1 00:00:01,720 --> 00:00:04,720 Speaker 1: Hey, Discos, need a little more Disgraceland in your life, 2 00:00:05,120 --> 00:00:06,600 Speaker 1: just to touch, to get you through. 3 00:00:07,360 --> 00:00:08,000 Speaker 2: Yeah, me too. 4 00:00:08,680 --> 00:00:11,920 Speaker 1: This is the podcast that comes after the podcast. Welcome 5 00:00:11,960 --> 00:00:31,160 Speaker 1: to Disgraceland the after Party. Welcome to the Disgraceland bonus episode, 6 00:00:31,200 --> 00:00:33,800 Speaker 1: a little thing we like to call the after Party. 7 00:00:34,040 --> 00:00:36,000 Speaker 1: This is the show after the show, the party after 8 00:00:36,000 --> 00:00:37,560 Speaker 1: the party, the bridge to get you from one full 9 00:00:37,560 --> 00:00:40,000 Speaker 1: episode of Disgraceland to the other, the backyard to dig 10 00:00:40,040 --> 00:00:42,839 Speaker 1: in to the dirt. On this episode we are talking 11 00:00:42,960 --> 00:00:48,599 Speaker 1: about Skip James, Poldergeist in eighties horror movies, dark Tropics 12 00:00:48,640 --> 00:00:52,320 Speaker 1: and other Irish rock and roll, and of course your voicemails, texts, 13 00:00:52,440 --> 00:00:56,080 Speaker 1: dms and more and as always, a whole lot of rosa. 14 00:00:56,320 --> 00:00:59,520 Speaker 2: All right, Discos, let's get into it. 15 00:01:13,720 --> 00:01:16,880 Speaker 1: Yes, yes, yes, yes, yes we are here. I am here, 16 00:01:17,040 --> 00:01:19,080 Speaker 1: as you are here, as we are all together, good 17 00:01:19,080 --> 00:01:22,200 Speaker 1: people of the earbud Internet. Welcome to another episode of 18 00:01:22,520 --> 00:01:24,560 Speaker 1: the after Party. You know the drill, you know the 19 00:01:24,600 --> 00:01:29,840 Speaker 1: de Leoh, Skip James, Skip James. Have you heard the 20 00:01:29,920 --> 00:01:32,240 Speaker 1: Skip James episode of Disgraceland. 21 00:01:32,319 --> 00:01:33,240 Speaker 2: Have you recovered? 22 00:01:33,760 --> 00:01:35,759 Speaker 1: Have you? Discos? Have you have you gone to bed 23 00:01:35,760 --> 00:01:38,240 Speaker 1: at night wearing a cup maybe all you mail discos 24 00:01:38,280 --> 00:01:41,200 Speaker 1: out there, you find yourself sitting cross legged, maybe a 25 00:01:41,240 --> 00:01:44,200 Speaker 1: little squeamish. I would be too. I'm not going to 26 00:01:44,280 --> 00:01:48,680 Speaker 1: spoil the more cutting parts of this Skip James episode 27 00:01:48,680 --> 00:01:50,560 Speaker 1: for those who haven't yet heard it, but I do 28 00:01:50,600 --> 00:01:53,520 Speaker 1: want to talk about this episode because it is one 29 00:01:53,560 --> 00:01:57,520 Speaker 1: of my favorites. It's definitely the most Dick centric episode 30 00:01:57,560 --> 00:01:59,720 Speaker 1: that we've done. But again I don't want to spoil anything. 31 00:02:00,240 --> 00:02:03,600 Speaker 1: I will say, however, that in this episode I tried 32 00:02:03,920 --> 00:02:08,280 Speaker 1: really hard, in all seriousness, to get across the particular 33 00:02:08,360 --> 00:02:11,359 Speaker 1: type of violence that Skip James encountered as a young 34 00:02:11,400 --> 00:02:14,000 Speaker 1: man in the earlier part of the twentieth century. Not 35 00:02:14,200 --> 00:02:18,120 Speaker 1: just violence, and like I said, a particular type of violence, 36 00:02:18,120 --> 00:02:22,640 Speaker 1: but also the lawlessness America back then, especially in the 37 00:02:22,680 --> 00:02:25,680 Speaker 1: South around the time of the Depression. It was the 38 00:02:25,840 --> 00:02:30,720 Speaker 1: prevailing culture of violence that made well living, surviving, actually, 39 00:02:30,840 --> 00:02:34,600 Speaker 1: especially for a black man, incredibly challenging, to say the least. 40 00:02:34,960 --> 00:02:39,720 Speaker 1: Skip James, in researching him, in figuring out this character, 41 00:02:41,120 --> 00:02:44,560 Speaker 1: struck me as more of a character out of like 42 00:02:44,600 --> 00:02:47,560 Speaker 1: an old Sam Peck and Pa Western than he did 43 00:02:47,560 --> 00:02:50,040 Speaker 1: a blues musician, though of course he was a blues 44 00:02:50,080 --> 00:02:53,480 Speaker 1: and musician, and he was this sort of old timey 45 00:02:54,240 --> 00:02:58,120 Speaker 1: tough guy. So I get into all of that in 46 00:02:58,160 --> 00:03:00,360 Speaker 1: this episode. And for those of you who who may 47 00:03:00,480 --> 00:03:03,040 Speaker 1: or may not have seen me at the Newport Folk 48 00:03:03,160 --> 00:03:07,360 Speaker 1: Festival last summer doing this performance with Adam Wiener from 49 00:03:07,400 --> 00:03:11,160 Speaker 1: Lo Ka Kani about Skip James and doing this quote 50 00:03:11,240 --> 00:03:15,680 Speaker 1: unquote episode, we just really skimmed the surface when we 51 00:03:15,720 --> 00:03:19,800 Speaker 1: took this live. Of course, it's a different medium not 52 00:03:19,960 --> 00:03:23,720 Speaker 1: able to get under the hood completely with an artist 53 00:03:23,960 --> 00:03:26,720 Speaker 1: like I am in the podcast episode. So if you're 54 00:03:26,760 --> 00:03:29,120 Speaker 1: looking at this and you're like I saw him do 55 00:03:29,200 --> 00:03:31,919 Speaker 1: this at Newport, I'm gonna skip the podcast episode, don't. 56 00:03:32,120 --> 00:03:34,440 Speaker 1: You're gonna get a lot more in here, like a 57 00:03:34,600 --> 00:03:38,080 Speaker 1: lot more than you got on stage if you were 58 00:03:38,120 --> 00:03:42,160 Speaker 1: there at Newport. And yeah, if you see the name 59 00:03:42,200 --> 00:03:43,640 Speaker 1: Skip James and your feet and you're like, who the 60 00:03:43,640 --> 00:03:45,560 Speaker 1: hell is Skip James and you didn't know who he is, 61 00:03:45,560 --> 00:03:47,880 Speaker 1: don't worry about it. Don't worry. You didn't know who 62 00:03:47,960 --> 00:03:49,880 Speaker 1: Big Lurch was, did you? And you got a hell 63 00:03:49,920 --> 00:03:52,720 Speaker 1: of an episode there, right, So same here, you're getting 64 00:03:52,720 --> 00:03:55,240 Speaker 1: an incredible episode, an incredible story that you have not 65 00:03:55,320 --> 00:03:55,800 Speaker 1: heard before. 66 00:03:55,840 --> 00:03:56,680 Speaker 2: I guarantee it. 67 00:03:57,280 --> 00:04:00,040 Speaker 1: And even if you're a blues fan, blues aficionado, so 68 00:04:01,200 --> 00:04:04,240 Speaker 1: I like to think that hopefully I got to a 69 00:04:04,320 --> 00:04:07,400 Speaker 1: place here with this character that is new and exciting, 70 00:04:07,720 --> 00:04:10,520 Speaker 1: and this isn't the story that you would be expecting. 71 00:04:11,000 --> 00:04:14,640 Speaker 1: So I invite all of you to listen to the 72 00:04:14,680 --> 00:04:17,640 Speaker 1: recent Skip James episode. It is one of my favorites. 73 00:04:18,760 --> 00:04:20,000 Speaker 1: I think you're going to dig it, So. 74 00:04:20,040 --> 00:04:20,680 Speaker 2: Check that out. 75 00:04:21,400 --> 00:04:25,919 Speaker 1: Also in the news of recent releases over in the 76 00:04:26,040 --> 00:04:28,719 Speaker 1: bad Lands Feed. That's right, the bad Lands Feed is 77 00:04:28,760 --> 00:04:32,040 Speaker 1: starting to cook up again. Go over there and subscribe. 