1 00:00:00,040 --> 00:00:02,920 Speaker 1: As if twenty twenty couldn't get any crazier. The Crime 2 00:00:02,960 --> 00:00:05,400 Speaker 1: of the Century is going on right now and nobody's 3 00:00:05,440 --> 00:00:08,559 Speaker 1: talking about it. I can't even believe it. The Jewel Show. 4 00:00:09,039 --> 00:00:11,200 Speaker 1: We have something to tell you about that will rock 5 00:00:11,280 --> 00:00:14,240 Speaker 1: your world. I'm very passionate about this. Yeah, very passionate. 6 00:00:14,240 --> 00:00:15,960 Speaker 1: You're about to hear how passionate in just a second. 7 00:00:16,120 --> 00:00:18,239 Speaker 1: And if you work in an office, or actually, if 8 00:00:18,239 --> 00:00:21,919 Speaker 1: you have any co workers, if you have a job, yeah, 9 00:00:21,960 --> 00:00:23,640 Speaker 1: good for you, because right now it's kind of weird, 10 00:00:23,680 --> 00:00:26,520 Speaker 1: like I said twenty twenty, but you'll definitely be able 11 00:00:26,520 --> 00:00:28,080 Speaker 1: to relate to we're about to talk to you because 12 00:00:28,120 --> 00:00:31,360 Speaker 1: co workers are terrible. Sometimes I'll set the scene for 13 00:00:31,400 --> 00:00:33,760 Speaker 1: you before we get into it. One day, we're in 14 00:00:33,800 --> 00:00:36,040 Speaker 1: here getting ready to start the show. It's just me 15 00:00:36,200 --> 00:00:40,440 Speaker 1: an English Evan. It's quiet, relaxing, we're having a nice time, 16 00:00:40,600 --> 00:00:44,239 Speaker 1: and then the studio door busts open and it's Alex 17 00:00:45,440 --> 00:00:47,360 Speaker 1: and we had to take out our cameras in film 18 00:00:47,920 --> 00:00:50,760 Speaker 1: because this is how she entered the room. I'm livid 19 00:00:50,840 --> 00:00:54,560 Speaker 1: right now. Who does this? Who the friends time? And 20 00:00:54,720 --> 00:00:57,720 Speaker 1: she was so angry, But here's her talking about what 21 00:00:57,760 --> 00:01:00,600 Speaker 1: was going on. Somebody keeps taking this dog picture and 22 00:01:00,680 --> 00:01:07,039 Speaker 1: putting it back and replacing it with the Jonas That's right. 23 00:01:08,600 --> 00:01:11,759 Speaker 1: We have a Snoop Dogg picture in the hallway here 24 00:01:11,800 --> 00:01:15,080 Speaker 1: at the station. It's a really cool picture. But when 25 00:01:15,080 --> 00:01:17,520 Speaker 1: we first started here doing the show, there was a 26 00:01:17,560 --> 00:01:20,400 Speaker 1: Jonas Brothers picture outside right outside of our studio door. 27 00:01:20,480 --> 00:01:22,480 Speaker 1: I'd walk by it every day and I'd go, yes, yep, 28 00:01:22,520 --> 00:01:25,919 Speaker 1: it's just a slightly different vibe, yeah to what we have. Basically, 29 00:01:26,000 --> 00:01:30,720 Speaker 1: Joe Jonas, no offense, is no Snoop Dog. So Alex 30 00:01:30,880 --> 00:01:32,840 Speaker 1: really liked the Snoop Dogg picture and so she just 31 00:01:32,920 --> 00:01:35,920 Speaker 1: moved it in front of our studio door. But somebody 32 00:01:36,000 --> 00:01:38,480 Speaker 1: keeps putting the Joe Jonas one back in front of 33 00:01:38,520 --> 00:01:40,200 Speaker 1: our door and moving the Snoop one back to its 34 00:01:40,200 --> 00:01:43,800 Speaker 1: original place, and Alex is definitely not happy about it. 35 00:01:43,840 --> 00:01:49,120 