's on backwards? Yeah? Yo uh. In terms of shout

0:30:01.160 --> 0:30:03.840
<v Speaker 1>out to the Bulls, the Bulls had a little Are

0:30:03.880 --> 0:30:06.560
<v Speaker 1>you like a basketball fan? I'm a basketball fan, but

0:30:06.560 --> 0:30:09.200
<v Speaker 1>I ain't gonna lie with Warriors fan. Stephan Curry and

0:30:09.560 --> 0:30:14.000
<v Speaker 1>Thompson my favorite two players. Disgusting, I know, but I

0:30:14.240 --> 0:30:16.440
<v Speaker 1>go to the Bulls game. I support the Bulls and

0:30:16.520 --> 0:30:19.120
<v Speaker 1>they've only been good for like six years the Warriors.

0:30:20.320 --> 0:30:22.600
<v Speaker 1>It don't matter though. Like I was, I really got

0:30:22.680 --> 0:30:25.760
<v Speaker 1>hooked to basketball in jail. I wasn't no basketball watching

0:30:25.840 --> 0:30:28.400
<v Speaker 1>that nigga is I was in jail on some boys

0:30:28.520 --> 0:30:30.760
<v Speaker 1>when the Warriors were good, and really got hooked to

0:30:30.800 --> 0:30:32.959
<v Speaker 1>the Warriors because they was going so crazy. I got

0:30:33.040 --> 0:30:37.880
<v Speaker 1>the betting on the ass and jail and the thing. Damn. Yeah,

0:30:39.320 --> 0:30:42.520
<v Speaker 1>this guy from Chicago, he's a Warriors fan. Hey, yeah,

0:30:42.560 --> 0:30:44.720
<v Speaker 1>shout out the Bulls though you know that's home team.

0:30:45.920 --> 0:30:49.240
<v Speaker 1>You got Alex Caruso, you got. I don't know nobody

0:30:49.320 --> 0:30:51.360
<v Speaker 1>on the Bulls. I knew only Nigga I was fucking with.

0:30:51.400 --> 0:30:53.840
<v Speaker 1>From the Bulls is one Dale Carter. But he traded

0:30:53.880 --> 0:30:56.080
<v Speaker 1>from he got traded. Yeah, he got traded. I think

0:30:56.120 --> 0:30:58.800
<v Speaker 1>he's on the Magic now. I told my boy, he said,

0:30:58.800 --> 0:31:00.520
<v Speaker 1>have stayed at the Bulls. Don't think he was up

0:31:00.520 --> 0:31:04.360
<v Speaker 1>to him. He got traded. You ain't got traded. No,

0:31:04.480 --> 0:31:06.479
<v Speaker 1>I don't know he's on the He's on the Magic now.

0:31:06.880 --> 0:31:11.120
<v Speaker 1>He's saying he was weak brod. No, I'm saying, no. Cardida.

0:31:13.440 --> 0:31:17.680
<v Speaker 1>How often do you go home? M Like it's it's

0:31:17.760 --> 0:31:20.040
<v Speaker 1>early on. I just moved to l A, so it

0:31:20.120 --> 0:31:23.920
<v Speaker 1>was really like I'd be home six ship. I want

0:31:23.960 --> 0:31:26.280
<v Speaker 1>to go chill phone them, I want to go do

0:31:26.440 --> 0:31:29.360
<v Speaker 1>other ship fly out just in the morning to be like,

0:31:29.440 --> 0:31:32.160
<v Speaker 1>come on, we're able to bring your family with you. Yeah,

0:31:32.400 --> 0:31:36.760
<v Speaker 1>that's important. Got your mama out of there, that's super important. Man.

0:31:36.800 --> 0:31:39.360
<v Speaker 1>Well my mama she ain't come yet. She hasn't come yet.

0:31:39.520 --> 0:31:42.280
<v Speaker 1>She'd be saying on the leavest cargo. Get her out

0:31:42.320 --> 0:31:44.240
<v Speaker 1>of there. Man, she got my grandma, she got to

0:31:44.320 --> 0:31:46.560
<v Speaker 1>take care. Get both of them out of there. I'll

0:31:46.600 --> 0:31:49.040
<v Speaker 1>be telling them. She says, she's scared to ride the plane.