78 00:04:32,400 --> 00:04:35,719 Speaker 1: Over in the bad Lands Feed. We just released re released, 79 00:04:35,720 --> 00:04:39,479 Speaker 1: i should say, the Poltergeist episode that we had done 80 00:04:40,279 --> 00:04:42,520 Speaker 1: for those of you who, like myself, grew up in 81 00:04:42,560 --> 00:04:46,120 Speaker 1: the eighties and were glued to cable TV and obsessed 82 00:04:46,200 --> 00:04:51,000 Speaker 1: with horror and raunchy comedy for horror. Anyways, the Poulter 83 00:04:51,040 --> 00:04:54,279 Speaker 1: guyst episode. Hopefully this is about the Curse of the 84 00:04:54,320 --> 00:04:57,400 Speaker 1: Poltergeist movie, which is a really fascinating topic. If you 85 00:04:57,400 --> 00:04:59,280 Speaker 1: don't know about this, I invite you to check it out. 86 00:05:00,920 --> 00:05:02,839 Speaker 1: Like I said, this is a re release of a 87 00:05:02,880 --> 00:05:06,560 Speaker 1: previously released bad Lands episode. We're gearing that feed up 88 00:05:06,920 --> 00:05:12,040 Speaker 1: for the May third launch of the New bad Lands season, 89 00:05:12,680 --> 00:05:16,719 Speaker 1: so that's coming quick. But this Polar Guys episode, it 90 00:05:16,760 --> 00:05:20,279 Speaker 1: really got me thinking, you know, about eighties horror and 91 00:05:20,320 --> 00:05:20,840 Speaker 1: how that was. 92 00:05:20,920 --> 00:05:23,320 Speaker 2: Such a such a specific. 93 00:05:22,720 --> 00:05:27,880 Speaker 1: Time for horror movies, and just even now, it's like 94 00:05:27,920 --> 00:05:29,760 Speaker 1: even the bad stuff or the im mediate stuff I 95 00:05:29,760 --> 00:05:32,000 Speaker 1: thought was I was kind of interested in as a kid, 96 00:05:32,000 --> 00:05:32,640 Speaker 1: but not really. 97 00:05:33,720 --> 00:05:34,640 Speaker 2: I love it now. 98 00:05:34,960 --> 00:05:37,880 Speaker 1: There's so there's so much great Eighties horror. I'm not 99 00:05:37,880 --> 00:05:42,279 Speaker 1: telling anyone anything that they don't know, but there's almost 100 00:05:42,320 --> 00:05:42,760 Speaker 1: so much of it. 101 00:05:42,839 --> 00:05:43,440 Speaker 2: I don't even know. 102 00:05:43,360 --> 00:05:46,000 Speaker 1: How to organize my thinking around it. You know, it's 103 00:05:46,040 --> 00:05:47,800 Speaker 1: like where do we go? We go? 104 00:05:47,960 --> 00:05:49,520 Speaker 2: Like Friday the thirteenth? Do we go? 105 00:05:50,600 --> 00:05:51,040 Speaker 1: Do we go? 106 00:05:51,839 --> 00:05:54,000 Speaker 2: Jason Vorhees? Do we go? Do we go? 107 00:05:54,520 --> 00:05:58,159 Speaker 1: Lost Boys? Something a little more high concept? Where do 108 00:05:58,200 --> 00:06:00,120 Speaker 1: you go? What are the horror movies? I guess is 109 00:06:00,120 --> 00:06:02,160 Speaker 1: what I'm asking? What are the eighties horror movies? Give 110 00:06:02,200 --> 00:06:05,800 Speaker 1: me five? Give me your top five eighties horror movies. 111 00:06:05,960 --> 00:06:08,920 Speaker 1: Does Poulter Guys even make the list? 112 00:06:09,360 --> 00:06:09,800 Speaker 2: I don't know. 113 00:06:10,120 --> 00:06:13,800 Speaker 1: Maybe it does. Let me know what your top five are? 114 00:06:13,839 --> 00:06:15,760 Speaker 1: I what did I just mention? I mentioned Polter Guys? 115 00:06:15,960 --> 00:06:21,040 Speaker 1: I mentioned Friday the Thirteenth Nightmare on Elm Street and 116 00:06:21,160 --> 00:06:24,279 Speaker 1: The Lost Boys. I guess i'd throw the Shining in there. 117 00:06:24,360 --> 00:06:26,480 Speaker 1: That's nineteen eighty, I believe, if you want to go 118 00:06:26,600 --> 00:06:29,920 Speaker 1: totally high brow, and then of course there's all the 119 00:06:30,320 --> 00:06:32,760 Speaker 1: sort of the Stephen King stuff that wasn't very good 120 00:06:32,800 --> 00:06:35,919 Speaker 1: at the time. What are your top five eighties horror movies? 121 00:06:35,960 --> 00:06:36,599 Speaker 2: That's the question. 122 00:06:36,640 --> 00:06:39,200 Speaker 1: I'm gonna quit rambling about that. That is the question, 123 00:06:39,360 --> 00:06:41,800 Speaker 1: very directly put, what are your top five eighties horror movies? 124 00:06:41,880 --> 00:06:44,400 Speaker 1: Let me know. Hit me up at Disgrace lam pod 125 00:06:44,480 --> 00:06:47,880 Speaker 1: on Twitter, Instagram, Facebook, TikTok. You can also let me 126 00:06:47,920 --> 00:06:49,640 Speaker 1: know what you thought of the Skip James episode. There 127 00:06:49,760 --> 00:06:53,480 Speaker 1: kind of a horrific story there. If not a horror episode, 128 00:06:53,520 --> 00:06:56,880 Speaker 1: definitely horrific. What else we got coming down the pike 129 00:06:56,920 --> 00:06:59,560 Speaker 1: here for episodes, We've got Sharon Tate coming in the 130 00:06:59,560 --> 00:07:04,600 Speaker 1: Badly Feed, And I mentioned that because those episodes are special, 131 00:07:04,640 --> 00:07:07,280 Speaker 1: they're different episodes. We do something different there that we've 132 00:07:07,279 --> 00:07:10,400 Speaker 1: done in anything any other episode before. It's our first 133 00:07:10,480 --> 00:07:15,200 Speaker 1: real crossover episode. Those Sharon Tate episodes correlate directly with 134 00:07:15,240 --> 00:07:18,080 Speaker 1: the Mama Cast episodes of Disgraceland. So those are in 135 00:07:18,080 --> 00:07:20,320 Speaker 1: the bad Lands feed the Sharontate episodes and they, like 136 00:07:20,360 --> 00:07:22,520 Speaker 1: I said, there is sort of a Roschermont thing happening 137 00:07:22,560 --> 00:07:25,360 Speaker 1: there with the Mama Cass Disgraceland episodes. You can check 138 00:07:25,360 --> 00:07:29,280 Speaker 1: those out too, all right, So yeah, that's it. That's 139 00:07:29,280 --> 00:07:30,720 Speaker 1: what we got in the disgrace Land feed. That's what 140 00:07:30,720 --> 00:07:32,840 Speaker 1: we got in the bad Lands feed at disgrace lad pod. 141 00:07:32,920 --> 00:07:34,720 Speaker 1: Let me know what your top five eighties horror movies are, 142 00:07:34,800 --> 00:07:36,600 Speaker 1: let me know what you thought of the Skip James episode. 143 00:07:36,840 --> 00:07:37,880 Speaker 2: And I'm gonna take. 144 00:07:37,800 --> 00:07:41,440 Speaker 1: A quick break, get back with some voicemails and some 145 00:07:41,520 --> 00:08:05,280 Speaker 1: texts just after this. All right, let's dive into our 146 00:08:05,360 --> 00:08:07,880 Speaker 1: ongoing conversation here. You guys know how to get in 147 00:08:07,920 --> 00:08:12,360 Speaker 1: touch at Disgraceland Pod on Twitter, Instagram, Facebook, and TikTok 148 00:08:12,440 --> 00:08:16,680 Speaker 1: and of course six one seven nine zero six six 149 00:08:16,840 --> 00:08:19,480 Speaker 1: six three eight to send me a text or to 150 00:08:19,560 --> 00:08:22,680 Speaker 1: leave me a voicemail, just like Lee here from the 151 00:08:22,760 --> 00:08:23,600 Speaker 1: four to one two. 152 00:08:24,840 --> 00:08:26,800 Speaker 3: Hey, Jake, this is Lee from the four one two. 153 00:08:27,120 --> 00:08:27,240 Speaker 1: Uh. 154 00:08:27,600 --> 00:08:29,840 Speaker 3: I was just listening to to the for your Lease 155 00:08:29,920 --> 00:08:34,360 Speaker 3: to the Guns Rose episode and you're talking about Aerosmith 156 00:08:34,440 --> 00:08:38,480 Speaker 3: and I really think we need to have an Aerosmith episode. 