Speaker 1: I'm livid right now. Actually she's livid right now. I am. 36 00:01:49,400 --> 00:01:52,120 Speaker 1: For as much time, blood, sweat and tears that I've 37 00:01:52,120 --> 00:01:53,920 Speaker 1: put into the studio, you can't even let me have 38 00:01:54,000 --> 00:01:56,480 Speaker 1: my Snoop dog picture outside of it? Are you kidding me? 39 00:01:57,360 --> 00:01:59,600 Speaker 1: I've never seen Alex this angry. For Alex, and I 40 00:01:59,680 --> 00:02:02,160 Speaker 1: are Mary if you didn't know that, right, and I've 41 00:02:02,240 --> 00:02:06,040 Speaker 1: never seen her this angry, I will play Devil's advocate. 42 00:02:06,080 --> 00:02:08,000 Speaker 1: One thing you have to acknowledge is that they are 43 00:02:08,040 --> 00:02:10,720 Speaker 1: probably thinking the exact same thing. Who is taking the 44 00:02:10,760 --> 00:02:13,440 Speaker 1: time to keep moving up painting? Okay, well let me 45 00:02:13,480 --> 00:02:16,200 Speaker 1: just explain something real quick. We're on this big floor 46 00:02:16,200 --> 00:02:18,400 Speaker 1: in an office and there's only about I don't know 47 00:02:18,440 --> 00:02:21,600 Speaker 1: ten pupil that are on air that are here. Yeah, 48 00:02:21,600 --> 00:02:24,120 Speaker 1: because if COVID there's no office workers either, So the 49 00:02:24,160 --> 00:02:27,400 Speaker 1: normal hr office worker who's gonna be like, um, nobody 50 00:02:27,400 --> 00:02:30,119 Speaker 1: put in paperwork to move that snoop dogging photo. I'm 51 00:02:30,160 --> 00:02:32,079 Speaker 1: going to have to move it back and send a 52 00:02:32,200 --> 00:02:35,120 Speaker 1: mass email act about this. There's nobody there here to 53 00:02:35,120 --> 00:02:36,880 Speaker 1: do that right now. It's just the on air people. 54 00:02:37,040 --> 00:02:38,560 Speaker 1: How many times total do you think we've moved it 55 00:02:38,639 --> 00:02:40,280 Speaker 1: back and forth? I mean I alone have moved it 56 00:02:40,360 --> 00:02:42,560 Speaker 1: three times. I moved it three times in one day. 57 00:02:44,720 --> 00:02:47,040 Speaker 1: We got in here to do the show, and of 58 00:02:47,080 --> 00:02:49,440 Speaker 1: course I'm trying to set up my stuff and Alex 59 00:02:49,560 --> 00:02:52,200 Speaker 1: is like, I'm lived right now, and she's like, can 60 00:02:52,240 --> 00:02:54,119 Speaker 1: you go move the photo? And I'm like, yeah, I'll 61 00:02:54,160 --> 00:02:57,880 Speaker 1: move the photo and then later on, like a couple 62 00:02:57,960 --> 00:03:01,840 Speaker 1: hours later, Alex live it right now. She's like, I 63 00:03:01,840 --> 00:03:04,200 Speaker 1: gotta go move the photo. So we go move the photo. 64 00:03:04,240 --> 00:03:06,040 Speaker 1: I was walking with her. So then we're leaving the 65 00:03:06,080 --> 00:03:09,239 Speaker 1: station at about four o'clock in the afternoon, and I'm 66 00:03:09,760 --> 00:03:13,320 Speaker 1: live it right now. Okay, So we move the photo back, 67 00:03:13,360 --> 00:03:15,080 Speaker 1: the Snoop Dog photo back before we leave. And then 68 00:03:15,120 --> 00:03:17,360 Speaker 1: at about six o'clock I realize I forgot something at 69 00:03:17,360 --> 00:03:19,880 Speaker 1: the station, so I come back in. I'm walking down 70 00:03:19,880 --> 00:03:21,560 Speaker 1: the hallway, just coming to ground my stuff, and my 71 00:03:22,000 --> 00:03:24,160 Speaker 1: phone goes off. It's Alex texting me, and she goes 72 00:03:24,520 --> 00:03:28,440 Speaker 1: check on the Snoop Dog photo, and so I check 73 00:03:28,600 --> 00:03:30,520 Speaker 1: and the photo has been moved. So I text her 74 00:03:30,520 --> 00:03:33,160 Speaker 1: back and I'm like, somebody moved it. Yeah, live it 75 00:03:33,240 --> 00:03:35,160 Speaker 1: right now. It's pretty much what she texts me. That's 76 00:03:35,160 --> 00:03:37,320 Speaker 1: pretty much what she text me back there. And I 77 00:03:37,360 --> 00:03:39,040 Speaker 1: know that sounds trivial, but it's a big deal in 78 00:03:39,080 --> 00:03:41,840 Speaker 1: offices when co workers start doing this thing to each other. Also, 79 00:03:42,200 --> 00:03:44,240 Speaker 1: there have been developments in this that are not just 80 00:03:44,320 --> 00:03:46,200 Speaker 1: us moving it back and forth. Now the person is 81 00:03:46,200 --> 00:03:49,680 Speaker 1: taunting us and and we've developed a plan for how 82 00:03:49,720 --> 00:03:52,360 Speaker 1: to catch them. Yep. It might involve drilling holes in 83 00:03:52,400 --> 00:03:53,760 Speaker 1: the walls and things like that, but we're going to 84 00:03:53,800 --> 00:03:56,200 Speaker 1: figure out how to do it. Also, text in four 85 00:03:56,480 --> 00:03:58,080 Speaker 1: six one if you have any ideas on how to 86 00:03:58,120 --> 00:04:02,720 Speaker 1: catch them murder? Ye, well, the murder will happen, but 87 00:04:02,760 --> 00:04:04,760 Speaker 1: it's it's only gonna be after we catch them and 88 00:04:04,760 --> 00:04:08,160 Speaker 1: then Alex is like, I'm living right now. Alex is 89 00:04:08,200 --> 00:04:11,200 Speaker 1: gonna kill them. Yes, so text us four one six 90 00:04:11,240 --> 00:04:12,760 Speaker 1: one call us eight at eight three four three one 91 00:04:12,760 --> 00:04:15,480 Speaker 1: oh six one if you have any advice on how 92 00:04:15,520 --> 00:04:19,000 Speaker 1: we catch the bandit. Okay, now this is starting to 93 00:04:19,040 --> 00:04:22,880 Speaker 1: get creepy. It's the Jewel Show and if you missed it, 94 00:04:23,600 --> 00:04:26,360 Speaker 1: we're trying to catch a criminal and just talked about 95 00:04:26,400 --> 00:04:29,040 Speaker 1: something that's been going on at the station. There is 96 00:04:29,080 --> 00:04:32,159 Speaker 1: a Snoop Dogg photo in the hallway, a big canvas 97 00:04:32,160 --> 00:04:35,840 Speaker 1: a Snoop Dogg. Alex loves the picture. Snoop Dogg is 98 00:04:35,839 --> 00:04:39,279 Speaker 1: her spirit animal and when we first started doing the show, 99 00:04:39,480 --> 00:04:41,719 Speaker 1: she put the Snoop Dogg photo in front of our 100 00:04:41,800 --> 00:04:45,480 Speaker 1: studio and moved to Jonas Brothers one away. Well, someone 101 00:04:45,720 --> 00:04:48,200 Speaker 1: keeps swapping the two photos back. They've gotten into a battle. 