0:31:50.560 --> 0:31:53.600
<v Speaker 1>What you got to send her a sprinter or something. Yeah,

0:31:53.680 --> 0:31:56.360
<v Speaker 1>she she she talk low right now, though, but she

0:31:56.560 --> 0:31:58.720
<v Speaker 1>definitely gonna come out here. I'm a maker. Is she

0:31:58.920 --> 0:32:03.720
<v Speaker 1>like out of the area least? Yeah, a different area. Yeah. Yeah,

0:32:04.120 --> 0:32:06.640
<v Speaker 1>you're like because for people who don't know, like obviously,

0:32:07.120 --> 0:32:09.720
<v Speaker 1>Chicago's a very segregated city, it's probably one of the

0:32:09.760 --> 0:32:13.520
<v Speaker 1>more heavier, like segregated cities in the country. Like there's

0:32:15.360 --> 0:32:18.240
<v Speaker 1>would you say so in terms of just like this

0:32:18.440 --> 0:32:21.520
<v Speaker 1>area is this area? Because I had Emon Shepherd on

0:32:21.560 --> 0:32:23.560
<v Speaker 1>it he was talking about just how segregated it is.

0:32:24.080 --> 0:32:27.120
<v Speaker 1>I think. I mean, I've been to a lot. I

0:32:27.160 --> 0:32:29.960
<v Speaker 1>don't know. I just I'm from the Rack for real,

0:32:30.320 --> 0:32:33.320
<v Speaker 1>and I've been everyone in the Rack. You know, it's

0:32:33.320 --> 0:32:35.240
<v Speaker 1>probably been a lot of a couple of cities I

0:32:35.240 --> 0:32:38.920
<v Speaker 1>ain't been to in Illinois, but like, for the most part,

0:32:39.080 --> 0:32:42.640
<v Speaker 1>I feel like I see black people everywhere. Right Literally,

0:32:43.040 --> 0:32:45.160
<v Speaker 1>I don't give an If I'm in this little ass town,

0:32:45.200 --> 0:32:47.600
<v Speaker 1>I'm gonna see at least one black person. No for sure,

0:32:47.680 --> 0:32:50.280
<v Speaker 1>for sure, for sure, but for the most part, it

0:32:50.320 --> 0:32:52.920
<v Speaker 1>probably is segregated because I go somewhere and I see

0:32:53.000 --> 0:32:55.640
<v Speaker 1>none but Mexicans over here. Then I go so, I

0:32:55.760 --> 0:32:58.480
<v Speaker 1>see number of white people over here. Then you go

0:32:58.520 --> 0:33:01.160
<v Speaker 1>over here number of black people. Probably a couple of

0:33:01.240 --> 0:33:03.600
<v Speaker 1>Mexicans stay on the block, you know, Like I heard

0:33:03.600 --> 0:33:05.720
<v Speaker 1>they have decent Mexican food in Chicago because there's a

0:33:05.760 --> 0:33:09.480
<v Speaker 1>big there's a big I'm from a Meskan like area.

0:33:09.840 --> 0:33:14.640
<v Speaker 1>They don't have the best. Relax. You're in California. Tacos

0:33:14.680 --> 0:33:17.560
<v Speaker 1>whack and say, where did you go? I went to

0:33:17.720 --> 0:33:21.800
<v Speaker 1>Pink Taco. I went to motherfucker's your fucking problem. Look look, look,

0:33:21.880 --> 0:33:25.120
<v Speaker 1>Pink Taco's white people tacos. Listen, let me tell you.

0:33:25.640 --> 0:33:30.520
<v Speaker 1>I went to no that one Mexican food. Man, you

0:33:30.680 --> 0:33:32.920
<v Speaker 1>have to I went to a couple sponsible they hear tacos.

0:33:33.360 --> 0:33:35.680
<v Speaker 1>Was it a truck? Was it a truck. I did

0:33:35.720 --> 0:33:37.640
<v Speaker 1>the truck before too, but that it wasn't only the

0:33:37.720 --> 0:33:40.440
<v Speaker 1>truck though, you have to go to Leo's Taco truck.

0:33:41.520 --> 0:33:43.960
<v Speaker 1>Leo's Taco truck. I don't like eating at the trucks.