157 00:08:38,679 --> 00:08:40,600 Speaker 3: I hope that's in the can or at least in 158 00:08:40,679 --> 00:08:44,960 Speaker 3: the works. Anyway, have a good one and happy Easter. 159 00:08:45,360 --> 00:08:46,520 Speaker 3: Take care of Jake, Bye. 160 00:08:46,320 --> 00:08:50,439 Speaker 1: Bye, all right, Lee, thanks for the voicemail. Yes, Aerosmith 161 00:08:50,720 --> 00:08:52,160 Speaker 1: Boston's bad Boys. 162 00:08:52,480 --> 00:08:55,000 Speaker 2: I hate that term. I can't stand that term. 163 00:08:55,040 --> 00:08:57,800 Speaker 1: But uh yeah, Aerosmith a band that I have a 164 00:08:57,920 --> 00:08:59,760 Speaker 1: true love hate relationship with. 165 00:09:00,440 --> 00:09:02,839 Speaker 2: I fucking hate Arrowsmith sometimes, man, I. 166 00:09:02,880 --> 00:09:05,319 Speaker 1: Just do you know the dude and the big Lebowski 167 00:09:05,320 --> 00:09:08,480 Speaker 1: and his feelings toward the Eagles. That's that's Arrowsmith for me. 168 00:09:09,720 --> 00:09:12,360 Speaker 1: But then again, I love them. I actually listened to 169 00:09:12,679 --> 00:09:18,280 Speaker 1: I listened to Pump the other day on purpose. I 170 00:09:18,280 --> 00:09:20,280 Speaker 1: don't know why, I think even I did. I even 171 00:09:20,280 --> 00:09:22,520 Speaker 1: after that, I went I went permanent vacation, if you 172 00:09:22,520 --> 00:09:23,080 Speaker 1: can believe that. 173 00:09:23,120 --> 00:09:24,240 Speaker 2: I wanted to hear Ragdoll. 174 00:09:25,080 --> 00:09:27,160 Speaker 1: But then sometimes I hear those songs and I just 175 00:09:27,320 --> 00:09:30,000 Speaker 1: I fucking loathe them with the power of a thousand 176 00:09:30,000 --> 00:09:33,760 Speaker 1: burning suns. I just cannot stand that band sometimes. But 177 00:09:33,800 --> 00:09:36,040 Speaker 1: then sometimes I'm just I'm there for it. I don't 178 00:09:36,080 --> 00:09:39,120 Speaker 1: know what it is. Maybe it's familiality, maybe it truly 179 00:09:39,120 --> 00:09:42,400 Speaker 1: does breed contempt. Growing up in Boston around that band 180 00:09:42,720 --> 00:09:47,240 Speaker 1: sort of, I find them to be absolutely hysterical at 181 00:09:47,240 --> 00:09:50,880 Speaker 1: times and if not maddening. Anyways, to answer your question 182 00:09:51,080 --> 00:09:55,040 Speaker 1: before I ramble on here, they are our smith. Yes, 183 00:09:55,080 --> 00:09:58,160 Speaker 1: we have an episode coming up in season twelve, coming 184 00:09:58,200 --> 00:10:00,960 Speaker 1: up soon. So there you go, there you Lee, that's 185 00:10:00,960 --> 00:10:03,600 Speaker 1: coming your way. All right, let's get into another voicemail here. 186 00:10:03,800 --> 00:10:06,440 Speaker 1: I'm gonna play a voicemail here from Aliyah, who has 187 00:10:06,520 --> 00:10:10,320 Speaker 1: called him before. I don't usually give space for the 188 00:10:10,360 --> 00:10:12,200 Speaker 1: sort of double call. I guess I do now that 189 00:10:12,240 --> 00:10:14,960 Speaker 1: I'm saying this, I'm remembering from a past after a 190 00:10:14,960 --> 00:10:17,200 Speaker 1: party episode not too long ago, where I played someone else. 191 00:10:17,360 --> 00:10:19,160 Speaker 1: What am I getting out here? Maybe we're getting to 192 00:10:19,200 --> 00:10:22,120 Speaker 1: this like long time caller thing here that the radio 193 00:10:22,200 --> 00:10:26,360 Speaker 1: jocks have with their listeners. Anyhow, I chose Aliyah's voicemail 194 00:10:26,440 --> 00:10:29,280 Speaker 1: here because I remember distinctly the last time I played 195 00:10:29,280 --> 00:10:31,840 Speaker 1: her voicemail, I fucked up the pronunciation of her name. 196 00:10:32,080 --> 00:10:36,680 Speaker 1: I think I called her Alia. I apologize. So Aliyah, 197 00:10:36,720 --> 00:10:39,320 Speaker 1: here you go. Giving me some more space, Let's hear 198 00:10:39,520 --> 00:10:43,120 Speaker 1: Aliyah from the six seventy eight has to say, what's up? Jay? 199 00:10:43,600 --> 00:10:44,320 Speaker 3: This is Aliyah? 200 00:10:44,480 --> 00:10:46,719 Speaker 4: I know I've called him before from the. 201 00:10:46,640 --> 00:10:47,319 Speaker 3: Six seventy eight. 202 00:10:48,840 --> 00:10:50,520 Speaker 4: I know one of mine made it to the air, 203 00:10:50,559 --> 00:10:52,920 Speaker 4: and I don't expect you to read or listen to 204 00:10:52,960 --> 00:10:55,439 Speaker 4: this one since I've been on the air, but I do. 205 00:10:55,559 --> 00:10:58,959 Speaker 1: Have two really good recommendations that maybe's autos. 206 00:10:58,960 --> 00:11:00,600 Speaker 5: Maybe you haven't think. 207 00:11:00,679 --> 00:11:03,520 Speaker 4: Your spin on it would be absolutely amazing not to 208 00:11:03,600 --> 00:11:07,480 Speaker 4: mention their two incredibly huge musical influences in my life, 209 00:11:07,520 --> 00:11:09,480 Speaker 4: at least coming up in the nineties. 210 00:11:10,080 --> 00:11:14,080 Speaker 3: I'm gonna say Chris Cornell and Chester betigin both I 211 00:11:14,120 --> 00:11:16,120 Speaker 3: know obviously a past and I would. 212 00:11:15,920 --> 00:11:18,920 Speaker 4: Just really love to hear them on the podcast once again. 213 00:11:19,040 --> 00:11:22,000 Speaker 3: Much love for you, and I can't wait for more episodes. 214 00:11:22,360 --> 00:11:25,520 Speaker 1: All right, Eleah, I wanted. I want to get into 215 00:11:25,600 --> 00:11:30,679 Speaker 1: Chris Cornell. I want to get into Chester. The suicide stuff, though, 216 00:11:30,760 --> 00:11:34,520 Speaker 1: is incredibly heavy, and to be honest, I'm not ready 217 00:11:34,520 --> 00:11:36,400 Speaker 1: to do it right now, but I'm sure I will 218 00:11:36,440 --> 00:11:38,160 Speaker 1: at some point. I get a lot of requests for 219 00:11:38,240 --> 00:11:42,960 Speaker 1: these two episodes. Sorry, these two subjects. Maybe I'll try 220 00:11:42,960 --> 00:11:45,320 Speaker 1: to find a way to combine them into one and 221 00:11:45,440 --> 00:11:48,600 Speaker 1: just compress all that pain and grief into one thirty 222 00:11:48,640 --> 00:11:55,160 Speaker 1: minute shot. Save Myself some heaviness, but yeah, sooner or later. 223 00:11:55,200 --> 00:11:58,520 Speaker 1: I wish I had a specific date or season for you, 224 00:11:58,559 --> 00:12:01,120 Speaker 1: but I don't. But I appreciate voicemail, and I appreciate 225 00:12:01,160 --> 00:12:04,160 Speaker 1: the request. Let's do one more voicemail here. Let's go 226 00:12:04,280 --> 00:12:08,479 Speaker 1: with Matt play the eight one to five. Matt from Ohio. 227 00:12:09,280 --> 00:12:12,200 Speaker 4: Hey, Jake, what's up? This is Matt calling you from Ohio. 228 00:12:13,960 --> 00:12:17,960 Speaker 4: Top five movies. I agreed with most of what you said. 229 00:12:18,360 --> 00:12:21,720 Speaker 4: I had good Fellows The Godfather. I also had goodwill 230 00:12:21,800 --> 00:12:25,720 Speaker 4: hunting Rocky and Dallas Buyer's Club. Off the top of 231 00:12:25,760 --> 00:12:28,040 Speaker 4: my head. Maybe if I did a little more thinking, 232 00:12:29,160 --> 00:12:31,920 Speaker 4: some of those numbers could some of those titles could change. 