102 00:04:48,279 --> 00:04:50,799 Speaker 1: They have gotten into a battle and it's gotten serious 103 00:04:50,839 --> 00:04:52,840 Speaker 1: and they've been taunting us. We'll tell you how in 104 00:04:52,880 --> 00:04:55,160 Speaker 1: just a second. And if you didn't know how mad 105 00:04:55,240 --> 00:04:59,160 Speaker 1: Alex is, here's some audio of her when she first 106 00:04:59,200 --> 00:05:02,200 Speaker 1: noticed that somebody kept doing this to us. Somebody keeps 107 00:05:02,480 --> 00:05:05,640 Speaker 1: taking the Snoop Dog picture and putting it back. I'm 108 00:05:06,120 --> 00:05:10,360 Speaker 1: livid right now. Who the does this? By the way, 109 00:05:10,360 --> 00:05:12,320 Speaker 1: we'll put those videos up on the at Jewel Show 110 00:05:12,360 --> 00:05:15,160 Speaker 1: Instagram story so you can see them. And we just 111 00:05:15,200 --> 00:05:17,200 Speaker 1: got this text in at four one o six one 112 00:05:17,240 --> 00:05:21,560 Speaker 1: that is now it's getting creepy. Now it says I'm 113 00:05:21,600 --> 00:05:24,080 Speaker 1: the one that's been moving the Snoop Dog picture. Wait, 114 00:05:24,320 --> 00:05:26,640 Speaker 1: hold on those It says I'm listening to you in 115 00:05:26,640 --> 00:05:29,320 Speaker 1: our hallway right now, our radio station. Our show is 116 00:05:29,320 --> 00:05:32,680 Speaker 1: playing in the hallway currently. So that's legit. Then wow wow, 117 00:05:32,760 --> 00:05:36,120 Speaker 1: So now they're screwing with us. It's coming together, it is, yea. 118 00:05:36,200 --> 00:05:37,640 Speaker 1: So we have to get to the bottom of it 119 00:05:37,800 --> 00:05:40,560 Speaker 1: and find out who it is. Text in four one 120 00:05:40,720 --> 00:05:42,920 Speaker 1: six one calls A three four three one six one. 121 00:05:43,240 --> 00:05:45,440 Speaker 1: How do you think we can find the person? Hold 122 00:05:45,839 --> 00:05:49,520 Speaker 1: hold one seconds, Stefanie, our technical director. Is what it 123 00:05:49,600 --> 00:05:52,479 Speaker 1: comes to sea. Her name Stephanie, but her name looks 124 00:05:52,480 --> 00:05:55,240 Speaker 1: like Stefania, so call But she just walked in here 125 00:05:55,279 --> 00:05:57,040 Speaker 1: kind of waving her hands around. So what was it. 126 00:05:57,600 --> 00:05:59,240 Speaker 1: I was just messing with the all. I was the 127 00:05:59,279 --> 00:06:03,400 Speaker 1: one who was texted, oh alright, wow, okay, you can 128 00:06:03,480 --> 00:06:07,880 Speaker 1: leave now. Yeah. We were convinced like you were about 129 00:06:07,880 --> 00:06:10,640 Speaker 1: to take us down a whole different road than just 130 00:06:10,640 --> 00:06:12,599 Speaker 1: trying to figure out who's taking this. So that was 131 00:06:12,800 --> 00:06:17,800 Speaker 1: all right, Well, you can go back to your cave 132 00:06:17,839 --> 00:06:21,240 Speaker 1: and edit. Now, don't ever do that again. I was scared, 133 00:06:22,040 --> 00:06:23,760 Speaker 1: all right. So the fact of the matter is the 134 00:06:23,760 --> 00:06:26,440 Speaker 1: person who keeps swapping out the Snoop Dog photo with 135 00:06:26,480 --> 00:06:29,880 Speaker 1: this Joe Jonas photo is screwing with us because they 136 00:06:29,960 --> 00:06:31,960 Speaker 1: left a note. Like you listen to the first part. 137 00:06:32,000 --> 00:06:34,560 Speaker 1: We talked about how this started happening, and Alex is 138 00:06:34,600 --> 00:06:36,880 Speaker 1: really upset about it. We all are, because now it's 139 00:06:36,880 --> 00:06:38,920 Speaker 1: just the point of the whole thing. I grabbed the 140 00:06:38,960 --> 