0:33:43.960 --> 0:33:45.760
<v Speaker 1>I feel like I'll be getting sick. Or maybe it's

0:33:45.760 --> 0:33:48.640
<v Speaker 1>just a man things. It's a mind things like I

0:33:48.760 --> 0:33:52.400
<v Speaker 1>getting sick. You can't bring up Pink Taco though that

0:33:52.480 --> 0:33:55.760
<v Speaker 1>ship was so weak, got awful. But Pink Taco is

0:33:55.840 --> 0:34:00.280
<v Speaker 1>fucking white. It's a white person owned establishment. When I

0:34:00.400 --> 0:34:02.560
<v Speaker 1>first got down the first time me ever coming to

0:34:02.720 --> 0:34:05.040
<v Speaker 1>LA when I got signed to one in twenty nineteen,

0:34:06.080 --> 0:34:07.720
<v Speaker 1>I'm trying to find have the ship to eat. I

0:34:07.840 --> 0:34:11.279
<v Speaker 1>can't find it now. Since since then, I've been out

0:34:11.320 --> 0:34:13.440
<v Speaker 1>here a hundred times, and I no, no, no, no,

0:34:14.040 --> 0:34:15.800
<v Speaker 1>I got to get you round, no whole piece of

0:34:15.880 --> 0:34:19.680
<v Speaker 1>got the good wings. That's it. Like I don't really,

0:34:19.880 --> 0:34:23.480
<v Speaker 1>y'all look drive through like all you gotta tap in, man, Yeah,

0:34:23.480 --> 0:34:26.200
<v Speaker 1>I got are you in the valley? You're like over

0:34:26.280 --> 0:34:29.480
<v Speaker 1>this way? Yeah, there's great. Come on, literally just drive

0:34:29.560 --> 0:34:33.640
<v Speaker 1>around North Hollywood and just chef grizzlies. No, I don't

0:34:33.640 --> 0:34:39.160
<v Speaker 1>know what that is. Some black people chef Grizzlies fire Macaroni.

0:34:41.360 --> 0:34:44.040
<v Speaker 1>I'm not mad at that. I like macaroni black people

0:34:44.080 --> 0:34:46.520
<v Speaker 1>since a lot of people I love so far? Do

0:34:46.560 --> 0:34:48.560
<v Speaker 1>you ever have conkor? And I like that. When I

0:34:48.640 --> 0:34:53.360
<v Speaker 1>said black who was on the album? I saw herbo Vezzo,

0:34:53.600 --> 0:35:01.680
<v Speaker 1>Derris her vel PG, little Dirt, Freddo Bang shouts Alfredo.

0:35:01.760 --> 0:35:05.600
<v Speaker 1>He's a great guy. Yeah, boy, very very nice dude. Man.

0:35:07.040 --> 0:35:11.279
<v Speaker 1>What's your favorite song on the album? All all of them? Heah, yeah,

0:35:11.320 --> 0:35:13.440
<v Speaker 1>all of them. I feel like I overdid this one.

0:35:13.920 --> 0:35:15.840
<v Speaker 1>Ain't gonna. I feel like this one of the hardest.

0:35:16.239 --> 0:35:20.120
<v Speaker 1>I really brought that back for they the PEG. It's

0:35:20.200 --> 0:35:22.759
<v Speaker 1>the real Do you feel like the fans are I

0:35:22.800 --> 0:35:25.279
<v Speaker 1>feel like they're satisfied? I was saying, are they giving

0:35:25.320 --> 0:35:27.520
<v Speaker 1>you that same feedback? They giving me that feedback? You

0:35:27.600 --> 0:35:32.320
<v Speaker 1>we ain't crazy. It's one of the best albums. We

0:35:32.480 --> 0:35:36.520
<v Speaker 1>want some old thinking about doing the deluxe. Yeah, though,

0:35:36.840 --> 0:35:38.799
<v Speaker 1>you gotta do the deluxe. I feel like it's kind

0:35:38.840 --> 0:35:41.520
<v Speaker 1>of the thing to do. I don't know, yeah, because

0:35:41.520 --> 0:35:43.080
<v Speaker 1>you got you have to feel like I'm gonna just

0:35:43.239 --> 0:35:46.080
<v Speaker 1>go gost real quick and then come back and drop

0:35:46.160 --> 0:35:48.920
<v Speaker 1>an album. I was gonna say, when you do deluxe.