233 00:12:33,120 --> 00:12:36,240 Speaker 4: As far as Peak, I remember my brother taking me 234 00:12:36,440 --> 00:12:39,120 Speaker 4: to see that movie, and that was probably one of 235 00:12:39,160 --> 00:12:41,120 Speaker 4: the first times I've ever watched a movie where I 236 00:12:41,160 --> 00:12:44,319 Speaker 4: was actively cheering for the bad guy to win. Robert 237 00:12:44,360 --> 00:12:47,040 Speaker 4: de Niro really wanted him to make it. 238 00:12:48,760 --> 00:12:51,320 Speaker 5: Anyways, Love you, Love the show Man, Keep doing an 239 00:12:51,320 --> 00:12:54,800 Speaker 5: awesome job. Side notes, I just started a new job 240 00:12:54,840 --> 00:12:57,160 Speaker 5: a couple of weeks ago, and I'm working with the 241 00:12:57,160 --> 00:12:59,439 Speaker 5: guy who has a part time job as a DJ, 242 00:13:01,520 --> 00:13:04,200 Speaker 5: and he was at the very show where dine Bag 243 00:13:04,280 --> 00:13:09,800 Speaker 5: Daryl was killed like he was like right there, and 244 00:13:09,800 --> 00:13:11,240 Speaker 5: that just totally blew my mind. 245 00:13:11,360 --> 00:13:14,000 Speaker 4: I literally listen. I think I re listened to that 246 00:13:14,080 --> 00:13:18,199 Speaker 4: dine Bag Daryl episode and then found that information out 247 00:13:18,240 --> 00:13:20,800 Speaker 4: for my coworker. So anyway, I thought you might might 248 00:13:21,600 --> 00:13:23,400 Speaker 4: get a kick out of that. Thanks for everything, Man, 249 00:13:23,920 --> 00:13:26,160 Speaker 4: take care of buye awesome. 250 00:13:26,280 --> 00:13:29,920 Speaker 1: Thank you, Matt, all right a lot in here. First 251 00:13:30,000 --> 00:13:32,440 Speaker 1: of all, solid top five list. We share a very 252 00:13:32,480 --> 00:13:36,360 Speaker 1: similar taste on heat. I am also with you. I 253 00:13:36,400 --> 00:13:38,199 Speaker 1: was rooting for de Niro in the end as well. 254 00:13:38,640 --> 00:13:40,319 Speaker 1: What does that say about us, Matt, I think we're 255 00:13:40,360 --> 00:13:42,040 Speaker 1: fucked up rooting for the bad guys, just like that 256 00:13:42,120 --> 00:13:44,280 Speaker 1: Henry Hill quote from Goodfellas. Jimmy was the type of 257 00:13:44,320 --> 00:13:46,800 Speaker 1: guy who rooted for the bad guys and movies. Yes, 258 00:13:47,000 --> 00:13:49,719 Speaker 1: yes he was, And I occasionally find myself rooting for 259 00:13:49,760 --> 00:13:52,319 Speaker 1: the bad guys and movies. But he is a special 260 00:13:52,360 --> 00:13:55,600 Speaker 1: case because de Niro is the bad guy, but he's 261 00:13:55,640 --> 00:14:00,520 Speaker 1: also kind of a good guy, kind of kind at 262 00:14:00,559 --> 00:14:03,600 Speaker 1: least the way they set it up. Anyway, Thanks for 263 00:14:03,640 --> 00:14:06,440 Speaker 1: calling Matt everyone, Thanks for the messages, thanks for the voicemails, 264 00:14:06,440 --> 00:14:08,880 Speaker 1: Thanks for the text. Uh six one seven nine zero 265 00:14:09,160 --> 00:14:14,240 Speaker 1: six six' six three. Eight let's do some texts. Here 266 00:14:14,320 --> 00:14:18,880 Speaker 1: let's check out this text from the six four. Six all, 267 00:14:18,960 --> 00:14:22,080 Speaker 1: right this is my guy. Here, uh this is the 268 00:14:23,480 --> 00:14:25,720 Speaker 1: my buddy here From New. York he, Says, uh one 269 00:14:25,800 --> 00:14:28,480 Speaker 1: Day i'll take a pic of a picture Of Malcolm x's, 270 00:14:28,520 --> 00:14:30,520 Speaker 1: grave for you've seen it a bunch of. Times my 271 00:14:30,600 --> 00:14:34,560 Speaker 1: admiration for him is beyond. Words and, uh this is 272 00:14:34,560 --> 00:14:37,040 Speaker 1: my guy who sent. ME i love this. Text he 273 00:14:37,160 --> 00:14:41,760 Speaker 1: sent me those pictures of the mobsters gray, stones WHICH 274 00:14:41,800 --> 00:14:45,720 Speaker 1: i believe we're taking In queen some queen. Cemetery i'm not, sure. 275 00:14:46,840 --> 00:14:46,960 Speaker 3: All? 276 00:14:47,080 --> 00:14:49,560 Speaker 1: Right from the four one two another text, Here, Hi, 277 00:14:49,640 --> 00:14:52,960 Speaker 1: jake love your. Podcast they are my. Fave uh reading 278 00:14:53,000 --> 00:14:55,920 Speaker 1: recommendation for You Biloxi boys By John. Grisham it was. 279 00:14:56,000 --> 00:14:58,760 Speaker 1: Fabulous take care in rock AND. ROLLA i don't know about. 280 00:14:58,760 --> 00:14:59,600 Speaker 2: This what is this? 281 00:15:00,040 --> 00:15:05,760 Speaker 1: Seen Biloxi blues the movie With Matthew broaderick And Christopher, 282 00:15:05,800 --> 00:15:08,080 Speaker 1: walking WHICH i think is from A Neil simon. PLAY 283 00:15:08,200 --> 00:15:10,760 Speaker 1: i could be could be, right could be, wrong could be, 284 00:15:10,800 --> 00:15:14,880 Speaker 1: crazy BUT i will check Out Biloxi. Boys all, Right 285 00:15:16,480 --> 00:15:20,720 Speaker 1: let's do a couple more texts here from the five eighty, 286 00:15:20,840 --> 00:15:25,640 Speaker 1: Six jake Og disgraceland, listener you're writing in storytelling for 287 00:15:25,760 --> 00:15:29,120 Speaker 1: me hooked. IMMEDIATELY i love seeing you succeed outside of music. 288 00:15:29,200 --> 00:15:31,160 Speaker 1: History keep that good shit, doing my, dude get me, 289 00:15:31,240 --> 00:15:34,320 Speaker 1: hooked all? Right, yeah, well outside of, music we're coming 290 00:15:34,360 --> 00:15:37,440 Speaker 1: back with Bad lands, Man we're coming back. Strong may, 291 00:15:37,560 --> 00:15:42,080 Speaker 1: third five eight. Six make sure you are subscribed in 292 00:15:42,120 --> 00:15:46,680 Speaker 1: the Bad lands. Feed all, right let's see what else 293 00:15:46,720 --> 00:15:49,720 Speaker 1: we got. Here, Hey Jake angela from the three to 294 00:15:49,720 --> 00:15:52,600 Speaker 1: one Three Hugh fan H U g h F A 295 00:15:52,800 --> 00:15:55,680 Speaker 1: N Hugh. Fan keep up the fantastic. Work your top 296 00:15:55,760 --> 00:15:58,120 Speaker 1: five movie segment reminds me of the Movie High fidelity 297 00:15:58,160 --> 00:16:00,680 Speaker 1: With John. Cusack great, movie by the, Way, hey, well, 298 00:16:00,800 --> 00:16:04,280 Speaker 1: yes of Course i'm stealing it. Directly she goes on to, 299 00:16:04,320 --> 00:16:10,520 Speaker 1: say my top Five Alfred hitchcock movies Are Rear, Window The, Birds, Psycho. 