00:06:41,120 Speaker 1: photo and behind it was this thing like tape on 141 00:06:41,160 --> 00:06:43,839 Speaker 1: the wall. But they printed off and it says, of course, 142 00:06:43,880 --> 00:06:46,479 Speaker 1: you realize this means war with like bugs bunny holding 143 00:06:46,480 --> 00:06:50,880 Speaker 1: a shotgun. So so so at first it probably started 144 00:06:50,960 --> 00:06:53,040 Speaker 1: because they noticed that the Snoop Dog photo had been 145 00:06:53,080 --> 00:06:55,160 Speaker 1: moved to in front of our studio. But it's been 146 00:06:55,160 --> 00:06:57,000 Speaker 1: there for two weeks. Right then they moved it back 147 00:06:57,000 --> 00:06:58,880 Speaker 1: to its original place, and then they noticed that we 148 00:06:58,880 --> 00:07:01,520 Speaker 1: moved it back. It's just the very petty game it is. 149 00:07:01,520 --> 00:07:02,960 Speaker 1: And by the way, if you go to the Adjeble 150 00:07:03,000 --> 00:07:06,000 Speaker 1: Show Instagram, you can see the video of Alex when 151 00:07:06,000 --> 00:07:08,480 Speaker 1: she first noticed that someone was doing this to us. 152 00:07:08,880 --> 00:07:11,880 Speaker 1: I'm livid right now. I mean, how many times are 153 00:07:11,880 --> 00:07:13,760 Speaker 1: you gonna play it? I'm gonna play that all the 154 00:07:13,760 --> 00:07:15,720 Speaker 1: time for the rest of my life. Was livid. Yeah, 155 00:07:15,760 --> 00:07:18,800 Speaker 1: she was livid. Now that video is just gonna be blackmail. Yeah, 156 00:07:18,880 --> 00:07:21,160 Speaker 1: I Phil, We're going to use it all the time. Yes, 157 00:07:21,200 --> 00:07:24,920 Speaker 1: we are livid right now. But now the issue is 158 00:07:24,960 --> 00:07:28,520 Speaker 1: trying to catch this criminal mastermind, which really surprises me. 159 00:07:28,520 --> 00:07:30,440 Speaker 1: There's a criminal mastermind in this building, because I've met 160 00:07:30,480 --> 00:07:32,160 Speaker 1: most of people that are here when we're here. But 161 00:07:32,360 --> 00:07:34,920 Speaker 1: someone was obviously offended that we moved that Snoop DOGG 162 00:07:34,920 --> 00:07:37,480 Speaker 1: photo and now they keep putting it back and we 163 00:07:37,520 --> 00:07:39,200 Speaker 1: have to catch them. So Texas for one or six 164 00:07:39,240 --> 00:07:41,400 Speaker 1: one calls three four three, one oh six one, what 165 00:07:41,480 --> 00:07:43,200 Speaker 1: do you think we should do to catch them? And 166 00:07:43,280 --> 00:07:45,720 Speaker 1: the dude that calls all the time for everything on 167 00:07:45,760 --> 00:07:50,960 Speaker 1: the show, Arma Card Jake is here. Yes, um, how 168 00:07:50,960 --> 00:07:52,640 Speaker 1: are you are? You just sitting in the Armor car 169 00:07:52,720 --> 00:07:57,280 Speaker 1: right now? It is waiting for that money. Yeah. Armor 170 00:07:57,360 --> 00:08:00,520 Speaker 1: Card Jake calls us constantly because he works in an 171 00:08:00,600 --> 00:08:03,200 Speaker 1: armored car. That's why we call him. Mr Jake. Didn't 172 00:08:03,240 --> 00:08:04,720 Speaker 1: do that because he's getting the got like a big 173 00:08:04,800 --> 00:08:06,640 Speaker 1: chest and works out a lot. You're like an armored car, 174 00:08:06,960 --> 00:08:09,640 Speaker 1: And so what do you think we should do to 175 00:08:09,720 --> 00:08:12,560 Speaker 1: figure out and put a stop to the person who 176 00:08:12,640 --> 00:08:16,239 Speaker 1: won't let us have our snoop dog photo. I think 177 00:08:16,600 --> 00:08:20,160 Speaker 1: it's two It's a two part plan, two pronged approach. 