0:35:49.000 --> 0:35:50.920
<v Speaker 1>Usually it's like you have three or four songs that

0:35:51.120 --> 0:35:52.879
<v Speaker 1>you wanted to put on the album, didn't make the album,

0:35:52.920 --> 0:35:54.120
<v Speaker 1>and it's easy to just throw them on it. Do

0:35:54.120 --> 0:35:55.920
<v Speaker 1>you have those records of mind? I got a hundred

0:35:56.000 --> 0:35:58.359
<v Speaker 1>songs that didn't make the album that I wish would

0:35:58.360 --> 0:36:01.200
<v Speaker 1>have made the album. It's crazy because so many artists

0:36:01.239 --> 0:36:04.440
<v Speaker 1>have that right where they have all these records that

0:36:04.600 --> 0:36:07.840
<v Speaker 1>will never fucking hear you know what I'm saying? What

0:36:08.000 --> 0:36:10.040
<v Speaker 1>do you want? Like like, when you cut a record,

0:36:10.080 --> 0:36:12.160
<v Speaker 1>do you pretty much know within like a day whether

0:36:12.239 --> 0:36:16.000
<v Speaker 1>or not it's like worth releasing. Yeah, I know right

0:36:16.080 --> 0:36:18.839
<v Speaker 1>then and there, like yeah this one once, Yeah, Well

0:36:18.960 --> 0:36:23.120
<v Speaker 1>I see in the studio and you'll know otherwise. Do

0:36:23.120 --> 0:36:25.040
<v Speaker 1>you kind of look at like the recording process, because

0:36:25.040 --> 0:36:27.120
<v Speaker 1>if you're recording that much, you know a lot of

0:36:27.120 --> 0:36:28.440
<v Speaker 1>this shit ain't gonna come out. It's kind of like

0:36:28.480 --> 0:36:31.960
<v Speaker 1>working out, like the way somebody will go practice. If

0:36:32.000 --> 0:36:33.719
<v Speaker 1>it don't come out with this, it's gonna come out

0:36:33.760 --> 0:36:36.880
<v Speaker 1>with that, you know. I feel like everythings gonna get used.

0:36:36.960 --> 0:36:41.000
<v Speaker 1>This is timing. I make a lot of type of

0:36:41.080 --> 0:36:45.080
<v Speaker 1>different music just tim You're talking earlier about Juice World

0:36:45.160 --> 0:36:50.640
<v Speaker 1>Juice World. Obviously one of them ones gone too soon? Uh.

0:36:50.920 --> 0:36:53.160
<v Speaker 1>You first thing to take me to the chain Smoker's house.

0:36:53.800 --> 0:36:56.279
<v Speaker 1>You went to the chain smoker's crib. Yeah, they were

0:36:56.360 --> 0:36:58.919
<v Speaker 1>spraying me with water while I was sleep. I woke

0:36:59.000 --> 0:37:02.600
<v Speaker 1>up many tweaking boy fuck is all doing what's that?

0:37:02.719 --> 0:37:04.680
<v Speaker 1>What's that? First of all, tell me this story. How

0:37:04.680 --> 0:37:05.920
<v Speaker 1>did you end up with Juice Roll going to the

0:37:06.000 --> 0:37:09.640
<v Speaker 1>chain Smoker's house? Because I was in a mystic. I

0:37:09.840 --> 0:37:12.920
<v Speaker 1>was like label shopping and ship like that. They like

0:37:13.040 --> 0:37:15.120
<v Speaker 1>had a lot of deals on the table and ship

0:37:15.880 --> 0:37:18.080
<v Speaker 1>and I went to link over my boy g money

0:37:18.120 --> 0:37:20.239
<v Speaker 1>and busying them because they were changing Stammy and ship,

0:37:20.880 --> 0:37:23.400
<v Speaker 1>and they flew me to La and I I went

0:37:23.480 --> 0:37:25.480
<v Speaker 1>to they crib and shit, I was out there for

0:37:25.600 --> 0:37:27.359
<v Speaker 1>them with them for a couple of days and shit

0:37:28.120 --> 0:37:30.160
<v Speaker 1>and me and Juice was chilling. Juice took me to

0:37:30.280 --> 0:37:34.520
<v Speaker 1>the studio Young Thug and then we left the studio

0:37:35.000 --> 0:37:38.719
<v Speaker 1>with Young Thug and Tank God. Then we went to

0:37:38.840 --> 0:37:42.000
<v Speaker 1>the chain Smoker's crib and Bro we got there, they

0:37:42.040 --> 0:37:44.319
<v Speaker 1>were sitting up in that motherfuckers just chopping it up

0:37:44.360 --> 0:37:47.440
<v Speaker 1>and Ship talking about go play lads and tag it

0:37:47.520 --> 0:37:50.440
<v Speaker 1>all type of shit. They was tweaking. I fell asleep,

0:37:50.520 --> 0:37:53.399
<v Speaker 1>knocked out in that bitch. They were spreading waters while

0:37:53.400 --> 0:37:56.719
<v Speaker 1>I sleep. I wake up, man, y'all, that was tweaking. Boy, yall,

0:37:56.800 --> 0:37:59.839
<v Speaker 1>white boys better smack the shit out there. Yeah, white

0:38:00.120 --> 0:38:02.879
<v Speaker 1>humors different. Man, You hang out with enough white people,

0:38:02.880 --> 0:38:05.279
<v Speaker 1>you get immune to some interesting human No, but I

0:38:05.719 --> 0:38:09.400
<v Speaker 1>love white guys, you know what I'm saying. Fun with him.