300 00:16:10,880 --> 00:16:17,120 Speaker 1: Rebecca to catch a thief in that. Order. Hmmm you, 301 00:16:17,120 --> 00:16:18,720 Speaker 1: KNOW i was having this conversation a couple of days 302 00:16:18,760 --> 00:16:23,720 Speaker 1: ago with my wife and my, dad and my dad 303 00:16:23,760 --> 00:16:26,480 Speaker 1: was silent on the issue because he'd never Seen. Rope 304 00:16:27,240 --> 00:16:32,480 Speaker 1: But Rear window definitely number, one, definitely without a. Question 305 00:16:32,560 --> 00:16:35,000 Speaker 1: to catch a thief is probably top five north By 306 00:16:35,200 --> 00:16:37,600 Speaker 1: NORTHWEST i said this. BEFORE i think it's number. Two 307 00:16:38,520 --> 00:16:41,240 Speaker 1: The BIRDS i need to watch. Again PSYCHO i think is. 308 00:16:41,280 --> 00:16:44,080 Speaker 1: OVERRATED i know everyone's going to freak. Out Rebecca i've 309 00:16:44,120 --> 00:16:47,520 Speaker 1: never heard. OF i don't. 310 00:16:47,520 --> 00:16:50,360 Speaker 2: Know this list has me, thinking, here good, Job. Angela. 311 00:16:50,400 --> 00:16:52,360 Speaker 1: Okay she goes on to, say my personal top five, 312 00:16:52,400 --> 00:16:57,000 Speaker 1: lists personal top five lists goes like, This field Of, 313 00:16:57,120 --> 00:17:00,960 Speaker 1: Dreams Empire, Records days And. Confused one THINGS i hate about. 314 00:17:00,960 --> 00:17:03,880 Speaker 1: You i'm an eighties nineties. Kid can't you Tell Robin 315 00:17:03,920 --> 00:17:06,159 Speaker 1: Hood disney version because it was my favorite as a, 316 00:17:06,200 --> 00:17:08,480 Speaker 1: child and even NOW i have no shame. Either, again 317 00:17:08,600 --> 00:17:12,440 Speaker 1: great job and as, always rock a rolla very nineties, 318 00:17:12,480 --> 00:17:15,800 Speaker 1: list very nineties, List field Of dreams number, one who, 319 00:17:16,400 --> 00:17:18,880 Speaker 1: Above days And. CONFUSED i don't know about. That as 320 00:17:18,960 --> 00:17:20,760 Speaker 1: much AS i love, BASEBALL i don't know about, that 321 00:17:22,280 --> 00:17:23,640 Speaker 1: BUT i appreciate the. 322 00:17:23,680 --> 00:17:24,080 Speaker 2: Text. 323 00:17:24,240 --> 00:17:30,000 Speaker 1: Angela solid lists, there, solid, solid solid. Lists what else 324 00:17:30,080 --> 00:17:31,960 Speaker 1: we got? Here, Hey? Jake this is from the nine 325 00:17:32,040 --> 00:17:34,840 Speaker 1: two Eight great. Podcast been listening since season one. Two 326 00:17:34,920 --> 00:17:39,520 Speaker 1: suggestions for Episodes Henry rollins Or Dave navarro. 327 00:17:39,160 --> 00:17:41,080 Speaker 2: That's Dave navarro Off Jans addiction for those of you 328 00:17:41,119 --> 00:17:41,480 Speaker 2: who don't. 329 00:17:41,480 --> 00:17:44,560 Speaker 1: Know as for rewatching, Movies i've watched The Guy richie 330 00:17:44,600 --> 00:17:47,399 Speaker 1: Movie The gentleman probably half a dozen times in. 331 00:17:47,400 --> 00:17:48,119 Speaker 2: The last year or. 332 00:17:48,200 --> 00:17:51,840 Speaker 1: So top five Movies number, One escape From New, york 333 00:17:51,960 --> 00:17:57,000 Speaker 1: and that's all well. Done nine two. Eight, Yeah. Rollins 334 00:17:57,200 --> 00:17:59,199 Speaker 1: i've thought of doing The rollins, episode the whole thing 335 00:17:59,200 --> 00:18:01,200 Speaker 1: about his buddy there getting murdered with, him BUT. 336 00:18:02,800 --> 00:18:05,520 Speaker 2: I don't. Know it feels almost too personal. 337 00:18:05,119 --> 00:18:06,960 Speaker 1: In a weird, way LIKE i don't want to invade 338 00:18:07,000 --> 00:18:10,240 Speaker 1: that space Because rollins has mined it so thoroughly in his. 339 00:18:10,359 --> 00:18:15,560 Speaker 1: Books The Dave navarro one also very. PERSONAL i. BELIEVE 340 00:18:15,640 --> 00:18:18,800 Speaker 1: i don't know this. Story i've heard a little bit about, 341 00:18:18,840 --> 00:18:22,200 Speaker 1: it BUT i think his parents were. MURDERED i need 342 00:18:22,240 --> 00:18:24,720 Speaker 1: to check that. Out and we are right, now just 343 00:18:25,359 --> 00:18:28,480 Speaker 1: so you, know we are researching A Jane's addiction episode 344 00:18:29,160 --> 00:18:31,560 Speaker 1: AND i think we're going to do a story on. 345 00:18:31,600 --> 00:18:33,920 Speaker 1: It i'm not, sure but it's in the. Works we're 346 00:18:34,000 --> 00:18:37,479 Speaker 1: actively messing with it right. Now let's do one more text, 347 00:18:37,560 --> 00:18:41,000 Speaker 1: here all? Right from the five oh. Nine, hey greetings 348 00:18:41,000 --> 00:18:43,200 Speaker 1: from the Beautiful Pacific. Northwest i've been a listener for 349 00:18:43,240 --> 00:18:45,040 Speaker 1: a few years, now AND i love everything you. Do 350 00:18:45,320 --> 00:18:47,480 Speaker 1: you asked what we. Do, Well i'm a baker in 351 00:18:47,560 --> 00:18:50,119 Speaker 1: the morning and a prep cook in the. AFTERNOON i 352 00:18:50,160 --> 00:18:51,960 Speaker 1: listen to your podcast on the way to work in 353 00:18:52,000 --> 00:18:54,399 Speaker 1: the morning in between. JOBS i can't wait to see 354 00:18:54,680 --> 00:18:58,320 Speaker 1: what's next from. You, well thank you five onh. Nine 355 00:18:58,400 --> 00:19:01,000 Speaker 1: YEAH i. DO i love hearing you guys, do what 356 00:19:01,040 --> 00:19:04,879 Speaker 1: your jobs, are how you make your, living how you 357 00:19:05,000 --> 00:19:07,320 Speaker 1: find your your your way from one end of the 358 00:19:07,400 --> 00:19:09,320 Speaker 1: day to the, other and what you listen. To AND 359 00:19:10,200 --> 00:19:14,760 Speaker 1: i mean this with all. SINCERITY i am totally grateful 360 00:19:15,080 --> 00:19:17,320 Speaker 1: and honored that you take me along with you and 361 00:19:17,359 --> 00:19:20,960 Speaker 1: your headphones throughout your. Day you listen to me while you're, 362 00:19:21,000 --> 00:19:24,840 Speaker 1: working helps pass the, time means a lot to. Me you. 363 00:19:24,880 --> 00:19:26,840 Speaker 1: KNOW i do my version of that as. WELL i 364 00:19:26,880 --> 00:19:29,919 Speaker 1: have my podcast THAT i listen to my way to 365 00:19:30,000 --> 00:19:31,840 Speaker 1: and from the gym and at the, gym and you, 366 00:19:31,840 --> 00:19:35,359 Speaker 1: know WHEN i go and walk with my dog. Whatever so, 367 00:19:35,640 --> 00:19:38,119 Speaker 1: yeah it's totally relatable AND i love hearing. It it 368 00:19:38,160 --> 00:19:41,560 Speaker 1: makes me. Happy thanks for sending six one seven nine 369 00:19:41,640 --> 00:19:45,080 Speaker 1: zero six six six three eight to get at, me 370 00:19:45,520 --> 00:19:50,159 Speaker 1: get your texts responded, to and your. Voicemails let's do 371 00:19:50,400 --> 00:19:54,119 Speaker 1: some messages. Here some social media messages At disgrace Slam, 372 00:19:54,200 --> 00:19:58,679 Speaker 1: pod that's, everywhere That's, facebook That's, twitter That's, instagram that 373 00:19:58,920 --> 00:20:05,080 Speaker 1: is TikTok all right On, Facebook Russ malberg wrights quite, 374 00:20:05,119 --> 00:20:08,480 Speaker 1: SUCCINCTLY i might, add can you please Do Michael hutchins 375 00:20:08,520 --> 00:20:13,679 Speaker 1: from In excess On twitter at The Karen kelly rights 376 00:20:14,280 --> 00:20:17,880 Speaker 1: instead of re releasing old, episodes it wouldn't kill you 377 00:20:17,920 --> 00:20:20,760 Speaker 1: to feature an episode on