178 00:08:20,720 --> 00:08:23,960 Speaker 1: I think you. I think you first, go pro the 179 00:08:24,080 --> 00:08:26,520 Speaker 1: area okay, okay, right, you just set it up, go 180 00:08:26,640 --> 00:08:29,760 Speaker 1: pro time laps so you don't waste your battery. And 181 00:08:29,840 --> 00:08:32,840 Speaker 1: then Armor Car Jake. I was wondering about that because 182 00:08:32,960 --> 00:08:34,640 Speaker 1: the obvious thing that people are texting in is put 183 00:08:34,679 --> 00:08:37,600 Speaker 1: cameras in the hallway. One of course we thought of that. 184 00:08:37,640 --> 00:08:40,079 Speaker 1: We're not completely stupid, but but I was like, how 185 00:08:40,080 --> 00:08:42,199 Speaker 1: do you keep it lasting for so long without plugging 186 00:08:42,240 --> 00:08:44,880 Speaker 1: it in? And making it obvious. Yeah, time laps is 187 00:08:44,920 --> 00:08:47,640 Speaker 1: a good idea though, but thank you for that suggestion. Yeah, 188 00:08:48,000 --> 00:08:51,680 Speaker 1: and then also build a cage and put it around 189 00:08:51,679 --> 00:08:57,560 Speaker 1: the picture screwed into the wall. That's genius idea. And first, 190 00:08:57,559 --> 00:08:58,880 Speaker 1: when you said build a cage, I thought you were 191 00:08:58,880 --> 00:09:01,320 Speaker 1: gonna say, like a mousetrap and might trap the pus Again, 192 00:09:01,800 --> 00:09:03,800 Speaker 1: remember that the whole thing I was saying about not 193 00:09:03,880 --> 00:09:06,200 Speaker 1: being a mastermind in this whole building, I was on 194 00:09:06,240 --> 00:09:08,280 Speaker 1: the same page with you. What I was picturing was 195 00:09:08,920 --> 00:09:13,199 Speaker 1: somehow propping a cage up above the painting. Let's do 196 00:09:13,559 --> 00:09:15,719 Speaker 1: something on the floor where they kick it over when 197 00:09:15,720 --> 00:09:17,400 Speaker 1: they're going to grab it, or when they grab the painting, 198 00:09:17,400 --> 00:09:19,959 Speaker 1: it drops down on top of them. That would have 199 00:09:20,000 --> 00:09:22,040 Speaker 1: an amazing Plus. I can't even hang a picture on 200 00:09:22,040 --> 00:09:23,640 Speaker 1: the wall at home. How am I going to build 201 00:09:23,640 --> 00:09:27,440 Speaker 1: a human trap? I mean like, I feel like it's 202 00:09:27,440 --> 00:09:29,040 Speaker 1: a game. Like I feel like they are just on 203 00:09:29,080 --> 00:09:32,199 Speaker 1: top right now, they are on top because we haven't 204 00:09:32,240 --> 00:09:34,439 Speaker 1: moved the Snoop Dogg photo back yet to in front 205 00:09:34,440 --> 00:09:36,240 Speaker 1: of our studio. What is going on? So I think 206 00:09:36,240 --> 00:09:38,440 Speaker 1: that's a great idea that Armor card Jake gave us 207 00:09:38,640 --> 00:09:40,760 Speaker 1: to actually put a cage around it on the wall. 208 00:09:40,880 --> 00:09:42,280 Speaker 1: I think. On top of that as well, we need 209 00:09:42,280 --> 00:09:44,680 Speaker 1: like a burglar alarm. If they touch it, it it just