0:38:09.640 --> 0:38:11.880
<v Speaker 1>I got a couple of white friends, coped Mexican friends.

0:38:12.520 --> 0:38:16.000
<v Speaker 1>Just a couples all you need. How would so you

0:38:16.120 --> 0:38:18.719
<v Speaker 1>would for a pretty tight Yeah? Yeah, we was good.

0:38:18.760 --> 0:38:20.800
<v Speaker 1>We was getting tight. I ain't gonna lie like, you know,

0:38:20.960 --> 0:38:22.680
<v Speaker 1>I don't want to need he wake up and be like,

0:38:22.719 --> 0:38:25.239
<v Speaker 1>come on, let's go ride the dirt bike. So let's

0:38:25.280 --> 0:38:27.760
<v Speaker 1>go play the Xbox folks. Was like he was grown,

0:38:27.880 --> 0:38:32.120
<v Speaker 1>but he was like always on some activity kids. Sholk.

0:38:32.360 --> 0:38:34.440
<v Speaker 1>Yeah he was young man, That's what people forget. Like

0:38:34.520 --> 0:38:37.080
<v Speaker 1>he was such a prolific artist, but he was barely

0:38:37.200 --> 0:38:38.719
<v Speaker 1>got to live a lot of his life, you know

0:38:38.760 --> 0:38:41.399
<v Speaker 1>what I'm saying. Yeah, he was on some young kids too. Though.

0:38:41.719 --> 0:38:43.360
<v Speaker 1>When you see, I would say, when you see a

0:38:43.400 --> 0:38:46.240
<v Speaker 1>guy like Bibby who was able to like successfully transition

0:38:46.480 --> 0:38:51.560
<v Speaker 1>from being an amazing artist into big CEO ship. You

0:38:51.560 --> 0:38:53.600
<v Speaker 1>know what I'm saying is that is that something that

0:38:54.000 --> 0:38:55.920
<v Speaker 1>inspires you that you kind of inspire to try to

0:38:55.960 --> 0:38:57.880
<v Speaker 1>get to eventually, like where you can sign artists, you

0:38:57.920 --> 0:38:59.520
<v Speaker 1>can kind of be that. Yeah, I want to get

0:38:59.520 --> 0:39:02.399
<v Speaker 1>to that point. Really, I want to wrap get real, real, real, real,

0:39:02.480 --> 0:39:04.600
<v Speaker 1>real rich to that point where I can just really

0:39:04.760 --> 0:39:08.879
<v Speaker 1>like sit back and like spend time my kids, spend

0:39:08.920 --> 0:39:12.480
<v Speaker 1>time with my family and real real, live, live life

0:39:12.640 --> 0:39:15.640
<v Speaker 1>without and then let other people put out out your Yeah,

0:39:16.160 --> 0:39:18.440
<v Speaker 1>like I want to sit on my ass and EM's

0:39:18.480 --> 0:39:20.640
<v Speaker 1>coming in. You feel that's that's the way to go. Man,

0:39:20.960 --> 0:39:22.759
<v Speaker 1>are you doing anything like that, like in terms of

0:39:22.840 --> 0:39:24.520
<v Speaker 1>like the money you're making or you're reinvesting in it,

0:39:24.640 --> 0:39:27.719
<v Speaker 1>or like yeah, for sure, what are you doing? It

0:39:27.800 --> 0:39:32.120
<v Speaker 1>ain't no real live like crazy shit, crazy shit. It's

0:39:32.239 --> 0:39:35.200
<v Speaker 1>just something mining right now. That's good. So stay out

0:39:35.239 --> 0:39:37.160
<v Speaker 1>that crypto man, that cryptos, they're full of ship. With

0:39:37.239 --> 0:39:39.520
<v Speaker 1>the crypto. You're gonna up like the guy on the

0:39:39.560 --> 0:39:41.360
<v Speaker 1>couch over there, he put all his money in crypto.