Front Man Michael Hutchinson The 378 00:20:20,840 --> 00:20:25,960 Speaker 1: legacy of In excess On Instagram chris on It, Rights, Hey, 379 00:20:26,040 --> 00:20:28,840 Speaker 1: Jake i'm not sure how much In excess are known 380 00:20:29,000 --> 00:20:31,960 Speaker 1: over in The, states but they were probably the biggest 381 00:20:31,960 --> 00:20:35,640 Speaker 1: group at the time in THE uk and obviously here Down. Under, anyhow, 382 00:20:35,680 --> 00:20:38,040 Speaker 1: Mate i'm not sure if it's up your, alley but 383 00:20:38,080 --> 00:20:41,520 Speaker 1: there's a lot to chew on Regarding Michael. Hutchinson Michael, 384 00:20:41,600 --> 00:20:44,520 Speaker 1: hutchinson he, Says but It's Michael, hutchinson especially with his 385 00:20:44,600 --> 00:20:47,000 Speaker 1: death and assault which caused him to lose his senses 386 00:20:47,000 --> 00:20:48,119 Speaker 1: of taste and sent him. 387 00:20:47,960 --> 00:20:48,400 Speaker 2: Down a dark. 388 00:20:48,480 --> 00:20:50,840 Speaker 1: Road, anyhow let me know what you. Think i'm sure 389 00:20:50,840 --> 00:20:54,040 Speaker 1: there's several books out on, it all, right you guys 390 00:20:54,040 --> 00:20:56,840 Speaker 1: noticing anything? HERE a couple, Things one the people have 391 00:20:56,880 --> 00:20:58,960 Speaker 1: spoken to the people want an in excess. Episode and 392 00:20:59,000 --> 00:21:00,560 Speaker 1: you guys know. Me i'm a man the. PEOPLE i, 393 00:21:00,600 --> 00:21:02,240 Speaker 1: LISTEN i hear, you we hear for. 394 00:21:02,320 --> 00:21:02,840 Speaker 2: You you know What i'm. 395 00:21:02,840 --> 00:21:05,080 Speaker 1: Saying to Quote Tom, watscams a great poet of the 396 00:21:05,119 --> 00:21:09,000 Speaker 1: twenty first. Century but, yes in excess it's. Happening it's happening. 397 00:21:09,040 --> 00:21:11,480 Speaker 1: SOON i will not deny you the devil, inside BECAUSE 398 00:21:11,560 --> 00:21:14,399 Speaker 1: i need you. Tonight, this this lack of an in excess, 399 00:21:14,440 --> 00:21:17,360 Speaker 1: Episode you're in excess love will never tear us. Apart 400 00:21:17,400 --> 00:21:19,639 Speaker 1: shah bou. Shahboo the one thing that don't change Is 401 00:21:19,680 --> 00:21:23,359 Speaker 1: Michael hutchins's everlasting. Appeal, THEREFORE i am here in front 402 00:21:23,400 --> 00:21:25,679 Speaker 1: of you on this day to announce that later this, 403 00:21:25,800 --> 00:21:28,920 Speaker 1: Year november twenty, eighth to be, exact The Michael hutchinson 404 00:21:29,000 --> 00:21:33,159 Speaker 1: in excess episode Of disgraceland will finally hit your feeds. 405 00:21:33,760 --> 00:21:37,320 Speaker 1: Now the other thing you notice here is the difference 406 00:21:37,320 --> 00:21:41,200 Speaker 1: in communications style between the different types of social media. User, 407 00:21:41,440 --> 00:21:47,040 Speaker 1: okay all, right On, facebook just they're very. Direct people 408 00:21:47,080 --> 00:21:50,000 Speaker 1: are very. Direct there's there. There you might read some 409 00:21:50,160 --> 00:21:53,919 Speaker 1: snark into what they're. Saying there's their their, directness but 410 00:21:54,320 --> 00:21:56,800 Speaker 1: it's not. Really it's just it's, just, hey fuck. You 411 00:21:57,040 --> 00:21:59,520 Speaker 1: this is What i'm saying. Here it is. Bye that's 412 00:21:59,680 --> 00:22:03,520 Speaker 1: that's The facebook. Interaction, okay then you Get, twitter you 413 00:22:03,560 --> 00:22:07,800 Speaker 1: get maximum. Snark, Right it's not enough That i'm releasing 414 00:22:07,840 --> 00:22:11,560 Speaker 1: episodes every fucking, day bringing out the archive and releasing 415 00:22:11,680 --> 00:22:14,800 Speaker 1: AND i might add releasing new full, episodes two of 416 00:22:14,840 --> 00:22:20,240 Speaker 1: them every. Week it's it's it's the. Inherent it wouldn't 417 00:22:20,400 --> 00:22:23,600 Speaker 1: kill you to release Some Michael hutchins. Episode, yeah, no, 418 00:22:23,640 --> 00:22:25,880 Speaker 1: shit it wouldn't kill. Me you know what else wouldn't kill? 419 00:22:25,880 --> 00:22:28,600 Speaker 1: Me not fucking around On? Twitter you know? Why because 420 00:22:28,600 --> 00:22:32,040 Speaker 1: people have major fucking attitudes and it's a pain in the. 421 00:22:32,119 --> 00:22:36,160 Speaker 1: Ass The twitter verse needs to lighten the fuck, up. Man, 422 00:22:36,359 --> 00:22:40,359 Speaker 1: okay take take a cue from your Fellow instagram users 423 00:22:40,520 --> 00:22:42,280 Speaker 1: or what. HAPPENS i know you're the same. USERS i 424 00:22:42,359 --> 00:22:44,960 Speaker 1: know you're On twitter and you're all fucking pissed, off 425 00:22:44,960 --> 00:22:46,720 Speaker 1: and then you go over To instagram you're all nice and, 426 00:22:46,720 --> 00:22:50,080 Speaker 1: cuddly Like chris On, it who's just very kindly reminding 427 00:22:50,160 --> 00:22:53,240 Speaker 1: me That Michael hutchins was a serious artist and he 428 00:22:53,320 --> 00:22:55,440 Speaker 1: had a lot going. On that fucking led to the 429 00:22:55,560 --> 00:22:58,359 Speaker 1: direct demise and it just puts, it it wraps it 430 00:22:58,440 --> 00:23:01,120 Speaker 1: up in a really kind of, nice DARE i, say 431 00:23:01,240 --> 00:23:05,080 Speaker 1: precious kind Of instagram, way WHICH i don't know what 432 00:23:05,119 --> 00:23:07,320 Speaker 1: the fuck is wrong with, me but that's WHAT i, 433 00:23:07,440 --> 00:23:09,840 Speaker 1: prefer you, KNOW i don't. KNOW i can't take the 434 00:23:09,920 --> 00:23:13,080 Speaker 1: snark and, honestly the directness On. Facebook it kind of 435 00:23:13,119 --> 00:23:15,200 Speaker 1: rubs me the wrong way every now and. THEN i 436 00:23:15,280 --> 00:23:18,520 Speaker 1: like that sort of too Precious instagram. THING i don't 437 00:23:18,560 --> 00:23:20,800 Speaker 1: know WHY i takes all kinds of, people THOUGH i 438 00:23:20,880 --> 00:23:23,880 Speaker 1: like all of, you whoever you, Are, Twitter, Instagram, FACEBOOK 439 00:23:23,880 --> 00:23:26,040 Speaker 1: i don't. Discriminate keep it. COMING i can take. It 440 00:23:26,119 --> 00:23:28,159 Speaker 1: i'm a modern man living in a modern world with 441 00:23:28,280 --> 00:23:31,040 Speaker 1: postmodern views on various modes of. MODERNITY i, am AS i, 442 00:23:31,040 --> 00:23:33,639 Speaker 1: said a, MAN i spell M am of the, people 443 00:23:33,680 --> 00:23:35,720 Speaker 1: AND i clearly need a. Break So i'm going to 444 00:23:35,760 --> 00:23:52,919 Speaker 1: be back in a flash with some. Recommendations so we 445 00:23:52,960 --> 00:23:56,840 Speaker 1: are back the recommendation's. Part this is the recommendation's, part 446 00:23:56,920 --> 00:23:59,080 Speaker 1: the part where we recommend the things that need. Recommending 447 00:23:59,160 --> 00:24:03,520 Speaker 1: this is the recommendations. Part all. Right Denomination blues By 448 00:24:03,600 --> 00:24:06,879 Speaker 1: Ry cooter a great song when they came up this 449 00:24:06,920 --> 00:24:09,680 Speaker 1: Past Easter sunday in