goes, 210 00:09:44,720 --> 00:09:48,800 Speaker 1: oh okay, this is yeah, this is like a what 211 00:09:48,800 --> 00:09:51,320 Speaker 1: do they call a round table? Yeah, okay, this is 212 00:09:51,320 --> 00:09:53,120 Speaker 1: so armor card. Jake, are you good at you know, 213 00:09:53,280 --> 00:09:56,000 Speaker 1: hanging stuff on and building stuff like that because we 214 00:09:56,400 --> 00:10:01,640 Speaker 1: were not? Yeah, we got no. Okay, all right, texting 215 00:10:01,720 --> 00:10:04,079 Speaker 1: four one o six one. Are you a man? Are 216 00:10:04,080 --> 00:10:07,760 Speaker 1: you a handyman that can do manly things? Because we 217 00:10:07,800 --> 00:10:09,920 Speaker 1: need to. We need a big strong man around this 218 00:10:10,000 --> 00:10:12,200 Speaker 1: studio to help us out with hanging some things on 219 00:10:12,240 --> 00:10:14,760 Speaker 1: the wall and Temino because none of us can do it. 220 00:10:17,000 --> 00:10:20,959 Speaker 1: Texting yeah, texting four one six one, But okay, let's 221 00:10:21,000 --> 00:10:26,240 Speaker 1: do that. Let's set up cameras, hidden cameras, and also 222 00:10:27,000 --> 00:10:31,360 Speaker 1: a really loud alarm, yes, so that when they take 223 00:10:31,400 --> 00:10:34,320 Speaker 1: the Snoop Dog photo off of the wall to put 224 00:10:34,360 --> 00:10:37,520 Speaker 1: it back where they got it, like it's loud, so 225 00:10:37,559 --> 00:10:40,000 Speaker 1: that we can see video of them doing that and 226 00:10:40,040 --> 00:10:42,199 Speaker 1: then freaking out because this alarm is going on. I 227 00:10:42,240 --> 00:10:44,560 Speaker 1: didn't need to after the alarm have like Alex's sound 228 00:10:45,040 --> 00:10:47,800 Speaker 1: just going I'm effing living oh maybe, oh, you know what, 229 00:10:47,840 --> 00:10:49,200 Speaker 1: maybe we can figure out how to do that. Oh, 230 00:10:49,280 --> 00:10:52,440 Speaker 1: that's an amazing live it right now, I'm down to that. 231 00:10:52,679 --> 00:10:54,480 Speaker 1: All right, Well, we'll do that. We'll get it all 232 00:10:54,520 --> 00:10:57,920 Speaker 1: set up, and we'll keep you updated on the crime 233 00:10:57,920 --> 00:11:00,679 Speaker 1: of the Century. Listen, I know there's things going on 234 00:11:00,800 --> 00:11:02,960 Speaker 1: right now, some sort of an election thing, some sort 235 00:11:02,960 --> 00:11:08,760 Speaker 1: of pandemonium, pandemic. Really, everybody's talking about this, The Jewel 236 00:11:08,800 --> 00:11:11,880 Speaker 1: Show and the Curious Case of the Snoop Dogg photo. 237 00:11:12,600 --> 00:11:14,400 Speaker 1: We'll get the trap set up and keep you updated, 238 00:11:14,520 --> 00:11:16,640 Speaker 1: but keep texting in four or six one. Look, if 239 00:11:16,640 --> 00:11:18,880 Speaker 1: there is anybody out there who's really good at espionage 240 00:11:19,800 --> 00:11:25,520 Speaker 1: and catching people, security experts, military Navy seals, swat Team, 241 00:11:25,520 --> 00:11:29,200 Speaker 1: Matt Damon. Oh my god, if Matt Damon's listing, text 242 00:11:29,320 --> 00:11:31,280 Speaker 1: us four one O six one, Matt, we need your 243 00:11:31,280 --> 00:11:33,679 Speaker 1: help right now. It's The Jewels Show on hits one 244 00:11:33,720 --> 00:11:34,280 Speaker 1: of six point one