0:39:41.440 --> 0:39:44.880
<v Speaker 1>Look at him. You're straight. No, you're not not off

0:39:44.920 --> 0:39:46.360
<v Speaker 1>the how much money you got left out of that

0:39:46.440 --> 0:39:48.680
<v Speaker 1>fucking money you put in your fucking crypto. You got

0:39:48.719 --> 0:39:51.640
<v Speaker 1>about ten cents left. That's what you got. That ship crash.

0:39:51.840 --> 0:39:54.000
<v Speaker 1>Come on, come on, take this three hundred k and

0:39:54.080 --> 0:39:58.400
<v Speaker 1>come drop and your ship man one percent back Listen, Uh,

0:39:58.760 --> 0:40:01.160
<v Speaker 1>your project is out right now for sure. Go run

0:40:01.239 --> 0:40:03.680
<v Speaker 1>that ship up anymore. This baby three all right now,

0:40:03.760 --> 0:40:05.360
<v Speaker 1>and make sure y'all go run that ship up on

0:40:05.480 --> 0:40:09.200
<v Speaker 1>all platforms. Trens Baby Serious is out right now on

0:40:09.280 --> 0:40:11.919
<v Speaker 1>my YouTube, little or something. Make sure y'all go watch

0:40:12.000 --> 0:40:15.560
<v Speaker 1>the Serious Man. More videos coming, more videos coming for

0:40:15.680 --> 0:40:18.120
<v Speaker 1>show for show, for sure, I'll probably be getting trends

0:40:18.280 --> 0:40:21.600
<v Speaker 1>babies folks on y'all Think or the Deluxe. So this

0:40:21.800 --> 0:40:23.640
<v Speaker 1>is not gonna be a trilogy. You're gonna keep him going.

0:40:23.840 --> 0:40:25.840
<v Speaker 1>I'm gonna keep him going. I'm gonna be like Wayne

0:40:25.880 --> 0:40:29.799
<v Speaker 1>with this. Yeah what well? Wayne on her card five

0:40:29.920 --> 0:40:32.160
<v Speaker 1>is out and he's he just announced Carter six. He

0:40:32.280 --> 0:40:35.200
<v Speaker 1>moving slow. Yeah, I'd have been on Trens Baby team

0:40:35.320 --> 0:40:38.759
<v Speaker 1>right now. Yeah. Yeah, I don't know the last couple

0:40:38.760 --> 0:40:40.560
<v Speaker 1>of Carters. It was not crazy, but the last one.

0:40:40.560 --> 0:40:43.400
<v Speaker 1>I love this Carter three now though he was one

0:40:43.440 --> 0:40:46.879
<v Speaker 1>of the I want them, dude, you got this? Were

0:40:46.920 --> 0:40:48.880
<v Speaker 1>you like? Let me ask you this because you're kind

0:40:48.920 --> 0:40:52.600
<v Speaker 1>of like that age bracket. Okay, I didn't know, you know,

0:40:52.960 --> 0:40:58.360
<v Speaker 1>the whole I was influent because I feel like nowadays,

0:40:58.480 --> 0:41:02.960
<v Speaker 1>like really her auto to him from like Wayne. Really, nowadays,

0:41:03.000 --> 0:41:04.960
<v Speaker 1>the generation of young rappers coming up, I feel like

0:41:05.000 --> 0:41:09.240
<v Speaker 1>we're more influenced by like Chief Keef or Future or Thug.

0:41:10.280 --> 0:41:13.800
<v Speaker 1>I'm I'm influenced by blooding them too, you know, but

0:41:14.719 --> 0:41:20.560
<v Speaker 1>like Wayne before Blood Yeah free Why so there it is. Man,

0:41:20.600 --> 0:41:23.399
<v Speaker 1>appreciate you pulling up? Yeah already know, Man, Go get

0:41:23.440 --> 0:41:35.520
<v Speaker 1>the album leg cave Fire, get a drop camera. What right?

0:41:38.840 --> 0:41:46.000
<v Speaker 1>I know what yourself? Let me know you're ready? Ate?

0:41:46.040 --> 0:41:48.160
<v Speaker 1>What up is a little some of the trench Baby.

0:41:48.520 --> 0:41:51.640
<v Speaker 1>Make sure y'all go check me out on Bootleg cav podcast.

0:41:51.840 --> 0:41:59.760
<v Speaker 1>You know how we rock? Boom a flick