conversation with my old man who 450 00:24:09,720 --> 00:24:12,320 Speaker 1: was schooling me on the different types of religious denominations 451 00:24:12,840 --> 00:24:15,320 Speaker 1: and how they correlate to twentieth century, politics AND i 452 00:24:15,359 --> 00:24:17,600 Speaker 1: asked him how he knew all, this and he condescendingly 453 00:24:17,680 --> 00:24:20,880 Speaker 1: mentioned THAT i should probably read, MORE i, know lovingly 454 00:24:20,920 --> 00:24:23,159 Speaker 1: giving one son shit. Aside he told me about this 455 00:24:23,320 --> 00:24:26,360 Speaker 1: Song Denomination blues by Ry. Cooter we queered it up 456 00:24:26,440 --> 00:24:28,600 Speaker 1: And i've been listening to it ever. Since it's. Great 457 00:24:28,720 --> 00:24:30,920 Speaker 1: if you don't know, it check it, out you'll dig. 458 00:24:30,960 --> 00:24:34,760 Speaker 1: It what else HAVE i been listening? To in addition 459 00:24:34,800 --> 00:24:38,560 Speaker 1: to Ry? Cooter i'm still on this This christian Era 460 00:24:38,680 --> 00:24:41,000 Speaker 1: dylan stuff THAT i talked about in the last after. 461 00:24:41,040 --> 00:24:46,440 Speaker 1: Party check that. Out Slow train, coming great album worth mentioning. 462 00:24:46,640 --> 00:24:51,840 Speaker 1: Again but ALSO i received A dm On, instagram a very, 463 00:24:51,880 --> 00:24:55,320 Speaker 1: polite NICE dm On instagram from a band In ireland 464 00:24:55,400 --> 00:24:59,040 Speaker 1: Called Dark. Tropics they sent me a song of theirs 465 00:24:59,040 --> 00:25:02,320 Speaker 1: called Bad, lands which is really. Good obviously they sent 466 00:25:02,400 --> 00:25:07,040 Speaker 1: me the song because of our Series. Badlands, however you 467 00:25:07,080 --> 00:25:09,040 Speaker 1: KNOW i. WAS i was into the song AND i 468 00:25:09,080 --> 00:25:11,800 Speaker 1: was compelled to listen to more from this band. Again 469 00:25:11,840 --> 00:25:17,680 Speaker 1: they're Called Dark, Tropics Young, Band Young, Kids young band 470 00:25:17,800 --> 00:25:19,920 Speaker 1: AND i AND i went AND i found this other 471 00:25:20,080 --> 00:25:22,879 Speaker 1: song of theirs called it's a new, song their, NEWEST i, 472 00:25:22,880 --> 00:25:27,040 Speaker 1: believe Called midnight tenth Of. December All, right this song's. 473 00:25:27,080 --> 00:25:32,280 Speaker 1: Great this song is, incredible, dark brooding and somehow poppy 474 00:25:32,440 --> 00:25:35,440 Speaker 1: all at the same. Time this like They're, irish, Right 475 00:25:35,520 --> 00:25:39,880 Speaker 1: so there they got this Fucking irish. THING i CAN'T 476 00:25:39,880 --> 00:25:44,560 Speaker 1: i can't explain. It it's but It's, Irish that's ALL 477 00:25:44,640 --> 00:25:46,960 Speaker 1: i can. Say AND i know that that that is 478 00:25:47,680 --> 00:25:52,880 Speaker 1: a big shortcoming and in way of trying to describe 479 00:25:52,880 --> 00:25:54,800 Speaker 1: something as a as a writer and someone who makes 480 00:25:54,800 --> 00:25:57,040 Speaker 1: a living with his. Words BUT i don't, KNOW i 481 00:25:57,040 --> 00:25:59,040 Speaker 1: don't know what to. Say just go check these guys, 482 00:25:59,040 --> 00:26:02,200 Speaker 1: Out Dark, tropics particularly this Song midnight tenth Of. December 483 00:26:02,200 --> 00:26:05,760 Speaker 1: you can find it On spotify YouTube. WHEREVER i got me, 484 00:26:05,800 --> 00:26:08,679 Speaker 1: thinking Favorite irish, bands lots of Great irish rock and 485 00:26:08,760 --> 00:26:11,080 Speaker 1: roll THAT i feel like we don't talk about enough 486 00:26:11,160 --> 00:26:15,000 Speaker 1: as coming from that. Country you, two obviously The, Undertones Thin. 487 00:26:15,080 --> 00:26:19,560 Speaker 1: Lizzy how about? That you, too The, Undertones Thin? Lizzy 488 00:26:19,640 --> 00:26:21,520 Speaker 1: you can only listen to one for the rest of your. 489 00:26:21,520 --> 00:26:22,359 Speaker 1: Life who is? 490 00:26:22,400 --> 00:26:22,639 Speaker 2: It you? 491 00:26:22,760 --> 00:26:25,600 Speaker 1: Two The undertones Or Thin? Lizzy you know, Me I'm 492 00:26:25,640 --> 00:26:29,320 Speaker 1: phil right or die Thin lizzy all the. WAY i 493 00:26:29,359 --> 00:26:32,240 Speaker 1: can't deal with half of you two's. Catalog the other 494 00:26:32,280 --> 00:26:37,240 Speaker 1: HALF i think is borders between mediocre and just truly. 495 00:26:37,320 --> 00:26:41,800 Speaker 1: GREAT i Think bono is one of the greatest frontmen 496 00:26:42,080 --> 00:26:47,600 Speaker 1: of all, time and his power and range and depth 497 00:26:47,640 --> 00:26:51,400 Speaker 1: of persona and the compellingness of the character that he's 498 00:26:51,480 --> 00:26:54,920 Speaker 1: become and becomes on, stage all that is so powerful 499 00:26:55,320 --> 00:26:59,840 Speaker 1: that he has been able to make up and comp 500 00:26:59,840 --> 00:27:02,639 Speaker 1: and say for the shortcomings of his, band WHICH i 501 00:27:02,680 --> 00:27:08,159 Speaker 1: think are is mediocre at best most of the. TIME 502 00:27:09,160 --> 00:27:12,240 Speaker 1: i am tempted here in this moment to completely rip 503 00:27:12,280 --> 00:27:14,800 Speaker 1: Off Henry rollins's take On The, edge BUT i won't do. 504 00:27:14,920 --> 00:27:16,080 Speaker 2: That you can find that. 505 00:27:16,119 --> 00:27:20,359 Speaker 1: Wherever it's, hysterical it's also. True AND i love The. 506 00:27:20,480 --> 00:27:23,080 Speaker 1: EDGE i love you, TOO i. Do but they're, like you, 507 00:27:23,119 --> 00:27:25,960 Speaker 1: know greatest rock and roll band On earth status for 508 00:27:26,040 --> 00:27:28,400 Speaker 1: a lot of. People they're just not that fucking. Good 509 00:27:28,480 --> 00:27:31,200 Speaker 1: and it baffles my mind how they became so goddamn 510 00:27:31,320 --> 00:27:33,600 Speaker 1: huge in AND i just chalk it up To bono's. 511 00:27:33,680 --> 00:27:37,080 Speaker 1: Talent it's it's that. Extra it's so damn, Good but 512 00:27:38,400 --> 00:27:40,679 Speaker 1: the undertones not as deep of a catalog for me 513 00:27:41,040 --> 00:27:44,399 Speaker 1: And Thin. Lizzy, however that's the one that's The irish 514 00:27:44,400 --> 00:27:46,440 Speaker 1: band for, me IF i got to take one. Forever 515 00:27:46,720 --> 00:27:48,760 Speaker 1: how do you rank? Them you, two The, Undertones Thin, 516 00:27:48,840 --> 00:27:51,320 Speaker 1: lizzy and then who are the other seven Gazillion irish 517 00:27:51,359 --> 00:27:53,240 Speaker 1: bands That i'm not mentioning here that are pissing you 518 00:27:53,280 --> 00:27:54,119 Speaker 1: off in? 519 00:27:54,200 --> 00:27:55,120 Speaker 2: Absentia let me. 520 00:27:55,119 --> 00:27:58,720 Speaker 1: Know all, right that's What i'm listening. To What i'm. 521 00:27:58,800 --> 00:28:05,560 Speaker 1: Watching i'm Watching Waco American apocalypse On. Netflix, this as you, know, 522 00:28:05,720 --> 00:28:08,439 Speaker 1: guys is the SERIES i finally had time to make 523 00:28:08,480 --> 00:28:09,600 Speaker 1: space and sit down and watch. 524 00:28:09,640 --> 00:28:11,560 Speaker 2: This this is a. 525 00:28:10,880 --> 00:28:13,280 Speaker 1: Series by our, friend friend of the, Pod Taylor, russell 526 00:28:13,320 --> 00:28:16,520 Speaker 1: who we had on a couple months. Ago he made the. 527 00:28:16,600 --> 00:28:22,360 Speaker 1: Series he also made the Night stalker series as, well 528 00:28:22,400 --> 00:28:25,240 Speaker 1: you know, that and he has something else very big. 529 00:28:25,040 --> 00:28:26,440 Speaker 2: Coming up right around the corner On. 530 00:28:27,040 --> 00:28:30,679 Speaker 1: Netflix But Waco American, apocalypse great. Story even if you 531 00:28:30,680 --> 00:28:31,879 Speaker 1: know The waco, story you're gonna dig. 532 00:28:31,920 --> 00:28:32,320 Speaker 2: This check it. 533 00:28:32,359 --> 00:28:36,160 Speaker 1: Out, Also i'm Watching dave A Little. Dicky you sure 534 00:28:36,160 --> 00:28:38,920 Speaker 1: you know all About dave over On. Hulu great. Series 535 00:28:39,920 --> 00:28:42,280 Speaker 1: check him and his fucked up penis out when you 536 00:28:42,360 --> 00:28:46,240 Speaker 1: have a. Chance if you haven't ALREADY i am. Reading hold, 537 00:28:46,240 --> 00:28:48,120 Speaker 1: on wait for. IT i gotta find out the name 538 00:28:48,120 --> 00:28:49,720 Speaker 1: of this article SO i can get it. RIGHT i 539 00:28:49,720 --> 00:28:52,240 Speaker 1: get it on my phone, here hold on open in 540 00:28:52,280 --> 00:28:56,280 Speaker 1: the right. Browser this is a magazine article From Inside. 541 00:28:56,360 --> 00:29:00,160 Speaker 1: Hook it's called A Closer look At Bob Dylan's confounding 542 00:29:00,240 --> 00:29:04,760 Speaker 1: And Compassionate Christian Trilogy revisiting the Musicians Born Again Christian 543 00:29:04,800 --> 00:29:08,160 Speaker 1: phase By Timothy. Bracy this was published back in twenty twenty. 544 00:29:08,200 --> 00:29:10,920 Speaker 1: One as you, Know i've listening To Slow Train coming 545 00:29:11,040 --> 00:29:15,560 Speaker 1: and this prompted a little research for me to try 546 00:29:15,560 --> 00:29:18,400 Speaker 1: to get into These dylan records that most people have 547 00:29:18,560 --> 00:29:22,760 Speaker 1: just sort of discarded and overlooked because they're sort of non. 548 00:29:22,880 --> 00:29:27,440 Speaker 1: Secular this article is not WHAT i. Expected it is 549 00:29:27,560 --> 00:29:31,480 Speaker 1: actually a lot more open minded THAN i thought it would. 550 00:29:31,480 --> 00:29:36,520 Speaker 1: Be and if you're interested in this era Of Bob, 551 00:29:36,600 --> 00:29:40,880 Speaker 1: dylan we definitely covered it on Our Bob dylan episode 552 00:29:40,880 --> 00:29:42,400 Speaker 1: in our Series blood on The tracks that we did 553 00:29:42,400 --> 00:29:45,959 Speaker 1: On Bob, dylan and this is a really interesting look into. It. 554 00:29:46,000 --> 00:29:49,680 Speaker 1: Again this is the online magazines Called Inside. Hook the 555 00:29:49,720 --> 00:29:51,800 Speaker 1: author's name Is Timothy. Bracy in the name of the 556 00:29:51,880 --> 00:29:54,160 Speaker 1: article is A Closer look At Bob Dylan's confounding And 557 00:29:54,200 --> 00:29:58,080 Speaker 1: Compassionate Christian trilogy revisiting the musicians born Again christian. 558 00:29:58,120 --> 00:29:58,840 Speaker 2: Phase check that. 559 00:29:59,000 --> 00:30:01,200 Speaker 1: Out i'm gonna take a quick break while you, do 560 00:30:01,280 --> 00:30:24,160 Speaker 1: AND i will be back in just a. Bit all, 561 00:30:24,320 --> 00:30:28,440 Speaker 1: right let's. Recap shall We Skip? James The Skip james 562 00:30:28,440 --> 00:30:30,720 Speaker 1: episode is out right. Now you can check that. Out, 563 00:30:31,320 --> 00:30:35,400 Speaker 1: guys number, TWO i totally FORGOT i spaced TO i. 564 00:30:35,480 --> 00:30:37,280 Speaker 1: Space i'm talking about. This we have a two part 565 00:30:37,360 --> 00:30:41,240 Speaker 1: episode On Willie Nelson Willy nelson that's coming out Next, 566 00:30:42,000 --> 00:30:45,400 Speaker 1: obviously you don't want to sleep on That. Poltergeist we 567 00:30:45,480 --> 00:30:48,040 Speaker 1: re released that episode in the Bad Lands. Feed go 568 00:30:48,080 --> 00:30:52,000 Speaker 1: subscribe to Bad lands to different feed Than. Disgraceland go get. 569 00:30:52,040 --> 00:30:55,400 Speaker 1: That get cued. Up you're gonna want the new season 570 00:30:55,400 --> 00:30:57,920 Speaker 1: of episodes that are coming On may, third number four 571 00:30:58,160 --> 00:31:01,400 Speaker 1: in excess In Michael hutchins are coming this. Year even 572 00:31:01,600 --> 00:31:04,760 Speaker 1: if you have an attitude and exists On, twitter they're. 573 00:31:04,760 --> 00:31:06,840 Speaker 1: COMING i, KID i kid BECAUSE i LOVE i don't 574 00:31:06,880 --> 00:31:09,520 Speaker 1: kid about the episode On Michael. Hutchins it's definitely. COMING 575 00:31:09,680 --> 00:31:12,120 Speaker 1: i kid about giving The twitter users, shit all, Right 576 00:31:12,280 --> 00:31:15,920 Speaker 1: and now my moment of bliss me reading the phone 577 00:31:15,920 --> 00:31:19,960 Speaker 1: book in honor Of Tiller Russell's waco And American. APOCALYPSE 578 00:31:20,320 --> 00:31:23,280 Speaker 1: i give you the Phone, book me reading the Phone 579 00:31:23,320 --> 00:31:27,880 Speaker 1: book from nineteen seventy, Two, Dallas Fort Worth area And 580 00:31:28,000 --> 00:31:35,080 Speaker 1: away We. Go Red Noodle Club Live entertainment open seven 581 00:31:35,200 --> 00:31:38,720 Speaker 1: days until two. Am mixed drinks six four to. Two 582 00:31:38,800 --> 00:31:44,000 Speaker 1: Oh lemon three five, seven, five seven seven Five Regular 583 00:31:44,080 --> 00:31:48,320 Speaker 1: Fellows club three zero two, Four Park row four two 584 00:31:48,360 --> 00:31:53,400 Speaker 1: eight nine nine five, Seven Reliable Auto association three point 585 00:31:53,400 --> 00:31:57,760 Speaker 1: fifty One West Jefferson boulevard nine four two five seven 586 00:31:57,960 --> 00:32:02,320 Speaker 1: five two Ritz Po club two six two, one McKinney 587 00:32:02,360 --> 00:32:06,400 Speaker 1: ave eight two four nine four nine One Royal Oaks 588 00:32:06,520 --> 00:32:11,440 Speaker 1: Country Club, Clubhouse Greenville ave six nine one six zero nine, 589 00:32:11,560 --> 00:32:16,520 Speaker 1: One Sahara club three zero zero, Five East aprim two 590 00:32:16,600 --> 00:32:21,640 Speaker 1: six one nine five two, One sids five one zero 591 00:32:21,720 --> 00:32:25,640 Speaker 1: Two South lamar four two eight zero nine five, Five 592 00:32:26,040 --> 00:32:27,800 Speaker 1: The Silver keys one. 593 00:32:27,720 --> 00:32:29,400 Speaker 2: Zero six four, Seven. 594 00:32:29,160 --> 00:32:34,320 Speaker 1: Harry hines three five one to nine five zero, Six Sparkman, 595 00:32:34,440 --> 00:32:38,440 Speaker 1: Club The State's Community clubs three three six, Six duchess 596 00:32:38,760 --> 00:32:42,920 Speaker 1: twenty five seven five five three Three Wit talking And 597 00:32:43,160 --> 00:32:44,240 Speaker 1: Start mixing